music August 2016

music@lists.fedoraproject.org

2 participants
5 discussions

Re: [Fedora Update] [old_testing] rakarrack-0.2.0-5.fc8 / fc9
by Development discussions related to Fedora 13 Jan '26

13 Jan '26

updates(a)fedoraproject.org wrote: > The update for rakarrack-0.2.0-5.fc8 has been in 'testing' status for over 2 weeks. .. > ================================================================================ > rakarrack-0.2.0-5.fc8 > ================================================================================ > Update ID: FEDORA-2008-9033 > Release: Fedora 8 > Status: testing > Type: newpackage > Karma: 0 > Bugs: 455953 - Review Request: rakarrack - Audio effects processing rack > : for guitar > Notes: Initial build of rakarrack for fedora > Submitter: dtimms > Submitted: 2008-10-20 21:46:29 > Comments: dtimms - 2008-10-20 21:46:32 (karma 0) > This update has been submitted for testing > bodhi - 2008-10-23 16:35:19 (karma 0) > This update has been pushed to testing > > http://admin.fedoraproject.org/updates/F8/FEDORA-2008-9033 Hi fedora-music lovers, I would be keen for some feedback on whether rakarrack that is now in fedora testing works for you ? To fully test you'll need a guitar and pickup plugged into your soundcard, but even a go/nogo on whether it starts would be helpful. Where I developed the package, it works OK, but another older AMD machine, it fails during startup. This will help me to decide whether to push it to the F8,F9 updates repos. DaveT.

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whysynth doesn't work
by Florin Andrei 06 Jan '26

06 Jan '26

I got whysynth-dssi-20060122-7.src.rpm from here: http://people.redhat.com/green/FE/devel/ I rebuilt it on FC6 without problems. The thing is, the GUI doesn't show up. The program appears to be working, I see the outputs being automatically routed in qjackctl, but there's no GUI anywhere! ############################################### $ jack-dssi-host whysynth.so jack-dssi-host: Warning: DSSI path not set jack-dssi-host: Defaulting to "/usr/local/lib/dssi:/usr/lib/dssi:/home/florin/.dssi" jack-dssi-host: OSC URL is: osc.udp://rivendell.home.local:15040/dssi/whysynth/WhySynth/chan00 host: Ready WhySynth_gtk starting (pid 4305)... ############################################### -- Florin Andrei http://florin.myip.org/

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Fwd: [Guest Colloquium] Juan Pampin and Ake Parmerud - Ambisonics, 3D Audio
by Fernando Lopez-Lezcano 23 Dec '25

23 Dec '25

-------- Forwarded Message -------- Subject: [Guest Colloquium] Juan Pampin and Ake Parmerud - Ambisonics, 3D Audio Date: Tue, 19 May 2015 08:12:07 -0700 From: Madeline Huberth <mhuberth(a)ccrma.Stanford.EDU> To: local-users(a)ccrma.Stanford.EDU <local-users(a)ccrma.Stanford.EDU> Hello everyone, Please join us Wednesday, May 20th from 5:15pm-6:30pm for a pre-concert talk/guest colloquium by Juan Pampin and Ake Parmerud, whose works will also be presented in the Bing Studio later that evening. Event's page: https://ccrma.stanford.edu/events/guest-colloquium-may-20th-juan-pampin-and… Artist Bios: *Juan Pampin* is Associate Professor of Music Composition at University of Washington, Seattle, and founding faculty member of the Center for Digital Arts and Experimental Media (DXARTS), for which he currently serves as Director. He graduated from Conservatoire National Supérieur de Musique de Lyon, France, where he studied with Philippe Manoury and Denis Lorrain. He got a DMA from Stanford University where he studied composition with Jonathan Harvey and computer music at the Center for Computer Research in Music and Acoustics (CCRMA). Juan Pampin’s works explore the territory delineated by the concepts of site, memory, and materiality through the use of algorithmic strategies to produce aural phenomena. His music compositions, including pieces for instrumental, digital, and mixed media, have been performed around the world by world-class soloists and ensembles such as Susana Kasakoff, Garth Knox, JACK quartet, Percussions de Strasbourg, Krakow Percussion Ensemble, to name just a few. His work "On Space" –for percussion sextet and 3D electronic sounds– has been recently released on CD as part of Les Percussions de Strasbourg 50th anniversary historical edition box published by Universal France. *Åke Parmerud* has successfully pursued a professional career in contemporary music and multi-media art since the late 70’s. Although he originally trained as a photographer ( 1972-74 ) he went on to study music at university and subsequently the Göteborg Conservatory of Music. In addition to his electro-acoustic and instrumental music, his prolific list of works includes compositions covering a broad cross-section of modern experimental music in the fields of dance, film, interactive art, multi-media, theatre and video. Åke’s work has been acclaimed since his piece “Proximities” received first prize at the 1978 Bourges International Electroacoustic Music Festival in France. Since then he has received 17 international prizes and 3 major Swedish prizes (see prizes and awards <http://parmerud.com/MediaArtist/Awards.html>). On two occasions he has also received the Swedish “grammy” award for Best Classical Album of the Year and his music has represented Swedish Radio twice at The Prix Italia. He is regularly commissioned to compose works by important international institutions and his works have been presented worldwide. In 1997 his piece “Grains of Voices” was performed at the U.N in New York on United Nations Day. His music has been released on numerous albums and compilations, and in 1998 he became a member of The Swedish Royal Academy of Music. Åke Parmerud is not just a composer he is also a stage performer, playing electro-acoustic concerts using many different types of interactive instruments - often solo. He has toured extensively in Europe, North and South America. In the late 80’s he teamed-up with composer Anders Blomqvist, and their live performances - which included fireworks - were successful all round Europe well into the 90’s. The last ten years have seen Åke working as an innovative sound and software designer for interactive audio/visual installations. His own works “The Fire Inside”, “The Living Room” and “Lost Angel” have been shown in Berlin, Göteborg, Leon, Mexico City, Paris and Reykavic. He has also designed concerts and been artistic director for large audio/visual events both indoors and outdoors. Åke’s artistic reputation has led to several creative international collaborations. Between 1999 and 2006 he worked closely with the Danish “art team” Boxiganga <http://www.boxiganga.dk/>, developing revolutionary interactive video installations plus exploring telematic concepts and interactive solutions for live performances. In 2000, 2001 and 2002 he also worked with Canadian choreographer Pierre-Paul Savoi <http://www.ppsdanse.com/>as composer, sound and software designer. His most recent stage work “Metamorphos” was developed together with Canadian dance choreographer Mireille Leblanc <http://www.mireilleleblanc.com/> who also choreographed the interactive sound/video-installation “Lost Angel” and the prize winning dance performance ”The Seventh Sense”. He recently formed AudioTechture <http://www.audiotechture.se/> with Olle Niklasson. This is a company specialising in acoustic interior design for diverse environments from private houses to public spaces. He is also a member of an international multi-media/multi-disciplinary arts organisation: Celestial Mekaniks. <http://celestialmekaniks.com/> Best, Madeline

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Incoming: Ardour 5.x
by Nils Philippsen 05 Aug '16

05 Aug '16

Hi there, Paul Davis tagged RC1 for Ardour 5.0 a few days ago. I've packaged a current-ish revision from git, built it in COPR and submitted it for review in Fedora proper: https://copr.fedorainfracloud.org/coprs/nphilipp/ardour5/ https://bugzilla.redhat.com/show_bug.cgi?id=1364542 Please give it a shake and I'd be thankful for reviewing of course! Have a nice weekend, Nils -- Nils Philippsen / Wilhelmstraße 22 / D-71229 Leonberg nils(a)tiptoe.de / nils(a)redhat.com PGP fingerprint: C4A8 9474 5C4C ADE3 2B8F 656D 47D8 9B65 6951 3011

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Re: Orphaned packages seeking new point of contact
by Nils Philippsen 01 Aug '16

01 Aug '16

On Fri, 2016-07-29 at 11:21 -0600, Kevin Fenzi wrote: > libiec61883 (f23) > libiec61883 (f24) > libiec61883 (f25) > libiec61883 (master) > libraw1394 (f23) > libraw1394 (f24) > libraw1394 (f25) > libraw1394 (master) I've taken them because they are required by the jack/ffado stack (and I have a couple of FW devices). I can't put much time into this, so I'll gladly add co-maintainers ;). Nils -- Nils Philippsen "Those who would give up Essential Liberty to Red Hat purchase a little Temporary Safety, deserve neither nils(a)redhat.com Liberty nor Safety." -- Benjamin Franklin, 1759 PGP fingerprint: C4A8 9474 5C4C ADE3 2B8F 656D 47D8 9B65 6951 3011

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music August 2016