[web] Added ReleaseNotes and Musicians' Guide (ja-JP/Japanese translation)
Tadashi Jokagi
elf at fedoraproject.org
Thu Jul 28 06:17:29 UTC 2011
commit 6b9e5425d5432cbbe3d9b97ab3666373bea827ae
Author: Tadashi Jokagi <elf at elf.no-ip.org>
Date: Thu Jul 28 15:12:02 2011 +0900
Added ReleaseNotes and Musicians' Guide (ja-JP/Japanese translation)
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- <loc>http://docs.fedoraproject.org/fi-FI/Fedora/11/pdf/Fedora_Live_images/Fedora-11-Fedora_Live_images-fi-FI.pdf</loc>
+ <loc>http://docs.fedoraproject.org/fi-FI/Fedora/11/pdf/Fedora_Live_images/Fedora-13-Fedora_Live_Images-fi-FI.pdf</loc>
<lastmod>2010-06-14</lastmod>
<changefreq>monthly</changefreq>
<priority>0.8</priority>
@@ -5365,7 +5365,7 @@
<priority>0.8</priority>
</url>
<url>
- <loc>http://docs.fedoraproject.org/fi-FI/Fedora/10/pdf/Fedora_Live_Images/Fedora-10-Fedora_Live_Images-fi-FI.pdf</loc>
+ <loc>http://docs.fedoraproject.org/fi-FI/Fedora/10/pdf/Fedora_Live_Images/Fedora-13-Fedora_Live_Images-fi-FI.pdf</loc>
<lastmod>2010-06-14</lastmod>
<changefreq>monthly</changefreq>
<priority>0.8</priority>
@@ -7303,6 +7303,30 @@
<priority>0.8</priority>
</url>
<url>
+ <loc>http://docs.fedoraproject.org/ja-JP/Fedora/15/epub/Release_Notes/Fedora-15-Release_Notes-ja-JP.epub</loc>
+ <lastmod>2011-07-28</lastmod>
+ <changefreq>monthly</changefreq>
+ <priority>0.8</priority>
+</url>
+<url>
+ <loc>http://docs.fedoraproject.org/ja-JP/Fedora/15/html/Release_Notes/index.html</loc>
+ <lastmod>2011-07-28</lastmod>
+ <changefreq>monthly</changefreq>
+ <priority>0.8</priority>
+</url>
+<url>
+ <loc>http://docs.fedoraproject.org/ja-JP/Fedora/15/html-single/Release_Notes/index.html</loc>
+ <lastmod>2011-07-28</lastmod>
+ <changefreq>monthly</changefreq>
+ <priority>0.8</priority>
+</url>
+<url>
+ <loc>http://docs.fedoraproject.org/ja-JP/Fedora/15/pdf/Release_Notes/Fedora-15-Release_Notes-ja-JP.pdf</loc>
+ <lastmod>2011-07-28</lastmod>
+ <changefreq>monthly</changefreq>
+ <priority>0.8</priority>
+</url>
+<url>
<loc>http://docs.fedoraproject.org/ja-JP/Fedora/14/epub/Burning_ISO_images_to_disc/Fedora-14-Burning_ISO_images_to_disc-ja-JP.epub</loc>
<lastmod>2010-11-01</lastmod>
<changefreq>monthly</changefreq>
@@ -7807,6 +7831,24 @@
<priority>0.8</priority>
</url>
<url>
+ <loc>http://docs.fedoraproject.org/ja-JP/Fedora_Draft_Documentation/0.1/epub/Musicians_Guide/Fedora_Draft_Documentation-0.1-Musicians_Guide-ja-JP.epub</loc>
+ <lastmod>2011-07-28</lastmod>
+ <changefreq>monthly</changefreq>
+ <priority>0.8</priority>
+</url>
+<url>
+ <loc>http://docs.fedoraproject.org/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/index.html</loc>
+ <lastmod>2011-07-28</lastmod>
+ <changefreq>monthly</changefreq>
+ <priority>0.8</priority>
+</url>
+<url>
+ <loc>http://docs.fedoraproject.org/ja-JP/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/index.html</loc>
+ <lastmod>2011-07-28</lastmod>
+ <changefreq>monthly</changefreq>
+ <priority>0.8</priority>
+</url>
+<url>
<loc>http://docs.fedoraproject.org/kn-IN/Fedora/12/epub/Installation_Quick_Start_Guide/Fedora-12-Installation_Quick_Start_Guide-kn-IN.epub</loc>
<lastmod>2010-06-04</lastmod>
<changefreq>monthly</changefreq>
@@ -8509,7 +8551,7 @@
<priority>0.8</priority>
</url>
<url>
- <loc>http://docs.fedoraproject.org/nl-NL/Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-nl-NL.pdf</loc>
+ <loc>http://docs.fedoraproject.org/nl-NL/Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-nl-NL.pdf</loc>
<lastmod>2010-05-22</lastmod>
<changefreq>monthly</changefreq>
<priority>0.8</priority>
@@ -11077,7 +11119,7 @@
<priority>0.8</priority>
</url>
<url>
- <loc>http://docs.fedoraproject.org/pt-PT/Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-pt-PT.pdf</loc>
+ <loc>http://docs.fedoraproject.org/pt-PT/Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-pt-PT.pdf</loc>
<lastmod>2010-05-22</lastmod>
<changefreq>monthly</changefreq>
<priority>0.8</priority>
diff --git a/public_html/as-IN/Site_Statistics.html b/public_html/as-IN/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/as-IN/Site_Statistics.html
+++ b/public_html/as-IN/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/as-IN/opds-Fedora.xml b/public_html/as-IN/opds-Fedora.xml
index 1160be8..3e4ac1b 100644
--- a/public_html/as-IN/opds-Fedora.xml
+++ b/public_html/as-IN/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/as-IN/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:17</updated>
+ <updated>2011-07-28T06:06:13</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>as-IN</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/as-IN/opds-Fedora_Contributor_Documentation.xml b/public_html/as-IN/opds-Fedora_Contributor_Documentation.xml
index 5481d38..9d825ea 100644
--- a/public_html/as-IN/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/as-IN/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/as-IN/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:17</updated>
+ <updated>2011-07-28T06:06:13</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/as-IN/opds-Fedora_Core.xml b/public_html/as-IN/opds-Fedora_Core.xml
index bbb9e65..9ff97dd 100644
--- a/public_html/as-IN/opds-Fedora_Core.xml
+++ b/public_html/as-IN/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/as-IN/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:18</updated>
+ <updated>2011-07-28T06:06:13</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/as-IN/opds-Fedora_Draft_Documentation.xml b/public_html/as-IN/opds-Fedora_Draft_Documentation.xml
index ddde6b9..2fe312c 100644
--- a/public_html/as-IN/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/as-IN/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/as-IN/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:18</updated>
+ <updated>2011-07-28T06:06:13</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/as-IN/opds.xml b/public_html/as-IN/opds.xml
index 0d5a4eb..68b6c3d 100644
--- a/public_html/as-IN/opds.xml
+++ b/public_html/as-IN/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/as-IN/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:18</updated>
+ <updated>2011-07-28T06:06:13</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/as-IN/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:17</updated>
+ <updated>2011-07-28T06:06:13</updated>
<dc:language>as-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/as-IN/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:17</updated>
+ <updated>2011-07-28T06:06:13</updated>
<dc:language>as-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/as-IN/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:18</updated>
+ <updated>2011-07-28T06:06:13</updated>
<dc:language>as-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/as-IN/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:18</updated>
+ <updated>2011-07-28T06:06:13</updated>
<dc:language>as-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/as-IN/toc.html b/public_html/as-IN/toc.html
index 29d9b0e..66e7acf 100644
--- a/public_html/as-IN/toc.html
+++ b/public_html/as-IN/toc.html
@@ -609,7 +609,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -819,7 +819,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -838,7 +838,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -859,7 +859,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/bg-BG/Site_Statistics.html b/public_html/bg-BG/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/bg-BG/Site_Statistics.html
+++ b/public_html/bg-BG/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/bg-BG/opds-Fedora.xml b/public_html/bg-BG/opds-Fedora.xml
index f18320b..a490ce4 100644
--- a/public_html/bg-BG/opds-Fedora.xml
+++ b/public_html/bg-BG/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bg-BG/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:18</updated>
+ <updated>2011-07-28T06:06:14</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>bg-BG</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/bg-BG/opds-Fedora_Contributor_Documentation.xml b/public_html/bg-BG/opds-Fedora_Contributor_Documentation.xml
index 1b7151c..e884ee5 100644
--- a/public_html/bg-BG/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/bg-BG/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bg-BG/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:18</updated>
+ <updated>2011-07-28T06:06:14</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/bg-BG/opds-Fedora_Core.xml b/public_html/bg-BG/opds-Fedora_Core.xml
index 14a15a2..8022fc9 100644
--- a/public_html/bg-BG/opds-Fedora_Core.xml
+++ b/public_html/bg-BG/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bg-BG/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:18</updated>
+ <updated>2011-07-28T06:06:14</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/bg-BG/opds-Fedora_Draft_Documentation.xml b/public_html/bg-BG/opds-Fedora_Draft_Documentation.xml
index e4552c6..a0d4f43 100644
--- a/public_html/bg-BG/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/bg-BG/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bg-BG/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:18</updated>
+ <updated>2011-07-28T06:06:14</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/bg-BG/opds.xml b/public_html/bg-BG/opds.xml
index 68bd7cd..d72db5e 100644
--- a/public_html/bg-BG/opds.xml
+++ b/public_html/bg-BG/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/bg-BG/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:19</updated>
+ <updated>2011-07-28T06:06:14</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/bg-BG/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:18</updated>
+ <updated>2011-07-28T06:06:14</updated>
<dc:language>bg-BG</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/bg-BG/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:18</updated>
+ <updated>2011-07-28T06:06:14</updated>
<dc:language>bg-BG</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/bg-BG/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:18</updated>
+ <updated>2011-07-28T06:06:14</updated>
<dc:language>bg-BG</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/bg-BG/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:18</updated>
+ <updated>2011-07-28T06:06:14</updated>
<dc:language>bg-BG</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/bg-BG/toc.html b/public_html/bg-BG/toc.html
index 80b97af..6c4f749 100644
--- a/public_html/bg-BG/toc.html
+++ b/public_html/bg-BG/toc.html
@@ -608,7 +608,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -818,7 +818,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -837,7 +837,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -858,7 +858,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/bn-IN/Site_Statistics.html b/public_html/bn-IN/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/bn-IN/Site_Statistics.html
+++ b/public_html/bn-IN/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/bn-IN/opds-Fedora.xml b/public_html/bn-IN/opds-Fedora.xml
index 372d51b..95d0c50 100644
--- a/public_html/bn-IN/opds-Fedora.xml
+++ b/public_html/bn-IN/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bn-IN/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:19</updated>
+ <updated>2011-07-28T06:06:15</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>bn-IN</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/bn-IN/opds-Fedora_Contributor_Documentation.xml b/public_html/bn-IN/opds-Fedora_Contributor_Documentation.xml
index 9ba4286..b3ea6ec 100644
--- a/public_html/bn-IN/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/bn-IN/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bn-IN/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:19</updated>
+ <updated>2011-07-28T06:06:15</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/bn-IN/opds-Fedora_Core.xml b/public_html/bn-IN/opds-Fedora_Core.xml
index 8bc9ca0..2403f7d 100644
--- a/public_html/bn-IN/opds-Fedora_Core.xml
+++ b/public_html/bn-IN/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bn-IN/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:19</updated>
+ <updated>2011-07-28T06:06:15</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/bn-IN/opds-Fedora_Draft_Documentation.xml b/public_html/bn-IN/opds-Fedora_Draft_Documentation.xml
index efd8f23..76e4920 100644
--- a/public_html/bn-IN/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/bn-IN/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bn-IN/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:19</updated>
+ <updated>2011-07-28T06:06:15</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/bn-IN/opds.xml b/public_html/bn-IN/opds.xml
index e344295..3eeb386 100644
--- a/public_html/bn-IN/opds.xml
+++ b/public_html/bn-IN/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/bn-IN/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:19</updated>
+ <updated>2011-07-28T06:06:15</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/bn-IN/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:19</updated>
+ <updated>2011-07-28T06:06:15</updated>
<dc:language>bn-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/bn-IN/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:19</updated>
+ <updated>2011-07-28T06:06:15</updated>
<dc:language>bn-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/bn-IN/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:19</updated>
+ <updated>2011-07-28T06:06:15</updated>
<dc:language>bn-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/bn-IN/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:19</updated>
+ <updated>2011-07-28T06:06:15</updated>
<dc:language>bn-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/bn-IN/toc.html b/public_html/bn-IN/toc.html
index a1b2bcd..f88efa3 100644
--- a/public_html/bn-IN/toc.html
+++ b/public_html/bn-IN/toc.html
@@ -609,7 +609,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -819,7 +819,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -838,7 +838,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -859,7 +859,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/bs-BA/Site_Statistics.html b/public_html/bs-BA/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/bs-BA/Site_Statistics.html
+++ b/public_html/bs-BA/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/bs-BA/opds-Fedora.xml b/public_html/bs-BA/opds-Fedora.xml
index fe980d5..7c6c038 100644
--- a/public_html/bs-BA/opds-Fedora.xml
+++ b/public_html/bs-BA/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bs-BA/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:19</updated>
+ <updated>2011-07-28T06:06:15</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>bs-BA</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/bs-BA/opds-Fedora_Contributor_Documentation.xml b/public_html/bs-BA/opds-Fedora_Contributor_Documentation.xml
index f83aa8a..cbce44b 100644
--- a/public_html/bs-BA/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/bs-BA/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bs-BA/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:19</updated>
+ <updated>2011-07-28T06:06:15</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/bs-BA/opds-Fedora_Core.xml b/public_html/bs-BA/opds-Fedora_Core.xml
index c97cfb3..f864cee 100644
--- a/public_html/bs-BA/opds-Fedora_Core.xml
+++ b/public_html/bs-BA/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bs-BA/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:19</updated>
+ <updated>2011-07-28T06:06:15</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/bs-BA/opds-Fedora_Draft_Documentation.xml b/public_html/bs-BA/opds-Fedora_Draft_Documentation.xml
index fcb5808..f71cb34 100644
--- a/public_html/bs-BA/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/bs-BA/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bs-BA/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:19</updated>
+ <updated>2011-07-28T06:06:15</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/bs-BA/opds.xml b/public_html/bs-BA/opds.xml
index ee4d969..9a96f17 100644
--- a/public_html/bs-BA/opds.xml
+++ b/public_html/bs-BA/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/bs-BA/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:19</updated>
+ <updated>2011-07-28T06:06:16</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/bs-BA/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:19</updated>
+ <updated>2011-07-28T06:06:15</updated>
<dc:language>bs-BA</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/bs-BA/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:19</updated>
+ <updated>2011-07-28T06:06:15</updated>
<dc:language>bs-BA</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/bs-BA/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:19</updated>
+ <updated>2011-07-28T06:06:15</updated>
<dc:language>bs-BA</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/bs-BA/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:19</updated>
+ <updated>2011-07-28T06:06:15</updated>
<dc:language>bs-BA</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/bs-BA/toc.html b/public_html/bs-BA/toc.html
index 2464ef0..1fc0bad 100644
--- a/public_html/bs-BA/toc.html
+++ b/public_html/bs-BA/toc.html
@@ -618,7 +618,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -819,7 +819,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -838,7 +838,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -859,7 +859,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/ca-ES/Site_Statistics.html b/public_html/ca-ES/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/ca-ES/Site_Statistics.html
+++ b/public_html/ca-ES/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/ca-ES/opds-Fedora.xml b/public_html/ca-ES/opds-Fedora.xml
index d34d267..ae5ce47 100644
--- a/public_html/ca-ES/opds-Fedora.xml
+++ b/public_html/ca-ES/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ca-ES/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:19</updated>
+ <updated>2011-07-28T06:06:16</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -156,9 +156,9 @@
<dc:language>ca-ES</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Com utilitzar la imatge autònoma de Fedora
+ <summary>Com utilitzar la imatge autònoma de Fedora
</summary>
- <content type="text">Com utilitzar la imatge autònoma de Fedora</content>
+ <content type="text">Com utilitzar la imatge autònoma de Fedora</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/ca-ES/Fedora/14/epub/Fedora_Live_Images/Fedora-14-Fedora_Live_Images-ca-ES.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>ca-ES</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/ca-ES/opds-Fedora_Contributor_Documentation.xml b/public_html/ca-ES/opds-Fedora_Contributor_Documentation.xml
index e7cd086..a29245a 100644
--- a/public_html/ca-ES/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/ca-ES/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ca-ES/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:20</updated>
+ <updated>2011-07-28T06:06:16</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/ca-ES/opds-Fedora_Core.xml b/public_html/ca-ES/opds-Fedora_Core.xml
index 6d32405..32211d0 100644
--- a/public_html/ca-ES/opds-Fedora_Core.xml
+++ b/public_html/ca-ES/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ca-ES/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:20</updated>
+ <updated>2011-07-28T06:06:16</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ca-ES/opds-Fedora_Draft_Documentation.xml b/public_html/ca-ES/opds-Fedora_Draft_Documentation.xml
index 187a243..60208f7 100644
--- a/public_html/ca-ES/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/ca-ES/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ca-ES/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:20</updated>
+ <updated>2011-07-28T06:06:16</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ca-ES/opds.xml b/public_html/ca-ES/opds.xml
index 6235bb5..3dd95f1 100644
--- a/public_html/ca-ES/opds.xml
+++ b/public_html/ca-ES/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/ca-ES/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:20</updated>
+ <updated>2011-07-28T06:06:16</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/ca-ES/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:20</updated>
+ <updated>2011-07-28T06:06:16</updated>
<dc:language>ca-ES</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/ca-ES/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:20</updated>
+ <updated>2011-07-28T06:06:16</updated>
<dc:language>ca-ES</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/ca-ES/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:20</updated>
+ <updated>2011-07-28T06:06:16</updated>
<dc:language>ca-ES</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/ca-ES/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:20</updated>
+ <updated>2011-07-28T06:06:16</updated>
<dc:language>ca-ES</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/ca-ES/toc.html b/public_html/ca-ES/toc.html
index 0dc2b76..5053e42 100644
--- a/public_html/ca-ES/toc.html
+++ b/public_html/ca-ES/toc.html
@@ -608,7 +608,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -818,7 +818,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -837,7 +837,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -858,7 +858,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/cs-CZ/Site_Statistics.html b/public_html/cs-CZ/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/cs-CZ/Site_Statistics.html
+++ b/public_html/cs-CZ/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/cs-CZ/opds-Fedora.xml b/public_html/cs-CZ/opds-Fedora.xml
index c2c6f5f..6a035f4 100644
--- a/public_html/cs-CZ/opds-Fedora.xml
+++ b/public_html/cs-CZ/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/cs-CZ/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:20</updated>
+ <updated>2011-07-28T06:06:17</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>cs-CZ</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/cs-CZ/opds-Fedora_Contributor_Documentation.xml b/public_html/cs-CZ/opds-Fedora_Contributor_Documentation.xml
index 4cf56b7..5766565 100644
--- a/public_html/cs-CZ/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/cs-CZ/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/cs-CZ/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:20</updated>
+ <updated>2011-07-28T06:06:17</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/cs-CZ/opds-Fedora_Core.xml b/public_html/cs-CZ/opds-Fedora_Core.xml
index 1c4e344..7e91927 100644
--- a/public_html/cs-CZ/opds-Fedora_Core.xml
+++ b/public_html/cs-CZ/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/cs-CZ/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:20</updated>
+ <updated>2011-07-28T06:06:17</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/cs-CZ/opds-Fedora_Draft_Documentation.xml b/public_html/cs-CZ/opds-Fedora_Draft_Documentation.xml
index 317496a..40a9c75 100644
--- a/public_html/cs-CZ/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/cs-CZ/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/cs-CZ/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:20</updated>
+ <updated>2011-07-28T06:06:17</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/cs-CZ/opds.xml b/public_html/cs-CZ/opds.xml
index 4adbe2b..33c5774 100644
--- a/public_html/cs-CZ/opds.xml
+++ b/public_html/cs-CZ/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/cs-CZ/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:20</updated>
+ <updated>2011-07-28T06:06:17</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/cs-CZ/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:20</updated>
+ <updated>2011-07-28T06:06:17</updated>
<dc:language>cs-CZ</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/cs-CZ/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:20</updated>
+ <updated>2011-07-28T06:06:17</updated>
<dc:language>cs-CZ</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/cs-CZ/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:20</updated>
+ <updated>2011-07-28T06:06:17</updated>
<dc:language>cs-CZ</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/cs-CZ/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:20</updated>
+ <updated>2011-07-28T06:06:17</updated>
<dc:language>cs-CZ</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/cs-CZ/toc.html b/public_html/cs-CZ/toc.html
index 29e0aa6..d7e1b9e 100644
--- a/public_html/cs-CZ/toc.html
+++ b/public_html/cs-CZ/toc.html
@@ -608,7 +608,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -818,7 +818,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -837,7 +837,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -858,7 +858,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/da-DK/Site_Statistics.html b/public_html/da-DK/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/da-DK/Site_Statistics.html
+++ b/public_html/da-DK/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/da-DK/opds-Fedora.xml b/public_html/da-DK/opds-Fedora.xml
index 5f09190..a6f11e0 100644
--- a/public_html/da-DK/opds-Fedora.xml
+++ b/public_html/da-DK/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/da-DK/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:20</updated>
+ <updated>2011-07-28T06:06:18</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>da-DK</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/da-DK/opds-Fedora_Contributor_Documentation.xml b/public_html/da-DK/opds-Fedora_Contributor_Documentation.xml
index e849d93..0c076c2 100644
--- a/public_html/da-DK/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/da-DK/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/da-DK/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:20</updated>
+ <updated>2011-07-28T06:06:18</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/da-DK/opds-Fedora_Core.xml b/public_html/da-DK/opds-Fedora_Core.xml
index eeb458a..59baa26 100644
--- a/public_html/da-DK/opds-Fedora_Core.xml
+++ b/public_html/da-DK/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/da-DK/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:21</updated>
+ <updated>2011-07-28T06:06:18</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/da-DK/opds-Fedora_Draft_Documentation.xml b/public_html/da-DK/opds-Fedora_Draft_Documentation.xml
index 5472e33..930b2cd 100644
--- a/public_html/da-DK/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/da-DK/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/da-DK/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:21</updated>
+ <updated>2011-07-28T06:06:18</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/da-DK/opds.xml b/public_html/da-DK/opds.xml
index 633b589..9d94032 100644
--- a/public_html/da-DK/opds.xml
+++ b/public_html/da-DK/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/da-DK/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:21</updated>
+ <updated>2011-07-28T06:06:18</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/da-DK/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:20</updated>
+ <updated>2011-07-28T06:06:18</updated>
<dc:language>da-DK</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/da-DK/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:20</updated>
+ <updated>2011-07-28T06:06:18</updated>
<dc:language>da-DK</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/da-DK/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:21</updated>
+ <updated>2011-07-28T06:06:18</updated>
<dc:language>da-DK</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/da-DK/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:21</updated>
+ <updated>2011-07-28T06:06:18</updated>
<dc:language>da-DK</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/da-DK/toc.html b/public_html/da-DK/toc.html
index d7f8621..aa54dd6 100644
--- a/public_html/da-DK/toc.html
+++ b/public_html/da-DK/toc.html
@@ -609,7 +609,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -819,7 +819,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -838,7 +838,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -859,7 +859,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/de-DE/Site_Statistics.html b/public_html/de-DE/Site_Statistics.html
index 25f8282..cac95c8 100644
--- a/public_html/de-DE/Site_Statistics.html
+++ b/public_html/de-DE/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Sprachen gesamt: </b>42<br />
- <b>Pakete gesamt: </b>664
+ <b>Pakete gesamt: </b>666
</div>
</body>
</html>
diff --git a/public_html/de-DE/opds-Fedora.xml b/public_html/de-DE/opds-Fedora.xml
index e549409..85ed0d2 100644
--- a/public_html/de-DE/opds-Fedora.xml
+++ b/public_html/de-DE/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/de-DE/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:21</updated>
+ <updated>2011-07-28T06:06:18</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>de-DE</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/de-DE/opds-Fedora_Contributor_Documentation.xml b/public_html/de-DE/opds-Fedora_Contributor_Documentation.xml
index 3bfe56d..fcc38b5 100644
--- a/public_html/de-DE/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/de-DE/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/de-DE/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:21</updated>
+ <updated>2011-07-28T06:06:18</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/de-DE/opds-Fedora_Core.xml b/public_html/de-DE/opds-Fedora_Core.xml
index 1e408a7..7e01767 100644
--- a/public_html/de-DE/opds-Fedora_Core.xml
+++ b/public_html/de-DE/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/de-DE/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:22</updated>
+ <updated>2011-07-28T06:06:18</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/de-DE/opds-Fedora_Draft_Documentation.xml b/public_html/de-DE/opds-Fedora_Draft_Documentation.xml
index 3f768dc..75e3bc3 100644
--- a/public_html/de-DE/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/de-DE/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/de-DE/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:22</updated>
+ <updated>2011-07-28T06:06:18</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/de-DE/opds.xml b/public_html/de-DE/opds.xml
index e6dd810..ec45b23 100644
--- a/public_html/de-DE/opds.xml
+++ b/public_html/de-DE/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/de-DE/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:22</updated>
+ <updated>2011-07-28T06:06:19</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/de-DE/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:21</updated>
+ <updated>2011-07-28T06:06:18</updated>
<dc:language>de-DE</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/de-DE/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:21</updated>
+ <updated>2011-07-28T06:06:18</updated>
<dc:language>de-DE</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/de-DE/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:22</updated>
+ <updated>2011-07-28T06:06:18</updated>
<dc:language>de-DE</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/de-DE/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:22</updated>
+ <updated>2011-07-28T06:06:18</updated>
<dc:language>de-DE</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/de-DE/toc.html b/public_html/de-DE/toc.html
index 3390c84..ae12de2 100644
--- a/public_html/de-DE/toc.html
+++ b/public_html/de-DE/toc.html
@@ -608,7 +608,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -708,7 +708,7 @@
<a class="type" href="../en-US/./Fedora/10/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/10/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/10/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/10/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/10/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/10/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/10/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/10/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/10/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.10.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.10.User_Guide.types');">
@@ -872,7 +872,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -891,7 +891,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -912,7 +912,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/el-GR/Site_Statistics.html b/public_html/el-GR/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/el-GR/Site_Statistics.html
+++ b/public_html/el-GR/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/el-GR/opds-Fedora.xml b/public_html/el-GR/opds-Fedora.xml
index 23e461e..441ac51 100644
--- a/public_html/el-GR/opds-Fedora.xml
+++ b/public_html/el-GR/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/el-GR/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:22</updated>
+ <updated>2011-07-28T06:06:19</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>el-GR</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/el-GR/opds-Fedora_Contributor_Documentation.xml b/public_html/el-GR/opds-Fedora_Contributor_Documentation.xml
index c6b3843..904917b 100644
--- a/public_html/el-GR/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/el-GR/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/el-GR/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:22</updated>
+ <updated>2011-07-28T06:06:19</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/el-GR/opds-Fedora_Core.xml b/public_html/el-GR/opds-Fedora_Core.xml
index 83b4174..5b7cd21 100644
--- a/public_html/el-GR/opds-Fedora_Core.xml
+++ b/public_html/el-GR/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/el-GR/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:22</updated>
+ <updated>2011-07-28T06:06:19</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/el-GR/opds-Fedora_Draft_Documentation.xml b/public_html/el-GR/opds-Fedora_Draft_Documentation.xml
index 8f83820..3dcb3f9 100644
--- a/public_html/el-GR/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/el-GR/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/el-GR/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:22</updated>
+ <updated>2011-07-28T06:06:19</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/el-GR/opds.xml b/public_html/el-GR/opds.xml
index 2d35097..06a8f23 100644
--- a/public_html/el-GR/opds.xml
+++ b/public_html/el-GR/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/el-GR/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:22</updated>
+ <updated>2011-07-28T06:06:19</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/el-GR/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:22</updated>
+ <updated>2011-07-28T06:06:19</updated>
<dc:language>el-GR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/el-GR/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:22</updated>
+ <updated>2011-07-28T06:06:19</updated>
<dc:language>el-GR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/el-GR/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:22</updated>
+ <updated>2011-07-28T06:06:19</updated>
<dc:language>el-GR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/el-GR/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:22</updated>
+ <updated>2011-07-28T06:06:19</updated>
<dc:language>el-GR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/el-GR/toc.html b/public_html/el-GR/toc.html
index e8deaca..fd32e89 100644
--- a/public_html/el-GR/toc.html
+++ b/public_html/el-GR/toc.html
@@ -609,7 +609,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -819,7 +819,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -838,7 +838,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -859,7 +859,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/en-US/Site_Statistics.html b/public_html/en-US/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/en-US/Site_Statistics.html
+++ b/public_html/en-US/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/en-US/opds-Fedora.xml b/public_html/en-US/opds-Fedora.xml
index b547112..ee78f27 100644
--- a/public_html/en-US/opds-Fedora.xml
+++ b/public_html/en-US/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/en-US/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:22</updated>
+ <updated>2011-07-28T06:06:20</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>en-US</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/en-US/opds-Fedora_Contributor_Documentation.xml b/public_html/en-US/opds-Fedora_Contributor_Documentation.xml
index 1bb324d..4d83d5b 100644
--- a/public_html/en-US/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/en-US/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/en-US/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:22</updated>
+ <updated>2011-07-28T06:06:20</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/en-US/opds-Fedora_Core.xml b/public_html/en-US/opds-Fedora_Core.xml
index 6ec1b82..1a1f383 100644
--- a/public_html/en-US/opds-Fedora_Core.xml
+++ b/public_html/en-US/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/en-US/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:23</updated>
+ <updated>2011-07-28T06:06:20</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/en-US/opds-Fedora_Draft_Documentation.xml b/public_html/en-US/opds-Fedora_Draft_Documentation.xml
index fedc508..3617203 100644
--- a/public_html/en-US/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/en-US/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/en-US/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:23</updated>
+ <updated>2011-07-28T06:06:20</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/en-US/opds.xml b/public_html/en-US/opds.xml
index 37294eb..0a7dfd0 100644
--- a/public_html/en-US/opds.xml
+++ b/public_html/en-US/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/en-US/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:23</updated>
+ <updated>2011-07-28T06:06:20</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/en-US/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:22</updated>
+ <updated>2011-07-28T06:06:20</updated>
<dc:language>en-US</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:22</updated>
+ <updated>2011-07-28T06:06:20</updated>
<dc:language>en-US</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/en-US/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:23</updated>
+ <updated>2011-07-28T06:06:20</updated>
<dc:language>en-US</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/en-US/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:23</updated>
+ <updated>2011-07-28T06:06:20</updated>
<dc:language>en-US</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/en-US/toc.html b/public_html/en-US/toc.html
index 45d752a..f527e1c 100644
--- a/public_html/en-US/toc.html
+++ b/public_html/en-US/toc.html
@@ -586,7 +586,7 @@
<a class="type" href="./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed">
@@ -771,7 +771,7 @@
<a class="type" href="./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -785,7 +785,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed">
<a class="type" href="Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types" onclick="work=0;">
- <a class="type" href="./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -806,7 +806,7 @@
<a class="type" href="./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/es-ES/Site_Statistics.html b/public_html/es-ES/Site_Statistics.html
index 82db15b..4455a3e 100644
--- a/public_html/es-ES/Site_Statistics.html
+++ b/public_html/es-ES/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Idiomas totales: </b>42<br />
- <b>Paquetes totales: </b>664
+ <b>Paquetes totales: </b>666
</div>
</body>
</html>
diff --git a/public_html/es-ES/opds-Fedora.xml b/public_html/es-ES/opds-Fedora.xml
index bdb24f9..3a7829d 100644
--- a/public_html/es-ES/opds-Fedora.xml
+++ b/public_html/es-ES/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/es-ES/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:24</updated>
+ <updated>2011-07-28T06:06:20</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -80,7 +80,7 @@
<dc:language>es-ES</dc:language>
<category label="14" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Utilizando Fedora con algún tipo de discapacidad visual, auditiva o motora
+ <summary>Utilizando Fedora con algún tipo de discapacidad visual, auditiva o motora
</summary>
<content type="text">Este documento describe algunos de los dispositivos de hardware, aplicaciones y herramientas existentes para que personas con discapacidades puedan utilizar una computadora con el sistema operativo Fedora.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/es-ES/Fedora/14/epub/Accessibility_Guide/Fedora-14-Accessibility_Guide-es-ES.epub">
@@ -118,9 +118,9 @@
<dc:language>es-ES</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Cómo descargar imágenes ISO y crear CDs o DVDs
+ <summary>Cómo descargar imágenes ISO y crear CDs o DVDs
</summary>
- <content type="text">Cómo descargar imágenes ISO y crear CDs o DVDs</content>
+ <content type="text">Cómo descargar imágenes ISO y crear CDs o DVDs</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/es-ES/Fedora/14/epub/Burning_ISO_images_to_disc/Fedora-14-Burning_ISO_images_to_disc-es-ES.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -156,9 +156,9 @@
<dc:language>es-ES</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Cómo utilizar la imagen viva de Fedora
+ <summary>Cómo utilizar la imagen viva de Fedora
</summary>
- <content type="text">Cómo utilizar la imagen viva de Fedora</content>
+ <content type="text">Cómo utilizar la imagen viva de Fedora</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/es-ES/Fedora/14/epub/Fedora_Live_Images/Fedora-14-Fedora_Live_Images-es-ES.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>es-ES</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -213,9 +213,9 @@
<dc:language>es-ES</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Administrando el consumo de energÃÂa en Fedora
+ <summary>Administrando el consumo de energÃa en Fedora
</summary>
- <content type="text">Este documento explica cómo administrar adecuadamente el consumo de energÃÂa en sistemas Fedora 14. Las secciones ofrecidas a continuación describen diferentes técnicas para poder disminuir el consumo de energÃÂa (ya sea en servidores o en portátiles), y cómo cada una de estas técnicas influye en el rendimiento general de su sistema. Por favor tenga en cuenta que este documento se encuentra en desarrollo, sujeto a grandes modificaciones, y que se ofrece aquàcomo un anticipo. El contenido e instrucciones no deben considerarse como completos y deben utilizarse con cautela.</content>
+ <content type="text">Este documento explica cómo administrar adecuadamente el consumo de energÃa en sistemas Fedora 14. Las secciones ofrecidas a continuación describen diferentes técnicas para poder disminuir el consumo de energÃa (ya sea en servidores o en portátiles), y cómo cada una de estas técnicas influye en el rendimiento general de su sistema. Por favor tenga en cuenta que este documento se encuentra en desarrollo, sujeto a grandes modificaciones, y que se ofrece aquà como un anticipo. El contenido e instrucciones no deben considerarse como completos y deben utilizarse con cautela.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/es-ES/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-es-ES.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -251,9 +251,9 @@
<dc:language>es-ES</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Una guÃÂa para la seguridad en Fedora Linux
+ <summary>Una guÃa para la seguridad en Fedora Linux
</summary>
- <content type="text">La GuÃÂa de Seguridad en Fedora está diseñada para asistir a usuarios de Fedora en el proceso de aprendizaje y prácticas de seguridad en estaciones de trabajo y servidores, para poder asàevitar intrusiones locales y remotas, explotaciones, y actividades maliciosas. Enfocada en Fedora Linux pero detallando conceptos y técnicas validas para todos los sistemas Linux. La GuÃÂa de Seguridad en Fedora detalla la planificación y describe las herramientas involucradas en la creación de un entorno de computación seguro, para centros de datos, estaciones de trabajo, o el hogar. Con un conocimiento administrativo apropiado, vigilancia, y herramientas, los sistemas ejecutando Linux pueden ser funcionales y al mismo tiempo seguros, frente a los métodos de intrusión y explotación más comunes.</content>
+ <content type="text">La GuÃa de Seguridad en Fedora está diseñada para asistir a usuarios de Fedora en el proceso de aprendizaje y prácticas de seguridad en estaciones de trabajo y servidores, para poder asà evitar intrusiones locales y remotas, explotaciones, y actividades maliciosas. Enfocada en Fedora Linux pero detallando conceptos y técnicas validas para todos los sistemas Linux. La GuÃa de Seguridad en Fedora detalla la planificación y describe las herramientas involucradas en la creación de un entorno de computación seguro, para centros de datos, estaciones de trabajo, o el hogar. Con un conocimiento administrativo apropiado, vigilancia, y herramientas, los sistemas ejecutando Linux pueden ser funcionales y al mismo tiempo seguros, frente a los métodos de intrusión y explotación más comunes.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/es-ES/Fedora/14/epub/Security_Guide/Fedora-14-Security_Guide-es-ES.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -309,7 +309,7 @@
<!--dc:issued></dc:issued-->
<summary>Utilizando Fedora 14 para realizar tareas comunes en un equipo de escritorio
</summary>
- <content type="text">La guÃÂa del usuario Fedora está pensada para que los usuarios finales puedan realizar tareas de computación relativamente sencillas, como por ejemplo navegar por la web, leer y enviar correos electrónicos, o utilizar el equipo para tareas propias de ámbitos laborales, pasatiempos o estudios.</content>
+ <content type="text">La guÃa del usuario Fedora está pensada para que los usuarios finales puedan realizar tareas de computación relativamente sencillas, como por ejemplo navegar por la web, leer y enviar correos electrónicos, o utilizar el equipo para tareas propias de ámbitos laborales, pasatiempos o estudios.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/es-ES/Fedora/14/epub/User_Guide/Fedora-14-User_Guide-es-ES.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -454,7 +454,7 @@
<!--dc:issued></dc:issued-->
<summary>Respuestas a preguntas frecuentes sobre Seguridad Mejorada de Linux
</summary>
- <content type="text">Este FAQ responde a muchas preguntas acerca de Seguridad Mejorada de Linux. La información de este FAQ es valiosa para aquellos que son nuevos en SELinux. Este FAQ, sin embargo, no está diseñado para proporcionar una cobertura completa de SELinux. Para guÃÂas e instrucciones detalladas sobre la comprensión y el uso de SELinux, consulte primero la GuÃÂa del Usuario de SELinux y la GuÃÂa de Administración de Servicios Confinados. Están disponibles en http://docs.fedoraproject.org</content>
+ <content type="text">Este FAQ responde a muchas preguntas acerca de Seguridad Mejorada de Linux. La información de este FAQ es valiosa para aquellos que son nuevos en SELinux. Este FAQ, sin embargo, no está diseñado para proporcionar una cobertura completa de SELinux. Para guÃas e instrucciones detalladas sobre la comprensión y el uso de SELinux, consulte primero la GuÃa del Usuario de SELinux y la GuÃa de Administración de Servicios Confinados. Están disponibles en http://docs.fedoraproject.org</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/es-ES/Fedora/13/epub/SELinux_FAQ/Fedora-13-SELinux_FAQ-es-ES.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/es-ES/opds-Fedora_15.xml b/public_html/es-ES/opds-Fedora_15.xml
index 63a964f..b924631 100644
--- a/public_html/es-ES/opds-Fedora_15.xml
+++ b/public_html/es-ES/opds-Fedora_15.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/es-ES/opds-Fedora_15.xml</id>
<title>Fedora 15</title>
<subtitle>Fedora 15</subtitle>
- <updated>2011-07-22T14:16:25</updated>
+ <updated>2011-07-28T06:06:20</updated>
<!--author>
<name></name>
<uri></uri>
@@ -23,9 +23,9 @@
<dc:language>es-ES</dc:language>
<category label="0.1" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>La guÃÂa definitiva para la gestión del software
+ <summary>La guÃa definitiva para la gestión del software
</summary>
- <content type="text">Este manual está dedicado a la gestión del software en Fedora. El lector adquirirá las habilidades necesarias para poder instalar, remover y actualizar el software de su sistema. Este manual esta diseñado para todos los niveles de lectores, desde usuarios de escritorio Fedora, hasta administradores de sistemas y desarrolladores Fedora.</content>
+ <content type="text">Este manual está dedicado a la gestión del software en Fedora. El lector adquirirá las habilidades necesarias para poder instalar, remover y actualizar el software de su sistema. Este manual esta diseñado para todos los niveles de lectores, desde usuarios de escritorio Fedora, hasta administradores de sistemas y desarrolladores Fedora.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/es-ES/Fedora_15/0.1/epub/Software_Management_Guide/Fedora_15-0.1-Software_Management_Guide-es-ES.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/es-ES/opds-Fedora_Contributor_Documentation.xml b/public_html/es-ES/opds-Fedora_Contributor_Documentation.xml
index 6cadac1..130a348 100644
--- a/public_html/es-ES/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/es-ES/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/es-ES/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:25</updated>
+ <updated>2011-07-28T06:06:20</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/es-ES/opds-Fedora_Core.xml b/public_html/es-ES/opds-Fedora_Core.xml
index 1c9521f..0ceea89 100644
--- a/public_html/es-ES/opds-Fedora_Core.xml
+++ b/public_html/es-ES/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/es-ES/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:25</updated>
+ <updated>2011-07-28T06:06:21</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/es-ES/opds-Fedora_Draft_Documentation.xml b/public_html/es-ES/opds-Fedora_Draft_Documentation.xml
index 123e41f..174c411 100644
--- a/public_html/es-ES/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/es-ES/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/es-ES/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:25</updated>
+ <updated>2011-07-28T06:06:21</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/es-ES/opds.xml b/public_html/es-ES/opds.xml
index 6757350..cd9f763 100644
--- a/public_html/es-ES/opds.xml
+++ b/public_html/es-ES/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/es-ES/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:25</updated>
+ <updated>2011-07-28T06:06:21</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/es-ES/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:25</updated>
+ <updated>2011-07-28T06:06:20</updated>
<dc:language>es-ES</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora 15</title>
<id>http://docs.fedoraproject.org/es-ES/Fedora_15/opds-Fedora_15.xml</id>
- <updated>2011-07-22T14:16:25</updated>
+ <updated>2011-07-28T06:06:20</updated>
<dc:language>es-ES</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_15.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/es-ES/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:25</updated>
+ <updated>2011-07-28T06:06:20</updated>
<dc:language>es-ES</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/es-ES/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:25</updated>
+ <updated>2011-07-28T06:06:21</updated>
<dc:language>es-ES</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/es-ES/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:25</updated>
+ <updated>2011-07-28T06:06:21</updated>
<dc:language>es-ES</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/es-ES/toc.html b/public_html/es-ES/toc.html
index 434755e..29d8f09 100644
--- a/public_html/es-ES/toc.html
+++ b/public_html/es-ES/toc.html
@@ -288,7 +288,7 @@
<a class="type" href="./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-es-ES.epub" >epub</a>
<a class="type" href="./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-es-ES.pdf" onclick="window.top.location='./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-es-ES.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-es-ES.pdf" onclick="window.top.location='./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-es-ES.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed">
@@ -962,7 +962,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -998,7 +998,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -1019,7 +1019,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/fa-IR/Site_Statistics.html b/public_html/fa-IR/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/fa-IR/Site_Statistics.html
+++ b/public_html/fa-IR/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/fa-IR/opds-Fedora.xml b/public_html/fa-IR/opds-Fedora.xml
index d8efdbe..9729ee5 100644
--- a/public_html/fa-IR/opds-Fedora.xml
+++ b/public_html/fa-IR/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fa-IR/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:25</updated>
+ <updated>2011-07-28T06:06:21</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>fa-IR</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/fa-IR/opds-Fedora_Contributor_Documentation.xml b/public_html/fa-IR/opds-Fedora_Contributor_Documentation.xml
index 172e764..d504903 100644
--- a/public_html/fa-IR/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/fa-IR/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fa-IR/opds-Fedora_Contributor_Documentation.xml</id>
<title>مستندات مشارکت کننده Ùدورا</title>
<subtitle>مستندات مشارکت کننده Ùدورا</subtitle>
- <updated>2011-07-22T14:16:25</updated>
+ <updated>2011-07-28T06:06:21</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/fa-IR/opds-Fedora_Core.xml b/public_html/fa-IR/opds-Fedora_Core.xml
index 54977ec..2ac1563 100644
--- a/public_html/fa-IR/opds-Fedora_Core.xml
+++ b/public_html/fa-IR/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fa-IR/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:25</updated>
+ <updated>2011-07-28T06:06:21</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/fa-IR/opds-Fedora_Draft_Documentation.xml b/public_html/fa-IR/opds-Fedora_Draft_Documentation.xml
index 0a35054..16444d0 100644
--- a/public_html/fa-IR/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/fa-IR/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fa-IR/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:25</updated>
+ <updated>2011-07-28T06:06:21</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/fa-IR/opds.xml b/public_html/fa-IR/opds.xml
index 56c6fe4..18ed4ed 100644
--- a/public_html/fa-IR/opds.xml
+++ b/public_html/fa-IR/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/fa-IR/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:25</updated>
+ <updated>2011-07-28T06:06:21</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/fa-IR/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:25</updated>
+ <updated>2011-07-28T06:06:21</updated>
<dc:language>fa-IR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>مستندات مشارکت کننده Ùدورا</title>
<id>http://docs.fedoraproject.org/fa-IR/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:25</updated>
+ <updated>2011-07-28T06:06:21</updated>
<dc:language>fa-IR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/fa-IR/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:25</updated>
+ <updated>2011-07-28T06:06:21</updated>
<dc:language>fa-IR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/fa-IR/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:25</updated>
+ <updated>2011-07-28T06:06:21</updated>
<dc:language>fa-IR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/fa-IR/toc.html b/public_html/fa-IR/toc.html
index 4e04de8..96645b8 100644
--- a/public_html/fa-IR/toc.html
+++ b/public_html/fa-IR/toc.html
@@ -608,7 +608,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -818,7 +818,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -845,7 +845,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -857,7 +857,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/fi-FI/Site_Statistics.html b/public_html/fi-FI/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/fi-FI/Site_Statistics.html
+++ b/public_html/fi-FI/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/fi-FI/opds-Fedora.xml b/public_html/fi-FI/opds-Fedora.xml
index f4cd113..446c5e3 100644
--- a/public_html/fi-FI/opds-Fedora.xml
+++ b/public_html/fi-FI/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fi-FI/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:26</updated>
+ <updated>2011-07-28T06:06:22</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -156,9 +156,9 @@
<dc:language>fi-FI</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Kuinka Fedoran live-levykuvaa käytetään
+ <summary>Kuinka Fedoran live-levykuvaa käytetään
</summary>
- <content type="text">Kuinka Fedoran live-levykuvaa käytetään</content>
+ <content type="text">Kuinka Fedoran live-levykuvaa käytetään</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/fi-FI/Fedora/14/epub/Fedora_Live_Images/Fedora-14-Fedora_Live_Images-fi-FI.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>fi-FI</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/fi-FI/opds-Fedora_Contributor_Documentation.xml b/public_html/fi-FI/opds-Fedora_Contributor_Documentation.xml
index 5df6a42..ace16bd 100644
--- a/public_html/fi-FI/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/fi-FI/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fi-FI/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:26</updated>
+ <updated>2011-07-28T06:06:22</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/fi-FI/opds-Fedora_Core.xml b/public_html/fi-FI/opds-Fedora_Core.xml
index ae1f434..344fd15 100644
--- a/public_html/fi-FI/opds-Fedora_Core.xml
+++ b/public_html/fi-FI/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fi-FI/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:26</updated>
+ <updated>2011-07-28T06:06:22</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/fi-FI/opds-Fedora_Draft_Documentation.xml b/public_html/fi-FI/opds-Fedora_Draft_Documentation.xml
index 53af4fc..e1e449c 100644
--- a/public_html/fi-FI/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/fi-FI/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fi-FI/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:26</updated>
+ <updated>2011-07-28T06:06:22</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/fi-FI/opds.xml b/public_html/fi-FI/opds.xml
index b99ef90..0983882 100644
--- a/public_html/fi-FI/opds.xml
+++ b/public_html/fi-FI/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/fi-FI/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:26</updated>
+ <updated>2011-07-28T06:06:22</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/fi-FI/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:26</updated>
+ <updated>2011-07-28T06:06:22</updated>
<dc:language>fi-FI</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/fi-FI/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:26</updated>
+ <updated>2011-07-28T06:06:22</updated>
<dc:language>fi-FI</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/fi-FI/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:26</updated>
+ <updated>2011-07-28T06:06:22</updated>
<dc:language>fi-FI</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/fi-FI/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:26</updated>
+ <updated>2011-07-28T06:06:22</updated>
<dc:language>fi-FI</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/fi-FI/toc.html b/public_html/fi-FI/toc.html
index a77efdf..17674db 100644
--- a/public_html/fi-FI/toc.html
+++ b/public_html/fi-FI/toc.html
@@ -560,7 +560,7 @@
<a class="type" href="./Fedora/11/epub/Fedora_Live_images/Fedora-11-Fedora_Live_images-fi-FI.epub" >epub</a>
<a class="type" href="./Fedora/11/html/Fedora_Live_images/index.html" onclick="window.top.location='./Fedora/11/html/Fedora_Live_images/index.html';return false;">html</a>
<a class="type" href="./Fedora/11/html-single/Fedora_Live_images/index.html" onclick="window.top.location='./Fedora/11/html-single/Fedora_Live_images/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora/11/pdf/Fedora_Live_images/Fedora-11-Fedora_Live_images-fi-FI.pdf" onclick="window.top.location='./Fedora/11/pdf/Fedora_Live_images/Fedora-11-Fedora_Live_images-fi-FI.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora/11/pdf/Fedora_Live_images/Fedora-13-Fedora_Live_Images-fi-FI.pdf" onclick="window.top.location='./Fedora/11/pdf/Fedora_Live_images/Fedora-13-Fedora_Live_Images-fi-FI.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11' class="version collapsed untranslated" onclick="toggle(event, 'Fedora.11.untrans_books');">
@@ -608,7 +608,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -633,7 +633,7 @@
<a class="type" href="./Fedora/10/epub/Fedora_Live_Images/Fedora-10-Fedora_Live_Images-fi-FI.epub" >epub</a>
<a class="type" href="./Fedora/10/html/Fedora_Live_Images/index.html" onclick="window.top.location='./Fedora/10/html/Fedora_Live_Images/index.html';return false;">html</a>
<a class="type" href="./Fedora/10/html-single/Fedora_Live_Images/index.html" onclick="window.top.location='./Fedora/10/html-single/Fedora_Live_Images/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora/10/pdf/Fedora_Live_Images/Fedora-10-Fedora_Live_Images-fi-FI.pdf" onclick="window.top.location='./Fedora/10/pdf/Fedora_Live_Images/Fedora-10-Fedora_Live_Images-fi-FI.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora/10/pdf/Fedora_Live_Images/Fedora-13-Fedora_Live_Images-fi-FI.pdf" onclick="window.top.location='./Fedora/10/pdf/Fedora_Live_Images/Fedora-13-Fedora_Live_Images-fi-FI.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.10.Making_Fedora_Discs' class="book collapsed">
@@ -818,7 +818,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -837,7 +837,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -858,7 +858,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/fr-FR/Site_Statistics.html b/public_html/fr-FR/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/fr-FR/Site_Statistics.html
+++ b/public_html/fr-FR/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/fr-FR/opds-Fedora.xml b/public_html/fr-FR/opds-Fedora.xml
index 1066869..7c1af21 100644
--- a/public_html/fr-FR/opds-Fedora.xml
+++ b/public_html/fr-FR/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fr-FR/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:27</updated>
+ <updated>2011-07-28T06:06:23</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>fr-FR</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/fr-FR/opds-Fedora_Contributor_Documentation.xml b/public_html/fr-FR/opds-Fedora_Contributor_Documentation.xml
index 0c2d364..990d7ba 100644
--- a/public_html/fr-FR/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/fr-FR/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fr-FR/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:27</updated>
+ <updated>2011-07-28T06:06:23</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/fr-FR/opds-Fedora_Core.xml b/public_html/fr-FR/opds-Fedora_Core.xml
index b5ba040..806c6bb 100644
--- a/public_html/fr-FR/opds-Fedora_Core.xml
+++ b/public_html/fr-FR/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fr-FR/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:27</updated>
+ <updated>2011-07-28T06:06:23</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/fr-FR/opds-Fedora_Draft_Documentation.xml b/public_html/fr-FR/opds-Fedora_Draft_Documentation.xml
index a040b25..a629ea9 100644
--- a/public_html/fr-FR/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/fr-FR/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fr-FR/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:27</updated>
+ <updated>2011-07-28T06:06:23</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/fr-FR/opds.xml b/public_html/fr-FR/opds.xml
index 8c83699..152efd1 100644
--- a/public_html/fr-FR/opds.xml
+++ b/public_html/fr-FR/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/fr-FR/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:27</updated>
+ <updated>2011-07-28T06:06:23</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/fr-FR/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:27</updated>
+ <updated>2011-07-28T06:06:23</updated>
<dc:language>fr-FR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/fr-FR/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:27</updated>
+ <updated>2011-07-28T06:06:23</updated>
<dc:language>fr-FR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/fr-FR/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:27</updated>
+ <updated>2011-07-28T06:06:23</updated>
<dc:language>fr-FR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/fr-FR/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:27</updated>
+ <updated>2011-07-28T06:06:23</updated>
<dc:language>fr-FR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/fr-FR/toc.html b/public_html/fr-FR/toc.html
index 148e602..7b983fc 100644
--- a/public_html/fr-FR/toc.html
+++ b/public_html/fr-FR/toc.html
@@ -608,7 +608,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -818,7 +818,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -837,7 +837,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -858,7 +858,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/gu-IN/Site_Statistics.html b/public_html/gu-IN/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/gu-IN/Site_Statistics.html
+++ b/public_html/gu-IN/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/gu-IN/opds-Fedora.xml b/public_html/gu-IN/opds-Fedora.xml
index fc2507e..2f74300 100644
--- a/public_html/gu-IN/opds-Fedora.xml
+++ b/public_html/gu-IN/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/gu-IN/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:27</updated>
+ <updated>2011-07-28T06:06:23</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>gu-IN</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/gu-IN/opds-Fedora_Contributor_Documentation.xml b/public_html/gu-IN/opds-Fedora_Contributor_Documentation.xml
index 459048c..e4d0e15 100644
--- a/public_html/gu-IN/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/gu-IN/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/gu-IN/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:27</updated>
+ <updated>2011-07-28T06:06:23</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/gu-IN/opds-Fedora_Core.xml b/public_html/gu-IN/opds-Fedora_Core.xml
index 07e1bcd..7127222 100644
--- a/public_html/gu-IN/opds-Fedora_Core.xml
+++ b/public_html/gu-IN/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/gu-IN/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:24</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/gu-IN/opds-Fedora_Draft_Documentation.xml b/public_html/gu-IN/opds-Fedora_Draft_Documentation.xml
index d77e517..c712ee9 100644
--- a/public_html/gu-IN/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/gu-IN/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/gu-IN/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:24</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/gu-IN/opds.xml b/public_html/gu-IN/opds.xml
index b2af2ba..742b084 100644
--- a/public_html/gu-IN/opds.xml
+++ b/public_html/gu-IN/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/gu-IN/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:24</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/gu-IN/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:27</updated>
+ <updated>2011-07-28T06:06:23</updated>
<dc:language>gu-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/gu-IN/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:23</updated>
<dc:language>gu-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/gu-IN/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:24</updated>
<dc:language>gu-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/gu-IN/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:24</updated>
<dc:language>gu-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/gu-IN/toc.html b/public_html/gu-IN/toc.html
index beab747..9f886f3 100644
--- a/public_html/gu-IN/toc.html
+++ b/public_html/gu-IN/toc.html
@@ -609,7 +609,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -819,7 +819,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -838,7 +838,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -859,7 +859,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/he-IL/Site_Statistics.html b/public_html/he-IL/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/he-IL/Site_Statistics.html
+++ b/public_html/he-IL/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/he-IL/opds-Fedora.xml b/public_html/he-IL/opds-Fedora.xml
index 8c5e720..ce5ab30 100644
--- a/public_html/he-IL/opds-Fedora.xml
+++ b/public_html/he-IL/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/he-IL/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:24</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>he-IL</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/he-IL/opds-Fedora_Contributor_Documentation.xml b/public_html/he-IL/opds-Fedora_Contributor_Documentation.xml
index 6fdb530..3012b6e 100644
--- a/public_html/he-IL/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/he-IL/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/he-IL/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:24</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/he-IL/opds-Fedora_Core.xml b/public_html/he-IL/opds-Fedora_Core.xml
index 01f46f4..0290227 100644
--- a/public_html/he-IL/opds-Fedora_Core.xml
+++ b/public_html/he-IL/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/he-IL/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:24</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/he-IL/opds-Fedora_Draft_Documentation.xml b/public_html/he-IL/opds-Fedora_Draft_Documentation.xml
index ba58fe8..6154641 100644
--- a/public_html/he-IL/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/he-IL/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/he-IL/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:24</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/he-IL/opds.xml b/public_html/he-IL/opds.xml
index c6e4d12..b2322da 100644
--- a/public_html/he-IL/opds.xml
+++ b/public_html/he-IL/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/he-IL/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:25</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/he-IL/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:24</updated>
<dc:language>he-IL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/he-IL/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:24</updated>
<dc:language>he-IL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/he-IL/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:24</updated>
<dc:language>he-IL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/he-IL/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:24</updated>
<dc:language>he-IL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/he-IL/toc.html b/public_html/he-IL/toc.html
index b40b0a5..8934b9d 100644
--- a/public_html/he-IL/toc.html
+++ b/public_html/he-IL/toc.html
@@ -609,7 +609,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -819,7 +819,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -838,7 +838,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -859,7 +859,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/hi-IN/Site_Statistics.html b/public_html/hi-IN/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/hi-IN/Site_Statistics.html
+++ b/public_html/hi-IN/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/hi-IN/opds-Fedora.xml b/public_html/hi-IN/opds-Fedora.xml
index 49e8d57..3042bb1 100644
--- a/public_html/hi-IN/opds-Fedora.xml
+++ b/public_html/hi-IN/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/hi-IN/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:25</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>hi-IN</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/hi-IN/opds-Fedora_Contributor_Documentation.xml b/public_html/hi-IN/opds-Fedora_Contributor_Documentation.xml
index 9cc90d8..d61a4f4 100644
--- a/public_html/hi-IN/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/hi-IN/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/hi-IN/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:25</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/hi-IN/opds-Fedora_Core.xml b/public_html/hi-IN/opds-Fedora_Core.xml
index 4c1f7ff..8160a7e 100644
--- a/public_html/hi-IN/opds-Fedora_Core.xml
+++ b/public_html/hi-IN/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/hi-IN/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:25</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/hi-IN/opds-Fedora_Draft_Documentation.xml b/public_html/hi-IN/opds-Fedora_Draft_Documentation.xml
index 9cb75d2..be4a9c5 100644
--- a/public_html/hi-IN/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/hi-IN/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/hi-IN/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:25</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/hi-IN/opds.xml b/public_html/hi-IN/opds.xml
index c1a88be..c67dabc 100644
--- a/public_html/hi-IN/opds.xml
+++ b/public_html/hi-IN/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/hi-IN/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:25</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/hi-IN/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:25</updated>
<dc:language>hi-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/hi-IN/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:25</updated>
<dc:language>hi-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/hi-IN/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:25</updated>
<dc:language>hi-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/hi-IN/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:25</updated>
<dc:language>hi-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/hi-IN/toc.html b/public_html/hi-IN/toc.html
index 6a1352c..61e3267 100644
--- a/public_html/hi-IN/toc.html
+++ b/public_html/hi-IN/toc.html
@@ -609,7 +609,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -819,7 +819,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -838,7 +838,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -859,7 +859,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/hu-HU/Site_Statistics.html b/public_html/hu-HU/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/hu-HU/Site_Statistics.html
+++ b/public_html/hu-HU/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/hu-HU/opds-Fedora.xml b/public_html/hu-HU/opds-Fedora.xml
index c03f496..c92edb0 100644
--- a/public_html/hu-HU/opds-Fedora.xml
+++ b/public_html/hu-HU/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/hu-HU/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:29</updated>
+ <updated>2011-07-28T06:06:26</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>hu-HU</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/hu-HU/opds-Fedora_Contributor_Documentation.xml b/public_html/hu-HU/opds-Fedora_Contributor_Documentation.xml
index f531f4b..b4a8de5 100644
--- a/public_html/hu-HU/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/hu-HU/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/hu-HU/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:29</updated>
+ <updated>2011-07-28T06:06:26</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/hu-HU/opds-Fedora_Core.xml b/public_html/hu-HU/opds-Fedora_Core.xml
index cc7709c..f26f9a4 100644
--- a/public_html/hu-HU/opds-Fedora_Core.xml
+++ b/public_html/hu-HU/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/hu-HU/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:29</updated>
+ <updated>2011-07-28T06:06:26</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/hu-HU/opds-Fedora_Draft_Documentation.xml b/public_html/hu-HU/opds-Fedora_Draft_Documentation.xml
index 61aaafa..318ec93 100644
--- a/public_html/hu-HU/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/hu-HU/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/hu-HU/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:29</updated>
+ <updated>2011-07-28T06:06:26</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/hu-HU/opds.xml b/public_html/hu-HU/opds.xml
index 04caede..6bdc0e8 100644
--- a/public_html/hu-HU/opds.xml
+++ b/public_html/hu-HU/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/hu-HU/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:29</updated>
+ <updated>2011-07-28T06:06:26</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/hu-HU/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:29</updated>
+ <updated>2011-07-28T06:06:26</updated>
<dc:language>hu-HU</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/hu-HU/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:29</updated>
+ <updated>2011-07-28T06:06:26</updated>
<dc:language>hu-HU</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/hu-HU/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:29</updated>
+ <updated>2011-07-28T06:06:26</updated>
<dc:language>hu-HU</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/hu-HU/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:29</updated>
+ <updated>2011-07-28T06:06:26</updated>
<dc:language>hu-HU</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/hu-HU/toc.html b/public_html/hu-HU/toc.html
index f9e22d8..4f94990 100644
--- a/public_html/hu-HU/toc.html
+++ b/public_html/hu-HU/toc.html
@@ -609,7 +609,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -819,7 +819,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -838,7 +838,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -859,7 +859,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/id-ID/Site_Statistics.html b/public_html/id-ID/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/id-ID/Site_Statistics.html
+++ b/public_html/id-ID/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/id-ID/opds-Fedora.xml b/public_html/id-ID/opds-Fedora.xml
index ca0d7a9..ee742a8 100644
--- a/public_html/id-ID/opds-Fedora.xml
+++ b/public_html/id-ID/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/id-ID/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:29</updated>
+ <updated>2011-07-28T06:06:26</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>id-ID</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/id-ID/opds-Fedora_Contributor_Documentation.xml b/public_html/id-ID/opds-Fedora_Contributor_Documentation.xml
index 3641a6b..36166fa 100644
--- a/public_html/id-ID/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/id-ID/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/id-ID/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:29</updated>
+ <updated>2011-07-28T06:06:26</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/id-ID/opds-Fedora_Core.xml b/public_html/id-ID/opds-Fedora_Core.xml
index d87616d..32d47c3 100644
--- a/public_html/id-ID/opds-Fedora_Core.xml
+++ b/public_html/id-ID/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/id-ID/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:29</updated>
+ <updated>2011-07-28T06:06:27</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/id-ID/opds-Fedora_Draft_Documentation.xml b/public_html/id-ID/opds-Fedora_Draft_Documentation.xml
index bbb11ab..35d0230 100644
--- a/public_html/id-ID/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/id-ID/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/id-ID/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:29</updated>
+ <updated>2011-07-28T06:06:27</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/id-ID/opds.xml b/public_html/id-ID/opds.xml
index 3d2d682..469f96d 100644
--- a/public_html/id-ID/opds.xml
+++ b/public_html/id-ID/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/id-ID/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:29</updated>
+ <updated>2011-07-28T06:06:27</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/id-ID/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:29</updated>
+ <updated>2011-07-28T06:06:26</updated>
<dc:language>id-ID</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/id-ID/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:29</updated>
+ <updated>2011-07-28T06:06:26</updated>
<dc:language>id-ID</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/id-ID/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:29</updated>
+ <updated>2011-07-28T06:06:27</updated>
<dc:language>id-ID</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/id-ID/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:29</updated>
+ <updated>2011-07-28T06:06:27</updated>
<dc:language>id-ID</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/id-ID/toc.html b/public_html/id-ID/toc.html
index d21982a..f54db87 100644
--- a/public_html/id-ID/toc.html
+++ b/public_html/id-ID/toc.html
@@ -609,7 +609,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -819,7 +819,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -838,7 +838,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -859,7 +859,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/it-IT/Site_Statistics.html b/public_html/it-IT/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/it-IT/Site_Statistics.html
+++ b/public_html/it-IT/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/it-IT/opds-Fedora.xml b/public_html/it-IT/opds-Fedora.xml
index 1969cfb..7b616b7 100644
--- a/public_html/it-IT/opds-Fedora.xml
+++ b/public_html/it-IT/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/it-IT/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:33</updated>
+ <updated>2011-07-28T06:06:27</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -80,9 +80,9 @@
<dc:language>it-IT</dc:language>
<category label="14" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Usare Fedora con una disabilitàvisiva, uditiva o motoria
+ <summary>Usare Fedora con una disabilità visiva, uditiva o motoria
</summary>
- <content type="text">Questo documento descrive i dispositivi hardware, le applicazioni e gli strumenti disponibili per consentire alle persone con disabilitàdi usufruire di un computer con sistema operativo Fedora.</content>
+ <content type="text">Questo documento descrive i dispositivi hardware, le applicazioni e gli strumenti disponibili per consentire alle persone con disabilità di usufruire di un computer con sistema operativo Fedora.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/it-IT/Fedora/14/epub/Accessibility_Guide/Fedora-14-Accessibility_Guide-it-IT.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>it-IT</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Gestire il Consumo Energetico in Fedora
</summary>
- <content type="text">Questo documento spiega come gestire efficacemente, i consumi di energia in sistemi Fedora 14. Le seguenti sezioni spiegano diverse tecniche per diminuire il consumo energetico (sia nei server che nei portatili), e come ogni tecnica influenzi le prestazioni globali del sistema. Nota: Questo documento è ancora in fase di sviluppo, soggetto a grosse modifiche e quì fornito in anteprima. Il contenuto e le istruzioni indicate non dovrebbero ritenersi complete e dovrebbero usarsi con cautela.</content>
+ <content type="text">Questo documento spiega come gestire efficacemente, i consumi di energia in sistemi Fedora 14. Le seguenti sezioni spiegano diverse tecniche per diminuire il consumo energetico (sia nei server che nei portatili), e come ogni tecnica influenzi le prestazioni globali del sistema. Nota: Questo documento è ancora in fase di sviluppo, soggetto a grosse modifiche e quì fornito in anteprima. Il contenuto e le istruzioni indicate non dovrebbero ritenersi complete e dovrebbero usarsi con cautela.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/it-IT/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-it-IT.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -253,7 +253,7 @@
<!--dc:issued></dc:issued-->
<summary>Guida alla protezione di Fedora Linux
</summary>
- <content type="text">La Guida alla Sicurezza intende assistere gli utenti Fedora ad apprendere i processi e le pratiche di messa in sicurezza di workstation e server da attivitàsospette, attacchi ed intrusioni, sia locali che remoti. La Guida, dedicata a sistemi Fedora, affronta concetti e tecniche valide su tutti i sistemi Linux, mostrando piani e gli strumenti necessari per creare un ambiente sicuro in postazioni domestiche, negli uffici e in centri di elaborazione dati. Con una gestione e un controllo adeguato, i sistemi Linux possono essere sia pienamente funzionali sia sicuri dai più comuni metodi di attacco e di intrusione.</content>
+ <content type="text">La Guida alla Sicurezza intende assistere gli utenti Fedora ad apprendere i processi e le pratiche di messa in sicurezza di workstation e server da attività sospette, attacchi ed intrusioni, sia locali che remoti. La Guida, dedicata a sistemi Fedora, affronta concetti e tecniche valide su tutti i sistemi Linux, mostrando piani e gli strumenti necessari per creare un ambiente sicuro in postazioni domestiche, negli uffici e in centri di elaborazione dati. Con una gestione e un controllo adeguato, i sistemi Linux possono essere sia pienamente funzionali sia sicuri dai più comuni metodi di attacco e di intrusione.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/it-IT/Fedora/14/epub/Security_Guide/Fedora-14-Security_Guide-it-IT.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/it-IT/opds-Fedora_Contributor_Documentation.xml b/public_html/it-IT/opds-Fedora_Contributor_Documentation.xml
index 0e0ca99..9d829c3 100644
--- a/public_html/it-IT/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/it-IT/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/it-IT/opds-Fedora_Contributor_Documentation.xml</id>
<title>Documentazione Collaboratori Fedora</title>
<subtitle>Documentazione Collaboratori Fedora</subtitle>
- <updated>2011-07-22T14:16:33</updated>
+ <updated>2011-07-28T06:06:27</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
@@ -44,7 +44,7 @@
<!--dc:issued></dc:issued-->
<summary>Guida rapida per inviare traduzioni al Fedora Project.
</summary>
- <content type="text">Questa guida è un insieme di istruzioni passo a passo, semplici e veloci, per tradurre il software ed i documenti del Fedora Project.</content>
+ <content type="text">Questa guida è un insieme di istruzioni passo a passo, semplici e veloci, per tradurre il software ed i documenti del Fedora Project.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/it-IT/Fedora_Contributor_Documentation/1/epub/Translation_Quick_Start_Guide/Fedora_Contributor_Documentation-1-Translation_Quick_Start_Guide-it-IT.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/it-IT/opds-Fedora_Core.xml b/public_html/it-IT/opds-Fedora_Core.xml
index 2899431..51f4678 100644
--- a/public_html/it-IT/opds-Fedora_Core.xml
+++ b/public_html/it-IT/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/it-IT/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:33</updated>
+ <updated>2011-07-28T06:06:27</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/it-IT/opds-Fedora_Draft_Documentation.xml b/public_html/it-IT/opds-Fedora_Draft_Documentation.xml
index 1ad31c8..f807123 100644
--- a/public_html/it-IT/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/it-IT/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/it-IT/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:33</updated>
+ <updated>2011-07-28T06:06:27</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/it-IT/opds.xml b/public_html/it-IT/opds.xml
index d6e03b1..f4a49fc 100644
--- a/public_html/it-IT/opds.xml
+++ b/public_html/it-IT/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/it-IT/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:33</updated>
+ <updated>2011-07-28T06:06:28</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/it-IT/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:33</updated>
+ <updated>2011-07-28T06:06:27</updated>
<dc:language>it-IT</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Documentazione Collaboratori Fedora</title>
<id>http://docs.fedoraproject.org/it-IT/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:33</updated>
+ <updated>2011-07-28T06:06:27</updated>
<dc:language>it-IT</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/it-IT/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:33</updated>
+ <updated>2011-07-28T06:06:27</updated>
<dc:language>it-IT</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/it-IT/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:33</updated>
+ <updated>2011-07-28T06:06:27</updated>
<dc:language>it-IT</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/it-IT/toc.html b/public_html/it-IT/toc.html
index ea6655a..0845824 100644
--- a/public_html/it-IT/toc.html
+++ b/public_html/it-IT/toc.html
@@ -608,7 +608,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
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- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
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- <a class="type" href="../en-US/./Fedora/10/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/10/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/10/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/10/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
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- <a class="type" href="../en-US/./Fedora/9/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/9/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/9/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/9/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
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- <a class="type" href="../en-US/./Fedora/8/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
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- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
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@@ -1008,7 +1008,7 @@
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+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
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+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
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+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ font-weight:bold;
+}
+
+.replaceable {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ font-style: italic;
+}
+
+.command, .filename, .keycap, .classname, .literal {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ font-weight:bold;
+}
+
+/* no bold in toc */
+.toc * {
+ font-weight: inherit;
+}
+
+pre {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ display:block;
+ background-color:#eeeeee;
+ margin-bottom: 0.3em;
+ padding:.5em 1em;
+ white-space: pre-wrap; /* css-3 */
+ white-space: -moz-pre-wrap !important; /* Mozilla, since 1999 */
+ white-space: -pre-wrap; /* Opera 4-6 */
+ white-space: -o-pre-wrap; /* Opera 7 */
+ word-wrap: break-word; /* Internet Explorer 5.5+ */
+ font-size: 0.9em;
+}
+
+pre .replaceable,
+pre .keycap {
+ color:white;
+}
+
+code {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ white-space: nowrap;
+ font-weight:bold;
+}
+
+.parameter code {
+ display: inline;
+ white-space: pre-wrap; /* css-3 */
+ white-space: -moz-pre-wrap !important; /* Mozilla, since 1999 */
+ white-space: -pre-wrap; /* Opera 4-6 */
+ white-space: -o-pre-wrap; /* Opera 7 */
+ word-wrap: break-word; /* Internet Explorer 5.5+ */
+}
+
+/*Notifications*/
+div.note, div.important, div.warning {
+ padding:1em;
+ padding-bottom:20px;
+ margin-top:.5em;
+ margin-bottom:1.5em;
+ background-repeat:no-repeat;
+ background-position:1em 1em;
+}
+
+div.note pre, div.important pre, div.warning pre {
+ background-color: #333;
+ color: white;
+ margin-left: 4.5em;
+}
+
+
+div.note {
+ background-image:url(../images/note.png);
+ background-color:#8e9f00;
+ color:white;
+}
+
+div.important {
+ background-color:#d08e13;
+ color:white;
+ background-image:url(../images/important.png);
+}
+
+div.warning {
+ background-color:#9e292b;
+ color:white;
+ background-image:url(../images/warning.png);
+}
+
+
+/* Admonition Headings */
+div.note h2, div.important h2, div.warning h2 {
+ height:32px;
+ font-size:1.3em;
+}
+
+div.note h2, div.important h2, div.warning h2 {
+ color:white;
+}
+
+/* Admonition Inlines */
+div.note .replaceable, div.important .replaceable, div.warning .replaceable {
+ color:#e3dcc0;
+}
+
+pre .replaceable, tt .replaceable {
+ color:#444;
+}
+
+div.note .guilabel, div.important .guilabel, div.warning .guilabel {
+ color:#e3dcc0;
+}
+
+
+/* Admonition Lists ... really? */
+div.note li, div.warning li, div.important li {
+ padding-left:10px;
+ margin:0em;
+}
+
+div.note ul, div.warning ul, div.important ul {
+ padding-left:40px;
+ margin:0em;
+}
+
+/* Admonition links in verbatim ... *really* */
+div.note pre pre a:visited, div.important pre pre a:visited,
+ div.warning pre pre a:visited, div.note pre a:link, div.important pre a:link, div.warning pre a:link {
+ color:#0066cc;
+}
+
+/* Admonition links */
+div.note a:visited, div.important a:visited, div.warning a:visited, div.note a:link , div.important a:link , div.warning a:link {
+ color:#f7f2d0;
+}
+
+/*notification icons*/
+div.note h2, div.note p, div.note div.para, div.warning h2, div.warning p, div.warning div.para, div.important h2, .important p, .important div.para {
+ padding:0em;
+ margin:0em;
+ padding-left:56px;
+}
+
+/*Page Title*/
+#title {
+ display:block;
+ height:45px;
+ padding-bottom:1em;
+ margin:0em;
+}
+
+#title a.left{
+ display:inline;
+ border:none;
+}
+
+#title a.left img{
+ border:none;
+ float:left;
+ margin:0em;
+ margin-top:.7em;
+}
+
+#title a.right {
+ padding-bottom:1em;
+}
+
+#title a.right img {
+ border:none;
+ float:right;
+ margin:0em;
+ margin-top:.7em;
+}
+
+/*Table*/
+table {
+ border:1px solid #6c614b;
+ width:100%;
+ border-collapse:collapse;
+}
+
+table.simplelist, .calloutlist table {
+ border-style: none;
+}
+
+table th {
+ text-align:left;
+ background-color:#6699cc;
+ padding:.3em .5em;
+ color:white;
+}
+
+table td {
+ padding:.15em .5em;
+}
+
+table tr.even td {
+ background-color:#f5f5f5;
+}
+
+table th p:first-child, table td p:first-child, table li p:first-child,
+table th div.para:first-child, table td div.para:first-child, table li div.para:first-child {
+ margin-top:0em;
+ padding-top:0em;
+ display:inline;
+}
+
+th, td {
+ border-style:none;
+ vertical-align: top;
+ border: 1px solid #000;
+}
+
+.simplelist th, .simplelist td {
+ border: none;
+}
+
+table table td {
+ border-bottom:1px dotted #aaa;
+ background-color:white;
+ padding:.6em 0em;
+}
+
+table table {
+ border:1px solid white;
+}
+
+td.remarkval {
+ color:#444;
+}
+
+td.fieldval {
+ font-weight:bold;
+}
+
+.lbname, .lbtype, .lbdescr, .lbdriver, .lbhost {
+ color:white;
+ font-weight:bold;
+ background-color:#999;
+ width:120px;
+}
+
+td.remarkval {
+ width:230px;
+}
+
+td.tname {
+ font-weight:bold;
+}
+
+th.dbfield {
+ width:120px;
+}
+
+th.dbtype {
+ width:70px;
+}
+
+th.dbdefault {
+ width:70px;
+}
+
+th.dbnul {
+ width:70px;
+}
+
+th.dbkey {
+ width:70px;
+}
+
+span.book {
+ margin-top:4em;
+ display:block;
+}
+
+span.chapter {
+ display:block;
+ margin-top:0.5em;
+}
+
+table.simplelist td, .calloutlist table td {
+ border-style: none;
+}
+
+/*Breadcrumbs*/
+#breadcrumbs ul li.first:before {
+ content:" ";
+}
+
+#breadcrumbs {
+ color:#900;
+ padding:3px;
+ margin-bottom:25px;
+}
+
+#breadcrumbs ul {
+ margin-left:0;
+ padding-left:0;
+ display:inline;
+ border:none;
+}
+
+#breadcrumbs ul li {
+ margin-left:0;
+ padding-left:2px;
+ border:none;
+ list-style:none;
+ display:inline;
+}
+
+#breadcrumbs ul li:before {
+ content:"\0020 \0020 \0020 \00BB \0020";
+ color:#333;
+}
+
+/*index*/
+.glossary h3,
+.index h3 {
+ font-size: 2em;
+ color:#aaa;
+ margin:0em;
+}
+
+.indexdiv {
+ margin-bottom:1em;
+}
+
+.glossary dt,
+.index dt {
+ color:#444;
+ padding-top:.5em;
+}
+
+.glossary dl dl dt,
+.index dl dl dt {
+ color:#777;
+ font-weight:normal;
+ padding-top:0em;
+}
+
+.index dl dl dt:before {
+ content:"- ";
+ color:#ccc;
+}
+
+/*changes*/
+.footnote {
+ padding:.2em 1em;
+ background-color:#c8c5ac;
+ font-size: .7em;
+ margin:0em;
+ margin-bottom:.5em;
+ color:#222;
+}
+
+table .footnote {
+ margin:1em .5em;
+}
+
+sup {
+ padding:0em .3em;
+ padding-left:0em;
+}
+
+.footnote {
+ position:relative;
+}
+
+.footnote sup {
+ color:#e3dcc0;
+ position:absolute;
+ left: .4em;
+}
+
+.footnote sup a:link,
+.footnote sup a:visited {
+ color:#92917d;
+ text-decoration:none;
+}
+
+.footnote:hover sup a {
+ color:#fff;
+ text-decoration:none;
+}
+
+.footnote p,.footnote div.para {
+ padding-left:5em;
+}
+
+.footnote a:link,
+.footnote a:visited {
+ color:#00537c;
+}
+
+.footnote a:hover {
+ color:white;
+}
+
+/**/
+div.chapter {
+ margin-top:3em;
+}
+
+div.section {
+ margin-top:1em;
+}
+
+div.note .replaceable,
+div.important .replaceable,
+div.warning .replaceable,
+div.note .keycap,
+div.important .keycap,
+div.warning .keycap
+{
+ color:white;
+}
+
+ul li p:last-child, ul li div.para:last-child {
+ margin-bottom:0em;
+ padding-bottom:0em;
+}
+
+/*document navigation*/
+.docnav a, .docnav strong {
+ border:none;
+ text-decoration:none;
+ font-weight:normal;
+}
+
+.docnav {
+ list-style:none;
+ margin:0em;
+ padding:0em;
+ position:relative;
+ width:100%;
+ padding-bottom:2em;
+ padding-top:1em;
+ border-top:1px dotted #ccc;
+}
+
+.docnav li {
+ list-style:none;
+ margin:0em;
+ padding:0em;
+ display:inline;
+ font-size:.8em;
+}
+
+.docnav li:before {
+ content:" ";
+}
+
+.docnav li.previous, .docnav li.next {
+ position:absolute;
+ top:1em;
+}
+
+.docnav li.up, .docnav li.home {
+ margin:0em 1.5em;
+}
+
+.docnav li.previous {
+ left:0px;
+ text-align:left;
+}
+
+.docnav li.next {
+ right:0px;
+ text-align:right;
+}
+
+.docnav li.previous strong, .docnav li.next strong {
+ height:22px;
+ display:block;
+}
+
+.docnav {
+ margin:0 auto;
+ text-align:center;
+}
+
+.docnav li.next a strong {
+ background: url(../images/stock-go-forward.png) top right no-repeat;
+ padding-top:3px;
+ padding-bottom:4px;
+ padding-right:28px;
+ font-size:1.2em;
+}
+
+.docnav li.previous a strong {
+ background: url(../images/stock-go-back.png) top left no-repeat;
+ padding-top:3px;
+ padding-bottom:4px;
+ padding-left:28px;
+ padding-right:0.5em;
+ font-size:1.2em;
+}
+
+.docnav li.home a strong {
+ background: url(../images/stock-home.png) top left no-repeat;
+ padding:5px;
+ padding-left:28px;
+ font-size:1.2em;
+}
+
+.docnav li.up a strong {
+ background: url(../images/stock-go-up.png) top left no-repeat;
+ padding:5px;
+ padding-left:28px;
+ font-size:1.2em;
+}
+
+.docnav a:link, .docnav a:visited {
+ color:#666;
+}
+
+.docnav a:hover, .docnav a:focus, .docnav a:active {
+ color:black;
+}
+
+.docnav a {
+ max-width: 10em;
+ overflow:hidden;
+}
+
+.docnav a:link strong {
+ text-decoration:none;
+}
+
+.docnav {
+ margin:0 auto;
+ text-align:center;
+}
+
+ul.docnav {
+ margin-bottom: 1em;
+}
+/* Reports */
+.reports ul {
+ list-style:none;
+ margin:0em;
+ padding:0em;
+}
+
+.reports li{
+ margin:0em;
+ padding:0em;
+}
+
+.reports li.odd {
+ background-color: #eeeeee;
+ margin:0em;
+ padding:0em;
+}
+
+.reports dl {
+ display:inline;
+ margin:0em;
+ padding:0em;
+ float:right;
+ margin-right: 17em;
+ margin-top:-1.3em;
+}
+
+.reports dt {
+ display:inline;
+ margin:0em;
+ padding:0em;
+}
+
+.reports dd {
+ display:inline;
+ margin:0em;
+ padding:0em;
+ padding-right:.5em;
+}
+
+.reports h2, .reports h3{
+ display:inline;
+ padding-right:.5em;
+ font-size:10pt;
+ font-weight:normal;
+}
+
+.reports div.progress {
+ display:inline;
+ float:right;
+ width:16em;
+ background:#c00 url(../images/shine.png) top left repeat-x;
+ margin:0em;
+ margin-top:-1.3em;
+ padding:0em;
+ border:none;
+}
+
+/*uniform*/
+body.results, body.reports {
+ max-width:57em ;
+ padding:0em;
+}
+
+/*Progress Bar*/
+div.progress {
+ display:block;
+ float:left;
+ width:16em;
+ background:#c00 url(../images/shine.png) top left repeat-x;
+ height:1em;
+}
+
+div.progress span {
+ height:1em;
+ float:left;
+}
+
+div.progress span.translated {
+ background:#6c3 url(../images/shine.png) top left repeat-x;
+}
+
+div.progress span.fuzzy {
+ background:#ff9f00 url(../images/shine.png) top left repeat-x;
+}
+
+
+/*Results*/
+
+.results ul {
+ list-style:none;
+ margin:0em;
+ padding:0em;
+}
+
+.results li{
+ margin:0em;
+ padding:0em;
+}
+
+.results li.odd {
+ background-color: #eeeeee;
+ margin:0em;
+ padding:0em;
+}
+
+.results dl {
+ display:inline;
+ margin:0em;
+ padding:0em;
+ float:right;
+ margin-right: 17em;
+ margin-top:-1.3em;
+}
+
+.results dt {
+ display:inline;
+ margin:0em;
+ padding:0em;
+}
+
+.results dd {
+ display:inline;
+ margin:0em;
+ padding:0em;
+ padding-right:.5em;
+}
+
+.results h2, .results h3{
+ display:inline;
+ padding-right:.5em;
+ font-size:10pt;
+ font-weight:normal;
+}
+
+.results div.progress {
+ display:inline;
+ float:right;
+ width:16em;
+ background:#c00 url(../images/shine.png) top left repeat-x;
+ margin:0em;
+ margin-top:-1.3em;
+ padding:0em;
+ border:none;
+}
+
+/* Dirty EVIL Mozilla hack for round corners */
+pre {
+ -moz-border-radius:11px;
+ -webkit-border-radius:11px;
+ border-radius: 11px;
+}
+
+.example {
+ -moz-border-radius:15px;
+ -webkit-border-radius:15px;
+ border-radius: 15px;
+}
+
+.package, .citetitle {
+ font-style: italic;
+}
+
+.edition {
+ color: #336699;
+ background-color: transparent;
+ margin-top: 1em;
+ margin-bottom: 1em;
+ font-size: 1.4em;
+ font-weight: bold;
+ text-align: center;
+}
+
+span.remark {
+ background-color: #ff00ff;
+}
+
+.draft {
+ background-image: url(../images/watermark-draft.png);
+ background-repeat: repeat-y;
+ background-position: center;
+}
+
+.foreignphrase {
+ font-style: inherit;
+}
+
+dt {
+ clear:both;
+}
+
+dt img {
+ border-style: none;
+ max-width: 112px;
+}
+
+dt object {
+ max-width: 112px;
+}
+
+dt .inlinemediaobject, dt object {
+ display: inline;
+ float: left;
+ margin-bottom: 1em;
+ padding-right: 1em;
+ width: 112px;
+}
+
+dl:after {
+ display: block;
+ clear: both;
+ content: "";
+}
+
+.toc dd {
+ padding-bottom: 0em;
+ margin-bottom: 1em;
+ padding-left: 1.3em;
+ margin-left: 0em;
+}
+
+div.toc > dl > dt {
+ padding-bottom: 0em;
+ margin-bottom: 0em;
+ margin-top: 1em;
+}
+
+
+.strikethrough {
+ text-decoration: line-through;
+}
+
+.underline {
+ text-decoration: underline;
+}
+
+.calloutlist img, .callout {
+ padding: 0em;
+ margin: 0em;
+ width: 12pt;
+ display: inline;
+ vertical-align: middle;
+}
+
+.stepalternatives {
+ list-style-image: none;
+ list-style-type: none;
+}
+
diff --git a/public_html/ja-JP/Fedora/15/html-single/Release_Notes/Common_Content/css/default.css b/public_html/ja-JP/Fedora/15/html-single/Release_Notes/Common_Content/css/default.css
new file mode 100644
index 0000000..bf38ebb
--- /dev/null
+++ b/public_html/ja-JP/Fedora/15/html-single/Release_Notes/Common_Content/css/default.css
@@ -0,0 +1,3 @@
+ at import url("common.css");
+ at import url("overrides.css");
+ at import url("lang.css");
diff --git a/public_html/ja-JP/Fedora/15/html-single/Release_Notes/Common_Content/css/lang.css b/public_html/ja-JP/Fedora/15/html-single/Release_Notes/Common_Content/css/lang.css
new file mode 100644
index 0000000..81c3115
--- /dev/null
+++ b/public_html/ja-JP/Fedora/15/html-single/Release_Notes/Common_Content/css/lang.css
@@ -0,0 +1,2 @@
+/* place holder */
+
diff --git a/public_html/ja-JP/Fedora/15/html-single/Release_Notes/Common_Content/css/overrides.css b/public_html/ja-JP/Fedora/15/html-single/Release_Notes/Common_Content/css/overrides.css
new file mode 100644
index 0000000..db64f48
--- /dev/null
+++ b/public_html/ja-JP/Fedora/15/html-single/Release_Notes/Common_Content/css/overrides.css
@@ -0,0 +1,55 @@
+a:link {
+ color:#0066cc;
+}
+
+a:hover, a:active {
+ color:#003366;
+}
+
+a:visited {
+ color:#6699cc;
+}
+
+
+h1 {
+ color:#3c6eb4
+}
+
+.producttitle {
+ background: #3c6eb4 url(../images/h1-bg.png) top left repeat;
+}
+
+.section h1.title {
+ color:#3c6eb4;
+}
+
+
+h2,h3,h4,h5,h6 {
+ color:#3c6eb4;
+}
+
+table {
+ border:1px solid #3c6eb4;
+}
+
+table th {
+ background-color:#3c6eb4;
+}
+
+
+table tr.even td {
+ background-color:#f5f5f5;
+}
+
+.term{
+ color:#3c6eb4
+}
+
+.revhistory table th {
+ color:#3c6eb4;
+}
+
+.edition {
+ color: #3c6eb4;
+}
+
diff --git a/public_html/ja-JP/Fedora/15/html-single/Release_Notes/Common_Content/css/print.css b/public_html/ja-JP/Fedora/15/html-single/Release_Notes/Common_Content/css/print.css
new file mode 100644
index 0000000..773d8ae
--- /dev/null
+++ b/public_html/ja-JP/Fedora/15/html-single/Release_Notes/Common_Content/css/print.css
@@ -0,0 +1,16 @@
+ at import url("common.css");
+ at import url("overrides.css");
+ at import url("lang.css");
+
+#tocframe {
+ display: none;
+}
+
+body.toc_embeded {
+ margin-left: 30px;
+}
+
+.producttitle {
+ color: #336699;
+}
+
diff --git a/public_html/ja-JP/Fedora/15/html-single/Release_Notes/Common_Content/images/1.png b/public_html/ja-JP/Fedora/15/html-single/Release_Notes/Common_Content/images/1.png
new file mode 100644
index 0000000..1098dab
Binary files /dev/null and b/public_html/ja-JP/Fedora/15/html-single/Release_Notes/Common_Content/images/1.png differ
diff --git a/public_html/ja-JP/Fedora/15/html-single/Release_Notes/Common_Content/images/1.svg b/public_html/ja-JP/Fedora/15/html-single/Release_Notes/Common_Content/images/1.svg
new file mode 100644
index 0000000..3736523
--- /dev/null
+++ b/public_html/ja-JP/Fedora/15/html-single/Release_Notes/Common_Content/images/1.svg
@@ -0,0 +1,22 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!-- Created with Inkscape (http://www.inkscape.org/) -->
+<svg
+ xmlns:svg="http://www.w3.org/2000/svg"
+ xmlns="http://www.w3.org/2000/svg"
+ version="1.0"
+ width="32"
+ height="32"
+ id="svg2">
+ <defs
+ id="defs15" />
+ <circle
+ cx="16"
+ cy="16"
+ r="14"
+ id="circle"
+ style="fill:#aa0000" />
+ <path
+ d="M 17.993,22.013004 L 17.993,10.113004 L 15.239,10.113004 C 14.899001,11.218003 14.286999,11.643004 12.757,11.728004 L 12.757,13.819004 L 14.763,13.819004 L 14.763,22.013004 L 17.993,22.013004"
+ id="text2207"
+ style="fill:#ffffff" />
+</svg>
diff --git a/public_html/ja-JP/Fedora/15/html-single/Release_Notes/Common_Content/images/10.png b/public_html/ja-JP/Fedora/15/html-single/Release_Notes/Common_Content/images/10.png
new file mode 100644
index 0000000..ef058e3
Binary files /dev/null and b/public_html/ja-JP/Fedora/15/html-single/Release_Notes/Common_Content/images/10.png differ
diff --git a/public_html/ja-JP/Fedora/15/html-single/Release_Notes/Common_Content/images/10.svg b/public_html/ja-JP/Fedora/15/html-single/Release_Notes/Common_Content/images/10.svg
new file mode 100644
index 0000000..84ee18f
--- /dev/null
+++ b/public_html/ja-JP/Fedora/15/html-single/Release_Notes/Common_Content/images/10.svg
@@ -0,0 +1,22 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!-- Created with Inkscape (http://www.inkscape.org/) -->
+<svg
+ xmlns:svg="http://www.w3.org/2000/svg"
+ xmlns="http://www.w3.org/2000/svg"
+ version="1.0"
+ width="32"
+ height="32"
+ id="svg2">
+ <defs
+ id="defs15" />
+ <circle
+ cx="16"
+ cy="16"
+ r="14"
+ id="circle"
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+<?xml version="1.0" encoding="UTF-8"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>リリースノート</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora-Release_Notes-15-ja-JP-1-0" /><meta name="description" content="ã“ã®æ–‡æ›¸ã¯ Fedora 15 リリースノートを記述ã—ã¾ã™ã€‚" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/imag
e_right.png" alt="Documentation Site" /></a></p><div xml:lang="ja-JP" class="article" title="リリースノート" id="id1418599" lang="ja-JP"><div class="titlepage"><div><div class="producttitle" font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><span class="productname">Fedora</span> <span class="productnumber">15</span></div><div><h1 id="id1418599" class="title">リリースノート</h1></div><div><h2 class="subtitle">Fedora 15 リリースノート</h2></div><div><h3 class="corpauthor">
+ <span class="inlinemediaobject"><object data="Common_Content/images/title_logo.svg" type="image/svg+xml"> Logo</object></span>
+
+ </h3></div><div><div xml:lang="ja-JP" class="authorgroup" lang="ja-JP"><div class="editor"><h4 class="editedby">編者：</h4><h3 class="editor"><span class="surname">Docs Team</span> <span class="firstname">Fedora</span> [FAMILY Given]</h3></div></div></div><div><div id="id762613" class="legalnotice"><h1 class="legalnotice">法律上ã®é€šçŸ¥</h1><div class="para">
+ Copyright <span class="trademark"></span>© 2011 Fedora Project Contributors.
+ </div><div class="para">
+ The text of and illustrations in this document are licensed by Red Hat under a Creative Commons Attribution–Share Alike 3.0 Unported license ("CC-BY-SA"). An explanation of CC-BY-SA is available at <a href="http://creativecommons.org/licenses/by-sa/3.0/">http://creativecommons.org/licenses/by-sa/3.0/</a>. The original authors of this document, and Red Hat, designate the Fedora Project as the "Attribution Party" for purposes of CC-BY-SA. In accordance with CC-BY-SA, if you distribute this document or an adaptation of it, you must provide the URL for the original version.
+ </div><div class="para">
+ Red Hat, as the licensor of this document, waives the right to enforce, and agrees not to assert, Section 4d of CC-BY-SA to the fullest extent permitted by applicable law.
+ </div><div class="para">
+ Red Hat, Red Hat Enterprise Linux, the Shadowman logo, JBoss, MetaMatrix, Fedora, the Infinity Logo, and RHCE are trademarks of Red Hat, Inc., registered in the United States and other countries.
+ </div><div class="para">
+ For guidelines on the permitted uses of the Fedora trademarks, refer to <a href="https://fedoraproject.org/wiki/Legal:Trademark_guidelines">https://fedoraproject.org/wiki/Legal:Trademark_guidelines</a>.
+ </div><div class="para">
+ <span class="trademark">Linux</span>® is the registered trademark of Linus Torvalds in the United States and other countries.
+ </div><div class="para">
+ <span class="trademark">Java</span>® is a registered trademark of Oracle and/or its affiliates.
+ </div><div class="para">
+ <span class="trademark">XFS</span>® is a trademark of Silicon Graphics International Corp. or its subsidiaries in the United States and/or other countries.
+ </div><div class="para">
+ All other trademarks are the property of their respective owners.
+ </div></div></div><div><div class="abstract" title="概è¦"><h6>概è¦</h6><div class="para">
+ ã“ã®æ–‡æ›¸ã¯ Fedora 15 リリースノートを記述ã—ã¾ã™ã€‚
+ </div></div></div></div><hr /></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Release_Notes-Welcome_to_Fedora_15">1. Fedora 15 ã¸ã‚ˆã†ã“ã</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Release_Notes-Welcome_to_Fedora">1.1. Fedora ã¸ã€ã‚ˆã†ã“ã</a></span></dt><dt><span class="section"><a href="#sect-Release_Notes-Overview">1.2. 概è¦</a></span></dt><dt><span class="section"><a href="#sect-Release_Notes-Hardware_Overview">1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ã®æ¦‚è¦</a></span></dt><dt><span class="section"><a href="#sect-Release_Notes-Feedback">1.4. フィードãƒãƒƒã‚¯</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Release_Notes-Changes_for_Desktop_Users">2. Fedora ã®å¤‰æ›´ç‚¹ - デスクトップユーザーå‘ã‘</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-RelNotes-Desktop">2.1. デスクトップ</a></span></dt><dt><span class="section"><a href="#sect-RelNotes-Productivity">2.2. 生産性</a></s
pan></dt><dt><span class="section"><a href="#sect-RelNotes-Networking">2.3. ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚ング</a></span></dt><dt><span class="section"><a href="#sect-RelNotes-I18n">2.4. 国際化</a></span></dt><dt><span class="section"><a href="#sect-RelNotes-Multimedia">2.5. マルãƒãƒ¡ãƒ‡ã‚£ã‚¢</a></span></dt><dt><span class="section"><a href="#sect-RelNotes-Entertainment">2.6. エンターテインメント</a></span></dt><dt><span class="section"><a href="#sect-Release_Notes-Live_Image">2.7. Live イメージ</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Release_Notes-Changes_for_SysAdmin">3. Fedora ã®å¤‰æ›´ç‚¹ - システム管ç†è€…å‘ã‘</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Release_Notes-Kernel">3.1. Kernel</a></span></dt><dt><span class="section"><a href="#sect-RelNotes-Boot">3.2. ブート</a></span></dt><dt><span class="section"><a href="#sect-RelNotes-Security">3.3. ã‚»ã‚ュリティ</a></span></dt><dt><span class="section
"><a href="#sect-RelNotes-Virtualization">3.4. 仮想化</a></span></dt><dt><span class="section"><a href="#sect-RelNotes-Web_Servers">3.5. ウェブサーãƒã¨ã‚¦ã‚§ãƒ–アプリケーション</a></span></dt><dt><span class="section"><a href="#sect-RelNotes-Database_Servers">3.6. データベースサーãƒãƒ¼</a></span></dt><dt><span class="section"><a href="#sect-RelNotes-System_Daemons">3.7. システムデーモン</a></span></dt><dt><span class="section"><a href="#sect-RelNotes-File_Systems">3.8. ファイルシステム</a></span></dt><dt><span class="section"><a href="#sect-RelNotes-Xorg">3.9. Xorg</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Release_Notes-Changes_for_Developers">4. Fedora ã®å¤‰æ›´ç‚¹ - 開発者å‘ã‘</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-RelNotes-Development">4.1. 開発</a></span></dt><dt><span class="section"><a href="#sect-RelNotes-Developer_Tools">4.2. 開発ツール</a></span></dt><dt><span cla
ss="section"><a href="#sect-RelNotes-GCC">4.3. GCC</a></span></dt><dt><span class="section"><a href="#sect-RelNotes-Java">4.4. Java</a></span></dt><dt><span class="section"><a href="#sect-RelNotes-Haskell">4.5. Haskell</a></span></dt><dt><span class="section"><a href="#sect-RelNotes-Eclipse">4.6. Eclipse</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Release_Notes-Changes_for_Specific_Audiences">5. Fedora ã®å¤‰æ›´ç‚¹ - 特定ã®æ–¹å‘ã‘</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-RelNotes-Scientific_and_Technical">5.1. 科å¦ã¨æŠ€è¡“</a></span></dt><dt><span class="section"><a href="#sect-RelNotes-Embedded_Development">5.2. 組ã¿è¾¼ã¿é–‹ç™º</a></span></dt><dt><span class="section"><a href="#sect-RelNotes-Circuit_Design">5.3. 回路è¨è¨ˆ</a></span></dt><dt><span class="section"><a href="#sect-RelNotes-Robotics">5.4. ãƒãƒœãƒ†ã‚£ã‚¯ã‚¹</a></span></dt><dt><span class="section"><a href="#sect-RelNotes-Amateur_Radio">5.5. アマãƒãƒ¥ã
‚¢ç„¡ç·š</a></span></dt></dl></dd><dt><span class="appendix"><a href="#appe-Release_Notes-Revision_History">A. 改訂履æ´</a></span></dt><dt><span class="index"><a href="#appe-Release_Notes-index">索引</a></span></dt></dl></div><div class="section" title="1. Fedora 15 ã¸ã‚ˆã†ã“ã" id="sect-Release_Notes-Welcome_to_Fedora_15"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Release_Notes-Welcome_to_Fedora_15">1. Fedora 15 ã¸ã‚ˆã†ã“ã</h2></div></div></div><div xml:lang="ja-JP" class="section" title="1.1. Fedora ã¸ã€ã‚ˆã†ã“ã" id="sect-Release_Notes-Welcome_to_Fedora" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Release_Notes-Welcome_to_Fedora">1.1. Fedora ã¸ã€ã‚ˆã†ã“ã</h3></div></div></div><a id="id706234" class="indexterm"></a><a id="id743859" class="indexterm"></a><a id="id749501" class="indexterm"></a><a id="id688291" class="indexterm"></a
><a id="id733700" class="indexterm"></a><div class="para">
+ ãƒã‚°ãƒ¬ãƒãƒ¼ãƒˆã‚„機能強化ã®ãƒªã‚¯ã‚¨ã‚¹ãƒˆãªã©ã‚’æ出ã—ã¦ã„ãŸã ãã“ã¨ã«ã‚ˆã‚Šã€ Fedora Project コミュニティã®ç¶™ç¶šçš„㪠Fedora 改善活動を支æ´ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ ãƒã‚°ã‚„機能ã«ã¤ã„ã¦ã®è©³ç´°ã¯ Fedora wiki 上㮠<a href="http://fedoraproject.org/wiki/BugsAndFeatureRequests">Bugs And Feature Requests</a> ã‚’å‚ç…§ã—ã¦ãã ã•ã„。 ã”å‚åŠ ã‚ã‚ŠãŒã¨ã†ã”ã–ã„ã¾ã™ã€‚
+ </div><div class="para">
+ Fedora ã«é–¢ã™ã‚‹å…¨èˆ¬æƒ…å ±ã‚’ã‚‚ã£ã¨çŸ¥ã‚ŠãŸã„å ´åˆã¯ã€ä»¥ä¸‹ã® Web ページをå‚ç…§ã—ã¦ãã ã•ã„。Fedora wiki (<a href="http://fedoraproject.org/wiki/">http://fedoraproject.org/wiki/</a>)
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://fedoraproject.org/wiki/Overview">Fedora 概è¦</a>
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://fedoraproject.org/wiki/FAQ">Fedora よãã‚る質å•</a>
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://fedoraproject.org/wiki/Communicate">ヘルプã¨ãƒ‡ã‚£ã‚¹ã‚«ãƒƒã‚·ãƒ§ãƒ³</a>
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://fedoraproject.org/wiki/Join">Fedora プãƒã‚¸ã‚§ã‚¯ãƒˆã¸ã®å‚åŠ æ–¹æ³•</a>
+ </div></li></ul></div></div><div xml:lang="ja-JP" class="section" title="1.2. 概è¦" id="sect-Release_Notes-Overview" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Release_Notes-Overview">1.2. 概è¦</h3></div></div></div><a id="id1837392" class="indexterm"></a><a id="id897355" class="indexterm"></a><a id="id697806" class="indexterm"></a><a id="id965966" class="indexterm"></a><a id="id971645" class="indexterm"></a><a id="id897020" class="indexterm"></a><a id="id730823" class="indexterm"></a><div class="para">
+ ã„ã¤ã‚‚ã®ã‚ˆã†ã«ã€ Fedora ã¯é–‹ç™ºã¨ã€ (<a href="http://www.fedoraproject.org/wiki/Red_Hat_contributions"> RedHat ã®è²¢çŒ® </a>) 最新ã®ãƒ•ãƒªãƒ¼åŠã³ã‚ªãƒ¼ãƒ—ンソースã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ (<a href="http://fedoraproject.org/wiki/Releases/15/FeatureList">Fedora 15 ã®ç‰¹å¾´)</a> ã®çµ±åˆã‚’続ã‘ã¦ã„ã¾ã™ã€‚以下ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã¯ã€ Fedora ã®å‰å›žã®ãƒªãƒªãƒ¼ã‚¹ã‹ã‚‰ã®ã€å¤§ããªå¤‰æ›´ç‚¹ã‚’ç°¡å˜ã«ç¤ºã—ã¾ã™ã€‚
+ </div><div class="para">
+ 以下ã¯ã€ Fedora 15 ã®ä¸»ãªç‰¹å¾´ã§ã™ï¼š
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ æ–°ã—ã„ GNOME 3 シェルをå«ã‚€ GNOME 3
+ </div></li><li class="listitem"><div class="para">
+ KDE 4.6 ã§ã¯ã€æ”¹å–„ã•ã‚ŒãŸãƒ—ラズマワークスペース ã€æ©Ÿèƒ½å¼·åŒ–ã•ã‚ŒãŸä¸»è¦ã‚¢ãƒ—リケーションã€ãƒ¡ãƒ¢ãƒªåŠ¹çŽ‡ã®æ”¹å–„。
+ </div></li><li class="listitem"><div class="para">
+ Xfce 4.8 with a new panel, Thunar enhancements and more.
+ </div></li><li class="listitem"><div class="para">
+ Virt-manager ã§ã® Spice サãƒãƒ¼ãƒˆã‚„〠Xen ホストサãƒãƒ¼ãƒˆãªã©ã®ã€ä»®æƒ³åŒ–ã®æ”¹å–„。
+ <div class="note"><h2>注記</h2><div class="para">
+ ã“ã®æ–‡æ›¸ã§ã¯ã€æ–°ã—ã„仮想化 UI ã§ã‚ã‚‹ Spice ã¨ã€æ˜”ã‹ã‚‰ã‚る回路モデリングアプリケーションã§ã‚ã‚‹ spice ã‚’ã€å‰è€…ã«å¤§æ–‡å—ã® S を使ã†ã“ã¨ã§åŒºåˆ¥ã—ã¾ã™ã€‚
+ </div></div>
+
+ </div></li><li class="listitem"><div class="para">
+ ライブイメージã®åœ§ç¸®çŽ‡ã‚’上ã’〠CD ã§ã‚ˆã‚Šå¤šãã®ã‚¢ãƒ—リケーションをæä¾›ã§ãるよã†ã«ã—ã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ システムã¨ã‚»ãƒƒã‚·ãƒ§ãƒ³ç®¡ç†ã‚’ systemd ã§è¡Œã†ã“ã¨ã§ã€ã‚ˆã‚Šä¸€è²«ã—ãŸè¨å®šãŒå¾—られã€ãƒ–ート性能ãŒæ”¹å–„ã—ã¾ã—ãŸã€‚
+ </div></li></ul></div><div class="para">
+ Fedora 15 ã«å«ã¾ã‚Œã‚‹ä»–ã®ç‰¹å¾´ã«ã¤ã„ã¦ã€ã‚ˆã‚Šè©³ã—ãã¯ã€: <a href="http://fedoraproject.org/wiki/Releases/15/FeatureList"> http://fedoraproject.org/wiki/Releases/15/FeatureList</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div xml:lang="ja-JP" class="section" title="1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ã®æ¦‚è¦" id="sect-Release_Notes-Hardware_Overview" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Release_Notes-Hardware_Overview">1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ã®æ¦‚è¦</h3></div></div></div><div class="section" title="1.3.1. x86 アーã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒ—ãƒã‚»ãƒƒã‚µã¨ãƒ¡ãƒ¢ãƒª"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id731224">1.3.1. x86 アーã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒ—ãƒã‚»ãƒƒã‚µã¨ãƒ¡ãƒ¢ãƒª</h4></div></div></div><a id="id697678" class="indexterm"></a><a id="id673392" class="indexterm"></a><a id="id681031" class="indexterm"></a><a id="id2304623" class="indexterm"></a><div class="para">
+ 以下㮠CPU 仕様ã¯ã€ã‚¤ãƒ³ãƒ†ãƒ«ãƒ—ãƒã‚»ãƒƒã‚µã®ç”¨èªžã§è¿°ã¹ã‚‰ã‚Œã¦ã„ã¾ã™ã€‚ä»–ã®ãƒ—ãƒã‚»ãƒƒã‚µã€ä¾‹ãˆã° AMD, Cyrix, ãã—㦠VIA 製ã®ã‚ˆã†ã«ã€ä»¥ä¸‹ã®ã‚¤ãƒ³ãƒ†ãƒ«ãƒ—ãƒã‚»ãƒƒã‚µã¨äº’æ›ã§ç‰ä¾¡ã§ã‚ã‚‹ã‚‚ã®ã§ã‚ã‚Œã°ã€ Fedora ã§ä½¿ã†ã“ã¨ãŒã§ãã¾ã™ã€‚Fedora 15 㯠Intel Pentium Pro ã‚ã‚‹ã„ã¯ãれ以上ã®ãƒ—ãƒã‚»ãƒƒã‚µã‚’å¿…è¦ã¨ã—〠i686 ãŠã‚ˆã³ä»¥é™ã®ãƒ—ãƒã‚»ãƒƒã‚µç”¨ã«æœ€é©åŒ–ã•ã‚Œã¦ã„ã¾ã™ã€‚
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ テã‚ストモードã§ã®æŽ¨å¥¨: 200 MHz Pentium Pro 以上
+ </div></li><li class="listitem"><div class="para">
+ グラフィカルモードã§ã®æŽ¨å¥¨ï¼š 400 MHz Pentium Pro 以上
+ </div></li><li class="listitem"><div class="para">
+ Minimum RAM for text-mode: 640 MiB
+ </div></li><li class="listitem"><div class="para">
+ グラフィカルモードã§ã®æœ€å°ãƒ¡ãƒ¢ãƒªï¼š 640 MiB
+ </div></li><li class="listitem"><div class="para">
+ グラフィカルモードã§ã®æŽ¨å¥¨ãƒ¡ãƒ¢ãƒªï¼š1152 MiB
+ </div></li></ul></div><div class="note"><h2>Installer requires 640Mib</h2><div class="para">
+ Note that although the Fedora installer for Fedora 15 requires 640 MiB, Fedora 15 may require more or even less memory to run adequately, depending on the particular hardware and/or software selections. The Fedora Live Image will typically run with 512 MiB or less, depending on hardware.
+ </div></div></div><div class="section" title="1.3.2. x86_64 アーã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒ—ãƒã‚»ãƒƒã‚µã¨ãƒ¡ãƒ¢ãƒª"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id747651">1.3.2. x86_64 アーã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒ—ãƒã‚»ãƒƒã‚µã¨ãƒ¡ãƒ¢ãƒª</h4></div></div></div><a id="id697058" class="indexterm"></a><a id="id2320833" class="indexterm"></a><a id="id645215" class="indexterm"></a><a id="id665602" class="indexterm"></a><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Minimum RAM for text-mode: 640 MiB
+ </div></li><li class="listitem"><div class="para">
+ グラフィカルモードã§ã®æœ€å°ãƒ¡ãƒ¢ãƒªï¼š 640 MiB
+ </div></li><li class="listitem"><div class="para">
+ グラフィカルモードã§ã®æŽ¨å¥¨ãƒ¡ãƒ¢ãƒªï¼š1152 MiB
+ </div></li></ul></div></div><div class="section" title="1.3.3. å…¨ã¦ã®ã‚¢ãƒ¼ã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒãƒ¼ãƒ‰ãƒ‡ã‚£ã‚¹ã‚¯ã®å®¹é‡"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id963709">1.3.3. å…¨ã¦ã®ã‚¢ãƒ¼ã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒãƒ¼ãƒ‰ãƒ‡ã‚£ã‚¹ã‚¯ã®å®¹é‡</h4></div></div></div><a id="id963715" class="indexterm"></a><a id="id963723" class="indexterm"></a><div class="para">
+ 完全ãªãƒ‘ッケージ㯠9 GB 以上ã®ãƒ‡ã‚£ã‚¹ã‚¯å®¹é‡ã‚’å 有ã™ã‚‹ã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚最終的ãªã‚µã‚¤ã‚ºã¯ã€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã™ã‚‹ã‚¹ãƒ”ンやインストール時ã«é¸æŠžã•ã‚Œã‚‹ãƒ‘ッケージã«ã‚ˆã£ã¦å®Œå…¨ã«æ±ºã¾ã‚Šã¾ã™ã€‚インストールã®é–“ã€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ç’°å¢ƒã‚’サãƒãƒ¼ãƒˆã™ã‚‹ãŸã‚ã«è¿½åŠ ã®ãƒ‡ã‚£ã‚¹ã‚¯å®¹é‡ãŒå¿…è¦ã¨ã•ã‚Œã¾ã™ã€‚ã“ã®è¿½åŠ ã®ãƒ‡ã‚£ã‚¹ã‚¯å®¹é‡ã¯ã€ <code class="filename">/Fedora/base/stage2.img</code> (インストールディスク１）ã®ã‚µã‚¤ã‚ºã¨ã€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã•ã‚Œã‚‹ã‚·ã‚¹ãƒ†ãƒ ã® <code class="filename">/var/lib/rpm</code> ã«ã‚ã‚‹ãƒ•ã‚¡ã‚¤ãƒ«ã‚µã‚¤ã‚ºã‚’åŠ ãˆãŸã‚‚ã®ã«ãªã‚Šã¾ã™ã€‚
+ </div><div class="para">
+ è¦ã™ã‚‹ã«ã€è¿½åŠ ã§å¿…è¦ãªå®¹é‡ã¯ã€æœ€å°ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã§ã¯å°‘ãªãã¨ã‚‚ 90 MiBã€ã‚ˆã‚Šå¤§ãã„インストール㧠175 MiB ã§ã™ã€‚
+ </div><div class="para">
+ ユーザーデータãŒã‚ã‚Œã°ã€ãã®ãŸã‚ã«è¿½åŠ ã®å®¹é‡ãŒå¿…è¦ã§ã™ã€‚ã•ã‚‰ã«ã€ã‚·ã‚¹ãƒ†ãƒ ãŒæ£ã—ã動作ã™ã‚‹ãŸã‚ã«ã¯ã€å°‘ãªãã¨ã‚‚ 5% ã®ç©ºã容é‡ãŒä¿æŒã•ã‚Œã‚‹ã¹ãã§ã™ã€‚
+ </div></div></div><div xml:lang="ja-JP" class="section" title="1.4. フィードãƒãƒƒã‚¯" id="sect-Release_Notes-Feedback" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Release_Notes-Feedback">1.4. フィードãƒãƒƒã‚¯</h3></div></div></div><div class="para">
+ Fedora コミュニティーã«ã‚³ãƒ¡ãƒ³ãƒˆã€ æ案〠ãƒã‚°å ±å‘Šãªã©ã‚’ã—ã¦ã„é ‚ããŸã‚時間をãŠå‰²ãé ‚ãã‚ã‚ŠãŒã¨ã†ã”ã–ã„ã¾ã™ã€‚ ã“ã†ã—ãŸã‚³ãƒ¡ãƒ³ãƒˆã‚„æ案〠ãƒã‚°å ±å‘Šã¯ä¸–界的ãªè¦æ¨¡ã§ Fedora〠Linux〠ãã—ã¦ãƒ•ãƒªãƒ¼ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢ã®ä½ç½®ä»˜ã‘ã®æ”¹å–„ã«ã¤ãªãŒã‚Šã¾ã™ã€‚
+ </div><div class="section" title="1.4.1. Fedora ã«å«ã¾ã‚Œã‚‹ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢ã«ãƒ•ã‚£ãƒ¼ãƒ‰ãƒãƒƒã‚¯ã‚’è¡Œã†æ–¹æ³•"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id681707">1.4.1. Fedora ã«å«ã¾ã‚Œã‚‹ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢ã«ãƒ•ã‚£ãƒ¼ãƒ‰ãƒãƒƒã‚¯ã‚’è¡Œã†æ–¹æ³•</h4></div></div></div><div class="para">
+ Fedora ソフトウエアã‚ã‚‹ã„ã¯ãã®ä»–ã®ã‚·ã‚¹ãƒ†ãƒ è¦ç´ ã«ã¤ã„ã¦ãƒ•ã‚£ãƒ¼ãƒ‰ãƒãƒƒã‚¯ã‚’è¡Œã†ã«ã¯ã€ <a href="http://fedoraproject.org/wiki/BugsAndFeatureRequests"> ãƒã‚°ã¨æ©Ÿèƒ½ãƒªã‚¯ã‚¨ã‚¹ãƒˆ</a> ã‚’å‚ç…§ãã ã•ã„。ã“ã®ãƒªãƒªãƒ¼ã‚¹ã«ã¤ã„ã¦ã®ã€åºƒãå ±å‘Šã•ã‚Œã¦ã„ã‚‹ãƒã‚°ã¨æ—¢çŸ¥ã®å•é¡Œã®ãƒªã‚¹ãƒˆã¯ã€ <a href="http://fedoraproject.org/wiki/Common_F15_bugs"> 一般的㪠F15 ãƒã‚°</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="1.4.2. Fedora ã®ãƒªãƒªãƒ¼ã‚¹ãƒŽãƒ¼ãƒˆã«å¯¾ã—ã¦ãƒ•ã‚£ãƒ¼ãƒ‰ãƒãƒƒã‚¯ã‚’è¡Œã†æ–¹æ³•"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id700742">1.4.2. Fedora ã®ãƒªãƒªãƒ¼ã‚¹ãƒŽãƒ¼ãƒˆã«å¯¾ã—ã¦ãƒ•ã‚£ãƒ¼ãƒ‰ãƒãƒƒã‚¯ã‚’è¡Œã†æ–¹æ³•</h4></div></div></div><div class="para">
+ ã‚‚ã—ã€ãƒªãƒªãƒ¼ã‚¹ãƒŽãƒ¼ãƒˆã«å¯¾ã—ã¦ã€ã©ã‚“ãªå½¢ã§ã‚れ改善ã§ãã‚‹ã“ã¨ãŒã‚ã‚‹ã¨æ„Ÿã˜ãŸæ™‚ã€ã‚ãªãŸã®ãƒªãƒªãƒ¼ã‚¹ãƒŽãƒ¼ãƒˆã‚’書ã„ãŸæ‹…当者ã«ç›´æŽ¥ãƒ•ã‚£ãƒ¼ãƒ‰ãƒãƒƒã‚¯ã‚’è¡Œã†ã“ã¨ãŒã§ãã¾ã™ã€‚フィードãƒãƒƒã‚¯ã‚’è¡Œã†æ–¹æ³•ã¨ã—ã¦ã¯ã€æ¬¡ã®ã„ãã¤ã‹ã®æ–¹æ³•ãŒã‚ã‚Šã¾ã™ã€‚
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Fedora ã®ã‚¢ã‚«ã‚¦ãƒ³ãƒˆãŒã‚ã‚‹å ´åˆã¯ <a href="http://fedoraproject.org/wiki/Docs/Beats"> Docs-Beats</a> ã«ã‚る内容を直接編集ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://tinyurl.com/nej3u">テンプレート</a> ã®ãƒã‚°å ±å‘Šã®æƒ…å ±ã‚’åŸ‹ã‚ã¦ãã ã•ã„。 - <span class="emphasis"><em>ã“ã®ãƒªãƒ³ã‚¯ã¯ãƒªãƒªãƒ¼ã‚¹ãƒŽãƒ¼ãƒˆã«å¯¾ã™ã‚‹ãƒ•ã‚£ãƒ¼ãƒ‰ãƒãƒƒã‚¯ã®å°‚用ã§ã™ã€‚</em></span> 詳細ã¯ä¸Šè¨˜ã®æ³¨æ„ã‚’å‚ç…§ã—ã¦ãã ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ E-mail ã«ã‚ˆã‚‹ãƒªãƒªãƒ¼ã‚¹ãƒŽãƒ¼ãƒˆç”¨ãƒ¡ãƒ¼ãƒªãƒ³ã‚°ãƒªã‚¹ãƒˆ: <code class="email"><a class="email" href="mailto:relnotes at fedoraproject.org">relnotes at fedoraproject.org</a></code>
+ </div></li></ul></div></div></div></div><div class="section" title="2. Fedora ã®å¤‰æ›´ç‚¹ - デスクトップユーザーå‘ã‘" id="sect-Release_Notes-Changes_for_Desktop_Users"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Release_Notes-Changes_for_Desktop_Users">2. Fedora ã®å¤‰æ›´ç‚¹ - デスクトップユーザーå‘ã‘</h2></div></div></div><div xml:lang="ja-JP" class="section" title="2.1. デスクトップ" id="sect-RelNotes-Desktop" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Desktop">2.1. デスクトップ</h3></div></div></div><div class="section" title="2.1.1. GNOME"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id654135">2.1.1. GNOME</h4></div></div></div><a id="id1836926" class="indexterm"></a><div class="para">
+ Fedora 15 ã¯ã€ GNOME 3 を採用ã—ã¾ã—ãŸã€‚ãã‚Œã¯ã€ï¼‘ï¼å¹´ã«æ¸¡ã‚‹ GNOME ユーザ体験ã®ã€æœ€åˆã®å¤§ããªè¦‹ç›´ã—ã‚’ã‚‚ãŸã‚‰ã—ã¾ã—ãŸã€‚GNOME 2.0 プラットフォームã¨åŒã˜ã‚ˆã†ã«ã€ GNOME 3.0 リリースã¯é–‹å§‹ç‚¹ã§ã‚り〠<a href="https://mail.gnome.org/archives/desktop-devel-list/2011-March/msg00109.html"> ã„ãã¤ã‹ã®æ©Ÿèƒ½å¼·åŒ–</a> ãŒã€ä»Šå¾Œã®ãƒªãƒ“ジョンã§äºˆå®šã•ã‚Œã¦ã„ã¾ã™ã€‚
+ </div><div class="para">
+ Many of the following notes are reproduced in the online help for GNOME 3. To start the help application, move your mouse to the Activities hotspot at the upper left. Then type "help" to find the application, or choose Applications and locate Help in the menu.
+ </div><div class="section" title="2.1.1.1. GNOME シェル"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="id743296">2.1.1.1. GNOME シェル</h5></div></div></div><a id="id704380" class="indexterm"></a><a id="id706165" class="indexterm"></a><a id="id668171" class="indexterm"></a><a id="id709939" class="indexterm"></a><div class="para">
+ æ–°ã—ã„ GNOME シェルã¯ã‚·ã‚¹ãƒ†ãƒ ã¨ç›¸äº’作用ã™ã‚‹ãŸã‚ã®æ–°ã—ã„方法ã§ã€é«˜ã„生産性をもãŸã‚‰ã—ã¾ã™ã€‚シェルã¯ã€å®Œå…¨ã«å†è¨è¨ˆã•ã‚ŒãŸã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã¨ã€ã‚¨ãƒ¬ã‚¬ãƒ³ãƒˆã§ä½¿ã„ã‚„ã™ã„ツールを特徴ã¨ã—ã¾ã™ï¼š
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ トップãƒãƒ¼ã¯ã€è¨å®šã€ã‚«ãƒ¬ãƒ³ãƒ€ãƒ¼ã€ãã—ã¦ä¸»è¦ãªãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã¸ã®ç›´æŽ¥ã®ã‚¢ã‚¯ã‚»ã‚¹ã‚’æä¾›ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 左上ã®ã‚¢ã‚¯ãƒ†ã‚£ãƒ“ティホットコーナーã¯ã€ã™ã¹ã¦ã®ã‚¢ãƒ—リケーションã¨æ¤œç´¢ã¸ã®ç°¡å˜ãªã‚¢ã‚¯ã‚»ã‚¹ã‚’æä¾›ã—ã¾ã™ã€‚ã¾ãŸã€ãŠæ°—ã«å…¥ã‚Šã®ã‚¢ãƒ—リケーションã®ãƒ‰ãƒƒã‚¯ã§ã‚‚ã‚ã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 通知ã®æ”¹å–„。例ãˆã°ã€ä»–ã®ã‚¢ãƒ—リケーションã«ã‚³ãƒ³ãƒ†ã‚ストを変更ã™ã‚‹å¿…è¦ã®ãªã„ã€ãƒ¡ãƒƒã‚»ãƒ¼ã‚¸ãŒã‚µãƒãƒ¼ãƒˆã•ã‚Œã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ã‚ーボードä¸å¿ƒã®ãƒ¦ãƒ¼ã‚¶ã«ã‚‚ã€ãƒã‚¤ãƒ³ãƒˆã‚¢ãƒ³ãƒ‰ã‚¯ãƒªãƒƒã‚¯ã®ãƒ¦ãƒ¼ã‚¶ã«ã‚‚ã€ã‚·ã‚§ãƒ«å…¨ä½“ã«æ¸¡ã‚‹ã‚¢ã‚¯ã‚»ã‚¹ãŒæä¾›ã•ã‚Œã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ コントãƒãƒ¼ãƒ«ãƒ‘ãƒãƒ«ã¯ã€ã‚·ã‚¹ãƒ†ãƒ ã¨å€‹äººçš„ãªè¨å®šã‚’１箇所ã«ã¾ã¨ã‚ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ä»–ã®å¤šãã®æ”¹å–„ã¨ã€å®Œå…¨ãªæƒ…å ±ã¯ã€ <a href="http://fedoraproject.org/wiki/GnomeShell">http://fedoraproject.org/wiki/GnomeShell</a> ãŠã‚ˆã³ <a href="http://live.gnome.org/GnomeShell">http://live.gnome.org/GnomeShell</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></li></ul></div><div class="para">
+ 以下㮠wiki ページã«ã¯ã€ä¸»ãªå¤‰æ›´ã¨ã€ãƒ¯ãƒ¼ã‚¯ãƒ•ãƒãƒ¼ã®é•ã„ãŒèª¬æ˜Žã•ã‚Œã¦ã„ã¾ã™ã€‚
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://live.gnome.org/GnomeShell/Tour">http://live.gnome.org/GnomeShell/Tour</a>
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://live.gnome.org/GnomeShell/CheatSheet">http://live.gnome.org/GnomeShell/CheatSheet</a>
+ </div></li></ul></div><div class="para">
+ <a id="id673553" class="indexterm"></a>
+ <a id="id673561" class="indexterm"></a>
+ <a id="id673569" class="indexterm"></a>
+ <a id="id673577" class="indexterm"></a>
+ <a id="id673589" class="indexterm"></a>
+ <a id="id673601" class="indexterm"></a>
+ æ–°ã—ã„ GNOME 3 ユーザ体験ã¯ã€ 3D アクセラレーションãŒå¯èƒ½ãªãƒ“デオカードを必è¦ã¨ã—ã¾ã™ã€‚Fedora 15 ã¯ã€ãƒ•ãƒªãƒ¼ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢ã®ãƒ‰ãƒ©ã‚¤ãƒã§ã€å¯èƒ½ãªé™ã‚Šå¤šãã®ã“れらã®ã‚«ãƒ¼ãƒ‰ã‚’サãƒãƒ¼ãƒˆã—ã¾ã™ã€‚ãã‚Œã«ã¯ã€ NVidia グラフィックスカードã®ãŸã‚ã® <span class="package">nouveau</span> ドライãƒã€ AMD グラフィックスカードã®ãŸã‚ã® <span class="package">radeon</span> ドライãƒã€ãã—㦠Intel グラフィックスカードã®ãŸã‚ã®<span class="package">intel</span> ãŒå«ã¾ã‚Œã¾ã™ã€‚ã‚‚ã—ã€ãã¡ã‚“ã¨ã‚µãƒãƒ¼ãƒˆã•ã‚Œã¦ã„ã‚‹ 3D アクセラレーションãŒæ¤œå‡ºã§ããªã‹ã£ãŸã¨ãã¯ã€ GNOME 3 ã¯ãƒ•ã‚©ãƒ¼ãƒ«ãƒãƒƒã‚¯ãƒ¢ãƒ¼ãƒ‰ã«ãªã‚Šã€ GNOME シェル ã®ãµã‚‹ã¾ã„を模倣ã—ã¾ã™ã€‚ Nouveau ã§ã® 3D サãƒãƒ¼ãƒˆã¯ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§æœ‰åŠ¹ã§ã‚り〠<span class="package">mesa-dri-drivers-experimental</span> パッケージã¯ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã
™ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã›ã‚“。
+ </div><div class="section" title="2.1.1.1.1. ã©ã†ã‚„ã£ã¦ã‚¢ãƒ—リケーションを見ã¤ã‘ã‚Œã°è‰¯ã„ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id640322">2.1.1.1.1. ã©ã†ã‚„ã£ã¦ã‚¢ãƒ—リケーションを見ã¤ã‘ã‚Œã°è‰¯ã„ã§ã™ã‹ï¼Ÿ</h6></div></div></div><div class="para">
+ 左上ã®è§’ã«è¡Œã£ã¦ã€ãƒ›ãƒƒãƒˆã‚¹ãƒãƒƒãƒˆã‚’アクティベートã—ã¾ã™ã€‚ãã“ã§ã€ <span class="guimenu"><strong>アプリケーション</strong></span> をクリックã—ã¾ã™ã€‚ã‚ã‚‹ã„ã¯ã€<span class="keycap"><strong>スーパー</strong></span> ã‚ー (<span class="keycap"><strong>Windows</strong></span> ã‚ーã¨ã‚‚呼ã°ã‚Œã¾ã™)ã‚‚ã—ã㯠<span class="keycap"><strong>Alt</strong></span>+<span class="keycap"><strong>F1</strong></span> を押ã—ã¦ã€ã‚¢ãƒ—リケーションã®åå‰ã‚‚ã—ãã¯é–¢é€£ã™ã‚‹ç”¨èªžã‚’タイプã—始ã‚ã¾ã™ã€‚
+ </div></div><div class="section" title="2.1.1.1.2. è¨å®šã‚’変ãˆã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰ã‚ˆã„ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id640353">2.1.1.1.2. è¨å®šã‚’変ãˆã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰ã‚ˆã„ã§ã™ã‹ï¼Ÿ</h6></div></div></div><a id="id640360" class="indexterm"></a><div class="para">
+ å³ä¸Šã®ãƒ¦ãƒ¼ã‚¶ãƒ¡ãƒ‹ãƒ¥ãƒ¼ã‚’クリックã—ã¦ã€ <span class="guimenu"><strong>システムè¨å®š</strong></span> ã‚’é¸æŠžã—ã¾ã™ã€‚より高度ãªè¨å®šã‚’ã™ã‚‹ã«ã¯ã€ <span class="package">gnome-tweak-tool</span> パッケージをインストールã—ã¦ãã ã•ã„。
+ </div></div><div class="section" title="2.1.1.1.3. システムをシャットダウンã€é›»æºã‚ªãƒ•ã€ã‚ã‚‹ã„ã¯å†é–‹å§‹ã™ã‚‹ã«ã¯ã€ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id640382">2.1.1.1.3. システムをシャットダウンã€é›»æºã‚ªãƒ•ã€ã‚ã‚‹ã„ã¯å†é–‹å§‹ã™ã‚‹ã«ã¯ã€ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ</h6></div></div></div><a id="id720883" class="indexterm"></a><a id="id720891" class="indexterm"></a><a id="id720899" class="indexterm"></a><div class="para">
+ <span class="keycap"><strong>Alt</strong></span> ã‚ーを押ã—ãªãŒã‚‰ã€ãƒ¦ãƒ¼ã‚¶ãƒ¡ãƒ‹ãƒ¥ãƒ¼ã‚’クリックã—ã¾ã™ã€‚メニューã®æœ€å¾Œã«ã‚ã‚‹ <span class="guimenu"><strong>サスペンド</strong></span> メニューアイテムãŒã€ <span class="guimenu"><strong>パワーオフ...</strong></span>ã«å¤‰ã‚ã‚Šã¾ã™ã€‚ <span class="keycap"><strong>Alt</strong></span> ã‚ーを押ã—ãŸã¾ã¾ã€ãã®ã‚¢ã‚¤ãƒ†ãƒ をクリックã—ã¾ã™ã€‚システムをシャットダウンã™ã‚‹ã‹ã€å†é–‹å§‹ã™ã‚‹ã‹ã®ã‚ªãƒ—ションãŒã‚らã‚ã‚Œã¾ã™ã€‚
+ </div></div><div class="section" title="2.1.1.1.4. ラップトップã®ãµãŸã‚’é–‰ã‚ãŸæ™‚ã®ãµã‚‹ã¾ã„ã‚’ã€ã©ã†ã‚„ã£ã¦å¤‰ãˆã‚Œã°è‰¯ã„ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id720930">2.1.1.1.4. ラップトップã®ãµãŸã‚’é–‰ã‚ãŸæ™‚ã®ãµã‚‹ã¾ã„ã‚’ã€ã©ã†ã‚„ã£ã¦å¤‰ãˆã‚Œã°è‰¯ã„ã§ã™ã‹ï¼Ÿ</h6></div></div></div><a id="id720938" class="indexterm"></a><a id="id720946" class="indexterm"></a><div class="para">
+ デフォルトã§ã¯ã€ãƒ©ãƒƒãƒ—トップã®ãµãŸã‚’é–‰ã‚ãŸæ™‚ã«ã¯ã€ã‚·ã‚¹ãƒ†ãƒ ãŒã‚µã‚¹ãƒšãƒ³ãƒ‰ã—ã¾ã™ã€‚ã“ã®ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã¯å¤‰æ›´ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚（ã•ã‚‰ã«ã€ã‚·ã‚¹ãƒ†ãƒ ãŒãƒãƒƒãƒ†ãƒªãƒ¼ã§å‹•ä½œã—ã¦ã„ã‚‹ã‹ã€AC é›»æºã§å‹•ä½œã—ã¦ã„ã‚‹ã‹ã«ã‚ˆã£ã¦ã€å¤‰ãˆã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚）
+ </div><div class="para">
+ <span class="package">gnome-tweak-tool</span> を使ã†ã‹ã€ã‚‚ã—ãã¯ã€ä»¥ä¸‹ã®ã©ã¡ã‚‰ã‹ã€ã‚ã‚‹ã„ã¯ä¸¡æ–¹ã®ã‚³ãƒžãƒ³ãƒ‰ã‚’使ã£ã¦ãã ã•ã„。
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="command">gsettings set org.gnome.settings-daemon.plugins.power lid-close-ac-action "blank"</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="command">gsettings set org.gnome.settings-daemon.plugins.power lid-close-battery-action "blank"</code>
+ </div></li></ul></div></div><div class="section" title="2.1.1.1.5. ウインドウを最大化ã€ã‚ã‚‹ã„ã¯æœ€å°åŒ–ã™ã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id720998">2.1.1.1.5. ウインドウを最大化ã€ã‚ã‚‹ã„ã¯æœ€å°åŒ–ã™ã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ</h6></div></div></div><a id="id721005" class="indexterm"></a><div class="para">
+ Red Hat ã® Owen Taylor〠GNOME シェルã®ä¸»è¦ãªé–‹ç™ºè€…ã®ä¸€äººã€ãŒã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§ã“れらã®ãƒœã‚¿ãƒ³ã‚’削除ã—ãŸç†ç”±ã‚’ <a href="https://mail.gnome.org/archives/gnome-shell-list/2011-February/msg00192.html"> ã“ã“</a> ã«è¿°ã¹ã¦ã„ã¾ã™ã€‚ã—ã‹ã—ã€æœ€å¤§åŒ–ã¨æœ€å°åŒ–ã¯ã€ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã‚¿ã‚¤ãƒˆãƒ«ã‚’å³ã‚¯ãƒªãƒƒã‚¯ã™ã‚‹ã‹ã€<span class="keycap"><strong>Alt</strong></span>+<span class="keysym">Space</span>を押ã™ã‹ã™ã‚Œã°ã€ã‚³ãƒ³ãƒ†ã‚ストメニューã‹ã‚‰ <a href="http://blogs.gnome.org/diegoe/2011/03/05/minimize-and-maximize-in-gnome3/"> 利用å¯èƒ½</a> ã§ã™ã€‚ウインドウタイトルをダブルクリックã™ã‚‹ã‹ã€ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã‚’デスクトップã®ä¸Šã®ç«¯ã¸ãƒ‰ãƒ©ãƒƒã‚°ã—ã¦ã‚‚ã€æœ€å¤§åŒ–ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ボタンã®è¦‹ãŸã‚を変ãˆã‚‹ã«ã¯ã€ <span class="package">gnome-tweak-tool</span> を使ã£ã¦ãã ã•ã„。
+ </div></div><div class="section" title="2.1.1.1.6. ウインドウをタイル状ã«é…ç½®ã™ã‚‹ã“ã¨ã¯ã§ãã¾ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id978631">2.1.1.1.6. ウインドウをタイル状ã«é…ç½®ã™ã‚‹ã“ã¨ã¯ã§ãã¾ã™ã‹ï¼Ÿ</h6></div></div></div><div class="para">
+ デスクトップã®å·¦ã‚‚ã—ãã¯ã€å³ã®ç«¯ã«ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã‚’ドラッグã™ã‚‹ã“ã¨ã§ã€ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã‚’タイル状ã«é…ç½®ã§ãã¾ã™ã€‚ウインドウã®å¤§ãã•ã¯ã€ãƒ‡ã‚¹ã‚¯ãƒˆãƒƒãƒ—ã®ãã¡ã‚‰ã®åŠåˆ†ã‚’å ã‚るよã†ã«è‡ªå‹•çš„ã«å¤‰æ›´ã•ã‚Œã¾ã™ã€‚
+ </div></div><div class="section" title="2.1.1.1.7. パãƒãƒ«ãŒã€å®Œå…¨ãªæ—¥ä»˜ã¨æ™‚刻を表示ã™ã‚‹ã‚ˆã†ã«ã™ã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id978645">2.1.1.1.7. パãƒãƒ«ãŒã€å®Œå…¨ãªæ—¥ä»˜ã¨æ™‚刻を表示ã™ã‚‹ã‚ˆã†ã«ã™ã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ</h6></div></div></div><a id="id978652" class="indexterm"></a><div class="para">
+ <span class="package">gnome-tweak-tool</span> を使ã†ã‹ã€ã‚‚ã—ãã¯ã€ä»¥ä¸‹ã®ã©ã¡ã‚‰ã‹ã€ã‚ã‚‹ã„ã¯ä¸¡æ–¹ã®ã‚³ãƒžãƒ³ãƒ‰ã‚’使ã£ã¦ãã ã•ã„。
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="command">gsettings set org.gnome.shell.clock show-date true</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="command">gsettings set org.gnome.shell.clock show-seconds true</code>
+ </div></li></ul></div></div><div class="section" title="2.1.1.1.8. アプレットã¯ã©ã†ãªã£ãŸã®ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id978698">2.1.1.1.8. アプレットã¯ã©ã†ãªã£ãŸã®ã§ã™ã‹ï¼Ÿ</h6></div></div></div><a id="id978704" class="indexterm"></a><a id="id978712" class="indexterm"></a><div class="para">
+ Traditional GNOME panel applets are not supported in gnome-shell as explained <a href="https://mail.gnome.org/archives/desktop-devel-list/2009-April/msg00267.html"> here</a>. The general design of GNOME 3 puts more emphasis on full applications, instead of squeezing too much into a small strip or space at the edge of your screen. There are, however, people working on an extension mechanism for the shell, similar to Firefox extensions. The code lives in <a href="http://git.gnome.org/browse/gnome-shell-extensions"> this git repository</a>. We don't expect this to be available in polished or packaged form for GNOME 3.0, though.
+ </div><div class="para">
+ æ—¢å˜ã®ã‚¢ãƒ—レットã®ã†ã¡ã€æ–°ã—ã„ <span class="package">libpanel-applet</span> を使ã†ã‚ˆã†ã«ä¿®æ£ã•ã‚ŒãŸã‚‚ã®ã¯ã€ <span class="emphasis"><em>フォールãƒãƒƒã‚¯</em></span> モードã§åˆ©ç”¨å¯èƒ½ã§ã™ã€‚ã—ã‹ã—ã€<span class="emphasis"><em>フォールãƒãƒƒã‚¯</em></span> ã¯ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã®å‹•ä½œãƒ¢ãƒ¼ãƒ‰ã¨ã¯è€ƒãˆã‚‰ã‚Œã¦ã„ãªã„ã®ã§ã€å°†æ¥ã«ã¯ã€æ´»ç™ºãªé–‹ç™ºãŒã•ã‚Œã¦ã„ãªã„ã¨æ€ã‚ã‚Œã¾ã™ã€‚アプレットã¨ã€ gnome シェルã¸ã®ç§»è¡Œã«ã¤ã„ã¦ã€ã‚ˆã‚Šè©³ã—ãã¯ã€ <a href="http://live.gnome.org/GnomeShell/AppletsTransition"> ã“ã® GNOME wiki ページ</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div><div class="para">
+ アプレットã«ã‚ˆã£ã¦ã¯ã€å¿…è¦ã§ã‚れ㰠<code class="command">-w</code> オプションã«ã‚ˆã£ã¦ã€ç‹¬ç«‹ã—ãŸã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã§å‹•ä½œã™ã‚‹ã“ã¨ãŒã§ãã‚‹ã‚‚ã®ã‚‚ã‚ã‚Šã¾ã™ã€‚
+ </div></div><div class="section" title="2.1.1.1.9. åŒã˜ã‚¢ãƒ—リケーションを複数ã€å®Ÿè¡Œã™ã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id650120">2.1.1.1.9. åŒã˜ã‚¢ãƒ—リケーションを複数ã€å®Ÿè¡Œã™ã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ</h6></div></div></div><div class="para">
+ Right click on the icon in the dash bar on the left side and click on "new window". You can do the same action from the applications window. Also several applications themselves offer a option to open a new window within the file menu.
+ </div></div><div class="section" title="2.1.1.1.10. マルãƒãƒ¢ãƒ‹ã‚¿ãƒ¼ã¯ã€ã©ã®ã‚ˆã†ã«ã‚µãƒãƒ¼ãƒˆã•ã‚Œã¾ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id650134">2.1.1.1.10. マルãƒãƒ¢ãƒ‹ã‚¿ãƒ¼ã¯ã€ã©ã®ã‚ˆã†ã«ã‚µãƒãƒ¼ãƒˆã•ã‚Œã¾ã™ã‹ï¼Ÿ</h6></div></div></div><div class="para">
+ ã™ã°ã‚‰ã—ã„ï¼è©³ã—ãã¯ã€ <a href="http://blogs.gnome.org/alexl/2011/03/22/multimonitor-support-in-gnome-shell/"> ã“ã®ãƒ–ãƒã‚°è¨˜äº‹ </a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="2.1.1.1.11. テーマã¯ã©ã†ãªã£ãŸã®ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id650150">2.1.1.1.11. テーマã¯ã©ã†ãªã£ãŸã®ã§ã™ã‹ï¼Ÿ</h6></div></div></div><a id="id650156" class="indexterm"></a><div class="para">
+ GNOME シェルã¯ã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§ã¯ãƒ†ãƒ¼ãƒžã‚’サãƒãƒ¼ãƒˆã—ã¾ã›ã‚“。ã—ã‹ã—ã€CSS を使ã£ã¦ãƒ†ãƒ¼ãƒžã‚’サãƒãƒ¼ãƒˆã™ã‚‹æ‹¡å¼µæ©Ÿèƒ½ãŒã‚ã‚Šã¾ã™ã€‚テーマã¯ã€ã‚·ã‚¹ãƒ†ãƒ 全体ã§ã€ã‚ã‚‹ã„ã¯ã€ãƒ¦ãƒ¼ã‚¶ã”ã¨ã«å¤‰ãˆã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚例ãˆã°ã€ãƒ†ãƒ¼ãƒžã¸ã®å‚ç…§ã¨ã€ãれを使ã†ãŸã‚ã®æ‰‹é †ã¯ã€ä»¥ä¸‹ã‚’å‚ç…§ãã ã•ã„：
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://gnome-shell.deviantart.com/gallery/28081982#/d36szax">http://gnome-shell.deviantart.com/gallery/28081982#/d36szax</a>
+ </div></li></ul></div><div class="para">
+ 高度ãªãƒ¦ãƒ¼ã‚¶ã¸ï¼š
+ </div><div class="para">
+ For per-user changes, a GNOME Shell extension is <a href="http://gitorious.org/gnome-shell-extensions"> available</a>. If the extension is installed, you can use <span class="package">gnome-tweak-tool</span> to change the themes.
+ </div></div><div class="section" title="2.1.1.1.12. アクセラレーションをサãƒãƒ¼ãƒˆã—ãªã„ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã€ãƒ‰ãƒ©ã‚¤ãƒã«ã¤ã„ã¦ã¯ã©ã†ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id650212">2.1.1.1.12. アクセラレーションをサãƒãƒ¼ãƒˆã—ãªã„ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã€ãƒ‰ãƒ©ã‚¤ãƒã«ã¤ã„ã¦ã¯ã©ã†ã§ã™ã‹ï¼Ÿ</h6></div></div></div><div class="para">
+ ãã®ã‚ˆã†ãªãƒ¦ãƒ¼ã‚¶å‘ã‘ã«ã€ GNOME ã¯ãƒ•ã‚©ãƒ¼ãƒ«ãƒãƒƒã‚¯ãƒ¢ãƒ¼ãƒ‰ã‚’æä¾›ã—ã¾ã™ã€‚ãã‚Œã¯ã€å¤‰æ›´ã•ã‚ŒãŸãƒãƒ¼ã‚¸ãƒ§ãƒ³ã® Metacity 㨠GNOME Panel を使ã„ã€ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã‚¢ã‚¯ã‚»ãƒ©ãƒ¬ãƒ¼ã‚·ãƒ§ãƒ³ãªã—ã§å‹•ä½œã—ã¾ã™ã€‚フォールãƒãƒƒã‚¯ãƒ¢ãƒ¼ãƒ‰ã¯ã€ GNOME シェルãŒé–‹å§‹ã§ããªã„ã¨ãã«è‡ªå‹•çš„ã«æœ‰åŠ¹ã«ãªã‚Šã¾ã™ã€‚フォールãƒãƒƒã‚¯ãƒ¢ãƒ¼ãƒ‰ã¯ã€ GNOME 2.x ã®ãƒ¦ãƒ¼ã‚¶ä½“験ã¨ã¯ç•°ãªã‚‹ã“ã¨ã«æ³¨æ„ãã ã•ã„。ãã‚Œã¯ã€ GNOME シェルã®ãƒ¦ãƒ¼ã‚¶ä½“験をå¯èƒ½ãªé™ã‚Šæ¨¡å€£ã—ã¾ã™ã€‚Red Hat ã® Adam Jackson ã¯ã€GNOME シェルをã€ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚¢ã‚¯ã‚»ãƒ©ãƒ¬ãƒ¼ã‚·ãƒ§ãƒ³ã ã‘を使ã£ã¦å‹•ä½œã™ã‚‹ã‚ˆã†ã« <a href="http://lists.fedoraproject.org/pipermail/test/2011-March/097795.html"> 作æ¥ä¸ </a> ã§ã‚ã‚Šã€æ—¢ã«ã„ãらã‹ã®æˆæžœã‚’ã‚ã’ã¦ã„ã¾ã™ã€‚
+ </div></div><div class="section" title="2.1.1.1.13. GNOME シェルã¯ã€ä»®æƒ³ãƒžã‚·ãƒ³ã®ã‚‚ã¨ã§å‹•ãã¾ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id650236">2.1.1.1.13. GNOME シェルã¯ã€ä»®æƒ³ãƒžã‚·ãƒ³ã®ã‚‚ã¨ã§å‹•ãã¾ã™ã‹ï¼Ÿ</h6></div></div></div><a id="id650244" class="indexterm"></a><div class="para">
+ ã‚‚ã—ã€ãŠä½¿ã„ã®ä»®æƒ³åŒ–ソリューションãŒãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã‚¢ã‚¯ã‚»ãƒ©ãƒ¬ãƒ¼ã‚·ãƒ§ãƒ³ã‚’サãƒãƒ¼ãƒˆã—ã¦ã„ã‚‹ãªã‚‰ã°ã€ã‚¤ã‚¨ã‚¹ã§ã™ã€‚ãã†ã§ãªã„ãªã‚‰ã€è‡ªå‹•çš„ã«ãƒ•ã‚©ãƒ¼ãƒ«ãƒãƒƒã‚¯ãƒ¢ãƒ¼ãƒ‰ãŒä½¿ã‚ã‚Œã¾ã™ã€‚
+ </div></div><div class="section" title="2.1.1.1.14. 強制的ã«ãƒ•ã‚©ãƒ¼ãƒ«ãƒãƒƒã‚¯ãƒ¢ãƒ¼ãƒ‰ã‚’使ã†ã“ã¨ãŒã§ãã¾ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id650263">2.1.1.1.14. 強制的ã«ãƒ•ã‚©ãƒ¼ãƒ«ãƒãƒƒã‚¯ãƒ¢ãƒ¼ãƒ‰ã‚’使ã†ã“ã¨ãŒã§ãã¾ã™ã‹ï¼Ÿ</h6></div></div></div><a id="id650269" class="indexterm"></a><div class="para">
+ Click on the user menu on the top right, Select <span class="guimenu"><strong>System Settings</strong></span> -> <span class="guisubmenu"><strong>System Info</strong></span> -> <span class="guimenuitem"><strong>Graphics</strong></span> and toggle the <span class="guilabel"><strong>Forced Fallback Mode</strong></span> switch to on.
+ </div></div><div class="section" title="2.1.1.1.15. Fedora 14 ビンテージ GNOME シェルデザインã¯ã©ã†ãªã£ãŸã®ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id650298">2.1.1.1.15. Fedora 14 ビンテージ GNOME シェルデザインã¯ã©ã†ãªã£ãŸã®ã§ã™ã‹ï¼Ÿ</h6></div></div></div><div class="para">
+ ãã‚Œã¯ã€æœ€çµ‚的㪠GNOME 3 デザインã«è‡³ã‚‹ã€å復ã™ã‚‹è¨è¨ˆã¨å¦ç¿’プãƒã‚»ã‚¹ã®ä¸€éƒ¨ã§ã‚る実験ã§ã—ãŸã€‚コード㯠GNOME をより使ã„ã‚„ã™ãã™ã‚‹ãŸã‚ã«ã€ãã®ãƒ‡ã‚¶ã‚¤ãƒ³ã‚’超ãˆã¦é€²åŒ–ã—ã¾ã—ãŸã€‚
+ </div></div><div class="section" title="2.1.1.1.16. デスクトップã¯ã©ã“ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id650312">2.1.1.1.16. デスクトップã¯ã©ã“ã§ã™ã‹ï¼Ÿ</h6></div></div></div><a id="id650318" class="indexterm"></a><div class="para">
+ The desktop workspace no longer displays the contents of the user's <code class="filename">~/Desktop</code> directory. That directory and its content are still accessible through the Files application. To access the Files application, move your mouse to the Activities hotspot, use the <span class="keysym">Super</span> key, or use the <span class="keycap"><strong>Alt</strong></span>+<span class="keycap"><strong>F1</strong></span> key combination to see the overview. Then type "<code class="command">files</code>" or select the <span class="guimenu"><strong>Application</strong></span> menu and choose Files. You can attach the Files application to your dash, the set of favorite applications on the left side, if desired.
+ </div></div><div class="section" title="2.1.1.1.17. ãƒã‚°ã‚¤ãƒ³ã—ãŸæ™‚ã«ãƒ—ãƒã‚°ãƒ©ãƒ を自動的ã«å®Ÿè¡Œã™ã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id650358">2.1.1.1.17. ãƒã‚°ã‚¤ãƒ³ã—ãŸæ™‚ã«ãƒ—ãƒã‚°ãƒ©ãƒ を自動的ã«å®Ÿè¡Œã™ã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ</h6></div></div></div><a id="id650365" class="indexterm"></a><a id="id650373" class="indexterm"></a><div class="para">
+ 自動的ã«é–‹å§‹ã™ã‚‹ãƒ—ãƒã‚°ãƒ©ãƒ ã‚’è¨å®šã™ã‚‹ã«ã¯ã€ <span class="package">gnome-session-properties</span> を使ã£ã¦ãã ã•ã„。デスクトップファイルを作æˆã—ãŸã‚Šã€ãれを <code class="filename">/usr/share/applications</code> ã‹ã‚‰ã€ã‚ãªãŸã®ãƒ›ãƒ¼ãƒ ディレクトリã®ã€ <code class="filename">~/.config/autostart</code> ã«ã‚³ãƒ”ーã™ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚
+ </div></div><div class="section" title="2.1.1.1.18. caps lock ã‚ーをã€ã‚‚ã†ã²ã¨ã¤ã® control ã‚ーã«ã™ã‚‹ã«ã¯ã€ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id650402">2.1.1.1.18. caps lock ã‚ーをã€ã‚‚ã†ã²ã¨ã¤ã® control ã‚ーã«ã™ã‚‹ã«ã¯ã€ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ</h6></div></div></div><div class="para">
+ å³ä¸Šã®ãƒ¦ãƒ¼ã‚¶ãƒ¡ãƒ‹ãƒ¥ãƒ¼ã‚’クリックã—ã¦ã€ <span class="guimenu"><strong>システムè¨å®š</strong></span> ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div><div class="para">
+ <span class="guimenu"><strong>Region and Language</strong></span> -> <span class="guisubmenu"><strong>Layouts</strong></span> -> <span class="guisubmenu"><strong>Options</strong></span> -> <span class="guisubmenu"><strong>Ctrl key position</strong></span> -> <span class="guimenuitem"><strong>Make Caps Lock an Additional Control</strong></span>
+ </div></div><div class="section" title="2.1.1.1.19. スクリーンã®éŒ²ç”»"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id650443">2.1.1.1.19. スクリーンã®éŒ²ç”»</h6></div></div></div><a id="id650449" class="indexterm"></a><div class="para">
+ The Shell includes a built in screencast recording function. To activate recording, hit <span class="keycap"><strong>Ctrl</strong></span>+<span class="keycap"><strong>Alt</strong></span>+<span class="keycap"><strong>Shift</strong></span>+<span class="keycap"><strong>R</strong></span> and a recording icon appears at the lower right hand corner of the screen. To finish recording, hit <span class="keycap"><strong>Ctrl</strong></span>+<span class="keycap"><strong>Alt</strong></span>+<span class="keycap"><strong>Shift</strong></span>+<span class="keycap"><strong>R</strong></span> again. By default screencasts are recorded in a file named <code class="filename">shell-YYYYMMDD-N.webm</code>, where YYYYMMDD represents today's date and N is incremented for each additional screencast.
+ </div></div><div class="section" title="2.1.1.1.20. Help! My network doesn't work"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id650497">2.1.1.1.20. Help! My network doesn't work</h6></div></div></div><div class="para">
+ よã»ã©ç°¡å˜ãªãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ã‚’除ã‘ã°ã€ãƒ¦ãƒ¼ã‚¶ã¯ <span class="guilabel"><strong>ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯æŽ¥ç¶š</strong></span> アプリケーションã§é™çš„ IP アドレスやゲートウェイアドレスãªã©ã‚’è¨å®šã™ã‚‹ã¨æ€ã„ã¾ã™ã€‚
+ </div><div class="para">
+ <div class="warning"><h2>ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯æŽ¥ç¶šã®ã‚¢ã‚¤ã‚³ãƒ³ã¯éš ã‚Œã¦ã„ã¾ã™ã€‚</h2><div class="para">
+ ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯æŽ¥ç¶šã®ã‚¢ã‚¤ã‚³ãƒ³ã¯ã‚ã‹ã‚Šã«ãã„ã¨ã“ã‚ã«ã‚ã‚Šã¾ã™ã€‚
+ </div></div>
+ <span class="application"><strong>ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯æŽ¥ç¶š</strong></span> ã®ã‚¢ã‚¤ã‚³ãƒ³ã‚’探ã™ã«ã¯ã€ <span class="guilabel"><strong>アクティビティ</strong></span> スクリーンã®å³ä¸Šã®<span class="guilabel"><strong>検索</strong></span> ボックスã«è¡Œã£ã¦ã€ <code class="command">nm-connection-editor</code> ã¨ã‚¿ã‚¤ãƒ—ã—ã¾ã™ã€‚<span class="guilabel"><strong>ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯æŽ¥ç¶š</strong></span> アイコンãŒã‚らã‚ã‚Œã¾ã™ã€‚
+ </div><div class="para">
+ In fallback mode, open a terminal window ( <span class="guimenu"><strong>Applications</strong></span> -> <span class="guisubmenu"><strong>System Tools</strong></span> -> <span class="guimenuitem"><strong>Terminal</strong></span>) and type <code class="command">nm-connection-editor&</code>.
+ </div></div><div class="section" title="2.1.1.1.21. 既知ã®å•é¡Œãƒšãƒ¼ã‚¸ã‚’ãƒã‚§ãƒƒã‚¯ã™ã‚‹"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id650568">2.1.1.1.21. 既知ã®å•é¡Œãƒšãƒ¼ã‚¸ã‚’ãƒã‚§ãƒƒã‚¯ã™ã‚‹</h6></div></div></div><div class="para">
+ <div class="note"><h2>既知ã®å•é¡Œã‚’ãƒã‚§ãƒƒã‚¯ã™ã‚‹</h2><div class="para">
+ GNOME 3 ã«ã¯ã€å¤šãã®æ–°ã—ã見慣れãªã„機能ãŒã‚ã‚Šã¾ã™ã€‚ã‚‚ã—ã‚ãªãŸãŒå•é¡Œã‚’ãŠæŒã¡ã®å ´åˆã¯ã€ Fedora wiki ã®ã€ã‚ˆãã‚ã‚‹ F15 ãƒã‚°ãƒšãƒ¼ã‚¸ <a href="http://fedoraproject.org/wiki/Common_F15_bugs">http://fedoraproject.org/wiki/Common_F15_bugs</a> ã‚’ãƒã‚§ãƒƒã‚¯ã—ã¦ãã ã•ã„。
+ </div></div>
+ ã“ã®ãƒšãƒ¼ã‚¸ã¯ã€æ–°ã—ã„å•é¡ŒãŒç™ºè¦‹ã•ã‚Œã€ä¿®æ£ã•ã‚Œã‚‹ãŸã³ã«æ›´æ–°ã•ã‚Œã¾ã™ã€‚
+ </div></div></div><div class="section" title="2.1.1.2. gsettings 㨠dconf"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="id650600">2.1.1.2. gsettings 㨠dconf</h5></div></div></div><a id="id650607" class="indexterm"></a><a id="id650615" class="indexterm"></a><a id="id895701" class="indexterm"></a><a id="id895709" class="indexterm"></a><a id="id895717" class="indexterm"></a><a id="id895725" class="indexterm"></a><div class="para">
+ GConf ã¯ã€GNOME ã®ä»¥å‰ã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã§ä½¿ã‚ã‚ŒãŸã€ã‚¢ãƒ—リケーションã®è¨å®šã‚’ä¿å˜ã™ã‚‹ãŸã‚ã®å¤ã„システムã§ã™ã€‚ãã‚Œã¯ã€ GNOME 3.0 ã§ã¯ã€ GSettings ã«ä»£ã‚ã‚Šã€å¤šãã®ä¸»è¦ãªãƒ—ãƒã‚°ãƒ©ãƒ ã¯æ—¢ã«ç§»è¡Œã‚’終ãˆã¾ã—ãŸã€‚ Fedora 14 ã¯ã€GSettings ã‚’å«ã‚€æœ€åˆã® Fedora リリースã§ã—ãŸã€‚GSettings ã¯è¤‡æ•°ã®ãƒãƒƒã‚¯ã‚¨ãƒ³ãƒ‰ã‚’サãƒãƒ¼ãƒˆã—〠Fedora 15 ã§ã®ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã¯ã€ <a href="https://live.gnome.org/dconf"> dconf</a> ã§ã™ã€‚<span class="package">gsettings</span> コマンドラインユティリティã¯ã€ä»¥å‰ã®ãƒªãƒªãƒ¼ã‚¹ã® <span class="package">gconftool-2</span> ã«ç›¸å½“ã—ã¾ã™ãŒã€ <span class="package">gsettings</span> ã¯ã€ã‚¹ã‚ーマã¨ã‚ーをコマンドラインã§è‡ªå‹•è£œå®Œã™ã‚‹ç‚¹ã§ã€ã‚ˆã‚Šæ©Ÿèƒ½ãŒè±Šå¯Œã§ã™ã€‚<span class="package">dconf-editor</span> ã¯ã€ä»¥å‰ã®ãƒªãƒªãƒ¼ã‚¹ã§ã® <span class="package">gconf-editor</span> ã¨åŒæ§˜ã«ã€è¨å®šã‚’管ç†ã
™ã‚‹ãŸã‚ã®ã‚°ãƒ©ãƒ•ã‚£ã‚«ãƒ«ãªã‚¨ãƒ‡ã‚£ã‚¿ã‚’æä¾›ã—ã¾ã™ã€‚
+ </div><div class="para">
+ gsettings を使ã†ä¾‹ã‚’ã„ãã¤ã‹ï¼š
+ </div><pre class="screen">
+ gsettings
+ Usage:
+ gsettings COMMAND [ARGS...]
+
+ Commands:
+ help Show this information
+ list-schemas List installed schemas
+ list-relocatable-schemas List relocatable schemas
+ list-keys List keys in a schema
+ list-children List children of a schema
+ list-recursively List keys and values, recursively
+ range Queries the range of a key
+ get Get the value of a key
+ set Set the value of a key
+ reset Reset the value of a key
+ writable Check if a key is writable
+ monitor Watch for changes
+
+ Use 'gsettings help COMMAND' to get detailed help.
+</pre><pre class="screen">
+ gsettings list-schemas
+ org.gnome.nautilus.desktop
+ org.gnome.color-manager
+ org.gnome.gedit.plugins.filebrowser.nautilus
+ org.gnome.settings-daemon.peripherals.wacom
+ ...
+</pre><pre class="screen">
+ gsettings list-schemas | grep shell
+ org.gnome.shell
+ org.gnome.shell.clock
+ org.gnome.shell.recorder
+ org.gnome.shell.calendar
+</pre><pre class="screen">
+ gsettings list-keys org.gnome.shell
+ command-history
+ development-tools
+ disabled-extensionsdisabled-open-search-providers
+ enable-app-monitoring
+ favorite-apps
+ looking-glass-history
+</pre><div class="para">
+ 例： gsettings を使ã£ã¦ã€ãƒˆãƒƒãƒ—パãƒãƒ«ã®ãƒ‡ã‚¸ã‚¿ãƒ«æ™‚計を日付ã¨ç§’を表示ã™ã‚‹ã‚ˆã†ã«ã™ã‚‹ã€‚
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="command">gsettings set org.gnome.shell.clock show-date true</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="command">gsettings set org.gnome.shell.clock show-seconds true</code>
+ </div></li></ul></div></div><div class="section" title="2.1.1.3. GTK+ 3.0"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="id895831">2.1.1.3. GTK+ 3.0</h5></div></div></div><a id="id895838" class="indexterm"></a><a id="id895846" class="indexterm"></a><a id="id895854" class="indexterm"></a><div class="para">
+ GTK+ 3.0 ã¯ã€ Fedora 15 ã«å«ã¾ã‚Œã€ã‚¢ãƒ—リケーション開発者ã®ãŸã‚ã®å¤šãã®æ©Ÿèƒ½å¼·åŒ–を特徴ã¨ã—ã¾ã™ã€‚ツールã‚ットã®å¤‰æ›´ç‚¹ã¯ï¼š
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 入力デãƒã‚¤ã‚¹ã®ç¾ä»£çš„ãªæ‰±ã„
+ </div></li><li class="listitem"><div class="para">
+ å¤ã„ X11 メソッドã®ãƒ©ãƒƒãƒ‘ーã®ä»£ã‚ã‚Šã¨ã—ã¦ã€Cairo を使ã£ãŸã€æ”¹å–„ã•ã‚Œã€ç°¡å˜ã«ãªã£ãŸæç”»
+ </div></li><li class="listitem"><div class="para">
+ ãªã˜ã¿ã®ã‚ã‚‹ CSS シンタックスを使ã£ãŸã€æ–°ã—ã„テーマ API
+ </div></li><li class="listitem"><div class="para">
+ ウインドウトラッã‚ングやã€å”¯ä¸€æ€§ã®ä¿è¨¼ãªã©ã€ã‚ˆã‚Šç°¡å˜ãªã‚¢ãƒ—リケーションサãƒãƒ¼ãƒˆã®ã€åˆæœŸçš„ãªå®Ÿè£…
+ </div></li></ul></div></div></div><div class="section" title="2.1.2. IcedTea"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id895907">2.1.2. IcedTea</h4></div></div></div><div class="para">
+ Fedora 15 ã«ã¯ã€æ›´æ–°ã•ã‚ŒãŸ IcedTea Java プラグインãŒã‚ã‚Šã¾ã™ã€‚より完全ãªè©³ç´°ã¯ã€ã“ã®æ–‡æ›¸ã® <a class="link" href="#sect-RelNotes-Java" title="4.4. Java">Java</a> セクションをå‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="2.1.3. KDE"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id895926">2.1.3. KDE</h4></div></div></div><a id="id895932" class="indexterm"></a><a id="id895940" class="indexterm"></a><a id="id895948" class="indexterm"></a><a id="id895956" class="indexterm"></a><a id="id895964" class="indexterm"></a><a id="id895972" class="indexterm"></a><a id="id895980" class="indexterm"></a><div class="para">
+ Fedora 15 ã¯ã€æ›´æ–°ã•ã‚ŒãŸ KDE 4.6 ソフトウエア集を採用ã—ã¾ã—ãŸã€‚ソフトウエア集ã¯ï¼“ã¤ã®éƒ¨åˆ†ã‚’å«ã¿ã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ プラズマワークスペース：KDE ã«ãƒã‚°ã‚¤ãƒ³ã—ãŸæ™‚ã«è¦‹ãˆã‚‹ã‚‚ã®ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ アプリケーション：KDE プãƒã‚¸ã‚§ã‚¯ãƒˆã«ã‚ˆã£ã¦ç¶æŒã•ã‚Œã¦ã„るアプリケーション。
+ </div></li><li class="listitem"><div class="para">
+ プラットフォーム：プラズマワークスペースã¨ã‚¢ãƒ—リケーションを補助ã™ã‚‹ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã§ã™ã€‚デスクトップユーザã«ã¯ã€ãƒ—ラットフォームã¯ç›´æŽ¥è¦‹ãˆã¾ã›ã‚“。
+ </div></li></ul></div>
+
+ </div><div class="section" title="2.1.3.1. プラズマワークスペース"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="id896025">2.1.3.1. プラズマワークスペース</h5></div></div></div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ アクティビティãŒã€ä½¿ã„ã‚„ã™ããªã‚Šã¾ã—ãŸã€‚<a href="http://docs.kde.org/stable/en/kdebase-workspace/plasma-desktop/zooming-user-interface.html"> アクティビティ</a> ã¨ã¯ã€åŒæ™‚ã«é–‹ã„ãŸã‚Šé–‰ã˜ãŸã‚Šã™ã‚‹è¤‡æ•°ã®ç•°ãªã‚‹ã‚¢ãƒ—リケーションã§ã™ã€‚Fedora 15 ã® KDE 4.6 ã§ã¯ã€ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã‚¿ã‚¤ãƒˆãƒ«ã‚’å³ã‚¯ãƒªãƒƒã‚¯ã™ã‚‹ã¨ã€ã‚¢ãƒ—リケーションをアクティビティã«åŠ ãˆã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ã¾ãŸã€ãƒ‡ã‚¹ã‚¯ãƒˆãƒƒãƒ—ã®å³ä¸Šã®è§’ã® <span class="package">Plasma Toolbox</span> をクリックã—ã¦ã€ã‚¢ã‚¯ãƒ†ã‚£ãƒ“ティを管ç†ã™ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ The "Power Management" panel in <span class="package">System Settings</span> is easier to use. The power management program has been rewritten so that it is faster and has fewer bugs.
+ </div></li><li class="listitem"><div class="para">
+ KDE ウインドウマãƒãƒ¼ã‚¸ãƒ£ã€ <span class="package">KWin</span> ã«ã¯ã€æ–°ã—ã„スクリプトインタフェースãŒã§ãã¾ã—ãŸã€‚<span class="package">KWin</span> ã¯ã€ã‚°ãƒ©ãƒ•ã‚£ãƒƒã‚¯ã‚¹ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã‚’検知ã—ã¦ã€ãŠä½¿ã„ã®ã‚³ãƒ³ãƒ”ュータã«åˆã†ã‚ˆã†ã«ã€æ€§èƒ½ã‚’調整ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ You can "pin" open applications to the <span class="package">Task Manager</span>. When you close "pinned" applications, the <span class="package">Task Manager</span> will still show them.
+ </div></li><li class="listitem"><div class="para">
+ プラズマãƒãƒƒãƒˆãƒ–ックインタフェースã®ã€ã‚¿ãƒƒãƒã‚¹ã‚¯ãƒªãƒ¼ãƒ³ã®ãƒ¢ãƒ‹ã‚¿ãƒ¼ã§ã®å‹•ä½œãŒæ”¹å–„ã•ã‚Œã¾ã—ãŸã€‚
+ </div></li></ul></div></div><div class="section" title="2.1.3.2. アプリケーション"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="id896110">2.1.3.2. アプリケーション</h5></div></div></div><a id="id896116" class="indexterm"></a><a id="id896124" class="indexterm"></a><a id="id896132" class="indexterm"></a><a id="id896140" class="indexterm"></a><a id="id896148" class="indexterm"></a><a id="id896156" class="indexterm"></a><a id="id896164" class="indexterm"></a><a id="id896172" class="indexterm"></a><a id="id896180" class="indexterm"></a><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">Dolphin</span> offers a search bar and "filter" sidebar. Now you can easily search your files with <span class="package">Nepomuk</span> and "Semantic Desktop" tags.
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">Kate</span> ã¯ã€ <span class="package">kdesdk</span> ã«ã‚ã‚Šã¾ã™ã€‚Fedora 15 ã§ã¯ã€å¤šãã®æ–°ã—ã„プラグインãŒã‚ã‚Šã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">GDB</span> (GNU デãƒãƒƒã‚¬)
+ </div></li><li class="listitem"><div class="para">
+ メニューã«ã‚¹ã‚¯ãƒªãƒ—ãƒˆã‚’è¿½åŠ ã—ã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ SQL データベース接続
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">Kate</span> ãŒã‚¯ãƒ©ãƒƒã‚·ãƒ¥ã—ãŸæ™‚ã€ä¿å˜ã•ã‚Œã¦ã„ãªã„データを回復ã™ã‚‹ã€‚
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">Gwenview</span>, <span class="package">KSnapshot</span>, ãã—ã¦ä»–ã®ã‚°ãƒ©ãƒ•ã‚£ãƒƒã‚¯ã‚¹ã‚¢ãƒ—リケーションã¯ã€å†™çœŸã‚’ Facebook ã‚„ Flickr ã®ã‚ˆã†ãªã‚½ãƒ¼ã‚·ãƒ£ãƒ«ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ã‚¦ã‚§ãƒ–サイトã«ç›´æŽ¥å…¬é–‹ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></li></ul></div></div><div class="section" title="2.1.3.3. プラットフォーム"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="id896285">2.1.3.3. プラットフォーム</h5></div></div></div><a id="id896292" class="indexterm"></a><a id="id896300" class="indexterm"></a><a id="id896308" class="indexterm"></a><a id="id896316" class="indexterm"></a><a id="id896324" class="indexterm"></a><a id="id896332" class="indexterm"></a><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ プラットフォームã¯ã€ä»–ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã¸ã®ä¾å˜ã‚’より少ãªãã—ã¾ã—ãŸã€‚ã“ã®ãŸã‚ã€ãƒ¡ãƒ¢ãƒªä½¿ç”¨é‡ãŒæ¸›ã‚Šã¾ã—ãŸã€‚ã“ã‚Œã¯ã€ãƒãƒƒãƒˆãƒ–ックやスマートフォンã®ã‚ˆã†ãªã€ãƒ‘ワーã®å°ã•ã„コンピュータã«ã¨ã£ã¦ã€ä¾¿åˆ©ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">Nepomuk</span> ライブラリをãƒãƒƒã‚¯ã‚¢ãƒƒãƒ—ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚<span class="package">Nepomuk</span> ã¯ã€ãƒ•ã‚¡ã‚¤ãƒ«ã‚¤ãƒ³ãƒ‡ãƒƒã‚¯ã‚¹ã¨æ¤œç´¢ã®ãƒ¦ãƒ†ã‚£ãƒªãƒ†ã‚£ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">UPower</span>, <span class="package">UDev</span>, ãã—㦠<span class="package">UDisks</span> ãŒã€<span class="package">HAL</span> ã«ä»£ã‚ã£ã¦ä½¿ç”¨ã•ã‚Œã¾ã™ã€‚ã“ã®å¤‰æ›´ã¯ã€ä»Šã®ã¨ã“ã‚ユーザã«ã¯å½±éŸ¿ã‚’与ãˆã¾ã›ã‚“。ã—ã‹ã—ã€å°†æ¥ã®ãƒªãƒªãƒ¼ã‚¹ã§ã¯ã€ã‚ˆã‚Šå¤šãã®æ©Ÿèƒ½ãŒã‚ã‚‹ã§ã—ょã†ã€‚
+ </div></li><li class="listitem"><div class="para">
+ GTK+ アプリケーションã®ãŸã‚ã«ã€æ–°ã—ã„ <span class="package">Oxygen-GTK</span> テーマを使ã†ã“ã¨ãŒã§ãã¾ã™ã€‚KDE 用ã«è¨è¨ˆã•ã‚ŒãŸã‚¢ãƒ—リケーションもã€GNOME 用ã«è¨è¨ˆã•ã‚ŒãŸã‚‚ã®ã‚‚ã€KDE ã«ãƒã‚°ã‚¤ãƒ³ã—ãŸæ™‚ã«ã¯åŒã˜ã«è¦‹ãˆã‚‹ã“ã¨ã§ã—ょã†ã€‚
+ </div></li></ul></div></div></div><div class="section" title="2.1.4. Sugar"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id896413">2.1.4. Sugar</h4></div></div></div><a id="id896419" class="indexterm"></a><div class="para">
+ Fedora 15 ã§ã€Sugar ã¯æœ€æ–°ã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 0.92 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚ã“ã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã¯ã€æœ€åˆã®ãƒã‚°ã‚¤ãƒ³ã‚¹ã‚¯ãƒªãƒ¼ãƒ³ã§ã®ã€å¤§ããªãƒ¦ãƒ¼ã‚¶ãƒ“リティ改善ã¨ã€ã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ãƒ‘ãƒãƒ«ã€ãã—㦠３G ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ã®ã‚µãƒãƒ¼ãƒˆãªã©ã®æ–°æ©Ÿèƒ½ã‚’æä¾›ã—ã¾ã™ã€‚
+ </div></div><div class="section" title="2.1.5. Xfce"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id972965">2.1.5. Xfce</h4></div></div></div><a id="id972971" class="indexterm"></a><a id="id972979" class="indexterm"></a><a id="id972987" class="indexterm"></a><a id="id972995" class="indexterm"></a><a id="id973003" class="indexterm"></a><a id="id973011" class="indexterm"></a><a id="id973019" class="indexterm"></a><a id="id973027" class="indexterm"></a><div class="para">
+ Fedora 15 sees the introduction of Xfce 4.8. This new release remains true to Xfce's goal of providing a fast, lightweight yet user-friendly desktop environment, while adding a range of new features and incremental improvements:
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Remote share browsing: <span class="package">Thunar</span>, Xfce's file manager, now has support for GVFS, allowing easy remote access to files and folders on Windows shares and FTP, Webdav and SSH servers;
+ </div></li><li class="listitem"><div class="para">
+ New Xfce Panel with improved positioning and size handling, alpha transparency, a new item editor and drag'n'drop launcher creation;
+ </div></li><li class="listitem"><div class="para">
+ New Panel plugins such as window buttons, which merges the features of the icon box and the tasklist into a single configurable plugin, and directory menu, allowing quick browsing of a folder's tree structure;
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">alacarte</span> ã®ã‚ˆã†ãªã€ãƒ•ãƒªãƒ¼ãƒ‡ã‚¹ã‚¯ãƒˆãƒƒãƒ—互æ›ã®ãƒ¡ãƒ‹ãƒ¥ãƒ¼ã‚¨ãƒ‡ã‚£ã‚¿ãªã‚‰ã°ã©ã‚Œã‹ã‚‰ã§ã‚‚è¡Œãˆã‚‹ã€ç°¡å˜ãªã‚¢ãƒ—リケーションã®ãƒ¡ãƒ‹ãƒ¥ãƒ¼ç·¨é›†ã€‚
+ </div></li><li class="listitem"><div class="para">
+ クイックセットアップダイアãƒã‚°ã‚’å«ã‚€ã€ãƒžãƒ«ãƒãƒ˜ãƒƒãƒ‰ãƒ‡ã‚£ã‚¹ãƒ—レイã®è¨å®šã®æ”¹å–„。
+ </div></li><li class="listitem"><div class="para">
+ ã‚ーボードレイアウトé¸æŠžã®æ”¹å–„。暗å·ã®ã‚ˆã†ãªã€è¨€èªžã¨å¤‰ç¨®ã®ã‚³ãƒ¼ãƒ‰ã«ã¯ã•ã‚ˆã†ãªã‚‰ã€ã‚ãªãŸã®è¨€èªžã®ã‚ーボードレイアウトをã€ã‚ãªãŸã®è¨€èªžã§é¸æŠžã—ã¾ã—ょã†ï¼
+ </div></li><li class="listitem"><div class="para">
+ ãã—ã¦ã€ Xfce リリースã®å°Šæ•¬ã™ã¹ãä¼çµ±ã€æ–°ã—ã„クãƒãƒƒã‚¯ãƒ¢ãƒ¼ãƒ‰ - ファジークãƒãƒƒã‚¯ãƒ¢ãƒ¼ãƒ‰ï¼
+ </div></li></ul></div></div></div><div xml:lang="ja-JP" class="section" title="2.2. 生産性" id="sect-RelNotes-Productivity" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Productivity">2.2. 生産性</h3></div></div></div><div class="section" title="2.2.1. Firefox"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id703943">2.2.1. Firefox</h4></div></div></div><a id="id2304549" class="indexterm"></a><div class="para">
+ Firefox 4 ãŒã€ Fedora 15 ã«ã‚らã‚ã‚Œã¾ã—ãŸã€‚æ–°ã—ã„ルックスã¨æ€§èƒ½æ”¹å–„ã®ä»–ã«ã€ Firefox 4 ã¯ã€ãƒ‘スワードã¨ã‚¢ãƒ‰ã‚ªãƒ³ã®ç®¡ç†ã®æ”¹å–„ã€ãƒ–ラウズ履æ´ã®ç°¡å˜ãªä¿è·ã€ã‚¦ã‚¨ãƒ–サイト㮠ID ãƒã‚§ãƒƒã‚¯ãªã©ã®ç‰¹å¾´ã‚’æŒã¡ã¾ã™ã€‚åŒæœŸã®ã‚¢ãƒ‰ã‚¤ãƒ³ã¯ã€ãƒ™ãƒ¼ã‚¹ Firefox ã®ä¸€éƒ¨ã¨ãªã£ãŸã®ã§ã€ã™ã¹ã¦ã®ãƒ–ックマークã¨ãƒ‘スワードをã€è¤‡æ•°ã‚·ã‚¹ãƒ†ãƒ ã®é–“ã§ä¸€è²«ã—ã¦ä½¿ã†ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="para">
+ より詳細ã¯ã€ <a href="http://www.mozilla.com/en-US/firefox/central/">http://www.mozilla.com/en-US/firefox/central/</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="2.2.2. Ledger"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id1837022">2.2.2. Ledger</h4></div></div></div><a id="id718434" class="indexterm"></a><a id="id698408" class="indexterm"></a><div class="para">
+ <span class="package">ledger</span> ãŒã€æ–°ã—ã Fedora 15 ã«å°Žå…¥ã•ã‚Œã¾ã—ãŸã€‚
+ </div><div class="para">
+ From the project's github: <span class="emphasis"><em>"Ledger is a powerful, double-entry accounting system that is accessed from the UNIX command-line. This may put off some users, as there is no flashy UI, but for those who want unparalleled reporting access to their data, there really is no alternative."</em></span>
+ </div><div class="para">
+ より詳ã—ãã¯ã€ <a href="https://github.com/jwiegley/ledger/wiki">https://github.com/jwiegley/ledger/wiki</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="2.2.3. Libre Office®"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id746050">2.2.3. Libre Office<span class="trademark"></span>®</h4></div></div></div><a id="id654228" class="indexterm"></a><a id="id965554" class="indexterm"></a><div class="para">
+ LibreOffice<span class="trademark"></span>® ã¯ã€ã‚ªãƒ•ã‚£ã‚¹ç”Ÿç”£æ€§ã‚¹ã‚¤ãƒ¼ãƒˆã§ã‚り〠OpenOffice<span class="trademark"></span>® ã«ä»£ã‚ã‚‹ã‚‚ã®ã§ã™ã€‚ãã‚Œã¯ã€å®Œå…¨ã«ã‚ªãƒ¼ãƒ—ンソースã§ã‚ã‚Šã€ãれをサãƒãƒ¼ãƒˆã™ã‚‹ã‚³ãƒŸãƒ¥ãƒ‹ãƒ†ã‚£ã ã‘ã«ã‚ˆã£ã¦é‹å–¶ã•ã‚Œã¾ã™ã€‚ワードプãƒã‚»ãƒƒã‚µã€ãƒ—レゼンテーション作æˆã€ã‚¹ãƒ—レッドシート作æˆã€ãƒ‡ãƒ¼ã‚¿ãƒ™ãƒ¼ã‚¹ä½œæˆã€æ•°å¼ã‚¨ãƒ‡ã‚£ã‚¿ã€ãã—ã¦æ画エディタãŒã‚ã‚Šã¾ã™ã€‚
+ </div></div><div class="section" title="2.2.4. recoll"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id977104">2.2.4. recoll</h4></div></div></div><a id="id701225" class="indexterm"></a><a id="id688292" class="indexterm"></a><div class="para">
+ <span class="package">recoll</span>ã€å€‹äººç”¨ã®ãƒ•ãƒ«ãƒ†ã‚スト検索ツールãŒã€ Fedora 15 ã§å°Žå…¥ã•ã‚Œã¾ã—ãŸã€‚recoll ã¯ã€åœ§ç¸®ãƒ•ã‚¡ã‚¤ãƒ«ã‚„ã€é›»åメール添付ファイルをå«ã‚€ã€ã»ã¨ã‚“ã©ã®ä¸€èˆ¬çš„ãªæ–‡æ›¸ã‚¿ã‚¤ãƒ—を検索ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚詳細ã¯ã€ <a href="http://www.lesbonscomptes.com/recoll/">http://www.lesbonscomptes.com/recoll/</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div></div><div xml:lang="ja-JP" class="section" title="2.3. ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚ング" id="sect-RelNotes-Networking" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Networking">2.3. ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚ング</h3></div></div></div><div class="section" title="2.3.1. ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒ‡ãƒã‚¤ã‚¹ã®å‘½å"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id761808">2.3.1. ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒ‡ãƒã‚¤ã‚¹ã®å‘½å</h4></div></div></div><a id="id753884" class="indexterm"></a><a id="id744752" class="indexterm"></a><a id="id758954" class="indexterm"></a><a id="id706686" class="indexterm"></a><a id="id1837387" class="indexterm"></a><a id="id681642" class="indexterm"></a><a id="id965608" class="indexterm"></a><div class="para">
+ Servers often have multiple Ethernet ports, either embedded on the motherboard, or on add-in PCI cards. Linux has traditionally named these ports <code class="filename">ethX</code>, but there has been no correlation of the <code class="filename">ethX</code> names to the chassis labels - the <code class="filename">ethX</code> names are non-deterministic. Starting in Fedora 15, Ethernet ports will have a new naming scheme corresponding to physical locations, rather than <code class="filename">ethX</code>. Ethernet ports embedded on server motherboards will be named <code class="filename">em<port_number></code>, while ports on PCI cards will be named <code class="filename">p<slot_number>p<port_number></code>, corresponding to the chassis labels. Additionally, if the network device is an SR-IOV Virtual Function or has Network Partitioning (NPAR) capability, the name will have a suffix of <code class="filename">_<virtual_function></code> or <code class=
"filename">_<partition></code>.
+ </div><div class="para">
+ By changing the naming convention, system administrators will no longer have to guess at the <code class="filename">ethX</code> to physical port mapping, or invoke workarounds on each system to rename them into some "sane" order.
+ </div><div class="para">
+ ã“ã®æ©Ÿèƒ½ã¯ã€SMBIOS 2.6 以é™ï¼ˆç‰¹ã«ã€ãƒ•ã‚£ãƒ¼ãƒ«ãƒ‰ã‚¿ã‚¤ãƒ—ï¼™ã¨ï¼”１）ã«ã‚ˆã‚Šãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒãƒ¼ãƒˆã®å‘½åæƒ…å ±ã‚’å…¬é–‹ã™ã‚‹ã™ã¹ã¦ã®ç‰©ç†ã‚·ã‚¹ãƒ†ãƒ ã«å½±éŸ¿ã—ã¾ã™ã€‚ Dell PowerEdge 10G ãŠã‚ˆã³ãれより新ã—ã„サーãƒãƒ¼ (PowerEdge 1950 III ファミリー, PowerEdge R710 ファミリーã€ãŠã‚ˆã³ã€ã‚ˆã‚Šæ–°ã—ã„ã‚‚ã®), ãã—㦠HP ProLiant G6 サーãƒãƒ¼ã¨ãれより新ã—ã„ã‚‚ã®ã¯ã€ã“ã®æƒ…å ±ã‚’å…¬é–‹ã™ã‚‹ã“ã¨ãŒçŸ¥ã‚‰ã‚Œã¦ã„ã¾ã™ã€‚ã„ãã¤ã‹ã®æ–°ã—ã„デスクトップモデルもåŒã˜ã§ã™ã€‚ã•ã‚‰ã«ã€ã»ã¨ã‚“ã©ã®å¤ã„システムã¯ã„ãらã‹ã®æƒ…å ±ã‚’ PCI IRQ Routing Table ã§å…¬é–‹ã—ã¦ãŠã‚Šã€ãれ㯠SMBIOS ã§æƒ…å ±ãŒå¾—られãªã„ã¨ãã«ä½¿ã‚ã‚Œã¾ã™ã€‚
+ </div><div class="para">
+ ゲスト仮想マシンã¨ã—ã¦å‹•ä½œã™ã‚‹ Fedora ã¯ã€ <code class="filename">ethX</code> ã®åå‰ã‚’使ã„続ã‘ã¾ã™ã€‚
+ </div><div class="para">
+ æ—¢å˜ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã‹ã‚‰ Fedora 15 ã«ã‚¢ãƒƒãƒ—グレードã•ã‚ŒãŸã‚·ã‚¹ãƒ†ãƒ ã§ã¯ã€ <code class="filename">/etc/udev/rules.d/70-persistent-net.rules</code> ãŒå‰Šé™¤ã•ã‚Œã€ã™ã¹ã¦ã® <code class="filename">/etc/sysconfig/network-scripts/ifcfg-*</code> ファイルã‹ã‚‰ <code class="command">HWADDR</code> è¡ŒãŒå‰Šé™¤ã•ã‚Œã€ãれらã®ãƒ•ã‚¡ã‚¤ãƒ«ãŒæ–°ã—ã„デãƒã‚¤ã‚¹åã«å¤‰æ›´ã•ã‚Œã‚‹ã¾ã§ã€åå‰ã®å¤‰æ›´ã¯èµ·ãã¾ã›ã‚“。
+ </div><div class="para">
+ <code class="filename">/etc/udev/rules.d/70-persistent-net.rules</code> ã«ãƒ«ãƒ¼ãƒ«ã‚’書ãã“ã¨ã§ã€å¥½ããªã‚ˆã†ã«ãƒ‡ãƒã‚¤ã‚¹ã®åå‰ã‚’変ãˆã‚‹ã“ã¨ã¯ã€ä»Šã¾ã§ã©ãŠã‚Šã€å¯èƒ½ã§ã™ã€‚ãã‚Œã¯ã€ç‰©ç†ä½ç½®ã«ã‚ˆã‚‹å‘½åスã‚ーマより優先ã•ã‚Œã¾ã™ã€‚ãã®ãƒ«ãƒ¼ãƒ«ã¯ã€ä¾‹ãˆã°ã€ã“ã®ã‚ˆã†ãªã‚‚ã®ã§ã™ï¼š
+<pre class="screen">
+SUBSYSTEM=="net", ACTION=="add", DRIVERS=="?*", \
+ATTR{address}=="00:11:22:33:44:55", ATTR{type}=="1", \
+KERNEL=="eth*", NAME="public"
+</pre>
+
+ </div><div class="para">
+ This feature may be disabled by passing "<code class="command">biosdevname=0</code>" on the kernel command line, in which case, behavior will revert to using <code class="filename">ethX</code> names.
+ </div></div><div class="section" title="2.3.2. VPN ã®ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆå¯è¦–性"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id701209">2.3.2. VPN ã®ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆå¯è¦–性</h4></div></div></div><a id="id701215" class="indexterm"></a><div class="para">
+ デフォルトã§ã€ GNOME3 ã®ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒžãƒãƒ¼ã‚¸ãƒ£ã‚’使ã£ãŸæ–°ã—ã„ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯æŽ¥ç¶šã¯ã€ <span class="package">ã™ã¹ã¦ã®ãƒ¦ãƒ¼ã‚¶ãƒ¼ã«åˆ©ç”¨å¯èƒ½</span> オプションãŒæœ‰åŠ¹ã¨ãªã‚Šã¾ã™ã€‚ã“ã®ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆé¸æŠžã¯ã€æ–°ã—ã„ VPN 接続もå«ã¿ã¾ã™ã€‚ã“ã‚Œã«ã‚ˆã‚Šã€ãƒ©ãƒƒãƒ—トップユーザã¯ã€ VPN ã‚’é¸æŠžã—ã¦èªè¨¼æƒ…å ±ã‚’å†åº¦å…¥åŠ›ã™ã‚‹ã“ã¨ãªãセッションをå†é–‹å§‹ã§ãã¾ã™ã€‚ã—ã‹ã—ã€ã“ã‚ŒãŒæœ›ã¾ã—ããªã„ユーザもã„ã‚‹ã§ã—ょã†ã€‚ã“ã®ã‚ªãƒ—ションを除ãã«ã¯ã€ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ã‚’è¨å®šã™ã‚‹ã¨ãã«ã€ <span class="emphasis"><em>ã™ã¹ã¦ã®ãƒ¦ãƒ¼ã‚¶ãƒ¼ã«åˆ©ç”¨å¯èƒ½</em></span> ãƒã‚§ãƒƒã‚¯ãƒœãƒƒã‚¯ã‚¹ã‚’オフã«ã—ã¦ãã ã•ã„。
+ </div><div class="para">
+ ã“ã®ã‚ªãƒ—ションをã€æŽ¥ç¶šãŒæ—¢ã«ä½œã‚‰ã‚ŒãŸå¾Œã§å¤‰æ›´ã™ã‚‹ã«ã¯ã€ãƒˆãƒƒãƒ—ãƒãƒ¼ã§ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒžãƒãƒ¼ã‚¸ãƒ£ã®ã‚¢ã‚¤ã‚³ãƒ³ã‚’é¸æŠžã—ã¦ã€ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒ¡ãƒ‹ãƒ¥ãƒ¼ã§ <span class="emphasis"><em>ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯è¨å®š</em></span> ã‚’é¸æŠžã—ã¾ã™ã€‚ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯è¨å®šã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ãŒé–‹ãã¾ã™ã€‚目的ã®æŽ¥ç¶šã‚’é¸æŠžã—ã¦ã€ <span class="emphasis"><em>オプション</em></span> ボタンをé¸æŠžã—ã¾ã™ã€‚接続ウインドウã®ä¸€ç•ªä¸‹ã§ã€ <span class="emphasis"><em>ã™ã¹ã¦ã®ãƒ¦ãƒ¼ã‚¶ãƒ¼ã«åˆ©ç”¨å¯èƒ½</em></span> ãƒã‚§ãƒƒã‚¯ãƒœãƒƒã‚¯ã‚¹ã‚’オフã«ã—ã¦ã€ <span class="emphasis"><em>ä¿å˜...</em></span> ã‚’é¸æŠžã—ã¦è¨å®šã‚’ä¿å˜ã—ã¾ã™ã€‚
+ </div></div><div class="section" title="2.3.3. Wireshark permissions changes"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id749753">2.3.3. Wireshark permissions changes</h4></div></div></div><a id="id749760" class="indexterm"></a><a id="id749768" class="indexterm"></a><div class="para">
+ <span class="application"><strong>Wireshark</strong></span> in Fedora 15 uses Linux capabilities instead of console helper. As result, the <span class="application"><strong>Wireshark</strong></span> users are no longer required to enter the root password. To grant a user permission to capture network traffic using <span class="application"><strong>Wireshark</strong></span> or <span class="application"><strong>tshark</strong></span>, the system administrator should add the user to <code class="command">wireshark</code> group. The <span class="application"><strong>Wireshark</strong></span> or <span class="application"><strong>tshark</strong></span> application then runs as ordinary user, only the capturing backend runs with permission to sniff on the network.
+ </div></div></div><div xml:lang="ja-JP" class="section" title="2.4. 国際化" id="sect-RelNotes-I18n" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-I18n">2.4. 国際化</h3></div></div></div><div class="section" title="2.4.1. Indic Typing Booster"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id706010">2.4.1. Indic Typing Booster</h4></div></div></div><a id="id971963" class="indexterm"></a><div class="para">
+ Indic Typing Booster ã¯ã€ã‚¤ãƒ³ãƒ‰è¨€èªžã®ãŸã‚ã®ã€äºˆæƒ³çš„テã‚スト入力メソッドã§ã™ã€‚ç¾åœ¨ã€ Hindi, Marathi ãã—㦠Gujarati をサãƒãƒ¼ãƒˆã—ã¾ã™ã€‚詳ã—ãã¯ã€<a href="http://fedoraproject.org/w/index.php?title=Features/IndicTypingBooster">feature page</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="2.4.2. ルピー記å·"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id733217">2.4.2. ルピー記å·</h4></div></div></div><a id="id753635" class="indexterm"></a><div class="para">
+ Fedora 15 ã¯ã€æ–°ã—ã„オフィシャルãªã‚¤ãƒ³ãƒ‰ãƒ«ãƒ”ãƒ¼é€šè²¨è¨˜å· (ユニコードãƒã‚¤ãƒ³ãƒˆ U20B9) ã®è¡¨ç¤ºã¨å…¥åŠ›ã‚’サãƒãƒ¼ãƒˆã—ã¾ã™ã€‚
+ </div></div><div class="section" title="2.4.3. ä¸å›½èªžã‚µãƒãƒ¼ãƒˆãƒ‘ッケージã®ã‚°ãƒ«ãƒ¼ãƒ—"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id672403">2.4.3. ä¸å›½èªžã‚µãƒãƒ¼ãƒˆãƒ‘ッケージã®ã‚°ãƒ«ãƒ¼ãƒ—</h4></div></div></div><a id="id717959" class="indexterm"></a><a id="id733502" class="indexterm"></a><a id="id754080" class="indexterm"></a><div class="para">
+ In Fedora 15 the "Chinese Support" package group has been separated into "Simplified Chinese Support" and "Traditional Chinese Support" package groups for better Chinese support.
+ </div></div></div><div xml:lang="ja-JP" class="section" title="2.5. マルãƒãƒ¡ãƒ‡ã‚£ã‚¢" id="sect-RelNotes-Multimedia" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Multimedia">2.5. マルãƒãƒ¡ãƒ‡ã‚£ã‚¢</h3></div></div></div><div class="section" title="2.5.1. Design Suite"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id1837124">2.5.1. Design Suite</h4></div></div></div><a id="id967423" class="indexterm"></a><a id="id729201" class="indexterm"></a><div class="para">
+ The 'Graphics' yum group has been renamed 'Design Suite'. This group includes not only traditional graphics tools like gimp and inkscape, but also video and audio tools.
+ </div><div class="para">
+ åå‰ã¨é•ã£ã¦ã€ã“ã®ã‚°ãƒ«ãƒ¼ãƒ—ã¯ã€ãƒ¢ãƒ‡ãƒªãƒ³ã‚°ã‚„ã€UML〠ã‚ã‚‹ã„ã¯ä»–ã®ãƒ‡ã‚¶ã‚¤ãƒ³ãƒ„ールã¯å«ã¿ã¾ã›ã‚“。マルãƒãƒ¡ãƒ‡ã‚£ã‚¢ã‚¢ãƒ—リケーションã ã‘ã‚’å«ã¿ã¾ã™ã€‚
+ </div></div></div><div xml:lang="ja-JP" class="section" title="2.6. エンターテインメント" id="sect-RelNotes-Entertainment" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Entertainment">2.6. エンターテインメント</h3></div></div></div><div class="para">
+ ã“ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã§ã¯ã€ã„ãã¤ã‹ã®ã‚²ãƒ¼ãƒ ã¨ã‚¨ãƒ³ã‚¿ãƒ¼ãƒ†ã‚¤ãƒ³ãƒ¡ãƒ³ãƒˆã®èª¬æ˜Žã‚’ã—ã¾ã™ã€‚ãれら㯠Fedora 15 ã§ã€å¤šãã®æ–°ã—ã„機能ã¨é–‹ç™ºä¸Šã®æ”¹å–„ãŒã‚ã‚Šã¾ã—ãŸã€‚Fedora 15 ã§ã®ã™ã¹ã¦ã®ã‚²ãƒ¼ãƒ ã®å¤‰æ›´ç‚¹ã«ã¤ã„ã¦ã¯ã€<a href="http://fedorapeople.org/groups/docs/technical-notes/en-US/ar01s02.html">http://fedorapeople.org/groups/docs/technical-notes/en-US/ar01s02.html</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div><div class="section" title="2.6.1. Alien Arena"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id688050">2.6.1. Alien Arena</h4></div></div></div><a id="id652940" class="indexterm"></a><div class="para">
+ <span class="package">Alien Arena</span> ã¯ã€ã‚ªãƒ¼ãƒ—ンソースフリーウエアã®ã€ãƒ‡ã‚¹ãƒžãƒƒãƒã‚·ãƒ¥ãƒ¼ã‚¿ãƒ¼ã§ã™ã€‚
+ </div><div class="para">
+ Fedora 15 ã§ã¯ã€ Alien Arena 2011, ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 7.50 ãŒæŽ¡ç”¨ã•ã‚Œã¾ã—ãŸã€‚ 目立ã£ãŸæ©Ÿèƒ½ã¨ã—ã¦ã¯ã€ï¼’ã¤ã®æ–°ã—ã„マップã€(Annihilation 㨠Neptune), æ–°ã—ã„ãƒãƒƒã‚¯ã‚°ãƒ©ã‚¦ãƒ³ãƒ‰ãƒŸãƒ¥ãƒ¼ã‚¸ãƒƒã‚¯ã€æ–°ã—ã„ IRC クライアントãªã©ã§ã™ã€‚ コンピュータアニメーション (Ragdoll physics) ã¯ã€ Open Dynamics Physics Engine を使ã„ã€ã‚²ãƒ¼ãƒ ã§ã¯ã€ã‚ˆã‚Šé«˜é€Ÿãªç²’åã®ãƒ¬ãƒ³ãƒ€ãƒªãƒ³ã‚°ãŒå¯èƒ½ã¨ãªã‚Šã¾ã—ãŸã€‚詳ã—ãã¯ã€ <a href="http://icculus.org/alienarena/changelogs/7.50.txt">http://icculus.org/alienarena/changelogs/7.50.txt</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="2.6.2. Colossus Arena"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id665565">2.6.2. Colossus Arena</h4></div></div></div><a id="id712031" class="indexterm"></a><div class="para">
+ <span class="package">Colossus Arena</span> ã¯ã€ java ã«ã‚ˆã‚‹ Titan ボードゲームã®ã‚¯ãƒãƒ¼ãƒ³ã§ã™ã€‚ï¼’ã‹ã‚‰ï¼–人å‘ã‘ã®ã€ã‚¿ãƒ¼ãƒ³ãƒ™ãƒ¼ã‚¹ã®ãƒ•ã‚¡ãƒ³ã‚¿ã‚¸ãƒ¼ã‚¦ã‚ªãƒ¼ã‚²ãƒ¼ãƒ ã§ã™ã€‚
+ </div><div class="para">
+ In this version, the 0.12.0, among the features there is a new variant, "DinoTitan", an option to disable Warlock recruiting on the first turn and a new look for angels and captured legion markers; and global improvements after many bug fixes. For all details visit this page <a href="http://colossus.sourceforge.net/docs/RecentChangesDetails.html">http://colossus.sourceforge.net/docs/RecentChangesDetails.html</a>.
+ </div></div><div class="section" title="2.6.3. F.L.A.W."><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id665282">2.6.3. F.L.A.W.</h4></div></div></div><a id="id645344" class="indexterm"></a><div class="para">
+ <span class="package">F.L.A.W.</span> ã¯ã€ï¼•äººã¾ã§ã§éŠã¹ã‚‹ã€ãƒ•ãƒªãƒ¼ã®ã€ãƒˆãƒƒãƒ—ダウンã®é”法使ã„ã®æˆ¦é—˜ã‚²ãƒ¼ãƒ ã§ã™ã€‚
+ </div><div class="para">
+ Fedora 15 ã§ã¯ã€ F.L.A.W. ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 1.2.4 ãŒæŽ¡ç”¨ã•ã‚Œã¾ã—ãŸã€‚ãã®ç‰¹å¾´ã¯ã€æ–°ã—ã„戦略ゲームプレイモードã€ã‚ˆã‚Šå¤šãã®éŸ³æ¥½ã€ä½Žé€Ÿãªã‚³ãƒ³ãƒ”ュータã®ãŸã‚ã®ã‚ªãƒ—ショナルãªä½Žå“質グラフィックスモードã€ã‚¸ãƒ§ã‚¤ã‚¹ãƒ†ã‚£ãƒƒã‚¯ã®æ¤œå‡ºãªã©ã®å¤šãã® UI 改善ã¨ä¿®æ£ãªã©ã§ã™ã€‚詳ã—ãã¯ã€ã‚¦ã‚§ãƒ–サイトã€<a href="http://flaw.sourceforge.net/index.php">http://flaw.sourceforge.net/index.php</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="2.6.4. Freeciv"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id759901">2.6.4. Freeciv</h4></div></div></div><a id="id761739" class="indexterm"></a><div class="para">
+ <span class="package">Freeciv</span> ã¯ã€ãƒ•ãƒªãƒ¼ã®ã€ã‚¿ãƒ¼ãƒ³ãƒ™ãƒ¼ã‚¹ã®ã€ãƒžãƒ«ãƒãƒ—レイヤー戦略ゲームã§ã™ã€‚
+ </div><div class="para">
+ ã“ã®ãƒªãƒªãƒ¼ã‚¹ã¯ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 2.4 ã§ã€ä»¥å‰ã® 2.2ã¨æ¯”ã¹ã¦å¤šãã®å¤‰æ›´ãŒã‚ã‚Šã¾ã—ãŸã€‚åŒæ™‚ã«ãƒ—レイã§ãる人数ãŒã€ 126 ã«ãªã‚Šã€ãƒžãƒƒãƒ—サイズã¯ã€ 30,000 ã‹ã‚‰ 128,000 タイルã«ãªã‚Šã€ãƒžãƒƒãƒ—ã®ãƒªãƒ‹ã‚¢ãƒ‡ã‚£ãƒ¡ãƒ³ã‚·ãƒ§ãƒ³ãŒ 254 ã‹ã‚‰ 512 ã«ã€é«˜ç²¾ç´°ã«ãªã‚Šã¾ã—ãŸã€‚サーãƒãƒ¼ã¨ã‚¯ãƒ©ã‚¤ã‚¢ãƒ³ãƒˆã‚µã‚¤ãƒ‰ã§å†å®Ÿè£…ãŒã•ã‚ŒãŸçµæžœã€ã‚²ãƒ¼ãƒ プレイをカスタマイズã™ã‚‹ãŸã‚ã®æ–°ã—ã„機能ãŒåŠ ã‚ã‚Šã¾ã—ãŸã€‚ãã—ã¦ã€ãƒ—レイヤーã®ä½“験を高ã‚ã‚‹æ–°ã—ã„ルックスã¨ãƒ«ãƒ¼ãƒ«ã€‚詳細（ãŸãã•ã‚“ã‚ã‚Šã¾ã™ï¼ï¼‰ã¯ã€ã‚¢ãƒƒãƒ—ストリームã®ã‚¦ã‚§ãƒ–サイト <a href="http://freeciv.wikia.com/">http://freeciv.wikia.com/</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="2.6.5. FreeCol"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id965623">2.6.5. FreeCol</h4></div></div></div><a id="id965630" class="indexterm"></a><div class="para">
+ <span class="package">FreeCol</span> ã¯ã€ã‚¿ãƒ¼ãƒ³ãƒ™ãƒ¼ã‚¹ã®æˆ¦ç•¥ã‚²ãƒ¼ãƒ ã§ã‚ã‚Šã€æ˜”ã®ã‚²ãƒ¼ãƒ Colonization をベースã¨ã—〠Civilization ã«ä¼¼ã¦ã„ã¾ã™ã€‚
+ </div><div class="para">
+ Fedora 15 ã§ã€ FreeCol ã¯ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 0.8.3 ã‹ã‚‰ 0.9.5 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚リリース 0.9 ã¯ï¼’ï¼ï¼‘ï¼å¹´ï¼‘月ã«ãƒãƒ¼ãƒ³ãƒã•ã‚Œã€é–‹ç™ºè€…ã¯è€ƒå¯Ÿã‚µã‚¤ãƒ‰ (AI) をより高性能ã«ã—ã¾ã—ãŸã€‚グラフィックスサイドã§ã¯ã€æ–°ã—ã„ビルã®ã‚°ãƒ©ãƒ•ã‚£ãƒƒã‚¯ã‚¹ã€æ–°ã—ã„森ã¨æµ·å²¸ã®ç”»åƒã€ MigLayout を使ã£ãŸãƒ‘ãƒãƒ«ã¨ãƒ€ã‚¤ã‚¢ãƒã‚°ã®å†è¨è¨ˆã€å°ã•ãªãƒ‡ã‚£ã‚¹ãƒ—レイ (1024x600) ã§ã®ã‚ˆã‚Šè‰¯ã„çµ±åˆãªã©ã‚’å°Žå…¥ã—ã¾ã—ãŸã€‚プレイヤーã®ãŸã‚ã®æ–°ã—ã„ルールもã‚ã‚Šã¾ã™ã€‚ウェブサイト <a href="http://www.freecol.org/">http://www.freecol.org/</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="2.6.6. FreeDink"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id705421">2.6.6. FreeDink</h4></div></div></div><a id="id705428" class="indexterm"></a><div class="para">
+ GNU <span class="package">FreeDink</span> ã¯ã€ Dink Smallwood ゲームエンジンã®ã€ãƒ•ãƒªãƒ¼ã§ã€ãƒãƒ¼ã‚¿ãƒ–ルã§ã€æ©Ÿèƒ½å¼·åŒ–ã•ã‚ŒãŸãƒãƒ¼ã‚¸ãƒ§ãƒ³ã§ã™ã€‚
+ </div><div class="para">
+ Fedora 15 ã§ã¯ã€ FreeDink ã¯ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 1.08.20100420 ã‹ã‚‰ v1.08.20101114 ã«ãªã‚Šã¾ã—ãŸã€‚ã„ãã¤ã‹ã®ã‚¯ãƒ©ãƒƒã‚·ãƒ¥ã‚’ä¿®æ£ã—ã€ã‚²ãƒ¼ãƒ ã®é€Ÿåº¦ã‚’３å€ã«ã™ã‚‹æ–°ã—ã„ターボモードを導入ã—ã€æ–°ã—ã„言語もサãƒãƒ¼ãƒˆã—ã¾ã—ãŸã€‚詳ã—ãã¯ã€ã‚¦ã‚§ãƒ–サイト <a href="http://savannah.gnu.org/projects/freedink/">http://savannah.gnu.org/projects/freedink/</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="2.6.7. gbrainy"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id764951">2.6.7. gbrainy</h4></div></div></div><a id="id764957" class="indexterm"></a><div class="para">
+ <span class="package">gbrainy</span> ã¯ã€è„³ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°ã‚²ãƒ¼ãƒ ã§ã€æ¥½ã—ã¿ãªãŒã‚‰ã‚ãªãŸã®è„³ã‚’トレーニングã—ã¾ã™ï¼ï¼ï¼
+ </div><div class="para">
+ ã“ã® GNOME ゲームã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 1.52 ã§ã¯ã€æ–°ã—ã„１１個ã®è«–ç†ã‚²ãƒ¼ãƒ ãŒåŠ ã‚ã‚Šã€ãƒ¦ãƒ¼ã‚¶ãƒ“リティãŒå‘上ã—ã¾ã—ãŸã€‚詳ã—ãã¯ã€ gnome ウェブサイト <a href="http://live.gnome.org/gbrainy/Releases">http://live.gnome.org/gbrainy/Releases</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="2.6.8. supertuxkart"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id764986">2.6.8. supertuxkart</h4></div></div></div><a id="id764992" class="indexterm"></a><div class="para">
+ <span class="package">SuperTuxKart</span> ã¯ã€ãƒ•ãƒªãƒ¼ã® ３D カートレーシングゲームã§ã™ã€‚
+ </div><div class="para">
+ Fedora 15 ã§ã¯ã€ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 0.6.2 ã‹ã‚‰ 0.7 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚多ãã®ãƒã‚°ä¿®æ£ã®ä»–ã«ã€ã“ã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã® superTux ã§ã¯æ–°ã—ã„GUI ãŒæŽ¡ç”¨ã•ã‚Œã€ã‚«ãƒ¼ãƒˆã¨ãƒˆãƒ©ãƒƒã‚¯ã®ã‚¢ãƒ‹ãƒ¡ãƒ¼ã‚·ãƒ§ãƒ³ãŒè¿½åŠ ã•ã‚Œã€æ–°ã—ã改善ã•ã‚ŒãŸãƒˆãƒ©ãƒƒã‚¯ã€ã‚«ãƒ¼ãƒˆã€ã‚¢ã‚¤ãƒ†ãƒ ãŒåŠ ã‚ã‚Šã¾ã—ãŸã€‚ショートカットやã€ãƒˆãƒ©ãƒƒã‚¯ã®ãŸã‚ã®ä»£æ›¿æ‰‹æ®µã‚‚ã‚ã‚Šã¾ã™ã€‚開発者ã¯ã‚¢ã‚¸ã‚¢ã®ãƒ•ã‚©ãƒ³ãƒˆã®ã‚µãƒãƒ¼ãƒˆã‚’è¿½åŠ ã—ã¾ã—ãŸã€‚詳細ã¯ã€ã‚¢ãƒƒãƒ—ストリームプãƒã‚¸ã‚§ã‚¯ãƒˆ <a href="http://supertuxkart.sourceforge.net/Main_Page">http://supertuxkart.sourceforge.net/Main_Page</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="2.6.9. zaz"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id966852">2.6.9. zaz</h4></div></div></div><a id="id966859" class="indexterm"></a><div class="para">
+ <span class="package">zaz</span> ã¯ã€ãƒœãƒ¼ãƒ«ã‚’３連ã«ä¸¦ã¹ã‚‹ãƒ‘ズルゲームã§ã™ã€‚
+ </div><div class="para">
+ Fedora 15 ã§ã¯ã€ zaz ã¯ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 0.7.0 ã‹ã‚‰ 1.0.0 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚æ–°ã—ã„スプラッシュスクリーンã€æ–°ã—ã„ゲームレベルã€ãƒ•ãƒ©ãƒ³ã‚¹èªžã€ãƒ‰ã‚¤ãƒ„語ã€ã‚¹ãƒšã‚¤ãƒ³èªžã€ã‚¤ã‚¿ãƒªã‚¢èªžã€ãƒãƒ³ã‚¬ãƒªãƒ¼èªžã€ãƒã‚·ã‚¢èªžã€ãƒãƒ¼ãƒ©ãƒ³ãƒ‰èªžã€ãã‚Œã«ãƒˆãƒ«ã‚³èªžã®ãƒã‚±ãƒ¼ãƒ«ã®è¿½åŠ ã¨æ›´æ–°ã€ãŒã‚ã‚Šã¾ã™ã€‚ã„ãらã‹ã®ãƒã‚°ä¿®æ£ã‚‚。詳ã—ãã¯ã€ãƒ—ãƒã‚¸ã‚§ã‚¯ãƒˆã‚¦ã‚§ãƒ–サイト㮠Changelog <a href="http://sourceforge.net/projects/zaz">http://sourceforge.net/projects/zaz</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div></div><div xml:lang="ja-JP" class="section" title="2.7. Live イメージ" id="sect-Release_Notes-Live_Image" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Release_Notes-Live_Image">2.7. Live イメージ</h3></div></div></div><a id="id976142" class="indexterm"></a><a id="id754338" class="indexterm"></a><div class="para">
+ <a href="http://fedoraproject.org/w/index.php?title=Features/LZMA_for_Live_Images">Live イメージã«ã¯ã€XZ 圧縮ãŒä½¿ã‚れるよã†ã«ãªã‚Šã¾ã—ãŸã€‚</a> ã“ã®çµæžœã€ãƒ‡ã‚¹ã‚¯ãƒˆãƒƒãƒ—スピンã«ãŠã„㦠19% ã®åœ§ç¸®çŽ‡ã®æ”¹å–„ã€ã‚²ãƒ¼ãƒ スピンã«ãŠã„㦠9% ã®æ”¹å–„ãŒãªã•ã‚Œã€ã“れらã®ã‚¹ãƒ”ンã«ã‚ˆã‚Šå¤šãã®å†…容を入れるã“ã¨ãŒã§ãるよã†ã«ãªã‚Šã¾ã—ãŸã€‚ã‚‚ã—ã€ã‚ãªãŸãŒã”自分ã®ã‚¹ãƒ”ンをãŠä½œã‚Šã®å ´åˆã€ XZ ãŒç¾åœ¨ã®ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§ã™ãŒã€ 2.6.38 よりå‰ã®ã‚«ãƒ¼ãƒãƒ«ã§ã¯å‹•ä½œã—ãªã„ã“ã¨ã«æ³¨æ„ãã ã•ã„。å¤ã„カーãƒãƒ«ã§ã‚‚動作ã™ã‚‹ gzip 圧縮をã™ã‚‹ã«ã¯ã€ <span class="application"><strong>livecd-creator</strong></span> 㧠<code class="command">--compression-type=gzip</code> オプションを使ã£ã¦ãã ã•ã„。
+ </div></div></div><div class="section" title="3. Fedora ã®å¤‰æ›´ç‚¹ - システム管ç†è€…å‘ã‘" id="sect-Release_Notes-Changes_for_SysAdmin"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Release_Notes-Changes_for_SysAdmin">3. Fedora ã®å¤‰æ›´ç‚¹ - システム管ç†è€…å‘ã‘</h2></div></div></div><div xml:lang="ja-JP" class="section" title="3.1. Kernel" id="sect-Release_Notes-Kernel" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Release_Notes-Kernel">3.1. Kernel</h3></div></div></div><a id="id713324" class="indexterm"></a><div class="para">
+ Fedora 15 features version 2.6.38 of the Linux kernel. Among other improvements, this version includes the "patch that does wonders" which improves responsiveness under heavy loads.
+ </div><div class="para">
+ ã“ã®ä»¶åŠã³ã™ã¹ã¦ã®å¤‰æ›´ã«ã¤ã„ã¦ã®è©³ç´°ã¯ã€ <a href="http://kernelnewbies.org/LinuxChanges">http://kernelnewbies.org/LinuxChanges</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div xml:lang="ja-JP" class="section" title="3.2. ブート" id="sect-RelNotes-Boot" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Boot">3.2. ブート</h3></div></div></div><div class="section" title="3.2.1. systemd"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id760109">3.2.1. systemd</h4></div></div></div><a id="id673809" class="indexterm"></a><a id="id759784" class="indexterm"></a><div class="para">
+ <span class="package">systemd</span> ã¯ã€ SysVinit 㨠Upstart ã®ã‹ã‚ã‚Šã¨ãªã‚‹ã€ã‚·ã‚¹ãƒ†ãƒ ã¨ã‚µãƒ¼ãƒ“スã®ãƒžãƒãƒ¼ã‚¸ãƒ£ã§ã™ã€‚６ヶ月ã«æ¸¡ã‚‹ã€ã‚ˆã‚Šè©³ç´°ãªãƒ†ã‚¹ãƒˆã‚’経ã¦ã€ Fedora 15 ã¯ã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§ã€æ–°ã—ã„システムデーモンを導入ã—ã¾ã™ã€‚ãã®ã‚³ãƒ¼ãƒ‰ã¯ã€æœ€è¿‘ã® Linux カーãƒãƒ«ã®åˆ©ç‚¹ã‚’最大é™ã«æ´»ç”¨ã™ã‚‹ã“ã¨ã‚’目的ã¨ã—ã¦ã€ã‚¼ãƒã‹ã‚‰è¨è¨ˆã•ã‚ŒãŸã‚‚ã®ã§ã™ã€‚
+ </div><div class="para">
+ <span class="package">systemd</span> を使ã†ã“ã¨ã§ã€Fedora 15 ã¯ç‰¹ã« SSD ã«ãŠã„ã¦ã€ã‚ˆã‚Šé«˜é€Ÿã«ãƒ–ートã—ã¾ã™ã€‚systemd 㯠bash スクリプトã§ãªãã¦<code class="filename">.service</code> ファイルを使ã†ãŸã‚ã€ãã®ã‚µãƒ¼ãƒ“スè¨å®šãƒ•ã‚¡ã‚¤ãƒ«ï¼ˆã‚ã‚‹ã„ã¯ãƒ¦ãƒ‹ãƒƒãƒˆï¼‰ã¯ã€ sysvinit スクリプトã¨æ¯”ã¹ã‚‹ã¨ç†è§£ã¨è¨å®šãŒã¯ã‚‹ã‹ã«å®¹æ˜“ã§ã™ã€‚ã™ã¹ã¦ã®ãƒ‡ãƒ¼ãƒ¢ãƒ³ã¯ãã‚Œãžã‚Œã® Linux cgroup ã«åˆ†ã‘られã¦ãŠã‚Šã€ãƒ•ã‚¡ã‚¤ãƒ«ã‚·ã‚¹ãƒ†ãƒ 階層㮠<code class="filename">/cgroup/systemd</code> ã®ä¸‹ã«è¡¨ç¤ºã•ã‚Œã¾ã™ã€‚init システムã®ç®¡ç†çš„å´é¢ã¯å¤§ã„ã«æ‹¡å¼µã•ã‚Œã¦ã„ã¾ã™ã€‚
+ </div><div class="formalpara"><h5 class="formalpara" id="id703899">Powering down the system</h5>
+ In earlier versions, the <code class="command">halt</code> command could be used to power off the system. This no longer works with <span class="package">systemd</span>. The following alternatives, however, do work:
+ <table border="0" summary="Simple list" class="simplelist"><tr><td><code class="command">poweroff</code></td></tr><tr><td><code class="command">halt -p</code></td></tr><tr><td><code class="command">init 0</code></td></tr><tr><td><code class="command">shutdown -P now</code></td></tr></table>
+
+ </div><div class="para">
+ There are numerous other changes in the way runlevels and services are handled with <span class="package">systemd</span>. Refer to <a href="https://fedoraproject.org/wiki/Systemd">https://fedoraproject.org/wiki/Systemd</a> for more complete information on systemd in Fedora.
+ </div></div><div class="section" title="3.2.2. /run directory"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id977066">3.2.2. /run directory</h4></div></div></div><a id="id2321226" class="indexterm"></a><a id="id710889" class="indexterm"></a><a id="id674037" class="indexterm"></a><a id="id755004" class="indexterm"></a><a id="id725834" class="indexterm"></a><a id="id725846" class="indexterm"></a><a id="id704664" class="indexterm"></a><a id="id704676" class="indexterm"></a><a id="id704684" class="indexterm"></a><a id="id704692" class="indexterm"></a><a id="id704700" class="indexterm"></a><a id="id704708" class="indexterm"></a><a id="id704716" class="indexterm"></a><a id="id704724" class="indexterm"></a><div class="para">
+ Fedora 15 ã¯ã€ãƒ©ãƒ³ã‚¿ã‚¤ãƒ ãƒ‡ãƒ¼ã‚¿ã‚’æ ¼ç´ã™ã‚‹ãŸã‚ã« <code class="filename">/run</code> ディレクトリをæŒã¡ã¾ã™ã€‚<code class="filename">/run</code> ã¯ä»Šã¯ tmpfs ã§ã‚り〠<code class="filename">/var/run</code> ã¯ã€ãれ㫠<code class="command">bind</code> マウントã•ã‚Œã¦ã„ã¾ã™ã€‚<code class="filename">/var/lock</code> 㯠<code class="filename">/run/lock</code> ã« <code class="command">bind</code> マウントã•ã‚Œã¦ã„ã¾ã™ã€‚アプリケーションã¯ã€ <code class="filename">/run</code> を〠<code class="filename">/var/run</code> ã¨åŒã˜ã‚„ã‚Šã‹ãŸã§ä½¿ã†ã“ã¨ãŒã§ãã¾ã™ã€‚<code class="command">udev</code>, <code class="command">dracut</code>, <code class="command">mdadm</code>, <code class="command">mount</code> ãã—㦠<code class="command">initscripts</code> ã‚’å«ã‚€ã„ãã¤ã‹ã®ãƒ—ãƒã‚°ãƒ©ãƒ ã¯ã€ãƒ–ートã®åˆæœŸæ®µéšŽã§ã€ <code class="filename">/var</code> ãŒãƒžã‚¦ãƒ³ãƒˆã•ã‚Œã‚‹å‰ã«ã€<code
class="filename">/dev</code> ã®ä¸‹ã®éš ã‚ŒãŸãƒ‡ã‚£ãƒ¬ã‚¯ãƒˆãƒªã«ã€ãƒ©ãƒ³ã‚¿ã‚¤ãƒ データを置ã„ã¦ãã¾ã—ãŸã€‚ã—ã‹ã—〠<code class="filename">/dev/</code> ã¯æœ¬æ¥ã€ãƒ‡ãƒã‚¤ã‚¹ãƒŽãƒ¼ãƒ‰ã®ãŸã‚ã ã‘ã«ä½¿ã‚れるもã®ã§ã‚ã‚Šã€ä¸»è¦ãªãƒ‡ã‚£ã‚¹ãƒˆãƒªãƒ“ューションã®é–“ã§ã¯ã€ ãã®ã‹ã‚ã‚Šã« <code class="filename">/run</code> を使ã†ã‚ˆã†ã«ã—ã¦ã„ãã¨ã„ã†åˆæ„ãŒå¾—られã¦ã„ã¾ã™ã€‚ Fedora 15 ã¯ã“ã®å¤‰é©ã‚’リードã—ã¦ã„ã¾ã™ã€‚利点や詳細ã¯ã€ <a href="http://lists.fedoraproject.org/pipermail/devel/2011-March/150031.html"> ã“ã“ </a>ã«èª¬æ˜Žã—ã¦ã‚ã‚Šã¾ã™ã€‚
+ </div><div class="para">
+ ã“ã®å¤‰æ›´ã¯ <a href="http://www.pathname.com/fhs/pub/fhs-2.3.html#THEROOTFILESYSTEM"> Filesystem Hierarchy Standard</a> 㨠<span class="emphasis"><em>互æ›ã§ã™</em></span> 。ãã‚Œã¯ã€çµæžœã«ã¤ã„ã¦æ³¨æ„æ·±ã„考察ãŒã•ã‚Œã‚‹ãªã‚‰ã°ã€ãƒ‡ã‚£ã‚¹ãƒˆãƒªãƒ“ューションãŒã€ãƒ«ãƒ¼ãƒˆéšŽå±¤ã®ä¸‹ã«æ–°ã—ã„ディレクトリを作るã“ã¨ã‚’許ã—ã¦ã„ã¾ã™ã€‚最新㮠FHS 仕様ã®å…±è‘—者ã¯ã€ã“ã®å¤‰æ›´ã«ã¤ã„ã¦ã€ <a href="https://lwn.net/Articles/436177/"> 支æŒã‚’表明</a> ã—ã¾ã—ãŸã€‚Lennart Poettering ã¯ã€ FHS 仕様ãŒã“ã®å¤‰æ›´ã‚’å«ã‚€ã‚ˆã†ã«æ›´æ–°ã•ã‚Œã‚‹ã‚ˆã†ã€ <a href="http://bugs.freestandards.org/show_bug.cgi?id=718"> è¦æ±‚</a> を登録ã—ã¾ã—ãŸã€‚
+ </div></div><div class="section" title="3.2.3. /var/run 㨠/var/lock"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id746084">3.2.3. /var/run 㨠/var/lock</h4></div></div></div><a id="id746091" class="indexterm"></a><a id="id746103" class="indexterm"></a><a id="id746115" class="indexterm"></a><a id="id746127" class="indexterm"></a><a id="id746139" class="indexterm"></a><a id="id746147" class="indexterm"></a><a id="id746155" class="indexterm"></a><div class="para">
+ <code class="filename">/var/run</code> and <code class="filename">/var/lock</code> are now bind mounted to <code class="filename">/run</code> and <code class="filename">/run/lock</code> from tmpfs, and hence emptied on reboot. Applications must ensure to recreate their own files/dirs on startup, and cannot rely that doing this at package installation will suffice. It is possible to use <span class="package">systemd</span>'s <code class="filename">tmpfiles.d</code> mechanism to recreate directories and files beneath <code class="filename">/var/run</code> and <code class="filename">/var/lock</code> on boot, if necessary. See <code class="command">tmpfiles.d(5)</code> for details (<a href="http://0pointer.de/public/systemd-man/tmpfiles.d.html">http://0pointer.de/public/systemd-man/tmpfiles.d.html</a>) and the conf files in <code class="filename">/etc/tmpfiles.d</code> for examples of such configuration. Fedora packaging guidelines for <code class="filename">tmpfiles.d</code>
is at <a href="http://fedoraproject.org/wiki/Packaging:Tmpfiles.d">http://fedoraproject.org/wiki/Packaging:Tmpfiles.d</a>.
+ </div></div><div class="section" title="3.2.4. 4kB セクターã®ãƒ‡ã‚£ã‚¹ã‚¯ãƒ–ートサãƒãƒ¼ãƒˆ"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id972095">3.2.4. 4kB セクターã®ãƒ‡ã‚£ã‚¹ã‚¯ãƒ–ートサãƒãƒ¼ãƒˆ</h4></div></div></div><div class="para">
+ UEFI 環境ã§ã€4kB セクターã®ãƒ‡ã‚£ã‚¹ã‚¯ã‹ã‚‰ã®ãƒ–ートãŒã€ã‚µãƒãƒ¼ãƒˆã•ã‚Œã¾ã—ãŸã€‚
+ </div></div></div><div xml:lang="ja-JP" class="section" title="3.3. ã‚»ã‚ュリティ" id="sect-RelNotes-Security" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Security">3.3. ã‚»ã‚ュリティ</h3></div></div></div><div class="para">
+ ã“ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã§ã¯ã€ Fedora 15 ã®ã‚»ã‚ュリティã®å¤‰æ›´ã¨æ”¹å–„ã«ã¤ã„ã¦è¿°ã¹ã¾ã™ã€‚
+ </div><div class="section" title="3.3.1. ダイナミックファイアウォール"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id717848">3.3.1. ダイナミックファイアウォール</h4></div></div></div><a id="id761970" class="indexterm"></a><a id="id669244" class="indexterm"></a><a id="id705812" class="indexterm"></a><div class="para">
+ Fedora 15 ã¯ã€ã‚ªãƒ—ショナルãªãƒ•ã‚¡ã‚¤ã‚¢ã‚¦ã‚©ãƒ¼ãƒ«ãƒ‡ãƒ¼ãƒ¢ãƒ³ (<span class="package">FirewallD</span>) ã®ã‚µãƒãƒ¼ãƒˆã‚’è¿½åŠ ã—ã¾ã—ãŸã€‚ã“ã‚Œã¯ã€ D-Bus インタフェースを使ã„ã€ãƒ€ã‚¤ãƒŠãƒŸãƒƒã‚¯ãªãƒ•ã‚¡ã‚¤ã‚¢ã‚¦ã‚©ãƒ¼ãƒ«ç®¡ç†ã‚’å¯èƒ½ã¨ã—ã¾ã™ã€‚
+ </div><div class="para">
+ <span class="package">system-config-firewall</span> を使ã£ãŸä»¥å‰ã®ãƒ•ã‚¡ã‚¤ã‚¢ã‚¦ã‚©ãƒ¼ãƒ«ãƒ¢ãƒ‡ãƒ«ã¯ã€é™çš„ã§ã€ã©ã‚“ãªã«ç°¡å˜ãªå¤‰æ›´ã§ã‚ã£ã¦ã‚‚ã€ãƒ•ã‚¡ã‚¤ã‚¢ã‚¦ã‚©ãƒ¼ãƒ«å…¨ä½“ã®å†é–‹å§‹ã‚’å¿…è¦ã¨ã—ã¾ã—ãŸã€‚ã“ã‚Œã«ã‚ˆã‚Šã€ãƒ•ã‚£ãƒ«ã‚¿ãƒ¼ã•ã‚ŒãŸæŽ¥ç¶šã¯åˆ‡æ–ã•ã‚Œã¾ã—ãŸã€‚<span class="package">FirewallD</span> ã§ã¯ã€ãƒ•ã‚¡ã‚¤ã‚¢ã‚¦ã‚©ãƒ¼ãƒ«ã‚’ダイナミックã«å¤‰æ›´ã™ã‚‹ã“ã¨ãŒã§ãã€ãƒ•ã‚¡ã‚¤ã‚¢ã‚¦ã‚©ãƒ¼ãƒ«ã®å†ä½œæˆã¯å¿…è¦ã‚ã‚Šã¾ã›ã‚“。ç¾åœ¨ã€ iptables, ip6tables ãã—㦠ebtables ãŒã‚µãƒãƒ¼ãƒˆã•ã‚Œã¾ã™ã€‚Fedora 15 ã§ã¯ã€ã‚·ãƒ³ãƒ—ルãªãƒˆãƒ¬ã‚¤ã‚¢ãƒ—レットãŒã€ãƒ•ã‚¡ã‚¤ã‚¢ã‚¦ã‚©ãƒ¼ãƒ«ã®çŠ¶æ…‹ã‚’表示ã—ã€ãƒ•ã‚¡ã‚¤ã‚¢ã‚¦ã‚©ãƒ¼ãƒ«ã®ã‚µãƒ¼ãƒ“スを有効ã«ã—ãŸã‚Šç„¡åŠ¹ã«ã—ãŸã‚Šã§ãã¾ã™ã€‚
+ </div><div class="para">
+ 詳細ã¯ã€ Fedora wiki ページ <a href="https://fedoraproject.org/wiki/Features/DynamicFirewall">https://fedoraproject.org/wiki/Features/DynamicFirewall</a> and <a href="https://fedoraproject.org/wiki/Features/FirewallD/">https://fedoraproject.org/wiki/Features/FirewallD/ </a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="3.3.2. FreeIPA 2.0"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id700289">3.3.2. FreeIPA 2.0</h4></div></div></div><a id="id645108" class="indexterm"></a><a id="id976222" class="indexterm"></a><a id="id731294" class="indexterm"></a><a id="id673717" class="indexterm"></a><a id="id745493" class="indexterm"></a><a id="id733901" class="indexterm"></a><div class="para">
+ FreeIPA ã¯ã€çµ±åˆã•ã‚ŒãŸã€ã‚»ã‚ãƒ¥ãƒªãƒ†ã‚£æƒ…å ±ç®¡ç†ã‚½ãƒªãƒ¥ãƒ¼ã‚·ãƒ§ãƒ³ã§ã€ Linux (Fedora), 389 (以å‰ã€ Fedora Directory Server ã¨å‘¼ã°ã‚Œã¦ã„ã¾ã—ãŸ), MIT Kerberos, NTP, DNS を組ã¿åˆã‚ã›ãŸã‚‚ã®ã§ã™ã€‚ウェブインタフェースã¨ã€ã‚³ãƒžãƒ³ãƒ‰ãƒ©ã‚¤ãƒ³ã®ç®¡ç†ãƒ„ールãŒã‚ã‚Šã¾ã™ã€‚
+ </div><div class="para">
+ FreeIPA v2.0 ã®æ©Ÿèƒ½ã¯ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Kerberos ã‚ã‚‹ã„㯠LDAP ã«ã‚ˆã‚‹ä¸å¤®é›†æ¨©çš„ãªèªè¨¼
+ </div></li><li class="listitem"><div class="para">
+ ユーザã€ã‚°ãƒ«ãƒ¼ãƒ—ã€ãƒ›ã‚¹ãƒˆã€ãã—ã¦ã‚µãƒ¼ãƒ“ス㮠ID 管ç†
+ </div></li><li class="listitem"><div class="para">
+ UI/CLI ã®ãŸã‚ã®ãƒ—ラグå¯èƒ½ã§æ‹¡å¼µå¯èƒ½ãªãƒ•ãƒ¬ãƒ¼ãƒ ワーク
+ </div></li><li class="listitem"><div class="para">
+ 豊富㪠CLI
+ </div></li><li class="listitem"><div class="para">
+ ウェブベースã®ãƒ¦ãƒ¼ã‚¶ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹
+ </div></li><li class="listitem"><div class="para">
+ Server X.509 v3 証明書ã®ãƒ—ãƒãƒ“ジョニング機能
+ </div></li><li class="listitem"><div class="para">
+ ホストã®ã‚°ãƒ«ãƒ¼ãƒ—化をå«ã‚€ãƒ›ã‚¹ãƒˆ ID 管ç†
+ </div></li><li class="listitem"><div class="para">
+ SSSD ã®ãŸã‚ã® IPA ãƒãƒƒã‚¯ã‚¨ãƒ³ãƒ‰ã«ã‚ˆã£ã¦ã€ã‚¯ãƒ©ã‚¤ã‚¢ãƒ³ãƒˆã‚µã‚¤ãƒ‰ã§å®Ÿæ–½ã•ã‚Œã‚‹ãƒ›ã‚¹ãƒˆãƒ™ãƒ¼ã‚¹ã®ã‚¢ã‚¯ã‚»ã‚¹ã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ãƒ«ãƒ¼ãƒ«ã‚’定義ã™ã‚‹ã“ã¨
+ </div></li><li class="listitem"><div class="para">
+ IPA ã«æ ¼ç´ã•ã‚Œã¦ã„るユーザã¨ãƒ›ã‚¹ãƒˆã‚ªãƒ–ジェクトã«åŸºã¥ã„ã¦ã€ãƒãƒƒãƒˆã‚°ãƒ«ãƒ¼ãƒ—ã‚’æä¾›ã™ã‚‹ã“ã¨
+ </div></li><li class="listitem"><div class="para">
+ ç•°ãªã‚‹ã‚¯ãƒ©ã‚¤ã‚¢ãƒ³ãƒˆã«ã‚ªãƒ¼ãƒˆãƒžã‚¦ãƒ³ãƒˆãƒžãƒƒãƒ—ã®ã‚»ãƒƒãƒˆã‚’æä¾›ã™ã‚‹ã“ã¨
+ </div></li><li class="listitem"><div class="para">
+ より細ã‹ã„ã€æ¨©é™ç§»è²ã®ç®¡ç†
+ </div></li><li class="listitem"><div class="para">
+ グループベースã®ã€ãƒ‘スワードãƒãƒªã‚·ãƒ¼
+ </div></li><li class="listitem"><div class="para">
+ 集ä¸ç®¡ç†ã•ã‚Œã‚‹ SUDO
+ </div></li><li class="listitem"><div class="para">
+ プライベートグループã®è‡ªå‹•çš„管ç†
+ </div></li><li class="listitem"><div class="para">
+ 幅広ã„クライアントã¨ã®äº’æ›æ€§
+ </div></li><li class="listitem"><div class="para">
+ ç°¡å˜ãªãƒ‘スワード移行
+ </div></li><li class="listitem"><div class="para">
+ IPA ãŒç®¡ç†ã™ã‚‹ã€ã‚ªãƒ—ショナルãªã€çµ±åˆã•ã‚ŒãŸ DNS サーãƒ
+ </div></li><li class="listitem"><div class="para">
+ IPA ãŒç®¡ç†ã™ã‚‹ã‚µãƒ¼ãƒè¨¼æ˜Žæ›¸ã‚’管ç†ã™ã‚‹ãŸã‚ã®ã€ã‚ªãƒ—ショナルãªã€çµ±åˆã•ã‚ŒãŸ Certificate Authority
+ </div></li><li class="listitem"><div class="para">
+ レガシーシステムã®ãŸã‚ã«ã€ NIS サーãƒãƒ¼ã¨ã—ã¦å‹•ä½œå¯èƒ½
+ </div></li><li class="listitem"><div class="para">
+ マルãƒãƒžã‚¹ã‚¿ãƒ¼è¤‡è£½ã‚’ベースã¨ã™ã‚‹ã€ãƒžãƒ«ãƒã‚µãƒ¼ãƒãƒ¼é…備をサãƒãƒ¼ãƒˆ
+ </div></li><li class="listitem"><div class="para">
+ MS アクティブディレクトリã¨ã®ã€ãƒ¦ãƒ¼ã‚¶ã¨ã‚°ãƒ«ãƒ¼ãƒ—ã®è¤‡è£½
+ </div></li></ul></div>
+
+ </div><div class="para">
+ 詳細ã¯ã€ <a href="http://www.freeipa.org/">http://www.freeipa.org/</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="3.3.3. OpenSCAP"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id1238665">3.3.3. OpenSCAP</h4></div></div></div><a id="id760602" class="indexterm"></a><a id="id760610" class="indexterm"></a><a id="id760618" class="indexterm"></a><a id="id760626" class="indexterm"></a><a id="id760634" class="indexterm"></a><a id="id760642" class="indexterm"></a><div class="para">
+ Fedora 14 ã§æœ€åˆã«å°Žå…¥ã•ã‚ŒãŸ <span class="package">OpenSCAP</span> ã¯ã€NIST ã«ã‚ˆã‚Šç®¡ç†ã•ã‚Œã‚‹ SCAP 系列ã®æ¨™æº–を実ç¾ã™ã‚‹ãŸã‚ã®ã‚ˆã‚Šç°¡å˜ãªãƒ‘スをæä¾›ã™ã‚‹ã€ã‚ªãƒ¼ãƒ—ンソースライブラリã®ã‚»ãƒƒãƒˆã§ã™ã€‚SCAP 標準ã¯ã€ã‚¨ãƒ³ã‚¿ãƒ¼ãƒ—ライズシステムã®ã‚»ã‚ュリティをç¶æŒã™ã‚‹ãŸã‚ã®æ¨™æº–化ã•ã‚ŒãŸã‚¢ãƒ—ãƒãƒ¼ãƒã‚’æä¾›ã™ã‚‹ãŸã‚ã«ä½œã‚‰ã‚Œã¾ã—ãŸã€‚例ãˆã°ã€ãƒ‘ッãƒãŒå˜åœ¨ã™ã‚‹ã“ã¨ã‚’自動的ã«ç¢ºèªã™ã‚‹ã€ã‚·ã‚¹ãƒ†ãƒ ã‚»ã‚ュリティ構æˆã®è¨å®šã‚’ãƒã‚§ãƒƒã‚¯ã™ã‚‹ã€ãã—ã¦ä¾µå…¥ã®ç—•è·¡ãŒãªã„ã‹èª¿æŸ»ã™ã‚‹ã€ãªã©ã‚’扱ã„ã¾ã™ã€‚
+ </div><div class="para">
+ Fedora 15 ã§ã¯ã€ <span class="package">openscap</span> 〠SCAP 系列ã®æ¨™æº–を実ç¾ã™ã‚‹ã‚ªãƒ¼ãƒ—ンソースライブラリã®ã‚»ãƒƒãƒˆã€ãŒãƒãƒ¼ã‚¸ãƒ§ãƒ³ 0.6.3 ã‹ã‚‰ 0.6.8 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚ã“ã®é–‹ç™ºã‚¹ãƒ†ãƒ¼ã‚¸ã®é–“ã«ã¯ã€perl æ£è¦è¡¨ç¾ãŒãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§å®Œå…¨ã«ã‚µãƒãƒ¼ãƒˆã•ã‚Œã€ OVAL float タイプãŒã‚µãƒãƒ¼ãƒˆã•ã‚Œã€ XSL 変æ›ãŒæ”¹å–„ã•ã‚Œã€ Dublin Core ãŒã‚µãƒãƒ¼ãƒˆã•ã‚Œã€ OVAL スã‚ーマãƒãƒ¼ã‚¸ãƒ§ãƒ³ 5.6 ãŒè¿½åŠ ã•ã‚Œã€ XCCDF レãƒãƒ¼ãƒˆãŒæ”¹å–„ã•ã‚Œã¾ã—ãŸã€‚
+ </div><div class="para">
+ Fedora 15 ã§ã¯ã€ <span class="package">secstate</span>, ã‚»ã‚ュリティステート構æˆãƒ„ールã€ãŒã€ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 0.4.1 ã‚’ã‚‚ã¨ã«å†ãƒ“ルドã•ã‚Œã¾ã—ãŸã€‚
+ </div><div class="para">
+ ç°¡å˜ã§ä¸€èˆ¬çš„ãªã‚·ã‚¹ãƒ†ãƒ リカãƒãƒªãƒ¼ä½œæ¥ã‚’自動化ã™ã‚‹ã€<span class="package">firstaidkit</span>, システムレスã‚ューã‚ットã¯ã€ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 0.2.17 ã‹ã‚‰ 0.2.18 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚
+ </div><div class="para">
+ 詳ã—ãã¯ã€ã“ã®ãƒšãƒ¼ã‚¸<a href="http://www.open-scap.org/page/Main_Page"> http://www.open-scap.org/page/Main_Page </a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="3.3.4. authoconfig ecryptfs"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id760701">3.3.4. authoconfig ecryptfs</h4></div></div></div><a id="id760707" class="indexterm"></a><a id="id894452" class="indexterm"></a><div class="para">
+ Fedora 15 ã§ã¯ã€ Linux ã«ãŠã‘るスタックã•ã‚ŒãŸæš—å·åŒ–ファイルシステムã§ã‚ã‚‹ eCryptfs ã®ã‚µãƒãƒ¼ãƒˆãŒæ”¹å–„ã•ã‚Œã¾ã—ãŸã€‚<span class="package">ecryptfs</span> ユーザãŒãƒã‚°ã‚¤ãƒ³ã™ã‚‹ã¨ã€ <span class="application"><strong>authconfig</strong></span> ã¯è‡ªå‹•çš„ã«ã€ãã®äººã®ãƒ›ãƒ¼ãƒ ディレクトリã®ã€ãƒ—ライベートãªæš—å·åŒ–ã•ã‚ŒãŸéƒ¨åˆ†ã‚’マウントã™ã‚‹ã‚ˆã†ã«ãªã‚Šã¾ã—ãŸã€‚
+ </div><div class="para">
+ 詳細ã¯ã€ wiki ページ <a href="https://fedoraproject.org/wiki/Features/EcryptfsAuthConfig"> https://fedoraproject.org/wiki/Features/EcryptfsAuthConfig </a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="3.3.5. setroubleshoot"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id894484">3.3.5. setroubleshoot</h4></div></div></div><a id="id894490" class="indexterm"></a><div class="para">
+ The user interface of <span class="package">setroubleshoot</span> has been redesigned to make it easier to diagnose SELinux problems. In the current setroubleshooter the "best" match is returned for a solution to the customer. In the new redesign, all matches will be returned. For example if samba tried to read content that it is not allowed, we would like to tell the admin that he could label the content <code class="command">samba_share_t</code> or he could set up SELinux to allow samba to share all content Read Only, or Read Write, or samba should not be trying to read this content, it could be a bug or an attack.
+ </div><div class="para">
+ インタフェースã¯ã€ã‚ˆã‚Šèª¬æ˜Žã—ã‚„ã™ã„ã€ä»¥ä¸‹ã®ã‚ˆã†ãªå®šç¾©ãŒå°Žå…¥ã•ã‚Œã¦ã€ç°¡å˜ã«ãªã‚Šã¾ã—ãŸã€‚
+ </div><pre class="screen">
+ã‚‚ã—〠samba ãŒã€ã‚·ã‚¹ãƒ†ãƒ 全体をリードオンリーã§å…±ç”¨ã™ã‚‹ã‚ˆã†ã«ã—ãŸã„ãªã‚‰ã°ã€
+samba_export_all_ro ブール値をè¨å®šã—ã¦ã€SELinux ã«ãれをä¼ãˆã¾ã™ã€‚
+
+以下ã®ã‚³ãƒžãƒ³ãƒ‰ã‚’ã€ãƒ«ãƒ¼ãƒˆã§å®Ÿè¡Œã—ã¾ã™ã€‚
+
+ setsebool -P samba_export_all_ro=1
+</pre></div><div class="section" title="3.3.6. setuid を除去"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id894527">3.3.6. setuid を除去</h4></div></div></div><a id="id894533" class="indexterm"></a><div class="para">
+ Fedora 15 ã¯ã€ <code class="command">setuid</code> アプリケーションを除去ã—ã¦ã€ãã®ä»£ã‚ã‚Šã«ã€ã‚¢ãƒ—リケーションã«å¿…è¦ãªãã‚Œãžã‚Œã®æ¨©é™ã‚’与ãˆã‚‹ã‚ˆã†ã«ã—ã¾ã—ãŸã€‚setuid アプリケーションをå«ã‚€ã»ã¨ã‚“ã©ã®ã‚¢ãƒ—リケーション㮠spec ファイルを変更ã—ã¦ã€setuid フラグを除ãã€ãƒ•ã‚¡ã‚¤ãƒ«æ¨©é™ã«å¤‰æ›´ã—ã¾ã—ãŸã€‚
+ </div><div class="para">
+ ã™ã¹ã¦ã®è©³ç´°ã¯ã€ <a href="https://fedoraproject.org/wiki/Features/RemoveSETUID">https://fedoraproject.org/wiki/Features/RemoveSETUID</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div></div><div xml:lang="ja-JP" class="section" title="3.4. 仮想化" id="sect-RelNotes-Virtualization" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Virtualization">3.4. 仮想化</h3></div></div></div><div class="section" title="3.4.1. Boxgrinder"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id681315">3.4.1. Boxgrinder</h4></div></div></div><a id="id765064" class="indexterm"></a><a id="id706052" class="indexterm"></a><a id="id973978" class="indexterm"></a><a id="id697871" class="indexterm"></a><div class="para">
+ BoxGrinder Build ã¯ã€ç°¡å˜ãªãƒ—レーンテã‚ストã®ã€ã‚¢ãƒ—ライアンス定義ファイルã‹ã‚‰ã‚¢ãƒ—ライアンス（仮想イメージ）を作るã€ä½¿ã„ã‚„ã™ã„コマンドラインツールã§ã™ã€‚BoxGrinder ã¯ã€ VMware ã‚„ EC2 ã®ã‚ˆã†ãªæŠ€è¡“をサãƒãƒ¼ãƒˆã™ã‚‹ãƒ—ラグインを使ã£ã¦ã€æ§˜ã€…ãªç¨®é¡žã®ä»®æƒ³åŒ–ã‚ã‚‹ã„ã¯ã‚¯ãƒ©ã‚¦ãƒ‰ãƒ—ラットフォームã®ãŸã‚ã®ã‚¢ãƒ—ライアンスを作æˆã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="para">
+ See the Quick Start page (<a href="http://boxgrinder.org/tutorials/boxgrinder-build-quick-start/">http://boxgrinder.org/tutorials/boxgrinder-build-quick-start/</a>) for an overview of how to use BoxGrinder.
+ </div></div><div class="section" title="3.4.2. virt-manager ã§ã® Spice サãƒãƒ¼ãƒˆ"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id736306">3.4.2. virt-manager ã§ã® Spice サãƒãƒ¼ãƒˆ</h4></div></div></div><a id="id685680" class="indexterm"></a><a id="id700885" class="indexterm"></a><div class="para">
+ With Fedora 15, <span class="package">virt-manager</span> has been updated to support <span class="package">Spice</span>, the complete open source solution for interaction with virtualized desktop. It's now possible to create a virtual machine with Spice support without touching the command line, and benefiting all the Spice enhancements without hassles directly from virt-manager. Thanks to the spice-gtk library, you can also develop a client in Python or C, or with gobject-introspection bindings.
+ </div></div><div class="section" title="3.4.3. libvirt ã®å¤šãã®æ”¹è‰¯"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id697999">3.4.3. libvirt ã®å¤šãã®æ”¹è‰¯</h4></div></div></div><a id="id2321174" class="indexterm"></a><a id="id705268" class="indexterm"></a><a id="id730377" class="indexterm"></a><a id="id972191" class="indexterm"></a><a id="id713802" class="indexterm"></a><a id="id656430" class="indexterm"></a><div class="para">
+ Fedora 15 ã§ã¯ã€ <span class="package">libvirt</span> ã¯ã€ã„ã‚ã„ã‚ãªä»®æƒ³ãƒžã‚·ãƒ³ã¨æŽ¥ç¶šã™ã‚‹ãŸã‚ã®å¤šãã®æ–°ã—ã„ API をサãƒãƒ¼ãƒˆã™ã‚‹ã‚ˆã†ã«ãªã‚Šã¾ã—ãŸã€‚SPICE を使ã£ãŸã‚°ãƒ©ãƒ•ã‚£ã‚¯ã‚¹ã€ KVM ゲストã§ã‚¹ãƒžãƒ¼ãƒˆã‚«ãƒ¼ãƒ‰ã‚’使ã†ã“ã¨ã€ã‚²ã‚¹ãƒˆã‹ã‚‰è¦‹ãˆã‚‹ SMBIOS フィールドを管ç†ã™ã‚‹ã“ã¨ã€ãƒ¡ãƒ¢ãƒªãƒ¼ã¨ blkio cgroup パラメータを管ç†ã—ã¦ã€ã‚²ã‚¹ãƒˆã®è³‡æºã®åˆ©ç”¨ã‚’制é™ã™ã‚‹ã“ã¨ã€ã‚²ã‚¹ãƒˆã§ IPv6 ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ã‚’使ã†ã“ã¨ã€ç›£æŸ»æ©Ÿèƒ½ã®æ”¹è‰¯ã€ãã—ã¦ã€ä»»æ„ã®ãƒ¢ãƒ‹ã‚¿ãƒ¼ã‚³ãƒžãƒ³ãƒ‰ã‚’使ã£ã¦ã€ <span class="package">qemu-kvm</span> ゲストã®ãƒ‡ãƒãƒƒã‚°ã‚’改善ã™ã‚‹ã“ã¨ã€ãªã©ã®ã‚µãƒãƒ¼ãƒˆãŒåŠ ã‚ã‚Šã¾ã—ãŸã€‚
+ </div></div></div><div xml:lang="ja-JP" class="section" title="3.5. ウェブサーãƒã¨ã‚¦ã‚§ãƒ–アプリケーション" id="sect-RelNotes-Web_Servers" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Web_Servers">3.5. ウェブサーãƒã¨ã‚¦ã‚§ãƒ–アプリケーション</h3></div></div></div><div class="section" title="3.5.1. Apache"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id726098">3.5.1. Apache</h4></div></div></div><a id="id665920" class="indexterm"></a><a id="id730890" class="indexterm"></a><div class="para">
+ <span class="package">httpd</span> ã¯ã€ 2.2.16 ã‹ã‚‰ 2.2.17 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚ã“ã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã¯ã€ <span class="emphasis"><em>mod</em></span> ã®ä¿®æ£ã¨ã€ <span class="emphasis"><em>core</em></span> ã®ä¿®æ£åŠã³å¤‰æ›´ã‚’å«ã¿ã¾ã™ã€‚
+ </div><div class="para">
+ コアã®ä¿®æ£åŠã³å¤‰æ›´
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 開始時ã®ãƒ‰ã‚ュメントルートã®ãƒã‚§ãƒƒã‚¯ã‚’抑æ¢ã™ã‚‹ -T コマンドラインオプションã®ï¼ˆå†ï¼‰å°Žå…¥ã€‚
+ </div></li><li class="listitem"><div class="para">
+ FollowSymlinks 㨠SymlinksIfOwnerMatch ãŒä¸¡æ–¹è¨å®šã•ã‚Œã¦ã„ãŸå ´åˆã€ã‚·ãƒ³ãƒœãƒªãƒƒã‚¯ãƒªãƒ³ã‚¯ã®æ‰€æœ‰è€…ã‚’ãƒã‚§ãƒƒã‚¯ã™ã‚‹ã€‚
+ </div></li><li class="listitem"><div class="para">
+ SymlinksIfOwnerMatch ã§ã€ã‚ªãƒªã‚¸ãƒ³ã®ãƒã‚§ãƒƒã‚¯æ–¹ã‚’ä¿®æ£ã€‚
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="3.5.2. Drupal ã¯ã€ Drupal6 ã¨ã€åå‰ãŒå¤‰ã‚ã‚Šã¾ã—ãŸã€‚"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id673774">3.5.2. Drupal ã¯ã€ Drupal6 ã¨ã€åå‰ãŒå¤‰ã‚ã‚Šã¾ã—ãŸã€‚</h4></div></div></div><a id="id896675" class="indexterm"></a><div class="para">
+ Fedora 15 ã‹ã‚‰ã€ <span class="package">drupal</span> パッケージã¨ã™ã¹ã¦ã®ãƒ¢ã‚¸ãƒ¥ãƒ¼ãƒ«ãƒ‘ッケージã¯ã€ <code class="filename">drupal*</code> ã‹ã‚‰ <code class="filename">drupal6*</code> ã«åå‰ãŒå¤‰ã‚ã‚Šã¾ã—ãŸã€‚ã•ã‚‰ã«ã€ã™ã¹ã¦ã®ãƒ•ã‚¡ã‚¤ãƒ«ã‚·ã‚¹ãƒ†ãƒ 上ã®ä½ç½®ã‚‚ã“ã®å¤‰æ›´ã®å½±éŸ¿ã‚’å—ã‘ã¾ã™ã€‚å¤ã„コンテントを新ã—ã„ä½ç½®ã«å˜ç´”ã«ã‚³ãƒ”ーã™ã‚‹ã®ã¯ã€ãƒãƒ¼ã‚¸ãƒ§ãƒ³ãŒåŒã˜ã¯ãšã§ã™ã‹ã‚‰ã€å‹•ãã¯ãšã§ã™ã€‚
+ </div><div class="para">
+ ã“ã®å¤‰æ›´ã¯ã€drupal7 ãŒãƒªãƒªãƒ¼ã‚¹ã•ã‚ŒãŸæ™‚ã«ã€ Fedora/EPEL ã®è¤‡æ•°ãƒªãƒªãƒ¼ã‚¹ã«æ¸¡ã£ã¦ä¸¦è¡Œã—㟠drupal ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã®ãƒ¡ãƒ³ãƒ†ãƒŠãƒ³ã‚¹ã‚’ç°¡å˜ã«ã™ã‚‹ãŸã‚ã«è¡Œã‚ã‚Œã¾ã—ãŸã€‚
+ </div></div></div><div xml:lang="ja-JP" class="section" title="3.6. データベースサーãƒãƒ¼" id="sect-RelNotes-Database_Servers" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Database_Servers">3.6. データベースサーãƒãƒ¼</h3></div></div></div><div class="section" title="3.6.1. mysql"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id718265">3.6.1. mysql</h4></div></div></div><a id="id713287" class="indexterm"></a><a id="id764546" class="indexterm"></a><a id="id654675" class="indexterm"></a><div class="para">
+ <span class="package">mysql</span> has been updated to version 5.5.10. Included are improved scalability and performance. From the release announcement: <span class="emphasis"><em>"Higher availability: New semi-synchronous replication and Replication Heart Beat improve failover speed and reliability."</em></span>
+ </div><div class="para">
+ ã“ã®æ›´æ–°ã¯ã€<code class="filename">libmysqlclient</code> 共用ライブラリã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ç•ªå·ã‚’上ã’ã‚‹ãŸã‚ã€ãã®ãƒ©ã‚¤ãƒ–ラリを使ã£ã¦ã„るアプリケーションã¯å†ã‚³ãƒ³ãƒ‘イルãŒå¿…è¦ã§ã™ã€‚
+ </div><div class="para">
+ <a href="http://www.mysql.com">http://www.mysql.com</a>
+ </div></div><div class="section" title="3.6.2. postgresql"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id672741">3.6.2. postgresql</h4></div></div></div><a id="id895130" class="indexterm"></a><a id="id1855786" class="indexterm"></a><a id="id2304033" class="indexterm"></a><div class="para">
+ <span class="package">postgresql</span> ã¯ã€ 8.4.7 ã‹ã‚‰ 9.0.3 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚多ãã®ã‚»ã‚ュリティã¨ãã®ä»–ã®ãƒã‚°ä¿®æ£ã®ä»–ã«ã€ã“ã®ãƒªãƒªãƒ¼ã‚¹ã§ã¯ã„ãã¤ã‹ã®æ–°ã—ã„機能ãŒã‚ã‚Šã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ãƒã‚°ã‚·ãƒƒãƒ”ングã«åŸºã¥ã組ã¿è¾¼ã¿ã®ãƒ¬ãƒ—リケーションã¯ã€è¤‡æ•°ã®ãƒªãƒ¼ãƒ‰ã‚ªãƒ³ãƒªãƒ¼ã®ã‚¹ãƒ¬ãƒ¼ãƒ–サーãƒãƒ¼ã‚’サãƒãƒ¼ãƒˆã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ より簡å˜ãªã€ãƒ‡ãƒ¼ã‚¿ãƒ™ãƒ¼ã‚¹ã‚ªãƒ–ジェクトã®æ¨©é™ç®¡ç†
+ </div></li><li class="listitem"><div class="para">
+ ストアードプãƒã‚·ãƒ¼ã‚¸ãƒ£ã®å¤§å¹…ãªæ©Ÿèƒ½å¼·åŒ–
+ </div></li><li class="listitem"><div class="para">
+ より高度ãªãƒªãƒãƒ¼ãƒˆå•ã„åˆã‚ã›
+ </div></li><li class="listitem"><div class="para">
+ æ–°ã—ã„トリガー機能
+ </div></li><li class="listitem"><div class="para">
+ é…延å¯èƒ½ãªãƒ¦ãƒ‹ãƒ¼ã‚¯åˆ¶ç´„
+ </div></li><li class="listitem"><div class="para">
+ ユニークã‚ーã®å¤§é‡ã®æ›´æ–°ã¯ã€ãƒˆãƒªãƒƒã‚¯ã‚’使ã‚ãªãã¦ã‚‚ã§ãるよã†ã«ãªã‚Šã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ 排他制約
+ </div></li><li class="listitem"><div class="para">
+ æ–°ã—ãã€æ©Ÿèƒ½å¼·åŒ–ã•ã‚ŒãŸã‚»ã‚ュリティ機能
+ </div></li><li class="listitem"><div class="para">
+ æ–°ã—ã„ã€é«˜æ€§èƒ½ãª <code class="command">LISTEN/NOTIFY</code> 機能ã®å®Ÿè£…
+ </div></li><li class="listitem"><div class="para">
+ <code class="command">VACUUM FULL</code> ã®æ–°ã—ã„実装
+ </div></li><li class="listitem"><div class="para">
+ ä¸å¿…è¦ãªã‚¸ãƒ§ã‚¤ãƒ³ã‚’除ããªã©ã€ç‰¹å®šã®ã‚¿ã‚¤ãƒ—ã®å•ã„åˆã‚ã›ã«å¯¾ã™ã‚‹å¤šãã®æ€§èƒ½å‘上
+ </div></li><li class="listitem"><div class="para">
+ <code class="command">EXPLAIN</code> ã®æ©Ÿèƒ½å¼·åŒ–
+ </div></li><li class="listitem"><div class="para">
+ hstore ã®æ”¹å–„
+ </div></li></ul></div>
+
+ </div><div class="para">
+ In addition, there is a new contrib module <code class="filename">pg_upgrade</code> to support in-place upgrades from 8.4 to 9.0. This means that you can upgrade from a Fedora 12 or later database without a database dump and restore. To do that, install the <span class="package">postgresql-upgrade</span> package and run <code class="command">service postgresql upgrade</code> as root. It's advisable to have a separate backup in case of trouble, but the actual database conversion requires only a few minutes with this approach.
+ </div></div></div><div xml:lang="ja-JP" class="section" title="3.7. システムデーモン" id="sect-RelNotes-System_Daemons" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-System_Daemons">3.7. システムデーモン</h3></div></div></div><div class="section" title="3.7.1. 管ç†è€…ユーザ"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id762497">3.7.1. 管ç†è€…ユーザ</h4></div></div></div><a id="id668237" class="indexterm"></a><a id="id744637" class="indexterm"></a><a id="id727392" class="indexterm"></a><div class="para">
+ Fedora 15 ã¯ã€ç®¡ç†è€…グループã¨ã„ã†æ¦‚念を導入ã—ã¾ã—ãŸã€‚ã“ã®ã‚°ãƒ«ãƒ¼ãƒ—ã«å±žã™ã‚‹ãƒ¦ãƒ¼ã‚¶ã¯ã€ä»¥ä¸‹ãŒå¯èƒ½ã§ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 自分ã®ãƒ‘スワードを使ã£ã¦ã€ sudo ã™ã‚‹ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 自分ã®ãƒ‘スワードを使ã£ã¦ã€PolicyKit ã«ã‚ˆã‚Šã„ã‚ã„ã‚ãªç®¡ç†ä½œæ¥ã«èªè¨¼ã™ã‚‹ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 自分ã®ãƒ‘スワードを使ã£ã¦ã€consolehelper/userhelper ã«ã‚ˆã‚Šã„ã‚ã„ã‚ãªç®¡ç†ãƒ„ールã«å¯¾ã—ã¦èªè¨¼ã™ã‚‹ã€‚
+ </div></li></ul></div>
+ 詳細ã¯ã€ <a href="http://lists.fedoraproject.org/pipermail/devel/2011-March/149613.html">ã“ã“</a> ã§ã™ã€‚
+ </div><div class="para">
+ This is implemented via the 'wheel' group. Users can be added to the administrative group in the GNOME User Accounts panel, in the Users and Groups configuration utility (<span class="package">system-config-users</span>) or in firstboot. For adding a new user as an administrator in GNOME, click on the user menu on the top right, click on "<span class="guimenu"><strong>My Account</strong></span>", unlock by providing the root user password and click on the "<span class="keycap"><strong>+</strong></span>" button to add a new user. Select "<span class="guilabel"><strong>Account Type</strong></span>" as "<span class="guilabel"><strong>Administrator</strong></span>" instead of "<span class="guilabel"><strong>Standard</strong></span>".
+ </div><div class="para">
+ If you are using KDE, run "<span class="guimenuitem"><strong>Administration / Users and Groups</strong></span>" from the menu, enter the root password to unlock <span class="package">system-config-users</span>, go to the "<span class="guilabel"><strong>Groups</strong></span>" tab, select "<span class="guilabel"><strong>wheel</strong></span>", click "<span class="guilabel"><strong>Properties</strong></span>" in the toolbar, go to the "<span class="guilabel"><strong>Group Users</strong></span>" tab of the dialog, check your user name in the resulting list and click <span class="guilabel"><strong>OK</strong></span>.
+ </div></div><div class="section" title="3.7.2. Bacula"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id713289">3.7.2. Bacula</h4></div></div></div><a id="id965953" class="indexterm"></a><div class="para">
+ Bacula director and storage daemons are now running as bacula user by default. Director's log file has moved to <code class="filename">/var/log/bacula</code> directory.
+ </div><div class="para">
+ デフォルトユーザã¯ã€ <code class="filename">/etc/sysconfig/bacula-*</code> ファイルã§å¤‰æ›´ã§ãã¾ã™ã€‚
+ </div><div class="para">
+ アップグレードã®æ™‚ã¯ã€ <span class="package">bacula</span> ãŒè¨å®šãƒ•ã‚¡ã‚¤ãƒ«ã€ãƒã‚°ãƒ•ã‚¡ã‚¤ãƒ«ã€ãã—ã¦ãƒ‡ãƒ¼ã‚¿ãƒ™ãƒ¼ã‚¹ã«ã‚¢ã‚¯ã‚»ã‚¹ã™ã‚‹æ¨©é™ãŒã‚ã‚‹ã“ã¨ã‚’確èªãã ã•ã„。
+ </div></div></div><div xml:lang="ja-JP" class="section" title="3.8. ファイルシステム" id="sect-RelNotes-File_Systems" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-File_Systems">3.8. ファイルシステム</h3></div></div></div><div class="section" title="3.8.1. squashfs"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id675313">3.8.1. squashfs</h4></div></div></div><a id="id736126" class="indexterm"></a><a id="id673541" class="indexterm"></a><a id="id744476" class="indexterm"></a><a id="id964133" class="indexterm"></a><div class="para">
+ カーãƒãƒ«ã¨ã€ <span class="package">squashfs-tools</span> ã¯ã€ xz 圧縮をサãƒãƒ¼ãƒˆã™ã‚‹ã‚ˆã†ã«ãªã‚Šã¾ã—ãŸã€‚デフォルトã¯ã€ gzip ã®ã¾ã¾ã§ã™ã€‚mksquashfs ã§ã€ <code class="command">-comp xz</code> オプションを指定ã™ã‚‹ã“ã¨ã§ã€ xz 圧縮を使ã†ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></div></div><div xml:lang="ja-JP" class="section" title="3.9. Xorg" id="sect-RelNotes-Xorg" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Xorg">3.9. Xorg</h3></div></div></div><div class="section" title="3.9.1. Xorg server"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id665461">3.9.1. Xorg server</h4></div></div></div><a id="id2304523" class="indexterm"></a><a id="id698305" class="indexterm"></a><a id="id730947" class="indexterm"></a><a id="id759208" class="indexterm"></a><div class="para">
+ Xorg サーãƒãƒ¼ã¯ã€ 1.10.x 系列ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚機能ã®ãƒã‚¤ãƒ©ã‚¤ãƒˆã¨ã€ä¸»ãªãƒã‚°ä¿®æ£ã«ã¯æ¬¡ã®ã‚ˆã†ãªã‚‚ã®ãŒã‚ã‚Šã¾ã™ã€‚
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ For RANDR-based drivers with an asymmetric multi-head setup (two non-overlapping monitors with different sizes), previously there was a "dead space" in which the mouse cursor would appear to go off the screen. For example, 1280x800 + 1600x1200 horizontally adjacent with top edges aligned would have a 1280x400 dead area below the left monitor. This is now fixed, and the cursor will stop at all exterior output edges.
+ </div></li><li class="listitem"><div class="para">
+ The XFixes extension has been updated to version 5, which adds a new "pointer barrier" feature. Similar to the above, this allows applications to put invisible walls on the display that the cursor cannot cross, or that it can only cross in one direction. A typical use is gnome-shell's "Activities" mouseover in multi-head setups; when it's not in the actual top-left of the screen (say, because the rightmost head is primary), the barrier makes it possible to stop the cursor on the Activities mouseover and not slide through to the next output.
+ </div></li><li class="listitem"><div class="para">
+ XI2 ã¯ã€å…¥åŠ›ãƒ‡ãƒã‚¤ã‚¹ã§ã€è»¸ã”ã¨ã®ãƒãƒªãƒ¥ã‚¨ãƒ¼ã‚¿ãƒ¼ãƒ¢ãƒ¼ãƒ‰ã‚’サãƒãƒ¼ãƒˆã™ã‚‹ã‚ˆã†ã«ãªã‚Šã¾ã—ãŸã€‚例ãˆã°ã€X 軸ã«ã¯ç›¸å¯¾ã‚¤ãƒ™ãƒ³ãƒˆã€Y 軸ã«ã¯ã€çµ¶å¯¾ã‚¤ãƒ™ãƒ³ãƒˆã‚’使ã†ãªã©ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ XFixes 㨠Composite ã¯ã€ XineramaマルムGPU 構æˆã§å‹•ä½œã™ã‚‹ã‚ˆã†ã«ãªã‚Šã¾ã—ãŸã€‚
+ </div></li></ul></div></div><div class="section" title="3.9.2. Intel"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id743885">3.9.2. Intel</h4></div></div></div><a id="id971572" class="indexterm"></a><a id="id2303626" class="indexterm"></a><div class="para">
+ インテルグラフィックスドライãƒã¯ã€ 2.12.0 ã‹ã‚‰ 2.14.0 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚ãƒã‚¤ãƒ©ã‚¤ãƒˆã¯ï¼š
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Sandy_Bridge"> Sandybridge</a> GPU ã®ã‚µãƒãƒ¼ãƒˆ
+ </div></li><li class="listitem"><div class="para">
+ インターリーストビデオモードã®ã‚µãƒãƒ¼ãƒˆ
+ </div></li></ul></div></div><div class="section" title="3.9.3. Radeon"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id735177">3.9.3. Radeon</h4></div></div></div><a id="id735184" class="indexterm"></a><a id="id735192" class="indexterm"></a><div class="para">
+ Radeon グラフィックスドライãƒã¯ã€ 6.13.0 ã‹ã‚‰ 6.14.0 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚ãƒã‚¤ãƒ©ã‚¤ãƒˆã¯ï¼š
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ OpenGL ã§ã® media sync counter ã®ã‚µãƒãƒ¼ãƒˆ
+ </div></li><li class="listitem"><div class="para">
+ KMS ã§ã®ãƒšãƒ¼ã‚¸ãƒ•ãƒªãƒƒãƒ”ングã®ã‚µãƒãƒ¼ãƒˆ
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Evergreen_(GPU_family)"> Evergreen</a> GPU ã§ã® アクセラレーテッド 2D〠ビデオ〠3D ã®ã‚µãƒãƒ¼ãƒˆ
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Radeon_R900"> Northern Islands</a> GPU ã«ã‚ˆã£ã¦ã‚¢ã‚¯ã‚»ãƒ©ãƒ¬ãƒ¼ã‚·ãƒ§ãƒ³ã•ã‚ŒãŸ 2D〠ビデオã®ã‚µãƒãƒ¼ãƒˆ
+ </div></li></ul></div></div><div class="section" title="3.9.4. Nouveau"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id703770">3.9.4. Nouveau</h4></div></div></div><a id="id703776" class="indexterm"></a><a id="id703788" class="indexterm"></a><div class="para">
+ Nouveau ドライãƒã¯ã€æœ€æ–°ã®ã‚¹ãƒŠãƒƒãƒ—ショットã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚ãƒã‚¤ãƒ©ã‚¤ãƒˆã¯ï¼š
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/GeForce_400_Series"> Fermi</a> ã§ã®ã‚¢ã‚¯ã‚»ãƒ©ãƒ¬ãƒ¼ãƒ†ãƒƒãƒ‰ 2D〠ビデオ〠3D ã®ã‚µãƒãƒ¼ãƒˆ
+ </div></li><li class="listitem"><div class="para">
+ OpenGL ã§ã® media sync counter ã®ã‚µãƒãƒ¼ãƒˆ
+ </div></li></ul></div></div><div class="section" title="3.9.5. Mesa"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id704553">3.9.5. Mesa</h4></div></div></div><a id="id704559" class="indexterm"></a><a id="id704567" class="indexterm"></a><div class="para">
+ Mesa ã¯ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 7.9 ã‹ã‚‰ã€é–‹ç™ºã‚¹ãƒŠãƒƒãƒ—ショット㮠7.11 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚ドライãƒã”ã¨ã® ３D サãƒãƒ¼ãƒˆã®è¿½åŠ ã«åŠ ãˆã¦ã€ä»¥ä¸‹ã®ãƒã‚¤ãƒ©ã‚¤ãƒˆãŒã‚ã‚Šã¾ã™ï¼š
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ æ–°ã—ã„ <span class="package">mesa-libEGL</span> 㨠<span class="package">mesa-libGLES</span> パッケージã«ã‚ˆã‚Šã€OpenGL embedded subset ã®ã‚µãƒãƒ¼ãƒˆè¿½åŠ
+ </div></li><li class="listitem"><div class="para">
+ ソフトウエア GL レンダラーã¯ã€ gallium llvm ãƒãƒƒã‚¯ã‚¨ãƒ³ãƒ‰ã«å¤‰æ›´ã•ã‚Œã€æ©Ÿèƒ½ã‚»ãƒƒãƒˆã¨æ€§èƒ½ãŒå¤§ã„ã«æ”¹å–„ã•ã‚Œã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ R600 ã¨ä¸Šä½æ©Ÿç¨®ã§ã® Radeon 3D サãƒãƒ¼ãƒˆã¯ gallium ベースã¨ãªã‚Šã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ Nouveau 3D ドライãƒã¯ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã•ã‚Œã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ DRI1 ベースã®ãƒ‰ãƒ©ã‚¤ãƒ (intel/nouveau/radeon/ ソフトウエア以外ã®ã™ã¹ã¦) ã¯ã€ <span class="package">mesa-dri-drivers-dri1</span> サブパッケージã«åˆ†å‰²ã•ã‚Œã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§ã¯ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã•ã‚Œã¾ã›ã‚“。
+ </div></li></ul></div></div></div></div><div class="section" title="4. Fedora ã®å¤‰æ›´ç‚¹ - 開発者å‘ã‘" id="sect-Release_Notes-Changes_for_Developers"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Release_Notes-Changes_for_Developers">4. Fedora ã®å¤‰æ›´ç‚¹ - 開発者å‘ã‘</h2></div></div></div><div xml:lang="ja-JP" class="section" title="4.1. 開発" id="sect-RelNotes-Development" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Development">4.1. 開発</h3></div></div></div><div class="para">
+ Fedora ã«ã¯ã€è±Šå¯Œãªç¨®é¡žã®é–‹ç™ºãƒ„ールãŒã‚ã‚Šã¾ã™ã€‚ã“ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã¯ã€Fedora 15 ã«å«ã¾ã‚Œã‚‹é–‹ç™ºãƒ„ールã®æ©Ÿèƒ½å¼·åŒ–を説明ã—ã¾ã™ã€‚
+ </div></div><div xml:lang="ja-JP" class="section" title="4.2. 開発ツール" id="sect-RelNotes-Developer_Tools" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Developer_Tools">4.2. 開発ツール</h3></div></div></div><div class="section" title="4.2.1. Boost"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id2304529">4.2.1. Boost</h4></div></div></div><a id="id645241" class="indexterm"></a><a id="id735533" class="indexterm"></a><a id="id713896" class="indexterm"></a><a id="id976871" class="indexterm"></a><div class="para">
+ <span class="package">boost</span> provides a set of portable, peer-reviewed, C++ libraries. In Fedora 15, Boost is brought up to date with the current upstream, version 1.46.
+ </div><div class="para">
+ Boost ã®ã™ã¹ã¦ã®æ–°ã—ã„リリースã§ã¯ã€æ–°ã—ã„コンãƒãƒ¼ãƒãƒ³ãƒˆã¨ãƒ©ã‚¤ãƒ–ラリãŒè¿½åŠ ã•ã‚Œã¾ã™ã€‚例ãˆã°ã€ Boost 1.46 㯠ICL を。 Boost 1.45 㯠MSM 㨠Polygon ã‚’å°Žå…¥ã—ã¾ã—ãŸã€‚
+ </div><div class="para">
+ ã•ã‚‰ã«ã€æ—¢å˜ã®ã‚³ãƒ³ãƒãƒ¼ãƒãƒ³ãƒˆã¨ãƒ©ã‚¤ãƒ–ラリã¯ã€æ–°ã—ã„機能強化ã¨ãƒã‚°ä¿®æ£ãŒè¡Œã‚ã‚Œã¾ã—ãŸã€‚例ãˆã°ã€ Boost.Math コンãƒãƒ¼ãƒãƒ³ãƒˆã¯ç¾åœ¨ã§ã¯ã€çµ±è¨ˆè§£æžã®ã‚µãƒãƒ¼ãƒˆã«é–¢ã—ã¦ã€ GSL よりも優れãŸã‚‚ã®ã¨ãªã‚Šã¾ã—ãŸã€‚
+ </div><div class="para">
+ 完全ãªè©³ç´°ã«ã¤ã„ã¦ã¯ã€ <a href="http://www.boost.org/">http://www.boost.org/</a> ã«ã‚ã‚‹ Boost ページをå‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="4.2.2. Erlang"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id895076">4.2.2. Erlang</h4></div></div></div><a id="id665882" class="indexterm"></a><div class="para">
+ <span class="package">erlang</span> ã¨ã€é–¢é€£ã™ã‚‹ãƒ‘ッケージã¯ã€ R14B ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚ã“ã®ãƒªãƒªãƒ¼ã‚¹ã¯ã€å¤šãã®æ€§èƒ½æ”¹å–„ã€ç‰¹ã«ã‚¹ãƒ¬ãƒƒãƒ‰å‘¨ã‚Šã®ã€ã‚’å«ã¿ã€å¤šãã®ãƒã‚°ä¿®æ£ã‚‚å«ã¿ã¾ã™ã€‚より詳ã—ãã¯ã€ <a href="http://demo.erlang.org/download/otp_src_R14B.readme"> readme</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="4.2.3. gdb"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id696608">4.2.3. gdb</h4></div></div></div><a id="id758894" class="indexterm"></a><a id="id754573" class="indexterm"></a><a id="id665464" class="indexterm"></a><div class="para">
+ ã“ã®æ–°ã—ã„ <span class="package">GDB</span> リリース 7.3 㨠<a href="http://sourceware.org/gdb/wiki/ArcherBranchManagement"> Archer</a> ãŠã‚ˆã³ Fedora æ‹¡å¼µã¯ã€ãƒ‡ãƒãƒƒã‚¬ã‚’よりパワフルã«ã—〠Fedora ã§ã®ãƒ‡ãƒãƒƒã‚°ä½“験を改善ã—ã¾ã™ã€‚ã“れらã®æ©Ÿèƒ½ã®ã»ã¨ã‚“ã©ã¯ã€ Red Hat ã®ã‚¨ãƒ³ã‚¸ãƒ‹ã‚¢é”ã«ã‚ˆã£ã¦æ›¸ã‹ã‚Œã€ã™ã¹ã¦ã® gdb ユーザã«åˆ©ç›Šã‚’ã‚‚ãŸã‚‰ã—ã¾ã™ã€‚\n Fedora 15 リリースã®æ–°ã—ã„機能ã®ä¸€éƒ¨ã¯ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://sourceware.org/systemtap/wiki/AddingUserSpaceProbingToAppsSystemtap">SystemTap markers (probes)</a> ã§ã®ãƒ–レークãƒã‚¤ãƒ³ãƒˆã®ã‚µãƒãƒ¼ãƒˆ
+ </div></li><li class="listitem"><div class="para">
+ Support for using labels in the program's source
+ </div></li><li class="listitem"><div class="para">
+ OpenCL 言語ã®ãƒ‡ãƒãƒƒã‚°ã®ã‚µãƒãƒ¼ãƒˆ
+ </div></li><li class="listitem"><div class="para">
+ コアダンプã§ã®ã‚¹ãƒ¬ãƒƒãƒ‰ãƒ‡ãƒãƒƒã‚° - スレッド㮠<code class="command">pthread_t</code> ã¨ã€ TLS 変数ã®è¡¨ç¤º
+ </div></li><li class="listitem"><div class="para">
+ Python スクリプティングã®æ”¹å–„ã®ä¸€éƒ¨ã¯ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Python ã§ã® GDB 値ã¯ã€ãã‚ŒãŒé–¢æ•°ã‚¢ãƒ‰ãƒ¬ã‚¹ã‚’表ã™ã‚‚ã®ã§ã‚ã‚Œã°ã€å‘¼ã³ã ã—å¯èƒ½ã¨ãªã‚Šã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ inferior タイプã®ãŸã‚ã®æ–°ã—ã„モジュール gdb.types。
+ </div></li><li class="listitem"><div class="para">
+ プリティプリンタを書ã„ã¦ç™»éŒ²ã™ã‚‹ãŸã‚ã®æ–°ã—ã„モジュール gdb.printing
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+ More features are listed <a href="http://sourceware.org/cgi-bin/cvsweb.cgi/~checkout~/src/gdb/NEWS?cvsroot=src"> upstream</a> above the line "*** Changes in GDB 7.2".
+ </div><div class="para">
+ Fedora ã®å¤šãã®é‡è¦ãªãƒ‘ッケージã¯ã€ <a href="https://fedoraproject.org/wiki/Features/SystemtapStaticProbes"> SystemTap static markers</a>ã¤ãã§ã‚らã‹ã˜ã‚ビルドã•ã‚Œã¦ãŠã‚Šã€ã“れ㯠gdb ã§ã®ãƒ–レークãƒã‚¤ãƒ³ãƒˆã®å¯¾è±¡ã¨ã—ã¦ä½¿ã†ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></div><div class="section" title="4.2.4. Mono"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id654380">4.2.4. Mono</h4></div></div></div><a id="id654387" class="indexterm"></a><a id="id654395" class="indexterm"></a><div class="para">
+ <span class="package">mono</span> 㯠2.8.1 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚Mono ã® 2.8 リリースã¯ã€å¤šãã®æ–°ã—ã„機能をå«ã¿ã€ãã®ä¸€éƒ¨ã¯ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ C# 4.1準æ‹
+ </div></li></ul></div>
+ <div class="orderedlist"><ol class="arabic"><li class="listitem"><div class="para">
+ æ–°ã—ã„ガーベジコレクター
+ </div></li><li class="listitem"><div class="para">
+ Mono MIT X11 㨠Microsoft MS-PL/Apache2 ã‹ã‚‰ã®æ–°ã—ã„フレームワーク
+ </div></li><li class="listitem"><div class="para">
+ 性能改善
+ </div></li></ol></div>
+
+ </div><div class="para">
+ 完全ãªè©³ç´°ã«ã¤ã„ã¦ã¯ã€ <a href="http://www.mono-project.com/news/">http://www.mono-project.com/news/</a> ã®ãƒªãƒªãƒ¼ã‚¹ãƒŽãƒ¼ãƒˆã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="4.2.5. OCaml"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id654485">4.2.5. OCaml</h4></div></div></div><a id="id654492" class="indexterm"></a><a id="id761013" class="indexterm"></a><a id="id761021" class="indexterm"></a><div class="para">
+ Fedora 15 ã¯ã€ OCaml 言語ã®æ–°ã—ã„メジャーリリースã§ã‚ã‚‹ <span class="package">OCaml</span> 3.12 〠camlp4 マクãƒè¨€èªžã€ãƒ©ã‚¤ãƒ–ラリã€ãã—㦠XML 処ç†ã®ãŸã‚ã® CDuce ã‚’å«ã¿ã¾ã™ã€‚
+ </div><div class="para">
+ æ–°ã—ã„言語機能ã®ä¸€éƒ¨ã¯ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ モジュールã¯ãƒ•ã‚¡ãƒ¼ã‚¹ãƒˆã‚¯ãƒ©ã‚¹ã® value ã¨ãªã‚Šã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ ãƒã‚¹ãƒˆã—ãŸãƒ¢ã‚¸ãƒ¥ãƒ¼ãƒ«ã®ã‚ªãƒ¼ãƒ—ン
+ </div></li><li class="listitem"><div class="para">
+ オープンレコードノーテーション
+ </div></li><li class="listitem"><div class="para">
+ サブクラスã§ã‚ªãƒ¼ãƒãƒ¼ãƒ©ã‚¤ãƒ‰ã•ã‚Œãªã‘ã‚Œã°ã„ã‘ãªã„ OO メソッドをマークã™ã‚‹
+ </div></li><li class="listitem"><div class="para">
+ 言語ã§ã® delimited overloading ã®é™å®šçš„ãªã‚µãƒãƒ¼ãƒˆ
+ </div></li></ul></div>
+
+ </div><div class="para">
+ camlp4 㨠camlp5 マクãƒè¨€èªžã¯ã€æ”¹è¨‚ã€æ‹¡å¼µã•ã‚Œã¾ã—ãŸã€‚変更ã¯å®Œå…¨ã«å¾Œæ–¹äº’æ›ã§ã™ã€‚ã™ã¹ã¦ã®è©³ç´°ã«ã¤ã„ã¦ã¯ã€ <a href="https://fedoraproject.org/wiki/Features/OCaml3.12">https://fedoraproject.org/wiki/Features/OCaml3.12</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="4.2.6. Python"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id761096">4.2.6. Python</h4></div></div></div><a id="id761103" class="indexterm"></a><div class="para">
+ Fedora 15 ã§ã®<span class="package">Python</span> 3 スタックã¯ã€ 3.1 ã‹ã‚‰ 3.2 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚(システムPython 2 スタックã¯ã€ 2.7 ã®ã¾ã¾ã§ã™ã€‚) Python 3.2 ã¯ã€ Python 3 言語ã®æœ€æ–°ã®ãƒªãƒªãƒ¼ã‚¹ã§ã€æ•°ç™¾ã‚‚ã®ä¿®æ£ã¨æ”¹å–„ã‚’å«ã¿ã¾ã™ã€‚ã™ã¹ã¦ã®è©³ç´°ã«ã¤ã„ã¦ã¯ã€ <a href="https://fedoraproject.org/wiki/Features/Python_3.2">https://fedoraproject.org/wiki/Features/Python_3.2</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="4.2.7. Rails"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id761127">4.2.7. Rails</h4></div></div></div><a id="id761134" class="indexterm"></a><div class="para">
+ Fedora 15 ã§ã® <span class="package">Ruby</span> on Rails gems ã¯ã€ 2.3.8 ã‹ã‚‰ 3.0.3ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚Rails 3 ã¯ã€ Ruby on Rails ウエブフレームワークã«ã¨ã£ã¦å¤§ããªæ›´æ–°ã§ã™ã€‚ãれ㯠polished routing API ã‚„ activemailer 㨠activerecord API ãã—ã¦å¤šãã®æ–°ã—ã„機能強化をå«ã¿ã¾ã™ã€‚ã“ã‚Œã¯ãƒ¡ã‚¸ãƒ£ãƒ¼ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã‚¢ãƒƒãƒ—デートã§ã™ã‹ã‚‰ Rails 3 㨠Rails 2.3.8 ã®é–“ã«ã¯ã€ã„ãらã‹ã® API ã®éžäº’æ›æ€§ãŒã‚ã‚Šã¾ã™ã€‚詳細㯠<a href="https://fedoraproject.org/wiki/Features/Rails_3.0.3">https://fedoraproject.org/wiki/Features/Rails_3.0.3</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="4.2.8. Tryton"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id896796">4.2.8. Tryton</h4></div></div></div><a id="id896803" class="indexterm"></a><a id="id896811" class="indexterm"></a><a id="id896819" class="indexterm"></a><div class="para">
+ <span class="package">Tryton</span>ã€ï¼“階層ã®æ±Žç”¨ã‚¢ãƒ—リケーションプラットフォームã§ã‚り〠ERP システムã®ãƒ™ãƒ¼ã‚¹ã€ãŒã€ Fedora 15 ã«å«ã¾ã‚Œã¾ã™ã€‚
+ </div><div class="para">
+ Tryton ã®ã‚³ã‚¢ï¼ˆTryton カーãƒãƒ«ã¨ã‚‚呼ã°ã‚Œã¾ã™ï¼‰ã¯ã€å®Œå…¨ãªã‚¢ãƒ—リケーションフレームワークã«ã¨ã£ã¦å¿…è¦ãªã™ã¹ã¦ã®æ©Ÿèƒ½ã‚’æä¾›ã—ã¾ã™ï¼šãƒ‡ãƒ¼ã‚¿æ°¸ç¶šæ€§ã€æ‹¡å¼µå¯èƒ½ãªãƒ¢ã‚¸ãƒ¥ãƒ¼ãƒ«æ€§ã€ãƒ¦ãƒ¼ã‚¶ç®¡ç†ï¼ˆèªè¨¼ã€ãƒ‡ãƒ¼ã‚¿ã‚¢ã‚¯ã‚»ã‚¹ã®ãŸã‚ã®è©³ç´°ãªåˆ¶å¾¡ã€è³‡æºã®ä¸¦åˆ—実行制御）ã€ãƒ¯ãƒ¼ã‚¯ãƒ•ãƒãƒ¼ã€ãã—ã¦ã€ãƒªãƒãƒ¼ãƒˆã‚¨ãƒ³ã‚¸ãƒ³ã€ã‚¦ã‚§ãƒ–サービスã€å›½éš›åŒ–。ã“ã®ã‚ˆã†ã«ã€ã„ã‹ãªã‚‹ç”¨é€”ã«ã‚‚使ã†ã“ã¨ã®ã§ãる完全ãªã‚¢ãƒ—リケーションプラットフォームãŒæ§‹æˆã•ã‚Œã¾ã™ã€‚\nベースモジュール
+ </div><div class="para">
+ ç¾åœ¨ã€ Tryton ã§å…¥æ‰‹å¯èƒ½ãªãƒ¡ã‚¤ãƒ³ãƒ¢ã‚¸ãƒ¥ãƒ¼ãƒ«ã¯ã€ä»¥ä¸‹ã®åˆ†é‡Žã®æ´»å‹•ã‚’サãƒãƒ¼ãƒˆã—ã¾ã™ï¼š
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 会計
+ </div></li><li class="listitem"><div class="para">
+ 発注
+ </div></li><li class="listitem"><div class="para">
+ 販売管ç†
+ </div></li><li class="listitem"><div class="para">
+ 購買管ç†
+ </div></li><li class="listitem"><div class="para">
+ 解æžä¼šè¨ˆ
+ </div></li><li class="listitem"><div class="para">
+ 在庫管ç†
+ </div></li></ul></div></div></div><div xml:lang="ja-JP" class="section" title="4.3. GCC" id="sect-RelNotes-GCC" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-GCC">4.3. GCC</h3></div></div></div><a id="id674484" class="indexterm"></a><a id="id730051" class="indexterm"></a><a id="id705977" class="indexterm"></a><a id="id755368" class="indexterm"></a><div class="para">
+ Fedora 15 ã¯ã€ <span class="package">gcc</span> 4.6.0 ã‚’ã€ä¸»ãªã‚³ãƒ³ãƒ‘イラã¨ã—ã¦æŽ¡ç”¨ã—ã¾ã—ãŸã€‚ユーザã¯ã€ã‚³ãƒ³ãƒ‘イルã•ã‚ŒãŸã‚³ãƒ¼ãƒ‰ã®æ”¹å–„を経験ã™ã‚‹ã§ã—ょã†ã€‚ã•ã‚‰ã«ã€ C++0x サãƒãƒ¼ãƒˆã®æ”¹å–„や〠Go 言語サãƒãƒ¼ãƒˆã€Fortran ã§ã® REAL*16 サãƒãƒ¼ãƒˆãªã©ã€æ–°ã—ãåŠ ãˆã‚‰ã‚ŒãŸæ©Ÿèƒ½ã‚’使ã†ã“ã¨ã‚‚ã§ãã¾ã™ã€‚ã™ã¹ã¦ã®å¤‰æ›´ã«ã¤ã„ã¦ã¯ã€ <a href="http://gcc.gnu.org/gcc-4.6/changes.html">http://gcc.gnu.org/gcc-4.6/changes.html</a> 㨠<a href="https://fedoraproject.org/wiki/Features/GCC46">https://fedoraproject.org/wiki/Features/GCC46</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div xml:lang="ja-JP" class="section" title="4.4. Java" id="sect-RelNotes-Java" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Java">4.4. Java</h3></div></div></div><div class="section" title="4.4.1. IcedTea6 1.10"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id706822">4.4.1. IcedTea6 1.10</h4></div></div></div><a id="id762485" class="indexterm"></a><a id="id976151" class="indexterm"></a><a id="id762594" class="indexterm"></a><a id="id672439" class="indexterm"></a><div class="para">
+ 1.10 ã®ä¸»ãªæ”¹å–„点ã¯ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 多ãã®ã‚°ãƒ©ãƒ•ã‚£ãƒƒã‚¯ã‚¹ã®æ”¹å–„ã¨ãƒã‚°ä¿®æ£ã€‚shaped/translucent ウインドウã®ã‚µãƒãƒ¼ãƒˆã¨ hw/lw ミã‚シング。
+ </div></li><li class="listitem"><div class="para">
+ PKCS#11 プãƒãƒã‚¤ãƒ€ã®æ€§èƒ½æ”¹å–„
+ </div></li><li class="listitem"><div class="para">
+ HotSpot 20 採用ã«ã‚ˆã‚‹å¤šãã® VM ã®å®‰å®šæ€§ã¨æ€§èƒ½ã®æ”¹å–„
+ </div></li></ul></div>
+
+ </div><div class="para">
+ <span class="package">IcedTea6</span> 1.10ã¯ã€ Fedora 13 㨠14 ã§æŽ¡ç”¨ã•ã‚ŒãŸ 1.8 㨠1.9 シリーズã«æ¯”ã¹ã¦ã€å¤šãã®æ€§èƒ½ã¨å®‰å®šæ€§ã®æ”¹å–„ãŒã•ã‚Œã¾ã—ãŸã€‚
+ </div></div><div class="section" title="4.4.2. IcedTea-Web"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id2304367">4.4.2. IcedTea-Web</h4></div></div></div><a id="id1856073" class="indexterm"></a><a id="id743707" class="indexterm"></a><a id="id667506" class="indexterm"></a><a id="id710943" class="indexterm"></a><div class="para">
+ IcedTea6 æ›´æ–°ã®ä»–ã®ã€ä¸»ãª Java 関連ã®å¤‰æ›´ã¯ã€ Fedora ã« IcedTea-Web ãŒå°Žå…¥ã•ã‚ŒãŸã“ã¨ã§ã™ã€‚以å‰ã®ãƒªãƒªãƒ¼ã‚¹ã§ã¯ã€ Java プラグイン㨠Web Start 実装ã¯ã€ <span class="package">java-1.6.0-openjdk</span> RPM ã«ãƒ‘ッケージã•ã‚Œã¾ã—ãŸã€‚1.10 ã‹ã‚‰ã€ãƒ—ラグイン㨠Web Start 実装ã¯ã€ IcedTea-Web ã¨å‘¼ã°ã‚Œã‚‹ç‹¬ç«‹ã—ãŸãƒ—ãƒã‚¸ã‚§ã‚¯ãƒˆã®ä¸€éƒ¨ã¨ã—ã¦ç‹¬ç«‹ã—ã¦é–‹ç™ºã•ã‚Œã‚‹ã‚ˆã†ã«ãªã‚Šã¾ã—ãŸã€‚
+ </div><div class="para">
+ 多ãã®ãƒã‚°ä¿®æ£ã®ä»–ã«ã€IcedTea-Web ã®ä¸»ãªæ”¹å–„点ã¯ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ NetX ã¨ãƒ—ラグインè¨å®šã¯ã€ <code class="filename">deployment.properties</code> ファイルã§æŒ‡å®šã§ãるよã†ã«ãªã‚Šã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ システムレベルã¨ãƒ¦ãƒ¼ã‚¶ãƒ¬ãƒ™ãƒ«ã®ã€<code class="filename">deployment.properties</code> ファイルã§ã®ã€ãƒãƒƒã‚¯ã•ã‚ŒãŸè¨å®šãŒã‚µãƒãƒ¼ãƒˆã•ã‚Œã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ アプリケーションã¨ã‚¢ãƒ—レットã¯ã€ IcedTea-Web ã®ãã®ä»–ã®éƒ¨åˆ†ã¨ç•°ãªã‚‹ãƒ«ãƒƒã‚¯ã‚¢ãƒ³ãƒ‰ãƒ•ã‚£ãƒ¼ãƒ«ã‚’æŒã¤ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ãƒã‚¤ãƒ†ã‚£ãƒ–ãªãƒ‡ã‚£ãƒ¬ã‚¯ãƒˆãƒªã¯ã€çµ‚了時ã«æ£ã—ãクリーンアップã•ã‚Œã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ファイルåã«ç‰¹æ®Šæ–‡å—ã‚’å«ã‚€ã‚ャッシュファイルãŒã€æ£ã—ã処ç†ã•ã‚Œã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">javax.jnlp.IntegrationService</code> 㨠<code class="function">javax.jnlp.DownloadService2</code> インタフェースãŒä½¿ãˆã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>javaws</strong></span> ã¯ã€æ–°ã—ã„ <code class="command">-Xclearcache</code> オプションをサãƒãƒ¼ãƒˆã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ パブリックã§ãªã„ main クラスをæŒã¤ã‚¢ãƒ—リケーションãŒã‚µãƒãƒ¼ãƒˆã•ã‚Œã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ JNLP files containing <component-desc> as well as <application-desc> will now work
+ </div></li><li class="listitem"><div class="para">
+ アプレットタグã§å‚ç…§ã•ã‚Œã‚‹ JNLP ファイルã¯ã€ã‚¢ãƒ—レット属性を調ã¹ã‚‹ãŸã‚ã«è§£æžã•ã‚Œã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ アプレットã¯ã€å¤§é‡ã®æ画をã™ã‚‹ã¨ãã®ã¡ã‚‰ã¤ãを除ããŸã‚ã«ã€ãƒ€ãƒ–ルãƒãƒƒãƒ•ã‚¡ãƒªãƒ³ã‚°ã•ã‚Œã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div><div class="para">
+ IcedTea-Web ã¯ã€ä»¥ä¸Šã®æ”¹å–„ã‚’ Fedora ã«ã‚‚ãŸã‚‰ã—ã¾ã™ã€‚ã•ã‚‰ã«ã€JDK RPM ã®ãƒªã‚¹ãƒ”ンãŒä¸è¦ã«ãªã‚‹ãŸã‚ã€ä»Šå¾Œã®ãƒã‚°ä¿®æ£ã®ã‚¿ãƒ¼ãƒ³ã‚¢ãƒ©ã‚¦ãƒ³ãƒ‰ã‚¿ã‚¤ãƒ ã¯å¤§ã„ã«çŸããªã‚‹ã§ã—ょã†ã€‚
+ </div></div><div class="section" title="4.4.3. Maven"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id760530">4.4.3. Maven</h4></div></div></div><a id="id760537" class="indexterm"></a><div class="para">
+ Maven 㯠Java プãƒã‚¸ã‚§ã‚¯ãƒˆç®¡ç†ã€ãƒ—ãƒã‚¸ã‚§ã‚¯ãƒˆç†è§£ã€ãã—ã¦ãƒ“ルドシステムツールã§ã™ã€‚
+ </div><div class="para">
+ Fedora 15 comes with <span class="package">Maven</span> version 3.0. It offers better stability and performance compared to previous versions, but the biggest changes shouldn't be noticed by users. Most work has been happening under the hood to simplify writing Maven plugins and further improve performance by building projects in parallel. It includes a new Maven API for component configuration, many improvements and bug fixes. Users of Maven are encouraged to read the Maven 3 <a href="http://maven.apache.org/docs/3.0/release-notes.html"> Upstream Release Notes</a>
+ </div><div class="para">
+ Fedora 15 ã¯ã€ maven2 ã‚’ã€å¾Œæ–¹äº’æ›æ€§ã‚’サãƒãƒ¼ãƒˆã™ã‚‹ãŸã‚ã«å¿…è¦ã«å¿œã˜ã¦æä¾›ã—ã¾ã™ã€‚
+ </div></div></div><div xml:lang="ja-JP" class="section" title="4.5. Haskell" id="sect-RelNotes-Haskell" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Haskell">4.5. Haskell</h3></div></div></div><div class="section" title="4.5.1. GHC"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id747796">4.5.1. GHC</h4></div></div></div><a id="id731192" class="indexterm"></a><div class="para">
+ <a href="http://haskell.org/ghc">ghc</a> ã¯ã€ <a href="http://www.haskell.org/ghc/docs/7.0.2/html/users_guide/release-7-0-2.html"> 7.0.2</a>, æ–°ã—ã„ <a href="http://www.haskell.org/ghc/docs/7.0.2/html/users_guide/release-7-0-1.html"> メジャーãƒãƒ¼ã‚¸ãƒ§ãƒ³</a>ã«æ›´æ–°ã•ã‚Œã€å¤šãã®æ–°ã—ã„ <a href="http://fedoraproject.org/w/index.php?title=Features/GHC70">機能</a> を有ã—ã¾ã™ã€‚
+ </div></div><div class="section" title="4.5.2. Haskell Platform"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id744964">4.5.2. Haskell Platform</h4></div></div></div><a id="id700792" class="indexterm"></a><div class="para">
+ <a href="http://hackage.haskell.org/platform"> haskell-platform</a> ã¯ã€æœ€æ–°ã®å®‰å®šç‰ˆã® <a href="http://hackage.haskell.org/platform/changelog.html"> 2011.2.0.0 release</a> ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚
+ </div></div><div class="section" title="4.5.3. æ–°ã—ã„パッケージ"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id645125">4.5.3. æ–°ã—ã„パッケージ</h4></div></div></div><a id="id745704" class="indexterm"></a><a id="id702898" class="indexterm"></a><div class="para">
+ æ–°ã—ã„パッケージã¨ã—ã¦ã€ <a href="http://johnmacfarlane.net/pandoc/"> pandoc</a> (markup converter), <a href="http://bluetile.org/"> bluetile</a> (ウインドウマãƒãƒ¼ã‚¸ãƒ£)ã‚’å«ã‚€ã€ï¼“５以上ã®æ–°ã—ã„ライブラリãŒã‚ã‚Šã¾ã™ã€‚
+ </div></div></div><div xml:lang="ja-JP" class="section" title="4.6. Eclipse" id="sect-RelNotes-Eclipse" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Eclipse">4.6. Eclipse</h3></div></div></div><div class="section" title="4.6.1. eclipse-ptp"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id705254">4.6.1. eclipse-ptp</h4></div></div></div><a id="id685611" class="indexterm"></a><div class="para">
+ Fedora 15 ã§æ–°ã—ãå°Žå…¥ã•ã‚ŒãŸã‚‚ã®ã«ã€ Eclipse Parallel Tools Platform ãŒã‚ã‚Šã¾ã™ã€‚ PTP ã¯ãƒ‘ラレルツール㮠IDE, デãƒãƒƒã‚¬ã¨ã€å¤šãã®ãƒ‘ラレルツールã¨ã®çµ±åˆã‚’æä¾›ã—ã¾ã™ã€‚詳細ã¯ã€ <a href="http://www.eclipse.org/ptp/">http://www.eclipse.org/ptp/</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div></div></div><div class="section" title="5. Fedora ã®å¤‰æ›´ç‚¹ - 特定ã®æ–¹å‘ã‘" id="sect-Release_Notes-Changes_for_Specific_Audiences"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Release_Notes-Changes_for_Specific_Audiences">5. Fedora ã®å¤‰æ›´ç‚¹ - 特定ã®æ–¹å‘ã‘</h2></div></div></div><div xml:lang="ja-JP" class="section" title="5.1. 科å¦ã¨æŠ€è¡“" id="sect-RelNotes-Scientific_and_Technical" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Scientific_and_Technical">5.1. 科å¦ã¨æŠ€è¡“</h3></div></div></div><div class="para">
+ Fedora ã¯ã€ç§‘å¦ã¨æŠ€è¡“パッケージもã€ã‘ã£ã—ã¦å¿˜ã‚Œã¦ã¯ã„ã¾ã›ã‚“。Fedora 15 ã§ã‚‚ã€æ–°ã—ã„ã‚‚ã®ãŒã„ãã¤ã‹å°Žå…¥ã•ã‚Œã¾ã—ãŸã€‚ã“ã®ãƒªãƒªãƒ¼ã‚¹ã§ã¯ã€ã“ã“ã§ç¤ºã•ã‚Œã‚‹æ–°ã—ã„パッケージã®ä»–ã«ã‚‚ã€å¤šãã®ãƒ‘ッケージãŒæ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚詳ã—ãã¯ã€<a href="http://docs.fedoraproject.org">http://docs.fedoraproject.org</a> ã®ã€Fedora Technical Notes ã‚’å‚ç…§ãã ã•ã„。
+ </div><div class="section" title="5.1.1. BEDtools"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id734711">5.1.1. BEDtools</h4></div></div></div><a id="id765033" class="indexterm"></a><a id="id1238917" class="indexterm"></a><div class="para">
+ <span class="package">BEDTools</span> ã¯ã€ãƒ•ã‚£ãƒ¼ãƒãƒ£ãƒ¼ã‚ªãƒ¼ãƒãƒ¼ãƒ©ãƒƒãƒ—を探ã—ãŸã‚Šã€ã‚«ãƒãƒ¬ãƒƒã‚¸ã‚’計算ã™ã‚‹ãªã©ã®ã€ä¸€èˆ¬çš„ãªéºä¼å関連ã®ä½œæ¥ã‚’ã™ã‚‹ãŸã‚ã®ãƒ¦ãƒ†ã‚£ãƒªãƒ†ã‚£ã®ã‚»ãƒƒãƒˆã§ã™ã€‚BEDtools ã¯ã€åˆã‚㦠Fedora ã«æŽ¡ç”¨ã•ã‚Œã¾ã—ãŸã€‚
+ </div></div><div class="section" title="5.1.2. R"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id672958">5.1.2. R</h4></div></div></div><a id="id726446" class="indexterm"></a><a id="id754619" class="indexterm"></a><a id="id1855831" class="indexterm"></a><a id="id705293" class="indexterm"></a><a id="id895116" class="indexterm"></a><a id="id713742" class="indexterm"></a><a id="id895049" class="indexterm"></a><div class="para">
+ <span class="package">R</span> ã¯ã€ãƒãƒ”ュラーãªçµ±è¨ˆãƒ‘ッケージã§ã€ç‰¹åˆ¥ã®ç”¨é€”ã®ãŸã‚ã®å¤šãã®ã‚¢ãƒ‰ã‚ªãƒ³ãƒ‘ッケージãŒã‚ã‚Šã¾ã™ã€‚Fedora 15 ã§ã¯ã€R ã«ã„ãã¤ã‹ã®æ–°ã—ã„アドオンパッケージãŒå°Žå…¥ã•ã‚Œã¾ã—ãŸã€‚
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">R-GenomicRanges</span> ã¯ã€éºä¼åインターãƒãƒ«ã‚’æ ¼ç´ã™ã‚‹ãŸã‚ã®æ±Žç”¨ã®ã‚³ãƒ³ãƒ†ãƒŠã¨ã€ãƒ¬ãƒ•ã‚¡ãƒ¬ãƒ³ã‚¹éºä¼åã«å¯¾ã™ã‚‹ã‚¢ãƒ©ã‚¤ãƒ³ãƒ¡ãƒ³ãƒˆã‚’æ ¼ç´ã™ã‚‹ãŸã‚ã®ã€ã‚ˆã‚Šç‰¹æ®Šãªã‚³ãƒ³ãƒ†ãƒŠã‚’æä¾›ã—ã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://www.bioconductor.org/packages/release/bioc/html/GenomicRanges.html">http://www.bioconductor.org/packages/release/bioc/html/GenomicRanges.html</a>
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">R-ROC</span> - ROC ライブラリã¯ã€ receiver operating characteristic (ROC) 曲線ã«é–¢ã™ã‚‹ R クラスã¨é–¢æ•°ã®é›†ã¾ã‚Šã§ã™ã€‚ã“ã®é–¢æ•°ã¯ã€ DNA マイクãƒã‚¢ãƒ¬ã‚¤ã‚’使ã£ãŸ ROC 解æžã§ä½¿ã†ãŸã‚ã®ã‚‚ã®ã§ã™ã€‚<span class="package">R-ROC</span> パッケージ㯠R-ROC ã®ãŸã‚ã®ãƒ¦ãƒ†ã‚£ãƒªãƒ†ã‚£ã®ã‚»ãƒƒãƒˆã‚’æä¾›ã—ã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://www.bioconductor.org/packages/release/bioc/html/ROC.html">http://www.bioconductor.org/packages/release/bioc/html/ROC.html</a>.
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">R-affydata</span> is a set of example affymetrix datasets. These datasets are somewhat larger than the examples included in the affy package, and are intended to better represent "real-world" datasets.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://www.bioconductor.org/packages/2.6/data/experiment/html/affydata.html">http://www.bioconductor.org/packages/2.6/data/experiment/html/affydata.html</a>.
+ </div></li></ul></div>
+
+ </div></li></ul></div></div><div class="section" title="5.1.3. APE"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id667936">5.1.3. APE</h4></div></div></div><a id="id667943" class="indexterm"></a><a id="id667951" class="indexterm"></a><a id="id667959" class="indexterm"></a><a id="id973125" class="indexterm"></a><a id="id973132" class="indexterm"></a><a id="id973140" class="indexterm"></a><a id="id973148" class="indexterm"></a><a id="id973156" class="indexterm"></a><a id="id973164" class="indexterm"></a><div class="para">
+ <span class="package">ape</span> (Atomic Pseudopotential Engine) ã¯ã€å¯†åº¦é–¢æ•°ç†è«–フレームワークã®ä¸ã§ã€åŽŸåã®æ“¬ä¼¼ãƒãƒ†ãƒ³ã‚·ãƒ£ãƒ«ã‚’生æˆã™ã‚‹ãƒ„ールã§ã™ã€‚ãã‚Œã¯ã€ GPL ã§é…布ã•ã‚Œã€ä»¥ä¸‹ã¨ä¸€ç·’ã«ä½¿ã†ã“ã¨ã®ã§ãる擬似ãƒãƒ†ãƒ³ã‚·ãƒ£ãƒ«ãƒ•ã‚¡ã‚¤ãƒ«ã‚’生æˆã—ã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ SIESTA
+ </div></li><li class="listitem"><div class="para">
+ OCTOPUS
+ </div></li><li class="listitem"><div class="para">
+ ABINIT
+ </div></li><li class="listitem"><div class="para">
+ PWscf
+ </div></li></ul></div>
+
+ </div><div class="para">
+ <a href="http://www.tddft.org/programs/APE/node/9">http://www.tddft.org/programs/APE/node/9</a>
+ </div></div><div class="section" title="5.1.4. coot"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id647133">5.1.4. coot</h4></div></div></div><a id="id647140" class="indexterm"></a><a id="id647148" class="indexterm"></a><a id="id647156" class="indexterm"></a><div class="para">
+ <span class="package">coot</span> (Crystallographic Object-Oriented Toolkit) ã¯ã€ãƒžã‚¯ãƒåˆ†åã®ãƒ¢ãƒ‡ãƒ«ä½œæˆã€ãƒ¢ãƒ‡ãƒ«è£œå®Œã€ãã—ã¦æ¤œè¨¼ã®ãŸã‚ã®ãƒ„ールã®ã‚»ãƒƒãƒˆã§ã™ã€‚特ã«ã€X 線データを使ã£ãŸã‚¿ãƒ³ãƒ‘ク質モデリングã«é©ã—ã¾ã™ã€‚<span class="emphasis"><em>coot</em></span> 0.6.2 ㌠Fedora 15 ã«å«ã¾ã‚Œã¾ã™ã€‚
+ </div><div class="para">
+ <a href="http://www.biop.ox.ac.uk/coot/">http://www.biop.ox.ac.uk/coot/</a>
+ </div></div><div class="section" title="5.1.5. cp2k"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id647188">5.1.5. cp2k</h4></div></div></div><a id="id647194" class="indexterm"></a><a id="id647202" class="indexterm"></a><a id="id647214" class="indexterm"></a><a id="id647222" class="indexterm"></a><a id="id647230" class="indexterm"></a><div class="para">
+ <span class="package">cp2k</span> ã¯ã€å›ºä½“ã€æ¶²ä½“ã€åˆ†åãŠã‚ˆã³ç”Ÿä½“システムã«ãŠã‘ã‚‹ã€åŽŸåã¨åˆ†åã®ã‚·ãƒŸãƒ¥ãƒ¬ãƒ¼ã‚·ãƒ§ãƒ³ã‚’ã™ã‚‹ãƒ—ãƒã‚°ãƒ©ãƒ ã§ã™ã€‚ãã‚Œã¯ä¾‹ãˆã°ã€ mixed Gaussian and plane waves (GPW) アプãƒãƒ¼ãƒã‚’使ã£ãŸ density functional theory (DFT)ã€ã‚ã‚‹ã„ã¯å¤å…¸çš„ãªäºŒä½“ã¨å¤šä½“ãƒãƒ†ãƒ³ã‚·ãƒ£ãƒ«ãªã©ã€ç•°ãªã‚‹æ–¹å¼ã®ãŸã‚ã®æ±Žç”¨ãƒ•ãƒ¬ãƒ¼ãƒ ワークをæä¾›ã—ã¾ã™ã€‚
+ </div><div class="para">
+ Fedora 15 ã¯ã€ <span class="emphasis"><em>cp2k</em></span> ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 2.1 を採用ã—ã¾ã—ãŸã€‚詳細ã¯ã€<a href="http://cp2k.berlios.de/">http://cp2k.berlios.de/</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="5.1.6. dia-optics"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id774544">5.1.6. dia-optics</h4></div></div></div><a id="id774551" class="indexterm"></a><a id="id774559" class="indexterm"></a><div class="para">
+ <span class="package">dia-optics</span> ã¯ã€äººæ°—ã®ã‚ã‚‹ <span class="emphasis"><em>dia</em></span> æ画パッケージã®ã€ã‚·ã‚§ãƒ¼ãƒ—ライブラリã§ã™ã€‚å«ã¾ã‚Œã‚‹ã‚·ã‚§ãƒ¼ãƒ—ã¯ã€ <a href="http://dia-installer.de/shapes/optics/index_en.html">http://dia-installer.de/shapes/optics/index_en.html</a> ã§è¦‹ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></div><div class="section" title="5.1.7. gpsbabel-gui"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id774585">5.1.7. gpsbabel-gui</h4></div></div></div><a id="id774592" class="indexterm"></a><div class="para">
+ <span class="package">gpsbabel</span> ã¯ã€æ§˜ã€…ãªãƒ‡ãƒã‚¤ã‚¹ã‹ã‚‰ã® GPS データをæ“作ã™ã‚‹ãŸã‚ã®ãƒ‘ッケージã§ã™ã€‚Fedora 15 ã§ã¯ã€ãã®ãƒ‡ãƒ¼ã‚¿ã®ãŸã‚ã® GUI ãŒè¿½åŠ ã•ã‚Œã¾ã—ãŸã€‚詳ã—ãã¯ã€ <a href="http://www.gpsbabel.org/">http://www.gpsbabel.org/</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="5.1.8. gretl"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id774615">5.1.8. gretl</h4></div></div></div><a id="id774622" class="indexterm"></a><a id="id774630" class="indexterm"></a><a id="id774638" class="indexterm"></a><a id="id774646" class="indexterm"></a><a id="id973397" class="indexterm"></a><div class="para">
+ <span class="package">gretl</span> ã¯ã€çµŒæ¸ˆè§£æžã®ãŸã‚ã®ã€ã‚¯ãƒã‚¹ãƒ—ラットフォームソフトウエアパッケージã§ã™ã€‚より詳細ãªè§£æžã®ãŸã‚ã®ã€ <span class="package">R</span>, <span class="package">octave</span> ãã—㦠ox ã¸ã®ãƒªãƒ³ã‚¯ãŒã‚ã‚Šã¾ã™ã€‚機能ã®å®Œå…¨ãªãƒªã‚¹ãƒˆã¯ã€ <a href="http://gretl.sourceforge.net/">http://gretl.sourceforge.net/</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="5.1.9. libxc"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id973428">5.1.9. libxc</h4></div></div></div><a id="id973434" class="indexterm"></a><a id="id973442" class="indexterm"></a><a id="id973450" class="indexterm"></a><a id="id973458" class="indexterm"></a><a id="id973466" class="indexterm"></a><div class="para">
+ <span class="package">libxc</span> ã¯ã€å¯†åº¦æ±Žé–¢æ•°ç†è«–ã«ãŠã‘る〠exchange-correlation functionals ã®ãƒ©ã‚¤ãƒ–ラリã§ã™ã€‚ãã®ç›®çš„ã¯ã€ETSF コードãŠã‚ˆã³ä»–ã®ã‚³ãƒ¼ãƒ‰ã§ã‚‚使ã†ã“ã¨ã®ã§ãã‚‹ã€ãƒãƒ¼ã‚¿ãƒ–ルã§ã€å分ã«ãƒ†ã‚¹ãƒˆã•ã‚Œå®‰å®šã—ãŸã€exchange and correlation functional ã®ã‚»ãƒƒãƒˆã‚’æä¾›ã™ã‚‹ã“ã¨ã§ã™ã€‚\nプãƒã‚¸ã‚§ã‚¯ãƒˆã® wiki ãŒã€<a href="http://www.tddft.org/programs/octopus/wiki/index.php/Libxc">http://www.tddft.org/programs/octopus/wiki/index.php/Libxc</a> ã«ã‚ã‚Šã¾ã™ã€‚\n
+ </div></div><div class="section" title="5.1.10. ltl2ba"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id973491">5.1.10. ltl2ba</h4></div></div></div><a id="id973498" class="indexterm"></a><a id="id973506" class="indexterm"></a><a id="id973514" class="indexterm"></a><div class="para">
+ <span class="package">ltl2ba</span> ã¯ã€ LTL formula ã‹ã‚‰ Büchi オートマトンã¸ã®é«˜é€Ÿãªå¤‰æ›ã‚’è¡Œã„ã¾ã™ã€‚Fedora 15 ã«ã¯ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 1.1 ãŒå«ã¾ã‚Œã¾ã™ã€‚
+ </div></div><div class="section" title="5.1.11. openeuclide"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id973532">5.1.11. openeuclide</h4></div></div></div><a id="id973539" class="indexterm"></a><div class="para">
+ ã¾ãŸã€ Fedora 15 ã§ã¯ã€æ–°ã—ã <span class="package">openeuclide</span> ãŒæŽ¡ç”¨ã•ã‚Œã¾ã—ãŸã€‚OpenEuclide ã¯ã€ 2D 幾何å¦ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã§ã™ã€‚形状ã¯ã€å½¢å¼çš„ãªå¹¾ä½•å¦çš„制約を記述ã™ã‚‹ã“ã¨ã§ãƒ€ã‚¤ãƒŠãƒŸãƒƒã‚¯ã«å®šç¾©ã•ã‚Œã¾ã™ã€‚
+ </div></div><div class="section" title="5.1.12. openscada"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id973558">5.1.12. openscada</h4></div></div></div><a id="id973564" class="indexterm"></a><a id="id973572" class="indexterm"></a><a id="id973580" class="indexterm"></a><a id="id973588" class="indexterm"></a><a id="id973596" class="indexterm"></a><a id="id973604" class="indexterm"></a><a id="id973612" class="indexterm"></a><a id="id973620" class="indexterm"></a><div class="para">
+ <span class="package">openscada</span> システムã¯ã€ SCADA (Supervisory Control And Data Acquisition) システムã®ã‚ªãƒ¼ãƒ—ンãªå®Ÿè£…ã§ã™ã€‚
+ </div><div class="para">
+ Fedora 15 ships the stable release version 0.7.0 with implementations of the database ODBC module, PostgresSQL and transport module of the DB and the new mechanism/module of OpenSCADA system's test; there were found and corrected many errors in order to better optimization, increase stability, sustainability and system's performance. Notable optimization was made in the Visual Control Area (VCA) and its visualizers; changes were made in the VCA engine (<span class="application"><strong>UI.VCAEngine</strong></span>) modules: <span class="application"><strong>UI.Vision</strong></span> and <span class="application"><strong>UI.WebVision</strong></span> visualizers, aimed at stabilizing, optimization of memory consumption and improvement of user's properties of VCA. It has been made a new object API of the user's programming, which provides the integration of user's functions in the objects' tree of OpenSCADA, in addition, to a number of changes to the existing library of func
tions of the user's API. For all details please refer to the Changelog in your package or to the News section on the project website at <a href="http://oscada.org/">http://oscada.org/</a>.
+ </div></div><div class="section" title="5.1.13. plotdrop"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id973667">5.1.13. plotdrop</h4></div></div></div><a id="id973674" class="indexterm"></a><a id="id973682" class="indexterm"></a><div class="para">
+ <span class="package">plotdrop</span> is a frontend to gnuplot. Data files are added to plotdrop by simply dragging them from nautilus. The project maintains a website at <a href="http://plotdrop.sourceforge.net/">http://plotdrop.sourceforge.net/</a>
+ </div></div><div class="section" title="5.1.14. psfex"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id973705">5.1.14. psfex</h4></div></div></div><a id="id973712" class="indexterm"></a><a id="id973720" class="indexterm"></a><a id="id973728" class="indexterm"></a><a id="id973736" class="indexterm"></a><a id="id973744" class="indexterm"></a><a id="id973752" class="indexterm"></a><div class="para">
+ PSFEx (“PSF Extractorâ€) ã¯ã€\n SExtractor ã§å‡¦ç†ã—㟠FITS image ã‹ã‚‰ã€Point Spread Function (PSF) ã®ãƒ¢ãƒ‡ãƒ«ã‚’抽出ã—ã¦ã€ç”»åƒã®è³ªã‚’測定ã—ã¾ã™ã€‚抽出ã•ã‚ŒãŸ PSF モデルã¯ã€ model-fitting photometry ã‚ã‚‹ã„㯠morphological analyses ã«ä½¿ã†ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="para">
+ <a href="http://www.astromatic.net/software/psfex">http://www.astromatic.net/software/psfex</a>
+ </div></div><div class="section" title="5.1.15. root"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id973777">5.1.15. root</h4></div></div></div><a id="id973784" class="indexterm"></a><a id="id973792" class="indexterm"></a><a id="id973800" class="indexterm"></a><div class="para">
+ <span class="package">root</span> ã¯ã€å¤§é‡ãƒ‡ãƒ¼ã‚¿ã®è§£æžã‚’ã™ã‚‹ãŸã‚ã®ãƒ‘ッケージã§ã™ã€‚ Fedora 15 ã«ã¯ã€ root ã®ã„ãã¤ã‹ã®æ–°ã—ã„アドオンãŒã‚ã‚Šã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">root-genetic</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">root-graf-fitsio</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">root-hist-factory</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">root-io</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">root-proof-pq2</span>
+ </div></li></ul></div>
+
+ </div><div class="para">
+ プãƒã‚¸ã‚§ã‚¯ãƒˆã‚µã‚¤ãƒˆï¼š<a href="http://root.cern.ch/">http://root.cern.ch/</a>
+ </div></div></div><div xml:lang="ja-JP" class="section" title="5.2. 組ã¿è¾¼ã¿é–‹ç™º" id="sect-RelNotes-Embedded_Development" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Embedded_Development">5.2. 組ã¿è¾¼ã¿é–‹ç™º</h3></div></div></div><div class="section" title="5.2.1. avr"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id976281">5.2.1. avr</h4></div></div></div><a id="id705992" class="indexterm"></a><a id="id733300" class="indexterm"></a><a id="id685711" class="indexterm"></a><a id="id774939" class="indexterm"></a><div class="para">
+ avr ユティリティã¯ã€æ›´æ–°ã•ã‚Œã¾ã—ãŸãŒã€ã“れ㯠X86 ターゲットã¨åŒã˜ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã¾ã§é€²ã‚“ã ã®ã§ã¯ãªã„ã“ã¨ã«æ³¨æ„ãã ã•ã„。新ã—ããªã£ãŸãƒ¦ãƒ†ã‚£ãƒªãƒ†ã‚£ã¯ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">avr-gcc</span> 㯠4.50 ã‹ã‚‰ 4.51 ã«ã€‚(<a href="http://gcc.gnu.org/">http://gcc.gnu.org/</a>)
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">avr-c++</span> 㯠4.50 ã‹ã‚‰ 4.51ã«ã€‚ (<a href="http://gcc.gnu.org/">http://gcc.gnu.org/</a>)
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">avr-binutils</span> 㯠2.20 ã‹ã‚‰ 2.21 ã«ã€‚(<a href="http://www.gnu.org/software/binutils/">http://www.gnu.org/software/binutils/</a>)
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="5.2.2. dfu-programmer"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id755332">5.2.2. dfu-programmer</h4></div></div></div><a id="id688565" class="indexterm"></a><a id="id964212" class="indexterm"></a><a id="id964308" class="indexterm"></a><div class="para">
+ Atmel ãƒãƒƒãƒ—ã®ãŸã‚ã® Device Firmware Update ベース㮠USB プãƒã‚°ãƒ©ãƒžãƒ¼
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ æ–°ã—ã„デãƒã‚¤ã‚¹ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ at32uc3c*
+ </div></li><li class="listitem"><div class="para">
+ atmega32u2
+ </div></li><li class="listitem"><div class="para">
+ at32uc3b1512
+ </div></li><li class="listitem"><div class="para">
+ at32uc3b0512
+ </div></li><li class="listitem"><div class="para">
+ atmega8u2
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 多ãã® AVR32 ヒューズã¯ã€ã‚³ãƒžãƒ³ãƒ‰ãƒ©ã‚¤ãƒ³ã‚ªãƒ—ションã§è¨å®šã§ãるよã†ã«ãªã‚Šã¾ã—ãŸã€‚
+ </div></li></ul></div>
+
+ </div><div class="para">
+ プãƒã‚¸ã‚§ã‚¯ãƒˆã‚µã‚¤ãƒˆï¼š (<a href="http://dfu-programmer.sourceforge.net/">http://dfu-programmer.sourceforge.net/</a>)
+ </div></div><div class="section" title="5.2.3. piklab"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id976342">5.2.3. piklab</h4></div></div></div><a id="id976348" class="indexterm"></a><a id="id976356" class="indexterm"></a><a id="id976364" class="indexterm"></a><div class="para">
+ Fedora 15 ã§ã¯ <span class="package">piklab</span> 0.15.10 ãŒæŽ¡ç”¨ã•ã‚Œã¾ã—ãŸã€‚多ãã®ãƒã‚°ä¿®æ£ã«åŠ ãˆã¦ã€ä»¥ä¸‹ã®æ–°æ©Ÿèƒ½ãŒè¿½åŠ ã•ã‚Œã¾ã—ãŸï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 16F886/887 ã®ãŸã‚ã®ã‚¿ã‚¤ãƒ‹ãƒ¼ãƒ–ートãƒãƒ¼ãƒ€ã®ã‚µãƒãƒ¼ãƒˆ
+ </div></li><li class="listitem"><div class="para">
+ 以下㮠ICD2 サãƒãƒ¼ãƒˆï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 12F609/615 16F610
+ </div></li><li class="listitem"><div class="para">
+ 16F526 16F1826/1827/1933/1934/1936/1937/1939/1947
+ </div></li><li class="listitem"><div class="para">
+ 16F722/723/724/726/727
+ </div></li><li class="listitem"><div class="para">
+ 16F88X
+ </div></li><li class="listitem"><div class="para">
+ 18F23K20/24K20/25K20/26K20/43K20/44K20/45K20/46K20
+ </div></li><li class="listitem"><div class="para">
+ 18F2458/2553/4458/4553
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div><div class="para">
+ 詳ã—ãã¯ã€ãƒ—ãƒã‚¸ã‚§ã‚¯ãƒˆã‚µã‚¤ãƒˆ <a href="http://piklab.sourceforge.net">http://piklab.sourceforge.net</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div></div><div xml:lang="ja-JP" class="section" title="5.3. 回路è¨è¨ˆ" id="sect-RelNotes-Circuit_Design" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Circuit_Design">5.3. 回路è¨è¨ˆ</h3></div></div></div><div class="para">
+ ã“ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã«ã¯ã€ Fedora 15 ã«ãŠã„ã¦å¤§ããªå¤‰æ›´ã®ã‚ã£ãŸã€ã‚¹ã‚ーマテックã‚ャプãƒãƒ£ã€ サーã‚ットシュミレーションãŠã‚ˆã³ PCB レイアウト用ã®ã‚¢ãƒ—リケーションセットãŒå«ã¾ã‚Œã¦ã„ã¾ã™ã€‚
+ </div><div class="section" title="5.3.1. gtkwave"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id894380">5.3.1. gtkwave</h4></div></div></div><a id="id745700" class="indexterm"></a><a id="id663072" class="indexterm"></a><a id="id733239" class="indexterm"></a><div class="para">
+ <span class="package">gtkwave</span> ã¯ã€ Verilog ã‚ã‚‹ã„㯠VHDL シミュレーションモデルを使ã£ã¦ãƒ‡ãƒãƒƒã‚°ã‚’ã™ã‚‹ãŸã‚ã®è§£æžãƒ„ールã§ã™ã€‚
+ </div><div class="para">
+ Fedora 15 ã§ã€ <span class="package">gtkwave</span> 㯠Fedora 14 ã® 3.3.10 ã‹ã‚‰ 3.3.20 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚改善ã¨æ–°æ©Ÿèƒ½ã¯ï¼š Tcl アクセスを強化ã™ã‚‹ æ–°ã—ã„ tcl 関数〠MinGW ã§ã®ãƒ—ãƒã‚»ã‚¹ã¨ãƒˆãƒ©ãƒ³ã‚¶ã‚¯ã‚·ãƒ§ãƒ³ãƒ•ã‚£ãƒ«ã‚¿ã®ã‚µãƒãƒ¼ãƒˆã€MinGW ã§ã® Open New Window ã®ã‚µãƒãƒ¼ãƒˆã€ã‚¤ãƒ³ãƒ‡ãƒƒã‚¯ã‚¹ã®ãŸã‚ã«ã€ gtkwave ã®ã™ã¹ã¦ã® vcd ãƒãƒ¼ãƒ€ã§ Verilog XL スタイル㮠VCD è˜åˆ¥åを検出ã™ã‚‹ã“ã¨ã€ãªã©ã§ã™ã€‚ GTKWave 3.3.20 をサãƒãƒ¼ãƒˆã™ã‚‹ãƒžãƒ‹ãƒ¥ã‚¢ãƒ«ã®æ›´æ–°ã‚‚ã‚ã‚Šã¾ã™ã€‚ã™ã¹ã¦ã®è©³ç´°ã¨ä¿®æ£ã«ã¤ã„ã¦ã¯ã€ãƒ‘ッケージ㮠doc ディレクトリã«ã‚ã‚‹ CHANGELOG.TXT ã‚’å‚ç…§ãã ã•ã„。
+ </div><div class="para">
+ <a href="http://gtkwave.sourceforge.net/">http://gtkwave.sourceforge.net/</a>
+ </div></div><div class="section" title="5.3.2. iverolg"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id733550">5.3.2. iverolg</h4></div></div></div><a id="id706725" class="indexterm"></a><a id="id755239" class="indexterm"></a><a id="id747987" class="indexterm"></a><div class="para">
+ Icarus Verilog〠<span class="package">iverilog</span> ã¯ã€ Verilog コンパイラã§ã€ã‚·ãƒŸãƒ¥ãƒ¬ãƒ¼ã‚·ãƒ§ãƒ³ã‚’å«ã‚€ã„ã‚ã„ã‚ãªã‚¨ãƒ³ã‚¸ãƒ‹ã‚¢ãƒªãƒ³ã‚°ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆã‚’出力ã—ã¾ã™ã€‚ã“ã‚Œã¯ã€ IEEE-1364 標準ã«æº–æ‹ ã—よã†ã¨ã—ã¦ã„ã¾ã™ã€‚
+ </div><div class="para">
+ In Fedora 15 <span class="package">iverilog</span> has been built against version 0,9.3. As declared in upstream, within the v0.9 series major changes are kept to a minimum, allowing some new features only if they do not risk the stability of the branch or of Verilog programs that use this compiler. Some changes of this release are related to <span class="emphasis"><em>Language Coverage</em></span> with remotion of obsolete VAMS $log function; addition of a warning that synthesis is not currently being maintained when <code class="command">-S</code> is used; named blocks now keep their scope information; and it has been added the correct version information to the data structure returned by the <code class="function">PLI vpi_get_vlog_info()</code> call. Regarding the <span class="emphasis"><em>Language Extensions</em></span> it has been added <code class="function">FST</code> dumper; <code class="command">+timescale</code> to the command file; ability to automatically per
form bit <-> real conversion for module inputs/outputs where this makes sense; optional warnings for out of range bit/part selects; and <code class="function">$info()</code>, <code class="function">$warning()</code> and <code class="function">$error()</code> as aliases for <code class="function">$display</code>.
+ </div><div class="para">
+ For a complete list of these features, with the general bug fixes and some of the things that still don't work, please refer to:
+ </div><div class="para">
+ <a href="http://iverilog.wikia.com/wiki/Release_Notes_Icarus_Verilog_0_9_3">http://iverilog.wikia.com/wiki/Release_Notes_Icarus_Verilog_0_9_3</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="5.3.3. mot-adms"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id704304">5.3.3. mot-adms</h4></div></div></div><a id="id674382" class="indexterm"></a><a id="id674390" class="indexterm"></a><a id="id674398" class="indexterm"></a><a id="id674406" class="indexterm"></a><div class="para">
+ <span class="package">mot-adms</span> ã¯ã€é«˜ãƒ¬ãƒ™ãƒ«è¨˜è¿°è¨€èªžã§æ›¸ã‹ã‚ŒãŸé›»å的コンパクトデãƒã‚¤ã‚¹ãƒ¢ãƒ‡ãƒ«ã‚’〠spice シミュレータ㮠API を使ã†ã€ã‚³ãƒ³ãƒ‘イルå¯èƒ½ãª C コードã«å¤‰æ›ã™ã‚‹ã‚³ãƒ¼ãƒ‰ã‚¸ã‚§ãƒãƒ¬ãƒ¼ã‚¿ã§ã™ã€‚xml 言語ã§æŒ‡å®šã•ã‚ŒãŸå¤‰æ›ã«å¾“ã£ã¦ã€ adms 㯠Verilog-AMS コードを他ã®ã‚¿ãƒ¼ã‚²ãƒƒãƒˆè¨€èªžã«å¤‰æ›ã—ã¾ã™ã€‚
+ </div><div class="para">
+ <a href="http://mot-adms.sourceforge.net/">http://mot-adms.sourceforge.net/</a>
+ </div></div><div class="section" title="5.3.4. ngspice"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id674435">5.3.4. ngspice</h4></div></div></div><a id="id674441" class="indexterm"></a><a id="id662729" class="indexterm"></a><a id="id662737" class="indexterm"></a><a id="id662749" class="indexterm"></a><div class="para">
+ <span class="package">ngspice</span> ã¯ã€æ±Žç”¨ã®å›žè·¯ã‚·ãƒŸãƒ¥ãƒ¬ãƒ¼ã‚¿ãƒ—ãƒã‚°ãƒ©ãƒ ã§ã™ã€‚ãã‚Œã¯ã€ï¼“ã¤ã®ã‚¯ãƒ©ã‚¹ã®è§£æžã‚’è¡Œã„ã¾ã™ï¼šéžç·šå½¢ DC 解æžã€éžç·šå½¢éŽæ¸¡è§£æžã€ãã—ã¦ç·šå½¢ AC 解æžã§ã™ã€‚
+ </div><div class="para">
+ With F15, <span class="package">ngspice</span> has been upgraded to release 22. In this update, more features have been added to <span class="package">ngspice</span>, improving its compatibility through an extensive code cleanup that considerably reduces compiler warnings; improving its speed with the availabilty of OpenMP multicore support for BSIM3, BSIM4, and BSIMSOI4 that speeds up transistor loaded simulation by a factor of two; and improving its stability. In particular, the new features include: reinstate expansion in interactive interpreter; <code class="command">.TITLE</code> line added; update to '<code class="command">spectrum</code>' script; <code class="function">par('expression')</code> in <code class="command">.four</code>, <code class="command">.plot</code>, <code class="command">.print</code>, <code class="command">.meas</code>, <code class="command">.save</code> commands; command 'option' for use in spinit, .spiceinit and in scripts; adms procedure updat
ed; new random number generator, new random functions sunif() and sgauss(), and scripts for Monte Carlo simulations, new plot vectors allv, alli, ally. Manuals and documents follow the updates.
+ </div><div class="para">
+ <a href="http://ngspice.sourceforge.net">http://ngspice.sourceforge.net</a>
+ </div></div><div class="section" title="5.3.5. pcb"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id712409">5.3.5. pcb</h4></div></div></div><a id="id712415" class="indexterm"></a><a id="id712423" class="indexterm"></a><div class="para">
+ 対話的プリント基æ¿ã‚¨ãƒ‡ã‚£ã‚¿
+ </div><div class="para">
+ In F15, <span class="package">pcb</span> has been upgraded to release 20100929, with many bug fixes and new features. Among these are to cite: direct importing of schematics during runtime; places accept measurements' unit; the polygon hole tool; DBUS enabled by default (when possible); action scripts run by the CLI exporters; no more required the (,,) syntax of CLI actions in GUI; and tool-tips pop-up on elements, pins and nets; new GCode exporter and updated reference card.
+ </div><div class="para">
+ <a href="http://pcb.sourceforge.net">http://pcb.sourceforge.net</a>
+ </div></div><div class="section" title="5.3.6. rcrpanel"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id712457">5.3.6. rcrpanel</h4></div></div></div><a id="id712464" class="indexterm"></a><a id="id712472" class="indexterm"></a><a id="id712480" class="indexterm"></a><div class="para">
+ <span class="package">rcrpanel</span> ã¯ã€ãƒ‘ãƒãƒ«ã®ãƒ†ã‚スト記述をå—ã‘å–ã£ã¦ã€ãƒã‚¹ãƒˆã‚¹ã‚¯ãƒªãƒ—トã®ãƒ¬ãƒ³ãƒ€ãƒªãƒ³ã‚°çµæžœã‚’生æˆã™ã‚‹ã‚³ãƒžãƒ³ãƒ‰ãƒ©ã‚¤ãƒ³ã‚¢ãƒ—リケーションã§ã™ã€‚ãã‚Œã¯ã€ç‰¹ã«ã€å¾“æ¥ã®ã‚°ãƒ©ãƒ•ã‚£ãƒƒã‚¯ã‚¹ã‚¢ãƒ—リケーションã§ã¯ç”ŸæˆãŒå›°é›£ã§ã‚ã£ãŸã€ã‚ャリブレーションã¤ãã®æ–‡å—盤ã®ã‚ˆã†ãªã‚‚ã®ã«å¯¾ã—ã¦ã€ä¾¿åˆ©ã§ã™ã€‚rcrpanel ã®è©³ç´°ã¯ã€ <a href="http://docs.fedoraproject.org/en-US/Fedora/14/html/Amateur_Radio_Guide/others-rcrpanel.html|"> Fedora Amateur Radio Guide</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div></div><div xml:lang="ja-JP" class="section" title="5.4. ãƒãƒœãƒ†ã‚£ã‚¯ã‚¹" id="sect-RelNotes-Robotics" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Robotics">5.4. ãƒãƒœãƒ†ã‚£ã‚¯ã‚¹</h3></div></div></div><div class="para">
+ Fedora 15 㯠Robotics Suite ã‚’å«ã¿ã¾ã™ã€‚ã“ã‚Œã¯ã™ãã«ä½¿ã„始ã‚ã‚‹ã“ã¨ã®ã§ãã‚‹ã€ãƒãƒœãƒƒãƒˆé–‹ç™ºã¨ã‚·ãƒŸãƒ¥ãƒ¬ãƒ¼ã‚·ãƒ§ãƒ³ç’°å¢ƒã‚’æä¾›ã™ã‚‹ãƒ‘ッケージã®é›†åˆã§ã™ã€‚ã“ã®ã€æ°¸é ã«å¢—大ã™ã‚‹ã‚¹ã‚¤ãƒ¼ãƒˆã¯ã€æœ€æ–°ã®ãƒãƒœãƒ†ã‚£ã‚¯ã‚¹ãƒ•ãƒ¬ãƒ¼ãƒ ワークã€ã‚·ãƒŸãƒ¥ãƒ¬ãƒ¼ã‚·ãƒ§ãƒ³ç’°å¢ƒã€ãƒ¦ãƒ†ã‚£ãƒªãƒ†ã‚£ãƒ©ã‚¤ãƒ–ラリã€ãã—ã¦ãƒ‡ãƒã‚¤ã‚¹ã‚µãƒãƒ¼ãƒˆã‚’å«ã¿ã¾ã™ã€‚ãã—ã¦ã€ãれらを簡å˜ã«ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã§ãるパッケージグループã«ã¾ã¨ã‚ãŸã‚‚ã®ã§ã™ã€‚詳ã—ãã¯ã€<a href="http://fedoraproject.org/wiki/Robotics">http://fedoraproject.org/wiki/Robotics</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div><div class="section" title="5.4.1. Player"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id730320">5.4.1. Player</h4></div></div></div><a id="id688095" class="indexterm"></a><div class="para">
+ <span class="package">Player</span> is a free and open networked robotics server. The Player server acts like a "robot abstraction layer," providing standardized interfaces and messaging management for many classes of robotics-related devices (camera, ranger, planner, etc.) Drivers for individual devices abstract information into these interfaces and use them to communicate amongst each other.
+ </div></div><div class="section" title="5.4.2. Fawkes"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id701153">5.4.2. Fawkes</h4></div></div></div><a id="id761822" class="indexterm"></a><div class="para">
+ <span class="package">Fawkes</span> ã¯ã€ã„ã‚ã„ã‚ãªãƒ—ラットフォームã¨é ˜åŸŸã§ä½¿ã†ã“ã¨ã®ã§ãã‚‹ã€ãƒãƒœãƒ†ã‚£ã‚¯å®Ÿæ™‚間アプリケーションã®ãŸã‚ã®ã€ã‚³ãƒ³ãƒãƒ¼ãƒãƒ³ãƒˆãƒ™ãƒ¼ã‚¹ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ãƒ•ãƒ¬ãƒ¼ãƒ ワークã§ã™ã€‚
+ </div></div><div class="section" title="5.4.3. Stage"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id655252">5.4.3. Stage</h4></div></div></div><a id="id681447" class="indexterm"></a><div class="para">
+ <span class="package">Stage</span> ã¯ã€ãƒ•ãƒªãƒ¼ã§ã‚ªãƒ¼ãƒ—ンãªã€2.5D ãƒãƒœãƒƒãƒˆã‚·ãƒŸãƒ¥ãƒ¬ãƒ¼ã‚¿ã§ã™ã€‚ãã‚Œã¯å˜ç‹¬ã§ä½¿ã†ã“ã¨ã‚‚ã€Player ãƒãƒœãƒƒãƒˆã‚µãƒ¼ãƒã®æ‹¡å¼µã¨ã—ã¦ä½¿ã†ã“ã¨ã‚‚ã§ãã¾ã™ã€‚Stage ã¯ã€ä¹—り物ã®ç§»å‹•ã‚„ã€scanning laser range finders, SONAR arrays, カメラ, fiducial markers ãªã©ã®ã„ã‚ã„ã‚ãªã‚»ãƒ³ã‚µãƒ¼ã®ã‚·ãƒŸãƒ¥ãƒ¬ãƒ¼ã‚·ãƒ§ãƒ³ã‚’サãƒãƒ¼ãƒˆã—ã¾ã™ã€‚
+ </div></div><div class="section" title="5.4.4. ãƒãƒœã‚«ãƒƒãƒ—サッカーシミュレータ"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id897069">5.4.4. ãƒãƒœã‚«ãƒƒãƒ—サッカーシミュレータ</h4></div></div></div><a id="id1837331" class="indexterm"></a><div class="para">
+ ãƒãƒœã‚«ãƒƒãƒ—サッカーシミュレータ(<span class="package">RCSS</span>) ã¯ã€ãƒžãƒ«ãƒã‚¨ãƒ¼ã‚¸ã‚§ãƒ³ãƒˆã‚·ã‚¹ãƒ†ãƒ ã¨äººå·¥çŸ¥èƒ½ã®ç ”究åŠã³æ•™è‚²ãƒ„ールã§ã™ã€‚ãれを使ã£ã¦ã€ï¼’ã¤ã®ã‚·ãƒŸãƒ¥ãƒ¬ãƒ¼ã‚·ãƒ§ãƒ³ã•ã‚ŒãŸè‡ªå¾‹ãƒãƒœãƒƒãƒˆãƒ—レイヤーã®ãƒãƒ¼ãƒ ãŒã€ã‚µãƒƒã‚«ãƒ¼ï¼ˆãƒ•ãƒƒãƒˆãƒœãƒ¼ãƒ«ï¼‰ã‚’ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚2D 㨠3D ã®ã‚·ãƒŸãƒ¥ãƒ¬ãƒ¼ã‚¿ãŒã‚ã‚Šã€ã‚µãƒƒã‚«ãƒ¼ã®ãƒ—レイã®ç•°ãªã‚‹å´é¢ã‚’実験ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚3D シミュレータã¯ã€ SimSparkã€ã“ã‚Œã¯æ±Žç”¨ã®ã‚·ãƒŸãƒ¥ãƒ¬ãƒ¼ã‚·ãƒ§ãƒ³ãƒ•ãƒ¬ãƒ¼ãƒ ワークã§ã€ç•°ãªã‚‹ç¨®é¡žã®ã‚·ãƒŸãƒ¥ãƒ¬ãƒ¼ã‚·ãƒ§ãƒ³ã«ä½¿ã†ã“ã¨ã®ã§ãã‚‹ã‚‚ã®ã§ã™ã€ã®ä¸Šã«æ§‹ç¯‰ã•ã‚Œã¦ã„ã¾ã™ã€‚
+ </div></div></div><div xml:lang="ja-JP" class="section" title="5.5. アマãƒãƒ¥ã‚¢ç„¡ç·š" id="sect-RelNotes-Amateur_Radio" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Amateur_Radio">5.5. アマãƒãƒ¥ã‚¢ç„¡ç·š</h3></div></div></div><div class="section" title="5.5.1. CuteCW"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id888839">5.5.1. CuteCW</h4></div></div></div><a id="id712014" class="indexterm"></a><a id="id673822" class="indexterm"></a><div class="para">
+ Fedora 15 ã§ã¯ã€<span class="package">cutecw</span> ãŒå°Žå…¥ã•ã‚Œã¾ã—ãŸã€‚ã“ã‚Œã¯ã€ CW ã‚’å¦ã¶ãŸã‚ã®ã€ãƒ•ã‚§ãƒ¼ã‚ºåˆ†ã‘ã•ã‚ŒãŸã‚¢ãƒ—ãƒãƒ¼ãƒã‚’æä¾›ã™ã‚‹ã‚¢ãƒ—リケーションã§ã™ã€‚詳ã—ãã¯ã€ãƒ—ãƒã‚¸ã‚§ã‚¯ãƒˆã®ãƒšãƒ¼ã‚¸ã€ <a href="http://www.hamtools.org/cutecw/">http://www.hamtools.org/cutecw/</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="5.5.2. libfap"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id705280">5.5.2. libfap</h4></div></div></div><a id="id730907" class="indexterm"></a><a id="id731132" class="indexterm"></a><div class="para">
+ ã¾ãŸã€ Fedora 15 ã§ã¯ <span class="package">libfap</span> ãŒå°Žå…¥ã•ã‚Œã¾ã—ãŸã€‚ã“ã‚Œã¯ã€ Perl APRS パケット解æžãƒ©ã‚¤ãƒ–ラリを C ã«ç§»æ¤ã—ãŸã‚‚ã®ã§ã™ã€‚ Ham::APRS::FAP ã®ã™ã¹ã¦ã®æ©Ÿèƒ½ã¯äº’æ›ã§ã™ã€‚API 文書をå«ã‚€å®Œå…¨ãªæƒ…å ±ã¯ã€ <a href="http://pakettiradio.net/libfap/">http://pakettiradio.net/libfap/</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="5.5.3. fldigi"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id759946">5.5.3. fldigi</h4></div></div></div><a id="id711810" class="indexterm"></a><a id="id746316" class="indexterm"></a><a id="id729468" class="indexterm"></a><a id="id645162" class="indexterm"></a><a id="id976601" class="indexterm"></a><a id="id749931" class="indexterm"></a><a id="id665273" class="indexterm"></a><a id="id964151" class="indexterm"></a><a id="id964159" class="indexterm"></a><a id="id964167" class="indexterm"></a><a id="id964175" class="indexterm"></a><div class="para">
+ <span class="package">fldigi</span> ã¯ã€ 3.20.20 ã‹ã‚‰ 3.20.34 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚多ãã®ãƒã‚°ä¿®æ£ã¨ãŠåŒ–粧ãªãŠã—ã®ä»–ã«ã€ã„ãã¤ã‹ã®æ–°ã—ã„機能ãŒã‚ã‚Šã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ pskmail æ‹¡å¼µ
+ </div></li><li class="listitem"><div class="para">
+ dupe 㨠diamond インジケーターã®å¤‰æ›´
+ </div></li><li class="listitem"><div class="para">
+ Waterfall オフセット
+ </div></li><li class="listitem"><div class="para">
+ è¨å®šãƒ€ã‚¤ã‚¢ãƒã‚°ã®ãƒ«ãƒƒã‚¯ã‚¹ã®æ”¹å–„
+ </div></li><li class="listitem"><div class="para">
+ ã‚ーボードショートカットã®è¿½åŠ
+ </div></li><li class="listitem"><div class="para">
+ THOR ã¨CW ã§ã®ã‚¹ã‚±ãƒ«ãƒèª¿æ•´
+ </div></li><li class="listitem"><div class="para">
+ マクãƒã®æ”¹å–„
+ </div></li><li class="listitem"><div class="para">
+ Contest ãƒã‚°
+ </div></li><li class="listitem"><div class="para">
+ hamlib ã¨ã®çµ±åˆã®æ”¹å–„
+ </div></li><li class="listitem"><div class="para">
+ DXCC ãƒãƒƒãƒ—アップã¯ã€ LotW 㨠eQSL ヒントをå«ã‚€ã‚ˆã†ã«ãªã‚Šã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ Cabrillo レãƒãƒ¼ãƒˆã®æ”¹å–„
+ </div></li><li class="listitem"><div class="para">
+ パラレルãƒãƒ¼ãƒˆãŒ PTT ã«ä½¿ãˆã‚‹ã‚ˆã†ã«ãªã‚Šã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ logbook フィールドã®è¿½åŠ
+ </div></li><li class="listitem"><div class="para">
+ Olivia デコードã®æ”¹å–„
+ </div></li><li class="listitem"><div class="para">
+ RTTY ã®ã‚¹ã‚³ãƒ¼ãƒ—処ç†ã®æ”¹å–„
+ </div></li></ul></div>
+
+ </div><div class="para">
+ fldigi ã®å®Œå…¨ãªè©³ç´°ã¯ã€ <a href="http://www.w1hkj.com/Fldigi.html">http://www.w1hkj.com/Fldigi.html</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="5.5.4. xastir"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id759445">5.5.4. xastir</h4></div></div></div><a id="id759451" class="indexterm"></a><a id="id726933" class="indexterm"></a><a id="id726941" class="indexterm"></a><div class="para">
+ Fedora 15 ã¯ã€ <span class="package">xastir</span> 2.0.0 ã‚’å°Žå…¥ã—ã¾ã—ãŸã€‚ã“ã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã§ã¯ã€ã„ãã¤ã‹ã®ãƒã‚°ä¿®æ£ã®ä»–ã«ã€ Open Street Maps ã®ã‚µãƒãƒ¼ãƒˆãŒã•ã‚Œã¾ã—ãŸã€‚プãƒã‚¸ã‚§ã‚¯ãƒˆã¯ã€ <a href="http://www.xastir.org.">http://www.xastir.org.</a> ã«ã€ wiki ã‚’æŒã£ã¦ã„ã¾ã™ã€‚
+ </div></div><div class="section" title="5.5.5. gpredict"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id726965">5.5.5. gpredict</h4></div></div></div><a id="id726972" class="indexterm"></a><a id="id726980" class="indexterm"></a><div class="para">
+ <span class="package">gpredict</span> ã¯ã€ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ ã®è¡›æ˜Ÿè¿½è·¡ã¨è»Œé“予測プãƒã‚°ãƒ©ãƒ ã§ã™ã€‚多ãã®ãƒã‚°ä¿®æ£ã®ä»–ã«ã€æ–°ã—ã„機能ã¯ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ç„¡ç·šã¨ã‚¢ãƒ³ãƒ†ãƒŠãƒãƒ¼ãƒ†ãƒ¼ã‚¿ãƒ¼ã®åˆ¶å¾¡
+ </div></li><li class="listitem"><div class="para">
+ 衛星é¸æŠžã®æ”¹å–„
+ </div></li><li class="listitem"><div class="para">
+ æ–°ã—ã„レイアウトマãƒãƒ¼ã‚¸ãƒ£
+ </div></li><li class="listitem"><div class="para">
+ æ–°ã—ã„イベントビュー
+ </div></li><li class="listitem"><div class="para">
+ 衛星ã®ãƒ„ールãƒãƒƒãƒ—ã¨ã€ãƒ‘スã®ãƒãƒƒãƒ—アップ
+ </div></li></ul></div>
+
+ </div><div class="para">
+ 衛星ツールãƒãƒƒãƒ—機能ã«ã¤ã„ã¦ã®ãƒ“デオãŒã€ <a href="http://www.youtube.com/watch?v=tJC4A6onbBg">http://www.youtube.com/watch?v=tJC4A6onbBg</a> ã«ã‚ã‚Šã¾ã™ã€‚
+ </div><div class="para">
+ <span class="package">gpredict</span> ã®è©³ç´°ã¯ã€ <a href="http://groundstation.sourceforge.net/gpredict/">http://groundstation.sourceforge.net/gpredict/</a> ã«ã‚ã‚Šã¾ã™ã€‚
+ </div></div><div class="section" title="5.5.6. hamlib"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id697155">5.5.6. hamlib</h4></div></div></div><a id="id697162" class="indexterm"></a><a id="id697170" class="indexterm"></a><div class="para">
+ <span class="package">hamlib</span> ã¯ã€ 1.2.11 ã‹ã‚‰ 1.2.12 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚ã“ã®ãƒªãƒªãƒ¼ã‚¹ã§ã¯ã€ï¼“ã¤ã®æ–°ã—ã„ãƒãƒƒã‚¯ã‚¨ãƒ³ãƒ‰ãŒåŠ ã‚ã‚Šã¾ã—ãŸã€‚プãƒã‚¸ã‚§ã‚¯ãƒˆãƒšãƒ¼ã‚¸ã¯ã€ <a href="http://hamlib.sourceforge.net">http://hamlib.sourceforge.net</a> ã«ã‚ã‚Šã¾ã™ã€‚
+ </div></div><div class="section" title="5.5.7. xlog"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id697194">5.5.7. xlog</h4></div></div></div><a id="id697200" class="indexterm"></a><a id="id697208" class="indexterm"></a><div class="para">
+ Fedora 15 ã¯ã€ <span class="package">xlog</span> ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 2.0.5 ã‚’å°Žå…¥ã—ã¾ã—ãŸã€‚多ãã®ãƒã‚°ä¿®æ£ã®ä»–ã«ã€ （ <a href="http://www.nongnu.org/xlog/xlog.changelog">http://www.nongnu.org/xlog/xlog.changelog</a>ã‚’å‚照。）２ã¤ã®æ©Ÿèƒ½ã®å¤‰æ›´ãŒã‚ã‚Šã¾ã™ï¼š
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ãƒã‚°ã®ç©ºç™½ã®ãƒ•ã‚£ãƒ¼ãƒ«ãƒ‰ã®åå‰ã‚’変更ã™ã‚‹ã¨ã€ã‚ªãƒ¼ãƒ—ンã•ã‚Œã¦ã„ã‚‹ã™ã¹ã¦ã®ãƒã‚°ã®ã‚«ãƒ©ãƒ åãŒæ›´æ–°ã•ã‚Œã‚‹ã‚ˆã†ã«ãªã‚Šã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ To speed up logging, typing <ENTER> in the callsign field will jump to the TX(RST) field.
+ </div></li></ul></div></div><div class="section" title="5.5.8. soundmodem"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id697251">5.5.8. soundmodem</h4></div></div></div><a id="id697258" class="indexterm"></a><a id="id697266" class="indexterm"></a><div class="para">
+ <span class="package">soundmodem</span> ã¯ã€ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 0.15 ã«ãªã‚Šã¾ã—ãŸã€‚
+ </div></div><div class="section" title="5.5.9. splat"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id697283">5.5.9. splat</h4></div></div></div><a id="id752462" class="indexterm"></a><a id="id752470" class="indexterm"></a><div class="para">
+ Fedora 15 ã¯ã€ <span class="package">splat</span> 1.3.0 ã‚’å°Žå…¥ã—ã¾ã—ãŸã€‚SPLAT! ã®æœ€æ–°ç‰ˆã¯ã€ä»¥ä¸‹ã®æ©Ÿèƒ½ã‚’æŒã¡ã¾ã™ã€‚å—ä¿¡ã•ã‚ŒãŸä¿¡å·ã®é›»åŠ›ãƒ¬ãƒ™ãƒ«ã®è¼ªéƒã‚’ dBm ã§æç”»ã™ã‚‹æ–°ã—ã„マッピングモードã€uniform ground clutter ã®ã‚µãƒãƒ¼ãƒˆã€-db, -plo, ãã—㦠-pli コマンドラインオプションã®æ‹¡å¼µã€ï¼‘ arc-second 高精度㮠SRTM トãƒã‚°ãƒ©ãƒ•ã‚£ãƒ¼ãƒ‡ãƒ¼ã‚¿ã®ã‚µãƒãƒ¼ãƒˆï¼ˆæ–°ã—ã„ srtm2sdf-hd 㨠splat-hd コマンドをå«ã¿ã¾ã™ã€‚）ã€ãã—ã¦ã€ãƒ‰ã‚ュメントã®æ›´æ–°ã¨ã„ãã¤ã‹ã®ãƒã‚°ä¿®æ£ã‚’å«ã‚€å¤šãã®æ”¹å–„。
+ </div><div class="para">
+ プãƒã‚¸ã‚§ã‚¯ãƒˆã‚µã‚¤ãƒˆï¼š (<a href="http://www.qsl.net/kd2bd/splat.html">http://www.qsl.net/kd2bd/splat.html</a>)
+ </div></div></div></div><div xml:lang="ja-JP" class="appendix" title="A. 改訂履æ´" id="appe-Release_Notes-Revision_History" lang="ja-JP"><h2 class="title">A. 改訂履æ´</h2><div class="para">
+ <div class="revhistory"><table border="0" width="100%" summary="Revision history"><tr><th align="left" valign="top" colspan="3"><b>改訂履æ´</b></th></tr><tr><td align="left">改訂 15.2</td><td align="left">Thu Jun 23 2011</td><td align="left"><span class="author"><span class="surname">McDonough</span> <span class="firstname">John</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Required memory for installation (BZ#699770)</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15.1</td><td align="left">Fri Jun 3 2011</td><td align="left"><span class="author"><span class="surname">McDonough</span> <span class="firstname">John</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Typo in Virtualization (BZ#705928)</td></tr><tr><td>gnuplot not GNU plot (BZ#707318)</td></tr><tr><td>device naming (BZ#707730)</td></tr><tr><td>Correct version number of boost (BZ#707786)</td></tr><tr><td>Remove reference to disappeared GS-Theme-Selector (BZ#708085)</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15.0</td><td align="left">Sun May 8 2011</td><td align="left"><span class="author"><span class="surname">McDonough</span> <span class="firstname">John</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Memory (BZ#699770, 701780)</td></tr><tr><td>Xfce case (BZ#699977)</td></tr><tr><td>Wireshark permission changes (BZ#680165)</td></tr><tr><td>Powering off with systemd (BZ#701638)</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.98</td><td align="left">Fri Apr 15 2011</td><td align="left"><span class="author"><span class="surname">McDonough</span> <span class="firstname">John</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Dom0 を除ã</td></tr><tr><td>dnssec を除ã</td></tr><tr><td>riak を除ã</td></tr><tr><td>ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯æŽ¥ç¶šã®æ³¨æ„ã‚’è¿½åŠ </td></tr><tr><td>IcedTea ã®è¨˜è¿°ã‚’è¿½åŠ </td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.97</td><td align="left">Mon Apr 11 2011</td><td align="left"><span class="author"><span class="surname">McDonough</span> <span class="firstname">John</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>ç´¢å¼•ã‚’è¿½åŠ </td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.96</td><td align="left">Tue Apr 5 2011</td><td align="left"><span class="author"><span class="surname">McDonough</span> <span class="firstname">John</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>kernelnewbies ã¸ã®ãƒªãƒ³ã‚¯ã‚’è¿½åŠ (カーãƒãƒ«)</td></tr><tr><td>一般的ãªç‰¹å¾´ãƒšãƒ¼ã‚¸ã§ãªã〠F15 ã®ç‰¹å¾´ãƒšãƒ¼ã‚¸ã‚’リンクã™ã‚‹ã€‚（概è¦ï¼‰</td></tr><tr><td>boxgrinder ã® URL ã‚’ä¿®æ£ï¼ˆä»®æƒ³åŒ–）</td></tr><tr><td>Python ã® URL ã‚’ä¿®æ£ (開発ツール)</td></tr><tr><td>Rails ã® URL ã‚’ä¿®æ£ (開発ツール)</td></tr><tr><td>avr-gcc ã® URL ã‚’ä¿®æ£ï¼ˆçµ„ã¿è¾¼ã¿é–‹ç™ºï¼‰</td></tr><tr><td>avr-c++ ã® URL ã‚’ä¿®æ£ï¼ˆçµ„ã¿è¾¼ã¿é–‹ç™ºï¼‰</td></tr><tr><td>avr-binutils ã® URL ã‚’ä¿®æ£ï¼ˆçµ„ã¿è¾¼ã¿é–‹ç™ºï¼‰</td></tr><tr><td>dfu-programmer ã® URL ã‚’ä¿®æ£ï¼ˆçµ„ã¿è¾¼ã¿é–‹ç™ºï¼‰</td></tr><tr><td>xlog ã® URL ã‚’ä¿®æ£ï¼ˆã‚¢ãƒžãƒãƒ¥ã‚¢ç„¡ç·šï¼‰</td></tr><tr><td>splat ã® URL ã‚’ä¿®æ£ï¼ˆã‚¢ãƒžãƒãƒ¥ã‚¢ç„¡ç·šï¼‰</td></tr><tr><td>冗長㪠systemd を除ãã€ç®¡ç†è€…ãƒ¦ãƒ¼ã‚¶ã‚’è¿½åŠ ã€‚ Rahul</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.95</td><td align="left">Tue Apr 5 2011</td><td align="left"><span class="author"><span class="surname">McDonough</span> <span class="firstname">John</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>beats を変æ›</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.90</td><td align="left">Tue Mar 22 2011</td><td align="left"><span class="author"><span class="surname">McDonough</span> <span class="firstname">John</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Fedora 15 スケルトンを空ã«ã™ã‚‹</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.1</td><td align="left">Sun Oct 31 2010</td><td align="left"><span class="author"><span class="surname">McDonough</span> <span class="firstname">John</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>ブートセクションを除ãã€ãã‚Œã«ã¨ã‚‚ãªã£ã¦ã€ systemd ã¸ã®ã™ã¹ã¦ã®å‚照を除ã</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.0</td><td align="left">Fri Oct 15 2010</td><td align="left"><span class="author"><span class="surname">McDonough</span> <span class="firstname">John</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>GA ã®æº–å‚™</td></tr><tr><td>マウスã®å¤‰æ›´ã‚’è¿½åŠ </td></tr><tr><td>Pino/Gwibber ã®å¤‰æ›´ã‚’è¿½åŠ </td></tr><tr><td>systemd をプレビューã¨ã™ã‚‹</td></tr><tr><td>ドラフト状態を除ã</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 13.95</td><td align="left">Mon Sep 13 2010</td><td align="left"><span class="author"><span class="surname">McDonough</span> <span class="firstname">John</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>ベータリリースã®æº–å‚™</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0</td><td align="left">Sat Sep 4 2010</td><td align="left"><span class="author"><span class="surname">McDonough</span> <span class="firstname">John</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>publican ã§ã®æœ€åˆã®ãƒ–ック作æˆ</td></tr></table>
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>wiki　ã®æœ€åˆã®å¤‰æ›</td></tr></table>
+
+ </td></tr></table></div>
+
+ </div></div><div class="index" title="索引" id="appe-Release_Notes-index"><div class="titlepage"><div><div><h2 class="title">索引</h2></div></div></div><div class="index"><div class="indexdiv"><h3>シンボル</h3><dl><dt>/run directory, <a class="indexterm" href="#id977066">/run directory</a></dt></dl></div><div class="indexdiv"><h3>A</h3><dl><dt>ABINIT, <a class="indexterm" href="#id667936">APE</a></dt><dt>accounting, <a class="indexterm" href="#id1837022">Ledger</a>, <a class="indexterm" href="#id896796">Tryton</a></dt><dt>Activities, <a class="indexterm" href="#id743296">GNOME シェル</a>, <a class="indexterm" href="#id895926">KDE</a></dt><dt>Administrator, <a class="indexterm" href="#id762497">管ç†è€…ユーザ</a></dt><dt>affymetrics, <a class="indexterm" href="#id672958">R</a></dt><dt>alacarte, <a class="indexterm" href="#id972965">Xfce</a></dt><dt>Alien Arena, <a class="indexterm" href="#id688050">Alien Arena</a></dt><dt>Apache, <a class="indexterm" href="#id
726098">Apache</a></dt><dt>APE, <a class="indexterm" href="#id667936">APE</a></dt><dt>Applets, <a class="indexterm" href="#id978698">アプレットã¯ã©ã†ãªã£ãŸã®ã§ã™ã‹ï¼Ÿ</a></dt><dt>Appliances, <a class="indexterm" href="#id681315">Boxgrinder</a></dt><dt>APRS, <a class="indexterm" href="#id705280">libfap</a>, <a class="indexterm" href="#id759445">xastir</a>, <a class="indexterm" href="#id697251">soundmodem</a></dt><dt>atmega, at32 MPUs, <a class="indexterm" href="#id755332">dfu-programmer</a></dt><dt>Atomic pseudopotentials, <a class="indexterm" href="#id667936">APE</a></dt><dt>authconfig, <a class="indexterm" href="#id760701">authoconfig ecryptfs</a></dt><dt>avr, <a class="indexterm" href="#id976281">avr</a></dt><dt>avr-binutils, <a class="indexterm" href="#id976281">avr</a></dt><dt>avr-c++, <a class="indexterm" href="#id976281">avr</a></dt><dt>avr-gcc, <a class="indexterm" href="#id976281">avr</a></dt></dl></div><div class="indexdiv"><h3>B</h3><dl><dt>bacula, <
a class="indexterm" href="#id713289">Bacula</a></dt><dt>BEDtools, <a class="indexterm" href="#id734711">BEDtools</a></dt><dt>bluetile, <a class="indexterm" href="#id645125">æ–°ã—ã„パッケージ</a></dt><dt>boost, <a class="indexterm" href="#id2304529">Boost</a></dt><dt>BoxGrinder, <a class="indexterm" href="#id681315">Boxgrinder</a></dt><dt>Büchi automata, <a class="indexterm" href="#id973491">ltl2ba</a></dt><dt>Bug Reporting, <a class="indexterm" href="#sect-Release_Notes-Welcome_to_Fedora">Fedora ã¸ã€ã‚ˆã†ã“ã</a></dt></dl></div><div class="indexdiv"><h3>C</h3><dl><dt>C#, <a class="indexterm" href="#id654380">Mono</a></dt><dt>C++0x, <a class="indexterm" href="#sect-RelNotes-GCC">GCC</a></dt><dt>cairo, <a class="indexterm" href="#id895831">GTK+ 3.0</a></dt><dt>camlp4, <a class="indexterm" href="#id654485">OCaml</a></dt><dt>CDuce, <a class="indexterm" href="#id654485">OCaml</a></dt><dt>Chinese support, <a class="indexterm" href="#id672403">ä¸å›½èªžã‚µãƒãƒ¼ãƒˆãƒ‘ã
ƒƒã‚±ãƒ¼ã‚¸ã®ã‚°ãƒ«ãƒ¼ãƒ—</a></dt><dt>Colossus Arena, <a class="indexterm" href="#id665565">Colossus Arena</a></dt><dt>Compression</dt><dd><dl><dt>xz, <a class="indexterm" href="#sect-Release_Notes-Live_Image">Live イメージ</a>, <a class="indexterm" href="#id675313">squashfs</a></dt></dl></dd><dt>Control Panel, <a class="indexterm" href="#id743296">GNOME シェル</a></dt><dt>coot, <a class="indexterm" href="#id647133">coot</a></dt><dt>cp2k, <a class="indexterm" href="#id647188">cp2k</a></dt><dt>crystallography, <a class="indexterm" href="#id647133">coot</a></dt><dt>CuteCW, <a class="indexterm" href="#id888839">CuteCW</a></dt><dt>CW</dt><dd><dl><dt>Learning, <a class="indexterm" href="#id888839">CuteCW</a></dt><dt>sound card, <a class="indexterm" href="#id759946">fldigi</a></dt></dl></dd></dl></div><div class="indexdiv"><h3>D</h3><dl><dt>Data Acquisition, <a class="indexterm" href="#id973558">openscada</a></dt><dt>Database</dt><dd><dl><dt>MySQL, <a class="indexterm" hre
f="#id718265">mysql</a></dt><dt>postgresql, <a class="indexterm" href="#id672741">postgresql</a></dt></dl></dd><dt>dconf, <a class="indexterm" href="#id650600">gsettings 㨠dconf</a></dt><dt>dconf-editor, <a class="indexterm" href="#id650600">gsettings 㨠dconf</a></dt><dt>Dell PowerEdge, <a class="indexterm" href="#id761808">ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒ‡ãƒã‚¤ã‚¹ã®å‘½å</a></dt><dt>Density-Functional Theory, <a class="indexterm" href="#id667936">APE</a>, <a class="indexterm" href="#id647188">cp2k</a>, <a class="indexterm" href="#id973428">libxc</a></dt><dt>Design Suite</dt><dd><dl><dt>yum group, <a class="indexterm" href="#id1837124">Design Suite</a></dt></dl></dd><dt>Desktop, <a class="indexterm" href="#id650312">デスクトップã¯ã©ã“ã§ã™ã‹ï¼Ÿ</a></dt><dt>DFT, <a class="indexterm" href="#id667936">APE</a>, <a class="indexterm" href="#id647188">cp2k</a>, <a class="indexterm" href="#id973428">libxc</a></dt><dt>dfu-programmer, <a class="indexterm" href="#id755332">dfu-pr
ogrammer</a></dt><dt>dia-optics, <a class="indexterm" href="#id774544">dia-optics</a></dt><dt>dial, <a class="indexterm" href="#id712457">rcrpanel</a></dt><dt>Directory</dt><dd><dl><dt>/dev, <a class="indexterm" href="#id977066">/run directory</a></dt><dt>/etc/tmpfiles.d, <a class="indexterm" href="#id746084">/var/run 㨠/var/lock</a></dt><dt>/run, <a class="indexterm" href="#id977066">/run directory</a></dt><dt>/run/lock, <a class="indexterm" href="#id977066">/run directory</a>, <a class="indexterm" href="#id746084">/var/run 㨠/var/lock</a></dt><dt>/usr/share/applications, <a class="indexterm" href="#id650358">ãƒã‚°ã‚¤ãƒ³ã—ãŸæ™‚ã«ãƒ—ãƒã‚°ãƒ©ãƒ を自動的ã«å®Ÿè¡Œã™ã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ</a></dt><dt>/var/lock, <a class="indexterm" href="#id977066">/run directory</a>, <a class="indexterm" href="#id746084">/var/run 㨠/var/lock</a></dt><dt>/var/run, <a class="indexterm" href="#id977066">/run directory</a>, <a class="indexterm" href="#id746084">/
var/run 㨠/var/lock</a></dt></dl></dd><dt>Disk space requirements, <a class="indexterm" href="#id963709">å…¨ã¦ã®ã‚¢ãƒ¼ã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒãƒ¼ãƒ‰ãƒ‡ã‚£ã‚¹ã‚¯ã®å®¹é‡</a></dt><dt>DNA microarrays, <a class="indexterm" href="#id672958">R</a></dt><dt>DNS, <a class="indexterm" href="#id700289">FreeIPA 2.0</a></dt><dt>Dolphin, <a class="indexterm" href="#id895926">KDE</a>, <a class="indexterm" href="#id896110">アプリケーション</a></dt><dt>dracut, <a class="indexterm" href="#id977066">/run directory</a></dt><dt>Drupal, <a class="indexterm" href="#id673774">Drupal ã¯ã€ Drupal6 ã¨ã€åå‰ãŒå¤‰ã‚ã‚Šã¾ã—ãŸã€‚</a></dt><dt>DXCC, <a class="indexterm" href="#id759946">fldigi</a></dt><dt>Dynamic Firewall, <a class="indexterm" href="#id717848">ダイナミックファイアウォール</a></dt></dl></div><div class="indexdiv"><h3>E</h3><dl><dt>EC2, <a class="indexterm" href="#id681315">Boxgrinder</a></dt><dt>eclipse-ptp, <a class="indexterm" href="#id705254"
>eclipse-ptp</a></dt><dt>Econometrics, <a class="indexterm" href="#id774615">gretl</a></dt><dt>eCryptfs, <a class="indexterm" href="#id760701">authoconfig ecryptfs</a></dt><dt>electrical compact device model, <a class="indexterm" href="#id704304">mot-adms</a></dt><dt>em<port>, <a class="indexterm" href="#id761808">ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒ‡ãƒã‚¤ã‚¹ã®å‘½å</a></dt><dt>eQSL, <a class="indexterm" href="#id759946">fldigi</a></dt><dt>Erlang, <a class="indexterm" href="#id895076">Erlang</a></dt><dt>ERP, <a class="indexterm" href="#id896796">Tryton</a></dt><dt>eth0, <a class="indexterm" href="#id761808">ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒ‡ãƒã‚¤ã‚¹ã®å‘½å</a></dt><dt>ETSF, <a class="indexterm" href="#id973428">libxc</a></dt></dl></div><div class="indexdiv"><h3>F</h3><dl><dt>F.L.A.W., <a class="indexterm" href="#id665282">F.L.A.W.</a></dt><dt>Facebook, <a class="indexterm" href="#id896110">アプリケーション</a></dt><dt>Fallback mode, <a class="indexterm" href="#id650263">強制的ã«ã
ƒ•ã‚©ãƒ¼ãƒ«ãƒãƒƒã‚¯ãƒ¢ãƒ¼ãƒ‰ã‚’使ã†ã“ã¨ãŒã§ãã¾ã™ã‹ï¼Ÿ</a></dt><dt>FAQ</dt><dd><dl><dt>Fedora, <a class="indexterm" href="#sect-Release_Notes-Welcome_to_Fedora">Fedora ã¸ã€ã‚ˆã†ã“ã</a></dt></dl></dd><dt>Fawkes</dt><dd><dl><dt>Robotics, <a class="indexterm" href="#id701153">Fawkes</a></dt></dl></dd><dt>FHS, <a class="indexterm" href="#id977066">/run directory</a></dt><dt>Filesystem Hierarchy Standard, <a class="indexterm" href="#id977066">/run directory</a></dt><dt>Firefox, <a class="indexterm" href="#id703943">Firefox</a></dt><dt>FirewallD, <a class="indexterm" href="#id717848">ダイナミックファイアウォール</a></dt><dt>firstaidkit, <a class="indexterm" href="#id1238665">OpenSCAP</a></dt><dt>FITS, <a class="indexterm" href="#id973705">psfex</a>, <a class="indexterm" href="#id973777">root</a></dt><dt>fldigi, <a class="indexterm" href="#id759946">fldigi</a></dt><dt>Flickr, <a class="indexterm" href="#id896110">アプリケーション</a></dt><dt>F
ortran, <a class="indexterm" href="#sect-RelNotes-GCC">GCC</a></dt><dt>Freeciv, <a class="indexterm" href="#id759901">Freeciv</a></dt><dt>Freecol, <a class="indexterm" href="#id965623">FreeCol</a></dt><dt>FreeDesktop, <a class="indexterm" href="#id972965">Xfce</a></dt><dt>FreeDink, <a class="indexterm" href="#id705421">FreeDink</a></dt><dt>FreeIPA, <a class="indexterm" href="#id700289">FreeIPA 2.0</a></dt><dt>FTP, <a class="indexterm" href="#id972965">Xfce</a></dt></dl></div><div class="indexdiv"><h3>G</h3><dl><dt>gbrainy, <a class="indexterm" href="#id764951">gbrainy</a></dt><dt>gcc, <a class="indexterm" href="#sect-RelNotes-GCC">GCC</a></dt><dt>GConf, <a class="indexterm" href="#id650600">gsettings 㨠dconf</a></dt><dt>gconf-editor, <a class="indexterm" href="#id650600">gsettings 㨠dconf</a></dt><dt>gconftool-2, <a class="indexterm" href="#id650600">gsettings 㨠dconf</a></dt><dt>gdb, <a class="indexterm" href="#id896110">アプリケーション</a>, <a class="indexte
rm" href="#id696608">gdb</a></dt><dt>genetics, <a class="indexterm" href="#id973777">root</a></dt><dt>genomics, <a class="indexterm" href="#id734711">BEDtools</a>, <a class="indexterm" href="#id672958">R</a></dt><dt>GHC, <a class="indexterm" href="#id747796">GHC</a></dt><dt>GNOME, <a class="indexterm" href="#sect-Release_Notes-Overview">概è¦</a>, <a class="indexterm" href="#id654135">GNOME</a></dt><dt>GNOME Shell, <a class="indexterm" href="#id743296">GNOME シェル</a></dt><dt>gnome-session-properties, <a class="indexterm" href="#id650358">ãƒã‚°ã‚¤ãƒ³ã—ãŸæ™‚ã«ãƒ—ãƒã‚°ãƒ©ãƒ を自動的ã«å®Ÿè¡Œã™ã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ</a></dt><dt>gnome-tweak-tool, <a class="indexterm" href="#id640353">è¨å®šã‚’変ãˆã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰ã‚ˆã„ã§ã™ã‹ï¼Ÿ</a>, <a class="indexterm" href="#id720930">ラップトップã®ãµãŸã‚’é–‰ã‚ãŸæ™‚ã®ãµã‚‹ã¾ã„ã‚’ã€ã©ã†ã‚„ã£ã¦å¤‰ãˆã‚Œã°è‰¯ã„ã§ã™ã‹ï¼Ÿ</a>, <a class="indexterm" href="#id720998">ウインド
ウを最大化ã€ã‚ã‚‹ã„ã¯æœ€å°åŒ–ã™ã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ</a>, <a class="indexterm" href="#id978645">パãƒãƒ«ãŒã€å®Œå…¨ãªæ—¥ä»˜ã¨æ™‚刻を表示ã™ã‚‹ã‚ˆã†ã«ã™ã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ</a></dt><dt>gnuplot, <a class="indexterm" href="#id973667">plotdrop</a></dt><dt>Go, <a class="indexterm" href="#sect-RelNotes-GCC">GCC</a></dt><dt>gpredict, <a class="indexterm" href="#id726965">gpredict</a></dt><dt>gpslabel-gui, <a class="indexterm" href="#id774585">gpsbabel-gui</a></dt><dt>GPW, <a class="indexterm" href="#id647188">cp2k</a></dt><dt>Graphics</dt><dd><dl><dt>Intel, <a class="indexterm" href="#id743296">GNOME シェル</a>, <a class="indexterm" href="#id743885">Intel</a></dt><dt>Mesa, <a class="indexterm" href="#id704553">Mesa</a></dt><dt>Nouveau, <a class="indexterm" href="#id743296">GNOME シェル</a>, <a class="indexterm" href="#id703770">Nouveau</a></dt><dt>Radeon, <a class="indexterm" href="#id743296">GNOME シェル</a>
, <a class="indexterm" href="#id735177">Radeon</a></dt><dt>yum group, <a class="indexterm" href="#id1837124">Design Suite</a></dt></dl></dd><dt>gretl, <a class="indexterm" href="#id774615">gretl</a></dt><dt>gsettings, <a class="indexterm" href="#id650600">gsettings 㨠dconf</a></dt><dt>GTK, <a class="indexterm" href="#id895831">GTK+ 3.0</a></dt><dt>gtkwave, <a class="indexterm" href="#id894380">gtkwave</a></dt><dt>GVFS, <a class="indexterm" href="#id972965">Xfce</a></dt><dt>Gwenview, <a class="indexterm" href="#id896110">アプリケーション</a></dt><dt>gzip, <a class="indexterm" href="#id675313">squashfs</a></dt></dl></div><div class="indexdiv"><h3>H</h3><dl><dt>HAL, <a class="indexterm" href="#id896285">プラットフォーム</a></dt><dt>hamlib, <a class="indexterm" href="#id697155">hamlib</a></dt><dt>haskell-platform, <a class="indexterm" href="#id744964">Haskell Platform</a></dt><dt>Help, <a class="indexterm" href="#sect-Release_Notes-Welcome_to_Fedora">Fedora ã¸
ã€ã‚ˆã†ã“ã</a></dt><dt>HotSpot, <a class="indexterm" href="#id706822">IcedTea6 1.10</a></dt><dt>HP Proliant, <a class="indexterm" href="#id761808">ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒ‡ãƒã‚¤ã‚¹ã®å‘½å</a></dt><dt>httpd, <a class="indexterm" href="#id726098">Apache</a></dt></dl></div><div class="indexdiv"><h3>I</h3><dl><dt>IcedTea, <a class="indexterm" href="#id706822">IcedTea6 1.10</a>, <a class="indexterm" href="#id2304367">IcedTea-Web</a></dt><dt>ICL, <a class="indexterm" href="#id2304529">Boost</a></dt><dt>IEEE-1364, <a class="indexterm" href="#id733550">iverolg</a></dt><dt>Indic typing booster, <a class="indexterm" href="#id706010">Indic Typing Booster</a></dt><dt>initscripts, <a class="indexterm" href="#id977066">/run directory</a></dt><dt>Intel, <a class="indexterm" href="#id743296">GNOME シェル</a>, <a class="indexterm" href="#id743885">Intel</a></dt><dt>IPv6, <a class="indexterm" href="#id697999">libvirt ã®å¤šãã®æ”¹è‰¯</a></dt><dt>iverilog, <a class="indexterm" href="#
id733550">iverolg</a></dt></dl></div><div class="indexdiv"><h3>J</h3><dl><dt>Java Plugin, <a class="indexterm" href="#id2304367">IcedTea-Web</a></dt><dt>JNLP, <a class="indexterm" href="#id706822">IcedTea6 1.10</a></dt></dl></div><div class="indexdiv"><h3>K</h3><dl><dt>Kate, <a class="indexterm" href="#id896110">アプリケーション</a></dt><dt>KDE, <a class="indexterm" href="#sect-Release_Notes-Overview">概è¦</a>, <a class="indexterm" href="#id895926">KDE</a></dt><dt>kdesk, <a class="indexterm" href="#id896110">アプリケーション</a></dt><dt>Kerberos, <a class="indexterm" href="#id700289">FreeIPA 2.0</a></dt><dt>KSnapshot, <a class="indexterm" href="#id896110">アプリケーション</a></dt><dt>KVM, <a class="indexterm" href="#id697999">libvirt ã®å¤šãã®æ”¹è‰¯</a></dt><dt>KWin, <a class="indexterm" href="#id895926">KDE</a></dt></dl></div><div class="indexdiv"><h3>L</h3><dl><dt>Laptop, <a class="indexterm" href="#id720930">ラップトップã®ãµãŸã‚’é–‰ã‚
ãŸæ™‚ã®ãµã‚‹ã¾ã„ã‚’ã€ã©ã†ã‚„ã£ã¦å¤‰ãˆã‚Œã°è‰¯ã„ã§ã™ã‹ï¼Ÿ</a></dt><dt>LDAP, <a class="indexterm" href="#id700289">FreeIPA 2.0</a></dt><dt>Ledger, <a class="indexterm" href="#id1837022">Ledger</a></dt><dt>libfap, <a class="indexterm" href="#id705280">libfap</a></dt><dt>libmysqlclient, <a class="indexterm" href="#id718265">mysql</a></dt><dt>libpanel-applet, <a class="indexterm" href="#id978698">アプレットã¯ã©ã†ãªã£ãŸã®ã§ã™ã‹ï¼Ÿ</a></dt><dt>Libre Office, <a class="indexterm" href="#id746050">Libre Office®</a></dt><dt>libvirt, <a class="indexterm" href="#id697999">libvirt ã®å¤šãã®æ”¹è‰¯</a></dt><dt>libxc, <a class="indexterm" href="#id973428">libxc</a></dt><dt>Linux Kernel, <a class="indexterm" href="#sect-Release_Notes-Kernel">Kernel</a></dt><dt>Live Image, <a class="indexterm" href="#sect-Release_Notes-Live_Image">Live イメージ</a></dt><dt>Logging, <a class="indexterm" href="#id759946">fldigi</a>, <a class="indexterm" href="#id697194">xl
og</a></dt><dt>LotW, <a class="indexterm" href="#id759946">fldigi</a></dt><dt>LTL, <a class="indexterm" href="#id973491">ltl2ba</a></dt><dt>ltl2ba, <a class="indexterm" href="#id973491">ltl2ba</a></dt></dl></div><div class="indexdiv"><h3>M</h3><dl><dt>Maven, <a class="indexterm" href="#id760530">Maven</a></dt><dt>mdadm, <a class="indexterm" href="#id977066">/run directory</a></dt><dt>Memory Requirements, <a class="indexterm" href="#id731224">x86 アーã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒ—ãƒã‚»ãƒƒã‚µã¨ãƒ¡ãƒ¢ãƒª</a>, <a class="indexterm" href="#id747651">x86_64 アーã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒ—ãƒã‚»ãƒƒã‚µã¨ãƒ¡ãƒ¢ãƒª</a></dt><dt>Mesa, <a class="indexterm" href="#id704553">Mesa</a></dt><dt>mksquashfs, <a class="indexterm" href="#id675313">squashfs</a></dt><dt>Molecular model, <a class="indexterm" href="#id647133">coot</a></dt><dt>Mono, <a class="indexterm" href="#id654380">Mono</a></dt><dt>Morphological Analysis, <a class="indexterm" href="#id973705">psfex</a></dt><dt>mot-
adms, <a class="indexterm" href="#id704304">mot-adms</a></dt><dt>mount, <a class="indexterm" href="#id977066">/run directory</a></dt><dt>MPU</dt><dd><dl><dt>atmega, at32, <a class="indexterm" href="#id755332">dfu-programmer</a></dt><dt>PIC 12F, 16F, 18F, <a class="indexterm" href="#id976342">piklab</a></dt></dl></dd><dt>MSM, <a class="indexterm" href="#id2304529">Boost</a></dt><dt>mysql, <a class="indexterm" href="#id718265">mysql</a></dt></dl></div><div class="indexdiv"><h3>N</h3><dl><dt>nepomuk, <a class="indexterm" href="#id895926">KDE</a>, <a class="indexterm" href="#id896110">アプリケーション</a>, <a class="indexterm" href="#id896285">プラットフォーム</a></dt><dt>Network, <a class="indexterm" href="#id761808">ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒ‡ãƒã‚¤ã‚¹ã®å‘½å</a></dt><dt>NetX, <a class="indexterm" href="#id2304367">IcedTea-Web</a></dt><dt>ngspice, <a class="indexterm" href="#id674435">ngspice</a></dt><dt>Nonlinear Analysis</dt><dd><dl><dt>DC, <a class="indexterm" h
ref="#id674435">ngspice</a></dt><dt>Transient, <a class="indexterm" href="#id674435">ngspice</a></dt></dl></dd><dt>Notification, <a class="indexterm" href="#id743296">GNOME シェル</a></dt><dt>Nouveau, <a class="indexterm" href="#id743296">GNOME シェル</a>, <a class="indexterm" href="#id703770">Nouveau</a></dt><dt>NTP, <a class="indexterm" href="#id700289">FreeIPA 2.0</a></dt></dl></div><div class="indexdiv"><h3>O</h3><dl><dt>OCaml, <a class="indexterm" href="#id654485">OCaml</a></dt><dt>Octave, <a class="indexterm" href="#id774615">gretl</a></dt><dt>OCTOPUS, <a class="indexterm" href="#id667936">APE</a>, <a class="indexterm" href="#id973428">libxc</a></dt><dt>ODBC, <a class="indexterm" href="#id973558">openscada</a></dt><dt>Olivia, <a class="indexterm" href="#id759946">fldigi</a></dt><dt>Open Office, <a class="indexterm" href="#id746050">Libre Office®</a></dt><dt>Open Street Maps, <a class="indexterm" href="#id759445">xastir</a></dt><dt>OpenCL, <a class="indexterm" hr
ef="#id696608">gdb</a></dt><dt>openeuclide, <a class="indexterm" href="#id973532">openeuclide</a></dt><dt>OpenJDK, <a class="indexterm" href="#id2304367">IcedTea-Web</a></dt><dt>openscada, <a class="indexterm" href="#id973558">openscada</a></dt><dt>OpenSCAP, <a class="indexterm" href="#id1238665">OpenSCAP</a></dt><dt>Optics, <a class="indexterm" href="#id774544">dia-optics</a></dt><dt>OVAL, <a class="indexterm" href="#id1238665">OpenSCAP</a></dt><dt>Ox, <a class="indexterm" href="#id774615">gretl</a></dt><dt>Oxygen-GTK, <a class="indexterm" href="#id896285">プラットフォーム</a></dt></dl></div><div class="indexdiv"><h3>P</h3><dl><dt>p<slot>p<port>, <a class="indexterm" href="#id761808">ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒ‡ãƒã‚¤ã‚¹ã®å‘½å</a></dt><dt>pandoc, <a class="indexterm" href="#id645125">æ–°ã—ã„パッケージ</a></dt><dt>panel, <a class="indexterm" href="#id712457">rcrpanel</a></dt><dt>pcb, <a class="indexterm" href="#id712409">pcb</a></dt><dt>PCKS#11, <a cla
ss="indexterm" href="#id706822">IcedTea6 1.10</a></dt><dt>pg_upgrade, <a class="indexterm" href="#id672741">postgresql</a></dt><dt>Photometry, <a class="indexterm" href="#id973705">psfex</a></dt><dt>PIC 12F, 16F, 18F MPUs, <a class="indexterm" href="#id976342">piklab</a></dt><dt>piklab, <a class="indexterm" href="#id976342">piklab</a></dt><dt>Plasma Workspace, <a class="indexterm" href="#id895926">KDE</a></dt><dt>Player</dt><dd><dl><dt>Robotics, <a class="indexterm" href="#id730320">Player</a></dt></dl></dd><dt>plotdrop, <a class="indexterm" href="#id973667">plotdrop</a></dt><dt>Point Spread Function, <a class="indexterm" href="#id973705">psfex</a></dt><dt>PolicyKit, <a class="indexterm" href="#id762497">管ç†è€…ユーザ</a></dt><dt>Polygon, <a class="indexterm" href="#id2304529">Boost</a></dt><dt>postgresql, <a class="indexterm" href="#id672741">postgresql</a></dt><dt>Postgresql, <a class="indexterm" href="#id973558">openscada</a></dt><dt>Power Off, <a class="indexterm" h
ref="#id640382">システムをシャットダウンã€é›»æºã‚ªãƒ•ã€ã‚ã‚‹ã„ã¯å†é–‹å§‹ã™ã‚‹ã«ã¯ã€ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ</a></dt><dt>Printed circuit board, <a class="indexterm" href="#id712409">pcb</a></dt><dt>Process Control, <a class="indexterm" href="#id973558">openscada</a></dt><dt>Processor Requirements, <a class="indexterm" href="#id731224">x86 アーã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒ—ãƒã‚»ãƒƒã‚µã¨ãƒ¡ãƒ¢ãƒª</a>, <a class="indexterm" href="#id747651">x86_64 アーã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒ—ãƒã‚»ãƒƒã‚µã¨ãƒ¡ãƒ¢ãƒª</a></dt><dt>Propagation, <a class="indexterm" href="#id697283">splat</a></dt><dt>Pseudopotentials</dt><dd><dl><dt>Atomic, <a class="indexterm" href="#id667936">APE</a></dt></dl></dd><dt>PSF, <a class="indexterm" href="#id973705">psfex</a></dt><dt>psfex, <a class="indexterm" href="#id973705">psfex</a></dt><dt>pskmail, <a class="indexterm" href="#id759946">fldigi</a></dt><dt>PWscf, <a class="indexterm" href="#id667936">APE</a></dt><dt>Py
thon, <a class="indexterm" href="#id761096">Python</a></dt></dl></div><div class="indexdiv"><h3>Q</h3><dl><dt>qemu-kvm, <a class="indexterm" href="#id697999">libvirt ã®å¤šãã®æ”¹è‰¯</a></dt></dl></div><div class="indexdiv"><h3>R</h3><dl><dt>R, <a class="indexterm" href="#id774615">gretl</a></dt><dt>R-affydata, <a class="indexterm" href="#id672958">R</a></dt><dt>R-GenomicRanges, <a class="indexterm" href="#id672958">R</a></dt><dt>R-ROC, <a class="indexterm" href="#id672958">R</a></dt><dt>Radeon, <a class="indexterm" href="#id743296">GNOME シェル</a>, <a class="indexterm" href="#id735177">Radeon</a></dt><dt>Rails, <a class="indexterm" href="#id761127">Rails</a></dt><dt>RANDR, <a class="indexterm" href="#id665461">Xorg server</a></dt><dt>rcrpanel, <a class="indexterm" href="#id712457">rcrpanel</a></dt><dt>recoll, <a class="indexterm" href="#id977104">recoll</a></dt><dt>Recording</dt><dd><dl><dt>Screen, <a class="indexterm" href="#id650443">スクリーンã®éŒ²ç”»</a></dt
></dl></dd><dt>Reporting</dt><dd><dl><dt>Bug and Feature Request, <a class="indexterm" href="#sect-Release_Notes-Welcome_to_Fedora">Fedora ã¸ã€ã‚ˆã†ã“ã</a></dt></dl></dd><dt>Requirements</dt><dd><dl><dt>Disk space, <a class="indexterm" href="#id963709">å…¨ã¦ã®ã‚¢ãƒ¼ã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒãƒ¼ãƒ‰ãƒ‡ã‚£ã‚¹ã‚¯ã®å®¹é‡</a></dt><dt>Memory, <a class="indexterm" href="#id731224">x86 アーã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒ—ãƒã‚»ãƒƒã‚µã¨ãƒ¡ãƒ¢ãƒª</a>, <a class="indexterm" href="#id747651">x86_64 アーã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒ—ãƒã‚»ãƒƒã‚µã¨ãƒ¡ãƒ¢ãƒª</a></dt><dt>Processor, <a class="indexterm" href="#id731224">x86 アーã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒ—ãƒã‚»ãƒƒã‚µã¨ãƒ¡ãƒ¢ãƒª</a>, <a class="indexterm" href="#id747651">x86_64 アーã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒ—ãƒã‚»ãƒƒã‚µã¨ãƒ¡ãƒ¢ãƒª</a></dt></dl></dd><dt>Restart, <a class="indexterm" href="#id640382">システムをシャットダウンã€é›»æºã‚ªãƒ•ã€ã‚ã‚‹ã„ã¯å†é–‹å§‹ã™ã‚‹ã«ã¯ã€ã©ã†ã—ãŸ
ら良ã„ã§ã™ã‹ï¼Ÿ</a></dt><dt>Rig control, <a class="indexterm" href="#id697155">hamlib</a></dt><dt>RoboCup</dt><dd><dl><dt>Soccer Simulator, <a class="indexterm" href="#id897069">ãƒãƒœã‚«ãƒƒãƒ—サッカーシミュレータ</a></dt></dl></dd><dt>root, <a class="indexterm" href="#id973777">root</a></dt><dt>run directory, <a class="indexterm" href="#id977066">/run directory</a></dt><dt>Rupee sign, <a class="indexterm" href="#id733217">ルピー記å·</a></dt></dl></div><div class="indexdiv"><h3>S</h3><dl><dt>Satellite, <a class="indexterm" href="#id726965">gpredict</a></dt><dt>SCADA, <a class="indexterm" href="#id973558">openscada</a></dt><dt>SCAP, <a class="indexterm" href="#id1238665">OpenSCAP</a></dt><dt>search, <a class="indexterm" href="#id977104">recoll</a></dt><dt>secstate, <a class="indexterm" href="#id1238665">OpenSCAP</a></dt><dt>setroubleshoot, <a class="indexterm" href="#id894484">setroubleshoot</a></dt><dt>setuid, <a class="indexterm" href="#id894527">setuid
を除去</a></dt><dt>SIESTA, <a class="indexterm" href="#id667936">APE</a></dt><dt>Simplified Chinese support, <a class="indexterm" href="#id672403">ä¸å›½èªžã‚µãƒãƒ¼ãƒˆãƒ‘ッケージã®ã‚°ãƒ«ãƒ¼ãƒ—</a></dt><dt>Simulation</dt><dd><dl><dt>Molecular, <a class="indexterm" href="#id647188">cp2k</a></dt></dl></dd><dt>SMBIOS, <a class="indexterm" href="#id761808">ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒ‡ãƒã‚¤ã‚¹ã®å‘½å</a>, <a class="indexterm" href="#id697999">libvirt ã®å¤šãã®æ”¹è‰¯</a></dt><dt>Sound card modes, <a class="indexterm" href="#id759946">fldigi</a></dt><dt>soundmodem, <a class="indexterm" href="#id697251">soundmodem</a></dt><dt>Spice, <a class="indexterm" href="#sect-Release_Notes-Overview">概è¦</a>, <a class="indexterm" href="#id736306">virt-manager ã§ã® Spice サãƒãƒ¼ãƒˆ</a>, <a class="indexterm" href="#id697999">libvirt ã®å¤šãã®æ”¹è‰¯</a></dt><dt>spice, <a class="indexterm" href="#sect-Release_Notes-Overview">概è¦</a>, <a class="indexterm" href="#id704304">mot-ad
ms</a>, <a class="indexterm" href="#id674435">ngspice</a></dt><dt>splat, <a class="indexterm" href="#id697283">splat</a></dt><dt>squashfs, <a class="indexterm" href="#id675313">squashfs</a></dt><dt>SSD, <a class="indexterm" href="#id760109">systemd</a></dt><dt>SSH, <a class="indexterm" href="#id972965">Xfce</a></dt><dt>Stage</dt><dd><dl><dt>Robotics, <a class="indexterm" href="#id655252">Stage</a></dt></dl></dd><dt>Statistics, <a class="indexterm" href="#id672958">R</a></dt><dt>sudo, <a class="indexterm" href="#id762497">管ç†è€…ユーザ</a></dt><dt>Sugar, <a class="indexterm" href="#id896413">Sugar</a></dt><dt>supertuxkart, <a class="indexterm" href="#id764986">supertuxkart</a></dt><dt>Supervisory Control, <a class="indexterm" href="#id973558">openscada</a></dt><dt>Suspend, <a class="indexterm" href="#id640382">システムをシャットダウンã€é›»æºã‚ªãƒ•ã€ã‚ã‚‹ã„ã¯å†é–‹å§‹ã™ã‚‹ã«ã¯ã€ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ</a></dt><dt>system-config-firewall, <a
class="indexterm" href="#id717848">ダイナミックファイアウォール</a></dt><dt>systemd, <a class="indexterm" href="#sect-Release_Notes-Overview">概è¦</a>, <a class="indexterm" href="#id760109">systemd</a>, <a class="indexterm" href="#id746084">/var/run 㨠/var/lock</a></dt><dt>systemtap, <a class="indexterm" href="#id696608">gdb</a></dt></dl></div><div class="indexdiv"><h3>T</h3><dl><dt>Task Manager, <a class="indexterm" href="#id895926">KDE</a></dt><dt>Themes, <a class="indexterm" href="#id895831">GTK+ 3.0</a></dt><dd><dl><dt>GNOME, <a class="indexterm" href="#id650150">テーマã¯ã©ã†ãªã£ãŸã®ã§ã™ã‹ï¼Ÿ</a></dt></dl></dd><dt>Thor, <a class="indexterm" href="#id759946">fldigi</a></dt><dt>Thunar, <a class="indexterm" href="#id972965">Xfce</a></dt><dt>tmpfiles.d, <a class="indexterm" href="#id746084">/var/run 㨠/var/lock</a></dt><dt>tmpfs, <a class="indexterm" href="#id746084">/var/run 㨠/var/lock</a></dt><dt>Traditional Chinese support, <a class="in
dexterm" href="#id672403">ä¸å›½èªžã‚µãƒãƒ¼ãƒˆãƒ‘ッケージã®ã‚°ãƒ«ãƒ¼ãƒ—</a></dt><dt>Tryton, <a class="indexterm" href="#id896796">Tryton</a></dt><dt>tshark, <a class="indexterm" href="#id749753">Wireshark permissions changes</a></dt></dl></div><div class="indexdiv"><h3>U</h3><dl><dt>UDev, <a class="indexterm" href="#id896285">プラットフォーム</a></dt><dt>udev, <a class="indexterm" href="#id977066">/run directory</a></dt><dt>UDisks, <a class="indexterm" href="#id896285">プラットフォーム</a></dt><dt>UPower, <a class="indexterm" href="#id896285">プラットフォーム</a></dt></dl></div><div class="indexdiv"><h3>V</h3><dl><dt>VCA, <a class="indexterm" href="#id973558">openscada</a></dt><dt>Verilog, <a class="indexterm" href="#id894380">gtkwave</a>, <a class="indexterm" href="#id733550">iverolg</a></dt><dt>Verilog-AMS, <a class="indexterm" href="#id704304">mot-adms</a></dt><dt>VHDL, <a class="indexterm" href="#id894380">gtkwave</a></dt><dt>virt-manager, <
a class="indexterm" href="#id736306">virt-manager ã§ã® Spice サãƒãƒ¼ãƒˆ</a></dt><dt>Virtualization, <a class="indexterm" href="#sect-Release_Notes-Overview">概è¦</a></dt><dd><dl><dt>GNOME shell, <a class="indexterm" href="#id650236">GNOME シェルã¯ã€ä»®æƒ³ãƒžã‚·ãƒ³ã®ã‚‚ã¨ã§å‹•ãã¾ã™ã‹ï¼Ÿ</a></dt></dl></dd><dt>VMware, <a class="indexterm" href="#id681315">Boxgrinder</a></dt><dt>VPN, <a class="indexterm" href="#id701209">VPN ã®ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆå¯è¦–性</a></dt></dl></div><div class="indexdiv"><h3>W</h3><dl><dt>Waterfall, <a class="indexterm" href="#id759946">fldigi</a></dt><dt>Webdav, <a class="indexterm" href="#id972965">Xfce</a></dt><dt>Wiki</dt><dd><dl><dt>Fedora, <a class="indexterm" href="#sect-Release_Notes-Welcome_to_Fedora">Fedora ã¸ã€ã‚ˆã†ã“ã</a></dt></dl></dd><dt>Wireshark, <a class="indexterm" href="#id749753">Wireshark permissions changes</a></dt></dl></div><div class="indexdiv"><h3>X</h3><dl><dt>X-server, <a class="indexterm" href="#id665461
">Xorg server</a></dt><dt>X.509, <a class="indexterm" href="#id700289">FreeIPA 2.0</a></dt><dt>xastir, <a class="indexterm" href="#id759445">xastir</a></dt><dt>XCCDF, <a class="indexterm" href="#id1238665">OpenSCAP</a></dt><dt>Xfce, <a class="indexterm" href="#sect-Release_Notes-Overview">概è¦</a>, <a class="indexterm" href="#id972965">Xfce</a></dt><dt>XFixes, <a class="indexterm" href="#id665461">Xorg server</a></dt><dt>XI2, <a class="indexterm" href="#id665461">Xorg server</a></dt><dt>xlog, <a class="indexterm" href="#id697194">xlog</a></dt></dl></div><div class="indexdiv"><h3>Z</h3><dl><dt>zaz, <a class="indexterm" href="#id966852">zaz</a></dt></dl></div></div></div></div></body></html>
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+.perl_BaseN {
+ color: #007f00;
+}
+
+.perl_BString {
+ color: #5C3566;
+}
+
+.perl_Char {
+ color: #ff00ff;
+}
+
+.perl_Comment {
+ color: #FF00FF;
+}
+
+
+.perl_DataType {
+ color: #0000ff;
+}
+
+
+.perl_DecVal {
+ color: #00007f;
+}
+
+
+.perl_Error {
+ color: #ff0000;
+}
+
+
+.perl_Float {
+ color: #00007f;
+}
+
+
+.perl_Function {
+ color: #007f00;
+}
+
+
+.perl_IString {
+ color: #5C3566;
+}
+
+
+.perl_Keyword {
+ color: #002F5D;
+}
+
+
+.perl_Operator {
+ color: #ffa500;
+}
+
+
+.perl_Others {
+ color: #b03060;
+}
+
+
+.perl_RegionMarker {
+ color: #96b9ff;
+}
+
+
+.perl_Reserved {
+ color: #9b30ff;
+}
+
+
+.perl_String {
+ color: #5C3566;
+}
+
+
+.perl_Variable {
+ color: #0000ff;
+}
+
+
+.perl_Warning {
+ color: #0000ff;
+}
+
+/*Lists*/
+ul {
+ padding-left:1.6em;
+ list-style-image:url(../images/dot.png);
+ list-style-type: circle;
+}
+
+ul ul {
+ list-style-image:url(../images/dot2.png);
+ list-style-type: circle;
+}
+
+ol {
+ list-style-image:none;
+ list-style-type: decimal;
+}
+
+ol ol {
+ list-style-type: lower-alpha;
+}
+
+ol.arabic {
+ list-style-type: decimal;
+}
+
+ol.loweralpha {
+ list-style-type: lower-alpha;
+}
+
+ol.lowerroman {
+ list-style-type: lower-roman;
+}
+
+ol.upperalpha {
+ list-style-type: upper-alpha;
+}
+
+ol.upperroman {
+ list-style-type: upper-roman;
+}
+
+dt {
+ font-weight:bold;
+ margin-bottom:0em;
+ padding-bottom:0em;
+}
+
+dd {
+ margin:0em;
+ margin-left:2em;
+ padding-top:0em;
+ padding-bottom: 1em;
+}
+
+li {
+ padding-top:0px;
+ margin-top:0em;
+ padding-bottom:0px;
+ margin-bottom:0.4em;
+}
+
+li p, li div.para {
+ padding-top:0px;
+ margin-top:0em;
+ padding-bottom:0px;
+ margin-bottom:0.3em;
+}
+
+/*images*/
+img {
+ display:block;
+ margin:2em 0;
+}
+
+.inlinemediaobject, .inlinemediaobject img {
+ display:inline;
+ margin:0em;
+}
+
+.figure img {
+ display:block;
+ margin:0;
+}
+
+.figure .title {
+ margin:0em;
+ margin-bottom:2em;
+ padding:0px;
+}
+
+/*document modes*/
+.confidential {
+ background-color:#900;
+ color:White;
+ padding:.5em .5em;
+ text-transform:uppercase;
+ text-align:center;
+}
+
+.longdesc-link {
+ display:none;
+}
+
+.longdesc {
+ display:none;
+}
+
+.prompt {
+ background-color:#ede7c8;
+ padding:0em .3em;
+}
+
+/*user interface styles*/
+.screen .replaceable {
+ color:#444;
+}
+
+.guibutton, .guilabel {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ font-weight:bold;
+ white-space:nowrap;
+}
+
+.example {
+ background-color:#dc9f2e;
+ padding:5px;
+ margin-bottom:10px;
+}
+
+
+/*terminal/console text*/
+.computeroutput,
+.option {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ font-weight:bold;
+}
+
+.replaceable {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ font-style: italic;
+}
+
+.command, .filename, .keycap, .classname, .literal {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ font-weight:bold;
+}
+
+/* no bold in toc */
+.toc * {
+ font-weight: inherit;
+}
+
+pre {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ display:block;
+ background-color:#eeeeee;
+ margin-bottom: 0.3em;
+ padding:.5em 1em;
+ white-space: pre-wrap; /* css-3 */
+ white-space: -moz-pre-wrap !important; /* Mozilla, since 1999 */
+ white-space: -pre-wrap; /* Opera 4-6 */
+ white-space: -o-pre-wrap; /* Opera 7 */
+ word-wrap: break-word; /* Internet Explorer 5.5+ */
+ font-size: 0.9em;
+}
+
+pre .replaceable,
+pre .keycap {
+ color:white;
+}
+
+code {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ white-space: nowrap;
+ font-weight:bold;
+}
+
+.parameter code {
+ display: inline;
+ white-space: pre-wrap; /* css-3 */
+ white-space: -moz-pre-wrap !important; /* Mozilla, since 1999 */
+ white-space: -pre-wrap; /* Opera 4-6 */
+ white-space: -o-pre-wrap; /* Opera 7 */
+ word-wrap: break-word; /* Internet Explorer 5.5+ */
+}
+
+/*Notifications*/
+div.note, div.important, div.warning {
+ padding:1em;
+ padding-bottom:20px;
+ margin-top:.5em;
+ margin-bottom:1.5em;
+ background-repeat:no-repeat;
+ background-position:1em 1em;
+}
+
+div.note pre, div.important pre, div.warning pre {
+ background-color: #333;
+ color: white;
+ margin-left: 4.5em;
+}
+
+
+div.note {
+ background-image:url(../images/note.png);
+ background-color:#8e9f00;
+ color:white;
+}
+
+div.important {
+ background-color:#d08e13;
+ color:white;
+ background-image:url(../images/important.png);
+}
+
+div.warning {
+ background-color:#9e292b;
+ color:white;
+ background-image:url(../images/warning.png);
+}
+
+
+/* Admonition Headings */
+div.note h2, div.important h2, div.warning h2 {
+ height:32px;
+ font-size:1.3em;
+}
+
+div.note h2, div.important h2, div.warning h2 {
+ color:white;
+}
+
+/* Admonition Inlines */
+div.note .replaceable, div.important .replaceable, div.warning .replaceable {
+ color:#e3dcc0;
+}
+
+pre .replaceable, tt .replaceable {
+ color:#444;
+}
+
+div.note .guilabel, div.important .guilabel, div.warning .guilabel {
+ color:#e3dcc0;
+}
+
+
+/* Admonition Lists ... really? */
+div.note li, div.warning li, div.important li {
+ padding-left:10px;
+ margin:0em;
+}
+
+div.note ul, div.warning ul, div.important ul {
+ padding-left:40px;
+ margin:0em;
+}
+
+/* Admonition links in verbatim ... *really* */
+div.note pre pre a:visited, div.important pre pre a:visited,
+ div.warning pre pre a:visited, div.note pre a:link, div.important pre a:link, div.warning pre a:link {
+ color:#0066cc;
+}
+
+/* Admonition links */
+div.note a:visited, div.important a:visited, div.warning a:visited, div.note a:link , div.important a:link , div.warning a:link {
+ color:#f7f2d0;
+}
+
+/*notification icons*/
+div.note h2, div.note p, div.note div.para, div.warning h2, div.warning p, div.warning div.para, div.important h2, .important p, .important div.para {
+ padding:0em;
+ margin:0em;
+ padding-left:56px;
+}
+
+/*Page Title*/
+#title {
+ display:block;
+ height:45px;
+ padding-bottom:1em;
+ margin:0em;
+}
+
+#title a.left{
+ display:inline;
+ border:none;
+}
+
+#title a.left img{
+ border:none;
+ float:left;
+ margin:0em;
+ margin-top:.7em;
+}
+
+#title a.right {
+ padding-bottom:1em;
+}
+
+#title a.right img {
+ border:none;
+ float:right;
+ margin:0em;
+ margin-top:.7em;
+}
+
+/*Table*/
+table {
+ border:1px solid #6c614b;
+ width:100%;
+ border-collapse:collapse;
+}
+
+table.simplelist, .calloutlist table {
+ border-style: none;
+}
+
+table th {
+ text-align:left;
+ background-color:#6699cc;
+ padding:.3em .5em;
+ color:white;
+}
+
+table td {
+ padding:.15em .5em;
+}
+
+table tr.even td {
+ background-color:#f5f5f5;
+}
+
+table th p:first-child, table td p:first-child, table li p:first-child,
+table th div.para:first-child, table td div.para:first-child, table li div.para:first-child {
+ margin-top:0em;
+ padding-top:0em;
+ display:inline;
+}
+
+th, td {
+ border-style:none;
+ vertical-align: top;
+ border: 1px solid #000;
+}
+
+.simplelist th, .simplelist td {
+ border: none;
+}
+
+table table td {
+ border-bottom:1px dotted #aaa;
+ background-color:white;
+ padding:.6em 0em;
+}
+
+table table {
+ border:1px solid white;
+}
+
+td.remarkval {
+ color:#444;
+}
+
+td.fieldval {
+ font-weight:bold;
+}
+
+.lbname, .lbtype, .lbdescr, .lbdriver, .lbhost {
+ color:white;
+ font-weight:bold;
+ background-color:#999;
+ width:120px;
+}
+
+td.remarkval {
+ width:230px;
+}
+
+td.tname {
+ font-weight:bold;
+}
+
+th.dbfield {
+ width:120px;
+}
+
+th.dbtype {
+ width:70px;
+}
+
+th.dbdefault {
+ width:70px;
+}
+
+th.dbnul {
+ width:70px;
+}
+
+th.dbkey {
+ width:70px;
+}
+
+span.book {
+ margin-top:4em;
+ display:block;
+}
+
+span.chapter {
+ display:block;
+ margin-top:0.5em;
+}
+
+table.simplelist td, .calloutlist table td {
+ border-style: none;
+}
+
+/*Breadcrumbs*/
+#breadcrumbs ul li.first:before {
+ content:" ";
+}
+
+#breadcrumbs {
+ color:#900;
+ padding:3px;
+ margin-bottom:25px;
+}
+
+#breadcrumbs ul {
+ margin-left:0;
+ padding-left:0;
+ display:inline;
+ border:none;
+}
+
+#breadcrumbs ul li {
+ margin-left:0;
+ padding-left:2px;
+ border:none;
+ list-style:none;
+ display:inline;
+}
+
+#breadcrumbs ul li:before {
+ content:"\0020 \0020 \0020 \00BB \0020";
+ color:#333;
+}
+
+/*index*/
+.glossary h3,
+.index h3 {
+ font-size: 2em;
+ color:#aaa;
+ margin:0em;
+}
+
+.indexdiv {
+ margin-bottom:1em;
+}
+
+.glossary dt,
+.index dt {
+ color:#444;
+ padding-top:.5em;
+}
+
+.glossary dl dl dt,
+.index dl dl dt {
+ color:#777;
+ font-weight:normal;
+ padding-top:0em;
+}
+
+.index dl dl dt:before {
+ content:"- ";
+ color:#ccc;
+}
+
+/*changes*/
+.footnote {
+ padding:.2em 1em;
+ background-color:#c8c5ac;
+ font-size: .7em;
+ margin:0em;
+ margin-bottom:.5em;
+ color:#222;
+}
+
+table .footnote {
+ margin:1em .5em;
+}
+
+sup {
+ padding:0em .3em;
+ padding-left:0em;
+}
+
+.footnote {
+ position:relative;
+}
+
+.footnote sup {
+ color:#e3dcc0;
+ position:absolute;
+ left: .4em;
+}
+
+.footnote sup a:link,
+.footnote sup a:visited {
+ color:#92917d;
+ text-decoration:none;
+}
+
+.footnote:hover sup a {
+ color:#fff;
+ text-decoration:none;
+}
+
+.footnote p,.footnote div.para {
+ padding-left:5em;
+}
+
+.footnote a:link,
+.footnote a:visited {
+ color:#00537c;
+}
+
+.footnote a:hover {
+ color:white;
+}
+
+/**/
+div.chapter {
+ margin-top:3em;
+}
+
+div.section {
+ margin-top:1em;
+}
+
+div.note .replaceable,
+div.important .replaceable,
+div.warning .replaceable,
+div.note .keycap,
+div.important .keycap,
+div.warning .keycap
+{
+ color:white;
+}
+
+ul li p:last-child, ul li div.para:last-child {
+ margin-bottom:0em;
+ padding-bottom:0em;
+}
+
+/*document navigation*/
+.docnav a, .docnav strong {
+ border:none;
+ text-decoration:none;
+ font-weight:normal;
+}
+
+.docnav {
+ list-style:none;
+ margin:0em;
+ padding:0em;
+ position:relative;
+ width:100%;
+ padding-bottom:2em;
+ padding-top:1em;
+ border-top:1px dotted #ccc;
+}
+
+.docnav li {
+ list-style:none;
+ margin:0em;
+ padding:0em;
+ display:inline;
+ font-size:.8em;
+}
+
+.docnav li:before {
+ content:" ";
+}
+
+.docnav li.previous, .docnav li.next {
+ position:absolute;
+ top:1em;
+}
+
+.docnav li.up, .docnav li.home {
+ margin:0em 1.5em;
+}
+
+.docnav li.previous {
+ left:0px;
+ text-align:left;
+}
+
+.docnav li.next {
+ right:0px;
+ text-align:right;
+}
+
+.docnav li.previous strong, .docnav li.next strong {
+ height:22px;
+ display:block;
+}
+
+.docnav {
+ margin:0 auto;
+ text-align:center;
+}
+
+.docnav li.next a strong {
+ background: url(../images/stock-go-forward.png) top right no-repeat;
+ padding-top:3px;
+ padding-bottom:4px;
+ padding-right:28px;
+ font-size:1.2em;
+}
+
+.docnav li.previous a strong {
+ background: url(../images/stock-go-back.png) top left no-repeat;
+ padding-top:3px;
+ padding-bottom:4px;
+ padding-left:28px;
+ padding-right:0.5em;
+ font-size:1.2em;
+}
+
+.docnav li.home a strong {
+ background: url(../images/stock-home.png) top left no-repeat;
+ padding:5px;
+ padding-left:28px;
+ font-size:1.2em;
+}
+
+.docnav li.up a strong {
+ background: url(../images/stock-go-up.png) top left no-repeat;
+ padding:5px;
+ padding-left:28px;
+ font-size:1.2em;
+}
+
+.docnav a:link, .docnav a:visited {
+ color:#666;
+}
+
+.docnav a:hover, .docnav a:focus, .docnav a:active {
+ color:black;
+}
+
+.docnav a {
+ max-width: 10em;
+ overflow:hidden;
+}
+
+.docnav a:link strong {
+ text-decoration:none;
+}
+
+.docnav {
+ margin:0 auto;
+ text-align:center;
+}
+
+ul.docnav {
+ margin-bottom: 1em;
+}
+/* Reports */
+.reports ul {
+ list-style:none;
+ margin:0em;
+ padding:0em;
+}
+
+.reports li{
+ margin:0em;
+ padding:0em;
+}
+
+.reports li.odd {
+ background-color: #eeeeee;
+ margin:0em;
+ padding:0em;
+}
+
+.reports dl {
+ display:inline;
+ margin:0em;
+ padding:0em;
+ float:right;
+ margin-right: 17em;
+ margin-top:-1.3em;
+}
+
+.reports dt {
+ display:inline;
+ margin:0em;
+ padding:0em;
+}
+
+.reports dd {
+ display:inline;
+ margin:0em;
+ padding:0em;
+ padding-right:.5em;
+}
+
+.reports h2, .reports h3{
+ display:inline;
+ padding-right:.5em;
+ font-size:10pt;
+ font-weight:normal;
+}
+
+.reports div.progress {
+ display:inline;
+ float:right;
+ width:16em;
+ background:#c00 url(../images/shine.png) top left repeat-x;
+ margin:0em;
+ margin-top:-1.3em;
+ padding:0em;
+ border:none;
+}
+
+/*uniform*/
+body.results, body.reports {
+ max-width:57em ;
+ padding:0em;
+}
+
+/*Progress Bar*/
+div.progress {
+ display:block;
+ float:left;
+ width:16em;
+ background:#c00 url(../images/shine.png) top left repeat-x;
+ height:1em;
+}
+
+div.progress span {
+ height:1em;
+ float:left;
+}
+
+div.progress span.translated {
+ background:#6c3 url(../images/shine.png) top left repeat-x;
+}
+
+div.progress span.fuzzy {
+ background:#ff9f00 url(../images/shine.png) top left repeat-x;
+}
+
+
+/*Results*/
+
+.results ul {
+ list-style:none;
+ margin:0em;
+ padding:0em;
+}
+
+.results li{
+ margin:0em;
+ padding:0em;
+}
+
+.results li.odd {
+ background-color: #eeeeee;
+ margin:0em;
+ padding:0em;
+}
+
+.results dl {
+ display:inline;
+ margin:0em;
+ padding:0em;
+ float:right;
+ margin-right: 17em;
+ margin-top:-1.3em;
+}
+
+.results dt {
+ display:inline;
+ margin:0em;
+ padding:0em;
+}
+
+.results dd {
+ display:inline;
+ margin:0em;
+ padding:0em;
+ padding-right:.5em;
+}
+
+.results h2, .results h3{
+ display:inline;
+ padding-right:.5em;
+ font-size:10pt;
+ font-weight:normal;
+}
+
+.results div.progress {
+ display:inline;
+ float:right;
+ width:16em;
+ background:#c00 url(../images/shine.png) top left repeat-x;
+ margin:0em;
+ margin-top:-1.3em;
+ padding:0em;
+ border:none;
+}
+
+/* Dirty EVIL Mozilla hack for round corners */
+pre {
+ -moz-border-radius:11px;
+ -webkit-border-radius:11px;
+ border-radius: 11px;
+}
+
+.example {
+ -moz-border-radius:15px;
+ -webkit-border-radius:15px;
+ border-radius: 15px;
+}
+
+.package, .citetitle {
+ font-style: italic;
+}
+
+.edition {
+ color: #336699;
+ background-color: transparent;
+ margin-top: 1em;
+ margin-bottom: 1em;
+ font-size: 1.4em;
+ font-weight: bold;
+ text-align: center;
+}
+
+span.remark {
+ background-color: #ff00ff;
+}
+
+.draft {
+ background-image: url(../images/watermark-draft.png);
+ background-repeat: repeat-y;
+ background-position: center;
+}
+
+.foreignphrase {
+ font-style: inherit;
+}
+
+dt {
+ clear:both;
+}
+
+dt img {
+ border-style: none;
+ max-width: 112px;
+}
+
+dt object {
+ max-width: 112px;
+}
+
+dt .inlinemediaobject, dt object {
+ display: inline;
+ float: left;
+ margin-bottom: 1em;
+ padding-right: 1em;
+ width: 112px;
+}
+
+dl:after {
+ display: block;
+ clear: both;
+ content: "";
+}
+
+.toc dd {
+ padding-bottom: 0em;
+ margin-bottom: 1em;
+ padding-left: 1.3em;
+ margin-left: 0em;
+}
+
+div.toc > dl > dt {
+ padding-bottom: 0em;
+ margin-bottom: 0em;
+ margin-top: 1em;
+}
+
+
+.strikethrough {
+ text-decoration: line-through;
+}
+
+.underline {
+ text-decoration: underline;
+}
+
+.calloutlist img, .callout {
+ padding: 0em;
+ margin: 0em;
+ width: 12pt;
+ display: inline;
+ vertical-align: middle;
+}
+
+.stepalternatives {
+ list-style-image: none;
+ list-style-type: none;
+}
+
diff --git a/public_html/ja-JP/Fedora/15/html/Release_Notes/Common_Content/css/default.css b/public_html/ja-JP/Fedora/15/html/Release_Notes/Common_Content/css/default.css
new file mode 100644
index 0000000..bf38ebb
--- /dev/null
+++ b/public_html/ja-JP/Fedora/15/html/Release_Notes/Common_Content/css/default.css
@@ -0,0 +1,3 @@
+ at import url("common.css");
+ at import url("overrides.css");
+ at import url("lang.css");
diff --git a/public_html/ja-JP/Fedora/15/html/Release_Notes/Common_Content/css/lang.css b/public_html/ja-JP/Fedora/15/html/Release_Notes/Common_Content/css/lang.css
new file mode 100644
index 0000000..81c3115
--- /dev/null
+++ b/public_html/ja-JP/Fedora/15/html/Release_Notes/Common_Content/css/lang.css
@@ -0,0 +1,2 @@
+/* place holder */
+
diff --git a/public_html/ja-JP/Fedora/15/html/Release_Notes/Common_Content/css/overrides.css b/public_html/ja-JP/Fedora/15/html/Release_Notes/Common_Content/css/overrides.css
new file mode 100644
index 0000000..db64f48
--- /dev/null
+++ b/public_html/ja-JP/Fedora/15/html/Release_Notes/Common_Content/css/overrides.css
@@ -0,0 +1,55 @@
+a:link {
+ color:#0066cc;
+}
+
+a:hover, a:active {
+ color:#003366;
+}
+
+a:visited {
+ color:#6699cc;
+}
+
+
+h1 {
+ color:#3c6eb4
+}
+
+.producttitle {
+ background: #3c6eb4 url(../images/h1-bg.png) top left repeat;
+}
+
+.section h1.title {
+ color:#3c6eb4;
+}
+
+
+h2,h3,h4,h5,h6 {
+ color:#3c6eb4;
+}
+
+table {
+ border:1px solid #3c6eb4;
+}
+
+table th {
+ background-color:#3c6eb4;
+}
+
+
+table tr.even td {
+ background-color:#f5f5f5;
+}
+
+.term{
+ color:#3c6eb4
+}
+
+.revhistory table th {
+ color:#3c6eb4;
+}
+
+.edition {
+ color: #3c6eb4;
+}
+
diff --git a/public_html/ja-JP/Fedora/15/html/Release_Notes/Common_Content/css/print.css b/public_html/ja-JP/Fedora/15/html/Release_Notes/Common_Content/css/print.css
new file mode 100644
index 0000000..773d8ae
--- /dev/null
+++ b/public_html/ja-JP/Fedora/15/html/Release_Notes/Common_Content/css/print.css
@@ -0,0 +1,16 @@
+ at import url("common.css");
+ at import url("overrides.css");
+ at import url("lang.css");
+
+#tocframe {
+ display: none;
+}
+
+body.toc_embeded {
+ margin-left: 30px;
+}
+
+.producttitle {
+ color: #336699;
+}
+
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new file mode 100644
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--- /dev/null
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new file mode 100644
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new file mode 100644
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new file mode 100644
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+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>A. 改訂履æ´</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora-Release_Notes-15-ja-JP-1-0" /><link rel="home" href="index.html" title="リリースノート" /><link rel="up" href="index.html" title="リリースノート" /><link rel="prev" href="sect-Release_Notes-Changes_for_Specific_Audiences.html" title="5. Fedora ã®å¤‰æ›´ç‚¹ - 特定ã®æ–¹å‘ã‘" /><link rel="next" href="appe-Release_Notes-index.html" title="索引" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p i
d="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Release_Notes-Changes_for_Specific_Audiences.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="appe-Release_Notes-index.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="appendix" title="A. 改訂履æ´" id="appe-Release_Notes-Revision_History" lang="ja-JP"><div class="titlepage"><div><div><h1 class="title">改訂履æ´</h1></div></div></div><div class="para">
+ <div class="revhistory"><table border="0" width="100%" summary="Revision history"><tr><th align="left" valign="top" colspan="3"><b>改訂履æ´</b></th></tr><tr><td align="left">改訂 15.2</td><td align="left">Thu Jun 23 2011</td><td align="left"><span class="author"><span class="surname">McDonough</span> <span class="firstname">John</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Required memory for installation (BZ#699770)</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15.1</td><td align="left">Fri Jun 3 2011</td><td align="left"><span class="author"><span class="surname">McDonough</span> <span class="firstname">John</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Typo in Virtualization (BZ#705928)</td></tr><tr><td>gnuplot not GNU plot (BZ#707318)</td></tr><tr><td>device naming (BZ#707730)</td></tr><tr><td>Correct version number of boost (BZ#707786)</td></tr><tr><td>Remove reference to disappeared GS-Theme-Selector (BZ#708085)</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15.0</td><td align="left">Sun May 8 2011</td><td align="left"><span class="author"><span class="surname">McDonough</span> <span class="firstname">John</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Memory (BZ#699770, 701780)</td></tr><tr><td>Xfce case (BZ#699977)</td></tr><tr><td>Wireshark permission changes (BZ#680165)</td></tr><tr><td>Powering off with systemd (BZ#701638)</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.98</td><td align="left">Fri Apr 15 2011</td><td align="left"><span class="author"><span class="surname">McDonough</span> <span class="firstname">John</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Dom0 を除ã</td></tr><tr><td>dnssec を除ã</td></tr><tr><td>riak を除ã</td></tr><tr><td>ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯æŽ¥ç¶šã®æ³¨æ„ã‚’è¿½åŠ </td></tr><tr><td>IcedTea ã®è¨˜è¿°ã‚’è¿½åŠ </td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.97</td><td align="left">Mon Apr 11 2011</td><td align="left"><span class="author"><span class="surname">McDonough</span> <span class="firstname">John</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>ç´¢å¼•ã‚’è¿½åŠ </td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.96</td><td align="left">Tue Apr 5 2011</td><td align="left"><span class="author"><span class="surname">McDonough</span> <span class="firstname">John</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>kernelnewbies ã¸ã®ãƒªãƒ³ã‚¯ã‚’è¿½åŠ (カーãƒãƒ«)</td></tr><tr><td>一般的ãªç‰¹å¾´ãƒšãƒ¼ã‚¸ã§ãªã〠F15 ã®ç‰¹å¾´ãƒšãƒ¼ã‚¸ã‚’リンクã™ã‚‹ã€‚（概è¦ï¼‰</td></tr><tr><td>boxgrinder ã® URL ã‚’ä¿®æ£ï¼ˆä»®æƒ³åŒ–）</td></tr><tr><td>Python ã® URL ã‚’ä¿®æ£ (開発ツール)</td></tr><tr><td>Rails ã® URL ã‚’ä¿®æ£ (開発ツール)</td></tr><tr><td>avr-gcc ã® URL ã‚’ä¿®æ£ï¼ˆçµ„ã¿è¾¼ã¿é–‹ç™ºï¼‰</td></tr><tr><td>avr-c++ ã® URL ã‚’ä¿®æ£ï¼ˆçµ„ã¿è¾¼ã¿é–‹ç™ºï¼‰</td></tr><tr><td>avr-binutils ã® URL ã‚’ä¿®æ£ï¼ˆçµ„ã¿è¾¼ã¿é–‹ç™ºï¼‰</td></tr><tr><td>dfu-programmer ã® URL ã‚’ä¿®æ£ï¼ˆçµ„ã¿è¾¼ã¿é–‹ç™ºï¼‰</td></tr><tr><td>xlog ã® URL ã‚’ä¿®æ£ï¼ˆã‚¢ãƒžãƒãƒ¥ã‚¢ç„¡ç·šï¼‰</td></tr><tr><td>splat ã® URL ã‚’ä¿®æ£ï¼ˆã‚¢ãƒžãƒãƒ¥ã‚¢ç„¡ç·šï¼‰</td></tr><tr><td>冗長㪠systemd を除ãã€ç®¡ç†è€…ãƒ¦ãƒ¼ã‚¶ã‚’è¿½åŠ ã€‚ Rahul</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.95</td><td align="left">Tue Apr 5 2011</td><td align="left"><span class="author"><span class="surname">McDonough</span> <span class="firstname">John</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>beats を変æ›</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.90</td><td align="left">Tue Mar 22 2011</td><td align="left"><span class="author"><span class="surname">McDonough</span> <span class="firstname">John</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Fedora 15 スケルトンを空ã«ã™ã‚‹</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.1</td><td align="left">Sun Oct 31 2010</td><td align="left"><span class="author"><span class="surname">McDonough</span> <span class="firstname">John</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>ブートセクションを除ãã€ãã‚Œã«ã¨ã‚‚ãªã£ã¦ã€ systemd ã¸ã®ã™ã¹ã¦ã®å‚照を除ã</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.0</td><td align="left">Fri Oct 15 2010</td><td align="left"><span class="author"><span class="surname">McDonough</span> <span class="firstname">John</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>GA ã®æº–å‚™</td></tr><tr><td>マウスã®å¤‰æ›´ã‚’è¿½åŠ </td></tr><tr><td>Pino/Gwibber ã®å¤‰æ›´ã‚’è¿½åŠ </td></tr><tr><td>systemd をプレビューã¨ã™ã‚‹</td></tr><tr><td>ドラフト状態を除ã</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 13.95</td><td align="left">Mon Sep 13 2010</td><td align="left"><span class="author"><span class="surname">McDonough</span> <span class="firstname">John</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>ベータリリースã®æº–å‚™</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0</td><td align="left">Sat Sep 4 2010</td><td align="left"><span class="author"><span class="surname">McDonough</span> <span class="firstname">John</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>publican ã§ã®æœ€åˆã®ãƒ–ック作æˆ</td></tr></table>
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>wiki　ã®æœ€åˆã®å¤‰æ›</td></tr></table>
+
+ </td></tr></table></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Release_Notes-Changes_for_Specific_Audiences.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5. Fedora ã®å¤‰æ›´ç‚¹ - 特定ã®æ–¹å‘ã‘</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="appe-Release_Notes-index.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>索引</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/15/html/Release_Notes/appe-Release_Notes-index.html b/public_html/ja-JP/Fedora/15/html/Release_Notes/appe-Release_Notes-index.html
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+++ b/public_html/ja-JP/Fedora/15/html/Release_Notes/appe-Release_Notes-index.html
@@ -0,0 +1,3 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>索引</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora-Release_Notes-15-ja-JP-1-0" /><link rel="home" href="index.html" title="リリースノート" /><link rel="up" href="index.html" title="リリースノート" /><link rel="prev" href="appe-Release_Notes-Revision_History.html" title="A. 改訂履æ´" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product
Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="appe-Release_Notes-Revision_History.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"></li></ul><div class="index" title="索引" id="appe-Release_Notes-index"><div class="titlepage"><div><div><h2 class="title">索引</h2></div></div></div><div class="index"><div class="indexdiv"><h3>シンボル</h3><dl><dt>/run directory, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id977120">/run directory</a></dt></dl></div><div class="indexdiv"><h3>A</h3><dl><dt>ABINIT, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id664429">APE</a></dt><dt>accounting, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id962449">Ledger</a>, <a class="indexterm" href="sect-Release_Notes-Change
s_for_Developers.html#id735935">Tryton</a></dt><dt>Activities, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id745566">GNOME シェル</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id763578">KDE</a></dt><dt>Administrator, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id731575">管ç†è€…ユーザ</a></dt><dt>affymetrics, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id762598">R</a></dt><dt>alacarte, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id764087">Xfce</a></dt><dt>Alien Arena, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id699175">Alien Arena</a></dt><dt>Apache, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id964914">Apache</a></dt><dt>APE, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id664429">APE</a></dt><dt>Applets,
<a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id972155">アプレットã¯ã©ã†ãªã£ãŸã®ã§ã™ã‹ï¼Ÿ</a></dt><dt>Appliances, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id752892">Boxgrinder</a></dt><dt>APRS, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id762399">libfap</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id704374">xastir</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id1856089">soundmodem</a></dt><dt>atmega, at32 MPUs, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id967394">dfu-programmer</a></dt><dt>Atomic pseudopotentials, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id664429">APE</a></dt><dt>authconfig, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id976533">authoconfig ecryptfs</a></dt
><dt>avr, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id965404">avr</a></dt><dt>avr-binutils, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id965404">avr</a></dt><dt>avr-c++, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id965404">avr</a></dt><dt>avr-gcc, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id965404">avr</a></dt></dl></div><div class="indexdiv"><h3>B</h3><dl><dt>bacula, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id753345">Bacula</a></dt><dt>BEDtools, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id764335">BEDtools</a></dt><dt>bluetile, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id711898">æ–°ã—ã„パッケージ</a></dt><dt>boost, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id656554">Boost</a></dt>
<dt>BoxGrinder, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id752892">Boxgrinder</a></dt><dt>Büchi automata, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id680606">ltl2ba</a></dt><dt>Bug Reporting, <a class="indexterm" href="sect-Release_Notes-Welcome_to_Fedora_15.html#sect-Release_Notes-Welcome_to_Fedora">Fedora ã¸ã€ã‚ˆã†ã“ã</a></dt></dl></div><div class="indexdiv"><h3>C</h3><dl><dt>C#, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id1855911">Mono</a></dt><dt>C++0x, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#sect-RelNotes-GCC">GCC</a></dt><dt>cairo, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id763483">GTK+ 3.0</a></dt><dt>camlp4, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id672492">OCaml</a></dt><dt>CDuce, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id
672492">OCaml</a></dt><dt>Chinese support, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id774500">ä¸å›½èªžã‚µãƒãƒ¼ãƒˆãƒ‘ッケージã®ã‚°ãƒ«ãƒ¼ãƒ—</a></dt><dt>Colossus Arena, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id744720">Colossus Arena</a></dt><dt>Compression</dt><dd><dl><dt>xz, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#sect-Release_Notes-Live_Image">Live イメージ</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id712524">squashfs</a></dt></dl></dd><dt>Control Panel, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id745566">GNOME シェル</a></dt><dt>coot, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id662229">coot</a></dt><dt>cp2k, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id662284">cp2k</a></dt><dt>crystallography, <a class="in
dexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id662229">coot</a></dt><dt>CuteCW, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id757031">CuteCW</a></dt><dt>CW</dt><dd><dl><dt>Learning, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id757031">CuteCW</a></dt><dt>sound card, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id972023">fldigi</a></dt></dl></dd></dl></div><div class="indexdiv"><h3>D</h3><dl><dt>Data Acquisition, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id680672">openscada</a></dt><dt>Database</dt><dd><dl><dt>MySQL, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id687486">mysql</a></dt><dt>postgresql, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id656715">postgresql</a></dt></dl></dd><dt>dconf, <a class="indexterm" href="sect-Release_Notes-Changes_f
or_Desktop_Users.html#id976288">gsettings 㨠dconf</a></dt><dt>dconf-editor, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id976288">gsettings 㨠dconf</a></dt><dt>Dell PowerEdge, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id695689">ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒ‡ãƒã‚¤ã‚¹ã®å‘½å</a></dt><dt>Density-Functional Theory, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id664429">APE</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id662284">cp2k</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id680542">libxc</a></dt><dt>Design Suite</dt><dd><dl><dt>yum group, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id965472">Design Suite</a></dt></dl></dd><dt>Desktop, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id976000">デスクトップã¯ã©ã“ã§ã™ã‹ï¼Ÿ
</a></dt><dt>DFT, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id664429">APE</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id662284">cp2k</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id680542">libxc</a></dt><dt>dfu-programmer, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id967394">dfu-programmer</a></dt><dt>dia-optics, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id663996">dia-optics</a></dt><dt>dial, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id758103">rcrpanel</a></dt><dt>Directory</dt><dd><dl><dt>/dev, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id977120">/run directory</a></dt><dt>/etc/tmpfiles.d, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id674235">/var/run 㨠/var/lock</a></dt><dt>/r
un, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id977120">/run directory</a></dt><dt>/run/lock, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id977120">/run directory</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id674235">/var/run 㨠/var/lock</a></dt><dt>/usr/share/applications, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id976046">ãƒã‚°ã‚¤ãƒ³ã—ãŸæ™‚ã«ãƒ—ãƒã‚°ãƒ©ãƒ を自動的ã«å®Ÿè¡Œã™ã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ</a></dt><dt>/var/lock, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id977120">/run directory</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id674235">/var/run 㨠/var/lock</a></dt><dt>/var/run, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id977120">/run directory</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id
674235">/var/run 㨠/var/lock</a></dt></dl></dd><dt>Disk space requirements, <a class="indexterm" href="sect-Release_Notes-Welcome_to_Fedora_15.html#id698890">å…¨ã¦ã®ã‚¢ãƒ¼ã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒãƒ¼ãƒ‰ãƒ‡ã‚£ã‚¹ã‚¯ã®å®¹é‡</a></dt><dt>DNA microarrays, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id762598">R</a></dt><dt>DNS, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id733403">FreeIPA 2.0</a></dt><dt>Dolphin, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id763578">KDE</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id763762">アプリケーション</a></dt><dt>dracut, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id977120">/run directory</a></dt><dt>Drupal, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id895176">Drupal ã¯ã€ Drupal6 ã¨ã€åå‰ãŒå¤‰ã‚ã‚Šã¾ã—ãŸã€‚</a></dt><dt>
DXCC, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id972023">fldigi</a></dt><dt>Dynamic Firewall, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id673246">ダイナミックファイアウォール</a></dt></dl></div><div class="indexdiv"><h3>E</h3><dl><dt>EC2, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id752892">Boxgrinder</a></dt><dt>eclipse-ptp, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id765072">eclipse-ptp</a></dt><dt>Econometrics, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id664066">gretl</a></dt><dt>eCryptfs, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id976533">authoconfig ecryptfs</a></dt><dt>electrical compact device model, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id712364">mot-adms</a></dt><dt>em<port>, <a class="indexterm" href="s
ect-Release_Notes-Changes_for_Desktop_Users.html#id695689">ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒ‡ãƒã‚¤ã‚¹ã®å‘½å</a></dt><dt>eQSL, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id972023">fldigi</a></dt><dt>Erlang, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id667761">Erlang</a></dt><dt>ERP, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id735935">Tryton</a></dt><dt>eth0, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id695689">ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒ‡ãƒã‚¤ã‚¹ã®å‘½å</a></dt><dt>ETSF, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id680542">libxc</a></dt></dl></div><div class="indexdiv"><h3>F</h3><dl><dt>F.L.A.W., <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id656868">F.L.A.W.</a></dt><dt>Facebook, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id763762">アプリケーシã
ƒ§ãƒ³</a></dt><dt>Fallback mode, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id975951">強制的ã«ãƒ•ã‚©ãƒ¼ãƒ«ãƒãƒƒã‚¯ãƒ¢ãƒ¼ãƒ‰ã‚’使ã†ã“ã¨ãŒã§ãã¾ã™ã‹ï¼Ÿ</a></dt><dt>FAQ</dt><dd><dl><dt>Fedora, <a class="indexterm" href="sect-Release_Notes-Welcome_to_Fedora_15.html#sect-Release_Notes-Welcome_to_Fedora">Fedora ã¸ã€ã‚ˆã†ã“ã</a></dt></dl></dd><dt>Fawkes</dt><dd><dl><dt>Robotics, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id735055">Fawkes</a></dt></dl></dd><dt>FHS, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id977120">/run directory</a></dt><dt>Filesystem Hierarchy Standard, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id977120">/run directory</a></dt><dt>Firefox, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id967727">Firefox</a></dt><dt>FirewallD, <a class="indexterm" href="sect-Release_Notes-Changes_for
_SysAdmin.html#id673246">ダイナミックファイアウォール</a></dt><dt>firstaidkit, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id750333">OpenSCAP</a></dt><dt>FITS, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id680820">psfex</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id653871">root</a></dt><dt>fldigi, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id972023">fldigi</a></dt><dt>Flickr, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id763762">アプリケーション</a></dt><dt>Fortran, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#sect-RelNotes-GCC">GCC</a></dt><dt>Freeciv, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id751501">Freeciv</a></dt><dt>Freecol, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id76
6434">FreeCol</a></dt><dt>FreeDesktop, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id764087">Xfce</a></dt><dt>FreeDink, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id760154">FreeDink</a></dt><dt>FreeIPA, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id733403">FreeIPA 2.0</a></dt><dt>FTP, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id764087">Xfce</a></dt></dl></div><div class="indexdiv"><h3>G</h3><dl><dt>gbrainy, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id966268">gbrainy</a></dt><dt>gcc, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#sect-RelNotes-GCC">GCC</a></dt><dt>GConf, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id976288">gsettings 㨠dconf</a></dt><dt>gconf-editor, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id976288">
gsettings 㨠dconf</a></dt><dt>gconftool-2, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id976288">gsettings 㨠dconf</a></dt><dt>gdb, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id763762">アプリケーション</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id757289">gdb</a></dt><dt>genetics, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id653871">root</a></dt><dt>genomics, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id764335">BEDtools</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id762598">R</a></dt><dt>GHC, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id710596">GHC</a></dt><dt>GNOME, <a class="indexterm" href="sect-Release_Notes-Welcome_to_Fedora_15.html#sect-Release_Notes-Overview">概è¦</a>, <a class="indexterm" href="sect-Relea
se_Notes-Changes_for_Desktop_Users.html#id765370">GNOME</a></dt><dt>GNOME Shell, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id745566">GNOME シェル</a></dt><dt>gnome-session-properties, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id976046">ãƒã‚°ã‚¤ãƒ³ã—ãŸæ™‚ã«ãƒ—ãƒã‚°ãƒ©ãƒ を自動的ã«å®Ÿè¡Œã™ã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ</a></dt><dt>gnome-tweak-tool, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id760761">è¨å®šã‚’変ãˆã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰ã‚ˆã„ã§ã™ã‹ï¼Ÿ</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id764845">ラップトップã®ãµãŸã‚’é–‰ã‚ãŸæ™‚ã®ãµã‚‹ã¾ã„ã‚’ã€ã©ã†ã‚„ã£ã¦å¤‰ãˆã‚Œã°è‰¯ã„ã§ã™ã‹ï¼Ÿ</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id764913">ウインドウを最大化ã€ã‚ã‚‹ã„ã¯æœ€å°åŒ–ã™ã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ</a>, <a c
lass="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id972102">パãƒãƒ«ãŒã€å®Œå…¨ãªæ—¥ä»˜ã¨æ™‚刻を表示ã™ã‚‹ã‚ˆã†ã«ã™ã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ</a></dt><dt>gnuplot, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id680782">plotdrop</a></dt><dt>Go, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#sect-RelNotes-GCC">GCC</a></dt><dt>gpredict, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id682919">gpredict</a></dt><dt>gpslabel-gui, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id664036">gpsbabel-gui</a></dt><dt>GPW, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id662284">cp2k</a></dt><dt>Graphics</dt><dd><dl><dt>Intel, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id745566">GNOME シェル</a>, <a class="indexterm" href="sect-Release_No
tes-Changes_for_SysAdmin.html#id749820">Intel</a></dt><dt>Mesa, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id765126">Mesa</a></dt><dt>Nouveau, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id745566">GNOME シェル</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id672669">Nouveau</a></dt><dt>Radeon, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id745566">GNOME シェル</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id664507">Radeon</a></dt><dt>yum group, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id965472">Design Suite</a></dt></dl></dd><dt>gretl, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id664066">gretl</a></dt><dt>gsettings, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id976288">gsettings 㨠dconf</a></dt><dt>GTK, <a cl
ass="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id763483">GTK+ 3.0</a></dt><dt>gtkwave, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id756666">gtkwave</a></dt><dt>GVFS, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id764087">Xfce</a></dt><dt>Gwenview, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id763762">アプリケーション</a></dt><dt>gzip, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id712524">squashfs</a></dt></dl></div><div class="indexdiv"><h3>H</h3><dl><dt>HAL, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id763937">プラットフォーム</a></dt><dt>hamlib, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id1855993">hamlib</a></dt><dt>haskell-platform, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id653700">Haskell Platfo
rm</a></dt><dt>Help, <a class="indexterm" href="sect-Release_Notes-Welcome_to_Fedora_15.html#sect-Release_Notes-Welcome_to_Fedora">Fedora ã¸ã€ã‚ˆã†ã“ã</a></dt><dt>HotSpot, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id667596">IcedTea6 1.10</a></dt><dt>HP Proliant, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id695689">ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒ‡ãƒã‚¤ã‚¹ã®å‘½å</a></dt><dt>httpd, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id964914">Apache</a></dt></dl></div><div class="indexdiv"><h3>I</h3><dl><dt>IcedTea, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id667596">IcedTea6 1.10</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id682771">IcedTea-Web</a></dt><dt>ICL, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id656554">Boost</a></dt><dt>IEEE-1364, <a class="indexterm" href="sect-Release_Notes-Changes_fo
r_Specific_Audiences.html#id730755">iverolg</a></dt><dt>Indic typing booster, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id896339">Indic Typing Booster</a></dt><dt>initscripts, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id977120">/run directory</a></dt><dt>Intel, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id745566">GNOME シェル</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id749820">Intel</a></dt><dt>IPv6, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id757142">libvirt ã®å¤šãã®æ”¹è‰¯</a></dt><dt>iverilog, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id730755">iverolg</a></dt></dl></div><div class="indexdiv"><h3>J</h3><dl><dt>Java Plugin, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id682771">IcedTea-Web</a></dt><dt>JNLP, <a class="indexterm" href="sect
-Release_Notes-Changes_for_Developers.html#id667596">IcedTea6 1.10</a></dt></dl></div><div class="indexdiv"><h3>K</h3><dl><dt>Kate, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id763762">アプリケーション</a></dt><dt>KDE, <a class="indexterm" href="sect-Release_Notes-Welcome_to_Fedora_15.html#sect-Release_Notes-Overview">概è¦</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id763578">KDE</a></dt><dt>kdesk, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id763762">アプリケーション</a></dt><dt>Kerberos, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id733403">FreeIPA 2.0</a></dt><dt>KSnapshot, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id763762">アプリケーション</a></dt><dt>KVM, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id757142">libvirt ã®å¤šãã®æ”¹è‰¯</a></dt><dt>KWin
, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id763578">KDE</a></dt></dl></div><div class="indexdiv"><h3>L</h3><dl><dt>Laptop, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id764845">ラップトップã®ãµãŸã‚’é–‰ã‚ãŸæ™‚ã®ãµã‚‹ã¾ã„ã‚’ã€ã©ã†ã‚„ã£ã¦å¤‰ãˆã‚Œã°è‰¯ã„ã§ã™ã‹ï¼Ÿ</a></dt><dt>LDAP, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id733403">FreeIPA 2.0</a></dt><dt>Ledger, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id962449">Ledger</a></dt><dt>libfap, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id762399">libfap</a></dt><dt>libmysqlclient, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id687486">mysql</a></dt><dt>libpanel-applet, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id972155">アプレットã¯ã©ã†ãªã£ãŸã®ã§ã™ã‹ï¼Ÿ</a></dt
><dt>Libre Office, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id733365">Libre Office®</a></dt><dt>libvirt, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id757142">libvirt ã®å¤šãã®æ”¹è‰¯</a></dt><dt>libxc, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id680542">libxc</a></dt><dt>Linux Kernel, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#sect-Release_Notes-Kernel">Kernel</a></dt><dt>Live Image, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#sect-Release_Notes-Live_Image">Live イメージ</a></dt><dt>Logging, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id972023">fldigi</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id1856031">xlog</a></dt><dt>LotW, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id972023">fldigi
</a></dt><dt>LTL, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id680606">ltl2ba</a></dt><dt>ltl2ba, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id680606">ltl2ba</a></dt></dl></div><div class="indexdiv"><h3>M</h3><dl><dt>Maven, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id735655">Maven</a></dt><dt>mdadm, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id977120">/run directory</a></dt><dt>Memory Requirements, <a class="indexterm" href="sect-Release_Notes-Welcome_to_Fedora_15.html#id760044">x86 アーã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒ—ãƒã‚»ãƒƒã‚µã¨ãƒ¡ãƒ¢ãƒª</a>, <a class="indexterm" href="sect-Release_Notes-Welcome_to_Fedora_15.html#id734943">x86_64 アーã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒ—ãƒã‚»ãƒƒã‚µã¨ãƒ¡ãƒ¢ãƒª</a></dt><dt>Mesa, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id765126">Mesa</a></dt><dt>mksquashfs, <a class="i
ndexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id712524">squashfs</a></dt><dt>Molecular model, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id662229">coot</a></dt><dt>Mono, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id1855911">Mono</a></dt><dt>Morphological Analysis, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id680820">psfex</a></dt><dt>mot-adms, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id712364">mot-adms</a></dt><dt>mount, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id977120">/run directory</a></dt><dt>MPU</dt><dd><dl><dt>atmega, at32, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id967394">dfu-programmer</a></dt><dt>PIC 12F, 16F, 18F, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id704232">piklab</a></dt></dl></dd><
dt>MSM, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id656554">Boost</a></dt><dt>mysql, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id687486">mysql</a></dt></dl></div><div class="indexdiv"><h3>N</h3><dl><dt>nepomuk, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id763578">KDE</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id763762">アプリケーション</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id763937">プラットフォーム</a></dt><dt>Network, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id695689">ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒ‡ãƒã‚¤ã‚¹ã®å‘½å</a></dt><dt>NetX, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id682771">IcedTea-Web</a></dt><dt>ngspice, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id746238">ngspice</a></dt>
<dt>Nonlinear Analysis</dt><dd><dl><dt>DC, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id746238">ngspice</a></dt><dt>Transient, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id746238">ngspice</a></dt></dl></dd><dt>Notification, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id745566">GNOME シェル</a></dt><dt>Nouveau, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id745566">GNOME シェル</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id672669">Nouveau</a></dt><dt>NTP, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id733403">FreeIPA 2.0</a></dt></dl></div><div class="indexdiv"><h3>O</h3><dl><dt>OCaml, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id672492">OCaml</a></dt><dt>Octave, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.h
tml#id664066">gretl</a></dt><dt>OCTOPUS, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id664429">APE</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id680542">libxc</a></dt><dt>ODBC, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id680672">openscada</a></dt><dt>Olivia, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id972023">fldigi</a></dt><dt>Open Office, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id733365">Libre Office®</a></dt><dt>Open Street Maps, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id704374">xastir</a></dt><dt>OpenCL, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id757289">gdb</a></dt><dt>openeuclide, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id680647">openeuclide</a></dt><dt>OpenJ
DK, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id682771">IcedTea-Web</a></dt><dt>openscada, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id680672">openscada</a></dt><dt>OpenSCAP, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id750333">OpenSCAP</a></dt><dt>Optics, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id663996">dia-optics</a></dt><dt>OVAL, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id750333">OpenSCAP</a></dt><dt>Ox, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id664066">gretl</a></dt><dt>Oxygen-GTK, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id763937">プラットフォーム</a></dt></dl></div><div class="indexdiv"><h3>P</h3><dl><dt>p<slot>p<port>, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id695
689">ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒ‡ãƒã‚¤ã‚¹ã®å‘½å</a></dt><dt>pandoc, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id711898">æ–°ã—ã„パッケージ</a></dt><dt>panel, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id758103">rcrpanel</a></dt><dt>pcb, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id758054">pcb</a></dt><dt>PCKS#11, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id667596">IcedTea6 1.10</a></dt><dt>pg_upgrade, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id656715">postgresql</a></dt><dt>Photometry, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id680820">psfex</a></dt><dt>PIC 12F, 16F, 18F MPUs, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id704232">piklab</a></dt><dt>piklab, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Au
diences.html#id704232">piklab</a></dt><dt>Plasma Workspace, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id763578">KDE</a></dt><dt>Player</dt><dd><dl><dt>Robotics, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id775112">Player</a></dt></dl></dd><dt>plotdrop, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id680782">plotdrop</a></dt><dt>Point Spread Function, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id680820">psfex</a></dt><dt>PolicyKit, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id731575">管ç†è€…ユーザ</a></dt><dt>Polygon, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id656554">Boost</a></dt><dt>postgresql, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id656715">postgresql</a></dt><dt>Postgresql, <a class="indexterm" href="sect-Release_Notes-Change
s_for_Specific_Audiences.html#id680672">openscada</a></dt><dt>Power Off, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id760790">システムをシャットダウンã€é›»æºã‚ªãƒ•ã€ã‚ã‚‹ã„ã¯å†é–‹å§‹ã™ã‚‹ã«ã¯ã€ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ</a></dt><dt>Printed circuit board, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id758054">pcb</a></dt><dt>Process Control, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id680672">openscada</a></dt><dt>Processor Requirements, <a class="indexterm" href="sect-Release_Notes-Welcome_to_Fedora_15.html#id760044">x86 アーã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒ—ãƒã‚»ãƒƒã‚µã¨ãƒ¡ãƒ¢ãƒª</a>, <a class="indexterm" href="sect-Release_Notes-Welcome_to_Fedora_15.html#id734943">x86_64 アーã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒ—ãƒã‚»ãƒƒã‚µã¨ãƒ¡ãƒ¢ãƒª</a></dt><dt>Propagation, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audienc
es.html#id1856120">splat</a></dt><dt>Pseudopotentials</dt><dd><dl><dt>Atomic, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id664429">APE</a></dt></dl></dd><dt>PSF, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id680820">psfex</a></dt><dt>psfex, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id680820">psfex</a></dt><dt>pskmail, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id972023">fldigi</a></dt><dt>PWscf, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id664429">APE</a></dt><dt>Python, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id672590">Python</a></dt></dl></div><div class="indexdiv"><h3>Q</h3><dl><dt>qemu-kvm, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id757142">libvirt ã®å¤šãã®æ”¹è‰¯</a></dt></dl></div><div class="indexdiv"><h3>R</h
3><dl><dt>R, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id664066">gretl</a></dt><dt>R-affydata, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id762598">R</a></dt><dt>R-GenomicRanges, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id762598">R</a></dt><dt>R-ROC, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id762598">R</a></dt><dt>Radeon, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id745566">GNOME シェル</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id664507">Radeon</a></dt><dt>Rails, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id672621">Rails</a></dt><dt>RANDR, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id653087">Xorg server</a></dt><dt>rcrpanel, <a class="indexterm" href="sect-Release_Notes-Changes_for_Speci
fic_Audiences.html#id758103">rcrpanel</a></dt><dt>recoll, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id764576">recoll</a></dt><dt>Recording</dt><dd><dl><dt>Screen, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id976131">スクリーンã®éŒ²ç”»</a></dt></dl></dd><dt>Reporting</dt><dd><dl><dt>Bug and Feature Request, <a class="indexterm" href="sect-Release_Notes-Welcome_to_Fedora_15.html#sect-Release_Notes-Welcome_to_Fedora">Fedora ã¸ã€ã‚ˆã†ã“ã</a></dt></dl></dd><dt>Requirements</dt><dd><dl><dt>Disk space, <a class="indexterm" href="sect-Release_Notes-Welcome_to_Fedora_15.html#id698890">å…¨ã¦ã®ã‚¢ãƒ¼ã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒãƒ¼ãƒ‰ãƒ‡ã‚£ã‚¹ã‚¯ã®å®¹é‡</a></dt><dt>Memory, <a class="indexterm" href="sect-Release_Notes-Welcome_to_Fedora_15.html#id760044">x86 アーã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒ—ãƒã‚»ãƒƒã‚µã¨ãƒ¡ãƒ¢ãƒª</a>, <a class="indexterm" href="sect-Release_Notes-Welcome_to_Fedora_15.html#id
734943">x86_64 アーã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒ—ãƒã‚»ãƒƒã‚µã¨ãƒ¡ãƒ¢ãƒª</a></dt><dt>Processor, <a class="indexterm" href="sect-Release_Notes-Welcome_to_Fedora_15.html#id760044">x86 アーã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒ—ãƒã‚»ãƒƒã‚µã¨ãƒ¡ãƒ¢ãƒª</a>, <a class="indexterm" href="sect-Release_Notes-Welcome_to_Fedora_15.html#id734943">x86_64 アーã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒ—ãƒã‚»ãƒƒã‚µã¨ãƒ¡ãƒ¢ãƒª</a></dt></dl></dd><dt>Restart, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id760790">システムをシャットダウンã€é›»æºã‚ªãƒ•ã€ã‚ã‚‹ã„ã¯å†é–‹å§‹ã™ã‚‹ã«ã¯ã€ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ</a></dt><dt>Rig control, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id1855993">hamlib</a></dt><dt>RoboCup</dt><dd><dl><dt>Soccer Simulator, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id674954">ãƒãƒœã‚«ãƒƒãƒ—サッカーシミュレータ</a></dt></dl></dd><d
t>root, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id653871">root</a></dt><dt>run directory, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id977120">/run directory</a></dt><dt>Rupee sign, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id695319">ルピー記å·</a></dt></dl></div><div class="indexdiv"><h3>S</h3><dl><dt>Satellite, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id682919">gpredict</a></dt><dt>SCADA, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id680672">openscada</a></dt><dt>SCAP, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id750333">OpenSCAP</a></dt><dt>search, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id764576">recoll</a></dt><dt>secstate, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id750333">OpenSCAP</a></
dt><dt>setroubleshoot, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id743794">setroubleshoot</a></dt><dt>setuid, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id743837">setuid を除去</a></dt><dt>SIESTA, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id664429">APE</a></dt><dt>Simplified Chinese support, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id774500">ä¸å›½èªžã‚µãƒãƒ¼ãƒˆãƒ‘ッケージã®ã‚°ãƒ«ãƒ¼ãƒ—</a></dt><dt>Simulation</dt><dd><dl><dt>Molecular, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id662284">cp2k</a></dt></dl></dd><dt>SMBIOS, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id695689">ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒ‡ãƒã‚¤ã‚¹ã®å‘½å</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id757142">libvirt ã®å¤šãã®æ”¹è‰¯</a></dt><dt>Sound card modes, <a clas
s="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id972023">fldigi</a></dt><dt>soundmodem, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id1856089">soundmodem</a></dt><dt>Spice, <a class="indexterm" href="sect-Release_Notes-Welcome_to_Fedora_15.html#sect-Release_Notes-Overview">概è¦</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id748038">virt-manager ã§ã® Spice サãƒãƒ¼ãƒˆ</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id757142">libvirt ã®å¤šãã®æ”¹è‰¯</a></dt><dt>spice, <a class="indexterm" href="sect-Release_Notes-Welcome_to_Fedora_15.html#sect-Release_Notes-Overview">概è¦</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id712364">mot-adms</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id746238">ngspice</a></dt><dt>splat, <a class="indexterm" href="sect-Release_Notes
-Changes_for_Specific_Audiences.html#id1856120">splat</a></dt><dt>squashfs, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id712524">squashfs</a></dt><dt>SSD, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id655215">systemd</a></dt><dt>SSH, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id764087">Xfce</a></dt><dt>Stage</dt><dd><dl><dt>Robotics, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id736165">Stage</a></dt></dl></dd><dt>Statistics, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id762598">R</a></dt><dt>sudo, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id731575">管ç†è€…ユーザ</a></dt><dt>Sugar, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id764065">Sugar</a></dt><dt>supertuxkart, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id
966303">supertuxkart</a></dt><dt>Supervisory Control, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id680672">openscada</a></dt><dt>Suspend, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id760790">システムをシャットダウンã€é›»æºã‚ªãƒ•ã€ã‚ã‚‹ã„ã¯å†é–‹å§‹ã™ã‚‹ã«ã¯ã€ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ</a></dt><dt>system-config-firewall, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id673246">ダイナミックファイアウォール</a></dt><dt>systemd, <a class="indexterm" href="sect-Release_Notes-Welcome_to_Fedora_15.html#sect-Release_Notes-Overview">概è¦</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id655215">systemd</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id674235">/var/run 㨠/var/lock</a></dt><dt>systemtap, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id757289"
>gdb</a></dt></dl></div><div class="indexdiv"><h3>T</h3><dl><dt>Task Manager, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id763578">KDE</a></dt><dt>Themes, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id763483">GTK+ 3.0</a></dt><dd><dl><dt>GNOME, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id975838">テーマã¯ã©ã†ãªã£ãŸã®ã§ã™ã‹ï¼Ÿ</a></dt></dl></dd><dt>Thor, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id972023">fldigi</a></dt><dt>Thunar, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id764087">Xfce</a></dt><dt>tmpfiles.d, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id674235">/var/run 㨠/var/lock</a></dt><dt>tmpfs, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id674235">/var/run 㨠/var/lock</a></dt><dt>Traditional Chinese support, <a class="inde
xterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id774500">ä¸å›½èªžã‚µãƒãƒ¼ãƒˆãƒ‘ッケージã®ã‚°ãƒ«ãƒ¼ãƒ—</a></dt><dt>Tryton, <a class="indexterm" href="sect-Release_Notes-Changes_for_Developers.html#id735935">Tryton</a></dt><dt>tshark, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id699366">Wireshark permissions changes</a></dt></dl></div><div class="indexdiv"><h3>U</h3><dl><dt>UDev, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id763937">プラットフォーム</a></dt><dt>udev, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id977120">/run directory</a></dt><dt>UDisks, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id763937">プラットフォーム</a></dt><dt>UPower, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id763937">プラットフォーム</a></dt></dl></div><div class="indexdiv"><h3>V</h3><dl><dt>V
CA, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id680672">openscada</a></dt><dt>Verilog, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id756666">gtkwave</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id730755">iverolg</a></dt><dt>Verilog-AMS, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id712364">mot-adms</a></dt><dt>VHDL, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id756666">gtkwave</a></dt><dt>virt-manager, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id748038">virt-manager ã§ã® Spice サãƒãƒ¼ãƒˆ</a></dt><dt>Virtualization, <a class="indexterm" href="sect-Release_Notes-Welcome_to_Fedora_15.html#sect-Release_Notes-Overview">概è¦</a></dt><dd><dl><dt>GNOME shell, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id975925">GNOME ã‚·ã
‚§ãƒ«ã¯ã€ä»®æƒ³ãƒžã‚·ãƒ³ã®ã‚‚ã¨ã§å‹•ãã¾ã™ã‹ï¼Ÿ</a></dt></dl></dd><dt>VMware, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id752892">Boxgrinder</a></dt><dt>VPN, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id709792">VPN ã®ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆå¯è¦–性</a></dt></dl></div><div class="indexdiv"><h3>W</h3><dl><dt>Waterfall, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id972023">fldigi</a></dt><dt>Webdav, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id764087">Xfce</a></dt><dt>Wiki</dt><dd><dl><dt>Fedora, <a class="indexterm" href="sect-Release_Notes-Welcome_to_Fedora_15.html#sect-Release_Notes-Welcome_to_Fedora">Fedora ã¸ã€ã‚ˆã†ã“ã</a></dt></dl></dd><dt>Wireshark, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id699366">Wireshark permissions changes</a></dt></dl></div><div class="indexdiv"><h3>X</h3><dl><dt>X-serv
er, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id653087">Xorg server</a></dt><dt>X.509, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id733403">FreeIPA 2.0</a></dt><dt>xastir, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#id704374">xastir</a></dt><dt>XCCDF, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id750333">OpenSCAP</a></dt><dt>Xfce, <a class="indexterm" href="sect-Release_Notes-Welcome_to_Fedora_15.html#sect-Release_Notes-Overview">概è¦</a>, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id764087">Xfce</a></dt><dt>XFixes, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id653087">Xorg server</a></dt><dt>XI2, <a class="indexterm" href="sect-Release_Notes-Changes_for_SysAdmin.html#id653087">Xorg server</a></dt><dt>xlog, <a class="indexterm" href="sect-Release_Notes-Changes_for_Specific_Audiences.html#i
d1856031">xlog</a></dt></dl></div><div class="indexdiv"><h3>Z</h3><dl><dt>zaz, <a class="indexterm" href="sect-Release_Notes-Changes_for_Desktop_Users.html#id640319">zaz</a></dt></dl></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="appe-Release_Notes-Revision_History.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>A. 改訂履æ´</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/15/html/Release_Notes/index.html b/public_html/ja-JP/Fedora/15/html/Release_Notes/index.html
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@@ -0,0 +1,26 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>リリースノート</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora-Release_Notes-15-ja-JP-1-0" /><meta name="description" content="ã“ã®æ–‡æ›¸ã¯ Fedora 15 リリースノートを記述ã—ã¾ã™ã€‚" /><link rel="home" href="index.html" title="リリースノート" /><link rel="next" href="sect-Release_Notes-Welcome_to_Fedora_15.html" title="1. Fedora 15 ã¸ã‚ˆã†ã“ã" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedorap
roject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"></li><li class="next"><a accesskey="n" href="sect-Release_Notes-Welcome_to_Fedora_15.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="article" title="リリースノート" id="id1842847" lang="ja-JP"><div class="titlepage"><div><div class="producttitle" font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><span class="productname">Fedora</span> <span class="productnumber">15</span></div><div><h1 id="id1842847" class="title">リリースノート</h1></div><div><h3 class="subtitle"><i>Fedora 15 リリースノート</i></h3></div><div><h3 class="corpauthor">
+ <span class="inlinemediaobject"><object data="Common_Content/images/title_logo.svg" type="image/svg+xml"> Logo</object></span>
+
+ </h3></div><div><div xml:lang="ja-JP" class="authorgroup" lang="ja-JP"><div class="editor"><h4 class="editedby">編者：</h4><h3 class="editor"><span class="surname">Docs Team</span> <span class="firstname">Fedora</span> [FAMILY Given]</h3></div></div></div><div><div id="id734674" class="legalnotice"><h1 class="legalnotice">法律上ã®é€šçŸ¥</h1><div class="para">
+ Copyright <span class="trademark"></span>© 2011 Fedora Project Contributors.
+ </div><div class="para">
+ The text of and illustrations in this document are licensed by Red Hat under a Creative Commons Attribution–Share Alike 3.0 Unported license ("CC-BY-SA"). An explanation of CC-BY-SA is available at <a href="http://creativecommons.org/licenses/by-sa/3.0/">http://creativecommons.org/licenses/by-sa/3.0/</a>. The original authors of this document, and Red Hat, designate the Fedora Project as the "Attribution Party" for purposes of CC-BY-SA. In accordance with CC-BY-SA, if you distribute this document or an adaptation of it, you must provide the URL for the original version.
+ </div><div class="para">
+ Red Hat, as the licensor of this document, waives the right to enforce, and agrees not to assert, Section 4d of CC-BY-SA to the fullest extent permitted by applicable law.
+ </div><div class="para">
+ Red Hat, Red Hat Enterprise Linux, the Shadowman logo, JBoss, MetaMatrix, Fedora, the Infinity Logo, and RHCE are trademarks of Red Hat, Inc., registered in the United States and other countries.
+ </div><div class="para">
+ For guidelines on the permitted uses of the Fedora trademarks, refer to <a href="https://fedoraproject.org/wiki/Legal:Trademark_guidelines">https://fedoraproject.org/wiki/Legal:Trademark_guidelines</a>.
+ </div><div class="para">
+ <span class="trademark">Linux</span>® is the registered trademark of Linus Torvalds in the United States and other countries.
+ </div><div class="para">
+ <span class="trademark">Java</span>® is a registered trademark of Oracle and/or its affiliates.
+ </div><div class="para">
+ <span class="trademark">XFS</span>® is a trademark of Silicon Graphics International Corp. or its subsidiaries in the United States and/or other countries.
+ </div><div class="para">
+ All other trademarks are the property of their respective owners.
+ </div></div></div><div><div class="abstract" title="概è¦"><h6>概è¦</h6><div class="para">
+ ã“ã®æ–‡æ›¸ã¯ Fedora 15 リリースノートを記述ã—ã¾ã™ã€‚
+ </div></div></div></div><hr /></div><div class="toc"><dl><dt><span class="section"><a href="sect-Release_Notes-Welcome_to_Fedora_15.html">1. Fedora 15 ã¸ã‚ˆã†ã“ã</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Release_Notes-Welcome_to_Fedora_15.html#sect-Release_Notes-Welcome_to_Fedora">1.1. Fedora ã¸ã€ã‚ˆã†ã“ã</a></span></dt><dt><span class="section"><a href="sect-Release_Notes-Welcome_to_Fedora_15.html#sect-Release_Notes-Overview">1.2. 概è¦</a></span></dt><dt><span class="section"><a href="sect-Release_Notes-Welcome_to_Fedora_15.html#sect-Release_Notes-Hardware_Overview">1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ã®æ¦‚è¦</a></span></dt><dt><span class="section"><a href="sect-Release_Notes-Welcome_to_Fedora_15.html#sect-Release_Notes-Feedback">1.4. フィードãƒãƒƒã‚¯</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Release_Notes-Changes_for_Desktop_Users.html">2. Fedora ã®å¤‰æ›´ç‚¹ - デスクトップユーザーå‘ã‘</a></span></dt><dd><dl
><dt><span class="section"><a href="sect-Release_Notes-Changes_for_Desktop_Users.html#sect-RelNotes-Desktop">2.1. デスクトップ</a></span></dt><dt><span class="section"><a href="sect-Release_Notes-Changes_for_Desktop_Users.html#sect-RelNotes-Productivity">2.2. 生産性</a></span></dt><dt><span class="section"><a href="sect-Release_Notes-Changes_for_Desktop_Users.html#sect-RelNotes-Networking">2.3. ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚ング</a></span></dt><dt><span class="section"><a href="sect-Release_Notes-Changes_for_Desktop_Users.html#sect-RelNotes-I18n">2.4. 国際化</a></span></dt><dt><span class="section"><a href="sect-Release_Notes-Changes_for_Desktop_Users.html#sect-RelNotes-Multimedia">2.5. マルãƒãƒ¡ãƒ‡ã‚£ã‚¢</a></span></dt><dt><span class="section"><a href="sect-Release_Notes-Changes_for_Desktop_Users.html#sect-RelNotes-Entertainment">2.6. エンターテインメント</a></span></dt><dt><span class="section"><a href="sect-Release_Notes-Changes_for_Desktop_Users.html#sect
-Release_Notes-Live_Image">2.7. Live イメージ</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Release_Notes-Changes_for_SysAdmin.html">3. Fedora ã®å¤‰æ›´ç‚¹ - システム管ç†è€…å‘ã‘</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Release_Notes-Changes_for_SysAdmin.html#sect-Release_Notes-Kernel">3.1. Kernel</a></span></dt><dt><span class="section"><a href="sect-Release_Notes-Changes_for_SysAdmin.html#sect-RelNotes-Boot">3.2. ブート</a></span></dt><dt><span class="section"><a href="sect-Release_Notes-Changes_for_SysAdmin.html#sect-RelNotes-Security">3.3. ã‚»ã‚ュリティ</a></span></dt><dt><span class="section"><a href="sect-Release_Notes-Changes_for_SysAdmin.html#sect-RelNotes-Virtualization">3.4. 仮想化</a></span></dt><dt><span class="section"><a href="sect-Release_Notes-Changes_for_SysAdmin.html#sect-RelNotes-Web_Servers">3.5. ウェブサーãƒã¨ã‚¦ã‚§ãƒ–アプリケーション</a></span></dt><dt><span class="section"><a
href="sect-Release_Notes-Changes_for_SysAdmin.html#sect-RelNotes-Database_Servers">3.6. データベースサーãƒãƒ¼</a></span></dt><dt><span class="section"><a href="sect-Release_Notes-Changes_for_SysAdmin.html#sect-RelNotes-System_Daemons">3.7. システムデーモン</a></span></dt><dt><span class="section"><a href="sect-Release_Notes-Changes_for_SysAdmin.html#sect-RelNotes-File_Systems">3.8. ファイルシステム</a></span></dt><dt><span class="section"><a href="sect-Release_Notes-Changes_for_SysAdmin.html#sect-RelNotes-Xorg">3.9. Xorg</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Release_Notes-Changes_for_Developers.html">4. Fedora ã®å¤‰æ›´ç‚¹ - 開発者å‘ã‘</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Release_Notes-Changes_for_Developers.html#sect-RelNotes-Development">4.1. 開発</a></span></dt><dt><span class="section"><a href="sect-Release_Notes-Changes_for_Developers.html#sect-RelNotes-Developer_Tools">4.2. 開発ツã
ƒ¼ãƒ«</a></span></dt><dt><span class="section"><a href="sect-Release_Notes-Changes_for_Developers.html#sect-RelNotes-GCC">4.3. GCC</a></span></dt><dt><span class="section"><a href="sect-Release_Notes-Changes_for_Developers.html#sect-RelNotes-Java">4.4. Java</a></span></dt><dt><span class="section"><a href="sect-Release_Notes-Changes_for_Developers.html#sect-RelNotes-Haskell">4.5. Haskell</a></span></dt><dt><span class="section"><a href="sect-Release_Notes-Changes_for_Developers.html#sect-RelNotes-Eclipse">4.6. Eclipse</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Release_Notes-Changes_for_Specific_Audiences.html">5. Fedora ã®å¤‰æ›´ç‚¹ - 特定ã®æ–¹å‘ã‘</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Release_Notes-Changes_for_Specific_Audiences.html#sect-RelNotes-Scientific_and_Technical">5.1. 科å¦ã¨æŠ€è¡“</a></span></dt><dt><span class="section"><a href="sect-Release_Notes-Changes_for_Specific_Audiences.html#sect-RelNotes-Embedded_Dev
elopment">5.2. 組ã¿è¾¼ã¿é–‹ç™º</a></span></dt><dt><span class="section"><a href="sect-Release_Notes-Changes_for_Specific_Audiences.html#sect-RelNotes-Circuit_Design">5.3. 回路è¨è¨ˆ</a></span></dt><dt><span class="section"><a href="sect-Release_Notes-Changes_for_Specific_Audiences.html#sect-RelNotes-Robotics">5.4. ãƒãƒœãƒ†ã‚£ã‚¯ã‚¹</a></span></dt><dt><span class="section"><a href="sect-Release_Notes-Changes_for_Specific_Audiences.html#sect-RelNotes-Amateur_Radio">5.5. アマãƒãƒ¥ã‚¢ç„¡ç·š</a></span></dt></dl></dd><dt><span class="appendix"><a href="appe-Release_Notes-Revision_History.html">A. 改訂履æ´</a></span></dt><dt><span class="index"><a href="appe-Release_Notes-index.html">索引</a></span></dt></dl></div></div><ul class="docnav"><li class="previous"></li><li class="next"><a accesskey="n" href="sect-Release_Notes-Welcome_to_Fedora_15.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>1. Fedora 15 ã¸ã‚ˆã†ã“ã</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>2. Fedora ã®å¤‰æ›´ç‚¹ - デスクトップユーザーå‘ã‘</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora-Release_Notes-15-ja-JP-1-0" /><link rel="home" href="index.html" title="リリースノート" /><link rel="up" href="index.html" title="リリースノート" /><link rel="prev" href="sect-Release_Notes-Welcome_to_Fedora_15.html" title="1. Fedora 15 ã¸ã‚ˆã†ã“ã" /><link rel="next" href="sect-Release_Notes-Changes_for_SysAdmin.html" title="3. Fedora ã®å¤‰æ›´ç‚¹ - システム管ç†è€…å‘ã‘" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an ifr
ame, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Release_Notes-Welcome_to_Fedora_15.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Release_Notes-Changes_for_SysAdmin.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="2. Fedora ã®å¤‰æ›´ç‚¹ - デスクトップユーザーå‘ã‘" id="sect-Release_Notes-Changes_for_Desktop_Users"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Release_Notes-Changes_for_Desktop_Users">2. Fedora ã®å¤‰æ›´ç‚¹ - デスクトップユーザーå‘ã‘</h2></div></
div></div><div xml:lang="ja-JP" class="section" title="2.1. デスクトップ" id="sect-RelNotes-Desktop" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Desktop">2.1. デスクトップ</h3></div></div></div><div class="section" title="2.1.1. GNOME"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id765370">2.1.1. GNOME</h4></div></div></div><a id="id757771" class="indexterm"></a><div class="para">
+ Fedora 15 ã¯ã€ GNOME 3 を採用ã—ã¾ã—ãŸã€‚ãã‚Œã¯ã€ï¼‘ï¼å¹´ã«æ¸¡ã‚‹ GNOME ユーザ体験ã®ã€æœ€åˆã®å¤§ããªè¦‹ç›´ã—ã‚’ã‚‚ãŸã‚‰ã—ã¾ã—ãŸã€‚GNOME 2.0 プラットフォームã¨åŒã˜ã‚ˆã†ã«ã€ GNOME 3.0 リリースã¯é–‹å§‹ç‚¹ã§ã‚り〠<a href="https://mail.gnome.org/archives/desktop-devel-list/2011-March/msg00109.html"> ã„ãã¤ã‹ã®æ©Ÿèƒ½å¼·åŒ–</a> ãŒã€ä»Šå¾Œã®ãƒªãƒ“ジョンã§äºˆå®šã•ã‚Œã¦ã„ã¾ã™ã€‚
+ </div><div class="para">
+ Many of the following notes are reproduced in the online help for GNOME 3. To start the help application, move your mouse to the Activities hotspot at the upper left. Then type "help" to find the application, or choose Applications and locate Help in the menu.
+ </div><div class="section" title="2.1.1.1. GNOME シェル"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="id745566">2.1.1.1. GNOME シェル</h5></div></div></div><a id="id730167" class="indexterm"></a><a id="id726039" class="indexterm"></a><a id="id687869" class="indexterm"></a><a id="id745470" class="indexterm"></a><div class="para">
+ æ–°ã—ã„ GNOME シェルã¯ã‚·ã‚¹ãƒ†ãƒ ã¨ç›¸äº’作用ã™ã‚‹ãŸã‚ã®æ–°ã—ã„方法ã§ã€é«˜ã„生産性をもãŸã‚‰ã—ã¾ã™ã€‚シェルã¯ã€å®Œå…¨ã«å†è¨è¨ˆã•ã‚ŒãŸã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã¨ã€ã‚¨ãƒ¬ã‚¬ãƒ³ãƒˆã§ä½¿ã„ã‚„ã™ã„ツールを特徴ã¨ã—ã¾ã™ï¼š
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ トップãƒãƒ¼ã¯ã€è¨å®šã€ã‚«ãƒ¬ãƒ³ãƒ€ãƒ¼ã€ãã—ã¦ä¸»è¦ãªãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã¸ã®ç›´æŽ¥ã®ã‚¢ã‚¯ã‚»ã‚¹ã‚’æä¾›ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 左上ã®ã‚¢ã‚¯ãƒ†ã‚£ãƒ“ティホットコーナーã¯ã€ã™ã¹ã¦ã®ã‚¢ãƒ—リケーションã¨æ¤œç´¢ã¸ã®ç°¡å˜ãªã‚¢ã‚¯ã‚»ã‚¹ã‚’æä¾›ã—ã¾ã™ã€‚ã¾ãŸã€ãŠæ°—ã«å…¥ã‚Šã®ã‚¢ãƒ—リケーションã®ãƒ‰ãƒƒã‚¯ã§ã‚‚ã‚ã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 通知ã®æ”¹å–„。例ãˆã°ã€ä»–ã®ã‚¢ãƒ—リケーションã«ã‚³ãƒ³ãƒ†ã‚ストを変更ã™ã‚‹å¿…è¦ã®ãªã„ã€ãƒ¡ãƒƒã‚»ãƒ¼ã‚¸ãŒã‚µãƒãƒ¼ãƒˆã•ã‚Œã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ã‚ーボードä¸å¿ƒã®ãƒ¦ãƒ¼ã‚¶ã«ã‚‚ã€ãƒã‚¤ãƒ³ãƒˆã‚¢ãƒ³ãƒ‰ã‚¯ãƒªãƒƒã‚¯ã®ãƒ¦ãƒ¼ã‚¶ã«ã‚‚ã€ã‚·ã‚§ãƒ«å…¨ä½“ã«æ¸¡ã‚‹ã‚¢ã‚¯ã‚»ã‚¹ãŒæä¾›ã•ã‚Œã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ コントãƒãƒ¼ãƒ«ãƒ‘ãƒãƒ«ã¯ã€ã‚·ã‚¹ãƒ†ãƒ ã¨å€‹äººçš„ãªè¨å®šã‚’１箇所ã«ã¾ã¨ã‚ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ä»–ã®å¤šãã®æ”¹å–„ã¨ã€å®Œå…¨ãªæƒ…å ±ã¯ã€ <a href="http://fedoraproject.org/wiki/GnomeShell">http://fedoraproject.org/wiki/GnomeShell</a> ãŠã‚ˆã³ <a href="http://live.gnome.org/GnomeShell">http://live.gnome.org/GnomeShell</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></li></ul></div><div class="para">
+ 以下㮠wiki ページã«ã¯ã€ä¸»ãªå¤‰æ›´ã¨ã€ãƒ¯ãƒ¼ã‚¯ãƒ•ãƒãƒ¼ã®é•ã„ãŒèª¬æ˜Žã•ã‚Œã¦ã„ã¾ã™ã€‚
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://live.gnome.org/GnomeShell/Tour">http://live.gnome.org/GnomeShell/Tour</a>
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://live.gnome.org/GnomeShell/CheatSheet">http://live.gnome.org/GnomeShell/CheatSheet</a>
+ </div></li></ul></div><div class="para">
+ <a id="id756135" class="indexterm"></a>
+ <a id="id756143" class="indexterm"></a>
+ <a id="id756151" class="indexterm"></a>
+ <a id="id756159" class="indexterm"></a>
+ <a id="id756171" class="indexterm"></a>
+ <a id="id756183" class="indexterm"></a>
+ æ–°ã—ã„ GNOME 3 ユーザ体験ã¯ã€ 3D アクセラレーションãŒå¯èƒ½ãªãƒ“デオカードを必è¦ã¨ã—ã¾ã™ã€‚Fedora 15 ã¯ã€ãƒ•ãƒªãƒ¼ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢ã®ãƒ‰ãƒ©ã‚¤ãƒã§ã€å¯èƒ½ãªé™ã‚Šå¤šãã®ã“れらã®ã‚«ãƒ¼ãƒ‰ã‚’サãƒãƒ¼ãƒˆã—ã¾ã™ã€‚ãã‚Œã«ã¯ã€ NVidia グラフィックスカードã®ãŸã‚ã® <span class="package">nouveau</span> ドライãƒã€ AMD グラフィックスカードã®ãŸã‚ã® <span class="package">radeon</span> ドライãƒã€ãã—㦠Intel グラフィックスカードã®ãŸã‚ã®<span class="package">intel</span> ãŒå«ã¾ã‚Œã¾ã™ã€‚ã‚‚ã—ã€ãã¡ã‚“ã¨ã‚µãƒãƒ¼ãƒˆã•ã‚Œã¦ã„ã‚‹ 3D アクセラレーションãŒæ¤œå‡ºã§ããªã‹ã£ãŸã¨ãã¯ã€ GNOME 3 ã¯ãƒ•ã‚©ãƒ¼ãƒ«ãƒãƒƒã‚¯ãƒ¢ãƒ¼ãƒ‰ã«ãªã‚Šã€ GNOME シェル ã®ãµã‚‹ã¾ã„を模倣ã—ã¾ã™ã€‚ Nouveau ã§ã® 3D サãƒãƒ¼ãƒˆã¯ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§æœ‰åŠ¹ã§ã‚り〠<span class="package">mesa-dri-drivers-experimental</span> パッケージã¯ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã
™ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã›ã‚“。
+ </div><div class="section" title="2.1.1.1.1. ã©ã†ã‚„ã£ã¦ã‚¢ãƒ—リケーションを見ã¤ã‘ã‚Œã°è‰¯ã„ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id760729">2.1.1.1.1. ã©ã†ã‚„ã£ã¦ã‚¢ãƒ—リケーションを見ã¤ã‘ã‚Œã°è‰¯ã„ã§ã™ã‹ï¼Ÿ</h6></div></div></div><div class="para">
+ 左上ã®è§’ã«è¡Œã£ã¦ã€ãƒ›ãƒƒãƒˆã‚¹ãƒãƒƒãƒˆã‚’アクティベートã—ã¾ã™ã€‚ãã“ã§ã€ <span class="guimenu"><strong>アプリケーション</strong></span> をクリックã—ã¾ã™ã€‚ã‚ã‚‹ã„ã¯ã€<span class="keycap"><strong>スーパー</strong></span> ã‚ー (<span class="keycap"><strong>Windows</strong></span> ã‚ーã¨ã‚‚呼ã°ã‚Œã¾ã™)ã‚‚ã—ã㯠<span class="keycap"><strong>Alt</strong></span>+<span class="keycap"><strong>F1</strong></span> を押ã—ã¦ã€ã‚¢ãƒ—リケーションã®åå‰ã‚‚ã—ãã¯é–¢é€£ã™ã‚‹ç”¨èªžã‚’タイプã—始ã‚ã¾ã™ã€‚
+ </div></div><div class="section" title="2.1.1.1.2. è¨å®šã‚’変ãˆã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰ã‚ˆã„ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id760761">2.1.1.1.2. è¨å®šã‚’変ãˆã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰ã‚ˆã„ã§ã™ã‹ï¼Ÿ</h6></div></div></div><a id="id760767" class="indexterm"></a><div class="para">
+ å³ä¸Šã®ãƒ¦ãƒ¼ã‚¶ãƒ¡ãƒ‹ãƒ¥ãƒ¼ã‚’クリックã—ã¦ã€ <span class="guimenu"><strong>システムè¨å®š</strong></span> ã‚’é¸æŠžã—ã¾ã™ã€‚より高度ãªè¨å®šã‚’ã™ã‚‹ã«ã¯ã€ <span class="package">gnome-tweak-tool</span> パッケージをインストールã—ã¦ãã ã•ã„。
+ </div></div><div class="section" title="2.1.1.1.3. システムをシャットダウンã€é›»æºã‚ªãƒ•ã€ã‚ã‚‹ã„ã¯å†é–‹å§‹ã™ã‚‹ã«ã¯ã€ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id760790">2.1.1.1.3. システムをシャットダウンã€é›»æºã‚ªãƒ•ã€ã‚ã‚‹ã„ã¯å†é–‹å§‹ã™ã‚‹ã«ã¯ã€ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ</h6></div></div></div><a id="id764797" class="indexterm"></a><a id="id764805" class="indexterm"></a><a id="id764813" class="indexterm"></a><div class="para">
+ <span class="keycap"><strong>Alt</strong></span> ã‚ーを押ã—ãªãŒã‚‰ã€ãƒ¦ãƒ¼ã‚¶ãƒ¡ãƒ‹ãƒ¥ãƒ¼ã‚’クリックã—ã¾ã™ã€‚メニューã®æœ€å¾Œã«ã‚ã‚‹ <span class="guimenu"><strong>サスペンド</strong></span> メニューアイテムãŒã€ <span class="guimenu"><strong>パワーオフ...</strong></span>ã«å¤‰ã‚ã‚Šã¾ã™ã€‚ <span class="keycap"><strong>Alt</strong></span> ã‚ーを押ã—ãŸã¾ã¾ã€ãã®ã‚¢ã‚¤ãƒ†ãƒ をクリックã—ã¾ã™ã€‚システムをシャットダウンã™ã‚‹ã‹ã€å†é–‹å§‹ã™ã‚‹ã‹ã®ã‚ªãƒ—ションãŒã‚らã‚ã‚Œã¾ã™ã€‚
+ </div></div><div class="section" title="2.1.1.1.4. ラップトップã®ãµãŸã‚’é–‰ã‚ãŸæ™‚ã®ãµã‚‹ã¾ã„ã‚’ã€ã©ã†ã‚„ã£ã¦å¤‰ãˆã‚Œã°è‰¯ã„ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id764845">2.1.1.1.4. ラップトップã®ãµãŸã‚’é–‰ã‚ãŸæ™‚ã®ãµã‚‹ã¾ã„ã‚’ã€ã©ã†ã‚„ã£ã¦å¤‰ãˆã‚Œã°è‰¯ã„ã§ã™ã‹ï¼Ÿ</h6></div></div></div><a id="id764852" class="indexterm"></a><a id="id764860" class="indexterm"></a><div class="para">
+ デフォルトã§ã¯ã€ãƒ©ãƒƒãƒ—トップã®ãµãŸã‚’é–‰ã‚ãŸæ™‚ã«ã¯ã€ã‚·ã‚¹ãƒ†ãƒ ãŒã‚µã‚¹ãƒšãƒ³ãƒ‰ã—ã¾ã™ã€‚ã“ã®ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã¯å¤‰æ›´ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚（ã•ã‚‰ã«ã€ã‚·ã‚¹ãƒ†ãƒ ãŒãƒãƒƒãƒ†ãƒªãƒ¼ã§å‹•ä½œã—ã¦ã„ã‚‹ã‹ã€AC é›»æºã§å‹•ä½œã—ã¦ã„ã‚‹ã‹ã«ã‚ˆã£ã¦ã€å¤‰ãˆã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚）
+ </div><div class="para">
+ <span class="package">gnome-tweak-tool</span> を使ã†ã‹ã€ã‚‚ã—ãã¯ã€ä»¥ä¸‹ã®ã©ã¡ã‚‰ã‹ã€ã‚ã‚‹ã„ã¯ä¸¡æ–¹ã®ã‚³ãƒžãƒ³ãƒ‰ã‚’使ã£ã¦ãã ã•ã„。
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="command">gsettings set org.gnome.settings-daemon.plugins.power lid-close-ac-action "blank"</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="command">gsettings set org.gnome.settings-daemon.plugins.power lid-close-battery-action "blank"</code>
+ </div></li></ul></div></div><div class="section" title="2.1.1.1.5. ウインドウを最大化ã€ã‚ã‚‹ã„ã¯æœ€å°åŒ–ã™ã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id764913">2.1.1.1.5. ウインドウを最大化ã€ã‚ã‚‹ã„ã¯æœ€å°åŒ–ã™ã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ</h6></div></div></div><a id="id764919" class="indexterm"></a><div class="para">
+ Red Hat ã® Owen Taylor〠GNOME シェルã®ä¸»è¦ãªé–‹ç™ºè€…ã®ä¸€äººã€ãŒã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§ã“れらã®ãƒœã‚¿ãƒ³ã‚’削除ã—ãŸç†ç”±ã‚’ <a href="https://mail.gnome.org/archives/gnome-shell-list/2011-February/msg00192.html"> ã“ã“</a> ã«è¿°ã¹ã¦ã„ã¾ã™ã€‚ã—ã‹ã—ã€æœ€å¤§åŒ–ã¨æœ€å°åŒ–ã¯ã€ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã‚¿ã‚¤ãƒˆãƒ«ã‚’å³ã‚¯ãƒªãƒƒã‚¯ã™ã‚‹ã‹ã€<span class="keycap"><strong>Alt</strong></span>+<span class="keysym">Space</span>を押ã™ã‹ã™ã‚Œã°ã€ã‚³ãƒ³ãƒ†ã‚ストメニューã‹ã‚‰ <a href="http://blogs.gnome.org/diegoe/2011/03/05/minimize-and-maximize-in-gnome3/"> 利用å¯èƒ½</a> ã§ã™ã€‚ウインドウタイトルをダブルクリックã™ã‚‹ã‹ã€ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã‚’デスクトップã®ä¸Šã®ç«¯ã¸ãƒ‰ãƒ©ãƒƒã‚°ã—ã¦ã‚‚ã€æœ€å¤§åŒ–ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ボタンã®è¦‹ãŸã‚を変ãˆã‚‹ã«ã¯ã€ <span class="package">gnome-tweak-tool</span> を使ã£ã¦ãã ã•ã„。
+ </div></div><div class="section" title="2.1.1.1.6. ウインドウをタイル状ã«é…ç½®ã™ã‚‹ã“ã¨ã¯ã§ãã¾ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id972088">2.1.1.1.6. ウインドウをタイル状ã«é…ç½®ã™ã‚‹ã“ã¨ã¯ã§ãã¾ã™ã‹ï¼Ÿ</h6></div></div></div><div class="para">
+ デスクトップã®å·¦ã‚‚ã—ãã¯ã€å³ã®ç«¯ã«ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã‚’ドラッグã™ã‚‹ã“ã¨ã§ã€ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã‚’タイル状ã«é…ç½®ã§ãã¾ã™ã€‚ウインドウã®å¤§ãã•ã¯ã€ãƒ‡ã‚¹ã‚¯ãƒˆãƒƒãƒ—ã®ãã¡ã‚‰ã®åŠåˆ†ã‚’å ã‚るよã†ã«è‡ªå‹•çš„ã«å¤‰æ›´ã•ã‚Œã¾ã™ã€‚
+ </div></div><div class="section" title="2.1.1.1.7. パãƒãƒ«ãŒã€å®Œå…¨ãªæ—¥ä»˜ã¨æ™‚刻を表示ã™ã‚‹ã‚ˆã†ã«ã™ã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id972102">2.1.1.1.7. パãƒãƒ«ãŒã€å®Œå…¨ãªæ—¥ä»˜ã¨æ™‚刻を表示ã™ã‚‹ã‚ˆã†ã«ã™ã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ</h6></div></div></div><a id="id972109" class="indexterm"></a><div class="para">
+ <span class="package">gnome-tweak-tool</span> を使ã†ã‹ã€ã‚‚ã—ãã¯ã€ä»¥ä¸‹ã®ã©ã¡ã‚‰ã‹ã€ã‚ã‚‹ã„ã¯ä¸¡æ–¹ã®ã‚³ãƒžãƒ³ãƒ‰ã‚’使ã£ã¦ãã ã•ã„。
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="command">gsettings set org.gnome.shell.clock show-date true</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="command">gsettings set org.gnome.shell.clock show-seconds true</code>
+ </div></li></ul></div></div><div class="section" title="2.1.1.1.8. アプレットã¯ã©ã†ãªã£ãŸã®ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id972155">2.1.1.1.8. アプレットã¯ã©ã†ãªã£ãŸã®ã§ã™ã‹ï¼Ÿ</h6></div></div></div><a id="id972161" class="indexterm"></a><a id="id972169" class="indexterm"></a><div class="para">
+ Traditional GNOME panel applets are not supported in gnome-shell as explained <a href="https://mail.gnome.org/archives/desktop-devel-list/2009-April/msg00267.html"> here</a>. The general design of GNOME 3 puts more emphasis on full applications, instead of squeezing too much into a small strip or space at the edge of your screen. There are, however, people working on an extension mechanism for the shell, similar to Firefox extensions. The code lives in <a href="http://git.gnome.org/browse/gnome-shell-extensions"> this git repository</a>. We don't expect this to be available in polished or packaged form for GNOME 3.0, though.
+ </div><div class="para">
+ æ—¢å˜ã®ã‚¢ãƒ—レットã®ã†ã¡ã€æ–°ã—ã„ <span class="package">libpanel-applet</span> を使ã†ã‚ˆã†ã«ä¿®æ£ã•ã‚ŒãŸã‚‚ã®ã¯ã€ <span class="emphasis"><em>フォールãƒãƒƒã‚¯</em></span> モードã§åˆ©ç”¨å¯èƒ½ã§ã™ã€‚ã—ã‹ã—ã€<span class="emphasis"><em>フォールãƒãƒƒã‚¯</em></span> ã¯ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã®å‹•ä½œãƒ¢ãƒ¼ãƒ‰ã¨ã¯è€ƒãˆã‚‰ã‚Œã¦ã„ãªã„ã®ã§ã€å°†æ¥ã«ã¯ã€æ´»ç™ºãªé–‹ç™ºãŒã•ã‚Œã¦ã„ãªã„ã¨æ€ã‚ã‚Œã¾ã™ã€‚アプレットã¨ã€ gnome シェルã¸ã®ç§»è¡Œã«ã¤ã„ã¦ã€ã‚ˆã‚Šè©³ã—ãã¯ã€ <a href="http://live.gnome.org/GnomeShell/AppletsTransition"> ã“ã® GNOME wiki ページ</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div><div class="para">
+ アプレットã«ã‚ˆã£ã¦ã¯ã€å¿…è¦ã§ã‚れ㰠<code class="command">-w</code> オプションã«ã‚ˆã£ã¦ã€ç‹¬ç«‹ã—ãŸã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã§å‹•ä½œã™ã‚‹ã“ã¨ãŒã§ãã‚‹ã‚‚ã®ã‚‚ã‚ã‚Šã¾ã™ã€‚
+ </div></div><div class="section" title="2.1.1.1.9. åŒã˜ã‚¢ãƒ—リケーションを複数ã€å®Ÿè¡Œã™ã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id975808">2.1.1.1.9. åŒã˜ã‚¢ãƒ—リケーションを複数ã€å®Ÿè¡Œã™ã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ</h6></div></div></div><div class="para">
+ Right click on the icon in the dash bar on the left side and click on "new window". You can do the same action from the applications window. Also several applications themselves offer a option to open a new window within the file menu.
+ </div></div><div class="section" title="2.1.1.1.10. マルãƒãƒ¢ãƒ‹ã‚¿ãƒ¼ã¯ã€ã©ã®ã‚ˆã†ã«ã‚µãƒãƒ¼ãƒˆã•ã‚Œã¾ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id975822">2.1.1.1.10. マルãƒãƒ¢ãƒ‹ã‚¿ãƒ¼ã¯ã€ã©ã®ã‚ˆã†ã«ã‚µãƒãƒ¼ãƒˆã•ã‚Œã¾ã™ã‹ï¼Ÿ</h6></div></div></div><div class="para">
+ ã™ã°ã‚‰ã—ã„ï¼è©³ã—ãã¯ã€ <a href="http://blogs.gnome.org/alexl/2011/03/22/multimonitor-support-in-gnome-shell/"> ã“ã®ãƒ–ãƒã‚°è¨˜äº‹ </a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="2.1.1.1.11. テーマã¯ã©ã†ãªã£ãŸã®ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id975838">2.1.1.1.11. テーマã¯ã©ã†ãªã£ãŸã®ã§ã™ã‹ï¼Ÿ</h6></div></div></div><a id="id975845" class="indexterm"></a><div class="para">
+ GNOME シェルã¯ã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§ã¯ãƒ†ãƒ¼ãƒžã‚’サãƒãƒ¼ãƒˆã—ã¾ã›ã‚“。ã—ã‹ã—ã€CSS を使ã£ã¦ãƒ†ãƒ¼ãƒžã‚’サãƒãƒ¼ãƒˆã™ã‚‹æ‹¡å¼µæ©Ÿèƒ½ãŒã‚ã‚Šã¾ã™ã€‚テーマã¯ã€ã‚·ã‚¹ãƒ†ãƒ 全体ã§ã€ã‚ã‚‹ã„ã¯ã€ãƒ¦ãƒ¼ã‚¶ã”ã¨ã«å¤‰ãˆã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚例ãˆã°ã€ãƒ†ãƒ¼ãƒžã¸ã®å‚ç…§ã¨ã€ãれを使ã†ãŸã‚ã®æ‰‹é †ã¯ã€ä»¥ä¸‹ã‚’å‚ç…§ãã ã•ã„：
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://gnome-shell.deviantart.com/gallery/28081982#/d36szax">http://gnome-shell.deviantart.com/gallery/28081982#/d36szax</a>
+ </div></li></ul></div><div class="para">
+ 高度ãªãƒ¦ãƒ¼ã‚¶ã¸ï¼š
+ </div><div class="para">
+ For per-user changes, a GNOME Shell extension is <a href="http://gitorious.org/gnome-shell-extensions"> available</a>. If the extension is installed, you can use <span class="package">gnome-tweak-tool</span> to change the themes.
+ </div></div><div class="section" title="2.1.1.1.12. アクセラレーションをサãƒãƒ¼ãƒˆã—ãªã„ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã€ãƒ‰ãƒ©ã‚¤ãƒã«ã¤ã„ã¦ã¯ã©ã†ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id975900">2.1.1.1.12. アクセラレーションをサãƒãƒ¼ãƒˆã—ãªã„ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã€ãƒ‰ãƒ©ã‚¤ãƒã«ã¤ã„ã¦ã¯ã©ã†ã§ã™ã‹ï¼Ÿ</h6></div></div></div><div class="para">
+ ãã®ã‚ˆã†ãªãƒ¦ãƒ¼ã‚¶å‘ã‘ã«ã€ GNOME ã¯ãƒ•ã‚©ãƒ¼ãƒ«ãƒãƒƒã‚¯ãƒ¢ãƒ¼ãƒ‰ã‚’æä¾›ã—ã¾ã™ã€‚ãã‚Œã¯ã€å¤‰æ›´ã•ã‚ŒãŸãƒãƒ¼ã‚¸ãƒ§ãƒ³ã® Metacity 㨠GNOME Panel を使ã„ã€ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã‚¢ã‚¯ã‚»ãƒ©ãƒ¬ãƒ¼ã‚·ãƒ§ãƒ³ãªã—ã§å‹•ä½œã—ã¾ã™ã€‚フォールãƒãƒƒã‚¯ãƒ¢ãƒ¼ãƒ‰ã¯ã€ GNOME シェルãŒé–‹å§‹ã§ããªã„ã¨ãã«è‡ªå‹•çš„ã«æœ‰åŠ¹ã«ãªã‚Šã¾ã™ã€‚フォールãƒãƒƒã‚¯ãƒ¢ãƒ¼ãƒ‰ã¯ã€ GNOME 2.x ã®ãƒ¦ãƒ¼ã‚¶ä½“験ã¨ã¯ç•°ãªã‚‹ã“ã¨ã«æ³¨æ„ãã ã•ã„。ãã‚Œã¯ã€ GNOME シェルã®ãƒ¦ãƒ¼ã‚¶ä½“験をå¯èƒ½ãªé™ã‚Šæ¨¡å€£ã—ã¾ã™ã€‚Red Hat ã® Adam Jackson ã¯ã€GNOME シェルをã€ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚¢ã‚¯ã‚»ãƒ©ãƒ¬ãƒ¼ã‚·ãƒ§ãƒ³ã ã‘を使ã£ã¦å‹•ä½œã™ã‚‹ã‚ˆã†ã« <a href="http://lists.fedoraproject.org/pipermail/test/2011-March/097795.html"> 作æ¥ä¸ </a> ã§ã‚ã‚Šã€æ—¢ã«ã„ãらã‹ã®æˆæžœã‚’ã‚ã’ã¦ã„ã¾ã™ã€‚
+ </div></div><div class="section" title="2.1.1.1.13. GNOME シェルã¯ã€ä»®æƒ³ãƒžã‚·ãƒ³ã®ã‚‚ã¨ã§å‹•ãã¾ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id975925">2.1.1.1.13. GNOME シェルã¯ã€ä»®æƒ³ãƒžã‚·ãƒ³ã®ã‚‚ã¨ã§å‹•ãã¾ã™ã‹ï¼Ÿ</h6></div></div></div><a id="id975932" class="indexterm"></a><div class="para">
+ ã‚‚ã—ã€ãŠä½¿ã„ã®ä»®æƒ³åŒ–ソリューションãŒãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã‚¢ã‚¯ã‚»ãƒ©ãƒ¬ãƒ¼ã‚·ãƒ§ãƒ³ã‚’サãƒãƒ¼ãƒˆã—ã¦ã„ã‚‹ãªã‚‰ã°ã€ã‚¤ã‚¨ã‚¹ã§ã™ã€‚ãã†ã§ãªã„ãªã‚‰ã€è‡ªå‹•çš„ã«ãƒ•ã‚©ãƒ¼ãƒ«ãƒãƒƒã‚¯ãƒ¢ãƒ¼ãƒ‰ãŒä½¿ã‚ã‚Œã¾ã™ã€‚
+ </div></div><div class="section" title="2.1.1.1.14. 強制的ã«ãƒ•ã‚©ãƒ¼ãƒ«ãƒãƒƒã‚¯ãƒ¢ãƒ¼ãƒ‰ã‚’使ã†ã“ã¨ãŒã§ãã¾ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id975951">2.1.1.1.14. 強制的ã«ãƒ•ã‚©ãƒ¼ãƒ«ãƒãƒƒã‚¯ãƒ¢ãƒ¼ãƒ‰ã‚’使ã†ã“ã¨ãŒã§ãã¾ã™ã‹ï¼Ÿ</h6></div></div></div><a id="id975957" class="indexterm"></a><div class="para">
+ Click on the user menu on the top right, Select <span class="guimenu"><strong>System Settings</strong></span> -> <span class="guisubmenu"><strong>System Info</strong></span> -> <span class="guimenuitem"><strong>Graphics</strong></span> and toggle the <span class="guilabel"><strong>Forced Fallback Mode</strong></span> switch to on.
+ </div></div><div class="section" title="2.1.1.1.15. Fedora 14 ビンテージ GNOME シェルデザインã¯ã©ã†ãªã£ãŸã®ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id975986">2.1.1.1.15. Fedora 14 ビンテージ GNOME シェルデザインã¯ã©ã†ãªã£ãŸã®ã§ã™ã‹ï¼Ÿ</h6></div></div></div><div class="para">
+ ãã‚Œã¯ã€æœ€çµ‚的㪠GNOME 3 デザインã«è‡³ã‚‹ã€å復ã™ã‚‹è¨è¨ˆã¨å¦ç¿’プãƒã‚»ã‚¹ã®ä¸€éƒ¨ã§ã‚る実験ã§ã—ãŸã€‚コード㯠GNOME をより使ã„ã‚„ã™ãã™ã‚‹ãŸã‚ã«ã€ãã®ãƒ‡ã‚¶ã‚¤ãƒ³ã‚’超ãˆã¦é€²åŒ–ã—ã¾ã—ãŸã€‚
+ </div></div><div class="section" title="2.1.1.1.16. デスクトップã¯ã©ã“ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id976000">2.1.1.1.16. デスクトップã¯ã©ã“ã§ã™ã‹ï¼Ÿ</h6></div></div></div><a id="id976007" class="indexterm"></a><div class="para">
+ The desktop workspace no longer displays the contents of the user's <code class="filename">~/Desktop</code> directory. That directory and its content are still accessible through the Files application. To access the Files application, move your mouse to the Activities hotspot, use the <span class="keysym">Super</span> key, or use the <span class="keycap"><strong>Alt</strong></span>+<span class="keycap"><strong>F1</strong></span> key combination to see the overview. Then type "<code class="command">files</code>" or select the <span class="guimenu"><strong>Application</strong></span> menu and choose Files. You can attach the Files application to your dash, the set of favorite applications on the left side, if desired.
+ </div></div><div class="section" title="2.1.1.1.17. ãƒã‚°ã‚¤ãƒ³ã—ãŸæ™‚ã«ãƒ—ãƒã‚°ãƒ©ãƒ を自動的ã«å®Ÿè¡Œã™ã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id976046">2.1.1.1.17. ãƒã‚°ã‚¤ãƒ³ã—ãŸæ™‚ã«ãƒ—ãƒã‚°ãƒ©ãƒ を自動的ã«å®Ÿè¡Œã™ã‚‹ã«ã¯ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ</h6></div></div></div><a id="id976053" class="indexterm"></a><a id="id976061" class="indexterm"></a><div class="para">
+ 自動的ã«é–‹å§‹ã™ã‚‹ãƒ—ãƒã‚°ãƒ©ãƒ ã‚’è¨å®šã™ã‚‹ã«ã¯ã€ <span class="package">gnome-session-properties</span> を使ã£ã¦ãã ã•ã„。デスクトップファイルを作æˆã—ãŸã‚Šã€ãれを <code class="filename">/usr/share/applications</code> ã‹ã‚‰ã€ã‚ãªãŸã®ãƒ›ãƒ¼ãƒ ディレクトリã®ã€ <code class="filename">~/.config/autostart</code> ã«ã‚³ãƒ”ーã™ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚
+ </div></div><div class="section" title="2.1.1.1.18. caps lock ã‚ーをã€ã‚‚ã†ã²ã¨ã¤ã® control ã‚ーã«ã™ã‚‹ã«ã¯ã€ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id976090">2.1.1.1.18. caps lock ã‚ーをã€ã‚‚ã†ã²ã¨ã¤ã® control ã‚ーã«ã™ã‚‹ã«ã¯ã€ã©ã†ã—ãŸã‚‰è‰¯ã„ã§ã™ã‹ï¼Ÿ</h6></div></div></div><div class="para">
+ å³ä¸Šã®ãƒ¦ãƒ¼ã‚¶ãƒ¡ãƒ‹ãƒ¥ãƒ¼ã‚’クリックã—ã¦ã€ <span class="guimenu"><strong>システムè¨å®š</strong></span> ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div><div class="para">
+ <span class="guimenu"><strong>Region and Language</strong></span> -> <span class="guisubmenu"><strong>Layouts</strong></span> -> <span class="guisubmenu"><strong>Options</strong></span> -> <span class="guisubmenu"><strong>Ctrl key position</strong></span> -> <span class="guimenuitem"><strong>Make Caps Lock an Additional Control</strong></span>
+ </div></div><div class="section" title="2.1.1.1.19. スクリーンã®éŒ²ç”»"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id976131">2.1.1.1.19. スクリーンã®éŒ²ç”»</h6></div></div></div><a id="id976137" class="indexterm"></a><div class="para">
+ The Shell includes a built in screencast recording function. To activate recording, hit <span class="keycap"><strong>Ctrl</strong></span>+<span class="keycap"><strong>Alt</strong></span>+<span class="keycap"><strong>Shift</strong></span>+<span class="keycap"><strong>R</strong></span> and a recording icon appears at the lower right hand corner of the screen. To finish recording, hit <span class="keycap"><strong>Ctrl</strong></span>+<span class="keycap"><strong>Alt</strong></span>+<span class="keycap"><strong>Shift</strong></span>+<span class="keycap"><strong>R</strong></span> again. By default screencasts are recorded in a file named <code class="filename">shell-YYYYMMDD-N.webm</code>, where YYYYMMDD represents today's date and N is incremented for each additional screencast.
+ </div></div><div class="section" title="2.1.1.1.20. Help! My network doesn't work"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id976185">2.1.1.1.20. Help! My network doesn't work</h6></div></div></div><div class="para">
+ よã»ã©ç°¡å˜ãªãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ã‚’除ã‘ã°ã€ãƒ¦ãƒ¼ã‚¶ã¯ <span class="guilabel"><strong>ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯æŽ¥ç¶š</strong></span> アプリケーションã§é™çš„ IP アドレスやゲートウェイアドレスãªã©ã‚’è¨å®šã™ã‚‹ã¨æ€ã„ã¾ã™ã€‚
+ </div><div class="para">
+ <div class="warning"><h2>ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯æŽ¥ç¶šã®ã‚¢ã‚¤ã‚³ãƒ³ã¯éš ã‚Œã¦ã„ã¾ã™ã€‚</h2><div class="para">
+ ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯æŽ¥ç¶šã®ã‚¢ã‚¤ã‚³ãƒ³ã¯ã‚ã‹ã‚Šã«ãã„ã¨ã“ã‚ã«ã‚ã‚Šã¾ã™ã€‚
+ </div></div>
+ <span class="application"><strong>ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯æŽ¥ç¶š</strong></span> ã®ã‚¢ã‚¤ã‚³ãƒ³ã‚’探ã™ã«ã¯ã€ <span class="guilabel"><strong>アクティビティ</strong></span> スクリーンã®å³ä¸Šã®<span class="guilabel"><strong>検索</strong></span> ボックスã«è¡Œã£ã¦ã€ <code class="command">nm-connection-editor</code> ã¨ã‚¿ã‚¤ãƒ—ã—ã¾ã™ã€‚<span class="guilabel"><strong>ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯æŽ¥ç¶š</strong></span> アイコンãŒã‚らã‚ã‚Œã¾ã™ã€‚
+ </div><div class="para">
+ In fallback mode, open a terminal window ( <span class="guimenu"><strong>Applications</strong></span> -> <span class="guisubmenu"><strong>System Tools</strong></span> -> <span class="guimenuitem"><strong>Terminal</strong></span>) and type <code class="command">nm-connection-editor&</code>.
+ </div></div><div class="section" title="2.1.1.1.21. 既知ã®å•é¡Œãƒšãƒ¼ã‚¸ã‚’ãƒã‚§ãƒƒã‚¯ã™ã‚‹"><div class="titlepage"><div><div keep-together.within-column="always"><h6 class="title" id="id976256">2.1.1.1.21. 既知ã®å•é¡Œãƒšãƒ¼ã‚¸ã‚’ãƒã‚§ãƒƒã‚¯ã™ã‚‹</h6></div></div></div><div class="para">
+ <div class="note"><h2>既知ã®å•é¡Œã‚’ãƒã‚§ãƒƒã‚¯ã™ã‚‹</h2><div class="para">
+ GNOME 3 ã«ã¯ã€å¤šãã®æ–°ã—ã見慣れãªã„機能ãŒã‚ã‚Šã¾ã™ã€‚ã‚‚ã—ã‚ãªãŸãŒå•é¡Œã‚’ãŠæŒã¡ã®å ´åˆã¯ã€ Fedora wiki ã®ã€ã‚ˆãã‚ã‚‹ F15 ãƒã‚°ãƒšãƒ¼ã‚¸ <a href="http://fedoraproject.org/wiki/Common_F15_bugs">http://fedoraproject.org/wiki/Common_F15_bugs</a> ã‚’ãƒã‚§ãƒƒã‚¯ã—ã¦ãã ã•ã„。
+ </div></div>
+ ã“ã®ãƒšãƒ¼ã‚¸ã¯ã€æ–°ã—ã„å•é¡ŒãŒç™ºè¦‹ã•ã‚Œã€ä¿®æ£ã•ã‚Œã‚‹ãŸã³ã«æ›´æ–°ã•ã‚Œã¾ã™ã€‚
+ </div></div></div><div class="section" title="2.1.1.2. gsettings 㨠dconf"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="id976288">2.1.1.2. gsettings 㨠dconf</h5></div></div></div><a id="id976295" class="indexterm"></a><a id="id976303" class="indexterm"></a><a id="id763353" class="indexterm"></a><a id="id763361" class="indexterm"></a><a id="id763369" class="indexterm"></a><a id="id763377" class="indexterm"></a><div class="para">
+ GConf ã¯ã€GNOME ã®ä»¥å‰ã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã§ä½¿ã‚ã‚ŒãŸã€ã‚¢ãƒ—リケーションã®è¨å®šã‚’ä¿å˜ã™ã‚‹ãŸã‚ã®å¤ã„システムã§ã™ã€‚ãã‚Œã¯ã€ GNOME 3.0 ã§ã¯ã€ GSettings ã«ä»£ã‚ã‚Šã€å¤šãã®ä¸»è¦ãªãƒ—ãƒã‚°ãƒ©ãƒ ã¯æ—¢ã«ç§»è¡Œã‚’終ãˆã¾ã—ãŸã€‚ Fedora 14 ã¯ã€GSettings ã‚’å«ã‚€æœ€åˆã® Fedora リリースã§ã—ãŸã€‚GSettings ã¯è¤‡æ•°ã®ãƒãƒƒã‚¯ã‚¨ãƒ³ãƒ‰ã‚’サãƒãƒ¼ãƒˆã—〠Fedora 15 ã§ã®ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã¯ã€ <a href="https://live.gnome.org/dconf"> dconf</a> ã§ã™ã€‚<span class="package">gsettings</span> コマンドラインユティリティã¯ã€ä»¥å‰ã®ãƒªãƒªãƒ¼ã‚¹ã® <span class="package">gconftool-2</span> ã«ç›¸å½“ã—ã¾ã™ãŒã€ <span class="package">gsettings</span> ã¯ã€ã‚¹ã‚ーマã¨ã‚ーをコマンドラインã§è‡ªå‹•è£œå®Œã™ã‚‹ç‚¹ã§ã€ã‚ˆã‚Šæ©Ÿèƒ½ãŒè±Šå¯Œã§ã™ã€‚<span class="package">dconf-editor</span> ã¯ã€ä»¥å‰ã®ãƒªãƒªãƒ¼ã‚¹ã§ã® <span class="package">gconf-editor</span> ã¨åŒæ§˜ã«ã€è¨å®šã‚’管ç†ã
™ã‚‹ãŸã‚ã®ã‚°ãƒ©ãƒ•ã‚£ã‚«ãƒ«ãªã‚¨ãƒ‡ã‚£ã‚¿ã‚’æä¾›ã—ã¾ã™ã€‚
+ </div><div class="para">
+ gsettings を使ã†ä¾‹ã‚’ã„ãã¤ã‹ï¼š
+ </div><pre class="screen">
+ gsettings
+ Usage:
+ gsettings COMMAND [ARGS...]
+
+ Commands:
+ help Show this information
+ list-schemas List installed schemas
+ list-relocatable-schemas List relocatable schemas
+ list-keys List keys in a schema
+ list-children List children of a schema
+ list-recursively List keys and values, recursively
+ range Queries the range of a key
+ get Get the value of a key
+ set Set the value of a key
+ reset Reset the value of a key
+ writable Check if a key is writable
+ monitor Watch for changes
+
+ Use 'gsettings help COMMAND' to get detailed help.
+</pre><pre class="screen">
+ gsettings list-schemas
+ org.gnome.nautilus.desktop
+ org.gnome.color-manager
+ org.gnome.gedit.plugins.filebrowser.nautilus
+ org.gnome.settings-daemon.peripherals.wacom
+ ...
+</pre><pre class="screen">
+ gsettings list-schemas | grep shell
+ org.gnome.shell
+ org.gnome.shell.clock
+ org.gnome.shell.recorder
+ org.gnome.shell.calendar
+</pre><pre class="screen">
+ gsettings list-keys org.gnome.shell
+ command-history
+ development-tools
+ disabled-extensionsdisabled-open-search-providers
+ enable-app-monitoring
+ favorite-apps
+ looking-glass-history
+</pre><div class="para">
+ 例： gsettings を使ã£ã¦ã€ãƒˆãƒƒãƒ—パãƒãƒ«ã®ãƒ‡ã‚¸ã‚¿ãƒ«æ™‚計を日付ã¨ç§’を表示ã™ã‚‹ã‚ˆã†ã«ã™ã‚‹ã€‚
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="command">gsettings set org.gnome.shell.clock show-date true</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="command">gsettings set org.gnome.shell.clock show-seconds true</code>
+ </div></li></ul></div></div><div class="section" title="2.1.1.3. GTK+ 3.0"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="id763483">2.1.1.3. GTK+ 3.0</h5></div></div></div><a id="id763490" class="indexterm"></a><a id="id763498" class="indexterm"></a><a id="id763506" class="indexterm"></a><div class="para">
+ GTK+ 3.0 ã¯ã€ Fedora 15 ã«å«ã¾ã‚Œã€ã‚¢ãƒ—リケーション開発者ã®ãŸã‚ã®å¤šãã®æ©Ÿèƒ½å¼·åŒ–を特徴ã¨ã—ã¾ã™ã€‚ツールã‚ットã®å¤‰æ›´ç‚¹ã¯ï¼š
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 入力デãƒã‚¤ã‚¹ã®ç¾ä»£çš„ãªæ‰±ã„
+ </div></li><li class="listitem"><div class="para">
+ å¤ã„ X11 メソッドã®ãƒ©ãƒƒãƒ‘ーã®ä»£ã‚ã‚Šã¨ã—ã¦ã€Cairo を使ã£ãŸã€æ”¹å–„ã•ã‚Œã€ç°¡å˜ã«ãªã£ãŸæç”»
+ </div></li><li class="listitem"><div class="para">
+ ãªã˜ã¿ã®ã‚ã‚‹ CSS シンタックスを使ã£ãŸã€æ–°ã—ã„テーマ API
+ </div></li><li class="listitem"><div class="para">
+ ウインドウトラッã‚ングやã€å”¯ä¸€æ€§ã®ä¿è¨¼ãªã©ã€ã‚ˆã‚Šç°¡å˜ãªã‚¢ãƒ—リケーションサãƒãƒ¼ãƒˆã®ã€åˆæœŸçš„ãªå®Ÿè£…
+ </div></li></ul></div></div></div><div class="section" title="2.1.2. IcedTea"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id763559">2.1.2. IcedTea</h4></div></div></div><div class="para">
+ Fedora 15 ã«ã¯ã€æ›´æ–°ã•ã‚ŒãŸ IcedTea Java プラグインãŒã‚ã‚Šã¾ã™ã€‚より完全ãªè©³ç´°ã¯ã€ã“ã®æ–‡æ›¸ã® <a class="link" href="sect-Release_Notes-Changes_for_Developers.html#sect-RelNotes-Java" title="4.4. Java">Java</a> セクションをå‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="2.1.3. KDE"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id763578">2.1.3. KDE</h4></div></div></div><a id="id763584" class="indexterm"></a><a id="id763592" class="indexterm"></a><a id="id763600" class="indexterm"></a><a id="id763608" class="indexterm"></a><a id="id763616" class="indexterm"></a><a id="id763624" class="indexterm"></a><a id="id763632" class="indexterm"></a><div class="para">
+ Fedora 15 ã¯ã€æ›´æ–°ã•ã‚ŒãŸ KDE 4.6 ソフトウエア集を採用ã—ã¾ã—ãŸã€‚ソフトウエア集ã¯ï¼“ã¤ã®éƒ¨åˆ†ã‚’å«ã¿ã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ プラズマワークスペース：KDE ã«ãƒã‚°ã‚¤ãƒ³ã—ãŸæ™‚ã«è¦‹ãˆã‚‹ã‚‚ã®ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ アプリケーション：KDE プãƒã‚¸ã‚§ã‚¯ãƒˆã«ã‚ˆã£ã¦ç¶æŒã•ã‚Œã¦ã„るアプリケーション。
+ </div></li><li class="listitem"><div class="para">
+ プラットフォーム：プラズマワークスペースã¨ã‚¢ãƒ—リケーションを補助ã™ã‚‹ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã§ã™ã€‚デスクトップユーザã«ã¯ã€ãƒ—ラットフォームã¯ç›´æŽ¥è¦‹ãˆã¾ã›ã‚“。
+ </div></li></ul></div>
+
+ </div><div class="section" title="2.1.3.1. プラズマワークスペース"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="id763677">2.1.3.1. プラズマワークスペース</h5></div></div></div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ アクティビティãŒã€ä½¿ã„ã‚„ã™ããªã‚Šã¾ã—ãŸã€‚<a href="http://docs.kde.org/stable/en/kdebase-workspace/plasma-desktop/zooming-user-interface.html"> アクティビティ</a> ã¨ã¯ã€åŒæ™‚ã«é–‹ã„ãŸã‚Šé–‰ã˜ãŸã‚Šã™ã‚‹è¤‡æ•°ã®ç•°ãªã‚‹ã‚¢ãƒ—リケーションã§ã™ã€‚Fedora 15 ã® KDE 4.6 ã§ã¯ã€ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã‚¿ã‚¤ãƒˆãƒ«ã‚’å³ã‚¯ãƒªãƒƒã‚¯ã™ã‚‹ã¨ã€ã‚¢ãƒ—リケーションをアクティビティã«åŠ ãˆã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ã¾ãŸã€ãƒ‡ã‚¹ã‚¯ãƒˆãƒƒãƒ—ã®å³ä¸Šã®è§’ã® <span class="package">Plasma Toolbox</span> をクリックã—ã¦ã€ã‚¢ã‚¯ãƒ†ã‚£ãƒ“ティを管ç†ã™ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ The "Power Management" panel in <span class="package">System Settings</span> is easier to use. The power management program has been rewritten so that it is faster and has fewer bugs.
+ </div></li><li class="listitem"><div class="para">
+ KDE ウインドウマãƒãƒ¼ã‚¸ãƒ£ã€ <span class="package">KWin</span> ã«ã¯ã€æ–°ã—ã„スクリプトインタフェースãŒã§ãã¾ã—ãŸã€‚<span class="package">KWin</span> ã¯ã€ã‚°ãƒ©ãƒ•ã‚£ãƒƒã‚¯ã‚¹ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã‚’検知ã—ã¦ã€ãŠä½¿ã„ã®ã‚³ãƒ³ãƒ”ュータã«åˆã†ã‚ˆã†ã«ã€æ€§èƒ½ã‚’調整ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ You can "pin" open applications to the <span class="package">Task Manager</span>. When you close "pinned" applications, the <span class="package">Task Manager</span> will still show them.
+ </div></li><li class="listitem"><div class="para">
+ プラズマãƒãƒƒãƒˆãƒ–ックインタフェースã®ã€ã‚¿ãƒƒãƒã‚¹ã‚¯ãƒªãƒ¼ãƒ³ã®ãƒ¢ãƒ‹ã‚¿ãƒ¼ã§ã®å‹•ä½œãŒæ”¹å–„ã•ã‚Œã¾ã—ãŸã€‚
+ </div></li></ul></div></div><div class="section" title="2.1.3.2. アプリケーション"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="id763762">2.1.3.2. アプリケーション</h5></div></div></div><a id="id763768" class="indexterm"></a><a id="id763776" class="indexterm"></a><a id="id763784" class="indexterm"></a><a id="id763792" class="indexterm"></a><a id="id763800" class="indexterm"></a><a id="id763808" class="indexterm"></a><a id="id763816" class="indexterm"></a><a id="id763824" class="indexterm"></a><a id="id763832" class="indexterm"></a><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">Dolphin</span> offers a search bar and "filter" sidebar. Now you can easily search your files with <span class="package">Nepomuk</span> and "Semantic Desktop" tags.
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">Kate</span> ã¯ã€ <span class="package">kdesdk</span> ã«ã‚ã‚Šã¾ã™ã€‚Fedora 15 ã§ã¯ã€å¤šãã®æ–°ã—ã„プラグインãŒã‚ã‚Šã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">GDB</span> (GNU デãƒãƒƒã‚¬)
+ </div></li><li class="listitem"><div class="para">
+ メニューã«ã‚¹ã‚¯ãƒªãƒ—ãƒˆã‚’è¿½åŠ ã—ã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ SQL データベース接続
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">Kate</span> ãŒã‚¯ãƒ©ãƒƒã‚·ãƒ¥ã—ãŸæ™‚ã€ä¿å˜ã•ã‚Œã¦ã„ãªã„データを回復ã™ã‚‹ã€‚
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">Gwenview</span>, <span class="package">KSnapshot</span>, ãã—ã¦ä»–ã®ã‚°ãƒ©ãƒ•ã‚£ãƒƒã‚¯ã‚¹ã‚¢ãƒ—リケーションã¯ã€å†™çœŸã‚’ Facebook ã‚„ Flickr ã®ã‚ˆã†ãªã‚½ãƒ¼ã‚·ãƒ£ãƒ«ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ã‚¦ã‚§ãƒ–サイトã«ç›´æŽ¥å…¬é–‹ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></li></ul></div></div><div class="section" title="2.1.3.3. プラットフォーム"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="id763937">2.1.3.3. プラットフォーム</h5></div></div></div><a id="id763944" class="indexterm"></a><a id="id763952" class="indexterm"></a><a id="id763960" class="indexterm"></a><a id="id763968" class="indexterm"></a><a id="id763976" class="indexterm"></a><a id="id763984" class="indexterm"></a><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ プラットフォームã¯ã€ä»–ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã¸ã®ä¾å˜ã‚’より少ãªãã—ã¾ã—ãŸã€‚ã“ã®ãŸã‚ã€ãƒ¡ãƒ¢ãƒªä½¿ç”¨é‡ãŒæ¸›ã‚Šã¾ã—ãŸã€‚ã“ã‚Œã¯ã€ãƒãƒƒãƒˆãƒ–ックやスマートフォンã®ã‚ˆã†ãªã€ãƒ‘ワーã®å°ã•ã„コンピュータã«ã¨ã£ã¦ã€ä¾¿åˆ©ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">Nepomuk</span> ライブラリをãƒãƒƒã‚¯ã‚¢ãƒƒãƒ—ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚<span class="package">Nepomuk</span> ã¯ã€ãƒ•ã‚¡ã‚¤ãƒ«ã‚¤ãƒ³ãƒ‡ãƒƒã‚¯ã‚¹ã¨æ¤œç´¢ã®ãƒ¦ãƒ†ã‚£ãƒªãƒ†ã‚£ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">UPower</span>, <span class="package">UDev</span>, ãã—㦠<span class="package">UDisks</span> ãŒã€<span class="package">HAL</span> ã«ä»£ã‚ã£ã¦ä½¿ç”¨ã•ã‚Œã¾ã™ã€‚ã“ã®å¤‰æ›´ã¯ã€ä»Šã®ã¨ã“ã‚ユーザã«ã¯å½±éŸ¿ã‚’与ãˆã¾ã›ã‚“。ã—ã‹ã—ã€å°†æ¥ã®ãƒªãƒªãƒ¼ã‚¹ã§ã¯ã€ã‚ˆã‚Šå¤šãã®æ©Ÿèƒ½ãŒã‚ã‚‹ã§ã—ょã†ã€‚
+ </div></li><li class="listitem"><div class="para">
+ GTK+ アプリケーションã®ãŸã‚ã«ã€æ–°ã—ã„ <span class="package">Oxygen-GTK</span> テーマを使ã†ã“ã¨ãŒã§ãã¾ã™ã€‚KDE 用ã«è¨è¨ˆã•ã‚ŒãŸã‚¢ãƒ—リケーションもã€GNOME 用ã«è¨è¨ˆã•ã‚ŒãŸã‚‚ã®ã‚‚ã€KDE ã«ãƒã‚°ã‚¤ãƒ³ã—ãŸæ™‚ã«ã¯åŒã˜ã«è¦‹ãˆã‚‹ã“ã¨ã§ã—ょã†ã€‚
+ </div></li></ul></div></div></div><div class="section" title="2.1.4. Sugar"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id764065">2.1.4. Sugar</h4></div></div></div><a id="id764071" class="indexterm"></a><div class="para">
+ Fedora 15 ã§ã€Sugar ã¯æœ€æ–°ã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 0.92 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚ã“ã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã¯ã€æœ€åˆã®ãƒã‚°ã‚¤ãƒ³ã‚¹ã‚¯ãƒªãƒ¼ãƒ³ã§ã®ã€å¤§ããªãƒ¦ãƒ¼ã‚¶ãƒ“リティ改善ã¨ã€ã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ãƒ‘ãƒãƒ«ã€ãã—㦠３G ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ã®ã‚µãƒãƒ¼ãƒˆãªã©ã®æ–°æ©Ÿèƒ½ã‚’æä¾›ã—ã¾ã™ã€‚
+ </div></div><div class="section" title="2.1.5. Xfce"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id764087">2.1.5. Xfce</h4></div></div></div><a id="id764094" class="indexterm"></a><a id="id764102" class="indexterm"></a><a id="id764110" class="indexterm"></a><a id="id764118" class="indexterm"></a><a id="id764126" class="indexterm"></a><a id="id764134" class="indexterm"></a><a id="id764142" class="indexterm"></a><a id="id764150" class="indexterm"></a><div class="para">
+ Fedora 15 sees the introduction of Xfce 4.8. This new release remains true to Xfce's goal of providing a fast, lightweight yet user-friendly desktop environment, while adding a range of new features and incremental improvements:
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Remote share browsing: <span class="package">Thunar</span>, Xfce's file manager, now has support for GVFS, allowing easy remote access to files and folders on Windows shares and FTP, Webdav and SSH servers;
+ </div></li><li class="listitem"><div class="para">
+ New Xfce Panel with improved positioning and size handling, alpha transparency, a new item editor and drag'n'drop launcher creation;
+ </div></li><li class="listitem"><div class="para">
+ New Panel plugins such as window buttons, which merges the features of the icon box and the tasklist into a single configurable plugin, and directory menu, allowing quick browsing of a folder's tree structure;
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">alacarte</span> ã®ã‚ˆã†ãªã€ãƒ•ãƒªãƒ¼ãƒ‡ã‚¹ã‚¯ãƒˆãƒƒãƒ—互æ›ã®ãƒ¡ãƒ‹ãƒ¥ãƒ¼ã‚¨ãƒ‡ã‚£ã‚¿ãªã‚‰ã°ã©ã‚Œã‹ã‚‰ã§ã‚‚è¡Œãˆã‚‹ã€ç°¡å˜ãªã‚¢ãƒ—リケーションã®ãƒ¡ãƒ‹ãƒ¥ãƒ¼ç·¨é›†ã€‚
+ </div></li><li class="listitem"><div class="para">
+ クイックセットアップダイアãƒã‚°ã‚’å«ã‚€ã€ãƒžãƒ«ãƒãƒ˜ãƒƒãƒ‰ãƒ‡ã‚£ã‚¹ãƒ—レイã®è¨å®šã®æ”¹å–„。
+ </div></li><li class="listitem"><div class="para">
+ ã‚ーボードレイアウトé¸æŠžã®æ”¹å–„。暗å·ã®ã‚ˆã†ãªã€è¨€èªžã¨å¤‰ç¨®ã®ã‚³ãƒ¼ãƒ‰ã«ã¯ã•ã‚ˆã†ãªã‚‰ã€ã‚ãªãŸã®è¨€èªžã®ã‚ーボードレイアウトをã€ã‚ãªãŸã®è¨€èªžã§é¸æŠžã—ã¾ã—ょã†ï¼
+ </div></li><li class="listitem"><div class="para">
+ ãã—ã¦ã€ Xfce リリースã®å°Šæ•¬ã™ã¹ãä¼çµ±ã€æ–°ã—ã„クãƒãƒƒã‚¯ãƒ¢ãƒ¼ãƒ‰ - ファジークãƒãƒƒã‚¯ãƒ¢ãƒ¼ãƒ‰ï¼
+ </div></li></ul></div></div></div><div xml:lang="ja-JP" class="section" title="2.2. 生産性" id="sect-RelNotes-Productivity" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Productivity">2.2. 生産性</h3></div></div></div><div class="section" title="2.2.1. Firefox"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id967727">2.2.1. Firefox</h4></div></div></div><a id="id750853" class="indexterm"></a><div class="para">
+ Firefox 4 ãŒã€ Fedora 15 ã«ã‚らã‚ã‚Œã¾ã—ãŸã€‚æ–°ã—ã„ルックスã¨æ€§èƒ½æ”¹å–„ã®ä»–ã«ã€ Firefox 4 ã¯ã€ãƒ‘スワードã¨ã‚¢ãƒ‰ã‚ªãƒ³ã®ç®¡ç†ã®æ”¹å–„ã€ãƒ–ラウズ履æ´ã®ç°¡å˜ãªä¿è·ã€ã‚¦ã‚¨ãƒ–サイト㮠ID ãƒã‚§ãƒƒã‚¯ãªã©ã®ç‰¹å¾´ã‚’æŒã¡ã¾ã™ã€‚åŒæœŸã®ã‚¢ãƒ‰ã‚¤ãƒ³ã¯ã€ãƒ™ãƒ¼ã‚¹ Firefox ã®ä¸€éƒ¨ã¨ãªã£ãŸã®ã§ã€ã™ã¹ã¦ã®ãƒ–ックマークã¨ãƒ‘スワードをã€è¤‡æ•°ã‚·ã‚¹ãƒ†ãƒ ã®é–“ã§ä¸€è²«ã—ã¦ä½¿ã†ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="para">
+ より詳細ã¯ã€ <a href="http://www.mozilla.com/en-US/firefox/central/">http://www.mozilla.com/en-US/firefox/central/</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="2.2.2. Ledger"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id962449">2.2.2. Ledger</h4></div></div></div><a id="id697706" class="indexterm"></a><a id="id672351" class="indexterm"></a><div class="para">
+ <span class="package">ledger</span> ãŒã€æ–°ã—ã Fedora 15 ã«å°Žå…¥ã•ã‚Œã¾ã—ãŸã€‚
+ </div><div class="para">
+ From the project's github: <span class="emphasis"><em>"Ledger is a powerful, double-entry accounting system that is accessed from the UNIX command-line. This may put off some users, as there is no flashy UI, but for those who want unparalleled reporting access to their data, there really is no alternative."</em></span>
+ </div><div class="para">
+ より詳ã—ãã¯ã€ <a href="https://github.com/jwiegley/ledger/wiki">https://github.com/jwiegley/ledger/wiki</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="2.2.3. Libre Office®"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id733365">2.2.3. Libre Office<span class="trademark"></span>®</h4></div></div></div><a id="id743777" class="indexterm"></a><a id="id895854" class="indexterm"></a><div class="para">
+ LibreOffice<span class="trademark"></span>® ã¯ã€ã‚ªãƒ•ã‚£ã‚¹ç”Ÿç”£æ€§ã‚¹ã‚¤ãƒ¼ãƒˆã§ã‚り〠OpenOffice<span class="trademark"></span>® ã«ä»£ã‚ã‚‹ã‚‚ã®ã§ã™ã€‚ãã‚Œã¯ã€å®Œå…¨ã«ã‚ªãƒ¼ãƒ—ンソースã§ã‚ã‚Šã€ãれをサãƒãƒ¼ãƒˆã™ã‚‹ã‚³ãƒŸãƒ¥ãƒ‹ãƒ†ã‚£ã ã‘ã«ã‚ˆã£ã¦é‹å–¶ã•ã‚Œã¾ã™ã€‚ワードプãƒã‚»ãƒƒã‚µã€ãƒ—レゼンテーション作æˆã€ã‚¹ãƒ—レッドシート作æˆã€ãƒ‡ãƒ¼ã‚¿ãƒ™ãƒ¼ã‚¹ä½œæˆã€æ•°å¼ã‚¨ãƒ‡ã‚£ã‚¿ã€ãã—ã¦æ画エディタãŒã‚ã‚Šã¾ã™ã€‚
+ </div></div><div class="section" title="2.2.4. recoll"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id764576">2.2.4. recoll</h4></div></div></div><a id="id965751" class="indexterm"></a><a id="id735553" class="indexterm"></a><div class="para">
+ <span class="package">recoll</span>ã€å€‹äººç”¨ã®ãƒ•ãƒ«ãƒ†ã‚スト検索ツールãŒã€ Fedora 15 ã§å°Žå…¥ã•ã‚Œã¾ã—ãŸã€‚recoll ã¯ã€åœ§ç¸®ãƒ•ã‚¡ã‚¤ãƒ«ã‚„ã€é›»åメール添付ファイルをå«ã‚€ã€ã»ã¨ã‚“ã©ã®ä¸€èˆ¬çš„ãªæ–‡æ›¸ã‚¿ã‚¤ãƒ—を検索ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚詳細ã¯ã€ <a href="http://www.lesbonscomptes.com/recoll/">http://www.lesbonscomptes.com/recoll/</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div></div><div xml:lang="ja-JP" class="section" title="2.3. ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚ング" id="sect-RelNotes-Networking" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Networking">2.3. ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚ング</h3></div></div></div><div class="section" title="2.3.1. ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒ‡ãƒã‚¤ã‚¹ã®å‘½å"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id695689">2.3.1. ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒ‡ãƒã‚¤ã‚¹ã®å‘½å</h4></div></div></div><a id="id775246" class="indexterm"></a><a id="id663156" class="indexterm"></a><a id="id646793" class="indexterm"></a><a id="id673587" class="indexterm"></a><a id="id699020" class="indexterm"></a><a id="id1856139" class="indexterm"></a><a id="id668135" class="indexterm"></a><div class="para">
+ Servers often have multiple Ethernet ports, either embedded on the motherboard, or on add-in PCI cards. Linux has traditionally named these ports <code class="filename">ethX</code>, but there has been no correlation of the <code class="filename">ethX</code> names to the chassis labels - the <code class="filename">ethX</code> names are non-deterministic. Starting in Fedora 15, Ethernet ports will have a new naming scheme corresponding to physical locations, rather than <code class="filename">ethX</code>. Ethernet ports embedded on server motherboards will be named <code class="filename">em<port_number></code>, while ports on PCI cards will be named <code class="filename">p<slot_number>p<port_number></code>, corresponding to the chassis labels. Additionally, if the network device is an SR-IOV Virtual Function or has Network Partitioning (NPAR) capability, the name will have a suffix of <code class="filename">_<virtual_function></code> or <code class=
"filename">_<partition></code>.
+ </div><div class="para">
+ By changing the naming convention, system administrators will no longer have to guess at the <code class="filename">ethX</code> to physical port mapping, or invoke workarounds on each system to rename them into some "sane" order.
+ </div><div class="para">
+ ã“ã®æ©Ÿèƒ½ã¯ã€SMBIOS 2.6 以é™ï¼ˆç‰¹ã«ã€ãƒ•ã‚£ãƒ¼ãƒ«ãƒ‰ã‚¿ã‚¤ãƒ—ï¼™ã¨ï¼”１）ã«ã‚ˆã‚Šãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒãƒ¼ãƒˆã®å‘½åæƒ…å ±ã‚’å…¬é–‹ã™ã‚‹ã™ã¹ã¦ã®ç‰©ç†ã‚·ã‚¹ãƒ†ãƒ ã«å½±éŸ¿ã—ã¾ã™ã€‚ Dell PowerEdge 10G ãŠã‚ˆã³ãれより新ã—ã„サーãƒãƒ¼ (PowerEdge 1950 III ファミリー, PowerEdge R710 ファミリーã€ãŠã‚ˆã³ã€ã‚ˆã‚Šæ–°ã—ã„ã‚‚ã®), ãã—㦠HP ProLiant G6 サーãƒãƒ¼ã¨ãれより新ã—ã„ã‚‚ã®ã¯ã€ã“ã®æƒ…å ±ã‚’å…¬é–‹ã™ã‚‹ã“ã¨ãŒçŸ¥ã‚‰ã‚Œã¦ã„ã¾ã™ã€‚ã„ãã¤ã‹ã®æ–°ã—ã„デスクトップモデルもåŒã˜ã§ã™ã€‚ã•ã‚‰ã«ã€ã»ã¨ã‚“ã©ã®å¤ã„システムã¯ã„ãらã‹ã®æƒ…å ±ã‚’ PCI IRQ Routing Table ã§å…¬é–‹ã—ã¦ãŠã‚Šã€ãれ㯠SMBIOS ã§æƒ…å ±ãŒå¾—られãªã„ã¨ãã«ä½¿ã‚ã‚Œã¾ã™ã€‚
+ </div><div class="para">
+ ゲスト仮想マシンã¨ã—ã¦å‹•ä½œã™ã‚‹ Fedora ã¯ã€ <code class="filename">ethX</code> ã®åå‰ã‚’使ã„続ã‘ã¾ã™ã€‚
+ </div><div class="para">
+ æ—¢å˜ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã‹ã‚‰ Fedora 15 ã«ã‚¢ãƒƒãƒ—グレードã•ã‚ŒãŸã‚·ã‚¹ãƒ†ãƒ ã§ã¯ã€ <code class="filename">/etc/udev/rules.d/70-persistent-net.rules</code> ãŒå‰Šé™¤ã•ã‚Œã€ã™ã¹ã¦ã® <code class="filename">/etc/sysconfig/network-scripts/ifcfg-*</code> ファイルã‹ã‚‰ <code class="command">HWADDR</code> è¡ŒãŒå‰Šé™¤ã•ã‚Œã€ãれらã®ãƒ•ã‚¡ã‚¤ãƒ«ãŒæ–°ã—ã„デãƒã‚¤ã‚¹åã«å¤‰æ›´ã•ã‚Œã‚‹ã¾ã§ã€åå‰ã®å¤‰æ›´ã¯èµ·ãã¾ã›ã‚“。
+ </div><div class="para">
+ <code class="filename">/etc/udev/rules.d/70-persistent-net.rules</code> ã«ãƒ«ãƒ¼ãƒ«ã‚’書ãã“ã¨ã§ã€å¥½ããªã‚ˆã†ã«ãƒ‡ãƒã‚¤ã‚¹ã®åå‰ã‚’変ãˆã‚‹ã“ã¨ã¯ã€ä»Šã¾ã§ã©ãŠã‚Šã€å¯èƒ½ã§ã™ã€‚ãã‚Œã¯ã€ç‰©ç†ä½ç½®ã«ã‚ˆã‚‹å‘½åスã‚ーマより優先ã•ã‚Œã¾ã™ã€‚ãã®ãƒ«ãƒ¼ãƒ«ã¯ã€ä¾‹ãˆã°ã€ã“ã®ã‚ˆã†ãªã‚‚ã®ã§ã™ï¼š
+<pre class="screen">
+SUBSYSTEM=="net", ACTION=="add", DRIVERS=="?*", \
+ATTR{address}=="00:11:22:33:44:55", ATTR{type}=="1", \
+KERNEL=="eth*", NAME="public"
+</pre>
+
+ </div><div class="para">
+ This feature may be disabled by passing "<code class="command">biosdevname=0</code>" on the kernel command line, in which case, behavior will revert to using <code class="filename">ethX</code> names.
+ </div></div><div class="section" title="2.3.2. VPN ã®ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆå¯è¦–性"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id709792">2.3.2. VPN ã®ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆå¯è¦–性</h4></div></div></div><a id="id709799" class="indexterm"></a><div class="para">
+ デフォルトã§ã€ GNOME3 ã®ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒžãƒãƒ¼ã‚¸ãƒ£ã‚’使ã£ãŸæ–°ã—ã„ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯æŽ¥ç¶šã¯ã€ <span class="package">ã™ã¹ã¦ã®ãƒ¦ãƒ¼ã‚¶ãƒ¼ã«åˆ©ç”¨å¯èƒ½</span> オプションãŒæœ‰åŠ¹ã¨ãªã‚Šã¾ã™ã€‚ã“ã®ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆé¸æŠžã¯ã€æ–°ã—ã„ VPN 接続もå«ã¿ã¾ã™ã€‚ã“ã‚Œã«ã‚ˆã‚Šã€ãƒ©ãƒƒãƒ—トップユーザã¯ã€ VPN ã‚’é¸æŠžã—ã¦èªè¨¼æƒ…å ±ã‚’å†åº¦å…¥åŠ›ã™ã‚‹ã“ã¨ãªãセッションをå†é–‹å§‹ã§ãã¾ã™ã€‚ã—ã‹ã—ã€ã“ã‚ŒãŒæœ›ã¾ã—ããªã„ユーザもã„ã‚‹ã§ã—ょã†ã€‚ã“ã®ã‚ªãƒ—ションを除ãã«ã¯ã€ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ã‚’è¨å®šã™ã‚‹ã¨ãã«ã€ <span class="emphasis"><em>ã™ã¹ã¦ã®ãƒ¦ãƒ¼ã‚¶ãƒ¼ã«åˆ©ç”¨å¯èƒ½</em></span> ãƒã‚§ãƒƒã‚¯ãƒœãƒƒã‚¯ã‚¹ã‚’オフã«ã—ã¦ãã ã•ã„。
+ </div><div class="para">
+ ã“ã®ã‚ªãƒ—ションをã€æŽ¥ç¶šãŒæ—¢ã«ä½œã‚‰ã‚ŒãŸå¾Œã§å¤‰æ›´ã™ã‚‹ã«ã¯ã€ãƒˆãƒƒãƒ—ãƒãƒ¼ã§ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒžãƒãƒ¼ã‚¸ãƒ£ã®ã‚¢ã‚¤ã‚³ãƒ³ã‚’é¸æŠžã—ã¦ã€ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ãƒ¡ãƒ‹ãƒ¥ãƒ¼ã§ <span class="emphasis"><em>ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯è¨å®š</em></span> ã‚’é¸æŠžã—ã¾ã™ã€‚ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯è¨å®šã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ãŒé–‹ãã¾ã™ã€‚目的ã®æŽ¥ç¶šã‚’é¸æŠžã—ã¦ã€ <span class="emphasis"><em>オプション</em></span> ボタンをé¸æŠžã—ã¾ã™ã€‚接続ウインドウã®ä¸€ç•ªä¸‹ã§ã€ <span class="emphasis"><em>ã™ã¹ã¦ã®ãƒ¦ãƒ¼ã‚¶ãƒ¼ã«åˆ©ç”¨å¯èƒ½</em></span> ãƒã‚§ãƒƒã‚¯ãƒœãƒƒã‚¯ã‚¹ã‚’オフã«ã—ã¦ã€ <span class="emphasis"><em>ä¿å˜...</em></span> ã‚’é¸æŠžã—ã¦è¨å®šã‚’ä¿å˜ã—ã¾ã™ã€‚
+ </div></div><div class="section" title="2.3.3. Wireshark permissions changes"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id699366">2.3.3. Wireshark permissions changes</h4></div></div></div><a id="id699372" class="indexterm"></a><a id="id699380" class="indexterm"></a><div class="para">
+ <span class="application"><strong>Wireshark</strong></span> in Fedora 15 uses Linux capabilities instead of console helper. As result, the <span class="application"><strong>Wireshark</strong></span> users are no longer required to enter the root password. To grant a user permission to capture network traffic using <span class="application"><strong>Wireshark</strong></span> or <span class="application"><strong>tshark</strong></span>, the system administrator should add the user to <code class="command">wireshark</code> group. The <span class="application"><strong>Wireshark</strong></span> or <span class="application"><strong>tshark</strong></span> application then runs as ordinary user, only the capturing backend runs with permission to sniff on the network.
+ </div></div></div><div xml:lang="ja-JP" class="section" title="2.4. 国際化" id="sect-RelNotes-I18n" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-I18n">2.4. 国際化</h3></div></div></div><div class="section" title="2.4.1. Indic Typing Booster"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id896339">2.4.1. Indic Typing Booster</h4></div></div></div><a id="id765798" class="indexterm"></a><div class="para">
+ Indic Typing Booster ã¯ã€ã‚¤ãƒ³ãƒ‰è¨€èªžã®ãŸã‚ã®ã€äºˆæƒ³çš„テã‚スト入力メソッドã§ã™ã€‚ç¾åœ¨ã€ Hindi, Marathi ãã—㦠Gujarati をサãƒãƒ¼ãƒˆã—ã¾ã™ã€‚詳ã—ãã¯ã€<a href="http://fedoraproject.org/w/index.php?title=Features/IndicTypingBooster">feature page</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="2.4.2. ルピー記å·"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id695319">2.4.2. ルピー記å·</h4></div></div></div><a id="id760523" class="indexterm"></a><div class="para">
+ Fedora 15 ã¯ã€æ–°ã—ã„オフィシャルãªã‚¤ãƒ³ãƒ‰ãƒ«ãƒ”ãƒ¼é€šè²¨è¨˜å· (ユニコードãƒã‚¤ãƒ³ãƒˆ U20B9) ã®è¡¨ç¤ºã¨å…¥åŠ›ã‚’サãƒãƒ¼ãƒˆã—ã¾ã™ã€‚
+ </div></div><div class="section" title="2.4.3. ä¸å›½èªžã‚µãƒãƒ¼ãƒˆãƒ‘ッケージã®ã‚°ãƒ«ãƒ¼ãƒ—"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id774500">2.4.3. ä¸å›½èªžã‚µãƒãƒ¼ãƒˆãƒ‘ッケージã®ã‚°ãƒ«ãƒ¼ãƒ—</h4></div></div></div><a id="id757079" class="indexterm"></a><a id="id736382" class="indexterm"></a><a id="id733854" class="indexterm"></a><div class="para">
+ In Fedora 15 the "Chinese Support" package group has been separated into "Simplified Chinese Support" and "Traditional Chinese Support" package groups for better Chinese support.
+ </div></div></div><div xml:lang="ja-JP" class="section" title="2.5. マルãƒãƒ¡ãƒ‡ã‚£ã‚¢" id="sect-RelNotes-Multimedia" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Multimedia">2.5. マルãƒãƒ¡ãƒ‡ã‚£ã‚¢</h3></div></div></div><div class="section" title="2.5.1. Design Suite"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id965472">2.5.1. Design Suite</h4></div></div></div><a id="id731038" class="indexterm"></a><a id="id674978" class="indexterm"></a><div class="para">
+ The 'Graphics' yum group has been renamed 'Design Suite'. This group includes not only traditional graphics tools like gimp and inkscape, but also video and audio tools.
+ </div><div class="para">
+ åå‰ã¨é•ã£ã¦ã€ã“ã®ã‚°ãƒ«ãƒ¼ãƒ—ã¯ã€ãƒ¢ãƒ‡ãƒªãƒ³ã‚°ã‚„ã€UML〠ã‚ã‚‹ã„ã¯ä»–ã®ãƒ‡ã‚¶ã‚¤ãƒ³ãƒ„ールã¯å«ã¿ã¾ã›ã‚“。マルãƒãƒ¡ãƒ‡ã‚£ã‚¢ã‚¢ãƒ—リケーションã ã‘ã‚’å«ã¿ã¾ã™ã€‚
+ </div></div></div><div xml:lang="ja-JP" class="section" title="2.6. エンターテインメント" id="sect-RelNotes-Entertainment" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Entertainment">2.6. エンターテインメント</h3></div></div></div><div class="para">
+ ã“ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã§ã¯ã€ã„ãã¤ã‹ã®ã‚²ãƒ¼ãƒ ã¨ã‚¨ãƒ³ã‚¿ãƒ¼ãƒ†ã‚¤ãƒ³ãƒ¡ãƒ³ãƒˆã®èª¬æ˜Žã‚’ã—ã¾ã™ã€‚ãれら㯠Fedora 15 ã§ã€å¤šãã®æ–°ã—ã„機能ã¨é–‹ç™ºä¸Šã®æ”¹å–„ãŒã‚ã‚Šã¾ã—ãŸã€‚Fedora 15 ã§ã®ã™ã¹ã¦ã®ã‚²ãƒ¼ãƒ ã®å¤‰æ›´ç‚¹ã«ã¤ã„ã¦ã¯ã€<a href="http://fedorapeople.org/groups/docs/technical-notes/en-US/ar01s02.html">http://fedorapeople.org/groups/docs/technical-notes/en-US/ar01s02.html</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div><div class="section" title="2.6.1. Alien Arena"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id699175">2.6.1. Alien Arena</h4></div></div></div><a id="id971317" class="indexterm"></a><div class="para">
+ <span class="package">Alien Arena</span> ã¯ã€ã‚ªãƒ¼ãƒ—ンソースフリーウエアã®ã€ãƒ‡ã‚¹ãƒžãƒƒãƒã‚·ãƒ¥ãƒ¼ã‚¿ãƒ¼ã§ã™ã€‚
+ </div><div class="para">
+ Fedora 15 ã§ã¯ã€ Alien Arena 2011, ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 7.50 ãŒæŽ¡ç”¨ã•ã‚Œã¾ã—ãŸã€‚ 目立ã£ãŸæ©Ÿèƒ½ã¨ã—ã¦ã¯ã€ï¼’ã¤ã®æ–°ã—ã„マップã€(Annihilation 㨠Neptune), æ–°ã—ã„ãƒãƒƒã‚¯ã‚°ãƒ©ã‚¦ãƒ³ãƒ‰ãƒŸãƒ¥ãƒ¼ã‚¸ãƒƒã‚¯ã€æ–°ã—ã„ IRC クライアントãªã©ã§ã™ã€‚ コンピュータアニメーション (Ragdoll physics) ã¯ã€ Open Dynamics Physics Engine を使ã„ã€ã‚²ãƒ¼ãƒ ã§ã¯ã€ã‚ˆã‚Šé«˜é€Ÿãªç²’åã®ãƒ¬ãƒ³ãƒ€ãƒªãƒ³ã‚°ãŒå¯èƒ½ã¨ãªã‚Šã¾ã—ãŸã€‚詳ã—ãã¯ã€ <a href="http://icculus.org/alienarena/changelogs/7.50.txt">http://icculus.org/alienarena/changelogs/7.50.txt</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="2.6.2. Colossus Arena"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id744720">2.6.2. Colossus Arena</h4></div></div></div><a id="id766497" class="indexterm"></a><div class="para">
+ <span class="package">Colossus Arena</span> ã¯ã€ java ã«ã‚ˆã‚‹ Titan ボードゲームã®ã‚¯ãƒãƒ¼ãƒ³ã§ã™ã€‚ï¼’ã‹ã‚‰ï¼–人å‘ã‘ã®ã€ã‚¿ãƒ¼ãƒ³ãƒ™ãƒ¼ã‚¹ã®ãƒ•ã‚¡ãƒ³ã‚¿ã‚¸ãƒ¼ã‚¦ã‚ªãƒ¼ã‚²ãƒ¼ãƒ ã§ã™ã€‚
+ </div><div class="para">
+ In this version, the 0.12.0, among the features there is a new variant, "DinoTitan", an option to disable Warlock recruiting on the first turn and a new look for angels and captured legion markers; and global improvements after many bug fixes. For all details visit this page <a href="http://colossus.sourceforge.net/docs/RecentChangesDetails.html">http://colossus.sourceforge.net/docs/RecentChangesDetails.html</a>.
+ </div></div><div class="section" title="2.6.3. F.L.A.W."><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id656868">2.6.3. F.L.A.W.</h4></div></div></div><a id="id683851" class="indexterm"></a><div class="para">
+ <span class="package">F.L.A.W.</span> ã¯ã€ï¼•äººã¾ã§ã§éŠã¹ã‚‹ã€ãƒ•ãƒªãƒ¼ã®ã€ãƒˆãƒƒãƒ—ダウンã®é”法使ã„ã®æˆ¦é—˜ã‚²ãƒ¼ãƒ ã§ã™ã€‚
+ </div><div class="para">
+ Fedora 15 ã§ã¯ã€ F.L.A.W. ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 1.2.4 ãŒæŽ¡ç”¨ã•ã‚Œã¾ã—ãŸã€‚ãã®ç‰¹å¾´ã¯ã€æ–°ã—ã„戦略ゲームプレイモードã€ã‚ˆã‚Šå¤šãã®éŸ³æ¥½ã€ä½Žé€Ÿãªã‚³ãƒ³ãƒ”ュータã®ãŸã‚ã®ã‚ªãƒ—ショナルãªä½Žå“質グラフィックスモードã€ã‚¸ãƒ§ã‚¤ã‚¹ãƒ†ã‚£ãƒƒã‚¯ã®æ¤œå‡ºãªã©ã®å¤šãã® UI 改善ã¨ä¿®æ£ãªã©ã§ã™ã€‚詳ã—ãã¯ã€ã‚¦ã‚§ãƒ–サイトã€<a href="http://flaw.sourceforge.net/index.php">http://flaw.sourceforge.net/index.php</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="2.6.4. Freeciv"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id751501">2.6.4. Freeciv</h4></div></div></div><a id="id894889" class="indexterm"></a><div class="para">
+ <span class="package">Freeciv</span> ã¯ã€ãƒ•ãƒªãƒ¼ã®ã€ã‚¿ãƒ¼ãƒ³ãƒ™ãƒ¼ã‚¹ã®ã€ãƒžãƒ«ãƒãƒ—レイヤー戦略ゲームã§ã™ã€‚
+ </div><div class="para">
+ ã“ã®ãƒªãƒªãƒ¼ã‚¹ã¯ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 2.4 ã§ã€ä»¥å‰ã® 2.2ã¨æ¯”ã¹ã¦å¤šãã®å¤‰æ›´ãŒã‚ã‚Šã¾ã—ãŸã€‚åŒæ™‚ã«ãƒ—レイã§ãる人数ãŒã€ 126 ã«ãªã‚Šã€ãƒžãƒƒãƒ—サイズã¯ã€ 30,000 ã‹ã‚‰ 128,000 タイルã«ãªã‚Šã€ãƒžãƒƒãƒ—ã®ãƒªãƒ‹ã‚¢ãƒ‡ã‚£ãƒ¡ãƒ³ã‚·ãƒ§ãƒ³ãŒ 254 ã‹ã‚‰ 512 ã«ã€é«˜ç²¾ç´°ã«ãªã‚Šã¾ã—ãŸã€‚サーãƒãƒ¼ã¨ã‚¯ãƒ©ã‚¤ã‚¢ãƒ³ãƒˆã‚µã‚¤ãƒ‰ã§å†å®Ÿè£…ãŒã•ã‚ŒãŸçµæžœã€ã‚²ãƒ¼ãƒ プレイをカスタマイズã™ã‚‹ãŸã‚ã®æ–°ã—ã„機能ãŒåŠ ã‚ã‚Šã¾ã—ãŸã€‚ãã—ã¦ã€ãƒ—レイヤーã®ä½“験を高ã‚ã‚‹æ–°ã—ã„ルックスã¨ãƒ«ãƒ¼ãƒ«ã€‚詳細（ãŸãã•ã‚“ã‚ã‚Šã¾ã™ï¼ï¼‰ã¯ã€ã‚¢ãƒƒãƒ—ストリームã®ã‚¦ã‚§ãƒ–サイト <a href="http://freeciv.wikia.com/">http://freeciv.wikia.com/</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="2.6.5. FreeCol"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id766434">2.6.5. FreeCol</h4></div></div></div><a id="id766441" class="indexterm"></a><div class="para">
+ <span class="package">FreeCol</span> ã¯ã€ã‚¿ãƒ¼ãƒ³ãƒ™ãƒ¼ã‚¹ã®æˆ¦ç•¥ã‚²ãƒ¼ãƒ ã§ã‚ã‚Šã€æ˜”ã®ã‚²ãƒ¼ãƒ Colonization をベースã¨ã—〠Civilization ã«ä¼¼ã¦ã„ã¾ã™ã€‚
+ </div><div class="para">
+ Fedora 15 ã§ã€ FreeCol ã¯ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 0.8.3 ã‹ã‚‰ 0.9.5 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚リリース 0.9 ã¯ï¼’ï¼ï¼‘ï¼å¹´ï¼‘月ã«ãƒãƒ¼ãƒ³ãƒã•ã‚Œã€é–‹ç™ºè€…ã¯è€ƒå¯Ÿã‚µã‚¤ãƒ‰ (AI) をより高性能ã«ã—ã¾ã—ãŸã€‚グラフィックスサイドã§ã¯ã€æ–°ã—ã„ビルã®ã‚°ãƒ©ãƒ•ã‚£ãƒƒã‚¯ã‚¹ã€æ–°ã—ã„森ã¨æµ·å²¸ã®ç”»åƒã€ MigLayout を使ã£ãŸãƒ‘ãƒãƒ«ã¨ãƒ€ã‚¤ã‚¢ãƒã‚°ã®å†è¨è¨ˆã€å°ã•ãªãƒ‡ã‚£ã‚¹ãƒ—レイ (1024x600) ã§ã®ã‚ˆã‚Šè‰¯ã„çµ±åˆãªã©ã‚’å°Žå…¥ã—ã¾ã—ãŸã€‚プレイヤーã®ãŸã‚ã®æ–°ã—ã„ルールもã‚ã‚Šã¾ã™ã€‚ウェブサイト <a href="http://www.freecol.org/">http://www.freecol.org/</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="2.6.6. FreeDink"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id760154">2.6.6. FreeDink</h4></div></div></div><a id="id760161" class="indexterm"></a><div class="para">
+ GNU <span class="package">FreeDink</span> ã¯ã€ Dink Smallwood ゲームエンジンã®ã€ãƒ•ãƒªãƒ¼ã§ã€ãƒãƒ¼ã‚¿ãƒ–ルã§ã€æ©Ÿèƒ½å¼·åŒ–ã•ã‚ŒãŸãƒãƒ¼ã‚¸ãƒ§ãƒ³ã§ã™ã€‚
+ </div><div class="para">
+ Fedora 15 ã§ã¯ã€ FreeDink ã¯ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 1.08.20100420 ã‹ã‚‰ v1.08.20101114 ã«ãªã‚Šã¾ã—ãŸã€‚ã„ãã¤ã‹ã®ã‚¯ãƒ©ãƒƒã‚·ãƒ¥ã‚’ä¿®æ£ã—ã€ã‚²ãƒ¼ãƒ ã®é€Ÿåº¦ã‚’３å€ã«ã™ã‚‹æ–°ã—ã„ターボモードを導入ã—ã€æ–°ã—ã„言語もサãƒãƒ¼ãƒˆã—ã¾ã—ãŸã€‚詳ã—ãã¯ã€ã‚¦ã‚§ãƒ–サイト <a href="http://savannah.gnu.org/projects/freedink/">http://savannah.gnu.org/projects/freedink/</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="2.6.7. gbrainy"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id966268">2.6.7. gbrainy</h4></div></div></div><a id="id966275" class="indexterm"></a><div class="para">
+ <span class="package">gbrainy</span> ã¯ã€è„³ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°ã‚²ãƒ¼ãƒ ã§ã€æ¥½ã—ã¿ãªãŒã‚‰ã‚ãªãŸã®è„³ã‚’トレーニングã—ã¾ã™ï¼ï¼ï¼
+ </div><div class="para">
+ ã“ã® GNOME ゲームã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 1.52 ã§ã¯ã€æ–°ã—ã„１１個ã®è«–ç†ã‚²ãƒ¼ãƒ ãŒåŠ ã‚ã‚Šã€ãƒ¦ãƒ¼ã‚¶ãƒ“リティãŒå‘上ã—ã¾ã—ãŸã€‚詳ã—ãã¯ã€ gnome ウェブサイト <a href="http://live.gnome.org/gbrainy/Releases">http://live.gnome.org/gbrainy/Releases</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="2.6.8. supertuxkart"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id966303">2.6.8. supertuxkart</h4></div></div></div><a id="id966310" class="indexterm"></a><div class="para">
+ <span class="package">SuperTuxKart</span> ã¯ã€ãƒ•ãƒªãƒ¼ã® ３D カートレーシングゲームã§ã™ã€‚
+ </div><div class="para">
+ Fedora 15 ã§ã¯ã€ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 0.6.2 ã‹ã‚‰ 0.7 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚多ãã®ãƒã‚°ä¿®æ£ã®ä»–ã«ã€ã“ã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã® superTux ã§ã¯æ–°ã—ã„GUI ãŒæŽ¡ç”¨ã•ã‚Œã€ã‚«ãƒ¼ãƒˆã¨ãƒˆãƒ©ãƒƒã‚¯ã®ã‚¢ãƒ‹ãƒ¡ãƒ¼ã‚·ãƒ§ãƒ³ãŒè¿½åŠ ã•ã‚Œã€æ–°ã—ã改善ã•ã‚ŒãŸãƒˆãƒ©ãƒƒã‚¯ã€ã‚«ãƒ¼ãƒˆã€ã‚¢ã‚¤ãƒ†ãƒ ãŒåŠ ã‚ã‚Šã¾ã—ãŸã€‚ショートカットやã€ãƒˆãƒ©ãƒƒã‚¯ã®ãŸã‚ã®ä»£æ›¿æ‰‹æ®µã‚‚ã‚ã‚Šã¾ã™ã€‚開発者ã¯ã‚¢ã‚¸ã‚¢ã®ãƒ•ã‚©ãƒ³ãƒˆã®ã‚µãƒãƒ¼ãƒˆã‚’è¿½åŠ ã—ã¾ã—ãŸã€‚詳細ã¯ã€ã‚¢ãƒƒãƒ—ストリームプãƒã‚¸ã‚§ã‚¯ãƒˆ <a href="http://supertuxkart.sourceforge.net/Main_Page">http://supertuxkart.sourceforge.net/Main_Page</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="2.6.9. zaz"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id640319">2.6.9. zaz</h4></div></div></div><a id="id640326" class="indexterm"></a><div class="para">
+ <span class="package">zaz</span> ã¯ã€ãƒœãƒ¼ãƒ«ã‚’３連ã«ä¸¦ã¹ã‚‹ãƒ‘ズルゲームã§ã™ã€‚
+ </div><div class="para">
+ Fedora 15 ã§ã¯ã€ zaz ã¯ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 0.7.0 ã‹ã‚‰ 1.0.0 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚æ–°ã—ã„スプラッシュスクリーンã€æ–°ã—ã„ゲームレベルã€ãƒ•ãƒ©ãƒ³ã‚¹èªžã€ãƒ‰ã‚¤ãƒ„語ã€ã‚¹ãƒšã‚¤ãƒ³èªžã€ã‚¤ã‚¿ãƒªã‚¢èªžã€ãƒãƒ³ã‚¬ãƒªãƒ¼èªžã€ãƒã‚·ã‚¢èªžã€ãƒãƒ¼ãƒ©ãƒ³ãƒ‰èªžã€ãã‚Œã«ãƒˆãƒ«ã‚³èªžã®ãƒã‚±ãƒ¼ãƒ«ã®è¿½åŠ ã¨æ›´æ–°ã€ãŒã‚ã‚Šã¾ã™ã€‚ã„ãらã‹ã®ãƒã‚°ä¿®æ£ã‚‚。詳ã—ãã¯ã€ãƒ—ãƒã‚¸ã‚§ã‚¯ãƒˆã‚¦ã‚§ãƒ–サイト㮠Changelog <a href="http://sourceforge.net/projects/zaz">http://sourceforge.net/projects/zaz</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div></div><div xml:lang="ja-JP" class="section" title="2.7. Live イメージ" id="sect-Release_Notes-Live_Image" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Release_Notes-Live_Image">2.7. Live イメージ</h3></div></div></div><a id="id665060" class="indexterm"></a><a id="id967612" class="indexterm"></a><div class="para">
+ <a href="http://fedoraproject.org/w/index.php?title=Features/LZMA_for_Live_Images">Live イメージã«ã¯ã€XZ 圧縮ãŒä½¿ã‚れるよã†ã«ãªã‚Šã¾ã—ãŸã€‚</a> ã“ã®çµæžœã€ãƒ‡ã‚¹ã‚¯ãƒˆãƒƒãƒ—スピンã«ãŠã„㦠19% ã®åœ§ç¸®çŽ‡ã®æ”¹å–„ã€ã‚²ãƒ¼ãƒ スピンã«ãŠã„㦠9% ã®æ”¹å–„ãŒãªã•ã‚Œã€ã“れらã®ã‚¹ãƒ”ンã«ã‚ˆã‚Šå¤šãã®å†…容を入れるã“ã¨ãŒã§ãるよã†ã«ãªã‚Šã¾ã—ãŸã€‚ã‚‚ã—ã€ã‚ãªãŸãŒã”自分ã®ã‚¹ãƒ”ンをãŠä½œã‚Šã®å ´åˆã€ XZ ãŒç¾åœ¨ã®ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§ã™ãŒã€ 2.6.38 よりå‰ã®ã‚«ãƒ¼ãƒãƒ«ã§ã¯å‹•ä½œã—ãªã„ã“ã¨ã«æ³¨æ„ãã ã•ã„。å¤ã„カーãƒãƒ«ã§ã‚‚動作ã™ã‚‹ gzip 圧縮をã™ã‚‹ã«ã¯ã€ <span class="application"><strong>livecd-creator</strong></span> 㧠<code class="command">--compression-type=gzip</code> オプションを使ã£ã¦ãã ã•ã„。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Release_Notes-Welcome_to_Fedora_15.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>1. Fedora 15 ã¸ã‚ˆã†ã“ã</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Release_Notes-Changes_for_SysAdmin.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>3. Fedora ã®å¤‰æ›´ç‚¹ - システム管ç†è€…å‘ã‘</a></li></ul></body></html>
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+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>4. Fedora ã®å¤‰æ›´ç‚¹ - 開発者å‘ã‘</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora-Release_Notes-15-ja-JP-1-0" /><link rel="home" href="index.html" title="リリースノート" /><link rel="up" href="index.html" title="リリースノート" /><link rel="prev" href="sect-Release_Notes-Changes_for_SysAdmin.html" title="3. Fedora ã®å¤‰æ›´ç‚¹ - システム管ç†è€…å‘ã‘" /><link rel="next" href="sect-Release_Notes-Changes_for_Specific_Audiences.html" title="5. Fedora ã®å¤‰æ›´ç‚¹ - 特定ã®æ–¹å‘ã‘" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an
iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Release_Notes-Changes_for_SysAdmin.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Release_Notes-Changes_for_Specific_Audiences.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="4. Fedora ã®å¤‰æ›´ç‚¹ - 開発者å‘ã‘" id="sect-Release_Notes-Changes_for_Developers"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Release_Notes-Changes_for_Developers">4. Fedora ã®å¤‰æ›´ç‚¹ - 開発者å‘ã‘</h2></div></div></div><div xml:lang="ja-JP" cl
ass="section" title="4.1. 開発" id="sect-RelNotes-Development" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Development">4.1. 開発</h3></div></div></div><div class="para">
+ Fedora ã«ã¯ã€è±Šå¯Œãªç¨®é¡žã®é–‹ç™ºãƒ„ールãŒã‚ã‚Šã¾ã™ã€‚ã“ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã¯ã€Fedora 15 ã«å«ã¾ã‚Œã‚‹é–‹ç™ºãƒ„ールã®æ©Ÿèƒ½å¼·åŒ–を説明ã—ã¾ã™ã€‚
+ </div></div><div xml:lang="ja-JP" class="section" title="4.2. 開発ツール" id="sect-RelNotes-Developer_Tools" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Developer_Tools">4.2. 開発ツール</h3></div></div></div><div class="section" title="4.2.1. Boost"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id656554">4.2.1. Boost</h4></div></div></div><a id="id711695" class="indexterm"></a><a id="id733143" class="indexterm"></a><a id="id655015" class="indexterm"></a><a id="id774812" class="indexterm"></a><div class="para">
+ <span class="package">boost</span> provides a set of portable, peer-reviewed, C++ libraries. In Fedora 15, Boost is brought up to date with the current upstream, version 1.46.
+ </div><div class="para">
+ Boost ã®ã™ã¹ã¦ã®æ–°ã—ã„リリースã§ã¯ã€æ–°ã—ã„コンãƒãƒ¼ãƒãƒ³ãƒˆã¨ãƒ©ã‚¤ãƒ–ラリãŒè¿½åŠ ã•ã‚Œã¾ã™ã€‚例ãˆã°ã€ Boost 1.46 㯠ICL を。 Boost 1.45 㯠MSM 㨠Polygon ã‚’å°Žå…¥ã—ã¾ã—ãŸã€‚
+ </div><div class="para">
+ ã•ã‚‰ã«ã€æ—¢å˜ã®ã‚³ãƒ³ãƒãƒ¼ãƒãƒ³ãƒˆã¨ãƒ©ã‚¤ãƒ–ラリã¯ã€æ–°ã—ã„機能強化ã¨ãƒã‚°ä¿®æ£ãŒè¡Œã‚ã‚Œã¾ã—ãŸã€‚例ãˆã°ã€ Boost.Math コンãƒãƒ¼ãƒãƒ³ãƒˆã¯ç¾åœ¨ã§ã¯ã€çµ±è¨ˆè§£æžã®ã‚µãƒãƒ¼ãƒˆã«é–¢ã—ã¦ã€ GSL よりも優れãŸã‚‚ã®ã¨ãªã‚Šã¾ã—ãŸã€‚
+ </div><div class="para">
+ 完全ãªè©³ç´°ã«ã¤ã„ã¦ã¯ã€ <a href="http://www.boost.org/">http://www.boost.org/</a> ã«ã‚ã‚‹ Boost ページをå‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="4.2.2. Erlang"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id667761">4.2.2. Erlang</h4></div></div></div><a id="id745556" class="indexterm"></a><div class="para">
+ <span class="package">erlang</span> ã¨ã€é–¢é€£ã™ã‚‹ãƒ‘ッケージã¯ã€ R14B ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚ã“ã®ãƒªãƒªãƒ¼ã‚¹ã¯ã€å¤šãã®æ€§èƒ½æ”¹å–„ã€ç‰¹ã«ã‚¹ãƒ¬ãƒƒãƒ‰å‘¨ã‚Šã®ã€ã‚’å«ã¿ã€å¤šãã®ãƒã‚°ä¿®æ£ã‚‚å«ã¿ã¾ã™ã€‚より詳ã—ãã¯ã€ <a href="http://demo.erlang.org/download/otp_src_R14B.readme"> readme</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="4.2.3. gdb"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id757289">4.2.3. gdb</h4></div></div></div><a id="id645618" class="indexterm"></a><a id="id734770" class="indexterm"></a><a id="id761163" class="indexterm"></a><div class="para">
+ ã“ã®æ–°ã—ã„ <span class="package">GDB</span> リリース 7.3 㨠<a href="http://sourceware.org/gdb/wiki/ArcherBranchManagement"> Archer</a> ãŠã‚ˆã³ Fedora æ‹¡å¼µã¯ã€ãƒ‡ãƒãƒƒã‚¬ã‚’よりパワフルã«ã—〠Fedora ã§ã®ãƒ‡ãƒãƒƒã‚°ä½“験を改善ã—ã¾ã™ã€‚ã“れらã®æ©Ÿèƒ½ã®ã»ã¨ã‚“ã©ã¯ã€ Red Hat ã®ã‚¨ãƒ³ã‚¸ãƒ‹ã‚¢é”ã«ã‚ˆã£ã¦æ›¸ã‹ã‚Œã€ã™ã¹ã¦ã® gdb ユーザã«åˆ©ç›Šã‚’ã‚‚ãŸã‚‰ã—ã¾ã™ã€‚\n Fedora 15 リリースã®æ–°ã—ã„機能ã®ä¸€éƒ¨ã¯ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://sourceware.org/systemtap/wiki/AddingUserSpaceProbingToAppsSystemtap">SystemTap markers (probes)</a> ã§ã®ãƒ–レークãƒã‚¤ãƒ³ãƒˆã®ã‚µãƒãƒ¼ãƒˆ
+ </div></li><li class="listitem"><div class="para">
+ Support for using labels in the program's source
+ </div></li><li class="listitem"><div class="para">
+ OpenCL 言語ã®ãƒ‡ãƒãƒƒã‚°ã®ã‚µãƒãƒ¼ãƒˆ
+ </div></li><li class="listitem"><div class="para">
+ コアダンプã§ã®ã‚¹ãƒ¬ãƒƒãƒ‰ãƒ‡ãƒãƒƒã‚° - スレッド㮠<code class="command">pthread_t</code> ã¨ã€ TLS 変数ã®è¡¨ç¤º
+ </div></li><li class="listitem"><div class="para">
+ Python スクリプティングã®æ”¹å–„ã®ä¸€éƒ¨ã¯ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Python ã§ã® GDB 値ã¯ã€ãã‚ŒãŒé–¢æ•°ã‚¢ãƒ‰ãƒ¬ã‚¹ã‚’表ã™ã‚‚ã®ã§ã‚ã‚Œã°ã€å‘¼ã³ã ã—å¯èƒ½ã¨ãªã‚Šã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ inferior タイプã®ãŸã‚ã®æ–°ã—ã„モジュール gdb.types。
+ </div></li><li class="listitem"><div class="para">
+ プリティプリンタを書ã„ã¦ç™»éŒ²ã™ã‚‹ãŸã‚ã®æ–°ã—ã„モジュール gdb.printing
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+ More features are listed <a href="http://sourceware.org/cgi-bin/cvsweb.cgi/~checkout~/src/gdb/NEWS?cvsroot=src"> upstream</a> above the line "*** Changes in GDB 7.2".
+ </div><div class="para">
+ Fedora ã®å¤šãã®é‡è¦ãªãƒ‘ッケージã¯ã€ <a href="https://fedoraproject.org/wiki/Features/SystemtapStaticProbes"> SystemTap static markers</a>ã¤ãã§ã‚らã‹ã˜ã‚ビルドã•ã‚Œã¦ãŠã‚Šã€ã“れ㯠gdb ã§ã®ãƒ–レークãƒã‚¤ãƒ³ãƒˆã®å¯¾è±¡ã¨ã—ã¦ä½¿ã†ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></div><div class="section" title="4.2.4. Mono"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id1855911">4.2.4. Mono</h4></div></div></div><a id="id1855918" class="indexterm"></a><a id="id1855926" class="indexterm"></a><div class="para">
+ <span class="package">mono</span> 㯠2.8.1 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚Mono ã® 2.8 リリースã¯ã€å¤šãã®æ–°ã—ã„機能をå«ã¿ã€ãã®ä¸€éƒ¨ã¯ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ C# 4.1準æ‹
+ </div></li></ul></div>
+ <div class="orderedlist"><ol class="arabic"><li class="listitem"><div class="para">
+ æ–°ã—ã„ガーベジコレクター
+ </div></li><li class="listitem"><div class="para">
+ Mono MIT X11 㨠Microsoft MS-PL/Apache2 ã‹ã‚‰ã®æ–°ã—ã„フレームワーク
+ </div></li><li class="listitem"><div class="para">
+ 性能改善
+ </div></li></ol></div>
+
+ </div><div class="para">
+ 完全ãªè©³ç´°ã«ã¤ã„ã¦ã¯ã€ <a href="http://www.mono-project.com/news/">http://www.mono-project.com/news/</a> ã®ãƒªãƒªãƒ¼ã‚¹ãƒŽãƒ¼ãƒˆã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="4.2.5. OCaml"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id672492">4.2.5. OCaml</h4></div></div></div><a id="id672498" class="indexterm"></a><a id="id672506" class="indexterm"></a><a id="id672514" class="indexterm"></a><div class="para">
+ Fedora 15 ã¯ã€ OCaml 言語ã®æ–°ã—ã„メジャーリリースã§ã‚ã‚‹ <span class="package">OCaml</span> 3.12 〠camlp4 マクãƒè¨€èªžã€ãƒ©ã‚¤ãƒ–ラリã€ãã—㦠XML 処ç†ã®ãŸã‚ã® CDuce ã‚’å«ã¿ã¾ã™ã€‚
+ </div><div class="para">
+ æ–°ã—ã„言語機能ã®ä¸€éƒ¨ã¯ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ モジュールã¯ãƒ•ã‚¡ãƒ¼ã‚¹ãƒˆã‚¯ãƒ©ã‚¹ã® value ã¨ãªã‚Šã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ ãƒã‚¹ãƒˆã—ãŸãƒ¢ã‚¸ãƒ¥ãƒ¼ãƒ«ã®ã‚ªãƒ¼ãƒ—ン
+ </div></li><li class="listitem"><div class="para">
+ オープンレコードノーテーション
+ </div></li><li class="listitem"><div class="para">
+ サブクラスã§ã‚ªãƒ¼ãƒãƒ¼ãƒ©ã‚¤ãƒ‰ã•ã‚Œãªã‘ã‚Œã°ã„ã‘ãªã„ OO メソッドをマークã™ã‚‹
+ </div></li><li class="listitem"><div class="para">
+ 言語ã§ã® delimited overloading ã®é™å®šçš„ãªã‚µãƒãƒ¼ãƒˆ
+ </div></li></ul></div>
+
+ </div><div class="para">
+ camlp4 㨠camlp5 マクãƒè¨€èªžã¯ã€æ”¹è¨‚ã€æ‹¡å¼µã•ã‚Œã¾ã—ãŸã€‚変更ã¯å®Œå…¨ã«å¾Œæ–¹äº’æ›ã§ã™ã€‚ã™ã¹ã¦ã®è©³ç´°ã«ã¤ã„ã¦ã¯ã€ <a href="https://fedoraproject.org/wiki/Features/OCaml3.12">https://fedoraproject.org/wiki/Features/OCaml3.12</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="4.2.6. Python"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id672590">4.2.6. Python</h4></div></div></div><a id="id672596" class="indexterm"></a><div class="para">
+ Fedora 15 ã§ã®<span class="package">Python</span> 3 スタックã¯ã€ 3.1 ã‹ã‚‰ 3.2 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚(システムPython 2 スタックã¯ã€ 2.7 ã®ã¾ã¾ã§ã™ã€‚) Python 3.2 ã¯ã€ Python 3 言語ã®æœ€æ–°ã®ãƒªãƒªãƒ¼ã‚¹ã§ã€æ•°ç™¾ã‚‚ã®ä¿®æ£ã¨æ”¹å–„ã‚’å«ã¿ã¾ã™ã€‚ã™ã¹ã¦ã®è©³ç´°ã«ã¤ã„ã¦ã¯ã€ <a href="https://fedoraproject.org/wiki/Features/Python_3.2">https://fedoraproject.org/wiki/Features/Python_3.2</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="4.2.7. Rails"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id672621">4.2.7. Rails</h4></div></div></div><a id="id735910" class="indexterm"></a><div class="para">
+ Fedora 15 ã§ã® <span class="package">Ruby</span> on Rails gems ã¯ã€ 2.3.8 ã‹ã‚‰ 3.0.3ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚Rails 3 ã¯ã€ Ruby on Rails ウエブフレームワークã«ã¨ã£ã¦å¤§ããªæ›´æ–°ã§ã™ã€‚ãれ㯠polished routing API ã‚„ activemailer 㨠activerecord API ãã—ã¦å¤šãã®æ–°ã—ã„機能強化をå«ã¿ã¾ã™ã€‚ã“ã‚Œã¯ãƒ¡ã‚¸ãƒ£ãƒ¼ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã‚¢ãƒƒãƒ—デートã§ã™ã‹ã‚‰ Rails 3 㨠Rails 2.3.8 ã®é–“ã«ã¯ã€ã„ãらã‹ã® API ã®éžäº’æ›æ€§ãŒã‚ã‚Šã¾ã™ã€‚詳細㯠<a href="https://fedoraproject.org/wiki/Features/Rails_3.0.3">https://fedoraproject.org/wiki/Features/Rails_3.0.3</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="4.2.8. Tryton"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id735935">4.2.8. Tryton</h4></div></div></div><a id="id735942" class="indexterm"></a><a id="id735950" class="indexterm"></a><a id="id735958" class="indexterm"></a><div class="para">
+ <span class="package">Tryton</span>ã€ï¼“階層ã®æ±Žç”¨ã‚¢ãƒ—リケーションプラットフォームã§ã‚り〠ERP システムã®ãƒ™ãƒ¼ã‚¹ã€ãŒã€ Fedora 15 ã«å«ã¾ã‚Œã¾ã™ã€‚
+ </div><div class="para">
+ Tryton ã®ã‚³ã‚¢ï¼ˆTryton カーãƒãƒ«ã¨ã‚‚呼ã°ã‚Œã¾ã™ï¼‰ã¯ã€å®Œå…¨ãªã‚¢ãƒ—リケーションフレームワークã«ã¨ã£ã¦å¿…è¦ãªã™ã¹ã¦ã®æ©Ÿèƒ½ã‚’æä¾›ã—ã¾ã™ï¼šãƒ‡ãƒ¼ã‚¿æ°¸ç¶šæ€§ã€æ‹¡å¼µå¯èƒ½ãªãƒ¢ã‚¸ãƒ¥ãƒ¼ãƒ«æ€§ã€ãƒ¦ãƒ¼ã‚¶ç®¡ç†ï¼ˆèªè¨¼ã€ãƒ‡ãƒ¼ã‚¿ã‚¢ã‚¯ã‚»ã‚¹ã®ãŸã‚ã®è©³ç´°ãªåˆ¶å¾¡ã€è³‡æºã®ä¸¦åˆ—実行制御）ã€ãƒ¯ãƒ¼ã‚¯ãƒ•ãƒãƒ¼ã€ãã—ã¦ã€ãƒªãƒãƒ¼ãƒˆã‚¨ãƒ³ã‚¸ãƒ³ã€ã‚¦ã‚§ãƒ–サービスã€å›½éš›åŒ–。ã“ã®ã‚ˆã†ã«ã€ã„ã‹ãªã‚‹ç”¨é€”ã«ã‚‚使ã†ã“ã¨ã®ã§ãる完全ãªã‚¢ãƒ—リケーションプラットフォームãŒæ§‹æˆã•ã‚Œã¾ã™ã€‚\nベースモジュール
+ </div><div class="para">
+ ç¾åœ¨ã€ Tryton ã§å…¥æ‰‹å¯èƒ½ãªãƒ¡ã‚¤ãƒ³ãƒ¢ã‚¸ãƒ¥ãƒ¼ãƒ«ã¯ã€ä»¥ä¸‹ã®åˆ†é‡Žã®æ´»å‹•ã‚’サãƒãƒ¼ãƒˆã—ã¾ã™ï¼š
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 会計
+ </div></li><li class="listitem"><div class="para">
+ 発注
+ </div></li><li class="listitem"><div class="para">
+ 販売管ç†
+ </div></li><li class="listitem"><div class="para">
+ 購買管ç†
+ </div></li><li class="listitem"><div class="para">
+ 解æžä¼šè¨ˆ
+ </div></li><li class="listitem"><div class="para">
+ 在庫管ç†
+ </div></li></ul></div></div></div><div xml:lang="ja-JP" class="section" title="4.3. GCC" id="sect-RelNotes-GCC" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-GCC">4.3. GCC</h3></div></div></div><a id="id965284" class="indexterm"></a><a id="id774814" class="indexterm"></a><a id="id667558" class="indexterm"></a><a id="id687841" class="indexterm"></a><div class="para">
+ Fedora 15 ã¯ã€ <span class="package">gcc</span> 4.6.0 ã‚’ã€ä¸»ãªã‚³ãƒ³ãƒ‘イラã¨ã—ã¦æŽ¡ç”¨ã—ã¾ã—ãŸã€‚ユーザã¯ã€ã‚³ãƒ³ãƒ‘イルã•ã‚ŒãŸã‚³ãƒ¼ãƒ‰ã®æ”¹å–„を経験ã™ã‚‹ã§ã—ょã†ã€‚ã•ã‚‰ã«ã€ C++0x サãƒãƒ¼ãƒˆã®æ”¹å–„や〠Go 言語サãƒãƒ¼ãƒˆã€Fortran ã§ã® REAL*16 サãƒãƒ¼ãƒˆãªã©ã€æ–°ã—ãåŠ ãˆã‚‰ã‚ŒãŸæ©Ÿèƒ½ã‚’使ã†ã“ã¨ã‚‚ã§ãã¾ã™ã€‚ã™ã¹ã¦ã®å¤‰æ›´ã«ã¤ã„ã¦ã¯ã€ <a href="http://gcc.gnu.org/gcc-4.6/changes.html">http://gcc.gnu.org/gcc-4.6/changes.html</a> 㨠<a href="https://fedoraproject.org/wiki/Features/GCC46">https://fedoraproject.org/wiki/Features/GCC46</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div xml:lang="ja-JP" class="section" title="4.4. Java" id="sect-RelNotes-Java" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Java">4.4. Java</h3></div></div></div><div class="section" title="4.4.1. IcedTea6 1.10"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id667596">4.4.1. IcedTea6 1.10</h4></div></div></div><a id="id706137" class="indexterm"></a><a id="id744040" class="indexterm"></a><a id="id661908" class="indexterm"></a><a id="id752857" class="indexterm"></a><div class="para">
+ 1.10 ã®ä¸»ãªæ”¹å–„点ã¯ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 多ãã®ã‚°ãƒ©ãƒ•ã‚£ãƒƒã‚¯ã‚¹ã®æ”¹å–„ã¨ãƒã‚°ä¿®æ£ã€‚shaped/translucent ウインドウã®ã‚µãƒãƒ¼ãƒˆã¨ hw/lw ミã‚シング。
+ </div></li><li class="listitem"><div class="para">
+ PKCS#11 プãƒãƒã‚¤ãƒ€ã®æ€§èƒ½æ”¹å–„
+ </div></li><li class="listitem"><div class="para">
+ HotSpot 20 採用ã«ã‚ˆã‚‹å¤šãã® VM ã®å®‰å®šæ€§ã¨æ€§èƒ½ã®æ”¹å–„
+ </div></li></ul></div>
+
+ </div><div class="para">
+ <span class="package">IcedTea6</span> 1.10ã¯ã€ Fedora 13 㨠14 ã§æŽ¡ç”¨ã•ã‚ŒãŸ 1.8 㨠1.9 シリーズã«æ¯”ã¹ã¦ã€å¤šãã®æ€§èƒ½ã¨å®‰å®šæ€§ã®æ”¹å–„ãŒã•ã‚Œã¾ã—ãŸã€‚
+ </div></div><div class="section" title="4.4.2. IcedTea-Web"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id682771">4.4.2. IcedTea-Web</h4></div></div></div><a id="id762857" class="indexterm"></a><a id="id709623" class="indexterm"></a><a id="id895711" class="indexterm"></a><a id="id971832" class="indexterm"></a><div class="para">
+ IcedTea6 æ›´æ–°ã®ä»–ã®ã€ä¸»ãª Java 関連ã®å¤‰æ›´ã¯ã€ Fedora ã« IcedTea-Web ãŒå°Žå…¥ã•ã‚ŒãŸã“ã¨ã§ã™ã€‚以å‰ã®ãƒªãƒªãƒ¼ã‚¹ã§ã¯ã€ Java プラグイン㨠Web Start 実装ã¯ã€ <span class="package">java-1.6.0-openjdk</span> RPM ã«ãƒ‘ッケージã•ã‚Œã¾ã—ãŸã€‚1.10 ã‹ã‚‰ã€ãƒ—ラグイン㨠Web Start 実装ã¯ã€ IcedTea-Web ã¨å‘¼ã°ã‚Œã‚‹ç‹¬ç«‹ã—ãŸãƒ—ãƒã‚¸ã‚§ã‚¯ãƒˆã®ä¸€éƒ¨ã¨ã—ã¦ç‹¬ç«‹ã—ã¦é–‹ç™ºã•ã‚Œã‚‹ã‚ˆã†ã«ãªã‚Šã¾ã—ãŸã€‚
+ </div><div class="para">
+ 多ãã®ãƒã‚°ä¿®æ£ã®ä»–ã«ã€IcedTea-Web ã®ä¸»ãªæ”¹å–„点ã¯ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ NetX ã¨ãƒ—ラグインè¨å®šã¯ã€ <code class="filename">deployment.properties</code> ファイルã§æŒ‡å®šã§ãるよã†ã«ãªã‚Šã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ システムレベルã¨ãƒ¦ãƒ¼ã‚¶ãƒ¬ãƒ™ãƒ«ã®ã€<code class="filename">deployment.properties</code> ファイルã§ã®ã€ãƒãƒƒã‚¯ã•ã‚ŒãŸè¨å®šãŒã‚µãƒãƒ¼ãƒˆã•ã‚Œã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ アプリケーションã¨ã‚¢ãƒ—レットã¯ã€ IcedTea-Web ã®ãã®ä»–ã®éƒ¨åˆ†ã¨ç•°ãªã‚‹ãƒ«ãƒƒã‚¯ã‚¢ãƒ³ãƒ‰ãƒ•ã‚£ãƒ¼ãƒ«ã‚’æŒã¤ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ãƒã‚¤ãƒ†ã‚£ãƒ–ãªãƒ‡ã‚£ãƒ¬ã‚¯ãƒˆãƒªã¯ã€çµ‚了時ã«æ£ã—ãクリーンアップã•ã‚Œã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ファイルåã«ç‰¹æ®Šæ–‡å—ã‚’å«ã‚€ã‚ャッシュファイルãŒã€æ£ã—ã処ç†ã•ã‚Œã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">javax.jnlp.IntegrationService</code> 㨠<code class="function">javax.jnlp.DownloadService2</code> インタフェースãŒä½¿ãˆã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>javaws</strong></span> ã¯ã€æ–°ã—ã„ <code class="command">-Xclearcache</code> オプションをサãƒãƒ¼ãƒˆã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ パブリックã§ãªã„ main クラスをæŒã¤ã‚¢ãƒ—リケーションãŒã‚µãƒãƒ¼ãƒˆã•ã‚Œã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ JNLP files containing <component-desc> as well as <application-desc> will now work
+ </div></li><li class="listitem"><div class="para">
+ アプレットタグã§å‚ç…§ã•ã‚Œã‚‹ JNLP ファイルã¯ã€ã‚¢ãƒ—レット属性を調ã¹ã‚‹ãŸã‚ã«è§£æžã•ã‚Œã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ アプレットã¯ã€å¤§é‡ã®æ画をã™ã‚‹ã¨ãã®ã¡ã‚‰ã¤ãを除ããŸã‚ã«ã€ãƒ€ãƒ–ルãƒãƒƒãƒ•ã‚¡ãƒªãƒ³ã‚°ã•ã‚Œã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div><div class="para">
+ IcedTea-Web ã¯ã€ä»¥ä¸Šã®æ”¹å–„ã‚’ Fedora ã«ã‚‚ãŸã‚‰ã—ã¾ã™ã€‚ã•ã‚‰ã«ã€JDK RPM ã®ãƒªã‚¹ãƒ”ンãŒä¸è¦ã«ãªã‚‹ãŸã‚ã€ä»Šå¾Œã®ãƒã‚°ä¿®æ£ã®ã‚¿ãƒ¼ãƒ³ã‚¢ãƒ©ã‚¦ãƒ³ãƒ‰ã‚¿ã‚¤ãƒ ã¯å¤§ã„ã«çŸããªã‚‹ã§ã—ょã†ã€‚
+ </div></div><div class="section" title="4.4.3. Maven"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id735655">4.4.3. Maven</h4></div></div></div><a id="id735661" class="indexterm"></a><div class="para">
+ Maven 㯠Java プãƒã‚¸ã‚§ã‚¯ãƒˆç®¡ç†ã€ãƒ—ãƒã‚¸ã‚§ã‚¯ãƒˆç†è§£ã€ãã—ã¦ãƒ“ルドシステムツールã§ã™ã€‚
+ </div><div class="para">
+ Fedora 15 comes with <span class="package">Maven</span> version 3.0. It offers better stability and performance compared to previous versions, but the biggest changes shouldn't be noticed by users. Most work has been happening under the hood to simplify writing Maven plugins and further improve performance by building projects in parallel. It includes a new Maven API for component configuration, many improvements and bug fixes. Users of Maven are encouraged to read the Maven 3 <a href="http://maven.apache.org/docs/3.0/release-notes.html"> Upstream Release Notes</a>
+ </div><div class="para">
+ Fedora 15 ã¯ã€ maven2 ã‚’ã€å¾Œæ–¹äº’æ›æ€§ã‚’サãƒãƒ¼ãƒˆã™ã‚‹ãŸã‚ã«å¿…è¦ã«å¿œã˜ã¦æä¾›ã—ã¾ã™ã€‚
+ </div></div></div><div xml:lang="ja-JP" class="section" title="4.5. Haskell" id="sect-RelNotes-Haskell" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Haskell">4.5. Haskell</h3></div></div></div><div class="section" title="4.5.1. GHC"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id710596">4.5.1. GHC</h4></div></div></div><a id="id757065" class="indexterm"></a><div class="para">
+ <a href="http://haskell.org/ghc">ghc</a> ã¯ã€ <a href="http://www.haskell.org/ghc/docs/7.0.2/html/users_guide/release-7-0-2.html"> 7.0.2</a>, æ–°ã—ã„ <a href="http://www.haskell.org/ghc/docs/7.0.2/html/users_guide/release-7-0-1.html"> メジャーãƒãƒ¼ã‚¸ãƒ§ãƒ³</a>ã«æ›´æ–°ã•ã‚Œã€å¤šãã®æ–°ã—ã„ <a href="http://fedoraproject.org/w/index.php?title=Features/GHC70">機能</a> を有ã—ã¾ã™ã€‚
+ </div></div><div class="section" title="4.5.2. Haskell Platform"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id653700">4.5.2. Haskell Platform</h4></div></div></div><a id="id965042" class="indexterm"></a><div class="para">
+ <a href="http://hackage.haskell.org/platform"> haskell-platform</a> ã¯ã€æœ€æ–°ã®å®‰å®šç‰ˆã® <a href="http://hackage.haskell.org/platform/changelog.html"> 2011.2.0.0 release</a> ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚
+ </div></div><div class="section" title="4.5.3. æ–°ã—ã„パッケージ"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id711898">4.5.3. æ–°ã—ã„パッケージ</h4></div></div></div><a id="id777850" class="indexterm"></a><a id="id710014" class="indexterm"></a><div class="para">
+ æ–°ã—ã„パッケージã¨ã—ã¦ã€ <a href="http://johnmacfarlane.net/pandoc/"> pandoc</a> (markup converter), <a href="http://bluetile.org/"> bluetile</a> (ウインドウマãƒãƒ¼ã‚¸ãƒ£)ã‚’å«ã‚€ã€ï¼“５以上ã®æ–°ã—ã„ライブラリãŒã‚ã‚Šã¾ã™ã€‚
+ </div></div></div><div xml:lang="ja-JP" class="section" title="4.6. Eclipse" id="sect-RelNotes-Eclipse" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Eclipse">4.6. Eclipse</h3></div></div></div><div class="section" title="4.6.1. eclipse-ptp"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id765072">4.6.1. eclipse-ptp</h4></div></div></div><a id="id895598" class="indexterm"></a><div class="para">
+ Fedora 15 ã§æ–°ã—ãå°Žå…¥ã•ã‚ŒãŸã‚‚ã®ã«ã€ Eclipse Parallel Tools Platform ãŒã‚ã‚Šã¾ã™ã€‚ PTP ã¯ãƒ‘ラレルツール㮠IDE, デãƒãƒƒã‚¬ã¨ã€å¤šãã®ãƒ‘ラレルツールã¨ã®çµ±åˆã‚’æä¾›ã—ã¾ã™ã€‚詳細ã¯ã€ <a href="http://www.eclipse.org/ptp/">http://www.eclipse.org/ptp/</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Release_Notes-Changes_for_SysAdmin.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>3. Fedora ã®å¤‰æ›´ç‚¹ - システム管ç†è€…å‘ã‘</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Release_Notes-Changes_for_Specific_Audiences.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5. Fedora ã®å¤‰æ›´ç‚¹ - 特定ã®æ–¹å‘ã‘</a></li></ul></body></html>
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+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5. Fedora ã®å¤‰æ›´ç‚¹ - 特定ã®æ–¹å‘ã‘</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora-Release_Notes-15-ja-JP-1-0" /><link rel="home" href="index.html" title="リリースノート" /><link rel="up" href="index.html" title="リリースノート" /><link rel="prev" href="sect-Release_Notes-Changes_for_Developers.html" title="4. Fedora ã®å¤‰æ›´ç‚¹ - 開発者å‘ã‘" /><link rel="next" href="appe-Release_Notes-Revision_History.html" title="A. 改訂履æ´" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enab
le iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Release_Notes-Changes_for_Developers.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="appe-Release_Notes-Revision_History.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5. Fedora ã®å¤‰æ›´ç‚¹ - 特定ã®æ–¹å‘ã‘" id="sect-Release_Notes-Changes_for_Specific_Audiences"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Release_Notes-Changes_for_Specific_Audiences">5. Fedora ã®å¤‰æ›´ç‚¹ - 特定ã®æ–¹å‘ã‘</h2></div></div></div><div xml:lang="ja-JP" class="section" title="5.1. 科å¦ã¨æŠ€
è¡“" id="sect-RelNotes-Scientific_and_Technical" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Scientific_and_Technical">5.1. 科å¦ã¨æŠ€è¡“</h3></div></div></div><div class="para">
+ Fedora ã¯ã€ç§‘å¦ã¨æŠ€è¡“パッケージもã€ã‘ã£ã—ã¦å¿˜ã‚Œã¦ã¯ã„ã¾ã›ã‚“。Fedora 15 ã§ã‚‚ã€æ–°ã—ã„ã‚‚ã®ãŒã„ãã¤ã‹å°Žå…¥ã•ã‚Œã¾ã—ãŸã€‚ã“ã®ãƒªãƒªãƒ¼ã‚¹ã§ã¯ã€ã“ã“ã§ç¤ºã•ã‚Œã‚‹æ–°ã—ã„パッケージã®ä»–ã«ã‚‚ã€å¤šãã®ãƒ‘ッケージãŒæ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚詳ã—ãã¯ã€<a href="http://docs.fedoraproject.org">http://docs.fedoraproject.org</a> ã®ã€Fedora Technical Notes ã‚’å‚ç…§ãã ã•ã„。
+ </div><div class="section" title="5.1.1. BEDtools"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id764335">5.1.1. BEDtools</h4></div></div></div><a id="id736589" class="indexterm"></a><a id="id973185" class="indexterm"></a><div class="para">
+ <span class="package">BEDTools</span> ã¯ã€ãƒ•ã‚£ãƒ¼ãƒãƒ£ãƒ¼ã‚ªãƒ¼ãƒãƒ¼ãƒ©ãƒƒãƒ—を探ã—ãŸã‚Šã€ã‚«ãƒãƒ¬ãƒƒã‚¸ã‚’計算ã™ã‚‹ãªã©ã®ã€ä¸€èˆ¬çš„ãªéºä¼å関連ã®ä½œæ¥ã‚’ã™ã‚‹ãŸã‚ã®ãƒ¦ãƒ†ã‚£ãƒªãƒ†ã‚£ã®ã‚»ãƒƒãƒˆã§ã™ã€‚BEDtools ã¯ã€åˆã‚㦠Fedora ã«æŽ¡ç”¨ã•ã‚Œã¾ã—ãŸã€‚
+ </div></div><div class="section" title="5.1.2. R"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id762598">5.1.2. R</h4></div></div></div><a id="id751343" class="indexterm"></a><a id="id748160" class="indexterm"></a><a id="id698233" class="indexterm"></a><a id="id695326" class="indexterm"></a><a id="id965159" class="indexterm"></a><a id="id762133" class="indexterm"></a><a id="id895580" class="indexterm"></a><div class="para">
+ <span class="package">R</span> ã¯ã€ãƒãƒ”ュラーãªçµ±è¨ˆãƒ‘ッケージã§ã€ç‰¹åˆ¥ã®ç”¨é€”ã®ãŸã‚ã®å¤šãã®ã‚¢ãƒ‰ã‚ªãƒ³ãƒ‘ッケージãŒã‚ã‚Šã¾ã™ã€‚Fedora 15 ã§ã¯ã€R ã«ã„ãã¤ã‹ã®æ–°ã—ã„アドオンパッケージãŒå°Žå…¥ã•ã‚Œã¾ã—ãŸã€‚
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">R-GenomicRanges</span> ã¯ã€éºä¼åインターãƒãƒ«ã‚’æ ¼ç´ã™ã‚‹ãŸã‚ã®æ±Žç”¨ã®ã‚³ãƒ³ãƒ†ãƒŠã¨ã€ãƒ¬ãƒ•ã‚¡ãƒ¬ãƒ³ã‚¹éºä¼åã«å¯¾ã™ã‚‹ã‚¢ãƒ©ã‚¤ãƒ³ãƒ¡ãƒ³ãƒˆã‚’æ ¼ç´ã™ã‚‹ãŸã‚ã®ã€ã‚ˆã‚Šç‰¹æ®Šãªã‚³ãƒ³ãƒ†ãƒŠã‚’æä¾›ã—ã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://www.bioconductor.org/packages/release/bioc/html/GenomicRanges.html">http://www.bioconductor.org/packages/release/bioc/html/GenomicRanges.html</a>
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">R-ROC</span> - ROC ライブラリã¯ã€ receiver operating characteristic (ROC) 曲線ã«é–¢ã™ã‚‹ R クラスã¨é–¢æ•°ã®é›†ã¾ã‚Šã§ã™ã€‚ã“ã®é–¢æ•°ã¯ã€ DNA マイクãƒã‚¢ãƒ¬ã‚¤ã‚’使ã£ãŸ ROC 解æžã§ä½¿ã†ãŸã‚ã®ã‚‚ã®ã§ã™ã€‚<span class="package">R-ROC</span> パッケージ㯠R-ROC ã®ãŸã‚ã®ãƒ¦ãƒ†ã‚£ãƒªãƒ†ã‚£ã®ã‚»ãƒƒãƒˆã‚’æä¾›ã—ã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://www.bioconductor.org/packages/release/bioc/html/ROC.html">http://www.bioconductor.org/packages/release/bioc/html/ROC.html</a>.
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">R-affydata</span> is a set of example affymetrix datasets. These datasets are somewhat larger than the examples included in the affy package, and are intended to better represent "real-world" datasets.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://www.bioconductor.org/packages/2.6/data/experiment/html/affydata.html">http://www.bioconductor.org/packages/2.6/data/experiment/html/affydata.html</a>.
+ </div></li></ul></div>
+
+ </div></li></ul></div></div><div class="section" title="5.1.3. APE"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id664429">5.1.3. APE</h4></div></div></div><a id="id664436" class="indexterm"></a><a id="id664444" class="indexterm"></a><a id="id664452" class="indexterm"></a><a id="id661794" class="indexterm"></a><a id="id661801" class="indexterm"></a><a id="id661809" class="indexterm"></a><a id="id661817" class="indexterm"></a><a id="id661825" class="indexterm"></a><a id="id661833" class="indexterm"></a><div class="para">
+ <span class="package">ape</span> (Atomic Pseudopotential Engine) ã¯ã€å¯†åº¦é–¢æ•°ç†è«–フレームワークã®ä¸ã§ã€åŽŸåã®æ“¬ä¼¼ãƒãƒ†ãƒ³ã‚·ãƒ£ãƒ«ã‚’生æˆã™ã‚‹ãƒ„ールã§ã™ã€‚ãã‚Œã¯ã€ GPL ã§é…布ã•ã‚Œã€ä»¥ä¸‹ã¨ä¸€ç·’ã«ä½¿ã†ã“ã¨ã®ã§ãる擬似ãƒãƒ†ãƒ³ã‚·ãƒ£ãƒ«ãƒ•ã‚¡ã‚¤ãƒ«ã‚’生æˆã—ã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ SIESTA
+ </div></li><li class="listitem"><div class="para">
+ OCTOPUS
+ </div></li><li class="listitem"><div class="para">
+ ABINIT
+ </div></li><li class="listitem"><div class="para">
+ PWscf
+ </div></li></ul></div>
+
+ </div><div class="para">
+ <a href="http://www.tddft.org/programs/APE/node/9">http://www.tddft.org/programs/APE/node/9</a>
+ </div></div><div class="section" title="5.1.4. coot"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id662229">5.1.4. coot</h4></div></div></div><a id="id662236" class="indexterm"></a><a id="id662244" class="indexterm"></a><a id="id662252" class="indexterm"></a><div class="para">
+ <span class="package">coot</span> (Crystallographic Object-Oriented Toolkit) ã¯ã€ãƒžã‚¯ãƒåˆ†åã®ãƒ¢ãƒ‡ãƒ«ä½œæˆã€ãƒ¢ãƒ‡ãƒ«è£œå®Œã€ãã—ã¦æ¤œè¨¼ã®ãŸã‚ã®ãƒ„ールã®ã‚»ãƒƒãƒˆã§ã™ã€‚特ã«ã€X 線データを使ã£ãŸã‚¿ãƒ³ãƒ‘ク質モデリングã«é©ã—ã¾ã™ã€‚<span class="emphasis"><em>coot</em></span> 0.6.2 ㌠Fedora 15 ã«å«ã¾ã‚Œã¾ã™ã€‚
+ </div><div class="para">
+ <a href="http://www.biop.ox.ac.uk/coot/">http://www.biop.ox.ac.uk/coot/</a>
+ </div></div><div class="section" title="5.1.5. cp2k"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id662284">5.1.5. cp2k</h4></div></div></div><a id="id662290" class="indexterm"></a><a id="id662298" class="indexterm"></a><a id="id662310" class="indexterm"></a><a id="id662318" class="indexterm"></a><a id="id662326" class="indexterm"></a><div class="para">
+ <span class="package">cp2k</span> ã¯ã€å›ºä½“ã€æ¶²ä½“ã€åˆ†åãŠã‚ˆã³ç”Ÿä½“システムã«ãŠã‘ã‚‹ã€åŽŸåã¨åˆ†åã®ã‚·ãƒŸãƒ¥ãƒ¬ãƒ¼ã‚·ãƒ§ãƒ³ã‚’ã™ã‚‹ãƒ—ãƒã‚°ãƒ©ãƒ ã§ã™ã€‚ãã‚Œã¯ä¾‹ãˆã°ã€ mixed Gaussian and plane waves (GPW) アプãƒãƒ¼ãƒã‚’使ã£ãŸ density functional theory (DFT)ã€ã‚ã‚‹ã„ã¯å¤å…¸çš„ãªäºŒä½“ã¨å¤šä½“ãƒãƒ†ãƒ³ã‚·ãƒ£ãƒ«ãªã©ã€ç•°ãªã‚‹æ–¹å¼ã®ãŸã‚ã®æ±Žç”¨ãƒ•ãƒ¬ãƒ¼ãƒ ワークをæä¾›ã—ã¾ã™ã€‚
+ </div><div class="para">
+ Fedora 15 ã¯ã€ <span class="emphasis"><em>cp2k</em></span> ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 2.1 を採用ã—ã¾ã—ãŸã€‚詳細ã¯ã€<a href="http://cp2k.berlios.de/">http://cp2k.berlios.de/</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="5.1.6. dia-optics"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id663996">5.1.6. dia-optics</h4></div></div></div><a id="id664002" class="indexterm"></a><a id="id664010" class="indexterm"></a><div class="para">
+ <span class="package">dia-optics</span> ã¯ã€äººæ°—ã®ã‚ã‚‹ <span class="emphasis"><em>dia</em></span> æ画パッケージã®ã€ã‚·ã‚§ãƒ¼ãƒ—ライブラリã§ã™ã€‚å«ã¾ã‚Œã‚‹ã‚·ã‚§ãƒ¼ãƒ—ã¯ã€ <a href="http://dia-installer.de/shapes/optics/index_en.html">http://dia-installer.de/shapes/optics/index_en.html</a> ã§è¦‹ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></div><div class="section" title="5.1.7. gpsbabel-gui"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id664036">5.1.7. gpsbabel-gui</h4></div></div></div><a id="id664043" class="indexterm"></a><div class="para">
+ <span class="package">gpsbabel</span> ã¯ã€æ§˜ã€…ãªãƒ‡ãƒã‚¤ã‚¹ã‹ã‚‰ã® GPS データをæ“作ã™ã‚‹ãŸã‚ã®ãƒ‘ッケージã§ã™ã€‚Fedora 15 ã§ã¯ã€ãã®ãƒ‡ãƒ¼ã‚¿ã®ãŸã‚ã® GUI ãŒè¿½åŠ ã•ã‚Œã¾ã—ãŸã€‚詳ã—ãã¯ã€ <a href="http://www.gpsbabel.org/">http://www.gpsbabel.org/</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="5.1.8. gretl"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id664066">5.1.8. gretl</h4></div></div></div><a id="id664073" class="indexterm"></a><a id="id664081" class="indexterm"></a><a id="id664089" class="indexterm"></a><a id="id664097" class="indexterm"></a><a id="id680511" class="indexterm"></a><div class="para">
+ <span class="package">gretl</span> ã¯ã€çµŒæ¸ˆè§£æžã®ãŸã‚ã®ã€ã‚¯ãƒã‚¹ãƒ—ラットフォームソフトウエアパッケージã§ã™ã€‚より詳細ãªè§£æžã®ãŸã‚ã®ã€ <span class="package">R</span>, <span class="package">octave</span> ãã—㦠ox ã¸ã®ãƒªãƒ³ã‚¯ãŒã‚ã‚Šã¾ã™ã€‚機能ã®å®Œå…¨ãªãƒªã‚¹ãƒˆã¯ã€ <a href="http://gretl.sourceforge.net/">http://gretl.sourceforge.net/</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="5.1.9. libxc"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id680542">5.1.9. libxc</h4></div></div></div><a id="id680549" class="indexterm"></a><a id="id680557" class="indexterm"></a><a id="id680565" class="indexterm"></a><a id="id680573" class="indexterm"></a><a id="id680581" class="indexterm"></a><div class="para">
+ <span class="package">libxc</span> ã¯ã€å¯†åº¦æ±Žé–¢æ•°ç†è«–ã«ãŠã‘る〠exchange-correlation functionals ã®ãƒ©ã‚¤ãƒ–ラリã§ã™ã€‚ãã®ç›®çš„ã¯ã€ETSF コードãŠã‚ˆã³ä»–ã®ã‚³ãƒ¼ãƒ‰ã§ã‚‚使ã†ã“ã¨ã®ã§ãã‚‹ã€ãƒãƒ¼ã‚¿ãƒ–ルã§ã€å分ã«ãƒ†ã‚¹ãƒˆã•ã‚Œå®‰å®šã—ãŸã€exchange and correlation functional ã®ã‚»ãƒƒãƒˆã‚’æä¾›ã™ã‚‹ã“ã¨ã§ã™ã€‚\nプãƒã‚¸ã‚§ã‚¯ãƒˆã® wiki ãŒã€<a href="http://www.tddft.org/programs/octopus/wiki/index.php/Libxc">http://www.tddft.org/programs/octopus/wiki/index.php/Libxc</a> ã«ã‚ã‚Šã¾ã™ã€‚\n
+ </div></div><div class="section" title="5.1.10. ltl2ba"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id680606">5.1.10. ltl2ba</h4></div></div></div><a id="id680612" class="indexterm"></a><a id="id680620" class="indexterm"></a><a id="id680628" class="indexterm"></a><div class="para">
+ <span class="package">ltl2ba</span> ã¯ã€ LTL formula ã‹ã‚‰ Büchi オートマトンã¸ã®é«˜é€Ÿãªå¤‰æ›ã‚’è¡Œã„ã¾ã™ã€‚Fedora 15 ã«ã¯ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 1.1 ãŒå«ã¾ã‚Œã¾ã™ã€‚
+ </div></div><div class="section" title="5.1.11. openeuclide"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id680647">5.1.11. openeuclide</h4></div></div></div><a id="id680653" class="indexterm"></a><div class="para">
+ ã¾ãŸã€ Fedora 15 ã§ã¯ã€æ–°ã—ã <span class="package">openeuclide</span> ãŒæŽ¡ç”¨ã•ã‚Œã¾ã—ãŸã€‚OpenEuclide ã¯ã€ 2D 幾何å¦ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã§ã™ã€‚形状ã¯ã€å½¢å¼çš„ãªå¹¾ä½•å¦çš„制約を記述ã™ã‚‹ã“ã¨ã§ãƒ€ã‚¤ãƒŠãƒŸãƒƒã‚¯ã«å®šç¾©ã•ã‚Œã¾ã™ã€‚
+ </div></div><div class="section" title="5.1.12. openscada"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id680672">5.1.12. openscada</h4></div></div></div><a id="id680678" class="indexterm"></a><a id="id680686" class="indexterm"></a><a id="id680694" class="indexterm"></a><a id="id680702" class="indexterm"></a><a id="id680710" class="indexterm"></a><a id="id680718" class="indexterm"></a><a id="id680726" class="indexterm"></a><a id="id680734" class="indexterm"></a><div class="para">
+ <span class="package">openscada</span> システムã¯ã€ SCADA (Supervisory Control And Data Acquisition) システムã®ã‚ªãƒ¼ãƒ—ンãªå®Ÿè£…ã§ã™ã€‚
+ </div><div class="para">
+ Fedora 15 ships the stable release version 0.7.0 with implementations of the database ODBC module, PostgresSQL and transport module of the DB and the new mechanism/module of OpenSCADA system's test; there were found and corrected many errors in order to better optimization, increase stability, sustainability and system's performance. Notable optimization was made in the Visual Control Area (VCA) and its visualizers; changes were made in the VCA engine (<span class="application"><strong>UI.VCAEngine</strong></span>) modules: <span class="application"><strong>UI.Vision</strong></span> and <span class="application"><strong>UI.WebVision</strong></span> visualizers, aimed at stabilizing, optimization of memory consumption and improvement of user's properties of VCA. It has been made a new object API of the user's programming, which provides the integration of user's functions in the objects' tree of OpenSCADA, in addition, to a number of changes to the existing library of func
tions of the user's API. For all details please refer to the Changelog in your package or to the News section on the project website at <a href="http://oscada.org/">http://oscada.org/</a>.
+ </div></div><div class="section" title="5.1.13. plotdrop"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id680782">5.1.13. plotdrop</h4></div></div></div><a id="id680788" class="indexterm"></a><a id="id680796" class="indexterm"></a><div class="para">
+ <span class="package">plotdrop</span> is a frontend to gnuplot. Data files are added to plotdrop by simply dragging them from nautilus. The project maintains a website at <a href="http://plotdrop.sourceforge.net/">http://plotdrop.sourceforge.net/</a>
+ </div></div><div class="section" title="5.1.14. psfex"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id680820">5.1.14. psfex</h4></div></div></div><a id="id680826" class="indexterm"></a><a id="id680834" class="indexterm"></a><a id="id680842" class="indexterm"></a><a id="id680850" class="indexterm"></a><a id="id680858" class="indexterm"></a><a id="id680866" class="indexterm"></a><div class="para">
+ PSFEx (“PSF Extractorâ€) ã¯ã€\n SExtractor ã§å‡¦ç†ã—㟠FITS image ã‹ã‚‰ã€Point Spread Function (PSF) ã®ãƒ¢ãƒ‡ãƒ«ã‚’抽出ã—ã¦ã€ç”»åƒã®è³ªã‚’測定ã—ã¾ã™ã€‚抽出ã•ã‚ŒãŸ PSF モデルã¯ã€ model-fitting photometry ã‚ã‚‹ã„㯠morphological analyses ã«ä½¿ã†ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="para">
+ <a href="http://www.astromatic.net/software/psfex">http://www.astromatic.net/software/psfex</a>
+ </div></div><div class="section" title="5.1.15. root"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id653871">5.1.15. root</h4></div></div></div><a id="id653878" class="indexterm"></a><a id="id653886" class="indexterm"></a><a id="id653894" class="indexterm"></a><div class="para">
+ <span class="package">root</span> ã¯ã€å¤§é‡ãƒ‡ãƒ¼ã‚¿ã®è§£æžã‚’ã™ã‚‹ãŸã‚ã®ãƒ‘ッケージã§ã™ã€‚ Fedora 15 ã«ã¯ã€ root ã®ã„ãã¤ã‹ã®æ–°ã—ã„アドオンãŒã‚ã‚Šã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">root-genetic</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">root-graf-fitsio</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">root-hist-factory</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">root-io</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">root-proof-pq2</span>
+ </div></li></ul></div>
+
+ </div><div class="para">
+ プãƒã‚¸ã‚§ã‚¯ãƒˆã‚µã‚¤ãƒˆï¼š<a href="http://root.cern.ch/">http://root.cern.ch/</a>
+ </div></div></div><div xml:lang="ja-JP" class="section" title="5.2. 組ã¿è¾¼ã¿é–‹ç™º" id="sect-RelNotes-Embedded_Development" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Embedded_Development">5.2. 組ã¿è¾¼ã¿é–‹ç™º</h3></div></div></div><div class="section" title="5.2.1. avr"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id965404">5.2.1. avr</h4></div></div></div><a id="id673638" class="indexterm"></a><a id="id652990" class="indexterm"></a><a id="id720940" class="indexterm"></a><a id="id747867" class="indexterm"></a><div class="para">
+ avr ユティリティã¯ã€æ›´æ–°ã•ã‚Œã¾ã—ãŸãŒã€ã“れ㯠X86 ターゲットã¨åŒã˜ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã¾ã§é€²ã‚“ã ã®ã§ã¯ãªã„ã“ã¨ã«æ³¨æ„ãã ã•ã„。新ã—ããªã£ãŸãƒ¦ãƒ†ã‚£ãƒªãƒ†ã‚£ã¯ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">avr-gcc</span> 㯠4.50 ã‹ã‚‰ 4.51 ã«ã€‚(<a href="http://gcc.gnu.org/">http://gcc.gnu.org/</a>)
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">avr-c++</span> 㯠4.50 ã‹ã‚‰ 4.51ã«ã€‚ (<a href="http://gcc.gnu.org/">http://gcc.gnu.org/</a>)
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">avr-binutils</span> 㯠2.20 ã‹ã‚‰ 2.21 ã«ã€‚(<a href="http://www.gnu.org/software/binutils/">http://www.gnu.org/software/binutils/</a>)
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="5.2.2. dfu-programmer"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id967394">5.2.2. dfu-programmer</h4></div></div></div><a id="id745832" class="indexterm"></a><a id="id757006" class="indexterm"></a><a id="id646810" class="indexterm"></a><div class="para">
+ Atmel ãƒãƒƒãƒ—ã®ãŸã‚ã® Device Firmware Update ベース㮠USB プãƒã‚°ãƒ©ãƒžãƒ¼
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ æ–°ã—ã„デãƒã‚¤ã‚¹ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ at32uc3c*
+ </div></li><li class="listitem"><div class="para">
+ atmega32u2
+ </div></li><li class="listitem"><div class="para">
+ at32uc3b1512
+ </div></li><li class="listitem"><div class="para">
+ at32uc3b0512
+ </div></li><li class="listitem"><div class="para">
+ atmega8u2
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 多ãã® AVR32 ヒューズã¯ã€ã‚³ãƒžãƒ³ãƒ‰ãƒ©ã‚¤ãƒ³ã‚ªãƒ—ションã§è¨å®šã§ãるよã†ã«ãªã‚Šã¾ã—ãŸã€‚
+ </div></li></ul></div>
+
+ </div><div class="para">
+ プãƒã‚¸ã‚§ã‚¯ãƒˆã‚µã‚¤ãƒˆï¼š (<a href="http://dfu-programmer.sourceforge.net/">http://dfu-programmer.sourceforge.net/</a>)
+ </div></div><div class="section" title="5.2.3. piklab"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id704232">5.2.3. piklab</h4></div></div></div><a id="id704239" class="indexterm"></a><a id="id704247" class="indexterm"></a><a id="id704255" class="indexterm"></a><div class="para">
+ Fedora 15 ã§ã¯ <span class="package">piklab</span> 0.15.10 ãŒæŽ¡ç”¨ã•ã‚Œã¾ã—ãŸã€‚多ãã®ãƒã‚°ä¿®æ£ã«åŠ ãˆã¦ã€ä»¥ä¸‹ã®æ–°æ©Ÿèƒ½ãŒè¿½åŠ ã•ã‚Œã¾ã—ãŸï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 16F886/887 ã®ãŸã‚ã®ã‚¿ã‚¤ãƒ‹ãƒ¼ãƒ–ートãƒãƒ¼ãƒ€ã®ã‚µãƒãƒ¼ãƒˆ
+ </div></li><li class="listitem"><div class="para">
+ 以下㮠ICD2 サãƒãƒ¼ãƒˆï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 12F609/615 16F610
+ </div></li><li class="listitem"><div class="para">
+ 16F526 16F1826/1827/1933/1934/1936/1937/1939/1947
+ </div></li><li class="listitem"><div class="para">
+ 16F722/723/724/726/727
+ </div></li><li class="listitem"><div class="para">
+ 16F88X
+ </div></li><li class="listitem"><div class="para">
+ 18F23K20/24K20/25K20/26K20/43K20/44K20/45K20/46K20
+ </div></li><li class="listitem"><div class="para">
+ 18F2458/2553/4458/4553
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div><div class="para">
+ 詳ã—ãã¯ã€ãƒ—ãƒã‚¸ã‚§ã‚¯ãƒˆã‚µã‚¤ãƒˆ <a href="http://piklab.sourceforge.net">http://piklab.sourceforge.net</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div></div><div xml:lang="ja-JP" class="section" title="5.3. 回路è¨è¨ˆ" id="sect-RelNotes-Circuit_Design" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Circuit_Design">5.3. 回路è¨è¨ˆ</h3></div></div></div><div class="para">
+ ã“ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã«ã¯ã€ Fedora 15 ã«ãŠã„ã¦å¤§ããªå¤‰æ›´ã®ã‚ã£ãŸã€ã‚¹ã‚ーマテックã‚ャプãƒãƒ£ã€ サーã‚ットシュミレーションãŠã‚ˆã³ PCB レイアウト用ã®ã‚¢ãƒ—リケーションセットãŒå«ã¾ã‚Œã¦ã„ã¾ã™ã€‚
+ </div><div class="section" title="5.3.1. gtkwave"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id756666">5.3.1. gtkwave</h4></div></div></div><a id="id696672" class="indexterm"></a><a id="id645930" class="indexterm"></a><a id="id967303" class="indexterm"></a><div class="para">
+ <span class="package">gtkwave</span> ã¯ã€ Verilog ã‚ã‚‹ã„㯠VHDL シミュレーションモデルを使ã£ã¦ãƒ‡ãƒãƒƒã‚°ã‚’ã™ã‚‹ãŸã‚ã®è§£æžãƒ„ールã§ã™ã€‚
+ </div><div class="para">
+ Fedora 15 ã§ã€ <span class="package">gtkwave</span> 㯠Fedora 14 ã® 3.3.10 ã‹ã‚‰ 3.3.20 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚改善ã¨æ–°æ©Ÿèƒ½ã¯ï¼š Tcl アクセスを強化ã™ã‚‹ æ–°ã—ã„ tcl 関数〠MinGW ã§ã®ãƒ—ãƒã‚»ã‚¹ã¨ãƒˆãƒ©ãƒ³ã‚¶ã‚¯ã‚·ãƒ§ãƒ³ãƒ•ã‚£ãƒ«ã‚¿ã®ã‚µãƒãƒ¼ãƒˆã€MinGW ã§ã® Open New Window ã®ã‚µãƒãƒ¼ãƒˆã€ã‚¤ãƒ³ãƒ‡ãƒƒã‚¯ã‚¹ã®ãŸã‚ã«ã€ gtkwave ã®ã™ã¹ã¦ã® vcd ãƒãƒ¼ãƒ€ã§ Verilog XL スタイル㮠VCD è˜åˆ¥åを検出ã™ã‚‹ã“ã¨ã€ãªã©ã§ã™ã€‚ GTKWave 3.3.20 をサãƒãƒ¼ãƒˆã™ã‚‹ãƒžãƒ‹ãƒ¥ã‚¢ãƒ«ã®æ›´æ–°ã‚‚ã‚ã‚Šã¾ã™ã€‚ã™ã¹ã¦ã®è©³ç´°ã¨ä¿®æ£ã«ã¤ã„ã¦ã¯ã€ãƒ‘ッケージ㮠doc ディレクトリã«ã‚ã‚‹ CHANGELOG.TXT ã‚’å‚ç…§ãã ã•ã„。
+ </div><div class="para">
+ <a href="http://gtkwave.sourceforge.net/">http://gtkwave.sourceforge.net/</a>
+ </div></div><div class="section" title="5.3.2. iverolg"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id730755">5.3.2. iverolg</h4></div></div></div><a id="id962264" class="indexterm"></a><a id="id962993" class="indexterm"></a><a id="id653831" class="indexterm"></a><div class="para">
+ Icarus Verilog〠<span class="package">iverilog</span> ã¯ã€ Verilog コンパイラã§ã€ã‚·ãƒŸãƒ¥ãƒ¬ãƒ¼ã‚·ãƒ§ãƒ³ã‚’å«ã‚€ã„ã‚ã„ã‚ãªã‚¨ãƒ³ã‚¸ãƒ‹ã‚¢ãƒªãƒ³ã‚°ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆã‚’出力ã—ã¾ã™ã€‚ã“ã‚Œã¯ã€ IEEE-1364 標準ã«æº–æ‹ ã—よã†ã¨ã—ã¦ã„ã¾ã™ã€‚
+ </div><div class="para">
+ In Fedora 15 <span class="package">iverilog</span> has been built against version 0,9.3. As declared in upstream, within the v0.9 series major changes are kept to a minimum, allowing some new features only if they do not risk the stability of the branch or of Verilog programs that use this compiler. Some changes of this release are related to <span class="emphasis"><em>Language Coverage</em></span> with remotion of obsolete VAMS $log function; addition of a warning that synthesis is not currently being maintained when <code class="command">-S</code> is used; named blocks now keep their scope information; and it has been added the correct version information to the data structure returned by the <code class="function">PLI vpi_get_vlog_info()</code> call. Regarding the <span class="emphasis"><em>Language Extensions</em></span> it has been added <code class="function">FST</code> dumper; <code class="command">+timescale</code> to the command file; ability to automatically per
form bit <-> real conversion for module inputs/outputs where this makes sense; optional warnings for out of range bit/part selects; and <code class="function">$info()</code>, <code class="function">$warning()</code> and <code class="function">$error()</code> as aliases for <code class="function">$display</code>.
+ </div><div class="para">
+ For a complete list of these features, with the general bug fixes and some of the things that still don't work, please refer to:
+ </div><div class="para">
+ <a href="http://iverilog.wikia.com/wiki/Release_Notes_Icarus_Verilog_0_9_3">http://iverilog.wikia.com/wiki/Release_Notes_Icarus_Verilog_0_9_3</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="5.3.3. mot-adms"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id712364">5.3.3. mot-adms</h4></div></div></div><a id="id746184" class="indexterm"></a><a id="id746192" class="indexterm"></a><a id="id746200" class="indexterm"></a><a id="id746208" class="indexterm"></a><div class="para">
+ <span class="package">mot-adms</span> ã¯ã€é«˜ãƒ¬ãƒ™ãƒ«è¨˜è¿°è¨€èªžã§æ›¸ã‹ã‚ŒãŸé›»å的コンパクトデãƒã‚¤ã‚¹ãƒ¢ãƒ‡ãƒ«ã‚’〠spice シミュレータ㮠API を使ã†ã€ã‚³ãƒ³ãƒ‘イルå¯èƒ½ãª C コードã«å¤‰æ›ã™ã‚‹ã‚³ãƒ¼ãƒ‰ã‚¸ã‚§ãƒãƒ¬ãƒ¼ã‚¿ã§ã™ã€‚xml 言語ã§æŒ‡å®šã•ã‚ŒãŸå¤‰æ›ã«å¾“ã£ã¦ã€ adms 㯠Verilog-AMS コードを他ã®ã‚¿ãƒ¼ã‚²ãƒƒãƒˆè¨€èªžã«å¤‰æ›ã—ã¾ã™ã€‚
+ </div><div class="para">
+ <a href="http://mot-adms.sourceforge.net/">http://mot-adms.sourceforge.net/</a>
+ </div></div><div class="section" title="5.3.4. ngspice"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id746238">5.3.4. ngspice</h4></div></div></div><a id="id746244" class="indexterm"></a><a id="id646226" class="indexterm"></a><a id="id646234" class="indexterm"></a><a id="id646246" class="indexterm"></a><div class="para">
+ <span class="package">ngspice</span> ã¯ã€æ±Žç”¨ã®å›žè·¯ã‚·ãƒŸãƒ¥ãƒ¬ãƒ¼ã‚¿ãƒ—ãƒã‚°ãƒ©ãƒ ã§ã™ã€‚ãã‚Œã¯ã€ï¼“ã¤ã®ã‚¯ãƒ©ã‚¹ã®è§£æžã‚’è¡Œã„ã¾ã™ï¼šéžç·šå½¢ DC 解æžã€éžç·šå½¢éŽæ¸¡è§£æžã€ãã—ã¦ç·šå½¢ AC 解æžã§ã™ã€‚
+ </div><div class="para">
+ With F15, <span class="package">ngspice</span> has been upgraded to release 22. In this update, more features have been added to <span class="package">ngspice</span>, improving its compatibility through an extensive code cleanup that considerably reduces compiler warnings; improving its speed with the availabilty of OpenMP multicore support for BSIM3, BSIM4, and BSIMSOI4 that speeds up transistor loaded simulation by a factor of two; and improving its stability. In particular, the new features include: reinstate expansion in interactive interpreter; <code class="command">.TITLE</code> line added; update to '<code class="command">spectrum</code>' script; <code class="function">par('expression')</code> in <code class="command">.four</code>, <code class="command">.plot</code>, <code class="command">.print</code>, <code class="command">.meas</code>, <code class="command">.save</code> commands; command 'option' for use in spinit, .spiceinit and in scripts; adms procedure updat
ed; new random number generator, new random functions sunif() and sgauss(), and scripts for Monte Carlo simulations, new plot vectors allv, alli, ally. Manuals and documents follow the updates.
+ </div><div class="para">
+ <a href="http://ngspice.sourceforge.net">http://ngspice.sourceforge.net</a>
+ </div></div><div class="section" title="5.3.5. pcb"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id758054">5.3.5. pcb</h4></div></div></div><a id="id758061" class="indexterm"></a><a id="id758069" class="indexterm"></a><div class="para">
+ 対話的プリント基æ¿ã‚¨ãƒ‡ã‚£ã‚¿
+ </div><div class="para">
+ In F15, <span class="package">pcb</span> has been upgraded to release 20100929, with many bug fixes and new features. Among these are to cite: direct importing of schematics during runtime; places accept measurements' unit; the polygon hole tool; DBUS enabled by default (when possible); action scripts run by the CLI exporters; no more required the (,,) syntax of CLI actions in GUI; and tool-tips pop-up on elements, pins and nets; new GCode exporter and updated reference card.
+ </div><div class="para">
+ <a href="http://pcb.sourceforge.net">http://pcb.sourceforge.net</a>
+ </div></div><div class="section" title="5.3.6. rcrpanel"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id758103">5.3.6. rcrpanel</h4></div></div></div><a id="id758109" class="indexterm"></a><a id="id758117" class="indexterm"></a><a id="id758125" class="indexterm"></a><div class="para">
+ <span class="package">rcrpanel</span> ã¯ã€ãƒ‘ãƒãƒ«ã®ãƒ†ã‚スト記述をå—ã‘å–ã£ã¦ã€ãƒã‚¹ãƒˆã‚¹ã‚¯ãƒªãƒ—トã®ãƒ¬ãƒ³ãƒ€ãƒªãƒ³ã‚°çµæžœã‚’生æˆã™ã‚‹ã‚³ãƒžãƒ³ãƒ‰ãƒ©ã‚¤ãƒ³ã‚¢ãƒ—リケーションã§ã™ã€‚ãã‚Œã¯ã€ç‰¹ã«ã€å¾“æ¥ã®ã‚°ãƒ©ãƒ•ã‚£ãƒƒã‚¯ã‚¹ã‚¢ãƒ—リケーションã§ã¯ç”ŸæˆãŒå›°é›£ã§ã‚ã£ãŸã€ã‚ャリブレーションã¤ãã®æ–‡å—盤ã®ã‚ˆã†ãªã‚‚ã®ã«å¯¾ã—ã¦ã€ä¾¿åˆ©ã§ã™ã€‚rcrpanel ã®è©³ç´°ã¯ã€ <a href="http://docs.fedoraproject.org/en-US/Fedora/14/html/Amateur_Radio_Guide/others-rcrpanel.html|"> Fedora Amateur Radio Guide</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div></div><div xml:lang="ja-JP" class="section" title="5.4. ãƒãƒœãƒ†ã‚£ã‚¯ã‚¹" id="sect-RelNotes-Robotics" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Robotics">5.4. ãƒãƒœãƒ†ã‚£ã‚¯ã‚¹</h3></div></div></div><div class="para">
+ Fedora 15 㯠Robotics Suite ã‚’å«ã¿ã¾ã™ã€‚ã“ã‚Œã¯ã™ãã«ä½¿ã„始ã‚ã‚‹ã“ã¨ã®ã§ãã‚‹ã€ãƒãƒœãƒƒãƒˆé–‹ç™ºã¨ã‚·ãƒŸãƒ¥ãƒ¬ãƒ¼ã‚·ãƒ§ãƒ³ç’°å¢ƒã‚’æä¾›ã™ã‚‹ãƒ‘ッケージã®é›†åˆã§ã™ã€‚ã“ã®ã€æ°¸é ã«å¢—大ã™ã‚‹ã‚¹ã‚¤ãƒ¼ãƒˆã¯ã€æœ€æ–°ã®ãƒãƒœãƒ†ã‚£ã‚¯ã‚¹ãƒ•ãƒ¬ãƒ¼ãƒ ワークã€ã‚·ãƒŸãƒ¥ãƒ¬ãƒ¼ã‚·ãƒ§ãƒ³ç’°å¢ƒã€ãƒ¦ãƒ†ã‚£ãƒªãƒ†ã‚£ãƒ©ã‚¤ãƒ–ラリã€ãã—ã¦ãƒ‡ãƒã‚¤ã‚¹ã‚µãƒãƒ¼ãƒˆã‚’å«ã¿ã¾ã™ã€‚ãã—ã¦ã€ãれらを簡å˜ã«ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã§ãるパッケージグループã«ã¾ã¨ã‚ãŸã‚‚ã®ã§ã™ã€‚詳ã—ãã¯ã€<a href="http://fedoraproject.org/wiki/Robotics">http://fedoraproject.org/wiki/Robotics</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div><div class="section" title="5.4.1. Player"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id775112">5.4.1. Player</h4></div></div></div><a id="id775270" class="indexterm"></a><div class="para">
+ <span class="package">Player</span> is a free and open networked robotics server. The Player server acts like a "robot abstraction layer," providing standardized interfaces and messaging management for many classes of robotics-related devices (camera, ranger, planner, etc.) Drivers for individual devices abstract information into these interfaces and use them to communicate amongst each other.
+ </div></div><div class="section" title="5.4.2. Fawkes"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id735055">5.4.2. Fawkes</h4></div></div></div><a id="id681370" class="indexterm"></a><div class="para">
+ <span class="package">Fawkes</span> ã¯ã€ã„ã‚ã„ã‚ãªãƒ—ラットフォームã¨é ˜åŸŸã§ä½¿ã†ã“ã¨ã®ã§ãã‚‹ã€ãƒãƒœãƒ†ã‚£ã‚¯å®Ÿæ™‚間アプリケーションã®ãŸã‚ã®ã€ã‚³ãƒ³ãƒãƒ¼ãƒãƒ³ãƒˆãƒ™ãƒ¼ã‚¹ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ãƒ•ãƒ¬ãƒ¼ãƒ ワークã§ã™ã€‚
+ </div></div><div class="section" title="5.4.3. Stage"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id736165">5.4.3. Stage</h4></div></div></div><a id="id895245" class="indexterm"></a><div class="para">
+ <span class="package">Stage</span> ã¯ã€ãƒ•ãƒªãƒ¼ã§ã‚ªãƒ¼ãƒ—ンãªã€2.5D ãƒãƒœãƒƒãƒˆã‚·ãƒŸãƒ¥ãƒ¬ãƒ¼ã‚¿ã§ã™ã€‚ãã‚Œã¯å˜ç‹¬ã§ä½¿ã†ã“ã¨ã‚‚ã€Player ãƒãƒœãƒƒãƒˆã‚µãƒ¼ãƒã®æ‹¡å¼µã¨ã—ã¦ä½¿ã†ã“ã¨ã‚‚ã§ãã¾ã™ã€‚Stage ã¯ã€ä¹—り物ã®ç§»å‹•ã‚„ã€scanning laser range finders, SONAR arrays, カメラ, fiducial markers ãªã©ã®ã„ã‚ã„ã‚ãªã‚»ãƒ³ã‚µãƒ¼ã®ã‚·ãƒŸãƒ¥ãƒ¬ãƒ¼ã‚·ãƒ§ãƒ³ã‚’サãƒãƒ¼ãƒˆã—ã¾ã™ã€‚
+ </div></div><div class="section" title="5.4.4. ãƒãƒœã‚«ãƒƒãƒ—サッカーシミュレータ"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id674954">5.4.4. ãƒãƒœã‚«ãƒƒãƒ—サッカーシミュレータ</h4></div></div></div><a id="id710572" class="indexterm"></a><div class="para">
+ ãƒãƒœã‚«ãƒƒãƒ—サッカーシミュレータ(<span class="package">RCSS</span>) ã¯ã€ãƒžãƒ«ãƒã‚¨ãƒ¼ã‚¸ã‚§ãƒ³ãƒˆã‚·ã‚¹ãƒ†ãƒ ã¨äººå·¥çŸ¥èƒ½ã®ç ”究åŠã³æ•™è‚²ãƒ„ールã§ã™ã€‚ãれを使ã£ã¦ã€ï¼’ã¤ã®ã‚·ãƒŸãƒ¥ãƒ¬ãƒ¼ã‚·ãƒ§ãƒ³ã•ã‚ŒãŸè‡ªå¾‹ãƒãƒœãƒƒãƒˆãƒ—レイヤーã®ãƒãƒ¼ãƒ ãŒã€ã‚µãƒƒã‚«ãƒ¼ï¼ˆãƒ•ãƒƒãƒˆãƒœãƒ¼ãƒ«ï¼‰ã‚’ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚2D 㨠3D ã®ã‚·ãƒŸãƒ¥ãƒ¬ãƒ¼ã‚¿ãŒã‚ã‚Šã€ã‚µãƒƒã‚«ãƒ¼ã®ãƒ—レイã®ç•°ãªã‚‹å´é¢ã‚’実験ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚3D シミュレータã¯ã€ SimSparkã€ã“ã‚Œã¯æ±Žç”¨ã®ã‚·ãƒŸãƒ¥ãƒ¬ãƒ¼ã‚·ãƒ§ãƒ³ãƒ•ãƒ¬ãƒ¼ãƒ ワークã§ã€ç•°ãªã‚‹ç¨®é¡žã®ã‚·ãƒŸãƒ¥ãƒ¬ãƒ¼ã‚·ãƒ§ãƒ³ã«ä½¿ã†ã“ã¨ã®ã§ãã‚‹ã‚‚ã®ã§ã™ã€ã®ä¸Šã«æ§‹ç¯‰ã•ã‚Œã¦ã„ã¾ã™ã€‚
+ </div></div></div><div xml:lang="ja-JP" class="section" title="5.5. アマãƒãƒ¥ã‚¢ç„¡ç·š" id="sect-RelNotes-Amateur_Radio" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Amateur_Radio">5.5. アマãƒãƒ¥ã‚¢ç„¡ç·š</h3></div></div></div><div class="section" title="5.5.1. CuteCW"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id757031">5.5.1. CuteCW</h4></div></div></div><a id="id756679" class="indexterm"></a><a id="id764983" class="indexterm"></a><div class="para">
+ Fedora 15 ã§ã¯ã€<span class="package">cutecw</span> ãŒå°Žå…¥ã•ã‚Œã¾ã—ãŸã€‚ã“ã‚Œã¯ã€ CW ã‚’å¦ã¶ãŸã‚ã®ã€ãƒ•ã‚§ãƒ¼ã‚ºåˆ†ã‘ã•ã‚ŒãŸã‚¢ãƒ—ãƒãƒ¼ãƒã‚’æä¾›ã™ã‚‹ã‚¢ãƒ—リケーションã§ã™ã€‚詳ã—ãã¯ã€ãƒ—ãƒã‚¸ã‚§ã‚¯ãƒˆã®ãƒšãƒ¼ã‚¸ã€ <a href="http://www.hamtools.org/cutecw/">http://www.hamtools.org/cutecw/</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="5.5.2. libfap"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id762399">5.5.2. libfap</h4></div></div></div><a id="id760822" class="indexterm"></a><a id="id653653" class="indexterm"></a><div class="para">
+ ã¾ãŸã€ Fedora 15 ã§ã¯ <span class="package">libfap</span> ãŒå°Žå…¥ã•ã‚Œã¾ã—ãŸã€‚ã“ã‚Œã¯ã€ Perl APRS パケット解æžãƒ©ã‚¤ãƒ–ラリを C ã«ç§»æ¤ã—ãŸã‚‚ã®ã§ã™ã€‚ Ham::APRS::FAP ã®ã™ã¹ã¦ã®æ©Ÿèƒ½ã¯äº’æ›ã§ã™ã€‚API 文書をå«ã‚€å®Œå…¨ãªæƒ…å ±ã¯ã€ <a href="http://pakettiradio.net/libfap/">http://pakettiradio.net/libfap/</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="5.5.3. fldigi"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id972023">5.5.3. fldigi</h4></div></div></div><a id="id733798" class="indexterm"></a><a id="id760012" class="indexterm"></a><a id="id729920" class="indexterm"></a><a id="id896344" class="indexterm"></a><a id="id711299" class="indexterm"></a><a id="id660652" class="indexterm"></a><a id="id733506" class="indexterm"></a><a id="id687324" class="indexterm"></a><a id="id687332" class="indexterm"></a><a id="id687340" class="indexterm"></a><a id="id687348" class="indexterm"></a><div class="para">
+ <span class="package">fldigi</span> ã¯ã€ 3.20.20 ã‹ã‚‰ 3.20.34 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚多ãã®ãƒã‚°ä¿®æ£ã¨ãŠåŒ–粧ãªãŠã—ã®ä»–ã«ã€ã„ãã¤ã‹ã®æ–°ã—ã„機能ãŒã‚ã‚Šã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ pskmail æ‹¡å¼µ
+ </div></li><li class="listitem"><div class="para">
+ dupe 㨠diamond インジケーターã®å¤‰æ›´
+ </div></li><li class="listitem"><div class="para">
+ Waterfall オフセット
+ </div></li><li class="listitem"><div class="para">
+ è¨å®šãƒ€ã‚¤ã‚¢ãƒã‚°ã®ãƒ«ãƒƒã‚¯ã‚¹ã®æ”¹å–„
+ </div></li><li class="listitem"><div class="para">
+ ã‚ーボードショートカットã®è¿½åŠ
+ </div></li><li class="listitem"><div class="para">
+ THOR ã¨CW ã§ã®ã‚¹ã‚±ãƒ«ãƒèª¿æ•´
+ </div></li><li class="listitem"><div class="para">
+ マクãƒã®æ”¹å–„
+ </div></li><li class="listitem"><div class="para">
+ Contest ãƒã‚°
+ </div></li><li class="listitem"><div class="para">
+ hamlib ã¨ã®çµ±åˆã®æ”¹å–„
+ </div></li><li class="listitem"><div class="para">
+ DXCC ãƒãƒƒãƒ—アップã¯ã€ LotW 㨠eQSL ヒントをå«ã‚€ã‚ˆã†ã«ãªã‚Šã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ Cabrillo レãƒãƒ¼ãƒˆã®æ”¹å–„
+ </div></li><li class="listitem"><div class="para">
+ パラレルãƒãƒ¼ãƒˆãŒ PTT ã«ä½¿ãˆã‚‹ã‚ˆã†ã«ãªã‚Šã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ logbook フィールドã®è¿½åŠ
+ </div></li><li class="listitem"><div class="para">
+ Olivia デコードã®æ”¹å–„
+ </div></li><li class="listitem"><div class="para">
+ RTTY ã®ã‚¹ã‚³ãƒ¼ãƒ—処ç†ã®æ”¹å–„
+ </div></li></ul></div>
+
+ </div><div class="para">
+ fldigi ã®å®Œå…¨ãªè©³ç´°ã¯ã€ <a href="http://www.w1hkj.com/Fldigi.html">http://www.w1hkj.com/Fldigi.html</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="5.5.4. xastir"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id704374">5.5.4. xastir</h4></div></div></div><a id="id704380" class="indexterm"></a><a id="id682887" class="indexterm"></a><a id="id682895" class="indexterm"></a><div class="para">
+ Fedora 15 ã¯ã€ <span class="package">xastir</span> 2.0.0 ã‚’å°Žå…¥ã—ã¾ã—ãŸã€‚ã“ã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã§ã¯ã€ã„ãã¤ã‹ã®ãƒã‚°ä¿®æ£ã®ä»–ã«ã€ Open Street Maps ã®ã‚µãƒãƒ¼ãƒˆãŒã•ã‚Œã¾ã—ãŸã€‚プãƒã‚¸ã‚§ã‚¯ãƒˆã¯ã€ <a href="http://www.xastir.org.">http://www.xastir.org.</a> ã«ã€ wiki ã‚’æŒã£ã¦ã„ã¾ã™ã€‚
+ </div></div><div class="section" title="5.5.5. gpredict"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id682919">5.5.5. gpredict</h4></div></div></div><a id="id682925" class="indexterm"></a><a id="id682933" class="indexterm"></a><div class="para">
+ <span class="package">gpredict</span> ã¯ã€ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ ã®è¡›æ˜Ÿè¿½è·¡ã¨è»Œé“予測プãƒã‚°ãƒ©ãƒ ã§ã™ã€‚多ãã®ãƒã‚°ä¿®æ£ã®ä»–ã«ã€æ–°ã—ã„機能ã¯ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ç„¡ç·šã¨ã‚¢ãƒ³ãƒ†ãƒŠãƒãƒ¼ãƒ†ãƒ¼ã‚¿ãƒ¼ã®åˆ¶å¾¡
+ </div></li><li class="listitem"><div class="para">
+ 衛星é¸æŠžã®æ”¹å–„
+ </div></li><li class="listitem"><div class="para">
+ æ–°ã—ã„レイアウトマãƒãƒ¼ã‚¸ãƒ£
+ </div></li><li class="listitem"><div class="para">
+ æ–°ã—ã„イベントビュー
+ </div></li><li class="listitem"><div class="para">
+ 衛星ã®ãƒ„ールãƒãƒƒãƒ—ã¨ã€ãƒ‘スã®ãƒãƒƒãƒ—アップ
+ </div></li></ul></div>
+
+ </div><div class="para">
+ 衛星ツールãƒãƒƒãƒ—機能ã«ã¤ã„ã¦ã®ãƒ“デオãŒã€ <a href="http://www.youtube.com/watch?v=tJC4A6onbBg">http://www.youtube.com/watch?v=tJC4A6onbBg</a> ã«ã‚ã‚Šã¾ã™ã€‚
+ </div><div class="para">
+ <span class="package">gpredict</span> ã®è©³ç´°ã¯ã€ <a href="http://groundstation.sourceforge.net/gpredict/">http://groundstation.sourceforge.net/gpredict/</a> ã«ã‚ã‚Šã¾ã™ã€‚
+ </div></div><div class="section" title="5.5.6. hamlib"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id1855993">5.5.6. hamlib</h4></div></div></div><a id="id1855999" class="indexterm"></a><a id="id1856007" class="indexterm"></a><div class="para">
+ <span class="package">hamlib</span> ã¯ã€ 1.2.11 ã‹ã‚‰ 1.2.12 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚ã“ã®ãƒªãƒªãƒ¼ã‚¹ã§ã¯ã€ï¼“ã¤ã®æ–°ã—ã„ãƒãƒƒã‚¯ã‚¨ãƒ³ãƒ‰ãŒåŠ ã‚ã‚Šã¾ã—ãŸã€‚プãƒã‚¸ã‚§ã‚¯ãƒˆãƒšãƒ¼ã‚¸ã¯ã€ <a href="http://hamlib.sourceforge.net">http://hamlib.sourceforge.net</a> ã«ã‚ã‚Šã¾ã™ã€‚
+ </div></div><div class="section" title="5.5.7. xlog"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id1856031">5.5.7. xlog</h4></div></div></div><a id="id1856038" class="indexterm"></a><a id="id1856046" class="indexterm"></a><div class="para">
+ Fedora 15 ã¯ã€ <span class="package">xlog</span> ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 2.0.5 ã‚’å°Žå…¥ã—ã¾ã—ãŸã€‚多ãã®ãƒã‚°ä¿®æ£ã®ä»–ã«ã€ （ <a href="http://www.nongnu.org/xlog/xlog.changelog">http://www.nongnu.org/xlog/xlog.changelog</a>ã‚’å‚照。）２ã¤ã®æ©Ÿèƒ½ã®å¤‰æ›´ãŒã‚ã‚Šã¾ã™ï¼š
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ãƒã‚°ã®ç©ºç™½ã®ãƒ•ã‚£ãƒ¼ãƒ«ãƒ‰ã®åå‰ã‚’変更ã™ã‚‹ã¨ã€ã‚ªãƒ¼ãƒ—ンã•ã‚Œã¦ã„ã‚‹ã™ã¹ã¦ã®ãƒã‚°ã®ã‚«ãƒ©ãƒ åãŒæ›´æ–°ã•ã‚Œã‚‹ã‚ˆã†ã«ãªã‚Šã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ To speed up logging, typing <ENTER> in the callsign field will jump to the TX(RST) field.
+ </div></li></ul></div></div><div class="section" title="5.5.8. soundmodem"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id1856089">5.5.8. soundmodem</h4></div></div></div><a id="id1856095" class="indexterm"></a><a id="id1856103" class="indexterm"></a><div class="para">
+ <span class="package">soundmodem</span> ã¯ã€ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 0.15 ã«ãªã‚Šã¾ã—ãŸã€‚
+ </div></div><div class="section" title="5.5.9. splat"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id1856120">5.5.9. splat</h4></div></div></div><a id="id708107" class="indexterm"></a><a id="id708115" class="indexterm"></a><div class="para">
+ Fedora 15 ã¯ã€ <span class="package">splat</span> 1.3.0 ã‚’å°Žå…¥ã—ã¾ã—ãŸã€‚SPLAT! ã®æœ€æ–°ç‰ˆã¯ã€ä»¥ä¸‹ã®æ©Ÿèƒ½ã‚’æŒã¡ã¾ã™ã€‚å—ä¿¡ã•ã‚ŒãŸä¿¡å·ã®é›»åŠ›ãƒ¬ãƒ™ãƒ«ã®è¼ªéƒã‚’ dBm ã§æç”»ã™ã‚‹æ–°ã—ã„マッピングモードã€uniform ground clutter ã®ã‚µãƒãƒ¼ãƒˆã€-db, -plo, ãã—㦠-pli コマンドラインオプションã®æ‹¡å¼µã€ï¼‘ arc-second 高精度㮠SRTM トãƒã‚°ãƒ©ãƒ•ã‚£ãƒ¼ãƒ‡ãƒ¼ã‚¿ã®ã‚µãƒãƒ¼ãƒˆï¼ˆæ–°ã—ã„ srtm2sdf-hd 㨠splat-hd コマンドをå«ã¿ã¾ã™ã€‚）ã€ãã—ã¦ã€ãƒ‰ã‚ュメントã®æ›´æ–°ã¨ã„ãã¤ã‹ã®ãƒã‚°ä¿®æ£ã‚’å«ã‚€å¤šãã®æ”¹å–„。
+ </div><div class="para">
+ プãƒã‚¸ã‚§ã‚¯ãƒˆã‚µã‚¤ãƒˆï¼š (<a href="http://www.qsl.net/kd2bd/splat.html">http://www.qsl.net/kd2bd/splat.html</a>)
+ </div></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Release_Notes-Changes_for_Developers.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>4. Fedora ã®å¤‰æ›´ç‚¹ - 開発者å‘ã‘</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="appe-Release_Notes-Revision_History.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>A. 改訂履æ´</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/15/html/Release_Notes/sect-Release_Notes-Changes_for_SysAdmin.html b/public_html/ja-JP/Fedora/15/html/Release_Notes/sect-Release_Notes-Changes_for_SysAdmin.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>3. Fedora ã®å¤‰æ›´ç‚¹ - システム管ç†è€…å‘ã‘</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora-Release_Notes-15-ja-JP-1-0" /><link rel="home" href="index.html" title="リリースノート" /><link rel="up" href="index.html" title="リリースノート" /><link rel="prev" href="sect-Release_Notes-Changes_for_Desktop_Users.html" title="2. Fedora ã®å¤‰æ›´ç‚¹ - デスクトップユーザーå‘ã‘" /><link rel="next" href="sect-Release_Notes-Changes_for_Developers.html" title="4. Fedora ã®å¤‰æ›´ç‚¹ - 開発者å‘ã‘" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.h
tml">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Release_Notes-Changes_for_Desktop_Users.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Release_Notes-Changes_for_Developers.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="3. Fedora ã®å¤‰æ›´ç‚¹ - システム管ç†è€…å‘ã‘" id="sect-Release_Notes-Changes_for_SysAdmin"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Release_Notes-Changes_for_SysAdmin">3. Fedora ã®å¤‰æ›´ç‚¹ - システム管ç†è€…å‘ã‘</h2></div></di
v></div><div xml:lang="ja-JP" class="section" title="3.1. Kernel" id="sect-Release_Notes-Kernel" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Release_Notes-Kernel">3.1. Kernel</h3></div></div></div><a id="id666215" class="indexterm"></a><div class="para">
+ Fedora 15 features version 2.6.38 of the Linux kernel. Among other improvements, this version includes the "patch that does wonders" which improves responsiveness under heavy loads.
+ </div><div class="para">
+ ã“ã®ä»¶åŠã³ã™ã¹ã¦ã®å¤‰æ›´ã«ã¤ã„ã¦ã®è©³ç´°ã¯ã€ <a href="http://kernelnewbies.org/LinuxChanges">http://kernelnewbies.org/LinuxChanges</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div xml:lang="ja-JP" class="section" title="3.2. ブート" id="sect-RelNotes-Boot" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Boot">3.2. ブート</h3></div></div></div><div class="section" title="3.2.1. systemd"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id655215">3.2.1. systemd</h4></div></div></div><a id="id659897" class="indexterm"></a><a id="id730021" class="indexterm"></a><div class="para">
+ <span class="package">systemd</span> ã¯ã€ SysVinit 㨠Upstart ã®ã‹ã‚ã‚Šã¨ãªã‚‹ã€ã‚·ã‚¹ãƒ†ãƒ ã¨ã‚µãƒ¼ãƒ“スã®ãƒžãƒãƒ¼ã‚¸ãƒ£ã§ã™ã€‚６ヶ月ã«æ¸¡ã‚‹ã€ã‚ˆã‚Šè©³ç´°ãªãƒ†ã‚¹ãƒˆã‚’経ã¦ã€ Fedora 15 ã¯ã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§ã€æ–°ã—ã„システムデーモンを導入ã—ã¾ã™ã€‚ãã®ã‚³ãƒ¼ãƒ‰ã¯ã€æœ€è¿‘ã® Linux カーãƒãƒ«ã®åˆ©ç‚¹ã‚’最大é™ã«æ´»ç”¨ã™ã‚‹ã“ã¨ã‚’目的ã¨ã—ã¦ã€ã‚¼ãƒã‹ã‚‰è¨è¨ˆã•ã‚ŒãŸã‚‚ã®ã§ã™ã€‚
+ </div><div class="para">
+ <span class="package">systemd</span> を使ã†ã“ã¨ã§ã€Fedora 15 ã¯ç‰¹ã« SSD ã«ãŠã„ã¦ã€ã‚ˆã‚Šé«˜é€Ÿã«ãƒ–ートã—ã¾ã™ã€‚systemd 㯠bash スクリプトã§ãªãã¦<code class="filename">.service</code> ファイルを使ã†ãŸã‚ã€ãã®ã‚µãƒ¼ãƒ“スè¨å®šãƒ•ã‚¡ã‚¤ãƒ«ï¼ˆã‚ã‚‹ã„ã¯ãƒ¦ãƒ‹ãƒƒãƒˆï¼‰ã¯ã€ sysvinit スクリプトã¨æ¯”ã¹ã‚‹ã¨ç†è§£ã¨è¨å®šãŒã¯ã‚‹ã‹ã«å®¹æ˜“ã§ã™ã€‚ã™ã¹ã¦ã®ãƒ‡ãƒ¼ãƒ¢ãƒ³ã¯ãã‚Œãžã‚Œã® Linux cgroup ã«åˆ†ã‘られã¦ãŠã‚Šã€ãƒ•ã‚¡ã‚¤ãƒ«ã‚·ã‚¹ãƒ†ãƒ 階層㮠<code class="filename">/cgroup/systemd</code> ã®ä¸‹ã«è¡¨ç¤ºã•ã‚Œã¾ã™ã€‚init システムã®ç®¡ç†çš„å´é¢ã¯å¤§ã„ã«æ‹¡å¼µã•ã‚Œã¦ã„ã¾ã™ã€‚
+ </div><div class="formalpara"><h5 class="formalpara" id="id662672">Powering down the system</h5>
+ In earlier versions, the <code class="command">halt</code> command could be used to power off the system. This no longer works with <span class="package">systemd</span>. The following alternatives, however, do work:
+ <table border="0" summary="Simple list" class="simplelist"><tr><td><code class="command">poweroff</code></td></tr><tr><td><code class="command">halt -p</code></td></tr><tr><td><code class="command">init 0</code></td></tr><tr><td><code class="command">shutdown -P now</code></td></tr></table>
+
+ </div><div class="para">
+ There are numerous other changes in the way runlevels and services are handled with <span class="package">systemd</span>. Refer to <a href="https://fedoraproject.org/wiki/Systemd">https://fedoraproject.org/wiki/Systemd</a> for more complete information on systemd in Fedora.
+ </div></div><div class="section" title="3.2.2. /run directory"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id977120">3.2.2. /run directory</h4></div></div></div><a id="id757519" class="indexterm"></a><a id="id757705" class="indexterm"></a><a id="id896985" class="indexterm"></a><a id="id735400" class="indexterm"></a><a id="id735412" class="indexterm"></a><a id="id735424" class="indexterm"></a><a id="id711482" class="indexterm"></a><a id="id711494" class="indexterm"></a><a id="id711502" class="indexterm"></a><a id="id711510" class="indexterm"></a><a id="id711518" class="indexterm"></a><a id="id711526" class="indexterm"></a><a id="id711534" class="indexterm"></a><a id="id711542" class="indexterm"></a><div class="para">
+ Fedora 15 ã¯ã€ãƒ©ãƒ³ã‚¿ã‚¤ãƒ ãƒ‡ãƒ¼ã‚¿ã‚’æ ¼ç´ã™ã‚‹ãŸã‚ã« <code class="filename">/run</code> ディレクトリをæŒã¡ã¾ã™ã€‚<code class="filename">/run</code> ã¯ä»Šã¯ tmpfs ã§ã‚り〠<code class="filename">/var/run</code> ã¯ã€ãれ㫠<code class="command">bind</code> マウントã•ã‚Œã¦ã„ã¾ã™ã€‚<code class="filename">/var/lock</code> 㯠<code class="filename">/run/lock</code> ã« <code class="command">bind</code> マウントã•ã‚Œã¦ã„ã¾ã™ã€‚アプリケーションã¯ã€ <code class="filename">/run</code> を〠<code class="filename">/var/run</code> ã¨åŒã˜ã‚„ã‚Šã‹ãŸã§ä½¿ã†ã“ã¨ãŒã§ãã¾ã™ã€‚<code class="command">udev</code>, <code class="command">dracut</code>, <code class="command">mdadm</code>, <code class="command">mount</code> ãã—㦠<code class="command">initscripts</code> ã‚’å«ã‚€ã„ãã¤ã‹ã®ãƒ—ãƒã‚°ãƒ©ãƒ ã¯ã€ãƒ–ートã®åˆæœŸæ®µéšŽã§ã€ <code class="filename">/var</code> ãŒãƒžã‚¦ãƒ³ãƒˆã•ã‚Œã‚‹å‰ã«ã€<code
class="filename">/dev</code> ã®ä¸‹ã®éš ã‚ŒãŸãƒ‡ã‚£ãƒ¬ã‚¯ãƒˆãƒªã«ã€ãƒ©ãƒ³ã‚¿ã‚¤ãƒ データを置ã„ã¦ãã¾ã—ãŸã€‚ã—ã‹ã—〠<code class="filename">/dev/</code> ã¯æœ¬æ¥ã€ãƒ‡ãƒã‚¤ã‚¹ãƒŽãƒ¼ãƒ‰ã®ãŸã‚ã ã‘ã«ä½¿ã‚れるもã®ã§ã‚ã‚Šã€ä¸»è¦ãªãƒ‡ã‚£ã‚¹ãƒˆãƒªãƒ“ューションã®é–“ã§ã¯ã€ ãã®ã‹ã‚ã‚Šã« <code class="filename">/run</code> を使ã†ã‚ˆã†ã«ã—ã¦ã„ãã¨ã„ã†åˆæ„ãŒå¾—られã¦ã„ã¾ã™ã€‚ Fedora 15 ã¯ã“ã®å¤‰é©ã‚’リードã—ã¦ã„ã¾ã™ã€‚利点や詳細ã¯ã€ <a href="http://lists.fedoraproject.org/pipermail/devel/2011-March/150031.html"> ã“ã“ </a>ã«èª¬æ˜Žã—ã¦ã‚ã‚Šã¾ã™ã€‚
+ </div><div class="para">
+ ã“ã®å¤‰æ›´ã¯ <a href="http://www.pathname.com/fhs/pub/fhs-2.3.html#THEROOTFILESYSTEM"> Filesystem Hierarchy Standard</a> 㨠<span class="emphasis"><em>互æ›ã§ã™</em></span> 。ãã‚Œã¯ã€çµæžœã«ã¤ã„ã¦æ³¨æ„æ·±ã„考察ãŒã•ã‚Œã‚‹ãªã‚‰ã°ã€ãƒ‡ã‚£ã‚¹ãƒˆãƒªãƒ“ューションãŒã€ãƒ«ãƒ¼ãƒˆéšŽå±¤ã®ä¸‹ã«æ–°ã—ã„ディレクトリを作るã“ã¨ã‚’許ã—ã¦ã„ã¾ã™ã€‚最新㮠FHS 仕様ã®å…±è‘—者ã¯ã€ã“ã®å¤‰æ›´ã«ã¤ã„ã¦ã€ <a href="https://lwn.net/Articles/436177/"> 支æŒã‚’表明</a> ã—ã¾ã—ãŸã€‚Lennart Poettering ã¯ã€ FHS 仕様ãŒã“ã®å¤‰æ›´ã‚’å«ã‚€ã‚ˆã†ã«æ›´æ–°ã•ã‚Œã‚‹ã‚ˆã†ã€ <a href="http://bugs.freestandards.org/show_bug.cgi?id=718"> è¦æ±‚</a> を登録ã—ã¾ã—ãŸã€‚
+ </div></div><div class="section" title="3.2.3. /var/run 㨠/var/lock"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id674235">3.2.3. /var/run 㨠/var/lock</h4></div></div></div><a id="id674242" class="indexterm"></a><a id="id674254" class="indexterm"></a><a id="id674266" class="indexterm"></a><a id="id674278" class="indexterm"></a><a id="id674290" class="indexterm"></a><a id="id674298" class="indexterm"></a><a id="id674306" class="indexterm"></a><div class="para">
+ <code class="filename">/var/run</code> and <code class="filename">/var/lock</code> are now bind mounted to <code class="filename">/run</code> and <code class="filename">/run/lock</code> from tmpfs, and hence emptied on reboot. Applications must ensure to recreate their own files/dirs on startup, and cannot rely that doing this at package installation will suffice. It is possible to use <span class="package">systemd</span>'s <code class="filename">tmpfiles.d</code> mechanism to recreate directories and files beneath <code class="filename">/var/run</code> and <code class="filename">/var/lock</code> on boot, if necessary. See <code class="command">tmpfiles.d(5)</code> for details (<a href="http://0pointer.de/public/systemd-man/tmpfiles.d.html">http://0pointer.de/public/systemd-man/tmpfiles.d.html</a>) and the conf files in <code class="filename">/etc/tmpfiles.d</code> for examples of such configuration. Fedora packaging guidelines for <code class="filename">tmpfiles.d</code>
is at <a href="http://fedoraproject.org/wiki/Packaging:Tmpfiles.d">http://fedoraproject.org/wiki/Packaging:Tmpfiles.d</a>.
+ </div></div><div class="section" title="3.2.4. 4kB セクターã®ãƒ‡ã‚£ã‚¹ã‚¯ãƒ–ートサãƒãƒ¼ãƒˆ"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id894507">3.2.4. 4kB セクターã®ãƒ‡ã‚£ã‚¹ã‚¯ãƒ–ートサãƒãƒ¼ãƒˆ</h4></div></div></div><div class="para">
+ UEFI 環境ã§ã€4kB セクターã®ãƒ‡ã‚£ã‚¹ã‚¯ã‹ã‚‰ã®ãƒ–ートãŒã€ã‚µãƒãƒ¼ãƒˆã•ã‚Œã¾ã—ãŸã€‚
+ </div></div></div><div xml:lang="ja-JP" class="section" title="3.3. ã‚»ã‚ュリティ" id="sect-RelNotes-Security" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Security">3.3. ã‚»ã‚ュリティ</h3></div></div></div><div class="para">
+ ã“ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã§ã¯ã€ Fedora 15 ã®ã‚»ã‚ュリティã®å¤‰æ›´ã¨æ”¹å–„ã«ã¤ã„ã¦è¿°ã¹ã¾ã™ã€‚
+ </div><div class="section" title="3.3.1. ダイナミックファイアウォール"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id673246">3.3.1. ダイナミックファイアウォール</h4></div></div></div><a id="id751116" class="indexterm"></a><a id="id895765" class="indexterm"></a><a id="id965449" class="indexterm"></a><div class="para">
+ Fedora 15 ã¯ã€ã‚ªãƒ—ショナルãªãƒ•ã‚¡ã‚¤ã‚¢ã‚¦ã‚©ãƒ¼ãƒ«ãƒ‡ãƒ¼ãƒ¢ãƒ³ (<span class="package">FirewallD</span>) ã®ã‚µãƒãƒ¼ãƒˆã‚’è¿½åŠ ã—ã¾ã—ãŸã€‚ã“ã‚Œã¯ã€ D-Bus インタフェースを使ã„ã€ãƒ€ã‚¤ãƒŠãƒŸãƒƒã‚¯ãªãƒ•ã‚¡ã‚¤ã‚¢ã‚¦ã‚©ãƒ¼ãƒ«ç®¡ç†ã‚’å¯èƒ½ã¨ã—ã¾ã™ã€‚
+ </div><div class="para">
+ <span class="package">system-config-firewall</span> を使ã£ãŸä»¥å‰ã®ãƒ•ã‚¡ã‚¤ã‚¢ã‚¦ã‚©ãƒ¼ãƒ«ãƒ¢ãƒ‡ãƒ«ã¯ã€é™çš„ã§ã€ã©ã‚“ãªã«ç°¡å˜ãªå¤‰æ›´ã§ã‚ã£ã¦ã‚‚ã€ãƒ•ã‚¡ã‚¤ã‚¢ã‚¦ã‚©ãƒ¼ãƒ«å…¨ä½“ã®å†é–‹å§‹ã‚’å¿…è¦ã¨ã—ã¾ã—ãŸã€‚ã“ã‚Œã«ã‚ˆã‚Šã€ãƒ•ã‚£ãƒ«ã‚¿ãƒ¼ã•ã‚ŒãŸæŽ¥ç¶šã¯åˆ‡æ–ã•ã‚Œã¾ã—ãŸã€‚<span class="package">FirewallD</span> ã§ã¯ã€ãƒ•ã‚¡ã‚¤ã‚¢ã‚¦ã‚©ãƒ¼ãƒ«ã‚’ダイナミックã«å¤‰æ›´ã™ã‚‹ã“ã¨ãŒã§ãã€ãƒ•ã‚¡ã‚¤ã‚¢ã‚¦ã‚©ãƒ¼ãƒ«ã®å†ä½œæˆã¯å¿…è¦ã‚ã‚Šã¾ã›ã‚“。ç¾åœ¨ã€ iptables, ip6tables ãã—㦠ebtables ãŒã‚µãƒãƒ¼ãƒˆã•ã‚Œã¾ã™ã€‚Fedora 15 ã§ã¯ã€ã‚·ãƒ³ãƒ—ルãªãƒˆãƒ¬ã‚¤ã‚¢ãƒ—レットãŒã€ãƒ•ã‚¡ã‚¤ã‚¢ã‚¦ã‚©ãƒ¼ãƒ«ã®çŠ¶æ…‹ã‚’表示ã—ã€ãƒ•ã‚¡ã‚¤ã‚¢ã‚¦ã‚©ãƒ¼ãƒ«ã®ã‚µãƒ¼ãƒ“スを有効ã«ã—ãŸã‚Šç„¡åŠ¹ã«ã—ãŸã‚Šã§ãã¾ã™ã€‚
+ </div><div class="para">
+ 詳細ã¯ã€ Fedora wiki ページ <a href="https://fedoraproject.org/wiki/Features/DynamicFirewall">https://fedoraproject.org/wiki/Features/DynamicFirewall</a> and <a href="https://fedoraproject.org/wiki/Features/FirewallD/">https://fedoraproject.org/wiki/Features/FirewallD/ </a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="3.3.2. FreeIPA 2.0"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id733403">3.3.2. FreeIPA 2.0</h4></div></div></div><a id="id750653" class="indexterm"></a><a id="id663220" class="indexterm"></a><a id="id687641" class="indexterm"></a><a id="id694867" class="indexterm"></a><a id="id712217" class="indexterm"></a><a id="id749856" class="indexterm"></a><div class="para">
+ FreeIPA ã¯ã€çµ±åˆã•ã‚ŒãŸã€ã‚»ã‚ãƒ¥ãƒªãƒ†ã‚£æƒ…å ±ç®¡ç†ã‚½ãƒªãƒ¥ãƒ¼ã‚·ãƒ§ãƒ³ã§ã€ Linux (Fedora), 389 (以å‰ã€ Fedora Directory Server ã¨å‘¼ã°ã‚Œã¦ã„ã¾ã—ãŸ), MIT Kerberos, NTP, DNS を組ã¿åˆã‚ã›ãŸã‚‚ã®ã§ã™ã€‚ウェブインタフェースã¨ã€ã‚³ãƒžãƒ³ãƒ‰ãƒ©ã‚¤ãƒ³ã®ç®¡ç†ãƒ„ールãŒã‚ã‚Šã¾ã™ã€‚
+ </div><div class="para">
+ FreeIPA v2.0 ã®æ©Ÿèƒ½ã¯ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Kerberos ã‚ã‚‹ã„㯠LDAP ã«ã‚ˆã‚‹ä¸å¤®é›†æ¨©çš„ãªèªè¨¼
+ </div></li><li class="listitem"><div class="para">
+ ユーザã€ã‚°ãƒ«ãƒ¼ãƒ—ã€ãƒ›ã‚¹ãƒˆã€ãã—ã¦ã‚µãƒ¼ãƒ“ス㮠ID 管ç†
+ </div></li><li class="listitem"><div class="para">
+ UI/CLI ã®ãŸã‚ã®ãƒ—ラグå¯èƒ½ã§æ‹¡å¼µå¯èƒ½ãªãƒ•ãƒ¬ãƒ¼ãƒ ワーク
+ </div></li><li class="listitem"><div class="para">
+ 豊富㪠CLI
+ </div></li><li class="listitem"><div class="para">
+ ウェブベースã®ãƒ¦ãƒ¼ã‚¶ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹
+ </div></li><li class="listitem"><div class="para">
+ Server X.509 v3 証明書ã®ãƒ—ãƒãƒ“ジョニング機能
+ </div></li><li class="listitem"><div class="para">
+ ホストã®ã‚°ãƒ«ãƒ¼ãƒ—化をå«ã‚€ãƒ›ã‚¹ãƒˆ ID 管ç†
+ </div></li><li class="listitem"><div class="para">
+ SSSD ã®ãŸã‚ã® IPA ãƒãƒƒã‚¯ã‚¨ãƒ³ãƒ‰ã«ã‚ˆã£ã¦ã€ã‚¯ãƒ©ã‚¤ã‚¢ãƒ³ãƒˆã‚µã‚¤ãƒ‰ã§å®Ÿæ–½ã•ã‚Œã‚‹ãƒ›ã‚¹ãƒˆãƒ™ãƒ¼ã‚¹ã®ã‚¢ã‚¯ã‚»ã‚¹ã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ãƒ«ãƒ¼ãƒ«ã‚’定義ã™ã‚‹ã“ã¨
+ </div></li><li class="listitem"><div class="para">
+ IPA ã«æ ¼ç´ã•ã‚Œã¦ã„るユーザã¨ãƒ›ã‚¹ãƒˆã‚ªãƒ–ジェクトã«åŸºã¥ã„ã¦ã€ãƒãƒƒãƒˆã‚°ãƒ«ãƒ¼ãƒ—ã‚’æä¾›ã™ã‚‹ã“ã¨
+ </div></li><li class="listitem"><div class="para">
+ ç•°ãªã‚‹ã‚¯ãƒ©ã‚¤ã‚¢ãƒ³ãƒˆã«ã‚ªãƒ¼ãƒˆãƒžã‚¦ãƒ³ãƒˆãƒžãƒƒãƒ—ã®ã‚»ãƒƒãƒˆã‚’æä¾›ã™ã‚‹ã“ã¨
+ </div></li><li class="listitem"><div class="para">
+ より細ã‹ã„ã€æ¨©é™ç§»è²ã®ç®¡ç†
+ </div></li><li class="listitem"><div class="para">
+ グループベースã®ã€ãƒ‘スワードãƒãƒªã‚·ãƒ¼
+ </div></li><li class="listitem"><div class="para">
+ 集ä¸ç®¡ç†ã•ã‚Œã‚‹ SUDO
+ </div></li><li class="listitem"><div class="para">
+ プライベートグループã®è‡ªå‹•çš„管ç†
+ </div></li><li class="listitem"><div class="para">
+ 幅広ã„クライアントã¨ã®äº’æ›æ€§
+ </div></li><li class="listitem"><div class="para">
+ ç°¡å˜ãªãƒ‘スワード移行
+ </div></li><li class="listitem"><div class="para">
+ IPA ãŒç®¡ç†ã™ã‚‹ã€ã‚ªãƒ—ショナルãªã€çµ±åˆã•ã‚ŒãŸ DNS サーãƒ
+ </div></li><li class="listitem"><div class="para">
+ IPA ãŒç®¡ç†ã™ã‚‹ã‚µãƒ¼ãƒè¨¼æ˜Žæ›¸ã‚’管ç†ã™ã‚‹ãŸã‚ã®ã€ã‚ªãƒ—ショナルãªã€çµ±åˆã•ã‚ŒãŸ Certificate Authority
+ </div></li><li class="listitem"><div class="para">
+ レガシーシステムã®ãŸã‚ã«ã€ NIS サーãƒãƒ¼ã¨ã—ã¦å‹•ä½œå¯èƒ½
+ </div></li><li class="listitem"><div class="para">
+ マルãƒãƒžã‚¹ã‚¿ãƒ¼è¤‡è£½ã‚’ベースã¨ã™ã‚‹ã€ãƒžãƒ«ãƒã‚µãƒ¼ãƒãƒ¼é…備をサãƒãƒ¼ãƒˆ
+ </div></li><li class="listitem"><div class="para">
+ MS アクティブディレクトリã¨ã®ã€ãƒ¦ãƒ¼ã‚¶ã¨ã‚°ãƒ«ãƒ¼ãƒ—ã®è¤‡è£½
+ </div></li></ul></div>
+
+ </div><div class="para">
+ 詳細ã¯ã€ <a href="http://www.freeipa.org/">http://www.freeipa.org/</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="3.3.3. OpenSCAP"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id750333">3.3.3. OpenSCAP</h4></div></div></div><a id="id976434" class="indexterm"></a><a id="id976442" class="indexterm"></a><a id="id976450" class="indexterm"></a><a id="id976458" class="indexterm"></a><a id="id976466" class="indexterm"></a><a id="id976474" class="indexterm"></a><div class="para">
+ Fedora 14 ã§æœ€åˆã«å°Žå…¥ã•ã‚ŒãŸ <span class="package">OpenSCAP</span> ã¯ã€NIST ã«ã‚ˆã‚Šç®¡ç†ã•ã‚Œã‚‹ SCAP 系列ã®æ¨™æº–を実ç¾ã™ã‚‹ãŸã‚ã®ã‚ˆã‚Šç°¡å˜ãªãƒ‘スをæä¾›ã™ã‚‹ã€ã‚ªãƒ¼ãƒ—ンソースライブラリã®ã‚»ãƒƒãƒˆã§ã™ã€‚SCAP 標準ã¯ã€ã‚¨ãƒ³ã‚¿ãƒ¼ãƒ—ライズシステムã®ã‚»ã‚ュリティをç¶æŒã™ã‚‹ãŸã‚ã®æ¨™æº–化ã•ã‚ŒãŸã‚¢ãƒ—ãƒãƒ¼ãƒã‚’æä¾›ã™ã‚‹ãŸã‚ã«ä½œã‚‰ã‚Œã¾ã—ãŸã€‚例ãˆã°ã€ãƒ‘ッãƒãŒå˜åœ¨ã™ã‚‹ã“ã¨ã‚’自動的ã«ç¢ºèªã™ã‚‹ã€ã‚·ã‚¹ãƒ†ãƒ ã‚»ã‚ュリティ構æˆã®è¨å®šã‚’ãƒã‚§ãƒƒã‚¯ã™ã‚‹ã€ãã—ã¦ä¾µå…¥ã®ç—•è·¡ãŒãªã„ã‹èª¿æŸ»ã™ã‚‹ã€ãªã©ã‚’扱ã„ã¾ã™ã€‚
+ </div><div class="para">
+ Fedora 15 ã§ã¯ã€ <span class="package">openscap</span> 〠SCAP 系列ã®æ¨™æº–を実ç¾ã™ã‚‹ã‚ªãƒ¼ãƒ—ンソースライブラリã®ã‚»ãƒƒãƒˆã€ãŒãƒãƒ¼ã‚¸ãƒ§ãƒ³ 0.6.3 ã‹ã‚‰ 0.6.8 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚ã“ã®é–‹ç™ºã‚¹ãƒ†ãƒ¼ã‚¸ã®é–“ã«ã¯ã€perl æ£è¦è¡¨ç¾ãŒãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§å®Œå…¨ã«ã‚µãƒãƒ¼ãƒˆã•ã‚Œã€ OVAL float タイプãŒã‚µãƒãƒ¼ãƒˆã•ã‚Œã€ XSL 変æ›ãŒæ”¹å–„ã•ã‚Œã€ Dublin Core ãŒã‚µãƒãƒ¼ãƒˆã•ã‚Œã€ OVAL スã‚ーマãƒãƒ¼ã‚¸ãƒ§ãƒ³ 5.6 ãŒè¿½åŠ ã•ã‚Œã€ XCCDF レãƒãƒ¼ãƒˆãŒæ”¹å–„ã•ã‚Œã¾ã—ãŸã€‚
+ </div><div class="para">
+ Fedora 15 ã§ã¯ã€ <span class="package">secstate</span>, ã‚»ã‚ュリティステート構æˆãƒ„ールã€ãŒã€ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 0.4.1 ã‚’ã‚‚ã¨ã«å†ãƒ“ルドã•ã‚Œã¾ã—ãŸã€‚
+ </div><div class="para">
+ ç°¡å˜ã§ä¸€èˆ¬çš„ãªã‚·ã‚¹ãƒ†ãƒ リカãƒãƒªãƒ¼ä½œæ¥ã‚’自動化ã™ã‚‹ã€<span class="package">firstaidkit</span>, システムレスã‚ューã‚ットã¯ã€ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 0.2.17 ã‹ã‚‰ 0.2.18 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚
+ </div><div class="para">
+ 詳ã—ãã¯ã€ã“ã®ãƒšãƒ¼ã‚¸<a href="http://www.open-scap.org/page/Main_Page"> http://www.open-scap.org/page/Main_Page </a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="3.3.4. authoconfig ecryptfs"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id976533">3.3.4. authoconfig ecryptfs</h4></div></div></div><a id="id976540" class="indexterm"></a><a id="id976548" class="indexterm"></a><div class="para">
+ Fedora 15 ã§ã¯ã€ Linux ã«ãŠã‘るスタックã•ã‚ŒãŸæš—å·åŒ–ファイルシステムã§ã‚ã‚‹ eCryptfs ã®ã‚µãƒãƒ¼ãƒˆãŒæ”¹å–„ã•ã‚Œã¾ã—ãŸã€‚<span class="package">ecryptfs</span> ユーザãŒãƒã‚°ã‚¤ãƒ³ã™ã‚‹ã¨ã€ <span class="application"><strong>authconfig</strong></span> ã¯è‡ªå‹•çš„ã«ã€ãã®äººã®ãƒ›ãƒ¼ãƒ ディレクトリã®ã€ãƒ—ライベートãªæš—å·åŒ–ã•ã‚ŒãŸéƒ¨åˆ†ã‚’マウントã™ã‚‹ã‚ˆã†ã«ãªã‚Šã¾ã—ãŸã€‚
+ </div><div class="para">
+ 詳細ã¯ã€ wiki ページ <a href="https://fedoraproject.org/wiki/Features/EcryptfsAuthConfig"> https://fedoraproject.org/wiki/Features/EcryptfsAuthConfig </a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="3.3.5. setroubleshoot"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id743794">3.3.5. setroubleshoot</h4></div></div></div><a id="id743801" class="indexterm"></a><div class="para">
+ The user interface of <span class="package">setroubleshoot</span> has been redesigned to make it easier to diagnose SELinux problems. In the current setroubleshooter the "best" match is returned for a solution to the customer. In the new redesign, all matches will be returned. For example if samba tried to read content that it is not allowed, we would like to tell the admin that he could label the content <code class="command">samba_share_t</code> or he could set up SELinux to allow samba to share all content Read Only, or Read Write, or samba should not be trying to read this content, it could be a bug or an attack.
+ </div><div class="para">
+ インタフェースã¯ã€ã‚ˆã‚Šèª¬æ˜Žã—ã‚„ã™ã„ã€ä»¥ä¸‹ã®ã‚ˆã†ãªå®šç¾©ãŒå°Žå…¥ã•ã‚Œã¦ã€ç°¡å˜ã«ãªã‚Šã¾ã—ãŸã€‚
+ </div><pre class="screen">
+ã‚‚ã—〠samba ãŒã€ã‚·ã‚¹ãƒ†ãƒ 全体をリードオンリーã§å…±ç”¨ã™ã‚‹ã‚ˆã†ã«ã—ãŸã„ãªã‚‰ã°ã€
+samba_export_all_ro ブール値をè¨å®šã—ã¦ã€SELinux ã«ãれをä¼ãˆã¾ã™ã€‚
+
+以下ã®ã‚³ãƒžãƒ³ãƒ‰ã‚’ã€ãƒ«ãƒ¼ãƒˆã§å®Ÿè¡Œã—ã¾ã™ã€‚
+
+ setsebool -P samba_export_all_ro=1
+</pre></div><div class="section" title="3.3.6. setuid を除去"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id743837">3.3.6. setuid を除去</h4></div></div></div><a id="id743844" class="indexterm"></a><div class="para">
+ Fedora 15 ã¯ã€ <code class="command">setuid</code> アプリケーションを除去ã—ã¦ã€ãã®ä»£ã‚ã‚Šã«ã€ã‚¢ãƒ—リケーションã«å¿…è¦ãªãã‚Œãžã‚Œã®æ¨©é™ã‚’与ãˆã‚‹ã‚ˆã†ã«ã—ã¾ã—ãŸã€‚setuid アプリケーションをå«ã‚€ã»ã¨ã‚“ã©ã®ã‚¢ãƒ—リケーション㮠spec ファイルを変更ã—ã¦ã€setuid フラグを除ãã€ãƒ•ã‚¡ã‚¤ãƒ«æ¨©é™ã«å¤‰æ›´ã—ã¾ã—ãŸã€‚
+ </div><div class="para">
+ ã™ã¹ã¦ã®è©³ç´°ã¯ã€ <a href="https://fedoraproject.org/wiki/Features/RemoveSETUID">https://fedoraproject.org/wiki/Features/RemoveSETUID</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div></div><div xml:lang="ja-JP" class="section" title="3.4. 仮想化" id="sect-RelNotes-Virtualization" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Virtualization">3.4. 仮想化</h3></div></div></div><div class="section" title="3.4.1. Boxgrinder"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id752892">3.4.1. Boxgrinder</h4></div></div></div><a id="id667654" class="indexterm"></a><a id="id673534" class="indexterm"></a><a id="id682641" class="indexterm"></a><a id="id712519" class="indexterm"></a><div class="para">
+ BoxGrinder Build ã¯ã€ç°¡å˜ãªãƒ—レーンテã‚ストã®ã€ã‚¢ãƒ—ライアンス定義ファイルã‹ã‚‰ã‚¢ãƒ—ライアンス（仮想イメージ）を作るã€ä½¿ã„ã‚„ã™ã„コマンドラインツールã§ã™ã€‚BoxGrinder ã¯ã€ VMware ã‚„ EC2 ã®ã‚ˆã†ãªæŠ€è¡“をサãƒãƒ¼ãƒˆã™ã‚‹ãƒ—ラグインを使ã£ã¦ã€æ§˜ã€…ãªç¨®é¡žã®ä»®æƒ³åŒ–ã‚ã‚‹ã„ã¯ã‚¯ãƒ©ã‚¦ãƒ‰ãƒ—ラットフォームã®ãŸã‚ã®ã‚¢ãƒ—ライアンスを作æˆã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="para">
+ See the Quick Start page (<a href="http://boxgrinder.org/tutorials/boxgrinder-build-quick-start/">http://boxgrinder.org/tutorials/boxgrinder-build-quick-start/</a>) for an overview of how to use BoxGrinder.
+ </div></div><div class="section" title="3.4.2. virt-manager ã§ã® Spice サãƒãƒ¼ãƒˆ"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id748038">3.4.2. virt-manager ã§ã® Spice サãƒãƒ¼ãƒˆ</h4></div></div></div><a id="id686516" class="indexterm"></a><a id="id762363" class="indexterm"></a><div class="para">
+ With Fedora 15, <span class="package">virt-manager</span> has been updated to support <span class="package">Spice</span>, the complete open source solution for interaction with virtualized desktop. It's now possible to create a virtual machine with Spice support without touching the command line, and benefiting all the Spice enhancements without hassles directly from virt-manager. Thanks to the spice-gtk library, you can also develop a client in Python or C, or with gobject-introspection bindings.
+ </div></div><div class="section" title="3.4.3. libvirt ã®å¤šãã®æ”¹è‰¯"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id757142">3.4.3. libvirt ã®å¤šãã®æ”¹è‰¯</h4></div></div></div><a id="id752862" class="indexterm"></a><a id="id976378" class="indexterm"></a><a id="id747913" class="indexterm"></a><a id="id756566" class="indexterm"></a><a id="id764620" class="indexterm"></a><a id="id966650" class="indexterm"></a><div class="para">
+ Fedora 15 ã§ã¯ã€ <span class="package">libvirt</span> ã¯ã€ã„ã‚ã„ã‚ãªä»®æƒ³ãƒžã‚·ãƒ³ã¨æŽ¥ç¶šã™ã‚‹ãŸã‚ã®å¤šãã®æ–°ã—ã„ API をサãƒãƒ¼ãƒˆã™ã‚‹ã‚ˆã†ã«ãªã‚Šã¾ã—ãŸã€‚SPICE を使ã£ãŸã‚°ãƒ©ãƒ•ã‚£ã‚¯ã‚¹ã€ KVM ゲストã§ã‚¹ãƒžãƒ¼ãƒˆã‚«ãƒ¼ãƒ‰ã‚’使ã†ã“ã¨ã€ã‚²ã‚¹ãƒˆã‹ã‚‰è¦‹ãˆã‚‹ SMBIOS フィールドを管ç†ã™ã‚‹ã“ã¨ã€ãƒ¡ãƒ¢ãƒªãƒ¼ã¨ blkio cgroup パラメータを管ç†ã—ã¦ã€ã‚²ã‚¹ãƒˆã®è³‡æºã®åˆ©ç”¨ã‚’制é™ã™ã‚‹ã“ã¨ã€ã‚²ã‚¹ãƒˆã§ IPv6 ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ã‚’使ã†ã“ã¨ã€ç›£æŸ»æ©Ÿèƒ½ã®æ”¹è‰¯ã€ãã—ã¦ã€ä»»æ„ã®ãƒ¢ãƒ‹ã‚¿ãƒ¼ã‚³ãƒžãƒ³ãƒ‰ã‚’使ã£ã¦ã€ <span class="package">qemu-kvm</span> ゲストã®ãƒ‡ãƒãƒƒã‚°ã‚’改善ã™ã‚‹ã“ã¨ã€ãªã©ã®ã‚µãƒãƒ¼ãƒˆãŒåŠ ã‚ã‚Šã¾ã—ãŸã€‚
+ </div></div></div><div xml:lang="ja-JP" class="section" title="3.5. ウェブサーãƒã¨ã‚¦ã‚§ãƒ–アプリケーション" id="sect-RelNotes-Web_Servers" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Web_Servers">3.5. ウェブサーãƒã¨ã‚¦ã‚§ãƒ–アプリケーション</h3></div></div></div><div class="section" title="3.5.1. Apache"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id964914">3.5.1. Apache</h4></div></div></div><a id="id965790" class="indexterm"></a><a id="id695158" class="indexterm"></a><div class="para">
+ <span class="package">httpd</span> ã¯ã€ 2.2.16 ã‹ã‚‰ 2.2.17 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚ã“ã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã¯ã€ <span class="emphasis"><em>mod</em></span> ã®ä¿®æ£ã¨ã€ <span class="emphasis"><em>core</em></span> ã®ä¿®æ£åŠã³å¤‰æ›´ã‚’å«ã¿ã¾ã™ã€‚
+ </div><div class="para">
+ コアã®ä¿®æ£åŠã³å¤‰æ›´
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 開始時ã®ãƒ‰ã‚ュメントルートã®ãƒã‚§ãƒƒã‚¯ã‚’抑æ¢ã™ã‚‹ -T コマンドラインオプションã®ï¼ˆå†ï¼‰å°Žå…¥ã€‚
+ </div></li><li class="listitem"><div class="para">
+ FollowSymlinks 㨠SymlinksIfOwnerMatch ãŒä¸¡æ–¹è¨å®šã•ã‚Œã¦ã„ãŸå ´åˆã€ã‚·ãƒ³ãƒœãƒªãƒƒã‚¯ãƒªãƒ³ã‚¯ã®æ‰€æœ‰è€…ã‚’ãƒã‚§ãƒƒã‚¯ã™ã‚‹ã€‚
+ </div></li><li class="listitem"><div class="para">
+ SymlinksIfOwnerMatch ã§ã€ã‚ªãƒªã‚¸ãƒ³ã®ãƒã‚§ãƒƒã‚¯æ–¹ã‚’ä¿®æ£ã€‚
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="3.5.2. Drupal ã¯ã€ Drupal6 ã¨ã€åå‰ãŒå¤‰ã‚ã‚Šã¾ã—ãŸã€‚"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id895176">3.5.2. Drupal ã¯ã€ Drupal6 ã¨ã€åå‰ãŒå¤‰ã‚ã‚Šã¾ã—ãŸã€‚</h4></div></div></div><a id="id711738" class="indexterm"></a><div class="para">
+ Fedora 15 ã‹ã‚‰ã€ <span class="package">drupal</span> パッケージã¨ã™ã¹ã¦ã®ãƒ¢ã‚¸ãƒ¥ãƒ¼ãƒ«ãƒ‘ッケージã¯ã€ <code class="filename">drupal*</code> ã‹ã‚‰ <code class="filename">drupal6*</code> ã«åå‰ãŒå¤‰ã‚ã‚Šã¾ã—ãŸã€‚ã•ã‚‰ã«ã€ã™ã¹ã¦ã®ãƒ•ã‚¡ã‚¤ãƒ«ã‚·ã‚¹ãƒ†ãƒ 上ã®ä½ç½®ã‚‚ã“ã®å¤‰æ›´ã®å½±éŸ¿ã‚’å—ã‘ã¾ã™ã€‚å¤ã„コンテントを新ã—ã„ä½ç½®ã«å˜ç´”ã«ã‚³ãƒ”ーã™ã‚‹ã®ã¯ã€ãƒãƒ¼ã‚¸ãƒ§ãƒ³ãŒåŒã˜ã¯ãšã§ã™ã‹ã‚‰ã€å‹•ãã¯ãšã§ã™ã€‚
+ </div><div class="para">
+ ã“ã®å¤‰æ›´ã¯ã€drupal7 ãŒãƒªãƒªãƒ¼ã‚¹ã•ã‚ŒãŸæ™‚ã«ã€ Fedora/EPEL ã®è¤‡æ•°ãƒªãƒªãƒ¼ã‚¹ã«æ¸¡ã£ã¦ä¸¦è¡Œã—㟠drupal ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã®ãƒ¡ãƒ³ãƒ†ãƒŠãƒ³ã‚¹ã‚’ç°¡å˜ã«ã™ã‚‹ãŸã‚ã«è¡Œã‚ã‚Œã¾ã—ãŸã€‚
+ </div></div></div><div xml:lang="ja-JP" class="section" title="3.6. データベースサーãƒãƒ¼" id="sect-RelNotes-Database_Servers" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Database_Servers">3.6. データベースサーãƒãƒ¼</h3></div></div></div><div class="section" title="3.6.1. mysql"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id687486">3.6.1. mysql</h4></div></div></div><a id="id1855337" class="indexterm"></a><a id="id967654" class="indexterm"></a><a id="id761255" class="indexterm"></a><div class="para">
+ <span class="package">mysql</span> has been updated to version 5.5.10. Included are improved scalability and performance. From the release announcement: <span class="emphasis"><em>"Higher availability: New semi-synchronous replication and Replication Heart Beat improve failover speed and reliability."</em></span>
+ </div><div class="para">
+ ã“ã®æ›´æ–°ã¯ã€<code class="filename">libmysqlclient</code> 共用ライブラリã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ç•ªå·ã‚’上ã’ã‚‹ãŸã‚ã€ãã®ãƒ©ã‚¤ãƒ–ラリを使ã£ã¦ã„るアプリケーションã¯å†ã‚³ãƒ³ãƒ‘イルãŒå¿…è¦ã§ã™ã€‚
+ </div><div class="para">
+ <a href="http://www.mysql.com">http://www.mysql.com</a>
+ </div></div><div class="section" title="3.6.2. postgresql"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id656715">3.6.2. postgresql</h4></div></div></div><a id="id733072" class="indexterm"></a><a id="id699096" class="indexterm"></a><a id="id731487" class="indexterm"></a><div class="para">
+ <span class="package">postgresql</span> ã¯ã€ 8.4.7 ã‹ã‚‰ 9.0.3 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚多ãã®ã‚»ã‚ュリティã¨ãã®ä»–ã®ãƒã‚°ä¿®æ£ã®ä»–ã«ã€ã“ã®ãƒªãƒªãƒ¼ã‚¹ã§ã¯ã„ãã¤ã‹ã®æ–°ã—ã„機能ãŒã‚ã‚Šã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ãƒã‚°ã‚·ãƒƒãƒ”ングã«åŸºã¥ã組ã¿è¾¼ã¿ã®ãƒ¬ãƒ—リケーションã¯ã€è¤‡æ•°ã®ãƒªãƒ¼ãƒ‰ã‚ªãƒ³ãƒªãƒ¼ã®ã‚¹ãƒ¬ãƒ¼ãƒ–サーãƒãƒ¼ã‚’サãƒãƒ¼ãƒˆã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ より簡å˜ãªã€ãƒ‡ãƒ¼ã‚¿ãƒ™ãƒ¼ã‚¹ã‚ªãƒ–ジェクトã®æ¨©é™ç®¡ç†
+ </div></li><li class="listitem"><div class="para">
+ ストアードプãƒã‚·ãƒ¼ã‚¸ãƒ£ã®å¤§å¹…ãªæ©Ÿèƒ½å¼·åŒ–
+ </div></li><li class="listitem"><div class="para">
+ より高度ãªãƒªãƒãƒ¼ãƒˆå•ã„åˆã‚ã›
+ </div></li><li class="listitem"><div class="para">
+ æ–°ã—ã„トリガー機能
+ </div></li><li class="listitem"><div class="para">
+ é…延å¯èƒ½ãªãƒ¦ãƒ‹ãƒ¼ã‚¯åˆ¶ç´„
+ </div></li><li class="listitem"><div class="para">
+ ユニークã‚ーã®å¤§é‡ã®æ›´æ–°ã¯ã€ãƒˆãƒªãƒƒã‚¯ã‚’使ã‚ãªãã¦ã‚‚ã§ãるよã†ã«ãªã‚Šã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ 排他制約
+ </div></li><li class="listitem"><div class="para">
+ æ–°ã—ãã€æ©Ÿèƒ½å¼·åŒ–ã•ã‚ŒãŸã‚»ã‚ュリティ機能
+ </div></li><li class="listitem"><div class="para">
+ æ–°ã—ã„ã€é«˜æ€§èƒ½ãª <code class="command">LISTEN/NOTIFY</code> 機能ã®å®Ÿè£…
+ </div></li><li class="listitem"><div class="para">
+ <code class="command">VACUUM FULL</code> ã®æ–°ã—ã„実装
+ </div></li><li class="listitem"><div class="para">
+ ä¸å¿…è¦ãªã‚¸ãƒ§ã‚¤ãƒ³ã‚’除ããªã©ã€ç‰¹å®šã®ã‚¿ã‚¤ãƒ—ã®å•ã„åˆã‚ã›ã«å¯¾ã™ã‚‹å¤šãã®æ€§èƒ½å‘上
+ </div></li><li class="listitem"><div class="para">
+ <code class="command">EXPLAIN</code> ã®æ©Ÿèƒ½å¼·åŒ–
+ </div></li><li class="listitem"><div class="para">
+ hstore ã®æ”¹å–„
+ </div></li></ul></div>
+
+ </div><div class="para">
+ In addition, there is a new contrib module <code class="filename">pg_upgrade</code> to support in-place upgrades from 8.4 to 9.0. This means that you can upgrade from a Fedora 12 or later database without a database dump and restore. To do that, install the <span class="package">postgresql-upgrade</span> package and run <code class="command">service postgresql upgrade</code> as root. It's advisable to have a separate backup in case of trouble, but the actual database conversion requires only a few minutes with this approach.
+ </div></div></div><div xml:lang="ja-JP" class="section" title="3.7. システムデーモン" id="sect-RelNotes-System_Daemons" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-System_Daemons">3.7. システムデーモン</h3></div></div></div><div class="section" title="3.7.1. 管ç†è€…ユーザ"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id731575">3.7.1. 管ç†è€…ユーザ</h4></div></div></div><a id="id734769" class="indexterm"></a><a id="id709491" class="indexterm"></a><a id="id753236" class="indexterm"></a><div class="para">
+ Fedora 15 ã¯ã€ç®¡ç†è€…グループã¨ã„ã†æ¦‚念を導入ã—ã¾ã—ãŸã€‚ã“ã®ã‚°ãƒ«ãƒ¼ãƒ—ã«å±žã™ã‚‹ãƒ¦ãƒ¼ã‚¶ã¯ã€ä»¥ä¸‹ãŒå¯èƒ½ã§ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 自分ã®ãƒ‘スワードを使ã£ã¦ã€ sudo ã™ã‚‹ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 自分ã®ãƒ‘スワードを使ã£ã¦ã€PolicyKit ã«ã‚ˆã‚Šã„ã‚ã„ã‚ãªç®¡ç†ä½œæ¥ã«èªè¨¼ã™ã‚‹ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 自分ã®ãƒ‘スワードを使ã£ã¦ã€consolehelper/userhelper ã«ã‚ˆã‚Šã„ã‚ã„ã‚ãªç®¡ç†ãƒ„ールã«å¯¾ã—ã¦èªè¨¼ã™ã‚‹ã€‚
+ </div></li></ul></div>
+ 詳細ã¯ã€ <a href="http://lists.fedoraproject.org/pipermail/devel/2011-March/149613.html">ã“ã“</a> ã§ã™ã€‚
+ </div><div class="para">
+ This is implemented via the 'wheel' group. Users can be added to the administrative group in the GNOME User Accounts panel, in the Users and Groups configuration utility (<span class="package">system-config-users</span>) or in firstboot. For adding a new user as an administrator in GNOME, click on the user menu on the top right, click on "<span class="guimenu"><strong>My Account</strong></span>", unlock by providing the root user password and click on the "<span class="keycap"><strong>+</strong></span>" button to add a new user. Select "<span class="guilabel"><strong>Account Type</strong></span>" as "<span class="guilabel"><strong>Administrator</strong></span>" instead of "<span class="guilabel"><strong>Standard</strong></span>".
+ </div><div class="para">
+ If you are using KDE, run "<span class="guimenuitem"><strong>Administration / Users and Groups</strong></span>" from the menu, enter the root password to unlock <span class="package">system-config-users</span>, go to the "<span class="guilabel"><strong>Groups</strong></span>" tab, select "<span class="guilabel"><strong>wheel</strong></span>", click "<span class="guilabel"><strong>Properties</strong></span>" in the toolbar, go to the "<span class="guilabel"><strong>Group Users</strong></span>" tab of the dialog, check your user name in the resulting list and click <span class="guilabel"><strong>OK</strong></span>.
+ </div></div><div class="section" title="3.7.2. Bacula"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id753345">3.7.2. Bacula</h4></div></div></div><a id="id697233" class="indexterm"></a><div class="para">
+ Bacula director and storage daemons are now running as bacula user by default. Director's log file has moved to <code class="filename">/var/log/bacula</code> directory.
+ </div><div class="para">
+ デフォルトユーザã¯ã€ <code class="filename">/etc/sysconfig/bacula-*</code> ファイルã§å¤‰æ›´ã§ãã¾ã™ã€‚
+ </div><div class="para">
+ アップグレードã®æ™‚ã¯ã€ <span class="package">bacula</span> ãŒè¨å®šãƒ•ã‚¡ã‚¤ãƒ«ã€ãƒã‚°ãƒ•ã‚¡ã‚¤ãƒ«ã€ãã—ã¦ãƒ‡ãƒ¼ã‚¿ãƒ™ãƒ¼ã‚¹ã«ã‚¢ã‚¯ã‚»ã‚¹ã™ã‚‹æ¨©é™ãŒã‚ã‚‹ã“ã¨ã‚’確èªãã ã•ã„。
+ </div></div></div><div xml:lang="ja-JP" class="section" title="3.8. ファイルシステム" id="sect-RelNotes-File_Systems" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-File_Systems">3.8. ファイルシステム</h3></div></div></div><div class="section" title="3.8.1. squashfs"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id712524">3.8.1. squashfs</h4></div></div></div><a id="id729838" class="indexterm"></a><a id="id698081" class="indexterm"></a><a id="id765109" class="indexterm"></a><a id="id675183" class="indexterm"></a><div class="para">
+ カーãƒãƒ«ã¨ã€ <span class="package">squashfs-tools</span> ã¯ã€ xz 圧縮をサãƒãƒ¼ãƒˆã™ã‚‹ã‚ˆã†ã«ãªã‚Šã¾ã—ãŸã€‚デフォルトã¯ã€ gzip ã®ã¾ã¾ã§ã™ã€‚mksquashfs ã§ã€ <code class="command">-comp xz</code> オプションを指定ã™ã‚‹ã“ã¨ã§ã€ xz 圧縮を使ã†ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></div></div><div xml:lang="ja-JP" class="section" title="3.9. Xorg" id="sect-RelNotes-Xorg" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-RelNotes-Xorg">3.9. Xorg</h3></div></div></div><div class="section" title="3.9.1. Xorg server"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id653087">3.9.1. Xorg server</h4></div></div></div><a id="id678517" class="indexterm"></a><a id="id752501" class="indexterm"></a><a id="id774597" class="indexterm"></a><a id="id673944" class="indexterm"></a><div class="para">
+ Xorg サーãƒãƒ¼ã¯ã€ 1.10.x 系列ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚機能ã®ãƒã‚¤ãƒ©ã‚¤ãƒˆã¨ã€ä¸»ãªãƒã‚°ä¿®æ£ã«ã¯æ¬¡ã®ã‚ˆã†ãªã‚‚ã®ãŒã‚ã‚Šã¾ã™ã€‚
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ For RANDR-based drivers with an asymmetric multi-head setup (two non-overlapping monitors with different sizes), previously there was a "dead space" in which the mouse cursor would appear to go off the screen. For example, 1280x800 + 1600x1200 horizontally adjacent with top edges aligned would have a 1280x400 dead area below the left monitor. This is now fixed, and the cursor will stop at all exterior output edges.
+ </div></li><li class="listitem"><div class="para">
+ The XFixes extension has been updated to version 5, which adds a new "pointer barrier" feature. Similar to the above, this allows applications to put invisible walls on the display that the cursor cannot cross, or that it can only cross in one direction. A typical use is gnome-shell's "Activities" mouseover in multi-head setups; when it's not in the actual top-left of the screen (say, because the rightmost head is primary), the barrier makes it possible to stop the cursor on the Activities mouseover and not slide through to the next output.
+ </div></li><li class="listitem"><div class="para">
+ XI2 ã¯ã€å…¥åŠ›ãƒ‡ãƒã‚¤ã‚¹ã§ã€è»¸ã”ã¨ã®ãƒãƒªãƒ¥ã‚¨ãƒ¼ã‚¿ãƒ¼ãƒ¢ãƒ¼ãƒ‰ã‚’サãƒãƒ¼ãƒˆã™ã‚‹ã‚ˆã†ã«ãªã‚Šã¾ã—ãŸã€‚例ãˆã°ã€X 軸ã«ã¯ç›¸å¯¾ã‚¤ãƒ™ãƒ³ãƒˆã€Y 軸ã«ã¯ã€çµ¶å¯¾ã‚¤ãƒ™ãƒ³ãƒˆã‚’使ã†ãªã©ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ XFixes 㨠Composite ã¯ã€ XineramaマルムGPU 構æˆã§å‹•ä½œã™ã‚‹ã‚ˆã†ã«ãªã‚Šã¾ã—ãŸã€‚
+ </div></li></ul></div></div><div class="section" title="3.9.2. Intel"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id749820">3.9.2. Intel</h4></div></div></div><a id="id766371" class="indexterm"></a><a id="id664726" class="indexterm"></a><div class="para">
+ インテルグラフィックスドライãƒã¯ã€ 2.12.0 ã‹ã‚‰ 2.14.0 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚ãƒã‚¤ãƒ©ã‚¤ãƒˆã¯ï¼š
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Sandy_Bridge"> Sandybridge</a> GPU ã®ã‚µãƒãƒ¼ãƒˆ
+ </div></li><li class="listitem"><div class="para">
+ インターリーストビデオモードã®ã‚µãƒãƒ¼ãƒˆ
+ </div></li></ul></div></div><div class="section" title="3.9.3. Radeon"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id664507">3.9.3. Radeon</h4></div></div></div><a id="id664514" class="indexterm"></a><a id="id664522" class="indexterm"></a><div class="para">
+ Radeon グラフィックスドライãƒã¯ã€ 6.13.0 ã‹ã‚‰ 6.14.0 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚ãƒã‚¤ãƒ©ã‚¤ãƒˆã¯ï¼š
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ OpenGL ã§ã® media sync counter ã®ã‚µãƒãƒ¼ãƒˆ
+ </div></li><li class="listitem"><div class="para">
+ KMS ã§ã®ãƒšãƒ¼ã‚¸ãƒ•ãƒªãƒƒãƒ”ングã®ã‚µãƒãƒ¼ãƒˆ
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Evergreen_(GPU_family)"> Evergreen</a> GPU ã§ã® アクセラレーテッド 2D〠ビデオ〠3D ã®ã‚µãƒãƒ¼ãƒˆ
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Radeon_R900"> Northern Islands</a> GPU ã«ã‚ˆã£ã¦ã‚¢ã‚¯ã‚»ãƒ©ãƒ¬ãƒ¼ã‚·ãƒ§ãƒ³ã•ã‚ŒãŸ 2D〠ビデオã®ã‚µãƒãƒ¼ãƒˆ
+ </div></li></ul></div></div><div class="section" title="3.9.4. Nouveau"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id672669">3.9.4. Nouveau</h4></div></div></div><a id="id672675" class="indexterm"></a><a id="id672687" class="indexterm"></a><div class="para">
+ Nouveau ドライãƒã¯ã€æœ€æ–°ã®ã‚¹ãƒŠãƒƒãƒ—ショットã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚ãƒã‚¤ãƒ©ã‚¤ãƒˆã¯ï¼š
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/GeForce_400_Series"> Fermi</a> ã§ã®ã‚¢ã‚¯ã‚»ãƒ©ãƒ¬ãƒ¼ãƒ†ãƒƒãƒ‰ 2D〠ビデオ〠3D ã®ã‚µãƒãƒ¼ãƒˆ
+ </div></li><li class="listitem"><div class="para">
+ OpenGL ã§ã® media sync counter ã®ã‚µãƒãƒ¼ãƒˆ
+ </div></li></ul></div></div><div class="section" title="3.9.5. Mesa"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id765126">3.9.5. Mesa</h4></div></div></div><a id="id765132" class="indexterm"></a><a id="id765140" class="indexterm"></a><div class="para">
+ Mesa ã¯ãƒãƒ¼ã‚¸ãƒ§ãƒ³ 7.9 ã‹ã‚‰ã€é–‹ç™ºã‚¹ãƒŠãƒƒãƒ—ショット㮠7.11 ã«æ›´æ–°ã•ã‚Œã¾ã—ãŸã€‚ドライãƒã”ã¨ã® ３D サãƒãƒ¼ãƒˆã®è¿½åŠ ã«åŠ ãˆã¦ã€ä»¥ä¸‹ã®ãƒã‚¤ãƒ©ã‚¤ãƒˆãŒã‚ã‚Šã¾ã™ï¼š
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ æ–°ã—ã„ <span class="package">mesa-libEGL</span> 㨠<span class="package">mesa-libGLES</span> パッケージã«ã‚ˆã‚Šã€OpenGL embedded subset ã®ã‚µãƒãƒ¼ãƒˆè¿½åŠ
+ </div></li><li class="listitem"><div class="para">
+ ソフトウエア GL レンダラーã¯ã€ gallium llvm ãƒãƒƒã‚¯ã‚¨ãƒ³ãƒ‰ã«å¤‰æ›´ã•ã‚Œã€æ©Ÿèƒ½ã‚»ãƒƒãƒˆã¨æ€§èƒ½ãŒå¤§ã„ã«æ”¹å–„ã•ã‚Œã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ R600 ã¨ä¸Šä½æ©Ÿç¨®ã§ã® Radeon 3D サãƒãƒ¼ãƒˆã¯ gallium ベースã¨ãªã‚Šã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ Nouveau 3D ドライãƒã¯ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã•ã‚Œã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ DRI1 ベースã®ãƒ‰ãƒ©ã‚¤ãƒ (intel/nouveau/radeon/ ソフトウエア以外ã®ã™ã¹ã¦) ã¯ã€ <span class="package">mesa-dri-drivers-dri1</span> サブパッケージã«åˆ†å‰²ã•ã‚Œã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§ã¯ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã•ã‚Œã¾ã›ã‚“。
+ </div></li></ul></div></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Release_Notes-Changes_for_Desktop_Users.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>2. Fedora ã®å¤‰æ›´ç‚¹ - デスクトップユーザーå‘ã‘</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Release_Notes-Changes_for_Developers.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>4. Fedora ã®å¤‰æ›´ç‚¹ - 開発者å‘ã‘</a></li></ul></body></html>
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+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1. Fedora 15 ã¸ã‚ˆã†ã“ã</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora-Release_Notes-15-ja-JP-1-0" /><link rel="home" href="index.html" title="リリースノート" /><link rel="up" href="index.html" title="リリースノート" /><link rel="prev" href="index.html" title="リリースノート" /><link rel="next" href="sect-Release_Notes-Changes_for_Desktop_Users.html" title="2. Fedora ã®å¤‰æ›´ç‚¹ - デスクトップユーザーå‘ã‘" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe displa
y.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="index.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Release_Notes-Changes_for_Desktop_Users.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="1. Fedora 15 ã¸ã‚ˆã†ã“ã" id="sect-Release_Notes-Welcome_to_Fedora_15"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Release_Notes-Welcome_to_Fedora_15">1. Fedora 15 ã¸ã‚ˆã†ã“ã</h2></div></div></div><div xml:lang="ja-JP" class="section" title="1.1. Fedora ã¸ã€ã‚ˆã†ã“ã" id="sect-Release_Notes-Welcome_to_Fedora" lang="ja-JP"><div class="titlepage">
<div><div keep-together.within-column="always"><h3 class="title" id="sect-Release_Notes-Welcome_to_Fedora">1.1. Fedora ã¸ã€ã‚ˆã†ã“ã</h3></div></div></div><a id="id652728" class="indexterm"></a><a id="id775293" class="indexterm"></a><a id="id718306" class="indexterm"></a><a id="id751048" class="indexterm"></a><a id="id733501" class="indexterm"></a><div class="para">
+ ãƒã‚°ãƒ¬ãƒãƒ¼ãƒˆã‚„機能強化ã®ãƒªã‚¯ã‚¨ã‚¹ãƒˆãªã©ã‚’æ出ã—ã¦ã„ãŸã ãã“ã¨ã«ã‚ˆã‚Šã€ Fedora Project コミュニティã®ç¶™ç¶šçš„㪠Fedora 改善活動を支æ´ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ ãƒã‚°ã‚„機能ã«ã¤ã„ã¦ã®è©³ç´°ã¯ Fedora wiki 上㮠<a href="http://fedoraproject.org/wiki/BugsAndFeatureRequests">Bugs And Feature Requests</a> ã‚’å‚ç…§ã—ã¦ãã ã•ã„。 ã”å‚åŠ ã‚ã‚ŠãŒã¨ã†ã”ã–ã„ã¾ã™ã€‚
+ </div><div class="para">
+ Fedora ã«é–¢ã™ã‚‹å…¨èˆ¬æƒ…å ±ã‚’ã‚‚ã£ã¨çŸ¥ã‚ŠãŸã„å ´åˆã¯ã€ä»¥ä¸‹ã® Web ページをå‚ç…§ã—ã¦ãã ã•ã„。Fedora wiki (<a href="http://fedoraproject.org/wiki/">http://fedoraproject.org/wiki/</a>)
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://fedoraproject.org/wiki/Overview">Fedora 概è¦</a>
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://fedoraproject.org/wiki/FAQ">Fedora よãã‚る質å•</a>
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://fedoraproject.org/wiki/Communicate">ヘルプã¨ãƒ‡ã‚£ã‚¹ã‚«ãƒƒã‚·ãƒ§ãƒ³</a>
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://fedoraproject.org/wiki/Join">Fedora プãƒã‚¸ã‚§ã‚¯ãƒˆã¸ã®å‚åŠ æ–¹æ³•</a>
+ </div></li></ul></div></div><div xml:lang="ja-JP" class="section" title="1.2. 概è¦" id="sect-Release_Notes-Overview" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Release_Notes-Overview">1.2. 概è¦</h3></div></div></div><a id="id683799" class="indexterm"></a><a id="id664926" class="indexterm"></a><a id="id731301" class="indexterm"></a><a id="id717913" class="indexterm"></a><a id="id756281" class="indexterm"></a><a id="id726076" class="indexterm"></a><a id="id695809" class="indexterm"></a><div class="para">
+ ã„ã¤ã‚‚ã®ã‚ˆã†ã«ã€ Fedora ã¯é–‹ç™ºã¨ã€ (<a href="http://www.fedoraproject.org/wiki/Red_Hat_contributions"> RedHat ã®è²¢çŒ® </a>) 最新ã®ãƒ•ãƒªãƒ¼åŠã³ã‚ªãƒ¼ãƒ—ンソースã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ (<a href="http://fedoraproject.org/wiki/Releases/15/FeatureList">Fedora 15 ã®ç‰¹å¾´)</a> ã®çµ±åˆã‚’続ã‘ã¦ã„ã¾ã™ã€‚以下ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã¯ã€ Fedora ã®å‰å›žã®ãƒªãƒªãƒ¼ã‚¹ã‹ã‚‰ã®ã€å¤§ããªå¤‰æ›´ç‚¹ã‚’ç°¡å˜ã«ç¤ºã—ã¾ã™ã€‚
+ </div><div class="para">
+ 以下ã¯ã€ Fedora 15 ã®ä¸»ãªç‰¹å¾´ã§ã™ï¼š
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ æ–°ã—ã„ GNOME 3 シェルをå«ã‚€ GNOME 3
+ </div></li><li class="listitem"><div class="para">
+ KDE 4.6 ã§ã¯ã€æ”¹å–„ã•ã‚ŒãŸãƒ—ラズマワークスペース ã€æ©Ÿèƒ½å¼·åŒ–ã•ã‚ŒãŸä¸»è¦ã‚¢ãƒ—リケーションã€ãƒ¡ãƒ¢ãƒªåŠ¹çŽ‡ã®æ”¹å–„。
+ </div></li><li class="listitem"><div class="para">
+ Xfce 4.8 with a new panel, Thunar enhancements and more.
+ </div></li><li class="listitem"><div class="para">
+ Virt-manager ã§ã® Spice サãƒãƒ¼ãƒˆã‚„〠Xen ホストサãƒãƒ¼ãƒˆãªã©ã®ã€ä»®æƒ³åŒ–ã®æ”¹å–„。
+ <div class="note"><h2>注記</h2><div class="para">
+ ã“ã®æ–‡æ›¸ã§ã¯ã€æ–°ã—ã„仮想化 UI ã§ã‚ã‚‹ Spice ã¨ã€æ˜”ã‹ã‚‰ã‚る回路モデリングアプリケーションã§ã‚ã‚‹ spice ã‚’ã€å‰è€…ã«å¤§æ–‡å—ã® S を使ã†ã“ã¨ã§åŒºåˆ¥ã—ã¾ã™ã€‚
+ </div></div>
+
+ </div></li><li class="listitem"><div class="para">
+ ライブイメージã®åœ§ç¸®çŽ‡ã‚’上ã’〠CD ã§ã‚ˆã‚Šå¤šãã®ã‚¢ãƒ—リケーションをæä¾›ã§ãるよã†ã«ã—ã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ システムã¨ã‚»ãƒƒã‚·ãƒ§ãƒ³ç®¡ç†ã‚’ systemd ã§è¡Œã†ã“ã¨ã§ã€ã‚ˆã‚Šä¸€è²«ã—ãŸè¨å®šãŒå¾—られã€ãƒ–ート性能ãŒæ”¹å–„ã—ã¾ã—ãŸã€‚
+ </div></li></ul></div><div class="para">
+ Fedora 15 ã«å«ã¾ã‚Œã‚‹ä»–ã®ç‰¹å¾´ã«ã¤ã„ã¦ã€ã‚ˆã‚Šè©³ã—ãã¯ã€: <a href="http://fedoraproject.org/wiki/Releases/15/FeatureList"> http://fedoraproject.org/wiki/Releases/15/FeatureList</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div xml:lang="ja-JP" class="section" title="1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ã®æ¦‚è¦" id="sect-Release_Notes-Hardware_Overview" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Release_Notes-Hardware_Overview">1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ã®æ¦‚è¦</h3></div></div></div><div class="section" title="1.3.1. x86 アーã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒ—ãƒã‚»ãƒƒã‚µã¨ãƒ¡ãƒ¢ãƒª"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id760044">1.3.1. x86 アーã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒ—ãƒã‚»ãƒƒã‚µã¨ãƒ¡ãƒ¢ãƒª</h4></div></div></div><a id="id715086" class="indexterm"></a><a id="id673460" class="indexterm"></a><a id="id744460" class="indexterm"></a><a id="id681518" class="indexterm"></a><div class="para">
+ 以下㮠CPU 仕様ã¯ã€ã‚¤ãƒ³ãƒ†ãƒ«ãƒ—ãƒã‚»ãƒƒã‚µã®ç”¨èªžã§è¿°ã¹ã‚‰ã‚Œã¦ã„ã¾ã™ã€‚ä»–ã®ãƒ—ãƒã‚»ãƒƒã‚µã€ä¾‹ãˆã° AMD, Cyrix, ãã—㦠VIA 製ã®ã‚ˆã†ã«ã€ä»¥ä¸‹ã®ã‚¤ãƒ³ãƒ†ãƒ«ãƒ—ãƒã‚»ãƒƒã‚µã¨äº’æ›ã§ç‰ä¾¡ã§ã‚ã‚‹ã‚‚ã®ã§ã‚ã‚Œã°ã€ Fedora ã§ä½¿ã†ã“ã¨ãŒã§ãã¾ã™ã€‚Fedora 15 㯠Intel Pentium Pro ã‚ã‚‹ã„ã¯ãれ以上ã®ãƒ—ãƒã‚»ãƒƒã‚µã‚’å¿…è¦ã¨ã—〠i686 ãŠã‚ˆã³ä»¥é™ã®ãƒ—ãƒã‚»ãƒƒã‚µç”¨ã«æœ€é©åŒ–ã•ã‚Œã¦ã„ã¾ã™ã€‚
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ テã‚ストモードã§ã®æŽ¨å¥¨: 200 MHz Pentium Pro 以上
+ </div></li><li class="listitem"><div class="para">
+ グラフィカルモードã§ã®æŽ¨å¥¨ï¼š 400 MHz Pentium Pro 以上
+ </div></li><li class="listitem"><div class="para">
+ Minimum RAM for text-mode: 640 MiB
+ </div></li><li class="listitem"><div class="para">
+ グラフィカルモードã§ã®æœ€å°ãƒ¡ãƒ¢ãƒªï¼š 640 MiB
+ </div></li><li class="listitem"><div class="para">
+ グラフィカルモードã§ã®æŽ¨å¥¨ãƒ¡ãƒ¢ãƒªï¼š1152 MiB
+ </div></li></ul></div><div class="note"><h2>Installer requires 640Mib</h2><div class="para">
+ Note that although the Fedora installer for Fedora 15 requires 640 MiB, Fedora 15 may require more or even less memory to run adequately, depending on the particular hardware and/or software selections. The Fedora Live Image will typically run with 512 MiB or less, depending on hardware.
+ </div></div></div><div class="section" title="1.3.2. x86_64 アーã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒ—ãƒã‚»ãƒƒã‚µã¨ãƒ¡ãƒ¢ãƒª"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id734943">1.3.2. x86_64 アーã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒ—ãƒã‚»ãƒƒã‚µã¨ãƒ¡ãƒ¢ãƒª</h4></div></div></div><a id="id753199" class="indexterm"></a><a id="id735637" class="indexterm"></a><a id="id709864" class="indexterm"></a><a id="id750551" class="indexterm"></a><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Minimum RAM for text-mode: 640 MiB
+ </div></li><li class="listitem"><div class="para">
+ グラフィカルモードã§ã®æœ€å°ãƒ¡ãƒ¢ãƒªï¼š 640 MiB
+ </div></li><li class="listitem"><div class="para">
+ グラフィカルモードã§ã®æŽ¨å¥¨ãƒ¡ãƒ¢ãƒªï¼š1152 MiB
+ </div></li></ul></div></div><div class="section" title="1.3.3. å…¨ã¦ã®ã‚¢ãƒ¼ã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒãƒ¼ãƒ‰ãƒ‡ã‚£ã‚¹ã‚¯ã®å®¹é‡"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id698890">1.3.3. å…¨ã¦ã®ã‚¢ãƒ¼ã‚テクãƒãƒ£ã§ã®å¿…è¦ãªãƒãƒ¼ãƒ‰ãƒ‡ã‚£ã‚¹ã‚¯ã®å®¹é‡</h4></div></div></div><a id="id698897" class="indexterm"></a><a id="id698905" class="indexterm"></a><div class="para">
+ 完全ãªãƒ‘ッケージ㯠9 GB 以上ã®ãƒ‡ã‚£ã‚¹ã‚¯å®¹é‡ã‚’å 有ã™ã‚‹ã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚最終的ãªã‚µã‚¤ã‚ºã¯ã€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã™ã‚‹ã‚¹ãƒ”ンやインストール時ã«é¸æŠžã•ã‚Œã‚‹ãƒ‘ッケージã«ã‚ˆã£ã¦å®Œå…¨ã«æ±ºã¾ã‚Šã¾ã™ã€‚インストールã®é–“ã€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ç’°å¢ƒã‚’サãƒãƒ¼ãƒˆã™ã‚‹ãŸã‚ã«è¿½åŠ ã®ãƒ‡ã‚£ã‚¹ã‚¯å®¹é‡ãŒå¿…è¦ã¨ã•ã‚Œã¾ã™ã€‚ã“ã®è¿½åŠ ã®ãƒ‡ã‚£ã‚¹ã‚¯å®¹é‡ã¯ã€ <code class="filename">/Fedora/base/stage2.img</code> (インストールディスク１）ã®ã‚µã‚¤ã‚ºã¨ã€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã•ã‚Œã‚‹ã‚·ã‚¹ãƒ†ãƒ ã® <code class="filename">/var/lib/rpm</code> ã«ã‚ã‚‹ãƒ•ã‚¡ã‚¤ãƒ«ã‚µã‚¤ã‚ºã‚’åŠ ãˆãŸã‚‚ã®ã«ãªã‚Šã¾ã™ã€‚
+ </div><div class="para">
+ è¦ã™ã‚‹ã«ã€è¿½åŠ ã§å¿…è¦ãªå®¹é‡ã¯ã€æœ€å°ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã§ã¯å°‘ãªãã¨ã‚‚ 90 MiBã€ã‚ˆã‚Šå¤§ãã„インストール㧠175 MiB ã§ã™ã€‚
+ </div><div class="para">
+ ユーザーデータãŒã‚ã‚Œã°ã€ãã®ãŸã‚ã«è¿½åŠ ã®å®¹é‡ãŒå¿…è¦ã§ã™ã€‚ã•ã‚‰ã«ã€ã‚·ã‚¹ãƒ†ãƒ ãŒæ£ã—ã動作ã™ã‚‹ãŸã‚ã«ã¯ã€å°‘ãªãã¨ã‚‚ 5% ã®ç©ºã容é‡ãŒä¿æŒã•ã‚Œã‚‹ã¹ãã§ã™ã€‚
+ </div></div></div><div xml:lang="ja-JP" class="section" title="1.4. フィードãƒãƒƒã‚¯" id="sect-Release_Notes-Feedback" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Release_Notes-Feedback">1.4. フィードãƒãƒƒã‚¯</h3></div></div></div><div class="para">
+ Fedora コミュニティーã«ã‚³ãƒ¡ãƒ³ãƒˆã€ æ案〠ãƒã‚°å ±å‘Šãªã©ã‚’ã—ã¦ã„é ‚ããŸã‚時間をãŠå‰²ãé ‚ãã‚ã‚ŠãŒã¨ã†ã”ã–ã„ã¾ã™ã€‚ ã“ã†ã—ãŸã‚³ãƒ¡ãƒ³ãƒˆã‚„æ案〠ãƒã‚°å ±å‘Šã¯ä¸–界的ãªè¦æ¨¡ã§ Fedora〠Linux〠ãã—ã¦ãƒ•ãƒªãƒ¼ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢ã®ä½ç½®ä»˜ã‘ã®æ”¹å–„ã«ã¤ãªãŒã‚Šã¾ã™ã€‚
+ </div><div class="section" title="1.4.1. Fedora ã«å«ã¾ã‚Œã‚‹ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢ã«ãƒ•ã‚£ãƒ¼ãƒ‰ãƒãƒƒã‚¯ã‚’è¡Œã†æ–¹æ³•"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id751823">1.4.1. Fedora ã«å«ã¾ã‚Œã‚‹ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢ã«ãƒ•ã‚£ãƒ¼ãƒ‰ãƒãƒƒã‚¯ã‚’è¡Œã†æ–¹æ³•</h4></div></div></div><div class="para">
+ Fedora ソフトウエアã‚ã‚‹ã„ã¯ãã®ä»–ã®ã‚·ã‚¹ãƒ†ãƒ è¦ç´ ã«ã¤ã„ã¦ãƒ•ã‚£ãƒ¼ãƒ‰ãƒãƒƒã‚¯ã‚’è¡Œã†ã«ã¯ã€ <a href="http://fedoraproject.org/wiki/BugsAndFeatureRequests"> ãƒã‚°ã¨æ©Ÿèƒ½ãƒªã‚¯ã‚¨ã‚¹ãƒˆ</a> ã‚’å‚ç…§ãã ã•ã„。ã“ã®ãƒªãƒªãƒ¼ã‚¹ã«ã¤ã„ã¦ã®ã€åºƒãå ±å‘Šã•ã‚Œã¦ã„ã‚‹ãƒã‚°ã¨æ—¢çŸ¥ã®å•é¡Œã®ãƒªã‚¹ãƒˆã¯ã€ <a href="http://fedoraproject.org/wiki/Common_F15_bugs"> 一般的㪠F15 ãƒã‚°</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="1.4.2. Fedora ã®ãƒªãƒªãƒ¼ã‚¹ãƒŽãƒ¼ãƒˆã«å¯¾ã—ã¦ãƒ•ã‚£ãƒ¼ãƒ‰ãƒãƒƒã‚¯ã‚’è¡Œã†æ–¹æ³•"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="id744369">1.4.2. Fedora ã®ãƒªãƒªãƒ¼ã‚¹ãƒŽãƒ¼ãƒˆã«å¯¾ã—ã¦ãƒ•ã‚£ãƒ¼ãƒ‰ãƒãƒƒã‚¯ã‚’è¡Œã†æ–¹æ³•</h4></div></div></div><div class="para">
+ ã‚‚ã—ã€ãƒªãƒªãƒ¼ã‚¹ãƒŽãƒ¼ãƒˆã«å¯¾ã—ã¦ã€ã©ã‚“ãªå½¢ã§ã‚れ改善ã§ãã‚‹ã“ã¨ãŒã‚ã‚‹ã¨æ„Ÿã˜ãŸæ™‚ã€ã‚ãªãŸã®ãƒªãƒªãƒ¼ã‚¹ãƒŽãƒ¼ãƒˆã‚’書ã„ãŸæ‹…当者ã«ç›´æŽ¥ãƒ•ã‚£ãƒ¼ãƒ‰ãƒãƒƒã‚¯ã‚’è¡Œã†ã“ã¨ãŒã§ãã¾ã™ã€‚フィードãƒãƒƒã‚¯ã‚’è¡Œã†æ–¹æ³•ã¨ã—ã¦ã¯ã€æ¬¡ã®ã„ãã¤ã‹ã®æ–¹æ³•ãŒã‚ã‚Šã¾ã™ã€‚
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Fedora ã®ã‚¢ã‚«ã‚¦ãƒ³ãƒˆãŒã‚ã‚‹å ´åˆã¯ <a href="http://fedoraproject.org/wiki/Docs/Beats"> Docs-Beats</a> ã«ã‚る内容を直接編集ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://tinyurl.com/nej3u">テンプレート</a> ã®ãƒã‚°å ±å‘Šã®æƒ…å ±ã‚’åŸ‹ã‚ã¦ãã ã•ã„。 - <span class="emphasis"><em>ã“ã®ãƒªãƒ³ã‚¯ã¯ãƒªãƒªãƒ¼ã‚¹ãƒŽãƒ¼ãƒˆã«å¯¾ã™ã‚‹ãƒ•ã‚£ãƒ¼ãƒ‰ãƒãƒƒã‚¯ã®å°‚用ã§ã™ã€‚</em></span> 詳細ã¯ä¸Šè¨˜ã®æ³¨æ„ã‚’å‚ç…§ã—ã¦ãã ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ E-mail ã«ã‚ˆã‚‹ãƒªãƒªãƒ¼ã‚¹ãƒŽãƒ¼ãƒˆç”¨ãƒ¡ãƒ¼ãƒªãƒ³ã‚°ãƒªã‚¹ãƒˆ: <code class="email"><a class="email" href="mailto:relnotes at fedoraproject.org">relnotes at fedoraproject.org</a></code>
+ </div></li></ul></div></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="index.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>リリースノート</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Release_Notes-Changes_for_Desktop_Users.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>2. Fedora ã®å¤‰æ›´ç‚¹ - デスクトップユーザーå‘ã‘</a></li></ul></body></html>
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+.book > .titlepage h1.title {
+ text-align:center;
+}
+
+.article > .titlepage h1.title {
+ text-align:center;
+}
+
+.set .titlepage > div > div > h1.title {
+ text-align:center;
+}
+
+.producttitle {
+ margin-top: 0em;
+ margin-bottom: 0em;
+ font-size: 3.0em;
+ font-weight: bold;
+ background: #003d6e url(../images/h1-bg.png) top left repeat-x;
+ color: white;
+ text-align: center;
+ padding: 0.7em;
+}
+
+.titlepage .corpauthor {
+ margin-top: 1em;
+ text-align: center;
+}
+
+.section h1.title {
+ font-size: 1.6em;
+ padding: 0em;
+ color: #336699;
+ text-align: left;
+ background: white;
+}
+
+h2 {
+ font-size:1.6em;
+}
+
+
+h2.subtitle, h3.subtitle {
+ margin-top: 1em;
+ margin-bottom: 1em;
+ font-size: 1.4em;
+ text-align: center;
+}
+
+.preface > div > div > div > h2.title {
+ margin-top: 1em;
+ font-size: 2.0em;
+}
+
+.appendix h2 {
+ margin-top: 1em;
+ font-size: 2.0em;
+}
+
+
+
+h3 {
+ font-size:1.3em;
+ padding-top:0em;
+ padding-bottom:0em;
+}
+h4 {
+ font-size:1.1em;
+ padding-top:0em;
+ padding-bottom:0em;
+}
+
+h5 {
+ font-size:1em;
+}
+
+h6 {
+ font-size:1em;
+}
+
+h5.formalpara {
+ font-size:1em;
+ margin-top:2em;
+ margin-bottom:.8em;
+}
+
+.abstract h6 {
+ margin-top:1em;
+ margin-bottom:.5em;
+ font-size:2em;
+}
+
+/*element rules*/
+hr {
+ border-collapse: collapse;
+ border-style:none;
+ border-top: 1px dotted #ccc;
+ width:100%;
+ margin-top: 3em;
+}
+
+sup {
+ color:#999;
+}
+
+/* web site rules */
+ul.languages, .languages li {
+ display:inline;
+ padding:0em;
+}
+
+.languages li a {
+ padding:0em .5em;
+ text-decoration: none;
+}
+
+.languages li p, .languages li div.para {
+ display:inline;
+}
+
+.languages li a:link, .languages li a:visited {
+ color:#444;
+}
+
+.languages li a:hover, .languages li a:focus, .languages li a:active {
+ color:black;
+}
+
+ul.languages {
+ display:block;
+ background-color:#eee;
+ padding:.5em;
+}
+
+/*supporting stylesheets*/
+
+/*unique to the webpage only*/
+.books {
+ position:relative;
+}
+
+.versions li {
+ width:100%;
+ clear:both;
+ display:block;
+}
+
+a.version {
+ font-size:2em;
+ text-decoration:none;
+ width:100%;
+ display:block;
+ padding:1em 0em .2em 0em;
+ clear:both;
+}
+
+a.version:before {
+ content:"Version";
+ font-size:smaller;
+}
+
+a.version:visited, a.version:link {
+ color:#666;
+}
+
+a.version:focus, a.version:hover {
+ color:black;
+}
+
+.books {
+ display:block;
+ position:relative;
+ clear:both;
+ width:100%;
+}
+
+.books li {
+ display:block;
+ width:200px;
+ float:left;
+ position:relative;
+ clear: none ;
+}
+
+.books .html {
+ width:170px;
+ display:block;
+}
+
+.books .pdf {
+ position:absolute;
+ left:170px;
+ top:0px;
+ font-size:smaller;
+}
+
+.books .pdf:link, .books .pdf:visited {
+ color:#555;
+}
+
+.books .pdf:hover, .books .pdf:focus {
+ color:#000;
+}
+
+.books li a {
+ text-decoration:none;
+}
+
+.books li a:hover {
+ color:black;
+}
+
+/*products*/
+.products li {
+ display: block;
+ width:300px;
+ float:left;
+}
+
+.products li a {
+ width:300px;
+ padding:.5em 0em;
+}
+
+.products ul {
+ clear:both;
+}
+
+/*revision history*/
+.revhistory {
+ display:block;
+}
+
+.revhistory table {
+ background-color:transparent;
+ border-color:#fff;
+ padding:0em;
+ margin: 0;
+ border-collapse:collapse;
+ border-style:none;
+}
+
+.revhistory td {
+ text-align :left;
+ padding:0em;
+ border: none;
+ border-top: 1px solid #fff;
+ font-weight: bold;
+}
+
+.revhistory .simplelist td {
+ font-weight: normal;
+}
+
+.revhistory .simplelist {
+ margin-bottom: 1.5em;
+ margin-left: 1em;
+}
+
+.revhistory table th {
+ display: none;
+}
+
+
+/*credits*/
+.authorgroup div {
+ clear:both;
+ text-align: center;
+}
+
+h3.author {
+ margin: 0em;
+ padding: 0em;
+ padding-top: 1em;
+}
+
+.authorgroup h4 {
+ padding: 0em;
+ margin: 0em;
+ padding-top: 1em;
+ margin-top: 1em;
+}
+
+.author,
+.editor,
+.translator,
+.othercredit,
+.contrib {
+ display: block;
+}
+
+.revhistory .author {
+ display: inline;
+}
+
+.othercredit h3 {
+ padding-top: 1em;
+}
+
+
+.othercredit {
+ margin:0em;
+ padding:0em;
+}
+
+.releaseinfo {
+ clear: both;
+}
+
+.copyright {
+ margin-top: 1em;
+}
+
+/* qanda sets */
+.answer {
+ margin-bottom:1em;
+ border-bottom:1px dotted #ccc;
+}
+
+.qandaset .toc {
+ border-bottom:1px dotted #ccc;
+}
+
+.question {
+ font-weight:bold;
+}
+
+.answer .data, .question .data {
+ padding-left: 2.6em;
+}
+
+.answer label, .question label {
+ float:left;
+ font-weight:bold;
+}
+
+/* inline syntax highlighting */
+.perl_Alert {
+ color: #0000ff;
+}
+
+.perl_BaseN {
+ color: #007f00;
+}
+
+.perl_BString {
+ color: #5C3566;
+}
+
+.perl_Char {
+ color: #ff00ff;
+}
+
+.perl_Comment {
+ color: #FF00FF;
+}
+
+
+.perl_DataType {
+ color: #0000ff;
+}
+
+
+.perl_DecVal {
+ color: #00007f;
+}
+
+
+.perl_Error {
+ color: #ff0000;
+}
+
+
+.perl_Float {
+ color: #00007f;
+}
+
+
+.perl_Function {
+ color: #007f00;
+}
+
+
+.perl_IString {
+ color: #5C3566;
+}
+
+
+.perl_Keyword {
+ color: #002F5D;
+}
+
+
+.perl_Operator {
+ color: #ffa500;
+}
+
+
+.perl_Others {
+ color: #b03060;
+}
+
+
+.perl_RegionMarker {
+ color: #96b9ff;
+}
+
+
+.perl_Reserved {
+ color: #9b30ff;
+}
+
+
+.perl_String {
+ color: #5C3566;
+}
+
+
+.perl_Variable {
+ color: #0000ff;
+}
+
+
+.perl_Warning {
+ color: #0000ff;
+}
+
+/*Lists*/
+ul {
+ padding-left:1.6em;
+ list-style-image:url(../images/dot.png);
+ list-style-type: circle;
+}
+
+ul ul {
+ list-style-image:url(../images/dot2.png);
+ list-style-type: circle;
+}
+
+ol {
+ list-style-image:none;
+ list-style-type: decimal;
+}
+
+ol ol {
+ list-style-type: lower-alpha;
+}
+
+ol.arabic {
+ list-style-type: decimal;
+}
+
+ol.loweralpha {
+ list-style-type: lower-alpha;
+}
+
+ol.lowerroman {
+ list-style-type: lower-roman;
+}
+
+ol.upperalpha {
+ list-style-type: upper-alpha;
+}
+
+ol.upperroman {
+ list-style-type: upper-roman;
+}
+
+dt {
+ font-weight:bold;
+ margin-bottom:0em;
+ padding-bottom:0em;
+}
+
+dd {
+ margin:0em;
+ margin-left:2em;
+ padding-top:0em;
+ padding-bottom: 1em;
+}
+
+li {
+ padding-top:0px;
+ margin-top:0em;
+ padding-bottom:0px;
+ margin-bottom:0.4em;
+}
+
+li p, li div.para {
+ padding-top:0px;
+ margin-top:0em;
+ padding-bottom:0px;
+ margin-bottom:0.3em;
+}
+
+/*images*/
+img {
+ display:block;
+ margin:2em 0;
+}
+
+.inlinemediaobject, .inlinemediaobject img {
+ display:inline;
+ margin:0em;
+}
+
+.figure img {
+ display:block;
+ margin:0;
+}
+
+.figure .title {
+ margin:0em;
+ margin-bottom:2em;
+ padding:0px;
+}
+
+/*document modes*/
+.confidential {
+ background-color:#900;
+ color:White;
+ padding:.5em .5em;
+ text-transform:uppercase;
+ text-align:center;
+}
+
+.longdesc-link {
+ display:none;
+}
+
+.longdesc {
+ display:none;
+}
+
+.prompt {
+ background-color:#ede7c8;
+ padding:0em .3em;
+}
+
+/*user interface styles*/
+.screen .replaceable {
+ color:#444;
+}
+
+.guibutton, .guilabel {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ font-weight:bold;
+ white-space:nowrap;
+}
+
+.example {
+ background-color:#dc9f2e;
+ padding:5px;
+ margin-bottom:10px;
+}
+
+
+/*terminal/console text*/
+.computeroutput,
+.option {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ font-weight:bold;
+}
+
+.replaceable {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ font-style: italic;
+}
+
+.command, .filename, .keycap, .classname, .literal {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ font-weight:bold;
+}
+
+/* no bold in toc */
+.toc * {
+ font-weight: inherit;
+}
+
+pre {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ display:block;
+ background-color:#eeeeee;
+ margin-bottom: 0.3em;
+ padding:.5em 1em;
+ white-space: pre-wrap; /* css-3 */
+ white-space: -moz-pre-wrap !important; /* Mozilla, since 1999 */
+ white-space: -pre-wrap; /* Opera 4-6 */
+ white-space: -o-pre-wrap; /* Opera 7 */
+ word-wrap: break-word; /* Internet Explorer 5.5+ */
+ font-size: 0.9em;
+}
+
+pre .replaceable,
+pre .keycap {
+ color:white;
+}
+
+code {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ white-space: nowrap;
+ font-weight:bold;
+}
+
+.parameter code {
+ display: inline;
+ white-space: pre-wrap; /* css-3 */
+ white-space: -moz-pre-wrap !important; /* Mozilla, since 1999 */
+ white-space: -pre-wrap; /* Opera 4-6 */
+ white-space: -o-pre-wrap; /* Opera 7 */
+ word-wrap: break-word; /* Internet Explorer 5.5+ */
+}
+
+/*Notifications*/
+div.note, div.important, div.warning {
+ padding:1em;
+ padding-bottom:20px;
+ margin-top:.5em;
+ margin-bottom:1.5em;
+ background-repeat:no-repeat;
+ background-position:1em 1em;
+}
+
+div.note pre, div.important pre, div.warning pre {
+ background-color: #333;
+ color: white;
+ margin-left: 4.5em;
+}
+
+
+div.note {
+ background-image:url(../images/note.png);
+ background-color:#8e9f00;
+ color:white;
+}
+
+div.important {
+ background-color:#d08e13;
+ color:white;
+ background-image:url(../images/important.png);
+}
+
+div.warning {
+ background-color:#9e292b;
+ color:white;
+ background-image:url(../images/warning.png);
+}
+
+
+/* Admonition Headings */
+div.note h2, div.important h2, div.warning h2 {
+ height:32px;
+ font-size:1.3em;
+}
+
+div.note h2, div.important h2, div.warning h2 {
+ color:white;
+}
+
+/* Admonition Inlines */
+div.note .replaceable, div.important .replaceable, div.warning .replaceable {
+ color:#e3dcc0;
+}
+
+pre .replaceable, tt .replaceable {
+ color:#444;
+}
+
+div.note .guilabel, div.important .guilabel, div.warning .guilabel {
+ color:#e3dcc0;
+}
+
+
+/* Admonition Lists ... really? */
+div.note li, div.warning li, div.important li {
+ padding-left:10px;
+ margin:0em;
+}
+
+div.note ul, div.warning ul, div.important ul {
+ padding-left:40px;
+ margin:0em;
+}
+
+/* Admonition links in verbatim ... *really* */
+div.note pre pre a:visited, div.important pre pre a:visited,
+ div.warning pre pre a:visited, div.note pre a:link, div.important pre a:link, div.warning pre a:link {
+ color:#0066cc;
+}
+
+/* Admonition links */
+div.note a:visited, div.important a:visited, div.warning a:visited, div.note a:link , div.important a:link , div.warning a:link {
+ color:#f7f2d0;
+}
+
+/*notification icons*/
+div.note h2, div.note p, div.note div.para, div.warning h2, div.warning p, div.warning div.para, div.important h2, .important p, .important div.para {
+ padding:0em;
+ margin:0em;
+ padding-left:56px;
+}
+
+/*Page Title*/
+#title {
+ display:block;
+ height:45px;
+ padding-bottom:1em;
+ margin:0em;
+}
+
+#title a.left{
+ display:inline;
+ border:none;
+}
+
+#title a.left img{
+ border:none;
+ float:left;
+ margin:0em;
+ margin-top:.7em;
+}
+
+#title a.right {
+ padding-bottom:1em;
+}
+
+#title a.right img {
+ border:none;
+ float:right;
+ margin:0em;
+ margin-top:.7em;
+}
+
+/*Table*/
+table {
+ border:1px solid #6c614b;
+ width:100%;
+ border-collapse:collapse;
+}
+
+table.simplelist, .calloutlist table {
+ border-style: none;
+}
+
+table th {
+ text-align:left;
+ background-color:#6699cc;
+ padding:.3em .5em;
+ color:white;
+}
+
+table td {
+ padding:.15em .5em;
+}
+
+table tr.even td {
+ background-color:#f5f5f5;
+}
+
+table th p:first-child, table td p:first-child, table li p:first-child,
+table th div.para:first-child, table td div.para:first-child, table li div.para:first-child {
+ margin-top:0em;
+ padding-top:0em;
+ display:inline;
+}
+
+th, td {
+ border-style:none;
+ vertical-align: top;
+ border: 1px solid #000;
+}
+
+.simplelist th, .simplelist td {
+ border: none;
+}
+
+table table td {
+ border-bottom:1px dotted #aaa;
+ background-color:white;
+ padding:.6em 0em;
+}
+
+table table {
+ border:1px solid white;
+}
+
+td.remarkval {
+ color:#444;
+}
+
+td.fieldval {
+ font-weight:bold;
+}
+
+.lbname, .lbtype, .lbdescr, .lbdriver, .lbhost {
+ color:white;
+ font-weight:bold;
+ background-color:#999;
+ width:120px;
+}
+
+td.remarkval {
+ width:230px;
+}
+
+td.tname {
+ font-weight:bold;
+}
+
+th.dbfield {
+ width:120px;
+}
+
+th.dbtype {
+ width:70px;
+}
+
+th.dbdefault {
+ width:70px;
+}
+
+th.dbnul {
+ width:70px;
+}
+
+th.dbkey {
+ width:70px;
+}
+
+span.book {
+ margin-top:4em;
+ display:block;
+}
+
+span.chapter {
+ display:block;
+ margin-top:0.5em;
+}
+
+table.simplelist td, .calloutlist table td {
+ border-style: none;
+}
+
+/*Breadcrumbs*/
+#breadcrumbs ul li.first:before {
+ content:" ";
+}
+
+#breadcrumbs {
+ color:#900;
+ padding:3px;
+ margin-bottom:25px;
+}
+
+#breadcrumbs ul {
+ margin-left:0;
+ padding-left:0;
+ display:inline;
+ border:none;
+}
+
+#breadcrumbs ul li {
+ margin-left:0;
+ padding-left:2px;
+ border:none;
+ list-style:none;
+ display:inline;
+}
+
+#breadcrumbs ul li:before {
+ content:"\0020 \0020 \0020 \00BB \0020";
+ color:#333;
+}
+
+/*index*/
+.glossary h3,
+.index h3 {
+ font-size: 2em;
+ color:#aaa;
+ margin:0em;
+}
+
+.indexdiv {
+ margin-bottom:1em;
+}
+
+.glossary dt,
+.index dt {
+ color:#444;
+ padding-top:.5em;
+}
+
+.glossary dl dl dt,
+.index dl dl dt {
+ color:#777;
+ font-weight:normal;
+ padding-top:0em;
+}
+
+.index dl dl dt:before {
+ content:"- ";
+ color:#ccc;
+}
+
+/*changes*/
+.footnote {
+ padding:.2em 1em;
+ background-color:#c8c5ac;
+ font-size: .7em;
+ margin:0em;
+ margin-bottom:.5em;
+ color:#222;
+}
+
+table .footnote {
+ margin:1em .5em;
+}
+
+sup {
+ padding:0em .3em;
+ padding-left:0em;
+}
+
+.footnote {
+ position:relative;
+}
+
+.footnote sup {
+ color:#e3dcc0;
+ position:absolute;
+ left: .4em;
+}
+
+.footnote sup a:link,
+.footnote sup a:visited {
+ color:#92917d;
+ text-decoration:none;
+}
+
+.footnote:hover sup a {
+ color:#fff;
+ text-decoration:none;
+}
+
+.footnote p,.footnote div.para {
+ padding-left:5em;
+}
+
+.footnote a:link,
+.footnote a:visited {
+ color:#00537c;
+}
+
+.footnote a:hover {
+ color:white;
+}
+
+/**/
+div.chapter {
+ margin-top:3em;
+}
+
+div.section {
+ margin-top:1em;
+}
+
+div.note .replaceable,
+div.important .replaceable,
+div.warning .replaceable,
+div.note .keycap,
+div.important .keycap,
+div.warning .keycap
+{
+ color:white;
+}
+
+ul li p:last-child, ul li div.para:last-child {
+ margin-bottom:0em;
+ padding-bottom:0em;
+}
+
+/*document navigation*/
+.docnav a, .docnav strong {
+ border:none;
+ text-decoration:none;
+ font-weight:normal;
+}
+
+.docnav {
+ list-style:none;
+ margin:0em;
+ padding:0em;
+ position:relative;
+ width:100%;
+ padding-bottom:2em;
+ padding-top:1em;
+ border-top:1px dotted #ccc;
+}
+
+.docnav li {
+ list-style:none;
+ margin:0em;
+ padding:0em;
+ display:inline;
+ font-size:.8em;
+}
+
+.docnav li:before {
+ content:" ";
+}
+
+.docnav li.previous, .docnav li.next {
+ position:absolute;
+ top:1em;
+}
+
+.docnav li.up, .docnav li.home {
+ margin:0em 1.5em;
+}
+
+.docnav li.previous {
+ left:0px;
+ text-align:left;
+}
+
+.docnav li.next {
+ right:0px;
+ text-align:right;
+}
+
+.docnav li.previous strong, .docnav li.next strong {
+ height:22px;
+ display:block;
+}
+
+.docnav {
+ margin:0 auto;
+ text-align:center;
+}
+
+.docnav li.next a strong {
+ background: url(../images/stock-go-forward.png) top right no-repeat;
+ padding-top:3px;
+ padding-bottom:4px;
+ padding-right:28px;
+ font-size:1.2em;
+}
+
+.docnav li.previous a strong {
+ background: url(../images/stock-go-back.png) top left no-repeat;
+ padding-top:3px;
+ padding-bottom:4px;
+ padding-left:28px;
+ padding-right:0.5em;
+ font-size:1.2em;
+}
+
+.docnav li.home a strong {
+ background: url(../images/stock-home.png) top left no-repeat;
+ padding:5px;
+ padding-left:28px;
+ font-size:1.2em;
+}
+
+.docnav li.up a strong {
+ background: url(../images/stock-go-up.png) top left no-repeat;
+ padding:5px;
+ padding-left:28px;
+ font-size:1.2em;
+}
+
+.docnav a:link, .docnav a:visited {
+ color:#666;
+}
+
+.docnav a:hover, .docnav a:focus, .docnav a:active {
+ color:black;
+}
+
+.docnav a {
+ max-width: 10em;
+ overflow:hidden;
+}
+
+.docnav a:link strong {
+ text-decoration:none;
+}
+
+.docnav {
+ margin:0 auto;
+ text-align:center;
+}
+
+ul.docnav {
+ margin-bottom: 1em;
+}
+/* Reports */
+.reports ul {
+ list-style:none;
+ margin:0em;
+ padding:0em;
+}
+
+.reports li{
+ margin:0em;
+ padding:0em;
+}
+
+.reports li.odd {
+ background-color: #eeeeee;
+ margin:0em;
+ padding:0em;
+}
+
+.reports dl {
+ display:inline;
+ margin:0em;
+ padding:0em;
+ float:right;
+ margin-right: 17em;
+ margin-top:-1.3em;
+}
+
+.reports dt {
+ display:inline;
+ margin:0em;
+ padding:0em;
+}
+
+.reports dd {
+ display:inline;
+ margin:0em;
+ padding:0em;
+ padding-right:.5em;
+}
+
+.reports h2, .reports h3{
+ display:inline;
+ padding-right:.5em;
+ font-size:10pt;
+ font-weight:normal;
+}
+
+.reports div.progress {
+ display:inline;
+ float:right;
+ width:16em;
+ background:#c00 url(../images/shine.png) top left repeat-x;
+ margin:0em;
+ margin-top:-1.3em;
+ padding:0em;
+ border:none;
+}
+
+/*uniform*/
+body.results, body.reports {
+ max-width:57em ;
+ padding:0em;
+}
+
+/*Progress Bar*/
+div.progress {
+ display:block;
+ float:left;
+ width:16em;
+ background:#c00 url(../images/shine.png) top left repeat-x;
+ height:1em;
+}
+
+div.progress span {
+ height:1em;
+ float:left;
+}
+
+div.progress span.translated {
+ background:#6c3 url(../images/shine.png) top left repeat-x;
+}
+
+div.progress span.fuzzy {
+ background:#ff9f00 url(../images/shine.png) top left repeat-x;
+}
+
+
+/*Results*/
+
+.results ul {
+ list-style:none;
+ margin:0em;
+ padding:0em;
+}
+
+.results li{
+ margin:0em;
+ padding:0em;
+}
+
+.results li.odd {
+ background-color: #eeeeee;
+ margin:0em;
+ padding:0em;
+}
+
+.results dl {
+ display:inline;
+ margin:0em;
+ padding:0em;
+ float:right;
+ margin-right: 17em;
+ margin-top:-1.3em;
+}
+
+.results dt {
+ display:inline;
+ margin:0em;
+ padding:0em;
+}
+
+.results dd {
+ display:inline;
+ margin:0em;
+ padding:0em;
+ padding-right:.5em;
+}
+
+.results h2, .results h3{
+ display:inline;
+ padding-right:.5em;
+ font-size:10pt;
+ font-weight:normal;
+}
+
+.results div.progress {
+ display:inline;
+ float:right;
+ width:16em;
+ background:#c00 url(../images/shine.png) top left repeat-x;
+ margin:0em;
+ margin-top:-1.3em;
+ padding:0em;
+ border:none;
+}
+
+/* Dirty EVIL Mozilla hack for round corners */
+pre {
+ -moz-border-radius:11px;
+ -webkit-border-radius:11px;
+ border-radius: 11px;
+}
+
+.example {
+ -moz-border-radius:15px;
+ -webkit-border-radius:15px;
+ border-radius: 15px;
+}
+
+.package, .citetitle {
+ font-style: italic;
+}
+
+.edition {
+ color: #336699;
+ background-color: transparent;
+ margin-top: 1em;
+ margin-bottom: 1em;
+ font-size: 1.4em;
+ font-weight: bold;
+ text-align: center;
+}
+
+span.remark {
+ background-color: #ff00ff;
+}
+
+.draft {
+ background-image: url(../images/watermark-draft.png);
+ background-repeat: repeat-y;
+ background-position: center;
+}
+
+.foreignphrase {
+ font-style: inherit;
+}
+
+dt {
+ clear:both;
+}
+
+dt img {
+ border-style: none;
+ max-width: 112px;
+}
+
+dt object {
+ max-width: 112px;
+}
+
+dt .inlinemediaobject, dt object {
+ display: inline;
+ float: left;
+ margin-bottom: 1em;
+ padding-right: 1em;
+ width: 112px;
+}
+
+dl:after {
+ display: block;
+ clear: both;
+ content: "";
+}
+
+.toc dd {
+ padding-bottom: 0em;
+ margin-bottom: 1em;
+ padding-left: 1.3em;
+ margin-left: 0em;
+}
+
+div.toc > dl > dt {
+ padding-bottom: 0em;
+ margin-bottom: 0em;
+ margin-top: 1em;
+}
+
+
+.strikethrough {
+ text-decoration: line-through;
+}
+
+.underline {
+ text-decoration: underline;
+}
+
+.calloutlist img, .callout {
+ padding: 0em;
+ margin: 0em;
+ width: 12pt;
+ display: inline;
+ vertical-align: middle;
+}
+
+.stepalternatives {
+ list-style-image: none;
+ list-style-type: none;
+}
+
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/Common_Content/css/default.css b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/Common_Content/css/default.css
new file mode 100644
index 0000000..bf38ebb
--- /dev/null
+++ b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/Common_Content/css/default.css
@@ -0,0 +1,3 @@
+ at import url("common.css");
+ at import url("overrides.css");
+ at import url("lang.css");
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/Common_Content/css/lang.css b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/Common_Content/css/lang.css
new file mode 100644
index 0000000..81c3115
--- /dev/null
+++ b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/Common_Content/css/lang.css
@@ -0,0 +1,2 @@
+/* place holder */
+
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/Common_Content/css/overrides.css b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/Common_Content/css/overrides.css
new file mode 100644
index 0000000..db64f48
--- /dev/null
+++ b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/Common_Content/css/overrides.css
@@ -0,0 +1,55 @@
+a:link {
+ color:#0066cc;
+}
+
+a:hover, a:active {
+ color:#003366;
+}
+
+a:visited {
+ color:#6699cc;
+}
+
+
+h1 {
+ color:#3c6eb4
+}
+
+.producttitle {
+ background: #3c6eb4 url(../images/h1-bg.png) top left repeat;
+}
+
+.section h1.title {
+ color:#3c6eb4;
+}
+
+
+h2,h3,h4,h5,h6 {
+ color:#3c6eb4;
+}
+
+table {
+ border:1px solid #3c6eb4;
+}
+
+table th {
+ background-color:#3c6eb4;
+}
+
+
+table tr.even td {
+ background-color:#f5f5f5;
+}
+
+.term{
+ color:#3c6eb4
+}
+
+.revhistory table th {
+ color:#3c6eb4;
+}
+
+.edition {
+ color: #3c6eb4;
+}
+
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/Common_Content/css/print.css b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/Common_Content/css/print.css
new file mode 100644
index 0000000..773d8ae
--- /dev/null
+++ b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/Common_Content/css/print.css
@@ -0,0 +1,16 @@
+ at import url("common.css");
+ at import url("overrides.css");
+ at import url("lang.css");
+
+#tocframe {
+ display: none;
+}
+
+body.toc_embeded {
+ margin-left: 30px;
+}
+
+.producttitle {
+ color: #336699;
+}
+
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
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+\version "2.12.3"
+
+\header
+{
+ tagline = ##f % Remove default LilyPond tagline
+}
+
+trebleClefVoice = \relative c''
+{
+ % This example shows the bar-check symbol at work.
+ \key c \major
+ \time 4/4
+ c4 c2 c4 |
+ c4 c2 c | % This bar contains five beats. The bar-check symbol prints a warning.
+ c4 c2 c4 | % This bar-check symbol also prints a warning -- but for some reason it doesn't?!?!
+}
+
+\score
+{
+ \new Staff { \trebleClefVoice }
+ \layout { }
+}
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diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Counterpoint-result.pdf b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Counterpoint-result.pdf
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+++ b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Counterpoint-source.ly
@@ -0,0 +1,60 @@
+\version "2.12.2"
+
+\header
+{
+ title = "Simple Counterpoint Exercise"
+ composer = "Christopher Antila"
+}
+
+global =
+{
+ \key f \major
+ \time 4/4
+
+ \override Score.BarLine #'transparent = ##t
+ \override Score.SpanBar #'transparent = ##t
+ \override Score.TimeSignature #'transparent = ##t
+}
+
+right = \relative c'
+{
+ \global
+
+ f1 g a f d e f c' a f g f
+
+ \revert Score.BarLine #'transparent
+ \revert Score.SpanBar #'transparent
+
+ \bar "|."
+}
+
+left = \relative c
+{
+ \global
+ % Music follows here.
+
+ f1 e d a bes c d e f d c f
+}
+
+figBass = \figuremode
+{
+ \global
+ % Figures follow here.
+ <1>1 <3> <5> <6> <3> <3> <3> <6> <3> <3> <5> <1>
+}
+
+pianoPart = \new PianoStaff \with{}
+<<
+ \new Staff = "right" \right
+ \new FiguredBass \figBass
+ \new Staff = "left" { \clef bass \left }
+>>
+
+\score
+{
+ <<
+ \pianoPart
+ >>
+
+ \layout { }
+}
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Orchestra-result.pdf b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Orchestra-result.pdf
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@@ -0,0 +1,418 @@
+\version "2.12.2"
+
+\header
+{
+ dedication = "Comte d‘Ogny and Prince Oettingen-Wallerstein"
+ title = "Sinfonia No. 92"
+ subtitle = "“Oxfordâ€"
+ composer = "Haydn, Joseph"
+ % Remove default LilyPond tagline
+ tagline = ##f
+}
+
+tempoMark =
+{
+ \once \override Score.RehearsalMark #'self-alignment-X = #LEFT
+ \once \override Score.RehearsalMark #'break-align-symbols = #'(time-signature key-signature)
+ \once \override Staff.TimeSignature #'break-align-anchor-alignment = #LEFT
+ \mark \markup \bold "Adagio"
+}
+
+global =
+{
+ %% NB: "hornF" does not follow this
+ %% NB: "trumpetC" does not follow this
+ \tempoMark
+ \key g \major
+ \time 3/4
+}
+
+startExposition =
+{
+ \once \override Score.RehearsalMark #'self-alignment-X = #LEFT
+ \once \override Score.RehearsalMark #'break-align-symbols = #'(time-signature key-signature)
+ \mark \markup \bold "Allegro spiritoso"
+
+ \bar "|:"
+}
+
+
+
+
+
+
+%%%%%%%% NOTES %%%%%%%%
+flute = \relative c'''
+{
+ \global
+ % Music follows here.
+ R2.*13 |
+ r8 e-.\p e-. e-. e-. e-. |
+ es8[ d]\f d-. d-. d-. d-. |
+ d8( cis) cis4 r |
+ R2.*3 |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+oboeI = \relative c'''
+{
+ \global
+ % Music follows here.
+ R2.*13 |
+ r8 a-.\p a-. a-. a-. a-. |
+ a8([ bes)]\f bes-. g-. g-. g-. |
+ g8( bes,) bes4 r |
+ r4 cis\p cis |
+ r4 cis cis |
+ r4 cis\pp cis |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+oboeII = \relative c''
+{
+ \global
+ % Music follows here.
+ R2.*13 |
+ R2. |
+ r8\f bes-. bes-. bes-. bes-. bes-. |
+ bes8 bes bes4 r |
+ r4 g\p g |
+ r4 g g |
+ r4 g\pp g |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+bassoon = \relative c
+{
+ \global
+ % Music follows here.
+ R2.*13 |
+ R2. |
+ r8\f d-.^"a 2" g-. bes-. d-. bes-. |
+ g8( cis) cis4 r |
+ R2.*3 |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+hornF = \relative c'
+{
+ \tempoMark
+ \time 3/4
+ \key c \major
+ \transposition g
+ % Music follows here.
+ R2.*13 |
+ R2. |
+ r8\f <g g'>-. <g g'>-. <g g'>-. <g g'>-. <g g'>-. |
+ <c c'>8 <c c'> <c c'>4 r |
+ R2.* 3 |
+ r4 r r\fermata
+
+ \startExposition
+
+ R2.*4 |
+}
+
+trumpetC = \relative c''
+{
+ \tempoMark
+ \time 3/4
+ \key c \major
+ % Music follows here.
+ R2.*13 |
+ R2.*6 |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+timpani = \relative c
+{
+ \global
+ % Music follows here.
+ R2.*13 |
+ R2.*6 |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+violinI = \relative c''
+{
+ \global
+ % Music follows here.
+ d8-.\p r d-. r d-. r |
+ d2.~\< |
+ d4\> c8( b a e') |
+ g,4(\! fis8)-. r r4 |
+ % M.5
+ c'8-. r c-. r c-. r |
+ c2.~\< |
+ c8\> e( d c b a)\! |
+ \grace {c8} b4\trill a8-. r r4 |
+ c8[( \grace {d16[ c b]} c16. d32]) b8-. r r4 |
+ % M.10
+ e8[( \grace {fis16[ e dis]} e16. fis32]) g8-. r r4 |
+ d4 cis8( c b bes) |
+ a8 r r4 r |
+ r8 g'-. g-. g-. g-. g-. |
+ g8[( fis]) fis-. fis-. fis-. fis-. |
+ % M.15
+ fis8[( g])\f g-. d'-. d-. d-. |
+ d8[( cis]) cis4 r8. g16\p |
+ g4( cis,) r8. bes'16 |
+ bes4( cis,) r |
+ \times 2/3 { g'8[(-.^\markup{\italic staccato} fis-. f])-. } \times 2/3 { e8[(-. es-. d])-. } cis8-. r16 bes' |
+ bes4( cis,) r\fermata |
+
+ \startExposition
+
+ c!4~\p c8 b-. a-. g-. |
+}
+
+violinII = \relative c''
+{
+ \global
+ % Music follows here.
+ b8-.\p r b-. r b-. r |
+ b4. a8( g fis) |
+ e4. d8( c a) |
+ d4 r r |
+ % M.5
+ <fis a>8-. r <fis a>-. r <fis a>-. r |
+ <fis a>4. b8( a g) |
+ fis2( g8 d) |
+ d8[( cis]) d-. r r4 |
+ g4~ g8-. r r4 |
+ % M.10
+ g4~ g8-. r r4 |
+ d4 e8( fis g) g |
+ fis8[ d]-. d-. d-. d-. d-. |
+ d4( cis c) |
+ c2.~ |
+ % M.15
+ c8[( bes])\f bes-. bes-. bes-. bes-. |
+ bes8 g' g4 r |
+ r4 <bes, g'>\p <bes g'> |
+ r4 <bes g'> <bes g'> |
+ r4 <bes g'>\pp <bes g'> |
+ % M.20
+ r4 r r\fermata
+
+ \startExposition
+
+ <a fis'>8-.\p <a fis'>-. <a fis'>-. r r4
+}
+
+viola = \relative c''
+{
+ \global
+ % Music follows here.
+ g8-.\p r g-. r g-. r |
+ g4. g,8( a b) |
+ c( e, fis gis a c) |
+ b4( a8-.) r r4 |
+ % M.5
+ d8-. r d-. r d-. r |
+ d4. d,8( fis g) |
+ a8( c b a g fis) |
+ g4( fis8-.) r r4 |
+ e'4( d8-.) r r4 |
+ % M.10
+ c4( b8-.) r r4 |
+ b8( bes a) d g, cis |
+ d4 r r |
+ R2. |
+ r8 a'-. a-. a-. a-. a-. |
+ % M.15
+ a8[( g])\f g-. g-. g-. g-. |
+ g8 g g4 r |
+ r4 cis,\p cis |
+ r4 cis cis |
+ r4 cis\pp cis |
+ % M.20
+ r4 r r\fermata |
+
+ \startExposition
+
+ c8-.\pp c-. c-. r r4 |
+
+}
+
+cello = \relative c
+{
+ \global
+ % Music follows here.
+ R2. |
+ g8(\p b d g a b) |
+ c8( e, fis gis a c) |
+ b4( a8-.) r r4 |
+ % M.5
+ R2.
+ d,,8( fis a d fis g) |
+ a8( c b a g fis) |
+ g4( fis8-.) r r4 |
+ e'4( d8-.) r r4 |
+ % M.10
+ c4( b8-.) r r4 |
+ b8( bes a) d g, cis |
+ d4 r r |
+ es,2. |
+ d2.~ |
+ % M.15
+ d8[ d]-.\f d-. d-. d-. d-. |
+ es8 es es4 r |
+ r4 << { es' es } \\ { es,\p es } >> |
+ r4 << { es' es } \\ { es, es } >> |
+ r4 << { es' es } \\ { es,\pp es } >> |
+ % M.20
+ r4 r r\fermata |
+
+ \startExposition
+
+ d8-.\p d-. d-. r r4 |
+
+}
+
+contrabass = \relative c
+{
+ \global
+ % Music follows here.
+ R2. |
+ g2\p r4 |
+ c2. |
+ d4 r r |
+ % M.5
+ R2. |
+ d2.~ |
+ d2. |
+ d8-. r d-. r r4 |
+ % M.9
+ R2.*4 |
+ es2. |
+ % M.15
+ d2.~ |
+ d8[ d]-.\f d-. d-. d-. d-. |
+ es8 es es4 r |
+ r4 es\p es |
+ r4 es es |
+ r4 es\pp es |
+ % M.20
+ r4 r r\fermata
+
+ \startExposition
+
+ d8-.\p d-. d-. r r4 |
+
+}
+
+
+
+
+
+
+%%%%%%%% PARTS %%%%%%%%
+flutePart = \new Staff \with
+{
+ instrumentName = "Flauto"
+} \flute
+
+oboeIPart = \new Staff \with
+{
+ instrumentName = "I Oboe"
+} \oboeI
+
+oboeIIPart = \new Staff \with
+{
+ instrumentName = "II Oboe"
+} \oboeII
+
+bassoonPart = \new Staff \with
+{
+ instrumentName = "2 Fagotti"
+} { \clef bass \bassoon }
+
+hornFPart = \new Staff \with
+{
+ instrumentName = "2 Corni in Sol"
+} \hornF
+
+trumpetCPart = \new Staff \with
+{
+ instrumentName = "2 Clarini in Do"
+} \trumpetC
+
+timpaniPart = \new Staff \with
+{
+ instrumentName = "Timpani"
+} { \clef bass \timpani }
+
+violinIPart = \new Staff \with
+{
+ instrumentName = "Violino I"
+} \violinI
+
+violinIIPart = \new Staff \with
+{
+ instrumentName = "Violino II"
+} \violinII
+
+violaPart = \new Staff \with
+{
+ instrumentName = "Viola"
+} { \clef alto \viola }
+
+celloPart = \new Staff \with
+{
+ instrumentName = "Violoncello obligato"
+} { \clef bass \cello }
+
+contrabassPart = \new Staff \with
+{
+ instrumentName = "Basso"
+} { \clef bass \contrabass }
+
+
+
+
+
+
+%%%%%%%% SCORE %%%%%%%%
+\score
+{
+ <<
+ \flutePart
+ \oboeIPart
+ \oboeIIPart
+ \bassoonPart
+ \hornFPart
+ \trumpetCPart
+ \timpaniPart
+ \violinIPart
+ \violinIIPart
+ \violaPart
+ \celloPart
+ \contrabassPart
+ >>
+ \layout { }
+}
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Piano-result.pdf b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Piano-result.pdf
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+++ b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Piano-source.ly
@@ -0,0 +1,531 @@
+\version "2.12.2"
+
+\header
+{
+ title = "Impromptu (Excerpt)"
+ composer = "Schubert, Franz"
+ opus = "Opus 90/4"
+ % Remove default LilyPond tagline
+ tagline = ##f
+}
+
+tempoMark =
+{
+ \once \override Score.RehearsalMark #'self-alignment-X = #LEFT
+ \once \override Score.RehearsalMark #'break-align-symbols = #'(time-signature key-signature)
+ \once \override Staff.TimeSignature #'break-align-anchor-alignment = #LEFT
+ \mark \markup \bold "Allegretto"
+}
+
+global =
+{
+ \tempoMark
+ \key as \major
+ \time 3/4
+}
+
+
+
+
+
+
+%%%%%%%% NOTES %%%%%%%%
+%%%% RIGHT %%%%
+right = \relative c'''
+{
+ \global
+ % Music follows here.
+ ces16(-2 es ces as-1 as-3 ces as es-1 es as es ces |
+ ces16-2 es ces as as-3 ces as es <g bes>8-. r |
+ ces'16(-2 es ces as-1 as-3 ces as es-1 es as es ces |
+ ces16-2 es ces as as-3 ces as es <g bes>8-.) r |
+ % M.5
+ <as ces>4-_-3 <g bes fes'>-.( <g bes fes'>-. |
+ <g bes fes'>4-. <g bes es>-.-4 <g bes des>-.)-3 |
+ ces'16( es ces as as ces as es es as es ces |
+ ces16 es ces as as ces as es <g bes>8-.) r |
+ ces'16( es ces as as ces as es es as es ces |
+ % M.10
+ ces16 es ces as as ces as es <g bes>8-.) r |
+ <as ces>4-_-2 <ges bes fes'>-.( <ges bes fes'>-. |
+ <ges bes fes'>4-. <ges bes es>-.-4 <ges bes d>-.)-3 |
+ es''16(-2 ges es ces ces-2 es ces ges ges-2 ces ges es |
+ es16-2 ges es ces ces-3 es ces ges <<bes8-.) d>> r |
+ % M.15
+ es'16( ges es ces ces es ces ges ges ces ges es |
+ es16 ges es ces ces es ces ges <<bes8-.) d>> r |
+ <ces es>4-_-3 <bes des as'>-.( <bes des as'>-. |
+ <bes des as'>4-. <bes es ges>-.-4 <bes fes'>-.-)-3 |
+ d'16(-2 fis d b b-2 d b fis fis-2 b fis d |
+ % M.20
+ d16-2 fis d b b-3 d b fis <ais cis>8-.) r |
+ d'16( fis d b b d b fis fis b fis d |
+ d16 fis d b b d b fis <ais cis>8-.) r |
+ <fis b d>4-_ <cis' e b'>-.( <cis e b'>-. |
+ <cis e b'>4-. <cis fis a>-.-4 <cis g'>4-.-3 |
+ % M.25
+ <d fis>4-.) <ais cis g'>-.(-5 <ais cis gis'>-. |
+ <ais cis g'>4-. <ais cis fis>-. <cis e>-.-4 |
+ <b dis>4-.) <fes as! fes'>-.(\> <fes as fes'>-. |
+ <fes as fes'>4-. <es! as es'!>-. <des! as' des!>-. |
+ <es as ces>4-.) <es as ces>-.( <es as ces>-. |
+ % M.30
+ <es g bes>4-.) <es g bes>-.( <es g bes>-.) |
+ c''!16(-2 es c as as-3 c as es es-2 as es c |
+ c16-2 es c as as-3 c as es <g bes>8-.) r |
+ c'16( es c as as c as es es as es c |
+ c16 es c as as c as es <g bes>8-.) r |
+ % M.35
+ es''16(-2 as es c c-2 es c as as-3 c as es |
+ es16-2 as es c c-2 es c as <g bes>8-.) r |
+ es''16( as es c c es c as as c as es |
+ es16 as es c c es c as <g bes>8-.) r |
+ c16(-2 es c as as-2 c as es as8-.) r |
+ % M.40
+ des16(-3 f des as as-2 des as f as8-.) r |
+ es'16(-3 g es bes bes-2 es bes g bes8-.) r |
+ es16(-2 as es c c-2 es c as c8-.) r |
+ c'16(-2 es c as as-2 c as es as8-.) r |
+ des16(-3 f des as as-2 des as f as8-.) r |
+ % M.45
+ es'16(-3 g es bes bes-2 es bes g bes8-.) r |
+ es16(-2 as es c c-2 es c as c8-.) r |
+ c,16( es c as as c as es as8-.) r |
+ des16( f des as as des as f as8-.) r |
+ es'16( g es bes bes es bes g bes8-.) r |
+ % M.50
+ es16( as es c c es c as c8-.) r |
+ c'16( es c as as c as es as8-.) r |
+ des16( f des as as des as f as8-.) r |
+ es'16( g es bes bes es bes g bes8-.) r |
+ es16( as es c c es c as c8-.) r |
+ % M.55
+ es16( g es bes bes es bes g bes8-.) r |
+ es16( as es c c es c as c8-.) r |
+ \ottava #1
+ f='''16( a f c c f c a c8-.->) r |
+ f16( bes f des des f des bes-1 des8-.->) r |
+ f16( a f c c f c a c8-.->) r |
+ % M.60
+ f16( bes f des des f des bes-1 des8-.->) r |
+ as'!16( c as es es as es c es8-.) r |
+ as16( des as f f as f des f8-.) r |
+ as16( c as es es as es c es8-.) r |
+ as16( des as f f-2 as f des des-3 f des as |
+ % M.65
+ \ottava #0
+ as=''16(-2 des as f f-2 as f des des-3 f des as) |
+ as'16( des as f f as f des des f des as |
+ as16 des as f f as f des des f des as) |
+ des16-3( fes des bes bes-2 des bes ges des'-3 fes des bes |
+ bes16 des bes ges des' fes des bes bes des bes ges) |
+ % M.70
+ des'16->(-3 es des bes bes16-2 des bes ges des'->-3 es des bes |
+ bes16 des bes ges des'-> es des bes bes des bes ges) |
+ << {
+ es'4(-3 as 4 g-4 |
+ f4-3 des' bes |
+ bes4)(-5 as) as |
+ % M.75
+ as4(-5 g) g |
+ es4(-3 as g-4 |
+ f4 f' des-5 |
+ des4)( c)-4 c |
+ c4(-5 bes)-4 bes |
+ } \\
+ {
+ \times 2/3 {es,8[ c as]} \times 2/3 {as'[ es-2 c]} \times 2/3 {g'[ es c]} |
+ \times 2/3 {f8[ des as]} \times 2/3 {des'8[ f, des]} \times 2/3 {bes'[ f des]} |
+ \times 2/3 {bes'8[ es, des]} \times 2/3 {as'[ es c]} \times 2/3 {as'[ es c]} |
+ % M.75
+ \times 2/3 {as'8[ es c]} \times 2/3 {g'[ es bes]} \times 2/3 {g'[ es bes]} |
+ \times 2/3 {es8[ c as]} \times 2/3 {as'[ es-2 c]} \times 2/3 {g'[ es c]} |
+ \times 2/3 {f8[ des as]} \times 2/3 {f''[ as, f]} \times 2/3 {des'[ f, des]} |
+ \times 2/3 {des'8[ as-2 f]} \times 2/3 {c'[ as es]} \times 2/3 {c'[ as es]} |
+ \times 2/3 {c'8[ es, des]} \times 2/3 {bes'[ es, des]} \times 2/3 {bes'[ es, des]} |
+ }
+ >>
+ % M.80
+ c'16(-2 es c as as-2 c as es as8-.) r |
+ des16(-3 f des as as-2 des as f as8-.) r |
+ es'16(-3 g es bes bes-2 es bes g bes8-.) r |
+ es16(-2 as es c c-2 es c as c8-.) r |
+ c'16(-2 es c as as-2 c as es as8-.) r |
+ % M.85
+ des16(-3 f des as as-2 des as f as8-.) r |
+ es'16(-3 g es bes bes-2 es bes g bes8-.) r |
+ es16(-2 as es c c-2 es c as c8-.) r |
+ c,16( es c as as c as es as8-.) r |
+ des16( f des as as des as f as8-.) r |
+ % M.90
+ es'16( g es bes bes es bes g bes8-.) r |
+ es16( as es c c es c as c8-.) r |
+ c'16( es c as as c as es as8-.) r |
+ des16( f des as as des as f as8-.) r |
+ es'16( g es bes bes es bes g bes8-.) r |
+ % M.95
+ es16( as es c c-2 es c as c8-.) r |
+ es16( g es bes bes es bes g bes8-.) r |
+ es16( as es c c es c as c8-.) r |
+ es16( g es bes bes es bes g bes8-.) r |
+ es16( as es c c-2 es c as as-3 c as es |
+ % M.100
+ es16-2 as es c c-2 es c as as-3 c as es) |
+ es'16( as es c c es c as as c as es |
+ es16 as es c c es c as es'-3 as es c)-1 |
+ \clef bass
+ as16(-2 c as es as c as es as c as es |
+ as16 c as es as c as es as c as es) |
+ % M.105
+ \clef treble
+ << {
+ as'2.~ |
+ as2. |
+ } \\
+ {
+ es16 ges es as, es' ges es as, es' ges es as, |
+ es'16 ges es as, es' ges es as, es' ges es as, |
+ }
+ >>
+%% TRIO %%
+ \bar "||"
+ \key cis \minor
+ gis'2.
+}
+
+%%%% LEFT %%%%
+left = \relative c
+{
+ \global
+ % Music follows here.
+ as4-. <as' ces es>2~-3 |
+ <as ces es>2 <es bes' es>8-. r |
+ as,4-. <as' ces es>2~ |
+ <as ces es>2 <es bes' es>8-. r |
+ % M.5
+ <as ces es>4-_ <es bes' fes'>-.( <es bes' fes'>-. |
+ <es bes' fes'>4-. <es bes' es>-.-4 <es bes' des>-.-3) |
+ as,4-. <as' ces es>2~ |
+ <as ces es>2 <es bes' es>8-. r |
+ as,4-. <as' ces es>2~ |
+ % M.10
+ <as ces es>2 <es bes' es>8-. r |
+ <as ces es>4-_ <ges bes fes'>-.( <ges bes fes'>-. |
+ <ges bes fes'>4-. <ges bes es>-.-4 <ges bes d>-.-3) |
+ ces,4-. <ges' ces es>2~-4 |
+ <ges ces es>2 <ges fes'>8-. r |
+ % M.15
+ ces,4-. <ges' ces es>2~ |
+ <ges ces es>2 <ges fes'>8-. r |
+ <ces es>4-_ <ges fes'>-.( <ges fes'>-. |
+ <ges fes'>4-. <ges es'>-._4 <ges des'>-._3) |
+ b,4-. <fis' b d>2~_4 |
+ % M.20
+ <fis b d>2 <fis e'>8-. r |
+ b,4-. <fis' b d>2~ |
+ <fis b d>2 <fis e'>8-. r |
+ <b d>4-_ <a g'>-.( <a g'>-. |
+ <a g'>4-. <a fis'>-. <a_5 e'_1>-. |% <<a-.-5 e'-1>> |
+ % M.25
+ <b d>4-.) <fis e'>-.( <fis e'>-. |
+ <fis e'>4-. <fis-._4 cis'_1>-. <fis ais>-. |
+ <gis b>4-.) <des! as'! des!>-.( <des as' des>-. |
+ <des as' des>4-. <es!_4 as ces>-. <fes_3 as>-. |
+ <es as ces>4-.) <es as ces>-.( <es as ces>-. |
+ % M.30
+ <es_3 g bes>4-.) <es g bes>-.( <es g bes>-.) |
+ as,4-. <es' as c>2~ |
+ <es as c>2 <es des'>8-. r |
+ as,4-. <es' as c>2~ |
+ <es as c>2 <es des'>8-. r |
+ % M.35
+ as,4-. <es' as c>2~ |
+ <es as c>2 <es des'>8-. r |
+ as,4-. <es' as c>2~ |
+ <es as c>2 <es des'>8-. r |
+ as,4 <ges' as c>2 |
+ % M.40
+ des4-. <f as des>2 |
+ es,4-. <es' bes' des>2 |
+ as,4-. <es' as c>2 |
+ as,4 <ges' as c>2 |
+ des4-. <f as des>2 |
+ % M.45
+ es,4-. <es' bes' des>2 |
+ as,4-. <es' as c>2 |
+ << { e=4(-2 as4.-> g8-1 |
+ f4-2 des'4.->-1 c8-1 |
+ bes4-2 es4.->-1 d8-1 |
+ % M.50
+ c4-2 es2->) |
+ es,=4(-2 as4.-> g8-1 |
+ f4-2 des'4.->-1 c8-1 |
+ bes4 es4.-> des8-1 |
+ c4-2 es4.-> c8 |
+ % M.55
+ bes4)( es4.-> des8 |
+ c4 es4.-> c8) |
+ c4( f4.-> es8-2 |
+ des4-3 f4.-> des8-2 |
+ c4)( f4.-> es8 |
+ % M.60
+ des4 f4.-> des8 |
+ \clef treble
+ es4)( as4.-> ges8-1 |
+ f4-2 as4.-> f8 |
+ es4)( as4.-> ges8 |
+ f4) % end of polyphonic section
+ } \\
+ { as,,=,2. |
+ des2.-4 |
+ es2.-5 |
+ % M.50
+ as2.-3 |
+ as,=,2. |
+ des2.-4 |
+ es2. |
+ as2.-3 |
+ % M.55
+ es2. |
+ as2. |
+ f2. |
+ bes2.-4 |
+ f2. |
+ % M.60
+ f2.-4 |
+ \clef treble
+ as2. |
+ des2.-3 |
+ as2. |
+ des4 % end of polyphonic section
+ }
+ >>
+ r4 r | % beats 2 and 3 only; this eliminates redundant rests
+ % M.65
+ R2. |
+ as'8-1 r f r des r |
+ \clef bass
+ as8-1 r f r des r |
+ <ges, bes des fes>2 <ges bes des fes>4~ |
+ <ges bes des fes>4 <ges bes des fes>2 |
+ % M.70
+ <g bes des es>2 <g bes des es>4~ |
+ <g bes des es>4 <g bes des es>2 |
+ as2-3( c4 |
+ des4-2 bes des |
+ es2.)( |
+ % M.75
+ es,2.) |
+ as2-3( c4 |
+ des4 bes-5)
+ << {
+ bes'~-1 |
+ bes4( as-2) as~-1 |
+ as4( g-2) g-1 |
+ } \\
+ {
+ des(-4 |
+ es2.) |
+ es2. |
+ }
+ >>
+ % M.80
+ as,4-. <ges' as c>2 |
+ des4-. <f as des>2 |
+ es,4-. <es' bes' des>2 |
+ as,4-. <es' as c>2 |
+ as,4-. <ges' as c>2 |
+ % M.85
+ des4-. <f as des>2 |
+ es,4-. <es' bes' des>2 |
+ as,4-. <es' as c>2 |
+ << {
+ es4( as4.-> g8-1 |
+ f4 des'4.-> c8-1 |
+ % M.90
+ bes4 es4.-> des8-1 |
+ c4-2 es2->) |
+ es,4( as4.-> g8 |
+ f4 des'4.-> c8 |
+ bes4 es4.-> des8 |
+ % M.95
+ c4 es4.-> c8 |
+ bes4)( es4.-> des8 |
+ c4 es4.-> c8 |
+ bes4)( es4.-> des8 |
+ c4)
+ } \\
+ {
+ as,2. | des2.-4 |
+ % M.90
+ es2. | as2.-3 | as,2. | des2. | es2. |
+ % M.95
+ as2. | es2. | as 2. | es2. | as4
+ }
+ >>
+ r4 r |
+ % M.100
+ R2. |
+ es'8-2 r c-1 r as r |
+ ees8 r c r es-2 r |
+ as,4-5 r r |
+ R2. |
+ % M.105
+ <c, as' c>2.~ |
+ <c as' c>2. |
+%% TRIO %%
+ \bar "||"
+ \key cis \minor
+ cis8 <gis'_4 cis e> <gis cis e> <gis cis e> <gis cis e> <gis cis e> |
+}
+
+
+%%%% DYNAMICS %%%%
+dynamics =
+{
+ s2.\pp |
+ R2.*3 |
+ % M.5
+ s4\< s\! s\> |
+ s2 s4\! |
+ R2.*4 |
+ % M.11
+ s4\< s\! s\> |
+ s2 s4\! |
+ R2.*4 |
+ % M.17
+ s4\< s\! s\> |
+ s2 s4\! |
+ R2.*4 |
+ % M.23
+ s4 s2\> |
+ s2 s4\! |
+ % M.25
+ s4\< s\! s\> |
+ s2 s4\! |
+ s4 s\f s\> |
+ s2 s4\! |
+ s4\p s2 |
+ % M.30
+ R2. |
+ s2.\pp |
+ R2.*3 |
+ % M.35
+ \crescTextCresc
+ s2.\< |
+ R2.*2 |
+ s2 s8 s\! |
+ s16 s\pp s8 s2 |
+ % M.40
+ R2.*3 |
+ s2.\< |
+ R2.*2 |
+ % M.46
+ s2 s8 s\! |
+ s16 s\pp s8 s2 |
+ R2.*3 |
+ % M.51
+ s2.\< |
+ R2.*5 |
+ % M.57
+ s32 s\f s8. s2 |
+ R2.*4 |
+ % M.62
+ s2.\< |
+ R2. |
+ % M.65
+ s32 s\ff s8. s2 |
+ R2.*3 |
+ s2\fz s4\fz |
+ % M.70
+ s4 s2\fz |
+ \dimTextDim
+ s8\> s\! s2 | % with this \! I eliminated the dashed line without tweaking settings
+ s32 s\p s8. s2 |
+ s16 s\pp s8 s2 |
+ % M.74
+ R2.*7 |
+ % M.81
+ s32 s\p s8. s2 |
+ R2.*3 |
+ % M.85
+ s2.\< |
+ R2.*3 |
+ s32 s\p s8. s2 |
+ % M.90
+ R2.*3 |
+ s32 s\f s8. s2 |
+ R2.*3 |
+ % M.97
+ s2.\< |
+ R2. |
+ s32 s\ff s8. s2 |
+ % M.100
+ R2.*8 |
+%% TRIO %%
+ s32 s\p s8. s2 |
+}
+
+
+
+%%%%%%%% SCORE %%%%%%%%
+
+% This is completely optional, but taken right from the LilyPond
+% reference manual. I wanted to ensure the right paper size, since
+% the default is A4. I also wanted to squeeze the music onto
+% fewer pages, since it seemed like there was a lot of vertical
+% space being wasted.
+\paper
+{
+ #(set-paper-size "letter")
+ between-system-padding = #0.1
+ ragged-last-bottom = ##f
+}
+
+% This is the standard, obligatory "score" section. Note the
+% addition of the extra \context commands in the "layout"
+% portion, which are for the piano-centred-dynamics.
+\score
+{
+ \new PianoStaff \with
+ {
+ instrumentName = "Piano"
+ }
+ <<
+ \new Staff = "right" \right
+ \new PianoDynamics = "dynamics" \dynamics
+ \new Staff = "left" { \clef bass \left }
+ >>
+
+ \layout
+ {
+ % Everything below here is for the piano dynamics.
+ % Define "PianoDynamics" context.
+ \context
+ {
+ \type "Engraver_group"
+ \name PianoDynamics
+ \alias Voice
+ \consists "Output_property_engraver"
+ \consists "Script_engraver"
+ \consists "New_dynamic_engraver"
+ \consists "Dynamic_align_engraver"
+ \consists "Text_engraver"
+ \consists "Skip_event_swallow_translator"
+ \consists "Axis_group_engraver"
+
+ \override DynamicLineSpanner #'Y-offset = #0
+ \override TextScript #'font-size = #2
+ \override TextScript #'font-shape = #'italic
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
+ }
+
+ % Modify "PianoStaff" context to accept Dynamics context.
+ \context
+ {
+ \PianoStaff
+ \accepts PianoDynamics
+ }
+ % End of PianoDynamics code.
+ }
+}
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+// "Method One"
+//
+// Composed for the Fedora Project's "Musicians' Guide."
+// Christopher Antila.
+//
+// Creative Commons CC-BY-SA 3.0
+// http://creativecommons.org/licenses/by-sa/3.0/
+
+(
+// second part of the form -- I've substantially re-written this, so
+// that it can be easily used in other programs.
+//
+// Because of my defaults argument values, when called with
+var secondPart =
+{
+ arg number_of_SinOscs = 10,
+ pitch_low = 200,
+ pitch_high = 800,
+ pause_length = 5;
+
+ // new, personal clock, so we don't interfere with the global one
+ var t_c = TempoClock.new( 1 ); // 1 beat per second
+ var so = Array.new( number_of_SinOscs ); // holds the SinOsc's
+
+ // We'll need to know this, later.
+ var when_to_stop = ( 1 + ( pause_length * number_of_SinOscs ) );
+
+ // makes a stereo SinOsc with pseudo-random pitch between
+ // pitch_low and pitch_high
+ var func =
+ {
+ var freq = pitch_low + (pitch_high - pitch_low).rand;
+ [ SinOsc.ar( freq:freq, mul:0.01),
+ SinOsc.ar( freq:freq, mul:0.01) ];
+ };
+
+ // play them starting on beat 1, then every pause_length beats thereafter
+ number_of_SinOscs.do(
+ {
+ arg time;
+ t_c.sched( (1+(time*5)), { so = so.add( func.play ); } );
+ });
+
+ // stop
+ t_c.sched( when_to_stop,
+ {
+ number_of_SinOscs.do( { arg index; so[index].free; } );
+ nil;
+ });
+
+ // I want to return this, so that a function calling me knows when
+ // I'm going to stop.
+ when_to_stop;
+};
+
+
+
+
+
+
+// first part of the form
+SynthDef.new( \FirstPart,
+{
+ // sets up the frequencies of both channels
+ var frequencyL = SinOsc.kr( freq:10, mul:200, add:400 ); // oscillating
+ var frequencyR = SinOsc.kr( freq:1, mul:50, add:150 ); // oscillating
+ var frequencyL_drone = SinOsc.kr( freq:0.03, mul:20, add:100 ); // drone
+ var frequencyR_drone = SinOsc.kr( freq:0.01, mul:20, add:210 ); // drone
+
+ // changes the volume of the oscillating part in the left channel
+ var volumeL = SinOsc.kr( freq:0.5, mul:0.02, add:0.03 );
+
+ // left channel
+ var left = [ SinOsc.ar( freq:frequencyL, mul:volumeL ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyL_drone,2*frequencyL_drone], mul:0.02 ), // the rest make up the drone
+ SinOsc.ar( freq:[5*frequencyL_drone,7*frequencyL_drone], mul:0.005 ),
+ SinOsc.ar( freq:[13*frequencyL_drone,28*frequencyL_drone], mul:0.001 ) ];
+
+ // right channel
+ var right = [ SinOsc.ar( freq:frequencyR, mul:0.1 ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyR_drone,2*frequencyR_drone], mul:0.02 ), // the rest make up the drone
+ SinOsc.ar( freq:4*frequencyR_drone, mul:0.005 ),
+ SinOsc.ar( freq:[64*frequencyR_drone,128*frequencyR_drone], mul:0.01 ) ]; // high frequencies!
+
+ Out.ar( 0, [left,right] );
+} ).send( s );
+
+// "Main" function
+{
+ var t_c = TempoClock.default;
+ var sound = nil; // holds currently-running "FirstPart"
+
+ t_c.tempo_( 1 ); // set the tempo to one beat per second
+
+ // Scheduling:
+ t_c.sched( 1, { sound = Synth.new( \FirstPart ); } );
+ t_c.sched( 61, { sound.free; } );
+ t_c.sched( 61, { secondPart.value; nil; } ); // this takes 51 beats to complete
+ t_c.sched( 113, { sound = Synth.new( \FirstPart ); } );
+ t_c.sched( 143, { sound.free; } );
+
+}.value;
+
+)
+
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+// "Method One"
+//
+// Composed for the Fedora Project's "Musicians' Guide."
+// Christopher Antila.
+//
+// Creative Commons CC-BY-SA 3.0
+// http://creativecommons.org/licenses/by-sa/3.0/
+
+(
+// The method is, "Choose something, and take it to the extreme."
+// Here I've chosen to take SinOsc to the extreme, so I use it in every
+// way that I can imagine. Of course, there are more and different ways
+// to use SinOsc.
+
+// When looking at this source code (as with any SuperCollider source
+// file), keep in mind that there will be other ways to achieve the
+// same end result. I always find it helpful to arrange my code in
+// such a way as to make it easily understood.
+
+
+
+
+
+
+// I'm creating a new TempoClock and assigning it to "t_c". This
+// way, when I change the tempo later, it won't be interfering with
+// the default TempoClock (which is TempoClock.default). It must be
+// declared here, so that all of the functions in the file can access
+// it, and I've put it first because, in each "scope," all var objects
+// must be declared before anything else. Really, I could have written:
+// var t_c;
+// here, and only run:
+// t_c = TempoClock.new;
+// later. There is no benefit to that *for this file*, so they're together.
+var t_c = TempoClock.new;
+
+
+
+
+
+
+// This is the function that, when executed (by calling
+// secondPart.value ), will produce the second part of this simple
+// three-part form. Because it's assigned to a "var", it needs to
+// be placed above the first part, which is a SynthDef sent to the
+// server.
+//
+// I've written this as a function, rather than as a SynthDef. The
+// intention is that it sounds different every time it is heard, which
+// is why I use pseudo-randomness in the "func" sub-function (see
+// inside). If this had been written as a SynthDef, then the pitches
+// would be calculated pseudo-randomly *once* and every time a new
+// Synth was created from it, it would have the same pitches. Because
+// it's a function, however, the pitches are generated pseudo-randomly
+// every time the function is run.
+//
+// Since the function is only run once in the execution of this
+// program, you may be wondering why it matters. Every time the
+// program is run, the SynthDef would be re-calculated and sent to the
+// server again. In other words, every time the program is run, this
+// middle section will sound different whether it's a SynthDef or a
+// function.
+//
+// This is true, but one of the principles of good programming is
+// to allow for maximum flexibility. If I later wanted to add another
+// playing of "secondPart" to the program, I can do that easily, and
+// it would produce different pitches each time. I might also want to
+// take this function and put it into a different program, and writing
+// it as a function again allows for greater flexibility. Besides, if
+// I decided that I wanted a SynthDef, it's easy to get one from a
+// function (in fact, it's impossible to get one without a function!)
+// SynthDef.new( "SecondPart", secondPart ).send( s );
+// But you can't get the function out of a SynthDef.
+var secondPart =
+{
+ // This creates a new array with the ability to hold ten objects of
+ // any sort. It's going to be used to hold each of the SinOsc
+ // objects that are created in this section. By using an array
+ // (in SuperCollider called "ArrayedCollection"), I don't have to
+ // worry about code like this:
+ // var so_1;
+ // var so_2;
+ // ...
+ // var so_10;
+ // to hold the ten SinOsc's.
+ var sounds = Array.new( 10 );
+
+ // This generates a pseudo-random number to use as the pitch or
+ // frequency (here meaning the same thing), and then creates two
+ // equal SinOsc's on either side of the stereo image.
+ var func =
+ {
+ // a_number.rand means "generate a pseudo-random number between
+ // 0 and a_number". I've added 200 to this because frequencies
+ // below 200 aren't particularly useful, in terms of pitch. So
+ // the result of this is a number between 200 and 800.
+ var freq = 200 + 600.rand;
+
+ // This is what the function returns, and it's why you can "play"
+ // the function. When you run func.play, you aren't actually
+ // playing func, but rather you're playing what func returns.
+ [ SinOsc.ar( freq:freq, mul:0.01),
+ SinOsc.ar( freq:freq, mul:0.01) ];
+ };
+
+ // This part could certainly be written more elegantly (that is, with
+ // less pointless repetition). When programming, whether for audio
+ // or any other reason, repetition is usually regarded as the
+ // enemy of good code. What if I wanted to change the time between
+ // the addition of each object, from 5 beats to 6? What if I wanted
+ // to change the number of objects from 10 to 300? Worse still,
+ // what if I made a typing mistake in one line, and copy-and-pasted
+ // it to all the others? I would have to correct them all. What
+ // a pain!
+ //
+ // As an exercise, try to make this more efficient. You'll need
+ // to read up on "control structures" (see the SuperCollider help
+ // files). It's possible to work these ten lines into one - in
+ // fact, it's recommended!
+ t_c.sched( 1, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 6, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 11, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 16, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 21, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 26, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 31, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 36, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 41, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 46, { sounds = sounds.add( func.play ); } );
+
+ // This will stop all the sounds held in "sounds". The last "nil"
+ // is required as a return value for the function, or else the .do
+ // function will return "10", which t_c.sched() interprets as meaning
+ // "run me again 10 beats after I finish." This isn't disastrous,
+ // as it might be in a more complex program, but it would give a
+ // lot of error messages to anybody watching the "SuperCollider
+ // output" pane.
+ t_c.sched( 51, { 10.do( { arg index; sounds[index].free; } ); nil; } );
+
+};
+
+
+
+
+
+
+// This SynthDef represents the first part of the piece. Note that
+// because the concluding brace is followed by ".send(s)", this
+// definition gets sent to the server. Although we have no local var
+// that points to this SynthDef, we can use Synth.new( "FirstPart" ),
+// because the server knows what "FirstPart" is.
+//
+// I've chosen to write this as a SynthDef because it does not need
+// to change when it is played. It is intended to always sound the same,
+// so there is no reason for the server to re-calculate everything
+// each time it is to be played. This is not the case for the second
+// part (see above).
+//
+// Above, I claimed it's impossible to get a SynthDef
+// without a function. Although "FirstPart" may look like a SynthDef
+// without a function, the function simply isn't named, but it does
+// start at the { and end at the }. So, why not declare this as a
+// function, then make a SynthDef below it, like this?
+// SynthDef.new( "FirstPart", firstPart ).send( s );
+// Personal preference, really. This format makes it more clear that
+// "FirstPart" is only intended to be run as a Synth, and it also avoids
+// the very minor computational slow-down that would have been involved
+// with declaring a function, and a SynthDef from that.
+SynthDef.new( \FirstPart,
+{
+ // These set and modulate the frequency emitted by the left and
+ // right channels, respectively.
+ //
+ // What I've called "drone" is the slowly-moving pitches.
+ //
+ // "freq" changes how quickly the frequency changes
+ // "mul" changes the range of oscillation
+ // "add" is the lowest frequency it will hit
+ //
+ // The resulting frequency goes between "add" and "add + mul",
+ // and it reaches each extreme "freq" times per second
+ var frequencyL = SinOsc.kr( freq:10, mul:200, add:400 );
+ var frequencyR = SinOsc.kr( freq:1, mul:50, add:150 );
+ var frequencyL_drone = SinOsc.kr( freq:0.03, mul:20, add:100 );
+ var frequencyR_drone = SinOsc.kr( freq:0.01, mul:20, add:210 );
+
+ // This will change the volume of the left audio channel.
+ // It was annoying when too loud for too long.
+ //
+ // It means that the volume will go between 0.03 and 0.05, reaching
+ // the extremes once every two seconds.
+ var volumeL = SinOsc.kr( freq:0.5, mul:0.02, add:0.03 );
+
+ // This is where I'm compiling the sound generators themselves.
+ // Notice that all the SinOsc's above were SinOsc.kr(), for "kontrol,"
+ // and all the ones here are SinOsc.ar(), for "audio." I use array
+ // notation, which is the [ ] brackets, several times. This allows
+ // multiple SinOsc calls with different arguments, and within each
+ // call it allows multiple audio streams to be outputted, with
+ // different frequencies. While you might expect there to by
+ // multi-channel audio created from this, that's not the case,
+ // because everything assigned to "left" or "right" is ultimately
+ // played below. More on that later...
+ var left = [ SinOsc.ar( freq:frequencyL, mul:volumeL ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyL_drone,2*frequencyL_drone], mul:0.02 ), // the rest make up the drone; the numbers are close to the 2^x series
+ SinOsc.ar( freq:[5*frequencyL_drone,7*frequencyL_drone], mul:0.005 ),
+ SinOsc.ar( freq:[13*frequencyL_drone,28*frequencyL_drone], mul:0.001 ) ];
+
+ var right = [ SinOsc.ar( freq:frequencyR, mul:0.1 ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyR_drone,2*frequencyR_drone], mul:0.02 ), // the rest make up the drone
+ SinOsc.ar( freq:4*frequencyR_drone, mul:0.005 ),
+ SinOsc.ar( freq:[64*frequencyR_drone,128*frequencyR_drone], mul:0.01 ) ]; // high frequencies!
+
+ // This stereo mix is what ultimately gets played. Notice that
+ // any multichannel effects created while mixing "left" and "right"
+ // are ignored here, and all the sound from each variable is put
+ // into one channel: all of the channels from "left" get played in
+ // the new left channel, and all of the channels from "right" get
+ // played in the new right channel.
+ //
+ // Try commenting the array, and play "left" and "right" by
+ // uncommenting the following lines, one at a time. When you do
+ // that, the multichannel mix of the variable is preserved, which
+ // may lead to a surprising result (if it doesn't, listen more
+ // carefully, and compare to the original).
+ //
+ // For an explanation, go read about busses, and keep in mind
+ // that this array doesn't create "left" and "right" channels,
+ // but rather plays to busses 0 and 1, which usually wind up being
+ // played through the speakers as "left" and "right" channels.
+ Out.ar( 0, [left,right] );
+
+} ).send( s );
+
+
+
+
+
+
+// This is the equivalent of the "main" function in a C-like language,
+// which basically "causes" everything else to happen. It's important
+// to include the ".value;" at the end, or else executing the program
+// would result in "a Function" in the output pane, and no sound.
+{
+ // This will hold the currently-running instance of "FirstPart".
+ // I've set it to 0 now as a matter of habit, like initializing an
+ // int in C.
+ var sound = 0;
+
+ // This sets the tempo to one beat per second; in effect, t_c now
+ // counts in seconds.
+ t_c.tempo_( 1 );
+
+ // This schedules events to take place. By number of beats after start:
+ // 1: "FirstPart" starts to play.
+ // 60: "FirstPart" is silenced.
+ // 60: secondPart is engaged (but starts to play only on beat 61).
+ // 112: "FirstPart" starts to play.
+ // 142: "FirstPart" is silenced.
+ t_c.sched( 1, { sound = Synth.new( \FirstPart ); } );
+ t_c.sched( 61, { sound.free; } );
+ t_c.sched( 61, { secondPart.value; nil; } ); // this takes 51 beats to complete
+ t_c.sched( 113, { sound = Synth.new( \FirstPart ); } );
+ t_c.sched( 143, { sound.free; } );
+ // I could have simply "paused" the \FirstPart synth, but then it
+ // wouldn't necessarily re-start at the same point in the oscillation
+ // as it did when first created.
+}.value;
+
+)
+
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diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/index.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/index.html
new file mode 100644
index 0000000..4881988
--- /dev/null
+++ b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/index.html
@@ -0,0 +1,8021 @@
+<?xml version="1.0" encoding="UTF-8"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>Musicians' Guide</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><meta name="description" content="is document explores some audio creation and music activities possible with Fedora Linux. Computer audio concepts are explained, and a selection of programs are demonstrated with tutorials that show their typical usage." /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fe
doraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><div xml:lang="ja-JP" class="book" title="Musicians' Guide" id="id1846773" lang="ja-JP"><div class="titlepage"><div><div class="producttitle" font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><span class="productname">Fedora ドラフト文書</span> </div><div font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><h1 id="id1846773" class="title">Musicians' Guide</h1></div><div font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><h2 class="subtitle">Audio creation and music software in Fedora Linux</h2></div><p class="edition">編集 15.9.4</p><div font-family="sans-serif,Symbol,ZapfDingbats" font-weight="b
old" font-size="12pt" text-align="center"><h3 class="corpauthor">
+ <span class="inlinemediaobject"><object data="Common_Content/images/title_logo.svg" type="image/svg+xml"> </object></span>
+
+ </h3></div><div font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><div xml:lang="ja-JP" class="authorgroup" lang="ja-JP"><h3 class="corpauthor">
+ Fedora Project Contributors
+ </h3></div></div><hr /><div font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><div id="id879454" class="legalnotice"><h1 class="legalnotice">法律上ã®é€šçŸ¥</h1><div class="para">
+ Copyright <span class="trademark"></span>© 2011 Fedora Project Contributors.
+ </div><div class="para">
+ The text of and illustrations in this document are licensed by Red Hat under a Creative Commons Attribution–Share Alike 3.0 Unported license ("CC-BY-SA"). An explanation of CC-BY-SA is available at <a href="http://creativecommons.org/licenses/by-sa/3.0/">http://creativecommons.org/licenses/by-sa/3.0/</a>. The original authors of this document, and Red Hat, designate the Fedora Project as the "Attribution Party" for purposes of CC-BY-SA. In accordance with CC-BY-SA, if you distribute this document or an adaptation of it, you must provide the URL for the original version.
+ </div><div class="para">
+ Red Hat, as the licensor of this document, waives the right to enforce, and agrees not to assert, Section 4d of CC-BY-SA to the fullest extent permitted by applicable law.
+ </div><div class="para">
+ Red Hat, Red Hat Enterprise Linux, the Shadowman logo, JBoss, MetaMatrix, Fedora, the Infinity Logo, and RHCE are trademarks of Red Hat, Inc., registered in the United States and other countries.
+ </div><div class="para">
+ For guidelines on the permitted uses of the Fedora trademarks, refer to <a href="https://fedoraproject.org/wiki/Legal:Trademark_guidelines">https://fedoraproject.org/wiki/Legal:Trademark_guidelines</a>.
+ </div><div class="para">
+ <span class="trademark">Linux</span>® is the registered trademark of Linus Torvalds in the United States and other countries.
+ </div><div class="para">
+ <span class="trademark">Java</span>® is a registered trademark of Oracle and/or its affiliates.
+ </div><div class="para">
+ <span class="trademark">XFS</span>® is a trademark of Silicon Graphics International Corp. or its subsidiaries in the United States and/or other countries.
+ </div><div class="para">
+ All other trademarks are the property of their respective owners.
+ </div></div></div><div font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><div class="abstract" title="概è¦"><h6>概è¦</h6><div class="para">
+ is document explores some audio creation and music activities possible with Fedora Linux. Computer audio concepts are explained, and a selection of programs are demonstrated with tutorials that show their typical usage.
+ </div></div></div></div><hr /></div><div class="toc"><dl><dt><span class="preface"><a href="#pref-Musicians_Guide-Preface">å‰æ›¸ã</a></span></dt><dd><dl><dt><span class="section"><a href="#id836312">1. 表記方法</a></span></dt><dd><dl><dt><span class="section"><a href="#id891919">1.1. å°åˆ·ã«ãŠã‘る表記方法</a></span></dt><dt><span class="section"><a href="#id854653">1.2. 引用ã«ãŠã‘る表記方法</a></span></dt><dt><span class="section"><a href="#id1193407">1.3. 注記ãŠã‚ˆã³è¦å‘Š</a></span></dt></dl></dd><dt><span class="section"><a href="#id1681045">2. フィードãƒãƒƒã‚¯</a></span></dt></dl></dd><dt><span class="part"><a href="#id826110">I. Linux オーディオã®åŸºæœ¬</a></span></dt><dd><dl><dt><span class="chapter"><a href="#chap-Musicians_Guide-Sound_Cards">1. サウンドカードã¨ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-What_Sound_Cards_Are">1.1. サウンドカードã®
種類</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audio_Interfaces">1.1.1. オーディオインタフェース</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-MIDI_Interfaces">1.1.2. MIDI インターフェイス</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Card_Connections">1.2. サウンドカードã®æŽ¥ç¶š</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Motherboard_Integrated">1.2.1. マザーボードã«çµ±åˆ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-PCI_Sound_Cards">1.2.2. 内蔵 PCI 接続</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FireWire_Sound_Cards">1.2.3. 外部ã®FireWire 接続</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-USB_Sound_Cards">1.2.4. 外部 USB 接続</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Choose_
Sound_Card_Connection">1.2.5. 接続タイプをé¸æŠžã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Sample_Rate_and_Sample_Format">1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Sample">1.3.1. サンプル</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sample_Format">1.3.2. サンプルフォーマット</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sample_Rate">1.3.3. サンプルレート</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Bit_Rate">1.3.4. ビットレート</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions">1.3.5. çµè«–</a></span></dt></dl></dd><dt><span class="section"><a href="#chap-Musicians_Guide-Vocabulary">1.4. ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã
‚ªã®æ¦‚念</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-MIDI_Sequencer">1.4.1. MIDI シーケンサー</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Bus">1.4.2. ãƒã‚¹ã€ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã€€ãã—ã¦ã‚µãƒ–マスターãƒã‚¹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Level">1.4.3. レベル(ボリュームï¼ãƒ©ã‚¦ãƒ‰ãƒã‚¹ï¼‰</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Panning_and_Balance">1.4.4. パニングã¨ãƒãƒ©ãƒ³ã‚¹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Time">1.4.5. タイムã€ã‚¿ã‚¤ãƒ ラインã€ãã—ã¦ã‚¿ã‚¤ãƒ シフティング</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Synchronization">1.4.6. åŒæœŸ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing">1.4.7. ã
ƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨å¤šé‡åŒ–</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Multichannel_Audio">1.4.8. マルãƒãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-How_Computers_Deal_with_Hardware">2. サウンドカード用ã®ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers-ALSA">2.1. Linux ã¯ã©ã®ã‚ˆã†ã«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ã‚’扱ã†ã‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers_Section">2.2. サウンドサーãƒ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers-PulseAudio">2.2.1. パルスオーディオ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers-JACK">2.2.2. <code class="systemitem">JACK</code> オーディオ接続ã‚ット</a></span></dt><dt><span class="section"><a hr
ef="#sect-Musicians_Guide-Sound_Servers-Phonon">2.2.3. フォノン</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Using_JACK">2.3. Use the <code class="systemitem">JACK</code> Audio Connection Kit</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Install_and_Configure_JACK">2.3.1. Install and Configure <code class="systemitem">JACK</code></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Using_QjackCtl">2.3.2. <span class="application"><strong>QjackCtl</strong></span> を使ã†</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Integrating_PulseAudio_with_JACK">2.3.3. <code class="systemitem">PulseAudio</code> ã‚’ <code class="systemitem">JACK</code> ã¨çµ±åˆã™ã‚‹</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Real_Time_and_Low_Latency">3. リアルタイムã¨ä½Žé…延</a></span></dt><dd><dl><dt><span class="section"><a
href="#sect-Musicians_Guide-Low_Latency">3.1. 低é…延ãŒãªãœæœ›ã¾ã—ã„ã‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Processor_Scheduling">3.2. プãƒã‚»ãƒƒã‚µã‚¹ã‚±ã‚¸ãƒ¥ãƒ¼ãƒªãƒ³ã‚°</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Real_Time_Linux_Kernel">3.3. リアルタイムLinux カーãƒãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Hard_and_Soft_Real_Time">3.4. ãƒãƒ¼ãƒ‰ã¨ã‚½ãƒ•ãƒˆãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ </a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora">3.5. Getting a Real-Time Kernel in Fedora Linux</a></span></dt></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Planet_CCRMA_at_Home">4. Planet CCRMA at Home</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-What_Is_Planet_CCRMA">4.1. Planet CCRMA at Home ã«ã¤ã„ã¦</a></span></dt><dt><span class="section"><a href="#sect-Musician
s_Guide-Knowing_Whether_to_Use_Planet_CCRMA">4.2. Planet CCRMA at Home を使ã†ã‹ã©ã†ã‹ã‚’決ã‚ã‚‹</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Need_Exclusive_Software">4.2.1. 独å 的ソフトウエア</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Security_and_Stability">4.2.2. ã‚»ã‚ュリティã¨å®‰å®šæ€§</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Best_Practices">4.2.3. A Possible "Best Practices" Solution</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Using_Planet_CCRMA_Software">4.3. Planet CCRMA at Home ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’使ã†</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Installing_Repository">4.3.1. Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’インストールã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Repository_Priorities">4.3.2. リã
ƒã‚¸ãƒˆãƒªã®å„ªå…ˆåº¦ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Preventing_Package_Updates">4.3.3. パッケージを更新ã•ã‚Œãªãã™ã‚‹</a></span></dt></dl></dd></dl></dd></dl></dd><dt><span class="part"><a href="#id657639">II. オーディオã¨éŸ³æ¥½ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢</a></span></dt><dd><dl><dt><span class="chapter"><a href="#chap-Musicians_Guide-Audacity">5. Audacity</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Knowing_When_to_Use">5.1. Audacity ã‚’ã„ã¤ä½¿ã†ã‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Requirements_and_Installation">5.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Software_Requirements">5.2.1. ソフトウエアè¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Hardware_Requirements">5.2.2. ãƒãƒ¼ãƒ‰ã‚¦ã‚
¨ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Installation">5.2.3. 標準ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion">5.2.4. MP3 サãƒãƒ¼ãƒˆã‚’å«ã‚€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Testing_Playback">5.2.5. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Testing_Recording">5.2.6. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity_Configuration">5.3. 構æˆ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-First_Use">5.3.1. åˆã‚㦠Audacity を実行ã™ã‚‹ã¨ã</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware">5.3.2. ã
Šä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format">5.3.3. Setting the Project's Sample Rate and Format</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Interface">5.4. インタフェース</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Recording">5.5. 録音</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Recording-Start_to_Record">5.5.1. 録音を開始ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record">5.5.2. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial">5.6. æ–°ã—ã„ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã‚’作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a hre
f="#sect-Musicians_Guide-Audacity-Tutorial-Files">5.6.1. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Scenario">5.6.2. シナリオ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks">5.6.3. トラックをæƒãˆã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks">5.6.4. トラックを伸ã°ã™</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level">5.6.5. ボリュームレベルを調整ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise">5.6.6. ノイズを除ã</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Fade_Out">5.6.7. フェードイン・フェードアウト</a></span></dt><dt><span class="section"><a href
="#sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio">5.6.8. オーディオを削除ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment">5.6.9. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’ç¹°ã‚Šè¿”ã™</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser">5.6.10. ç‰¹æ®ŠåŠ¹æžœã‚’åŠ ãˆã‚‹ï¼ˆãƒ•ã‚§ãƒ¼ã‚¶ãƒ¼ï¼‰</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Conclusion">5.6.11. çµè«–</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Save_and_Export">5.7. ä¿å˜ã¨æ›¸ã出ã—</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Exporting_Part_of_a_File">5.7.1. ファイルã®éƒ¨åˆ†ã‚’書ã出ã™</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Exporting_a_Whole_File">5.7.2. ファイルを全部書ã出ã™</a><
/span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Digital_Audio_Workstations">6. デジタルオーディオワークステーション</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Knowing_Which_DAW_to_Use">6.1. ã©ã® DAW を使ã†ã‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Stages_of_Recording">6.2. 録音ã®ã‚¹ãƒ†ãƒ¼ã‚¸</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Recording">6.2.1. 録音</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Mixing">6.2.2. ミã‚シング</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Mastering">6.2.3. マスタリング</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Record_Mix_Master_More_Info">6.2.4. å‚考</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-DAW_Interface_Vocabulary">6.3. インタフェ
ース用語</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Session">6.3.1. セッション</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Track_and_Multitrack">6.3.2. トラックã¨ãƒžãƒ«ãƒãƒˆãƒ©ãƒƒã‚¯</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Region_Clip_Segment">6.3.3. リージョンã€ã‚¯ãƒªãƒƒãƒ—ã€ã‚ã‚‹ã„ã¯ã‚»ã‚°ãƒ¡ãƒ³ãƒˆ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Transport_and_Playhead">6.3.4. トランスãƒãƒ¼ãƒˆã¨å†ç”Ÿãƒ˜ãƒƒãƒ‰</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Automation">6.3.5. オートメーション</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-DAW_User_Interface">6.4. ユーザインタフェース</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Messages_Pane">6.4.1. メッセージペイン</a></span></dt><dt><span class="section">
<a href="#sect-Musicians_Guide-DAW_Clock">6.4.2. クãƒãƒƒã‚¯</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Track_Info_Pane">6.4.3. ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Track_Pane">6.4.4. トラックペイン</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-DAW_Transport_Controls">6.4.5. トランスãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Ardour">7. Ardour</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Requirements_and_Installation">7.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Knowledge_Requirements">7.1.1. å‰æ知è˜</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Software_Requirements">7.1.2. ソフトウエアè¦ä»¶</a></span></dt><dt><s
pan class="section"><a href="#sect-Musicians_Guide-Ardour-Hardware_Requirements">7.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Installation">7.1.4. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording_a_Session">7.2. セッションを録音ã™ã‚‹</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Running_Ardour">7.2.1. <span class="application"><strong>Ardour</strong></span> を実行ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Interface">7.2.2. インタフェース</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline">7.2.3. タイムラインをè¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources">7.2.4. オーディ
オソースを <span class="application"><strong>Ardour</strong></span> ã«ã¤ãªã</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks">7.2.5. ãƒã‚¹ã¨ãƒˆãƒ©ãƒƒã‚¯ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level">7.2.6. 録音レベル（ボリューム）を調整ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Recording_a_Region">7.2.7. リージョンを録音ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Recording_More">7.2.8. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Routing_Audio">7.2.9. オーディオã®ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨ <code class="systemitem">JACK</code> 接続ã®ç®¡ç†</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-R
ecording-Importing_Existing_Audio">7.2.10. æ—¢å˜ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’インãƒãƒ¼ãƒˆã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Tutorial_Files">7.3. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing">7.4. 曲を編集ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Add_Tracks_and_Busses">7.4.1. トラックã¨ãƒã‚¹ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses">7.4.2. トラックã¨ãƒã‚¹ã‚’接続ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks">7.4.3. トラックã«ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size">7.4.4.
リージョンã®å¤§ãã•ã‚’切り詰ã‚ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings">7.4.5. åŒã˜ã‚‚ã®ã®è¤‡æ•°ã®éŒ²éŸ³ã‚’比較ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Arrange">7.4.6. リージョンをæ£ã—ã„å ´æ‰€ã«ä¸¦ã¹ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Listen">7.4.7. èžã</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing">7.5. 曲をミã‚シングã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Enabling_Stereo_Output">7.5.1. ステレオ出力ã®ãŸã‚ã«ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®è¨å®šã‚’è¡Œã„ã€ã‚¨ãƒ‡ã‚£ãƒƒãƒˆã‚°ãƒ«ãƒ¼ãƒ—を解除ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels">7.5.2. 最åˆã®ãƒ
¬ãƒ™ãƒ«ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning">7.5.3. 最åˆã®ãƒ‘ニングをè¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks">7.5.4. オートメーショントラックã§ã€ã•ã‚‰ã«èª¿æ•´ã‚’ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Other_Things">7.5.5. Other Things You Might Want to Do</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Listen">7.5.6. èžã</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mastering">7.6. Mastering a Session</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mastering-Ways_to_Export">7.6.1. Ways to Export Audio</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window">7.6.2. Usin
g the Export Window</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Qtractor">8. Qtractor</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Requirements_and_Installation">8.1. è¦æ±‚ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Knowledge_Requirements">8.1.1. å‰æ知è˜</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Software_Requirements">8.1.2. ソフトウエアè¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Hardware_Requirements">8.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Other_Requirements">8.1.4. ãã®ä»–ã®è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Installation">8.1.5. インストール</a></span></dt></dl></dd><dt><span class="section
"><a href="#sect-Musicians_Guide-Qtractor-Configuration">8.2. 構æˆ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration-JACK">8.2.1. Use <span class="application"><strong>Qtractor</strong></span> with <code class="systemitem">JACK</code> (<span class="application"><strong>QjackCtl</strong></span>)</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab">8.2.2. Change Audio Options</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab">8.2.3. Change MIDI Options</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names">8.2.4. Configure MIDI Channel Names</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using">8.3. Use Qtractor</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using-Blue_Place
_Markers">8.3.1. é’ã„プレースマーカを使ã†</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using-MIDI_Tools">8.3.2. Using the MIDI Matrix Editor's Tools</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together">8.3.3. Export a Whole File (Audio and MIDI Together)</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using-Tips">8.3.4. ãã®ä»–ã®çŸ¥è˜</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial">8.4. Create a MIDI Composition (Tutorial)</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Inspiration">8.4.1. インスピレーション</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Requirements">8.4.2. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Music
ians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready">8.4.3. Get Qtractor Ready</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File">8.4.4. オーディオファイルをインãƒãƒ¼ãƒˆã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area">8.4.5. 最åˆã®ãƒ•ã‚©ãƒ¼ãƒžãƒ«ã‚¨ãƒªã‚¢ã‚’マークã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme">8.4.6. 主題を作る</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme">8.4.7. 主題を繰り返ã—ã¾ã™ã€‚</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part">8.4.8. 次ã®ãƒ‘ートを作曲ã—ã¾ã™</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75">8.4.9. Qtractor'
s Measures 52 to 75</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97">8.4.10. Qtractor's Measures 75 to 97</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measure_97">8.4.11. Qtractor's Measure 97</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119">8.4.12. Qtractor's Measures 98 to 119</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139">8.4.13. Qtractor's Measures 119 to 139</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158">8.4.14. Qtractor's Measures 139 to 158</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176">8.4.15. Qtractor's Measures 158 to 176</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Mea
sures_177_to_the_End">8.4.16. Qtractor's Measures 177 to the End</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Rosegarden">9. Rosegarden</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Requirements_and_Installation">9.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Knowledge_Requirements">9.1.1. å‰æ知è˜</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Software_Requirements">9.1.2. ソフトウェアè¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Hardware_Requirements">9.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Other_Requirements">9.1.4. ãã®ä»–ã®è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Installation">9.1.5. インã
‚¹ãƒˆãƒ¼ãƒ«</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Configuration">9.2. 構æˆ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Configuration-JACK_and_Qsynth">9.2.1. Setup <span class="application"><strong>JACK</strong></span> and <span class="application"><strong>FluidSynth</strong></span> (<span class="application"><strong>Qsynth</strong></span>)</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden">9.2.2. <span class="application"><strong>Rosegarden</strong></span> ã®è¨å®š</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden_and_LilyPond">9.3. <span class="application"><strong>Rosegarden</strong></span> 㨠LilyPond</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial">9.4. <span class="application"><strong>Rosegarden</strong></span> ã§ã€ä½œæ›
²ã™ã‚‹ã€‚（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Bass_Line">9.4.1. 楽èœã‚’ベースラインã‹ã‚‰å§‹ã‚ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track">9.4.2. ãƒ‘ãƒ¼ã‚«ãƒƒã‚·ãƒ§ãƒ³ãƒˆãƒ©ãƒƒã‚¯ã‚’è¿½åŠ </a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion">9.4.3. パーカッションをスパイスアップ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Melody">9.4.4. メãƒãƒ‡ã‚£ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue">9.4.5. å…ˆã«é€²ã‚€ã„ãã¤ã‹ã®æ–¹æ³•</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-FluidSynth">10. FluidSynth</a></span></dt><dd><dl><dt><span class="section"><a hre
f="#sect-Musicians_Guide-FluidSynth-SoundFont_Technology_and_MIDI">10.1. サウンドフォント技術㨠MIDI</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-How_to_Get_a_SoundFont">10.1.1. ã©ã®ã‚ˆã†ã«ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã‚’å¾—ã‚‹ã‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-MIDI_Terms">10.1.2. MIDI インストゥルメントã€ãƒãƒ³ã‚¯ã€ãƒ—ãƒã‚°ãƒ©ãƒ ã€ãŠã‚ˆã³ãƒ‘ッãƒ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-MIDI_Channels">10.1.3. MIDIãƒãƒ£ãƒ³ãƒãƒ«</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Requirements_and_Installation">10.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Software_Requirements">10.2.1. ソフトウェアè¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide
-FluidSynth-Req_and_Inst-Installation">10.2.2. Install <span class="application"><strong>FluidSynth</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth">10.2.3. Install with <span class="application"><strong>Qsynth</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth">10.2.4. Install without <span class="application"><strong>Qsynth</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files">10.2.5. Install SoundFont Files</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-In_a_Terminal">10.3. Use <span class="application"><strong>FluidSynth</strong></span> in a Terminal Emulator</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring">10.4. Configure
<span class="application"><strong>Qsynth</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-Starting_FluidSynth">10.4.1. Start <span class="application"><strong>FluidSynth</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-SoundFont">10.4.2. Configure the SoundFont</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output">10.4.3. Configure <span class="application"><strong>JACK</strong></span> Output</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input">10.4.4. Configure MIDI Input</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings">10.4.5. View all <span class="application"><strong>FluidSynth</strong></span> Settings</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-M
usicians_Guide-FluidSynth-Assigning_Programs_to_Channels">10.5. Assign Programs to Channels with <span class="application"><strong>Qsynth</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Changing_Number_of_Input_Channels">10.5.1. Change the Number of MIDI Input Channels</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments">10.5.2. Save and Reuse Channel Assignments</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus">10.6. Use Reverb and Chorus with <span class="application"><strong>Qsynth</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Multiple_Instances">10.7. <span class="application"><strong>Qsynth</strong></span> ã§ã€è¤‡æ•°ã® <span class="application"><strong>FluidSynth</strong></span> インスタンスを使ã†</a></span></dt></dl><
/dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-SuperCollider">11. <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Requirements_and_Installation">11.1. Requirements and Installation</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Req_and_Inst-Knowledge">11.1.1. Knowledge Requirements</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Req_and_Inst-Software_Requirements">11.1.2. Software Requirements</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Req_and_Inst-Hardware_Requirements">11.1.3. Hardware Requirements</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-SC-Req_and_Inst-Available_Packages">11.1.4. Available <span class="application"><strong>SuperCollider</strong></span> Packages</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-S
C-Req_and_Inst-Recommended_Installation">11.1.5. Recommended Installation</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit">11.2. Using <span class="application"><strong>GEdit</strong></span> to Write and Run <span class="application"><strong>SuperCollider</strong></span> Programs</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit-Enable_and_Configure_SCEd">11.2.1. Enable and Configure SCEd in <span class="application"><strong>GEdit</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server">11.2.2. Enable <span class="application"><strong>SuperCollider</strong></span> Mode and Start a Server</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit-Executing_Code">11.2.3. Executing Code in <span class="application"><strong>GEdit</strong></span></a></span></dt><dt><span class="section"><a href="#se
ct-Musicians_Guide-SC-Using_GEdit-Other_Tips">11.2.4. Other Tips for Using <span class="application"><strong>GEdit</strong></span> with <span class="application"><strong>SuperCollider</strong></span></a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-SuperCollider-Basic_Programming">11.3. Basic Programming in <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-First_Steps">11.3.1. First Steps</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions">11.3.2. Variables and Functions</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented">11.3.3. Object-Oriented <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Sound_Ma
king_Functions">11.3.4. Sound-Making Functions</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio">11.3.5. Multichannel Audio</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Collections">11.3.6. Collections</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Repeating">11.3.7. Repeated Execution</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution">11.3.8. Conditional Execution</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix">11.3.9. Combining Audio; the Mix Class</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth">11.3.10. SynthDef and Synth</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Busses">11.3.1
1. Busses</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features">11.3.12. Ordering and Other Synth Features</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Scheduling">11.3.13. Scheduling</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Getting_Help">11.3.14. How to Get Help</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution">11.3.15. Legal Attribution</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-SuperCollider-Composing">11.4. Composing with SuperCollider</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Tutorial_Files">11.4.1. Files for the Tutorial</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Inspiration">11.4.2. Inspiration</a></span></dt><dt
><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Designing_the_First_Part">11.4.3. Designing the First Part</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part">11.4.4. Designing the Second Part</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones">11.4.5. Creating Ten Pseudo-Random Tones</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones">11.4.6. Scheduling the Tones</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Optimizing_the_Code">11.4.7. Optimizing the Code</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part">11.4.8. Making a Useful Section out of the Second Part</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Joining_the_T
wo_Parts">11.4.9. Joining the Two Parts</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-SuperCollider-Exporting">11.5. Exporting Sound Files</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Non_Real_Time_Synthesis">11.5.1. Non-Real-Time Synthesis</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Recording_SuperColliders_Output">11.5.2. Recording SuperCollider's Output (Tutorial)</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-LilyPond">12. <span class="application"><strong>LilyPond</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-How_LilyPond_Works">12.1. <span class="application"><strong>LilyPond</strong></span> ãŒã„ã‹ã«å‹•ä½œã™ã‚‹ã‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-The_LilyPond_Approach">12.2. <span class="application"><strong>Lil
yPond</strong></span> アプãƒãƒ¼ãƒ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Installation">12.3. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Installation-Frescobaldi">12.3.1. Learn about Frescobaldi</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation">12.3.2. Requirements and Installation (for <span class="application"><strong>Frescobaldi</strong></span>)</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Configure_Frescobaldi">12.4. Configure <span class="application"><strong>Frescobaldi</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax">12.5. <span class="application"><strong>LilyPond</strong></span> ã®åŸºæœ¬</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Synt
ax-Letters_Are_Pitches">12.5.1. æ–‡å—ã¯éŸ³ç¨‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations">12.5.2. æ•°å—ã¯é•·ã•</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Articulations">12.5.3. アーティã‚ュレーションã€è¡¨æƒ…記å·</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Simultaneity">12.5.4. åŒæ™‚性</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Chords">12.5.5. 和音</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Commands">12.5.6. コマンド</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Source_Files">12.5.7. ソースファイルã¨ãã®ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors">12.5.8. 誤りをé¿ã‘ã‚‹ã«ã¯
</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint">12.6. 対ä½æ³•ã®èª²é¡Œã‚’ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Tutorial_Files">12.6.1. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score">12.6.2. 楽èœã‚’開始ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output">12.6.3. Adjust Frescobaldi's Output</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Inputting">12.6.4. 音符を入力ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score">12.6.5. 楽èœã‚’フォーマットã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><
a href="#sect-Musicians_Guide-LilyPond-Orchestra">12.7. Work on an Orchestral Score (Tutorial)</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra-Tutorial_Files">12.7.1. Files for the Tutorial</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score">12.7.2. Start the Score</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output">12.7.3. Adjust Frescobaldi's Output</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra-Inputting">12.7.4. Input Notes</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano">12.8. Work on a Piano Score (Tutorial)</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Tutorial_Files">12.8.1. Files for the Tutorial</a></span></dt><dt><span class="section"><a href="#sec
t-Musicians_Guide-LilyPond-Piano-Starting_the_Score">12.8.2. Start the Score</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output">12.8.3. Adjust Frescobaldi's Output</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Inputting">12.8.4. Input Notes</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors">12.8.5. Troubleshoot Errors</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Formatting">12.8.6. Format the Score (Piano Dynamics)</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Solfege">13. GNU ソルフェージュ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Requirements_and_Installation">13.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Gu
ide-Hardware_and_Software_Requirements">13.1.1. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã¨ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Other_Requirements">13.1.2. ãã®ä»–ã®è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Install">13.1.3. å¿…è¦ãªã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Install_Csound">13.1.4. オプショナルãªã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ï¼š Csound</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Install_MMA">13.1.5. オプショナルインストール : MMA</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration">13.2. 構æˆ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-First_Time">13.2.1. Solfege ã‚’åˆã‚ã¦å®Ÿè¡Œã™ã‚‹ã¨ã</a></span></dt><dt><span class="section"><a href="#sect-Musicians_
Guide-Solfege-Configuration-Instruments">13.2.2. Instruments</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-External_Programs">13.2.3. External Programs</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-Interface">13.2.4. Interface</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-Practise">13.2.5. Practise</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-Sound_Setup">13.2.6. Sound Setup</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training">13.3. ã‚ãªãŸã®ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training-Aural_Skilla_and_Musical_Sensibility">13.3.1. オーラルスã‚ルã¨éŸ³æ¥½çš„感性</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training-Exercise_
Types">13.3.2. 課題ã®ã‚¿ã‚¤ãƒ—</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program">13.3.3. オーラルスã‚ルプãƒã‚°ãƒ©ãƒ を作る</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training-Supplementary_References">13.3.4. 補足ã®å‚ç…§</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Using_the_Exercises">13.4. 課題を使ã†</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Listening_Exercises">13.4.1. Listening</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Singing_Exercises">13.4.2. Singing</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Configure_Yourself_Exericses">13.4.3. Configure Yourself</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Rhythm_Exercises">13.4.4. Rhythm</a></span></dt><dt><span class="
section"><a href="#sect-Musicians_Guide-Solfege-Dictation_Exercises">13.4.5. Dictation</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Harmonic_Progressions">13.4.6. Harmonic Progressions</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Intonation">13.4.7. Intonation</a></span></dt></dl></dd></dl></dd></dl></dd><dt><span class="appendix"><a href="#appe-Musicians_Guide-Contributors">A. Contributors</a></span></dt><dt><span class="appendix"><a href="#appe-Musicians_Guide-Revision_History">B. 改訂履æ´</a></span></dt></dl></div><div xml:lang="ja-JP" class="preface" title="å‰æ›¸ã" id="pref-Musicians_Guide-Preface" lang="ja-JP"><div class="titlepage"><div><div><h1 class="title">å‰æ›¸ã</h1></div></div></div><div xml:lang="ja-JP" class="section" title="1. 表記方法" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="id836312">1. 表記方法</h2></div></d
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+ 1 番目ã®ä»®æƒ³ã‚¿ãƒ¼ãƒŸãƒŠãƒ«ã«åˆ‡ã‚Šæ›¿ãˆã‚‹ã¯ã€ <span class="keycap"><strong>Ctrl</strong></span>+<span class="keycap"><strong>Alt</strong></span>+<span class="keycap"><strong>F1</strong></span> を押ã—ã¾ã™ã€‚ X-Windows セッションã«æˆ»ã‚‹ã«ã¯ã€ <span class="keycap"><strong>Ctrl</strong></span>+<span class="keycap"><strong>Alt</strong></span>+<span class="keycap"><strong>F7</strong></span> を押ã—ã¾ã™ã€‚
+ </div></blockquote></div><div class="para">
+ 最åˆã®æ®µè½ã§ã¯æŠ¼ã™ã¹ã 1 ã¤ã®ã‚ーを特定ã—ã¦å¼·èª¿ã—ã¦ã„ã¾ã™ã€‚ 次ã®æ®µè½ã§ã¯åŒæ™‚ã«æŠ¼ã™ã¹ã 3 ã¤ã®ã‚ーã®çµ„ã¿åˆã‚ã›ãŒ 2 種類ã‚ã‚Šãã‚Œãžã‚Œå¼·èª¿ã•ã‚Œã¦ã„ã¾ã™ã€‚
+ </div><div class="para">
+ ソースコードã®èª¬æ˜Žã§ã¯ 1 段è½å†…ã§æ示ã•ã‚Œã‚‹ã‚¯ãƒ©ã‚¹å〠メソッド〠関数〠変数å〠戻り値を上記ã®ã‚ˆã†ã« <code class="literal">ç‰å¹…ã®å¤ªå—</code> ã§è¡¨ç¤ºã—ã¾ã™ã€‚ 例ãˆã°ã€
+ </div><div class="blockquote"><blockquote class="blockquote"><div class="para">
+ ファイル関連ã®ã‚¯ãƒ©ã‚¹ç¾¤ã¯ãƒ•ã‚¡ã‚¤ãƒ«ã‚·ã‚¹ãƒ†ãƒ ã«å¯¾ã—ã¦ã¯ <code class="classname">filesystem</code>〠ファイルã«ã¯ <code class="classname">file</code>〠ディレクトリã«ã¯ <code class="classname">dir</code> ã‚’ãã‚Œãžã‚Œå«ã¿ã¾ã™ã€‚ å„クラスã¯å€‹åˆ¥ã«é–¢é€£ã™ã‚‹æ¨©é™ã‚»ãƒƒãƒˆã‚’æŒã£ã¦ã„ã¾ã™ã€‚
+ </div></blockquote></div><div class="para">
+ <span class="application"><strong>プãƒãƒãƒ¼ã‚·ãƒ§ãƒŠãƒ«ã®å¤ªå—</strong></span>
+ </div><div class="para">
+ アプリケーションå〠ダイアãƒã‚°ãƒœãƒƒã‚¯ã‚¹ã®ãƒ†ã‚ストã€ãƒ©ãƒ™ãƒ«ä»˜ãボタン〠ãƒã‚§ãƒƒã‚¯ãƒœãƒƒã‚¯ã‚¹ã¨ãƒ©ã‚¸ã‚ªãƒœã‚¿ãƒ³ã®ãƒ©ãƒ™ãƒ«ã€ メニュータイトルã¨ã‚µãƒ–メニュータイトルãªã©ã‚·ã‚¹ãƒ†ãƒ 上ã§è¦‹ã‚‰ã‚Œã‚‹å˜èªžã‚„語å¥ã‚’表ã—ã¾ã™ã€‚ 例ãˆã°ã€
+ </div><div class="blockquote"><blockquote class="blockquote"><div class="para">
+ メインメニューãƒãƒ¼ã‹ã‚‰ <span class="guimenu"><strong>システム> 個人è¨å®š > マウス</strong></span> ã®é †ã§é¸æŠžã— <span class="application"><strong>マウスã®å€‹äººè¨å®š</strong></span> ã‚’èµ·å‹•ã—ã¾ã™ã€‚ <span class="guilabel"><strong>ボタン</strong></span> タブ内㧠<span class="guilabel"><strong>å·¦ããã®ãƒžã‚¦ã‚¹</strong></span> ãƒã‚§ãƒƒã‚¯ãƒœãƒƒã‚¯ã‚¹ã‚’クリックã—ã¦ã‹ã‚‰ <span class="guibutton"><strong>é–‰ã˜ã‚‹</strong></span> をクリックã—マウスã®ä¸»è¦ãƒœã‚¿ãƒ³ã‚’å·¦ã‹ã‚‰å³ã«åˆ‡ã‚Šæ›¿ãˆã¾ã™ (マウスを左ããã®äººãŒä½¿ç”¨ã™ã‚‹ã®ã«é©ã—ãŸè¨å®šã«ã™ã‚‹)。
+ </div><div class="para">
+ <span class="application"><strong>gedit</strong></span> ファイルã«ç‰¹æ®Šãªæ–‡å—を挿入ã™ã‚‹å ´åˆã¯ã€ メインメニューãƒãƒ¼ã‹ã‚‰ <span class="guimenu"><strong>アプリケーション > アクセサリ > æ–‡å—マップ</strong></span> ã®é †ã§é¸æŠžã—ã¾ã™ã€‚ 次㫠<span class="application"><strong>æ–‡å—マップ</strong></span> メニューãƒãƒ¼ã‹ã‚‰ <span class="guimenu"><strong>検索 > 検索…</strong></span> ã¨é¸æŠžã—㦠<span class="guilabel"><strong>検索</strong></span> フィールド内ã«ãã®æ–‡å—åを入力㗠<span class="guibutton"><strong>次</strong></span> をクリックã—ã¾ã™ã€‚ 探ã—ã¦ã„ã‚‹æ–‡å—㌠<span class="guilabel"><strong>æ–‡å—表</strong></span> 内ã§å¼·èª¿è¡¨ç¤ºã•ã‚Œã¾ã™ã€‚ ã“ã®å¼·èª¿è¡¨ç¤ºã•ã‚ŒãŸæ–‡å—をダブルクリックã™ã‚‹ã¨ <span class="guilabel"><strong>コピーã™ã‚‹ãƒ†ã‚スト</strong></span> フィールド内ã«ç½®ã‹ã‚Œã‚‹ã®ã§æ¬¡ã« <span class="guibutton"><st
rong>コピー</strong></span> ボタンをクリックã—ã¾ã™ã€‚ ã“ã“ã§ãƒ‰ã‚ュメントã«æˆ»ã‚Š <span class="application"><strong>gedit</strong></span> メニューãƒãƒ¼ã‹ã‚‰ <span class="guimenu"><strong>編集 > 貼り付ã‘</strong></span> ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></blockquote></div><div class="para">
+ 上記ã«ã¯ã€ アプリケーションå〠システム全体ã®ãƒ¡ãƒ‹ãƒ¥ãƒ¼åã¨é …目〠アプリケーション固有ã®ãƒ¡ãƒ‹ãƒ¥ãƒ¼å〠GUI インタフェースã§è¦‹ã‚‰ã‚Œã‚‹ãƒœã‚¿ãƒ³ã‚„テã‚ストãŒã‚ã‚Šã¾ã™ã€‚ ã™ã¹ã¦ãƒ—ãƒãƒãƒ¼ã‚·ãƒ§ãƒŠãƒ«ã®å¤ªå—ã§è¡¨ç¤ºã•ã‚Œã¦ã„ã‚‹ãŸã‚æ–‡ä¸å†…ã§è¦‹åˆ†ã‘ã‚„ã™ããªã£ã¦ã„ã¾ã™ã€‚
+ </div><div class="para">
+ <code class="command"><em class="replaceable"><code>ç‰å¹…ã®å¤ªå—ã§ä¸”ã¤æ–œä½“</code></em></code> ã¾ãŸã¯ <span class="application"><strong><em class="replaceable"><code>プãƒãƒãƒ¼ã‚·ãƒ§ãƒŠãƒ«ã®å¤ªå—ã§ä¸”ã¤æ–œä½“</code></em></strong></span>
+ </div><div class="para">
+ ç‰å¹…ã®å¤ªå—やプãƒãƒãƒ¼ã‚·ãƒ§ãƒŠãƒ«ã®å¤ªå—ã¯ã„ãšã‚Œã§ã‚ã£ã¦ã‚‚斜体ã®å ´åˆã¯ç½®æ›å¯èƒ½ãªãƒ†ã‚ストã‹å¤‰åŒ–ã™ã‚‹ãƒ†ã‚ストを示ã—ã¾ã™ã€‚ 斜体ã¯è¨˜è¼‰ã•ã‚Œã¦ã„る通りã«ã¯å…¥åŠ›ã—ãªã„テã‚ストã€ã‚ã‚‹ã„ã¯çŠ¶æ³ã«å¿œã˜ã¦å¤‰åŒ–ã™ã‚‹å‡ºåŠ›ãƒ†ã‚ストを表ã—ã¾ã™ã€‚ 例ãˆã°ã€
+ </div><div class="blockquote"><blockquote class="blockquote"><div class="para">
+ ssh を使用ã—ã¦ãƒªãƒ¢ãƒ¼ãƒˆãƒžã‚·ãƒ³ã«æŽ¥ç¶šã™ã‚‹ã«ã¯ã€ シェルプãƒãƒ³ãƒ—ト㧠<code class="command">ssh <em class="replaceable"><code>username</code></em>@<em class="replaceable"><code>domain.name</code></em></code> ã¨å…¥åŠ›ã—ã¾ã™ã€‚ リモートマシン㌠<code class="filename">example.com</code> ã§ã‚り〠ãã®ãƒžã‚·ãƒ³ã§ä½¿ç”¨ã—ã¦ã„るユーザーå㌠john ãªã‚‰ <code class="command">ssh john at example.com</code> ã¨å…¥åŠ›ã—ã¾ã™ã€‚
+ </div><div class="para">
+ <code class="command">mount -o remount <em class="replaceable"><code>file-system</code></em></code> コマンドã¯æŒ‡å®šã—ãŸãƒ•ã‚¡ã‚¤ãƒ«ã‚·ã‚¹ãƒ†ãƒ ã‚’å†ãƒžã‚¦ãƒ³ãƒˆã—ã¾ã™ã€‚ 例ãˆã°ã€ <code class="filename">/home</code> ファイルシステムをå†ãƒžã‚¦ãƒ³ãƒˆã™ã‚‹ã‚³ãƒžãƒ³ãƒ‰ã¯ <code class="command">mount -o remount /home</code> ã«ãªã‚Šã¾ã™ã€‚
+ </div><div class="para">
+ ç¾åœ¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã•ã‚Œã¦ã„るパッケージã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã‚’表示ã™ã‚‹ã«ã¯ã€ <code class="command">rpm -q <em class="replaceable"><code>package</code></em></code> コマンドを使用ã—ã¾ã™ã€‚ çµæžœã¨ã—ã¦æ¬¡ã‚’è¿”ã—ã¦ãã¾ã™ã€ <code class="command"><em class="replaceable"><code>package-version-release</code></em></code>。
+ </div></blockquote></div><div class="para">
+ 上記ã®å¤ªå—斜体ã®å˜èªž — username〠domain.name〠file-system〠package〠version〠release ã«æ³¨ç›®ã—ã¦ãã ã•ã„。 ã„ãšã‚Œã‚‚コマンドを発行ã™ã‚‹ã¨ãã«å…¥åŠ›ã™ã‚‹ãƒ†ã‚スト用ã®ãƒ—レースホルダーã‹ã‚·ã‚¹ãƒ†ãƒ ã«ã‚ˆã‚Šå‡ºåŠ›ã•ã‚Œã‚‹ãƒ†ã‚スト用ã®ãƒ—レースホルダーã«ãªã£ã¦ã„ã¾ã™ã€‚
+ </div><div class="para">
+ タイトル表示ã®ã‚ˆã†ãªæ¨™æº–çš„ãªä½¿ç”¨ã®ä»–〠斜体ã¯æ–°ã—ã„é‡è¦ãªç”¨èªžãŒåˆã‚ã¦å‡ºç¾ã™ã‚‹å ´åˆã«ã‚‚使用ã•ã‚Œã¾ã™ã€‚ 例ãˆã°ã€
+ </div><div class="blockquote"><blockquote class="blockquote"><div class="para">
+ Publican 㯠<em class="firstterm">DocBook</em> ã®ç™ºè¡Œã‚·ã‚¹ãƒ†ãƒ ã§ã™ã€‚
+ </div></blockquote></div></div><div class="section" title="1.2. 引用ã«ãŠã‘る表記方法"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="id854653">1.2. 引用ã«ãŠã‘る表記方法</h3></div></div></div><div class="para">
+ 端末ã®å‡ºåŠ›ã¨ã‚½ãƒ¼ã‚¹ã‚³ãƒ¼ãƒ‰ä¸€è¦§ã¯ã€è¦–覚的ã«å‘¨å›²ã®æ–‡ã‹ã‚‰åŒºåˆ¥ã•ã‚Œã¦ã„ã¾ã™ã€‚
+ </div><div class="para">
+ 端末ã«é€ä¿¡ã•ã‚Œã‚‹å‡ºåŠ›ã¯ <code class="computeroutput">mono-spaced roman</code> (ç‰å¹…ã® Roman) ã«ã‚»ãƒƒãƒˆã•ã‚Œã‚‹ã®ã§ä»¥ä¸‹ã®ã‚ˆã†ã«è¡¨ç¤ºã•ã‚Œã¾ã™ã€‚
+ </div><pre class="screen">books Desktop documentation drafts mss photos stuff svn
+books_tests Desktop1 downloads images notes scripts svgs</pre><div class="para">
+ ソースコードã®ä¸€è¦§ã‚‚ <code class="computeroutput">mono-spaced roman</code> (ç‰å¹…ã® Roman) ã§ã‚»ãƒƒãƒˆã•ã‚Œã¾ã™ãŒã€ä»¥ä¸‹ã®ã‚ˆã†ã«å¼·èª¿è¡¨ç¤ºã•ã‚Œã¾ã™ã€‚
+ </div><pre class="programlisting">package org.<span class="perl_Function">jboss</span>.<span class="perl_Function">book</span>.<span class="perl_Function">jca</span>.<span class="perl_Function">ex1</span>;
+
+<span class="perl_Keyword">import</span> javax.naming.InitialContext;
+
+<span class="perl_Keyword">public</span> <span class="perl_Keyword">class</span> ExClient
+{
+ <span class="perl_Keyword">public</span> <span class="perl_DataType">static</span> <span class="perl_DataType">void</span> <span class="perl_Function">main</span>(String args[])
+ <span class="perl_Keyword">throws</span> Exception
+ {
+ InitialContext iniCtx = <span class="perl_Keyword">new</span> InitialContext();
+ Object ref = iniCtx.<span class="perl_Function">lookup</span>(<span class="perl_String">"EchoBean"</span>);
+ EchoHome home = (EchoHome) ref;
+ Echo echo = home.<span class="perl_Function">create</span>();
+
+ System.<span class="perl_Function">out</span>.<span class="perl_Function">println</span>(<span class="perl_String">"Created Echo"</span>);
+
+ System.<span class="perl_Function">out</span>.<span class="perl_Function">println</span>(<span class="perl_String">"Echo.echo('Hello') = "</span> + echo.<span class="perl_Function">echo</span>(<span class="perl_String">"Hello"</span>));
+ }
+}</pre></div><div class="section" title="1.3. 注記ãŠã‚ˆã³è¦å‘Š"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="id1193407">1.3. 注記ãŠã‚ˆã³è¦å‘Š</h3></div></div></div><div class="para">
+ æƒ…å ±ãŒè¦‹éŽã”ã•ã‚Œãªã„よㆠ3 種類ã®è¦–覚的ãªã‚¹ã‚¿ã‚¤ãƒ«ã‚’使用ã—ã¦æ³¨æ„を引ã„ã¦ã„ã¾ã™ã€‚
+ </div><div class="note"><h2>注記</h2><div class="para">
+ 注記ã¯èª¬æ˜Žã—ã¦ã„る部分ã«å¯¾ã™ã‚‹ãƒ’ントや近é“ã‚ã‚‹ã„ã¯ä»£æ›¿ã¨ãªã‚‹æ‰‹æ®µãªã©ã«ãªã‚Šã¾ã™ã€‚注記を無視ã—ã¦ã‚‚悪影響ã¯ã‚ã‚Šã¾ã›ã‚“ãŒçŸ¥ã£ã¦ãŠãã¨ä¾¿åˆ©ãªã‚³ãƒ„を見逃ã™ã“ã¨ã«ãªã‚‹ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。
+ </div></div><div class="important"><h2>é‡è¦</h2><div class="para">
+ Important boxes detail things that are easily missed: configuration changes that only apply to the current session, or services that need restarting before an update will apply. Ignoring a box labeled 'Important' won't cause data loss but may cause irritation and frustration.
+ </div></div><div class="warning"><h2>è¦å‘Š</h2><div class="para">
+ è¦å‘Šã¯ç„¡è¦–ã—ãªã„ã§ãã ã•ã„。è¦å‘Šã‚’無視ã™ã‚‹ã¨ãƒ‡ãƒ¼ã‚¿ã‚’喪失ã™ã‚‹å¯èƒ½æ€§ãŒéžå¸¸ã«é«˜ããªã‚Šã¾ã™ã€‚
+ </div></div></div></div><div xml:lang="ja-JP" class="section" title="2. フィードãƒãƒƒã‚¯" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="id1681045">2. フィードãƒãƒƒã‚¯</h2></div></div></div><a id="id1681054" class="indexterm"></a><div class="para">
+ 本ガイドã«èª¤æ¤ã‚’見ã¤ã‘られãŸå ´åˆã‚„本ガイドã®æ”¹å–„案をãŠæŒã¡ã®å ´åˆã¯ãœã²ãŠçŸ¥ã‚‰ã›ãã ã•ã„。 Bugzilla <a href="http://bugzilla.redhat.com/bugzilla/">http://bugzilla.redhat.com/bugzilla/</a> ã«ã¦ã€ Product ã«ã¯ <span class="application"><strong>Fedora Documentation.</strong></span> ã‚’é¸ã³ãƒ¬ãƒãƒ¼ãƒˆã®æ出をãŠé¡˜ã„ã„ãŸã—ã¾ã™ã€‚
+ </div><div class="para">
+ ãƒã‚°ãƒ¬ãƒãƒ¼ãƒˆã‚’æ出ã•ã‚Œã‚‹å ´åˆã¯ã€ ãã®ã‚¬ã‚¤ãƒ‰ã®è˜åˆ¥åã¨ãªã‚‹ <em class="citetitle">musicians-guide</em> ã‚’å¿…ãšæ˜Žè¨˜ã—ã¦é ‚ãよã†ãŠé¡˜ã„ã—ã¾ã™ã€‚
+ </div><div class="para">
+ ドã‚ュメントã«é–¢ã™ã‚‹æ”¹å–„ã®ã”æ„見ã«ã¤ã„ã¦ã¯ã§ãã‚‹ã ã‘具体的ã«ãŠé¡˜ã„ã„ãŸã—ã¾ã™ã€‚ エラーを発見ã•ã‚ŒãŸå ´åˆã¯ã€ セクション番å·ãŠã‚ˆã³è©²å½“部分ã®å‰å¾Œã®æ–‡ç« ã‚‚å«ã‚ã¦ã”å ±å‘Šé ‚ãã¨ç…§åˆãŒå®¹æ˜“ã«ãªã‚Šã¾ã™ã€‚
+ </div></div></div><div class="part" title="パート I. Linux オーディオã®åŸºæœ¬" id="id826110"><div class="titlepage"><div><div text-align="center"><h1 class="title">パート I. Linux オーディオã®åŸºæœ¬</h1></div></div></div><div class="toc"><p><b>目次</b></p><dl><dt><span class="chapter"><a href="#chap-Musicians_Guide-Sound_Cards">1. サウンドカードã¨ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-What_Sound_Cards_Are">1.1. サウンドカードã®ç¨®é¡ž</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audio_Interfaces">1.1.1. オーディオインタフェース</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-MIDI_Interfaces">1.1.2. MIDI インターフェイス</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Card_Connections">1.2. サウンドカードã®æŽ¥ç¶š</a></span></dt><dd><dl><dt><spa
n class="section"><a href="#sect-Musicians_Guide-Motherboard_Integrated">1.2.1. マザーボードã«çµ±åˆ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-PCI_Sound_Cards">1.2.2. 内蔵 PCI 接続</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FireWire_Sound_Cards">1.2.3. 外部ã®FireWire 接続</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-USB_Sound_Cards">1.2.4. 外部 USB 接続</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Choose_Sound_Card_Connection">1.2.5. 接続タイプをé¸æŠžã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Sample_Rate_and_Sample_Format">1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Sample">1.3.1. サンプル</a></span></dt><dt><span class="section"><a href="#sect-Music
ians_Guide-Sample_Format">1.3.2. サンプルフォーマット</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sample_Rate">1.3.3. サンプルレート</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Bit_Rate">1.3.4. ビットレート</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions">1.3.5. çµè«–</a></span></dt></dl></dd><dt><span class="section"><a href="#chap-Musicians_Guide-Vocabulary">1.4. ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ¦‚念</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-MIDI_Sequencer">1.4.1. MIDI シーケンサー</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Bus">1.4.2. ãƒã‚¹ã€ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã€€ãã—ã¦ã‚µãƒ–マスターãƒã‚¹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Level">1.4.3. レベル(ボリュームï¼ãƒ©ã‚¦ãƒ‰ãƒã‚
¹ï¼‰</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Panning_and_Balance">1.4.4. パニングã¨ãƒãƒ©ãƒ³ã‚¹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Time">1.4.5. タイムã€ã‚¿ã‚¤ãƒ ラインã€ãã—ã¦ã‚¿ã‚¤ãƒ シフティング</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Synchronization">1.4.6. åŒæœŸ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing">1.4.7. ルーティングã¨å¤šé‡åŒ–</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Multichannel_Audio">1.4.8. マルãƒãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-How_Computers_Deal_with_Hardware">2. サウンドカード用ã®ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers-ALSA">2.1. Li
nux ã¯ã©ã®ã‚ˆã†ã«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ã‚’扱ã†ã‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers_Section">2.2. サウンドサーãƒ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers-PulseAudio">2.2.1. パルスオーディオ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers-JACK">2.2.2. <code class="systemitem">JACK</code> オーディオ接続ã‚ット</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers-Phonon">2.2.3. フォノン</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Using_JACK">2.3. Use the <code class="systemitem">JACK</code> Audio Connection Kit</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Install_and_Configure_JACK">2.3.1. Install and Configure <code class="systemitem">JACK</code></a></span></dt><dt><span class="section">
<a href="#sect-Musicians_Guide-Using_QjackCtl">2.3.2. <span class="application"><strong>QjackCtl</strong></span> を使ã†</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Integrating_PulseAudio_with_JACK">2.3.3. <code class="systemitem">PulseAudio</code> ã‚’ <code class="systemitem">JACK</code> ã¨çµ±åˆã™ã‚‹</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Real_Time_and_Low_Latency">3. リアルタイムã¨ä½Žé…延</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Low_Latency">3.1. 低é…延ãŒãªãœæœ›ã¾ã—ã„ã‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Processor_Scheduling">3.2. プãƒã‚»ãƒƒã‚µã‚¹ã‚±ã‚¸ãƒ¥ãƒ¼ãƒªãƒ³ã‚°</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Real_Time_Linux_Kernel">3.3. リアルタイムLinux カーãƒãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Hard_and_Soft_Real
_Time">3.4. ãƒãƒ¼ãƒ‰ã¨ã‚½ãƒ•ãƒˆãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ </a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora">3.5. Getting a Real-Time Kernel in Fedora Linux</a></span></dt></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Planet_CCRMA_at_Home">4. Planet CCRMA at Home</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-What_Is_Planet_CCRMA">4.1. Planet CCRMA at Home ã«ã¤ã„ã¦</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA">4.2. Planet CCRMA at Home を使ã†ã‹ã©ã†ã‹ã‚’決ã‚ã‚‹</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Need_Exclusive_Software">4.2.1. 独å 的ソフトウエア</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Security_and_Stability">4.2.2. ã‚»ã‚ュリティã¨å®‰å®šæ€§</a></span></dt><dt><span class="section"><a href="#sect-M
usicians_Guide-CCRMA_Best_Practices">4.2.3. A Possible "Best Practices" Solution</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Using_Planet_CCRMA_Software">4.3. Planet CCRMA at Home ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’使ã†</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Installing_Repository">4.3.1. Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’インストールã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Repository_Priorities">4.3.2. リãƒã‚¸ãƒˆãƒªã®å„ªå…ˆåº¦ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Preventing_Package_Updates">4.3.3. パッケージを更新ã•ã‚Œãªãã™ã‚‹</a></span></dt></dl></dd></dl></dd></dl></div><div xml:lang="ja-JP" class="chapter" title="第1ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¨ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª" id="chap-Musicians_Guide-Sound_Cards" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title"
>第1ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¨ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-What_Sound_Cards_Are">1.1. サウンドカードã®ç¨®é¡ž</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audio_Interfaces">1.1.1. オーディオインタフェース</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-MIDI_Interfaces">1.1.2. MIDI インターフェイス</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Card_Connections">1.2. サウンドカードã®æŽ¥ç¶š</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Motherboard_Integrated">1.2.1. マザーボードã«çµ±åˆ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-PCI_Sound_Cards">1.2.2. 内蔵 PCI 接続</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FireWire_Sound_Cards">1.2.3. 外部
ã®FireWire 接続</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-USB_Sound_Cards">1.2.4. 外部 USB 接続</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Choose_Sound_Card_Connection">1.2.5. 接続タイプをé¸æŠžã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Sample_Rate_and_Sample_Format">1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Sample">1.3.1. サンプル</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sample_Format">1.3.2. サンプルフォーマット</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sample_Rate">1.3.3. サンプルレート</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Bit_Rate">1.3.4. ビットレート</a></span></dt><dt><span class="section"><a
href="#sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions">1.3.5. çµè«–</a></span></dt></dl></dd><dt><span class="section"><a href="#chap-Musicians_Guide-Vocabulary">1.4. ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ¦‚念</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-MIDI_Sequencer">1.4.1. MIDI シーケンサー</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Bus">1.4.2. ãƒã‚¹ã€ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã€€ãã—ã¦ã‚µãƒ–マスターãƒã‚¹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Level">1.4.3. レベル(ボリュームï¼ãƒ©ã‚¦ãƒ‰ãƒã‚¹ï¼‰</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Panning_and_Balance">1.4.4. パニングã¨ãƒãƒ©ãƒ³ã‚¹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Time">1.4.5. タイムã€ã‚¿ã‚¤ãƒ ラインã€ãã—ã¦ã‚¿ã‚¤ãƒ シフティング</a></span></dt><dt>
<span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Synchronization">1.4.6. åŒæœŸ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing">1.4.7. ルーティングã¨å¤šé‡åŒ–</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Multichannel_Audio">1.4.8. マルãƒãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</a></span></dt></dl></dd></dl></div><div class="para">
+ ã“ã®ç« ã§ã¯ã€ã‚³ãƒ³ãƒ”ュータオーディオã®ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ã«ä½¿ç”¨ã•ã‚Œã‚‹æŠ€è¡“çš„ãªç”¨èªžã‚’紹介ã—ã¾ã™ã€‚
+ </div><div class="section" title="1.1. サウンドカードã®ç¨®é¡ž" id="sect-Musicians_Guide-What_Sound_Cards_Are"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-What_Sound_Cards_Are">1.1. サウンドカードã®ç¨®é¡ž</h2></div></div></div><div class="para">
+ サウンドカードã¯ã€ã‚³ãƒ³ãƒ”ュータãŒéŸ³ã‚’処ç†ã™ã‚‹ãŸã‚ã®ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ãƒ‡ãƒã‚¤ã‚¹ã§ã™ã€‚ ã»ã¨ã‚“ã©ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ãƒ¼ã‚¹ã‹ MIDI インターフェイスをæŒã¡ã¾ã™ã€‚ ã“ã®2種類ã®ã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã¯ä»¥ä¸‹ã§èª¬æ˜Žã•ã‚Œã¾ã™ã€‚
+ </div><div class="section" title="1.1.1. オーディオインタフェース" id="sect-Musicians_Guide-Audio_Interfaces"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audio_Interfaces">1.1.1. オーディオインタフェース</h3></div></div></div><div class="para">
+ オーディオインターフェイスã¯ã€ã‚³ãƒ³ãƒ”ュータã¨ãƒžã‚¤ã‚¯ã€ã‚¹ãƒ”ーカーãªã©ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ©Ÿå™¨ã®é–“ã®æŽ¥ç¶šã‚’æä¾›ã™ã‚‹ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ãƒ‡ãƒã‚¤ã‚¹ã§ã™ã€‚ オーディオインターフェイスã¯ã€é€šå¸¸ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ã‚’アナãƒã‚°ã¨ãƒ‡ã‚¸ã‚¿ãƒ«å½¢å¼ã®é–“ã§å¤‰æ›ã—ã¾ã™ï¼šã‚³ãƒ³ãƒ”ュータã«å…¥ã‚‹ä¿¡å·ã¯ã€ã‚¢ãƒŠãƒã‚° - デジタル変æ›å™¨ã‚’介ã—ã€ã‚³ãƒ³ãƒ”ュータã‹ã‚‰å‡ºã‚‹ä¿¡å·ã¯ãƒ‡ã‚£ã‚¸ã‚¿ãƒ« - アナãƒã‚°å¤‰æ›å™¨ã‚’介ã—ã¾ã™ã€‚ 一部ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã¯ã€ デジタル入力ã¨å‡ºåŠ›ãƒãƒ¼ãƒˆãŒã‚ã‚Šã¾ã™ã€‚ã¤ã¾ã‚Šã€ä»–ã®ãƒ‡ãƒã‚¤ã‚¹ãŒã€ã‚¢ãƒŠãƒã‚°ãŠã‚ˆã³ãƒ‡ã‚¸ã‚¿ãƒ«ä¿¡å·ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆé–“ã®å¤‰æ›ã‚’ã™ã‚‹ã“ã¨ã‚’æ„味ã—ã¾ã™ã€‚
+ </div><div class="para">
+ アナãƒã‚°ã¨ãƒ‡ã‚¸ã‚¿ãƒ«ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆé–“ã®å¤‰æ›ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ãƒ¼ã‚¹ã®ä¸»ãªæ©Ÿèƒ½ã§ã™ã€‚ 本物ã®éŸ³ã¯ã€éŸ³ç¨‹ã€ãƒœãƒªãƒ¥ãƒ¼ãƒ ã€ãŠã‚ˆã³æŒç¶šæ™‚é–“ã®ç¯„囲ãŒç„¡é™ã«ãªã‚‹ã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚ コンピュータã¯ã€ç„¡é™ã®æƒ…å ±ã‚’å‡¦ç†ã§ããšã€éŸ³ã¯ãƒ‡ã‚¸ã‚¿ãƒ«å½¢å¼ã«å¤‰æ›ã•ã‚Œã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚ デジタル音声信å·ã¯ã€éŸ³ç¨‹ã€ãƒœãƒªãƒ¥ãƒ¼ãƒ ã€ãŠã‚ˆã³æŒç¶šæ™‚é–“ã®ç¯„囲ãŒé™ã‚‰ã‚Œã¦ã„ã¾ã™ã€‚ 高å“質ã®ã‚¢ãƒŠãƒã‚° -デジタルãŠã‚ˆã³ãƒ‡ã‚¸ã‚¿ãƒ« - アナãƒã‚°ã‚³ãƒ³ãƒãƒ¼ã‚¿ã¯ã€å¯èƒ½ãªé™ã‚Šã€å…ƒã®ã‚¢ãƒŠãƒã‚°ä¿¡å·ã‚’ä¿ã¤æ–¹æ³•ã§ã€ä¿¡å·å½¢å¼ã‚’変æ›ã—ã¾ã™ã€‚ã“れらã®ã‚³ãƒ³ãƒãƒ¼ã‚¿ã®å“質ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã®å“質を決定ã™ã‚‹ä¸Šã§éžå¸¸ã«é‡è¦ã§ã™ã€‚
+ </div><div class="para">
+ オーディオインターフェイスã¯ã€ãã®ã»ã‹ã«ã€ãƒžã‚¤ã‚¯ã€ã‚¹ãƒ”ーカーã€ãƒ˜ãƒƒãƒ‰ãƒ•ã‚©ãƒ³ã€ã‚¨ãƒ¬ã‚ギターã®ã‚ˆã†ãªé›»å楽器ãªã©ã€å¤–部オーディオ機器用ã®ã‚³ãƒã‚¯ã‚¿ã‚’æä¾›ã—ã¾ã™ã€‚
+ </div></div><div class="section" title="1.1.2. MIDI インターフェイス" id="sect-Musicians_Guide-MIDI_Interfaces"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-MIDI_Interfaces">1.1.2. MIDI インターフェイス</h3></div></div></div><div class="para">
+ Musical Instrument Digital Interface（MIDI）ã¯ã€ãƒ‡ã‚¸ã‚¿ãƒ«éŸ³æ¥½æ©Ÿå™¨ã‚’制御ã™ã‚‹ãŸã‚ã«ä½¿ç”¨ã•ã‚Œã‚‹æ¨™æº–ã§ã™ã€‚ 多ãã®äººã€…ã¯ã€ã“ã®è¨€è‘‰ã‚’アコースティック楽器ã®ä½Žå“質ã®æ¨¡é€ å“ã¨é–¢é€£ä»˜ã‘ã¾ã™ã€‚ MIDI ä¿¡å·è‡ªèº«ã¯éŸ³ã‚’æŒã£ã¦ã„ãªã„ã®ã§ã€ã“ã‚Œã¯æ®‹å¿µãªã“ã¨ã§ã™ã€‚ MIDI ä¿¡å·ã¯ã€ãƒ‡ãƒã‚¤ã‚¹ã‚’制御ã™ã‚‹ãŸã‚ã®å‘½ä»¤ã§ã™ï¼šãã‚Œã¯ã‚·ãƒ³ã‚»ã‚µã‚¤ã‚¶ã«ã€ã„ã¤éŸ³ã‚’開始ã—åœæ¢ã™ã‚‹ã‹ã€éŸ³ã¯ã©ã‚Œãらã„ã®é•·ã•ã‹ã€ã©ã®é«˜ã•ã‹ã‚’指示ã—ã¾ã™ã€‚ シンセサイザã¯ã€ã“れらã®å‘½ä»¤ã«å¾“ã£ã¦ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ã‚’生æˆã—ã¾ã™ã€‚ 多ãã® MIDI 制御シンセサイザã¯ã€ã‚¢ã‚³ãƒ¼ã‚¹ãƒ†ã‚£ãƒƒã‚¯æ¥½å™¨ã®ä½Žå“質ã®æ¨¡é€ å“ã§ã™ãŒã€é«˜å“質ã®æ¨¡é€ å“ã¨ã„ãˆã‚‹ã‚‚ã®ã‚‚多ãã‚ã‚Šã¾ã™ã€‚ MIDI 対応ã®ãƒ‡ãƒã‚¤ã‚¹ã¯ã€å¤šãã®ä¸»æµã€éžä¸»æµã®éŸ³æ¥½ã®ç¾å ´ã§ä½¿ç”¨ã•ã‚Œã¦ãŠã‚Šã€ã»ã¨ã‚“ã©å®Ÿéš›ã®ã‚¢ã‚³ãƒ¼ã‚¹ãƒ†ã‚£ãƒƒã‚¯æ¥½å™¨ã¨åŒºåˆ¥
ã™ã‚‹ã“ã¨ãŒã§ãã¾ã›ã‚“。 MIDI インターフェイスã¯ã€MIDI ä¿¡å·ã ã‘ã‚’é€ä¿¡ã—ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ã‚’é€ä¿¡ã—ã¾ã›ã‚“。 一部ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã¯çµ„ã¿è¾¼ã¿ã® MIDI インターフェイスをæŒã£ã¦ãŠã‚Šã€ä¸¡æ–¹ã®ã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ãŒåŒã˜ç‰©ç†ãƒ‡ãƒã‚¤ã‚¹ã‚’共有ã™ã‚‹ã“ã¨ã‚’å¯èƒ½ã«ã—ã¦ã„ã¾ã™ã€‚
+ </div><div class="para">
+ In order to create sound from MIDI signals, you need a "MIDI synthesizer." Some MIDI synthesizers have dedicated hardware, and some use only software. A software-only MIDI synthesizer, based on SoundFont technology, is discussed in <a class="xref" href="#chap-Musicians_Guide-FluidSynth" title="第10ç« FluidSynth">10ç« <i>FluidSynth</i></a>
+ </div><div class="para">
+ You can use MIDI signals, synthesizers, and applications without a hardware-based MIDI interface. All of the MIDI-capable applications in the Musicians' Guide work well with software-based MIDI solutions, and are also compatible with hardware-based MIDI devices.
+ </div></div></div><div class="section" title="1.2. サウンドカードã®æŽ¥ç¶š" id="sect-Musicians_Guide-Sound_Card_Connections"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Sound_Card_Connections">1.2. サウンドカードã®æŽ¥ç¶š</h2></div></div></div><div class="para">
+ Audio interfaces and MIDI interfaces can both use the following connection methods. In this section, "sound card" means "audio interface or MIDI interface."
+ </div><div class="section" title="1.2.1. マザーボードã«çµ±åˆ" id="sect-Musicians_Guide-Motherboard_Integrated"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Motherboard_Integrated">1.2.1. マザーボードã«çµ±åˆ</h3></div></div></div><div class="para">
+ Integrated sound cards are built into a computer's motherboard. The quality of audio produced by these sound cards has been increasing, and they are sufficient for most non-professional computer audio work. If you want a professional-sounding audio interface, or if you want to connect high-quality devices, then we recommend an additional audio interface.
+ </div><div class="para">
+ MIDI インターフェイスãŒãƒžã‚¶ãƒ¼ãƒœãƒ¼ãƒ‰ã«çµ„ã¿è¾¼ã¾ã‚Œã¦ã„ã‚‹ã“ã¨ã¯ã»ã¨ã‚“ã©ã‚ã‚Šã¾ã›ã‚“。
+ </div></div><div class="section" title="1.2.2. 内蔵 PCI 接続" id="sect-Musicians_Guide-PCI_Sound_Cards"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-PCI_Sound_Cards">1.2.2. 内蔵 PCI 接続</h3></div></div></div><div class="para">
+ PCI ã¾ãŸã¯ PCI-Express ã§ãƒžã‚¶ãƒ¼ãƒœãƒ¼ãƒ‰ã«æŽ¥ç¶šã™ã‚‹ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¯ã€USB ã¾ãŸã¯ FireWire 接続ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã‚ˆã‚Šã‚‚高ã„パフォーマンスã¨ä½Žé…延をæä¾›ã—ã¾ã™ã€‚ プãƒå“質ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¯ã€å¤šãã®å ´åˆã€ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«æŽ¥ç¶šã•ã‚ŒãŸå¤–部デãƒã‚¤ã‚¹ã‚’æŒã¡ã€ã“ã‚Œã«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ©Ÿå™¨ãŒæŽ¥ç¶šã•ã‚Œã¦ã„ã¾ã™ã€‚ ã‚ãªãŸã¯ãƒŽãƒ¼ãƒˆ PC ã‚„ãƒãƒƒãƒˆãƒ–ックコンピュータã§ã€ã“れらã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã‚’使用ã™ã‚‹ã“ã¨ã¯ã§ãã¾ã›ã‚“。
+ </div></div><div class="section" title="1.2.3. 外部ã®FireWire 接続" id="sect-Musicians_Guide-FireWire_Sound_Cards"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FireWire_Sound_Cards">1.2.3. 外部ã®FireWire 接続</h3></div></div></div><div class="para">
+ FireWire-connected sound cards are not as popular as USB-connected sound cards, but they are generally higher quality. This is partly because FireWire-connected sound cards use FireWire's "guaranteed bandwidth" and "bus-mastering" capabilities, which both reduce latency. High-speed FireWire connections are also available on older computers without a high-speed USB connection.
+ </div><div class="para">
+ FireWire devices are sometimes incompatible with the standard Fedora Linux kernel. If you have a FireWire-connected sound card, you should use the kernel from Planet CCRMA at Home. Refer to <a class="xref" href="#sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora" title="3.5. Getting a Real-Time Kernel in Fedora Linux">「Getting a Real-Time Kernel in Fedora Linuxã€</a> for instructions to install the Planet CCRMA at Home kernel.
+ </div></div><div class="section" title="1.2.4. 外部 USB 接続" id="sect-Musicians_Guide-USB_Sound_Cards"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-USB_Sound_Cards">1.2.4. 外部 USB 接続</h3></div></div></div><div class="para">
+ ノート PC ã‚„ãƒãƒƒãƒˆãƒ–ックコンピュータãŒã‚ˆã‚Šä¸€èˆ¬çš„ã«ãªã£ã¦ã„ã‚‹ãŸã‚ã€USB 接続ã•ã‚ŒãŸã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¯ã€ã‚ˆã‚Šä¸€èˆ¬çš„ã«ãªã£ã¦ã„ã¾ã™ã€‚ å“質ã¯ã€å†…蔵ã•ã‚ŒãŸã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¨åŒã˜ãらã„良好ã§ã™ãŒã€USB 接続ãŒé…å»¶ã‚’è¿½åŠ ã™ã‚‹ã“ã¨ã‚‚ã‚ã‚Šã¾ã™ã€‚ USB 接続ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¯ã€é€šå¸¸ã€é«˜å“質ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ãŒã»ã—ã„アマãƒãƒ¥ã‚¢ãƒŸãƒ¥ãƒ¼ã‚¸ã‚·ãƒ£ãƒ³ã®ãŸã‚ã®æœ€ã‚‚æ‰‹é ƒãªä¾¡æ ¼ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã§ã™ã€‚
+ </div></div><div class="section" title="1.2.5. 接続タイプをé¸æŠžã™ã‚‹" id="sect-Musicians_Guide-Choose_Sound_Card_Connection"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Choose_Sound_Card_Connection">1.2.5. 接続タイプをé¸æŠžã™ã‚‹</h3></div></div></div><div class="para">
+ 接続タイプã¯ã€ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã‚’é¸æŠžã™ã‚‹è¦³ç‚¹ã®1ã¤ã«ã™ãŽã¾ã›ã‚“。 ã‚ãªãŸãŒãƒ‡ã‚¹ã‚¯ãƒˆãƒƒãƒ—コンピュータを所有ã—ã¦ãŠã‚Šã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªç”¨ã«ãƒŽãƒ¼ãƒˆPCã‚„ãƒãƒƒãƒˆãƒ–ックコンピュータを使用ã™ã‚‹ã¤ã‚‚ã‚ŠãŒãªã„ãªã‚‰ã°ã€å†…蔵 PCI ã¾ãŸã¯ PCI-Express 接続を考慮ã—ã¾ã—ょã†ã€‚ 外部ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ãŒå¿…è¦ãªå ´åˆã¯ã€FireWire 接続を考慮ã—ã¾ã—ょã†ã€‚ FireWire 接続ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¯å€¤æ®µãŒé«˜ã™ãŽã‚‹å ´åˆã¯ã€USB 接続を考慮ã—ã¾ã—ょã†ã€‚ 接続タイプã¯ã€ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã‚’é¸æŠžã™ã‚‹éš›ã«æœ€ã‚‚é‡è¦ãªè¦³ç‚¹ã§ã¯ã‚ã‚Šã¾ã›ã‚“。 アナãƒã‚° - デジタルãŠã‚ˆã³ãƒ‡ã‚¸ã‚¿ãƒ« - アナãƒã‚°ã‚³ãƒ³ãƒãƒ¼ã‚¿ã®ä¸»è¦³çš„å“質ãŒæœ€ã‚‚é‡è¦ãªè¦³ç‚¹ã§ã™ã€‚
+ </div></div></div><div class="section" title="1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート" id="sect-Musicians_Guide-Sample_Rate_and_Sample_Format"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Sample_Rate_and_Sample_Format">1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート</h2></div></div></div><div class="para">
+ オーディオインターフェイスã®ä¸»ãªæ©Ÿèƒ½ã¯ã€ã‚¢ãƒŠãƒã‚°ãŠã‚ˆã³ãƒ‡ã‚¸ã‚¿ãƒ«å½¢å¼ã®é–“ã§ä¿¡å·ã‚’変æ›ã™ã‚‹ã“ã¨ã§ã™ã€‚ å‰è¿°ã—ãŸã‚ˆã†ã«ã€å®Ÿéš›ã®éŸ³ã¯éŸ³ç¨‹ã€ãƒœãƒªãƒ¥ãƒ¼ãƒ ã€ãŠã‚ˆã³æŒç¶šæ™‚é–“ã®ç„¡é™ã®å¯èƒ½æ€§ã‚’æŒã£ã¦ã„ã¾ã™ã€‚ コンピュータã¯ç„¡é™ã®æƒ…å ±ã‚’å‡¦ç†ã™ã‚‹ã“ã¨ã¯ã§ãã¾ã›ã‚“ã‹ã‚‰ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ã¯ä½¿ç”¨ã™ã‚‹å‰ã«å¤‰æ›ã™ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚
+ </div><div class="figure" title="図1.1 コンピュータã«ã‚ˆã£ã¦è¿‘ä¼¼ã•ã‚ŒãŸæ³¢å½¢" id="waveform"><div class="figure-contents"><div class="mediaobject"><img src="./images/sample-graph.png" alt="コンピュータã«ã‚ˆã£ã¦è¿‘ä¼¼ã•ã‚ŒãŸæ³¢å½¢" /><div class="longdesc"><div class="para">
+ ä¸é€£ç¶šãªéšŽæ®µã§è¿‘ä¼¼ã•ã‚Œã‚‹ã€ãªã‚らã‹ã§é€£ç¶šã—ãŸæ³¢å½¢
+ </div></div><div class="caption"><div class="para">
+ ソース: <code class="filename">pcm.svg</code> <a href="http://commons.wikimedia.org/wiki/File:Pcm.svg">http://commons.wikimedia.org/wiki/File:Pcm.svg</a>よりå–å¾—å¯èƒ½ã€‚
+ </div></div></div></div><h6>図1.1 コンピュータã«ã‚ˆã£ã¦è¿‘ä¼¼ã•ã‚ŒãŸæ³¢å½¢</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="#waveform" title="図1.1 コンピュータã«ã‚ˆã£ã¦è¿‘ä¼¼ã•ã‚ŒãŸæ³¢å½¢">図1.1「コンピュータã«ã‚ˆã£ã¦è¿‘ä¼¼ã•ã‚ŒãŸæ³¢å½¢ã€</a>ã®å›³ãŒçŠ¶æ³ã‚’示ã—ã¦ã„ã¾ã™ã€‚赤ã„æ³¢ã®å½¢ã¯æŒæ‰‹ã‚„アコースティック楽器ã«ã‚ˆã£ã¦ç”Ÿæˆã•ã‚Œã‚‹éŸ³æ³¢ã‚’示ã—ã¾ã™ã€‚ 赤ã„æ³¢ãŒå¾ã€…ã«å¤‰åŒ–ã™ã‚‹æ§˜åã¯ã€ã‚³ãƒ³ãƒ”ュータãŒå‡¦ç†ã™ã‚‹ã“ã¨ã¯ã§ãã¾ã›ã‚“。コンピュータã¯ã€å›³ã®ã‚°ãƒ¬ãƒ¼ã«å½±ã¥ã‘ã•ã‚ŒãŸé ˜åŸŸã§ç¤ºã•ã‚Œã‚‹è¿‘似を使ã†å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚ ã“ã®å›³ã¯èª‡å¼µã•ã‚ŒãŸä¾‹ã§ã€å®Ÿéš›ã®ãƒ¬ã‚³ãƒ¼ãƒ‡ã‚£ãƒ³ã‚°ã®æ§˜åを表ã—ã¦ã„ã‚‹ã‚ã‘ã§ã¯ã‚ã‚Šã¾ã›ã‚“。
+ </div><div class="para">
+ アナãƒã‚°ä¿¡å·ã¨ãƒ‡ã‚¸ã‚¿ãƒ«ä¿¡å·é–“ã®å¤‰æ›ã¯ã€ä½Žå“質ã¨é«˜å“質ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã®é•ã„を明らã‹ã«ã—ã¾ã™ã€‚ サンプルレートã¨ã‚µãƒ³ãƒ—ルフォーマットãŒã€ã‚³ãƒ³ãƒ”ュータã«ã‚ˆã£ã¦æ ¼ç´ã•ã‚Œã‚‹éŸ³å£°æƒ…å ±ã®é‡ã‚’制御ã—ã¾ã™ã€‚ æ ¼ç´ã•ã‚Œã¦ã„ã‚‹æƒ…å ±ã®é‡ãŒå¤šã‘ã‚Œã°å¤šã„ã»ã©ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã¯ã€ãƒžã‚¤ã‚¯ã‹ã‚‰ã®å…ƒã®ä¿¡å·ã‚’より良ãè¿‘ä¼¼ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ å¯èƒ½ãªã‚µãƒ³ãƒ—ルレートã¨ã€ã‚µãƒ³ãƒ—ルフォーマットã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã«ã‚ˆã£ã¦ç”Ÿæˆã‚ã‚‹ã„ã¯å–å¾—ã•ã‚Œã‚‹éŸ³ã®å“質ã®ä¸€éƒ¨ã—ã‹æ±ºå®šã—ã¾ã›ã‚“。 ãŸã¨ãˆã°ã€ãƒžã‚¶ãƒ¼ãƒœãƒ¼ãƒ‰ã«çµ±åˆã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã¯ã€24 ビットã®ã‚µãƒ³ãƒ—ルフォーマット㨠192 kHzã®ã‚µãƒ³ãƒ—ルレートãŒå¯èƒ½ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。一方プãƒãƒ¬ãƒ™ãƒ«ã®ã€FireWire 接続ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã
ƒ¼ã‚¹ã§ã€16 ビットã®ã‚µãƒ³ãƒ—ルフォーマットã¨ã€44.1 kHzã®ã‚µãƒ³ãƒ—ルレートãŒå¯èƒ½ãªã‚‚ã®ã®æ–¹ãŒã‚ˆãèžã“ãˆã‚‹ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。
+ </div><div class="section" title="1.3.1. サンプル" id="sect-Musicians_Guide-Sample"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Sample">1.3.1. サンプル</h3></div></div></div><div class="para">
+ A sample is a unit of audio data. Computers store video data as a series of still images (each called a "frame"), and displays them one after the other, changing at a pre-determined rate (called the "frame rate"). Computers store audio data as a series of still sound images (each called a "sample"), and plays them one after the other, changing at a pre-determined rated (called the "sample rate").
+ </div><div class="para">
+ ãƒ“ãƒ‡ã‚ªãƒ‡ãƒ¼ã‚¿ã‚’æ ¼ç´ã™ã‚‹ãŸã‚ã«ä½¿ç”¨ã•ã‚Œã‚‹ãƒ•ãƒ¬ãƒ¼ãƒ フォーマットã¨ãƒ•ãƒ¬ãƒ¼ãƒ レートã¯ã‚ã¾ã‚Šç¨®é¡žãŒã‚ã‚Šã¾ã›ã‚“。 ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ‡ãƒ¼ã‚¿ã‚’æ ¼ç´ã™ã‚‹ãŸã‚ã«ä½¿ç”¨ã•ã‚Œã‚‹ã‚µãƒ³ãƒ—ルフォーマットã¨ã‚µãƒ³ãƒ—ルレートã¯ãŸãã•ã‚“ã®ç¨®é¡žãŒã‚ã‚Šã¾ã™ã€‚
+ </div></div><div class="section" title="1.3.2. サンプルフォーマット" id="sect-Musicians_Guide-Sample_Format"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Sample_Format">1.3.2. サンプルフォーマット</h3></div></div></div><div class="para">
+ サンプルフォーマットã¯ã€å„サンプルを記述ã™ã‚‹ãŸã‚ã«ä½¿ç”¨ã•ã‚Œã‚‹ãƒ“ット数ã§ã™ã€‚ ビット数ãŒå¤§ãããªã‚‹ã»ã©ã€ã‚ˆã‚Šå¤šãã®ãƒ‡ãƒ¼ã‚¿ãŒå„サンプルã«æ ¼ç´ã•ã‚Œã¾ã™ã€‚ 一般的ãªã‚µãƒ³ãƒ—ルフォーマット㯠16 ビット㨠24 ビットã§ã™ã€‚ 8 ビットã®ã‚µãƒ³ãƒ—ルã¯ã€ä½Žå“質ã§ã‚ã‚Šã€ã‚ã¾ã‚Šä½¿ç”¨ã•ã‚Œã¾ã›ã‚“。 20 ビットã®ã‚µãƒ³ãƒ—ルã¯ä¸€èˆ¬çš„ã«ã‚³ãƒ³ãƒ”ュータ上ã§ä½¿ç”¨ã•ã‚Œã¾ã›ã‚“。 32 ビットã®ã‚µãƒ³ãƒ—ルã¯å¯èƒ½ã§ã™ãŒã€ã»ã¨ã‚“ã©ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã«ã‚ˆã£ã¦ã‚µãƒãƒ¼ãƒˆã•ã‚Œã¦ã„ã¾ã›ã‚“。
+ </div></div><div class="section" title="1.3.3. サンプルレート" id="sect-Musicians_Guide-Sample_Rate"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Sample_Rate">1.3.3. サンプルレート</h3></div></div></div><div class="para">
+ The sample rate is the number of samples played in each second. Sample rates are measured in "Hertz" (abbreviated "Hz"), which means "per second," or in "kilohertz" (abbreviated "kHz"), which means "per second, times one thousand." The sample rate used on audio CDs can be written as 44Â 100Â Hz, or 44.1Â kHz, which both have the same meaning. Common sample rates are 44.1Â kHz, 48Â kHz, and 96Â kHz. Other possible sample rates include 22Â kHz, 88.2Â kHz, and 192Â kHz.
+ </div></div><div class="section" title="1.3.4. ビットレート" id="sect-Musicians_Guide-Bit_Rate"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Bit_Rate">1.3.4. ビットレート</h3></div></div></div><div class="para">
+ Bit rate is the number of bits in a given time period. Bit rate is usually measured in kilobits per second (abbreviated "kbps" or "kb/s"). This measurement is generally used to refer to amount of information stored in a lossy, compressed audio format.
+ </div><div class="para">
+ ビットレートを計算ã™ã‚‹ãŸã‚ã«ã¯ã€ã‚µãƒ³ãƒ—ルレートã«ã€ã‚µãƒ³ãƒ—ルフォーマットを掛ã‘ã¾ã™ã€‚ ãŸã¨ãˆã°ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª CD（705.6 kb/s）ã®ãƒ“ットレートã¯ã€ã‚µãƒ³ãƒ—ルレート（44.1 kHz）ã«ã‚µãƒ³ãƒ—ルフォーマット（16 ビット）を乗ã˜ãŸã‚‚ã®ã§ã™ã€‚ MP3å½¢å¼ã®ãƒ•ã‚¡ã‚¤ãƒ«ã¯ã€é€šå¸¸128 ã‚ãƒãƒ“ット/秒ã®ãƒ“ットレートã§ã‚¨ãƒ³ã‚³ãƒ¼ãƒ‰ã•ã‚Œã¾ã™ã€‚
+ </div></div><div class="section" title="1.3.5. çµè«–" id="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions">1.3.5. çµè«–</h3></div></div></div><div class="para">
+ サンプルレートã¨ã€ã‚µãƒ³ãƒ—ルフォーマットã®ä¸¡æ–¹ã¯ã€æ½œåœ¨çš„ãªéŸ³è³ªã«å½±éŸ¿ã‚’与ãˆã¾ã™ã€‚ãŠä½¿ã„ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ©Ÿå™¨ã®èƒ½åŠ›ã¨ã€ã‚ãªãŸã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ã®ä½¿ç”¨ç›®çš„ãŒã€ã‚ãªãŸãŒä½¿ç”¨ã™ã‚‹ã¹ãè¨å®šã‚’決ã‚ã¾ã™ã€‚
+ </div><div class="para">
+ 以下ã¯ã„ãã¤ã‹ã®åºƒã使ã‚ã‚Œã¦ã„るサンプルレートã¨ã€ã‚µãƒ³ãƒ—ルフォーマットã§ã™ã€‚ã©ã®ã‚µãƒ³ãƒ—ルレートã¨ã€ã‚µãƒ³ãƒ—ルフォーマットを使用ã™ã‚‹ã‹ã‚’決ã‚ã‚‹ãŸã‚ã®å‚考ã¨ã—ã¦ãã ã•ã„。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 16ビットサンプルã€44.1 kHzã®ã‚µãƒ³ãƒ—ルレート。 オーディオ CD ã«ä½¿ç”¨ã•ã‚Œã¾ã™ã€‚ 広ã互æ›æ€§ãŒã‚ã‚Šã¾ã™ã€‚ 705.6 ã‚ãƒãƒ“ット/秒ã®ãƒ“ットレート。
+ </div></li><li class="listitem"><div class="para">
+ 24-bit samples, and 96Â kHz sample rate. Audio CDs are recorded with these settings, and "down-mixed" later. Bit rate of 2304Â kb/s.
+ </div></li><li class="listitem"><div class="para">
+ 24ビットサンプルã€ãŠã‚ˆã³192 kHzã®ã‚µãƒ³ãƒ—ルレート。 DVD オーディオã®æœ€å¤§ã®è¨å®šã€‚ãŸã ã—ã€ã‚ã¾ã‚Šäº’æ›æ€§ãŒã‚ã‚Šã¾ã›ã‚“。 4608 ã‚ãƒãƒ“ット/秒ã®ãƒ“ットレート。
+ </div></li><li class="listitem"><div class="para">
+ 1ビットã®ã‚µãƒ³ãƒ—ルã€ãŠã‚ˆã³2822.4 kHzã®ã‚µãƒ³ãƒ—ルレート。 SuperAudio CD ã®ãŸã‚ã«ä½¿ç”¨ã•ã‚Œã¾ã™ã€‚ ãれ以外ã«ã¯ã¾ãšä½¿ã‚ã‚Œã¾ã›ã‚“。 2822.4 ã‚ãƒãƒ“ット/秒ã®ãƒ“ットレート。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ サンプルレートã¨ã€ã‚µãƒ³ãƒ—ルフォーマットã¯ã€å…¨ä½“çš„ãªéŸ³è³ªã‚’決定ã™ã‚‹ã‚‚ã®ã®ã»ã‚“ã®ä¸€éƒ¨ã§ã™ã€‚ 音質ã¯ä¸»è¦³çš„ãªã‚‚ã®ã§ã™ã€‚ã“ã®ãŸã‚ã‚ãªãŸã¯ã€ã‚ãªãŸã®ã™ã‚‹ã“ã¨ã«ã¨ã£ã¦æœ€é©ãªã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã¨è¨å®šã‚’見ã¤ã‘ã‚‹ãŸã‚ã«å®Ÿé¨“ã‚’ã™ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚
+ </div></div></div><div xml:lang="ja-JP" class="section" title="1.4. ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ¦‚念" id="chap-Musicians_Guide-Vocabulary" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="chap-Musicians_Guide-Vocabulary">1.4. ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ¦‚念</h2></div></div></div><div class="para">
+ ã“れらã®ç”¨èªžã¯å¤šãã®ç•°ãªã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ–‡è„ˆã§ä½¿ã‚ã‚Œã¾ã™ã€‚ã“れらをç†è§£ã™ã‚‹ã“ã¨ã¯ã‚³ãƒ³ãƒ”ュータベースã§ã‚ã‚‹ã‹ã©ã†ã‹ã«ã‹ã‹ã‚らãšã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ©Ÿå™¨ã‚’ã©ã®ã‚ˆã†ã«æ“作ã™ã‚‹ã‹ã‚’知るãŸã‚ã«é‡è¦ã§ã™ã€‚
+ </div><div class="section" title="1.4.1. MIDI シーケンサー" id="sect-Musicians_Guide-Vocabulary-MIDI_Sequencer"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Vocabulary-MIDI_Sequencer">1.4.1. MIDI シーケンサー</h3></div></div></div><div class="para">
+ A <em class="firstterm">sequencer</em> is a device or software program that produces signals that a synthesizer turns into sound. You can also use a sequencer to arrange MIDI signals into music. The Musicians' Guide covers two digital audio workstations (DAWs) that are primarily MIDI sequencers, Qtractor and Rosegarden. All three DAWs in this guide use MIDI signals to control other devices or effects.
+ </div></div><div class="section" title="1.4.2. ãƒã‚¹ã€ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã€€ãã—ã¦ã‚µãƒ–マスターãƒã‚¹" id="sect-Musicians_Guide-Vocabulary-Bus"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Vocabulary-Bus">1.4.2. ãƒã‚¹ã€ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã€€ãã—ã¦ã‚µãƒ–マスターãƒã‚¹</h3></div></div></div><div class="para">
+ <em class="firstterm">オーディオãƒã‚¹</em>ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ã‚’ã‚ã‚‹ã¨ã“ã‚ã‹ã‚‰ä»–ã«é€ä¿¡ã—ã¾ã™.多ãã®ç•°ãªã‚‹ä¿¡å·ãŒåŒæ™‚ã«ãƒã‚¹ã«å…¥åŠ›ã•ã‚Œã€å¤šãã®ç•°ãªã‚‹ãƒ‡ãƒã‚¤ã‚¹ã‚ã‚‹ã„ã¯ã‚¢ãƒ—リケーションãŒåŒæ™‚ã«ãƒã‚¹ã‹ã‚‰èªã¿å‡ºã™ã“ã¨ãŒã§ãã¾ã™ã€‚ãƒã‚¹ã«å…¥åŠ›ã•ã‚ŒãŸä¿¡å·ã¯ä¸€ç·’ã«æ··ãœã‚‰ã‚Œã€ãƒã‚¹ã«å…¥ã£ãŸå¾Œã¯åˆ†é›¢ã™ã‚‹ã“ã¨ãŒã§ãã¾ã›ã‚“。ãƒã‚¹ã‹ã‚‰èªã¿å‡ºã™ã™ã¹ã¦ã®ãƒ‡ãƒã‚¤ã‚¹ã‚ã‚‹ã„ã¯ã‚¢ãƒ—リケーションã¯åŒã˜ä¿¡å·ã‚’å—ä¿¡ã—ã¾ã™.
+ </div><div class="figure" title="図1.2 オーディオãƒã‚¹ãŒã©ã®ã‚ˆã†ã«å‹•ä½œã™ã‚‹ã‹" id="bus"><div class="figure-contents"><div class="mediaobject"><img src="./images/FMG-bus.png" alt="オーディオãƒã‚¹ãŒã©ã®ã‚ˆã†ã«å‹•ä½œã™ã‚‹ã‹" /><div class="longdesc"><div class="para">
+ ３ã¤ã®ä¿¡å·ã‚’ã¾ã¨ã‚るオーディオãƒã‚¹ã®ä¾‹ã€‚ã¾ã¨ã‚られãŸå‡ºåŠ›ã¯ï¼’ã¤ã®åˆ¥ã€…ã®ãƒ‡ãƒã‚¤ã‚¹ã‚ã‚‹ã„ã¯ã‚¢ãƒ—リケーションã«é€ã‚‰ã‚Œã¾ã™ã€‚
+ </div></div></div></div><h6>図1.2 オーディオãƒã‚¹ãŒã©ã®ã‚ˆã†ã«å‹•ä½œã™ã‚‹ã‹</h6></div><br class="figure-break" /><div class="para">
+ プãƒã‚°ãƒ©ãƒ ã‹ã‚‰å‡ºåŠ›ã•ã‚ŒãŸã™ã¹ã¦ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã¯ã€ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã‚’経由ã—ã¾ã™.<em class="firstterm">マスターãƒã‚¹</em>ã¯ã™ã¹ã¦ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒˆãƒ©ãƒƒã‚¯ã‚’ã¾ã¨ã‚ã¦ã€æœ€çµ‚レベルã®èª¿æ•´ã‚’å¯èƒ½ã¨ã—ã€ãƒžã‚¹ã‚¿ãƒªãƒ³ã‚°ã‚’容易ã¨ã—ã¾ã™ã€‚マスターãƒã‚¹ã®ä¸»ãªç›®çš„ã¯ã™ã¹ã¦ã®ãƒˆãƒ©ãƒƒã‚¯ã‚’ï¼’ã¤ã®ãƒãƒ£ãƒãƒ«ã«ãƒŸãƒƒã‚¯ã‚¹ã™ã‚‹ã“ã¨ã§ã™ã€‚
+ </div><div class="para">
+ <em class="firstterm">サブマスターãƒã‚¹</em>ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ãŒãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã«å±Šãå‰ã«ã€ãれらをã¾ã¨ã‚ã¾ã™ã€‚サブマスターãƒã‚¹ã®ä½¿ç”¨ã¯ã‚ªãƒ—ショナルã§ã™ã€‚ãれを使ã†ã¨ã€ã™ã¹ã¦ã®ãƒˆãƒ©ãƒƒã‚¯ã«å½±éŸ¿ã‚’与ãˆã‚‹ã“ã¨ãªãã€ï¼‘ã¤ä»¥ä¸Šã®ãƒˆãƒ©ãƒƒã‚¯ã‚’åŒã˜æ–¹æ³•ã§èª¿æ•´ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="figure" title="図1.3 マスターãƒã‚¹ã¨ã‚µãƒ–マスターãƒã‚¹ã®é–¢ä¿‚" id="master_and_sub-master_busses"><div class="figure-contents"><div class="mediaobject"><img src="./images/FMG-master_sub_bus.png" alt="マスターãƒã‚¹ã¨ã‚µãƒ–マスターãƒã‚¹ã®é–¢ä¿‚" /><div class="longdesc"><div class="para">
+ ï¼’ã¤ã®ã‚µãƒ–マスターãƒã‚¹ã®ä¾‹ã€‚ãã‚Œãžã‚Œã€ï¼’ã¤ã®ç•°ãªã‚‹ä¿¡å·ã‚’ã¾ã¨ã‚ã¦ã€ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã«é€ã£ã¦ã„ã¾ã™ã€‚マスターãƒã‚¹ã¯ï¼’ã¤ã®ä¿¡å·ã‚’１ã¤ã«ã—ã€ãã‚ŒãŒã™ã¹ã¦ã®ï¼”ã¤ã®ã‚ªãƒªã‚¸ãƒŠãƒ«ã®ä¿¡å·ã‚’å«ã¿ã¾ã™ã€‚
+ </div></div></div></div><h6>図1.3 マスターãƒã‚¹ã¨ã‚µãƒ–マスターãƒã‚¹ã®é–¢ä¿‚</h6></div><br class="figure-break" /><div class="para">
+ オーディオãƒã‚¹ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’エフェクトプãƒã‚»ãƒƒã‚µã«é€ã‚‹ãŸã‚ã«ã‚‚使ã‚ã‚Œã¾ã™ã€‚
+ </div></div><div class="section" title="1.4.3. レベル(ボリュームï¼ãƒ©ã‚¦ãƒ‰ãƒã‚¹ï¼‰" id="sect-Musicians_Guide-Vocabulary-Level"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Vocabulary-Level">1.4.3. レベル(ボリュームï¼ãƒ©ã‚¦ãƒ‰ãƒã‚¹ï¼‰</h3></div></div></div><div class="para">
+ The perceived <em class="firstterm">volume</em> or <em class="firstterm">loudness</em> of sound is a complex phenomenon, not entirely understood by experts. One widely-agreed method of assessing loudness is by measuring the sound pressure level (SPL), which is measured in decibels (dB) or bels (B, equal to ten decibels). In audio production communities, this is called level. The <em class="firstterm">level</em> of an audio signal is one way of measuring the signal's perceived loudness. The level is part of the information stored in an audio file.
+ </div><div class="para">
+ There are many different ways to monitor and adjust the level of an audio signal, and there is no widely-agreed practice. One reason for this situation is the technical limitations of recorded audio. Most level meters are designed so that the average level is -6Â dB on the meter, and the maximum level is 0Â dB. This practice was developed for analog audio. We recommend using an external meter and the "K-system," described in a link below. The K-system for level metering was developed for digital audio.
+ </div><div class="para">
+ In the Musicians' Guide, this term is called "volume level," to avoid confusion with other levels, or with perceived volume or loudness.
+ </div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle">Level Practices</em>, available at <a href="http://www.digido.com/level-practices-part-2-includes-the-k-system.html">http://www.digido.com/level-practices-part-2-includes-the-k-system.html</a>. The type of meter described here is available in the "jkmeter" package from Planet CCRMA at Home.
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/K-system">http://en.wikipedia.org/wiki/K-system</a> 㮠<em class="citetitle">K-system (Wikipedia)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Headroom_%28audio_signal_processing%29">http://en.wikipedia.org/wiki/Headroom_%28audio_signal_processing%29</a> 㮠<em class="citetitle">Headroom (Wikipedai)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Equal-loudness_contour">http://en.wikipedia.org/wiki/Equal-loudness_contour</a> 㮠<em class="citetitle">Equal-Loudness Contour (Wikipedia)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Sound_level_meter">http://en.wikipedia.org/wiki/Sound_level_meter</a> 㮠<em class="citetitle">Sound Level Meter (Wikipedia)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Listener_fatigue">http://en.wikipedia.org/wiki/Listener_fatigue</a> 㮠<em class="citetitle">Listener Fatigue (Wikipedia)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Dynamic_range_compression">http://en.wikipedia.org/wiki/Dynamic_range_compression</a> 㮠<em class="citetitle">Dynamic Range Compression (Wikipedia)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Alignment_level">http://en.wikipedia.org/wiki/Alignment_level</a> 㮠<em class="citetitle">Alignment Level (Wikipedia)</em>。
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="1.4.4. パニングã¨ãƒãƒ©ãƒ³ã‚¹" id="sect-Musicians_Guide-Vocabulary-Panning_and_Balance"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Vocabulary-Panning_and_Balance">1.4.4. パニングã¨ãƒãƒ©ãƒ³ã‚¹</h3></div></div></div><div class="para">
+ <em class="firstterm">Panning</em> adjusts the portion of a channel's signal that is sent to each output channel. In a stereophonic (two-channel) setup, the two channels represent the "left" and the "right" speakers. Two channels of recorded audio are available in the DAW, and the default setup sends all of the "left" recorded channel to the "left" output channel, and all of the "right" recorded channel to the "right" output channel. Panning sends some of the left recorded channel's level to the right output channel, or some of the right recorded channel's level to the left output channel. Each recorded channel has a constant total output level, which is divided between the two output channels.
+ </div><div class="figure" title="図1.4 パニング" id="panning"><div class="figure-contents"><div class="mediaobject"><img src="./images/panning.png" alt="パニング" /><div class="longdesc"><div class="para">
+ å·¦ã¨å³ã®éŒ²éŸ³ãƒãƒ£ãƒãƒ«ãŒå·¦ã®å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã«é€ã‚‰ã‚Œã¦ã„ã‚‹ã¨ã“ã‚；左ã®éŒ²éŸ³ãƒãƒ£ãƒãƒ«ãŒå·¦ã®å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã«é€ã‚‰ã‚Œã€å³ã®éŒ²éŸ³ãƒãƒ£ãƒãƒ«ãŒå³ã®å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã«é€ã‚‰ã‚Œã‚‹ã¨ã“ã‚ã€ãã—ã¦ã€å·¦ã¨å³ã®éŒ²éŸ³ãƒãƒ£ãƒãƒ«ãŒå³ã®å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã«é€ã‚‰ã‚Œã¦ã„ã‚‹ã¨ã“ã‚
+ </div></div></div></div><h6>図1.4 パニング</h6></div><br class="figure-break" /><div class="para">
+ The default setup for a left recorded channel is for "full left" panning, meaning that 100% of the output level is output to the left output channel. An audio engineer might adjust this so that 80% of the recorded channel's level is output to the left output channel, and 20% of the level is output to the right output channel. An audio engineer might make the left recorded channel sound like it is in front of the listener by setting the panner to "center," meaning that 50% of the output level is output to both the left and right output channels.
+ </div><div class="para">
+ Balance is sometimes confused with panning, even on commercially-available audio equipment. Adjusting the <em class="firstterm">balance</em> changes the volume level of the output channels, without redirecting the recorded signal. The default setting for balance is "center," meaning 0% change to the volume level. As you adjust the dial from "center" toward the "full left" setting, the volume level of the right output channel is decreased, and the volume level of the left output channel remains constant. As you adjust the dial from "center" toward the "full right" setting, the volume level of the left output channel is decreased, and the volume level of the right output channel remains constant. If you set the dial to "20% left," the audio equipment would reduce the volume level of the right output channel by 20%, increasing the perceived loudness of the left output channel by approximately 20%.
+ </div><div class="figure" title="図1.5 ãƒãƒ©ãƒ³ã‚¹" id="balance"><div class="figure-contents"><div class="mediaobject"><img src="./images/balance.png" alt="ãƒãƒ©ãƒ³ã‚¹" /><div class="longdesc"><div class="para">
+ å³ã®å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã¯æ¶ˆéŸ³ã•ã‚Œã¦ã„る（ãƒãƒ©ãƒ³ã‚¹ã¯å…¨å·¦ï¼‰ã€å·¦ã¨å³ã®ãƒãƒ£ãƒãƒ«ã¯åŒã˜ãƒœãƒªãƒ¥ãƒ¼ãƒ （ãƒãƒ©ãƒ³ã‚¹ã¯ã‚»ãƒ³ã‚¿ãƒ¼ï¼‰ã€å·¦ã®å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã¯æ¶ˆéŸ³ã•ã‚Œã¦ã„る（ãƒãƒ©ãƒ³ã‚¹ã¯å…¨å³ï¼‰
+ </div></div></div></div><h6>図1.5 ãƒãƒ©ãƒ³ã‚¹</h6></div><br class="figure-break" /><div class="para">
+ ï¼’ã¤ã®ã‚¹ãƒ”ーカーãŒåŒã˜ãらã„ã®éŸ³ã®å¤§ãã•ã«ãªã‚‹ã‚ˆã†ã«ã€ãƒãƒ©ãƒ³ã‚¹ã‚’調整ã™ã‚‹ã¨ã‚ˆã„ã§ã™ã€‚ãƒãƒ©ãƒ³ã‚¹ã«ã‚ˆã‚Šã€ï¼’ã¤ã®ã‚¹ãƒ”ーカーãŒã€ãƒªã‚¹ãƒŠã‹ã‚‰ç‰è·é›¢ã§ãªã„よã†ãªã€æ‚ªã„リスニング環境を補æ£ã™ã‚‹ã“ã¨ã§ãã¾ã™ã€‚ã‚‚ã—å³ã‚ˆã‚Šå·¦ã®ã‚¹ãƒ”ーカーã®æ–¹ãŒã€ã‚ãªãŸã®è¿‘ãã«ã‚ã‚‹ãªã‚‰ã€ãƒãƒ©ãƒ³ã‚¹ã‚’å³ã«ã—ã¦ã€å·¦ã®ã‚¹ãƒ”ーカーã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルを下ã’ã‚Œã°ã‚ˆã„ã§ã™ã€‚ã“ã‚Œã¯ç†æƒ³çš„ãªè§£æ±ºç–ã§ã¯ã‚ã‚Šã¾ã›ã‚“ãŒã€ã¨ãã«ã¯ã€ã‚¹ãƒ”ーカーをæ£ã—ãç½®ãã®ãŒä¸å¯èƒ½ã€ã‚ã‚‹ã„ã¯ç¾å®Ÿçš„ã§ãªã„ã“ã¨ã‚‚ã‚ã‚‹ã§ã—ょã†ã€‚ãƒãƒ©ãƒ³ã‚¹ã‚’調整ã™ã‚‹ã®ã¯ã€æœ€å¾Œã®å†ç”Ÿã®ã¨ãã ã‘ã«ã—ã¦ãã ã•ã„。
+ </div></div><div class="section" title="1.4.5. タイムã€ã‚¿ã‚¤ãƒ ラインã€ãã—ã¦ã‚¿ã‚¤ãƒ シフティング" id="sect-Musicians_Guide-Vocabulary-Time"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Vocabulary-Time">1.4.5. タイムã€ã‚¿ã‚¤ãƒ ラインã€ãã—ã¦ã‚¿ã‚¤ãƒ シフティング</h3></div></div></div><div class="para">
+ 音楽ã®æ™‚間を測るã«ã¯ã„ãã¤ã‚‚ã®æ–¹æ³•ãŒã‚ã‚Šã¾ã™ã€‚デジタルオーディオã®ãŸã‚ã®æ™‚é–“ã®å˜ä½ã®æœ€ã‚‚一般的ãªå››ã¤ã¯ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Bars and Beats: Usually used for MIDI work, and called "BBT," meaning "Bars, Beats, and Ticks." A tick is a partial beat.
+ </div></li><li class="listitem"><div class="para">
+ 分ã¨ç§’：普通ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä½œå“ã§ä½¿ã‚ã‚Œã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ SMPTE タイムコード: オーディオã¨ãƒ“デオã®é«˜ç²¾åº¦ã®åŒæœŸã®ãŸã‚ã«ç™ºæ˜Žã•ã‚Œã¾ã—ãŸãŒã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã ã‘ã®æ™‚ã«ã‚‚使ã†ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ サンプル：使用ã•ã‚Œã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ•ã‚¡ã‚¤ãƒ«ã®å½¢å¼ã«ç›´æŽ¥é–¢é€£ã—ã¦ãŠã‚Šã€ã‚µãƒ³ãƒ—ルã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ•ã‚¡ã‚¤ãƒ«ã«ãŠã‘る最å°ã®æ™‚é–“ã®é•·ã•ã§ã™ã€‚詳ã—ãã¯ã€<a class="xref" href="#sect-Musicians_Guide-Sample_Rate_and_Sample_Format" title="1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート">「サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレートã€</a>ã‚’å‚照下ã•ã„。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ã»ã¨ã‚“ã©ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã€ç‰¹ã«ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ¯ãƒ¼ã‚¯ã‚¹ãƒ†ãƒ¼ã‚·ãƒ§ãƒ³ï¼ˆDAW）ã¯ã€ãƒ¦ãƒ¼ã‚¶ãŒã€ã©ã®æ™‚é–“å˜ä½ã‚’使ã†ã‹ã€é¸ã¶ã“ã¨ãŒã§ãã¾ã™ã€‚DAW ã¯ã‚»ãƒƒã‚·ãƒ§ãƒ³ã«ãŠã‘る時間ã®é€²è¡Œã‚’<em class="firstterm">タイムライン</em>を使ã£ã¦è¡¨ã—ã€ã‚ãªãŸãŒ<em class="firstterm">タイムシフティング</em>ã€ã¤ã¾ã‚Šã€ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ãŒã‚¿ã‚¤ãƒ ラインã®ä¸ã§å†ç”Ÿã‚’開始ã™ã‚‹æ™‚間を調整ã™ã‚‹ã“ã¨ã‚’å¯èƒ½ã¨ã—ã¾ã™ã€‚
+ </div><div class="para">
+ 時間ã¯æ°´å¹³ã«è¡¨ã•ã‚Œã€æœ€ã‚‚å·¦ã®ç‚¹ãŒã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®é–‹å§‹ï¼ˆæ¸¬å®šã®å˜ä½ã«ã‹ã‹ã‚らãšã€ã‚¼ãƒï¼‰ã§ã€æœ€ã‚‚å³ã®ç‚¹ãŒã‚»ãƒƒã‚·ãƒ§ãƒ³ã®çµ‚ã‚ã‚Šã‹ã‚‰å°‘ã—ã™ãŽãŸã¨ã“ã‚ã§ã™ã€‚
+ </div></div><div class="section" title="1.4.6. åŒæœŸ" id="sect-Musicians_Guide-Vocabulary-Synchronization"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Vocabulary-Synchronization">1.4.6. åŒæœŸ</h3></div></div></div><div class="para">
+ <em class="firstterm">åŒæœŸ</em>ã¯ã€è¤‡æ•°ã®ãƒ„ールã€å¤šãã®å ´åˆãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã®ç§»å‹•ã€ã®å‹•ä½œã‚’調整ã™ã‚‹ã‚‚ã®ã§ã™ã€‚ã•ã‚‰ã«ã€åŒæœŸã¯ã€ã‚¢ãƒ—リケーションã¨ãƒ‡ãƒã‚¤ã‚¹ã®é–“ã®ã‚ªãƒ¼ãƒˆãƒ¡ãƒ¼ã‚·ãƒ§ãƒ³ã‚’制御ã—ã¾ã™ã€‚MIDI ä¿¡å·ãŒã€é€šå¸¸ã¯åŒæœŸã®ãŸã‚ã«ä½¿ã‚ã‚Œã¾ã™ã€‚
+ </div></div><div class="section" title="1.4.7. ルーティングã¨å¤šé‡åŒ–" id="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing">1.4.7. ルーティングã¨å¤šé‡åŒ–</h3></div></div></div><div class="para">
+ <em class="firstterm">ルーティング</em>ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ã‚’１ã¤ã®ã¨ã“ã‚ã‹ã‚‰ä»–ã«è»¢é€ã—ã¾ã™ã€‚アプリケーションã®é–“ã€ã‚¢ãƒ—リケーションã®éƒ¨åˆ†ã®é–“ã€ãã—ã¦ã€ãƒ‡ãƒã‚¤ã‚¹ã®é–“ã§ã™ã€‚Linux システムã§ã¯ã€<code class="systemitem">JACK Audio Connection Kit</code> ãŒã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã®ãŸã‚ã«ä½¿ã‚ã‚Œã¾ã™ã€‚<code class="systemitem">JACK</code> 対応ã®ã‚¢ãƒ—リケーション（ãã—ã¦ã€è¨å®šã«ã‚ˆã‚Šã€<code class="systemitem">PulseAudio</code> 対応ã®ã‚‚ã®ã‚‚）ã¯ã€è‡ªåˆ†ã®è¨å®šã«ã‚ˆã‚Šã€å…¥åŠ›ã¨å‡ºåŠ›ã‚’ <code class="systemitem">JACK</code> サーãƒã«æä¾›ã—ã¾ã™ã€‚<span class="application"><strong>QjackCtl</strong></span> アプリケーションã¯ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã®æŽ¥ç¶šã‚’調整ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ã‚ãªãŸã¯ <span class="application"><strong>QjackCtl</strong></span> を使ã£ã¦ã€FluidSynth ã®ã‚ˆã†ãªãƒ—ãƒã‚°ãƒ©ãƒ ã®å‡ºåŠ›ã‚’ã€ä¾‹ãˆã°ã€<span class
="application"><strong>Ardour</strong></span> ã§éŒ²éŸ³ã•ã‚Œã‚‹ã‚ˆã†ã«ã€ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="figure" title="図1.6 ルーティングã¨å¤šé‡åŒ–" id="routing"><div class="figure-contents"><div class="mediaobject"><img src="./images/routing_and_multiplexing.png" width="444" alt="ルーティングã¨å¤šé‡åŒ–" /><div class="longdesc"><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> インタフェース㮠<span class="guilabel"><strong>Connections</strong></span> ウインドウã§ã®ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨å¤šé‡åŒ–ã®å›³
+ </div></div><div class="caption"><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ マスターãƒã‚¹ã®å…¥åŠ›ã¯å¤šãã®ã‚½ãƒ¼ã‚¹ã‹ã‚‰ã®å¤šé‡åŒ–ã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’å—ã‘付ã‘ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ システムå†ç”Ÿå…¥åŠ›ã«ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã•ã‚ŒãŸãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã®å‡ºåŠ›
+ </div></li></ul></div></div></div></div><h6>図1.6 ルーティングã¨å¤šé‡åŒ–</h6></div><br class="figure-break" /><div class="para">
+ <em class="firstterm">多é‡åŒ–</em>ã«ã‚ˆã‚Šã€è¤‡æ•°ã®ãƒ‡ãƒã‚¤ã‚¹ã¨ã‚¢ãƒ—リケーションを１ã¤ã®å…¥åŠ›ã‚ã‚‹ã„ã¯å‡ºåŠ›ã«æŽ¥ç¶šã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚<span class="application"><strong>QjackCtl</strong></span> ã«ã‚ˆã‚Šã€ç°¡å˜ã«å¤šé‡åŒ–ãŒã§ãã¾ã™ã€‚ã“ã‚Œã¯ã€é‡è¦ã¨ã¯æ€ãˆãªã„ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“ãŒã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã®ã‚ˆã†ãªç‰©ç†ãƒ‡ãƒã‚¤ã‚¹ã«ã¯ã€ãŸã １ã¤ã®æŽ¥ç¶šã—ã‹ã§ããªã„ã“ã¨ã‚’覚ãˆã¦ãŠã„ã¦ä¸‹ã•ã„。コンピュータãŒéŸ³æ¥½è£½ä½œã«ä½¿ã‚れるå‰ã¯ã€å¤šé‡åŒ–ã¯ä¿¡å·ã‚’分離ã‚ã‚‹ã„ã¯çµåˆã™ã‚‹ç‰©ç†ãƒ‡ãƒã‚¤ã‚¹ã‚’å¿…è¦ã¨ã—ã¾ã—ãŸã€‚
+ </div></div><div class="section" title="1.4.8. マルãƒãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª" id="sect-Musicians_Guide-Multichannel_Audio"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Multichannel_Audio">1.4.8. マルãƒãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</h3></div></div></div><div class="para">
+ <em class="firstterm">オーディオãƒãƒ£ãƒãƒ«</em>ã¨ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ‡ãƒ¼ã‚¿ã®å˜ä¸€ã®ãƒ‘スã§ã™ã€‚<em class="firstterm">マルãƒãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</em>ã¨ã¯åŒæ™‚ã«ï¼‘ã¤ä»¥ä¸Šã®ãƒãƒ£ãƒãƒ«ã‚’使ã„ã€ã‚·ãƒ³ã‚°ãƒ«ãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚ˆã‚Šå¤šãã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ‡ãƒ¼ã‚¿ã®è»¢é€ãŒå¯èƒ½ãªã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®ã“ã¨ã§ã™ã€‚
+ </div><div class="para">
+ Audio was originally recorded with only one channel, producing "monophonic," or "mono" recordings. Beginning in the 1950s, stereophonic recordings, with two independent channels, began replacing monophonic recordings. Since humans have two independent ears, it makes sense to record and reproduce audio with two independent channels, involving two speakers. Most sound recordings available today are stereophonic, and people have found this mostly satisfying.
+ </div><div class="para">
+ There is a growing trend toward five- and seven-channel audio, driven primarily by "surround-sound" movies, and not widely available for music. Two "surround-sound" formats exist for music: DVD Audio (DVD-A) and Super Audio CD (SACD). The development of these formats, and the devices to use them, is held back by the proliferation of headphones with personal MP3 players, a general lack of desire for improvement in audio quality amongst consumers, and the copy-protection measures put in place by record labels. The result is that, while some consumers are willing to pay higher prices for DVD-A or SACD recordings, only a small number of recordings are available. Even if you buy a DVD-A or SACD-capable player, you would need to replace all of your audio equipment with models that support proprietary copy-protection software. Without this equipment, the player is often forbidden from outputting audio with a higher sample rate or sample format than a conventional audio CD. None
of these factors, unfortunately, seem like they will change in the near future.
+ </div></div></div></div><div xml:lang="ja-JP" class="chapter" title="第2ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ç”¨ã®ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢" id="chap-Musicians_Guide-How_Computers_Deal_with_Hardware" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第2ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ç”¨ã®ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers-ALSA">2.1. Linux ã¯ã©ã®ã‚ˆã†ã«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ã‚’扱ã†ã‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers_Section">2.2. サウンドサーãƒ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers-PulseAudio">2.2.1. パルスオーディオ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers-JACK">2.2.2. <code class="systemitem">JACK</code> オーディオ接続ã‚ット</a></span></dt><dt><span class="section"><a href="#sect-Musician
s_Guide-Sound_Servers-Phonon">2.2.3. フォノン</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Using_JACK">2.3. Use the <code class="systemitem">JACK</code> Audio Connection Kit</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Install_and_Configure_JACK">2.3.1. Install and Configure <code class="systemitem">JACK</code></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Using_QjackCtl">2.3.2. <span class="application"><strong>QjackCtl</strong></span> を使ã†</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Integrating_PulseAudio_with_JACK">2.3.3. <code class="systemitem">PulseAudio</code> ã‚’ <code class="systemitem">JACK</code> ã¨çµ±åˆã™ã‚‹</a></span></dt></dl></dd></dl></div><div class="para">
+ One of the techniques consistently used in computer science is abstraction. Abstraction is the process of creating a generic model for something (or some things) that are actually unique. The "driver" for a hardware device in a computer is one form of dealing with abstraction: the computer's software interacts with all sound cards in a similar way, and it is the driver which translates the universal instructions given by the software into specific instructions for operating that hardware device. Consider this real-world comparison: you know how to operate doors because of abstracted instructions. You don't know how to open and close every door that exists, but from the ones that you do know how to operate, your brain automatically creates abstracted instructions, like "turn the handle," and "push the door," which apply with all or most doors. When you see a new door, you have certain expectations about how it works, based on the abstract behaviour of doors, and you quickly
figure out how to operate that specific door with a simple visual inspection. The principle is the same with computer hardware drivers: since the computer already knows how to operate "sound cards," it just needs a few simple instructions (the driver) in order to know how to operate any particular sound card.
+ </div><div class="section" title="2.1. Linux ã¯ã©ã®ã‚ˆã†ã«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ã‚’扱ã†ã‹" id="sect-Musicians_Guide-Sound_Servers-ALSA"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Sound_Servers-ALSA">2.1. Linux ã¯ã©ã®ã‚ˆã†ã«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ã‚’扱ã†ã‹</h2></div></div></div><div class="para">
+ In Linux, the core of the operating system provides hardware drivers for most audio hardware. The hardware drivers, and the instructions that other software can use to connect to those drivers, are collectively called "ALSA," which stands for "Advanced Linux Sound Architecture." ALSA is the most direct way that software applications can interact with audio and MIDI hardware, and it used to be the most common way. However, in order to include all of the features that a software application might want to use, ALSA is quite complex, and can be error-prone. For this and many other reasons, another level of abstraction is normally used, and this makes it easier for software applications to take advantage of the features they need.
+ </div></div><div class="section" title="2.2. サウンドサーãƒ" id="sect-Musicians_Guide-Sound_Servers_Section"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Sound_Servers_Section">2.2. サウンドサーãƒ</h2></div></div></div><div class="para">
+ Sound servers are programs that run "in the background," meaning that they do not have a user interface. Sound servers provide a level of abstraction to automate some aspects of using ALSA, and to allow multiple applications to simultaneously access your audio hardware. The three sound servers discussed in this chapter have different goals and different features. The sound server you should use depends on what you are doing.
+ </div><div class="section" title="2.2.1. パルスオーディオ" id="sect-Musicians_Guide-Sound_Servers-PulseAudio"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Sound_Servers-PulseAudio">2.2.1. パルスオーディオ</h3></div></div></div><div class="para">
+ <code class="systemitem">PulseAudio</code> is an advanced sound server, intended to make audio programming in Linux operating systems as easy as possible. The idea behind its design is that an audio application needs only to output audio to <code class="systemitem">PulseAudio</code>, and <code class="systemitem">PulseAudio</code> will take care of the rest: choosing and controlling a particular device, adjusting the volume, working with other applications, and so on. <code class="systemitem">PulseAudio</code> even has the ability to use "networked sound," which allows two computers using <code class="systemitem">PulseAudio</code> to communicate as though they were one computer - either computer can input from or output to either computer's audio hardware just as easily as its own audio hardware. This is all controlled within <code class="systemitem">PulseAudio</code>, so no further complication is added to the software.
+ </div><div class="para">
+ The Fedora Project's integration of <code class="systemitem">PulseAudio</code> as a vital part of the operating system has helped to ensure that audio applications can "just work" for most people under most circumstances. This has made it much easier for users to carry out basic audio tasks.
+ </div></div><div class="section" title="2.2.2. JACK オーディオ接続ã‚ット" id="sect-Musicians_Guide-Sound_Servers-JACK"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Sound_Servers-JACK">2.2.2. <code class="systemitem">JACK</code> オーディオ接続ã‚ット</h3></div></div></div><div class="para">
+ <code class="systemitem">JACK</code> サウンドサーãƒã¯ã€ä»–ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚µãƒ¼ãƒã¨æ¯”ã¹ã‚‹ã¨æä¾›ã™ã‚‹æ©Ÿèƒ½ãŒå°‘ãªã„ã§ã™ãŒã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä½œæˆã‚¢ãƒ—リケーションã«ã¨ã£ã¦å¿…è¦ãªæ©Ÿèƒ½ã«ç‰¹åŒ–ã—ã¦ä½œã‚‰ã‚Œã¦ã„ã¾ã™ã€‚ <code class="systemitem">JACK</code> 㯠ã¾ãŸã€ãã®ã‚ˆã†ãªçŠ¶æ³ã§æœ€ã‚‚é‡è¦ãªã‚ªãƒ—ションã®è¨å®šã‚’ユーザーãŒç°¡å˜ã«è¡Œãˆã‚‹ã‚ˆã†ã«ã—ã¦ã„ã¾ã™ã€‚ã“ã®ã‚µãƒ¼ãƒã¯ã€1 度ã«ãŸã １ã¤ã®ã‚µãƒ³ãƒ—ルレートã¨ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆã‚’サãƒãƒ¼ãƒˆã—ã¾ã™ã€‚ãã—ã¦ã€ã‚¢ãƒ—リケーションã¨ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ãŒç°¡å˜ã«æŽ¥ç¶šã—ã€å¤šé‡åŒ–ã™ã‚‹ã®ã‚’å¯èƒ½ã¨ã—ã¾ã™ . ã“ã‚Œã¯ä»–ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚µãƒ¼ãƒã«ã¯ãªã„機能ã§ã™ã€‚（ルーティングã¨å¤šé‡åŒ–ã«ã¤ã„ã¦ãã‚ã—ãã¯ã€<a class="xref" href="#sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing" title="1.4.7. ルーティングã¨å¤šé‡åŒ–">「ルーティングã¨å¤šé‡åŒ–ã€</a> ã‚’å‚ç…§ã—ã¦ãã
ã•ã„ 。） ãã‚Œã¯ã€ã•ã‚‰ã«ã€ä¸€è²«ã—ã¦ä½Žé…延ã§å®Ÿè¡Œã™ã‚‹ã‚ˆã†ã«æœ€é©åŒ–ã•ã‚Œã¦ã„ã¾ã™ã€‚<code class="systemitem">JACK</code> を使用ã™ã‚‹ã«ã¯ã€ã‚‚ã¨ã¨ãªã‚‹ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ã®ã‚ˆã‚Šã‚ˆã„ç†è§£ãŒå¿…è¦ã§ã™ãŒã€<span class="application"><strong>QjackCtl</strong></span> アプリケーションãŒãã®ãƒ—ãƒã‚»ã‚¹ã‚’容易ã«ã™ã‚‹ã‚°ãƒ©ãƒ•ã‚£ã‚«ãƒ«ãƒ¦ãƒ¼ã‚¶ãƒ¼ã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã‚’æä¾›ã—ã¦ã„ã¾ã™ã€‚
+ </div></div><div class="section" title="2.2.3. フォノン" id="sect-Musicians_Guide-Sound_Servers-Phonon"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Sound_Servers-Phonon">2.2.3. フォノン</h3></div></div></div><div class="para">
+ Phonon is a sound server built into the KDE Software Compilation, and is one of the core components of KDE. By default on Fedora Linux, Phonon feeds output to <code class="systemitem">PulseAudio</code>, but on other platforms (like Mac OS X, Windows, other versions of Linux, FreeBSD, and any other system that supports KDE), Phonon can be configured to feed its output anywhere. This is its greatest strength - that KDE applications like Amarok and Dragon Player need only be programmed to use Phonon, and they can rely on Phonon to take care of everything else. As KDE applications increasingly find their place in Windows and especially Mac OS X, this cross-platform capability is turning out to be very useful.
+ </div></div></div><div class="section" title="2.3. Use the JACK Audio Connection Kit" id="sect-Musicians_Guide-Using_JACK"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Using_JACK">2.3. Use the <code class="systemitem">JACK</code> Audio Connection Kit</h2></div></div></div><div class="section" title="2.3.1. Install and Configure JACK" id="sect-Musicians_Guide-Install_and_Configure_JACK"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Install_and_Configure_JACK">2.3.1. Install and Configure <code class="systemitem">JACK</code></h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="application"><strong>PackageKit</strong></span> ã‚ã‚‹ã„㯠<span class="application"><strong>KPackageKit</strong></span> を使ã£ã¦ <span class="package">jack-audio-connection-kit</span> 㨠<span class="package">qjackctl</span> パッケージをインストールã—ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ インストールを確èªã—ã€æ‰¿èªãã ã•ã„。ãã‚ŒãŒæ£å¸¸ã«å®Œäº†ã—ãŸã“ã¨ã‚’確èªã—ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ KMenu ã‚ã‚‹ã„ã¯ã‚¢ãƒ—リケーションメニューã‹ã‚‰ <span class="application"><strong>QjackCtl</strong></span> を実行ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ <code class="systemitem">JACK</code> サーãƒãƒ¼ã‚’開始ã™ã‚‹ã«ã¯ <span class="guibutton"><strong>Start</strong></span> をクリックã€<code class="systemitem">JACK</code> サーãƒãƒ¼ã‚’終了ã™ã‚‹ã«ã¯ <span class="guibutton"><strong>Stop</strong></span> をクリックãã ã•ã„。
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ メッセージを見るã«ã¯ã€<span class="guibutton"><strong>Messages</strong></span> をクリックãã ã•ã„。ãã‚Œã¯æ™®é€šã€ã‚¨ãƒ©ãƒ¼ã‚ã‚‹ã„ã¯è¦å‘Šã§ã™ã€‚
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ ç¾åœ¨å®Ÿè¡Œä¸ã®ã‚µãƒ¼ãƒã«ã¤ã„ã¦ã®ã„ã‚ã„ã‚ãªçµ±è¨ˆã‚’見るã«ã¯ã€<span class="guibutton"><strong>Status</strong></span> をクリックãã ã•ã„。
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ アプリケーションã¨ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã®é–“ã®æŽ¥ç¶šã‚’見ãŸã‚Šã€èª¿æ•´ã™ã‚‹ã«ã¯ <span class="guibutton"><strong>Connections</strong></span> ボタンをクリックãã ã•ã„。
+ </div></li></ol></div><div class="important"><h2>é‡è¦é …ç›®</h2><div class="para">
+ <code class="systemitem">JACK</code> operates with special real-time privileges. You must add all JACK users to the <code class="systemitem">jackuser</code> group. Learn how to add users to groups in Chapter 22, <em class="citetitle">Users and Groups</em> of the <em class="citetitle">Fedora Deployment Guide</em>, available at <a href="http://docs.fedoraproject.org">http://docs.fedoraproject.org</a>. Do not add a user to the <code class="systemitem">jackuser</code> group if they will not use <code class="systemitem">JACK</code>.
+ </div></div><div class="para">
+ By default, <span class="application"><strong>QjackCtl</strong></span> configures <code class="systemitem">JACK</code> to use the 'default' sound card. The 'default' sound card uses all features of the <code class="systemitem">ALSA</code> driver, even though <code class="systemitem">JACK</code> provides the same features. To save memory and processor time, you should configure <span class="application"><strong>QjackCtl</strong></span> with a specific sound card.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ ターミナルを開ãã¾ã™ã€‚ GNOME ã§ã¯ã€<span class="guimenu"><strong>Applications</strong></span> → <span class="guisubmenu"><strong>System</strong></span> → <span class="guimenuitem"><strong>Terminal</strong></span> ã‚’é¸æŠžã—ã¾ã™ 。 KDE ã§ã¯ã€ã‚¢ãƒ—リケーションランãƒãƒ£ãƒ¼ã‚’クリックã—ã€<span class="guimenu"><strong>System</strong></span> → <span class="guimenuitem"><strong>Konsole</strong></span> ã‚’é¸æŠžã—ã¾ã™ 。
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ ã“ã®ã‚³ãƒžãƒ³ãƒ‰ã‚’実行ã—ã¾ã™ï¼š <code class="command">cat /proc/asound/cards</code>
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ The <span class="application"><strong>cat</strong></span> program outputs a list of sound cards in your computer that looks similarly to this:
+<pre class="programlisting">âŽ
+0 [SB ]: HDA-Intel - HDA ATI SBâŽ
+ HDA ATI SB at 0xf7ff4000 irq 16âŽ
+1 [MobilePre ]: USB-Audio - MobilePreâŽ
+ M Audio MobilePre at usb-0000:00:13.0-2âŽ</pre>
+ ã“ã®å‡ºåŠ›ä¾‹ã§ã¯ã€ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã®åå‰ã¯ã€è§’ã‹ã£ã“ã§å›²ã¾ã‚Œã¾ã™ã€‚ ã“ã®å‡ºåŠ›ä¾‹ã§ã¯ã€ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã®åå‰ã¯ <code class="literal">SB</code> 㨠<code class="literal">MobilePre</code> ã§ã™ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ ã‚ãªãŸãŒä½¿ã„ãŸã„サウンドカードã®åå‰ã‚’特定ã—ã¦ãã ã•ã„。 ã‚‚ã—ã€ã‚ãªãŸã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ãŒ <span class="application"><strong>cat</strong></span> ã®å‡ºåŠ›ãƒªã‚¹ãƒˆã«ãªã„å ´åˆã¯ã€ã‚ãªãŸã®ã‚³ãƒ³ãƒ”ュータã¯ãれを検出ã—ãªã‹ã£ãŸã¨ã„ã†ã“ã¨ã§ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> を開始ã—ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ Click <span class="guibutton"><strong>Setup</strong></span> to open the "Setup" window.
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ In the 'Interface' text box, type the name of your preferred sound card with "hw:" in front. With the sound cards listed above, you might write <code class="literal">hw:MobilePre</code>.
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> を終了ã—ã¦ã€è¨å®šã‚’ä¿å˜ãã ã•ã„。<code class="systemitem">JACK</code> を使ã†å ´åˆã€<span class="application"><strong>QjackCtl</strong></span> ã‚’å†èµ·å‹•ãã ã•ã„。
+ </div></li></ol></div></div><div class="section" title="2.3.2. QjackCtl を使ã†" id="sect-Musicians_Guide-Using_QjackCtl"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Using_QjackCtl">2.3.2. <span class="application"><strong>QjackCtl</strong></span> を使ã†</h3></div></div></div><div class="para">
+ The <span class="application"><strong>QjackCtl</strong></span> application offers many more features and configuration options. The patch bay is a notable feature, which lets users save configurations of the "Connections" window, and restore them later, to help avoid the lengthy set-up time that might be required in complicated routing and multiplexing situations.
+ </div><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> ã«ã¤ã„ã¦ã®ã‚ˆã‚Šå¤šãã®æƒ…å ±ã¯ã€<a href="http://www.64studio.com/manual/audio/jack">http://www.64studio.com/manual/audio/jack</a> ã«ã‚ã‚‹ã€<em class="citetitle">Jack Audio Connection Kit (64studio)</em> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><div class="section" title="2.3.3. PulseAudio ã‚’ JACK ã¨çµ±åˆã™ã‚‹" id="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK">2.3.3. <code class="systemitem">PulseAudio</code> ã‚’ <code class="systemitem">JACK</code> ã¨çµ±åˆã™ã‚‹</h3></div></div></div><div class="para">
+ <code class="systemitem">PulseAudio</code> ã®ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã®è¨å®šã¯ã€ãã‚Œã¯ã€<code class="systemitem">JACK</code> サーãƒãƒ¼ãŒèµ·å‹•ã—ãŸã‚‰ã€<code class="systemitem">JACK</code> ã«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ©Ÿå™¨ã®åˆ¶å¾¡ã‚’ã‚ã‘ã‚ãŸã—ã¾ã™ã€‚<code class="systemitem">PulseAudio</code> 㯠<code class="systemitem">JACK</code> ã«ã‚ˆã£ã¦ä½¿ç”¨ã•ã‚Œã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã‹ã‚‰ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·å…¥åŠ›ã‚’å—ä¿¡ã—ãŸã‚Šã€å‡ºåŠ›ã‚’é€ä¿¡ã—ãŸã‚Šã™ã‚‹ã“ã¨ã¯ã§ãã¾ã›ã‚“。ã“ã‚Œã¯ã€æ™‚折ã—ã‹ <code class="systemitem">JACK</code> を使用ã—ãªã„ユーザã«ã¨ã£ã¦ã¯ã‚ˆã„ã“ã¨ã§ã™ãŒã€å¤šãã®ãƒ¦ãƒ¼ã‚¶ãƒ¼ã¯ <code class="systemitem">JACK</code> 㨠<code class="systemitem">PulseAudio</code> ã‚’åŒæ™‚ã«ä½¿ç”¨ã—ãŸã‚Šã€ã¾ãŸã¯é »ç¹ã«ã“れら２ã¤ã‚’切り替ãˆãŸã‚Šã—ãŸã„ã“ã¨ã§ã—ょã†ã€‚ 次ã®æ‰‹é †ã§ã¯ã€<code class="systemitem">PulseAudio</code> を構æˆã—ã¦ã€ãã®å…¥åŠ›ã¨å‡ºåŠ›ãŒ <code clas
s="systemitem">JACK</code> を経由ã™ã‚‹ã‚ˆã†ã«ã—ã¾ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ PackageKit ã‚ã‚‹ã„㯠KPackageKit を使ã£ã¦ <span class="package">pulseaudio-module-jack</span> をインストールã—ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ インストールを承èªã—ã€ãã‚ŒãŒæ£ã—ã終了ã™ã‚‹ã®ã‚’確èªãã ã•ã„。
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ You'll need to edit the <code class="systemitem">PulseAudio</code> configuration file to use the <code class="systemitem">JACK</code> module.
+ </div><ol class="a"><li class="step" title="ステップ 3.a"><div class="para">
+ 注æ„ã—ã¦ãã ã•ã„ï¼ ã‚ãªãŸã¯ã€root ユーザーã¨ã—ã¦é‡è¦ãªã‚·ã‚¹ãƒ†ãƒ ファイルを編集ã—ã¾ã™ï¼
+ </div></li><li class="step" title="ステップ 3.b"><div class="para">
+ Run the following command in a terminal: <code class="command">sudo -c 'gedit /etc/pulse/default.pa'</code>
+ </div></li><li class="step" title="ステップ 3.c"><div class="para">
+ [code]#load-module module-alsa-sink[/code] ã¨æ›¸ã‹ã‚ŒãŸè¡Œã®ä¸‹ã«ã€æ¬¡ã®è¡Œã‚’è¿½åŠ ã—ã¾ã™ï¼š
+<pre class="programlisting">âŽ
+load-module module-jack-sinkâŽ
+load-module module-jack-sourceâŽ</pre>
+
+ </div></li></ol></li><li class="step" title="ステップ 4"><div class="para">
+ ターミナルã§ä»¥ä¸‹ã®ã‚³ãƒžãƒ³ãƒ‰ã‚’実行ã—ã¦ã€<code class="systemitem">PulseAudio</code> ã‚’å†é–‹å§‹ã—ã¦ãã ã•ã„ : <code class="command">killall pulseaudio</code> <code class="systemitem">PulseAudio</code> ã¯è‡ªå‹•çš„ã«å†é–‹å§‹ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ Confirm that this has worked by opening <span class="application"><strong>QjackCtl</strong></span>. The display should confirm that <code class="systemitem">JACK</code> is "Active".
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ In the "Connect" window, on the "Audio" tab, there should be <code class="systemitem">PulseAudio</code> devices on each side, and they should be connected to "system" devices on the opposite sides.
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ Open <span class="application"><strong>QjackCtl</strong></span>'s "Setup" window, then click on the "Options" tab. Uncheck "Execute script after Shutdown: killall jackd". If you did not make this change, then <span class="application"><strong>QjackCtl</strong></span> would stop the <code class="systemitem">JACK</code> server from running every time the program quits. Since <code class="systemitem">PulseAudio</code> is still expecting to use <code class="systemitem">JACK</code> after that, you shouldn't do this any more.
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ <code class="systemitem">PulseAudio</code> ㌠<code class="systemitem">JACK</code> を開始ã™ã‚‹ã¨ãã€ãれ㯠<code class="filename">~/.jackdrc</code> ファイルã«ã‚るコマンドを使ãŠã†ã¨ã—ã¾ã™ã€‚<span class="application"><strong>QjackCtl</strong></span> ã¯ã‚ãªãŸãŒè¨å®šã‚’変ãˆãŸã¨ãã“ã®ãƒ•ã‚¡ã‚¤ãƒ«ã‚’ã€è‡ªå‹•çš„ã«æ›´æ–°ã—ã¾ã™ã€‚ã—ã‹ã—ã€ãã®ã¨ãã‚ãªãŸã¯ã€<code class="systemitem">PulseAudio</code> 㨠<code class="systemitem">JACK</code> ã®ä¸¡æ–¹ã‚’å†èµ·å‹•ã—ãªã„ã¨ã€è¨å®šã®å¤‰æ›´ã¯æœ‰åŠ¹ã«ãªã‚Šã¾ã›ã‚“。もã—è¨å®šãŒåæ˜ ã•ã‚Œãªã„よã†ã§ã‚ã‚Œã°ã€è‡ªåˆ†ã§ãã®ãƒ•ã‚¡ã‚¤ãƒ«ã‚’編集ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ <code class="systemitem">PulseAudio</code> ã§éžå¸¸ã«é«˜ã„サンプルレートを使ã†ã¨ãã¯æ³¨æ„ã—ã¦ãã ã•ã„。ãã‚Œã¯å¤šãã® CPU パワーを使用ã™ã‚‹å‚¾å‘ã«ã‚ã‚Šã¾ã™ã€‚
+ </div></li></ol></div></div></div></div><div xml:lang="ja-JP" class="chapter" title="第3ç« ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ ã¨ä½Žé…延" id="chap-Musicians_Guide-Real_Time_and_Low_Latency" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第3ç« ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ ã¨ä½Žé…延</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Low_Latency">3.1. 低é…延ãŒãªãœæœ›ã¾ã—ã„ã‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Processor_Scheduling">3.2. プãƒã‚»ãƒƒã‚µã‚¹ã‚±ã‚¸ãƒ¥ãƒ¼ãƒªãƒ³ã‚°</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Real_Time_Linux_Kernel">3.3. リアルタイムLinux カーãƒãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Hard_and_Soft_Real_Time">3.4. ãƒãƒ¼ãƒ‰ã¨ã‚½ãƒ•ãƒˆãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ </a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora">3.5. Getting a Real-Time
Kernel in Fedora Linux</a></span></dt></dl></div><div class="para">
+ It is perhaps a common perception that computers can compute things instantaneously. Anybody who has ever waited for a web page to load has first-hand experience that this is not the case: computers take time to do things, even if the amount of time is often imperceptible to human observers. Moreover, a computer doing one thing can seem like it's acting nearly instantaneously, but a computer doing fifteen things will have a more difficult time keeping up appearances.
+ </div><div class="section" title="3.1. 低é…延ãŒãªãœæœ›ã¾ã—ã„ã‹" id="sect-Musicians_Guide-Low_Latency"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Low_Latency">3.1. 低é…延ãŒãªãœæœ›ã¾ã—ã„ã‹</h2></div></div></div><div class="para">
+ When computer audio specialists talk about a computer acting in <em class="firstterm">real-time</em>, they mean that it is acting with only an imperceptible delay. A computer cannot act on something instantaneously, and the amount of waiting time between an input and its output is called <em class="firstterm">latency</em>. In order for the delay between input and output to be perceived as non-existant (in other words, for a computer to "react in real-time,") the latency must be low.
+ </div><div class="para">
+ For periodic tasks, like processing audio (which has a consistently recurring amount of data per second), low latency is desirable, but <span class="emphasis"><em>consistent</em></span> latency is usually more important. Think of it like this: years ago in North America, milk was delivered to homes by a dedicated delivery person. Imagine if the milk delivery person had a medium-latency, but consistent schedule, returning every seven days. You would be able to plan for how much milk to buy, and to limit your intake so that you don't run out too soon. Now imagine if the milk delivery person had a low-latency, but inconsistent schedule, returning every one to four days. You would never be sure how much milk to buy, and you wouldn't know how to limit yourself. Sometimes there would be too much milk, and sometimes you would run out. Audio-processing and synthesis software behaves in a similar way: if it has a consistent amount of latency, it can plan accordingly. If it has an
inconsistent amount of latency - whether large or small - there will sometimes be too much data, and sometimes not enough. If your application runs out of audio data, there will be noise or silence in the audio signal - both bad things.
+ </div><div class="para">
+ Relatively low latency is still important, so that your computer reacts imperceptibly quickly to what's going on. The point is that the difference between an 8Â ms target latency and a 16Â ms target latency is almost certainly imperceptible to humans, but the higher latency may help your computer to be more consistent - and that's more important.
+ </div></div><div class="section" title="3.2. プãƒã‚»ãƒƒã‚µã‚¹ã‚±ã‚¸ãƒ¥ãƒ¼ãƒªãƒ³ã‚°" id="sect-Musicians_Guide-Processor_Scheduling"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Processor_Scheduling">3.2. プãƒã‚»ãƒƒã‚µã‚¹ã‚±ã‚¸ãƒ¥ãƒ¼ãƒªãƒ³ã‚°</h2></div></div></div><div class="para">
+ If you've ever opened the "System Monitor" application, you will probably have noticed that there are a lot of "processes" running all the time. Some of these processes need the processor, and some of them are just waiting around for something to happen. To help increase the number of processes that can run at the same time, many modern CPUs have more than one "core," which allows for more processes to be evaluated at the same time. Even with these improvements, there are usually more processes than available cores: my computer right now has 196 processes and only three cores. There has to be a way of decided which process gets to run and when, and this task is left to the operating system.
+ </div><div class="para">
+ In Linux systems like Fedora, the core of the operating system (called the <em class="firstterm">kernel</em>) is responsible for deciding which process gets to execute at what time. This responsibility is called "scheduling." Scheduling access to the processor is called, <em class="firstterm">processor scheduling</em>. The kernel also manages scheduling for a number of other things, like memory access, video hardware access, audio hardware access, hard drive access, and so on. The algorithm (procedure) used for each of these scheduling tasks is different for each, and can be changed depending on the user's needs and the specific hardware being used. In a hard drive, for example, it makes sense to consider the physical location of data on a disk before deciding which process gets to read first. For a processor this is irrelevant, but there are many other things to consider.
+ </div><div class="para">
+ There are a number of scheduling algorithms that are available with the standard Linux kernel, and for most uses, a "fair queueing" system is appropriate. This helps to ensure that all processes get an equal amount of time with the processor, and it's unacceptable for audio work. If you're recording a live concert, and the "PackageKit" update manager starts, you don't care if PackageKit gets a fair share of processing time - it's more important that the audio is recorded as accurately as possible. For that matter, if you're recording a live concert, and your computer isn't fast enough to update the monitor, keyboard, and mouse position while providing uninterrupted, high-quality audio, you want the audio instead of the monitor, keyboard, and mouse. After all, once you've missed even the smallest portion of audio, it's gone for good!
+ </div></div><div class="section" title="3.3. リアルタイムLinux カーãƒãƒ«" id="sect-Musicians_Guide-Real_Time_Linux_Kernel"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Real_Time_Linux_Kernel">3.3. リアルタイムLinux カーãƒãƒ«</h2></div></div></div><div class="para">
+ There is a "real-time patch" for the Linux kernel which enables the processor to unfairly schedule certain processes that ask for higher priority. Although the term "patch" may make it seem like this is just a partial solution, it really refers to the fact that the programming code used to enable this kind of unfair scheduling is not included in standard kernels; the standard kernel code must have this code "patched" into it.
+ </div><div class="para">
+ The default behaviour of a real-time kernel is still to use the "fair queueing" system by default. This is good, because most processes don't need to have consistently low latencies. Only specific processes are designed to request high-priority scheduling. Each process is given (or asks for) a priority number, and the real-time kernel will always give processing time to the process with the highest priority number, even if that process uses up <span class="emphasis"><em>all</em></span> of the available processing time. This puts regular applications at a disadvantage: when a high-priority process is running, the rest of the system may be unable to function properly. In extreme (and very rare!) cases, a real-time process can encounter an error, use up all the processing time, and disallow any other process from running - effectively locking you out of your computer. Security measures have been taken to help ensure this doesn't happen, but as with anything, there is no guar
antee. If you use a real-time kernel, you are exposing yourself to a slightly higher risk of system crashes.
+ </div><div class="para">
+ ãã®ç†ç”±ã‹ã‚‰ã€ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ カーãƒãƒ«ã¯ã€ã‚µãƒ¼ãƒã¨ã—ã¦å‹•ä½œã™ã‚‹ã‚³ãƒ³ãƒ”ュータã§ã¯ä½¿ã†ã¹ãã§ã‚ã‚Šã¾ã›ã‚“。
+ </div></div><div class="section" title="3.4. ãƒãƒ¼ãƒ‰ã¨ã‚½ãƒ•ãƒˆãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ " id="sect-Musicians_Guide-Hard_and_Soft_Real_Time"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Hard_and_Soft_Real_Time">3.4. ãƒãƒ¼ãƒ‰ã¨ã‚½ãƒ•ãƒˆãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ </h2></div></div></div><div class="para">
+ 最後ã«ã€ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ スケジューリングã«ã¯ï¼’ã¤ã®ç•°ãªã‚‹ç¨®é¡žãŒã‚ã‚Šã¾ã™ã€‚Linux カーãƒãƒ«ã¯ã€æœ€ã‚‚極端ãªå ´åˆã§ã‚‚ <em class="firstterm"> ソフトリアルタイム</em> ã—ã‹ä½¿ã„ã¾ã›ã‚“。ã“ã®æ„味ã™ã‚‹ã¨ã“ã‚ã¯ã€ãƒ—ãƒã‚»ãƒƒã‚µã¨ä»–ã®ã‚¹ã‚±ã‚¸ãƒ¥ãƒ¼ãƒªãƒ³ã‚°ã‚¢ãƒ«ã‚´ãƒªã‚ºãƒ ãŒã€é«˜å„ªå…ˆåº¦ã®ãƒ—ãƒã‚»ã‚¹ã‚’優先ã™ã‚‹ã‚ˆã†ã«æœ€é©åŒ–ã•ã‚Œã¦ã„ã‚‹ã¨ã—ã¦ã‚‚ã€çµ¶å¯¾çš„ãªå‹•ä½œæ™‚é–“ã®ä¿è¨¼ã¯ãªã„ã¨ã„ã†ã“ã¨ã§ã™ã€‚リアルタイムカーãƒãƒ«ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ—ãƒã‚»ã‚¹ãŒã€ãƒ‡ãƒ¼ã‚¿ã‚’失ã†æ©Ÿä¼šã‚’ãŠãŠã„ã«æ¸›ã‚‰ã™ã“ã¨ã«å½¹ç«‹ã¡ã¾ã™ãŒã€ã¨ãã«ã¯ãã‚ŒãŒã‚„ã¯ã‚Šèµ·ãã‚‹ã“ã¨ã‚‚ã‚ã‚Šã¾ã™ã€‚
+ </div><div class="para">
+ <em class="firstterm"> ãƒãƒ¼ãƒ‰ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ </em> コンピュータã¯ã€ã»ã‚“ã®ã‚ãšã‹ã®é…延ãŒã€ç”Ÿã¨æ»ã®é•ã„を引ãèµ·ã“ã™ã‚ˆã†ãªç‰¹åˆ¥ãªç”¨é€”ã®ãŸã‚ã«è¨è¨ˆã•ã‚ŒãŸã‚‚ã®ã§ã™ã€‚ã“れらã®ã‚·ã‚¹ãƒ†ãƒ ã¯ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã‚ã‚‹ã„ã¯ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã§å®Ÿè£…ã•ã‚Œã¦ã„ã¾ã™ã€‚自動車事故ã®æ™‚ã«ã‚¨ã‚¢ãƒãƒƒã‚°ã‚’展開ã™ã‚‹ã‚‚ã®ã€æ‰‹è¡“ä¸ã«æ‚£è€…ã®è„ˆæ‹ã‚’モニタã™ã‚‹ã‚‚ã®ã€ãªã©ã®ä¾‹ãŒã‚ã‚Šã¾ã™ã€‚ã“れらã®ã‚³ãƒ³ãƒ”ュータã¯å¤šæ©Ÿèƒ½ã§ã¯ãªãã€ãã‚ŒãŒä¿è¨¼ã•ã‚ŒãŸä½Žé…延を実ç¾ã§ãã‚‹ç†ç”±ã®ï¼‘ã¤ã§ã‚‚ã‚ã‚Šã¾ã™ã€‚
+ </div></div><div class="section" title="3.5. Getting a Real-Time Kernel in Fedora Linux" id="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora">3.5. Getting a Real-Time Kernel in Fedora Linux</h2></div></div></div><div class="para">
+ In Fedora Linux, the real-time kernel is provided by the Planet CCRMA at Home software repositories. Along with the warnings in the Planet CCRMA at Home chapter (see <a class="xref" href="#sect-Musicians_Guide-CCRMA_Security_and_Stability" title="4.2.2. ã‚»ã‚ュリティã¨å®‰å®šæ€§">「セã‚ュリティã¨å®‰å®šæ€§ã€</a>), here is one more to consider: the real-time kernel is used by fewer people than the standard kernel, so it is less well-tested. The chances of something going wrong are relatively low, but be aware that using a real-time kernel increases the level of risk. Always leave a non-real-time option available, in case the real-time kernel stops working.
+ </div><div class="para">
+ リアルタイムカーãƒãƒ«ã‚’ã€ä»–ã®ã‚·ã‚¹ãƒ†ãƒ 最é©åŒ–ã¨ã¨ã‚‚ã«ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã™ã‚‹ã«ã¯ã€ä»¥ä¸‹ã®æ‰‹é †ã«ã—ãŸãŒã£ã¦ãã ã•ã„：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’ã€<a class="xref" href="#sect-Musicians_Guide-CCRMA_Installing_Repository" title="4.3.1. Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’インストールã™ã‚‹">「Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’インストールã™ã‚‹ã€</a> ã®æ‰‹é †ã§ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ä¸‹ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ Run the following command in a terminal: <code class="command">su -c 'yum install planetccrma-core'</code> Note that this is a meta-package, which does not install anything by itself, but causes a number of other packages to be installed, which will themselves perform the desired installation and optimization.
+ </div></li><li class="listitem"><div class="para">
+ æ–°ã—ã„カーãƒãƒ«ã‚’テストã™ã‚‹ãŸã‚ã«ã€ã‚³ãƒ³ãƒ”ュータをシャットダウンã€ãƒªãƒ–ートã—ã¦ä¸‹ã•ã„。もã—ã€GRUB è¨å®šã‚’ãªãŠã™ã¤ã‚‚ã‚Šãªã‚‰ã€ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ ã§ãªã„カーãƒãƒ«ã‚’ã€ä½¿ãˆã‚‹ã‚ˆã†ã«å¿…ãšæ®‹ã™ã‚ˆã†ã«ã—ã¦ä¸‹ã•ã„。
+ </div></li></ol></div>
+
+ </div></div></div><div xml:lang="ja-JP" class="chapter" title="第4ç« Planet CCRMA at Home" id="chap-Musicians_Guide-Planet_CCRMA_at_Home" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第4ç« Planet CCRMA at Home</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-What_Is_Planet_CCRMA">4.1. Planet CCRMA at Home ã«ã¤ã„ã¦</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA">4.2. Planet CCRMA at Home を使ã†ã‹ã©ã†ã‹ã‚’決ã‚ã‚‹</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Need_Exclusive_Software">4.2.1. 独å 的ソフトウエア</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Security_and_Stability">4.2.2. ã‚»ã‚ュリティã¨å®‰å®šæ€§</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Best_Practices">4.2.3. A Possible "Best Practices" Solution<
/a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Using_Planet_CCRMA_Software">4.3. Planet CCRMA at Home ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’使ã†</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Installing_Repository">4.3.1. Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’インストールã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Repository_Priorities">4.3.2. リãƒã‚¸ãƒˆãƒªã®å„ªå…ˆåº¦ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Preventing_Package_Updates">4.3.3. パッケージを更新ã•ã‚Œãªãã™ã‚‹</a></span></dt></dl></dd></dl></div><div class="section" title="4.1. Planet CCRMA at Home ã«ã¤ã„ã¦" id="sect-Musicians_Guide-What_Is_Planet_CCRMA"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-What_Is_Planet_CCRMA">4.1. Planet CCRMA at Home ã«ã¤ã„ã¦</h2></div
></div></div><div class="para">
+ As stated on the project's home page, it is the goal of Planet CCRMA at Home to provide packages which will transform a Fedora Linux-based computer into an audio workstation. What this means is that, while the Fedora Project does an excellent job of providing a general-purpose operating system, a general purpose operating system is insufficient for audio work of the highest quality. The contributors to Planet CCRMA at Home provide software packages which can tune your system specifically for audio work.
+ </div><div class="para">
+ GNU Solfege 㨠LilyPond ã®ãƒ¦ãƒ¼ã‚¶ã¯ã€Planet CCRMA at Home ã¨ã‹ã‹ã‚ã‚Šã‚’ã‚‚ã¤å¿…è¦ã¯ã‚ã‚Šã¾ã›ã‚“。他ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’ãŠä½¿ã„ã®å ´åˆã¯é™¤ãã¾ã™ãŒã€‚Solfege ã‚‚ LilyPond ã‚‚ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä½œæˆã®ãŸã‚ã«æœ€é©åŒ–ã•ã‚ŒãŸã‚³ãƒ³ãƒ”ュータã§æœ‰åˆ©ã«ãªã‚‹ã“ã¨ã¯ã‚ã‚Šã¾ã›ã‚“。
+ </div><div class="para">
+ CCRMA stands for "Center for Computer Research in Music and Acoustics," which is the name of an academic research initiative and music computing facility at Stanford University, located in Stanford, California. Its initiatives help scholars to understand the effects and possibilities of computers and technology in various musical contexts. They offer academic courses, hold workshops and concerts, and try to incorporate the work of many highly-specialized fields.
+ </div><div class="para">
+ The Planet CCRMA at Home website suggests that they provide most of the software used on the computers in CCRMA's computing facilities. Much of this software is highly advanced and complex, and not intended for everyday use. More adventurous users are encouraged to explore Planet CCRMA's website, and investigate the software for themselves.
+ </div></div><div class="section" title="4.2. Planet CCRMA at Home を使ã†ã‹ã©ã†ã‹ã‚’決ã‚ã‚‹" id="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA">4.2. Planet CCRMA at Home を使ã†ã‹ã©ã†ã‹ã‚’決ã‚ã‚‹</h2></div></div></div><div class="section" title="4.2.1. 独å 的ソフトウエア" id="sect-Musicians_Guide-CCRMA_Need_Exclusive_Software"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-CCRMA_Need_Exclusive_Software">4.2.1. 独å 的ソフトウエア</h3></div></div></div><div class="para">
+ The only useful reason to install an additional repository is if you intend to install and use its software. The only software application covered in this guide, which is available exclusively from the Planet CCRMA at Home repository, is "SuperCollider". The Planet CCRMA repository also offers many other audio-related software applications, many of which are available from the default Fedora Project repositories.
+ </div><div class="para">
+ Most of the audio software currently available in the default Fedora repositories was initially available in Fedora from the Planet CCRMA at Home repository. Sometimes, an updated version of an application is available from the Planet CCRMA repository before it is available from the Fedora Updates repository. If you need the newer software version, then you should install the Planet CCRMA repository.
+ </div><div class="para">
+ This is also a potential security weakness, for users who install the Planet CCRMA repository, but do not install any of its software. When "yum" finds a newer version of an installed application, it will be installed, regardless of the repository. This may happen to you without you noticing, so that you begin using Planet CCRMA software without knowing it.
+ </div></div><div class="section" title="4.2.2. ã‚»ã‚ュリティã¨å®‰å®šæ€§" id="sect-Musicians_Guide-CCRMA_Security_and_Stability"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-CCRMA_Security_and_Stability">4.2.2. ã‚»ã‚ュリティã¨å®‰å®šæ€§</h3></div></div></div><div class="para">
+ ã‚ãªãŸãŒãã“ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’ <span class="emphasis"><em> å¿…è¦ã¨ã™ã‚‹ </em></span> ã®ã§ãªã‘れ㰠Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’インストールã™ã‚‹ã¹ãã§ãªã„最大ã®ç†ç”±ã¯ã€ã‚»ã‚ュリティã§ã™ã€‚Planet CCRMA リãƒã‚¸ãƒˆãƒªã‚’使ã†ã“ã¨ã«ã¤ã„ã¦ã€ä¸»ã«ï¼’ã¤ã®ã‚»ã‚ュリティå•é¡ŒãŒã‚ã‚Šã¾ã™ã€‚
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Planet CCRMA is intended for specialized audio workstations. The software is packaged in such a way that creates potential (and unknown) security threats caused by the optimizations necessary to prepare a computer system for use in audio work. Furthermore, these optimizations may reveal software bugs present in non-Planet CCRMA software, and allow them to do more damage than on a non-optimized system. Finally, a computer system's "stability" (its ability to run without trouble) may be compromised by audio optimizations. Regular desktop applications may perform less well on audio-optimized systems, if the optimization process unintentionally un-optimized some other process.
+ </div></li><li class="listitem"><div class="para">
+ CCRMA is not a large, Linux-focussed organization. It is an academic organization, and its primary intention with the Planet CCRMA at Home repository is to allow anybody with a computer to do the same kind of work that they do. The Fedora Project is a relatively large organization, backed by one of the world's largest commercial Linux providers, which is focussed on creating a stable and secure operating system for daily use. Furthermore, thousands of people around the world are working for the Fedora Project or its corporate sponsor, and it is their responsibility to proactively solve problems. CCRMA has the same responsibility, but they do not have the dedicated resources of the Fedora Project, it would be naive(???) to think that they would be capable of providing the same level of support.
+ </div></li></ol></div>
+
+ </div></div><div class="section" title="4.2.3. A Possible "Best Practices" Solution" id="sect-Musicians_Guide-CCRMA_Best_Practices"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-CCRMA_Best_Practices">4.2.3. A Possible "Best Practices" Solution</h3></div></div></div><div class="para">
+ All Fedora Linux users should be grateful to the people working at CCRMA, who help to provide the Planet CCRMA at Home repository. Their work has been instrumental in allowing Fedora to provide the amount of high-quality audio software that it does. Furthermore, the availability of many of CCRMA's highly-specialized software applications through the Planet CCRMA at Home repository is an invaluable resource to audio and music enthusiasts.
+ </div><div class="para">
+ On the other hand, Fedora users cannot expect that Planet CCRMA software is going to meet the same standards as Fedora software. While the Fedora Project's primary goal is to provide Linux software, CCRMA's main goal is to advance the state of knowledge of computer-based music and audio research and art.
+ </div><div class="para">
+ ã“れらã®ï¼’ã¤ã®ã‚´ãƒ¼ãƒ«ã¯ã©ã“ã§å‡ºä¼šã†ã§ã—ょã†ã‹ï¼Ÿ
+ </div><div class="para">
+ If you want to use your computer for both day-to-day desktop tasks and high-quality audio production, one good solution is to "dual-boot" your computer. This involves installing Fedora Linux twice on the same physical computer, but it will allow you to keep an entirely separate operating system environment for the Planet CCRMA at Home software. Not only will this allow you to safely and securely run Planet CCRMA applications in their most-optimized state, but you can help to further optimize your system by turning off and even removing some system services that you do not need for audio work. For example, a GNOME or KDE user might choose to install only "Openbox" for their audio-optimized installation.
+ </div><div class="para">
+ ã‚ã‚‹ã„ã¯ã€åŠåˆ†ã€ã¨ã„ã†æ‰‹æ®µã‚‚ã‚ã‚Šã¾ã™ï¼šã„ãã¤ã‹ã® Planet CCRMA アプリケーションã ã‘をインストールã—ã¦ã€å®Œå…¨ã«æœ€é©åŒ–ã•ã‚ŒãŸã‚«ãƒ¼ãƒãƒ«ã¨ã‚·ã‚¹ãƒ†ãƒ コンãƒãƒ¼ãƒãƒ³ãƒˆã¯ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã—ãªã„ã¨ã„ã†ã“ã¨ã§ã™ã€‚ã“ã‚Œã¯ã€å…¸åž‹çš„ãªæ—¥ã€…ã®ä½œæ¥ï¼ˆé›»åメールã€ãƒ¯ãƒ¼ãƒ‰ãƒ—ãƒã‚»ãƒƒã‚·ãƒ³ã‚°ã€ã‚¦ã‚¨ãƒ–ブラウジングã€ãªã© ) ã«ä½¿ã‚れるã“ã¨ãŒå¤šã„コンピュータã«é©ã—ã¦ã„ã¾ã™ã€‚例ãˆã°ã‚‚ã—ã‚ãªãŸãŒ SuperCollider を使ã„ãŸã„ã‘ã©ä»–ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã¯å¿…è¦ãªã„å ´åˆã€ã“ã‚ŒãŒã‚ãªãŸã«ã¨ã£ã¦æœ€é©ãªè§£æ±ºç–ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。
+ </div><div class="para">
+ çµå±€ã€ã‚ãªãŸã®ã‚³ãƒ³ãƒ”ュータã¨ãƒ‡ãƒ¼ã‚¿ãŒå®‰å…¨ã§ã‚»ã‚ュアã§ã‚ã‚‹ã®ã‚’ä¿è¨¼ã™ã‚‹ã®ã¯ã‚ãªãŸã®è²¬ä»»ã§ã™ã€‚ã‚ãªãŸã¯è‡ªåˆ†ã®ä½œæ¥ãƒ‘ターンã¨æ¬²æ±‚ã®ãŸã‚ã«æœ€é©ãªç–を見ã¤ã‘ã¦ãã ã•ã„。
+ </div></div></div><div class="section" title="4.3. Planet CCRMA at Home ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’使ã†" id="sect-Musicians_Guide-Using_Planet_CCRMA_Software"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Using_Planet_CCRMA_Software">4.3. Planet CCRMA at Home ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’使ã†</h2></div></div></div><div class="para">
+ The Planet CCRMA at Home software is hosted (stored) on a server at Stanford University. It is separate from the Fedora Linux servers, so <code class="command">yum</code> (the command line utility used by PackageKit and KPackageKit) must be made aware that you wish to use it. After installing the repository, Planet CCRMA at Home software can be installed through yum, PackageKit, or KPackageKit just as easily as any other software.
+ </div><div class="section" title="4.3.1. Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’インストールã™ã‚‹" id="sect-Musicians_Guide-CCRMA_Installing_Repository"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-CCRMA_Installing_Repository">4.3.1. Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’インストールã™ã‚‹</h3></div></div></div><div class="procedure"><div class="para">
+ The following steps will install the Planet CCRMA at Home repository, intended only for Fedora Linux-based computers.
+ </div><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ PackageKit ã‚ã‚‹ã„㯠KPackageKit ã§ã‚³ãƒ³ãƒ”ュータをアップデートã—ã¾ã™ .
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ ターミナルウインドウã§ã€ä»¥ä¸‹ã®ã‚³ãƒžãƒ³ãƒ‰ã‚’実行ãã ã•ã„。
+ </div><pre class="screen"><code class="command">su -c 'rpm -Uvh http://ccrma.stanford.edu/planetccrma/mirror/fedora/linux/\</code>
+<code class="command">planetccrma/13/i386/planetccrma-repo-1.1-2.fc13.ccrma.noarch.rpm</code></pre><div class="para">
+ ã“ã‚Œã¯ã™ã¹ã¦ã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã® Fedoraã€ï¼“２ビットã§ã‚‚ã€ï¼–４ビットã§ã‚‚ã€ã§å‹•ä½œã—ã¾ã™ . コマンドã¯ã“ã“ã§ã¯è¡¨ç¤ºã®ãŸã‚ã«åˆ†ã‹ã‚Œã¦ã„ã¾ã™ãŒã€ä¸€è¡Œã§æ›¸ã„ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ コンピュータをå†ã³ã‚¢ãƒƒãƒ—デート下ã•ã„。
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ You may receive a warning that the RPM database was altered outside of "yum". This is normal.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ リãƒã‚¸ãƒˆãƒªã®å®šç¾©ã¯è‡ªå‹•çš„ã«æ›´æ–°ã•ã‚Œã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ Some packages are available from Fedora repositories in addition to other repositories (like Planet CCRMA at Home). If the Planet CCRMA repository has a newer version of something than the other repositories that you have installed, then the Planet CCRMA version will be installed at this point.
+ </div></li></ol></div><div class="para">
+ リãƒã‚¸ãƒˆãƒªã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã«ã¯ <code class="command">rpm</code> プãƒã‚°ãƒ©ãƒ を直接使ã†å¿…è¦ãŒã‚ã£ãŸã®ã§ã™ãŒã€ä»–ã®ã™ã¹ã¦ã® Planet CCRMA ソフトウエアã¯ã€ä»–ã®ã‚¢ãƒ—リケーションã¨åŒã˜ãã€<code class="command">yum</code> を使ã£ã¦ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã§ãã¾ã™ã€‚以下ãŒã€ãã®ã¨ãã«ä½¿ã‚れるコマンドラインオプションã®èª¬æ˜Žã§ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="literal">-U</code> means "upgrade," which will install the specified package, and remove any previously-installed version
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">-v</code> means "verbose," which will print additional information meessages
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">-h</code> means "hash," which will display hash marks (these: <code class="literal">#</code>) showing the progress of installation.
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="4.3.2. リãƒã‚¸ãƒˆãƒªã®å„ªå…ˆåº¦ã‚’è¨å®šã™ã‚‹" id="sect-Musicians_Guide-CCRMA_Repository_Priorities"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-CCRMA_Repository_Priorities">4.3.2. リãƒã‚¸ãƒˆãƒªã®å„ªå…ˆåº¦ã‚’è¨å®šã™ã‚‹</h3></div></div></div><div class="para">
+ ã“ã‚Œã¯ã‚ªãƒ—ショナルã§ã€é€²ã‚“ã ユーザã«ã®ã¿å‹§ã‚られã¾ã™ã€‚<span class="application"><strong>yum</strong></span> ã¯æ™®é€šã¯ã€ã©ã®ãƒªãƒã‚¸ãƒˆãƒªãŒæä¾›ã™ã‚‹ã‹ã«ã¯ç„¡é–¢ä¿‚ã«ã€ãƒ‘ッケージã®æœ€æ–°ã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã‚’インストールã—ã¾ã™ . ã“ã®ãƒ—ラグインを使ã†ã¨ã€ã“ã®æŒ¯ã‚‹èˆžã„を変ãˆã€<span class="application"><strong>yum</strong></span> ãŒã€ä¸»ã«æä¾›ã™ã‚‹ãƒªãƒã‚¸ãƒˆãƒªã«ã‚ˆã£ã¦ãƒ‘ッケージãƒãƒ¼ã‚¸ãƒ§ãƒ³ã‚’é¸ã¶ã‚ˆã†ã«ã§ãã¾ã™ã€‚低ã„優先度ã®ãƒªãƒã‚¸ãƒˆãƒªã§æ–°ã—ã„ãƒãƒ¼ã‚¸ãƒ§ãƒ³ãŒã‚ã£ã¦ã‚‚ã€<span class="application"><strong>yum</strong></span> ã¯ãƒ‘ッケージをアップグレードã—ã¾ã›ã‚“ . ã‚‚ã—ã‚ãªãŸãŒã€å˜ã«ã€ã‚るパッケージをアップデートã—ãŸããªã„ã¨ã㯠<a class="xref" href="#sect-Musicians_Guide-CCRMA_Preventing_Package_Updates" title="4.3.3. パッケージを更新ã•ã‚Œãªãã™ã‚‹">「パッケージを更新ã•ã‚Œãªãã™ã‚
‹ã€</a> ã®æ‰‹é †ã®æ–¹ãŒã€ã‚ãªãŸã®ç›®çš„ã«ã‹ãªã„ã¾ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="package">yum-plugin-priorities</span> パッケージをインストールãã ã•ã„。
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ テã‚ストエディタã€<span class="application"><strong>cat</strong></span> ã‚ã‚‹ã„㯠<span class="application"><strong>less</strong></span> コマンド㧠<code class="filename">/etc/yum/pluginconf.d/priorities.conf</code> ãŒå˜åœ¨ã—ã€ä»¥ä¸‹ã®ãƒ†ã‚ストをå«ã‚€ã®ã‚’確èªãã ã•ã„：
+<pre class="programlisting">âŽ
+[main]âŽ
+enabled = 1âŽ</pre>
+ ã‚‚ã—ã“ã®ãƒ—ラグインを使ã†ã®ã‚’æ¢ã‚ã‚‹ã¨ãã¯ã€ã“ã®ãƒ•ã‚¡ã‚¤ãƒ«ã‚’編集ã—ã¦ã€<code class="code">enabled = 0</code> ã¨ã—ã¦ä¸‹ã•ã„。ãã†ã™ã‚Œã°ã€ãƒªãƒã‚¸ãƒˆãƒªæ§‹æˆãƒ•ã‚¡ã‚¤ãƒ«ã«è¨å®šã•ã‚ŒãŸå„ªå…ˆåº¦ã‚’ãã®ã¾ã¾ã«ã—ã¦ãŠã‘ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ 一部ã€ã‚ã‚‹ã„ã¯ã™ã¹ã¦ã®ãƒªãƒã‚¸ãƒˆãƒªã«å„ªå…ˆåº¦ã‚’è¨å®šã§ãã¾ã™ã€‚リãƒã‚¸ãƒˆãƒªã«å„ªå…ˆåº¦ã‚’è¨å®šã™ã‚‹ã«ã¯ã€<code class="filename">/etc/yum.repos.d/<em class="replaceable"><code>*</code></em></code> ディレクトリã®ãã®ãƒªãƒã‚¸ãƒˆãƒªã«ç›¸å½“ã™ã‚‹ãƒ•ã‚¡ã‚¤ãƒ«ã‚’編集ã—ã¦ã€ä»¥ä¸‹ã®ã‚ˆã†ãªè¡Œã‚’è¿½åŠ ã—ã¾ã™ï¼š <code class="literal">priority = <em class="replaceable"><code>N</code></em></code>。ã“ã“ã§ã€<code class="literal">N</code> 㯠<code class="literal">1</code> 以上 <code class="literal">99</code> 以下ã®æ•°å—ã§ã™ã€‚優先度 <code class="literal">1</code> ãŒæœ€é«˜ã®è¨å®šã§ã€<code class="literal">99</code> ãŒæœ€ä½Žã§ã™ã€‚å°‘ãªãã¨ã‚‚ï¼’ã¤ã®ãƒªãƒã‚¸ãƒˆãƒªã«å„ªå…ˆåº¦ã‚’è¨å®šã—ãªã„ã¨ã€ã“ã®ã¯ãŸã‚‰ãã¯æœ‰åŠ¹ã§ã‚ã‚Šã¾ã›ã‚“。
+ </div></li></ol></div></div><div class="section" title="4.3.3. パッケージを更新ã•ã‚Œãªãã™ã‚‹" id="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates">4.3.3. パッケージを更新ã•ã‚Œãªãã™ã‚‹</h3></div></div></div><div class="para">
+ ã“ã‚Œã¯ã‚ªãƒ—ショナルã§ã€é€²ã‚“ã ユーザã«ã®ã¿å‹§ã‚られã¾ã™ã€‚<span class="application"><strong>yum</strong></span> ã¯æ™®é€šã¯ã€ã©ã®ãƒªãƒã‚¸ãƒˆãƒªãŒæä¾›ã™ã‚‹ã‹ã«ã¯ç„¡é–¢ä¿‚ã«ã€ãƒ‘ッケージã®æœ€æ–°ã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã‚’インストールã—ã¾ã™ . ã“ã®ãƒ—ラグインを使ã†ã¨ã€ã“ã®æŒ¯ã‚‹èˆžã„を変ãˆã€<span class="application"><strong>yum</strong></span> ãŒã€ä¸»ã«æä¾›ã™ã‚‹ãƒªãƒã‚¸ãƒˆãƒªã«ã‚ˆã£ã¦ãƒ‘ッケージãƒãƒ¼ã‚¸ãƒ§ãƒ³ã‚’é¸ã¶ã‚ˆã†ã«ã§ãã¾ã™ã€‚低ã„優先度ã®ãƒªãƒã‚¸ãƒˆãƒªã§æ–°ã—ã„ãƒãƒ¼ã‚¸ãƒ§ãƒ³ãŒã‚ã£ã¦ã‚‚ã€<span class="application"><strong>yum</strong></span> ã¯ãƒ‘ッケージをアップグレードã—ã¾ã›ã‚“ . ã‚‚ã—ã‚ãªãŸãŒã€å˜ã«ã€ã‚るパッケージをアップデートã—ãŸããªã„ã¨ã㯠<a class="xref" href="#sect-Musicians_Guide-CCRMA_Preventing_Package_Updates" title="4.3.3. パッケージを更新ã•ã‚Œãªãã™ã‚‹">「パッケージを更新ã•ã‚Œãªãã™ã‚
‹ã€</a> ã®æ‰‹é †ã®æ–¹ãŒã€ã‚ãªãŸã®ç›®çš„ã«ã‹ãªã„ã¾ã™ã€‚
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <code class="literal">yum-plugin-versionlock</code> パッケージをインストール下ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ テã‚ストエディタã€<span class="application"><strong>cat</strong></span> ã‚ã‚‹ã„㯠<span class="application"><strong>less</strong></span> コマンド㧠<code class="filename">/etc/yum/pluginconf.d/versionlock.conf</code> ãŒå˜åœ¨ã—ã€ä»¥ä¸‹ã®ãƒ†ã‚ストをå«ã‚€ã®ã‚’確èªãã ã•ã„： <code class="code">enabled = 1</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="filename">/etc/yum/pluginconf.d/versionlock.list</code> ã«ã€ã‚ãªãŸãŒæ›´æ–°ã—ãŸããªã„パッケージã®ãƒªã‚¹ãƒˆã‚’è¿½åŠ ä¸‹ã•ã„。ãã‚Œãžã‚Œã®ãƒ‘ッケージã¯åˆ¥ã®è¡Œã«æ›¸ã„ã¦ãã ã•ã„。例ãˆã°ï¼š
+<pre class="programlisting">âŽ
+jack-audio-connect-kit-1.9.4âŽ
+qjackctl-0.3.6âŽ</pre>
+
+ </div></li></ol></div>
+
+ </div></div></div></div></div><div class="part" title="パート II. オーディオã¨éŸ³æ¥½ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢" id="id657639"><div class="titlepage"><div><div text-align="center"><h1 class="title">パート II. オーディオã¨éŸ³æ¥½ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢</h1></div></div></div><div class="toc"><p><b>目次</b></p><dl><dt><span class="chapter"><a href="#chap-Musicians_Guide-Audacity">5. Audacity</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Knowing_When_to_Use">5.1. Audacity ã‚’ã„ã¤ä½¿ã†ã‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Requirements_and_Installation">5.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Software_Requirements">5.2.1. ソフトウエアè¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Hardware_Requirements">5.2.2. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</a></span></dt><d
t><span class="section"><a href="#sect-Musicians_Guide-Audacity-Installation">5.2.3. 標準ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion">5.2.4. MP3 サãƒãƒ¼ãƒˆã‚’å«ã‚€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Testing_Playback">5.2.5. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Testing_Recording">5.2.6. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity_Configuration">5.3. 構æˆ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-First_Use">5.3.1. åˆã‚㦠Audacity を実行ã™ã‚‹ã¨ã</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware">5.3.2. ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ
¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format">5.3.3. Setting the Project's Sample Rate and Format</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Interface">5.4. インタフェース</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Recording">5.5. 録音</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Recording-Start_to_Record">5.5.1. 録音を開始ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record">5.5.2. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial">5.6. æ–°ã—ã„ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã‚’作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Aud
acity-Tutorial-Files">5.6.1. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Scenario">5.6.2. シナリオ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks">5.6.3. トラックをæƒãˆã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks">5.6.4. トラックを伸ã°ã™</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level">5.6.5. ボリュームレベルを調整ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise">5.6.6. ノイズを除ã</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Fade_Out">5.6.7. フェードイン・フェードアウト</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Auda
city-Tutorial-Removing_Audio">5.6.8. オーディオを削除ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment">5.6.9. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’ç¹°ã‚Šè¿”ã™</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser">5.6.10. ç‰¹æ®ŠåŠ¹æžœã‚’åŠ ãˆã‚‹ï¼ˆãƒ•ã‚§ãƒ¼ã‚¶ãƒ¼ï¼‰</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Conclusion">5.6.11. çµè«–</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Save_and_Export">5.7. ä¿å˜ã¨æ›¸ã出ã—</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Exporting_Part_of_a_File">5.7.1. ファイルã®éƒ¨åˆ†ã‚’書ã出ã™</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Exporting_a_Whole_File">5.7.2. ファイルを全部書ã出ã™</a></span></dt></dl></dd></dl></
dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Digital_Audio_Workstations">6. デジタルオーディオワークステーション</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Knowing_Which_DAW_to_Use">6.1. ã©ã® DAW を使ã†ã‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Stages_of_Recording">6.2. 録音ã®ã‚¹ãƒ†ãƒ¼ã‚¸</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Recording">6.2.1. 録音</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Mixing">6.2.2. ミã‚シング</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Mastering">6.2.3. マスタリング</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Record_Mix_Master_More_Info">6.2.4. å‚考</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-DAW_Interface_Vocabulary">6.3. インタフェース用語</a></span></dt>
<dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Session">6.3.1. セッション</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Track_and_Multitrack">6.3.2. トラックã¨ãƒžãƒ«ãƒãƒˆãƒ©ãƒƒã‚¯</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Region_Clip_Segment">6.3.3. リージョンã€ã‚¯ãƒªãƒƒãƒ—ã€ã‚ã‚‹ã„ã¯ã‚»ã‚°ãƒ¡ãƒ³ãƒˆ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Transport_and_Playhead">6.3.4. トランスãƒãƒ¼ãƒˆã¨å†ç”Ÿãƒ˜ãƒƒãƒ‰</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Automation">6.3.5. オートメーション</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-DAW_User_Interface">6.4. ユーザインタフェース</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Messages_Pane">6.4.1. メッセージペイン</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Gui
de-DAW_Clock">6.4.2. クãƒãƒƒã‚¯</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Track_Info_Pane">6.4.3. ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Track_Pane">6.4.4. トラックペイン</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-DAW_Transport_Controls">6.4.5. トランスãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Ardour">7. Ardour</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Requirements_and_Installation">7.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Knowledge_Requirements">7.1.1. å‰æ知è˜</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Software_Requirements">7.1.2. ソフトウエアè¦ä»¶</a></span></dt><dt><span class="section"><a href=
"#sect-Musicians_Guide-Ardour-Hardware_Requirements">7.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Installation">7.1.4. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording_a_Session">7.2. セッションを録音ã™ã‚‹</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Running_Ardour">7.2.1. <span class="application"><strong>Ardour</strong></span> を実行ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Interface">7.2.2. インタフェース</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline">7.2.3. タイムラインをè¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources">7.2.4. オーディオソースを <span class=
"application"><strong>Ardour</strong></span> ã«ã¤ãªã</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks">7.2.5. ãƒã‚¹ã¨ãƒˆãƒ©ãƒƒã‚¯ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level">7.2.6. 録音レベル（ボリューム）を調整ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Recording_a_Region">7.2.7. リージョンを録音ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Recording_More">7.2.8. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Routing_Audio">7.2.9. オーディオã®ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨ <code class="systemitem">JACK</code> 接続ã®ç®¡ç†</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Importing_Existing_
Audio">7.2.10. æ—¢å˜ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’インãƒãƒ¼ãƒˆã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Tutorial_Files">7.3. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing">7.4. 曲を編集ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Add_Tracks_and_Busses">7.4.1. トラックã¨ãƒã‚¹ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses">7.4.2. トラックã¨ãƒã‚¹ã‚’接続ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks">7.4.3. トラックã«ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size">7.4.4. リージョンã®å¤§ãã•
を切り詰ã‚ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings">7.4.5. åŒã˜ã‚‚ã®ã®è¤‡æ•°ã®éŒ²éŸ³ã‚’比較ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Arrange">7.4.6. リージョンをæ£ã—ã„å ´æ‰€ã«ä¸¦ã¹ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Listen">7.4.7. èžã</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing">7.5. 曲をミã‚シングã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Enabling_Stereo_Output">7.5.1. ステレオ出力ã®ãŸã‚ã«ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®è¨å®šã‚’è¡Œã„ã€ã‚¨ãƒ‡ã‚£ãƒƒãƒˆã‚°ãƒ«ãƒ¼ãƒ—を解除ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels">7.5.2. 最åˆã®ãƒ¬ãƒ™ãƒ«ã‚’è¨å®šã™ã‚‹</a></
span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning">7.5.3. 最åˆã®ãƒ‘ニングをè¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks">7.5.4. オートメーショントラックã§ã€ã•ã‚‰ã«èª¿æ•´ã‚’ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Other_Things">7.5.5. Other Things You Might Want to Do</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Listen">7.5.6. èžã</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mastering">7.6. Mastering a Session</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mastering-Ways_to_Export">7.6.1. Ways to Export Audio</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window">7.6.2. Using the Export Window</a></spa
n></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Qtractor">8. Qtractor</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Requirements_and_Installation">8.1. è¦æ±‚ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Knowledge_Requirements">8.1.1. å‰æ知è˜</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Software_Requirements">8.1.2. ソフトウエアè¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Hardware_Requirements">8.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Other_Requirements">8.1.4. ãã®ä»–ã®è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Installation">8.1.5. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_G
uide-Qtractor-Configuration">8.2. 構æˆ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration-JACK">8.2.1. Use <span class="application"><strong>Qtractor</strong></span> with <code class="systemitem">JACK</code> (<span class="application"><strong>QjackCtl</strong></span>)</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab">8.2.2. Change Audio Options</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab">8.2.3. Change MIDI Options</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names">8.2.4. Configure MIDI Channel Names</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using">8.3. Use Qtractor</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using-Blue_Place_Markers">8.3.1. é’ã„プãƒ
¬ãƒ¼ã‚¹ãƒžãƒ¼ã‚«ã‚’使ã†</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using-MIDI_Tools">8.3.2. Using the MIDI Matrix Editor's Tools</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together">8.3.3. Export a Whole File (Audio and MIDI Together)</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using-Tips">8.3.4. ãã®ä»–ã®çŸ¥è˜</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial">8.4. Create a MIDI Composition (Tutorial)</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Inspiration">8.4.1. インスピレーション</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Requirements">8.4.2. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial
-Getting_Qtractor_Ready">8.4.3. Get Qtractor Ready</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File">8.4.4. オーディオファイルをインãƒãƒ¼ãƒˆã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area">8.4.5. 最åˆã®ãƒ•ã‚©ãƒ¼ãƒžãƒ«ã‚¨ãƒªã‚¢ã‚’マークã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme">8.4.6. 主題を作る</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme">8.4.7. 主題を繰り返ã—ã¾ã™ã€‚</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part">8.4.8. 次ã®ãƒ‘ートを作曲ã—ã¾ã™</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75">8.4.9. Qtractor's Measures 52 to 75</a></spa
n></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97">8.4.10. Qtractor's Measures 75 to 97</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measure_97">8.4.11. Qtractor's Measure 97</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119">8.4.12. Qtractor's Measures 98 to 119</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139">8.4.13. Qtractor's Measures 119 to 139</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158">8.4.14. Qtractor's Measures 139 to 158</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176">8.4.15. Qtractor's Measures 158 to 176</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End">8.4.16
. Qtractor's Measures 177 to the End</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Rosegarden">9. Rosegarden</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Requirements_and_Installation">9.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Knowledge_Requirements">9.1.1. å‰æ知è˜</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Software_Requirements">9.1.2. ソフトウェアè¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Hardware_Requirements">9.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Other_Requirements">9.1.4. ãã®ä»–ã®è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Installation">9.1.5. インストール</a></span></dt><
/dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Configuration">9.2. 構æˆ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Configuration-JACK_and_Qsynth">9.2.1. Setup <span class="application"><strong>JACK</strong></span> and <span class="application"><strong>FluidSynth</strong></span> (<span class="application"><strong>Qsynth</strong></span>)</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden">9.2.2. <span class="application"><strong>Rosegarden</strong></span> ã®è¨å®š</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden_and_LilyPond">9.3. <span class="application"><strong>Rosegarden</strong></span> 㨠LilyPond</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial">9.4. <span class="application"><strong>Rosegarden</strong></span> ã§ã€ä½œæ›²ã™ã‚‹ã€‚（ãƒãƒ¥ãƒ¼ãƒˆãƒª
アル）</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Bass_Line">9.4.1. 楽èœã‚’ベースラインã‹ã‚‰å§‹ã‚ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track">9.4.2. ãƒ‘ãƒ¼ã‚«ãƒƒã‚·ãƒ§ãƒ³ãƒˆãƒ©ãƒƒã‚¯ã‚’è¿½åŠ </a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion">9.4.3. パーカッションをスパイスアップ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Melody">9.4.4. メãƒãƒ‡ã‚£ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue">9.4.5. å…ˆã«é€²ã‚€ã„ãã¤ã‹ã®æ–¹æ³•</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-FluidSynth">10. FluidSynth</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Flu
idSynth-SoundFont_Technology_and_MIDI">10.1. サウンドフォント技術㨠MIDI</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-How_to_Get_a_SoundFont">10.1.1. ã©ã®ã‚ˆã†ã«ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã‚’å¾—ã‚‹ã‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-MIDI_Terms">10.1.2. MIDI インストゥルメントã€ãƒãƒ³ã‚¯ã€ãƒ—ãƒã‚°ãƒ©ãƒ ã€ãŠã‚ˆã³ãƒ‘ッãƒ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-MIDI_Channels">10.1.3. MIDIãƒãƒ£ãƒ³ãƒãƒ«</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Requirements_and_Installation">10.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Software_Requirements">10.2.1. ソフトウェアè¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Ins
tallation">10.2.2. Install <span class="application"><strong>FluidSynth</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth">10.2.3. Install with <span class="application"><strong>Qsynth</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth">10.2.4. Install without <span class="application"><strong>Qsynth</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files">10.2.5. Install SoundFont Files</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-In_a_Terminal">10.3. Use <span class="application"><strong>FluidSynth</strong></span> in a Terminal Emulator</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring">10.4. Configure <span class="application"><s
trong>Qsynth</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-Starting_FluidSynth">10.4.1. Start <span class="application"><strong>FluidSynth</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-SoundFont">10.4.2. Configure the SoundFont</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output">10.4.3. Configure <span class="application"><strong>JACK</strong></span> Output</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input">10.4.4. Configure MIDI Input</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings">10.4.5. View all <span class="application"><strong>FluidSynth</strong></span> Settings</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-As
signing_Programs_to_Channels">10.5. Assign Programs to Channels with <span class="application"><strong>Qsynth</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Changing_Number_of_Input_Channels">10.5.1. Change the Number of MIDI Input Channels</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments">10.5.2. Save and Reuse Channel Assignments</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus">10.6. Use Reverb and Chorus with <span class="application"><strong>Qsynth</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Multiple_Instances">10.7. <span class="application"><strong>Qsynth</strong></span> ã§ã€è¤‡æ•°ã® <span class="application"><strong>FluidSynth</strong></span> インスタンスを使ã†</a></span></dt></dl></dd><dt><span class="chapter
"><a href="#chap-Musicians_Guide-SuperCollider">11. <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Requirements_and_Installation">11.1. Requirements and Installation</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Req_and_Inst-Knowledge">11.1.1. Knowledge Requirements</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Req_and_Inst-Software_Requirements">11.1.2. Software Requirements</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Req_and_Inst-Hardware_Requirements">11.1.3. Hardware Requirements</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-SC-Req_and_Inst-Available_Packages">11.1.4. Available <span class="application"><strong>SuperCollider</strong></span> Packages</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Req_and_Inst-Recommended_I
nstallation">11.1.5. Recommended Installation</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit">11.2. Using <span class="application"><strong>GEdit</strong></span> to Write and Run <span class="application"><strong>SuperCollider</strong></span> Programs</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit-Enable_and_Configure_SCEd">11.2.1. Enable and Configure SCEd in <span class="application"><strong>GEdit</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server">11.2.2. Enable <span class="application"><strong>SuperCollider</strong></span> Mode and Start a Server</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit-Executing_Code">11.2.3. Executing Code in <span class="application"><strong>GEdit</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_
GEdit-Other_Tips">11.2.4. Other Tips for Using <span class="application"><strong>GEdit</strong></span> with <span class="application"><strong>SuperCollider</strong></span></a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-SuperCollider-Basic_Programming">11.3. Basic Programming in <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-First_Steps">11.3.1. First Steps</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions">11.3.2. Variables and Functions</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented">11.3.3. Object-Oriented <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions">11.3.4. Soun
d-Making Functions</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio">11.3.5. Multichannel Audio</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Collections">11.3.6. Collections</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Repeating">11.3.7. Repeated Execution</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution">11.3.8. Conditional Execution</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix">11.3.9. Combining Audio; the Mix Class</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth">11.3.10. SynthDef and Synth</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Busses">11.3.11. Busses</a></span></dt><dt
><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features">11.3.12. Ordering and Other Synth Features</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Scheduling">11.3.13. Scheduling</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Getting_Help">11.3.14. How to Get Help</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution">11.3.15. Legal Attribution</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-SuperCollider-Composing">11.4. Composing with SuperCollider</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Tutorial_Files">11.4.1. Files for the Tutorial</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Inspiration">11.4.2. Inspiration</a></span></dt><dt><span class="section"><a hr
ef="#sect-Musicians_Guide-SC-Composing-Designing_the_First_Part">11.4.3. Designing the First Part</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part">11.4.4. Designing the Second Part</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones">11.4.5. Creating Ten Pseudo-Random Tones</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones">11.4.6. Scheduling the Tones</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Optimizing_the_Code">11.4.7. Optimizing the Code</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part">11.4.8. Making a Useful Section out of the Second Part</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts">11.4.9. Joining th
e Two Parts</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-SuperCollider-Exporting">11.5. Exporting Sound Files</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Non_Real_Time_Synthesis">11.5.1. Non-Real-Time Synthesis</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Recording_SuperColliders_Output">11.5.2. Recording SuperCollider's Output (Tutorial)</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-LilyPond">12. <span class="application"><strong>LilyPond</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-How_LilyPond_Works">12.1. <span class="application"><strong>LilyPond</strong></span> ãŒã„ã‹ã«å‹•ä½œã™ã‚‹ã‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-The_LilyPond_Approach">12.2. <span class="application"><strong>LilyPond</strong></span> アプ
ãƒãƒ¼ãƒ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Installation">12.3. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Installation-Frescobaldi">12.3.1. Learn about Frescobaldi</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation">12.3.2. Requirements and Installation (for <span class="application"><strong>Frescobaldi</strong></span>)</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Configure_Frescobaldi">12.4. Configure <span class="application"><strong>Frescobaldi</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax">12.5. <span class="application"><strong>LilyPond</strong></span> ã®åŸºæœ¬</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Letters_Are_Pitches">12.5
.1. æ–‡å—ã¯éŸ³ç¨‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations">12.5.2. æ•°å—ã¯é•·ã•</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Articulations">12.5.3. アーティã‚ュレーションã€è¡¨æƒ…記å·</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Simultaneity">12.5.4. åŒæ™‚性</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Chords">12.5.5. 和音</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Commands">12.5.6. コマンド</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Source_Files">12.5.7. ソースファイルã¨ãã®ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors">12.5.8. 誤りをé¿ã‘ã‚‹ã«ã¯</a></span></dt></dl></dd><d
t><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint">12.6. 対ä½æ³•ã®èª²é¡Œã‚’ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Tutorial_Files">12.6.1. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score">12.6.2. 楽èœã‚’開始ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output">12.6.3. Adjust Frescobaldi's Output</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Inputting">12.6.4. 音符を入力ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score">12.6.5. 楽èœã‚’フォーマットã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guid
e-LilyPond-Orchestra">12.7. Work on an Orchestral Score (Tutorial)</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra-Tutorial_Files">12.7.1. Files for the Tutorial</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score">12.7.2. Start the Score</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output">12.7.3. Adjust Frescobaldi's Output</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra-Inputting">12.7.4. Input Notes</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano">12.8. Work on a Piano Score (Tutorial)</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Tutorial_Files">12.8.1. Files for the Tutorial</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-P
iano-Starting_the_Score">12.8.2. Start the Score</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output">12.8.3. Adjust Frescobaldi's Output</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Inputting">12.8.4. Input Notes</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors">12.8.5. Troubleshoot Errors</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Formatting">12.8.6. Format the Score (Piano Dynamics)</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Solfege">13. GNU ソルフェージュ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Requirements_and_Installation">13.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Hardware_and_Software_Re
quirements">13.1.1. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã¨ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Other_Requirements">13.1.2. ãã®ä»–ã®è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Install">13.1.3. å¿…è¦ãªã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Install_Csound">13.1.4. オプショナルãªã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ï¼š Csound</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Install_MMA">13.1.5. オプショナルインストール : MMA</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration">13.2. 構æˆ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-First_Time">13.2.1. Solfege ã‚’åˆã‚ã¦å®Ÿè¡Œã™ã‚‹ã¨ã</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-
Instruments">13.2.2. Instruments</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-External_Programs">13.2.3. External Programs</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-Interface">13.2.4. Interface</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-Practise">13.2.5. Practise</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-Sound_Setup">13.2.6. Sound Setup</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training">13.3. ã‚ãªãŸã®ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training-Aural_Skilla_and_Musical_Sensibility">13.3.1. オーラルスã‚ルã¨éŸ³æ¥½çš„感性</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training-Exercise_Types">13.3.2. 課題ã®ã‚¿ã
‚¤ãƒ—</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program">13.3.3. オーラルスã‚ルプãƒã‚°ãƒ©ãƒ を作る</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training-Supplementary_References">13.3.4. 補足ã®å‚ç…§</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Using_the_Exercises">13.4. 課題を使ã†</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Listening_Exercises">13.4.1. Listening</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Singing_Exercises">13.4.2. Singing</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Configure_Yourself_Exericses">13.4.3. Configure Yourself</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Rhythm_Exercises">13.4.4. Rhythm</a></span></dt><dt><span class="section"><a href="#sect-Musi
cians_Guide-Solfege-Dictation_Exercises">13.4.5. Dictation</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Harmonic_Progressions">13.4.6. Harmonic Progressions</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Intonation">13.4.7. Intonation</a></span></dt></dl></dd></dl></dd></dl></div><div xml:lang="ja-JP" class="chapter" title="第5ç« Audacity" id="chap-Musicians_Guide-Audacity" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第5ç« Audacity</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Knowing_When_to_Use">5.1. Audacity ã‚’ã„ã¤ä½¿ã†ã‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Requirements_and_Installation">5.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Software_Requirements">5.2.1. ソフトウエアè¦ä»¶</a></span
></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Hardware_Requirements">5.2.2. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Installation">5.2.3. 標準ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion">5.2.4. MP3 サãƒãƒ¼ãƒˆã‚’å«ã‚€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Testing_Playback">5.2.5. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Testing_Recording">5.2.6. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity_Configuration">5.3. 構æˆ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-First_Use">5.3.1. åˆã‚㦠Audacity を実行ã™ã‚‹ã¨ã</a></
span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware">5.3.2. ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format">5.3.3. Setting the Project's Sample Rate and Format</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Interface">5.4. インタフェース</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Recording">5.5. 録音</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Recording-Start_to_Record">5.5.1. 録音を開始ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record">5.5.2. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial">5.6. æ–°ã—ã„
ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã‚’作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Files">5.6.1. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Scenario">5.6.2. シナリオ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks">5.6.3. トラックをæƒãˆã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks">5.6.4. トラックを伸ã°ã™</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level">5.6.5. ボリュームレベルを調整ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise">5.6.6. ノイズを除ã</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-T
utorial-Fade_Out">5.6.7. フェードイン・フェードアウト</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio">5.6.8. オーディオを削除ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment">5.6.9. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’ç¹°ã‚Šè¿”ã™</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser">5.6.10. ç‰¹æ®ŠåŠ¹æžœã‚’åŠ ãˆã‚‹ï¼ˆãƒ•ã‚§ãƒ¼ã‚¶ãƒ¼ï¼‰</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Conclusion">5.6.11. çµè«–</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Save_and_Export">5.7. ä¿å˜ã¨æ›¸ã出ã—</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Exporting_Part_of_a_File">5.7.1. ファイルã®éƒ¨åˆ†ã‚’書ã出ã™</a></span></dt><dt><span class="se
ction"><a href="#sect-Musicians_Guide-Audacity-Exporting_a_Whole_File">5.7.2. ファイルを全部書ã出ã™</a></span></dt></dl></dd></dl></div><div class="para">
+ Audacity ã¯ã€é«˜å“質ã®ã‚µã‚¦ãƒ³ãƒ‰éŒ²éŸ³ã‚¢ãƒ—リケーションã§ã€ä½¿ã„ã‚„ã™ã„よã†ã«è¨è¨ˆã•ã‚Œã¦ã„ã¾ã™ã€‚Audacity ã¯ã‚·ãƒ³ãƒ—ルãªã®ã§ã»ã¨ã‚“ã©ã®ã‚³ãƒ³ãƒ”ュータユーザã«ãŠå‹§ã‚ã§ãã¾ã™ã€‚ãã‚Œã§ã‚‚ã€ãã‚Œã¯å¤šãã®æ©Ÿèƒ½ã¨èƒ½åŠ›ãŒã‚ã‚Šã¾ã™ã€‚Audacity を使ã†ã®ã«ã€é€²ã‚“ã コンピュータオーディオã®æ¦‚念をç†è§£ã™ã‚‹å¿…è¦ã¯ã‚ã‚Šã¾ã›ã‚“。ã‚ãªãŸãŒãƒžã‚¤ã‚¯ã‚’コンピュータã«ã¤ãªãã“ã¨ãŒã§ãã‚Œã°ã€Audacity を使ã†ã®ã«å分ãªçŸ¥è˜ãŒã‚ã‚‹ã¨è¨€ãˆã¾ã™ã€‚
+ </div><div class="section" title="5.1. Audacity ã‚’ã„ã¤ä½¿ã†ã‹" id="sect-Musicians_Guide-Audacity-Knowing_When_to_Use"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity-Knowing_When_to_Use">5.1. Audacity ã‚’ã„ã¤ä½¿ã†ã‹</h2></div></div></div><div class="para">
+ Audacity has a simple user interface, it is easy to use, and it has many advanced capabilities. Audacity does not require advanced knowledge of computers, music, or recording. Audacity is the right tool to use for editing a single audio file, and it can also coordinate multiple audio files simultaneously. Most users will prefer Audacity over the other applications in the Musicians' Guide which can record.
+ </div><div class="para">
+ ã‚‚ã—ã‚ãªãŸãŒæ‰‹ã£å–ã‚Šæ—©ã録音ãŒã—ãŸãã¦ã€è¤‡é›‘ãªã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’å¦ã¶æ™‚é–“ãŒãªã„ãªã‚‰ã°ã€Audacity を使ã†ã¹ãã§ã™ã€‚
+ </div><div class="para">
+ ã‚‚ã—ã‚ãªãŸãŒãƒ—ãƒå“質ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ©Ÿå™¨ã‚’æŒã£ã¦ã„ãŸã‚Šã€ã¨ã¦ã‚‚高度ãªå‡¦ç†ã‚’ã—ãŸã‹ã£ãŸã‚Šã€ã‚ã‚‹ã„ã¯éŒ²éŸ³ã«é–¢ã—ã¦ç´°ã‹ã„制御ãŒã—ãŸã„ãªã‚‰ã°ã€ Ardour, Qtractor, ã‚ã‚‹ã„㯠Rosegarden を使ã†ã®ãŒã‚ˆã„ã§ã—ょã†ã€‚ã“れらã®ã©ã®ã‚¢ãƒ—リケーションも使ã£ãŸã“ã¨ãŒãªã„ãªã‚‰ã°ã€ Ardour ã‚ã‚‹ã„㯠Rosegarden ã®å‰ã« Qtractor ã‚’å¦ã¶ã®ã‚’ãŠå‹§ã‚ã—ã¾ã™ã€‚Ardour 㨠Rosegarden 㯠Qtractor ã«æ¯”ã¹ã¦è¤‡é›‘ã§ã€ã‚ãªãŸã¯ãれらã®é€²ã‚“ã 機能ã¯å¿…è¦ãªã„ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。
+ </div></div><div class="section" title="5.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" id="sect-Musicians_Guide-Audacity-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity-Requirements_and_Installation">5.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</h2></div></div></div><div class="section" title="5.2.1. ソフトウエアè¦ä»¶" id="sect-Musicians_Guide-Audacity-Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Software_Requirements">5.2.1. ソフトウエアè¦ä»¶</h3></div></div></div><div class="para">
+ Audacity uses several "libraries." Libraries are incomplete programs that add capabilities to other programs or applications. Libraries can be shared between programs. The libraries needed by Audacity will be installed automatically.
+ </div><div class="para">
+ The version of Audacity from the Fedora repository does not use an MP3 library. If you do not want to use MP3 files with Audacity, you should follow the instructions in <a class="xref" href="#sect-Musicians_Guide-Audacity-Installation" title="5.2.3. 標準ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«">「標準ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã€</a>. If you want to use MP3 files with Audacity, you should follow the instructions in <a class="xref" href="#sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion" title="5.2.4. MP3 サãƒãƒ¼ãƒˆã‚’å«ã‚€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«">「MP3 サãƒãƒ¼ãƒˆã‚’å«ã‚€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã€</a>.
+ </div><div class="para">
+ Audacity 㯠JACK Audio Connection Kit を使ã†ã“ã¨ãŒã§ãã¾ã™ã€‚Audacity をインストールã™ã‚‹å‰ã« JACK をインストール下ã•ã„。JACK をインストールã™ã‚‹ã«ã¯ã€<a class="xref" href="#sect-Musicians_Guide-Install_and_Configure_JACK" title="2.3.1. Install and Configure JACK">「Install and Configure <code class="systemitem">JACK</code>ã€</a>ã®æ‰‹é †ã«å¾“ã£ã¦ãã ã•ã„。Audacity ã¯JACK ã¨ä¸€ç·’ã«ä½¿ã‚ãªã„ã§ã€ãŸã ã—ã€JACK ã¯ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã•ã‚Œã¦ã„ã‚‹ã®ã‚’ãŠå‹§ã‚ã—ã¾ã™ã€‚
+ </div></div><div class="section" title="5.2.2. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶" id="sect-Musicians_Guide-Audacity-Hardware_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Hardware_Requirements">5.2.2. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</h3></div></div></div><div class="para">
+ Audacity を使ã†ã«ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ãŒå¿…è¦ã§ã™ã€‚Audacity ã§ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’録音ã™ã‚‹ãªã‚‰ã°ã€å°‘ãªãã¨ã‚‚１ã¤ã®ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã«æŽ¥ç¶šã•ã‚ŒãŸãƒžã‚¤ã‚¯ãŒå¿…è¦ã§ã™ã€‚æ—¢å˜ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ•ã‚¡ã‚¤ãƒ«ã‚’編集ã™ã‚‹ã®ã«ãƒžã‚¤ã‚¯ã¯ã„ã‚Šã¾ã›ã‚“。
+ </div></div><div class="section" title="5.2.3. 標準ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" id="sect-Musicians_Guide-Audacity-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Installation">5.2.3. 標準ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</h3></div></div></div><div class="procedure"><div class="para">
+ This method installs Audacity from the Fedora repository. This version of Audacity does not use an MP3 library, and cannot process MP3 files.
+ </div><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ PackageKit ã‚ã‚‹ã„㯠KPackageKit を使ã£ã¦<span class="package">audacity</span>パッケージをインストールã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ æ案ã•ã‚ŒãŸã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã¯ã€Audacity 㨠Audacity ãŒä½¿ã†ã™ã¹ã¦ã®ãƒ©ã‚¤ãƒ–ラリをå«ã¿ã¾ã™ã€‚æ案を見ã¦ã€æ‰¿èªã—ã€Audacity ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã‚’続ã‘ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Audacity ã¯è‡ªå‹•çš„ã«è‡ªåˆ†ã§è¨å®šã‚’ã—ã¾ã™ã€‚ã—ã‹ã—ã€ã‚ãªãŸã®ã»ã—ã„è¨å®šã¯ä½¿ã‚ãªã„ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。録音ã™ã‚‹å‰ã«ã€Audacity をテストã—ã¦ã€ã†ã¾ãå‹•ãã®ã‚’確èªã—ã¦ãã ã•ã„。<a class="xref" href="#sect-Musicians_Guide-Audacity-Testing_Playback" title="5.2.5. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿ">「インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿã€</a>ã¨<a class="xref" href="#sect-Musicians_Guide-Audacity-Testing_Recording" title="5.2.6. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³">「インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³ã€</a>ã®æ‰‹é †ã«å¾“ã£ã¦ã€Audacity をテストãã ã•ã„。
+ </div></li></ol></div></div><div class="section" title="5.2.4. MP3 サãƒãƒ¼ãƒˆã‚’å«ã‚€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" id="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion">5.2.4. MP3 サãƒãƒ¼ãƒˆã‚’å«ã‚€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</h3></div></div></div><div class="procedure"><div class="para">
+ This method installs Audacity from the RPM Fusion repository. This version of Audacity uses an MP3 library, and can process MP3 files. Fedora cannot provide support for this version of Audacity because it is not prepared by Fedora.
+ </div><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ ターミナルã§ã€ã“ã®ã‚³ãƒžãƒ³ãƒ‰ã‚’実行ã—ã¾ã™ï¼š
+ </div><pre class="screen"><code class="command">su -c 'yum localinstall --nogpgcheck http://download1.rpmfusion.org/free/fedora/\</code>
+<code class="command">rpmfusion-free-release-stable.noarch.rpmhttp://download1.rpmfusion.org/nonfree/\</code>
+<code class="command">fedora/rpmfusion-nonfree-release-stable.noarch.rpm'</code></pre><div class="para">
+ ã“ã‚Œã¯ï¼‘ã¤ã®ã‚³ãƒžãƒ³ãƒ‰ã§ã€ã“ã“ã§ã¯è¡¨ç¤ºã®ãŸã‚ã«ï¼“è¡Œã«åˆ†ã‘ã¦ã‚ã‚‹ã“ã¨ã«æ³¨æ„ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ PackageKit ã‚ã‚‹ã„㯠KPackageKit を使ã£ã¦ <code class="code">audacity-freeworld</code> パッケージをインストールã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ æ案ã•ã‚ŒãŸã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã¯ã€Audacity 㨠Audacity ãŒä½¿ã†ã™ã¹ã¦ã®ãƒ©ã‚¤ãƒ–ラリをå«ã¿ã¾ã™ã€‚æ案を見ã¦ã€æ‰¿èªã—ã€Audacity ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã‚’続ã‘ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Audacity ã¯è‡ªå‹•çš„ã«è‡ªåˆ†ã§è¨å®šã‚’ã—ã¾ã™ã€‚ã—ã‹ã—ã€ã‚ãªãŸã®ã»ã—ã„è¨å®šã¯ä½¿ã‚ãªã„ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。録音ã™ã‚‹å‰ã«ã€Audacity をテストã—ã¦ã€ã†ã¾ãå‹•ãã®ã‚’確èªã—ã¦ãã ã•ã„。<a class="xref" href="#sect-Musicians_Guide-Audacity-Testing_Playback" title="5.2.5. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿ">「インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿã€</a>ã¨<a class="xref" href="#sect-Musicians_Guide-Audacity-Testing_Recording" title="5.2.6. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³">「インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³ã€</a>ã®æ‰‹é †ã«å¾“ã£ã¦ã€Audacity をテストãã ã•ã„。
+ </div></li></ol></div></div><div class="section" title="5.2.5. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿ" id="sect-Musicians_Guide-Audacity-Testing_Playback"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Testing_Playback">5.2.5. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿ</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Audacity を開始ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ オーディオインターフェイスã¨ã‚¹ãƒ”ーカーã®ãƒœãƒªãƒ¥ãƒ¼ãƒ を安全ãªãƒ¬ãƒ™ãƒ«ã«ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ <span class="guimenu"><strong>ファイル</strong></span> → <span class="guimenuitem"><strong>é–‹ã</strong></span>ã‚’é¸æŠžã—ã¦ã€ãƒ•ã‚¡ã‚¤ãƒ«ã‚’é–‹ãウインドウを開ãã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ <code class="literal">/usr/share/sounds/alsa/Noise.wav</code> ファイルを開ãã¾ã™ã€‚ã“ã®ãƒ•ã‚¡ã‚¤ãƒ«ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ©Ÿå™¨ã‚’テストã™ã‚‹ãŸã‚ã«ä½œã‚‰ã‚ŒãŸã‚‚ã®ã§ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ å¿…è¦ãªå›žæ•°ãƒ•ã‚¡ã‚¤ãƒ«ã‚’æ¼”å¥ã—ã¾ã™ã€‚ファイルãŒæ¼”å¥ã•ã‚Œã‚‹é–“ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã¨ã‚¹ãƒ”ーカーã®ãƒœãƒªãƒ¥ãƒ¼ãƒ を調整ã—ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ ファイルãŒæ¼”å¥ã•ã‚Œã‚‹é–“ã€éŸ³ãŒèžã“ãˆãªã„ã¨ãã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã¨ã‚¹ãƒ”ーカーãŒæ£ã—ã接続ã•ã‚Œã¦ã€é›»æºãŒå…¥ã£ã¦ã„ã‚‹ã®ã‚’確èªä¸‹ã•ã„。
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ ãã‚Œã§ã‚‚ã€ãƒ•ã‚¡ã‚¤ãƒ«ãŒæ¼”å¥ã•ã‚Œã‚‹é–“ã€éŸ³ãŒèžã“ãˆãªã„ã¨ãã¯ã€<a class="xref" href="#sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware" title="5.3.2. ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹">「ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹ã€</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></li></ol></div></div><div class="section" title="5.2.6. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³" id="sect-Musicians_Guide-Audacity-Testing_Recording"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Testing_Recording">5.2.6. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ マイクをオーディオインターフェイスã«ã¤ãªãŽã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Audacity を開始ã—ã¾ã™ã€‚ファイルã¯é–‹ã‹ãªã„ã§ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ トランスãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ã®å³ã«ã‚ã‚‹ã€ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルメーターをã€ãƒ„ールãƒãƒ¼ã®ä¸Šã§æŽ¢ã—ã¦ãã ã•ã„。メーターãŒè¦‹ãˆãªã„ã¨ãã¯ã€<span class="guimenu"><strong>表示</strong></span> → <span class="guisubmenu"><strong>ツールãƒãƒ¼</strong></span> → <span class="guimenuitem"><strong>メーターツールãƒãƒ¼</strong></span>ã‚’é¸æŠžã—ã¦ãã ã•ã„。ãã®ã¨ãªã‚Šã«ã€ãƒã‚§ãƒƒã‚¯ãƒžãƒ¼ã‚¯ãŒã¤ã„ã¦ã„ã‚‹ã®ã‚’確èªä¸‹ã•ã„。
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Click on the arrow next to the microphone to open the input meter's pop-up menu. Choose <span class="guimenuitem"><strong>Start Monitoring</strong></span>.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ マイクã®å‰ã§æŒã†ã€è©±ã™ã€ã‚ã‚‹ã„ã¯é›‘音を立ã¦ã¦ãã ã•ã„。ボリュームレベルメーターã§ã€èµ¤ã„ãƒãƒ¼ãŒå‹•ã„ã¦è¦‹ãˆã‚‹ã¯ãšã§ã™ã€‚
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ オーディオインターフェイスã®éŒ²éŸ³å…¥åŠ›ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ を調整ã—ã¦ãã ã•ã„。雑音ãŒãªã„ã¨ãã¯ã€å‹•ã赤ã„ãƒãƒ¼ã¯ã¨ã¦ã‚‚å°ã•ã„ã¹ãã§ã™ã€‚
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ ボリュームレベルメーターã§ã€å‹•ã赤ã„ãƒãƒ¼ãŒè¦‹ãˆãªã„ã¨ãã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã¨ãƒžã‚¤ã‚¯ãŒæ£ã—ã接続ã•ã‚Œã¦ã€é›»æºãŒå…¥ã£ã¦ã„ã‚‹ã®ã‚’確èªä¸‹ã•ã„。もã—機器ãŒæ£ã—ã接続ã•ã‚Œã¦ã„ãªã‹ã£ãŸã¨ãã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã®éŒ²éŸ³å…¥åŠ›ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ ã‚’ã€ä»Šã€èª¿æ•´ã—ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ ãã‚Œã§ã‚‚å‹•ã赤ã„ãƒãƒ¼ãŒè¦‹ãˆãªã„ã¨ãã¯ã€<a class="xref" href="#sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware" title="5.3.2. ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹">「ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹ã€</a>ã‚’å‚ç…§ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ <span class="guibutton"><strong>録音</strong></span>ボタンをクリックã—ã¦ã€ãƒ†ã‚¹ãƒˆéŒ²éŸ³ã‚’始ã‚ã¾ã™ã€‚マイクã®å‰ã§æŒã†ã€è©±ã™ã€ã‚ã‚‹ã„ã¯é›‘音を立ã¦ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 10"><div class="para">
+ 何秒ã‹ã—ãŸã‚‰ã€<span class="guibutton"><strong>åœæ¢</strong></span>ボタンをクリックã—ã¦ã€ãƒ†ã‚¹ãƒˆéŒ²éŸ³ã‚’æ¢ã‚ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 11"><div class="para">
+ <span class="guibutton"><strong>å†ç”Ÿ</strong></span>ボタンをクリックã—ã¦ã€éŒ²éŸ³ã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’èžãã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 12"><div class="para">
+ 録音ã®éŸ³ãŒå¤‰ãªã¨ãã¯ã€æ‰‹å‹•ã§ Audacity ã‚’è¨å®šã—ã¦ãã ã•ã„。<a class="xref" href="#sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware" title="5.3.2. ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹">「ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹ã€</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></li></ol></div></div></div><div class="section" title="5.3. 構æˆ" id="sect-Musicians_Guide-Audacity_Configuration"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity_Configuration">5.3. 構æˆ</h2></div></div></div><div class="section" title="5.3.1. åˆã‚㦠Audacity を実行ã™ã‚‹ã¨ã" id="sect-Musicians_Guide-Audacity-First_Use"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-First_Use">5.3.1. åˆã‚㦠Audacity を実行ã™ã‚‹ã¨ã</h3></div></div></div><div class="para">
+ åˆã‚㦠Audacity を実行ã™ã‚‹ã¨ãã€ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã§ä½¿ã†è¨€èªžã‚’é¸ã¶ã‚ˆã†ã«è¨€ã‚ã‚Œã¾ã™ã€‚Audacity を使ã†å‰ã«ã€å‰è¨˜ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«å¾Œã®ãƒ†ã‚¹ãƒˆæ‰‹é †ã«å¾“ã†ã“ã¨ã‚’ãŠå‹§ã‚ã—ã¾ã™ã€‚
+ </div></div><div class="section" title="5.3.2. ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹" id="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware">5.3.2. ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹</h3></div></div></div><div class="para">
+ Audacity ã¯è‡ªå‹•çš„ã«è‡ªåˆ†ã§è¨å®šã‚’ã—ã¾ã™ã€‚ã‚‚ã—ã‚ãªãŸã®ã‚³ãƒ³ãƒ”ュータã«è¤‡æ•°ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ãŒã‚ã£ãŸã‚Šã€ã‚ãªãŸã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ãŒç‰¹æ®Šãªã‚»ãƒƒãƒˆã‚¢ãƒƒãƒ—ã‚’å¿…è¦ã¨ã—ãŸã‚Šã™ã‚‹ã¨ã€Audacity ã¯ã‚ãªãŸãŒä½¿ã†å…¥åŠ›ã¨å‡ºåŠ›ã‚’推測ã—ã¾ã™ã€‚Audacity ã®æŽ¨æ¸¬ã¯é–“é•ã†ã“ã¨ã‚‚ã‚ã‚Šã€ãã®ã¨ãã‚ãªãŸã¯è‡ªåˆ†ã§è¨å®šã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="para">
+ ã¨ãã«ã¯ã€Audacity ã¯å‹•ã„ã¦ã‚‚ã€æ€§èƒ½ãŒæ‚ªã‹ã£ãŸã‚Šã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªå“質ãŒæ‚ªã„ã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚ã‚ãªãŸã®ã‚³ãƒ³ãƒ”ュータã§ã€Audacity ãŒã†ã¾ãå‹•ã‹ãªã„ã¨ãã¯ã€ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã‚’手動ã§è¨å®šã™ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚
+ </div><div class="para">
+ ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹ã«ã¯ã€ä»¥ä¸‹ã®ã‚¹ãƒ†ãƒƒãƒ—ã«å¾“ã£ã¦ãã ã•ã„。
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ ã‚ãªãŸã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã® Linux ã§ã®åå‰ã‚’知る必è¦ãŒã‚ã‚Šã¾ã™ã€‚
+ </div><ol class="a"><li class="step" title="ステップ 1.a"><div class="para">
+ ターミナルを開ãã¾ã™ã€‚GNOME ã§ã¯<span class="guimenu"><strong>アプリケーション</strong></span> → <span class="guisubmenu"><strong>システムツール</strong></span> → <span class="guimenuitem"><strong>端末</strong></span>ã‚’é¸æŠžã—ã¾ã™ã€‚KDE ã§ã¯ã€ã‚¢ãƒ—リケーションランãƒãƒ£ãƒ¼ã‚’é–‹ã„ã¦ã€<span class="guimenu"><strong>システムツール</strong></span> → <span class="guimenuitem"><strong>Konsole</strong></span>ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 1.b"><div class="para">
+ ã“ã®ã‚³ãƒžãƒ³ãƒ‰ã‚’実行ã—ã¾ã™ï¼š<code class="command">cat /proc/asound/cards</code>
+ </div></li><li class="step" title="ステップ 1.c"><div class="para">
+ <code class="command">cat</code>プãƒã‚°ãƒ©ãƒ ã¯ã‚ãªãŸã®ã‚³ãƒ³ãƒ”ュータã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã®ãƒªã‚¹ãƒˆã‚’出力ã—ã¾ã™ã€‚ãã‚Œã¯ã€ã“ã®ãƒªã‚¹ãƒˆã®ã‚ˆã†ã«è¦‹ãˆã‚‹ã§ã—ょã†ï¼š
+ </div><pre class="screen"><code class="computeroutput">0 [SB ]: HDA-Intel - HDA ATI SB</code>
+<code class="computeroutput"> HDA ATI SB at 0xf7ff4000 irq 16</code>
+<code class="computeroutput">1 [MobilePre ]: USB-Audio - MobilePre</code>
+<code class="computeroutput"> M Audio MobilePre at usb-0000:00:13.0-2</code></pre><div class="para">
+ ã“ã®å‡ºåŠ›ä¾‹ã§ã¯ã€è§’ã‹ã£ã“ãŒã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã®åå‰ã‚’囲ã¿ã¾ã™ã€‚ã“ã®å‡ºåŠ›ä¾‹ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã®åå‰ã¯ <code class="literal">SB</code> 㨠<code class="literal">MobilePre</code> ã§ã™ã€‚
+ </div></li><li class="step" title="ステップ 1.d"><div class="para">
+ Identify the name of the sound card that you want to use. If you do not see your sound card in the list outputted by <code class="code">cat</code>, then your operating system does not detect it. You should also remember the number of the sound card, which is printed to the left of the name. You can use two different sound cards for recording and playback.
+ </div></li></ol></li><li class="step" title="ステップ 2"><div class="para">
+ Audacity を開始ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Open the "Preferences" window. Choose <span class="guimenu"><strong>File</strong></span> > <span class="guimenuitem"><strong>Preferences</strong></span>.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Set the "Host" to <code class="literal">ALSA</code>.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ 録音ã¨å†ç”Ÿã®ãƒ‡ãƒã‚¤ã‚¹ã‚’ã€ã‚ãªãŸãŒä½¿ã„ãŸã„サウンドカードã®åå‰ã«ã—ã¾ã™ã€‚サウンドカードã®é¸æŠžè‚¢ãŒãŸãã•ã‚“ã‚ã‚‹ãªã‚‰ã°ã€<code class="literal">(hw:0)</code> ã§çµ‚ã‚ã‚‹ã‚‚ã®ã‚’é¸æŠžã—ã¾ã™ã€‚<code class="literal">0</code> ã®éƒ¨åˆ†ã¯ã€ä½¿ã„ãŸã„サウンドカードã®ç•ªå·ã«ç½®æ›ä¸‹ã•ã„。
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ è¨å®šãŒæ£ã—ã„ã‹ã€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«å¾Œã®ãƒ†ã‚¹ãƒˆæ‰‹é †ã‚’è¡Œã£ã¦ãã ã•ã„。
+ </div></li></ol></div><div class="para">
+ å†ç”Ÿã¨éŒ²éŸ³ã®ãƒ‡ãƒã‚¤ã‚¹ã®ãƒªã‚¹ãƒˆã«ã¯ãŸãã•ã‚“ã®é¸æŠžè‚¢ãŒã‚ã‚Šã¾ã™ã€‚<code class="code">default</code> デãƒã‚¤ã‚¹ã«ã™ã‚‹ã¨ã€Audacity 㯠ALSA ã«ã©ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã‚’使ã†ã‹ã‚’決定ã•ã›ã¾ã™ã€‚<code class="literal">pulse</code> デãƒã‚¤ã‚¹ã«ã™ã‚‹ã¨ã€Audacity 㯠PulseAudio ã«ã©ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã‚’使ã†ã‹ã‚’決定ã•ã›ã¾ã™ã€‚Audacity ã¯ã€ç‰¹å®šã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã§è¨å®šã•ã‚ŒãŸã¨ãã«æœ€ã‚‚効率よã動作ã—ã¾ã™ã‹ã‚‰ã€ <code class="literal">default</code> ã‚„ <code class="literal">pulse</code> デãƒã‚¤ã‚¹ã¯ã€ä»–ã®é¸æŠžè‚¢ãŒã†ã¾ãã„ã‹ãªã„ã¨ãã ã‘使ã†ã®ãŒã‚ˆã„ã§ã—ょã†ã€‚
+ </div></div><div class="section" title="5.3.3. Setting the Project's Sample Rate and Format" id="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format">5.3.3. Setting the Project's Sample Rate and Format</h3></div></div></div><div class="para">
+ サンプルレートã¨ã‚µãƒ³ãƒ—ルフォーマット（定義ã¯<a class="xref" href="#sect-Musicians_Guide-Sample_Rate_and_Sample_Format" title="1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート">「サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレートã€</a>ã‚’å‚照下ã•ã„。）を変更ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚プãƒã‚¸ã‚§ã‚¯ãƒˆã§ä½œæ¥ã‚’ã—始ã‚ã‚‹ã¨ãã«ã‚µãƒ³ãƒ—ルレートã¨ã‚µãƒ³ãƒ—ルフォーマットをè¨å®šã™ã‚‹ã¹ãã§ã™ã€‚オーディオを録音ã—ãŸå¾Œã€ã‚µãƒ³ãƒ—ルレートã¨ã‚µãƒ³ãƒ—ルフォーマットを変更ã™ã‚‹ã“ã¨ã¯ã§ãã¾ã›ã‚“。既ã«ã‚るオーディオファイルを使ã†ãªã‚‰ã°ã€ãã®ãƒ•ã‚¡ã‚¤ãƒ«ã®ã‚µãƒ³ãƒ—ルレートã¨ã‚µãƒ³ãƒ—ルフォーマットを使ã†ã¹ãã§ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Choose <span class="guimenu"><strong>File</strong></span> → <span class="guimenuitem"><strong>Preferences</strong></span> to open the "Preferences" window.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ ウインドウã®å·¦ã«ã‚るリストã®ä¸ã‹ã‚‰<span class="guibutton"><strong>å“質</strong></span>をクリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ è¨å®šã‚’å¿…è¦ã«åˆã‚ã›ã¦å¤‰æ›´ã—ã¾ã™ã€‚ã»ã¨ã‚“ã©ã®ãƒ—ãƒã‚¸ã‚§ã‚¯ãƒˆã«å¯¾ã—ã¦ã€44 100 Hz ã®ã‚µãƒ³ãƒ—ルレート㨠16 bits ã®ã‚µãƒ³ãƒ—ルフォーマットをãŠå‹§ã‚ã—ã¾ã™ã€‚
+ </div></li></ol></div></div></div><div class="section" title="5.4. インタフェース" id="sect-Musicians_Guide-Audacity-Interface"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity-Interface">5.4. インタフェース</h2></div></div></div><div class="figure" title="図5.1 Audacity ã®ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹" id="audacity_interface"><div class="figure-contents"><div class="mediaobject"><img src="./images/Audacity-Interface.png" width="444" alt="Audacity ã®ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹" /><div class="longdesc"><div class="para">
+ １ã¤ã®ã‚¹ãƒ†ãƒ¬ã‚ªãƒˆãƒ©ãƒƒã‚¯ã‚’表示ã™ã‚‹ Audacity ã®ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã€‚
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <em class="firstterm">トランスãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«</em>ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’å†ç”Ÿã€åœæ¢ã€ã‚ã‚‹ã„ã¯å†ç”Ÿã‚’一時åœæ¢ã—ã¾ã™ã€‚録音ã¨ãƒ•ã‚¡ã‚¤ãƒ«ã®ä¸ã‚’ç´ æ—©ã移動ã™ã‚‹ãŸã‚ã®ãƒœã‚¿ãƒ³ã‚‚ã“ã“ã«ã‚ã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ The <em class="firstterm">tool-selection box</em> changes the cursor's function.
+ </div></li><li class="listitem"><div class="para">
+ ï¼’ã¤ã®<em class="firstterm">ボリュームレベルメーター</em>ã¯ã‚¹ãƒ†ãƒ¬ã‚ªã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルを表示ã—ã¾ã™ã€‚å·¦ã®ãƒ¡ãƒ¼ã‚¿ãƒ¼ã¯å‡ºåŠ›ä¿¡å·ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルを表示ã—ã€å³ã®ãƒ¡ãƒ¼ã‚¿ãƒ¼ã¯å…¥åŠ›ä¿¡å·ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルを表示ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <em class="firstterm">ルーラー</em>ã¯ã€ãƒ•ã‚¡ã‚¤ãƒ«å…ˆé ã‹ã‚‰ã®æ™‚間を分ã¨ç§’ã§è¡¨ç¤ºã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ãã‚Œãžã‚Œã®<em class="firstterm">トラック</em>ã«ã¯ï¼’ãƒãƒ£ãƒãƒ«ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ãƒ‡ãƒ¼ã‚¿ãŒã‚ã‚Šã¾ã™ã€‚Audacity ã¯ãƒˆãƒ©ãƒƒã‚¯ã‚’メインウインドウã§åž‚ç›´ã«ä¸¦ã¹ã¦è¡¨ç¤ºã—ã¾ã™ã€‚Audacity ã¯ã™ã¹ã¦ã®ãƒˆãƒ©ãƒƒã‚¯ã‚’åŒæ™‚ã«æ¼”å¥ã—ã¾ã™ã€‚
+ </div></li></ol></div></div></div></div><h6>図5.1 Audacity ã®ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹</h6></div><br class="figure-break" /><div class="figure" title="図5.2 Audacity ã®ãƒˆãƒ©ãƒƒã‚¯" id="audacity_track"><div class="figure-contents"><div class="mediaobject"><img src="./images/Audacity-Track.png" width="444" alt="Audacity ã®ãƒˆãƒ©ãƒƒã‚¯" /><div class="longdesc"><div class="para">
+ Audacity ã§è¡¨ç¤ºã•ã‚ŒãŸï¼‘ã¤ã®ã‚¹ãƒ†ãƒ¬ã‚ªãƒˆãƒ©ãƒƒã‚¯
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ ãã‚Œãžã‚Œã®ãƒˆãƒ©ãƒƒã‚¯ã«ã¯<em class="firstterm">ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ã‚¨ãƒªã‚¢</em>ãŒã‚ã‚Šã€ãã“ã«ã¯ãƒ•ã‚§ãƒ¼ãƒ€ãƒ¼ã‚„パンナーã®ã‚ˆã†ãªè¨å®šã¨ã€<span class="guibutton"><strong>ミュート</strong></span>ã¨<span class="guibutton"><strong>ソãƒ</strong></span>ボタンãŒã‚ã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <em class="firstterm">タイムライン</em>㯠Audacity ã®ãƒ¡ã‚¤ãƒ³ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã®ãƒ¡ã‚¤ãƒ³ã®ã‚¨ãƒªã‚¢ã§ã™ã€‚最も左ã®ç‚¹ãŒã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ•ã‚¡ã‚¤ãƒ«ã®å…ˆé ã§ã™ã€‚
+ </div></li></ol></div></div></div></div><h6>図5.2 Audacity ã®ãƒˆãƒ©ãƒƒã‚¯</h6></div><br class="figure-break" /><div class="para">
+ Audacity ã®ãƒ¦ãƒ¼ã‚¶ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã«ã¤ã„ã¦èªã¿é€²ã‚€ã¨ãã€å‰è¨˜ã®å›³ã‚’見ã¦ãã ã•ã„。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The "transport controls" play, stop, or pause playback of audio. The buttons to record and move quickly through a file are also located here.
+ </div></li><li class="listitem"><div class="para">
+ The "tool-selection box" changes the cursor's function.
+ </div></li><li class="listitem"><div class="para">
+ The two "volume level meters" display the volume level of stereo audio. The left meter displays the volume level of the output signal. The right meter displays the volume level of the input signal.
+ </div></li><li class="listitem"><div class="para">
+ The "ruler" displays the time since the start of the file, in minutes and seconds.
+ </div></li><li class="listitem"><div class="para">
+ The "timeline" is the main area of the main window of Audacity. The leftmost point is the beginning of the audio file.
+ </div></li><li class="listitem"><div class="para">
+ Each "track" contains two channels of audio signal data. Audacity stacks tracks vertically in the main window. Audacity plays back all tracks simultaneously.
+ </div></li><li class="listitem"><div class="para">
+ Each track has a "track info area," which holds settings like the fader, panner, and <span class="guibutton"><strong>mute</strong></span> and <span class="guibutton"><strong>solo</strong></span> buttons.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ <a class="xref" href="#chap-Musicians_Guide-Digital_Audio_Workstations" title="第6ç« ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ¯ãƒ¼ã‚¯ã‚¹ãƒ†ãƒ¼ã‚·ãƒ§ãƒ³">6ç« <i>デジタルオーディオワークステーション</i></a>ã«ã¯ã€Audacity ã®ãƒ¦ãƒ¼ã‚¶ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã«ã¤ã„ã¦ã‚ˆã‚Šè©³ã—ã書ã„ã¦ã‚ã‚Šã¾ã™ã€‚ãã®ç« ã¯ã€å¤šãã®ãƒ¦ãƒ¼ã‚¶ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã‚³ãƒ³ãƒãƒ¼ãƒãƒ³ãƒˆã®ç›®çš„ã¨ç”¨é€”を説明ã—ã¦ã„ã¾ã™ã€‚
+ </div></div><div class="section" title="5.5. 録音" id="sect-Musicians_Guide-Audacity-Recording"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity-Recording">5.5. 録音</h2></div></div></div><div class="para">
+ ã“ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã§ã¯ã€Audacity ã§éŒ²éŸ³ã‚’ã™ã‚‹ã„ãã¤ã‹ã®æ–¹æ³•ã‚’説明ã—ã¾ã™ã€‚
+ </div><div class="section" title="5.5.1. 録音を開始ã™ã‚‹" id="sect-Musicians_Guide-Audacity-Recording-Start_to_Record"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Recording-Start_to_Record">5.5.1. 録音を開始ã™ã‚‹</h3></div></div></div><div class="para">
+ ã“ã®æ‰‹é †ã¯ã€ã‚ãªãŸãŒãƒžã‚¤ã‚¯ã‹ã‚‰éŒ²éŸ³ã™ã‚‹ã¨ãã«ã‚‚ã€ã‚ãªãŸã®ã‚³ãƒ³ãƒ”ュータã®ä»–ã®ã‚¢ãƒ—リケーションã‹ã‚‰éŒ²éŸ³ã™ã‚‹ã¨ãã«ã‚‚使ãˆã¾ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ コンピュータを録音準備ã—ã¾ã™ã€‚使ã„ãŸã„マイクをã¤ãªã„ã§ã€ãƒ†ã‚¹ãƒˆã—ã¾ã™ã€‚機器をテストã™ã‚‹æ‰‹é †ã¯ã€<a class="xref" href="#sect-Musicians_Guide-Audacity-Testing_Playback" title="5.2.5. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿ">「インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿã€</a>ã¨<a class="xref" href="#sect-Musicians_Guide-Audacity-Testing_Recording" title="5.2.6. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³">「インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³ã€</a>ã‚’å‚照下ã•ã„。
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ サンプルレートã¨ã‚µãƒ³ãƒ—ルフォーマットをãƒã‚§ãƒƒã‚¯ã—ã¾ã™ã€‚サンプルレートã¨ã‚µãƒ³ãƒ—ルフォーマットを変ãˆã‚‹æ‰‹é †ã¯ã€<a class="xref" href="#sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format" title="5.3.3. Setting the Project's Sample Rate and Format">「Setting the Project's Sample Rate and Formatã€</a>ã‚’å‚照下ã•ã„。
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ <span class="guibutton"><strong>録音</strong></span>ボタンã¯èµ¤ã„丸ãŒæ›¸ã„ã¦ã‚ã‚Šã¾ã™ã€‚録音ã®æº–å‚™ãŒã§ããŸã‚‰ <span class="guibutton"><strong>録音</strong></span>ボタンをクリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ <span class="guibutton"><strong>åœæ¢</strong></span>ボタンã¯ã‚ªãƒ¬ãƒ³ã‚¸ã®å››è§’ãŒæ›¸ã„ã¦ã‚ã‚Šã¾ã™ã€‚録音をæ¢ã‚ã‚‹ã«ã¯ã€<span class="guibutton"><strong>åœæ¢</strong></span>ボタンをクリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ * Audacity ã¯éŒ²éŸ³ã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’トラックã®ã‚¿ã‚¤ãƒ ラインã®ä¸ã§ã€é’色ã®ã€ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルã«å¯¾å¿œã™ã‚‹éŸ³æ³¢ã®ã‚ˆã†ãªå›³å½¢ã§è¡¨ã—ã¾ã™ã€‚Audacity ã¯ã¨ãã«ã¯é’ã„図形をã™ãã«è¡¨ç¤ºã—ã€ã¨ãã«ã¯ã‚ãªãŸãŒ<span class="guibutton"><strong>åœæ¢</strong></span>ボタンを押ã—ãŸå¾Œã«ã ã‘表示ã—ã¾ã™ã€‚AudacityãŒé’ã„図形をã™ãã«è¡¨ç¤ºã—ãªã„ã¨ãã¯ã€å分ãªãƒ—ãƒã‚»ãƒƒã‚µãƒ‘ワーãŒå¾—られãªã„ãŸã‚ã«ã€é’ã„図形を処ç†ã™ã‚‹ä»£ã‚ã‚Šã«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’処ç†ã™ã‚‹ã“ã¨ã«æ±ºã‚ãŸã¨ã„ã†ã“ã¨ã§ã™ã€‚
+ </div></li></ol></div></div><div class="section" title="5.5.2. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹" id="sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record">5.5.2. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹</h3></div></div></div><div class="para">
+ 最åˆã®éŒ²éŸ³ã®å¾Œã§ã•ã‚‰ã«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’録音ã™ã‚‹ã«ã¯ã€ä»¥ä¸‹ã®æ‰‹æ®µãŒã‚ã‚Šã¾ã™ï¼š
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æœ€å¾Œã«ç¶šã‘ã¦éŒ²éŸ³ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="keycap"><strong>シフト</strong></span>を押ã—ãªãŒã‚‰<span class="guibutton"><strong>録音</strong></span>をクリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Audacity ã¯æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æœ€å¾Œã‹ã‚‰éŒ²éŸ³ã‚’開始ã—ã¾ã™ã€‚æ–°ã—ã„オーディオã¯ä»¥å‰ã«é¸æŠžã•ã‚ŒãŸãƒˆãƒ©ãƒƒã‚¯ã«å…¥ã‚Šã¾ã™ã€‚
+ </div></li></ol></div></li><li class="listitem"><div class="para">
+ æ–°ã—ã„オーディオをã€æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã¨åŒæ™‚ã«æ¼”å¥ã•ã‚Œã‚‹ãŒã€å°‘ã—é…ã‚Œã¦é–‹å§‹ã™ã‚‹ã‚ˆã†ã«éŒ²éŸ³ã™ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="guimenu"><strong>録音ã¨å†ç”Ÿ</strong></span> → <span class="guimenuitem"><strong>åˆæœŸä½ç½®ã¾ã§é€²ã‚ã‚‹</strong></span> ã‚’é¸æŠžã™ã‚‹ã‹ã€<span class="keycap"><strong>Home</strong></span>を押ã—ã¦ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆãƒ˜ãƒƒãƒ‰ã‚’ファイルã®å…ˆé ã«ç§»å‹•ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ <span class="guibutton"><strong>録音</strong></span>をクリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Audacity ã¯æœ€åˆã‹ã‚‰éŒ²éŸ³ã‚’開始ã—ã¾ã™ã€‚æ–°ã—ã„オーディオã¯æ–°ã—ã„トラックã«å…¥ã‚Šã€æ—¢ã«ã‚るオーディオを消ã™ã“ã¨ã¯ã‚ã‚Šã¾ã›ã‚“。
+ </div></li></ol></div></li><li class="listitem"><div class="para">
+ æ–°ã—ã„オーディオをã€æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã¨åŒæ™‚ã«æ¼”å¥ã•ã‚Œã‚‹ãŒã€å°‘ã—é…ã‚Œã¦é–‹å§‹ã™ã‚‹ã‚ˆã†ã«éŒ²éŸ³ã™ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ æ–°ã—ã„オーディオを録音ã—ãŸã„タイムラインã®ä½ç½®ã‚’探ã—ã¾ã™ã€‚æ—¢ã«ã‚るトラックã®ãã®æ™‚刻をクリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ <span class="guibutton"><strong>録音</strong></span>をクリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Audacity ã¯ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆãƒ˜ãƒƒãƒ‰ã®ä½ç½®ã‹ã‚‰éŒ²éŸ³ã‚’開始ã—ã¾ã™ã€‚æ–°ã—ã„オーディオã¯æ–°ã—ã„トラックã«å…¥ã‚Šã€æ—¢ã«ã‚るオーディオを消ã™ã“ã¨ã¯ã‚ã‚Šã¾ã›ã‚“。
+ </div></li></ol></div></li></ol></div>
+
+ </div></div></div><div class="section" title="5.6. æ–°ã—ã„ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã‚’作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" id="sect-Musicians_Guide-Audacity-Tutorial"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity-Tutorial">5.6. æ–°ã—ã„ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã‚’作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</h2></div></div></div><div class="section" title="5.6.1. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«" id="sect-Musicians_Guide-Audacity-Tutorial-Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Files">5.6.1. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</h3></div></div></div><div class="para">
+ ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã‚’ã™ã‚‹ã«ã¯ã€<em class="citetitle">Tutorial Start</em>ファイルを使ã„ã¾ã™ã€‚<em class="citetitle">Tutorial End</em> ファイルã¨<em class="citetitle">Exported FLAC</em>ファイルã¯å®Œæˆã•ã‚ŒãŸä¾‹ã§ã™ã€‚ã‚ãªãŸãŒãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã‚’終ã‚ã£ãŸã¨ãã€ã‚ãªãŸã®ãƒ—ãƒã‚¸ã‚§ã‚¯ãƒˆã¯ç§ãŸã¡ã®ã‚‚ã®ã¨ãŸã¶ã‚“åŒã˜ã§ã¯ãªã„ã§ã—ょã†ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle">Tutorial Start</em> ã¯ã€ <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/Audacity/Audacity-start.tar.lzma">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/Audacity/Audacity-start.tar.lzma</a> ã«ã‚ã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">Tutorial End</em> is available at <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/Audacity/Audacity-start.tar.lzma">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/Audacity/Audacity-start.tar.lzma</a>
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">Exported FLAC</em> ã¯ã€ <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/Audacity/Audacity-export.flac">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/Audacity/Audacity-export.flac</a> ã«ã‚ã‚Šã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="5.6.2. シナリオ" id="sect-Musicians_Guide-Audacity-Tutorial-Scenario"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Scenario">5.6.2. シナリオ</h3></div></div></div><div class="para">
+ You tell a friend about some open-source audio applications in Fedora Linux. Your friend wants you to help them make a new sound that will play when they log in to their computer. You search your music CD collection, and find a favourite recording. You and your friend decide to use a few clips from the CD to start your new log-in sound.
+ </div></div><div class="section" title="5.6.3. トラックをæƒãˆã‚‹" id="sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks">5.6.3. トラックをæƒãˆã‚‹</h3></div></div></div><div class="para">
+ セグメントã®é–‹å§‹æ™‚刻を調整ã—ã¾ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Audacity ツール　ツールãƒãƒ¼ã‹ã‚‰ã€<span class="guibutton"><strong>タイムシフト</strong></span>ボタンをクリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ 移動ã—ãŸã„セグメントã®ã‚るトラックをé¸æŠžã—ã¾ã™ã€‚セグメントをå³ã‹å·¦ã«ãƒ‰ãƒ©ãƒƒã‚°ã—ã¦ã€ãã‚ŒãŒæ¼”å¥é–‹å§‹ã™ã‚‹æ™‚刻を変更ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ １ã¤ã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã®é–‹å§‹ç‚¹ã‚’ä»–ã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã®çµ‚了点ã«ãã‚ãˆã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚セグメントをドラッグã—ã¦ã€é–‹å§‹ç‚¹ã‚’ä»–ã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã®çµ‚了点ã«è¿‘ã¥ã‘ã¾ã™ã€‚セグメントをゆã£ãã‚Šå‰å¾Œã«ãƒ‰ãƒ©ãƒƒã‚°ã™ã‚‹ã¨é»„色ã„ç·šãŒç¾ã‚Œã¾ã™ã€‚黄色ã„ç·šã¯ã€ï¼’ã¤ã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã®é–“ã«é™å¯‚ãŒãªãã¦ã€ã‚»ã‚°ãƒ¡ãƒ³ãƒˆãŒé‡ãªã£ã¦ã„ãªã„ã“ã¨ã‚’示ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ セグメントをã€é¸æŠžã‚«ãƒ¼ã‚½ãƒ«ã®ä½ç½®ã‹ã‚‰é–‹å§‹ã™ã‚‹ã‚ˆã†ã«ç§»å‹•ã™ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚<span class="guibutton"><strong>é¸æŠžãƒ„ール</strong></span>ボタンをクリックã—ã¦ã€ã‚»ã‚°ãƒ¡ãƒ³ãƒˆãŒæ¼”å¥é–‹å§‹ã™ã‚‹ç‚¹ã‚’トラック上ã§ã‚¯ãƒªãƒƒã‚¯ã—ã¾ã™ã€‚<span class="guimenu"><strong>トラック</strong></span> → <span class="guisubmenu"><strong>トラックをæƒãˆã‚‹</strong></span> → <span class="guimenuitem"><strong>カーソルã«æƒãˆã‚‹</strong></span>ã‚’é¸æŠžã—ã¦ã€ãƒˆãƒ©ãƒƒã‚¯ã‚’移動ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ <span class="guimenu"><strong>トラック</strong></span> → <span class="guisubmenu"><strong>トラックをæƒãˆã‚‹</strong></span>ã®ãƒ¡ãƒ‹ãƒ¥ãƒ¼ã®é¸æŠžè‚¢ã‚’使ãˆã°ã€ãã®ä»–ã®æ–¹æ³•ã§ãƒˆãƒ©ãƒƒã‚¯ã‚’移動ã§ãã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ 複数トラックをåŒæ™‚ã«é¸æŠžã§ãã¾ã™ã€‚ãã‚Œãžã‚Œã®ãƒˆãƒ©ãƒƒã‚¯ã‚’é¸æŠžã™ã‚‹ã¨ãã«ã€<span class="keycap"><strong>シフト</strong></span>を押ã—ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ 調整をã—ãŸã‚‰ã€æ£ã—ãã§ããŸã‹èžã„ã¦ç¢ºèªã™ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚Audacity ツール　ツールãƒãƒ¼ã‹ã‚‰<span class="guibutton"><strong>é¸æŠžãƒ„ール</strong></span>をクリックã—ã¦ã€èžããŸã„トラックをクリックã—ã¾ã™ã€‚<span class="guibutton"><strong>å†ç”Ÿ</strong></span>を押ã—ã¦ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’èžã„ã¦ãã ã•ã„。
+ </div></li></ol></div><div class="para">
+ ç§ãŸã¡ã¯è‡ªåˆ†ãŸã¡ã«ã¨ã£ã¦è‰¯ãèžã“ãˆã‚‹ã‚ˆã†ã«ãƒˆãƒ©ãƒƒã‚¯ã‚’æƒãˆã¾ã—ãŸã€‚サウンドã¯çŸãã€é¢ç™½ãã€ã—ã‹ã—æ··ä¹±ã•ã›ã‚‹ã“ã¨ã®ãªã„よã†ã«ã—ã¾ã—ãŸã€‚ã“ã®ã‚¹ãƒ†ãƒƒãƒ—ã®å¾Œã€ä½•åº¦ã‚‚トラックã®ä½ç½®ã‚’変更ã—ã¾ã—ãŸã€‚
+ </div></div><div class="section" title="5.6.4. トラックを伸ã°ã™" id="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks">5.6.4. トラックを伸ã°ã™</h3></div></div></div><div class="para">
+ トラックを伸ã°ã—ãŸã‚Šç¸®ã‚ãŸã‚Šã—ã¦ã€æ¼”å¥æ™‚é–“ã‚’é•·ãã€ã‚ã‚‹ã„ã¯çŸãã™ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The "Change Tempo" tool adjusts speed but not pitch. Sound quality is lowered significantly.
+ </div></li><li class="listitem"><div class="para">
+ The "Change Speed" tool adjusts speed and pitch. Sound quality is less affected.
+ </div></li></ul></div>
+
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ 調整ã—ãŸã„トラックã®ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ã®éƒ¨åˆ†ã‚’クリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ <span class="guimenu"><strong>エフェクト</strong></span> → <span class="guimenuitem"><strong>テンãƒã®å¤‰æ›´</strong></span>ã‚ã‚‹ã„ã¯<span class="guimenu"><strong>エフェクト</strong></span> → <span class="guimenuitem"><strong>スピードã®å¤‰æ›´</strong></span>ã‚’é¸æŠžã—ã¾ã™ã€‚æ£ã®æ•°ã‚’入れるã¨ã€ã‚¹ãƒ”ードã¯å¢—ã—ã¦ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã¯çŸã„時間ã§çµ‚ã‚ã‚Šã¾ã™ã€‚è² ã®æ•°ã‚’入れるã¨ã€ã‚¹ãƒ”ードã¯æ¸›ã£ã¦ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã¯é•·ã„時間ã‹ã‹ã‚Šã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ <span class="guibutton"><strong>プレビュー</strong></span>をクリックã—ã¦ã€èª¿æ•´ã•ã‚ŒãŸã‚¹ãƒ”ードã§ã„ãらã‹ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’èžã„ã¦ã¿ã¾ã™ã€‚Audacity ã¯å¤‰æ›´ã‚’プレビューã™ã‚‹ã¨ãã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’変更ã—ã¾ã›ã‚“。
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ 変更をé©ç”¨ã™ã‚‹ã«ã¯<span class="guibutton"><strong>OK</strong></span>をクリックã—ã¾ã™ã€‚Audacity ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’処ç†ã—ã¾ã™ã€‚変更ã¯ã™ãã«ã¯ç¾ã‚Œã¾ã›ã‚“。
+ </div></li></ol></div><div class="para">
+ １ã¤ã®ãƒˆãƒ©ãƒƒã‚¯ã®ã‚¹ãƒ”ードを変更ã—ã¾ã—ãŸã€‚ã“ã‚Œã¯ç§ãŸã¡ã«ã¨ã£ã¦åˆã‚ã¦ã®éŸ³ã§ã‚ã‚‹ã®ã§ã€éŸ³ã®å“質ã«ã¯æ³¨æ„ã—ã¦ã„ã¾ã›ã‚“。ã‚ãªãŸãŒä»–ã®äººã«è´ã„ã¦ã‚‚らã†ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’編集ã™ã‚‹ã¨ãã«ã¯éŸ³ã®å“質をä¿ã¤ã‚ˆã†ã«æ³¨æ„ã—ã¦ãã ã•ã„。
+ </div></div><div class="section" title="5.6.5. ボリュームレベルを調整ã™ã‚‹" id="sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level">5.6.5. ボリュームレベルを調整ã™ã‚‹</h3></div></div></div><div class="para">
+ ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒœãƒƒã‚¯ã‚¹ã®ãƒ•ã‚§ãƒ¼ãƒ€ãƒ¼ã‚’使ã£ã¦ã€ãƒˆãƒ©ãƒƒã‚¯ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルを調整ã§ãã¾ã™ã€‚フェーダーã¯ã€å·¦ã«<code class="literal">-</code>記å·ã€å³ã«<code class="literal">+</code>記å·ãŒæ›¸ã‹ã‚ŒãŸæ°´å¹³ç·šã§ã™ã€‚フェーダーã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ãã®ã‚‚ã®ã¯å¤‰æ›´ã—ã¾ã›ã‚“。
+ </div><div class="para">
+ オーディオã®ä¸€éƒ¨åˆ†ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルを調整ã™ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚ã“ã®å ´åˆã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ãã®ã‚‚ã®ãŒå¤‰æ›´ã•ã‚Œã¾ã™ã€‚オーディオã®ä¸€éƒ¨åˆ†ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルを調整ã™ã‚‹ã«ã¯ã€ä»¥ä¸‹ã®æ‰‹é †ã«å¾“ã£ã¦ãã ã•ã„。
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ The tutorial's lowest track is very quiet. Click the track's <span class="guibutton"><strong>solo</strong></span> button, then listen to the track alone. Most of the track is quiet humming.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ <span class="guibutton"><strong>é¸æŠžãƒ„ール</strong></span>をクリックã—ã€ãƒžã‚¦ã‚¹ãƒœã‚¿ãƒ³ã‚’押ã—ã¦ã€ï¼‘ã¤ã®ãƒˆãƒ©ãƒƒã‚¯ã®ã„ãらã‹ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Choose <span class="guimenu"><strong>Effect</strong></span> → <span class="guimenuitem"><strong>Amplify</strong></span>. When the "Amplify" window opens, it is set for the greatest volume level increase that will not decrease sound quality. You can enable "clipping," which allows you to increase the volume level even more, but will decrease the sound quality.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ 増幅ツールを使ã£ã¦ã€ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルを気ã«ã„ã‚‹ã¾ã§èª¿æ•´ãã ã•ã„。
+ </div></li></ol></div></div><div class="section" title="5.6.6. ノイズを除ã" id="sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise">5.6.6. ノイズを除ã</h3></div></div></div><div class="para">
+ "Noise" is part of an audio signal that is not the intended signal. When you listen to music on the radio, you can hear the music, and usually also some noise. When computers record or play audio, the electronic components sometimes create extra noise. The lowest track of the tutorial file has noise created by electronic components in the old notebook computer used to play the CD. Follow these steps to use the "Noise Removal" tool.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="guibutton"><strong>é¸æŠžãƒ„ール</strong></span>をクリックã—ã¦ã€ä¸€ç•ªä¸‹ã®ãƒˆãƒ©ãƒƒã‚¯ã®å°ã•ã„部分をé¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Choose <span class="guimenu"><strong>Effect</strong></span> → <span class="guimenuitem"><strong>Noise Removal</strong></span>. The "Noise Removal" window appears. Click <span class="guibutton"><strong>Get Profile</strong></span>. The Noise Removal tool uses the selected audio as an example of the noise to remove.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ トラック全体をé¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Open the "Noise Removal" window. Click <span class="guibutton"><strong>OK</strong></span>. The Noise Removal tool processes the audio. The Noise Removal tool is not effective in this example because most of the signal is noise.
+ </div></li></ol></div></div><div class="section" title="5.6.7. フェードイン・フェードアウト" id="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out">5.6.7. フェードイン・フェードアウト</h3></div></div></div><div class="para">
+ Audacity has tools to fade in and out. When you "fade in," it means to gradually increase the volume level from silence to the original level. When you "fade out," it means to gradually decreased the volume level from the original level to silence. Professional recordings of concerts often fade out after a song, while the audience applauds. Fading out avoids an abrupt stop at the end of the recording, because the volume level is decreased gradually to silence.
+ </div><div class="para">
+ 一般的ã«ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚»ã‚°ãƒ¡ãƒ³ãƒˆã®é–‹å§‹ã§ãƒ•ã‚§ãƒ¼ãƒ‰ã‚¤ãƒ³ã—ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚»ã‚°ãƒ¡ãƒ³ãƒˆã®æœ€å¾Œã§ãƒ•ã‚§ãƒ¼ãƒ‰ã‚¢ã‚¦ãƒˆã—ã¾ã™ã€‚オーディオセグメントã®ä¸é–“ã§ãƒ•ã‚§ãƒ¼ãƒ‰ã‚¤ãƒ³ã‚ã‚‹ã„ã¯ãƒ•ã‚§ãƒ¼ãƒ‰ã‚¢ã‚¦ãƒˆã™ã‚‹ã¨ãã«ã€Audacity を使ã£ã¦ç‰¹æ®ŠåŠ¹æžœã‚’使ã†ã“ã¨ãŒã§ãã¾ã™ã€‚Audacity ã®è¨å®šã«ã‚ˆã£ã¦ã€æ•°ç§’ã®é–“ã«ãƒ•ã‚§ãƒ¼ãƒ‰ã‚¤ãƒ³ã‚ã‚‹ã„ã¯ãƒ•ã‚§ãƒ¼ãƒ‰ã‚¢ã‚¦ãƒˆã—ã€æœ€åˆã®ãƒ•ã‚§ãƒ¼ãƒ‰ã®ä¸ã§é€†ã®ãƒ•ã‚§ãƒ¼ãƒ‰ã‚’åŠ ãˆã‚‹ã¨ã„ã†é©šãよã†ãªã‚¨ãƒ•ã‚§ã‚¯ãƒˆã‚’使ã†ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="guibutton"><strong>é¸æŠžãƒ„ール</strong></span>をクリックã—ã¦ã€ãƒ•ã‚§ãƒ¼ãƒ‰ã‚¤ãƒ³ã‚ã‚‹ã„ã¯ãƒ•ã‚§ãƒ¼ãƒ‰ã‚¢ã‚¦ãƒˆã™ã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®éƒ¨åˆ†ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ <span class="guimenu"><strong>エフェクト</strong></span> → <span class="guimenuitem"><strong>フェードイン</strong></span>ã‚ã‚‹ã„ã¯<span class="guimenu"><strong>エフェクト</strong></span> → <span class="guimenuitem"><strong>フェードアウト</strong></span>ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li></ol></div><div class="para">
+ ç§ãŸã¡ã¯ã€ãƒˆãƒ©ãƒƒã‚¯ã®ï¼‘ã¤ã§ã€é•·ã„フェードアウトを作ã£ã¦ã€ãƒˆãƒ©ãƒƒã‚¯ãŒé™ã‹ã«ãªã‚‹ã‚ˆã†ã«ã—ã¾ã—ãŸã€‚ãã‚Œã‹ã‚‰ä»–ã®ãƒˆãƒ©ãƒƒã‚¯ã®é–“隔を調整ã—ã¦ã€ãれらを近ã¥ã‘ã¾ã—ãŸã€‚
+ </div></div><div class="section" title="5.6.8. オーディオを削除ã™ã‚‹" id="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio">5.6.8. オーディオを削除ã™ã‚‹</h3></div></div></div><div class="para">
+ トラックã®ä¸€éƒ¨ã‚’削除ã§ãã¾ã™ã€‚ã“ã®æ‰‹ç¶šãã¯ã€ãƒˆãƒ©ãƒƒã‚¯ã®æœ€å¾Œã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’削除ã—ã¾ã™ã€‚ä¼¼ãŸæ–¹æ³•ã§ã€ãã®ä»–ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªéƒ¨åˆ†ã‚’削除ã™ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="guibutton"><strong>é¸æŠžãƒ„ール</strong></span>クリックã—ã¦ã€ç·¨é›†ã‚«ãƒ¼ã‚½ãƒ«ã‚’トラックを終ãˆãŸã„点ã«ç½®ãã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ <span class="guimenu"><strong>編集</strong></span> → <span class="guisubmenu"><strong>é¸æŠž</strong></span> → <span class="guimenuitem"><strong>カーソルã‹ã‚‰æœ€å¾Œã¾ã§</strong></span>ã‚’é¸æŠžã—ã¾ã™ã€‚<span class="guimenu"><strong>編集</strong></span> → <span class="guisubmenu"><strong>é¸æŠž</strong></span>メニューã«ã¯ã€ãã®ä»–ã®é¸æŠžè‚¢ã‚‚ãŸãã•ã‚“ã‚ã‚Šã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ <span class="keycap"><strong>Delete</strong></span>を押ã—ã¾ã™ã€‚é¸æŠžã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã¯å‰Šé™¤ã•ã‚Œã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ é–“é•ãˆãŸã‚‰ã€å‰ã®å‹•ä½œã‚’å–り消ã™ã“ã¨ãŒã§ãã¾ã™ã€‚<span class="guimenu"><strong>編集</strong></span> → <span class="guimenuitem"><strong>å–り消ã—</strong></span>ã‚’é¸æŠžãã ã•ã„。
+ </div></li></ol></div><div class="para">
+ 最も下ã®ãƒˆãƒ©ãƒƒã‚¯ã®çµ‚端を削除ã—ã¾ã—ãŸã€‚
+ </div></div><div class="section" title="5.6.9. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’ç¹°ã‚Šè¿”ã™" id="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment">5.6.9. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’ç¹°ã‚Šè¿”ã™</h3></div></div></div><div class="para">
+ æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’ç¹°ã‚Šè¿”ã™ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="guibutton"><strong>é¸æŠžãƒ„ール</strong></span>をクリックã—ã¦ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®éƒ¨åˆ†ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ <span class="guimenu"><strong>編集</strong></span> → <span class="guimenuitem"><strong>コピー</strong></span>ã‚’é¸æŠžã™ã‚‹ã‹ã€ <span class="keycap"><strong>Control</strong></span>+<span class="keycap"><strong>c</strong></span>を押ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ トラックã®ä¸ã§ã‚³ãƒ”ーãŒæ¼”å¥ã—始ã‚ã‚‹ã¹ã付近をクリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ <span class="guimenu"><strong>編集</strong></span> → <span class="guimenuitem"><strong>ペースト</strong></span>ã‚’é¸æŠžã™ã‚‹ã‹ã€ <span class="keycap"><strong>Control</strong></span>+<span class="keycap"><strong>v</strong></span>を押ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ <span class="guibutton"><strong>タイムシフトツール</strong></span>をクリックã—ã¦ã€æ–°ã—ã„オーディオクリップã®ã‚¿ã‚¤ãƒ ラインã®ä½ç½®ã‚’調整ã—ã¾ã™ã€‚
+ </div></li></ol></div><div class="para">
+ ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã®çµ‚ã‚りをよりé¢ç™½ãã™ã‚‹ãŸã‚ã€ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã®çµ‚ã‚りを２回繰り返ã—ã¾ã—ãŸã€‚
+ </div></div><div class="section" title="5.6.10. ç‰¹æ®ŠåŠ¹æžœã‚’åŠ ãˆã‚‹ï¼ˆãƒ•ã‚§ãƒ¼ã‚¶ãƒ¼ï¼‰" id="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser">5.6.10. ç‰¹æ®ŠåŠ¹æžœã‚’åŠ ãˆã‚‹ï¼ˆãƒ•ã‚§ãƒ¼ã‚¶ãƒ¼ï¼‰</h3></div></div></div><div class="para">
+ Audacity ã«ã¯ãŸãã•ã‚“ã®ã‚¨ãƒ•ã‚§ã‚¯ãƒˆãƒ—ラグインãŒã‚ã‚Šã€ã‚‚ã£ã¨è¿½åŠ ã™ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚フェーザーã¯ã€å響ã€ãƒ‘ニングã€ãã—ã¦å‘¨æ³¢æ•°ã‚’調整ã—ã¦ã€ã“ã¾ã®ã‚ˆã†ãªã‚µã‚¦ãƒ³ãƒ‰ã‚’作りã¾ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ １ã¤ã®ãƒˆãƒ©ãƒƒã‚¯ã ã‘ãŒæ¼”å¥ã•ã‚Œã¦ã„ã‚‹ã¨ãã«ã€ã©ã‚Œã‹ã®ãƒˆãƒ©ãƒƒã‚¯ã®éƒ¨åˆ†ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ <span class="guimenu"><strong>エフェクト</strong></span> → <span class="guimenuitem"><strong>フェーザー</strong></span>ã‚’é¸æŠžã—ã¦ã€è¨å®šã‚’実験ã—ã¾ã™ã€‚<span class="guibutton"><strong>プレビュー</strong></span>をクリックã—ã¦ã€ã‚ãªãŸã®è¨å®šã®åŠ¹æžœã‚’èžãã¾ã™ã€‚Audacityã¯ã€ã‚ãªãŸãŒè¨å®šã‚’プレ>ビューã™ã‚‹ã¨ãã«ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã¯å¤‰æ›´ã—ã¾ã›ã‚“。
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã§ã¯ã€ãƒ•ã‚§ãƒ¼ã‚¶ãƒ¼ã‚’ã€æœ€å¾Œã«ã€ã“ã®è¨å®šã§ä½¿ã„ã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Stages: 2
+ </div></li><li class="listitem"><div class="para">
+ Dry/Wet: 128
+ </div></li><li class="listitem"><div class="para">
+ LFO Frequency: 0.4
+ </div></li><li class="listitem"><div class="para">
+ LFO Start Phase: 0
+ </div></li><li class="listitem"><div class="para">
+ Depth: 128
+ </div></li><li class="listitem"><div class="para">
+ Feedback: 90
+ </div></li></ul></div>
+
+ </div></li></ol></div></div><div class="section" title="5.6.11. çµè«–" id="sect-Musicians_Guide-Audacity-Tutorial-Conclusion"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Conclusion">5.6.11. çµè«–</h3></div></div></div><div class="para">
+ ã‚ãªãŸã®ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚¡ã‚¤ãƒ«ã¯ç§ãŸã¡ãŒå®Œæˆã—ãŸã‚‚ã®ã¨ã¯ç•°ãªã‚‹éŸ³ãŒã™ã‚‹ã§ã—ょã†ã€‚ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®æŒ‡ç¤ºã¯æ„図的ã«ã‚ã„ã¾ã„ã§ã—ãŸã€‚ã‚ãªãŸã¯è‡ªåˆ†ã®å‰µé€ 性を使ã£ã¦ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã‚’完æˆã•ã›ãŸã®ã§ã™ã€‚ã‚ãªãŸã¯ã•ã‚‰ã«ã€ã“れらã®ãƒ„ールをã„ã‚ã„ã‚ãªç•°ãªã‚‹ç›®çš„ã®ãŸã‚ã«ã©ã®ã‚ˆã†ã«ä½¿ã†ã‹å¦ã‚“ã ã“ã¨ã§ã—ょã†ã€‚
+ </div></div></div><div class="section" title="5.7. ä¿å˜ã¨æ›¸ã出ã—" id="sect-Musicians_Guide-Audacity-Save_and_Export"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity-Save_and_Export">5.7. ä¿å˜ã¨æ›¸ã出ã—</h2></div></div></div><div class="para">
+ Audacity ã¯ãã®ãƒ‡ãƒ¼ã‚¿ã‚’ã€Audacity ã ã‘ãŒä½¿ã†ã“ã¨ã®ã§ãã‚‹å½¢å¼ã§ä¿å˜ã—ã¾ã™ã€‚Audacity ã¯å˜ãªã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ•ã‚¡ã‚¤ãƒ«ä»¥ä¸Šã«å¤šãã®æƒ…å ±ã‚’ä¿å˜ã—ã€ã“ã®æƒ…å ±ã¯ã€é€šå¸¸ã® OGG, FLAC, ã‚ã‚‹ã„㯠AIFF ã®ã‚ˆã†ãªã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ•ã‚¡ã‚¤ãƒ«ã§ã¯æ ¼ç´ã§ãã¾ã›ã‚“。
+ </div><div class="para">
+ When you want to share your work, or use it in another application, you must export it. When you "export" audio, Audacity converts the Audacity-only file into a conventional audio file. Audacity does not delete the original Audacity-only file, but the exported file cannot be converted into the Audacity-only format.
+ </div><div class="section" title="5.7.1. ファイルã®éƒ¨åˆ†ã‚’書ã出ã™" id="sect-Musicians_Guide-Audacity-Exporting_Part_of_a_File"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Exporting_Part_of_a_File">5.7.1. ファイルã®éƒ¨åˆ†ã‚’書ã出ã™</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ 書ã出ã—ãŸã„オーディオã®éƒ¨åˆ†ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ <span class="guimenu"><strong>ファイル</strong></span> → <span class="guimenuitem"><strong>é¸æŠžç¯„囲を書ã出ã—</strong></span>ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ 書ãã ã•ã‚Œã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®å½¢å¼ã€ãƒ•ã‚¡ã‚¤ãƒ«åã€ãã—ã¦ãƒ‡ã‚£ãƒ¬ã‚¯ãƒˆãƒªã‚’é¸æŠžã—ã¾ã™ã€‚終ã‚ã£ãŸã‚‰<span class="guibutton"><strong>ä¿å˜</strong></span>をクリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Depending on which format you choose, the "Metadata" window appears. You can input this information if you wish.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ Audacity ã¯æ›¸ã出ã™ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’処ç†ã—ã¾ã™ã€‚ã“ã‚Œã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã«ã‚ˆã£ã¦ã¯ã—ã°ã‚‰ãã‹ã‹ã‚Šã¾ã™ã€‚
+ </div></li></ol></div></div><div class="section" title="5.7.2. ファイルを全部書ã出ã™" id="sect-Musicians_Guide-Audacity-Exporting_a_Whole_File"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Exporting_a_Whole_File">5.7.2. ファイルを全部書ã出ã™</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="guimenu"><strong>ファイル</strong></span> → <span class="guimenuitem"><strong>é¸æŠžç¯„囲を書ã出ã—</strong></span>ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ 書ãã ã•ã‚Œã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®å½¢å¼ã€ãƒ•ã‚¡ã‚¤ãƒ«åã€ãã—ã¦ãƒ‡ã‚£ãƒ¬ã‚¯ãƒˆãƒªã‚’é¸æŠžã—ã¾ã™ã€‚終ã‚ã£ãŸã‚‰<span class="guibutton"><strong>ä¿å˜</strong></span>をクリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Depending on which format you choose, the "Metadata" window appears. You can input this information if you wish.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Audacity ã¯æ›¸ã出ã™ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’処ç†ã—ã¾ã™ã€‚ã“ã‚Œã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã«ã‚ˆã£ã¦ã¯ã—ã°ã‚‰ãã‹ã‹ã‚Šã¾ã™ã€‚
+ </div></li></ol></div></div></div></div><div xml:lang="ja-JP" class="chapter" title="第6ç« ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ¯ãƒ¼ã‚¯ã‚¹ãƒ†ãƒ¼ã‚·ãƒ§ãƒ³" id="chap-Musicians_Guide-Digital_Audio_Workstations" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第6ç« ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ¯ãƒ¼ã‚¯ã‚¹ãƒ†ãƒ¼ã‚·ãƒ§ãƒ³</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Knowing_Which_DAW_to_Use">6.1. ã©ã® DAW を使ã†ã‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Stages_of_Recording">6.2. 録音ã®ã‚¹ãƒ†ãƒ¼ã‚¸</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Recording">6.2.1. 録音</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Mixing">6.2.2. ミã‚シング</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Mastering">6.2.3. マスタリング</a></span></dt><dt><span class="section"><a href="#sect-Musicia
ns_Guide-Record_Mix_Master_More_Info">6.2.4. å‚考</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-DAW_Interface_Vocabulary">6.3. インタフェース用語</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Session">6.3.1. セッション</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Track_and_Multitrack">6.3.2. トラックã¨ãƒžãƒ«ãƒãƒˆãƒ©ãƒƒã‚¯</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Region_Clip_Segment">6.3.3. リージョンã€ã‚¯ãƒªãƒƒãƒ—ã€ã‚ã‚‹ã„ã¯ã‚»ã‚°ãƒ¡ãƒ³ãƒˆ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Transport_and_Playhead">6.3.4. トランスãƒãƒ¼ãƒˆã¨å†ç”Ÿãƒ˜ãƒƒãƒ‰</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Automation">6.3.5. オートメーション</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-DAW_User_Interface">6.4. ユーザインタã
ƒ•ã‚§ãƒ¼ã‚¹</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Messages_Pane">6.4.1. メッセージペイン</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-DAW_Clock">6.4.2. クãƒãƒƒã‚¯</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Track_Info_Pane">6.4.3. ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Track_Pane">6.4.4. トラックペイン</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-DAW_Transport_Controls">6.4.5. トランスãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«</a></span></dt></dl></dd></dl></div><div class="para">
+ The term <em class="firstterm">Digital Audio Workstation</em> (henceforth <em class="firstterm">DAW</em>) refers to the entire hardware and software setup used for professional (or professional-quality) audio recording, manipulation, synthesis, and production. It originally referred to devices purpose-built for the task, but as personal computers have become more powerful and wide-spread, certain specially-designed personal computers can also be thought of as DAWs. The software running on these computers, especially software capable of multi-track recording, playback, and synthesis, is simply called "DAW software," which is often shortened to "DAW." So, the term "DAW" and its usage are moderately ambiguous, but generally refer to one of the things mentioned.
+ </div><div class="para">
+ ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã«é–¢ã™ã‚‹ç”¨èªžã«ã¤ã„ã¦ã¯ã€<a class="xref" href="#chap-Musicians_Guide-Sound_Cards" title="第1ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¨ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª">1ç« <i>サウンドカードã¨ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</i></a>ã‚’å‚ç…§ãã ã•ã„。
+ </div><div class="section" title="6.1. ã©ã® DAW を使ã†ã‹" id="sect-Musicians_Guide-Knowing_Which_DAW_to_Use"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Knowing_Which_DAW_to_Use">6.1. ã©ã® DAW を使ã†ã‹</h2></div></div></div><div class="para">
+ The Musicians' Guide covers three widely-used DAWs: <span class="application"><strong>Ardour</strong></span>, <span class="application"><strong>Qtractor</strong></span>, and <span class="application"><strong>Rosegarden</strong></span>. All three use <code class="systemitem">JACK</code> extensively, are highly configurable, share a similar user interface, and allow users to work with both audio and MIDI signals. Many other DAWs exist, including a wide selection of commercially-available solutions. Here is a brief description of the programs documented in the Musicians' Guide:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ“作ã®ãŸã‚ã®ã€ã‚ªãƒ¼ãƒ—ンソース標準ã§ã™.柔軟ã§ã€æ‹¡å¼µã§ãã¾ã™.
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Qtractor</strong></span> is a relative new-comer, but easy to use; a "lean and mean," MIDI-focused DAW. Available from Planet CCRMA at Home or RPM Fusion.
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> ã¯å分テストã•ã‚ŒãŸã€æ©Ÿèƒ½ãŒå……実ã—㟠Linux オーディオã€ç‰¹ã« MIDIã€ã®åƒã者ã§ã™ã€‚MIDI トラックを作æˆã™ã‚‹ãŸã‚ã®ãƒ“ジュアルãªèœé¢ã‚¨ãƒ‡ã‚£ã‚¿ãŒã‚ã‚Šã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ã‚‚ã—ã‚ãªãŸãŒã€ã©ã‚Œã‹ã‚‰å§‹ã‚ã‚Œã°ã„ã„ã‹åˆ†ã‹ã‚‰ãªã„ã¨ãã¯ã€ã‚ãªãŸã¯ DAW を全然必è¦ã¨ã—ãªã„ã®ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ã‚‚ã—ã‚ãªãŸãŒã€é«˜å“質ã®éŒ²éŸ³ã‚¢ãƒ—リケーションã€ã‚ã‚‹ã„ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ•ã‚¡ã‚¤ãƒ«ã‚’１ã¤ã¥ã¤æ“作ã™ã‚‹ãŸã‚ã®ãƒ„ールを探ã—ã¦ã„ã‚‹ãªã‚‰ã€ã‚‚ã—ã‹ã™ã‚‹ã¨ <span class="application"><strong>Audacity</strong></span> ãŒã‚ˆã„ã§ã—ょã†ã€‚ã“ã‚Œã¯ã€ã»ã¨ã‚“ã©ã®ã‚³ãƒ³ãƒ”ュータユーザã€ç‰¹ã«åˆã‚ã¦ã‚³ãƒ³ãƒ”ュータオーディオをã™ã‚‹äººã‚„ã€ç‰¹åˆ¥ãªçŸ¥è˜ã‚’å¿…è¦ã¨ã—ãªã„迅速ãªã‚½ãƒªãƒ¥ãƒ¼ã‚·ãƒ§ãƒ³ã‚’探ã—ã¦ã„る人ã«ã¨ã£ã¦ã€ã‚ˆã„é¸æŠžã§ã™.<span class="application"><strong>Audacity</strong></span> ã¯ã€ä»–ã®å¤šãã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã¨æ¯”ã¹ã¦ã€ã‚ˆã‚Šä½¿ã„ã‚„ã™ã„ã®ã§ã€ã‚ãªãŸãŒæœ€åˆã®ã‚³ãƒ³ãƒ”ュータオーディオã®çµŒé¨“ã‚’ã™ã‚‹ã«ã¯ã‚ˆã„手段ã§ã™.
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Ardour</strong></span>ã€<span class="application"><strong>Qtractor</strong></span>, ãã—㦠<span class="application"><strong>Rosegarden</strong></span> ãŒæä¾›ã™ã‚‹æ©Ÿèƒ½ã‚’ãžã‚“ã¶ã‚“ã«æ´»ç”¨ã™ã‚‹ã«ã¯ã€ã‚ãªãŸã®ã‚³ãƒ³ãƒ”ュータã«ã¯ã€ãƒ—ãƒãƒ•ã‚§ãƒƒã‚·ãƒ§ãƒŠãƒ«å“質ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ©Ÿå™¨ã€è¿½åŠ ã§è³¼å…¥ã•ã‚Œã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã¨ãƒžã‚¤ã‚¯ã®ã‚ˆã†ãªå…¥åŠ›ãƒ‡ãƒã‚¤ã‚¹ãŒå‚™ã‚ã£ã¦ã„ã‚‹ã¹ãã§ã™.ã‚‚ã—ã‚ãªãŒãŸãã®ã‚ˆã†ãªæ©Ÿå™¨ã‚’æŒãŸãªã„å ´åˆã€Audacity ãŒã‚ãªãŸã«ã¨ã£ã¦ã‚ˆã„é¸æŠžã‹ã‚‚ã—ã‚Œã¾ã›ã‚“.
+ </div></li><li class="listitem"><div class="para">
+ If you are simply hoping to create a "MIDI recording" of some sheet music, you are probably better off using <span class="application"><strong>LilyPond</strong></span>. This program is designed primarily to create printable sheet music, but it will produce a MIDI-format version of a score if you include the following command in the <code class="literal">score</code> section of your <span class="application"><strong>LilyPond</strong></span> source file: <code class="code">\midi { }</code>. There are a selection of options that can be put in the <code class="literal">midi</code> section; refer to the <span class="application"><strong>LilyPond</strong></span> help files for a listing.
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="6.2. 録音ã®ã‚¹ãƒ†ãƒ¼ã‚¸" id="sect-Musicians_Guide-Stages_of_Recording"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Stages_of_Recording">6.2. 録音ã®ã‚¹ãƒ†ãƒ¼ã‚¸</h2></div></div></div><div class="para">
+ ã‚ã‚‹ã‚‚ã®ã‚’録音ã—ã¦ã€ãƒªã‚¹ãƒŠã«å±Šã‘る準備をã™ã‚‹ãŸã‚ã«ã¯ï¼“ã¤ã®å¤§ããªã‚¹ãƒ†ãƒ¼ã‚¸ãŒã‚ã‚Šã¾ã™ï¼šéŒ²éŸ³ã€ãƒŸã‚シングã€ãã—ã¦ãƒžã‚¹ã‚¿ãƒªãƒ³ã‚°ã§ã™ã€‚ãã‚Œãžã‚Œã®å‡¦ç†ã®ã‚¹ãƒ†ãƒƒãƒ—ã¯ç‹¬è‡ªã®ç‰¹æ€§ã‚’æŒã¡ã¾ã™ãŒã€æ™‚ã«ã¯ã€ä¸€ç·’ã«æ··ãœåˆã‚ã›ã‚‰ã‚Œã‚‹ã“ã¨ã‚‚ã‚ã‚Šã¾ã™.
+ </div><div class="section" title="6.2.1. 録音" id="sect-Musicians_Guide-Recording"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Recording">6.2.1. 録音</h3></div></div></div><div class="para">
+ Recording is the process of capturing audio regions (also called "clips" or "segments") into the DAW software, for later processing. Recording is a complex process, involving a microphone that captures sound energy, translates it into electrical energy, and transmits it to an audio interface. The audio interface converts the electrical energy into digital signals, and sends it through the operating system to the DAW software. The DAW stores regions in memory and on the hard drive as required. Every time the musicians perform some (or all) of the performance to be recorded, while the DAW is recording, it is considered to be a <em class="firstterm">take</em>. A successful recording usually requires several takes, due to the inconsistencies of musical performance and of the related technological aspects.
+ </div></div><div class="section" title="6.2.2. ミã‚シング" id="sect-Musicians_Guide-Mixing"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Mixing">6.2.2. ミã‚シング</h3></div></div></div><div class="para">
+ Mixing is the process through which recorded audio regions (also called "clips") are coordinated to produce an aesthetically-appealing musical output. This usually takes place after recording, but sometimes additional takes will be needed. Mixing often involves reducing audio from multiple tracks into two channels, for stereo audio - a process known as "down-mixing," because it decreases the amount of audio data.
+ </div><div class="para">
+ ミã‚シングã«ã¯ä¸»ã«ä»¥ä¸‹ã®å‡¦ç†ãŒã‚ã‚Šã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ エフェクトをオートメイトã™ã‚‹ã€
+ </div></li><li class="listitem"><div class="para">
+ レベルを調整ã™ã‚‹ã€
+ </div></li><li class="listitem"><div class="para">
+ タイムシフトã™ã‚‹ã€
+ </div></li><li class="listitem"><div class="para">
+ フィルタã™ã‚‹ã€
+ </div></li><li class="listitem"><div class="para">
+ パンã™ã‚‹ã€
+ </div></li><li class="listitem"><div class="para">
+ ç‰¹æ®ŠåŠ¹æžœã‚’åŠ ãˆã‚‹ã€
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ミã‚シングを行ã£ã¦ã„る人ãŒå®Œäº†ã—ãŸã¨æ€ã£ãŸã¨ãã€ãã®å®Œäº†ã—ãŸçµæžœã¯<em class="firstterm">ファイナルミックス</em>ã¨å‘¼ã°ã‚Œã¾ã™.
+ </div></div><div class="section" title="6.2.3. マスタリング" id="sect-Musicians_Guide-Mastering"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Mastering">6.2.3. マスタリング</h3></div></div></div><div class="para">
+ Mastering is the process through which a version of the final mix is prepared for distribution and listening. Mastering can be performed for many target formats, including CD, tape, SuperAudio CD, or hard drive. Mastering often involves a reduction in the information available in an audio file: audio CDs are commonly recorded with 20- or 24-bit samples, for example, and reduced to 16-bit samples during mastering. While most physical formats (like CDs) also specify the audio signal's format, audio recordings mastered to hard drive can take on many formats, including OGG, FLAC, AIFF, MP3, and many others. This allows the person doing the mastering some flexibility in choosing the quality and file size of the resulting audio.
+ </div><div class="para">
+ ミã‚シングã¨ãƒžã‚¹ã‚¿ãƒªãƒ³ã‚°ã¯ã©ã¡ã‚‰ã‚‚独立ã—ãŸä½œæ¥ã§ã™ãŒã€æ™‚ã«ã¯åŒã˜æŠ€è¡“を使ã„ã¾ã™.例ãˆã°ã€ãƒžã‚¹ã‚¿ãƒªãƒ³ã‚°ã®æŠ€è¡“者ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’ã‚る物ç†åª’体ã«æœ€é©åŒ–ã™ã‚‹ãŸã‚ã«ã€ç‰¹åˆ¥ãªã‚¤ã‚³ãƒ©ã‚¤ã‚¼ãƒ¼ã‚·ãƒ§ãƒ³ãƒ•ã‚£ãƒ«ã‚¿ã‚’使ã†ã“ã¨ãŒã‚ã‚Šã¾ã™.
+ </div></div><div class="section" title="6.2.4. å‚考" id="sect-Musicians_Guide-Record_Mix_Master_More_Info"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Record_Mix_Master_More_Info">6.2.4. å‚考</h3></div></div></div><div class="para">
+ 録音ã€ãƒŸã‚シングã€ãã—ã¦ãƒžã‚¹ã‚¿ãƒªãƒ³ã‚°ã‚’æˆåŠŸã•ã›ã‚‹æŠ€è¡“ã‚’ç¿’å¾—ã™ã‚‹ã«ã¯ã€çµŒé¨“ã¨å®Ÿè·µãŒå¿…è¦ã§ã™.ã“れらã®æ‰‹ç¶šãã«ã¤ã„ã¦ã®ã“れ以上ã®æƒ…å ±ã¯ã€ä»¥ä¸‹ã®ã‚¦ã‚¨ãƒ–ページをã¯ã˜ã‚ã¨ã—ã¦ã€ã„ã‚ã„ã‚ãªã¨ã“ã‚ã§å¾—られã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://www.64studio.com/howto-mastering">http://www.64studio.com/howto-mastering</a> ã§åˆ©ç”¨å¯èƒ½ãªã€<em class="citetitle">Mastering Your Final Mix (64studio)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Audio_mixing_%28recorded_music%29">http://en.wikipedia.org/wiki/Audio_mixing_%28recorded_music%29</a> ã§åˆ©ç”¨å¯èƒ½ãª<em class="citetitle">Audio Mixing (Wikipedia)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Multitrack_recording">http://en.wikipedia.org/wiki/Multitrack_recording</a> ã§åˆ©ç”¨å¯èƒ½ãª<em class="citetitle">Multitrack Recording (Wikipedia)</em>。
+ </div></li></ul></div>
+
+ </div></div></div><div class="section" title="6.3. インタフェース用語" id="sect-Musicians_Guide-DAW_Interface_Vocabulary"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-DAW_Interface_Vocabulary">6.3. インタフェース用語</h2></div></div></div><div class="para">
+ Understanding these concepts is essential to understanding how to use the DAW software's interface.
+ </div><div class="section" title="6.3.1. セッション" id="sect-Musicians_Guide-Session"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Session">6.3.1. セッション</h3></div></div></div><div class="para">
+ A <em class="firstterm">session</em> is all of the tracks, regions, automation settings, and everything else that goes along with one "file" saved by the DAW software. Some software DAWs manage to hide the entire session within one file, but others instead create a new directory to hold the regions and other data.
+ </div><div class="para">
+ Typically, one session is used to hold an entire recording session; it is broken up into individual songs or movements after recording. Sometimes, as in the tutorial examples with the Musicians' Guide, one session holds only one song or movement. There is no strict rule as to how much music should be held within one session, so your personal preference can determine what you do here.
+ </div><div class="figure" title="図6.1 Ardour ã®ã‚»ãƒƒã‚·ãƒ§ãƒ³" id="ardour_session"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-Session.png" width="444" alt="Ardour ã®ã‚»ãƒƒã‚·ãƒ§ãƒ³" /><div class="longdesc"><div class="para">
+ 複数ã®æ¥½å™¨ã®ãƒˆãƒ©ãƒƒã‚¯ã‚’å«ã‚€ã€Ardour ã®ã‚»ãƒƒã‚·ãƒ§ãƒ³
+ </div></div></div></div><h6>図6.1 Ardour ã®ã‚»ãƒƒã‚·ãƒ§ãƒ³</h6></div><br class="figure-break" /></div><div class="section" title="6.3.2. トラックã¨ãƒžãƒ«ãƒãƒˆãƒ©ãƒƒã‚¯" id="sect-Musicians_Guide-Track_and_Multitrack"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Track_and_Multitrack">6.3.2. トラックã¨ãƒžãƒ«ãƒãƒˆãƒ©ãƒƒã‚¯</h3></div></div></div><div class="para">
+ A <em class="firstterm">track</em> represents one channel, or a predetermined collection of simultaneous, inseparable channels (as is often the case with stereo audio). In the DAW's main window, tracks are usually represented as rows, whereas time is represented by columns. A track may hold multiple regions, but usually only one of those regions can be heard at a time. The <em class="firstterm">multitrack</em> capability of modern software-based DAWs is one of the reasons for their success. Although each individual track can play only one region at a time, the use of multiple tracks allows the DAW's outputted audio to contain a virtually unlimited number of simultaneous regions. The most powerful aspect of this is that audio does not have to be recorded simultaneously in order to be played back simultaneously; you could sing a duet with yourself, for example.
+ </div><div class="figure" title="図6.2 Ardour ã®ãƒˆãƒ©ãƒƒã‚¯" id="ardour_track"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-Track.png" width="444" alt="Ardour ã®ãƒˆãƒ©ãƒƒã‚¯" /><div class="longdesc"><div class="para">
+ Ardour ã®ãƒˆãƒ©ãƒƒã‚¯.ã“ã®æ¥½å™¨ãŒèžã“ãˆãªã„é™å¯‚ãªæœŸé–“ã®çœŸã‚“ä¸ã«ã‚る１ã¤ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’æŒã¡ã¾ã™ã€‚
+ </div></div></div></div><h6>図6.2 Ardour ã®ãƒˆãƒ©ãƒƒã‚¯</h6></div><br class="figure-break" /></div><div class="section" title="6.3.3. リージョンã€ã‚¯ãƒªãƒƒãƒ—ã€ã‚ã‚‹ã„ã¯ã‚»ã‚°ãƒ¡ãƒ³ãƒˆ" id="sect-Musicians_Guide-Region_Clip_Segment"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Region_Clip_Segment">6.3.3. リージョンã€ã‚¯ãƒªãƒƒãƒ—ã€ã‚ã‚‹ã„ã¯ã‚»ã‚°ãƒ¡ãƒ³ãƒˆ</h3></div></div></div><div class="para">
+ リージョンã€ã‚¯ãƒªãƒƒãƒ—ãã—ã¦ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã¯ã€åŒç¾©èªžã§ã™ï¼šç•°ãªã‚‹ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã¯åŒã˜ã‚‚ã®ã‚’示ã™ã®ã«ç•°ãªã‚‹ç”¨èªžã‚’使ã„ã¾ã™.<em class="firstterm">リージョン</em> (ã‚ã‚‹ã„㯠<em class="firstterm">クリップ</em> ã‚ã‚‹ã„ã¯<em class="firstterm">セグメント</em>)ã¯ã€ï¼‘ã¤ã®ãƒ†ã‚¤ã‚¯ã®ä¸ã§ï¼‘ã¤ã®ãƒˆãƒ©ãƒƒã‚¯ã«éŒ²éŸ³ã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®éƒ¨åˆ†ã®ã“ã¨ã§ã™ã€‚リージョンã¯ã€DAW ã®ãƒ¡ã‚¤ãƒ³ã®ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã§ã€é€šå¸¸ã¯è‰²ãŒã¤ã„ãŸå››è§’å½¢ã§è¡¨ç¾ã•ã‚Œã¾ã™ã€‚ãã—ã¦ã€ãŸã １ã¤ã®ãƒˆãƒ©ãƒƒã‚¯ã«å«ã¾ã‚Œã¾ã™ã€‚オーディオ信å·ãƒ‡ãƒ¼ã‚¿ã‚’æŒã¤ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¯æ™®é€šã€ãã®ãƒ‡ãƒ¼ã‚¿ã®å‘¨æ³¢æ•°åˆ†å¸ƒã‚°ãƒ©ãƒ•ãŒè¡¨ç¤ºã•ã‚Œã¾ã™ã€‚MIDIä¿¡å·ãƒ‡ãƒ¼ã‚¿ã‚’æŒã¤ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¯æ™®é€šã€ãã®ãƒ‡ãƒ¼ã‚¿ã®ãƒžãƒˆãƒªã‚¯ã‚¹è¡¨ç¤ºãŒã•ã‚Œã¾ã™ã€‚
+ </div><div class="para">
+ For the three DAW applications in the Musicians' Guide:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> calls them "regions,"
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Qtractor</strong></span> calls them "clips," and,
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> calls them "segments."
+ </div></li></ul></div>
+
+ </div><div class="figure" title="図6.3 Ardour ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³" id="ardour_region"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-Region.png" width="444" alt="Ardour ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³" /><div class="longdesc"><div class="para">
+ Ardour ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³
+ </div></div></div></div><h6>図6.3 Ardour ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³</h6></div><br class="figure-break" /></div><div class="section" title="6.3.4. トランスãƒãƒ¼ãƒˆã¨å†ç”Ÿãƒ˜ãƒƒãƒ‰" id="sect-Musicians_Guide-Transport_and_Playhead"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Transport_and_Playhead">6.3.4. トランスãƒãƒ¼ãƒˆã¨å†ç”Ÿãƒ˜ãƒƒãƒ‰</h3></div></div></div><div class="para">
+ The <em class="firstterm">transport</em> is responsible for managing the current time in a session, and with it the playhead. The <em class="firstterm">playhead</em> marks the point on the timeline from where audio would be played, or to where audio would be recorded. The transport controls the playhead, and whether it is set for recording or only playback. The transport can move the playhead forward or backward, in slow motion, fast motion, or real time. In most computer-based DAWs, the playhead can also be moved with the cursor. The playhead is represented on the DAW interface as a vertical line through all tracks. The transport's buttons and displays are usually located in a toolbar at the top of the DAW window, but some people prefer to have the transport controls detached from the main interface, and this is how they appear by default in Rosegarden.
+ </div></div><div class="section" title="6.3.5. オートメーション" id="sect-Musicians_Guide-Automation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Automation">6.3.5. オートメーション</h3></div></div></div><div class="para">
+ DAW ã§ã®ã‚ªãƒ¼ãƒˆãƒ¡ãƒ¼ã‚·ãƒ§ãƒ³ã¯ã€é€²ã‚“ã 話題ã§ã‚ã‚‹ã‹ã€ã‚ã‚‹ã„ã¯äººé–“ãŒè¡Œã†æ±ºå®šã‚’代ã‚ã‚Šã«è¡Œã†ãŸã‚ã«ä½¿ã‚れるもã®ã®ã‚ˆã†ã«èžã“ãˆã‚‹ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。ã“ã‚Œã¯å…¨ã誤りã§ã™ã€‚<em class="firstterm">オートメーション</em>ã¯ã€ãƒ¦ãƒ¼ã‚¶ãŒã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ãŒå†ç”Ÿã•ã‚Œã‚‹åº¦ã«åŒã˜è¨å®šã‚’自動的ã«ã™ã‚‹ã“ã¨ã‚’å¯èƒ½ã¨ã—ã¾ã™ã€‚ã“ã‚Œã¯ä»¥ä¸‹ã®ç‚¹ã§æ‰‹å‹•ã ã‘ã®åˆ¶å¾¡ã‚ˆã‚Šå„ªã‚Œã¦ã„ã¾ã™ã€‚ãã‚Œã¯ã€ã¨ã¦ã‚‚æ£ç¢ºã§ã€ãªã‚らã‹ã§ã€ä¸€è²«ã—ãŸèª¿æ•´ãŒã§ãã¾ã™ã€‚ã‚ãªãŸã¯èª¿æ•´ã‚’記憶ã—ãªãã¦ã‚‚よã„ã§ã™ã€‚ãã—ã¦ã€ãã‚Œã¯ã€ã‚ãªãŸãŒæ‰‹å‹•ã§ã§ãるよりãšã£ã¨ãŸãã•ã‚“ã®èª¿æ•´ã‚’åŒæ™‚ã«è¡Œã†ã“ã¨ãŒã§ãã¾ã™ã€‚オートメーションを使ãˆã°ã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®è¶…人的ãªåˆ¶å¾¡ãŒã§ãã‚‹ã¨ã„ã†ã“ã¨ã§ã™ã€‚ã»ã¨ã‚“ã©ã®è¨å®šã¯ã‚ªãƒ¼ãƒˆãƒ¡ãƒ¼ã‚·ãƒ§ãƒ³ã«ã‚ˆã‚Šèª¿æ•´ã§ãã¾ã™ã€‚最も一般的ãªã®ã¯ã€ãƒ•ã‚§ãƒ¼ãƒ€ã¨ãƒ‘
ンナーã§ã—ょã†ã€‚
+ </div><div class="para">
+ The most common method of automating a setting is with a two-dimensional graph called an <em class="firstterm">envelope</em>, which is drawn on top of an audio track, or underneath it in an <em class="firstterm">automation track</em>. The user adds adjustment points by adding and moving points on the graph. This method allows for complex, gradual changes of the setting, as well as simple, one-time changes. Automation is often controlled by means of MIDI signals, for both audio and MIDI tracks. This allows for external devices to adjust settings in the DAW, and vice-versa - you can actually automate your own hardware from within a software-based DAW! Of course, not all hardware supports this, so refer to your device's user manual.
+ </div></div></div><div class="section" title="6.4. ユーザインタフェース" id="sect-Musicians_Guide-DAW_User_Interface"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-DAW_User_Interface">6.4. ユーザインタフェース</h2></div></div></div><div class="para">
+ ã“ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã§ã¯ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ DAW インタフェースã®ã„ã‚ã„ã‚ãªã‚³ãƒ³ãƒãƒ¼ãƒãƒ³ãƒˆã‚’見ã¦ã¿ã¾ã—ょã†ã€‚<span class="application"><strong>Qtractor</strong></span>アプリケーションã®ç”»åƒã‚’使ã„ã¾ã™ãŒã€<span class="application"><strong>Ardour</strong></span> 㨠<span class="application"><strong>Rosegarden</strong></span>（他ã®ã»ã¨ã‚“ã©ã® DAW ソフトウエアã¨åŒã˜ã‚ˆã†ã«ï¼‰ã‚‚ã€ã©ã®ãƒœã‚¿ãƒ³ãŒã©ã“ã«ã‚ã‚‹ã‹ã€ã®ã‚ˆã†ãªç´°ã‹ã„点ã ã‘ãŒç•°ãªã‚‹ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã‚’æŒã£ã¦ã„ã¾ã™ã€‚
+ </div><div class="section" title="6.4.1. メッセージペイン" id="sect-Musicians_Guide-Messages_Pane"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Messages_Pane">6.4.1. メッセージペイン</h3></div></div></div><div class="figure" title="図6.4 Qtractor ã®ãƒ¡ãƒƒã‚»ãƒ¼ã‚¸ãƒšã‚¤ãƒ³" id="qtractor_messages"><div class="figure-contents"><div class="mediaobject"><img src="./images/Qtractor-interface-messages.png" width="444" alt="Qtractor ã®ãƒ¡ãƒƒã‚»ãƒ¼ã‚¸ãƒšã‚¤ãƒ³" /><div class="longdesc"><div class="para">
+ Qtractor ã®ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã®ä¸‹ã«ã‚るメッセージペイン
+ </div></div></div></div><h6>図6.4 Qtractor ã®ãƒ¡ãƒƒã‚»ãƒ¼ã‚¸ãƒšã‚¤ãƒ³</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="#qtractor_messages" title="図6.4 Qtractor ã®ãƒ¡ãƒƒã‚»ãƒ¼ã‚¸ãƒšã‚¤ãƒ³">図6.4「Qtractor ã®ãƒ¡ãƒƒã‚»ãƒ¼ã‚¸ãƒšã‚¤ãƒ³ã€</a>ã«ç¤ºã—ãŸ<span class="guilabel"><strong>messages</strong></span>ペインã¯ã€DAW ã«ã‚ˆã‚Šç”Ÿæˆã•ã‚ŒãŸãƒ¡ãƒƒã‚»ãƒ¼ã‚¸ã‚’æŒã¡ã€ãã—ã¦ã¨ãã«ã¯<code class="systemitem">JACK</code>ã®ã‚ˆã†ã«ã€DAW ãŒä½¿ã†ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã«ã‚ˆã‚Šç”Ÿæˆã•ã‚ŒãŸãƒ¡ãƒƒã‚»ãƒ¼ã‚¸ã‚‚å«ã¿ã¾ã™ã€‚ã‚‚ã—エラーãŒèµ·ããŸã‚Šã€DAW ãŒæœŸå¾…通りã«å‹•ã‹ãªã„ã¨ãã¯<span class="guilabel"><strong>messages</strong></span>ペインを調ã¹ã¦ã€ã‚ãªãŸãŒæœŸå¾…ã™ã‚‹çµæžœã‚’å¾—ã‚‹ãŸã‚ã«å½¹ç«‹ã¤æƒ…å ±ã‚’æŽ¢ã—ã¦ä¸‹ã•ã„。<span class="guilabel"><strong>messages</strong></span>ペインã¯<code class="systemitem">JACK</code>㨠DAW ãŒã‚ãªãŸãŒã®ãžã‚€ã‚ªãƒ—ションã§æ£å¸¸ã«é–‹å§‹ã—ãŸã‹ã©ã†ã‹ã‚’判æ–ã™ã‚‹ã®ã«ã‚‚使ã‚ã‚Œã¾ã™ã€‚
+ </div></div><div class="section" title="6.4.2. クãƒãƒƒã‚¯" id="sect-Musicians_Guide-DAW_Clock"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-DAW_Clock">6.4.2. クãƒãƒƒã‚¯</h3></div></div></div><div class="figure" title="図6.5 Qtractor ã®ã‚¯ãƒãƒƒã‚¯" id="qtractor_clocks"><div class="figure-contents"><div class="mediaobject"><img src="./images/Qtractor-interface-clocks.png" width="444" alt="Qtractor ã®ã‚¯ãƒãƒƒã‚¯" /><div class="longdesc"><div class="para">
+ Qtractor ã®ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã®ä¸ã®ã‚¯ãƒãƒƒã‚¯
+ </div></div></div></div><h6>図6.5 Qtractor ã®ã‚¯ãƒãƒƒã‚¯</h6></div><br class="figure-break" /><div class="para">
+ クãƒãƒƒã‚¯ã¯ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆãŒç¤ºã™ã€ãƒ•ã‚¡ã‚¤ãƒ«ã®ä¸ã®ç¾åœ¨ã®ä½ç½®ã‚’表ã—ã¾ã™ã€‚<a class="xref" href="#qtractor_clocks" title="図6.5 Qtractor ã®ã‚¯ãƒãƒƒã‚¯">図6.5「Qtractor ã®ã‚¯ãƒãƒƒã‚¯ã€</a>ã§ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã¯ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®æœ€åˆã«ã„ã¾ã™ã‹ã‚‰ã€ã‚¯ãƒãƒƒã‚¯ã¯<code class="literal">0</code>を示ã—ã¦ã„ã¾ã™ã€‚ã“ã®ã‚¯ãƒãƒƒã‚¯ã¯ã€æ™‚é–“ã‚’ã€åˆ†ã¨ç§’ã§è¡¨ã™ã‚ˆã†ã«æ§‹æˆã•ã‚Œã¦ã„ã¾ã™ã‹ã‚‰ã€ã“ã‚Œã¯<em class="firstterm">タイムクãƒãƒƒã‚¯</em>ã§ã™ã€‚クãƒãƒƒã‚¯ã®ä»–ã®è¨å®šã«ã¯ã€<em class="firstterm">BBT</em>ã‚’ã‚らã‚ã™ã‚‚ã®(bars, beats, and ticks å°ç¯€ã€æ‹ã€ãƒãƒƒã‚¯<em class="firstterm">MIDIクãƒãƒƒã‚¯</em>)ã€ã‚µãƒ³ãƒ—ルをã‚らã‚ã™ã‚‚ã®(<em class="firstterm">サンプルクãƒãƒƒã‚¯</em>)ã€ãã—ã¦<em class="firstterm">SMPTE タイムコード</em>ã‚’ã‚らã‚ã™ã‚‚ã®(通常ã€ãƒ“デオã§ã®ã€é«˜ç²¾åº¦ãªåŒæœŸã®ãŸã‚ã«ä½¿ã‚れるã€<em class="firstterm">タイã
ƒ コードクãƒãƒƒã‚¯</em>)ãŒã‚ã‚Šã¾ã™ã€‚DAWã«ã‚ˆã£ã¦ã¯ã€è¤‡æ•°ã®ã‚¯ãƒãƒƒã‚¯ã‚’åŒæ™‚ã«ä½¿ã†ã“ã¨ã‚‚ã§ãã¾ã™ã€‚
+ </div><div class="para">
+ <span class="application"><strong>Qtractor</strong></span> ã§ã®ã€ã“ã“ã«ç¤ºã—ãŸã‚¿ã‚¤ãƒ クãƒãƒƒã‚¯ã¯ã€MIDI テンãƒã¨æ‹åã«ã¤ã„ã¦ã®ï¼ˆæ¯Žåˆ†120.0æ‹ã€4/4æ‹åï¼‰æƒ…å ±ã¨ã€MIDI 録音ã§ã®é‡å化ã®è¨å®šã‚‚示ã—ã¦ã„ã‚‹ã“ã¨ã«æ³¨æ„下ã•ã„。
+ </div></div><div class="section" title="6.4.3. ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³" id="sect-Musicians_Guide-Track_Info_Pane"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Track_Info_Pane">6.4.3. ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³</h3></div></div></div><div class="figure" title="図6.6 Qtractor ã®ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³" id="qtractor_track_info"><div class="figure-contents"><div class="mediaobject"><img src="./images/Qtractor-interface-track_info.png" width="444" alt="Qtractor ã®ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³" /><div class="longdesc"><div class="para">
+ Qtractor ã®ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã®ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ã®ãƒšã‚¤ãƒ³
+ </div></div><div class="caption"><div class="para">
+ ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ã®ãƒšã‚¤ãƒ³ï¼šãƒšã‚¤ãƒ³ã«ï¼’ã¤ã®ãƒˆãƒ©ãƒƒã‚¯ãŒã‚ã‚Šã€å³å´ã«ã€ãã‚Œãžã‚Œã®ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ã®ã‚¹ãƒšãƒ¼ã‚¹ãŒã‚ã‚Šã¾ã™ã€‚
+ </div></div></div></div><h6>図6.6 Qtractor ã®ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³</h6></div><br class="figure-break" /><div class="para">
+ The <em class="firstterm">track info</em> pane contains information and settings for each track and bus in the session. Here, you can usually adjust settings like the routing of a track's or bus' input and output routing, the instrument, bank, program, and channel of MIDI tracks, and the three buttons shown in <a class="xref" href="#qtractor_track_info" title="図6.6 Qtractor ã®ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³">図6.6「Qtractor ã®ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³ã€</a>: <span class="guibutton"><strong>R</strong></span> for "arm to record," <span class="guibutton"><strong>M</strong></span> for "mute/silence track's output," and <span class="guibutton"><strong>S</strong></span> for "solo mode," where only the selected tracks and busses are heard.
+ </div><div class="para">
+ DAW ã«ã‚ˆã£ã¦ã€æä¾›ã•ã‚Œã‚‹æƒ…å ±ã¨ãƒœã‚¿ãƒ³ã®ãƒ¬ã‚¤ã‚¢ã‚¦ãƒˆã¯å¤§ãã変ã‚ã‚‹ã“ã¨ãŒã‚ã‚Šã¾ã™ãŒã€åŸºæœ¬çš„ãªæ©Ÿèƒ½ã¯ã©ã‚Œã‚‚åŒã˜ã§ã™ã€‚多ãã®å ´åˆã€ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒœãƒƒã‚¯ã‚¹ã‚’å³ã‚¯ãƒªãƒƒã‚¯ã™ã‚‹ã¨ã€é«˜åº¦ãªæ§‹æˆã‚ªãƒ—ションã«ã‚¢ã‚¯ã‚»ã‚¹ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒœãƒƒã‚¯ã‚¹ã®ãƒœã‚¿ãƒ³ã§ã¯ãªã„部分を左クリックã™ã‚‹ã¨ã€<em class="firstterm">トラックペイン</em>ã®ç‰¹å®šã®æ™‚刻をé¸æŠžã™ã‚‹ã“ã¨ãªãã€ã‚るトラックをé¸æŠžã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="para">
+ ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³ã¯ã€ãƒˆãƒ©ãƒƒã‚¯ãƒšã‚¤ãƒ³ã®å¤§ãã•ãŒå¤‰ã‚ã£ãŸã¨ãã€ãƒ“ューã®å¤–ã«ã‚¹ã‚¯ãƒãƒ¼ãƒ«ã—ã¦å‡ºã‚‹ã“ã¨ã¯ãªãã€ç‹¬ç«‹ã—ã¦ã„ã¾ã™ã€‚
+ </div></div><div class="section" title="6.4.4. トラックペイン" id="sect-Musicians_Guide-Track_Pane"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Track_Pane">6.4.4. トラックペイン</h3></div></div></div><div class="figure" title="図6.7 Qtractor ã®ãƒˆãƒ©ãƒƒã‚¯ãƒšã‚¤ãƒ³" id="qtractor_track"><div class="figure-contents"><div class="mediaobject"><img src="./images/Qtractor-interface-track.png" width="444" alt="Qtractor ã®ãƒˆãƒ©ãƒƒã‚¯ãƒšã‚¤ãƒ³" /><div class="longdesc"><div class="para">
+ Qtractor ã®ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã®ä¸ã®ãƒˆãƒ©ãƒƒã‚¯ãƒšã‚¤ãƒ³
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <em class="firstterm">ルーラー</em>ã¯ã“ã“ã§ã¯ã€<em class="firstterm">BBT</em>（bars, beats, ticks　å°ç¯€ã€æ‹ã€ãƒãƒƒã‚¯ï¼‰ã«è¨å®šã•ã‚Œã¦ã„ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ グラフィカルã«è¡¨ç¾ã•ã‚ŒãŸï¼’ã¤ã®ãƒˆãƒ©ãƒƒã‚¯ã€‚水平軸ã¯æ™‚間を表ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ MIDI <em class="firstterm">クリップ</em>(ä»–ã®ã‚¢ãƒ—リケーションã§ã¯ã€<em class="firstterm">リージョン</em>ã¨å‘¼ã°ã‚Œã¾ã™ï¼‰
+ </div></li><li class="listitem"><div class="para">
+ オーディオ<em class="firstterm">クリップ</em>(ä»–ã®ã‚¢ãƒ—リケーションã§ã¯ã€<em class="firstterm">リージョン</em>ã¨å‘¼ã°ã‚Œã¾ã™ï¼‰
+ </div></li><li class="listitem"><div class="para">
+ トラックペインã®ã‚¹ã‚¯ãƒãƒ¼ãƒ«ãƒãƒ¼ï¼šã“ã®ãƒšã‚¤ãƒ³ã¯ç‹¬ç«‹ã—ã¦ã‚¹ã‚¯ãƒãƒ¼ãƒ«ã™ã‚‹ã“ã¨ã«æ³¨æ„下ã•ã„。
+ </div></li></ol></div></div></div></div><h6>図6.7 Qtractor ã®ãƒˆãƒ©ãƒƒã‚¯ãƒšã‚¤ãƒ³</h6></div><br class="figure-break" /><div class="para">
+ <em class="firstterm">トラックペイン</em>ã¯ã€DAW ã«ãŠã‘る主è¦ãªãƒ¯ãƒ¼ã‚¯ã‚¹ãƒšãƒ¼ã‚¹ã§ã™ã€‚ãã‚Œã¯ã€<em class="firstterm">リージョン</em> (<em class="firstterm">クリップ</em>ã¨ã‚‚呼ã°ã‚Œã¾ã™)をオーディオ波形ã‚ã‚‹ã„㯠MIDI ノートã®ãŠãŠã¾ã‹ãªæ¦‚観ã¨ã¨ã‚‚ã«è¡¨ç¤ºã—ã¾ã™ã€‚ã‚ãªãŸã¯ã€ãã“ã§ã€ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã®é–‹å§‹æ™‚刻ã¨é•·ã•ã‚’変ãˆãŸã‚Šã€ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’トラックã«å‰²ã‚Šå½“ã¦ãŸã‚Šã€å†å‰²ã‚Šå½“ã¦ã—ãŸã‚Šã§ãã¾ã™ã€‚トラックペインã§ã¯ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã¯åž‚ç›´ã®ç·šã¨ã—ã¦è¡¨ã•ã‚Œã¾ã™ã€‚<a class="xref" href="#qtractor_track" title="図6.7 Qtractor ã®ãƒˆãƒ©ãƒƒã‚¯ãƒšã‚¤ãƒ³">図6.7「Qtractor ã®ãƒˆãƒ©ãƒƒã‚¯ãƒšã‚¤ãƒ³ã€</a>ã§ã¯ã€ãã‚Œã¯ãƒˆãƒ©ãƒƒã‚¯ãƒšã‚¤ãƒ³ã®ä¸ã®æœ€ã‚‚å·¦ã®èµ¤ã„ç·šã§ã™ã€‚
+ </div><div class="para">
+ トラックペインを水平ã«ã‚¹ã‚¯ãƒãƒ¼ãƒ«ã™ã‚‹ã“ã¨ã§ã€ã‚ãªãŸã¯ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®å…¨ä½“ã«æ¸¡ã£ã¦ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’見るã“ã¨ãŒã§ãã¾ã™ã€‚最も左ã®ç‚¹ãŒã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®é–‹å§‹ç‚¹ã§ã™ã€‚最もå³ã®ç‚¹ãŒã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®çµ‚了点ã®å¾Œã‚’示ã—ã¾ã™ã€‚ã»ã¨ã‚“ã©ã® DAW ã§ã¯ã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®çµ‚了点をã¯ã‚‹ã‹ã«è¶Šãˆã¦ã‚¹ã‚¯ãƒãƒ¼ãƒ«ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚トラックペインを垂直ã«ã‚¹ã‚¯ãƒãƒ¼ãƒ«ã™ã‚‹ã“ã¨ã§ã€ã‚ãªãŸã¯ç‰¹å®šã®æ™‚é–“ã®ç¯„囲ã§ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¨ãƒˆãƒ©ãƒƒã‚¯ã‚’見るã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></div><div class="section" title="6.4.5. トランスãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«" id="sect-Musicians_Guide-DAW_Transport_Controls"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-DAW_Transport_Controls">6.4.5. トランスãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«</h3></div></div></div><div class="figure" title="図6.8 Qtractor ã®ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«" id="qtractor_transport"><div class="figure-contents"><div class="mediaobject"><img src="./images/Qtractor-interface-transport.png" width="444" alt="Qtractor ã®ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«" /><div class="longdesc"><div class="para">
+ Qtractor ã®ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦å†…ã®ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 最åˆã«æˆ»ã‚‹
+ </div></li><li class="listitem"><div class="para">
+ 早戻ã—
+ </div></li><li class="listitem"><div class="para">
+ æ—©é€ã‚Š
+ </div></li><li class="listitem"><div class="para">
+ 最後ã«é€²ã‚€
+ </div></li><li class="listitem"><div class="para">
+ リアルタイムã§é€²ã‚€
+ </div></li><li class="listitem"><div class="para">
+ 録音ã®æº–備をã™ã‚‹
+ </div></li></ol></div></div></div></div><h6>図6.8 Qtractor ã®ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«</h6></div><br class="figure-break" /><div class="para">
+ トランスãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ã‚’使ã„ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’ã„ã‚ã„ã‚ã¨æ“作ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ボタンã®å½¢ã¯ã»ã¼æ¨™æº–化ã•ã‚Œã¦ã„ã¾ã™ã€‚ä¼¼ãŸã‚ˆã†ã«è¦‹ãˆã‚‹ãƒœã‚¿ãƒ³ã¯æ™®é€šã€ã™ã¹ã¦ã® DAW ã§åŒã˜æ©Ÿèƒ½ã‚’ã¯ãŸã—ã¾ã™ã€‚ãれ㯠CD プレイヤーや DVD プレイヤーãªã©ã®å®¶åºç”¨é›»å機器ã¨åŒã˜ã§ã™ã€‚
+ </div><div class="para">
+ åž‚ç›´ç·šã®ã‚る１é‡ã®å·¦ã‚’å‘ã„ãŸçŸ¢å°ã¯ã€å†ç”Ÿã‚„録音をã™ã‚‹ã“ã¨ãªãã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’セッションã®é–‹å§‹ç‚¹ã«ä½ç½®ã¥ã‘ã¾ã™ã€‚<span class="application"><strong>Qtractor</strong></span> ã§ã¯ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã¨ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®é–‹å§‹ç‚¹ã®é–“ã«ã€é’ã„プレースマーカーãŒã‚ã‚Œã°ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã¯é’ã„プレースマーカーã®æ‰€ã¾ã§ã‚¹ã‚ップã—ã¾ã™ã€‚ã‚‚ã†ä¸€åº¦ãƒœã‚¿ãƒ³ã‚’押ã™ã¨ã€æ¬¡ã®é’ã„プレースマーカーもã—ãã¯ã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®é–‹å§‹ç‚¹ã«ç§»å‹•ã—ã¾ã™ã€‚
+ </div><div class="para">
+ å·¦å‘ãã®äºŒé‡ã®çŸ¢å°ã¯ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’セッションã®é–‹å§‹ç‚¹ã¸å‘ã‘ã¦é€Ÿã移動ã—ã¾ã™ã€‚å³å‘ãã®äºŒé‡ã®çŸ¢å°ã¯ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’セッションã®çµ‚了点ã¸å‘ã‘ã¦é€Ÿã移動ã—ã¾ã™ã€‚
+ </div><div class="para">
+ åž‚ç›´ç·šã®ã‚る１é‡ã®å³å‘ãã®çŸ¢å°ã¯ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’ã€ç¾åœ¨ã‚»ãƒƒã‚·ãƒ§ãƒ³ã«ã‚る最後ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã®çµ‚了点ã«ç§»å‹•ã—ã¾ã™ã€‚<span class="application"><strong>Qtractor</strong></span> ã§ã¯ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã¨ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®æœ€å¾Œã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã®é–“ã«ã€é’ã„プレースマーカーãŒã‚ã‚Œã°ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã¯é’ã„プレースマーカーã®æ‰€ã¾ã§ã‚¹ã‚ップã—ã¾ã™ã€‚ã‚‚ã†ä¸€åº¦ãƒœã‚¿ãƒ³ã‚’押ã™ã¨ã€æ¬¡ã®é’ã„プレースマーカーもã—ãã¯ã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®æœ€å¾Œã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã«ç§»å‹•ã—ã¾ã™ã€‚
+ </div><div class="para">
+ The single, right-pointing arrow is commonly called "play," but it actually moves the transport forward in real-time. When it does this, if the transport is armed for recording, any armed tracks will record. Whether or not the transport is armed, pressing the "play" button causes all un-armed tracks to play all existing regions.
+ </div><div class="para">
+ The circular button arms the transport for recording. It is conventionally red in colour. In <span class="application"><strong>Qtractor</strong></span>, the transport can only be armed <span class="emphasis"><em>after</em></span> at least one track has been armed; to show this, the transport's arm button only turns red if a track is armed.
+ </div></div></div></div><div xml:lang="ja-JP" class="chapter" title="第7ç« Ardour" id="chap-Musicians_Guide-Ardour" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第7ç« Ardour</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Requirements_and_Installation">7.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Knowledge_Requirements">7.1.1. å‰æ知è˜</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Software_Requirements">7.1.2. ソフトウエアè¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Hardware_Requirements">7.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Installation">7.1.4. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording_a
_Session">7.2. セッションを録音ã™ã‚‹</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Running_Ardour">7.2.1. <span class="application"><strong>Ardour</strong></span> を実行ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Interface">7.2.2. インタフェース</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline">7.2.3. タイムラインをè¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources">7.2.4. オーディオソースを <span class="application"><strong>Ardour</strong></span> ã«ã¤ãªã</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks">7.2.5. ãƒã‚¹ã¨ãƒˆãƒ©ãƒƒã‚¯ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Reco
rding-Adjusting_Recording_Level">7.2.6. 録音レベル（ボリューム）を調整ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Recording_a_Region">7.2.7. リージョンを録音ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Recording_More">7.2.8. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Routing_Audio">7.2.9. オーディオã®ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨ <code class="systemitem">JACK</code> 接続ã®ç®¡ç†</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio">7.2.10. æ—¢å˜ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’インãƒãƒ¼ãƒˆã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Tutorial_Files">7.3. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editi
ng">7.4. 曲を編集ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Add_Tracks_and_Busses">7.4.1. トラックã¨ãƒã‚¹ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses">7.4.2. トラックã¨ãƒã‚¹ã‚’接続ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks">7.4.3. トラックã«ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size">7.4.4. リージョンã®å¤§ãã•ã‚’切り詰ã‚ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings">7.4.5. åŒã˜ã‚‚ã®ã®è¤‡æ•°ã®éŒ²éŸ³ã‚’比較ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Arrange">7.4.6. リージョã
ƒ³ã‚’æ£ã—ã„å ´æ‰€ã«ä¸¦ã¹ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Listen">7.4.7. èžã</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing">7.5. 曲をミã‚シングã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Enabling_Stereo_Output">7.5.1. ステレオ出力ã®ãŸã‚ã«ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®è¨å®šã‚’è¡Œã„ã€ã‚¨ãƒ‡ã‚£ãƒƒãƒˆã‚°ãƒ«ãƒ¼ãƒ—を解除ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels">7.5.2. 最åˆã®ãƒ¬ãƒ™ãƒ«ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning">7.5.3. 最åˆã®ãƒ‘ニングをè¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks">7.5.4. オートメーショントラックã§ã€ã•ã
‚‰ã«èª¿æ•´ã‚’ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Other_Things">7.5.5. Other Things You Might Want to Do</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Listen">7.5.6. èžã</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mastering">7.6. Mastering a Session</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mastering-Ways_to_Export">7.6.1. Ways to Export Audio</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window">7.6.2. Using the Export Window</a></span></dt></dl></dd></dl></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> ã¯ãƒžãƒ«ãƒãƒˆãƒ©ãƒƒã‚¯éŒ²éŸ³ã®ãŸã‚ã«è¨è¨ˆã•ã‚ŒãŸè±Šå¯Œãªæ©Ÿèƒ½ã‚’æŒã¤ã‚¢ãƒ—リケーションã§ã™ã€‚
+ </div><div class="section" title="7.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" id="sect-Musicians_Guide-Ardour-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Ardour-Requirements_and_Installation">7.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</h2></div></div></div><div class="section" title="7.1.1. å‰æ知è˜" id="sect-Musicians_Guide-Ardour-Knowledge_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Knowledge_Requirements">7.1.1. å‰æ知è˜</h3></div></div></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> ã®ãƒ¦ãƒ¼ã‚¶ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã¯ä»–ã® DAW ã«ä¼¼ã¦ã„ã¾ã™ã€‚ã‚‚ã—ã‚ãªãŸãŒ DAW を使ã£ãŸã“ã¨ãŒãªã‘ã‚Œã°ã€<a class="xref" href="#sect-Musicians_Guide-DAW_User_Interface" title="6.4. ユーザインタフェース">「ユーザインタフェースã€</a> ã‚’èªã‚€ã“ã¨ã‚’ãŠå‹§ã‚ã—ã¾ã™ã€‚
+ </div></div><div class="section" title="7.1.2. ソフトウエアè¦ä»¶" id="sect-Musicians_Guide-Ardour-Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Software_Requirements">7.1.2. ソフトウエアè¦ä»¶</h3></div></div></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> 㯠<code class="systemitem">JACK Audio Connection Kit</code> を使ã„ã¾ã™ã€‚ <span class="application"><strong>Ardour</strong></span> をインストールã™ã‚‹å‰ã«ã€<code class="systemitem">JACK</code> をインストール下ã•ã„。<code class="systemitem">JACK</code> をインストールã™ã‚‹ã«ã¯ã€<a class="xref" href="#sect-Musicians_Guide-Install_and_Configure_JACK" title="2.3.1. Install and Configure JACK">「Install and Configure <code class="systemitem">JACK</code>ã€</a> ã®æ‰‹é †ã«å¾“ã£ã¦ãã ã•ã„。
+ </div></div><div class="section" title="7.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶" id="sect-Musicians_Guide-Ardour-Hardware_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Hardware_Requirements">7.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</h3></div></div></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> を使ã†ã«ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ãŒå¿…è¦ã§ã™ã€‚<span class="application"><strong>Ardour</strong></span> ã§ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’録音ã™ã‚‹ã«ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã«æŽ¥ç¶šã•ã‚ŒãŸãƒžã‚¤ã‚¯ãŒå°‘ãªãã¦ã‚‚１ã¤å¿…è¦ã§ã™ã€‚<span class="application"><strong>FluidSynth</strong></span> ã‚„ <span class="application"><strong>SuperCollider</strong></span> ã®ã‚ˆã†ãªã€JACK 対応プãƒã‚°ãƒ©ãƒ ã‹ã‚‰ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ã‚’録音ã™ã‚‹ã«ã¯ã€ãƒžã‚¤ã‚¯ã¯å¿…è¦ã‚ã‚Šã¾ã›ã‚“。
+ </div></div><div class="section" title="7.1.4. インストール" id="sect-Musicians_Guide-Ardour-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Installation">7.1.4. インストール</h3></div></div></div><div class="para">
+ <span class="application"><strong>PackageKit</strong></span> ã‚ã‚‹ã„㯠<span class="application"><strong>KPackageKit</strong></span> を使ã£ã¦ <span class="package">ardour</span> パッケージをインストールã—ã¾ã™ã€‚ä»–ã®å¿…è¦ãªã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã¯è‡ªå‹•çš„ã«ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã•ã‚Œã¾ã™ã€‚
+ </div></div></div><div class="section" title="7.2. セッションを録音ã™ã‚‹" id="sect-Musicians_Guide-Ardour-Recording_a_Session"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Ardour-Recording_a_Session">7.2. セッションを録音ã™ã‚‹</h2></div></div></div><div class="para">
+ セッションã®éŒ²éŸ³ã¯é€šå¸¸ã¯å…¨éƒ¨ã€ä¸€åº¦ã«è¡Œã‚ã‚Œã¾ã™ã€‚ã—ã‹ã—ã€ã¨ãã«ã¯éŒ²éŸ³ã¯ä½•æ—¥ã‚ã‚‹ã„ã¯ä½•é€±é–“ã«ã‚‚ã‚ãŸã£ã¦è¡Œã‚れるã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚ミã‚シングã¨ãƒžã‚¹ã‚¿ãƒªãƒ³ã‚°ã¯ã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ãŒéŒ²éŸ³ã•ã‚ŒãŸå¾Œã§è¡Œã‚ã‚Œã¾ã™ã€‚セッションをオープンã™ã‚‹æ™‚ã«ã€æ¯Žå›žã€<code class="systemitem">JACK</code> ã®ã‚µãƒ³ãƒ—ルレートã¨ã‚µãƒ³ãƒ—ルフォーマットã®è¨å®šã¯åŒã˜ã§ãªã‘ã‚Œã°ã„ã‘ãªã„ã“ã¨ã«æ³¨æ„下ã•ã„。
+ </div><div class="section" title="7.2.1. Ardour を実行ã™ã‚‹" id="sect-Musicians_Guide-Ardour-Recording-Running_Ardour"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Running_Ardour">7.2.1. <span class="application"><strong>Ardour</strong></span> を実行ã™ã‚‹</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> 㯠<code class="systemitem">JACK</code> サウンドサーãƒã‚’使ã„ã¾ã™ã€‚<span class="application"><strong>Ardour</strong></span> ã®å‰ã« <span class="application"><strong>QjackCtl</strong></span> を使ã£ã¦ <code class="systemitem">JACK</code> を開始ã—ã¦ãã ã•ã„。ã‚ã‚‹ã„㯠<span class="application"><strong>Ardour</strong></span> 㯠<code class="systemitem">JACK</code> ã‚’ã‚ãªãŸã®ä»£ã‚ã‚Šã«é–‹å§‹ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> asks you to choose a location to save your new session. <span class="application"><strong>Ardour</strong></span> automatically creates a directory to store the session's files. You can also open an existing session.
+ </div></li></ol></div></div><div class="section" title="7.2.2. インタフェース" id="sect-Musicians_Guide-Ardour-Recording-Interface"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Interface">7.2.2. インタフェース</h3></div></div></div><div class="para">
+ ã“ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã¯ <span class="application"><strong>Ardour</strong></span> ã«ç‰¹æœ‰ã®ã„ãã¤ã‹ã®ã‚°ãƒ©ãƒ•ã‚£ã‚«ãƒ«ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã‚³ãƒ³ãƒãƒ¼ãƒãƒ³ãƒˆã‚’説明ã—ã¾ã™ã€‚ã»ã¨ã‚“ã©ã® DAW ã§åŒã˜ã‚ˆã†ã«ä½¿ã‚れるコンãƒãƒ¼ãƒãƒ³ãƒˆã¯ã€<a class="xref" href="#sect-Musicians_Guide-DAW_Interface_Vocabulary" title="6.3. インタフェース用語">「インタフェース用語ã€</a> ã§èª¬æ˜Žã•ã‚Œã¦ã„ã¾ã™ã€‚
+ </div><div class="figure" title="図7.1 Ardour インタフェース" id="ardour_interface_overview"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-interface-overview.png" width="444" alt="Ardour インタフェース" /><div class="longdesc"><div class="para">
+ Ardour インタフェースã«å›ºæœ‰ã®ï¼“ã¤ã®ã‚°ãƒ©ãƒ•ã‚£ã‚«ãƒ«ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã‚³ãƒ³ãƒãƒ¼ãƒãƒ³ãƒˆã€‚
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <em class="firstterm"> エディタミã‚サー </em>
+ </div></li><li class="listitem"><div class="para">
+ <em class="firstterm"> セッションサイドãƒãƒ¼ </em>
+ </div></li><li class="listitem"><div class="para">
+ メインツールãƒãƒ¼
+ </div></li></ol></div></div></div></div><h6>図7.1 Ardour インタフェース</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="#ardour_interface_overview" title="図7.1 Ardour インタフェース">図7.1「Ardour インタフェースã€</a> ã¯ã€Ardour インタフェースã«å›ºæœ‰ã®ï¼“ã¤ã®ã‚°ãƒ©ãƒ•ã‚£ã‚«ãƒ«ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã‚’説明ã—ã¾ã™ã€‚<em class="firstterm"> エディタミã‚サー </em>ã€<em class="firstterm"> セッションサイドãƒãƒ¼ </em>ã€ãã—ã¦ãƒ¡ã‚¤ãƒ³ãƒ„ールãƒãƒ¼ã§ã™ã€‚
+ </div><div class="figure" title="図7.2 Ardour エディタミã‚サー" id="ardour_interface_editor_mixer"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-interface-editor_mixer.png" alt="Ardour エディタミã‚サー" /><div class="longdesc"><div class="para">
+ Ardour エディタミã‚サーパãƒãƒ«
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ フェーダー
+ </div></li><li class="listitem"><div class="para">
+ フェーダーコントãƒãƒ¼ãƒ«
+ </div></li><li class="listitem"><div class="para">
+ フェーダーレベルメーター
+ </div></li><li class="listitem"><div class="para">
+ パンナー
+ </div></li><li class="listitem"><div class="para">
+ 出力コãƒã‚¯ã‚·ãƒ§ãƒ³ãƒœã‚¿ãƒ³
+ </div></li></ol></div></div></div></div><h6>図7.2 Ardour エディタミã‚サー</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="#ardour_interface_editor_mixer" title="図7.2 Ardour エディタミã‚サー">図7.2「Ardour エディタミã‚サーã€</a> ã¯ã€<span class="application"><strong>Ardour</strong></span> メインウインドウã®å·¦ã«ã‚るエディタミã‚サーを示ã—ã¾ã™ã€‚エディタミã‚サーã¯ã€ä¸€åº¦ã«ï¼‘ã¤ã ã‘ã®ãƒŸã‚サーストリップを表示ã—ã¾ã™ã€‚ミã‚サーストリップã®ä¸é–“ã«ãƒ•ã‚§ãƒ¼ãƒ€ãƒ¼ã¨ãã®ã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ã€ä¸€ç•ªä¸‹ã«ãƒ‘ンナーã¨ãã®ã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ã€ãã—㦠<span class="guibutton"><strong>Comments</strong></span> ã¨å‡ºåŠ›ã‚³ãƒã‚¯ã‚·ãƒ§ãƒ³ãƒœã‚¿ãƒ³ãŒã‚ã‚Šã¾ã™ã€‚
+ </div><div class="figure" title="図7.3 Ardour セッションサイドãƒãƒ¼" id="ardour_interface_session_sidebar"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-interface-session_sidebar.png" alt="Ardour セッションサイドãƒãƒ¼" /><div class="longdesc"><div class="para">
+ Ardour セッションサイドãƒãƒ¼ã€‚
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ タブストリップ
+ </div></li><li class="listitem"><div class="para">
+ リージョンリスト
+ </div></li></ol></div></div></div></div><h6>図7.3 Ardour セッションサイドãƒãƒ¼</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="#ardour_interface_session_sidebar" title="図7.3 Ardour セッションサイドãƒãƒ¼">図7.3「Ardour セッションサイドãƒãƒ¼ã€</a> ã¯ã€<span class="application"><strong>Ardour</strong></span> ã®ãƒ¡ã‚¤ãƒ³ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã®å³ã«ã‚るセッションサイドãƒãƒ¼ã§ã™ã€‚ã“ã®å›³ã§ã¯ã€<span class="guilabel"><strong>Regions</strong></span> タブãŒé¸æŠžã•ã‚Œã¦ã„ã‚‹ã®ã§ã€ã‚µã‚¤ãƒ‰ãƒãƒ¼ã«ã¯ã€ç¾åœ¨ã‚»ãƒƒã‚·ãƒ§ãƒ³ã«ã‚るリージョンã®ãƒªã‚¹ãƒˆãŒè¡¨ç¤ºã•ã‚Œã¦ã„ã¾ã™ã€‚é’ã„ã‚‚ã®ã¯ç›´æŽ¥ã‚¤ãƒ³ãƒãƒ¼ãƒˆã•ã‚ŒãŸã‚‚ã®ã€ç™½ã„ã‚‚ã®ã¯é’ã„リージョンã‹ã‚‰ä½œæˆã•ã‚ŒãŸã‚‚ã®ã€ãã—ã¦ã„ãã¤ã‹ã®é’ã„リージョンã®å·¦ã«ã‚る矢å°ã¯ã“れらã®é’ã„リージョンã«å¯¾å¿œã™ã‚‹ç™½ã„サブリージョンãŒã‚ã‚‹ã“ã¨ã‚’示ã—ã¾ã™ã€‚
+ </div><div class="figure" title="図7.4 メイン Ardour ツールãƒãƒ¼" id="ardour_interface_toolbar"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-interface-toolbar.png" width="444" alt="メイン Ardour ツールãƒãƒ¼" /><div class="longdesc"><div class="para">
+ メイン Ardour ツールãƒãƒ¼ã€‚
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ ツールé¸æŠžãƒœã‚¿ãƒ³
+ </div></li><li class="listitem"><div class="para">
+ <span class="guibutton"><strong>select/edit object</strong></span> ボタン
+ </div></li><li class="listitem"><div class="para">
+ <span class="guibutton"><strong>select/edit range</strong></span> ボタン
+ </div></li><li class="listitem"><div class="para">
+ snap mode
+ </div></li><li class="listitem"><div class="para">
+ grid mode
+ </div></li><li class="listitem"><div class="para">
+ edit point
+ </div></li></ol></div></div></div></div><h6>図7.4 メイン Ardour ツールãƒãƒ¼</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="#ardour_interface_toolbar" title="図7.4 メイン Ardour ツールãƒãƒ¼">図7.4「メイン Ardour ツールãƒãƒ¼ã€</a> ã¯ã€ãƒ¡ã‚¤ãƒ³ãƒ„ールãƒãƒ¼ã§ã™ã€‚ãã‚Œã¯ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ã®ä¸‹ã€ã‚¿ã‚¤ãƒ ラインã¨ãã®ãƒ«ãƒ¼ãƒ©ãƒ¼ã®ä¸Šã«ã‚ã‚Šã¾ã™ã€‚ツールãƒãƒ¼ã®ä¸é–“ã«ã¯ã€ï¼“ã¤ã®ãƒ©ãƒ™ãƒ«ã®ä»˜ã„ã¦ã„ãªã„ã€ã—ã‹ã—ã¨ã¦ã‚‚å½¹ã«ç«‹ã¤è¤‡æ•°é¸æŠžå¯èƒ½ãªãƒ¡ãƒ‹ãƒ¥ãƒ¼ãŒã‚ã‚Šã¾ã™ï¼š <span class="guimenu"><strong>snap mode</strong></span> メニュー（ç¾åœ¨ã€<code class="literal">No Grid</code> ã§ã™ï¼‰ã€‚<span class="guimenu"><strong>grid mode</strong></span> メニュー（ç¾åœ¨ã€<code class="literal">Bars</code> ã§ã™ï¼‰ã€‚ãã—㦠<span class="guimenu"><strong>edit point</strong></span> メニュー（ç¾åœ¨ã€<code class="literal">Mouse</code> ã§ã™ï¼‰ã€‚ã“れらメニューã®å·¦ã«ã¯ã€ãƒ„ールé¸æŠžãƒœã‚¿ãƒ³ãŒã‚ã‚Šã€ãã®ä¸ã§é‡è¦ãªã®ã¯ã€æœ€ã‚‚å·¦ã«ã‚ã‚‹ï¼’ã¤ã€<
span class="guibutton"><strong>select/edit object</strong></span> 㨠<span class="guibutton"><strong>select/edit range</strong></span> ボタンã§ã™ã€‚
+ </div></div><div class="section" title="7.2.3. タイムラインをè¨å®šã™ã‚‹" id="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline">7.2.3. タイムラインをè¨å®šã™ã‚‹</h3></div></div></div><div class="para">
+ At the top of the main <span class="application"><strong>Ardour</strong></span> window, to the right of the transport's toolbar, are two relatively large clocks. If you do not need both clocks, you can turn off one of them. Right-click the clocks to choose what you want them to display:
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>Bars:Beats</strong></span> ã¯ã€å°ç¯€ã¨æ‹ã‚’表示ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>Minutes:Seconds</strong></span> ã¯ãƒˆãƒ©ãƒƒã‚¯å…ˆé ã‹ã‚‰ã®æ™‚間を示ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>Timecode</strong></span> ã¯ãƒ•ãƒ¬ãƒ¼ãƒ ï¼ç§’ã®ã‚¿ã‚¤ãƒ コード（通常ã€ãƒ•ã‚£ãƒ«ãƒ ã®ä½œæ¥ã‚’ã™ã‚‹ã¨ãã«ä½¿ã‚ã‚Œã¾ã™ï¼‰ã‚’示ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>Samples</strong></span> ã¯é–‹å§‹ã‹ã‚‰ã®ã‚µãƒ³ãƒ—ル数を表示ã—ã¾ã™ã€‚
+ </div></li></ul></div><div class="para">
+ Refer to <a class="xref" href="#sect-Musicians_Guide-Vocabulary-Time" title="1.4.5. タイムã€ã‚¿ã‚¤ãƒ ラインã€ãã—ã¦ã‚¿ã‚¤ãƒ シフティング">「タイムã€ã‚¿ã‚¤ãƒ ラインã€ãã—ã¦ã‚¿ã‚¤ãƒ シフティングã€</a> for more information about time measurement.
+ </div><div class="para">
+ <span class="guimenu"><strong>snap mode</strong></span> メニューã¯ã‚¿ã‚¤ãƒ ラインã¨æ™‚計ã®é–“ã«ã‚ã‚Šã¾ã™ã€‚ã“ã®ãƒ¡ãƒ‹ãƒ¥ãƒ¼ã¯ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ãŒç§»å‹•ã§ãã‚‹ã¨ã“ã‚を制御ã—ã¾ã™ã€‚ã‚ãªãŸã¯ç¾åœ¨ã®ã‚¢ã‚¯ãƒ†ã‚£ãƒ“ティã«ã‚ˆã£ã¦ã¯ã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®ä½œæ¥ã‚’ã—ã¦ã„ã‚‹ã¨ãã«ã“れを変更ã™ã‚‹å¿…è¦ãŒã‚ã‚‹ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。左ã®ãƒ¡ãƒ‹ãƒ¥ãƒ¼ã«ã¯ï¼š
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>No Grid</strong></span>: リージョンã¯è‡ªç”±ã«ã©ã“ã¸ã§ã‚‚移動ã§ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>Grid</strong></span>: リージョンã¯ç›´è¿‘ã®ã‚°ãƒªãƒƒãƒ‰ç‚¹ã‹ã‚‰é–‹å§‹ã—ãªã„ã¨ã„ã‘ã¾ã›ã‚“。
+ </div></li><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>Magnetic</strong></span> リージョンã¯è‡ªç”±ã«å‹•ã‘ã¾ã™ãŒã€ã‚°ãƒªãƒƒãƒ‰ç‚¹ã®è¿‘ãã«æ¥ã‚‹ã¨ã€ãã‚Œã«è‡ªå‹•çš„ã«ãã£ã¤ãã¾ã™ã€‚
+ </div></li></ul></div><div class="para">
+ The middle menu controls where to place the grid lines: by SMPTE timecode, by clock time, by beats and bars, or by regions.
+ </div><div class="figure" title="図7.5 The Ardour nudge pane" id="ardour_interface_nudge_pane"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-interface-nudge-pane.png" width="444" alt="The Ardour nudge pane" /><div class="longdesc"><div class="para">
+ The Ardour nudge pane.
+ </div></div></div></div><h6>図7.5 The Ardour nudge pane</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="#ardour_interface_nudge_pane" title="図7.5 The Ardour nudge pane">図7.5「The Ardour nudge paneã€</a> shows the nudge pane, part of the transport. The nudge tool moves a selected region or regions forward or back in the session by a specific amount. The <span class="guibutton"><strong><</strong></span> button moves regions back in the session. The <span class="guibutton"><strong>></strong></span> button moves regions forward in the session. If no regions are selected, the nudge tool moves the transport head. The display to the right of the <span class="guibutton"><strong>></strong></span> button tells you how far a selected region would move. In this case, the nudge tool moves regions by 5 seconds.
+ </div><div class="para">
+ The timeline contains many <em class="firstterm">rulers</em> that show different time-marking scales. The timeline is located at the top of the canvas area, below the toolbars. Use the context menu (<span class="mousebutton">right-click</span>) to select which rulers you want to display. The rulers you should choose depends on the clock settings and the snap mode.
+ </div></div><div class="section" title="7.2.4. オーディオソースを Ardour ã«ã¤ãªã" id="sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources">7.2.4. オーディオソースを <span class="application"><strong>Ardour</strong></span> ã«ã¤ãªã</h3></div></div></div><div class="para">
+ ãã“ã«éŒ²éŸ³ã—ãŸã„トラックã®åå‰ã¯ã€<code class="systemitem">JACK</code> ã§ã®å…¥åŠ›ã®åå‰ã¨åŒã˜ã§ã‚ã‚‹ã¹ãã§ã™ã€‚
+ </div></div><div class="section" title="7.2.5. ãƒã‚¹ã¨ãƒˆãƒ©ãƒƒã‚¯ã‚’è¨å®šã™ã‚‹" id="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks">7.2.5. ãƒã‚¹ã¨ãƒˆãƒ©ãƒƒã‚¯ã‚’è¨å®šã™ã‚‹</h3></div></div></div><div class="para">
+ ãƒã‚¹ã®ä¸€èˆ¬çš„ãªèª¬æ˜Žã¯ <a class="xref" href="#sect-Musicians_Guide-Vocabulary-Bus" title="1.4.2. ãƒã‚¹ã€ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã€€ãã—ã¦ã‚µãƒ–マスターãƒã‚¹">「ãƒã‚¹ã€ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã€€ãã—ã¦ã‚µãƒ–マスターãƒã‚¹ã€</a> ã‚’å‚照下ã•ã„。デフォルトã§ã¯ <span class="application"><strong>Ardour</strong></span> ã®å‡ºåŠ›ã¯ã™ã¹ã¦ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã«è¡Œãã¾ã™ã€‚ãƒã‚¹ã¯ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’å«ã¿ã¾ã›ã‚“ãŒã€ã¨ã‚Šã¾ã¨ã‚ã®ãŸã‚ã®é ˜åŸŸã¨ã—ã¦ã¯ãŸã‚‰ãã€ãれを使ã£ã¦ã‚ãªãŸã¯ãƒ—ãƒã‚¸ã‚§ã‚¯ãƒˆå…¨ä½“ã‚’ã‚るフィルタã«ã‹ã‘ãŸã‚Šã€ãƒœãƒªãƒ¥ãƒ¼ãƒ 調整をã—ãŸã‚Šã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="procedure"><h6>æ‰‹é †7.1 録音ã®ãŸã‚ã«ãƒˆãƒ©ãƒƒã‚¯ã‚’è¿½åŠ ã™ã‚‹</h6><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="guimenu"><strong>Track</strong></span> → <span class="guimenuitem"><strong>Add Track/Bus</strong></span> ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ <span class="guilabel"><strong>Tracks</strong></span> ãŒé¸æŠžã•ã‚Œã¦ã„ã‚‹ã“ã¨ã‚’確èªä¸‹ã•ã„。
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ 番å·ã‚’è¨å®šã—ã¾ã™ã€‚（ãŸã¶ã‚“ <code class="literal">1</code> ã§ã—ょã†ï¼‰ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ 入力ãƒãƒ£ãƒãƒ«æ•°ã‚’é¸æŠžã—ã¾ã™ã€‚（ãŸã¶ã‚“ <code class="literal">Stereo</code> ã¤ã¾ã‚Šï¼’ã§ã—ょã†ï¼‰
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ モードをé¸æŠžã—ã¾ã™ï¼š
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="literal">Normal</code>: ãã‚Œãžã‚Œã®éŒ²éŸ³ãƒ†ã‚¤ã‚¯ã”ã¨ã«æ–°ã—ã„リージョンを作りã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">Tape</code>: 何ã‹ãŒæ—¢ã«éŒ²éŸ³ã•ã‚Œã¦ã„ã¦ã‚‚ãã®ä¸Šã«ã€ç ´å£Šçš„ã«éŒ²éŸ³ã—ã¾ã™ã€‚（テープã®ã‚ˆã†ã«ï¼‰
+ </div></li></ul></div></li><li class="step" title="ステップ 6"><div class="para">
+ <span class="guibutton"><strong>Add</strong></span> をクリックã—ã¦ã€ãƒˆãƒ©ãƒƒã‚¯ã‚’作æˆã—ã¾ã™ã€‚
+ </div></li></ol></div><div class="procedure"><h6>æ‰‹é †7.2 見分ã‘ãŒã¤ãよã†ã«ã€ãƒˆãƒ©ãƒƒã‚¯ã®åå‰ã‚’変ãˆã¾ã™ã€‚</h6><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ トラックエリアã®ä¸€ç•ªå·¦ã®ã€ä»Šã‚るトラックåラベルをクリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ 今ã®åå‰ã®ä¸Šã«ã‚¿ã‚¤ãƒ—ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ <span class="keycap"><strong>Enter</strong></span> を押ã—ã¾ã™ã€‚
+ </div></li></ol></div></div><div class="section" title="7.2.6. 録音レベル（ボリューム）を調整ã™ã‚‹" id="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level">7.2.6. 録音レベル（ボリューム）を調整ã™ã‚‹</h3></div></div></div><div class="para">
+ 録音ã®å‰ã«ã€å…¥åŠ›ãƒ¬ãƒ™ãƒ«ã‚’æ£ã—ãè¨å®šã™ã‚‹ã“ã¨ã¯é‡è¦ã§ã™ã€‚
+ </div><div class="para">
+ オーディオ機器ã®æ€§è³ªã¨ã—ã¦ã€ãã‚Œã¯é™ã‚‰ã‚ŒãŸç¯„囲ã®éŸ³ã®åœ§åŠ›ï¼ˆãƒœãƒªãƒ¥ãƒ¼ãƒ ã¨ã—ã¦è¡¨ã•ã‚Œã‚‹ï¼‰ã ã‘ã‚’å—ã‘付ã‘ã‚‹ã“ã¨ãŒã§ãã‚‹ã¨ã„ã†ã“ã¨ã§ã™ã€‚ã‚‚ã—音ãŒå°ã•ã™ãŽã‚‹ã¨ãã¯ã€èžãå–ã‚Œã¾ã›ã‚“。もã—大ãã™ãŽã‚‹ã¨ãã¯æ£ã—ãèžãå–ã‚Œã¾ã›ã‚“。ã•ã‚‰ã«ã€ã‚ãªãŸã®è‡ªåˆ†ã®è€³ã®ãŸã‚ã«æœ€ã‚‚大切ãªã“ã¨ã§ã™ãŒã€ã‚‚ã—音ãŒã¨ã¦ã‚‚大ãã™ãŽã‚‹ã¨ãã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ©Ÿå™¨ã‚’永久ã«å£Šã—ã¦ã—ã¾ã†ã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚
+ </div><div class="para">
+ The nature of digital audio is such that there is a distinct number of volume levels at which something can be recorded. If a sound is either below or above that range, then it will not be correctly recorded. When such an improperly-recorded sound is played back, whether too quite or too loud, humans will usually perceive it as "nothing but noise."
+ </div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> ãŒé™å¯‚を録音ã™ã‚‹ã¨ã€ãã‚Œã¯ã€å…¥åŠ›ãŒä½•ã‚‚ãªã„ã¨ãã¨åŒã˜ã«ãµã‚‹ã¾ã„ã¾ã™ã€‚<span class="application"><strong>Ardour</strong></span> ãŒã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®éƒ¨åˆ†ãŒå¤§ãã™ãŽã‚‹ãŸã‚ã«ã²ãšã‚“ã§ã„ã‚‹ã¨è¨ˆç®—ã—ãŸã¨ãã¯ã€<a class="xref" href="#ardour_red_peaks" title="図7.6 大ãã™ãŽã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª">図7.6「大ãã™ãŽã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã€</a> ã§ç¤ºã™ã‚ˆã†ã«ã€æ³¢å½¢ã‚’赤色ã§ãµã¡ã©ã‚Šã¾ã™ã€‚
+ </div><div class="figure" title="図7.6 大ãã™ãŽã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª" id="ardour_red_peaks"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-red_peaks.png" width="444" alt="大ãã™ãŽã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª" /><div class="longdesc"><div class="para">
+ Ardour ã®æ³¢å½¢ã€‚オーディオãŒå¤§ãã™ãŽã‚‹ã¨ãã€èµ¤ã„ピークを示ã™ã€‚
+ </div></div></div></div><h6>図7.6 大ãã™ãŽã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</h6></div><br class="figure-break" /><div class="para">
+ オーディオ信å·ã®å…¥åŠ›ãƒ¬ãƒ™ãƒ«ã‚’変更ã™ã‚‹ã«ã¯ã€ï¼“ã¤ã®å˜ç´”ã®ã‚„ã‚Šã‹ãŸãŒã‚ã‚Šã¾ã™ï¼š
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ マイクを音æºã‹ã‚‰é›¢ã™ã€ã‚ã‚‹ã„ã¯è¿‘ã¥ã‘る。
+ </div></li><li class="listitem"><div class="para">
+ マイクãŒã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã«ã¤ãªãŒã‚‹å‰ã«ã€ãƒŸã‚サーを通ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ オーディオãŒéŒ²éŸ³ã•ã‚Œã‚‹å‰ã«ã€<span class="application"><strong>Ardour</strong></span> ã®ãƒã‚¹ã‚’通ã™ã€‚
+ </div></li></ol></div>
+
+ </div><div class="para">
+ ãれらã®ã‚¢ãƒ—ãƒãƒ¼ãƒã®åˆ©ç‚¹ã¨æ¬ 点ã¯ä»¥ä¸‹ã§ã™ï¼š
+ </div><div class="para">
+ マイクを動ã‹ã—ãŸã‚Šã€ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ãƒŸã‚サーを通ã™ã“ã¨ãŒã€ç¾å®Ÿçš„ã§ãªã„ã€ä¸å¯èƒ½ã§ã‚ã‚‹ã€ã‚ã‚‹ã„ã¯ãŠå‹§ã‚ã§ããªã„状æ³ãŒã‚ã‚‹ã§ã—ょã†ã‹ã‚‰ã€ãã†ã„ã†ã¨ãã¯å…¥åŠ›ä¿¡å·ãŒéŒ²éŸ³ã•ã‚Œã‚‹å‰ã« <span class="application"><strong>Ardour</strong></span> ã®ãƒã‚¹ã‚’使ã£ã¦ä¿¡å·ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ を変ãˆã‚‹ã®ãŒã‚ˆã„ã§ã—ょã†ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="guimenu"><strong>Track</strong></span> → <span class="guimenuitem"><strong>Add Track/Bus</strong></span> ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Select "busses" in the window that pops up.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ è¿½åŠ ã—ãŸã„ãƒã‚¹ã®æ•°ã‚’é¸æŠžã—ã¾ã™ã€‚録音ä¸ã«ãƒœãƒªãƒ¥ãƒ¼ãƒ を調整ã—ãŸã„トラックã«ï¼‘ã¤ã¥ã¤ã€ãƒã‚¹ãŒå¿…è¦ã§ã™ã€‚ç•°ãªã‚‹ã„ãã¤ã‹ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ ã§éŒ²éŸ³ã™ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ ãƒã‚¹ã§å¿…è¦ãªãƒãƒ£ãƒãƒ«ã®æ•°ã‚’入れã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ Once you have the new bus, change its name by doing whatever. I suggest naming it something that makes it obvious you are using the bus for recording, rather than exporting, like "REC-Bus."
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> automatically sets up busses to be used with audio being outputted. Furthermore, the volume/level control only works on audio beign outputted from a track or bus. This is why you cannot use the track's volume/level control to adjust the input volume for that track.
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> を使ã£ã¦ã€ã“ã®ã‚ˆã†ã«å†æŽ¥ç¶šã—ã¾ã™ã€‚（ヘルプã¯ã€<a class="xref" href="#sect-Musicians_Guide-Ardour-Recording-Routing_Audio" title="7.2.9. オーディオã®ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨ JACK 接続ã®ç®¡ç†">「オーディオã®ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨ <code class="systemitem">JACK</code> 接続ã®ç®¡ç†ã€</a> ã‚’å‚照下ã•ã„。）：
+ </div><ol class="a"><li class="step" title="ステップ 7.a"><div class="para">
+ Disconnect all of the connections to/from the bus you want to use for recording ("recording bus").
+ </div></li><li class="step" title="ステップ 7.b"><div class="para">
+ Ensure that nothing is connected to the input of the track onto which you want to record ("recording track").
+ </div></li><li class="step" title="ステップ 7.c"><div class="para">
+ Connect the microphone (the input source) to the recording bus' input
+ </div></li><li class="step" title="ステップ 7.d"><div class="para">
+ Connect the input bus' output to the recording track's input.
+ </div></li><li class="step" title="ステップ 7.e"><div class="para">
+ Ensure that the recording track's output is connected to the "master" input (this is the master output bus, which should be present in all projects, and through which all output audio should be routed).
+ </div></li></ol></li></ol></div><div class="para">
+ 注æ„：ã“ã®ç›®çš„ã®ãŸã‚ã«ãƒã‚¹ã‚’通ã›ã‚‹ã®ã¯ã€ãŸã １ã¤ã®éŒ²éŸ³ã•ã‚Œã‚‹ãƒˆãƒ©ãƒƒã‚¯ã ã‘ã§ã™ã€‚ãƒã‚¹ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®ï¼‘ã¤ã®ã‚¹ãƒˆãƒªãƒ¼ãƒ ã—ã‹å‡ºåŠ›ã§ããªã„ã‹ã‚‰ã§ã™ã€‚
+ </div><div class="para">
+ 以下ã¯ã€ãƒˆãƒ©ãƒƒã‚¯ã®éŒ²éŸ³ãƒœãƒªãƒ¥ãƒ¼ãƒ ãŒæ£ã—ãè¨å®šã•ã‚Œã¦ã„ã‚‹ã‹ã‚’テストã™ã‚‹ã‚¢ãƒ«ã‚´ãƒªã‚ºãƒ ã§ã™ã€‚ã“ã‚Œã¯ã€ãƒˆãƒ©ãƒƒã‚¯ã‚’録音準備ã™ã‚‹å‰ã«è¡Œã‚ãªã‘ã‚Œã°ã„ã‘ã¾ã›ã‚“。ä¸å¹¸ãªã“ã¨ã«ã€æœ€é©ã®å…¥åŠ›ãƒ¬ãƒ™ãƒ«ã‚’é¸æŠžã—ãŸã‹ã©ã†ã‹ã¯ã€ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ãŒéŒ²éŸ³ã•ã‚ŒãŸå¾Œã§ãªã„ã¨ã‚ã‹ã‚Šã¾ã›ã‚“。良ã„入力レベルを安定ã—ã¦é¸æŠžã§ãるよã†ã«ãªã‚‹ãŸã‚ã«ã¯æœ¬èƒ½ã¨çµŒé¨“ã®ä¸¡æ–¹ãŒå¿…è¦ã§ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ å¿…è¦ã«å¿œã˜ã¦ã™ã¹ã¦ã®ãƒžã‚¤ã‚¯ã‚’è¨å®šã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ å¿…è¦ã«å¿œã˜ã¦ <code class="systemitem">JACK</code> ã®æŽ¥ç¶šã‚’è¨å®šã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ å¿…è¦ã«å¿œã˜ã¦éŒ²éŸ³ãƒã‚¹ï¼ˆå‰è¨˜ã‚’å‚照）をè¨å®šã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ On the audio tracks being recorded, set the "metering point" to "input" (here's how to do that).
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ æ¼”å¥è€…ã«ã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ã§æ¼”å¥ã™ã‚‹æœ€ã‚‚大ããªéŸ³ã®ãƒ‘ッセージをやã£ã¦ã‚‚らã„ã¾ã™ã€‚入力レベルを調整ã—ã¦ã€æœ€å¤§ãƒ¬ãƒ™ãƒ«ãŒ -3 dB ã‹ã‚‰ -6 dB ã®é–“ã«æ¥ã‚‹ã‚ˆã†ã«ã—ã¾ã™ï¼ˆã“ã“を見るã“ã¨ã§ï¼‰ã€‚maximum-level-seer をクリックã—ã¦ãƒªã‚»ãƒƒãƒˆã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ æ¼”å¥è€…ã«ã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ã§æ¼”å¥ã™ã‚‹æœ€ã‚‚é™ã‹ãªãƒ‘ッセージをやã£ã¦ã‚‚らã„ã¾ã™ã€‚入力レベルを調整ã—ã¦ã€ã“れ㌠-40 dB 以下ã«ãªã‚‰ãªã„よã†ã«ã—ã¾ã™ã€‚-30 dB ã‹ã‚‰ -20 dB ã®é–“ã«ã‚ã‚‹ã®ãŒã‚ˆã„ã§ã—ょã†ã€‚
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ Ask the performers to demonstrate an average passage from what they will be performing in the session. This is usually less important than the previous two checks, but if most of the performance will be quieter, it may be worth risking a higher input level in order to capture more detail. Nevertheless, a "moderate" volume level should result in and input level reading of -20Â dB to -10Â dB.
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ When you are more experience both with the kind of group you are recording, and the software and equipment being used to do it, you may not need to do these level-checks every time. It's better to be safe than sorry, however, because once a musical moment has passed, it is impossible to re-create.
+ </div></li></ol></div></div><div class="section" title="7.2.7. リージョンを録音ã™ã‚‹" id="sect-Musicians_Guide-Ardour-Recording-Recording_a_Region"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Recording_a_Region">7.2.7. リージョンを録音ã™ã‚‹</h3></div></div></div><div class="para">
+ As you progressively record a session, you will create at least one region. Warning about audio being put out the "audition" output by default (use headphones)
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ 入力ã¨ã‚¿ã‚¤ãƒ ラインã¨ãƒˆãƒ©ãƒƒã‚¯ãŒæ£ã—ãè¨å®šã•ã‚Œã¦ã„ã‚‹ã®ã‚’確èªä¸‹ã•ã„。
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ if there is nothing to the left of the editor window, press Ctrl+E or 'View > Show Editor Mixer'
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Select the track you're recording onto
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ set the metering point to "input" and verify that it's working correctly and connected to the right thing (say what this does, and why you want to do it now)
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ See "Adjusting Recording Volume" below, and do it now
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ Arm the track for recording: either press "Record" in the track's mixer in the left, or press the small red record button on the track itself
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ ボタンã¯ã€ãƒˆãƒ©ãƒƒã‚¯ãŒéŒ²éŸ³æº–å‚™ã•ã‚ŒãŸã“ã¨ã‚’示ã™ãŸã‚ã«ã€ç‚¹ç¯ã—ãŸã¾ã¾ã¨ãªã‚Šã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ トランスãƒãƒ¼ãƒˆã®å¤§ãã„赤ã„録音ボタンをé¸æŠžã—ã¦ã€<span class="application"><strong>Ardour</strong></span> を録音準備ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ トランスãƒãƒ¼ãƒˆã‚’ã€é€šå¸¸ã®ã‚„ã‚Šã‹ãŸã§é–‹å§‹ã—ã¾ã™ï¼ˆå¤§ãã„å†ç”Ÿãƒœã‚¿ãƒ³ï¼‰ã€‚
+ </div></li><li class="step" title="ステップ 10"><div class="para">
+ when you're done recording, stop the transport with the big stop button
+ </div></li><li class="step" title="ステップ 11"><div class="para">
+ each time you start and stop the transport, a new "region" is produced
+ </div></li><li class="step" title="ステップ 12"><div class="para">
+ each time you stop the transport, <span class="application"><strong>Ardour</strong></span> "un-arms" itself, but any tracks that you selected are still armed
+ </div></li><li class="step" title="ステップ 13"><div class="para">
+ When you've finished recording a region, use the "Regions" box-thing on the right of the interface to rename the region:
+ </div><ol class="a"><li class="step" title="ステップ 13.a"><div class="para">
+ Find the region that you just recorded (by default they are named like "Audio 1-1" which is the name of the recording track followed by a hyphen, then a number in ascending sequeuence representing the "take"). Select it.
+ </div></li><li class="step" title="ステップ 13.b"><div class="para">
+ タイトルをクリックã™ã‚‹ã¨ã€ç®±ãŒç¾ã‚Œã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 13.c"><div class="para">
+ åå‰ã‚’ã€å¥½ããªã‚ˆã†ã«å¤‰ãˆã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 13.d"><div class="para">
+ エンターを押ã—ã¦ã€åå‰ã®ç·¨é›†ã‚’終ã‚ã‚Šã¾ã™ã€‚
+ </div></li></ol></li></ol></div></div><div class="section" title="7.2.8. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹" id="sect-Musicians_Guide-Ardour-Recording-Recording_More"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Recording_More">7.2.8. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹</h3></div></div></div><div class="para">
+ １ã¤ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’録音ã—ãŸå¾Œã€ã‚ãªãŸã¯ã¾ã ã»ã—ã„ã‚‚ã®ã‚’全部æŒã£ã¦ã„ãªã„ã§ã—ょã†ã€‚録音を続ã‘ã‚‹ã«ã¯å¤šãã®æ–¹æ³•ãŒã‚ã‚Šã€ä½•ãŒã¾ã 録音ã•ã‚Œã¦ã„ãªã„ã‹ã«ä¾å˜ã—ã¾ã™ã€‚
+ </div><div class="section" title="7.2.8.1. åŒã˜ã‚»ãƒƒã‚·ãƒ§ãƒ³ã‚’続ã‘ã‚‹" id="sect-Musicians_Guide-Ardour-Recording-Continue_the_Same_Session"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Recording-Continue_the_Same_Session">7.2.8.1. åŒã˜ã‚»ãƒƒã‚·ãƒ§ãƒ³ã‚’続ã‘ã‚‹</h4></div></div></div><div class="para">
+ This is what you'll want to do if, for example, you were recording a session and decided to take a ten-minute break. It will work for any situation where you want to continue a session that already started recording.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ move the transport to somewhere after what you've already capture. You can do this either by using the forward/reverse and play/stop buttons on the transport, or by finding the point in the timeline where you want the transport to be, and then left-clicking somewhere in the time-line.
+ </div></li><li class="listitem"><div class="para">
+ コãƒã‚¯ã‚·ãƒ§ãƒ³ã¨ãƒ¬ãƒ™ãƒ«ãŒæ£ã—ãè¨å®šã•ã‚Œã¦ã„ã‚‹ã“ã¨ã‚’確èªä¸‹ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ 録音ã™ã‚‹ãƒˆãƒ©ãƒƒã‚¯ãŒéŒ²éŸ³æº–å‚™ã•ã‚Œã¦ã„ã‚‹ã“ã¨ã‚’確èªä¸‹ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ トランスãƒãƒ¼ãƒˆã‚’録音準備ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 録音ã®æº–å‚™ãŒã§ããŸã‚‰ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’開始ã—ã¾ã™ã€‚
+ </div></li></ol></div>
+
+ </div></div><div class="section" title="7.2.8.2. æ—¢ã«éŒ²éŸ³ã•ã‚Œã¦ã„ã‚‹ã‚‚ã®ã«ãƒ‘ãƒ¼ãƒˆã‚’è¿½åŠ ã§éŒ²éŸ³ã™ã‚‹" id="sect-Musicians_Guide-Ardour-Recording-Capture_Additional_Parts"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Recording-Capture_Additional_Parts">7.2.8.2. æ—¢ã«éŒ²éŸ³ã•ã‚Œã¦ã„ã‚‹ã‚‚ã®ã«ãƒ‘ãƒ¼ãƒˆã‚’è¿½åŠ ã§éŒ²éŸ³ã™ã‚‹</h4></div></div></div><div class="para">
+ A technique often used for studio recordings is to separately record parts that would normally be played together, and which will later be made to sound together (see the "Prepearing a Session" section, below). For example, consider a recording where one trumpeter wants to record both parts of a solo written for two trumpets. The orchestra could be brought into the studio, and would play the entire solo piece without any trumpet solo. <span class="application"><strong>Ardour</strong></span> will record this on one track. Then, the trumpet soloist goes to the studio, and uses <span class="application"><strong>Ardour</strong></span> to simultaneously listen to the previously-recorded orchestra track while playing one of the solo trumpet parts, which is recorded onto another track. The next day, the trumpeter returns to the studio, and uses <span class="application"><strong>Ardour</strong></span> to listen to the previously-recorded orchestra track and previously-recorded
solo trumpet part while playing the other solo trumpet part, which is recorded onto a third track. The recording engineer uses Audacity's mixing and editing features to make it sound as though the trumpeter played both solo parts at the same time, while the orchestra was there.
+ </div><div class="para">
+ Coordinating the timing of musicians across tracks recorded separately is difficult. A "click track" is a track with a consistent clicking noise at the desired tempo. Click tracks are played through headphones to the musicians being recorded, or to a musician who leads the others. Click tracks are not included in the final mix.
+ </div><div class="para">
+ ã“れをやるã«ã¯ï¼š
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 最åˆã®ãƒ‘ートを録音ã—ã¾ã™ã€‚パートを録音ã™ã‚‹é †åºã¯éŒ²éŸ³æŠ€è¡“者（ã¤ã¾ã‚Šã‚ãªãŸã§ã™ï¼‰ãŒæ±ºã‚ã¾ã™ã€‚最もãŸãã•ã‚“æ¼”å¥ã™ã‚‹äººã‹ã€æœ€ã‚‚リズム的ã«ä¸€è²«ã—ãŸãƒ‘ートを演å¥ã™ã‚‹äººã‚’å…ˆã«éŒ²éŸ³ã™ã‚‹ã®ãŒãŸã¶ã‚“ã€ã‚ˆã‚Šç°¡å˜ã§ã—ょã†ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 次ã«éŒ²éŸ³ã™ã‚‹ãƒˆãƒ©ãƒƒã‚¯ã‚’è¿½åŠ ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ æ–°ã—ã„トラックã®æŽ¥ç¶šã‚’è¨å®šã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ æ–°ã—ã„トラックã®éŸ³ãŒå¤§ãã™ãŽãŸã‚Šå°ã•ã™ãŽãŸã‚Šã—ãªã„よã†ã«ã€ãƒ¬ãƒ™ãƒ«ãƒã‚§ãƒƒã‚¯ã‚’ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ æ–°ã—ã„トラックを録音ã—始ã‚るパッセージã®æœ€åˆã«ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’ä½ç½®ã¥ã‘ã¾ã™ã€‚トラックã®é–‹å§‹ç‚¹ã‚’ãã‚Œã»ã©åŽ³å¯†ã«æ±ºã‚ã‚‹å¿…è¦ã¯ã‚ã‚Šã¾ã›ã‚“。後ã‹ã‚‰å¤‰ãˆã‚‰ã‚Œã‚‹ã‹ã‚‰ã§ã™ã€‚次ã®æ¼”å¥è€…ãŒã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆãŒé–‹å§‹ã—ã¦ã‹ã‚‰ã€å½¼ã‚‰ãŒã©ã“ã‹ã‚‰ã€ã©ã‚“ãªãƒ†ãƒ³ãƒã§å…¥ã‚Œã°ã„ã„ã®ã‹ã‚ã‹ã‚‹ã‚ˆã†ã«ã€å分ã€èžãå–る時間ãŒå–れるã“ã¨ã‚’確èªä¸‹ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ æ¼”å¥è€…（ã‚ã‚‹ã„ã¯ã€æŒ‡æ®ï¼ãƒªãƒ¼ãƒ‰ã™ã‚‹äººï¼‰ãŒä»Šã¾ã§ã«éŒ²éŸ³ã•ã‚ŒãŸã‚‚ã®ã‚’è´ãã“ã¨ãŒã§ãる手段を準備ã™ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚ヘッドホンを使ã†ã®ãŒã‚ˆã„ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。
+ </div></li><li class="listitem"><div class="para">
+ Arm the tracks that you want to record. Make sure that already-recorded tracks are no longer armed, especially if they are in "tape mode."
+ </div></li><li class="listitem"><div class="para">
+ トランスãƒãƒ¼ãƒˆã‚’録音準備ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 録音ã®æº–å‚™ãŒã§ããŸã‚‰ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’開始ã—ã¾ã™ã€‚
+ </div></li></ol></div>
+
+ </div></div><div class="section" title="7.2.8.3. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚‚ã®ã®ã‚ˆã‚Šã‚ˆã„録音をã™ã‚‹" id="sect-Musicians_Guide-Ardour-Recording-Redo_a_Take"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Recording-Redo_a_Take">7.2.8.3. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚‚ã®ã®ã‚ˆã‚Šã‚ˆã„録音をã™ã‚‹</h4></div></div></div><div class="para">
+ If you have already recorded all or most of a session, you can re-record *part* of the session in order to "fix up" any issues. <span class="application"><strong>Ardour</strong></span> allows you to record onto the pre-existing tracks, keeping the first take, putting the newly-recorded region over it. Later, you will get to choose the exact points at which the outputted recording is to switch between regions/takes.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ セッションを録音ã™ã‚‹
+ </div></li><li class="listitem"><div class="para">
+ Ensure that you have the connections and levels set as they were during the first time you recorded the regions over which you're recording now.
+ </div></li><li class="listitem"><div class="para">
+ トランスãƒãƒ¼ãƒˆã®ä½ç½®ã‚’決ã‚ã¾ã™ã€‚入れ替ãˆãŸã„セグメントã®å‰ã®å ´æ‰€ã‚’é¸ã³ã¾ã™ã€‚æ¼”å¥è€…ã¯å…¥ã‚Œæ›¿ãˆã‚‹ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã®å‰ã‹ã‚‰æ¼”å¥ã‚’開始ã™ã‚‹å¿…è¦ãŒã‚ã‚‹ã§ã—ょã†ã€‚彼らãŒãƒ†ãƒ³ãƒã‚’ã¤ã‹ã‚“ã§ã€ã‚°ãƒ«ãƒ¼ãƒ–ã‚’å¾—ã¦ã€ãã—ã¦å…¥ã‚Œæ›¿ãˆãŒå¿…è¦ãªéƒ¨åˆ†ã® * ãšã£ã¨å‰ã‹ã‚‰ * æ¼”å¥ã‚’開始ã§ãるよã†ã«ã€ã‚ãªãŸã¯å分ã«é–“隔をã¨ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ タイムラインã®ä¸ã§ã€ã‚¯ãƒªãƒƒã‚¯ã—ã¦ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’移動ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ æ£ã—ã„トラックãŒéŒ²éŸ³æº–å‚™ã•ã‚Œã¦ã„ã‚‹ã“ã¨ã‚’確èªä¸‹ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ トランスãƒãƒ¼ãƒˆã‚’録音準備ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ トランスãƒãƒ¼ãƒˆã‚’開始ã—ã¦ã€éŸ³æ¥½ã®æ”¹è¨‚版ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã‚’録音ã—ã¾ã™ã€‚
+ </div></li></ol></div>
+ ã„ãšã‚Œã€å¿…è¦ãªã‚‚ã®ã®éŒ²éŸ³ãŒå…¨éƒ¨çµ‚ã‚ã£ã¦ã€ãƒŸã‚シングã¨ç·¨é›†ã«é€²ã‚€ã¨ããŒæ¥ã¾ã™ã€‚
+ </div></div></div><div class="section" title="7.2.9. オーディオã®ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨ JACK 接続ã®ç®¡ç†" id="sect-Musicians_Guide-Ardour-Recording-Routing_Audio"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Routing_Audio">7.2.9. オーディオã®ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨ <code class="systemitem">JACK</code> 接続ã®ç®¡ç†</h3></div></div></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> ã¯ã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ã‚’ä¿å˜ã™ã‚‹ã¨ãã«ã€è‡ªå‹•çš„ã« <code class="systemitem">JACK</code> 接続ã®çŠ¶æ…‹ã‚’ä¿å˜ã—ã¾ã™ã€‚
+ </div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> ã¯ã€ã‚¹ãƒ†ãƒ¬ã‚ªè¨å®šï¼ˆï¼’ãƒãƒ£ãƒ³ãƒãƒ«ï¼‰ã§ã€ä»¥ä¸‹ã®å‡ºåŠ›ãƒãƒ¼ãƒˆã‚’æä¾›ã—ã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ two channels per track, called "track_name/out 1" and "track_name/out 2". These will usually be connected to the master bus, or to a sub-mixing bus, when you are using one.
+ </div></li><li class="listitem"><div class="para">
+ two channels per bus, called "bus_name/out 1" and "bus_name/out 2". These will usually be connected to the master bus, unless you are using two levels of sub-mixing busses.
+ </div></li><li class="listitem"><div class="para">
+ two channels for the auditioner, called "auditioner/out 1", which represents the channels used to audition a region; when you want to import it, for example, or in the "Regions" box on the right-side, when you select one and right-click and choose "Audition". These should not be connected to the master bus, but to an output device that you want to use when auditioning regions.
+ </div></li><li class="listitem"><div class="para">
+ two channels for the click-track, called "click/out 1", which represents the channels used to play the click-track when recording. These should not be connected to the master bus, but to an output device that you want to use for the click-track.
+ </div></li><li class="listitem"><div class="para">
+ two channels for the master bus, called "master/out 1", which represents the output used by the master output bus. These should be connected to an output device that you wish to use for listening to the session when the transport is moving.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> ã¯ã€ã‚¹ãƒ†ãƒ¬ã‚ªè¨å®šï¼ˆï¼’ãƒãƒ£ãƒ³ãƒãƒ«ï¼‰ã§ã€ä»¥ä¸‹ã®å…¥åŠ›ãƒãƒ¼ãƒˆã‚’æä¾›ã—ã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ two channels per track, called "track_name/in 1" and "track_name/in 2". These should both be connected to the same input device. If you are using a recording bus, then these should be connected to that bus.
+ </div></li><li class="listitem"><div class="para">
+ two channels per bus, called "bus_name/in 1" and "bus_name/in 2". These should be connected to whatever channels you want to be mixed into them. If you are using it as a recording bus, then these should be connected to the same input device.
+ </div></li><li class="listitem"><div class="para">
+ two channels for the master bus, called "master/in 1", which represents the input used for the master bus. These should be connected to all of the tracks. If you are using sub-bus mixing, then all of the tracks should connect to the master bus' input either directly or through a sub-bus.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ã»ã¨ã‚“ã©ã®çŠ¶æ³ã§ã€<span class="application"><strong>Ardour</strong></span> ã¯ãƒãƒ£ãƒãƒ«ã®æŽ¥ç¶šã‚’自動的ã«æ£ã—ãè¨å®šã—ã¾ã™ã€‚<span class="application"><strong>Ardour</strong></span> ã®ä¸ã‹ã‚‰ã€æŽ¥ç¶šã‚’変ãˆã‚‹æ–¹æ³•ã¯ã‚ã‚Šã¾ã™ãŒã€ã§ãã‚‹ã“ã¨ã¯é™ã‚‰ã‚Œã¾ã™ã€‚ã“ã®ãŸã‚ã€ãƒ¦ãƒ¼ã‚¶ãŒ <span class="application"><strong>QjackCtl</strong></span> を使ã£ã¦æŽ¥ç¶šã‚’モニタã™ã‚‹ã“ã¨ã‚’ãŠå‹§ã‚ã—ã¾ã™ã€‚<span class="application"><strong>QjackCtl</strong></span> を使ãˆã°ã€<code class="systemitem">JACK</code> ã®ãã®ä»–ã®å¤šãã®æ©Ÿèƒ½ã‚‚モニタã€å¤‰æ›´ã™ã‚‹ã“ã¨ãŒã§ãã‚‹ã‹ã‚‰ã§ã™ã€‚
+ </div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> を使ã†äººãŸã¡ã«ã¨ã£ã¦ã€æ£ã—ã„接続ã®ä»•æ–¹ã‚’å¦ã¶ã“ã¨ã¯è²´é‡ãªæŠ€ã§ã™ã€‚<span class="application"><strong>Ardour</strong></span> ㌠<code class="systemitem">JACK</code> ã‚’ãã®å†…部ã¨å¤–部ã®æŽ¥ç¶šã®ãŸã‚ã«ä½¿ã£ã¦ã„ã‚‹ã¨ã„ã†äº‹å®Ÿã®ãŸã‚ã«ã€ä»¥ä¸‹ã®æŠ€ãŒå¯èƒ½ã§ã™ã€‚以å‰ãŠè©±ã—ã—ãŸéŒ²éŸ³ãƒã‚¹ï¼ˆéŸ³æºã®å…¥åŠ›ãƒ¬ãƒ™ãƒ«ã‚’調整ã™ã‚‹ï¼‰ã€å·¦ã¨å³ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒãƒ£ãƒãƒ«ã‚’ã²ã£ãã‚Šè¿”ã™ã€ãã—ã¦å¤šãã®å…¥åŠ›ãƒãƒ£ãƒãƒ«ã‚’ã¾ã¨ã‚ã¦ã€ãƒžãƒ«ãƒãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªå‡ºåŠ›ã‚’作æˆã™ã‚‹ã€ãªã©ã§ã™ã€‚ä»–ã«ã‚‚技ãŒã‚ã‚‹ã“ã¨ã¯ç–‘ã†ã¹ãã‚‚ã‚ã‚Šã¾ã›ã‚“。
+ </div></div><div class="section" title="7.2.10. æ—¢å˜ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’インãƒãƒ¼ãƒˆã™ã‚‹" id="sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio">7.2.10. æ—¢å˜ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’インãƒãƒ¼ãƒˆã™ã‚‹</h3></div></div></div><div class="para">
+ When you record audio, <span class="application"><strong>Ardour</strong></span> automatically save it to disk and adds a representation of that file in the program as a "region." You can also use pre-existing audio files as regions, which can then be added to any track.
+ </div><div class="para">
+ æ—¢å˜ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ•ã‚¡ã‚¤ãƒ«ã‚’インãƒãƒ¼ãƒˆã™ã‚‹ã«ã¯ï¼š
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Whip out the "regions" part of the panel on the right-hand side of the interface
+ </div></li><li class="listitem"><div class="para">
+ ç®±ã®ã©ã“ã‹ã‚’å³ã‚¯ãƒªãƒƒã‚¯ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Select "Import to Region List"
+ </div></li><li class="listitem"><div class="para">
+ The "Add existing audio" window will be opeend
+ </div></li><li class="listitem"><div class="para">
+ åŠ ãˆã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ•ã‚¡ã‚¤ãƒ«ã‚’é¸æŠžã™ã‚‹ã®ã«ã€ï¼“ã¤ã®ç•°ãªã‚‹ã‚¿ãƒ–を使ã„ã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Browse Files" (does this) (covered here)
+ </div></li><li class="listitem"><div class="para">
+ "Search Tags" (does this)
+ </div></li><li class="listitem"><div class="para">
+ "Search Freesound" (does this)
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Using "Browse Files," navigate to a sound that you want to add. Although certain other file formats are supported (like FLAC), it is probably best to add WAV or AIFF files.
+ </div></li><li class="listitem"><div class="para">
+ Certain information about the audio file will be displayed on the right-hand side of the window. This portion of the window also allows you to "audition" the file before importing it (that is, you can hear it by using the "Play" and "Stop" buttons in the window, without affecting your current project.
+ </div></li><li class="listitem"><div class="para">
+ If the file that you selected has a sample-rate that is not the same as that of the current project, then the sample-rate will be highlighted in red. You can choose to import it anyway, in which case <span class="application"><strong>Ardour</strong></span> warns you again. If you import a file in a different sample rate than that of the current project, it will be played back in the project's sample rate. This will result in incorrect speed and pitch.
+ </div></li><li class="listitem"><div class="para">
+ ウインドウã®ä¸‹ã«ã¯ã€ä»–ã®å¤šãã®ã‚ªãƒ—ションãŒè¡¨ç¤ºã•ã‚Œã¦ã„ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ãƒ•ã‚¡ã‚¤ãƒ«ã‚’è¿½åŠ ã™ã‚‹ã¨ãã€ä»¥ä¸‹ã®é¸æŠžãŒã‚ã‚Šã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "as new tracks," which puts each file in its own track, set to normal mode, then adds it to the region list
+ </div></li><li class="listitem"><div class="para">
+ "as new tape tracks," which puts each file in its own track, set to tape mode, then adds it to the region list
+ </div></li><li class="listitem"><div class="para">
+ "to region list," which puts each file in the region list, but does not automatically put it in any tracks.
+ </div></li><li class="listitem"><div class="para">
+ 自動的ã«ãƒˆãƒ©ãƒƒã‚¯ã‚’作æˆã™ã‚‹ã‚ˆã†ã«é¸æŠžã—ãŸå ´åˆã€<span class="application"><strong>Ardour</strong></span> ã¯ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã®ç¾åœ¨ã®ä½ç½®ã‹ã‚‰å§‹ã¾ã‚‹ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’æ–°ã—ã„トラックã«åŠ ãˆã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ ã“ã®ãƒªã‚¹ãƒˆã®ä»–ã®ã‚ªãƒ—ションã¯ã€èª¬æ˜Žã¯ã„らãªã„ã¨æ€ã„ã¾ã™ã€‚通常ã€æœ€é«˜ã®å“質ã§å¤‰æ›ã‚’ã™ã‚‹ã®ãŒã‚ˆã„ã§ã™ã€‚ãªãœãªã‚‰ã°ã€å“質ã¯å¾Œã‹ã‚‰ã„ã¤ã§ã‚‚（スペースを節約ã™ã‚‹ãŸã‚ã«ï¼‰è½ã¨ã™ã“ã¨ãŒã§ãã‚‹ã‹ã‚‰ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ If you chose not to automatically create tracks, then you will need to add the imported regions into a track before they will be played in your session. You can do this easily by selecting the region from the "Regions" box on the right, and dragging it to a track.
+ </div></li></ol></div>
+
+ </div></div></div><div class="section" title="7.3. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«" id="sect-Musicians_Guide-Ardour-Tutorial_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Ardour-Tutorial_Files">7.3. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</h2></div></div></div><div class="para">
+ These tutorial files represent the material required to create a finished version of a song called "Here Is How," written by Esther Wheaton. The song was released as part of her first album, "Not Legendary," and raw audio source files were later released with the Creative Commons Attribution-NonCommercial-ShareAlike licence, available on the Internet at <a href="http://creativecommons.org/licenses/by-nc-sa/3.0/">http://creativecommons.org/licenses/by-nc-sa/3.0/</a>. For more information on the artist, please refer to her <em class="citetitle">Esther Wheaton's MySpace Page</em>, available at <a href="http://www.myspace.com/estherwheaton">http://www.myspace.com/estherwheaton</a>.
+ </div><div class="para">
+ The tutorial files are an <span class="application"><strong>Ardour</strong></span> project folder, and the audio files themselves. Follow these steps to set up the tutorial.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Download the <span class="application"><strong>Ardour</strong></span> project folder from <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/Ardour/FMG-HereIsHow.tar.lzma">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/Ardour/FMG-HereIsHow.tar.lzma</a>. Uncompress the file in a directory where you have at least 1Â GiB of free disk space.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Download all of the audio files from <a href="http://soundcloud.com/fedoraproject/sets/fmg-ardour-tutorial">http://soundcloud.com/fedoraproject/sets/fmg-ardour-tutorial</a>. Put the files in the <code class="filename">Interchange/FMG-HereIsHow/audiofiles</code> subdirectory of the <span class="application"><strong>Ardour</strong></span> project folder from the previous step.
+ </div></li></ol></div></div><div class="section" title="7.4. 曲を編集ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" id="sect-Musicians_Guide-Ardour-Editing"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Ardour-Editing">7.4. 曲を編集ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</h2></div></div></div><div class="para">
+ This section covers the basics of preparing "Here Is How." The focus is on trimming the regions and placing them in the right position on the timeline. Since the goal is to replicate the form of the original song, there is little room for artistic freedom.
+ </div><div class="para">
+ ã“ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã‚’最大ã«æ´»ç”¨ã™ã‚‹ãŸã‚ã«ã¯ã€ä¸Šè¨˜ã®ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ãƒ•ã‚¡ã‚¤ãƒ«ã‚’使ã£ã¦ãã ã•ã„。ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ãƒ•ã‚¡ã‚¤ãƒ«ã«ã¤ã„ã¦ã®æŒ‡ç¤ºã«å¾“ã†ã“ã¨ã§ã€ã‚ãªãŸã¯æœ¬ç‰©ã®æ›²ã‚’作æˆã™ã‚‹ãŸã‚ã«ã€å®Ÿéš›ã«ç·¨é›†ã€ãƒŸã‚シングã€ãã—ã¦ãƒžã‚¹ã‚¿ãƒªãƒ³ã‚°ã™ã‚‹æŠ€è¡“を得られるã§ã—ょã†ã€‚ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ãƒ•ã‚¡ã‚¤ãƒ«ã‚’å¾—ã‚‹æ‰‹é †ã¯ã€<a class="xref" href="#sect-Musicians_Guide-Ardour-Tutorial_Files" title="7.3. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«">「ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«ã€</a> ã‚’å‚照下ã•ã„。
+ </div><div class="section" title="7.4.1. トラックã¨ãƒã‚¹ã‚’è¿½åŠ ã™ã‚‹" id="sect-Musicians_Guide-Ardour-Editing-Add_Tracks_and_Busses"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Add_Tracks_and_Busses">7.4.1. トラックã¨ãƒã‚¹ã‚’è¿½åŠ ã™ã‚‹</h3></div></div></div><div class="para">
+ The program used to record these tracks was configured to record onto a separate track for the left and right channels, so <span class="application"><strong>Ardour</strong></span> will also have to be configured this way. It requires more setup, more memory, and more processing power, but it offers greater control over the stereo image and level balancing. We will use one track for vocals, clarinet, and strings, and two tracks for the marimba. This needs to be doubled to handle the stereo audio, so a total of ten tracks are needed. It might still be useful to manipulate the stereo tracks together, so we're going to combine them with five busses. This gives us the option of modifying both stereo channels or just one - you'll see how it works as the tutorial progresses. All of these actions take place within <span class="application"><strong>Ardour</strong></span>.
+ </div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ There is already a master bus, named "master". All audio being outputted should be fed through this bus.
+ </div></li><li class="listitem"><div class="para">
+ ５ã¤ã®æ–°ã—ã„ãƒã‚¹ã‚’作æˆã—ã¾ã™ï¼š
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ From the menu, select 'Track > Add Track/Bus'
+ </div></li><li class="listitem"><div class="para">
+ ５ã¤ã®ã‚¹ãƒ†ãƒ¬ã‚ªãƒã‚¹ã‚’è¿½åŠ ã™ã‚‹ã‚ˆã†ã«ã‚ªãƒ—ションを変更ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Click 'Add'
+ </div></li><li class="listitem"><div class="para">
+ Five busses should appear in the canvas area, named "Bus 1" through "Bus 5", underneath the master bus.
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Change the busses' names:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ At the left-most side of the canvas area, each bus has a space with controls, including a box with the bus' name.
+ </div></li><li class="listitem"><div class="para">
+ To rename a bus, use the mouse to left-click inside the box with the bus' name.
+ </div></li><li class="listitem"><div class="para">
+ ボックスã¯ãƒ†ã‚スト編集ボックスã«ãªã‚Šã¾ã™ã€‚内容を消ã—ã¦ã€æ–°ã—ã„åå‰ã‚’書ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ When you have entered the new name, press "Enter" on the keyboard to set it in <span class="application"><strong>Ardour</strong></span>.
+ </div></li><li class="listitem"><div class="para">
+ ボックスã¯ã€ãƒ†ã‚スト編集ボックスã§ã¯ãªããªã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Bus-marimba1
+ </div></li><li class="listitem"><div class="para">
+ Bus-marimba2
+ </div></li><li class="listitem"><div class="para">
+ Bus-voice
+ </div></li><li class="listitem"><div class="para">
+ Bus-strings
+ </div></li><li class="listitem"><div class="para">
+ Bus-clarinet
+ </div></li></ul></div>
+
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ １ï¼ã®æ–°ã—ã„トラックを作æˆã™ã‚‹ã€‚
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ From the menu, select 'Track > Add Track/Bus'
+ </div></li><li class="listitem"><div class="para">
+ １ï¼ã®ã€ãƒŽãƒ¼ãƒžãƒ«ãƒ¢ãƒ¼ãƒ‰ã®ãƒ¢ãƒŽãƒ©ãƒ«ãƒˆãƒ©ãƒƒã‚¯ã‚’è¿½åŠ ã™ã‚‹ã‚ˆã†ã«ã‚ªãƒ—ションをè¨å®šã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Click 'Add'
+ </div></li><li class="listitem"><div class="para">
+ Ten tracks should appear in the canvas area, named "Audio 1" through "Audio 10", underneath the busses.
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Change the tracks' names in the same way as you changed the busses' names. Remembering that each track here will hold only the left or right audio channel, each one should be pre- or post-fixed with a "0" or "L" for the left channel, or a "1" or "R" for the right channel. They should be called something like:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ marimba1-L
+ </div></li><li class="listitem"><div class="para">
+ marimba1-R
+ </div></li><li class="listitem"><div class="para">
+ marimba2-L
+ </div></li><li class="listitem"><div class="para">
+ marimba2-R
+ </div></li><li class="listitem"><div class="para">
+ voice-L
+ </div></li><li class="listitem"><div class="para">
+ voice-R
+ </div></li><li class="listitem"><div class="para">
+ strings-L
+ </div></li><li class="listitem"><div class="para">
+ strings-R
+ </div></li><li class="listitem"><div class="para">
+ clarinet-L
+ </div></li><li class="listitem"><div class="para">
+ clarinet-R
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Finally, we'll re-arrange the order of the tracks and busses. This isn't strictly necessary, and you can user whichever order you think makes the most sense. You might choose, for example, to put the marimba at the bottom, since it will be playing through most of the song.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ ã‚ャンãƒã‚¹ã‚¨ãƒªã‚¢ã®å³ã®ã‚»ãƒƒã‚·ãƒ§ãƒ³ã‚µã‚¤ãƒ‰ãƒãƒ¼ã‚’探ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ There are five tabs to choose: Regions, Tracks/Busses, Snapshots, Edit Groups, and Chunks. Select 'Tracks/Busses'
+ </div></li><li class="listitem"><div class="para">
+ All of the tracks and busses are shown in a list, along with a check-box that will show or hide that track or bus in the canvas area. Now you can see why it's a good idea to keep the word "bus" in the names of the busses.
+ </div></li><li class="listitem"><div class="para">
+ トラックã¨ãƒã‚¹ã®ä¸¦ã³é †ã‚’変ãˆã‚‹ã«ã¯ã€ãƒžã‚¦ã‚¹ã§ç§»å‹•ã—ãŸã„トラックã‚ã‚‹ã„ã¯ãƒã‚¹ã®åå‰ã‚’クリックã—ã¦ãƒ‰ãƒ©ãƒƒã‚°ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ トラックã‚ã‚‹ã„ã¯ãƒã‚¹ã®ãƒ‰ãƒ©ãƒƒã‚°ã‚’始ã‚ã‚‹ã¨ã€ãƒªã‚¹ãƒˆã«ç·šãŒç¾ã‚Œã¦ã€ãƒˆãƒ©ãƒƒã‚¯ã‚ã‚‹ã„ã¯ãƒã‚¹ã®ç§»å‹•å…ˆã‚’示ã—ã¾ã™ã€‚リストãŒè¦‹ãˆã«ãã„時ã¯ã€ãƒ‰ãƒ©ãƒƒã‚°ã—ã¦ã„るトラックã‚ã‚‹ã„ã¯ãƒã‚¹ã‚’å°‘ã—横ã«å‹•ã‹ã™ã¨ã‚ˆã„ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ インタフェースã§ã¯ã€ãƒˆãƒ©ãƒƒã‚¯ã‚ã‚‹ã„ã¯ãƒã‚¹ã‚’ä»–ã®ãƒˆãƒ©ãƒƒã‚¯ã‚ã‚‹ã„ã¯ãƒã‚¹ã®ä¸Šã«é‡ãられるよã†ã«è¦‹ãˆã‚‹ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“ãŒã€å®Ÿã¯ãã†ã§ã¯ã‚ã‚Šã¾ã›ã‚“。トラックã‚ã‚‹ã„ã¯ãƒã‚¹ãŒä»–ã®ãƒˆãƒ©ãƒƒã‚¯ã‚ã‚‹ã„ã¯ãƒã‚¹ã®ä¸Šã«é‡ãªã‚‹ã‚ˆã†ã«è¦‹ãˆã‚‹ã¨ãã€å®Ÿéš›ã«ã¯ãƒªã‚¹ãƒˆã®ä¸Šã§ãã®ãƒˆãƒ©ãƒƒã‚¯ã‚ã‚‹ã„ã¯ãƒã‚¹ã®ï¼‘ã¤å‰ã«ç½®ã‹ã‚Œã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 編集ã™ã‚‹ã«ã¯ã€ãƒã‚¹ã‚’ã€ãã‚ŒãŒåˆ¶å¾¡ã™ã‚‹ãƒˆãƒ©ãƒƒã‚¯ã®æ¬¡ã«ç½®ãã¨ä¾¿åˆ©ã§ã™ã€‚ã“ã‚Œã¯ã„ã¤ã§ã‚‚ã€å¾Œã‹ã‚‰å¤‰ãˆã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></li></ol></div>
+
+ </div></li></ol></div>
+
+ </div></div><div class="section" title="7.4.2. トラックã¨ãƒã‚¹ã‚’接続ã™ã‚‹" id="sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses">7.4.2. トラックã¨ãƒã‚¹ã‚’接続ã™ã‚‹</h3></div></div></div><div class="para">
+ ç§ãŸã¡ã¯ã€å¿ƒã®ä¸ã§ã¯ãƒã‚¹ã®ã‚·ã‚¹ãƒ†ãƒ を作り上ã’ã¾ã—ãŸãŒã€ã¾ã ãれを <span class="application"><strong>Ardour</strong></span> ã«ã¯ä¼ãˆã¦ã„ã¾ã›ã‚“。<span class="application"><strong>QjackCtl</strong></span> ã§ãれを確ã‹ã‚ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚ã™ã¹ã¦ã®è¿½åŠ ã•ã‚ŒãŸãƒˆãƒ©ãƒƒã‚¯ã¨ãƒã‚¹ã¯ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªå‡ºåŠ›ã«ã¤ãªãŒã£ã¦ã„ã¾ã™ã€‚ã•ã‚‰ã«æ‚ªã„ã“ã¨ã«ã€ãƒã‚¹ã«ã¯ã€å…¥åŠ›ä¿¡å·ã¯ä½•ã‚‚ã‚ã‚Šã¾ã›ã‚“。ç§ãŸã¡ãŒãƒˆãƒ©ãƒƒã‚¯ã¨ãƒã‚¹ã‚’ã©ã®ã‚ˆã†ã«ã¤ãªãŽãŸã„ã®ã‹ã‚’ <span class="application"><strong>Ardour</strong></span> ã«ä¼ãˆã‚‹ã«ã¯ã€ï¼’ã¤ã®ã‚¢ãƒ—ãƒãƒ¼ãƒãŒã‚ã‚Šã¾ã™ã€‚ã“ã‚Œã‹ã‚‰ä¸¡æ–¹ã®ä¾‹ã‚’ã‚ã’ã¾ã™ã€‚ã‚ãªãŸãŒã€æ®‹ã‚Šã‚’仕上ã’ã¦ãã ã•ã„。
+ </div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ トラックã¨ãƒã‚¹ã‚’ã¤ãªã１ã¤ã®æ–¹æ³•ã¯ã€æŽ¥ç¶šã®å¤‰æ›´ãŒå°‘ãªã„時ã«é©ã—ã¾ã™ã€‚
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Select the "marimba1-L" track by clicking in the track's control area, underneath the controls.
+ </div></li><li class="listitem"><div class="para">
+ The editor mixer to the left of the canvas area should display the track's name near the top, and the track's colour (probably green in this case).
+ </div></li><li class="listitem"><div class="para">
+ If you can't see the editor mixer, open it by using the menu. Click 'View > Show Editor Mixer' so that it is checked. You can also press 'Shift + E' on the keyboard to toggle its display.
+ </div></li><li class="listitem"><div class="para">
+ After confirming that the editor mixer is showing the control for the "marimba1-L" track, look at the button on the bottom of the editor mixer, above 'Comments'. It should say "master", which means its output is connected to the master bus. This is not what we want, so click the "master" button.
+ </div></li><li class="listitem"><div class="para">
+ When you click the 'master' button, a menu pops up, allowing you to choose a different output. We want to connect the track to the "Bus-marimba1" bus, which isn't in the list, so choose 'Edit' from the menu.
+ </div></li><li class="listitem"><div class="para">
+ The connection window that appears looks confusing, but it isn't. Here's how it works:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The left side, labeled "Outputs," contains two output channels, "out 1" and "out 2," along with a list of everything to which those outputs are connected.
+ </div></li><li class="listitem"><div class="para">
+ The 'Add' button adds an output channel. We're outputting the signal to a stereo bus, so two is enough.
+ </div></li><li class="listitem"><div class="para">
+ The 'Remove' button removes an output channel.
+ </div></li><li class="listitem"><div class="para">
+ The 'Disconnect All' button removes all of the track's output connections.
+ </div></li><li class="listitem"><div class="para">
+ ã“ã®ãƒªã‚¹ãƒˆã§ã‚³ãƒã‚¯ã‚·ãƒ§ãƒ³ã‚’クリックã™ã‚‹ã¨ã€å‰Šé™¤ã•ã‚Œã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ The right side, labeled "Available connections," contains a list of all of the inputs offered by <code class="systemitem">JACK</code>.
+ </div></li><li class="listitem"><div class="para">
+ <code class="systemitem">JACK</code> 対応ã®ã‚¢ãƒ—リケーションã¯ã€ãã‚Œãžã‚Œã€ã‚¿ãƒ–ãŒã‚ã‚Šã€ãã®ä¸‹ã«ã‚³ãƒã‚¯ã‚·ãƒ§ãƒ³ã®ãƒªã‚¹ãƒˆãŒã‚ã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ã“ã®ãƒªã‚¹ãƒˆã®ã‚³ãƒã‚¯ã‚·ãƒ§ãƒ³ã‚’クリックã™ã‚‹ã¨ã€æœ€å¾Œã«é¸æŠžã•ã‚ŒãŸå‡ºåŠ›ãƒãƒ£ãƒãƒ«ã«ã€ãã‚ŒãŒåŠ ãˆã‚‰ã‚Œã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Click the 'Disconnect All' button.
+ </div></li><li class="listitem"><div class="para">
+ Click in the empty "out 1" list.
+ </div></li><li class="listitem"><div class="para">
+ From the "Available connections" list, click on the "Bus-marimba1/in 1" connection. It will be added to the "out 1" list.
+ </div></li><li class="listitem"><div class="para">
+ Then click on the "Bus-marimba1/in 2" connection. It will be added to the "out 2" list.
+ </div></li><li class="listitem"><div class="para">
+ The appearance of the connection lists will change to indicate that you've added a pair of connections.
+ </div></li><li class="listitem"><div class="para">
+ Click 'Close' to enable the connection change.
+ </div></li><li class="listitem"><div class="para">
+ Note that the "master" button now says something like "Bus-ma," because the track's output connection has changed.
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ コãƒã‚¯ã‚·ãƒ§ãƒ³ã‚’変更ã™ã‚‹ã‚‚ã†ï¼‘ã¤ã®æ–¹æ³•ã¯ã€ä»Šå›žå¿…è¦ã¨ãªã‚‹ã‚ˆã†ãªã€å¤§é‡ã®å¤‰æ›´ã‚’è¡Œã†ã®ã«ã€ãšã£ã¨é«˜é€Ÿã§ã™ã€‚
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <span class="guimenu"><strong>Window</strong></span> → <span class="guimenuitem"><strong>Track/Bus Inspector</strong></span> ã‚’é¸æŠžã—ã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The "Track/Bus Inspector" window will appear. It has a list of the tracks and busses on the left side, and four tabs of information on the right side.
+ </div></li><li class="listitem"><div class="para">
+ The "Inputs" and "Outputs" tabs allow you to view and configure the input and output connections of the selected track or bus. The two "Redirects" tabs allow you to configure plug-in settings, which are not discussed in this tutorial.
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Select the "Bus-marimba1" bus from the list.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ You should recognize the "Input" and "Output" tabs.
+ </div></li><li class="listitem"><div class="para">
+ Verify that the "marimba1-L" track is connected to this bus' input, and that the bus' output is connected to the "master" bus' inputs.
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Add both outputs of the "marimba1-R" track to the bus' input list.
+ </div></li><li class="listitem"><div class="para">
+ Check the outputs of the "marimba1-R" track. This isn't quite what we wanted, so remove the master bus connection.
+ </div></li><li class="listitem"><div class="para">
+ ä»–ã®ãƒˆãƒ©ãƒƒã‚¯ã‚‚ä¿®æ£ã—ã¦ã€ä»¥ä¸‹ã®ãƒ†ãƒ¼ãƒ–ルãŒç¤ºã™ã‚ˆã†ãªæŽ¥ç¶šã«ãªã‚‹ã‚ˆã†ã«ã—ã¦ãã ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ Verify the connections by viewing the busses' "Input" tabs.
+ </div></li><li class="listitem"><div class="para">
+ Verify that only the five busses are connected to the master bus' inputs.
+ </div></li></ol></div>
+
+ </div></li></ol></div>
+
+ </div><div class="figure" title="図7.7 Ardour ã§ã®ã‚³ãƒã‚¯ã‚·ãƒ§ãƒ³" id="ardour_connections"><div class="figure-contents"><div class="mediaobject"><img src="./images/FMG-Ardour-Connections.png" width="444" alt="Ardour ã§ã®ã‚³ãƒã‚¯ã‚·ãƒ§ãƒ³" /><div class="longdesc"><div class="para">
+ Ardour ã§ã®ã‚³ãƒã‚¯ã‚·ãƒ§ãƒ³
+ </div></div></div></div><h6>図7.7 Ardour ã§ã®ã‚³ãƒã‚¯ã‚·ãƒ§ãƒ³</h6></div><br class="figure-break" /></div><div class="section" title="7.4.3. トラックã«ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’è¿½åŠ ã™ã‚‹" id="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks">7.4.3. トラックã«ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’è¿½åŠ ã™ã‚‹</h3></div></div></div><div class="para">
+ The next step is to add the regions into the tracks. It would be faster if we also cropped the regions at this point, but there are many reasons that it can be helpful to have longer regions, or rests (nearly silent space) within a region, so we'll keep them in tact for now.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ In the session sidebar (to the right of the canvas area), select the "Regions" tab. This list contains all of the regions in the session. Each region is listed once, regardless of how many times it appears in the timeline, or if it's even used at all.
+ </div></li><li class="listitem"><div class="para">
+ To add a region to the canvas area, simply click on the region's name, and drag it onto a track. The cursor will change as you do this, so that the vertical line of the cursor shows the point where the region will begin in the timeline.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ リージョンã®è¿½åŠ ã¯ã€ã“ã‚“ãªã«ç°¡å˜ï¼
+ </div><div class="para">
+ You guessed it though - there's more to it than that, and it mostly has to do with the setup of this particular file. You will notice that the region list has many similarly-named regions, and that most of the names correspond to particular tracks and a bus. The files are named so that you know what's on them. They are given a number so that you know the sequence in which they're to be added ("Marimba_1" regions before "Marimba_2"), and a letter "L" or "R" at the end to signify whether the region is the left or the right channel. Furthermore, the regions that start with "ens-" belong on the "voice" tracks ("ens" is short for "ensemble," meaning that those regions contain a small vocal ensemble, whereas the "Voice... " regions contain just one singer). The "Here_Is_How" regions belong before the "Create_the_Inconceivable" regions. Remember: there is no technical reason that the regions are named as they are. The names are there to help you edit and mix the song. We don't
need to use the "marimba2" tracks or bus yet, so just add all of the "Marimba_" regions to the "marimba1" tracks.
+ </div><div class="para">
+ ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’è¿½åŠ ã™ã‚‹ã†ã¡ã«ã€ã‚ãªãŸã¯ <span class="application"><strong>Ardour</strong></span> ã§ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’æ“作ã™ã‚‹ã“ã¨ã«ã¤ã„ã¦å¤šãã‚’å¦ã¶ã§ã—ょã†ã€‚以下ã¯ã€ãŸã‚ã«ãªã‚‹ãƒ’ントã§ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Use the mouse's scrollwheel (if you have one) to scroll vertically, seeing all the tracks.
+ </div></li><li class="listitem"><div class="para">
+ Hold down the 'Ctrl' button on the keyboard and use the mouse's scrollwheel to adjust the amount of time visible in the canvas window.
+ </div></li><li class="listitem"><div class="para">
+ Hold down the 'Alt' button on the keyboard and use the mouse's scrollwheel to scroll horizontally, moving along the timeline.
+ </div></li><li class="listitem"><div class="para">
+ After placing a region, you can move it around anywhere in the canvas area. You'll need to use the "Select/Move Objects" tool: click the pointing hand icon in the toolbar underneath the transport controls.
+ </div></li><li class="listitem"><div class="para">
+ If you are moving a region, be sure to click and drag from the large area above the coloured bar. If you click in the coloured bar at the bottom of the region, you will reduce the region's size.
+ </div></li><li class="listitem"><div class="para">
+ When you're just adding tracks like this, it's not important that they are synchronized perfectly. But you can use the "magnetic" snapping feature to automatically align the beginning of tracks to the second. As you slowly drag a region, when the start nears a second (indicated by vertical lines through the canvas area), the region will seem to "stick" to the second. Later, you may want to turn off this feature.
+ </div></li><li class="listitem"><div class="para">
+ Since we're just adding the regions imprecisely for now, put them into the appropriate track as tightly as possible, without overlapping.
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="7.4.4. リージョンã®å¤§ãã•ã‚’切り詰ã‚ã‚‹" id="sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size">7.4.4. リージョンã®å¤§ãã•ã‚’切り詰ã‚ã‚‹</h3></div></div></div><div class="para">
+ Now it's appropriate to cut some of the regions down in size. We're going to do this by removing some of the nearly-silent space before and after the material that was intended to be recorded. There are a few special cases, so first there will be specific instructions on how to do this to a region, and then general instructions for each region.
+ </div><div class="para">
+ Let's start with the clarinet:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ First, set the clarinet bus to "solo" mode by pressing the 's' button on the bus' control space. This will allow us to hear only the clarinet bus.
+ </div></li><li class="listitem"><div class="para">
+ Listen to the first clarinet region by pressing "Home" on the keyboard to set the transport's playhead to the beginning, then pressing the space key to start the transport.
+ </div></li><li class="listitem"><div class="para">
+ クラリãƒãƒƒãƒˆãŒæ¼”å¥ã‚’始ã‚ã‚‹å‰ã«ã€ï¼’ï¼ç§’ãらã„ã®ã»ã¨ã‚“ã©é™ã‹ãªéƒ¨åˆ†ãŒã‚ã‚Šã¾ã™ã€‚注æ„ã—ã¦èžãã¨ã€éƒ¨å±‹ã®éŸ³ã‚„ã€èª°ã‹ãŒå°ç¯€æ•°ã‚’æ•°ãˆã¦ã„る声ãŒèžã“ãˆã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ If the channels aren't synchronized, you'll need to adjust their placement in the timeline. Use the yellow clock that appears when you drag regions - it's set to the same units as the secondary clock, and shows you the time of the beginning of the file. It's important to get it synchronized before the next step!
+ </div></li><li class="listitem"><div class="para">
+ Choose either the "L" or "R" region. If you're using edit groups, it doesn't matter which you choose, because <span class="application"><strong>Ardour</strong></span> will realize that the regions in both tracks are "group equivalent" (that is, they're basically the same, so they probably belong together).
+ </div></li><li class="listitem"><div class="para">
+ クラリãƒãƒƒãƒˆãŒé–‹å§‹ã™ã‚‹ç‚¹ã®è¿‘ãã®ã€ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã®è‰²ã®ã¤ã„ãŸãƒãƒ¼ã‚’マウスã§ã‚¯ãƒªãƒƒã‚¯ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> ã¯ã€ <span class="emphasis"><em>両方ã®ãƒˆãƒ©ãƒƒã‚¯</em></span>ã§è‡ªå‹•çš„ã«ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã®é–‹å§‹ç‚¹ã‚’移動ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Move the playhead by clicking in the rulers at the point where you want the playhead to be, so that you can listen to the regions to ensure that you didn't cut out any of the useful audio.
+ </div></li><li class="listitem"><div class="para">
+ If you want to adjust the beginning of the region, carefully move the mouse cursor to the start of the region, in the coloured bar. The cursor should turn into a double-ended left-and-right arrow. If you happened to accidentally remove some of the useful clarinet sound, you'll notice that it's still there. In fact, the beauty of trimming regions in this way is that it's "non-destructive," meaning that the entire original region is still there!
+ </div></li><li class="listitem"><div class="para">
+ Notice that when you made the first adjustment, <span class="application"><strong>Ardour</strong></span> put an arrow beside the region name in the region list of the session sidebar. If you click on the arrow, you will see that there is another copy of the same region underneath, but it's white. <span class="application"><strong>Ardour</strong></span> wants you to know that the white-coloured region is a modification of the blue-coloured region. If you drag the white-coloured region into the canvas area, you'll notice that it starts at the same time as the region you just modified. It can also be dragged out to the full size of the original region, which would create another modified version of the original. While it seems like <span class="application"><strong>Ardour</strong></span> stores multiple copies of the region, it actually just stores one copy, and the information required to make it seem like there are many.
+ </div></li><li class="listitem"><div class="para">
+ Adjust the end of the region so that there isn't too much silence after the clarinet. Be extra careful with this, so that you don't cut out any of the clarinet, which gets very quiet at the end of the region. There isn't much to cut off! Note that you cannot click in the coloured bar when adjusting the end of a region, so you'll have to click-and-drag.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ Here are the instructions to edit the rest of the regions. As you trim the regions, you may find it helpful to move them all towards the start of the session. Remember to change the bus that's in "solo mode" when you move to different tracks, or else you won't be able to hear the tracks you're trying to edit You may also notice that some of these regions contain identical or nearly-identical music, which we'll deal with later.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Clarinet
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Clarinet_2:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Starts with sound, but it's not useful, so cut it out, along with the silence after it.
+ </div></li><li class="listitem"><div class="para">
+ 終点ã«ã¯é•·ã„é™å¯‚ãŒã‚ã‚Šã¾ã™ã‹ã‚‰ã€å‰Šé™¤ã—ã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Clarinet_3, Clarinet_4: 最åˆã¨æœ€å¾Œã®é™å¯‚ã¯å‰Šé™¤ã—ã¾ã™ãŒã€é€”ä¸ã®é™å¯‚ã¯æ®‹ã—ã¦ãã ã•ã„。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Strings:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Strings_1: 開始時ã«ã¶ã¤ã¶ã¤ã„ã†ãƒŽã‚¤ã‚ºãŒå…¥ã‚Šã¾ã™ã€‚ãã®ã¾ã¾ã«ã—ã¦ã‚‚ã€å‰Šé™¤ã—ã¦ã‚‚よã„ã§ã™ã€‚Esther ã¯ãã®ã¾ã¾ã«ã™ã‚‹æ–¹ã‚’é¸ã‚“ã ã®ã§ã€ç§ã‚‚ãã†ã—ã¾ã—ょã†ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Strings_2, 3, 4: 開始時ã«é™å¯‚ã€çµ‚了時ã«ã¯ã»ã‚“ã®å°‘ã—。会話ã¯å‰Šé™¤ã—ã¦ã‚‚ã€å¾Œã§å¯¾ç–ã—ã¦ã‚‚よã„ã§ã™ã€‚
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Voice:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Voice_1, 2, 3, 4: Simply remove the silence from beginning and end, leaving the mistakes, which we'll take care of later.
+ </div></li><li class="listitem"><div class="para">
+ ens-Here_Is_How-1, 2, 3: It's too difficult for now to trim all of the extra noise, so just get most of it. The breating and shuffling can be removed later.
+ </div></li><li class="listitem"><div class="para">
+ ens-Create_the_Inconceivable: For now, keep both of the attempts. Later, we'll choose which one we prefer.
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Marimba:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Marimba_1: Don't trim the beginning of this region; we'll use it to time the start of the session. You can trim the silence at the end, but be sure that you don't clip it while the sound of the marimba is still ringing.
+ </div></li><li class="listitem"><div class="para">
+ Marimba_2, 3, 4, 5, 6, 7: Trim the silence around these as desired, still being careful not to clip the marimba while it's still ringing. This may require cautious listening at high volume settings.
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Now that we have roughly trimmed the silence surrounding the portions of audio that we really want, we'll have an easier time putting them in the right order.
+ </div></div><div class="section" title="7.4.5. åŒã˜ã‚‚ã®ã®è¤‡æ•°ã®éŒ²éŸ³ã‚’比較ã™ã‚‹" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings">7.4.5. åŒã˜ã‚‚ã®ã®è¤‡æ•°ã®éŒ²éŸ³ã‚’比較ã™ã‚‹</h3></div></div></div><div class="para">
+ Part of the power of recording with a DAW is that the same material can be capture multiple times. Mixing and matching like this allows us to seek the "perfect" performance of a piece of music. A few of the regions in this file are multiple takes of the same material. There are a few occasions where we can definitively say that one is better than the other, and there are a few occasions where it depends on your personal taste. This section covers techniques that can be used to further cut up the audio, in this case with the end goal of comparing and choosing preferred sections. Not all choices will be made yet.
+ </div><div class="section" title="7.4.5.1. Clarinet_1 and Clarinet_2 リージョン" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_1_and_2"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_1_and_2">7.4.5.1. Clarinet_1 and Clarinet_2 リージョン</h4></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Listen to the Clarinet_1 and Clarinet_2 regions. They're the same musical material, and they're nearly identical, so it's too early to decide which one to use. But, let's label them so that we know they're the same.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Select the "Clarinet_1--L" region from the region list in the session toolbar by left-clicking on the triangle to the left of the blue name, so the white name appears, and left-clicking once on the white name. Remember that the white region was created when you trimmed the empty area out of the original (blue) region.
+ </div></li><li class="listitem"><div class="para">
+ ã‚‚ã†ä¸€åº¦ã€ç™½ã„åå‰ã‚’クリックã™ã‚‹ã¨ã€ãƒ†ã‚ストボックスãŒç¾ã‚Œã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Change the textbox so it says "Clarinet_1A--L"
+ </div></li><li class="listitem"><div class="para">
+ Press 'Enter' on the keyboard to set the name.
+ </div></li><li class="listitem"><div class="para">
+ 以下ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã®åå‰ã‚’ã“ã®ã‚ˆã†ã«å¤‰æ›´ã—ã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Clarinet_1--R" becomes "Clarinet_1A--R"
+ </div></li><li class="listitem"><div class="para">
+ "Clarinet_2--L" becomes "Clarinet_1B--L"
+ </div></li><li class="listitem"><div class="para">
+ "Clarinet_2--R" becomes "Clarinet_1B--R"
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Since Clarinet_1 and Clarinet_2 represent the same musical material, we've renamed them to show it. Now, they're both Clarinet_1, with two versions, "A" and "B."
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ There will be some naming inconsistencies at this point: the blue-coloured regions still have their original names, and the canvas area doesn't have any region called "Clarinet_2"! If this bothers you, you can rename the other regions to suit.
+ </div></li></ol></div>
+
+ </div></div><div class="section" title="7.4.5.2. Clarinet_3 㨠Clarinet_4 リージョン" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_3_and_4"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_3_and_4">7.4.5.2. Clarinet_3 㨠Clarinet_4 リージョン</h4></div></div></div><div class="para">
+ Listen to the Clarinet_3 and Clarinet_4 regions. Clarinet_4 starts with the same material that's in Clarinet_3, and ends with the same material that's in Clarinet_1A and Clarinet_1B. First rename the "Clarinet_3" regions to "Clarinet_3A," and the "Clarinet_4" regions to "Clarinet_3B." Then, we'll extract the Clarinet_1-like portion from the Clarinet_3B regions.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Under the transport toolbar, select the "Select/Move Ranges" tool, which looks like a double-ended left-to-right arrow with vertical lines at the sides.
+ </div></li><li class="listitem"><div class="para">
+ The cursor will change to look like a text-editing "I"
+ </div></li><li class="listitem"><div class="para">
+ Scroll to the end of the "Clarinet_3B" regions, so you can see the part the sounds like the "Clarinet_1" regions.
+ </div></li><li class="listitem"><div class="para">
+ Click and drag the mouse over the "Clarinet_1"-like region in one of the tracks, to select them.
+ </div></li><li class="listitem"><div class="para">
+ エディットグループã®ãŸã‚ã€<span class="application"><strong>Ardour</strong></span> ã¯ã€è‡ªå‹•çš„ã«ä¸¡æ–¹ã®ãƒˆãƒ©ãƒƒã‚¯ã§åŒã˜ã‚¨ãƒªã‚¢ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ We have to be sure to select all of the "Clarinet_1"-like material, so after you've selected a range, right-click on the range, and select 'Play Range' from the menu.
+ </div></li><li class="listitem"><div class="para">
+ é¸æŠžã—ãŸç¯„囲を変更ã—ãŸã„時ã¯ã€ç¯„囲é¸æŠžãƒœãƒƒã‚¯ã‚¹ã®ä¸Šã®è§’ã«ã‚ã‚‹æš—ã„色ã®å››è§’を使ã„ã¾ã™ã€‚ã“ã®ãƒœãƒƒã‚¯ã‚¹ã®ï¼‘ã¤ã«ã‚«ãƒ¼ã‚½ãƒ«ã‚’ç½®ãã¨ã€ä¸¡æ–¹å‘ã®çŸ¢å°ã«å¤‰ã‚ã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Now create a new region from the range. Right-click on the selected range, and select 'Bounce range to region list' from the menu.
+ </div></li><li class="listitem"><div class="para">
+ The range will appear as independent regions in the region list, called something like "clarinet-L-0-bounce-1". This isn't very helpful, so rename the regions to "Clarinet_1C--L" and "Clarinet_1C--R". Notice that the new regions are coloured white.
+ </div></li><li class="listitem"><div class="para">
+ We no longer need the range tool, so select the "Select/Move Objects" tool, which is the hand-shaped icon just to the left of the range tool, underneath the transport toolbar.
+ </div></li><li class="listitem"><div class="para">
+ The selected range will no longer be selected. Trim the end of the "Clarinet_3B" regions down to size, past the material that we just bounced to the region list, and past the near-silence before it.
+ </div></li><li class="listitem"><div class="para">
+ Now move the "Clarinet_3" regions back, to make room for the newly-created "Clarinet_1C" regions.
+ </div></li><li class="listitem"><div class="para">
+ Drag the new "Clarinet_1C" regions onto the canvas after the other "Clarinet_1" regions, and adjust the spacing of the other regions, if you wish.
+ </div></li></ol></div>
+
+ </div></div><div class="section" title="7.4.5.3. Strings_1 リージョン" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings_1"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings_1">7.4.5.3. Strings_1 リージョン</h4></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ ã“れらã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¯ã€èª¤ã£ã¦éŒ²éŸ³ã•ã‚ŒãŸã¶ã¤ã¶ã¤ã„ã†ãƒŽã‚¤ã‚ºã§å§‹ã¾ã‚Šã¾ã™ã€‚ãã®ã¾ã¾ã«ã™ã‚‹ãªã‚‰ã°ã€ãƒŽã‚¤ã‚ºã‚’リージョンリストã«å…¥ã‚Œã‚Œã°ã€ãã®å¾Œã«ç¶šã弦楽器ã¨ã¯åˆ¥ã«ç‹¬ç«‹ã—ã¦åˆ¶å¾¡ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ The new regions are probably called something like "strings-L-0-bounce-1". Because I know that the sound is chairs being moved across the floor in a room upstairs from the recording studio, I'm going to call the regions "Chairs--L" and "Chairs--R".
+ </div></li><li class="listitem"><div class="para">
+ ãã—ã¦ã€ Strings_1 リージョンã‹ã‚‰æ¤…åã®ãƒŽã‚¤ã‚ºã‚’除ãã¾ã—ょã†ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Since the marimba2 tracks aren't yet being used, we can put the Chairs regions there - at least for now - just to remember that we have them.
+ </div></li><li class="listitem"><div class="para">
+ Listen to the Strings_1 region. You'll notice that the noise of the chairs continues throughout the region. We can remove it later.
+ </div></li><li class="listitem"><div class="para">
+ You wouldn't know this without carefully listening to the song, or having the sheet music for "Here Is How," so I'll tell you: the musicians make a mistake near the end of this region, which is why the violinist says, "sorry," just after that.
+ </div></li><li class="listitem"><div class="para">
+ We'll need to remove the error, so adjust the end of the track to make it about six seconds earlier. In the canvas view, you want to put the end of the region just before the second-last "blob."
+ </div></li></ol></div>
+
+ </div></div><div class="section" title="7.4.5.4. 弦楽器リージョン" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings">7.4.5.4. 弦楽器リージョン</h4></div></div></div><div class="para">
+ ã“れらã®ï¼”ã¤ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¯ã€ã™ã¹ã¦ã€é–¢é€£ã—ã¦ã„ã¦ã€å†…容もオーãƒãƒ©ãƒƒãƒ—ã—ã¦ã„ã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Strings_2 covers most of the same material as Strings_1, and goes for a bit longer. It doesn't have the noise of the chairs, but there is a playing mistake after about the first minute and 20 seconds (1:20), so we can't use the end.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 最後ã®ï¼“２秒程度を切り詰ã‚ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Rename this region to "Strings_1B"
+ </div></li><li class="listitem"><div class="para">
+ Rename the "Strings_1" regions to "Strings_1A," to match with 1B
+ </div></li><li class="listitem"><div class="para">
+ We'll decide which of these regions to use later.
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Strings_3 is also the same material, so rename it to "Strings_1C."
+ </div></li><li class="listitem"><div class="para">
+ Strings_4 starts with the place where Strings_1A went wrong, and goes on from there. Let's keep it as it is, for now.
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="7.4.5.5. ボイスリージョン" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Voice"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Voice">7.4.5.5. ボイスリージョン</h4></div></div></div><div class="para">
+ ã“れらã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¯ã„ãらã‹ã®ã‚ªãƒ¼ãƒãƒ©ãƒƒãƒ—ãŒã‚ã‚Šã¾ã™ãŒã€è¦‹åˆ†ã‘ã‚‹ã®ã¯ã‚ã‚Šã¨ç°¡å˜ã§ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Voice_1 contains two chunks of audio. The first one is good, but the singer had a problem making the second one clear, so we're not going to use it.
+ </div></li><li class="listitem"><div class="para">
+ Voice_2 contains the second chunk of audio that was recorded poorly in Voice_1. She also has a bit of a problem in Voice_2. Let's fix this up now.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Voice_1 リージョンを切り詰ã‚ã¦ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®ï¼’ã¤ã‚ã®ãƒãƒ£ãƒ³ã‚¯ã¨ã€ãã®å‰ã®é™å¯‚ã«è¿‘ã„部分を除ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ One way to deal with the Voice_2 region is simply to cut off the first part of the region, which contains the words "I have your flax-" and some near-silence.
+ </div></li><li class="listitem"><div class="para">
+ The second time the singer sings, "I have your flax-," it sounds a bit rushed, so I'm going to combine the first "I have your flax-" with the following "golden tails to ... "
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Use the "Select/Move Ranges" tool to select the first time the singer says "I have your flax-," being careful to capture all of the word "flax," but none of the near-silence that follows.
+ </div></li><li class="listitem"><div class="para">
+ Use the loop function of the transport to ensure you've got the right range selected:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Select a range, then right-click on the range and select 'loop range'.
+ </div></li><li class="listitem"><div class="para">
+ ç›´ã—ãŸã„時ã¯ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’æ¢ã‚ã€ç¯„囲を調整ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ To listen again, right-click on the range and select 'loop range'.
+ </div></li><li class="listitem"><div class="para">
+ You may need to zoom in so that you can adjust the range with sufficient detail. Hold the 'Ctrl' key on the keyboard, and use the scrollwheel to zoom in.
+ </div></li><li class="listitem"><div class="para">
+ When you're done with the looping function, remove the looping markers from the timeline. They look like green triangles with the word "Loop" written beside. Move the cursor over a triangle, so that it changes colour. Then press the 'Delete' button on the keyboard.
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ When you are happy with the range that you've selected, right-click on the range and choose 'Consolidate range' from the menu.
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> will create a region from the range that you selected, leaving it in-place. It will also divide the space in the region before and after the new region, leaving you with many smaller regions, all conveniently collected in the session toolbar's Regions list, under the blue-coloured "Voice_2--L" and "Voice_2--R" regions.
+ </div></li><li class="listitem"><div class="para">
+ Trim the rest of the original Voice_2 region, so that it starts with "golden," and does not contain any of the previous word ("flax-"). You don't need to use the range tool, but you can if you wish.
+ </div></li><li class="listitem"><div class="para">
+ Then, push the two regions together, so that it sounds like "I have your flax-golden tails to... "
+ </div></li><li class="listitem"><div class="para">
+ This isn't going to sound perfect, but you might prefer it to simply trimming the beginning off the Voice_2 region.
+ </div></li><li class="listitem"><div class="para">
+ It's important to remember to move both regions together. If they are accidentally separated, then you can easily enough move them back into place.
+ </div></li></ol></div>
+
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Voice_3 contains two chunks of audio. We'll leave it alone for now.
+ </div></li><li class="listitem"><div class="para">
+ Voice_4 contains the same two chunks of audio as Voice_3, but goes on to include more. We can't yet determine whether to use Voice_3 or Voice_4 for those two chunks, so we're going to leave them in both regions.
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="7.4.5.6. ens-Here_Is_How リージョン" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Here_Is_How"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Here_Is_How">7.4.5.6. ens-Here_Is_How リージョン</h4></div></div></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ens-Here_Is_How-1 ã¯ã€ä¼¼ãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®ï¼’ã¤ã®ãƒãƒ£ãƒ³ã‚¯ãŒã‚ã‚Šã¾ã™ã€‚ã©ã¡ã‚‰ã‚‚æ£ã—ã„ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ens-Here_Is_How-2 contains two chunks of similar audio. It's different from ens-Here_Is_How-1, but the second of these chunks has incorrect pitches, but the timing between the two chunks is correct.
+ </div></li><li class="listitem"><div class="para">
+ ens-Here_Is_How-3 ã¯ã€ ens-Here_Is_How-2 ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®ï¼’ã¤ã‚ã®ãƒãƒ£ãƒ³ã‚¯ã®æ£ã—ã„音程ã®ã‚‚ã®ãŒã‚ã‚Šã¾ã™ã€‚ens-Here_Is_How-2 ã®æ£ã—ã„タイミングをç¶æŒã—ãŸã„ã®ã§ã€ ens-Here_Is_How-3 ã‚’ ens-Here_Is_How-2 ã®ã¡ã‚‡ã†ã©ä¸Šã«ãƒ‰ãƒ©ãƒƒã‚°ã—ã¾ã™ã€‚ï¼’ã¤ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’並ã¹ã¦ã€ï¼“ã®æ³¢å½¢ãŒã§ãã‚‹ã ã‘ï¼’ã®æ³¢å½¢ã‚’ã‚«ãƒãƒ¼ã™ã‚‹ã‚ˆã†ã«èª¿æ•´ã—ã¾ã™ã€‚ã“れらã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¯ã€ä¸€ç·’ã«ç§»å‹•ã™ã‚‹ã‚ˆã†ã«æ³¨æ„ãã ã•ã„。
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="7.4.5.7. ens-Create_the_Inconceivable リージョン" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Create_the_Inconceivable"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Create_the_Inconceivable">7.4.5.7. ens-Create_the_Inconceivable リージョン</h4></div></div></div><div class="para">
+ ã“ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã«ã¯ã€åŒã˜æ›²ã®ï¼’ã¤ã®ãƒ†ã‚¤ã‚¯ãŒã‚ã‚Šã¾ã™ã€‚
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Listen to them both, and decide which you prefer - it's up to your preference. Remember, you can also reverse your choice later, because <span class="application"><strong>Ardour</strong></span> will not delete the material that you remove by trimming the region.
+ </div></li><li class="listitem"><div class="para">
+ 範囲ツールを使ã£ã¦ã€ã‚ãªãŸãŒå¥½ããªæ–¹ã®ãƒ†ã‚¤ã‚¯ã‚’å«ã‚€ç¯„囲をé¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Use the transport's looping mechanism, if you wish, to be sure that you selected the right range.
+ </div></li><li class="listitem"><div class="para">
+ Right-click on the range, then choose 'Crop region to range,' which will automatically trim the region for you.
+ </div></li></ol></div>
+
+ </div></div><div class="section" title="7.4.5.8. マリンãƒãƒªãƒ¼ã‚¸ãƒ§ãƒ³" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Marimba"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Marimba">7.4.5.8. マリンãƒãƒªãƒ¼ã‚¸ãƒ§ãƒ³</h4></div></div></div><div class="para">
+ マリンãƒãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¯ã€èª¿æ•´ãŒä¸è¦ã§ã™ã€‚
+ </div></div></div><div class="section" title="7.4.6. リージョンをæ£ã—ã„å ´æ‰€ã«ä¸¦ã¹ã‚‹" id="sect-Musicians_Guide-Ardour-Editing-Arrange"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Arrange">7.4.6. リージョンをæ£ã—ã„å ´æ‰€ã«ä¸¦ã¹ã‚‹</h3></div></div></div><div class="para">
+ We're going to start by arranging the marimba, since it plays a relatively consistent rhythm throughout most of the song. It is a good idea to start with something like this, so that the following tracks and regions can be related to it.
+ </div><div class="para">
+ All of the times here are given in minutes and seconds. The tutorial file is configured to use this unit by default, but if you have changed it, you will need to keep that in mind. Also, I have not cropped or trimmed the "Marimba_1" region, and it is located in the "marimba1" track, starting at 00:00:00.000. If you have modified that region, I suggest restoring it to the original size.
+ </div><div class="section" title="7.4.6.1. マリンãƒãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‹ã‚‰å§‹ã‚ã‚‹" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba">7.4.6.1. マリンãƒãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‹ã‚‰å§‹ã‚ã‚‹</h4></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ When you have made sure that the "Marimba_1" regions are not cropped or trimmed, and that they start at 00:00:00.000, we can lock it in place.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Right-click on the regions, and navigate to the 'Selected regions' menu, then click 'Lock' from that menu.
+ </div></li><li class="listitem"><div class="para">
+ Notice that <span class="application"><strong>Ardour</strong></span> puts > and < around the name of the region, in the canvas area.
+ </div></li><li class="listitem"><div class="para">
+ Also notice that you can no longer move the region with the "Select/Move Objects" tool.
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ ã•ã¦ã€ãã‚ŒãŒé–‹å§‹ã™ã‚‹æ£ç¢ºãªæ™‚刻を示ã™ãŸã‚ã«ãƒžãƒ¼ã‚«ãƒ¼ã‚’ç½®ãã¾ã™ã€‚セッションãŒå§‹ã¾ã£ã¦ã‹ã‚‰ï¼–秒ã§ã™ã€‚
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Zoom in appropriately so that you can see where the six-second mark on the ruler should go (but you needn't see it yet). Hold the 'Ctrl' button on the keyboard, and use the mouse's scrollwheel to zoom in, or press the '=' button on the keyboard to zoom in and the '-' button to zoom out.
+ </div></li><li class="listitem"><div class="para">
+ Move the cursor to near the six-second mark (again, not important to be precise yet), and right-click in the "Location Markers" row. Select 'New location marker' from the menu.
+ </div></li><li class="listitem"><div class="para">
+ 黄緑色ã®çŸ¢å°ãŒç¾ã‚Œã¾ã™ã‹ã‚‰ã€ã‚¯ãƒªãƒƒã‚¯ã‚¢ãƒ³ãƒ‰ãƒ‰ãƒ©ãƒƒã‚°ã—ã¦ã€é»„色ã®æ™‚計㌠00:00:06.000 ã¡ã‚‡ã†ã©ï¼–秒を指ã™ã‚ˆã†ã«ã—ã¦ã€ãƒžã‚¦ã‚¹ã‚’離ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Move the cursor over the marker, so it changes colours from yellow-green to red-tan (coral). Right-click and select 'Lock' from the menu, so that the marker will not be accidentally moved.
+ </div></li><li class="listitem"><div class="para">
+ Again, right-click while the cursor is over the marker. Select 'Rename' from the menu.
+ </div></li><li class="listitem"><div class="para">
+ A small window will appear. Write the name of the maker, "marimba-start," and click 'Rename' to set the new name.
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Since we will be adjusting the placement of regions in the timeline very precisely, we will need to use different "Snap/Grid Mode." Each setting is useful for a different kind of task.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ We can change the mode using the toolbar just above the canvas area. The pop-down menu probably says "Magnetic," indicating that it's in "Magnetic Snapping Mode," but it might also say "No Grid" or "Grid."
+ </div></li><li class="listitem"><div class="para">
+ No Grid: This mode gives the user full control over where they will place a region. It is useful for doing highly-precise alignment, as we're about to do.
+ </div></li><li class="listitem"><div class="para">
+ Grid: ã“ã®ãƒ¢ãƒ¼ãƒ‰ã¯ã€ãƒ¦ãƒ¼ã‚¶ãŒãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’ã€ã‚°ãƒªãƒƒãƒ‰ç·šã®ä¸Šã§å§‹ã¾ã‚‹ã‚ˆã†ã«ç½®ãã“ã¨ã—ã‹è¨±ã—ã¾ã›ã‚“。ã‚ãªãŸãŒå¤‰æ›´ã—ã¦ãªã„ãªã‚‰ã°ã€ã‚°ãƒªãƒƒãƒ‰ã¯ï¼’秒ã«è¨å®šã•ã‚Œã¦ã„ã‚‹ã¯ãšã§ã™ã‹ã‚‰ã€ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¯ï¼’秒間隔以外ã®ã¨ã“ã‚ã‹ã‚‰é–‹å§‹ã™ã‚‹ã“ã¨ã¯ã§ãã¾ã›ã‚“。<span class="application"><strong>Ardour</strong></span> ã¯ã€ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’奇数秒ã§å§‹ã‚ãŸã‚Šã€ãã®é–“ã®ã©ã“ã‹ã§å§‹ã¾ã‚‹ã‚ˆã†ã«é…ç½®ã™ã‚‹ã“ã¨ã‚’許ã—ã¾ã›ã‚“。
+ </div></li><li class="listitem"><div class="para">
+ Magnetic: This mode allows the user to place a region wherever they like, but when the start of the region is near a grid-line (an even-numbered second, in this session), the start of the region will automatically "snap" to that point. It behaves as if the start of regions were magnetically attracted to the grid lines.
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Adjust the snap/grid mode to "No Grid."
+ </div></li><li class="listitem"><div class="para">
+ Move the "Marimba_2" regions so that they are in the "marimba2" tracks, so that the sound in "Marimba_2" starts at about 15 seconds (00:00:15.000) on the timeline. You'll have to move the grinding of the chairs out of the way, if you decided to keep it. Move it to the "strings" tracks, before the "Strings" regions.
+ </div></li><li class="listitem"><div class="para">
+ Ensure that both the "marimba1" and "marimba2" busses are on solo mode, so you will be able to hear them both.
+ </div></li><li class="listitem"><div class="para">
+ Now here's the difficult part: you'll have to align the two tracks, so that they start together.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The sound in the "Marimba_2" regions should start at the same time as the second pattern in the "Marimba_1" tracks, which is at about 15 seconds on the timeline.
+ </div></li><li class="listitem"><div class="para">
+ You'll need to zoom in - it helps to be able to see the wave-form shapes of the regions. More importantly, zooming in allows you to adjust the placement of the regions with greater precision.
+ </div></li><li class="listitem"><div class="para">
+ 範囲をé¸æŠžã—ã¦ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã®ãƒ«ãƒ¼ãƒ—モードを使ã†ã¨ã‚ˆã„ã§ã—ょã†ã€‚ï¼’ã¤ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã®é–‹å§‹ç‚¹ã‚’何度もèžã„ã¦ã€ãれらãŒãã¡ã‚“ã¨ä¸¦ã‚“ã§ã„ã‚‹ã®ã‚’確èªä¸‹ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ If you feel like you've got it close, but not quite together, then try moving it far away, listening, then adjusting it closer again.
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ ã“ã®ãƒ‘ターンã®æœ€åˆã®ä½•ç§’ã‹ã‚’整列ã•ã›ã¦ã‚‚ã€ã„ãšã‚Œã€åŒæœŸãŒå–ã‚Œãªããªã‚‹ã§ã—ょã†ã€‚ãã‚Œã¯ã‹ã¾ã„ã¾ã›ã‚“。最åˆãŒã€æœ€ã‚‚æ°—ã«ãªã‚‹éƒ¨åˆ†ã§ã™ã€‚リスナーãŒï¼’ã¤ã®åŒæ™‚æ¼”å¥ã•ã‚Œã‚‹ãƒžãƒªãƒ³ãƒãƒˆãƒ©ãƒƒã‚¯ã®ã‚µã‚¦ãƒ³ãƒ‰ã«æ…£ã‚Œã¦ããŸé ƒã€ãã‚“ãªã«ç´°ã‹ã„注æ„ã‚’ã¯ã‚‰ã†ã“ã¨ã¯ãªããªã‚Šã¾ã™ã€‚ã•ã‚‰ã«ã€ãƒžãƒªãƒ³ãƒãƒˆãƒ©ãƒƒã‚¯ãŒåŒæœŸãŒå–ã‚Œãªããªã‚‹é ƒã«ã¯ã€ãƒªã‚¹ãƒŠãƒ¼ã¯æŒè©žã«æ³¨æ„ãŒè¡Œã£ã¦ã„ã‚‹ã“ã¨ã§ã—ょã†ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Remember to lock the "Marimba_2" region!
+ </div></li><li class="listitem"><div class="para">
+ リージョンã®æ®‹ã‚Šã‚’一緒ã«èžã„ã¦ã¿ã¾ã™ã€‚00:02:20.000 é ƒã®ã€ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã®çµ‚ã‚ã‚Šã¯ã€ã‚ãªãŸãŒé–‹å§‹ã‚’æ£ã—ã並ã¹ãŸãªã‚‰ã°ã€ã“ã¡ã‚‰ã‚‚並んã§ã„ã‚‹ã¯ãšã§ã™ã€‚高音ã¨ä½ŽéŸ³ã®ãƒžãƒªãƒ³ãƒãŒäº¤ä»£ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Move the "Marimba_3" regions so they start at approximately 00:03:20.000, with "Marmiba_3" in the "marimba1" tracks. We will find a final alignment later.
+ </div></li><li class="listitem"><div class="para">
+ Move the "Marimba_4" regions so they start at approximately the same time as the "Marimba_3" regions, but in the "marimba2" tracks. We will find a final alignment later.
+ </div></li></ol></div>
+
+ </div></div><div class="section" title="7.4.6.2. ボイスリージョンã®ç¶šã" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Voice"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Voice">7.4.6.2. ボイスリージョンã®ç¶šã</h4></div></div></div><div class="para">
+ Throughout this section, you will need to move un-placed regions out of the way, farter down the session, so that they don't interfere with the alignment process. Remember to lock the regions once you put them in place. They can be unlocked and re-aligned later, if you choose. Finally, it will help if you place a marker (like the "marimba-start" marker that we placed earlier) where each region will start. When you place a marker, you can click on it, and move the blue place-marker line. This will help you to align the start of sound in a region to the place where you want it to be.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Enable "solo" mode on the "voice" bus, so that you can hear it as well as the marimba busses.
+ </div></li><li class="listitem"><div class="para">
+ Slide the "Voice_1" regions so that the singer starts at about the same time as the higher marimba.
+ </div></li><li class="listitem"><div class="para">
+ Slide the "Voice_2" regions so that the singer starts at about <code class="literal">00:00:48.00</code>
+ </div></li><li class="listitem"><div class="para">
+ Slide the "ens-Here_Is_How-1" regions so that they start singing at about <code class="literal">00:01:33.300</code>
+ </div></li><li class="listitem"><div class="para">
+ Slide the "ens-Here_Is_How-2" (and the adjoined "ens-Here_Is_How-3") regions so that they start singing at about <code class="literal">00:02:11.500</code>
+ </div></li><li class="listitem"><div class="para">
+ After playing closer attention to "Voice_3" and "Voice_4," you realize that the singer misses a word ("plan <span class="emphasis"><em>in</em></span> you spider's ear") in "Voice_4." Because "Voice_3" doesn't contain the second part of "Voice_4," we'll need to trim the "Voice_4" region, and use both.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ The singer should start singing in "Voice_3" at about <code class="literal">00:02:24.500</code>
+ </div></li><li class="listitem"><div class="para">
+ The signer should start singing "and here is how" in "Voice_4" at about <code class="literal">00:02:43.000</code>
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Slide the "ens-Create_the_Inconceivable" regions so that they start singing at about <code class="literal">00:02:59.000</code>
+ </div></li></ol></div>
+
+ </div></div><div class="section" title="7.4.6.3. マリンãƒã®çµ‚ã‚ã‚Šã‚’ãã‚ãˆã‚‹" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba_at_End"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba_at_End">7.4.6.3. マリンãƒã®çµ‚ã‚ã‚Šã‚’ãã‚ãˆã‚‹</h4></div></div></div><div class="para">
+ Now that we have roughly placed all the singers' regions, we can figure out where to put the concluding marimba passage.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Listen to the "ens-Create_the_Inconceivable" regions. We're going to start the marimba's ending regions somewhere after the highest singer has said "if you know what I mean," but before she stops singing the word "mean."
+ </div></li><li class="listitem"><div class="para">
+ It's up to you exactly where to re-start the marimba. Pick a place, and move the two "Marimba_3" region to that place in the "marimba1" bus, and the "Marimba_4" region in the "marimba2" bus.
+ </div></li><li class="listitem"><div class="para">
+ You may need to set up a range and use the transport's looping function to get the alignment exact.
+ </div></li><li class="listitem"><div class="para">
+ This particular entry is going to be difficult, because the low marimba enters quietly and blooms into sounding, while the higher marimba has a hard attack that dies. This means that, if you start both marimba tracks at the same time, the listener will perceive the lower track as starting after the higher track. If you don't believe me, try it out!
+ </div></li><li class="listitem"><div class="para">
+ ã“ã®å•é¡Œã‚’解決ã™ã‚‹ãŸã‚ã€ã‚ªãƒªã‚¸ãƒŠãƒ«ç·¨é›†è€… (Esther) ã¯ã€é«˜éŸ³ã®ãƒžãƒªãƒ³ãƒãŒä½ŽéŸ³ã®ãƒžãƒªãƒ³ãƒã‚ˆã‚Šå°‘ã—é…ã開始ã™ã‚‹ã‚ˆã†ã«ã—ã¾ã—ãŸã€‚
+ </div></li></ol></div>
+
+ </div><div class="para">
+ If you were to listen to the session so far, you would notice that the marimba is way too loud compared to the singers, and that everything sounds very narrow. This is because we're only arranging regions, and we haven't done any of the mixing yet!
+ </div></div><div class="section" title="7.4.6.4. 弦楽器リージョンを並ã¹ã‚‹" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Strings"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Strings">7.4.6.4. 弦楽器リージョンを並ã¹ã‚‹</h4></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Slide the "Strings_1A" regions so that they start playing at about 00:00:28.00, which should leave plenty of room for the sound of the chairs, if you decided to keep it.
+ </div></li><li class="listitem"><div class="para">
+ The "Strings_4" region begins in the same way that the "Strings_1A" regions end. Listen to both, and choose which you prefer, then use the position of the sounds in the "Strings_1A" region to guide your trimming and alignment of the "Strings_4" region.
+ </div></li><li class="listitem"><div class="para">
+ The other two strings regions contain the same musical material as the "Strings_1A" region. We can't decide between them yet, so move them both past the end of the concluding marimba regions, so they won't be heard.
+ </div></li></ol></div>
+
+ </div></div><div class="section" title="7.4.6.5. クラリãƒãƒƒãƒˆãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’並ã¹ã‚‹" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Clarinet"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Clarinet">7.4.6.5. クラリãƒãƒƒãƒˆãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’並ã¹ã‚‹</h4></div></div></div><div class="para">
+ As with the Strings regions, we will simply pick a suitable clarinet region, and move it into place, leaving the choice between multiples until later. When you're moving regions a long distance like this, it helps to zoom out for a bit.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Slide the "Clarinet_1A" region so that the sound begins just after 00:01:06.200
+ </div></li><li class="listitem"><div class="para">
+ Slide the "Clarinet_3A" region so that the sound begins just after 00:01:35.000
+ </div></li></ol></div>
+
+ </div></div></div><div class="section" title="7.4.7. èžã" id="sect-Musicians_Guide-Ardour-Editing-Listen"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Listen">7.4.7. èžã</h3></div></div></div><div class="para">
+ Before moving on to the mixing stage, listen to the whole song, to make sure that the ordering makes sense. When you're listening, remember that the volume levels and balances will sound off, and that the whole session will sound very "centred" in the stereo image.
+ </div></div></div><div class="section" title="7.5. 曲をミã‚シングã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" id="sect-Musicians_Guide-Ardour-Mixing"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Ardour-Mixing">7.5. 曲をミã‚シングã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</h2></div></div></div><div class="para">
+ The next stage is called "mixing," and it primarily involves two tasks: setting volume levels, and adjusting the stereo pan settings. We'll use automation to store our fader and panning adjustments, and see how handy it can be to have left and right channels recorded on separate tracks, combined with sub-master busses.
+ </div><div class="para">
+ In terms of producing a recording of a live musical performance, it is the mixing stage where the audio engineer (in this case, you) has the most creative influence. Careful adjustment and tuning of the tracks will greatly affect the listeners' experience.
+ </div><div class="para">
+ Finally, it should be noted that, moreso than in the editing stage, the mixing stage should <span class="emphasis"><em>not</em></span> be understood as progressing in a linear manner. This means you should not be following the tutorial from start to finish, but jumping between sections are desired. You should set up the tracks for stereo output first, and then read through all the sections and follow their advice as you wish, but sometimes returning to previous activities to re-tune those settings. When one setting is changed, it tends to have an effect on other settings, so if you set the level of a track once, then change its panning, you should check that the levels you set are still desirable - they'll probably need some tweaking, however minor it may be.
+ </div><div class="section" title="7.5.1. ステレオ出力ã®ãŸã‚ã«ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®è¨å®šã‚’è¡Œã„ã€ã‚¨ãƒ‡ã‚£ãƒƒãƒˆã‚°ãƒ«ãƒ¼ãƒ—を解除ã™ã‚‹" id="sect-Musicians_Guide-Ardour-Mixing-Enabling_Stereo_Output"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mixing-Enabling_Stereo_Output">7.5.1. ステレオ出力ã®ãŸã‚ã«ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®è¨å®šã‚’è¡Œã„ã€ã‚¨ãƒ‡ã‚£ãƒƒãƒˆã‚°ãƒ«ãƒ¼ãƒ—を解除ã™ã‚‹</h3></div></div></div><div class="para">
+ Part of the reason that the session sounds so bad is that all of the audio has been routed through both the left and right channels equally, making it a "mono" recording, even though we have the material of a "stereo" recording. This could easily have been done sooner, but it wouldn't have made much of a difference until now. Whereas mixing was focussed on getting the regions assembled so that they are like the song, mixing is about fine-tuning the regions and tracks so that they make the song sound great.
+ </div><div class="para">
+ Disabling the edit groups is also a good idea, because leaving them enabled actually <span class="emphasis"><em>reduces</em></span> functionality in this stage of production. With edit groups enabled, any change that we make to one of the tracks will automatically be made to the other track, too. We want to be able to adjust the tracks independently; for cases where both tracks need the same adjustment, we will use the sub-master bus to which they're attached.
+ </div><div class="para">
+ These steps will disable the edit groups, and re-configure this session's tracks for stereo output.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ トラックを独立ã—ã¦èª¿æ•´ã—ãŸã„ã®ã§ã€ã‚¨ãƒ‡ã‚£ãƒƒãƒˆã‚°ãƒ«ãƒ¼ãƒ—を一時的ã«ç„¡åŠ¹ã«ã—ãªã‘ã‚Œã°ã„ã‘ã¾ã›ã‚“。
+ </div></li><li class="listitem"><div class="para">
+ Flip to the "Edit Groups" tab of the session sidebar.
+ </div></li><li class="listitem"><div class="para">
+ Uncheck the "Active" button for all the groups. If you want to re-enable an edit group later, simply re-check the "Active" button.
+ </div></li><li class="listitem"><div class="para">
+ Open the mixer window by selecting from the menu 'Window > Show Mixer'. If you have a multiple-monitor setup, it can be very useful to keep the mixer window on a separate monitor from the main editor window. If you don't have a multiple-monitor setup, you can keep the mixer window on a separate virtual desktop. Of course, these are both optional steps.
+ </div></li><li class="listitem"><div class="para">
+ Near the bottom of each track's mixer, above the buttons, is a small black rectangle with three grey triangles and a green vertical line. Each of the busses have two of these rectangles. This controls the panner, which adjusts a track's left/right position in the stereo image.
+ </div></li><li class="listitem"><div class="para">
+ You can adjust the panner by click-and-dragging in the panner display. You don't need to click on the green line, but the line will show you the approximate placement of the track in the stereo image.
+ </div></li><li class="listitem"><div class="para">
+ Each "left" track, ending with a capital "L," should have the green line set all the way to the left.
+ </div></li><li class="listitem"><div class="para">
+ Each "right" track, ending with a capital "R," should have the green line set all the way to the right.
+ </div></li><li class="listitem"><div class="para">
+ Each bus is probably already set correctly. The bus' upper window represents the left channel, and the green line should be all the way left. The bus' lower window represents the right channel, and the green line should be all the way right.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ The mixer control located above the panner is called the "fader," and it allows you to adjust a track's level.
+ </div></div><div class="section" title="7.5.2. 最åˆã®ãƒ¬ãƒ™ãƒ«ã‚’è¨å®šã™ã‚‹" id="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels">7.5.2. 最åˆã®ãƒ¬ãƒ™ãƒ«ã‚’è¨å®šã™ã‚‹</h3></div></div></div><div class="para">
+ 編集ã¨åŒæ§˜ã€ã“ã“ã§å¤§åˆ‡ãªã“ã¨ã¯ã€ãƒ¬ãƒ™ãƒ«ã‚’ã»ã¼æ£ã—ã„é ˜åŸŸã«è¨å®šã—ã¦ã€ãƒˆãƒ©ãƒƒã‚¯å…¨ä½“ã«ã‚ãŸã£ã¦ãã‚ŒãŒä½¿ãˆã‚‹ã‚ˆã†ã«ã™ã‚‹ã“ã¨ã§ã™ã€‚後ã§ã‚ªãƒ¼ãƒˆãƒ¡ãƒ¼ã‚·ãƒ§ãƒ³ãƒˆãƒ©ãƒƒã‚¯ã‚’使ã„始ã‚ã‚‹ã¨ã€ãƒ¬ãƒ™ãƒ«ã‚’微調整ã—ãŸã‚Šã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®ä¸ã§å¤‰ãˆãŸã‚Šã§ãるよã†ã«ãªã‚Šã¾ã™ã€‚以下ã¯ã€æœ€åˆã®ãƒ¬ãƒ™ãƒ«è¨å®šã®ãŸã‚ã«ä½¿ã†ã“ã¨ã®ã§ãる１ã¤ã®æ‰‹é †ã§ã™ã€‚
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Open the mixer window with the menu, by choosing 'Window > Mixer'. As mentioned earlier, it can be convenient to put the mixer window on another monitor or virtual desktop.
+ </div></li><li class="listitem"><div class="para">
+ ã™ã¹ã¦ã®ãƒ•ã‚§ãƒ¼ãƒ€ãƒ¼ã‚’ 0 dB ã«ã—ã¾ã™ã€‚ã‚ãªãŸãŒä»¥å‰ã«å¤‰ãˆãŸã‚Šã—ã¦ã„ãªã‘ã‚Œã°ã€æ—¢ã«ãã®ãƒ¬ãƒ™ãƒ«ã«ãªã£ã¦ã„ã‚‹ã§ã—ょã†ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Take the quietest track, when set to 0 dB, as the limiting factor on how loud the other tracks should be. Since it's generally safer to avoid amplifying audio signals, if we use the quietest track as the "base-line," then we'll have to adjust the level of the other tracks <span class="emphasis"><em>down</em></span> to suit. In this case, the voice tracks are the quietest.
+ </div></li><li class="listitem"><div class="para">
+ At this point, it's best to stick with adjusting the busses' faders. If you adjust the faders on the tracks, this will affect the panning, and could lead to confusing problems later.
+ </div></li><li class="listitem"><div class="para">
+ Play through the session, and adjust the faders of the busses so that all of the tracks can be heard equally well. Remember that you're just aiming for <span class="emphasis"><em>most</em></span> of the session to be balanced at this point; a single fader setting is unlikely to be acceptable for the entire session.
+ </div></li><li class="listitem"><div class="para">
+ フェーダーè¨å®šã‚’変ãˆã‚‹ã«ã¯ã€ï¼’ã¤ã®æ–¹æ³•ãŒã‚ã‚Šã¾ã™ï¼š
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ レベルメーターã®å·¦ã«ã‚ã‚‹åž‚ç›´ã®ãƒ‰ãƒƒãƒˆã®ã¤ã„ãŸã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ã‚¹ãƒˆãƒªãƒƒãƒ—（トラックã®æ¼”å¥ä¸ã«å…‰ã‚Šã¾ã™ã€‚）をクリックアンドクリックã™ã‚‹ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Use the indicator box as a text field: click in the box, erase the number that it shows, and write in a new number. Press 'enter' on the keyboard to set the new value.
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ ã‚ャンãƒã‚¹ã‚¨ãƒªã‚¢ã§ã€ãƒˆãƒ©ãƒƒã‚¯ã¨ãƒã‚¹ã®è¡¨ç¤ºã®é †åºã‚’変ãˆã‚‹ã¨ã€ãƒŸã‚サーウインドウã®è¡¨ç¤ºã‚‚変ã‚ã‚Šã¾ã™ã€‚ãƒã‚¹ã‚’全部一緒ã«ã™ã‚‹ã¨ã€è¦‹ã‚„ã™ã„ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。
+ </div></li><li class="listitem"><div class="para">
+ You could also choose to not display the tracks, again allowing you to focus on the busses that you will be changing. Do temporarily hide a track or bus in the mixer window, use the toolbox on the left side of the mixer window. Un-check the "Show" box for each of the tracks or busses that you want to temporarily hide.
+ </div></li><li class="listitem"><div class="para">
+ The "maximum level" indicator on the fader tool might help you to judge how loud each track is. This indicator is located above the meter, underneath the "Solo" button. The indicator displays the highest level produced by the track since the indicator's last reset. You can reset the indicator by clicking on it.
+ </div></li></ol></div>
+
+ </div></div><div class="section" title="7.5.3. 最åˆã®ãƒ‘ニングをè¨å®šã™ã‚‹" id="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning">7.5.3. 最åˆã®ãƒ‘ニングをè¨å®šã™ã‚‹</h3></div></div></div><div class="para">
+ Setting up the initial panning takes quite a bit more thought than setting the initial levels. Different music will have different requirements, but the main purpose of adjusting the panning for this sort of recorded acoustic music is to ensure that each performer has a unique and unchanging position in the stereo image. When humans are listening to music, they implicitly ascribe a "location" to the sound - where their brain thinks it should be coming from. When listening to recorded music, we understand that the sound is actually coming from speakers or a set of headphones, and that the performers are not actually there. Even so, it can be difficult, tiring, and unpleasant to listen to music where the imagined position of a performer or sound is constantly changing - just as it's difficult and tiring to listen to music which is has poorly balanced levels.
+ </div><div class="para">
+ As if it weren't already difficult enough, the stereo image is created in our minds as a complex combination of many factors: quieter sounds and later sounds seem to be farther away than louder and earlier sounds. Although the DAW's panner can only put the signal somewhere in a straight line between "all the way left" and "all the way right," our brains process sound as existing in a three-dimensional world. A master audio engineer will be able to control these factors with relative ease, but for us it's going to involve much more trial and error.
+ </div><div class="para">
+ A particular obstacle with this session is that the regions with the soloist put her in a different imagined position than the regions where the soloist is singing with other singers. Because these happen in the same tracks, we'll use automated panner and fader tracks to help solve this problem. Listen for yourself: start at about 00:02:40.000, and pay attention to where the soloist seems to be standing in the "Voice_4" regions and the "ens-Create_the_Inconceivable" regions. It seems to me like she moves from nearby on the right to a farther distance just to the left; somehow without bumping into the other people in the vocal ensemble, or the strings, which also seem to be in the way! You might argue that most listeners would not pick this up, and that's probably the case. Even so, I would counter that the drastic change of level and panning would be passively detected by those same people, even if they only consciously perceive it as being "not quite right."
+ </div><div class="para">
+ Here's one way to start:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Listen to the session as needed, and see if you can place the location of the instruments/singers throughout most of the session. You'll need to remember this, so consider writing it down, or drawing a map.
+ </div></li><li class="listitem"><div class="para">
+ Now, draw a map of where you think everything should be. Especially in non-standard ensembles like this, there is no pre-defined seating or standing arrangement. Some tracks will need very little adjustment, but others may need extensive adjustment. In general, the less tweaking required, the better the session will sound - so if something seems like a track already has a consistent location, and it doesn't conflict with other tracks, then it's probably better to leave it alone.
+ </div></li><li class="listitem"><div class="para">
+ Here's what I hear. It may be different from what you hear, especially if you happened to do your initial level-setting differently:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Both of the marimba tracks are consistent throughout. The "marimba1" tracks seem to be about 5 metres in front of me, of to the left a bit. The "marimba2" tracks seem to be about the same distance away, but almost directly to my right.
+ </div></li><li class="listitem"><div class="para">
+ All of the strings regions seem to be consistent, with the violin placed just left-of-centre, and the 'cello just right-of-centre. They seem to be a bit closer than the marimbas.
+ </div></li><li class="listitem"><div class="para">
+ クラリãƒãƒƒãƒˆã¯ã€é«˜éŸ³ãƒžãƒªãƒ³ãƒã®å対å´ã€ï¼•ãƒ¡ãƒ¼ãƒˆãƒ«ã®è·é›¢ã€ä¸å¿ƒã¨å·¦ã®ä¸é–“ã«ã‚ã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ボーカルアンサンブルã¯å¼¦æ¥½å™¨ã¨åŒã˜æ‰€ã«ã‚ã‚Šã¾ã™ã€‚å³ã«å°‘ã—ã€ã¯ã¿å‡ºã¦ã„ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ソãƒãƒœãƒ¼ã‚«ãƒªã‚¹ãƒˆã¯ãƒœãƒ¼ã‚«ãƒ«ã‚¢ãƒ³ã‚µãƒ³ãƒ–ルã®ç”·æ€§æŒæ‰‹ã¨åŒã˜æ‰€ã«ç«‹ã£ã¦ã„ã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Here's how I plan to fix it; directions are given assuming the listener is looking north:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ リスナーをåŠå††å½¢ã«å›²ã‚€ã€ï¼’ã¤ã®æ¼”å¥è€…ã®åˆ—を確立ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 弦楽器ã¯è¿‘ã„æ–¹ã®åˆ—ã®åŒ—西ã«ç½®ãã¾ã™ã€‚å·¦ã«å°‘ã—å‹•ã‹ã™å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ボーカルソリストã¯ã€è¿‘ã„æ–¹ã®åˆ—ã®åŒ—æ±ï¼ˆã¾ã‚“ãªã‹ï¼‰ã«ç½®ãã¾ã™ã€‚彼女を<span class="emphasis"><em>å°‘ã—ã ã‘</em></span>å·¦ã«å‹•ã‹ã™å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ボーカルアンサンブルã¯ã€è¿‘ã„æ–¹ã®åˆ—ã®åŒ—ã‹ã‚‰åŒ—西ã«åºƒãŒã£ã¦ç½®ãã¾ã™ã€‚ソリストã¯ã€åŒã˜å ´æ‰€ã«ã„ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚アンサンブルを近ãèžã“ãˆã‚‹ã‚ˆã†ã«ã™ã‚‹ã«ã¯ã€ãƒ•ã‚§ãƒ¼ãƒ€ãƒ¼è¨å®šãŒå¿…è¦ã§ã—ょã†ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 低音マリンãƒã¯ã€å¤–å´ã®åˆ—ã®åŒ—西ã«ç½®ãã¾ã™ã€‚ã“ã‚Œã¯èª¿æ•´ãŒä¸è¦ã§ã—ょã†ã€‚ã‚ã‚‹ã„ã¯å°‘ã—å·¦ã«ç§»å‹•ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 高音マリンãƒã¯ã€å¤–å´ã®åˆ—ã®åŒ—æ±ã«ç½®ãã¾ã™ã€‚å°‘ã—å·¦ã«ç§»å‹•ãŒå¿…è¦ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ クラリãƒãƒƒãƒˆã¯å¤–å´ã®åˆ—ã®åŒ—。大ããå³ã«å‹•ã‹ã™å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></li></ol></div>
+
+ </div><div class="para">
+ I chose that particular layout because it requires relatively minimal adjustment, and it makes a certain amount of sense in terms of traditional instrumental ensemble seating patterns. Also, the notes played by the clarinet in this song seem suitable to appear as if from far away, and the passages are played with good expression, so I think it will be relatively easy for me to acheive that effect. The most important consideration was the placement of the vocal ensemble and the solo vocalist within it. Although the solo vocalist sings the highest part in the ensemble ("soprano"), the stereo recording seems to indicate that she was not standing at the left-most position in the ensemble (I also know this because I was present during the recording). This adds an extra difficulty, in that the fader and panner settings for the whole voice track must be based on the moment in the "ens-Create_the_Inconceivable" region where the second-highest singer ("alto") sings just after the
highest singer, who is the soloist.
+ </div><div class="para">
+ Make rought adjustments to most of the tracks, to place them in approximately the right space in the stereo image. You may wish to adjust an individual track's panner setting, in addition to the busses' panner settings; they will have a slightly different effect. For the marimba tracks, you may wish to fine-tune things now, adjusting the fader settings. Because these tracks are so consistent, they will require relatively little automation, and therefore will benefit more from a more thorough initial set-up procedure. Remember that it's better to be turning down the fader than turning it up!
+ </div><div class="para">
+ It's probably easier to avoid working with the voice tracks for now.
+ </div></div><div class="section" title="7.5.4. オートメーショントラックã§ã€ã•ã‚‰ã«èª¿æ•´ã‚’ã™ã‚‹" id="sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks">7.5.4. オートメーショントラックã§ã€ã•ã‚‰ã«èª¿æ•´ã‚’ã™ã‚‹</h3></div></div></div><div class="para">
+ So far, we've been crudely adjusting the fader and panner settings manually. This won't work if you want to change the settings while a session is playing; you would have to change all of the settings by yourself, every time you play the session. This quickly becomes complicated - not to mention difficult to remember. "Automation" allows effects (like the panner and fader) to be moved automatically during session playback. An automation track is simply a track that contains no audio, but rather instructions to adjust a particular effect. Automation tracks usually resemble audio tracks, but they hold lines and points, to show the settings changes. Automation tracks can, in effect, be "recorded," but we're going to use a more basic editing method. Automation tracks can be assigned to busses and tracks.
+ </div><div class="para">
+ Here's how to create an automation track, and fill it in. We're going to adjust the fader on the lower marimba, so that it is louder in the introduction, and becomes quieter as the higher marimba and solo vocalist join in.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ In the canvas area, click the 'a' button on the "Bus-marimba1" bus' control box, to open the "automation" menu.
+ </div></li><li class="listitem"><div class="para">
+ Click 'Fader' in the automation menu.
+ </div></li><li class="listitem"><div class="para">
+ An automation track, which controls the fader, will appear underneath the bus.
+ </div></li><li class="listitem"><div class="para">
+ If you click in the automation track, a point will appear. Each point represents an absolute setting for the control. After the point appears, if you click-and-drag it, the yellow numbers by the cursor will tell you the fader's setting at that point.
+ </div></li><li class="listitem"><div class="para">
+ If there are two or more points in the automation track, lines will appear to connect them. The fader will be moved gradually between absolute settings, as shown by the line connecting the points.
+ </div></li><li class="listitem"><div class="para">
+ If you make a mistake and want to start over, you can press the 'clear' button on the automation track's control box. Unfortunately, you can't remove a single point. This isn't really necessary anyway; if you accidentally add too many points, simply use the extra one to keep a setting constant.
+ </div></li><li class="listitem"><div class="para">
+ Add one point to the beginning of the automation track, with a setting of 0.0Â dB
+ </div></li><li class="listitem"><div class="para">
+ Add one point at about 00:00:15.000, with a setting of 0.0Â dB
+ </div></li><li class="listitem"><div class="para">
+ Add one point at about 00:00:16.500 (where the singer starts), with a setting of -10.0Â dB, or whatever you set earlier.
+ </div></li><li class="listitem"><div class="para">
+ Now you've set up an automation plan, but the fader is still in "Manual" mode, so the automation track will have no effect. Change the automation track's setting by clicking on the mode button in the track's control box. The button currently says "Manual."
+ </div></li><li class="listitem"><div class="para">
+ From the menu, select "Play," which will cause the automation settings to be played. In "Manual" mode, you have to adjust all settings manually. In "Write" mode, changes that you make as the session plays will be recorded into the automation track, over-writing previous settings. In "Touch" mode, changes that you make as the session plays will be incorporated into the pre-existing automation settings.
+ </div></li><li class="listitem"><div class="para">
+ Finally, listen to confirm that you like the automated panner change. If you don't, you can always adjust it now or later.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ Now - here's the difficult part! Use automation to change the fader and panner settings throughout the session. In particular, ensure that the voice tracks are consistent.
+ </div></div><div class="section" title="7.5.5. Other Things You Might Want to Do" id="sect-Musicians_Guide-Ardour-Mixing-Other_Things"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mixing-Other_Things">7.5.5. Other Things You Might Want to Do</h3></div></div></div><div class="para">
+ The mixing stage involves a lot of minor (and major) tweaking. Here are some things that you might want to do, which aren't adjusting the fader and panner settings:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Re-align tracks to ensure that they're synchronized.
+ </div></li><li class="listitem"><div class="para">
+ Find a meaningful way to incorporate the region with the sound of the chairs.
+ </div></li><li class="listitem"><div class="para">
+ Compare the currently-unused clarinet regions with the in-use ones. Try different combinations of the regions, and remove the unused regions from the session.
+ </div></li><li class="listitem"><div class="para">
+ Compare the currently-unused strings regions with the in-use ones. These regions are much longer than the clarinet regions, so you might even want to pick and choose ranges of regions to switch back and forth.
+ </div></li><li class="listitem"><div class="para">
+ Have a friend--or at least somebody else--listen to the mix you're preparing. Get their opinion on difficulties that you may be having, or use them as a more generic listener.
+ </div></li><li class="listitem"><div class="para">
+ Listen to the mix on different kinds of reproduction equipment (speakers and amplifiers). The same audio signals will sound different when played on different equipment.
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="7.5.6. èžã" id="sect-Musicians_Guide-Ardour-Mixing-Listen"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mixing-Listen">7.5.6. èžã</h3></div></div></div><div class="para">
+ When you have finished mixing the song, you must listen to it. You should listen to it with as many different devices as possible: headphones, speakers, home theater systems, and so on. You should also ask your friends and colleagues to listen to your work. Other people hear things differently from you, and will give you different feedback.
+ </div></div></div><div class="section" title="7.6. Mastering a Session" id="sect-Musicians_Guide-Ardour-Mastering"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Ardour-Mastering">7.6. Mastering a Session</h2></div></div></div><div class="para">
+ To be a true master at mastering sessions requires years of experience and careful optimization for the target format. Knowing just the right equalization and filtering settings to apply is an art in itself, worth a full user guide. This section is concerned with getting the audio out of a session, to a useful format.
+ </div><div class="section" title="7.6.1. Ways to Export Audio" id="sect-Musicians_Guide-Ardour-Mastering-Ways_to_Export"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mastering-Ways_to_Export">7.6.1. Ways to Export Audio</h3></div></div></div><div class="para">
+ There are three ways to export audio from an <span class="application"><strong>Ardour</strong></span> session:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ by region,
+ </div></li><li class="listitem"><div class="para">
+ by range, or
+ </div></li><li class="listitem"><div class="para">
+ by session.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ To export a region:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Ensure the region is placed in the canvas area.
+ </div></li><li class="listitem"><div class="para">
+ Right-click on the region.
+ </div></li><li class="listitem"><div class="para">
+ Select the region-name's menu, then 'Export'.
+ </div></li><li class="listitem"><div class="para">
+ Continue with the Export window.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ To export all audio in a range on the timeline:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Select the range with the "Select/Move Ranges" tool. Regardless of which track you select, all tracks can be exported.
+ </div></li><li class="listitem"><div class="para">
+ Right-click on the range.
+ </div></li><li class="listitem"><div class="para">
+ Select 'Export' from the menu.
+ </div></li><li class="listitem"><div class="para">
+ Continue with the Export window.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ To export all audio in a session:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ From the menu, select 'Session > Export > Export > Export session to audiofile', or on the keyboard, press 'Ctrl + Alt + e'
+ </div></li><li class="listitem"><div class="para">
+ Continue with the Export window.
+ </div></li></ol></div>
+
+ </div></div><div class="section" title="7.6.2. Using the Export Window" id="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window">7.6.2. Using the Export Window</h3></div></div></div><div class="para">
+ Regardless of which export method you choose, the "Export" window is similar. When you export a region, you do not get to choose which tracks to export (by definition you are only exporting that region's track).
+ </div><div class="section" title="7.6.2.1. Choose Which Tracks to Export" id="sect-Musicians_Guide-Ardour-Mastering-Choosing_Tracks_to_Export"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Mastering-Choosing_Tracks_to_Export">7.6.2.1. Choose Which Tracks to Export</h4></div></div></div><div class="para">
+ By default, <span class="application"><strong>Ardour</strong></span> will export all audio in the range or session being exported. What it actually exports is all audio routed through the master output bus. You can see the list of tracks to export on the right side of the "Export" window. If you click the 'Specific Tracks' button, you will be able to choose from a list of all the tracks and busses in a session. Choosing specific tracks only makes sense if you do not want to export the master bus' output, so you should probably de-select that first.
+ </div></div><div class="section" title="7.6.2.2. Choose the Export Format" id="sect-Musicians_Guide-Ardour-Mastering-Choosing_Export_Format"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Mastering-Choosing_Export_Format">7.6.2.2. Choose the Export Format</h4></div></div></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> offers quite a variety of output formats, and knowing which to choose can be baffling. Not all options are available with all file types. Fedora Linux does not support MP3 files by default, for legal reasons. For more information, refer to <em class="citetitle">MP3 (Fedora Project Wiki)</em> <a href="http://fedoraproject.org/wiki/Multimedia/MP3">http://fedoraproject.org/wiki/Multimedia/MP3</a>.
+ </div><div class="para">
+ The tutorial's regions have 24-bit samples, recorded at a 48 kHz rate. Exporting any part of the session with a higher sample format or sample rate is likely to result in decreased audio quality.
+ </div><div class="para">
+ Recommended File Types:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ WAV: An uncompressed format designed by Microsoft. Recommended only if further audio manipulation is intended. Carries only audio data, so information like title, artist, and composer will be lost. Playable with almost any device.
+ </div></li><li class="listitem"><div class="para">
+ AIFF: An uncompressed format designed by Apple. Recommended only if further audio manipulation is intended. Carries only audio data, so information like title, artist, and composer will be lost. Playable with almost any DAW and some audio players.
+ </div></li><li class="listitem"><div class="para">
+ FLAC: An open-source compressed format. A "lossless" format, meaning no audio information is lost during compression and decompression. Audio quality is equal to WAV or AIFF formats. Capable of carrying metadata, so information like title, artist, and composer will be preserved. Widely supported in Linux by default. For other popular operating systems, refer to <em class="citetitle">Download Extras (FLAC Website)</em> at <a href="http://flac.sourceforge.net/download.html#extras">http://flac.sourceforge.net/download.html#extras</a> for a list of applications and programs capable of playing FLAC files. This is usually the best choice for distributing high-quality audio to listeners.
+ </div></li><li class="listitem"><div class="para">
+ Ogg/Vorbis: An open-source compressed format. A "lossy" format, meaning some audio information is lost during compression and decompression. Audio quality is less than WAV or AIFF formats, but usually better than MP3. Capable of carrying metadata, so information like title, artist, and composer will be preserved. Widely supported in Linux by default. For other popular operating systems, following the instructions on the <em class="citetitle">Vorbis Website</em> <a href="http://www.vorbis.com/">http://www.vorbis.com/</a>. This is a good choice for distributing good-quality audio to listeners.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ A higher setting for the sample format (explained in <a class="xref" href="#sect-Musicians_Guide-Sample_Format" title="1.3.2. サンプルフォーマット">「サンプルフォーマットã€</a>) allows a greater amount of audio information to be stored per sample. 32 bit support is virtually non-existant, but and you will probably not need to use this format in the near future. The "float" format stores samples in a different internal format, and you will need it only rarely.
+ </div><div class="para">
+ If you are exporting audio for high-end equipment, or for further processing, choose the 24-bit format. Otherwise, choose the 16-bit format, which is the sample format of audio CDs.
+ </div><div class="para">
+ "Sample endianness" is a difficult concept to understand, and it has no effect on the resulting audio - just how it is stored.. Unless you are using a rare PowerPC computer, choose the "Little-endian (Intel)" option.
+ </div><div class="para">
+ A higher sample rate (explained in <a class="xref" href="#sect-Musicians_Guide-Sample_Rate" title="1.3.3. サンプルレート">「サンプルレートã€</a> allows a greater amount of audio information to be stored, but increases the size of audio files.
+ </div><div class="para">
+ "Convesion quality" and "dither type" are not available options for the file formats offered in Fedora Linux.
+ </div><div class="para">
+ The "CD Marker File Type" allows you to export a CUE- or TOC-format list of CD tracks in the exported file. This is most useful when exporting a whole session, which contains a whole CD, that would be subsequently burned to disc.
+ </div></div></div></div></div><div xml:lang="ja-JP" class="chapter" title="第8ç« Qtractor" id="chap-Musicians_Guide-Qtractor" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第8ç« Qtractor</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Requirements_and_Installation">8.1. è¦æ±‚ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Knowledge_Requirements">8.1.1. å‰æ知è˜</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Software_Requirements">8.1.2. ソフトウエアè¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Hardware_Requirements">8.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Other_Requirements">8.1.4. ãã®ä»–ã®è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide
-Qtractor-Installation">8.1.5. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration">8.2. 構æˆ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration-JACK">8.2.1. Use <span class="application"><strong>Qtractor</strong></span> with <code class="systemitem">JACK</code> (<span class="application"><strong>QjackCtl</strong></span>)</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab">8.2.2. Change Audio Options</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab">8.2.3. Change MIDI Options</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names">8.2.4. Configure MIDI Channel Names</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using">8.3. Use Qtractor</a></s
pan></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using-Blue_Place_Markers">8.3.1. é’ã„プレースマーカを使ã†</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using-MIDI_Tools">8.3.2. Using the MIDI Matrix Editor's Tools</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together">8.3.3. Export a Whole File (Audio and MIDI Together)</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using-Tips">8.3.4. ãã®ä»–ã®çŸ¥è˜</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial">8.4. Create a MIDI Composition (Tutorial)</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Inspiration">8.4.1. インスピレーション</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Requirements">8.4.2.
ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready">8.4.3. Get Qtractor Ready</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File">8.4.4. オーディオファイルをインãƒãƒ¼ãƒˆã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area">8.4.5. 最åˆã®ãƒ•ã‚©ãƒ¼ãƒžãƒ«ã‚¨ãƒªã‚¢ã‚’マークã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme">8.4.6. 主題を作る</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme">8.4.7. 主題を繰り返ã—ã¾ã™ã€‚</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part">8.4.8. 次ã®ãƒ‘ートを作曲ã—ã¾ã™</a></span></dt><dt><span c
lass="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75">8.4.9. Qtractor's Measures 52 to 75</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97">8.4.10. Qtractor's Measures 75 to 97</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measure_97">8.4.11. Qtractor's Measure 97</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119">8.4.12. Qtractor's Measures 98 to 119</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139">8.4.13. Qtractor's Measures 119 to 139</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158">8.4.14. Qtractor's Measures 139 to 158</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176">8.4.15. Qtractor's Measures 158 t
o 176</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End">8.4.16. Qtractor's Measures 177 to the End</a></span></dt></dl></dd></dl></div><div class="para">
+ Qtractor ã¯ã€æ¯”較的新ã—ã„アプリケーションã§ã€QjackCtl 㨠Qsynth （ã©ã¡ã‚‰ã‚‚ã€ã“ã®ã‚¬ã‚¤ãƒ‰ã®ä»–ã®ç« ã§æ‰±ã‚ã‚Œã¦ã„ã¾ã™ ) ã¨åŒã˜é–‹ç™ºè€…ã«ã‚ˆã‚Šä½œæˆã€ãƒ¡ãƒ³ãƒ†ãƒŠãƒ³ã‚¹ã•ã‚Œã¦ã„ã¾ã™ã€‚ãã‚Œã¯ã€Audacity 以上ã®æŸ”軟性をæä¾›ã—ã¾ã™ã€‚ãã‚Œã«ã‚‚ã‹ã‹ã‚らãšã€Ardour ã‚„ Rosegarden ã¨æ¯”ã¹ã‚‹ã¨ä½¿ã„ã‚„ã™ã„ã§ã™ã€‚ãã®ãŸã‚ã€ãã‚Œã¯ã€æœ€åˆã«ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã® DAW を試ã—ã¦ã¿ãŸã„人ã«ã¨ã£ã¦æœ€é©ã®é–‹å§‹ç‚¹ã¨ã„ãˆã¾ã™ã€‚
+ </div><div class="para">
+ ã—ã‹ã—ã€Qtractor ã¯ãŸã ã®é–‹å§‹ç‚¹ä»¥ä¸Šã®ã‚‚ã®ã§ã™ï¼šãã®ã‚·ãƒ³ãƒ—ルã•ã¯ãã®æœ€å¤§ã®å¼·ã¿ã§ã™ã€‚Ardour 㨠Rosegarden ã¯ã‚ˆã‚Šå¤šãã®æ©Ÿèƒ½ã‚’æä¾›ã™ã‚‹ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“ãŒã€Qtractor ã¯ç¿’ã†ã®ã«ãšã£ã¨å°‘ãªã„時間ã§æ¸ˆã¿ã¾ã™ã€‚最åˆã®å¦ç¿’曲線を越ãˆã‚‹ã¨ã‚ãªãŸã¯ã»ã¨ã‚“ã©ã™ã¹ã¦ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚ã‚‹ã„㯠MIDI ã®ãƒ—ãƒã‚¸ã‚§ã‚¯ãƒˆã‚’ Qtractor ã§å®Œæˆã•ã›ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ãã®ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã¯ä»¥ä¸‹ã‚’æä¾›ã—ã¾ã™ã€‚クリップã«å¯¾ã™ã‚‹ã‚·ãƒ³ãƒ—ルã§ã€ç›´æ„Ÿçš„ãªãƒã‚¤ãƒ³ãƒˆã‚¢ãƒ³ãƒ‰ã‚¯ãƒªãƒƒã‚¯ç›¸äº’作用。 JACK 接続ã®çµ±åˆã•ã‚ŒãŸåˆ¶å¾¡ã€‚外部デãƒã‚¤ã‚¹ã¨ MIDI 対応ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã¨ã® MIDI コントãƒãƒ¼ãƒ«çµ±åˆã€‚LADSPA, DSSI, ãƒã‚¤ãƒ†ã‚£ãƒ– VSTiã€ãã—㦠LV2 プラグインã®ã‚µãƒãƒ¼ãƒˆã€‚開発スピードãŒã¨ã¦ã‚‚速ã„ã®ã§ã€Qtractor ã¯æ¯Žåˆ†ã”ã¨ã«ã€ã‚ˆã‚Šå®‰å®šã—ã€ä½¿ã„ã‚„ã™ããªã£ã¦ã„ãã¾ã™ã€‚シンプルãªã‚¤ãƒ³ã‚¿ã
ƒ•ã‚§ãƒ¼ã‚¹ã¯ã‚ãªãŸãŒã”自分ã®å‰µé€ 的欲求ã«å¾“ã£ã¦éŸ³æ¥½ä½œæˆã«ãƒ•ã‚©ãƒ¼ã‚«ã‚¹ã™ã‚‹ã®ã‚’助ã‘ã¾ã™ã€‚
+ </div><div class="para">
+ åˆå¿ƒè€…も進んã ユーザもã€Qtractor ãŒè‡ªåˆ†ã®ãŸã‚ã«ã„ã‹ã«åƒãã‹ã‚’見ã¦ã€åŒã˜ã‚ˆã†ã«æ¥½ã—ã‚€ã“ã¨ãŒã§ãã‚‹ã§ã—ょã†ã€‚
+ </div><div class="section" title="8.1. è¦æ±‚ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" id="sect-Musicians_Guide-Qtractor-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Qtractor-Requirements_and_Installation">8.1. è¦æ±‚ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</h2></div></div></div><div class="section" title="8.1.1. å‰æ知è˜" id="sect-Musicians_Guide-Qtractor-Knowledge_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Knowledge_Requirements">8.1.1. å‰æ知è˜</h3></div></div></div><div class="para">
+ Qtractor ã¯ä½¿ã„ã‚„ã™ãã€ãã®ãƒ¦ãƒ¼ã‚¶ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã¯ä»–ã® DAW ã«ä¼¼ã¦ã„ã¾ã™ã€‚ã‚‚ã—ã‚ãªãŸãŒä»¥å‰ã« DAW を使ã£ãŸã“ã¨ãŒãªã‘ã‚Œã°ã€<a class="xref" href="#sect-Musicians_Guide-DAW_User_Interface" title="6.4. ユーザインタフェース">「ユーザインタフェースã€</a> ã‚’èªã‚€ã“ã¨ã‚’ãŠå‹§ã‚ã—ã¾ã™ã€‚
+ </div></div><div class="section" title="8.1.2. ソフトウエアè¦ä»¶" id="sect-Musicians_Guide-Qtractor-Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Software_Requirements">8.1.2. ソフトウエアè¦ä»¶</h3></div></div></div><div class="para">
+ Qtractor 㯠JACK Audio Connection Kit を使ã„ã¾ã™ã€‚Qtractor をインストールã™ã‚‹å‰ã« JACK をインストール下ã•ã„。JACK をインストールã™ã‚‹æ‰‹é †ã¯ <a class="xref" href="#sect-Musicians_Guide-Install_and_Configure_JACK" title="2.3.1. Install and Configure JACK">「Install and Configure <code class="systemitem">JACK</code>ã€</a> ã‚’å‚照下ã•ã„。
+ </div></div><div class="section" title="8.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶" id="sect-Musicians_Guide-Qtractor-Hardware_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Hardware_Requirements">8.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</h3></div></div></div><div class="para">
+ Qtractor を使ã†ã«ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ãŒå¿…è¦ã§ã™ã€‚Qtractor ã§ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’録音ã™ã‚‹ã«ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã«æŽ¥ç¶šã•ã‚ŒãŸãƒžã‚¤ã‚¯ãŒå°‘ãªãã¦ã‚‚１ã¤å¿…è¦ã§ã™ã€‚<span class="application"><strong>FluidSynth</strong></span> ã‚„ <span class="application"><strong>SuperCollider</strong></span> ã®ã‚ˆã†ãªã€JACK 対応プãƒã‚°ãƒ©ãƒ ã‹ã‚‰ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ã‚’録音ã™ã‚‹ã«ã¯ã€ãƒžã‚¤ã‚¯ã¯å¿…è¦ã‚ã‚Šã¾ã›ã‚“。
+ </div></div><div class="section" title="8.1.4. ãã®ä»–ã®è¦ä»¶" id="sect-Musicians_Guide-Qtractor-Other_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Other_Requirements">8.1.4. ãã®ä»–ã®è¦ä»¶</h3></div></div></div><div class="para">
+ Qtractor ã‚’ MIDI シーケンサーã¨ã—ã¦ä½¿ã†ãŸã‚ã«ã¯ MIDI シンセサイザーãŒå¿…è¦ã§ã™ã€‚Qtractor ã¨ã¨ã‚‚ã«ã€ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ãŠã‚ˆã³ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã®ã‚·ãƒ³ã‚»ã‚µã‚¤ã‚¶ãƒ¼ã‚’使ã†ã“ã¨ãŒã§ãã¾ã™ã€‚<span class="application"><strong>FluidSynth</strong></span> ソフトウエア MIDI シンセサイザーを使ã†ã“ã¨ã‚’ãŠå‹§ã‚ã—ã¾ã™ã€‚<span class="application"><strong>FluidSynth</strong></span> ã«ã¤ã„ã¦ã¯ã€<a class="xref" href="#chap-Musicians_Guide-FluidSynth" title="第10ç« FluidSynth">10ç« <i>FluidSynth</i></a> ã‚’å‚照下ã•ã„。
+ </div></div><div class="section" title="8.1.5. インストール" id="sect-Musicians_Guide-Qtractor-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Installation">8.1.5. インストール</h3></div></div></div><div class="para">
+ Qtractor is not available from the Fedora software repositories. Qtractor is available from the "Planet CCRMA at Home" and "RPM Fusion" repositories. If you have already enabled one of those repositories, you should install Qtractor from that repository. If you have not already enabled one of those repositories, we recommend that you install Qtractor from the "Planet CCRMA at Home" repository. See <a class="xref" href="#sect-Musicians_Guide-CCRMA_Installing_Repository" title="4.3.1. Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’インストールã™ã‚‹">「Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’インストールã™ã‚‹ã€</a> for instructions to enable the "Planet CCRMA at Home" repository. The "Planet CCRMA at Home" repository contains a wide variety of music and audio applications.
+ </div><div class="para">
+ After you enable the "RPM Fusion" or "Planet CCRMA at Home" repository, use PackageKit or KPackageKit to install the "qtractor" packge. Other required software is installed automatically.
+ </div></div></div><div class="section" title="8.2. 構æˆ" id="sect-Musicians_Guide-Qtractor-Configuration"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Qtractor-Configuration">8.2. 構æˆ</h2></div></div></div><div class="para">
+ Qtractor works without further configuration. This section describes settings that you may want to change. Choose <span class="guimenu"><strong>View</strong></span> → <span class="guimenuitem"><strong>Options</strong></span> to open the "Options" window.
+ </div><div class="section" title="8.2.1. Use Qtractor with JACK (QjackCtl)" id="sect-Musicians_Guide-Qtractor-Configuration-JACK"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Configuration-JACK">8.2.1. Use <span class="application"><strong>Qtractor</strong></span> with <code class="systemitem">JACK</code> (<span class="application"><strong>QjackCtl</strong></span>)</h3></div></div></div><div class="para">
+ The same developer (Rui Nuno Capela) maintains <span class="application"><strong>QjackCtl</strong></span>, <span class="application"><strong>Qsynth</strong></span>, and <span class="application"><strong>Qtractor</strong></span>. Therefore, we recommend that you use <span class="application"><strong>Qtractor</strong></span> with <span class="application"><strong>QjackCtl</strong></span> and <span class="application"><strong>Qsynth</strong></span>.
+ </div><div class="para">
+ <span class="application"><strong>Qtractor</strong></span> does some of the same things as <span class="application"><strong>QjackCtl</strong></span>. For example, <span class="application"><strong>Qtractor</strong></span> automatically starts JACK with the same settings as the last time you used <span class="application"><strong>QjackCtl</strong></span>. Also, <span class="application"><strong>Qtractor</strong></span> remembers the JACK connections that you use with every <span class="application"><strong>Qtractor</strong></span> file. If you want to change the JACK settings, you must use <span class="application"><strong>QjackCtl</strong></span>.
+ </div><div class="important"><h2>é‡è¦é …ç›®</h2><div class="para">
+ The <span class="application"><strong>Qtractor</strong></span> "Connections" window looks similarly to the <span class="application"><strong>QjackCtl</strong></span> "Connections" window, but they are not the same. Connections on the "MIDI" tab in <span class="application"><strong>Qtractor</strong></span> appear on the "ALSA" tab in <span class="application"><strong>QjackCtl</strong></span>. Connections on the "MIDI" tab in <span class="application"><strong>QjackCtl</strong></span> are not available in <span class="application"><strong>Qtractor</strong></span>.
+ </div></div><div class="para">
+ <span class="application"><strong>Qtractor</strong></span> does not automatically control <span class="application"><strong>Qsynth</strong></span> or <span class="application"><strong>FluidSynth</strong></span>.
+ </div></div><div class="section" title="8.2.2. Change Audio Options" id="sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab">8.2.2. Change Audio Options</h3></div></div></div><div class="para">
+ The "Capture/Export" setting allows you to choose the format in which Qtractor stores its audio clips when recorded or exported. You will be able to choose a file type, such as "WAV Microsoft" for standard ".wav" files, "AIFF Apple-SGI" for standard ".aiff" files, or the preferable "FLAC Lossless Audio Codec," format. FLAC is an open-source, lossless, compressed format for storing audio signals and metadata. See the <em class="citetitle">FLAC Website</em> <a href="http://flac.sourceforge.net/">http://flac.sourceforge.net/</a> for more information. You will also be asked to select a quality setting for lossy compressed formats, or a sample format for all lossless formats. If you do not know which sample format to choose, then "Signed 16-Bit" is a good choice for almost all uses, and will provide you with CD-quality audio. Most non-speciality hardware is incapable of making good use of higher sample formats. See <a class="xref" href="#sect-Musicians_Guide-Sample_Rate_and_S
ample_Format" title="1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート">「サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレートã€</a> for more information about sample formats.
+ </div><div class="para">
+ Setting the "Transport mode" will allow you to adjust the behaviour of the transport.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ None : allows Qtractor's transport to operate independently
+ </div></li><li class="listitem"><div class="para">
+ Slave : allows Qtractor's transport to accept instructions sent by JACK's transport, which can be controlled by QjackCtl or another application.
+ </div></li><li class="listitem"><div class="para">
+ Master : allows Qtractor's transport to send instructions to JACK's transport, which can be viewed by QjackCtl, or used by another application.
+ </div></li><li class="listitem"><div class="para">
+ Full : is equivalent to "Master" and "Slave" modes simultaneously; Qtractor's transport will both send and accept instructions.
+ </div></li></ul></div>
+ If you are using Qtractor alone, or if you don't know which to choose, then "None" is a good choice. This setting can be adjusted at any time, if you later decide to link the transport in multiple applications.
+ </div><div class="para">
+ The "Metronome" section allows you to use a (short) audio file as the metronome sound, rather than the standard, MIDI-based metronome. You can choose the same file for "beat," and "bar," if you prefer. The "Dedicated audio metronome outputs" option outputs the audio metronome's signal through separate outputs in JACK. This is Ardour's default behaviour.
+ </div></div><div class="section" title="8.2.3. Change MIDI Options" id="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab">8.2.3. Change MIDI Options</h3></div></div></div><div class="para">
+ Adjusting the "File format" allows you to change how MIDI clips are stored. You will not need to adjust this unless required by an external application. Refer to <em class="citetitle">Musical Instrument Digital Interface: Standard MIDI (.mid or .smf) (Wikipedia)</em> at <a href="http://en.wikipedia.org/wiki/Musical_Instrument_Digital_Interface#Standard_MIDI_.28.mid_or_.smf.29">http://en.wikipedia.org/wiki/Musical_Instrument_Digital_Interface#Standard_MIDI_.28.mid_or_.smf.29</a> for more information about file types.
+ </div><div class="para">
+ "MMC" stands for "MIDI Machine Control," and it allows multiple MIDI-connected devices to interact and control each other. Setting the "Transport mode" to a setting other than "None" allows it be controlled by MMC messages.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ None :Qtracto ã¯å…¥åŠ› MMC メッセージを無視ã—ã€MMC メッセージを出力ã—ã¾ã›ã‚“ .
+ </div></li><li class="listitem"><div class="para">
+ Input :Qtracto ã¯å…¥åŠ› MMC メッセージã«å¾“ã„ã¾ã™ãŒã€ã€MMC メッセージを出力ã—ã¾ã›ã‚“ .
+ </div></li><li class="listitem"><div class="para">
+ Output:Qtracto ã¯å…¥åŠ› MMC メッセージを無視ã—ã¾ã™ãŒã€MMC メッセージを出力ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Duplex :Qtracto ã¯å…¥åŠ› MMC メッセージã«å¾“ã„ã€MMC メッセージを出力ã—ã¾ã™ã€‚
+ </div></li></ul></div>
+ You can also select a particular MIDI device number with which Qtractor will interact; if you do this, it will ignore MMC messages from other devices, and not send MMC messages to other devices. Enabled the "Dedicated MIDI control input/output" will provide JACK with MIDI inputs and outputs that will be used by Qtractor only for MMC messages. Qtractor will not send or receive MMC messages sent on other inputs or outputs if this option is enabled. "SPP" stands for "Song Position Pointer," and helps MIDI-connected applications to keep track of the current location in a session (in other words, where the transport is). This should probably be set to the same setting as "MMC." If you don't know which of these settings to use, then setting "MMC" to "None" is a good choice. This setting can be adjusted at any time, if you later decide to link applications with MMC messages.
+ </div><div class="para">
+ The default metronome sound is provided by the "MIDI Metronome," and you can adjust its settings here. In particular, you may wish to provide a "Dedicated MIDI metronome output," to help you separate the metronome's signal.
+ </div></div><div class="section" title="8.2.4. Configure MIDI Channel Names" id="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names">8.2.4. Configure MIDI Channel Names</h3></div></div></div><div class="para">
+ If you're using "<span class="application"><strong>FluidSynth</strong></span>" with QSynth, you should tell Qtractor about the SoundFont that you're using. When you do this, you enable Qtractor to help you choose instruments ("patches").
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Click on 'View > Instruments'
+ </div></li><li class="listitem"><div class="para">
+ In the "Instruments" window, click "Import."
+ </div></li><li class="listitem"><div class="para">
+ <code class="filename">/usr/share/soundfonts</code> ã¸è¡Œãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ã‚ãªãŸãŒä½¿ã„ãŸã„サウンドフォントをé¸æŠžã—ã¾ã™ . デフォルト㯠FluidR3 GM サウンドフォントã§ã™ãŒã€ã‚ãªãŸã¯åŒæ™‚ã«ä½¿ã†è¤‡æ•°ã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã‚’é¸ã¶ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Close the "Instruments" window to return to the main Qtractor window.
+ </div></li></ol></div>
+
+ </div></div></div><div class="section" title="8.3. Use Qtractor" id="sect-Musicians_Guide-Qtractor-Using"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Qtractor-Using">8.3. Use Qtractor</h2></div></div></div><div class="para">
+ The "Tutorial" section teaches you how to use Qtractor by example. This section is designed to serve as a reference while you complete the tutorial, and for refreshing your memory afterwards.
+ </div><div class="section" title="8.3.1. é’ã„プレースマーカを使ã†" id="sect-Musicians_Guide-Qtractor-Using-Blue_Place_Markers"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Using-Blue_Place_Markers">8.3.1. é’ã„プレースマーカを使ã†</h3></div></div></div><div class="para">
+ トランスãƒãƒ¼ãƒˆã«åŠ ãˆã¦ã€Qtractor ã¯ä»–ã«ï¼’ã¤ã®ãƒ—レースマーカをæä¾›ã—ã¾ã™ . ãã‚Œã¯é’色をã—ã¦ã„ã¾ã™ã€‚以下ã¯ã€é’ã„プレースマーカã§ã§ãã‚‹ã“ã¨ã§ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ * レンジをマークã™ã‚‹ï¼š
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 左端ã®ãƒžãƒ¼ã‚«ã‚’ç½®ããŸã„ã¨ã“ã‚ã«ã‚«ãƒ¼ã‚½ãƒ«ã‚’移動下ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ 左クリックã—ã¦ä¿æŒä¸‹ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ å³ç«¯ã®ãƒžãƒ¼ã‚«ã‚’ç½®ããŸã„ã¨ã“ã‚ã¾ã§ã‚«ãƒ¼ã‚½ãƒ«ã‚’ドラッグ下ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ マウスボタンを離ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ é’ã„マーカãŒã€ç‰¹å®šã®ãƒ¬ãƒ³ã‚¸ã‚’マークã—ã¦ã„ã‚‹ã¯ãšã§ã™ã€‚
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ * １ã¤ã®ç‰¹å®šã®å ´æ‰€ã‚’マークã™ã‚‹ï¼š
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ マークã—ãŸã„ã¨ã“ã‚ã«ã‚«ãƒ¼ã‚½ãƒ«ã‚’移動ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ãã“ã§å·¦ã‚¯ãƒªãƒƒã‚¯ã—ã¦ä¿æŒã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ カーソルを少ã—å³ã«ãƒ‰ãƒ©ãƒƒã‚°ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ é’ã„マーカãŒç¾ã‚Œã‚‹ã¯ãšã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ãれらを分離ã—ã¦ãŠã代ã‚ã‚Šã«ã€ï¼’ã¤ã‚ã®é’ã„マーカを最åˆã®ã‚‚ã®ã®ä¸Šã«ç§»å‹•ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ マウスボタンを離ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 矢å°ã¯ï¼‘ã¤ã«ãªã‚‹ã¯ãšã§ã™ã€‚
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ * マーカã®ï¼‘ã¤ã‚’移動ã™ã‚‹ï¼š
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ トラックペインã®ä¸€ç•ªä¸Šã«ã‚るルーラーã®ã¨ã“ã‚ã«ã‚るマーカーã®ä¸‰è§’å½¢ã®ãƒˆãƒƒãƒ—ã®ä¸Šã«ã‚«ãƒ¼ã‚½ãƒ«ã‚’ç½®ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ カーソルã®å½¢ãŒã€ä¸¡æ–¹ã«çŸ¢å°ã®ã‚ã‚‹æ°´å¹³ãªç·šã«å¤‰ã‚ã‚‹ã¯ãšã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 左クリックã—ã¦ã€ãƒžã‚¦ã‚¹ã‚’ドラッグã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ The blue place-marker should follow the mouse. If it doesn't, then try again. It is sometimes difficult to select the place-marker.
+ </div></li></ol></div>
+
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="8.3.2. Using the MIDI Matrix Editor's Tools" id="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools">8.3.2. Using the MIDI Matrix Editor's Tools</h3></div></div></div><div class="para">
+ Qtractor's matrix editor for MIDI clips offers a collection of useful tools, available from the "Tools" menu in the matrix editor window. These tools only operate on MIDI notes selected in the matrix editor window before the tool window is opened. Regardless of which tool you select from the menu, the same options are available to you each time the window is opened. It is possible to use multiple tools at a time.
+ </div><div class="para">
+ ã”注æ„：ツールã®åå‰ã¯ã¾ãŽã‚‰ã‚ã—ã„ã§ã™ã€‚
+ </div><div class="para">
+ 以下ãŒã€ãã‚Œãžã‚Œã®ãƒ„ールãŒä½•ã‚’ã™ã‚‹ã‹ã®èª¬æ˜Žã§ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Quantize: ã“ã®ãƒ„ールã¯ã€MIDI 音符ãŒã©ã“ã§é–‹å§‹ã§ãã‚‹ã‹ã€ã©ã‚Œã ã‘ã®é•·ã•ã€ç¶šãã‹ã‚’調整ã—ã¾ã™ã€‚æ‹ã®åˆ†å‰²ã§ãƒžãƒ¼ã‚¯ã•ã‚Œã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Time: The default setting, "Beat/4" will allow notes to begin only on every sixteenth note subdivision. If a note begins somewhere else, it will be moved to the nearest sixteenth note subdivision. For example, a note that begins on the first 32nd note of a measure would be moved to begin on the first beat instead.
+ </div></li><li class="listitem"><div class="para">
+ Duration: The default setting, "Beat/2" will allow notes to last only in multiples of eighth notes. If a note lasts for shorter or longer than an eighth note multiple, it will be adjusted to the closest duration that is an eighth note multiple. For example, a sixteenth note would be adjusted to an eighth note.
+ </div></li><li class="listitem"><div class="para">
+ Swing: This regularizes a "swing" effect on the rhythm. You will have to experiment with the settings to find one that works for you.
+ </div></li><li class="listitem"><div class="para">
+ ４分音符ãŒæ‹ã‚’å¾—ã‚‹ã¨ãã®ä¸€èˆ¬çš„ãªè¨å®šã‚’ã€å˜ç´”ã«è¡¨ã—ãŸã‚‚ã®ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Beat :4 分音符ã®é•·ã•
+ </div></li><li class="listitem"><div class="para">
+ Beat/2 : ８分音符ã®é•·ã•
+ </div></li><li class="listitem"><div class="para">
+ Beat/3 : ８分音符３連符ã®é•·ã•
+ </div></li><li class="listitem"><div class="para">
+ Beat/4 : １６分音符ã®é•·ã•
+ </div></li><li class="listitem"><div class="para">
+ Beat/6 : １６分音符６連符ã®é•·ã•
+ </div></li><li class="listitem"><div class="para">
+ Beat/8 : ３２分音符ã®é•·ã•
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Transpose: ã“ã®ãƒ„ールã¯é¸æŠžã•ã‚ŒãŸ MIDI 音符ã®ãƒ”ッãƒï¼ˆåž‚直軸 ) ã‚ã‚‹ã„ã¯æ™‚間（水平軸 ) を調整ã—ã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Pitch: 音符をã“ã‚Œã ã‘ã®éŸ³ç¨‹ã€ç§»èª¿ã—ã¾ã™ã€‚æ£ã®å€¤ã¯é«˜ã„音程ã«ã€è² ã®å€¤ã¯ä½Žã„音程ã«ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Time: Adjusts the starting time of MIDI notes, without affecting duration or pitch. This is most usefully measured as "BBT" (meaning "Bars, Beats, and Ticks" - each is separated by a decimal point), but can also be measured as time or frames.
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Normalize: This adjusts the loudness of the selected MIDI notes, called "velocity." There are three ways to use the tool. The value specified in the "MIDI Tools" window is used as the highest allowable velocity; all other velocity values are adjusted proportionally.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Adjust "Percent" only: This allows you to set the velocity to a percentage of the maximum velocity.
+ </div></li><li class="listitem"><div class="para">
+ Adjust "Value" only: This allows you to supply a specific value for the velocity. Possible values range from 0 to 127.
+ </div></li><li class="listitem"><div class="para">
+ Adjust "Percent" and "Value" together: This allows you to specify a percentage of the indicated value. If you set "50%" and "32," for example, the resulting velocity will be "16," which is 50% of 32.
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Randomize: ã“ã®ãƒ„ールã¯é¸æŠžã•ã‚ŒãŸãƒ‘ラメータを擬似ランダムãªå€¤ã«èª¿æ•´ã—ã¾ã™ã€‚値ã¯ï¼’ã¤ã®ç†ç”±ã‹ã‚‰æ“¬ä¼¼ãƒ©ãƒ³ãƒ€ãƒ ã§ã‚ã‚‹ã«éŽãŽã¾ã›ã‚“：コンピュータã¯çœŸã®ãƒ©ãƒ³ãƒ€ãƒ 値を生æˆã™ã‚‹ã“ã¨ã¯ã§ãã¾ã›ã‚“。人ã«ã¨ã£ã¦ãƒ©ãƒ³ãƒ€ãƒ ã«è¦‹ãˆã‚‹å€¤ã ã‘ãŒå¯èƒ½ã§ã™ã€‚パーセンテージ値ã§ã€çµæžœãŒã©ã®ç¨‹åº¦åºƒã変化ã™ã‚‹ã‹ã‚’指定ã§ãã¾ã™ã€‚低ã„パーセントè¨å®šã¯ã€é«˜ã„パーセントè¨å®šã®ã¨ãã¨æ¯”ã¹ã¦ã€ã‚ˆã‚Šã€ã‚‚ã¨ã® MIDI 音符ã«è¿‘ããªã‚Šã¾ã™ã€‚以下ã®ãƒ‘ラメータãŒãƒ©ãƒ³ãƒ€ãƒ ã«ã§ãã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Note, ã¤ã¾ã‚Šã€éŸ³ç¨‹
+ </div></li><li class="listitem"><div class="para">
+ Time, ã¤ã¾ã‚Šã€éŸ³ã®é–‹å§‹æ™‚刻
+ </div></li><li class="listitem"><div class="para">
+ Duration, ã¤ã¾ã‚Šã€é•·ã•
+ </div></li><li class="listitem"><div class="para">
+ Value, ã¤ã¾ã‚Šã€ãƒ©ã‚¦ãƒ‰ãƒã‚¹ï¼ˆãƒ™ãƒã‚·ãƒ†ã‚£ï¼‰
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Resize: This tool allows you to explicitly specify the duration or velocity of some MIDI notes. Setting the "Value" field will set the velocity (loudness) of all selected notes to that setting. Valid settings are from 0 (quietest) to 127 (loudest). Setting the "Duration" field will set the duration (length) of all selected notes to that setting. Duration is most usefully measured as "BBT" (meaning "Bars, Beats, and Ticks" - each is separated by a decimal point), but can also be measured as time or frames.
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="8.3.3. Export a Whole File (Audio and MIDI Together)" id="sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together">8.3.3. Export a Whole File (Audio and MIDI Together)</h3></div></div></div><div class="para">
+ Qtractor can export all of a session's audio clips as one audio file, but it cannot export the MIDI clips directly into that audio file. This is because Qtractor does not synthesize audio from MIDI signals, but uses an external MIDI synthesizer to do this. Thankfully, there is a relatively simple way to overcome this, allowing both audio and MIDI to be exported in the same audio file: use Qtractor to record the audio signal produced by the MIDI synthesizer. This procedure only works if you use a MIDI synthesizer (like <span class="application"><strong>FluidSynth</strong></span>) which outputs its audio signal to JACK.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Create a new audio track in Qtractor by clicking on 'Track > Add Track'.
+ </div></li><li class="listitem"><div class="para">
+ ã‚ãªãŸã® MIDI シンセサイザーãŒã€æ£ã—ãセットアップã•ã‚Œã¦ã„ã¦ã€é€šå¸¸ã®æ–¹å¼ã§ï¼ˆã‚¹ãƒ”ーカーを通ã—ã¦ï¼‰å‡ºåŠ›ã‚’生æˆã™ã‚‹ã“ã¨ã‚’確èªä¸‹ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ Use Qtractor's "Connections" window (press F8 on the keyboard) to ensure that the output from your MIDI synthesizer is routed to the input for the newly-created audio track.
+ </div></li><li class="listitem"><div class="para">
+ Move Qtractor's transport to the start of the session.
+ </div></li><li class="listitem"><div class="para">
+ æ–°ã—ã作æˆã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒˆãƒ©ãƒƒã‚¯ã ã‘ãŒã€éŒ²éŸ³ã®æº–備をã•ã‚Œã¦ã„ã‚‹ã“ã¨ã‚’確èªä¸‹ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ Arm Qtractor's transport for recording.
+ </div></li><li class="listitem"><div class="para">
+ Press "Play" on the transport, and wait as the session plays through.
+ </div></li><li class="listitem"><div class="para">
+ セッションã®æœ€å¾Œã«è¡Œã£ãŸã‚‰ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’æ¢ã‚ã¾ã™ã€‚Qtractor ã¯è‡ªå‹•çš„ã«ã¯ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’æ¢ã‚ã¾ã›ã‚“。
+ </div></li><li class="listitem"><div class="para">
+ Export the file as you normally would by clicking 'Track > Export Tracks > Audio'.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ MIDI ä¿¡å·ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒãƒ¼ã‚¸ãƒ§ãƒ³ãŒéŒ²éŸ³ã•ã‚Œã€ã‚ãªãŸãŒã‚»ãƒƒã‚·ãƒ§ãƒ³ã‚’エクスãƒãƒ¼ãƒˆã—ãŸã‚‰ã€æ–°ã—ã„オーディオトラックã¯å‰Šé™¤ã—ã¦ã‚‚構ã„ã¾ã›ã‚“。
+ </div></div><div class="section" title="8.3.4. ãã®ä»–ã®çŸ¥è˜" id="sect-Musicians_Guide-Qtractor-Using-Tips"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Using-Tips">8.3.4. ãã®ä»–ã®çŸ¥è˜</h3></div></div></div><div class="para">
+ If you wish to scroll horizontally in Qtractor's tracks pane or the matrix editor, hold down the Control (Ctrl) key as you adjust your mouse's scrollwheel.
+ </div><div class="para">
+ Qtractor files should be saved in an otherwise-empty folder. Unlike Ardour, Audacity, and Rosegarden, Qtractor will not create a new sub-folder automatically, but will instead store all of a session's clips in the same folder as the the Qtractor file itself.
+ </div><div class="section" title="8.3.4.1. トランスãƒãƒ¼ãƒˆ" id="sect-Musicians_Guide-Qtractor-Using-Tips-Transport"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Qtractor-Using-Tips-Transport">8.3.4.1. トランスãƒãƒ¼ãƒˆ</h4></div></div></div><div class="para">
+ You can move Qtractor's transport to a particular point in a session by holding Shift as you use the mouse to click on that point.
+ </div><div class="para">
+ You can choose whether or not you want the track pane to automatically scroll as the transport moves by clicking 'Transport > Follow Playhead'.
+ </div></div><div class="section" title="8.3.4.2. MIDI" id="sect-Musicians_Guide-Qtractor-Using-Tips-MIDI"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Qtractor-Using-Tips-MIDI">8.3.4.2. MIDI</h4></div></div></div><div class="para">
+ When creating a MIDI track, you can use the "omni" check-box to allow the track to respond to input from any MIDI channel. If the check-box is unselected, the track will respond only to signals on its assigned MIDI channel.
+ </div><div class="para">
+ In the matrix editor window, you can adjust the "velocity" (loudness) of a note by using the "Resize" MIDI Tool (see <a class="xref" href="#sect-Musicians_Guide-Qtractor-Using-MIDI_Tools" title="8.3.2. Using the MIDI Matrix Editor's Tools">「Using the MIDI Matrix Editor's Toolsã€</a> above)
+ </div><div class="para">
+ If you find it difficult to work with Qtractor's matrix editor, but you find it easy to work with LilyPond, you can use this to your advantage. LilyPond will output a MIDI-format representation of your score if you include a "midi" section in the "score" section. It should look something like this:
+<pre class="programlisting">âŽ
+\scoreâŽ
+{âŽ
+ ...âŽ
+ \midi { }âŽ
+}âŽ</pre>
+ You can import <span class="application"><strong>LilyPond</strong></span> MIDI output in <span class="application"><strong>Qtractor</strong></span>. Choose <span class="guimenu"><strong>Track</strong></span> → <span class="guisubmenu"><strong>Import Tracks</strong></span> → <span class="guimenuitem"><strong>MIDI</strong></span>.
+ </div></div></div></div><div class="section" title="8.4. Create a MIDI Composition (Tutorial)" id="sect-Musicians_Guide-Qtractor-Tutorial"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial">8.4. Create a MIDI Composition (Tutorial)</h2></div></div></div><div class="para">
+ We created a demonstration of a project that a first-time user might try in <span class="application"><strong>Qtractor</strong></span>. The tutorial sequence explain our decisions and various application features that we used. We do not attempt to give you a generic way to create music, but rather a specific way that we used our inspiration to help use create a new musical work.
+ </div><div class="section" title="8.4.1. インスピレーション" id="sect-Musicians_Guide-Qtractor-Tutorial-Inspiration"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Inspiration">8.4.1. インスピレーション</h3></div></div></div><div class="para">
+ This tutorial demonstrates a particular strength of <span class="application"><strong>Qtractor</strong></span>: combine audio and MIDI tracks in one project. We started this tutorial with a part of one of our favourite musical works. Then we created a MIDI-based "alter-ego" to accompany the favourite work.
+ </div><div class="para">
+ The audio recording contains a "theme and variations" movement, so the recording begins with a theme, then continues with modified versions of the theme. The theme has two parts, both repeated once. The original composer used several standard compositional techniques of their time period, so the music sounds similarly throughout, but constantly changes in subtle ways.
+ </div><div class="para">
+ We are not required to follow the aesthetic rules that Beethoven followed. Some people think we cannot possibly follows the aesthetic rules that Beethoven followed. If we create new music for solo piano, we are already aware of 150 years' worth of music that stretched Beethoven's aesthetic rules. In this tutorial, we use the matrix editor in <span class="application"><strong>Qtractor</strong></span>, which does not resemble conventional Western musical notation—we cannot hope to achieve a similar result. This tutorial explores the artistic possibilities of a combination of early 19th century chamber music and early 21st century electronic music.
+ </div><div class="para">
+ Finally, we encountered problems when we prepared this tutorial because we cannot distribute the audio recording that we used to create the MIDI component. Therefore, you will probably use a different audio recording than we used. Even when you follow our directions precisely, your result will be quite different from our result.
+ </div></div><div class="section" title="8.4.2. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãƒ•ã‚¡ã‚¤ãƒ«" id="sect-Musicians_Guide-Qtractor-Tutorial-Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Requirements">8.4.2. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãƒ•ã‚¡ã‚¤ãƒ«</h3></div></div></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ A recording of the second movement from Beethoven's Piano Sonata No.23, "Appassionata," either:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle">Mutopia</em> at <a href="http://www.mutopiaproject.org/cgibin/make-table.cgi?searchingfor=appassionata">http://www.mutopiaproject.org/cgibin/make-table.cgi?searchingfor=appassionata</a> (MIDI synthesizer recording with LilyPond sheet music),
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">SoundCloud</em> at <a href="http://soundcloud.com/waltereegho/beethoven-sonata-no-23-in-f-minor-op-57-appassionata-ii-andante-con-moto-09">http://soundcloud.com/waltereegho/beethoven-sonata-no-23-in-f-minor-op-57-appassionata-ii-andante-con-moto-09</a> (live recording), or
+ </div></li><li class="listitem"><div class="para">
+ A commercial recording.
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ You must use <span class="application"><strong>FluidSynth</strong></span>, covered in <a class="xref" href="#chap-Musicians_Guide-FluidSynth" title="第10ç« FluidSynth">10ç« <i>FluidSynth</i></a>.
+ </div></li><li class="listitem"><div class="para">
+ Download a recording of the MIDI portion of this tutorial from <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/Qtractor/FMG-Qtractor-MIDI-Recording.flac">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/Qtractor/FMG-Qtractor-MIDI-Recording.flac</a>.
+ </div></li><li class="listitem"><div class="para">
+ Listen to a recording of the MIDI portion combined with the audio portion of this tutorial at <a href="http://soundcloud.com/fedoraproject/fmg-qtractor-export">http://soundcloud.com/fedoraproject/fmg-qtractor-export</a>.
+ </div></li><li class="listitem"><div class="para">
+ Listen to a similar project that uses a different section of this musical work, at <a href="http://soundcloud.com/bradbreeck/beethoven-piano-sonata-no-23">http://soundcloud.com/bradbreeck/beethoven-piano-sonata-no-23</a>.
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="8.4.3. Get Qtractor Ready" id="sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready">8.4.3. Get Qtractor Ready</h3></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ QjackCtl ã‚’é–‹ã„ã¦ã€JACK を開始ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Qsynth ã‚’é–‹ã„ã¦ã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã® FluidR3 サウンドフォントを使ã£ã¦ï¼‘ã¤ã®ã‚¤ãƒ³ã‚¹ã‚¿ãƒ³ã‚¹ã‚’構æˆã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Qtractor ã‚’é–‹ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ MIDI トラックãŒãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã® FluidR3 サウンドフォントを使ã†ç”¨ã«æ§‹æˆã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ QjackCtl ã«ç§»ã£ã¦ã€æŽ¥ç¶šãŒæ£ã—ã„ã“ã¨ã‚’確èªã—ã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Qtractor's MIDI out (on "ALSA" page) is connected to Qsynth's MIDI in
+ </div></li><li class="listitem"><div class="para">
+ Qsynth's audio out is connected to system in (the speakers)
+ </div></li><li class="listitem"><div class="para">
+ Qtractor's audio out is conencted to system in (the speakers)
+ </div></li><li class="listitem"><div class="para">
+ ä»–ã®æŽ¥ç¶šã¯ä¸è¦ã§ã™ã€‚
+ </div></li></ul></div>
+
+ </div></li></ol></div>
+
+ </div></div><div class="section" title="8.4.4. オーディオファイルをインãƒãƒ¼ãƒˆã™ã‚‹" id="sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File">8.4.4. オーディオファイルをインãƒãƒ¼ãƒˆã™ã‚‹</h3></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ æ–°ã—ã„オーディオトラックを作ã£ã¦ãã ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ Right-click on the audio track, and go to "Clip" then "Import"
+ </div></li><li class="listitem"><div class="para">
+ Locate the audio file that you want to import (in this case, I imported a recording of the second movement of Beethoven's Op.57 piano sonata, "Appassionata."
+ </div></li><li class="listitem"><div class="para">
+ If the clip doesn't start at the beginning of the track, then click and drag it to the beginning.
+ </div></li></ol></div>
+
+ </div></div><div class="section" title="8.4.5. 最åˆã®ãƒ•ã‚©ãƒ¼ãƒžãƒ«ã‚¨ãƒªã‚¢ã‚’マークã™ã‚‹" id="sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area">8.4.5. 最åˆã®ãƒ•ã‚©ãƒ¼ãƒžãƒ«ã‚¨ãƒªã‚¢ã‚’マークã™ã‚‹</h3></div></div></div><div class="para">
+ In addition to the transport, Qtractor has two blue place-markers, which sometimes merge into one. The best way to learn the behaviour of the blue place-markers is by using them. They are intended to mark a range in the work area ("main screen").
+ </div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ We're keeping the standard tempo of 120 beats per minute, and the metre is 4/4
+ </div></li><li class="listitem"><div class="para">
+ Start from the beginning, and listen until the end of the first formal section, which I've decided is about the fourth beat of measure 12 (use the ruler to see).
+ </div></li><li class="listitem"><div class="para">
+ é’ã„矢å°ã§ãã®ç‚¹ã‚’マークã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ セッションã®æœ€åˆã‚’左クリックã—ã¦ã€ãƒ•ã‚©ãƒ¼ãƒžãƒ«ã‚¨ãƒªã‚¢ã®æœ€åˆã‚’マークã—ã¾ã™ã€‚ã‚‚ã—トランスãƒãƒ¼ãƒˆãŒæœ€åˆã«ã‚ã‚‹ãªã‚‰ã°ã€é’ã„プレースマーカã¯éš ã‚Œã¦ã—ã¾ã„ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Create a new clip by clicking on "Edit > Clip > New"
+ </div></li><li class="listitem"><div class="para">
+ クリップエディタãŒç¾ã‚Œã¾ã™
+ </div></li></ol></div>
+
+ </div></div><div class="section" title="8.4.6. 主題を作る" id="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme">8.4.6. 主題を作る</h3></div></div></div><div class="para">
+ ç§ã¯ã€ãªã«ã‹ã‚·ãƒ³ãƒ—ルãªã‚‚ã®ãŒã»ã—ã„ã¨æ€ã„ã¾ã™ã€‚ã“ã®æ¥½ç« ã®ä¸»é¡Œã§ã‚る最åˆã®ã‚·ãƒ³ãƒ—ルãªéŸ¿ãã®ã‚³ãƒ©ãƒ¼ãƒ«ã«è¦‹åˆã†ã‚ˆã†ãªã€‚ã—ã°ã‚‰ãã®éŸ³ã€ãã—ã¦ã—ã°ã‚‰ãã®ä¼‘æ¢ä»¥ä¸Šã«ã‚·ãƒ³ãƒ—ルãªã‚‚ã®ã¯ã‚ã‚‹ã§ã—ょã†ã‹ï¼Ÿ
+ </div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ In the MIDI matrix editor window, click on the "Edit mode" tool, which looks like a pencil with no other markings.
+ </div></li><li class="listitem"><div class="para">
+ ３ã¤ã®æ‹ã”ã¨ã«éŸ³ã‚’入れるã“ã¨ã«ã—ã¾ã™ã€‚（１ã¤ã®æ‹ã¯ï¼‘ã¤ã®åž‚ç›´ç·šã§ãƒžãƒ¼ã‚¯ã•ã‚Œã¾ã™ã€‚）æ‹ã§ã¯ï¼‘６分音符ã ã‘続ãã¾ã™ã€‚
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 音符を置ãã¨ã“ã‚を鉛ç†ã§ã‚¯ãƒªãƒƒã‚¯ã—ã¾ã™ã€‚ç®±ãŒç¾ã‚Œã¾ã™ã€‚箱をå³ã«ãƒ‰ãƒ©ãƒƒã‚°ã™ã‚‹ã¨ã€éŸ³ã¯é•·ã続ãã“ã¨ã«ãªã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ I put all of the notes on the same pitch, but it doesn't matter whether you put them on the same pitches or not - they will be changed later.
+ </div></li><li class="listitem"><div class="para">
+ I also made a mistake when I was inputting the notes, so there's one place where they are only two beats apart instead of three. This didn't matter to me, but it might matter to you.
+ </div></li><li class="listitem"><div class="para">
+ ã‚ãªãŸãŒã‚らã‹ã˜ã‚é¸æŠžã—ã¦ãŠã„ãŸãƒªãƒ¼ã‚¸ãƒ§ãƒ³ï¼ˆé’ã„マーカã®é–“）をã™ã¹ã¦ã†ã‚ã‚‹ã¾ã§ã€éŸ³ç¬¦ã‚’入力ã—ã¦ãã ã•ã„。Qtractor ã¯ãã®ç‚¹ã‚’超ãˆã¦ç¶šã‘ã‚‹ã“ã¨ã‚’許ã™ã®ã§ã€ã‚ãªãŸã¯è‡ªåˆ†ã§ãƒžãƒ¼ã‚«ã«æ°—ã‚’ã¤ã‘ãªã„ã¨ã„ã‘ã¾ã›ã‚“。
+ </div></li><li class="listitem"><div class="para">
+ To scroll sideways, you can hold down either Shift or Ctrl and use your mouse's scroll wheel.
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ ã‚ãªãŸãŒè¿½åŠ ã—ãŸã‚»ã‚°ãƒ¡ãƒ³ãƒˆã®çµ‚ã‚ã‚Šã®ã¡ã‚‡ã†ã©å‰ã¾ã§ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’å‹•ã‹ã—ã¾ã™ã€‚シフトã€ã‚¯ãƒªãƒƒã‚¯ã‚’使ã„ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 最後ã¾ã§è´ã„ã¦ã€ã‚ãªãŸã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆãŒæœ€åˆã®ãƒ•ã‚©ãƒ¼ãƒžãƒ«ã‚¨ãƒªã‚¢ã®çµ‚端ã¨åŒã˜ã‹ã€ã‚ã‚‹ã„ã¯ãã®å‰ã§çµ‚ã‚ã‚‹ã®ã‚’確èªã—ã¦ãã ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ マトリックスエディタウインドウを閉ã˜ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ã‚ãªãŸãŒå…¥åŠ›ã—㟠MIDI セグメントを見るãŸã‚ã«ã€ãƒ¡ã‚¤ãƒ³ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã‚’使ã„ã¾ã™ã€‚åž‚ç›´ã®ç·šã¯å°ç¯€ã®ç·šã§ã€æš—ã„色ã®å››è§’ã¯éŸ³ç¬¦ã‚’表ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ If the MIDI segment extends beyond the last note that you inputted, click-and-drag the end so that there isn't much over-hang. If you accidentally adjust it too far and remove notes, then simply drag the segment back out - the notes should still be there.
+ </div></li><li class="listitem"><div class="para">
+ MIDI セグメントをダブルクリックã—ã¦ã€ãƒžãƒˆãƒªãƒƒã‚¯ã‚¹ã‚¨ãƒ‡ã‚£ã‚¿ã«æˆ»ã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 今ã¾ã§ã«å…¥åŠ›ã—ãŸéŸ³ç¬¦ã‚’全部é¸æŠžã—ã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Control-a を押ã™
+ </div></li><li class="listitem"><div class="para">
+ クリックãŠã‚ˆã³ãƒ‰ãƒ©ãƒƒã‚°ã—ã¦é¸æŠžã€ã‚ã‚‹ã„ã¯
+ </div></li><li class="listitem"><div class="para">
+ Click on 'Edit > Select > Select All'
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 音程をランダムã«ã™ã‚‹ï¼š
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Click on 'Tools > Randomize'
+ </div></li><li class="listitem"><div class="para">
+ Ensure that "Randomize" is checked
+ </div></li><li class="listitem"><div class="para">
+ Ensure that "Note" is checked (this means "pitch")
+ </div></li><li class="listitem"><div class="para">
+ パーセントをé¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Click "OK" to apply.
+ </div></li><li class="listitem"><div class="para">
+ ランダムã«ã™ã‚‹ãƒ‘ーセントã«ã¤ã„ã¦ã¯ã€å®Ÿé¨“ãŒå¿…è¦ã§ã™ã€‚ランダム化ãŒå¤§ãã„ã¨ç¹°ã‚Šè¿”ã—ãŒå°‘ãªããªã‚Šã¾ã™ãŒã€ãã‚Œã¯éŸ³ç¨‹ãŒã‚ˆã‚Šç‹ã„範囲ã«åˆ†æ•£ã™ã‚‹ã“ã¨ã‚’æ„味ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ If you want to re-try the randomization, click on 'Edit > Undo Randomization', then use the "Randomize" tool again.
+ </div></li><li class="listitem"><div class="para">
+ ã»ã¨ã‚“ã©ã®éŸ³ç¨‹ã«èµ·ããŸå¤‰åŒ–ã«æº€è¶³ã—ãŸã‚‰ã€éŸ³ç¬¦ã®ã„ãã¤ã‹ã‚’å˜ç‹¬ã§ã‚ã‚‹ã„ã¯ä¸€ç·’ã«ã€é¸æŠžã—ã¦ç§»å‹•ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚グループã§éŸ³ç¨‹ã‚’変ãˆã‚‹ã«ã¯å‹•ã‹ã—ãŸã„ã‚‚ã®ã‚’é¸æŠžã—ã¦ã€ï¼ˆã‚¯ãƒªãƒƒã‚¯ã‚¢ãƒ³ãƒ‰ãƒ‰ãƒ©ãƒƒã‚°ã—ã¦é¸æŠžã™ã‚‹ã‹ã€ã‚ã‚‹ã„ã¯ã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ã€ã‚¯ãƒªãƒƒã‚¯ã—ã¦é¸æŠžã™ã‚‹ã‹ï¼‰ãれらを動ã‹ã—ãŸã„ã¨ã“ã‚ã«ã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ã€ãƒ‰ãƒ©ãƒƒã‚°ã—ã¾ã™ã€‚
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ ã•ã¦ã€éŸ³ç¬¦ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ を調整ã—ãªã‘ã‚Œã°ã„ã‘ã¾ã›ã‚“。ã“ã‚Œã«ã¯ï¼’ã¤ã®ã‚„ã‚Šæ–¹ãŒã‚ã‚Šã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ You can select all of the pitches, then use the "Resize MIDI" tool, adjusting the "Value" property.
+ </div></li><li class="listitem"><div class="para">
+ You can select all of the pitches, then use the value editor portion of the matrix editor window. This is at the bottom of the matrix editor window, and the height of each pitch shown here tells you the volume at which it will play. To adjust all of the pitches at once, Control-drag to adjust the height as desired. Be careful when doing this that you don't change the horizontal position, which will change the time that the notes sound.
+ </div></li><li class="listitem"><div class="para">
+ I would suggest at volume of approximately "32," but this depends on your taste. Also, I adjust the volume of some pitches to be louder when the audio file is louder.
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 音程ã¨ãƒœãƒªãƒ¥ãƒ¼ãƒ ã«æº€è¶³ã—ãŸã‚‰ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’最åˆã‹ã‚‰é–‹å§‹ã—ã¦ã€ã‚ãªãŸãŒä»Šä½œæˆã—ãŸã‚»ã‚°ãƒ¡ãƒ³ãƒˆã®å…¨ä½“ã‚’è´ã„ã¦ã¿ã¾ã™ã€‚ã“ã®æ¥½ç¯€ã‚’ã‚‚ã†ä¸€åº¦å¤‰æ›´ã—ã¦ã‚‚よã„ã§ã™ã—ã€æ¬¡ã®ã‚¹ãƒ†ãƒƒãƒ—ã«é€²ã‚“ã§ã‚‚よã„ã§ã™ã€‚
+ </div></li></ol></div>
+
+ </div></div><div class="section" title="8.4.7. 主題を繰り返ã—ã¾ã™ã€‚" id="sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme">8.4.7. 主題を繰り返ã—ã¾ã™ã€‚</h3></div></div></div><div class="para">
+ The beginning of this composition opens with a thirteen-measure (in this Qtractor session) segment that is immediately repeated. If you chose to create a thirteen-measure theme, like we did, you will either need to create a second MIDI segment to cover Beethoven's repeat, or you can do what I did, and copy-and-paste to get an exact repetition of your theme.
+ </div><div class="para">
+ ã‚ãªãŸã®ä¸»é¡Œã‚’æ£ç¢ºã«ç¹°ã‚Šè¿”ã™ï¼š
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Click on the first MIDI segment to select it, then copy it by clicking on 'Edit > Copy' or Control-c
+ </div></li><li class="listitem"><div class="para">
+ Paste it by clicking on 'Edit > Paste' or Control-v
+ </div></li><li class="listitem"><div class="para">
+ カーソルã¯ã‚¯ãƒªãƒƒãƒ—ボードã®ã‚¢ã‚¤ã‚³ãƒ³ã®å½¢ã«å¤‰ã‚ã‚Šã€ãã®å³ã«å››è§’ãŒç¾ã‚Œã¾ã™ã€‚四角ã¯ãƒšãƒ¼ã‚¹ãƒˆã•ã‚Œã‚‹ã‚¯ãƒªãƒƒãƒ—を示ã—ã¾ã™ã€‚ã—ã‹ã—ã€ã¾ãšã€ãれを置ãã¨ã“ã‚ã‚’é¸æŠžã—ãªã„ã¨ã„ã‘ã¾ã›ã‚“。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ カーソルを動ã‹ã—ã¦ã€å››è§’ãŒæœ€åˆã® MIDI クリップã®ç›´å¾Œï¼ˆå³ç«¯ã®ã‚¨ãƒƒã‚¸ï¼‰ã«ç¾ã‚Œã‚‹ã‚ˆã†ã«ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ メインウインドウをスクãƒãƒ¼ãƒ«ã™ã‚‹ã®ã«ã‚¹ã‚¯ãƒãƒ¼ãƒ«ãƒãƒ¼çŸ¢å°ã‚’使ã†ã“ã¨ãŒã§ãã¾ã™ãŒã€ãã‚Œã¯ã€ã‚«ãƒ¼ã‚½ãƒ«ãŒå¤‰åŒ–ã—ã¦ã„ã‚‹ã®ã§é›£ã—ã„ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ You can also scroll the main window by pressing Control and using your mouse's scroll wheel.
+ </div></li><li class="listitem"><div class="para">
+ 注æ„æ·±ãマウスカーソルをメインã®ã‚‚ã®ã®ç«¯ã«å‹•ã‹ã™ã“ã¨ã«ã‚ˆã£ã¦ã‚‚スクãƒãƒ¼ãƒ«ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 四角をæ£ç¢ºã«æœ€çµ‚ä½ç½®ã«ç½®ãå¿…è¦ã¯ã‚ã‚Šã¾ã›ã‚“。ãã®è¿‘ãã§ã‚ˆã„ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 四角を置ããŸã„ä½ç½®ã«ç½®ã„ãŸã‚‰ã€å·¦ã‚¯ãƒªãƒƒã‚¯ã—ã¾ã™ã€‚
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ トランスãƒãƒ¼ãƒˆã‚’å‹•ã‹ã—ã¦ã€æœ€åˆã®ã‚¯ãƒªãƒƒãƒ—ã®çµ‚端ã‹ã‚‰ï¼’ã¤ã‚ã®ã‚¯ãƒªãƒƒãƒ—ã®é–‹å§‹ã¸ã®ç§»è¡ŒãŒèžã‘るよã†ã«ã—ã¾ã™ã€‚トランスãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ã§ <span class="guibutton"><strong>Play</strong></span> を押ã—ã¦èžã„ã¦ã¿ã¦ã€çµ‚ã‚ã£ãŸã‚‰æ¢ã‚ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ï¼’ã¤ã‚ã®ã‚¯ãƒªãƒƒãƒ—ã®ä½ç½®ã‚’調整ã™ã‚‹å¿…è¦ãŒã‚ã‚‹ã¨ãã¯ã€ã‚¯ãƒªãƒƒã‚¯ã‚¢ãƒ³ãƒ‰ãƒ‰ãƒ©ãƒƒã‚°ã—ã¦æ£ã—ã„ä½ç½®ã«ç§»å‹•ã—ã¾ã™ã€‚クリップをæ£ã—ãç½®ã„ãŸã“ã¨ã‚’確èªã™ã‚‹ãŸã‚ã«ã€ã‚‚ã†ä¸€åº¦èžã„ã¦ã¿ã¾ã™ã€‚
+ </div></li></ol></div>
+
+ </div></div><div class="section" title="8.4.8. 次ã®ãƒ‘ートを作曲ã—ã¾ã™" id="sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part">8.4.8. 次ã®ãƒ‘ートを作曲ã—ã¾ã™</h3></div></div></div><div class="para">
+ It's difficult to explain, but this part feels more chord-focussed to me, even though it's very similar to the first part. I decided to show this by using the same generative idea as the first part, but with two simultaneous pitches instead of one. At the end of the segment, I included a brief gathering of "randomized" pitches, with longer durations than before. There is no particular reason that I included this chord-like incident, but it felt like the right thing to do.
+ </div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Listen to the next portion of the audio file, and mark off the next formal section that you want to use (mine is from Qtractor's measure 25 to beat to of measure 38). The portion that I chose is also repeated, like the first part.
+ </div></li><li class="listitem"><div class="para">
+ ã‚ãªãŸã®é¸ã‚“ã セグメントã®æœ€åˆã¨æœ€å¾Œã«é’ã„マーカを置ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ æ–°ã—ã„ MIDI クリップを作æˆã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Create the notes separated by three beats, as in the last segment. This time, be sure to add two notes at the same time, by ensure that they are aligned vertically. Again, it doesn't matter which pitches you choose, because they will be randomized.
+ </div></li><li class="listitem"><div class="para">
+ Select all of the pitches, and randomize them by using the "Randomize MIDI" tool.
+ </div></li><li class="listitem"><div class="para">
+ 音程ãŒãƒ©ãƒ³ãƒ€ãƒ 化ã•ã‚Œã‚‹ã‚„ã‚Šæ–¹ã«ã‚ˆã‚Šã€ãã‚Œãžã‚Œã®éŸ³ç¬¦ã®å¯¾ã¯ä»¥ä¸‹ã®ã„ãšã‚Œã‹ã®çŠ¶æ…‹ã«ãªã‚‹ã§ã—ょã†ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ãれらã¯è¿‘ã™ãŽã‚‹ã€ã‚ã‚‹ã„ã¯ã€ç‰¹å®šã®é–“éš”ã«ã‚る関係ã®ãŸã‚ã€ï¼‘ã¤ã®éŸ³ã®ã‚ˆã†ã«èžã“ãˆã‚‹ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ãれらã¯é ã™ãŽã‚‹ã€ã‚ã‚‹ã„ã¯ã€ç‰¹å®šã®é–“éš”ã«ã‚る関係ã®ãŸã‚ã€ï¼’ã¤ã®éŸ³ã®ã‚ˆã†ã«èžã“ãˆã‚‹ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 特定ã®é–“éš”ã«ã‚る関係ã®ãŸã‚ã€ï¼’ã¤ã®åŒã˜å¤§ãã•ã®éŸ³ã‹ã‚‰ä½œã‚‰ã‚Œã‚‹ï¼‘ã¤ã®å’ŒéŸ³ã®ã‚ˆã†ã«èžã“ãˆã‚‹ã€‚
+ </div></li></ul></div>
+ 上ã«ã‚ã’ãŸã©ã‚Œã‹ãŒç¾Žçš„ã«æœ›ã¾ã—ããªã„ãªã‚‰ã€ã„ãã¤ã‹ã®éŸ³ç¬¦ã‚’変更ã—ã¾ã—ょã†ã€‚
+ </div></li><li class="listitem"><div class="para">
+ I created the tone cluster at the end by clicking arbitrarily across bar 37. It happened to create six notes with the pitches G, E, C-sharp, F-sharp, G-sharp, and B. I could have used the "Randomize MIDI" tool, but chose not to.
+ </div></li><li class="listitem"><div class="para">
+ 次ã«ç§ã¯ã€ãã‚Œãžã‚Œã®éŸ³ç¬¦ã®å³ã®çµ‚端を注æ„æ·±ãクリックアンドドラッグã—ã¦ã€ï¼“８å°ç¯€ã®æœ€åˆã®æ‹ã§å…¨éƒ¨ãŒåŒæ™‚ã«çµ‚ã‚るよã†ã«ã—ã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ When you're done, you may need to copy-and-paste the segment.
+ </div></li></ol></div>
+
+ </div></div><div class="section" title="8.4.9. Qtractor's Measures 52 to 75" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75">8.4.9. Qtractor's Measures 52 to 75</h3></div></div></div><div class="para">
+ ã“ã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’作æˆã™ã‚‹ã®ã«å¿…è¦ãªã“ã¨ã¯ã™ã¹ã¦ã”å˜çŸ¥ã¨æ€ã†ã®ã§ã€èŠ¸è¡“çš„ãªç†ç”±ä»˜ã‘ã ã‘を説明ã—ã¾ã™ã€‚
+ </div><div class="para">
+ This corresponds to the "first variation" in the audio file. Since variations are based on the theme, the rest of my sections are all somehow based on my theme section. Here, I derived inspiration from the music again: there is a note (generally) every three beats like the theme, but I extended it to take up two beats, at the end of which another note briefly sounds. This is like Beethoven's technique in the first variation. Although I ignored them in the theme, there are small transitions between the inner-sections of Beethoven's theme, and I chose to add them into my first variation (you can see it in Qtractor's measure 69).
+ </div></div><div class="section" title="8.4.10. Qtractor's Measures 75 to 97" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97">8.4.10. Qtractor's Measures 75 to 97</h3></div></div></div><div class="para">
+ ã“ã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’作æˆã™ã‚‹ã®ã«å¿…è¦ãªã“ã¨ã¯ã™ã¹ã¦ã”å˜çŸ¥ã¨æ€ã†ã®ã§ã€èŠ¸è¡“çš„ãªç†ç”±ä»˜ã‘ã ã‘を説明ã—ã¾ã™ã€‚
+ </div><div class="para">
+ This section corresponds to the part that we created in the "Compose the Next Part" section above. I decided to combine the idea of this first variation with the idea of that "Next Part." As you see, the result here is much like measures 52 to 75, but with more simultaneous pitches, as in the "Next Part."
+ </div><div class="para">
+ At this point, my MIDI accompaniment really begins to take on its own rhythm and personality, competing with the audio file representing Beethoven's idea. Compared to the Beethoven, the randomized pitches of the MIDI part sound child-like and trivial. This might send listeners the message that MIDI is simply trivial and child-like, when compared to "real classical music," and this is a perfectly valid interpretation.
+ </div><div class="para">
+ ã—ã‹ã—ã€ç§ãŒè¨€ã„ãŸã‹ã£ãŸã®ã¯ã“ã†ã§ã™ï¼šãƒ™ãƒ¼ãƒˆãƒ¼ãƒ´ã‚§ãƒ³ã¯ãŸãã•ã‚“ã®ãƒ”アノ曲を書ãã€ãã®å¤šãã¯ä»Šã‚‚ãªãŠäººã€…ã«æ¥½ã—ã¾ã‚Œã¦ã„ã¾ã™ã€‚誰もã€ãƒ™ãƒ¼ãƒˆãƒ¼ãƒ´ã‚§ãƒ³ã®é”法をå†ã³ç¹°ã‚Šè¿”ã™ã“ã¨ã¯ã§ããšã€ãれを試ã¿ã‚‹ã®ã¯æ„šã‹ãªã“ã¨ã ã¨ç§ã¯æ€ã„ã¾ã™ã€‚ã ã‹ã‚‰ç§ã¯è‡ªåˆ†ã®éŸ³æ¥½ã‚’シリアスãªéŸ¿ãã‚’ã•ã›ã‚ˆã†ã¨ã™ã‚‹ã®ã§ãªãã¦ã€æ„šã‹ã«èžã“ãˆã‚‹ã‚‚ã®ã«ã—ãŸã®ã§ã™ã€‚ã¾ãŸã€ãƒ™ãƒ¼ãƒˆãƒ¼ãƒ´ã‚§ãƒ³ã®ã‚ˆã†ãªä½œæ›²å®¶ã‹ã‚‰ã‚¤ãƒ³ã‚¹ãƒ”レーションを得るã“ã¨ã¯è‡ªåˆ†ãŸã¡ã§æ–°ã—ã„èŠ¸è¡“ã‚’å‰µé€ ã™ã‚‹ã™ã°ã‚‰ã—ã„方法ã ã¨æ„Ÿã˜ã¾ã™ã€‚ãªã®ã§ç§ã¯ã€ç›´æŽ¥éŸ³æ¥½ã‹ã‚‰ã‚る種ã®ãƒ’ント（多ãã¯ã‚ã„ã¾ã„ãªæ§˜å¼ä¸Šã®ã“ã¨ã§ã™ï¼‰ã‚’得よã†ã¨ã™ã‚‹ä¸€æ–¹ã€ãれ以外ã®ã‚‚ã®ï¼ˆéŸ³ç¨‹ã¯ãªã«ã‹ã—ら組織化ã•ã‚Œã¦ã„ã‚‹ã¹ãã§ã‚ã‚‹ã¨ã„ã†è€ƒãˆãªã©ï¼‰ã‚’無視ã™ã‚‹ã®ã§ã™ã€‚
+ </div></div><div class="section" title="8.4.11. Qtractor's Measure 97" id="sect-Musicians_Guide-Qtractor-Tutorial-Measure_97"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measure_97">8.4.11. Qtractor's Measure 97</h3></div></div></div><div class="para">
+ ã“ã‚Œã¯ï¼“æ‹ã®çµŒéŽçš„パッセージã§ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒˆãƒ©ãƒƒã‚¯ã®ç©ºç™½ã‚’埋ã‚ã‚‹ãŸã‚ã«ã ã‘ã®ç†ç”±ã§ç§ãŒåŠ ãˆãŸã‚‚ã®ã§ã™ã€‚
+ </div></div><div class="section" title="8.4.12. Qtractor's Measures 98 to 119" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119">8.4.12. Qtractor's Measures 98 to 119</h3></div></div></div><div class="para">
+ ã“ã®æ¥½ç¯€ã‚’作曲ã™ã‚‹ä¸Šã§ï¼‘ã¤ã®æ–°ã—ã„技法を使ã„ã¾ã—ãŸã€‚マトリックスエディタã®ä¸ã§ã®ã‚³ãƒ”ーアンドペーストã§ã™ã€‚ã“ã‚Œã¯ï¼‘ï¼ï¼“å°ç¯€ã®æœ€åˆã‚ãŸã‚Šã«è¦‹ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ãã“ã§ã¯ã€åŒã˜éŸ³ç¨‹ã®ã‚¯ãƒ©ã‚¹ãŒé«˜ã„オクターブã¨ä½Žã„オクターブã§åŒæ™‚ã«èžã“ãˆã¾ã™ã€‚ç§ã¯ä¸Šã®éŸ³åŸŸã‚’å…ˆã«ä½œã£ã¦ã€æ¬¡ã«ã‚³ãƒ”ーã—ãŸã„音符をé¸æŠžã—ã¾ã—ãŸã€‚Control-c 㨠Control-v ã§ã‚³ãƒ”ーを作りã¾ã—ãŸã€‚メインウインドウã§ã‚¯ãƒªãƒƒãƒ—をコピーアンドペーストã™ã‚‹ã¨ãã¨åŒã˜ã‚ˆã†ã«ã€ã‚«ãƒ¼ã‚½ãƒ«ã®ã‚¢ã‚¤ã‚³ãƒ³ã¯ã‚¯ãƒªãƒƒãƒ—ボートã«å¤‰ã‚ã‚Šã€ãƒšãƒ¼ã‚¹ãƒˆã•ã‚Œã‚‹ã‚‚ã®ã®ã‚¢ã‚¦ãƒˆãƒ©ã‚¤ãƒ³ãŒç¤ºã•ã‚Œã‚‹ã®ã§ã€æœ›ã¿ã®ã¨ã“ã‚ã«ä½ç½®ã¥ã‘ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ã”覧ã«ãªã£ã¦ã‚ã‹ã‚‹ã‚ˆã†ã«ã€ã‚³ãƒ”ーã¯ã€ã©ã®éŸ³ç¨‹ãƒ¬ãƒ™ãƒ«ã«ã‚‚ã€å°ç¯€ã®ã©ã®å ´æ‰€ã«ã‚‚ペーストã§ãã¾ã™ã€‚åŒã˜ã«ä¿ãŸã‚Œã‚‹ã®ã¯ã€éŸ³ç¬¦é–“ã®é
Ÿ³ç¨‹ã®å·®ã¨ã€éŸ³ç¬¦é–“ã®ãƒªã‚ºãƒ ã§ã™ã€‚
+ </div><div class="para">
+ ç§ã¯ã‚³ãƒ”ーアンドペースト技術をã“ã®ãƒ‘ッセージã«ã‚ã‚‹ã€ï¼“ã¤ã®éšŽæ®µçš„ã«ä¸‹é™ã™ã‚‹éŸ³ç¬¦ã®éŸ³åž‹ã«ãŠã„ã¦ã‚‚使ã„ã¾ã—ãŸã€‚ï¼”ã¤ã®çµ„ã‹ã‚‰ãªã‚‹æœ€åˆã®éŸ³ç¬¦ã‚’作æˆã—ã¦ã€ãれらをランダム化ã—ã¦ã€å¾Œã‹ã‚‰ï¼“ã¤ã®ä¸‹é™ã™ã‚‹éŸ³ç¬¦ã‚’コピーアンドペーストã—ã¾ã—ãŸã€‚ã“ã®ã‚ˆã†ã«ã—ã¦ã€ãƒ¡ãƒãƒ‡ã‚£ã®ä¸€éƒ¨ã‚’ランダム化ã—ã¦ã€æ®‹ã‚Šã‚’ランダムã«ã—ãªã„よã†ã«ã§ãã¾ã—ãŸã€‚
+ </div><div class="para">
+ In this passage, I kept the "a note followed by three beats of rest" idea, then added onto the melody by taking two cues from the audio file. The first was the increasing surface rhythm of the upper part, which gave rise to the "three-descending-notes" figures. The second was the fact that the chords are still going on underneath that melody, so I added a second randomized set of notes underneath my upper part. At the end of the passage I continued the trend that I started with a finishing flourish that picks up sustained notes.
+ </div></div><div class="section" title="8.4.13. Qtractor's Measures 119 to 139" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139">8.4.13. Qtractor's Measures 119 to 139</h3></div></div></div><div class="para">
+ ã“ã®ãƒ‘ッセージã¯æ–°ã—ã„技術を導入ã—ã¾ã›ã‚“。セクションã®æœ€å¾Œã§èª¬æ˜Žã•ã‚Œã‚‹ãƒœãƒªãƒ¥ãƒ¼ãƒ æ“作ã®ãƒˆãƒªãƒƒã‚¯ã‚’使ã†ã ã‘ã§ã™ã€‚
+ </div><div class="para">
+ This passage sounds much busier because I increased the space between primary notes from three beats to two. I divided the octaves into four approximate ranges. The lowest has randomized pitches lasting one beat, which begin on beats that don't have a "primary note." There is no parallel in Beethoven's music at this point.
+ </div><div class="para">
+ 次ã«é«˜ã„範囲ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ•ã‚¡ã‚¤ãƒ«ã®ã“ã®éƒ¨åˆ†ã®ãƒ¡ãƒãƒ‡ã‚£ã€ãã‚Œã¯ä»¥å‰ã‚ˆã‚Šå°‘ã—低ããªã£ã¦ã„ã¾ã™ã€ã‚’ãªãžã‚‹ãŸã‚ã®ã‚‚ã®ã§ã™ã€‚最も上ã®ç¯„囲ã¯ã“ã‚Œã«ã¤ãªãŒã£ã¦ã„ã¾ã™ã€‚ベートーヴェンãŒãƒ¡ãƒãƒ‡ã‚£ã®ä¸€éƒ¨ã‚’ä»–ã®éƒ¨åˆ†ã‚ˆã‚Šãšã£ã¨é«˜ã書ã„ãŸãŸã‚ã§ã™ã€‚
+ </div><div class="para">
+ ２番目ã«é«˜ã„範囲ã¯ã€ãƒ”アノã®ä¸Šã®æ–¹ã®éŸ³åŸŸã®æ—©ãå‹•ãä¼´å¥å£°éƒ¨ã‚’åæ˜ ã—ã¾ã™ã€‚
+ </div><div class="para">
+ Sorting out the volumes for this passage posed a small challenge, because of the much greater number of notes than in previous passages. Thankfully, the parts are mostly well-separated from each other in the matrix editor. I was able to use click-and-drag selection to select each range separately, and adjust its volume using both the "Resize MIDI" tool and Control-drag in the volume adjustment space at the bottom of the matrix editor window.
+ </div><div class="para">
+ ã“ã®ãƒ‘ッセージã®æœ€å¾Œã®é€£ç¶šã™ã‚‹éŸ³ã®ãƒ•ã‚¡ãƒ³ãƒ•ã‚¡ãƒ¼ãƒ¬ã¯ã€ç§ã®ä½¿ã£ãŸæœ€ã‚‚高ã„音域ã«ã€ã‚¤é•·èª¿ã®èª¿æ€§ã‚’確立ã—よã†ã¨ã™ã‚‹ã‹ã™ã‹ãªè©¦ã¿ã§ã™ã€‚
+ </div></div><div class="section" title="8.4.14. Qtractor's Measures 139 to 158" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158">8.4.14. Qtractor's Measures 139 to 158</h3></div></div></div><div class="para">
+ ã“ã®æ¥½ç¯€ã§ä½¿ã‚れる新ã—ã„技術ã¯ã‚ã‚Šã¾ã›ã‚“。
+ </div><div class="para">
+ 主ãªéŸ³ã¯ï¼’æ‹ã®é–“隔をç¶æŒã—ã¦ãã¾ã—ãŸã€‚ãã—ã¦ã€ãŸã ï¼’ã‚ã‚‹ã„ã¯ï¼“ã®éŸ³åŸŸã‹ã‚‰å§‹ã‚ã¾ã—ãŸã€‚最も低ã„音域ã¯ã“ã®æ™‚点ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ•ã‚¡ã‚¤ãƒ«ã¨åŒã˜ã‚ˆã†ã«ã€æœ€ã‚‚高ã„音域ã®ãŸã ã®æ°—ã¾ãã‚Œãªå¼·åŒ–ã§ã™ã€‚æ—©ãå‹•ã„ã¦ã„ã‚‹ä¸é–“ラインを作æˆã™ã‚‹ãŸã‚ã«ã€ã‚³ãƒ”ーアンドペーストを使ã„ã¾ã—ãŸã€‚
+ </div><div class="para">
+ 楽節ãŒé€²ã‚€ã«ã¤ã‚Œã€ä¸é–“ラインã¯åŒæ™‚ã®è¿½åŠ ã‚’å¾—ã¦ã„ãã¾ã™ã€‚ã“ã‚Œã¯æœ€å¾Œã«ã¯ãšã£ã¨å†’険的ã«ãªã‚Šã€ã¾ãšãšã£ã¨é«˜ã„音域ã¸ã‚¸ãƒ£ãƒ³ãƒ—ã—ã€ãã—ã¦æ¬¡ã®æ¥½ç¯€ã§ãã‚ŒãŒå ã‚ã‚‹ä½ç½®ã€æœ€ä½Žéƒ¨ã®éŸ³åŸŸã«ä¸‹é™ã—ã¦ã„ãã¾ã™ã€‚
+ </div></div><div class="section" title="8.4.15. Qtractor's Measures 158 to 176" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176">8.4.15. Qtractor's Measures 158 to 176</h3></div></div></div><div class="para">
+ ã“ã®æ¥½ç¯€ã§ã¯æ–°ã—ã„技術ã¯ã‚ã‚Šã¾ã›ã‚“。ç§ã¯ã‚³ãƒ”ーアンドペーストã€ç‰¹ã«éƒ¨åˆ†çš„ãªãƒ©ãƒ³ãƒ€ãƒ 化ã®ã€ã‚’ãŸãã•ã‚“使ã„ã¾ã—ãŸã€‚ファンファーレã®æœ€åˆã®éŸ³ã‚’åŠ ãˆã¦ã€ãƒ©ãƒ³ãƒ€ãƒ 化ã—ã€ãƒ•ã‚¡ãƒ³ãƒ•ã‚¡ãƒ¼ãƒ¬ã®æ®‹ã‚Šã®éƒ¨åˆ†ã‚’é©å½“ãªéŸ³ç¨‹ã®å ´æ‰€ã«ã‚³ãƒ”ーアンドペーストã—ã¾ã™ã€‚
+ </div><div class="para">
+ At this point, I had basically dropped any obvious reference to my theme, as happens in the Beethoven score. Of course, its influence is still there: every four beats, my middle voice repeats the same pitches, and sustains them for the next four beats. Also, the upper voice in my part shares the same sort of "single repeated pitch" idea that makes up Beethoven's upper voice. There is also a weak rhythmic similarity between the two.
+ </div><div class="para">
+ Near the end of the first sub-section (measures 164-166 inclusive), I included a long, downward 12-tone scale, which was inspired by the much smaller downward scale in Beethoven's piece.
+ </div><div class="para">
+ 次ã®ã‚µãƒ–セクションã¯ã‚¢ã‚¤ãƒ‡ã‚¢ã®æ£ç¢ºãªç¹°ã‚Šè¿”ã—ã§ã™ã€‚ãŸã ã—ã€ç•°ãªã‚‹éŸ³ç¨‹ã€ã‚ˆã‚Šå°ã•ã„音程ã®ç¯„囲ã€ãã—ã¦å°‘ã—ç•°ãªã‚‹ã‚¨ãƒ³ãƒ‡ã‚£ãƒ³ã‚°ã‚’æŒã¡ã¾ã™ã€‚
+ </div></div><div class="section" title="8.4.16. Qtractor's Measures 177 to the End" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End">8.4.16. Qtractor's Measures 177 to the End</h3></div></div></div><div class="para">
+ ã“ã®æ¥½ç¯€ã§ä½¿ã‚れる新ã—ã„技術ã¯ã‚ã‚Šã¾ã›ã‚“。
+ </div><div class="para">
+ This part of piece was intended to mirror Beethoven's score quite obviously. The only real bit of trickery that I played was looking at Beethoven's score, and incorporating particular notes: the chord in measure 212 is composed of the same pitches that are used in the chord in the audio file in measure 210. It sounds very different because of the "real piano vs. MIDI piano" issue, and because the tuning of the piano in the recording is different than the tuning of the MIDI piano. Also, the chord in the second beat of measure 213 is the first chord of the movement following the one recorded in the audio file. By including this (then "resolving" it, then re-introducing it), I intend to play with the expectations of a listener that may already be familiar with Beethoven's sonata.
+ </div></div></div></div><div xml:lang="ja-JP" class="chapter" title="第9ç« Rosegarden" id="chap-Musicians_Guide-Rosegarden" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第9ç« Rosegarden</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Requirements_and_Installation">9.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Knowledge_Requirements">9.1.1. å‰æ知è˜</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Software_Requirements">9.1.2. ソフトウェアè¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Hardware_Requirements">9.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Other_Requirements">9.1.4. ãã®ä»–ã®è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musici
ans_Guide-Rosegarden-Installation">9.1.5. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Configuration">9.2. 構æˆ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Configuration-JACK_and_Qsynth">9.2.1. Setup <span class="application"><strong>JACK</strong></span> and <span class="application"><strong>FluidSynth</strong></span> (<span class="application"><strong>Qsynth</strong></span>)</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden">9.2.2. <span class="application"><strong>Rosegarden</strong></span> ã®è¨å®š</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden_and_LilyPond">9.3. <span class="application"><strong>Rosegarden</strong></span> 㨠LilyPond</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial">9.4. <span class="applicatio
n"><strong>Rosegarden</strong></span> ã§ã€ä½œæ›²ã™ã‚‹ã€‚（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Bass_Line">9.4.1. 楽èœã‚’ベースラインã‹ã‚‰å§‹ã‚ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track">9.4.2. ãƒ‘ãƒ¼ã‚«ãƒƒã‚·ãƒ§ãƒ³ãƒˆãƒ©ãƒƒã‚¯ã‚’è¿½åŠ </a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion">9.4.3. パーカッションをスパイスアップ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Melody">9.4.4. メãƒãƒ‡ã‚£ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue">9.4.5. å…ˆã«é€²ã‚€ã„ãã¤ã‹ã®æ–¹æ³•</a></span></dt></dl></dd></dl></div><div class="section" title="9.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" id="sect-Musicians_Guide-Ro
segarden-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Rosegarden-Requirements_and_Installation">9.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</h2></div></div></div><div class="section" title="9.1.1. å‰æ知è˜" id="sect-Musicians_Guide-Rosegarden-Knowledge_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Knowledge_Requirements">9.1.1. å‰æ知è˜</h3></div></div></div><div class="para">
+ Rosegarden's user interface is similar to other DAWs. We recommend that you read <a class="xref" href="#sect-Musicians_Guide-DAW_User_Interface" title="6.4. ユーザインタフェース">「ユーザインタフェースã€</a> if you have not used a DAW before.
+ </div></div><div class="section" title="9.1.2. ソフトウェアè¦ä»¶" id="sect-Musicians_Guide-Rosegarden-Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Software_Requirements">9.1.2. ソフトウェアè¦ä»¶</h3></div></div></div><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> 㯠<span class="application"><strong>JACK Audio Connection Kit</strong></span> を使ã„ã¾ã™ã€‚ <span class="application"><strong>Rosegarden</strong></span> をインストールã™ã‚‹å‰ã« <span class="application"><strong>JACK</strong></span> をインストールã™ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚<span class="application"><strong>JACK</strong></span> をインストールã™ã‚‹æ–¹æ³•ã«ã¤ã„ã¦ã¯ <a class="xref" href="#sect-Musicians_Guide-Install_and_Configure_JACK" title="2.3.1. Install and Configure JACK">「Install and Configure <code class="systemitem">JACK</code>ã€</a> ã‚’å‚照下ã•ã„。
+ </div></div><div class="section" title="9.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢è¦ä»¶" id="sect-Musicians_Guide-Rosegarden-Hardware_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Hardware_Requirements">9.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢è¦ä»¶</h3></div></div></div><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> を使用ã™ã‚‹ã«ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ãŒå¿…è¦ã§ã™ã€‚<span class="application"><strong>Rosegarden</strong></span> ã§éŸ³å£°ã‚’録音ã™ã‚‹ã«ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã«æŽ¥ç¶šã•ã‚ŒãŸãƒžã‚¤ã‚¯ãŒå°‘ãªãã¦ã‚‚ 1 ã¤å¿…è¦ã§ã™ã€‚<span class="application"><strong>FluidSynth</strong></span> ã‚„ <span class="application"><strong>SuperCollider</strong></span> ã®ã‚ˆã†ãªã€<span class="application"><strong>JACK</strong></span> ã«å¯¾å¿œã™ã‚‹ä»–ã®ãƒ—ãƒã‚°ãƒ©ãƒ ã‹ã‚‰ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ã‚’録音ã™ã‚‹ã®ã«ãƒžã‚¤ã‚¯ã¯å¿…è¦ã‚ã‚Šã¾ã›ã‚“。
+ </div></div><div class="section" title="9.1.4. ãã®ä»–ã®è¦ä»¶" id="sect-Musicians_Guide-Rosegarden-Other_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Other_Requirements">9.1.4. ãã®ä»–ã®è¦ä»¶</h3></div></div></div><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> ã‚’ MIDI シーケンサーã¨ã—ã¦ä½¿ã†ãªã‚‰ã€MIDI シンセサイザーãŒå¿…è¦ã§ã™ã€‚<span class="application"><strong>Rosegarden</strong></span> ã¨ã¨ã‚‚ã«ã€ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã‚·ãƒ³ã‚»ã‚µã‚¤ã‚¶ãƒ¼ã¨ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚·ãƒ³ã‚»ã‚µã‚¤ã‚¶ãƒ¼ã‚’使ã†ã“ã¨ãŒã§ãã¾ã™ã€‚ソフトウエアシンセサイザーã§ã‚ã‚‹ã€<span class="application"><strong>FluidSynth</strong></span> MIDI シンセサイザーを使ã†ã“ã¨ã‚’ãŠã™ã™ã‚ã—ã¾ã™ã€‚<span class="application"><strong>FluidSynth</strong></span> ã«ã¤ã„ã¦ã¯ã€<a class="xref" href="#chap-Musicians_Guide-FluidSynth" title="第10ç« FluidSynth">10ç« <i>FluidSynth</i></a> ã‚’å‚照下ã•ã„。
+ </div></div><div class="section" title="9.1.5. インストール" id="sect-Musicians_Guide-Rosegarden-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Installation">9.1.5. インストール</h3></div></div></div><div class="para">
+ Use <span class="application"><strong>PackageKit</strong></span> or <span class="application"><strong>KPackageKit</strong></span> to install the <span class="package">rosegarden4</span> packge. <span class="application"><strong>PackageKit</strong></span> automatically installs other required software.
+ </div></div></div><div class="section" title="9.2. 構æˆ" id="sect-Musicians_Guide-Rosegarden-Configuration"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Rosegarden-Configuration">9.2. 構æˆ</h2></div></div></div><div class="section" title="9.2.1. Setup JACK and FluidSynth (Qsynth)" id="sect-Musicians_Guide-Rosegarden-Configuration-JACK_and_Qsynth"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Configuration-JACK_and_Qsynth">9.2.1. Setup <span class="application"><strong>JACK</strong></span> and <span class="application"><strong>FluidSynth</strong></span> (<span class="application"><strong>Qsynth</strong></span>)</h3></div></div></div><div class="para">
+ Follow these instructions to setup <span class="application"><strong>JACK</strong></span> and <span class="application"><strong>Qsynth</strong></span>. Then follow the instructions in <a class="xref" href="#sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden" title="9.2.2. Rosegarden ã®è¨å®š">「<span class="application"><strong>Rosegarden</strong></span> ã®è¨å®šã€</a> to connect <span class="application"><strong>Rosegarden</strong></span> with <span class="application"><strong>JACK</strong></span> and <span class="application"><strong>Qsynth</strong></span>.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="application"><strong>JACK</strong></span> をコントãƒãƒ¼ãƒ«ã™ã‚‹ãŸã‚ã«ã€<span class="application"><strong>QjackCtl</strong></span> を開始ã—ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Start <span class="application"><strong>Qsynth</strong></span> to control <span class="application"><strong>FluidSynth</strong></span>. <span class="application"><strong>FluidSynth</strong></span> starts automatically.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Start <span class="application"><strong>Rosegarden</strong></span>.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Configure <span class="application"><strong>Qsynth</strong></span> to use the "alsa_seq" MIDI driver. Refer to <a class="xref" href="#sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input" title="10.4.4. Configure MIDI Input">「Configure MIDI Inputã€</a>.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ You may want to disconnect all <span class="application"><strong>JACK</strong></span> connections except the connections you will use with <span class="application"><strong>Rosegarden</strong></span>. Use the <span class="application"><strong>QjackCtl</strong></span> "Connect" window to make these connections:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ On the "Audio" tab:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The <span class="application"><strong>Qsynth</strong></span> output ports connect to the "system" input ports. If you only use MIDI in <span class="application"><strong>Rossegarden</strong></span>, and you do not use audio in <span class="application"><strong>Rosegarden</strong></span>, you do not need further connections on the "Audio" tab.
+ </div></li><li class="listitem"><div class="para">
+ If you use audio in <span class="application"><strong>Rosegarden</strong></span>, ensure the "master out" ports connect to the "system" input ports.
+ </div></li><li class="listitem"><div class="para">
+ If you use audio in <span class="application"><strong>Rosegarden</strong></span>, ensure the "record monitor" ports connect to the "system" input ports.
+ </div></li><li class="listitem"><div class="para">
+ If you use audio in <span class="application"><strong>Rosegarden</strong></span>, ensure the input ports connect to the "system" outputput ports. Note that <span class="application"><strong>Rosegarden</strong></span> can record from two independent sources ("1" and "2"), with two channels ("L" for left and "R" for right) from each, to produce a stereo recording.
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ On the "MIDI" tab:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ãªã«ã‚‚ã‚ã‚Šã¾ã›ã‚“。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ On the "ALSA" tab:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Connect the <span class="application"><strong>Rosegarden</strong></span> output ports to the "FLUID synth" input ports:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 1:sync out (MIDI コントãƒãƒ¼ãƒ«ãƒ¡ãƒƒã‚»ãƒ¼ã‚¸ã‚’é€ã‚‹ )
+ </div></li><li class="listitem"><div class="para">
+ 2:external controller ( セッションã®æœ€åˆã® MIDI 機器ã®ã‚»ãƒƒãƒˆã®ãŸã‚ )
+ </div></li><li class="listitem"><div class="para">
+ 3:out 2 - General MIDI Device ( セッションã®ï¼’ã¤ã‚ã® MIDI 機器ã®ã‚»ãƒƒãƒˆã®ãŸã‚ )
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ If you want <span class="application"><strong>Rosegarden</strong></span> to accept commands from other MIDI devices, connect these <span class="application"><strong>Rosegarden</strong></span> input ports to the other devices' output ports:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 0:record in
+ </div></li><li class="listitem"><div class="para">
+ 2:external controller
+ </div></li></ul></div>
+
+ </div></li></ol></div>
+
+ </div></li></ul></div>
+
+ </div></li></ol></div><div class="para">
+ We recommend that you disconnect all ports unless you need to connect them. If you have an extra connection, you may accidentally send a signal, and produce undesirable results.
+ </div></div><div class="section" title="9.2.2. Rosegarden ã®è¨å®š" id="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden">9.2.2. <span class="application"><strong>Rosegarden</strong></span> ã®è¨å®š</h3></div></div></div><div class="para">
+ Follow the instructions in <a class="xref" href="#sect-Musicians_Guide-Rosegarden-Configuration-JACK_and_Qsynth" title="9.2.1. Setup JACK and FluidSynth (Qsynth)">「Setup <span class="application"><strong>JACK</strong></span> and <span class="application"><strong>FluidSynth</strong></span> (<span class="application"><strong>Qsynth</strong></span>)ã€</a> to setup <span class="application"><strong>JACK</strong></span> and <span class="application"><strong>Qsynth</strong></span>. Then follow these instructions to connect <span class="application"><strong>Rosegarden</strong></span> with <span class="application"><strong>JACK</strong></span> and <span class="application"><strong>Qsynth</strong></span>.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Choose <span class="guimenu"><strong>Edit</strong></span> → <span class="guimenuitem"><strong>Preferences</strong></span> from the <span class="application"><strong>Rosegarden</strong></span> menu.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Setup "General" as desired:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ On the "Behaviour" tab. Select "Use <span class="application"><strong>JACK</strong></span> Transport" if you want <span class="application"><strong>Rosegarden</strong></span> to follow instructions from the transport shown in <span class="application"><strong>QjackCtl</strong></span>.
+ </div></li><li class="listitem"><div class="para">
+ On the "External Applications" tab. If you are not using <span class="application"><strong>KDE</strong></span> then we recommend that you change these applications to match what is installed on your computer.
+ </div></li></ul></div>
+
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Setup "MIDI" as desired. For the "MIDI Sync" tab:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Choose "Send MIDI Clock, Start and Stop" if <span class="application"><strong>Rosegarden</strong></span> controls all other MIDI devices.
+ </div></li><li class="listitem"><div class="para">
+ Choose "Accept Start, Stop and Continue" if <span class="application"><strong>Rosegarden</strong></span> accepts control signals from other MIDI devices.
+ </div></li><li class="listitem"><div class="para">
+ Choose "Off" if you do not understand which option to choose.
+ </div></li></ul></div>
+
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Setup "Audio" as desired:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The preview scale changes the way <span class="application"><strong>Rosegarden</strong></span> looks, but not how the audio sounds.
+ </div></li><li class="listitem"><div class="para">
+ If <span class="application"><strong>Rosegarden</strong></span> performs slowly on your computer, reduce quality from 32-bit to 16-bit. We do not recommend using 16-bit quality unless you need it, because you will have lower-quality audio.
+ </div></li><li class="listitem"><div class="para">
+ Choose a different external editor if you do not want to use the default choice (<span class="application"><strong>Audacity</strong></span>).
+ </div></li></ul></div>
+
+ </div></li></ol></div></div></div><div class="section" title="9.3. Rosegarden 㨠LilyPond" id="sect-Musicians_Guide-Rosegarden_and_LilyPond"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Rosegarden_and_LilyPond">9.3. <span class="application"><strong>Rosegarden</strong></span> 㨠LilyPond</h2></div></div></div><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> and LilyPond can be used together, which can greatly enhace your productivity. LilyPond will output a MIDI-format representation of your score if you include a "midi" section in the "score" section. It should look something like this:
+<pre class="programlisting">âŽ
+\scoreâŽ
+{âŽ
+ ...âŽ
+ \midi { }âŽ
+}âŽ</pre>
+ This MIDI file can then be imported into <span class="application"><strong>Rosegarden</strong></span> by selecting from the menu 'File > Import > Import MIDI File'. Unfortunately, this will erase the current session, so it can be done only once.
+ </div><div class="para">
+ It is also possible to export MIDI tracks to LilyPond format, which can then be edited further or simply turned into a score. To do this, from the menu select 'File > Export > Export LilyPond File'. After you select a location to save the file, <span class="application"><strong>Rosegarden</strong></span> allows you to control some score settings while exporting. After exporting a LilyPond file, you should inspect it with Frescobaldi before relying on it to be correct - computers sometimes make mistakes!
+ </div></div><div class="section" title="9.4. Rosegarden ã§ã€ä½œæ›²ã™ã‚‹ã€‚（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" id="sect-Musicians_Guide-Rosegarden-Tutorial"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Rosegarden-Tutorial">9.4. <span class="application"><strong>Rosegarden</strong></span> ã§ã€ä½œæ›²ã™ã‚‹ã€‚（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</h2></div></div></div><div class="para">
+ The <span class="application"><strong>Rosegarden</strong></span> notation editor may accidentally leave some notes playing longer than it should. Press the <span class="guibutton"><strong>panic</strong></span> button in <span class="application"><strong>Qsynth</strong></span> to fix this. Other synthesizers should also have a <span class="guibutton"><strong>panic</strong></span> button.
+ </div><div class="section" title="9.4.1. 楽èœã‚’ベースラインã‹ã‚‰å§‹ã‚ã‚‹" id="sect-Musicians_Guide-Rosegarden-Tutorial-Bass_Line"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Tutorial-Bass_Line">9.4.1. 楽èœã‚’ベースラインã‹ã‚‰å§‹ã‚ã‚‹</h3></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span>ã€<span class="application"><strong>Qsynth</strong></span> ãã—㦠<span class="application"><strong>Rosegarden</strong></span> ã®é †ã«ã€é–‹å§‹ã—ã¦ãã ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ For this tutorial, we'll be using the default "Fluid R3" SoundFont, but you can use any General MIDI SoundFont.
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>JACK</strong></span> ã§ã€<span class="application"><strong>Rosegarden</strong></span> ã‚’ã€MIDI ã ã‘を使ã†ã‚ˆã†ã«ã‚»ãƒƒãƒˆã‚¢ãƒƒãƒ—ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ From the <span class="application"><strong>Rosegarden</strong></span> menu, select <span class="guimenu"><strong>Edit</strong></span> → <span class="guimenuitem"><strong>Preferences</strong></span>. Click the "MIDI" tab, then the 'General' tab, then select "Send all MIDI controllers at start of each playback". This will ensure that the MIDI synthesizer (<span class="application"><strong>FluidSynth</strong></span> for this tutorial) uses the right patches.
+ </div></li><li class="listitem"><div class="para">
+ æ–°ã—ã„セグメントを作æˆã—ã¾ã™ã€‚
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Select the "Draw" tool on the toolbar (it looks like a red pencil), or press 'F3' on the keyboard.
+ </div></li><li class="listitem"><div class="para">
+ 最åˆã®ãƒˆãƒ©ãƒƒã‚¯ã§ã€æœ€åˆã® 2 å°ç¯€ã®é ˜åŸŸã‚’クリックã€ãƒ‰ãƒ©ãƒƒã‚°ã—ã¦é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ When you release the mouse, there should be a rectangle that says, "Acoustic Grand Piano," or something similar.
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 四角形をダブルクリックã—ã¦ã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã® MIDI セグメントエディタを開ãã¾ã™ã€‚ ãã‚Œã¯ã€æ¥½èœã‚¨ãƒ‡ã‚£ã‚¿ã®ã¯ãšã§ã™ã€‚
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 音部記å·ã‚’変更ã—ã¦ãã ã•ã„。 エディタウィンドウã®å·¦å´ã«ã‚るツールãƒãƒ¼ã®ä½ŽéŸ³éƒ¨è¨˜å·ã‚’クリックã—ã¦ãã ã•ã„。次ã«ã€ãれを置ãæ›ãˆã‚‹ãŸã‚ã«ã€æ—¢å˜ã®è¨˜å·ã‚’クリックã—ã¦ãã ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ Switch to the note-inputting tools as required. They're located next to the clef tools, in the toolbar at the left of the notation editor window.
+ </div></li><li class="listitem"><div class="para">
+ 3 ã¤ã® C ã®å››åˆ†éŸ³ç¬¦ã€C 㨠G ã® 2 ã¤ã®å…«åˆ†éŸ³ç¬¦ã€2 ã¤ã® E フラットã®å››åˆ†éŸ³ç¬¦ã€ãŠã‚ˆã³ D, F, D, G ã® 4 ã¤ã®å…«åˆ†éŸ³ç¬¦ã‚’入力ã—ã¦ãã ã•ã„。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ You'll probably make a few mistakes. The easiest way to fix a mistake is to erase the note/s and re-input the correct note/s. You can use the eraser tool for this. It's located on the top toolbar of the score editing window, to the left of the capital "T," and to the right of the red pencil. It looks like a red and white rectangle, which represents a standard white eraser.
+ </div></li><li class="listitem"><div class="para">
+ Listen to your creation by clicking on the 'play' button in the transport window. The playhead won't stop until you stop it, even though the visible playhead (the vertical line) will stop.
+ </div></li><li class="listitem"><div class="para">
+ Close the notation editor - you don't need to click the 'save' button, because <span class="application"><strong>Rosegarden</strong></span> will automatically keep your changes.
+ </div></li><li class="listitem"><div class="para">
+ ãªãŠã€ã‚ãªãŸã¯ãƒ•ã‚¡ã‚¤ãƒ«ã‚’ä¿å˜ã™ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚訳注：エディタを閉ã˜ã¦ã‚‚変更ã•ã‚ŒãŸæ¥½èœã¯æ¼”å¥ã•ã‚Œã‚‹ãŒã€ãƒ—ãƒã‚°ãƒ©ãƒ を終了ã™ã‚‹æ™‚ã«ã¯ä¿å˜ã—ãªã„ã¨å¤‰æ›´ã¯å¤±ã‚れるã€ã¨ã„ã†ã“ã¨ã‹ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Click the "Select and Edit" tool, which looks like a mouse cursor on the toolbar. You can also select that tool by pressing 'F2' on the keyboard.
+ </div></li><li class="listitem"><div class="para">
+ ã‚ãªãŸãŒä»Šä½œæˆã—ãŸã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’クリックã—ã¦é¸æŠžã—ã¦ãã ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ Create a copy of it by holding the 'Ctrl' key on the keyboard, as you click-and-drag the segment.
+ </div></li><li class="listitem"><div class="para">
+ 最åˆã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã®ç›´å¾Œã«ã€åŒã˜ãƒˆãƒ©ãƒƒã‚¯å†…ã§ã‚³ãƒ”ーをé…ç½®ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ã“ã®ã‚ˆã†ã«ã€ã•ã‚‰ã«ã„ãã¤ã‹ã®ã‚³ãƒ”ーを作æˆã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ å…ˆé ã«å†ç”Ÿãƒ˜ãƒƒãƒ‰ã‚’移動ã™ã‚‹ãŸã‚ã«ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’使用ã—ã¦ãã ã•ã„。（縦棒ã¨ã€ãれを指ã™çŸ¢å°ã®ã‚ˆã†ãªãƒœã‚¿ãƒ³ã‚’クリックã—ã¦ãã ã•ã„）
+ </div></li><li class="listitem"><div class="para">
+ Name the newly-created track by double-clicking on its name. A window will pop up, allowing you to rename the track. If you don't know what to call it, try "Bass line."
+ </div></li></ol></div>
+
+ </div></div><div class="section" title="9.4.2. ãƒ‘ãƒ¼ã‚«ãƒƒã‚·ãƒ§ãƒ³ãƒˆãƒ©ãƒƒã‚¯ã‚’è¿½åŠ " id="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track">9.4.2. ãƒ‘ãƒ¼ã‚«ãƒƒã‚·ãƒ§ãƒ³ãƒˆãƒ©ãƒƒã‚¯ã‚’è¿½åŠ </h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Select the second track, and rename it to "Percussion" (or something else, if you prefer).
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ In the "Instrument Parameters" portion of the toolbox on the left side of the editor window, check the "Percussion" check-box. If you do not see the "Instrument Parameters" panel, select <span class="guimenu"><strong>View</strong></span> → <span class="guimenuitem"><strong>Show Special Parameters</strong></span> from the menu.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Select <span class="guibutton"><strong>Play</strong></span> on the transport for just a second, then stop it. <span class="application"><strong>Rosegarden</strong></span> synchronizes the re-assignment with <span class="application"><strong>FluidSynth</strong></span>
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Press <span class="keycap"><strong>F3</strong></span> on the keyboard, or click on the "Draw" tool that looks like a pencil.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ Create a one-measure segment in the second track, then right-click on the segment, and select <span class="guimenuitem"><strong>Open in Percussion Matrix Editor</strong></span>.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ パーカッションマトリックスエディタã¯ã€ãƒžãƒˆãƒªãƒƒã‚¯ã‚¹ã‚¨ãƒ‡ã‚£ã‚¿ã«ä¼¼ã¦ã„ã¾ã™ãŒã€å„音程ã®ã‹ã‚ã‚Šã«ã€ãã‚ŒãŒé³´ã‚‰ã™æ¥½å™¨ã®ãƒ©ãƒ™ãƒ«ãŒã¤ã„ã¦ã„ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ã•ã¾ã–ã¾ãªæ¥½å™¨ã¨éŸ³ç¨‹ã‚’実験ã—ã¦ã€å„å°ç¯€ã§ç¹°ã‚Šè¿”ã™å››åˆ†éŸ³ç¬¦ã®ãƒ‘ターンを探ã—ã¦ãã ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ When you finish with your pattern, close the editor.
+ </div></li></ol></div>
+
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ Select the newly-created percussion segment, then choose <span class="guimenu"><strong>Edit</strong></span> → <span class="guimenuitem"><strong>Copy</strong></span> from the menu.
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ Move the transport playhead to the end of the first measure. First move it to the beginning, then press the "fast forward" button to advance it to the end of the first measure.
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ Confirm that the second track is still selected.
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ Choose <span class="guimenu"><strong>Edit</strong></span> → <span class="guimenuitem"><strong>Paste</strong></span> a few times, so the percussion track fills up the same space as the bassline.
+ </div></li></ol></div></div><div class="section" title="9.4.3. パーカッションをスパイスアップ" id="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion">9.4.3. パーカッションをスパイスアップ</h3></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Four quarter notes is not a very long percussion accompaniment, so let's make it more interesting.
+ </div></li><li class="listitem"><div class="para">
+ 最åˆã®ãƒ‘ーカッションã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’ダブルクリックã—ã¦ã€æ¨™æº–çš„ãªæ¥½èœã‚¨ãƒ‡ã‚£ã‚¿ã§é–‹ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ From the menu select 'Edit > Select Whole Staff'.
+ </div></li><li class="listitem"><div class="para">
+ Then from the menu select 'Adjust > Notes > Eighth Note'.
+ </div></li><li class="listitem"><div class="para">
+ This compressed the notes, which isn't what you wanted. Undo the change with 'Edit > Undo'.
+ </div></li><li class="listitem"><div class="para">
+ 全体ãŒé¸æŠžã•ã‚Œã¦ã„ã‚‹ã“ã¨ã‚’ã‚‚ã†ã„ã¡ã©ç¢ºèªã—ã¦ãã ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ From the menu select 'Adjust > Notes > Eighth Note (Without Duration Change)'.
+ </div></li><li class="listitem"><div class="para">
+ 今オリジナルã®ãƒªã‚ºãƒ ã®é–“ã« 8 分休符ãŒã‚ã‚Šã¾ã™ã€‚ãŠæœ›ã¿ãªã‚‰ã€ä¼‘符ã®ã‚ã‚‹ã¨ã“ã‚ã«ã‚ªãƒ•ãƒ“ートã®ã‚¢ã‚¯ã‚»ãƒ³ãƒˆã‚’åŠ ãˆã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚ã‚ãªãŸã¯ã€ãƒ‘ーカッションマトリクスエディタã«åˆ‡ã‚Šæ›¿ãˆã‚‹ã“ã¨ãŒã§ãã¾ã™ãŒã€ä»Šã®æ¥½èœã‚¨ãƒ‡ã‚£ã‚¿ã‚’使用ã—続ã‘ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ - ã©ã®éŸ³ç¨‹ãŒã©ã®æ¥½å™¨ã‚’表ã™ã‹æŽ¨æ¸¬ã™ã‚‹ã®ã¯é¢ç™½ã„ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。
+ </div></li><li class="listitem"><div class="para">
+ Now that you've made a change, you'll have to delete all the copies and re-copy them. We'll use a better solution instead, but you'll still have to start by deleting all of the copies of the segment. Remember to keep the first one!
+ </div></li><li class="listitem"><div class="para">
+ After removing all but the first segment, from the "Segment Parameters" box in the left toolbox, check the "Repeat" checkbox.
+ </div></li><li class="listitem"><div class="para">
+ Now the segment repeats forever. This can be useful, but eventually you'll want to stop the song. When you want to change the repeats into copies, from the menu select 'Segment > Turn Repeats Into Copies'.
+ </div></li><li class="listitem"><div class="para">
+ Adjust the first track so that it's repeated, too.
+ </div></li></ol></div>
+
+ </div></div><div class="section" title="9.4.4. メãƒãƒ‡ã‚£ã‚’è¿½åŠ ã™ã‚‹" id="sect-Musicians_Guide-Rosegarden-Tutorial-Melody"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Tutorial-Melody">9.4.4. メãƒãƒ‡ã‚£ã‚’è¿½åŠ ã™ã‚‹</h3></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Rename the third track to "Melody," or something like that.
+ </div></li><li class="listitem"><div class="para">
+ Change the track's program.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Look at the "Instrument Parameters" box in the "Special Parameters" toolbox on the left side of the main editing window.
+ </div></li><li class="listitem"><div class="para">
+ Make sure that you have the "Melody" track selected.
+ </div></li><li class="listitem"><div class="para">
+ Select the "General MIDI" bank, which is probably already selected.
+ </div></li><li class="listitem"><div class="para">
+ For the program, select whatever you prefer. I decided to use program 51, called "Synth Strings 1." It reminds me of music from the 1980s.
+ </div></li><li class="listitem"><div class="para">
+ After setting the program, press 'play' on the transport toolbar, and let it go for just a second. This will allow <span class="application"><strong>Rosegarden</strong></span> to send the program-change message to FluidSynth. It isn't strictly necessary, and it would have been done later anyway, but doing it now helps to avoid confusion later.
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Use the "Select and Edit" tool to create a segment in the "Melody" track, of four measures long.
+ </div></li><li class="listitem"><div class="para">
+ ダブルクリックã—ã¦ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã®ã‚¨ãƒ‡ã‚£ã‚¿ã§ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’編集ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Create four measures of a melody. It doesn't have to be complicated, or even interesting.
+ </div></li><li class="listitem"><div class="para">
+ Close the notation editor, and listen to the the three tracks. Don't forget to reset the playhead to the beginning of the session!
+ </div></li><li class="listitem"><div class="para">
+ It sounds a bit silly to have the melody enter at the very beginning, so add an introduction. With the "Select and Edit" tool (press 'F2' on the keyboard to engage it), click-and-drag the melody segment to a few bars or beats later. Note that, even if you move it to start on beat 2, 3, or 4, the view in the notation editor will always start the segment on beat 1.
+ </div></li></ol></div>
+
+ </div></div><div class="section" title="9.4.5. å…ˆã«é€²ã‚€ã„ãã¤ã‹ã®æ–¹æ³•" id="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue">9.4.5. å…ˆã«é€²ã‚€ã„ãã¤ã‹ã®æ–¹æ³•</h3></div></div></div><div class="para">
+ You're on your way to a full MIDI composition. All you need is some inspiration to continue, and some willingness to experiment with more advanced features and tools. If you don't know how to continue, try these suggestions. Remember: you're just starting out, so your first song doesn't have to be interesting or particularly good. Once you learn how to use MIDI composition tools, you'll naturally learn how to create better music with them!
+ </div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Make a simple ternary form (ABA): you've already created the first part (called "A"); so make a transition and a second, different part (called "B"), then another transition and repeat the first part. It doesn't need to be long, but it can be.
+ </div></li><li class="listitem"><div class="para">
+ Make a "variations" form: repeat the part that you've already created several times, but make it slightly different every time. Try several different ways of modifying it: add another melody to go along with the one you have; add extra notes to the existing melody; change the percussion track; write a new bassline; expand the melody so it takes twice as long; combinations of these. Making a variation of an existing section is a common way of making it take more time.
+ </div></li><li class="listitem"><div class="para">
+ 自分ã®ç›´æ„Ÿã«å¾“ã£ã¦ã‚ˆã‚Šå¤šãã®éŸ³æ¥½ã‚’è¿½åŠ ã—ã¦ã€æ—¢å˜ã®ç´ æã®æ‹¡å¼µãƒãƒ¼ã‚¸ãƒ§ãƒ³ã‚’作æˆã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ベースラインã¨ãƒ‘ーカッションã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’ç¹°ã‚Šè¿”ã™ã¨ã“ã‚ã«åˆ¥ã®ãƒ¡ãƒãƒ‡ã‚£ãƒ¼ã‚’作æˆã™ã‚‹ã‹ã‚ã‚Šã«ã€ 何度もメãƒãƒ‡ã‚£ãƒ¼ã‚’ç¹°ã‚Šè¿”ã—ã€æ–°ã—ã„ベースラインã¨ãƒ‘ーカッションã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’作ã£ã¦ã¿ã¦ãã ã•ã„。
+ </div></li></ul></div>
+
+ </div></div></div></div><div xml:lang="ja-JP" class="chapter" title="第10ç« FluidSynth" id="chap-Musicians_Guide-FluidSynth" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第10ç« FluidSynth</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-SoundFont_Technology_and_MIDI">10.1. サウンドフォント技術㨠MIDI</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-How_to_Get_a_SoundFont">10.1.1. ã©ã®ã‚ˆã†ã«ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã‚’å¾—ã‚‹ã‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-MIDI_Terms">10.1.2. MIDI インストゥルメントã€ãƒãƒ³ã‚¯ã€ãƒ—ãƒã‚°ãƒ©ãƒ ã€ãŠã‚ˆã³ãƒ‘ッãƒ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-MIDI_Channels">10.1.3. MIDIãƒãƒ£ãƒ³ãƒãƒ«</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Require
ments_and_Installation">10.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Software_Requirements">10.2.1. ソフトウェアè¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation">10.2.2. Install <span class="application"><strong>FluidSynth</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth">10.2.3. Install with <span class="application"><strong>Qsynth</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth">10.2.4. Install without <span class="application"><strong>Qsynth</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files">10.2.5. Install SoundFont Files</a></span></dt></dl></dd>
<dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-In_a_Terminal">10.3. Use <span class="application"><strong>FluidSynth</strong></span> in a Terminal Emulator</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring">10.4. Configure <span class="application"><strong>Qsynth</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-Starting_FluidSynth">10.4.1. Start <span class="application"><strong>FluidSynth</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-SoundFont">10.4.2. Configure the SoundFont</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output">10.4.3. Configure <span class="application"><strong>JACK</strong></span> Output</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input">10.4.4. Con
figure MIDI Input</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings">10.4.5. View all <span class="application"><strong>FluidSynth</strong></span> Settings</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels">10.5. Assign Programs to Channels with <span class="application"><strong>Qsynth</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Changing_Number_of_Input_Channels">10.5.1. Change the Number of MIDI Input Channels</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments">10.5.2. Save and Reuse Channel Assignments</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus">10.6. Use Reverb and Chorus with <span class="application"><strong>Qsynth</strong></span></a>
</span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Multiple_Instances">10.7. <span class="application"><strong>Qsynth</strong></span> ã§ã€è¤‡æ•°ã® <span class="application"><strong>FluidSynth</strong></span> インスタンスを使ã†</a></span></dt></dl></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> is a software-based MIDI synthesizer. <span class="application"><strong>FluidSynth</strong></span> accepts MIDI input from programs like Qtractor and Rosegarden, and uses SoundFont technology to create audio signals. This makes <span class="application"><strong>FluidSynth</strong></span> a very flexible tool; it can be used even on low-power computers, doesn't require specialized hardware, and can take advantage of a wide selection of high-quality MIDI instruments. When used with the <span class="application"><strong>Qsynth</strong></span> graphical interface, <span class="application"><strong>FluidSynth</strong></span> becomes even more powerful: users can easily control basic effects like chorus and reverb, and they can start multiple <span class="application"><strong>FluidSynth</strong></span> synthesizers, each with their own settings and MIDI instrument assignments. Finally, because <span class="application"
><strong>Qsynth</strong></span> was created and is maintained by the same developers as Qtractor and QjackCtl, it provides a familiar interface, and integrates well with these other applications.
+ </div><div class="section" title="10.1. サウンドフォント技術㨠MIDI" id="sect-Musicians_Guide-FluidSynth-SoundFont_Technology_and_MIDI"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-SoundFont_Technology_and_MIDI">10.1. サウンドフォント技術㨠MIDI</h2></div></div></div><div class="para">
+ サウンドフォント技術ã¯ã€1990年代åˆé ã«é–‹ç™ºã•ã‚Œã€ã‚¢ã‚³ãƒ¼ã‚¹ãƒ†ã‚£ãƒƒã‚¯æ¥½å™¨ã®ã‚ˆã†ãªéŸ³ãŒå‡ºã›ã‚‹ MIDI 機器ã®ä½œæˆã‚’å¯èƒ½ã«ã™ã‚‹ã‚ˆã†ã«è¨è¨ˆã•ã‚ŒãŸã€ãƒ•ã‚¡ã‚¤ãƒ«å½¢å¼ãŠã‚ˆã³ã‚る種ã®ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢æŠ€è¡“ã‹ã‚‰ãªã‚‹ã‚‚ã®ã§ã™ã€‚アコースティック楽器ã¨å…¨ãåŒã˜ã«èžã“ãˆã‚‹ã€é›»åçš„ã«åˆæˆã•ã‚ŒãŸæ¥½å™¨ã‚’作るã®ã¯ã»ã¨ã‚“ã©ä¸å¯èƒ½ã§ã‚ã‚‹ã‚‚ã®ã®ã€ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆæŠ€è¡“ã¯ãã®ã‚®ãƒ£ãƒƒãƒ—ã‚’ã‹ãªã‚Šç¸®å°ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚é©åˆ‡ãªçŠ¶æ³ã§èžã‹ã‚ŒãŸã¨ãã«ã€ã»ã¨ã‚“ã©ã®äººã¯ã€éŸ³æ¥½ãŒã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆå¯¾å¿œã® MIDI シンセサイザã«ã‚ˆã£ã¦éŒ²éŸ³ã•ã‚ŒãŸã“ã¨ã«æ°—ã¥ã‹ãªã„ã§ã—ょã†ã€‚ãªãŠã€çµæžœã¯å¤§ããç•°ãªã‚‹å ´åˆãŒã‚ã‚Šã¾ã™ã€‚
+ </div><div class="para">
+ What <span class="application"><strong>FluidSynth</strong></span> enables users to do is eliminate the hardware component of using SoundFonts, so that any computer becomes capable of synthesizing from SoundFont files, which are often simply referred to as "a SoundFont." As fonts change the look of text characters, SoundFonts change the sound of MIDI notes - the overall meaning is the same when conveyed by any font (or SoundFont), but the particular nuance is changed.
+ </div><div class="para">
+ Fedora offers a few SoundFonts in the default repositories. By default, <span class="application"><strong>FluidSynth</strong></span> installs the FluidR3 General MIDI ("GM") SoundFont, which contains a wide array of conventional (and some non-conventional) "patches." To see the other options that are available, use PackageKit, KPackageKit, or yum to search for "soundfont".
+ </div><div class="section" title="10.1.1. ã©ã®ã‚ˆã†ã«ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã‚’å¾—ã‚‹ã‹" id="sect-Musicians_Guide-FluidSynth-How_to_Get_a_SoundFont"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-How_to_Get_a_SoundFont">10.1.1. ã©ã®ã‚ˆã†ã«ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã‚’å¾—ã‚‹ã‹</h3></div></div></div><div class="para">
+ インターãƒãƒƒãƒˆä¸Šã«ã¯ã€ç„¡æ–™ã§åˆ©ç”¨ã§ãã‚‹ãŸãã•ã‚“ã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆãŒã‚ã‚Šã¾ã™ã—ã€è³¼å…¥ãŒå¯èƒ½ãªã‚‚ã®ã‚‚ã„ãã¤ã‹ã‚ã‚Šã¾ã™ã€‚ãã®ä¸ã«ã¯ã€éžå¸¸ã«é«˜å“質ã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã‚‚ã‚ã‚Šã¾ã™ã€‚ 次ã®3ã¤ã®ã‚¦ã‚§ãƒ–サイトã¯ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã®ãƒªã‚½ãƒ¼ã‚¹ã¸ã®ãƒªãƒ³ã‚¯ãŠã‚ˆã³ã„ãã¤ã‹ã®æœ‰æ–™ã¾ãŸã¯ç„¡æ–™ã§ãƒ€ã‚¦ãƒ³ãƒãƒ¼ãƒ‰ã§ãるサウンドフォントã¸ã®ãƒªãƒ³ã‚¯ã‚’æŒã¡ã¾ã™ã€‚ãã“ã§æä¾›ã•ã‚Œã‚‹ã‚‚ã®ã®å“質ã‚ã‚‹ã„ã¯ã€ãã®ã‚¦ã‚§ãƒ–サイトã®å“質ã¨ã‚»ã‚ュリティã«ã¤ã„ã¦ã¯ã€ä½•ã‚‚ä¿è¨¼ã•ã‚Œã¾ã›ã‚“。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle">S. Christian Collins' "General User" SoundFont</em>, available from <a href="http://www.schristiancollins.com/generaluser.php">http://www.schristiancollins.com/generaluser.php</a>.
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://www.hammersound.net/cgi-bin/soundlink.pl">http://www.hammersound.net/cgi-bin/soundlink.pl</a> ã§åˆ©ç”¨å¯èƒ½ãª<em class="citetitle">HammerSound SoundFont Library</em>
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://soundfonts.homemusician.net/">http://soundfonts.homemusician.net/</a> ã§åˆ©ç”¨å¯èƒ½ãªã€<em class="citetitle">homemusician.net SoundFont Library</em>
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://www.synthzone.com/soundfont.htm">http://www.synthzone.com/soundfont.htm</a> ã§åˆ©ç”¨å¯èƒ½ãª<em class="citetitle">Synth Zone</em>
+ </div></li></ul></div>
+
+ </div><div class="para">
+ See <a class="xref" href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files" title="10.2.5. Install SoundFont Files">「Install SoundFont Filesã€</a> below for instructions to install a SoundFont.
+ </div></div><div class="section" title="10.1.2. MIDI インストゥルメントã€ãƒãƒ³ã‚¯ã€ãƒ—ãƒã‚°ãƒ©ãƒ ã€ãŠã‚ˆã³ãƒ‘ッãƒ" id="sect-Musicians_Guide-FluidSynth-MIDI_Terms"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-MIDI_Terms">10.1.2. MIDI インストゥルメントã€ãƒãƒ³ã‚¯ã€ãƒ—ãƒã‚°ãƒ©ãƒ ã€ãŠã‚ˆã³ãƒ‘ッãƒ</h3></div></div></div><div class="para">
+ A "MIDI instrument" is the synthesizer itself. If the synthesizer uses SoundFonts, then the SoundFont also constitutes part of the instrument. Each instrument can be thought of as a library, which stores books.
+ </div><div class="para">
+ Each instrument offers at least one, but possibly several "banks," which store programs. If a MIDI instrument is a library, then a bank is like a particular shelf. You must first select a shelf before choosing a book.
+ </div><div class="para">
+ Each bank offers between one and one hundred and twenty seven "programs," (also called "patches") which are the sounds themselves. If a MIDI instrument is a library and a bank is a shelf, then a program is a book. Programs need not necessarily be related, but banks with a large number of programs (like the "General MIDI" bank) usually follow some sort of order. It is the program alone which determines the sound of the synthesized audio; the bank and instrument simply limit the possible choices of program.
+ </div></div><div class="section" title="10.1.3. MIDIãƒãƒ£ãƒ³ãƒãƒ«" id="sect-Musicians_Guide-FluidSynth-MIDI_Channels"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-MIDI_Channels">10.1.3. MIDIãƒãƒ£ãƒ³ãƒãƒ«</h3></div></div></div><div class="para">
+ A MIDI synthesizer will accept input on multiple channels. Although each "instance" of the synthesizer can only have one MIDI instrument assigned to it, each channel can be assigned a program independently. This allows the synthesis of a virtual instrumental ensemble.
+ </div><div class="para">
+ The General MIDI ("GM") standard, used partially by the default FluidR3 SoundFont and by <span class="application"><strong>FluidSynth</strong></span> itself, further specifies that there will be 16 channels, and that channel 10 will be used for (mostly unpitched) percussion instruments. Any program change message sent to channel 10 will be ignored, and although <span class="application"><strong>FluidSynth</strong></span> can be configured to use a non-percussion program on channel 10, this use is discouraged.
+ </div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span>ãŒæ±Žç”¨ MIDI 標準ã«å¾“ã‚ãªã„å ´åˆã€ãã‚Œã¯æ©Ÿèƒ½ã‚’削除ã™ã‚‹ã®ã§ãªãã€è¿½åŠ ã—ã¦ã„ã¾ã™.
+ </div></div></div><div class="section" title="10.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" id="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation">10.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</h2></div></div></div><div class="section" title="10.2.1. ソフトウェアè¦ä»¶" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Software_Requirements">10.2.1. ソフトウェアè¦ä»¶</h3></div></div></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> 㯠<code class="systemitem"><span class="application"><strong>JACK</strong></span> Audio Connection Kit</code> ã‚’å¿…è¦ã¨ã—ã¾ã™ã€‚ã‚‚ã—ã‚ãªãŸãŒ <span class="application"><strong>JACK</strong></span> パッケージをインストールã—ã¦ã„ãªã„ãªã‚‰ã€<span class="application"><strong>FluidSynth</strong></span> をインストールã™ã‚‹<span class="emphasis"><em>å‰ã«</em></span>ãã†ã—ã¦ãã ã•ã„ã€‚æ‰‹é †ã¯ <a class="xref" href="#sect-Musicians_Guide-Install_and_Configure_JACK" title="2.3.1. Install and Configure JACK">「Install and Configure <code class="systemitem">JACK</code>ã€</a> ã‚’å‚ç…§ã—ã¦ãã ã•ã„。
+ </div></div><div class="section" title="10.2.2. Install FluidSynth" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation">10.2.2. Install <span class="application"><strong>FluidSynth</strong></span></h3></div></div></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> をインストールã™ã‚‹ã«ã¯ï¼’ã¤ã®æ–¹æ³•ãŒã‚ã‚Šã¾ã™ã€‚第1ã€<span class="application"><strong>FluidSynth</strong></span> ã‚’ <span class="application"><strong>Qsynth</strong></span> ã¨ã„ã£ã—ょã«ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã™ã‚‹æ–¹æ³•ã¯ã€ <span class="application"><strong>FluidSynth</strong></span> ã‚’ <span class="application"><strong>Qsynth</strong></span> グラフィカルユーザインタフェースã¨ã¨ã‚‚ã«ä½¿ã†ã“ã¨ãŒã§ãã¾ã™ã€‚デフォルトサウンドフォントもインストールã•ã‚Œã€ï¼ˆ<span class="application"><strong>timidity++</strong></span> ã®ã‚ˆã†ãªï¼‰ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆå¯¾å¿œã®ä»»æ„ã®ã‚¢ãƒ—リケーションã‹ã‚‰ä½¿ã†ã“ã¨ãŒã§ãã¾ã™ã€‚ã“ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«æ–¹æ³•ã¯ã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§ã¯ã€<span class="application"><strong>FluidSynth</strong></span> をターミナルã‹ã‚‰ä½¿ã†ã“ã¨ã¯ã§ãã¾ã›ã‚“。ã—ã‹ã—ã€ãã‚Œã¯å¾Œã‹ã‚‰ç°¡å
˜ã«è¿½åŠ ã§ãã¾ã™ã€‚ã“ã‚ŒãŒã€ã»ã¨ã‚“ã©ã®ãƒ¦ãƒ¼ã‚¶ã«ã™ã™ã‚られるインストール方法ã§ã™ã€‚
+ </div><div class="para">
+ 第2ã® <span class="application"><strong>FluidSynth</strong></span> をインストールã™ã‚‹æ–¹æ³•ã¯ã€<span class="application"><strong>Qsynth</strong></span> グラフィカルインタフェースをå«ã‚ãªã„ã§è¡Œã†ã“ã¨ã§ã™ã€‚ã“ã®æ–¹æ³•ã ã¨ã€<span class="application"><strong>FluidSynth</strong></span> ã‚’ã€ã‚¿ãƒ¼ãƒŸãƒŠãƒ«ã‹ã‚‰å®Ÿè¡Œã™ã‚‹ã“ã¨ãŒã§ãã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã¯ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã•ã‚Œã¾ã›ã‚“。ã“ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«æ–¹æ³•ã¯ã€é«˜åº¦ãªãƒ¦ãƒ¼ã‚¶ãƒ¼ã«ã®ã¿ã™ã™ã‚られã¾ã™ã€‚
+ </div></div><div class="section" title="10.2.3. Install with Qsynth" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth">10.2.3. Install with <span class="application"><strong>Qsynth</strong></span></h3></div></div></div><div class="para">
+ We recommend this installation method for most users. Follow these instructions to install everything you need for <span class="application"><strong>FluidSynth</strong></span>.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Use <span class="application"><strong>PackageKit</strong></span> or <span class="application"><strong>KPackageKit</strong></span> to install the <span class="package">qsynth</span> package.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Review and approve the proposed installation. If you did not previously install the <span class="package">fluid-soundfont-gm</span> packge, <span class="application"><strong>PackageKit</strong></span> will install it now. The <span class="package">fluid-soundfont-gm</span> package is approximately 142Â MB.
+ </div></li></ol></div><div class="para">
+ If you wish to use <span class="application"><strong>FluidSynth</strong></span> from a terminal emulator, without the <span class="application"><strong>Qsynth</strong></span> graphical interface, you can enable this capability by installing the <span class="package">fluidsynth</span> package. You do not need <span class="package">fluidsynth</span> if you will use the <span class="application"><strong>Qsynth</strong></span> graphical interface. If you are unsure whether you want the <span class="package">fluidsynth</span> package, you can safely install it, even if you never use it. It only uses a small amount of hard drive space.
+ </div></div><div class="section" title="10.2.4. Install without Qsynth" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth">10.2.4. Install without <span class="application"><strong>Qsynth</strong></span></h3></div></div></div><div class="para">
+ We only recommend this installation method for advanced users. Follow these instructions to install <span class="application"><strong>FluidSynth</strong></span> without a graphical interface or SoundFont file. You must install a SoundFont file before you can use <span class="application"><strong>FluidSynth</strong></span> (see <a class="xref" href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files" title="10.2.5. Install SoundFont Files">「Install SoundFont Filesã€</a>).
+ </div><div class="para">
+ <span class="application"><strong>PackageKit</strong></span> ã¾ãŸã¯ <span class="application"><strong>KPackageKit</strong></span> を使ã£ã¦ã€<span class="package">fluidsynth</span> パッケージをインストールã—ã¾ã™.
+ </div></div><div class="section" title="10.2.5. Install SoundFont Files" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files">10.2.5. Install SoundFont Files</h3></div></div></div><div class="para">
+ <span class="application"><strong>Qsynth</strong></span> automatically installs a SoundFont for use with <span class="application"><strong>FluidSynth</strong></span>, but if you did not install <span class="application"><strong>Qsynth</strong></span>, or if you want to add additional SoundFont files with additional programs, you will need to install them separately. The Fedora package repositories offer a small selection of SoundFont files, which you can find by searching for "soundfont" with <span class="application"><strong>PackageKit</strong></span>, <span class="application"><strong>KPackageKit</strong></span>, or <span class="application"><strong>yum</strong></span>. These files will automatically be installed correctly. If you wish to install additional SoundFont files, it is recommended that you install them in the same location—and with the same security settings—as the ones available from the Fedora repositories. If you do this, then you enable all users of
the computer system to access the files, you will not "lose" them if you forget where they are stored, and you help to minimize the potential security risk of using software downloaded from the internet.
+ </div><div class="para">
+ The following steps move a SoundFont file called <code class="filename">myFont.sf2</code> to the default folder (<code class="filename">/usr/share/soundfonts</code>), and correctly set the security settings. Note that you will need the system administrator's password (belonging to the "root" account) to complete this operation. If you do not have this password, it is best to ask the system administrator to install the files for you. Alternately, you may simply use the SoundFont file from your a sub-folder in your home folder.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ シェルã¾ãŸã¯ã‚¿ãƒ¼ãƒŸãƒŠãƒ«ã‚’èµ·å‹•ã—ã€ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆãƒ•ã‚¡ã‚¤ãƒ«ãŒç¾åœ¨æ ¼ç´ã•ã‚Œã¦ã„るフォルダã«ç§»å‹•ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Run <code class="command">su -c 'cp <em class="replaceable"><code>myFont.sf2</code></em> /usr/share/soundfonts'</code>
+ </div><ol class="a"><li class="step" title="ステップ 2.a"><div class="para">
+ å¿…è¦ã«å¿œã˜ã¦ã€<code class="filename">myFont.sf2</code> ã§ãªãã€ã‚ãªãŸã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆãƒ•ã‚¡ã‚¤ãƒ«ã‚’コピーã™ã‚‹ã‚ˆã†ã«ã‚³ãƒžãƒ³ãƒ‰ã‚’変更ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 2.b"><div class="para">
+ ã‚ãªãŸã¯ã€<code class="literal">root</code> アカウントã®ãƒ‘スワードをè¦æ±‚ã•ã‚Œã¾ã™ã€‚
+ </div></li></ol></li><li class="step" title="ステップ 3"><div class="para">
+ <code class="command">cd /usr/share/soundfonts</code> を実行ã—ã¦ã€ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã®ãƒ‡ã‚£ãƒ¬ã‚¯ãƒˆãƒªã«ç§»å‹•ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Run <code class="command">su -c 'chmod 644 <em class="replaceable"><code>myFont.sf2</code></em>'</code>
+ </div><ol class="a"><li class="step" title="ステップ 4.a"><div class="para">
+ å¿…è¦ã«å¿œã˜ã¦ã€<code class="filename">myFont.sf2</code> ã§ãªãã¦ã‚ãªãŸã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆãƒ•ã‚¡ã‚¤ãƒ«ã‚’指定ã™ã‚‹ã‚ˆã†ã«ã‚³ãƒžãƒ³ãƒ‰ã‚’変更ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 4.b"><div class="para">
+ This will set the file-system permissions to "read-write" for the owner (the "root" user, in this case), and "read-only" for all other users. This way, only the system administrator should be able to change the file, but all users will be able to use it.
+ </div></li></ol></li><li class="step" title="ステップ 5"><div class="para">
+ <code class="command">ll <em class="replaceable"><code>myFont.sf2</code></em></code> を実行ã—ã¦ã€ã‚¢ã‚¯ã‚»ã‚¹è¨±å¯ãŒæ£ã—ãè¨å®šã•ã‚Œã¦ã„ã‚‹ã“ã¨ã‚’確èªãã ã•ã„。
+ </div><ol class="a"><li class="step" title="ステップ 5.a"><div class="para">
+ å¿…è¦ã«å¿œã˜ã¦ã€<code class="filename">myFont.sf2</code> ã§ãªãã¦ã‚ãªãŸã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆãƒ•ã‚¡ã‚¤ãƒ«ã‚’指定ã™ã‚‹ã‚ˆã†ã«ã‚³ãƒžãƒ³ãƒ‰ã‚’変更ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 5.b"><div class="para">
+ 出力ã¯ã€ã“ã‚“ãªãµã†ã«ãªã‚‹ã¯ãšã§ã™ï¼š
+<pre class="programlisting">-rw-r--r--. 1 root root 9 2010-06-23 02:28 myFont.sf2</pre>
+ ãŸã ã—ã€æ—¥ä»˜ã€æ™‚刻ã€ãƒ•ã‚¡ã‚¤ãƒ«åã¯ç•°ãªã‚Šã¾ã™ã€‚
+ </div></li></ol></li><li class="step" title="ステップ 6"><div class="para">
+ Highly-observant users may notice that the SELinux context of the new file is different from that of any Fedora-installed SoundFont file. As long as the type is <code class="literal">usr_t</code>, which it should be by default, then there is no practical difference (no difference in enforcement) between this and a Fedora-installed SoundFont file. If you don't know what this means, or if you hadn't noticed it, then it means that this additional SoundFont file should not create a new potential security problem.
+ </div></li></ol></div></div></div><div class="section" title="10.3. Use FluidSynth in a Terminal Emulator" id="sect-Musicians_Guide-FluidSynth-In_a_Terminal"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-In_a_Terminal">10.3. Use <span class="application"><strong>FluidSynth</strong></span> in a Terminal Emulator</h2></div></div></div><div class="para">
+ This is not the recommended way to use <span class="application"><strong>FluidSynth</strong></span>, because the <span class="application"><strong>Qsynth</strong></span> graphical interface is much easier to use. <span class="application"><strong>Qsynth</strong></span> automatically configures most of <span class="application"><strong>FluidSynth</strong></span>'s settings by default, allowing you to avoid focus on how you want to use <span class="application"><strong>FluidSynth</strong></span>, rather than on how to use <span class="application"><strong>FluidSynth</strong></span>.
+ </div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> をターミナルã§ä½¿ç”¨ã™ã‚‹ã«ã¯ã€<code class="command">fluidsynth</code> コマンドを使ã„ã¾ã™ã€‚ デフォルトã®ã‚µãƒ³ãƒ—ルレートã¯ã€44.1kHzã§ã™ã€‚ã‚‚ã—ã‚ãªãŸãŒ <span class="application"><strong>JACK</strong></span> を別ã®ã‚µãƒ³ãƒ—ルレートã§ä½¿ã„ãŸã„ã¨ãã¯ã€ <code class="command">-r</code> フラグをã¤ã‘ã¦ã€ã“ã®æ§˜ã«ã™ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ï¼š<code class="command">fluidsynth -r 48000</code>
+ </div><div class="para">
+ When you start <span class="application"><strong>FluidSynth</strong></span> from a terminal, it will normally start a shell of its own. How to use this shell is beyond the scope of the Musicians' Guide, but you can get basic help by running the "help" command from the <span class="application"><strong>FluidSynth</strong></span> command line.
+ </div></div><div class="section" title="10.4. Configure Qsynth" id="sect-Musicians_Guide-FluidSynth-Configuring"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-Configuring">10.4. Configure <span class="application"><strong>Qsynth</strong></span></h2></div></div></div><div class="para">
+ ã‚ãªãŸãŒ <span class="application"><strong>Qsynth</strong></span> を終了ã™ã‚‹ã¨ãã€ã™ã¹ã¦ã®è¨å®šã¯ä¿å˜ã•ã‚Œã¾ã™ã€‚ãã—ã¦ã€<span class="application"><strong>Qsynth</strong></span> ãŒå†é–‹å§‹ã™ã‚‹ã¨ãã€ãµãŸãŸã³ä½¿ã‚ã‚Œã¾ã™ã€‚ã“ã‚Œã¯ã€ä»–ã® <span class="application"><strong>Qsynth</strong></span> ã®ã‚¤ãƒ³ã‚¹ã‚¿ãƒ³ã‚¹ã€(以下ã§èª¬æ˜Žã—ã¾ã™)ã®è¨å®šã‚‚å«ã¿ã€ãれらインスタンス㯠<span class="application"><strong>Qsynth</strong></span> ãŒå†é–‹å§‹ã™ã‚‹ã¨ãã€åŒã˜ã‚ˆã†ã«å†ç”Ÿæˆã•ã‚Œã¾ã™ã€‚
+ </div><div class="section" title="10.4.1. Start FluidSynth" id="sect-Musicians_Guide-FluidSynth-Configuring-Starting_FluidSynth"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Configuring-Starting_FluidSynth">10.4.1. Start <span class="application"><strong>FluidSynth</strong></span></h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ アプリケーションメニューã‚ã‚‹ã„㯠K Menu ã‹ã‚‰ <span class="application"><strong>Qsynth</strong></span> を開始ã—ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> エンジンã¯è‡ªå‹•çš„ã«é–‹å§‹ã—ã¾ã™.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ <span class="application"><strong>Qsynth</strong></span> ウインドウã®å³ã«ã‚る一列ã®ãƒœã‚¿ãƒ³ãŒã€<span class="application"><strong>Qsynth</strong></span> を制御ã—ã¾ã™.ãã®ã»ã‹ã®è¨å®šã¯ã€<span class="application"><strong>FluidSynth</strong></span> を制御ã—ã¾ã™.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ You can use the "Messages" button to display a window containing <span class="application"><strong>FluidSynth</strong></span>'s output. If <span class="application"><strong>FluidSynth</strong></span> doesn't work as expected, you can use this window to view any error message that might have been produced.
+ </div></li></ol></div></div><div class="section" title="10.4.2. Configure the SoundFont" id="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont">10.4.2. Configure the SoundFont</h3></div></div></div><div class="para">
+ The default "FluidR3" SoundFont, installed with <span class="application"><strong>Qsynth</strong></span>, is automatically configured.
+ </div><div class="para">
+ 別ã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã‚’構æˆã™ã‚‹ã«ã¯ï¼š
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Click on the 'Open' button, and navigate to the path of the SoundFont you wish to add. This should be <code class="filename">/usr/share/soundfonts</code>, if installed to the standard location specified in <a class="xref" href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files" title="10.2.5. Install SoundFont Files">「Install SoundFont Filesã€</a>.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Select the additional SoundFont, then click the 'Open' button.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ To change the SoundFont ID (SFID), use the 'Up' and 'Down' buttons to change the position of the SoundFonts, as desired. This does not directly change the function of <span class="application"><strong>FluidSynth</strong></span> - any SoundFont should work with any SoundFont ID number.
+ </div></li></ol></div></div><div class="section" title="10.4.3. Configure JACK Output" id="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output">10.4.3. Configure <span class="application"><strong>JACK</strong></span> Output</h3></div></div></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> ãŒã€åˆæˆã•ã‚ŒãŸéŸ³å£°ã‚’ <span class="application"><strong>JACK</strong></span> ã«å‡ºåŠ›ã™ã‚‹ã‚ˆã†ã«ã‚‚ã€ALSA ã«ã™ã‚‹ã‚ˆã†ã«ã‚‚ã€æ§‹æˆã™ã‚‹ã“ã¨ãŒå¯èƒ½ã§ã™ã€‚デフォルトã§ã€ãŠã™ã™ã‚ã®æ–¹æ³•ã¯ã€åˆæˆã•ã‚ŒãŸéŸ³å£°ã‚’ <span class="application"><strong>JACK</strong></span> ã«å‡ºåŠ›ã™ã‚‹ã“ã¨ã§ã™ã€‚ã“ã‚Œã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªå“質を最大é™ã«åˆ¶å¾¡ã™ã‚‹ã“ã¨ãŒã§ãã€ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨å¤šé‡åŒ–（定義 㯠<a class="xref" href="#sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing" title="1.4.7. ルーティングã¨å¤šé‡åŒ–">「ルーティングã¨å¤šé‡åŒ–ã€</a> ã‚’å‚ç…§ãã ã•ã„。）を最も柔軟ã«ã§ãã¾ã™.ã‚ãªãŸã¯ã€åˆæˆã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ã‚’èžããªãŒã‚‰ã€åŒæ™‚ã«éŒ²éŸ³ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="para">
+ å•é¡ŒãŒã‚ã‚‹å ´åˆã¯ã€<span class="application"><strong>Qsynth</strong></span> ㌠<span class="application"><strong>JACK</strong></span> を使ã†ã‚ˆã†ã«æ£ã—ã構æˆã•ã‚Œã¦ã„ã‚‹ã‹ç¢ºèªã™ã‚‹ã¨ã‚ˆã„ã§ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Open <span class="application"><strong>Qsynth</strong></span>'s "Setup" window.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Select the 'Audio' tab, and ensure that "Audio Driver" is set to "jack".
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ You should also ensure that the other settings are correct - especially that the "sample rate" is set to the same sample rate as <span class="application"><strong>JACK</strong></span> (through <span class="application"><strong>QjackCtl</strong></span>).
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ ã»ã¨ã‚“ã©ã®å ´åˆã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆè¨å®šãŒã†ã¾ãã„ãã¯ãšã§ã™ã€‚ã‚‚ã—ã‚ãªãŸãŒãƒ‡ãƒ•ã‚©ãƒ«ãƒˆè¨å®šã‚’変更ã—ãŸãªã‚‰ã°ã€ä»¥ä¸‹ãŒãã‚Œã§ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Buffer Size: 1024
+ </div></li><li class="listitem"><div class="para">
+ Buffer Count: 2
+ </div></li><li class="listitem"><div class="para">
+ Audio Channels: 1
+ </div></li><li class="listitem"><div class="para">
+ Audio Groups: 1
+ </div></li><li class="listitem"><div class="para">
+ Polyphony: 256
+ </div></li></ul></div>
+
+ </div></li></ol></div><div class="para">
+ If you are having problems with audio cut-outs, you may wish to increase the buffer settings. The size should be increased in multiples of 1024, and the buffer count should not be increased much. The default setting or one "Audio Channel" provides stereo output, and each additional channel produces another set of stereo outputs. Increasing the "polyphony" setting will allow a higher number of simultaneous notes ("MIDI events," really), which will be useful in exteremely complex situations.
+ </div></div><div class="section" title="10.4.4. Configure MIDI Input" id="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input">10.4.4. Configure MIDI Input</h3></div></div></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> generates sound as instructed by a connected (software- or hardware-based) MIDI device. Verify the following settings so <span class="application"><strong>FluidSynth</strong></span> connects to the devices you want.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Open the <span class="application"><strong>Qsynth</strong></span> "Setup" window.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ The "Enable MIDI Input" check-box must be checked.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Choose the correct "MIDI Driver" setting:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Use the "alsa_seq" setting if you want to connect <span class="application"><strong>FluidSynth</strong></span> with a source on the "ALSA" tab of the <span class="application"><strong>QjackCtl</strong></span> "Connect" window. Use this setting for <span class="application"><strong>Rosegarden</strong></span> and <span class="application"><strong>Qtractor</strong></span> in most cases.
+ </div></li><li class="listitem"><div class="para">
+ Use the "jack" setting if you want to connect <span class="application"><strong>FluidSynth</strong></span> with a sources on the "MIDI" tab of the <span class="application"><strong>QjackCtl</strong></span> "Connect" window.
+ </div></li></ul></div>
+
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ If you want to change the number of MIDI input channels in <span class="application"><strong>FluidSynth</strong></span>, refer to <a class="xref" href="#sect-Musicians_Guide-FluidSynth-Changing_Number_of_Input_Channels" title="10.5.1. Change the Number of MIDI Input Channels">「Change the Number of MIDI Input Channelsã€</a> below.
+ </div></li></ol></div></div><div class="section" title="10.4.5. View all FluidSynth Settings" id="sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings">10.4.5. View all <span class="application"><strong>FluidSynth</strong></span> Settings</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Open the "Setup" window
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Select the "Settings" tab
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ ã‚ãªãŸãŒè¦‹ãŸã„è¨å®šã¾ã§ã€ãƒªã‚¹ãƒˆã‚’スクãƒãƒ¼ãƒ«ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ ã“ã®ã‚¿ãƒ–ã®è¨å®šã¯ã€ã“ã®ã‚¿ãƒ–ã‹ã‚‰ã¯ç·¨é›†ã§ãã¾ã›ã‚“。
+ </div></li></ol></div></div></div><div class="section" title="10.5. Assign Programs to Channels with Qsynth" id="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels">10.5. Assign Programs to Channels with <span class="application"><strong>Qsynth</strong></span></h2></div></div></div><div class="para">
+ The best way to do this is through your MIDI sequencer, like <span class="application"><strong>Qtractor</strong></span> or <span class="application"><strong>Rosegarden</strong></span>. If you are using an application which doesn't allow you to send program-change messages, or if you need to configure programs for another reason, you can follow these instructions.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ In the main <span class="application"><strong>Qsynth</strong></span> window, click "Channels" to open the "Channels" window.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ ãƒãƒ£ãƒãƒ«ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã§ã€ãã‚Œãžã‚Œã®ãƒãƒ£ãƒãƒ«ã¯ã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§ã€ã“ã‚“ãªãµã†ã«è¦‹ãˆã¾ã™ã€‚
+<pre class="programlisting">1 - - -</pre>
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ プãƒã‚°ãƒ©ãƒ ã‚’ãƒãƒ£ãƒãƒ«ã«å‰²ã‚Šå½“ã¦ã‚‹ã«ã¯ã€å‰²ã‚Šå½“ã¦ãŸã„ãƒãƒ£ãƒãƒ«ã®è¡Œã‚’クリックã—ã¾ã™.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ ãŠæœ›ã¿ã®ãƒãƒ³ã‚¯ã¨ãƒ—ãƒã‚°ãƒ©ãƒ 番å·ã‚’é¸æŠžã—ã¾ã™.åå‰ã€ SFID, サウンドフォントã®åˆ—ã‚’å‚考ã«ã—ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ 割り当ã¦ãŸã„ã™ã¹ã¦ã®ãƒãƒ£ãƒãƒ«ã«ã¤ã„ã¦ã€ã“ã®ãƒ—ãƒã‚»ã‚¹ã‚’繰り替ãˆã—ã¾ã™.
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ ã‚ãªãŸãŒãƒãƒ£ãƒãƒ«ã‚’使用ã™ã‚‹äºˆå®šãŒãªã„å ´åˆã¯ã€ãã‚Œã«ãƒ—ãƒã‚°ãƒ©ãƒ を割り当ã¦ã¦ã‚‚害ã¯ã‚ã‚Šã¾ã›ã‚“。 ã—ã‹ã—ã€ä½¿ç”¨ã—ãªã„ãƒãƒ£ãƒãƒ«ã«ãƒ—ãƒã‚°ãƒ©ãƒ を割り当ã¦ã‚‹ã¨ã€å¾Œã§ã€ã‚ãªãŸãŒãã®ãƒãƒ£ãƒãƒ«ã‚’使用ã—ãªã„ã¤ã‚‚ã‚Šã ã£ãŸã“ã¨ã‚’忘れãŸã¨ããªã©ç‰¹ã«ã€æ··ä¹±ã‚’æ‹›ãã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ ãƒãƒ£ãƒãƒ«ï¼‘ï¼ã¯æ‰“楽器ã«äºˆç´„ã•ã‚Œã¦ãŠã‚Šã€æ±Žç”¨ MIDI 打楽器プãƒã‚°ãƒ©ãƒ ã‹ã‚‰å¤‰æ›´ã—ã¦ã¯ã„ã‘ãªã„ã“ã¨ã«æ³¨æ„ãã ã•ã„.
+ </div></li></ol></div><div class="section" title="10.5.1. Change the Number of MIDI Input Channels" id="sect-Musicians_Guide-FluidSynth-Changing_Number_of_Input_Channels"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Changing_Number_of_Input_Channels">10.5.1. Change the Number of MIDI Input Channels</h3></div></div></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> ãŒæä¾›ã™ã‚‹ MIDI 入力ãƒãƒ£ãƒãƒ«ã®æ•°ã‚’増やã™ã“ã¨ãŒã§ãã¾ã™.<span class="application"><strong>QSynth</strong></span> ã§ã¯ï¼‘ã‹ã‚‰ï¼’５６ã¾ã§ã®ä»»æ„ã®æ•°ã‚’è¨å®šã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ãŒã€ãƒãƒ£ãƒãƒ«ã¯ã€ï¼‘ï¼–å˜ä½ã§ã—ã‹ã€è¿½åŠ ã€å‰Šé™¤ã§ãã¾ã›ã‚“.<span class="application"><strong>Qsynth</strong></span> ã¯ã€è‡ªå‹•çš„ã«ã€ã‚ãªãŸãŒæœ›ã‚€ãƒãƒ£ãƒãƒ«æ•°ã«å¿…è¦ãªæœ€å°ã®ãƒãƒ£ãƒãƒ«æ•°ã‚’生æˆã—ã¾ã™.ãã‚Œãžã‚Œã®ï¼‘ï¼–ãƒãƒ£ãƒãƒ«ã®ã‚»ãƒƒãƒˆã¯ã€<span class="application"><strong>JACK</strong></span> ã«ãŠã„ã¦ã€è¿½åŠ ã® MIDI 入力デãƒã‚¤ã‚¹ã¨ã—ã¦è¡¨ç¤ºã•ã‚Œã¾ã™.デãƒã‚¤ã‚¹ã®åå‰ã¯ã€ã©ã®ãƒãƒ£ãƒãƒ«ãŒãれをå—ä¿¡ã—ã¦ã„ã‚‹ã‹ã‚’示ã—ã¾ã™ã€‚ãƒãƒ£ãƒãƒ«ï¼‘ã‹ã‚‰ï¼‘ï¼–ã¯ï¼ã§çµ‚ã‚るデãƒã‚¤ã‚¹ã‚’å—ä¿¡ã—ã¾ã™.ãƒãƒ£ãƒãƒ«ï¼‘ï¼—ã‹ã‚‰ï¼“ï¼’ã¯ã€ï¼‘ã§çµ‚ã‚るデãƒã‚¤ã‚¹ã‚’å—ä¿¡ã—ã¾ã™.ãƒãƒ£ãƒãƒ«ï¼“３ã‹ã‚‰ï¼
•ï¼˜ã¯ã€ï¼’ã§çµ‚ã‚るデãƒã‚¤ã‚¹ã€ãªã©ã§ã™ã€‚
+ </div><div class="para">
+ MIDI 入力ãƒãƒ£ãƒãƒ«æ•°ã‚’変更ã™ã‚‹ã«ã¯ã€ä»¥ä¸‹ã®æ‰‹é †ã«ã—ãŸãŒã£ã¦ãã ã•ã„.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Open the <span class="application"><strong>Qsynth</strong></span> "Setup" window.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ The "Enable MIDI Input" setting must be enabled.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ １ã‹ã‚‰ï¼’５６ã¾ã§ã®é–“ã®ã€ä½¿ã„ãŸã„ãƒãƒ£ãƒãƒ«æ•°ã‚’入力ãã ã•ã„.
+ </div></li></ol></div></div><div class="section" title="10.5.2. Save and Reuse Channel Assignments" id="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments">10.5.2. Save and Reuse Channel Assignments</h3></div></div></div><div class="para">
+ QSynth ã§ã¯ã€è¤‡æ•°ã®ãƒ—ãƒã‚°ãƒ©ãƒ 割り当ã¦ã‚’ä¿å˜ã—ã¦ã€å¾Œã«å›žå¾©ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ã¤ã¾ã‚Šã€ã‚ãªãŸã¯ã€å¤‰ãˆãŸã„時ã«æ¯Žå›žã€ã™ã¹ã¦ã®ãƒãƒ£ãƒãƒ«ã‚’å†æ§‹æˆã™ã‚‹å¿…è¦ã¯ãªã„ã¨ã„ã†ã“ã¨ã§ã™ã€‚
+ </div><div class="para">
+ 後ã®ãŸã‚ã«è¨å®šã‚’ä¿å˜ã™ã‚‹ã«ã¯ï¼š
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="application"><strong>Qsynth</strong></span> ãŒæ£ã—ã構æˆã•ã‚Œã€æœŸå¾…ã™ã‚‹ãƒ—ãƒã‚°ãƒ©ãƒ 割り当ã¦ã§å‹•ã„ã¦ã„ã‚‹ã“ã¨ã‚’確èªãã ã•ã„.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ In <span class="application"><strong>Qsynth</strong></span>'s "Channels" window, erase the contents of the "Preset Name" text field, and replace it with whatever name you would like.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Click "Save" to preserve the settings under that name.
+ </div></li></ol></div><div class="para">
+ 以å‰ã®è¨å®šã‚’回復ã™ã‚‹ã«ã¯ï¼š
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Open <span class="application"><strong>Qsynth</strong></span>'s "Channels" window.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Search through the "Preset Name" drop-down box to find the name of the preset that you wish to restore.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ ãれをé¸æŠžã—ã€æ£ã—ã„ãƒãƒ£ãƒãƒ«å‰²ã‚Šå½“ã¦ãŒå›žå¾©ã•ã‚ŒãŸã®ã‚’確èªãã ã•ã„。
+ </div></li></ol></div></div></div><div class="section" title="10.6. Use Reverb and Chorus with Qsynth" id="sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus">10.6. Use Reverb and Chorus with <span class="application"><strong>Qsynth</strong></span></h2></div></div></div><div class="para">
+ While "reverb" (meaning "reverberation") and "chorus" effects are not part of the General MIDI standard, they are offered by most MIDI synthesizers. <span class="application"><strong>FluidSynth</strong></span> is no exception, and the <span class="application"><strong>Qsynth</strong></span> interface provides a convenient and easy way to adjust settings of the reverb and chorus effect-generators. Experimentation is the only way to know whether you have chosen the right settings, and they will probably change depending on the music you are working on, and even during a piece. Most MIDI sequencers and players (including Qtractor and Rosegarden) allow you to send MIDI messages changing the reverb and chorus settings while a session is playing.
+ </div><div class="para">
+ The reverb and chorus effects can be turned off temporarily if you do not plan to use them. To do this in <span class="application"><strong>Qsynth</strong></span>, uncheck the "Active" check-box underneath the respective effect generator's settings dials.
+ </div><div class="para">
+ The <em class="firstterm">reverb</em> effect generator creates artificial reverberation (like an "echo," but more complex), which occurs naturally in almost all performing environments. The effect generator works by creating a virtual room, and pretending that the user is listening within it. These are the settings offered by <span class="application"><strong>Qsynth</strong></span>:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Room: Adjusts the size of the virtual room. Settings higher than 100 can cause a situation that escalates in volume to dangerously high levels, even with the lowest possible "level" settings. This is an interesting effect, but caution is advised so that listener do not incur accidental hearing damage. Remember also that the reverb effect can accumulate as time goes on, so it may even take many minutes for the volume level to build to a dangerously high level, depending on the settings.
+ </div></li><li class="listitem"><div class="para">
+ Damp: Adjusts the amount of "sound damping" in the virtual room, affecting not only the time it takes for the sound to die, but the frequencies which are most affected. The greater the damping, the shorter the higher frequencies last.
+ </div></li><li class="listitem"><div class="para">
+ Width: Adjusts the perceived "width" of the stereo image of the virtual room, and also has a large effect on the volume level.
+ </div></li><li class="listitem"><div class="para">
+ Level: 残響ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルを調整ã—ã¾ã™.
+ </div></li></ul></div>
+ All of the settings interact in ways that make it difficult to describe any sort of recommended settings. Users are strongly encouraged to experiment with the various settings to find ones that suit their needs. A wide variety of listening environments can be simulated, and the settings required do not always reflect the most logical choice - it is possible to emulate a concert hall with a relatively small "room" setting, for example. Effective use of the reverb effect can greatly enhance the MIDI listening experience.
+ </div><div class="para">
+ <em class="firstterm">chorus</em>エフェクトジェãƒãƒ¬ãƒ¼ã‚¿ã¯ã€ãã‚Œãžã‚Œã® MIDIラ インをã€ï¼‘ã¤ä»¥ä¸Šã®å®Ÿéš›ã®æ¥½å™¨ãŒæ¼”å¥ã—ã¦ã„ã‚‹ã‹ã®ã‚ˆã†ãªå°è±¡ã‚’作り出ã—ã¾ã™.エフェクトジェãƒãƒ¬ãƒ¼ã‚¿ã¯ã€ãã‚Œãžã‚Œã® MIDI ノートã«ã€ã‹ã™ã‹ã«ã€è¤‡æ•°å›žã€å¿œç”ã™ã‚‹ã“ã¨ã§å‹•ä½œã—ã¾ã™.ãã®ã¨ãã€ãã‚Œãžã‚Œã®å¿œç”ã§ã€éŸ³ç¨‹ã¨æ™‚間を微妙ã«ãšã‚‰ã—ã¾ã™ã€‚ã“ã®ã‚ˆã†ã«è¨€ã†ã®ã¯ã€ãšã„ã¶ã‚“ãƒã‚¬ãƒ†ã‚£ãƒ–ã«èžã“ãˆã‚‹ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“ãŒã€äººé–“ã®ç›´æ„Ÿã¯ã€ã“ã®ä¸æ£ç¢ºã•ãŒã€å®Ÿä¸–ç•Œã®ã‚¢ã‚³ãƒ¼ã‚¹ãƒ†ã‚£ãƒƒã‚¯éŸ³æ¥½ã®ä¸€éƒ¨ã§ã‚ã‚‹ã¨èªè˜ã™ã‚‹ã®ã§ã€ã‚³ãƒ¼ãƒ©ã‚¹ã‚¨ãƒ•ã‚§ã‚¯ãƒˆã¯ã€æ¼”å¥ã«ã‚ˆã£ã¦ã¯ã€ãƒªã‚¢ãƒ«ãªæ„Ÿã˜ã‚’åŠ ãˆã‚‹ã®ã«å½¹ã«ç«‹ã¡ã¾ã™ã€‚以下ãŒã€<span class="application"><strong>Qsynth</strong></span> ãŒæä¾›ã™ã‚‹è¨å®šã§ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ N: Adjusts the number of effect "stages," which allows you to control the approximate number of discrete instruments perceived.
+ </div></li><li class="listitem"><div class="para">
+ Level: エフェクトã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルを調整ã—ã¾ã™.
+ </div></li><li class="listitem"><div class="para">
+ Speed: コーラスã®é€Ÿåº¦ã‚’調整ã—ã¾ã™.音ãŒæ‹¡æ•£ã•ã‚Œã‚‹æ™‚é–“ã®ç¯„囲を変ãˆã¾ã™.
+ </div></li><li class="listitem"><div class="para">
+ Depth: Adjusts the perceived "depth" of the stereo image.
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="10.7. Qsynth ã§ã€è¤‡æ•°ã® FluidSynth インスタンスを使ã†" id="sect-Musicians_Guide-FluidSynth-Multiple_Instances"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-Multiple_Instances">10.7. <span class="application"><strong>Qsynth</strong></span> ã§ã€è¤‡æ•°ã® <span class="application"><strong>FluidSynth</strong></span> インスタンスを使ã†</h2></div></div></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> ã®ï¼‘ã¤ä»¥ä¸Šã®ã‚¤ãƒ³ã‚¹ã‚¿ãƒ³ã‚¹ã‚’å¿…è¦ã¨ã™ã‚‹ã“ã¨ã¯ã¾ã‚Œã§ã—ょã†ã€‚ãªãœãªã‚‰ã€QSynth/<span class="application"><strong>FluidSynth</strong></span> ã®çµ„ã¿åˆã‚ã›ã¯ã€ï¼’５６ã¾ã§ã®ç‹¬ç«‹ã—ãŸå…¥åŠ›ãƒãƒ£ãƒãƒ«ã‚’æä¾›ã—ã€ãƒªãƒãƒ¼ãƒ–ã¨ã‚³ãƒ¼ãƒ©ã‚¹ã‚¨ãƒ•ã‚§ã‚¯ãƒˆã‚’ãƒãƒ£ãƒãƒ«ã”ã¨ã«ç‹¬ç«‹ã—ã¦ã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ã§ãã‚‹ã‹ã‚‰ã§ã™.最も一般的ãªã€è¤‡æ•°ã® <span class="application"><strong>FluidSynth</strong></span> インスタンスã®ä½¿ã„æ–¹ã¯ã€ã‚ãªãŸãŒè¤‡æ•°ã® MIDI 楽器を使ã„ãŸã„ã¨ãã§ã—ょã†.別ã®è¨€è‘‰ã§è¨€ã†ã¨ã€ã‚‚ã—ã‚ãªãŸãŒè¤‡æ•°ã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã‚’åŒæ™‚ã«ä½¿ã„ãŸã„ã¨ãã¯ã€ãã‚Œãžã‚Œã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã«ï¼‘ã¤ãšã¤ <span class="application"><strong>FluidSynth</strong></span> インスタンスãŒå¿…è¦ã§ã™.
+ </div><div class="para">
+ Thankfully, <span class="application"><strong>Qsynth</strong></span> allows us to do this almost effortlessly! Each "instance" of <span class="application"><strong>FluidSynth</strong></span> is created and controlled by, in effect, running the <span class="application"><strong>FluidSynth</strong></span> synthesis application multiple times. The reality is that, since <span class="application"><strong>Qsynth</strong></span> controls the <span class="application"><strong>FluidSynth</strong></span> engine directly, it simply starts the synthesis engine directly, creating multiple instance of that engine. This is much more efficient than actually running <span class="application"><strong>Qsynth</strong></span> multiple time, or even than running <span class="application"><strong>FluidSynth</strong></span> directly from a terminal. Each such instance is represented in <span class="application"><strong>Qsynth</strong></span> by a "tab," displayed at the bottom of the <span clas
s="application"><strong>Qsynth</strong></span> window.
+ </div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> ã®è¿½åŠ ã®ã‚¤ãƒ³ã‚¹ã‚¿ãƒ³ã‚¹ã‚’生æˆã™ã‚‹ã«ã¯ï¼š
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Press the green "+" button in the bottom-left corner of <span class="application"><strong>Qsynth</strong></span>'s main window
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ ãƒãƒƒãƒ—アップã™ã‚‹ã‚»ãƒƒãƒˆã‚¢ãƒƒãƒ—ウインドウを使ã£ã¦ã€å¸Œæœ›ã™ã‚‹ã‚ˆã†ã«è¨å®šã‚’調整ã—ã¾ã™.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Press "OK" to start the additional instance.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ To close an additional instance, use the red "X" near the lower-right corner.
+ </div></li></ol></div><div class="para">
+ Each instance of the <span class="application"><strong>FluidSynth</strong></span> engine has its own settings in the "Setup" window. <span class="application"><strong>Qsynth</strong></span> supports a theoretically unlimited number of <span class="application"><strong>FluidSynth</strong></span> instances, but your computer's memory will probably not allow many more than ten, depending on the SoundFonts used.
+ </div></div></div><div xml:lang="ja-JP" class="chapter" title="第11ç« SuperCollider" id="chap-Musicians_Guide-SuperCollider" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第11ç« <span class="application"><strong>SuperCollider</strong></span></h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Requirements_and_Installation">11.1. Requirements and Installation</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Req_and_Inst-Knowledge">11.1.1. Knowledge Requirements</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Req_and_Inst-Software_Requirements">11.1.2. Software Requirements</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Req_and_Inst-Hardware_Requirements">11.1.3. Hardware Requirements</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-SC-Req_and_Inst-Available_Packages">11.1.4. Available <spa
n class="application"><strong>SuperCollider</strong></span> Packages</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Req_and_Inst-Recommended_Installation">11.1.5. Recommended Installation</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit">11.2. Using <span class="application"><strong>GEdit</strong></span> to Write and Run <span class="application"><strong>SuperCollider</strong></span> Programs</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit-Enable_and_Configure_SCEd">11.2.1. Enable and Configure SCEd in <span class="application"><strong>GEdit</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server">11.2.2. Enable <span class="application"><strong>SuperCollider</strong></span> Mode and Start a Server</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit-Executing
_Code">11.2.3. Executing Code in <span class="application"><strong>GEdit</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit-Other_Tips">11.2.4. Other Tips for Using <span class="application"><strong>GEdit</strong></span> with <span class="application"><strong>SuperCollider</strong></span></a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-SuperCollider-Basic_Programming">11.3. Basic Programming in <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-First_Steps">11.3.1. First Steps</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions">11.3.2. Variables and Functions</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented">11.3.3. Object-Oriented <span class="applicatio
n"><strong>SuperCollider</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions">11.3.4. Sound-Making Functions</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio">11.3.5. Multichannel Audio</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Collections">11.3.6. Collections</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Repeating">11.3.7. Repeated Execution</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution">11.3.8. Conditional Execution</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix">11.3.9. Combining Audio; the Mix Class</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_
Synth">11.3.10. SynthDef and Synth</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Busses">11.3.11. Busses</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features">11.3.12. Ordering and Other Synth Features</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Scheduling">11.3.13. Scheduling</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Getting_Help">11.3.14. How to Get Help</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution">11.3.15. Legal Attribution</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-SuperCollider-Composing">11.4. Composing with SuperCollider</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Tutorial_Files">11.4.1. Files for the Tut
orial</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Inspiration">11.4.2. Inspiration</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Designing_the_First_Part">11.4.3. Designing the First Part</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part">11.4.4. Designing the Second Part</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones">11.4.5. Creating Ten Pseudo-Random Tones</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones">11.4.6. Scheduling the Tones</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Optimizing_the_Code">11.4.7. Optimizing the Code</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part">11.4.8. Mak
ing a Useful Section out of the Second Part</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts">11.4.9. Joining the Two Parts</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-SuperCollider-Exporting">11.5. Exporting Sound Files</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Non_Real_Time_Synthesis">11.5.1. Non-Real-Time Synthesis</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Recording_SuperColliders_Output">11.5.2. Recording SuperCollider's Output (Tutorial)</a></span></dt></dl></dd></dl></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> is many things, but above all:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ An audio synthesis engine,
+ </div></li><li class="listitem"><div class="para">
+ A flexible programming language, and
+ </div></li><li class="listitem"><div class="para">
+ An interpreter to transform the programming language into synthesis instructions.
+ </div></li></ul></div>
+
+ </div><div class="section" title="11.1. Requirements and Installation" id="sect-Musicians_Guide-SC-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-SC-Requirements_and_Installation">11.1. Requirements and Installation</h2></div></div></div><div class="section" title="11.1.1. Knowledge Requirements" id="sect-Musicians_Guide-SC-Req_and_Inst-Knowledge"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Req_and_Inst-Knowledge">11.1.1. Knowledge Requirements</h3></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> is by far the most difficult program described in the Fedora Musicians' Guide. The <span class="application"><strong>SuperCollider</strong></span> applications themselves are easy to use, and they work very well, but they are merely tools to help you accomplish something useful. <span class="application"><strong>SuperCollider</strong></span> has an extremely powerful and flexible programming language, with libraries designed primarily for audio processing. As often happens with computers, however, this added flexibility and power comes at the cost of requiring greater understanding and learning on the part of the user. Because <span class="application"><strong>SuperCollider</strong></span> involves actual programming, a rudimentary understanding of some principles and concepts of computer science will provide huge benefits to somebody learning the language. The following articles from Wikipedia are not mand
atory reading, but you should refer to them as necessary while learning the language.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle">Computer Programming</em> at <a href="http://en.wikipedia.org/wiki/Computer_programming">http://en.wikipedia.org/wiki/Computer_programming</a>: You probably know what this is; it's what you'll be doing.
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">Programming Language</em> at <a href="http://en.wikipedia.org/wiki/Programming_language">http://en.wikipedia.org/wiki/Programming_language</a>: <span class="application"><strong>SuperCollider</strong></span> is a programming language.
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">Interpreter</em> at <a href="http://en.wikipedia.org/wiki/Interpreter_%28computing%29">http://en.wikipedia.org/wiki/Interpreter_%28computing%29</a>: This reads your code, and sends commands to the server, which causes it to produce sound.
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">Server</em> at <a href="http://en.wikipedia.org/wiki/Server_%28computing%29">http://en.wikipedia.org/wiki/Server_%28computing%29</a>: <span class="application"><strong>SuperCollider</strong></span> has a 'server' component, which is operated by the interpreter.
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">Functional Programming</em> at <a href="http://en.wikipedia.org/wiki/Functional_programming">http://en.wikipedia.org/wiki/Functional_programming</a>: <span class="application"><strong>SuperCollider</strong></span> can be treated as a "functional" language.
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">Imperative Programming</em> at <a href="http://en.wikipedia.org/wiki/Imperative_programming">http://en.wikipedia.org/wiki/Imperative_programming</a>: <span class="application"><strong>SuperCollider</strong></span> can be treated as an "imperative" language.
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">Object-Oriented Programming</em> at <a href="http://en.wikipedia.org/wiki/Object-oriented_programming">http://en.wikipedia.org/wiki/Object-oriented_programming</a>: <span class="application"><strong>SuperCollider</strong></span> can be treated as an "object-oriented" language.
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="11.1.2. Software Requirements" id="sect-Musicians_Guide-SC-Req_and_Inst-Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Req_and_Inst-Software_Requirements">11.1.2. Software Requirements</h3></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> uses the JACK Audio Connection Kit. You should install JACK before installing <span class="application"><strong>SuperCollider</strong></span>. Refer to <a class="xref" href="#sect-Musicians_Guide-Install_and_Configure_JACK" title="2.3.1. Install and Configure JACK">「Install and Configure <code class="systemitem">JACK</code>ã€</a> for instructions to install JACK.
+ </div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> is not available from the Fedora software repositories. You must enable the "Planet CCRMA at Home" repository to install <span class="application"><strong>SuperCollider</strong></span>. See <a class="xref" href="#sect-Musicians_Guide-CCRMA_Installing_Repository" title="4.3.1. Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’インストールã™ã‚‹">「Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’インストールã™ã‚‹ã€</a> for instructions ti enable the "Planet CCRMA at Home" repository. The "Planet CCRMA at Home" repository contains a wide variety of music and audio applications.
+ </div></div><div class="section" title="11.1.3. Hardware Requirements" id="sect-Musicians_Guide-SC-Req_and_Inst-Hardware_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Req_and_Inst-Hardware_Requirements">11.1.3. Hardware Requirements</h3></div></div></div><div class="para">
+ You need an audio interface to use <span class="application"><strong>SuperCollider</strong></span>. You do not need a microphone to use <span class="application"><strong>SuperCollider</strong></span>.
+ </div></div><div class="section" title="11.1.4. Available SuperCollider Packages" id="sect-Musicians_Guide-SC-SC-Req_and_Inst-Available_Packages"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-SC-Req_and_Inst-Available_Packages">11.1.4. Available <span class="application"><strong>SuperCollider</strong></span> Packages</h3></div></div></div><div class="para">
+ The <span class="application"><strong>SuperCollider</strong></span> packages are all held in the Planet CCRMA at Home repository, and there are a lot of them. Many of them have standard Fedora suffixes, but many are other kinds of optional components. Most of the optional features add libraries to <span class="application"><strong>SuperCollider</strong></span>, allowing you to use them in your audio programs. The specific features available in each additional package are not described here.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">supercollider-ambiem</span> : Optional Library ("Ambisonics classes for SC").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-debuginfo</span> : Decodes the debugging information provided by <span class="application"><strong>SuperCollider</strong></span>.
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-devel</span> : Contains files needed for development with <span class="application"><strong>SuperCollider</strong></span>.
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-dewdrop</span> : Optional Library ("DewDrop external collection for SC").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-emacs</span> : Adds <span class="application"><strong>SuperCollider</strong></span> support to the <span class="application"><strong>emacs</strong></span> text editor.
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-extras</span> : Optional Library ("Extra plugins and classes for SC").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-gedit</span> : Adds <span class="application"><strong>SuperCollider</strong></span> support to the <span class="application"><strong>GEdit</strong></span> text editor.
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-libscsynth</span> : "<span class="application"><strong>SuperCollider</strong></span> synthesis library."
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-quarks</span> : Optional Library ("Local quarks repository for <span class="application"><strong>SuperCollider</strong></span>").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-sclang</span> : Help files, examples, the class library, and language interpreter.
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-vim</span> : Adds <span class="application"><strong>SuperCollider</strong></span> support to the <span class="application"><strong>vim</strong></span> text editor.
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider</span> : Installs the "minimum requirements" to run <span class="application"><strong>SuperCollider</strong></span>.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">supercollider-sclang</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-libscsynth</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">fftw</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">w3m-el</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">emacs</span>
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-bbcut2</span> : Optional Library ("Beat tracking of audio streams").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-bbcut2-debuginfo</span> : Decodes the debugging information provided by bbcut2.
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-mathlib</span> : Optional Library ("Useful classes for SC").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-redclasses</span> : Optional Library ("Frederik Olofsson Red SC classes").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-redclasses-debuginfo</span> : Decodes the debugging information provided by redclasses.
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-world</span> : Installs most <span class="application"><strong>SuperCollider</strong></span> packages.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">supercollider</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">abmiem</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-redclasses</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-dewdrop</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-emacs</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-mathlib</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-midifile</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-extras</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-bbcut2</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-reduniverse</span>
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-midifile</span> : Optional Library ("MIDI file reader for <span class="application"><strong>SuperCollider</strong></span>").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-reduniverse</span> : Optional Library ("Sonification and visualization of dynamic systems").
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="11.1.5. Recommended Installation" id="sect-Musicians_Guide-SC-Req_and_Inst-Recommended_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Req_and_Inst-Recommended_Installation">11.1.5. Recommended Installation</h3></div></div></div><div class="para">
+ If you have never used <span class="application"><strong>SuperCollider</strong></span> before, then we recommend installing the smallest number of packages possible. This will allow you to start learning with the core classes, available on all <span class="application"><strong>SuperCollider</strong></span> installations. Installing the bare minimum requirements will not prevent you from installing optional libraries in the future, of course.
+ </div><div class="para">
+ The recommended installation also avoids installing the <span class="application"><strong>emacs</strong></span> or <span class="application"><strong>vim</strong></span> components, which - unless you are already a programmer - you probably don't know how to use. The <span class="application"><strong>emacs</strong></span> and <span class="application"><strong>vim</strong></span> text editors are extremely powerful and extensible, but they can be difficult to learn. Furthermore, there's no reason to learn them just for <span class="application"><strong>SuperCollider</strong></span>, because the component for <span class="application"><strong>GEdit</strong></span> is more than sufficient.
+ </div><div class="para">
+ To install the minimum recommended installation for <span class="application"><strong>SuperCollider</strong></span>:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ In a terminal, run <code class="command">su -c 'yum install supercollider supercollider-gedit'</code>
+ </div></li><li class="listitem"><div class="para">
+ Review the proposed installation carefully. The list may be quite long, and require a large download.
+ </div></li></ol></div>
+
+ </div></div></div><div class="section" title="11.2. Using GEdit to Write and Run SuperCollider Programs" id="sect-Musicians_Guide-SC-Using_GEdit"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-SC-Using_GEdit">11.2. Using <span class="application"><strong>GEdit</strong></span> to Write and Run <span class="application"><strong>SuperCollider</strong></span> Programs</h2></div></div></div><div class="para">
+ The <span class="package">supercollider-gedit</span> package installs an extension for <span class="application"><strong>GEdit</strong></span> which allows editing and running <span class="application"><strong>SuperCollider</strong></span> code from within <span class="application"><strong>GEdit</strong></span>. There are also <span class="application"><strong>SuperCollider</strong></span> extensions for the <span class="application"><strong>emacs</strong></span> and <span class="application"><strong>vim</strong></span> text editors. This tutorial uses the <span class="application"><strong>GEdit</strong></span> extension, because it is easier to learn how to use <span class="application"><strong>GEdit</strong></span> than <span class="application"><strong>vim</strong></span> or "emacs."
+ </div><div class="section" title="11.2.1. Enable and Configure SCEd in GEdit" id="sect-Musicians_Guide-SC-Using_GEdit-Enable_and_Configure_SCEd"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Using_GEdit-Enable_and_Configure_SCEd">11.2.1. Enable and Configure SCEd in <span class="application"><strong>GEdit</strong></span></h3></div></div></div><div class="para">
+ These steps should be followed the first time that you use <span class="application"><strong>GEdit</strong></span>'s <span class="application"><strong>SuperCollider</strong></span> extension.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Start <span class="application"><strong>GEdit</strong></span>
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Open the Preferences window (from the menu, choose <span class="guimenu"><strong>Edit</strong></span> → <span class="guimenuitem"><strong>Preferences</strong></span>)
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Choose the 'Plugins' tab, and scroll down to <span class="package">Sced</span>, then make sure that it is selected.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Click on the <span class="guibutton"><strong>Configure Plugin</strong></span> button, then select a runtime folder where the <span class="application"><strong>SuperCollider</strong></span> server will store any synth sent to it during program execution. The safest place for this folder could be a sub-folder of the location where you will store your <span class="application"><strong>SuperCollider</strong></span> code.
+ </div></li></ol></div></div><div class="section" title="11.2.2. Enable SuperCollider Mode and Start a Server" id="sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server">11.2.2. Enable <span class="application"><strong>SuperCollider</strong></span> Mode and Start a Server</h3></div></div></div><div class="para">
+ These steps should be followed every time you open <span class="application"><strong>GEdit</strong></span>, and wish to use the <span class="application"><strong>SuperCollider</strong></span> extension.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Choose <span class="guimenu"><strong>Tools</strong></span> → <span class="guimenuitem"><strong>SuperCollider Mode</strong></span>
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ A <span class="guimenu"><strong>SuperCollider</strong></span> menu should appear, and a window at the bottom which says, "<span class="application"><strong>SuperCollider</strong></span> output".
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ If you cannot see the window at the bottom, then select <span class="guimenu"><strong>View</strong></span> → <span class="guimenuitem"><strong>Bottom Pane</strong></span> from the menu, so that it shows up. It is sometimes important to see the information that <span class="application"><strong>SuperCollider</strong></span> provides in this window.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ After enabling <span class="application"><strong>SuperCollider</strong></span> mode, the window should display a series of notices. Near the end should be something like this:
+<pre class="programlisting">
+RESULT = 0
+Welcome to SuperCollider, for help type ctrl-c ctrl-h (Emacs) or :SChelp (vim) or ctrl-U (sced/gedit)
+</pre>
+ If this window gives a non-zero value for "RESULT," then an error has probably occurred, and you should scroll up to see what it is, and try to fix it. If you receive the following warning: "The GUI scheme 'swing' is not installed" then you will not be able to run any <span class="application"><strong>SuperCollider</strong></span> prorams that use a GUI (graphical user interface). The GUI components are not used anywhere in this Guide, and they are highly optional.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ You will probably also want to start a server at this point, so from the menu select '<span class="application"><strong>SuperCollider</strong></span> > Start Server'.
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ After the server starts, you should see messages from "JackDriver". If a JACK server is not already started, then <span class="application"><strong>SuperCollider</strong></span> will start one automatically.
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ If the <span class="application"><strong>SuperCollider</strong></span> server started successfully, you should see a message similar to this:
+<pre class="programlisting">
+SuperCollider 3 server ready..
+JackDriver: max output latency 46.4 ms
+notification is on
+</pre>
+
+ </div></li></ol></div></div><div class="section" title="11.2.3. Executing Code in GEdit" id="sect-Musicians_Guide-SC-Using_GEdit-Executing_Code"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Using_GEdit-Executing_Code">11.2.3. Executing Code in <span class="application"><strong>GEdit</strong></span></h3></div></div></div><div class="para">
+ You can execute code directly from <span class="application"><strong>GEdit</strong></span>, without having to use <code class="command">sclang</code> from the command-line.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Ensure that <span class="application"><strong>SuperCollider</strong></span> mode is enabled, and that a server has been started.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Select the code that you wish to execute. A single line of code may be executed simply by placing the text-input cursor on that line.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Press 'Ctrl+E' on the keyboard, or from the menu select '<span class="application"><strong>SuperCollider</strong></span> > Evaluate'
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ To stop all sound on the server, press 'Esc' on the keyboard, or from the menu select '<span class="application"><strong>SuperCollider</strong></span> > Stop Sound'
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ If the server successfully executes the code, then it will output something to the "<span class="application"><strong>SuperCollider</strong></span> output" pane. The output will be different, depending on what <span class="application"><strong>SuperCollider</strong></span> asked the server to do, but will usually either look like this:
+<pre class="programlisting">Synth("temp_0": 1000)</pre>
+ or this:
+<pre class="programlisting">RESULT = 0</pre>
+
+ </div></li></ol></div></div><div class="section" title="11.2.4. Other Tips for Using GEdit with SuperCollider" id="sect-Musicians_Guide-SC-Using_GEdit-Other_Tips"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Using_GEdit-Other_Tips">11.2.4. Other Tips for Using <span class="application"><strong>GEdit</strong></span> with <span class="application"><strong>SuperCollider</strong></span></h3></div></div></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ If you close <span class="application"><strong>GEdit</strong></span> while the <span class="application"><strong>SuperCollider</strong></span> server is running, then <span class="application"><strong>GEdit</strong></span> will automatically shut down the server.
+ </div></li><li class="listitem"><div class="para">
+ If <code class="systemitem">JACK</code> is started by <span class="application"><strong>SuperCollider</strong></span>, then it will automatically terminate when the <span class="application"><strong>SuperCollider</strong></span> server terminates.
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> will automatically attempt to connect its outputs to the system's outputs. If your audio output doesn't work, then you should use <span class="application"><strong>QjackCtl</strong></span> to verify that it is correctly connected.
+ </div></li><li class="listitem"><div class="para">
+ Other functions available in the <span class="application"><strong>SuperCollider</strong></span> menu include:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Find Help (Opens the <span class="application"><strong>SuperCollider</strong></span> help file for currently-selected object).
+ </div></li><li class="listitem"><div class="para">
+ Find Definition (Opens the <span class="application"><strong>SuperCollider</strong></span> source file for the currently-selected object).
+ </div></li><li class="listitem"><div class="para">
+ Restart Interpreter (Restarts the <span class="application"><strong>SuperCollider</strong></span> interpreter; also closes running servers, but does not restart them).
+ </div></li><li class="listitem"><div class="para">
+ Clear output (Clears all output from the "<span class="application"><strong>SuperCollider</strong></span> output" pane).
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div></div></div><div xml:lang="ja-JP" class="section" title="11.3. Basic Programming in SuperCollider" id="sect-Musicians_Guide-SuperCollider-Basic_Programming" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-SuperCollider-Basic_Programming">11.3. Basic Programming in <span class="application"><strong>SuperCollider</strong></span></h2></div></div></div><div class="para">
+ As with any programming language, you will start learning <span class="application"><strong>SuperCollider</strong></span> with the basic commands, that are of little use by themselves. However, since the language is so flexible, even the most basic commands can be combined in ways that create highly complex behaviours. The example program, "Method One," was written with the goal of illustrating how a single sound-generating object can be used to create an entire composition. This tutorial does not begin with audio-generating code, which helps to emphasize that <span class="application"><strong>SuperCollider</strong></span> is primarily a programming language.
+ </div><div class="para">
+ This portion of the Guide is designed as a "reference textbook," which you can use both to learn the <span class="application"><strong>SuperCollider</strong></span> language in the first place, and to remind yourself about the language's features afterwards.
+ </div><div class="para">
+ The section is most effective when read in small portions.
+ </div><div class="section" title="11.3.1. First Steps" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps">11.3.1. First Steps</h3></div></div></div><div class="section" title="11.3.1.1. The Different Parts of SuperCollider" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Parts_of_SuperCollider"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Parts_of_SuperCollider">11.3.1.1. The Different Parts of <span class="application"><strong>SuperCollider</strong></span></h4></div></div></div><div class="para">
+ As you discovered when installing <span class="application"><strong>SuperCollider</strong></span>, there are actually many different components involved with <span class="application"><strong>SuperCollider</strong></span>. Here is a list of some of them, with brief descriptions of their purpose:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Programming language: this is an abstract set of rules and guidelines that allow you to write down instructions for producing sounds.
+ </div></li><li class="listitem"><div class="para">
+ Interpreter: this is what is run in <span class="application"><strong>GEdit</strong></span>; it transforms the programming language instructions written by you into useful instructions for the server; also called the "client."
+ </div></li><li class="listitem"><div class="para">
+ Server: this is what synthesizes the sound, according to instructions sent to it by the interpreter.
+ </div></li><li class="listitem"><div class="para">
+ Library: these contain commands and the instructions to be executed when you call the commands; the interpreter looks up commands in the library when you call them.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ This modular design allows for several advanced capabilities and features. Any particular element could theoretically be replaced without affecting other elements, as long as the methods of communication remain the same. As long as the programming language is the same, portions of the library can be modified, removed, or added at will; this happens often, and Planet CCRMA at Home provides a collection of library extensions. One of the most exciting capabilities is the ability to run the interpreter and server on different physical computers. The networking component is built into these components - they always communicate by UDP or TCP, even when run on the same computer! Although this ability is not used in this Guide, it is not difficult.
+ </div><div class="para">
+ The most important thing to remember is that the <span class="application"><strong>SuperCollider</strong></span> interpreter is what deals with the programs you write. The <span class="application"><strong>SuperCollider</strong></span> server is controlled by the interpreter, but is an independent program. For simple things, like the Hello World Programs below, the server is not even used - after all, there is no audio for it to synthesize.
+ </div></div><div class="section" title="11.3.1.2. "Hello, World!"" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Hello_World"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Hello_World">11.3.1.2. "Hello, World!"</h4></div></div></div><div class="para">
+ The first program that one traditionally makes when learning a new programming language is called "The Hello World Program." This is a simple and trivial application that simply prints outs the phrase, <code class="literal">Hello, World!</code> (or a variation of it). It might seem useless at first, but the ability to provide feedback to an application's user is very important, and this is essentially what the Hello World Program does.
+ </div><div class="para">
+ Here is the program in <span class="application"><strong>SuperCollider</strong></span>:
+<pre class="programlisting">
+"Hello, World!".postln;
+</pre>
+
+ </div><div class="para">
+ Here is an extension to that program:
+<pre class="programlisting">
+"Hello, World!".postln;
+"Hello, SC!".postln;
+</pre>
+
+ </div><div class="para">
+ As with all examples in this section, you should paste these programs into <span class="application"><strong>GEdit</strong></span>, and execute them with <span class="application"><strong>SuperCollider</strong></span>. Look at the output produced by the programs, but don't worry about it for now.
+ </div><div class="para">
+ These programs are very small, but it highlights some key concepts of the <span class="application"><strong>SuperCollider</strong></span> language, described below.
+ </div></div><div class="section" title="11.3.1.3. Return Values" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Return_Values"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Return_Values">11.3.1.3. Return Values</h4></div></div></div><div class="para">
+ Every <span class="application"><strong>SuperCollider</strong></span> program must provide the interpreter with a value (some information) when it has carried out all of its instructions. This value is called a "return value," because it is the value given by a program when it "returns" control to the interpreter. In a <span class="application"><strong>SuperCollider</strong></span> program, it is the last value stated in a program that automatically becomes the return value - no special command is required. When program execution ends, and control is returned to the <span class="application"><strong>SuperCollider</strong></span> interpreter, the interpreter outputs the return value in the "SuperCollider output" pane.
+ </div><div class="para">
+ In the single-line Hello World Program above, the program produces the following output: <code class="computeroutput"> Hello, World! Hello, World! </code> The program appears to have been executed twice, but that is not the case. The first <code class="literal">Hello, World!</code> is printed by the program. The second <code class="literal">Hello, World!</code> appears because <code class="code">"Hello, World!.postln</code> is the last (in this case, the only) value of the program. It is "returned" by the program, and the interpreter prints it.
+ </div><div class="para">
+ In the two-line Hello World Program above, the program produces the following output: <code class="computeroutput"> Hello, World! Hello, SC! Hello, SC! </code> This makes it more clear that the program is not being executed twice, and that it is the last value of a program that is returned to the interpreter.
+ </div><div class="para">
+ Try executing the following single-line programs. Look at the output produced by each, and determine whether it is printed by the program itself, the interpreter, or both.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="code">"Hello, World!".postln;</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="code">"Hello, World!";</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="code">5.postln;</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="code">5;</code>
+ </div></li></ul></div>
+ Can you modify the two-line Hello World Program so that each line is printed only once?
+ </div><div class="para">
+ In reality, every "function" must return a value. Functions are described in <a class="xref" href="#sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions" title="11.3.2.3. Functions">「Functionsã€</a>, but the difference is not yet important.
+ </div></div><div class="section" title="11.3.1.4. Statements" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Statements"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Statements">11.3.1.4. Statements</h4></div></div></div><div class="para">
+ A "statement" is a single instruction, which always ends with a semicolon. Exactly what constitutes a statement will become clear as you gain experience, and you will eventually automatically remember the semicolon.
+ </div><div class="para">
+ In the Hello World Programs above, all of the statements contain the single instruction to post a line to the output screen. What happens when you remove the first semicolon, which marks the end of the first statement? The <span class="application"><strong>SuperCollider</strong></span> interpreter produces an unhelpful error message, and tells you that an error occurred <span class="emphasis"><em>after</em></span> the forgotten semicolon. This is why it is important to always remember statement-concluding semicolons.
+ </div></div><div class="section" title="11.3.1.5. Data Types: Numbers and Strings" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Numbers_and_Strings"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Numbers_and_Strings">11.3.1.5. Data Types: Numbers and Strings</h4></div></div></div><div class="para">
+ In many programming languages, it is the programmer's responsibility to determine the type of data that is being used, and how it should be stored. The <span class="application"><strong>SuperCollider</strong></span> interpreter takes advantage of the power of modern computers, and deals with this on our behalf. This greatly simplifies basic tasks, because there are only two kinds of data to worry about, and they make perfect sense:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Numbers: These are numbers, written simply as numbers. Anything that can be done with real-world numbers can also be done with <span class="application"><strong>SuperCollider</strong></span>'s numbers. They can be as large or small, positive or negative as you want. They can have any number of digits on either side of the decimal point.
+ </div></li><li class="listitem"><div class="para">
+ Strings: These are a string of characters, written between two double-quote characters like "this." The double-quote characters are required so that <span class="application"><strong>SuperCollider</strong></span> knows where to begin and end the string of characters. A string of character can contain as many characters as you like, including one character and no characters. If you want to include a double-quote character in a string, you should put a blackslash before it. The following is interpreted by <span class="application"><strong>SuperCollider</strong></span> as a string with only a double-quote character: <code class="literal">"\""</code>
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Here are some examples of numbers and strings:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="literal">5</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">18920982341</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">0.00000000000001</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">"characters"</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">"@"</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">""</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">"6"</code>
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Is the last example a number or a string? You and I recognize that it is a number inside a string, but <span class="application"><strong>SuperCollider</strong></span> treats it as a string. You can do string things with it, but you cannot do number things with it. You cannot add <code class="literal">"6"</code> to something, for example.
+ </div><div class="para">
+ Try executing the following single-line programs. Think about why the <span class="application"><strong>SuperCollider</strong></span> interpreter produces the output that it does.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="code">6 + 3;</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="code">"6" + 3;</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="code">"six" + 3;</code>
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="11.3.1.6. Consecutive Execution" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Consecutive_Execution"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Consecutive_Execution">11.3.1.6. Consecutive Execution</h4></div></div></div><div class="para">
+ Complex <span class="application"><strong>SuperCollider</strong></span> programs contain many parts, which all do different things. Sometimes, executing all of these together doesn't make sense, and it can be difficult to know which portions of the program are supposed to be executed when. To help with this, the interpreter allows you to mark portions of your program between ( and ) so that you will know to execute them together.
+ </div><div class="para">
+ Here is an example:
+<pre class="programlisting">
+(
+ "Hello, Fred!".postln;
+ "Hello, Wilma!".postln;
+)
+(
+ "Goodbye, Fred!".postln;
+ "Goodbye, Wilma!".postln;
+)
+</pre>
+ It doesn't make sense to say "hello" and "goodbye" at the same time, so separating these sections with parentheses will serve as a reminder. In case we try to execute all of the code at once, the <span class="application"><strong>SuperCollider</strong></span> interpreter will give us an error.
+ </div></div></div><div class="section" title="11.3.2. Variables and Functions" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions">11.3.2. Variables and Functions</h3></div></div></div><div class="para">
+ The concepts in this section are related to the mathematical terms with the same names. This is a modern-day result of the first uses of computers and programming languages: the calculation of complex mathematical problems.
+ </div><div class="section" title="11.3.2.1. Variables" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Variables"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Variables">11.3.2.1. Variables</h4></div></div></div><div class="para">
+ A variable is a symbol that can be assigned an arbitrary value. A "symbol" is a series of alphabetic and numeric characters, separated by whitespace (a space, a line-break, or the end of the file). When a variable is "assigned" a value, the variable name (the symbol) is understood to be a substitute for the assigned value.
+ </div><div class="para">
+ Consider a traffic light, which has three possible symbols: green, yellow, and red. When you are driving, and you encounter a traffic light, you might see that its red symbol is activated (the red light is illuminated). What you see is a red light, but you understand that it means you should stop your car. Red lights in general do not make you stop - it is specifically red traffic lights, because we know that it is a symbol meaning to stop.
+ </div><div class="para">
+ SuperCollider's variables work in the same way: you tell the interpreter that you want to use a symbol, like <code class="literal">cheese</code>. Then you assign <code class="literal">cheese</code> a value, like <code class="literal">5</code>. After that point, whenever you use <code class="literal">cheese</code>, the interpreter will automatically know that what you really mean is <code class="literal">5</code>.
+ </div><div class="para">
+ Run the following two programs. They should result in the same output.
+<pre class="programlisting">
+(
+ 5 + 5;
+)
+(
+ var x;
+ x = 5;
+ x + x;
+)
+</pre>
+
+ </div><div class="para">
+ In the first example, the program calculates the value of <code class="code">5 + 5</code>, which is <code class="literal">10</code>, and returns that to the interpreter, which prints it out. In the second example, the program tells the interpreter that it wants to use a variable called <code class="literal">x</code> then it assigns cheese the value <code class="literal">5</code>. Finally, the program calculates <code class="code">cheese + cheese</code>, which it understands as meaning <code class="code">5 + 5</code>, and returns <code class="literal">10</code> to the interpreter, which prints it out.
+ </div><div class="para">
+ This trivial use of a variable does nothing but complicate the process of adding 5 to itself. Soon you will see that variables can greatly simplify your programs.
+ </div></div><div class="section" title="11.3.2.2. Using Variables" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Using_Variables"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Using_Variables">11.3.2.2. Using Variables</h4></div></div></div><div class="para">
+ There are three words that describe the key stages of using a variable: declaration, initialization, and assignment.
+ </div><div class="para">
+ A variable must be declared before use, so that the interpreter knows that you want to use that symbol as a variable. All variables must be declared before any statement that does not declare a variable; in other words, you should declare your variables before doing anything else. Variable names are declared like this:
+<pre class="programlisting">var <em class="replaceable"><code>variableName</code></em>;</pre>
+ Variables can also be declared in lists, like this:
+<pre class="programlisting">var <em class="replaceable"><code>variableName</code></em>, <em class="replaceable"><code>variableOtherName</code></em>;</pre>
+
+ </div><div class="para">
+ Variables can be assigned a value at any time after they have been declared. Any single object can be assigned to a variable. If a variable is already assigned a value, any subsequent assignment will erase the previous assignment; the previously-assigned value will is not retrievable.
+ </div><div class="para">
+ The first assignment to a variable is said to "initialize" the variable. Initialization is a special kind of assignment, because a variable cannot be used before it is initialized. If a program attempts to use an un-initialized variable, the <span class="application"><strong>SuperCollider</strong></span> interpreter will cause an error. For this reason, you should always initialize a variable when you declare it. There is a special way to do this:
+<pre class="programlisting">var <em class="replaceable"><code>variableName</code></em> = nil;</pre>
+ Since you can't always assign a useful value, you can pick an arbitrary one. Assigning "nil" is common practice, because it means "nothing," but without actually being nothing (this avoids <span class="emphasis"><em>some</em></span> errors). Assigning zero is another possibility; it is standard practice in many programming languages, and will avoid most errors, even if the variable is eventually supposed to hold another kind of object. Intialization and declaration of multiple variables can also be done as a list:
+<pre class="programlisting">var <em class="replaceable"><code>variableName</code></em> = 0, <em class="replaceable"><code>variableOtherName</code></em> = 0;</pre>
+
+ </div><div class="para">
+ Single-letter variable names have a special purpose in <span class="application"><strong>SuperCollider</strong></span>. They are already declared, so you don't have to declare them. They are also already initialized to "nil", so you don't have to do that either. These variable names are intended to be used as a quick fix, while you're experimenting with how to make a program work. You should not use them in good-quality programs.
+ </div><div class="para">
+ The single-letter variable "s" is automatically assigned to the server on the computer running the interpreter. You should avoid re-assigning that variable.
+ </div><div class="para">
+ Variable names must always begin with a lower-case letter.
+ </div><div class="para">
+ Use variables to write programs that do the following tasks:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Perform arithmetic with an uninitialized variable. An error should appear when the program is executed.
+ </div></li><li class="listitem"><div class="para">
+ Calculate the value of <code class="literal">y</code>, if all other values are known, for the quadratic equation: <code class="code">y = a * x * x + b * x + c</code>
+ </div></li><li class="listitem"><div class="para">
+ Re-write the Hello World Program so that it will say "Hello" to a name stored in a variable. Remember that you can use the interpreter to automatically output the last line of a function.
+ </div></li></ol></div>
+
+ </div></div><div class="section" title="11.3.2.3. Functions" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions">11.3.2.3. Functions</h4></div></div></div><div class="para">
+ A Function is a statement, or a series of statements, that we want to use many times. When a Function is assigned to a variable, you can execute the Function as many times as you wish. Any statements that happen between braces { like this; } are treated as a Function. Functions are executed by passing them the "value" message, as in the following example.
+ </div><div class="para">
+ Here is a Function that is not assigned to a variable, and is executed once.
+<pre class="programlisting">{ "Hello, World!".postln; }.value;</pre>
+ Notice that there are two semicolons: one after the statement within the Function, and one after the "value" message that tells the Function to execute.
+ </div><div class="para">
+ Here is a Function with identical function, assigned to a variable, and executed twice.
+<pre class="programlisting">
+var myFunction = { "Hello, World!".postln; }; // note two semicolons
+myFunction.value;
+myFunction.value;
+</pre>
+
+ </div></div><div class="section" title="11.3.2.4. Function Arguments" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Arguments"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Arguments">11.3.2.4. Function Arguments</h4></div></div></div><div class="para">
+ The most useful aspect of Functions is that they can produce varying results, depending on their input. For whatever reason, the input accepted by a Function is called an "argument." <span class="application"><strong>SuperCollider</strong></span>'s Functions can accept any number of arguments - zero, one, or many. Argument values (called "parameters") are provided to a Function by adding them in parentheses after the name of the Function, separated with commas, like this: <code class="code">exampleFunction( 5, 7, 9 );</code> Argument variables are declared as the first statement in a Function, like this: <code class="code">arg <em class="replaceable"><code>oneNumber</code></em>, <em class="replaceable"><code>twoNumber</code></em>;</code>
+ </div><div class="para">
+ This program is significantly more complicated than previous examples, but it shows how useful Functions can be. Notice how the braces in that example are on different lines than the rest of the Function, which gives us more space within the Function to complete some useful work.
+<pre class="programlisting">
+(
+ var greeter =
+ {
+ arg name;
+ ( "Hello" + name ).postln;
+ };
+
+ greeter.value( "Samantha" );
+ greeter.value( "Jermain" );
+ nil;
+)
+</pre>
+ Here is how the program works:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ A variable named <code class="literal">greeter</code> is declared, and assigned a Function.
+ </div></li><li class="listitem"><div class="para">
+ The Function contains an argument called <code class="literal">name</code>, and outputs "Hello" plus the name given to it.
+ </div></li><li class="listitem"><div class="para">
+ The parentheses here <code class="code">( "Hello" + name )</code> ensure that the two strings are added together <span class="emphasis"><em>before</em></span> the <code class="function">postln</code> message prints them out.
+ </div></li><li class="listitem"><div class="para">
+ The <code class="literal">greeter</code> variable is used to call the Function with two different names.
+ </div></li><li class="listitem"><div class="para">
+ The <code class="code">nil;</code> statement is optional, and does not affect the operation of the program. What it does is return a "nothing" value to the interpreter after program execution completes, so that the last message is not repeated.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ Since every argument has a name, <span class="application"><strong>SuperCollider</strong></span> allows you to use that name when executing the function. This example executes the <code class="function">greeter</code> function from the last example:
+<pre class="programlisting">greeter.value( name:"Myung-Whun" );</pre>
+ This is more useful if there are many arguments, and you do not remember the order that they appear in the Function's definition.
+ </div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> also allows you to specify default values for arguments, so that they do not need to be specified. This allows optional customization of a Function's behaviour, and is therefore very powerful.
+ </div><div class="para">
+ This example modifies the one above by adding default-value arguments, and by calling arguments with their name. As you can see, I've been tricking you a bit: <code class="function">postln</code> is actually a Function, but a special kind, explained later.
+<pre class="programlisting">
+(
+ var greeter =
+ {
+ arg name, greeting = "Hello";
+ postln( greeting + name );
+ };
+
+ greeter.value( "Samantha" );
+ greeter.value( "Jermain", "Goodbye" );
+ greeter.value( name:"Myung-Whun" );
+ greeter.value( greeting:"Bienvenue", name:"Marcel" );
+ nil;
+)
+</pre>
+
+ </div><div class="para">
+ Any value can be used as a parameter, as long as the Function expects it. In fact, even Functions can be used as parameters for Functions!
+ </div></div><div class="section" title="11.3.2.5. Function Return Values" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Return_Values"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Return_Values">11.3.2.5. Function Return Values</h4></div></div></div><div class="para">
+ All <span class="application"><strong>SuperCollider</strong></span> Functions return a value to the interpreter when they have finished execution. As with programs, the value returned is the value of the last statement in the Function. The return value of a Function can be captured, assigned to a variable, and used again later.
+ </div><div class="para">
+ This example assigns the result of a Function to a variable.
+<pre class="programlisting">
+(
+ var mysticalMath =
+ {
+ arg input = 0;
+ input * 23;
+ };
+ var someNumber = 9;
+
+ someNumber = mysticalMath.value( someNumber );
+ someNumber.postln;
+ nil;
+)
+</pre>
+ Here is how the program works:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ A Function and variable are created, and assigned values.
+ </div></li><li class="listitem"><div class="para">
+ This line <code class="code">someNumber = mysticalMath.value( someNumber );</code> executes the <code class="function">mysticalMath</code> function, which multiplies its argument by <code class="literal">23</code> and returns the value. Then, it assigns the return value of the Function to <code class="literal">someNumber</code>. In any statement that contains an assignment, the assignment is always done last. In other words, the Function in this example will <span class="emphasis"><em>always</em></span> be given an argument of <code class="literal">9</code>, and only <span class="emphasis"><em>after</em></span> the Function completes execution and returns a value will that value be assigned to <code class="function">someNumber</code>.
+ </div></li><li class="listitem"><div class="para">
+ The new value of <code class="literal">someNumber</code> is displayed.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ The program could have been shortened like this:
+<pre class="programlisting">
+(
+ var mysticalMath =
+ {
+ arg input = 0;
+ input * 23;
+ };
+
+ var someNumber = mysticalMath.value( 9 );
+ someNumber.postln;
+ nil;
+)
+</pre>
+
+ </div><div class="para">
+ It could have been shortened even more like this:
+<pre class="programlisting">
+(
+ var mysticalMath =
+ {
+ arg input = 0;
+ input * 23;
+ };
+
+ mysticalMath.value( 9 ).postln;
+ nil;
+)
+</pre>
+
+ </div><div class="para">
+ Experiment with the shortened versions of the program, ensuring that you know why they work.
+ </div></div><div class="section" title="11.3.2.6. Variable Scope" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-">11.3.2.6. Variable Scope</h4></div></div></div><div class="para">
+ A variable is only valid within its "scope." A variable's scope is determined by where it is declared. It will always last between either <code class="literal">(</code> and <code class="literal">)</code> or <code class="literal">{</code> and <code class="literal">}</code>, and applies to all statements within that block of code. Variable names can be re-declared in some contexts, which can be confusing.
+ </div><div class="para">
+ Consider the scope of the variables in this example:
+<pre class="programlisting">
+(
+ var zero = 0;
+ var function =
+ {
+ var zero = 8;
+ var sixteen = 16;
+ zero.postln; // always prints 8
+ };
+
+ function.value;
+ zero.postln; // always prints 0
+ sixteen.postln; // always causes an error
+)
+</pre>
+ Because <code class="literal">function</code> declares its own copy of <code class="literal">zero</code>, it is modified independently of the variable <code class="literal">zero</code> declared before the Function. Every time <code class="literal">function</code> is executed, it re-declares its own <code class="literal">zero</code>, and the interpreter keeps it separate from any other variables with the same name. When <code class="literal">function</code> has finished executing, the interpreter destroys its variables. Variables declared inside any Function are only ever accessible from within that Function. This is why, when we try to execute <code class="code">sixteen.postln;</code>, the interpreter encounters an error: <code class="literal">sixteen</code> exists only within <code class="literal">function</code>, and is not accessible outside the function. By the way, in order to excute this example, you will need to remove the error-causing reference to <code class=
"literal">sixteen</code>.
+ </div><div class="para">
+ Now consider the scope of the variables in this example:
+<pre class="programlisting">
+(
+ var zero = 0;
+ var function =
+ {
+ var sixteen = 16;
+ zero = 8;
+ zero.postln; // always prints 8
+ sixteen.postln;
+ };
+
+ function.value;
+ zero.postln; // always prints 8
+)
+</pre>
+ Why does the last line always print <code class="literal">8</code>? It's because <code class="literal">zero</code> was set to <code class="literal">8</code> within <code class="literal">function</code>. More importantly, <code class="literal">function</code> did not declare its own copy of <code class="literal">zero</code>, so it simply accesses the one declared in the next "highest" block of code, which exists between <code class="literal">(</code> and <code class="literal">)</code> in this example.
+ </div><div class="para">
+ This is why it is important to pay attention to a variable's scope, and to make sure that you declare your variables in the right place. Unexpected and difficult-to-find programming mistakes can occur when you forget to declare a variable, but it is declared elsewhere in your program: you will be allowed to use the variable, but it will be modified unexpectedly. On the other hand, it can be greatly advantageous to be able to access variables declared "outside the local scope" (meaning variables that are not declared in the same code block in which they are used), but careful thought and planning is required.
+ </div><div class="para">
+ Astute readers will notice that it is possible to re-declare the single-letter variable names, allowing you to control their scope. Consider the following program:
+<pre class="programlisting">
+(
+ var a = 0;
+ b =
+ {
+ var c = 16;
+ a = 8;
+ a.postln;
+ c.postln;
+ };
+
+ b.value;
+ a.postln;
+)
+</pre>
+ This example requires careful examination. What is the scope of <code class="literal">a</code>, <code class="literal">b</code>, and <code class="literal">c</code>? The answers may be surprising.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="literal">a</code> is declared just after the <code class="literal">(</code> character, so the interpreter destroys it upon reaching the <code class="literal">)</code> character.
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">c</code> is declared just after the <code class="literal">{</code> character, so the interpreter destroys it upon reaching the <code class="literal">}</code> character.
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">b</code> is <span class="emphasis"><em>not</em></span> declared in this program, so it refers to the automatically-declared variable with that name. The interpreter does not destroy it until it is restarted or stopped. This means that the Function assigned to <code class="literal">b</code> is still available <span class="emphasis"><em>after</em></span> the program finishes execution. Try it! Execute the program above, and then execute this single-line program alone: <code class="code">b.value;</code>
+ </div></li></ul></div>
+
+ </div></div></div><div class="section" title="11.3.3. Object-Oriented SuperCollider" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented">11.3.3. Object-Oriented <span class="application"><strong>SuperCollider</strong></span></h3></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> is difficult to describe precisely, because its syntax allows great flexibility. There are many different ways to accomplish the same task. Each one is subtly different, and gives you a different set of possibilities, but there is often no "best solution." One of the advantages to this is that it easily allows three "programming paradigms," although one is used much more often than the others.
+ </div><div class="section" title="11.3.3.1. Imperative Programming" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Imperative_Programming"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Imperative_Programming">11.3.3.1. Imperative Programming</h4></div></div></div><div class="para">
+ Imperative programming is easy to understand: it is simply a list of commands, like this:
+<pre class="programlisting">
+(
+ var a, b, c;
+
+ a = 12;
+ b = 25;
+ c = a + b;
+ a.postln;
+)
+</pre>
+ Declare the variables, set the variables, do a calculation, and print the result of the calculation. This is a simple example, and a simple model, but it is very difficult to escape completely. After all, humans think of large problems in terms of algorithms (the instructions needed to do something). Computers solve large problems, so being able to program them with a series of instructions makes sense.
+ </div></div><div class="section" title="11.3.3.2. Functional Programming" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Functional_Programming"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Functional_Programming">11.3.3.2. Functional Programming</h4></div></div></div><div class="para">
+ Functional programming is also easy to understand, but it can be a little bit more difficult to think about complex tasks. Functional programs use Functions to complete all of their work. This is not strictly possible in <span class="application"><strong>SuperCollider</strong></span>: it is more imperative than functional, but the creative use of Functions can easily solve some problems that are difficult to write with an imperative approach.
+ </div><div class="para">
+ The following example is an extension of the "Imperative" example. Pretend that the following Functions exist, and do the following tasks:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ getinput : allows the user to enter a number, and returns that number
+ </div></li><li class="listitem"><div class="para">
+ add : adds together the numbers given as arguments, returning the sum
+ </div></li></ul></div>
+
+<pre class="programlisting">
+(
+ postln( add( getinput, getinput ) );
+)
+</pre>
+
+ </div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> will always execute the inner-most Functions first. This is how the interpreter executes the single-line program above:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Execute the left call of <code class="function">getinput</code>
+ </div></li><li class="listitem"><div class="para">
+ Execute the right call of <code class="function">getinput</code>
+ </div></li><li class="listitem"><div class="para">
+ Execute <code class="function">add</code> with the two numbers returned by <code class="function">getinput</code>
+ </div></li><li class="listitem"><div class="para">
+ Execute <code class="function">postln</code> with the number returned by <code class="function">add</code>
+ </div></li></ol></div>
+
+ </div><div class="para">
+ Both imperative and functional programming have advantages and disadvantages. <span class="application"><strong>SuperCollider</strong></span> will allow you to use either approach, or a mix of both, when solving problems.
+ </div></div><div class="section" title="11.3.3.3. Object-Oriented Programming" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Object-Oriented_Programming"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Object-Oriented_Programming">11.3.3.3. Object-Oriented Programming</h4></div></div></div><div class="para">
+ Object-oriented programming is more difficult to think about than imperative or functional. When using this paradigm (mode of thought), almost everything in <span class="application"><strong>SuperCollider</strong></span> is thought of as an abstract Object. In this way, it allows programmers to make compelling comparisons to the real world, where all tangible things are objects, and where it is not hard to conceive of most intangible things as objects, too. With object-oriented programming, computer science takes a break from mathematics, and is influenced by philosophy.
+ </div><div class="para">
+ Class names always begin with an uppercase letter.
+ </div><div class="para">
+ Anything can be represented as an Object - like a bicycle, for instance. Let's pretend that we have an Object called a Bicycle. We don't yet have a particular bicycle - just the abstract <em class="firstterm">class</em> containing everything that is true about all bicycles. If a Bicycle class exists in <span class="application"><strong>SuperCollider</strong></span>, you generate a specific instance like this: <code class="code">var bike = Bicycle.new;</code> All <span class="application"><strong>SuperCollider</strong></span> Objects can be <em class="firstterm">instantiated</em> in this way: you get a specific Bicycle from the generic class, and you can then modify and work with your own Object as you choose. The specific properties associated with a particular instance of a class are called <em class="firstterm">instance variables</em>.
+ </div><div class="para">
+ There are certain things that Bicycles are designed to do: turn the wheels, turn the handlebar, raise and lower the seat, and so on. You can cause these things to happen by providing a certain input to a real-world Bicycle: if you want to turn the wheels, you might push the pedals. In <span class="application"><strong>SuperCollider</strong></span>, you cause things to happen by <em class="firstterm">sending a message</em> to the Object that tells it what you want: if you have a Bicycle, you might turn the wheels like this: <code class="code">bike.turnTheWheels;</code> When you do this, you actually execute the <code class="function">turnTheWheels</code> function, which is defined by the abstract Bicycle class. Because it doesn't make sense to turn the wheels of all bicycles in existence, you don't call the <em class="firstterm">method</em> (a synonym for "Function") from the Bicycle class itself, but from the particular instance whose wheels you want to turn. The proper
way to access instance variables is by using instance methods.
+ </div><div class="para">
+ If this kind of programming is new to you, it might seem extremely difficult. It can be intimidating at first, but it is actually not too difficult to understand once you start to use it. In fact, you have already been using it! Remember the <code class="function">postln</code> command that was described earlier as a special kind of Function? It's actually a Function defined by <span class="application"><strong>SuperCollider</strong></span>'s abstract class <code class="classname">Object</code>, which defines a set of messages that can be passed to <span class="emphasis"><em>any</em></span> <span class="application"><strong>SuperCollider</strong></span> object. Because most things in <span class="application"><strong>SuperCollider</strong></span> are objects, we can send them the <code class="function">postln</code> message, and they will understand that it means to print themselves in the "<span class="application"><strong>SuperCollider</strong></span> output" pane.
+ </div><div class="para">
+ Why is it that all Objects respond to the <code class="function">postln</code> message? <span class="application"><strong>SuperCollider</strong></span> classes are allowed to belong to other <span class="application"><strong>SuperCollider</strong></span> classes, of which they are a part. Consider the Bicycle class again. It is a kind of vehicle, and philosophers might say that "things that are members of the bicycle class are also members of the vehicle class." That is, real-world bicycles share certain characteristics with other real-world objects that are classified as "vehicles." The bicycle class is a "sub-class" of the vehicle class, and it <em class="firstterm">inherits</em> certain properties from the vehicles class. <span class="application"><strong>SuperCollider</strong></span> allows this behaviour too, and calls it <em class="firstterm">inheritance</em>. In <span class="application"><strong>SuperCollider</strong></span>, since all classes define Objects, the
y are all automatically considered to be a sub-class of the class called <code class="classname">Object</code>. All classes therefore inherit certain characteristics from the <code class="classname">Object</code> class, like knowing how to respond to the <code class="function">postln</code> message.
+ </div><div class="para">
+ equivalent notation: <code class="literal">5.postln</code> versus <code class="literal">postln( 5 )</code>
+ </div><div class="para">
+ You still don't know how to write new Classes and Objects in <span class="application"><strong>SuperCollider</strong></span>, but knowing how to use them is more than enough for now. By the time you need to write your own Classes, you will probably prefer to use the official <span class="application"><strong>SuperCollider</strong></span> help files, anyway.
+ </div></div><div class="section" title="11.3.3.4. Choosing a Paradigm" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Choosing_a_Paradigm"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Choosing_a_Paradigm">11.3.3.4. Choosing a Paradigm</h4></div></div></div><div class="para">
+ At this point you may begin worrying about which programming paradigm you should choose, and when. The answer is unhelpful: "Whichever seems best for the task."
+ </div><div class="para">
+ Let's expand on this. If you are primarily a programmer, then you probably already know how to choose the best paradigm and algorithm for the task. If you are a musician, then you probably just want your program to produce the output that you want (in this case, a particular set of sounds). Part of the beauty of <span class="application"><strong>SuperCollider</strong></span>'s flexibility is that it allows you to produce the same output in different ways. As a musician this means that, as long as your program works as you want it to work, it doesn't matter how you write it. Experience will teach you more and less effective ways of doing things, but there is no need for rules.
+ </div><div class="para">
+ Even so, here are some guidelines that will help you to start thinking about music programs:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Programs of all sorts often follow a simple, four-step flow. Not all parts are always present.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Declare variables.
+ </div></li><li class="listitem"><div class="para">
+ Get input from the user.
+ </div></li><li class="listitem"><div class="para">
+ Calculate something with the input.
+ </div></li><li class="listitem"><div class="para">
+ Provide output to the user (i.e. "make noise").
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Repetition is the enemy of correctness, so if you're going to execute some code more than once, try writing a Function. If it's slightly different every time, try using arguments. Arguments with default values are a great way to expand a Function's usefulness.
+ </div></li><li class="listitem"><div class="para">
+ If it looks too complicated, then it probably is. The more difficult it is to understand something, the greater the chance of making a mistake.
+ </div></li><li class="listitem"><div class="para">
+ Don't forget the semicolons at the end of every statement.
+ </div></li></ul></div>
+
+ </div></div></div><div class="section" title="11.3.4. Sound-Making Functions" id="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions">11.3.4. Sound-Making Functions</h3></div></div></div><div class="para">
+ It's finally time to start thinking about Functions that produce sound!
+ </div><div class="para">
+ This example is discussed below in the following sections. Remember, when running <span class="application"><strong>SuperCollider</strong></span> code in <span class="application"><strong>GEdit</strong></span>, you can stop the sound by pressing <span class="keycap"><strong>Esc</strong></span>
+<pre class="programlisting">{ SinOsc.ar( 440, 0, 0.2 ); }.play;</pre>
+
+ </div><div class="section" title="11.3.4.1. UGens" id="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-UGens"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-UGens">11.3.4.1. UGens</h4></div></div></div><div class="para">
+ "UGen" stands for "unit generator." UGens are special Objects that generate either an audio or a control signal.
+ </div><div class="para">
+ The UGen that will be used for most of the experimentation in this Guide, and which was primarily used to generate the "Method One" program that goes with this Guide, is called <code class="classname">SinOsc</code>, which generates a sine wave. The class' name, <code class="classname">SinOsc</code> means "sine oscillator."
+ </div><div class="para">
+ The example at the beginning of this chapter, <code class="code">SinOsc.ar( 440, 0, 0.2 );</code> produces an "instance" of the <code class="classname">SinOsc</code> class, which continuously outputs a signal, based on the parameters given in parentheses. This instance produces an "audio rate" signal, which means that it is of sufficient quality to eventually become sound.
+ </div><div class="para">
+ A slightly modified version of that code will give us a "control rate" signal: <code class="code">SinOsc.kr( 440, 0, 0.2 );</code> There is only one small difference between the two examples - for us - but for <span class="application"><strong>SuperCollider</strong></span>, the difference is huge. A control rate signal will not be of sufficient quality to become sound; it is used to control other UGens that do become sound.
+ </div><div class="para">
+ Unlike other Classes, UGen Classes should not be instantiated with the <code class="function">new</code> message. They should always be instantiated as either audio-rate (by passing the <code class="function">ar</code> message), or control-rate (by passing the <code class="function">kr</code> message). Control-rate signals are calculated much less often than audio-rate signals, which allows the <span class="application"><strong>SuperCollider</strong></span> interpreter and server to save processing power where it wouldn't be noticed.
+ </div></div><div class="section" title="11.3.4.2. The "play" Function" id="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-The_play_Function"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-The_play_Function">11.3.4.2. The "play" Function</h4></div></div></div><div class="para">
+ The <code class="function">play</code> function does exactly what it says: it plays its input. The input must be a function with an audio-rate signal generator as the return value.
+ </div><div class="para">
+ The following two examples produce the same output:
+<pre class="programlisting">{ SinOsc.ar( 440, 0, 0.2 ); }.play;</pre>
+
+<pre class="programlisting">play( { SinOsc.ar( 440, 0, 0.2 ); } );</pre>
+ The first example is written from an object-oriented perspective. Functions know how to play their return value, when passed the <code class="function">play</code> message. This is true of all Functions whose return value is an audio-rate UGen. The second example is written from a functional perspective. The Function called <code class="function">play</code> will play its input, which must be a Function whose return value is an audio-rate UGen. Whether you should write <code class="function">play</code> in the functional or object-oriented way depends on which makes more sense to you.
+ </div><div class="para">
+ Try to re-write the above example so that the <code class="function">play</code> function operates on a variable-defined Function.
+ </div><div class="para">
+ The arguments to <code class="classname">SinOsc</code>, whether the audio- or control-rate generator, are these:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The first is called <code class="literal">freq</code>; it sets the frequency.
+ </div></li><li class="listitem"><div class="para">
+ The second is called <code class="literal">add</code>; it is added to all values produced by the UGen.
+ </div></li><li class="listitem"><div class="para">
+ The third is called <code class="literal">mul</code>; all values produced by the UGen are multiplied by this.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ You now know enough to spend hours with the sine oscillator UGen. Try combining audio- and control-rate UGens, and try to figure out what happens when each of the arguments is adjusted. Be careful that your audio interface's volume isn't set too high! Experiment with this one:
+<pre class="programlisting">
+(
+ var myFrequency = SinOsc.kr( freq:1, mul:200, add:400 );
+ var sound = { SinOsc.ar( myFrequency, 0, 0.2 ); };
+
+ play( sound );
+)
+</pre>
+
+ </div></div></div><div class="section" title="11.3.5. Multichannel Audio" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio">11.3.5. Multichannel Audio</h3></div></div></div><div class="para">
+ By now you must be growing tired of the left-side-only sounds being produced by the examples.
+ </div><div class="section" title="11.3.5.1. Stereo Array" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Stereo_Array"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Stereo_Array">11.3.5.1. Stereo Array</h4></div></div></div><div class="para">
+ The easiest way to output multichannel audio in <span class="application"><strong>SuperCollider</strong></span> is to use a kind of "Collection" (defined later) called an "Array." <span class="application"><strong>SuperCollider</strong></span> will theoretically handle any number of audio output channels, but by default is usually only configured for two-channel stereo audio. Since humans have only two ears, this is sufficient for most tasks! A multichannel array is notated like this: <code class="code">[ LeftChannel.ar( x ), RightChannel.ar( y ) ]</code>
+ </div><div class="para">
+ Here is our simple sine oscillator expanded to produce stereo audio:
+<pre class="programlisting">{ [ SinOsc.ar( 440, 0, 0.2 ), SinOsc.ar( 440, 0, 0.2 ) ]; }.play;</pre>
+ Not much has changed, except that the audio we hear is now being emitted from both the left and right channels. Change the frequency of one of the sine oscillators to <code class="literal">450</code> and the difference will become much more apparent.
+ </div><div class="para">
+ Multichannel arrays can also be combined with each other, like this:
+<pre class="programlisting">
+{
+ var one = [ x, y, z ];
+ var two = [ a, b, c ];
+ [ one, two ];
+}
+</pre>
+ If <code class="literal">a</code>, <code class="literal">b</code>, <code class="literal">c</code>, <code class="literal">x</code>, <code class="literal">y</code>, and <code class="literal">z</code> were all audio-rate UGens, this function could be <code class="function">play</code>'ed. It would produce stereo audio, and each channel would have three independent UGens.
+ </div></div><div class="section" title="11.3.5.2. Multichannel Expansion" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Multichannel_Expansion"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Multichannel_Expansion">11.3.5.2. Multichannel Expansion</h4></div></div></div><div class="para">
+ You can automatically create multiple UGens by providing an Array as one of the parameters. The <span class="application"><strong>SuperCollider</strong></span> interpreter will automatically create multichannel UGens as a result.
+ </div><div class="para">
+ The following two examples produce equivalent output:
+<pre class="programlisting">{ [ SinOsc.ar( 440, 0, 0.2 ), SinOsc.ar( 440, 0, 0.2 ) ]; }.play;</pre>
+
+<pre class="programlisting">{ SinOsc.ar( [440, 440], 0, 0.2 ); }.play;</pre>
+ The second example can be easier to read, because it is obvious that only the frequency is changing - or in this case, that nothing is changing. This technique is more useful in a situation like the following:
+<pre class="programlisting">
+{ SinOsc.ar( [[440, 445, 450, 455, 460, 465],
+ [440, 445, 450, 455, 460, 465]],
+ 0,
+ 0.2 ); }.play;
+</pre>
+ That's not exactly easy to read, but it's easier to figure out than the most obvious alternative:
+<pre class="programlisting">
+{
+ [[ SinOsc.ar( 440, 0, 0.2 ), SinOsc.ar( 445, 0, 0.2 ), SinOsc.ar( 450, 0, 0.2 ), SinOsc.ar( 455, 0, 0.2 ), SinOsc.ar( 460, 0, 0.2 ), SinOsc.ar( 465, 0, 0.2 ) ],
+ [ SinOsc.ar( 440, 0, 0.2 ), SinOsc.ar( 445, 0, 0.2 ), SinOsc.ar( 450, 0, 0.2 ), SinOsc.ar( 455, 0, 0.2 ), SinOsc.ar( 460, 0, 0.2 ), SinOsc.ar( 465, 0, 0.2 ) ]];
+}.play;
+</pre>
+ More importantly, multichannel expansion gives us another tool to avoid repetition. Repetition is the enemy of correctness - it's so much more difficult to find a mistake in the second example than in the first!
+ </div></div><div class="section" title="11.3.5.3. Method One" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Method_One"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Method_One">11.3.5.3. Method One</h4></div></div></div><div class="para">
+ Believe it or not, you now know enough to understand a slightly-modified version of the first part of "Method One," a <span class="application"><strong>SuperCollider</strong></span> program written and heavily commented specifically for use with this guide. You should <code class="function">play</code> this example, and experiment with changing the frequencies, volumes, and so on. The fully-commented version provides a full explanation of how the function works.
+<pre class="programlisting">
+{
+ // sets up the frequencies of both channels
+ var frequencyL = SinOsc.kr( freq:10, mul:200, add:400 ); // oscillating
+ var frequencyR = SinOsc.kr( freq:1, mul:50, add:150 ); // oscillating
+ var frequencyL_drone = SinOsc.kr( freq:0.03, mul:20, add:100 ); // drone
+ var frequencyR_drone = SinOsc.kr( freq:0.01, mul:20, add:210 ); // drone
+
+ // changes the volume of the oscillating part in the left channel
+ var volumeL = SinOsc.kr( freq:0.5, mul:0.02, add:0.03 );
+
+ // left channel
+ var left = [ SinOsc.ar( freq:frequencyL, mul:volumeL ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyL_drone,2*frequencyL_drone], mul:0.02 ), // the rest make up the drone
+ SinOsc.ar( freq:[5*frequencyL_drone,7*frequencyL_drone], mul:0.005 ),
+ SinOsc.ar( freq:[13*frequencyL_drone,28*frequencyL_drone], mul:0.001 ) ];
+
+ // right channel
+ var right = [ SinOsc.ar( freq:frequencyR, mul:0.1 ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyR_drone,2*frequencyR_drone], mul:0.02 ), // the rest make up the drone
+ SinOsc.ar( freq:4*frequencyR_drone, mul:0.005 ),
+ SinOsc.ar( freq:[64*frequencyR_drone,128*frequencyR_drone], mul:0.01 ) ]; // high frequencies!
+
+ [ left, right ];
+}
+</pre>
+
+ </div></div></div><div class="section" title="11.3.6. Collections" id="sect-Musicians_Guide-SC-Basic_Programming-Collections"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections">11.3.6. Collections</h3></div></div></div><div class="para">
+ A "collection" is just that - a collection of Objects. Collections are simply a means of organizing a large amount of data, without having to assign a variable name for each portion of data. Compared to other programming languages, <span class="application"><strong>SuperCollider</strong></span> provides a relatively large number of Collections in the standard library.
+ </div><div class="para">
+ We have already seen an example of a Collection as multichannel audio arrays. An Array is a kind of Collection - in object-oriented terminology, the Array Class is a <em class="firstterm">sub-class</em> of the Collection Class, and inherits its behaviours. Conversely, the Collection Class is the <em class="firstterm">super-class</em> of the Array Class. The Collection Class itself is not to be used; it is designed to provide common features so that it is easier to write Classes for collections.
+ </div><div class="para">
+ As with all the chapters from this point on, it is not necessary to read this in sequence. If you prefer, you can skip it and return later when you need to manage a large set of data.
+ </div><div class="section" title="11.3.6.1. Array" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Array"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Array">11.3.6.1. Array</h4></div></div></div><div class="para">
+ Arrays have been traditionally been very popular with programmers. In <span class="application"><strong>SuperCollider</strong></span>, they are capable of storing a large number of Objects, and they provide advanced behaviours that are normally not associated with Arrays. They are not as indespensible as they used to be. Most programming languages now provide (or can easily be extended to add) Lists, Trees, and other kinds of data storage structures, which offer more capabilities, and are easier to use and to think about. Users new to programming might find the various kinds of Lists to be more helpful.
+ </div><div class="section" title="11.3.6.1.1. Building an Array" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Array-Building"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Array-Building">11.3.6.1.1. Building an Array</h5></div></div></div><div class="para">
+ An Array is a Collection with a finite maximum size, determined at declaration time. It is the programmer's responsibility to maintain a meaningful order, and to remember the meaning of the data. Data in an Array is called "elements," each of which is assigned a specific "index number." Index numbers begin at 0. Any mix of Objects can be stored in an Array, including an Array.
+ </div><div class="para">
+ This example declares an Array, adds some elements, then prints them out.
+<pre class="programlisting">
+(
+ var tA = Array.new( 2 ); // "tA" stands for "testArray"
+
+ tA = tA.add( 5 );
+ tA = tA.add( 3 );
+ tA = tA.add( 17 );
+
+ tA.postln;
+ nil;
+)
+</pre>
+ Notice that Array is a Class, and it must be instantiated before use. Here, the variable <code class="literal">tA</code> is assigned an Array with enough space for two objects. Notice that the elements are printed out in the order that you add them to the Array. They are not sorted or shuffled (unless you send a message like <code class="function">scramble</code>). But why did I write <code class="code">tA = tA.add( 17 );</code> instead of <code class="code">tA.add( 17 );</code>? Shouldn't the second method be sufficient for adding an Object to an Array, thereby making the re-assignment unnecessary? It does, but let's see what happens when we take it away:
+<pre class="programlisting">
+(
+ var tA = Array.new( 2 ); // "tA" stands for "testArray"
+
+ tA.add( 5 );
+ tA.add( 3 );
+ tA.add( 17 );
+
+ tA.postln;
+ nil;
+)
+</pre>
+ The <code class="literal">17</code> is missing - it doesn't get added into the Array! This is because the Array was only declared with two slots, and you can't add three Objects into two slots. So why did this work the first time? <span class="application"><strong>SuperCollider</strong></span> was programmed to help us fit additional items into an Array. If an Array has reached its capacity, <span class="application"><strong>SuperCollider</strong></span> will automatically make a new, larger Array for us, and returns that from the <code class="function">add</code> method. Therefore, any time you add an element to an Array, you should always re-assign the result, so that you don't have to worry about whether you exceeded the Array's capacity.
+ </div></div><div class="section" title="11.3.6.1.2. Accessing an Array's Elements" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Array-Accessing"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Array-Accessing">11.3.6.1.2. Accessing an Array's Elements</h5></div></div></div><div class="para">
+ There are two ways to access individual elements within an Array. One way is object-oriented, and one way is more traditional, inspired by programming languages such as the wildly popular "C" language. The object-oriented style uses the <code class="function">at</code> and <code class="function">put</code> methods. The traditional style uses square brackets with an index number.
+ </div><div class="para">
+ The following examples produce equivalent output. The first uses the object-oriented style, and the second uses the traditional style.
+<pre class="programlisting">
+(
+ var tA = Array.new( 3 );
+
+ tA = tA.add( 5 );
+ tA = tA.add( 3 );
+ tA = tA.add( 17 );
+
+ tA.at( 0 ).postln; // outputs 5
+ tA.at( 1 ).postln; // outputs 3
+ tA.at( 2 ).postln; // outputs 17
+
+ tA.put( 0, 24 ); // assigns 24 to element 0
+
+ tA.at( 0 ).postln; // outputs 24
+
+ nil;
+)
+</pre>
+
+<pre class="programlisting">
+(
+ var tA = Array.new( 3 );
+
+ tA = tA.add( 5 );
+ tA = tA.add( 3 );
+ tA = tA.add( 17 );
+
+ tA[0].postln; // outputs 5
+ tA[1].postln; // outputs 3
+ tA[2].postln; // outputs 17
+
+ tA[0] = 24 ; // assigns 24 to element 0
+
+ tA[0].postln; // outputs 24
+
+ nil;
+)
+</pre>
+ Different people prefer different styles of accessing Arrays.
+ </div></div></div><div class="section" title="11.3.6.2. List" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List">11.3.6.2. List</h4></div></div></div><div class="para">
+ An List is a Collection with an infinite maximum size. It is the programmer's responsibility to maintain a meaningful order, and to remember the meaning of the data. Data in a List is called "elements," each of which is assigned a specific "index number." Index numbers begin at 0. Any mix of Objects can be stored in a List, including a List. Lists and Arrays are very similar, but <span class="application"><strong>SuperCollider</strong></span> manages some of the dirty work for you, when you use the List Class.
+ </div><div class="section" title="11.3.6.2.1. Building a List" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Building"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Building">11.3.6.2.1. Building a List</h5></div></div></div><div class="para">
+ There are four methods which instantiate a List. These are all "Class methods," meaning they do not operate on a specific List, but can be used to make any List.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">List.new</code> creates a List. You can also specify the initial number of elements as an argument, if you choose.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">List.newClear( <em class="replaceable"><code>x</code></em> )</code> creates a List with <code class="literal">x</code> number of slots, filled with <code class="literal">nil</code>.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">List.copyInstance( <em class="replaceable"><code>aList</code></em> )</code> creates a List which is a copy of <code class="literal">aList</code>.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">List.newUsing( <em class="replaceable"><code>anArray</code></em> )</code> creates a List with the same elements as <code class="literal">anArray</code>.
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="11.3.6.2.2. Adding to an Existing List" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Adding_to_an_Existing_List"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Adding_to_an_Existing_List">11.3.6.2.2. Adding to an Existing List</h5></div></div></div><div class="para">
+ These are "instance methods," meaning that they operate on a specific list.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">put( <em class="replaceable"><code>index</code></em>, , <em class="replaceable"><code>item</code></em> )</code> adds <code class="literal">item</code> into the List at index number <code class="literal">index</code>.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">add( <em class="replaceable"><code>item</code></em> )</code> adds <code class="literal">item</code> to the end of a List.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">addFirst( <em class="replaceable"><code>item</code></em> )</code> adds <code class="literal">item</code> to the beginning of a List.
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="11.3.6.2.3. Accessing a List" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Accessing"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Accessing">11.3.6.2.3. Accessing a List</h5></div></div></div><div class="para">
+ These are "instance methods," meaning that they operate on a specific list.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">at( <em class="replaceable"><code>index</code></em> )</code> returns the Object assigned to the <code class="literal">index</code> index number. If <code class="literal">index</code> is greater than the last element in the List, returns <code class="literal">nil</code>.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">clipAt( <em class="replaceable"><code>index</code></em> )</code> returns the Object assigned to the <code class="literal">index</code> index number. If <code class="literal">index</code> is greater than the last element in the List, returns the last element in the List.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">wrapAt( <em class="replaceable"><code>index</code></em> )</code> returns the Object assigned to the <code class="literal">index</code> index number. If <code class="literal">index</code> is greater than the last element in the List, returns an element based on a "wrap-around" index number. For a three-element List, <code class="literal">0</code> will return element <code class="literal">0</code>, <code class="literal">1</code> returns <code class="literal">1</code>, <code class="literal">2</code> returns <code class="literal">2</code>, <code class="literal">3</code> returns <code class="literal">0</code>, <code class="literal">4</code> returns <code class="literal">1</code>, <code class="literal">5</code> returns <code class="literal">2</code>, <code class="literal">6</code> returns <code class="literal">0</code>, and so on.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">foldAt( <em class="replaceable"><code>index</code></em> )</code> returns the Object assigned to the <code class="literal">index</code> index number. If <code class="literal">index</code> is greater than the last element in the List, returns an element based on a "fold-back" index number. Whereas <code class="function">wrapAt()</code> always continues from the lowest to the highest index number, <code class="function">foldAt()</code> changes every time: low to high, high to low, low to high, and so on.
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="11.3.6.2.4. Removing from a List" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Removing"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Removing">11.3.6.2.4. Removing from a List</h5></div></div></div><div class="para">
+ One way to remove an element from a List is to re-assign that element's index number the value <code class="literal">nil</code>. These two Functions also remove elements from a List. They are "instance methods," meaning that they operate on a specific list.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">pop</code> returns the last element in a List, and removes it from the List.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">removeAt( <em class="replaceable"><code>index</code></em> )</code> removes the element assigned to <code class="literal">index</code> index number, removing it from the List and shrinking the List. <code class="function">removeAt()</code> does not leave a <code class="literal">nil</code> element in the List.
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="11.3.6.2.5. Examples" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Examples"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Examples">11.3.6.2.5. Examples</h5></div></div></div><div class="para">
+ The following examples show different ways to use List's.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL.add( 42 );
+ tL.add( 820 );
+
+ postln( tL.pop ); // outputs 820
+
+ tL.add( 7 );
+ tL.add( 19 );
+ tL.add( 23 );
+
+ postln( tL.pop ); // outputs 23
+ postln( tL.pop ); // outputs 19
+ postln( tL.pop ); // outputs 7
+ postln( tL.pop ); // outputs 42
+
+ postln( tL.pop ); // List is empty, so we get "nil"
+
+ nil;
+)
+</pre>
+ This code adds numbers to the end of a List, then removes them from the end of the List.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL.addFirst( 42 );
+ tL.addFirst( 820 );
+
+ postln( tL.pop ); // outputs 42
+
+ tL.addFirst( 7 );
+ tL.addFirst ( 19 );
+ tL.addFirst ( 23 );
+
+ postln( tL.pop ); // outputs 820
+ postln( tL.pop ); // outputs 7
+ postln( tL.pop ); // outputs 19
+ postln( tL.pop ); // outputs 23
+
+ postln( tL.pop ); // list is empty, so we get "nil"
+
+ nil;
+)
+</pre>
+ This modification of the first example adds numbers to the beginning of a List, then removes them from the end of the List. This is one way to ensure that the List elements are removed in the same order that they are added.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL.add( 42 );
+ tL.add( 820 );
+
+ postln( tL.removeAt( 0 ) ); // outputs 42
+
+ tL.add( 7 );
+ tL.add( 19 );
+ tL.add( 23 );
+
+ postln( tL.removeAt( 0 ) ); // outputs 820
+ postln( tL.removeAt( 0 ) ); // outputs 7
+ postln( tL.removeAt( 0 ) ); // outputs 19
+ postln( tL.removeAt( 0 ) ); // outputs 23
+
+// postln( tL.removeAt( 0 ) ); // causes an error!
+
+ nil;
+)
+</pre>
+ This modification of the first example adds numbers to the end of a List, then removes from the beginning of the List. This is another way to ensure that the List elements are removed in the same order that they're added. Note that, when the List is empty, using the "removeAt()" Function causes an error, because you try to access a List index which doesn't exist.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL = [42,820,7,19,23];
+
+ tL.at( 0 ).postln; // outputs 42
+ tL.at( 1 ).postln; // outputs 820
+ tL.at( 2 ).postln; // outputs 7
+ tL.at( 3 ).postln; // outputs 19
+ tL.at( 4 ).postln; // outputs 23
+ tL.at( 5 ).postln; // outputs nil
+ tL.at( 6 ).postln; // outputs nil
+
+ nil;
+)
+</pre>
+ This example shows another way to add elements to an empty List, which also works for Arrays. Then it shows what happens when you try to access elements beyond the end of a List with the "at()"Function.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL = [42,820,7,19,23];
+
+ tL.clipAt( 0 ).postln; // outputs 42
+ tL.clipAt( 1 ).postln; // outputs 820
+ tL.clipAt( 2 ).postln; // outputs 7
+ tL.clipAt( 3 ).postln; // outputs 19
+ tL.clipAt( 4 ).postln; // outputs 23
+ tL.clipAt( 5 ).postln; // outputs 23
+ tL.clipAt( 6 ).postln; // outputs 23
+
+ nil;
+)
+</pre>
+ This example shows what happens when you try to access elements beyond the end of a List with the "clipAt()" Function. For index numbers beyond the end of the List, the interpreter will simply return the last element.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL = [42,820,7,19,23];
+
+ tL.foldAt( 0 ).postln; // outputs 42
+ tL.foldAt( 1 ).postln; // outputs 820
+ tL.foldAt( 2 ).postln; // outputs 7
+ tL.foldAt( 3 ).postln; // outputs 19
+ tL.foldAt( 4 ).postln; // outputs 23
+ tL.foldAt( 5 ).postln; // outputs 19
+ tL.foldAt( 6 ).postln; // outputs 7
+
+ nil;
+)
+</pre>
+ This example shows what happens when you try to aceess elements beyond the end of a List with the "foldAt()" Function. For index numbers beyond the end of the List, the interpreter will start moving back through the List, towards the first element, "folding" through the List.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL = [42,820,7,19,23];
+
+ tL.wrapAt( 0 ).postln; // outputs 42
+ tL.wrapAt( 1 ).postln; // outputs 820
+ tL.wrapAt( 2 ).postln; // outputs 7
+ tL.wrapAt( 3 ).postln; // outputs 19
+ tL.wrapAt( 4 ).postln; // outputs 23
+ tL.wrapAt( 5 ).postln; // outputs 42
+ tL.wrapAt( 6 ).postln; // outputs 820
+
+ nil;
+)
+</pre>
+ This example shows what happens when you try to access elements beyond the end of a List with the "wrapAt()" Function. For index numbers beyond the end of the List, the interpreter will start again at the beginning of the List, "wrapping" around to the beginning.
+ </div></div></div><div class="section" title="11.3.6.3. LinkedList" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList">11.3.6.3. LinkedList</h4></div></div></div><div class="para">
+ Linked lists are very common structures for data management in computer science. They are more efficient than arrays for many tasks, particularly when it's impossible to know how many elements will be required in an array until the program is run. <span class="application"><strong>SuperCollider</strong></span>'s List Class is implemented with arrays, and it offers nearly the same functionality as the LinkedList class.
+ </div><div class="para">
+ A true linked list is accessed most efficiently from the start (called the "head" of the list) or the end (called the "tail"). Each element is linked to the one before it, the one after it, or both. <span class="application"><strong>SuperCollider</strong></span>'s LinkedList Class has elements which are linked both to the preceding and following elements, so it is called a "doubly linked list."
+ </div><div class="para">
+ Knowing when to use a LinkedList over a List is a question of efficiency, and for small collections of information, it isn't going to make a big difference - you might as well use a basic List. When you plan to store hundreds or thousands of elements, choosing the right Class becomes more important, and can save a lot of processor time. Here is how to know which Class you should use:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ If you're going to be adding elements to the start or end of the list, and accessing from the start or end of the list, the LinkedList Class will be more efficient.
+ </div></li><li class="listitem"><div class="para">
+ If you're going to be adding elements at arbitrary index numbers <span class="emphasis"><em>inside</em></span> the list, and accessing elements at arbitrary index numbers inside the list, the List Class will be more efficient.
+ </div></li><li class="listitem"><div class="para">
+ If you're going to be adding elements to the start or end, but accessing specific indices, or adding elements at specific indices, but accessing from the start or end, then you get to choose where to save computation time. In one of these cases, it might not matter which one you choose.
+ </div></li></ul></div>
+
+ </div><div class="section" title="11.3.6.3.1. Efficient Functions" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Inefficient_Functions"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Inefficient_Functions">11.3.6.3.1. Efficient Functions</h5></div></div></div><div class="para">
+ These Functions make use of the LinkedList Class in an efficient way. They are efficient because they access only the first or last element in the LinkedList.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">add( <em class="replaceable"><code>obj</code></em> )</code> adds <code class="literal">obj</code> to a LinkedList as the last item.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">addFirst( <em class="replaceable"><code>obj</code></em> )</code> adds <code class="literal">obj</code> to a LinkedList as the first item.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">pop</code> removes the last item in a LinkedList and returns it.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">popFirst</code> removes the first item in a LinkedList and returns it.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">first</code> returns a copy of the first item in a LinkedList.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">last</code> returns a copy of the last item in a LinkedList.
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="11.3.6.3.2. Inefficient Functions" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Efficient_Functions"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Efficient_Functions">11.3.6.3.2. Inefficient Functions</h5></div></div></div><div class="para">
+ These Functions make use of the LinkedList Class in an inefficient way, but they can be useful. They are inefficient because they may potentially have to review all of the elements in a LinkedList before completing.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">at( <em class="replaceable"><code>index</code></em> )</code> pretends the LinkedList is an Array, and returns a copy of what would be the element at the given index number.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">put( <em class="replaceable"><code>index</code></em>, , <em class="replaceable"><code>obj</code></em> )</code> pretends the LinkedList is an Array, and changes the element at the given index number to be <code class="literal">obj</code>.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">remove( <em class="replaceable"><code>obj</code></em> )</code> searches through a LinkedList and removes the element judged to be equal to <code class="literal">obj</code>, regardless of its index number.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">removeAt( <em class="replaceable"><code>index</code></em> )</code> pretends the LinkedList is an Array, and removes the element located at the given index number.
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="11.3.6.3.3. Example" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Example"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Example">11.3.6.3.3. Example</h5></div></div></div><div class="para">
+ This example uses a LinkedList as a queue, adding numbers to the tail, and removing and printing from the head.
+<pre class="programlisting">
+(
+ var tL = LinkedList.new;
+
+ tL.add( 42 );
+ tL.add( 89 );
+
+ tL.popFirst.postln; // prints 42
+
+ tL.add( 256 );
+
+ tL.popFirst.postln; // prints 89
+
+ tL.add( 900 );
+
+ tL.popFirst.postln; // prints 256
+ tL.popFirst.postln; // prints 900
+
+ nil;
+)
+</pre>
+
+ </div></div></div><div class="section" title="11.3.6.4. Other Collections" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Other_Collections"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Other_Collections">11.3.6.4. Other Collections</h4></div></div></div><div class="para">
+ As mentioned previously, the <span class="application"><strong>SuperCollider</strong></span> language provides for many more kinds of data structures. The following Collections are useful, but much more complex than those listed above. For usage instructions, refer to the <span class="application"><strong>SuperCollider</strong></span> documentation.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Dictionary: stores and allows retrieval of data by arbitrary Objects (for example, by symbols, rather than by index numbers).
+ </div></li><li class="listitem"><div class="para">
+ Library: a type of Dictionary. Objects inserted can be used by any Object in the program, like books in a real-world library can be used by anybody who walks in.
+ </div></li><li class="listitem"><div class="para">
+ Set: an unordered Collection of like Objects, where no two elements are identical.
+ </div></li><li class="listitem"><div class="para">
+ SortedList: a List where all elements are kept in a sorted order, regardless of how they are added. The inserted Objects should have a useful ordering method, numerical or lexicographic (alphabetic, for example).
+ </div></li></ul></div>
+
+ </div></div></div><div class="section" title="11.3.7. Repeated Execution" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating">11.3.7. Repeated Execution</h3></div></div></div><div class="para">
+ Repeating boring tasks is one of the main uses of computers, which don't mind doing the same thing over and over again. More importantly, writing code once and using it many times is much more intelligent than writing the same code many times. Repetition of the same code is often problematic, and repetition with subtle differences is even worse. Errors in this kind of code are difficult to find in the first place, and more difficult to solve effectively. Thankfully, as with most other things, <span class="application"><strong>SuperCollider</strong></span> offers a wide variety of ways to repeat code without re-writing it.
+ </div><div class="para">
+ The code structure used to create repetition is normally called a <em class="firstterm">loop</em>. "Do" loops are <span class="application"><strong>SuperCollider</strong></span>'s most versatile and useful repetition structure, and there are a few different ways to think about and write it. The "while" loop is a standard of most programming languages.
+ </div><div class="section" title="11.3.7.1. "Do This to Everything in This Collection"" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Simple_Do"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Simple_Do">11.3.7.1. "Do This to Everything in This Collection"</h4></div></div></div><div class="para">
+ One way to write a "do" loop is basically the same as telling the interpreter to "do this Function to every element in this Collection." The syntax looks like this: <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">do</b>(</code><var class="pdparam">aCollection</var>, aFunction<code>(</code>number, number<code>)</code><code>)</code>;</p></div> ... or like this: <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">aCollection.do</b>(</code>aFunction<code>(</code>number, number<code>)</code><code>)</code>;</p></div> This causes <code class="function">aFunction</code> to be executed once for each element in <em class="replaceable"><code>aCollection</code></em>, which can be any kind of Collection. Each time <code class="function">aFunction</code> is run, it is given two arguments, in this order: an element of <em class="replaceable"><code>aCollection</code></em>, and the elements index number. For Collection's that don't have index numbers
, it returns what the element's index number would have been. The loop always begins at the start of the Collection, and progresses with each element in order to the end. The second argument, really, is the integers from zero to one less than the number of elements in the Collection, increasing by one each time the loop executes <code class="function">aFunction</code>.
+ </div></div><div class="section" title="11.3.7.2. "Do This, This Many Times"" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Number_Do"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Number_Do">11.3.7.2. "Do This, This Many Times"</h4></div></div></div><div class="para">
+ Another way to write a "do" loop takes advantage of <span class="application"><strong>SuperCollider</strong></span>'s flexibility, and is really the same as one of the methods above. It's basically equivalent to telling the interpreter to "run this Function this many times." The syntax looks like this, <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">aNumber.do</b>(</code>aFunction<code>(</code>number<code>)</code><code>)</code>;</p></div> This causes <code class="function">aFunction</code> to be execute <em class="replaceable"><code>aNumber</code></em> times. The interpreter still provdies two arguments to <code class="function">aFunction</code>, but they are the same: it is the integers from zero to one less than <em class="replaceable"><code>aNumber</code></em>. You might also think of it as the number of times that <code class="function">aFunction</code> has been executed prior to this particular execution.
+ </div></div><div class="section" title="11.3.7.3. Example "Do" Loops" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Do_Examples"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Do_Examples">11.3.7.3. Example "Do" Loops</h4></div></div></div><div class="para">
+ These examples illustrate different ways to use "do" loops for trivial tasks.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+ tL = [27, 46, 102, 81, 34, 0, 39, 26, 203, 62];
+
+ do( tL, { arg item, rep; [rep, item].postln; }; );
+
+ nil;
+)
+</pre>
+ This example is of the first syntax shown. For each element in <code class="literal">tL</code>, the interpreter executes the function once, giving it <span class="emphasis"><em>first</em></span> the corresponding element of the Collection, and <span class="emphasis"><em>then</em></span> the iteration counter, which happens to be equal to the element's List index number.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+ var myFunc =
+ {
+ arg item;
+ item.postln;
+ };
+
+ tL = [27, 46, 102, 81, 34, 0, 39, 26, 203, 62];
+
+ tL.do( myFunc; );
+
+ nil;
+)
+</pre>
+ This example does several things differently, but maintains the same basic functionality as the previous example. In this case, the Function only uses the first argument that the interpreter provides, and completely ignores the iteration counter. The syntax here also puts the Collection outside the parentheses, which perhaps makes it more clear that <code class="literal">tL</code> is not part of the function.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ 10.do( { "repeat".postln; }; );
+
+ nil;
+)
+</pre>
+ This example simply prints the string "repeat" ten times. If the Function accepted one argument, it would receive the integers zero through nine. If it accepted two arguments, both of the arguments would be equal.
+ </div></div><div class="section" title="11.3.7.4. "Do This While"" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-While"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-While">11.3.7.4. "Do This While"</h4></div></div></div><div class="para">
+ "While" loops execute continuously while their "test condition" is evaluated to be "true". Upon reaching the loop, the <span class="application"><strong>SuperCollider</strong></span> interpreter executes the test condition. If it is "fale", the interpreter does not execute the loop, and continues with the code after the loop. If it is "true", the interpreter executes the code in the loop once, then re-executes the test condition. If the test condition is "true", the loop is executed, the test condition re-executed, and so on. Until the test condition returns "false", the interpreter will never leave the loop.
+ </div><div class="para">
+ Here is the format of a "while" loop in <span class="application"><strong>SuperCollider</strong></span>: <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">while</b>(</code>boolean testFunction<code>(</code>number<code>)</code>, bodyFunction<code>(</code>number<code>)</code><code>)</code>;</p></div> or like this: <div class="funcsynopsis"><p><code class="funcdef">testFunction.<b class="fsfunc">while</b>(</code>bodyFunction<code>(</code>number<code>)</code><code>)</code>;</p></div> The test condition, called <code class="function">testFunc</code>, is a function which returns a boolean value - either <code class="literal">true</code> or <code class="literal">false</code>. The loop's body, called <code class="function">bodyFunc</code>, is a function which can do anything. The loop body function is not provided any arguments by the interpreter. You will have to use comparison operators and boolean expressions when writing the Function for the test condition
. For information on how these work in <span class="application"><strong>SuperCollider</strong></span>, see <a class="xref" href="#sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Operators" title="11.3.8.1. Boolean Operators">「Boolean Operatorsã€</a> and <a class="xref" href="#sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions" title="11.3.8.2. Boolean Expressions">「Boolean Expressionsã€</a>.
+ </div><div class="para">
+ The following three code blocks are equivalent:
+<pre class="programlisting">
+(
+ 10.do( { "repeat".postln; }; );
+)
+</pre>
+ and
+<pre class="programlisting">
+(
+ var counter = 0;
+ while( { counter < 10; }, { "repeat".postln; counter = counter + 1; } );
+)
+</pre>
+ and
+<pre class="programlisting">
+(
+ var counter = 0;
+ { counter < 10; }.while( { "repeat".postln; counter = counter + 1; } );
+)
+</pre>
+ You can see how it's easier to write this particular activity as a "do" loop. It's often the case that a "do" loop better reflects what you want to do, but not always.
+ </div><div class="para">
+ Contemplate a situation where you are waiting for the user to input some information, which you're going to use to calculate the rest of the composition. The following example isn't real code. It's intended to simplify a complex situation, so you can see where a "while" loop makes more sense than a "do" loop.
+<pre class="programlisting">
+play( some background music );
+while( { is the user still inputting information? }, { keep playing music } );
+stop( some background music );
+</pre>
+ The background music is begun, and then the interpreter would enter the loop. For as long as the user is still inputting information, the interpreter will then "keep playing music." When the user is not still inputting information, the interpreter will move on to the next command, which stops the music. An equivalent "do" loop would be very difficult to write, if not impossible. This is because we won't know when the user has finished inputting their information until <span class="emphasis"><em>after</em></span> they've finished, so we can't plan in advance for how long to play background music.
+ </div><div class="para">
+ Thus, the most appropriate use of a "while" loop is for cases where you cannot know in advance how many times something should be executed. For most other cases of repeated execution, a "do" loop is the most appropriate choice.
+ </div></div><div class="section" title="11.3.7.5. Other Loops" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-">11.3.7.5. Other Loops</h4></div></div></div><div class="para">
+ The default language provides two other loop structures, both of which are designed to iterate over a series of integer values: "for" loops and "forBy" loops. Their use is more limited than "do" loops. They are explained in the <span class="application"><strong>SuperCollider</strong></span> documentation.
+ </div></div></div><div class="section" title="11.3.8. Conditional Execution" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution">11.3.8. Conditional Execution</h3></div></div></div><div class="para">
+ Conditional execution tells the <span class="application"><strong>SuperCollider</strong></span> interpreter to execute code on the condition that something is true. <span class="application"><strong>SuperCollider</strong></span> offers three conditional execution structures, "if", "switch", and "case" statements. Each of these structures is controlled by one or a series of "boolean expressions" (sometimes called "conditional expressions"), which are composed of "boolean operators".
+ </div><div class="section" title="11.3.8.1. Boolean Operators" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Operators"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Operators">11.3.8.1. Boolean Operators</h4></div></div></div><div class="para">
+ Boolean operators evaluate to <code class="literal">true</code> or <code class="literal">false</code>, and are most useful in boolean expressions, where they help to determine which portion of a program to execute.
+ </div><div class="para">
+ The following table lists binary boolean operators that take two arguments: one on the left and one on the right. These operators produce either <code class="literal">true</code> or <code class="literal">false</code>.
+ <div class="table" title="表11.1 Binary Boolean Operators in SuperCollider"><div class="table-contents"><table summary="Binary Boolean Operators in SuperCollider" border="1"><colgroup><col align="center" width="50%" /><col align="center" width="50%" /></colgroup><thead><tr><th align="center">
+ Operator
+ </th><th align="center">
+ Meaning
+ </th></tr></thead><tbody><tr><td align="center">
+ <
+ </td><td align="center">
+ less than
+ </td></tr><tr><td align="center">
+ <=
+ </td><td align="center">
+ less than or equal to
+ </td></tr><tr><td align="center">
+ >
+ </td><td align="center">
+ greater than
+ </td></tr><tr><td align="center">
+ >=
+ </td><td align="center">
+ greater than or equal to
+ </td></tr><tr><td align="center">
+ ==
+ </td><td align="center">
+ equivalent
+ </td></tr><tr><td align="center">
+ !=
+ </td><td align="center">
+ not equivalent
+ </td></tr><tr><td align="center">
+ ===
+ </td><td align="center">
+ identical (the same object)
+ </td></tr><tr><td align="center">
+ !==
+ </td><td align="center">
+ not identical (not the same object)
+ </td></tr><tr><td align="center">
+ &&
+ </td><td align="center">
+ logical <code class="literal">And</code>
+ </td></tr><tr><td align="center">
+ ||
+ </td><td align="center">
+ logical <code class="literal">Or</code>
+ </td></tr></tbody></table></div><h6>表11.1 Binary Boolean Operators in SuperCollider</h6></div><br class="table-break" />
+
+ </div><div class="para">
+ The following table lists unary boolean operators that take one arguments. These operators produce either <code class="literal">true</code> or <code class="literal">false</code>.
+ <div class="table" title="表11.2 Unary Boolean Operators in SuperCollider"><div class="table-contents"><table summary="Unary Boolean Operators in SuperCollider" border="1"><colgroup><col align="center" width="50%" /><col align="center" width="50%" /></colgroup><thead><tr><th align="center">
+ Operator
+ </th><th align="center">
+ Meaning
+ </th></tr></thead><tbody><tr><td align="center">
+ isPositive
+ </td><td align="center">
+ <code class="literal">true</code> if the argument is greater than or equal to <code class="literal">0</code>
+ </td></tr><tr><td align="center">
+ isStrictlyPositive
+ </td><td align="center">
+ <code class="literal">true</code> if the argument is greater than <code class="literal">0</code>
+ </td></tr><tr><td align="center">
+ isNegative
+ </td><td align="center">
+ <code class="literal">true</code> if <code class="function">isPositive</code> is <code class="literal">false</code>
+ </td></tr></tbody></table></div><h6>表11.2 Unary Boolean Operators in SuperCollider</h6></div><br class="table-break" />
+ Unary operators are actually functions, and must be used as such.
+<pre class="programlisting">
+(
+ var x = 5;
+ x.isPositive; // returns "true"
+ isNegative( x ); // returns "false"
+)
+</pre>
+
+ </div><div class="para">
+ The use of these operators is explained below in the "Boolean Expressions" section.
+ </div></div><div class="section" title="11.3.8.2. Boolean Expressions" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions">11.3.8.2. Boolean Expressions</h4></div></div></div><div class="para">
+ Boolean expressions are expressions which, when executed, result in either "true" or "false". Boolean expressions must use at least one boolean operator (as listed above), or a Function which returns a boolean value. Boolean expressions can also use other operators and Functions.
+ </div><div class="section" title="11.3.8.2.1. Simple Expressions" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Simple_Boolean"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Simple_Boolean">11.3.8.2.1. Simple Expressions</h5></div></div></div><div class="para">
+ Here are a few simple boolean expressions. Of course, variables can be used in place of constant numbers:
+<pre class="programlisting">
+5 < 60; // evaluates to "false"
+42 != 42; // evaluates to "false"
+42 == 42; // evaluates to "true"
+0.isPositive; // evaluates to "true"
+isNegative( -256 ); // evaluates to "true"
+</pre>
+
+ </div></div><div class="section" title="11.3.8.2.2. Assignment/Equality Mistake" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Assignment_and_Equality_Mistake"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Assignment_and_Equality_Mistake">11.3.8.2.2. Assignment/Equality Mistake</h5></div></div></div><div class="para">
+ Beware the following pitfall, common to a large number of programming languages:
+<pre class="programlisting">
+a == 42; // evaluates to "true" or "false", depending on the value in "a"
+a = 42; // assigns the value 42 to "a", over-writing the previously-stored value
+</pre>
+ One possible work-around is to write the number first.
+<pre class="programlisting">
+42 == a; // evaluates to "true" or "false", depending on the value in "a"
+42 = a; // causes an error, because you can't assign a value to a constant number
+</pre>
+ This way, if you accidentally leave out one of the <code class="literal">=</code> signs, the interpreter will stop execution and produce an error, rather than continuing with an unexpected assignment.
+ </div></div><div class="section" title="11.3.8.2.3. Equality versus Identity" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Equality_versus_Identity"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Equality_versus_Identity">11.3.8.2.3. Equality versus Identity</h5></div></div></div><div class="para">
+ The identity-equivalence operators are not usually needed.
+<pre class="programlisting">
+(
+ var a = [12,24,48];
+ var b = [12,24,48];
+
+ a == b; // evaluates to "true"
+ a === b; // evaluates to "false"
+)
+</pre>
+ The <code class="literal">==</code> operator evaluates to <code class="literal">true</code> because <code class="literal">a</code> and <code class="literal">b</code> represent equivalent Objects - they are equal. The <code class="literal">===</code> operator evaluates to <code class="literal">false</code> because <code class="literal">a</code> and <code class="literal">b</code> represent different instances of the Objects - they are not identical.
+<pre class="programlisting">
+(
+ var a = [12,24,48];
+ var b = a;
+
+ a == b; // evaluates to "true"
+ a === b; // evaluates to "true"
+)
+</pre>
+ In this case, the <code class="literal">==</code> operator still evaluates to <code class="literal">true</code>. The <code class="literal">===</code> operator also evaluates to <code class="literal">true</code>, because <code class="literal">a</code> and <code class="literal">b</code> both represent the same Object. When the interpreter evaluates <code class="code">var b = a;</code> in the example above, it actually assigns <code class="literal">b</code> the same value that <code class="literal">a</code> stores, not a copy of it.
+ </div></div><div class="section" title="11.3.8.2.4. Logical And and Or" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Logical_And_and_Or"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Logical_And_and_Or">11.3.8.2.4. Logical <code class="literal">And</code> and <code class="literal">Or</code></h5></div></div></div><div class="para">
+ The logical And and Or operators must receive two boolean arguments. Logical And returns <code class="literal">true</code> if both of its arguments are <code class="literal">true</code>. Logical Or returns <code class="literal">true</code> if one of its arguments are <code class="literal">true</code>.
+ </div><div class="para">
+ The following table illustrates how the <span class="application"><strong>SuperCollider</strong></span> interpreter will evaluate each of the following situations.
+ <div class="table" title="表11.3 Truth Table"><div class="table-contents"><table summary="Truth Table" border="1"><colgroup><col align="center" width="25%" /><col align="center" width="25%" /><col align="center" width="25%" /><col align="center" width="25%" /></colgroup><thead><tr><th align="center">
+ If the left sub-expression is...
+ </th><th align="center">
+ ... and the right sub-expression is...
+ </th><th align="center">
+ ... then logical <code class="literal">And</code> evaluates to...
+ </th><th align="center">
+ ... and logical <code class="literal">Or</code> evaluates to...
+ </th></tr></thead><tbody><tr><td align="center">
+ <code class="literal">true</code>
+ </td><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">true</code>
+ </td></tr><tr><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">true</code>
+ </td><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">true</code>
+ </td></tr><tr><td align="center">
+ <code class="literal">true</code>
+ </td><td align="center">
+ <code class="literal">true</code>
+ </td><td align="center">
+ <code class="literal">true</code>
+ </td><td align="center">
+ <code class="literal">true</code>
+ </td></tr><tr><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">false</code>
+ </td></tr></tbody></table></div><h6>表11.3 Truth Table</h6></div><br class="table-break" />
+
+ </div><div class="para">
+ The interpreter evaluates the expression on the left first, and then the expression on the right <span class="emphasis"><em>only</em></span> if it will influence the outcome. This means that, if the left-side expression of a logical Or operator evaluates to "true", the interpreter will not test the right-side expression, because the result will be "true" anyway. Similarly, if the left-side expression of a logical And operator evaluates to "false", the interpreter will not test the right-side expression, because the result will be "false" anyway.
+ </div><div class="para">
+ This can be exploited to help avoid errors like division-by-zero.
+<pre class="programlisting">
+(
+ var x = 5.rand; // assigns a pseudo-random number between 0 and 5
+
+ ( x != 0 ) && ( { x = 17 / x; } ); // doesn't divide by x if it would cause division-by-zero
+
+ x; // the interpreter automatically prints this value after execution
+)
+</pre>
+ If the left-side expression of the logical And operator is "false", the interpreter doesn't evaluate the right-side expression; it simply moves on to the next expression. If the left-side expression is "true" (meaning that x is not zero), then the right-side expression is evaluated. The right-side expression happens to be a Function which assigns "x" the result of dividing 17 by its previous value. The result of the logical And operation is simply discarded in this case - it doesn't really matter to us. This isn't the most straight-forward code, and there are other ways to avoid division-by-zero. If you use this, it's probably best to include a brief explanation of what the code does, as a commment.
+ </div><div class="para">
+ If you run this code many times, you will see that it gives many different results - one of which is zero, which proves that the code works as intended. If <span class="application"><strong>SuperCollider</strong></span> divides by zero, the result is "inf", representing infinity. Try modifying the code so that it will divide by zero, and see what happens.
+ </div></div><div class="section" title="11.3.8.2.5. Order of Precedence" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Order_of_Precedence"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Order_of_Precedence">11.3.8.2.5. Order of Precedence</h5></div></div></div><div class="para">
+ In complicated boolean expressions, it's important to clarify the order in which you want sub-expressions to be executed. This order is called the "order of precedence," or "order of operations" (see <em class="citetitle">Order of Operations (Wikipedia)</em>, available at <a href="http://en.wikipedia.org/wiki/Order_of_operations">http://en.wikipedia.org/wiki/Order_of_operations</a> for more information). In computer science, different programming languages enforce different orders of precedence, so you should use parentheses to clarify your intended order, to proactively avoid later confusion. The interpreter will evaluate an expression from left to right, and always fully evaluate parentheses before continuing.
+ </div><div class="para">
+ Even simple expression can benefit from parentheses. These produce the same results:
+<pre class="programlisting">
+(
+ var a = 5 == 5 && 17 != 5;
+ var b = ( 5 == 5 ) && ( 17 != 5 ); // parentheses help to clarify
+
+ a == b; // evaluates to "true"
+)
+</pre>
+
+<pre class="programlisting">
+(
+ var a = 5.isPositive && isNegative( 6 ) || 12 + 5 * 42 - 1 > 18 ;
+ var b = ( 5.isPositive && isNegative( 6 ) ) || ( ((12 + 5) * 42 - 1) > 18 ); // parentheses help to clarify
+
+ a && b; // evaluates to "true"
+)
+</pre>
+ And perhaps even more surprisingly...
+<pre class="programlisting">( 12 + 5 * 42 - 1 ) != ( (12 + 5) * 42 - 1 );</pre>
+ ... evaluates to "false"! They're equal - the interpreter doesn't follow the standard mathematical order of precedence rules! <span class="application"><strong>SuperCollider</strong></span> evaluates from left to right, so it's important to clarify to the interpreter what you mean. Where would you put parentheses so that <span class="application"><strong>SuperCollider</strong></span> evaluates the expression as per the standard mathematical order of precedence rules, with multiplication before addition and subtraction?
+ </div></div></div><div class="section" title="11.3.8.3. "If This Is True, Then... "" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-If_Statements"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-If_Statements">11.3.8.3. "If This Is True, Then... "</h4></div></div></div><div class="para">
+ The "if" structure is provided a boolean expression and two Functions. If the expression evaluates to "true", it executes one Function. If the expression evaluates to "false", it executes the other Function.
+ </div><div class="para">
+ Here are the two ways to write an "if" structure:
+<pre class="programlisting">if ( booleanExpression, trueFunction, falseFunction );</pre>
+ and
+<pre class="programlisting">booleanExpression.if( trueFunction, falseFunction );</pre>
+ It's possible to exclude the <code class="function">falseFunction</code>, which is like telling the interpreter, "If the boolean expression is true, then execute this Function. Otherwise, don't execute it."
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var test = [true,false].choose; // pseudo-randomly chooses one of the elements in the List
+
+ if ( ( true == test ), { "It's true!".postln; }, { "It's false!".postln; } );
+ nil;
+)
+</pre>
+ This example prints out a nice message, saying whether <code class="literal">test</code> is <code class="literal">true</code> or <code class="literal">false</code>. Because <code class="literal">test</code> is already a boolean value, we don't need to include it in an expression. The "if" statement could have been shortened like this: <code class="code">if ( test, { "It's true!".postln; }, { "It's false!".postln; } );</code>
+ </div><div class="para">
+ Suppose we only wanted to be alerted if <code class="literal">test</code> is <code class="literal">true</code>.
+<pre class="programlisting">
+(
+ var test = [true,false].choose; // pseudo-randomly chooses one of the elements in the List
+
+ test.if( { "It's true!".postln; } );
+ nil;
+)
+</pre>
+ In this example, the alternate "if" syntax is used, where the boolean expression is placed before the parentheses.
+ </div><div class="para">
+ "If" structures can also be "nested," which is like telling the interpreter, "If this is true, do this; otherwise if this is true, do this; otherwise if this is true, do this." In this relatively simple example of nesting, the interpreter evaluates each "if" structure only if the previous one was "false".
+<pre class="programlisting">
+(
+ var test = [1,2,3].choose; // pseudo-randomly chooses one of the elements in the List
+
+ if( 1 == test, { "It's one!".postln; },
+ if( 2 == test, { "It's two!".postln; },
+ if( 3 == test, { "It's three!".postln; } ) ) );
+
+ nil;
+)
+</pre>
+
+ </div><div class="para">
+ This is a more complex example of nesting:
+<pre class="programlisting">
+(
+ var testA = [1,2,3].choose; // pseudo-randomly chooses one of the elements in the List
+ var testB = [1,2,3].choose;
+
+ if( 1 == testA, { ( 1 == testB ).if( { "It's one and one!".postln; },
+ ( 2 == testB ).if( { "It's one and two!".postln; },
+ ( 3 == testB ).if( { "It's one and three!".postln; } ) ) ); },
+ if( 2 == testA, { ( 1 == testB ).if( { "It's two and one!".postln; },
+ ( 2 == testB ).if( { "It's two and two!".postln; },
+ ( 3 == testB ).if( { "It's two and three!".postln; } ) ) ); },
+ if( 3 == testA, { ( 1 == testB ).if( { "It's three and one!".postln; },
+ ( 2 == testB ).if( { "It's three and two!".postln; },
+ ( 3 == testB ).if( { "It's three and three!".postln; } ) ) ); } ) ) );
+
+ nil;
+)
+</pre>
+ As you can see, this type of nesting is not easy to figure out - from the standpoint of the original programmer or somebody else who wishes to use your code. In writing this example, it took me several attempts before getting the parentheses and braces right. Usually, if you have a long list of possibilities to test (like the nine in this example), it is better to use a "case" or "switch" structure. Not only does this help to make the code easier to understand, but the <span class="application"><strong>SuperCollider</strong></span> interpreter can apply optimizations that make the code run marginally faster.
+ </div></div><div class="section" title="11.3.8.4. "Switch Execution to This Path"" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Switch_Statements"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Switch_Statements">11.3.8.4. "Switch Execution to This Path"</h4></div></div></div><div class="para">
+ A "switch" structure can be most easily understood by comparison to a switch in a railway line. As a train approaches a railway switch, an operator inspects the train, and decides whether it should be going to the passenger station, the freight station, or the garage for storage. A "switch" structure - like a railways switch, can only act on one Object at a time, but the Object can be a Collection, allowing you to compare multiple things at once. Each case is tested with the boolean equality operator before being executed.
+ </div><div class="para">
+ Here is the syntax of a "switch" statement:
+<pre class="programlisting">
+case( compareThis,
+ toThis1, { doThis; },
+ toThis2, { doThis; },
+ toThis3, { doThis; }
+);
+</pre>
+ You can include any number of cases. Notice that there is no comma after the last case, and that I've put the concluding ");" on a separate line with the same indentation as the word "case", so that it's easy to see.
+ </div><div class="para">
+ The following example shows a simple switch.
+<pre class="programlisting">
+(
+ var grade = 11.rand + 1; // pseudo-randomly chooses 0 to 11, then adds 1 to give 1 to 12
+
+ grade =
+ switch( grade,
+ 1, { "D-" },
+ 2, { "D" },
+ 3, { "D+" },
+ 4, { "C-" },
+ 5, { "C" },
+ 6, { "C+" },
+ 7, { "B-" },
+ 8, { "B" },
+ 9, { "B+" },
+ 10, { "A-" },
+ 11, { "A" },
+ 12, { "A+" }
+ );
+
+ ("Your grade is" + grade).postln;
+ nil;
+)
+</pre>
+ The code picks a pseudo-random number between 1 and 12, then uses a "switch" structure to convert that number into a letter-grade, assigning it to the same <code class="literal">grade</code> variable. Then, it adds the "Your grade is" string to the value of <code class="literal">grade</code> (with a space between), and prints that result.
+ </div><div class="para">
+ This example avoids the complex nested "if" structure from above.
+<pre class="programlisting">
+(
+ var testA = [1,2,3].choose; // pseudo-randomly chooses one of the elements in the List
+ var testB = [1,2,3].choose;
+
+ switch( [testA,testB],
+ [1,1], { "It's one and one!".postln; },
+ [1,2], { "It's one and two!".postln; },
+ [1,3], { "It's one and three!".postln; },
+ [2,1], { "It's two and one!".postln; },
+ [2,2], { "It's two and two!".postln; },
+ [2,3], { "It's two and thre!".postln; },
+ [3,1], { "It's three and one!".postln; },
+ [3,2], { "It's three and two!".postln; },
+ [3,3], { "It's three and three!".postln; }
+ );
+
+ nil;
+)
+</pre>
+ This is an elegant way to inspect two otherwise-separate variables. Remember that the first argument to "switch" (in this case, it's <code class="code">[testA,tesB]</code>) is compared to the first argument of possibe result with the equality operator: <code class="literal">==</code>
+ </div><div class="para">
+ When evaluating which switch to use, the <span class="application"><strong>SuperCollider</strong></span> interpreter will always apply the <span class="emphasis"><em>last</em></span> one that evaluates to <code class="literal">true</code>.
+<pre class="programlisting">
+(
+ switch( 5,
+ 5, { "one".postln; },
+ 5, { "two".postln; },
+ 5, { "three".postln; }
+ );
+
+ nil;
+)
+</pre>
+ All of these cases are true, but this will always result in "three" being printed.
+ </div></div><div class="section" title="11.3.8.5. "In This Case, Do This"" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Case_Statements"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Case_Statements">11.3.8.5. "In This Case, Do This"</h4></div></div></div><div class="para">
+ "Case" and "switch" structures look similar, but work in subtly different way. A "switch" structure is like a railway switch, allowing one train to be routed onto the right track, according to qualities of the train. A "case" structure, on the other hand, works like somebody trying to decide how to get to work. The person might ask themselves how far they are going, how long they have to get to work, how fast the available options are, what the available options cost, and so on. While in a "switch" structure, the path of execution is determined by examining only one Object, a "case" structure determines the path of execution based on any number of things.
+ </div><div class="para">
+ Here is the syntax of a "case" structure:
+<pre class="programlisting">
+case
+ <replaceable>booleanFunction</replaceable> <replaceable>resultFunction</replaceable>
+ <replaceable>booleanFunction</replaceable> <replaceable>resultFunction</replaceable>
+ <replaceable>booleanFunction</replaceable> <replaceable>resultFunction</replaceable>
+ <replaceable>booleanFunction</replaceable> <replaceable>resultFunction</replaceable>
+;
+</pre>
+
+ </div><div class="para">
+ Contemplate the following pseudo-code example, which represents a possible musical sitation, and a good use of the "case" structure.
+<pre class="programlisting">
+(
+ var coolFunction =
+ {
+ case
+ { is there no music playing?
+ AND people are in the room } { play music }
+ { has the same song been playing for too long?
+ OR is the song boring? } { change the song }
+ { has everybody left the room? } { turn off the music }
+ { has a song been requested? } { change to that song }
+ { is the music too loud? } { lower the music's volume }
+ { is the music too quiet? } { raise the music's volume }
+ { is the music too fast? } { lower the music's tempo }
+ { is the music too slow? } { raise the music's tempo }
+ { is everything okay? } { wait for 10 seconds }
+ ;
+ };
+
+ ( 5 == 5 ).while( coolFunction ); // executes coolFunction contiuously
+)
+</pre>
+ It might seem like this example doesn't relate to a real <span class="application"><strong>SuperCollider</strong></span> programming situation, but in fact it might. If you could program Function's which determined all of those questions and all of the answers, this sort of "case" structure would be very helpful in a situation where a computer running <span class="application"><strong>SuperCollider</strong></span> were left in a room by itself, and expected to play music whenever anybody entered the room. Since five is always equal to five, the interpreter will run <code class="function">coolFunction</code> forever. If the music needs adjustment in some way, the Function will adjust the music. If everything is okay, then the interpreter will wait for 10 seconds, and then the loop will cause the Function to be re-evaluated. Because many different criteria are evaluated in the "case" structure, this represents an efficient use of the structure.
+ </div><div class="para">
+ "Case" structures can be used to do the same thing as "switch" structures, but it's usually less elegant solution. Also, it doesn't allow the interpreter to use an speed optimization that it would have used in an equivalent "switch" structure.
+<pre class="programlisting">
+(
+ var grade = 11.rand + 1; // pseudo-randomly chooses 0 to 11, then adds 1 to give 1 to 12
+
+ grade =
+ case
+ { 1 == grade; } { "D-" }
+ { 2 == grade; } { "D" }
+ { 3 == grade; } { "D+" }
+ { 4 == grade; } { "C-" }
+ { 5 == grade; } { "C" }
+ { 6 == grade; } { "C+" }
+ { 7 == grade; } { "B-" }
+ { 8 == grade; } { "B" }
+ { 9 == grade; } { "B+" }
+ { 10 == grade; } { "A-" }
+ { 11 == grade; } { "A" }
+ { 12 == grade; } { "A+" }
+ ;
+
+ ("Your grade is" + grade).postln;
+ nil;
+)
+</pre>
+ This example is equivalent to one of the "switch" structure examples. This is not a good use of the "case" structure, because it requires a lot of code repetition.
+ </div><div class="para">
+ Unlike a "switch" structure, a "case" structure will always follow the <span class="emphasis"><em>first</em></span> case that evaluates to "true".
+<pre class="programlisting">
+(
+ case
+ { 5 == 5; } { "one".postln; }
+ { 5 == 5; } { "two".postln; }
+ { 5 == 5; } { "three".postln; }
+ ;
+
+ nil;
+)
+</pre>
+ This example will always result in "one" being printed.
+ </div></div></div><div class="section" title="11.3.9. Combining Audio; the Mix Class" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix">11.3.9. Combining Audio; the Mix Class</h3></div></div></div><div class="para">
+ One of the requirements of multi-channel audio is the ability to combine a large number of UGen's into a small number of channels - normally just two. The <span class="application"><strong>SuperCollider</strong></span> interpreter allows you to accomplish this in a number of ways, which are explained here.
+ </div><div class="section" title="11.3.9.1. The "Mix" Class" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Mix_Class"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Mix_Class">11.3.9.1. The "Mix" Class</h4></div></div></div><div class="para">
+ The "Mix" Class allows you to combine a mutli-channel Array into one channel. It's just that simple: you put in an Array of UGens, and out comes a single-channel combination of them.
+ </div><div class="para">
+ Here are the two possible syntaxes for the "Mix" Class: <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">Mix.new</b>(</code><var class="pdparam">ArrayOfUGens</var><code>)</code>;</p></div> and <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">Mix</b>(</code><var class="pdparam">ArrayOfUGens</var><code>)</code>;</p></div> The second form is simply a short-hand version of the first. The <code class="classname">Mix</code> Class doesn't really create "Mix" Objects either - it's just a Function that combines many UGen's into one.
+ </div><div class="para">
+ Here's an example of the "Mix" Class in action:
+<pre class="programlisting">
+{
+ Mix( [SinOsc.ar(220, 0, 0.1),
+ SinOsc.ar(440, 0, 0.1),
+ SinOsc.ar(660, 0, 0.1),
+ SinOsc.ar(880, 0, 0.1),
+ SinOsc.ar(850, 0, 0.1),
+ SinOsc.ar(870, 0, 0.1),
+ SinOsc.ar(880, 0, 0.1),
+ SinOsc.ar(885, 0, 0.1),
+ SinOsc.ar(890, 0, 0.1),
+ SinOsc.ar(1000, 0, 0.1)] );
+}.play;
+</pre>
+ Notice how all of these <code class="classname">SinOsc</code>s are heard through the left channel only. The <code class="classname">Mix</code> class mixes all the UGen's together into one. You could use a bus to send the audio to both the left and right channels. What happens if we don't use the <code class="classname">Mix</code> class? Try to remove the function, and find out. You only hear some of the <code class="classname">SinOsc</code>'s. Which ones? The first two, representing the left and right channels. If your audio interface has more than two channels, you may be able to hear more than those first two channels.
+ </div><div class="para">
+ There is another function offered by the <code class="classname">Mix</code> class, and it is a kind of loop. The function is called <code class="function">Fill</code>, and it takes two arguments: the number of times to run a function, and the function to run. The function is provided with one argument (like in a "do" loop), which is the number of times the function has <span class="emphasis"><em>already</em></span> been run.
+<pre class="programlisting">
+(
+ var n = 8;
+ var sineFunc =
+ {
+ arg iteration;
+
+ var freq = 440 + iteration;
+ SinOsc.ar( freq:freq, mul:1/n );
+ };
+
+ { Mix.fill( n, sineFunc ); }.play;
+)
+</pre>
+ As you can see, the <code class="function">fill</code> function itself is quite simple: you provide the number of UGen's to create, and a function that creates UGen's. It's the <code class="literal">sineFunc</code> function that is a little confusing. The argument is called "iteration", because it holds how many times the function has already been run - how many iterations have happened already. It uses this value to help calculate the frequency (stored in a variable called <code class="literal">freq</code>), and then creates a <code class="classname">SinOsc</code> UGen. The <code class="literal">mul</code> argument helps to automatically control the volume level. Since the total volume should be no more than 1.0, the <code class="function">sineFunc</code> function calculates UGen's' volume by dividing 1, the maximum level, by the number of UGen's that will be created. The slowly pulsating volume is part of the acoustic result of this many frequencies being so close tog
ether - it is not a hidden effect by <span class="application"><strong>SuperCollider</strong></span>.
+ </div></div><div class="section" title="11.3.9.2. Arrays of Arrays" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Arrays_of_Arrays"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Arrays_of_Arrays">11.3.9.2. Arrays of Arrays</h4></div></div></div><div class="para">
+ There is another way to combine many UGen's into two channels for stereo output: rather than sending the Array's to the Mix class, combine them into a two-element Array.
+ </div><div class="para">
+
+<pre class="programlisting">
+{
+ [
+ [ SinOsc.ar(440, 0, 0.1), SinOsc.ar( 880, 0, 0.1 ), SinOsc.ar( 1660, 0, 0.1 ) ],
+ [ SinOsc.ar(440, 0, 0.1), SinOsc.ar( 880, 0, 0.1 ), SinOsc.ar( 1660, 0, 0.1 ) ]
+ ];
+}.play;
+</pre>
+ Here, a two-element Array is the result of a Function, which gets sent the "play" message. Each of the elements is an equivalent, three-element Array where each element is a UGen.
+ </div><div class="para">
+ This representation also offers another benefit: each UGen can have a different "mul" value, which will be preserved.
+<pre class="programlisting">
+{
+ [
+ [ SinOsc.ar(440, 0, 0.2), SinOsc.ar( 880, 0, 0.1 ), SinOsc.ar( 1660, 0, 0.05 ) ],
+ [ SinOsc.ar(440, 0, 0.2), SinOsc.ar( 880, 0, 0.1 ), SinOsc.ar( 1660, 0, 0.05 ) ]
+ ];
+}.play;
+</pre>
+ This sounds much less harsh than the first example. Try it with the Mix Class. Even with the different "mul" values, it sounds the same as the first example! This helps Mix to ensure that the total level doesn't exceed 1.0, but it has the disadvantage that careful level-balancing on your part will be erased.
+ </div></div><div class="section" title="11.3.9.3. Addition" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Addition"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Addition">11.3.9.3. Addition</h4></div></div></div><div class="para">
+ This method of combinine UGen's into two channels uses the addition operator: +
+ </div><div class="para">
+
+<pre class="programlisting">
+{
+ [
+ ( SinOsc.ar(440, 0, 0.1) + SinOsc.ar( 880, 0, 0.1 ) + SinOsc.ar( 1660, 0, 0.1 ) ),
+ ( SinOsc.ar(440, 0, 0.1) + SinOsc.ar( 880, 0, 0.1 ) + SinOsc.ar( 1660, 0, 0.1 ) )
+ ];
+}.play;
+</pre>
+ Notice that, like with the Mix Class, independent "mul" levels are not preserved.
+ </div></div></div><div class="section" title="11.3.10. SynthDef and Synth" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth">11.3.10. SynthDef and Synth</h3></div></div></div><div class="para">
+ The preceding sections of this "Basic Programming" guide have only created sound with Function's. The truth is that Function's are very useful for creating sound, but they represent a simplification of the actual commands and Functions that must be run by the interpreter in order to create sound.
+<pre class="programlisting">
+// When you write this...
+(
+ { SinOsc.ar( freq:440, mul:0.2 ); }.play;
+)
+
+// The interpreter actually does this...
+(
+ SynthDef.new( "temp__963", { Out.ar( 0, SinOsc.ar( freq:440, mul:0.2 ) ); } ).play;
+)
+</pre>
+ Yikes! Don't despair - it's easy to understand - it just looks scary!
+ </div><div class="section" title="11.3.10.1. "Out" UGen" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Out_UGen"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Out_UGen">11.3.10.1. "Out" UGen</h4></div></div></div><div class="para">
+ The "Out" UGen is one of the bits of magic automatically taken care of by the interpreter. It routes an audio signal from another UGen into a specific output (actually, into a specific bus - see <a class="xref" href="#sect-Musicians_Guide-SC-Basic_Programming-Busses" title="11.3.11. Busses">「Bussesã€</a>).
+ </div><div class="para">
+ The following examples have the same effect:
+<pre class="programlisting">{ SinOsc.ar( freq:500, mul:0.2 ); }.play;</pre>
+ and
+<pre class="programlisting">{ Out.ar( 0, SinOsc.ar( freq:500, mul:0.2 ) ); }.play;</pre>
+ The first argument to "Out.ar" is the bus number for where you want to place the second argument, which is either a UGen or a multi-channel Array of UGen's. If the second argument is an Array, then the first element is sent to the first argument's bus number, the second argument is sent to one bus number higher, the third to two bus numbers higher, and so on. This issues is explained fully in <a class="xref" href="#sect-Musicians_Guide-SC-Basic_Programming-Busses" title="11.3.11. Busses">「Bussesã€</a>, but here is what you need to know for now, working with stereo (two-channel) audio:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ If the second argument is a two-element Array, use bus number 0.
+ </div></li><li class="listitem"><div class="para">
+ If the second argument is a single UGen, and you want it to be heard through the left channel, use bus number 0.
+ </div></li><li class="listitem"><div class="para">
+ If the second argument is a single UGen, and you want it to be heard through the right channel, use bus number 1.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ If you're still struggling with exactly what the "Out" UGen does, think of it like this: when you create an audio-rate UGen, it starts creating an audio signal; the "Out" UGen effectively connects the audio-rate UGen into your audio interface's output port, so it can be heard through the speakers. In <a class="xref" href="#sect-Musicians_Guide-SC-Basic_Programming-Busses" title="11.3.11. Busses">「Bussesã€</a>, it becomes clear that there are, in fact, other useful places to connect an audio-rate UGen (through an effect processor, for example), and the "Out" UGen can help you do that.
+ </div></div><div class="section" title="11.3.10.2. SynthDef" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef">11.3.10.2. SynthDef</h4></div></div></div><div class="para">
+ A SynthDef is what we use to tell the server how to create sound. In order to truly understand what SynthDef accomplishes, we need to recall the disconnect between the interpreter and the server. In reality, the interpreter has no idea how to make sound or work with audio hardware. The server, likewise, has no understanding at all of the <span class="application"><strong>SuperCollider</strong></span> language. The interpreter takes the code that we write, and does one of a number of things, depending on the nature of the code:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ executes it completely,
+ </div></li><li class="listitem"><div class="para">
+ executes it partially, makes choices, and then does something else
+ </div></li><li class="listitem"><div class="para">
+ send the server information about how to synthesize sound,
+ </div></li><li class="listitem"><div class="para">
+ etc.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ For simple code like <code class="code">2.postln;</code> the interpreter just executes it. For code like <code class="code">{ SincOsc.ar; }.play;</code> the interpreter expands it a bit, then sends instructions to the server, which deals with the rest of the synthesis process.
+ </div><div class="para">
+ A SynthDef is part of this last process; SynthDef Objects represent the synthesis information that is sent to the server before (or at the same time as) telling the server to play the sound.
+ </div><div class="para">
+ There are two steps to creating a useful SynthDef: making an interpreter Object, and sending the actual synthesis information to the server. There are two ways to write this, as follows:
+<pre class="programlisting">
+<em class="replaceable"><code>someVariable</code></em> = SynthDef.new( <em class="replaceable"><code>nameOfSynthDef</code></em>, <em class="replaceable"><code>FunctionContainingOutUGen</code></em> );
+<em class="replaceable"><code>someVariable</code></em>.send( <em class="replaceable"><code>nameOfServer</code></em> );
+</pre>
+ and
+<pre class="programlisting">SynthDef.new( <em class="replaceable"><code>nameOfSynthDef</code></em>, <em class="replaceable"><code>FunctionContainingOutUGen</code></em> ).send( <em class="replaceable"><code>nameOfServer</code></em> );</pre>
+ The <code class="function">FunctionContainingOutUGen</code> is simply that - a function that, when executed, returns an <code class="classname">Out</code> UGen (meaning that the <code class="classname">Out</code> UGen must be the last expression in the function). The <code class="literal">nameOfSynthDef</code> should be a symbol (as described in <a class="xref" href="#sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols" title="11.3.10.4. Symbols">「Symbolsã€</a>), but can also be a string. The <code class="literal">nameOfServer</code> is a variable that represents the server to which you want to send the SynthDef's information; unless you know that you need to use a different variable for this, it's probably just the letter "s", which the interpreter automatically assigns to the default server.
+ </div><div class="para">
+ Here is a demonstration of both methods:
+<pre class="programlisting">
+(
+ var playMe =
+ {
+ Out.ar( 0, SinOsc.ar( freq:440, mul:0.2 ) );
+ };
+
+ var playMeSynthDef = SynthDef.new( \playMe, playMe );
+
+ playMeSynthDef.send( s );
+
+ nil;
+)
+</pre>
+ and
+<pre class="programlisting">
+(
+ var playMe =
+ {
+ Out.ar( 0, SinOsc.ar( freq:440, mul:0.2 ) );
+ };
+
+ SynthDef.new( \playMe, playMe ).send( s );
+
+ nil;
+)
+</pre>
+ The only advantage to assigning something to a variable is the ability to refer to it later. If you use the first method, then you can send the SynthDef to more than one server. Since it's rare that you will want to use more than one server, it's usually better to use the second style. In fact, if you won't be using the "playMe" Function again, you don't need to assign it to a variable!
+<pre class="programlisting">SynthDef.new( \playMe, { Out.ar( 0, SinOsc.ar( freq:440, mul:0.2 ) ); } ).send( s );</pre>
+ This is all that's really needed to create and send a synthesis definition to the server. It looks long and frightening, but now at least you understand what all of the parts do.
+ </div></div><div class="section" title="11.3.10.3. Load" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Load"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Load">11.3.10.3. Load</h4></div></div></div><div class="para">
+ There is another way to send a SynthDef to the server: the "load" Function. The "send" Function sends the synthesis information to the server, which stores it in memory. When the server stops running, all synthesis information given with "send" is lost. The "load" Function, on the other hand, sends the synthesis information to the server, which stores it on disk and in memory. Every time the server is started, it loads all of the synthesis information previously sent to it with the "load" Function. The definition remains until you delete it specifically. This is most useful for a SynthDef that takes up a lot of memory, and which would use considerable network time to transfer to the server whenever the server is run. It is also useful to use the "load" Function instead of "send", when there are a lot of SynthDef's, regardless of the size of each one. The idea is the same: avoid sending the SynthDef in order to save time.
+ </div><div class="para">
+ The syntax and usage for "load" is the same as for "send".
+ </div></div><div class="section" title="11.3.10.4. Symbols" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols">11.3.10.4. Symbols</h4></div></div></div><div class="para">
+ As stated in the section about variables, a symbol is simply something which represents something else. When used in the context of a SynthDef, a symbol is a string of characters that refers to a SynthDef that we've already sent to the server. What wasn't mentioned in the section about variables is that, in addition to the symbols that can be used as variable names, the <span class="application"><strong>SuperCollider</strong></span> language provides a distinct data-type (like numbers or strings) for symbols. Many programming languages don't provide a "symbol" data-type, so many programmers do not use them extensively, but they are very handy for situations like this. As local variable names are symbols representing data stored by the interpreter, here we are using the symbol data-type to refer to data stored on the server.
+ </div><div class="para">
+ Symbols are a better way to name SynthDef's than strings. Not only do symbols take up less memory, they aren't actually the interpreter doesn't actually think of them as Objects, and neither should you. Symbols are universally unique; only one instance of a symbol with the same characters can exist. On the other hand, an infinite number of strings with the same characters can exist. When we use a symbol, we are defining it universally. When we use a string, the server pretends that all strings with the same characters are the same philosophical object, even though they aren't. This isn't a technical problem, but it can be difficult to think about, and is cognitively dissonant.
+ </div><div class="para">
+ If all this seems a little abstract and ontological, that's because it is.
+ </div><div class="section" title="11.3.10.4.1. Symbols: the Easy Way" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Easy_Symbols"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Easy_Symbols">11.3.10.4.1. Symbols: the Easy Way</h5></div></div></div><div class="para">
+ Symbols are things that you should use to identify a SynthDef sent to the server.
+ </div></div><div class="section" title="11.3.10.4.2. Writing Symbols" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Writing_Symbols"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Writing_Symbols">11.3.10.4.2. Writing Symbols</h5></div></div></div><div class="para">
+ There are two ways to write out a symbol: between single-quotation marks, and after a back-slash. Symbols given between single-quotation marks can contain any characters but a single-quotation mark. Symbols given after a back-slash can contain any characters but a space. Neither type of symbol name can cross onto a new line.
+ </div><div class="para">
+ The following example contains some valid symbols, and some invalid symbols.
+<pre class="programlisting">
+\stopSign \\ this is a symbol
+\stop sign \\ this is a symbol called 'stop' followed by the unrelated word 'sign'
+'stopSign' \\ this is a symbol
+'stop sign' \\ this is a symbol
+'stop
+sign' \\ these lines are not a symbol, and will cause an error
+</pre>
+
+ </div><div class="para">
+ The following example illustrates the differences between strings and symbols.
+<pre class="programlisting">
+var a = "stop sign" \\ a string
+var b = "stop sign" \\ a string with the same letters as the first string
+a == b; \\ returns "true" because the strings are equivalent
+a === b; \\ returns "false" because the strings are separate copies with the same characters
+
+var c = 'stop sign' \\ a symbol
+var d = 'stop sign' \\ the same symbol
+c == d; \\ returns "true" because the symbols are equivalent
+c === d; \\ returns "true" because the symbols are identical
+</pre>
+
+ </div></div></div><div class="section" title="11.3.10.5. SynthDef Becomes Synth" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_Becomes_Synth"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_Becomes_Synth">11.3.10.5. SynthDef Becomes Synth</h4></div></div></div><div class="para">
+ After you send a SynthDef to the server, you can put it into action. When the interpreter tells the server to play a synthesis definition (which the interpreter holds in a SynthDef Object), the server creates a synth from the definition, and starts generating sound. The interpreter gives us a Synth Object to represent each synth on the server, so that we can control the synth.
+ </div><div class="para">
+ This is the syntax used to create a new synth, after its definition has been sent to the server. <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">Synth.new</b>(</code><var class="pdparam">nameOfSynthDef</var><code>)</code>;</p></div> The name will be a symbol or a string - whatever you supplied when you ran the <code class="function">SynthDef.new()</code> function.
+ </div><div class="para">
+ Because we're creating a new Synth Object, we should assign it to a variable, for later reference.
+<pre class="programlisting">
+SynthDef.new( \playMe, { Out.ar( 0, SinOsc.ar( freq:440, mul:0.2 ) ); } ).send( s );
+var mySynth = Synth.new( \playMe );
+</pre>
+
+ </div><div class="para">
+ Recall that the interpreter automatically uses the Synth and SynthDef Classes when we send the "play" message to a Function. We can actually capture and use the Synth Object created from "play-ing" a Function, too. This example is almost the same as the previous one.
+<pre class="programlisting">var mySynth = { SinOsc.ar( freq:443, mul:0.2 ); }.play;</pre>
+ The difference is subtle: after the second example, we have no control over what name the interpreter gives to the SynthDef that it sends to the server, so we can't re-use the SynthDef. On the other hand, because we assign the name <code class="literal">\sillyTutorialSD</code> to the SynthDef in the first example, we know what it's called, and we can re-use it. Theoretically, we can make an infinite number of synths from this single definition. Realistically, it's limited by the amount of memory the server can use; for most modern computers, this number is so high that we don't ever need to worry about it.
+ </div><div class="para">
+ As usual, the interpreter provides us with an optional short-cut:
+<pre class="programlisting">var mySynth = SynthDef.new( \playMe, { Out.ar( 0, SinOsc.ar( freq:440, mul:0.2 ) ); } ).play;</pre>
+ This automatically sends the synthesis information to the server, creates a synth, and plays it. What minor functionality is lost when we use this shortcut?
+ </div></div><div class="section" title="11.3.10.6. Shortcomings of a SynthDef" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Shortcomings_of_a_SynthDef"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Shortcomings_of_a_SynthDef">11.3.10.6. Shortcomings of a SynthDef</h4></div></div></div><div class="para">
+ Consider the following program:
+<pre class="programlisting">
+(
+ var myRandFunc =
+ {
+ var frequency = 440.rand + 440; // produces an integer between 440 and 880
+ SinOsc.ar( freq:frequency, mul:0.025 );
+ };
+
+ 10.do( { myRandFunc.play; } );
+)
+</pre>
+ Execute the program a few times. The result will be different each time: ten different SinOsc's with ten different frequencies.
+ </div><div class="para">
+ What if we convert the program to use a SynthDef and multiple Synth's instead? This program will probably cause an error the first time - this is exaplained below.
+<pre class="programlisting">
+(
+ var myRandFunc =
+ {
+ var frequency = 440.rand + 440; // produces an integer between 440 and 880
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.025 ) );
+ };
+
+ SynthDef.new( \myRandFunc, myRandFunc ).send( s );
+
+ 10.do( { Synth.new( \myRandFunc ); } );
+)
+</pre>
+ Execute the program a few times. The result is still different each time, but it's the <span class="emphasis"><em>same</em></span> ten SinOsc's, all with the same frequency. This is the nature of a SynthDef: once it's sent to the server, you can create a synth from the same instructions without resending them.
+ </div><div class="para">
+ This program causes an error the first time you run it. Inspect the error messages, and see if you can determine why. It's because the server is processing commands <span class="emphasis"><em>asynchronously</em></span>: things don't happen right when the interpreter asks, but very shortly thereafter. The result is that the server is asked to make a new synth before it deals with the synth definition. There are ways to get around this, but they're too complex for this section - for now (to simplify this text's examples), just accept that the error may happen the first time you run a Synth.
+ </div></div><div class="section" title="11.3.10.7. Creating Change Anyway" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Creating_Change_Anyway"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Creating_Change_Anyway">11.3.10.7. Creating Change Anyway</h4></div></div></div><div class="para">
+ The way to create change and pseudo-randomness anyway is to incorporate another UGen to do it for you. Remember: when you send synthesis information to the server, that information can't change unless you replace it. This doesn't mean that the output produced by the synth can't change!
+ </div><div class="para">
+ The way to do this is with control-rate UGen's. The following example uses a control-rate SinOsc to set the frequency of an audio-rate SinOsc.
+<pre class="programlisting">
+(
+ var myRandFunc =
+ {
+ var frequency = SinOsc.kr( freq:0.5, add:660, mul:220 ); // oscillates between 440 and 880, hitting each extreme every 2 seconds
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.2 ) );
+ };
+
+ SynthDef.new( \myRandFunc, myRandFunc ).send( s );
+
+ Synth.new( \myRandFunc );
+)
+</pre>
+ When you use a UGen as a control-rate UGen, you have to think about its arguments quite differently than when using it as an audio-rate UGen. This table shows how the same argument gives a different result for an audio-rate vs. control-rate UGen used for pitch:
+ <div class="table" title="表11.4 Parameters in Audio-Rate and Control-Rate SinOsc UGens"><div class="table-contents"><table summary="Parameters in Audio-Rate and Control-Rate SinOsc UGens" border="1"><colgroup><col align="center" width="33%" /><col align="center" width="33%" /><col align="center" width="33%" /></colgroup><thead><tr><th align="center">
+ Parameter
+ </th><th align="center">
+ In an audio-rate UGen...
+ </th><th align="center">
+ In a control-rate UGen...
+ </th></tr></thead><tbody><tr><td align="center">
+ freq
+ </td><td align="center">
+ controls the pitch
+ </td><td align="center">
+ controls the speed of oscillation
+ </td></tr><tr><td align="center">
+ add
+ </td><td align="center">
+ ??
+ </td><td align="center">
+ sets the middle point of the sine wave by adding this to the output
+ </td></tr><tr><td align="center">
+ mul
+ </td><td align="center">
+ controls volume level
+ </td><td align="center">
+ sets the deviation from "add"
+ </td></tr></tbody></table></div><h6>表11.4 Parameters in Audio-Rate and Control-Rate <code class="classname">SinOsc</code> UGens</h6></div><br class="table-break" />
+ For an audio-rate SinOsc UGen, you set the frequency and the volume level. For a control-rate UGen, you set the mid-point of oscillation with <code class="literal">add</code>, the extremes of oscillation which will be <code class="code">add - mul</code> and <code class="code">add + mul</code>, and the speed of oscillation with <code class="literal">freq</code>. The end result is very different numbers.
+ </div><div class="para">
+ There is a handy UGen designed specifically for replacing pseudo-randomness in Functions. The following example restores the "ten different pitches" to the example from the last section.
+<pre class="programlisting">
+(
+ var myRandFunc =
+ {
+ var frequency = Rand( 440, 880 ); // produces an integer between 440 and 880
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.025 ) );
+ };
+
+ SynthDef.new( \myRandFunc, myRandFunc ).send( s );
+
+ 10.do( { Synth.new( \myRandFunc ); } );
+)
+</pre>
+ If you run this multiple times, you will again hear ten different pitches. Depending on audio hardware, previous musical experience, and other factors, some people may have difficulty hearing that the pitches are different. Try reducing the number of synths created in the loop.
+ </div></div><div class="section" title="11.3.10.8. SynthDef with Arguments" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_with_Arguments"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_with_Arguments">11.3.10.8. SynthDef with Arguments</h4></div></div></div><div class="para">
+ There are some siutations where you simply cannot pre-determine all of the material that you're going to use when creating a synth. It might be easier to resort to using a Function rather than a SynthDef, but there is yet another solution - creating an argument in your SynthDef Function.
+ </div><div class="para">
+ With only a subtle change to our Function, we can add the possibility of passing arguments on synth creation:
+<pre class="programlisting">
+var myRandFunc =
+{
+ arg frequency = Rand( 440, 880 ); // default value between 440 and 880
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.025 ) );
+};
+</pre>
+ I've decided to use the Rand UGen anyway, so that supplying a frequency is optional. This adds functionality while making the added complexity optional:
+<pre class="programlisting">
+(
+ var myRandFunc =
+ {
+ arg frequency = 440;
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.025 ) );
+ };
+
+ SynthDef.new( \myRandFunc, myRandFunc ).send( s );
+
+ 10.do( { Synth.new( \myRandFunc ); } );
+)
+</pre>
+ If you use the SynthDef in the old way, as in the example, you'll get the expected result: ten Synth's, all with the same frequency. But, if you add a "rand" Function call into the loop, you can get ten different frequencies!
+<pre class="programlisting">
+(
+ var myRandFunc =
+ {
+ arg frequency = 440;
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.025 ) );
+ };
+
+ SynthDef.new( \myRandFunc, myRandFunc ).send( s );
+
+ 10.do( { Synth.new( \myRandFunc, [\frequency,(440.rand + 440)] ); } );
+)
+</pre>
+ Notice how we supply arguments: an Array with elements alternating between a string-quoted parameter name, and the value of the argument itself. If we "parameterized" all three main fields of the SinOsc, we could supply them like this:
+<pre class="programlisting">Synth.new( \mySinOsc, [\freq,440,\add,0,\mul,0.2] );</pre>
+
+ </div></div><div class="section" title="11.3.10.9. Things to Do with a SynthDef: Set and Free" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Set_and_Free"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Set_and_Free">11.3.10.9. Things to Do with a SynthDef: Set and Free</h4></div></div></div><div class="para">
+ Once you send a synth definition to the server, and make some synths, you've collected a few Synth Objects, and you wonder what to do with them next. Of course, you could listen to them, but you can also change the arguments that you used, and stop it.
+ </div><div class="para">
+ To change the arguments used by a synth, send it the "set" message, with a list of arguments:
+<pre class="programlisting"><em class="replaceable"><code>variableHoldingSynth</code></em>.set( [<em class="replaceable"><code>\argument1</code></em>,<em class="replaceable"><code>value</code></em>,<em class="replaceable"><code>\argument2</code></em>,<em class="replaceable"><code>value</code></em>,...] );</pre>
+ This helps to save even more time and memory: rather than destroying and creating synths all the time, you can simply change pre-existing ones.
+ </div><div class="para">
+ This modification of the ten-pseudo-random-tones example includes an extra line that lets you change the tones without destroying and re-creating the synths.
+<pre class="programlisting">
+// run this first
+h = List.new;
+
+// run this second
+(
+ var myRandFunc =
+ {
+ arg frequency = 440;
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.025 ) );
+ };
+
+ SynthDef.new( \myRandFunc, myRandFunc ).send( s );
+)
+
+// run this third
+10.do( { h.add( Synth.new( \myRandFunc, [\frequency,(440.rand + 440)] ) ); } );
+
+// run this fourth, as many times as you please
+h.do( { arg item; item.set( \frequency, (440.rand + 440) ); } );
+</pre>
+ The reason that you have to run each of those segments separately is two-fold: we need to store the List of Synth's in a single-letter variable because, for this simple demonstration, this is the most efficient way; second, for the asynchronous behaviour of the server that was previously noted as causing an error.
+ </div><div class="para">
+ The only aspect of that example that's a little tricky to understand is the "do" loop. Remember that when you run a "do" loop on a List, the interpreter automatically loops over each of the elements in the List, running the Function that you provide. Each time the Function is run, it receives the current List item, and its index number in the List, in that order. So the Function in this loop simply uses "set" to change the "frequency" argument.
+ </div><div class="para">
+ Take special note that the arguments in this case are not identical to those given with the "new" message. Compare the two forms below:
+<pre class="programlisting">SynthDef.new( <em class="replaceable"><code>\SynthName</code></em>, [<em class="replaceable"><code>\parameter1</code></em>,<em class="replaceable"><code>value</code></em>,<em class="replaceable"><code>\parameter2</code></em>,<em class="replaceable"><code>value</code></em>] );</pre>
+ and
+<pre class="programlisting"><em class="replaceable"><code>existingSynth</code></em>.set( <em class="replaceable"><code>\parameter1</code></em>, <em class="replaceable"><code>value</code></em>, <em class="replaceable"><code>\parmeter2</code></em>, <em class="replaceable"><code>value</code></em> );</pre>
+
+ </div><div class="para">
+ To get rid of one synth without stopping all sound, send its corresponding Synth the "free" message:
+<pre class="programlisting"><em class="replaceable"><code>variableHoldingSynth</code></em>.free;</pre>
+ This stops the synth and frees the associated memory - on the server. Your Synth Object still exists in the interpreter, but you can't use it any more. A Synth Object represents a synth on the server; since you got rid of the synth on the server, the Synth Object represents something that doesn't exist. If you attempt to send the "free" message again, you'll get an error. For this reason, it's a good idea to get rid of the Synth Object at the same time:
+<pre class="programlisting">
+<replaceable>variableHoldingSynth</replaceable>.free;
+<replaceable>variableHoldingSynth</replaceable> = nil;
+</pre>
+ If you accidentally send "free" to an already-freed Synth, the interpreter will cause an error, and program execution will stop. If you accidentally send "free" to a variable set to "nil", nothing will happen. Proactively avoiding mistakes like this is good programming practice.
+ </div></div></div><div class="section" title="11.3.11. Busses" id="sect-Musicians_Guide-SC-Basic_Programming-Busses"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses">11.3.11. Busses</h3></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> busses work just like busses in other audio creation contexts, which work similarly to busses used to transport humans. Busses are used to send audio from one place to another, and in <span class="application"><strong>SuperCollider</strong></span> they can also be used to send control-rate signals. Each <span class="application"><strong>SuperCollider</strong></span> bus is given an index number, which are integers starting at 0. Audio-rate busses and control-rate busses are independent, and are given an independent set of index numbers. Any number of unique signals can be routed into a bus, and any number of receivers can take signals from a bus - but the signal will be the sum of all the input signals. In other words, if you want to send two different sets of signals, you need two different busses with different index numbers.
+ </div><div class="section" title="11.3.11.1. Audio-Rate Bus Numbers" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Numbers"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Numbers">11.3.11.1. Audio-Rate Bus Numbers</h4></div></div></div><div class="para">
+ There are special audio-rate busses reserved automatically by the server. These interact with the audio interface, allowing you to get sound from its inputs, and send sound to its outputs. The lowest audio-rate bus numbers are reserved for audio interface outputs, each channel receiving an independent bus. The bus numbers just above those are reserved for audio interface inputs, each channel receiving an independent bus.
+ </div><div class="para">
+ For a simple audio interface with two channels each for input and output, the pre-reserved audio-rate bus numbers would be these:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 0 for left channel output
+ </div></li><li class="listitem"><div class="para">
+ 1 for right channel output
+ </div></li><li class="listitem"><div class="para">
+ 2 for left channel input
+ </div></li><li class="listitem"><div class="para">
+ 3 for right channel input
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Now you can change the first argument of the "Out" UGen as desired!
+ </div></div><div class="section" title="11.3.11.2. Out and In UGens" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Out_and_In_UGens"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Out_and_In_UGens">11.3.11.2. Out and In UGens</h4></div></div></div><div class="para">
+ The "Out" UGen is discussed in <a class="xref" href="#sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Out_UGen" title="11.3.10.1. "Out" UGen">「"Out" UGenã€</a>. What it does is take a signal and route it to the specified bus number. The "In" UGen performs a similar action: take a signal from a bus number, and make it available for use.
+ </div><div class="para">
+ This is the syntax to use for the <code class="classname">Out</code> UGen: <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">Out.ar</b>(</code><var class="pdparam">busNumber</var>, <var class="pdparam">audioRateUGen</var><code>)</code>;</p></div> or <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">Out.kr</b>(</code><var class="pdparam">busNumber</var>, <var class="pdparam">controlRateUGen</var><code>)</code>;</p></div> The UGen enclosed here should not be enclosed in a Function. If the UGen provides multi-channel output, "Out" will automatically route the lowest channel to the specified bus number, the next channel to the next highest bus number, and so on. This way, you can achieve stereo output with one "Out" UGen.
+ </div><div class="para">
+ This is the syntax to use for the <code class="classname">In</code> UGen: <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">In.ar</b>(</code><var class="pdparam">busNumber</var>, <var class="pdparam">numberOfChannels</var><code>)</code>;</p></div> or <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">In.kr</b>(</code><var class="pdparam">busNumber</var>, <var class="pdparam">numberOfChannels</var><code>)</code>;</p></div> Whereas "Out" automatically outputs the right number of channels based on how many you provide, "In" requires that you specify how many channels you want it to fetch for you.
+ </div><div class="para">
+ When created with this form, both of these UGens automatically connect to the default server, stored in the single-letter "s" variable by the interpreter.
+ </div></div><div class="section" title="11.3.11.3. Bus Objects" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Bus_Objects"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Bus_Objects">11.3.11.3. Bus Objects</h4></div></div></div><div class="para">
+ As SynthDef and Synth represent things stored on the server, the interpreter provides us with an instantiable "Bus" Class that represents the server's busses. In many programs that you write, you won't need to use a Bus Object - particularly when you're doing simple input and output with the automatically-reserved bus numbers. But, like the SynthDef and Synth Classes make it easier to deal with synthdefs and synths on the server (which are very difficult to deal with directly), the Bus Class makes it easier to deal with busses on the server, and provides some extra functionality to boot!
+ </div><div class="para">
+ The primary advantage of using Bus Objects is that you don't have to keep track of bus numbers, whether they're being used, and how mnany channels are being routed. For simple input and output of audio-rate signals, you're better off simply remembering the bus numbers
+ </div><div class="para">
+ The <code class="literal">new</code> message creates a new Bus object. This is the syntax: <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">Bus.audio</b>(</code><var class="pdparam">serverName</var>, <var class="pdparam">numberOfChannels</var><code>)</code>;</p></div> or <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">Bus.control</b>(</code><var class="pdparam">serverName</var>, <var class="pdparam">numberOfChannels</var><code>)</code>;</p></div> The interpreter takes "numberOfChannels" busses on the "serverName" server, and groups them together for multi-channel use in one Bus Object, which it returns to you. The "numberOfChannels" argument is optional; if you leave it out, the Bus Object will have only one bus, for single-channel signals. You should always assign the object to a variable, or else you have no way to use the bus later:
+<pre class="programlisting">var myBus = Bus.audio( s, 2 );</pre>
+
+ </div><div class="para">
+ The interpreter also keeps track of which bus numbers are used for which Bus Objects, so the signals will never get confused. Of course, you can still route signals through those bus numbers without using the Bus Object, but the Bus Class helps us to keep things straight.
+ </div><div class="para">
+ The following messages/functions can also be used with Bus Objects:
+ <div class="table" title="表11.5 Some Functions of the Bus Class"><div class="table-contents"><table summary="Some Functions of the Bus Class" border="1"><colgroup><col align="center" width="33%" /><col align="center" width="33%" /><col align="center" width="33%" /></colgroup><thead><tr><th align="center">
+ Message/Function
+ </th><th align="center">
+ Example
+ </th><th align="center">
+ Return Value
+ </th></tr></thead><tbody><tr><td align="center">
+ index
+ </td><td align="center">
+ <code class="code">b.index;</code>
+ </td><td align="center">
+ The lowest bus number used by this Bus object.
+ </td></tr><tr><td align="center">
+ numChannels
+ </td><td align="center">
+ <code class="code">b.numChannels;</code>
+ </td><td align="center">
+ The number of busses used by this Bus object.
+ </td></tr><tr><td align="center">
+ rate
+ </td><td align="center">
+ <code class="code">b.rate;</code>
+ </td><td align="center">
+ Either <code class="literal">audio</code> or <code class="literal">control</code>.
+ </td></tr><tr><td align="center">
+ server
+ </td><td align="center">
+ <code class="code">b.server;</code>
+ </td><td align="center">
+ The name of the server used by the Bus object. The default server is <code class="literal">localhost</code>
+ </td></tr></tbody></table></div><h6>表11.5 Some Functions of the <code class="classname">Bus</code> Class</h6></div><br class="table-break" />
+
+ </div><div class="para">
+ When you are done with a Bus, you can release the channels for use by other Bus Objects:
+<pre class="programlisting">
+<replaceable>myBusVariable</replaceable>.free;
+<replaceable>myBusVariable</replaceable> = nil;
+</pre>
+ Like when sending the "free" message to a Synth Object, you should set the variable name of a "free'd" Bus to "nil". This will prevent you from accidentally sending audio there after the Bus is released.
+ </div></div><div class="section" title="11.3.11.4. Using Busses: Control-Rate Example" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example">11.3.11.4. Using Busses: Control-Rate Example</h4></div></div></div><div class="para">
+ The best way to understand how and when to use a bus is to see them in action.
+<pre class="programlisting">
+( // execute first: prepare the server
+ var busAudioSynth =
+ {
+ arg bus, freqOffset = 0;
+
+ Out.ar( 0, SinOsc.ar( freq:( In.kr(bus) + freqOffset ), mul:0.1 ) );
+ };
+
+ var busControlSynth =
+ {
+ arg bus, freq = 400;
+
+ Out.kr( bus, SinOsc.kr( freq:1, mul:( freq/40 ), add:freq ) );
+ };
+
+ SynthDef( \tutorialAudioBus, busAudioSynth ).send( s );
+ SynthDef( \tutorialControlBus, busControlSynth ).send( s );
+
+ b = Bus.control( s );
+)
+
+( // execute second: create synths
+ x = Synth.new( \tutorialControlBus, [\bus, b] ); // control synth
+ y = Synth.after( x, \tutorialAudioBus, [\bus, b] ); // low audio synth
+ z = Synth.after( x, \tutorialAudioBus, [\bus, b, \freqOffset, 200] ); // high audio synth
+)
+
+( // commands to free each Object
+ x.free; x = nil; // control synth
+ y.free; y = nil; // low audio synth
+ z.free; z = nil; // high audio synth
+ b.free; b = nil; // control bus
+)
+</pre>
+ This example contains three stages: prepare the server, create the synths, destroy the synths. These three stages will become familiar as you program in <span class="application"><strong>SuperCollider</strong></span>, whether or not you use busses frequently. The example is fairly complicated, so the code is explained here:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">busAudioSynth</code> Function: Accepts two arguments, and creates an audio-rate <code class="classname">SinOsc</code>, routed to the left output channel. The frequency is determined by a control-rate bus given as an argument, and optionally with an offset that can be supplied as an argument.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">busControlSynth</code> Function: Accepts two arguments, and creates a control-rate <code class="classname">SinOsc</code>, routed to the bus given as an argument. Can also be given a frequency; the value produced by the synth is intended to be used to control pitch. The centre pitch of the oscillation is <code class="literal">freq</code>, and the range of oscillation is one-twentieth the size of <code class="literal">freq</code> (one-fourtieth both higher and lower than <code class="literal">freq</code>).
+ </div></li><li class="listitem"><div class="para">
+ SynthDef: These commands are straight-forward. They send the synthesis definitions to the server.
+ </div></li><li class="listitem"><div class="para">
+ <code class="code">b = Bus.control( s );</code> : This should also be straight-forward. A single-channel control bus is created, and assigned to the pre-declared variable <code class="literal">b</code>.
+ </div></li><li class="listitem"><div class="para">
+ For synth creation, <code class="literal">x</code> is assigned a control-rate synth, while <code class="literal">y</code> and <code class="literal">z</code> are assigned audio-rate synths. Each synth is given the variable <code class="literal">b</code>, which refers to our control-rate bus. <code class="literal">z</code> is also given an argument for <code class="literal">\freqOffset</code>, which makes its frequency 200Â Hz higher than the synth assigned to <code class="literal">y</code>.
+ </div></li><li class="listitem"><div class="para">
+ Don't worry about the <code class="function">after</code> message for now. It's explained in <a class="xref" href="#sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Ordering" title="11.3.12.1. Ordering">「Orderingã€</a>.
+ </div></li></ul></div>
+
+ </div><div class="section" title="11.3.11.4.1. Why Use Global Variables" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Global_Variables"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Global_Variables">11.3.11.4.1. Why Use Global Variables</h5></div></div></div><div class="para">
+ Since this is just an example, and not an actual program, the program uses four automatically-declared global variables: <code class="literal">b</code>, <code class="literal">x</code>, <code class="literal">y</code>, and <code class="literal">z</code>. Because these variables are shared with everything, it's especially important to set them to <code class="literal">nil</code> when you're done. If this were going to be written into a real program, it would be a good idea to change the variables to something which can't be accessed by other programs.
+ </div></div><div class="section" title="11.3.11.4.2. Why Use a Bus" id="sect-Musicians_GuideSC-Basic_Programming-Busses-Control_Rate_Example-Why_Use_a_Bus"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_GuideSC-Basic_Programming-Busses-Control_Rate_Example-Why_Use_a_Bus">11.3.11.4.2. Why Use a Bus</h5></div></div></div><div class="para">
+ The control-rate bus in this example might seem trivial and pointless to you, especially since the use of a UGen to control frequency has already been illustrated in other examples. For this particular program, a control-rate UGen would probably have been a better choice, but remember that this is just an example.
+ </div><div class="para">
+ Here are some advantages to using a control-rate Bus over a UGen:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The signal can be changed without sending the <code class="literal">set</code> message to the audio-rate UGen, simply by changing the input to the bus.
+ </div></li><li class="listitem"><div class="para">
+ Input to the bus can be produced by any number of control-rate UGen's.
+ </div></li><li class="listitem"><div class="para">
+ The signal in the bus can be received by more than one UGen, as it is in this example. One thousand audio-rate UGen's powered by 25 control-rate UGen's is a much better solution than if each audio-rate UGen were powered by its own control-rate UGen.
+ </div></li><li class="listitem"><div class="para">
+ Busses can be accessed quickly and efficiently from any place in the program that has access to the variable holding the Bus. It's easier and safer (less error-prone) than making all of your UGen's equally accessible.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Some of these advantages could be seen as disadvantages. Whether you should use a Bus or a UGen depends on the particular application. The simpler solution is usually the better one, as long as you remember to avoid repetition!
+ </div></div><div class="section" title="11.3.11.4.3. Special Note about Control-Rate Busses" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Special_Note"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Special_Note">11.3.11.4.3. Special Note about Control-Rate Busses</h5></div></div></div><div class="para">
+ Control-rate Bus'ses are a great way to enhance the flexibility of your program. The best part is that, in order to use a control-rate Bus, the UGen doesn't even need to have been written to accomodate it.
+<pre class="programlisting">{ SinOsc.ar( freq:In.kr( controlRateBus, 1 ), mul:0.2 ); }.play;</pre>
+ Now you've managed to spice up an otherwise-boring synth!
+ </div><div class="para">
+ Also, control-rate Bus'ses don't need to be constantly changing. Unlike an audio-rate Bus, a control-rate Bus will hold the last-inputted value until another value is provided. You can the value of a control-rate Bus with the <code class="function">set</code> message (and a single argument, which is the value). You can also get the current value, whether created by <code class="function">set</code> or a UGen, by using the <code class="function">get</code> message, and sending a Function with one argument.
+<pre class="programlisting">
+(
+ var bus = Bus.control( s );
+ bus.set( 12 );
+ bus.get( { arg val; val.postln; } );
+ bus.free; bus = nil;
+)
+</pre>
+ When running this example, you'll notice that the <code class="literal">12</code> doesn't get posted until <span class="emphasis"><em>after</em></span> the program finishes with <code class="literal">nil</code>. This is because of the <em class="firstterm">latency</em> between when the interpreter asks the server to do something, and when the server does it. The amount of time it takes for the server to complete a command is usually very small, but as you can see, it can make an important difference to your program. This latency is also the reason that you can't call <code class="code">SynthDef.new( <em class="replaceable"><code>...</code></em> )</code> and <code class="code">Synth.new( <em class="replaceable"><code>...</code></em> )</code> at the exact same time.
+ </div><div class="para">
+ This latency is also the reason that we have to provide a single-argument function as an argument to the <code class="function">get</code> function. Since the function won't immediately be able to get the value of the bus from the server, we can't expect the value to be returned by the function. Instead, when "get" gets the value of the bus from the server, it runs the function that you gave it.
+ </div></div></div><div class="section" title="11.3.11.5. Using Busses: Audio-Rate Example" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Example"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Example">11.3.11.5. Using Busses: Audio-Rate Example</h4></div></div></div><div class="para">
+
+<pre class="programlisting">
+(
+ var tutorialDecayPink =
+ {
+ arg outBus = 0, effectBus,
+ direct = 0.5; // controls proportion of "direct" / "processed" sound
+ var source;
+
+ // Decaying pulses of PinkNoise.
+ source = Decay2.ar( in:Impulse.ar( freq:1, phase:0.25 ),
+ attackTime:0.01,
+ decayTime:0.2,
+ mul:PinkNoise.ar
+ );
+
+ Out.ar( outBus, (source*direct) ); // main output
+ Out.ar( effectBus, (source*(1-direct)) ); // effects output
+ };
+
+ var tutorialDecaySine =
+ {
+ arg outBus = 0, effectBus,
+ direct = 0.5; // controls proportion of "direct" / "processed" sound
+ var source;
+
+ // Decaying pulses of a modulating Sine wave.
+ source = Decay2.ar( in:Impulse.ar( freq:0.3, phase: 0.25),
+ attackTime:0.3,
+ decayTime:1,
+ mul:SinOsc.ar( freq:SinOsc.kr( freq:0.2, mul:110, add:440) )
+ );
+
+ Out.ar(outBus, (source*direct) ); // main output
+ Out.ar(effectBus, (source*(1-direct)) ); // effects output
+ };
+
+ var tutorialReverb =
+ {
+ arg outBus = 0, inBus; // default outBus is audio interface
+ var input;
+
+ input = In.ar( inBus, 1 );
+
+ 16.do( { input = AllpassC.ar( in:input,
+ maxdelaytime:0.04,
+ delaytime:{ Rand(0.001,0.04) }.dup,
+ decaytime:3
+ )
+ }
+ );
+
+ Out.ar( outBus, input );
+ };
+
+ // send synthesis information to the server
+ SynthDef( \tutorialReverb, tutorialReverb ).send( s );
+ SynthDef( \tutorialDecayPink, tutorialDecayPink ).send( s );
+ SynthDef( \tutorialDecaySine, tutorialDecaySine ).send( s );
+
+ // reserve an effects Bus
+ b = Bus.audio( s );
+)
+
+(
+ x = Synth.new( \tutorialReverb, [\inBus, b] );
+ y = Synth.before( x, \tutorialDecayPink, [\effectBus, b] );
+ z = Synth.before( x, \tutorialDecaySine, [\effectBus, b, \outBus, 1] );
+)
+
+// Change the balance of "wet" to "dry"
+y.set( \direct, 1 ); // only direct PinkNoise
+z.set( \direct, 1 ); // only direct Sine wave
+y.set( \direct, 0 ); // only reverberated PinkNoise
+z.set( \direct, 0 ); // only reverberated Sine wave
+y.set( \direct, 0.5 ); // original PinkNoise
+z.set( \direct, 0.5 ); // original Sine wave
+
+( // commands to free each Object
+ x.free; x = nil;
+ y.free; y = nil;
+ z.free; z = nil;
+ b.free; b = nil;
+)
+</pre>
+
+ </div><div class="para">
+ I'm not going to explain this example as extensively as the previous one. It's definitely the most complex example so far. It's better if you figure out what the parts do by playing with them yourself. The bus works by routing audio from the <code class="literal">\tutorialDecayPink</code> and <code class="literal">\tutorialDecaySine</code> synths into the <code class="literal">\tutorialReverb</code> synth. The first two synths can be controlled to put all, none, or some of their signal into the bus (so that it goes through the <code class="literal">\tutorialReverb</code> synth), or straight out the audio interface (bypassing the <code class="literal">\tutorialReverb</code> synth). Notice that the <span class="emphasis"><em>same</em></span> effects processor is operating on two different input sources.
+ </div></div></div><div class="section" title="11.3.12. Ordering and Other Synth Features" id="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features">11.3.12. Ordering and Other Synth Features</h3></div></div></div><div class="para">
+ This section discusses the important topic of creating and enforcing an "order" on the server. Because this is done with Functions (or methods) from the Synth Class, other useful Functions from the Class are discussed here.
+ </div><div class="section" title="11.3.12.1. Ordering" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Ordering"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Ordering">11.3.12.1. Ordering</h4></div></div></div><div class="para">
+ Ordering is instructing the server to calculate in a particular order. The audio synthesized by the server takes the same form as any other digital audio: a series of samples are played at a particular speed (called sample rate), each with a set number of bits per sample (called sample format). For each sample, the server calculates the signal at that point in a pre-determined order. Each sample is calculated from scratch, so if a particular UGen depends on the output of another UGen, the other one had better be calculated first. For more information on samples, sample rate, and sample format, see <a class="xref" href="#sect-Musicians_Guide-Sample_Rate_and_Sample_Format" title="1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート">「サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレートã€</a>.
+ </div><div class="para">
+ Consider the following example:
+<pre class="programlisting">{ SinOsc.ar( freq:SinOsc.kr( freq:1, add:500, mul:10 ), mul:0.2 ); }.play;</pre>
+ What happens if the server calculates the audio-rate UGen first? It wouldn't have a frequency. This is another one of those things which the interpreter takes care of automatically when we run Function rather than create a Synth. Since it's often preferable to use a synth instead of a Function, we need some way to control the order of execution. The interpreter and the server are only so good at guessing what we need, after all.
+ </div><div class="para">
+ There are two methods in the <code class="classname">Synth</code> Class that we can use to inform the server about our desired order of execution: "before" and "after". They represent a small extension to the "new" method, and they work like this: <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">Synth.before</b>(</code><var class="pdparam">variableHoldingSynth</var>, <var class="pdparam">nameOfSynthDef</var>, <var class="pdparam">ListOfArguments</var><code>)</code>;</p></div> and <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">Synth.after</b>(</code><var class="pdparam">variableHoldingSynth</var>, <var class="pdparam">nameOfSynthDef</var>, <var class="pdparam">ListOfArguments</var><code>)</code>;</p></div> And it works just as it looks, too: the server creates a new synth, adds it before or after the synth represented by "variableHoldingSynth" (depending on which Function you use), and uses "nameOfSynthDef" and "ListOfArguments" j
ust as in the "add" method. This example, from <a class="xref" href="#sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example" title="11.3.11.4. Using Busses: Control-Rate Example">「Using Busses: Control-Rate Exampleã€</a>, uses the "after" Function to ensure that the control-rate synth is calculated before the audio-rate synths that depend on it.
+<pre class="programlisting">
+( // execute first: prepare the server
+ var busAudioSynth =
+ {
+ arg bus, freqOffset = 0;
+
+ Out.ar( 0, SinOsc.ar( freq:( In.kr(bus) + freqOffset ), mul:0.1 ) );
+ };
+
+ var busControlSynth =
+ {
+ arg bus, freq = 400;
+
+ Out.kr( bus, SinOsc.kr( freq:1, mul:( freq/40 ), add:freq ) );
+ };
+
+ SynthDef( \tutorialAudioBus, busAudioSynth ).send( s );
+ SynthDef( \tutorialControlBus, busControlSynth ).send( s );
+
+ b = Bus.control( s );
+)
+
+( // execute second: create synths
+ x = Synth.new( \tutorialControlBus, [\bus, b] ); // control synth
+ y = Synth.after( x, \tutorialAudioBus, [\bus, b] ); // low audio synth
+ z = Synth.after( x, \tutorialAudioBus, [\bus, b, \freqOffset, 200] ); // high audio synth
+)
+
+( // commands to free each Object
+ x.free; x = nil; // control synth
+ y.free; y = nil; // low audio synth
+ z.free; z = nil; // high audio synth
+ b.free; b = nil; // control bus
+)
+</pre>
+ In this case, the control-rate synth is created before the audio-rate synths - probably the easier way to think about it. Even so, it's possible to add them in the opposite order with a little extra thought.
+ </div><div class="para">
+ The other example from <a class="xref" href="#sect-Musicians_Guide-SC-Basic_Programming-Busses" title="11.3.11. Busses">「Bussesã€</a> use the "before" Function to ensure that the "pink noise" and "sine wave" UGen's were calculated before the "reverberation" UGen. Especially since these are all audio-rate UGen's, the server would not reasonably know which to calculate first, so you need to let it know.
+ </div></div><div class="section" title="11.3.12.2. Changing the Order" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Changing_the_Order"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Changing_the_Order">11.3.12.2. Changing the Order</h4></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> offers equally easy-to-use methods to change the order of execution.
+ </div><div class="para">
+ To move a synth's execution after another: <div class="funcsynopsis"><p><code class="funcdef">variableHoldingSynth<b class="fsfunc">moveAfter</b>(</code><var class="pdparam">variableHoldingAnotherSynth</var><code>)</code>;</p></div>
+ </div><div class="para">
+ To move a synth's execution before another: <div class="funcsynopsis"><p><code class="funcdef">variableHoldingSynth<b class="fsfunc">moveBefore</b>(</code><var class="pdparam">variableHoldingAnotherSynth</var><code>)</code>;</p></div>
+ </div></div><div class="section" title="11.3.12.3. Replace a Running Synth" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Replace_a_Running_Synth"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Replace_a_Running_Synth">11.3.12.3. Replace a Running Synth</h4></div></div></div><div class="para">
+ The server allows you to replace a running synth with a newly-created one, maintaining all of the ordering relationships.
+ </div><div class="para">
+ This is the syntax:
+<pre class="programlisting">variableHoldingNewSynth = Synth.replace( variableHoldingSynthToReplace, nameOfSynthDef, ListOfArguments );</pre>
+ The "variableHoldingNewSynth" will often be the same as the "variableHoldingSynthToReplace," but not always. When you use this Function, the synth being replaced is freed from the server (equivalent to running "free"), so that variable should always be assigned something.
+ </div></div><div class="section" title="11.3.12.4. Pausing and Restarting a Synth" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Pausing_and_Restarting_a_Synth"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Pausing_and_Restarting_a_Synth">11.3.12.4. Pausing and Restarting a Synth</h4></div></div></div><div class="para">
+ The server allows you to temporarily pause and later re-start a synth, without freeing and re-creating it.
+ </div><div class="para">
+ To pause a synth:
+<pre class="programlisting"><em class="replaceable"><code>variableHoldingSynth</code></em>.run( false );</pre>
+
+ </div><div class="para">
+ To re-start a synth:
+<pre class="programlisting"><em class="replaceable"><code>variableHoldingSynth</code></em>.run( true );</pre>
+
+ </div></div></div><div class="section" title="11.3.13. Scheduling" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling">11.3.13. Scheduling</h3></div></div></div><div class="para">
+ The practice of scheduling allows you to making things happen in a pre-determined amount of time. Scheduling is very different from ordering: ordering is a primarily technical consideration to ensure that the server synthesizes the sound in the right order; scheduling is a primarily musical consideration that allows you to control the perceived time that things happen.
+ </div><div class="section" title="11.3.13.1. Clocks" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Clocks"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Clocks">11.3.13.1. Clocks</h4></div></div></div><div class="para">
+ SuperCollider's clocks have two main functions: they know what time it is, and they know what time things are supposed to happen.
+ </div><div class="para">
+ There are three types of clocks, which each do slightly different things:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ TempoClock: These clocks are aware of metre (time signature) changes, and have an adjustable tempo. They are to be used for scheduling musical events, and they run with a high priority.
+ </div></li><li class="listitem"><div class="para">
+ SystemClock: This clock always runs in seconds. It can be used to schedule musical events, since it runs with a high priority. There is only one SystemClock.
+ </div></li><li class="listitem"><div class="para">
+ AppClock: These clocks always run in seconds. They are to be used for graphic events and other non-musical things not discussed in this guide. These clocks do not run with a high priority, so they can be temporarily "side-lined" by a TempoClock or the SystemClock, if one of those has something to do urgently.
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="11.3.13.2. Default Clocks" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Default_Clocks"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Default_Clocks">11.3.13.2. Default Clocks</h4></div></div></div><div class="para">
+ The <span class="application"><strong>SuperCollider</strong></span> interpreter provides two default clocks, and one default pseudo-clock.
+ </div><div class="para">
+ The <code class="classname">SystemClock</code> always operates in seconds, and it can be used to schedule musical events, but usually this isn't necessary.
+ </div><div class="para">
+ The <code class="code">TempoClock.default</code> runs at 60 beats-per-minute by default (equal to one beat per second). Since it's accessible from anywhere within a program, any tempo changes will have an effect on the scheduling of the entire program - so be careful! If you don't want something to be effected by tempo changes, you can create a new TempoClock just for that part of the program. If you will be using this clock frequently, you can assign it to a variable like this:
+<pre class="programlisting">var t = TempoClock.default;</pre>
+
+ </div><div class="para">
+ The <code class="code">thisThread.clock</code> is not really a clock in itself, but refers to the clock which is responsible for scheduling the part of the program where the command is written. It can be a little bit tricky working with this clock, since it may be either the SystemClock or a TempoClock.
+ </div></div><div class="section" title="11.3.13.3. Finding the Current Time" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Finding_the_Current_Time"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Finding_the_Current_Time">11.3.13.3. Finding the Current Time</h4></div></div></div><div class="para">
+ Using the "beats" method on a clock will return that clock's current time. Try running each of the following:
+<pre class="programlisting">
+SystemClock.beats;
+TempoClock.default.beats;
+thisThread.clock.beats;
+</pre>
+
+ </div><div class="para">
+ This can be useful for scheduling events in an absolute way, or for a number of other things.
+ </div></div><div class="section" title="11.3.13.4. Relative Scheduling" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Relative_Scheduling"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Relative_Scheduling">11.3.13.4. Relative Scheduling</h4></div></div></div><div class="para">
+ The standard way to schedule things is in a certain number of beats from now. If you're scheduling on a SystemClock, one beat is equal to one second. If you're scheduling on a TempoClock, one beat is equal to whatever the current setting is.
+ </div><div class="para">
+ To schedule things on a clock, use the "sched" Function: <div class="funcsynopsis"><p><code class="funcdef">nameOfClock<b class="fsfunc">sched</b>(</code><var class="pdparam">beatsFromNow</var>, <var class="pdparam">FunctionToExecute</var><code>)</code>;</p></div> The interpreter will let you schedule just about anything, but there's no point in scheduling something other than a Function: scheduling a five won't have any effect - try it!
+<pre class="programlisting">SystemClock.sched( 5, 5 );</pre>
+ It looks like nothing happens. The <code class="literal">5</code> does happen, but... well... it doesn't do anything. Scheduling a Function <span class="emphasis"><em>will</em></span> do something:
+<pre class="programlisting">SystemClock.sched( 5, { 5.postln; } );</pre>
+ When you run this, there are two things to notice:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The interpreter prints out "SystemClock" first. This is to let you know that it did the scheduling as requested.
+ </div></li><li class="listitem"><div class="para">
+ The five prints out endlessly, in five-second intervals. For an explanation, see "Repeated Scheduling"
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="11.3.13.5. Repeated Scheduling" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Repeated_Scheduling"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Repeated_Scheduling">11.3.13.5. Repeated Scheduling</h4></div></div></div><div class="para">
+ If you schedule a Function that returns a number, the interpreter will schedule the Function to re-run in that many beats.
+ </div><div class="para">
+ This will print "5" every five seconds, until you press [Esc] to stop execution.
+<pre class="programlisting">SystemClock.sched( 5, { 5.postln; } );</pre>
+
+ </div><div class="para">
+ To avoid this, you can end your Function with <code class="literal">nil</code>, which has been done sometimes through this guide.
+<pre class="programlisting">SystemClock.sched( 5, { 5.postln; nil; } );</pre>
+ This will print <code class="literal">5</code> in five seconds, and then stop.
+ </div></div><div class="section" title="11.3.13.6. Working with the TempoClock Class" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-TempoClock_Class"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-TempoClock_Class">11.3.13.6. Working with the TempoClock Class</h4></div></div></div><div class="para">
+ Here is a brief explanation of some Functions available with the TempoClock Class. Throughout this section, the variable "t" is used to represent any particular TempoClock.
+ </div><div class="para">
+
+<pre class="programlisting">var t = TempoClock.new( tempo, beats );</pre>
+ This creates a new TempoClock. The arguments are optional, and have the following meanings:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ tempo: tempo of the clock, given in beats per second. To input a value in beats-per-minute, divide it by 60. Defaults to 60 beats per minute, or one per second.
+ </div></li><li class="listitem"><div class="para">
+ beats: starts the clock at this time. Default is zero.
+ </div></li></ul></div>
+
+ </div><div class="para">
+
+<pre class="programlisting">
+t.stop;
+t = nil;
+</pre>
+ Equivalent to the "free" method for a Synth of Bus Object. This stops the clock, discards all scheduled events, and releases the resources used to run the clock. Setting the variable to "nil" afterwards is optional, but recommended, to avoid later programming mistakes.
+ </div><div class="para">
+
+<pre class="programlisting"><em class="replaceable"><code>t</code></em>.clear;</pre>
+ Discards all scheduled events, but keeps the clock running.
+ </div><div class="para">
+
+<pre class="programlisting"><em class="replaceable"><code>t</code></em>.tempo;</pre>
+ Returns the current tempo in beats-per-second.
+ </div><div class="para">
+
+<pre class="programlisting"><em class="replaceable"><code>t</code></em>.tempo_( <em class="replaceable"><code>newTempo</code></em> );</pre>
+ Allows you to change the clock's tempo. The new tempo should be in beats-per-second. To input a tempo in beats-per-minute, divide the value by 60.
+ </div><div class="para">
+
+<pre class="programlisting"><em class="replaceable"><code>t</code></em>.play( <em class="replaceable"><code>aFunction</code></em> );</pre>
+ Schedules the Function to begin execution on the next beat.
+ </div><div class="para">
+ There are many other Functions in the TempoClock Class, related to absolute scheduling, scheduling with bars, and conversion of beats to and from seconds.
+ </div></div></div><div class="section" title="11.3.14. How to Get Help" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help">11.3.14. How to Get Help</h3></div></div></div><div class="para">
+ Knowing how to get help in <span class="application"><strong>SuperCollider</strong></span> is going to play a large part in determining whether you have a productive or frustrating relationship with the language and its components. There are a large number of ways to get help, but here are some of the most helpful.
+ </div><div class="section" title="11.3.14.1. Use the SuperCollider Help Files" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Official_Help_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Official_Help_Files">11.3.14.1. Use the <span class="application"><strong>SuperCollider</strong></span> Help Files</h4></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> comes with an extensive collection of help files, which contain the answers to most of your problems. The difficulty will be in finding the solution - it's not always located where you think it is, because it often isn't the solution you think it will be.
+ </div><div class="para">
+ On Fedora Linux systems, the main help file is located at [file:///usr/share/SuperCollider/Help/Help.html this URL], and it can be viewed in any web browser. It may also be helpful to browse the directory structure of the help files, located at [file:///usr/share/SuperCollider/Help this URL], which can also be viewed in your web browser.
+ </div><div class="para">
+ If you're looking for further explanations of material in this tutorial, you could start by reviewing the [file:///usr/share/SuperCollider/Help/Tutorials/Getting-Started/Getting%20Started%20With%20SC.html Getting Started With <span class="application"><strong>SuperCollider</strong></span>] tutorial, on which this document is based. The sections in that tutorial roughly correspond to the sections in this guide.
+ </div></div><div class="section" title="11.3.14.2. Internet Relay Chat (IRC)" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-IRC"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-IRC">11.3.14.2. Internet Relay Chat (IRC)</h4></div></div></div><div class="para">
+ If you know how to use Internet Relay Chat (IRC), you can join the #supercollider channel on the Freenode network. The channel does not usually have a large number of participants or a lot of activity, but the users are some of the most polite and helpful on the internet.
+ </div></div><div class="section" title="11.3.14.3. Email" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Email"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Email">11.3.14.3. Email</h4></div></div></div><div class="para">
+ If you feel comfortable sending an email to a mailing list, you can use the <em class="citetitle">sc-users Mailing List</em>, available at <a href="http://www.beast.bham.ac.uk/research/sc_mailing_lists.shtml">http://www.beast.bham.ac.uk/research/sc_mailing_lists.shtml</a>. If you decide to subscribe to this list, be aware that it receives a large amount of mail every day.
+ </div></div><div class="section" title="11.3.14.4. The SuperCollider Website" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-SuperCollider_Website"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-SuperCollider_Website">11.3.14.4. The <span class="application"><strong>SuperCollider</strong></span> Website</h4></div></div></div><div class="para">
+ The <em class="citetitle"><span class="application"><strong>SuperCollider</strong></span> Website</em> at SourceForge (<a href="http://supercollider.sourceforge.net/">http://supercollider.sourceforge.net/</a>) offers links to many resources.
+ </div></div></div><div class="section" title="11.3.15. Legal Attribution" id="sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution">11.3.15. Legal Attribution</h3></div></div></div><div class="para">
+ This portion of the Fedora Musicians' Guide, called "Basic Programming with <span class="application"><strong>SuperCollider</strong></span>," is a derivative work of the, <em class="citetitle">Getting Started With <span class="application"><strong>SuperCollider</strong></span></em> tutorial. The original work was created by Scott Wilson, James Harkins, and the <span class="application"><strong>SuperCollider</strong></span> development team. It is available on the internet from <a href="http://supercollider.svn.sourceforge.net/viewvc/supercollider/trunk/common/build/Help/Tutorials/Getting-Started/Getting%20Started%20With%20SC.html">http://supercollider.svn.sourceforge.net/viewvc/supercollider/trunk/common/build/Help/Tutorials/Getting-Started/Getting%20Started%20With%20SC.html</a>.
+ </div><div class="para">
+ The original document, like all <span class="application"><strong>SuperCollider</strong></span> documentation, is licenced under the Creative Commons' <em class="citetitle">Attribution Share-Alike 3.0 Unported Licence</em>, accessible on the internet at <a href="http://creativecommons.org/licenses/by-sa/3.0/">http://creativecommons.org/licenses/by-sa/3.0/</a>.
+ </div><div class="para">
+ This usage should in no way be construed as an endorsement of the Fedora Project, the Musicians' Guide, or any other party by the <span class="application"><strong>SuperCollider</strong></span> development team.
+ </div></div></div><div xml:lang="ja-JP" class="section" title="11.4. Composing with SuperCollider" id="sect-Musicians_Guide-SuperCollider-Composing" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-SuperCollider-Composing">11.4. Composing with SuperCollider</h2></div></div></div><div class="para">
+ This section is an explanation of the creative thought-process that went into creating the SuperCollider composition that we've called "Method One," for which the source and exported audio files are available below.
+ </div><div class="para">
+ It is our hope that, in illustrating how we developed this composition from a single SinOsc command, you will learn about SuperCollider and its abilities, about how to be creative with SuperCollider, and how a simple idea can turn into something of greater and greater complexity.
+ </div><div class="para">
+ As musicians, our goal is to learn enough SuperCollider to make music; we don't want to have to memorize which parameters do what for which functions, and in which order to call them. We want to know what they do for us musically. Explicitly calling parameters, and making comments about what does what, so that we can return later and change musical things, are going to help our musical productivity, at the expense of slowing down our typing.
+ </div><div class="section" title="11.4.1. Files for the Tutorial" id="sect-Musicians_Guide-SC-Composing-Tutorial_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Tutorial_Files">11.4.1. Files for the Tutorial</h3></div></div></div><div class="para">
+ The following files represent complete versions of the program. You should try to complete the program yourself before reviewing these versions:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle">Method One</em> is available at <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/SuperCollider/Method_One.sc">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/SuperCollider/Method_One.sc</a>
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">Method One (Optimized)</em> is available at <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/SuperCollider/Method_One-optimized.sc">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/SuperCollider/Method_One-optimized.sc</a>
+ </div></li><li class="listitem"><div class="para">
+ A FLAC-format recording of <em class="citetitle">Method One</em> is available at <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/SuperCollider/Method_One.flac">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/SuperCollider/Method_One.flac</a>
+ </div></li></ul></div>
+
+ </div><div class="para">
+ <code class="filename">Method_One.sc</code> is an extensively-commented version of the source code. The comments not only describe the way the code works, but pose some problems and questions that you may wish to work on, to increase your knowledge of SuperCollider. The problem with the verbosity of the comments is that it can be difficult to read the code itself, as it would be written in a real program.
+ </div><div class="para">
+ <code class="filename">Method_One-optimized.sc</code> is a less-commented version of the source code. I've also re-written part of the code, to make it more flexible for use in other programs. The differences between this, and code that I would have written for myself only, are trivial.
+ </div><div class="para">
+ <code class="filename">Method_One.flac</code> is a recording that I produced of the program, which I produced in <span class="application"><strong>Ardour</strong></span>.
+ </div></div><div class="section" title="11.4.2. Inspiration" id="sect-Musicians_Guide-SC-Composing-Inspiration"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Inspiration">11.4.2. Inspiration</h3></div></div></div><div class="para">
+ The intention of this program is to represent one way to write a SuperCollider program. I decided to take one class, SinOsc, and use it for "everything." Here, "everything" means any function that returns a sound, or any function that directly controls a SinOsc.
+ </div><div class="para">
+ In order to fill up time, I decided to employ a three-part "rounded binary" form: ABA' or "something, something new, then the first thing again." This is kind of like a sine oscillation, too!
+ </div></div><div class="section" title="11.4.3. Designing the First Part" id="sect-Musicians_Guide-SC-Composing-Designing_the_First_Part"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Designing_the_First_Part">11.4.3. Designing the First Part</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ I started with something simple: a single SinOsc: <code class="code">{ SinOsc.ar(); }.play;</code>
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ This is not exciting: it just stays the same forever, and it only uses one channel! So, I added another SinOsc to the right channel, using the [ , ] array notation. The result is <code class="code">{ [ SinOsc.ar(), SinOsc.ar() ] }.play;</code>
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Now it sounds balanced, at least, like it's coming from the middle. But it's still boring, so I added a frequency-changing SinOsc to the right channel, resulting in <code class="code">{ [ SinOsc.ar(), SinOsc.ar(SinOsc.kr(1,50,300)) ] }.play;</code>
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Since that's difficult to read, and since I know that I'm just going to keep adding things, I expand the code a little bit to make it more legible. This gives me
+<pre class="programlisting">
+{
+ var left = SinOsc.ar();
+ var right = SinOsc.ar( SinOsc.kr( 1, 50, 300 ) );
+
+ [ left, right ]
+
+}.play;
+</pre>
+ I define a variable holding everything I want in the left channel, then the same for the right. I still use the [ , ] array notation to create a stereo array. Remember that SuperCollider functions return the last value stated, so it might look like the stereo array is ignored, but because this array is what is returned by the function contained between { and }, it is this array that gets played by the following ".play;"
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ I also added a frequency controller to the left SinOsc, and realized that it's getting a bit difficult to read again, especially if I wanted to add another parameter to the SinOsc.ar objects. So I placed the SinOsc.kr's into their own variables: frequencyL and frequencyR. This results in
+<pre class="programlisting">
+{
+ var frequencyL = SinOsc.kr( freq:10, mul:200, add:400 );
+ var frequencyR = SinOsc.kr( freq:1, mul:50, add:150 );
+
+ var left = SinOsc.ar( frequencyL );
+ var right = SinOsc.ar( frequencyR );
+
+ [ left, right ]
+
+}.play;
+</pre>
+
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ Now I can experiment with the frequency-changing SinOsc's, to make sure that I get things just right. When I realize what the parameters do, I make a note for myself (see "FSC-method-1-.sc"), so that it will be easy to adjust it later. I also explicitly call the parameters. This isn't necessary, but it also helps to avoid future confusion. Most programmers would not explicitly call the parameters, but we're musicians, not programmers.
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ The left channel has something like a "melody," so I decided to add a drone-like SinOsc to it. This is easy, of course, because any SinOsc left alone is automatically a drone! But, where should it be added? Into the "left" variable, of course. We'll create an array using [ , ] array notation. There are two things that I would do at this point to help with future readability:
+ </div><ol class="a"><li class="step" title="ステップ 7.a"><div class="para">
+ Align all of the left-channel SinOsc's vertically (using tabs and spaces), so that each line is one sound-generating UGen.
+ </div></li><li class="step" title="ステップ 7.b"><div class="para">
+ At the end of each line, write a small comment describing what the UGen on that line doesn.
+ </div></li></ol></li><li class="step" title="ステップ 8"><div class="para">
+ Now the volume is a problem. For most sound-producing UGen's, the "mul" argument controls the volume. For most of those, the default is "1.0," and anything greater will create distorted output. The physics and computer science factors that wind up creating distortion are rather complicated, and it isn't necessary to understand them. What we need to know is that, if the output of a UGen (or some UGen's) sounds distorted, then we should probably adjust the "mul" argument. Sometimes, of course, you may prefer that distorted output.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ It seems that, when you're using multiple SinOsc's in one output channel, the "mul" of all of them must not add to more than 1.0
+ </div></li><li class="listitem"><div class="para">
+ We're using two output channels (left and right). We'll leave the right channel alone for now, because it has only one output UGen.
+ </div></li><li class="listitem"><div class="para">
+ So, I'll change add a "mul" argument to each of the left-channel UGen's, to 0.5
+ </div></li></ul></div>
+
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ Now we can't hear the left channel, because the right channel is too loud! Playing with volumes (sometimes called "adjusting levels" for computers) is a constant aesthetic concern for all musicians. Add a "mul" argument to the right channel, and set it to what seems an appropriate volume for the moment. It will probably change later, but that's okay.
+ </div></li><li class="step" title="ステップ 10"><div class="para">
+ But let's add another dimension to this: there's no reason to keep the volume static, because we can use a SinOsc to change it periodically! I added a SinOsc variable called "volumeL," which I used as the argument to "mul" for the "frequencyL" SinOsc in the left channel.
+ </div></li><li class="step" title="ステップ 11"><div class="para">
+ And now the sheer boredom of the drone in the left channel becomes obvious. I decide to make it more interesting by adding a series of overtones (an overtone is...). I decide to add six, then experiment with which frequencies to add. But, every time I adjust one frequency, I have to re-calculate and change all the others. So I decide to add a variable for the drone's frequency: "frequencyL_drone". This way, after finding the right intervals, I can easily adjust all of them just by changing the variable. I've decided on drone*1, 2, 5, 13, and 28. These are more or less arbitrary, and I arrived on them through experimentation. Of course, the drone will be <span class="emphasis"><em>way</em></span> too loud.
+ </div></li><li class="step" title="ステップ 12"><div class="para">
+ Writing
+<pre class="programlisting">SinOsc.ar( [frequencyL_drone,2*frequencyL_drone,5*frequencyL_drone,13*frequencyL_drone,28*frequencyL_drone], mul:0.1 )</pre>
+ in your program is not easy to read, and actually it doesn't work out volume-balance-wise (for me, at least): the high frequencies are too loud, and the lower ones are not loud enough. In retrospect, I should have created a variable for the "mul" of these drones, so I could adjust them easily in proportion. But, I didn't.
+ </div></li><li class="step" title="ステップ 13"><div class="para">
+ A constant drone isn't as much fun as one that slowly changes over time. So, I changed the "frequencyL_drone" value to a SinOsc.kr UGen. Because it's supposed to be a "drone," it should change only very gradually, so I used a very small freqeuncy argument. It still moves quite quickly, but people won't want to listen to this too long, anyway!
+ </div></li><li class="step" title="ステップ 14"><div class="para">
+ I did something similar with the right channel, addding a slowly-changing drone and overtones above it.
+ </div></li><li class="step" title="ステップ 15"><div class="para">
+ After some final volume adjustments, I feel that I have completed the first part. There is no way to know for sure that you've finished until it happens. Even then, you may want to change your program later.
+ </div></li></ol></div></div><div class="section" title="11.4.4. Designing the Second Part" id="sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part">11.4.4. Designing the Second Part</h3></div></div></div><div class="para">
+ The next thing that I did was to design the second part. This will not join them together yet, and I'm going to focus on something completely different, so I decided to do this in a separate file.
+ </div><div class="para">
+ My inspiration for this part came from experimenting with the drones of the first part. There are a virtually unlimited number of combinations of sets of overtones that could be created, and the combinations of discrete frequencies into complex sounds is something that has fascinated me for a long time. Moreover, when thousands of discrete frequencies combine in such a way as to create what we think of as "a violin playing one note," it seems like a magical moment.
+ </div><div class="para">
+ I'm going to build up a set of pseudo-random tones, adding them one at a time, in set increments. As you will see, this introduces a number of problems, primarily because of the scheduling involved with the one-by-one introduction of tones, and keeping track of those tones.
+ </div><div class="para">
+ The fact that there are ten tones also poses a problem, because it might require a lot of typing. We'll see solutions to that, which use SuperCollider's programming features to greatly increase the efficiency.
+ </div><div class="para">
+ Although we've already solved the musical problems (that is, we know what we want this part to sound like), the computer science (programming) problems will have to be solved the old-fashioned way: start with something simple, and build it into a complex solution.
+ </div><div class="para">
+ First I will develop the version used in FSC-method-1.sc, then the version used in FSC-method-1-short.sc
+ </div></div><div class="section" title="11.4.5. Creating Ten Pseudo-Random Tones" id="sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones">11.4.5. Creating Ten Pseudo-Random Tones</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ We'll start again with something simple, that we know how to do.
+<pre class="programlisting">
+{
+ SinOsc.ar();
+}.play;
+</pre>
+
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ We already know that we want this to produce stereo output, and we already know that we're going to be using enough SinOsc's that we'll need to reduce "mul." Keeping in mind that there will be ten pitches, and two SinOsc's for each of them, set both of those things now, keeping just one pitch for now.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ The first challenge is to implement pseudo-randomness. We'll use the number.rand function to generate a pseudo-random number (integer, actually), but if run as <code class="code">50.rand</code>, we will get a result between 0 and 50. As a frequency, this is not useful: most audio equipment cannot produce pitches below 20 Hz, and many people have problems hearing very low frequencies. This means that we'll need to add a value to .rand's output (like <code class="code">100 + 50.rand</code>, which will yield an integer between 100 and 150). I decided to go with a value between 200 Hz and 800 Hz instead, largely because I felt like it. Try setting the freq with the .rand call.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ I hope you didn't end up with two different frequencies! If you did, you'll need to use a variable to temporarily store the pseduo-random frequency, so that both sides can use it.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ Now we need to make ten of these, so copy-and-paste until there are ten different stereo pitches at once.
+<pre class="programlisting">
+{
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+}.play;
+</pre>
+
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ It doesn't work: you'll also have to rename your frequency-setting variable each time.
+<pre class="programlisting">
+{
+ var frequency1 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency1, mul:0.01 ), SinOsc.ar( freq:frequency1, mul:0.01 ) ]
+ var frequency2 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency2, mul:0.01 ), SinOsc.ar( freq:frequency2, mul:0.01 ) ]
+ var frequency3 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency3, mul:0.01 ), SinOsc.ar( freq:frequency3, mul:0.01 ) ]
+ var frequency4 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency4, mul:0.01 ), SinOsc.ar( freq:frequency4, mul:0.01 ) ]
+ var frequency5 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency5, mul:0.01 ), SinOsc.ar( freq:frequency5, mul:0.01 ) ]
+ var frequency6 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency6, mul:0.01 ), SinOsc.ar( freq:frequency6, mul:0.01 ) ]
+ var frequency7 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency7, mul:0.01 ), SinOsc.ar( freq:frequency7, mul:0.01 ) ]
+ var frequency8 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency8, mul:0.01 ), SinOsc.ar( freq:frequency8, mul:0.01 ) ]
+ var frequency9 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency9, mul:0.01 ), SinOsc.ar( freq:frequency9, mul:0.01 ) ]
+ var frequency0 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency0, mul:0.01 ), SinOsc.ar( freq:frequency0, mul:0.01 ) ]
+}.play;
+</pre>
+
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ It still doesn't work! The error given in the "SuperCollider output" window is not easy to understand, but it means "You have to put all of your variable declarations before everything else."
+<pre class="programlisting">
+{
+ var frequency1 = 200 + 600.rand;
+ var frequency2 = 200 + 600.rand;
+ var frequency3 = 200 + 600.rand;
+ var frequency4 = 200 + 600.rand;
+ var frequency5 = 200 + 600.rand;
+ var frequency6 = 200 + 600.rand;
+ var frequency7 = 200 + 600.rand;
+ var frequency8 = 200 + 600.rand;
+ var frequency9 = 200 + 600.rand;
+ var frequency0 = 200 + 600.rand;
+
+ [ SinOsc.ar( freq:frequency1, mul:0.01 ), SinOsc.ar( freq:frequency1, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency2, mul:0.01 ), SinOsc.ar( freq:frequency2, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency3, mul:0.01 ), SinOsc.ar( freq:frequency3, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency4, mul:0.01 ), SinOsc.ar( freq:frequency4, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency5, mul:0.01 ), SinOsc.ar( freq:frequency5, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency6, mul:0.01 ), SinOsc.ar( freq:frequency6, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency7, mul:0.01 ), SinOsc.ar( freq:frequency7, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency8, mul:0.01 ), SinOsc.ar( freq:frequency8, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency9, mul:0.01 ), SinOsc.ar( freq:frequency9, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency0, mul:0.01 ), SinOsc.ar( freq:frequency0, mul:0.01 ) ]
+}.play;
+</pre>
+
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ It still doesn't work! SuperCollider is confused because I was been lazy and didn't include enough semicolons. The error we get is, "Index not an Integer," which is a clue as to what SuperCollider is trying to do (but it's irrelevant). The real problem is that SuperCollider interprets our ten stereo arrays as all being part of the same statement. We don't want them to be the same statement, however, because we want ten <span class="emphasis"><em>different</em></span> stereo arrays to be played. Fix this problem by putting a semicolon at the end of each stereo array. You do not <span class="emphasis"><em>need</em></span> to include one at the end of the last statement, because SuperCollider assumes the end of the statement when it encounters a } (end-of-function marker) after it. Since we're still building our code, we might move these around or add something aftwards, so it's better to include a semicolon at the end of each stereo array.
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ Now the file plays successfully, but with a disappointing result. If you can't already see the problem, try to think of it before continuing to read.
+ </div></li><li class="step" title="ステップ 10"><div class="para">
+ Only one SinOsc array gets played, and it's the last one. This is because the last statement is returned by the function that ends at } and it is that result which gets sent to the following .play
+ </div></li><li class="step" title="ステップ 11"><div class="para">
+ To fix this, and ensure that all of the stereo arrays are played, you should remove the .play from the end of the function, and add a .play to each stereo array statement. You end up with
+<pre class="programlisting">
+{
+ var frequency1 = 200 + 600.rand;
+ var frequency2 = 200 + 600.rand;
+ var frequency3 = 200 + 600.rand;
+ var frequency4 = 200 + 600.rand;
+ var frequency5 = 200 + 600.rand;
+ var frequency6 = 200 + 600.rand;
+ var frequency7 = 200 + 600.rand;
+ var frequency8 = 200 + 600.rand;
+ var frequency9 = 200 + 600.rand;
+ var frequency0 = 200 + 600.rand;
+
+ [ SinOsc.ar( freq:frequency1, mul:0.01 ), SinOsc.ar( freq:frequency1, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency2, mul:0.01 ), SinOsc.ar( freq:frequency2, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency3, mul:0.01 ), SinOsc.ar( freq:frequency3, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency4, mul:0.01 ), SinOsc.ar( freq:frequency4, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency5, mul:0.01 ), SinOsc.ar( freq:frequency5, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency6, mul:0.01 ), SinOsc.ar( freq:frequency6, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency7, mul:0.01 ), SinOsc.ar( freq:frequency7, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency8, mul:0.01 ), SinOsc.ar( freq:frequency8, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency9, mul:0.01 ), SinOsc.ar( freq:frequency9, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency0, mul:0.01 ), SinOsc.ar( freq:frequency0, mul:0.01 ) ].play;
+}
+</pre>
+
+ </div></li><li class="step" title="ステップ 12"><div class="para">
+ When you execute this, no sound is produced, but SuperCollider outputs "a Function." Can you think of why this happens? It's because you wrote a function, but never told SuperCollider to evaluate it! At the end of execution, SuperCollider just throws away the function, because it's never used. This is the same thing that happened to the first nine stereo arrays - they were created, but you never said to do anything with them, so they were just thrown out. We need to execute the function. Because it doesn't produce a UGen, we can't use "play," so we have to use "value" instead. You can choose to do either of these:
+<pre class="programlisting">{ ... }.value;</pre>
+ or
+<pre class="programlisting">
+var myFunction = { ... };
+myFunction.value;
+</pre>
+
+ </div></li><li class="step" title="ステップ 13"><div class="para">
+ This gives us yet another error, as if we can't play the stereo arrays! In fact, we can't - and we didn't do it in the first part, either. We play'ed the result of returning a stereo array from a function. The subtle difference isn't important yet - we're just trying to make this work! Use { and } to build a function for .play to .play
+ </div></li><li class="step" title="ステップ 14"><div class="para">
+ Now make the correction nine more times.
+ </div></li><li class="step" title="ステップ 15"><div class="para">
+ When you play execute the resulting code, you probably get something that sounds quite "space-age." Execute it a few times, to see the kind of results you get.
+ </div></li></ol></div></div><div class="section" title="11.4.6. Scheduling the Tones" id="sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones">11.4.6. Scheduling the Tones</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ The next step is to get these started consecutively, with 5-second pauses after each addition. For this we will use a TempoClock, and since this is the only thing that we're doing, we'll just use the default one called TempoClock.default. I don't feel like typing that, however, so we're going to define an alias variable: <code class="code">var t_c = TempoClock.default;</code> You could put that in the main function, but I suggest putting it before the main function. This way, if we want to write another function later, then it can also access <code class="literal">t_c</code>.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ The default TempoClock has a default tempo of one beat per second (1 Hz). This will be good enough for us. If you wanted to change the tempo, remember that you can enter a metronome setting (which is "beats per minute") by dividing the metronome setting by 60. So a metronome's 120 beats per minute would be given to a new TempoClock as <code class="code">TempoClock.new( 120/60 )</code>. Even though you could do that ahead of time and just write "2," inputting it as "120/60" makes it clearer what tempo you intend to set.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ You can schedule something on a TempoClock by using <code class="code">t_c.sched( <em class="replaceable"><code>x</code></em>, <em class="replaceable"><code>f</code></em> );</code>, where <code class="literal">f</code> is a function to execute, and <code class="literal">x</code> is when it should be done, measured as the number of beats from now. So we can schedule our SinOsc like this:
+<pre class="programlisting">t_c.sched( 1, {{[ SinOsc.ar( freq:frequency1, mul:0.01 ), SinOsc.ar( freq:frequency1, mul:0.01 ) ]}.play;} );</pre>
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Schedule the rest, in intervals of five beats (which is five seconds). They will all be scheduled virtually instantaneously (that is, the computer will notice the slight delay between when each one is scheduled, but humans will not). I started at one beat from now, to insert a slight pause before the sound begins.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ If you've done this correctly, then we should get a build-up of ten pitches. But they never stop! This is going to take some more ingenuity to solve, because we can't just make a stereo array, play it, then throw it away. We need to hold onto the stereo array, so that we can stop it. The first step here is to store the stereo arrays in variables, and subsequently schedule them. You will end up with something like this:
+<pre class="programlisting">
+var sinosc1 = { [ SinOsc.ar( freq:frequency1, mul:0.01 ), SinOsc.ar( freq:frequency1, mul:0.01 ) ] };
+// the other nine...
+
+ t_c.sched( 1, { sinosc1.play; } );
+// the other nine...
+</pre>
+
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ It should still work, but we after all that cutting-and-pasting, we still haven't managed to turn off the SinOsc's. We need to "free" the object that was returned when we used the "play" function. We need to declare yet more variables: <code class="code">var so1, so2, so3, so4, so5, so6, so7, so8, so9, so0;</code> should appear anywhere before the scheduler.
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ Now adjust all the scheduling commands so they look like this: <code class="code">t_c.sched( 1, { so1 = sinosc1.play; } );</code>
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ Now you can add ten of these, after the existing scheduling commands: <code class="code">t_c.sched( 51, { so1.free; } );</code>. Be sure to schedule each one for 51 beats, so that they all turn off simultaneously, 5 beats after the last pitch is added.
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ It should work successfully. If it doesn't, then compare what you have to this, which does work:
+<pre class="programlisting">
+var t_c = TempoClock.default;
+
+{
+ var frequency1 = 200 + 600.rand;
+ var frequency2 = 200 + 600.rand;
+ var frequency3 = 200 + 600.rand;
+ var frequency4 = 200 + 600.rand;
+ var frequency5 = 200 + 600.rand;
+ var frequency6 = 200 + 600.rand;
+ var frequency7 = 200 + 600.rand;
+ var frequency8 = 200 + 600.rand;
+ var frequency9 = 200 + 600.rand;
+ var frequency0 = 200 + 600.rand;
+
+ var sinosc1 = { [ SinOsc.ar( freq:frequency1, mul:0.01 ), SinOsc.ar( freq:frequency1, mul:0.01 ) ] };
+ var sinosc2 = { [ SinOsc.ar( freq:frequency2, mul:0.01 ), SinOsc.ar( freq:frequency2, mul:0.01 ) ] };
+ var sinosc3 = { [ SinOsc.ar( freq:frequency3, mul:0.01 ), SinOsc.ar( freq:frequency3, mul:0.01 ) ] };
+ var sinosc4 = { [ SinOsc.ar( freq:frequency4, mul:0.01 ), SinOsc.ar( freq:frequency4, mul:0.01 ) ] };
+ var sinosc5 = { [ SinOsc.ar( freq:frequency5, mul:0.01 ), SinOsc.ar( freq:frequency5, mul:0.01 ) ] };
+ var sinosc6 = { [ SinOsc.ar( freq:frequency6, mul:0.01 ), SinOsc.ar( freq:frequency6, mul:0.01 ) ] };
+ var sinosc7 = { [ SinOsc.ar( freq:frequency7, mul:0.01 ), SinOsc.ar( freq:frequency7, mul:0.01 ) ] };
+ var sinosc8 = { [ SinOsc.ar( freq:frequency8, mul:0.01 ), SinOsc.ar( freq:frequency8, mul:0.01 ) ] };
+ var sinosc9 = { [ SinOsc.ar( freq:frequency9, mul:0.01 ), SinOsc.ar( freq:frequency9, mul:0.01 ) ] };
+ var sinosc0 = { [ SinOsc.ar( freq:frequency0, mul:0.01 ), SinOsc.ar( freq:frequency0, mul:0.01 ) ] };
+
+ var so1, so2, so3, so4, so5, so6, so7, so8, so9, so0;
+
+ t_c.sched( 1, { so1 = sinosc1.play; } );
+ t_c.sched( 6, { so2 = sinosc2.play; } );
+ t_c.sched( 11, { so3 = sinosc3.play; } );
+ t_c.sched( 16, { so4 = sinosc4.play; } );
+ t_c.sched( 21, { so5 = sinosc5.play; } );
+ t_c.sched( 26, { so6 = sinosc6.play; } );
+ t_c.sched( 31, { so7 = sinosc7.play; } );
+ t_c.sched( 36, { so8 = sinosc8.play; } );
+ t_c.sched( 41, { so9 = sinosc9.play; } );
+ t_c.sched( 46, { so0 = sinosc0.play; } );
+
+ t_c.sched( 51, { so1.free; } );
+ t_c.sched( 51, { so2.free; } );
+ t_c.sched( 51, { so3.free; } );
+ t_c.sched( 51, { so4.free; } );
+ t_c.sched( 51, { so5.free; } );
+ t_c.sched( 51, { so6.free; } );
+ t_c.sched( 51, { so7.free; } );
+ t_c.sched( 51, { so8.free; } );
+ t_c.sched( 51, { so9.free; } );
+ t_c.sched( 51, { so0.free; } );
+
+}.value;
+</pre>
+
+ </div></li></ol></div></div><div class="section" title="11.4.7. Optimizing the Code" id="sect-Musicians_Guide-SC-Composing-Optimizing_the_Code"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Optimizing_the_Code">11.4.7. Optimizing the Code</h3></div></div></div><div class="para">
+ Hopefully, while working through the previous sections, you got an idea of how tedious, boring, difficult-to-read, and error-prone this sort of copy-and-paste programming can be. It's ridiculous, and it's poor programming:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ We're using a lot of variables and variable names. They're all just used once or twice, too.
+ </div></li><li class="listitem"><div class="para">
+ When you copy-and-paste code, but change it a little, you might make a mistake in that little change.
+ </div></li><li class="listitem"><div class="para">
+ When you copy-and-paste code, when you make a mistake, you have to copy-and-paste to fix it everywhere.
+ </div></li><li class="listitem"><div class="para">
+ Repetition is the enemy of high-quality code. It is much better to write something once and re-use that same code.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Thankfully, SuperCollider provides three things that will greatly help to solve these problems - at least for our current situation:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Arrays can be used to hold multiple instances of the same thing, all referred to with essentially the same name. We're already doing something similar, (sinosc1, sinosc2, etc.) but arrays are more flexible.
+ </div></li><li class="listitem"><div class="para">
+ Functions can be written once, and executed as many times as desired.
+ </div></li><li class="listitem"><div class="para">
+ Loops also provide a means to write code once, and execute it many times. As you will see, they are useful in situations different from functions.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ It should be noted that, while it is good practise to program like this, it is also optional. You will probably find, though, that writing your programs well in the first place ends up saving huge headaches in the future.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ The first thing we'll do is write a function to deal with generating the stereo arrays of SinOsc's.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Take the code required to generate one stereo array of SinOsc's with a pseudo-random frequency. Put it in a function, and declare a variable for it (I used the name "func").
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Now remove the frequency1 (etc.) variables, and change the sinosc1 (etc.) variables to use the new function. Make sure that the code still works in the same way. It's much easier to troubleshoot problems when you make only one change at a time!
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ At this point, we've eliminated ten lines of code, and made ten more lines easier to read by eliminating the subtle copy-and-paste changes. If you can't manage to work it out, refer to the FSC_method_1.sc file for tips.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ We can eliminate ten more lines of code by using a loop with an array. Let's change only one thing at a time, to make it easier to find a problem, if it should arise. Start by commenting out the lines which declare and initialize sinosc1, sinosc2, and so on.
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ Then declare a ten-element array in the same place: <code class="code">var sinosc = Array.new( 10 );</code>
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ The next part is to write code to get ten func.value's into the array. To add something to an array in SuperCollider, we use the "add" method: <code class="code">sinosc.add( thing_to_add );</code> There is a small wrinkle to this, described in the SuperCollider documentation. It's not important to understand (for musical reasons, that is - it is explained on this help page), but when you add an element to an array, you <span class="emphasis"><em>should</em></span> re-assign the array to the variable-name: <code class="code">sinosc = sinosc.add( thing_to_add )</code> Basically it works out like this: if you don't re-assign, then there is a chance that the array name only includes the elements that were in the array before the "add" command was run.
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ With this, we are able to eliminate a further level of redundancy in the code. Ten exact copies of <code class="code">sinosc = sinosc.add( { func.value; } );</code> Now, ten lines that look almost identical actually are identical. Furthermore, we don't have to worry about assigning unique names, or even about index numbers, as in other programming languages. SuperCollider does this for us!
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ This still won't work, because we need to adjust the rest of the function to work with this array. The scheduling commands be changed to look something like this: <code class="code">t_c.sched( 1, { so1 = sinosc[0].play; } );</code> Since arrays are indexed from 0 to 9, those are the index numbers of the first ten objects in the array.
+ </div></li><li class="step" title="ステップ 10"><div class="para">
+ Remember that you need to put all of your variable declarations <span class="emphasis"><em>before</em></span> anything else.
+ </div></li><li class="step" title="ステップ 11"><div class="para">
+ It <span class="emphasis"><em>should</em></span> still work. Let's use a loop to get rid of the ten identical lines.
+ </div></li><li class="step" title="ステップ 12"><div class="para">
+ In SuperCollider, <code class="code"><em class="replaceable"><code>x</code></em>.do( <em class="replaceable"><code>f</code></em> );</code> will send the <code class="literal">value</code> message to the function <code class="literal">f</code> <code class="literal">x</code> times. So, to do this ten times, we should write <code class="code">10.do( { sinosc = sinosc.add( { func.value; } ); } );</code> and get rid of the other ones. This is very powerful for simple things that must be done multiple times, because you are definitely not going to make a copy-and-paste error, because it's easy to see what is being executed, and because it's easy to see how many times it is being executed.
+ </div></li><li class="step" title="ステップ 13"><div class="para">
+ Now let's reduce the repetitiveness of the scheduling. First, replace so1, so2, etc. with a ten-element array. Test it to ensure that the code still works.
+ </div></li><li class="step" title="ステップ 14"><div class="para">
+ Getting the next two loops working is a little bit more complicated. We know how to run the exact same code in a loop, but we don't know how to change it subtly (by supplying different index numbers for the array, for example). Thankfully, SuperCollider provides a way to keep track of how many times the function in a loop has already been run. The first argument given to a function in a loop is the number of times that the function has <span class="emphasis"><em>already</em></span> been executed. The first time it is run, the function receives a 0; if we're using a <code class="code">10.do( <em class="replaceable"><code>something</code></em> );</code> loop, then the last time the function is run, it receives a 9 because the function has already been executed 9 times. Since our ten-element array is indexed from 0 to 9, this works perfectly for us.
+ </div></li><li class="step" title="ステップ 15"><div class="para">
+ The code to free is shorter: <code class="code">10.do( { arg index; t_c.sched( 51, { so[index].free; } ); } );</code> This can look confusing, especially written in one line, like it is. If it helps, you might want to write it like this instead:
+<pre class="programlisting">
+10.do
+({ arg index;
+ t_c.sched( 51, { so[index].free; } );
+});
+</pre>
+ Now it looks more like a typical function.
+ </div></li><li class="step" title="ステップ 16"><div class="para">
+ The next step is to simplify the original scheduling calls in a similar way, but it's slightly more complicated because we have to schedule a different number of measures for each call. With a little math, this is also not a problem - it's just a simple linear equation: <code class="literal">number_of_measures = 5 * array_index + 1</code> Try to write this loop by yourself, before going to the next step.
+ </div></li><li class="step" title="ステップ 17"><div class="para">
+ If you missed it, my solution is
+<pre class="programlisting">10.do( { arg index; t_c.sched( ((5*index)+1), { so = so.add( sinosc[index].play; ); } ); } );</pre>
+ which includes some extra parentheses to ensure that the math is computed in the right order.
+ </div></li><li class="step" title="ステップ 18"><div class="para">
+ The code is already much shorter, easier to understand, and easier to expand or change. There is one further optimzation that we can easily make: get rid of the sinosc array. This simply involves replacing <code class="code">sinosc[index]</code> with what all of its elements are: <code class="code">{ func.value; }</code>
+ </div></li><li class="step" title="ステップ 19"><div class="para">
+ The resulting program is a little different from what ended up in FSC_method_1.sc, but produces the same output. What I have is this:
+<pre class="programlisting">
+var t_c = TempoClock.default;
+
+{
+ var so = Array.new( 10 );
+
+ var func =
+ {
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ];
+ };
+
+ 10.do( { arg index; t_c.sched( ((5*index)+1), { so = so.add( {func.value;}.play; ); } ); } );
+ 10.do( { arg index; t_c.sched( 51, { so[index].free; } ); } );
+
+}.value;
+</pre>
+
+ </div></li><li class="step" title="ステップ 20"><div class="para">
+ Finally, assign this Function to a variable (called "secondPart", perhaps), and remove the "value" Function-call. If we leave that in, the Function will execute before the rest of the program begins!
+ </div></li></ol></div></div><div class="section" title="11.4.8. Making a Useful Section out of the Second Part" id="sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part">11.4.8. Making a Useful Section out of the Second Part</h3></div></div></div><div class="para">
+ This section describes the reasons for the differences between the second part's Function that was just created, and the Function that appears in "FSC_method_1-short.sc". It all comes down to this: the current solution is tailor-made for this particular program, and would require significant adaptation to be used anywhere else; I want to re-design the Function so that it can be used anywhere to begin with, while still defaulting to the behaviour desired for this program.
+ </div><div class="para">
+ You can skip this section, and return later. The actions for the rest of the tutorial remain unchanged whether you do or do not make the modifications in this section.
+ </div><div class="para">
+ Here's what I have from the previous step:
+<pre class="programlisting">
+var t_c = TempoClock.default;
+
+var secondPart =
+{
+ var so = Array.new( 10 );
+
+ var func =
+ {
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ];
+ };
+
+ 10.do( { arg index; t_c.sched( ((5*index)+1), { so = so.add( {func.value;}.play; ); } ); } );
+ 10.do( { arg index; t_c.sched( 51, { so[index].free; } ); } );
+
+};
+</pre>
+ This Function is the perfect solution if you want ten pseudo-random pitches between 200 Hz and 800 Hz, and a five-second pause between each one. If you want nine or eleven pitches, if you want them to eb between 60 Hz and 80Hz, if you want a six-second pause between each - you would have to modify the Function. If you don't remember how it works, or if you give it to a friend, you're going to have to figure out how it works before you modify it. This is not an ideal solution.
+ </div><div class="para">
+ Let's solve these problems one at a time, starting with allowing a different number of SinOsc synths to be created. We know that we'll have to create an argument, and that it will have to be used wherever we need the number of SinOsc's. Also, to preserve functionality, we'll make a default assignment of 10. Try to accomplish this yourself, making sure to test your Function so that you know it works. Here's what I did:
+<pre class="programlisting">
+var t_c = TempoClock.default;
+
+var secondPart =
+{
+ arg number_of_SinOscs = 10;
+
+ var so = Array.new( number_of_SinOscs );
+
+ var func =
+ {
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ];
+ };
+
+ number_of_SinOscs.do( { arg index; t_c.sched( ((5*index)+1), { so = so.add( {func.value;}.play; ); } ); } );
+ number_of_SinOscs.do( { arg index; t_c.sched( 51, { so[index].free; } ); } );
+
+};
+</pre>
+ The "do" loop doesn't need a constant number; it's fine with a variable. What happens when you pass a bad argument, like a string? This would be an easy way to sabotage your program, and in almost any other programming context it would concern us, but this is just audio programming. If somebody is going to try to create "cheese" SinOsc's, it's their own fault for mis-using the Function.
+ </div><div class="para">
+ Now let's modify the Function so that we can adjust the range of frequencies that the Function will generate. We know that we'll need two more arguments, and that they'll have to be used in the equation to calculate the frequency. But we'll also need to do a bit of arithmetic, because of the way the "rand" Function works (actually we don't - see the "rand" Function's help file). Also, to preserve functionality, we'll make default assignments of 200 and 800. Try to accomplish this yourself, making sure that you test the Function so you know it works. Here's what I did:
+<pre class="programlisting">
+var t_c = TempoClock.default;
+
+var secondPart =
+{
+ arg number_of_SinOscs = 10,
+ pitch_low = 200,
+ pitch_high = 800;
+
+ var so = Array.new( number_of_SinOscs );
+
+ var func =
+ {
+ var freq = pitch_low + (pitch_high - pitch_low).rand;
+ [ SinOsc.ar( freq:freq, mul:0.01),
+ SinOsc.ar( freq:freq, mul:0.01) ];
+ };
+
+ number_of_SinOscs.do( { arg index; t_c.sched( ((5*index)+1), { so = so.add( {func.value;}.play; ); } ); } );
+ number_of_SinOscs.do( { arg index; t_c.sched( 51, { so[index].free; } ); } );
+
+};
+</pre>
+ Notice that I changed the name of the variables, and the indentation in the "func" sub-Function, to make it easier to read. This isn't a particularly difficult change.
+ </div><div class="para">
+ Now let's allow the user to set the length of time between each SinOsc appears. We will need one more argument, used in the scheduling command. Try to accomplish this yourself, and if you run into difficulty, the next paragraph contains some tips.
+ </div><div class="para">
+ The change to the "do" loop which schedules the SinOsc's to play is almost trivial. My new argument is called "pause_length", (meaning "the length of the pause, in seconds, between adding each SinOsc"), so I get this modification: number_of_SinOscs.do(
+<pre class="programlisting">
+{
+ arg time;
+ secondPart_clock.sched( (1+(time*5)), { sounds = sounds.add( func.play ); } );
+});
+</pre>
+ Again, I changed the indentation, and the names of the variables in this sub-Function. Recall that the "1+" portion is designed to add a one-second pause to the start of the Function's execution. The problem comes in the next "do" loop, where we have to know how the number of beats from now will be five seconds after the last SinOsc is added. We'll have to calculate it, so I added a variable to store the value after it's calculated. This also allows us to return it, as a convenience to the Function that called this one, so that it knows how long until this Function is finished. Try adding this yourself, then testing the Function to ensure that it works. I got this:
+<pre class="programlisting">
+var t_c = TempoClock.default;
+
+var secondPart =
+{
+ arg number_of_SinOscs = 10,
+ pitch_low = 200,
+ pitch_high = 800,
+ pause_length = 5;
+
+ var so = Array.new( number_of_SinOscs );
+
+ var when_to_stop = ( 1 + ( pause_length * number_of_SinOscs ) );
+
+ var func =
+ {
+ var freq = pitch_low + (pitch_high - pitch_low).rand;
+ [ SinOsc.ar( freq:freq, mul:0.01),
+ SinOsc.ar( freq:freq, mul:0.01) ];
+ };
+
+ number_of_SinOscs.do(
+ {
+ arg time;
+ t_c.sched( (1+(time*5)), { so = so.add( func.play ); } );
+ });
+
+ t_c.sched( when_to_stop,
+ {
+ number_of_SinOscs.do( { arg index; so[index].free; } );
+ nil;
+ });
+
+ when_to_stop;
+};
+</pre>
+ I decided to "invert" the "free-ing" of the SinOsc's. Rather than scheduling number_of_SinOscs Function-calls at some point in the future, I decided to schedule one thing: a "do" loop that does the work. The indentation looks strange, but sometimes there's not much you can do about that. The "when_to_stop" variable must be the last thing in the Function, so that the interpreter returns it to the Function's caller.
+ </div><div class="para">
+ In order to retain the "bare minimum" robustness to be used elsewhere, we can't rely on the "TempoClock.default" clock having the tempo we expect, and we certainly can't rely on it being declared as "t_c". The solution is quite easy: create a new TempoClock within the Function.
+<pre class="programlisting">var t_c = TempoClock.new; // default tempo is one beat per second</pre>
+ We could hypothetically use the "SystemClock", since we're measuring time strictly in seconds. But, using a TempoClock is preferred for two reasons:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ It has the word "tempo" in its name, and it's designed for scheduling musical events; the "SystemClock" is for system events.
+ </div></li><li class="listitem"><div class="para">
+ We can easily extend this in the future to use a "TempoClock" set to a different tempo.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ There are some further ways to improve this Function, making it more robust (meaning that it will work consistently in a greater range of circumstances). Here are things that could be done to improve the Function, with an explanation of why it would make the Function more robust:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Made the clock an argument, allowing this Function to schedule events on a clock belonging to some other Function. Since all clocks respond to the "sched" message, we could even accept the "SystemClock" or "AppClock". The default value would still be <code class="code">TempoClock.new</code>
+ </div></li><li class="listitem"><div class="para">
+ Use absolute scheduling rather than relative scheduling. Depending on how long the server and interpreter take to process the commands, it could lead to significant delays if the Function is asked to create a lot of SinOsc's.
+ </div></li><li class="listitem"><div class="para">
+ Create one SynthDef (with an argument) for all of the synths. Especially when asked to create a large numbe of SinOsc's, this will lead to faster processing and lower memory consumption. On the other hand, it increases the complexity of the code a little bit, requiring more testing.
+ </div></li><li class="listitem"><div class="para">
+ Each SinOsc is currently created with the same "mul" argument, regardless of how many SinOsc's are created. Set as it is, when asked to create 51 SinOsc's, the signal would become distorted. If you're puzzled about why 51, remember that for each SinOsc the Function is asked to create, it currently creates two: one for the left and one for the right audio channel.
+ </div></li><li class="listitem"><div class="para">
+ Allow the SynthDef to be passed in as an argument, with the requirement that such a SynthDef would need to accept the "freq" and "mul" arguments. This is going out on a limb a bit, and requires careful explanation in comments to ensure that the Function is used correctly. You will also need to test what happens if the Function is used incorrectly. Crashing the server application is a bad thing to do, especially without a warning.
+ </div></li><li class="listitem"><div class="para">
+ Use a Bus to cut the number of synths in half, so that one synth will be sent both to the left and right channels. Alternatively, you could add special stereo effects.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ As you can see, there are a lot of ways to improve this Function even further; there are almost certainly more ways than listed here. Before you distribute your Function, you would want to be sure to test it thoroughly, and add helpful comments so that the Function's users know how to make the Function do what they want. These are both large topics in themselves, so I won't give them any more attention here.
+ </div></div><div class="section" title="11.4.9. Joining the Two Parts" id="sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts">11.4.9. Joining the Two Parts</h3></div></div></div><div class="para">
+ Now it is time to join the two parts, and ensure a clean transition between them. My reasons for building the first part as a SynthDef, but the second part as a function are explained in the FSC_part_1.sc file. Additional reasons include my desire to illustrate the use of both possibilities, and because the second part stops itself (so it can be a function which is executed and forgotten), whereas the first part does not stop itself (so we'll need to hold onto the synth, to stop it ourselves).
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ I copy-and-pasted both parts into a new file, leaving the other original code in tact, in case I want to build on them in the future. Be sure to copy over the <code class="code">var t_c = TempoClock.default;</code> definition from the second part.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ By default, the two parts would both start playing at the same time (give it a try!) This isn't what we want, however, so you'll need to erase the "play" command from both parts' functions. We'll also need some way to refer to them, so declare the second part as a variable (I've used the name, "secondPart,"), but don't worry about the first part yet. Don't forget the semicolon at the end of the function declaration!
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ To join the two parts, I'm going to use function that does all the scheduling. This is similar to a "main" function, which are used in most programming languages. Although they are optional in SuperCollider, it just makes sense to use one function that does all the scheduling, and nothing else: that way, when you have problems with the scheduling, or you want to make an adjustment or addition to the program, you can easily find the place where the scheduling happens. If your scheduling commands were spread out through the source file, it would be much more difficult to find and modify the scheduling commands.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Our first job is to determine which variables we'll need to use: just one, which will be assigned the currently-running \FirstPart Synth. Also, if you didn't previously assign "TempoClock.default" to the variable "t_c", then it makes sense to do this now.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ The next thing our function must do is guarantee that we're going to have the right tempo. Use the "tempo_" Function with an argument in beats-per-second, to assign "TempoClock.default" a tempo of one beat per second.
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ The next and last thing will be to schedule our sounds. First, we need to determine which events will need to be scheduled, and then at what times.
+ </div><ol class="a"><li class="step" title="ステップ 6.a"><div class="para">
+ Since \FirstPart is a SynthDef, we'll need to start it and stop it ourselves. Since it happens two times in the intended program, we'll need to do it twice.
+ </div></li><li class="step" title="ステップ 6.b"><div class="para">
+ secondPart is a Function, and it stops itself when it's finished. We'll need to start it once and let it go.
+ </div></li><li class="step" title="ステップ 6.c"><div class="para">
+ Just in case something takes a while to process, we'll start the first \FirstPart on beat one, rather than beat zero. We'll let it play for 60 seconds the first time, and 30 seconds the second time.
+ </div></li><li class="step" title="ステップ 6.d"><div class="para">
+ In order to schedule the second appearance of \FirstPart, we need to know how long secondPart will take. Let's inspect the function and calculate how many beats it will take.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 1 beat of silence at the beginning,
+ </div></li><li class="listitem"><div class="para">
+ 5 beats between the entrance of each SinOsc,
+ </div></li><li class="listitem"><div class="para">
+ 10 SinOsc's,
+ </div></li><li class="listitem"><div class="para">
+ 5 beats after the last SinOsc until the function stops.
+ </div></li><li class="listitem"><div class="para">
+ This gives us <code class="code">1 + ( 5 * 9 ) + 5 = 51</code>. Why <code class="code">5 * 9</code>? Because although there are ten SinOsc's, there are only nine spaces between them; the last five-second space happens <span class="emphasis"><em>after</em></span> the last <code class="classname">SinOsc</code>.
+ </div></li></ul></div>
+
+ </div></li><li class="step" title="ステップ 6.e"><div class="para">
+ This gives us the following schedule:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 1 beat: start \FirstPart
+ </div></li><li class="listitem"><div class="para">
+ 61 beats: stop \FirstPart
+ </div></li><li class="listitem"><div class="para">
+ 61 beats: start secondPart
+ </div></li><li class="listitem"><div class="para">
+ 113 beats: start \FirstPart
+ </div></li><li class="listitem"><div class="para">
+ 143 beats: stop \FirstPart
+ </div></li></ul></div>
+
+ </div></li></ol></li><li class="step" title="ステップ 7"><div class="para">
+ Try to schedule the events for yourself, then test your program to make sure that it works as you intended. Here's what I wrote:
+<pre class="programlisting">
+t_c.sched( 1, { sound = Synth.new( \FirstPart ); } );
+t_c.sched( 61, { sound.free; } );
+t_c.sched( 61, { secondPart.value; nil; } );
+t_c.sched( 113, { sound = Synth.new( \FirstPart ); } );
+t_c.sched( 143, { sound.free; } );
+</pre>
+ Why is the "nil" required after "secondPart"? Because that function returns a number. As you know, any scheduled function which returns a number will re-schedule itself to run that many beats after the previous execution began. Since "secondPart" returns the number of seconds it takes to finish, it will always be re-started as soon as it finishes. Including "nil" disallows this repetition.
+ </div></li></ol></div></div></div><div xml:lang="ja-JP" class="section" title="11.5. Exporting Sound Files" id="sect-Musicians_Guide-SuperCollider-Exporting" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-SuperCollider-Exporting">11.5. Exporting Sound Files</h2></div></div></div><div class="para">
+ This section explains one way to record your SuperCollider programs, so that you can share them with friends who don't have SuperCollider on their computer.
+ </div><div class="section" title="11.5.1. Non-Real-Time Synthesis" id="sect-Musicians_Guide-SC-Non_Real_Time_Synthesis"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Non_Real_Time_Synthesis">11.5.1. Non-Real-Time Synthesis</h3></div></div></div><div class="para">
+ SuperCollider allows you to synthesze audio output to an audio file. Doing this requires using OSC commands on the server, the <code class="classname">DiskOut</code> UGen, the <code class="classname">Buffer</code> UGen, and other relatively advanced concepts. The built-in <em class="citetitle">DiskOut</em> help file, available from <a href="file:///usr/share/SuperCollider/Help/UGens/Playback%20and%20Recording/DiskOut.html">file:///usr/share/SuperCollider/Help/UGens/Playback%20and%20Recording/DiskOut.html</a> on Fedora Linux systems, contains some help with the <code class="classname">DiskOut</code> UGen, and links to other useful help files. This method is not further discussed here.
+ </div></div><div class="section" title="11.5.2. Recording SuperCollider's Output (Tutorial)" id="sect-Musicians_Guide-SC-Recording_SuperColliders_Output"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Recording_SuperColliders_Output">11.5.2. Recording SuperCollider's Output (Tutorial)</h3></div></div></div><div class="para">
+ Since <code class="systemitem">SuperCollider</code> outputs its audio signals to the JACK sound server, any other <code class="systemitem">JACK</code>-aware program has the opportunity to record, process, and use them. This portion of the tutorial will help you to record SuperCollider's output in Ardour. Due to the advanced nature of SuperCollider, the text assumes that you have a basic knowledge of how to work with Ardour. If not, you may find it helpful to refer to <a class="xref" href="#chap-Musicians_Guide-Ardour" title="第7ç« Ardour">7ç« <i>Ardour</i></a>.
+ </div><div class="para">
+ This procedure will help you to use <span class="application"><strong>Ardour</strong></span> to record the <span class="application"><strong>SuperCollider</strong></span> output.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Close unnecessary applications and stop unnecessary processes, which will help to reduce the risk of a buffer overrun or underrun, which cause an audible break in audio. If you are viewing this document in a web browser, you may want to copy-and-paste it into a simple text editor, or <span class="application"><strong>GEdit</strong></span>, if you are already using that.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Use <span class="application"><strong>QjackCtl</strong></span> to set up <code class="systemitem">JACK</code> with the right audio interface and configuration options.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ In order to get a clean start, restart the <span class="application"><strong>SuperCollider</strong></span> interpreter in <span class="application"><strong>GEdit</strong></span>, then start the server.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Open <span class="application"><strong>Ardour</strong></span> with a new session, and set up the rulers and timeline as desired. Seconds is usually the most appropriate unit with which to measure a <span class="application"><strong>SuperCollider</strong></span> recording.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ Add a stereo track (or however many channels desired), and rename it it "SuperCollider."
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ Use Ardour (the "Track/Bus Inspector" window) or <span class="application"><strong>QjackCtl</strong></span> to connect the "SuperCollider" track to SuperCollider's outputs.
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ You'll want to make sure that the <span class="application"><strong>SuperCollider</strong></span> output is also connected to your audio interface, so that you can hear the program as you progress. This is an example of multi-plexing. Changes to your audio interface's volume control will not affect the recording in Ardour.
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ Arm the track and transport in <span class="application"><strong>Ardour</strong></span>. When you are ready, start the transport. It is not important to start SuperCollider as quickly as possible, since you can cut out the silence after the recording is made.
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ Switch to <span class="application"><strong>GEdit</strong></span> and play the program that you want to record. If you make a mistake while starting the program, that's okay. We can always edit the recording after it's recorded.
+ </div></li><li class="step" title="ステップ 10"><div class="para">
+ Listen to the recording as it goes along. Use <span class="application"><strong>QjackCtl</strong></span> to make sure that you don't encounter a buffer underrun, and <span class="application"><strong>Ardour</strong></span> to make sure that you do not record a distorted signal.
+ </div></li><li class="step" title="ステップ 11"><div class="para">
+ When <span class="application"><strong>SuperCollider</strong></span> has finished playing your program, switch to <span class="application"><strong>Ardour</strong></span>, and stop the transport.
+ </div></li><li class="step" title="ステップ 12"><div class="para">
+ When you are ready to export, use the <span class="application"><strong>Ardour</strong></span> menu. <span class="guimenu"><strong>Choose Session</strong></span> → <span class="guisubmenu"><strong>Export</strong></span> → <span class="guimenuitem"><strong>Export session to audio file</strong></span>
+ </div></li><li class="step" title="ステップ 13"><div class="para">
+ The audio file will be created in the "export" sub-directory of the session's directory.
+ </div></li></ol></div></div></div></div><div xml:lang="ja-JP" class="chapter" title="第12ç« LilyPond" id="chap-Musicians_Guide-LilyPond" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第12ç« <span class="application"><strong>LilyPond</strong></span></h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-How_LilyPond_Works">12.1. <span class="application"><strong>LilyPond</strong></span> ãŒã„ã‹ã«å‹•ä½œã™ã‚‹ã‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-The_LilyPond_Approach">12.2. <span class="application"><strong>LilyPond</strong></span> アプãƒãƒ¼ãƒ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Installation">12.3. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Installation-Frescobaldi">12.3.1. Learn about Frescobaldi</a></span></dt><dt><span class=
"section"><a href="#sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation">12.3.2. Requirements and Installation (for <span class="application"><strong>Frescobaldi</strong></span>)</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Configure_Frescobaldi">12.4. Configure <span class="application"><strong>Frescobaldi</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax">12.5. <span class="application"><strong>LilyPond</strong></span> ã®åŸºæœ¬</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Letters_Are_Pitches">12.5.1. æ–‡å—ã¯éŸ³ç¨‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations">12.5.2. æ•°å—ã¯é•·ã•</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Articulations">12.5.3. アーティã‚ュレーションã€è¡¨æƒ…記å·</a
></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Simultaneity">12.5.4. åŒæ™‚性</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Chords">12.5.5. 和音</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Commands">12.5.6. コマンド</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Source_Files">12.5.7. ソースファイルã¨ãã®ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors">12.5.8. 誤りをé¿ã‘ã‚‹ã«ã¯</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint">12.6. 対ä½æ³•ã®èª²é¡Œã‚’ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Tutorial_Files">12.6.1. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></s
pan></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score">12.6.2. 楽èœã‚’開始ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output">12.6.3. Adjust Frescobaldi's Output</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Inputting">12.6.4. 音符を入力ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score">12.6.5. 楽èœã‚’フォーマットã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra">12.7. Work on an Orchestral Score (Tutorial)</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra-Tutorial_Files">12.7.1. Files for the Tutorial</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_
Score">12.7.2. Start the Score</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output">12.7.3. Adjust Frescobaldi's Output</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra-Inputting">12.7.4. Input Notes</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano">12.8. Work on a Piano Score (Tutorial)</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Tutorial_Files">12.8.1. Files for the Tutorial</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score">12.8.2. Start the Score</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output">12.8.3. Adjust Frescobaldi's Output</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Inputting">12.8.4. Input No
tes</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors">12.8.5. Troubleshoot Errors</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Formatting">12.8.6. Format the Score (Piano Dynamics)</a></span></dt></dl></dd></dl></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> is a notation engraving program, with a focus on creating a visually appealing product. <span class="application"><strong>LilyPond</strong></span> is text-based, and allows you to focus on the (semantic?) content of your musical scores, rather than on their visual appearance. Conventional commercial notation engraving programs allow users to edit the score visually. While this approach has its benefits, especially because it's very easy to see exactly what the printed score will look like, it also has disadvantages - chief among these is the fact that users of those programs are constantly worrying about what their score looks like.
+ </div><div class="para">
+ This is where <span class="application"><strong>LilyPond</strong></span> comes in - users don't need to worry about how their score will work, because they know that the expertly-crafted methods of <span class="application"><strong>LilyPond</strong></span> will automatically configure the objects on the score so that they look good, and are easy to read. <span class="application"><strong>LilyPond</strong></span>'s users focus on <span class="emphasis"><em>what</em></span> needs to be displayed, rather than on <span class="emphasis"><em>how</em></span> it is going to be displayed.
+ </div><div class="para">
+ As with any particular approach, the <span class="application"><strong>LilyPond</strong></span> approach is not for everybody. However, once you have become accustomed to working with the software, and once you have learned methods to help deal with problems and organize your scores' source-files, you will probably realize that <span class="application"><strong>LilyPond</strong></span> is both much faster, and much more flexible, than traditional, commercially-available music engraving programs.
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> ã¯ä»–ã«ã‚‚ãŸãã•ã‚“ã®æ©Ÿèƒ½ãŒã‚ã‚Šã¾ã™ã€‚ã“れらã®æ©Ÿèƒ½ã®ã„ãã¤ã‹ã¯ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 楽èœã‚’ LaTeX ã‚ã‚‹ã„㯠HTML 文書ã«ã™ã‚‹ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>ooolilypond</strong></span> プãƒã‚°ãƒ©ãƒ を使ã£ã¦ã€æ¥½èœã‚’ <span class="application"><strong>OpenOffice.org</strong></span> 文書ã«ã™ã‚‹ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ã™ã¹ã¦ã®ä¸»ãªã‚ªãƒšãƒ¬ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã‚·ã‚¹ãƒ†ãƒ ã¨äº’æ›ã§ã‚る。
+ </div></li><li class="listitem"><div class="para">
+ 大ããªä½œå“ã®ãƒ‘ート別ã‚ã‚‹ã„ã¯å…¨ä½“ã®æ¥½èœã‚’管ç†ã§ãる。
+ </div></li><li class="listitem"><div class="para">
+ Scheme プãƒã‚°ãƒ©ãƒ 言語を使ã£ã¦æ–°ã—ã„音楽記å·ã‚’作æˆã§ãる。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ユーザを助ã‘ã¦ã€ãƒ†ã‚ストベースã®ã‚¢ãƒ—ãƒãƒ¼ãƒã‹ã‚‰ãã‚‹åˆæœŸå¦ç¿’ã®å›°é›£ã•ã‚’より早ãå…‹æœã™ã‚‹ã®ãŒã€ã“ã®ã‚¬ã‚¤ãƒ‰ã®ç›®çš„ã§ã™ã€‚<span class="application"><strong>Frescobaldi</strong></span> テã‚ストエディタã®ã‚ˆã†ãªãƒ„ールを使ã†ã“ã¨ã§ã€ç”Ÿç”£æ€§ã‚’上ã’ã€ãƒˆãƒ©ãƒ–ルシュートを容易ã«ã—ã€ãã—ã¦ãƒ†ã‚ストベースã®ã‚¢ãƒ—ãƒãƒ¼ãƒã«ã¾ã¤ã‚る記憶力ã®è² è·ã‚’減らã™ã“ã¨ãŒã§ãã‚‹ã§ã—ょã†ã€‚
+ </div><div class="section" title="12.1. LilyPond ãŒã„ã‹ã«å‹•ä½œã™ã‚‹ã‹" id="sect-Musicians_Guide-LilyPond-How_LilyPond_Works"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-How_LilyPond_Works">12.1. <span class="application"><strong>LilyPond</strong></span> ãŒã„ã‹ã«å‹•ä½œã™ã‚‹ã‹</h2></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> を自動車ã®ä¿®ç†å·¥ã¨æ€ã£ã¦ãã ã•ã„。ã‚ãªãŸã®è»ŠãŒã“ã‚ã‚ŒãŸã¨ãã€ä¿®ç†å·¥ã¯ã©ã®å·¥å…·ã‚’使ã†ã‹ã‚ã‹ã‚Šã¾ã™ã€‚ã‚ãªãŸã¯è‡ªåˆ†ã§å·¥å…·ã‚’è²·ã£ã¦è»Šã‚’ãªãŠã™ã“ã¨ã‚‚ã§ãã¾ã™ãŒã€ä¿®ç†å·¥ã¯å°‚門家ã§ã™ã€‚使ã†å·¥å…·ã‚’知りã€å·¥å…·ã‚’ã„ã‹ã«ç”¨æ„ã™ã‚‹ã‹çŸ¥ã‚Šã€ã‚ãªãŸã‚ˆã‚Šé€Ÿã車をãªãŠã™ã«ã¯ã©ã†ã™ã‚‹ã‹ã‚ã‹ã£ã¦ã„ã¾ã™ã€‚<span class="application"><strong>LilyPond</strong></span> ã¯ã‚ãªãŸã‚‚自分ã§ä½¿ã†ã“ã¨ã®ã§ãるプãƒã‚°ãƒ©ãƒ ã‚’ãŸãã•ã‚“使ã„ã¾ã™ã€‚ã—ã‹ã— <span class="application"><strong>LilyPond</strong></span> ã¯å°‚門家ãªã®ã§ã€ä½¿ã†ãƒ—ãƒã‚°ãƒ©ãƒ ã€ä½¿ã†è¨å®šã‚’知ã£ã¦ã„ã¾ã™ã€‚ãã—ã¦æœ€ã‚‚大事ãªã“ã¨ã«ã€<span class="application"><strong>LilyPond</strong></span> ã¯ã‚ãªãŸãŒç›´æŽ¥ãれらã®ãƒ—ãƒã‚°ãƒ©ãƒ を使ã†ã‚ˆã‚Šã€ãšã£ã¨å°‘ãªã„時間ã§ã§ãã‚‹ã®ã§ã™ã€‚
+ </div><div class="para">
+ 我々㯠<span class="application"><strong>LilyPond</strong></span> ã«ã€ç‰¹åˆ¥ãªå½¢å¼ã®ãƒ†ã‚ストファイルã§å‘½ä»¤ã‚’与ãˆã¾ã™ã€‚<span class="application"><strong>LilyPond</strong></span> ã®å…¥åŠ›ãƒ•ã‚¡ã‚¤ãƒ«ã¯è¨˜èœã™ã‚‹éŸ³æ¥½ã‚’記述ã—ã¾ã™ã€‚<span class="application"><strong>LilyPond</strong></span> ãŒéŸ³æ¥½ãŒã©ã†è¦‹ãˆã‚‹ã‹ã‚’決定ã—ã¦ã€å‡ºåŠ›ãƒ•ã‚¡ã‚¤ãƒ«ã‚’作æˆã—ã¾ã™ã€‚入力ファイルã«ã¯ã€éŸ³æ¥½ãŒã©ã†è¦‹ãˆã‚‹ã‹ã«ã¤ã„ã¦ã®æŒ‡ç¤ºã¯å«ã¾ã‚Œã¾ã›ã‚“。ã¨ãã«ã¯ã€ã‚ãªãŸã¯å‡ºåŠ›ãƒ•ã‚¡ã‚¤ãƒ«ãŒã©ã†è¦‹ãˆã‚‹ã‹ã‚’調整ã—ãªãã¦ã¯ã„ã‘ãªã„ã§ã—ょã†ã€‚ãã®ãŸã‚ã« <span class="application"><strong>LilyPond</strong></span> ã¯ãã®å†…部的ãªãƒ„ールã®è¨å®šã‚’変更ã™ã‚‹æ‰‹æ®µã‚’æä¾›ã—ã¾ã™ã€‚
+ </div></div><div class="section" title="12.2. LilyPond アプãƒãƒ¼ãƒ" id="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach">12.2. <span class="application"><strong>LilyPond</strong></span> アプãƒãƒ¼ãƒ</h2></div></div></div><div class="para">
+ 以下ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã®å®Œå…¨ãªèª¬æ˜Žã¯ã€<a href="http://www.lilypond.org/about/automated-engraving/">http://www.lilypond.org/about/automated-engraving/</a> ã® <em class="citetitle"><span class="application"><strong>LilyPond</strong></span> Website</em> ã‚’å‚ç…§ãã ã•ã„。以下ã®å†…容もãã“ã‹ã‚‰å¾—られãŸã‚‚ã®ã§ã™ã€‚
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> works by separating the tasks of what to put, and where to put it. Each aspect of an object's position is controlled by a specific plug-in. You can think of the plug-ins as tools. <span class="application"><strong>LilyPond</strong></span> knows how and when to use each tool; if it doesn't know enough about a tool, then it isn't used.
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> ãŒã‚ªãƒ–ジェクトを置ãå‰ã«ã€ãã‚Œã¯ã¾ãšãã®ã‚ªãƒ–ジェクトã®ãã‚Œãžã‚Œã®ã‚¢ãƒ©ã‚¤ãƒ³ãƒ¡ãƒ³ãƒˆã¨ãƒ¬ã‚¤ã‚¢ã‚¦ãƒˆã®å¤šãã®å¯èƒ½æ€§ã«ã¤ã„ã¦è€ƒå¯Ÿã—ã¾ã™ã€‚次ã«ã€<span class="application"><strong>LilyPond</strong></span> ã¯ãれらã®å¯èƒ½æ€§ã‚’ã€æ‰‹ã§æ›¸ã‹ã‚ŒãŸæ¥½èœã§ä½¿ã‚れるã®ã¨åŒã˜ç¾Žçš„ãªåŸºæº–ã«å¾“ã£ã¦è©•ä¾¡ã—ã¾ã™ã€‚ãã‚Œãžã‚Œã«ã€ç¾Žçš„ãªç†æƒ³ã«ã©ã®ãらã„è¿‘ã¥ã‘ãŸã‹ã‚’示ã™ç‚¹æ•°ã‚’付ã‘ãŸå¾Œã€<span class="application"><strong>LilyPond</strong></span> ã¯ã‚ˆã‚Šã‚ˆã„候補をé¸ã³ã¾ã™ã€‚
+ </div></div><div class="section" title="12.3. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" id="sect-Musicians_Guide-LilyPond-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-Installation">12.3. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</h2></div></div></div><div class="para">
+ Use <span class="application"><strong>PackageKit</strong></span> or <span class="application"><strong>KPackageKit</strong></span> to install the <span class="package">lilypond</span> package. Review the dependencies carefully. You will see many packages called <span class="package">lilypond-*-fonts</span>.
+ </div><div class="para">
+ You can use <span class="application"><strong>LilyPond</strong></span> from the command line. Run <code class="command">lilypond <em class="replaceable"><code>input_file.ly</code></em></code> in a terminal emulator.
+ </div><div class="para">
+ We recommend that you use the <span class="application"><strong>Frescobaldi</strong></span> text editor with <span class="application"><strong>LilyPond</strong></span>. <span class="application"><strong>Frescobaldi</strong></span> has many features specifically for <span class="application"><strong>LilyPond</strong></span>.
+ </div><div class="section" title="12.3.1. Learn about Frescobaldi" id="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi">12.3.1. Learn about Frescobaldi</h3></div></div></div><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> is an advanced text editor specifically for <span class="application"><strong>LilyPond</strong></span> source files. The <span class="application"><strong>Frescobaldi</strong></span> user interface simplifies the task of creating and editing musical scores in <span class="application"><strong>LilyPond</strong></span>. Here are some benefits of <span class="application"><strong>Frescobaldi</strong></span>:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The <span class="application"><strong>Frescobaldi</strong></span> text-editing component, PDF-preview component, and help file viewer are the same as common applications you may already know (<span class="application"><strong>Kate</strong></span>/<span class="application"><strong>KWrite</strong></span>, <span class="application"><strong>Okular</strong></span>, and <span class="application"><strong>Konqueror</strong></span>).
+ </div></li><li class="listitem"><div class="para">
+ The <span class="application"><strong>Frescobaldi</strong></span> user interface allows you to view the <span class="application"><strong>LilyPond</strong></span> source file and the PDF output or a <span class="application"><strong>LilyPond</strong></span> help document at the same time.
+ </div></li><li class="listitem"><div class="para">
+ You can setup a new score quickly with the "Setup new score" tool. The "Setup new score" tool offers several advanced customization features.
+ </div></li><li class="listitem"><div class="para">
+ You can insert articulation, trill, and other musical symbols with the "Quick Insert" sidebar on the left side of the <span class="application"><strong>Frescobaldi</strong></span> window. You do not need to consult a <span class="application"><strong>LilyPond</strong></span> reference file to remember the correct command because <span class="application"><strong>Frescobaldi</strong></span> remembers for you.
+ </div></li><li class="listitem"><div class="para">
+ The <span class="guimenu"><strong>LilyPond</strong></span> menu in <span class="application"><strong>Frescobaldi</strong></span> offers many tools to adjust and troubleshoot your score files.
+ </div></li><li class="listitem"><div class="para">
+ You can input notes with a MIDI keyboard, listen to the MIDI output of a <span class="application"><strong>LilyPond</strong></span> score, and print the PDF file of your score from within <span class="application"><strong>Frescobaldi</strong></span>.
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="12.3.2. Requirements and Installation (for Frescobaldi)" id="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation">12.3.2. Requirements and Installation (for <span class="application"><strong>Frescobaldi</strong></span>)</h3></div></div></div><div class="para">
+ Use <span class="application"><strong>PackageKit</strong></span> or <span class="application"><strong>KPackageKit</strong></span> to install the <span class="package">frescobaldi</span> package. Review dependencies carefully before you approve the installation. <span class="application"><strong>Frescobaldi</strong></span> depends on many other packages, including:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">perl-<em class="replaceable"><code>*</code></em></span> packages,
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">kde-<em class="replaceable"><code>*</code></em></span> packages,
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>timidity++</strong></span>, and
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">fluid-soundfont-gm</span> (which is 114Â MB)
+ </div></li></ul></div>
+
+ </div><div class="para">
+ You can run <span class="application"><strong>Frescobaldi</strong></span> from the <span class="guisubmenu"><strong>Multimedia</strong></span> submenu of the <span class="guimenu"><strong>Applications</strong></span> menu.
+ </div></div></div><div class="section" title="12.4. Configure Frescobaldi" id="sect-Musicians_Guide-LilyPond-Configure_Frescobaldi"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-Configure_Frescobaldi">12.4. Configure <span class="application"><strong>Frescobaldi</strong></span></h2></div></div></div><div class="para">
+ You can use <span class="application"><strong>Frescobaldi</strong></span> without further configuration. We recommend you review the settings listed here, because you may use the application more easily.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ From the <span class="application"><strong>Frescobaldi</strong></span> menu, choose <span class="guimenu"><strong>Settings</strong></span> → <span class="guimenuitem"><strong>Configure Frescobaldi</strong></span>
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ If you want <span class="application"><strong>Frescobaldi</strong></span> to save your score automatically before you run <span class="application"><strong>LilyPond</strong></span>: check "Save document when LilyPond is run" located in "General Preferences."
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ If you want to change the applications that <span class="application"><strong>Frescobaldi</strong></span> uses, choose <span class="guibutton"><strong>Paths</strong></span>.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="note"><h2>注記</h2><div class="para">
+ You do not need to fill every field.
+ </div></div></li><li class="listitem"><div class="para">
+ If you use GNOME, we recommend you set the "PDF Viewer" to <code class="command">evince</code>. <span class="application"><strong>Frescobaldi</strong></span> will use <span class="application"><strong>Evince</strong></span> when you choose <span class="guibutton"><strong>Open PDF</strong></span>. The <span class="guibutton"><strong>Open PDF</strong></span> button is only visible after you create a score.
+ </div></li><li class="listitem"><div class="para">
+ If you want to play a <span class="application"><strong>LilyPond</strong></span> MIDI file, fill in the "MIDI Player" field. You can use <span class="application"><strong>timidity++</strong></span> to convert the MIDI file into a sound file. You can use <span class="application"><strong>pmidi</strong></span> (from the Planet CCRMA at Home repository--see <a class="xref" href="#chap-Musicians_Guide-Planet_CCRMA_at_Home" title="第4ç« Planet CCRMA at Home">4ç« <i>Planet CCRMA at Home</i></a> for information). Use a terminal emulator to view the <span class="application"><strong>man</strong></span> help page for <span class="application"><strong>timidity++</strong></span> or <span class="application"><strong>pmidi</strong></span>.
+ </div></li><li class="listitem"><div class="para">
+ If you do not want to download the <span class="application"><strong>LilyPond</strong></span> help files whenever <span class="application"><strong>Frescobaldi</strong></span> uses them:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Install the <span class="package">lilypond-doc</span> package. This package takes a long time to download.
+ </div></li><li class="listitem"><div class="para">
+ Write <code class="filename">/usr/share/doc/lilypond-doc-<em class="replaceable"><code>2.14.1</code></em>/index.html</code> in the "LilyPond documentation" field.
+ </div></li><li class="listitem"><div class="para">
+ You must update this path when <span class="application"><strong>LilyPond</strong></span> is updated. By default, <span class="application"><strong>PackageKit</strong></span> will only download the changed documentation with each update, so only the first installation will have a long download.
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ The options for the "Editor Component" are the same as those for <span class="application"><strong>KWrite</strong></span> or <span class="application"><strong>Kate</strong></span>. If you change settings for <span class="application"><strong>Frescboaldi</strong></span>, they do <span class="emphasis"><em>not</em></span> also change for <span class="application"><strong>KWrite</strong></span> or <span class="application"><strong>Kate</strong></span>.
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ We recommend that you turn off auto-completion. Select the <span class="guibutton"><strong>Editing</strong></span> component, then the <span class="guibutton"><strong>Auto Completion</strong></span> tab, then ensure that both check-boxes are un-marked
+ </div></li><li class="listitem"><div class="para">
+ You may want to change other settings here; highly-flexible, customizable, powerful; applies only in Frescobaldi
+ </div></li></ul></div></li></ol></div></div><div xml:lang="ja-JP" class="section" title="12.5. LilyPond ã®åŸºæœ¬" id="sect-Musicians_Guide-LilyPond-Syntax" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-Syntax">12.5. <span class="application"><strong>LilyPond</strong></span> ã®åŸºæœ¬</h2></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> ファイルã®ã‚·ãƒ³ã‚¿ãƒƒã‚¯ã‚¹ã¯ã€ã™ã¹ã¦ã®éŸ³æ¥½çŠ¶æ³ã«ãŠã„ã¦ã€æœ€å¤§ã®æŸ”軟性をæä¾›ã—ã¾ã™ã€‚ã‚ãªãŸã¯ä½•åº¦ã‚‚ã€æœ€åˆã¯è¤‡é›‘ã™ãŽã‚‹ã¨æ€ã‚ã‚ŒãŸæ©Ÿèƒ½ãŒã€å®Ÿã¯ã€è¤‡é›‘ãªå•é¡Œã‚’解ããŸã‚ã®ã¨ã¦ã‚‚パワフルã§ã‚·ãƒ³ãƒ—ルãªæ–¹æ³•ã§ã‚ã‚Šã€ãã‚Œã¯å¸‚販ã®ãƒ—ãƒã‚°ãƒ©ãƒ ã§ã¯ä¸å¯èƒ½ã ã¨ã„ã†ã“ã¨ã«æ°—ãŒã¤ãã§ã—ょã†ã€‚
+ </div><div class="section" title="12.5.1. æ–‡å—ã¯éŸ³ç¨‹" id="sect-Musicians_Guide-LilyPond-Syntax-Letters_Are_Pitches"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Letters_Are_Pitches">12.5.1. æ–‡å—ã¯éŸ³ç¨‹</h3></div></div></div><div class="para">
+ One letter is all that's required to create a note in <span class="application"><strong>LilyPond</strong></span>. There are additional symbols and letters that are added to indicate further details, like the register, and whether the note is "sharp" or "flat."
+ </div><div class="para">
+ Although it can be changed, the default (and recommended) way to indicate "sharp" or "flat" is by using Dutch note-names: "-is" to indicate a sharp, and "-es" to indicate a flat. For example, the following command would create b-double-flat, b-flat, b, b-sharp, and b-double-sharp: <code class="code">beses bes b bis bisis</code> Getting used to these names happens quickly, and they take less time to input than the English alternative. Furthermore, with these names, it becomes possible to sing note-names when you are ear training!
+ </div><div class="para">
+ Pitch can be entered either absolutely, or relative to the preceding notes. Usually (for music without frequent large leaps) it is more convenient to use the "relative" mode. The symbols <code class="literal">,</code> and <code class="literal">'</code> (comma and apostrophe) are used to indicate register.
+ </div><div class="para">
+ When entering absolute pitches, the register is indicated mostly as in the Helmholtz system (see <em class="citetitle">Helmholtz Pitch Notation (Wikipedia)</em> at <a href="http://en.wikipedia.org/wiki/Helmholtz_pitch_notation">http://en.wikipedia.org/wiki/Helmholtz_pitch_notation</a>: octaves begin on the pitch "C," and end eleven tones higher on the pitch "B." The octave below "middle C" (octave 3 in scientific pitch notation - see <em class="citetitle">Scientific Pitch Notation (Wikipedia)</em> at <a href="http://en.wikipedia.org/wiki/Scientific_pitch_notation Scientific Pitch Notation">http://en.wikipedia.org/wiki/Scientific_pitch_notation Scientific Pitch Notation</a>) has no commas or apostrophes. The octave starting on "middle C" (octave 4) has one apostrophe; the octave above that (octave 5) has two apostrophes, and so on. Octave 2 (starting two octaves below "middle C") has one comma, the octave below that has two commas, and so on. It is usually not necessary to
understand how to use this in <span class="application"><strong>LilyPond</strong></span>, or to be able to use it quickly, because most scores will use "relative mode."
+ </div><div class="para">
+ When entering pitches relative to the previous one, the register is still indicated with commas or apostrophes, but usually none are needed. When using this input mode, the octave of each note is guessed based on the octave of the previous note. Think of it this way: the next note will always be placed so it produces the smaller interval. For example, after a C, an E could be placed as a major third, a minor sixth, a major tenth, a minor thirteenth, and so on. In relative mode, <span class="application"><strong>LilyPond</strong></span> will always choose the "major third" option. If you wanted <span class="application"><strong>LilyPond</strong></span> to notate the E so that it's a minor sixth, you would tell <span class="application"><strong>LilyPond</strong></span> with a comma appended: <code class="code">c e,</code> so that <span class="application"><strong>LilyPond</strong></span> knows what you want. It's the same case if you were to input <code class="code">c aes</
code> (meaning "C then A-flat"): the A-flat will be notated so that it is a major third from the C; if you wanted <span class="application"><strong>LilyPond</strong></span> to notate it so that the A-flat is a minor sixth higher than the C, you would need to append an apostrophe: <code class="code">c aes'</code>
+ </div><div class="para">
+ The only possible ambiguity with this method is with a tritone. <span class="application"><strong>LilyPond</strong></span> solves this by not recognizing "tritones," per se, and thinking of them as "augmented fourth" or "diminished fifth." Unless instructed otherwise (with a comma or apostrophe), <span class="application"><strong>LilyPond</strong></span> will always notate the interval as an augmented fourth.
+ </div><div class="para">
+ シャープã¨ãƒ•ãƒ©ãƒƒãƒˆã¯ã€äº”ç·šèœã®æœ€åˆã®èª¿å·ã§æŒ‡å®šãŒã‚ã‚‹ã¨ãã§ã‚‚ã€å¸¸ã«æŒ‡å®šã—ãªãã¦ã¯ã„ã‘ã¾ã›ã‚“。ã“ã‚Œã¯ã€æœ€çµ‚çš„ã«ã¯ã€èª¤ã‚Šã®æ•°ã‚’減らã™ã®ã«å½¹ã«ç«‹ã¡ã¾ã™ã€‚
+ </div><div class="para">
+ 音程を示ã™ã®ã«ä½¿ã‚れる文å—ã¯ã€å¸¸ã«å°æ–‡å—ã§ã™ã€‚
+ </div></div><div class="section" title="12.5.2. æ•°å—ã¯é•·ã•" id="sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations">12.5.2. æ•°å—ã¯é•·ã•</h3></div></div></div><div class="para">
+ A number appended to a letter is understood by <span class="application"><strong>LilyPond</strong></span> to indicate that particular note's note-value. A whole note is indicated with a 1, and all other durations are indicated with a number representing the fraction of a whole note that they occupy: half notes are 2 (like "1/2 note"); quarter notes are 4 (like "1/4 note"); eighth notes are 8 (like "1/8 note") and so on.
+ </div><div class="para">
+ To add a "dot" to a note (thereby increasing its length by one half), you simply include a period after the number. For example, <code class="literal">e4.</code> means "dotted quarter note on E."
+ </div><div class="para">
+ To add a "tie" from one note to the next (thereby continuing its duration across a measure-line), add a tilde ( <code class="literal">~</code> ) after the pitch and duration.
+ </div><div class="para">
+ é•·ã•ã‚’指定ã—ãŸå¾Œã¯ã€åˆ¥ã®æŒ‡ç¤ºãŒã‚ã‚‹ã¾ã§ã€ã™ã¹ã¦ã®ç¶šã音符ã¯åŒã˜é•·ã•ã‚’æŒã¤ã‚‚ã®ã¨ã•ã‚Œã¾ã™ã€‚
+ </div></div><div class="section" title="12.5.3. アーティã‚ュレーションã€è¡¨æƒ…記å·" id="sect-Musicians_Guide-LilyPond-Syntax-Articulations"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Articulations">12.5.3. アーティã‚ュレーションã€è¡¨æƒ…記å·</h3></div></div></div><div class="para">
+ 多ãã®ç•°ãªã‚‹è¨˜å·ãŒã€<span class="application"><strong>LilyPond</strong></span> ã«ã€éŸ³ç¬¦ã«è¡¨æƒ…記å·ã‚’åŠ ãˆã‚‹ãŸã‚ã«ä½¿ã‚ã‚Œã¾ã™ã€‚ãã‚Œã¯ã€ã™ã¹ã¦ã€éŸ³ç¨‹ã¨ï¼ˆã‚‚ã—ã‚ã‚Œã°ï¼‰é•·ã•ã®å¾Œã«ä»˜åŠ ã•ã‚Œã¾ã™ã€‚多ãã¯ã€ä½ç½®ã®æŒ‡å®šã‚‚æŒã¡ã¾ã™ã€‚
+ </div><div class="para">
+ 表情記å·ã®å®Œå…¨ãªãƒªã‚¹ãƒˆã¯ <span class="application"><strong>LilyPond</strong></span> マニュアルã«ã‚ã‚Šã€<span class="application"><strong>Frescobaldi</strong></span> ã¯ã‚ãªãŸã®ãŸã‚ã«ãã®ã»ã¨ã‚“ã©ã‚’記憶ã—ã¦ã„ã¾ã™ã€‚（左å´ã®ãƒ‘ãƒãƒ«ã«ã‚ã‚Šã¾ã™ã€‚）
+ </div><div class="para">
+ 以下ã«ã€ã‚ˆã使ã‚れるã„ãã¤ã‹ã®è¡¨æƒ…記å·ã‚’ã‚ã’ã¾ã™ã€‚特ã«æŒ‡å®šãŒãªã„ã¨ãã¯ã€ä½ç½®ã®æŒ‡å®šã‚‚å¿…è¦ã§ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="literal">(</code> ã¯ã€ã‚¹ãƒ©ãƒ¼ã‚’開始ã—ã¾ã™ã€‚（ä½ç½®ã®æŒ‡å®šã¯ã‚ã‚Šã¾ã›ã‚“。）
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">)</code> ã¯ã€ã‚¹ãƒ©ãƒ¼ã‚’終了ã—ã¾ã™ã€‚（ä½ç½®ã®æŒ‡å®šã¯ã‚ã‚Šã¾ã›ã‚“。）
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">~</code> ã¯ã‚¿ã‚¤ã‚’開始ã—ã¾ã™ã€‚（終了ã¯å¿…è¦ã‚ã‚Šã¾ã›ã‚“。ä½ç½®ã®æŒ‡å®šã¯ã‚ã‚Šã¾ã›ã‚“。）
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">.</code> for a "staccato" mark
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">></code> for an "accent"
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">-</code> for a "tenuto" mark
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">^</code> for a "marcato" mark
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">_</code> for a "portato" mark (dot and line)
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ３ã¤ã®ä½ç½®æŒ‡å®šåãŒã‚ã‚Šã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="literal">-</code> ã¯ã€<span class="application"><strong>LilyPond</strong></span> ãŒå¦¥å½“ã¨åˆ¤æ–ã—ãŸã¨ã“ã‚ã«ã©ã“ã§ã‚‚ã€è¡¨æƒ…記å·ã‚’入れるã“ã¨ã‚’æ„味ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">_</code> ã¯ã€è¡¨æƒ…記å·ã‚’音符ã®çŽ‰ã® <span class="emphasis"><em> 下 </em></span> ã«å…¥ã‚Œã‚‹ã“ã¨ã‚’æ„味ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">^</code> ã¯ã€è¡¨æƒ…記å·ã‚’音符ã®çŽ‰ã® <span class="emphasis"><em> 上 </em></span> ã«å…¥ã‚Œã‚‹ã“ã¨ã‚’æ„味ã—ã¾ã™ã€‚
+ </div></li></ul></div>
+ ３ã¤ã®ä½ç½®æŒ‡å®šåã¯ã€ã¨ãã«ã¯ã€ã“ã®ã‚ˆã†ãªéŸ³ç¬¦ã«ãªã‚‹ã“ã¨ãŒã‚ã‚Šã¾ã™ï¼š <code class="code">g4--</code>, <code class="code">g4__</code>, ãã—㦠<code class="code">g4^^</code>。ã“ã‚Œã¯æ£ã—ããªã„よã†ã«è¦‹ãˆã‚‹ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“ãŒã€å®Œå…¨ã«å—ã‘付ã‘られる表記ã§ã™ã€‚訳注：ãƒã‚¤ãƒ•ãƒ³ï¼’ã¤ã¯ãƒ†ãƒŒãƒ¼ãƒˆã®ä»»æ„ä½ç½®ã€ã¨ã„ã†ã“ã¨ã€‚
+ </div></div><div class="section" title="12.5.4. åŒæ™‚性" id="sect-Musicians_Guide-LilyPond-Syntax-Simultaneity"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Simultaneity">12.5.4. åŒæ™‚性</h3></div></div></div><div class="para">
+ Simply put, anything enclosed inside <code class="literal"><<</code> and <code class="literal">>></code> is considered by <span class="application"><strong>LilyPond</strong></span> to happen simultaneously. This can be used in any context (and any Context - see above/below). It is possible to tell <span class="application"><strong>LilyPond</strong></span> that you want two notes to happen at the same time in the same voice (yielding a chord), at the same time on the same staff (yielding polyphony), and so on. Moreover, any score with multiple staves will use <code class="literal"><<</code> and <code class="literal">>></code> to tell <span class="application"><strong>LilyPond</strong></span> that the parts should begin at the same time, and creative use of <code class="literal"><<</code> and <code class="literal">>></code> is one of the keys to advanced notation.
+ </div><div class="para">
+ 最åˆã¯ã€åŒæ™‚性をç†è§£ã™ã‚‹ã“ã¨ã¯é‡è¦ã§ã¯ã‚ã‚Šã¾ã›ã‚“。<span class="application"><strong>Frescobaldi</strong></span> ãŒã‚ãªãŸã«ä»£ã‚ã£ã¦ã©ã®ã‚ˆã†ã«æ¥½èœã‚’作æˆã™ã‚‹ã‹ã€ãã—ã¦ã€ã‚¤ãƒ³ã‚¿ãƒ¼ãƒãƒƒãƒˆä¸Šã®ä¾‹ãŒã“れらã®è¨˜å·ã‚’ã©ã®ã‚ˆã†ã«ä½¿ã£ã¦ã„ã‚‹ã‹ã‚’観察ã™ã‚‹ã“ã¨ã§ã€ã‚ãªãŸã¯ã„ãšã‚Œãã®ä½¿ã„方をç†è§£ã™ã‚‹ã§ã—ょã†ã€‚
+ </div></div><div class="section" title="12.5.5. 和音" id="sect-Musicians_Guide-LilyPond-Syntax-Chords"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Chords">12.5.5. 和音</h3></div></div></div><div class="para">
+ Making use of the <code class="literal"><<</code> and <code class="literal">>></code> idea to indicate simultaneity, if a note has multiple pitches indicated between <code class="literal">></code> and <code class="literal"><</code> then <span class="application"><strong>LilyPond</strong></span> assumes that they are in a chord together. Notating a single chord with single <code class="literal">< ></code> brackets has two advantages: firstly, it is easier to see that they are a chord and not something more complex; secondly, it allows you to enter information more clearly.
+ </div><div class="para">
+ Consider the following examples, which should produce equivalent output: <code class="code"><<g'4->-5 b d>></code> and <code class="code"><g' b d>4->-5</code> With the first example, it is more difficult to see the chord notes, the duration, and what the <code class="literal">5</code> means. With the second example, it is easy to see that the chord notes are a <code class="literal">G</code>, a <code class="literal">B</code>, and a <code class="literal">D</code>, that they have quarter-note duration, and that the <code class="literal">5</code> is actually a fingering indication.
+ </div><div class="para">
+ There is another advantage to using <code class="literal"><</code> and <code class="literal">></code> for notation of simple chords: they preserve logical continuity in "relative" mode. The following note will always be notated as relative to the lowest note in the chord, regardless of how many octaves the chord covers. This is not true with <code class="literal"><<</code> and <code class="literal">>></code>, where where following notes will be notated as relative to the last note between the <code class="literal"><<</code> and <code class="literal">>></code>
+ </div></div><div class="section" title="12.5.6. コマンド" id="sect-Musicians_Guide-LilyPond-Syntax-Commands"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Commands">12.5.6. コマンド</h3></div></div></div><div class="para">
+ There are a wide variety of commands available in <span class="application"><strong>LilyPond</strong></span>, some of them quite simple, and other quite complex. They all begin with a backslash, followed by the name of the command, and subsequent "arguments" that give the command further information about what you want it to do. Just like using a letter to indicate a note, commands are simply another way for you to tell <span class="application"><strong>LilyPond</strong></span> how you want your score to be rendered.
+ </div><div class="para">
+ 例ãˆã°ã€<code class="code">\time 2/4</code> 㨠<code class="code">\clef bass</code> ã¯ã€ã¨ã¦ã‚‚よã使ã‚れるã ã‚ã†ï¼’ã¤ã®ã‚³ãƒžãƒ³ãƒ‰ã§ã™ã€‚ãれらã¯ã¾ã•ã«ã€è¦‹ãŸã¨ãŠã‚Šã®æ©Ÿèƒ½ã‚’æŒã¡ã¾ã™ï¼š <code class="literal">\time</code> ã¯æ‹å記å·ã‚’変ãˆã€<code class="literal">\clef</code> ã¯éŸ³éƒ¨è¨˜å·ã‚’変ãˆã¾ã™ã€‚ã“ã®ï¼’ã¤ã¯ã€ç•°ãªã‚‹ã‚³ãƒ³ãƒ†ã‚ストã«å±žã—ã¾ã™ï¼ˆ <code class="literal">\time</code> ã¯æ¥½èœå…¨ä½“ã«æœ‰åŠ¹ã§ã™ãŒã€<code class="literal">\clef</code> ã¯ãŸã １ã¤ã®äº”ç·šèœã«ã ã‘有効ã§ã™ã€‚）。
+ </div><div class="para">
+ It can take some time to remember even these basic commands and the way you should format their input, and this is where <span class="application"><strong>Frescobaldi</strong></span>'s built-in documentation viewer can help out. All of the official <span class="application"><strong>LilyPond</strong></span> documentation is made available in <span class="application"><strong>Frescobaldi</strong></span>, which makes it easy for you to view the documentation and make changes to your score in the same window of the same application.
+ </div><div class="section" title="12.5.6.1. カスタマイズ" id="sect-Musicians_Guide-LilyPond-Syntax-Commands-Customization"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Commands-Customization">12.5.6.1. カスタマイズ</h4></div></div></div><div class="para">
+ 出力ãŒã¨ã¦ã‚‚特別ã§ã€<span class="application"><strong>LilyPond</strong></span> ã®æ¨™æº–シンタックスã§ã¯è¨±ã•ã‚Œãªã„ãŸã‚ã«ã€ã‚«ã‚¹ã‚¿ãƒžã‚¤ã‚ºã—ãªãã¦ã¯ã„ã‘ãªã„ã¨ã„ã†ã“ã¨ã¯ã¾ã‚Œã§ã™ã€‚åˆå¿ƒè€…ã«ã¨ã£ã¦ã¯ã€æ—¢å˜ã®æ¥½èœã®è¦‹ãŸç›®ã‚’æ£ç¢ºã«å†ç¾ã—よã†ã¨ã™ã‚‹ã¨ã€ã“ã†ã„ã†ã“ã¨ã¯ã‚ˆãèµ·ãã¾ã™ã€‚<span class="application"><strong>LilyPond</strong></span> ã¯ã€å†…容ã«ãƒ•ã‚©ãƒ¼ã‚«ã‚¹ã—ãŸã€éŸ³æ¥½ã‚’表ç¾ã™ã‚‹æ–¹å¼ã‚’æä¾›ã—ã€ãã‚Œã¯é€šå¸¸ã¯ã€é«˜åº¦ãªã‚«ã‚¹ã‚¿ãƒžã‚¤ã‚¼ãƒ¼ã‚·ãƒ§ãƒ³ãªã—ã§ã‚‚æ„味ã®ã‚る出力を生æˆã™ã‚‹ã“ã¨ã‚’æ€ã„出ã—ã¦ãã ã•ã„。カスタマイズãŒæœ¬å½“ã«å¿…è¦ã‹ã€è¿·ã£ãŸã¨ãã¯ã€ãã‚Œã¯ãã®æ¥½èœã‹ã‚‰æ¼”å¥ã•ã‚Œã‚‹éŸ³æ¥½ã‚’変ãˆã‚‹ã®ã‹ã€ã¨è‡ªåˆ†ã«å•ã„ã‹ã‘ã¦ãã ã•ã„。
+ </div><div class="para">
+ 本当ã«ãªã‚“らã‹ã®è¨å®šã®ã‚«ã‚¹ã‚¿ãƒžã‚¤ã‚ºãŒå¿…è¦ãªã¨ãã¯ã€ä»¥ä¸‹ã®ï¼’点を覚ãˆã¦ãŠã„ã¦ãã ã•ã„：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> ã®ã‚«ã‚¹ã‚¿ãƒžã‚¤ã‚ºã¯ã€è¦æ±‚ã«æ¯”例ã—ã¦è¤‡é›‘ã«ãªã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 最終的ã«ã€ã‚«ã‚¹ã‚¿ãƒžã‚¤ã‚ºã¯ã€ã‚³ãƒžãƒ³ãƒ‰ã®å½¢ã‚’ã¨ã‚Šã¾ã™ã€‚
+ </div></li></ol></div>
+
+ </div><div class="para">
+ Searching the internet for <span class="application"><strong>LilyPond</strong></span> tips and tricks can be a life-saver, but it can also lead to needlessly complex solutions. Sometimes this is the result of poor solutions being posted on the internet, but more often it is the result of the ongoing development of <span class="application"><strong>LilyPond</strong></span>, which makes better solutions available regularly. For this reason, it is recommended to search the official <span class="application"><strong>LilyPond</strong></span> documentation first, then the "<span class="application"><strong>LilyPond</strong></span> Snippet Repository" (LSR - link here), and then Google.
+ </div></div><div class="section" title="12.5.6.2. コンテã‚スト" id="sect-Musicians_Guide-LilyPond-Syntax-Commands-Contexts"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Commands-Contexts">12.5.6.2. コンテã‚スト</h4></div></div></div><div class="para">
+ Another aspect of <span class="application"><strong>LilyPond</strong></span> that often confuses beginners is the idea of contexts. It is an essential concept for modifying default behaviour. Like everything in <span class="application"><strong>LilyPond</strong></span>, it makes perfect sense: "context" means "context." The three primary contexts are "Voice," "Staff," and "Score." Everything that happens in a score happens in a context - it's just that simple - everything happens in a context! Everything that happens in a score happens in Score context, everything that happens on a staff happens in a Staff context, and everything that happens in a voice happens in a Voice context.
+ </div><div class="para">
+ å°‘ã—ã‚ã‹ã‚Šã‚„ã™ãã™ã‚‹ãŸã‚ã«ã€ï¼“ã¤ã®ä¾‹ã‚’ã‚ã’ã¾ã—ょã†ã€‚
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 曲ã®ã‚¿ã‚¤ãƒˆãƒ«ã¯ã©ã“ã«å±žã—ã¾ã™ã‹ï¼Ÿ
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 楽èœã§ã—ょã†ã‹ã€‚ãã†ã§ã™ã€‚ãªã®ã§ã€ãã‚Œã¯æ¥½èœã‚³ãƒ³ãƒ†ã‚ストã«å±žã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Does it belong on a staff? No, so it doesn't belong in a Staff context.
+ </div></li><li class="listitem"><div class="para">
+ ãã‚Œã¯ã€å£°éƒ¨ã«å±žã—ã¾ã™ã‹ï¼Ÿã„ã„ãˆã€‚ãªãœãªã‚‰ã€å£°éƒ¨ã«ã‚ã‚‹ãŸã‚ã«ã¯ã€äº”ç·šèœã«ãªãã¦ã¯ã„ã‘ã¾ã›ã‚“。
+ </div></li></ul></div>
+ The composition's title doesn't belong on a staff or in a voice, but it does belong on the score, so we say that it happens in the Score context.
+ </div></li><li class="listitem"><div class="para">
+ 音部記å·ã¯ã©ã“ã«å±žã—ã¾ã™ã‹ï¼Ÿ
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ãã‚Œã¯æ¥½èœã«å±žã—ã¾ã™ã‹ï¼Ÿã¯ã„。ãã‚Œã¯éŸ³ç¬¦ã®ä¸€éƒ¨ã§ã™ã‹ã‚‰ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Does it belong on a staff? Yes, because it wouldn't make sense to have a clef off a staff.
+ </div></li><li class="listitem"><div class="para">
+ Does it belong in a voice? No, because it's not related to a specific "line" or voice.
+ </div></li></ul></div>
+ 音部記å·ã¯æ™®é€šã¯äº”ç·šèœã«å±žã—ã€ãã‚Œãžã‚Œã®ãƒ©ã‚¤ãƒ³ã®æœ€åˆã«ã‚ã‚Šã¾ã™ã€‚ãªã®ã§ã€ãã‚Œã¯äº”ç·šèœã®ã‚³ãƒ³ãƒ†ã‚ストã§èµ·ãã‚‹ã€ã¨è¨€ã„ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 音符ã®çŽ‰ã¯ã©ã“ã«å±žã—ã¾ã™ã‹ï¼Ÿ
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ãã‚Œã¯æ¥½èœã«å±žã—ã¾ã™ã‹ï¼Ÿã¯ã„。ãã‚Œã¯éŸ³ç¬¦ã®ä¸€éƒ¨ã§ã™ã‹ã‚‰ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Does it belong on a staff? Yes - even if it's on a ledger line, note-heads are meaningless unless they're on a staff.
+ </div></li><li class="listitem"><div class="para">
+ ãã‚Œã¯å£°éƒ¨ã«å±žã—ã¾ã™ã‹ï¼Ÿã¯ã„。１ã¤ã®ç‰¹å®šã®éŸ³æ¥½ãƒ©ã‚¤ãƒ³ã¯ä¸»ã«ã€éŸ³ç¬¦ã®çŽ‰ã§ç¤ºã•ã‚Œã¾ã™ã‹ã‚‰ã€‚
+ </div></li></ul></div>
+ 音符ã®çŽ‰ã¯ã€ç‰¹å®šã®å£°éƒ¨ã«å±žã—ã¾ã™ã‹ã‚‰ã€ãã‚Œã¯å£°éƒ¨ã‚³ãƒ³ãƒ†ã‚ストã§èµ·ãã‚‹ã€ã¨è¨€ã„ã¾ã™ã€‚
+ </div></li></ol></div>
+
+ </div><div class="para">
+ ã•ã‚‰ã«ç†è§£ã‚’æ·±ã‚ã‚‹ãŸã‚ã€ä»¥ä¸‹ã‚’考ãˆã¦ãã ã•ã„ï¼›
+ </div><div class="para">
+ 本当ã®ä¸–ç•Œã¨åŒã˜ã‚ˆã†ã«ã€<span class="application"><strong>LilyPond</strong></span> ã®ã‚ªãƒ–ジェクトã¯æ½œåœ¨çš„ã«ã¯ã€ã©ã‚“ãªã‚³ãƒ³ãƒ†ã‚ストã«ã§ã‚‚ç¾ã‚Œã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ （ドアã®ã¨ã£ã¦ã®ã‚ˆã†ã«ï¼‰
+ </div></li><li class="listitem"><div class="para">
+ (like a bus driver sitting in a bus' drivers' seat)
+ </div></li><li class="listitem"><div class="para">
+ （スーパーマーケットã§é£Ÿæ–™å“ã‚’è²·ã£ã¦ã„る人ã®ã‚ˆã†ã«ï¼‰
+ </div></li><li class="listitem"><div class="para">
+ （音符ã®çŽ‰ã®éš£ã®ãƒ•ãƒ©ãƒƒãƒˆè¨˜å·ã®ã‚ˆã†ã«ï¼‰
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ... コンテã‚ストã®ã„ãã¤ã‹ã¯æ™®é€šã§ã¯ã‚ã‚Šã¾ã›ã‚“ãŒã€æ„味ã¯ã‚ã‚Šã¾ã™ã€‚...
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ （å£ã«ã¤ã„ãŸãƒ‰ã‚¢ã®ã¨ã£ã¦ã€‚ã‚‚ã—ã€å£ãŒãƒ‰ã‚¢ã®ã‚ˆã†ã«è¦‹ãˆã‚‹ã‚ˆã†ã«è¨è¨ˆã•ã‚ŒãŸãªã‚‰ã°ï¼‰
+ </div></li><li class="listitem"><div class="para">
+ （客å¸ã«åº§ã£ã¦ã„ã‚‹ãƒã‚¹ã®é‹è»¢æ‰‹ã€‚ã‚‚ã—ã€è»Šåº«ã«è¡Œãã¨ã“ã‚ãªã‚‰ã°ã€‚）
+ </div></li><li class="listitem"><div class="para">
+ （角ã®ãŠåº—ã§é£Ÿæ–™å“ã‚’è²·ã†äººã€‚ã‚‚ã—ã€ã‚¹ãƒ¼ãƒ‘ーマーケットãŒé–‰ã¾ã£ã¦ã„ã‚‹ãªã‚‰ã€‚）
+ </div></li><li class="listitem"><div class="para">
+ ï¼ˆæ–‡ç« ã®ãƒ‘ラグラフã«ã¤ã„ã¦ã„るフラット記å·ã€‚ã‚‚ã—ã€ãã®ãƒ‘ラグラフãŒãƒ•ãƒ©ãƒƒãƒˆè¨˜å·ã®ã“ã¨ã‚’書ã„ã¦ã„ã‚‹ãªã‚‰ã€‚）
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ... ãã—ã¦ã€ã‚³ãƒ³ãƒ†ã‚ストã®ã„ãã¤ã‹ã¯æ„味をæˆã—ã¾ã›ã‚“。ã—ã‹ã—ã€ãã‚Œã§ã‚‚èµ·ãå¾—ã¾ã™ã€‚...
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ （テレビã«ã¤ã„ãŸãƒ‰ã‚¢ã®ã¨ã£ã¦ï¼‰
+ </div></li><li class="listitem"><div class="para">
+ （レストランã§ãŠå®¢ã•ã‚“ã«çµ¦ä»•ã™ã‚‹ãƒã‚¹ã®é‹è»¢æ‰‹ï¼‰
+ </div></li><li class="listitem"><div class="para">
+ （政府機関ã®ã‚ªãƒ•ã‚£ã‚¹ã§é£Ÿæ–™å“ã‚’è²·ã†äººï¼‰
+ </div></li><li class="listitem"><div class="para">
+ （ページ番å·ã®ã‚ã‚‹ã¹ãã¨ã“ã‚ã€æ¥½èœã®ä¸Šã®è§’ã«ã‚るフラット記å·ï¼‰
+ </div></li></ul></div>
+
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> ã®è¨è¨ˆè€…ã¯ã€ã“ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã®ã™ã¹ã¦ã®å¯èƒ½ãªä½¿ã„方を考ãˆã‚‹ã®ã¯ç„¡ç†ã ã¨ã€è³¢æ˜Žã«ã‚‚決定ã—ã¾ã—ãŸã€‚ã“ã®ãŸã‚ã€<span class="application"><strong>LilyPond</strong></span> ã¯ã»ã¨ã‚“ã©ã®ã‚³ãƒ³ãƒ†ã‚ストã§ã»ã¨ã‚“ã©ã®è£½ç‰ˆè¨˜å·ã‚’使ãˆã‚‹ã‚ˆã†ã«ã—ã¾ã—ãŸã€‚ã•ã‚‰ã«ã€ã‚³ãƒ³ãƒ†ã‚ストã¯ä»–ã®ã‚³ãƒ³ãƒ†ã‚ストã®ä¸ã§èµ·ãã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚ãã‚Œã¯ã€ã‚‚ã£ã¨ã‚‚ãªã“ã¨ã§ã™ã€‚<code class="literal"> 声部 </code> コンテã‚ストã¯ã€<code class="literal"> äº”ç·šèœ </code> ã«ç¾ã‚Œã¦ã“ãæ„味ãŒã‚ã‚Šã€<code class="literal"> äº”ç·šèœ </code> 㯠<code class="literal"> æ¥½èœ </code> ã«ã‚ã£ã¦ã“ãæ„味ãŒã‚ã‚‹ã®ã§ã™ã€‚
+ </div><div class="para">
+ So, when trying to sort out the context in which something should apply, ask yourself exactly that: "In what context does this apply?" Beams and flags happen in one voice, accidentals apply to a whole staff, and tempo markings apply to the whole score. Although it may take some careful thought to get used to the idea, contexts ultimately make perfect sense.
+ </div></div></div><div class="section" title="12.5.7. ソースファイルã¨ãã®ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆ" id="sect-Musicians_Guide-LilyPond-Syntax-Source_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Source_Files">12.5.7. ソースファイルã¨ãã®ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆ</h3></div></div></div><div class="para">
+ Source files are the text files prepared with instructions telling <span class="application"><strong>LilyPond</strong></span> the content of the score you want it to create. They are so called because these files are the "source" of what you wish to create. As with programming languages, the text inside these files is often referred to as "source code." It sounds scary to think that you must edit code in order to use <span class="application"><strong>LilyPond</strong></span>, but "code" just means that it isn't normal English (or insert-language-here).
+ </div><div class="para">
+ The particular formatting (the placement of tabs, spaces, and newlines) is not determined by <span class="application"><strong>LilyPond</strong></span>, but by individual users. This can be a headache when you encounter somebody else's formatting, but it is one of the keys to the application's flexibility. This guide uses a very specific style of formatting, but it should be understood that this is simply the style of one user, affected by their experiences, and the tasks they usually perform in <span class="application"><strong>LilyPond</strong></span>.
+ </div><div class="para">
+ ã‚ãªãŸã¯ã„ãšã‚Œã€è‡ªåˆ†ã®ã‚„ã‚ŠãŸã„ã“ã¨ã«ã‚ã£ãŸã€è‡ªåˆ†ç‹¬è‡ªã®ã‚¹ã‚¿ã‚¤ãƒ«ã‚’ã¤ãり上ã’ã‚‹ã§ã—ょã†ã€‚ãã®ã¨ãã€å¿ƒã«ãŠã„ã¦ã»ã—ã„ルールã¯ãŸã １ã¤ã§ã™ï¼šã‚½ãƒ¼ã‚¹ãƒ•ã‚¡ã‚¤ãƒ«ã®ä¸ã§ã€ä¸€è²«ã—ã¦ã„ã‚‹ã“ã¨ã€‚ソースファイルãŒä¸€è²«ã—ãŸæ–¹æ³•ã§ãƒ—ãƒã‚°ãƒ©ãƒ ã•ã‚Œã¦ã„ã‚‹ãªã‚‰ã°ã€ãã®ãƒ•ã‚¡ã‚¤ãƒ«ã‚’使ã„ãŸã„ã¨æ€ã†äººï¼ˆæœªæ¥ã®ã‚ãªãŸã‹ã‚‚ã—ã‚Œã¾ã›ã‚“）ã¯èª°ã§ã‚‚ã€ãã‚ŒãŒã©ã®ã‚ˆã†ã«æ§‹æˆã•ã‚Œã¦ã„ã‚‹ã‹ç°¡å˜ã«åˆ¤æ–ã§ãã¾ã™ã€‚
+ </div><div class="section" title="12.5.7.1. ソースファイルã®æ§‹æˆ" id="sect-Musicians_Guide-"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-">12.5.7.1. ソースファイルã®æ§‹æˆ</h4></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> ファイルã¯ã€ã‚³ãƒžãƒ³ãƒ‰ã®é€£ç¶šã¨ã—ã¦ä½œã‚‰ã‚Œã¾ã™ã€‚良ã„ã“ã¨ã‹æ‚ªã„ã“ã¨ã‹ã€<span class="application"><strong>LilyPond</strong></span> インタプリタã¯ã€ã‚½ãƒ¼ã‚¹ãƒ•ã‚¡ã‚¤ãƒ«ã®æ§‹æˆã«é–¢ã—ã¦ã¯ã€ã¨ã¦ã‚‚許容範囲ãŒåºƒã„ã§ã™ã€‚ã“ã‚Œã¯ã€<span class="application"><strong>Frescobaldi</strong></span> ã®ã‚ˆã†ãªè‡ªå‹•æ¥½èœè¨å®šãƒ„ールを使ã†ã¨ãã«ã¯ç‰¹ã«ã€ã©ã“ã«ä½•ã‚’ç½®ãã‹ã«ã¤ã„ã¦ã€èª¤è§£ã‚’ã¾ããã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> ソースファイルã®ä¸€èˆ¬çš„ãªæ§‹æˆã¯ã€ä»¥ä¸‹ã§ã™ï¼š
+<pre class="programlisting">
+\version <em class="replaceable"><code>version_number</code></em>
+
+\header { <em class="replaceable"><code>things like title, composer, and so on</code></em> }
+
+\score
+{
+ \new Staff
+ {
+ <em class="replaceable"><code>notes go here</code></em>
+ }
+
+ \layout
+ {
+ }
+
+ <em class="replaceable"><code>and so on</code></em>
+}
+</pre>
+
+ </div><div class="para">
+ Confusion arises here: for maximum flexibility, <span class="application"><strong>LilyPond</strong></span> allows source files to create its own commands. On hearing this, you may think, "Okay that's it - I don't need advanced commands or any of this stuff, so I'm packing it in and just using Finale!" There's no need to do that just yet - commands are easy! Think of commands - whether you wrote them or they were included with <span class="application"><strong>LilyPond</strong></span> - as a means of text-substition.
+ </div><div class="para">
+ ã“ã‚“ãªé¢¨ã«ã¯ãŸã‚‰ãã¾ã™ï¼š
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ You "define" (create) a command with the form <code class="code"><em class="replaceable"><code>commandName</code></em> = { <em class="replaceable"><code>lots of commands</code></em> }</code>
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ ãã“より後ã§ã€ã©ã“ã§ã‚‚ã€ä½•åº¦ã§ã‚‚ã€å¥½ããªã ã‘ã€ã‚½ãƒ¼ã‚¹ãƒ•ã‚¡ã‚¤ãƒ«ã« <code class="code">\ コマンドå </code> ã¨æ›¸ã‘ã°ãã®ã‚³ãƒžãƒ³ãƒ‰ã‚’使ã†ã“ã¨ãŒã§ãã¾ã™ã€‚<span class="application"><strong>LilyPond</strong></span> ãŒãƒ†ã‚ストã®ãã®éƒ¨åˆ†ã‚’処ç†ã™ã‚‹ã¨ãã€ã‚ãªãŸãŒå®šç¾©ã®ã¨ã“ã‚ã«æ›¸ã„ãŸã‚‚ã®ã«ç½®ãæ›ã‚ã‚Šã¾ã™ã€‚
+ </div></li></ol></div><div class="para">
+ It's as easy as 1-2!
+ </div><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> （ãã—ã¦ã»ã¨ã‚“ã©ã® <span class="application"><strong>LilyPond</strong></span> ユーザ）ã¯ã“ã®æ©Ÿèƒ½ã‚’利用ã—ã¦ã€ã‚ˆã構æˆã•ã‚Œã€ä½¿ã„ã‚„ã™ã„ソースファイルを作æˆã—ã¾ã™ã€‚
+ </div><div class="para">
+ ã“ã‚Œã¯ã€<span class="application"><strong>Frescobaldi</strong></span> ãŒã‚ãªãŸã®ãŸã‚ã«ç”Ÿæˆã—ãŸã‹ã‚‚ã—ã‚Œãªã„ã€è‰¯ã„テンプレートソースファイルã§ã™ï¼š
+<pre class="programlisting">
+\version "2.12.2"
+
+\header
+{
+ title = "Empty Example"
+}
+
+violin = \relative c''
+{
+ \key c \major
+ \time 4/4
+ % Music follows here.
+
+ <em class="replaceable"><code>Put your music here</code></em>
+}
+
+\score
+{
+ \new Staff \with
+ {
+ instrumentName = "Violin"
+ }
+ \violin
+ \layout { }
+}
+</pre>
+
+ </div><div class="para">
+ ã“ã®ä¾‹ã¯å¤šãã®çµ„ã¿è¾¼ã¿ã‚³ãƒžãƒ³ãƒ‰ (<code class="literal">\relative</code> ã‚„ <code class="literal">\key</code>) を使ã„〠<code class="literal">violin</code> コマンドを定義ã—ã¾ã™ã€‚ <span class="application"><strong>Frescobaldi</strong></span> ã¯ã€ <code class="literal">% Music follows here.</code> コメントをã€ãã“ã«éŸ³ç¬¦ã‚’入力ã™ã‚‹ã¹ãå ´æ‰€ã«å…¥ã‚Œã¾ã™ã€‚ã‚ãªãŸã®éŸ³ç¬¦ã¯ã€ <code class="literal">violin</code> セクションã«å±žã™ã‚‹ã“ã¨ã«æ³¨æ„ãã ã•ã„。ã‚ãªãŸã¯ã€ <code class="literal">violin</code> コマンドã®éƒ¨åˆ†ã‚’書ãã¨ã„ã†ã“ã¨ã§ã™ã€‚
+ </div><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> separates the violin's notes from the <code class="literal">\score</code> section so that the source file is easier to read. You can fix errors more easily in well-organized source files. If you complete the following tutorials, you will learn three strategies to organize sources files.
+ </div><div class="para">
+ <code class="literal">\layout</code> セクションã¯ã€ã“ã®ä¾‹ã§ã¯ç©ºã§ã™ã€‚<code class="literal">\score</code> セクションã¨åŒã˜ã‚ˆã†ã«ã€ <code class="literal">\layout</code> ã¯ã‚³ãƒžãƒ³ãƒ‰ã§ã™ã€‚ <code class="literal">\layout</code> コマンドã¯ã€ LilyPond ã«ã€æ¥½èœã‚’出力ã™ã‚‹ã‚ˆã†ã«æŒ‡ç¤ºã—ã¾ã™ã€‚進んã ユーザã¯ã¨ãã«ã¯ã€ <code class="literal">\layout</code> コマンドを削除ã™ã‚‹ã“ã¨ã‚‚ã‚ã‚Šã¾ã™ãŒã€ã»ã¨ã‚“ã©ã®ã‚½ãƒ¼ã‚¹ãƒ•ã‚¡ã‚¤ãƒ«ã¯ãれを使ã„ã¾ã™ã€‚
+ </div></div></div><div class="section" title="12.5.8. 誤りをé¿ã‘ã‚‹ã«ã¯" id="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors">12.5.8. 誤りをé¿ã‘ã‚‹ã«ã¯</h3></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> シンタックスã¯ã€éŸ³æ¥½ã®èª¤ã‚Šã‚’é¿ã‘ã‚‹ã®ã‚’助ã‘ã‚‹ï¼’ã¤ã®çµ„ã¿è¾¼ã¿ã‚·ãƒ³ãƒœãƒ«ã‚’æŒã¡ã¾ã™ã€‚オクターブãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã¯éŸ³ç¬¦ãŒæ„図ã—ãŸã‚ªã‚¯ã‚¿ãƒ¼ãƒ–ã«ã‚ã‚‹ã“ã¨ã‚’ä¿è¨¼ã—ã¾ã™ã€‚å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã¯ã€å°ç¯€ç·šãŒæ„図ã—ãŸã¨ãŠã‚Šã§ã‚ã‚‹ã“ã¨ã‚’ä¿è¨¼ã—ã¾ã™ã€‚
+ </div><div class="section" title="12.5.8.1. オクターブãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«" id="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Octave_Check_Symbol"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Octave_Check_Symbol">12.5.8.1. オクターブãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«</h4></div></div></div><div class="para">
+ オクターブãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã¯ã€ç›¸å¯¾éŸ³ç¨‹ã‚’ã€ãã®å¯¾å¿œã™ã‚‹çµ¶å¯¾éŸ³ç¨‹ã¨æ¯”ã¹ã¾ã™ã€‚ã‚‚ã—音程ãŒé•ã†ã¨ã€<span class="application"><strong>LilyPond</strong></span> ã¯è¦å‘Šã‚’表示ã—ã€çµ¶å¯¾éŸ³ç¨‹ã§ç¶šã‘ã¾ã™ã€‚<span class="application"><strong>LilyPond</strong></span> ãŒè¦å‘Šã‚’表示ã—ãŸã‚‰ã€ç›¸å¯¾éŸ³ç¨‹ã‚’ä¿®æ£ã—ã¦ãã ã•ã„。
+ </div><div class="para">
+ The octave-check symbols is <code class="literal">=</code>. The symbol appears after the note, and is followed by a comma (<code class="literal">,</code>), apostrophe (<code class="literal">'</code>), or neither, depending on the intended relative octave of the pitch.
+ </div><div class="para">
+ Here is an example use of the octave-check symbol: <code class="code">c'='''</code>. In this example, the absolute pitch is <code class="code">c'''</code>, which <span class="application"><strong>LilyPond</strong></span> knows because of the <code class="code">c</code> at the left, and the <code class="code">'''</code> after the <code class="code">=</code> symbol.
+ </div><div class="para">
+ How does this example work: <code class="code">c'=4</code> ? There is a <code class="code">4</code> after the <code class="code">=</code> symbol instead of a comma or apostrophe. The absolute pitch is <code class="code">c</code>, which <span class="application"><strong>LilyPond</strong></span> knows because of the <code class="code">c</code> to the left of the <code class="code">=</code> symbol, and because there is no comma or apostrophe to the right of the <code class="code">=</code> symbol. <span class="application"><strong>LilyPond</strong></span> understands the <code class="code">4</code> as "quarter note."
+ </div><div class="para">
+ オクターブãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã¯ã€å¿…è¦ã¨æ€ã†ã¨ãã«ä½¿ã£ã¦ãã ã•ã„。新ã—ã„ユーザã¯ã€çµŒé¨“豊ã‹ãªãƒ¦ãƒ¼ã‚¶ã«æ¯”ã¹ã¦ã€ã‚ªã‚¯ã‚¿ãƒ¼ãƒ–ãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã‚’ã‚ˆã‚Šé »ç¹ã«ä½¿ã†ã‚ˆã†ã§ã™ã€‚
+ </div></div><div class="section" title="12.5.8.2. å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«" id="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol">12.5.8.2. å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«</h4></div></div></div><div class="para">
+ å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã¯ã€å°ç¯€ç·šãŒéŸ³æ¥½ã®ãã®éƒ¨åˆ†ã«æã‹ã‚Œã¦ã„ã‚‹ã‹ã‚’テストã—ã¾ã™ã€‚å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã¨ã€æ¥½èœã®å°ç¯€ç·šãŒä¸€è‡´ã—ã¦ã„ãªã„ã¨ã€<span class="application"><strong>LilyPond</strong></span> ã¯è¦å‘Šã‚’表示ã—ã¾ã™ã€‚<span class="application"><strong>LilyPond</strong></span> ã¯ã€éŸ³æ¥½ã®å‡¦ç†ã‚’続行ã—ã€è‡ªå‹•çš„ã«ãªã‚“らã‹ã®éŸ³ã®é•·ã•ã‚’変更ã™ã‚‹ã“ã¨ã¯ã‚ã‚Šã¾ã›ã‚“。
+ </div><div class="para">
+ å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã¯ã€ãƒ‘イプ文å—ã€<code class="literal">|</code> ã§ã™ã€‚ã™ã¹ã¦ã®å°ç¯€ç·šã®å¾Œã«å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã‚’ç½®ãã€ï¼‘è¡Œã«ï¼‘å°ç¯€ã ã‘を入力ã™ã‚‹ã®ã‚’勧ã‚ã¾ã™ã€‚ãã®æ–¹ãŒã€èª¤ã‚Šã‚’ã™ã‚‹ã®ãŒå°‘ãªããªã‚‹ã¯ãšã§ã™ã€‚
+ </div><div class="para">
+ ã“ã®ä¾‹ã¯æ£ã—ãã€<span class="application"><strong>LilyPond</strong></span> ã¯è¦å‘Šã‚’表示ã—ã¾ã›ã‚“：
+<pre class="programlisting">
+\time 4/4
+c4 c c c |
+c4 c c c |
+</pre>
+ ï¼”ã¤ã®ï¼”分音符ãŒãã‚Œãžã‚Œã®å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã®é–“ã«ã‚ã‚Šã€ã“ã®æ‹åã«ãŠã‘ã‚‹æ£ã—ã„æ•°ã®æ‹ã§ã™ã€‚
+ </div><div class="para">
+ ã“ã®ä¾‹ã¯èª¤ã‚Šã§ã€<span class="application"><strong>LilyPond</strong></span> ã¯è¦å‘Šã‚’表示ã—ã¾ã™ã€‚
+<pre class="programlisting">
+\time 4/4
+c4 c2 c4 |
+c4 c2 c |
+c4 c2 c4 |
+</pre>
+ ã“ã®ä¾‹ã¯ã€åŒã˜ãƒ‘ターンã®ï¼“ã¤ã®å°ç¯€ãŒã‚ã‚Šã¾ã™ï¼š <code class="literal">c4 c2 c4</code> 。二å°ç¯€ç›®ã¯æœ€å¾Œã®ï¼”分音符 (<code class="literal">4</code>) ãŒãªãã€<span class="application"><strong>LilyPond</strong></span> ã¯ã€ï¼‘ã¤ã®ï¼”分音符ã¨ã€ãã‚Œã«ç¶šãï¼’ã¤ã®ï¼’分音符を出力ã—ã¾ã™ã€‚二å°ç¯€ã¯ã€ï¼•æ‹ã«ãªã‚‹ã®ã§ã€å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã¨å°ç¯€ç·šã¯ã€ï¼”ã¤ã‚ã®æ‹ä»¥é™ã€ä¸€è‡´ã—ãªããªã‚Šã¾ã™ã€‚<span class="application"><strong>LilyPond</strong></span> ã¯ã€äºŒå°ç¯€ç›®ã®æœ€å¾Œã®å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã«æ¥ãŸã¨ã“ã‚ã§è¦å‘Šã‚’表示ã—ã¾ã™ã€‚
+ </div><div class="para">
+ ã“ã®ä¾‹ã‚’見ã¦ãã ã•ã„。
+<pre class="programlisting">
+\time 4/4
+c2 c c c |
+c4 c c c |
+</pre>
+ 最åˆã®å°ç¯€ã¯ã€ï¼”ã¤ã®ï¼’分音符ãŒã‚ã‚Šã€è¨±ã•ã‚Œã‚‹æ‹ã®å€ã§ã™ã€‚<span class="application"><strong>LilyPond</strong></span> ã¯ã€æœ€åˆã®å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã®ã¨ã“ã‚ã§è¦å‘Šã‚’表示ã—ã¾ã™ã€‚
+ </div><div class="para">
+ ファイルã®ï¼‘ã¤ã®èª¤ã‚Šã®ãŸã‚ã«ã€ã¨ãã«ã¯ <span class="application"><strong>LilyPond</strong></span> ãŒãŸãã•ã‚“ã®è¦å‘Šã‚’表示ã™ã‚‹ã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ãŒã€ <span class="application"><strong>LilyPond</strong></span> ã«ã€å°ç¯€ç·šã‚’挿入ã•ã›ã‚‹ã¨ã„ã†ã“ã¨ã¯ã‚ã‚Šã¾ã›ã‚“。 <span class="application"><strong>LilyPond</strong></span> ã¯ã€ãƒ•ã‚¡ã‚¤ãƒ«ã®ã¨ãŠã‚Šã®é•·ã•ã§éŸ³ç¬¦ã‚’入れ続ã‘ã¾ã™ã€‚以下ã®ä¾‹ã¨ã€ <span class="application"><strong>LilyPond</strong></span> ã®å‡ºåŠ›ã‚’見ã¦ãã ã•ã„。
+<pre class="programlisting">
+\time 4/4
+c4 c2 c4 |
+c4 c2 c |
+c4 c2 c4 |
+</pre>
+
+<pre class="programlisting">
+Interpreting music...
+example.ly:3:10: warning: barcheck failed at: 1/4
+ c4 c2 c
+ |
+</pre>
+ 二å°ç¯€ç›®ã®èª¤ã‚Šã®ãŸã‚ã€å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã®ã¨ã“ã‚ã§è¦å‘ŠãŒå‡ºã¾ã™ã€‚ <span class="application"><strong>LilyPond</strong></span> ã¯éŸ³ç¬¦ã®é•·ã•ã‚’変ãˆãªã„ã®ã§ã€äºŒå°ç¯€ç›®ã®çµ‚ã‚ã‚Šã®ï¼’分音符ã¯äºŒå°ç¯€ç›®ã®ï¼”æ‹ç›® <span class="emphasis"><em>ã¨</em></span> 三å°ç¯€ç›®ã®æœ€åˆã®æ‹ã‚’å ã‚ã¾ã™ã€‚三å°ç¯€ç›®ã¯å››æ‹ã‚ã£ã¦æ£ã—ã„ã§ã™ãŒã€ <span class="application"><strong>LilyPond</strong></span> ã¯æœ€å¾Œã®ï¼”分音符ã®å¾Œã§ãªãã€ãã®å‰ã«å°ç¯€ç·šã‚’期待ã™ã‚‹ãŸã‚ã€å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã¯è¦å‘Šã‚’表示ã—ã¾ã™ã€‚
+ </div><div class="para">
+ 混乱を防ããŸã‚ã«ã‚‚ã€ã¾ãšæœ€åˆã®è¦å‘Šã‚’ä¿®æ£ã—ã¦ã€ãƒ•ã‚¡ã‚¤ãƒ«ã‚’å†åº¦å‡¦ç†ã—ã€æ®‹ã‚Šã®è¦å‘Šã‚’ä¿®æ£ã™ã‚‹ã®ãŒã‚ˆã„ã§ã™ã€‚１ã¤ã®èª¤ã‚ŠãŒã€å¤šãã®è¦å‘Šã‚’生むã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚
+ </div></div></div></div><div xml:lang="ja-JP" class="section" title="12.6. 対ä½æ³•ã®èª²é¡Œã‚’ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" id="sect-Musicians_Guide-LilyPond-Counterpoint" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint">12.6. 対ä½æ³•ã®èª²é¡Œã‚’ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</h2></div></div></div><div class="para">
+ Imagine you're in Counterpoint class, and you've been asked to submit a very clean copy of your next assignment. Since you don't want to pay $450,000 for a commercially-available engraving solution and a fruity computer to use it, you decide that LilyPond is the solution for you.
+ </div><div class="section" title="12.6.1. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«" id="sect-Musicians_Guide-LilyPond-Counterpoint-Tutorial_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Tutorial_Files">12.6.1. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</h3></div></div></div><div class="para">
+ ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã‚’ã™ã‚‹ã®ã«ã€ã“れらã®ãƒ•ã‚¡ã‚¤ãƒ«ã¯ä¸è¦ã§ã™ã€‚ã“ã‚Œã¯ã€å®Œæˆã—ãŸä¾‹ã§ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle">LilyPond Input File</em> at <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/LilyPond/Counterpoint-source.ly">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/LilyPond/Counterpoint-source.ly</a>
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">PDF Output File</em> at <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/LilyPond/Counterpoint-result.pdf">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/LilyPond/Counterpoint-result.pdf</a>
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="12.6.2. 楽èœã‚’開始ã™ã‚‹" id="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score">12.6.2. 楽èœã‚’開始ã™ã‚‹</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Frescobaldi ã§æ–°è¦æ–‡æ›¸ã‚’é–‹ãã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Use the 'LilyPond > Setup New Score' dialogue
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Set the title and composer (and any other field) on the 'Titles and Headers' tab
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ You need a two staves, so you go to 'Parts' then 'Keyboard' then 'Piano'
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ You need to label the intervals between the notes, so you choose 'Special' then 'Figured Bass' (we'll put it in the right spot later
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ You go to the 'Score settings' tab
+ </div><ol class="a"><li class="step" title="ステップ 6.a"><div class="para">
+ since you've already played through this example, uncheck "Create MIDI output" and save processing time
+ </div></li><li class="step" title="ステップ 6.b"><div class="para">
+ 例ã¯ãƒ˜é•·èª¿ã§ã™ã€‚
+ </div></li><li class="step" title="ステップ 6.c"><div class="para">
+ You want only whole notes, with no barlines; choose a 4/4 time signature, since we'll change this later.
+ </div></li></ol></li><li class="step" title="ステップ 7"><div class="para">
+ Press 'Try' to get a preview of the score setup - the notes are demonstrative and will not be there
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ If the setup looks like you want it, then press 'OK' to generate the template
+ </div></li></ol></div></div><div class="section" title="12.6.3. Adjust Frescobaldi's Output" id="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output">12.6.3. Adjust Frescobaldi's Output</h3></div></div></div><div class="para">
+ For this tutorial, Frescobaldi's default output is good enough.
+ </div></div><div class="section" title="12.6.4. 音符を入力ã™ã‚‹" id="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting">12.6.4. 音符を入力ã™ã‚‹</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Look over the template. It's not important to understand what any of this means, but it's good if you can figure it out.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ The piano's upper staff will contain the notes between the <code class="literal">{</code> and <code class="literal">}</code> following the <code class="code">right = \relative c''</code> portion
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ The piano's lower ... left
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ æ•°å—付ã低音ã¯ã€ã‚ãªãŸãŒ figBass ã«å…¥ã‚ŒãŸã‚ˆã†ã«ãªã‚Šã¾ã™ã€‚訳注：通å¥ä½ŽéŸ³ã®ã‚³ãƒ¼ãƒ‰ã‚’æ•°å—ã§æŒ‡å®šã™ã‚‹è¡¨è¨˜ã§ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ start with the piano's upper part. Input "f1 g a f d e f c a f g f" (explain)
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ Check that it's right. Preview by press the "LilyPond" button on the toolbar
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ The exercise starts too high, and it ends too low. Change the starting pitch by " right = \relative c' "
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ ã‚‚ã†ä¸€åº¦ãƒ—レビューをã—ã¾ã™ã€‚ã‚‚ã¡ã‚ã‚“ã€ã¾ã 終ã‚ã‚Šã¯ä½Žã™ãŽã¾ã™ã€‚（ã“ã†ã„ã†ã‚·ãƒ³ãƒ—ルãªèª²é¡Œã¯ã€æ™®é€šã¯ã€é–‹å§‹ã¨çµ‚了ãŒåŒã˜éŸ³ã§ã™ã€‚）
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ Put a ' right after the c so that it goes to the upper C
+ </div></li><li class="step" title="ステップ 10"><div class="para">
+ Preview again, and this time it's right.
+ </div></li><li class="step" title="ステップ 11"><div class="para">
+ Now, enter the notes that you've written for the piano's lower staff: "f1 e d c bes c bes f d bes e f"
+ </div></li><li class="step" title="ステップ 12"><div class="para">
+ 出力をもã†ä¸€åº¦ãƒ—レビューã—ã¾ã™ã€‚開始ã¯é«˜ã™ãŽã¾ã™ãŒã€çµ‚了ã¯æ£ã—ã„音程ã§ã™ã€‚
+ </div></li><li class="step" title="ステップ 13"><div class="para">
+ Fix the start-too-high by changing to " left = \relative c { "
+ </div></li><li class="step" title="ステップ 14"><div class="para">
+ Preview again, and decide where to fix the other change (NB: I end up with "f1 e d c bes c bes f' d bes e f"
+ </div></li><li class="step" title="ステップ 15"><div class="para">
+ Enter the interval number between the top and bottom between the { and } preceded by " figBass = \figuremode "
+ </div></li><li class="step" title="ステップ 16"><div class="para">
+ You have to put each interval between < > brackets. The note-length of the figure's duration goes after the >, so I end up with "<1>1 <3> <5> <4> <3> <3> <5> <5> <5> <5> <3> <1>"
+ </div></li><li class="step" title="ステップ 17"><div class="para">
+ ã•ã¦ã€ã“ã®ä½œå“ã«ã¯ã„ãã¤ã‹ã®é‡å¤§ãªèª¤ã‚ŠãŒã‚ã‚‹ã“ã¨ã«æ°—ãŒä»˜ãã¾ã—ãŸã€‚一番上ã®èœè¡¨ã¯å®šæ—‹å¾‹ãªã®ã§ã€å¤‰ãˆã‚‹ã“ã¨ã¯ã§ãã¾ã›ã‚“。下ã®èœè¡¨ã‚’ç›´ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 18"><div class="para">
+ I've ended up with a lower part that is "f1 e d a bes c d e f d c f", which gives figures that are "<1>1 <3> <5> <6> <3> <3> <3> <6> <3> <3> <5> <1>"
+ </div></li></ol></div></div><div class="section" title="12.6.5. 楽èœã‚’フォーマットã™ã‚‹" id="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score">12.6.5. 楽èœã‚’フォーマットã™ã‚‹</h3></div></div></div><div class="para">
+ 楽èœã‚’フォーマットã™ã‚‹ã®ã¯ã€éŸ³ç¬¦ã‚’入れ終ã‚ã£ã¦ã‹ã‚‰ã«ã™ã‚‹ã“ã¨ã‚’ãŠå‹§ã‚ã—ã¾ã™ã€‚入力を終ã‚ã£ã¦ã‹ã‚‰ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆã™ã‚Œã°ã€ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆã®ã‚¨ãƒ©ãƒ¼ã‚’é¿ã‘ã‚‹ã®ã«å½¹ç«‹ã¡ã¾ã™ã€‚LilyPond ã¯ã€ã“ã®ã‚¢ãƒ—ãƒãƒ¼ãƒã«é–¢ã—ã¦ã€åŠ¹çŽ‡çš„ã§ã™ã€‚
+ </div><div class="section" title="12.6.5.1. æ•°å—付ã低音を移動ã™ã‚‹" id="sect-Musicians_Guide-LilyPond-Counterpoint-Move_the_Figured_Bass"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Move_the_Figured_Bass">12.6.5.1. æ•°å—付ã低音を移動ã™ã‚‹</h4></div></div></div><div class="para">
+ Normally, figured bass parts are below the staves. This example is using the figured-bass feature of LilyPond to do something else, so we're going to move the figured bass so that it's where it needs to be.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ \score{ } セクションã¯ã€æ¥½èœã«ã‚ã‚‹ã™ã¹ã¦ã‚’å«ã¿ã¾ã™ã€‚æ•°å—付ã低音ã¯ã€\bassFiguresPart ã¨ã„ã†è˜åˆ¥åã‚’æŒã£ã¦ã„ã¾ã™ã€‚ã“れを削除ã—ã¾ã—ょã†ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ scroll up to where it says "bassFiguresPart = ... " and comment it with %
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ scroll up to where it says "pianoPart = ... " and enter the "\new FiguredBass \figBass" line that you just commented out, on a line between the "right" and "left" staves
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ (2) ã§ã‚³ãƒ¡ãƒ³ãƒˆã«ã—ãŸéƒ¨åˆ†ã‚’削除ã—ã¾ã™ã€‚（ã‚ã‚‹ã„ã¯ã€ãã®ã¾ã¾ã«ã—ã¾ã™ã€‚）
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ ファイルをプレビューã—ã¦ã€æ•°å—付ã低音ãŒãƒ”アノã®èœè¡¨ã®é–“ã«ç¾ã‚Œã‚‹ã®ã‚’確èªãã ã•ã„。
+ </div></li></ol></div></div><div class="section" title="12.6.5.2. Remove the Word "Piano" at the Start" id="sect-Musicians_Guide-LilyPond-Counterpoint-Remove_the_Word_Piano"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Remove_the_Word_Piano">12.6.5.2. Remove the Word "Piano" at the Start</h4></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Find the part that begins "pianoPart = ... " and erase the "instrumentName ... " line (or comment it)
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Preview the file, and see that it no longer says, "Piano"
+ </div></li></ol></div></div><div class="section" title="12.6.5.3. ã„ãã¤ã‹ã®è¦ç´ ã‚’é€æ˜Žã«ã™ã‚‹" id="sect-Musicians_Guide-LilyPond-Counterpoint-Make_some_Elements_Transparent"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Make_some_Elements_Transparent">12.6.5.3. ã„ãã¤ã‹ã®è¦ç´ ã‚’é€æ˜Žã«ã™ã‚‹</h4></div></div></div><div class="para">
+ ã“ã‚Œã¯ã€ã‚ˆã‚Šé€²ã‚“ã 技を使ã„ã¾ã™ã€‚ã“れらã®ã‚³ãƒžãƒ³ãƒ‰ã‚’説明ã—ã¾ã™ã€‚
+ </div><div class="para">
+ Every layout object has a "stencil" property. By default, this is set to whatever function draws the object. If you set that property to #f, which means "false", then the drawing function is not called, and the object will not appear on the score.
+ </div><div class="para">
+ Every layout object also has a "transparent" property. By default, this is set to #f ("false"). Setting it to #t ("true") will make the object transparent.
+ </div><div class="para">
+ You can use "\once \override ..." or \revert ..." too
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Find the "global" section
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ After \key and \time, put " \override Score.BarLine #'stencil = ##f "
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Preview the file, and see that this doesn't work quite as intended.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ It so happens that, while measure lines within a staff are handled by Staff.BarLine, measure lines between staves are handled by Staff.SpanBar; so you'll need to set its 'transparent symbol to #t also
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ But there's still no measure-line at the end! You want a barline at the end, so pick one of the staves (right, left, figBass - it doesn't matter in this case) and use the \revert command (don't know if I should put this in, but: "\revert Score.BarLine #'transparent and \revert Score.SpanBar #'transparent")
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ But even this isn't quite right. You want a double-barline at the end. So, put the cursor after the \revert lines, and then from the menu, 'LilyPond > Bar Lines > Ending Bar Line' . It knows what you want, remembers the symbol for you, so you don't have to!
+ </div></li></ol></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Staff.* 㨠Score.* ã®ä¸Šæ›¸ãã«ã¤ã„ã¦èª¬æ˜Žã™ã‚‹ã“ã¨ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Unlike with some other elements, if you simply remove the "\time 4/4" indicator, it will still print the default 4/4 time signature.
+ </div></li><li class="listitem"><div class="para">
+ ã“ã®ä¾‹ã¯ã€éŸ³æ¥½çš„ã«ã¯å˜ç´”ã§ã—ãŸãŒã€é€²ã‚“ã 概念をå«ã¿ã€åˆå¿ƒè€…ãŒæŒã¡ãŒã¡ãªã‚ˆãã‚ã‚‹ã€ï¼ˆãŸã—ã‹ã«ã‚‚ã£ã¨ã‚‚ãªï¼‰ãŠãれを克æœã™ã‚‹ã®ã«å¤§ã„ã«å½¹ã«ç«‹ã£ãŸã¨æ€ã„ã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></div></div></div><div xml:lang="ja-JP" class="section" title="12.7. Work on an Orchestral Score (Tutorial)" id="sect-Musicians_Guide-LilyPond-Orchestra" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra">12.7. Work on an Orchestral Score (Tutorial)</h2></div></div></div><div class="para">
+ Scenario: You volunteer at a community orchestra, and the conductor decides to play a Haydn symphony. The orchestra does not own any Haydn symphonies, so the conductor asks you if you can help to find a full score and parts. You find a book with the conductor's score, but no parts. You decide to input the score in LilyPond, which will allow you to easily create the missing parts.
+ </div><div class="para">
+ This tutorial uses the first movement of Joseph Haydn's "Sinfonia No. 92: Oxford."
+ </div><div class="para">
+ When following this tutorial, it is recommended that the reader follows along, creating their replica of this tutorial's PDF.
+ </div><div class="section" title="12.7.1. Files for the Tutorial" id="sect-Musicians_Guide-LilyPond-Orchestra-Tutorial_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Tutorial_Files">12.7.1. Files for the Tutorial</h3></div></div></div><div class="para">
+ You do not need the <span class="application"><strong>LilyPond</strong></span> input file to do the tutorial. You do need the PDF output file to do the tutorial. Use the input file if you encounter problems, or to check your result.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle">LilyPond Input File</em> at <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/LilyPond/Orchestra-source.ly">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/LilyPond/Orchestra-source.ly</a>
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">PDF Output File</em> at <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/LilyPond/Orchestra-result.pdf">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/LilyPond/Orchestra-result.pdf</a>
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="12.7.2. Start the Score" id="sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score">12.7.2. Start the Score</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ 'LilyPond > Setup New Score'
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ "Titles and Headers" Tab:
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Dedication: Comte d'Ogny and Prince Oettingen-Wallerstein
+ </div></li><li class="listitem"><div class="para">
+ Title: Sinfonia No. 92
+ </div></li><li class="listitem"><div class="para">
+ Subtitle: "Oxford"
+ </div></li><li class="listitem"><div class="para">
+ Composer: Haydn, Joseph
+ </div></li><li class="listitem"><div class="para">
+ all the rest are blank
+ </div></li></ul></div></li><li class="step" title="ステップ 3"><div class="para">
+ "Parts" Tab:
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Flute, 2 of Oboe, Bassoon
+ </div></li><li class="listitem"><div class="para">
+ Horn in F, Trumpet in C
+ </div></li><li class="listitem"><div class="para">
+ Timpani
+ </div></li><li class="listitem"><div class="para">
+ Violin, Violin, Viola, Cello, Contrabass
+ </div></li></ul></div></li><li class="step" title="ステップ 4"><div class="para">
+ "Score settings" Tab:
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Key signature: G Major
+ </div></li><li class="listitem"><div class="para">
+ Time signature: 3/4
+ </div></li><li class="listitem"><div class="para">
+ Tempo indication: Adagio
+ </div></li><li class="listitem"><div class="para">
+ other settings as desired; I recommend not remocing bar numbers, and removing the default tagline
+ </div></li></ul></div></li><li class="step" title="ステップ 5"><div class="para">
+ Click "Try" to see if it works. The instrument names will not be the same as the PDF score. This will be fixed later.
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ Click "OK" to generate the score.
+ </div></li></ol></div></div><div class="section" title="12.7.3. Adjust Frescobaldi's Output" id="sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output">12.7.3. Adjust Frescobaldi's Output</h3></div></div></div><div class="para">
+ These steps are useful in establishing a consistent input style for LilyPond. The things suggested here are also useful for getting used to working with large scores, which can be a challenge in any text editor. Thankfully, careful (and consistent!) code organization goes a long way in helping you to quickly find your way around your files. Setting up files the right way to begin with makes this much easier in the end.
+ </div><div class="para">
+ When you first setup the score, Frescobaldi will have created many sections for you by default. The program avoids making too many stylistic choices for you, which allows you to create your own style. It also sets up the default sections in a logical way:
+<div class="literallayout"><p>version<br />
+ header<br />
+ widely-used settings like tempoMark and "global"<br />
+ individual parts<br />
+ score formatting<br />
+</p></div>
+ The specific ordering will become more obvious to you as you get used to LilyPond.
+ </div><div class="para">
+ Here are some of the things that I do before inputting notes:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Use section-dividers (like <code class="code">%%%%%%%% NOTES %%%%%%%%</code> for individual parts) to demarcate sections.
+ </div></li><li class="listitem"><div class="para">
+ Use different levels of dividers (like <code class="code">%%%% OBOE %%%%</code> for the oboe) to show sub-sections
+ </div></li><li class="listitem"><div class="para">
+ Add blank lines between large sections, to separate them more obviously
+ </div></li><li class="listitem"><div class="para">
+ Begin braces on new lines, like
+<div class="literallayout"><p>\header<br />
+ {<br />
+   title = "Symphony"<br />
+ Â Â ...<br />
+ }<br />
+</p></div>
+ instead of on the same line, like
+<div class="literallayout"><p>\header {<br />
+   title = "Symphony"<br />
+ Â Â ...<br />
+ }<br />
+</p></div>
+ This is simply a matter of personal taste, resulting from prior experience with C and C-like programming languages.
+ </div></li><li class="listitem"><div class="para">
+ Familiarize myself with the sections and commands created by Frescobaldi, getting a sense of what the section/command does (even if I don't understand what each specific command does). This makes it easier to sort out problems and customization down the road. Sometimes, when the setup is quite complex, I make comments about what seems to be going on.
+ </div></li><li class="listitem"><div class="para">
+ Change the instrument names to replicate what my score indicates. You don't necessarily need to do this, so long as the people using your score will understand what the instruments are. Since my goal is to replicate this Dover edition score, I will change the names.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ In the "PARTS" section, each xPart section has an "instrumentName = "something"" field.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ We'll be changing those to the following Italian names:
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Flute --> Flauto
+ </div></li><li class="listitem"><div class="para">
+ Oboe I --> I Oboe
+ </div></li><li class="listitem"><div class="para">
+ Oboe II --> II Oboe
+ </div></li><li class="listitem"><div class="para">
+ Bassoon --> 2 Fagotti
+ </div></li><li class="listitem"><div class="para">
+ Horn in F --> 2 Corni in Sol (NB: these would have been "natural horns")
+ </div></li><li class="listitem"><div class="para">
+ Trumpet in C --> 2 Clarini in Do (NB: a clarino is a kind of trumpet)
+ </div></li><li class="listitem"><div class="para">
+ Violin I --> Violino I
+ </div></li><li class="listitem"><div class="para">
+ Violin II --> Violino II
+ </div></li><li class="listitem"><div class="para">
+ Cello --> Violoncello obligato
+ </div></li><li class="listitem"><div class="para">
+ Contrabass --> Basso
+ </div></li></ul></div></li><li class="step" title="ステップ 3"><div class="para">
+ Now we have to change the horns' transposition to match the name. This is because Frescobaldi added a "Horn in F" part, which is the most common horn transposition. However, Haydn's score uses horns in G (or "Sol" in Italian).
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Scroll up to the "hornF" section under the NOTES marker. Change the line <code class="code">\transposition f</code> to <code class="code">\transposition g</code>.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ As it turns out, transposition can be a little more complicated than that. We'll deal with that when we get there.
+ </div></li></ol></div></li></ul></div>
+
+ </div></div><div class="section" title="12.7.4. Input Notes" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting">12.7.4. Input Notes</h3></div></div></div><div class="para">
+ This tutorial offers step-by-step instructions representing one way to input the score. Only the part before "Allegretto" will be inputted. The full first movement is included in the PDF file, so you can input it yourself.
+ </div><div class="section" title="12.7.4.1. Start with the Easy Part" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Start_with_the_Easy_Part"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Start_with_the_Easy_Part">12.7.4.1. Start with the Easy Part</h4></div></div></div><div class="para">
+ The best way to get started on large scores is to just start with something easy. Nothing can be easier than doing nothing, so let's first input the multi-measure rests in the wind sections and timpani.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Count the number of measures of rests. In this case, all of the winds and the timpani have thirteen or more measures of rests before their first entrance.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Let's put in those thirteen measures first.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 2.1"><div class="para">
+ In the NOTES section, find the flute section, and put in <code class="code">R2.*13 |</code>.
+ </div></li><li class="step" title="ステップ 2.2"><div class="para">
+ The <code class="literal">R</code> symbol means "full-bar rest" (or "full-measure rest"). LilyPond draws full-bar rests differently than rests than rests that simply take up the length of a whole bar.
+ </div></li><li class="step" title="ステップ 2.3"><div class="para">
+ The <code class="literal">|</code> symbol is a bar-check symbol. See <a class="xref" href="#sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol" title="12.5.8.2. å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«">「å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã€</a> for more information.
+ </div></li><li class="step" title="ステップ 2.4"><div class="para">
+ Copy and past that into the rest of the winds and the timpani.
+ </div></li></ol></div></li><li class="step" title="ステップ 3"><div class="para">
+ The timpani and trumpet/clarini parts have six further full measures of rest, before the measure with a fermata. The fermata can't be included in the multi-measure rest, so we'll treat it separately. Add <code class="code">R2.*6 |</code> to the timpani and trumpets parts.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ The horns, bassoons, and second oboe have one further measure of rests, so add <code class="code">R2. |</code> to those parts. Full-measure rests should always have a capital letter R. This tells LilyPond to properly center the rest in the bar.
+ </div></li></ol></div></div><div class="section" title="12.7.4.2. Continue with the Wind and Timpani Parts" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Wind_and_Timpani"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Wind_and_Timpani">12.7.4.2. Continue with the Wind and Timpani Parts</h4></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Now we need to start adding notes. We'll start with the parts that have only rests:
+ </div><ol class="a"><li class="step" title="ステップ 1.a"><div class="para">
+ The trumpets and timpani have no notes in the slow introduction, so all they need is the three-beat measure with a fermata on the third beat.
+ </div></li><li class="step" title="ステップ 1.b"><div class="para">
+ Rests are notated as though they were a pitch called "r". That is to say, if you want to input a rest, then you input the pitch r. This three-quarter-rest measure will be notated as <code class="code">r4 r r |</code>. Put this into the trumpets and timpani parts. Remember: it's always a good idea to indicate the duration at the beginning of a measure, but it's not necessary to indicate a repeated duration.
+ </div></li><li class="step" title="ステップ 1.c"><div class="para">
+ Frescobaldi allows you to insert common musical signs with the "Quick Insert" tab on the left of the screen. It may be hidden; to show it, click "Quick Insert" on the left-most edge of the Frescobaldi window.
+ </div></li><li class="step" title="ステップ 1.d"><div class="para">
+ We need a regular fermata on the third quarter rest of this measure. So, place the text-input caret just after the third quarter rest, and click the fermata symbol in the "Quick Insert" toolbar-thing.
+ </div></li><li class="step" title="ステップ 1.e"><div class="para">
+ You should end up with <code class="code">r4 r r\fermata |</code>.
+ </div></li><li class="step" title="ステップ 1.f"><div class="para">
+ While the word for a fermata symbol is easy to remember, other symbols have less-obvious LilyPond notations, so the "Quick Insert" toolbar-thing is very handy.
+ </div></li><li class="step" title="ステップ 1.g"><div class="para">
+ Copy this measure to the other part.
+ </div></li></ol></li><li class="step" title="ステップ 2"><div class="para">
+ The next easiest part is the bassoons:
+ </div><ol class="a"><li class="step" title="ステップ 2.a"><div class="para">
+ We've already input the bassoons' full-measure rests, so we can start with the first measure in which they play. It should be notated as <code class="code">r8 d g bes d bes |</code>. Input this, and preview the score to see what happens.
+ </div></li><li class="step" title="ステップ 2.b"><div class="para">
+ Success! When first starting an instrument, it's important to check that the notes begin in the right register. If they don't, it can be adjusted easily by changing the pitch indication that follows the <code class="code">\relative</code> declaration. In this case, the bassoon happened to be in the right register for us by default.
+ </div></li><li class="step" title="ステップ 2.c"><div class="para">
+ The next measure is <code class="code">g8 cis cis4 r |</code>. Remember to indicate "cis" twice. Put it in and check that it's correct.
+ </div></li><li class="step" title="ステップ 2.d"><div class="para">
+ It is, but we're still missing some formatting. Use the "Quick Insert" toolbar-thing to add staccato markings to the first measure. You can add a staccato to the eighth-rest, but this doesn't make sense, so you shouldn't.
+ </div></li><li class="step" title="ステップ 2.e"><div class="para">
+ Slurs begin at ( and end at ). Add a slur from the g to c-sharp.
+ </div></li><li class="step" title="ステップ 2.f"><div class="para">
+ Preview the score to make sure that you entered these articulations correctly. Your code should be:
+<div class="literallayout"><p>r8 d-. g-. bes-. d-. bes-. |<br />
+   g8( cis) cis4 r |</p></div>
+ </div></li></ol></li><li class="step" title="ステップ 3"><div class="para">
+ Now to add the "forte" marking. You can add text (or any object, for that matter) onto a note (or rest, etc.) with one of these three symbols:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ^ meaning "put this above the object"
+ </div></li><li class="listitem"><div class="para">
+ - meaning "put this above or below, as you think is best"
+ </div></li><li class="listitem"><div class="para">
+ _ meaning "put this below the object"
+ </div></li></ul></div>
+ As you saw earlier, Frescobaldi attached our staccato markings with the "as you think best" symbol, which is almost always the right choice for articulations. By convention, dynamic markings always go below the staff to which they apply, so we won't want to give LilyPond so much freedom, this time.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ The easiest way to add (unformatted) text to a note is to simply attach it in quotation marks. For the "forte" marking, put this on the eighth-rest: <code class="code">r8_"f" <em class="replaceable"><code>and so on</code></em></code>
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ When you preview this, you'll notice that the result is thoroughly underwhelming. It looks quite unlike a "forte" marking, and people reading the score would probably be confused, if just momentarily.
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ Thankfully, LilyPond provides a very easy and elegant way to input well-formatted dynamic markings. Change the eighth-rest to this: <code class="code">r8\f <em class="replaceable"><code>and so on</code></em></code>
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ When you preview this, you will see that it now looks exactly like a typical "forte" marking. Not all dynamic markings have these short-forms, but most do.
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ The "a 2" marking, meaning "to be played by two players," does need the text-in-quotes format, however. Put that marking <span class="emphasis"><em>above</em></span> the d following the eighth rest.
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ Those two measures should now look like this:
+<div class="literallayout"><p>r8\f d-.^"a 2" g-. bes-. d-. bes-. |<br />
+ g8( cis) cis4 r |</p></div>
+ Note that <code class="code">d-.^"a 2"</code> gives the same result as <code class="code">d^"a 2"-.</code>
+ </div></li></ol></div></div><div class="section" title="12.7.4.3. Oboe and Horn Parts" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Oboe_and_Horn"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Oboe_and_Horn">12.7.4.3. Oboe and Horn Parts</h4></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ You can complete the oboe parts and the flute part. If you get stuck, read these tips.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ You will need to adjust the range of the flute and oboe, to read <code class="code">flute = \relative c'''</code> and <code class="code">oboeI = \relative c'''</code>
+ </div></li><li class="listitem"><div class="para">
+ You may want to use [ and ] to control eighth-note beaming in the Oboe I and Flauto parts. You may not
+ </div></li><li class="listitem"><div class="para">
+ The Flauto will need more multi-measure rests with R, <span class="emphasis"><em>after</em></span> some of the notes are inputted.
+ </div></li><li class="listitem"><div class="para">
+ All of the parts will end with the same three-quarter-note-rests-with-fermata measure.
+ </div></li></ul></div>
+
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ And now for the horns part. Transposing instruments pose a small problem for LilyPond, as with any human or computerized engraving tool. These steps first ensure that the transposition is set correctly.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ The "hornF" section should already have a <code class="code">\transposition g</code> segment from earlier. This tells LilyPond that the following notes are not in concert pitch, but rather are "in G." A transposition statement tells LilyPond, in absolute pitch, which pitch actually sounds when the player plays a written c' . In this case, the sound pitch is a perfect fourth below c' . If we wanted it to be a perfect fifth higher, then we would need to write <code class="code">\transposition g'</code>, but that's not accurate for this case.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Our next obstacle is not actually a problem with LilyPond, but with how Frescobaldi set up the score for us. The score that we wish to notate does not have a written key signature for the horn, but the "global" section (near the top of the file) includes one: G Major. If this score were particularly complicated, or if it contained a large number of transposing instruments, then it would be best to remove the <code class="code">\key g</code> declartion from the "global" section (and including it in every instrument as necessary). However, since there is only one transposing instrument, we might be better off simply removing the global from the horn.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ do the rest of this stuff to get that done right
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ make a note in the global section of which instruments don't use it
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ While you're at it, do the same for the trumpets and timpani parts, which also do not use a printed key signature.
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ The other issue with the horn part is that two pitches are to be played at once, and they are both notated in the same voice. This is solved in the piano example like this: <code class="code"><g g'></code>. You can copy-and-paste this as needed.
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ You can now finish inputting the horn part.
+ </div></li></ol></div></div><div class="section" title="12.7.4.4. Continue with the Strings" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Strings"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Strings">12.7.4.4. Continue with the Strings</h4></div></div></div><div class="para">
+ After correctly finishing all of the wind and timpani parts, you can move on to the strings.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Input all of the pitches and note lengths first, then return to fill in the other markings.
+ </div></li><li class="listitem"><div class="para">
+ If you get stuck, then put in some filler notes, and finish the rest of that part. Make a note for yourself, as a comment in the source file, so that you know to return later to finish the part.
+ </div></li><li class="listitem"><div class="para">
+ If twenty measures at once is too many, then break it into smaller chunks and input those.
+ </div></li><li class="listitem"><div class="para">
+ Here are some tips to help you through this passage. Use the LilyPond help files if you need further assistance.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Tuplets (Triplets):
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ To write any tuplet, use the formula <code class="code">\times x/y { notes in here }</code>, where x is the number of notes actually space to use, and y is the number of notes to let you display.
+ </div></li><li class="listitem"><div class="para">
+ For an eighth-note triplet that takes up one beat, you might use this: <code class="code">\times 2/3 { c8 d e }</code>, because in the space of 2 eighth notes you want to fit three instead.
+ </div></li><li class="listitem"><div class="para">
+ This is much more powerful than it seems at first. You might want to make it seem as though the measures have stopped being marked, and write something like <code class="code">\times 4/40 { ... }</code>, which will allow you to fit forty of something into the number of beat usually occupied by four of them. This is especially useful with cadenzas, and cadenza-like passages.
+ </div></li></ul></div>
+ </div></li><li class="listitem"><div class="para">
+ Short-term Polyphonic Input (Divisi):
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Anything between <code class="literal"><<</code> and <code class="literal">>></code> is interpreted by LilyPond as happening together. If you take a look at the "score" section at the bottom of the file, you will see that all of the parts are listed in that kind of bracket. This ensures that they all happen simultaneously.
+ </div></li><li class="listitem"><div class="para">
+ For short-term polyphonic input, use the formula <code class="code"><< { upper-voice notes } \\ { lower-voice notes } >></code>. Remember that the "upper voice" has upward-pointing stems, and the "lower voice" has downward-pointing stems.
+ </div></li></ul></div>
+ </div></li><li class="listitem"><div class="para">
+ Ties: These can be written by adding ~ to the end of the note beginning the tie: <code class="code">c4~ c8</code>
+ </div></li><li class="listitem"><div class="para">
+ Grace Notes: These take up no logical time, and are smaller than ordinary notes. Any notes appearing <code class="code">\grace { in here }</code> would be considered grace notes.
+ </div></li><li class="listitem"><div class="para">
+ Crescendo and Diminuendo Markings:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ These are added like other dynamic markings, attached with a backslash to the note where they begin. A crescendo is triggered with <code class="literal">\<</code> and a diminuendo with <code class="literal">\></code>.
+ </div></li><li class="listitem"><div class="para">
+ The left-most point of the marking (its beginning) is indicated by where you put <code class="literal">\<</code> or <code class="literal">\></code>
+ </div></li><li class="listitem"><div class="para">
+ The right-most (or end-)point is indicated by either another dynamic marking of any sort, or the special cancellation character <code class="literal">\!</code>
+ </div></li></ul></div>
+ </div></li><li class="listitem"><div class="para">
+ Italic "staccato" Text: <code class="code">\markup { \italic { staccato } }</code>
+ </div></li><li class="listitem"><div class="para">
+ Source File Measure Numbers: One of the techniques that can be used when inputting larger scores is writing measure numbers into the source file as comments. I usually write measure numbers every five measures, but it depends on the speed of the music, and what seems like it's useful.
+ </div></li></ul></div>
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="12.7.4.5. Continue to the Fast Section" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Fast_Section"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Fast_Section">12.7.4.5. Continue to the Fast Section</h4></div></div></div><div class="para">
+ If you want to finish inputting the first movement, as an exercise, then you will also need to know how to write a tempo-change in an orchestral score:
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ In order to continue, we'll need to include a special measure-line (barline) and a change-of-tempo indicator. This would be easy, and would display correctly, if we simply inputted the change in one particular voice. However, if we did that, the change would only appear in one of the orchestral parts exported from the score.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ We're going to define a new whatever-thing, like the "global" section created for us by Frescobaldi, and include it in all of the parts.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ The code needed for this is a little bit complicated, but you don't need to write it yourself: just take it from the "tempoMark" section created by Frescobaldi. All you need to do is change "Adagio" to "Allegro spiritoso," and add the barline indicator. This is also easy because of Frescobaldi: 'LilyPond > Bar Lines > Repeat start'
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ You end up with
+<div class="literallayout"><p>startExposition =<br />
+ {<br />
+   \once \override Score.RehearsalMark #'self-alignment-X = #LEFT<br />
+   \once \override Score.RehearsalMark #'break-align-symbols = #'(time-signature key-signature)<br />
+   \mark \markup \bold "Allegro spiritoso"<br />
+   \bar "|:"<br />
+ }</p></div>
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ Add the reference to this in all of your parts. Because of how I named it, this also serves as a handy way to find your way through the LilyPond markup file.
+<div class="literallayout"><p>  r4 r r\fermata |<br />
+ Â Â <br />
+ Â Â \startExposition<br />
+ Â Â <br />
+ Â Â R2.*4Â |</p></div>
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ The barline and tempo-change will not appear unless you write some music after them, so put in some or all of the rests that follow, just to test it.
+ </div></li></ol></div></div></div></div><div xml:lang="ja-JP" class="section" title="12.8. Work on a Piano Score (Tutorial)" id="sect-Musicians_Guide-LilyPond-Piano" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-Piano">12.8. Work on a Piano Score (Tutorial)</h2></div></div></div><div class="para">
+ Scenario: At a used music store, you encounter a 60-year-old, hand-engraved copy of a Schubert "Impromptu," but it's been badly damaged by a flood. The store's owner says that, if you can use the score, you can keep it for free. The score is barely legible, so you decide to prepare a copy with a computer notation program.
+ </div><div class="para">
+ I'm using Schubert's "Impromptu" Op.90 (D.899) Nr.4, in A-flat major. Published by Edition Peters: 10463, edited by Walter Niemann. We'll be setting the "A" section (from the beginning to the "Trio").
+ </div><div class="para">
+ When following this tutorial, it is recommended that the reader follows along, creating their replica of this tutorial's PDF.
+ </div><div class="section" title="12.8.1. Files for the Tutorial" id="sect-Musicians_Guide-LilyPond-Piano-Tutorial_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Tutorial_Files">12.8.1. Files for the Tutorial</h3></div></div></div><div class="para">
+ You do not need the <span class="application"><strong>LilyPond</strong></span> input file to do the tutorial. You should use the input file if you encounter problems, and to compare your completion. You do need the PDF output file to do the tutorial.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle"><span class="application"><strong>LilyPond</strong></span> Input File</em> at <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/LilyPond/Piano-source.ly">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/LilyPond/Piano-source.ly</a>
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">PDF Output File</em> at <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/LilyPond/Piano-result.pdf">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/LilyPond/Piano-result.pdf</a>.
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="12.8.2. Start the Score" id="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score">12.8.2. Start the Score</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Open Frescobaldi with a new document.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Start the "Setup New Score" tool, by clicking '<span class="application"><strong>LilyPond</strong></span> > Setup New Score' in the menu.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Fill in the following fields on the "Titles and Headers" tab:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Title: Impromptu
+ </div></li><li class="listitem"><div class="para">
+ Compuser: Schubert, Franz
+ </div></li><li class="listitem"><div class="para">
+ Opus: Opus 90/4
+ </div></li></ul></div>
+
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Switch to the "Parts" tab:
+ </div><ol class="a"><li class="step" title="ステップ 4.a"><div class="para">
+ From the "Available parts" list, select "Keyboard instruments"
+ </div></li><li class="step" title="ステップ 4.b"><div class="para">
+ Select "Piano"
+ </div></li><li class="step" title="ステップ 4.c"><div class="para">
+ Click "Add"
+ </div></li><li class="step" title="ステップ 4.d"><div class="para">
+ On the right-hand side of the window, it's possible to add multiple voices from the start. We won't be using this feature, because most of the score is not polyphonic. It is especially convenient in fugues.
+ </div></li></ol></li><li class="step" title="ステップ 5"><div class="para">
+ Switch to the "Score settings" tab, and adjust the following settings:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Key signature: As Major
+ </div></li><li class="listitem"><div class="para">
+ Time signature: 3/4
+ </div></li><li class="listitem"><div class="para">
+ Tempo indication: Allegretto
+ </div></li><li class="listitem"><div class="para">
+ Remove default tagline: checked
+ </div></li><li class="listitem"><div class="para">
+ Adjust other settings as desired - it is recommended to keep the default pitch name language.
+ </div></li></ul></div>
+
+ </div></li></ol></div></div><div class="section" title="12.8.3. Adjust Frescobaldi's Output" id="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output">12.8.3. Adjust Frescobaldi's Output</h3></div></div></div><div class="para">
+ These steps are useful in establishing a consistent input style for <span class="application"><strong>LilyPond</strong></span>. The things suggested here are also useful for getting used to working with large scores, which can be a challenge in any text editor. Thankfully, careful (and consistent!) code organization goes a long way in helping you to quickly find your way around your files. Setting up files the right way to begin with makes this much easier in the end.
+ </div><div class="para">
+ When you first setup the score, Frescobaldi will have created many sections for you by default. The program avoids making too many stylistic choices for you, which allows you to create your own style. It also sets up the default sections in a logical way:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ version
+ </div></li><li class="listitem"><div class="para">
+ header
+ </div></li><li class="listitem"><div class="para">
+ widely-used settings like tempoMark and "global"
+ </div></li><li class="listitem"><div class="para">
+ individual parts
+ </div></li><li class="listitem"><div class="para">
+ score formatting
+ </div></li></ol></div>
+ The specific ordering will become more obvious to you as you get used to <span class="application"><strong>LilyPond</strong></span>.
+ </div><div class="para">
+ Here are some of the things that I do before inputting notes:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Use section-dividers (like <code class="code">%%%%%%%% NOTES %%%%%%%%</code> for individual parts) to demarcate sections.
+ </div></li><li class="listitem"><div class="para">
+ Use different levels of dividers (like <code class="code">%%%% RIGHT HAND %%%%</code> for the right hand) to show sub-sections
+ </div></li><li class="listitem"><div class="para">
+ Add blank lines between large sections, to separate them more obviously
+ </div></li><li class="listitem"><div class="para">
+ Begin braces on new lines (as
+<pre class="programlisting">
+\header
+{
+ title = "Impromptu"
+ ...
+}
+</pre>
+ instead of on the same line (as
+<pre class="programlisting">
+\header {
+ title = "Impromptu"
+ ...
+}
+</pre>
+ This is simply a matter of personal taste, resulting from prior experience with C and C-like programming languages.
+ </div></li><li class="listitem"><div class="para">
+ Familiarize myself with the sections and commands created by Frescobaldi, getting a sense of what the section/command does (even if I don't understand what each specific command does). This makes it easier to sort out problems and customization down the road. Sometimes, when the setup is quite complex, I make comments about what seems to be going on.
+ </div></li><li class="listitem"><div class="para">
+ At this point, I also added the "Dynamics Context" commands, as described below in the "Piano Dynamics" section
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="12.8.4. Input Notes" id="sect-Musicians_Guide-LilyPond-Piano-Inputting"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting">12.8.4. Input Notes</h3></div></div></div><div class="para">
+ Piano scores present some unique challenges with <span class="application"><strong>LilyPond</strong></span>, but they're easy to overcome with some careful thought. This tutorial will avoid step-by-step instructions on how to input particular notes, instead focussing on those unique piano challenges presented in this particular composition. The <span class="application"><strong>LilyPond</strong></span> "Notation Reference" provides a section dedicated to keyboard and piano music. Most of the situations described there are not present or discussed in this score, which gives this tutorial unique material.
+ </div><div class="section" title="12.8.4.1. Order of Input" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Order_of_Inputting"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Order_of_Inputting">12.8.4.1. Order of Input</h4></div></div></div><div class="para">
+ Choosing the right order to input your scores can make things much easier to troubleshoot. Here are some suggestions:
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Input music in small sections at a time. Two, four, or eight measures is usually a good size, but it depends on the size of the composition, the size of its sections, and the form of the music. It doesn't make sense to input a passage of 9 whole-notes in stages of two measures, but two measures may be too long for passages composed primarily of 128th-notes.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Input one staff at a time, then check its accuracy using Frescobaldi's preview function (press the "LilyPond" button on the toolbar)
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Input the pitch and rhythms first, then slurs, articulations, ties, and fingerings. It's easier to correct errors with pitch and rhythm (and register!) before the extra markings are added.
+ </div></li><li class="listitem"><div class="para">
+ To help make sixteenth-note passages easier to read, you can use double- or triple-spaces to separate beats. Such passages often feature repeated patterns; before copy-and-pasting, make sure that the pattern repetition is truly exact!
+ </div></li></ul></div></li><li class="step" title="ステップ 3"><div class="para">
+ When you progress to a new four-measure section (or two- or six-, etc.), input the less difficult staff first (if there is one). This way, you will have a better visual reference when verifying the more difficult part. It's easier to see differences if your score looks closer to the original.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ The same idea applies for multi-measure polyphonic passages in the same staff: input the easier part first, so you have a visual reference.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ To help ensure that you don't get lost, write measure numbers in the source file every five measures or so. See the example source file to see how this is done. Even if you don't want to have measure numbers in the final score, it can be helpful to include them during inputting and error-checking.
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ Save the dynamics and pedal markings for last! Sometimes, they can help you to keep your place in the score while double-checking that it's correct, but I don't usually put them in with the rest of the notes, for reasons described below in the "Piano Dynamics" section.
+ </div></li></ol></div><div class="para">
+ Most importantly, remember that these are just suggestions! The order in which you do things should change depending on what suits you best. Different kinds of scores will require different strategies.
+ </div></div><div class="section" title="12.8.4.2. Chords" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Chords"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Chords">12.8.4.2. Chords</h4></div></div></div><div class="para">
+ There are two ways to input chords, but one will be used much more often.
+ </div><div class="para">
+ This style of chord notation is more common: <code class="literal"><as ces>4-_</code> Notice how only the pitches are notated inside the <code class="literal">< ></code> brackets, and everything else attached to the end. There is one exception to this: fingering should be indicated on the pitch associated with that finger: <code class="literal"><as-1 ces-3>4-_</code> Not only does this help you to sort out what was probably intended, but it allows <span class="application"><strong>LilyPond</strong></span> to stack the fingering in the right order. When using "relative" entry mode, it is the lowest note of the chord that is taken into consideration when placing the next note.
+ </div><div class="para">
+ This style of chord notation is less common: <code class="literal"><<as4-> ces>></code> Notice how everything must be notated inside the <code class="literal"><< >></code> brackets. This can make it more difficult to read the chord in the source file, but it also allows much greater flexibility: only some chord members can have ties; certain chord members can last for longer than others; certain chord members can "break out" into or out of polyphonic passages. This notation is rarely <span class="emphasis"><em>needed</em></span>, but you may be inclined to over-use it if you are trying to exactly copy the look of a hand-engraved score. Like the "times" command for tuplets, this is one of <span class="application"><strong>LilyPond</strong></span>'s deceptively powerful techniques. When using "relative" entry mode, it is the last note of the chord that is taken into consideration when placing the next note.
+ </div></div><div class="section" title="12.8.4.3. Fingering" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Fingering"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Fingering">12.8.4.3. Fingering</h4></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> allows you to indicate fingering by attaching the digit number to a note as an articulation mark: <code class="code">a16-5</code> will show a "5" as a fingering mark. As with all other articulation marks indicated in this way, you can use <code class="literal">^</code> or <code class="literal">_</code> to instruct <span class="application"><strong>LilyPond</strong></span> to put the mark above or below the note, respectively. It is usually better to let <span class="application"><strong>LilyPond</strong></span> decide for itself by using a <code class="literal">-</code>.
+ </div><div class="para">
+ When entering chords, it is recommended that you enter the fingering with the note to which it is attached, like <code class="literal"><as-1 ces-4>4-_</code>. It is possible to enter this as <code class="literal"><as ces>4-1-4-></code>, but this not only looks confusing, it may confuse <span class="application"><strong>LilyPond</strong></span> as to which digit is intended for which note.
+ </div><div class="para">
+ Because the extra digits look like they indicate note-lengths, it is recommended to mark them consistently. For this same reason, it is also recommended that fingering marks be added to source files only after the pitch and rhythm have been double-checked. The source file included with this tutorial puts fingering marks after any other articulation and length marking.
+ </div></div><div class="section" title="12.8.4.4. Cautionary Accidentals" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Cautionary_Accidentals"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Cautionary_Accidentals">12.8.4.4. Cautionary Accidentals</h4></div></div></div><div class="para">
+ Musical Definition: This score makes some use of <em class="firstterm">cautionary accidentals</em>. These are accidentals which don't change the pitches to be played, but rather are used as a precaution against forgetting that they are there. This usually happens when an accidental in the written key signature is changed for a significant number of measures, and then suddenly changes back. The cautionary accidental would be applied when the standard key signature returns, to remind the musician of the key signature.
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> Notation: These are notated in <span class="application"><strong>LilyPond</strong></span> with an exclamation mark placed before the note-value: <code class="code">ces!16</code>
+ </div></div><div class="section" title="12.8.4.5. Change the Style of Crescendo" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Changing_the_Style_of_Crescendo"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Changing_the_Style_of_Crescendo">12.8.4.5. Change the Style of Crescendo</h4></div></div></div><div class="para">
+ Sometimes the composer or editor prefers to use the words <span class="foreignphrase"><em class="foreignphrase">crescendo</em></span> or its abbreviation, <span class="foreignphrase"><em class="foreignphrase">cresc.</em></span>, instead of the <code class="literal">\<</code> style of crescendo. In <span class="application"><strong>LilyPond</strong></span> these are handled by the same source-file notation (<code class="literal">\<</code> to start and <code class="code">\!</code> to end explicitly). However, if you want to use text and a "spanner" (dotted or dashed line, for example) instead of the < sign, you need to tell <span class="application"><strong>LilyPond</strong></span>. This can be accomplished with the following command: <code class="code">\crescTextCresc</code>.
+ </div><div class="para">
+ After changing to this style of <span class="foreignphrase"><em class="foreignphrase">crescendo</em></span>, you can revert to the standard < style with the following command: <code class="literal">\crescHairpin</code>.
+ </div><div class="para">
+ The <code class="literal">\dimTextDim</code> and <code class="literal">\dimHairpin</code> commands do the same for a <span class="foreignphrase"><em class="foreignphrase">diminuendo</em></span>.
+ </div></div><div class="section" title="12.8.4.6. Polyphonic Sections of Homophonic Music" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Polyphonic_Sections_of_Homophonic_Music"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Polyphonic_Sections_of_Homophonic_Music">12.8.4.6. Polyphonic Sections of Homophonic Music</h4></div></div></div><div class="para">
+ Sometimes, especially in piano music, a passage of some measures will require polyphonic (multi-Voice) notation in <span class="application"><strong>LilyPond</strong></span>, even though most of the music does not. In this case, you would use the following format: <code class="literal"> << { % upper voice notes go here } \\ { % lower voice notes go here } >> </code> This is used a few times in both hands in the example score file.
+ </div><div class="para">
+ When writing these sections in "relative" entry mode, it is a good idea to use the "octave-check" mechanism, at least at the beginning of the lower voice. This is because, when judging the relative starting pitch of the first note of the lower voice, <span class="application"><strong>LilyPond</strong></span> judges from the last note of the upper voice - <span class="emphasis"><em>not</em></span> the last note before the polyphonic section began.
+ </div></div><div class="section" title="12.8.4.7. Octave-Change Spanners ("8ve" Signs, "Ottava Brackets")" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Octave_Change_Spanners"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Octave_Change_Spanners">12.8.4.7. Octave-Change Spanners ("8ve" Signs, "Ottava Brackets")</h4></div></div></div><div class="para">
+ Musical Definition: In order to most conveniently notate over large ranges, composers and editors sometimes use text spanners to indicate that a passage should be played one or two octaves higher or lower than written. This allows the notes to stay mostly within the staff lines, thereby decreasing the number of ledger lines required.
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> Notation: The <code class="code">\ottava</code> command is used to notate all five states of transposition:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 15va (play two octaves higher than written) is engaged with <code class="code">\ottava #2</code>
+ </div></li><li class="listitem"><div class="para">
+ 8va (play one octave higher than written) is engaged with <code class="code">\ottava #1</code>
+ </div></li><li class="listitem"><div class="para">
+ <span class="foreignphrase"><em class="foreignphrase">loco</em></span> (play in the octave written) is engaged with <code class="code">\ottava #0</code>, which also cancels another sign.
+ </div></li><li class="listitem"><div class="para">
+ 8vb (play one octave lower than written) is engaged with <code class="code">\ottava #-1</code>
+ </div></li><li class="listitem"><div class="para">
+ 15vb (play two octaves lower than written) is engaged with <code class="code">\ottava #-2</code>
+ </div></li></ul></div>
+
+ </div></div></div><div class="section" title="12.8.5. Troubleshoot Errors" id="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors">12.8.5. Troubleshoot Errors</h3></div></div></div><div class="para">
+ It can be difficult to troubleshoot inputting errors, especially when you find them days or weeks after originally inputting that section of a score. The best way to fix errors is to input scores in a way that doesn't allow them in the first place. As they say, "an ounce of prevention is worth a pound of cure," which means "if you input your <span class="application"><strong>LilyPond</strong></span> files carefully, then you will encounter fewer problems." Such practices as proper spacing, and regular use of the octave- and bar-check features will deal with many common problems.
+ </div><div class="para">
+ However, when searching for an error in your score, Frescobaldi does offer some features to help you find it:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ If you have written something in the text-input window that is obviously incorrect, then Frescobaldi will sometimes catch your mistake and underline and highlight the erroneous code in red. This is most useful for catching typographical errors ("typos").
+ </div></li><li class="listitem"><div class="para">
+ If <span class="application"><strong>LilyPond</strong></span> encounters a processing error, it will show up in the "<span class="application"><strong>LilyPond</strong></span> Log" window below the text-input window. You can click on the blue, underlined text to move the text-selection caret to the error.
+ </div></li><li class="listitem"><div class="para">
+ If you can see an error in the PDF preview, but you can't find it in the source file, you can click on the problematic note or object in the PDF preview, and Frescobaldi will automatically move the text-selection caret to that object.
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="12.8.6. Format the Score (Piano Dynamics)" id="sect-Musicians_Guide-LilyPond-Piano-Formatting"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Formatting">12.8.6. Format the Score (Piano Dynamics)</h3></div></div></div><div class="para">
+ Keyboard instruments use a unique notation when it comes to dynamics. Most instruments use only one staff per player, so the dynamics are, by convention, notated underneath that staff. Keyboard instruments usually use two staves (organs and complex piano music may use three). Because the dynamics are usually meant to apply to both staves, they are usually notated between the two staves. This is similar to notation beneath the upper staff, but in truth, piano dynamics tend to be placed in the middle between the staves - entering the dynamics as belonging to the upper staff, in <span class="application"><strong>LilyPond</strong></span>, will not produce that effect.
+ </div><div class="para">
+ There is a way to notate dynamics between two staves in <span class="application"><strong>LilyPond</strong></span>, and it involves a little bit of thought to get it right. It also requires the addition of a significant number of commands, and the creation of a new context.
+ </div><div class="para">
+ This process looks difficult, and may seem daunting. It's not necessary to understand all of the commands in the "PianoDynamics" Context in order to use the context, so there is no need to worry!
+ </div><div class="section" title="12.8.6.1. Prepare the "PianoDynamics" Context" id="sect-Musicians_Guide-LilyPond-Piano-Formatting-Preparing_the_PianoDynamics_Context"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Formatting-Preparing_the_PianoDynamics_Context">12.8.6.1. Prepare the "PianoDynamics" Context</h4></div></div></div><div class="para">
+ It is probably easier to add these commands before inputting most of the score, but there is no reason why this context cannot be added to any score at any time.
+ </div><div class="para">
+ Follow these steps to create a "PianoDynamics" Context:
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Between the left and right staves of the PianoStaff, add "<code class="code">\new PianoDynamics = "dynamics" \dynamics</code>". For the Schubert score, this looks like:
+<pre class="programlisting">
+\new PianoStaff \with
+ {
+ instrumentName = "Piano"
+ }
+<<
+ \new Staff = "right" \right
+ \new PianoDynamics = "dynamics" \dynamics
+ \new Staff = "left" { \clef bass \left }
+>>
+</pre>
+
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ To the layout section, add the following:
+<pre class="programlisting">
+% Everything below here is for the piano dynamics.
+% Define "PianoDynamics" context.
+\context
+{
+ \type "Engraver_group"
+ \name PianoDynamics
+ \alias Voice
+ \consists "Output_property_engraver"
+ \consists "Script_engraver"
+ \consists "New_dynamic_engraver"
+ \consists "Dynamic_align_engraver"
+ \consists "Text_engraver"
+ \consists "Skip_event_swallow_translator"
+ \consists "Axis_group_engraver"
+
+ \override DynamicLineSpanner #'Y-offset = #0
+ \override TextScript #'font-size = #2
+ \override TextScript #'font-shape = #'italic
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
+}
+
+% Modify "PianoStaff" context to accept Dynamics context.
+\context
+{
+ \PianoStaff
+ \accepts PianoDynamics
+}
+% End of PianoDynamics code.
+</pre>
+ This creates a "PianoDynamics" context, and modifies the "PianoStaff" context so that it will accept a "PianoDynamics" context.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Before the "\score" section, add a section called "dynamics," like this:
+<pre class="programlisting">
+dynamics =
+{
+ % Dynamics go here.
+
+}
+</pre>
+ This is where you will input the dynamics.
+ </div></li></ol></div></div><div class="section" title="12.8.6.2. Input Dynamics" id="sect-Musicians_Guide-LilyPond-Piano-Formatting-Inputting_the_Dynamics"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Formatting-Inputting_the_Dynamics">12.8.6.2. Input Dynamics</h4></div></div></div><div class="para">
+ Now you can input the dynamic markings. These are inputted with a special note called a "spacer," that uses the letter "s" rather than a note name. You can also use rests (both partial- and multi-measure, r and R), but dynamic markings cannot be assigned to them.
+ </div><div class="para">
+ For example, if you want a <span class="foreignphrase"><em class="foreignphrase">piano</em></span> marking on the first beat, and a <span class="foreignphrase"><em class="foreignphrase">diminuendo</em></span> from the third to the fourth beat, you could write this: <code class="code">s4\p r s\> s\!</code>, or this: <code class="code">s2\p s4\> s\!</code>
+ </div><div class="para">
+ That's all there is to it! Think of the dynamics part as an invisible, pitch-free line between the two staves, for the sole purpose of dynamics (and other expression markings).
+ </div></div></div></div></div><div xml:lang="ja-JP" class="chapter" title="第13ç« GNU ソルフェージュ" id="chap-Musicians_Guide-Solfege" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第13ç« GNU ソルフェージュ</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Requirements_and_Installation">13.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Hardware_and_Software_Requirements">13.1.1. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã¨ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Other_Requirements">13.1.2. ãã®ä»–ã®è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Install">13.1.3. å¿…è¦ãªã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Install_Csound">13.1.4. オプショナルãªã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ï¼š
Csound</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Install_MMA">13.1.5. オプショナルインストール : MMA</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration">13.2. 構æˆ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-First_Time">13.2.1. Solfege ã‚’åˆã‚ã¦å®Ÿè¡Œã™ã‚‹ã¨ã</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-Instruments">13.2.2. Instruments</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-External_Programs">13.2.3. External Programs</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-Interface">13.2.4. Interface</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-Practise">13.2.5. Practise</a></span></dt><dt><span class="section"><a href=
"#sect-Musicians_Guide-Solfege-Configuration-Sound_Setup">13.2.6. Sound Setup</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training">13.3. ã‚ãªãŸã®ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training-Aural_Skilla_and_Musical_Sensibility">13.3.1. オーラルスã‚ルã¨éŸ³æ¥½çš„感性</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training-Exercise_Types">13.3.2. 課題ã®ã‚¿ã‚¤ãƒ—</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program">13.3.3. オーラルスã‚ルプãƒã‚°ãƒ©ãƒ を作る</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training-Supplementary_References">13.3.4. 補足ã®å‚ç…§</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Using_the_Exercises">13.4. 課題を使ã†</a></span></
dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Listening_Exercises">13.4.1. Listening</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Singing_Exercises">13.4.2. Singing</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Configure_Yourself_Exericses">13.4.3. Configure Yourself</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Rhythm_Exercises">13.4.4. Rhythm</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Dictation_Exercises">13.4.5. Dictation</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Harmonic_Progressions">13.4.6. Harmonic Progressions</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Intonation">13.4.7. Intonation</a></span></dt></dl></dd></dl></div><div class="section" title="13.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" id="sect-Musicians_Guide-Solfege-Requirements_and_Installation"
><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Solfege-Requirements_and_Installation">13.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</h2></div></div></div><div class="section" title="13.1.1. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã¨ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢è¦ä»¶" id="sect-Musicians_Guide-Hardware_and_Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Hardware_and_Software_Requirements">13.1.1. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã¨ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢è¦ä»¶</h3></div></div></div><div class="para">
+ GNU Solfege を使ã†å‰ã«ã€ãƒ¦ãƒ¼ã‚¶ã¯æ—¢ã«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ©Ÿå™¨ã‚’æ£ã—ãè¨å®šã—ã¦ã‚ã‚‹ã“ã¨ãŒå¿…è¦ã§ã™ã€‚
+ </div><div class="para">
+ ã•ã‚‰ã«ã€Solfege 㯠<span class="application"><strong>timidity++</strong></span> パッケージを必è¦ã¨ã—ã€ãã‚Œã¯å¤§ããªï¼ˆãŠã‚ˆãï¼‘ï¼”ï¼ MB ã®ï¼‰ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆãƒ©ã‚¤ãƒ–ラリを必è¦ã¨ã—ã¾ã™ã€‚ã“ã®ãƒ©ã‚¤ãƒ–ラリ㯠<span class="application"><strong>FluidSynth</strong></span> アプリケーションã€ãã‚Œã¯ã“ã®ã‚¬ã‚¤ãƒ‰ã®ä»–ã®ç« ã§èª¬æ˜Žã•ã‚Œã¾ã™ã€ã¨å…±æœ‰ã•ã‚Œã€ã•ã‚‰ã«ä»–ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ãƒ‘ッケージã§ã‚‚使ã‚ã‚Œã¾ã™ã€‚<span class="application"><strong>timidity++</strong></span> ã¯ã•ã‚‰ã« JACK Audio Connection Kit ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã‚’å¿…è¦ã¨ã—ã¾ã™ã€‚JACK をインストールã™ã‚‹æ‰‹é †ã¯ã€<a class="xref" href="#sect-Musicians_Guide-Install_and_Configure_JACK" title="2.3.1. Install and Configure JACK">「Install and Configure <code class="systemitem">JACK</code>ã€</a> ã‚’å‚ç…§ãã ã•ã„。訳注： JACK ã‚’ Planet CCRMA at Home ã‹ã‚‰ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã™ã‚‹è¨˜è¿°ãŒã‚ã‚Šã¾ã™ãŒã€
誤りã®ãŸã‚訳ã—ã¾ã›ã‚“。
+ </div></div><div class="section" title="13.1.2. ãã®ä»–ã®è¦ä»¶" id="sect-Musicians_Guide-Solfege-Other_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Other_Requirements">13.1.2. ãã®ä»–ã®è¦ä»¶</h3></div></div></div><div class="para">
+ Solfege ã¯è¥¿æ´‹éŸ³æ¥½ã®è¨˜èœæ³•ã¨ã€åŸºæœ¬çš„ãªéŸ³æ¥½ç†è«–ã®ç”¨èªžã¨æ¦‚念ã«ã¤ã„ã¦ã®çŸ¥è˜ã‚’å¿…è¦ã¨ã—ã¾ã™ã€‚
+ </div></div><div class="section" title="13.1.3. å¿…è¦ãªã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" id="sect-Musicians_Guide-Solfege-Install"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Install">13.1.3. å¿…è¦ãªã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</h3></div></div></div><div class="para">
+ Please review the "Requirements" section above, before installation.
+ </div><div class="para">
+ PackageKit, KPackageKit を使ã£ã¦ã€<span class="package">solfege</span> パッケージをインストールã—ã¾ã™ã€‚
+ </div></div><div class="section" title="13.1.4. オプショナルãªã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ï¼š Csound" id="sect-Musicians_Guide-Solfege-Install_Csound"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Install_Csound">13.1.4. オプショナルãªã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ï¼š Csound</h3></div></div></div><div class="para">
+ Csound 㯠SuperCollider ã®ã‚ˆã†ãªã‚µã‚¦ãƒ³ãƒ‰åˆæˆãƒ—ãƒã‚°ãƒ©ãƒ ã§ã™ã€‚ãã‚Œã¯ã‚ˆã‚Šå¤ãã€ã¨ã¦ã‚‚よã開発ã•ã‚Œã¦ãŠã‚Šã€ã‚ˆã‚Šåºƒã„機能ã®ç¯„囲をæŒã¡ã¾ã™ã€‚
+ </div><div class="para">
+ To install Csound, first close Solfege, then use PackageKit or KPackageKit to install the <span class="package">csound</span> package. When Solfege is restarted, you will be able to use the "Intonation" exercises.
+ </div></div><div class="section" title="13.1.5. オプショナルインストール : MMA" id="sect-Musicians_Guide-Solfege-Install_MMA"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Install_MMA">13.1.5. オプショナルインストール : MMA</h3></div></div></div><div class="para">
+ MMA stands for "Musical MIDI Accompaniment," and it is not available for Fedora in a prepackaged format. The software can be found on the <em class="citetitle">MMA Homepage</em> at <a href="http://www.mellowood.ca/mma/">http://www.mellowood.ca/mma/</a>, where you can download the source code and compile it if desired. MMA is only used by some of the harmonic dictation questions, so its installation is not required.
+ </div></div></div><div class="section" title="13.2. 構æˆ" id="sect-Musicians_Guide-Solfege-Configuration"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Solfege-Configuration">13.2. 構æˆ</h2></div></div></div><div class="para">
+ Solfege ã®è¨å®šã¯å¿…è¦ã§ã¯ã‚ã‚Šã¾ã›ã‚“。å˜ç´”ãªã€æœ€åˆã®ï¼‘回ã®è¨å®šã§ã€ã‚¢ãƒ—リケーションをã‚ãªãŸã®è¦æ±‚ã«åˆã†ã‚ˆã†ã«ã‚«ã‚¹ã‚¿ãƒžã‚¤ã‚ºã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ãŒã€ãれをã—ãªãã¦ã‚‚ã‹ã¾ã„ã¾ã›ã‚“。他ã®è¨å®šã‚ªãƒ—ションをã‚ãªãŸã®ãƒ¬ãƒ•ã‚¡ãƒ¬ãƒ³ã‚¹ã®ãŸã‚ã«èª¬æ˜Žã—ã¾ã™ã€‚
+ </div><div class="para">
+ These configuration options are not required, but you may wish to change them. They are all available from the "Preferences" window, accesible through Solfege's main menu: 'File > Preferences'.
+ </div><div class="section" title="13.2.1. Solfege ã‚’åˆã‚ã¦å®Ÿè¡Œã™ã‚‹ã¨ã" id="sect-Musicians_Guide-Solfege-Configuration-First_Time"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Configuration-First_Time">13.2.1. Solfege ã‚’åˆã‚ã¦å®Ÿè¡Œã™ã‚‹ã¨ã</h3></div></div></div><div class="para">
+ 以下ã®ã‚¹ãƒ†ãƒƒãƒ—ã§ã€Solfege ã¯è‡ªå‹•çš„ã«ã‚ãªãŸã¸ã®å•é¡Œã‚’カスタマイズã—ã¾ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Solfege を開始ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ From the menu, select 'File > Preferences'.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Select the "User" tab.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ ã‚‚ã—知ã£ã¦ã„ã‚Œã°ã‚ãªãŸã®å£°åŸŸã‚’入力ã—ã¾ã™ã€‚Solfege ã¯ã“ã®æƒ…å ±ã‚’ä½¿ã£ã¦ã€å¦¥å½“ãªéŸ³ç¨‹ã®ç¯„囲ã®å•é¡Œã‚’出ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ Input your biological gender in the "Sex" field. Solfege uses this information to assign questions in the correct octave.
+ </div></li></ol></div></div><div class="section" title="13.2.2. Instruments" id="sect-Musicians_Guide-Solfege-Configuration-Instruments"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Configuration-Instruments">13.2.2. Instruments</h3></div></div></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Tempo: 例ãŒæ¼”å¥ã•ã‚Œã‚‹é€Ÿåº¦ã‚’変ãˆã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Default: Applies to everything that isn't an "Arpeggio."
+ </div></li><li class="listitem"><div class="para">
+ Arpeggio: アルペジオã€ãã‚Œã¯ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§ã€é€šå¸¸ã®ãƒ†ãƒ³ãƒã®ï¼“å€ã®é€Ÿåº¦ã§æ¼”å¥ã•ã‚Œã¾ã™ã€ã«é©ç”¨ã•ã‚Œã¾ã™ã€‚ã“ã‚Œã¯é€šå¸¸ã®ç¿’æ…£ã§ã™ã€‚
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Preferred Instrument: 例を演å¥ã™ã‚‹ã¨ãã«ã“ã® MIDI 楽器ãŒä½¿ã‚ã‚Œã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Chord Instruments: For polyphonic voices, these MIDI instruments will be used for the highest, middle, and lowest voices above the bass voice (which takes the "preferred instrument.")
+ </div></li><li class="listitem"><div class="para">
+ Percussion instruments:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Count in: This MIDI instrument will be used to give "count in" beats that precede musical examples involving rhythm.
+ </div></li><li class="listitem"><div class="para">
+ Rhythm: リズムã ã‘ã®ä¾‹ã§ä½¿ã‚れる MIDI 楽器を指定ã—ã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="13.2.3. External Programs" id="sect-Musicians_Guide-Solfege-Configuration-External_Programs"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Configuration-External_Programs">13.2.3. External Programs</h3></div></div></div><div class="para">
+ Solfege ã¯å¤šãã®ä»•äº‹ã‚’ã™ã‚‹ã®ã«ã€å¤–部プãƒã‚°ãƒ©ãƒ を使ã„ã¾ã™ã€‚ã“ã®ã‚¿ãƒ–ã§ã€ä½¿ã‚れるコマンドをターミナルã‹ã‚‰å®Ÿè¡Œã™ã‚‹ã®ã¨åŒã˜ã‚ˆã†ã«æŒ‡å®šã—ã¾ã™ã€‚
+ </div><div class="para">
+ Converters:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ MIDI to WAV
+ </div></li><li class="listitem"><div class="para">
+ WAV to MP3
+ </div></li><li class="listitem"><div class="para">
+ WAV to OGG
+ </div></li><li class="listitem"><div class="para">
+ %(in)s 㨠%(out)s ã¯ã€Solfege ãŒå…¥åŠ›ã¨å‡ºåŠ›ã®ãƒ•ã‚¡ã‚¤ãƒ«åã«ç½®æ›ã—ã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Audio File Players, each with "Test" buttons:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ WAV
+ </div></li><li class="listitem"><div class="para">
+ OGG
+ </div></li><li class="listitem"><div class="para">
+ MP3
+ </div></li><li class="listitem"><div class="para">
+ MIDI
+ </div></li><li class="listitem"><div class="para">
+ Solfege 㯠%s ã‚’ã€æ¼”å¥ã•ã‚Œã‚‹ãƒ•ã‚¡ã‚¤ãƒ«åã«ç½®æ›ã—ã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Miscellaneous:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ CSound: Solfege uses CSound for intonation exercises. It is an optional component. See the "Optional Installation" section above.
+ </div></li><li class="listitem"><div class="para">
+ MMA: Solfege uses MMA for certain harmonic dictation exercises. It is an optional component, and not available in Fedora through standard means. See <a class="xref" href="#sect-Musicians_Guide-Solfege-Install_MMA" title="13.1.5. オプショナルインストール : MMA">「オプショナルインストール : MMAã€</a>
+ </div></li><li class="listitem"><div class="para">
+ Lilypond-book: Solfege uses this for generating print-outs of ear training exercise progress. See the "Optional Installation" section above.
+ </div></li><li class="listitem"><div class="para">
+ Latex: Solfege ã¯ã“れをã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã® HTML å½¢å¼ã§ã¯ãªãã€*.dvi å½¢å¼ã®é€²æ—レãƒãƒ¼ãƒˆã‚’生æˆã™ã‚‹ã®ã«ä½¿ã„ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Latex: Solfege ã¯ã“れをã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã® HTML å½¢å¼ã§ã¯ãªãã€*.dvi å½¢å¼ã®é€²æ—レãƒãƒ¼ãƒˆã‚’生æˆã™ã‚‹ã®ã«ä½¿ã„ã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="13.2.4. Interface" id="sect-Musicians_Guide-Solfege-Configuration-Interface"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Configuration-Interface">13.2.4. Interface</h3></div></div></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Resizeable main window:Solfege ã®ãƒ¡ã‚¤ãƒ³ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã®å¤§ãã•ã‚’変ãˆã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Select language
+ </div></li><li class="listitem"><div class="para">
+ Identify tone keyboard accelerators: 特定ã®éŸ³ç¨‹ã‚’入力ã™ã‚‹å¿…è¦ã®ã‚る課題ã§ã€ã“ã‚Œã¯é€šå¸¸ã®ã‚ーボードを MIDI ã‚ーボードã¨ã—ã¦ä½¿ãˆã‚‹ã‚ˆã†ã«ã—ã¾ã™ã€‚ã‚ーボードã®ä¸Šã®æ–‡å—ãŒã€ç‰¹å®šã®éŸ³ç¨‹ã¨å¯¾å¿œä»˜ã‘られã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="13.2.5. Practise" id="sect-Musicians_Guide-Solfege-Configuration-Practise"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Configuration-Practise">13.2.5. Practise</h3></div></div></div><div class="para">
+ These options apply to exercises done in "Practise" mode.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Not allow new question before the old is solved": Solfege will not provide a new question until you have solved the current question.
+ </div></li><li class="listitem"><div class="para">
+ "Repeat question if the answer was wrong": Solfege will repeat a question if you provide an incorrect answer.
+ </div></li><li class="listitem"><div class="para">
+ "Expert mode": Solfege will provide advanced configuration options for individual exercises.
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="13.2.6. Sound Setup" id="sect-Musicians_Guide-Solfege-Configuration-Sound_Setup"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Configuration-Sound_Setup">13.2.6. Sound Setup</h3></div></div></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "No sound": This mode is used for testing and debugging Solfege.
+ </div></li><li class="listitem"><div class="para">
+ "Use device": This mode lets you specify which audio interface Solfege will use.
+ </div></li><li class="listitem"><div class="para">
+ "User external MIDI player": This mode lets you choose a MIDI synthesizer.
+ </div></li><li class="listitem"><div class="para">
+ The button, "Test": allows you to ensure that you've correctly configured Solfege.
+ </div></li></ul></div>
+
+ </div></div></div><div class="section" title="13.3. ã‚ãªãŸã®ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°" id="sect-Musicians_Guide-Solfege-Training"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Solfege-Training">13.3. ã‚ãªãŸã®ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°</h2></div></div></div><div class="para">
+ Solfege ã§ã¯ï¼“種類ã®èª²é¡ŒãŒã‚ã‚Šã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Listen-and-identify" exercises will play some sort of musical structure, and ask you to identify, classify, or label it according to widely-used conventions.
+ </div></li><li class="listitem"><div class="para">
+ "Identify" exercises will show you some sort of musical structure (usually in Western classical notation), and ask you to identify, classify, or label it according to widely-used conventions.
+ </div></li><li class="listitem"><div class="para">
+ "Sing" exercises will provide a specific musical structure, sometimes partially-completed, and ask you to sing the completion of the structure.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Unlike many commercially-available aural skills computer applications, Solfege often relies on the user to know whether they performed the task correctly - and how correctly. This is especially true of the "Sing"-type exercises, since Solfege lacks the capability to receive sung input from the user. This requires at least two things to be kept in mind: firstly, that it is to your own benefit to honestly tell Solfege when you correctly and incorrectly provide a solution, since this helps Solfege to focus on your weaknesses, and to more accurately track your progress; secondly, there are many degrees of correctness when it comes to music, and harmonic and melodic dictation are particularly prone to these forms of partial correctness.
+ </div><div class="para">
+ オーラルスã‚ル開発ã«ãŠã„ã¦å›°é›£ãªåœ°ç‚¹ã«æ¥ãŸãªã‚‰ã°ã€éŸ³æ¥½çš„感性を作るã«ã¯å¤šå¤§ãªæ™‚é–“ã¨åŠªåŠ›ãŒå¿…è¦ã ã¨ã„ã†ã“ã¨ã‚’æ€ã„出ã—ã¦ãã ã•ã„。ã‚る人ã«ã¨ã£ã¦ã¯ãã‚Œã¯ä»–ã®äººã«ã¨ã£ã¦ã‚ˆã‚Šç°¡å˜ã§ã™ã€‚ã‚る課題ãŒä»–ã®èª²é¡Œã‚ˆã‚Šç°¡å˜ã ã€ã¨ã„ã†ã“ã¨ã¯ã€å¤šãã®äººã«ã¨ã£ã¦ã‚ã‚‹ã“ã¨ã§ã™ã€‚よã言ã‚れる音楽的感性（ã¨ã‚ªãƒ¼ãƒ©ãƒ«ã‚¹ã‚ル）ã«ã¤ã„ã¦ã®æ–‡åŒ–的考察ã§ã¯ã€äººã¯éŸ³æ¥½èƒ½åŠ›ã‚’æŒã£ã¦ç”Ÿã¾ã‚Œã‚‹ã‚‚ã®ã§ã€å¾Œã‹ã‚‰ç²å¾—ã™ã‚‹ã“ã¨ã¯ã§ããªã„ã€ã¨ã„ã„ã¾ã™ã€‚ã—ã‹ã—ã€æœ€è¿‘ã®ç ”究ã«ã‚ˆã‚Œã°ã€è´è¦šã«å•é¡Œã®ãªã„人ã§ã‚ã‚Œã°ã€èª°ã§ã‚‚ã€å分ãªæ±ºæ„ã¨åŠªåŠ›ã¨æ£ã—ã„å¦ç¿’ã«ã‚ˆã‚Šã€éŸ³æ¥½çš„感性ã¨ã‚ªãƒ¼ãƒ©ãƒ«ã‚¹ã‚ルをã€ã¨ã¦ã‚‚高ã„レベルã«ã¾ã§é–‹ç™ºã™ã‚‹ã“ã¨ãŒã§ãã‚‹ã¨ã•ã‚Œã¦ã„ã¾ã™ã€‚
+ </div><div class="para">
+ ãれを心ã«ç•™ã‚ã¦ã€ä»¥ä¸‹ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã¯ã‚ãªãŸãŒ Solfege を完全ãªã‚ªãƒ¼ãƒ©ãƒ«ã‚¹ã‚ル開発プãƒã‚°ãƒ©ãƒ ã®ä¸€éƒ¨ã¨ã—ã¦å–り込むã“ã¨ã®ãŠæ‰‹ä¼ã„ã‚’ã—ã¾ã™ã€‚
+ </div><div class="section" title="13.3.1. オーラルスã‚ルã¨éŸ³æ¥½çš„感性" id="sect-Musicians_Guide-Solfege-Training-Aural_Skilla_and_Musical_Sensibility"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Training-Aural_Skilla_and_Musical_Sensibility">13.3.1. オーラルスã‚ルã¨éŸ³æ¥½çš„感性</h3></div></div></div><div class="para">
+ When somebody decides to receive musical training, what they are really doing is developing skills and acquiring stylistic knowledge required for participation in a particular kind of music. There are many different kinds of training, and the time spent in a classroom is not as important to musical development as time spent elsewhere, taking part in real, musical situations. Many different kinds of skills are useful for musicians, depending on the kind of music in which they intend to participate. A folk singer who plays guitar might wish to memorize the chord progressions, melodies, and words for thousands of different songs. An oboe player in an orchestra might wish to make their own reeds from cane tree bark. Most musicians need to be able to listen to music and perceive certain structures that other musicians use to describe their work. These structures are explained by "music theory," and the skill set used to hear these things in music is called "aural skills." Mus
icians train their aural skills by a set of procedures known as "ear training," or "aural skills training."
+ </div><div class="para">
+ Musical sensibility is developed when aural skills are used to help a musician gain an understanding of how and why their music (and other people's music) works and sounds the way it does. This understanding is key to having a sense of the procedures and conventions that an audience will expect of a performer, and therefore to the performer's ability to produce aesthetically pleasing music.
+ </div><div class="para">
+ よã発é”ã—ãŸéŸ³æ¥½çš„感性ã¨ã‚ªãƒ¼ãƒ©ãƒ«ã‚¹ã‚ルã®ã‚»ãƒƒãƒˆã‚’æŒã¤ã“ã¨ã¯ã„ãšã‚Œã‚‚音楽家ã§ã‚ã‚‹ã“ã¨ã®é‡è¦ãªå´é¢ã§ã™ãŒã€ãã‚Œã ã‘ã§ã‚ˆã„ã‚ã‘ã§ã¯ã‚ã‚Šã¾ã›ã‚“。何よりもã€éŸ³æ¥½å®¶ï¼ˆã‚ã‚‹ã„ã¯éŸ³æ¥½å®¶å¿—望ã®äººï¼‰ã¯ä»–ã®éŸ³æ¥½å®¶é”ã¨è©±ã—ã€è´ãã“ã¨ãŒå¤§äº‹ã§ã™ã€‚
+ </div></div><div class="section" title="13.3.2. 課題ã®ã‚¿ã‚¤ãƒ—" id="sect-Musicians_Guide-Solfege-Training-Exercise_Types"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Training-Exercise_Types">13.3.2. 課題ã®ã‚¿ã‚¤ãƒ—</h3></div></div></div><div class="para">
+ Solfege's exercises are arranged in six broad categories:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Intervals ã¯é †ã«ã‚ã‚‹ã„ã¯å’ŒéŸ³ã§æ¼”å¥ã•ã‚Œã‚‹éŸ³ãŒä½•åº¦é›¢ã‚Œã¦ã„ã‚‹ã‹èžãå–る能力をテストã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Rhythm ã¯å˜ä¸€ã®éŸ³ç¨‹ã§æ¼”å¥ã•ã‚Œã‚‹ãƒªã‚ºãƒ ã‚’è´ã„ã¦è¨˜èœã™ã‚‹èƒ½åŠ›ã¨ã€ãã®ãƒªã‚ºãƒ ã‚’ã‚ーボードã®ä¸Šã§ã‚¿ãƒƒãƒ—ã—ã¦æ¼”å¥ã™ã‚‹èƒ½åŠ›ã‚’テストã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Theory ã¯æ›¸ã‹ã‚ŒãŸéŸ³ç¨‹ã¨éŸ³éšŽã®åå‰ã‚’当ã¦ã‚‹èƒ½åŠ›ã€ãã—ã¦ãƒ‰ãƒ¬ãƒŸãƒ•ã‚¡éŸ³éšŽã‚’æ£ã—ã使ã†èƒ½åŠ›ã‚’テストã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Chords ã¯ã„ã‚ã„ã‚ãªé–“éš”ã®éŸ³ã§ä½œã‚‰ã‚Œã€ã„ã‚ã„ã‚ãªéŸ³ç¨‹ã§æ¼”å¥ã•ã‚Œã‚‹å’ŒéŸ³ã‚’èžãå–る能力ã¨ãã®å’ŒéŸ³ã‚’æŒã†èƒ½åŠ›ã‚’テストã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Scales ã¯æ—‹æ³•ã¨éŸ³éšŽã‚’èžãå–る能力をテストã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Miscellaneous ã¯ã„ã‚ã„ã‚ãªèª²é¡Œã‚’å«ã¿ã¾ã™ã€‚例ãˆã°ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Intonation ã¯ï¼’ã¤ã‚ã®éŸ³ç¨‹ãŒã‚ã‚‹ã¹ã音程より低ã„ã‹é«˜ã„ã‹ã‚’èžãå–る能力をテストã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Dictation ã¯æ—‹å¾‹ã‚’è´ã„ã¦è¨˜èœã™ã‚‹èƒ½åŠ›ã‚’テストã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Identify Tone ã¯ç›¸å¯¾éŸ³æ„Ÿï¼ˆ <a href="http://en.wikipedia.org/wiki/Relative_pitch">http://en.wikipedia.org/wiki/Relative_pitch</a> ã® <em class="citetitle">Relative Pitch (Wikipedia)</em> ã‚’å‚照）を使ã†èƒ½åŠ›ã‚’テストã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Sing Twelve Random Tones ã¯ã€å¤šãã®ã‚¹ã‚ルをテストã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Beats per Minute ã¯ã€ãƒ†ãƒ³ãƒã‚’判æ–ã™ã‚‹èƒ½åŠ›ã‚’テストã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Harmonic Progressions ã¯æ¬¡ã€…ã«æ¼”å¥ã•ã‚Œã‚‹ä¸€é€£ã®å’ŒéŸ³ã‚’èžãå–ã£ã¦ãƒãƒ¼ãƒžæ•°å—ã®å’ŒéŸ³è¨˜å·ã‚’当ã¦ã¯ã‚る能力をテストã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Hear Tones ã¯ã€ç›¸å¯¾éŸ³æ„Ÿã®ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Cadences ã¯ä¸€ç·’ã«æ¼”å¥ã•ã‚Œã‚‹ï¼’ã¤ã®å’ŒéŸ³ã‚’èžãå–ã£ã¦ãƒãƒ¼ãƒžæ•°å—ã®å’ŒéŸ³è¨˜å·ã§è¡¨ã™èƒ½åŠ›ã‚’テストã—ã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ã™ã¹ã¦ã®ã“れらã®èª²é¡Œã¯å®Ÿéš›ã®éŸ³æ¥½ç¾å ´ã§ã®å¤–ã§ã®ã‚ãªãŸã®ã‚ªãƒ¼ãƒ©ãƒ«ã‚¹ã‚ルã®ä½¿ç”¨ã‚’å¿…è¦ã¨ã—ã¾ã™ã€‚ã“ã‚Œã¯ç„¡é§„ãªã“ã¨ã«è¦‹ãˆã‚‹ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“ãŒã€éŸ³æ¥½ç¾å ´ã§ã®æœ€çµ‚çš„ãªèžãå–る能力ã®é‡è¦ãªéƒ¨åˆ†ã§ã‚ã‚‹ã¨ã€ä»¥å‰ã‹ã‚‰èªè˜ã•ã‚Œã¦ã„ã¾ã™ã€‚ã©ã¡ã‚‰ã®èƒ½åŠ›ã‚‚çªç„¶ç¾ã‚Œã‚‹ã“ã¨ã¯ã‚ã‚Šã¾ã›ã‚“。ãã‚Œã¯ç†±å¿ƒãªç·´ç¿’ãŒå¿…è¦ã§ã™ã€‚
+ </div></div><div class="section" title="13.3.3. オーラルスã‚ルプãƒã‚°ãƒ©ãƒ を作る" id="sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program">13.3.3. オーラルスã‚ルプãƒã‚°ãƒ©ãƒ を作る</h3></div></div></div><div class="para">
+ オーラルスã‚ルトレーニングã¯ã€é£Ÿã¹ã‚‹ã“ã¨ã®ã‚ˆã†ã«ã€æ¯Žæ—¥ã€å®šæœŸçš„ã«ã€ã„ã‚ã„ã‚ãªç¨®é¡žã®å…¥åŠ›ã‚’ãã¡ã‚“ã¨ã¨ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚食ã¹ç‰©ã«ã¤ã„ã¦è¨€ãˆã°ã€ï¼‘æ—¥ã«ï¼“回以上食ã¹ã¦ã€æžœç‰©ã‚„野èœã‚’ãŸãã•ã‚“ã€è‚‰ãªã©ã¨ç©€ç‰©ã€ãã—ã¦ãã®ä»–ã®ç¨®é¡žã®é£Ÿã¹ç‰©ã®é©å½“ãªãƒãƒ©ãƒ³ã‚¹ãŒå¤§åˆ‡ã§ã™ã€‚耳ã®ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°ã‚‚åŒã˜ã‚ˆã†ã«ï¼‘æ—¥ã®ã„ã‚ã„ã‚ãªæ™‚é–“ã«å¤šæ§˜ãªå…¥åŠ›ãŒå¿…è¦ã§ã™ã€‚
+ </div><div class="para">
+ ã™ã¹ã¦ã®äººã«ã†ã¾ãã„ã解決ç–ã¯ã‚ã‚Šã¾ã›ã‚“。ã‚ãªãŸã¯ã€ï¼‘æ—¥ã®ã†ã¡ã®æ™‚é–“ã€ãã‚Œãžã‚Œã®ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®å›žæ•°ã¨é•·ã•ã€ãã—ã¦å†…容をé¸æŠžã€å¤‰æ›´ã—ã¦è‡ªåˆ†ã®è¦æ±‚ã«åˆã†ã‚ˆã†ã«ã—ãªã‘ã‚Œã°ã„ã‘ã¾ã›ã‚“。以下ã®åŠ©è¨€ã‚’開始点ã¨ã—ã¦ã‚‚らãˆã‚Œã°ã¨æ€ã„ã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ １ï¼åˆ†ã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’３ã¤ã€ï¼‘æ—¥ã«ï¼“ï¼åˆ†ã€ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°ã™ã‚‹ã€‚
+ </div></li><li class="listitem"><div class="para">
+ セグメント１
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ èµ·ããŸã‚‰ã€æœé£Ÿã®å‰ã«ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 声ã¨ä½“をウオームアップã—ã¾ã™ã€‚（ã„ãšã‚Œã«ã›ã‚ˆã€ã‚ˆã„ç¿’æ…£ã§ã™ã€‚１ï¼åˆ†ã«ã¯ <span class="emphasis"><em> å«ã¾ã‚Œã¾ã›ã‚“ </em></span> ï¼ï¼‰
+ </div></li><li class="listitem"><div class="para">
+ åˆè¦‹æŒå”±ã®ãŸã‚ã®æœ¬ã‹ã‚‰ã„ãã¤ã‹ã®æ›²ã‚’æŒã„ã€å®Œæˆã•ã›ã‚‹ã€‚
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ セグメント２
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 昼食ã®å¾Œã€ä»•äº‹ã«æˆ»ã‚‹å‰ã«ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ãªã«ã‹éŸ³æ¥½ã‚’è´ã„ã¦ã€ãれを書ãå–ã£ã¦ã¿ã‚‹ã€‚
+ </div></li><li class="listitem"><div class="para">
+ タスクをより管ç†ã—ã‚„ã™ãã™ã‚‹ãŸã‚ã«ã¯ã€éŸ³æ¥½ã®å°ã•ãªéƒ¨åˆ†ã‚’ã¨ã£ã¦ã€ï¼‘ã¤ã®å´é¢ã«æ³¨ç›®ã™ã‚‹ï¼šãƒ¡ãƒãƒ‡ã‚£ã€å’ŒéŸ³ã€ã‚ã‚‹ã„ã¯ãƒªã‚ºãƒ 。
+ </div></li><li class="listitem"><div class="para">
+ æ£è§£ã‹ã©ã†ã‹ã‚’調ã¹ã‚‹ã«ã¯ã€ãƒ”アノ（ã‚ã‚‹ã„ã¯å›ºå®šéŸ³ç¨‹ã®å‚照楽器）を使ã†ã‹ã€ã‚ã‚‹ã„ã¯å‡ºç‰ˆã•ã‚Œã¦ã„る楽èœãŒã‚ã‚Œã°ãã‚Œã¨æ¯”ã¹ã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ セグメント３
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 夕食後少ã—ã—ã¦ã‹ã‚‰ã€‚
+ </div></li><li class="listitem"><div class="para">
+ GNU Solfege を使ã£ã¦éŸ³æ¥½ã®åŸºæœ¬ã‚’èžãå–る能力をテストã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ２，３ã®ç•°ãªã‚‹ç¨®é¡žã®èª²é¡Œã«ã€ãã‚Œãžã‚Œã€ã‚ãšã‹ï¼’，３分をã€ä½¿ã„ã¾ã—ょã†ã€‚
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Three ten-minute segments is not a lot of time, and indeed it may take additional time to plan and to find and set up materials. Even so, the point is that training your aural skills does not have to take an inordinate amount of time or effort. What's important is that your effort is consistent and well-planned.
+ </div></div><div class="section" title="13.3.4. 補足ã®å‚ç…§" id="sect-Musicians_Guide-Solfege-Training-Supplementary_References"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Training-Supplementary_References">13.3.4. 補足ã®å‚ç…§</h3></div></div></div><div class="para">
+ GNU Solfege offers a relatively wide variety of exercises, but no one source can possibly offer all of the exercises and training required to develop a well-rounded set of aural skills. Some of the following books and activities should be used to supplement the exercises available in "Solfege." Note that melodic and harmonic dictation are not yet "Solfege's" strong points, mostly due to a lack of different exercises. This may improve in the future, as the developers improve the software.
+ </div><div class="para">
+ 活動：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 実際ã®éŸ³æ¥½ã§æ›¸ãå–ã‚Šã‚’ã™ã‚‹ã€‚完全ãªæ¥½èœã‚’書ãよりã¯ã€ï¼‘ã¤ã®è¦ç´ ã«æ³¨ç›®ã—ã¦ã¿ã¦ãã ã•ã„。ã‚ãªãŸã®è§£ç”ã‚’å¯èƒ½ãªã‚‰å‡ºç‰ˆã•ã‚ŒãŸæ¥½èœã¨æ¯”ã¹ã¦ç¢ºã‹ã‚ã¾ã™ã€‚ã„ãã¤ã‹ã®ã‚ªãƒ¼ã‚±ã‚¹ãƒˆãƒ©ã®æ¥½å™¨ã¯ã€ã‚³ãƒ³ã‚µãƒ¼ãƒˆãƒ”ッãƒã§æ›¸ã‹ã‚Œã¦ã„ãªã„ã“ã¨ã‚‚ã‚ã‚‹ã®ã§æ³¨æ„ãã ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ ã‚ãªãŸã®åˆè¦‹æŒå”±ã®ã‚¹ã‚ルを使ã£ã¦ã€ãƒ¡ãƒãƒ‡ã‚£ã‚ã‚‹ã„ã¯ãƒªã‚ºãƒ ã‚’æŒã„ã€ãれをè´ãã‚ãªãŸã®å‹äººãŒæ›¸ãå–ã‚Šã®ä¾‹ã«ä½¿ã„ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Use Bach chorales as sight-singing examples for a group of four or more people. It helps to have friends in all vocal ranges, but it isn't necessary. Remember to use solfa syllables, and avoid the chorale's text.
+ </div></li><li class="listitem"><div class="para">
+ ファンã®ã‚ˆã†ãªæ©Ÿæ¢°çš„デãƒã‚¤ã‚¹ãŒä¸€å®šã®éŸ³ç¨‹ã‚’出ã—ã¦ã„ã‚‹ãªã‚‰ã€ãã‚Œã«ã‚ã‚ã›ã¦å’Œå£°çš„音程ã§æŒã†ç·´ç¿’ãŒã§ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ã‚ãªãŸã®å‹é”ã®å‰ã§ã€é•·ã„課題ã¨çŸã„課題をã€åˆ¥ã€…ã®æ¥½å™¨ã§æ¼”å¥ã—ã¾ã™ã€‚ã“ã‚Œã¯ã‚³ãƒ³ãƒ”ュータãŒæä¾›ã™ã‚‹ã‚ˆã‚Šã‚‚ç¾å®Ÿçš„ãªéŸ³æ¥½ã®ç¾å ´ã§ã®èƒ½åŠ›ã‚’開発ã™ã‚‹ã®ã«å½¹ã«ç«‹ã¡ã¾ã™ã€‚ã—ã‹ã—ã€ä¾ç„¶ã¨ã—ã¦ç‹¬ç«‹ã—ãŸç’°å¢ƒã§ã€ã§ã™ã€‚
+ </div></li></ul></div>
+
+ </div><div class="para">
+ オーラルスã‚ルã®æœ¬ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Crowell's <em class="citetitle">Eyes and Ears</em> is an open-source sight-singing text, available for free from the URL listed above. This book contains about 400 melodies from the public domain, along with some helpful instructions.
+ </div></li><li class="listitem"><div class="para">
+ Hall's <em class="citetitle">Studying Rhythm</em> is a small and expensive - but useful - book, containing a collection of rhythms to be spoken or spoken-and-clapped. This book also contains some three-part and four-part rhythms. The exercises increase in difficulty. The book offers some performance tips.
+ </div></li><li class="listitem"><div class="para">
+ Hindemith's <em class="citetitle">Elementary Training</em> is a classic aural skills text, but it was originally published in 1949, and a lot of research has taken place since then about how people learn aural skills. The book offers a wide variety of exercises, especially to develop coordination when performing multiple independent musical lines. We recommend that you ignore Hindemith's instructions, and use <em class="firstterm">tonic solfa</em> syllables. For more information on tonic solfa, refer to <em class="citetitle">Tonic sol-fa</em> at <a href="http://en.wikipedia.org/wiki/Tonic_sol-fa">http://en.wikipedia.org/wiki/Tonic_sol-fa</a>
+ </div></li><li class="listitem"><div class="para">
+ Hoffman's <em class="citetitle">The Rhythm Book</em> was developed specifically for the takadimi rhythm system. Like Hall's text, <em class="citetitle">The Rhythm Book</em> progresses fro easy to difficult exercises, and offers helpful instructions for performance.
+ </div></li><li class="listitem"><div class="para">
+ Karpinski's two texts are the result of two decades of research about how musicians acquire aural skills. The <em class="citetitle">Manual</em> contains instructions, exercises, and tips on training yourself to hear musical elements <span class="emphasis"><em>and</em></span> real music, and how to perform and imagine music. The <em class="citetitle">Anthology</em> is organized in chapters that coincide with the topics discussed in the <em class="citetitle">Manual</em>, and contains very few instructions. The <em class="citetitle">Anthology</em> contains a wide variety of musical excerpts, some from the public domain and others under copyright, taken from the "classical music" canon and from national repertoires. There are some three-part and four-part exercises, which should be performed by a group of people leraning aural skills together.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ã©ã®æœ¬ã§ã‚‚ã€åˆè¦‹æŒå”±ã®ç·´ç¿’ã‚’ã™ã‚‹ã¨ãã¯ã€æ›²ã‚’æŒã†å‰ã«ä¸»éŸ³ç¨‹ã‚’固定音程ã®æ¥½å™¨ï¼ˆãƒ”アノã‚ã‚‹ã„ã¯ã‚ーボードシンセサイザーãªã©ï¼‰ã§è´ãã“ã¨ã‚’ãŠå‹§ã‚ã—ã¾ã™ã€‚主音程を心ã«ç•™ã‚ã¦ã€å£°ã‚’出ã—ã¦æŒã†ã“ã¨ãªãã€æ›²ã®æœ€åˆã®éŸ³ã‚’探ã—ã¾ã™ã€‚ãã—ã¦æ›²ã‚’ <span class="emphasis"><em> 心ã®ä¸ã§ </em></span>ã€ãã®æ›²ã‚’æ£ç¢ºã«æŒã£ã¦ã„ã‚‹ã¨è‡ªä¿¡ãŒæŒã¦ã‚‹ã¾ã§ä½•å›žã‹æŒã„ã¾ã™ã€‚メãƒãƒ‡ã‚£ãŒå¿ƒã®ä¸ã«å¾—られãŸã‚‰ã€ãã®æ›²ã‚’æ£ã—ãæŒã£ã¦ã„ã‚‹ã¨è‡ªä¿¡ãŒæŒã¦ã‚‹ã¾ã§ä½•å›žã§ã‚‚ã€å¤§ããªå£°ã§æŒã„ã¾ã™ã€‚曲を完璧ã«æŒã£ãŸ <span class="emphasis"><em> 後㧠</em></span> 固定音程ã®æ¥½å™¨ã§ãれを演å¥ã—ã¦ã‚ãªãŸãŒæ£ã—ã‹ã£ãŸã‹ã‚’確ã‹ã‚ã¦ãã ã•ã„。
+ </div><div class="para">
+ ã‚ãªãŸã®è€³ã‚’ã€å¤–部ã®éŸ³æºï¼ˆãƒ”アノãªã©ï¼‰ã«ã§ãã‚‹ã ã‘é ¼ã‚‹ã“ã¨ãªã作り上ã’ãªã‘ã‚Œã°ã„ã‘ã¾ã›ã‚“。多ãã®ç ”究ã¯ã€ã“ã‚Œã¯ã‚ãŸãªã«ã‚ˆã‚ŠæŸ”軟ãªéŸ³æ¥½ã®å¿ƒã‚’ã‚‚ãŸã‚‰ã—ã€æœ€åˆã®å¦ç¿’曲線ã¯ã¨ã¦ã‚‚険ã—ã„ã‚‚ã®ã®ã€ã‚ãªãŸã¯æœ€å¾Œã«ã¯æ–°ã—ã„概念をより速ãå¦ç¿’ã§ãるよã†ã«ãªã‚‹ã¨æ•™ãˆã¦ã„ã¾ã™ã€‚
+ </div><div class="bibliography" title="オーラルスã‚ルã®æœ¬" id="id763280"><div class="titlepage"><div><div><h4 class="title">オーラルスã‚ルã®æœ¬</h4></div></div></div><div class="biblioentry" title="Eyes and Ears: an Anthology of Melodies for Sight-Singing"><p><span class="author"><span class="surname">Crowell</span> <span class="firstname">Ben</span> [FAMILY Given]. </span><span class="title"><i>Eyes and Ears: an Anthology of Melodies for Sight-Singing</i>. </span><span class="date">2004. </span><span class="publisher"><span class="publishername">
+ Ben Crowell
+ . </span><span class="address">
+ <span class="otheraddr"><a href="http://www.lightandmatter.com/sight/sight.html">http://www.lightandmatter.com/sight/sight.html</a></span>
+ . </span></span></p></div><div class="biblioentry" title="Studying Rhythm"><p><span class="author"><span class="surname">Hall</span> <span class="firstname">Anne</span> [FAMILY Given]. </span><span class="title"><i>Studying Rhythm</i>. </span><span class="date">2004. </span><span class="publishername">
+ Prentice Hall
+ . </span></p></div><div class="biblioentry" title="Elementary Training for Musicains"><p><span class="author"><span class="surname">Hindemith</span> <span class="firstname">Paul</span> [FAMILY Given]. </span><span class="title"><i>Elementary Training for Musicains</i>. </span><span class="date">1984. </span><span class="publishername">
+ Schott Music Corp.
+ . </span></p></div><div class="biblioentry" title="The Rhythm Book"><p><span class="author"><span class="surname">Hoffman</span> [FAMILY Given]. </span><span class="title"><i>The Rhythm Book</i>. </span><span class="date">2009. </span><span class="publishername">
+ Smith Creek Music
+ . </span></p></div><div class="biblioentry" title="Manual for Ear Training and Sight Singing"><p><span class="author"><span class="surname">Karpinski</span> <span class="firstname">Gary</span> [FAMILY Given]. </span><span class="title"><i>Manual for Ear Training and Sight Singing</i>. </span><span class="date">2007. </span><span class="publishername">
+ Norton
+ . </span></p></div><div class="biblioentry" title="Anthology for Sight Singing"><p><span class="author"><span class="surname">Karpinski</span> <span class="firstname">Gary</span> [FAMILY Given]. </span><span class="title"><i>Anthology for Sight Singing</i>. </span><span class="date">2006. </span><span class="publishername">
+ Norton
+ . </span></p></div></div></div></div><div class="section" title="13.4. 課題を使ã†" id="sect-Musicians_Guide-Solfege-Using_the_Exercises"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Solfege-Using_the_Exercises">13.4. 課題を使ã†</h2></div></div></div><div class="section" title="13.4.1. Listening" id="sect-Musicians_Guide-Solfege-Listening_Exercises"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Listening_Exercises">13.4.1. Listening</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ ソフトウエアを開ãã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ It is at the "Front Page"
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ ã©ã®ã‚¿ã‚¤ãƒ—ã®èª²é¡Œã‚’ã™ã‚‹ã‹æ±ºã‚ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ フォーカスã™ã‚‹ã‚µãƒ–セクションを決ã‚ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ Click "New" or "New Interval" or whatever to get the first question
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ On some exercises, you need to click "new" whenever you want a new one
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ 課題ã«ã‚ˆã£ã¦ã¯ã€ã‚ãªãŸãŒæ£è§£ã‚’ç”ãˆã‚‹ã¨è‡ªå‹•çš„ã«æ¬¡ã®å•é¡Œã‚’出ã™ã‚ˆã†ã«è¨å®šã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ ãã‚Œãžã‚Œã®èª²é¡Œã‚’è´ã„ãŸã‚‰ã€æ£ã—ã„ç”ãˆã‚’探ã—ã¾ã—ょã†ã€‚
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ ã‚‚ã†ä¸€åº¦èª²é¡Œã‚’èžããŸã„ã¨ãã¯ã€ãã†ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 10"><div class="para">
+ èžãç›´ã™å›žæ•°ã«åˆ¶é™ã‚’è¨ã‘ã‚‹ã®ã¯ã‚ˆã„ã“ã¨ã§ã™ã€‚
+ </div></li><li class="step" title="ステップ 11"><div class="para">
+ ã‚ãªãŸãŒæ£ã—ã„ã¨æ€ã†ã‚‚ã®ã‚’é¸ã³ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 12"><div class="para">
+ 次ã®å•é¡Œã«è¡Œãã¾ã™ã€‚ãã‚Œã¯å•é¡Œã«ã‚ˆã£ã¦ã¯è‡ªå‹•ã§ã•ã‚Œã‚‹ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。ã‚らã‹ã˜ã‚ã€æ¬¡ã®å•é¡Œã«è¡Œãå‰ã«å¾…ã¤æ™‚間を指定ã™ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚
+ </div></li></ol></div></div><div class="section" title="13.4.2. Singing" id="sect-Musicians_Guide-Singing_Exercises"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Singing_Exercises">13.4.2. Singing</h3></div></div></div><div class="para">
+ These are: "Sing intervals"
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Select "Sing intervals"
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ フォーカスã—ãŸã„ã‚‚ã®ã‚’é¸ã³ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ 課題ãŒå§‹ã¾ã‚Šã€ã‚ãªãŸãŒæŒã†æœ€åˆã®éŸ³ã‚’æ¼”å¥ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ 最åˆã¨æ¬¡ã®éŸ³ã‚’æŒã£ã¦ãã ã•ã„。ã‚ã‚‹ã„ã¯ã€æ¬¡ã®éŸ³ã ã‘ã‚’æŒã†ã¨ã€ã‚ˆã‚Šé›£ã—ããªã‚Šã¾ã™ã€‚（ヒント：ドレミファ音階をã¤ã‹ã„ãªã•ã„ï¼ï¼‰
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ Solfege ã¯ã‚ãªãŸãŒæ£ã—ã音程をæŒãˆãŸã‹ã‚ã‹ã‚‰ãªã„ã®ã§ã€è‡ªåˆ†ã§ç”³å‘Šã—ãªã„ã¨ã„ã‘ã¾ã›ã‚“。
+ </div></li></ol></div><div class="para">
+ "Tap generated rhythm"
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Select "Tap generated rhythm"
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ サブカテゴリをé¸ã³ã¾ã™ã€‚（ãれらã¯ã€æ›¸ãå–ã‚Šã®èª²é¡Œã¨åŒã˜æ§‹æˆã§ã™ã€‚ãŸã ã€è¤‡åˆéŸ³å¾‹ã¯ã‚ã‚Šã¾ã›ã‚“。）以下をå‚ç…§ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Click "New"
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ リズムãŒæ¼”å¥ã•ã‚Œã¾ã™ã€‚注æ„ã—ã¦è´ãã¾ã—ょã†ã€‚ã§ãã‚Œã°ã€æ‹åã‚’ã¨ã‚Šã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ リズムã®æ›¸ãå–り課題ã¨åŒã˜ãã€ã‚¤ãƒ³ãƒˆãƒãŒæµã‚Œã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ You must repeat the rhythm by click on the "Tap here" button
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ Best to use the space bar to tap in; here's how.
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ The "accuracy" may be set too high; I like 0.30
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ On "Config," change "Number of beats in question" to adjust the difficulty
+ </div></li></ol></div><div class="para">
+ "Sing chord"
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Select "Sing chord"
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ æŒã„ãŸã„和音ã®ã‚¿ã‚¤ãƒ—ã‚’é¸ã³ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Click "New"
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Solfege will automatically play an "A" for you, and you can hear it again by clicking, "440hz"
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ æ˜‡é †ã«å’ŒéŸ³ã‚’æŒã„ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ Verify that you sang correctly by clicking "Play answer" and hearing whether the pitches are the same.
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ Click "New" for another question
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ On the "Config" tab, it allows you to change how far it will transpose the built-in models; best to leave this as it is <code class="code">['key', -5, 5]</code>
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ Solfege ã¯ã‚ãªãŸãŒæ£ã—ã音程をæŒãˆãŸã‹ã‚ã‹ã‚‰ãªã„ã®ã§ã€è‡ªåˆ†ã§ç”³å‘Šã—ãªã„ã¨ã„ã‘ã¾ã›ã‚“。
+ </div></li></ol></div><div class="para">
+ "Sing chord tone"
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Select "Sing chord tone"
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ 和音ã®ä¸ã®ã©ã®éŸ³ã‚’æŒã†ç·´ç¿’ã‚’ã—ãŸã„ã‹é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Click "New"
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Solfege ã¯å’ŒéŸ³ã‚’ブãƒãƒƒã‚¯å½¢å¼ã§è¡¨ç¤ºã¨æ¼”å¥ã—ã¾ã™ã€‚ã‚ãªãŸã¯æŒ‡å®šã•ã‚ŒãŸå’ŒéŸ³ã®ä¸ã®éŸ³ã‚’æŒã‚ãªãã¦ã¯ãªã‚Šã¾ã›ã‚“。
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ You can repeat the chord in blocked form ("Repeat") or in arpeggio form ("Repeat arpeggio"). It is much easier to hear a chord played in arpeggio form, so we recommend that you practice both ways.
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ When you are sure that you correctly sang the chord member, click "Play answer"
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ For the next question, click "New"
+ </div></li></ol></div></div><div class="section" title="13.4.3. Configure Yourself" id="sect-Musicians_Guide-Configure_Yourself_Exericses"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Configure_Yourself_Exericses">13.4.3. Configure Yourself</h3></div></div></div><div class="para">
+ These exercises allow you to choose the focus of your training, rather than using a Solfege preset. When you enter an exercise, you are given a default setup, which is then customized on the "Config" tab in the activity. The following things are customizeable in "Configure Yourself" exercises, but not in the other counterparts:
+ </div><div class="para">
+ "Harmonic intervals" allows you to de/select specific intervals between m2 and M10
+ </div><div class="para">
+ "Melodic intervals" and "Sing intervals" allow you to de/select specific intervals between m2 and M10, and whether to test them up, down, or both.
+ </div><div class="para">
+ "Compare intervals" allows you to select specific intervals between minor second and major tenth. Also allows you to switch between harmonic or melodic intervals independently for the first and second interval.
+ </div><div class="para">
+ "Id tone": allows you to choose a "weighting" for each pitch, to conentrate on specific ones. Also allows you to adjust octave displacement to higher or lower octaves.
+ </div><div class="para">
+ For all of the rhythm exercises, "binary time" means "simple metre," and "ternary time" means "compound metre." All sections allow you to choose which single-beat rhythms to use when creating the question.
+ </div></div><div class="section" title="13.4.4. Rhythm" id="sect-Musicians_Guide-Solfege-Rhythm_Exercises"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Rhythm_Exercises">13.4.4. Rhythm</h3></div></div></div><div class="para">
+ This is dictation or play-back. The rhythms described in this section use the "takadimi" rhythm system, which is explained in <em class="citetitle">The Takadimi Article</em>, available at <a href="http://www.takadimi.net/takadimiArticle.html">http://www.takadimi.net/takadimiArticle.html</a>. Use the rhythm system you prefer.
+ </div><div class="para">
+ リズムã®æ›¸ãå–ã‚Šã‚’ã™ã‚‹ã«ã¯ï¼š
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Click "Rhythm"
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ サブカテゴリをé¸ã³ã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Rhythms (easy) 㯠: ４分音符ã€ï¼’ã¤ã®ï¼˜åˆ†éŸ³ç¬¦ã€ï¼”ã¤ã®ï¼‘６分音符
+ </div></li><li class="listitem"><div class="para">
+ Rhythms ã¯ï¼šã“れプラスã€ka-di-mi, ta-ka-mi, ta-ka-di, ta-mi, ãã—㦠ta-ka ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Rhythms (difficult) 㯠: ã“れプラスã€ä¼‘æ¢ç¬¦ã¨ï¼“連符ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Rhythms in 3/8 㯠: 複åˆæ‹åã§ã™ã¹ã¦
+ </div></li></ul></div>
+
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Click "New" to get a new question
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Click the buttons above the "Play" button to input the rhythm-units, in order from start to finish
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ 計算ã™ã‚‹ã«ã¯ã€ç´™ã‚’使ã„ã¾ã—ょã†ã€‚
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ If you make a mistake inputting, use the "Backspace" button
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ You can "Repeat" to hear it again - not too many times!
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ You can change the difficulty by increasing the number of beats per question, on "Config" tab
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ é–“é•ãˆãŸã‚‰ã€ç›´ã™ãƒãƒ£ãƒ³ã‚¹ãŒã‚ã‚Šã¾ã™ã€‚ã‚ãªãŸã®ãŸã‚ã«ã€ä¸æ£è§£ã®éƒ¨åˆ†ã¯èµ¤ã§ã‚¢ãƒ³ãƒ€ãƒ¼ãƒ©ã‚¤ãƒ³ãŒå¼•ã‹ã‚Œã¾ã™ã€‚
+ </div></li></ol></div><div class="para">
+ For Rhythmic Tap-Back, see above section "Singing Exercises."
+ </div></div><div class="section" title="13.4.5. Dictation" id="sect-Musicians_Guide-Solfege-Dictation_Exercises"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Dictation_Exercises">13.4.5. Dictation</h3></div></div></div><div class="para">
+ ã“れらã®æ›¸ãå–り課題ã¯æ—‹å¾‹ã®æ›¸ãå–ã‚Šã®ãŸã‚ã®ã‚‚ã®ã§ã™ã€‚ã“ã“ã§ã¯ä¾‹ã®ç¨®é¡žã¯ã‚ã¾ã‚Šå¤šããªãã€æ˜“ã—ã„ã‹é›£ã—ã„ã‹ã®ã„ãšã‚Œã‹ã§ã€ä¸é–“ã®èª²é¡Œã¯ã‚ã‚Šã¾ã›ã‚“。
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Click "Dictation"
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ レベルをé¸ã³ã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Volkslieder 1: ドイツ民謡（易ã—ã„）
+ </div></li><li class="listitem"><div class="para">
+ Volkslieder 2: ドイツ民謡（易ã—ã„）
+ </div></li><li class="listitem"><div class="para">
+ ï¼’ã¤ã®ãƒãƒƒãƒã®ã‚¤ãƒ³ãƒ™ãƒ³ã‚·ãƒ§ãƒ³ã‹ã‚‰ã®éƒ¨åˆ†ï¼šï¼’ã¤ã ã‘ã§ã™ã€‚ï¼”ã¤ã®ã‚«ãƒ†ã‚´ãƒªãƒ¼ã®ä¸ã§æœ€ã‚‚難ã—ã„ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Norwegian children songs: ３ã¤ã ã‘ã§ã™ã€‚（易ã—ã„）
+ </div></li></ul></div>
+
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ 音部記å·ã€èª¿æ€§ã€ãã—ã¦æ‹å記å·ã¯ã‚ãªãŸã®ãŸã‚ã«ã‚らã‹ã˜ã‚書ã„ã¦ã‚ã‚Šã¾ã™ã€‚開始ã®éŸ³ã¨ã‚¿ã‚¤ãƒˆãƒ«ã‚‚。
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ ４分音符ã®ãƒœã‚¿ãƒ³ã§ã€æ—‹å¾‹ã®ä¸€éƒ¨ã ã‘ã‚’æ¼”å¥ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ "Play the whole music" plays both parts of the music.
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ "Back" and "Forward" shifts through the excerpts for dictation.
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ It's best to "Play the whole music" as many times as needed (5 - 7 or less maximum, depending on the excerpt).
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ It's best to avoid playing only part of the music.
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ Write down the excerpt on paper, then when you're sure that you've finished it correctly, click "Show."
+ </div></li><li class="step" title="ステップ 10"><div class="para">
+ ã“ã®èª²é¡Œã¯è‡ªå·±ç®¡ç†ãªã®ã§ã€é€²æ—管ç†ã¯ã—ã¾ã›ã‚“。
+ </div></li></ol></div></div><div class="section" title="13.4.6. Harmonic Progressions" id="sect-Musicians_Guide-Solfege-Harmonic_Progressions"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Harmonic_Progressions">13.4.6. Harmonic Progressions</h3></div></div></div><div class="para">
+ 以下ã®æ›¸ãå–り課題ã¯å’ŒéŸ³ã®æ›¸ãå–ã‚Šã§ã™ã€‚和声進行を当ã¦ã‚‹å•é¡ŒãŒå‡ºã¾ã™ã€‚ã•ã‚‰ã«ã€å°‘ãªãã¨ã‚‚外å´ã®éŸ³ï¼ˆæœ€ã‚‚低ã„ã‚‚ã®ã¨æœ€ã‚‚高ã„ã‚‚ã®ï¼‰ã‚’当ã¦ã‚‹å¿…è¦ã‚‚ã‚ã‚Šã¾ã™ã€‚ã“れらã®é€²è¡Œã¯ã€Common Practice Period 和声進行ã«ã¯å¾“ã£ã¦ã„ãªã„ã®ã«æ³¨æ„ãã ã•ã„。
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Click "Harmonic progressions"
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ ã„ãã¤ã‹ã®å’Œå£°é€²è¡Œã¯ MMA （以å‰ã«è¿°ã¹ãŸã‚ˆã†ã«ï¼‰ãŒå¿…è¦ã§ã™ã€‚ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«æ‰‹é †ã¯ä»¥ä¸‹ã‚’å‚ç…§ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ MMA ã§ãªã„カテゴリーã¯ã€ä»¥ä¸‹ã®å’Œå£°ã‚’å«ã¿ã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Easy harmonic progressions": I, II, IV, V, VI
+ </div></li><li class="listitem"><div class="para">
+ with Inverisons: IV6 㨠V6 ã‚’åŠ ãˆã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ "Three chords, root position": I, II, III, IV, V, VI
+ </div></li></ul></div>
+
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ カテゴリーをé¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ Click "New" to get a question.
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ The passage will automatically play once, but you will not get a key signature. If you are notating the dictation, and you do not know which pitches are being used, then you may wish to guess the key, using sol-fa equivalents to know if you're correct.
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ 和音ボタンをクリックã—ã¦ã€ã‚ãªãŸãŒèžãå–ã£ãŸå’ŒéŸ³ã®åˆ—を最åˆã‹ã‚‰æœ€å¾Œã®é †ã§å…¥åŠ›ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ To hear the example again, click "Repeat."
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ If you make a mistake, click the "Backspace" button to erase the last-input chord.
+ </div></li><li class="step" title="ステップ 10"><div class="para">
+ When you are sure that your answer is correct, click "Guess answer."
+ </div></li><li class="step" title="ステップ 11"><div class="para">
+ To get another question, click "New".
+ </div></li></ol></div></div><div class="section" title="13.4.7. Intonation" id="sect-Musicians_Guide-Solfege-Intonation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Intonation">13.4.7. Intonation</h3></div></div></div><div class="para">
+ In order to use the Intonation exercises, you must install the "Csound" application. See <a class="xref" href="#sect-Musicians_Guide-Solfege-Install_Csound" title="13.1.4. オプショナルãªã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ï¼š Csound">「オプショナルãªã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ï¼š Csoundã€</a> for instructions to install Csound.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Click on "Intonation"
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ ã™ã¹ã¦ã®èª²é¡Œã¯ã€æ˜‡é †ã®å®Œå…¨ï¼•åº¦ã‚’テストã—ã¾ã™ã€‚æ•°å—ãŒï¼‘．ï¼ã«è¿‘ã‘ã‚Œã°è¿‘ã„ã»ã©ã€éŸ³ãŒå¤–ã‚Œã¦ã„ã‚‹è·é›¢ãŒå°ã•ã„ã§ã™
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Click "New" to get a new question.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ 音程ãŒè‡ªå‹•çš„ã«æ¼”å¥ã•ã‚Œã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ Click "Repeat" to repeat the interval.
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ ï¼’ã¤ã‚ã®éŸ³ãŒã€ãƒ•ãƒ©ãƒƒãƒˆï¼ˆéŸ³ã®é–“éš”ãŒå°ã•ã™ãŽã‚‹ï¼‰ã€åˆã£ã¦ã„ã‚‹ã€ï¼ˆé–“éš”ãŒæ£ã—ã„大ãã•ï¼‰ã‚ã‚‹ã„ã¯ã‚·ãƒ£ãƒ¼ãƒ—（間隔ãŒå¤§ãã™ãŽã‚‹ï¼‰ã®ã„ãšã‚Œã‹ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ æ£ã—ã„ã¨è‡ªä¿¡ãŒæŒã¦ãŸã‚‰ã€å¯¾å¿œã™ã‚‹ãƒœã‚¿ãƒ³ã‚’クリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ To get the next question, click "New."
+ </div></li></ol></div></div></div></div></div><div xml:lang="ja-JP" class="appendix" title="付録A Contributors" id="appe-Musicians_Guide-Contributors" lang="ja-JP"><div class="titlepage"><div><div><h1 class="title">Contributors</h1></div></div></div><div class="para">
+ The following people have contributed to the Fedora 16 Musicians' Guide, or a previous version.
+ </div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="https://fedoraproject.org/wiki/User:Crantila">Christopher Antila</a> (writer)
+ </div></li><li class="listitem"><div class="para">
+ Motohiro Kanda (translator—Japanese)
+ </div></li></ul></div>
+
+ </div></div><div xml:lang="ja-JP" class="appendix" title="付録B 改訂履æ´" id="appe-Musicians_Guide-Revision_History" lang="ja-JP"><div class="titlepage"><div><div><h1 class="title">改訂履æ´</h1></div></div></div><div class="para">
+ <div class="revhistory"><table border="0" width="100%" summary="Revision history"><tr><th align="left" valign="top" colspan="3"><b>改訂履æ´</b></th></tr><tr><td align="left">改訂 0.0</td><td align="left">27 July 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>publican ã§æœ€åˆã®ãƒ–ックを作æˆ</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.1</td><td align="left">2 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>First publically-available draft in DocBook format.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.2</td><td align="left">3 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Revised section headings.</td></tr><tr><td>Improved and consistent-ified "Requirements and Installation" for DAWs</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.3</td><td align="left">4 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Significantly revised Audacity chapter.</td></tr><tr><td>Updated JACK installation slightly.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.4</td><td align="left">5 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added all external and internal links.</td></tr><tr><td>Added all images.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.5</td><td align="left">6 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Re-formatted ex-<pre> tags.</td></tr><tr><td>Changed images to <inlinemediaobject>, where appropriate.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.6</td><td align="left">7 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added tables to SuperCollider chapter.</td></tr><tr><td>Reviewed <code> tags, all but Basic Programming in SC.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.7</td><td align="left">8 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Reviewed use of <code> tags in "Basic Programming in SC" chapter.</td></tr><tr><td>Searched code for '' or ''' and replaced them with <emphasis> where appropriate.</td></tr><tr><td>Formatted bibliography/book-list in the Solfege chapter.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.8</td><td align="left">27 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Re-wrote the JACK installation instructions, to incorporate the fact that jack2 will be in F14</td></tr><tr><td>Made other minor revisions to the sound servers section.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.9</td><td align="left">6 September 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added links to tutorial files.</td></tr><tr><td>Incorporated some comments from external sources.</td></tr><tr><td>Changed numbering of Revision History.</td></tr><tr><td>Added list of links that need to be updated with every release, to Musicians_Guide.xml</td></tr><tr><td>Updated Audacity to make it publish-able.</td></tr><tr><td>Replaced instances of "Fedora 14" with "Fedora $PRODVER;"</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.9</td><td align="left">23 December 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Changed version numbering to correspond more closely to the intended Fedora release version.</td></tr><tr><td>Removed "asdf" part introductions.</td></tr><tr><td>Updated entity (.ent) file for Fedora 15.</td></tr><tr><td>Updated hard-coded links to supplemental files for Fedora 15.</td></tr><tr><td>Changed subtitle to remove possessive ("Fedora Linux's").</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.9.1</td><td align="left">26 December 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Fixed Bug 665663 ("URLs to all Tutorial Files Are Broken") for Fedora 15.</td></tr><tr><td>Re-wrote Section 12.4.7.1 to fix the first error in Bug 654187.</td></tr><tr><td>Renamed some section in Chapter 12, making them easier to translate (I hope).</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.9.2</td><td align="left">2 January 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Reformatted dates in Revision History.</td></tr><tr><td>Re-wrote Section 12.4.8.2 to fix the second error in Bug 654187.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.9.3</td><td align="left">28 January 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added fix for Bug 670520.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.9.4</td><td align="left">27 February 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added fixes for Bugs 677362 and 674335.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.9.5</td><td align="left">2 May 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added fix for Bug 665660.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15-1.0</td><td align="left">21 May 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Published for Fedora 15.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15-1.0.1</td><td align="left">3 June 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Fixed Bug 710332.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15.9.1</td><td align="left">15 June 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Fixed Bug 670540.</td></tr><tr><td>Revised parts of Chapters 9 (Rosegarden) and 10 (FluidSynth).</td></tr><tr><td>Removed period from end of subtitle.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15.9.2</td><td align="left">26 June 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Fixed Bug 670533.</td></tr><tr><td>Revised parts of Chapter 9 (Rosegarden configuration).</td></tr><tr><td>Revised parts of Chapter 8 (Qtractor configuration).</td></tr><tr><td>Fixed Bug 673519.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15.9.3</td><td align="left">3 July 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added "O_S" and "OPERATING_SYSTEM" entities to aid potential adoption by other distributions.</td></tr><tr><td>Started replacing "Fedora" and "Fedora Linux" with entities listed above.</td></tr><tr><td>Added documentation of the Ardour "nudge tool."</td></tr><tr><td>Integrated useful parts of "Frescobaldi" chapter into "LilyPond" chapter and removed "Frescobaldi."</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15.9.4</td><td align="left">9 July 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added links to Qtractor tutorial recordings and revised opening paragraphs of tutorial.</td></tr><tr><td>Updated copyright holder from "Red Hat Inc. and others" to "Fedora Project Contributors."</td></tr><tr><td>Added "Contributors" appendix.</td></tr><tr><td>Removed index; will replace it when it's useful.</td></tr><tr><td>Removed my name from the Author_Group.xml, moved it into Contributors appendx.</td></tr><tr><td>Removed "pulse-rt" from the groups required for JACK access.</td></tr><tr><td>Updated all files, as appropriate, to replace "Fedora" and "Fedora Linux" with XML entities, to aid adoption by other groups.</td></tr></table>
+
+ </td></tr></table></div>
+
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+ margin-bottom:10px;
+}
+
+
+/*terminal/console text*/
+.computeroutput,
+.option {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ font-weight:bold;
+}
+
+.replaceable {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ font-style: italic;
+}
+
+.command, .filename, .keycap, .classname, .literal {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ font-weight:bold;
+}
+
+/* no bold in toc */
+.toc * {
+ font-weight: inherit;
+}
+
+pre {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ display:block;
+ background-color:#eeeeee;
+ margin-bottom: 0.3em;
+ padding:.5em 1em;
+ white-space: pre-wrap; /* css-3 */
+ white-space: -moz-pre-wrap !important; /* Mozilla, since 1999 */
+ white-space: -pre-wrap; /* Opera 4-6 */
+ white-space: -o-pre-wrap; /* Opera 7 */
+ word-wrap: break-word; /* Internet Explorer 5.5+ */
+ font-size: 0.9em;
+}
+
+pre .replaceable,
+pre .keycap {
+ color:white;
+}
+
+code {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ white-space: nowrap;
+ font-weight:bold;
+}
+
+.parameter code {
+ display: inline;
+ white-space: pre-wrap; /* css-3 */
+ white-space: -moz-pre-wrap !important; /* Mozilla, since 1999 */
+ white-space: -pre-wrap; /* Opera 4-6 */
+ white-space: -o-pre-wrap; /* Opera 7 */
+ word-wrap: break-word; /* Internet Explorer 5.5+ */
+}
+
+/*Notifications*/
+div.note, div.important, div.warning {
+ padding:1em;
+ padding-bottom:20px;
+ margin-top:.5em;
+ margin-bottom:1.5em;
+ background-repeat:no-repeat;
+ background-position:1em 1em;
+}
+
+div.note pre, div.important pre, div.warning pre {
+ background-color: #333;
+ color: white;
+ margin-left: 4.5em;
+}
+
+
+div.note {
+ background-image:url(../images/note.png);
+ background-color:#8e9f00;
+ color:white;
+}
+
+div.important {
+ background-color:#d08e13;
+ color:white;
+ background-image:url(../images/important.png);
+}
+
+div.warning {
+ background-color:#9e292b;
+ color:white;
+ background-image:url(../images/warning.png);
+}
+
+
+/* Admonition Headings */
+div.note h2, div.important h2, div.warning h2 {
+ height:32px;
+ font-size:1.3em;
+}
+
+div.note h2, div.important h2, div.warning h2 {
+ color:white;
+}
+
+/* Admonition Inlines */
+div.note .replaceable, div.important .replaceable, div.warning .replaceable {
+ color:#e3dcc0;
+}
+
+pre .replaceable, tt .replaceable {
+ color:#444;
+}
+
+div.note .guilabel, div.important .guilabel, div.warning .guilabel {
+ color:#e3dcc0;
+}
+
+
+/* Admonition Lists ... really? */
+div.note li, div.warning li, div.important li {
+ padding-left:10px;
+ margin:0em;
+}
+
+div.note ul, div.warning ul, div.important ul {
+ padding-left:40px;
+ margin:0em;
+}
+
+/* Admonition links in verbatim ... *really* */
+div.note pre pre a:visited, div.important pre pre a:visited,
+ div.warning pre pre a:visited, div.note pre a:link, div.important pre a:link, div.warning pre a:link {
+ color:#0066cc;
+}
+
+/* Admonition links */
+div.note a:visited, div.important a:visited, div.warning a:visited, div.note a:link , div.important a:link , div.warning a:link {
+ color:#f7f2d0;
+}
+
+/*notification icons*/
+div.note h2, div.note p, div.note div.para, div.warning h2, div.warning p, div.warning div.para, div.important h2, .important p, .important div.para {
+ padding:0em;
+ margin:0em;
+ padding-left:56px;
+}
+
+/*Page Title*/
+#title {
+ display:block;
+ height:45px;
+ padding-bottom:1em;
+ margin:0em;
+}
+
+#title a.left{
+ display:inline;
+ border:none;
+}
+
+#title a.left img{
+ border:none;
+ float:left;
+ margin:0em;
+ margin-top:.7em;
+}
+
+#title a.right {
+ padding-bottom:1em;
+}
+
+#title a.right img {
+ border:none;
+ float:right;
+ margin:0em;
+ margin-top:.7em;
+}
+
+/*Table*/
+table {
+ border:1px solid #6c614b;
+ width:100%;
+ border-collapse:collapse;
+}
+
+table.simplelist, .calloutlist table {
+ border-style: none;
+}
+
+table th {
+ text-align:left;
+ background-color:#6699cc;
+ padding:.3em .5em;
+ color:white;
+}
+
+table td {
+ padding:.15em .5em;
+}
+
+table tr.even td {
+ background-color:#f5f5f5;
+}
+
+table th p:first-child, table td p:first-child, table li p:first-child,
+table th div.para:first-child, table td div.para:first-child, table li div.para:first-child {
+ margin-top:0em;
+ padding-top:0em;
+ display:inline;
+}
+
+th, td {
+ border-style:none;
+ vertical-align: top;
+ border: 1px solid #000;
+}
+
+.simplelist th, .simplelist td {
+ border: none;
+}
+
+table table td {
+ border-bottom:1px dotted #aaa;
+ background-color:white;
+ padding:.6em 0em;
+}
+
+table table {
+ border:1px solid white;
+}
+
+td.remarkval {
+ color:#444;
+}
+
+td.fieldval {
+ font-weight:bold;
+}
+
+.lbname, .lbtype, .lbdescr, .lbdriver, .lbhost {
+ color:white;
+ font-weight:bold;
+ background-color:#999;
+ width:120px;
+}
+
+td.remarkval {
+ width:230px;
+}
+
+td.tname {
+ font-weight:bold;
+}
+
+th.dbfield {
+ width:120px;
+}
+
+th.dbtype {
+ width:70px;
+}
+
+th.dbdefault {
+ width:70px;
+}
+
+th.dbnul {
+ width:70px;
+}
+
+th.dbkey {
+ width:70px;
+}
+
+span.book {
+ margin-top:4em;
+ display:block;
+}
+
+span.chapter {
+ display:block;
+ margin-top:0.5em;
+}
+
+table.simplelist td, .calloutlist table td {
+ border-style: none;
+}
+
+/*Breadcrumbs*/
+#breadcrumbs ul li.first:before {
+ content:" ";
+}
+
+#breadcrumbs {
+ color:#900;
+ padding:3px;
+ margin-bottom:25px;
+}
+
+#breadcrumbs ul {
+ margin-left:0;
+ padding-left:0;
+ display:inline;
+ border:none;
+}
+
+#breadcrumbs ul li {
+ margin-left:0;
+ padding-left:2px;
+ border:none;
+ list-style:none;
+ display:inline;
+}
+
+#breadcrumbs ul li:before {
+ content:"\0020 \0020 \0020 \00BB \0020";
+ color:#333;
+}
+
+/*index*/
+.glossary h3,
+.index h3 {
+ font-size: 2em;
+ color:#aaa;
+ margin:0em;
+}
+
+.indexdiv {
+ margin-bottom:1em;
+}
+
+.glossary dt,
+.index dt {
+ color:#444;
+ padding-top:.5em;
+}
+
+.glossary dl dl dt,
+.index dl dl dt {
+ color:#777;
+ font-weight:normal;
+ padding-top:0em;
+}
+
+.index dl dl dt:before {
+ content:"- ";
+ color:#ccc;
+}
+
+/*changes*/
+.footnote {
+ padding:.2em 1em;
+ background-color:#c8c5ac;
+ font-size: .7em;
+ margin:0em;
+ margin-bottom:.5em;
+ color:#222;
+}
+
+table .footnote {
+ margin:1em .5em;
+}
+
+sup {
+ padding:0em .3em;
+ padding-left:0em;
+}
+
+.footnote {
+ position:relative;
+}
+
+.footnote sup {
+ color:#e3dcc0;
+ position:absolute;
+ left: .4em;
+}
+
+.footnote sup a:link,
+.footnote sup a:visited {
+ color:#92917d;
+ text-decoration:none;
+}
+
+.footnote:hover sup a {
+ color:#fff;
+ text-decoration:none;
+}
+
+.footnote p,.footnote div.para {
+ padding-left:5em;
+}
+
+.footnote a:link,
+.footnote a:visited {
+ color:#00537c;
+}
+
+.footnote a:hover {
+ color:white;
+}
+
+/**/
+div.chapter {
+ margin-top:3em;
+}
+
+div.section {
+ margin-top:1em;
+}
+
+div.note .replaceable,
+div.important .replaceable,
+div.warning .replaceable,
+div.note .keycap,
+div.important .keycap,
+div.warning .keycap
+{
+ color:white;
+}
+
+ul li p:last-child, ul li div.para:last-child {
+ margin-bottom:0em;
+ padding-bottom:0em;
+}
+
+/*document navigation*/
+.docnav a, .docnav strong {
+ border:none;
+ text-decoration:none;
+ font-weight:normal;
+}
+
+.docnav {
+ list-style:none;
+ margin:0em;
+ padding:0em;
+ position:relative;
+ width:100%;
+ padding-bottom:2em;
+ padding-top:1em;
+ border-top:1px dotted #ccc;
+}
+
+.docnav li {
+ list-style:none;
+ margin:0em;
+ padding:0em;
+ display:inline;
+ font-size:.8em;
+}
+
+.docnav li:before {
+ content:" ";
+}
+
+.docnav li.previous, .docnav li.next {
+ position:absolute;
+ top:1em;
+}
+
+.docnav li.up, .docnav li.home {
+ margin:0em 1.5em;
+}
+
+.docnav li.previous {
+ left:0px;
+ text-align:left;
+}
+
+.docnav li.next {
+ right:0px;
+ text-align:right;
+}
+
+.docnav li.previous strong, .docnav li.next strong {
+ height:22px;
+ display:block;
+}
+
+.docnav {
+ margin:0 auto;
+ text-align:center;
+}
+
+.docnav li.next a strong {
+ background: url(../images/stock-go-forward.png) top right no-repeat;
+ padding-top:3px;
+ padding-bottom:4px;
+ padding-right:28px;
+ font-size:1.2em;
+}
+
+.docnav li.previous a strong {
+ background: url(../images/stock-go-back.png) top left no-repeat;
+ padding-top:3px;
+ padding-bottom:4px;
+ padding-left:28px;
+ padding-right:0.5em;
+ font-size:1.2em;
+}
+
+.docnav li.home a strong {
+ background: url(../images/stock-home.png) top left no-repeat;
+ padding:5px;
+ padding-left:28px;
+ font-size:1.2em;
+}
+
+.docnav li.up a strong {
+ background: url(../images/stock-go-up.png) top left no-repeat;
+ padding:5px;
+ padding-left:28px;
+ font-size:1.2em;
+}
+
+.docnav a:link, .docnav a:visited {
+ color:#666;
+}
+
+.docnav a:hover, .docnav a:focus, .docnav a:active {
+ color:black;
+}
+
+.docnav a {
+ max-width: 10em;
+ overflow:hidden;
+}
+
+.docnav a:link strong {
+ text-decoration:none;
+}
+
+.docnav {
+ margin:0 auto;
+ text-align:center;
+}
+
+ul.docnav {
+ margin-bottom: 1em;
+}
+/* Reports */
+.reports ul {
+ list-style:none;
+ margin:0em;
+ padding:0em;
+}
+
+.reports li{
+ margin:0em;
+ padding:0em;
+}
+
+.reports li.odd {
+ background-color: #eeeeee;
+ margin:0em;
+ padding:0em;
+}
+
+.reports dl {
+ display:inline;
+ margin:0em;
+ padding:0em;
+ float:right;
+ margin-right: 17em;
+ margin-top:-1.3em;
+}
+
+.reports dt {
+ display:inline;
+ margin:0em;
+ padding:0em;
+}
+
+.reports dd {
+ display:inline;
+ margin:0em;
+ padding:0em;
+ padding-right:.5em;
+}
+
+.reports h2, .reports h3{
+ display:inline;
+ padding-right:.5em;
+ font-size:10pt;
+ font-weight:normal;
+}
+
+.reports div.progress {
+ display:inline;
+ float:right;
+ width:16em;
+ background:#c00 url(../images/shine.png) top left repeat-x;
+ margin:0em;
+ margin-top:-1.3em;
+ padding:0em;
+ border:none;
+}
+
+/*uniform*/
+body.results, body.reports {
+ max-width:57em ;
+ padding:0em;
+}
+
+/*Progress Bar*/
+div.progress {
+ display:block;
+ float:left;
+ width:16em;
+ background:#c00 url(../images/shine.png) top left repeat-x;
+ height:1em;
+}
+
+div.progress span {
+ height:1em;
+ float:left;
+}
+
+div.progress span.translated {
+ background:#6c3 url(../images/shine.png) top left repeat-x;
+}
+
+div.progress span.fuzzy {
+ background:#ff9f00 url(../images/shine.png) top left repeat-x;
+}
+
+
+/*Results*/
+
+.results ul {
+ list-style:none;
+ margin:0em;
+ padding:0em;
+}
+
+.results li{
+ margin:0em;
+ padding:0em;
+}
+
+.results li.odd {
+ background-color: #eeeeee;
+ margin:0em;
+ padding:0em;
+}
+
+.results dl {
+ display:inline;
+ margin:0em;
+ padding:0em;
+ float:right;
+ margin-right: 17em;
+ margin-top:-1.3em;
+}
+
+.results dt {
+ display:inline;
+ margin:0em;
+ padding:0em;
+}
+
+.results dd {
+ display:inline;
+ margin:0em;
+ padding:0em;
+ padding-right:.5em;
+}
+
+.results h2, .results h3{
+ display:inline;
+ padding-right:.5em;
+ font-size:10pt;
+ font-weight:normal;
+}
+
+.results div.progress {
+ display:inline;
+ float:right;
+ width:16em;
+ background:#c00 url(../images/shine.png) top left repeat-x;
+ margin:0em;
+ margin-top:-1.3em;
+ padding:0em;
+ border:none;
+}
+
+/* Dirty EVIL Mozilla hack for round corners */
+pre {
+ -moz-border-radius:11px;
+ -webkit-border-radius:11px;
+ border-radius: 11px;
+}
+
+.example {
+ -moz-border-radius:15px;
+ -webkit-border-radius:15px;
+ border-radius: 15px;
+}
+
+.package, .citetitle {
+ font-style: italic;
+}
+
+.edition {
+ color: #336699;
+ background-color: transparent;
+ margin-top: 1em;
+ margin-bottom: 1em;
+ font-size: 1.4em;
+ font-weight: bold;
+ text-align: center;
+}
+
+span.remark {
+ background-color: #ff00ff;
+}
+
+.draft {
+ background-image: url(../images/watermark-draft.png);
+ background-repeat: repeat-y;
+ background-position: center;
+}
+
+.foreignphrase {
+ font-style: inherit;
+}
+
+dt {
+ clear:both;
+}
+
+dt img {
+ border-style: none;
+ max-width: 112px;
+}
+
+dt object {
+ max-width: 112px;
+}
+
+dt .inlinemediaobject, dt object {
+ display: inline;
+ float: left;
+ margin-bottom: 1em;
+ padding-right: 1em;
+ width: 112px;
+}
+
+dl:after {
+ display: block;
+ clear: both;
+ content: "";
+}
+
+.toc dd {
+ padding-bottom: 0em;
+ margin-bottom: 1em;
+ padding-left: 1.3em;
+ margin-left: 0em;
+}
+
+div.toc > dl > dt {
+ padding-bottom: 0em;
+ margin-bottom: 0em;
+ margin-top: 1em;
+}
+
+
+.strikethrough {
+ text-decoration: line-through;
+}
+
+.underline {
+ text-decoration: underline;
+}
+
+.calloutlist img, .callout {
+ padding: 0em;
+ margin: 0em;
+ width: 12pt;
+ display: inline;
+ vertical-align: middle;
+}
+
+.stepalternatives {
+ list-style-image: none;
+ list-style-type: none;
+}
+
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/Common_Content/css/default.css b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/Common_Content/css/default.css
new file mode 100644
index 0000000..bf38ebb
--- /dev/null
+++ b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/Common_Content/css/default.css
@@ -0,0 +1,3 @@
+ at import url("common.css");
+ at import url("overrides.css");
+ at import url("lang.css");
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/Common_Content/css/lang.css b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/Common_Content/css/lang.css
new file mode 100644
index 0000000..81c3115
--- /dev/null
+++ b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/Common_Content/css/lang.css
@@ -0,0 +1,2 @@
+/* place holder */
+
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/Common_Content/css/overrides.css b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/Common_Content/css/overrides.css
new file mode 100644
index 0000000..db64f48
--- /dev/null
+++ b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/Common_Content/css/overrides.css
@@ -0,0 +1,55 @@
+a:link {
+ color:#0066cc;
+}
+
+a:hover, a:active {
+ color:#003366;
+}
+
+a:visited {
+ color:#6699cc;
+}
+
+
+h1 {
+ color:#3c6eb4
+}
+
+.producttitle {
+ background: #3c6eb4 url(../images/h1-bg.png) top left repeat;
+}
+
+.section h1.title {
+ color:#3c6eb4;
+}
+
+
+h2,h3,h4,h5,h6 {
+ color:#3c6eb4;
+}
+
+table {
+ border:1px solid #3c6eb4;
+}
+
+table th {
+ background-color:#3c6eb4;
+}
+
+
+table tr.even td {
+ background-color:#f5f5f5;
+}
+
+.term{
+ color:#3c6eb4
+}
+
+.revhistory table th {
+ color:#3c6eb4;
+}
+
+.edition {
+ color: #3c6eb4;
+}
+
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/Common_Content/css/print.css b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/Common_Content/css/print.css
new file mode 100644
index 0000000..773d8ae
--- /dev/null
+++ b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/Common_Content/css/print.css
@@ -0,0 +1,16 @@
+ at import url("common.css");
+ at import url("overrides.css");
+ at import url("lang.css");
+
+#tocframe {
+ display: none;
+}
+
+body.toc_embeded {
+ margin-left: 30px;
+}
+
+.producttitle {
+ color: #336699;
+}
+
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/Common_Content/images/1.png b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/Common_Content/images/1.png
new file mode 100644
index 0000000..1098dab
Binary files /dev/null and b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/Common_Content/images/1.png differ
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/Common_Content/images/1.svg b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/Common_Content/images/1.svg
new file mode 100644
index 0000000..3736523
--- /dev/null
+++ b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/Common_Content/images/1.svg
@@ -0,0 +1,22 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!-- Created with Inkscape (http://www.inkscape.org/) -->
+<svg
+ xmlns:svg="http://www.w3.org/2000/svg"
+ xmlns="http://www.w3.org/2000/svg"
+ version="1.0"
+ width="32"
+ height="32"
+ id="svg2">
+ <defs
+ id="defs15" />
+ <circle
+ cx="16"
+ cy="16"
+ r="14"
+ id="circle"
+ style="fill:#aa0000" />
+ <path
+ d="M 17.993,22.013004 L 17.993,10.113004 L 15.239,10.113004 C 14.899001,11.218003 14.286999,11.643004 12.757,11.728004 L 12.757,13.819004 L 14.763,13.819004 L 14.763,22.013004 L 17.993,22.013004"
+ id="text2207"
+ style="fill:#ffffff" />
+</svg>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/Common_Content/images/10.png b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/Common_Content/images/10.png
new file mode 100644
index 0000000..ef058e3
Binary files /dev/null and b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/Common_Content/images/10.png differ
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/Common_Content/images/10.svg b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/Common_Content/images/10.svg
new file mode 100644
index 0000000..84ee18f
--- /dev/null
+++ b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/Common_Content/images/10.svg
@@ -0,0 +1,22 @@
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>付録A Contributors</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="index.html" title="Musicians' Guide" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Intonation.html" title="13.4.7. Intonation" /><link rel="next" href="appe-Musicians_Guide-Revision_History.html" title="付録B 改訂履æ´" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display
.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Intonation.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="appe-Musicians_Guide-Revision_History.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="appendix" title="付録A Contributors" id="appe-Musicians_Guide-Contributors" lang="ja-JP"><div class="titlepage"><div><div><h1 class="title">Contributors</h1></div></div></div><div class="para">
+ The following people have contributed to the Fedora 16 Musicians' Guide, or a previous version.
+ </div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="https://fedoraproject.org/wiki/User:Crantila">Christopher Antila</a> (writer)
+ </div></li><li class="listitem"><div class="para">
+ Motohiro Kanda (translator—Japanese)
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Intonation.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>13.4.7. Intonation</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="appe-Musicians_Guide-Revision_History.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>付録B 改訂履æ´</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/appe-Musicians_Guide-Revision_History.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/appe-Musicians_Guide-Revision_History.html
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+++ b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/appe-Musicians_Guide-Revision_History.html
@@ -0,0 +1,72 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>付録B 改訂履æ´</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="index.html" title="Musicians' Guide" /><link rel="prev" href="appe-Musicians_Guide-Contributors.html" title="付録A Contributors" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Con
tent/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="appe-Musicians_Guide-Contributors.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"></li></ul><div xml:lang="ja-JP" class="appendix" title="付録B 改訂履æ´" id="appe-Musicians_Guide-Revision_History" lang="ja-JP"><div class="titlepage"><div><div><h1 class="title">改訂履æ´</h1></div></div></div><div class="para">
+ <div class="revhistory"><table border="0" width="100%" summary="Revision history"><tr><th align="left" valign="top" colspan="3"><b>改訂履æ´</b></th></tr><tr><td align="left">改訂 0.0</td><td align="left">27 July 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>publican ã§æœ€åˆã®ãƒ–ックを作æˆ</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.1</td><td align="left">2 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>First publically-available draft in DocBook format.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.2</td><td align="left">3 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Revised section headings.</td></tr><tr><td>Improved and consistent-ified "Requirements and Installation" for DAWs</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.3</td><td align="left">4 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Significantly revised Audacity chapter.</td></tr><tr><td>Updated JACK installation slightly.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.4</td><td align="left">5 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added all external and internal links.</td></tr><tr><td>Added all images.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.5</td><td align="left">6 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Re-formatted ex-<pre> tags.</td></tr><tr><td>Changed images to <inlinemediaobject>, where appropriate.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.6</td><td align="left">7 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added tables to SuperCollider chapter.</td></tr><tr><td>Reviewed <code> tags, all but Basic Programming in SC.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.7</td><td align="left">8 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Reviewed use of <code> tags in "Basic Programming in SC" chapter.</td></tr><tr><td>Searched code for '' or ''' and replaced them with <emphasis> where appropriate.</td></tr><tr><td>Formatted bibliography/book-list in the Solfege chapter.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.8</td><td align="left">27 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Re-wrote the JACK installation instructions, to incorporate the fact that jack2 will be in F14</td></tr><tr><td>Made other minor revisions to the sound servers section.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.9</td><td align="left">6 September 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added links to tutorial files.</td></tr><tr><td>Incorporated some comments from external sources.</td></tr><tr><td>Changed numbering of Revision History.</td></tr><tr><td>Added list of links that need to be updated with every release, to Musicians_Guide.xml</td></tr><tr><td>Updated Audacity to make it publish-able.</td></tr><tr><td>Replaced instances of "Fedora 14" with "Fedora $PRODVER;"</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.9</td><td align="left">23 December 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Changed version numbering to correspond more closely to the intended Fedora release version.</td></tr><tr><td>Removed "asdf" part introductions.</td></tr><tr><td>Updated entity (.ent) file for Fedora 15.</td></tr><tr><td>Updated hard-coded links to supplemental files for Fedora 15.</td></tr><tr><td>Changed subtitle to remove possessive ("Fedora Linux's").</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.9.1</td><td align="left">26 December 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Fixed Bug 665663 ("URLs to all Tutorial Files Are Broken") for Fedora 15.</td></tr><tr><td>Re-wrote Section 12.4.7.1 to fix the first error in Bug 654187.</td></tr><tr><td>Renamed some section in Chapter 12, making them easier to translate (I hope).</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.9.2</td><td align="left">2 January 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Reformatted dates in Revision History.</td></tr><tr><td>Re-wrote Section 12.4.8.2 to fix the second error in Bug 654187.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.9.3</td><td align="left">28 January 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added fix for Bug 670520.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.9.4</td><td align="left">27 February 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added fixes for Bugs 677362 and 674335.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.9.5</td><td align="left">2 May 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added fix for Bug 665660.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15-1.0</td><td align="left">21 May 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Published for Fedora 15.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15-1.0.1</td><td align="left">3 June 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Fixed Bug 710332.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15.9.1</td><td align="left">15 June 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Fixed Bug 670540.</td></tr><tr><td>Revised parts of Chapters 9 (Rosegarden) and 10 (FluidSynth).</td></tr><tr><td>Removed period from end of subtitle.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15.9.2</td><td align="left">26 June 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Fixed Bug 670533.</td></tr><tr><td>Revised parts of Chapter 9 (Rosegarden configuration).</td></tr><tr><td>Revised parts of Chapter 8 (Qtractor configuration).</td></tr><tr><td>Fixed Bug 673519.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15.9.3</td><td align="left">3 July 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added "O_S" and "OPERATING_SYSTEM" entities to aid potential adoption by other distributions.</td></tr><tr><td>Started replacing "Fedora" and "Fedora Linux" with entities listed above.</td></tr><tr><td>Added documentation of the Ardour "nudge tool."</td></tr><tr><td>Integrated useful parts of "Frescobaldi" chapter into "LilyPond" chapter and removed "Frescobaldi."</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15.9.4</td><td align="left">9 July 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added links to Qtractor tutorial recordings and revised opening paragraphs of tutorial.</td></tr><tr><td>Updated copyright holder from "Red Hat Inc. and others" to "Fedora Project Contributors."</td></tr><tr><td>Added "Contributors" appendix.</td></tr><tr><td>Removed index; will replace it when it's useful.</td></tr><tr><td>Removed my name from the Author_Group.xml, moved it into Contributors appendx.</td></tr><tr><td>Removed "pulse-rt" from the groups required for JACK access.</td></tr><tr><td>Updated all files, as appropriate, to replace "Fedora" and "Fedora Linux" with XML entities, to aid adoption by other groups.</td></tr></table>
+
+ </td></tr></table></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="appe-Musicians_Guide-Contributors.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>付録A Contributors</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/chap-Musicians_Guide-Ardour.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/chap-Musicians_Guide-Ardour.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>第7ç« Ardour</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="pt02.html" title="パート II. オーディオã¨éŸ³æ¥½ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢" /><link rel="prev" href="sect-Musicians_Guide-DAW_Transport_Controls.html" title="6.4.5. トランスãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«" /><link rel="next" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html" title="7.2. セッションを録音ã™ã‚‹" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../..
/../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-DAW_Transport_Controls.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" title="第7ç« Ardour" id="chap-Musicians_Guide-Ardour" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第7ç« Ardour</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardou
r-Requirements_and_Installation">7.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Knowledge_Requirements">7.1.1. å‰æ知è˜</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Software_Requirements">7.1.2. ソフトウエアè¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Hardware_Requirements">7.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Installation">7.1.4. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording_a_Session.html">7.2. セッションを録音ã™ã‚‹</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording_a_Session.html#sect-Musicians_G
uide-Ardour-Recording-Running_Ardour">7.2.1. <span class="application"><strong>Ardour</strong></span> を実行ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Interface.html">7.2.2. インタフェース</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline.html">7.2.3. タイムラインをè¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources.html">7.2.4. オーディオソースを <span class="application"><strong>Ardour</strong></span> ã«ã¤ãªã</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks.html">7.2.5. ãƒã‚¹ã¨ãƒˆãƒ©ãƒƒã‚¯ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level.html">7.2.6. 録音レベル（ボリューム）を調整ã™ã‚‹</a></span
></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Recording_a_Region.html">7.2.7. リージョンを録音ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Recording_More.html">7.2.8. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Routing_Audio.html">7.2.9. オーディオã®ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨ <code class="systemitem">JACK</code> 接続ã®ç®¡ç†</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio.html">7.2.10. æ—¢å˜ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’インãƒãƒ¼ãƒˆã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Tutorial_Files.html">7.3. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing.html">7.4. 曲を編集ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl
><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing.html#sect-Musicians_Guide-Ardour-Editing-Add_Tracks_and_Busses">7.4.1. トラックã¨ãƒã‚¹ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses.html">7.4.2. トラックã¨ãƒã‚¹ã‚’接続ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks.html">7.4.3. トラックã«ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size.html">7.4.4. リージョンã®å¤§ãã•ã‚’切り詰ã‚ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html">7.4.5. åŒã˜ã‚‚ã®ã®è¤‡æ•°ã®éŒ²éŸ³ã‚’比較ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Arrange.html">7.4.6. リージョンをæ£ã—ã„å ´
所ã«ä¸¦ã¹ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Listen.html">7.4.7. èžã</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing.html">7.5. 曲をミã‚シングã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing.html#sect-Musicians_Guide-Ardour-Mixing-Enabling_Stereo_Output">7.5.1. ステレオ出力ã®ãŸã‚ã«ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®è¨å®šã‚’è¡Œã„ã€ã‚¨ãƒ‡ã‚£ãƒƒãƒˆã‚°ãƒ«ãƒ¼ãƒ—を解除ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels.html">7.5.2. 最åˆã®ãƒ¬ãƒ™ãƒ«ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning.html">7.5.3. 最åˆã®ãƒ‘ニングをè¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks.html">7.5.4. オã
ƒ¼ãƒˆãƒ¡ãƒ¼ã‚·ãƒ§ãƒ³ãƒˆãƒ©ãƒƒã‚¯ã§ã€ã•ã‚‰ã«èª¿æ•´ã‚’ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Other_Things.html">7.5.5. Other Things You Might Want to Do</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Listen.html">7.5.6. èžã</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mastering.html">7.6. Mastering a Session</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mastering.html#sect-Musicians_Guide-Ardour-Mastering-Ways_to_Export">7.6.1. Ways to Export Audio</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window.html">7.6.2. Using the Export Window</a></span></dt></dl></dd></dl></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> ã¯ãƒžãƒ«ãƒãƒˆãƒ©ãƒƒã‚¯éŒ²éŸ³ã®ãŸã‚ã«è¨è¨ˆã•ã‚ŒãŸè±Šå¯Œãªæ©Ÿèƒ½ã‚’æŒã¤ã‚¢ãƒ—リケーションã§ã™ã€‚
+ </div><div class="section" title="7.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" id="sect-Musicians_Guide-Ardour-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Ardour-Requirements_and_Installation">7.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</h2></div></div></div><div class="section" title="7.1.1. å‰æ知è˜" id="sect-Musicians_Guide-Ardour-Knowledge_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Knowledge_Requirements">7.1.1. å‰æ知è˜</h3></div></div></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> ã®ãƒ¦ãƒ¼ã‚¶ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã¯ä»–ã® DAW ã«ä¼¼ã¦ã„ã¾ã™ã€‚ã‚‚ã—ã‚ãªãŸãŒ DAW を使ã£ãŸã“ã¨ãŒãªã‘ã‚Œã°ã€<a class="xref" href="sect-Musicians_Guide-DAW_User_Interface.html" title="6.4. ユーザインタフェース">「ユーザインタフェースã€</a> ã‚’èªã‚€ã“ã¨ã‚’ãŠå‹§ã‚ã—ã¾ã™ã€‚
+ </div></div><div class="section" title="7.1.2. ソフトウエアè¦ä»¶" id="sect-Musicians_Guide-Ardour-Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Software_Requirements">7.1.2. ソフトウエアè¦ä»¶</h3></div></div></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> 㯠<code class="systemitem">JACK Audio Connection Kit</code> を使ã„ã¾ã™ã€‚ <span class="application"><strong>Ardour</strong></span> をインストールã™ã‚‹å‰ã«ã€<code class="systemitem">JACK</code> をインストール下ã•ã„。<code class="systemitem">JACK</code> をインストールã™ã‚‹ã«ã¯ã€<a class="xref" href="sect-Musicians_Guide-Using_JACK.html#sect-Musicians_Guide-Install_and_Configure_JACK" title="2.3.1. Install and Configure JACK">「Install and Configure <code class="systemitem">JACK</code>ã€</a> ã®æ‰‹é †ã«å¾“ã£ã¦ãã ã•ã„。
+ </div></div><div class="section" title="7.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶" id="sect-Musicians_Guide-Ardour-Hardware_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Hardware_Requirements">7.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</h3></div></div></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> を使ã†ã«ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ãŒå¿…è¦ã§ã™ã€‚<span class="application"><strong>Ardour</strong></span> ã§ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’録音ã™ã‚‹ã«ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã«æŽ¥ç¶šã•ã‚ŒãŸãƒžã‚¤ã‚¯ãŒå°‘ãªãã¦ã‚‚１ã¤å¿…è¦ã§ã™ã€‚<span class="application"><strong>FluidSynth</strong></span> ã‚„ <span class="application"><strong>SuperCollider</strong></span> ã®ã‚ˆã†ãªã€JACK 対応プãƒã‚°ãƒ©ãƒ ã‹ã‚‰ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ã‚’録音ã™ã‚‹ã«ã¯ã€ãƒžã‚¤ã‚¯ã¯å¿…è¦ã‚ã‚Šã¾ã›ã‚“。
+ </div></div><div class="section" title="7.1.4. インストール" id="sect-Musicians_Guide-Ardour-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Installation">7.1.4. インストール</h3></div></div></div><div class="para">
+ <span class="application"><strong>PackageKit</strong></span> ã‚ã‚‹ã„㯠<span class="application"><strong>KPackageKit</strong></span> を使ã£ã¦ <span class="package">ardour</span> パッケージをインストールã—ã¾ã™ã€‚ä»–ã®å¿…è¦ãªã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã¯è‡ªå‹•çš„ã«ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã•ã‚Œã¾ã™ã€‚
+ </div></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-DAW_Transport_Controls.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>6.4.5. トランスãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.2. セッションを録音ã™ã‚‹</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>第5ç« Audacity</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="pt02.html" title="パート II. オーディオã¨éŸ³æ¥½ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢" /><link rel="prev" href="pt02.html" title="パート II. オーディオã¨éŸ³æ¥½ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢" /><link rel="next" href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html" title="5.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html"
>This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="pt02.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" title="第5ç« Audacity" id="chap-Musicians_Guide-Audacity" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第5ç« Audacity</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="chap-Musicians_Guide-Audacity.html#sect-Musicians_Guide-Audacity-Knowing_When_to_Use">5.1. Audac
ity ã‚’ã„ã¤ä½¿ã†ã‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html">5.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html#sect-Musicians_Guide-Audacity-Software_Requirements">5.2.1. ソフトウエアè¦ä»¶</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Hardware_Requirements.html">5.2.2. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Installation.html">5.2.3. 標準ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html">5.2.4. MP3 サãƒãƒ¼ãƒˆã‚’å«ã‚€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Testing_Playback.html">5.2.5. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿ</a></span></dt><
dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Testing_Recording.html">5.2.6. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Audacity_Configuration.html">5.3. 構æˆ</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity_Configuration.html#sect-Musicians_Guide-Audacity-First_Use">5.3.1. åˆã‚㦠Audacity を実行ã™ã‚‹ã¨ã</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html">5.3.2. ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format.html">5.3.3. Setting the Project's Sample Rate and Format</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Interface.html">5.4. インタフェース</a></span></dt><dt><span class="s
ection"><a href="sect-Musicians_Guide-Audacity-Recording.html">5.5. 録音</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Recording.html#sect-Musicians_Guide-Audacity-Recording-Start_to_Record">5.5.1. 録音を開始ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record.html">5.5.2. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial.html">5.6. æ–°ã—ã„ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã‚’作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial.html#sect-Musicians_Guide-Audacity-Tutorial-Files">5.6.1. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Scenario.html">5.6.2. シナリオ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Aud
acity-Tutorial-Aligning_Tracks.html">5.6.3. トラックをæƒãˆã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks.html">5.6.4. トラックを伸ã°ã™</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level.html">5.6.5. ボリュームレベルを調整ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise.html">5.6.6. ノイズを除ã</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out.html">5.6.7. フェードイン・フェードアウト</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio.html">5.6.8. オーディオを削除ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment.html">5.6.9. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’ç¹°ã‚Šè¿”ã™</a>
</span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser.html">5.6.10. ç‰¹æ®ŠåŠ¹æžœã‚’åŠ ãˆã‚‹ï¼ˆãƒ•ã‚§ãƒ¼ã‚¶ãƒ¼ï¼‰</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Conclusion.html">5.6.11. çµè«–</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Save_and_Export.html">5.7. ä¿å˜ã¨æ›¸ã出ã—</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Save_and_Export.html#sect-Musicians_Guide-Audacity-Exporting_Part_of_a_File">5.7.1. ファイルã®éƒ¨åˆ†ã‚’書ã出ã™</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Exporting_a_Whole_File.html">5.7.2. ファイルを全部書ã出ã™</a></span></dt></dl></dd></dl></div><div class="para">
+ Audacity ã¯ã€é«˜å“質ã®ã‚µã‚¦ãƒ³ãƒ‰éŒ²éŸ³ã‚¢ãƒ—リケーションã§ã€ä½¿ã„ã‚„ã™ã„よã†ã«è¨è¨ˆã•ã‚Œã¦ã„ã¾ã™ã€‚Audacity ã¯ã‚·ãƒ³ãƒ—ルãªã®ã§ã»ã¨ã‚“ã©ã®ã‚³ãƒ³ãƒ”ュータユーザã«ãŠå‹§ã‚ã§ãã¾ã™ã€‚ãã‚Œã§ã‚‚ã€ãã‚Œã¯å¤šãã®æ©Ÿèƒ½ã¨èƒ½åŠ›ãŒã‚ã‚Šã¾ã™ã€‚Audacity を使ã†ã®ã«ã€é€²ã‚“ã コンピュータオーディオã®æ¦‚念をç†è§£ã™ã‚‹å¿…è¦ã¯ã‚ã‚Šã¾ã›ã‚“。ã‚ãªãŸãŒãƒžã‚¤ã‚¯ã‚’コンピュータã«ã¤ãªãã“ã¨ãŒã§ãã‚Œã°ã€Audacity を使ã†ã®ã«å分ãªçŸ¥è˜ãŒã‚ã‚‹ã¨è¨€ãˆã¾ã™ã€‚
+ </div><div class="section" title="5.1. Audacity ã‚’ã„ã¤ä½¿ã†ã‹" id="sect-Musicians_Guide-Audacity-Knowing_When_to_Use"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity-Knowing_When_to_Use">5.1. Audacity ã‚’ã„ã¤ä½¿ã†ã‹</h2></div></div></div><div class="para">
+ Audacity has a simple user interface, it is easy to use, and it has many advanced capabilities. Audacity does not require advanced knowledge of computers, music, or recording. Audacity is the right tool to use for editing a single audio file, and it can also coordinate multiple audio files simultaneously. Most users will prefer Audacity over the other applications in the Musicians' Guide which can record.
+ </div><div class="para">
+ ã‚‚ã—ã‚ãªãŸãŒæ‰‹ã£å–ã‚Šæ—©ã録音ãŒã—ãŸãã¦ã€è¤‡é›‘ãªã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’å¦ã¶æ™‚é–“ãŒãªã„ãªã‚‰ã°ã€Audacity を使ã†ã¹ãã§ã™ã€‚
+ </div><div class="para">
+ ã‚‚ã—ã‚ãªãŸãŒãƒ—ãƒå“質ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ©Ÿå™¨ã‚’æŒã£ã¦ã„ãŸã‚Šã€ã¨ã¦ã‚‚高度ãªå‡¦ç†ã‚’ã—ãŸã‹ã£ãŸã‚Šã€ã‚ã‚‹ã„ã¯éŒ²éŸ³ã«é–¢ã—ã¦ç´°ã‹ã„制御ãŒã—ãŸã„ãªã‚‰ã°ã€ Ardour, Qtractor, ã‚ã‚‹ã„㯠Rosegarden を使ã†ã®ãŒã‚ˆã„ã§ã—ょã†ã€‚ã“れらã®ã©ã®ã‚¢ãƒ—リケーションも使ã£ãŸã“ã¨ãŒãªã„ãªã‚‰ã°ã€ Ardour ã‚ã‚‹ã„㯠Rosegarden ã®å‰ã« Qtractor ã‚’å¦ã¶ã®ã‚’ãŠå‹§ã‚ã—ã¾ã™ã€‚Ardour 㨠Rosegarden 㯠Qtractor ã«æ¯”ã¹ã¦è¤‡é›‘ã§ã€ã‚ãªãŸã¯ãれらã®é€²ã‚“ã 機能ã¯å¿…è¦ãªã„ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="pt02.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>パート II. オーディオã¨éŸ³æ¥½ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>第6ç« ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ¯ãƒ¼ã‚¯ã‚¹ãƒ†ãƒ¼ã‚·ãƒ§ãƒ³</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="pt02.html" title="パート II. オーディオã¨éŸ³æ¥½ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Exporting_a_Whole_File.html" title="5.7.2. ファイルを全部書ã出ã™" /><link rel="next" href="sect-Musicians_Guide-Stages_of_Recording.html" title="6.2. 録音ã®ã‚¹ãƒ†ãƒ¼ã‚¸" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe i
d="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Exporting_a_Whole_File.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Stages_of_Recording.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" title="第6ç« ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ¯ãƒ¼ã‚¯ã‚¹ãƒ†ãƒ¼ã‚·ãƒ§ãƒ³" id="chap-Musicians_Guide-Digital_Audio_Workstations" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第6ç« ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ¯ãƒ¼ã‚¯ã‚¹
テーション</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="chap-Musicians_Guide-Digital_Audio_Workstations.html#sect-Musicians_Guide-Knowing_Which_DAW_to_Use">6.1. ã©ã® DAW を使ã†ã‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Stages_of_Recording.html">6.2. 録音ã®ã‚¹ãƒ†ãƒ¼ã‚¸</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Stages_of_Recording.html#sect-Musicians_Guide-Recording">6.2.1. 録音</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Mixing.html">6.2.2. ミã‚シング</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Mastering.html">6.2.3. マスタリング</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Record_Mix_Master_More_Info.html">6.2.4. å‚考</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html">6.3. インタフェース用語</a></spa
n></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html#sect-Musicians_Guide-Session">6.3.1. セッション</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Track_and_Multitrack.html">6.3.2. トラックã¨ãƒžãƒ«ãƒãƒˆãƒ©ãƒƒã‚¯</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Region_Clip_Segment.html">6.3.3. リージョンã€ã‚¯ãƒªãƒƒãƒ—ã€ã‚ã‚‹ã„ã¯ã‚»ã‚°ãƒ¡ãƒ³ãƒˆ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Transport_and_Playhead.html">6.3.4. トランスãƒãƒ¼ãƒˆã¨å†ç”Ÿãƒ˜ãƒƒãƒ‰</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Automation.html">6.3.5. オートメーション</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-DAW_User_Interface.html">6.4. ユーザインタフェース</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-DAW_User_Interface.html#sect-Musicians_G
uide-Messages_Pane">6.4.1. メッセージペイン</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-DAW_Clock.html">6.4.2. クãƒãƒƒã‚¯</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Track_Info_Pane.html">6.4.3. ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Track_Pane.html">6.4.4. トラックペイン</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-DAW_Transport_Controls.html">6.4.5. トランスãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«</a></span></dt></dl></dd></dl></div><div class="para">
+ The term <em class="firstterm">Digital Audio Workstation</em> (henceforth <em class="firstterm">DAW</em>) refers to the entire hardware and software setup used for professional (or professional-quality) audio recording, manipulation, synthesis, and production. It originally referred to devices purpose-built for the task, but as personal computers have become more powerful and wide-spread, certain specially-designed personal computers can also be thought of as DAWs. The software running on these computers, especially software capable of multi-track recording, playback, and synthesis, is simply called "DAW software," which is often shortened to "DAW." So, the term "DAW" and its usage are moderately ambiguous, but generally refer to one of the things mentioned.
+ </div><div class="para">
+ ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã«é–¢ã™ã‚‹ç”¨èªžã«ã¤ã„ã¦ã¯ã€<a class="xref" href="chap-Musicians_Guide-Sound_Cards.html" title="第1ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¨ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª">1ç« <i>サウンドカードã¨ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</i></a>ã‚’å‚ç…§ãã ã•ã„。
+ </div><div class="section" title="6.1. ã©ã® DAW を使ã†ã‹" id="sect-Musicians_Guide-Knowing_Which_DAW_to_Use"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Knowing_Which_DAW_to_Use">6.1. ã©ã® DAW を使ã†ã‹</h2></div></div></div><div class="para">
+ The Musicians' Guide covers three widely-used DAWs: <span class="application"><strong>Ardour</strong></span>, <span class="application"><strong>Qtractor</strong></span>, and <span class="application"><strong>Rosegarden</strong></span>. All three use <code class="systemitem">JACK</code> extensively, are highly configurable, share a similar user interface, and allow users to work with both audio and MIDI signals. Many other DAWs exist, including a wide selection of commercially-available solutions. Here is a brief description of the programs documented in the Musicians' Guide:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ“作ã®ãŸã‚ã®ã€ã‚ªãƒ¼ãƒ—ンソース標準ã§ã™.柔軟ã§ã€æ‹¡å¼µã§ãã¾ã™.
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Qtractor</strong></span> is a relative new-comer, but easy to use; a "lean and mean," MIDI-focused DAW. Available from Planet CCRMA at Home or RPM Fusion.
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> ã¯å分テストã•ã‚ŒãŸã€æ©Ÿèƒ½ãŒå……実ã—㟠Linux オーディオã€ç‰¹ã« MIDIã€ã®åƒã者ã§ã™ã€‚MIDI トラックを作æˆã™ã‚‹ãŸã‚ã®ãƒ“ジュアルãªèœé¢ã‚¨ãƒ‡ã‚£ã‚¿ãŒã‚ã‚Šã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ã‚‚ã—ã‚ãªãŸãŒã€ã©ã‚Œã‹ã‚‰å§‹ã‚ã‚Œã°ã„ã„ã‹åˆ†ã‹ã‚‰ãªã„ã¨ãã¯ã€ã‚ãªãŸã¯ DAW を全然必è¦ã¨ã—ãªã„ã®ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ã‚‚ã—ã‚ãªãŸãŒã€é«˜å“質ã®éŒ²éŸ³ã‚¢ãƒ—リケーションã€ã‚ã‚‹ã„ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ•ã‚¡ã‚¤ãƒ«ã‚’１ã¤ã¥ã¤æ“作ã™ã‚‹ãŸã‚ã®ãƒ„ールを探ã—ã¦ã„ã‚‹ãªã‚‰ã€ã‚‚ã—ã‹ã™ã‚‹ã¨ <span class="application"><strong>Audacity</strong></span> ãŒã‚ˆã„ã§ã—ょã†ã€‚ã“ã‚Œã¯ã€ã»ã¨ã‚“ã©ã®ã‚³ãƒ³ãƒ”ュータユーザã€ç‰¹ã«åˆã‚ã¦ã‚³ãƒ³ãƒ”ュータオーディオをã™ã‚‹äººã‚„ã€ç‰¹åˆ¥ãªçŸ¥è˜ã‚’å¿…è¦ã¨ã—ãªã„迅速ãªã‚½ãƒªãƒ¥ãƒ¼ã‚·ãƒ§ãƒ³ã‚’探ã—ã¦ã„る人ã«ã¨ã£ã¦ã€ã‚ˆã„é¸æŠžã§ã™.<span class="application"><strong>Audacity</strong></span> ã¯ã€ä»–ã®å¤šãã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã¨æ¯”ã¹ã¦ã€ã‚ˆã‚Šä½¿ã„ã‚„ã™ã„ã®ã§ã€ã‚ãªãŸãŒæœ€åˆã®ã‚³ãƒ³ãƒ”ュータオーディオã®çµŒé¨“ã‚’ã™ã‚‹ã«ã¯ã‚ˆã„手段ã§ã™.
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Ardour</strong></span>ã€<span class="application"><strong>Qtractor</strong></span>, ãã—㦠<span class="application"><strong>Rosegarden</strong></span> ãŒæä¾›ã™ã‚‹æ©Ÿèƒ½ã‚’ãžã‚“ã¶ã‚“ã«æ´»ç”¨ã™ã‚‹ã«ã¯ã€ã‚ãªãŸã®ã‚³ãƒ³ãƒ”ュータã«ã¯ã€ãƒ—ãƒãƒ•ã‚§ãƒƒã‚·ãƒ§ãƒŠãƒ«å“質ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ©Ÿå™¨ã€è¿½åŠ ã§è³¼å…¥ã•ã‚Œã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã¨ãƒžã‚¤ã‚¯ã®ã‚ˆã†ãªå…¥åŠ›ãƒ‡ãƒã‚¤ã‚¹ãŒå‚™ã‚ã£ã¦ã„ã‚‹ã¹ãã§ã™.ã‚‚ã—ã‚ãªãŒãŸãã®ã‚ˆã†ãªæ©Ÿå™¨ã‚’æŒãŸãªã„å ´åˆã€Audacity ãŒã‚ãªãŸã«ã¨ã£ã¦ã‚ˆã„é¸æŠžã‹ã‚‚ã—ã‚Œã¾ã›ã‚“.
+ </div></li><li class="listitem"><div class="para">
+ If you are simply hoping to create a "MIDI recording" of some sheet music, you are probably better off using <span class="application"><strong>LilyPond</strong></span>. This program is designed primarily to create printable sheet music, but it will produce a MIDI-format version of a score if you include the following command in the <code class="literal">score</code> section of your <span class="application"><strong>LilyPond</strong></span> source file: <code class="code">\midi { }</code>. There are a selection of options that can be put in the <code class="literal">midi</code> section; refer to the <span class="application"><strong>LilyPond</strong></span> help files for a listing.
+ </div></li></ul></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Exporting_a_Whole_File.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5.7.2. ファイルを全部書ã出ã™</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Stages_of_Recording.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>6.2. 録音ã®ã‚¹ãƒ†ãƒ¼ã‚¸</a></li></ul></body></html>
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+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>第10ç« FluidSynth</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="pt02.html" title="パート II. オーディオã¨éŸ³æ¥½ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢" /><link rel="prev" href="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue.html" title="9.4.5. å…ˆã«é€²ã‚€ã„ãã¤ã‹ã®æ–¹æ³•" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html" title="10.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocfram
e" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" title="第10ç« FluidSynth" id="chap-Musicians_Guide-FluidSynth" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第10ç« FluidSynth</h2></div></div></div><div class="toc"><dl><dt><span class="section"><
a href="chap-Musicians_Guide-FluidSynth.html#sect-Musicians_Guide-FluidSynth-SoundFont_Technology_and_MIDI">10.1. サウンドフォント技術㨠MIDI</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-FluidSynth.html#sect-Musicians_Guide-FluidSynth-How_to_Get_a_SoundFont">10.1.1. ã©ã®ã‚ˆã†ã«ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã‚’å¾—ã‚‹ã‹</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-FluidSynth.html#sect-Musicians_Guide-FluidSynth-MIDI_Terms">10.1.2. MIDI インストゥルメントã€ãƒãƒ³ã‚¯ã€ãƒ—ãƒã‚°ãƒ©ãƒ ã€ãŠã‚ˆã³ãƒ‘ッãƒ</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-FluidSynth.html#sect-Musicians_Guide-FluidSynth-MIDI_Channels">10.1.3. MIDIãƒãƒ£ãƒ³ãƒãƒ«</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html">10.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide
-FluidSynth-Requirements_and_Installation.html#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Software_Requirements">10.2.1. ソフトウェアè¦ä»¶</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation.html">10.2.2. Install <span class="application"><strong>FluidSynth</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth.html">10.2.3. Install with <span class="application"><strong>Qsynth</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth.html">10.2.4. Install without <span class="application"><strong>Qsynth</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html">10.2.5. Install SoundFont Files</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guid
e-FluidSynth-In_a_Terminal.html">10.3. Use <span class="application"><strong>FluidSynth</strong></span> in a Terminal Emulator</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring.html">10.4. Configure <span class="application"><strong>Qsynth</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring.html#sect-Musicians_Guide-FluidSynth-Configuring-Starting_FluidSynth">10.4.1. Start <span class="application"><strong>FluidSynth</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont.html">10.4.2. Configure the SoundFont</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output.html">10.4.3. Configure <span class="application"><strong>JACK</strong></span> Output</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input.htm
l">10.4.4. Configure MIDI Input</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings.html">10.4.5. View all <span class="application"><strong>FluidSynth</strong></span> Settings</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html">10.5. Assign Programs to Channels with <span class="application"><strong>Qsynth</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html#sect-Musicians_Guide-FluidSynth-Changing_Number_of_Input_Channels">10.5.1. Change the Number of MIDI Input Channels</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments.html">10.5.2. Save and Reuse Channel Assignments</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus.ht
ml">10.6. Use Reverb and Chorus with <span class="application"><strong>Qsynth</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Multiple_Instances.html">10.7. <span class="application"><strong>Qsynth</strong></span> ã§ã€è¤‡æ•°ã® <span class="application"><strong>FluidSynth</strong></span> インスタンスを使ã†</a></span></dt></dl></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> is a software-based MIDI synthesizer. <span class="application"><strong>FluidSynth</strong></span> accepts MIDI input from programs like Qtractor and Rosegarden, and uses SoundFont technology to create audio signals. This makes <span class="application"><strong>FluidSynth</strong></span> a very flexible tool; it can be used even on low-power computers, doesn't require specialized hardware, and can take advantage of a wide selection of high-quality MIDI instruments. When used with the <span class="application"><strong>Qsynth</strong></span> graphical interface, <span class="application"><strong>FluidSynth</strong></span> becomes even more powerful: users can easily control basic effects like chorus and reverb, and they can start multiple <span class="application"><strong>FluidSynth</strong></span> synthesizers, each with their own settings and MIDI instrument assignments. Finally, because <span class="application"
><strong>Qsynth</strong></span> was created and is maintained by the same developers as Qtractor and QjackCtl, it provides a familiar interface, and integrates well with these other applications.
+ </div><div class="section" title="10.1. サウンドフォント技術㨠MIDI" id="sect-Musicians_Guide-FluidSynth-SoundFont_Technology_and_MIDI"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-SoundFont_Technology_and_MIDI">10.1. サウンドフォント技術㨠MIDI</h2></div></div></div><div class="para">
+ サウンドフォント技術ã¯ã€1990年代åˆé ã«é–‹ç™ºã•ã‚Œã€ã‚¢ã‚³ãƒ¼ã‚¹ãƒ†ã‚£ãƒƒã‚¯æ¥½å™¨ã®ã‚ˆã†ãªéŸ³ãŒå‡ºã›ã‚‹ MIDI 機器ã®ä½œæˆã‚’å¯èƒ½ã«ã™ã‚‹ã‚ˆã†ã«è¨è¨ˆã•ã‚ŒãŸã€ãƒ•ã‚¡ã‚¤ãƒ«å½¢å¼ãŠã‚ˆã³ã‚る種ã®ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢æŠ€è¡“ã‹ã‚‰ãªã‚‹ã‚‚ã®ã§ã™ã€‚アコースティック楽器ã¨å…¨ãåŒã˜ã«èžã“ãˆã‚‹ã€é›»åçš„ã«åˆæˆã•ã‚ŒãŸæ¥½å™¨ã‚’作るã®ã¯ã»ã¨ã‚“ã©ä¸å¯èƒ½ã§ã‚ã‚‹ã‚‚ã®ã®ã€ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆæŠ€è¡“ã¯ãã®ã‚®ãƒ£ãƒƒãƒ—ã‚’ã‹ãªã‚Šç¸®å°ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚é©åˆ‡ãªçŠ¶æ³ã§èžã‹ã‚ŒãŸã¨ãã«ã€ã»ã¨ã‚“ã©ã®äººã¯ã€éŸ³æ¥½ãŒã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆå¯¾å¿œã® MIDI シンセサイザã«ã‚ˆã£ã¦éŒ²éŸ³ã•ã‚ŒãŸã“ã¨ã«æ°—ã¥ã‹ãªã„ã§ã—ょã†ã€‚ãªãŠã€çµæžœã¯å¤§ããç•°ãªã‚‹å ´åˆãŒã‚ã‚Šã¾ã™ã€‚
+ </div><div class="para">
+ What <span class="application"><strong>FluidSynth</strong></span> enables users to do is eliminate the hardware component of using SoundFonts, so that any computer becomes capable of synthesizing from SoundFont files, which are often simply referred to as "a SoundFont." As fonts change the look of text characters, SoundFonts change the sound of MIDI notes - the overall meaning is the same when conveyed by any font (or SoundFont), but the particular nuance is changed.
+ </div><div class="para">
+ Fedora offers a few SoundFonts in the default repositories. By default, <span class="application"><strong>FluidSynth</strong></span> installs the FluidR3 General MIDI ("GM") SoundFont, which contains a wide array of conventional (and some non-conventional) "patches." To see the other options that are available, use PackageKit, KPackageKit, or yum to search for "soundfont".
+ </div><div class="section" title="10.1.1. ã©ã®ã‚ˆã†ã«ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã‚’å¾—ã‚‹ã‹" id="sect-Musicians_Guide-FluidSynth-How_to_Get_a_SoundFont"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-How_to_Get_a_SoundFont">10.1.1. ã©ã®ã‚ˆã†ã«ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã‚’å¾—ã‚‹ã‹</h3></div></div></div><div class="para">
+ インターãƒãƒƒãƒˆä¸Šã«ã¯ã€ç„¡æ–™ã§åˆ©ç”¨ã§ãã‚‹ãŸãã•ã‚“ã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆãŒã‚ã‚Šã¾ã™ã—ã€è³¼å…¥ãŒå¯èƒ½ãªã‚‚ã®ã‚‚ã„ãã¤ã‹ã‚ã‚Šã¾ã™ã€‚ãã®ä¸ã«ã¯ã€éžå¸¸ã«é«˜å“質ã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã‚‚ã‚ã‚Šã¾ã™ã€‚ 次ã®3ã¤ã®ã‚¦ã‚§ãƒ–サイトã¯ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã®ãƒªã‚½ãƒ¼ã‚¹ã¸ã®ãƒªãƒ³ã‚¯ãŠã‚ˆã³ã„ãã¤ã‹ã®æœ‰æ–™ã¾ãŸã¯ç„¡æ–™ã§ãƒ€ã‚¦ãƒ³ãƒãƒ¼ãƒ‰ã§ãるサウンドフォントã¸ã®ãƒªãƒ³ã‚¯ã‚’æŒã¡ã¾ã™ã€‚ãã“ã§æä¾›ã•ã‚Œã‚‹ã‚‚ã®ã®å“質ã‚ã‚‹ã„ã¯ã€ãã®ã‚¦ã‚§ãƒ–サイトã®å“質ã¨ã‚»ã‚ュリティã«ã¤ã„ã¦ã¯ã€ä½•ã‚‚ä¿è¨¼ã•ã‚Œã¾ã›ã‚“。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle">S. Christian Collins' "General User" SoundFont</em>, available from <a href="http://www.schristiancollins.com/generaluser.php">http://www.schristiancollins.com/generaluser.php</a>.
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://www.hammersound.net/cgi-bin/soundlink.pl">http://www.hammersound.net/cgi-bin/soundlink.pl</a> ã§åˆ©ç”¨å¯èƒ½ãª<em class="citetitle">HammerSound SoundFont Library</em>
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://soundfonts.homemusician.net/">http://soundfonts.homemusician.net/</a> ã§åˆ©ç”¨å¯èƒ½ãªã€<em class="citetitle">homemusician.net SoundFont Library</em>
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://www.synthzone.com/soundfont.htm">http://www.synthzone.com/soundfont.htm</a> ã§åˆ©ç”¨å¯èƒ½ãª<em class="citetitle">Synth Zone</em>
+ </div></li></ul></div>
+
+ </div><div class="para">
+ See <a class="xref" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html" title="10.2.5. Install SoundFont Files">「Install SoundFont Filesã€</a> below for instructions to install a SoundFont.
+ </div></div><div class="section" title="10.1.2. MIDI インストゥルメントã€ãƒãƒ³ã‚¯ã€ãƒ—ãƒã‚°ãƒ©ãƒ ã€ãŠã‚ˆã³ãƒ‘ッãƒ" id="sect-Musicians_Guide-FluidSynth-MIDI_Terms"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-MIDI_Terms">10.1.2. MIDI インストゥルメントã€ãƒãƒ³ã‚¯ã€ãƒ—ãƒã‚°ãƒ©ãƒ ã€ãŠã‚ˆã³ãƒ‘ッãƒ</h3></div></div></div><div class="para">
+ A "MIDI instrument" is the synthesizer itself. If the synthesizer uses SoundFonts, then the SoundFont also constitutes part of the instrument. Each instrument can be thought of as a library, which stores books.
+ </div><div class="para">
+ Each instrument offers at least one, but possibly several "banks," which store programs. If a MIDI instrument is a library, then a bank is like a particular shelf. You must first select a shelf before choosing a book.
+ </div><div class="para">
+ Each bank offers between one and one hundred and twenty seven "programs," (also called "patches") which are the sounds themselves. If a MIDI instrument is a library and a bank is a shelf, then a program is a book. Programs need not necessarily be related, but banks with a large number of programs (like the "General MIDI" bank) usually follow some sort of order. It is the program alone which determines the sound of the synthesized audio; the bank and instrument simply limit the possible choices of program.
+ </div></div><div class="section" title="10.1.3. MIDIãƒãƒ£ãƒ³ãƒãƒ«" id="sect-Musicians_Guide-FluidSynth-MIDI_Channels"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-MIDI_Channels">10.1.3. MIDIãƒãƒ£ãƒ³ãƒãƒ«</h3></div></div></div><div class="para">
+ A MIDI synthesizer will accept input on multiple channels. Although each "instance" of the synthesizer can only have one MIDI instrument assigned to it, each channel can be assigned a program independently. This allows the synthesis of a virtual instrumental ensemble.
+ </div><div class="para">
+ The General MIDI ("GM") standard, used partially by the default FluidR3 SoundFont and by <span class="application"><strong>FluidSynth</strong></span> itself, further specifies that there will be 16 channels, and that channel 10 will be used for (mostly unpitched) percussion instruments. Any program change message sent to channel 10 will be ignored, and although <span class="application"><strong>FluidSynth</strong></span> can be configured to use a non-percussion program on channel 10, this use is discouraged.
+ </div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span>ãŒæ±Žç”¨ MIDI 標準ã«å¾“ã‚ãªã„å ´åˆã€ãã‚Œã¯æ©Ÿèƒ½ã‚’削除ã™ã‚‹ã®ã§ãªãã€è¿½åŠ ã—ã¦ã„ã¾ã™.
+ </div></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>9.4.5. å…ˆã«é€²ã‚€ã„ãã¤ã‹ã®æ–¹æ³•</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>10.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>第2ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ç”¨ã®ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="pt01.html" title="パート I. Linux オーディオã®åŸºæœ¬" /><link rel="prev" href="sect-Musicians_Guide-Multichannel_Audio.html" title="1.4.8. マルãƒãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª" /><link rel="next" href="sect-Musicians_Guide-Sound_Servers_Section.html" title="2.2. サウンドサーãƒ" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="
../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Multichannel_Audio.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sound_Servers_Section.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" title="第2ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ç”¨ã®ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢" id="chap-Musicians_Guide-How_Computers_Deal_with_Hardware" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第2ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ç”¨ã®ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢</h2></div></div></div><div class="toc
"><dl><dt><span class="section"><a href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html#sect-Musicians_Guide-Sound_Servers-ALSA">2.1. Linux ã¯ã©ã®ã‚ˆã†ã«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ã‚’扱ã†ã‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Servers_Section.html">2.2. サウンドサーãƒ</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Servers_Section.html#sect-Musicians_Guide-Sound_Servers-PulseAudio">2.2.1. パルスオーディオ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Servers-JACK.html">2.2.2. <code class="systemitem">JACK</code> オーディオ接続ã‚ット</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Servers-Phonon.html">2.2.3. フォノン</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Using_JACK.html">2.3. Use the <code class="systemitem">JACK</code> Audio Connection Kit</a><
/span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Using_JACK.html#sect-Musicians_Guide-Install_and_Configure_JACK">2.3.1. Install and Configure <code class="systemitem">JACK</code></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Using_QjackCtl.html">2.3.2. <span class="application"><strong>QjackCtl</strong></span> を使ã†</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK.html">2.3.3. <code class="systemitem">PulseAudio</code> ã‚’ <code class="systemitem">JACK</code> ã¨çµ±åˆã™ã‚‹</a></span></dt></dl></dd></dl></div><div class="para">
+ One of the techniques consistently used in computer science is abstraction. Abstraction is the process of creating a generic model for something (or some things) that are actually unique. The "driver" for a hardware device in a computer is one form of dealing with abstraction: the computer's software interacts with all sound cards in a similar way, and it is the driver which translates the universal instructions given by the software into specific instructions for operating that hardware device. Consider this real-world comparison: you know how to operate doors because of abstracted instructions. You don't know how to open and close every door that exists, but from the ones that you do know how to operate, your brain automatically creates abstracted instructions, like "turn the handle," and "push the door," which apply with all or most doors. When you see a new door, you have certain expectations about how it works, based on the abstract behaviour of doors, and you quickly
figure out how to operate that specific door with a simple visual inspection. The principle is the same with computer hardware drivers: since the computer already knows how to operate "sound cards," it just needs a few simple instructions (the driver) in order to know how to operate any particular sound card.
+ </div><div class="section" title="2.1. Linux ã¯ã©ã®ã‚ˆã†ã«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ã‚’扱ã†ã‹" id="sect-Musicians_Guide-Sound_Servers-ALSA"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Sound_Servers-ALSA">2.1. Linux ã¯ã©ã®ã‚ˆã†ã«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ã‚’扱ã†ã‹</h2></div></div></div><div class="para">
+ In Linux, the core of the operating system provides hardware drivers for most audio hardware. The hardware drivers, and the instructions that other software can use to connect to those drivers, are collectively called "ALSA," which stands for "Advanced Linux Sound Architecture." ALSA is the most direct way that software applications can interact with audio and MIDI hardware, and it used to be the most common way. However, in order to include all of the features that a software application might want to use, ALSA is quite complex, and can be error-prone. For this and many other reasons, another level of abstraction is normally used, and this makes it easier for software applications to take advantage of the features they need.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Multichannel_Audio.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>1.4.8. マルãƒãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sound_Servers_Section.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>2.2. サウンドサーãƒ</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/chap-Musicians_Guide-LilyPond.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/chap-Musicians_Guide-LilyPond.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>第12ç« LilyPond</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="pt02.html" title="パート II. オーディオã¨éŸ³æ¥½ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢" /><link rel="prev" href="sect-Musicians_Guide-SC-Recording_SuperColliders_Output.html" title="11.5.2. Recording SuperCollider's Output (Tutorial)" /><link rel="next" href="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach.html" title="12.2. LilyPond アプãƒãƒ¼ãƒ" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" cla
ss="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Recording_SuperColliders_Output.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" title="第12ç« LilyPond" id="chap-Musicians_Guide-LilyPond" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第12ç« <span class="application"><strong>LilyPond</strong></span></h2></div></div></div><div class="toc"><dl><
dt><span class="section"><a href="chap-Musicians_Guide-LilyPond.html#sect-Musicians_Guide-LilyPond-How_LilyPond_Works">12.1. <span class="application"><strong>LilyPond</strong></span> ãŒã„ã‹ã«å‹•ä½œã™ã‚‹ã‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach.html">12.2. <span class="application"><strong>LilyPond</strong></span> アプãƒãƒ¼ãƒ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Installation.html">12.3. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Installation.html#sect-Musicians_Guide-LilyPond-Installation-Frescobaldi">12.3.1. Learn about Frescobaldi</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation.html">12.3.2. Requirements and Installation (for <span class="application"><strong>Frescobaldi</strong></span>)</a></span></dt></dl></dd><dt><s
pan class="section"><a href="sect-Musicians_Guide-LilyPond-Configure_Frescobaldi.html">12.4. Configure <span class="application"><strong>Frescobaldi</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax.html">12.5. <span class="application"><strong>LilyPond</strong></span> ã®åŸºæœ¬</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax.html#sect-Musicians_Guide-LilyPond-Syntax-Letters_Are_Pitches">12.5.1. æ–‡å—ã¯éŸ³ç¨‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations.html">12.5.2. æ•°å—ã¯é•·ã•</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Articulations.html">12.5.3. アーティã‚ュレーションã€è¡¨æƒ…記å·</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Simultaneity.html">12.5.4. åŒæ™‚性</a></span></dt><dt><span class="section"><a hre
f="sect-Musicians_Guide-LilyPond-Syntax-Chords.html">12.5.5. 和音</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Commands.html">12.5.6. コマンド</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Source_Files.html">12.5.7. ソースファイルã¨ãã®ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors.html">12.5.8. 誤りをé¿ã‘ã‚‹ã«ã¯</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint.html">12.6. 対ä½æ³•ã®èª²é¡Œã‚’ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint.html#sect-Musicians_Guide-LilyPond-Counterpoint-Tutorial_Files">12.6.1. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_th
e_Score.html">12.6.2. 楽èœã‚’開始ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output.html">12.6.3. Adjust Frescobaldi's Output</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting.html">12.6.4. 音符を入力ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score.html">12.6.5. 楽èœã‚’フォーマットã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra.html">12.7. Work on an Orchestral Score (Tutorial)</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra.html#sect-Musicians_Guide-LilyPond-Orchestra-Tutorial_Files">12.7.1. Files for the Tutorial</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score.html">12.7.2. Start the Score
</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output.html">12.7.3. Adjust Frescobaldi's Output</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html">12.7.4. Input Notes</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano.html">12.8. Work on a Piano Score (Tutorial)</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano.html#sect-Musicians_Guide-LilyPond-Piano-Tutorial_Files">12.8.1. Files for the Tutorial</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score.html">12.8.2. Start the Score</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output.html">12.8.3. Adjust Frescobaldi's Output</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Pian
o-Inputting.html">12.8.4. Input Notes</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors.html">12.8.5. Troubleshoot Errors</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Formatting.html">12.8.6. Format the Score (Piano Dynamics)</a></span></dt></dl></dd></dl></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> is a notation engraving program, with a focus on creating a visually appealing product. <span class="application"><strong>LilyPond</strong></span> is text-based, and allows you to focus on the (semantic?) content of your musical scores, rather than on their visual appearance. Conventional commercial notation engraving programs allow users to edit the score visually. While this approach has its benefits, especially because it's very easy to see exactly what the printed score will look like, it also has disadvantages - chief among these is the fact that users of those programs are constantly worrying about what their score looks like.
+ </div><div class="para">
+ This is where <span class="application"><strong>LilyPond</strong></span> comes in - users don't need to worry about how their score will work, because they know that the expertly-crafted methods of <span class="application"><strong>LilyPond</strong></span> will automatically configure the objects on the score so that they look good, and are easy to read. <span class="application"><strong>LilyPond</strong></span>'s users focus on <span class="emphasis"><em>what</em></span> needs to be displayed, rather than on <span class="emphasis"><em>how</em></span> it is going to be displayed.
+ </div><div class="para">
+ As with any particular approach, the <span class="application"><strong>LilyPond</strong></span> approach is not for everybody. However, once you have become accustomed to working with the software, and once you have learned methods to help deal with problems and organize your scores' source-files, you will probably realize that <span class="application"><strong>LilyPond</strong></span> is both much faster, and much more flexible, than traditional, commercially-available music engraving programs.
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> ã¯ä»–ã«ã‚‚ãŸãã•ã‚“ã®æ©Ÿèƒ½ãŒã‚ã‚Šã¾ã™ã€‚ã“れらã®æ©Ÿèƒ½ã®ã„ãã¤ã‹ã¯ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 楽èœã‚’ LaTeX ã‚ã‚‹ã„㯠HTML 文書ã«ã™ã‚‹ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>ooolilypond</strong></span> プãƒã‚°ãƒ©ãƒ を使ã£ã¦ã€æ¥½èœã‚’ <span class="application"><strong>OpenOffice.org</strong></span> 文書ã«ã™ã‚‹ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ã™ã¹ã¦ã®ä¸»ãªã‚ªãƒšãƒ¬ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã‚·ã‚¹ãƒ†ãƒ ã¨äº’æ›ã§ã‚る。
+ </div></li><li class="listitem"><div class="para">
+ 大ããªä½œå“ã®ãƒ‘ート別ã‚ã‚‹ã„ã¯å…¨ä½“ã®æ¥½èœã‚’管ç†ã§ãる。
+ </div></li><li class="listitem"><div class="para">
+ Scheme プãƒã‚°ãƒ©ãƒ 言語を使ã£ã¦æ–°ã—ã„音楽記å·ã‚’作æˆã§ãる。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ユーザを助ã‘ã¦ã€ãƒ†ã‚ストベースã®ã‚¢ãƒ—ãƒãƒ¼ãƒã‹ã‚‰ãã‚‹åˆæœŸå¦ç¿’ã®å›°é›£ã•ã‚’より早ãå…‹æœã™ã‚‹ã®ãŒã€ã“ã®ã‚¬ã‚¤ãƒ‰ã®ç›®çš„ã§ã™ã€‚<span class="application"><strong>Frescobaldi</strong></span> テã‚ストエディタã®ã‚ˆã†ãªãƒ„ールを使ã†ã“ã¨ã§ã€ç”Ÿç”£æ€§ã‚’上ã’ã€ãƒˆãƒ©ãƒ–ルシュートを容易ã«ã—ã€ãã—ã¦ãƒ†ã‚ストベースã®ã‚¢ãƒ—ãƒãƒ¼ãƒã«ã¾ã¤ã‚る記憶力ã®è² è·ã‚’減らã™ã“ã¨ãŒã§ãã‚‹ã§ã—ょã†ã€‚
+ </div><div class="section" title="12.1. LilyPond ãŒã„ã‹ã«å‹•ä½œã™ã‚‹ã‹" id="sect-Musicians_Guide-LilyPond-How_LilyPond_Works"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-How_LilyPond_Works">12.1. <span class="application"><strong>LilyPond</strong></span> ãŒã„ã‹ã«å‹•ä½œã™ã‚‹ã‹</h2></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> を自動車ã®ä¿®ç†å·¥ã¨æ€ã£ã¦ãã ã•ã„。ã‚ãªãŸã®è»ŠãŒã“ã‚ã‚ŒãŸã¨ãã€ä¿®ç†å·¥ã¯ã©ã®å·¥å…·ã‚’使ã†ã‹ã‚ã‹ã‚Šã¾ã™ã€‚ã‚ãªãŸã¯è‡ªåˆ†ã§å·¥å…·ã‚’è²·ã£ã¦è»Šã‚’ãªãŠã™ã“ã¨ã‚‚ã§ãã¾ã™ãŒã€ä¿®ç†å·¥ã¯å°‚門家ã§ã™ã€‚使ã†å·¥å…·ã‚’知りã€å·¥å…·ã‚’ã„ã‹ã«ç”¨æ„ã™ã‚‹ã‹çŸ¥ã‚Šã€ã‚ãªãŸã‚ˆã‚Šé€Ÿã車をãªãŠã™ã«ã¯ã©ã†ã™ã‚‹ã‹ã‚ã‹ã£ã¦ã„ã¾ã™ã€‚<span class="application"><strong>LilyPond</strong></span> ã¯ã‚ãªãŸã‚‚自分ã§ä½¿ã†ã“ã¨ã®ã§ãるプãƒã‚°ãƒ©ãƒ ã‚’ãŸãã•ã‚“使ã„ã¾ã™ã€‚ã—ã‹ã— <span class="application"><strong>LilyPond</strong></span> ã¯å°‚門家ãªã®ã§ã€ä½¿ã†ãƒ—ãƒã‚°ãƒ©ãƒ ã€ä½¿ã†è¨å®šã‚’知ã£ã¦ã„ã¾ã™ã€‚ãã—ã¦æœ€ã‚‚大事ãªã“ã¨ã«ã€<span class="application"><strong>LilyPond</strong></span> ã¯ã‚ãªãŸãŒç›´æŽ¥ãれらã®ãƒ—ãƒã‚°ãƒ©ãƒ を使ã†ã‚ˆã‚Šã€ãšã£ã¨å°‘ãªã„時間ã§ã§ãã‚‹ã®ã§ã™ã€‚
+ </div><div class="para">
+ 我々㯠<span class="application"><strong>LilyPond</strong></span> ã«ã€ç‰¹åˆ¥ãªå½¢å¼ã®ãƒ†ã‚ストファイルã§å‘½ä»¤ã‚’与ãˆã¾ã™ã€‚<span class="application"><strong>LilyPond</strong></span> ã®å…¥åŠ›ãƒ•ã‚¡ã‚¤ãƒ«ã¯è¨˜èœã™ã‚‹éŸ³æ¥½ã‚’記述ã—ã¾ã™ã€‚<span class="application"><strong>LilyPond</strong></span> ãŒéŸ³æ¥½ãŒã©ã†è¦‹ãˆã‚‹ã‹ã‚’決定ã—ã¦ã€å‡ºåŠ›ãƒ•ã‚¡ã‚¤ãƒ«ã‚’作æˆã—ã¾ã™ã€‚入力ファイルã«ã¯ã€éŸ³æ¥½ãŒã©ã†è¦‹ãˆã‚‹ã‹ã«ã¤ã„ã¦ã®æŒ‡ç¤ºã¯å«ã¾ã‚Œã¾ã›ã‚“。ã¨ãã«ã¯ã€ã‚ãªãŸã¯å‡ºåŠ›ãƒ•ã‚¡ã‚¤ãƒ«ãŒã©ã†è¦‹ãˆã‚‹ã‹ã‚’調整ã—ãªãã¦ã¯ã„ã‘ãªã„ã§ã—ょã†ã€‚ãã®ãŸã‚ã« <span class="application"><strong>LilyPond</strong></span> ã¯ãã®å†…部的ãªãƒ„ールã®è¨å®šã‚’変更ã™ã‚‹æ‰‹æ®µã‚’æä¾›ã—ã¾ã™ã€‚
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Recording_SuperColliders_Output.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.5.2. Recording SuperCollider's Output (Tutoria...</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.2. LilyPond アプãƒãƒ¼ãƒ</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>第4ç« Planet CCRMA at Home</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="pt01.html" title="パート I. Linux オーディオã®åŸºæœ¬" /><link rel="prev" href="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora.html" title="3.5. Getting a Real-Time Kernel in Fedora Linux" /><link rel="next" href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html" title="4.2. Planet CCRMA at Home を使ã†ã‹ã©ã†ã‹ã‚’決ã‚ã‚‹" /></head><body class="draft toc_embeded "><div id="tocdiv" class="to
c"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" title="第4ç« Planet CCRMA at Home" id="chap-Musicians_Guide-Planet_CCRMA_at_Home" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第4ç« Planet CCRMA at Home</h2></div></div></div><div
class="toc"><dl><dt><span class="section"><a href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html#sect-Musicians_Guide-What_Is_Planet_CCRMA">4.1. Planet CCRMA at Home ã«ã¤ã„ã¦</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html">4.2. Planet CCRMA at Home を使ã†ã‹ã©ã†ã‹ã‚’決ã‚ã‚‹</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html#sect-Musicians_Guide-CCRMA_Need_Exclusive_Software">4.2.1. 独å 的ソフトウエア</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-CCRMA_Security_and_Stability.html">4.2.2. ã‚»ã‚ュリティã¨å®‰å®šæ€§</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-CCRMA_Best_Practices.html">4.2.3. A Possible "Best Practices" Solution</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html">4.3. Planet CCRMA at Home ã
®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’使ã†</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html#sect-Musicians_Guide-CCRMA_Installing_Repository">4.3.1. Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’インストールã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-CCRMA_Repository_Priorities.html">4.3.2. リãƒã‚¸ãƒˆãƒªã®å„ªå…ˆåº¦ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates.html">4.3.3. パッケージを更新ã•ã‚Œãªãã™ã‚‹</a></span></dt></dl></dd></dl></div><div class="section" title="4.1. Planet CCRMA at Home ã«ã¤ã„ã¦" id="sect-Musicians_Guide-What_Is_Planet_CCRMA"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-What_Is_Planet_CCRMA">4.1. Planet CCRMA at Home ã«ã¤ã„ã¦</h2></div></div></div><div class="para">
+ As stated on the project's home page, it is the goal of Planet CCRMA at Home to provide packages which will transform a Fedora Linux-based computer into an audio workstation. What this means is that, while the Fedora Project does an excellent job of providing a general-purpose operating system, a general purpose operating system is insufficient for audio work of the highest quality. The contributors to Planet CCRMA at Home provide software packages which can tune your system specifically for audio work.
+ </div><div class="para">
+ GNU Solfege 㨠LilyPond ã®ãƒ¦ãƒ¼ã‚¶ã¯ã€Planet CCRMA at Home ã¨ã‹ã‹ã‚ã‚Šã‚’ã‚‚ã¤å¿…è¦ã¯ã‚ã‚Šã¾ã›ã‚“。他ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’ãŠä½¿ã„ã®å ´åˆã¯é™¤ãã¾ã™ãŒã€‚Solfege ã‚‚ LilyPond ã‚‚ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä½œæˆã®ãŸã‚ã«æœ€é©åŒ–ã•ã‚ŒãŸã‚³ãƒ³ãƒ”ュータã§æœ‰åˆ©ã«ãªã‚‹ã“ã¨ã¯ã‚ã‚Šã¾ã›ã‚“。
+ </div><div class="para">
+ CCRMA stands for "Center for Computer Research in Music and Acoustics," which is the name of an academic research initiative and music computing facility at Stanford University, located in Stanford, California. Its initiatives help scholars to understand the effects and possibilities of computers and technology in various musical contexts. They offer academic courses, hold workshops and concerts, and try to incorporate the work of many highly-specialized fields.
+ </div><div class="para">
+ The Planet CCRMA at Home website suggests that they provide most of the software used on the computers in CCRMA's computing facilities. Much of this software is highly advanced and complex, and not intended for everyday use. More adventurous users are encouraged to explore Planet CCRMA's website, and investigate the software for themselves.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>3.5. Getting a Real-Time Kernel in Fedora Linux</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>4.2. Planet CCRMA at Home を使ã†ã‹ã©ã†ã‹ã‚’決ã‚ã‚‹</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/chap-Musicians_Guide-Qtractor.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/chap-Musicians_Guide-Qtractor.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
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+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>第8ç« Qtractor</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="pt02.html" title="パート II. オーディオã¨éŸ³æ¥½ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Mastering-Choosing_Export_Format.html" title="7.6.2.2. Choose the Export Format" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Configuration.html" title="8.2. 構æˆ" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This
is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mastering-Choosing_Export_Format.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Configuration.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" title="第8ç« Qtractor" id="chap-Musicians_Guide-Qtractor" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第8ç« Qtractor</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtract
or-Requirements_and_Installation">8.1. è¦æ±‚ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Knowledge_Requirements">8.1.1. å‰æ知è˜</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Software_Requirements">8.1.2. ソフトウエアè¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Hardware_Requirements">8.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Other_Requirements">8.1.4. ãã®ä»–ã®è¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Installation">8.1.5. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configura
tion.html">8.2. 構æˆ</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration.html#sect-Musicians_Guide-Qtractor-Configuration-JACK">8.2.1. Use <span class="application"><strong>Qtractor</strong></span> with <code class="systemitem">JACK</code> (<span class="application"><strong>QjackCtl</strong></span>)</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab.html">8.2.2. Change Audio Options</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab.html">8.2.3. Change MIDI Options</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names.html">8.2.4. Configure MIDI Channel Names</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using.html">8.3. Use Qtractor</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor
-Using.html#sect-Musicians_Guide-Qtractor-Using-Blue_Place_Markers">8.3.1. é’ã„プレースマーカを使ã†</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools.html">8.3.2. Using the MIDI Matrix Editor's Tools</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together.html">8.3.3. Export a Whole File (Audio and MIDI Together)</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using-Tips.html">8.3.4. ãã®ä»–ã®çŸ¥è˜</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial.html">8.4. Create a MIDI Composition (Tutorial)</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial.html#sect-Musicians_Guide-Qtractor-Tutorial-Inspiration">8.4.1. インスピレーション</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Req
uirements.html">8.4.2. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready.html">8.4.3. Get Qtractor Ready</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File.html">8.4.4. オーディオファイルをインãƒãƒ¼ãƒˆã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area.html">8.4.5. 最åˆã®ãƒ•ã‚©ãƒ¼ãƒžãƒ«ã‚¨ãƒªã‚¢ã‚’マークã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme.html">8.4.6. 主題を作る</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme.html">8.4.7. 主題を繰り返ã—ã¾ã™ã€‚</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part.html">8.4.8. 次ã®ãƒ‘ーãƒ
ˆã‚’作曲ã—ã¾ã™</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75.html">8.4.9. Qtractor's Measures 52 to 75</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97.html">8.4.10. Qtractor's Measures 75 to 97</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measure_97.html">8.4.11. Qtractor's Measure 97</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119.html">8.4.12. Qtractor's Measures 98 to 119</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139.html">8.4.13. Qtractor's Measures 119 to 139</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158.html">8.4.14. Qtractor's Measures 139 to 158</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtr
actor-Tutorial-Measures_158_to_176.html">8.4.15. Qtractor's Measures 158 to 176</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End.html">8.4.16. Qtractor's Measures 177 to the End</a></span></dt></dl></dd></dl></div><div class="para">
+ Qtractor ã¯ã€æ¯”較的新ã—ã„アプリケーションã§ã€QjackCtl 㨠Qsynth （ã©ã¡ã‚‰ã‚‚ã€ã“ã®ã‚¬ã‚¤ãƒ‰ã®ä»–ã®ç« ã§æ‰±ã‚ã‚Œã¦ã„ã¾ã™ ) ã¨åŒã˜é–‹ç™ºè€…ã«ã‚ˆã‚Šä½œæˆã€ãƒ¡ãƒ³ãƒ†ãƒŠãƒ³ã‚¹ã•ã‚Œã¦ã„ã¾ã™ã€‚ãã‚Œã¯ã€Audacity 以上ã®æŸ”軟性をæä¾›ã—ã¾ã™ã€‚ãã‚Œã«ã‚‚ã‹ã‹ã‚らãšã€Ardour ã‚„ Rosegarden ã¨æ¯”ã¹ã‚‹ã¨ä½¿ã„ã‚„ã™ã„ã§ã™ã€‚ãã®ãŸã‚ã€ãã‚Œã¯ã€æœ€åˆã«ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã® DAW を試ã—ã¦ã¿ãŸã„人ã«ã¨ã£ã¦æœ€é©ã®é–‹å§‹ç‚¹ã¨ã„ãˆã¾ã™ã€‚
+ </div><div class="para">
+ ã—ã‹ã—ã€Qtractor ã¯ãŸã ã®é–‹å§‹ç‚¹ä»¥ä¸Šã®ã‚‚ã®ã§ã™ï¼šãã®ã‚·ãƒ³ãƒ—ルã•ã¯ãã®æœ€å¤§ã®å¼·ã¿ã§ã™ã€‚Ardour 㨠Rosegarden ã¯ã‚ˆã‚Šå¤šãã®æ©Ÿèƒ½ã‚’æä¾›ã™ã‚‹ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“ãŒã€Qtractor ã¯ç¿’ã†ã®ã«ãšã£ã¨å°‘ãªã„時間ã§æ¸ˆã¿ã¾ã™ã€‚最åˆã®å¦ç¿’曲線を越ãˆã‚‹ã¨ã‚ãªãŸã¯ã»ã¨ã‚“ã©ã™ã¹ã¦ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚ã‚‹ã„㯠MIDI ã®ãƒ—ãƒã‚¸ã‚§ã‚¯ãƒˆã‚’ Qtractor ã§å®Œæˆã•ã›ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ãã®ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã¯ä»¥ä¸‹ã‚’æä¾›ã—ã¾ã™ã€‚クリップã«å¯¾ã™ã‚‹ã‚·ãƒ³ãƒ—ルã§ã€ç›´æ„Ÿçš„ãªãƒã‚¤ãƒ³ãƒˆã‚¢ãƒ³ãƒ‰ã‚¯ãƒªãƒƒã‚¯ç›¸äº’作用。 JACK 接続ã®çµ±åˆã•ã‚ŒãŸåˆ¶å¾¡ã€‚外部デãƒã‚¤ã‚¹ã¨ MIDI 対応ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã¨ã® MIDI コントãƒãƒ¼ãƒ«çµ±åˆã€‚LADSPA, DSSI, ãƒã‚¤ãƒ†ã‚£ãƒ– VSTiã€ãã—㦠LV2 プラグインã®ã‚µãƒãƒ¼ãƒˆã€‚開発スピードãŒã¨ã¦ã‚‚速ã„ã®ã§ã€Qtractor ã¯æ¯Žåˆ†ã”ã¨ã«ã€ã‚ˆã‚Šå®‰å®šã—ã€ä½¿ã„ã‚„ã™ããªã£ã¦ã„ãã¾ã™ã€‚シンプルãªã‚¤ãƒ³ã‚¿ã
ƒ•ã‚§ãƒ¼ã‚¹ã¯ã‚ãªãŸãŒã”自分ã®å‰µé€ 的欲求ã«å¾“ã£ã¦éŸ³æ¥½ä½œæˆã«ãƒ•ã‚©ãƒ¼ã‚«ã‚¹ã™ã‚‹ã®ã‚’助ã‘ã¾ã™ã€‚
+ </div><div class="para">
+ åˆå¿ƒè€…も進んã ユーザもã€Qtractor ãŒè‡ªåˆ†ã®ãŸã‚ã«ã„ã‹ã«åƒãã‹ã‚’見ã¦ã€åŒã˜ã‚ˆã†ã«æ¥½ã—ã‚€ã“ã¨ãŒã§ãã‚‹ã§ã—ょã†ã€‚
+ </div><div class="section" title="8.1. è¦æ±‚ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" id="sect-Musicians_Guide-Qtractor-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Qtractor-Requirements_and_Installation">8.1. è¦æ±‚ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</h2></div></div></div><div class="section" title="8.1.1. å‰æ知è˜" id="sect-Musicians_Guide-Qtractor-Knowledge_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Knowledge_Requirements">8.1.1. å‰æ知è˜</h3></div></div></div><div class="para">
+ Qtractor ã¯ä½¿ã„ã‚„ã™ãã€ãã®ãƒ¦ãƒ¼ã‚¶ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã¯ä»–ã® DAW ã«ä¼¼ã¦ã„ã¾ã™ã€‚ã‚‚ã—ã‚ãªãŸãŒä»¥å‰ã« DAW を使ã£ãŸã“ã¨ãŒãªã‘ã‚Œã°ã€<a class="xref" href="sect-Musicians_Guide-DAW_User_Interface.html" title="6.4. ユーザインタフェース">「ユーザインタフェースã€</a> ã‚’èªã‚€ã“ã¨ã‚’ãŠå‹§ã‚ã—ã¾ã™ã€‚
+ </div></div><div class="section" title="8.1.2. ソフトウエアè¦ä»¶" id="sect-Musicians_Guide-Qtractor-Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Software_Requirements">8.1.2. ソフトウエアè¦ä»¶</h3></div></div></div><div class="para">
+ Qtractor 㯠JACK Audio Connection Kit を使ã„ã¾ã™ã€‚Qtractor をインストールã™ã‚‹å‰ã« JACK をインストール下ã•ã„。JACK をインストールã™ã‚‹æ‰‹é †ã¯ <a class="xref" href="sect-Musicians_Guide-Using_JACK.html#sect-Musicians_Guide-Install_and_Configure_JACK" title="2.3.1. Install and Configure JACK">「Install and Configure <code class="systemitem">JACK</code>ã€</a> ã‚’å‚照下ã•ã„。
+ </div></div><div class="section" title="8.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶" id="sect-Musicians_Guide-Qtractor-Hardware_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Hardware_Requirements">8.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</h3></div></div></div><div class="para">
+ Qtractor を使ã†ã«ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ãŒå¿…è¦ã§ã™ã€‚Qtractor ã§ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’録音ã™ã‚‹ã«ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã«æŽ¥ç¶šã•ã‚ŒãŸãƒžã‚¤ã‚¯ãŒå°‘ãªãã¦ã‚‚１ã¤å¿…è¦ã§ã™ã€‚<span class="application"><strong>FluidSynth</strong></span> ã‚„ <span class="application"><strong>SuperCollider</strong></span> ã®ã‚ˆã†ãªã€JACK 対応プãƒã‚°ãƒ©ãƒ ã‹ã‚‰ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ã‚’録音ã™ã‚‹ã«ã¯ã€ãƒžã‚¤ã‚¯ã¯å¿…è¦ã‚ã‚Šã¾ã›ã‚“。
+ </div></div><div class="section" title="8.1.4. ãã®ä»–ã®è¦ä»¶" id="sect-Musicians_Guide-Qtractor-Other_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Other_Requirements">8.1.4. ãã®ä»–ã®è¦ä»¶</h3></div></div></div><div class="para">
+ Qtractor ã‚’ MIDI シーケンサーã¨ã—ã¦ä½¿ã†ãŸã‚ã«ã¯ MIDI シンセサイザーãŒå¿…è¦ã§ã™ã€‚Qtractor ã¨ã¨ã‚‚ã«ã€ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ãŠã‚ˆã³ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã®ã‚·ãƒ³ã‚»ã‚µã‚¤ã‚¶ãƒ¼ã‚’使ã†ã“ã¨ãŒã§ãã¾ã™ã€‚<span class="application"><strong>FluidSynth</strong></span> ソフトウエア MIDI シンセサイザーを使ã†ã“ã¨ã‚’ãŠå‹§ã‚ã—ã¾ã™ã€‚<span class="application"><strong>FluidSynth</strong></span> ã«ã¤ã„ã¦ã¯ã€<a class="xref" href="chap-Musicians_Guide-FluidSynth.html" title="第10ç« FluidSynth">10ç« <i>FluidSynth</i></a> ã‚’å‚照下ã•ã„。
+ </div></div><div class="section" title="8.1.5. インストール" id="sect-Musicians_Guide-Qtractor-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Installation">8.1.5. インストール</h3></div></div></div><div class="para">
+ Qtractor is not available from the Fedora software repositories. Qtractor is available from the "Planet CCRMA at Home" and "RPM Fusion" repositories. If you have already enabled one of those repositories, you should install Qtractor from that repository. If you have not already enabled one of those repositories, we recommend that you install Qtractor from the "Planet CCRMA at Home" repository. See <a class="xref" href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html#sect-Musicians_Guide-CCRMA_Installing_Repository" title="4.3.1. Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’インストールã™ã‚‹">「Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’インストールã™ã‚‹ã€</a> for instructions to enable the "Planet CCRMA at Home" repository. The "Planet CCRMA at Home" repository contains a wide variety of music and audio applications.
+ </div><div class="para">
+ After you enable the "RPM Fusion" or "Planet CCRMA at Home" repository, use PackageKit or KPackageKit to install the "qtractor" packge. Other required software is installed automatically.
+ </div></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mastering-Choosing_Export_Format.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.6.2.2. Choose the Export Format</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Configuration.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>8.2. 構æˆ</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>第3ç« ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ ã¨ä½Žé…延</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="pt01.html" title="パート I. Linux オーディオã®åŸºæœ¬" /><link rel="prev" href="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK.html" title="2.3.3. PulseAudio ã‚’ JACK ã¨çµ±åˆã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Processor_Scheduling.html" title="3.2. プãƒã‚»ãƒƒã‚µã‚¹ã‚±ã‚¸ãƒ¥ãƒ¼ãƒªãƒ³ã‚°" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" cl
ass="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Processor_Scheduling.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" title="第3ç« ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ ã¨ä½Žé…延" id="chap-Musicians_Guide-Real_Time_and_Low_Latency" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第3ç« ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ ã¨ä½Žé…延</h2></div></div></div><div class="toc"><dl><dt
><span class="section"><a href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html#sect-Musicians_Guide-Low_Latency">3.1. 低é…延ãŒãªãœæœ›ã¾ã—ã„ã‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Processor_Scheduling.html">3.2. プãƒã‚»ãƒƒã‚µã‚¹ã‚±ã‚¸ãƒ¥ãƒ¼ãƒªãƒ³ã‚°</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Real_Time_Linux_Kernel.html">3.3. リアルタイムLinux カーãƒãƒ«</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Hard_and_Soft_Real_Time.html">3.4. ãƒãƒ¼ãƒ‰ã¨ã‚½ãƒ•ãƒˆãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ </a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora.html">3.5. Getting a Real-Time Kernel in Fedora Linux</a></span></dt></dl></div><div class="para">
+ It is perhaps a common perception that computers can compute things instantaneously. Anybody who has ever waited for a web page to load has first-hand experience that this is not the case: computers take time to do things, even if the amount of time is often imperceptible to human observers. Moreover, a computer doing one thing can seem like it's acting nearly instantaneously, but a computer doing fifteen things will have a more difficult time keeping up appearances.
+ </div><div class="section" title="3.1. 低é…延ãŒãªãœæœ›ã¾ã—ã„ã‹" id="sect-Musicians_Guide-Low_Latency"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Low_Latency">3.1. 低é…延ãŒãªãœæœ›ã¾ã—ã„ã‹</h2></div></div></div><div class="para">
+ When computer audio specialists talk about a computer acting in <em class="firstterm">real-time</em>, they mean that it is acting with only an imperceptible delay. A computer cannot act on something instantaneously, and the amount of waiting time between an input and its output is called <em class="firstterm">latency</em>. In order for the delay between input and output to be perceived as non-existant (in other words, for a computer to "react in real-time,") the latency must be low.
+ </div><div class="para">
+ For periodic tasks, like processing audio (which has a consistently recurring amount of data per second), low latency is desirable, but <span class="emphasis"><em>consistent</em></span> latency is usually more important. Think of it like this: years ago in North America, milk was delivered to homes by a dedicated delivery person. Imagine if the milk delivery person had a medium-latency, but consistent schedule, returning every seven days. You would be able to plan for how much milk to buy, and to limit your intake so that you don't run out too soon. Now imagine if the milk delivery person had a low-latency, but inconsistent schedule, returning every one to four days. You would never be sure how much milk to buy, and you wouldn't know how to limit yourself. Sometimes there would be too much milk, and sometimes you would run out. Audio-processing and synthesis software behaves in a similar way: if it has a consistent amount of latency, it can plan accordingly. If it has an
inconsistent amount of latency - whether large or small - there will sometimes be too much data, and sometimes not enough. If your application runs out of audio data, there will be noise or silence in the audio signal - both bad things.
+ </div><div class="para">
+ Relatively low latency is still important, so that your computer reacts imperceptibly quickly to what's going on. The point is that the difference between an 8Â ms target latency and a 16Â ms target latency is almost certainly imperceptible to humans, but the higher latency may help your computer to be more consistent - and that's more important.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>2.3.3. PulseAudio ã‚’ JACK ã¨çµ±åˆã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Processor_Scheduling.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>3.2. プãƒã‚»ãƒƒã‚µã‚¹ã‚±ã‚¸ãƒ¥ãƒ¼ãƒªãƒ³ã‚°</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>第9ç« Rosegarden</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="pt02.html" title="パート II. オーディオã¨éŸ³æ¥½ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End.html" title="8.4.16. Qtractor's Measures 177 to the End" /><link rel="next" href="sect-Musicians_Guide-Rosegarden-Configuration.html" title="9.2. 構æˆ" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../
toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Configuration.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" title="第9ç« Rosegarden" id="chap-Musicians_Guide-Rosegarden" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第9ç« Rosegarden</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#
sect-Musicians_Guide-Rosegarden-Requirements_and_Installation">9.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Knowledge_Requirements">9.1.1. å‰æ知è˜</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Software_Requirements">9.1.2. ソフトウェアè¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Hardware_Requirements">9.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Other_Requirements">9.1.4. ãã®ä»–ã®è¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Installation">9.1.5. インストール</a></span></dt></dl></dd><dt><span class="section"
><a href="sect-Musicians_Guide-Rosegarden-Configuration.html">9.2. 構æˆ</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Configuration.html#sect-Musicians_Guide-Rosegarden-Configuration-JACK_and_Qsynth">9.2.1. Setup <span class="application"><strong>JACK</strong></span> and <span class="application"><strong>FluidSynth</strong></span> (<span class="application"><strong>Qsynth</strong></span>)</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden.html">9.2.2. <span class="application"><strong>Rosegarden</strong></span> ã®è¨å®š</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden_and_LilyPond.html">9.3. <span class="application"><strong>Rosegarden</strong></span> 㨠LilyPond</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial.html">9.4. <span class="application"><strong>Rosegarden</strong></span> ã§ã€ä
½œæ›²ã™ã‚‹ã€‚（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial.html#sect-Musicians_Guide-Rosegarden-Tutorial-Bass_Line">9.4.1. 楽èœã‚’ベースラインã‹ã‚‰å§‹ã‚ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track.html">9.4.2. ãƒ‘ãƒ¼ã‚«ãƒƒã‚·ãƒ§ãƒ³ãƒˆãƒ©ãƒƒã‚¯ã‚’è¿½åŠ </a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion.html">9.4.3. パーカッションをスパイスアップ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial-Melody.html">9.4.4. メãƒãƒ‡ã‚£ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue.html">9.4.5. å…ˆã«é€²ã‚€ã„ãã¤ã‹ã®æ–¹æ³•</a></span></dt></dl></dd></dl></div><div class="section" title="9.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" id="sect-Mu
sicians_Guide-Rosegarden-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Rosegarden-Requirements_and_Installation">9.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</h2></div></div></div><div class="section" title="9.1.1. å‰æ知è˜" id="sect-Musicians_Guide-Rosegarden-Knowledge_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Knowledge_Requirements">9.1.1. å‰æ知è˜</h3></div></div></div><div class="para">
+ Rosegarden's user interface is similar to other DAWs. We recommend that you read <a class="xref" href="sect-Musicians_Guide-DAW_User_Interface.html" title="6.4. ユーザインタフェース">「ユーザインタフェースã€</a> if you have not used a DAW before.
+ </div></div><div class="section" title="9.1.2. ソフトウェアè¦ä»¶" id="sect-Musicians_Guide-Rosegarden-Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Software_Requirements">9.1.2. ソフトウェアè¦ä»¶</h3></div></div></div><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> 㯠<span class="application"><strong>JACK Audio Connection Kit</strong></span> を使ã„ã¾ã™ã€‚ <span class="application"><strong>Rosegarden</strong></span> をインストールã™ã‚‹å‰ã« <span class="application"><strong>JACK</strong></span> をインストールã™ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚<span class="application"><strong>JACK</strong></span> をインストールã™ã‚‹æ–¹æ³•ã«ã¤ã„ã¦ã¯ <a class="xref" href="sect-Musicians_Guide-Using_JACK.html#sect-Musicians_Guide-Install_and_Configure_JACK" title="2.3.1. Install and Configure JACK">「Install and Configure <code class="systemitem">JACK</code>ã€</a> ã‚’å‚照下ã•ã„。
+ </div></div><div class="section" title="9.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢è¦ä»¶" id="sect-Musicians_Guide-Rosegarden-Hardware_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Hardware_Requirements">9.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢è¦ä»¶</h3></div></div></div><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> を使用ã™ã‚‹ã«ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ãŒå¿…è¦ã§ã™ã€‚<span class="application"><strong>Rosegarden</strong></span> ã§éŸ³å£°ã‚’録音ã™ã‚‹ã«ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã«æŽ¥ç¶šã•ã‚ŒãŸãƒžã‚¤ã‚¯ãŒå°‘ãªãã¦ã‚‚ 1 ã¤å¿…è¦ã§ã™ã€‚<span class="application"><strong>FluidSynth</strong></span> ã‚„ <span class="application"><strong>SuperCollider</strong></span> ã®ã‚ˆã†ãªã€<span class="application"><strong>JACK</strong></span> ã«å¯¾å¿œã™ã‚‹ä»–ã®ãƒ—ãƒã‚°ãƒ©ãƒ ã‹ã‚‰ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ã‚’録音ã™ã‚‹ã®ã«ãƒžã‚¤ã‚¯ã¯å¿…è¦ã‚ã‚Šã¾ã›ã‚“。
+ </div></div><div class="section" title="9.1.4. ãã®ä»–ã®è¦ä»¶" id="sect-Musicians_Guide-Rosegarden-Other_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Other_Requirements">9.1.4. ãã®ä»–ã®è¦ä»¶</h3></div></div></div><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> ã‚’ MIDI シーケンサーã¨ã—ã¦ä½¿ã†ãªã‚‰ã€MIDI シンセサイザーãŒå¿…è¦ã§ã™ã€‚<span class="application"><strong>Rosegarden</strong></span> ã¨ã¨ã‚‚ã«ã€ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã‚·ãƒ³ã‚»ã‚µã‚¤ã‚¶ãƒ¼ã¨ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚·ãƒ³ã‚»ã‚µã‚¤ã‚¶ãƒ¼ã‚’使ã†ã“ã¨ãŒã§ãã¾ã™ã€‚ソフトウエアシンセサイザーã§ã‚ã‚‹ã€<span class="application"><strong>FluidSynth</strong></span> MIDI シンセサイザーを使ã†ã“ã¨ã‚’ãŠã™ã™ã‚ã—ã¾ã™ã€‚<span class="application"><strong>FluidSynth</strong></span> ã«ã¤ã„ã¦ã¯ã€<a class="xref" href="chap-Musicians_Guide-FluidSynth.html" title="第10ç« FluidSynth">10ç« <i>FluidSynth</i></a> ã‚’å‚照下ã•ã„。
+ </div></div><div class="section" title="9.1.5. インストール" id="sect-Musicians_Guide-Rosegarden-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Installation">9.1.5. インストール</h3></div></div></div><div class="para">
+ Use <span class="application"><strong>PackageKit</strong></span> or <span class="application"><strong>KPackageKit</strong></span> to install the <span class="package">rosegarden4</span> packge. <span class="application"><strong>PackageKit</strong></span> automatically installs other required software.
+ </div></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>8.4.16. Qtractor's Measures 177 to the End</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Configuration.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>9.2. 構æˆ</a></li></ul></body></html>
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+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>第13ç« GNU ソルフェージュ</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="pt02.html" title="パート II. オーディオã¨éŸ³æ¥½ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano-Formatting-Inputting_the_Dynamics.html" title="12.8.6.2. Input Dynamics" /><link rel="next" href="sect-Musicians_Guide-Solfege-Configuration.html" title="13.2. 構æˆ" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../
../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Formatting-Inputting_the_Dynamics.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Configuration.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" title="第13ç« GNU ソルフェージュ" id="chap-Musicians_Guide-Solfege" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第13ç« GNU ソルフェージュ</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="c
hap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Requirements_and_Installation">13.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Hardware_and_Software_Requirements">13.1.1. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã¨ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Other_Requirements">13.1.2. ãã®ä»–ã®è¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Install">13.1.3. å¿…è¦ãªã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Install_Csound">13.1.4. オプショナルãªã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ï¼š Csound</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Install_MMA">13.1.5. オプショナルã‚
¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ« : MMA</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration.html">13.2. 構æˆ</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration.html#sect-Musicians_Guide-Solfege-Configuration-First_Time">13.2.1. Solfege ã‚’åˆã‚ã¦å®Ÿè¡Œã™ã‚‹ã¨ã</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-Instruments.html">13.2.2. Instruments</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-External_Programs.html">13.2.3. External Programs</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-Interface.html">13.2.4. Interface</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-Practise.html">13.2.5. Practise</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-Sound_Setup.html"
>13.2.6. Sound Setup</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training.html">13.3. ã‚ãªãŸã®ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training.html#sect-Musicians_Guide-Solfege-Training-Aural_Skilla_and_Musical_Sensibility">13.3.1. オーラルスã‚ルã¨éŸ³æ¥½çš„感性</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training-Exercise_Types.html">13.3.2. 課題ã®ã‚¿ã‚¤ãƒ—</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program.html">13.3.3. オーラルスã‚ルプãƒã‚°ãƒ©ãƒ を作る</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training-Supplementary_References.html">13.3.4. 補足ã®å‚ç…§</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html">13.4. 課題を使ã†</a></sp
an></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html#sect-Musicians_Guide-Solfege-Listening_Exercises">13.4.1. Listening</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Singing_Exercises.html">13.4.2. Singing</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Configure_Yourself_Exericses.html">13.4.3. Configure Yourself</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Rhythm_Exercises.html">13.4.4. Rhythm</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Dictation_Exercises.html">13.4.5. Dictation</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Harmonic_Progressions.html">13.4.6. Harmonic Progressions</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Intonation.html">13.4.7. Intonation</a></span></dt></dl></dd></dl></div><div class="section" title="13.1. è¦ä»¶ã¨ã
‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" id="sect-Musicians_Guide-Solfege-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Solfege-Requirements_and_Installation">13.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</h2></div></div></div><div class="section" title="13.1.1. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã¨ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢è¦ä»¶" id="sect-Musicians_Guide-Hardware_and_Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Hardware_and_Software_Requirements">13.1.1. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã¨ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢è¦ä»¶</h3></div></div></div><div class="para">
+ GNU Solfege を使ã†å‰ã«ã€ãƒ¦ãƒ¼ã‚¶ã¯æ—¢ã«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ©Ÿå™¨ã‚’æ£ã—ãè¨å®šã—ã¦ã‚ã‚‹ã“ã¨ãŒå¿…è¦ã§ã™ã€‚
+ </div><div class="para">
+ ã•ã‚‰ã«ã€Solfege 㯠<span class="application"><strong>timidity++</strong></span> パッケージを必è¦ã¨ã—ã€ãã‚Œã¯å¤§ããªï¼ˆãŠã‚ˆãï¼‘ï¼”ï¼ MB ã®ï¼‰ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆãƒ©ã‚¤ãƒ–ラリを必è¦ã¨ã—ã¾ã™ã€‚ã“ã®ãƒ©ã‚¤ãƒ–ラリ㯠<span class="application"><strong>FluidSynth</strong></span> アプリケーションã€ãã‚Œã¯ã“ã®ã‚¬ã‚¤ãƒ‰ã®ä»–ã®ç« ã§èª¬æ˜Žã•ã‚Œã¾ã™ã€ã¨å…±æœ‰ã•ã‚Œã€ã•ã‚‰ã«ä»–ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ãƒ‘ッケージã§ã‚‚使ã‚ã‚Œã¾ã™ã€‚<span class="application"><strong>timidity++</strong></span> ã¯ã•ã‚‰ã« JACK Audio Connection Kit ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã‚’å¿…è¦ã¨ã—ã¾ã™ã€‚JACK をインストールã™ã‚‹æ‰‹é †ã¯ã€<a class="xref" href="sect-Musicians_Guide-Using_JACK.html#sect-Musicians_Guide-Install_and_Configure_JACK" title="2.3.1. Install and Configure JACK">「Install and Configure <code class="systemitem">JACK</code>ã€</a> ã‚’å‚ç…§ãã ã•ã„。訳注： JACK ã‚’ Planet CCRMA at Home ã‹ã‚‰ã‚¤ãƒ³ã‚¹ãƒˆãƒ
¼ãƒ«ã™ã‚‹è¨˜è¿°ãŒã‚ã‚Šã¾ã™ãŒã€èª¤ã‚Šã®ãŸã‚訳ã—ã¾ã›ã‚“。
+ </div></div><div class="section" title="13.1.2. ãã®ä»–ã®è¦ä»¶" id="sect-Musicians_Guide-Solfege-Other_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Other_Requirements">13.1.2. ãã®ä»–ã®è¦ä»¶</h3></div></div></div><div class="para">
+ Solfege ã¯è¥¿æ´‹éŸ³æ¥½ã®è¨˜èœæ³•ã¨ã€åŸºæœ¬çš„ãªéŸ³æ¥½ç†è«–ã®ç”¨èªžã¨æ¦‚念ã«ã¤ã„ã¦ã®çŸ¥è˜ã‚’å¿…è¦ã¨ã—ã¾ã™ã€‚
+ </div></div><div class="section" title="13.1.3. å¿…è¦ãªã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" id="sect-Musicians_Guide-Solfege-Install"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Install">13.1.3. å¿…è¦ãªã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</h3></div></div></div><div class="para">
+ Please review the "Requirements" section above, before installation.
+ </div><div class="para">
+ PackageKit, KPackageKit を使ã£ã¦ã€<span class="package">solfege</span> パッケージをインストールã—ã¾ã™ã€‚
+ </div></div><div class="section" title="13.1.4. オプショナルãªã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ï¼š Csound" id="sect-Musicians_Guide-Solfege-Install_Csound"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Install_Csound">13.1.4. オプショナルãªã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ï¼š Csound</h3></div></div></div><div class="para">
+ Csound 㯠SuperCollider ã®ã‚ˆã†ãªã‚µã‚¦ãƒ³ãƒ‰åˆæˆãƒ—ãƒã‚°ãƒ©ãƒ ã§ã™ã€‚ãã‚Œã¯ã‚ˆã‚Šå¤ãã€ã¨ã¦ã‚‚よã開発ã•ã‚Œã¦ãŠã‚Šã€ã‚ˆã‚Šåºƒã„機能ã®ç¯„囲をæŒã¡ã¾ã™ã€‚
+ </div><div class="para">
+ To install Csound, first close Solfege, then use PackageKit or KPackageKit to install the <span class="package">csound</span> package. When Solfege is restarted, you will be able to use the "Intonation" exercises.
+ </div></div><div class="section" title="13.1.5. オプショナルインストール : MMA" id="sect-Musicians_Guide-Solfege-Install_MMA"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Install_MMA">13.1.5. オプショナルインストール : MMA</h3></div></div></div><div class="para">
+ MMA stands for "Musical MIDI Accompaniment," and it is not available for Fedora in a prepackaged format. The software can be found on the <em class="citetitle">MMA Homepage</em> at <a href="http://www.mellowood.ca/mma/">http://www.mellowood.ca/mma/</a>, where you can download the source code and compile it if desired. MMA is only used by some of the harmonic dictation questions, so its installation is not required.
+ </div></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Formatting-Inputting_the_Dynamics.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.8.6.2. Input Dynamics</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Configuration.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>13.2. 構æˆ</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>第1ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¨ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="pt01.html" title="パート I. Linux オーディオã®åŸºæœ¬" /><link rel="prev" href="pt01.html" title="パート I. Linux オーディオã®åŸºæœ¬" /><link rel="next" href="sect-Musicians_Guide-Sound_Card_Connections.html" title="1.2. サウンドカードã®æŽ¥ç¶š" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.h
tml">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="pt01.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sound_Card_Connections.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" title="第1ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¨ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª" id="chap-Musicians_Guide-Sound_Cards" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第1ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¨ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="chap-Musicians_Guid
e-Sound_Cards.html#sect-Musicians_Guide-What_Sound_Cards_Are">1.1. サウンドカードã®ç¨®é¡ž</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Sound_Cards.html#sect-Musicians_Guide-Audio_Interfaces">1.1.1. オーディオインタフェース</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Sound_Cards.html#sect-Musicians_Guide-MIDI_Interfaces">1.1.2. MIDI インターフェイス</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Card_Connections.html">1.2. サウンドカードã®æŽ¥ç¶š</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Card_Connections.html#sect-Musicians_Guide-Motherboard_Integrated">1.2.1. マザーボードã«çµ±åˆ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-PCI_Sound_Cards.html">1.2.2. 内蔵 PCI 接続</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FireWire_Sound_Cards.html">
1.2.3. 外部ã®FireWire 接続</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-USB_Sound_Cards.html">1.2.4. 外部 USB 接続</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Choose_Sound_Card_Connection.html">1.2.5. 接続タイプをé¸æŠžã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html">1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html#sect-Musicians_Guide-Sample">1.3.1. サンプル</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sample_Format.html">1.3.2. サンプルフォーマット</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sample_Rate.html">1.3.3. サンプルレート</a></span></dt><dt><span class="section"><a href="sect-Musician
s_Guide-Bit_Rate.html">1.3.4. ビットレート</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions.html">1.3.5. çµè«–</a></span></dt></dl></dd><dt><span class="section"><a href="chap-Musicians_Guide-Vocabulary.html">1.4. ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ¦‚念</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Vocabulary.html#sect-Musicians_Guide-Vocabulary-MIDI_Sequencer">1.4.1. MIDI シーケンサー</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Bus.html">1.4.2. ãƒã‚¹ã€ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã€€ãã—ã¦ã‚µãƒ–マスターãƒã‚¹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Level.html">1.4.3. レベル(ボリュームï¼ãƒ©ã‚¦ãƒ‰ãƒã‚¹ï¼‰</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Panning_and_Balance.html">1.4.4. パニングã¨ãƒãƒ©ãƒ³ã‚¹</a></span></dt><dt><span class="secti
on"><a href="sect-Musicians_Guide-Vocabulary-Time.html">1.4.5. タイムã€ã‚¿ã‚¤ãƒ ラインã€ãã—ã¦ã‚¿ã‚¤ãƒ シフティング</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Synchronization.html">1.4.6. åŒæœŸ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing.html">1.4.7. ルーティングã¨å¤šé‡åŒ–</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Multichannel_Audio.html">1.4.8. マルãƒãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</a></span></dt></dl></dd></dl></div><div class="para">
+ ã“ã®ç« ã§ã¯ã€ã‚³ãƒ³ãƒ”ュータオーディオã®ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ã«ä½¿ç”¨ã•ã‚Œã‚‹æŠ€è¡“çš„ãªç”¨èªžã‚’紹介ã—ã¾ã™ã€‚
+ </div><div class="section" title="1.1. サウンドカードã®ç¨®é¡ž" id="sect-Musicians_Guide-What_Sound_Cards_Are"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-What_Sound_Cards_Are">1.1. サウンドカードã®ç¨®é¡ž</h2></div></div></div><div class="para">
+ サウンドカードã¯ã€ã‚³ãƒ³ãƒ”ュータãŒéŸ³ã‚’処ç†ã™ã‚‹ãŸã‚ã®ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ãƒ‡ãƒã‚¤ã‚¹ã§ã™ã€‚ ã»ã¨ã‚“ã©ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ãƒ¼ã‚¹ã‹ MIDI インターフェイスをæŒã¡ã¾ã™ã€‚ ã“ã®2種類ã®ã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã¯ä»¥ä¸‹ã§èª¬æ˜Žã•ã‚Œã¾ã™ã€‚
+ </div><div class="section" title="1.1.1. オーディオインタフェース" id="sect-Musicians_Guide-Audio_Interfaces"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audio_Interfaces">1.1.1. オーディオインタフェース</h3></div></div></div><div class="para">
+ オーディオインターフェイスã¯ã€ã‚³ãƒ³ãƒ”ュータã¨ãƒžã‚¤ã‚¯ã€ã‚¹ãƒ”ーカーãªã©ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ©Ÿå™¨ã®é–“ã®æŽ¥ç¶šã‚’æä¾›ã™ã‚‹ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ãƒ‡ãƒã‚¤ã‚¹ã§ã™ã€‚ オーディオインターフェイスã¯ã€é€šå¸¸ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ã‚’アナãƒã‚°ã¨ãƒ‡ã‚¸ã‚¿ãƒ«å½¢å¼ã®é–“ã§å¤‰æ›ã—ã¾ã™ï¼šã‚³ãƒ³ãƒ”ュータã«å…¥ã‚‹ä¿¡å·ã¯ã€ã‚¢ãƒŠãƒã‚° - デジタル変æ›å™¨ã‚’介ã—ã€ã‚³ãƒ³ãƒ”ュータã‹ã‚‰å‡ºã‚‹ä¿¡å·ã¯ãƒ‡ã‚£ã‚¸ã‚¿ãƒ« - アナãƒã‚°å¤‰æ›å™¨ã‚’介ã—ã¾ã™ã€‚ 一部ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã¯ã€ デジタル入力ã¨å‡ºåŠ›ãƒãƒ¼ãƒˆãŒã‚ã‚Šã¾ã™ã€‚ã¤ã¾ã‚Šã€ä»–ã®ãƒ‡ãƒã‚¤ã‚¹ãŒã€ã‚¢ãƒŠãƒã‚°ãŠã‚ˆã³ãƒ‡ã‚¸ã‚¿ãƒ«ä¿¡å·ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆé–“ã®å¤‰æ›ã‚’ã™ã‚‹ã“ã¨ã‚’æ„味ã—ã¾ã™ã€‚
+ </div><div class="para">
+ アナãƒã‚°ã¨ãƒ‡ã‚¸ã‚¿ãƒ«ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆé–“ã®å¤‰æ›ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ãƒ¼ã‚¹ã®ä¸»ãªæ©Ÿèƒ½ã§ã™ã€‚ 本物ã®éŸ³ã¯ã€éŸ³ç¨‹ã€ãƒœãƒªãƒ¥ãƒ¼ãƒ ã€ãŠã‚ˆã³æŒç¶šæ™‚é–“ã®ç¯„囲ãŒç„¡é™ã«ãªã‚‹ã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚ コンピュータã¯ã€ç„¡é™ã®æƒ…å ±ã‚’å‡¦ç†ã§ããšã€éŸ³ã¯ãƒ‡ã‚¸ã‚¿ãƒ«å½¢å¼ã«å¤‰æ›ã•ã‚Œã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚ デジタル音声信å·ã¯ã€éŸ³ç¨‹ã€ãƒœãƒªãƒ¥ãƒ¼ãƒ ã€ãŠã‚ˆã³æŒç¶šæ™‚é–“ã®ç¯„囲ãŒé™ã‚‰ã‚Œã¦ã„ã¾ã™ã€‚ 高å“質ã®ã‚¢ãƒŠãƒã‚° -デジタルãŠã‚ˆã³ãƒ‡ã‚¸ã‚¿ãƒ« - アナãƒã‚°ã‚³ãƒ³ãƒãƒ¼ã‚¿ã¯ã€å¯èƒ½ãªé™ã‚Šã€å…ƒã®ã‚¢ãƒŠãƒã‚°ä¿¡å·ã‚’ä¿ã¤æ–¹æ³•ã§ã€ä¿¡å·å½¢å¼ã‚’変æ›ã—ã¾ã™ã€‚ã“れらã®ã‚³ãƒ³ãƒãƒ¼ã‚¿ã®å“質ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã®å“質を決定ã™ã‚‹ä¸Šã§éžå¸¸ã«é‡è¦ã§ã™ã€‚
+ </div><div class="para">
+ オーディオインターフェイスã¯ã€ãã®ã»ã‹ã«ã€ãƒžã‚¤ã‚¯ã€ã‚¹ãƒ”ーカーã€ãƒ˜ãƒƒãƒ‰ãƒ•ã‚©ãƒ³ã€ã‚¨ãƒ¬ã‚ギターã®ã‚ˆã†ãªé›»å楽器ãªã©ã€å¤–部オーディオ機器用ã®ã‚³ãƒã‚¯ã‚¿ã‚’æä¾›ã—ã¾ã™ã€‚
+ </div></div><div class="section" title="1.1.2. MIDI インターフェイス" id="sect-Musicians_Guide-MIDI_Interfaces"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-MIDI_Interfaces">1.1.2. MIDI インターフェイス</h3></div></div></div><div class="para">
+ Musical Instrument Digital Interface（MIDI）ã¯ã€ãƒ‡ã‚¸ã‚¿ãƒ«éŸ³æ¥½æ©Ÿå™¨ã‚’制御ã™ã‚‹ãŸã‚ã«ä½¿ç”¨ã•ã‚Œã‚‹æ¨™æº–ã§ã™ã€‚ 多ãã®äººã€…ã¯ã€ã“ã®è¨€è‘‰ã‚’アコースティック楽器ã®ä½Žå“質ã®æ¨¡é€ å“ã¨é–¢é€£ä»˜ã‘ã¾ã™ã€‚ MIDI ä¿¡å·è‡ªèº«ã¯éŸ³ã‚’æŒã£ã¦ã„ãªã„ã®ã§ã€ã“ã‚Œã¯æ®‹å¿µãªã“ã¨ã§ã™ã€‚ MIDI ä¿¡å·ã¯ã€ãƒ‡ãƒã‚¤ã‚¹ã‚’制御ã™ã‚‹ãŸã‚ã®å‘½ä»¤ã§ã™ï¼šãã‚Œã¯ã‚·ãƒ³ã‚»ã‚µã‚¤ã‚¶ã«ã€ã„ã¤éŸ³ã‚’開始ã—åœæ¢ã™ã‚‹ã‹ã€éŸ³ã¯ã©ã‚Œãらã„ã®é•·ã•ã‹ã€ã©ã®é«˜ã•ã‹ã‚’指示ã—ã¾ã™ã€‚ シンセサイザã¯ã€ã“れらã®å‘½ä»¤ã«å¾“ã£ã¦ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ã‚’生æˆã—ã¾ã™ã€‚ 多ãã® MIDI 制御シンセサイザã¯ã€ã‚¢ã‚³ãƒ¼ã‚¹ãƒ†ã‚£ãƒƒã‚¯æ¥½å™¨ã®ä½Žå“質ã®æ¨¡é€ å“ã§ã™ãŒã€é«˜å“質ã®æ¨¡é€ å“ã¨ã„ãˆã‚‹ã‚‚ã®ã‚‚多ãã‚ã‚Šã¾ã™ã€‚ MIDI 対応ã®ãƒ‡ãƒã‚¤ã‚¹ã¯ã€å¤šãã®ä¸»æµã€éžä¸»æµã®éŸ³æ¥½ã®ç¾å ´ã§ä½¿ç”¨ã•ã‚Œã¦ãŠã‚Šã€ã»ã¨ã‚“ã©å®Ÿéš›ã®ã‚¢ã‚³ãƒ¼ã‚¹ãƒ†ã‚£ãƒƒã‚¯æ¥½å™¨ã¨åŒºåˆ¥
ã™ã‚‹ã“ã¨ãŒã§ãã¾ã›ã‚“。 MIDI インターフェイスã¯ã€MIDI ä¿¡å·ã ã‘ã‚’é€ä¿¡ã—ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ã‚’é€ä¿¡ã—ã¾ã›ã‚“。 一部ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã¯çµ„ã¿è¾¼ã¿ã® MIDI インターフェイスをæŒã£ã¦ãŠã‚Šã€ä¸¡æ–¹ã®ã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ãŒåŒã˜ç‰©ç†ãƒ‡ãƒã‚¤ã‚¹ã‚’共有ã™ã‚‹ã“ã¨ã‚’å¯èƒ½ã«ã—ã¦ã„ã¾ã™ã€‚
+ </div><div class="para">
+ In order to create sound from MIDI signals, you need a "MIDI synthesizer." Some MIDI synthesizers have dedicated hardware, and some use only software. A software-only MIDI synthesizer, based on SoundFont technology, is discussed in <a class="xref" href="chap-Musicians_Guide-FluidSynth.html" title="第10ç« FluidSynth">10ç« <i>FluidSynth</i></a>
+ </div><div class="para">
+ You can use MIDI signals, synthesizers, and applications without a hardware-based MIDI interface. All of the MIDI-capable applications in the Musicians' Guide work well with software-based MIDI solutions, and are also compatible with hardware-based MIDI devices.
+ </div></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="pt01.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>パート I. Linux オーディオã®åŸºæœ¬</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sound_Card_Connections.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>1.2. サウンドカードã®æŽ¥ç¶š</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>第11ç« SuperCollider</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="pt02.html" title="パート II. オーディオã¨éŸ³æ¥½ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Multiple_Instances.html" title="10.7. Qsynth ã§ã€è¤‡æ•°ã® FluidSynth インスタンスを使ã†" /><link rel="next" href="sect-Musicians_Guide-SC-Using_GEdit.html" title="11.2. Using GEdit to Write and Run SuperCollider Programs" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc
"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Multiple_Instances.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Using_GEdit.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" title="第11ç« SuperCollider" id="chap-Musicians_Guide-SuperCollider" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第11ç« <span class="application"><strong>SuperCollider</strong></span></h2></div></div></div><
div class="toc"><dl><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Requirements_and_Installation">11.1. Requirements and Installation</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Req_and_Inst-Knowledge">11.1.1. Knowledge Requirements</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Req_and_Inst-Software_Requirements">11.1.2. Software Requirements</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Req_and_Inst-Hardware_Requirements">11.1.3. Hardware Requirements</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-SC-Req_and_Inst-Available_Packages">11.1.4. Available <span class="application"><strong>SuperCollider</strong></span> Packages</a></span></dt><dt><span
class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Req_and_Inst-Recommended_Installation">11.1.5. Recommended Installation</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit.html">11.2. Using <span class="application"><strong>GEdit</strong></span> to Write and Run <span class="application"><strong>SuperCollider</strong></span> Programs</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit.html#sect-Musicians_Guide-SC-Using_GEdit-Enable_and_Configure_SCEd">11.2.1. Enable and Configure SCEd in <span class="application"><strong>GEdit</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server.html">11.2.2. Enable <span class="application"><strong>SuperCollider</strong></span> Mode and Start a Server</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit-Executing_Code.ht
ml">11.2.3. Executing Code in <span class="application"><strong>GEdit</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit-Other_Tips.html">11.2.4. Other Tips for Using <span class="application"><strong>GEdit</strong></span> with <span class="application"><strong>SuperCollider</strong></span></a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html">11.3. Basic Programming in <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html#sect-Musicians_Guide-SC-Basic_Programming-First_Steps">11.3.1. First Steps</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html">11.3.2. Variables and Functions</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming
-Object_Oriented.html">11.3.3. Object-Oriented <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions.html">11.3.4. Sound-Making Functions</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio.html">11.3.5. Multichannel Audio</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Collections.html">11.3.6. Collections</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html">11.3.7. Repeated Execution</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html">11.3.8. Conditional Execution</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html">11.3.9. Combining Audio; the Mix Class</a></span></
dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html">11.3.10. SynthDef and Synth</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html">11.3.11. Busses</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html">11.3.12. Ordering and Other Synth Features</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling.html">11.3.13. Scheduling</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html">11.3.14. How to Get Help</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution.html">11.3.15. Legal Attribution</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Composing.html">11.4. Composing with SuperCollider</a></span></
dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Composing.html#sect-Musicians_Guide-SC-Composing-Tutorial_Files">11.4.1. Files for the Tutorial</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Inspiration.html">11.4.2. Inspiration</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Designing_the_First_Part.html">11.4.3. Designing the First Part</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part.html">11.4.4. Designing the Second Part</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones.html">11.4.5. Creating Ten Pseudo-Random Tones</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones.html">11.4.6. Scheduling the Tones</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Opti
mizing_the_Code.html">11.4.7. Optimizing the Code</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part.html">11.4.8. Making a Useful Section out of the Second Part</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts.html">11.4.9. Joining the Two Parts</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Exporting.html">11.5. Exporting Sound Files</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Exporting.html#sect-Musicians_Guide-SC-Non_Real_Time_Synthesis">11.5.1. Non-Real-Time Synthesis</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Recording_SuperColliders_Output.html">11.5.2. Recording SuperCollider's Output (Tutorial)</a></span></dt></dl></dd></dl></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> is many things, but above all:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ An audio synthesis engine,
+ </div></li><li class="listitem"><div class="para">
+ A flexible programming language, and
+ </div></li><li class="listitem"><div class="para">
+ An interpreter to transform the programming language into synthesis instructions.
+ </div></li></ul></div>
+
+ </div><div class="section" title="11.1. Requirements and Installation" id="sect-Musicians_Guide-SC-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-SC-Requirements_and_Installation">11.1. Requirements and Installation</h2></div></div></div><div class="section" title="11.1.1. Knowledge Requirements" id="sect-Musicians_Guide-SC-Req_and_Inst-Knowledge"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Req_and_Inst-Knowledge">11.1.1. Knowledge Requirements</h3></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> is by far the most difficult program described in the Fedora Musicians' Guide. The <span class="application"><strong>SuperCollider</strong></span> applications themselves are easy to use, and they work very well, but they are merely tools to help you accomplish something useful. <span class="application"><strong>SuperCollider</strong></span> has an extremely powerful and flexible programming language, with libraries designed primarily for audio processing. As often happens with computers, however, this added flexibility and power comes at the cost of requiring greater understanding and learning on the part of the user. Because <span class="application"><strong>SuperCollider</strong></span> involves actual programming, a rudimentary understanding of some principles and concepts of computer science will provide huge benefits to somebody learning the language. The following articles from Wikipedia are not mand
atory reading, but you should refer to them as necessary while learning the language.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle">Computer Programming</em> at <a href="http://en.wikipedia.org/wiki/Computer_programming">http://en.wikipedia.org/wiki/Computer_programming</a>: You probably know what this is; it's what you'll be doing.
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">Programming Language</em> at <a href="http://en.wikipedia.org/wiki/Programming_language">http://en.wikipedia.org/wiki/Programming_language</a>: <span class="application"><strong>SuperCollider</strong></span> is a programming language.
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">Interpreter</em> at <a href="http://en.wikipedia.org/wiki/Interpreter_%28computing%29">http://en.wikipedia.org/wiki/Interpreter_%28computing%29</a>: This reads your code, and sends commands to the server, which causes it to produce sound.
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">Server</em> at <a href="http://en.wikipedia.org/wiki/Server_%28computing%29">http://en.wikipedia.org/wiki/Server_%28computing%29</a>: <span class="application"><strong>SuperCollider</strong></span> has a 'server' component, which is operated by the interpreter.
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">Functional Programming</em> at <a href="http://en.wikipedia.org/wiki/Functional_programming">http://en.wikipedia.org/wiki/Functional_programming</a>: <span class="application"><strong>SuperCollider</strong></span> can be treated as a "functional" language.
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">Imperative Programming</em> at <a href="http://en.wikipedia.org/wiki/Imperative_programming">http://en.wikipedia.org/wiki/Imperative_programming</a>: <span class="application"><strong>SuperCollider</strong></span> can be treated as an "imperative" language.
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">Object-Oriented Programming</em> at <a href="http://en.wikipedia.org/wiki/Object-oriented_programming">http://en.wikipedia.org/wiki/Object-oriented_programming</a>: <span class="application"><strong>SuperCollider</strong></span> can be treated as an "object-oriented" language.
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="11.1.2. Software Requirements" id="sect-Musicians_Guide-SC-Req_and_Inst-Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Req_and_Inst-Software_Requirements">11.1.2. Software Requirements</h3></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> uses the JACK Audio Connection Kit. You should install JACK before installing <span class="application"><strong>SuperCollider</strong></span>. Refer to <a class="xref" href="sect-Musicians_Guide-Using_JACK.html#sect-Musicians_Guide-Install_and_Configure_JACK" title="2.3.1. Install and Configure JACK">「Install and Configure <code class="systemitem">JACK</code>ã€</a> for instructions to install JACK.
+ </div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> is not available from the Fedora software repositories. You must enable the "Planet CCRMA at Home" repository to install <span class="application"><strong>SuperCollider</strong></span>. See <a class="xref" href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html#sect-Musicians_Guide-CCRMA_Installing_Repository" title="4.3.1. Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’インストールã™ã‚‹">「Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’インストールã™ã‚‹ã€</a> for instructions ti enable the "Planet CCRMA at Home" repository. The "Planet CCRMA at Home" repository contains a wide variety of music and audio applications.
+ </div></div><div class="section" title="11.1.3. Hardware Requirements" id="sect-Musicians_Guide-SC-Req_and_Inst-Hardware_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Req_and_Inst-Hardware_Requirements">11.1.3. Hardware Requirements</h3></div></div></div><div class="para">
+ You need an audio interface to use <span class="application"><strong>SuperCollider</strong></span>. You do not need a microphone to use <span class="application"><strong>SuperCollider</strong></span>.
+ </div></div><div class="section" title="11.1.4. Available SuperCollider Packages" id="sect-Musicians_Guide-SC-SC-Req_and_Inst-Available_Packages"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-SC-Req_and_Inst-Available_Packages">11.1.4. Available <span class="application"><strong>SuperCollider</strong></span> Packages</h3></div></div></div><div class="para">
+ The <span class="application"><strong>SuperCollider</strong></span> packages are all held in the Planet CCRMA at Home repository, and there are a lot of them. Many of them have standard Fedora suffixes, but many are other kinds of optional components. Most of the optional features add libraries to <span class="application"><strong>SuperCollider</strong></span>, allowing you to use them in your audio programs. The specific features available in each additional package are not described here.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">supercollider-ambiem</span> : Optional Library ("Ambisonics classes for SC").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-debuginfo</span> : Decodes the debugging information provided by <span class="application"><strong>SuperCollider</strong></span>.
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-devel</span> : Contains files needed for development with <span class="application"><strong>SuperCollider</strong></span>.
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-dewdrop</span> : Optional Library ("DewDrop external collection for SC").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-emacs</span> : Adds <span class="application"><strong>SuperCollider</strong></span> support to the <span class="application"><strong>emacs</strong></span> text editor.
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-extras</span> : Optional Library ("Extra plugins and classes for SC").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-gedit</span> : Adds <span class="application"><strong>SuperCollider</strong></span> support to the <span class="application"><strong>GEdit</strong></span> text editor.
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-libscsynth</span> : "<span class="application"><strong>SuperCollider</strong></span> synthesis library."
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-quarks</span> : Optional Library ("Local quarks repository for <span class="application"><strong>SuperCollider</strong></span>").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-sclang</span> : Help files, examples, the class library, and language interpreter.
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-vim</span> : Adds <span class="application"><strong>SuperCollider</strong></span> support to the <span class="application"><strong>vim</strong></span> text editor.
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider</span> : Installs the "minimum requirements" to run <span class="application"><strong>SuperCollider</strong></span>.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">supercollider-sclang</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-libscsynth</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">fftw</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">w3m-el</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">emacs</span>
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-bbcut2</span> : Optional Library ("Beat tracking of audio streams").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-bbcut2-debuginfo</span> : Decodes the debugging information provided by bbcut2.
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-mathlib</span> : Optional Library ("Useful classes for SC").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-redclasses</span> : Optional Library ("Frederik Olofsson Red SC classes").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-redclasses-debuginfo</span> : Decodes the debugging information provided by redclasses.
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-world</span> : Installs most <span class="application"><strong>SuperCollider</strong></span> packages.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">supercollider</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">abmiem</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-redclasses</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-dewdrop</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-emacs</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-mathlib</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-midifile</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-extras</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-bbcut2</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-reduniverse</span>
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-midifile</span> : Optional Library ("MIDI file reader for <span class="application"><strong>SuperCollider</strong></span>").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-reduniverse</span> : Optional Library ("Sonification and visualization of dynamic systems").
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="11.1.5. Recommended Installation" id="sect-Musicians_Guide-SC-Req_and_Inst-Recommended_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Req_and_Inst-Recommended_Installation">11.1.5. Recommended Installation</h3></div></div></div><div class="para">
+ If you have never used <span class="application"><strong>SuperCollider</strong></span> before, then we recommend installing the smallest number of packages possible. This will allow you to start learning with the core classes, available on all <span class="application"><strong>SuperCollider</strong></span> installations. Installing the bare minimum requirements will not prevent you from installing optional libraries in the future, of course.
+ </div><div class="para">
+ The recommended installation also avoids installing the <span class="application"><strong>emacs</strong></span> or <span class="application"><strong>vim</strong></span> components, which - unless you are already a programmer - you probably don't know how to use. The <span class="application"><strong>emacs</strong></span> and <span class="application"><strong>vim</strong></span> text editors are extremely powerful and extensible, but they can be difficult to learn. Furthermore, there's no reason to learn them just for <span class="application"><strong>SuperCollider</strong></span>, because the component for <span class="application"><strong>GEdit</strong></span> is more than sufficient.
+ </div><div class="para">
+ To install the minimum recommended installation for <span class="application"><strong>SuperCollider</strong></span>:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ In a terminal, run <code class="command">su -c 'yum install supercollider supercollider-gedit'</code>
+ </div></li><li class="listitem"><div class="para">
+ Review the proposed installation carefully. The list may be quite long, and require a large download.
+ </div></li></ol></div>
+
+ </div></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Multiple_Instances.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>10.7. Qsynth ã§ã€è¤‡æ•°ã® FluidSynth インスタンスを使ã†</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Using_GEdit.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.2. Using GEdit to Write and Run SuperCollider ...</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.4. ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ¦‚念</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Sound_Cards.html" title="第1ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¨ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª" /><link rel="prev" href="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions.html" title="1.3.5. çµè«–" /><link rel="next" href="sect-Musicians_Guide-Vocabulary-Bus.html" title="1.4.2. ãƒã‚¹ã€ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã€€ãã—ã¦ã‚µãƒ–マスターãƒã‚¹" /></head><body class="draft toc_embeded "><div i
d="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Vocabulary-Bus.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="section" title="1.4. ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ¦‚念" id="chap-Musicians_Guide-Vocabulary" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="chap
-Musicians_Guide-Vocabulary">1.4. ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ¦‚念</h2></div></div></div><div class="para">
+ ã“れらã®ç”¨èªžã¯å¤šãã®ç•°ãªã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ–‡è„ˆã§ä½¿ã‚ã‚Œã¾ã™ã€‚ã“れらをç†è§£ã™ã‚‹ã“ã¨ã¯ã‚³ãƒ³ãƒ”ュータベースã§ã‚ã‚‹ã‹ã©ã†ã‹ã«ã‹ã‹ã‚らãšã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ©Ÿå™¨ã‚’ã©ã®ã‚ˆã†ã«æ“作ã™ã‚‹ã‹ã‚’知るãŸã‚ã«é‡è¦ã§ã™ã€‚
+ </div><div class="section" title="1.4.1. MIDI シーケンサー" id="sect-Musicians_Guide-Vocabulary-MIDI_Sequencer"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Vocabulary-MIDI_Sequencer">1.4.1. MIDI シーケンサー</h3></div></div></div><div class="para">
+ A <em class="firstterm">sequencer</em> is a device or software program that produces signals that a synthesizer turns into sound. You can also use a sequencer to arrange MIDI signals into music. The Musicians' Guide covers two digital audio workstations (DAWs) that are primarily MIDI sequencers, Qtractor and Rosegarden. All three DAWs in this guide use MIDI signals to control other devices or effects.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>1.3.5. çµè«–</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Vocabulary-Bus.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>1.4.2. ãƒã‚¹ã€ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã€€ãã—ã¦ã‚µãƒ–マスターãƒã‚¹</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/files/Ardour/FMG-HereIsHow.tar.lzma b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/files/Ardour/FMG-HereIsHow.tar.lzma
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diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/files/LilyPond/Bar-Check_Example-result.pdf b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/files/LilyPond/Bar-Check_Example-result.pdf
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+\version "2.12.3"
+
+\header
+{
+ tagline = ##f % Remove default LilyPond tagline
+}
+
+trebleClefVoice = \relative c''
+{
+ % This example shows the bar-check symbol at work.
+ \key c \major
+ \time 4/4
+ c4 c2 c4 |
+ c4 c2 c | % This bar contains five beats. The bar-check symbol prints a warning.
+ c4 c2 c4 | % This bar-check symbol also prints a warning -- but for some reason it doesn't?!?!
+}
+
+\score
+{
+ \new Staff { \trebleClefVoice }
+ \layout { }
+}
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/files/LilyPond/Bar-Check_Example-source.pdf b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/files/LilyPond/Bar-Check_Example-source.pdf
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+++ b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/files/LilyPond/Counterpoint-source.ly
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+\version "2.12.2"
+
+\header
+{
+ title = "Simple Counterpoint Exercise"
+ composer = "Christopher Antila"
+}
+
+global =
+{
+ \key f \major
+ \time 4/4
+
+ \override Score.BarLine #'transparent = ##t
+ \override Score.SpanBar #'transparent = ##t
+ \override Score.TimeSignature #'transparent = ##t
+}
+
+right = \relative c'
+{
+ \global
+
+ f1 g a f d e f c' a f g f
+
+ \revert Score.BarLine #'transparent
+ \revert Score.SpanBar #'transparent
+
+ \bar "|."
+}
+
+left = \relative c
+{
+ \global
+ % Music follows here.
+
+ f1 e d a bes c d e f d c f
+}
+
+figBass = \figuremode
+{
+ \global
+ % Figures follow here.
+ <1>1 <3> <5> <6> <3> <3> <3> <6> <3> <3> <5> <1>
+}
+
+pianoPart = \new PianoStaff \with{}
+<<
+ \new Staff = "right" \right
+ \new FiguredBass \figBass
+ \new Staff = "left" { \clef bass \left }
+>>
+
+\score
+{
+ <<
+ \pianoPart
+ >>
+
+ \layout { }
+}
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/files/LilyPond/Orchestra-result.pdf b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/files/LilyPond/Orchestra-result.pdf
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+++ b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/files/LilyPond/Orchestra-source.ly
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+\version "2.12.2"
+
+\header
+{
+ dedication = "Comte d‘Ogny and Prince Oettingen-Wallerstein"
+ title = "Sinfonia No. 92"
+ subtitle = "“Oxfordâ€"
+ composer = "Haydn, Joseph"
+ % Remove default LilyPond tagline
+ tagline = ##f
+}
+
+tempoMark =
+{
+ \once \override Score.RehearsalMark #'self-alignment-X = #LEFT
+ \once \override Score.RehearsalMark #'break-align-symbols = #'(time-signature key-signature)
+ \once \override Staff.TimeSignature #'break-align-anchor-alignment = #LEFT
+ \mark \markup \bold "Adagio"
+}
+
+global =
+{
+ %% NB: "hornF" does not follow this
+ %% NB: "trumpetC" does not follow this
+ \tempoMark
+ \key g \major
+ \time 3/4
+}
+
+startExposition =
+{
+ \once \override Score.RehearsalMark #'self-alignment-X = #LEFT
+ \once \override Score.RehearsalMark #'break-align-symbols = #'(time-signature key-signature)
+ \mark \markup \bold "Allegro spiritoso"
+
+ \bar "|:"
+}
+
+
+
+
+
+
+%%%%%%%% NOTES %%%%%%%%
+flute = \relative c'''
+{
+ \global
+ % Music follows here.
+ R2.*13 |
+ r8 e-.\p e-. e-. e-. e-. |
+ es8[ d]\f d-. d-. d-. d-. |
+ d8( cis) cis4 r |
+ R2.*3 |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+oboeI = \relative c'''
+{
+ \global
+ % Music follows here.
+ R2.*13 |
+ r8 a-.\p a-. a-. a-. a-. |
+ a8([ bes)]\f bes-. g-. g-. g-. |
+ g8( bes,) bes4 r |
+ r4 cis\p cis |
+ r4 cis cis |
+ r4 cis\pp cis |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+oboeII = \relative c''
+{
+ \global
+ % Music follows here.
+ R2.*13 |
+ R2. |
+ r8\f bes-. bes-. bes-. bes-. bes-. |
+ bes8 bes bes4 r |
+ r4 g\p g |
+ r4 g g |
+ r4 g\pp g |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+bassoon = \relative c
+{
+ \global
+ % Music follows here.
+ R2.*13 |
+ R2. |
+ r8\f d-.^"a 2" g-. bes-. d-. bes-. |
+ g8( cis) cis4 r |
+ R2.*3 |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+hornF = \relative c'
+{
+ \tempoMark
+ \time 3/4
+ \key c \major
+ \transposition g
+ % Music follows here.
+ R2.*13 |
+ R2. |
+ r8\f <g g'>-. <g g'>-. <g g'>-. <g g'>-. <g g'>-. |
+ <c c'>8 <c c'> <c c'>4 r |
+ R2.* 3 |
+ r4 r r\fermata
+
+ \startExposition
+
+ R2.*4 |
+}
+
+trumpetC = \relative c''
+{
+ \tempoMark
+ \time 3/4
+ \key c \major
+ % Music follows here.
+ R2.*13 |
+ R2.*6 |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+timpani = \relative c
+{
+ \global
+ % Music follows here.
+ R2.*13 |
+ R2.*6 |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+violinI = \relative c''
+{
+ \global
+ % Music follows here.
+ d8-.\p r d-. r d-. r |
+ d2.~\< |
+ d4\> c8( b a e') |
+ g,4(\! fis8)-. r r4 |
+ % M.5
+ c'8-. r c-. r c-. r |
+ c2.~\< |
+ c8\> e( d c b a)\! |
+ \grace {c8} b4\trill a8-. r r4 |
+ c8[( \grace {d16[ c b]} c16. d32]) b8-. r r4 |
+ % M.10
+ e8[( \grace {fis16[ e dis]} e16. fis32]) g8-. r r4 |
+ d4 cis8( c b bes) |
+ a8 r r4 r |
+ r8 g'-. g-. g-. g-. g-. |
+ g8[( fis]) fis-. fis-. fis-. fis-. |
+ % M.15
+ fis8[( g])\f g-. d'-. d-. d-. |
+ d8[( cis]) cis4 r8. g16\p |
+ g4( cis,) r8. bes'16 |
+ bes4( cis,) r |
+ \times 2/3 { g'8[(-.^\markup{\italic staccato} fis-. f])-. } \times 2/3 { e8[(-. es-. d])-. } cis8-. r16 bes' |
+ bes4( cis,) r\fermata |
+
+ \startExposition
+
+ c!4~\p c8 b-. a-. g-. |
+}
+
+violinII = \relative c''
+{
+ \global
+ % Music follows here.
+ b8-.\p r b-. r b-. r |
+ b4. a8( g fis) |
+ e4. d8( c a) |
+ d4 r r |
+ % M.5
+ <fis a>8-. r <fis a>-. r <fis a>-. r |
+ <fis a>4. b8( a g) |
+ fis2( g8 d) |
+ d8[( cis]) d-. r r4 |
+ g4~ g8-. r r4 |
+ % M.10
+ g4~ g8-. r r4 |
+ d4 e8( fis g) g |
+ fis8[ d]-. d-. d-. d-. d-. |
+ d4( cis c) |
+ c2.~ |
+ % M.15
+ c8[( bes])\f bes-. bes-. bes-. bes-. |
+ bes8 g' g4 r |
+ r4 <bes, g'>\p <bes g'> |
+ r4 <bes g'> <bes g'> |
+ r4 <bes g'>\pp <bes g'> |
+ % M.20
+ r4 r r\fermata
+
+ \startExposition
+
+ <a fis'>8-.\p <a fis'>-. <a fis'>-. r r4
+}
+
+viola = \relative c''
+{
+ \global
+ % Music follows here.
+ g8-.\p r g-. r g-. r |
+ g4. g,8( a b) |
+ c( e, fis gis a c) |
+ b4( a8-.) r r4 |
+ % M.5
+ d8-. r d-. r d-. r |
+ d4. d,8( fis g) |
+ a8( c b a g fis) |
+ g4( fis8-.) r r4 |
+ e'4( d8-.) r r4 |
+ % M.10
+ c4( b8-.) r r4 |
+ b8( bes a) d g, cis |
+ d4 r r |
+ R2. |
+ r8 a'-. a-. a-. a-. a-. |
+ % M.15
+ a8[( g])\f g-. g-. g-. g-. |
+ g8 g g4 r |
+ r4 cis,\p cis |
+ r4 cis cis |
+ r4 cis\pp cis |
+ % M.20
+ r4 r r\fermata |
+
+ \startExposition
+
+ c8-.\pp c-. c-. r r4 |
+
+}
+
+cello = \relative c
+{
+ \global
+ % Music follows here.
+ R2. |
+ g8(\p b d g a b) |
+ c8( e, fis gis a c) |
+ b4( a8-.) r r4 |
+ % M.5
+ R2.
+ d,,8( fis a d fis g) |
+ a8( c b a g fis) |
+ g4( fis8-.) r r4 |
+ e'4( d8-.) r r4 |
+ % M.10
+ c4( b8-.) r r4 |
+ b8( bes a) d g, cis |
+ d4 r r |
+ es,2. |
+ d2.~ |
+ % M.15
+ d8[ d]-.\f d-. d-. d-. d-. |
+ es8 es es4 r |
+ r4 << { es' es } \\ { es,\p es } >> |
+ r4 << { es' es } \\ { es, es } >> |
+ r4 << { es' es } \\ { es,\pp es } >> |
+ % M.20
+ r4 r r\fermata |
+
+ \startExposition
+
+ d8-.\p d-. d-. r r4 |
+
+}
+
+contrabass = \relative c
+{
+ \global
+ % Music follows here.
+ R2. |
+ g2\p r4 |
+ c2. |
+ d4 r r |
+ % M.5
+ R2. |
+ d2.~ |
+ d2. |
+ d8-. r d-. r r4 |
+ % M.9
+ R2.*4 |
+ es2. |
+ % M.15
+ d2.~ |
+ d8[ d]-.\f d-. d-. d-. d-. |
+ es8 es es4 r |
+ r4 es\p es |
+ r4 es es |
+ r4 es\pp es |
+ % M.20
+ r4 r r\fermata
+
+ \startExposition
+
+ d8-.\p d-. d-. r r4 |
+
+}
+
+
+
+
+
+
+%%%%%%%% PARTS %%%%%%%%
+flutePart = \new Staff \with
+{
+ instrumentName = "Flauto"
+} \flute
+
+oboeIPart = \new Staff \with
+{
+ instrumentName = "I Oboe"
+} \oboeI
+
+oboeIIPart = \new Staff \with
+{
+ instrumentName = "II Oboe"
+} \oboeII
+
+bassoonPart = \new Staff \with
+{
+ instrumentName = "2 Fagotti"
+} { \clef bass \bassoon }
+
+hornFPart = \new Staff \with
+{
+ instrumentName = "2 Corni in Sol"
+} \hornF
+
+trumpetCPart = \new Staff \with
+{
+ instrumentName = "2 Clarini in Do"
+} \trumpetC
+
+timpaniPart = \new Staff \with
+{
+ instrumentName = "Timpani"
+} { \clef bass \timpani }
+
+violinIPart = \new Staff \with
+{
+ instrumentName = "Violino I"
+} \violinI
+
+violinIIPart = \new Staff \with
+{
+ instrumentName = "Violino II"
+} \violinII
+
+violaPart = \new Staff \with
+{
+ instrumentName = "Viola"
+} { \clef alto \viola }
+
+celloPart = \new Staff \with
+{
+ instrumentName = "Violoncello obligato"
+} { \clef bass \cello }
+
+contrabassPart = \new Staff \with
+{
+ instrumentName = "Basso"
+} { \clef bass \contrabass }
+
+
+
+
+
+
+%%%%%%%% SCORE %%%%%%%%
+\score
+{
+ <<
+ \flutePart
+ \oboeIPart
+ \oboeIIPart
+ \bassoonPart
+ \hornFPart
+ \trumpetCPart
+ \timpaniPart
+ \violinIPart
+ \violinIIPart
+ \violaPart
+ \celloPart
+ \contrabassPart
+ >>
+ \layout { }
+}
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@@ -0,0 +1,531 @@
+\version "2.12.2"
+
+\header
+{
+ title = "Impromptu (Excerpt)"
+ composer = "Schubert, Franz"
+ opus = "Opus 90/4"
+ % Remove default LilyPond tagline
+ tagline = ##f
+}
+
+tempoMark =
+{
+ \once \override Score.RehearsalMark #'self-alignment-X = #LEFT
+ \once \override Score.RehearsalMark #'break-align-symbols = #'(time-signature key-signature)
+ \once \override Staff.TimeSignature #'break-align-anchor-alignment = #LEFT
+ \mark \markup \bold "Allegretto"
+}
+
+global =
+{
+ \tempoMark
+ \key as \major
+ \time 3/4
+}
+
+
+
+
+
+
+%%%%%%%% NOTES %%%%%%%%
+%%%% RIGHT %%%%
+right = \relative c'''
+{
+ \global
+ % Music follows here.
+ ces16(-2 es ces as-1 as-3 ces as es-1 es as es ces |
+ ces16-2 es ces as as-3 ces as es <g bes>8-. r |
+ ces'16(-2 es ces as-1 as-3 ces as es-1 es as es ces |
+ ces16-2 es ces as as-3 ces as es <g bes>8-.) r |
+ % M.5
+ <as ces>4-_-3 <g bes fes'>-.( <g bes fes'>-. |
+ <g bes fes'>4-. <g bes es>-.-4 <g bes des>-.)-3 |
+ ces'16( es ces as as ces as es es as es ces |
+ ces16 es ces as as ces as es <g bes>8-.) r |
+ ces'16( es ces as as ces as es es as es ces |
+ % M.10
+ ces16 es ces as as ces as es <g bes>8-.) r |
+ <as ces>4-_-2 <ges bes fes'>-.( <ges bes fes'>-. |
+ <ges bes fes'>4-. <ges bes es>-.-4 <ges bes d>-.)-3 |
+ es''16(-2 ges es ces ces-2 es ces ges ges-2 ces ges es |
+ es16-2 ges es ces ces-3 es ces ges <<bes8-.) d>> r |
+ % M.15
+ es'16( ges es ces ces es ces ges ges ces ges es |
+ es16 ges es ces ces es ces ges <<bes8-.) d>> r |
+ <ces es>4-_-3 <bes des as'>-.( <bes des as'>-. |
+ <bes des as'>4-. <bes es ges>-.-4 <bes fes'>-.-)-3 |
+ d'16(-2 fis d b b-2 d b fis fis-2 b fis d |
+ % M.20
+ d16-2 fis d b b-3 d b fis <ais cis>8-.) r |
+ d'16( fis d b b d b fis fis b fis d |
+ d16 fis d b b d b fis <ais cis>8-.) r |
+ <fis b d>4-_ <cis' e b'>-.( <cis e b'>-. |
+ <cis e b'>4-. <cis fis a>-.-4 <cis g'>4-.-3 |
+ % M.25
+ <d fis>4-.) <ais cis g'>-.(-5 <ais cis gis'>-. |
+ <ais cis g'>4-. <ais cis fis>-. <cis e>-.-4 |
+ <b dis>4-.) <fes as! fes'>-.(\> <fes as fes'>-. |
+ <fes as fes'>4-. <es! as es'!>-. <des! as' des!>-. |
+ <es as ces>4-.) <es as ces>-.( <es as ces>-. |
+ % M.30
+ <es g bes>4-.) <es g bes>-.( <es g bes>-.) |
+ c''!16(-2 es c as as-3 c as es es-2 as es c |
+ c16-2 es c as as-3 c as es <g bes>8-.) r |
+ c'16( es c as as c as es es as es c |
+ c16 es c as as c as es <g bes>8-.) r |
+ % M.35
+ es''16(-2 as es c c-2 es c as as-3 c as es |
+ es16-2 as es c c-2 es c as <g bes>8-.) r |
+ es''16( as es c c es c as as c as es |
+ es16 as es c c es c as <g bes>8-.) r |
+ c16(-2 es c as as-2 c as es as8-.) r |
+ % M.40
+ des16(-3 f des as as-2 des as f as8-.) r |
+ es'16(-3 g es bes bes-2 es bes g bes8-.) r |
+ es16(-2 as es c c-2 es c as c8-.) r |
+ c'16(-2 es c as as-2 c as es as8-.) r |
+ des16(-3 f des as as-2 des as f as8-.) r |
+ % M.45
+ es'16(-3 g es bes bes-2 es bes g bes8-.) r |
+ es16(-2 as es c c-2 es c as c8-.) r |
+ c,16( es c as as c as es as8-.) r |
+ des16( f des as as des as f as8-.) r |
+ es'16( g es bes bes es bes g bes8-.) r |
+ % M.50
+ es16( as es c c es c as c8-.) r |
+ c'16( es c as as c as es as8-.) r |
+ des16( f des as as des as f as8-.) r |
+ es'16( g es bes bes es bes g bes8-.) r |
+ es16( as es c c es c as c8-.) r |
+ % M.55
+ es16( g es bes bes es bes g bes8-.) r |
+ es16( as es c c es c as c8-.) r |
+ \ottava #1
+ f='''16( a f c c f c a c8-.->) r |
+ f16( bes f des des f des bes-1 des8-.->) r |
+ f16( a f c c f c a c8-.->) r |
+ % M.60
+ f16( bes f des des f des bes-1 des8-.->) r |
+ as'!16( c as es es as es c es8-.) r |
+ as16( des as f f as f des f8-.) r |
+ as16( c as es es as es c es8-.) r |
+ as16( des as f f-2 as f des des-3 f des as |
+ % M.65
+ \ottava #0
+ as=''16(-2 des as f f-2 as f des des-3 f des as) |
+ as'16( des as f f as f des des f des as |
+ as16 des as f f as f des des f des as) |
+ des16-3( fes des bes bes-2 des bes ges des'-3 fes des bes |
+ bes16 des bes ges des' fes des bes bes des bes ges) |
+ % M.70
+ des'16->(-3 es des bes bes16-2 des bes ges des'->-3 es des bes |
+ bes16 des bes ges des'-> es des bes bes des bes ges) |
+ << {
+ es'4(-3 as 4 g-4 |
+ f4-3 des' bes |
+ bes4)(-5 as) as |
+ % M.75
+ as4(-5 g) g |
+ es4(-3 as g-4 |
+ f4 f' des-5 |
+ des4)( c)-4 c |
+ c4(-5 bes)-4 bes |
+ } \\
+ {
+ \times 2/3 {es,8[ c as]} \times 2/3 {as'[ es-2 c]} \times 2/3 {g'[ es c]} |
+ \times 2/3 {f8[ des as]} \times 2/3 {des'8[ f, des]} \times 2/3 {bes'[ f des]} |
+ \times 2/3 {bes'8[ es, des]} \times 2/3 {as'[ es c]} \times 2/3 {as'[ es c]} |
+ % M.75
+ \times 2/3 {as'8[ es c]} \times 2/3 {g'[ es bes]} \times 2/3 {g'[ es bes]} |
+ \times 2/3 {es8[ c as]} \times 2/3 {as'[ es-2 c]} \times 2/3 {g'[ es c]} |
+ \times 2/3 {f8[ des as]} \times 2/3 {f''[ as, f]} \times 2/3 {des'[ f, des]} |
+ \times 2/3 {des'8[ as-2 f]} \times 2/3 {c'[ as es]} \times 2/3 {c'[ as es]} |
+ \times 2/3 {c'8[ es, des]} \times 2/3 {bes'[ es, des]} \times 2/3 {bes'[ es, des]} |
+ }
+ >>
+ % M.80
+ c'16(-2 es c as as-2 c as es as8-.) r |
+ des16(-3 f des as as-2 des as f as8-.) r |
+ es'16(-3 g es bes bes-2 es bes g bes8-.) r |
+ es16(-2 as es c c-2 es c as c8-.) r |
+ c'16(-2 es c as as-2 c as es as8-.) r |
+ % M.85
+ des16(-3 f des as as-2 des as f as8-.) r |
+ es'16(-3 g es bes bes-2 es bes g bes8-.) r |
+ es16(-2 as es c c-2 es c as c8-.) r |
+ c,16( es c as as c as es as8-.) r |
+ des16( f des as as des as f as8-.) r |
+ % M.90
+ es'16( g es bes bes es bes g bes8-.) r |
+ es16( as es c c es c as c8-.) r |
+ c'16( es c as as c as es as8-.) r |
+ des16( f des as as des as f as8-.) r |
+ es'16( g es bes bes es bes g bes8-.) r |
+ % M.95
+ es16( as es c c-2 es c as c8-.) r |
+ es16( g es bes bes es bes g bes8-.) r |
+ es16( as es c c es c as c8-.) r |
+ es16( g es bes bes es bes g bes8-.) r |
+ es16( as es c c-2 es c as as-3 c as es |
+ % M.100
+ es16-2 as es c c-2 es c as as-3 c as es) |
+ es'16( as es c c es c as as c as es |
+ es16 as es c c es c as es'-3 as es c)-1 |
+ \clef bass
+ as16(-2 c as es as c as es as c as es |
+ as16 c as es as c as es as c as es) |
+ % M.105
+ \clef treble
+ << {
+ as'2.~ |
+ as2. |
+ } \\
+ {
+ es16 ges es as, es' ges es as, es' ges es as, |
+ es'16 ges es as, es' ges es as, es' ges es as, |
+ }
+ >>
+%% TRIO %%
+ \bar "||"
+ \key cis \minor
+ gis'2.
+}
+
+%%%% LEFT %%%%
+left = \relative c
+{
+ \global
+ % Music follows here.
+ as4-. <as' ces es>2~-3 |
+ <as ces es>2 <es bes' es>8-. r |
+ as,4-. <as' ces es>2~ |
+ <as ces es>2 <es bes' es>8-. r |
+ % M.5
+ <as ces es>4-_ <es bes' fes'>-.( <es bes' fes'>-. |
+ <es bes' fes'>4-. <es bes' es>-.-4 <es bes' des>-.-3) |
+ as,4-. <as' ces es>2~ |
+ <as ces es>2 <es bes' es>8-. r |
+ as,4-. <as' ces es>2~ |
+ % M.10
+ <as ces es>2 <es bes' es>8-. r |
+ <as ces es>4-_ <ges bes fes'>-.( <ges bes fes'>-. |
+ <ges bes fes'>4-. <ges bes es>-.-4 <ges bes d>-.-3) |
+ ces,4-. <ges' ces es>2~-4 |
+ <ges ces es>2 <ges fes'>8-. r |
+ % M.15
+ ces,4-. <ges' ces es>2~ |
+ <ges ces es>2 <ges fes'>8-. r |
+ <ces es>4-_ <ges fes'>-.( <ges fes'>-. |
+ <ges fes'>4-. <ges es'>-._4 <ges des'>-._3) |
+ b,4-. <fis' b d>2~_4 |
+ % M.20
+ <fis b d>2 <fis e'>8-. r |
+ b,4-. <fis' b d>2~ |
+ <fis b d>2 <fis e'>8-. r |
+ <b d>4-_ <a g'>-.( <a g'>-. |
+ <a g'>4-. <a fis'>-. <a_5 e'_1>-. |% <<a-.-5 e'-1>> |
+ % M.25
+ <b d>4-.) <fis e'>-.( <fis e'>-. |
+ <fis e'>4-. <fis-._4 cis'_1>-. <fis ais>-. |
+ <gis b>4-.) <des! as'! des!>-.( <des as' des>-. |
+ <des as' des>4-. <es!_4 as ces>-. <fes_3 as>-. |
+ <es as ces>4-.) <es as ces>-.( <es as ces>-. |
+ % M.30
+ <es_3 g bes>4-.) <es g bes>-.( <es g bes>-.) |
+ as,4-. <es' as c>2~ |
+ <es as c>2 <es des'>8-. r |
+ as,4-. <es' as c>2~ |
+ <es as c>2 <es des'>8-. r |
+ % M.35
+ as,4-. <es' as c>2~ |
+ <es as c>2 <es des'>8-. r |
+ as,4-. <es' as c>2~ |
+ <es as c>2 <es des'>8-. r |
+ as,4 <ges' as c>2 |
+ % M.40
+ des4-. <f as des>2 |
+ es,4-. <es' bes' des>2 |
+ as,4-. <es' as c>2 |
+ as,4 <ges' as c>2 |
+ des4-. <f as des>2 |
+ % M.45
+ es,4-. <es' bes' des>2 |
+ as,4-. <es' as c>2 |
+ << { e=4(-2 as4.-> g8-1 |
+ f4-2 des'4.->-1 c8-1 |
+ bes4-2 es4.->-1 d8-1 |
+ % M.50
+ c4-2 es2->) |
+ es,=4(-2 as4.-> g8-1 |
+ f4-2 des'4.->-1 c8-1 |
+ bes4 es4.-> des8-1 |
+ c4-2 es4.-> c8 |
+ % M.55
+ bes4)( es4.-> des8 |
+ c4 es4.-> c8) |
+ c4( f4.-> es8-2 |
+ des4-3 f4.-> des8-2 |
+ c4)( f4.-> es8 |
+ % M.60
+ des4 f4.-> des8 |
+ \clef treble
+ es4)( as4.-> ges8-1 |
+ f4-2 as4.-> f8 |
+ es4)( as4.-> ges8 |
+ f4) % end of polyphonic section
+ } \\
+ { as,,=,2. |
+ des2.-4 |
+ es2.-5 |
+ % M.50
+ as2.-3 |
+ as,=,2. |
+ des2.-4 |
+ es2. |
+ as2.-3 |
+ % M.55
+ es2. |
+ as2. |
+ f2. |
+ bes2.-4 |
+ f2. |
+ % M.60
+ f2.-4 |
+ \clef treble
+ as2. |
+ des2.-3 |
+ as2. |
+ des4 % end of polyphonic section
+ }
+ >>
+ r4 r | % beats 2 and 3 only; this eliminates redundant rests
+ % M.65
+ R2. |
+ as'8-1 r f r des r |
+ \clef bass
+ as8-1 r f r des r |
+ <ges, bes des fes>2 <ges bes des fes>4~ |
+ <ges bes des fes>4 <ges bes des fes>2 |
+ % M.70
+ <g bes des es>2 <g bes des es>4~ |
+ <g bes des es>4 <g bes des es>2 |
+ as2-3( c4 |
+ des4-2 bes des |
+ es2.)( |
+ % M.75
+ es,2.) |
+ as2-3( c4 |
+ des4 bes-5)
+ << {
+ bes'~-1 |
+ bes4( as-2) as~-1 |
+ as4( g-2) g-1 |
+ } \\
+ {
+ des(-4 |
+ es2.) |
+ es2. |
+ }
+ >>
+ % M.80
+ as,4-. <ges' as c>2 |
+ des4-. <f as des>2 |
+ es,4-. <es' bes' des>2 |
+ as,4-. <es' as c>2 |
+ as,4-. <ges' as c>2 |
+ % M.85
+ des4-. <f as des>2 |
+ es,4-. <es' bes' des>2 |
+ as,4-. <es' as c>2 |
+ << {
+ es4( as4.-> g8-1 |
+ f4 des'4.-> c8-1 |
+ % M.90
+ bes4 es4.-> des8-1 |
+ c4-2 es2->) |
+ es,4( as4.-> g8 |
+ f4 des'4.-> c8 |
+ bes4 es4.-> des8 |
+ % M.95
+ c4 es4.-> c8 |
+ bes4)( es4.-> des8 |
+ c4 es4.-> c8 |
+ bes4)( es4.-> des8 |
+ c4)
+ } \\
+ {
+ as,2. | des2.-4 |
+ % M.90
+ es2. | as2.-3 | as,2. | des2. | es2. |
+ % M.95
+ as2. | es2. | as 2. | es2. | as4
+ }
+ >>
+ r4 r |
+ % M.100
+ R2. |
+ es'8-2 r c-1 r as r |
+ ees8 r c r es-2 r |
+ as,4-5 r r |
+ R2. |
+ % M.105
+ <c, as' c>2.~ |
+ <c as' c>2. |
+%% TRIO %%
+ \bar "||"
+ \key cis \minor
+ cis8 <gis'_4 cis e> <gis cis e> <gis cis e> <gis cis e> <gis cis e> |
+}
+
+
+%%%% DYNAMICS %%%%
+dynamics =
+{
+ s2.\pp |
+ R2.*3 |
+ % M.5
+ s4\< s\! s\> |
+ s2 s4\! |
+ R2.*4 |
+ % M.11
+ s4\< s\! s\> |
+ s2 s4\! |
+ R2.*4 |
+ % M.17
+ s4\< s\! s\> |
+ s2 s4\! |
+ R2.*4 |
+ % M.23
+ s4 s2\> |
+ s2 s4\! |
+ % M.25
+ s4\< s\! s\> |
+ s2 s4\! |
+ s4 s\f s\> |
+ s2 s4\! |
+ s4\p s2 |
+ % M.30
+ R2. |
+ s2.\pp |
+ R2.*3 |
+ % M.35
+ \crescTextCresc
+ s2.\< |
+ R2.*2 |
+ s2 s8 s\! |
+ s16 s\pp s8 s2 |
+ % M.40
+ R2.*3 |
+ s2.\< |
+ R2.*2 |
+ % M.46
+ s2 s8 s\! |
+ s16 s\pp s8 s2 |
+ R2.*3 |
+ % M.51
+ s2.\< |
+ R2.*5 |
+ % M.57
+ s32 s\f s8. s2 |
+ R2.*4 |
+ % M.62
+ s2.\< |
+ R2. |
+ % M.65
+ s32 s\ff s8. s2 |
+ R2.*3 |
+ s2\fz s4\fz |
+ % M.70
+ s4 s2\fz |
+ \dimTextDim
+ s8\> s\! s2 | % with this \! I eliminated the dashed line without tweaking settings
+ s32 s\p s8. s2 |
+ s16 s\pp s8 s2 |
+ % M.74
+ R2.*7 |
+ % M.81
+ s32 s\p s8. s2 |
+ R2.*3 |
+ % M.85
+ s2.\< |
+ R2.*3 |
+ s32 s\p s8. s2 |
+ % M.90
+ R2.*3 |
+ s32 s\f s8. s2 |
+ R2.*3 |
+ % M.97
+ s2.\< |
+ R2. |
+ s32 s\ff s8. s2 |
+ % M.100
+ R2.*8 |
+%% TRIO %%
+ s32 s\p s8. s2 |
+}
+
+
+
+%%%%%%%% SCORE %%%%%%%%
+
+% This is completely optional, but taken right from the LilyPond
+% reference manual. I wanted to ensure the right paper size, since
+% the default is A4. I also wanted to squeeze the music onto
+% fewer pages, since it seemed like there was a lot of vertical
+% space being wasted.
+\paper
+{
+ #(set-paper-size "letter")
+ between-system-padding = #0.1
+ ragged-last-bottom = ##f
+}
+
+% This is the standard, obligatory "score" section. Note the
+% addition of the extra \context commands in the "layout"
+% portion, which are for the piano-centred-dynamics.
+\score
+{
+ \new PianoStaff \with
+ {
+ instrumentName = "Piano"
+ }
+ <<
+ \new Staff = "right" \right
+ \new PianoDynamics = "dynamics" \dynamics
+ \new Staff = "left" { \clef bass \left }
+ >>
+
+ \layout
+ {
+ % Everything below here is for the piano dynamics.
+ % Define "PianoDynamics" context.
+ \context
+ {
+ \type "Engraver_group"
+ \name PianoDynamics
+ \alias Voice
+ \consists "Output_property_engraver"
+ \consists "Script_engraver"
+ \consists "New_dynamic_engraver"
+ \consists "Dynamic_align_engraver"
+ \consists "Text_engraver"
+ \consists "Skip_event_swallow_translator"
+ \consists "Axis_group_engraver"
+
+ \override DynamicLineSpanner #'Y-offset = #0
+ \override TextScript #'font-size = #2
+ \override TextScript #'font-shape = #'italic
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
+ }
+
+ % Modify "PianoStaff" context to accept Dynamics context.
+ \context
+ {
+ \PianoStaff
+ \accepts PianoDynamics
+ }
+ % End of PianoDynamics code.
+ }
+}
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/files/LilyPond/f16-Piano-original.pdf b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/files/LilyPond/f16-Piano-original.pdf
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diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/files/Qtractor/FMG-Qtractor-MIDI-Recording.flac b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/files/Qtractor/FMG-Qtractor-MIDI-Recording.flac
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diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/files/SuperCollider/Method_One-optimized.sc b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/files/SuperCollider/Method_One-optimized.sc
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/files/SuperCollider/Method_One-optimized.sc
@@ -0,0 +1,105 @@
+// "Method One"
+//
+// Composed for the Fedora Project's "Musicians' Guide."
+// Christopher Antila.
+//
+// Creative Commons CC-BY-SA 3.0
+// http://creativecommons.org/licenses/by-sa/3.0/
+
+(
+// second part of the form -- I've substantially re-written this, so
+// that it can be easily used in other programs.
+//
+// Because of my defaults argument values, when called with
+var secondPart =
+{
+ arg number_of_SinOscs = 10,
+ pitch_low = 200,
+ pitch_high = 800,
+ pause_length = 5;
+
+ // new, personal clock, so we don't interfere with the global one
+ var t_c = TempoClock.new( 1 ); // 1 beat per second
+ var so = Array.new( number_of_SinOscs ); // holds the SinOsc's
+
+ // We'll need to know this, later.
+ var when_to_stop = ( 1 + ( pause_length * number_of_SinOscs ) );
+
+ // makes a stereo SinOsc with pseudo-random pitch between
+ // pitch_low and pitch_high
+ var func =
+ {
+ var freq = pitch_low + (pitch_high - pitch_low).rand;
+ [ SinOsc.ar( freq:freq, mul:0.01),
+ SinOsc.ar( freq:freq, mul:0.01) ];
+ };
+
+ // play them starting on beat 1, then every pause_length beats thereafter
+ number_of_SinOscs.do(
+ {
+ arg time;
+ t_c.sched( (1+(time*5)), { so = so.add( func.play ); } );
+ });
+
+ // stop
+ t_c.sched( when_to_stop,
+ {
+ number_of_SinOscs.do( { arg index; so[index].free; } );
+ nil;
+ });
+
+ // I want to return this, so that a function calling me knows when
+ // I'm going to stop.
+ when_to_stop;
+};
+
+
+
+
+
+
+// first part of the form
+SynthDef.new( \FirstPart,
+{
+ // sets up the frequencies of both channels
+ var frequencyL = SinOsc.kr( freq:10, mul:200, add:400 ); // oscillating
+ var frequencyR = SinOsc.kr( freq:1, mul:50, add:150 ); // oscillating
+ var frequencyL_drone = SinOsc.kr( freq:0.03, mul:20, add:100 ); // drone
+ var frequencyR_drone = SinOsc.kr( freq:0.01, mul:20, add:210 ); // drone
+
+ // changes the volume of the oscillating part in the left channel
+ var volumeL = SinOsc.kr( freq:0.5, mul:0.02, add:0.03 );
+
+ // left channel
+ var left = [ SinOsc.ar( freq:frequencyL, mul:volumeL ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyL_drone,2*frequencyL_drone], mul:0.02 ), // the rest make up the drone
+ SinOsc.ar( freq:[5*frequencyL_drone,7*frequencyL_drone], mul:0.005 ),
+ SinOsc.ar( freq:[13*frequencyL_drone,28*frequencyL_drone], mul:0.001 ) ];
+
+ // right channel
+ var right = [ SinOsc.ar( freq:frequencyR, mul:0.1 ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyR_drone,2*frequencyR_drone], mul:0.02 ), // the rest make up the drone
+ SinOsc.ar( freq:4*frequencyR_drone, mul:0.005 ),
+ SinOsc.ar( freq:[64*frequencyR_drone,128*frequencyR_drone], mul:0.01 ) ]; // high frequencies!
+
+ Out.ar( 0, [left,right] );
+} ).send( s );
+
+// "Main" function
+{
+ var t_c = TempoClock.default;
+ var sound = nil; // holds currently-running "FirstPart"
+
+ t_c.tempo_( 1 ); // set the tempo to one beat per second
+
+ // Scheduling:
+ t_c.sched( 1, { sound = Synth.new( \FirstPart ); } );
+ t_c.sched( 61, { sound.free; } );
+ t_c.sched( 61, { secondPart.value; nil; } ); // this takes 51 beats to complete
+ t_c.sched( 113, { sound = Synth.new( \FirstPart ); } );
+ t_c.sched( 143, { sound.free; } );
+
+}.value;
+
+)
+
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+// "Method One"
+//
+// Composed for the Fedora Project's "Musicians' Guide."
+// Christopher Antila.
+//
+// Creative Commons CC-BY-SA 3.0
+// http://creativecommons.org/licenses/by-sa/3.0/
+
+(
+// The method is, "Choose something, and take it to the extreme."
+// Here I've chosen to take SinOsc to the extreme, so I use it in every
+// way that I can imagine. Of course, there are more and different ways
+// to use SinOsc.
+
+// When looking at this source code (as with any SuperCollider source
+// file), keep in mind that there will be other ways to achieve the
+// same end result. I always find it helpful to arrange my code in
+// such a way as to make it easily understood.
+
+
+
+
+
+
+// I'm creating a new TempoClock and assigning it to "t_c". This
+// way, when I change the tempo later, it won't be interfering with
+// the default TempoClock (which is TempoClock.default). It must be
+// declared here, so that all of the functions in the file can access
+// it, and I've put it first because, in each "scope," all var objects
+// must be declared before anything else. Really, I could have written:
+// var t_c;
+// here, and only run:
+// t_c = TempoClock.new;
+// later. There is no benefit to that *for this file*, so they're together.
+var t_c = TempoClock.new;
+
+
+
+
+
+
+// This is the function that, when executed (by calling
+// secondPart.value ), will produce the second part of this simple
+// three-part form. Because it's assigned to a "var", it needs to
+// be placed above the first part, which is a SynthDef sent to the
+// server.
+//
+// I've written this as a function, rather than as a SynthDef. The
+// intention is that it sounds different every time it is heard, which
+// is why I use pseudo-randomness in the "func" sub-function (see
+// inside). If this had been written as a SynthDef, then the pitches
+// would be calculated pseudo-randomly *once* and every time a new
+// Synth was created from it, it would have the same pitches. Because
+// it's a function, however, the pitches are generated pseudo-randomly
+// every time the function is run.
+//
+// Since the function is only run once in the execution of this
+// program, you may be wondering why it matters. Every time the
+// program is run, the SynthDef would be re-calculated and sent to the
+// server again. In other words, every time the program is run, this
+// middle section will sound different whether it's a SynthDef or a
+// function.
+//
+// This is true, but one of the principles of good programming is
+// to allow for maximum flexibility. If I later wanted to add another
+// playing of "secondPart" to the program, I can do that easily, and
+// it would produce different pitches each time. I might also want to
+// take this function and put it into a different program, and writing
+// it as a function again allows for greater flexibility. Besides, if
+// I decided that I wanted a SynthDef, it's easy to get one from a
+// function (in fact, it's impossible to get one without a function!)
+// SynthDef.new( "SecondPart", secondPart ).send( s );
+// But you can't get the function out of a SynthDef.
+var secondPart =
+{
+ // This creates a new array with the ability to hold ten objects of
+ // any sort. It's going to be used to hold each of the SinOsc
+ // objects that are created in this section. By using an array
+ // (in SuperCollider called "ArrayedCollection"), I don't have to
+ // worry about code like this:
+ // var so_1;
+ // var so_2;
+ // ...
+ // var so_10;
+ // to hold the ten SinOsc's.
+ var sounds = Array.new( 10 );
+
+ // This generates a pseudo-random number to use as the pitch or
+ // frequency (here meaning the same thing), and then creates two
+ // equal SinOsc's on either side of the stereo image.
+ var func =
+ {
+ // a_number.rand means "generate a pseudo-random number between
+ // 0 and a_number". I've added 200 to this because frequencies
+ // below 200 aren't particularly useful, in terms of pitch. So
+ // the result of this is a number between 200 and 800.
+ var freq = 200 + 600.rand;
+
+ // This is what the function returns, and it's why you can "play"
+ // the function. When you run func.play, you aren't actually
+ // playing func, but rather you're playing what func returns.
+ [ SinOsc.ar( freq:freq, mul:0.01),
+ SinOsc.ar( freq:freq, mul:0.01) ];
+ };
+
+ // This part could certainly be written more elegantly (that is, with
+ // less pointless repetition). When programming, whether for audio
+ // or any other reason, repetition is usually regarded as the
+ // enemy of good code. What if I wanted to change the time between
+ // the addition of each object, from 5 beats to 6? What if I wanted
+ // to change the number of objects from 10 to 300? Worse still,
+ // what if I made a typing mistake in one line, and copy-and-pasted
+ // it to all the others? I would have to correct them all. What
+ // a pain!
+ //
+ // As an exercise, try to make this more efficient. You'll need
+ // to read up on "control structures" (see the SuperCollider help
+ // files). It's possible to work these ten lines into one - in
+ // fact, it's recommended!
+ t_c.sched( 1, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 6, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 11, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 16, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 21, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 26, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 31, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 36, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 41, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 46, { sounds = sounds.add( func.play ); } );
+
+ // This will stop all the sounds held in "sounds". The last "nil"
+ // is required as a return value for the function, or else the .do
+ // function will return "10", which t_c.sched() interprets as meaning
+ // "run me again 10 beats after I finish." This isn't disastrous,
+ // as it might be in a more complex program, but it would give a
+ // lot of error messages to anybody watching the "SuperCollider
+ // output" pane.
+ t_c.sched( 51, { 10.do( { arg index; sounds[index].free; } ); nil; } );
+
+};
+
+
+
+
+
+
+// This SynthDef represents the first part of the piece. Note that
+// because the concluding brace is followed by ".send(s)", this
+// definition gets sent to the server. Although we have no local var
+// that points to this SynthDef, we can use Synth.new( "FirstPart" ),
+// because the server knows what "FirstPart" is.
+//
+// I've chosen to write this as a SynthDef because it does not need
+// to change when it is played. It is intended to always sound the same,
+// so there is no reason for the server to re-calculate everything
+// each time it is to be played. This is not the case for the second
+// part (see above).
+//
+// Above, I claimed it's impossible to get a SynthDef
+// without a function. Although "FirstPart" may look like a SynthDef
+// without a function, the function simply isn't named, but it does
+// start at the { and end at the }. So, why not declare this as a
+// function, then make a SynthDef below it, like this?
+// SynthDef.new( "FirstPart", firstPart ).send( s );
+// Personal preference, really. This format makes it more clear that
+// "FirstPart" is only intended to be run as a Synth, and it also avoids
+// the very minor computational slow-down that would have been involved
+// with declaring a function, and a SynthDef from that.
+SynthDef.new( \FirstPart,
+{
+ // These set and modulate the frequency emitted by the left and
+ // right channels, respectively.
+ //
+ // What I've called "drone" is the slowly-moving pitches.
+ //
+ // "freq" changes how quickly the frequency changes
+ // "mul" changes the range of oscillation
+ // "add" is the lowest frequency it will hit
+ //
+ // The resulting frequency goes between "add" and "add + mul",
+ // and it reaches each extreme "freq" times per second
+ var frequencyL = SinOsc.kr( freq:10, mul:200, add:400 );
+ var frequencyR = SinOsc.kr( freq:1, mul:50, add:150 );
+ var frequencyL_drone = SinOsc.kr( freq:0.03, mul:20, add:100 );
+ var frequencyR_drone = SinOsc.kr( freq:0.01, mul:20, add:210 );
+
+ // This will change the volume of the left audio channel.
+ // It was annoying when too loud for too long.
+ //
+ // It means that the volume will go between 0.03 and 0.05, reaching
+ // the extremes once every two seconds.
+ var volumeL = SinOsc.kr( freq:0.5, mul:0.02, add:0.03 );
+
+ // This is where I'm compiling the sound generators themselves.
+ // Notice that all the SinOsc's above were SinOsc.kr(), for "kontrol,"
+ // and all the ones here are SinOsc.ar(), for "audio." I use array
+ // notation, which is the [ ] brackets, several times. This allows
+ // multiple SinOsc calls with different arguments, and within each
+ // call it allows multiple audio streams to be outputted, with
+ // different frequencies. While you might expect there to by
+ // multi-channel audio created from this, that's not the case,
+ // because everything assigned to "left" or "right" is ultimately
+ // played below. More on that later...
+ var left = [ SinOsc.ar( freq:frequencyL, mul:volumeL ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyL_drone,2*frequencyL_drone], mul:0.02 ), // the rest make up the drone; the numbers are close to the 2^x series
+ SinOsc.ar( freq:[5*frequencyL_drone,7*frequencyL_drone], mul:0.005 ),
+ SinOsc.ar( freq:[13*frequencyL_drone,28*frequencyL_drone], mul:0.001 ) ];
+
+ var right = [ SinOsc.ar( freq:frequencyR, mul:0.1 ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyR_drone,2*frequencyR_drone], mul:0.02 ), // the rest make up the drone
+ SinOsc.ar( freq:4*frequencyR_drone, mul:0.005 ),
+ SinOsc.ar( freq:[64*frequencyR_drone,128*frequencyR_drone], mul:0.01 ) ]; // high frequencies!
+
+ // This stereo mix is what ultimately gets played. Notice that
+ // any multichannel effects created while mixing "left" and "right"
+ // are ignored here, and all the sound from each variable is put
+ // into one channel: all of the channels from "left" get played in
+ // the new left channel, and all of the channels from "right" get
+ // played in the new right channel.
+ //
+ // Try commenting the array, and play "left" and "right" by
+ // uncommenting the following lines, one at a time. When you do
+ // that, the multichannel mix of the variable is preserved, which
+ // may lead to a surprising result (if it doesn't, listen more
+ // carefully, and compare to the original).
+ //
+ // For an explanation, go read about busses, and keep in mind
+ // that this array doesn't create "left" and "right" channels,
+ // but rather plays to busses 0 and 1, which usually wind up being
+ // played through the speakers as "left" and "right" channels.
+ Out.ar( 0, [left,right] );
+
+} ).send( s );
+
+
+
+
+
+
+// This is the equivalent of the "main" function in a C-like language,
+// which basically "causes" everything else to happen. It's important
+// to include the ".value;" at the end, or else executing the program
+// would result in "a Function" in the output pane, and no sound.
+{
+ // This will hold the currently-running instance of "FirstPart".
+ // I've set it to 0 now as a matter of habit, like initializing an
+ // int in C.
+ var sound = 0;
+
+ // This sets the tempo to one beat per second; in effect, t_c now
+ // counts in seconds.
+ t_c.tempo_( 1 );
+
+ // This schedules events to take place. By number of beats after start:
+ // 1: "FirstPart" starts to play.
+ // 60: "FirstPart" is silenced.
+ // 60: secondPart is engaged (but starts to play only on beat 61).
+ // 112: "FirstPart" starts to play.
+ // 142: "FirstPart" is silenced.
+ t_c.sched( 1, { sound = Synth.new( \FirstPart ); } );
+ t_c.sched( 61, { sound.free; } );
+ t_c.sched( 61, { secondPart.value; nil; } ); // this takes 51 beats to complete
+ t_c.sched( 113, { sound = Synth.new( \FirstPart ); } );
+ t_c.sched( 143, { sound.free; } );
+ // I could have simply "paused" the \FirstPart synth, but then it
+ // wouldn't necessarily re-start at the same point in the oscillation
+ // as it did when first created.
+}.value;
+
+)
+
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+<!-- Created with Inkscape (http://www.inkscape.org/) -->
+
+<svg
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+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>Musicians' Guide</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><meta name="description" content="is document explores some audio creation and music activities possible with Fedora Linux. Computer audio concepts are explained, and a selection of programs are demonstrated with tutorials that show their typical usage." /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="next" href="pref-Musicians_Guide-Preface.html" title="å‰æ›¸ã" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">
This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"></li><li class="next"><a accesskey="n" href="pref-Musicians_Guide-Preface.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="book" title="Musicians' Guide" id="id1889045" lang="ja-JP"><div class="titlepage"><div><div class="producttitle" font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><span class="productname">Fedora ドラフト文書</span> </div><div font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><h1 id="id1889045" class="title">Musician
s' Guide</h1></div><div font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><h2 class="subtitle">Audio creation and music software in Fedora Linux</h2></div><p class="edition">編集 15.9.4</p><div font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><h3 class="corpauthor">
+ <span class="inlinemediaobject"><object data="Common_Content/images/title_logo.svg" type="image/svg+xml"> </object></span>
+
+ </h3></div><div font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><div xml:lang="ja-JP" class="authorgroup" lang="ja-JP"><h3 class="corpauthor">
+ Fedora Project Contributors
+ </h3></div></div><hr /><div font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><div id="id866737" class="legalnotice"><h1 class="legalnotice">法律上ã®é€šçŸ¥</h1><div class="para">
+ Copyright <span class="trademark"></span>© 2011 Fedora Project Contributors.
+ </div><div class="para">
+ The text of and illustrations in this document are licensed by Red Hat under a Creative Commons Attribution–Share Alike 3.0 Unported license ("CC-BY-SA"). An explanation of CC-BY-SA is available at <a href="http://creativecommons.org/licenses/by-sa/3.0/">http://creativecommons.org/licenses/by-sa/3.0/</a>. The original authors of this document, and Red Hat, designate the Fedora Project as the "Attribution Party" for purposes of CC-BY-SA. In accordance with CC-BY-SA, if you distribute this document or an adaptation of it, you must provide the URL for the original version.
+ </div><div class="para">
+ Red Hat, as the licensor of this document, waives the right to enforce, and agrees not to assert, Section 4d of CC-BY-SA to the fullest extent permitted by applicable law.
+ </div><div class="para">
+ Red Hat, Red Hat Enterprise Linux, the Shadowman logo, JBoss, MetaMatrix, Fedora, the Infinity Logo, and RHCE are trademarks of Red Hat, Inc., registered in the United States and other countries.
+ </div><div class="para">
+ For guidelines on the permitted uses of the Fedora trademarks, refer to <a href="https://fedoraproject.org/wiki/Legal:Trademark_guidelines">https://fedoraproject.org/wiki/Legal:Trademark_guidelines</a>.
+ </div><div class="para">
+ <span class="trademark">Linux</span>® is the registered trademark of Linus Torvalds in the United States and other countries.
+ </div><div class="para">
+ <span class="trademark">Java</span>® is a registered trademark of Oracle and/or its affiliates.
+ </div><div class="para">
+ <span class="trademark">XFS</span>® is a trademark of Silicon Graphics International Corp. or its subsidiaries in the United States and/or other countries.
+ </div><div class="para">
+ All other trademarks are the property of their respective owners.
+ </div></div></div><div font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><div class="abstract" title="概è¦"><h6>概è¦</h6><div class="para">
+ is document explores some audio creation and music activities possible with Fedora Linux. Computer audio concepts are explained, and a selection of programs are demonstrated with tutorials that show their typical usage.
+ </div></div></div></div><hr /></div><div class="toc"><dl><dt><span class="preface"><a href="pref-Musicians_Guide-Preface.html">å‰æ›¸ã</a></span></dt><dd><dl><dt><span class="section"><a href="pref-Musicians_Guide-Preface.html#id917819">1. 表記方法</a></span></dt><dd><dl><dt><span class="section"><a href="pref-Musicians_Guide-Preface.html#id1850280">1.1. å°åˆ·ã«ãŠã‘る表記方法</a></span></dt><dt><span class="section"><a href="pref-Musicians_Guide-Preface.html#id644663">1.2. 引用ã«ãŠã‘る表記方法</a></span></dt><dt><span class="section"><a href="pref-Musicians_Guide-Preface.html#id672266">1.3. 注記ãŠã‚ˆã³è¦å‘Š</a></span></dt></dl></dd><dt><span class="section"><a href="pr01s02.html">2. フィードãƒãƒƒã‚¯</a></span></dt></dl></dd><dt><span class="part"><a href="pt01.html">I. Linux オーディオã®åŸºæœ¬</a></span></dt><dd><dl><dt><span class="chapter"><a href="chap-Musicians_Guide-Sound_Cards.html">1. サウンドカードã¨ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ
¼ãƒ‡ã‚£ã‚ª</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Sound_Cards.html#sect-Musicians_Guide-What_Sound_Cards_Are">1.1. サウンドカードã®ç¨®é¡ž</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Sound_Cards.html#sect-Musicians_Guide-Audio_Interfaces">1.1.1. オーディオインタフェース</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Sound_Cards.html#sect-Musicians_Guide-MIDI_Interfaces">1.1.2. MIDI インターフェイス</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Card_Connections.html">1.2. サウンドカードã®æŽ¥ç¶š</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Card_Connections.html#sect-Musicians_Guide-Motherboard_Integrated">1.2.1. マザーボードã«çµ±åˆ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-PCI_Sound_Cards.html">1.2.2. 内蔵 PCI 接続</a></span>
</dt><dt><span class="section"><a href="sect-Musicians_Guide-FireWire_Sound_Cards.html">1.2.3. 外部ã®FireWire 接続</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-USB_Sound_Cards.html">1.2.4. 外部 USB 接続</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Choose_Sound_Card_Connection.html">1.2.5. 接続タイプをé¸æŠžã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html">1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html#sect-Musicians_Guide-Sample">1.3.1. サンプル</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sample_Format.html">1.3.2. サンプルフォーマット</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sample_Rate.html">1.3.
3. サンプルレート</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Bit_Rate.html">1.3.4. ビットレート</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions.html">1.3.5. çµè«–</a></span></dt></dl></dd><dt><span class="section"><a href="chap-Musicians_Guide-Vocabulary.html">1.4. ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ¦‚念</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Vocabulary.html#sect-Musicians_Guide-Vocabulary-MIDI_Sequencer">1.4.1. MIDI シーケンサー</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Bus.html">1.4.2. ãƒã‚¹ã€ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã€€ãã—ã¦ã‚µãƒ–マスターãƒã‚¹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Level.html">1.4.3. レベル(ボリュームï¼ãƒ©ã‚¦ãƒ‰ãƒã‚¹ï¼‰</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Panning_an
d_Balance.html">1.4.4. パニングã¨ãƒãƒ©ãƒ³ã‚¹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Time.html">1.4.5. タイムã€ã‚¿ã‚¤ãƒ ラインã€ãã—ã¦ã‚¿ã‚¤ãƒ シフティング</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Synchronization.html">1.4.6. åŒæœŸ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing.html">1.4.7. ルーティングã¨å¤šé‡åŒ–</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Multichannel_Audio.html">1.4.8. マルãƒãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html">2. サウンドカード用ã®ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html#sect-Musicians_Guide-Sound_Servers-ALSA">2.1. Linux ã¯ã©ã®ã‚
ˆã†ã«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ã‚’扱ã†ã‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Servers_Section.html">2.2. サウンドサーãƒ</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Servers_Section.html#sect-Musicians_Guide-Sound_Servers-PulseAudio">2.2.1. パルスオーディオ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Servers-JACK.html">2.2.2. <code class="systemitem">JACK</code> オーディオ接続ã‚ット</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Servers-Phonon.html">2.2.3. フォノン</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Using_JACK.html">2.3. Use the <code class="systemitem">JACK</code> Audio Connection Kit</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Using_JACK.html#sect-Musicians_Guide-Install_and_Configure_JACK">2.3.1. Install and Conf
igure <code class="systemitem">JACK</code></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Using_QjackCtl.html">2.3.2. <span class="application"><strong>QjackCtl</strong></span> を使ã†</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK.html">2.3.3. <code class="systemitem">PulseAudio</code> ã‚’ <code class="systemitem">JACK</code> ã¨çµ±åˆã™ã‚‹</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html">3. リアルタイムã¨ä½Žé…延</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html#sect-Musicians_Guide-Low_Latency">3.1. 低é…延ãŒãªãœæœ›ã¾ã—ã„ã‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Processor_Scheduling.html">3.2. プãƒã‚»ãƒƒã‚µã‚¹ã‚±ã‚¸ãƒ¥ãƒ¼ãƒªãƒ³ã‚°</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Real_Ti
me_Linux_Kernel.html">3.3. リアルタイムLinux カーãƒãƒ«</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Hard_and_Soft_Real_Time.html">3.4. ãƒãƒ¼ãƒ‰ã¨ã‚½ãƒ•ãƒˆãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ </a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora.html">3.5. Getting a Real-Time Kernel in Fedora Linux</a></span></dt></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html">4. Planet CCRMA at Home</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html#sect-Musicians_Guide-What_Is_Planet_CCRMA">4.1. Planet CCRMA at Home ã«ã¤ã„ã¦</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html">4.2. Planet CCRMA at Home を使ã†ã‹ã©ã†ã‹ã‚’決ã‚ã‚‹</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html#sect-M
usicians_Guide-CCRMA_Need_Exclusive_Software">4.2.1. 独å 的ソフトウエア</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-CCRMA_Security_and_Stability.html">4.2.2. ã‚»ã‚ュリティã¨å®‰å®šæ€§</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-CCRMA_Best_Practices.html">4.2.3. A Possible "Best Practices" Solution</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html">4.3. Planet CCRMA at Home ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’使ã†</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html#sect-Musicians_Guide-CCRMA_Installing_Repository">4.3.1. Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’インストールã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-CCRMA_Repository_Priorities.html">4.3.2. リãƒã‚¸ãƒˆãƒªã®å„ªå…ˆåº¦ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicia
ns_Guide-CCRMA_Preventing_Package_Updates.html">4.3.3. パッケージを更新ã•ã‚Œãªãã™ã‚‹</a></span></dt></dl></dd></dl></dd></dl></dd><dt><span class="part"><a href="pt02.html">II. オーディオã¨éŸ³æ¥½ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢</a></span></dt><dd><dl><dt><span class="chapter"><a href="chap-Musicians_Guide-Audacity.html">5. Audacity</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Audacity.html#sect-Musicians_Guide-Audacity-Knowing_When_to_Use">5.1. Audacity ã‚’ã„ã¤ä½¿ã†ã‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html">5.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html#sect-Musicians_Guide-Audacity-Software_Requirements">5.2.1. ソフトウエアè¦ä»¶</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Hardware_Requirements.html">5.2.2. ã
ƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Installation.html">5.2.3. 標準ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html">5.2.4. MP3 サãƒãƒ¼ãƒˆã‚’å«ã‚€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Testing_Playback.html">5.2.5. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Testing_Recording.html">5.2.6. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Audacity_Configuration.html">5.3. 構æˆ</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity_Configuration.html#sect-Musicians_Guide-Audacity-First_Use">5.3.1. åˆã‚㦠Audacity を実行ã™ã‚‹ã¨ã</a></span></dt><dt><span class="section"
><a href="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html">5.3.2. ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format.html">5.3.3. Setting the Project's Sample Rate and Format</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Interface.html">5.4. インタフェース</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Recording.html">5.5. 録音</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Recording.html#sect-Musicians_Guide-Audacity-Recording-Start_to_Record">5.5.1. 録音を開始ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record.html">5.5.2. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Audac
ity-Tutorial.html">5.6. æ–°ã—ã„ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã‚’作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial.html#sect-Musicians_Guide-Audacity-Tutorial-Files">5.6.1. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Scenario.html">5.6.2. シナリオ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks.html">5.6.3. トラックをæƒãˆã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks.html">5.6.4. トラックを伸ã°ã™</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level.html">5.6.5. ボリュームレベルを調整ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise.html">5.6.6. ノã‚
¤ã‚ºã‚’除ã</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out.html">5.6.7. フェードイン・フェードアウト</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio.html">5.6.8. オーディオを削除ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment.html">5.6.9. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’ç¹°ã‚Šè¿”ã™</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser.html">5.6.10. ç‰¹æ®ŠåŠ¹æžœã‚’åŠ ãˆã‚‹ï¼ˆãƒ•ã‚§ãƒ¼ã‚¶ãƒ¼ï¼‰</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Conclusion.html">5.6.11. çµè«–</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Save_and_Export.html">5.7. ä¿å˜ã¨æ›¸ã出ã—</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_
Guide-Audacity-Save_and_Export.html#sect-Musicians_Guide-Audacity-Exporting_Part_of_a_File">5.7.1. ファイルã®éƒ¨åˆ†ã‚’書ã出ã™</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Exporting_a_Whole_File.html">5.7.2. ファイルを全部書ã出ã™</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Digital_Audio_Workstations.html">6. デジタルオーディオワークステーション</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Digital_Audio_Workstations.html#sect-Musicians_Guide-Knowing_Which_DAW_to_Use">6.1. ã©ã® DAW を使ã†ã‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Stages_of_Recording.html">6.2. 録音ã®ã‚¹ãƒ†ãƒ¼ã‚¸</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Stages_of_Recording.html#sect-Musicians_Guide-Recording">6.2.1. 録音</a></span></dt><dt><span class="section"><a href="sect-Music
ians_Guide-Mixing.html">6.2.2. ミã‚シング</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Mastering.html">6.2.3. マスタリング</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Record_Mix_Master_More_Info.html">6.2.4. å‚考</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html">6.3. インタフェース用語</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html#sect-Musicians_Guide-Session">6.3.1. セッション</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Track_and_Multitrack.html">6.3.2. トラックã¨ãƒžãƒ«ãƒãƒˆãƒ©ãƒƒã‚¯</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Region_Clip_Segment.html">6.3.3. リージョンã€ã‚¯ãƒªãƒƒãƒ—ã€ã‚ã‚‹ã„ã¯ã‚»ã‚°ãƒ¡ãƒ³ãƒˆ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Transport_and_Playhead.ht
ml">6.3.4. トランスãƒãƒ¼ãƒˆã¨å†ç”Ÿãƒ˜ãƒƒãƒ‰</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Automation.html">6.3.5. オートメーション</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-DAW_User_Interface.html">6.4. ユーザインタフェース</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-DAW_User_Interface.html#sect-Musicians_Guide-Messages_Pane">6.4.1. メッセージペイン</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-DAW_Clock.html">6.4.2. クãƒãƒƒã‚¯</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Track_Info_Pane.html">6.4.3. ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Track_Pane.html">6.4.4. トラックペイン</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-DAW_Transport_Controls.html">6.4.5. トランスãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«</a></s
pan></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Ardour.html">7. Ardour</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Requirements_and_Installation">7.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Knowledge_Requirements">7.1.1. å‰æ知è˜</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Software_Requirements">7.1.2. ソフトウエアè¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Hardware_Requirements">7.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Installation">7.1.4. インストール</a></span></dt></dl></dd><dt><span class="section"><
a href="sect-Musicians_Guide-Ardour-Recording_a_Session.html">7.2. セッションを録音ã™ã‚‹</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording_a_Session.html#sect-Musicians_Guide-Ardour-Recording-Running_Ardour">7.2.1. <span class="application"><strong>Ardour</strong></span> を実行ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Interface.html">7.2.2. インタフェース</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline.html">7.2.3. タイムラインをè¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources.html">7.2.4. オーディオソースを <span class="application"><strong>Ardour</strong></span> ã«ã¤ãªã</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks.html">7.2.5.
ãƒã‚¹ã¨ãƒˆãƒ©ãƒƒã‚¯ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level.html">7.2.6. 録音レベル（ボリューム）を調整ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Recording_a_Region.html">7.2.7. リージョンを録音ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Recording_More.html">7.2.8. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Routing_Audio.html">7.2.9. オーディオã®ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨ <code class="systemitem">JACK</code> 接続ã®ç®¡ç†</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio.html">7.2.10. æ—¢å˜ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’インãƒãƒ¼ãƒˆã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Tutorial_Fil
es.html">7.3. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing.html">7.4. 曲を編集ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing.html#sect-Musicians_Guide-Ardour-Editing-Add_Tracks_and_Busses">7.4.1. トラックã¨ãƒã‚¹ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses.html">7.4.2. トラックã¨ãƒã‚¹ã‚’接続ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks.html">7.4.3. トラックã«ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size.html">7.4.4. リージョンã®å¤§ãã•ã‚’切り詰ã‚ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing
-Compare_Multiple_Recordings.html">7.4.5. åŒã˜ã‚‚ã®ã®è¤‡æ•°ã®éŒ²éŸ³ã‚’比較ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Arrange.html">7.4.6. リージョンをæ£ã—ã„å ´æ‰€ã«ä¸¦ã¹ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Listen.html">7.4.7. èžã</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing.html">7.5. 曲をミã‚シングã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing.html#sect-Musicians_Guide-Ardour-Mixing-Enabling_Stereo_Output">7.5.1. ステレオ出力ã®ãŸã‚ã«ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®è¨å®šã‚’è¡Œã„ã€ã‚¨ãƒ‡ã‚£ãƒƒãƒˆã‚°ãƒ«ãƒ¼ãƒ—を解除ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels.html">7.5.2. 最åˆã®ãƒ¬ãƒ™ãƒ«ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="
sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning.html">7.5.3. 最åˆã®ãƒ‘ニングをè¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks.html">7.5.4. オートメーショントラックã§ã€ã•ã‚‰ã«èª¿æ•´ã‚’ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Other_Things.html">7.5.5. Other Things You Might Want to Do</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Listen.html">7.5.6. èžã</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mastering.html">7.6. Mastering a Session</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mastering.html#sect-Musicians_Guide-Ardour-Mastering-Ways_to_Export">7.6.1. Ways to Export Audio</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window.html">7.6.2. Using the E
xport Window</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Qtractor.html">8. Qtractor</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Requirements_and_Installation">8.1. è¦æ±‚ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Knowledge_Requirements">8.1.1. å‰æ知è˜</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Software_Requirements">8.1.2. ソフトウエアè¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Hardware_Requirements">8.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Other_Requirements">8.1.4. ãã®ä»–ã®è¦ä»¶</a>
</span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Installation">8.1.5. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration.html">8.2. 構æˆ</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration.html#sect-Musicians_Guide-Qtractor-Configuration-JACK">8.2.1. Use <span class="application"><strong>Qtractor</strong></span> with <code class="systemitem">JACK</code> (<span class="application"><strong>QjackCtl</strong></span>)</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab.html">8.2.2. Change Audio Options</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab.html">8.2.3. Change MIDI Options</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Name
s.html">8.2.4. Configure MIDI Channel Names</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using.html">8.3. Use Qtractor</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using.html#sect-Musicians_Guide-Qtractor-Using-Blue_Place_Markers">8.3.1. é’ã„プレースマーカを使ã†</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools.html">8.3.2. Using the MIDI Matrix Editor's Tools</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together.html">8.3.3. Export a Whole File (Audio and MIDI Together)</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using-Tips.html">8.3.4. ãã®ä»–ã®çŸ¥è˜</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial.html">8.4. Create a MIDI Composition (Tutorial)</a></span></dt><dd><dl><dt><sp
an class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial.html#sect-Musicians_Guide-Qtractor-Tutorial-Inspiration">8.4.1. インスピレーション</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Requirements.html">8.4.2. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready.html">8.4.3. Get Qtractor Ready</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File.html">8.4.4. オーディオファイルをインãƒãƒ¼ãƒˆã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area.html">8.4.5. 最åˆã®ãƒ•ã‚©ãƒ¼ãƒžãƒ«ã‚¨ãƒªã‚¢ã‚’マークã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme.html">8.4.6. 主題を作る</a></span></dt><dt><span class="secti
on"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme.html">8.4.7. 主題を繰り返ã—ã¾ã™ã€‚</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part.html">8.4.8. 次ã®ãƒ‘ートを作曲ã—ã¾ã™</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75.html">8.4.9. Qtractor's Measures 52 to 75</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97.html">8.4.10. Qtractor's Measures 75 to 97</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measure_97.html">8.4.11. Qtractor's Measure 97</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119.html">8.4.12. Qtractor's Measures 98 to 119</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139.html">8.4.13. Qtractor
's Measures 119 to 139</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158.html">8.4.14. Qtractor's Measures 139 to 158</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176.html">8.4.15. Qtractor's Measures 158 to 176</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End.html">8.4.16. Qtractor's Measures 177 to the End</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Rosegarden.html">9. Rosegarden</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Requirements_and_Installation">9.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Knowledge_Requirements">9.1.1. å‰æ知è˜</a></span></
dt><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Software_Requirements">9.1.2. ソフトウェアè¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Hardware_Requirements">9.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Other_Requirements">9.1.4. ãã®ä»–ã®è¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Installation">9.1.5. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Configuration.html">9.2. 構æˆ</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Configuration.html#sect-Musicians_Guide-Rosegarden-Configuration-JACK_and_Qsynth">9.2.1. Setup <span class="applica
tion"><strong>JACK</strong></span> and <span class="application"><strong>FluidSynth</strong></span> (<span class="application"><strong>Qsynth</strong></span>)</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden.html">9.2.2. <span class="application"><strong>Rosegarden</strong></span> ã®è¨å®š</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden_and_LilyPond.html">9.3. <span class="application"><strong>Rosegarden</strong></span> 㨠LilyPond</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial.html">9.4. <span class="application"><strong>Rosegarden</strong></span> ã§ã€ä½œæ›²ã™ã‚‹ã€‚（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial.html#sect-Musicians_Guide-Rosegarden-Tutorial-Bass_Line">9.4.1. 楽èœã‚’ベースラインã‹ã‚‰å§‹ã‚ã‚‹</a></span></dt><dt><span class=
"section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track.html">9.4.2. ãƒ‘ãƒ¼ã‚«ãƒƒã‚·ãƒ§ãƒ³ãƒˆãƒ©ãƒƒã‚¯ã‚’è¿½åŠ </a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion.html">9.4.3. パーカッションをスパイスアップ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial-Melody.html">9.4.4. メãƒãƒ‡ã‚£ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue.html">9.4.5. å…ˆã«é€²ã‚€ã„ãã¤ã‹ã®æ–¹æ³•</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-FluidSynth.html">10. FluidSynth</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-FluidSynth.html#sect-Musicians_Guide-FluidSynth-SoundFont_Technology_and_MIDI">10.1. サウンドフォント技術㨠MIDI</a></span></dt><dd><dl><dt><span class="section"><a href="chap
-Musicians_Guide-FluidSynth.html#sect-Musicians_Guide-FluidSynth-How_to_Get_a_SoundFont">10.1.1. ã©ã®ã‚ˆã†ã«ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã‚’å¾—ã‚‹ã‹</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-FluidSynth.html#sect-Musicians_Guide-FluidSynth-MIDI_Terms">10.1.2. MIDI インストゥルメントã€ãƒãƒ³ã‚¯ã€ãƒ—ãƒã‚°ãƒ©ãƒ ã€ãŠã‚ˆã³ãƒ‘ッãƒ</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-FluidSynth.html#sect-Musicians_Guide-FluidSynth-MIDI_Channels">10.1.3. MIDIãƒãƒ£ãƒ³ãƒãƒ«</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html">10.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Software_Requirements">10.2.1. ソフトウェアè¦ä»¶</a></span></dt><dt><span class="section"><a href="sect-Musicians_Gu
ide-FluidSynth-Req_and_Inst-Installation.html">10.2.2. Install <span class="application"><strong>FluidSynth</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth.html">10.2.3. Install with <span class="application"><strong>Qsynth</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth.html">10.2.4. Install without <span class="application"><strong>Qsynth</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html">10.2.5. Install SoundFont Files</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-In_a_Terminal.html">10.3. Use <span class="application"><strong>FluidSynth</strong></span> in a Terminal Emulator</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Config
uring.html">10.4. Configure <span class="application"><strong>Qsynth</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring.html#sect-Musicians_Guide-FluidSynth-Configuring-Starting_FluidSynth">10.4.1. Start <span class="application"><strong>FluidSynth</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont.html">10.4.2. Configure the SoundFont</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output.html">10.4.3. Configure <span class="application"><strong>JACK</strong></span> Output</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input.html">10.4.4. Configure MIDI Input</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings.html">10.4.5. View all <span class="application"><strong>FluidSynth<
/strong></span> Settings</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html">10.5. Assign Programs to Channels with <span class="application"><strong>Qsynth</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html#sect-Musicians_Guide-FluidSynth-Changing_Number_of_Input_Channels">10.5.1. Change the Number of MIDI Input Channels</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments.html">10.5.2. Save and Reuse Channel Assignments</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus.html">10.6. Use Reverb and Chorus with <span class="application"><strong>Qsynth</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Multiple_Instances.html">10.7. <span cl
ass="application"><strong>Qsynth</strong></span> ã§ã€è¤‡æ•°ã® <span class="application"><strong>FluidSynth</strong></span> インスタンスを使ã†</a></span></dt></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-SuperCollider.html">11. <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Requirements_and_Installation">11.1. Requirements and Installation</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Req_and_Inst-Knowledge">11.1.1. Knowledge Requirements</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Req_and_Inst-Software_Requirements">11.1.2. Software Requirements</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Req_an
d_Inst-Hardware_Requirements">11.1.3. Hardware Requirements</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-SC-Req_and_Inst-Available_Packages">11.1.4. Available <span class="application"><strong>SuperCollider</strong></span> Packages</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Req_and_Inst-Recommended_Installation">11.1.5. Recommended Installation</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit.html">11.2. Using <span class="application"><strong>GEdit</strong></span> to Write and Run <span class="application"><strong>SuperCollider</strong></span> Programs</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit.html#sect-Musicians_Guide-SC-Using_GEdit-Enable_and_Configure_SCEd">11.2.1. Enable and Configure SCEd in <span class="application"><strong>GEdit</st
rong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server.html">11.2.2. Enable <span class="application"><strong>SuperCollider</strong></span> Mode and Start a Server</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit-Executing_Code.html">11.2.3. Executing Code in <span class="application"><strong>GEdit</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit-Other_Tips.html">11.2.4. Other Tips for Using <span class="application"><strong>GEdit</strong></span> with <span class="application"><strong>SuperCollider</strong></span></a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html">11.3. Basic Programming in <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Basic_Programming
.html#sect-Musicians_Guide-SC-Basic_Programming-First_Steps">11.3.1. First Steps</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html">11.3.2. Variables and Functions</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented.html">11.3.3. Object-Oriented <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions.html">11.3.4. Sound-Making Functions</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio.html">11.3.5. Multichannel Audio</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Collections.html">11.3.6. Collections</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html">11.3.7. Repeated E
xecution</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html">11.3.8. Conditional Execution</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html">11.3.9. Combining Audio; the Mix Class</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html">11.3.10. SynthDef and Synth</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html">11.3.11. Busses</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html">11.3.12. Ordering and Other Synth Features</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling.html">11.3.13. Scheduling</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html">
11.3.14. How to Get Help</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution.html">11.3.15. Legal Attribution</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Composing.html">11.4. Composing with SuperCollider</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Composing.html#sect-Musicians_Guide-SC-Composing-Tutorial_Files">11.4.1. Files for the Tutorial</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Inspiration.html">11.4.2. Inspiration</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Designing_the_First_Part.html">11.4.3. Designing the First Part</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part.html">11.4.4. Designing the Second Part</a></span></dt><dt><span class="section"><a href="sect-Musicians_G
uide-SC-Composing-Creating_Ten_Pseudo-Random-Tones.html">11.4.5. Creating Ten Pseudo-Random Tones</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones.html">11.4.6. Scheduling the Tones</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Optimizing_the_Code.html">11.4.7. Optimizing the Code</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part.html">11.4.8. Making a Useful Section out of the Second Part</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts.html">11.4.9. Joining the Two Parts</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Exporting.html">11.5. Exporting Sound Files</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Exporting.html#sect-Musicians_Guide-SC-Non_Rea
l_Time_Synthesis">11.5.1. Non-Real-Time Synthesis</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Recording_SuperColliders_Output.html">11.5.2. Recording SuperCollider's Output (Tutorial)</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-LilyPond.html">12. <span class="application"><strong>LilyPond</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-LilyPond.html#sect-Musicians_Guide-LilyPond-How_LilyPond_Works">12.1. <span class="application"><strong>LilyPond</strong></span> ãŒã„ã‹ã«å‹•ä½œã™ã‚‹ã‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach.html">12.2. <span class="application"><strong>LilyPond</strong></span> アプãƒãƒ¼ãƒ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Installation.html">12.3. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"
><a href="sect-Musicians_Guide-LilyPond-Installation.html#sect-Musicians_Guide-LilyPond-Installation-Frescobaldi">12.3.1. Learn about Frescobaldi</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation.html">12.3.2. Requirements and Installation (for <span class="application"><strong>Frescobaldi</strong></span>)</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Configure_Frescobaldi.html">12.4. Configure <span class="application"><strong>Frescobaldi</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax.html">12.5. <span class="application"><strong>LilyPond</strong></span> ã®åŸºæœ¬</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax.html#sect-Musicians_Guide-LilyPond-Syntax-Letters_Are_Pitches">12.5.1. æ–‡å—ã¯éŸ³ç¨‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Gu
ide-LilyPond-Syntax-Numbers_Are_Durations.html">12.5.2. æ•°å—ã¯é•·ã•</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Articulations.html">12.5.3. アーティã‚ュレーションã€è¡¨æƒ…記å·</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Simultaneity.html">12.5.4. åŒæ™‚性</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Chords.html">12.5.5. 和音</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Commands.html">12.5.6. コマンド</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Source_Files.html">12.5.7. ソースファイルã¨ãã®ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors.html">12.5.8. 誤りをé¿ã‘ã‚‹ã«ã¯</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-LilyP
ond-Counterpoint.html">12.6. 対ä½æ³•ã®èª²é¡Œã‚’ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint.html#sect-Musicians_Guide-LilyPond-Counterpoint-Tutorial_Files">12.6.1. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score.html">12.6.2. 楽èœã‚’開始ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output.html">12.6.3. Adjust Frescobaldi's Output</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting.html">12.6.4. 音符を入力ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score.html">12.6.5. 楽èœã‚’フォーマットã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicia
ns_Guide-LilyPond-Orchestra.html">12.7. Work on an Orchestral Score (Tutorial)</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra.html#sect-Musicians_Guide-LilyPond-Orchestra-Tutorial_Files">12.7.1. Files for the Tutorial</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score.html">12.7.2. Start the Score</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output.html">12.7.3. Adjust Frescobaldi's Output</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html">12.7.4. Input Notes</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano.html">12.8. Work on a Piano Score (Tutorial)</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano.html#sect-Musicians_Guide-LilyPond-Piano-Tutorial_Files">1
2.8.1. Files for the Tutorial</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score.html">12.8.2. Start the Score</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output.html">12.8.3. Adjust Frescobaldi's Output</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html">12.8.4. Input Notes</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors.html">12.8.5. Troubleshoot Errors</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Formatting.html">12.8.6. Format the Score (Piano Dynamics)</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Solfege.html">13. GNU ソルフェージュ</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-
Requirements_and_Installation">13.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Hardware_and_Software_Requirements">13.1.1. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã¨ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Other_Requirements">13.1.2. ãã®ä»–ã®è¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Install">13.1.3. å¿…è¦ãªã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Install_Csound">13.1.4. オプショナルãªã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ï¼š Csound</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Install_MMA">13.1.5. オプショナルインストール : MMA</a></span></dt></dl></dd><dt><span clas
s="section"><a href="sect-Musicians_Guide-Solfege-Configuration.html">13.2. 構æˆ</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration.html#sect-Musicians_Guide-Solfege-Configuration-First_Time">13.2.1. Solfege ã‚’åˆã‚ã¦å®Ÿè¡Œã™ã‚‹ã¨ã</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-Instruments.html">13.2.2. Instruments</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-External_Programs.html">13.2.3. External Programs</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-Interface.html">13.2.4. Interface</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-Practise.html">13.2.5. Practise</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-Sound_Setup.html">13.2.6. Sound Setup</a></span></dt></dl></dd><dt><span class=
"section"><a href="sect-Musicians_Guide-Solfege-Training.html">13.3. ã‚ãªãŸã®ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training.html#sect-Musicians_Guide-Solfege-Training-Aural_Skilla_and_Musical_Sensibility">13.3.1. オーラルスã‚ルã¨éŸ³æ¥½çš„感性</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training-Exercise_Types.html">13.3.2. 課題ã®ã‚¿ã‚¤ãƒ—</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program.html">13.3.3. オーラルスã‚ルプãƒã‚°ãƒ©ãƒ を作る</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training-Supplementary_References.html">13.3.4. 補足ã®å‚ç…§</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html">13.4. 課題を使ã†</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musici
ans_Guide-Solfege-Using_the_Exercises.html#sect-Musicians_Guide-Solfege-Listening_Exercises">13.4.1. Listening</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Singing_Exercises.html">13.4.2. Singing</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Configure_Yourself_Exericses.html">13.4.3. Configure Yourself</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Rhythm_Exercises.html">13.4.4. Rhythm</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Dictation_Exercises.html">13.4.5. Dictation</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Harmonic_Progressions.html">13.4.6. Harmonic Progressions</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Intonation.html">13.4.7. Intonation</a></span></dt></dl></dd></dl></dd></dl></dd><dt><span class="appendix"><a href="appe-Musicians_Guide-Contributors.html">A. Contributors</a></
span></dt><dt><span class="appendix"><a href="appe-Musicians_Guide-Revision_History.html">B. 改訂履æ´</a></span></dt></dl></div></div><ul class="docnav"><li class="previous"></li><li class="next"><a accesskey="n" href="pref-Musicians_Guide-Preface.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>å‰æ›¸ã</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/pr01s02.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/pr01s02.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>2. フィードãƒãƒƒã‚¯</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="pref-Musicians_Guide-Preface.html" title="å‰æ›¸ã" /><link rel="prev" href="pref-Musicians_Guide-Preface.html" title="å‰æ›¸ã" /><link rel="next" href="pt01.html" title="パート I. Linux オーディオã®åŸºæœ¬" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</ifram
e></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="pref-Musicians_Guide-Preface.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="pt01.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="section" title="2. フィードãƒãƒƒã‚¯" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="id849923">2. フィードãƒãƒƒã‚¯</h2></div></div></div><a id="id849933" class="indexterm"></a><div class="para">
+ 本ガイドã«èª¤æ¤ã‚’見ã¤ã‘られãŸå ´åˆã‚„本ガイドã®æ”¹å–„案をãŠæŒã¡ã®å ´åˆã¯ãœã²ãŠçŸ¥ã‚‰ã›ãã ã•ã„。 Bugzilla <a href="http://bugzilla.redhat.com/bugzilla/">http://bugzilla.redhat.com/bugzilla/</a> ã«ã¦ã€ Product ã«ã¯ <span class="application"><strong>Fedora Documentation.</strong></span> ã‚’é¸ã³ãƒ¬ãƒãƒ¼ãƒˆã®æ出をãŠé¡˜ã„ã„ãŸã—ã¾ã™ã€‚
+ </div><div class="para">
+ ãƒã‚°ãƒ¬ãƒãƒ¼ãƒˆã‚’æ出ã•ã‚Œã‚‹å ´åˆã¯ã€ ãã®ã‚¬ã‚¤ãƒ‰ã®è˜åˆ¥åã¨ãªã‚‹ <em class="citetitle">musicians-guide</em> ã‚’å¿…ãšæ˜Žè¨˜ã—ã¦é ‚ãよã†ãŠé¡˜ã„ã—ã¾ã™ã€‚
+ </div><div class="para">
+ ドã‚ュメントã«é–¢ã™ã‚‹æ”¹å–„ã®ã”æ„見ã«ã¤ã„ã¦ã¯ã§ãã‚‹ã ã‘具体的ã«ãŠé¡˜ã„ã„ãŸã—ã¾ã™ã€‚ エラーを発見ã•ã‚ŒãŸå ´åˆã¯ã€ セクション番å·ãŠã‚ˆã³è©²å½“部分ã®å‰å¾Œã®æ–‡ç« ã‚‚å«ã‚ã¦ã”å ±å‘Šé ‚ãã¨ç…§åˆãŒå®¹æ˜“ã«ãªã‚Šã¾ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="pref-Musicians_Guide-Preface.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>å‰æ›¸ã</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="pt01.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>パート I. Linux オーディオã®åŸºæœ¬</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/pref-Musicians_Guide-Preface.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/pref-Musicians_Guide-Preface.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>å‰æ›¸ã</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="index.html" title="Musicians' Guide" /><link rel="prev" href="index.html" title="Musicians' Guide" /><link rel="next" href="pr01s02.html" title="2. フィードãƒãƒƒã‚¯" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproj
ect.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="index.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="pr01s02.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="preface" title="å‰æ›¸ã" id="pref-Musicians_Guide-Preface" lang="ja-JP"><div class="titlepage"><div><div><h1 class="title">å‰æ›¸ã</h1></div></div></div><div xml:lang="ja-JP" class="section" title="1. 表記方法" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="id917819">1. 表記方法</h2></div></div></div><div class="para">
+ 本ガイドã¯ç‰¹å®šã®å˜èªžã‚„語å¥ã‚’強調ã—ãŸã‚Šã€ 記載内容ã®ç‰¹å®šéƒ¨åˆ†ã«æ³¨æ„を引ã‹ã›ã‚‹ç›®çš„ã§æ¬¡ã®ã‚ˆã†ãªè¡¨è¨˜æ–¹æ³•ã‚’使用ã—ã¦ã„ã¾ã™ã€‚
+ </div><div class="para">
+ PDF版 ãŠã‚ˆã³å°åˆ·ç‰ˆã§ã¯ã€ <a href="https://fedorahosted.org/liberation-fonts/">Liberation Fonts</a> セットã‹ã‚‰æŽ¡ç”¨ã—ãŸæ›¸ä½“を使用ã—ã¦ã„ã¾ã™ã€‚ ã”使用ã®ã‚·ã‚¹ãƒ†ãƒ ã« Liberation Fonts セットãŒã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã•ã‚Œã¦ã„ã‚‹å ´åˆã€ HTML 版ã§ã‚‚ã“ã®ã‚»ãƒƒãƒˆãŒä½¿ç”¨ã•ã‚Œã¾ã™ã€‚ インストールã•ã‚Œã¦ã„ãªã„å ´åˆã¯ä»£æ›¿ã¨ã—ã¦åŒç‰ã®æ›¸ä½“ãŒè¡¨ç¤ºã•ã‚Œã¾ã™ã€‚ 注記: Red Hat Enterprise Linux 5 ãŠã‚ˆã³ãれ以é™ã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã«ã¯ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§ Liberation Fonts セットãŒåŽç´ã•ã‚Œã¾ã™ã€‚
+ </div><div class="section" title="1.1. å°åˆ·ã«ãŠã‘る表記方法"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="id1850280">1.1. å°åˆ·ã«ãŠã‘る表記方法</h3></div></div></div><div class="para">
+ 特定ã®å˜èªžã‚„語å¥ã«æ³¨æ„を引ã目的㧠4 種類ã®è¡¨è¨˜æ–¹æ³•ã‚’使用ã—ã¦ã„ã¾ã™ã€‚ ãã®è¡¨è¨˜æ–¹æ³•ãŠã‚ˆã³é©ç”¨ã•ã‚Œã‚‹çŠ¶æ³ã¯ä»¥ä¸‹ã®é€šã‚Šã§ã™ã€‚
+ </div><div class="para">
+ <code class="literal">ç‰å¹…ã®å¤ªå—</code>
+ </div><div class="para">
+ シェルコマンドã€ãƒ•ã‚¡ã‚¤ãƒ«åã€ãƒ‘スãªã©ã‚·ã‚¹ãƒ†ãƒ ã¸ã®å…¥åŠ›ã‚’強調ã™ã‚‹ãŸã‚ã«ä½¿ç”¨ã—ã¦ã„ã¾ã™ã€‚ã¾ãŸã‚ーé…列やã‚ーã®çµ„ã¿åˆã‚ã›ã‚’強調ã™ã‚‹ã®ã«ã‚‚使用ã—ã¦ã„ã¾ã™ã€‚ 例ãˆã°ã€
+ </div><div class="blockquote"><blockquote class="blockquote"><div class="para">
+ ç¾åœ¨ä½œæ¥ä¸ã®ãƒ‡ã‚£ãƒ¬ã‚¯ãƒˆãƒªå†…ã®ãƒ•ã‚¡ã‚¤ãƒ« <code class="filename">my_next_bestselling_novel</code> ã®å†…容を表示ã•ã›ã‚‹ã«ã¯ã€ シェルプãƒãƒ³ãƒ—ト㧠<code class="command">cat my_next_bestselling_novel</code> コマンドを入力ã—ã¦ã‹ã‚‰ <span class="keycap"><strong>Enter</strong></span> を押ã—ã¦ãã®ã‚³ãƒžãƒ³ãƒ‰ã‚’実行ã—ã¾ã™ã€‚
+ </div></blockquote></div><div class="para">
+ 上記ã«ã¯ãƒ•ã‚¡ã‚¤ãƒ«åã€ã‚·ã‚§ãƒ«ã‚³ãƒžãƒ³ãƒ‰ã€ã‚ーãŒå«ã¾ã‚Œã¦ã„ã¾ã™ã€‚ ã™ã¹ã¦ç‰å¹…ã®å¤ªå—ã§è¡¨ã•ã‚Œã¦ã„ã‚‹ãŸã‚æ–‡ä¸å†…ã§è¦‹åˆ†ã‘ã‚„ã™ããªã£ã¦ã„ã¾ã™ã€‚
+ </div><div class="para">
+ ã‚ー㌠1 ã¤ã®å ´åˆã¨è¤‡æ•°ã®ã‚ーã®çµ„ã¿åˆã‚ã›ã«ãªã‚‹å ´åˆã‚’区別ã™ã‚‹ãŸã‚〠ãã®çµ„ã¿åˆã‚ã›ã‚’構æˆã™ã‚‹ã‚ーåŒå£«ã‚’ãƒã‚¤ãƒ•ãƒ³ã§ã¤ãªã„ã§ã„ã¾ã™ã€‚ 例ãˆã°ã€
+ </div><div class="blockquote"><blockquote class="blockquote"><div class="para">
+ <span class="keycap"><strong>Enter</strong></span> を押ã—ã¦ã‚³ãƒžãƒ³ãƒ‰ã‚’実行ã—ã¾ã™ã€‚
+ </div><div class="para">
+ 1 番目ã®ä»®æƒ³ã‚¿ãƒ¼ãƒŸãƒŠãƒ«ã«åˆ‡ã‚Šæ›¿ãˆã‚‹ã¯ã€ <span class="keycap"><strong>Ctrl</strong></span>+<span class="keycap"><strong>Alt</strong></span>+<span class="keycap"><strong>F1</strong></span> を押ã—ã¾ã™ã€‚ X-Windows セッションã«æˆ»ã‚‹ã«ã¯ã€ <span class="keycap"><strong>Ctrl</strong></span>+<span class="keycap"><strong>Alt</strong></span>+<span class="keycap"><strong>F7</strong></span> を押ã—ã¾ã™ã€‚
+ </div></blockquote></div><div class="para">
+ 最åˆã®æ®µè½ã§ã¯æŠ¼ã™ã¹ã 1 ã¤ã®ã‚ーを特定ã—ã¦å¼·èª¿ã—ã¦ã„ã¾ã™ã€‚ 次ã®æ®µè½ã§ã¯åŒæ™‚ã«æŠ¼ã™ã¹ã 3 ã¤ã®ã‚ーã®çµ„ã¿åˆã‚ã›ãŒ 2 種類ã‚ã‚Šãã‚Œãžã‚Œå¼·èª¿ã•ã‚Œã¦ã„ã¾ã™ã€‚
+ </div><div class="para">
+ ソースコードã®èª¬æ˜Žã§ã¯ 1 段è½å†…ã§æ示ã•ã‚Œã‚‹ã‚¯ãƒ©ã‚¹å〠メソッド〠関数〠変数å〠戻り値を上記ã®ã‚ˆã†ã« <code class="literal">ç‰å¹…ã®å¤ªå—</code> ã§è¡¨ç¤ºã—ã¾ã™ã€‚ 例ãˆã°ã€
+ </div><div class="blockquote"><blockquote class="blockquote"><div class="para">
+ ファイル関連ã®ã‚¯ãƒ©ã‚¹ç¾¤ã¯ãƒ•ã‚¡ã‚¤ãƒ«ã‚·ã‚¹ãƒ†ãƒ ã«å¯¾ã—ã¦ã¯ <code class="classname">filesystem</code>〠ファイルã«ã¯ <code class="classname">file</code>〠ディレクトリã«ã¯ <code class="classname">dir</code> ã‚’ãã‚Œãžã‚Œå«ã¿ã¾ã™ã€‚ å„クラスã¯å€‹åˆ¥ã«é–¢é€£ã™ã‚‹æ¨©é™ã‚»ãƒƒãƒˆã‚’æŒã£ã¦ã„ã¾ã™ã€‚
+ </div></blockquote></div><div class="para">
+ <span class="application"><strong>プãƒãƒãƒ¼ã‚·ãƒ§ãƒŠãƒ«ã®å¤ªå—</strong></span>
+ </div><div class="para">
+ アプリケーションå〠ダイアãƒã‚°ãƒœãƒƒã‚¯ã‚¹ã®ãƒ†ã‚ストã€ãƒ©ãƒ™ãƒ«ä»˜ãボタン〠ãƒã‚§ãƒƒã‚¯ãƒœãƒƒã‚¯ã‚¹ã¨ãƒ©ã‚¸ã‚ªãƒœã‚¿ãƒ³ã®ãƒ©ãƒ™ãƒ«ã€ メニュータイトルã¨ã‚µãƒ–メニュータイトルãªã©ã‚·ã‚¹ãƒ†ãƒ 上ã§è¦‹ã‚‰ã‚Œã‚‹å˜èªžã‚„語å¥ã‚’表ã—ã¾ã™ã€‚ 例ãˆã°ã€
+ </div><div class="blockquote"><blockquote class="blockquote"><div class="para">
+ メインメニューãƒãƒ¼ã‹ã‚‰ <span class="guimenu"><strong>システム> 個人è¨å®š > マウス</strong></span> ã®é †ã§é¸æŠžã— <span class="application"><strong>マウスã®å€‹äººè¨å®š</strong></span> ã‚’èµ·å‹•ã—ã¾ã™ã€‚ <span class="guilabel"><strong>ボタン</strong></span> タブ内㧠<span class="guilabel"><strong>å·¦ããã®ãƒžã‚¦ã‚¹</strong></span> ãƒã‚§ãƒƒã‚¯ãƒœãƒƒã‚¯ã‚¹ã‚’クリックã—ã¦ã‹ã‚‰ <span class="guibutton"><strong>é–‰ã˜ã‚‹</strong></span> をクリックã—マウスã®ä¸»è¦ãƒœã‚¿ãƒ³ã‚’å·¦ã‹ã‚‰å³ã«åˆ‡ã‚Šæ›¿ãˆã¾ã™ (マウスを左ããã®äººãŒä½¿ç”¨ã™ã‚‹ã®ã«é©ã—ãŸè¨å®šã«ã™ã‚‹)。
+ </div><div class="para">
+ <span class="application"><strong>gedit</strong></span> ファイルã«ç‰¹æ®Šãªæ–‡å—を挿入ã™ã‚‹å ´åˆã¯ã€ メインメニューãƒãƒ¼ã‹ã‚‰ <span class="guimenu"><strong>アプリケーション > アクセサリ > æ–‡å—マップ</strong></span> ã®é †ã§é¸æŠžã—ã¾ã™ã€‚ 次㫠<span class="application"><strong>æ–‡å—マップ</strong></span> メニューãƒãƒ¼ã‹ã‚‰ <span class="guimenu"><strong>検索 > 検索…</strong></span> ã¨é¸æŠžã—㦠<span class="guilabel"><strong>検索</strong></span> フィールド内ã«ãã®æ–‡å—åを入力㗠<span class="guibutton"><strong>次</strong></span> をクリックã—ã¾ã™ã€‚ 探ã—ã¦ã„ã‚‹æ–‡å—㌠<span class="guilabel"><strong>æ–‡å—表</strong></span> 内ã§å¼·èª¿è¡¨ç¤ºã•ã‚Œã¾ã™ã€‚ ã“ã®å¼·èª¿è¡¨ç¤ºã•ã‚ŒãŸæ–‡å—をダブルクリックã™ã‚‹ã¨ <span class="guilabel"><strong>コピーã™ã‚‹ãƒ†ã‚スト</strong></span> フィールド内ã«ç½®ã‹ã‚Œã‚‹ã®ã§æ¬¡ã« <span class="guibutton"><st
rong>コピー</strong></span> ボタンをクリックã—ã¾ã™ã€‚ ã“ã“ã§ãƒ‰ã‚ュメントã«æˆ»ã‚Š <span class="application"><strong>gedit</strong></span> メニューãƒãƒ¼ã‹ã‚‰ <span class="guimenu"><strong>編集 > 貼り付ã‘</strong></span> ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></blockquote></div><div class="para">
+ 上記ã«ã¯ã€ アプリケーションå〠システム全体ã®ãƒ¡ãƒ‹ãƒ¥ãƒ¼åã¨é …目〠アプリケーション固有ã®ãƒ¡ãƒ‹ãƒ¥ãƒ¼å〠GUI インタフェースã§è¦‹ã‚‰ã‚Œã‚‹ãƒœã‚¿ãƒ³ã‚„テã‚ストãŒã‚ã‚Šã¾ã™ã€‚ ã™ã¹ã¦ãƒ—ãƒãƒãƒ¼ã‚·ãƒ§ãƒŠãƒ«ã®å¤ªå—ã§è¡¨ç¤ºã•ã‚Œã¦ã„ã‚‹ãŸã‚æ–‡ä¸å†…ã§è¦‹åˆ†ã‘ã‚„ã™ããªã£ã¦ã„ã¾ã™ã€‚
+ </div><div class="para">
+ <code class="command"><em class="replaceable"><code>ç‰å¹…ã®å¤ªå—ã§ä¸”ã¤æ–œä½“</code></em></code> ã¾ãŸã¯ <span class="application"><strong><em class="replaceable"><code>プãƒãƒãƒ¼ã‚·ãƒ§ãƒŠãƒ«ã®å¤ªå—ã§ä¸”ã¤æ–œä½“</code></em></strong></span>
+ </div><div class="para">
+ ç‰å¹…ã®å¤ªå—やプãƒãƒãƒ¼ã‚·ãƒ§ãƒŠãƒ«ã®å¤ªå—ã¯ã„ãšã‚Œã§ã‚ã£ã¦ã‚‚斜体ã®å ´åˆã¯ç½®æ›å¯èƒ½ãªãƒ†ã‚ストã‹å¤‰åŒ–ã™ã‚‹ãƒ†ã‚ストを示ã—ã¾ã™ã€‚ 斜体ã¯è¨˜è¼‰ã•ã‚Œã¦ã„る通りã«ã¯å…¥åŠ›ã—ãªã„テã‚ストã€ã‚ã‚‹ã„ã¯çŠ¶æ³ã«å¿œã˜ã¦å¤‰åŒ–ã™ã‚‹å‡ºåŠ›ãƒ†ã‚ストを表ã—ã¾ã™ã€‚ 例ãˆã°ã€
+ </div><div class="blockquote"><blockquote class="blockquote"><div class="para">
+ ssh を使用ã—ã¦ãƒªãƒ¢ãƒ¼ãƒˆãƒžã‚·ãƒ³ã«æŽ¥ç¶šã™ã‚‹ã«ã¯ã€ シェルプãƒãƒ³ãƒ—ト㧠<code class="command">ssh <em class="replaceable"><code>username</code></em>@<em class="replaceable"><code>domain.name</code></em></code> ã¨å…¥åŠ›ã—ã¾ã™ã€‚ リモートマシン㌠<code class="filename">example.com</code> ã§ã‚り〠ãã®ãƒžã‚·ãƒ³ã§ä½¿ç”¨ã—ã¦ã„るユーザーå㌠john ãªã‚‰ <code class="command">ssh john at example.com</code> ã¨å…¥åŠ›ã—ã¾ã™ã€‚
+ </div><div class="para">
+ <code class="command">mount -o remount <em class="replaceable"><code>file-system</code></em></code> コマンドã¯æŒ‡å®šã—ãŸãƒ•ã‚¡ã‚¤ãƒ«ã‚·ã‚¹ãƒ†ãƒ ã‚’å†ãƒžã‚¦ãƒ³ãƒˆã—ã¾ã™ã€‚ 例ãˆã°ã€ <code class="filename">/home</code> ファイルシステムをå†ãƒžã‚¦ãƒ³ãƒˆã™ã‚‹ã‚³ãƒžãƒ³ãƒ‰ã¯ <code class="command">mount -o remount /home</code> ã«ãªã‚Šã¾ã™ã€‚
+ </div><div class="para">
+ ç¾åœ¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã•ã‚Œã¦ã„るパッケージã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã‚’表示ã™ã‚‹ã«ã¯ã€ <code class="command">rpm -q <em class="replaceable"><code>package</code></em></code> コマンドを使用ã—ã¾ã™ã€‚ çµæžœã¨ã—ã¦æ¬¡ã‚’è¿”ã—ã¦ãã¾ã™ã€ <code class="command"><em class="replaceable"><code>package-version-release</code></em></code>。
+ </div></blockquote></div><div class="para">
+ 上記ã®å¤ªå—斜体ã®å˜èªž — username〠domain.name〠file-system〠package〠version〠release ã«æ³¨ç›®ã—ã¦ãã ã•ã„。 ã„ãšã‚Œã‚‚コマンドを発行ã™ã‚‹ã¨ãã«å…¥åŠ›ã™ã‚‹ãƒ†ã‚スト用ã®ãƒ—レースホルダーã‹ã‚·ã‚¹ãƒ†ãƒ ã«ã‚ˆã‚Šå‡ºåŠ›ã•ã‚Œã‚‹ãƒ†ã‚スト用ã®ãƒ—レースホルダーã«ãªã£ã¦ã„ã¾ã™ã€‚
+ </div><div class="para">
+ タイトル表示ã®ã‚ˆã†ãªæ¨™æº–çš„ãªä½¿ç”¨ã®ä»–〠斜体ã¯æ–°ã—ã„é‡è¦ãªç”¨èªžãŒåˆã‚ã¦å‡ºç¾ã™ã‚‹å ´åˆã«ã‚‚使用ã•ã‚Œã¾ã™ã€‚ 例ãˆã°ã€
+ </div><div class="blockquote"><blockquote class="blockquote"><div class="para">
+ Publican 㯠<em class="firstterm">DocBook</em> ã®ç™ºè¡Œã‚·ã‚¹ãƒ†ãƒ ã§ã™ã€‚
+ </div></blockquote></div></div><div class="section" title="1.2. 引用ã«ãŠã‘る表記方法"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="id644663">1.2. 引用ã«ãŠã‘る表記方法</h3></div></div></div><div class="para">
+ 端末ã®å‡ºåŠ›ã¨ã‚½ãƒ¼ã‚¹ã‚³ãƒ¼ãƒ‰ä¸€è¦§ã¯ã€è¦–覚的ã«å‘¨å›²ã®æ–‡ã‹ã‚‰åŒºåˆ¥ã•ã‚Œã¦ã„ã¾ã™ã€‚
+ </div><div class="para">
+ 端末ã«é€ä¿¡ã•ã‚Œã‚‹å‡ºåŠ›ã¯ <code class="computeroutput">mono-spaced roman</code> (ç‰å¹…ã® Roman) ã«ã‚»ãƒƒãƒˆã•ã‚Œã‚‹ã®ã§ä»¥ä¸‹ã®ã‚ˆã†ã«è¡¨ç¤ºã•ã‚Œã¾ã™ã€‚
+ </div><pre class="screen">books Desktop documentation drafts mss photos stuff svn
+books_tests Desktop1 downloads images notes scripts svgs</pre><div class="para">
+ ソースコードã®ä¸€è¦§ã‚‚ <code class="computeroutput">mono-spaced roman</code> (ç‰å¹…ã® Roman) ã§ã‚»ãƒƒãƒˆã•ã‚Œã¾ã™ãŒã€ä»¥ä¸‹ã®ã‚ˆã†ã«å¼·èª¿è¡¨ç¤ºã•ã‚Œã¾ã™ã€‚
+ </div><pre class="programlisting">package org.<span class="perl_Function">jboss</span>.<span class="perl_Function">book</span>.<span class="perl_Function">jca</span>.<span class="perl_Function">ex1</span>;
+
+<span class="perl_Keyword">import</span> javax.naming.InitialContext;
+
+<span class="perl_Keyword">public</span> <span class="perl_Keyword">class</span> ExClient
+{
+ <span class="perl_Keyword">public</span> <span class="perl_DataType">static</span> <span class="perl_DataType">void</span> <span class="perl_Function">main</span>(String args[])
+ <span class="perl_Keyword">throws</span> Exception
+ {
+ InitialContext iniCtx = <span class="perl_Keyword">new</span> InitialContext();
+ Object ref = iniCtx.<span class="perl_Function">lookup</span>(<span class="perl_String">"EchoBean"</span>);
+ EchoHome home = (EchoHome) ref;
+ Echo echo = home.<span class="perl_Function">create</span>();
+
+ System.<span class="perl_Function">out</span>.<span class="perl_Function">println</span>(<span class="perl_String">"Created Echo"</span>);
+
+ System.<span class="perl_Function">out</span>.<span class="perl_Function">println</span>(<span class="perl_String">"Echo.echo('Hello') = "</span> + echo.<span class="perl_Function">echo</span>(<span class="perl_String">"Hello"</span>));
+ }
+}</pre></div><div class="section" title="1.3. 注記ãŠã‚ˆã³è¦å‘Š"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="id672266">1.3. 注記ãŠã‚ˆã³è¦å‘Š</h3></div></div></div><div class="para">
+ æƒ…å ±ãŒè¦‹éŽã”ã•ã‚Œãªã„よㆠ3 種類ã®è¦–覚的ãªã‚¹ã‚¿ã‚¤ãƒ«ã‚’使用ã—ã¦æ³¨æ„を引ã„ã¦ã„ã¾ã™ã€‚
+ </div><div class="note"><h2>注記</h2><div class="para">
+ 注記ã¯èª¬æ˜Žã—ã¦ã„る部分ã«å¯¾ã™ã‚‹ãƒ’ントや近é“ã‚ã‚‹ã„ã¯ä»£æ›¿ã¨ãªã‚‹æ‰‹æ®µãªã©ã«ãªã‚Šã¾ã™ã€‚注記を無視ã—ã¦ã‚‚悪影響ã¯ã‚ã‚Šã¾ã›ã‚“ãŒçŸ¥ã£ã¦ãŠãã¨ä¾¿åˆ©ãªã‚³ãƒ„を見逃ã™ã“ã¨ã«ãªã‚‹ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。
+ </div></div><div class="important"><h2>é‡è¦</h2><div class="para">
+ Important boxes detail things that are easily missed: configuration changes that only apply to the current session, or services that need restarting before an update will apply. Ignoring a box labeled 'Important' won't cause data loss but may cause irritation and frustration.
+ </div></div><div class="warning"><h2>è¦å‘Š</h2><div class="para">
+ è¦å‘Šã¯ç„¡è¦–ã—ãªã„ã§ãã ã•ã„。è¦å‘Šã‚’無視ã™ã‚‹ã¨ãƒ‡ãƒ¼ã‚¿ã‚’喪失ã™ã‚‹å¯èƒ½æ€§ãŒéžå¸¸ã«é«˜ããªã‚Šã¾ã™ã€‚
+ </div></div></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="index.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>Musicians' Guide</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="pr01s02.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>2. フィードãƒãƒƒã‚¯</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>パート I. Linux オーディオã®åŸºæœ¬</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="index.html" title="Musicians' Guide" /><link rel="prev" href="pr01s02.html" title="2. フィードãƒãƒƒã‚¯" /><link rel="next" href="chap-Musicians_Guide-Sound_Cards.html" title="第1ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¨ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your
browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="pr01s02.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Sound_Cards.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="part" title="パート I. Linux オーディオã®åŸºæœ¬" id="id846879"><div class="titlepage"><div><div text-align="center"><h1 class="title">パート I. Linux オーディオã®åŸºæœ¬</h1></div></div></div><div class="toc"><p><b>目次</b></p><dl><dt><span class="chapter"><a href="chap-Musicians_Guide-Sound_Cards.html">1. サウンドカードã¨ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</a></span></dt><dd><dl><d
t><span class="section"><a href="chap-Musicians_Guide-Sound_Cards.html#sect-Musicians_Guide-What_Sound_Cards_Are">1.1. サウンドカードã®ç¨®é¡ž</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Sound_Cards.html#sect-Musicians_Guide-Audio_Interfaces">1.1.1. オーディオインタフェース</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Sound_Cards.html#sect-Musicians_Guide-MIDI_Interfaces">1.1.2. MIDI インターフェイス</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Card_Connections.html">1.2. サウンドカードã®æŽ¥ç¶š</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Card_Connections.html#sect-Musicians_Guide-Motherboard_Integrated">1.2.1. マザーボードã«çµ±åˆ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-PCI_Sound_Cards.html">1.2.2. 内蔵 PCI 接続</a></span></dt><dt><span class="section"><a hr
ef="sect-Musicians_Guide-FireWire_Sound_Cards.html">1.2.3. 外部ã®FireWire 接続</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-USB_Sound_Cards.html">1.2.4. 外部 USB 接続</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Choose_Sound_Card_Connection.html">1.2.5. 接続タイプをé¸æŠžã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html">1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html#sect-Musicians_Guide-Sample">1.3.1. サンプル</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sample_Format.html">1.3.2. サンプルフォーマット</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sample_Rate.html">1.3.3. サンプルレート</a></span><
/dt><dt><span class="section"><a href="sect-Musicians_Guide-Bit_Rate.html">1.3.4. ビットレート</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions.html">1.3.5. çµè«–</a></span></dt></dl></dd><dt><span class="section"><a href="chap-Musicians_Guide-Vocabulary.html">1.4. ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ¦‚念</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Vocabulary.html#sect-Musicians_Guide-Vocabulary-MIDI_Sequencer">1.4.1. MIDI シーケンサー</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Bus.html">1.4.2. ãƒã‚¹ã€ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã€€ãã—ã¦ã‚µãƒ–マスターãƒã‚¹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Level.html">1.4.3. レベル(ボリュームï¼ãƒ©ã‚¦ãƒ‰ãƒã‚¹ï¼‰</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Panning_and_Balance.html">1.4.4. パニングã
¨ãƒãƒ©ãƒ³ã‚¹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Time.html">1.4.5. タイムã€ã‚¿ã‚¤ãƒ ラインã€ãã—ã¦ã‚¿ã‚¤ãƒ シフティング</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Synchronization.html">1.4.6. åŒæœŸ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing.html">1.4.7. ルーティングã¨å¤šé‡åŒ–</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Multichannel_Audio.html">1.4.8. マルãƒãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html">2. サウンドカード用ã®ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html#sect-Musicians_Guide-Sound_Servers-ALSA">2.1. Linux ã¯ã©ã®ã‚ˆã†ã«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒãƒ¼ãƒ‰ã‚¦ã‚
§ã‚¢ã‚’扱ã†ã‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Servers_Section.html">2.2. サウンドサーãƒ</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Servers_Section.html#sect-Musicians_Guide-Sound_Servers-PulseAudio">2.2.1. パルスオーディオ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Servers-JACK.html">2.2.2. <code class="systemitem">JACK</code> オーディオ接続ã‚ット</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Servers-Phonon.html">2.2.3. フォノン</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Using_JACK.html">2.3. Use the <code class="systemitem">JACK</code> Audio Connection Kit</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Using_JACK.html#sect-Musicians_Guide-Install_and_Configure_JACK">2.3.1. Install and Configure <code class="systemitem">JACK<
/code></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Using_QjackCtl.html">2.3.2. <span class="application"><strong>QjackCtl</strong></span> を使ã†</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK.html">2.3.3. <code class="systemitem">PulseAudio</code> ã‚’ <code class="systemitem">JACK</code> ã¨çµ±åˆã™ã‚‹</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html">3. リアルタイムã¨ä½Žé…延</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html#sect-Musicians_Guide-Low_Latency">3.1. 低é…延ãŒãªãœæœ›ã¾ã—ã„ã‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Processor_Scheduling.html">3.2. プãƒã‚»ãƒƒã‚µã‚¹ã‚±ã‚¸ãƒ¥ãƒ¼ãƒªãƒ³ã‚°</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Real_Time_Linux_Kernel.html">3.3. リアル
タイムLinux カーãƒãƒ«</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Hard_and_Soft_Real_Time.html">3.4. ãƒãƒ¼ãƒ‰ã¨ã‚½ãƒ•ãƒˆãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ </a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora.html">3.5. Getting a Real-Time Kernel in Fedora Linux</a></span></dt></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html">4. Planet CCRMA at Home</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html#sect-Musicians_Guide-What_Is_Planet_CCRMA">4.1. Planet CCRMA at Home ã«ã¤ã„ã¦</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html">4.2. Planet CCRMA at Home を使ã†ã‹ã©ã†ã‹ã‚’決ã‚ã‚‹</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html#sect-Musicians_Guide-CCRMA_Need_Exclusive_
Software">4.2.1. 独å 的ソフトウエア</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-CCRMA_Security_and_Stability.html">4.2.2. ã‚»ã‚ュリティã¨å®‰å®šæ€§</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-CCRMA_Best_Practices.html">4.2.3. A Possible "Best Practices" Solution</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html">4.3. Planet CCRMA at Home ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’使ã†</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html#sect-Musicians_Guide-CCRMA_Installing_Repository">4.3.1. Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’インストールã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-CCRMA_Repository_Priorities.html">4.3.2. リãƒã‚¸ãƒˆãƒªã®å„ªå…ˆåº¦ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-CCRMA_Preventing_Package_Up
dates.html">4.3.3. パッケージを更新ã•ã‚Œãªãã™ã‚‹</a></span></dt></dl></dd></dl></dd></dl></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="pr01s02.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>2. フィードãƒãƒƒã‚¯</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Sound_Cards.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>第1ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¨ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</a></li></ul></body></html>
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+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>パート II. オーディオã¨éŸ³æ¥½ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="index.html" title="Musicians' Guide" /><link rel="prev" href="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates.html" title="4.3.3. パッケージを更新ã•ã‚Œãªãã™ã‚‹" /><link rel="next" href="chap-Musicians_Guide-Audacity.html" title="第5ç« Audacity" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This
is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Audacity.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="part" title="パート II. オーディオã¨éŸ³æ¥½ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢" id="id891819"><div class="titlepage"><div><div text-align="center"><h1 class="title">パート II. オーディオã¨éŸ³æ¥½ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢</h1></div></div></div><div class="toc"><p><b>目次</b></p><dl><dt><span class="chapter"><a href="chap-Musicia
ns_Guide-Audacity.html">5. Audacity</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Audacity.html#sect-Musicians_Guide-Audacity-Knowing_When_to_Use">5.1. Audacity ã‚’ã„ã¤ä½¿ã†ã‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html">5.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html#sect-Musicians_Guide-Audacity-Software_Requirements">5.2.1. ソフトウエアè¦ä»¶</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Hardware_Requirements.html">5.2.2. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Installation.html">5.2.3. 標準ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html">5.2.4. MP3 サãƒãƒ¼ãƒˆã‚’å«ã
‚€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Testing_Playback.html">5.2.5. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Testing_Recording.html">5.2.6. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Audacity_Configuration.html">5.3. 構æˆ</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity_Configuration.html#sect-Musicians_Guide-Audacity-First_Use">5.3.1. åˆã‚㦠Audacity を実行ã™ã‚‹ã¨ã</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html">5.3.2. ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format.html">5.3.3. Setting the Project's
Sample Rate and Format</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Interface.html">5.4. インタフェース</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Recording.html">5.5. 録音</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Recording.html#sect-Musicians_Guide-Audacity-Recording-Start_to_Record">5.5.1. 録音を開始ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record.html">5.5.2. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial.html">5.6. æ–°ã—ã„ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã‚’作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial.html#sect-Musicians_Guide-Audacity-Tutorial-Files">5.6.1. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></spa
n></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Scenario.html">5.6.2. シナリオ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks.html">5.6.3. トラックをæƒãˆã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks.html">5.6.4. トラックを伸ã°ã™</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level.html">5.6.5. ボリュームレベルを調整ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise.html">5.6.6. ノイズを除ã</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out.html">5.6.7. フェードイン・フェードアウト</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio.html">5.6.8. オーディオを
削除ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment.html">5.6.9. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’ç¹°ã‚Šè¿”ã™</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser.html">5.6.10. ç‰¹æ®ŠåŠ¹æžœã‚’åŠ ãˆã‚‹ï¼ˆãƒ•ã‚§ãƒ¼ã‚¶ãƒ¼ï¼‰</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Conclusion.html">5.6.11. çµè«–</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Save_and_Export.html">5.7. ä¿å˜ã¨æ›¸ã出ã—</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Save_and_Export.html#sect-Musicians_Guide-Audacity-Exporting_Part_of_a_File">5.7.1. ファイルã®éƒ¨åˆ†ã‚’書ã出ã™</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Exporting_a_Whole_File.html">5.7.2. ファイルを全部書ã出ã™</a></span></dt></
dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Digital_Audio_Workstations.html">6. デジタルオーディオワークステーション</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Digital_Audio_Workstations.html#sect-Musicians_Guide-Knowing_Which_DAW_to_Use">6.1. ã©ã® DAW を使ã†ã‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Stages_of_Recording.html">6.2. 録音ã®ã‚¹ãƒ†ãƒ¼ã‚¸</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Stages_of_Recording.html#sect-Musicians_Guide-Recording">6.2.1. 録音</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Mixing.html">6.2.2. ミã‚シング</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Mastering.html">6.2.3. マスタリング</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Record_Mix_Master_More_Info.html">6.2.4. å‚考</a></span></dt></dl></dd
><dt><span class="section"><a href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html">6.3. インタフェース用語</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html#sect-Musicians_Guide-Session">6.3.1. セッション</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Track_and_Multitrack.html">6.3.2. トラックã¨ãƒžãƒ«ãƒãƒˆãƒ©ãƒƒã‚¯</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Region_Clip_Segment.html">6.3.3. リージョンã€ã‚¯ãƒªãƒƒãƒ—ã€ã‚ã‚‹ã„ã¯ã‚»ã‚°ãƒ¡ãƒ³ãƒˆ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Transport_and_Playhead.html">6.3.4. トランスãƒãƒ¼ãƒˆã¨å†ç”Ÿãƒ˜ãƒƒãƒ‰</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Automation.html">6.3.5. オートメーション</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-DAW_User_Interface.html">6.4. ユーザインタフ
ェース</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-DAW_User_Interface.html#sect-Musicians_Guide-Messages_Pane">6.4.1. メッセージペイン</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-DAW_Clock.html">6.4.2. クãƒãƒƒã‚¯</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Track_Info_Pane.html">6.4.3. ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Track_Pane.html">6.4.4. トラックペイン</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-DAW_Transport_Controls.html">6.4.5. トランスãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Ardour.html">7. Ardour</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Requirements_and_Installation">7.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></
dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Knowledge_Requirements">7.1.1. å‰æ知è˜</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Software_Requirements">7.1.2. ソフトウエアè¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Hardware_Requirements">7.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Installation">7.1.4. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording_a_Session.html">7.2. セッションを録音ã™ã‚‹</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording_a_Session.html#sect-Musicians_Guide-Ardour-Recording-Running_Ardour">7.2.1. <span class="application"><strong
>Ardour</strong></span> を実行ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Interface.html">7.2.2. インタフェース</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline.html">7.2.3. タイムラインをè¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources.html">7.2.4. オーディオソースを <span class="application"><strong>Ardour</strong></span> ã«ã¤ãªã</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks.html">7.2.5. ãƒã‚¹ã¨ãƒˆãƒ©ãƒƒã‚¯ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level.html">7.2.6. 録音レベル（ボリューム）を調整ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording
-Recording_a_Region.html">7.2.7. リージョンを録音ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Recording_More.html">7.2.8. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Routing_Audio.html">7.2.9. オーディオã®ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨ <code class="systemitem">JACK</code> 接続ã®ç®¡ç†</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio.html">7.2.10. æ—¢å˜ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’インãƒãƒ¼ãƒˆã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Tutorial_Files.html">7.3. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing.html">7.4. 曲を編集ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing.html#s
ect-Musicians_Guide-Ardour-Editing-Add_Tracks_and_Busses">7.4.1. トラックã¨ãƒã‚¹ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses.html">7.4.2. トラックã¨ãƒã‚¹ã‚’接続ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks.html">7.4.3. トラックã«ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size.html">7.4.4. リージョンã®å¤§ãã•ã‚’切り詰ã‚ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html">7.4.5. åŒã˜ã‚‚ã®ã®è¤‡æ•°ã®éŒ²éŸ³ã‚’比較ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Arrange.html">7.4.6. リージョンをæ£ã—ã„å ´æ‰€ã«ä¸¦ã¹ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicia
ns_Guide-Ardour-Editing-Listen.html">7.4.7. èžã</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing.html">7.5. 曲をミã‚シングã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing.html#sect-Musicians_Guide-Ardour-Mixing-Enabling_Stereo_Output">7.5.1. ステレオ出力ã®ãŸã‚ã«ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®è¨å®šã‚’è¡Œã„ã€ã‚¨ãƒ‡ã‚£ãƒƒãƒˆã‚°ãƒ«ãƒ¼ãƒ—を解除ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels.html">7.5.2. 最åˆã®ãƒ¬ãƒ™ãƒ«ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning.html">7.5.3. 最åˆã®ãƒ‘ニングをè¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks.html">7.5.4. オートメーショントラックã§ã€ã•ã‚‰ã«èª¿æ•´ã‚’ã™ã‚‹</a></span></dt>
<dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Other_Things.html">7.5.5. Other Things You Might Want to Do</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Listen.html">7.5.6. èžã</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mastering.html">7.6. Mastering a Session</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mastering.html#sect-Musicians_Guide-Ardour-Mastering-Ways_to_Export">7.6.1. Ways to Export Audio</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window.html">7.6.2. Using the Export Window</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Qtractor.html">8. Qtractor</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Requirements_and_Installation">8.1. è¦æ±‚ã¨ã‚¤ã
ƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Knowledge_Requirements">8.1.1. å‰æ知è˜</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Software_Requirements">8.1.2. ソフトウエアè¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Hardware_Requirements">8.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Other_Requirements">8.1.4. ãã®ä»–ã®è¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Installation">8.1.5. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration.html">8.2. 構æˆ</a></span></dt><dd><dl><dt><s
pan class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration.html#sect-Musicians_Guide-Qtractor-Configuration-JACK">8.2.1. Use <span class="application"><strong>Qtractor</strong></span> with <code class="systemitem">JACK</code> (<span class="application"><strong>QjackCtl</strong></span>)</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab.html">8.2.2. Change Audio Options</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab.html">8.2.3. Change MIDI Options</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names.html">8.2.4. Configure MIDI Channel Names</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using.html">8.3. Use Qtractor</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using.html#sect-Musicians_Guide-Qtractor-Using-Blue
_Place_Markers">8.3.1. é’ã„プレースマーカを使ã†</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools.html">8.3.2. Using the MIDI Matrix Editor's Tools</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together.html">8.3.3. Export a Whole File (Audio and MIDI Together)</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using-Tips.html">8.3.4. ãã®ä»–ã®çŸ¥è˜</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial.html">8.4. Create a MIDI Composition (Tutorial)</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial.html#sect-Musicians_Guide-Qtractor-Tutorial-Inspiration">8.4.1. インスピレーション</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Requirements.html">8.4.2. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãƒ•ã‚
¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready.html">8.4.3. Get Qtractor Ready</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File.html">8.4.4. オーディオファイルをインãƒãƒ¼ãƒˆã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area.html">8.4.5. 最åˆã®ãƒ•ã‚©ãƒ¼ãƒžãƒ«ã‚¨ãƒªã‚¢ã‚’マークã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme.html">8.4.6. 主題を作る</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme.html">8.4.7. 主題を繰り返ã—ã¾ã™ã€‚</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part.html">8.4.8. 次ã®ãƒ‘ートを作曲ã—ã¾ã™</a></span></dt><dt><span class="
section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75.html">8.4.9. Qtractor's Measures 52 to 75</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97.html">8.4.10. Qtractor's Measures 75 to 97</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measure_97.html">8.4.11. Qtractor's Measure 97</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119.html">8.4.12. Qtractor's Measures 98 to 119</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139.html">8.4.13. Qtractor's Measures 119 to 139</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158.html">8.4.14. Qtractor's Measures 139 to 158</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176.html">8.4.15. Qtr
actor's Measures 158 to 176</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End.html">8.4.16. Qtractor's Measures 177 to the End</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Rosegarden.html">9. Rosegarden</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Requirements_and_Installation">9.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Knowledge_Requirements">9.1.1. å‰æ知è˜</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Software_Requirements">9.1.2. ソフトウェアè¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Hardware_Requirements"
>9.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Other_Requirements">9.1.4. ãã®ä»–ã®è¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Installation">9.1.5. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Configuration.html">9.2. 構æˆ</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Configuration.html#sect-Musicians_Guide-Rosegarden-Configuration-JACK_and_Qsynth">9.2.1. Setup <span class="application"><strong>JACK</strong></span> and <span class="application"><strong>FluidSynth</strong></span> (<span class="application"><strong>Qsynth</strong></span>)</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden.html">9.2.2. <span class="application
"><strong>Rosegarden</strong></span> ã®è¨å®š</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden_and_LilyPond.html">9.3. <span class="application"><strong>Rosegarden</strong></span> 㨠LilyPond</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial.html">9.4. <span class="application"><strong>Rosegarden</strong></span> ã§ã€ä½œæ›²ã™ã‚‹ã€‚（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial.html#sect-Musicians_Guide-Rosegarden-Tutorial-Bass_Line">9.4.1. 楽èœã‚’ベースラインã‹ã‚‰å§‹ã‚ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track.html">9.4.2. ãƒ‘ãƒ¼ã‚«ãƒƒã‚·ãƒ§ãƒ³ãƒˆãƒ©ãƒƒã‚¯ã‚’è¿½åŠ </a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion.html">9.4.3. パーカッションをスパイスアッ
プ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial-Melody.html">9.4.4. メãƒãƒ‡ã‚£ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue.html">9.4.5. å…ˆã«é€²ã‚€ã„ãã¤ã‹ã®æ–¹æ³•</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-FluidSynth.html">10. FluidSynth</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-FluidSynth.html#sect-Musicians_Guide-FluidSynth-SoundFont_Technology_and_MIDI">10.1. サウンドフォント技術㨠MIDI</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-FluidSynth.html#sect-Musicians_Guide-FluidSynth-How_to_Get_a_SoundFont">10.1.1. ã©ã®ã‚ˆã†ã«ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã‚’å¾—ã‚‹ã‹</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-FluidSynth.html#sect-Musicians_Guide-FluidSynth-MIDI_Terms">10.1.2. MIDI インスã
ƒˆã‚¥ãƒ«ãƒ¡ãƒ³ãƒˆã€ãƒãƒ³ã‚¯ã€ãƒ—ãƒã‚°ãƒ©ãƒ ã€ãŠã‚ˆã³ãƒ‘ッãƒ</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-FluidSynth.html#sect-Musicians_Guide-FluidSynth-MIDI_Channels">10.1.3. MIDIãƒãƒ£ãƒ³ãƒãƒ«</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html">10.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Software_Requirements">10.2.1. ソフトウェアè¦ä»¶</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation.html">10.2.2. Install <span class="application"><strong>FluidSynth</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth.html">10.2.3. Install with <span class="application"><stron
g>Qsynth</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth.html">10.2.4. Install without <span class="application"><strong>Qsynth</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html">10.2.5. Install SoundFont Files</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-In_a_Terminal.html">10.3. Use <span class="application"><strong>FluidSynth</strong></span> in a Terminal Emulator</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring.html">10.4. Configure <span class="application"><strong>Qsynth</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring.html#sect-Musicians_Guide-FluidSynth-Configuring-Starting_FluidSynth">10.4.1. Start <span class="application"><stron
g>FluidSynth</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont.html">10.4.2. Configure the SoundFont</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output.html">10.4.3. Configure <span class="application"><strong>JACK</strong></span> Output</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input.html">10.4.4. Configure MIDI Input</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings.html">10.4.5. View all <span class="application"><strong>FluidSynth</strong></span> Settings</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html">10.5. Assign Programs to Channels with <span class="application"><strong>Qsynth</strong></span></a></span></dt><dd><dl><dt><span class="section"><a h
ref="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html#sect-Musicians_Guide-FluidSynth-Changing_Number_of_Input_Channels">10.5.1. Change the Number of MIDI Input Channels</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments.html">10.5.2. Save and Reuse Channel Assignments</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus.html">10.6. Use Reverb and Chorus with <span class="application"><strong>Qsynth</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Multiple_Instances.html">10.7. <span class="application"><strong>Qsynth</strong></span> ã§ã€è¤‡æ•°ã® <span class="application"><strong>FluidSynth</strong></span> インスタンスを使ã†</a></span></dt></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-SuperCollider.html">11. <span class="application"><strong>SuperColli
der</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Requirements_and_Installation">11.1. Requirements and Installation</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Req_and_Inst-Knowledge">11.1.1. Knowledge Requirements</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Req_and_Inst-Software_Requirements">11.1.2. Software Requirements</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Req_and_Inst-Hardware_Requirements">11.1.3. Hardware Requirements</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-SC-Req_and_Inst-Available_Packages">11.1.4. Available <span class="application"><strong>SuperCollider</strong></span> Packages</a
></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Req_and_Inst-Recommended_Installation">11.1.5. Recommended Installation</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit.html">11.2. Using <span class="application"><strong>GEdit</strong></span> to Write and Run <span class="application"><strong>SuperCollider</strong></span> Programs</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit.html#sect-Musicians_Guide-SC-Using_GEdit-Enable_and_Configure_SCEd">11.2.1. Enable and Configure SCEd in <span class="application"><strong>GEdit</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server.html">11.2.2. Enable <span class="application"><strong>SuperCollider</strong></span> Mode and Start a Server</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_
GEdit-Executing_Code.html">11.2.3. Executing Code in <span class="application"><strong>GEdit</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit-Other_Tips.html">11.2.4. Other Tips for Using <span class="application"><strong>GEdit</strong></span> with <span class="application"><strong>SuperCollider</strong></span></a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html">11.3. Basic Programming in <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html#sect-Musicians_Guide-SC-Basic_Programming-First_Steps">11.3.1. First Steps</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html">11.3.2. Variables and Functions</a></span></dt><dt><span class="section"><a href="sect-Musicians_Gui
de-SC-Basic_Programming-Object_Oriented.html">11.3.3. Object-Oriented <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions.html">11.3.4. Sound-Making Functions</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio.html">11.3.5. Multichannel Audio</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Collections.html">11.3.6. Collections</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html">11.3.7. Repeated Execution</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html">11.3.8. Conditional Execution</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html">11.3.9. Combining Audio; the
Mix Class</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html">11.3.10. SynthDef and Synth</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html">11.3.11. Busses</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html">11.3.12. Ordering and Other Synth Features</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling.html">11.3.13. Scheduling</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html">11.3.14. How to Get Help</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution.html">11.3.15. Legal Attribution</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Composing.html">11.4. Composing with Sup
erCollider</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Composing.html#sect-Musicians_Guide-SC-Composing-Tutorial_Files">11.4.1. Files for the Tutorial</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Inspiration.html">11.4.2. Inspiration</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Designing_the_First_Part.html">11.4.3. Designing the First Part</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part.html">11.4.4. Designing the Second Part</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones.html">11.4.5. Creating Ten Pseudo-Random Tones</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones.html">11.4.6. Scheduling the Tones</a></span></dt><dt><span class="section"><a href="sect-Musicians_
Guide-SC-Composing-Optimizing_the_Code.html">11.4.7. Optimizing the Code</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part.html">11.4.8. Making a Useful Section out of the Second Part</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts.html">11.4.9. Joining the Two Parts</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Exporting.html">11.5. Exporting Sound Files</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Exporting.html#sect-Musicians_Guide-SC-Non_Real_Time_Synthesis">11.5.1. Non-Real-Time Synthesis</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Recording_SuperColliders_Output.html">11.5.2. Recording SuperCollider's Output (Tutorial)</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guid
e-LilyPond.html">12. <span class="application"><strong>LilyPond</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-LilyPond.html#sect-Musicians_Guide-LilyPond-How_LilyPond_Works">12.1. <span class="application"><strong>LilyPond</strong></span> ãŒã„ã‹ã«å‹•ä½œã™ã‚‹ã‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach.html">12.2. <span class="application"><strong>LilyPond</strong></span> アプãƒãƒ¼ãƒ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Installation.html">12.3. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Installation.html#sect-Musicians_Guide-LilyPond-Installation-Frescobaldi">12.3.1. Learn about Frescobaldi</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation.html">12.3.2. Requirements and Installa
tion (for <span class="application"><strong>Frescobaldi</strong></span>)</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Configure_Frescobaldi.html">12.4. Configure <span class="application"><strong>Frescobaldi</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax.html">12.5. <span class="application"><strong>LilyPond</strong></span> ã®åŸºæœ¬</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax.html#sect-Musicians_Guide-LilyPond-Syntax-Letters_Are_Pitches">12.5.1. æ–‡å—ã¯éŸ³ç¨‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations.html">12.5.2. æ•°å—ã¯é•·ã•</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Articulations.html">12.5.3. アーティã‚ュレーションã€è¡¨æƒ…記å·</a></span></dt><dt><span class="section"><a href="sect-Musicians_Gu
ide-LilyPond-Syntax-Simultaneity.html">12.5.4. åŒæ™‚性</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Chords.html">12.5.5. 和音</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Commands.html">12.5.6. コマンド</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Source_Files.html">12.5.7. ソースファイルã¨ãã®ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors.html">12.5.8. 誤りをé¿ã‘ã‚‹ã«ã¯</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint.html">12.6. 対ä½æ³•ã®èª²é¡Œã‚’ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint.html#sect-Musicians_Guide-LilyPond-Counterpoint-Tutorial_Files">12.6.1. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«<
/a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score.html">12.6.2. 楽èœã‚’開始ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output.html">12.6.3. Adjust Frescobaldi's Output</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting.html">12.6.4. 音符を入力ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score.html">12.6.5. 楽èœã‚’フォーマットã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra.html">12.7. Work on an Orchestral Score (Tutorial)</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra.html#sect-Musicians_Guide-LilyPond-Orchestra-Tutorial_Files">12.7.1. Files for the Tutorial</a></span></dt><dt><span class="se
ction"><a href="sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score.html">12.7.2. Start the Score</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output.html">12.7.3. Adjust Frescobaldi's Output</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html">12.7.4. Input Notes</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano.html">12.8. Work on a Piano Score (Tutorial)</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano.html#sect-Musicians_Guide-LilyPond-Piano-Tutorial_Files">12.8.1. Files for the Tutorial</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score.html">12.8.2. Start the Score</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output.html">12.8.3. Adjust F
rescobaldi's Output</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html">12.8.4. Input Notes</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors.html">12.8.5. Troubleshoot Errors</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Formatting.html">12.8.6. Format the Score (Piano Dynamics)</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Solfege.html">13. GNU ソルフェージュ</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Requirements_and_Installation">13.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Hardware_and_Software_Requirements">13.1.1. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã¨ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢è¦ä»¶</a></span></dt><dt><span class="sec
tion"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Other_Requirements">13.1.2. ãã®ä»–ã®è¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Install">13.1.3. å¿…è¦ãªã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Install_Csound">13.1.4. オプショナルãªã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ï¼š Csound</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Install_MMA">13.1.5. オプショナルインストール : MMA</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration.html">13.2. 構æˆ</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration.html#sect-Musicians_Guide-Solfege-Configuration-First_Time">13.2.1. Solfege ã‚’åˆã‚ã¦å®Ÿè¡Œã™ã‚‹ã¨ã</a></span></
dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-Instruments.html">13.2.2. Instruments</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-External_Programs.html">13.2.3. External Programs</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-Interface.html">13.2.4. Interface</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-Practise.html">13.2.5. Practise</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-Sound_Setup.html">13.2.6. Sound Setup</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training.html">13.3. ã‚ãªãŸã®ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training.html#sect-Musicians_Guide-Solfege-Training-Aural_Skilla_and_Musical_Sensibility">13.3.1. オーラルスã‚
ルã¨éŸ³æ¥½çš„感性</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training-Exercise_Types.html">13.3.2. 課題ã®ã‚¿ã‚¤ãƒ—</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program.html">13.3.3. オーラルスã‚ルプãƒã‚°ãƒ©ãƒ を作る</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training-Supplementary_References.html">13.3.4. 補足ã®å‚ç…§</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html">13.4. 課題を使ã†</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html#sect-Musicians_Guide-Solfege-Listening_Exercises">13.4.1. Listening</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Singing_Exercises.html">13.4.2. Singing</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Configure_
Yourself_Exericses.html">13.4.3. Configure Yourself</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Rhythm_Exercises.html">13.4.4. Rhythm</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Dictation_Exercises.html">13.4.5. Dictation</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Harmonic_Progressions.html">13.4.6. Harmonic Progressions</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Intonation.html">13.4.7. Intonation</a></span></dt></dl></dd></dl></dd></dl></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>4.3.3. パッケージを更新ã•ã‚Œãªãã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="nex
t"><a accesskey="n" href="chap-Musicians_Guide-Audacity.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>第5ç« Audacity</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.3. トラックã«ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’è¿½åŠ ã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing.html" title="7.4. 曲を編集ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses.html" title="7.4.2. トラックã¨ãƒã‚¹ã‚’接続ã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size.html" title="7.4.4. リージョンã®å¤§ãã•ã‚’切り詰ã‚ã‚‹" /></head>
<body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.4.3. トラックã«ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’è¿½åŠ ã™ã‚‹" id="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks"><div class="titlepage"><div>
<div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks">7.4.3. トラックã«ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’è¿½åŠ ã™ã‚‹</h3></div></div></div><div class="para">
+ The next step is to add the regions into the tracks. It would be faster if we also cropped the regions at this point, but there are many reasons that it can be helpful to have longer regions, or rests (nearly silent space) within a region, so we'll keep them in tact for now.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ In the session sidebar (to the right of the canvas area), select the "Regions" tab. This list contains all of the regions in the session. Each region is listed once, regardless of how many times it appears in the timeline, or if it's even used at all.
+ </div></li><li class="listitem"><div class="para">
+ To add a region to the canvas area, simply click on the region's name, and drag it onto a track. The cursor will change as you do this, so that the vertical line of the cursor shows the point where the region will begin in the timeline.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ リージョンã®è¿½åŠ ã¯ã€ã“ã‚“ãªã«ç°¡å˜ï¼
+ </div><div class="para">
+ You guessed it though - there's more to it than that, and it mostly has to do with the setup of this particular file. You will notice that the region list has many similarly-named regions, and that most of the names correspond to particular tracks and a bus. The files are named so that you know what's on them. They are given a number so that you know the sequence in which they're to be added ("Marimba_1" regions before "Marimba_2"), and a letter "L" or "R" at the end to signify whether the region is the left or the right channel. Furthermore, the regions that start with "ens-" belong on the "voice" tracks ("ens" is short for "ensemble," meaning that those regions contain a small vocal ensemble, whereas the "Voice... " regions contain just one singer). The "Here_Is_How" regions belong before the "Create_the_Inconceivable" regions. Remember: there is no technical reason that the regions are named as they are. The names are there to help you edit and mix the song. We don't
need to use the "marimba2" tracks or bus yet, so just add all of the "Marimba_" regions to the "marimba1" tracks.
+ </div><div class="para">
+ ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’è¿½åŠ ã™ã‚‹ã†ã¡ã«ã€ã‚ãªãŸã¯ <span class="application"><strong>Ardour</strong></span> ã§ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’æ“作ã™ã‚‹ã“ã¨ã«ã¤ã„ã¦å¤šãã‚’å¦ã¶ã§ã—ょã†ã€‚以下ã¯ã€ãŸã‚ã«ãªã‚‹ãƒ’ントã§ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Use the mouse's scrollwheel (if you have one) to scroll vertically, seeing all the tracks.
+ </div></li><li class="listitem"><div class="para">
+ Hold down the 'Ctrl' button on the keyboard and use the mouse's scrollwheel to adjust the amount of time visible in the canvas window.
+ </div></li><li class="listitem"><div class="para">
+ Hold down the 'Alt' button on the keyboard and use the mouse's scrollwheel to scroll horizontally, moving along the timeline.
+ </div></li><li class="listitem"><div class="para">
+ After placing a region, you can move it around anywhere in the canvas area. You'll need to use the "Select/Move Objects" tool: click the pointing hand icon in the toolbar underneath the transport controls.
+ </div></li><li class="listitem"><div class="para">
+ If you are moving a region, be sure to click and drag from the large area above the coloured bar. If you click in the coloured bar at the bottom of the region, you will reduce the region's size.
+ </div></li><li class="listitem"><div class="para">
+ When you're just adding tracks like this, it's not important that they are synchronized perfectly. But you can use the "magnetic" snapping feature to automatically align the beginning of tracks to the second. As you slowly drag a region, when the start nears a second (indicated by vertical lines through the canvas area), the region will seem to "stick" to the second. Later, you may want to turn off this feature.
+ </div></li><li class="listitem"><div class="para">
+ Since we're just adding the regions imprecisely for now, put them into the appropriate track as tightly as possible, without overlapping.
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.4.2. トラックã¨ãƒã‚¹ã‚’接続ã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.4.4. リージョンã®å¤§ãã•ã‚’切り詰ã‚ã‚‹</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Arrange-Clarinet.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Arrange-Clarinet.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.6.5. クラリãƒãƒƒãƒˆãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’並ã¹ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing-Arrange.html" title="7.4.6. リージョンをæ£ã—ã„å ´æ‰€ã«ä¸¦ã¹ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Strings.html" title="7.4.6.4. 弦楽器リージョンを並ã¹ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Listen.html" title="7.4.7. èžã" /></head><body class="draft toc_embeded "><div id="tocdiv" cla
ss="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Strings.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Listen.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.4.6.5. クラリãƒãƒƒãƒˆãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’並ã¹ã‚‹" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Clarinet"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide
-Ardour-Editing-Arrange-Clarinet">7.4.6.5. クラリãƒãƒƒãƒˆãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’並ã¹ã‚‹</h4></div></div></div><div class="para">
+ As with the Strings regions, we will simply pick a suitable clarinet region, and move it into place, leaving the choice between multiples until later. When you're moving regions a long distance like this, it helps to zoom out for a bit.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Slide the "Clarinet_1A" region so that the sound begins just after 00:01:06.200
+ </div></li><li class="listitem"><div class="para">
+ Slide the "Clarinet_3A" region so that the sound begins just after 00:01:35.000
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Strings.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.4.6.4. 弦楽器リージョンを並ã¹ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Listen.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.4.7. èžã</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba_at_End.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba_at_End.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.6.3. マリンãƒã®çµ‚ã‚ã‚Šã‚’ãã‚ãˆã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing-Arrange.html" title="7.4.6. リージョンをæ£ã—ã„å ´æ‰€ã«ä¸¦ã¹ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Voice.html" title="7.4.6.2. ボイスリージョンã®ç¶šã" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Strings.html" title="7.4.6.4. 弦楽器リージョンを並ã¹ã‚‹" /></head><body class="draft toc_
embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Voice.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Strings.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.4.6.3. マリンãƒã®çµ‚ã‚ã‚Šã‚’ãã‚ãˆã‚‹" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba_at_End"><div class="titlepage"><div><div keep-together.within-column="always"><h4 c
lass="title" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba_at_End">7.4.6.3. マリンãƒã®çµ‚ã‚ã‚Šã‚’ãã‚ãˆã‚‹</h4></div></div></div><div class="para">
+ Now that we have roughly placed all the singers' regions, we can figure out where to put the concluding marimba passage.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Listen to the "ens-Create_the_Inconceivable" regions. We're going to start the marimba's ending regions somewhere after the highest singer has said "if you know what I mean," but before she stops singing the word "mean."
+ </div></li><li class="listitem"><div class="para">
+ It's up to you exactly where to re-start the marimba. Pick a place, and move the two "Marimba_3" region to that place in the "marimba1" bus, and the "Marimba_4" region in the "marimba2" bus.
+ </div></li><li class="listitem"><div class="para">
+ You may need to set up a range and use the transport's looping function to get the alignment exact.
+ </div></li><li class="listitem"><div class="para">
+ This particular entry is going to be difficult, because the low marimba enters quietly and blooms into sounding, while the higher marimba has a hard attack that dies. This means that, if you start both marimba tracks at the same time, the listener will perceive the lower track as starting after the higher track. If you don't believe me, try it out!
+ </div></li><li class="listitem"><div class="para">
+ ã“ã®å•é¡Œã‚’解決ã™ã‚‹ãŸã‚ã€ã‚ªãƒªã‚¸ãƒŠãƒ«ç·¨é›†è€… (Esther) ã¯ã€é«˜éŸ³ã®ãƒžãƒªãƒ³ãƒãŒä½ŽéŸ³ã®ãƒžãƒªãƒ³ãƒã‚ˆã‚Šå°‘ã—é…ã開始ã™ã‚‹ã‚ˆã†ã«ã—ã¾ã—ãŸã€‚
+ </div></li></ol></div>
+
+ </div><div class="para">
+ If you were to listen to the session so far, you would notice that the marimba is way too loud compared to the singers, and that everything sounds very narrow. This is because we're only arranging regions, and we haven't done any of the mixing yet!
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Voice.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.4.6.2. ボイスリージョンã®ç¶šã</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Strings.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.4.6.4. 弦楽器リージョンを並ã¹ã‚‹</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Arrange-Strings.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Arrange-Strings.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.6.4. 弦楽器リージョンを並ã¹ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing-Arrange.html" title="7.4.6. リージョンをæ£ã—ã„å ´æ‰€ã«ä¸¦ã¹ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba_at_End.html" title="7.4.6.3. マリンãƒã®çµ‚ã‚ã‚Šã‚’ãã‚ãˆã‚‹" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Clarinet.html" title="7.4.6.5. クラリãƒãƒƒãƒˆãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’並ã¹ã‚‹" /></head><
body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba_at_End.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Clarinet.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.4.6.4. 弦楽器リージョンを並ã¹ã‚‹" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Strings"><div class="titlepage"><div><div keep-together.within
-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Strings">7.4.6.4. 弦楽器リージョンを並ã¹ã‚‹</h4></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Slide the "Strings_1A" regions so that they start playing at about 00:00:28.00, which should leave plenty of room for the sound of the chairs, if you decided to keep it.
+ </div></li><li class="listitem"><div class="para">
+ The "Strings_4" region begins in the same way that the "Strings_1A" regions end. Listen to both, and choose which you prefer, then use the position of the sounds in the "Strings_1A" region to guide your trimming and alignment of the "Strings_4" region.
+ </div></li><li class="listitem"><div class="para">
+ The other two strings regions contain the same musical material as the "Strings_1A" region. We can't decide between them yet, so move them both past the end of the concluding marimba regions, so they won't be heard.
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba_at_End.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.4.6.3. マリンãƒã®çµ‚ã‚ã‚Šã‚’ãã‚ãˆã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Clarinet.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.4.6.5. クラリãƒãƒƒãƒˆãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’並ã¹ã‚‹</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Arrange-Voice.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Arrange-Voice.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.6.2. ボイスリージョンã®ç¶šã</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing-Arrange.html" title="7.4.6. リージョンをæ£ã—ã„å ´æ‰€ã«ä¸¦ã¹ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Arrange.html" title="7.4.6. リージョンをæ£ã—ã„å ´æ‰€ã«ä¸¦ã¹ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba_at_End.html" title="7.4.6.3. マリンãƒã®çµ‚ã‚ã‚Šã‚’ãã‚ãˆã‚‹" /></head><body class="dr
aft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Arrange.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba_at_End.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.4.6.2. ボイスリージョンã®ç¶šã" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Voice"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="
title" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Voice">7.4.6.2. ボイスリージョンã®ç¶šã</h4></div></div></div><div class="para">
+ Throughout this section, you will need to move un-placed regions out of the way, farter down the session, so that they don't interfere with the alignment process. Remember to lock the regions once you put them in place. They can be unlocked and re-aligned later, if you choose. Finally, it will help if you place a marker (like the "marimba-start" marker that we placed earlier) where each region will start. When you place a marker, you can click on it, and move the blue place-marker line. This will help you to align the start of sound in a region to the place where you want it to be.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Enable "solo" mode on the "voice" bus, so that you can hear it as well as the marimba busses.
+ </div></li><li class="listitem"><div class="para">
+ Slide the "Voice_1" regions so that the singer starts at about the same time as the higher marimba.
+ </div></li><li class="listitem"><div class="para">
+ Slide the "Voice_2" regions so that the singer starts at about <code class="literal">00:00:48.00</code>
+ </div></li><li class="listitem"><div class="para">
+ Slide the "ens-Here_Is_How-1" regions so that they start singing at about <code class="literal">00:01:33.300</code>
+ </div></li><li class="listitem"><div class="para">
+ Slide the "ens-Here_Is_How-2" (and the adjoined "ens-Here_Is_How-3") regions so that they start singing at about <code class="literal">00:02:11.500</code>
+ </div></li><li class="listitem"><div class="para">
+ After playing closer attention to "Voice_3" and "Voice_4," you realize that the singer misses a word ("plan <span class="emphasis"><em>in</em></span> you spider's ear") in "Voice_4." Because "Voice_3" doesn't contain the second part of "Voice_4," we'll need to trim the "Voice_4" region, and use both.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ The singer should start singing in "Voice_3" at about <code class="literal">00:02:24.500</code>
+ </div></li><li class="listitem"><div class="para">
+ The signer should start singing "and here is how" in "Voice_4" at about <code class="literal">00:02:43.000</code>
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Slide the "ens-Create_the_Inconceivable" regions so that they start singing at about <code class="literal">00:02:59.000</code>
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Arrange.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.4.6. リージョンをæ£ã—ã„å ´æ‰€ã«ä¸¦ã¹ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba_at_End.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.4.6.3. マリンãƒã®çµ‚ã‚ã‚Šã‚’ãã‚ãˆã‚‹</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.6. リージョンをæ£ã—ã„å ´æ‰€ã«ä¸¦ã¹ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing.html" title="7.4. 曲を編集ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Marimba.html" title="7.4.5.8. マリンãƒãƒªãƒ¼ã‚¸ãƒ§ãƒ³" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Voice.html" title="7.4.6.2. ボイスリージョンã®ç¶šã" /></head><body class="draft
toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Marimba.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Voice.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.4.6. リージョンをæ£ã—ã„å ´æ‰€ã«ä¸¦ã¹ã‚‹" id="sect-Musicians_Guide-Ardour-Editing-Arrange"><div class="titlepage"><div><div keep-together.within-column=
"always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Arrange">7.4.6. リージョンをæ£ã—ã„å ´æ‰€ã«ä¸¦ã¹ã‚‹</h3></div></div></div><div class="para">
+ We're going to start by arranging the marimba, since it plays a relatively consistent rhythm throughout most of the song. It is a good idea to start with something like this, so that the following tracks and regions can be related to it.
+ </div><div class="para">
+ All of the times here are given in minutes and seconds. The tutorial file is configured to use this unit by default, but if you have changed it, you will need to keep that in mind. Also, I have not cropped or trimmed the "Marimba_1" region, and it is located in the "marimba1" track, starting at 00:00:00.000. If you have modified that region, I suggest restoring it to the original size.
+ </div><div class="section" title="7.4.6.1. マリンãƒãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‹ã‚‰å§‹ã‚ã‚‹" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba">7.4.6.1. マリンãƒãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‹ã‚‰å§‹ã‚ã‚‹</h4></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ When you have made sure that the "Marimba_1" regions are not cropped or trimmed, and that they start at 00:00:00.000, we can lock it in place.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Right-click on the regions, and navigate to the 'Selected regions' menu, then click 'Lock' from that menu.
+ </div></li><li class="listitem"><div class="para">
+ Notice that <span class="application"><strong>Ardour</strong></span> puts > and < around the name of the region, in the canvas area.
+ </div></li><li class="listitem"><div class="para">
+ Also notice that you can no longer move the region with the "Select/Move Objects" tool.
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ ã•ã¦ã€ãã‚ŒãŒé–‹å§‹ã™ã‚‹æ£ç¢ºãªæ™‚刻を示ã™ãŸã‚ã«ãƒžãƒ¼ã‚«ãƒ¼ã‚’ç½®ãã¾ã™ã€‚セッションãŒå§‹ã¾ã£ã¦ã‹ã‚‰ï¼–秒ã§ã™ã€‚
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Zoom in appropriately so that you can see where the six-second mark on the ruler should go (but you needn't see it yet). Hold the 'Ctrl' button on the keyboard, and use the mouse's scrollwheel to zoom in, or press the '=' button on the keyboard to zoom in and the '-' button to zoom out.
+ </div></li><li class="listitem"><div class="para">
+ Move the cursor to near the six-second mark (again, not important to be precise yet), and right-click in the "Location Markers" row. Select 'New location marker' from the menu.
+ </div></li><li class="listitem"><div class="para">
+ 黄緑色ã®çŸ¢å°ãŒç¾ã‚Œã¾ã™ã‹ã‚‰ã€ã‚¯ãƒªãƒƒã‚¯ã‚¢ãƒ³ãƒ‰ãƒ‰ãƒ©ãƒƒã‚°ã—ã¦ã€é»„色ã®æ™‚計㌠00:00:06.000 ã¡ã‚‡ã†ã©ï¼–秒を指ã™ã‚ˆã†ã«ã—ã¦ã€ãƒžã‚¦ã‚¹ã‚’離ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Move the cursor over the marker, so it changes colours from yellow-green to red-tan (coral). Right-click and select 'Lock' from the menu, so that the marker will not be accidentally moved.
+ </div></li><li class="listitem"><div class="para">
+ Again, right-click while the cursor is over the marker. Select 'Rename' from the menu.
+ </div></li><li class="listitem"><div class="para">
+ A small window will appear. Write the name of the maker, "marimba-start," and click 'Rename' to set the new name.
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Since we will be adjusting the placement of regions in the timeline very precisely, we will need to use different "Snap/Grid Mode." Each setting is useful for a different kind of task.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ We can change the mode using the toolbar just above the canvas area. The pop-down menu probably says "Magnetic," indicating that it's in "Magnetic Snapping Mode," but it might also say "No Grid" or "Grid."
+ </div></li><li class="listitem"><div class="para">
+ No Grid: This mode gives the user full control over where they will place a region. It is useful for doing highly-precise alignment, as we're about to do.
+ </div></li><li class="listitem"><div class="para">
+ Grid: ã“ã®ãƒ¢ãƒ¼ãƒ‰ã¯ã€ãƒ¦ãƒ¼ã‚¶ãŒãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’ã€ã‚°ãƒªãƒƒãƒ‰ç·šã®ä¸Šã§å§‹ã¾ã‚‹ã‚ˆã†ã«ç½®ãã“ã¨ã—ã‹è¨±ã—ã¾ã›ã‚“。ã‚ãªãŸãŒå¤‰æ›´ã—ã¦ãªã„ãªã‚‰ã°ã€ã‚°ãƒªãƒƒãƒ‰ã¯ï¼’秒ã«è¨å®šã•ã‚Œã¦ã„ã‚‹ã¯ãšã§ã™ã‹ã‚‰ã€ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¯ï¼’秒間隔以外ã®ã¨ã“ã‚ã‹ã‚‰é–‹å§‹ã™ã‚‹ã“ã¨ã¯ã§ãã¾ã›ã‚“。<span class="application"><strong>Ardour</strong></span> ã¯ã€ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’奇数秒ã§å§‹ã‚ãŸã‚Šã€ãã®é–“ã®ã©ã“ã‹ã§å§‹ã¾ã‚‹ã‚ˆã†ã«é…ç½®ã™ã‚‹ã“ã¨ã‚’許ã—ã¾ã›ã‚“。
+ </div></li><li class="listitem"><div class="para">
+ Magnetic: This mode allows the user to place a region wherever they like, but when the start of the region is near a grid-line (an even-numbered second, in this session), the start of the region will automatically "snap" to that point. It behaves as if the start of regions were magnetically attracted to the grid lines.
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Adjust the snap/grid mode to "No Grid."
+ </div></li><li class="listitem"><div class="para">
+ Move the "Marimba_2" regions so that they are in the "marimba2" tracks, so that the sound in "Marimba_2" starts at about 15 seconds (00:00:15.000) on the timeline. You'll have to move the grinding of the chairs out of the way, if you decided to keep it. Move it to the "strings" tracks, before the "Strings" regions.
+ </div></li><li class="listitem"><div class="para">
+ Ensure that both the "marimba1" and "marimba2" busses are on solo mode, so you will be able to hear them both.
+ </div></li><li class="listitem"><div class="para">
+ Now here's the difficult part: you'll have to align the two tracks, so that they start together.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The sound in the "Marimba_2" regions should start at the same time as the second pattern in the "Marimba_1" tracks, which is at about 15 seconds on the timeline.
+ </div></li><li class="listitem"><div class="para">
+ You'll need to zoom in - it helps to be able to see the wave-form shapes of the regions. More importantly, zooming in allows you to adjust the placement of the regions with greater precision.
+ </div></li><li class="listitem"><div class="para">
+ 範囲をé¸æŠžã—ã¦ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã®ãƒ«ãƒ¼ãƒ—モードを使ã†ã¨ã‚ˆã„ã§ã—ょã†ã€‚ï¼’ã¤ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã®é–‹å§‹ç‚¹ã‚’何度もèžã„ã¦ã€ãれらãŒãã¡ã‚“ã¨ä¸¦ã‚“ã§ã„ã‚‹ã®ã‚’確èªä¸‹ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ If you feel like you've got it close, but not quite together, then try moving it far away, listening, then adjusting it closer again.
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ ã“ã®ãƒ‘ターンã®æœ€åˆã®ä½•ç§’ã‹ã‚’整列ã•ã›ã¦ã‚‚ã€ã„ãšã‚Œã€åŒæœŸãŒå–ã‚Œãªããªã‚‹ã§ã—ょã†ã€‚ãã‚Œã¯ã‹ã¾ã„ã¾ã›ã‚“。最åˆãŒã€æœ€ã‚‚æ°—ã«ãªã‚‹éƒ¨åˆ†ã§ã™ã€‚リスナーãŒï¼’ã¤ã®åŒæ™‚æ¼”å¥ã•ã‚Œã‚‹ãƒžãƒªãƒ³ãƒãƒˆãƒ©ãƒƒã‚¯ã®ã‚µã‚¦ãƒ³ãƒ‰ã«æ…£ã‚Œã¦ããŸé ƒã€ãã‚“ãªã«ç´°ã‹ã„注æ„ã‚’ã¯ã‚‰ã†ã“ã¨ã¯ãªããªã‚Šã¾ã™ã€‚ã•ã‚‰ã«ã€ãƒžãƒªãƒ³ãƒãƒˆãƒ©ãƒƒã‚¯ãŒåŒæœŸãŒå–ã‚Œãªããªã‚‹é ƒã«ã¯ã€ãƒªã‚¹ãƒŠãƒ¼ã¯æŒè©žã«æ³¨æ„ãŒè¡Œã£ã¦ã„ã‚‹ã“ã¨ã§ã—ょã†ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Remember to lock the "Marimba_2" region!
+ </div></li><li class="listitem"><div class="para">
+ リージョンã®æ®‹ã‚Šã‚’一緒ã«èžã„ã¦ã¿ã¾ã™ã€‚00:02:20.000 é ƒã®ã€ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã®çµ‚ã‚ã‚Šã¯ã€ã‚ãªãŸãŒé–‹å§‹ã‚’æ£ã—ã並ã¹ãŸãªã‚‰ã°ã€ã“ã¡ã‚‰ã‚‚並んã§ã„ã‚‹ã¯ãšã§ã™ã€‚高音ã¨ä½ŽéŸ³ã®ãƒžãƒªãƒ³ãƒãŒäº¤ä»£ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Move the "Marimba_3" regions so they start at approximately 00:03:20.000, with "Marmiba_3" in the "marimba1" tracks. We will find a final alignment later.
+ </div></li><li class="listitem"><div class="para">
+ Move the "Marimba_4" regions so they start at approximately the same time as the "Marimba_3" regions, but in the "marimba2" tracks. We will find a final alignment later.
+ </div></li></ol></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Marimba.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.4.5.8. マリンãƒãƒªãƒ¼ã‚¸ãƒ§ãƒ³</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Voice.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.4.6.2. ボイスリージョンã®ç¶šã</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_3_and_4.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_3_and_4.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.5.2. Clarinet_3 㨠Clarinet_4 リージョン</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html" title="7.4.5. åŒã˜ã‚‚ã®ã®è¤‡æ•°ã®éŒ²éŸ³ã‚’比較ã™ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html" title="7.4.5. åŒã˜ã‚‚ã®ã®è¤‡æ•°ã®éŒ²éŸ³ã‚’比較ã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings_1.html" title="7.4.5.3. St
rings_1 リージョン" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings_1.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.4.5.2. Clarinet_3 㨠Clarinet_4 リージョン" id="sect-Musicians_Guide-Ardour-Editing-Comp
are_Multiple_Recordings-Clarinet_3_and_4"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_3_and_4">7.4.5.2. Clarinet_3 㨠Clarinet_4 リージョン</h4></div></div></div><div class="para">
+ Listen to the Clarinet_3 and Clarinet_4 regions. Clarinet_4 starts with the same material that's in Clarinet_3, and ends with the same material that's in Clarinet_1A and Clarinet_1B. First rename the "Clarinet_3" regions to "Clarinet_3A," and the "Clarinet_4" regions to "Clarinet_3B." Then, we'll extract the Clarinet_1-like portion from the Clarinet_3B regions.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Under the transport toolbar, select the "Select/Move Ranges" tool, which looks like a double-ended left-to-right arrow with vertical lines at the sides.
+ </div></li><li class="listitem"><div class="para">
+ The cursor will change to look like a text-editing "I"
+ </div></li><li class="listitem"><div class="para">
+ Scroll to the end of the "Clarinet_3B" regions, so you can see the part the sounds like the "Clarinet_1" regions.
+ </div></li><li class="listitem"><div class="para">
+ Click and drag the mouse over the "Clarinet_1"-like region in one of the tracks, to select them.
+ </div></li><li class="listitem"><div class="para">
+ エディットグループã®ãŸã‚ã€<span class="application"><strong>Ardour</strong></span> ã¯ã€è‡ªå‹•çš„ã«ä¸¡æ–¹ã®ãƒˆãƒ©ãƒƒã‚¯ã§åŒã˜ã‚¨ãƒªã‚¢ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ We have to be sure to select all of the "Clarinet_1"-like material, so after you've selected a range, right-click on the range, and select 'Play Range' from the menu.
+ </div></li><li class="listitem"><div class="para">
+ é¸æŠžã—ãŸç¯„囲を変更ã—ãŸã„時ã¯ã€ç¯„囲é¸æŠžãƒœãƒƒã‚¯ã‚¹ã®ä¸Šã®è§’ã«ã‚ã‚‹æš—ã„色ã®å››è§’を使ã„ã¾ã™ã€‚ã“ã®ãƒœãƒƒã‚¯ã‚¹ã®ï¼‘ã¤ã«ã‚«ãƒ¼ã‚½ãƒ«ã‚’ç½®ãã¨ã€ä¸¡æ–¹å‘ã®çŸ¢å°ã«å¤‰ã‚ã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Now create a new region from the range. Right-click on the selected range, and select 'Bounce range to region list' from the menu.
+ </div></li><li class="listitem"><div class="para">
+ The range will appear as independent regions in the region list, called something like "clarinet-L-0-bounce-1". This isn't very helpful, so rename the regions to "Clarinet_1C--L" and "Clarinet_1C--R". Notice that the new regions are coloured white.
+ </div></li><li class="listitem"><div class="para">
+ We no longer need the range tool, so select the "Select/Move Objects" tool, which is the hand-shaped icon just to the left of the range tool, underneath the transport toolbar.
+ </div></li><li class="listitem"><div class="para">
+ The selected range will no longer be selected. Trim the end of the "Clarinet_3B" regions down to size, past the material that we just bounced to the region list, and past the near-silence before it.
+ </div></li><li class="listitem"><div class="para">
+ Now move the "Clarinet_3" regions back, to make room for the newly-created "Clarinet_1C" regions.
+ </div></li><li class="listitem"><div class="para">
+ Drag the new "Clarinet_1C" regions onto the canvas after the other "Clarinet_1" regions, and adjust the spacing of the other regions, if you wish.
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.4.5. åŒã˜ã‚‚ã®ã®è¤‡æ•°ã®éŒ²éŸ³ã‚’比較ã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings_1.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.4.5.3. Strings_1 リージョン</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Create_the_Inconceivable.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Create_the_Inconceivable.html
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@@ -0,0 +1,15 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.5.7. ens-Create_the_Inconceivable リージョン</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html" title="7.4.5. åŒã˜ã‚‚ã®ã®è¤‡æ•°ã®éŒ²éŸ³ã‚’比較ã™ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Here_Is_How.html" title="7.4.5.6. ens-Here_Is_How リージョン" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Marimba.html" title="7.4.5.8. ã
ƒžãƒªãƒ³ãƒãƒªãƒ¼ã‚¸ãƒ§ãƒ³" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Here_Is_How.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Marimba.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.4.5.7. ens-Create_the_Inconceivable リージョン" id="sect-Musicians_Guide-Ard
our-Editing-Compare_Multiple_Recordings-Create_the_Inconceivable"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Create_the_Inconceivable">7.4.5.7. ens-Create_the_Inconceivable リージョン</h4></div></div></div><div class="para">
+ ã“ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã«ã¯ã€åŒã˜æ›²ã®ï¼’ã¤ã®ãƒ†ã‚¤ã‚¯ãŒã‚ã‚Šã¾ã™ã€‚
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Listen to them both, and decide which you prefer - it's up to your preference. Remember, you can also reverse your choice later, because <span class="application"><strong>Ardour</strong></span> will not delete the material that you remove by trimming the region.
+ </div></li><li class="listitem"><div class="para">
+ 範囲ツールを使ã£ã¦ã€ã‚ãªãŸãŒå¥½ããªæ–¹ã®ãƒ†ã‚¤ã‚¯ã‚’å«ã‚€ç¯„囲をé¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Use the transport's looping mechanism, if you wish, to be sure that you selected the right range.
+ </div></li><li class="listitem"><div class="para">
+ Right-click on the range, then choose 'Crop region to range,' which will automatically trim the region for you.
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Here_Is_How.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.4.5.6. ens-Here_Is_How リージョン</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Marimba.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.4.5.8. マリンãƒãƒªãƒ¼ã‚¸ãƒ§ãƒ³</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Here_Is_How.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Here_Is_How.html
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@@ -0,0 +1,12 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.5.6. ens-Here_Is_How リージョン</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html" title="7.4.5. åŒã˜ã‚‚ã®ã®è¤‡æ•°ã®éŒ²éŸ³ã‚’比較ã™ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Voice.html" title="7.4.5.5. ボイスリージョン" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Create_the_Inconceivable.html" title="7.4.5.7. ens-Create
_the_Inconceivable リージョン" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Voice.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Create_the_Inconceivable.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.4.5.6. ens-Here_Is_How リージョン" id="sect-Musicians_Gui
de-Ardour-Editing-Compare_Multiple_Recordings-Here_Is_How"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Here_Is_How">7.4.5.6. ens-Here_Is_How リージョン</h4></div></div></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ens-Here_Is_How-1 ã¯ã€ä¼¼ãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®ï¼’ã¤ã®ãƒãƒ£ãƒ³ã‚¯ãŒã‚ã‚Šã¾ã™ã€‚ã©ã¡ã‚‰ã‚‚æ£ã—ã„ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ens-Here_Is_How-2 contains two chunks of similar audio. It's different from ens-Here_Is_How-1, but the second of these chunks has incorrect pitches, but the timing between the two chunks is correct.
+ </div></li><li class="listitem"><div class="para">
+ ens-Here_Is_How-3 ã¯ã€ ens-Here_Is_How-2 ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®ï¼’ã¤ã‚ã®ãƒãƒ£ãƒ³ã‚¯ã®æ£ã—ã„音程ã®ã‚‚ã®ãŒã‚ã‚Šã¾ã™ã€‚ens-Here_Is_How-2 ã®æ£ã—ã„タイミングをç¶æŒã—ãŸã„ã®ã§ã€ ens-Here_Is_How-3 ã‚’ ens-Here_Is_How-2 ã®ã¡ã‚‡ã†ã©ä¸Šã«ãƒ‰ãƒ©ãƒƒã‚°ã—ã¾ã™ã€‚ï¼’ã¤ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’並ã¹ã¦ã€ï¼“ã®æ³¢å½¢ãŒã§ãã‚‹ã ã‘ï¼’ã®æ³¢å½¢ã‚’ã‚«ãƒãƒ¼ã™ã‚‹ã‚ˆã†ã«èª¿æ•´ã—ã¾ã™ã€‚ã“れらã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¯ã€ä¸€ç·’ã«ç§»å‹•ã™ã‚‹ã‚ˆã†ã«æ³¨æ„ãã ã•ã„。
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Voice.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.4.5.5. ボイスリージョン</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Create_the_Inconceivable.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.4.5.7. ens-Create_the_Inconceivable リージョン</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Marimba.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Marimba.html
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@@ -0,0 +1,5 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.5.8. マリンãƒãƒªãƒ¼ã‚¸ãƒ§ãƒ³</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html" title="7.4.5. åŒã˜ã‚‚ã®ã®è¤‡æ•°ã®éŒ²éŸ³ã‚’比較ã™ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Create_the_Inconceivable.html" title="7.4.5.7. ens-Create_the_Inconceivable リージョン" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Arrange.html" title="7.4.6. リージョンをæ£ã
—ã„å ´æ‰€ã«ä¸¦ã¹ã‚‹" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Create_the_Inconceivable.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Arrange.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.4.5.8. マリンãƒãƒªãƒ¼ã‚¸ãƒ§ãƒ³" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Record
ings-Marimba"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Marimba">7.4.5.8. マリンãƒãƒªãƒ¼ã‚¸ãƒ§ãƒ³</h4></div></div></div><div class="para">
+ マリンãƒãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¯ã€èª¿æ•´ãŒä¸è¦ã§ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Create_the_Inconceivable.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.4.5.7. ens-Create_the_Inconceivable リージョン</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Arrange.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.4.6. リージョンをæ£ã—ã„å ´æ‰€ã«ä¸¦ã¹ã‚‹</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.5.4. 弦楽器リージョン</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html" title="7.4.5. åŒã˜ã‚‚ã®ã®è¤‡æ•°ã®éŒ²éŸ³ã‚’比較ã™ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings_1.html" title="7.4.5.3. Strings_1 リージョン" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Voice.html" title="7.4.5.5. ボイスリージョン" /></h
ead><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings_1.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Voice.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.4.5.4. 弦楽器リージョン" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings"><div cla
ss="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings">7.4.5.4. 弦楽器リージョン</h4></div></div></div><div class="para">
+ ã“れらã®ï¼”ã¤ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¯ã€ã™ã¹ã¦ã€é–¢é€£ã—ã¦ã„ã¦ã€å†…容もオーãƒãƒ©ãƒƒãƒ—ã—ã¦ã„ã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Strings_2 covers most of the same material as Strings_1, and goes for a bit longer. It doesn't have the noise of the chairs, but there is a playing mistake after about the first minute and 20 seconds (1:20), so we can't use the end.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 最後ã®ï¼“２秒程度を切り詰ã‚ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Rename this region to "Strings_1B"
+ </div></li><li class="listitem"><div class="para">
+ Rename the "Strings_1" regions to "Strings_1A," to match with 1B
+ </div></li><li class="listitem"><div class="para">
+ We'll decide which of these regions to use later.
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Strings_3 is also the same material, so rename it to "Strings_1C."
+ </div></li><li class="listitem"><div class="para">
+ Strings_4 starts with the place where Strings_1A went wrong, and goes on from there. Let's keep it as it is, for now.
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings_1.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.4.5.3. Strings_1 リージョン</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Voice.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.4.5.5. ボイスリージョン</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings_1.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings_1.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.5.3. Strings_1 リージョン</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html" title="7.4.5. åŒã˜ã‚‚ã®ã®è¤‡æ•°ã®éŒ²éŸ³ã‚’比較ã™ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_3_and_4.html" title="7.4.5.2. Clarinet_3 㨠Clarinet_4 リージョン" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings.html" title="7.4.5.4. 弦æ¥
½å™¨ãƒªãƒ¼ã‚¸ãƒ§ãƒ³" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_3_and_4.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.4.5.3. Strings_1 リージョン" id="sect-Musicians_Guide-Ardour-Editing-Compare_M
ultiple_Recordings-Strings_1"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings_1">7.4.5.3. Strings_1 リージョン</h4></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ ã“れらã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¯ã€èª¤ã£ã¦éŒ²éŸ³ã•ã‚ŒãŸã¶ã¤ã¶ã¤ã„ã†ãƒŽã‚¤ã‚ºã§å§‹ã¾ã‚Šã¾ã™ã€‚ãã®ã¾ã¾ã«ã™ã‚‹ãªã‚‰ã°ã€ãƒŽã‚¤ã‚ºã‚’リージョンリストã«å…¥ã‚Œã‚Œã°ã€ãã®å¾Œã«ç¶šã弦楽器ã¨ã¯åˆ¥ã«ç‹¬ç«‹ã—ã¦åˆ¶å¾¡ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ The new regions are probably called something like "strings-L-0-bounce-1". Because I know that the sound is chairs being moved across the floor in a room upstairs from the recording studio, I'm going to call the regions "Chairs--L" and "Chairs--R".
+ </div></li><li class="listitem"><div class="para">
+ ãã—ã¦ã€ Strings_1 リージョンã‹ã‚‰æ¤…åã®ãƒŽã‚¤ã‚ºã‚’除ãã¾ã—ょã†ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Since the marimba2 tracks aren't yet being used, we can put the Chairs regions there - at least for now - just to remember that we have them.
+ </div></li><li class="listitem"><div class="para">
+ Listen to the Strings_1 region. You'll notice that the noise of the chairs continues throughout the region. We can remove it later.
+ </div></li><li class="listitem"><div class="para">
+ You wouldn't know this without carefully listening to the song, or having the sheet music for "Here Is How," so I'll tell you: the musicians make a mistake near the end of this region, which is why the violinist says, "sorry," just after that.
+ </div></li><li class="listitem"><div class="para">
+ We'll need to remove the error, so adjust the end of the track to make it about six seconds earlier. In the canvas view, you want to put the end of the region just before the second-last "blob."
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_3_and_4.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.4.5.2. Clarinet_3 㨠Clarinet_4 リージョン</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.4.5.4. 弦楽器リージョン</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Voice.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Voice.html
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@@ -0,0 +1,53 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.5.5. ボイスリージョン</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html" title="7.4.5. åŒã˜ã‚‚ã®ã®è¤‡æ•°ã®éŒ²éŸ³ã‚’比較ã™ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings.html" title="7.4.5.4. 弦楽器リージョン" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Here_Is_How.html" title="7.4.5.6. ens-Here_Is_How リージョ
ン" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Here_Is_How.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.4.5.5. ボイスリージョン" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Voi
ce"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Voice">7.4.5.5. ボイスリージョン</h4></div></div></div><div class="para">
+ ã“れらã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¯ã„ãらã‹ã®ã‚ªãƒ¼ãƒãƒ©ãƒƒãƒ—ãŒã‚ã‚Šã¾ã™ãŒã€è¦‹åˆ†ã‘ã‚‹ã®ã¯ã‚ã‚Šã¨ç°¡å˜ã§ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Voice_1 contains two chunks of audio. The first one is good, but the singer had a problem making the second one clear, so we're not going to use it.
+ </div></li><li class="listitem"><div class="para">
+ Voice_2 contains the second chunk of audio that was recorded poorly in Voice_1. She also has a bit of a problem in Voice_2. Let's fix this up now.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Voice_1 リージョンを切り詰ã‚ã¦ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®ï¼’ã¤ã‚ã®ãƒãƒ£ãƒ³ã‚¯ã¨ã€ãã®å‰ã®é™å¯‚ã«è¿‘ã„部分を除ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ One way to deal with the Voice_2 region is simply to cut off the first part of the region, which contains the words "I have your flax-" and some near-silence.
+ </div></li><li class="listitem"><div class="para">
+ The second time the singer sings, "I have your flax-," it sounds a bit rushed, so I'm going to combine the first "I have your flax-" with the following "golden tails to ... "
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Use the "Select/Move Ranges" tool to select the first time the singer says "I have your flax-," being careful to capture all of the word "flax," but none of the near-silence that follows.
+ </div></li><li class="listitem"><div class="para">
+ Use the loop function of the transport to ensure you've got the right range selected:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Select a range, then right-click on the range and select 'loop range'.
+ </div></li><li class="listitem"><div class="para">
+ ç›´ã—ãŸã„時ã¯ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’æ¢ã‚ã€ç¯„囲を調整ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ To listen again, right-click on the range and select 'loop range'.
+ </div></li><li class="listitem"><div class="para">
+ You may need to zoom in so that you can adjust the range with sufficient detail. Hold the 'Ctrl' key on the keyboard, and use the scrollwheel to zoom in.
+ </div></li><li class="listitem"><div class="para">
+ When you're done with the looping function, remove the looping markers from the timeline. They look like green triangles with the word "Loop" written beside. Move the cursor over a triangle, so that it changes colour. Then press the 'Delete' button on the keyboard.
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ When you are happy with the range that you've selected, right-click on the range and choose 'Consolidate range' from the menu.
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> will create a region from the range that you selected, leaving it in-place. It will also divide the space in the region before and after the new region, leaving you with many smaller regions, all conveniently collected in the session toolbar's Regions list, under the blue-coloured "Voice_2--L" and "Voice_2--R" regions.
+ </div></li><li class="listitem"><div class="para">
+ Trim the rest of the original Voice_2 region, so that it starts with "golden," and does not contain any of the previous word ("flax-"). You don't need to use the range tool, but you can if you wish.
+ </div></li><li class="listitem"><div class="para">
+ Then, push the two regions together, so that it sounds like "I have your flax-golden tails to... "
+ </div></li><li class="listitem"><div class="para">
+ This isn't going to sound perfect, but you might prefer it to simply trimming the beginning off the Voice_2 region.
+ </div></li><li class="listitem"><div class="para">
+ It's important to remember to move both regions together. If they are accidentally separated, then you can easily enough move them back into place.
+ </div></li></ol></div>
+
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Voice_3 contains two chunks of audio. We'll leave it alone for now.
+ </div></li><li class="listitem"><div class="para">
+ Voice_4 contains the same two chunks of audio as Voice_3, but goes on to include more. We can't yet determine whether to use Voice_3 or Voice_4 for those two chunks, so we're going to leave them in both regions.
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.4.5.4. 弦楽器リージョン</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Here_Is_How.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.4.5.6. ens-Here_Is_How リージョン</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.5. åŒã˜ã‚‚ã®ã®è¤‡æ•°ã®éŒ²éŸ³ã‚’比較ã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing.html" title="7.4. 曲を編集ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size.html" title="7.4.4. リージョンã®å¤§ãã•ã‚’切り詰ã‚ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_3_and_4.html" title="7.4.5.2. Clarinet_3 㨠Clarinet_4
リージョン" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_3_and_4.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.4.5. åŒã˜ã‚‚ã®ã®è¤‡æ•°ã®éŒ²éŸ³ã‚’比較ã™ã‚‹" id="sect-Musicians_Guide-Ardour-Editing-Compar
e_Multiple_Recordings"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings">7.4.5. åŒã˜ã‚‚ã®ã®è¤‡æ•°ã®éŒ²éŸ³ã‚’比較ã™ã‚‹</h3></div></div></div><div class="para">
+ Part of the power of recording with a DAW is that the same material can be capture multiple times. Mixing and matching like this allows us to seek the "perfect" performance of a piece of music. A few of the regions in this file are multiple takes of the same material. There are a few occasions where we can definitively say that one is better than the other, and there are a few occasions where it depends on your personal taste. This section covers techniques that can be used to further cut up the audio, in this case with the end goal of comparing and choosing preferred sections. Not all choices will be made yet.
+ </div><div class="section" title="7.4.5.1. Clarinet_1 and Clarinet_2 リージョン" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_1_and_2"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_1_and_2">7.4.5.1. Clarinet_1 and Clarinet_2 リージョン</h4></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Listen to the Clarinet_1 and Clarinet_2 regions. They're the same musical material, and they're nearly identical, so it's too early to decide which one to use. But, let's label them so that we know they're the same.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Select the "Clarinet_1--L" region from the region list in the session toolbar by left-clicking on the triangle to the left of the blue name, so the white name appears, and left-clicking once on the white name. Remember that the white region was created when you trimmed the empty area out of the original (blue) region.
+ </div></li><li class="listitem"><div class="para">
+ ã‚‚ã†ä¸€åº¦ã€ç™½ã„åå‰ã‚’クリックã™ã‚‹ã¨ã€ãƒ†ã‚ストボックスãŒç¾ã‚Œã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Change the textbox so it says "Clarinet_1A--L"
+ </div></li><li class="listitem"><div class="para">
+ Press 'Enter' on the keyboard to set the name.
+ </div></li><li class="listitem"><div class="para">
+ 以下ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã®åå‰ã‚’ã“ã®ã‚ˆã†ã«å¤‰æ›´ã—ã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Clarinet_1--R" becomes "Clarinet_1A--R"
+ </div></li><li class="listitem"><div class="para">
+ "Clarinet_2--L" becomes "Clarinet_1B--L"
+ </div></li><li class="listitem"><div class="para">
+ "Clarinet_2--R" becomes "Clarinet_1B--R"
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Since Clarinet_1 and Clarinet_2 represent the same musical material, we've renamed them to show it. Now, they're both Clarinet_1, with two versions, "A" and "B."
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ There will be some naming inconsistencies at this point: the blue-coloured regions still have their original names, and the canvas area doesn't have any region called "Clarinet_2"! If this bothers you, you can rename the other regions to suit.
+ </div></li></ol></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.4.4. リージョンã®å¤§ãã•ã‚’切り詰ã‚ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_3_and_4.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.4.5.2. Clarinet_3 㨠Clarinet_4 リージョン</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.2. トラックã¨ãƒã‚¹ã‚’接続ã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing.html" title="7.4. 曲を編集ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing.html" title="7.4. 曲を編集ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks.html" title="7.4.3. トラックã«ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’è¿½åŠ ã™ã‚‹" /></head><body class="draft toc_embeded
"><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.4.2. トラックã¨ãƒã‚¹ã‚’接続ã™ã‚‹" id="sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="s
ect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses">7.4.2. トラックã¨ãƒã‚¹ã‚’接続ã™ã‚‹</h3></div></div></div><div class="para">
+ ç§ãŸã¡ã¯ã€å¿ƒã®ä¸ã§ã¯ãƒã‚¹ã®ã‚·ã‚¹ãƒ†ãƒ を作り上ã’ã¾ã—ãŸãŒã€ã¾ã ãれを <span class="application"><strong>Ardour</strong></span> ã«ã¯ä¼ãˆã¦ã„ã¾ã›ã‚“。<span class="application"><strong>QjackCtl</strong></span> ã§ãれを確ã‹ã‚ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚ã™ã¹ã¦ã®è¿½åŠ ã•ã‚ŒãŸãƒˆãƒ©ãƒƒã‚¯ã¨ãƒã‚¹ã¯ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªå‡ºåŠ›ã«ã¤ãªãŒã£ã¦ã„ã¾ã™ã€‚ã•ã‚‰ã«æ‚ªã„ã“ã¨ã«ã€ãƒã‚¹ã«ã¯ã€å…¥åŠ›ä¿¡å·ã¯ä½•ã‚‚ã‚ã‚Šã¾ã›ã‚“。ç§ãŸã¡ãŒãƒˆãƒ©ãƒƒã‚¯ã¨ãƒã‚¹ã‚’ã©ã®ã‚ˆã†ã«ã¤ãªãŽãŸã„ã®ã‹ã‚’ <span class="application"><strong>Ardour</strong></span> ã«ä¼ãˆã‚‹ã«ã¯ã€ï¼’ã¤ã®ã‚¢ãƒ—ãƒãƒ¼ãƒãŒã‚ã‚Šã¾ã™ã€‚ã“ã‚Œã‹ã‚‰ä¸¡æ–¹ã®ä¾‹ã‚’ã‚ã’ã¾ã™ã€‚ã‚ãªãŸãŒã€æ®‹ã‚Šã‚’仕上ã’ã¦ãã ã•ã„。
+ </div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ トラックã¨ãƒã‚¹ã‚’ã¤ãªã１ã¤ã®æ–¹æ³•ã¯ã€æŽ¥ç¶šã®å¤‰æ›´ãŒå°‘ãªã„時ã«é©ã—ã¾ã™ã€‚
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Select the "marimba1-L" track by clicking in the track's control area, underneath the controls.
+ </div></li><li class="listitem"><div class="para">
+ The editor mixer to the left of the canvas area should display the track's name near the top, and the track's colour (probably green in this case).
+ </div></li><li class="listitem"><div class="para">
+ If you can't see the editor mixer, open it by using the menu. Click 'View > Show Editor Mixer' so that it is checked. You can also press 'Shift + E' on the keyboard to toggle its display.
+ </div></li><li class="listitem"><div class="para">
+ After confirming that the editor mixer is showing the control for the "marimba1-L" track, look at the button on the bottom of the editor mixer, above 'Comments'. It should say "master", which means its output is connected to the master bus. This is not what we want, so click the "master" button.
+ </div></li><li class="listitem"><div class="para">
+ When you click the 'master' button, a menu pops up, allowing you to choose a different output. We want to connect the track to the "Bus-marimba1" bus, which isn't in the list, so choose 'Edit' from the menu.
+ </div></li><li class="listitem"><div class="para">
+ The connection window that appears looks confusing, but it isn't. Here's how it works:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The left side, labeled "Outputs," contains two output channels, "out 1" and "out 2," along with a list of everything to which those outputs are connected.
+ </div></li><li class="listitem"><div class="para">
+ The 'Add' button adds an output channel. We're outputting the signal to a stereo bus, so two is enough.
+ </div></li><li class="listitem"><div class="para">
+ The 'Remove' button removes an output channel.
+ </div></li><li class="listitem"><div class="para">
+ The 'Disconnect All' button removes all of the track's output connections.
+ </div></li><li class="listitem"><div class="para">
+ ã“ã®ãƒªã‚¹ãƒˆã§ã‚³ãƒã‚¯ã‚·ãƒ§ãƒ³ã‚’クリックã™ã‚‹ã¨ã€å‰Šé™¤ã•ã‚Œã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ The right side, labeled "Available connections," contains a list of all of the inputs offered by <code class="systemitem">JACK</code>.
+ </div></li><li class="listitem"><div class="para">
+ <code class="systemitem">JACK</code> 対応ã®ã‚¢ãƒ—リケーションã¯ã€ãã‚Œãžã‚Œã€ã‚¿ãƒ–ãŒã‚ã‚Šã€ãã®ä¸‹ã«ã‚³ãƒã‚¯ã‚·ãƒ§ãƒ³ã®ãƒªã‚¹ãƒˆãŒã‚ã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ã“ã®ãƒªã‚¹ãƒˆã®ã‚³ãƒã‚¯ã‚·ãƒ§ãƒ³ã‚’クリックã™ã‚‹ã¨ã€æœ€å¾Œã«é¸æŠžã•ã‚ŒãŸå‡ºåŠ›ãƒãƒ£ãƒãƒ«ã«ã€ãã‚ŒãŒåŠ ãˆã‚‰ã‚Œã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Click the 'Disconnect All' button.
+ </div></li><li class="listitem"><div class="para">
+ Click in the empty "out 1" list.
+ </div></li><li class="listitem"><div class="para">
+ From the "Available connections" list, click on the "Bus-marimba1/in 1" connection. It will be added to the "out 1" list.
+ </div></li><li class="listitem"><div class="para">
+ Then click on the "Bus-marimba1/in 2" connection. It will be added to the "out 2" list.
+ </div></li><li class="listitem"><div class="para">
+ The appearance of the connection lists will change to indicate that you've added a pair of connections.
+ </div></li><li class="listitem"><div class="para">
+ Click 'Close' to enable the connection change.
+ </div></li><li class="listitem"><div class="para">
+ Note that the "master" button now says something like "Bus-ma," because the track's output connection has changed.
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ コãƒã‚¯ã‚·ãƒ§ãƒ³ã‚’変更ã™ã‚‹ã‚‚ã†ï¼‘ã¤ã®æ–¹æ³•ã¯ã€ä»Šå›žå¿…è¦ã¨ãªã‚‹ã‚ˆã†ãªã€å¤§é‡ã®å¤‰æ›´ã‚’è¡Œã†ã®ã«ã€ãšã£ã¨é«˜é€Ÿã§ã™ã€‚
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <span class="guimenu"><strong>Window</strong></span> → <span class="guimenuitem"><strong>Track/Bus Inspector</strong></span> ã‚’é¸æŠžã—ã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The "Track/Bus Inspector" window will appear. It has a list of the tracks and busses on the left side, and four tabs of information on the right side.
+ </div></li><li class="listitem"><div class="para">
+ The "Inputs" and "Outputs" tabs allow you to view and configure the input and output connections of the selected track or bus. The two "Redirects" tabs allow you to configure plug-in settings, which are not discussed in this tutorial.
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Select the "Bus-marimba1" bus from the list.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ You should recognize the "Input" and "Output" tabs.
+ </div></li><li class="listitem"><div class="para">
+ Verify that the "marimba1-L" track is connected to this bus' input, and that the bus' output is connected to the "master" bus' inputs.
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Add both outputs of the "marimba1-R" track to the bus' input list.
+ </div></li><li class="listitem"><div class="para">
+ Check the outputs of the "marimba1-R" track. This isn't quite what we wanted, so remove the master bus connection.
+ </div></li><li class="listitem"><div class="para">
+ ä»–ã®ãƒˆãƒ©ãƒƒã‚¯ã‚‚ä¿®æ£ã—ã¦ã€ä»¥ä¸‹ã®ãƒ†ãƒ¼ãƒ–ルãŒç¤ºã™ã‚ˆã†ãªæŽ¥ç¶šã«ãªã‚‹ã‚ˆã†ã«ã—ã¦ãã ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ Verify the connections by viewing the busses' "Input" tabs.
+ </div></li><li class="listitem"><div class="para">
+ Verify that only the five busses are connected to the master bus' inputs.
+ </div></li></ol></div>
+
+ </div></li></ol></div>
+
+ </div><div class="figure" title="図7.7 Ardour ã§ã®ã‚³ãƒã‚¯ã‚·ãƒ§ãƒ³" id="ardour_connections"><div class="figure-contents"><div class="mediaobject"><img src="./images/FMG-Ardour-Connections.png" width="444" alt="Ardour ã§ã®ã‚³ãƒã‚¯ã‚·ãƒ§ãƒ³" /><div class="longdesc"><div class="para">
+ Ardour ã§ã®ã‚³ãƒã‚¯ã‚·ãƒ§ãƒ³
+ </div></div></div></div><h6>図7.7 Ardour ã§ã®ã‚³ãƒã‚¯ã‚·ãƒ§ãƒ³</h6></div><br class="figure-break" /></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.4. 曲を編集ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.4.3. トラックã«ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’è¿½åŠ ã™ã‚‹</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.4. リージョンã®å¤§ãã•ã‚’切り詰ã‚ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing.html" title="7.4. 曲を編集ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks.html" title="7.4.3. トラックã«ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’è¿½åŠ ã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html" title="7.4.5. åŒã˜ã‚‚ã®ã®è¤‡æ•°ã®éŒ²éŸ³ã‚’比較ã™ã‚‹" /
></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.4.4. リージョンã®å¤§ãã•ã‚’切り詰ã‚ã‚‹" id="sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size"><div class="titlep
age"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size">7.4.4. リージョンã®å¤§ãã•ã‚’切り詰ã‚ã‚‹</h3></div></div></div><div class="para">
+ Now it's appropriate to cut some of the regions down in size. We're going to do this by removing some of the nearly-silent space before and after the material that was intended to be recorded. There are a few special cases, so first there will be specific instructions on how to do this to a region, and then general instructions for each region.
+ </div><div class="para">
+ Let's start with the clarinet:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ First, set the clarinet bus to "solo" mode by pressing the 's' button on the bus' control space. This will allow us to hear only the clarinet bus.
+ </div></li><li class="listitem"><div class="para">
+ Listen to the first clarinet region by pressing "Home" on the keyboard to set the transport's playhead to the beginning, then pressing the space key to start the transport.
+ </div></li><li class="listitem"><div class="para">
+ クラリãƒãƒƒãƒˆãŒæ¼”å¥ã‚’始ã‚ã‚‹å‰ã«ã€ï¼’ï¼ç§’ãらã„ã®ã»ã¨ã‚“ã©é™ã‹ãªéƒ¨åˆ†ãŒã‚ã‚Šã¾ã™ã€‚注æ„ã—ã¦èžãã¨ã€éƒ¨å±‹ã®éŸ³ã‚„ã€èª°ã‹ãŒå°ç¯€æ•°ã‚’æ•°ãˆã¦ã„る声ãŒèžã“ãˆã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ If the channels aren't synchronized, you'll need to adjust their placement in the timeline. Use the yellow clock that appears when you drag regions - it's set to the same units as the secondary clock, and shows you the time of the beginning of the file. It's important to get it synchronized before the next step!
+ </div></li><li class="listitem"><div class="para">
+ Choose either the "L" or "R" region. If you're using edit groups, it doesn't matter which you choose, because <span class="application"><strong>Ardour</strong></span> will realize that the regions in both tracks are "group equivalent" (that is, they're basically the same, so they probably belong together).
+ </div></li><li class="listitem"><div class="para">
+ クラリãƒãƒƒãƒˆãŒé–‹å§‹ã™ã‚‹ç‚¹ã®è¿‘ãã®ã€ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã®è‰²ã®ã¤ã„ãŸãƒãƒ¼ã‚’マウスã§ã‚¯ãƒªãƒƒã‚¯ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> ã¯ã€ <span class="emphasis"><em>両方ã®ãƒˆãƒ©ãƒƒã‚¯</em></span>ã§è‡ªå‹•çš„ã«ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã®é–‹å§‹ç‚¹ã‚’移動ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Move the playhead by clicking in the rulers at the point where you want the playhead to be, so that you can listen to the regions to ensure that you didn't cut out any of the useful audio.
+ </div></li><li class="listitem"><div class="para">
+ If you want to adjust the beginning of the region, carefully move the mouse cursor to the start of the region, in the coloured bar. The cursor should turn into a double-ended left-and-right arrow. If you happened to accidentally remove some of the useful clarinet sound, you'll notice that it's still there. In fact, the beauty of trimming regions in this way is that it's "non-destructive," meaning that the entire original region is still there!
+ </div></li><li class="listitem"><div class="para">
+ Notice that when you made the first adjustment, <span class="application"><strong>Ardour</strong></span> put an arrow beside the region name in the region list of the session sidebar. If you click on the arrow, you will see that there is another copy of the same region underneath, but it's white. <span class="application"><strong>Ardour</strong></span> wants you to know that the white-coloured region is a modification of the blue-coloured region. If you drag the white-coloured region into the canvas area, you'll notice that it starts at the same time as the region you just modified. It can also be dragged out to the full size of the original region, which would create another modified version of the original. While it seems like <span class="application"><strong>Ardour</strong></span> stores multiple copies of the region, it actually just stores one copy, and the information required to make it seem like there are many.
+ </div></li><li class="listitem"><div class="para">
+ Adjust the end of the region so that there isn't too much silence after the clarinet. Be extra careful with this, so that you don't cut out any of the clarinet, which gets very quiet at the end of the region. There isn't much to cut off! Note that you cannot click in the coloured bar when adjusting the end of a region, so you'll have to click-and-drag.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ Here are the instructions to edit the rest of the regions. As you trim the regions, you may find it helpful to move them all towards the start of the session. Remember to change the bus that's in "solo mode" when you move to different tracks, or else you won't be able to hear the tracks you're trying to edit You may also notice that some of these regions contain identical or nearly-identical music, which we'll deal with later.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Clarinet
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Clarinet_2:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Starts with sound, but it's not useful, so cut it out, along with the silence after it.
+ </div></li><li class="listitem"><div class="para">
+ 終点ã«ã¯é•·ã„é™å¯‚ãŒã‚ã‚Šã¾ã™ã‹ã‚‰ã€å‰Šé™¤ã—ã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Clarinet_3, Clarinet_4: 最åˆã¨æœ€å¾Œã®é™å¯‚ã¯å‰Šé™¤ã—ã¾ã™ãŒã€é€”ä¸ã®é™å¯‚ã¯æ®‹ã—ã¦ãã ã•ã„。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Strings:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Strings_1: 開始時ã«ã¶ã¤ã¶ã¤ã„ã†ãƒŽã‚¤ã‚ºãŒå…¥ã‚Šã¾ã™ã€‚ãã®ã¾ã¾ã«ã—ã¦ã‚‚ã€å‰Šé™¤ã—ã¦ã‚‚よã„ã§ã™ã€‚Esther ã¯ãã®ã¾ã¾ã«ã™ã‚‹æ–¹ã‚’é¸ã‚“ã ã®ã§ã€ç§ã‚‚ãã†ã—ã¾ã—ょã†ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Strings_2, 3, 4: 開始時ã«é™å¯‚ã€çµ‚了時ã«ã¯ã»ã‚“ã®å°‘ã—。会話ã¯å‰Šé™¤ã—ã¦ã‚‚ã€å¾Œã§å¯¾ç–ã—ã¦ã‚‚よã„ã§ã™ã€‚
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Voice:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Voice_1, 2, 3, 4: Simply remove the silence from beginning and end, leaving the mistakes, which we'll take care of later.
+ </div></li><li class="listitem"><div class="para">
+ ens-Here_Is_How-1, 2, 3: It's too difficult for now to trim all of the extra noise, so just get most of it. The breating and shuffling can be removed later.
+ </div></li><li class="listitem"><div class="para">
+ ens-Create_the_Inconceivable: For now, keep both of the attempts. Later, we'll choose which one we prefer.
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Marimba:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Marimba_1: Don't trim the beginning of this region; we'll use it to time the start of the session. You can trim the silence at the end, but be sure that you don't clip it while the sound of the marimba is still ringing.
+ </div></li><li class="listitem"><div class="para">
+ Marimba_2, 3, 4, 5, 6, 7: Trim the silence around these as desired, still being careful not to clip the marimba while it's still ringing. This may require cautious listening at high volume settings.
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Now that we have roughly trimmed the silence surrounding the portions of audio that we really want, we'll have an easier time putting them in the right order.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.4.3. トラックã«ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’è¿½åŠ ã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.4.5. åŒã˜ã‚‚ã®ã®è¤‡æ•°ã®éŒ²éŸ³ã‚’比較ã™ã‚‹</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Listen.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Listen.html
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+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.7. èžã</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing.html" title="7.4. 曲を編集ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Clarinet.html" title="7.4.6.5. クラリãƒãƒƒãƒˆãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’並ã¹ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Ardour-Mixing.html" title="7.5. 曲をミã‚シングã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /></head><body class="draft toc_embeded "><div id="tocdiv" class=
"toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Clarinet.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mixing.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.4.7. èžã" id="sect-Musicians_Guide-Ardour-Editing-Listen"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Listen">7.4.7. èžã</h3></div></div></div><
div class="para">
+ Before moving on to the mixing stage, listen to the whole song, to make sure that the ordering makes sense. When you're listening, remember that the volume levels and balances will sound off, and that the whole session will sound very "centred" in the stereo image.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Clarinet.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.4.6.5. クラリãƒãƒƒãƒˆãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’並ã¹ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mixing.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.5. 曲をミã‚シングã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4. 曲を編集ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Ardour.html" title="第7ç« Ardour" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Tutorial_Files.html" title="7.3. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses.html" title="7.4.2. トラックã¨ãƒã‚¹ã‚’接続ã™ã‚‹" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><ifr
ame id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Tutorial_Files.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.4. 曲を編集ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" id="sect-Musicians_Guide-Ardour-Editing"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Ardour-Editing">7.4. æ›
²ã‚’編集ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</h2></div></div></div><div class="para">
+ This section covers the basics of preparing "Here Is How." The focus is on trimming the regions and placing them in the right position on the timeline. Since the goal is to replicate the form of the original song, there is little room for artistic freedom.
+ </div><div class="para">
+ ã“ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã‚’最大ã«æ´»ç”¨ã™ã‚‹ãŸã‚ã«ã¯ã€ä¸Šè¨˜ã®ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ãƒ•ã‚¡ã‚¤ãƒ«ã‚’使ã£ã¦ãã ã•ã„。ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ãƒ•ã‚¡ã‚¤ãƒ«ã«ã¤ã„ã¦ã®æŒ‡ç¤ºã«å¾“ã†ã“ã¨ã§ã€ã‚ãªãŸã¯æœ¬ç‰©ã®æ›²ã‚’作æˆã™ã‚‹ãŸã‚ã«ã€å®Ÿéš›ã«ç·¨é›†ã€ãƒŸã‚シングã€ãã—ã¦ãƒžã‚¹ã‚¿ãƒªãƒ³ã‚°ã™ã‚‹æŠ€è¡“を得られるã§ã—ょã†ã€‚ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ãƒ•ã‚¡ã‚¤ãƒ«ã‚’å¾—ã‚‹æ‰‹é †ã¯ã€<a class="xref" href="sect-Musicians_Guide-Ardour-Tutorial_Files.html" title="7.3. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«">「ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«ã€</a> ã‚’å‚照下ã•ã„。
+ </div><div class="section" title="7.4.1. トラックã¨ãƒã‚¹ã‚’è¿½åŠ ã™ã‚‹" id="sect-Musicians_Guide-Ardour-Editing-Add_Tracks_and_Busses"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Add_Tracks_and_Busses">7.4.1. トラックã¨ãƒã‚¹ã‚’è¿½åŠ ã™ã‚‹</h3></div></div></div><div class="para">
+ The program used to record these tracks was configured to record onto a separate track for the left and right channels, so <span class="application"><strong>Ardour</strong></span> will also have to be configured this way. It requires more setup, more memory, and more processing power, but it offers greater control over the stereo image and level balancing. We will use one track for vocals, clarinet, and strings, and two tracks for the marimba. This needs to be doubled to handle the stereo audio, so a total of ten tracks are needed. It might still be useful to manipulate the stereo tracks together, so we're going to combine them with five busses. This gives us the option of modifying both stereo channels or just one - you'll see how it works as the tutorial progresses. All of these actions take place within <span class="application"><strong>Ardour</strong></span>.
+ </div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ There is already a master bus, named "master". All audio being outputted should be fed through this bus.
+ </div></li><li class="listitem"><div class="para">
+ ５ã¤ã®æ–°ã—ã„ãƒã‚¹ã‚’作æˆã—ã¾ã™ï¼š
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ From the menu, select 'Track > Add Track/Bus'
+ </div></li><li class="listitem"><div class="para">
+ ５ã¤ã®ã‚¹ãƒ†ãƒ¬ã‚ªãƒã‚¹ã‚’è¿½åŠ ã™ã‚‹ã‚ˆã†ã«ã‚ªãƒ—ションを変更ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Click 'Add'
+ </div></li><li class="listitem"><div class="para">
+ Five busses should appear in the canvas area, named "Bus 1" through "Bus 5", underneath the master bus.
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Change the busses' names:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ At the left-most side of the canvas area, each bus has a space with controls, including a box with the bus' name.
+ </div></li><li class="listitem"><div class="para">
+ To rename a bus, use the mouse to left-click inside the box with the bus' name.
+ </div></li><li class="listitem"><div class="para">
+ ボックスã¯ãƒ†ã‚スト編集ボックスã«ãªã‚Šã¾ã™ã€‚内容を消ã—ã¦ã€æ–°ã—ã„åå‰ã‚’書ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ When you have entered the new name, press "Enter" on the keyboard to set it in <span class="application"><strong>Ardour</strong></span>.
+ </div></li><li class="listitem"><div class="para">
+ ボックスã¯ã€ãƒ†ã‚スト編集ボックスã§ã¯ãªããªã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Bus-marimba1
+ </div></li><li class="listitem"><div class="para">
+ Bus-marimba2
+ </div></li><li class="listitem"><div class="para">
+ Bus-voice
+ </div></li><li class="listitem"><div class="para">
+ Bus-strings
+ </div></li><li class="listitem"><div class="para">
+ Bus-clarinet
+ </div></li></ul></div>
+
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ １ï¼ã®æ–°ã—ã„トラックを作æˆã™ã‚‹ã€‚
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ From the menu, select 'Track > Add Track/Bus'
+ </div></li><li class="listitem"><div class="para">
+ １ï¼ã®ã€ãƒŽãƒ¼ãƒžãƒ«ãƒ¢ãƒ¼ãƒ‰ã®ãƒ¢ãƒŽãƒ©ãƒ«ãƒˆãƒ©ãƒƒã‚¯ã‚’è¿½åŠ ã™ã‚‹ã‚ˆã†ã«ã‚ªãƒ—ションをè¨å®šã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Click 'Add'
+ </div></li><li class="listitem"><div class="para">
+ Ten tracks should appear in the canvas area, named "Audio 1" through "Audio 10", underneath the busses.
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Change the tracks' names in the same way as you changed the busses' names. Remembering that each track here will hold only the left or right audio channel, each one should be pre- or post-fixed with a "0" or "L" for the left channel, or a "1" or "R" for the right channel. They should be called something like:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ marimba1-L
+ </div></li><li class="listitem"><div class="para">
+ marimba1-R
+ </div></li><li class="listitem"><div class="para">
+ marimba2-L
+ </div></li><li class="listitem"><div class="para">
+ marimba2-R
+ </div></li><li class="listitem"><div class="para">
+ voice-L
+ </div></li><li class="listitem"><div class="para">
+ voice-R
+ </div></li><li class="listitem"><div class="para">
+ strings-L
+ </div></li><li class="listitem"><div class="para">
+ strings-R
+ </div></li><li class="listitem"><div class="para">
+ clarinet-L
+ </div></li><li class="listitem"><div class="para">
+ clarinet-R
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Finally, we'll re-arrange the order of the tracks and busses. This isn't strictly necessary, and you can user whichever order you think makes the most sense. You might choose, for example, to put the marimba at the bottom, since it will be playing through most of the song.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ ã‚ャンãƒã‚¹ã‚¨ãƒªã‚¢ã®å³ã®ã‚»ãƒƒã‚·ãƒ§ãƒ³ã‚µã‚¤ãƒ‰ãƒãƒ¼ã‚’探ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ There are five tabs to choose: Regions, Tracks/Busses, Snapshots, Edit Groups, and Chunks. Select 'Tracks/Busses'
+ </div></li><li class="listitem"><div class="para">
+ All of the tracks and busses are shown in a list, along with a check-box that will show or hide that track or bus in the canvas area. Now you can see why it's a good idea to keep the word "bus" in the names of the busses.
+ </div></li><li class="listitem"><div class="para">
+ トラックã¨ãƒã‚¹ã®ä¸¦ã³é †ã‚’変ãˆã‚‹ã«ã¯ã€ãƒžã‚¦ã‚¹ã§ç§»å‹•ã—ãŸã„トラックã‚ã‚‹ã„ã¯ãƒã‚¹ã®åå‰ã‚’クリックã—ã¦ãƒ‰ãƒ©ãƒƒã‚°ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ トラックã‚ã‚‹ã„ã¯ãƒã‚¹ã®ãƒ‰ãƒ©ãƒƒã‚°ã‚’始ã‚ã‚‹ã¨ã€ãƒªã‚¹ãƒˆã«ç·šãŒç¾ã‚Œã¦ã€ãƒˆãƒ©ãƒƒã‚¯ã‚ã‚‹ã„ã¯ãƒã‚¹ã®ç§»å‹•å…ˆã‚’示ã—ã¾ã™ã€‚リストãŒè¦‹ãˆã«ãã„時ã¯ã€ãƒ‰ãƒ©ãƒƒã‚°ã—ã¦ã„るトラックã‚ã‚‹ã„ã¯ãƒã‚¹ã‚’å°‘ã—横ã«å‹•ã‹ã™ã¨ã‚ˆã„ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ インタフェースã§ã¯ã€ãƒˆãƒ©ãƒƒã‚¯ã‚ã‚‹ã„ã¯ãƒã‚¹ã‚’ä»–ã®ãƒˆãƒ©ãƒƒã‚¯ã‚ã‚‹ã„ã¯ãƒã‚¹ã®ä¸Šã«é‡ãられるよã†ã«è¦‹ãˆã‚‹ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“ãŒã€å®Ÿã¯ãã†ã§ã¯ã‚ã‚Šã¾ã›ã‚“。トラックã‚ã‚‹ã„ã¯ãƒã‚¹ãŒä»–ã®ãƒˆãƒ©ãƒƒã‚¯ã‚ã‚‹ã„ã¯ãƒã‚¹ã®ä¸Šã«é‡ãªã‚‹ã‚ˆã†ã«è¦‹ãˆã‚‹ã¨ãã€å®Ÿéš›ã«ã¯ãƒªã‚¹ãƒˆã®ä¸Šã§ãã®ãƒˆãƒ©ãƒƒã‚¯ã‚ã‚‹ã„ã¯ãƒã‚¹ã®ï¼‘ã¤å‰ã«ç½®ã‹ã‚Œã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 編集ã™ã‚‹ã«ã¯ã€ãƒã‚¹ã‚’ã€ãã‚ŒãŒåˆ¶å¾¡ã™ã‚‹ãƒˆãƒ©ãƒƒã‚¯ã®æ¬¡ã«ç½®ãã¨ä¾¿åˆ©ã§ã™ã€‚ã“ã‚Œã¯ã„ã¤ã§ã‚‚ã€å¾Œã‹ã‚‰å¤‰ãˆã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></li></ol></div>
+
+ </div></li></ol></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Tutorial_Files.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.3. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.4.2. トラックã¨ãƒã‚¹ã‚’接続ã™ã‚‹</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mastering-Choosing_Export_Format.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mastering-Choosing_Export_Format.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.6.2.2. Choose the Export Format</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window.html" title="7.6.2. Using the Export Window" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window.html" title="7.6.2. Using the Export Window" /><link rel="next" href="chap-Musicians_Guide-Qtractor.html" title="第8ç« Qtractor" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="
../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Qtractor.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.6.2.2. Choose the Export Format" id="sect-Musicians_Guide-Ardour-Mastering-Choosing_Export_Format"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Mastering-Choosing_Export_Format">7.6.2.2. Choose the Export
Format</h4></div></div></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> offers quite a variety of output formats, and knowing which to choose can be baffling. Not all options are available with all file types. Fedora Linux does not support MP3 files by default, for legal reasons. For more information, refer to <em class="citetitle">MP3 (Fedora Project Wiki)</em> <a href="http://fedoraproject.org/wiki/Multimedia/MP3">http://fedoraproject.org/wiki/Multimedia/MP3</a>.
+ </div><div class="para">
+ The tutorial's regions have 24-bit samples, recorded at a 48 kHz rate. Exporting any part of the session with a higher sample format or sample rate is likely to result in decreased audio quality.
+ </div><div class="para">
+ Recommended File Types:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ WAV: An uncompressed format designed by Microsoft. Recommended only if further audio manipulation is intended. Carries only audio data, so information like title, artist, and composer will be lost. Playable with almost any device.
+ </div></li><li class="listitem"><div class="para">
+ AIFF: An uncompressed format designed by Apple. Recommended only if further audio manipulation is intended. Carries only audio data, so information like title, artist, and composer will be lost. Playable with almost any DAW and some audio players.
+ </div></li><li class="listitem"><div class="para">
+ FLAC: An open-source compressed format. A "lossless" format, meaning no audio information is lost during compression and decompression. Audio quality is equal to WAV or AIFF formats. Capable of carrying metadata, so information like title, artist, and composer will be preserved. Widely supported in Linux by default. For other popular operating systems, refer to <em class="citetitle">Download Extras (FLAC Website)</em> at <a href="http://flac.sourceforge.net/download.html#extras">http://flac.sourceforge.net/download.html#extras</a> for a list of applications and programs capable of playing FLAC files. This is usually the best choice for distributing high-quality audio to listeners.
+ </div></li><li class="listitem"><div class="para">
+ Ogg/Vorbis: An open-source compressed format. A "lossy" format, meaning some audio information is lost during compression and decompression. Audio quality is less than WAV or AIFF formats, but usually better than MP3. Capable of carrying metadata, so information like title, artist, and composer will be preserved. Widely supported in Linux by default. For other popular operating systems, following the instructions on the <em class="citetitle">Vorbis Website</em> <a href="http://www.vorbis.com/">http://www.vorbis.com/</a>. This is a good choice for distributing good-quality audio to listeners.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ A higher setting for the sample format (explained in <a class="xref" href="sect-Musicians_Guide-Sample_Format.html" title="1.3.2. サンプルフォーマット">「サンプルフォーマットã€</a>) allows a greater amount of audio information to be stored per sample. 32 bit support is virtually non-existant, but and you will probably not need to use this format in the near future. The "float" format stores samples in a different internal format, and you will need it only rarely.
+ </div><div class="para">
+ If you are exporting audio for high-end equipment, or for further processing, choose the 24-bit format. Otherwise, choose the 16-bit format, which is the sample format of audio CDs.
+ </div><div class="para">
+ "Sample endianness" is a difficult concept to understand, and it has no effect on the resulting audio - just how it is stored.. Unless you are using a rare PowerPC computer, choose the "Little-endian (Intel)" option.
+ </div><div class="para">
+ A higher sample rate (explained in <a class="xref" href="sect-Musicians_Guide-Sample_Rate.html" title="1.3.3. サンプルレート">「サンプルレートã€</a> allows a greater amount of audio information to be stored, but increases the size of audio files.
+ </div><div class="para">
+ "Convesion quality" and "dither type" are not available options for the file formats offered in Fedora Linux.
+ </div><div class="para">
+ The "CD Marker File Type" allows you to export a CUE- or TOC-format list of CD tracks in the exported file. This is most useful when exporting a whole session, which contains a whole CD, that would be subsequently burned to disc.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.6.2. Using the Export Window</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Qtractor.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>第8ç« Qtractor</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.6.2. Using the Export Window</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Mastering.html" title="7.6. Mastering a Session" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Mastering.html" title="7.6. Mastering a Session" /><link rel="next" href="sect-Musicians_Guide-Ardour-Mastering-Choosing_Export_Format.html" title="7.6.2.2. Choose the Export Format" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../.
./../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mastering.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mastering-Choosing_Export_Format.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.6.2. Using the Export Window" id="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window">7.6.2. Using the Export Window<
/h3></div></div></div><div class="para">
+ Regardless of which export method you choose, the "Export" window is similar. When you export a region, you do not get to choose which tracks to export (by definition you are only exporting that region's track).
+ </div><div class="section" title="7.6.2.1. Choose Which Tracks to Export" id="sect-Musicians_Guide-Ardour-Mastering-Choosing_Tracks_to_Export"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Mastering-Choosing_Tracks_to_Export">7.6.2.1. Choose Which Tracks to Export</h4></div></div></div><div class="para">
+ By default, <span class="application"><strong>Ardour</strong></span> will export all audio in the range or session being exported. What it actually exports is all audio routed through the master output bus. You can see the list of tracks to export on the right side of the "Export" window. If you click the 'Specific Tracks' button, you will be able to choose from a list of all the tracks and busses in a session. Choosing specific tracks only makes sense if you do not want to export the master bus' output, so you should probably de-select that first.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mastering.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.6. Mastering a Session</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mastering-Choosing_Export_Format.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.6.2.2. Choose the Export Format</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mastering.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mastering.html
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@@ -0,0 +1,47 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.6. Mastering a Session</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Ardour.html" title="第7ç« Ardour" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Mixing-Listen.html" title="7.5.6. èžã" /><link rel="next" href="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window.html" title="7.6.2. Using the Export Window" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to vi
ew it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mixing-Listen.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.6. Mastering a Session" id="sect-Musicians_Guide-Ardour-Mastering"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Ardour-Mastering">7.6. Mastering a Session</h2></div></div></div><div class="para">
+ To be a true master at mastering sessions requires years of experience and careful optimization for the target format. Knowing just the right equalization and filtering settings to apply is an art in itself, worth a full user guide. This section is concerned with getting the audio out of a session, to a useful format.
+ </div><div class="section" title="7.6.1. Ways to Export Audio" id="sect-Musicians_Guide-Ardour-Mastering-Ways_to_Export"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mastering-Ways_to_Export">7.6.1. Ways to Export Audio</h3></div></div></div><div class="para">
+ There are three ways to export audio from an <span class="application"><strong>Ardour</strong></span> session:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ by region,
+ </div></li><li class="listitem"><div class="para">
+ by range, or
+ </div></li><li class="listitem"><div class="para">
+ by session.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ To export a region:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Ensure the region is placed in the canvas area.
+ </div></li><li class="listitem"><div class="para">
+ Right-click on the region.
+ </div></li><li class="listitem"><div class="para">
+ Select the region-name's menu, then 'Export'.
+ </div></li><li class="listitem"><div class="para">
+ Continue with the Export window.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ To export all audio in a range on the timeline:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Select the range with the "Select/Move Ranges" tool. Regardless of which track you select, all tracks can be exported.
+ </div></li><li class="listitem"><div class="para">
+ Right-click on the range.
+ </div></li><li class="listitem"><div class="para">
+ Select 'Export' from the menu.
+ </div></li><li class="listitem"><div class="para">
+ Continue with the Export window.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ To export all audio in a session:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ From the menu, select 'Session > Export > Export > Export session to audiofile', or on the keyboard, press 'Ctrl + Alt + e'
+ </div></li><li class="listitem"><div class="para">
+ Continue with the Export window.
+ </div></li></ol></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mixing-Listen.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.5.6. èžã</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.6.2. Using the Export Window</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.5.4. オートメーショントラックã§ã€ã•ã‚‰ã«èª¿æ•´ã‚’ã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Mixing.html" title="7.5. 曲をミã‚シングã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning.html" title="7.5.3. 最åˆã®ãƒ‘ニングをè¨å®šã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Ardour-Mixing-Other_Things.html" title="7.5.5. Other Things You Might Want to Do" /></head><bo
dy class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mixing-Other_Things.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.5.4. オートメーショントラックã§ã€ã•ã‚‰ã«èª¿æ•´ã‚’ã™ã‚‹" id="sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks"><div class="titlepage"><div><div ke
ep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks">7.5.4. オートメーショントラックã§ã€ã•ã‚‰ã«èª¿æ•´ã‚’ã™ã‚‹</h3></div></div></div><div class="para">
+ So far, we've been crudely adjusting the fader and panner settings manually. This won't work if you want to change the settings while a session is playing; you would have to change all of the settings by yourself, every time you play the session. This quickly becomes complicated - not to mention difficult to remember. "Automation" allows effects (like the panner and fader) to be moved automatically during session playback. An automation track is simply a track that contains no audio, but rather instructions to adjust a particular effect. Automation tracks usually resemble audio tracks, but they hold lines and points, to show the settings changes. Automation tracks can, in effect, be "recorded," but we're going to use a more basic editing method. Automation tracks can be assigned to busses and tracks.
+ </div><div class="para">
+ Here's how to create an automation track, and fill it in. We're going to adjust the fader on the lower marimba, so that it is louder in the introduction, and becomes quieter as the higher marimba and solo vocalist join in.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ In the canvas area, click the 'a' button on the "Bus-marimba1" bus' control box, to open the "automation" menu.
+ </div></li><li class="listitem"><div class="para">
+ Click 'Fader' in the automation menu.
+ </div></li><li class="listitem"><div class="para">
+ An automation track, which controls the fader, will appear underneath the bus.
+ </div></li><li class="listitem"><div class="para">
+ If you click in the automation track, a point will appear. Each point represents an absolute setting for the control. After the point appears, if you click-and-drag it, the yellow numbers by the cursor will tell you the fader's setting at that point.
+ </div></li><li class="listitem"><div class="para">
+ If there are two or more points in the automation track, lines will appear to connect them. The fader will be moved gradually between absolute settings, as shown by the line connecting the points.
+ </div></li><li class="listitem"><div class="para">
+ If you make a mistake and want to start over, you can press the 'clear' button on the automation track's control box. Unfortunately, you can't remove a single point. This isn't really necessary anyway; if you accidentally add too many points, simply use the extra one to keep a setting constant.
+ </div></li><li class="listitem"><div class="para">
+ Add one point to the beginning of the automation track, with a setting of 0.0Â dB
+ </div></li><li class="listitem"><div class="para">
+ Add one point at about 00:00:15.000, with a setting of 0.0Â dB
+ </div></li><li class="listitem"><div class="para">
+ Add one point at about 00:00:16.500 (where the singer starts), with a setting of -10.0Â dB, or whatever you set earlier.
+ </div></li><li class="listitem"><div class="para">
+ Now you've set up an automation plan, but the fader is still in "Manual" mode, so the automation track will have no effect. Change the automation track's setting by clicking on the mode button in the track's control box. The button currently says "Manual."
+ </div></li><li class="listitem"><div class="para">
+ From the menu, select "Play," which will cause the automation settings to be played. In "Manual" mode, you have to adjust all settings manually. In "Write" mode, changes that you make as the session plays will be recorded into the automation track, over-writing previous settings. In "Touch" mode, changes that you make as the session plays will be incorporated into the pre-existing automation settings.
+ </div></li><li class="listitem"><div class="para">
+ Finally, listen to confirm that you like the automated panner change. If you don't, you can always adjust it now or later.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ Now - here's the difficult part! Use automation to change the fader and panner settings throughout the session. In particular, ensure that the voice tracks are consistent.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.5.3. 最åˆã®ãƒ‘ニングをè¨å®šã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mixing-Other_Things.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.5.5. Other Things You Might Want to Do</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.5.6. èžã</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Mixing.html" title="7.5. 曲をミã‚シングã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Mixing-Other_Things.html" title="7.5.5. Other Things You Might Want to Do" /><link rel="next" href="sect-Musicians_Guide-Ardour-Mastering.html" title="7.6. Mastering a Session" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src
="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mixing-Other_Things.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mastering.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.5.6. èžã" id="sect-Musicians_Guide-Ardour-Mixing-Listen"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mixing-Listen">7.5.6. èžã</h3></div></div></div><div class="para">
+ When you have finished mixing the song, you must listen to it. You should listen to it with as many different devices as possible: headphones, speakers, home theater systems, and so on. You should also ask your friends and colleagues to listen to your work. Other people hear things differently from you, and will give you different feedback.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mixing-Other_Things.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.5.5. Other Things You Might Want to Do</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mastering.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.6. Mastering a Session</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.5.5. Other Things You Might Want to Do</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Mixing.html" title="7.5. 曲をミã‚シングã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks.html" title="7.5.4. オートメーショントラックã§ã€ã•ã‚‰ã«èª¿æ•´ã‚’ã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Ardour-Mixing-Listen.html" title="7.5.6. èžã" /></head><body class="draft toc_embeded "><div id=
"tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mixing-Listen.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.5.5. Other Things You Might Want to Do" id="sect-Musicians_Guide-Ardour-Mixing-Other_Things"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour
-Mixing-Other_Things">7.5.5. Other Things You Might Want to Do</h3></div></div></div><div class="para">
+ The mixing stage involves a lot of minor (and major) tweaking. Here are some things that you might want to do, which aren't adjusting the fader and panner settings:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Re-align tracks to ensure that they're synchronized.
+ </div></li><li class="listitem"><div class="para">
+ Find a meaningful way to incorporate the region with the sound of the chairs.
+ </div></li><li class="listitem"><div class="para">
+ Compare the currently-unused clarinet regions with the in-use ones. Try different combinations of the regions, and remove the unused regions from the session.
+ </div></li><li class="listitem"><div class="para">
+ Compare the currently-unused strings regions with the in-use ones. These regions are much longer than the clarinet regions, so you might even want to pick and choose ranges of regions to switch back and forth.
+ </div></li><li class="listitem"><div class="para">
+ Have a friend--or at least somebody else--listen to the mix you're preparing. Get their opinion on difficulties that you may be having, or use them as a more generic listener.
+ </div></li><li class="listitem"><div class="para">
+ Listen to the mix on different kinds of reproduction equipment (speakers and amplifiers). The same audio signals will sound different when played on different equipment.
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.5.4. オートメーショントラックã§ã€ã•ã‚‰ã«èª¿æ•´ã‚’ã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mixing-Listen.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.5.6. èžã</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.5.2. 最åˆã®ãƒ¬ãƒ™ãƒ«ã‚’è¨å®šã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Mixing.html" title="7.5. 曲をミã‚シングã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Mixing.html" title="7.5. 曲をミã‚シングã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="next" href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning.html" title="7.5.3. 最åˆã®ãƒ‘ニングをè¨å®šã™ã‚‹" /></head><body class="draft toc_embeded
"><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mixing.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.5.2. 最åˆã®ãƒ¬ãƒ™ãƒ«ã‚’è¨å®šã™ã‚‹" id="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_
Guide-Ardour-Mixing-Set_Initial_Levels">7.5.2. 最åˆã®ãƒ¬ãƒ™ãƒ«ã‚’è¨å®šã™ã‚‹</h3></div></div></div><div class="para">
+ 編集ã¨åŒæ§˜ã€ã“ã“ã§å¤§åˆ‡ãªã“ã¨ã¯ã€ãƒ¬ãƒ™ãƒ«ã‚’ã»ã¼æ£ã—ã„é ˜åŸŸã«è¨å®šã—ã¦ã€ãƒˆãƒ©ãƒƒã‚¯å…¨ä½“ã«ã‚ãŸã£ã¦ãã‚ŒãŒä½¿ãˆã‚‹ã‚ˆã†ã«ã™ã‚‹ã“ã¨ã§ã™ã€‚後ã§ã‚ªãƒ¼ãƒˆãƒ¡ãƒ¼ã‚·ãƒ§ãƒ³ãƒˆãƒ©ãƒƒã‚¯ã‚’使ã„始ã‚ã‚‹ã¨ã€ãƒ¬ãƒ™ãƒ«ã‚’微調整ã—ãŸã‚Šã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®ä¸ã§å¤‰ãˆãŸã‚Šã§ãるよã†ã«ãªã‚Šã¾ã™ã€‚以下ã¯ã€æœ€åˆã®ãƒ¬ãƒ™ãƒ«è¨å®šã®ãŸã‚ã«ä½¿ã†ã“ã¨ã®ã§ãる１ã¤ã®æ‰‹é †ã§ã™ã€‚
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Open the mixer window with the menu, by choosing 'Window > Mixer'. As mentioned earlier, it can be convenient to put the mixer window on another monitor or virtual desktop.
+ </div></li><li class="listitem"><div class="para">
+ ã™ã¹ã¦ã®ãƒ•ã‚§ãƒ¼ãƒ€ãƒ¼ã‚’ 0 dB ã«ã—ã¾ã™ã€‚ã‚ãªãŸãŒä»¥å‰ã«å¤‰ãˆãŸã‚Šã—ã¦ã„ãªã‘ã‚Œã°ã€æ—¢ã«ãã®ãƒ¬ãƒ™ãƒ«ã«ãªã£ã¦ã„ã‚‹ã§ã—ょã†ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Take the quietest track, when set to 0 dB, as the limiting factor on how loud the other tracks should be. Since it's generally safer to avoid amplifying audio signals, if we use the quietest track as the "base-line," then we'll have to adjust the level of the other tracks <span class="emphasis"><em>down</em></span> to suit. In this case, the voice tracks are the quietest.
+ </div></li><li class="listitem"><div class="para">
+ At this point, it's best to stick with adjusting the busses' faders. If you adjust the faders on the tracks, this will affect the panning, and could lead to confusing problems later.
+ </div></li><li class="listitem"><div class="para">
+ Play through the session, and adjust the faders of the busses so that all of the tracks can be heard equally well. Remember that you're just aiming for <span class="emphasis"><em>most</em></span> of the session to be balanced at this point; a single fader setting is unlikely to be acceptable for the entire session.
+ </div></li><li class="listitem"><div class="para">
+ フェーダーè¨å®šã‚’変ãˆã‚‹ã«ã¯ã€ï¼’ã¤ã®æ–¹æ³•ãŒã‚ã‚Šã¾ã™ï¼š
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ レベルメーターã®å·¦ã«ã‚ã‚‹åž‚ç›´ã®ãƒ‰ãƒƒãƒˆã®ã¤ã„ãŸã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ã‚¹ãƒˆãƒªãƒƒãƒ—（トラックã®æ¼”å¥ä¸ã«å…‰ã‚Šã¾ã™ã€‚）をクリックアンドクリックã™ã‚‹ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Use the indicator box as a text field: click in the box, erase the number that it shows, and write in a new number. Press 'enter' on the keyboard to set the new value.
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ ã‚ャンãƒã‚¹ã‚¨ãƒªã‚¢ã§ã€ãƒˆãƒ©ãƒƒã‚¯ã¨ãƒã‚¹ã®è¡¨ç¤ºã®é †åºã‚’変ãˆã‚‹ã¨ã€ãƒŸã‚サーウインドウã®è¡¨ç¤ºã‚‚変ã‚ã‚Šã¾ã™ã€‚ãƒã‚¹ã‚’全部一緒ã«ã™ã‚‹ã¨ã€è¦‹ã‚„ã™ã„ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。
+ </div></li><li class="listitem"><div class="para">
+ You could also choose to not display the tracks, again allowing you to focus on the busses that you will be changing. Do temporarily hide a track or bus in the mixer window, use the toolbox on the left side of the mixer window. Un-check the "Show" box for each of the tracks or busses that you want to temporarily hide.
+ </div></li><li class="listitem"><div class="para">
+ The "maximum level" indicator on the fader tool might help you to judge how loud each track is. This indicator is located above the meter, underneath the "Solo" button. The indicator displays the highest level produced by the track since the indicator's last reset. You can reset the indicator by clicking on it.
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mixing.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.5. 曲をミã‚シングã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.5.3. 最åˆã®ãƒ‘ニングをè¨å®šã™ã‚‹</a></li></ul></body></html>
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+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.5.3. 最åˆã®ãƒ‘ニングをè¨å®šã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Mixing.html" title="7.5. 曲をミã‚シングã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels.html" title="7.5.2. 最åˆã®ãƒ¬ãƒ™ãƒ«ã‚’è¨å®šã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks.html" title="7.5.4. オートメーショントラックã§ã€ã•ã‚‰ã«èª¿æ•´ã‚’ã™ã‚‹" /></head
><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.5.3. 最åˆã®ãƒ‘ニングをè¨å®šã™ã‚‹" id="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning"><div class="titlepage"><div><div keep-together.within-c
olumn="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning">7.5.3. 最åˆã®ãƒ‘ニングをè¨å®šã™ã‚‹</h3></div></div></div><div class="para">
+ Setting up the initial panning takes quite a bit more thought than setting the initial levels. Different music will have different requirements, but the main purpose of adjusting the panning for this sort of recorded acoustic music is to ensure that each performer has a unique and unchanging position in the stereo image. When humans are listening to music, they implicitly ascribe a "location" to the sound - where their brain thinks it should be coming from. When listening to recorded music, we understand that the sound is actually coming from speakers or a set of headphones, and that the performers are not actually there. Even so, it can be difficult, tiring, and unpleasant to listen to music where the imagined position of a performer or sound is constantly changing - just as it's difficult and tiring to listen to music which is has poorly balanced levels.
+ </div><div class="para">
+ As if it weren't already difficult enough, the stereo image is created in our minds as a complex combination of many factors: quieter sounds and later sounds seem to be farther away than louder and earlier sounds. Although the DAW's panner can only put the signal somewhere in a straight line between "all the way left" and "all the way right," our brains process sound as existing in a three-dimensional world. A master audio engineer will be able to control these factors with relative ease, but for us it's going to involve much more trial and error.
+ </div><div class="para">
+ A particular obstacle with this session is that the regions with the soloist put her in a different imagined position than the regions where the soloist is singing with other singers. Because these happen in the same tracks, we'll use automated panner and fader tracks to help solve this problem. Listen for yourself: start at about 00:02:40.000, and pay attention to where the soloist seems to be standing in the "Voice_4" regions and the "ens-Create_the_Inconceivable" regions. It seems to me like she moves from nearby on the right to a farther distance just to the left; somehow without bumping into the other people in the vocal ensemble, or the strings, which also seem to be in the way! You might argue that most listeners would not pick this up, and that's probably the case. Even so, I would counter that the drastic change of level and panning would be passively detected by those same people, even if they only consciously perceive it as being "not quite right."
+ </div><div class="para">
+ Here's one way to start:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Listen to the session as needed, and see if you can place the location of the instruments/singers throughout most of the session. You'll need to remember this, so consider writing it down, or drawing a map.
+ </div></li><li class="listitem"><div class="para">
+ Now, draw a map of where you think everything should be. Especially in non-standard ensembles like this, there is no pre-defined seating or standing arrangement. Some tracks will need very little adjustment, but others may need extensive adjustment. In general, the less tweaking required, the better the session will sound - so if something seems like a track already has a consistent location, and it doesn't conflict with other tracks, then it's probably better to leave it alone.
+ </div></li><li class="listitem"><div class="para">
+ Here's what I hear. It may be different from what you hear, especially if you happened to do your initial level-setting differently:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Both of the marimba tracks are consistent throughout. The "marimba1" tracks seem to be about 5 metres in front of me, of to the left a bit. The "marimba2" tracks seem to be about the same distance away, but almost directly to my right.
+ </div></li><li class="listitem"><div class="para">
+ All of the strings regions seem to be consistent, with the violin placed just left-of-centre, and the 'cello just right-of-centre. They seem to be a bit closer than the marimbas.
+ </div></li><li class="listitem"><div class="para">
+ クラリãƒãƒƒãƒˆã¯ã€é«˜éŸ³ãƒžãƒªãƒ³ãƒã®å対å´ã€ï¼•ãƒ¡ãƒ¼ãƒˆãƒ«ã®è·é›¢ã€ä¸å¿ƒã¨å·¦ã®ä¸é–“ã«ã‚ã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ボーカルアンサンブルã¯å¼¦æ¥½å™¨ã¨åŒã˜æ‰€ã«ã‚ã‚Šã¾ã™ã€‚å³ã«å°‘ã—ã€ã¯ã¿å‡ºã¦ã„ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ソãƒãƒœãƒ¼ã‚«ãƒªã‚¹ãƒˆã¯ãƒœãƒ¼ã‚«ãƒ«ã‚¢ãƒ³ã‚µãƒ³ãƒ–ルã®ç”·æ€§æŒæ‰‹ã¨åŒã˜æ‰€ã«ç«‹ã£ã¦ã„ã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Here's how I plan to fix it; directions are given assuming the listener is looking north:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ リスナーをåŠå††å½¢ã«å›²ã‚€ã€ï¼’ã¤ã®æ¼”å¥è€…ã®åˆ—を確立ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 弦楽器ã¯è¿‘ã„æ–¹ã®åˆ—ã®åŒ—西ã«ç½®ãã¾ã™ã€‚å·¦ã«å°‘ã—å‹•ã‹ã™å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ボーカルソリストã¯ã€è¿‘ã„æ–¹ã®åˆ—ã®åŒ—æ±ï¼ˆã¾ã‚“ãªã‹ï¼‰ã«ç½®ãã¾ã™ã€‚彼女を<span class="emphasis"><em>å°‘ã—ã ã‘</em></span>å·¦ã«å‹•ã‹ã™å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ボーカルアンサンブルã¯ã€è¿‘ã„æ–¹ã®åˆ—ã®åŒ—ã‹ã‚‰åŒ—西ã«åºƒãŒã£ã¦ç½®ãã¾ã™ã€‚ソリストã¯ã€åŒã˜å ´æ‰€ã«ã„ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚アンサンブルを近ãèžã“ãˆã‚‹ã‚ˆã†ã«ã™ã‚‹ã«ã¯ã€ãƒ•ã‚§ãƒ¼ãƒ€ãƒ¼è¨å®šãŒå¿…è¦ã§ã—ょã†ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 低音マリンãƒã¯ã€å¤–å´ã®åˆ—ã®åŒ—西ã«ç½®ãã¾ã™ã€‚ã“ã‚Œã¯èª¿æ•´ãŒä¸è¦ã§ã—ょã†ã€‚ã‚ã‚‹ã„ã¯å°‘ã—å·¦ã«ç§»å‹•ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 高音マリンãƒã¯ã€å¤–å´ã®åˆ—ã®åŒ—æ±ã«ç½®ãã¾ã™ã€‚å°‘ã—å·¦ã«ç§»å‹•ãŒå¿…è¦ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ クラリãƒãƒƒãƒˆã¯å¤–å´ã®åˆ—ã®åŒ—。大ããå³ã«å‹•ã‹ã™å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></li></ol></div>
+
+ </div><div class="para">
+ I chose that particular layout because it requires relatively minimal adjustment, and it makes a certain amount of sense in terms of traditional instrumental ensemble seating patterns. Also, the notes played by the clarinet in this song seem suitable to appear as if from far away, and the passages are played with good expression, so I think it will be relatively easy for me to acheive that effect. The most important consideration was the placement of the vocal ensemble and the solo vocalist within it. Although the solo vocalist sings the highest part in the ensemble ("soprano"), the stereo recording seems to indicate that she was not standing at the left-most position in the ensemble (I also know this because I was present during the recording). This adds an extra difficulty, in that the fader and panner settings for the whole voice track must be based on the moment in the "ens-Create_the_Inconceivable" region where the second-highest singer ("alto") sings just after the
highest singer, who is the soloist.
+ </div><div class="para">
+ Make rought adjustments to most of the tracks, to place them in approximately the right space in the stereo image. You may wish to adjust an individual track's panner setting, in addition to the busses' panner settings; they will have a slightly different effect. For the marimba tracks, you may wish to fine-tune things now, adjusting the fader settings. Because these tracks are so consistent, they will require relatively little automation, and therefore will benefit more from a more thorough initial set-up procedure. Remember that it's better to be turning down the fader than turning it up!
+ </div><div class="para">
+ It's probably easier to avoid working with the voice tracks for now.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.5.2. 最åˆã®ãƒ¬ãƒ™ãƒ«ã‚’è¨å®šã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.5.4. オートメーショントラックã§ã€ã•ã‚‰ã«èª¿æ•´ã‚’ã™ã‚‹</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.5. 曲をミã‚シングã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Ardour.html" title="第7ç« Ardour" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Listen.html" title="7.4.7. èžã" /><link rel="next" href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels.html" title="7.5.2. 最åˆã®ãƒ¬ãƒ™ãƒ«ã‚’è¨å®šã™ã‚‹" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../.
./../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Listen.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.5. 曲をミã‚シングã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" id="sect-Musicians_Guide-Ardour-Mixing"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Ardour-Mixing">7.5. 曲をミã‚シングã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆ
リアル）</h2></div></div></div><div class="para">
+ The next stage is called "mixing," and it primarily involves two tasks: setting volume levels, and adjusting the stereo pan settings. We'll use automation to store our fader and panning adjustments, and see how handy it can be to have left and right channels recorded on separate tracks, combined with sub-master busses.
+ </div><div class="para">
+ In terms of producing a recording of a live musical performance, it is the mixing stage where the audio engineer (in this case, you) has the most creative influence. Careful adjustment and tuning of the tracks will greatly affect the listeners' experience.
+ </div><div class="para">
+ Finally, it should be noted that, moreso than in the editing stage, the mixing stage should <span class="emphasis"><em>not</em></span> be understood as progressing in a linear manner. This means you should not be following the tutorial from start to finish, but jumping between sections are desired. You should set up the tracks for stereo output first, and then read through all the sections and follow their advice as you wish, but sometimes returning to previous activities to re-tune those settings. When one setting is changed, it tends to have an effect on other settings, so if you set the level of a track once, then change its panning, you should check that the levels you set are still desirable - they'll probably need some tweaking, however minor it may be.
+ </div><div class="section" title="7.5.1. ステレオ出力ã®ãŸã‚ã«ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®è¨å®šã‚’è¡Œã„ã€ã‚¨ãƒ‡ã‚£ãƒƒãƒˆã‚°ãƒ«ãƒ¼ãƒ—を解除ã™ã‚‹" id="sect-Musicians_Guide-Ardour-Mixing-Enabling_Stereo_Output"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mixing-Enabling_Stereo_Output">7.5.1. ステレオ出力ã®ãŸã‚ã«ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®è¨å®šã‚’è¡Œã„ã€ã‚¨ãƒ‡ã‚£ãƒƒãƒˆã‚°ãƒ«ãƒ¼ãƒ—を解除ã™ã‚‹</h3></div></div></div><div class="para">
+ Part of the reason that the session sounds so bad is that all of the audio has been routed through both the left and right channels equally, making it a "mono" recording, even though we have the material of a "stereo" recording. This could easily have been done sooner, but it wouldn't have made much of a difference until now. Whereas mixing was focussed on getting the regions assembled so that they are like the song, mixing is about fine-tuning the regions and tracks so that they make the song sound great.
+ </div><div class="para">
+ Disabling the edit groups is also a good idea, because leaving them enabled actually <span class="emphasis"><em>reduces</em></span> functionality in this stage of production. With edit groups enabled, any change that we make to one of the tracks will automatically be made to the other track, too. We want to be able to adjust the tracks independently; for cases where both tracks need the same adjustment, we will use the sub-master bus to which they're attached.
+ </div><div class="para">
+ These steps will disable the edit groups, and re-configure this session's tracks for stereo output.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ トラックを独立ã—ã¦èª¿æ•´ã—ãŸã„ã®ã§ã€ã‚¨ãƒ‡ã‚£ãƒƒãƒˆã‚°ãƒ«ãƒ¼ãƒ—を一時的ã«ç„¡åŠ¹ã«ã—ãªã‘ã‚Œã°ã„ã‘ã¾ã›ã‚“。
+ </div></li><li class="listitem"><div class="para">
+ Flip to the "Edit Groups" tab of the session sidebar.
+ </div></li><li class="listitem"><div class="para">
+ Uncheck the "Active" button for all the groups. If you want to re-enable an edit group later, simply re-check the "Active" button.
+ </div></li><li class="listitem"><div class="para">
+ Open the mixer window by selecting from the menu 'Window > Show Mixer'. If you have a multiple-monitor setup, it can be very useful to keep the mixer window on a separate monitor from the main editor window. If you don't have a multiple-monitor setup, you can keep the mixer window on a separate virtual desktop. Of course, these are both optional steps.
+ </div></li><li class="listitem"><div class="para">
+ Near the bottom of each track's mixer, above the buttons, is a small black rectangle with three grey triangles and a green vertical line. Each of the busses have two of these rectangles. This controls the panner, which adjusts a track's left/right position in the stereo image.
+ </div></li><li class="listitem"><div class="para">
+ You can adjust the panner by click-and-dragging in the panner display. You don't need to click on the green line, but the line will show you the approximate placement of the track in the stereo image.
+ </div></li><li class="listitem"><div class="para">
+ Each "left" track, ending with a capital "L," should have the green line set all the way to the left.
+ </div></li><li class="listitem"><div class="para">
+ Each "right" track, ending with a capital "R," should have the green line set all the way to the right.
+ </div></li><li class="listitem"><div class="para">
+ Each bus is probably already set correctly. The bus' upper window represents the left channel, and the green line should be all the way left. The bus' lower window represents the right channel, and the green line should be all the way right.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ The mixer control located above the panner is called the "fader," and it allows you to adjust a track's level.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Listen.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.4.7. èžã</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.5.2. 最åˆã®ãƒ¬ãƒ™ãƒ«ã‚’è¨å®šã™ã‚‹</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.2.6. 録音レベル（ボリューム）を調整ã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html" title="7.2. セッションを録音ã™ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks.html" title="7.2.5. ãƒã‚¹ã¨ãƒˆãƒ©ãƒƒã‚¯ã‚’è¨å®šã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Ardour-Recording-Recording_a_Region.html" title="7.2.7. リージョンを録音ã™ã‚‹" /></head><body class
="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Recording_a_Region.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.2.6. 録音レベル（ボリューム）を調整ã™ã‚‹" id="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level"><div class="titlepage"><di
v><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level">7.2.6. 録音レベル（ボリューム）を調整ã™ã‚‹</h3></div></div></div><div class="para">
+ 録音ã®å‰ã«ã€å…¥åŠ›ãƒ¬ãƒ™ãƒ«ã‚’æ£ã—ãè¨å®šã™ã‚‹ã“ã¨ã¯é‡è¦ã§ã™ã€‚
+ </div><div class="para">
+ オーディオ機器ã®æ€§è³ªã¨ã—ã¦ã€ãã‚Œã¯é™ã‚‰ã‚ŒãŸç¯„囲ã®éŸ³ã®åœ§åŠ›ï¼ˆãƒœãƒªãƒ¥ãƒ¼ãƒ ã¨ã—ã¦è¡¨ã•ã‚Œã‚‹ï¼‰ã ã‘ã‚’å—ã‘付ã‘ã‚‹ã“ã¨ãŒã§ãã‚‹ã¨ã„ã†ã“ã¨ã§ã™ã€‚ã‚‚ã—音ãŒå°ã•ã™ãŽã‚‹ã¨ãã¯ã€èžãå–ã‚Œã¾ã›ã‚“。もã—大ãã™ãŽã‚‹ã¨ãã¯æ£ã—ãèžãå–ã‚Œã¾ã›ã‚“。ã•ã‚‰ã«ã€ã‚ãªãŸã®è‡ªåˆ†ã®è€³ã®ãŸã‚ã«æœ€ã‚‚大切ãªã“ã¨ã§ã™ãŒã€ã‚‚ã—音ãŒã¨ã¦ã‚‚大ãã™ãŽã‚‹ã¨ãã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ©Ÿå™¨ã‚’永久ã«å£Šã—ã¦ã—ã¾ã†ã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚
+ </div><div class="para">
+ The nature of digital audio is such that there is a distinct number of volume levels at which something can be recorded. If a sound is either below or above that range, then it will not be correctly recorded. When such an improperly-recorded sound is played back, whether too quite or too loud, humans will usually perceive it as "nothing but noise."
+ </div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> ãŒé™å¯‚を録音ã™ã‚‹ã¨ã€ãã‚Œã¯ã€å…¥åŠ›ãŒä½•ã‚‚ãªã„ã¨ãã¨åŒã˜ã«ãµã‚‹ã¾ã„ã¾ã™ã€‚<span class="application"><strong>Ardour</strong></span> ãŒã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®éƒ¨åˆ†ãŒå¤§ãã™ãŽã‚‹ãŸã‚ã«ã²ãšã‚“ã§ã„ã‚‹ã¨è¨ˆç®—ã—ãŸã¨ãã¯ã€<a class="xref" href="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level.html#ardour_red_peaks" title="図7.6 大ãã™ãŽã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª">図7.6「大ãã™ãŽã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã€</a> ã§ç¤ºã™ã‚ˆã†ã«ã€æ³¢å½¢ã‚’赤色ã§ãµã¡ã©ã‚Šã¾ã™ã€‚
+ </div><div class="figure" title="図7.6 大ãã™ãŽã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª" id="ardour_red_peaks"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-red_peaks.png" width="444" alt="大ãã™ãŽã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª" /><div class="longdesc"><div class="para">
+ Ardour ã®æ³¢å½¢ã€‚オーディオãŒå¤§ãã™ãŽã‚‹ã¨ãã€èµ¤ã„ピークを示ã™ã€‚
+ </div></div></div></div><h6>図7.6 大ãã™ãŽã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</h6></div><br class="figure-break" /><div class="para">
+ オーディオ信å·ã®å…¥åŠ›ãƒ¬ãƒ™ãƒ«ã‚’変更ã™ã‚‹ã«ã¯ã€ï¼“ã¤ã®å˜ç´”ã®ã‚„ã‚Šã‹ãŸãŒã‚ã‚Šã¾ã™ï¼š
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ マイクを音æºã‹ã‚‰é›¢ã™ã€ã‚ã‚‹ã„ã¯è¿‘ã¥ã‘る。
+ </div></li><li class="listitem"><div class="para">
+ マイクãŒã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã«ã¤ãªãŒã‚‹å‰ã«ã€ãƒŸã‚サーを通ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ オーディオãŒéŒ²éŸ³ã•ã‚Œã‚‹å‰ã«ã€<span class="application"><strong>Ardour</strong></span> ã®ãƒã‚¹ã‚’通ã™ã€‚
+ </div></li></ol></div>
+
+ </div><div class="para">
+ ãれらã®ã‚¢ãƒ—ãƒãƒ¼ãƒã®åˆ©ç‚¹ã¨æ¬ 点ã¯ä»¥ä¸‹ã§ã™ï¼š
+ </div><div class="para">
+ マイクを動ã‹ã—ãŸã‚Šã€ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ãƒŸã‚サーを通ã™ã“ã¨ãŒã€ç¾å®Ÿçš„ã§ãªã„ã€ä¸å¯èƒ½ã§ã‚ã‚‹ã€ã‚ã‚‹ã„ã¯ãŠå‹§ã‚ã§ããªã„状æ³ãŒã‚ã‚‹ã§ã—ょã†ã‹ã‚‰ã€ãã†ã„ã†ã¨ãã¯å…¥åŠ›ä¿¡å·ãŒéŒ²éŸ³ã•ã‚Œã‚‹å‰ã« <span class="application"><strong>Ardour</strong></span> ã®ãƒã‚¹ã‚’使ã£ã¦ä¿¡å·ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ を変ãˆã‚‹ã®ãŒã‚ˆã„ã§ã—ょã†ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="guimenu"><strong>Track</strong></span> → <span class="guimenuitem"><strong>Add Track/Bus</strong></span> ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Select "busses" in the window that pops up.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ è¿½åŠ ã—ãŸã„ãƒã‚¹ã®æ•°ã‚’é¸æŠžã—ã¾ã™ã€‚録音ä¸ã«ãƒœãƒªãƒ¥ãƒ¼ãƒ を調整ã—ãŸã„トラックã«ï¼‘ã¤ã¥ã¤ã€ãƒã‚¹ãŒå¿…è¦ã§ã™ã€‚ç•°ãªã‚‹ã„ãã¤ã‹ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ ã§éŒ²éŸ³ã™ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ ãƒã‚¹ã§å¿…è¦ãªãƒãƒ£ãƒãƒ«ã®æ•°ã‚’入れã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ Once you have the new bus, change its name by doing whatever. I suggest naming it something that makes it obvious you are using the bus for recording, rather than exporting, like "REC-Bus."
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> automatically sets up busses to be used with audio being outputted. Furthermore, the volume/level control only works on audio beign outputted from a track or bus. This is why you cannot use the track's volume/level control to adjust the input volume for that track.
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> を使ã£ã¦ã€ã“ã®ã‚ˆã†ã«å†æŽ¥ç¶šã—ã¾ã™ã€‚（ヘルプã¯ã€<a class="xref" href="sect-Musicians_Guide-Ardour-Recording-Routing_Audio.html" title="7.2.9. オーディオã®ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨ JACK 接続ã®ç®¡ç†">「オーディオã®ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨ <code class="systemitem">JACK</code> 接続ã®ç®¡ç†ã€</a> ã‚’å‚照下ã•ã„。）：
+ </div><ol class="a"><li class="step" title="ステップ 7.a"><div class="para">
+ Disconnect all of the connections to/from the bus you want to use for recording ("recording bus").
+ </div></li><li class="step" title="ステップ 7.b"><div class="para">
+ Ensure that nothing is connected to the input of the track onto which you want to record ("recording track").
+ </div></li><li class="step" title="ステップ 7.c"><div class="para">
+ Connect the microphone (the input source) to the recording bus' input
+ </div></li><li class="step" title="ステップ 7.d"><div class="para">
+ Connect the input bus' output to the recording track's input.
+ </div></li><li class="step" title="ステップ 7.e"><div class="para">
+ Ensure that the recording track's output is connected to the "master" input (this is the master output bus, which should be present in all projects, and through which all output audio should be routed).
+ </div></li></ol></li></ol></div><div class="para">
+ 注æ„：ã“ã®ç›®çš„ã®ãŸã‚ã«ãƒã‚¹ã‚’通ã›ã‚‹ã®ã¯ã€ãŸã １ã¤ã®éŒ²éŸ³ã•ã‚Œã‚‹ãƒˆãƒ©ãƒƒã‚¯ã ã‘ã§ã™ã€‚ãƒã‚¹ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®ï¼‘ã¤ã®ã‚¹ãƒˆãƒªãƒ¼ãƒ ã—ã‹å‡ºåŠ›ã§ããªã„ã‹ã‚‰ã§ã™ã€‚
+ </div><div class="para">
+ 以下ã¯ã€ãƒˆãƒ©ãƒƒã‚¯ã®éŒ²éŸ³ãƒœãƒªãƒ¥ãƒ¼ãƒ ãŒæ£ã—ãè¨å®šã•ã‚Œã¦ã„ã‚‹ã‹ã‚’テストã™ã‚‹ã‚¢ãƒ«ã‚´ãƒªã‚ºãƒ ã§ã™ã€‚ã“ã‚Œã¯ã€ãƒˆãƒ©ãƒƒã‚¯ã‚’録音準備ã™ã‚‹å‰ã«è¡Œã‚ãªã‘ã‚Œã°ã„ã‘ã¾ã›ã‚“。ä¸å¹¸ãªã“ã¨ã«ã€æœ€é©ã®å…¥åŠ›ãƒ¬ãƒ™ãƒ«ã‚’é¸æŠžã—ãŸã‹ã©ã†ã‹ã¯ã€ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ãŒéŒ²éŸ³ã•ã‚ŒãŸå¾Œã§ãªã„ã¨ã‚ã‹ã‚Šã¾ã›ã‚“。良ã„入力レベルを安定ã—ã¦é¸æŠžã§ãるよã†ã«ãªã‚‹ãŸã‚ã«ã¯æœ¬èƒ½ã¨çµŒé¨“ã®ä¸¡æ–¹ãŒå¿…è¦ã§ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ å¿…è¦ã«å¿œã˜ã¦ã™ã¹ã¦ã®ãƒžã‚¤ã‚¯ã‚’è¨å®šã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ å¿…è¦ã«å¿œã˜ã¦ <code class="systemitem">JACK</code> ã®æŽ¥ç¶šã‚’è¨å®šã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ å¿…è¦ã«å¿œã˜ã¦éŒ²éŸ³ãƒã‚¹ï¼ˆå‰è¨˜ã‚’å‚照）をè¨å®šã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ On the audio tracks being recorded, set the "metering point" to "input" (here's how to do that).
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ æ¼”å¥è€…ã«ã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ã§æ¼”å¥ã™ã‚‹æœ€ã‚‚大ããªéŸ³ã®ãƒ‘ッセージをやã£ã¦ã‚‚らã„ã¾ã™ã€‚入力レベルを調整ã—ã¦ã€æœ€å¤§ãƒ¬ãƒ™ãƒ«ãŒ -3 dB ã‹ã‚‰ -6 dB ã®é–“ã«æ¥ã‚‹ã‚ˆã†ã«ã—ã¾ã™ï¼ˆã“ã“を見るã“ã¨ã§ï¼‰ã€‚maximum-level-seer をクリックã—ã¦ãƒªã‚»ãƒƒãƒˆã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ æ¼”å¥è€…ã«ã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ã§æ¼”å¥ã™ã‚‹æœ€ã‚‚é™ã‹ãªãƒ‘ッセージをやã£ã¦ã‚‚らã„ã¾ã™ã€‚入力レベルを調整ã—ã¦ã€ã“れ㌠-40 dB 以下ã«ãªã‚‰ãªã„よã†ã«ã—ã¾ã™ã€‚-30 dB ã‹ã‚‰ -20 dB ã®é–“ã«ã‚ã‚‹ã®ãŒã‚ˆã„ã§ã—ょã†ã€‚
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ Ask the performers to demonstrate an average passage from what they will be performing in the session. This is usually less important than the previous two checks, but if most of the performance will be quieter, it may be worth risking a higher input level in order to capture more detail. Nevertheless, a "moderate" volume level should result in and input level reading of -20Â dB to -10Â dB.
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ When you are more experience both with the kind of group you are recording, and the software and equipment being used to do it, you may not need to do these level-checks every time. It's better to be safe than sorry, however, because once a musical moment has passed, it is impossible to re-create.
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.2.5. ãƒã‚¹ã¨ãƒˆãƒ©ãƒƒã‚¯ã‚’è¨å®šã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Recording_a_Region.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.2.7. リージョンを録音ã™ã‚‹</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.2.8.2. æ—¢ã«éŒ²éŸ³ã•ã‚Œã¦ã„ã‚‹ã‚‚ã®ã«ãƒ‘ãƒ¼ãƒˆã‚’è¿½åŠ ã§éŒ²éŸ³ã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Recording-Recording_More.html" title="7.2.8. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Recording-Recording_More.html" title="7.2.8. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Ardour-Recording-Redo_a_Take.html" title="7.2.8.3. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚‚ã®ã®ã‚ˆã‚Šã‚ˆã„録音をã™ã‚‹" /></head>
<body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Recording_More.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Redo_a_Take.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.2.8.2. æ—¢ã«éŒ²éŸ³ã•ã‚Œã¦ã„ã‚‹ã‚‚ã®ã«ãƒ‘ãƒ¼ãƒˆã‚’è¿½åŠ ã§éŒ²éŸ³ã™ã‚‹" id="sect-Musicians_Guide-Ardour-Recording-Capture_Additional_Parts"><div class="title
page"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Recording-Capture_Additional_Parts">7.2.8.2. æ—¢ã«éŒ²éŸ³ã•ã‚Œã¦ã„ã‚‹ã‚‚ã®ã«ãƒ‘ãƒ¼ãƒˆã‚’è¿½åŠ ã§éŒ²éŸ³ã™ã‚‹</h4></div></div></div><div class="para">
+ A technique often used for studio recordings is to separately record parts that would normally be played together, and which will later be made to sound together (see the "Prepearing a Session" section, below). For example, consider a recording where one trumpeter wants to record both parts of a solo written for two trumpets. The orchestra could be brought into the studio, and would play the entire solo piece without any trumpet solo. <span class="application"><strong>Ardour</strong></span> will record this on one track. Then, the trumpet soloist goes to the studio, and uses <span class="application"><strong>Ardour</strong></span> to simultaneously listen to the previously-recorded orchestra track while playing one of the solo trumpet parts, which is recorded onto another track. The next day, the trumpeter returns to the studio, and uses <span class="application"><strong>Ardour</strong></span> to listen to the previously-recorded orchestra track and previously-recorded
solo trumpet part while playing the other solo trumpet part, which is recorded onto a third track. The recording engineer uses Audacity's mixing and editing features to make it sound as though the trumpeter played both solo parts at the same time, while the orchestra was there.
+ </div><div class="para">
+ Coordinating the timing of musicians across tracks recorded separately is difficult. A "click track" is a track with a consistent clicking noise at the desired tempo. Click tracks are played through headphones to the musicians being recorded, or to a musician who leads the others. Click tracks are not included in the final mix.
+ </div><div class="para">
+ ã“れをやるã«ã¯ï¼š
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 最åˆã®ãƒ‘ートを録音ã—ã¾ã™ã€‚パートを録音ã™ã‚‹é †åºã¯éŒ²éŸ³æŠ€è¡“者（ã¤ã¾ã‚Šã‚ãªãŸã§ã™ï¼‰ãŒæ±ºã‚ã¾ã™ã€‚最もãŸãã•ã‚“æ¼”å¥ã™ã‚‹äººã‹ã€æœ€ã‚‚リズム的ã«ä¸€è²«ã—ãŸãƒ‘ートを演å¥ã™ã‚‹äººã‚’å…ˆã«éŒ²éŸ³ã™ã‚‹ã®ãŒãŸã¶ã‚“ã€ã‚ˆã‚Šç°¡å˜ã§ã—ょã†ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 次ã«éŒ²éŸ³ã™ã‚‹ãƒˆãƒ©ãƒƒã‚¯ã‚’è¿½åŠ ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ æ–°ã—ã„トラックã®æŽ¥ç¶šã‚’è¨å®šã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ æ–°ã—ã„トラックã®éŸ³ãŒå¤§ãã™ãŽãŸã‚Šå°ã•ã™ãŽãŸã‚Šã—ãªã„よã†ã«ã€ãƒ¬ãƒ™ãƒ«ãƒã‚§ãƒƒã‚¯ã‚’ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ æ–°ã—ã„トラックを録音ã—始ã‚るパッセージã®æœ€åˆã«ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’ä½ç½®ã¥ã‘ã¾ã™ã€‚トラックã®é–‹å§‹ç‚¹ã‚’ãã‚Œã»ã©åŽ³å¯†ã«æ±ºã‚ã‚‹å¿…è¦ã¯ã‚ã‚Šã¾ã›ã‚“。後ã‹ã‚‰å¤‰ãˆã‚‰ã‚Œã‚‹ã‹ã‚‰ã§ã™ã€‚次ã®æ¼”å¥è€…ãŒã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆãŒé–‹å§‹ã—ã¦ã‹ã‚‰ã€å½¼ã‚‰ãŒã©ã“ã‹ã‚‰ã€ã©ã‚“ãªãƒ†ãƒ³ãƒã§å…¥ã‚Œã°ã„ã„ã®ã‹ã‚ã‹ã‚‹ã‚ˆã†ã«ã€å分ã€èžãå–る時間ãŒå–れるã“ã¨ã‚’確èªä¸‹ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ æ¼”å¥è€…（ã‚ã‚‹ã„ã¯ã€æŒ‡æ®ï¼ãƒªãƒ¼ãƒ‰ã™ã‚‹äººï¼‰ãŒä»Šã¾ã§ã«éŒ²éŸ³ã•ã‚ŒãŸã‚‚ã®ã‚’è´ãã“ã¨ãŒã§ãる手段を準備ã™ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚ヘッドホンを使ã†ã®ãŒã‚ˆã„ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。
+ </div></li><li class="listitem"><div class="para">
+ Arm the tracks that you want to record. Make sure that already-recorded tracks are no longer armed, especially if they are in "tape mode."
+ </div></li><li class="listitem"><div class="para">
+ トランスãƒãƒ¼ãƒˆã‚’録音準備ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 録音ã®æº–å‚™ãŒã§ããŸã‚‰ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’開始ã—ã¾ã™ã€‚
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Recording_More.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.2.8. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Redo_a_Take.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.2.8.3. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚‚ã®ã®ã‚ˆã‚Šã‚ˆã„録音をã™ã‚‹</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.2.4. オーディオソースを Ardour ã«ã¤ãªã</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html" title="7.2. セッションを録音ã™ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline.html" title="7.2.3. タイムラインをè¨å®šã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks.html" title="7.2.5. ãƒã‚¹ã¨ãƒˆãƒ©ãƒƒã‚¯ã‚’è¨å®šã™ã‚‹" /></head><body c
lass="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.2.4. オーディオソースを Ardour ã«ã¤ãªã" id="sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources"><div class="titlepage"
><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources">7.2.4. オーディオソースを <span class="application"><strong>Ardour</strong></span> ã«ã¤ãªã</h3></div></div></div><div class="para">
+ ãã“ã«éŒ²éŸ³ã—ãŸã„トラックã®åå‰ã¯ã€<code class="systemitem">JACK</code> ã§ã®å…¥åŠ›ã®åå‰ã¨åŒã˜ã§ã‚ã‚‹ã¹ãã§ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.2.3. タイムラインをè¨å®šã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.2.5. ãƒã‚¹ã¨ãƒˆãƒ©ãƒƒã‚¯ã‚’è¨å®šã™ã‚‹</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.2.10. æ—¢å˜ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’インãƒãƒ¼ãƒˆã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html" title="7.2. セッションを録音ã™ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Recording-Routing_Audio.html" title="7.2.9. オーディオã®ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨ JACK 接続ã®ç®¡ç†" /><link rel="next" href="sect-Musicians_Guide-Ardour-Tutorial_Files.html" title="7.3. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«" /></head><body
class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Routing_Audio.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Tutorial_Files.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.2.10. æ—¢å˜ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’インãƒãƒ¼ãƒˆã™ã‚‹" id="sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio"><div class="titlepage"><div><div keep-together.withi
n-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio">7.2.10. æ—¢å˜ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’インãƒãƒ¼ãƒˆã™ã‚‹</h3></div></div></div><div class="para">
+ When you record audio, <span class="application"><strong>Ardour</strong></span> automatically save it to disk and adds a representation of that file in the program as a "region." You can also use pre-existing audio files as regions, which can then be added to any track.
+ </div><div class="para">
+ æ—¢å˜ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ•ã‚¡ã‚¤ãƒ«ã‚’インãƒãƒ¼ãƒˆã™ã‚‹ã«ã¯ï¼š
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Whip out the "regions" part of the panel on the right-hand side of the interface
+ </div></li><li class="listitem"><div class="para">
+ ç®±ã®ã©ã“ã‹ã‚’å³ã‚¯ãƒªãƒƒã‚¯ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Select "Import to Region List"
+ </div></li><li class="listitem"><div class="para">
+ The "Add existing audio" window will be opeend
+ </div></li><li class="listitem"><div class="para">
+ åŠ ãˆã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ•ã‚¡ã‚¤ãƒ«ã‚’é¸æŠžã™ã‚‹ã®ã«ã€ï¼“ã¤ã®ç•°ãªã‚‹ã‚¿ãƒ–を使ã„ã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Browse Files" (does this) (covered here)
+ </div></li><li class="listitem"><div class="para">
+ "Search Tags" (does this)
+ </div></li><li class="listitem"><div class="para">
+ "Search Freesound" (does this)
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Using "Browse Files," navigate to a sound that you want to add. Although certain other file formats are supported (like FLAC), it is probably best to add WAV or AIFF files.
+ </div></li><li class="listitem"><div class="para">
+ Certain information about the audio file will be displayed on the right-hand side of the window. This portion of the window also allows you to "audition" the file before importing it (that is, you can hear it by using the "Play" and "Stop" buttons in the window, without affecting your current project.
+ </div></li><li class="listitem"><div class="para">
+ If the file that you selected has a sample-rate that is not the same as that of the current project, then the sample-rate will be highlighted in red. You can choose to import it anyway, in which case <span class="application"><strong>Ardour</strong></span> warns you again. If you import a file in a different sample rate than that of the current project, it will be played back in the project's sample rate. This will result in incorrect speed and pitch.
+ </div></li><li class="listitem"><div class="para">
+ ウインドウã®ä¸‹ã«ã¯ã€ä»–ã®å¤šãã®ã‚ªãƒ—ションãŒè¡¨ç¤ºã•ã‚Œã¦ã„ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ãƒ•ã‚¡ã‚¤ãƒ«ã‚’è¿½åŠ ã™ã‚‹ã¨ãã€ä»¥ä¸‹ã®é¸æŠžãŒã‚ã‚Šã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "as new tracks," which puts each file in its own track, set to normal mode, then adds it to the region list
+ </div></li><li class="listitem"><div class="para">
+ "as new tape tracks," which puts each file in its own track, set to tape mode, then adds it to the region list
+ </div></li><li class="listitem"><div class="para">
+ "to region list," which puts each file in the region list, but does not automatically put it in any tracks.
+ </div></li><li class="listitem"><div class="para">
+ 自動的ã«ãƒˆãƒ©ãƒƒã‚¯ã‚’作æˆã™ã‚‹ã‚ˆã†ã«é¸æŠžã—ãŸå ´åˆã€<span class="application"><strong>Ardour</strong></span> ã¯ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã®ç¾åœ¨ã®ä½ç½®ã‹ã‚‰å§‹ã¾ã‚‹ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’æ–°ã—ã„トラックã«åŠ ãˆã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ ã“ã®ãƒªã‚¹ãƒˆã®ä»–ã®ã‚ªãƒ—ションã¯ã€èª¬æ˜Žã¯ã„らãªã„ã¨æ€ã„ã¾ã™ã€‚通常ã€æœ€é«˜ã®å“質ã§å¤‰æ›ã‚’ã™ã‚‹ã®ãŒã‚ˆã„ã§ã™ã€‚ãªãœãªã‚‰ã°ã€å“質ã¯å¾Œã‹ã‚‰ã„ã¤ã§ã‚‚（スペースを節約ã™ã‚‹ãŸã‚ã«ï¼‰è½ã¨ã™ã“ã¨ãŒã§ãã‚‹ã‹ã‚‰ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ If you chose not to automatically create tracks, then you will need to add the imported regions into a track before they will be played in your session. You can do this easily by selecting the region from the "Regions" box on the right, and dragging it to a track.
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Routing_Audio.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.2.9. オーディオã®ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨ JACK 接続ã®ç®¡ç†</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Tutorial_Files.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.3. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.2.2. インタフェース</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html" title="7.2. セッションを録音ã™ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html" title="7.2. セッションを録音ã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline.html" title="7.2.3. タイムラインをè¨å®šã™ã‚‹" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc
"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.2.2. インタフェース" id="sect-Musicians_Guide-Ardour-Recording-Interface"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Inter
face">7.2.2. インタフェース</h3></div></div></div><div class="para">
+ ã“ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã¯ <span class="application"><strong>Ardour</strong></span> ã«ç‰¹æœ‰ã®ã„ãã¤ã‹ã®ã‚°ãƒ©ãƒ•ã‚£ã‚«ãƒ«ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã‚³ãƒ³ãƒãƒ¼ãƒãƒ³ãƒˆã‚’説明ã—ã¾ã™ã€‚ã»ã¨ã‚“ã©ã® DAW ã§åŒã˜ã‚ˆã†ã«ä½¿ã‚れるコンãƒãƒ¼ãƒãƒ³ãƒˆã¯ã€<a class="xref" href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html" title="6.3. インタフェース用語">「インタフェース用語ã€</a> ã§èª¬æ˜Žã•ã‚Œã¦ã„ã¾ã™ã€‚
+ </div><div class="figure" title="図7.1 Ardour インタフェース" id="ardour_interface_overview"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-interface-overview.png" width="444" alt="Ardour インタフェース" /><div class="longdesc"><div class="para">
+ Ardour インタフェースã«å›ºæœ‰ã®ï¼“ã¤ã®ã‚°ãƒ©ãƒ•ã‚£ã‚«ãƒ«ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã‚³ãƒ³ãƒãƒ¼ãƒãƒ³ãƒˆã€‚
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <em class="firstterm"> エディタミã‚サー </em>
+ </div></li><li class="listitem"><div class="para">
+ <em class="firstterm"> セッションサイドãƒãƒ¼ </em>
+ </div></li><li class="listitem"><div class="para">
+ メインツールãƒãƒ¼
+ </div></li></ol></div></div></div></div><h6>図7.1 Ardour インタフェース</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="sect-Musicians_Guide-Ardour-Recording-Interface.html#ardour_interface_overview" title="図7.1 Ardour インタフェース">図7.1「Ardour インタフェースã€</a> ã¯ã€Ardour インタフェースã«å›ºæœ‰ã®ï¼“ã¤ã®ã‚°ãƒ©ãƒ•ã‚£ã‚«ãƒ«ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã‚’説明ã—ã¾ã™ã€‚<em class="firstterm"> エディタミã‚サー </em>ã€<em class="firstterm"> セッションサイドãƒãƒ¼ </em>ã€ãã—ã¦ãƒ¡ã‚¤ãƒ³ãƒ„ールãƒãƒ¼ã§ã™ã€‚
+ </div><div class="figure" title="図7.2 Ardour エディタミã‚サー" id="ardour_interface_editor_mixer"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-interface-editor_mixer.png" alt="Ardour エディタミã‚サー" /><div class="longdesc"><div class="para">
+ Ardour エディタミã‚サーパãƒãƒ«
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ フェーダー
+ </div></li><li class="listitem"><div class="para">
+ フェーダーコントãƒãƒ¼ãƒ«
+ </div></li><li class="listitem"><div class="para">
+ フェーダーレベルメーター
+ </div></li><li class="listitem"><div class="para">
+ パンナー
+ </div></li><li class="listitem"><div class="para">
+ 出力コãƒã‚¯ã‚·ãƒ§ãƒ³ãƒœã‚¿ãƒ³
+ </div></li></ol></div></div></div></div><h6>図7.2 Ardour エディタミã‚サー</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="sect-Musicians_Guide-Ardour-Recording-Interface.html#ardour_interface_editor_mixer" title="図7.2 Ardour エディタミã‚サー">図7.2「Ardour エディタミã‚サーã€</a> ã¯ã€<span class="application"><strong>Ardour</strong></span> メインウインドウã®å·¦ã«ã‚るエディタミã‚サーを示ã—ã¾ã™ã€‚エディタミã‚サーã¯ã€ä¸€åº¦ã«ï¼‘ã¤ã ã‘ã®ãƒŸã‚サーストリップを表示ã—ã¾ã™ã€‚ミã‚サーストリップã®ä¸é–“ã«ãƒ•ã‚§ãƒ¼ãƒ€ãƒ¼ã¨ãã®ã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ã€ä¸€ç•ªä¸‹ã«ãƒ‘ンナーã¨ãã®ã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ã€ãã—㦠<span class="guibutton"><strong>Comments</strong></span> ã¨å‡ºåŠ›ã‚³ãƒã‚¯ã‚·ãƒ§ãƒ³ãƒœã‚¿ãƒ³ãŒã‚ã‚Šã¾ã™ã€‚
+ </div><div class="figure" title="図7.3 Ardour セッションサイドãƒãƒ¼" id="ardour_interface_session_sidebar"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-interface-session_sidebar.png" alt="Ardour セッションサイドãƒãƒ¼" /><div class="longdesc"><div class="para">
+ Ardour セッションサイドãƒãƒ¼ã€‚
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ タブストリップ
+ </div></li><li class="listitem"><div class="para">
+ リージョンリスト
+ </div></li></ol></div></div></div></div><h6>図7.3 Ardour セッションサイドãƒãƒ¼</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="sect-Musicians_Guide-Ardour-Recording-Interface.html#ardour_interface_session_sidebar" title="図7.3 Ardour セッションサイドãƒãƒ¼">図7.3「Ardour セッションサイドãƒãƒ¼ã€</a> ã¯ã€<span class="application"><strong>Ardour</strong></span> ã®ãƒ¡ã‚¤ãƒ³ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã®å³ã«ã‚るセッションサイドãƒãƒ¼ã§ã™ã€‚ã“ã®å›³ã§ã¯ã€<span class="guilabel"><strong>Regions</strong></span> タブãŒé¸æŠžã•ã‚Œã¦ã„ã‚‹ã®ã§ã€ã‚µã‚¤ãƒ‰ãƒãƒ¼ã«ã¯ã€ç¾åœ¨ã‚»ãƒƒã‚·ãƒ§ãƒ³ã«ã‚るリージョンã®ãƒªã‚¹ãƒˆãŒè¡¨ç¤ºã•ã‚Œã¦ã„ã¾ã™ã€‚é’ã„ã‚‚ã®ã¯ç›´æŽ¥ã‚¤ãƒ³ãƒãƒ¼ãƒˆã•ã‚ŒãŸã‚‚ã®ã€ç™½ã„ã‚‚ã®ã¯é’ã„リージョンã‹ã‚‰ä½œæˆã•ã‚ŒãŸã‚‚ã®ã€ãã—ã¦ã„ãã¤ã‹ã®é’ã„リージョンã®å·¦ã«ã‚る矢å°ã¯ã“れらã®é’ã„リージョンã«å¯¾å¿œã™ã‚‹ç™½ã„サブリージョンãŒã‚ã‚‹ã“ã¨ã‚’示ã—ã¾ã™ã€‚
+ </div><div class="figure" title="図7.4 メイン Ardour ツールãƒãƒ¼" id="ardour_interface_toolbar"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-interface-toolbar.png" width="444" alt="メイン Ardour ツールãƒãƒ¼" /><div class="longdesc"><div class="para">
+ メイン Ardour ツールãƒãƒ¼ã€‚
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ ツールé¸æŠžãƒœã‚¿ãƒ³
+ </div></li><li class="listitem"><div class="para">
+ <span class="guibutton"><strong>select/edit object</strong></span> ボタン
+ </div></li><li class="listitem"><div class="para">
+ <span class="guibutton"><strong>select/edit range</strong></span> ボタン
+ </div></li><li class="listitem"><div class="para">
+ snap mode
+ </div></li><li class="listitem"><div class="para">
+ grid mode
+ </div></li><li class="listitem"><div class="para">
+ edit point
+ </div></li></ol></div></div></div></div><h6>図7.4 メイン Ardour ツールãƒãƒ¼</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="sect-Musicians_Guide-Ardour-Recording-Interface.html#ardour_interface_toolbar" title="図7.4 メイン Ardour ツールãƒãƒ¼">図7.4「メイン Ardour ツールãƒãƒ¼ã€</a> ã¯ã€ãƒ¡ã‚¤ãƒ³ãƒ„ールãƒãƒ¼ã§ã™ã€‚ãã‚Œã¯ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ã®ä¸‹ã€ã‚¿ã‚¤ãƒ ラインã¨ãã®ãƒ«ãƒ¼ãƒ©ãƒ¼ã®ä¸Šã«ã‚ã‚Šã¾ã™ã€‚ツールãƒãƒ¼ã®ä¸é–“ã«ã¯ã€ï¼“ã¤ã®ãƒ©ãƒ™ãƒ«ã®ä»˜ã„ã¦ã„ãªã„ã€ã—ã‹ã—ã¨ã¦ã‚‚å½¹ã«ç«‹ã¤è¤‡æ•°é¸æŠžå¯èƒ½ãªãƒ¡ãƒ‹ãƒ¥ãƒ¼ãŒã‚ã‚Šã¾ã™ï¼š <span class="guimenu"><strong>snap mode</strong></span> メニュー（ç¾åœ¨ã€<code class="literal">No Grid</code> ã§ã™ï¼‰ã€‚<span class="guimenu"><strong>grid mode</strong></span> メニュー（ç¾åœ¨ã€<code class="literal">Bars</code> ã§ã™ï¼‰ã€‚ãã—㦠<span class="guimenu"><strong>edit point</strong></span> メニュー（ç¾åœ¨ã€<code class="literal">Mouse</code> ã§ã™ï¼‰ã€‚ã“れらメニューã®å·¦ã«ã¯ã€ãƒ„ールé¸æŠžãƒœã‚¿ãƒ³ãŒã‚ã‚Šã€ãã®
ä¸ã§é‡è¦ãªã®ã¯ã€æœ€ã‚‚å·¦ã«ã‚ã‚‹ï¼’ã¤ã€<span class="guibutton"><strong>select/edit object</strong></span> 㨠<span class="guibutton"><strong>select/edit range</strong></span> ボタンã§ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.2. セッションを録音ã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.2.3. タイムラインをè¨å®šã™ã‚‹</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.2.8. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html" title="7.2. セッションを録音ã™ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Recording-Recording_a_Region.html" title="7.2.7. リージョンを録音ã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Ardour-Recording-Capture_Additional_Parts.html" title="7.2.8.2. æ—¢ã«éŒ²éŸ³ã•ã‚Œã¦ã„ã‚‹ã‚‚ã®ã«ãƒ‘ãƒ¼ãƒˆã‚’è¿½åŠ ã§éŒ²éŸ³ã™ã‚‹" /></head><body clas
s="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Recording_a_Region.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Capture_Additional_Parts.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.2.8. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹" id="sect-Musicians_Guide-Ardour-Recording-Recording_More"><div class="titlepage"><div><div keep-together.within-column="always">
<h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Recording_More">7.2.8. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹</h3></div></div></div><div class="para">
+ １ã¤ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’録音ã—ãŸå¾Œã€ã‚ãªãŸã¯ã¾ã ã»ã—ã„ã‚‚ã®ã‚’全部æŒã£ã¦ã„ãªã„ã§ã—ょã†ã€‚録音を続ã‘ã‚‹ã«ã¯å¤šãã®æ–¹æ³•ãŒã‚ã‚Šã€ä½•ãŒã¾ã 録音ã•ã‚Œã¦ã„ãªã„ã‹ã«ä¾å˜ã—ã¾ã™ã€‚
+ </div><div class="section" title="7.2.8.1. åŒã˜ã‚»ãƒƒã‚·ãƒ§ãƒ³ã‚’続ã‘ã‚‹" id="sect-Musicians_Guide-Ardour-Recording-Continue_the_Same_Session"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Recording-Continue_the_Same_Session">7.2.8.1. åŒã˜ã‚»ãƒƒã‚·ãƒ§ãƒ³ã‚’続ã‘ã‚‹</h4></div></div></div><div class="para">
+ This is what you'll want to do if, for example, you were recording a session and decided to take a ten-minute break. It will work for any situation where you want to continue a session that already started recording.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ move the transport to somewhere after what you've already capture. You can do this either by using the forward/reverse and play/stop buttons on the transport, or by finding the point in the timeline where you want the transport to be, and then left-clicking somewhere in the time-line.
+ </div></li><li class="listitem"><div class="para">
+ コãƒã‚¯ã‚·ãƒ§ãƒ³ã¨ãƒ¬ãƒ™ãƒ«ãŒæ£ã—ãè¨å®šã•ã‚Œã¦ã„ã‚‹ã“ã¨ã‚’確èªä¸‹ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ 録音ã™ã‚‹ãƒˆãƒ©ãƒƒã‚¯ãŒéŒ²éŸ³æº–å‚™ã•ã‚Œã¦ã„ã‚‹ã“ã¨ã‚’確èªä¸‹ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ トランスãƒãƒ¼ãƒˆã‚’録音準備ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 録音ã®æº–å‚™ãŒã§ããŸã‚‰ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’開始ã—ã¾ã™ã€‚
+ </div></li></ol></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Recording_a_Region.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.2.7. リージョンを録音ã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Capture_Additional_Parts.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.2.8.2. æ—¢ã«éŒ²éŸ³ã•ã‚Œã¦ã„ã‚‹ã‚‚ã®ã«ãƒ‘ãƒ¼ãƒˆã‚’è¿½åŠ ã§éŒ²éŸ³ã™ã‚‹</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.2.7. リージョンを録音ã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html" title="7.2. セッションを録音ã™ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level.html" title="7.2.6. 録音レベル（ボリューム）を調整ã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Ardour-Recording-Recording_More.html" title="7.2.8. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹" /></head><body class="draft toc_embeded ">
<div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Recording_More.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.2.7. リージョンを録音ã™ã‚‹" id="sect-Musicians_Guide-Ardour-Recording-Recording_a_Region"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="ti
tle" id="sect-Musicians_Guide-Ardour-Recording-Recording_a_Region">7.2.7. リージョンを録音ã™ã‚‹</h3></div></div></div><div class="para">
+ As you progressively record a session, you will create at least one region. Warning about audio being put out the "audition" output by default (use headphones)
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ 入力ã¨ã‚¿ã‚¤ãƒ ラインã¨ãƒˆãƒ©ãƒƒã‚¯ãŒæ£ã—ãè¨å®šã•ã‚Œã¦ã„ã‚‹ã®ã‚’確èªä¸‹ã•ã„。
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ if there is nothing to the left of the editor window, press Ctrl+E or 'View > Show Editor Mixer'
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Select the track you're recording onto
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ set the metering point to "input" and verify that it's working correctly and connected to the right thing (say what this does, and why you want to do it now)
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ See "Adjusting Recording Volume" below, and do it now
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ Arm the track for recording: either press "Record" in the track's mixer in the left, or press the small red record button on the track itself
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ ボタンã¯ã€ãƒˆãƒ©ãƒƒã‚¯ãŒéŒ²éŸ³æº–å‚™ã•ã‚ŒãŸã“ã¨ã‚’示ã™ãŸã‚ã«ã€ç‚¹ç¯ã—ãŸã¾ã¾ã¨ãªã‚Šã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ トランスãƒãƒ¼ãƒˆã®å¤§ãã„赤ã„録音ボタンをé¸æŠžã—ã¦ã€<span class="application"><strong>Ardour</strong></span> を録音準備ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ トランスãƒãƒ¼ãƒˆã‚’ã€é€šå¸¸ã®ã‚„ã‚Šã‹ãŸã§é–‹å§‹ã—ã¾ã™ï¼ˆå¤§ãã„å†ç”Ÿãƒœã‚¿ãƒ³ï¼‰ã€‚
+ </div></li><li class="step" title="ステップ 10"><div class="para">
+ when you're done recording, stop the transport with the big stop button
+ </div></li><li class="step" title="ステップ 11"><div class="para">
+ each time you start and stop the transport, a new "region" is produced
+ </div></li><li class="step" title="ステップ 12"><div class="para">
+ each time you stop the transport, <span class="application"><strong>Ardour</strong></span> "un-arms" itself, but any tracks that you selected are still armed
+ </div></li><li class="step" title="ステップ 13"><div class="para">
+ When you've finished recording a region, use the "Regions" box-thing on the right of the interface to rename the region:
+ </div><ol class="a"><li class="step" title="ステップ 13.a"><div class="para">
+ Find the region that you just recorded (by default they are named like "Audio 1-1" which is the name of the recording track followed by a hyphen, then a number in ascending sequeuence representing the "take"). Select it.
+ </div></li><li class="step" title="ステップ 13.b"><div class="para">
+ タイトルをクリックã™ã‚‹ã¨ã€ç®±ãŒç¾ã‚Œã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 13.c"><div class="para">
+ åå‰ã‚’ã€å¥½ããªã‚ˆã†ã«å¤‰ãˆã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 13.d"><div class="para">
+ エンターを押ã—ã¦ã€åå‰ã®ç·¨é›†ã‚’終ã‚ã‚Šã¾ã™ã€‚
+ </div></li></ol></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.2.6. 録音レベル（ボリューム）を調整ã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Recording_More.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.2.8. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.2.8.3. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚‚ã®ã®ã‚ˆã‚Šã‚ˆã„録音をã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Recording-Recording_More.html" title="7.2.8. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Recording-Capture_Additional_Parts.html" title="7.2.8.2. æ—¢ã«éŒ²éŸ³ã•ã‚Œã¦ã„ã‚‹ã‚‚ã®ã«ãƒ‘ãƒ¼ãƒˆã‚’è¿½åŠ ã§éŒ²éŸ³ã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Ardour-Recording-Routing_Audio.html" title="7.2.9. オーディオã®ãƒ
«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨ JACK 接続ã®ç®¡ç†" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Capture_Additional_Parts.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Routing_Audio.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.2.8.3. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚‚ã®ã®ã‚ˆã‚Šã‚ˆã„録音をã™ã‚‹" id="sect-Musicians_Guide-Ardour-Re
cording-Redo_a_Take"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Recording-Redo_a_Take">7.2.8.3. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚‚ã®ã®ã‚ˆã‚Šã‚ˆã„録音をã™ã‚‹</h4></div></div></div><div class="para">
+ If you have already recorded all or most of a session, you can re-record *part* of the session in order to "fix up" any issues. <span class="application"><strong>Ardour</strong></span> allows you to record onto the pre-existing tracks, keeping the first take, putting the newly-recorded region over it. Later, you will get to choose the exact points at which the outputted recording is to switch between regions/takes.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ セッションを録音ã™ã‚‹
+ </div></li><li class="listitem"><div class="para">
+ Ensure that you have the connections and levels set as they were during the first time you recorded the regions over which you're recording now.
+ </div></li><li class="listitem"><div class="para">
+ トランスãƒãƒ¼ãƒˆã®ä½ç½®ã‚’決ã‚ã¾ã™ã€‚入れ替ãˆãŸã„セグメントã®å‰ã®å ´æ‰€ã‚’é¸ã³ã¾ã™ã€‚æ¼”å¥è€…ã¯å…¥ã‚Œæ›¿ãˆã‚‹ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã®å‰ã‹ã‚‰æ¼”å¥ã‚’開始ã™ã‚‹å¿…è¦ãŒã‚ã‚‹ã§ã—ょã†ã€‚彼らãŒãƒ†ãƒ³ãƒã‚’ã¤ã‹ã‚“ã§ã€ã‚°ãƒ«ãƒ¼ãƒ–ã‚’å¾—ã¦ã€ãã—ã¦å…¥ã‚Œæ›¿ãˆãŒå¿…è¦ãªéƒ¨åˆ†ã® * ãšã£ã¨å‰ã‹ã‚‰ * æ¼”å¥ã‚’開始ã§ãるよã†ã«ã€ã‚ãªãŸã¯å分ã«é–“隔をã¨ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ タイムラインã®ä¸ã§ã€ã‚¯ãƒªãƒƒã‚¯ã—ã¦ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’移動ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ æ£ã—ã„トラックãŒéŒ²éŸ³æº–å‚™ã•ã‚Œã¦ã„ã‚‹ã“ã¨ã‚’確èªä¸‹ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ トランスãƒãƒ¼ãƒˆã‚’録音準備ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ トランスãƒãƒ¼ãƒˆã‚’開始ã—ã¦ã€éŸ³æ¥½ã®æ”¹è¨‚版ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã‚’録音ã—ã¾ã™ã€‚
+ </div></li></ol></div>
+ ã„ãšã‚Œã€å¿…è¦ãªã‚‚ã®ã®éŒ²éŸ³ãŒå…¨éƒ¨çµ‚ã‚ã£ã¦ã€ãƒŸã‚シングã¨ç·¨é›†ã«é€²ã‚€ã¨ããŒæ¥ã¾ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Capture_Additional_Parts.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.2.8.2. æ—¢ã«éŒ²éŸ³ã•ã‚Œã¦ã„ã‚‹ã‚‚ã®ã«ãƒ‘ãƒ¼ãƒˆã‚’è¿½åŠ ã§éŒ²éŸ³ã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Routing_Audio.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.2.9. オーディオã®ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨ JACK 接続ã®ç®¡ç†</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Routing_Audio.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Routing_Audio.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.2.9. オーディオã®ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨ JACK 接続ã®ç®¡ç†</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html" title="7.2. セッションを録音ã™ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Recording-Redo_a_Take.html" title="7.2.8.3. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚‚ã®ã®ã‚ˆã‚Šã‚ˆã„録音をã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio.html" title="7.2.10. æ—¢å˜ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’イ
ンãƒãƒ¼ãƒˆã™ã‚‹" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Redo_a_Take.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.2.9. オーディオã®ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨ JACK 接続ã®ç®¡ç†" id="sect-Musicians_Guide-Ardour-Recording-Routing_Audio">
<div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Routing_Audio">7.2.9. オーディオã®ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨ <code class="systemitem">JACK</code> 接続ã®ç®¡ç†</h3></div></div></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> ã¯ã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ã‚’ä¿å˜ã™ã‚‹ã¨ãã«ã€è‡ªå‹•çš„ã« <code class="systemitem">JACK</code> 接続ã®çŠ¶æ…‹ã‚’ä¿å˜ã—ã¾ã™ã€‚
+ </div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> ã¯ã€ã‚¹ãƒ†ãƒ¬ã‚ªè¨å®šï¼ˆï¼’ãƒãƒ£ãƒ³ãƒãƒ«ï¼‰ã§ã€ä»¥ä¸‹ã®å‡ºåŠ›ãƒãƒ¼ãƒˆã‚’æä¾›ã—ã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ two channels per track, called "track_name/out 1" and "track_name/out 2". These will usually be connected to the master bus, or to a sub-mixing bus, when you are using one.
+ </div></li><li class="listitem"><div class="para">
+ two channels per bus, called "bus_name/out 1" and "bus_name/out 2". These will usually be connected to the master bus, unless you are using two levels of sub-mixing busses.
+ </div></li><li class="listitem"><div class="para">
+ two channels for the auditioner, called "auditioner/out 1", which represents the channels used to audition a region; when you want to import it, for example, or in the "Regions" box on the right-side, when you select one and right-click and choose "Audition". These should not be connected to the master bus, but to an output device that you want to use when auditioning regions.
+ </div></li><li class="listitem"><div class="para">
+ two channels for the click-track, called "click/out 1", which represents the channels used to play the click-track when recording. These should not be connected to the master bus, but to an output device that you want to use for the click-track.
+ </div></li><li class="listitem"><div class="para">
+ two channels for the master bus, called "master/out 1", which represents the output used by the master output bus. These should be connected to an output device that you wish to use for listening to the session when the transport is moving.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> ã¯ã€ã‚¹ãƒ†ãƒ¬ã‚ªè¨å®šï¼ˆï¼’ãƒãƒ£ãƒ³ãƒãƒ«ï¼‰ã§ã€ä»¥ä¸‹ã®å…¥åŠ›ãƒãƒ¼ãƒˆã‚’æä¾›ã—ã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ two channels per track, called "track_name/in 1" and "track_name/in 2". These should both be connected to the same input device. If you are using a recording bus, then these should be connected to that bus.
+ </div></li><li class="listitem"><div class="para">
+ two channels per bus, called "bus_name/in 1" and "bus_name/in 2". These should be connected to whatever channels you want to be mixed into them. If you are using it as a recording bus, then these should be connected to the same input device.
+ </div></li><li class="listitem"><div class="para">
+ two channels for the master bus, called "master/in 1", which represents the input used for the master bus. These should be connected to all of the tracks. If you are using sub-bus mixing, then all of the tracks should connect to the master bus' input either directly or through a sub-bus.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ã»ã¨ã‚“ã©ã®çŠ¶æ³ã§ã€<span class="application"><strong>Ardour</strong></span> ã¯ãƒãƒ£ãƒãƒ«ã®æŽ¥ç¶šã‚’自動的ã«æ£ã—ãè¨å®šã—ã¾ã™ã€‚<span class="application"><strong>Ardour</strong></span> ã®ä¸ã‹ã‚‰ã€æŽ¥ç¶šã‚’変ãˆã‚‹æ–¹æ³•ã¯ã‚ã‚Šã¾ã™ãŒã€ã§ãã‚‹ã“ã¨ã¯é™ã‚‰ã‚Œã¾ã™ã€‚ã“ã®ãŸã‚ã€ãƒ¦ãƒ¼ã‚¶ãŒ <span class="application"><strong>QjackCtl</strong></span> を使ã£ã¦æŽ¥ç¶šã‚’モニタã™ã‚‹ã“ã¨ã‚’ãŠå‹§ã‚ã—ã¾ã™ã€‚<span class="application"><strong>QjackCtl</strong></span> を使ãˆã°ã€<code class="systemitem">JACK</code> ã®ãã®ä»–ã®å¤šãã®æ©Ÿèƒ½ã‚‚モニタã€å¤‰æ›´ã™ã‚‹ã“ã¨ãŒã§ãã‚‹ã‹ã‚‰ã§ã™ã€‚
+ </div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> を使ã†äººãŸã¡ã«ã¨ã£ã¦ã€æ£ã—ã„接続ã®ä»•æ–¹ã‚’å¦ã¶ã“ã¨ã¯è²´é‡ãªæŠ€ã§ã™ã€‚<span class="application"><strong>Ardour</strong></span> ㌠<code class="systemitem">JACK</code> ã‚’ãã®å†…部ã¨å¤–部ã®æŽ¥ç¶šã®ãŸã‚ã«ä½¿ã£ã¦ã„ã‚‹ã¨ã„ã†äº‹å®Ÿã®ãŸã‚ã«ã€ä»¥ä¸‹ã®æŠ€ãŒå¯èƒ½ã§ã™ã€‚以å‰ãŠè©±ã—ã—ãŸéŒ²éŸ³ãƒã‚¹ï¼ˆéŸ³æºã®å…¥åŠ›ãƒ¬ãƒ™ãƒ«ã‚’調整ã™ã‚‹ï¼‰ã€å·¦ã¨å³ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒãƒ£ãƒãƒ«ã‚’ã²ã£ãã‚Šè¿”ã™ã€ãã—ã¦å¤šãã®å…¥åŠ›ãƒãƒ£ãƒãƒ«ã‚’ã¾ã¨ã‚ã¦ã€ãƒžãƒ«ãƒãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªå‡ºåŠ›ã‚’作æˆã™ã‚‹ã€ãªã©ã§ã™ã€‚ä»–ã«ã‚‚技ãŒã‚ã‚‹ã“ã¨ã¯ç–‘ã†ã¹ãã‚‚ã‚ã‚Šã¾ã›ã‚“。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Redo_a_Take.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.2.8.3. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚‚ã®ã®ã‚ˆã‚Šã‚ˆã„録音をã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.2.10. æ—¢å˜ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’インãƒãƒ¼ãƒˆã™ã‚‹</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.2.5. ãƒã‚¹ã¨ãƒˆãƒ©ãƒƒã‚¯ã‚’è¨å®šã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html" title="7.2. セッションを録音ã™ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources.html" title="7.2.4. オーディオソースを Ardour ã«ã¤ãªã" /><link rel="next" href="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level.html" title="7.2.6. 録音レベル（ボリューム）を調整ã™ã‚‹"
/></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.2.5. ãƒã‚¹ã¨ãƒˆãƒ©ãƒƒã‚¯ã‚’è¨å®šã™ã‚‹" id="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks"><div class="tit
lepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks">7.2.5. ãƒã‚¹ã¨ãƒˆãƒ©ãƒƒã‚¯ã‚’è¨å®šã™ã‚‹</h3></div></div></div><div class="para">
+ ãƒã‚¹ã®ä¸€èˆ¬çš„ãªèª¬æ˜Žã¯ <a class="xref" href="sect-Musicians_Guide-Vocabulary-Bus.html" title="1.4.2. ãƒã‚¹ã€ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã€€ãã—ã¦ã‚µãƒ–マスターãƒã‚¹">「ãƒã‚¹ã€ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã€€ãã—ã¦ã‚µãƒ–マスターãƒã‚¹ã€</a> ã‚’å‚照下ã•ã„。デフォルトã§ã¯ <span class="application"><strong>Ardour</strong></span> ã®å‡ºåŠ›ã¯ã™ã¹ã¦ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã«è¡Œãã¾ã™ã€‚ãƒã‚¹ã¯ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’å«ã¿ã¾ã›ã‚“ãŒã€ã¨ã‚Šã¾ã¨ã‚ã®ãŸã‚ã®é ˜åŸŸã¨ã—ã¦ã¯ãŸã‚‰ãã€ãれを使ã£ã¦ã‚ãªãŸã¯ãƒ—ãƒã‚¸ã‚§ã‚¯ãƒˆå…¨ä½“ã‚’ã‚るフィルタã«ã‹ã‘ãŸã‚Šã€ãƒœãƒªãƒ¥ãƒ¼ãƒ 調整をã—ãŸã‚Šã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="procedure"><h6>æ‰‹é †7.1 録音ã®ãŸã‚ã«ãƒˆãƒ©ãƒƒã‚¯ã‚’è¿½åŠ ã™ã‚‹</h6><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="guimenu"><strong>Track</strong></span> → <span class="guimenuitem"><strong>Add Track/Bus</strong></span> ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ <span class="guilabel"><strong>Tracks</strong></span> ãŒé¸æŠžã•ã‚Œã¦ã„ã‚‹ã“ã¨ã‚’確èªä¸‹ã•ã„。
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ 番å·ã‚’è¨å®šã—ã¾ã™ã€‚（ãŸã¶ã‚“ <code class="literal">1</code> ã§ã—ょã†ï¼‰ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ 入力ãƒãƒ£ãƒãƒ«æ•°ã‚’é¸æŠžã—ã¾ã™ã€‚（ãŸã¶ã‚“ <code class="literal">Stereo</code> ã¤ã¾ã‚Šï¼’ã§ã—ょã†ï¼‰
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ モードをé¸æŠžã—ã¾ã™ï¼š
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="literal">Normal</code>: ãã‚Œãžã‚Œã®éŒ²éŸ³ãƒ†ã‚¤ã‚¯ã”ã¨ã«æ–°ã—ã„リージョンを作りã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">Tape</code>: 何ã‹ãŒæ—¢ã«éŒ²éŸ³ã•ã‚Œã¦ã„ã¦ã‚‚ãã®ä¸Šã«ã€ç ´å£Šçš„ã«éŒ²éŸ³ã—ã¾ã™ã€‚（テープã®ã‚ˆã†ã«ï¼‰
+ </div></li></ul></div></li><li class="step" title="ステップ 6"><div class="para">
+ <span class="guibutton"><strong>Add</strong></span> をクリックã—ã¦ã€ãƒˆãƒ©ãƒƒã‚¯ã‚’作æˆã—ã¾ã™ã€‚
+ </div></li></ol></div><div class="procedure"><h6>æ‰‹é †7.2 見分ã‘ãŒã¤ãよã†ã«ã€ãƒˆãƒ©ãƒƒã‚¯ã®åå‰ã‚’変ãˆã¾ã™ã€‚</h6><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ トラックエリアã®ä¸€ç•ªå·¦ã®ã€ä»Šã‚るトラックåラベルをクリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ 今ã®åå‰ã®ä¸Šã«ã‚¿ã‚¤ãƒ—ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ <span class="keycap"><strong>Enter</strong></span> を押ã—ã¾ã™ã€‚
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.2.4. オーディオソースを Ardour ã«ã¤ãªã</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.2.6. 録音レベル（ボリューム）を調整ã™ã‚‹</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.2.3. タイムラインをè¨å®šã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html" title="7.2. セッションを録音ã™ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Recording-Interface.html" title="7.2.2. インタフェース" /><link rel="next" href="sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources.html" title="7.2.4. オーディオソースを Ardour ã«ã¤ãªã" /></head><body class="draft toc_embeded "><div id
="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Interface.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.2.3. タイムラインをè¨å®šã™ã‚‹" id="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title"
id="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline">7.2.3. タイムラインをè¨å®šã™ã‚‹</h3></div></div></div><div class="para">
+ At the top of the main <span class="application"><strong>Ardour</strong></span> window, to the right of the transport's toolbar, are two relatively large clocks. If you do not need both clocks, you can turn off one of them. Right-click the clocks to choose what you want them to display:
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>Bars:Beats</strong></span> ã¯ã€å°ç¯€ã¨æ‹ã‚’表示ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>Minutes:Seconds</strong></span> ã¯ãƒˆãƒ©ãƒƒã‚¯å…ˆé ã‹ã‚‰ã®æ™‚間を示ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>Timecode</strong></span> ã¯ãƒ•ãƒ¬ãƒ¼ãƒ ï¼ç§’ã®ã‚¿ã‚¤ãƒ コード（通常ã€ãƒ•ã‚£ãƒ«ãƒ ã®ä½œæ¥ã‚’ã™ã‚‹ã¨ãã«ä½¿ã‚ã‚Œã¾ã™ï¼‰ã‚’示ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>Samples</strong></span> ã¯é–‹å§‹ã‹ã‚‰ã®ã‚µãƒ³ãƒ—ル数を表示ã—ã¾ã™ã€‚
+ </div></li></ul></div><div class="para">
+ Refer to <a class="xref" href="sect-Musicians_Guide-Vocabulary-Time.html" title="1.4.5. タイムã€ã‚¿ã‚¤ãƒ ラインã€ãã—ã¦ã‚¿ã‚¤ãƒ シフティング">「タイムã€ã‚¿ã‚¤ãƒ ラインã€ãã—ã¦ã‚¿ã‚¤ãƒ シフティングã€</a> for more information about time measurement.
+ </div><div class="para">
+ <span class="guimenu"><strong>snap mode</strong></span> メニューã¯ã‚¿ã‚¤ãƒ ラインã¨æ™‚計ã®é–“ã«ã‚ã‚Šã¾ã™ã€‚ã“ã®ãƒ¡ãƒ‹ãƒ¥ãƒ¼ã¯ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ãŒç§»å‹•ã§ãã‚‹ã¨ã“ã‚を制御ã—ã¾ã™ã€‚ã‚ãªãŸã¯ç¾åœ¨ã®ã‚¢ã‚¯ãƒ†ã‚£ãƒ“ティã«ã‚ˆã£ã¦ã¯ã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®ä½œæ¥ã‚’ã—ã¦ã„ã‚‹ã¨ãã«ã“れを変更ã™ã‚‹å¿…è¦ãŒã‚ã‚‹ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。左ã®ãƒ¡ãƒ‹ãƒ¥ãƒ¼ã«ã¯ï¼š
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>No Grid</strong></span>: リージョンã¯è‡ªç”±ã«ã©ã“ã¸ã§ã‚‚移動ã§ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>Grid</strong></span>: リージョンã¯ç›´è¿‘ã®ã‚°ãƒªãƒƒãƒ‰ç‚¹ã‹ã‚‰é–‹å§‹ã—ãªã„ã¨ã„ã‘ã¾ã›ã‚“。
+ </div></li><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>Magnetic</strong></span> リージョンã¯è‡ªç”±ã«å‹•ã‘ã¾ã™ãŒã€ã‚°ãƒªãƒƒãƒ‰ç‚¹ã®è¿‘ãã«æ¥ã‚‹ã¨ã€ãã‚Œã«è‡ªå‹•çš„ã«ãã£ã¤ãã¾ã™ã€‚
+ </div></li></ul></div><div class="para">
+ The middle menu controls where to place the grid lines: by SMPTE timecode, by clock time, by beats and bars, or by regions.
+ </div><div class="figure" title="図7.5 The Ardour nudge pane" id="ardour_interface_nudge_pane"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-interface-nudge-pane.png" width="444" alt="The Ardour nudge pane" /><div class="longdesc"><div class="para">
+ The Ardour nudge pane.
+ </div></div></div></div><h6>図7.5 The Ardour nudge pane</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline.html#ardour_interface_nudge_pane" title="図7.5 The Ardour nudge pane">図7.5「The Ardour nudge paneã€</a> shows the nudge pane, part of the transport. The nudge tool moves a selected region or regions forward or back in the session by a specific amount. The <span class="guibutton"><strong><</strong></span> button moves regions back in the session. The <span class="guibutton"><strong>></strong></span> button moves regions forward in the session. If no regions are selected, the nudge tool moves the transport head. The display to the right of the <span class="guibutton"><strong>></strong></span> button tells you how far a selected region would move. In this case, the nudge tool moves regions by 5 seconds.
+ </div><div class="para">
+ The timeline contains many <em class="firstterm">rulers</em> that show different time-marking scales. The timeline is located at the top of the canvas area, below the toolbars. Use the context menu (<span class="mousebutton">right-click</span>) to select which rulers you want to display. The rulers you should choose depends on the clock settings and the snap mode.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Interface.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.2.2. インタフェース</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.2.4. オーディオソースを Ardour ã«ã¤ãªã</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.2. セッションを録音ã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Ardour.html" title="第7ç« Ardour" /><link rel="prev" href="chap-Musicians_Guide-Ardour.html" title="第7ç« Ardour" /><link rel="next" href="sect-Musicians_Guide-Ardour-Recording-Interface.html" title="7.2.2. インタフェース" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade
your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Ardour.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Interface.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.2. セッションを録音ã™ã‚‹" id="sect-Musicians_Guide-Ardour-Recording_a_Session"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Ardour-Recording_a_Session">7.2. セッションを録音ã™ã‚‹</h2></div></div></div><div class="para">
+ セッションã®éŒ²éŸ³ã¯é€šå¸¸ã¯å…¨éƒ¨ã€ä¸€åº¦ã«è¡Œã‚ã‚Œã¾ã™ã€‚ã—ã‹ã—ã€ã¨ãã«ã¯éŒ²éŸ³ã¯ä½•æ—¥ã‚ã‚‹ã„ã¯ä½•é€±é–“ã«ã‚‚ã‚ãŸã£ã¦è¡Œã‚れるã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚ミã‚シングã¨ãƒžã‚¹ã‚¿ãƒªãƒ³ã‚°ã¯ã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ãŒéŒ²éŸ³ã•ã‚ŒãŸå¾Œã§è¡Œã‚ã‚Œã¾ã™ã€‚セッションをオープンã™ã‚‹æ™‚ã«ã€æ¯Žå›žã€<code class="systemitem">JACK</code> ã®ã‚µãƒ³ãƒ—ルレートã¨ã‚µãƒ³ãƒ—ルフォーマットã®è¨å®šã¯åŒã˜ã§ãªã‘ã‚Œã°ã„ã‘ãªã„ã“ã¨ã«æ³¨æ„下ã•ã„。
+ </div><div class="section" title="7.2.1. Ardour を実行ã™ã‚‹" id="sect-Musicians_Guide-Ardour-Recording-Running_Ardour"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Running_Ardour">7.2.1. <span class="application"><strong>Ardour</strong></span> を実行ã™ã‚‹</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> 㯠<code class="systemitem">JACK</code> サウンドサーãƒã‚’使ã„ã¾ã™ã€‚<span class="application"><strong>Ardour</strong></span> ã®å‰ã« <span class="application"><strong>QjackCtl</strong></span> を使ã£ã¦ <code class="systemitem">JACK</code> を開始ã—ã¦ãã ã•ã„。ã‚ã‚‹ã„㯠<span class="application"><strong>Ardour</strong></span> 㯠<code class="systemitem">JACK</code> ã‚’ã‚ãªãŸã®ä»£ã‚ã‚Šã«é–‹å§‹ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> asks you to choose a location to save your new session. <span class="application"><strong>Ardour</strong></span> automatically creates a directory to store the session's files. You can also open an existing session.
+ </div></li></ol></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Ardour.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>第7ç« Ardour</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Interface.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.2.2. インタフェース</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Tutorial_Files.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Tutorial_Files.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.3. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Ardour.html" title="第7ç« Ardour" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio.html" title="7.2.10. æ—¢å˜ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’インãƒãƒ¼ãƒˆã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing.html" title="7.4. 曲を編集ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /></head><body class="draft toc_embeded "><div id="tocdiv" class="to
c"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="7.3. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«" id="sect-Musicians_Guide-Ardour-Tutorial_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Ardour-Tutorial
_Files">7.3. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</h2></div></div></div><div class="para">
+ These tutorial files represent the material required to create a finished version of a song called "Here Is How," written by Esther Wheaton. The song was released as part of her first album, "Not Legendary," and raw audio source files were later released with the Creative Commons Attribution-NonCommercial-ShareAlike licence, available on the Internet at <a href="http://creativecommons.org/licenses/by-nc-sa/3.0/">http://creativecommons.org/licenses/by-nc-sa/3.0/</a>. For more information on the artist, please refer to her <em class="citetitle">Esther Wheaton's MySpace Page</em>, available at <a href="http://www.myspace.com/estherwheaton">http://www.myspace.com/estherwheaton</a>.
+ </div><div class="para">
+ The tutorial files are an <span class="application"><strong>Ardour</strong></span> project folder, and the audio files themselves. Follow these steps to set up the tutorial.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Download the <span class="application"><strong>Ardour</strong></span> project folder from <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/Ardour/FMG-HereIsHow.tar.lzma">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/Ardour/FMG-HereIsHow.tar.lzma</a>. Uncompress the file in a directory where you have at least 1Â GiB of free disk space.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Download all of the audio files from <a href="http://soundcloud.com/fedoraproject/sets/fmg-ardour-tutorial">http://soundcloud.com/fedoraproject/sets/fmg-ardour-tutorial</a>. Put the files in the <code class="filename">Interchange/FMG-HereIsHow/audiofiles</code> subdirectory of the <span class="application"><strong>Ardour</strong></span> project folder from the previous step.
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>7.2.10. æ—¢å˜ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’インãƒãƒ¼ãƒˆã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>7.4. 曲を編集ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.3.2. ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Audacity_Configuration.html" title="5.3. 構æˆ" /><link rel="prev" href="sect-Musicians_Guide-Audacity_Configuration.html" title="5.3. 構æˆ" /><link rel="next" href="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format.html" title="5.3.3. Setting the Project's Sample Rate and Format" /></head><body class="draft toc_embeded "><div id="tocdiv" clas
s="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity_Configuration.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5.3.2. ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹" id="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware"><div class="titlepage"><div><div keep-together.within-column="always"
><h3 class="title" id="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware">5.3.2. ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹</h3></div></div></div><div class="para">
+ Audacity ã¯è‡ªå‹•çš„ã«è‡ªåˆ†ã§è¨å®šã‚’ã—ã¾ã™ã€‚ã‚‚ã—ã‚ãªãŸã®ã‚³ãƒ³ãƒ”ュータã«è¤‡æ•°ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ãŒã‚ã£ãŸã‚Šã€ã‚ãªãŸã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ãŒç‰¹æ®Šãªã‚»ãƒƒãƒˆã‚¢ãƒƒãƒ—ã‚’å¿…è¦ã¨ã—ãŸã‚Šã™ã‚‹ã¨ã€Audacity ã¯ã‚ãªãŸãŒä½¿ã†å…¥åŠ›ã¨å‡ºåŠ›ã‚’推測ã—ã¾ã™ã€‚Audacity ã®æŽ¨æ¸¬ã¯é–“é•ã†ã“ã¨ã‚‚ã‚ã‚Šã€ãã®ã¨ãã‚ãªãŸã¯è‡ªåˆ†ã§è¨å®šã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="para">
+ ã¨ãã«ã¯ã€Audacity ã¯å‹•ã„ã¦ã‚‚ã€æ€§èƒ½ãŒæ‚ªã‹ã£ãŸã‚Šã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªå“質ãŒæ‚ªã„ã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚ã‚ãªãŸã®ã‚³ãƒ³ãƒ”ュータã§ã€Audacity ãŒã†ã¾ãå‹•ã‹ãªã„ã¨ãã¯ã€ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã‚’手動ã§è¨å®šã™ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚
+ </div><div class="para">
+ ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹ã«ã¯ã€ä»¥ä¸‹ã®ã‚¹ãƒ†ãƒƒãƒ—ã«å¾“ã£ã¦ãã ã•ã„。
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ ã‚ãªãŸã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã® Linux ã§ã®åå‰ã‚’知る必è¦ãŒã‚ã‚Šã¾ã™ã€‚
+ </div><ol class="a"><li class="step" title="ステップ 1.a"><div class="para">
+ ターミナルを開ãã¾ã™ã€‚GNOME ã§ã¯<span class="guimenu"><strong>アプリケーション</strong></span> → <span class="guisubmenu"><strong>システムツール</strong></span> → <span class="guimenuitem"><strong>端末</strong></span>ã‚’é¸æŠžã—ã¾ã™ã€‚KDE ã§ã¯ã€ã‚¢ãƒ—リケーションランãƒãƒ£ãƒ¼ã‚’é–‹ã„ã¦ã€<span class="guimenu"><strong>システムツール</strong></span> → <span class="guimenuitem"><strong>Konsole</strong></span>ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 1.b"><div class="para">
+ ã“ã®ã‚³ãƒžãƒ³ãƒ‰ã‚’実行ã—ã¾ã™ï¼š<code class="command">cat /proc/asound/cards</code>
+ </div></li><li class="step" title="ステップ 1.c"><div class="para">
+ <code class="command">cat</code>プãƒã‚°ãƒ©ãƒ ã¯ã‚ãªãŸã®ã‚³ãƒ³ãƒ”ュータã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã®ãƒªã‚¹ãƒˆã‚’出力ã—ã¾ã™ã€‚ãã‚Œã¯ã€ã“ã®ãƒªã‚¹ãƒˆã®ã‚ˆã†ã«è¦‹ãˆã‚‹ã§ã—ょã†ï¼š
+ </div><pre class="screen"><code class="computeroutput">0 [SB ]: HDA-Intel - HDA ATI SB</code>
+<code class="computeroutput"> HDA ATI SB at 0xf7ff4000 irq 16</code>
+<code class="computeroutput">1 [MobilePre ]: USB-Audio - MobilePre</code>
+<code class="computeroutput"> M Audio MobilePre at usb-0000:00:13.0-2</code></pre><div class="para">
+ ã“ã®å‡ºåŠ›ä¾‹ã§ã¯ã€è§’ã‹ã£ã“ãŒã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã®åå‰ã‚’囲ã¿ã¾ã™ã€‚ã“ã®å‡ºåŠ›ä¾‹ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã®åå‰ã¯ <code class="literal">SB</code> 㨠<code class="literal">MobilePre</code> ã§ã™ã€‚
+ </div></li><li class="step" title="ステップ 1.d"><div class="para">
+ Identify the name of the sound card that you want to use. If you do not see your sound card in the list outputted by <code class="code">cat</code>, then your operating system does not detect it. You should also remember the number of the sound card, which is printed to the left of the name. You can use two different sound cards for recording and playback.
+ </div></li></ol></li><li class="step" title="ステップ 2"><div class="para">
+ Audacity を開始ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Open the "Preferences" window. Choose <span class="guimenu"><strong>File</strong></span> > <span class="guimenuitem"><strong>Preferences</strong></span>.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Set the "Host" to <code class="literal">ALSA</code>.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ 録音ã¨å†ç”Ÿã®ãƒ‡ãƒã‚¤ã‚¹ã‚’ã€ã‚ãªãŸãŒä½¿ã„ãŸã„サウンドカードã®åå‰ã«ã—ã¾ã™ã€‚サウンドカードã®é¸æŠžè‚¢ãŒãŸãã•ã‚“ã‚ã‚‹ãªã‚‰ã°ã€<code class="literal">(hw:0)</code> ã§çµ‚ã‚ã‚‹ã‚‚ã®ã‚’é¸æŠžã—ã¾ã™ã€‚<code class="literal">0</code> ã®éƒ¨åˆ†ã¯ã€ä½¿ã„ãŸã„サウンドカードã®ç•ªå·ã«ç½®æ›ä¸‹ã•ã„。
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ è¨å®šãŒæ£ã—ã„ã‹ã€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«å¾Œã®ãƒ†ã‚¹ãƒˆæ‰‹é †ã‚’è¡Œã£ã¦ãã ã•ã„。
+ </div></li></ol></div><div class="para">
+ å†ç”Ÿã¨éŒ²éŸ³ã®ãƒ‡ãƒã‚¤ã‚¹ã®ãƒªã‚¹ãƒˆã«ã¯ãŸãã•ã‚“ã®é¸æŠžè‚¢ãŒã‚ã‚Šã¾ã™ã€‚<code class="code">default</code> デãƒã‚¤ã‚¹ã«ã™ã‚‹ã¨ã€Audacity 㯠ALSA ã«ã©ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã‚’使ã†ã‹ã‚’決定ã•ã›ã¾ã™ã€‚<code class="literal">pulse</code> デãƒã‚¤ã‚¹ã«ã™ã‚‹ã¨ã€Audacity 㯠PulseAudio ã«ã©ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã‚’使ã†ã‹ã‚’決定ã•ã›ã¾ã™ã€‚Audacity ã¯ã€ç‰¹å®šã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã§è¨å®šã•ã‚ŒãŸã¨ãã«æœ€ã‚‚効率よã動作ã—ã¾ã™ã‹ã‚‰ã€ <code class="literal">default</code> ã‚„ <code class="literal">pulse</code> デãƒã‚¤ã‚¹ã¯ã€ä»–ã®é¸æŠžè‚¢ãŒã†ã¾ãã„ã‹ãªã„ã¨ãã ã‘使ã†ã®ãŒã‚ˆã„ã§ã—ょã†ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity_Configuration.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5.3. 構æˆ</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5.3.3. Setting the Project's Sample Rate and Form...</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Exporting_a_Whole_File.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Exporting_a_Whole_File.html
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@@ -0,0 +1,11 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.7.2. ファイルを全部書ã出ã™</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Audacity-Save_and_Export.html" title="5.7. ä¿å˜ã¨æ›¸ã出ã—" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Save_and_Export.html" title="5.7. ä¿å˜ã¨æ›¸ã出ã—" /><link rel="next" href="chap-Musicians_Guide-Digital_Audio_Workstations.html" title="第6ç« ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ¯ãƒ¼ã‚¯ã‚¹ãƒ†ãƒ¼ã‚·ãƒ§ãƒ³" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc">
<iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Save_and_Export.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Digital_Audio_Workstations.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5.7.2. ファイルを全部書ã出ã™" id="sect-Musicians_Guide-Audacity-Exporting_a_Whole_File"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Exporting_a_Wh
ole_File">5.7.2. ファイルを全部書ã出ã™</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="guimenu"><strong>ファイル</strong></span> → <span class="guimenuitem"><strong>é¸æŠžç¯„囲を書ã出ã—</strong></span>ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ 書ãã ã•ã‚Œã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®å½¢å¼ã€ãƒ•ã‚¡ã‚¤ãƒ«åã€ãã—ã¦ãƒ‡ã‚£ãƒ¬ã‚¯ãƒˆãƒªã‚’é¸æŠžã—ã¾ã™ã€‚終ã‚ã£ãŸã‚‰<span class="guibutton"><strong>ä¿å˜</strong></span>をクリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Depending on which format you choose, the "Metadata" window appears. You can input this information if you wish.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Audacity ã¯æ›¸ã出ã™ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’処ç†ã—ã¾ã™ã€‚ã“ã‚Œã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã«ã‚ˆã£ã¦ã¯ã—ã°ã‚‰ãã‹ã‹ã‚Šã¾ã™ã€‚
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Save_and_Export.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5.7. ä¿å˜ã¨æ›¸ã出ã—</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Digital_Audio_Workstations.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>第6ç« ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ¯ãƒ¼ã‚¯ã‚¹ãƒ†ãƒ¼ã‚·ãƒ§ãƒ³</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Hardware_Requirements.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Hardware_Requirements.html
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@@ -0,0 +1,5 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.2.2. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html" title="5.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html" title="5.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" /><link rel="next" href="sect-Musicians_Guide-Audacity-Installation.html" title="5.2.3. 標準ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><i
frame id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Installation.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5.2.2. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶" id="sect-Musicians_Guide-Audacity-Hardware_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Hardware_Requirem
ents">5.2.2. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</h3></div></div></div><div class="para">
+ Audacity を使ã†ã«ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ãŒå¿…è¦ã§ã™ã€‚Audacity ã§ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’録音ã™ã‚‹ãªã‚‰ã°ã€å°‘ãªãã¨ã‚‚１ã¤ã®ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã«æŽ¥ç¶šã•ã‚ŒãŸãƒžã‚¤ã‚¯ãŒå¿…è¦ã§ã™ã€‚æ—¢å˜ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ•ã‚¡ã‚¤ãƒ«ã‚’編集ã™ã‚‹ã®ã«ãƒžã‚¤ã‚¯ã¯ã„ã‚Šã¾ã›ã‚“。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Installation.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5.2.3. 標準ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Installation.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Installation.html
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@@ -0,0 +1,11 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.2.3. 標準ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html" title="5.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Hardware_Requirements.html" title="5.2.2. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶" /><link rel="next" href="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html" title="5.2.4. MP3 サãƒãƒ¼ãƒˆã‚’å«ã‚€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" /></head><body class="draft toc_embeded "><div
id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Hardware_Requirements.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5.2.3. 標準ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" id="sect-Musicians_Guide-Audacity-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guid
e-Audacity-Installation">5.2.3. 標準ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</h3></div></div></div><div class="procedure"><div class="para">
+ This method installs Audacity from the Fedora repository. This version of Audacity does not use an MP3 library, and cannot process MP3 files.
+ </div><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ PackageKit ã‚ã‚‹ã„㯠KPackageKit を使ã£ã¦<span class="package">audacity</span>パッケージをインストールã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ æ案ã•ã‚ŒãŸã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã¯ã€Audacity 㨠Audacity ãŒä½¿ã†ã™ã¹ã¦ã®ãƒ©ã‚¤ãƒ–ラリをå«ã¿ã¾ã™ã€‚æ案を見ã¦ã€æ‰¿èªã—ã€Audacity ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã‚’続ã‘ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Audacity ã¯è‡ªå‹•çš„ã«è‡ªåˆ†ã§è¨å®šã‚’ã—ã¾ã™ã€‚ã—ã‹ã—ã€ã‚ãªãŸã®ã»ã—ã„è¨å®šã¯ä½¿ã‚ãªã„ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。録音ã™ã‚‹å‰ã«ã€Audacity をテストã—ã¦ã€ã†ã¾ãå‹•ãã®ã‚’確èªã—ã¦ãã ã•ã„。<a class="xref" href="sect-Musicians_Guide-Audacity-Testing_Playback.html" title="5.2.5. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿ">「インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿã€</a>ã¨<a class="xref" href="sect-Musicians_Guide-Audacity-Testing_Recording.html" title="5.2.6. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³">「インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³ã€</a>ã®æ‰‹é †ã«å¾“ã£ã¦ã€Audacity をテストãã ã•ã„。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Hardware_Requirements.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5.2.2. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5.2.4. MP3 サãƒãƒ¼ãƒˆã‚’å«ã‚€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html
new file mode 100644
index 0000000..bf14b42
--- /dev/null
+++ b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html
@@ -0,0 +1,17 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.2.4. MP3 サãƒãƒ¼ãƒˆã‚’å«ã‚€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html" title="5.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Installation.html" title="5.2.3. 標準ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" /><link rel="next" href="sect-Musicians_Guide-Audacity-Testing_Playback.html" title="5.2.5. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿ" /></head><body class="draft toc_embeded "><div id=
"tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Installation.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Testing_Playback.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5.2.4. MP3 サãƒãƒ¼ãƒˆã‚’å«ã‚€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" id="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musici
ans_Guide-Audacity-Installation_with_RPM_Fusion">5.2.4. MP3 サãƒãƒ¼ãƒˆã‚’å«ã‚€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</h3></div></div></div><div class="procedure"><div class="para">
+ This method installs Audacity from the RPM Fusion repository. This version of Audacity uses an MP3 library, and can process MP3 files. Fedora cannot provide support for this version of Audacity because it is not prepared by Fedora.
+ </div><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ ターミナルã§ã€ã“ã®ã‚³ãƒžãƒ³ãƒ‰ã‚’実行ã—ã¾ã™ï¼š
+ </div><pre class="screen"><code class="command">su -c 'yum localinstall --nogpgcheck http://download1.rpmfusion.org/free/fedora/\</code>
+<code class="command">rpmfusion-free-release-stable.noarch.rpmhttp://download1.rpmfusion.org/nonfree/\</code>
+<code class="command">fedora/rpmfusion-nonfree-release-stable.noarch.rpm'</code></pre><div class="para">
+ ã“ã‚Œã¯ï¼‘ã¤ã®ã‚³ãƒžãƒ³ãƒ‰ã§ã€ã“ã“ã§ã¯è¡¨ç¤ºã®ãŸã‚ã«ï¼“è¡Œã«åˆ†ã‘ã¦ã‚ã‚‹ã“ã¨ã«æ³¨æ„ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ PackageKit ã‚ã‚‹ã„㯠KPackageKit を使ã£ã¦ <code class="code">audacity-freeworld</code> パッケージをインストールã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ æ案ã•ã‚ŒãŸã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã¯ã€Audacity 㨠Audacity ãŒä½¿ã†ã™ã¹ã¦ã®ãƒ©ã‚¤ãƒ–ラリをå«ã¿ã¾ã™ã€‚æ案を見ã¦ã€æ‰¿èªã—ã€Audacity ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã‚’続ã‘ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Audacity ã¯è‡ªå‹•çš„ã«è‡ªåˆ†ã§è¨å®šã‚’ã—ã¾ã™ã€‚ã—ã‹ã—ã€ã‚ãªãŸã®ã»ã—ã„è¨å®šã¯ä½¿ã‚ãªã„ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。録音ã™ã‚‹å‰ã«ã€Audacity をテストã—ã¦ã€ã†ã¾ãå‹•ãã®ã‚’確èªã—ã¦ãã ã•ã„。<a class="xref" href="sect-Musicians_Guide-Audacity-Testing_Playback.html" title="5.2.5. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿ">「インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿã€</a>ã¨<a class="xref" href="sect-Musicians_Guide-Audacity-Testing_Recording.html" title="5.2.6. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³">「インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³ã€</a>ã®æ‰‹é †ã«å¾“ã£ã¦ã€Audacity をテストãã ã•ã„。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Installation.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5.2.3. 標準ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Testing_Playback.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5.2.5. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿ</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.4. インタフェース</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Audacity.html" title="第5ç« Audacity" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format.html" title="5.3.3. Setting the Project's Sample Rate and Format" /><link rel="next" href="sect-Musicians_Guide-Audacity-Recording.html" title="5.5. 録音" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html
">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Recording.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5.4. インタフェース" id="sect-Musicians_Guide-Audacity-Interface"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity-Interface">5.4. インタフェース</h2></div></div></div><div class="figure" title="図5.1
Audacity ã®ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹" id="audacity_interface"><div class="figure-contents"><div class="mediaobject"><img src="./images/Audacity-Interface.png" width="444" alt="Audacity ã®ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹" /><div class="longdesc"><div class="para">
+ １ã¤ã®ã‚¹ãƒ†ãƒ¬ã‚ªãƒˆãƒ©ãƒƒã‚¯ã‚’表示ã™ã‚‹ Audacity ã®ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã€‚
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <em class="firstterm">トランスãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«</em>ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’å†ç”Ÿã€åœæ¢ã€ã‚ã‚‹ã„ã¯å†ç”Ÿã‚’一時åœæ¢ã—ã¾ã™ã€‚録音ã¨ãƒ•ã‚¡ã‚¤ãƒ«ã®ä¸ã‚’ç´ æ—©ã移動ã™ã‚‹ãŸã‚ã®ãƒœã‚¿ãƒ³ã‚‚ã“ã“ã«ã‚ã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ The <em class="firstterm">tool-selection box</em> changes the cursor's function.
+ </div></li><li class="listitem"><div class="para">
+ ï¼’ã¤ã®<em class="firstterm">ボリュームレベルメーター</em>ã¯ã‚¹ãƒ†ãƒ¬ã‚ªã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルを表示ã—ã¾ã™ã€‚å·¦ã®ãƒ¡ãƒ¼ã‚¿ãƒ¼ã¯å‡ºåŠ›ä¿¡å·ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルを表示ã—ã€å³ã®ãƒ¡ãƒ¼ã‚¿ãƒ¼ã¯å…¥åŠ›ä¿¡å·ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルを表示ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <em class="firstterm">ルーラー</em>ã¯ã€ãƒ•ã‚¡ã‚¤ãƒ«å…ˆé ã‹ã‚‰ã®æ™‚間を分ã¨ç§’ã§è¡¨ç¤ºã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ãã‚Œãžã‚Œã®<em class="firstterm">トラック</em>ã«ã¯ï¼’ãƒãƒ£ãƒãƒ«ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ãƒ‡ãƒ¼ã‚¿ãŒã‚ã‚Šã¾ã™ã€‚Audacity ã¯ãƒˆãƒ©ãƒƒã‚¯ã‚’メインウインドウã§åž‚ç›´ã«ä¸¦ã¹ã¦è¡¨ç¤ºã—ã¾ã™ã€‚Audacity ã¯ã™ã¹ã¦ã®ãƒˆãƒ©ãƒƒã‚¯ã‚’åŒæ™‚ã«æ¼”å¥ã—ã¾ã™ã€‚
+ </div></li></ol></div></div></div></div><h6>図5.1 Audacity ã®ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹</h6></div><br class="figure-break" /><div class="figure" title="図5.2 Audacity ã®ãƒˆãƒ©ãƒƒã‚¯" id="audacity_track"><div class="figure-contents"><div class="mediaobject"><img src="./images/Audacity-Track.png" width="444" alt="Audacity ã®ãƒˆãƒ©ãƒƒã‚¯" /><div class="longdesc"><div class="para">
+ Audacity ã§è¡¨ç¤ºã•ã‚ŒãŸï¼‘ã¤ã®ã‚¹ãƒ†ãƒ¬ã‚ªãƒˆãƒ©ãƒƒã‚¯
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ ãã‚Œãžã‚Œã®ãƒˆãƒ©ãƒƒã‚¯ã«ã¯<em class="firstterm">ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ã‚¨ãƒªã‚¢</em>ãŒã‚ã‚Šã€ãã“ã«ã¯ãƒ•ã‚§ãƒ¼ãƒ€ãƒ¼ã‚„パンナーã®ã‚ˆã†ãªè¨å®šã¨ã€<span class="guibutton"><strong>ミュート</strong></span>ã¨<span class="guibutton"><strong>ソãƒ</strong></span>ボタンãŒã‚ã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <em class="firstterm">タイムライン</em>㯠Audacity ã®ãƒ¡ã‚¤ãƒ³ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã®ãƒ¡ã‚¤ãƒ³ã®ã‚¨ãƒªã‚¢ã§ã™ã€‚最も左ã®ç‚¹ãŒã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ•ã‚¡ã‚¤ãƒ«ã®å…ˆé ã§ã™ã€‚
+ </div></li></ol></div></div></div></div><h6>図5.2 Audacity ã®ãƒˆãƒ©ãƒƒã‚¯</h6></div><br class="figure-break" /><div class="para">
+ Audacity ã®ãƒ¦ãƒ¼ã‚¶ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã«ã¤ã„ã¦èªã¿é€²ã‚€ã¨ãã€å‰è¨˜ã®å›³ã‚’見ã¦ãã ã•ã„。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The "transport controls" play, stop, or pause playback of audio. The buttons to record and move quickly through a file are also located here.
+ </div></li><li class="listitem"><div class="para">
+ The "tool-selection box" changes the cursor's function.
+ </div></li><li class="listitem"><div class="para">
+ The two "volume level meters" display the volume level of stereo audio. The left meter displays the volume level of the output signal. The right meter displays the volume level of the input signal.
+ </div></li><li class="listitem"><div class="para">
+ The "ruler" displays the time since the start of the file, in minutes and seconds.
+ </div></li><li class="listitem"><div class="para">
+ The "timeline" is the main area of the main window of Audacity. The leftmost point is the beginning of the audio file.
+ </div></li><li class="listitem"><div class="para">
+ Each "track" contains two channels of audio signal data. Audacity stacks tracks vertically in the main window. Audacity plays back all tracks simultaneously.
+ </div></li><li class="listitem"><div class="para">
+ Each track has a "track info area," which holds settings like the fader, panner, and <span class="guibutton"><strong>mute</strong></span> and <span class="guibutton"><strong>solo</strong></span> buttons.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ <a class="xref" href="chap-Musicians_Guide-Digital_Audio_Workstations.html" title="第6ç« ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ¯ãƒ¼ã‚¯ã‚¹ãƒ†ãƒ¼ã‚·ãƒ§ãƒ³">6ç« <i>デジタルオーディオワークステーション</i></a>ã«ã¯ã€Audacity ã®ãƒ¦ãƒ¼ã‚¶ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã«ã¤ã„ã¦ã‚ˆã‚Šè©³ã—ã書ã„ã¦ã‚ã‚Šã¾ã™ã€‚ãã®ç« ã¯ã€å¤šãã®ãƒ¦ãƒ¼ã‚¶ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã‚³ãƒ³ãƒãƒ¼ãƒãƒ³ãƒˆã®ç›®çš„ã¨ç”¨é€”を説明ã—ã¦ã„ã¾ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5.3.3. Setting the Project's Sample Rate and Form...</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Recording.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5.5. 録音</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.5.2. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Audacity-Recording.html" title="5.5. 録音" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Recording.html" title="5.5. 録音" /><link rel="next" href="sect-Musicians_Guide-Audacity-Tutorial.html" title="5.6. æ–°ã—ã„ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã‚’作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../
toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Recording.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5.5.2. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹" id="sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record">5.5.2. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹</h3></div></div></div><
div class="para">
+ 最åˆã®éŒ²éŸ³ã®å¾Œã§ã•ã‚‰ã«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’録音ã™ã‚‹ã«ã¯ã€ä»¥ä¸‹ã®æ‰‹æ®µãŒã‚ã‚Šã¾ã™ï¼š
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æœ€å¾Œã«ç¶šã‘ã¦éŒ²éŸ³ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="keycap"><strong>シフト</strong></span>を押ã—ãªãŒã‚‰<span class="guibutton"><strong>録音</strong></span>をクリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Audacity ã¯æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æœ€å¾Œã‹ã‚‰éŒ²éŸ³ã‚’開始ã—ã¾ã™ã€‚æ–°ã—ã„オーディオã¯ä»¥å‰ã«é¸æŠžã•ã‚ŒãŸãƒˆãƒ©ãƒƒã‚¯ã«å…¥ã‚Šã¾ã™ã€‚
+ </div></li></ol></div></li><li class="listitem"><div class="para">
+ æ–°ã—ã„オーディオをã€æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã¨åŒæ™‚ã«æ¼”å¥ã•ã‚Œã‚‹ãŒã€å°‘ã—é…ã‚Œã¦é–‹å§‹ã™ã‚‹ã‚ˆã†ã«éŒ²éŸ³ã™ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="guimenu"><strong>録音ã¨å†ç”Ÿ</strong></span> → <span class="guimenuitem"><strong>åˆæœŸä½ç½®ã¾ã§é€²ã‚ã‚‹</strong></span> ã‚’é¸æŠžã™ã‚‹ã‹ã€<span class="keycap"><strong>Home</strong></span>を押ã—ã¦ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆãƒ˜ãƒƒãƒ‰ã‚’ファイルã®å…ˆé ã«ç§»å‹•ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ <span class="guibutton"><strong>録音</strong></span>をクリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Audacity ã¯æœ€åˆã‹ã‚‰éŒ²éŸ³ã‚’開始ã—ã¾ã™ã€‚æ–°ã—ã„オーディオã¯æ–°ã—ã„トラックã«å…¥ã‚Šã€æ—¢ã«ã‚るオーディオを消ã™ã“ã¨ã¯ã‚ã‚Šã¾ã›ã‚“。
+ </div></li></ol></div></li><li class="listitem"><div class="para">
+ æ–°ã—ã„オーディオをã€æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã¨åŒæ™‚ã«æ¼”å¥ã•ã‚Œã‚‹ãŒã€å°‘ã—é…ã‚Œã¦é–‹å§‹ã™ã‚‹ã‚ˆã†ã«éŒ²éŸ³ã™ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ æ–°ã—ã„オーディオを録音ã—ãŸã„タイムラインã®ä½ç½®ã‚’探ã—ã¾ã™ã€‚æ—¢ã«ã‚るトラックã®ãã®æ™‚刻をクリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ <span class="guibutton"><strong>録音</strong></span>をクリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Audacity ã¯ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆãƒ˜ãƒƒãƒ‰ã®ä½ç½®ã‹ã‚‰éŒ²éŸ³ã‚’開始ã—ã¾ã™ã€‚æ–°ã—ã„オーディオã¯æ–°ã—ã„トラックã«å…¥ã‚Šã€æ—¢ã«ã‚るオーディオを消ã™ã“ã¨ã¯ã‚ã‚Šã¾ã›ã‚“。
+ </div></li></ol></div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Recording.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5.5. 録音</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5.6. æ–°ã—ã„ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã‚’作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.5. 録音</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Audacity.html" title="第5ç« Audacity" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Interface.html" title="5.4. インタフェース" /><link rel="next" href="sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record.html" title="5.5.2. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to
view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Interface.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5.5. 録音" id="sect-Musicians_Guide-Audacity-Recording"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity-Recording">5.5. 録音</h2></div></div></div><div class="para">
+ ã“ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã§ã¯ã€Audacity ã§éŒ²éŸ³ã‚’ã™ã‚‹ã„ãã¤ã‹ã®æ–¹æ³•ã‚’説明ã—ã¾ã™ã€‚
+ </div><div class="section" title="5.5.1. 録音を開始ã™ã‚‹" id="sect-Musicians_Guide-Audacity-Recording-Start_to_Record"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Recording-Start_to_Record">5.5.1. 録音を開始ã™ã‚‹</h3></div></div></div><div class="para">
+ ã“ã®æ‰‹é †ã¯ã€ã‚ãªãŸãŒãƒžã‚¤ã‚¯ã‹ã‚‰éŒ²éŸ³ã™ã‚‹ã¨ãã«ã‚‚ã€ã‚ãªãŸã®ã‚³ãƒ³ãƒ”ュータã®ä»–ã®ã‚¢ãƒ—リケーションã‹ã‚‰éŒ²éŸ³ã™ã‚‹ã¨ãã«ã‚‚使ãˆã¾ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ コンピュータを録音準備ã—ã¾ã™ã€‚使ã„ãŸã„マイクをã¤ãªã„ã§ã€ãƒ†ã‚¹ãƒˆã—ã¾ã™ã€‚機器をテストã™ã‚‹æ‰‹é †ã¯ã€<a class="xref" href="sect-Musicians_Guide-Audacity-Testing_Playback.html" title="5.2.5. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿ">「インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿã€</a>ã¨<a class="xref" href="sect-Musicians_Guide-Audacity-Testing_Recording.html" title="5.2.6. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³">「インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³ã€</a>ã‚’å‚照下ã•ã„。
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ サンプルレートã¨ã‚µãƒ³ãƒ—ルフォーマットをãƒã‚§ãƒƒã‚¯ã—ã¾ã™ã€‚サンプルレートã¨ã‚µãƒ³ãƒ—ルフォーマットを変ãˆã‚‹æ‰‹é †ã¯ã€<a class="xref" href="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format.html" title="5.3.3. Setting the Project's Sample Rate and Format">「Setting the Project's Sample Rate and Formatã€</a>ã‚’å‚照下ã•ã„。
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ <span class="guibutton"><strong>録音</strong></span>ボタンã¯èµ¤ã„丸ãŒæ›¸ã„ã¦ã‚ã‚Šã¾ã™ã€‚録音ã®æº–å‚™ãŒã§ããŸã‚‰ <span class="guibutton"><strong>録音</strong></span>ボタンをクリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ <span class="guibutton"><strong>åœæ¢</strong></span>ボタンã¯ã‚ªãƒ¬ãƒ³ã‚¸ã®å››è§’ãŒæ›¸ã„ã¦ã‚ã‚Šã¾ã™ã€‚録音をæ¢ã‚ã‚‹ã«ã¯ã€<span class="guibutton"><strong>åœæ¢</strong></span>ボタンをクリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ * Audacity ã¯éŒ²éŸ³ã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’トラックã®ã‚¿ã‚¤ãƒ ラインã®ä¸ã§ã€é’色ã®ã€ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルã«å¯¾å¿œã™ã‚‹éŸ³æ³¢ã®ã‚ˆã†ãªå›³å½¢ã§è¡¨ã—ã¾ã™ã€‚Audacity ã¯ã¨ãã«ã¯é’ã„図形をã™ãã«è¡¨ç¤ºã—ã€ã¨ãã«ã¯ã‚ãªãŸãŒ<span class="guibutton"><strong>åœæ¢</strong></span>ボタンを押ã—ãŸå¾Œã«ã ã‘表示ã—ã¾ã™ã€‚AudacityãŒé’ã„図形をã™ãã«è¡¨ç¤ºã—ãªã„ã¨ãã¯ã€å分ãªãƒ—ãƒã‚»ãƒƒã‚µãƒ‘ワーãŒå¾—られãªã„ãŸã‚ã«ã€é’ã„図形を処ç†ã™ã‚‹ä»£ã‚ã‚Šã«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’処ç†ã™ã‚‹ã“ã¨ã«æ±ºã‚ãŸã¨ã„ã†ã“ã¨ã§ã™ã€‚
+ </div></li></ol></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Interface.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5.4. インタフェース</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5.5.2. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Audacity.html" title="第5ç« Audacity" /><link rel="prev" href="chap-Musicians_Guide-Audacity.html" title="第5ç« Audacity" /><link rel="next" href="sect-Musicians_Guide-Audacity-Hardware_Requirements.html" title="5.2.2. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view
it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Audacity.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Hardware_Requirements.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" id="sect-Musicians_Guide-Audacity-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity-Requirements_and_Installation">5.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</h2></div></div></div><div class="section" title="
5.2.1. ソフトウエアè¦ä»¶" id="sect-Musicians_Guide-Audacity-Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Software_Requirements">5.2.1. ソフトウエアè¦ä»¶</h3></div></div></div><div class="para">
+ Audacity uses several "libraries." Libraries are incomplete programs that add capabilities to other programs or applications. Libraries can be shared between programs. The libraries needed by Audacity will be installed automatically.
+ </div><div class="para">
+ The version of Audacity from the Fedora repository does not use an MP3 library. If you do not want to use MP3 files with Audacity, you should follow the instructions in <a class="xref" href="sect-Musicians_Guide-Audacity-Installation.html" title="5.2.3. 標準ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«">「標準ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã€</a>. If you want to use MP3 files with Audacity, you should follow the instructions in <a class="xref" href="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html" title="5.2.4. MP3 サãƒãƒ¼ãƒˆã‚’å«ã‚€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«">「MP3 サãƒãƒ¼ãƒˆã‚’å«ã‚€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã€</a>.
+ </div><div class="para">
+ Audacity 㯠JACK Audio Connection Kit を使ã†ã“ã¨ãŒã§ãã¾ã™ã€‚Audacity をインストールã™ã‚‹å‰ã« JACK をインストール下ã•ã„。JACK をインストールã™ã‚‹ã«ã¯ã€<a class="xref" href="sect-Musicians_Guide-Using_JACK.html#sect-Musicians_Guide-Install_and_Configure_JACK" title="2.3.1. Install and Configure JACK">「Install and Configure <code class="systemitem">JACK</code>ã€</a>ã®æ‰‹é †ã«å¾“ã£ã¦ãã ã•ã„。Audacity ã¯JACK ã¨ä¸€ç·’ã«ä½¿ã‚ãªã„ã§ã€ãŸã ã—ã€JACK ã¯ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã•ã‚Œã¦ã„ã‚‹ã®ã‚’ãŠå‹§ã‚ã—ã¾ã™ã€‚
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Audacity.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>第5ç« Audacity</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Hardware_Requirements.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5.2.2. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.7. ä¿å˜ã¨æ›¸ã出ã—</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Audacity.html" title="第5ç« Audacity" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Tutorial-Conclusion.html" title="5.6.11. çµè«–" /><link rel="next" href="sect-Musicians_Guide-Audacity-Exporting_a_Whole_File.html" title="5.7.2. ファイルを全部書ã出ã™" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This
is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Conclusion.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Exporting_a_Whole_File.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5.7. ä¿å˜ã¨æ›¸ã出ã—" id="sect-Musicians_Guide-Audacity-Save_and_Export"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity-Save_and_Export">5.7. ä¿å˜ã¨æ›¸ã出ã—</h2></div></div></div><div class="para">
+ Audacity ã¯ãã®ãƒ‡ãƒ¼ã‚¿ã‚’ã€Audacity ã ã‘ãŒä½¿ã†ã“ã¨ã®ã§ãã‚‹å½¢å¼ã§ä¿å˜ã—ã¾ã™ã€‚Audacity ã¯å˜ãªã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ•ã‚¡ã‚¤ãƒ«ä»¥ä¸Šã«å¤šãã®æƒ…å ±ã‚’ä¿å˜ã—ã€ã“ã®æƒ…å ±ã¯ã€é€šå¸¸ã® OGG, FLAC, ã‚ã‚‹ã„㯠AIFF ã®ã‚ˆã†ãªã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ•ã‚¡ã‚¤ãƒ«ã§ã¯æ ¼ç´ã§ãã¾ã›ã‚“。
+ </div><div class="para">
+ When you want to share your work, or use it in another application, you must export it. When you "export" audio, Audacity converts the Audacity-only file into a conventional audio file. Audacity does not delete the original Audacity-only file, but the exported file cannot be converted into the Audacity-only format.
+ </div><div class="section" title="5.7.1. ファイルã®éƒ¨åˆ†ã‚’書ã出ã™" id="sect-Musicians_Guide-Audacity-Exporting_Part_of_a_File"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Exporting_Part_of_a_File">5.7.1. ファイルã®éƒ¨åˆ†ã‚’書ã出ã™</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ 書ã出ã—ãŸã„オーディオã®éƒ¨åˆ†ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ <span class="guimenu"><strong>ファイル</strong></span> → <span class="guimenuitem"><strong>é¸æŠžç¯„囲を書ã出ã—</strong></span>ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ 書ãã ã•ã‚Œã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®å½¢å¼ã€ãƒ•ã‚¡ã‚¤ãƒ«åã€ãã—ã¦ãƒ‡ã‚£ãƒ¬ã‚¯ãƒˆãƒªã‚’é¸æŠžã—ã¾ã™ã€‚終ã‚ã£ãŸã‚‰<span class="guibutton"><strong>ä¿å˜</strong></span>をクリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Depending on which format you choose, the "Metadata" window appears. You can input this information if you wish.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ Audacity ã¯æ›¸ã出ã™ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’処ç†ã—ã¾ã™ã€‚ã“ã‚Œã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã«ã‚ˆã£ã¦ã¯ã—ã°ã‚‰ãã‹ã‹ã‚Šã¾ã™ã€‚
+ </div></li></ol></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Conclusion.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5.6.11. çµè«–</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Exporting_a_Whole_File.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5.7.2. ファイルを全部書ã出ã™</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.3.3. Setting the Project's Sample Rate and Format</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Audacity_Configuration.html" title="5.3. 構æˆ" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html" title="5.3.2. ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Audacity-Interface.html" title="5.4. インタフェース" /></head><body class="draft toc_embeded "><div id="t
ocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Interface.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5.3.3. Setting the Project's Sample Rate and Format" id="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id=
"sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format">5.3.3. Setting the Project's Sample Rate and Format</h3></div></div></div><div class="para">
+ サンプルレートã¨ã‚µãƒ³ãƒ—ルフォーマット（定義ã¯<a class="xref" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html" title="1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート">「サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレートã€</a>ã‚’å‚照下ã•ã„。）を変更ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚プãƒã‚¸ã‚§ã‚¯ãƒˆã§ä½œæ¥ã‚’ã—始ã‚ã‚‹ã¨ãã«ã‚µãƒ³ãƒ—ルレートã¨ã‚µãƒ³ãƒ—ルフォーマットをè¨å®šã™ã‚‹ã¹ãã§ã™ã€‚オーディオを録音ã—ãŸå¾Œã€ã‚µãƒ³ãƒ—ルレートã¨ã‚µãƒ³ãƒ—ルフォーマットを変更ã™ã‚‹ã“ã¨ã¯ã§ãã¾ã›ã‚“。既ã«ã‚るオーディオファイルを使ã†ãªã‚‰ã°ã€ãã®ãƒ•ã‚¡ã‚¤ãƒ«ã®ã‚µãƒ³ãƒ—ルレートã¨ã‚µãƒ³ãƒ—ルフォーマットを使ã†ã¹ãã§ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Choose <span class="guimenu"><strong>File</strong></span> → <span class="guimenuitem"><strong>Preferences</strong></span> to open the "Preferences" window.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ ウインドウã®å·¦ã«ã‚るリストã®ä¸ã‹ã‚‰<span class="guibutton"><strong>å“質</strong></span>をクリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ è¨å®šã‚’å¿…è¦ã«åˆã‚ã›ã¦å¤‰æ›´ã—ã¾ã™ã€‚ã»ã¨ã‚“ã©ã®ãƒ—ãƒã‚¸ã‚§ã‚¯ãƒˆã«å¯¾ã—ã¦ã€44 100 Hz ã®ã‚µãƒ³ãƒ—ルレート㨠16 bits ã®ã‚µãƒ³ãƒ—ルフォーマットをãŠå‹§ã‚ã—ã¾ã™ã€‚
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5.3.2. ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Interface.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5.4. インタフェース</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.2.5. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿ</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html" title="5.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html" title="5.2.4. MP3 サãƒãƒ¼ãƒˆã‚’å«ã‚€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" /><link rel="next" href="sect-Musicians_Guide-Audacity-Testing_Recording.html" title="5.2.6. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³" /></head><body cla
ss="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Testing_Recording.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5.2.5. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿ" id="sect-Musicians_Guide-Audacity-Testing_Playback"><div class="titlepage"><div><div keep-together.within-column="alway
s"><h3 class="title" id="sect-Musicians_Guide-Audacity-Testing_Playback">5.2.5. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿ</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Audacity を開始ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ オーディオインターフェイスã¨ã‚¹ãƒ”ーカーã®ãƒœãƒªãƒ¥ãƒ¼ãƒ を安全ãªãƒ¬ãƒ™ãƒ«ã«ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ <span class="guimenu"><strong>ファイル</strong></span> → <span class="guimenuitem"><strong>é–‹ã</strong></span>ã‚’é¸æŠžã—ã¦ã€ãƒ•ã‚¡ã‚¤ãƒ«ã‚’é–‹ãウインドウを開ãã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ <code class="literal">/usr/share/sounds/alsa/Noise.wav</code> ファイルを開ãã¾ã™ã€‚ã“ã®ãƒ•ã‚¡ã‚¤ãƒ«ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ©Ÿå™¨ã‚’テストã™ã‚‹ãŸã‚ã«ä½œã‚‰ã‚ŒãŸã‚‚ã®ã§ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ å¿…è¦ãªå›žæ•°ãƒ•ã‚¡ã‚¤ãƒ«ã‚’æ¼”å¥ã—ã¾ã™ã€‚ファイルãŒæ¼”å¥ã•ã‚Œã‚‹é–“ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã¨ã‚¹ãƒ”ーカーã®ãƒœãƒªãƒ¥ãƒ¼ãƒ を調整ã—ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ ファイルãŒæ¼”å¥ã•ã‚Œã‚‹é–“ã€éŸ³ãŒèžã“ãˆãªã„ã¨ãã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã¨ã‚¹ãƒ”ーカーãŒæ£ã—ã接続ã•ã‚Œã¦ã€é›»æºãŒå…¥ã£ã¦ã„ã‚‹ã®ã‚’確èªä¸‹ã•ã„。
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ ãã‚Œã§ã‚‚ã€ãƒ•ã‚¡ã‚¤ãƒ«ãŒæ¼”å¥ã•ã‚Œã‚‹é–“ã€éŸ³ãŒèžã“ãˆãªã„ã¨ãã¯ã€<a class="xref" href="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html" title="5.3.2. ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹">「ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹ã€</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5.2.4. MP3 サãƒãƒ¼ãƒˆã‚’å«ã‚€ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Testing_Recording.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5.2.6. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Testing_Recording.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Testing_Recording.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.2.6. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html" title="5.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Testing_Playback.html" title="5.2.5. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿ" /><link rel="next" href="sect-Musicians_Guide-Audacity_Configuration.html" title="5.3. 構æˆ" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><i
frame id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Testing_Playback.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity_Configuration.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5.2.6. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³" id="sect-Musicians_Guide-Audacity-Testing_Recording"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Testing_Recordi
ng">5.2.6. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ マイクをオーディオインターフェイスã«ã¤ãªãŽã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Audacity を開始ã—ã¾ã™ã€‚ファイルã¯é–‹ã‹ãªã„ã§ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ トランスãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ã®å³ã«ã‚ã‚‹ã€ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルメーターをã€ãƒ„ールãƒãƒ¼ã®ä¸Šã§æŽ¢ã—ã¦ãã ã•ã„。メーターãŒè¦‹ãˆãªã„ã¨ãã¯ã€<span class="guimenu"><strong>表示</strong></span> → <span class="guisubmenu"><strong>ツールãƒãƒ¼</strong></span> → <span class="guimenuitem"><strong>メーターツールãƒãƒ¼</strong></span>ã‚’é¸æŠžã—ã¦ãã ã•ã„。ãã®ã¨ãªã‚Šã«ã€ãƒã‚§ãƒƒã‚¯ãƒžãƒ¼ã‚¯ãŒã¤ã„ã¦ã„ã‚‹ã®ã‚’確èªä¸‹ã•ã„。
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Click on the arrow next to the microphone to open the input meter's pop-up menu. Choose <span class="guimenuitem"><strong>Start Monitoring</strong></span>.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ マイクã®å‰ã§æŒã†ã€è©±ã™ã€ã‚ã‚‹ã„ã¯é›‘音を立ã¦ã¦ãã ã•ã„。ボリュームレベルメーターã§ã€èµ¤ã„ãƒãƒ¼ãŒå‹•ã„ã¦è¦‹ãˆã‚‹ã¯ãšã§ã™ã€‚
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ オーディオインターフェイスã®éŒ²éŸ³å…¥åŠ›ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ を調整ã—ã¦ãã ã•ã„。雑音ãŒãªã„ã¨ãã¯ã€å‹•ã赤ã„ãƒãƒ¼ã¯ã¨ã¦ã‚‚å°ã•ã„ã¹ãã§ã™ã€‚
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ ボリュームレベルメーターã§ã€å‹•ã赤ã„ãƒãƒ¼ãŒè¦‹ãˆãªã„ã¨ãã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã¨ãƒžã‚¤ã‚¯ãŒæ£ã—ã接続ã•ã‚Œã¦ã€é›»æºãŒå…¥ã£ã¦ã„ã‚‹ã®ã‚’確èªä¸‹ã•ã„。もã—機器ãŒæ£ã—ã接続ã•ã‚Œã¦ã„ãªã‹ã£ãŸã¨ãã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã®éŒ²éŸ³å…¥åŠ›ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ ã‚’ã€ä»Šã€èª¿æ•´ã—ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ ãã‚Œã§ã‚‚å‹•ã赤ã„ãƒãƒ¼ãŒè¦‹ãˆãªã„ã¨ãã¯ã€<a class="xref" href="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html" title="5.3.2. ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹">「ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹ã€</a>ã‚’å‚ç…§ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ <span class="guibutton"><strong>録音</strong></span>ボタンをクリックã—ã¦ã€ãƒ†ã‚¹ãƒˆéŒ²éŸ³ã‚’始ã‚ã¾ã™ã€‚マイクã®å‰ã§æŒã†ã€è©±ã™ã€ã‚ã‚‹ã„ã¯é›‘音を立ã¦ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 10"><div class="para">
+ 何秒ã‹ã—ãŸã‚‰ã€<span class="guibutton"><strong>åœæ¢</strong></span>ボタンをクリックã—ã¦ã€ãƒ†ã‚¹ãƒˆéŒ²éŸ³ã‚’æ¢ã‚ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 11"><div class="para">
+ <span class="guibutton"><strong>å†ç”Ÿ</strong></span>ボタンをクリックã—ã¦ã€éŒ²éŸ³ã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’èžãã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 12"><div class="para">
+ 録音ã®éŸ³ãŒå¤‰ãªã¨ãã¯ã€æ‰‹å‹•ã§ Audacity ã‚’è¨å®šã—ã¦ãã ã•ã„。<a class="xref" href="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html" title="5.3.2. ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹">「ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹ã€</a> ã‚’å‚ç…§ãã ã•ã„。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Testing_Playback.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5.2.5. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šå†ç”Ÿ</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity_Configuration.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5.3. 構æˆ</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.6.5. ボリュームレベルを調整ã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Audacity-Tutorial.html" title="5.6. æ–°ã—ã„ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã‚’作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks.html" title="5.6.4. トラックを伸ã°ã™" /><link rel="next" href="sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise.html" title="5.6.6. ノイズを除ã" /></head><body class="draft toc_embeded "
><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5.6.5. ボリュームレベルを調整ã™ã‚‹" id="sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class
="title" id="sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level">5.6.5. ボリュームレベルを調整ã™ã‚‹</h3></div></div></div><div class="para">
+ ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒœãƒƒã‚¯ã‚¹ã®ãƒ•ã‚§ãƒ¼ãƒ€ãƒ¼ã‚’使ã£ã¦ã€ãƒˆãƒ©ãƒƒã‚¯ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルを調整ã§ãã¾ã™ã€‚フェーダーã¯ã€å·¦ã«<code class="literal">-</code>記å·ã€å³ã«<code class="literal">+</code>記å·ãŒæ›¸ã‹ã‚ŒãŸæ°´å¹³ç·šã§ã™ã€‚フェーダーã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ãã®ã‚‚ã®ã¯å¤‰æ›´ã—ã¾ã›ã‚“。
+ </div><div class="para">
+ オーディオã®ä¸€éƒ¨åˆ†ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルを調整ã™ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚ã“ã®å ´åˆã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ãã®ã‚‚ã®ãŒå¤‰æ›´ã•ã‚Œã¾ã™ã€‚オーディオã®ä¸€éƒ¨åˆ†ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルを調整ã™ã‚‹ã«ã¯ã€ä»¥ä¸‹ã®æ‰‹é †ã«å¾“ã£ã¦ãã ã•ã„。
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ The tutorial's lowest track is very quiet. Click the track's <span class="guibutton"><strong>solo</strong></span> button, then listen to the track alone. Most of the track is quiet humming.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ <span class="guibutton"><strong>é¸æŠžãƒ„ール</strong></span>をクリックã—ã€ãƒžã‚¦ã‚¹ãƒœã‚¿ãƒ³ã‚’押ã—ã¦ã€ï¼‘ã¤ã®ãƒˆãƒ©ãƒƒã‚¯ã®ã„ãらã‹ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Choose <span class="guimenu"><strong>Effect</strong></span> → <span class="guimenuitem"><strong>Amplify</strong></span>. When the "Amplify" window opens, it is set for the greatest volume level increase that will not decrease sound quality. You can enable "clipping," which allows you to increase the volume level even more, but will decrease the sound quality.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ 増幅ツールを使ã£ã¦ã€ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルを気ã«ã„ã‚‹ã¾ã§èª¿æ•´ãã ã•ã„。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5.6.4. トラックを伸ã°ã™</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5.6.6. ノイズを除ã</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.6.3. トラックをæƒãˆã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Audacity-Tutorial.html" title="5.6. æ–°ã—ã„ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã‚’作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Tutorial-Scenario.html" title="5.6.2. シナリオ" /><link rel="next" href="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks.html" title="5.6.4. トラックを伸ã°ã™" /></head><body class="draft toc_embeded "><div id="tocdiv" class="
toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Scenario.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5.6.3. トラックをæƒãˆã‚‹" id="sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutor
ial-Aligning_Tracks">5.6.3. トラックをæƒãˆã‚‹</h3></div></div></div><div class="para">
+ セグメントã®é–‹å§‹æ™‚刻を調整ã—ã¾ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Audacity ツール　ツールãƒãƒ¼ã‹ã‚‰ã€<span class="guibutton"><strong>タイムシフト</strong></span>ボタンをクリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ 移動ã—ãŸã„セグメントã®ã‚るトラックをé¸æŠžã—ã¾ã™ã€‚セグメントをå³ã‹å·¦ã«ãƒ‰ãƒ©ãƒƒã‚°ã—ã¦ã€ãã‚ŒãŒæ¼”å¥é–‹å§‹ã™ã‚‹æ™‚刻を変更ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ １ã¤ã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã®é–‹å§‹ç‚¹ã‚’ä»–ã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã®çµ‚了点ã«ãã‚ãˆã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚セグメントをドラッグã—ã¦ã€é–‹å§‹ç‚¹ã‚’ä»–ã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã®çµ‚了点ã«è¿‘ã¥ã‘ã¾ã™ã€‚セグメントをゆã£ãã‚Šå‰å¾Œã«ãƒ‰ãƒ©ãƒƒã‚°ã™ã‚‹ã¨é»„色ã„ç·šãŒç¾ã‚Œã¾ã™ã€‚黄色ã„ç·šã¯ã€ï¼’ã¤ã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã®é–“ã«é™å¯‚ãŒãªãã¦ã€ã‚»ã‚°ãƒ¡ãƒ³ãƒˆãŒé‡ãªã£ã¦ã„ãªã„ã“ã¨ã‚’示ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ セグメントをã€é¸æŠžã‚«ãƒ¼ã‚½ãƒ«ã®ä½ç½®ã‹ã‚‰é–‹å§‹ã™ã‚‹ã‚ˆã†ã«ç§»å‹•ã™ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚<span class="guibutton"><strong>é¸æŠžãƒ„ール</strong></span>ボタンをクリックã—ã¦ã€ã‚»ã‚°ãƒ¡ãƒ³ãƒˆãŒæ¼”å¥é–‹å§‹ã™ã‚‹ç‚¹ã‚’トラック上ã§ã‚¯ãƒªãƒƒã‚¯ã—ã¾ã™ã€‚<span class="guimenu"><strong>トラック</strong></span> → <span class="guisubmenu"><strong>トラックをæƒãˆã‚‹</strong></span> → <span class="guimenuitem"><strong>カーソルã«æƒãˆã‚‹</strong></span>ã‚’é¸æŠžã—ã¦ã€ãƒˆãƒ©ãƒƒã‚¯ã‚’移動ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ <span class="guimenu"><strong>トラック</strong></span> → <span class="guisubmenu"><strong>トラックをæƒãˆã‚‹</strong></span>ã®ãƒ¡ãƒ‹ãƒ¥ãƒ¼ã®é¸æŠžè‚¢ã‚’使ãˆã°ã€ãã®ä»–ã®æ–¹æ³•ã§ãƒˆãƒ©ãƒƒã‚¯ã‚’移動ã§ãã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ 複数トラックをåŒæ™‚ã«é¸æŠžã§ãã¾ã™ã€‚ãã‚Œãžã‚Œã®ãƒˆãƒ©ãƒƒã‚¯ã‚’é¸æŠžã™ã‚‹ã¨ãã«ã€<span class="keycap"><strong>シフト</strong></span>を押ã—ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ 調整をã—ãŸã‚‰ã€æ£ã—ãã§ããŸã‹èžã„ã¦ç¢ºèªã™ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚Audacity ツール　ツールãƒãƒ¼ã‹ã‚‰<span class="guibutton"><strong>é¸æŠžãƒ„ール</strong></span>をクリックã—ã¦ã€èžããŸã„トラックをクリックã—ã¾ã™ã€‚<span class="guibutton"><strong>å†ç”Ÿ</strong></span>を押ã—ã¦ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’èžã„ã¦ãã ã•ã„。
+ </div></li></ol></div><div class="para">
+ ç§ãŸã¡ã¯è‡ªåˆ†ãŸã¡ã«ã¨ã£ã¦è‰¯ãèžã“ãˆã‚‹ã‚ˆã†ã«ãƒˆãƒ©ãƒƒã‚¯ã‚’æƒãˆã¾ã—ãŸã€‚サウンドã¯çŸãã€é¢ç™½ãã€ã—ã‹ã—æ··ä¹±ã•ã›ã‚‹ã“ã¨ã®ãªã„よã†ã«ã—ã¾ã—ãŸã€‚ã“ã®ã‚¹ãƒ†ãƒƒãƒ—ã®å¾Œã€ä½•åº¦ã‚‚トラックã®ä½ç½®ã‚’変更ã—ã¾ã—ãŸã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Scenario.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5.6.2. シナリオ</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5.6.4. トラックを伸ã°ã™</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Conclusion.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Conclusion.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.6.11. çµè«–</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Audacity-Tutorial.html" title="5.6. æ–°ã—ã„ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã‚’作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser.html" title="5.6.10. ç‰¹æ®ŠåŠ¹æžœã‚’åŠ ãˆã‚‹ï¼ˆãƒ•ã‚§ãƒ¼ã‚¶ãƒ¼ï¼‰" /><link rel="next" href="sect-Musicians_Guide-Audacity-Save_and_Export.html" title="5.7. ä¿å˜ã¨æ›¸ã出ã—" /></head><body class="draft toc_embeded "><div id="tocdiv
" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Save_and_Export.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5.6.11. çµè«–" id="sect-Musicians_Guide-Audacity-Tutorial-Conclusion"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Conclusion">
5.6.11. çµè«–</h3></div></div></div><div class="para">
+ ã‚ãªãŸã®ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚¡ã‚¤ãƒ«ã¯ç§ãŸã¡ãŒå®Œæˆã—ãŸã‚‚ã®ã¨ã¯ç•°ãªã‚‹éŸ³ãŒã™ã‚‹ã§ã—ょã†ã€‚ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®æŒ‡ç¤ºã¯æ„図的ã«ã‚ã„ã¾ã„ã§ã—ãŸã€‚ã‚ãªãŸã¯è‡ªåˆ†ã®å‰µé€ 性を使ã£ã¦ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã‚’完æˆã•ã›ãŸã®ã§ã™ã€‚ã‚ãªãŸã¯ã•ã‚‰ã«ã€ã“れらã®ãƒ„ールをã„ã‚ã„ã‚ãªç•°ãªã‚‹ç›®çš„ã®ãŸã‚ã«ã©ã®ã‚ˆã†ã«ä½¿ã†ã‹å¦ã‚“ã ã“ã¨ã§ã—ょã†ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5.6.10. ç‰¹æ®ŠåŠ¹æžœã‚’åŠ ãˆã‚‹ï¼ˆãƒ•ã‚§ãƒ¼ã‚¶ãƒ¼ï¼‰</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Save_and_Export.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5.7. ä¿å˜ã¨æ›¸ã出ã—</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Fade_Out.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Fade_Out.html
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@@ -0,0 +1,13 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.6.7. フェードイン・フェードアウト</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Audacity-Tutorial.html" title="5.6. æ–°ã—ã„ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã‚’作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise.html" title="5.6.6. ノイズを除ã" /><link rel="next" href="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio.html" title="5.6.8. オーディオを削除ã™ã‚‹" /></head><body class="draft toc_emb
eded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5.6.7. フェードイン・フェードアウト" id="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="tit
le" id="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out">5.6.7. フェードイン・フェードアウト</h3></div></div></div><div class="para">
+ Audacity has tools to fade in and out. When you "fade in," it means to gradually increase the volume level from silence to the original level. When you "fade out," it means to gradually decreased the volume level from the original level to silence. Professional recordings of concerts often fade out after a song, while the audience applauds. Fading out avoids an abrupt stop at the end of the recording, because the volume level is decreased gradually to silence.
+ </div><div class="para">
+ 一般的ã«ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚»ã‚°ãƒ¡ãƒ³ãƒˆã®é–‹å§‹ã§ãƒ•ã‚§ãƒ¼ãƒ‰ã‚¤ãƒ³ã—ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚»ã‚°ãƒ¡ãƒ³ãƒˆã®æœ€å¾Œã§ãƒ•ã‚§ãƒ¼ãƒ‰ã‚¢ã‚¦ãƒˆã—ã¾ã™ã€‚オーディオセグメントã®ä¸é–“ã§ãƒ•ã‚§ãƒ¼ãƒ‰ã‚¤ãƒ³ã‚ã‚‹ã„ã¯ãƒ•ã‚§ãƒ¼ãƒ‰ã‚¢ã‚¦ãƒˆã™ã‚‹ã¨ãã«ã€Audacity を使ã£ã¦ç‰¹æ®ŠåŠ¹æžœã‚’使ã†ã“ã¨ãŒã§ãã¾ã™ã€‚Audacity ã®è¨å®šã«ã‚ˆã£ã¦ã€æ•°ç§’ã®é–“ã«ãƒ•ã‚§ãƒ¼ãƒ‰ã‚¤ãƒ³ã‚ã‚‹ã„ã¯ãƒ•ã‚§ãƒ¼ãƒ‰ã‚¢ã‚¦ãƒˆã—ã€æœ€åˆã®ãƒ•ã‚§ãƒ¼ãƒ‰ã®ä¸ã§é€†ã®ãƒ•ã‚§ãƒ¼ãƒ‰ã‚’åŠ ãˆã‚‹ã¨ã„ã†é©šãよã†ãªã‚¨ãƒ•ã‚§ã‚¯ãƒˆã‚’使ã†ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="guibutton"><strong>é¸æŠžãƒ„ール</strong></span>をクリックã—ã¦ã€ãƒ•ã‚§ãƒ¼ãƒ‰ã‚¤ãƒ³ã‚ã‚‹ã„ã¯ãƒ•ã‚§ãƒ¼ãƒ‰ã‚¢ã‚¦ãƒˆã™ã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®éƒ¨åˆ†ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ <span class="guimenu"><strong>エフェクト</strong></span> → <span class="guimenuitem"><strong>フェードイン</strong></span>ã‚ã‚‹ã„ã¯<span class="guimenu"><strong>エフェクト</strong></span> → <span class="guimenuitem"><strong>フェードアウト</strong></span>ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li></ol></div><div class="para">
+ ç§ãŸã¡ã¯ã€ãƒˆãƒ©ãƒƒã‚¯ã®ï¼‘ã¤ã§ã€é•·ã„フェードアウトを作ã£ã¦ã€ãƒˆãƒ©ãƒƒã‚¯ãŒé™ã‹ã«ãªã‚‹ã‚ˆã†ã«ã—ã¾ã—ãŸã€‚ãã‚Œã‹ã‚‰ä»–ã®ãƒˆãƒ©ãƒƒã‚¯ã®é–“隔を調整ã—ã¦ã€ãれらを近ã¥ã‘ã¾ã—ãŸã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5.6.6. ノイズを除ã</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5.6.8. オーディオを削除ã™ã‚‹</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.6.6. ノイズを除ã</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Audacity-Tutorial.html" title="5.6. æ–°ã—ã„ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã‚’作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level.html" title="5.6.5. ボリュームレベルを調整ã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out.html" title="5.6.7. フェードイン・フェードアウト" /></head><body class="dra
ft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5.6.6. ノイズを除ã" id="sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="s
ect-Musicians_Guide-Audacity-Tutorial-Remove_Noise">5.6.6. ノイズを除ã</h3></div></div></div><div class="para">
+ "Noise" is part of an audio signal that is not the intended signal. When you listen to music on the radio, you can hear the music, and usually also some noise. When computers record or play audio, the electronic components sometimes create extra noise. The lowest track of the tutorial file has noise created by electronic components in the old notebook computer used to play the CD. Follow these steps to use the "Noise Removal" tool.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="guibutton"><strong>é¸æŠžãƒ„ール</strong></span>をクリックã—ã¦ã€ä¸€ç•ªä¸‹ã®ãƒˆãƒ©ãƒƒã‚¯ã®å°ã•ã„部分をé¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Choose <span class="guimenu"><strong>Effect</strong></span> → <span class="guimenuitem"><strong>Noise Removal</strong></span>. The "Noise Removal" window appears. Click <span class="guibutton"><strong>Get Profile</strong></span>. The Noise Removal tool uses the selected audio as an example of the noise to remove.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ トラック全体をé¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Open the "Noise Removal" window. Click <span class="guibutton"><strong>OK</strong></span>. The Noise Removal tool processes the audio. The Noise Removal tool is not effective in this example because most of the signal is noise.
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5.6.5. ボリュームレベルを調整ã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5.6.7. フェードイン・フェードアウト</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio.html
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@@ -0,0 +1,15 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.6.8. オーディオを削除ã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Audacity-Tutorial.html" title="5.6. æ–°ã—ã„ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã‚’作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out.html" title="5.6.7. フェードイン・フェードアウト" /><link rel="next" href="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment.html" title="5.6.9. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’ç¹°ã‚Šè¿”ã™" /
></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5.6.8. オーディオを削除ã™ã‚‹" id="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio"><div class="titlepage"><div><div keep-together.within-c
olumn="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio">5.6.8. オーディオを削除ã™ã‚‹</h3></div></div></div><div class="para">
+ トラックã®ä¸€éƒ¨ã‚’削除ã§ãã¾ã™ã€‚ã“ã®æ‰‹ç¶šãã¯ã€ãƒˆãƒ©ãƒƒã‚¯ã®æœ€å¾Œã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’削除ã—ã¾ã™ã€‚ä¼¼ãŸæ–¹æ³•ã§ã€ãã®ä»–ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªéƒ¨åˆ†ã‚’削除ã™ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="guibutton"><strong>é¸æŠžãƒ„ール</strong></span>クリックã—ã¦ã€ç·¨é›†ã‚«ãƒ¼ã‚½ãƒ«ã‚’トラックを終ãˆãŸã„点ã«ç½®ãã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ <span class="guimenu"><strong>編集</strong></span> → <span class="guisubmenu"><strong>é¸æŠž</strong></span> → <span class="guimenuitem"><strong>カーソルã‹ã‚‰æœ€å¾Œã¾ã§</strong></span>ã‚’é¸æŠžã—ã¾ã™ã€‚<span class="guimenu"><strong>編集</strong></span> → <span class="guisubmenu"><strong>é¸æŠž</strong></span>メニューã«ã¯ã€ãã®ä»–ã®é¸æŠžè‚¢ã‚‚ãŸãã•ã‚“ã‚ã‚Šã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ <span class="keycap"><strong>Delete</strong></span>を押ã—ã¾ã™ã€‚é¸æŠžã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã¯å‰Šé™¤ã•ã‚Œã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ é–“é•ãˆãŸã‚‰ã€å‰ã®å‹•ä½œã‚’å–り消ã™ã“ã¨ãŒã§ãã¾ã™ã€‚<span class="guimenu"><strong>編集</strong></span> → <span class="guimenuitem"><strong>å–り消ã—</strong></span>ã‚’é¸æŠžãã ã•ã„。
+ </div></li></ol></div><div class="para">
+ 最も下ã®ãƒˆãƒ©ãƒƒã‚¯ã®çµ‚端を削除ã—ã¾ã—ãŸã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5.6.7. フェードイン・フェードアウト</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5.6.9. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’ç¹°ã‚Šè¿”ã™</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.6.9. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’ç¹°ã‚Šè¿”ã™</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Audacity-Tutorial.html" title="5.6. æ–°ã—ã„ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã‚’作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio.html" title="5.6.8. オーディオを削除ã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser.html" title="5.6.10. ç‰¹æ®ŠåŠ¹æžœã‚’åŠ ãˆã‚‹ï¼ˆãƒ•ã‚§ãƒ¼ã‚¶ãƒ
¼ï¼‰" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5.6.9. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’ç¹°ã‚Šè¿”ã™" id="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment"><div class="titlepa
ge"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment">5.6.9. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’ç¹°ã‚Šè¿”ã™</h3></div></div></div><div class="para">
+ æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’ç¹°ã‚Šè¿”ã™ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="guibutton"><strong>é¸æŠžãƒ„ール</strong></span>をクリックã—ã¦ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®éƒ¨åˆ†ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ <span class="guimenu"><strong>編集</strong></span> → <span class="guimenuitem"><strong>コピー</strong></span>ã‚’é¸æŠžã™ã‚‹ã‹ã€ <span class="keycap"><strong>Control</strong></span>+<span class="keycap"><strong>c</strong></span>を押ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ トラックã®ä¸ã§ã‚³ãƒ”ーãŒæ¼”å¥ã—始ã‚ã‚‹ã¹ã付近をクリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ <span class="guimenu"><strong>編集</strong></span> → <span class="guimenuitem"><strong>ペースト</strong></span>ã‚’é¸æŠžã™ã‚‹ã‹ã€ <span class="keycap"><strong>Control</strong></span>+<span class="keycap"><strong>v</strong></span>を押ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ <span class="guibutton"><strong>タイムシフトツール</strong></span>をクリックã—ã¦ã€æ–°ã—ã„オーディオクリップã®ã‚¿ã‚¤ãƒ ラインã®ä½ç½®ã‚’調整ã—ã¾ã™ã€‚
+ </div></li></ol></div><div class="para">
+ ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã®çµ‚ã‚りをよりé¢ç™½ãã™ã‚‹ãŸã‚ã€ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã®çµ‚ã‚りを２回繰り返ã—ã¾ã—ãŸã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5.6.8. オーディオを削除ã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5.6.10. ç‰¹æ®ŠåŠ¹æžœã‚’åŠ ãˆã‚‹ï¼ˆãƒ•ã‚§ãƒ¼ã‚¶ãƒ¼ï¼‰</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Scenario.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Scenario.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.6.2. シナリオ</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Audacity-Tutorial.html" title="5.6. æ–°ã—ã„ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã‚’作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Tutorial.html" title="5.6. æ–°ã—ã„ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã‚’作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="next" href="sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks.html" title="5.6.3. トラックをæƒãˆã‚‹" /></head><body class="draft toc_em
beded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5.6.2. シナリオ" id="sect-Musicians_Guide-Audacity-Tutorial-Scenario"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tut
orial-Scenario">5.6.2. シナリオ</h3></div></div></div><div class="para">
+ You tell a friend about some open-source audio applications in Fedora Linux. Your friend wants you to help them make a new sound that will play when they log in to their computer. You search your music CD collection, and find a favourite recording. You and your friend decide to use a few clips from the CD to start your new log-in sound.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5.6. æ–°ã—ã„ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã‚’作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5.6.3. トラックをæƒãˆã‚‹</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.6.4. トラックを伸ã°ã™</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Audacity-Tutorial.html" title="5.6. æ–°ã—ã„ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã‚’作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks.html" title="5.6.3. トラックをæƒãˆã‚‹" /><link rel="next" href="sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level.html" title="5.6.5. ボリュームレベルを調整ã™ã‚‹" /></head><body class="draft to
c_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5.6.4. トラックを伸ã°ã™" id="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class=
"title" id="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks">5.6.4. トラックを伸ã°ã™</h3></div></div></div><div class="para">
+ トラックを伸ã°ã—ãŸã‚Šç¸®ã‚ãŸã‚Šã—ã¦ã€æ¼”å¥æ™‚é–“ã‚’é•·ãã€ã‚ã‚‹ã„ã¯çŸãã™ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The "Change Tempo" tool adjusts speed but not pitch. Sound quality is lowered significantly.
+ </div></li><li class="listitem"><div class="para">
+ The "Change Speed" tool adjusts speed and pitch. Sound quality is less affected.
+ </div></li></ul></div>
+
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ 調整ã—ãŸã„トラックã®ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ã®éƒ¨åˆ†ã‚’クリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ <span class="guimenu"><strong>エフェクト</strong></span> → <span class="guimenuitem"><strong>テンãƒã®å¤‰æ›´</strong></span>ã‚ã‚‹ã„ã¯<span class="guimenu"><strong>エフェクト</strong></span> → <span class="guimenuitem"><strong>スピードã®å¤‰æ›´</strong></span>ã‚’é¸æŠžã—ã¾ã™ã€‚æ£ã®æ•°ã‚’入れるã¨ã€ã‚¹ãƒ”ードã¯å¢—ã—ã¦ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã¯çŸã„時間ã§çµ‚ã‚ã‚Šã¾ã™ã€‚è² ã®æ•°ã‚’入れるã¨ã€ã‚¹ãƒ”ードã¯æ¸›ã£ã¦ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã¯é•·ã„時間ã‹ã‹ã‚Šã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ <span class="guibutton"><strong>プレビュー</strong></span>をクリックã—ã¦ã€èª¿æ•´ã•ã‚ŒãŸã‚¹ãƒ”ードã§ã„ãらã‹ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’èžã„ã¦ã¿ã¾ã™ã€‚Audacity ã¯å¤‰æ›´ã‚’プレビューã™ã‚‹ã¨ãã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’変更ã—ã¾ã›ã‚“。
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ 変更をé©ç”¨ã™ã‚‹ã«ã¯<span class="guibutton"><strong>OK</strong></span>をクリックã—ã¾ã™ã€‚Audacity ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’処ç†ã—ã¾ã™ã€‚変更ã¯ã™ãã«ã¯ç¾ã‚Œã¾ã›ã‚“。
+ </div></li></ol></div><div class="para">
+ １ã¤ã®ãƒˆãƒ©ãƒƒã‚¯ã®ã‚¹ãƒ”ードを変更ã—ã¾ã—ãŸã€‚ã“ã‚Œã¯ç§ãŸã¡ã«ã¨ã£ã¦åˆã‚ã¦ã®éŸ³ã§ã‚ã‚‹ã®ã§ã€éŸ³ã®å“質ã«ã¯æ³¨æ„ã—ã¦ã„ã¾ã›ã‚“。ã‚ãªãŸãŒä»–ã®äººã«è´ã„ã¦ã‚‚らã†ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’編集ã™ã‚‹ã¨ãã«ã¯éŸ³ã®å“質をä¿ã¤ã‚ˆã†ã«æ³¨æ„ã—ã¦ãã ã•ã„。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5.6.3. トラックをæƒãˆã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5.6.5. ボリュームレベルを調整ã™ã‚‹</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.6.10. ç‰¹æ®ŠåŠ¹æžœã‚’åŠ ãˆã‚‹ï¼ˆãƒ•ã‚§ãƒ¼ã‚¶ãƒ¼ï¼‰</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Audacity-Tutorial.html" title="5.6. æ–°ã—ã„ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã‚’作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment.html" title="5.6.9. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’ç¹°ã‚Šè¿”ã™" /><link rel="next" href="sect-Musicians_Guide-Audacity-Tutorial-Conclusion.html" title="5.6.11. çµè«–" /></head><body cla
ss="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Conclusion.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5.6.10. ç‰¹æ®ŠåŠ¹æžœã‚’åŠ ãˆã‚‹ï¼ˆãƒ•ã‚§ãƒ¼ã‚¶ãƒ¼ï¼‰" id="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser"><div class="titlepage"><div><div keep-together.withi
n-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser">5.6.10. ç‰¹æ®ŠåŠ¹æžœã‚’åŠ ãˆã‚‹ï¼ˆãƒ•ã‚§ãƒ¼ã‚¶ãƒ¼ï¼‰</h3></div></div></div><div class="para">
+ Audacity ã«ã¯ãŸãã•ã‚“ã®ã‚¨ãƒ•ã‚§ã‚¯ãƒˆãƒ—ラグインãŒã‚ã‚Šã€ã‚‚ã£ã¨è¿½åŠ ã™ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚フェーザーã¯ã€å響ã€ãƒ‘ニングã€ãã—ã¦å‘¨æ³¢æ•°ã‚’調整ã—ã¦ã€ã“ã¾ã®ã‚ˆã†ãªã‚µã‚¦ãƒ³ãƒ‰ã‚’作りã¾ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ １ã¤ã®ãƒˆãƒ©ãƒƒã‚¯ã ã‘ãŒæ¼”å¥ã•ã‚Œã¦ã„ã‚‹ã¨ãã«ã€ã©ã‚Œã‹ã®ãƒˆãƒ©ãƒƒã‚¯ã®éƒ¨åˆ†ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ <span class="guimenu"><strong>エフェクト</strong></span> → <span class="guimenuitem"><strong>フェーザー</strong></span>ã‚’é¸æŠžã—ã¦ã€è¨å®šã‚’実験ã—ã¾ã™ã€‚<span class="guibutton"><strong>プレビュー</strong></span>をクリックã—ã¦ã€ã‚ãªãŸã®è¨å®šã®åŠ¹æžœã‚’èžãã¾ã™ã€‚Audacityã¯ã€ã‚ãªãŸãŒè¨å®šã‚’プレ>ビューã™ã‚‹ã¨ãã«ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã¯å¤‰æ›´ã—ã¾ã›ã‚“。
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã§ã¯ã€ãƒ•ã‚§ãƒ¼ã‚¶ãƒ¼ã‚’ã€æœ€å¾Œã«ã€ã“ã®è¨å®šã§ä½¿ã„ã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Stages: 2
+ </div></li><li class="listitem"><div class="para">
+ Dry/Wet: 128
+ </div></li><li class="listitem"><div class="para">
+ LFO Frequency: 0.4
+ </div></li><li class="listitem"><div class="para">
+ LFO Start Phase: 0
+ </div></li><li class="listitem"><div class="para">
+ Depth: 128
+ </div></li><li class="listitem"><div class="para">
+ Feedback: 90
+ </div></li></ul></div>
+
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5.6.9. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’ç¹°ã‚Šè¿”ã™</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Conclusion.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5.6.11. çµè«–</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.6. æ–°ã—ã„ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã‚’作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Audacity.html" title="第5ç« Audacity" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record.html" title="5.5.2. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Audacity-Tutorial-Scenario.html" title="5.6.2. シナリオ" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocfra
me" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Scenario.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5.6. æ–°ã—ã„ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã‚’作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" id="sect-Musicians_Guide-Audacity-Tutorial"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audaci
ty-Tutorial">5.6. æ–°ã—ã„ãƒã‚°ã‚¤ãƒ³ã‚µã‚¦ãƒ³ãƒ‰ã‚’作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</h2></div></div></div><div class="section" title="5.6.1. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«" id="sect-Musicians_Guide-Audacity-Tutorial-Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Files">5.6.1. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</h3></div></div></div><div class="para">
+ ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã‚’ã™ã‚‹ã«ã¯ã€<em class="citetitle">Tutorial Start</em>ファイルを使ã„ã¾ã™ã€‚<em class="citetitle">Tutorial End</em> ファイルã¨<em class="citetitle">Exported FLAC</em>ファイルã¯å®Œæˆã•ã‚ŒãŸä¾‹ã§ã™ã€‚ã‚ãªãŸãŒãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã‚’終ã‚ã£ãŸã¨ãã€ã‚ãªãŸã®ãƒ—ãƒã‚¸ã‚§ã‚¯ãƒˆã¯ç§ãŸã¡ã®ã‚‚ã®ã¨ãŸã¶ã‚“åŒã˜ã§ã¯ãªã„ã§ã—ょã†ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle">Tutorial Start</em> ã¯ã€ <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/Audacity/Audacity-start.tar.lzma">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/Audacity/Audacity-start.tar.lzma</a> ã«ã‚ã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">Tutorial End</em> is available at <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/Audacity/Audacity-start.tar.lzma">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/Audacity/Audacity-start.tar.lzma</a>
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">Exported FLAC</em> ã¯ã€ <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/Audacity/Audacity-export.flac">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/Audacity/Audacity-export.flac</a> ã«ã‚ã‚Šã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5.5.2. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Scenario.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5.6.2. シナリオ</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity_Configuration.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Audacity_Configuration.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.3. 構æˆ</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Audacity.html" title="第5ç« Audacity" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Testing_Recording.html" title="5.2.6. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³" /><link rel="next" href="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html" title="5.3.2. ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"
><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Testing_Recording.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="5.3. 構æˆ" id="sect-Musicians_Guide-Audacity_Configuration"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity_Configuration">5.3. 構æˆ</h2></div
></div></div><div class="section" title="5.3.1. åˆã‚㦠Audacity を実行ã™ã‚‹ã¨ã" id="sect-Musicians_Guide-Audacity-First_Use"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-First_Use">5.3.1. åˆã‚㦠Audacity を実行ã™ã‚‹ã¨ã</h3></div></div></div><div class="para">
+ åˆã‚㦠Audacity を実行ã™ã‚‹ã¨ãã€ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã§ä½¿ã†è¨€èªžã‚’é¸ã¶ã‚ˆã†ã«è¨€ã‚ã‚Œã¾ã™ã€‚Audacity を使ã†å‰ã«ã€å‰è¨˜ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«å¾Œã®ãƒ†ã‚¹ãƒˆæ‰‹é †ã«å¾“ã†ã“ã¨ã‚’ãŠå‹§ã‚ã—ã¾ã™ã€‚
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Testing_Recording.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>5.2.6. インストール後ã®ãƒ†ã‚¹ãƒˆï¼šéŒ²éŸ³</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>5.3.2. ãŠä½¿ã„ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«åˆã‚ã›ã¦ Audacity ã‚’è¨å®šã™ã‚‹</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Automation.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Automation.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.3.5. オートメーション</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html" title="6.3. インタフェース用語" /><link rel="prev" href="sect-Musicians_Guide-Transport_and_Playhead.html" title="6.3.4. トランスãƒãƒ¼ãƒˆã¨å†ç”Ÿãƒ˜ãƒƒãƒ‰" /><link rel="next" href="sect-Musicians_Guide-DAW_User_Interface.html" title="6.4. ユーザインタフェース" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe
" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Transport_and_Playhead.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-DAW_User_Interface.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="6.3.5. オートメーション" id="sect-Musicians_Guide-Automation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Automation">6.3.5. オートメーション</h3></div></div></div><div class="para"
>
+ DAW ã§ã®ã‚ªãƒ¼ãƒˆãƒ¡ãƒ¼ã‚·ãƒ§ãƒ³ã¯ã€é€²ã‚“ã 話題ã§ã‚ã‚‹ã‹ã€ã‚ã‚‹ã„ã¯äººé–“ãŒè¡Œã†æ±ºå®šã‚’代ã‚ã‚Šã«è¡Œã†ãŸã‚ã«ä½¿ã‚れるもã®ã®ã‚ˆã†ã«èžã“ãˆã‚‹ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。ã“ã‚Œã¯å…¨ã誤りã§ã™ã€‚<em class="firstterm">オートメーション</em>ã¯ã€ãƒ¦ãƒ¼ã‚¶ãŒã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ãŒå†ç”Ÿã•ã‚Œã‚‹åº¦ã«åŒã˜è¨å®šã‚’自動的ã«ã™ã‚‹ã“ã¨ã‚’å¯èƒ½ã¨ã—ã¾ã™ã€‚ã“ã‚Œã¯ä»¥ä¸‹ã®ç‚¹ã§æ‰‹å‹•ã ã‘ã®åˆ¶å¾¡ã‚ˆã‚Šå„ªã‚Œã¦ã„ã¾ã™ã€‚ãã‚Œã¯ã€ã¨ã¦ã‚‚æ£ç¢ºã§ã€ãªã‚らã‹ã§ã€ä¸€è²«ã—ãŸèª¿æ•´ãŒã§ãã¾ã™ã€‚ã‚ãªãŸã¯èª¿æ•´ã‚’記憶ã—ãªãã¦ã‚‚よã„ã§ã™ã€‚ãã—ã¦ã€ãã‚Œã¯ã€ã‚ãªãŸãŒæ‰‹å‹•ã§ã§ãるよりãšã£ã¨ãŸãã•ã‚“ã®èª¿æ•´ã‚’åŒæ™‚ã«è¡Œã†ã“ã¨ãŒã§ãã¾ã™ã€‚オートメーションを使ãˆã°ã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®è¶…人的ãªåˆ¶å¾¡ãŒã§ãã‚‹ã¨ã„ã†ã“ã¨ã§ã™ã€‚ã»ã¨ã‚“ã©ã®è¨å®šã¯ã‚ªãƒ¼ãƒˆãƒ¡ãƒ¼ã‚·ãƒ§ãƒ³ã«ã‚ˆã‚Šèª¿æ•´ã§ãã¾ã™ã€‚最も一般的ãªã®ã¯ã€ãƒ•ã‚§ãƒ¼ãƒ€ã¨ãƒ‘
ンナーã§ã—ょã†ã€‚
+ </div><div class="para">
+ The most common method of automating a setting is with a two-dimensional graph called an <em class="firstterm">envelope</em>, which is drawn on top of an audio track, or underneath it in an <em class="firstterm">automation track</em>. The user adds adjustment points by adding and moving points on the graph. This method allows for complex, gradual changes of the setting, as well as simple, one-time changes. Automation is often controlled by means of MIDI signals, for both audio and MIDI tracks. This allows for external devices to adjust settings in the DAW, and vice-versa - you can actually automate your own hardware from within a software-based DAW! Of course, not all hardware supports this, so refer to your device's user manual.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Transport_and_Playhead.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>6.3.4. トランスãƒãƒ¼ãƒˆã¨å†ç”Ÿãƒ˜ãƒƒãƒ‰</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-DAW_User_Interface.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>6.4. ユーザインタフェース</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Bit_Rate.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Bit_Rate.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.3.4. ビットレート</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html" title="1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート" /><link rel="prev" href="sect-Musicians_Guide-Sample_Rate.html" title="1.3.3. サンプルレート" /><link rel="next" href="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions.html" title="1.3.5. çµè«–" /></head><body class="draft toc_embeded "><div id="tocdiv"
class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Sample_Rate.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="1.3.4. ビットレート" id="sect-Musicians_Guide-Bit_Rate"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Bit_Rate">1.3.4. ビットレート</h3></div></div></di
v><div class="para">
+ Bit rate is the number of bits in a given time period. Bit rate is usually measured in kilobits per second (abbreviated "kbps" or "kb/s"). This measurement is generally used to refer to amount of information stored in a lossy, compressed audio format.
+ </div><div class="para">
+ ビットレートを計算ã™ã‚‹ãŸã‚ã«ã¯ã€ã‚µãƒ³ãƒ—ルレートã«ã€ã‚µãƒ³ãƒ—ルフォーマットを掛ã‘ã¾ã™ã€‚ ãŸã¨ãˆã°ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª CD（705.6 kb/s）ã®ãƒ“ットレートã¯ã€ã‚µãƒ³ãƒ—ルレート（44.1 kHz）ã«ã‚µãƒ³ãƒ—ルフォーマット（16 ビット）を乗ã˜ãŸã‚‚ã®ã§ã™ã€‚ MP3å½¢å¼ã®ãƒ•ã‚¡ã‚¤ãƒ«ã¯ã€é€šå¸¸128 ã‚ãƒãƒ“ット/秒ã®ãƒ“ットレートã§ã‚¨ãƒ³ã‚³ãƒ¼ãƒ‰ã•ã‚Œã¾ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Sample_Rate.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>1.3.3. サンプルレート</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>1.3.5. çµè«–</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.3.5. çµè«–</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html" title="1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート" /><link rel="prev" href="sect-Musicians_Guide-Bit_Rate.html" title="1.3.4. ビットレート" /><link rel="next" href="chap-Musicians_Guide-Vocabulary.html" title="1.4. ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ¦‚念" /></head><body class="draft toc_embeded "><div id="tocdiv
" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Bit_Rate.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Vocabulary.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="1.3.5. çµè«–" id="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions">1.3.5. çµè«–</h3></div></div></div
><div class="para">
+ サンプルレートã¨ã€ã‚µãƒ³ãƒ—ルフォーマットã®ä¸¡æ–¹ã¯ã€æ½œåœ¨çš„ãªéŸ³è³ªã«å½±éŸ¿ã‚’与ãˆã¾ã™ã€‚ãŠä½¿ã„ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ©Ÿå™¨ã®èƒ½åŠ›ã¨ã€ã‚ãªãŸã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ã®ä½¿ç”¨ç›®çš„ãŒã€ã‚ãªãŸãŒä½¿ç”¨ã™ã‚‹ã¹ãè¨å®šã‚’決ã‚ã¾ã™ã€‚
+ </div><div class="para">
+ 以下ã¯ã„ãã¤ã‹ã®åºƒã使ã‚ã‚Œã¦ã„るサンプルレートã¨ã€ã‚µãƒ³ãƒ—ルフォーマットã§ã™ã€‚ã©ã®ã‚µãƒ³ãƒ—ルレートã¨ã€ã‚µãƒ³ãƒ—ルフォーマットを使用ã™ã‚‹ã‹ã‚’決ã‚ã‚‹ãŸã‚ã®å‚考ã¨ã—ã¦ãã ã•ã„。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 16ビットサンプルã€44.1 kHzã®ã‚µãƒ³ãƒ—ルレート。 オーディオ CD ã«ä½¿ç”¨ã•ã‚Œã¾ã™ã€‚ 広ã互æ›æ€§ãŒã‚ã‚Šã¾ã™ã€‚ 705.6 ã‚ãƒãƒ“ット/秒ã®ãƒ“ットレート。
+ </div></li><li class="listitem"><div class="para">
+ 24-bit samples, and 96Â kHz sample rate. Audio CDs are recorded with these settings, and "down-mixed" later. Bit rate of 2304Â kb/s.
+ </div></li><li class="listitem"><div class="para">
+ 24ビットサンプルã€ãŠã‚ˆã³192 kHzã®ã‚µãƒ³ãƒ—ルレート。 DVD オーディオã®æœ€å¤§ã®è¨å®šã€‚ãŸã ã—ã€ã‚ã¾ã‚Šäº’æ›æ€§ãŒã‚ã‚Šã¾ã›ã‚“。 4608 ã‚ãƒãƒ“ット/秒ã®ãƒ“ットレート。
+ </div></li><li class="listitem"><div class="para">
+ 1ビットã®ã‚µãƒ³ãƒ—ルã€ãŠã‚ˆã³2822.4 kHzã®ã‚µãƒ³ãƒ—ルレート。 SuperAudio CD ã®ãŸã‚ã«ä½¿ç”¨ã•ã‚Œã¾ã™ã€‚ ãれ以外ã«ã¯ã¾ãšä½¿ã‚ã‚Œã¾ã›ã‚“。 2822.4 ã‚ãƒãƒ“ット/秒ã®ãƒ“ットレート。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ サンプルレートã¨ã€ã‚µãƒ³ãƒ—ルフォーマットã¯ã€å…¨ä½“çš„ãªéŸ³è³ªã‚’決定ã™ã‚‹ã‚‚ã®ã®ã»ã‚“ã®ä¸€éƒ¨ã§ã™ã€‚ 音質ã¯ä¸»è¦³çš„ãªã‚‚ã®ã§ã™ã€‚ã“ã®ãŸã‚ã‚ãªãŸã¯ã€ã‚ãªãŸã®ã™ã‚‹ã“ã¨ã«ã¨ã£ã¦æœ€é©ãªã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã¨è¨å®šã‚’見ã¤ã‘ã‚‹ãŸã‚ã«å®Ÿé¨“ã‚’ã™ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Bit_Rate.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>1.3.4. ビットレート</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Vocabulary.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>1.4. ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ¦‚念</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Changing_the_Order.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Changing_the_Order.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.12.2. Changing the Order</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html" title="11.3.12. Ordering and Other Synth Features" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html" title="11.3.12. Ordering and Other Synth Features" /><link rel="next" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Replace_a_Running_Synth.html" title="11.3.12.3. Replace a
Running Synth" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Replace_a_Running_Synth.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.12.2. Changing the Order" id="sect-Musicians_Guide-C-Basic_Programming-Order
ing_and_Other_Features-Changing_the_Order"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Changing_the_Order">11.3.12.2. Changing the Order</h4></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> offers equally easy-to-use methods to change the order of execution.
+ </div><div class="para">
+ To move a synth's execution after another: <div class="funcsynopsis"><p><code class="funcdef">variableHoldingSynth<b class="fsfunc">moveAfter</b>(</code><var class="pdparam">variableHoldingAnotherSynth</var><code>)</code>;</p></div>
+ </div><div class="para">
+ To move a synth's execution before another: <div class="funcsynopsis"><p><code class="funcdef">variableHoldingSynth<b class="fsfunc">moveBefore</b>(</code><var class="pdparam">variableHoldingAnotherSynth</var><code>)</code>;</p></div>
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.12. Ordering and Other Synth Features</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Replace_a_Running_Synth.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.12.3. Replace a Running Synth</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Pausing_and_Restarting_a_Synth.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Pausing_and_Restarting_a_Synth.html
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@@ -0,0 +1,13 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.12.4. Pausing and Restarting a Synth</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html" title="11.3.12. Ordering and Other Synth Features" /><link rel="prev" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Replace_a_Running_Synth.html" title="11.3.12.3. Replace a Running Synth" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling.html" title="11.3.13. Scheduling" /></head><bod
y class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Replace_a_Running_Synth.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.12.4. Pausing and Restarting a Synth" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Pausing_an
d_Restarting_a_Synth"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Pausing_and_Restarting_a_Synth">11.3.12.4. Pausing and Restarting a Synth</h4></div></div></div><div class="para">
+ The server allows you to temporarily pause and later re-start a synth, without freeing and re-creating it.
+ </div><div class="para">
+ To pause a synth:
+<pre class="programlisting"><em class="replaceable"><code>variableHoldingSynth</code></em>.run( false );</pre>
+
+ </div><div class="para">
+ To re-start a synth:
+<pre class="programlisting"><em class="replaceable"><code>variableHoldingSynth</code></em>.run( true );</pre>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Replace_a_Running_Synth.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.12.3. Replace a Running Synth</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.13. Scheduling</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Replace_a_Running_Synth.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Replace_a_Running_Synth.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.12.3. Replace a Running Synth</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html" title="11.3.12. Ordering and Other Synth Features" /><link rel="prev" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Changing_the_Order.html" title="11.3.12.2. Changing the Order" /><link rel="next" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Pausing_and_Restarting_a_Synth.html" title="11.3
.12.4. Pausing and Restarting a Synth" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Changing_the_Order.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Pausing_and_Restarting_a_Synth.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.12.3. Replace a Running Syn
th" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Replace_a_Running_Synth"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Replace_a_Running_Synth">11.3.12.3. Replace a Running Synth</h4></div></div></div><div class="para">
+ The server allows you to replace a running synth with a newly-created one, maintaining all of the ordering relationships.
+ </div><div class="para">
+ This is the syntax:
+<pre class="programlisting">variableHoldingNewSynth = Synth.replace( variableHoldingSynthToReplace, nameOfSynthDef, ListOfArguments );</pre>
+ The "variableHoldingNewSynth" will often be the same as the "variableHoldingSynthToReplace," but not always. When you use this Function, the synth being replaced is freed from the server (equivalent to running "free"), so that variable should always be assigned something.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Changing_the_Order.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.12.2. Changing the Order</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Pausing_and_Restarting_a_Synth.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.12.4. Pausing and Restarting a Synth</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-CCRMA_Best_Practices.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-CCRMA_Best_Practices.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>4.2.3. A Possible "Best Practices" Solution</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html" title="4.2. Planet CCRMA at Home を使ã†ã‹ã©ã†ã‹ã‚’決ã‚ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-CCRMA_Security_and_Stability.html" title="4.2.2. ã‚»ã‚ュリティã¨å®‰å®šæ€§" /><link rel="next" href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html" title="4.3. Planet CCRMA at Home ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’使ã†" /></head><body
class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-CCRMA_Security_and_Stability.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="4.2.3. A Possible "Best Practices" Solution" id="sect-Musicians_Guide-CCRMA_Best_Practices"><div class="titlepage"><div><div keep-together.within-column="always"><h
3 class="title" id="sect-Musicians_Guide-CCRMA_Best_Practices">4.2.3. A Possible "Best Practices" Solution</h3></div></div></div><div class="para">
+ All Fedora Linux users should be grateful to the people working at CCRMA, who help to provide the Planet CCRMA at Home repository. Their work has been instrumental in allowing Fedora to provide the amount of high-quality audio software that it does. Furthermore, the availability of many of CCRMA's highly-specialized software applications through the Planet CCRMA at Home repository is an invaluable resource to audio and music enthusiasts.
+ </div><div class="para">
+ On the other hand, Fedora users cannot expect that Planet CCRMA software is going to meet the same standards as Fedora software. While the Fedora Project's primary goal is to provide Linux software, CCRMA's main goal is to advance the state of knowledge of computer-based music and audio research and art.
+ </div><div class="para">
+ ã“れらã®ï¼’ã¤ã®ã‚´ãƒ¼ãƒ«ã¯ã©ã“ã§å‡ºä¼šã†ã§ã—ょã†ã‹ï¼Ÿ
+ </div><div class="para">
+ If you want to use your computer for both day-to-day desktop tasks and high-quality audio production, one good solution is to "dual-boot" your computer. This involves installing Fedora Linux twice on the same physical computer, but it will allow you to keep an entirely separate operating system environment for the Planet CCRMA at Home software. Not only will this allow you to safely and securely run Planet CCRMA applications in their most-optimized state, but you can help to further optimize your system by turning off and even removing some system services that you do not need for audio work. For example, a GNOME or KDE user might choose to install only "Openbox" for their audio-optimized installation.
+ </div><div class="para">
+ ã‚ã‚‹ã„ã¯ã€åŠåˆ†ã€ã¨ã„ã†æ‰‹æ®µã‚‚ã‚ã‚Šã¾ã™ï¼šã„ãã¤ã‹ã® Planet CCRMA アプリケーションã ã‘をインストールã—ã¦ã€å®Œå…¨ã«æœ€é©åŒ–ã•ã‚ŒãŸã‚«ãƒ¼ãƒãƒ«ã¨ã‚·ã‚¹ãƒ†ãƒ コンãƒãƒ¼ãƒãƒ³ãƒˆã¯ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã—ãªã„ã¨ã„ã†ã“ã¨ã§ã™ã€‚ã“ã‚Œã¯ã€å…¸åž‹çš„ãªæ—¥ã€…ã®ä½œæ¥ï¼ˆé›»åメールã€ãƒ¯ãƒ¼ãƒ‰ãƒ—ãƒã‚»ãƒƒã‚·ãƒ³ã‚°ã€ã‚¦ã‚¨ãƒ–ブラウジングã€ãªã© ) ã«ä½¿ã‚れるã“ã¨ãŒå¤šã„コンピュータã«é©ã—ã¦ã„ã¾ã™ã€‚例ãˆã°ã‚‚ã—ã‚ãªãŸãŒ SuperCollider を使ã„ãŸã„ã‘ã©ä»–ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã¯å¿…è¦ãªã„å ´åˆã€ã“ã‚ŒãŒã‚ãªãŸã«ã¨ã£ã¦æœ€é©ãªè§£æ±ºç–ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。
+ </div><div class="para">
+ çµå±€ã€ã‚ãªãŸã®ã‚³ãƒ³ãƒ”ュータã¨ãƒ‡ãƒ¼ã‚¿ãŒå®‰å…¨ã§ã‚»ã‚ュアã§ã‚ã‚‹ã®ã‚’ä¿è¨¼ã™ã‚‹ã®ã¯ã‚ãªãŸã®è²¬ä»»ã§ã™ã€‚ã‚ãªãŸã¯è‡ªåˆ†ã®ä½œæ¥ãƒ‘ターンã¨æ¬²æ±‚ã®ãŸã‚ã«æœ€é©ãªç–を見ã¤ã‘ã¦ãã ã•ã„。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-CCRMA_Security_and_Stability.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>4.2.2. ã‚»ã‚ュリティã¨å®‰å®šæ€§</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>4.3. Planet CCRMA at Home ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’使ã†</a></li></ul></body></html>
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@@ -0,0 +1,17 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>4.3.3. パッケージを更新ã•ã‚Œãªãã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html" title="4.3. Planet CCRMA at Home ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’使ã†" /><link rel="prev" href="sect-Musicians_Guide-CCRMA_Repository_Priorities.html" title="4.3.2. リãƒã‚¸ãƒˆãƒªã®å„ªå…ˆåº¦ã‚’è¨å®šã™ã‚‹" /><link rel="next" href="pt02.html" title="パート II. オーディオã¨éŸ³æ¥½ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢" /></head><body class="draft toc_embeded "><div id=
"tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-CCRMA_Repository_Priorities.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="pt02.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="4.3.3. パッケージを更新ã•ã‚Œãªãã™ã‚‹" id="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates
">4.3.3. パッケージを更新ã•ã‚Œãªãã™ã‚‹</h3></div></div></div><div class="para">
+ ã“ã‚Œã¯ã‚ªãƒ—ショナルã§ã€é€²ã‚“ã ユーザã«ã®ã¿å‹§ã‚られã¾ã™ã€‚<span class="application"><strong>yum</strong></span> ã¯æ™®é€šã¯ã€ã©ã®ãƒªãƒã‚¸ãƒˆãƒªãŒæä¾›ã™ã‚‹ã‹ã«ã¯ç„¡é–¢ä¿‚ã«ã€ãƒ‘ッケージã®æœ€æ–°ã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã‚’インストールã—ã¾ã™ . ã“ã®ãƒ—ラグインを使ã†ã¨ã€ã“ã®æŒ¯ã‚‹èˆžã„を変ãˆã€<span class="application"><strong>yum</strong></span> ãŒã€ä¸»ã«æä¾›ã™ã‚‹ãƒªãƒã‚¸ãƒˆãƒªã«ã‚ˆã£ã¦ãƒ‘ッケージãƒãƒ¼ã‚¸ãƒ§ãƒ³ã‚’é¸ã¶ã‚ˆã†ã«ã§ãã¾ã™ã€‚低ã„優先度ã®ãƒªãƒã‚¸ãƒˆãƒªã§æ–°ã—ã„ãƒãƒ¼ã‚¸ãƒ§ãƒ³ãŒã‚ã£ã¦ã‚‚ã€<span class="application"><strong>yum</strong></span> ã¯ãƒ‘ッケージをアップグレードã—ã¾ã›ã‚“ . ã‚‚ã—ã‚ãªãŸãŒã€å˜ã«ã€ã‚るパッケージをアップデートã—ãŸããªã„ã¨ã㯠<a class="xref" href="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates.html" title="4.3.3. パッケージを更新ã•ã‚Œãªãã™ã‚‹">「パッケージを更新ã•ã‚Œãªãã
™ã‚‹ã€</a> ã®æ‰‹é †ã®æ–¹ãŒã€ã‚ãªãŸã®ç›®çš„ã«ã‹ãªã„ã¾ã™ã€‚
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <code class="literal">yum-plugin-versionlock</code> パッケージをインストール下ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ テã‚ストエディタã€<span class="application"><strong>cat</strong></span> ã‚ã‚‹ã„㯠<span class="application"><strong>less</strong></span> コマンド㧠<code class="filename">/etc/yum/pluginconf.d/versionlock.conf</code> ãŒå˜åœ¨ã—ã€ä»¥ä¸‹ã®ãƒ†ã‚ストをå«ã‚€ã®ã‚’確èªãã ã•ã„： <code class="code">enabled = 1</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="filename">/etc/yum/pluginconf.d/versionlock.list</code> ã«ã€ã‚ãªãŸãŒæ›´æ–°ã—ãŸããªã„パッケージã®ãƒªã‚¹ãƒˆã‚’è¿½åŠ ä¸‹ã•ã„。ãã‚Œãžã‚Œã®ãƒ‘ッケージã¯åˆ¥ã®è¡Œã«æ›¸ã„ã¦ãã ã•ã„。例ãˆã°ï¼š
+<pre class="programlisting">âŽ
+jack-audio-connect-kit-1.9.4âŽ
+qjackctl-0.3.6âŽ</pre>
+
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-CCRMA_Repository_Priorities.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>4.3.2. リãƒã‚¸ãƒˆãƒªã®å„ªå…ˆåº¦ã‚’è¨å®šã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="pt02.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>パート II. オーディオã¨éŸ³æ¥½ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-CCRMA_Repository_Priorities.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-CCRMA_Repository_Priorities.html
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@@ -0,0 +1,15 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>4.3.2. リãƒã‚¸ãƒˆãƒªã®å„ªå…ˆåº¦ã‚’è¨å®šã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html" title="4.3. Planet CCRMA at Home ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’使ã†" /><link rel="prev" href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html" title="4.3. Planet CCRMA at Home ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’使ã†" /><link rel="next" href="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates.html" title="4.3.3. パッケージを更新ã•ã‚Œãªãã™ã‚‹" /><
/head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="4.3.2. リãƒã‚¸ãƒˆãƒªã®å„ªå…ˆåº¦ã‚’è¨å®šã™ã‚‹" id="sect-Musicians_Guide-CCRMA_Repository_Priorities"><div class="titlepage"><div><div keep-together.within-
column="always"><h3 class="title" id="sect-Musicians_Guide-CCRMA_Repository_Priorities">4.3.2. リãƒã‚¸ãƒˆãƒªã®å„ªå…ˆåº¦ã‚’è¨å®šã™ã‚‹</h3></div></div></div><div class="para">
+ ã“ã‚Œã¯ã‚ªãƒ—ショナルã§ã€é€²ã‚“ã ユーザã«ã®ã¿å‹§ã‚られã¾ã™ã€‚<span class="application"><strong>yum</strong></span> ã¯æ™®é€šã¯ã€ã©ã®ãƒªãƒã‚¸ãƒˆãƒªãŒæä¾›ã™ã‚‹ã‹ã«ã¯ç„¡é–¢ä¿‚ã«ã€ãƒ‘ッケージã®æœ€æ–°ã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã‚’インストールã—ã¾ã™ . ã“ã®ãƒ—ラグインを使ã†ã¨ã€ã“ã®æŒ¯ã‚‹èˆžã„を変ãˆã€<span class="application"><strong>yum</strong></span> ãŒã€ä¸»ã«æä¾›ã™ã‚‹ãƒªãƒã‚¸ãƒˆãƒªã«ã‚ˆã£ã¦ãƒ‘ッケージãƒãƒ¼ã‚¸ãƒ§ãƒ³ã‚’é¸ã¶ã‚ˆã†ã«ã§ãã¾ã™ã€‚低ã„優先度ã®ãƒªãƒã‚¸ãƒˆãƒªã§æ–°ã—ã„ãƒãƒ¼ã‚¸ãƒ§ãƒ³ãŒã‚ã£ã¦ã‚‚ã€<span class="application"><strong>yum</strong></span> ã¯ãƒ‘ッケージをアップグレードã—ã¾ã›ã‚“ . ã‚‚ã—ã‚ãªãŸãŒã€å˜ã«ã€ã‚るパッケージをアップデートã—ãŸããªã„ã¨ã㯠<a class="xref" href="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates.html" title="4.3.3. パッケージを更新ã•ã‚Œãªãã™ã‚‹">「パッケージを更新ã•ã‚Œãªãã
™ã‚‹ã€</a> ã®æ‰‹é †ã®æ–¹ãŒã€ã‚ãªãŸã®ç›®çš„ã«ã‹ãªã„ã¾ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="package">yum-plugin-priorities</span> パッケージをインストールãã ã•ã„。
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ テã‚ストエディタã€<span class="application"><strong>cat</strong></span> ã‚ã‚‹ã„㯠<span class="application"><strong>less</strong></span> コマンド㧠<code class="filename">/etc/yum/pluginconf.d/priorities.conf</code> ãŒå˜åœ¨ã—ã€ä»¥ä¸‹ã®ãƒ†ã‚ストをå«ã‚€ã®ã‚’確èªãã ã•ã„：
+<pre class="programlisting">âŽ
+[main]âŽ
+enabled = 1âŽ</pre>
+ ã‚‚ã—ã“ã®ãƒ—ラグインを使ã†ã®ã‚’æ¢ã‚ã‚‹ã¨ãã¯ã€ã“ã®ãƒ•ã‚¡ã‚¤ãƒ«ã‚’編集ã—ã¦ã€<code class="code">enabled = 0</code> ã¨ã—ã¦ä¸‹ã•ã„。ãã†ã™ã‚Œã°ã€ãƒªãƒã‚¸ãƒˆãƒªæ§‹æˆãƒ•ã‚¡ã‚¤ãƒ«ã«è¨å®šã•ã‚ŒãŸå„ªå…ˆåº¦ã‚’ãã®ã¾ã¾ã«ã—ã¦ãŠã‘ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ 一部ã€ã‚ã‚‹ã„ã¯ã™ã¹ã¦ã®ãƒªãƒã‚¸ãƒˆãƒªã«å„ªå…ˆåº¦ã‚’è¨å®šã§ãã¾ã™ã€‚リãƒã‚¸ãƒˆãƒªã«å„ªå…ˆåº¦ã‚’è¨å®šã™ã‚‹ã«ã¯ã€<code class="filename">/etc/yum.repos.d/<em class="replaceable"><code>*</code></em></code> ディレクトリã®ãã®ãƒªãƒã‚¸ãƒˆãƒªã«ç›¸å½“ã™ã‚‹ãƒ•ã‚¡ã‚¤ãƒ«ã‚’編集ã—ã¦ã€ä»¥ä¸‹ã®ã‚ˆã†ãªè¡Œã‚’è¿½åŠ ã—ã¾ã™ï¼š <code class="literal">priority = <em class="replaceable"><code>N</code></em></code>。ã“ã“ã§ã€<code class="literal">N</code> 㯠<code class="literal">1</code> 以上 <code class="literal">99</code> 以下ã®æ•°å—ã§ã™ã€‚優先度 <code class="literal">1</code> ãŒæœ€é«˜ã®è¨å®šã§ã€<code class="literal">99</code> ãŒæœ€ä½Žã§ã™ã€‚å°‘ãªãã¨ã‚‚ï¼’ã¤ã®ãƒªãƒã‚¸ãƒˆãƒªã«å„ªå…ˆåº¦ã‚’è¨å®šã—ãªã„ã¨ã€ã“ã®ã¯ãŸã‚‰ãã¯æœ‰åŠ¹ã§ã‚ã‚Šã¾ã›ã‚“。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>4.3. Planet CCRMA at Home ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’使ã†</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>4.3.3. パッケージを更新ã•ã‚Œãªãã™ã‚‹</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-CCRMA_Security_and_Stability.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-CCRMA_Security_and_Stability.html
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@@ -0,0 +1,11 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>4.2.2. ã‚»ã‚ュリティã¨å®‰å®šæ€§</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html" title="4.2. Planet CCRMA at Home を使ã†ã‹ã©ã†ã‹ã‚’決ã‚ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html" title="4.2. Planet CCRMA at Home を使ã†ã‹ã©ã†ã‹ã‚’決ã‚ã‚‹" /><link rel="next" href="sect-Musicians_Guide-CCRMA_Best_Practices.html" title="4.2.3. A Possible "Best Practices" Solution" /
></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-CCRMA_Best_Practices.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="4.2.2. ã‚»ã‚ュリティã¨å®‰å®šæ€§" id="sect-Musicians_Guide-CCRMA_Security_and_Stability"><div class="titlepage"><div><div keep-together.within-column="alway
s"><h3 class="title" id="sect-Musicians_Guide-CCRMA_Security_and_Stability">4.2.2. ã‚»ã‚ュリティã¨å®‰å®šæ€§</h3></div></div></div><div class="para">
+ ã‚ãªãŸãŒãã“ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’ <span class="emphasis"><em> å¿…è¦ã¨ã™ã‚‹ </em></span> ã®ã§ãªã‘れ㰠Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’インストールã™ã‚‹ã¹ãã§ãªã„最大ã®ç†ç”±ã¯ã€ã‚»ã‚ュリティã§ã™ã€‚Planet CCRMA リãƒã‚¸ãƒˆãƒªã‚’使ã†ã“ã¨ã«ã¤ã„ã¦ã€ä¸»ã«ï¼’ã¤ã®ã‚»ã‚ュリティå•é¡ŒãŒã‚ã‚Šã¾ã™ã€‚
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Planet CCRMA is intended for specialized audio workstations. The software is packaged in such a way that creates potential (and unknown) security threats caused by the optimizations necessary to prepare a computer system for use in audio work. Furthermore, these optimizations may reveal software bugs present in non-Planet CCRMA software, and allow them to do more damage than on a non-optimized system. Finally, a computer system's "stability" (its ability to run without trouble) may be compromised by audio optimizations. Regular desktop applications may perform less well on audio-optimized systems, if the optimization process unintentionally un-optimized some other process.
+ </div></li><li class="listitem"><div class="para">
+ CCRMA is not a large, Linux-focussed organization. It is an academic organization, and its primary intention with the Planet CCRMA at Home repository is to allow anybody with a computer to do the same kind of work that they do. The Fedora Project is a relatively large organization, backed by one of the world's largest commercial Linux providers, which is focussed on creating a stable and secure operating system for daily use. Furthermore, thousands of people around the world are working for the Fedora Project or its corporate sponsor, and it is their responsibility to proactively solve problems. CCRMA has the same responsibility, but they do not have the dedicated resources of the Fedora Project, it would be naive(???) to think that they would be capable of providing the same level of support.
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>4.2. Planet CCRMA at Home を使ã†ã‹ã©ã†ã‹ã‚’決ã‚ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-CCRMA_Best_Practices.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>4.2.3. A Possible "Best Practices" Solution</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.2.5. 接続タイプをé¸æŠžã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Sound_Card_Connections.html" title="1.2. サウンドカードã®æŽ¥ç¶š" /><link rel="prev" href="sect-Musicians_Guide-USB_Sound_Cards.html" title="1.2.4. 外部 USB 接続" /><link rel="next" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html" title="1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート" /></head><body class="draft toc_e
mbeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-USB_Sound_Cards.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="1.2.5. 接続タイプをé¸æŠžã™ã‚‹" id="sect-Musicians_Guide-Choose_Sound_Card_Connection"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Gui
de-Choose_Sound_Card_Connection">1.2.5. 接続タイプをé¸æŠžã™ã‚‹</h3></div></div></div><div class="para">
+ 接続タイプã¯ã€ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã‚’é¸æŠžã™ã‚‹è¦³ç‚¹ã®1ã¤ã«ã™ãŽã¾ã›ã‚“。 ã‚ãªãŸãŒãƒ‡ã‚¹ã‚¯ãƒˆãƒƒãƒ—コンピュータを所有ã—ã¦ãŠã‚Šã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªç”¨ã«ãƒŽãƒ¼ãƒˆPCã‚„ãƒãƒƒãƒˆãƒ–ックコンピュータを使用ã™ã‚‹ã¤ã‚‚ã‚ŠãŒãªã„ãªã‚‰ã°ã€å†…蔵 PCI ã¾ãŸã¯ PCI-Express 接続を考慮ã—ã¾ã—ょã†ã€‚ 外部ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ãŒå¿…è¦ãªå ´åˆã¯ã€FireWire 接続を考慮ã—ã¾ã—ょã†ã€‚ FireWire 接続ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¯å€¤æ®µãŒé«˜ã™ãŽã‚‹å ´åˆã¯ã€USB 接続を考慮ã—ã¾ã—ょã†ã€‚ 接続タイプã¯ã€ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã‚’é¸æŠžã™ã‚‹éš›ã«æœ€ã‚‚é‡è¦ãªè¦³ç‚¹ã§ã¯ã‚ã‚Šã¾ã›ã‚“。 アナãƒã‚° - デジタルãŠã‚ˆã³ãƒ‡ã‚¸ã‚¿ãƒ« - アナãƒã‚°ã‚³ãƒ³ãƒãƒ¼ã‚¿ã®ä¸»è¦³çš„å“質ãŒæœ€ã‚‚é‡è¦ãªè¦³ç‚¹ã§ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-USB_Sound_Cards.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>1.2.4. 外部 USB 接続</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Configure_Yourself_Exericses.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Configure_Yourself_Exericses.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.4.3. Configure Yourself</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html" title="13.4. 課題を使ã†" /><link rel="prev" href="sect-Musicians_Guide-Singing_Exercises.html" title="13.4.2. Singing" /><link rel="next" href="sect-Musicians_Guide-Solfege-Rhythm_Exercises.html" title="13.4.4. Rhythm" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to v
iew it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Singing_Exercises.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Rhythm_Exercises.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="13.4.3. Configure Yourself" id="sect-Musicians_Guide-Configure_Yourself_Exericses"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Configure_Yourself_Exericses">13.4.3. Configure Yourself</h3></div></div></div><div class="para">
+ These exercises allow you to choose the focus of your training, rather than using a Solfege preset. When you enter an exercise, you are given a default setup, which is then customized on the "Config" tab in the activity. The following things are customizeable in "Configure Yourself" exercises, but not in the other counterparts:
+ </div><div class="para">
+ "Harmonic intervals" allows you to de/select specific intervals between m2 and M10
+ </div><div class="para">
+ "Melodic intervals" and "Sing intervals" allow you to de/select specific intervals between m2 and M10, and whether to test them up, down, or both.
+ </div><div class="para">
+ "Compare intervals" allows you to select specific intervals between minor second and major tenth. Also allows you to switch between harmonic or melodic intervals independently for the first and second interval.
+ </div><div class="para">
+ "Id tone": allows you to choose a "weighting" for each pitch, to conentrate on specific ones. Also allows you to adjust octave displacement to higher or lower octaves.
+ </div><div class="para">
+ For all of the rhythm exercises, "binary time" means "simple metre," and "ternary time" means "compound metre." All sections allow you to choose which single-beat rhythms to use when creating the question.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Singing_Exercises.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>13.4.2. Singing</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Rhythm_Exercises.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>13.4.4. Rhythm</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-DAW_Clock.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-DAW_Clock.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.4.2. クãƒãƒƒã‚¯</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-DAW_User_Interface.html" title="6.4. ユーザインタフェース" /><link rel="prev" href="sect-Musicians_Guide-DAW_User_Interface.html" title="6.4. ユーザインタフェース" /><link rel="next" href="sect-Musicians_Guide-Track_Info_Pane.html" title="6.4.3. ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc
.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-DAW_User_Interface.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Track_Info_Pane.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="6.4.2. クãƒãƒƒã‚¯" id="sect-Musicians_Guide-DAW_Clock"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-DAW_Clock">6.4.2. クãƒãƒƒã‚¯</h3></div></div></div><div class="figure" title="図6.5 Qtractor ã®ã‚¯ãƒãƒƒã‚¯" id="qtractor_clocks"><di
v class="figure-contents"><div class="mediaobject"><img src="./images/Qtractor-interface-clocks.png" width="444" alt="Qtractor ã®ã‚¯ãƒãƒƒã‚¯" /><div class="longdesc"><div class="para">
+ Qtractor ã®ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã®ä¸ã®ã‚¯ãƒãƒƒã‚¯
+ </div></div></div></div><h6>図6.5 Qtractor ã®ã‚¯ãƒãƒƒã‚¯</h6></div><br class="figure-break" /><div class="para">
+ クãƒãƒƒã‚¯ã¯ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆãŒç¤ºã™ã€ãƒ•ã‚¡ã‚¤ãƒ«ã®ä¸ã®ç¾åœ¨ã®ä½ç½®ã‚’表ã—ã¾ã™ã€‚<a class="xref" href="sect-Musicians_Guide-DAW_Clock.html#qtractor_clocks" title="図6.5 Qtractor ã®ã‚¯ãƒãƒƒã‚¯">図6.5「Qtractor ã®ã‚¯ãƒãƒƒã‚¯ã€</a>ã§ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã¯ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®æœ€åˆã«ã„ã¾ã™ã‹ã‚‰ã€ã‚¯ãƒãƒƒã‚¯ã¯<code class="literal">0</code>を示ã—ã¦ã„ã¾ã™ã€‚ã“ã®ã‚¯ãƒãƒƒã‚¯ã¯ã€æ™‚é–“ã‚’ã€åˆ†ã¨ç§’ã§è¡¨ã™ã‚ˆã†ã«æ§‹æˆã•ã‚Œã¦ã„ã¾ã™ã‹ã‚‰ã€ã“ã‚Œã¯<em class="firstterm">タイムクãƒãƒƒã‚¯</em>ã§ã™ã€‚クãƒãƒƒã‚¯ã®ä»–ã®è¨å®šã«ã¯ã€<em class="firstterm">BBT</em>ã‚’ã‚らã‚ã™ã‚‚ã®(bars, beats, and ticks å°ç¯€ã€æ‹ã€ãƒãƒƒã‚¯<em class="firstterm">MIDIクãƒãƒƒã‚¯</em>)ã€ã‚µãƒ³ãƒ—ルをã‚らã‚ã™ã‚‚ã®(<em class="firstterm">サンプルクãƒãƒƒã‚¯</em>)ã€ãã—ã¦<em class="firstterm">SMPTE タイムコード</em>ã‚’ã‚らã‚ã™ã‚‚ã®(通常ã€ãƒ“デオã§ã®ã€é«˜ç²¾åº¦ãªåŒæœŸã®ãŸã‚ã«ä½¿ã‚ã‚Œ
ã‚‹ã€<em class="firstterm">タイムコードクãƒãƒƒã‚¯</em>)ãŒã‚ã‚Šã¾ã™ã€‚DAWã«ã‚ˆã£ã¦ã¯ã€è¤‡æ•°ã®ã‚¯ãƒãƒƒã‚¯ã‚’åŒæ™‚ã«ä½¿ã†ã“ã¨ã‚‚ã§ãã¾ã™ã€‚
+ </div><div class="para">
+ <span class="application"><strong>Qtractor</strong></span> ã§ã®ã€ã“ã“ã«ç¤ºã—ãŸã‚¿ã‚¤ãƒ クãƒãƒƒã‚¯ã¯ã€MIDI テンãƒã¨æ‹åã«ã¤ã„ã¦ã®ï¼ˆæ¯Žåˆ†120.0æ‹ã€4/4æ‹åï¼‰æƒ…å ±ã¨ã€MIDI 録音ã§ã®é‡å化ã®è¨å®šã‚‚示ã—ã¦ã„ã‚‹ã“ã¨ã«æ³¨æ„下ã•ã„。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-DAW_User_Interface.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>6.4. ユーザインタフェース</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Track_Info_Pane.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>6.4.3. ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-DAW_Interface_Vocabulary.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-DAW_Interface_Vocabulary.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.3. インタフェース用語</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Digital_Audio_Workstations.html" title="第6ç« ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ¯ãƒ¼ã‚¯ã‚¹ãƒ†ãƒ¼ã‚·ãƒ§ãƒ³" /><link rel="prev" href="sect-Musicians_Guide-Record_Mix_Master_More_Info.html" title="6.2.4. å‚考" /><link rel="next" href="sect-Musicians_Guide-Track_and_Multitrack.html" title="6.3.2. トラックã¨ãƒžãƒ«ãƒãƒˆãƒ©ãƒƒã‚¯" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><ifra
me id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Record_Mix_Master_More_Info.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Track_and_Multitrack.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="6.3. インタフェース用語" id="sect-Musicians_Guide-DAW_Interface_Vocabulary"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-DAW_Interface_Vocabulary">6.3. インタフェ
ース用語</h2></div></div></div><div class="para">
+ Understanding these concepts is essential to understanding how to use the DAW software's interface.
+ </div><div class="section" title="6.3.1. セッション" id="sect-Musicians_Guide-Session"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Session">6.3.1. セッション</h3></div></div></div><div class="para">
+ A <em class="firstterm">session</em> is all of the tracks, regions, automation settings, and everything else that goes along with one "file" saved by the DAW software. Some software DAWs manage to hide the entire session within one file, but others instead create a new directory to hold the regions and other data.
+ </div><div class="para">
+ Typically, one session is used to hold an entire recording session; it is broken up into individual songs or movements after recording. Sometimes, as in the tutorial examples with the Musicians' Guide, one session holds only one song or movement. There is no strict rule as to how much music should be held within one session, so your personal preference can determine what you do here.
+ </div><div class="figure" title="図6.1 Ardour ã®ã‚»ãƒƒã‚·ãƒ§ãƒ³" id="ardour_session"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-Session.png" width="444" alt="Ardour ã®ã‚»ãƒƒã‚·ãƒ§ãƒ³" /><div class="longdesc"><div class="para">
+ 複数ã®æ¥½å™¨ã®ãƒˆãƒ©ãƒƒã‚¯ã‚’å«ã‚€ã€Ardour ã®ã‚»ãƒƒã‚·ãƒ§ãƒ³
+ </div></div></div></div><h6>図6.1 Ardour ã®ã‚»ãƒƒã‚·ãƒ§ãƒ³</h6></div><br class="figure-break" /></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Record_Mix_Master_More_Info.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>6.2.4. å‚考</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Track_and_Multitrack.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>6.3.2. トラックã¨ãƒžãƒ«ãƒãƒˆãƒ©ãƒƒã‚¯</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-DAW_Transport_Controls.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-DAW_Transport_Controls.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.4.5. トランスãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-DAW_User_Interface.html" title="6.4. ユーザインタフェース" /><link rel="prev" href="sect-Musicians_Guide-Track_Pane.html" title="6.4.4. トラックペイン" /><link rel="next" href="chap-Musicians_Guide-Ardour.html" title="第7ç« Ardour" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an
iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Track_Pane.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Ardour.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="6.4.5. トランスãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«" id="sect-Musicians_Guide-DAW_Transport_Controls"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-DAW_Transport_Controls">6.4.5. トランスãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«</h3></div></div></div><div class="figure" title="図6.8 Qtra
ctor ã®ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«" id="qtractor_transport"><div class="figure-contents"><div class="mediaobject"><img src="./images/Qtractor-interface-transport.png" width="444" alt="Qtractor ã®ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«" /><div class="longdesc"><div class="para">
+ Qtractor ã®ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦å†…ã®ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 最åˆã«æˆ»ã‚‹
+ </div></li><li class="listitem"><div class="para">
+ 早戻ã—
+ </div></li><li class="listitem"><div class="para">
+ æ—©é€ã‚Š
+ </div></li><li class="listitem"><div class="para">
+ 最後ã«é€²ã‚€
+ </div></li><li class="listitem"><div class="para">
+ リアルタイムã§é€²ã‚€
+ </div></li><li class="listitem"><div class="para">
+ 録音ã®æº–備をã™ã‚‹
+ </div></li></ol></div></div></div></div><h6>図6.8 Qtractor ã®ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«</h6></div><br class="figure-break" /><div class="para">
+ トランスãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ã‚’使ã„ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’ã„ã‚ã„ã‚ã¨æ“作ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ボタンã®å½¢ã¯ã»ã¼æ¨™æº–化ã•ã‚Œã¦ã„ã¾ã™ã€‚ä¼¼ãŸã‚ˆã†ã«è¦‹ãˆã‚‹ãƒœã‚¿ãƒ³ã¯æ™®é€šã€ã™ã¹ã¦ã® DAW ã§åŒã˜æ©Ÿèƒ½ã‚’ã¯ãŸã—ã¾ã™ã€‚ãれ㯠CD プレイヤーや DVD プレイヤーãªã©ã®å®¶åºç”¨é›»å機器ã¨åŒã˜ã§ã™ã€‚
+ </div><div class="para">
+ åž‚ç›´ç·šã®ã‚る１é‡ã®å·¦ã‚’å‘ã„ãŸçŸ¢å°ã¯ã€å†ç”Ÿã‚„録音をã™ã‚‹ã“ã¨ãªãã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’セッションã®é–‹å§‹ç‚¹ã«ä½ç½®ã¥ã‘ã¾ã™ã€‚<span class="application"><strong>Qtractor</strong></span> ã§ã¯ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã¨ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®é–‹å§‹ç‚¹ã®é–“ã«ã€é’ã„プレースマーカーãŒã‚ã‚Œã°ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã¯é’ã„プレースマーカーã®æ‰€ã¾ã§ã‚¹ã‚ップã—ã¾ã™ã€‚ã‚‚ã†ä¸€åº¦ãƒœã‚¿ãƒ³ã‚’押ã™ã¨ã€æ¬¡ã®é’ã„プレースマーカーもã—ãã¯ã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®é–‹å§‹ç‚¹ã«ç§»å‹•ã—ã¾ã™ã€‚
+ </div><div class="para">
+ å·¦å‘ãã®äºŒé‡ã®çŸ¢å°ã¯ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’セッションã®é–‹å§‹ç‚¹ã¸å‘ã‘ã¦é€Ÿã移動ã—ã¾ã™ã€‚å³å‘ãã®äºŒé‡ã®çŸ¢å°ã¯ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’セッションã®çµ‚了点ã¸å‘ã‘ã¦é€Ÿã移動ã—ã¾ã™ã€‚
+ </div><div class="para">
+ åž‚ç›´ç·šã®ã‚る１é‡ã®å³å‘ãã®çŸ¢å°ã¯ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’ã€ç¾åœ¨ã‚»ãƒƒã‚·ãƒ§ãƒ³ã«ã‚る最後ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã®çµ‚了点ã«ç§»å‹•ã—ã¾ã™ã€‚<span class="application"><strong>Qtractor</strong></span> ã§ã¯ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã¨ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®æœ€å¾Œã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã®é–“ã«ã€é’ã„プレースマーカーãŒã‚ã‚Œã°ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã¯é’ã„プレースマーカーã®æ‰€ã¾ã§ã‚¹ã‚ップã—ã¾ã™ã€‚ã‚‚ã†ä¸€åº¦ãƒœã‚¿ãƒ³ã‚’押ã™ã¨ã€æ¬¡ã®é’ã„プレースマーカーもã—ãã¯ã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®æœ€å¾Œã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã«ç§»å‹•ã—ã¾ã™ã€‚
+ </div><div class="para">
+ The single, right-pointing arrow is commonly called "play," but it actually moves the transport forward in real-time. When it does this, if the transport is armed for recording, any armed tracks will record. Whether or not the transport is armed, pressing the "play" button causes all un-armed tracks to play all existing regions.
+ </div><div class="para">
+ The circular button arms the transport for recording. It is conventionally red in colour. In <span class="application"><strong>Qtractor</strong></span>, the transport can only be armed <span class="emphasis"><em>after</em></span> at least one track has been armed; to show this, the transport's arm button only turns red if a track is armed.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Track_Pane.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>6.4.4. トラックペイン</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Ardour.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>第7ç« Ardour</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-DAW_User_Interface.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-DAW_User_Interface.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.4. ユーザインタフェース</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Digital_Audio_Workstations.html" title="第6ç« ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ¯ãƒ¼ã‚¯ã‚¹ãƒ†ãƒ¼ã‚·ãƒ§ãƒ³" /><link rel="prev" href="sect-Musicians_Guide-Automation.html" title="6.3.5. オートメーション" /><link rel="next" href="sect-Musicians_Guide-DAW_Clock.html" title="6.4.2. クãƒãƒƒã‚¯" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" sr
c="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Automation.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-DAW_Clock.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="6.4. ユーザインタフェース" id="sect-Musicians_Guide-DAW_User_Interface"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-DAW_User_Interface">6.4. ユーザインタフェース</h2></div></div></div><div class="para">
+ ã“ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã§ã¯ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ DAW インタフェースã®ã„ã‚ã„ã‚ãªã‚³ãƒ³ãƒãƒ¼ãƒãƒ³ãƒˆã‚’見ã¦ã¿ã¾ã—ょã†ã€‚<span class="application"><strong>Qtractor</strong></span>アプリケーションã®ç”»åƒã‚’使ã„ã¾ã™ãŒã€<span class="application"><strong>Ardour</strong></span> 㨠<span class="application"><strong>Rosegarden</strong></span>（他ã®ã»ã¨ã‚“ã©ã® DAW ソフトウエアã¨åŒã˜ã‚ˆã†ã«ï¼‰ã‚‚ã€ã©ã®ãƒœã‚¿ãƒ³ãŒã©ã“ã«ã‚ã‚‹ã‹ã€ã®ã‚ˆã†ãªç´°ã‹ã„点ã ã‘ãŒç•°ãªã‚‹ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã‚’æŒã£ã¦ã„ã¾ã™ã€‚
+ </div><div class="section" title="6.4.1. メッセージペイン" id="sect-Musicians_Guide-Messages_Pane"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Messages_Pane">6.4.1. メッセージペイン</h3></div></div></div><div class="figure" title="図6.4 Qtractor ã®ãƒ¡ãƒƒã‚»ãƒ¼ã‚¸ãƒšã‚¤ãƒ³" id="qtractor_messages"><div class="figure-contents"><div class="mediaobject"><img src="./images/Qtractor-interface-messages.png" width="444" alt="Qtractor ã®ãƒ¡ãƒƒã‚»ãƒ¼ã‚¸ãƒšã‚¤ãƒ³" /><div class="longdesc"><div class="para">
+ Qtractor ã®ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã®ä¸‹ã«ã‚るメッセージペイン
+ </div></div></div></div><h6>図6.4 Qtractor ã®ãƒ¡ãƒƒã‚»ãƒ¼ã‚¸ãƒšã‚¤ãƒ³</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="sect-Musicians_Guide-DAW_User_Interface.html#qtractor_messages" title="図6.4 Qtractor ã®ãƒ¡ãƒƒã‚»ãƒ¼ã‚¸ãƒšã‚¤ãƒ³">図6.4「Qtractor ã®ãƒ¡ãƒƒã‚»ãƒ¼ã‚¸ãƒšã‚¤ãƒ³ã€</a>ã«ç¤ºã—ãŸ<span class="guilabel"><strong>messages</strong></span>ペインã¯ã€DAW ã«ã‚ˆã‚Šç”Ÿæˆã•ã‚ŒãŸãƒ¡ãƒƒã‚»ãƒ¼ã‚¸ã‚’æŒã¡ã€ãã—ã¦ã¨ãã«ã¯<code class="systemitem">JACK</code>ã®ã‚ˆã†ã«ã€DAW ãŒä½¿ã†ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã«ã‚ˆã‚Šç”Ÿæˆã•ã‚ŒãŸãƒ¡ãƒƒã‚»ãƒ¼ã‚¸ã‚‚å«ã¿ã¾ã™ã€‚ã‚‚ã—エラーãŒèµ·ããŸã‚Šã€DAW ãŒæœŸå¾…通りã«å‹•ã‹ãªã„ã¨ãã¯<span class="guilabel"><strong>messages</strong></span>ペインを調ã¹ã¦ã€ã‚ãªãŸãŒæœŸå¾…ã™ã‚‹çµæžœã‚’å¾—ã‚‹ãŸã‚ã«å½¹ç«‹ã¤æƒ…å ±ã‚’æŽ¢ã—ã¦ä¸‹ã•ã„。<span class="guilabel"><strong>messages</strong></span>ペインã¯<code class="systemitem">JACK</code>㨠DAW ãŒã‚ãªãŸãŒã®ãžã‚€ã‚ªãƒ—ションã§æ£å¸¸ã«é–‹å§‹ã—ãŸã‹ã©ã†ã‹ã‚’判æ–ã™ã‚‹ã®ã«ã‚‚使ã‚ã‚Œã¾ã™ã€‚
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Automation.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>6.3.5. オートメーション</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-DAW_Clock.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>6.4.2. クãƒãƒƒã‚¯</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.2.3. 外部ã®FireWire 接続</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Sound_Card_Connections.html" title="1.2. サウンドカードã®æŽ¥ç¶š" /><link rel="prev" href="sect-Musicians_Guide-PCI_Sound_Cards.html" title="1.2.2. 内蔵 PCI 接続" /><link rel="next" href="sect-Musicians_Guide-USB_Sound_Cards.html" title="1.2.4. 外部 USB 接続" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">T
his is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-PCI_Sound_Cards.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-USB_Sound_Cards.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="1.2.3. 外部ã®FireWire 接続" id="sect-Musicians_Guide-FireWire_Sound_Cards"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FireWire_Sound_Cards">1.2.3. 外部ã®FireWire 接続</h3></div></div></div><div class="para">
+ FireWire-connected sound cards are not as popular as USB-connected sound cards, but they are generally higher quality. This is partly because FireWire-connected sound cards use FireWire's "guaranteed bandwidth" and "bus-mastering" capabilities, which both reduce latency. High-speed FireWire connections are also available on older computers without a high-speed USB connection.
+ </div><div class="para">
+ FireWire devices are sometimes incompatible with the standard Fedora Linux kernel. If you have a FireWire-connected sound card, you should use the kernel from Planet CCRMA at Home. Refer to <a class="xref" href="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora.html" title="3.5. Getting a Real-Time Kernel in Fedora Linux">「Getting a Real-Time Kernel in Fedora Linuxã€</a> for instructions to install the Planet CCRMA at Home kernel.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-PCI_Sound_Cards.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>1.2.2. 内蔵 PCI 接続</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-USB_Sound_Cards.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>1.2.4. 外部 USB 接続</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.5. Assign Programs to Channels with Qsynth</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-FluidSynth.html" title="第10ç« FluidSynth" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings.html" title="10.4.5. View all FluidSynth Settings" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments.html" title="10.5.2. Save and Reuse Channel Assignments" /></head><body class="draft toc_embeded "><div id="tocd
iv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="10.5. Assign Programs to Channels with Qsynth" id="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels"><div class="titlepage"><div><div keep-together.within-column="a
lways"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels">10.5. Assign Programs to Channels with <span class="application"><strong>Qsynth</strong></span></h2></div></div></div><div class="para">
+ The best way to do this is through your MIDI sequencer, like <span class="application"><strong>Qtractor</strong></span> or <span class="application"><strong>Rosegarden</strong></span>. If you are using an application which doesn't allow you to send program-change messages, or if you need to configure programs for another reason, you can follow these instructions.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ In the main <span class="application"><strong>Qsynth</strong></span> window, click "Channels" to open the "Channels" window.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ ãƒãƒ£ãƒãƒ«ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã§ã€ãã‚Œãžã‚Œã®ãƒãƒ£ãƒãƒ«ã¯ã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§ã€ã“ã‚“ãªãµã†ã«è¦‹ãˆã¾ã™ã€‚
+<pre class="programlisting">1 - - -</pre>
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ プãƒã‚°ãƒ©ãƒ ã‚’ãƒãƒ£ãƒãƒ«ã«å‰²ã‚Šå½“ã¦ã‚‹ã«ã¯ã€å‰²ã‚Šå½“ã¦ãŸã„ãƒãƒ£ãƒãƒ«ã®è¡Œã‚’クリックã—ã¾ã™.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ ãŠæœ›ã¿ã®ãƒãƒ³ã‚¯ã¨ãƒ—ãƒã‚°ãƒ©ãƒ 番å·ã‚’é¸æŠžã—ã¾ã™.åå‰ã€ SFID, サウンドフォントã®åˆ—ã‚’å‚考ã«ã—ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ 割り当ã¦ãŸã„ã™ã¹ã¦ã®ãƒãƒ£ãƒãƒ«ã«ã¤ã„ã¦ã€ã“ã®ãƒ—ãƒã‚»ã‚¹ã‚’繰り替ãˆã—ã¾ã™.
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ ã‚ãªãŸãŒãƒãƒ£ãƒãƒ«ã‚’使用ã™ã‚‹äºˆå®šãŒãªã„å ´åˆã¯ã€ãã‚Œã«ãƒ—ãƒã‚°ãƒ©ãƒ を割り当ã¦ã¦ã‚‚害ã¯ã‚ã‚Šã¾ã›ã‚“。 ã—ã‹ã—ã€ä½¿ç”¨ã—ãªã„ãƒãƒ£ãƒãƒ«ã«ãƒ—ãƒã‚°ãƒ©ãƒ を割り当ã¦ã‚‹ã¨ã€å¾Œã§ã€ã‚ãªãŸãŒãã®ãƒãƒ£ãƒãƒ«ã‚’使用ã—ãªã„ã¤ã‚‚ã‚Šã ã£ãŸã“ã¨ã‚’忘れãŸã¨ããªã©ç‰¹ã«ã€æ··ä¹±ã‚’æ‹›ãã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ ãƒãƒ£ãƒãƒ«ï¼‘ï¼ã¯æ‰“楽器ã«äºˆç´„ã•ã‚Œã¦ãŠã‚Šã€æ±Žç”¨ MIDI 打楽器プãƒã‚°ãƒ©ãƒ ã‹ã‚‰å¤‰æ›´ã—ã¦ã¯ã„ã‘ãªã„ã“ã¨ã«æ³¨æ„ãã ã•ã„.
+ </div></li></ol></div><div class="section" title="10.5.1. Change the Number of MIDI Input Channels" id="sect-Musicians_Guide-FluidSynth-Changing_Number_of_Input_Channels"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Changing_Number_of_Input_Channels">10.5.1. Change the Number of MIDI Input Channels</h3></div></div></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> ãŒæä¾›ã™ã‚‹ MIDI 入力ãƒãƒ£ãƒãƒ«ã®æ•°ã‚’増やã™ã“ã¨ãŒã§ãã¾ã™.<span class="application"><strong>QSynth</strong></span> ã§ã¯ï¼‘ã‹ã‚‰ï¼’５６ã¾ã§ã®ä»»æ„ã®æ•°ã‚’è¨å®šã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ãŒã€ãƒãƒ£ãƒãƒ«ã¯ã€ï¼‘ï¼–å˜ä½ã§ã—ã‹ã€è¿½åŠ ã€å‰Šé™¤ã§ãã¾ã›ã‚“.<span class="application"><strong>Qsynth</strong></span> ã¯ã€è‡ªå‹•çš„ã«ã€ã‚ãªãŸãŒæœ›ã‚€ãƒãƒ£ãƒãƒ«æ•°ã«å¿…è¦ãªæœ€å°ã®ãƒãƒ£ãƒãƒ«æ•°ã‚’生æˆã—ã¾ã™.ãã‚Œãžã‚Œã®ï¼‘ï¼–ãƒãƒ£ãƒãƒ«ã®ã‚»ãƒƒãƒˆã¯ã€<span class="application"><strong>JACK</strong></span> ã«ãŠã„ã¦ã€è¿½åŠ ã® MIDI 入力デãƒã‚¤ã‚¹ã¨ã—ã¦è¡¨ç¤ºã•ã‚Œã¾ã™.デãƒã‚¤ã‚¹ã®åå‰ã¯ã€ã©ã®ãƒãƒ£ãƒãƒ«ãŒãれをå—ä¿¡ã—ã¦ã„ã‚‹ã‹ã‚’示ã—ã¾ã™ã€‚ãƒãƒ£ãƒãƒ«ï¼‘ã‹ã‚‰ï¼‘ï¼–ã¯ï¼ã§çµ‚ã‚るデãƒã‚¤ã‚¹ã‚’å—ä¿¡ã—ã¾ã™.ãƒãƒ£ãƒãƒ«ï¼‘ï¼—ã‹ã‚‰ï¼“ï¼’ã¯ã€ï¼‘ã§çµ‚ã‚るデãƒã‚¤ã‚¹ã‚’å—ä¿¡ã—ã¾ã™.ãƒãƒ£ãƒãƒ«ï¼“３ã‹ã‚‰ï¼
•ï¼˜ã¯ã€ï¼’ã§çµ‚ã‚るデãƒã‚¤ã‚¹ã€ãªã©ã§ã™ã€‚
+ </div><div class="para">
+ MIDI 入力ãƒãƒ£ãƒãƒ«æ•°ã‚’変更ã™ã‚‹ã«ã¯ã€ä»¥ä¸‹ã®æ‰‹é †ã«ã—ãŸãŒã£ã¦ãã ã•ã„.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Open the <span class="application"><strong>Qsynth</strong></span> "Setup" window.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ The "Enable MIDI Input" setting must be enabled.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ １ã‹ã‚‰ï¼’５６ã¾ã§ã®é–“ã®ã€ä½¿ã„ãŸã„ãƒãƒ£ãƒãƒ«æ•°ã‚’入力ãã ã•ã„.
+ </div></li></ol></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>10.4.5. View all FluidSynth Settings</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>10.5.2. Save and Reuse Channel Assignments</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.4.3. Configure JACK Output</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-FluidSynth-Configuring.html" title="10.4. Configure Qsynth" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont.html" title="10.4.2. Configure the SoundFont" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input.html" title="10.4.4. Configure MIDI Input" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="to
c" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="10.4.3. Configure JACK Output" id="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output">10.4.3. Con
figure <span class="application"><strong>JACK</strong></span> Output</h3></div></div></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> ãŒã€åˆæˆã•ã‚ŒãŸéŸ³å£°ã‚’ <span class="application"><strong>JACK</strong></span> ã«å‡ºåŠ›ã™ã‚‹ã‚ˆã†ã«ã‚‚ã€ALSA ã«ã™ã‚‹ã‚ˆã†ã«ã‚‚ã€æ§‹æˆã™ã‚‹ã“ã¨ãŒå¯èƒ½ã§ã™ã€‚デフォルトã§ã€ãŠã™ã™ã‚ã®æ–¹æ³•ã¯ã€åˆæˆã•ã‚ŒãŸéŸ³å£°ã‚’ <span class="application"><strong>JACK</strong></span> ã«å‡ºåŠ›ã™ã‚‹ã“ã¨ã§ã™ã€‚ã“ã‚Œã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªå“質を最大é™ã«åˆ¶å¾¡ã™ã‚‹ã“ã¨ãŒã§ãã€ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨å¤šé‡åŒ–（定義 㯠<a class="xref" href="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing.html" title="1.4.7. ルーティングã¨å¤šé‡åŒ–">「ルーティングã¨å¤šé‡åŒ–ã€</a> ã‚’å‚ç…§ãã ã•ã„。）を最も柔軟ã«ã§ãã¾ã™.ã‚ãªãŸã¯ã€åˆæˆã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ã‚’èžããªãŒã‚‰ã€åŒæ™‚ã«éŒ²éŸ³ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="para">
+ å•é¡ŒãŒã‚ã‚‹å ´åˆã¯ã€<span class="application"><strong>Qsynth</strong></span> ㌠<span class="application"><strong>JACK</strong></span> を使ã†ã‚ˆã†ã«æ£ã—ã構æˆã•ã‚Œã¦ã„ã‚‹ã‹ç¢ºèªã™ã‚‹ã¨ã‚ˆã„ã§ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Open <span class="application"><strong>Qsynth</strong></span>'s "Setup" window.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Select the 'Audio' tab, and ensure that "Audio Driver" is set to "jack".
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ You should also ensure that the other settings are correct - especially that the "sample rate" is set to the same sample rate as <span class="application"><strong>JACK</strong></span> (through <span class="application"><strong>QjackCtl</strong></span>).
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ ã»ã¨ã‚“ã©ã®å ´åˆã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆè¨å®šãŒã†ã¾ãã„ãã¯ãšã§ã™ã€‚ã‚‚ã—ã‚ãªãŸãŒãƒ‡ãƒ•ã‚©ãƒ«ãƒˆè¨å®šã‚’変更ã—ãŸãªã‚‰ã°ã€ä»¥ä¸‹ãŒãã‚Œã§ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Buffer Size: 1024
+ </div></li><li class="listitem"><div class="para">
+ Buffer Count: 2
+ </div></li><li class="listitem"><div class="para">
+ Audio Channels: 1
+ </div></li><li class="listitem"><div class="para">
+ Audio Groups: 1
+ </div></li><li class="listitem"><div class="para">
+ Polyphony: 256
+ </div></li></ul></div>
+
+ </div></li></ol></div><div class="para">
+ If you are having problems with audio cut-outs, you may wish to increase the buffer settings. The size should be increased in multiples of 1024, and the buffer count should not be increased much. The default setting or one "Audio Channel" provides stereo output, and each additional channel produces another set of stereo outputs. Increasing the "polyphony" setting will allow a higher number of simultaneous notes ("MIDI events," really), which will be useful in exteremely complex situations.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>10.4.2. Configure the SoundFont</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>10.4.4. Configure MIDI Input</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.4.4. Configure MIDI Input</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-FluidSynth-Configuring.html" title="10.4. Configure Qsynth" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output.html" title="10.4.3. Configure JACK Output" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings.html" title="10.4.5. View all FluidSynth Settings" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="to
cframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="10.4.4. Configure MIDI Input" id="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Configuri
ng-MIDI_Input">10.4.4. Configure MIDI Input</h3></div></div></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> generates sound as instructed by a connected (software- or hardware-based) MIDI device. Verify the following settings so <span class="application"><strong>FluidSynth</strong></span> connects to the devices you want.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Open the <span class="application"><strong>Qsynth</strong></span> "Setup" window.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ The "Enable MIDI Input" check-box must be checked.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Choose the correct "MIDI Driver" setting:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Use the "alsa_seq" setting if you want to connect <span class="application"><strong>FluidSynth</strong></span> with a source on the "ALSA" tab of the <span class="application"><strong>QjackCtl</strong></span> "Connect" window. Use this setting for <span class="application"><strong>Rosegarden</strong></span> and <span class="application"><strong>Qtractor</strong></span> in most cases.
+ </div></li><li class="listitem"><div class="para">
+ Use the "jack" setting if you want to connect <span class="application"><strong>FluidSynth</strong></span> with a sources on the "MIDI" tab of the <span class="application"><strong>QjackCtl</strong></span> "Connect" window.
+ </div></li></ul></div>
+
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ If you want to change the number of MIDI input channels in <span class="application"><strong>FluidSynth</strong></span>, refer to <a class="xref" href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html#sect-Musicians_Guide-FluidSynth-Changing_Number_of_Input_Channels" title="10.5.1. Change the Number of MIDI Input Channels">「Change the Number of MIDI Input Channelsã€</a> below.
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>10.4.3. Configure JACK Output</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>10.4.5. View all FluidSynth Settings</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.4.2. Configure the SoundFont</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-FluidSynth-Configuring.html" title="10.4. Configure Qsynth" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Configuring.html" title="10.4. Configure Qsynth" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output.html" title="10.4.3. Configure JACK Output" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../.
./../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Configuring.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="10.4.2. Configure the SoundFont" id="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont">10.4.2. Configure the SoundFont</h3><
/div></div></div><div class="para">
+ The default "FluidR3" SoundFont, installed with <span class="application"><strong>Qsynth</strong></span>, is automatically configured.
+ </div><div class="para">
+ 別ã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã‚’構æˆã™ã‚‹ã«ã¯ï¼š
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Click on the 'Open' button, and navigate to the path of the SoundFont you wish to add. This should be <code class="filename">/usr/share/soundfonts</code>, if installed to the standard location specified in <a class="xref" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html" title="10.2.5. Install SoundFont Files">「Install SoundFont Filesã€</a>.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Select the additional SoundFont, then click the 'Open' button.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ To change the SoundFont ID (SFID), use the 'Up' and 'Down' buttons to change the position of the SoundFonts, as desired. This does not directly change the function of <span class="application"><strong>FluidSynth</strong></span> - any SoundFont should work with any SoundFont ID number.
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Configuring.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>10.4. Configure Qsynth</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>10.4.3. Configure JACK Output</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.4.5. View all FluidSynth Settings</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-FluidSynth-Configuring.html" title="10.4. Configure Qsynth" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input.html" title="10.4.4. Configure MIDI Input" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html" title="10.5. Assign Programs to Channels with Qsynth" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><
iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="10.4.5. View all FluidSynth Settings" id="sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musician
s_Guide-FluidSynth-Configuring-Viewing_all_Settings">10.4.5. View all <span class="application"><strong>FluidSynth</strong></span> Settings</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Open the "Setup" window
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Select the "Settings" tab
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ ã‚ãªãŸãŒè¦‹ãŸã„è¨å®šã¾ã§ã€ãƒªã‚¹ãƒˆã‚’スクãƒãƒ¼ãƒ«ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ ã“ã®ã‚¿ãƒ–ã®è¨å®šã¯ã€ã“ã®ã‚¿ãƒ–ã‹ã‚‰ã¯ç·¨é›†ã§ãã¾ã›ã‚“。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>10.4.4. Configure MIDI Input</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>10.5. Assign Programs to Channels with Qsynth</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Configuring.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Configuring.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.4. Configure Qsynth</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-FluidSynth.html" title="第10ç« FluidSynth" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-In_a_Terminal.html" title="10.3. Use FluidSynth in a Terminal Emulator" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont.html" title="10.4.2. Configure the SoundFont" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../..
/../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-In_a_Terminal.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="10.4. Configure Qsynth" id="sect-Musicians_Guide-FluidSynth-Configuring"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-Configuring">10.4. Configure <span class="application"><strong>Qsynth</strong></
span></h2></div></div></div><div class="para">
+ ã‚ãªãŸãŒ <span class="application"><strong>Qsynth</strong></span> を終了ã™ã‚‹ã¨ãã€ã™ã¹ã¦ã®è¨å®šã¯ä¿å˜ã•ã‚Œã¾ã™ã€‚ãã—ã¦ã€<span class="application"><strong>Qsynth</strong></span> ãŒå†é–‹å§‹ã™ã‚‹ã¨ãã€ãµãŸãŸã³ä½¿ã‚ã‚Œã¾ã™ã€‚ã“ã‚Œã¯ã€ä»–ã® <span class="application"><strong>Qsynth</strong></span> ã®ã‚¤ãƒ³ã‚¹ã‚¿ãƒ³ã‚¹ã€(以下ã§èª¬æ˜Žã—ã¾ã™)ã®è¨å®šã‚‚å«ã¿ã€ãれらインスタンス㯠<span class="application"><strong>Qsynth</strong></span> ãŒå†é–‹å§‹ã™ã‚‹ã¨ãã€åŒã˜ã‚ˆã†ã«å†ç”Ÿæˆã•ã‚Œã¾ã™ã€‚
+ </div><div class="section" title="10.4.1. Start FluidSynth" id="sect-Musicians_Guide-FluidSynth-Configuring-Starting_FluidSynth"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Configuring-Starting_FluidSynth">10.4.1. Start <span class="application"><strong>FluidSynth</strong></span></h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ アプリケーションメニューã‚ã‚‹ã„㯠K Menu ã‹ã‚‰ <span class="application"><strong>Qsynth</strong></span> を開始ã—ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> エンジンã¯è‡ªå‹•çš„ã«é–‹å§‹ã—ã¾ã™.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ <span class="application"><strong>Qsynth</strong></span> ウインドウã®å³ã«ã‚る一列ã®ãƒœã‚¿ãƒ³ãŒã€<span class="application"><strong>Qsynth</strong></span> を制御ã—ã¾ã™.ãã®ã»ã‹ã®è¨å®šã¯ã€<span class="application"><strong>FluidSynth</strong></span> を制御ã—ã¾ã™.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ You can use the "Messages" button to display a window containing <span class="application"><strong>FluidSynth</strong></span>'s output. If <span class="application"><strong>FluidSynth</strong></span> doesn't work as expected, you can use this window to view any error message that might have been produced.
+ </div></li></ol></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-In_a_Terminal.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>10.3. Use FluidSynth in a Terminal Emulator</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>10.4.2. Configure the SoundFont</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-In_a_Terminal.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-In_a_Terminal.html
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@@ -0,0 +1,9 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.3. Use FluidSynth in a Terminal Emulator</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-FluidSynth.html" title="第10ç« FluidSynth" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html" title="10.2.5. Install SoundFont Files" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Configuring.html" title="10.4. Configure Qsynth" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc"
src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Configuring.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="10.3. Use FluidSynth in a Terminal Emulator" id="sect-Musicians_Guide-FluidSynth-In_a_Terminal"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-In_a_Terminal">10.3. Use <span
class="application"><strong>FluidSynth</strong></span> in a Terminal Emulator</h2></div></div></div><div class="para">
+ This is not the recommended way to use <span class="application"><strong>FluidSynth</strong></span>, because the <span class="application"><strong>Qsynth</strong></span> graphical interface is much easier to use. <span class="application"><strong>Qsynth</strong></span> automatically configures most of <span class="application"><strong>FluidSynth</strong></span>'s settings by default, allowing you to avoid focus on how you want to use <span class="application"><strong>FluidSynth</strong></span>, rather than on how to use <span class="application"><strong>FluidSynth</strong></span>.
+ </div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> をターミナルã§ä½¿ç”¨ã™ã‚‹ã«ã¯ã€<code class="command">fluidsynth</code> コマンドを使ã„ã¾ã™ã€‚ デフォルトã®ã‚µãƒ³ãƒ—ルレートã¯ã€44.1kHzã§ã™ã€‚ã‚‚ã—ã‚ãªãŸãŒ <span class="application"><strong>JACK</strong></span> を別ã®ã‚µãƒ³ãƒ—ルレートã§ä½¿ã„ãŸã„ã¨ãã¯ã€ <code class="command">-r</code> フラグをã¤ã‘ã¦ã€ã“ã®æ§˜ã«ã™ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ï¼š<code class="command">fluidsynth -r 48000</code>
+ </div><div class="para">
+ When you start <span class="application"><strong>FluidSynth</strong></span> from a terminal, it will normally start a shell of its own. How to use this shell is beyond the scope of the Musicians' Guide, but you can get basic help by running the "help" command from the <span class="application"><strong>FluidSynth</strong></span> command line.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>10.2.5. Install SoundFont Files</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Configuring.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>10.4. Configure Qsynth</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.7. Qsynth ã§ã€è¤‡æ•°ã® FluidSynth インスタンスを使ã†</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-FluidSynth.html" title="第10ç« FluidSynth" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus.html" title="10.6. Use Reverb and Chorus with Qsynth" /><link rel="next" href="chap-Musicians_Guide-SuperCollider.html" title="第11ç« SuperCollider" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="t
oc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-SuperCollider.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="10.7. Qsynth ã§ã€è¤‡æ•°ã® FluidSynth インスタンスを使ã†" id="sect-Musicians_Guide-FluidSynth-Multiple_Instances"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-Multiple_Instances">10.7.
<span class="application"><strong>Qsynth</strong></span> ã§ã€è¤‡æ•°ã® <span class="application"><strong>FluidSynth</strong></span> インスタンスを使ã†</h2></div></div></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> ã®ï¼‘ã¤ä»¥ä¸Šã®ã‚¤ãƒ³ã‚¹ã‚¿ãƒ³ã‚¹ã‚’å¿…è¦ã¨ã™ã‚‹ã“ã¨ã¯ã¾ã‚Œã§ã—ょã†ã€‚ãªãœãªã‚‰ã€QSynth/<span class="application"><strong>FluidSynth</strong></span> ã®çµ„ã¿åˆã‚ã›ã¯ã€ï¼’５６ã¾ã§ã®ç‹¬ç«‹ã—ãŸå…¥åŠ›ãƒãƒ£ãƒãƒ«ã‚’æä¾›ã—ã€ãƒªãƒãƒ¼ãƒ–ã¨ã‚³ãƒ¼ãƒ©ã‚¹ã‚¨ãƒ•ã‚§ã‚¯ãƒˆã‚’ãƒãƒ£ãƒãƒ«ã”ã¨ã«ç‹¬ç«‹ã—ã¦ã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ã§ãã‚‹ã‹ã‚‰ã§ã™.最も一般的ãªã€è¤‡æ•°ã® <span class="application"><strong>FluidSynth</strong></span> インスタンスã®ä½¿ã„æ–¹ã¯ã€ã‚ãªãŸãŒè¤‡æ•°ã® MIDI 楽器を使ã„ãŸã„ã¨ãã§ã—ょã†.別ã®è¨€è‘‰ã§è¨€ã†ã¨ã€ã‚‚ã—ã‚ãªãŸãŒè¤‡æ•°ã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã‚’åŒæ™‚ã«ä½¿ã„ãŸã„ã¨ãã¯ã€ãã‚Œãžã‚Œã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã«ï¼‘ã¤ãšã¤ <span class="application"><strong>FluidSynth</strong></span> インスタンスãŒå¿…è¦ã§ã™.
+ </div><div class="para">
+ Thankfully, <span class="application"><strong>Qsynth</strong></span> allows us to do this almost effortlessly! Each "instance" of <span class="application"><strong>FluidSynth</strong></span> is created and controlled by, in effect, running the <span class="application"><strong>FluidSynth</strong></span> synthesis application multiple times. The reality is that, since <span class="application"><strong>Qsynth</strong></span> controls the <span class="application"><strong>FluidSynth</strong></span> engine directly, it simply starts the synthesis engine directly, creating multiple instance of that engine. This is much more efficient than actually running <span class="application"><strong>Qsynth</strong></span> multiple time, or even than running <span class="application"><strong>FluidSynth</strong></span> directly from a terminal. Each such instance is represented in <span class="application"><strong>Qsynth</strong></span> by a "tab," displayed at the bottom of the <span clas
s="application"><strong>Qsynth</strong></span> window.
+ </div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> ã®è¿½åŠ ã®ã‚¤ãƒ³ã‚¹ã‚¿ãƒ³ã‚¹ã‚’生æˆã™ã‚‹ã«ã¯ï¼š
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Press the green "+" button in the bottom-left corner of <span class="application"><strong>Qsynth</strong></span>'s main window
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ ãƒãƒƒãƒ—アップã™ã‚‹ã‚»ãƒƒãƒˆã‚¢ãƒƒãƒ—ウインドウを使ã£ã¦ã€å¸Œæœ›ã™ã‚‹ã‚ˆã†ã«è¨å®šã‚’調整ã—ã¾ã™.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Press "OK" to start the additional instance.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ To close an additional instance, use the red "X" near the lower-right corner.
+ </div></li></ol></div><div class="para">
+ Each instance of the <span class="application"><strong>FluidSynth</strong></span> engine has its own settings in the "Setup" window. <span class="application"><strong>Qsynth</strong></span> supports a theoretically unlimited number of <span class="application"><strong>FluidSynth</strong></span> instances, but your computer's memory will probably not allow many more than ten, depending on the SoundFonts used.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>10.6. Use Reverb and Chorus with Qsynth</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-SuperCollider.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>第11ç« SuperCollider</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.2.5. Install SoundFont Files</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html" title="10.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth.html" title="10.2.4. Install without Qsynth" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-In_a_Terminal.html" title="10.3. Use FluidSynth in a Terminal Emulator" /></head><body class="draft toc_embeded "><div
id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-In_a_Terminal.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="10.2.5. Install SoundFont Files" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class=
"title" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files">10.2.5. Install SoundFont Files</h3></div></div></div><div class="para">
+ <span class="application"><strong>Qsynth</strong></span> automatically installs a SoundFont for use with <span class="application"><strong>FluidSynth</strong></span>, but if you did not install <span class="application"><strong>Qsynth</strong></span>, or if you want to add additional SoundFont files with additional programs, you will need to install them separately. The Fedora package repositories offer a small selection of SoundFont files, which you can find by searching for "soundfont" with <span class="application"><strong>PackageKit</strong></span>, <span class="application"><strong>KPackageKit</strong></span>, or <span class="application"><strong>yum</strong></span>. These files will automatically be installed correctly. If you wish to install additional SoundFont files, it is recommended that you install them in the same location—and with the same security settings—as the ones available from the Fedora repositories. If you do this, then you enable all users of
the computer system to access the files, you will not "lose" them if you forget where they are stored, and you help to minimize the potential security risk of using software downloaded from the internet.
+ </div><div class="para">
+ The following steps move a SoundFont file called <code class="filename">myFont.sf2</code> to the default folder (<code class="filename">/usr/share/soundfonts</code>), and correctly set the security settings. Note that you will need the system administrator's password (belonging to the "root" account) to complete this operation. If you do not have this password, it is best to ask the system administrator to install the files for you. Alternately, you may simply use the SoundFont file from your a sub-folder in your home folder.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ シェルã¾ãŸã¯ã‚¿ãƒ¼ãƒŸãƒŠãƒ«ã‚’èµ·å‹•ã—ã€ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆãƒ•ã‚¡ã‚¤ãƒ«ãŒç¾åœ¨æ ¼ç´ã•ã‚Œã¦ã„るフォルダã«ç§»å‹•ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Run <code class="command">su -c 'cp <em class="replaceable"><code>myFont.sf2</code></em> /usr/share/soundfonts'</code>
+ </div><ol class="a"><li class="step" title="ステップ 2.a"><div class="para">
+ å¿…è¦ã«å¿œã˜ã¦ã€<code class="filename">myFont.sf2</code> ã§ãªãã€ã‚ãªãŸã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆãƒ•ã‚¡ã‚¤ãƒ«ã‚’コピーã™ã‚‹ã‚ˆã†ã«ã‚³ãƒžãƒ³ãƒ‰ã‚’変更ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 2.b"><div class="para">
+ ã‚ãªãŸã¯ã€<code class="literal">root</code> アカウントã®ãƒ‘スワードをè¦æ±‚ã•ã‚Œã¾ã™ã€‚
+ </div></li></ol></li><li class="step" title="ステップ 3"><div class="para">
+ <code class="command">cd /usr/share/soundfonts</code> を実行ã—ã¦ã€ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã®ãƒ‡ã‚£ãƒ¬ã‚¯ãƒˆãƒªã«ç§»å‹•ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Run <code class="command">su -c 'chmod 644 <em class="replaceable"><code>myFont.sf2</code></em>'</code>
+ </div><ol class="a"><li class="step" title="ステップ 4.a"><div class="para">
+ å¿…è¦ã«å¿œã˜ã¦ã€<code class="filename">myFont.sf2</code> ã§ãªãã¦ã‚ãªãŸã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆãƒ•ã‚¡ã‚¤ãƒ«ã‚’指定ã™ã‚‹ã‚ˆã†ã«ã‚³ãƒžãƒ³ãƒ‰ã‚’変更ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 4.b"><div class="para">
+ This will set the file-system permissions to "read-write" for the owner (the "root" user, in this case), and "read-only" for all other users. This way, only the system administrator should be able to change the file, but all users will be able to use it.
+ </div></li></ol></li><li class="step" title="ステップ 5"><div class="para">
+ <code class="command">ll <em class="replaceable"><code>myFont.sf2</code></em></code> を実行ã—ã¦ã€ã‚¢ã‚¯ã‚»ã‚¹è¨±å¯ãŒæ£ã—ãè¨å®šã•ã‚Œã¦ã„ã‚‹ã“ã¨ã‚’確èªãã ã•ã„。
+ </div><ol class="a"><li class="step" title="ステップ 5.a"><div class="para">
+ å¿…è¦ã«å¿œã˜ã¦ã€<code class="filename">myFont.sf2</code> ã§ãªãã¦ã‚ãªãŸã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆãƒ•ã‚¡ã‚¤ãƒ«ã‚’指定ã™ã‚‹ã‚ˆã†ã«ã‚³ãƒžãƒ³ãƒ‰ã‚’変更ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 5.b"><div class="para">
+ 出力ã¯ã€ã“ã‚“ãªãµã†ã«ãªã‚‹ã¯ãšã§ã™ï¼š
+<pre class="programlisting">-rw-r--r--. 1 root root 9 2010-06-23 02:28 myFont.sf2</pre>
+ ãŸã ã—ã€æ—¥ä»˜ã€æ™‚刻ã€ãƒ•ã‚¡ã‚¤ãƒ«åã¯ç•°ãªã‚Šã¾ã™ã€‚
+ </div></li></ol></li><li class="step" title="ステップ 6"><div class="para">
+ Highly-observant users may notice that the SELinux context of the new file is different from that of any Fedora-installed SoundFont file. As long as the type is <code class="literal">usr_t</code>, which it should be by default, then there is no practical difference (no difference in enforcement) between this and a Fedora-installed SoundFont file. If you don't know what this means, or if you hadn't noticed it, then it means that this additional SoundFont file should not create a new potential security problem.
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>10.2.4. Install without Qsynth</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-In_a_Terminal.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>10.3. Use FluidSynth in a Terminal Emulator</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.2.2. Install FluidSynth</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html" title="10.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html" title="10.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth.html" title="10.2.3. Install with Qsynth" /></head><body class="draft toc_embeded "><div id="t
ocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="10.2.2. Install FluidSynth" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title"
id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation">10.2.2. Install <span class="application"><strong>FluidSynth</strong></span></h3></div></div></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> をインストールã™ã‚‹ã«ã¯ï¼’ã¤ã®æ–¹æ³•ãŒã‚ã‚Šã¾ã™ã€‚第1ã€<span class="application"><strong>FluidSynth</strong></span> ã‚’ <span class="application"><strong>Qsynth</strong></span> ã¨ã„ã£ã—ょã«ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã™ã‚‹æ–¹æ³•ã¯ã€ <span class="application"><strong>FluidSynth</strong></span> ã‚’ <span class="application"><strong>Qsynth</strong></span> グラフィカルユーザインタフェースã¨ã¨ã‚‚ã«ä½¿ã†ã“ã¨ãŒã§ãã¾ã™ã€‚デフォルトサウンドフォントもインストールã•ã‚Œã€ï¼ˆ<span class="application"><strong>timidity++</strong></span> ã®ã‚ˆã†ãªï¼‰ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆå¯¾å¿œã®ä»»æ„ã®ã‚¢ãƒ—リケーションã‹ã‚‰ä½¿ã†ã“ã¨ãŒã§ãã¾ã™ã€‚ã“ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«æ–¹æ³•ã¯ã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§ã¯ã€<span class="application"><strong>FluidSynth</strong></span> をターミナルã‹ã‚‰ä½¿ã†ã“ã¨ã¯ã§ãã¾ã›ã‚“。ã—ã‹ã—ã€ãã‚Œã¯å¾Œã‹ã‚‰ç°¡å
˜ã«è¿½åŠ ã§ãã¾ã™ã€‚ã“ã‚ŒãŒã€ã»ã¨ã‚“ã©ã®ãƒ¦ãƒ¼ã‚¶ã«ã™ã™ã‚られるインストール方法ã§ã™ã€‚
+ </div><div class="para">
+ 第2ã® <span class="application"><strong>FluidSynth</strong></span> をインストールã™ã‚‹æ–¹æ³•ã¯ã€<span class="application"><strong>Qsynth</strong></span> グラフィカルインタフェースをå«ã‚ãªã„ã§è¡Œã†ã“ã¨ã§ã™ã€‚ã“ã®æ–¹æ³•ã ã¨ã€<span class="application"><strong>FluidSynth</strong></span> ã‚’ã€ã‚¿ãƒ¼ãƒŸãƒŠãƒ«ã‹ã‚‰å®Ÿè¡Œã™ã‚‹ã“ã¨ãŒã§ãã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã¯ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã•ã‚Œã¾ã›ã‚“。ã“ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«æ–¹æ³•ã¯ã€é«˜åº¦ãªãƒ¦ãƒ¼ã‚¶ãƒ¼ã«ã®ã¿ã™ã™ã‚られã¾ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>10.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>10.2.3. Install with Qsynth</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.2.3. Install with Qsynth</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html" title="10.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation.html" title="10.2.2. Install FluidSynth" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth.html" title="10.2.4. Install without Qsynth" /></head><body class="draft toc_embeded "><div id="tocdi
v" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="10.2.3. Install with Qsynth" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class=
"title" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth">10.2.3. Install with <span class="application"><strong>Qsynth</strong></span></h3></div></div></div><div class="para">
+ We recommend this installation method for most users. Follow these instructions to install everything you need for <span class="application"><strong>FluidSynth</strong></span>.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Use <span class="application"><strong>PackageKit</strong></span> or <span class="application"><strong>KPackageKit</strong></span> to install the <span class="package">qsynth</span> package.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Review and approve the proposed installation. If you did not previously install the <span class="package">fluid-soundfont-gm</span> packge, <span class="application"><strong>PackageKit</strong></span> will install it now. The <span class="package">fluid-soundfont-gm</span> package is approximately 142Â MB.
+ </div></li></ol></div><div class="para">
+ If you wish to use <span class="application"><strong>FluidSynth</strong></span> from a terminal emulator, without the <span class="application"><strong>Qsynth</strong></span> graphical interface, you can enable this capability by installing the <span class="package">fluidsynth</span> package. You do not need <span class="package">fluidsynth</span> if you will use the <span class="application"><strong>Qsynth</strong></span> graphical interface. If you are unsure whether you want the <span class="package">fluidsynth</span> package, you can safely install it, even if you never use it. It only uses a small amount of hard drive space.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>10.2.2. Install FluidSynth</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>10.2.4. Install without Qsynth</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.2.4. Install without Qsynth</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html" title="10.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth.html" title="10.2.3. Install with Qsynth" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html" title="10.2.5. Install SoundFont Files" /></head><body class="draft toc_embeded "><
div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="10.2.4. Install without Qsynth" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth"><div class="titlepage"><div><div keep-together.within
-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth">10.2.4. Install without <span class="application"><strong>Qsynth</strong></span></h3></div></div></div><div class="para">
+ We only recommend this installation method for advanced users. Follow these instructions to install <span class="application"><strong>FluidSynth</strong></span> without a graphical interface or SoundFont file. You must install a SoundFont file before you can use <span class="application"><strong>FluidSynth</strong></span> (see <a class="xref" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html" title="10.2.5. Install SoundFont Files">「Install SoundFont Filesã€</a>).
+ </div><div class="para">
+ <span class="application"><strong>PackageKit</strong></span> ã¾ãŸã¯ <span class="application"><strong>KPackageKit</strong></span> を使ã£ã¦ã€<span class="package">fluidsynth</span> パッケージをインストールã—ã¾ã™.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>10.2.3. Install with Qsynth</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>10.2.5. Install SoundFont Files</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-FluidSynth.html" title="第10ç« FluidSynth" /><link rel="prev" href="chap-Musicians_Guide-FluidSynth.html" title="第10ç« FluidSynth" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation.html" title="10.2.2. Install FluidSynth" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an ifr
ame, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-FluidSynth.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="10.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" id="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation">10.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</h2></div></div></div><d
iv class="section" title="10.2.1. ソフトウェアè¦ä»¶" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Software_Requirements">10.2.1. ソフトウェアè¦ä»¶</h3></div></div></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> 㯠<code class="systemitem"><span class="application"><strong>JACK</strong></span> Audio Connection Kit</code> ã‚’å¿…è¦ã¨ã—ã¾ã™ã€‚ã‚‚ã—ã‚ãªãŸãŒ <span class="application"><strong>JACK</strong></span> パッケージをインストールã—ã¦ã„ãªã„ãªã‚‰ã€<span class="application"><strong>FluidSynth</strong></span> をインストールã™ã‚‹<span class="emphasis"><em>å‰ã«</em></span>ãã†ã—ã¦ãã ã•ã„ã€‚æ‰‹é †ã¯ <a class="xref" href="sect-Musicians_Guide-Using_JACK.html#sect-Musicians_Guide-Install_and_Configure_JACK" title="2.3.1. Install and Configure JACK">「Install and Configure <code class="systemitem">JACK</code>ã€</a> ã‚’å‚ç…§ã—ã¦ãã ã•ã„。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-FluidSynth.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>第10ç« FluidSynth</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>10.2.2. Install FluidSynth</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.6. Use Reverb and Chorus with Qsynth</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-FluidSynth.html" title="第10ç« FluidSynth" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments.html" title="10.5.2. Save and Reuse Channel Assignments" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Multiple_Instances.html" title="10.7. Qsynth ã§ã€è¤‡æ•°ã® FluidSynth インスタンスを使ã†" /></head><body class="draft toc_embeded "><d
iv id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Multiple_Instances.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="10.6. Use Reverb and Chorus with Qsynth" id="sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="titl
e" id="sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus">10.6. Use Reverb and Chorus with <span class="application"><strong>Qsynth</strong></span></h2></div></div></div><div class="para">
+ While "reverb" (meaning "reverberation") and "chorus" effects are not part of the General MIDI standard, they are offered by most MIDI synthesizers. <span class="application"><strong>FluidSynth</strong></span> is no exception, and the <span class="application"><strong>Qsynth</strong></span> interface provides a convenient and easy way to adjust settings of the reverb and chorus effect-generators. Experimentation is the only way to know whether you have chosen the right settings, and they will probably change depending on the music you are working on, and even during a piece. Most MIDI sequencers and players (including Qtractor and Rosegarden) allow you to send MIDI messages changing the reverb and chorus settings while a session is playing.
+ </div><div class="para">
+ The reverb and chorus effects can be turned off temporarily if you do not plan to use them. To do this in <span class="application"><strong>Qsynth</strong></span>, uncheck the "Active" check-box underneath the respective effect generator's settings dials.
+ </div><div class="para">
+ The <em class="firstterm">reverb</em> effect generator creates artificial reverberation (like an "echo," but more complex), which occurs naturally in almost all performing environments. The effect generator works by creating a virtual room, and pretending that the user is listening within it. These are the settings offered by <span class="application"><strong>Qsynth</strong></span>:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Room: Adjusts the size of the virtual room. Settings higher than 100 can cause a situation that escalates in volume to dangerously high levels, even with the lowest possible "level" settings. This is an interesting effect, but caution is advised so that listener do not incur accidental hearing damage. Remember also that the reverb effect can accumulate as time goes on, so it may even take many minutes for the volume level to build to a dangerously high level, depending on the settings.
+ </div></li><li class="listitem"><div class="para">
+ Damp: Adjusts the amount of "sound damping" in the virtual room, affecting not only the time it takes for the sound to die, but the frequencies which are most affected. The greater the damping, the shorter the higher frequencies last.
+ </div></li><li class="listitem"><div class="para">
+ Width: Adjusts the perceived "width" of the stereo image of the virtual room, and also has a large effect on the volume level.
+ </div></li><li class="listitem"><div class="para">
+ Level: 残響ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルを調整ã—ã¾ã™.
+ </div></li></ul></div>
+ All of the settings interact in ways that make it difficult to describe any sort of recommended settings. Users are strongly encouraged to experiment with the various settings to find ones that suit their needs. A wide variety of listening environments can be simulated, and the settings required do not always reflect the most logical choice - it is possible to emulate a concert hall with a relatively small "room" setting, for example. Effective use of the reverb effect can greatly enhance the MIDI listening experience.
+ </div><div class="para">
+ <em class="firstterm">chorus</em>エフェクトジェãƒãƒ¬ãƒ¼ã‚¿ã¯ã€ãã‚Œãžã‚Œã® MIDIラ インをã€ï¼‘ã¤ä»¥ä¸Šã®å®Ÿéš›ã®æ¥½å™¨ãŒæ¼”å¥ã—ã¦ã„ã‚‹ã‹ã®ã‚ˆã†ãªå°è±¡ã‚’作り出ã—ã¾ã™.エフェクトジェãƒãƒ¬ãƒ¼ã‚¿ã¯ã€ãã‚Œãžã‚Œã® MIDI ノートã«ã€ã‹ã™ã‹ã«ã€è¤‡æ•°å›žã€å¿œç”ã™ã‚‹ã“ã¨ã§å‹•ä½œã—ã¾ã™.ãã®ã¨ãã€ãã‚Œãžã‚Œã®å¿œç”ã§ã€éŸ³ç¨‹ã¨æ™‚間を微妙ã«ãšã‚‰ã—ã¾ã™ã€‚ã“ã®ã‚ˆã†ã«è¨€ã†ã®ã¯ã€ãšã„ã¶ã‚“ãƒã‚¬ãƒ†ã‚£ãƒ–ã«èžã“ãˆã‚‹ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“ãŒã€äººé–“ã®ç›´æ„Ÿã¯ã€ã“ã®ä¸æ£ç¢ºã•ãŒã€å®Ÿä¸–ç•Œã®ã‚¢ã‚³ãƒ¼ã‚¹ãƒ†ã‚£ãƒƒã‚¯éŸ³æ¥½ã®ä¸€éƒ¨ã§ã‚ã‚‹ã¨èªè˜ã™ã‚‹ã®ã§ã€ã‚³ãƒ¼ãƒ©ã‚¹ã‚¨ãƒ•ã‚§ã‚¯ãƒˆã¯ã€æ¼”å¥ã«ã‚ˆã£ã¦ã¯ã€ãƒªã‚¢ãƒ«ãªæ„Ÿã˜ã‚’åŠ ãˆã‚‹ã®ã«å½¹ã«ç«‹ã¡ã¾ã™ã€‚以下ãŒã€<span class="application"><strong>Qsynth</strong></span> ãŒæä¾›ã™ã‚‹è¨å®šã§ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ N: Adjusts the number of effect "stages," which allows you to control the approximate number of discrete instruments perceived.
+ </div></li><li class="listitem"><div class="para">
+ Level: エフェクトã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルを調整ã—ã¾ã™.
+ </div></li><li class="listitem"><div class="para">
+ Speed: コーラスã®é€Ÿåº¦ã‚’調整ã—ã¾ã™.音ãŒæ‹¡æ•£ã•ã‚Œã‚‹æ™‚é–“ã®ç¯„囲を変ãˆã¾ã™.
+ </div></li><li class="listitem"><div class="para">
+ Depth: Adjusts the perceived "depth" of the stereo image.
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>10.5.2. Save and Reuse Channel Assignments</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Multiple_Instances.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>10.7. Qsynth ã§ã€è¤‡æ•°ã® FluidSynth インスタンスを使ã†</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.5.2. Save and Reuse Channel Assignments</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html" title="10.5. Assign Programs to Channels with Qsynth" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html" title="10.5. Assign Programs to Channels with Qsynth" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus.html" title="10.6. Use Reverb and Chorus with Qsynth" /></head><body cla
ss="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="10.5.2. Save and Reuse Channel Assignments" id="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments"><div class="titlepage"><div><div keep-togeth
er.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments">10.5.2. Save and Reuse Channel Assignments</h3></div></div></div><div class="para">
+ QSynth ã§ã¯ã€è¤‡æ•°ã®ãƒ—ãƒã‚°ãƒ©ãƒ 割り当ã¦ã‚’ä¿å˜ã—ã¦ã€å¾Œã«å›žå¾©ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ã¤ã¾ã‚Šã€ã‚ãªãŸã¯ã€å¤‰ãˆãŸã„時ã«æ¯Žå›žã€ã™ã¹ã¦ã®ãƒãƒ£ãƒãƒ«ã‚’å†æ§‹æˆã™ã‚‹å¿…è¦ã¯ãªã„ã¨ã„ã†ã“ã¨ã§ã™ã€‚
+ </div><div class="para">
+ 後ã®ãŸã‚ã«è¨å®šã‚’ä¿å˜ã™ã‚‹ã«ã¯ï¼š
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="application"><strong>Qsynth</strong></span> ãŒæ£ã—ã構æˆã•ã‚Œã€æœŸå¾…ã™ã‚‹ãƒ—ãƒã‚°ãƒ©ãƒ 割り当ã¦ã§å‹•ã„ã¦ã„ã‚‹ã“ã¨ã‚’確èªãã ã•ã„.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ In <span class="application"><strong>Qsynth</strong></span>'s "Channels" window, erase the contents of the "Preset Name" text field, and replace it with whatever name you would like.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Click "Save" to preserve the settings under that name.
+ </div></li></ol></div><div class="para">
+ 以å‰ã®è¨å®šã‚’回復ã™ã‚‹ã«ã¯ï¼š
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Open <span class="application"><strong>Qsynth</strong></span>'s "Channels" window.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Search through the "Preset Name" drop-down box to find the name of the preset that you wish to restore.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ ãれをé¸æŠžã—ã€æ£ã—ã„ãƒãƒ£ãƒãƒ«å‰²ã‚Šå½“ã¦ãŒå›žå¾©ã•ã‚ŒãŸã®ã‚’確èªãã ã•ã„。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>10.5. Assign Programs to Channels with Qsynth</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>10.6. Use Reverb and Chorus with Qsynth</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>3.5. Getting a Real-Time Kernel in Fedora Linux</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html" title="第3ç« ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ ã¨ä½Žé…延" /><link rel="prev" href="sect-Musicians_Guide-Hard_and_Soft_Real_Time.html" title="3.4. ãƒãƒ¼ãƒ‰ã¨ã‚½ãƒ•ãƒˆãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ " /><link rel="next" href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html" title="第4ç« Planet CCRMA at Home" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><if
rame id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Hard_and_Soft_Real_Time.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="3.5. Getting a Real-Time Kernel in Fedora Linux" id="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Getting_Real_Time_Kerne
l_in_Fedora">3.5. Getting a Real-Time Kernel in Fedora Linux</h2></div></div></div><div class="para">
+ In Fedora Linux, the real-time kernel is provided by the Planet CCRMA at Home software repositories. Along with the warnings in the Planet CCRMA at Home chapter (see <a class="xref" href="sect-Musicians_Guide-CCRMA_Security_and_Stability.html" title="4.2.2. ã‚»ã‚ュリティã¨å®‰å®šæ€§">「セã‚ュリティã¨å®‰å®šæ€§ã€</a>), here is one more to consider: the real-time kernel is used by fewer people than the standard kernel, so it is less well-tested. The chances of something going wrong are relatively low, but be aware that using a real-time kernel increases the level of risk. Always leave a non-real-time option available, in case the real-time kernel stops working.
+ </div><div class="para">
+ リアルタイムカーãƒãƒ«ã‚’ã€ä»–ã®ã‚·ã‚¹ãƒ†ãƒ 最é©åŒ–ã¨ã¨ã‚‚ã«ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã™ã‚‹ã«ã¯ã€ä»¥ä¸‹ã®æ‰‹é †ã«ã—ãŸãŒã£ã¦ãã ã•ã„：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’ã€<a class="xref" href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html#sect-Musicians_Guide-CCRMA_Installing_Repository" title="4.3.1. Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’インストールã™ã‚‹">「Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’インストールã™ã‚‹ã€</a> ã®æ‰‹é †ã§ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ä¸‹ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ Run the following command in a terminal: <code class="command">su -c 'yum install planetccrma-core'</code> Note that this is a meta-package, which does not install anything by itself, but causes a number of other packages to be installed, which will themselves perform the desired installation and optimization.
+ </div></li><li class="listitem"><div class="para">
+ æ–°ã—ã„カーãƒãƒ«ã‚’テストã™ã‚‹ãŸã‚ã«ã€ã‚³ãƒ³ãƒ”ュータをシャットダウンã€ãƒªãƒ–ートã—ã¦ä¸‹ã•ã„。もã—ã€GRUB è¨å®šã‚’ãªãŠã™ã¤ã‚‚ã‚Šãªã‚‰ã€ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ ã§ãªã„カーãƒãƒ«ã‚’ã€ä½¿ãˆã‚‹ã‚ˆã†ã«å¿…ãšæ®‹ã™ã‚ˆã†ã«ã—ã¦ä¸‹ã•ã„。
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Hard_and_Soft_Real_Time.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>3.4. ãƒãƒ¼ãƒ‰ã¨ã‚½ãƒ•ãƒˆãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ </a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>第4ç« Planet CCRMA at Home</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>3.4. ãƒãƒ¼ãƒ‰ã¨ã‚½ãƒ•ãƒˆãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ </title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html" title="第3ç« ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ ã¨ä½Žé…延" /><link rel="prev" href="sect-Musicians_Guide-Real_Time_Linux_Kernel.html" title="3.3. リアルタイムLinux カーãƒãƒ«" /><link rel="next" href="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora.html" title="3.5. Getting a Real-Time Kernel in Fedora Linux" /></head><body class="draft toc_embeded "><div
id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Real_Time_Linux_Kernel.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="3.4. ãƒãƒ¼ãƒ‰ã¨ã‚½ãƒ•ãƒˆãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ " id="sect-Musicians_Guide-Hard_and_Soft_Real_Time"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Gui
de-Hard_and_Soft_Real_Time">3.4. ãƒãƒ¼ãƒ‰ã¨ã‚½ãƒ•ãƒˆãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ </h2></div></div></div><div class="para">
+ 最後ã«ã€ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ スケジューリングã«ã¯ï¼’ã¤ã®ç•°ãªã‚‹ç¨®é¡žãŒã‚ã‚Šã¾ã™ã€‚Linux カーãƒãƒ«ã¯ã€æœ€ã‚‚極端ãªå ´åˆã§ã‚‚ <em class="firstterm"> ソフトリアルタイム</em> ã—ã‹ä½¿ã„ã¾ã›ã‚“。ã“ã®æ„味ã™ã‚‹ã¨ã“ã‚ã¯ã€ãƒ—ãƒã‚»ãƒƒã‚µã¨ä»–ã®ã‚¹ã‚±ã‚¸ãƒ¥ãƒ¼ãƒªãƒ³ã‚°ã‚¢ãƒ«ã‚´ãƒªã‚ºãƒ ãŒã€é«˜å„ªå…ˆåº¦ã®ãƒ—ãƒã‚»ã‚¹ã‚’優先ã™ã‚‹ã‚ˆã†ã«æœ€é©åŒ–ã•ã‚Œã¦ã„ã‚‹ã¨ã—ã¦ã‚‚ã€çµ¶å¯¾çš„ãªå‹•ä½œæ™‚é–“ã®ä¿è¨¼ã¯ãªã„ã¨ã„ã†ã“ã¨ã§ã™ã€‚リアルタイムカーãƒãƒ«ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ—ãƒã‚»ã‚¹ãŒã€ãƒ‡ãƒ¼ã‚¿ã‚’失ã†æ©Ÿä¼šã‚’ãŠãŠã„ã«æ¸›ã‚‰ã™ã“ã¨ã«å½¹ç«‹ã¡ã¾ã™ãŒã€ã¨ãã«ã¯ãã‚ŒãŒã‚„ã¯ã‚Šèµ·ãã‚‹ã“ã¨ã‚‚ã‚ã‚Šã¾ã™ã€‚
+ </div><div class="para">
+ <em class="firstterm"> ãƒãƒ¼ãƒ‰ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ </em> コンピュータã¯ã€ã»ã‚“ã®ã‚ãšã‹ã®é…延ãŒã€ç”Ÿã¨æ»ã®é•ã„を引ãèµ·ã“ã™ã‚ˆã†ãªç‰¹åˆ¥ãªç”¨é€”ã®ãŸã‚ã«è¨è¨ˆã•ã‚ŒãŸã‚‚ã®ã§ã™ã€‚ã“れらã®ã‚·ã‚¹ãƒ†ãƒ ã¯ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã‚ã‚‹ã„ã¯ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã§å®Ÿè£…ã•ã‚Œã¦ã„ã¾ã™ã€‚自動車事故ã®æ™‚ã«ã‚¨ã‚¢ãƒãƒƒã‚°ã‚’展開ã™ã‚‹ã‚‚ã®ã€æ‰‹è¡“ä¸ã«æ‚£è€…ã®è„ˆæ‹ã‚’モニタã™ã‚‹ã‚‚ã®ã€ãªã©ã®ä¾‹ãŒã‚ã‚Šã¾ã™ã€‚ã“れらã®ã‚³ãƒ³ãƒ”ュータã¯å¤šæ©Ÿèƒ½ã§ã¯ãªãã€ãã‚ŒãŒä¿è¨¼ã•ã‚ŒãŸä½Žé…延を実ç¾ã§ãã‚‹ç†ç”±ã®ï¼‘ã¤ã§ã‚‚ã‚ã‚Šã¾ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Real_Time_Linux_Kernel.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>3.3. リアルタイムLinux カーãƒãƒ«</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>3.5. Getting a Real-Time Kernel in Fedora Linux</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Integrating_PulseAudio_with_JACK.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Integrating_PulseAudio_with_JACK.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>2.3.3. PulseAudio ã‚’ JACK ã¨çµ±åˆã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Using_JACK.html" title="2.3. Use the JACK Audio Connection Kit" /><link rel="prev" href="sect-Musicians_Guide-Using_QjackCtl.html" title="2.3.2. QjackCtl を使ã†" /><link rel="next" href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html" title="第3ç« ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ ã¨ä½Žé…延" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" sr
c="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Using_QjackCtl.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="2.3.3. PulseAudio ã‚’ JACK ã¨çµ±åˆã™ã‚‹" id="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK">2.3.3. <code class="systemitem">P
ulseAudio</code> ã‚’ <code class="systemitem">JACK</code> ã¨çµ±åˆã™ã‚‹</h3></div></div></div><div class="para">
+ <code class="systemitem">PulseAudio</code> ã®ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã®è¨å®šã¯ã€ãã‚Œã¯ã€<code class="systemitem">JACK</code> サーãƒãƒ¼ãŒèµ·å‹•ã—ãŸã‚‰ã€<code class="systemitem">JACK</code> ã«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ©Ÿå™¨ã®åˆ¶å¾¡ã‚’ã‚ã‘ã‚ãŸã—ã¾ã™ã€‚<code class="systemitem">PulseAudio</code> 㯠<code class="systemitem">JACK</code> ã«ã‚ˆã£ã¦ä½¿ç”¨ã•ã‚Œã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã‹ã‚‰ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·å…¥åŠ›ã‚’å—ä¿¡ã—ãŸã‚Šã€å‡ºåŠ›ã‚’é€ä¿¡ã—ãŸã‚Šã™ã‚‹ã“ã¨ã¯ã§ãã¾ã›ã‚“。ã“ã‚Œã¯ã€æ™‚折ã—ã‹ <code class="systemitem">JACK</code> を使用ã—ãªã„ユーザã«ã¨ã£ã¦ã¯ã‚ˆã„ã“ã¨ã§ã™ãŒã€å¤šãã®ãƒ¦ãƒ¼ã‚¶ãƒ¼ã¯ <code class="systemitem">JACK</code> 㨠<code class="systemitem">PulseAudio</code> ã‚’åŒæ™‚ã«ä½¿ç”¨ã—ãŸã‚Šã€ã¾ãŸã¯é »ç¹ã«ã“れら２ã¤ã‚’切り替ãˆãŸã‚Šã—ãŸã„ã“ã¨ã§ã—ょã†ã€‚ 次ã®æ‰‹é †ã§ã¯ã€<code class="systemitem">PulseAudio</code> を構æˆã—ã¦ã€ãã®å…¥åŠ›ã¨å‡ºåŠ›ãŒ <code clas
s="systemitem">JACK</code> を経由ã™ã‚‹ã‚ˆã†ã«ã—ã¾ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ PackageKit ã‚ã‚‹ã„㯠KPackageKit を使ã£ã¦ <span class="package">pulseaudio-module-jack</span> をインストールã—ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ インストールを承èªã—ã€ãã‚ŒãŒæ£ã—ã終了ã™ã‚‹ã®ã‚’確èªãã ã•ã„。
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ You'll need to edit the <code class="systemitem">PulseAudio</code> configuration file to use the <code class="systemitem">JACK</code> module.
+ </div><ol class="a"><li class="step" title="ステップ 3.a"><div class="para">
+ 注æ„ã—ã¦ãã ã•ã„ï¼ ã‚ãªãŸã¯ã€root ユーザーã¨ã—ã¦é‡è¦ãªã‚·ã‚¹ãƒ†ãƒ ファイルを編集ã—ã¾ã™ï¼
+ </div></li><li class="step" title="ステップ 3.b"><div class="para">
+ Run the following command in a terminal: <code class="command">sudo -c 'gedit /etc/pulse/default.pa'</code>
+ </div></li><li class="step" title="ステップ 3.c"><div class="para">
+ [code]#load-module module-alsa-sink[/code] ã¨æ›¸ã‹ã‚ŒãŸè¡Œã®ä¸‹ã«ã€æ¬¡ã®è¡Œã‚’è¿½åŠ ã—ã¾ã™ï¼š
+<pre class="programlisting">âŽ
+load-module module-jack-sinkâŽ
+load-module module-jack-sourceâŽ</pre>
+
+ </div></li></ol></li><li class="step" title="ステップ 4"><div class="para">
+ ターミナルã§ä»¥ä¸‹ã®ã‚³ãƒžãƒ³ãƒ‰ã‚’実行ã—ã¦ã€<code class="systemitem">PulseAudio</code> ã‚’å†é–‹å§‹ã—ã¦ãã ã•ã„ : <code class="command">killall pulseaudio</code> <code class="systemitem">PulseAudio</code> ã¯è‡ªå‹•çš„ã«å†é–‹å§‹ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ Confirm that this has worked by opening <span class="application"><strong>QjackCtl</strong></span>. The display should confirm that <code class="systemitem">JACK</code> is "Active".
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ In the "Connect" window, on the "Audio" tab, there should be <code class="systemitem">PulseAudio</code> devices on each side, and they should be connected to "system" devices on the opposite sides.
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ Open <span class="application"><strong>QjackCtl</strong></span>'s "Setup" window, then click on the "Options" tab. Uncheck "Execute script after Shutdown: killall jackd". If you did not make this change, then <span class="application"><strong>QjackCtl</strong></span> would stop the <code class="systemitem">JACK</code> server from running every time the program quits. Since <code class="systemitem">PulseAudio</code> is still expecting to use <code class="systemitem">JACK</code> after that, you shouldn't do this any more.
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ <code class="systemitem">PulseAudio</code> ㌠<code class="systemitem">JACK</code> を開始ã™ã‚‹ã¨ãã€ãれ㯠<code class="filename">~/.jackdrc</code> ファイルã«ã‚るコマンドを使ãŠã†ã¨ã—ã¾ã™ã€‚<span class="application"><strong>QjackCtl</strong></span> ã¯ã‚ãªãŸãŒè¨å®šã‚’変ãˆãŸã¨ãã“ã®ãƒ•ã‚¡ã‚¤ãƒ«ã‚’ã€è‡ªå‹•çš„ã«æ›´æ–°ã—ã¾ã™ã€‚ã—ã‹ã—ã€ãã®ã¨ãã‚ãªãŸã¯ã€<code class="systemitem">PulseAudio</code> 㨠<code class="systemitem">JACK</code> ã®ä¸¡æ–¹ã‚’å†èµ·å‹•ã—ãªã„ã¨ã€è¨å®šã®å¤‰æ›´ã¯æœ‰åŠ¹ã«ãªã‚Šã¾ã›ã‚“。もã—è¨å®šãŒåæ˜ ã•ã‚Œãªã„よã†ã§ã‚ã‚Œã°ã€è‡ªåˆ†ã§ãã®ãƒ•ã‚¡ã‚¤ãƒ«ã‚’編集ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ <code class="systemitem">PulseAudio</code> ã§éžå¸¸ã«é«˜ã„サンプルレートを使ã†ã¨ãã¯æ³¨æ„ã—ã¦ãã ã•ã„。ãã‚Œã¯å¤šãã® CPU パワーを使用ã™ã‚‹å‚¾å‘ã«ã‚ã‚Šã¾ã™ã€‚
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Using_QjackCtl.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>2.3.2. QjackCtl を使ã†</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>第3ç« ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ ã¨ä½Žé…延</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>4.2. Planet CCRMA at Home を使ã†ã‹ã©ã†ã‹ã‚’決ã‚ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html" title="第4ç« Planet CCRMA at Home" /><link rel="prev" href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html" title="第4ç« Planet CCRMA at Home" /><link rel="next" href="sect-Musicians_Guide-CCRMA_Security_and_Stability.html" title="4.2.2. ã‚»ã‚ュリティã¨å®‰å®šæ€§" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe
id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-CCRMA_Security_and_Stability.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="4.2. Planet CCRMA at Home を使ã†ã‹ã©ã†ã‹ã‚’決ã‚ã‚‹" id="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Knowing_Wh
ether_to_Use_Planet_CCRMA">4.2. Planet CCRMA at Home を使ã†ã‹ã©ã†ã‹ã‚’決ã‚ã‚‹</h2></div></div></div><div class="section" title="4.2.1. 独å 的ソフトウエア" id="sect-Musicians_Guide-CCRMA_Need_Exclusive_Software"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-CCRMA_Need_Exclusive_Software">4.2.1. 独å 的ソフトウエア</h3></div></div></div><div class="para">
+ The only useful reason to install an additional repository is if you intend to install and use its software. The only software application covered in this guide, which is available exclusively from the Planet CCRMA at Home repository, is "SuperCollider". The Planet CCRMA repository also offers many other audio-related software applications, many of which are available from the default Fedora Project repositories.
+ </div><div class="para">
+ Most of the audio software currently available in the default Fedora repositories was initially available in Fedora from the Planet CCRMA at Home repository. Sometimes, an updated version of an application is available from the Planet CCRMA repository before it is available from the Fedora Updates repository. If you need the newer software version, then you should install the Planet CCRMA repository.
+ </div><div class="para">
+ This is also a potential security weakness, for users who install the Planet CCRMA repository, but do not install any of its software. When "yum" finds a newer version of an installed application, it will be installed, regardless of the repository. This may happen to you without you noticing, so that you begin using Planet CCRMA software without knowing it.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>第4ç« Planet CCRMA at Home</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-CCRMA_Security_and_Stability.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>4.2.2. ã‚»ã‚ュリティã¨å®‰å®šæ€§</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Configure_Frescobaldi.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Configure_Frescobaldi.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.4. Configure Frescobaldi</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-LilyPond.html" title="第12ç« LilyPond" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation.html" title="12.3.2. Requirements and Installation (for Frescobaldi)" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Syntax.html" title="12.5. LilyPond ã®åŸºæœ¬" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" sr
c="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.4. Configure Frescobaldi" id="sect-Musicians_Guide-LilyPond-Configure_Frescobaldi"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-Configure_Frescobaldi">12.4. Configure <span class="a
pplication"><strong>Frescobaldi</strong></span></h2></div></div></div><div class="para">
+ You can use <span class="application"><strong>Frescobaldi</strong></span> without further configuration. We recommend you review the settings listed here, because you may use the application more easily.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ From the <span class="application"><strong>Frescobaldi</strong></span> menu, choose <span class="guimenu"><strong>Settings</strong></span> → <span class="guimenuitem"><strong>Configure Frescobaldi</strong></span>
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ If you want <span class="application"><strong>Frescobaldi</strong></span> to save your score automatically before you run <span class="application"><strong>LilyPond</strong></span>: check "Save document when LilyPond is run" located in "General Preferences."
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ If you want to change the applications that <span class="application"><strong>Frescobaldi</strong></span> uses, choose <span class="guibutton"><strong>Paths</strong></span>.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="note"><h2>注記</h2><div class="para">
+ You do not need to fill every field.
+ </div></div></li><li class="listitem"><div class="para">
+ If you use GNOME, we recommend you set the "PDF Viewer" to <code class="command">evince</code>. <span class="application"><strong>Frescobaldi</strong></span> will use <span class="application"><strong>Evince</strong></span> when you choose <span class="guibutton"><strong>Open PDF</strong></span>. The <span class="guibutton"><strong>Open PDF</strong></span> button is only visible after you create a score.
+ </div></li><li class="listitem"><div class="para">
+ If you want to play a <span class="application"><strong>LilyPond</strong></span> MIDI file, fill in the "MIDI Player" field. You can use <span class="application"><strong>timidity++</strong></span> to convert the MIDI file into a sound file. You can use <span class="application"><strong>pmidi</strong></span> (from the Planet CCRMA at Home repository--see <a class="xref" href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html" title="第4ç« Planet CCRMA at Home">4ç« <i>Planet CCRMA at Home</i></a> for information). Use a terminal emulator to view the <span class="application"><strong>man</strong></span> help page for <span class="application"><strong>timidity++</strong></span> or <span class="application"><strong>pmidi</strong></span>.
+ </div></li><li class="listitem"><div class="para">
+ If you do not want to download the <span class="application"><strong>LilyPond</strong></span> help files whenever <span class="application"><strong>Frescobaldi</strong></span> uses them:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Install the <span class="package">lilypond-doc</span> package. This package takes a long time to download.
+ </div></li><li class="listitem"><div class="para">
+ Write <code class="filename">/usr/share/doc/lilypond-doc-<em class="replaceable"><code>2.14.1</code></em>/index.html</code> in the "LilyPond documentation" field.
+ </div></li><li class="listitem"><div class="para">
+ You must update this path when <span class="application"><strong>LilyPond</strong></span> is updated. By default, <span class="application"><strong>PackageKit</strong></span> will only download the changed documentation with each update, so only the first installation will have a long download.
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ The options for the "Editor Component" are the same as those for <span class="application"><strong>KWrite</strong></span> or <span class="application"><strong>Kate</strong></span>. If you change settings for <span class="application"><strong>Frescboaldi</strong></span>, they do <span class="emphasis"><em>not</em></span> also change for <span class="application"><strong>KWrite</strong></span> or <span class="application"><strong>Kate</strong></span>.
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ We recommend that you turn off auto-completion. Select the <span class="guibutton"><strong>Editing</strong></span> component, then the <span class="guibutton"><strong>Auto Completion</strong></span> tab, then ensure that both check-boxes are un-marked
+ </div></li><li class="listitem"><div class="para">
+ You may want to change other settings here; highly-flexible, customizable, powerful; applies only in Frescobaldi
+ </div></li></ul></div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.3.2. Requirements and Installation (for Fresco...</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.5. LilyPond ã®åŸºæœ¬</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.6.3. Adjust Frescobaldi's Output</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Counterpoint.html" title="12.6. 対ä½æ³•ã®èª²é¡Œã‚’ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score.html" title="12.6.2. 楽èœã‚’開始ã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting.html" title="12.6.4. 音符を入力ã™ã‚‹" /></head><body class="draft toc_embeded "><div id="toc
div" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.6.3. Adjust Frescobaldi's Output" id="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="ti
tle" id="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output">12.6.3. Adjust Frescobaldi's Output</h3></div></div></div><div class="para">
+ For this tutorial, Frescobaldi's default output is good enough.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.6.2. 楽èœã‚’開始ã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.6.4. 音符を入力ã™ã‚‹</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.6.5. 楽èœã‚’フォーマットã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Counterpoint.html" title="12.6. 対ä½æ³•ã®èª²é¡Œã‚’ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting.html" title="12.6.4. 音符を入力ã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Counterpoint-Remove_the_Word_Piano.html" title="12.6.5.2. Remove the Word "Piano" at the Start" /></head><body cla
ss="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint-Remove_the_Word_Piano.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.6.5. 楽èœã‚’フォーマットã™ã‚‹" id="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score"><div class="titlepage"><div><div keep-together.
within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score">12.6.5. 楽èœã‚’フォーマットã™ã‚‹</h3></div></div></div><div class="para">
+ 楽èœã‚’フォーマットã™ã‚‹ã®ã¯ã€éŸ³ç¬¦ã‚’入れ終ã‚ã£ã¦ã‹ã‚‰ã«ã™ã‚‹ã“ã¨ã‚’ãŠå‹§ã‚ã—ã¾ã™ã€‚入力を終ã‚ã£ã¦ã‹ã‚‰ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆã™ã‚Œã°ã€ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆã®ã‚¨ãƒ©ãƒ¼ã‚’é¿ã‘ã‚‹ã®ã«å½¹ç«‹ã¡ã¾ã™ã€‚LilyPond ã¯ã€ã“ã®ã‚¢ãƒ—ãƒãƒ¼ãƒã«é–¢ã—ã¦ã€åŠ¹çŽ‡çš„ã§ã™ã€‚
+ </div><div class="section" title="12.6.5.1. æ•°å—付ã低音を移動ã™ã‚‹" id="sect-Musicians_Guide-LilyPond-Counterpoint-Move_the_Figured_Bass"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Move_the_Figured_Bass">12.6.5.1. æ•°å—付ã低音を移動ã™ã‚‹</h4></div></div></div><div class="para">
+ Normally, figured bass parts are below the staves. This example is using the figured-bass feature of LilyPond to do something else, so we're going to move the figured bass so that it's where it needs to be.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ \score{ } セクションã¯ã€æ¥½èœã«ã‚ã‚‹ã™ã¹ã¦ã‚’å«ã¿ã¾ã™ã€‚æ•°å—付ã低音ã¯ã€\bassFiguresPart ã¨ã„ã†è˜åˆ¥åã‚’æŒã£ã¦ã„ã¾ã™ã€‚ã“れを削除ã—ã¾ã—ょã†ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ scroll up to where it says "bassFiguresPart = ... " and comment it with %
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ scroll up to where it says "pianoPart = ... " and enter the "\new FiguredBass \figBass" line that you just commented out, on a line between the "right" and "left" staves
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ (2) ã§ã‚³ãƒ¡ãƒ³ãƒˆã«ã—ãŸéƒ¨åˆ†ã‚’削除ã—ã¾ã™ã€‚（ã‚ã‚‹ã„ã¯ã€ãã®ã¾ã¾ã«ã—ã¾ã™ã€‚）
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ ファイルをプレビューã—ã¦ã€æ•°å—付ã低音ãŒãƒ”アノã®èœè¡¨ã®é–“ã«ç¾ã‚Œã‚‹ã®ã‚’確èªãã ã•ã„。
+ </div></li></ol></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.6.4. 音符を入力ã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint-Remove_the_Word_Piano.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.6.5.2. Remove the Word "Piano" at the Start</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.6.4. 音符を入力ã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Counterpoint.html" title="12.6. 対ä½æ³•ã®èª²é¡Œã‚’ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output.html" title="12.6.3. Adjust Frescobaldi's Output" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score.html" title="12.6.5. 楽èœã‚’フォーマットã™ã‚‹" /></head><body class
="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.6.4. 音符を入力ã™ã‚‹" id="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting"><div class="titlepage"><div><div keep-together.within
-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting">12.6.4. 音符を入力ã™ã‚‹</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Look over the template. It's not important to understand what any of this means, but it's good if you can figure it out.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ The piano's upper staff will contain the notes between the <code class="literal">{</code> and <code class="literal">}</code> following the <code class="code">right = \relative c''</code> portion
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ The piano's lower ... left
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ æ•°å—付ã低音ã¯ã€ã‚ãªãŸãŒ figBass ã«å…¥ã‚ŒãŸã‚ˆã†ã«ãªã‚Šã¾ã™ã€‚訳注：通å¥ä½ŽéŸ³ã®ã‚³ãƒ¼ãƒ‰ã‚’æ•°å—ã§æŒ‡å®šã™ã‚‹è¡¨è¨˜ã§ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ start with the piano's upper part. Input "f1 g a f d e f c a f g f" (explain)
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ Check that it's right. Preview by press the "LilyPond" button on the toolbar
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ The exercise starts too high, and it ends too low. Change the starting pitch by " right = \relative c' "
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ ã‚‚ã†ä¸€åº¦ãƒ—レビューをã—ã¾ã™ã€‚ã‚‚ã¡ã‚ã‚“ã€ã¾ã 終ã‚ã‚Šã¯ä½Žã™ãŽã¾ã™ã€‚（ã“ã†ã„ã†ã‚·ãƒ³ãƒ—ルãªèª²é¡Œã¯ã€æ™®é€šã¯ã€é–‹å§‹ã¨çµ‚了ãŒåŒã˜éŸ³ã§ã™ã€‚）
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ Put a ' right after the c so that it goes to the upper C
+ </div></li><li class="step" title="ステップ 10"><div class="para">
+ Preview again, and this time it's right.
+ </div></li><li class="step" title="ステップ 11"><div class="para">
+ Now, enter the notes that you've written for the piano's lower staff: "f1 e d c bes c bes f d bes e f"
+ </div></li><li class="step" title="ステップ 12"><div class="para">
+ 出力をもã†ä¸€åº¦ãƒ—レビューã—ã¾ã™ã€‚開始ã¯é«˜ã™ãŽã¾ã™ãŒã€çµ‚了ã¯æ£ã—ã„音程ã§ã™ã€‚
+ </div></li><li class="step" title="ステップ 13"><div class="para">
+ Fix the start-too-high by changing to " left = \relative c { "
+ </div></li><li class="step" title="ステップ 14"><div class="para">
+ Preview again, and decide where to fix the other change (NB: I end up with "f1 e d c bes c bes f' d bes e f"
+ </div></li><li class="step" title="ステップ 15"><div class="para">
+ Enter the interval number between the top and bottom between the { and } preceded by " figBass = \figuremode "
+ </div></li><li class="step" title="ステップ 16"><div class="para">
+ You have to put each interval between < > brackets. The note-length of the figure's duration goes after the >, so I end up with "<1>1 <3> <5> <4> <3> <3> <5> <5> <5> <5> <3> <1>"
+ </div></li><li class="step" title="ステップ 17"><div class="para">
+ ã•ã¦ã€ã“ã®ä½œå“ã«ã¯ã„ãã¤ã‹ã®é‡å¤§ãªèª¤ã‚ŠãŒã‚ã‚‹ã“ã¨ã«æ°—ãŒä»˜ãã¾ã—ãŸã€‚一番上ã®èœè¡¨ã¯å®šæ—‹å¾‹ãªã®ã§ã€å¤‰ãˆã‚‹ã“ã¨ã¯ã§ãã¾ã›ã‚“。下ã®èœè¡¨ã‚’ç›´ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 18"><div class="para">
+ I've ended up with a lower part that is "f1 e d a bes c d e f d c f", which gives figures that are "<1>1 <3> <5> <6> <3> <3> <3> <6> <3> <3> <5> <1>"
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.6.3. Adjust Frescobaldi's Output</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.6.5. 楽èœã‚’フォーマットã™ã‚‹</a></li></ul></body></html>
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@@ -0,0 +1,32 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.6.5.3. ã„ãã¤ã‹ã®è¦ç´ ã‚’é€æ˜Žã«ã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score.html" title="12.6.5. 楽èœã‚’フォーマットã™ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Counterpoint-Remove_the_Word_Piano.html" title="12.6.5.2. Remove the Word "Piano" at the Start" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Orchestra.html" title="12.7. Work on an Orchestral Score (Tutorial)" /></he
ad><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint-Remove_the_Word_Piano.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.6.5.3. ã„ãã¤ã‹ã®è¦ç´ ã‚’é€æ˜Žã«ã™ã‚‹" id="sect-Musicians_Guide-LilyPond-Counterpoint-Make_some_Elements_Transparent"><div class="titlepage"><div><d
iv keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Make_some_Elements_Transparent">12.6.5.3. ã„ãã¤ã‹ã®è¦ç´ ã‚’é€æ˜Žã«ã™ã‚‹</h4></div></div></div><div class="para">
+ ã“ã‚Œã¯ã€ã‚ˆã‚Šé€²ã‚“ã 技を使ã„ã¾ã™ã€‚ã“れらã®ã‚³ãƒžãƒ³ãƒ‰ã‚’説明ã—ã¾ã™ã€‚
+ </div><div class="para">
+ Every layout object has a "stencil" property. By default, this is set to whatever function draws the object. If you set that property to #f, which means "false", then the drawing function is not called, and the object will not appear on the score.
+ </div><div class="para">
+ Every layout object also has a "transparent" property. By default, this is set to #f ("false"). Setting it to #t ("true") will make the object transparent.
+ </div><div class="para">
+ You can use "\once \override ..." or \revert ..." too
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Find the "global" section
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ After \key and \time, put " \override Score.BarLine #'stencil = ##f "
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Preview the file, and see that this doesn't work quite as intended.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ It so happens that, while measure lines within a staff are handled by Staff.BarLine, measure lines between staves are handled by Staff.SpanBar; so you'll need to set its 'transparent symbol to #t also
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ But there's still no measure-line at the end! You want a barline at the end, so pick one of the staves (right, left, figBass - it doesn't matter in this case) and use the \revert command (don't know if I should put this in, but: "\revert Score.BarLine #'transparent and \revert Score.SpanBar #'transparent")
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ But even this isn't quite right. You want a double-barline at the end. So, put the cursor after the \revert lines, and then from the menu, 'LilyPond > Bar Lines > Ending Bar Line' . It knows what you want, remembers the symbol for you, so you don't have to!
+ </div></li></ol></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Staff.* 㨠Score.* ã®ä¸Šæ›¸ãã«ã¤ã„ã¦èª¬æ˜Žã™ã‚‹ã“ã¨ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Unlike with some other elements, if you simply remove the "\time 4/4" indicator, it will still print the default 4/4 time signature.
+ </div></li><li class="listitem"><div class="para">
+ ã“ã®ä¾‹ã¯ã€éŸ³æ¥½çš„ã«ã¯å˜ç´”ã§ã—ãŸãŒã€é€²ã‚“ã 概念をå«ã¿ã€åˆå¿ƒè€…ãŒæŒã¡ãŒã¡ãªã‚ˆãã‚ã‚‹ã€ï¼ˆãŸã—ã‹ã«ã‚‚ã£ã¨ã‚‚ãªï¼‰ãŠãれを克æœã™ã‚‹ã®ã«å¤§ã„ã«å½¹ã«ç«‹ã£ãŸã¨æ€ã„ã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint-Remove_the_Word_Piano.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.6.5.2. Remove the Word "Piano" at the Start</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.7. Work on an Orchestral Score (Tutorial)</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint-Remove_the_Word_Piano.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint-Remove_the_Word_Piano.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.6.5.2. Remove the Word "Piano" at the Start</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score.html" title="12.6.5. 楽èœã‚’フォーマットã™ã‚‹" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score.html" title="12.6.5. 楽èœã‚’フォーマットã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Counterpoint-Make_some_Elements_Transparent.html" title="12.6.5.3. ã„ãã¤ã‹ã®è¦ç´ ã‚’é€
明ã«ã™ã‚‹" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint-Make_some_Elements_Transparent.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.6.5.2. Remove the Word "Piano" at the Start" id="sect-Musicians_Guide-LilyPond-Counterpoint-Re
move_the_Word_Piano"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Remove_the_Word_Piano">12.6.5.2. Remove the Word "Piano" at the Start</h4></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Find the part that begins "pianoPart = ... " and erase the "instrumentName ... " line (or comment it)
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Preview the file, and see that it no longer says, "Piano"
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.6.5. 楽èœã‚’フォーマットã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint-Make_some_Elements_Transparent.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.6.5.3. ã„ãã¤ã‹ã®è¦ç´ ã‚’é€æ˜Žã«ã™ã‚‹</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.6.2. 楽èœã‚’開始ã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Counterpoint.html" title="12.6. 対ä½æ³•ã®èª²é¡Œã‚’ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Counterpoint.html" title="12.6. 対ä½æ³•ã®èª²é¡Œã‚’ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output.html" title="12.6.3. Adjust Frescobaldi's Output" /></head><body class="
draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.6.2. 楽èœã‚’開始ã™ã‚‹" id="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score"><div class="titlepage"><div><div keep-together.within-column="alway
s"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score">12.6.2. 楽èœã‚’開始ã™ã‚‹</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Frescobaldi ã§æ–°è¦æ–‡æ›¸ã‚’é–‹ãã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Use the 'LilyPond > Setup New Score' dialogue
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Set the title and composer (and any other field) on the 'Titles and Headers' tab
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ You need a two staves, so you go to 'Parts' then 'Keyboard' then 'Piano'
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ You need to label the intervals between the notes, so you choose 'Special' then 'Figured Bass' (we'll put it in the right spot later
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ You go to the 'Score settings' tab
+ </div><ol class="a"><li class="step" title="ステップ 6.a"><div class="para">
+ since you've already played through this example, uncheck "Create MIDI output" and save processing time
+ </div></li><li class="step" title="ステップ 6.b"><div class="para">
+ 例ã¯ãƒ˜é•·èª¿ã§ã™ã€‚
+ </div></li><li class="step" title="ステップ 6.c"><div class="para">
+ You want only whole notes, with no barlines; choose a 4/4 time signature, since we'll change this later.
+ </div></li></ol></li><li class="step" title="ステップ 7"><div class="para">
+ Press 'Try' to get a preview of the score setup - the notes are demonstrative and will not be there
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ If the setup looks like you want it, then press 'OK' to generate the template
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.6. 対ä½æ³•ã®èª²é¡Œã‚’ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.6.3. Adjust Frescobaldi's Output</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.6. 対ä½æ³•ã®èª²é¡Œã‚’ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-LilyPond.html" title="第12ç« LilyPond" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol.html" title="12.5.8.2. å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score.html" title="12.6.2. 楽èœã‚’開始ã™ã‚‹" /></head><body class="draft toc_embeded "><div id="toc
div" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="section" title="12.6. 対ä½æ³•ã®èª²é¡Œã‚’ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" id="sect-Musicians_Guide-LilyPond-Counterpoint" lang="ja-JP"><div class="titlepage"><div><div keep-tog
ether.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint">12.6. 対ä½æ³•ã®èª²é¡Œã‚’ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</h2></div></div></div><div class="para">
+ Imagine you're in Counterpoint class, and you've been asked to submit a very clean copy of your next assignment. Since you don't want to pay $450,000 for a commercially-available engraving solution and a fruity computer to use it, you decide that LilyPond is the solution for you.
+ </div><div class="section" title="12.6.1. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«" id="sect-Musicians_Guide-LilyPond-Counterpoint-Tutorial_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Tutorial_Files">12.6.1. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</h3></div></div></div><div class="para">
+ ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã‚’ã™ã‚‹ã®ã«ã€ã“れらã®ãƒ•ã‚¡ã‚¤ãƒ«ã¯ä¸è¦ã§ã™ã€‚ã“ã‚Œã¯ã€å®Œæˆã—ãŸä¾‹ã§ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle">LilyPond Input File</em> at <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/LilyPond/Counterpoint-source.ly">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/LilyPond/Counterpoint-source.ly</a>
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">PDF Output File</em> at <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/LilyPond/Counterpoint-result.pdf">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/LilyPond/Counterpoint-result.pdf</a>
+ </div></li></ul></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.5.8.2. å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.6.2. 楽èœã‚’開始ã™ã‚‹</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.3.2. Requirements and Installation (for Frescobaldi)</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Installation.html" title="12.3. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Installation.html" title="12.3. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Configure_Frescobaldi.html" title="12.4. Configure Frescobaldi" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe
id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Installation.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Configure_Frescobaldi.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.3.2. Requirements and Installation (for Frescobaldi)" id="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-
LilyPond-Installation-Frescobaldi-Installation">12.3.2. Requirements and Installation (for <span class="application"><strong>Frescobaldi</strong></span>)</h3></div></div></div><div class="para">
+ Use <span class="application"><strong>PackageKit</strong></span> or <span class="application"><strong>KPackageKit</strong></span> to install the <span class="package">frescobaldi</span> package. Review dependencies carefully before you approve the installation. <span class="application"><strong>Frescobaldi</strong></span> depends on many other packages, including:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">perl-<em class="replaceable"><code>*</code></em></span> packages,
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">kde-<em class="replaceable"><code>*</code></em></span> packages,
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>timidity++</strong></span>, and
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">fluid-soundfont-gm</span> (which is 114Â MB)
+ </div></li></ul></div>
+
+ </div><div class="para">
+ You can run <span class="application"><strong>Frescobaldi</strong></span> from the <span class="guisubmenu"><strong>Multimedia</strong></span> submenu of the <span class="guimenu"><strong>Applications</strong></span> menu.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Installation.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.3. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Configure_Frescobaldi.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.4. Configure Frescobaldi</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.3. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-LilyPond.html" title="第12ç« LilyPond" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach.html" title="12.2. LilyPond アプãƒãƒ¼ãƒ" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation.html" title="12.3.2. Requirements and Installation (for Frescobaldi)" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe i
d="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.3. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" id="sect-Musicians_Guide-LilyPond-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-Installation">
12.3. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</h2></div></div></div><div class="para">
+ Use <span class="application"><strong>PackageKit</strong></span> or <span class="application"><strong>KPackageKit</strong></span> to install the <span class="package">lilypond</span> package. Review the dependencies carefully. You will see many packages called <span class="package">lilypond-*-fonts</span>.
+ </div><div class="para">
+ You can use <span class="application"><strong>LilyPond</strong></span> from the command line. Run <code class="command">lilypond <em class="replaceable"><code>input_file.ly</code></em></code> in a terminal emulator.
+ </div><div class="para">
+ We recommend that you use the <span class="application"><strong>Frescobaldi</strong></span> text editor with <span class="application"><strong>LilyPond</strong></span>. <span class="application"><strong>Frescobaldi</strong></span> has many features specifically for <span class="application"><strong>LilyPond</strong></span>.
+ </div><div class="section" title="12.3.1. Learn about Frescobaldi" id="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi">12.3.1. Learn about Frescobaldi</h3></div></div></div><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> is an advanced text editor specifically for <span class="application"><strong>LilyPond</strong></span> source files. The <span class="application"><strong>Frescobaldi</strong></span> user interface simplifies the task of creating and editing musical scores in <span class="application"><strong>LilyPond</strong></span>. Here are some benefits of <span class="application"><strong>Frescobaldi</strong></span>:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The <span class="application"><strong>Frescobaldi</strong></span> text-editing component, PDF-preview component, and help file viewer are the same as common applications you may already know (<span class="application"><strong>Kate</strong></span>/<span class="application"><strong>KWrite</strong></span>, <span class="application"><strong>Okular</strong></span>, and <span class="application"><strong>Konqueror</strong></span>).
+ </div></li><li class="listitem"><div class="para">
+ The <span class="application"><strong>Frescobaldi</strong></span> user interface allows you to view the <span class="application"><strong>LilyPond</strong></span> source file and the PDF output or a <span class="application"><strong>LilyPond</strong></span> help document at the same time.
+ </div></li><li class="listitem"><div class="para">
+ You can setup a new score quickly with the "Setup new score" tool. The "Setup new score" tool offers several advanced customization features.
+ </div></li><li class="listitem"><div class="para">
+ You can insert articulation, trill, and other musical symbols with the "Quick Insert" sidebar on the left side of the <span class="application"><strong>Frescobaldi</strong></span> window. You do not need to consult a <span class="application"><strong>LilyPond</strong></span> reference file to remember the correct command because <span class="application"><strong>Frescobaldi</strong></span> remembers for you.
+ </div></li><li class="listitem"><div class="para">
+ The <span class="guimenu"><strong>LilyPond</strong></span> menu in <span class="application"><strong>Frescobaldi</strong></span> offers many tools to adjust and troubleshoot your score files.
+ </div></li><li class="listitem"><div class="para">
+ You can input notes with a MIDI keyboard, listen to the MIDI output of a <span class="application"><strong>LilyPond</strong></span> score, and print the PDF file of your score from within <span class="application"><strong>Frescobaldi</strong></span>.
+ </div></li></ul></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.2. LilyPond アプãƒãƒ¼ãƒ</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.3.2. Requirements and Installation (for Fresco...</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.7.3. Adjust Frescobaldi's Output</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Orchestra.html" title="12.7. Work on an Orchestral Score (Tutorial)" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score.html" title="12.7.2. Start the Score" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html" title="12.7.4. Input Notes" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" cl
ass="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.7.3. Adjust Frescobaldi's Output" id="sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-A
djusting_Frescobaldis_Output">12.7.3. Adjust Frescobaldi's Output</h3></div></div></div><div class="para">
+ These steps are useful in establishing a consistent input style for LilyPond. The things suggested here are also useful for getting used to working with large scores, which can be a challenge in any text editor. Thankfully, careful (and consistent!) code organization goes a long way in helping you to quickly find your way around your files. Setting up files the right way to begin with makes this much easier in the end.
+ </div><div class="para">
+ When you first setup the score, Frescobaldi will have created many sections for you by default. The program avoids making too many stylistic choices for you, which allows you to create your own style. It also sets up the default sections in a logical way:
+<div class="literallayout"><p>version<br />
+ header<br />
+ widely-used settings like tempoMark and "global"<br />
+ individual parts<br />
+ score formatting<br />
+</p></div>
+ The specific ordering will become more obvious to you as you get used to LilyPond.
+ </div><div class="para">
+ Here are some of the things that I do before inputting notes:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Use section-dividers (like <code class="code">%%%%%%%% NOTES %%%%%%%%</code> for individual parts) to demarcate sections.
+ </div></li><li class="listitem"><div class="para">
+ Use different levels of dividers (like <code class="code">%%%% OBOE %%%%</code> for the oboe) to show sub-sections
+ </div></li><li class="listitem"><div class="para">
+ Add blank lines between large sections, to separate them more obviously
+ </div></li><li class="listitem"><div class="para">
+ Begin braces on new lines, like
+<div class="literallayout"><p>\header<br />
+ {<br />
+   title = "Symphony"<br />
+ Â Â ...<br />
+ }<br />
+</p></div>
+ instead of on the same line, like
+<div class="literallayout"><p>\header {<br />
+   title = "Symphony"<br />
+ Â Â ...<br />
+ }<br />
+</p></div>
+ This is simply a matter of personal taste, resulting from prior experience with C and C-like programming languages.
+ </div></li><li class="listitem"><div class="para">
+ Familiarize myself with the sections and commands created by Frescobaldi, getting a sense of what the section/command does (even if I don't understand what each specific command does). This makes it easier to sort out problems and customization down the road. Sometimes, when the setup is quite complex, I make comments about what seems to be going on.
+ </div></li><li class="listitem"><div class="para">
+ Change the instrument names to replicate what my score indicates. You don't necessarily need to do this, so long as the people using your score will understand what the instruments are. Since my goal is to replicate this Dover edition score, I will change the names.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ In the "PARTS" section, each xPart section has an "instrumentName = "something"" field.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ We'll be changing those to the following Italian names:
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Flute --> Flauto
+ </div></li><li class="listitem"><div class="para">
+ Oboe I --> I Oboe
+ </div></li><li class="listitem"><div class="para">
+ Oboe II --> II Oboe
+ </div></li><li class="listitem"><div class="para">
+ Bassoon --> 2 Fagotti
+ </div></li><li class="listitem"><div class="para">
+ Horn in F --> 2 Corni in Sol (NB: these would have been "natural horns")
+ </div></li><li class="listitem"><div class="para">
+ Trumpet in C --> 2 Clarini in Do (NB: a clarino is a kind of trumpet)
+ </div></li><li class="listitem"><div class="para">
+ Violin I --> Violino I
+ </div></li><li class="listitem"><div class="para">
+ Violin II --> Violino II
+ </div></li><li class="listitem"><div class="para">
+ Cello --> Violoncello obligato
+ </div></li><li class="listitem"><div class="para">
+ Contrabass --> Basso
+ </div></li></ul></div></li><li class="step" title="ステップ 3"><div class="para">
+ Now we have to change the horns' transposition to match the name. This is because Frescobaldi added a "Horn in F" part, which is the most common horn transposition. However, Haydn's score uses horns in G (or "Sol" in Italian).
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Scroll up to the "hornF" section under the NOTES marker. Change the line <code class="code">\transposition f</code> to <code class="code">\transposition g</code>.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ As it turns out, transposition can be a little more complicated than that. We'll deal with that when we get there.
+ </div></li></ol></div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.7.2. Start the Score</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.7.4. Input Notes</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Fast_Section.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Fast_Section.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.7.4.5. Continue to the Fast Section</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html" title="12.7.4. Input Notes" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Strings.html" title="12.7.4.4. Continue with the Strings" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano.html" title="12.8. Work on a Piano Score (Tutorial)" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe
" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Strings.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.7.4.5. Continue to the Fast Section" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Fast_Section"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Fast_S
ection">12.7.4.5. Continue to the Fast Section</h4></div></div></div><div class="para">
+ If you want to finish inputting the first movement, as an exercise, then you will also need to know how to write a tempo-change in an orchestral score:
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ In order to continue, we'll need to include a special measure-line (barline) and a change-of-tempo indicator. This would be easy, and would display correctly, if we simply inputted the change in one particular voice. However, if we did that, the change would only appear in one of the orchestral parts exported from the score.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ We're going to define a new whatever-thing, like the "global" section created for us by Frescobaldi, and include it in all of the parts.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ The code needed for this is a little bit complicated, but you don't need to write it yourself: just take it from the "tempoMark" section created by Frescobaldi. All you need to do is change "Adagio" to "Allegro spiritoso," and add the barline indicator. This is also easy because of Frescobaldi: 'LilyPond > Bar Lines > Repeat start'
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ You end up with
+<div class="literallayout"><p>startExposition =<br />
+ {<br />
+   \once \override Score.RehearsalMark #'self-alignment-X = #LEFT<br />
+   \once \override Score.RehearsalMark #'break-align-symbols = #'(time-signature key-signature)<br />
+   \mark \markup \bold "Allegro spiritoso"<br />
+   \bar "|:"<br />
+ }</p></div>
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ Add the reference to this in all of your parts. Because of how I named it, this also serves as a handy way to find your way through the LilyPond markup file.
+<div class="literallayout"><p>  r4 r r\fermata |<br />
+ Â Â <br />
+ Â Â \startExposition<br />
+ Â Â <br />
+ Â Â R2.*4Â |</p></div>
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ The barline and tempo-change will not appear unless you write some music after them, so put in some or all of the rests that follow, just to test it.
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Strings.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.7.4.4. Continue with the Strings</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.8. Work on a Piano Score (Tutorial)</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Oboe_and_Horn.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Oboe_and_Horn.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.7.4.3. Oboe and Horn Parts</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html" title="12.7.4. Input Notes" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Wind_and_Timpani.html" title="12.7.4.2. Continue with the Wind and Timpani Parts" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Strings.html" title="12.7.4.4. Continue with the Strings" /></head><body class="draft toc_embeded "><div id="tocdiv
" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Wind_and_Timpani.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Strings.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.7.4.3. Oboe and Horn Parts" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Oboe_and_Horn"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id=
"sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Oboe_and_Horn">12.7.4.3. Oboe and Horn Parts</h4></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ You can complete the oboe parts and the flute part. If you get stuck, read these tips.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ You will need to adjust the range of the flute and oboe, to read <code class="code">flute = \relative c'''</code> and <code class="code">oboeI = \relative c'''</code>
+ </div></li><li class="listitem"><div class="para">
+ You may want to use [ and ] to control eighth-note beaming in the Oboe I and Flauto parts. You may not
+ </div></li><li class="listitem"><div class="para">
+ The Flauto will need more multi-measure rests with R, <span class="emphasis"><em>after</em></span> some of the notes are inputted.
+ </div></li><li class="listitem"><div class="para">
+ All of the parts will end with the same three-quarter-note-rests-with-fermata measure.
+ </div></li></ul></div>
+
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ And now for the horns part. Transposing instruments pose a small problem for LilyPond, as with any human or computerized engraving tool. These steps first ensure that the transposition is set correctly.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ The "hornF" section should already have a <code class="code">\transposition g</code> segment from earlier. This tells LilyPond that the following notes are not in concert pitch, but rather are "in G." A transposition statement tells LilyPond, in absolute pitch, which pitch actually sounds when the player plays a written c' . In this case, the sound pitch is a perfect fourth below c' . If we wanted it to be a perfect fifth higher, then we would need to write <code class="code">\transposition g'</code>, but that's not accurate for this case.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Our next obstacle is not actually a problem with LilyPond, but with how Frescobaldi set up the score for us. The score that we wish to notate does not have a written key signature for the horn, but the "global" section (near the top of the file) includes one: G Major. If this score were particularly complicated, or if it contained a large number of transposing instruments, then it would be best to remove the <code class="code">\key g</code> declartion from the "global" section (and including it in every instrument as necessary). However, since there is only one transposing instrument, we might be better off simply removing the global from the horn.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ do the rest of this stuff to get that done right
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ make a note in the global section of which instruments don't use it
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ While you're at it, do the same for the trumpets and timpani parts, which also do not use a printed key signature.
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ The other issue with the horn part is that two pitches are to be played at once, and they are both notated in the same voice. This is solved in the piano example like this: <code class="code"><g g'></code>. You can copy-and-paste this as needed.
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ You can now finish inputting the horn part.
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Wind_and_Timpani.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.7.4.2. Continue with the Wind and Timpani Parts</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Strings.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.7.4.4. Continue with the Strings</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.7.4.4. Continue with the Strings</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html" title="12.7.4. Input Notes" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Oboe_and_Horn.html" title="12.7.4.3. Oboe and Horn Parts" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Fast_Section.html" title="12.7.4.5. Continue to the Fast Section" /></head><body class="draft toc_embeded "><div id="tocdiv" class="t
oc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Oboe_and_Horn.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Fast_Section.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.7.4.4. Continue with the Strings" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Strings"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Mu
sicians_Guide-LilyPond-Orchestra-Inputting-Strings">12.7.4.4. Continue with the Strings</h4></div></div></div><div class="para">
+ After correctly finishing all of the wind and timpani parts, you can move on to the strings.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Input all of the pitches and note lengths first, then return to fill in the other markings.
+ </div></li><li class="listitem"><div class="para">
+ If you get stuck, then put in some filler notes, and finish the rest of that part. Make a note for yourself, as a comment in the source file, so that you know to return later to finish the part.
+ </div></li><li class="listitem"><div class="para">
+ If twenty measures at once is too many, then break it into smaller chunks and input those.
+ </div></li><li class="listitem"><div class="para">
+ Here are some tips to help you through this passage. Use the LilyPond help files if you need further assistance.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Tuplets (Triplets):
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ To write any tuplet, use the formula <code class="code">\times x/y { notes in here }</code>, where x is the number of notes actually space to use, and y is the number of notes to let you display.
+ </div></li><li class="listitem"><div class="para">
+ For an eighth-note triplet that takes up one beat, you might use this: <code class="code">\times 2/3 { c8 d e }</code>, because in the space of 2 eighth notes you want to fit three instead.
+ </div></li><li class="listitem"><div class="para">
+ This is much more powerful than it seems at first. You might want to make it seem as though the measures have stopped being marked, and write something like <code class="code">\times 4/40 { ... }</code>, which will allow you to fit forty of something into the number of beat usually occupied by four of them. This is especially useful with cadenzas, and cadenza-like passages.
+ </div></li></ul></div>
+ </div></li><li class="listitem"><div class="para">
+ Short-term Polyphonic Input (Divisi):
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Anything between <code class="literal"><<</code> and <code class="literal">>></code> is interpreted by LilyPond as happening together. If you take a look at the "score" section at the bottom of the file, you will see that all of the parts are listed in that kind of bracket. This ensures that they all happen simultaneously.
+ </div></li><li class="listitem"><div class="para">
+ For short-term polyphonic input, use the formula <code class="code"><< { upper-voice notes } \\ { lower-voice notes } >></code>. Remember that the "upper voice" has upward-pointing stems, and the "lower voice" has downward-pointing stems.
+ </div></li></ul></div>
+ </div></li><li class="listitem"><div class="para">
+ Ties: These can be written by adding ~ to the end of the note beginning the tie: <code class="code">c4~ c8</code>
+ </div></li><li class="listitem"><div class="para">
+ Grace Notes: These take up no logical time, and are smaller than ordinary notes. Any notes appearing <code class="code">\grace { in here }</code> would be considered grace notes.
+ </div></li><li class="listitem"><div class="para">
+ Crescendo and Diminuendo Markings:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ These are added like other dynamic markings, attached with a backslash to the note where they begin. A crescendo is triggered with <code class="literal">\<</code> and a diminuendo with <code class="literal">\></code>.
+ </div></li><li class="listitem"><div class="para">
+ The left-most point of the marking (its beginning) is indicated by where you put <code class="literal">\<</code> or <code class="literal">\></code>
+ </div></li><li class="listitem"><div class="para">
+ The right-most (or end-)point is indicated by either another dynamic marking of any sort, or the special cancellation character <code class="literal">\!</code>
+ </div></li></ul></div>
+ </div></li><li class="listitem"><div class="para">
+ Italic "staccato" Text: <code class="code">\markup { \italic { staccato } }</code>
+ </div></li><li class="listitem"><div class="para">
+ Source File Measure Numbers: One of the techniques that can be used when inputting larger scores is writing measure numbers into the source file as comments. I usually write measure numbers every five measures, but it depends on the speed of the music, and what seems like it's useful.
+ </div></li></ul></div>
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Oboe_and_Horn.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.7.4.3. Oboe and Horn Parts</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Fast_Section.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.7.4.5. Continue to the Fast Section</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Wind_and_Timpani.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Wind_and_Timpani.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.7.4.2. Continue with the Wind and Timpani Parts</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html" title="12.7.4. Input Notes" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html" title="12.7.4. Input Notes" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Oboe_and_Horn.html" title="12.7.4.3. Oboe and Horn Parts" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="t
ocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Oboe_and_Horn.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.7.4.2. Continue with the Wind and Timpani Parts" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Wind_and_Timpani"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musician
s_Guide-LilyPond-Orchestra-Inputting-Wind_and_Timpani">12.7.4.2. Continue with the Wind and Timpani Parts</h4></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Now we need to start adding notes. We'll start with the parts that have only rests:
+ </div><ol class="a"><li class="step" title="ステップ 1.a"><div class="para">
+ The trumpets and timpani have no notes in the slow introduction, so all they need is the three-beat measure with a fermata on the third beat.
+ </div></li><li class="step" title="ステップ 1.b"><div class="para">
+ Rests are notated as though they were a pitch called "r". That is to say, if you want to input a rest, then you input the pitch r. This three-quarter-rest measure will be notated as <code class="code">r4 r r |</code>. Put this into the trumpets and timpani parts. Remember: it's always a good idea to indicate the duration at the beginning of a measure, but it's not necessary to indicate a repeated duration.
+ </div></li><li class="step" title="ステップ 1.c"><div class="para">
+ Frescobaldi allows you to insert common musical signs with the "Quick Insert" tab on the left of the screen. It may be hidden; to show it, click "Quick Insert" on the left-most edge of the Frescobaldi window.
+ </div></li><li class="step" title="ステップ 1.d"><div class="para">
+ We need a regular fermata on the third quarter rest of this measure. So, place the text-input caret just after the third quarter rest, and click the fermata symbol in the "Quick Insert" toolbar-thing.
+ </div></li><li class="step" title="ステップ 1.e"><div class="para">
+ You should end up with <code class="code">r4 r r\fermata |</code>.
+ </div></li><li class="step" title="ステップ 1.f"><div class="para">
+ While the word for a fermata symbol is easy to remember, other symbols have less-obvious LilyPond notations, so the "Quick Insert" toolbar-thing is very handy.
+ </div></li><li class="step" title="ステップ 1.g"><div class="para">
+ Copy this measure to the other part.
+ </div></li></ol></li><li class="step" title="ステップ 2"><div class="para">
+ The next easiest part is the bassoons:
+ </div><ol class="a"><li class="step" title="ステップ 2.a"><div class="para">
+ We've already input the bassoons' full-measure rests, so we can start with the first measure in which they play. It should be notated as <code class="code">r8 d g bes d bes |</code>. Input this, and preview the score to see what happens.
+ </div></li><li class="step" title="ステップ 2.b"><div class="para">
+ Success! When first starting an instrument, it's important to check that the notes begin in the right register. If they don't, it can be adjusted easily by changing the pitch indication that follows the <code class="code">\relative</code> declaration. In this case, the bassoon happened to be in the right register for us by default.
+ </div></li><li class="step" title="ステップ 2.c"><div class="para">
+ The next measure is <code class="code">g8 cis cis4 r |</code>. Remember to indicate "cis" twice. Put it in and check that it's correct.
+ </div></li><li class="step" title="ステップ 2.d"><div class="para">
+ It is, but we're still missing some formatting. Use the "Quick Insert" toolbar-thing to add staccato markings to the first measure. You can add a staccato to the eighth-rest, but this doesn't make sense, so you shouldn't.
+ </div></li><li class="step" title="ステップ 2.e"><div class="para">
+ Slurs begin at ( and end at ). Add a slur from the g to c-sharp.
+ </div></li><li class="step" title="ステップ 2.f"><div class="para">
+ Preview the score to make sure that you entered these articulations correctly. Your code should be:
+<div class="literallayout"><p>r8 d-. g-. bes-. d-. bes-. |<br />
+   g8( cis) cis4 r |</p></div>
+ </div></li></ol></li><li class="step" title="ステップ 3"><div class="para">
+ Now to add the "forte" marking. You can add text (or any object, for that matter) onto a note (or rest, etc.) with one of these three symbols:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ^ meaning "put this above the object"
+ </div></li><li class="listitem"><div class="para">
+ - meaning "put this above or below, as you think is best"
+ </div></li><li class="listitem"><div class="para">
+ _ meaning "put this below the object"
+ </div></li></ul></div>
+ As you saw earlier, Frescobaldi attached our staccato markings with the "as you think best" symbol, which is almost always the right choice for articulations. By convention, dynamic markings always go below the staff to which they apply, so we won't want to give LilyPond so much freedom, this time.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ The easiest way to add (unformatted) text to a note is to simply attach it in quotation marks. For the "forte" marking, put this on the eighth-rest: <code class="code">r8_"f" <em class="replaceable"><code>and so on</code></em></code>
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ When you preview this, you'll notice that the result is thoroughly underwhelming. It looks quite unlike a "forte" marking, and people reading the score would probably be confused, if just momentarily.
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ Thankfully, LilyPond provides a very easy and elegant way to input well-formatted dynamic markings. Change the eighth-rest to this: <code class="code">r8\f <em class="replaceable"><code>and so on</code></em></code>
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ When you preview this, you will see that it now looks exactly like a typical "forte" marking. Not all dynamic markings have these short-forms, but most do.
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ The "a 2" marking, meaning "to be played by two players," does need the text-in-quotes format, however. Put that marking <span class="emphasis"><em>above</em></span> the d following the eighth rest.
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ Those two measures should now look like this:
+<div class="literallayout"><p>r8\f d-.^"a 2" g-. bes-. d-. bes-. |<br />
+ g8( cis) cis4 r |</p></div>
+ Note that <code class="code">d-.^"a 2"</code> gives the same result as <code class="code">d^"a 2"-.</code>
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.7.4. Input Notes</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Oboe_and_Horn.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.7.4.3. Oboe and Horn Parts</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.7.4. Input Notes</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Orchestra.html" title="12.7. Work on an Orchestral Score (Tutorial)" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output.html" title="12.7.3. Adjust Frescobaldi's Output" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Wind_and_Timpani.html" title="12.7.4.2. Continue with the Wind and Timpani Parts" /></head><body class="draft toc_embeded
"><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Wind_and_Timpani.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.7.4. Input Notes" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title
" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting">12.7.4. Input Notes</h3></div></div></div><div class="para">
+ This tutorial offers step-by-step instructions representing one way to input the score. Only the part before "Allegretto" will be inputted. The full first movement is included in the PDF file, so you can input it yourself.
+ </div><div class="section" title="12.7.4.1. Start with the Easy Part" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Start_with_the_Easy_Part"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Start_with_the_Easy_Part">12.7.4.1. Start with the Easy Part</h4></div></div></div><div class="para">
+ The best way to get started on large scores is to just start with something easy. Nothing can be easier than doing nothing, so let's first input the multi-measure rests in the wind sections and timpani.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Count the number of measures of rests. In this case, all of the winds and the timpani have thirteen or more measures of rests before their first entrance.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Let's put in those thirteen measures first.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 2.1"><div class="para">
+ In the NOTES section, find the flute section, and put in <code class="code">R2.*13 |</code>.
+ </div></li><li class="step" title="ステップ 2.2"><div class="para">
+ The <code class="literal">R</code> symbol means "full-bar rest" (or "full-measure rest"). LilyPond draws full-bar rests differently than rests than rests that simply take up the length of a whole bar.
+ </div></li><li class="step" title="ステップ 2.3"><div class="para">
+ The <code class="literal">|</code> symbol is a bar-check symbol. See <a class="xref" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol.html" title="12.5.8.2. å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«">「å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã€</a> for more information.
+ </div></li><li class="step" title="ステップ 2.4"><div class="para">
+ Copy and past that into the rest of the winds and the timpani.
+ </div></li></ol></div></li><li class="step" title="ステップ 3"><div class="para">
+ The timpani and trumpet/clarini parts have six further full measures of rest, before the measure with a fermata. The fermata can't be included in the multi-measure rest, so we'll treat it separately. Add <code class="code">R2.*6 |</code> to the timpani and trumpets parts.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ The horns, bassoons, and second oboe have one further measure of rests, so add <code class="code">R2. |</code> to those parts. Full-measure rests should always have a capital letter R. This tells LilyPond to properly center the rest in the bar.
+ </div></li></ol></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.7.3. Adjust Frescobaldi's Output</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Wind_and_Timpani.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.7.4.2. Continue with the Wind and Timpani Parts</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.7.2. Start the Score</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Orchestra.html" title="12.7. Work on an Orchestral Score (Tutorial)" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Orchestra.html" title="12.7. Work on an Orchestral Score (Tutorial)" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output.html" title="12.7.3. Adjust Frescobaldi's Output" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc
"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.7.2. Start the Score" id="sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Orchest
ra-Starting_the_Score">12.7.2. Start the Score</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ 'LilyPond > Setup New Score'
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ "Titles and Headers" Tab:
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Dedication: Comte d'Ogny and Prince Oettingen-Wallerstein
+ </div></li><li class="listitem"><div class="para">
+ Title: Sinfonia No. 92
+ </div></li><li class="listitem"><div class="para">
+ Subtitle: "Oxford"
+ </div></li><li class="listitem"><div class="para">
+ Composer: Haydn, Joseph
+ </div></li><li class="listitem"><div class="para">
+ all the rest are blank
+ </div></li></ul></div></li><li class="step" title="ステップ 3"><div class="para">
+ "Parts" Tab:
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Flute, 2 of Oboe, Bassoon
+ </div></li><li class="listitem"><div class="para">
+ Horn in F, Trumpet in C
+ </div></li><li class="listitem"><div class="para">
+ Timpani
+ </div></li><li class="listitem"><div class="para">
+ Violin, Violin, Viola, Cello, Contrabass
+ </div></li></ul></div></li><li class="step" title="ステップ 4"><div class="para">
+ "Score settings" Tab:
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Key signature: G Major
+ </div></li><li class="listitem"><div class="para">
+ Time signature: 3/4
+ </div></li><li class="listitem"><div class="para">
+ Tempo indication: Adagio
+ </div></li><li class="listitem"><div class="para">
+ other settings as desired; I recommend not remocing bar numbers, and removing the default tagline
+ </div></li></ul></div></li><li class="step" title="ステップ 5"><div class="para">
+ Click "Try" to see if it works. The instrument names will not be the same as the PDF score. This will be fixed later.
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ Click "OK" to generate the score.
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.7. Work on an Orchestral Score (Tutorial)</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.7.3. Adjust Frescobaldi's Output</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.7. Work on an Orchestral Score (Tutorial)</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-LilyPond.html" title="第12ç« LilyPond" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Counterpoint-Make_some_Elements_Transparent.html" title="12.6.5.3. ã„ãã¤ã‹ã®è¦ç´ ã‚’é€æ˜Žã«ã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score.html" title="12.7.2. Start the Score" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc
"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint-Make_some_Elements_Transparent.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="section" title="12.7. Work on an Orchestral Score (Tutorial)" id="sect-Musicians_Guide-LilyPond-Orchestra" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2
class="title" id="sect-Musicians_Guide-LilyPond-Orchestra">12.7. Work on an Orchestral Score (Tutorial)</h2></div></div></div><div class="para">
+ Scenario: You volunteer at a community orchestra, and the conductor decides to play a Haydn symphony. The orchestra does not own any Haydn symphonies, so the conductor asks you if you can help to find a full score and parts. You find a book with the conductor's score, but no parts. You decide to input the score in LilyPond, which will allow you to easily create the missing parts.
+ </div><div class="para">
+ This tutorial uses the first movement of Joseph Haydn's "Sinfonia No. 92: Oxford."
+ </div><div class="para">
+ When following this tutorial, it is recommended that the reader follows along, creating their replica of this tutorial's PDF.
+ </div><div class="section" title="12.7.1. Files for the Tutorial" id="sect-Musicians_Guide-LilyPond-Orchestra-Tutorial_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Tutorial_Files">12.7.1. Files for the Tutorial</h3></div></div></div><div class="para">
+ You do not need the <span class="application"><strong>LilyPond</strong></span> input file to do the tutorial. You do need the PDF output file to do the tutorial. Use the input file if you encounter problems, or to check your result.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle">LilyPond Input File</em> at <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/LilyPond/Orchestra-source.ly">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/LilyPond/Orchestra-source.ly</a>
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">PDF Output File</em> at <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/LilyPond/Orchestra-result.pdf">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/LilyPond/Orchestra-result.pdf</a>
+ </div></li></ul></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint-Make_some_Elements_Transparent.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.6.5.3. ã„ãã¤ã‹ã®è¦ç´ ã‚’é€æ˜Žã«ã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.7.2. Start the Score</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output.html
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@@ -0,0 +1,50 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8.3. Adjust Frescobaldi's Output</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Piano.html" title="12.8. Work on a Piano Score (Tutorial)" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score.html" title="12.8.2. Start the Score" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html" title="12.8.4. Input Notes" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../
../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.8.3. Adjust Frescobaldi's Output" id="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output">12.8
.3. Adjust Frescobaldi's Output</h3></div></div></div><div class="para">
+ These steps are useful in establishing a consistent input style for <span class="application"><strong>LilyPond</strong></span>. The things suggested here are also useful for getting used to working with large scores, which can be a challenge in any text editor. Thankfully, careful (and consistent!) code organization goes a long way in helping you to quickly find your way around your files. Setting up files the right way to begin with makes this much easier in the end.
+ </div><div class="para">
+ When you first setup the score, Frescobaldi will have created many sections for you by default. The program avoids making too many stylistic choices for you, which allows you to create your own style. It also sets up the default sections in a logical way:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ version
+ </div></li><li class="listitem"><div class="para">
+ header
+ </div></li><li class="listitem"><div class="para">
+ widely-used settings like tempoMark and "global"
+ </div></li><li class="listitem"><div class="para">
+ individual parts
+ </div></li><li class="listitem"><div class="para">
+ score formatting
+ </div></li></ol></div>
+ The specific ordering will become more obvious to you as you get used to <span class="application"><strong>LilyPond</strong></span>.
+ </div><div class="para">
+ Here are some of the things that I do before inputting notes:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Use section-dividers (like <code class="code">%%%%%%%% NOTES %%%%%%%%</code> for individual parts) to demarcate sections.
+ </div></li><li class="listitem"><div class="para">
+ Use different levels of dividers (like <code class="code">%%%% RIGHT HAND %%%%</code> for the right hand) to show sub-sections
+ </div></li><li class="listitem"><div class="para">
+ Add blank lines between large sections, to separate them more obviously
+ </div></li><li class="listitem"><div class="para">
+ Begin braces on new lines (as
+<pre class="programlisting">
+\header
+{
+ title = "Impromptu"
+ ...
+}
+</pre>
+ instead of on the same line (as
+<pre class="programlisting">
+\header {
+ title = "Impromptu"
+ ...
+}
+</pre>
+ This is simply a matter of personal taste, resulting from prior experience with C and C-like programming languages.
+ </div></li><li class="listitem"><div class="para">
+ Familiarize myself with the sections and commands created by Frescobaldi, getting a sense of what the section/command does (even if I don't understand what each specific command does). This makes it easier to sort out problems and customization down the road. Sometimes, when the setup is quite complex, I make comments about what seems to be going on.
+ </div></li><li class="listitem"><div class="para">
+ At this point, I also added the "Dynamics Context" commands, as described below in the "Piano Dynamics" section
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.8.2. Start the Score</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.8.4. Input Notes</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Formatting-Inputting_the_Dynamics.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Formatting-Inputting_the_Dynamics.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8.6.2. Input Dynamics</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Piano-Formatting.html" title="12.8.6. Format the Score (Piano Dynamics)" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano-Formatting.html" title="12.8.6. Format the Score (Piano Dynamics)" /><link rel="next" href="chap-Musicians_Guide-Solfege.html" title="第13ç« GNU ソルフェージュ" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="to
c" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Formatting.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Solfege.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.8.6.2. Input Dynamics" id="sect-Musicians_Guide-LilyPond-Piano-Formatting-Inputting_the_Dynamics"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Formatting-Inputting_the_Dynamics">12.8.6.2. Input Dynam
ics</h4></div></div></div><div class="para">
+ Now you can input the dynamic markings. These are inputted with a special note called a "spacer," that uses the letter "s" rather than a note name. You can also use rests (both partial- and multi-measure, r and R), but dynamic markings cannot be assigned to them.
+ </div><div class="para">
+ For example, if you want a <span class="foreignphrase"><em class="foreignphrase">piano</em></span> marking on the first beat, and a <span class="foreignphrase"><em class="foreignphrase">diminuendo</em></span> from the third to the fourth beat, you could write this: <code class="code">s4\p r s\> s\!</code>, or this: <code class="code">s2\p s4\> s\!</code>
+ </div><div class="para">
+ That's all there is to it! Think of the dynamics part as an invisible, pitch-free line between the two staves, for the sole purpose of dynamics (and other expression markings).
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Formatting.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.8.6. Format the Score (Piano Dynamics)</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Solfege.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>第13ç« GNU ソルフェージュ</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Formatting.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Formatting.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8.6. Format the Score (Piano Dynamics)</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Piano.html" title="12.8. Work on a Piano Score (Tutorial)" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors.html" title="12.8.5. Troubleshoot Errors" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano-Formatting-Inputting_the_Dynamics.html" title="12.8.6.2. Input Dynamics" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"
><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Formatting-Inputting_the_Dynamics.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.8.6. Format the Score (Piano Dynamics)" id="sect-Musicians_Guide-LilyPond-Piano-Formatting"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musician
s_Guide-LilyPond-Piano-Formatting">12.8.6. Format the Score (Piano Dynamics)</h3></div></div></div><div class="para">
+ Keyboard instruments use a unique notation when it comes to dynamics. Most instruments use only one staff per player, so the dynamics are, by convention, notated underneath that staff. Keyboard instruments usually use two staves (organs and complex piano music may use three). Because the dynamics are usually meant to apply to both staves, they are usually notated between the two staves. This is similar to notation beneath the upper staff, but in truth, piano dynamics tend to be placed in the middle between the staves - entering the dynamics as belonging to the upper staff, in <span class="application"><strong>LilyPond</strong></span>, will not produce that effect.
+ </div><div class="para">
+ There is a way to notate dynamics between two staves in <span class="application"><strong>LilyPond</strong></span>, and it involves a little bit of thought to get it right. It also requires the addition of a significant number of commands, and the creation of a new context.
+ </div><div class="para">
+ This process looks difficult, and may seem daunting. It's not necessary to understand all of the commands in the "PianoDynamics" Context in order to use the context, so there is no need to worry!
+ </div><div class="section" title="12.8.6.1. Prepare the "PianoDynamics" Context" id="sect-Musicians_Guide-LilyPond-Piano-Formatting-Preparing_the_PianoDynamics_Context"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Formatting-Preparing_the_PianoDynamics_Context">12.8.6.1. Prepare the "PianoDynamics" Context</h4></div></div></div><div class="para">
+ It is probably easier to add these commands before inputting most of the score, but there is no reason why this context cannot be added to any score at any time.
+ </div><div class="para">
+ Follow these steps to create a "PianoDynamics" Context:
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Between the left and right staves of the PianoStaff, add "<code class="code">\new PianoDynamics = "dynamics" \dynamics</code>". For the Schubert score, this looks like:
+<pre class="programlisting">
+\new PianoStaff \with
+ {
+ instrumentName = "Piano"
+ }
+<<
+ \new Staff = "right" \right
+ \new PianoDynamics = "dynamics" \dynamics
+ \new Staff = "left" { \clef bass \left }
+>>
+</pre>
+
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ To the layout section, add the following:
+<pre class="programlisting">
+% Everything below here is for the piano dynamics.
+% Define "PianoDynamics" context.
+\context
+{
+ \type "Engraver_group"
+ \name PianoDynamics
+ \alias Voice
+ \consists "Output_property_engraver"
+ \consists "Script_engraver"
+ \consists "New_dynamic_engraver"
+ \consists "Dynamic_align_engraver"
+ \consists "Text_engraver"
+ \consists "Skip_event_swallow_translator"
+ \consists "Axis_group_engraver"
+
+ \override DynamicLineSpanner #'Y-offset = #0
+ \override TextScript #'font-size = #2
+ \override TextScript #'font-shape = #'italic
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
+}
+
+% Modify "PianoStaff" context to accept Dynamics context.
+\context
+{
+ \PianoStaff
+ \accepts PianoDynamics
+}
+% End of PianoDynamics code.
+</pre>
+ This creates a "PianoDynamics" context, and modifies the "PianoStaff" context so that it will accept a "PianoDynamics" context.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Before the "\score" section, add a section called "dynamics," like this:
+<pre class="programlisting">
+dynamics =
+{
+ % Dynamics go here.
+
+}
+</pre>
+ This is where you will input the dynamics.
+ </div></li></ol></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.8.5. Troubleshoot Errors</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Formatting-Inputting_the_Dynamics.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.8.6.2. Input Dynamics</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Inputting-Cautionary_Accidentals.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Inputting-Cautionary_Accidentals.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8.4.4. Cautionary Accidentals</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html" title="12.8.4. Input Notes" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Fingering.html" title="12.8.4.3. Fingering" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Changing_the_Style_of_Crescendo.html" title="12.8.4.5. Change the Style of Crescendo" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><ifra
me id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Fingering.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Changing_the_Style_of_Crescendo.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.8.4.4. Cautionary Accidentals" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Cautionary_Accidentals"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="s
ect-Musicians_Guide-LilyPond-Piano-Inputting-Cautionary_Accidentals">12.8.4.4. Cautionary Accidentals</h4></div></div></div><div class="para">
+ Musical Definition: This score makes some use of <em class="firstterm">cautionary accidentals</em>. These are accidentals which don't change the pitches to be played, but rather are used as a precaution against forgetting that they are there. This usually happens when an accidental in the written key signature is changed for a significant number of measures, and then suddenly changes back. The cautionary accidental would be applied when the standard key signature returns, to remind the musician of the key signature.
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> Notation: These are notated in <span class="application"><strong>LilyPond</strong></span> with an exclamation mark placed before the note-value: <code class="code">ces!16</code>
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Fingering.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.8.4.3. Fingering</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Changing_the_Style_of_Crescendo.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.8.4.5. Change the Style of Crescendo</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Inputting-Changing_the_Style_of_Crescendo.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Inputting-Changing_the_Style_of_Crescendo.html
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@@ -0,0 +1,9 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8.4.5. Change the Style of Crescendo</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html" title="12.8.4. Input Notes" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Cautionary_Accidentals.html" title="12.8.4.4. Cautionary Accidentals" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Polyphonic_Sections_of_Homophonic_Music.html" title="12.8.4.6. Polyphonic Sections of Homophonic Music" /></head><body class="dra
ft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Cautionary_Accidentals.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Polyphonic_Sections_of_Homophonic_Music.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.8.4.5. Change the Style of Crescendo" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Changing_the_Style_of_Crescendo"><div
class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Changing_the_Style_of_Crescendo">12.8.4.5. Change the Style of Crescendo</h4></div></div></div><div class="para">
+ Sometimes the composer or editor prefers to use the words <span class="foreignphrase"><em class="foreignphrase">crescendo</em></span> or its abbreviation, <span class="foreignphrase"><em class="foreignphrase">cresc.</em></span>, instead of the <code class="literal">\<</code> style of crescendo. In <span class="application"><strong>LilyPond</strong></span> these are handled by the same source-file notation (<code class="literal">\<</code> to start and <code class="code">\!</code> to end explicitly). However, if you want to use text and a "spanner" (dotted or dashed line, for example) instead of the < sign, you need to tell <span class="application"><strong>LilyPond</strong></span>. This can be accomplished with the following command: <code class="code">\crescTextCresc</code>.
+ </div><div class="para">
+ After changing to this style of <span class="foreignphrase"><em class="foreignphrase">crescendo</em></span>, you can revert to the standard < style with the following command: <code class="literal">\crescHairpin</code>.
+ </div><div class="para">
+ The <code class="literal">\dimTextDim</code> and <code class="literal">\dimHairpin</code> commands do the same for a <span class="foreignphrase"><em class="foreignphrase">diminuendo</em></span>.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Cautionary_Accidentals.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.8.4.4. Cautionary Accidentals</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Polyphonic_Sections_of_Homophonic_Music.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.8.4.6. Polyphonic Sections of Homophonic Music</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Inputting-Chords.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Inputting-Chords.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8.4.2. Chords</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html" title="12.8.4. Input Notes" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html" title="12.8.4. Input Notes" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Fingering.html" title="12.8.4.3. Fingering" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an i
frame, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Fingering.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.8.4.2. Chords" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Chords"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Chords">12.8.4.2. Chords</h4></div></div></div><div class="para">
+ There are two ways to input chords, but one will be used much more often.
+ </div><div class="para">
+ This style of chord notation is more common: <code class="literal"><as ces>4-_</code> Notice how only the pitches are notated inside the <code class="literal">< ></code> brackets, and everything else attached to the end. There is one exception to this: fingering should be indicated on the pitch associated with that finger: <code class="literal"><as-1 ces-3>4-_</code> Not only does this help you to sort out what was probably intended, but it allows <span class="application"><strong>LilyPond</strong></span> to stack the fingering in the right order. When using "relative" entry mode, it is the lowest note of the chord that is taken into consideration when placing the next note.
+ </div><div class="para">
+ This style of chord notation is less common: <code class="literal"><<as4-> ces>></code> Notice how everything must be notated inside the <code class="literal"><< >></code> brackets. This can make it more difficult to read the chord in the source file, but it also allows much greater flexibility: only some chord members can have ties; certain chord members can last for longer than others; certain chord members can "break out" into or out of polyphonic passages. This notation is rarely <span class="emphasis"><em>needed</em></span>, but you may be inclined to over-use it if you are trying to exactly copy the look of a hand-engraved score. Like the "times" command for tuplets, this is one of <span class="application"><strong>LilyPond</strong></span>'s deceptively powerful techniques. When using "relative" entry mode, it is the last note of the chord that is taken into consideration when placing the next note.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.8.4. Input Notes</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Fingering.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.8.4.3. Fingering</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8.4.3. Fingering</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html" title="12.8.4. Input Notes" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Chords.html" title="12.8.4.2. Chords" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Cautionary_Accidentals.html" title="12.8.4.4. Cautionary Accidentals" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src=".
./../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Chords.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Cautionary_Accidentals.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.8.4.3. Fingering" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Fingering"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Fingering">12.8.4.3. Fingeri
ng</h4></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> allows you to indicate fingering by attaching the digit number to a note as an articulation mark: <code class="code">a16-5</code> will show a "5" as a fingering mark. As with all other articulation marks indicated in this way, you can use <code class="literal">^</code> or <code class="literal">_</code> to instruct <span class="application"><strong>LilyPond</strong></span> to put the mark above or below the note, respectively. It is usually better to let <span class="application"><strong>LilyPond</strong></span> decide for itself by using a <code class="literal">-</code>.
+ </div><div class="para">
+ When entering chords, it is recommended that you enter the fingering with the note to which it is attached, like <code class="literal"><as-1 ces-4>4-_</code>. It is possible to enter this as <code class="literal"><as ces>4-1-4-></code>, but this not only looks confusing, it may confuse <span class="application"><strong>LilyPond</strong></span> as to which digit is intended for which note.
+ </div><div class="para">
+ Because the extra digits look like they indicate note-lengths, it is recommended to mark them consistently. For this same reason, it is also recommended that fingering marks be added to source files only after the pitch and rhythm have been double-checked. The source file included with this tutorial puts fingering marks after any other articulation and length marking.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Chords.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.8.4.2. Chords</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Cautionary_Accidentals.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.8.4.4. Cautionary Accidentals</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Inputting-Octave_Change_Spanners.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Inputting-Octave_Change_Spanners.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8.4.7. Octave-Change Spanners ("8ve" Signs, "Ottava Brackets")</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html" title="12.8.4. Input Notes" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Polyphonic_Sections_of_Homophonic_Music.html" title="12.8.4.6. Polyphonic Sections of Homophonic Music" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors.html" title="12.8.5. Troubleshoot Errors" /></head><body
class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Polyphonic_Sections_of_Homophonic_Music.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.8.4.7. Octave-Change Spanners ("8ve" Signs, "Ottava Brackets")" id="sect-Musicians_Guide-LilyPond-Piano-I
nputting-Octave_Change_Spanners"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Octave_Change_Spanners">12.8.4.7. Octave-Change Spanners ("8ve" Signs, "Ottava Brackets")</h4></div></div></div><div class="para">
+ Musical Definition: In order to most conveniently notate over large ranges, composers and editors sometimes use text spanners to indicate that a passage should be played one or two octaves higher or lower than written. This allows the notes to stay mostly within the staff lines, thereby decreasing the number of ledger lines required.
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> Notation: The <code class="code">\ottava</code> command is used to notate all five states of transposition:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 15va (play two octaves higher than written) is engaged with <code class="code">\ottava #2</code>
+ </div></li><li class="listitem"><div class="para">
+ 8va (play one octave higher than written) is engaged with <code class="code">\ottava #1</code>
+ </div></li><li class="listitem"><div class="para">
+ <span class="foreignphrase"><em class="foreignphrase">loco</em></span> (play in the octave written) is engaged with <code class="code">\ottava #0</code>, which also cancels another sign.
+ </div></li><li class="listitem"><div class="para">
+ 8vb (play one octave lower than written) is engaged with <code class="code">\ottava #-1</code>
+ </div></li><li class="listitem"><div class="para">
+ 15vb (play two octaves lower than written) is engaged with <code class="code">\ottava #-2</code>
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Polyphonic_Sections_of_Homophonic_Music.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.8.4.6. Polyphonic Sections of Homophonic Music</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.8.5. Troubleshoot Errors</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Inputting-Polyphonic_Sections_of_Homophonic_Music.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Inputting-Polyphonic_Sections_of_Homophonic_Music.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8.4.6. Polyphonic Sections of Homophonic Music</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html" title="12.8.4. Input Notes" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Changing_the_Style_of_Crescendo.html" title="12.8.4.5. Change the Style of Crescendo" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Octave_Change_Spanners.html" title="12.8.4.7. Octave-Change Spanners ("8ve" Signs, "Otta
va Brackets")" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Changing_the_Style_of_Crescendo.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Octave_Change_Spanners.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.8.4.6. Polyphonic Sections of Homophonic Music" id="sect-Musicians_Guide-LilyPond-Piano-I
nputting-Polyphonic_Sections_of_Homophonic_Music"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Polyphonic_Sections_of_Homophonic_Music">12.8.4.6. Polyphonic Sections of Homophonic Music</h4></div></div></div><div class="para">
+ Sometimes, especially in piano music, a passage of some measures will require polyphonic (multi-Voice) notation in <span class="application"><strong>LilyPond</strong></span>, even though most of the music does not. In this case, you would use the following format: <code class="literal"> << { % upper voice notes go here } \\ { % lower voice notes go here } >> </code> This is used a few times in both hands in the example score file.
+ </div><div class="para">
+ When writing these sections in "relative" entry mode, it is a good idea to use the "octave-check" mechanism, at least at the beginning of the lower voice. This is because, when judging the relative starting pitch of the first note of the lower voice, <span class="application"><strong>LilyPond</strong></span> judges from the last note of the upper voice - <span class="emphasis"><em>not</em></span> the last note before the polyphonic section began.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Changing_the_Style_of_Crescendo.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.8.4.5. Change the Style of Crescendo</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Octave_Change_Spanners.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.8.4.7. Octave-Change Spanners ("8ve" Signs, "O...</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8.4. Input Notes</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Piano.html" title="12.8. Work on a Piano Score (Tutorial)" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output.html" title="12.8.3. Adjust Frescobaldi's Output" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Chords.html" title="12.8.4.2. Chords" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="to
c" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Chords.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.8.4. Input Notes" id="sect-Musicians_Guide-LilyPond-Piano-Inputting"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting">12.8.4. Input Notes</h3></div><
/div></div><div class="para">
+ Piano scores present some unique challenges with <span class="application"><strong>LilyPond</strong></span>, but they're easy to overcome with some careful thought. This tutorial will avoid step-by-step instructions on how to input particular notes, instead focussing on those unique piano challenges presented in this particular composition. The <span class="application"><strong>LilyPond</strong></span> "Notation Reference" provides a section dedicated to keyboard and piano music. Most of the situations described there are not present or discussed in this score, which gives this tutorial unique material.
+ </div><div class="section" title="12.8.4.1. Order of Input" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Order_of_Inputting"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Order_of_Inputting">12.8.4.1. Order of Input</h4></div></div></div><div class="para">
+ Choosing the right order to input your scores can make things much easier to troubleshoot. Here are some suggestions:
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Input music in small sections at a time. Two, four, or eight measures is usually a good size, but it depends on the size of the composition, the size of its sections, and the form of the music. It doesn't make sense to input a passage of 9 whole-notes in stages of two measures, but two measures may be too long for passages composed primarily of 128th-notes.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Input one staff at a time, then check its accuracy using Frescobaldi's preview function (press the "LilyPond" button on the toolbar)
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Input the pitch and rhythms first, then slurs, articulations, ties, and fingerings. It's easier to correct errors with pitch and rhythm (and register!) before the extra markings are added.
+ </div></li><li class="listitem"><div class="para">
+ To help make sixteenth-note passages easier to read, you can use double- or triple-spaces to separate beats. Such passages often feature repeated patterns; before copy-and-pasting, make sure that the pattern repetition is truly exact!
+ </div></li></ul></div></li><li class="step" title="ステップ 3"><div class="para">
+ When you progress to a new four-measure section (or two- or six-, etc.), input the less difficult staff first (if there is one). This way, you will have a better visual reference when verifying the more difficult part. It's easier to see differences if your score looks closer to the original.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ The same idea applies for multi-measure polyphonic passages in the same staff: input the easier part first, so you have a visual reference.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ To help ensure that you don't get lost, write measure numbers in the source file every five measures or so. See the example source file to see how this is done. Even if you don't want to have measure numbers in the final score, it can be helpful to include them during inputting and error-checking.
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ Save the dynamics and pedal markings for last! Sometimes, they can help you to keep your place in the score while double-checking that it's correct, but I don't usually put them in with the rest of the notes, for reasons described below in the "Piano Dynamics" section.
+ </div></li></ol></div><div class="para">
+ Most importantly, remember that these are just suggestions! The order in which you do things should change depending on what suits you best. Different kinds of scores will require different strategies.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.8.3. Adjust Frescobaldi's Output</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Chords.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.8.4.2. Chords</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score.html
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@@ -0,0 +1,41 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8.2. Start the Score</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Piano.html" title="12.8. Work on a Piano Score (Tutorial)" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano.html" title="12.8. Work on a Piano Score (Tutorial)" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output.html" title="12.8.3. Adjust Frescobaldi's Output" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe"
class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.8.2. Start the Score" id="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score">12.8.2. Start the
Score</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Open Frescobaldi with a new document.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Start the "Setup New Score" tool, by clicking '<span class="application"><strong>LilyPond</strong></span> > Setup New Score' in the menu.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Fill in the following fields on the "Titles and Headers" tab:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Title: Impromptu
+ </div></li><li class="listitem"><div class="para">
+ Compuser: Schubert, Franz
+ </div></li><li class="listitem"><div class="para">
+ Opus: Opus 90/4
+ </div></li></ul></div>
+
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Switch to the "Parts" tab:
+ </div><ol class="a"><li class="step" title="ステップ 4.a"><div class="para">
+ From the "Available parts" list, select "Keyboard instruments"
+ </div></li><li class="step" title="ステップ 4.b"><div class="para">
+ Select "Piano"
+ </div></li><li class="step" title="ステップ 4.c"><div class="para">
+ Click "Add"
+ </div></li><li class="step" title="ステップ 4.d"><div class="para">
+ On the right-hand side of the window, it's possible to add multiple voices from the start. We won't be using this feature, because most of the score is not polyphonic. It is especially convenient in fugues.
+ </div></li></ol></li><li class="step" title="ステップ 5"><div class="para">
+ Switch to the "Score settings" tab, and adjust the following settings:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Key signature: As Major
+ </div></li><li class="listitem"><div class="para">
+ Time signature: 3/4
+ </div></li><li class="listitem"><div class="para">
+ Tempo indication: Allegretto
+ </div></li><li class="listitem"><div class="para">
+ Remove default tagline: checked
+ </div></li><li class="listitem"><div class="para">
+ Adjust other settings as desired - it is recommended to keep the default pitch name language.
+ </div></li></ul></div>
+
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.8. Work on a Piano Score (Tutorial)</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.8.3. Adjust Frescobaldi's Output</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8.5. Troubleshoot Errors</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Piano.html" title="12.8. Work on a Piano Score (Tutorial)" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Octave_Change_Spanners.html" title="12.8.4.7. Octave-Change Spanners ("8ve" Signs, "Ottava Brackets")" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano-Formatting.html" title="12.8.6. Format the Score (Piano Dynamics)" /></head><body class="
draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Octave_Change_Spanners.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Formatting.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.8.5. Troubleshoot Errors" id="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors"><div class="titlepage"><div><div keep-together.within-column="always"><h
3 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors">12.8.5. Troubleshoot Errors</h3></div></div></div><div class="para">
+ It can be difficult to troubleshoot inputting errors, especially when you find them days or weeks after originally inputting that section of a score. The best way to fix errors is to input scores in a way that doesn't allow them in the first place. As they say, "an ounce of prevention is worth a pound of cure," which means "if you input your <span class="application"><strong>LilyPond</strong></span> files carefully, then you will encounter fewer problems." Such practices as proper spacing, and regular use of the octave- and bar-check features will deal with many common problems.
+ </div><div class="para">
+ However, when searching for an error in your score, Frescobaldi does offer some features to help you find it:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ If you have written something in the text-input window that is obviously incorrect, then Frescobaldi will sometimes catch your mistake and underline and highlight the erroneous code in red. This is most useful for catching typographical errors ("typos").
+ </div></li><li class="listitem"><div class="para">
+ If <span class="application"><strong>LilyPond</strong></span> encounters a processing error, it will show up in the "<span class="application"><strong>LilyPond</strong></span> Log" window below the text-input window. You can click on the blue, underlined text to move the text-selection caret to the error.
+ </div></li><li class="listitem"><div class="para">
+ If you can see an error in the PDF preview, but you can't find it in the source file, you can click on the problematic note or object in the PDF preview, and Frescobaldi will automatically move the text-selection caret to that object.
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Octave_Change_Spanners.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.8.4.7. Octave-Change Spanners ("8ve" Signs, "O...</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Formatting.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.8.6. Format the Score (Piano Dynamics)</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano.html
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@@ -0,0 +1,17 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8. Work on a Piano Score (Tutorial)</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-LilyPond.html" title="第12ç« LilyPond" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Fast_Section.html" title="12.7.4.5. Continue to the Fast Section" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score.html" title="12.8.2. Start the Score" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="t
oc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Fast_Section.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="section" title="12.8. Work on a Piano Score (Tutorial)" id="sect-Musicians_Guide-LilyPond-Piano" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-Piano">12
.8. Work on a Piano Score (Tutorial)</h2></div></div></div><div class="para">
+ Scenario: At a used music store, you encounter a 60-year-old, hand-engraved copy of a Schubert "Impromptu," but it's been badly damaged by a flood. The store's owner says that, if you can use the score, you can keep it for free. The score is barely legible, so you decide to prepare a copy with a computer notation program.
+ </div><div class="para">
+ I'm using Schubert's "Impromptu" Op.90 (D.899) Nr.4, in A-flat major. Published by Edition Peters: 10463, edited by Walter Niemann. We'll be setting the "A" section (from the beginning to the "Trio").
+ </div><div class="para">
+ When following this tutorial, it is recommended that the reader follows along, creating their replica of this tutorial's PDF.
+ </div><div class="section" title="12.8.1. Files for the Tutorial" id="sect-Musicians_Guide-LilyPond-Piano-Tutorial_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Tutorial_Files">12.8.1. Files for the Tutorial</h3></div></div></div><div class="para">
+ You do not need the <span class="application"><strong>LilyPond</strong></span> input file to do the tutorial. You should use the input file if you encounter problems, and to compare your completion. You do need the PDF output file to do the tutorial.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle"><span class="application"><strong>LilyPond</strong></span> Input File</em> at <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/LilyPond/Piano-source.ly">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/LilyPond/Piano-source.ly</a>
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">PDF Output File</em> at <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/LilyPond/Piano-result.pdf">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/LilyPond/Piano-result.pdf</a>.
+ </div></li></ul></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Fast_Section.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.7.4.5. Continue to the Fast Section</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.8.2. Start the Score</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Articulations.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Articulations.html
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@@ -0,0 +1,37 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.5.3. アーティã‚ュレーションã€è¡¨æƒ…記å·</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Syntax.html" title="12.5. LilyPond ã®åŸºæœ¬" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations.html" title="12.5.2. æ•°å—ã¯é•·ã•" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Syntax-Simultaneity.html" title="12.5.4. åŒæ™‚性" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class=
"toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Simultaneity.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.5.3. アーティã‚ュレーションã€è¡¨æƒ…記å·" id="sect-Musicians_Guide-LilyPond-Syntax-Articulations"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Articu
lations">12.5.3. アーティã‚ュレーションã€è¡¨æƒ…記å·</h3></div></div></div><div class="para">
+ 多ãã®ç•°ãªã‚‹è¨˜å·ãŒã€<span class="application"><strong>LilyPond</strong></span> ã«ã€éŸ³ç¬¦ã«è¡¨æƒ…記å·ã‚’åŠ ãˆã‚‹ãŸã‚ã«ä½¿ã‚ã‚Œã¾ã™ã€‚ãã‚Œã¯ã€ã™ã¹ã¦ã€éŸ³ç¨‹ã¨ï¼ˆã‚‚ã—ã‚ã‚Œã°ï¼‰é•·ã•ã®å¾Œã«ä»˜åŠ ã•ã‚Œã¾ã™ã€‚多ãã¯ã€ä½ç½®ã®æŒ‡å®šã‚‚æŒã¡ã¾ã™ã€‚
+ </div><div class="para">
+ 表情記å·ã®å®Œå…¨ãªãƒªã‚¹ãƒˆã¯ <span class="application"><strong>LilyPond</strong></span> マニュアルã«ã‚ã‚Šã€<span class="application"><strong>Frescobaldi</strong></span> ã¯ã‚ãªãŸã®ãŸã‚ã«ãã®ã»ã¨ã‚“ã©ã‚’記憶ã—ã¦ã„ã¾ã™ã€‚（左å´ã®ãƒ‘ãƒãƒ«ã«ã‚ã‚Šã¾ã™ã€‚）
+ </div><div class="para">
+ 以下ã«ã€ã‚ˆã使ã‚れるã„ãã¤ã‹ã®è¡¨æƒ…記å·ã‚’ã‚ã’ã¾ã™ã€‚特ã«æŒ‡å®šãŒãªã„ã¨ãã¯ã€ä½ç½®ã®æŒ‡å®šã‚‚å¿…è¦ã§ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="literal">(</code> ã¯ã€ã‚¹ãƒ©ãƒ¼ã‚’開始ã—ã¾ã™ã€‚（ä½ç½®ã®æŒ‡å®šã¯ã‚ã‚Šã¾ã›ã‚“。）
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">)</code> ã¯ã€ã‚¹ãƒ©ãƒ¼ã‚’終了ã—ã¾ã™ã€‚（ä½ç½®ã®æŒ‡å®šã¯ã‚ã‚Šã¾ã›ã‚“。）
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">~</code> ã¯ã‚¿ã‚¤ã‚’開始ã—ã¾ã™ã€‚（終了ã¯å¿…è¦ã‚ã‚Šã¾ã›ã‚“。ä½ç½®ã®æŒ‡å®šã¯ã‚ã‚Šã¾ã›ã‚“。）
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">.</code> for a "staccato" mark
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">></code> for an "accent"
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">-</code> for a "tenuto" mark
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">^</code> for a "marcato" mark
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">_</code> for a "portato" mark (dot and line)
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ３ã¤ã®ä½ç½®æŒ‡å®šåãŒã‚ã‚Šã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="literal">-</code> ã¯ã€<span class="application"><strong>LilyPond</strong></span> ãŒå¦¥å½“ã¨åˆ¤æ–ã—ãŸã¨ã“ã‚ã«ã©ã“ã§ã‚‚ã€è¡¨æƒ…記å·ã‚’入れるã“ã¨ã‚’æ„味ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">_</code> ã¯ã€è¡¨æƒ…記å·ã‚’音符ã®çŽ‰ã® <span class="emphasis"><em> 下 </em></span> ã«å…¥ã‚Œã‚‹ã“ã¨ã‚’æ„味ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">^</code> ã¯ã€è¡¨æƒ…記å·ã‚’音符ã®çŽ‰ã® <span class="emphasis"><em> 上 </em></span> ã«å…¥ã‚Œã‚‹ã“ã¨ã‚’æ„味ã—ã¾ã™ã€‚
+ </div></li></ul></div>
+ ３ã¤ã®ä½ç½®æŒ‡å®šåã¯ã€ã¨ãã«ã¯ã€ã“ã®ã‚ˆã†ãªéŸ³ç¬¦ã«ãªã‚‹ã“ã¨ãŒã‚ã‚Šã¾ã™ï¼š <code class="code">g4--</code>, <code class="code">g4__</code>, ãã—㦠<code class="code">g4^^</code>。ã“ã‚Œã¯æ£ã—ããªã„よã†ã«è¦‹ãˆã‚‹ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“ãŒã€å®Œå…¨ã«å—ã‘付ã‘られる表記ã§ã™ã€‚訳注：ãƒã‚¤ãƒ•ãƒ³ï¼’ã¤ã¯ãƒ†ãƒŒãƒ¼ãƒˆã®ä»»æ„ä½ç½®ã€ã¨ã„ã†ã“ã¨ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.5.2. æ•°å—ã¯é•·ã•</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Simultaneity.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.5.4. åŒæ™‚性</a></li></ul></body></html>
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@@ -0,0 +1,50 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.5.8.2. å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors.html" title="12.5.8. 誤りをé¿ã‘ã‚‹ã«ã¯" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors.html" title="12.5.8. 誤りをé¿ã‘ã‚‹ã«ã¯" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Counterpoint.html" title="12.6. 対ä½æ³•ã®èª²é¡Œã‚’ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /></head><body class="draft toc_embeded "><div id
="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.5.8.2. å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«" id="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="
sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol">12.5.8.2. å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«</h4></div></div></div><div class="para">
+ å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã¯ã€å°ç¯€ç·šãŒéŸ³æ¥½ã®ãã®éƒ¨åˆ†ã«æã‹ã‚Œã¦ã„ã‚‹ã‹ã‚’テストã—ã¾ã™ã€‚å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã¨ã€æ¥½èœã®å°ç¯€ç·šãŒä¸€è‡´ã—ã¦ã„ãªã„ã¨ã€<span class="application"><strong>LilyPond</strong></span> ã¯è¦å‘Šã‚’表示ã—ã¾ã™ã€‚<span class="application"><strong>LilyPond</strong></span> ã¯ã€éŸ³æ¥½ã®å‡¦ç†ã‚’続行ã—ã€è‡ªå‹•çš„ã«ãªã‚“らã‹ã®éŸ³ã®é•·ã•ã‚’変更ã™ã‚‹ã“ã¨ã¯ã‚ã‚Šã¾ã›ã‚“。
+ </div><div class="para">
+ å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã¯ã€ãƒ‘イプ文å—ã€<code class="literal">|</code> ã§ã™ã€‚ã™ã¹ã¦ã®å°ç¯€ç·šã®å¾Œã«å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã‚’ç½®ãã€ï¼‘è¡Œã«ï¼‘å°ç¯€ã ã‘を入力ã™ã‚‹ã®ã‚’勧ã‚ã¾ã™ã€‚ãã®æ–¹ãŒã€èª¤ã‚Šã‚’ã™ã‚‹ã®ãŒå°‘ãªããªã‚‹ã¯ãšã§ã™ã€‚
+ </div><div class="para">
+ ã“ã®ä¾‹ã¯æ£ã—ãã€<span class="application"><strong>LilyPond</strong></span> ã¯è¦å‘Šã‚’表示ã—ã¾ã›ã‚“：
+<pre class="programlisting">
+\time 4/4
+c4 c c c |
+c4 c c c |
+</pre>
+ ï¼”ã¤ã®ï¼”分音符ãŒãã‚Œãžã‚Œã®å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã®é–“ã«ã‚ã‚Šã€ã“ã®æ‹åã«ãŠã‘ã‚‹æ£ã—ã„æ•°ã®æ‹ã§ã™ã€‚
+ </div><div class="para">
+ ã“ã®ä¾‹ã¯èª¤ã‚Šã§ã€<span class="application"><strong>LilyPond</strong></span> ã¯è¦å‘Šã‚’表示ã—ã¾ã™ã€‚
+<pre class="programlisting">
+\time 4/4
+c4 c2 c4 |
+c4 c2 c |
+c4 c2 c4 |
+</pre>
+ ã“ã®ä¾‹ã¯ã€åŒã˜ãƒ‘ターンã®ï¼“ã¤ã®å°ç¯€ãŒã‚ã‚Šã¾ã™ï¼š <code class="literal">c4 c2 c4</code> 。二å°ç¯€ç›®ã¯æœ€å¾Œã®ï¼”分音符 (<code class="literal">4</code>) ãŒãªãã€<span class="application"><strong>LilyPond</strong></span> ã¯ã€ï¼‘ã¤ã®ï¼”分音符ã¨ã€ãã‚Œã«ç¶šãï¼’ã¤ã®ï¼’分音符を出力ã—ã¾ã™ã€‚二å°ç¯€ã¯ã€ï¼•æ‹ã«ãªã‚‹ã®ã§ã€å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã¨å°ç¯€ç·šã¯ã€ï¼”ã¤ã‚ã®æ‹ä»¥é™ã€ä¸€è‡´ã—ãªããªã‚Šã¾ã™ã€‚<span class="application"><strong>LilyPond</strong></span> ã¯ã€äºŒå°ç¯€ç›®ã®æœ€å¾Œã®å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã«æ¥ãŸã¨ã“ã‚ã§è¦å‘Šã‚’表示ã—ã¾ã™ã€‚
+ </div><div class="para">
+ ã“ã®ä¾‹ã‚’見ã¦ãã ã•ã„。
+<pre class="programlisting">
+\time 4/4
+c2 c c c |
+c4 c c c |
+</pre>
+ 最åˆã®å°ç¯€ã¯ã€ï¼”ã¤ã®ï¼’分音符ãŒã‚ã‚Šã€è¨±ã•ã‚Œã‚‹æ‹ã®å€ã§ã™ã€‚<span class="application"><strong>LilyPond</strong></span> ã¯ã€æœ€åˆã®å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã®ã¨ã“ã‚ã§è¦å‘Šã‚’表示ã—ã¾ã™ã€‚
+ </div><div class="para">
+ ファイルã®ï¼‘ã¤ã®èª¤ã‚Šã®ãŸã‚ã«ã€ã¨ãã«ã¯ <span class="application"><strong>LilyPond</strong></span> ãŒãŸãã•ã‚“ã®è¦å‘Šã‚’表示ã™ã‚‹ã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ãŒã€ <span class="application"><strong>LilyPond</strong></span> ã«ã€å°ç¯€ç·šã‚’挿入ã•ã›ã‚‹ã¨ã„ã†ã“ã¨ã¯ã‚ã‚Šã¾ã›ã‚“。 <span class="application"><strong>LilyPond</strong></span> ã¯ã€ãƒ•ã‚¡ã‚¤ãƒ«ã®ã¨ãŠã‚Šã®é•·ã•ã§éŸ³ç¬¦ã‚’入れ続ã‘ã¾ã™ã€‚以下ã®ä¾‹ã¨ã€ <span class="application"><strong>LilyPond</strong></span> ã®å‡ºåŠ›ã‚’見ã¦ãã ã•ã„。
+<pre class="programlisting">
+\time 4/4
+c4 c2 c4 |
+c4 c2 c |
+c4 c2 c4 |
+</pre>
+
+<pre class="programlisting">
+Interpreting music...
+example.ly:3:10: warning: barcheck failed at: 1/4
+ c4 c2 c
+ |
+</pre>
+ 二å°ç¯€ç›®ã®èª¤ã‚Šã®ãŸã‚ã€å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã®ã¨ã“ã‚ã§è¦å‘ŠãŒå‡ºã¾ã™ã€‚ <span class="application"><strong>LilyPond</strong></span> ã¯éŸ³ç¬¦ã®é•·ã•ã‚’変ãˆãªã„ã®ã§ã€äºŒå°ç¯€ç›®ã®çµ‚ã‚ã‚Šã®ï¼’分音符ã¯äºŒå°ç¯€ç›®ã®ï¼”æ‹ç›® <span class="emphasis"><em>ã¨</em></span> 三å°ç¯€ç›®ã®æœ€åˆã®æ‹ã‚’å ã‚ã¾ã™ã€‚三å°ç¯€ç›®ã¯å››æ‹ã‚ã£ã¦æ£ã—ã„ã§ã™ãŒã€ <span class="application"><strong>LilyPond</strong></span> ã¯æœ€å¾Œã®ï¼”分音符ã®å¾Œã§ãªãã€ãã®å‰ã«å°ç¯€ç·šã‚’期待ã™ã‚‹ãŸã‚ã€å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã¯è¦å‘Šã‚’表示ã—ã¾ã™ã€‚
+ </div><div class="para">
+ 混乱を防ããŸã‚ã«ã‚‚ã€ã¾ãšæœ€åˆã®è¦å‘Šã‚’ä¿®æ£ã—ã¦ã€ãƒ•ã‚¡ã‚¤ãƒ«ã‚’å†åº¦å‡¦ç†ã—ã€æ®‹ã‚Šã®è¦å‘Šã‚’ä¿®æ£ã™ã‚‹ã®ãŒã‚ˆã„ã§ã™ã€‚１ã¤ã®èª¤ã‚ŠãŒã€å¤šãã®è¦å‘Šã‚’生むã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.5.8. 誤りをé¿ã‘ã‚‹ã«ã¯</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.6. 対ä½æ³•ã®èª²é¡Œã‚’ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors.html
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@@ -0,0 +1,15 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.5.8. 誤りをé¿ã‘ã‚‹ã«ã¯</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Syntax.html" title="12.5. LilyPond ã®åŸºæœ¬" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Syntax-Source_Files.html" title="12.5.7. ソースファイルã¨ãã®ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆ" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol.html" title="12.5.8.2. å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«" /></head><body class="draft toc_embeded "><div id="to
cdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Source_Files.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.5.8. 誤りをé¿ã‘ã‚‹ã«ã¯" id="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Mus
icians_Guide-LilyPond-Syntax-Avoiding_Errors">12.5.8. 誤りをé¿ã‘ã‚‹ã«ã¯</h3></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> シンタックスã¯ã€éŸ³æ¥½ã®èª¤ã‚Šã‚’é¿ã‘ã‚‹ã®ã‚’助ã‘ã‚‹ï¼’ã¤ã®çµ„ã¿è¾¼ã¿ã‚·ãƒ³ãƒœãƒ«ã‚’æŒã¡ã¾ã™ã€‚オクターブãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã¯éŸ³ç¬¦ãŒæ„図ã—ãŸã‚ªã‚¯ã‚¿ãƒ¼ãƒ–ã«ã‚ã‚‹ã“ã¨ã‚’ä¿è¨¼ã—ã¾ã™ã€‚å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã¯ã€å°ç¯€ç·šãŒæ„図ã—ãŸã¨ãŠã‚Šã§ã‚ã‚‹ã“ã¨ã‚’ä¿è¨¼ã—ã¾ã™ã€‚
+ </div><div class="section" title="12.5.8.1. オクターブãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«" id="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Octave_Check_Symbol"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Octave_Check_Symbol">12.5.8.1. オクターブãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«</h4></div></div></div><div class="para">
+ オクターブãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã¯ã€ç›¸å¯¾éŸ³ç¨‹ã‚’ã€ãã®å¯¾å¿œã™ã‚‹çµ¶å¯¾éŸ³ç¨‹ã¨æ¯”ã¹ã¾ã™ã€‚ã‚‚ã—音程ãŒé•ã†ã¨ã€<span class="application"><strong>LilyPond</strong></span> ã¯è¦å‘Šã‚’表示ã—ã€çµ¶å¯¾éŸ³ç¨‹ã§ç¶šã‘ã¾ã™ã€‚<span class="application"><strong>LilyPond</strong></span> ãŒè¦å‘Šã‚’表示ã—ãŸã‚‰ã€ç›¸å¯¾éŸ³ç¨‹ã‚’ä¿®æ£ã—ã¦ãã ã•ã„。
+ </div><div class="para">
+ The octave-check symbols is <code class="literal">=</code>. The symbol appears after the note, and is followed by a comma (<code class="literal">,</code>), apostrophe (<code class="literal">'</code>), or neither, depending on the intended relative octave of the pitch.
+ </div><div class="para">
+ Here is an example use of the octave-check symbol: <code class="code">c'='''</code>. In this example, the absolute pitch is <code class="code">c'''</code>, which <span class="application"><strong>LilyPond</strong></span> knows because of the <code class="code">c</code> at the left, and the <code class="code">'''</code> after the <code class="code">=</code> symbol.
+ </div><div class="para">
+ How does this example work: <code class="code">c'=4</code> ? There is a <code class="code">4</code> after the <code class="code">=</code> symbol instead of a comma or apostrophe. The absolute pitch is <code class="code">c</code>, which <span class="application"><strong>LilyPond</strong></span> knows because of the <code class="code">c</code> to the left of the <code class="code">=</code> symbol, and because there is no comma or apostrophe to the right of the <code class="code">=</code> symbol. <span class="application"><strong>LilyPond</strong></span> understands the <code class="code">4</code> as "quarter note."
+ </div><div class="para">
+ オクターブãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã¯ã€å¿…è¦ã¨æ€ã†ã¨ãã«ä½¿ã£ã¦ãã ã•ã„。新ã—ã„ユーザã¯ã€çµŒé¨“豊ã‹ãªãƒ¦ãƒ¼ã‚¶ã«æ¯”ã¹ã¦ã€ã‚ªã‚¯ã‚¿ãƒ¼ãƒ–ãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«ã‚’ã‚ˆã‚Šé »ç¹ã«ä½¿ã†ã‚ˆã†ã§ã™ã€‚
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Source_Files.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.5.7. ソースファイルã¨ãã®ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆ</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.5.8.2. å°ç¯€ç·šãƒã‚§ãƒƒã‚¯ã‚·ãƒ³ãƒœãƒ«</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.5.5. 和音</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Syntax.html" title="12.5. LilyPond ã®åŸºæœ¬" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Syntax-Simultaneity.html" title="12.5.4. åŒæ™‚性" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Syntax-Commands.html" title="12.5.6. コマンド" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to vie
w it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Simultaneity.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Commands.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.5.5. 和音" id="sect-Musicians_Guide-LilyPond-Syntax-Chords"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Chords">12.5.5. 和音</h3></div></div></div><div class="para">
+ Making use of the <code class="literal"><<</code> and <code class="literal">>></code> idea to indicate simultaneity, if a note has multiple pitches indicated between <code class="literal">></code> and <code class="literal"><</code> then <span class="application"><strong>LilyPond</strong></span> assumes that they are in a chord together. Notating a single chord with single <code class="literal">< ></code> brackets has two advantages: firstly, it is easier to see that they are a chord and not something more complex; secondly, it allows you to enter information more clearly.
+ </div><div class="para">
+ Consider the following examples, which should produce equivalent output: <code class="code"><<g'4->-5 b d>></code> and <code class="code"><g' b d>4->-5</code> With the first example, it is more difficult to see the chord notes, the duration, and what the <code class="literal">5</code> means. With the second example, it is easy to see that the chord notes are a <code class="literal">G</code>, a <code class="literal">B</code>, and a <code class="literal">D</code>, that they have quarter-note duration, and that the <code class="literal">5</code> is actually a fingering indication.
+ </div><div class="para">
+ There is another advantage to using <code class="literal"><</code> and <code class="literal">></code> for notation of simple chords: they preserve logical continuity in "relative" mode. The following note will always be notated as relative to the lowest note in the chord, regardless of how many octaves the chord covers. This is not true with <code class="literal"><<</code> and <code class="literal">>></code>, where where following notes will be notated as relative to the last note between the <code class="literal"><<</code> and <code class="literal">>></code>
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Simultaneity.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.5.4. åŒæ™‚性</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Commands.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.5.6. コマンド</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Commands-Contexts.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Commands-Contexts.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.5.6.2. コンテã‚スト</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Syntax-Commands.html" title="12.5.6. コマンド" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Syntax-Commands.html" title="12.5.6. コマンド" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Syntax-Source_Files.html" title="12.5.7. ソースファイルã¨ãã®ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆ" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class=
"toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Commands.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Source_Files.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.5.6.2. コンテã‚スト" id="sect-Musicians_Guide-LilyPond-Syntax-Commands-Contexts"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Commands-Contexts">12.5.6.2. コンテã‚ã‚
¹ãƒˆ</h4></div></div></div><div class="para">
+ Another aspect of <span class="application"><strong>LilyPond</strong></span> that often confuses beginners is the idea of contexts. It is an essential concept for modifying default behaviour. Like everything in <span class="application"><strong>LilyPond</strong></span>, it makes perfect sense: "context" means "context." The three primary contexts are "Voice," "Staff," and "Score." Everything that happens in a score happens in a context - it's just that simple - everything happens in a context! Everything that happens in a score happens in Score context, everything that happens on a staff happens in a Staff context, and everything that happens in a voice happens in a Voice context.
+ </div><div class="para">
+ å°‘ã—ã‚ã‹ã‚Šã‚„ã™ãã™ã‚‹ãŸã‚ã«ã€ï¼“ã¤ã®ä¾‹ã‚’ã‚ã’ã¾ã—ょã†ã€‚
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 曲ã®ã‚¿ã‚¤ãƒˆãƒ«ã¯ã©ã“ã«å±žã—ã¾ã™ã‹ï¼Ÿ
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 楽èœã§ã—ょã†ã‹ã€‚ãã†ã§ã™ã€‚ãªã®ã§ã€ãã‚Œã¯æ¥½èœã‚³ãƒ³ãƒ†ã‚ストã«å±žã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Does it belong on a staff? No, so it doesn't belong in a Staff context.
+ </div></li><li class="listitem"><div class="para">
+ ãã‚Œã¯ã€å£°éƒ¨ã«å±žã—ã¾ã™ã‹ï¼Ÿã„ã„ãˆã€‚ãªãœãªã‚‰ã€å£°éƒ¨ã«ã‚ã‚‹ãŸã‚ã«ã¯ã€äº”ç·šèœã«ãªãã¦ã¯ã„ã‘ã¾ã›ã‚“。
+ </div></li></ul></div>
+ The composition's title doesn't belong on a staff or in a voice, but it does belong on the score, so we say that it happens in the Score context.
+ </div></li><li class="listitem"><div class="para">
+ 音部記å·ã¯ã©ã“ã«å±žã—ã¾ã™ã‹ï¼Ÿ
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ãã‚Œã¯æ¥½èœã«å±žã—ã¾ã™ã‹ï¼Ÿã¯ã„。ãã‚Œã¯éŸ³ç¬¦ã®ä¸€éƒ¨ã§ã™ã‹ã‚‰ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Does it belong on a staff? Yes, because it wouldn't make sense to have a clef off a staff.
+ </div></li><li class="listitem"><div class="para">
+ Does it belong in a voice? No, because it's not related to a specific "line" or voice.
+ </div></li></ul></div>
+ 音部記å·ã¯æ™®é€šã¯äº”ç·šèœã«å±žã—ã€ãã‚Œãžã‚Œã®ãƒ©ã‚¤ãƒ³ã®æœ€åˆã«ã‚ã‚Šã¾ã™ã€‚ãªã®ã§ã€ãã‚Œã¯äº”ç·šèœã®ã‚³ãƒ³ãƒ†ã‚ストã§èµ·ãã‚‹ã€ã¨è¨€ã„ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 音符ã®çŽ‰ã¯ã©ã“ã«å±žã—ã¾ã™ã‹ï¼Ÿ
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ãã‚Œã¯æ¥½èœã«å±žã—ã¾ã™ã‹ï¼Ÿã¯ã„。ãã‚Œã¯éŸ³ç¬¦ã®ä¸€éƒ¨ã§ã™ã‹ã‚‰ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Does it belong on a staff? Yes - even if it's on a ledger line, note-heads are meaningless unless they're on a staff.
+ </div></li><li class="listitem"><div class="para">
+ ãã‚Œã¯å£°éƒ¨ã«å±žã—ã¾ã™ã‹ï¼Ÿã¯ã„。１ã¤ã®ç‰¹å®šã®éŸ³æ¥½ãƒ©ã‚¤ãƒ³ã¯ä¸»ã«ã€éŸ³ç¬¦ã®çŽ‰ã§ç¤ºã•ã‚Œã¾ã™ã‹ã‚‰ã€‚
+ </div></li></ul></div>
+ 音符ã®çŽ‰ã¯ã€ç‰¹å®šã®å£°éƒ¨ã«å±žã—ã¾ã™ã‹ã‚‰ã€ãã‚Œã¯å£°éƒ¨ã‚³ãƒ³ãƒ†ã‚ストã§èµ·ãã‚‹ã€ã¨è¨€ã„ã¾ã™ã€‚
+ </div></li></ol></div>
+
+ </div><div class="para">
+ ã•ã‚‰ã«ç†è§£ã‚’æ·±ã‚ã‚‹ãŸã‚ã€ä»¥ä¸‹ã‚’考ãˆã¦ãã ã•ã„ï¼›
+ </div><div class="para">
+ 本当ã®ä¸–ç•Œã¨åŒã˜ã‚ˆã†ã«ã€<span class="application"><strong>LilyPond</strong></span> ã®ã‚ªãƒ–ジェクトã¯æ½œåœ¨çš„ã«ã¯ã€ã©ã‚“ãªã‚³ãƒ³ãƒ†ã‚ストã«ã§ã‚‚ç¾ã‚Œã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ （ドアã®ã¨ã£ã¦ã®ã‚ˆã†ã«ï¼‰
+ </div></li><li class="listitem"><div class="para">
+ (like a bus driver sitting in a bus' drivers' seat)
+ </div></li><li class="listitem"><div class="para">
+ （スーパーマーケットã§é£Ÿæ–™å“ã‚’è²·ã£ã¦ã„る人ã®ã‚ˆã†ã«ï¼‰
+ </div></li><li class="listitem"><div class="para">
+ （音符ã®çŽ‰ã®éš£ã®ãƒ•ãƒ©ãƒƒãƒˆè¨˜å·ã®ã‚ˆã†ã«ï¼‰
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ... コンテã‚ストã®ã„ãã¤ã‹ã¯æ™®é€šã§ã¯ã‚ã‚Šã¾ã›ã‚“ãŒã€æ„味ã¯ã‚ã‚Šã¾ã™ã€‚...
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ （å£ã«ã¤ã„ãŸãƒ‰ã‚¢ã®ã¨ã£ã¦ã€‚ã‚‚ã—ã€å£ãŒãƒ‰ã‚¢ã®ã‚ˆã†ã«è¦‹ãˆã‚‹ã‚ˆã†ã«è¨è¨ˆã•ã‚ŒãŸãªã‚‰ã°ï¼‰
+ </div></li><li class="listitem"><div class="para">
+ （客å¸ã«åº§ã£ã¦ã„ã‚‹ãƒã‚¹ã®é‹è»¢æ‰‹ã€‚ã‚‚ã—ã€è»Šåº«ã«è¡Œãã¨ã“ã‚ãªã‚‰ã°ã€‚）
+ </div></li><li class="listitem"><div class="para">
+ （角ã®ãŠåº—ã§é£Ÿæ–™å“ã‚’è²·ã†äººã€‚ã‚‚ã—ã€ã‚¹ãƒ¼ãƒ‘ーマーケットãŒé–‰ã¾ã£ã¦ã„ã‚‹ãªã‚‰ã€‚）
+ </div></li><li class="listitem"><div class="para">
+ ï¼ˆæ–‡ç« ã®ãƒ‘ラグラフã«ã¤ã„ã¦ã„るフラット記å·ã€‚ã‚‚ã—ã€ãã®ãƒ‘ラグラフãŒãƒ•ãƒ©ãƒƒãƒˆè¨˜å·ã®ã“ã¨ã‚’書ã„ã¦ã„ã‚‹ãªã‚‰ã€‚）
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ... ãã—ã¦ã€ã‚³ãƒ³ãƒ†ã‚ストã®ã„ãã¤ã‹ã¯æ„味をæˆã—ã¾ã›ã‚“。ã—ã‹ã—ã€ãã‚Œã§ã‚‚èµ·ãå¾—ã¾ã™ã€‚...
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ （テレビã«ã¤ã„ãŸãƒ‰ã‚¢ã®ã¨ã£ã¦ï¼‰
+ </div></li><li class="listitem"><div class="para">
+ （レストランã§ãŠå®¢ã•ã‚“ã«çµ¦ä»•ã™ã‚‹ãƒã‚¹ã®é‹è»¢æ‰‹ï¼‰
+ </div></li><li class="listitem"><div class="para">
+ （政府機関ã®ã‚ªãƒ•ã‚£ã‚¹ã§é£Ÿæ–™å“ã‚’è²·ã†äººï¼‰
+ </div></li><li class="listitem"><div class="para">
+ （ページ番å·ã®ã‚ã‚‹ã¹ãã¨ã“ã‚ã€æ¥½èœã®ä¸Šã®è§’ã«ã‚るフラット記å·ï¼‰
+ </div></li></ul></div>
+
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> ã®è¨è¨ˆè€…ã¯ã€ã“ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã®ã™ã¹ã¦ã®å¯èƒ½ãªä½¿ã„方を考ãˆã‚‹ã®ã¯ç„¡ç†ã ã¨ã€è³¢æ˜Žã«ã‚‚決定ã—ã¾ã—ãŸã€‚ã“ã®ãŸã‚ã€<span class="application"><strong>LilyPond</strong></span> ã¯ã»ã¨ã‚“ã©ã®ã‚³ãƒ³ãƒ†ã‚ストã§ã»ã¨ã‚“ã©ã®è£½ç‰ˆè¨˜å·ã‚’使ãˆã‚‹ã‚ˆã†ã«ã—ã¾ã—ãŸã€‚ã•ã‚‰ã«ã€ã‚³ãƒ³ãƒ†ã‚ストã¯ä»–ã®ã‚³ãƒ³ãƒ†ã‚ストã®ä¸ã§èµ·ãã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚ãã‚Œã¯ã€ã‚‚ã£ã¨ã‚‚ãªã“ã¨ã§ã™ã€‚<code class="literal"> 声部 </code> コンテã‚ストã¯ã€<code class="literal"> äº”ç·šèœ </code> ã«ç¾ã‚Œã¦ã“ãæ„味ãŒã‚ã‚Šã€<code class="literal"> äº”ç·šèœ </code> 㯠<code class="literal"> æ¥½èœ </code> ã«ã‚ã£ã¦ã“ãæ„味ãŒã‚ã‚‹ã®ã§ã™ã€‚
+ </div><div class="para">
+ So, when trying to sort out the context in which something should apply, ask yourself exactly that: "In what context does this apply?" Beams and flags happen in one voice, accidentals apply to a whole staff, and tempo markings apply to the whole score. Although it may take some careful thought to get used to the idea, contexts ultimately make perfect sense.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Commands.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.5.6. コマンド</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Source_Files.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.5.7. ソースファイルã¨ãã®ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆ</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Commands.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Commands.html
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@@ -0,0 +1,21 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.5.6. コマンド</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Syntax.html" title="12.5. LilyPond ã®åŸºæœ¬" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Syntax-Chords.html" title="12.5.5. 和音" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Syntax-Commands-Contexts.html" title="12.5.6.2. コンテã‚スト" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an
iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Chords.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Commands-Contexts.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.5.6. コマンド" id="sect-Musicians_Guide-LilyPond-Syntax-Commands"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Commands">12.5.6. コマンド</h3></div></div></div><div class="para">
+ There are a wide variety of commands available in <span class="application"><strong>LilyPond</strong></span>, some of them quite simple, and other quite complex. They all begin with a backslash, followed by the name of the command, and subsequent "arguments" that give the command further information about what you want it to do. Just like using a letter to indicate a note, commands are simply another way for you to tell <span class="application"><strong>LilyPond</strong></span> how you want your score to be rendered.
+ </div><div class="para">
+ 例ãˆã°ã€<code class="code">\time 2/4</code> 㨠<code class="code">\clef bass</code> ã¯ã€ã¨ã¦ã‚‚よã使ã‚れるã ã‚ã†ï¼’ã¤ã®ã‚³ãƒžãƒ³ãƒ‰ã§ã™ã€‚ãれらã¯ã¾ã•ã«ã€è¦‹ãŸã¨ãŠã‚Šã®æ©Ÿèƒ½ã‚’æŒã¡ã¾ã™ï¼š <code class="literal">\time</code> ã¯æ‹å記å·ã‚’変ãˆã€<code class="literal">\clef</code> ã¯éŸ³éƒ¨è¨˜å·ã‚’変ãˆã¾ã™ã€‚ã“ã®ï¼’ã¤ã¯ã€ç•°ãªã‚‹ã‚³ãƒ³ãƒ†ã‚ストã«å±žã—ã¾ã™ï¼ˆ <code class="literal">\time</code> ã¯æ¥½èœå…¨ä½“ã«æœ‰åŠ¹ã§ã™ãŒã€<code class="literal">\clef</code> ã¯ãŸã １ã¤ã®äº”ç·šèœã«ã ã‘有効ã§ã™ã€‚）。
+ </div><div class="para">
+ It can take some time to remember even these basic commands and the way you should format their input, and this is where <span class="application"><strong>Frescobaldi</strong></span>'s built-in documentation viewer can help out. All of the official <span class="application"><strong>LilyPond</strong></span> documentation is made available in <span class="application"><strong>Frescobaldi</strong></span>, which makes it easy for you to view the documentation and make changes to your score in the same window of the same application.
+ </div><div class="section" title="12.5.6.1. カスタマイズ" id="sect-Musicians_Guide-LilyPond-Syntax-Commands-Customization"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Commands-Customization">12.5.6.1. カスタマイズ</h4></div></div></div><div class="para">
+ 出力ãŒã¨ã¦ã‚‚特別ã§ã€<span class="application"><strong>LilyPond</strong></span> ã®æ¨™æº–シンタックスã§ã¯è¨±ã•ã‚Œãªã„ãŸã‚ã«ã€ã‚«ã‚¹ã‚¿ãƒžã‚¤ã‚ºã—ãªãã¦ã¯ã„ã‘ãªã„ã¨ã„ã†ã“ã¨ã¯ã¾ã‚Œã§ã™ã€‚åˆå¿ƒè€…ã«ã¨ã£ã¦ã¯ã€æ—¢å˜ã®æ¥½èœã®è¦‹ãŸç›®ã‚’æ£ç¢ºã«å†ç¾ã—よã†ã¨ã™ã‚‹ã¨ã€ã“ã†ã„ã†ã“ã¨ã¯ã‚ˆãèµ·ãã¾ã™ã€‚<span class="application"><strong>LilyPond</strong></span> ã¯ã€å†…容ã«ãƒ•ã‚©ãƒ¼ã‚«ã‚¹ã—ãŸã€éŸ³æ¥½ã‚’表ç¾ã™ã‚‹æ–¹å¼ã‚’æä¾›ã—ã€ãã‚Œã¯é€šå¸¸ã¯ã€é«˜åº¦ãªã‚«ã‚¹ã‚¿ãƒžã‚¤ã‚¼ãƒ¼ã‚·ãƒ§ãƒ³ãªã—ã§ã‚‚æ„味ã®ã‚る出力を生æˆã™ã‚‹ã“ã¨ã‚’æ€ã„出ã—ã¦ãã ã•ã„。カスタマイズãŒæœ¬å½“ã«å¿…è¦ã‹ã€è¿·ã£ãŸã¨ãã¯ã€ãã‚Œã¯ãã®æ¥½èœã‹ã‚‰æ¼”å¥ã•ã‚Œã‚‹éŸ³æ¥½ã‚’変ãˆã‚‹ã®ã‹ã€ã¨è‡ªåˆ†ã«å•ã„ã‹ã‘ã¦ãã ã•ã„。
+ </div><div class="para">
+ 本当ã«ãªã‚“らã‹ã®è¨å®šã®ã‚«ã‚¹ã‚¿ãƒžã‚¤ã‚ºãŒå¿…è¦ãªã¨ãã¯ã€ä»¥ä¸‹ã®ï¼’点を覚ãˆã¦ãŠã„ã¦ãã ã•ã„：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> ã®ã‚«ã‚¹ã‚¿ãƒžã‚¤ã‚ºã¯ã€è¦æ±‚ã«æ¯”例ã—ã¦è¤‡é›‘ã«ãªã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 最終的ã«ã€ã‚«ã‚¹ã‚¿ãƒžã‚¤ã‚ºã¯ã€ã‚³ãƒžãƒ³ãƒ‰ã®å½¢ã‚’ã¨ã‚Šã¾ã™ã€‚
+ </div></li></ol></div>
+
+ </div><div class="para">
+ Searching the internet for <span class="application"><strong>LilyPond</strong></span> tips and tricks can be a life-saver, but it can also lead to needlessly complex solutions. Sometimes this is the result of poor solutions being posted on the internet, but more often it is the result of the ongoing development of <span class="application"><strong>LilyPond</strong></span>, which makes better solutions available regularly. For this reason, it is recommended to search the official <span class="application"><strong>LilyPond</strong></span> documentation first, then the "<span class="application"><strong>LilyPond</strong></span> Snippet Repository" (LSR - link here), and then Google.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Chords.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.5.5. 和音</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Commands-Contexts.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.5.6.2. コンテã‚スト</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.5.2. æ•°å—ã¯é•·ã•</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Syntax.html" title="12.5. LilyPond ã®åŸºæœ¬" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Syntax.html" title="12.5. LilyPond ã®åŸºæœ¬" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Syntax-Articulations.html" title="12.5.3. アーティã‚ュレーションã€è¡¨æƒ…記å·" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../
../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Articulations.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.5.2. æ•°å—ã¯é•·ã•" id="sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations">12.5.2. æ•°å—ã¯é•·ã•</h3></div></div></d
iv><div class="para">
+ A number appended to a letter is understood by <span class="application"><strong>LilyPond</strong></span> to indicate that particular note's note-value. A whole note is indicated with a 1, and all other durations are indicated with a number representing the fraction of a whole note that they occupy: half notes are 2 (like "1/2 note"); quarter notes are 4 (like "1/4 note"); eighth notes are 8 (like "1/8 note") and so on.
+ </div><div class="para">
+ To add a "dot" to a note (thereby increasing its length by one half), you simply include a period after the number. For example, <code class="literal">e4.</code> means "dotted quarter note on E."
+ </div><div class="para">
+ To add a "tie" from one note to the next (thereby continuing its duration across a measure-line), add a tilde ( <code class="literal">~</code> ) after the pitch and duration.
+ </div><div class="para">
+ é•·ã•ã‚’指定ã—ãŸå¾Œã¯ã€åˆ¥ã®æŒ‡ç¤ºãŒã‚ã‚‹ã¾ã§ã€ã™ã¹ã¦ã®ç¶šã音符ã¯åŒã˜é•·ã•ã‚’æŒã¤ã‚‚ã®ã¨ã•ã‚Œã¾ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.5. LilyPond ã®åŸºæœ¬</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Articulations.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.5.3. アーティã‚ュレーションã€è¡¨æƒ…記å·</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.5.4. åŒæ™‚性</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Syntax.html" title="12.5. LilyPond ã®åŸºæœ¬" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Syntax-Articulations.html" title="12.5.3. アーティã‚ュレーションã€è¡¨æƒ…記å·" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Syntax-Chords.html" title="12.5.5. 和音" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../
toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Articulations.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Chords.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.5.4. åŒæ™‚性" id="sect-Musicians_Guide-LilyPond-Syntax-Simultaneity"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Simultaneity">12.5.4. åŒæ™‚性</h3></div></div></div><div class="para">
+ Simply put, anything enclosed inside <code class="literal"><<</code> and <code class="literal">>></code> is considered by <span class="application"><strong>LilyPond</strong></span> to happen simultaneously. This can be used in any context (and any Context - see above/below). It is possible to tell <span class="application"><strong>LilyPond</strong></span> that you want two notes to happen at the same time in the same voice (yielding a chord), at the same time on the same staff (yielding polyphony), and so on. Moreover, any score with multiple staves will use <code class="literal"><<</code> and <code class="literal">>></code> to tell <span class="application"><strong>LilyPond</strong></span> that the parts should begin at the same time, and creative use of <code class="literal"><<</code> and <code class="literal">>></code> is one of the keys to advanced notation.
+ </div><div class="para">
+ 最åˆã¯ã€åŒæ™‚性をç†è§£ã™ã‚‹ã“ã¨ã¯é‡è¦ã§ã¯ã‚ã‚Šã¾ã›ã‚“。<span class="application"><strong>Frescobaldi</strong></span> ãŒã‚ãªãŸã«ä»£ã‚ã£ã¦ã©ã®ã‚ˆã†ã«æ¥½èœã‚’作æˆã™ã‚‹ã‹ã€ãã—ã¦ã€ã‚¤ãƒ³ã‚¿ãƒ¼ãƒãƒƒãƒˆä¸Šã®ä¾‹ãŒã“れらã®è¨˜å·ã‚’ã©ã®ã‚ˆã†ã«ä½¿ã£ã¦ã„ã‚‹ã‹ã‚’観察ã™ã‚‹ã“ã¨ã§ã€ã‚ãªãŸã¯ã„ãšã‚Œãã®ä½¿ã„方をç†è§£ã™ã‚‹ã§ã—ょã†ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Articulations.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.5.3. アーティã‚ュレーションã€è¡¨æƒ…記å·</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Chords.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.5.5. 和音</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Source_Files.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Source_Files.html
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@@ -0,0 +1,81 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.5.7. ソースファイルã¨ãã®ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆ</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Syntax.html" title="12.5. LilyPond ã®åŸºæœ¬" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Syntax-Commands-Contexts.html" title="12.5.6.2. コンテã‚スト" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors.html" title="12.5.8. 誤りをé¿ã‘ã‚‹ã«ã¯" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe i
d="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Commands-Contexts.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.5.7. ソースファイルã¨ãã®ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆ" id="sect-Musicians_Guide-LilyPond-Syntax-Source_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyP
ond-Syntax-Source_Files">12.5.7. ソースファイルã¨ãã®ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆ</h3></div></div></div><div class="para">
+ Source files are the text files prepared with instructions telling <span class="application"><strong>LilyPond</strong></span> the content of the score you want it to create. They are so called because these files are the "source" of what you wish to create. As with programming languages, the text inside these files is often referred to as "source code." It sounds scary to think that you must edit code in order to use <span class="application"><strong>LilyPond</strong></span>, but "code" just means that it isn't normal English (or insert-language-here).
+ </div><div class="para">
+ The particular formatting (the placement of tabs, spaces, and newlines) is not determined by <span class="application"><strong>LilyPond</strong></span>, but by individual users. This can be a headache when you encounter somebody else's formatting, but it is one of the keys to the application's flexibility. This guide uses a very specific style of formatting, but it should be understood that this is simply the style of one user, affected by their experiences, and the tasks they usually perform in <span class="application"><strong>LilyPond</strong></span>.
+ </div><div class="para">
+ ã‚ãªãŸã¯ã„ãšã‚Œã€è‡ªåˆ†ã®ã‚„ã‚ŠãŸã„ã“ã¨ã«ã‚ã£ãŸã€è‡ªåˆ†ç‹¬è‡ªã®ã‚¹ã‚¿ã‚¤ãƒ«ã‚’ã¤ãり上ã’ã‚‹ã§ã—ょã†ã€‚ãã®ã¨ãã€å¿ƒã«ãŠã„ã¦ã»ã—ã„ルールã¯ãŸã １ã¤ã§ã™ï¼šã‚½ãƒ¼ã‚¹ãƒ•ã‚¡ã‚¤ãƒ«ã®ä¸ã§ã€ä¸€è²«ã—ã¦ã„ã‚‹ã“ã¨ã€‚ソースファイルãŒä¸€è²«ã—ãŸæ–¹æ³•ã§ãƒ—ãƒã‚°ãƒ©ãƒ ã•ã‚Œã¦ã„ã‚‹ãªã‚‰ã°ã€ãã®ãƒ•ã‚¡ã‚¤ãƒ«ã‚’使ã„ãŸã„ã¨æ€ã†äººï¼ˆæœªæ¥ã®ã‚ãªãŸã‹ã‚‚ã—ã‚Œã¾ã›ã‚“）ã¯èª°ã§ã‚‚ã€ãã‚ŒãŒã©ã®ã‚ˆã†ã«æ§‹æˆã•ã‚Œã¦ã„ã‚‹ã‹ç°¡å˜ã«åˆ¤æ–ã§ãã¾ã™ã€‚
+ </div><div class="section" title="12.5.7.1. ソースファイルã®æ§‹æˆ" id="sect-Musicians_Guide-"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-">12.5.7.1. ソースファイルã®æ§‹æˆ</h4></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> ファイルã¯ã€ã‚³ãƒžãƒ³ãƒ‰ã®é€£ç¶šã¨ã—ã¦ä½œã‚‰ã‚Œã¾ã™ã€‚良ã„ã“ã¨ã‹æ‚ªã„ã“ã¨ã‹ã€<span class="application"><strong>LilyPond</strong></span> インタプリタã¯ã€ã‚½ãƒ¼ã‚¹ãƒ•ã‚¡ã‚¤ãƒ«ã®æ§‹æˆã«é–¢ã—ã¦ã¯ã€ã¨ã¦ã‚‚許容範囲ãŒåºƒã„ã§ã™ã€‚ã“ã‚Œã¯ã€<span class="application"><strong>Frescobaldi</strong></span> ã®ã‚ˆã†ãªè‡ªå‹•æ¥½èœè¨å®šãƒ„ールを使ã†ã¨ãã«ã¯ç‰¹ã«ã€ã©ã“ã«ä½•ã‚’ç½®ãã‹ã«ã¤ã„ã¦ã€èª¤è§£ã‚’ã¾ããã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> ソースファイルã®ä¸€èˆ¬çš„ãªæ§‹æˆã¯ã€ä»¥ä¸‹ã§ã™ï¼š
+<pre class="programlisting">
+\version <em class="replaceable"><code>version_number</code></em>
+
+\header { <em class="replaceable"><code>things like title, composer, and so on</code></em> }
+
+\score
+{
+ \new Staff
+ {
+ <em class="replaceable"><code>notes go here</code></em>
+ }
+
+ \layout
+ {
+ }
+
+ <em class="replaceable"><code>and so on</code></em>
+}
+</pre>
+
+ </div><div class="para">
+ Confusion arises here: for maximum flexibility, <span class="application"><strong>LilyPond</strong></span> allows source files to create its own commands. On hearing this, you may think, "Okay that's it - I don't need advanced commands or any of this stuff, so I'm packing it in and just using Finale!" There's no need to do that just yet - commands are easy! Think of commands - whether you wrote them or they were included with <span class="application"><strong>LilyPond</strong></span> - as a means of text-substition.
+ </div><div class="para">
+ ã“ã‚“ãªé¢¨ã«ã¯ãŸã‚‰ãã¾ã™ï¼š
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ You "define" (create) a command with the form <code class="code"><em class="replaceable"><code>commandName</code></em> = { <em class="replaceable"><code>lots of commands</code></em> }</code>
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ ãã“より後ã§ã€ã©ã“ã§ã‚‚ã€ä½•åº¦ã§ã‚‚ã€å¥½ããªã ã‘ã€ã‚½ãƒ¼ã‚¹ãƒ•ã‚¡ã‚¤ãƒ«ã« <code class="code">\ コマンドå </code> ã¨æ›¸ã‘ã°ãã®ã‚³ãƒžãƒ³ãƒ‰ã‚’使ã†ã“ã¨ãŒã§ãã¾ã™ã€‚<span class="application"><strong>LilyPond</strong></span> ãŒãƒ†ã‚ストã®ãã®éƒ¨åˆ†ã‚’処ç†ã™ã‚‹ã¨ãã€ã‚ãªãŸãŒå®šç¾©ã®ã¨ã“ã‚ã«æ›¸ã„ãŸã‚‚ã®ã«ç½®ãæ›ã‚ã‚Šã¾ã™ã€‚
+ </div></li></ol></div><div class="para">
+ It's as easy as 1-2!
+ </div><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> （ãã—ã¦ã»ã¨ã‚“ã©ã® <span class="application"><strong>LilyPond</strong></span> ユーザ）ã¯ã“ã®æ©Ÿèƒ½ã‚’利用ã—ã¦ã€ã‚ˆã構æˆã•ã‚Œã€ä½¿ã„ã‚„ã™ã„ソースファイルを作æˆã—ã¾ã™ã€‚
+ </div><div class="para">
+ ã“ã‚Œã¯ã€<span class="application"><strong>Frescobaldi</strong></span> ãŒã‚ãªãŸã®ãŸã‚ã«ç”Ÿæˆã—ãŸã‹ã‚‚ã—ã‚Œãªã„ã€è‰¯ã„テンプレートソースファイルã§ã™ï¼š
+<pre class="programlisting">
+\version "2.12.2"
+
+\header
+{
+ title = "Empty Example"
+}
+
+violin = \relative c''
+{
+ \key c \major
+ \time 4/4
+ % Music follows here.
+
+ <em class="replaceable"><code>Put your music here</code></em>
+}
+
+\score
+{
+ \new Staff \with
+ {
+ instrumentName = "Violin"
+ }
+ \violin
+ \layout { }
+}
+</pre>
+
+ </div><div class="para">
+ ã“ã®ä¾‹ã¯å¤šãã®çµ„ã¿è¾¼ã¿ã‚³ãƒžãƒ³ãƒ‰ (<code class="literal">\relative</code> ã‚„ <code class="literal">\key</code>) を使ã„〠<code class="literal">violin</code> コマンドを定義ã—ã¾ã™ã€‚ <span class="application"><strong>Frescobaldi</strong></span> ã¯ã€ <code class="literal">% Music follows here.</code> コメントをã€ãã“ã«éŸ³ç¬¦ã‚’入力ã™ã‚‹ã¹ãå ´æ‰€ã«å…¥ã‚Œã¾ã™ã€‚ã‚ãªãŸã®éŸ³ç¬¦ã¯ã€ <code class="literal">violin</code> セクションã«å±žã™ã‚‹ã“ã¨ã«æ³¨æ„ãã ã•ã„。ã‚ãªãŸã¯ã€ <code class="literal">violin</code> コマンドã®éƒ¨åˆ†ã‚’書ãã¨ã„ã†ã“ã¨ã§ã™ã€‚
+ </div><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> separates the violin's notes from the <code class="literal">\score</code> section so that the source file is easier to read. You can fix errors more easily in well-organized source files. If you complete the following tutorials, you will learn three strategies to organize sources files.
+ </div><div class="para">
+ <code class="literal">\layout</code> セクションã¯ã€ã“ã®ä¾‹ã§ã¯ç©ºã§ã™ã€‚<code class="literal">\score</code> セクションã¨åŒã˜ã‚ˆã†ã«ã€ <code class="literal">\layout</code> ã¯ã‚³ãƒžãƒ³ãƒ‰ã§ã™ã€‚ <code class="literal">\layout</code> コマンドã¯ã€ LilyPond ã«ã€æ¥½èœã‚’出力ã™ã‚‹ã‚ˆã†ã«æŒ‡ç¤ºã—ã¾ã™ã€‚進んã ユーザã¯ã¨ãã«ã¯ã€ <code class="literal">\layout</code> コマンドを削除ã™ã‚‹ã“ã¨ã‚‚ã‚ã‚Šã¾ã™ãŒã€ã»ã¨ã‚“ã©ã®ã‚½ãƒ¼ã‚¹ãƒ•ã‚¡ã‚¤ãƒ«ã¯ãれを使ã„ã¾ã™ã€‚
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Commands-Contexts.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.5.6.2. コンテã‚スト</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.5.8. 誤りをé¿ã‘ã‚‹ã«ã¯</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.5. LilyPond ã®åŸºæœ¬</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-LilyPond.html" title="第12ç« LilyPond" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Configure_Frescobaldi.html" title="12.4. Configure Frescobaldi" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations.html" title="12.5.2. æ•°å—ã¯é•·ã•" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">T
his is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Configure_Frescobaldi.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="section" title="12.5. LilyPond ã®åŸºæœ¬" id="sect-Musicians_Guide-LilyPond-Syntax" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-Syntax">12.5. <span class="application"><strong>LilyPond</str
ong></span> ã®åŸºæœ¬</h2></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> ファイルã®ã‚·ãƒ³ã‚¿ãƒƒã‚¯ã‚¹ã¯ã€ã™ã¹ã¦ã®éŸ³æ¥½çŠ¶æ³ã«ãŠã„ã¦ã€æœ€å¤§ã®æŸ”軟性をæä¾›ã—ã¾ã™ã€‚ã‚ãªãŸã¯ä½•åº¦ã‚‚ã€æœ€åˆã¯è¤‡é›‘ã™ãŽã‚‹ã¨æ€ã‚ã‚ŒãŸæ©Ÿèƒ½ãŒã€å®Ÿã¯ã€è¤‡é›‘ãªå•é¡Œã‚’解ããŸã‚ã®ã¨ã¦ã‚‚パワフルã§ã‚·ãƒ³ãƒ—ルãªæ–¹æ³•ã§ã‚ã‚Šã€ãã‚Œã¯å¸‚販ã®ãƒ—ãƒã‚°ãƒ©ãƒ ã§ã¯ä¸å¯èƒ½ã ã¨ã„ã†ã“ã¨ã«æ°—ãŒã¤ãã§ã—ょã†ã€‚
+ </div><div class="section" title="12.5.1. æ–‡å—ã¯éŸ³ç¨‹" id="sect-Musicians_Guide-LilyPond-Syntax-Letters_Are_Pitches"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Letters_Are_Pitches">12.5.1. æ–‡å—ã¯éŸ³ç¨‹</h3></div></div></div><div class="para">
+ One letter is all that's required to create a note in <span class="application"><strong>LilyPond</strong></span>. There are additional symbols and letters that are added to indicate further details, like the register, and whether the note is "sharp" or "flat."
+ </div><div class="para">
+ Although it can be changed, the default (and recommended) way to indicate "sharp" or "flat" is by using Dutch note-names: "-is" to indicate a sharp, and "-es" to indicate a flat. For example, the following command would create b-double-flat, b-flat, b, b-sharp, and b-double-sharp: <code class="code">beses bes b bis bisis</code> Getting used to these names happens quickly, and they take less time to input than the English alternative. Furthermore, with these names, it becomes possible to sing note-names when you are ear training!
+ </div><div class="para">
+ Pitch can be entered either absolutely, or relative to the preceding notes. Usually (for music without frequent large leaps) it is more convenient to use the "relative" mode. The symbols <code class="literal">,</code> and <code class="literal">'</code> (comma and apostrophe) are used to indicate register.
+ </div><div class="para">
+ When entering absolute pitches, the register is indicated mostly as in the Helmholtz system (see <em class="citetitle">Helmholtz Pitch Notation (Wikipedia)</em> at <a href="http://en.wikipedia.org/wiki/Helmholtz_pitch_notation">http://en.wikipedia.org/wiki/Helmholtz_pitch_notation</a>: octaves begin on the pitch "C," and end eleven tones higher on the pitch "B." The octave below "middle C" (octave 3 in scientific pitch notation - see <em class="citetitle">Scientific Pitch Notation (Wikipedia)</em> at <a href="http://en.wikipedia.org/wiki/Scientific_pitch_notation Scientific Pitch Notation">http://en.wikipedia.org/wiki/Scientific_pitch_notation Scientific Pitch Notation</a>) has no commas or apostrophes. The octave starting on "middle C" (octave 4) has one apostrophe; the octave above that (octave 5) has two apostrophes, and so on. Octave 2 (starting two octaves below "middle C") has one comma, the octave below that has two commas, and so on. It is usually not necessary to
understand how to use this in <span class="application"><strong>LilyPond</strong></span>, or to be able to use it quickly, because most scores will use "relative mode."
+ </div><div class="para">
+ When entering pitches relative to the previous one, the register is still indicated with commas or apostrophes, but usually none are needed. When using this input mode, the octave of each note is guessed based on the octave of the previous note. Think of it this way: the next note will always be placed so it produces the smaller interval. For example, after a C, an E could be placed as a major third, a minor sixth, a major tenth, a minor thirteenth, and so on. In relative mode, <span class="application"><strong>LilyPond</strong></span> will always choose the "major third" option. If you wanted <span class="application"><strong>LilyPond</strong></span> to notate the E so that it's a minor sixth, you would tell <span class="application"><strong>LilyPond</strong></span> with a comma appended: <code class="code">c e,</code> so that <span class="application"><strong>LilyPond</strong></span> knows what you want. It's the same case if you were to input <code class="code">c aes</
code> (meaning "C then A-flat"): the A-flat will be notated so that it is a major third from the C; if you wanted <span class="application"><strong>LilyPond</strong></span> to notate it so that the A-flat is a minor sixth higher than the C, you would need to append an apostrophe: <code class="code">c aes'</code>
+ </div><div class="para">
+ The only possible ambiguity with this method is with a tritone. <span class="application"><strong>LilyPond</strong></span> solves this by not recognizing "tritones," per se, and thinking of them as "augmented fourth" or "diminished fifth." Unless instructed otherwise (with a comma or apostrophe), <span class="application"><strong>LilyPond</strong></span> will always notate the interval as an augmented fourth.
+ </div><div class="para">
+ シャープã¨ãƒ•ãƒ©ãƒƒãƒˆã¯ã€äº”ç·šèœã®æœ€åˆã®èª¿å·ã§æŒ‡å®šãŒã‚ã‚‹ã¨ãã§ã‚‚ã€å¸¸ã«æŒ‡å®šã—ãªãã¦ã¯ã„ã‘ã¾ã›ã‚“。ã“ã‚Œã¯ã€æœ€çµ‚çš„ã«ã¯ã€èª¤ã‚Šã®æ•°ã‚’減らã™ã®ã«å½¹ã«ç«‹ã¡ã¾ã™ã€‚
+ </div><div class="para">
+ 音程を示ã™ã®ã«ä½¿ã‚れる文å—ã¯ã€å¸¸ã«å°æ–‡å—ã§ã™ã€‚
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Configure_Frescobaldi.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>12.4. Configure Frescobaldi</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.5.2. æ•°å—ã¯é•·ã•</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-The_LilyPond_Approach.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-The_LilyPond_Approach.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.2. LilyPond アプãƒãƒ¼ãƒ</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-LilyPond.html" title="第12ç« LilyPond" /><link rel="prev" href="chap-Musicians_Guide-LilyPond.html" title="第12ç« LilyPond" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Installation.html" title="12.3. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upg
rade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-LilyPond.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Installation.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="12.2. LilyPond アプãƒãƒ¼ãƒ" id="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach">12.2. <span class="application"><strong>LilyPond</strong></span> アプãƒãƒ¼ãƒ</h2></div></div></div><div class="pa
ra">
+ 以下ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã®å®Œå…¨ãªèª¬æ˜Žã¯ã€<a href="http://www.lilypond.org/about/automated-engraving/">http://www.lilypond.org/about/automated-engraving/</a> ã® <em class="citetitle"><span class="application"><strong>LilyPond</strong></span> Website</em> ã‚’å‚ç…§ãã ã•ã„。以下ã®å†…容もãã“ã‹ã‚‰å¾—られãŸã‚‚ã®ã§ã™ã€‚
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> works by separating the tasks of what to put, and where to put it. Each aspect of an object's position is controlled by a specific plug-in. You can think of the plug-ins as tools. <span class="application"><strong>LilyPond</strong></span> knows how and when to use each tool; if it doesn't know enough about a tool, then it isn't used.
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> ãŒã‚ªãƒ–ジェクトを置ãå‰ã«ã€ãã‚Œã¯ã¾ãšãã®ã‚ªãƒ–ジェクトã®ãã‚Œãžã‚Œã®ã‚¢ãƒ©ã‚¤ãƒ³ãƒ¡ãƒ³ãƒˆã¨ãƒ¬ã‚¤ã‚¢ã‚¦ãƒˆã®å¤šãã®å¯èƒ½æ€§ã«ã¤ã„ã¦è€ƒå¯Ÿã—ã¾ã™ã€‚次ã«ã€<span class="application"><strong>LilyPond</strong></span> ã¯ãれらã®å¯èƒ½æ€§ã‚’ã€æ‰‹ã§æ›¸ã‹ã‚ŒãŸæ¥½èœã§ä½¿ã‚れるã®ã¨åŒã˜ç¾Žçš„ãªåŸºæº–ã«å¾“ã£ã¦è©•ä¾¡ã—ã¾ã™ã€‚ãã‚Œãžã‚Œã«ã€ç¾Žçš„ãªç†æƒ³ã«ã©ã®ãらã„è¿‘ã¥ã‘ãŸã‹ã‚’示ã™ç‚¹æ•°ã‚’付ã‘ãŸå¾Œã€<span class="application"><strong>LilyPond</strong></span> ã¯ã‚ˆã‚Šã‚ˆã„候補をé¸ã³ã¾ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-LilyPond.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>第12ç« LilyPond</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Installation.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>12.3. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Mastering.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Mastering.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.2.3. マスタリング</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Stages_of_Recording.html" title="6.2. 録音ã®ã‚¹ãƒ†ãƒ¼ã‚¸" /><link rel="prev" href="sect-Musicians_Guide-Mixing.html" title="6.2.2. ミã‚シング" /><link rel="next" href="sect-Musicians_Guide-Record_Mix_Master_More_Info.html" title="6.2.4. å‚考" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it
upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Mixing.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Record_Mix_Master_More_Info.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="6.2.3. マスタリング" id="sect-Musicians_Guide-Mastering"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Mastering">6.2.3. マスタリング</h3></div></div></div><div class="para">
+ Mastering is the process through which a version of the final mix is prepared for distribution and listening. Mastering can be performed for many target formats, including CD, tape, SuperAudio CD, or hard drive. Mastering often involves a reduction in the information available in an audio file: audio CDs are commonly recorded with 20- or 24-bit samples, for example, and reduced to 16-bit samples during mastering. While most physical formats (like CDs) also specify the audio signal's format, audio recordings mastered to hard drive can take on many formats, including OGG, FLAC, AIFF, MP3, and many others. This allows the person doing the mastering some flexibility in choosing the quality and file size of the resulting audio.
+ </div><div class="para">
+ ミã‚シングã¨ãƒžã‚¹ã‚¿ãƒªãƒ³ã‚°ã¯ã©ã¡ã‚‰ã‚‚独立ã—ãŸä½œæ¥ã§ã™ãŒã€æ™‚ã«ã¯åŒã˜æŠ€è¡“を使ã„ã¾ã™.例ãˆã°ã€ãƒžã‚¹ã‚¿ãƒªãƒ³ã‚°ã®æŠ€è¡“者ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’ã‚る物ç†åª’体ã«æœ€é©åŒ–ã™ã‚‹ãŸã‚ã«ã€ç‰¹åˆ¥ãªã‚¤ã‚³ãƒ©ã‚¤ã‚¼ãƒ¼ã‚·ãƒ§ãƒ³ãƒ•ã‚£ãƒ«ã‚¿ã‚’使ã†ã“ã¨ãŒã‚ã‚Šã¾ã™.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Mixing.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>6.2.2. ミã‚シング</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Record_Mix_Master_More_Info.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>6.2.4. å‚考</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Mixing.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Mixing.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.2.2. ミã‚シング</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Stages_of_Recording.html" title="6.2. 録音ã®ã‚¹ãƒ†ãƒ¼ã‚¸" /><link rel="prev" href="sect-Musicians_Guide-Stages_of_Recording.html" title="6.2. 録音ã®ã‚¹ãƒ†ãƒ¼ã‚¸" /><link rel="next" href="sect-Musicians_Guide-Mastering.html" title="6.2.3. マスタリング" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to
view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Stages_of_Recording.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Mastering.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="6.2.2. ミã‚シング" id="sect-Musicians_Guide-Mixing"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Mixing">6.2.2. ミã‚シング</h3></div></div></div><div class="para">
+ Mixing is the process through which recorded audio regions (also called "clips") are coordinated to produce an aesthetically-appealing musical output. This usually takes place after recording, but sometimes additional takes will be needed. Mixing often involves reducing audio from multiple tracks into two channels, for stereo audio - a process known as "down-mixing," because it decreases the amount of audio data.
+ </div><div class="para">
+ ミã‚シングã«ã¯ä¸»ã«ä»¥ä¸‹ã®å‡¦ç†ãŒã‚ã‚Šã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ エフェクトをオートメイトã™ã‚‹ã€
+ </div></li><li class="listitem"><div class="para">
+ レベルを調整ã™ã‚‹ã€
+ </div></li><li class="listitem"><div class="para">
+ タイムシフトã™ã‚‹ã€
+ </div></li><li class="listitem"><div class="para">
+ フィルタã™ã‚‹ã€
+ </div></li><li class="listitem"><div class="para">
+ パンã™ã‚‹ã€
+ </div></li><li class="listitem"><div class="para">
+ ç‰¹æ®ŠåŠ¹æžœã‚’åŠ ãˆã‚‹ã€
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ミã‚シングを行ã£ã¦ã„る人ãŒå®Œäº†ã—ãŸã¨æ€ã£ãŸã¨ãã€ãã®å®Œäº†ã—ãŸçµæžœã¯<em class="firstterm">ファイナルミックス</em>ã¨å‘¼ã°ã‚Œã¾ã™.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Stages_of_Recording.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>6.2. 録音ã®ã‚¹ãƒ†ãƒ¼ã‚¸</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Mastering.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>6.2.3. マスタリング</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Multichannel_Audio.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Multichannel_Audio.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.4.8. マルãƒãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Vocabulary.html" title="1.4. ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ¦‚念" /><link rel="prev" href="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing.html" title="1.4.7. ルーティングã¨å¤šé‡åŒ–" /><link rel="next" href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html" title="第2ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ç”¨ã®ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢" /></head><body class="draft toc_embe
ded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="1.4.8. マルãƒãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª" id="sect-Musicians_Guide-Multichannel_Audio"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="se
ct-Musicians_Guide-Multichannel_Audio">1.4.8. マルãƒãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</h3></div></div></div><div class="para">
+ <em class="firstterm">オーディオãƒãƒ£ãƒãƒ«</em>ã¨ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ‡ãƒ¼ã‚¿ã®å˜ä¸€ã®ãƒ‘スã§ã™ã€‚<em class="firstterm">マルãƒãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</em>ã¨ã¯åŒæ™‚ã«ï¼‘ã¤ä»¥ä¸Šã®ãƒãƒ£ãƒãƒ«ã‚’使ã„ã€ã‚·ãƒ³ã‚°ãƒ«ãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚ˆã‚Šå¤šãã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ‡ãƒ¼ã‚¿ã®è»¢é€ãŒå¯èƒ½ãªã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®ã“ã¨ã§ã™ã€‚
+ </div><div class="para">
+ Audio was originally recorded with only one channel, producing "monophonic," or "mono" recordings. Beginning in the 1950s, stereophonic recordings, with two independent channels, began replacing monophonic recordings. Since humans have two independent ears, it makes sense to record and reproduce audio with two independent channels, involving two speakers. Most sound recordings available today are stereophonic, and people have found this mostly satisfying.
+ </div><div class="para">
+ There is a growing trend toward five- and seven-channel audio, driven primarily by "surround-sound" movies, and not widely available for music. Two "surround-sound" formats exist for music: DVD Audio (DVD-A) and Super Audio CD (SACD). The development of these formats, and the devices to use them, is held back by the proliferation of headphones with personal MP3 players, a general lack of desire for improvement in audio quality amongst consumers, and the copy-protection measures put in place by record labels. The result is that, while some consumers are willing to pay higher prices for DVD-A or SACD recordings, only a small number of recordings are available. Even if you buy a DVD-A or SACD-capable player, you would need to replace all of your audio equipment with models that support proprietary copy-protection software. Without this equipment, the player is often forbidden from outputting audio with a higher sample rate or sample format than a conventional audio CD. None
of these factors, unfortunately, seem like they will change in the near future.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>1.4.7. ルーティングã¨å¤šé‡åŒ–</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>第2ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ç”¨ã®ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-PCI_Sound_Cards.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-PCI_Sound_Cards.html
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@@ -0,0 +1,5 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.2.2. 内蔵 PCI 接続</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Sound_Card_Connections.html" title="1.2. サウンドカードã®æŽ¥ç¶š" /><link rel="prev" href="sect-Musicians_Guide-Sound_Card_Connections.html" title="1.2. サウンドカードã®æŽ¥ç¶š" /><link rel="next" href="sect-Musicians_Guide-FireWire_Sound_Cards.html" title="1.2.3. 外部ã®FireWire 接続" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="
../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Sound_Card_Connections.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FireWire_Sound_Cards.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="1.2.2. 内蔵 PCI 接続" id="sect-Musicians_Guide-PCI_Sound_Cards"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-PCI_Sound_Cards">1.2.2. 内蔵 PCI 接続</h3></div></div></div><div class="para">
+ PCI ã¾ãŸã¯ PCI-Express ã§ãƒžã‚¶ãƒ¼ãƒœãƒ¼ãƒ‰ã«æŽ¥ç¶šã™ã‚‹ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¯ã€USB ã¾ãŸã¯ FireWire 接続ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã‚ˆã‚Šã‚‚高ã„パフォーマンスã¨ä½Žé…延をæä¾›ã—ã¾ã™ã€‚ プãƒå“質ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¯ã€å¤šãã®å ´åˆã€ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã«æŽ¥ç¶šã•ã‚ŒãŸå¤–部デãƒã‚¤ã‚¹ã‚’æŒã¡ã€ã“ã‚Œã«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ©Ÿå™¨ãŒæŽ¥ç¶šã•ã‚Œã¦ã„ã¾ã™ã€‚ ã‚ãªãŸã¯ãƒŽãƒ¼ãƒˆ PC ã‚„ãƒãƒƒãƒˆãƒ–ックコンピュータã§ã€ã“れらã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã‚’使用ã™ã‚‹ã“ã¨ã¯ã§ãã¾ã›ã‚“。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Sound_Card_Connections.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>1.2. サウンドカードã®æŽ¥ç¶š</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FireWire_Sound_Cards.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>1.2.3. 外部ã®FireWire 接続</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Processor_Scheduling.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Processor_Scheduling.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>3.2. プãƒã‚»ãƒƒã‚µã‚¹ã‚±ã‚¸ãƒ¥ãƒ¼ãƒªãƒ³ã‚°</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html" title="第3ç« ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ ã¨ä½Žé…延" /><link rel="prev" href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html" title="第3ç« ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ ã¨ä½Žé…延" /><link rel="next" href="sect-Musicians_Guide-Real_Time_Linux_Kernel.html" title="3.3. リアルタイムLinux カーãƒãƒ«" /></head><body class="draft toc_embeded "><div id="tocdiv" class=
"toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Real_Time_Linux_Kernel.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="3.2. プãƒã‚»ãƒƒã‚µã‚¹ã‚±ã‚¸ãƒ¥ãƒ¼ãƒªãƒ³ã‚°" id="sect-Musicians_Guide-Processor_Scheduling"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Processor_Scheduling">3.2.
プãƒã‚»ãƒƒã‚µã‚¹ã‚±ã‚¸ãƒ¥ãƒ¼ãƒªãƒ³ã‚°</h2></div></div></div><div class="para">
+ If you've ever opened the "System Monitor" application, you will probably have noticed that there are a lot of "processes" running all the time. Some of these processes need the processor, and some of them are just waiting around for something to happen. To help increase the number of processes that can run at the same time, many modern CPUs have more than one "core," which allows for more processes to be evaluated at the same time. Even with these improvements, there are usually more processes than available cores: my computer right now has 196 processes and only three cores. There has to be a way of decided which process gets to run and when, and this task is left to the operating system.
+ </div><div class="para">
+ In Linux systems like Fedora, the core of the operating system (called the <em class="firstterm">kernel</em>) is responsible for deciding which process gets to execute at what time. This responsibility is called "scheduling." Scheduling access to the processor is called, <em class="firstterm">processor scheduling</em>. The kernel also manages scheduling for a number of other things, like memory access, video hardware access, audio hardware access, hard drive access, and so on. The algorithm (procedure) used for each of these scheduling tasks is different for each, and can be changed depending on the user's needs and the specific hardware being used. In a hard drive, for example, it makes sense to consider the physical location of data on a disk before deciding which process gets to read first. For a processor this is irrelevant, but there are many other things to consider.
+ </div><div class="para">
+ There are a number of scheduling algorithms that are available with the standard Linux kernel, and for most uses, a "fair queueing" system is appropriate. This helps to ensure that all processes get an equal amount of time with the processor, and it's unacceptable for audio work. If you're recording a live concert, and the "PackageKit" update manager starts, you don't care if PackageKit gets a fair share of processing time - it's more important that the audio is recorded as accurately as possible. For that matter, if you're recording a live concert, and your computer isn't fast enough to update the monitor, keyboard, and mouse position while providing uninterrupted, high-quality audio, you want the audio instead of the monitor, keyboard, and mouse. After all, once you've missed even the smallest portion of audio, it's gone for good!
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>第3ç« ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ ã¨ä½Žé…延</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Real_Time_Linux_Kernel.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>3.3. リアルタイムLinux カーãƒãƒ«</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.2.2. Change Audio Options</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Configuration.html" title="8.2. 構æˆ" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Configuration.html" title="8.2. 構æˆ" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab.html" title="8.2.3. Change MIDI Options" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe
, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Configuration.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="8.2.2. Change Audio Options" id="sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab">8.2.2. Change Audio Options</h3></div></div></div><div class="para">
+ The "Capture/Export" setting allows you to choose the format in which Qtractor stores its audio clips when recorded or exported. You will be able to choose a file type, such as "WAV Microsoft" for standard ".wav" files, "AIFF Apple-SGI" for standard ".aiff" files, or the preferable "FLAC Lossless Audio Codec," format. FLAC is an open-source, lossless, compressed format for storing audio signals and metadata. See the <em class="citetitle">FLAC Website</em> <a href="http://flac.sourceforge.net/">http://flac.sourceforge.net/</a> for more information. You will also be asked to select a quality setting for lossy compressed formats, or a sample format for all lossless formats. If you do not know which sample format to choose, then "Signed 16-Bit" is a good choice for almost all uses, and will provide you with CD-quality audio. Most non-speciality hardware is incapable of making good use of higher sample formats. See <a class="xref" href="sect-Musicians_Guide-Sample_Rate_and_Sa
mple_Format.html" title="1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート">「サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレートã€</a> for more information about sample formats.
+ </div><div class="para">
+ Setting the "Transport mode" will allow you to adjust the behaviour of the transport.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ None : allows Qtractor's transport to operate independently
+ </div></li><li class="listitem"><div class="para">
+ Slave : allows Qtractor's transport to accept instructions sent by JACK's transport, which can be controlled by QjackCtl or another application.
+ </div></li><li class="listitem"><div class="para">
+ Master : allows Qtractor's transport to send instructions to JACK's transport, which can be viewed by QjackCtl, or used by another application.
+ </div></li><li class="listitem"><div class="para">
+ Full : is equivalent to "Master" and "Slave" modes simultaneously; Qtractor's transport will both send and accept instructions.
+ </div></li></ul></div>
+ If you are using Qtractor alone, or if you don't know which to choose, then "None" is a good choice. This setting can be adjusted at any time, if you later decide to link the transport in multiple applications.
+ </div><div class="para">
+ The "Metronome" section allows you to use a (short) audio file as the metronome sound, rather than the standard, MIDI-based metronome. You can choose the same file for "beat," and "bar," if you prefer. The "Dedicated audio metronome outputs" option outputs the audio metronome's signal through separate outputs in JACK. This is Ardour's default behaviour.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Configuration.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>8.2. 構æˆ</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>8.2.3. Change MIDI Options</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.2.4. Configure MIDI Channel Names</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Configuration.html" title="8.2. 構æˆ" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab.html" title="8.2.3. Change MIDI Options" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Using.html" title="8.3. Use Qtractor" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an
iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Using.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="8.2.4. Configure MIDI Channel Names" id="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names">8.2.4. Configure MIDI Channel Names</h3></div></div>
</div><div class="para">
+ If you're using "<span class="application"><strong>FluidSynth</strong></span>" with QSynth, you should tell Qtractor about the SoundFont that you're using. When you do this, you enable Qtractor to help you choose instruments ("patches").
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Click on 'View > Instruments'
+ </div></li><li class="listitem"><div class="para">
+ In the "Instruments" window, click "Import."
+ </div></li><li class="listitem"><div class="para">
+ <code class="filename">/usr/share/soundfonts</code> ã¸è¡Œãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ã‚ãªãŸãŒä½¿ã„ãŸã„サウンドフォントをé¸æŠžã—ã¾ã™ . デフォルト㯠FluidR3 GM サウンドフォントã§ã™ãŒã€ã‚ãªãŸã¯åŒæ™‚ã«ä½¿ã†è¤‡æ•°ã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã‚’é¸ã¶ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Close the "Instruments" window to return to the main Qtractor window.
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>8.2.3. Change MIDI Options</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Using.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>8.3. Use Qtractor</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.2.3. Change MIDI Options</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Configuration.html" title="8.2. 構æˆ" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab.html" title="8.2.2. Change Audio Options" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names.html" title="8.2.4. Configure MIDI Channel Names" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc"
src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="8.2.3. Change MIDI Options" id="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab">8.2.3. Change M
IDI Options</h3></div></div></div><div class="para">
+ Adjusting the "File format" allows you to change how MIDI clips are stored. You will not need to adjust this unless required by an external application. Refer to <em class="citetitle">Musical Instrument Digital Interface: Standard MIDI (.mid or .smf) (Wikipedia)</em> at <a href="http://en.wikipedia.org/wiki/Musical_Instrument_Digital_Interface#Standard_MIDI_.28.mid_or_.smf.29">http://en.wikipedia.org/wiki/Musical_Instrument_Digital_Interface#Standard_MIDI_.28.mid_or_.smf.29</a> for more information about file types.
+ </div><div class="para">
+ "MMC" stands for "MIDI Machine Control," and it allows multiple MIDI-connected devices to interact and control each other. Setting the "Transport mode" to a setting other than "None" allows it be controlled by MMC messages.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ None :Qtracto ã¯å…¥åŠ› MMC メッセージを無視ã—ã€MMC メッセージを出力ã—ã¾ã›ã‚“ .
+ </div></li><li class="listitem"><div class="para">
+ Input :Qtracto ã¯å…¥åŠ› MMC メッセージã«å¾“ã„ã¾ã™ãŒã€ã€MMC メッセージを出力ã—ã¾ã›ã‚“ .
+ </div></li><li class="listitem"><div class="para">
+ Output:Qtracto ã¯å…¥åŠ› MMC メッセージを無視ã—ã¾ã™ãŒã€MMC メッセージを出力ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Duplex :Qtracto ã¯å…¥åŠ› MMC メッセージã«å¾“ã„ã€MMC メッセージを出力ã—ã¾ã™ã€‚
+ </div></li></ul></div>
+ You can also select a particular MIDI device number with which Qtractor will interact; if you do this, it will ignore MMC messages from other devices, and not send MMC messages to other devices. Enabled the "Dedicated MIDI control input/output" will provide JACK with MIDI inputs and outputs that will be used by Qtractor only for MMC messages. Qtractor will not send or receive MMC messages sent on other inputs or outputs if this option is enabled. "SPP" stands for "Song Position Pointer," and helps MIDI-connected applications to keep track of the current location in a session (in other words, where the transport is). This should probably be set to the same setting as "MMC." If you don't know which of these settings to use, then setting "MMC" to "None" is a good choice. This setting can be adjusted at any time, if you later decide to link applications with MMC messages.
+ </div><div class="para">
+ The default metronome sound is provided by the "MIDI Metronome," and you can adjust its settings here. In particular, you may wish to provide a "Dedicated MIDI metronome output," to help you separate the metronome's signal.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>8.2.2. Change Audio Options</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>8.2.4. Configure MIDI Channel Names</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Configuration.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Configuration.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.2. 構æˆ</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Qtractor.html" title="第8ç« Qtractor" /><link rel="prev" href="chap-Musicians_Guide-Qtractor.html" title="第8ç« Qtractor" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab.html" title="8.2.2. Change Audio Options" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browse
r or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Qtractor.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="8.2. 構æˆ" id="sect-Musicians_Guide-Qtractor-Configuration"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Qtractor-Configuration">8.2. 構æˆ</h2></div></div></div><div class="para">
+ Qtractor works without further configuration. This section describes settings that you may want to change. Choose <span class="guimenu"><strong>View</strong></span> → <span class="guimenuitem"><strong>Options</strong></span> to open the "Options" window.
+ </div><div class="section" title="8.2.1. Use Qtractor with JACK (QjackCtl)" id="sect-Musicians_Guide-Qtractor-Configuration-JACK"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Configuration-JACK">8.2.1. Use <span class="application"><strong>Qtractor</strong></span> with <code class="systemitem">JACK</code> (<span class="application"><strong>QjackCtl</strong></span>)</h3></div></div></div><div class="para">
+ The same developer (Rui Nuno Capela) maintains <span class="application"><strong>QjackCtl</strong></span>, <span class="application"><strong>Qsynth</strong></span>, and <span class="application"><strong>Qtractor</strong></span>. Therefore, we recommend that you use <span class="application"><strong>Qtractor</strong></span> with <span class="application"><strong>QjackCtl</strong></span> and <span class="application"><strong>Qsynth</strong></span>.
+ </div><div class="para">
+ <span class="application"><strong>Qtractor</strong></span> does some of the same things as <span class="application"><strong>QjackCtl</strong></span>. For example, <span class="application"><strong>Qtractor</strong></span> automatically starts JACK with the same settings as the last time you used <span class="application"><strong>QjackCtl</strong></span>. Also, <span class="application"><strong>Qtractor</strong></span> remembers the JACK connections that you use with every <span class="application"><strong>Qtractor</strong></span> file. If you want to change the JACK settings, you must use <span class="application"><strong>QjackCtl</strong></span>.
+ </div><div class="important"><h2>é‡è¦é …ç›®</h2><div class="para">
+ The <span class="application"><strong>Qtractor</strong></span> "Connections" window looks similarly to the <span class="application"><strong>QjackCtl</strong></span> "Connections" window, but they are not the same. Connections on the "MIDI" tab in <span class="application"><strong>Qtractor</strong></span> appear on the "ALSA" tab in <span class="application"><strong>QjackCtl</strong></span>. Connections on the "MIDI" tab in <span class="application"><strong>QjackCtl</strong></span> are not available in <span class="application"><strong>Qtractor</strong></span>.
+ </div></div><div class="para">
+ <span class="application"><strong>Qtractor</strong></span> does not automatically control <span class="application"><strong>Qsynth</strong></span> or <span class="application"><strong>FluidSynth</strong></span>.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Qtractor.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>第8ç« Qtractor</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>8.2.2. Change Audio Options</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.8. 次ã®ãƒ‘ートを作曲ã—ã¾ã™</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. Create a MIDI Composition (Tutorial)" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme.html" title="8.4.7. 主題を繰り返ã—ã¾ã™ã€‚" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75.html" title="8.4.9. Qtractor's Measures 52 to 75" /></head><body class="draft toc_embeded "><div id="tocdiv" c
lass="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="8.4.8. 次ã®ãƒ‘ートを作曲ã—ã¾ã™" id="sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-M
usicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part">8.4.8. 次ã®ãƒ‘ートを作曲ã—ã¾ã™</h3></div></div></div><div class="para">
+ It's difficult to explain, but this part feels more chord-focussed to me, even though it's very similar to the first part. I decided to show this by using the same generative idea as the first part, but with two simultaneous pitches instead of one. At the end of the segment, I included a brief gathering of "randomized" pitches, with longer durations than before. There is no particular reason that I included this chord-like incident, but it felt like the right thing to do.
+ </div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Listen to the next portion of the audio file, and mark off the next formal section that you want to use (mine is from Qtractor's measure 25 to beat to of measure 38). The portion that I chose is also repeated, like the first part.
+ </div></li><li class="listitem"><div class="para">
+ ã‚ãªãŸã®é¸ã‚“ã セグメントã®æœ€åˆã¨æœ€å¾Œã«é’ã„マーカを置ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ æ–°ã—ã„ MIDI クリップを作æˆã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Create the notes separated by three beats, as in the last segment. This time, be sure to add two notes at the same time, by ensure that they are aligned vertically. Again, it doesn't matter which pitches you choose, because they will be randomized.
+ </div></li><li class="listitem"><div class="para">
+ Select all of the pitches, and randomize them by using the "Randomize MIDI" tool.
+ </div></li><li class="listitem"><div class="para">
+ 音程ãŒãƒ©ãƒ³ãƒ€ãƒ 化ã•ã‚Œã‚‹ã‚„ã‚Šæ–¹ã«ã‚ˆã‚Šã€ãã‚Œãžã‚Œã®éŸ³ç¬¦ã®å¯¾ã¯ä»¥ä¸‹ã®ã„ãšã‚Œã‹ã®çŠ¶æ…‹ã«ãªã‚‹ã§ã—ょã†ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ãれらã¯è¿‘ã™ãŽã‚‹ã€ã‚ã‚‹ã„ã¯ã€ç‰¹å®šã®é–“éš”ã«ã‚る関係ã®ãŸã‚ã€ï¼‘ã¤ã®éŸ³ã®ã‚ˆã†ã«èžã“ãˆã‚‹ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ãれらã¯é ã™ãŽã‚‹ã€ã‚ã‚‹ã„ã¯ã€ç‰¹å®šã®é–“éš”ã«ã‚る関係ã®ãŸã‚ã€ï¼’ã¤ã®éŸ³ã®ã‚ˆã†ã«èžã“ãˆã‚‹ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 特定ã®é–“éš”ã«ã‚る関係ã®ãŸã‚ã€ï¼’ã¤ã®åŒã˜å¤§ãã•ã®éŸ³ã‹ã‚‰ä½œã‚‰ã‚Œã‚‹ï¼‘ã¤ã®å’ŒéŸ³ã®ã‚ˆã†ã«èžã“ãˆã‚‹ã€‚
+ </div></li></ul></div>
+ 上ã«ã‚ã’ãŸã©ã‚Œã‹ãŒç¾Žçš„ã«æœ›ã¾ã—ããªã„ãªã‚‰ã€ã„ãã¤ã‹ã®éŸ³ç¬¦ã‚’変更ã—ã¾ã—ょã†ã€‚
+ </div></li><li class="listitem"><div class="para">
+ I created the tone cluster at the end by clicking arbitrarily across bar 37. It happened to create six notes with the pitches G, E, C-sharp, F-sharp, G-sharp, and B. I could have used the "Randomize MIDI" tool, but chose not to.
+ </div></li><li class="listitem"><div class="para">
+ 次ã«ç§ã¯ã€ãã‚Œãžã‚Œã®éŸ³ç¬¦ã®å³ã®çµ‚端を注æ„æ·±ãクリックアンドドラッグã—ã¦ã€ï¼“８å°ç¯€ã®æœ€åˆã®æ‹ã§å…¨éƒ¨ãŒåŒæ™‚ã«çµ‚ã‚るよã†ã«ã—ã¾ã—ãŸã€‚
+ </div></li><li class="listitem"><div class="para">
+ When you're done, you may need to copy-and-paste the segment.
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>8.4.7. 主題を繰り返ã—ã¾ã™ã€‚</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>8.4.9. Qtractor's Measures 52 to 75</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.6. 主題を作る</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. Create a MIDI Composition (Tutorial)" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area.html" title="8.4.5. 最åˆã®ãƒ•ã‚©ãƒ¼ãƒžãƒ«ã‚¨ãƒªã‚¢ã‚’マークã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme.html" title="8.4.7. 主題を繰り返ã—ã¾ã™ã€‚" /></head><body class="draft toc_embeded "><
div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="8.4.6. 主題を作る" id="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id
="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme">8.4.6. 主題を作る</h3></div></div></div><div class="para">
+ ç§ã¯ã€ãªã«ã‹ã‚·ãƒ³ãƒ—ルãªã‚‚ã®ãŒã»ã—ã„ã¨æ€ã„ã¾ã™ã€‚ã“ã®æ¥½ç« ã®ä¸»é¡Œã§ã‚る最åˆã®ã‚·ãƒ³ãƒ—ルãªéŸ¿ãã®ã‚³ãƒ©ãƒ¼ãƒ«ã«è¦‹åˆã†ã‚ˆã†ãªã€‚ã—ã°ã‚‰ãã®éŸ³ã€ãã—ã¦ã—ã°ã‚‰ãã®ä¼‘æ¢ä»¥ä¸Šã«ã‚·ãƒ³ãƒ—ルãªã‚‚ã®ã¯ã‚ã‚‹ã§ã—ょã†ã‹ï¼Ÿ
+ </div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ In the MIDI matrix editor window, click on the "Edit mode" tool, which looks like a pencil with no other markings.
+ </div></li><li class="listitem"><div class="para">
+ ３ã¤ã®æ‹ã”ã¨ã«éŸ³ã‚’入れるã“ã¨ã«ã—ã¾ã™ã€‚（１ã¤ã®æ‹ã¯ï¼‘ã¤ã®åž‚ç›´ç·šã§ãƒžãƒ¼ã‚¯ã•ã‚Œã¾ã™ã€‚）æ‹ã§ã¯ï¼‘６分音符ã ã‘続ãã¾ã™ã€‚
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 音符を置ãã¨ã“ã‚を鉛ç†ã§ã‚¯ãƒªãƒƒã‚¯ã—ã¾ã™ã€‚ç®±ãŒç¾ã‚Œã¾ã™ã€‚箱をå³ã«ãƒ‰ãƒ©ãƒƒã‚°ã™ã‚‹ã¨ã€éŸ³ã¯é•·ã続ãã“ã¨ã«ãªã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ I put all of the notes on the same pitch, but it doesn't matter whether you put them on the same pitches or not - they will be changed later.
+ </div></li><li class="listitem"><div class="para">
+ I also made a mistake when I was inputting the notes, so there's one place where they are only two beats apart instead of three. This didn't matter to me, but it might matter to you.
+ </div></li><li class="listitem"><div class="para">
+ ã‚ãªãŸãŒã‚らã‹ã˜ã‚é¸æŠžã—ã¦ãŠã„ãŸãƒªãƒ¼ã‚¸ãƒ§ãƒ³ï¼ˆé’ã„マーカã®é–“）をã™ã¹ã¦ã†ã‚ã‚‹ã¾ã§ã€éŸ³ç¬¦ã‚’入力ã—ã¦ãã ã•ã„。Qtractor ã¯ãã®ç‚¹ã‚’超ãˆã¦ç¶šã‘ã‚‹ã“ã¨ã‚’許ã™ã®ã§ã€ã‚ãªãŸã¯è‡ªåˆ†ã§ãƒžãƒ¼ã‚«ã«æ°—ã‚’ã¤ã‘ãªã„ã¨ã„ã‘ã¾ã›ã‚“。
+ </div></li><li class="listitem"><div class="para">
+ To scroll sideways, you can hold down either Shift or Ctrl and use your mouse's scroll wheel.
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ ã‚ãªãŸãŒè¿½åŠ ã—ãŸã‚»ã‚°ãƒ¡ãƒ³ãƒˆã®çµ‚ã‚ã‚Šã®ã¡ã‚‡ã†ã©å‰ã¾ã§ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’å‹•ã‹ã—ã¾ã™ã€‚シフトã€ã‚¯ãƒªãƒƒã‚¯ã‚’使ã„ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 最後ã¾ã§è´ã„ã¦ã€ã‚ãªãŸã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆãŒæœ€åˆã®ãƒ•ã‚©ãƒ¼ãƒžãƒ«ã‚¨ãƒªã‚¢ã®çµ‚端ã¨åŒã˜ã‹ã€ã‚ã‚‹ã„ã¯ãã®å‰ã§çµ‚ã‚ã‚‹ã®ã‚’確èªã—ã¦ãã ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ マトリックスエディタウインドウを閉ã˜ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ã‚ãªãŸãŒå…¥åŠ›ã—㟠MIDI セグメントを見るãŸã‚ã«ã€ãƒ¡ã‚¤ãƒ³ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã‚’使ã„ã¾ã™ã€‚åž‚ç›´ã®ç·šã¯å°ç¯€ã®ç·šã§ã€æš—ã„色ã®å››è§’ã¯éŸ³ç¬¦ã‚’表ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ If the MIDI segment extends beyond the last note that you inputted, click-and-drag the end so that there isn't much over-hang. If you accidentally adjust it too far and remove notes, then simply drag the segment back out - the notes should still be there.
+ </div></li><li class="listitem"><div class="para">
+ MIDI セグメントをダブルクリックã—ã¦ã€ãƒžãƒˆãƒªãƒƒã‚¯ã‚¹ã‚¨ãƒ‡ã‚£ã‚¿ã«æˆ»ã‚Šã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 今ã¾ã§ã«å…¥åŠ›ã—ãŸéŸ³ç¬¦ã‚’全部é¸æŠžã—ã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Control-a を押ã™
+ </div></li><li class="listitem"><div class="para">
+ クリックãŠã‚ˆã³ãƒ‰ãƒ©ãƒƒã‚°ã—ã¦é¸æŠžã€ã‚ã‚‹ã„ã¯
+ </div></li><li class="listitem"><div class="para">
+ Click on 'Edit > Select > Select All'
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 音程をランダムã«ã™ã‚‹ï¼š
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Click on 'Tools > Randomize'
+ </div></li><li class="listitem"><div class="para">
+ Ensure that "Randomize" is checked
+ </div></li><li class="listitem"><div class="para">
+ Ensure that "Note" is checked (this means "pitch")
+ </div></li><li class="listitem"><div class="para">
+ パーセントをé¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Click "OK" to apply.
+ </div></li><li class="listitem"><div class="para">
+ ランダムã«ã™ã‚‹ãƒ‘ーセントã«ã¤ã„ã¦ã¯ã€å®Ÿé¨“ãŒå¿…è¦ã§ã™ã€‚ランダム化ãŒå¤§ãã„ã¨ç¹°ã‚Šè¿”ã—ãŒå°‘ãªããªã‚Šã¾ã™ãŒã€ãã‚Œã¯éŸ³ç¨‹ãŒã‚ˆã‚Šç‹ã„範囲ã«åˆ†æ•£ã™ã‚‹ã“ã¨ã‚’æ„味ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ If you want to re-try the randomization, click on 'Edit > Undo Randomization', then use the "Randomize" tool again.
+ </div></li><li class="listitem"><div class="para">
+ ã»ã¨ã‚“ã©ã®éŸ³ç¨‹ã«èµ·ããŸå¤‰åŒ–ã«æº€è¶³ã—ãŸã‚‰ã€éŸ³ç¬¦ã®ã„ãã¤ã‹ã‚’å˜ç‹¬ã§ã‚ã‚‹ã„ã¯ä¸€ç·’ã«ã€é¸æŠžã—ã¦ç§»å‹•ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚グループã§éŸ³ç¨‹ã‚’変ãˆã‚‹ã«ã¯å‹•ã‹ã—ãŸã„ã‚‚ã®ã‚’é¸æŠžã—ã¦ã€ï¼ˆã‚¯ãƒªãƒƒã‚¯ã‚¢ãƒ³ãƒ‰ãƒ‰ãƒ©ãƒƒã‚°ã—ã¦é¸æŠžã™ã‚‹ã‹ã€ã‚ã‚‹ã„ã¯ã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ã€ã‚¯ãƒªãƒƒã‚¯ã—ã¦é¸æŠžã™ã‚‹ã‹ï¼‰ãれらを動ã‹ã—ãŸã„ã¨ã“ã‚ã«ã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ã€ãƒ‰ãƒ©ãƒƒã‚°ã—ã¾ã™ã€‚
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ ã•ã¦ã€éŸ³ç¬¦ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ を調整ã—ãªã‘ã‚Œã°ã„ã‘ã¾ã›ã‚“。ã“ã‚Œã«ã¯ï¼’ã¤ã®ã‚„ã‚Šæ–¹ãŒã‚ã‚Šã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ You can select all of the pitches, then use the "Resize MIDI" tool, adjusting the "Value" property.
+ </div></li><li class="listitem"><div class="para">
+ You can select all of the pitches, then use the value editor portion of the matrix editor window. This is at the bottom of the matrix editor window, and the height of each pitch shown here tells you the volume at which it will play. To adjust all of the pitches at once, Control-drag to adjust the height as desired. Be careful when doing this that you don't change the horizontal position, which will change the time that the notes sound.
+ </div></li><li class="listitem"><div class="para">
+ I would suggest at volume of approximately "32," but this depends on your taste. Also, I adjust the volume of some pitches to be louder when the audio file is louder.
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 音程ã¨ãƒœãƒªãƒ¥ãƒ¼ãƒ ã«æº€è¶³ã—ãŸã‚‰ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’最åˆã‹ã‚‰é–‹å§‹ã—ã¦ã€ã‚ãªãŸãŒä»Šä½œæˆã—ãŸã‚»ã‚°ãƒ¡ãƒ³ãƒˆã®å…¨ä½“ã‚’è´ã„ã¦ã¿ã¾ã™ã€‚ã“ã®æ¥½ç¯€ã‚’ã‚‚ã†ä¸€åº¦å¤‰æ›´ã—ã¦ã‚‚よã„ã§ã™ã—ã€æ¬¡ã®ã‚¹ãƒ†ãƒƒãƒ—ã«é€²ã‚“ã§ã‚‚よã„ã§ã™ã€‚
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>8.4.5. 最åˆã®ãƒ•ã‚©ãƒ¼ãƒžãƒ«ã‚¨ãƒªã‚¢ã‚’マークã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>8.4.7. 主題を繰り返ã—ã¾ã™ã€‚</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.3. Get Qtractor Ready</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. Create a MIDI Composition (Tutorial)" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Requirements.html" title="8.4.2. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãƒ•ã‚¡ã‚¤ãƒ«" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File.html" title="8.4.4. オーディオファイルをインãƒãƒ¼ãƒˆã™ã‚‹" /></head><body class="draft toc_embeded "><div
id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Requirements.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="8.4.3. Get Qtractor Ready" id="sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-M
usicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready">8.4.3. Get Qtractor Ready</h3></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ QjackCtl ã‚’é–‹ã„ã¦ã€JACK を開始ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Qsynth ã‚’é–‹ã„ã¦ã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã® FluidR3 サウンドフォントを使ã£ã¦ï¼‘ã¤ã®ã‚¤ãƒ³ã‚¹ã‚¿ãƒ³ã‚¹ã‚’構æˆã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Qtractor ã‚’é–‹ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ MIDI トラックãŒãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã® FluidR3 サウンドフォントを使ã†ç”¨ã«æ§‹æˆã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ QjackCtl ã«ç§»ã£ã¦ã€æŽ¥ç¶šãŒæ£ã—ã„ã“ã¨ã‚’確èªã—ã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Qtractor's MIDI out (on "ALSA" page) is connected to Qsynth's MIDI in
+ </div></li><li class="listitem"><div class="para">
+ Qsynth's audio out is connected to system in (the speakers)
+ </div></li><li class="listitem"><div class="para">
+ Qtractor's audio out is conencted to system in (the speakers)
+ </div></li><li class="listitem"><div class="para">
+ ä»–ã®æŽ¥ç¶šã¯ä¸è¦ã§ã™ã€‚
+ </div></li></ul></div>
+
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Requirements.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>8.4.2. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>8.4.4. オーディオファイルをインãƒãƒ¼ãƒˆã™ã‚‹</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File.html
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@@ -0,0 +1,14 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.4. オーディオファイルをインãƒãƒ¼ãƒˆã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. Create a MIDI Composition (Tutorial)" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready.html" title="8.4.3. Get Qtractor Ready" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area.html" title="8.4.5. 最åˆã®ãƒ•ã‚©ãƒ¼ãƒžãƒ«ã‚¨ãƒªã‚¢ã‚’マークã™ã‚‹" /></head><bod
y class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="8.4.4. オーディオファイルをインãƒãƒ¼ãƒˆã™ã‚‹" id="sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File"><div class="tit
lepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File">8.4.4. オーディオファイルをインãƒãƒ¼ãƒˆã™ã‚‹</h3></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ æ–°ã—ã„オーディオトラックを作ã£ã¦ãã ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ Right-click on the audio track, and go to "Clip" then "Import"
+ </div></li><li class="listitem"><div class="para">
+ Locate the audio file that you want to import (in this case, I imported a recording of the second movement of Beethoven's Op.57 piano sonata, "Appassionata."
+ </div></li><li class="listitem"><div class="para">
+ If the clip doesn't start at the beginning of the track, then click and drag it to the beginning.
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>8.4.3. Get Qtractor Ready</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>8.4.5. 最åˆã®ãƒ•ã‚©ãƒ¼ãƒžãƒ«ã‚¨ãƒªã‚¢ã‚’マークã™ã‚‹</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area.html
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@@ -0,0 +1,20 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.5. 最åˆã®ãƒ•ã‚©ãƒ¼ãƒžãƒ«ã‚¨ãƒªã‚¢ã‚’マークã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. Create a MIDI Composition (Tutorial)" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File.html" title="8.4.4. オーディオファイルをインãƒãƒ¼ãƒˆã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme.html" title="8.4.6. 主題を作る" /></head><body class="draft
toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="8.4.5. 最åˆã®ãƒ•ã‚©ãƒ¼ãƒžãƒ«ã‚¨ãƒªã‚¢ã‚’マークã™ã‚‹" id="sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area"><div class="titlepage"><div><div k
eep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area">8.4.5. 最åˆã®ãƒ•ã‚©ãƒ¼ãƒžãƒ«ã‚¨ãƒªã‚¢ã‚’マークã™ã‚‹</h3></div></div></div><div class="para">
+ In addition to the transport, Qtractor has two blue place-markers, which sometimes merge into one. The best way to learn the behaviour of the blue place-markers is by using them. They are intended to mark a range in the work area ("main screen").
+ </div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ We're keeping the standard tempo of 120 beats per minute, and the metre is 4/4
+ </div></li><li class="listitem"><div class="para">
+ Start from the beginning, and listen until the end of the first formal section, which I've decided is about the fourth beat of measure 12 (use the ruler to see).
+ </div></li><li class="listitem"><div class="para">
+ é’ã„矢å°ã§ãã®ç‚¹ã‚’マークã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ セッションã®æœ€åˆã‚’左クリックã—ã¦ã€ãƒ•ã‚©ãƒ¼ãƒžãƒ«ã‚¨ãƒªã‚¢ã®æœ€åˆã‚’マークã—ã¾ã™ã€‚ã‚‚ã—トランスãƒãƒ¼ãƒˆãŒæœ€åˆã«ã‚ã‚‹ãªã‚‰ã°ã€é’ã„プレースマーカã¯éš ã‚Œã¦ã—ã¾ã„ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Create a new clip by clicking on "Edit > Clip > New"
+ </div></li><li class="listitem"><div class="para">
+ クリップエディタãŒç¾ã‚Œã¾ã™
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>8.4.4. オーディオファイルをインãƒãƒ¼ãƒˆã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>8.4.6. 主題を作る</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measure_97.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measure_97.html
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@@ -0,0 +1,5 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.11. Qtractor's Measure 97</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. Create a MIDI Composition (Tutorial)" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97.html" title="8.4.10. Qtractor's Measures 75 to 97" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119.html" title="8.4.12. Qtractor's Measures 98 to 119" /></head><body class="draft toc_embeded "><div id="tocdiv" class="to
c"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="8.4.11. Qtractor's Measure 97" id="sect-Musicians_Guide-Qtractor-Tutorial-Measure_97"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tuto
rial-Measure_97">8.4.11. Qtractor's Measure 97</h3></div></div></div><div class="para">
+ ã“ã‚Œã¯ï¼“æ‹ã®çµŒéŽçš„パッセージã§ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒˆãƒ©ãƒƒã‚¯ã®ç©ºç™½ã‚’埋ã‚ã‚‹ãŸã‚ã«ã ã‘ã®ç†ç”±ã§ç§ãŒåŠ ãˆãŸã‚‚ã®ã§ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>8.4.10. Qtractor's Measures 75 to 97</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>8.4.12. Qtractor's Measures 98 to 119</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.13. Qtractor's Measures 119 to 139</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. Create a MIDI Composition (Tutorial)" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119.html" title="8.4.12. Qtractor's Measures 98 to 119" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158.html" title="8.4.14. Qtractor's Measures 139 to 158" /></head><body class="draft toc_embeded "><div id="tocd
iv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="8.4.13. Qtractor's Measures 119 to 139" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="s
ect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139">8.4.13. Qtractor's Measures 119 to 139</h3></div></div></div><div class="para">
+ ã“ã®ãƒ‘ッセージã¯æ–°ã—ã„技術を導入ã—ã¾ã›ã‚“。セクションã®æœ€å¾Œã§èª¬æ˜Žã•ã‚Œã‚‹ãƒœãƒªãƒ¥ãƒ¼ãƒ æ“作ã®ãƒˆãƒªãƒƒã‚¯ã‚’使ã†ã ã‘ã§ã™ã€‚
+ </div><div class="para">
+ This passage sounds much busier because I increased the space between primary notes from three beats to two. I divided the octaves into four approximate ranges. The lowest has randomized pitches lasting one beat, which begin on beats that don't have a "primary note." There is no parallel in Beethoven's music at this point.
+ </div><div class="para">
+ 次ã«é«˜ã„範囲ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ•ã‚¡ã‚¤ãƒ«ã®ã“ã®éƒ¨åˆ†ã®ãƒ¡ãƒãƒ‡ã‚£ã€ãã‚Œã¯ä»¥å‰ã‚ˆã‚Šå°‘ã—低ããªã£ã¦ã„ã¾ã™ã€ã‚’ãªãžã‚‹ãŸã‚ã®ã‚‚ã®ã§ã™ã€‚最も上ã®ç¯„囲ã¯ã“ã‚Œã«ã¤ãªãŒã£ã¦ã„ã¾ã™ã€‚ベートーヴェンãŒãƒ¡ãƒãƒ‡ã‚£ã®ä¸€éƒ¨ã‚’ä»–ã®éƒ¨åˆ†ã‚ˆã‚Šãšã£ã¨é«˜ã書ã„ãŸãŸã‚ã§ã™ã€‚
+ </div><div class="para">
+ ２番目ã«é«˜ã„範囲ã¯ã€ãƒ”アノã®ä¸Šã®æ–¹ã®éŸ³åŸŸã®æ—©ãå‹•ãä¼´å¥å£°éƒ¨ã‚’åæ˜ ã—ã¾ã™ã€‚
+ </div><div class="para">
+ Sorting out the volumes for this passage posed a small challenge, because of the much greater number of notes than in previous passages. Thankfully, the parts are mostly well-separated from each other in the matrix editor. I was able to use click-and-drag selection to select each range separately, and adjust its volume using both the "Resize MIDI" tool and Control-drag in the volume adjustment space at the bottom of the matrix editor window.
+ </div><div class="para">
+ ã“ã®ãƒ‘ッセージã®æœ€å¾Œã®é€£ç¶šã™ã‚‹éŸ³ã®ãƒ•ã‚¡ãƒ³ãƒ•ã‚¡ãƒ¼ãƒ¬ã¯ã€ç§ã®ä½¿ã£ãŸæœ€ã‚‚高ã„音域ã«ã€ã‚¤é•·èª¿ã®èª¿æ€§ã‚’確立ã—よã†ã¨ã™ã‚‹ã‹ã™ã‹ãªè©¦ã¿ã§ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>8.4.12. Qtractor's Measures 98 to 119</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>8.4.14. Qtractor's Measures 139 to 158</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.14. Qtractor's Measures 139 to 158</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. Create a MIDI Composition (Tutorial)" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139.html" title="8.4.13. Qtractor's Measures 119 to 139" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176.html" title="8.4.15. Qtractor's Measures 158 to 176" /></head><body class="draft toc_embeded "><div id="to
cdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="8.4.14. Qtractor's Measures 139 to 158" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id
="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158">8.4.14. Qtractor's Measures 139 to 158</h3></div></div></div><div class="para">
+ ã“ã®æ¥½ç¯€ã§ä½¿ã‚れる新ã—ã„技術ã¯ã‚ã‚Šã¾ã›ã‚“。
+ </div><div class="para">
+ 主ãªéŸ³ã¯ï¼’æ‹ã®é–“隔をç¶æŒã—ã¦ãã¾ã—ãŸã€‚ãã—ã¦ã€ãŸã ï¼’ã‚ã‚‹ã„ã¯ï¼“ã®éŸ³åŸŸã‹ã‚‰å§‹ã‚ã¾ã—ãŸã€‚最も低ã„音域ã¯ã“ã®æ™‚点ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ•ã‚¡ã‚¤ãƒ«ã¨åŒã˜ã‚ˆã†ã«ã€æœ€ã‚‚高ã„音域ã®ãŸã ã®æ°—ã¾ãã‚Œãªå¼·åŒ–ã§ã™ã€‚æ—©ãå‹•ã„ã¦ã„ã‚‹ä¸é–“ラインを作æˆã™ã‚‹ãŸã‚ã«ã€ã‚³ãƒ”ーアンドペーストを使ã„ã¾ã—ãŸã€‚
+ </div><div class="para">
+ 楽節ãŒé€²ã‚€ã«ã¤ã‚Œã€ä¸é–“ラインã¯åŒæ™‚ã®è¿½åŠ ã‚’å¾—ã¦ã„ãã¾ã™ã€‚ã“ã‚Œã¯æœ€å¾Œã«ã¯ãšã£ã¨å†’険的ã«ãªã‚Šã€ã¾ãšãšã£ã¨é«˜ã„音域ã¸ã‚¸ãƒ£ãƒ³ãƒ—ã—ã€ãã—ã¦æ¬¡ã®æ¥½ç¯€ã§ãã‚ŒãŒå ã‚ã‚‹ä½ç½®ã€æœ€ä½Žéƒ¨ã®éŸ³åŸŸã«ä¸‹é™ã—ã¦ã„ãã¾ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>8.4.13. Qtractor's Measures 119 to 139</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>8.4.15. Qtractor's Measures 158 to 176</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.15. Qtractor's Measures 158 to 176</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. Create a MIDI Composition (Tutorial)" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158.html" title="8.4.14. Qtractor's Measures 139 to 158" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End.html" title="8.4.16. Qtractor's Measures 177 to the End" /></head><body class="draft toc_embeded "><di
v id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="8.4.15. Qtractor's Measures 158 to 176" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176"><div class="titlepage"><div><div keep-together.within-column="always"><h3 clas
s="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176">8.4.15. Qtractor's Measures 158 to 176</h3></div></div></div><div class="para">
+ ã“ã®æ¥½ç¯€ã§ã¯æ–°ã—ã„技術ã¯ã‚ã‚Šã¾ã›ã‚“。ç§ã¯ã‚³ãƒ”ーアンドペーストã€ç‰¹ã«éƒ¨åˆ†çš„ãªãƒ©ãƒ³ãƒ€ãƒ 化ã®ã€ã‚’ãŸãã•ã‚“使ã„ã¾ã—ãŸã€‚ファンファーレã®æœ€åˆã®éŸ³ã‚’åŠ ãˆã¦ã€ãƒ©ãƒ³ãƒ€ãƒ 化ã—ã€ãƒ•ã‚¡ãƒ³ãƒ•ã‚¡ãƒ¼ãƒ¬ã®æ®‹ã‚Šã®éƒ¨åˆ†ã‚’é©å½“ãªéŸ³ç¨‹ã®å ´æ‰€ã«ã‚³ãƒ”ーアンドペーストã—ã¾ã™ã€‚
+ </div><div class="para">
+ At this point, I had basically dropped any obvious reference to my theme, as happens in the Beethoven score. Of course, its influence is still there: every four beats, my middle voice repeats the same pitches, and sustains them for the next four beats. Also, the upper voice in my part shares the same sort of "single repeated pitch" idea that makes up Beethoven's upper voice. There is also a weak rhythmic similarity between the two.
+ </div><div class="para">
+ Near the end of the first sub-section (measures 164-166 inclusive), I included a long, downward 12-tone scale, which was inspired by the much smaller downward scale in Beethoven's piece.
+ </div><div class="para">
+ 次ã®ã‚µãƒ–セクションã¯ã‚¢ã‚¤ãƒ‡ã‚¢ã®æ£ç¢ºãªç¹°ã‚Šè¿”ã—ã§ã™ã€‚ãŸã ã—ã€ç•°ãªã‚‹éŸ³ç¨‹ã€ã‚ˆã‚Šå°ã•ã„音程ã®ç¯„囲ã€ãã—ã¦å°‘ã—ç•°ãªã‚‹ã‚¨ãƒ³ãƒ‡ã‚£ãƒ³ã‚°ã‚’æŒã¡ã¾ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>8.4.14. Qtractor's Measures 139 to 158</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>8.4.16. Qtractor's Measures 177 to the End</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.16. Qtractor's Measures 177 to the End</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. Create a MIDI Composition (Tutorial)" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176.html" title="8.4.15. Qtractor's Measures 158 to 176" /><link rel="next" href="chap-Musicians_Guide-Rosegarden.html" title="第9ç« Rosegarden" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" cla
ss="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Rosegarden.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="8.4.16. Qtractor's Measures 177 to the End" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_E
nd">8.4.16. Qtractor's Measures 177 to the End</h3></div></div></div><div class="para">
+ ã“ã®æ¥½ç¯€ã§ä½¿ã‚れる新ã—ã„技術ã¯ã‚ã‚Šã¾ã›ã‚“。
+ </div><div class="para">
+ This part of piece was intended to mirror Beethoven's score quite obviously. The only real bit of trickery that I played was looking at Beethoven's score, and incorporating particular notes: the chord in measure 212 is composed of the same pitches that are used in the chord in the audio file in measure 210. It sounds very different because of the "real piano vs. MIDI piano" issue, and because the tuning of the piano in the recording is different than the tuning of the MIDI piano. Also, the chord in the second beat of measure 213 is the first chord of the movement following the one recorded in the audio file. By including this (then "resolving" it, then re-introducing it), I intend to play with the expectations of a listener that may already be familiar with Beethoven's sonata.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>8.4.15. Qtractor's Measures 158 to 176</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Rosegarden.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>第9ç« Rosegarden</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.9. Qtractor's Measures 52 to 75</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. Create a MIDI Composition (Tutorial)" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part.html" title="8.4.8. 次ã®ãƒ‘ートを作曲ã—ã¾ã™" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97.html" title="8.4.10. Qtractor's Measures 75 to 97" /></head><body class="draft toc_embeded "><div id="tocdi
v" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="8.4.9. Qtractor's Measures 52 to 75" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-M
usicians_Guide-Qtractor-Tutorial-Measures_52_to_75">8.4.9. Qtractor's Measures 52 to 75</h3></div></div></div><div class="para">
+ ã“ã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’作æˆã™ã‚‹ã®ã«å¿…è¦ãªã“ã¨ã¯ã™ã¹ã¦ã”å˜çŸ¥ã¨æ€ã†ã®ã§ã€èŠ¸è¡“çš„ãªç†ç”±ä»˜ã‘ã ã‘を説明ã—ã¾ã™ã€‚
+ </div><div class="para">
+ This corresponds to the "first variation" in the audio file. Since variations are based on the theme, the rest of my sections are all somehow based on my theme section. Here, I derived inspiration from the music again: there is a note (generally) every three beats like the theme, but I extended it to take up two beats, at the end of which another note briefly sounds. This is like Beethoven's technique in the first variation. Although I ignored them in the theme, there are small transitions between the inner-sections of Beethoven's theme, and I chose to add them into my first variation (you can see it in Qtractor's measure 69).
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>8.4.8. 次ã®ãƒ‘ートを作曲ã—ã¾ã™</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>8.4.10. Qtractor's Measures 75 to 97</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.10. Qtractor's Measures 75 to 97</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. Create a MIDI Composition (Tutorial)" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75.html" title="8.4.9. Qtractor's Measures 52 to 75" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Measure_97.html" title="8.4.11. Qtractor's Measure 97" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe
id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measure_97.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="8.4.10. Qtractor's Measures 75 to 97" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial
-Measures_75_to_97">8.4.10. Qtractor's Measures 75 to 97</h3></div></div></div><div class="para">
+ ã“ã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’作æˆã™ã‚‹ã®ã«å¿…è¦ãªã“ã¨ã¯ã™ã¹ã¦ã”å˜çŸ¥ã¨æ€ã†ã®ã§ã€èŠ¸è¡“çš„ãªç†ç”±ä»˜ã‘ã ã‘を説明ã—ã¾ã™ã€‚
+ </div><div class="para">
+ This section corresponds to the part that we created in the "Compose the Next Part" section above. I decided to combine the idea of this first variation with the idea of that "Next Part." As you see, the result here is much like measures 52 to 75, but with more simultaneous pitches, as in the "Next Part."
+ </div><div class="para">
+ At this point, my MIDI accompaniment really begins to take on its own rhythm and personality, competing with the audio file representing Beethoven's idea. Compared to the Beethoven, the randomized pitches of the MIDI part sound child-like and trivial. This might send listeners the message that MIDI is simply trivial and child-like, when compared to "real classical music," and this is a perfectly valid interpretation.
+ </div><div class="para">
+ ã—ã‹ã—ã€ç§ãŒè¨€ã„ãŸã‹ã£ãŸã®ã¯ã“ã†ã§ã™ï¼šãƒ™ãƒ¼ãƒˆãƒ¼ãƒ´ã‚§ãƒ³ã¯ãŸãã•ã‚“ã®ãƒ”アノ曲を書ãã€ãã®å¤šãã¯ä»Šã‚‚ãªãŠäººã€…ã«æ¥½ã—ã¾ã‚Œã¦ã„ã¾ã™ã€‚誰もã€ãƒ™ãƒ¼ãƒˆãƒ¼ãƒ´ã‚§ãƒ³ã®é”法をå†ã³ç¹°ã‚Šè¿”ã™ã“ã¨ã¯ã§ããšã€ãれを試ã¿ã‚‹ã®ã¯æ„šã‹ãªã“ã¨ã ã¨ç§ã¯æ€ã„ã¾ã™ã€‚ã ã‹ã‚‰ç§ã¯è‡ªåˆ†ã®éŸ³æ¥½ã‚’シリアスãªéŸ¿ãã‚’ã•ã›ã‚ˆã†ã¨ã™ã‚‹ã®ã§ãªãã¦ã€æ„šã‹ã«èžã“ãˆã‚‹ã‚‚ã®ã«ã—ãŸã®ã§ã™ã€‚ã¾ãŸã€ãƒ™ãƒ¼ãƒˆãƒ¼ãƒ´ã‚§ãƒ³ã®ã‚ˆã†ãªä½œæ›²å®¶ã‹ã‚‰ã‚¤ãƒ³ã‚¹ãƒ”レーションを得るã“ã¨ã¯è‡ªåˆ†ãŸã¡ã§æ–°ã—ã„èŠ¸è¡“ã‚’å‰µé€ ã™ã‚‹ã™ã°ã‚‰ã—ã„方法ã ã¨æ„Ÿã˜ã¾ã™ã€‚ãªã®ã§ç§ã¯ã€ç›´æŽ¥éŸ³æ¥½ã‹ã‚‰ã‚る種ã®ãƒ’ント（多ãã¯ã‚ã„ã¾ã„ãªæ§˜å¼ä¸Šã®ã“ã¨ã§ã™ï¼‰ã‚’得よã†ã¨ã™ã‚‹ä¸€æ–¹ã€ãれ以外ã®ã‚‚ã®ï¼ˆéŸ³ç¨‹ã¯ãªã«ã‹ã—ら組織化ã•ã‚Œã¦ã„ã‚‹ã¹ãã§ã‚ã‚‹ã¨ã„ã†è€ƒãˆãªã©ï¼‰ã‚’無視ã™ã‚‹ã®ã§ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>8.4.9. Qtractor's Measures 52 to 75</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measure_97.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>8.4.11. Qtractor's Measure 97</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.12. Qtractor's Measures 98 to 119</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. Create a MIDI Composition (Tutorial)" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Measure_97.html" title="8.4.11. Qtractor's Measure 97" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139.html" title="8.4.13. Qtractor's Measures 119 to 139" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><
iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measure_97.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="8.4.12. Qtractor's Measures 98 to 119" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtracto
r-Tutorial-Measures_98_to_119">8.4.12. Qtractor's Measures 98 to 119</h3></div></div></div><div class="para">
+ ã“ã®æ¥½ç¯€ã‚’作曲ã™ã‚‹ä¸Šã§ï¼‘ã¤ã®æ–°ã—ã„技法を使ã„ã¾ã—ãŸã€‚マトリックスエディタã®ä¸ã§ã®ã‚³ãƒ”ーアンドペーストã§ã™ã€‚ã“ã‚Œã¯ï¼‘ï¼ï¼“å°ç¯€ã®æœ€åˆã‚ãŸã‚Šã«è¦‹ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ãã“ã§ã¯ã€åŒã˜éŸ³ç¨‹ã®ã‚¯ãƒ©ã‚¹ãŒé«˜ã„オクターブã¨ä½Žã„オクターブã§åŒæ™‚ã«èžã“ãˆã¾ã™ã€‚ç§ã¯ä¸Šã®éŸ³åŸŸã‚’å…ˆã«ä½œã£ã¦ã€æ¬¡ã«ã‚³ãƒ”ーã—ãŸã„音符をé¸æŠžã—ã¾ã—ãŸã€‚Control-c 㨠Control-v ã§ã‚³ãƒ”ーを作りã¾ã—ãŸã€‚メインウインドウã§ã‚¯ãƒªãƒƒãƒ—をコピーアンドペーストã™ã‚‹ã¨ãã¨åŒã˜ã‚ˆã†ã«ã€ã‚«ãƒ¼ã‚½ãƒ«ã®ã‚¢ã‚¤ã‚³ãƒ³ã¯ã‚¯ãƒªãƒƒãƒ—ボートã«å¤‰ã‚ã‚Šã€ãƒšãƒ¼ã‚¹ãƒˆã•ã‚Œã‚‹ã‚‚ã®ã®ã‚¢ã‚¦ãƒˆãƒ©ã‚¤ãƒ³ãŒç¤ºã•ã‚Œã‚‹ã®ã§ã€æœ›ã¿ã®ã¨ã“ã‚ã«ä½ç½®ã¥ã‘ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ã”覧ã«ãªã£ã¦ã‚ã‹ã‚‹ã‚ˆã†ã«ã€ã‚³ãƒ”ーã¯ã€ã©ã®éŸ³ç¨‹ãƒ¬ãƒ™ãƒ«ã«ã‚‚ã€å°ç¯€ã®ã©ã®å ´æ‰€ã«ã‚‚ペーストã§ãã¾ã™ã€‚åŒã˜ã«ä¿ãŸã‚Œã‚‹ã®ã¯ã€éŸ³ç¬¦é–“ã®é
Ÿ³ç¨‹ã®å·®ã¨ã€éŸ³ç¬¦é–“ã®ãƒªã‚ºãƒ ã§ã™ã€‚
+ </div><div class="para">
+ ç§ã¯ã‚³ãƒ”ーアンドペースト技術をã“ã®ãƒ‘ッセージã«ã‚ã‚‹ã€ï¼“ã¤ã®éšŽæ®µçš„ã«ä¸‹é™ã™ã‚‹éŸ³ç¬¦ã®éŸ³åž‹ã«ãŠã„ã¦ã‚‚使ã„ã¾ã—ãŸã€‚ï¼”ã¤ã®çµ„ã‹ã‚‰ãªã‚‹æœ€åˆã®éŸ³ç¬¦ã‚’作æˆã—ã¦ã€ãれらをランダム化ã—ã¦ã€å¾Œã‹ã‚‰ï¼“ã¤ã®ä¸‹é™ã™ã‚‹éŸ³ç¬¦ã‚’コピーアンドペーストã—ã¾ã—ãŸã€‚ã“ã®ã‚ˆã†ã«ã—ã¦ã€ãƒ¡ãƒãƒ‡ã‚£ã®ä¸€éƒ¨ã‚’ランダム化ã—ã¦ã€æ®‹ã‚Šã‚’ランダムã«ã—ãªã„よã†ã«ã§ãã¾ã—ãŸã€‚
+ </div><div class="para">
+ In this passage, I kept the "a note followed by three beats of rest" idea, then added onto the melody by taking two cues from the audio file. The first was the increasing surface rhythm of the upper part, which gave rise to the "three-descending-notes" figures. The second was the fact that the chords are still going on underneath that melody, so I added a second randomized set of notes underneath my upper part. At the end of the passage I continued the trend that I started with a finishing flourish that picks up sustained notes.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measure_97.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>8.4.11. Qtractor's Measure 97</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>8.4.13. Qtractor's Measures 119 to 139</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.7. 主題を繰り返ã—ã¾ã™ã€‚</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. Create a MIDI Composition (Tutorial)" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme.html" title="8.4.6. 主題を作る" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part.html" title="8.4.8. 次ã®ãƒ‘ートを作曲ã—ã¾ã™" /></head><body class="draft toc_embeded "><div id="tocdiv" class="t
oc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="8.4.7. 主題を繰り返ã—ã¾ã™ã€‚" id="sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_
Guide-Qtractor-Tutorial-Repeat_the_Theme">8.4.7. 主題を繰り返ã—ã¾ã™ã€‚</h3></div></div></div><div class="para">
+ The beginning of this composition opens with a thirteen-measure (in this Qtractor session) segment that is immediately repeated. If you chose to create a thirteen-measure theme, like we did, you will either need to create a second MIDI segment to cover Beethoven's repeat, or you can do what I did, and copy-and-paste to get an exact repetition of your theme.
+ </div><div class="para">
+ ã‚ãªãŸã®ä¸»é¡Œã‚’æ£ç¢ºã«ç¹°ã‚Šè¿”ã™ï¼š
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Click on the first MIDI segment to select it, then copy it by clicking on 'Edit > Copy' or Control-c
+ </div></li><li class="listitem"><div class="para">
+ Paste it by clicking on 'Edit > Paste' or Control-v
+ </div></li><li class="listitem"><div class="para">
+ カーソルã¯ã‚¯ãƒªãƒƒãƒ—ボードã®ã‚¢ã‚¤ã‚³ãƒ³ã®å½¢ã«å¤‰ã‚ã‚Šã€ãã®å³ã«å››è§’ãŒç¾ã‚Œã¾ã™ã€‚四角ã¯ãƒšãƒ¼ã‚¹ãƒˆã•ã‚Œã‚‹ã‚¯ãƒªãƒƒãƒ—を示ã—ã¾ã™ã€‚ã—ã‹ã—ã€ã¾ãšã€ãれを置ãã¨ã“ã‚ã‚’é¸æŠžã—ãªã„ã¨ã„ã‘ã¾ã›ã‚“。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ カーソルを動ã‹ã—ã¦ã€å››è§’ãŒæœ€åˆã® MIDI クリップã®ç›´å¾Œï¼ˆå³ç«¯ã®ã‚¨ãƒƒã‚¸ï¼‰ã«ç¾ã‚Œã‚‹ã‚ˆã†ã«ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ メインウインドウをスクãƒãƒ¼ãƒ«ã™ã‚‹ã®ã«ã‚¹ã‚¯ãƒãƒ¼ãƒ«ãƒãƒ¼çŸ¢å°ã‚’使ã†ã“ã¨ãŒã§ãã¾ã™ãŒã€ãã‚Œã¯ã€ã‚«ãƒ¼ã‚½ãƒ«ãŒå¤‰åŒ–ã—ã¦ã„ã‚‹ã®ã§é›£ã—ã„ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ You can also scroll the main window by pressing Control and using your mouse's scroll wheel.
+ </div></li><li class="listitem"><div class="para">
+ 注æ„æ·±ãマウスカーソルをメインã®ã‚‚ã®ã®ç«¯ã«å‹•ã‹ã™ã“ã¨ã«ã‚ˆã£ã¦ã‚‚スクãƒãƒ¼ãƒ«ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 四角をæ£ç¢ºã«æœ€çµ‚ä½ç½®ã«ç½®ãå¿…è¦ã¯ã‚ã‚Šã¾ã›ã‚“。ãã®è¿‘ãã§ã‚ˆã„ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 四角を置ããŸã„ä½ç½®ã«ç½®ã„ãŸã‚‰ã€å·¦ã‚¯ãƒªãƒƒã‚¯ã—ã¾ã™ã€‚
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ トランスãƒãƒ¼ãƒˆã‚’å‹•ã‹ã—ã¦ã€æœ€åˆã®ã‚¯ãƒªãƒƒãƒ—ã®çµ‚端ã‹ã‚‰ï¼’ã¤ã‚ã®ã‚¯ãƒªãƒƒãƒ—ã®é–‹å§‹ã¸ã®ç§»è¡ŒãŒèžã‘るよã†ã«ã—ã¾ã™ã€‚トランスãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ã§ <span class="guibutton"><strong>Play</strong></span> を押ã—ã¦èžã„ã¦ã¿ã¦ã€çµ‚ã‚ã£ãŸã‚‰æ¢ã‚ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ï¼’ã¤ã‚ã®ã‚¯ãƒªãƒƒãƒ—ã®ä½ç½®ã‚’調整ã™ã‚‹å¿…è¦ãŒã‚ã‚‹ã¨ãã¯ã€ã‚¯ãƒªãƒƒã‚¯ã‚¢ãƒ³ãƒ‰ãƒ‰ãƒ©ãƒƒã‚°ã—ã¦æ£ã—ã„ä½ç½®ã«ç§»å‹•ã—ã¾ã™ã€‚クリップをæ£ã—ãç½®ã„ãŸã“ã¨ã‚’確èªã™ã‚‹ãŸã‚ã«ã€ã‚‚ã†ä¸€åº¦èžã„ã¦ã¿ã¾ã™ã€‚
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>8.4.6. 主題を作る</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>8.4.8. 次ã®ãƒ‘ートを作曲ã—ã¾ã™</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.2. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãƒ•ã‚¡ã‚¤ãƒ«</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. Create a MIDI Composition (Tutorial)" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. Create a MIDI Composition (Tutorial)" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready.html" title="8.4.3. Get Qtractor Ready" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><ifr
ame id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="8.4.2. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãƒ•ã‚¡ã‚¤ãƒ«" id="sect-Musicians_Guide-Qtractor-Tutorial-Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-
Requirements">8.4.2. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãƒ•ã‚¡ã‚¤ãƒ«</h3></div></div></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ A recording of the second movement from Beethoven's Piano Sonata No.23, "Appassionata," either:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle">Mutopia</em> at <a href="http://www.mutopiaproject.org/cgibin/make-table.cgi?searchingfor=appassionata">http://www.mutopiaproject.org/cgibin/make-table.cgi?searchingfor=appassionata</a> (MIDI synthesizer recording with LilyPond sheet music),
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">SoundCloud</em> at <a href="http://soundcloud.com/waltereegho/beethoven-sonata-no-23-in-f-minor-op-57-appassionata-ii-andante-con-moto-09">http://soundcloud.com/waltereegho/beethoven-sonata-no-23-in-f-minor-op-57-appassionata-ii-andante-con-moto-09</a> (live recording), or
+ </div></li><li class="listitem"><div class="para">
+ A commercial recording.
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ You must use <span class="application"><strong>FluidSynth</strong></span>, covered in <a class="xref" href="chap-Musicians_Guide-FluidSynth.html" title="第10ç« FluidSynth">10ç« <i>FluidSynth</i></a>.
+ </div></li><li class="listitem"><div class="para">
+ Download a recording of the MIDI portion of this tutorial from <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/Qtractor/FMG-Qtractor-MIDI-Recording.flac">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/Qtractor/FMG-Qtractor-MIDI-Recording.flac</a>.
+ </div></li><li class="listitem"><div class="para">
+ Listen to a recording of the MIDI portion combined with the audio portion of this tutorial at <a href="http://soundcloud.com/fedoraproject/fmg-qtractor-export">http://soundcloud.com/fedoraproject/fmg-qtractor-export</a>.
+ </div></li><li class="listitem"><div class="para">
+ Listen to a similar project that uses a different section of this musical work, at <a href="http://soundcloud.com/bradbreeck/beethoven-piano-sonata-no-23">http://soundcloud.com/bradbreeck/beethoven-piano-sonata-no-23</a>.
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>8.4. Create a MIDI Composition (Tutorial)</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>8.4.3. Get Qtractor Ready</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4. Create a MIDI Composition (Tutorial)</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Qtractor.html" title="第8ç« Qtractor" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Using-Tips-MIDI.html" title="8.3.4.2. MIDI" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Requirements.html" title="8.4.2. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãƒ•ã‚¡ã‚¤ãƒ«" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../to
c.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Using-Tips-MIDI.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Requirements.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="8.4. Create a MIDI Composition (Tutorial)" id="sect-Musicians_Guide-Qtractor-Tutorial"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial">8.4. Create a MIDI Composition (Tutorial)</h2></div></div></div><d
iv class="para">
+ We created a demonstration of a project that a first-time user might try in <span class="application"><strong>Qtractor</strong></span>. The tutorial sequence explain our decisions and various application features that we used. We do not attempt to give you a generic way to create music, but rather a specific way that we used our inspiration to help use create a new musical work.
+ </div><div class="section" title="8.4.1. インスピレーション" id="sect-Musicians_Guide-Qtractor-Tutorial-Inspiration"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Inspiration">8.4.1. インスピレーション</h3></div></div></div><div class="para">
+ This tutorial demonstrates a particular strength of <span class="application"><strong>Qtractor</strong></span>: combine audio and MIDI tracks in one project. We started this tutorial with a part of one of our favourite musical works. Then we created a MIDI-based "alter-ego" to accompany the favourite work.
+ </div><div class="para">
+ The audio recording contains a "theme and variations" movement, so the recording begins with a theme, then continues with modified versions of the theme. The theme has two parts, both repeated once. The original composer used several standard compositional techniques of their time period, so the music sounds similarly throughout, but constantly changes in subtle ways.
+ </div><div class="para">
+ We are not required to follow the aesthetic rules that Beethoven followed. Some people think we cannot possibly follows the aesthetic rules that Beethoven followed. If we create new music for solo piano, we are already aware of 150 years' worth of music that stretched Beethoven's aesthetic rules. In this tutorial, we use the matrix editor in <span class="application"><strong>Qtractor</strong></span>, which does not resemble conventional Western musical notation—we cannot hope to achieve a similar result. This tutorial explores the artistic possibilities of a combination of early 19th century chamber music and early 21st century electronic music.
+ </div><div class="para">
+ Finally, we encountered problems when we prepared this tutorial because we cannot distribute the audio recording that we used to create the MIDI component. Therefore, you will probably use a different audio recording than we used. Even when you follow our directions precisely, your result will be quite different from our result.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Using-Tips-MIDI.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>8.3.4.2. MIDI</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Requirements.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>8.4.2. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.3.3. Export a Whole File (Audio and MIDI Together)</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Using.html" title="8.3. Use Qtractor" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools.html" title="8.3.2. Using the MIDI Matrix Editor's Tools" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Using-Tips.html" title="8.3.4. ãã®ä»–ã®çŸ¥è˜" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc"
src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Using-Tips.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="8.3.3. Export a Whole File (Audio and MIDI Together)" id="sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_an
d_MIDI_Together">8.3.3. Export a Whole File (Audio and MIDI Together)</h3></div></div></div><div class="para">
+ Qtractor can export all of a session's audio clips as one audio file, but it cannot export the MIDI clips directly into that audio file. This is because Qtractor does not synthesize audio from MIDI signals, but uses an external MIDI synthesizer to do this. Thankfully, there is a relatively simple way to overcome this, allowing both audio and MIDI to be exported in the same audio file: use Qtractor to record the audio signal produced by the MIDI synthesizer. This procedure only works if you use a MIDI synthesizer (like <span class="application"><strong>FluidSynth</strong></span>) which outputs its audio signal to JACK.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Create a new audio track in Qtractor by clicking on 'Track > Add Track'.
+ </div></li><li class="listitem"><div class="para">
+ ã‚ãªãŸã® MIDI シンセサイザーãŒã€æ£ã—ãセットアップã•ã‚Œã¦ã„ã¦ã€é€šå¸¸ã®æ–¹å¼ã§ï¼ˆã‚¹ãƒ”ーカーを通ã—ã¦ï¼‰å‡ºåŠ›ã‚’生æˆã™ã‚‹ã“ã¨ã‚’確èªä¸‹ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ Use Qtractor's "Connections" window (press F8 on the keyboard) to ensure that the output from your MIDI synthesizer is routed to the input for the newly-created audio track.
+ </div></li><li class="listitem"><div class="para">
+ Move Qtractor's transport to the start of the session.
+ </div></li><li class="listitem"><div class="para">
+ æ–°ã—ã作æˆã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒˆãƒ©ãƒƒã‚¯ã ã‘ãŒã€éŒ²éŸ³ã®æº–備をã•ã‚Œã¦ã„ã‚‹ã“ã¨ã‚’確èªä¸‹ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ Arm Qtractor's transport for recording.
+ </div></li><li class="listitem"><div class="para">
+ Press "Play" on the transport, and wait as the session plays through.
+ </div></li><li class="listitem"><div class="para">
+ セッションã®æœ€å¾Œã«è¡Œã£ãŸã‚‰ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’æ¢ã‚ã¾ã™ã€‚Qtractor ã¯è‡ªå‹•çš„ã«ã¯ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’æ¢ã‚ã¾ã›ã‚“。
+ </div></li><li class="listitem"><div class="para">
+ Export the file as you normally would by clicking 'Track > Export Tracks > Audio'.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ MIDI ä¿¡å·ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒãƒ¼ã‚¸ãƒ§ãƒ³ãŒéŒ²éŸ³ã•ã‚Œã€ã‚ãªãŸãŒã‚»ãƒƒã‚·ãƒ§ãƒ³ã‚’エクスãƒãƒ¼ãƒˆã—ãŸã‚‰ã€æ–°ã—ã„オーディオトラックã¯å‰Šé™¤ã—ã¦ã‚‚構ã„ã¾ã›ã‚“。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>8.3.2. Using the MIDI Matrix Editor's Tools</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Using-Tips.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>8.3.4. ãã®ä»–ã®çŸ¥è˜</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Using-MIDI_Tools.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Using-MIDI_Tools.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.3.2. Using the MIDI Matrix Editor's Tools</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Using.html" title="8.3. Use Qtractor" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Using.html" title="8.3. Use Qtractor" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together.html" title="8.3.3. Export a Whole File (Audio and MIDI Together)" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" c
lass="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Using.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="8.3.2. Using the MIDI Matrix Editor's Tools" id="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools">8.3.2. Usi
ng the MIDI Matrix Editor's Tools</h3></div></div></div><div class="para">
+ Qtractor's matrix editor for MIDI clips offers a collection of useful tools, available from the "Tools" menu in the matrix editor window. These tools only operate on MIDI notes selected in the matrix editor window before the tool window is opened. Regardless of which tool you select from the menu, the same options are available to you each time the window is opened. It is possible to use multiple tools at a time.
+ </div><div class="para">
+ ã”注æ„：ツールã®åå‰ã¯ã¾ãŽã‚‰ã‚ã—ã„ã§ã™ã€‚
+ </div><div class="para">
+ 以下ãŒã€ãã‚Œãžã‚Œã®ãƒ„ールãŒä½•ã‚’ã™ã‚‹ã‹ã®èª¬æ˜Žã§ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Quantize: ã“ã®ãƒ„ールã¯ã€MIDI 音符ãŒã©ã“ã§é–‹å§‹ã§ãã‚‹ã‹ã€ã©ã‚Œã ã‘ã®é•·ã•ã€ç¶šãã‹ã‚’調整ã—ã¾ã™ã€‚æ‹ã®åˆ†å‰²ã§ãƒžãƒ¼ã‚¯ã•ã‚Œã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Time: The default setting, "Beat/4" will allow notes to begin only on every sixteenth note subdivision. If a note begins somewhere else, it will be moved to the nearest sixteenth note subdivision. For example, a note that begins on the first 32nd note of a measure would be moved to begin on the first beat instead.
+ </div></li><li class="listitem"><div class="para">
+ Duration: The default setting, "Beat/2" will allow notes to last only in multiples of eighth notes. If a note lasts for shorter or longer than an eighth note multiple, it will be adjusted to the closest duration that is an eighth note multiple. For example, a sixteenth note would be adjusted to an eighth note.
+ </div></li><li class="listitem"><div class="para">
+ Swing: This regularizes a "swing" effect on the rhythm. You will have to experiment with the settings to find one that works for you.
+ </div></li><li class="listitem"><div class="para">
+ ４分音符ãŒæ‹ã‚’å¾—ã‚‹ã¨ãã®ä¸€èˆ¬çš„ãªè¨å®šã‚’ã€å˜ç´”ã«è¡¨ã—ãŸã‚‚ã®ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Beat :4 分音符ã®é•·ã•
+ </div></li><li class="listitem"><div class="para">
+ Beat/2 : ８分音符ã®é•·ã•
+ </div></li><li class="listitem"><div class="para">
+ Beat/3 : ８分音符３連符ã®é•·ã•
+ </div></li><li class="listitem"><div class="para">
+ Beat/4 : １６分音符ã®é•·ã•
+ </div></li><li class="listitem"><div class="para">
+ Beat/6 : １６分音符６連符ã®é•·ã•
+ </div></li><li class="listitem"><div class="para">
+ Beat/8 : ３２分音符ã®é•·ã•
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Transpose: ã“ã®ãƒ„ールã¯é¸æŠžã•ã‚ŒãŸ MIDI 音符ã®ãƒ”ッãƒï¼ˆåž‚直軸 ) ã‚ã‚‹ã„ã¯æ™‚間（水平軸 ) を調整ã—ã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Pitch: 音符をã“ã‚Œã ã‘ã®éŸ³ç¨‹ã€ç§»èª¿ã—ã¾ã™ã€‚æ£ã®å€¤ã¯é«˜ã„音程ã«ã€è² ã®å€¤ã¯ä½Žã„音程ã«ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Time: Adjusts the starting time of MIDI notes, without affecting duration or pitch. This is most usefully measured as "BBT" (meaning "Bars, Beats, and Ticks" - each is separated by a decimal point), but can also be measured as time or frames.
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Normalize: This adjusts the loudness of the selected MIDI notes, called "velocity." There are three ways to use the tool. The value specified in the "MIDI Tools" window is used as the highest allowable velocity; all other velocity values are adjusted proportionally.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Adjust "Percent" only: This allows you to set the velocity to a percentage of the maximum velocity.
+ </div></li><li class="listitem"><div class="para">
+ Adjust "Value" only: This allows you to supply a specific value for the velocity. Possible values range from 0 to 127.
+ </div></li><li class="listitem"><div class="para">
+ Adjust "Percent" and "Value" together: This allows you to specify a percentage of the indicated value. If you set "50%" and "32," for example, the resulting velocity will be "16," which is 50% of 32.
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Randomize: ã“ã®ãƒ„ールã¯é¸æŠžã•ã‚ŒãŸãƒ‘ラメータを擬似ランダムãªå€¤ã«èª¿æ•´ã—ã¾ã™ã€‚値ã¯ï¼’ã¤ã®ç†ç”±ã‹ã‚‰æ“¬ä¼¼ãƒ©ãƒ³ãƒ€ãƒ ã§ã‚ã‚‹ã«éŽãŽã¾ã›ã‚“：コンピュータã¯çœŸã®ãƒ©ãƒ³ãƒ€ãƒ 値を生æˆã™ã‚‹ã“ã¨ã¯ã§ãã¾ã›ã‚“。人ã«ã¨ã£ã¦ãƒ©ãƒ³ãƒ€ãƒ ã«è¦‹ãˆã‚‹å€¤ã ã‘ãŒå¯èƒ½ã§ã™ã€‚パーセンテージ値ã§ã€çµæžœãŒã©ã®ç¨‹åº¦åºƒã変化ã™ã‚‹ã‹ã‚’指定ã§ãã¾ã™ã€‚低ã„パーセントè¨å®šã¯ã€é«˜ã„パーセントè¨å®šã®ã¨ãã¨æ¯”ã¹ã¦ã€ã‚ˆã‚Šã€ã‚‚ã¨ã® MIDI 音符ã«è¿‘ããªã‚Šã¾ã™ã€‚以下ã®ãƒ‘ラメータãŒãƒ©ãƒ³ãƒ€ãƒ ã«ã§ãã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Note, ã¤ã¾ã‚Šã€éŸ³ç¨‹
+ </div></li><li class="listitem"><div class="para">
+ Time, ã¤ã¾ã‚Šã€éŸ³ã®é–‹å§‹æ™‚刻
+ </div></li><li class="listitem"><div class="para">
+ Duration, ã¤ã¾ã‚Šã€é•·ã•
+ </div></li><li class="listitem"><div class="para">
+ Value, ã¤ã¾ã‚Šã€ãƒ©ã‚¦ãƒ‰ãƒã‚¹ï¼ˆãƒ™ãƒã‚·ãƒ†ã‚£ï¼‰
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Resize: This tool allows you to explicitly specify the duration or velocity of some MIDI notes. Setting the "Value" field will set the velocity (loudness) of all selected notes to that setting. Valid settings are from 0 (quietest) to 127 (loudest). Setting the "Duration" field will set the duration (length) of all selected notes to that setting. Duration is most usefully measured as "BBT" (meaning "Bars, Beats, and Ticks" - each is separated by a decimal point), but can also be measured as time or frames.
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Using.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>8.3. Use Qtractor</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>8.3.3. Export a Whole File (Audio and MIDI Togeth...</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.3.4.2. MIDI</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Using-Tips.html" title="8.3.4. ãã®ä»–ã®çŸ¥è˜" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Using-Tips.html" title="8.3.4. ãã®ä»–ã®çŸ¥è˜" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. Create a MIDI Composition (Tutorial)" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is
an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Using-Tips.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="8.3.4.2. MIDI" id="sect-Musicians_Guide-Qtractor-Using-Tips-MIDI"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Qtractor-Using-Tips-MIDI">8.3.4.2. MIDI</h4></div></div></div><div class="para">
+ When creating a MIDI track, you can use the "omni" check-box to allow the track to respond to input from any MIDI channel. If the check-box is unselected, the track will respond only to signals on its assigned MIDI channel.
+ </div><div class="para">
+ In the matrix editor window, you can adjust the "velocity" (loudness) of a note by using the "Resize" MIDI Tool (see <a class="xref" href="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools.html" title="8.3.2. Using the MIDI Matrix Editor's Tools">「Using the MIDI Matrix Editor's Toolsã€</a> above)
+ </div><div class="para">
+ If you find it difficult to work with Qtractor's matrix editor, but you find it easy to work with LilyPond, you can use this to your advantage. LilyPond will output a MIDI-format representation of your score if you include a "midi" section in the "score" section. It should look something like this:
+<pre class="programlisting">âŽ
+\scoreâŽ
+{âŽ
+ ...âŽ
+ \midi { }âŽ
+}âŽ</pre>
+ You can import <span class="application"><strong>LilyPond</strong></span> MIDI output in <span class="application"><strong>Qtractor</strong></span>. Choose <span class="guimenu"><strong>Track</strong></span> → <span class="guisubmenu"><strong>Import Tracks</strong></span> → <span class="guimenuitem"><strong>MIDI</strong></span>.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Using-Tips.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>8.3.4. ãã®ä»–ã®çŸ¥è˜</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>8.4. Create a MIDI Composition (Tutorial)</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Using-Tips.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Using-Tips.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.3.4. ãã®ä»–ã®çŸ¥è˜</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Using.html" title="8.3. Use Qtractor" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together.html" title="8.3.3. Export a Whole File (Audio and MIDI Together)" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Using-Tips-MIDI.html" title="8.3.4.2. MIDI" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" s
rc="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Using-Tips-MIDI.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="8.3.4. ãã®ä»–ã®çŸ¥è˜" id="sect-Musicians_Guide-Qtractor-Using-Tips"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Using-Tips">8.3.4. ãã®ä»–ã®çŸ¥è˜</h3></div></div>
</div><div class="para">
+ If you wish to scroll horizontally in Qtractor's tracks pane or the matrix editor, hold down the Control (Ctrl) key as you adjust your mouse's scrollwheel.
+ </div><div class="para">
+ Qtractor files should be saved in an otherwise-empty folder. Unlike Ardour, Audacity, and Rosegarden, Qtractor will not create a new sub-folder automatically, but will instead store all of a session's clips in the same folder as the the Qtractor file itself.
+ </div><div class="section" title="8.3.4.1. トランスãƒãƒ¼ãƒˆ" id="sect-Musicians_Guide-Qtractor-Using-Tips-Transport"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Qtractor-Using-Tips-Transport">8.3.4.1. トランスãƒãƒ¼ãƒˆ</h4></div></div></div><div class="para">
+ You can move Qtractor's transport to a particular point in a session by holding Shift as you use the mouse to click on that point.
+ </div><div class="para">
+ You can choose whether or not you want the track pane to automatically scroll as the transport moves by clicking 'Transport > Follow Playhead'.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>8.3.3. Export a Whole File (Audio and MIDI Togeth...</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Using-Tips-MIDI.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>8.3.4.2. MIDI</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Using.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Using.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.3. Use Qtractor</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Qtractor.html" title="第8ç« Qtractor" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names.html" title="8.2.4. Configure MIDI Channel Names" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools.html" title="8.3.2. Using the MIDI Matrix Editor's Tools" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../.
./../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="8.3. Use Qtractor" id="sect-Musicians_Guide-Qtractor-Using"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Qtractor-Using">8.3. Use Qtractor</h2></div></div></div><div class="para">
+ The "Tutorial" section teaches you how to use Qtractor by example. This section is designed to serve as a reference while you complete the tutorial, and for refreshing your memory afterwards.
+ </div><div class="section" title="8.3.1. é’ã„プレースマーカを使ã†" id="sect-Musicians_Guide-Qtractor-Using-Blue_Place_Markers"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Using-Blue_Place_Markers">8.3.1. é’ã„プレースマーカを使ã†</h3></div></div></div><div class="para">
+ トランスãƒãƒ¼ãƒˆã«åŠ ãˆã¦ã€Qtractor ã¯ä»–ã«ï¼’ã¤ã®ãƒ—レースマーカをæä¾›ã—ã¾ã™ . ãã‚Œã¯é’色をã—ã¦ã„ã¾ã™ã€‚以下ã¯ã€é’ã„プレースマーカã§ã§ãã‚‹ã“ã¨ã§ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ * レンジをマークã™ã‚‹ï¼š
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 左端ã®ãƒžãƒ¼ã‚«ã‚’ç½®ããŸã„ã¨ã“ã‚ã«ã‚«ãƒ¼ã‚½ãƒ«ã‚’移動下ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ 左クリックã—ã¦ä¿æŒä¸‹ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ å³ç«¯ã®ãƒžãƒ¼ã‚«ã‚’ç½®ããŸã„ã¨ã“ã‚ã¾ã§ã‚«ãƒ¼ã‚½ãƒ«ã‚’ドラッグ下ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ マウスボタンを離ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ é’ã„マーカãŒã€ç‰¹å®šã®ãƒ¬ãƒ³ã‚¸ã‚’マークã—ã¦ã„ã‚‹ã¯ãšã§ã™ã€‚
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ * １ã¤ã®ç‰¹å®šã®å ´æ‰€ã‚’マークã™ã‚‹ï¼š
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ マークã—ãŸã„ã¨ã“ã‚ã«ã‚«ãƒ¼ã‚½ãƒ«ã‚’移動ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ãã“ã§å·¦ã‚¯ãƒªãƒƒã‚¯ã—ã¦ä¿æŒã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ カーソルを少ã—å³ã«ãƒ‰ãƒ©ãƒƒã‚°ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ é’ã„マーカãŒç¾ã‚Œã‚‹ã¯ãšã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ãれらを分離ã—ã¦ãŠã代ã‚ã‚Šã«ã€ï¼’ã¤ã‚ã®é’ã„マーカを最åˆã®ã‚‚ã®ã®ä¸Šã«ç§»å‹•ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ マウスボタンを離ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 矢å°ã¯ï¼‘ã¤ã«ãªã‚‹ã¯ãšã§ã™ã€‚
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ * マーカã®ï¼‘ã¤ã‚’移動ã™ã‚‹ï¼š
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ トラックペインã®ä¸€ç•ªä¸Šã«ã‚るルーラーã®ã¨ã“ã‚ã«ã‚るマーカーã®ä¸‰è§’å½¢ã®ãƒˆãƒƒãƒ—ã®ä¸Šã«ã‚«ãƒ¼ã‚½ãƒ«ã‚’ç½®ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ カーソルã®å½¢ãŒã€ä¸¡æ–¹ã«çŸ¢å°ã®ã‚ã‚‹æ°´å¹³ãªç·šã«å¤‰ã‚ã‚‹ã¯ãšã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 左クリックã—ã¦ã€ãƒžã‚¦ã‚¹ã‚’ドラッグã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ The blue place-marker should follow the mouse. If it doesn't, then try again. It is sometimes difficult to select the place-marker.
+ </div></li></ol></div>
+
+ </div></li></ul></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>8.2.4. Configure MIDI Channel Names</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>8.3.2. Using the MIDI Matrix Editor's Tools</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Real_Time_Linux_Kernel.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Real_Time_Linux_Kernel.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>3.3. リアルタイムLinux カーãƒãƒ«</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html" title="第3ç« ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ ã¨ä½Žé…延" /><link rel="prev" href="sect-Musicians_Guide-Processor_Scheduling.html" title="3.2. プãƒã‚»ãƒƒã‚µã‚¹ã‚±ã‚¸ãƒ¥ãƒ¼ãƒªãƒ³ã‚°" /><link rel="next" href="sect-Musicians_Guide-Hard_and_Soft_Real_Time.html" title="3.4. ãƒãƒ¼ãƒ‰ã¨ã‚½ãƒ•ãƒˆãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ " /></head><body class="draft toc_embeded "><div id="tocdiv" clas
s="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Processor_Scheduling.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Hard_and_Soft_Real_Time.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="3.3. リアルタイムLinux カーãƒãƒ«" id="sect-Musicians_Guide-Real_Time_Linux_Kernel"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Real_Time_Linux_Kernel">3.3.
リアルタイムLinux カーãƒãƒ«</h2></div></div></div><div class="para">
+ There is a "real-time patch" for the Linux kernel which enables the processor to unfairly schedule certain processes that ask for higher priority. Although the term "patch" may make it seem like this is just a partial solution, it really refers to the fact that the programming code used to enable this kind of unfair scheduling is not included in standard kernels; the standard kernel code must have this code "patched" into it.
+ </div><div class="para">
+ The default behaviour of a real-time kernel is still to use the "fair queueing" system by default. This is good, because most processes don't need to have consistently low latencies. Only specific processes are designed to request high-priority scheduling. Each process is given (or asks for) a priority number, and the real-time kernel will always give processing time to the process with the highest priority number, even if that process uses up <span class="emphasis"><em>all</em></span> of the available processing time. This puts regular applications at a disadvantage: when a high-priority process is running, the rest of the system may be unable to function properly. In extreme (and very rare!) cases, a real-time process can encounter an error, use up all the processing time, and disallow any other process from running - effectively locking you out of your computer. Security measures have been taken to help ensure this doesn't happen, but as with anything, there is no guar
antee. If you use a real-time kernel, you are exposing yourself to a slightly higher risk of system crashes.
+ </div><div class="para">
+ ãã®ç†ç”±ã‹ã‚‰ã€ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ カーãƒãƒ«ã¯ã€ã‚µãƒ¼ãƒã¨ã—ã¦å‹•ä½œã™ã‚‹ã‚³ãƒ³ãƒ”ュータã§ã¯ä½¿ã†ã¹ãã§ã‚ã‚Šã¾ã›ã‚“。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Processor_Scheduling.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>3.2. プãƒã‚»ãƒƒã‚µã‚¹ã‚±ã‚¸ãƒ¥ãƒ¼ãƒªãƒ³ã‚°</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Hard_and_Soft_Real_Time.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>3.4. ãƒãƒ¼ãƒ‰ã¨ã‚½ãƒ•ãƒˆãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ </a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Record_Mix_Master_More_Info.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Record_Mix_Master_More_Info.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.2.4. å‚考</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Stages_of_Recording.html" title="6.2. 録音ã®ã‚¹ãƒ†ãƒ¼ã‚¸" /><link rel="prev" href="sect-Musicians_Guide-Mastering.html" title="6.2.3. マスタリング" /><link rel="next" href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html" title="6.3. インタフェース用語" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe,
to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Mastering.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="6.2.4. å‚考" id="sect-Musicians_Guide-Record_Mix_Master_More_Info"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Record_Mix_Master_More_Info">6.2.4. å‚考</h3></div></div></div><div class="para">
+ 録音ã€ãƒŸã‚シングã€ãã—ã¦ãƒžã‚¹ã‚¿ãƒªãƒ³ã‚°ã‚’æˆåŠŸã•ã›ã‚‹æŠ€è¡“ã‚’ç¿’å¾—ã™ã‚‹ã«ã¯ã€çµŒé¨“ã¨å®Ÿè·µãŒå¿…è¦ã§ã™.ã“れらã®æ‰‹ç¶šãã«ã¤ã„ã¦ã®ã“れ以上ã®æƒ…å ±ã¯ã€ä»¥ä¸‹ã®ã‚¦ã‚¨ãƒ–ページをã¯ã˜ã‚ã¨ã—ã¦ã€ã„ã‚ã„ã‚ãªã¨ã“ã‚ã§å¾—られã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://www.64studio.com/howto-mastering">http://www.64studio.com/howto-mastering</a> ã§åˆ©ç”¨å¯èƒ½ãªã€<em class="citetitle">Mastering Your Final Mix (64studio)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Audio_mixing_%28recorded_music%29">http://en.wikipedia.org/wiki/Audio_mixing_%28recorded_music%29</a> ã§åˆ©ç”¨å¯èƒ½ãª<em class="citetitle">Audio Mixing (Wikipedia)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Multitrack_recording">http://en.wikipedia.org/wiki/Multitrack_recording</a> ã§åˆ©ç”¨å¯èƒ½ãª<em class="citetitle">Multitrack Recording (Wikipedia)</em>。
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Mastering.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>6.2.3. マスタリング</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>6.3. インタフェース用語</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Region_Clip_Segment.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Region_Clip_Segment.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.3.3. リージョンã€ã‚¯ãƒªãƒƒãƒ—ã€ã‚ã‚‹ã„ã¯ã‚»ã‚°ãƒ¡ãƒ³ãƒˆ</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html" title="6.3. インタフェース用語" /><link rel="prev" href="sect-Musicians_Guide-Track_and_Multitrack.html" title="6.3.2. トラックã¨ãƒžãƒ«ãƒãƒˆãƒ©ãƒƒã‚¯" /><link rel="next" href="sect-Musicians_Guide-Transport_and_Playhead.html" title="6.3.4. トランスãƒãƒ¼ãƒˆã¨å†ç”Ÿãƒ˜ãƒƒãƒ‰" /></head><body class="draft toc_embeded "><di
v id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Track_and_Multitrack.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Transport_and_Playhead.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="6.3.3. リージョンã€ã‚¯ãƒªãƒƒãƒ—ã€ã‚ã‚‹ã„ã¯ã‚»ã‚°ãƒ¡ãƒ³ãƒˆ" id="sect-Musicians_Guide-Region_Clip_Segment"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musici
ans_Guide-Region_Clip_Segment">6.3.3. リージョンã€ã‚¯ãƒªãƒƒãƒ—ã€ã‚ã‚‹ã„ã¯ã‚»ã‚°ãƒ¡ãƒ³ãƒˆ</h3></div></div></div><div class="para">
+ リージョンã€ã‚¯ãƒªãƒƒãƒ—ãã—ã¦ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã¯ã€åŒç¾©èªžã§ã™ï¼šç•°ãªã‚‹ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã¯åŒã˜ã‚‚ã®ã‚’示ã™ã®ã«ç•°ãªã‚‹ç”¨èªžã‚’使ã„ã¾ã™.<em class="firstterm">リージョン</em> (ã‚ã‚‹ã„㯠<em class="firstterm">クリップ</em> ã‚ã‚‹ã„ã¯<em class="firstterm">セグメント</em>)ã¯ã€ï¼‘ã¤ã®ãƒ†ã‚¤ã‚¯ã®ä¸ã§ï¼‘ã¤ã®ãƒˆãƒ©ãƒƒã‚¯ã«éŒ²éŸ³ã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®éƒ¨åˆ†ã®ã“ã¨ã§ã™ã€‚リージョンã¯ã€DAW ã®ãƒ¡ã‚¤ãƒ³ã®ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã§ã€é€šå¸¸ã¯è‰²ãŒã¤ã„ãŸå››è§’å½¢ã§è¡¨ç¾ã•ã‚Œã¾ã™ã€‚ãã—ã¦ã€ãŸã １ã¤ã®ãƒˆãƒ©ãƒƒã‚¯ã«å«ã¾ã‚Œã¾ã™ã€‚オーディオ信å·ãƒ‡ãƒ¼ã‚¿ã‚’æŒã¤ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¯æ™®é€šã€ãã®ãƒ‡ãƒ¼ã‚¿ã®å‘¨æ³¢æ•°åˆ†å¸ƒã‚°ãƒ©ãƒ•ãŒè¡¨ç¤ºã•ã‚Œã¾ã™ã€‚MIDIä¿¡å·ãƒ‡ãƒ¼ã‚¿ã‚’æŒã¤ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¯æ™®é€šã€ãã®ãƒ‡ãƒ¼ã‚¿ã®ãƒžãƒˆãƒªã‚¯ã‚¹è¡¨ç¤ºãŒã•ã‚Œã¾ã™ã€‚
+ </div><div class="para">
+ For the three DAW applications in the Musicians' Guide:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> calls them "regions,"
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Qtractor</strong></span> calls them "clips," and,
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> calls them "segments."
+ </div></li></ul></div>
+
+ </div><div class="figure" title="図6.3 Ardour ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³" id="ardour_region"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-Region.png" width="444" alt="Ardour ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³" /><div class="longdesc"><div class="para">
+ Ardour ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³
+ </div></div></div></div><h6>図6.3 Ardour ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³</h6></div><br class="figure-break" /></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Track_and_Multitrack.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>6.3.2. トラックã¨ãƒžãƒ«ãƒãƒˆãƒ©ãƒƒã‚¯</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Transport_and_Playhead.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>6.3.4. トランスãƒãƒ¼ãƒˆã¨å†ç”Ÿãƒ˜ãƒƒãƒ‰</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>9.2.2. Rosegarden ã®è¨å®š</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Rosegarden-Configuration.html" title="9.2. 構æˆ" /><link rel="prev" href="sect-Musicians_Guide-Rosegarden-Configuration.html" title="9.2. 構æˆ" /><link rel="next" href="sect-Musicians_Guide-Rosegarden_and_LilyPond.html" title="9.3. Rosegarden 㨠LilyPond" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe,
to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Configuration.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden_and_LilyPond.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="9.2.2. Rosegarden ã®è¨å®š" id="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden">9.2.2. <span class="application"><strong>Rosegarden</strong></span> ã®è¨å®š<
/h3></div></div></div><div class="para">
+ Follow the instructions in <a class="xref" href="sect-Musicians_Guide-Rosegarden-Configuration.html#sect-Musicians_Guide-Rosegarden-Configuration-JACK_and_Qsynth" title="9.2.1. Setup JACK and FluidSynth (Qsynth)">「Setup <span class="application"><strong>JACK</strong></span> and <span class="application"><strong>FluidSynth</strong></span> (<span class="application"><strong>Qsynth</strong></span>)ã€</a> to setup <span class="application"><strong>JACK</strong></span> and <span class="application"><strong>Qsynth</strong></span>. Then follow these instructions to connect <span class="application"><strong>Rosegarden</strong></span> with <span class="application"><strong>JACK</strong></span> and <span class="application"><strong>Qsynth</strong></span>.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Choose <span class="guimenu"><strong>Edit</strong></span> → <span class="guimenuitem"><strong>Preferences</strong></span> from the <span class="application"><strong>Rosegarden</strong></span> menu.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Setup "General" as desired:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ On the "Behaviour" tab. Select "Use <span class="application"><strong>JACK</strong></span> Transport" if you want <span class="application"><strong>Rosegarden</strong></span> to follow instructions from the transport shown in <span class="application"><strong>QjackCtl</strong></span>.
+ </div></li><li class="listitem"><div class="para">
+ On the "External Applications" tab. If you are not using <span class="application"><strong>KDE</strong></span> then we recommend that you change these applications to match what is installed on your computer.
+ </div></li></ul></div>
+
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Setup "MIDI" as desired. For the "MIDI Sync" tab:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Choose "Send MIDI Clock, Start and Stop" if <span class="application"><strong>Rosegarden</strong></span> controls all other MIDI devices.
+ </div></li><li class="listitem"><div class="para">
+ Choose "Accept Start, Stop and Continue" if <span class="application"><strong>Rosegarden</strong></span> accepts control signals from other MIDI devices.
+ </div></li><li class="listitem"><div class="para">
+ Choose "Off" if you do not understand which option to choose.
+ </div></li></ul></div>
+
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Setup "Audio" as desired:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The preview scale changes the way <span class="application"><strong>Rosegarden</strong></span> looks, but not how the audio sounds.
+ </div></li><li class="listitem"><div class="para">
+ If <span class="application"><strong>Rosegarden</strong></span> performs slowly on your computer, reduce quality from 32-bit to 16-bit. We do not recommend using 16-bit quality unless you need it, because you will have lower-quality audio.
+ </div></li><li class="listitem"><div class="para">
+ Choose a different external editor if you do not want to use the default choice (<span class="application"><strong>Audacity</strong></span>).
+ </div></li></ul></div>
+
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Configuration.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>9.2. 構æˆ</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden_and_LilyPond.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>9.3. Rosegarden 㨠LilyPond</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Configuration.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Configuration.html
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+++ b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Configuration.html
@@ -0,0 +1,59 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>9.2. 構æˆ</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Rosegarden.html" title="第9ç« Rosegarden" /><link rel="prev" href="chap-Musicians_Guide-Rosegarden.html" title="第9ç« Rosegarden" /><link rel="next" href="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden.html" title="9.2.2. Rosegarden ã®è¨å®š" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade
your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Rosegarden.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="9.2. 構æˆ" id="sect-Musicians_Guide-Rosegarden-Configuration"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Rosegarden-Configuration">9.2. 構æˆ</h2></div></div></div><div class="section" title="9.2.1. Setup JACK and FluidSynth (Qsynth)" id="sect-Musicians_Guide-Rosegar
den-Configuration-JACK_and_Qsynth"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Configuration-JACK_and_Qsynth">9.2.1. Setup <span class="application"><strong>JACK</strong></span> and <span class="application"><strong>FluidSynth</strong></span> (<span class="application"><strong>Qsynth</strong></span>)</h3></div></div></div><div class="para">
+ Follow these instructions to setup <span class="application"><strong>JACK</strong></span> and <span class="application"><strong>Qsynth</strong></span>. Then follow the instructions in <a class="xref" href="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden.html" title="9.2.2. Rosegarden ã®è¨å®š">「<span class="application"><strong>Rosegarden</strong></span> ã®è¨å®šã€</a> to connect <span class="application"><strong>Rosegarden</strong></span> with <span class="application"><strong>JACK</strong></span> and <span class="application"><strong>Qsynth</strong></span>.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="application"><strong>JACK</strong></span> をコントãƒãƒ¼ãƒ«ã™ã‚‹ãŸã‚ã«ã€<span class="application"><strong>QjackCtl</strong></span> を開始ã—ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Start <span class="application"><strong>Qsynth</strong></span> to control <span class="application"><strong>FluidSynth</strong></span>. <span class="application"><strong>FluidSynth</strong></span> starts automatically.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Start <span class="application"><strong>Rosegarden</strong></span>.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Configure <span class="application"><strong>Qsynth</strong></span> to use the "alsa_seq" MIDI driver. Refer to <a class="xref" href="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input.html" title="10.4.4. Configure MIDI Input">「Configure MIDI Inputã€</a>.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ You may want to disconnect all <span class="application"><strong>JACK</strong></span> connections except the connections you will use with <span class="application"><strong>Rosegarden</strong></span>. Use the <span class="application"><strong>QjackCtl</strong></span> "Connect" window to make these connections:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ On the "Audio" tab:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The <span class="application"><strong>Qsynth</strong></span> output ports connect to the "system" input ports. If you only use MIDI in <span class="application"><strong>Rossegarden</strong></span>, and you do not use audio in <span class="application"><strong>Rosegarden</strong></span>, you do not need further connections on the "Audio" tab.
+ </div></li><li class="listitem"><div class="para">
+ If you use audio in <span class="application"><strong>Rosegarden</strong></span>, ensure the "master out" ports connect to the "system" input ports.
+ </div></li><li class="listitem"><div class="para">
+ If you use audio in <span class="application"><strong>Rosegarden</strong></span>, ensure the "record monitor" ports connect to the "system" input ports.
+ </div></li><li class="listitem"><div class="para">
+ If you use audio in <span class="application"><strong>Rosegarden</strong></span>, ensure the input ports connect to the "system" outputput ports. Note that <span class="application"><strong>Rosegarden</strong></span> can record from two independent sources ("1" and "2"), with two channels ("L" for left and "R" for right) from each, to produce a stereo recording.
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ On the "MIDI" tab:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ãªã«ã‚‚ã‚ã‚Šã¾ã›ã‚“。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ On the "ALSA" tab:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Connect the <span class="application"><strong>Rosegarden</strong></span> output ports to the "FLUID synth" input ports:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 1:sync out (MIDI コントãƒãƒ¼ãƒ«ãƒ¡ãƒƒã‚»ãƒ¼ã‚¸ã‚’é€ã‚‹ )
+ </div></li><li class="listitem"><div class="para">
+ 2:external controller ( セッションã®æœ€åˆã® MIDI 機器ã®ã‚»ãƒƒãƒˆã®ãŸã‚ )
+ </div></li><li class="listitem"><div class="para">
+ 3:out 2 - General MIDI Device ( セッションã®ï¼’ã¤ã‚ã® MIDI 機器ã®ã‚»ãƒƒãƒˆã®ãŸã‚ )
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ If you want <span class="application"><strong>Rosegarden</strong></span> to accept commands from other MIDI devices, connect these <span class="application"><strong>Rosegarden</strong></span> input ports to the other devices' output ports:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 0:record in
+ </div></li><li class="listitem"><div class="para">
+ 2:external controller
+ </div></li></ul></div>
+
+ </div></li></ol></div>
+
+ </div></li></ul></div>
+
+ </div></li></ol></div><div class="para">
+ We recommend that you disconnect all ports unless you need to connect them. If you have an extra connection, you may accidentally send a signal, and produce undesirable results.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Rosegarden.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>第9ç« Rosegarden</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>9.2.2. Rosegarden ã®è¨å®š</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Tutorial-Melody.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Tutorial-Melody.html
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@@ -0,0 +1,32 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>9.4.4. メãƒãƒ‡ã‚£ã‚’è¿½åŠ ã™ã‚‹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Rosegarden-Tutorial.html" title="9.4. Rosegarden ã§ã€ä½œæ›²ã™ã‚‹ã€‚（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion.html" title="9.4.3. パーカッションをスパイスアップ" /><link rel="next" href="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue.html" title="9.4.5. å…ˆã«é€²ã‚€ã„ãã¤ã‹ã®æ–¹æ³•" /></head><b
ody class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="9.4.4. メãƒãƒ‡ã‚£ã‚’è¿½åŠ ã™ã‚‹" id="sect-Musicians_Guide-Rosegarden-Tutorial-Melody"><div class="titlepage"><div><div keep-together.within-colu
mn="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Tutorial-Melody">9.4.4. メãƒãƒ‡ã‚£ã‚’è¿½åŠ ã™ã‚‹</h3></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Rename the third track to "Melody," or something like that.
+ </div></li><li class="listitem"><div class="para">
+ Change the track's program.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Look at the "Instrument Parameters" box in the "Special Parameters" toolbox on the left side of the main editing window.
+ </div></li><li class="listitem"><div class="para">
+ Make sure that you have the "Melody" track selected.
+ </div></li><li class="listitem"><div class="para">
+ Select the "General MIDI" bank, which is probably already selected.
+ </div></li><li class="listitem"><div class="para">
+ For the program, select whatever you prefer. I decided to use program 51, called "Synth Strings 1." It reminds me of music from the 1980s.
+ </div></li><li class="listitem"><div class="para">
+ After setting the program, press 'play' on the transport toolbar, and let it go for just a second. This will allow <span class="application"><strong>Rosegarden</strong></span> to send the program-change message to FluidSynth. It isn't strictly necessary, and it would have been done later anyway, but doing it now helps to avoid confusion later.
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Use the "Select and Edit" tool to create a segment in the "Melody" track, of four measures long.
+ </div></li><li class="listitem"><div class="para">
+ ダブルクリックã—ã¦ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã®ã‚¨ãƒ‡ã‚£ã‚¿ã§ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’編集ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Create four measures of a melody. It doesn't have to be complicated, or even interesting.
+ </div></li><li class="listitem"><div class="para">
+ Close the notation editor, and listen to the the three tracks. Don't forget to reset the playhead to the beginning of the session!
+ </div></li><li class="listitem"><div class="para">
+ It sounds a bit silly to have the melody enter at the very beginning, so add an introduction. With the "Select and Edit" tool (press 'F2' on the keyboard to engage it), click-and-drag the melody segment to a few bars or beats later. Note that, even if you move it to start on beat 2, 3, or 4, the view in the notation editor will always start the segment on beat 1.
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>9.4.3. パーカッションをスパイスアップ</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>9.4.5. å…ˆã«é€²ã‚€ã„ãã¤ã‹ã®æ–¹æ³•</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track.html
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@@ -0,0 +1,29 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>9.4.2. ãƒ‘ãƒ¼ã‚«ãƒƒã‚·ãƒ§ãƒ³ãƒˆãƒ©ãƒƒã‚¯ã‚’è¿½åŠ </title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Rosegarden-Tutorial.html" title="9.4. Rosegarden ã§ã€ä½œæ›²ã™ã‚‹ã€‚（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-Rosegarden-Tutorial.html" title="9.4. Rosegarden ã§ã€ä½œæ›²ã™ã‚‹ã€‚（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="next" href="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion.html" title="9.4.3. パーカッションをスパイス
アップ" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Tutorial.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="9.4.2. ãƒ‘ãƒ¼ã‚«ãƒƒã‚·ãƒ§ãƒ³ãƒˆãƒ©ãƒƒã‚¯ã‚’è¿½åŠ " id="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track"><div class="titlepage"><div>
<div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track">9.4.2. ãƒ‘ãƒ¼ã‚«ãƒƒã‚·ãƒ§ãƒ³ãƒˆãƒ©ãƒƒã‚¯ã‚’è¿½åŠ </h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Select the second track, and rename it to "Percussion" (or something else, if you prefer).
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ In the "Instrument Parameters" portion of the toolbox on the left side of the editor window, check the "Percussion" check-box. If you do not see the "Instrument Parameters" panel, select <span class="guimenu"><strong>View</strong></span> → <span class="guimenuitem"><strong>Show Special Parameters</strong></span> from the menu.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Select <span class="guibutton"><strong>Play</strong></span> on the transport for just a second, then stop it. <span class="application"><strong>Rosegarden</strong></span> synchronizes the re-assignment with <span class="application"><strong>FluidSynth</strong></span>
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Press <span class="keycap"><strong>F3</strong></span> on the keyboard, or click on the "Draw" tool that looks like a pencil.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ Create a one-measure segment in the second track, then right-click on the segment, and select <span class="guimenuitem"><strong>Open in Percussion Matrix Editor</strong></span>.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ パーカッションマトリックスエディタã¯ã€ãƒžãƒˆãƒªãƒƒã‚¯ã‚¹ã‚¨ãƒ‡ã‚£ã‚¿ã«ä¼¼ã¦ã„ã¾ã™ãŒã€å„音程ã®ã‹ã‚ã‚Šã«ã€ãã‚ŒãŒé³´ã‚‰ã™æ¥½å™¨ã®ãƒ©ãƒ™ãƒ«ãŒã¤ã„ã¦ã„ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ã•ã¾ã–ã¾ãªæ¥½å™¨ã¨éŸ³ç¨‹ã‚’実験ã—ã¦ã€å„å°ç¯€ã§ç¹°ã‚Šè¿”ã™å››åˆ†éŸ³ç¬¦ã®ãƒ‘ターンを探ã—ã¦ãã ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ When you finish with your pattern, close the editor.
+ </div></li></ol></div>
+
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ Select the newly-created percussion segment, then choose <span class="guimenu"><strong>Edit</strong></span> → <span class="guimenuitem"><strong>Copy</strong></span> from the menu.
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ Move the transport playhead to the end of the first measure. First move it to the beginning, then press the "fast forward" button to advance it to the end of the first measure.
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ Confirm that the second track is still selected.
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ Choose <span class="guimenu"><strong>Edit</strong></span> → <span class="guimenuitem"><strong>Paste</strong></span> a few times, so the percussion track fills up the same space as the bassline.
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Tutorial.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>9.4. Rosegarden ã§ã€ä½œæ›²ã™ã‚‹ã€‚（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>9.4.3. パーカッションをスパイスアップ</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>9.4.3. パーカッションをスパイスアップ</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Rosegarden-Tutorial.html" title="9.4. Rosegarden ã§ã€ä½œæ›²ã™ã‚‹ã€‚（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track.html" title="9.4.2. ãƒ‘ãƒ¼ã‚«ãƒƒã‚·ãƒ§ãƒ³ãƒˆãƒ©ãƒƒã‚¯ã‚’è¿½åŠ " /><link rel="next" href="sect-Musicians_Guide-Rosegarden-Tutorial-Melody.html" title="9.4.4. メãƒãƒ‡ã‚£ã‚’è¿½åŠ ã™ã‚‹" /></head><body clas
s="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Tutorial-Melody.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="9.4.3. パーカッションをスパイスアップ" id="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion"><div class="titlepage"><div><div keep-together.w
ithin-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion">9.4.3. パーカッションをスパイスアップ</h3></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Four quarter notes is not a very long percussion accompaniment, so let's make it more interesting.
+ </div></li><li class="listitem"><div class="para">
+ 最åˆã®ãƒ‘ーカッションã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’ダブルクリックã—ã¦ã€æ¨™æº–çš„ãªæ¥½èœã‚¨ãƒ‡ã‚£ã‚¿ã§é–‹ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ From the menu select 'Edit > Select Whole Staff'.
+ </div></li><li class="listitem"><div class="para">
+ Then from the menu select 'Adjust > Notes > Eighth Note'.
+ </div></li><li class="listitem"><div class="para">
+ This compressed the notes, which isn't what you wanted. Undo the change with 'Edit > Undo'.
+ </div></li><li class="listitem"><div class="para">
+ 全体ãŒé¸æŠžã•ã‚Œã¦ã„ã‚‹ã“ã¨ã‚’ã‚‚ã†ã„ã¡ã©ç¢ºèªã—ã¦ãã ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ From the menu select 'Adjust > Notes > Eighth Note (Without Duration Change)'.
+ </div></li><li class="listitem"><div class="para">
+ 今オリジナルã®ãƒªã‚ºãƒ ã®é–“ã« 8 分休符ãŒã‚ã‚Šã¾ã™ã€‚ãŠæœ›ã¿ãªã‚‰ã€ä¼‘符ã®ã‚ã‚‹ã¨ã“ã‚ã«ã‚ªãƒ•ãƒ“ートã®ã‚¢ã‚¯ã‚»ãƒ³ãƒˆã‚’åŠ ãˆã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚ã‚ãªãŸã¯ã€ãƒ‘ーカッションマトリクスエディタã«åˆ‡ã‚Šæ›¿ãˆã‚‹ã“ã¨ãŒã§ãã¾ã™ãŒã€ä»Šã®æ¥½èœã‚¨ãƒ‡ã‚£ã‚¿ã‚’使用ã—続ã‘ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ - ã©ã®éŸ³ç¨‹ãŒã©ã®æ¥½å™¨ã‚’表ã™ã‹æŽ¨æ¸¬ã™ã‚‹ã®ã¯é¢ç™½ã„ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。
+ </div></li><li class="listitem"><div class="para">
+ Now that you've made a change, you'll have to delete all the copies and re-copy them. We'll use a better solution instead, but you'll still have to start by deleting all of the copies of the segment. Remember to keep the first one!
+ </div></li><li class="listitem"><div class="para">
+ After removing all but the first segment, from the "Segment Parameters" box in the left toolbox, check the "Repeat" checkbox.
+ </div></li><li class="listitem"><div class="para">
+ Now the segment repeats forever. This can be useful, but eventually you'll want to stop the song. When you want to change the repeats into copies, from the menu select 'Segment > Turn Repeats Into Copies'.
+ </div></li><li class="listitem"><div class="para">
+ Adjust the first track so that it's repeated, too.
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>9.4.2. ãƒ‘ãƒ¼ã‚«ãƒƒã‚·ãƒ§ãƒ³ãƒˆãƒ©ãƒƒã‚¯ã‚’è¿½åŠ </a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Tutorial-Melody.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>9.4.4. メãƒãƒ‡ã‚£ã‚’è¿½åŠ ã™ã‚‹</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>9.4.5. å…ˆã«é€²ã‚€ã„ãã¤ã‹ã®æ–¹æ³•</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Rosegarden-Tutorial.html" title="9.4. Rosegarden ã§ã€ä½œæ›²ã™ã‚‹ã€‚（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /><link rel="prev" href="sect-Musicians_Guide-Rosegarden-Tutorial-Melody.html" title="9.4.4. メãƒãƒ‡ã‚£ã‚’è¿½åŠ ã™ã‚‹" /><link rel="next" href="chap-Musicians_Guide-FluidSynth.html" title="第10ç« FluidSynth" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocf
rame" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Tutorial-Melody.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-FluidSynth.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="9.4.5. å…ˆã«é€²ã‚€ã„ãã¤ã‹ã®æ–¹æ³•" id="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue">9.4.5. å…ˆ
ã«é€²ã‚€ã„ãã¤ã‹ã®æ–¹æ³•</h3></div></div></div><div class="para">
+ You're on your way to a full MIDI composition. All you need is some inspiration to continue, and some willingness to experiment with more advanced features and tools. If you don't know how to continue, try these suggestions. Remember: you're just starting out, so your first song doesn't have to be interesting or particularly good. Once you learn how to use MIDI composition tools, you'll naturally learn how to create better music with them!
+ </div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Make a simple ternary form (ABA): you've already created the first part (called "A"); so make a transition and a second, different part (called "B"), then another transition and repeat the first part. It doesn't need to be long, but it can be.
+ </div></li><li class="listitem"><div class="para">
+ Make a "variations" form: repeat the part that you've already created several times, but make it slightly different every time. Try several different ways of modifying it: add another melody to go along with the one you have; add extra notes to the existing melody; change the percussion track; write a new bassline; expand the melody so it takes twice as long; combinations of these. Making a variation of an existing section is a common way of making it take more time.
+ </div></li><li class="listitem"><div class="para">
+ 自分ã®ç›´æ„Ÿã«å¾“ã£ã¦ã‚ˆã‚Šå¤šãã®éŸ³æ¥½ã‚’è¿½åŠ ã—ã¦ã€æ—¢å˜ã®ç´ æã®æ‹¡å¼µãƒãƒ¼ã‚¸ãƒ§ãƒ³ã‚’作æˆã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ベースラインã¨ãƒ‘ーカッションã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’ç¹°ã‚Šè¿”ã™ã¨ã“ã‚ã«åˆ¥ã®ãƒ¡ãƒãƒ‡ã‚£ãƒ¼ã‚’作æˆã™ã‚‹ã‹ã‚ã‚Šã«ã€ 何度もメãƒãƒ‡ã‚£ãƒ¼ã‚’ç¹°ã‚Šè¿”ã—ã€æ–°ã—ã„ベースラインã¨ãƒ‘ーカッションã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’作ã£ã¦ã¿ã¦ãã ã•ã„。
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Tutorial-Melody.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>9.4.4. メãƒãƒ‡ã‚£ã‚’è¿½åŠ ã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-FluidSynth.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>第10ç« FluidSynth</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Tutorial.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Tutorial.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>9.4. Rosegarden ã§ã€ä½œæ›²ã™ã‚‹ã€‚（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Rosegarden.html" title="第9ç« Rosegarden" /><link rel="prev" href="sect-Musicians_Guide-Rosegarden_and_LilyPond.html" title="9.3. Rosegarden 㨠LilyPond" /><link rel="next" href="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track.html" title="9.4.2. ãƒ‘ãƒ¼ã‚«ãƒƒã‚·ãƒ§ãƒ³ãƒˆãƒ©ãƒƒã‚¯ã‚’è¿½åŠ " /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc">
<iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden_and_LilyPond.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="9.4. Rosegarden ã§ã€ä½œæ›²ã™ã‚‹ã€‚（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" id="sect-Musicians_Guide-Rosegarden-Tutorial"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Ro
segarden-Tutorial">9.4. <span class="application"><strong>Rosegarden</strong></span> ã§ã€ä½œæ›²ã™ã‚‹ã€‚（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</h2></div></div></div><div class="para">
+ The <span class="application"><strong>Rosegarden</strong></span> notation editor may accidentally leave some notes playing longer than it should. Press the <span class="guibutton"><strong>panic</strong></span> button in <span class="application"><strong>Qsynth</strong></span> to fix this. Other synthesizers should also have a <span class="guibutton"><strong>panic</strong></span> button.
+ </div><div class="section" title="9.4.1. 楽èœã‚’ベースラインã‹ã‚‰å§‹ã‚ã‚‹" id="sect-Musicians_Guide-Rosegarden-Tutorial-Bass_Line"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Tutorial-Bass_Line">9.4.1. 楽èœã‚’ベースラインã‹ã‚‰å§‹ã‚ã‚‹</h3></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span>ã€<span class="application"><strong>Qsynth</strong></span> ãã—㦠<span class="application"><strong>Rosegarden</strong></span> ã®é †ã«ã€é–‹å§‹ã—ã¦ãã ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ For this tutorial, we'll be using the default "Fluid R3" SoundFont, but you can use any General MIDI SoundFont.
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>JACK</strong></span> ã§ã€<span class="application"><strong>Rosegarden</strong></span> ã‚’ã€MIDI ã ã‘を使ã†ã‚ˆã†ã«ã‚»ãƒƒãƒˆã‚¢ãƒƒãƒ—ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ From the <span class="application"><strong>Rosegarden</strong></span> menu, select <span class="guimenu"><strong>Edit</strong></span> → <span class="guimenuitem"><strong>Preferences</strong></span>. Click the "MIDI" tab, then the 'General' tab, then select "Send all MIDI controllers at start of each playback". This will ensure that the MIDI synthesizer (<span class="application"><strong>FluidSynth</strong></span> for this tutorial) uses the right patches.
+ </div></li><li class="listitem"><div class="para">
+ æ–°ã—ã„セグメントを作æˆã—ã¾ã™ã€‚
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Select the "Draw" tool on the toolbar (it looks like a red pencil), or press 'F3' on the keyboard.
+ </div></li><li class="listitem"><div class="para">
+ 最åˆã®ãƒˆãƒ©ãƒƒã‚¯ã§ã€æœ€åˆã® 2 å°ç¯€ã®é ˜åŸŸã‚’クリックã€ãƒ‰ãƒ©ãƒƒã‚°ã—ã¦é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ When you release the mouse, there should be a rectangle that says, "Acoustic Grand Piano," or something similar.
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 四角形をダブルクリックã—ã¦ã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã® MIDI セグメントエディタを開ãã¾ã™ã€‚ ãã‚Œã¯ã€æ¥½èœã‚¨ãƒ‡ã‚£ã‚¿ã®ã¯ãšã§ã™ã€‚
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 音部記å·ã‚’変更ã—ã¦ãã ã•ã„。 エディタウィンドウã®å·¦å´ã«ã‚るツールãƒãƒ¼ã®ä½ŽéŸ³éƒ¨è¨˜å·ã‚’クリックã—ã¦ãã ã•ã„。次ã«ã€ãれを置ãæ›ãˆã‚‹ãŸã‚ã«ã€æ—¢å˜ã®è¨˜å·ã‚’クリックã—ã¦ãã ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ Switch to the note-inputting tools as required. They're located next to the clef tools, in the toolbar at the left of the notation editor window.
+ </div></li><li class="listitem"><div class="para">
+ 3 ã¤ã® C ã®å››åˆ†éŸ³ç¬¦ã€C 㨠G ã® 2 ã¤ã®å…«åˆ†éŸ³ç¬¦ã€2 ã¤ã® E フラットã®å››åˆ†éŸ³ç¬¦ã€ãŠã‚ˆã³ D, F, D, G ã® 4 ã¤ã®å…«åˆ†éŸ³ç¬¦ã‚’入力ã—ã¦ãã ã•ã„。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ You'll probably make a few mistakes. The easiest way to fix a mistake is to erase the note/s and re-input the correct note/s. You can use the eraser tool for this. It's located on the top toolbar of the score editing window, to the left of the capital "T," and to the right of the red pencil. It looks like a red and white rectangle, which represents a standard white eraser.
+ </div></li><li class="listitem"><div class="para">
+ Listen to your creation by clicking on the 'play' button in the transport window. The playhead won't stop until you stop it, even though the visible playhead (the vertical line) will stop.
+ </div></li><li class="listitem"><div class="para">
+ Close the notation editor - you don't need to click the 'save' button, because <span class="application"><strong>Rosegarden</strong></span> will automatically keep your changes.
+ </div></li><li class="listitem"><div class="para">
+ ãªãŠã€ã‚ãªãŸã¯ãƒ•ã‚¡ã‚¤ãƒ«ã‚’ä¿å˜ã™ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚訳注：エディタを閉ã˜ã¦ã‚‚変更ã•ã‚ŒãŸæ¥½èœã¯æ¼”å¥ã•ã‚Œã‚‹ãŒã€ãƒ—ãƒã‚°ãƒ©ãƒ を終了ã™ã‚‹æ™‚ã«ã¯ä¿å˜ã—ãªã„ã¨å¤‰æ›´ã¯å¤±ã‚れるã€ã¨ã„ã†ã“ã¨ã‹ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Click the "Select and Edit" tool, which looks like a mouse cursor on the toolbar. You can also select that tool by pressing 'F2' on the keyboard.
+ </div></li><li class="listitem"><div class="para">
+ ã‚ãªãŸãŒä»Šä½œæˆã—ãŸã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’クリックã—ã¦é¸æŠžã—ã¦ãã ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ Create a copy of it by holding the 'Ctrl' key on the keyboard, as you click-and-drag the segment.
+ </div></li><li class="listitem"><div class="para">
+ 最åˆã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã®ç›´å¾Œã«ã€åŒã˜ãƒˆãƒ©ãƒƒã‚¯å†…ã§ã‚³ãƒ”ーをé…ç½®ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ã“ã®ã‚ˆã†ã«ã€ã•ã‚‰ã«ã„ãã¤ã‹ã®ã‚³ãƒ”ーを作æˆã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ å…ˆé ã«å†ç”Ÿãƒ˜ãƒƒãƒ‰ã‚’移動ã™ã‚‹ãŸã‚ã«ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚’使用ã—ã¦ãã ã•ã„。（縦棒ã¨ã€ãれを指ã™çŸ¢å°ã®ã‚ˆã†ãªãƒœã‚¿ãƒ³ã‚’クリックã—ã¦ãã ã•ã„）
+ </div></li><li class="listitem"><div class="para">
+ Name the newly-created track by double-clicking on its name. A window will pop up, allowing you to rename the track. If you don't know what to call it, try "Bass line."
+ </div></li></ol></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden_and_LilyPond.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>9.3. Rosegarden 㨠LilyPond</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>9.4.2. ãƒ‘ãƒ¼ã‚«ãƒƒã‚·ãƒ§ãƒ³ãƒˆãƒ©ãƒƒã‚¯ã‚’è¿½åŠ </a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden_and_LilyPond.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden_and_LilyPond.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>9.3. Rosegarden 㨠LilyPond</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Rosegarden.html" title="第9ç« Rosegarden" /><link rel="prev" href="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden.html" title="9.2.2. Rosegarden ã®è¨å®š" /><link rel="next" href="sect-Musicians_Guide-Rosegarden-Tutorial.html" title="9.4. Rosegarden ã§ã€ä½œæ›²ã™ã‚‹ã€‚（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class
="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Tutorial.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="9.3. Rosegarden 㨠LilyPond" id="sect-Musicians_Guide-Rosegarden_and_LilyPond"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Rosegarden_and_LilyPond">9.3. <span class="application"><strong>Ro
segarden</strong></span> 㨠LilyPond</h2></div></div></div><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> and LilyPond can be used together, which can greatly enhace your productivity. LilyPond will output a MIDI-format representation of your score if you include a "midi" section in the "score" section. It should look something like this:
+<pre class="programlisting">âŽ
+\scoreâŽ
+{âŽ
+ ...âŽ
+ \midi { }âŽ
+}âŽ</pre>
+ This MIDI file can then be imported into <span class="application"><strong>Rosegarden</strong></span> by selecting from the menu 'File > Import > Import MIDI File'. Unfortunately, this will erase the current session, so it can be done only once.
+ </div><div class="para">
+ It is also possible to export MIDI tracks to LilyPond format, which can then be edited further or simply turned into a score. To do this, from the menu select 'File > Export > Export LilyPond File'. After you select a location to save the file, <span class="application"><strong>Rosegarden</strong></span> allows you to control some score settings while exporting. After exporting a LilyPond file, you should inspect it with Frescobaldi before relying on it to be correct - computers sometimes make mistakes!
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>9.2.2. Rosegarden ã®è¨å®š</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Tutorial.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>9.4. Rosegarden ã§ã€ä½œæ›²ã™ã‚‹ã€‚（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Example.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Example.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.11.5. Using Busses: Audio-Rate Example</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html" title="11.3.11. Busses" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Special_Note.html" title="11.3.11.4.3. Special Note about Control-Rate Busses" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html" title="11.3.12. Ordering and Other Synth Features" /></head><bo
dy class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Special_Note.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.11.5. Using Busses: Audio-Rate Example" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Examp
le"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Example">11.3.11.5. Using Busses: Audio-Rate Example</h4></div></div></div><div class="para">
+
+<pre class="programlisting">
+(
+ var tutorialDecayPink =
+ {
+ arg outBus = 0, effectBus,
+ direct = 0.5; // controls proportion of "direct" / "processed" sound
+ var source;
+
+ // Decaying pulses of PinkNoise.
+ source = Decay2.ar( in:Impulse.ar( freq:1, phase:0.25 ),
+ attackTime:0.01,
+ decayTime:0.2,
+ mul:PinkNoise.ar
+ );
+
+ Out.ar( outBus, (source*direct) ); // main output
+ Out.ar( effectBus, (source*(1-direct)) ); // effects output
+ };
+
+ var tutorialDecaySine =
+ {
+ arg outBus = 0, effectBus,
+ direct = 0.5; // controls proportion of "direct" / "processed" sound
+ var source;
+
+ // Decaying pulses of a modulating Sine wave.
+ source = Decay2.ar( in:Impulse.ar( freq:0.3, phase: 0.25),
+ attackTime:0.3,
+ decayTime:1,
+ mul:SinOsc.ar( freq:SinOsc.kr( freq:0.2, mul:110, add:440) )
+ );
+
+ Out.ar(outBus, (source*direct) ); // main output
+ Out.ar(effectBus, (source*(1-direct)) ); // effects output
+ };
+
+ var tutorialReverb =
+ {
+ arg outBus = 0, inBus; // default outBus is audio interface
+ var input;
+
+ input = In.ar( inBus, 1 );
+
+ 16.do( { input = AllpassC.ar( in:input,
+ maxdelaytime:0.04,
+ delaytime:{ Rand(0.001,0.04) }.dup,
+ decaytime:3
+ )
+ }
+ );
+
+ Out.ar( outBus, input );
+ };
+
+ // send synthesis information to the server
+ SynthDef( \tutorialReverb, tutorialReverb ).send( s );
+ SynthDef( \tutorialDecayPink, tutorialDecayPink ).send( s );
+ SynthDef( \tutorialDecaySine, tutorialDecaySine ).send( s );
+
+ // reserve an effects Bus
+ b = Bus.audio( s );
+)
+
+(
+ x = Synth.new( \tutorialReverb, [\inBus, b] );
+ y = Synth.before( x, \tutorialDecayPink, [\effectBus, b] );
+ z = Synth.before( x, \tutorialDecaySine, [\effectBus, b, \outBus, 1] );
+)
+
+// Change the balance of "wet" to "dry"
+y.set( \direct, 1 ); // only direct PinkNoise
+z.set( \direct, 1 ); // only direct Sine wave
+y.set( \direct, 0 ); // only reverberated PinkNoise
+z.set( \direct, 0 ); // only reverberated Sine wave
+y.set( \direct, 0.5 ); // original PinkNoise
+z.set( \direct, 0.5 ); // original Sine wave
+
+( // commands to free each Object
+ x.free; x = nil;
+ y.free; y = nil;
+ z.free; z = nil;
+ b.free; b = nil;
+)
+</pre>
+
+ </div><div class="para">
+ I'm not going to explain this example as extensively as the previous one. It's definitely the most complex example so far. It's better if you figure out what the parts do by playing with them yourself. The bus works by routing audio from the <code class="literal">\tutorialDecayPink</code> and <code class="literal">\tutorialDecaySine</code> synths into the <code class="literal">\tutorialReverb</code> synth. The first two synths can be controlled to put all, none, or some of their signal into the bus (so that it goes through the <code class="literal">\tutorialReverb</code> synth), or straight out the audio interface (bypassing the <code class="literal">\tutorialReverb</code> synth). Notice that the <span class="emphasis"><em>same</em></span> effects processor is operating on two different input sources.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Special_Note.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.11.4.3. Special Note about Control-Rate Buss...</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.12. Ordering and Other Synth Features</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Busses-Bus_Objects.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Busses-Bus_Objects.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.11.3. Bus Objects</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html" title="11.3.11. Busses" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Out_and_In_UGens.html" title="11.3.11.2. Out and In UGens" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example.html" title="11.3.11.4. Using Busses: Control-Rate Example" /></head><body class="draft toc_embeded "><div id="tocdiv" class="t
oc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Out_and_In_UGens.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.11.3. Bus Objects" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Bus_Objects"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect
-Musicians_Guide-SC-Basic_Programming-Busses-Bus_Objects">11.3.11.3. Bus Objects</h4></div></div></div><div class="para">
+ As SynthDef and Synth represent things stored on the server, the interpreter provides us with an instantiable "Bus" Class that represents the server's busses. In many programs that you write, you won't need to use a Bus Object - particularly when you're doing simple input and output with the automatically-reserved bus numbers. But, like the SynthDef and Synth Classes make it easier to deal with synthdefs and synths on the server (which are very difficult to deal with directly), the Bus Class makes it easier to deal with busses on the server, and provides some extra functionality to boot!
+ </div><div class="para">
+ The primary advantage of using Bus Objects is that you don't have to keep track of bus numbers, whether they're being used, and how mnany channels are being routed. For simple input and output of audio-rate signals, you're better off simply remembering the bus numbers
+ </div><div class="para">
+ The <code class="literal">new</code> message creates a new Bus object. This is the syntax: <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">Bus.audio</b>(</code><var class="pdparam">serverName</var>, <var class="pdparam">numberOfChannels</var><code>)</code>;</p></div> or <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">Bus.control</b>(</code><var class="pdparam">serverName</var>, <var class="pdparam">numberOfChannels</var><code>)</code>;</p></div> The interpreter takes "numberOfChannels" busses on the "serverName" server, and groups them together for multi-channel use in one Bus Object, which it returns to you. The "numberOfChannels" argument is optional; if you leave it out, the Bus Object will have only one bus, for single-channel signals. You should always assign the object to a variable, or else you have no way to use the bus later:
+<pre class="programlisting">var myBus = Bus.audio( s, 2 );</pre>
+
+ </div><div class="para">
+ The interpreter also keeps track of which bus numbers are used for which Bus Objects, so the signals will never get confused. Of course, you can still route signals through those bus numbers without using the Bus Object, but the Bus Class helps us to keep things straight.
+ </div><div class="para">
+ The following messages/functions can also be used with Bus Objects:
+ <div class="table" title="表11.5 Some Functions of the Bus Class"><div class="table-contents"><table summary="Some Functions of the Bus Class" border="1"><colgroup><col align="center" width="33%" /><col align="center" width="33%" /><col align="center" width="33%" /></colgroup><thead><tr><th align="center">
+ Message/Function
+ </th><th align="center">
+ Example
+ </th><th align="center">
+ Return Value
+ </th></tr></thead><tbody><tr><td align="center">
+ index
+ </td><td align="center">
+ <code class="code">b.index;</code>
+ </td><td align="center">
+ The lowest bus number used by this Bus object.
+ </td></tr><tr><td align="center">
+ numChannels
+ </td><td align="center">
+ <code class="code">b.numChannels;</code>
+ </td><td align="center">
+ The number of busses used by this Bus object.
+ </td></tr><tr><td align="center">
+ rate
+ </td><td align="center">
+ <code class="code">b.rate;</code>
+ </td><td align="center">
+ Either <code class="literal">audio</code> or <code class="literal">control</code>.
+ </td></tr><tr><td align="center">
+ server
+ </td><td align="center">
+ <code class="code">b.server;</code>
+ </td><td align="center">
+ The name of the server used by the Bus object. The default server is <code class="literal">localhost</code>
+ </td></tr></tbody></table></div><h6>表11.5 Some Functions of the <code class="classname">Bus</code> Class</h6></div><br class="table-break" />
+
+ </div><div class="para">
+ When you are done with a Bus, you can release the channels for use by other Bus Objects:
+<pre class="programlisting">
+<replaceable>myBusVariable</replaceable>.free;
+<replaceable>myBusVariable</replaceable> = nil;
+</pre>
+ Like when sending the "free" message to a Synth Object, you should set the variable name of a "free'd" Bus to "nil". This will prevent you from accidentally sending audio there after the Bus is released.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Out_and_In_UGens.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.11.2. Out and In UGens</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.11.4. Using Busses: Control-Rate Example</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.11.4. Using Busses: Control-Rate Example</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html" title="11.3.11. Busses" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Bus_Objects.html" title="11.3.11.3. Bus Objects" /><link rel="next" href="sect-Musicians_GuideSC-Basic_Programming-Busses-Control_Rate_Example-Why_Use_a_Bus.html" title="11.3.11.4.2. Why Use a Bus" /></head><body class="draft toc_embeded "><div id="tocdiv" class
="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Bus_Objects.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_GuideSC-Basic_Programming-Busses-Control_Rate_Example-Why_Use_a_Bus.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.11.4. Using Busses: Control-Rate Example" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example"><div class="titlepage"><div><div keep-together.within
-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example">11.3.11.4. Using Busses: Control-Rate Example</h4></div></div></div><div class="para">
+ The best way to understand how and when to use a bus is to see them in action.
+<pre class="programlisting">
+( // execute first: prepare the server
+ var busAudioSynth =
+ {
+ arg bus, freqOffset = 0;
+
+ Out.ar( 0, SinOsc.ar( freq:( In.kr(bus) + freqOffset ), mul:0.1 ) );
+ };
+
+ var busControlSynth =
+ {
+ arg bus, freq = 400;
+
+ Out.kr( bus, SinOsc.kr( freq:1, mul:( freq/40 ), add:freq ) );
+ };
+
+ SynthDef( \tutorialAudioBus, busAudioSynth ).send( s );
+ SynthDef( \tutorialControlBus, busControlSynth ).send( s );
+
+ b = Bus.control( s );
+)
+
+( // execute second: create synths
+ x = Synth.new( \tutorialControlBus, [\bus, b] ); // control synth
+ y = Synth.after( x, \tutorialAudioBus, [\bus, b] ); // low audio synth
+ z = Synth.after( x, \tutorialAudioBus, [\bus, b, \freqOffset, 200] ); // high audio synth
+)
+
+( // commands to free each Object
+ x.free; x = nil; // control synth
+ y.free; y = nil; // low audio synth
+ z.free; z = nil; // high audio synth
+ b.free; b = nil; // control bus
+)
+</pre>
+ This example contains three stages: prepare the server, create the synths, destroy the synths. These three stages will become familiar as you program in <span class="application"><strong>SuperCollider</strong></span>, whether or not you use busses frequently. The example is fairly complicated, so the code is explained here:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">busAudioSynth</code> Function: Accepts two arguments, and creates an audio-rate <code class="classname">SinOsc</code>, routed to the left output channel. The frequency is determined by a control-rate bus given as an argument, and optionally with an offset that can be supplied as an argument.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">busControlSynth</code> Function: Accepts two arguments, and creates a control-rate <code class="classname">SinOsc</code>, routed to the bus given as an argument. Can also be given a frequency; the value produced by the synth is intended to be used to control pitch. The centre pitch of the oscillation is <code class="literal">freq</code>, and the range of oscillation is one-twentieth the size of <code class="literal">freq</code> (one-fourtieth both higher and lower than <code class="literal">freq</code>).
+ </div></li><li class="listitem"><div class="para">
+ SynthDef: These commands are straight-forward. They send the synthesis definitions to the server.
+ </div></li><li class="listitem"><div class="para">
+ <code class="code">b = Bus.control( s );</code> : This should also be straight-forward. A single-channel control bus is created, and assigned to the pre-declared variable <code class="literal">b</code>.
+ </div></li><li class="listitem"><div class="para">
+ For synth creation, <code class="literal">x</code> is assigned a control-rate synth, while <code class="literal">y</code> and <code class="literal">z</code> are assigned audio-rate synths. Each synth is given the variable <code class="literal">b</code>, which refers to our control-rate bus. <code class="literal">z</code> is also given an argument for <code class="literal">\freqOffset</code>, which makes its frequency 200Â Hz higher than the synth assigned to <code class="literal">y</code>.
+ </div></li><li class="listitem"><div class="para">
+ Don't worry about the <code class="function">after</code> message for now. It's explained in <a class="xref" href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html#sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Ordering" title="11.3.12.1. Ordering">「Orderingã€</a>.
+ </div></li></ul></div>
+
+ </div><div class="section" title="11.3.11.4.1. Why Use Global Variables" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Global_Variables"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Global_Variables">11.3.11.4.1. Why Use Global Variables</h5></div></div></div><div class="para">
+ Since this is just an example, and not an actual program, the program uses four automatically-declared global variables: <code class="literal">b</code>, <code class="literal">x</code>, <code class="literal">y</code>, and <code class="literal">z</code>. Because these variables are shared with everything, it's especially important to set them to <code class="literal">nil</code> when you're done. If this were going to be written into a real program, it would be a good idea to change the variables to something which can't be accessed by other programs.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Bus_Objects.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.11.3. Bus Objects</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_GuideSC-Basic_Programming-Busses-Control_Rate_Example-Why_Use_a_Bus.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.11.4.2. Why Use a Bus</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Special_Note.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Special_Note.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.11.4.3. Special Note about Control-Rate Busses</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example.html" title="11.3.11.4. Using Busses: Control-Rate Example" /><link rel="prev" href="sect-Musicians_GuideSC-Basic_Programming-Busses-Control_Rate_Example-Why_Use_a_Bus.html" title="11.3.11.4.2. Why Use a Bus" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Example.html" title="11.3.11.5. Using
Busses: Audio-Rate Example" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_GuideSC-Basic_Programming-Busses-Control_Rate_Example-Why_Use_a_Bus.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Example.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.11.4.3. Special Note about Control-Rate Busses" id="sect-Musicians_Gui
de-SC-Basic_Programming-Busses-Control_Rate_Example-Special_Note"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Special_Note">11.3.11.4.3. Special Note about Control-Rate Busses</h5></div></div></div><div class="para">
+ Control-rate Bus'ses are a great way to enhance the flexibility of your program. The best part is that, in order to use a control-rate Bus, the UGen doesn't even need to have been written to accomodate it.
+<pre class="programlisting">{ SinOsc.ar( freq:In.kr( controlRateBus, 1 ), mul:0.2 ); }.play;</pre>
+ Now you've managed to spice up an otherwise-boring synth!
+ </div><div class="para">
+ Also, control-rate Bus'ses don't need to be constantly changing. Unlike an audio-rate Bus, a control-rate Bus will hold the last-inputted value until another value is provided. You can the value of a control-rate Bus with the <code class="function">set</code> message (and a single argument, which is the value). You can also get the current value, whether created by <code class="function">set</code> or a UGen, by using the <code class="function">get</code> message, and sending a Function with one argument.
+<pre class="programlisting">
+(
+ var bus = Bus.control( s );
+ bus.set( 12 );
+ bus.get( { arg val; val.postln; } );
+ bus.free; bus = nil;
+)
+</pre>
+ When running this example, you'll notice that the <code class="literal">12</code> doesn't get posted until <span class="emphasis"><em>after</em></span> the program finishes with <code class="literal">nil</code>. This is because of the <em class="firstterm">latency</em> between when the interpreter asks the server to do something, and when the server does it. The amount of time it takes for the server to complete a command is usually very small, but as you can see, it can make an important difference to your program. This latency is also the reason that you can't call <code class="code">SynthDef.new( <em class="replaceable"><code>...</code></em> )</code> and <code class="code">Synth.new( <em class="replaceable"><code>...</code></em> )</code> at the exact same time.
+ </div><div class="para">
+ This latency is also the reason that we have to provide a single-argument function as an argument to the <code class="function">get</code> function. Since the function won't immediately be able to get the value of the bus from the server, we can't expect the value to be returned by the function. Instead, when "get" gets the value of the bus from the server, it runs the function that you gave it.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_GuideSC-Basic_Programming-Busses-Control_Rate_Example-Why_Use_a_Bus.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.11.4.2. Why Use a Bus</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Example.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.11.5. Using Busses: Audio-Rate Example</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Busses-Out_and_In_UGens.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Busses-Out_and_In_UGens.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.11.2. Out and In UGens</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html" title="11.3.11. Busses" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html" title="11.3.11. Busses" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Bus_Objects.html" title="11.3.11.3. Bus Objects" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.h
tml">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Bus_Objects.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.11.2. Out and In UGens" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Out_and_In_UGens"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Out_and_In_UGens">11.3.11.2. Out an
d In UGens</h4></div></div></div><div class="para">
+ The "Out" UGen is discussed in <a class="xref" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html#sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Out_UGen" title="11.3.10.1. "Out" UGen">「"Out" UGenã€</a>. What it does is take a signal and route it to the specified bus number. The "In" UGen performs a similar action: take a signal from a bus number, and make it available for use.
+ </div><div class="para">
+ This is the syntax to use for the <code class="classname">Out</code> UGen: <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">Out.ar</b>(</code><var class="pdparam">busNumber</var>, <var class="pdparam">audioRateUGen</var><code>)</code>;</p></div> or <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">Out.kr</b>(</code><var class="pdparam">busNumber</var>, <var class="pdparam">controlRateUGen</var><code>)</code>;</p></div> The UGen enclosed here should not be enclosed in a Function. If the UGen provides multi-channel output, "Out" will automatically route the lowest channel to the specified bus number, the next channel to the next highest bus number, and so on. This way, you can achieve stereo output with one "Out" UGen.
+ </div><div class="para">
+ This is the syntax to use for the <code class="classname">In</code> UGen: <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">In.ar</b>(</code><var class="pdparam">busNumber</var>, <var class="pdparam">numberOfChannels</var><code>)</code>;</p></div> or <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">In.kr</b>(</code><var class="pdparam">busNumber</var>, <var class="pdparam">numberOfChannels</var><code>)</code>;</p></div> Whereas "Out" automatically outputs the right number of channels based on how many you provide, "In" requires that you specify how many channels you want it to fetch for you.
+ </div><div class="para">
+ When created with this form, both of these UGens automatically connect to the default server, stored in the single-letter "s" variable by the interpreter.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.11. Busses</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Bus_Objects.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.11.3. Bus Objects</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.11. Busses</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Set_and_Free.html" title="11.3.10.9. Things to Do with a SynthDef: Set and Free" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Out_and_In_UGens.html" title="11.3.11.2. Out and In UGens" /></head><body class="draft toc_embed
ed "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Set_and_Free.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Out_and_In_UGens.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.11. Busses" id="sect-Musicians_Guide-SC-Basic_Programming-Busses"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="titl
e" id="sect-Musicians_Guide-SC-Basic_Programming-Busses">11.3.11. Busses</h3></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> busses work just like busses in other audio creation contexts, which work similarly to busses used to transport humans. Busses are used to send audio from one place to another, and in <span class="application"><strong>SuperCollider</strong></span> they can also be used to send control-rate signals. Each <span class="application"><strong>SuperCollider</strong></span> bus is given an index number, which are integers starting at 0. Audio-rate busses and control-rate busses are independent, and are given an independent set of index numbers. Any number of unique signals can be routed into a bus, and any number of receivers can take signals from a bus - but the signal will be the sum of all the input signals. In other words, if you want to send two different sets of signals, you need two different busses with different index numbers.
+ </div><div class="section" title="11.3.11.1. Audio-Rate Bus Numbers" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Numbers"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Numbers">11.3.11.1. Audio-Rate Bus Numbers</h4></div></div></div><div class="para">
+ There are special audio-rate busses reserved automatically by the server. These interact with the audio interface, allowing you to get sound from its inputs, and send sound to its outputs. The lowest audio-rate bus numbers are reserved for audio interface outputs, each channel receiving an independent bus. The bus numbers just above those are reserved for audio interface inputs, each channel receiving an independent bus.
+ </div><div class="para">
+ For a simple audio interface with two channels each for input and output, the pre-reserved audio-rate bus numbers would be these:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 0 for left channel output
+ </div></li><li class="listitem"><div class="para">
+ 1 for right channel output
+ </div></li><li class="listitem"><div class="para">
+ 2 for left channel input
+ </div></li><li class="listitem"><div class="para">
+ 3 for right channel input
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Now you can change the first argument of the "Out" UGen as desired!
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Set_and_Free.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.10.9. Things to Do with a SynthDef: Set and ...</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Out_and_In_UGens.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.11.2. Out and In UGens</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.6.3.2. Inefficient Functions</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList.html" title="11.3.6.3. LinkedList" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList.html" title="11.3.6.3. LinkedList" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Example.html" title="11.3.6.3.3. Example" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"
><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Example.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.6.3.2. Inefficient Functions" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Efficient_Functions"><div class="titlepage"><div><div keep-together.within-column="alwa
ys"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Efficient_Functions">11.3.6.3.2. Inefficient Functions</h5></div></div></div><div class="para">
+ These Functions make use of the LinkedList Class in an inefficient way, but they can be useful. They are inefficient because they may potentially have to review all of the elements in a LinkedList before completing.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">at( <em class="replaceable"><code>index</code></em> )</code> pretends the LinkedList is an Array, and returns a copy of what would be the element at the given index number.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">put( <em class="replaceable"><code>index</code></em>, , <em class="replaceable"><code>obj</code></em> )</code> pretends the LinkedList is an Array, and changes the element at the given index number to be <code class="literal">obj</code>.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">remove( <em class="replaceable"><code>obj</code></em> )</code> searches through a LinkedList and removes the element judged to be equal to <code class="literal">obj</code>, regardless of its index number.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">removeAt( <em class="replaceable"><code>index</code></em> )</code> pretends the LinkedList is an Array, and removes the element located at the given index number.
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.6.3. LinkedList</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Example.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.6.3.3. Example</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.6.3.3. Example</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList.html" title="11.3.6.3. LinkedList" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Efficient_Functions.html" title="11.3.6.3.2. Inefficient Functions" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-Other_Collections.html" title="11.3.6.4. Other Collections" /></head><body class="draft toc_embeded "><d
iv id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Efficient_Functions.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-Other_Collections.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.6.3.3. Example" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Example"><div class="titlepage"><div><div keep-together.
within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Example">11.3.6.3.3. Example</h5></div></div></div><div class="para">
+ This example uses a LinkedList as a queue, adding numbers to the tail, and removing and printing from the head.
+<pre class="programlisting">
+(
+ var tL = LinkedList.new;
+
+ tL.add( 42 );
+ tL.add( 89 );
+
+ tL.popFirst.postln; // prints 42
+
+ tL.add( 256 );
+
+ tL.popFirst.postln; // prints 89
+
+ tL.add( 900 );
+
+ tL.popFirst.postln; // prints 256
+ tL.popFirst.postln; // prints 900
+
+ nil;
+)
+</pre>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Efficient_Functions.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.6.3.2. Inefficient Functions</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-Other_Collections.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.6.4. Other Collections</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.6.3. LinkedList</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Collections.html" title="11.3.6. Collections" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Examples.html" title="11.3.6.2.5. Examples" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Efficient_Functions.html" title="11.3.6.3.2. Inefficient Functions" /></head><body class="draft toc_embeded "><div id="tocdiv" class="
toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Examples.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Efficient_Functions.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.6.3. LinkedList" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class=
"title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList">11.3.6.3. LinkedList</h4></div></div></div><div class="para">
+ Linked lists are very common structures for data management in computer science. They are more efficient than arrays for many tasks, particularly when it's impossible to know how many elements will be required in an array until the program is run. <span class="application"><strong>SuperCollider</strong></span>'s List Class is implemented with arrays, and it offers nearly the same functionality as the LinkedList class.
+ </div><div class="para">
+ A true linked list is accessed most efficiently from the start (called the "head" of the list) or the end (called the "tail"). Each element is linked to the one before it, the one after it, or both. <span class="application"><strong>SuperCollider</strong></span>'s LinkedList Class has elements which are linked both to the preceding and following elements, so it is called a "doubly linked list."
+ </div><div class="para">
+ Knowing when to use a LinkedList over a List is a question of efficiency, and for small collections of information, it isn't going to make a big difference - you might as well use a basic List. When you plan to store hundreds or thousands of elements, choosing the right Class becomes more important, and can save a lot of processor time. Here is how to know which Class you should use:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ If you're going to be adding elements to the start or end of the list, and accessing from the start or end of the list, the LinkedList Class will be more efficient.
+ </div></li><li class="listitem"><div class="para">
+ If you're going to be adding elements at arbitrary index numbers <span class="emphasis"><em>inside</em></span> the list, and accessing elements at arbitrary index numbers inside the list, the List Class will be more efficient.
+ </div></li><li class="listitem"><div class="para">
+ If you're going to be adding elements to the start or end, but accessing specific indices, or adding elements at specific indices, but accessing from the start or end, then you get to choose where to save computation time. In one of these cases, it might not matter which one you choose.
+ </div></li></ul></div>
+
+ </div><div class="section" title="11.3.6.3.1. Efficient Functions" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Inefficient_Functions"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Inefficient_Functions">11.3.6.3.1. Efficient Functions</h5></div></div></div><div class="para">
+ These Functions make use of the LinkedList Class in an efficient way. They are efficient because they access only the first or last element in the LinkedList.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">add( <em class="replaceable"><code>obj</code></em> )</code> adds <code class="literal">obj</code> to a LinkedList as the last item.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">addFirst( <em class="replaceable"><code>obj</code></em> )</code> adds <code class="literal">obj</code> to a LinkedList as the first item.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">pop</code> removes the last item in a LinkedList and returns it.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">popFirst</code> removes the first item in a LinkedList and returns it.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">first</code> returns a copy of the first item in a LinkedList.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">last</code> returns a copy of the last item in a LinkedList.
+ </div></li></ul></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Examples.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.6.2.5. Examples</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Efficient_Functions.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.6.3.2. Inefficient Functions</a></li></ul></body></html>
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@@ -0,0 +1,15 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.6.2.3. Accessing a List</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html" title="11.3.6.2. List" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Adding_to_an_Existing_List.html" title="11.3.6.2.2. Adding to an Existing List" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Removing.html" title="11.3.6.2.4. Removing from a List" /></head><body class="draft toc_embeded
"><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Adding_to_an_Existing_List.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Removing.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.6.2.3. Accessing a List" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Accessing"><div class="titlepage"><div><div keep-tog
ether.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Accessing">11.3.6.2.3. Accessing a List</h5></div></div></div><div class="para">
+ These are "instance methods," meaning that they operate on a specific list.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">at( <em class="replaceable"><code>index</code></em> )</code> returns the Object assigned to the <code class="literal">index</code> index number. If <code class="literal">index</code> is greater than the last element in the List, returns <code class="literal">nil</code>.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">clipAt( <em class="replaceable"><code>index</code></em> )</code> returns the Object assigned to the <code class="literal">index</code> index number. If <code class="literal">index</code> is greater than the last element in the List, returns the last element in the List.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">wrapAt( <em class="replaceable"><code>index</code></em> )</code> returns the Object assigned to the <code class="literal">index</code> index number. If <code class="literal">index</code> is greater than the last element in the List, returns an element based on a "wrap-around" index number. For a three-element List, <code class="literal">0</code> will return element <code class="literal">0</code>, <code class="literal">1</code> returns <code class="literal">1</code>, <code class="literal">2</code> returns <code class="literal">2</code>, <code class="literal">3</code> returns <code class="literal">0</code>, <code class="literal">4</code> returns <code class="literal">1</code>, <code class="literal">5</code> returns <code class="literal">2</code>, <code class="literal">6</code> returns <code class="literal">0</code>, and so on.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">foldAt( <em class="replaceable"><code>index</code></em> )</code> returns the Object assigned to the <code class="literal">index</code> index number. If <code class="literal">index</code> is greater than the last element in the List, returns an element based on a "fold-back" index number. Whereas <code class="function">wrapAt()</code> always continues from the lowest to the highest index number, <code class="function">foldAt()</code> changes every time: low to high, high to low, low to high, and so on.
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Adding_to_an_Existing_List.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.6.2.2. Adding to an Existing List</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Removing.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.6.2.4. Removing from a List</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Adding_to_an_Existing_List.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Adding_to_an_Existing_List.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.6.2.2. Adding to an Existing List</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html" title="11.3.6.2. List" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html" title="11.3.6.2. List" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Accessing.html" title="11.3.6.2.3. Accessing a List" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="t
ocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Accessing.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.6.2.2. Adding to an Existing List" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Adding_to_an_Existing_List"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="tit
le" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Adding_to_an_Existing_List">11.3.6.2.2. Adding to an Existing List</h5></div></div></div><div class="para">
+ These are "instance methods," meaning that they operate on a specific list.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">put( <em class="replaceable"><code>index</code></em>, , <em class="replaceable"><code>item</code></em> )</code> adds <code class="literal">item</code> into the List at index number <code class="literal">index</code>.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">add( <em class="replaceable"><code>item</code></em> )</code> adds <code class="literal">item</code> to the end of a List.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">addFirst( <em class="replaceable"><code>item</code></em> )</code> adds <code class="literal">item</code> to the beginning of a List.
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.6.2. List</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Accessing.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.6.2.3. Accessing a List</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Examples.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Examples.html
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@@ -0,0 +1,163 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.6.2.5. Examples</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html" title="11.3.6.2. List" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Removing.html" title="11.3.6.2.4. Removing from a List" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList.html" title="11.3.6.3. LinkedList" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocf
rame" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Removing.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.6.2.5. Examples" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Examples"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Ba
sic_Programming-Collections-List-Examples">11.3.6.2.5. Examples</h5></div></div></div><div class="para">
+ The following examples show different ways to use List's.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL.add( 42 );
+ tL.add( 820 );
+
+ postln( tL.pop ); // outputs 820
+
+ tL.add( 7 );
+ tL.add( 19 );
+ tL.add( 23 );
+
+ postln( tL.pop ); // outputs 23
+ postln( tL.pop ); // outputs 19
+ postln( tL.pop ); // outputs 7
+ postln( tL.pop ); // outputs 42
+
+ postln( tL.pop ); // List is empty, so we get "nil"
+
+ nil;
+)
+</pre>
+ This code adds numbers to the end of a List, then removes them from the end of the List.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL.addFirst( 42 );
+ tL.addFirst( 820 );
+
+ postln( tL.pop ); // outputs 42
+
+ tL.addFirst( 7 );
+ tL.addFirst ( 19 );
+ tL.addFirst ( 23 );
+
+ postln( tL.pop ); // outputs 820
+ postln( tL.pop ); // outputs 7
+ postln( tL.pop ); // outputs 19
+ postln( tL.pop ); // outputs 23
+
+ postln( tL.pop ); // list is empty, so we get "nil"
+
+ nil;
+)
+</pre>
+ This modification of the first example adds numbers to the beginning of a List, then removes them from the end of the List. This is one way to ensure that the List elements are removed in the same order that they are added.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL.add( 42 );
+ tL.add( 820 );
+
+ postln( tL.removeAt( 0 ) ); // outputs 42
+
+ tL.add( 7 );
+ tL.add( 19 );
+ tL.add( 23 );
+
+ postln( tL.removeAt( 0 ) ); // outputs 820
+ postln( tL.removeAt( 0 ) ); // outputs 7
+ postln( tL.removeAt( 0 ) ); // outputs 19
+ postln( tL.removeAt( 0 ) ); // outputs 23
+
+// postln( tL.removeAt( 0 ) ); // causes an error!
+
+ nil;
+)
+</pre>
+ This modification of the first example adds numbers to the end of a List, then removes from the beginning of the List. This is another way to ensure that the List elements are removed in the same order that they're added. Note that, when the List is empty, using the "removeAt()" Function causes an error, because you try to access a List index which doesn't exist.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL = [42,820,7,19,23];
+
+ tL.at( 0 ).postln; // outputs 42
+ tL.at( 1 ).postln; // outputs 820
+ tL.at( 2 ).postln; // outputs 7
+ tL.at( 3 ).postln; // outputs 19
+ tL.at( 4 ).postln; // outputs 23
+ tL.at( 5 ).postln; // outputs nil
+ tL.at( 6 ).postln; // outputs nil
+
+ nil;
+)
+</pre>
+ This example shows another way to add elements to an empty List, which also works for Arrays. Then it shows what happens when you try to access elements beyond the end of a List with the "at()"Function.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL = [42,820,7,19,23];
+
+ tL.clipAt( 0 ).postln; // outputs 42
+ tL.clipAt( 1 ).postln; // outputs 820
+ tL.clipAt( 2 ).postln; // outputs 7
+ tL.clipAt( 3 ).postln; // outputs 19
+ tL.clipAt( 4 ).postln; // outputs 23
+ tL.clipAt( 5 ).postln; // outputs 23
+ tL.clipAt( 6 ).postln; // outputs 23
+
+ nil;
+)
+</pre>
+ This example shows what happens when you try to access elements beyond the end of a List with the "clipAt()" Function. For index numbers beyond the end of the List, the interpreter will simply return the last element.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL = [42,820,7,19,23];
+
+ tL.foldAt( 0 ).postln; // outputs 42
+ tL.foldAt( 1 ).postln; // outputs 820
+ tL.foldAt( 2 ).postln; // outputs 7
+ tL.foldAt( 3 ).postln; // outputs 19
+ tL.foldAt( 4 ).postln; // outputs 23
+ tL.foldAt( 5 ).postln; // outputs 19
+ tL.foldAt( 6 ).postln; // outputs 7
+
+ nil;
+)
+</pre>
+ This example shows what happens when you try to aceess elements beyond the end of a List with the "foldAt()" Function. For index numbers beyond the end of the List, the interpreter will start moving back through the List, towards the first element, "folding" through the List.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL = [42,820,7,19,23];
+
+ tL.wrapAt( 0 ).postln; // outputs 42
+ tL.wrapAt( 1 ).postln; // outputs 820
+ tL.wrapAt( 2 ).postln; // outputs 7
+ tL.wrapAt( 3 ).postln; // outputs 19
+ tL.wrapAt( 4 ).postln; // outputs 23
+ tL.wrapAt( 5 ).postln; // outputs 42
+ tL.wrapAt( 6 ).postln; // outputs 820
+
+ nil;
+)
+</pre>
+ This example shows what happens when you try to access elements beyond the end of a List with the "wrapAt()" Function. For index numbers beyond the end of the List, the interpreter will start again at the beginning of the List, "wrapping" around to the beginning.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Removing.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.6.2.4. Removing from a List</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.6.3. LinkedList</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Removing.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Removing.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.6.2.4. Removing from a List</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html" title="11.3.6.2. List" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Accessing.html" title="11.3.6.2.3. Accessing a List" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Examples.html" title="11.3.6.2.5. Examples" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><ifr
ame id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Accessing.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Examples.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.6.2.4. Removing from a List" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Removing"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id
="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Removing">11.3.6.2.4. Removing from a List</h5></div></div></div><div class="para">
+ One way to remove an element from a List is to re-assign that element's index number the value <code class="literal">nil</code>. These two Functions also remove elements from a List. They are "instance methods," meaning that they operate on a specific list.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">pop</code> returns the last element in a List, and removes it from the List.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">removeAt( <em class="replaceable"><code>index</code></em> )</code> removes the element assigned to <code class="literal">index</code> index number, removing it from the List and shrinking the List. <code class="function">removeAt()</code> does not leave a <code class="literal">nil</code> element in the List.
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Accessing.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.6.2.3. Accessing a List</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Examples.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.6.2.5. Examples</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html
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+++ b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html
@@ -0,0 +1,17 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.6.2. List</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Collections.html" title="11.3.6. Collections" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Collections.html" title="11.3.6. Collections" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Adding_to_an_Existing_List.html" title="11.3.6.2.2. Adding to an Existing List" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id
="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Adding_to_an_Existing_List.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.6.2. List" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basi
c_Programming-Collections-List">11.3.6.2. List</h4></div></div></div><div class="para">
+ An List is a Collection with an infinite maximum size. It is the programmer's responsibility to maintain a meaningful order, and to remember the meaning of the data. Data in a List is called "elements," each of which is assigned a specific "index number." Index numbers begin at 0. Any mix of Objects can be stored in a List, including a List. Lists and Arrays are very similar, but <span class="application"><strong>SuperCollider</strong></span> manages some of the dirty work for you, when you use the List Class.
+ </div><div class="section" title="11.3.6.2.1. Building a List" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Building"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Building">11.3.6.2.1. Building a List</h5></div></div></div><div class="para">
+ There are four methods which instantiate a List. These are all "Class methods," meaning they do not operate on a specific List, but can be used to make any List.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">List.new</code> creates a List. You can also specify the initial number of elements as an argument, if you choose.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">List.newClear( <em class="replaceable"><code>x</code></em> )</code> creates a List with <code class="literal">x</code> number of slots, filled with <code class="literal">nil</code>.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">List.copyInstance( <em class="replaceable"><code>aList</code></em> )</code> creates a List which is a copy of <code class="literal">aList</code>.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">List.newUsing( <em class="replaceable"><code>anArray</code></em> )</code> creates a List with the same elements as <code class="literal">anArray</code>.
+ </div></li></ul></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.6. Collections</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Adding_to_an_Existing_List.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.6.2.2. Adding to an Existing List</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-Other_Collections.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-Other_Collections.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.6.4. Other Collections</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Collections.html" title="11.3.6. Collections" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Example.html" title="11.3.6.3.3. Example" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html" title="11.3.7. Repeated Execution" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" cl
ass="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Example.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.6.4. Other Collections" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Other_Collections"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_P
rogramming-Collections-Other_Collections">11.3.6.4. Other Collections</h4></div></div></div><div class="para">
+ As mentioned previously, the <span class="application"><strong>SuperCollider</strong></span> language provides for many more kinds of data structures. The following Collections are useful, but much more complex than those listed above. For usage instructions, refer to the <span class="application"><strong>SuperCollider</strong></span> documentation.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Dictionary: stores and allows retrieval of data by arbitrary Objects (for example, by symbols, rather than by index numbers).
+ </div></li><li class="listitem"><div class="para">
+ Library: a type of Dictionary. Objects inserted can be used by any Object in the program, like books in a real-world library can be used by anybody who walks in.
+ </div></li><li class="listitem"><div class="para">
+ Set: an unordered Collection of like Objects, where no two elements are identical.
+ </div></li><li class="listitem"><div class="para">
+ SortedList: a List where all elements are kept in a sorted order, regardless of how they are added. The inserted Objects should have a useful ordering method, numerical or lexicographic (alphabetic, for example).
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Example.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.6.3.3. Example</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.7. Repeated Execution</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.6. Collections</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Method_One.html" title="11.3.5.3. Method One" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html" title="11.3.6.2. List" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocfr
ame" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Method_One.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.6. Collections" id="sect-Musicians_Guide-SC-Basic_Programming-Collections"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Co
llections">11.3.6. Collections</h3></div></div></div><div class="para">
+ A "collection" is just that - a collection of Objects. Collections are simply a means of organizing a large amount of data, without having to assign a variable name for each portion of data. Compared to other programming languages, <span class="application"><strong>SuperCollider</strong></span> provides a relatively large number of Collections in the standard library.
+ </div><div class="para">
+ We have already seen an example of a Collection as multichannel audio arrays. An Array is a kind of Collection - in object-oriented terminology, the Array Class is a <em class="firstterm">sub-class</em> of the Collection Class, and inherits its behaviours. Conversely, the Collection Class is the <em class="firstterm">super-class</em> of the Array Class. The Collection Class itself is not to be used; it is designed to provide common features so that it is easier to write Classes for collections.
+ </div><div class="para">
+ As with all the chapters from this point on, it is not necessary to read this in sequence. If you prefer, you can skip it and return later when you need to manage a large set of data.
+ </div><div class="section" title="11.3.6.1. Array" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Array"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Array">11.3.6.1. Array</h4></div></div></div><div class="para">
+ Arrays have been traditionally been very popular with programmers. In <span class="application"><strong>SuperCollider</strong></span>, they are capable of storing a large number of Objects, and they provide advanced behaviours that are normally not associated with Arrays. They are not as indespensible as they used to be. Most programming languages now provide (or can easily be extended to add) Lists, Trees, and other kinds of data storage structures, which offer more capabilities, and are easier to use and to think about. Users new to programming might find the various kinds of Lists to be more helpful.
+ </div><div class="section" title="11.3.6.1.1. Building an Array" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Array-Building"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Array-Building">11.3.6.1.1. Building an Array</h5></div></div></div><div class="para">
+ An Array is a Collection with a finite maximum size, determined at declaration time. It is the programmer's responsibility to maintain a meaningful order, and to remember the meaning of the data. Data in an Array is called "elements," each of which is assigned a specific "index number." Index numbers begin at 0. Any mix of Objects can be stored in an Array, including an Array.
+ </div><div class="para">
+ This example declares an Array, adds some elements, then prints them out.
+<pre class="programlisting">
+(
+ var tA = Array.new( 2 ); // "tA" stands for "testArray"
+
+ tA = tA.add( 5 );
+ tA = tA.add( 3 );
+ tA = tA.add( 17 );
+
+ tA.postln;
+ nil;
+)
+</pre>
+ Notice that Array is a Class, and it must be instantiated before use. Here, the variable <code class="literal">tA</code> is assigned an Array with enough space for two objects. Notice that the elements are printed out in the order that you add them to the Array. They are not sorted or shuffled (unless you send a message like <code class="function">scramble</code>). But why did I write <code class="code">tA = tA.add( 17 );</code> instead of <code class="code">tA.add( 17 );</code>? Shouldn't the second method be sufficient for adding an Object to an Array, thereby making the re-assignment unnecessary? It does, but let's see what happens when we take it away:
+<pre class="programlisting">
+(
+ var tA = Array.new( 2 ); // "tA" stands for "testArray"
+
+ tA.add( 5 );
+ tA.add( 3 );
+ tA.add( 17 );
+
+ tA.postln;
+ nil;
+)
+</pre>
+ The <code class="literal">17</code> is missing - it doesn't get added into the Array! This is because the Array was only declared with two slots, and you can't add three Objects into two slots. So why did this work the first time? <span class="application"><strong>SuperCollider</strong></span> was programmed to help us fit additional items into an Array. If an Array has reached its capacity, <span class="application"><strong>SuperCollider</strong></span> will automatically make a new, larger Array for us, and returns that from the <code class="function">add</code> method. Therefore, any time you add an element to an Array, you should always re-assign the result, so that you don't have to worry about whether you exceeded the Array's capacity.
+ </div></div><div class="section" title="11.3.6.1.2. Accessing an Array's Elements" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Array-Accessing"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Array-Accessing">11.3.6.1.2. Accessing an Array's Elements</h5></div></div></div><div class="para">
+ There are two ways to access individual elements within an Array. One way is object-oriented, and one way is more traditional, inspired by programming languages such as the wildly popular "C" language. The object-oriented style uses the <code class="function">at</code> and <code class="function">put</code> methods. The traditional style uses square brackets with an index number.
+ </div><div class="para">
+ The following examples produce equivalent output. The first uses the object-oriented style, and the second uses the traditional style.
+<pre class="programlisting">
+(
+ var tA = Array.new( 3 );
+
+ tA = tA.add( 5 );
+ tA = tA.add( 3 );
+ tA = tA.add( 17 );
+
+ tA.at( 0 ).postln; // outputs 5
+ tA.at( 1 ).postln; // outputs 3
+ tA.at( 2 ).postln; // outputs 17
+
+ tA.put( 0, 24 ); // assigns 24 to element 0
+
+ tA.at( 0 ).postln; // outputs 24
+
+ nil;
+)
+</pre>
+
+<pre class="programlisting">
+(
+ var tA = Array.new( 3 );
+
+ tA = tA.add( 5 );
+ tA = tA.add( 3 );
+ tA = tA.add( 17 );
+
+ tA[0].postln; // outputs 5
+ tA[1].postln; // outputs 3
+ tA[2].postln; // outputs 17
+
+ tA[0] = 24 ; // assigns 24 to element 0
+
+ tA[0].postln; // outputs 24
+
+ nil;
+)
+</pre>
+ Different people prefer different styles of accessing Arrays.
+ </div></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Method_One.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.5.3. Method One</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.6.2. List</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Addition.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Addition.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.9.3. Addition</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html" title="11.3.9. Combining Audio; the Mix Class" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Arrays_of_Arrays.html" title="11.3.9.2. Arrays of Arrays" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html" title="11.3.10. SynthDef and Synth" /></head><body class="draft toc_embeded "><div id="tocdiv"
class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Arrays_of_Arrays.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.9.3. Addition" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Addition"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="titl
e" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Addition">11.3.9.3. Addition</h4></div></div></div><div class="para">
+ This method of combinine UGen's into two channels uses the addition operator: +
+ </div><div class="para">
+
+<pre class="programlisting">
+{
+ [
+ ( SinOsc.ar(440, 0, 0.1) + SinOsc.ar( 880, 0, 0.1 ) + SinOsc.ar( 1660, 0, 0.1 ) ),
+ ( SinOsc.ar(440, 0, 0.1) + SinOsc.ar( 880, 0, 0.1 ) + SinOsc.ar( 1660, 0, 0.1 ) )
+ ];
+}.play;
+</pre>
+ Notice that, like with the Mix Class, independent "mul" levels are not preserved.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Arrays_of_Arrays.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.9.2. Arrays of Arrays</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.10. SynthDef and Synth</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Arrays_of_Arrays.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Arrays_of_Arrays.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.9.2. Arrays of Arrays</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html" title="11.3.9. Combining Audio; the Mix Class" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html" title="11.3.9. Combining Audio; the Mix Class" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Addition.html" title="11.3.9.3. Addition" /></head><body class="draft toc_embeded "><div id="tocdi
v" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Addition.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.9.2. Arrays of Arrays" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Arrays_of_Arrays"><div class="titlepage"><div><div keep-together.within-column="always"><h4 cl
ass="title" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Arrays_of_Arrays">11.3.9.2. Arrays of Arrays</h4></div></div></div><div class="para">
+ There is another way to combine many UGen's into two channels for stereo output: rather than sending the Array's to the Mix class, combine them into a two-element Array.
+ </div><div class="para">
+
+<pre class="programlisting">
+{
+ [
+ [ SinOsc.ar(440, 0, 0.1), SinOsc.ar( 880, 0, 0.1 ), SinOsc.ar( 1660, 0, 0.1 ) ],
+ [ SinOsc.ar(440, 0, 0.1), SinOsc.ar( 880, 0, 0.1 ), SinOsc.ar( 1660, 0, 0.1 ) ]
+ ];
+}.play;
+</pre>
+ Here, a two-element Array is the result of a Function, which gets sent the "play" message. Each of the elements is an equivalent, three-element Array where each element is a UGen.
+ </div><div class="para">
+ This representation also offers another benefit: each UGen can have a different "mul" value, which will be preserved.
+<pre class="programlisting">
+{
+ [
+ [ SinOsc.ar(440, 0, 0.2), SinOsc.ar( 880, 0, 0.1 ), SinOsc.ar( 1660, 0, 0.05 ) ],
+ [ SinOsc.ar(440, 0, 0.2), SinOsc.ar( 880, 0, 0.1 ), SinOsc.ar( 1660, 0, 0.05 ) ]
+ ];
+}.play;
+</pre>
+ This sounds much less harsh than the first example. Try it with the Mix Class. Even with the different "mul" values, it sounds the same as the first example! This helps Mix to ensure that the total level doesn't exceed 1.0, but it has the disadvantage that careful level-balancing on your part will be erased.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.9. Combining Audio; the Mix Class</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Addition.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.9.3. Addition</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.9. Combining Audio; the Mix Class</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Case_Statements.html" title="11.3.8.5. "In This Case, Do This"" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Arrays_of_Arrays.html" title="11.3.9.2. Arrays of Arrays" /></head
><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Case_Statements.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Arrays_of_Arrays.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.9. Combining Audio; the Mix Class" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix"><div
class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix">11.3.9. Combining Audio; the Mix Class</h3></div></div></div><div class="para">
+ One of the requirements of multi-channel audio is the ability to combine a large number of UGen's into a small number of channels - normally just two. The <span class="application"><strong>SuperCollider</strong></span> interpreter allows you to accomplish this in a number of ways, which are explained here.
+ </div><div class="section" title="11.3.9.1. The "Mix" Class" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Mix_Class"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Mix_Class">11.3.9.1. The "Mix" Class</h4></div></div></div><div class="para">
+ The "Mix" Class allows you to combine a mutli-channel Array into one channel. It's just that simple: you put in an Array of UGens, and out comes a single-channel combination of them.
+ </div><div class="para">
+ Here are the two possible syntaxes for the "Mix" Class: <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">Mix.new</b>(</code><var class="pdparam">ArrayOfUGens</var><code>)</code>;</p></div> and <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">Mix</b>(</code><var class="pdparam">ArrayOfUGens</var><code>)</code>;</p></div> The second form is simply a short-hand version of the first. The <code class="classname">Mix</code> Class doesn't really create "Mix" Objects either - it's just a Function that combines many UGen's into one.
+ </div><div class="para">
+ Here's an example of the "Mix" Class in action:
+<pre class="programlisting">
+{
+ Mix( [SinOsc.ar(220, 0, 0.1),
+ SinOsc.ar(440, 0, 0.1),
+ SinOsc.ar(660, 0, 0.1),
+ SinOsc.ar(880, 0, 0.1),
+ SinOsc.ar(850, 0, 0.1),
+ SinOsc.ar(870, 0, 0.1),
+ SinOsc.ar(880, 0, 0.1),
+ SinOsc.ar(885, 0, 0.1),
+ SinOsc.ar(890, 0, 0.1),
+ SinOsc.ar(1000, 0, 0.1)] );
+}.play;
+</pre>
+ Notice how all of these <code class="classname">SinOsc</code>s are heard through the left channel only. The <code class="classname">Mix</code> class mixes all the UGen's together into one. You could use a bus to send the audio to both the left and right channels. What happens if we don't use the <code class="classname">Mix</code> class? Try to remove the function, and find out. You only hear some of the <code class="classname">SinOsc</code>'s. Which ones? The first two, representing the left and right channels. If your audio interface has more than two channels, you may be able to hear more than those first two channels.
+ </div><div class="para">
+ There is another function offered by the <code class="classname">Mix</code> class, and it is a kind of loop. The function is called <code class="function">Fill</code>, and it takes two arguments: the number of times to run a function, and the function to run. The function is provided with one argument (like in a "do" loop), which is the number of times the function has <span class="emphasis"><em>already</em></span> been run.
+<pre class="programlisting">
+(
+ var n = 8;
+ var sineFunc =
+ {
+ arg iteration;
+
+ var freq = 440 + iteration;
+ SinOsc.ar( freq:freq, mul:1/n );
+ };
+
+ { Mix.fill( n, sineFunc ); }.play;
+)
+</pre>
+ As you can see, the <code class="function">fill</code> function itself is quite simple: you provide the number of UGen's to create, and a function that creates UGen's. It's the <code class="literal">sineFunc</code> function that is a little confusing. The argument is called "iteration", because it holds how many times the function has already been run - how many iterations have happened already. It uses this value to help calculate the frequency (stored in a variable called <code class="literal">freq</code>), and then creates a <code class="classname">SinOsc</code> UGen. The <code class="literal">mul</code> argument helps to automatically control the volume level. Since the total volume should be no more than 1.0, the <code class="function">sineFunc</code> function calculates UGen's' volume by dividing 1, the maximum level, by the number of UGen's that will be created. The slowly pulsating volume is part of the acoustic result of this many frequencies being so close tog
ether - it is not a hidden effect by <span class="application"><strong>SuperCollider</strong></span>.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Case_Statements.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.8.5. "In This Case, Do This"</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Arrays_of_Arrays.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.9.2. Arrays of Arrays</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Assignment_and_Equality_Mistake.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Assignment_and_Equality_Mistake.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.8.2.2. Assignment/Equality Mistake</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html" title="11.3.8.2. Boolean Expressions" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html" title="11.3.8.2. Boolean Expressions" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Equality_versus_Identity.html" title="11.3.8.2.3. E
quality versus Identity" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Equality_versus_Identity.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.8.2.2. Assignment/Equality Mistake" id="sect-Musicians_G
uide-SC-Basic_Programming-Conditional_Execution-Assignment_and_Equality_Mistake"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Assignment_and_Equality_Mistake">11.3.8.2.2. Assignment/Equality Mistake</h5></div></div></div><div class="para">
+ Beware the following pitfall, common to a large number of programming languages:
+<pre class="programlisting">
+a == 42; // evaluates to "true" or "false", depending on the value in "a"
+a = 42; // assigns the value 42 to "a", over-writing the previously-stored value
+</pre>
+ One possible work-around is to write the number first.
+<pre class="programlisting">
+42 == a; // evaluates to "true" or "false", depending on the value in "a"
+42 = a; // causes an error, because you can't assign a value to a constant number
+</pre>
+ This way, if you accidentally leave out one of the <code class="literal">=</code> signs, the interpreter will stop execution and produce an error, rather than continuing with an unexpected assignment.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.8.2. Boolean Expressions</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Equality_versus_Identity.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.8.2.3. Equality versus Identity</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.8.2. Boolean Expressions</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html" title="11.3.8. Conditional Execution" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html" title="11.3.8. Conditional Execution" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Assignment_and_Equality_Mistake.html" title="11.3.8.2.2. Assignment/Equality Mistake" /></head><body
class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Assignment_and_Equality_Mistake.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.8.2. Boolean Expressions" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Express
ions"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions">11.3.8.2. Boolean Expressions</h4></div></div></div><div class="para">
+ Boolean expressions are expressions which, when executed, result in either "true" or "false". Boolean expressions must use at least one boolean operator (as listed above), or a Function which returns a boolean value. Boolean expressions can also use other operators and Functions.
+ </div><div class="section" title="11.3.8.2.1. Simple Expressions" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Simple_Boolean"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Simple_Boolean">11.3.8.2.1. Simple Expressions</h5></div></div></div><div class="para">
+ Here are a few simple boolean expressions. Of course, variables can be used in place of constant numbers:
+<pre class="programlisting">
+5 < 60; // evaluates to "false"
+42 != 42; // evaluates to "false"
+42 == 42; // evaluates to "true"
+0.isPositive; // evaluates to "true"
+isNegative( -256 ); // evaluates to "true"
+</pre>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.8. Conditional Execution</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Assignment_and_Equality_Mistake.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.8.2.2. Assignment/Equality Mistake</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Case_Statements.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Case_Statements.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.8.5. "In This Case, Do This"</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html" title="11.3.8. Conditional Execution" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Switch_Statements.html" title="11.3.8.4. "Switch Execution to This Path"" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html" title="11.3.9. Combining Audio; the Mix Class" /></head
><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Switch_Statements.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.8.5. "In This Case, Do This"" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Case_Stateme
nts"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Case_Statements">11.3.8.5. "In This Case, Do This"</h4></div></div></div><div class="para">
+ "Case" and "switch" structures look similar, but work in subtly different way. A "switch" structure is like a railway switch, allowing one train to be routed onto the right track, according to qualities of the train. A "case" structure, on the other hand, works like somebody trying to decide how to get to work. The person might ask themselves how far they are going, how long they have to get to work, how fast the available options are, what the available options cost, and so on. While in a "switch" structure, the path of execution is determined by examining only one Object, a "case" structure determines the path of execution based on any number of things.
+ </div><div class="para">
+ Here is the syntax of a "case" structure:
+<pre class="programlisting">
+case
+ <replaceable>booleanFunction</replaceable> <replaceable>resultFunction</replaceable>
+ <replaceable>booleanFunction</replaceable> <replaceable>resultFunction</replaceable>
+ <replaceable>booleanFunction</replaceable> <replaceable>resultFunction</replaceable>
+ <replaceable>booleanFunction</replaceable> <replaceable>resultFunction</replaceable>
+;
+</pre>
+
+ </div><div class="para">
+ Contemplate the following pseudo-code example, which represents a possible musical sitation, and a good use of the "case" structure.
+<pre class="programlisting">
+(
+ var coolFunction =
+ {
+ case
+ { is there no music playing?
+ AND people are in the room } { play music }
+ { has the same song been playing for too long?
+ OR is the song boring? } { change the song }
+ { has everybody left the room? } { turn off the music }
+ { has a song been requested? } { change to that song }
+ { is the music too loud? } { lower the music's volume }
+ { is the music too quiet? } { raise the music's volume }
+ { is the music too fast? } { lower the music's tempo }
+ { is the music too slow? } { raise the music's tempo }
+ { is everything okay? } { wait for 10 seconds }
+ ;
+ };
+
+ ( 5 == 5 ).while( coolFunction ); // executes coolFunction contiuously
+)
+</pre>
+ It might seem like this example doesn't relate to a real <span class="application"><strong>SuperCollider</strong></span> programming situation, but in fact it might. If you could program Function's which determined all of those questions and all of the answers, this sort of "case" structure would be very helpful in a situation where a computer running <span class="application"><strong>SuperCollider</strong></span> were left in a room by itself, and expected to play music whenever anybody entered the room. Since five is always equal to five, the interpreter will run <code class="function">coolFunction</code> forever. If the music needs adjustment in some way, the Function will adjust the music. If everything is okay, then the interpreter will wait for 10 seconds, and then the loop will cause the Function to be re-evaluated. Because many different criteria are evaluated in the "case" structure, this represents an efficient use of the structure.
+ </div><div class="para">
+ "Case" structures can be used to do the same thing as "switch" structures, but it's usually less elegant solution. Also, it doesn't allow the interpreter to use an speed optimization that it would have used in an equivalent "switch" structure.
+<pre class="programlisting">
+(
+ var grade = 11.rand + 1; // pseudo-randomly chooses 0 to 11, then adds 1 to give 1 to 12
+
+ grade =
+ case
+ { 1 == grade; } { "D-" }
+ { 2 == grade; } { "D" }
+ { 3 == grade; } { "D+" }
+ { 4 == grade; } { "C-" }
+ { 5 == grade; } { "C" }
+ { 6 == grade; } { "C+" }
+ { 7 == grade; } { "B-" }
+ { 8 == grade; } { "B" }
+ { 9 == grade; } { "B+" }
+ { 10 == grade; } { "A-" }
+ { 11 == grade; } { "A" }
+ { 12 == grade; } { "A+" }
+ ;
+
+ ("Your grade is" + grade).postln;
+ nil;
+)
+</pre>
+ This example is equivalent to one of the "switch" structure examples. This is not a good use of the "case" structure, because it requires a lot of code repetition.
+ </div><div class="para">
+ Unlike a "switch" structure, a "case" structure will always follow the <span class="emphasis"><em>first</em></span> case that evaluates to "true".
+<pre class="programlisting">
+(
+ case
+ { 5 == 5; } { "one".postln; }
+ { 5 == 5; } { "two".postln; }
+ { 5 == 5; } { "three".postln; }
+ ;
+
+ nil;
+)
+</pre>
+ This example will always result in "one" being printed.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Switch_Statements.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.8.4. "Switch Execution to This Path"</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.9. Combining Audio; the Mix Class</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Equality_versus_Identity.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Equality_versus_Identity.html
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@@ -0,0 +1,25 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.8.2.3. Equality versus Identity</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html" title="11.3.8.2. Boolean Expressions" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Assignment_and_Equality_Mistake.html" title="11.3.8.2.2. Assignment/Equality Mistake" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Logical_And_and_Or.html" title="
11.3.8.2.4. Logical And and Or" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Assignment_and_Equality_Mistake.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Logical_And_and_Or.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.8.2.3. Equality versus Identity" id="sect-M
usicians_Guide-SC-Basic_Programming-Conditional_Execution-Equality_versus_Identity"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Equality_versus_Identity">11.3.8.2.3. Equality versus Identity</h5></div></div></div><div class="para">
+ The identity-equivalence operators are not usually needed.
+<pre class="programlisting">
+(
+ var a = [12,24,48];
+ var b = [12,24,48];
+
+ a == b; // evaluates to "true"
+ a === b; // evaluates to "false"
+)
+</pre>
+ The <code class="literal">==</code> operator evaluates to <code class="literal">true</code> because <code class="literal">a</code> and <code class="literal">b</code> represent equivalent Objects - they are equal. The <code class="literal">===</code> operator evaluates to <code class="literal">false</code> because <code class="literal">a</code> and <code class="literal">b</code> represent different instances of the Objects - they are not identical.
+<pre class="programlisting">
+(
+ var a = [12,24,48];
+ var b = a;
+
+ a == b; // evaluates to "true"
+ a === b; // evaluates to "true"
+)
+</pre>
+ In this case, the <code class="literal">==</code> operator still evaluates to <code class="literal">true</code>. The <code class="literal">===</code> operator also evaluates to <code class="literal">true</code>, because <code class="literal">a</code> and <code class="literal">b</code> both represent the same Object. When the interpreter evaluates <code class="code">var b = a;</code> in the example above, it actually assigns <code class="literal">b</code> the same value that <code class="literal">a</code> stores, not a copy of it.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Assignment_and_Equality_Mistake.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.8.2.2. Assignment/Equality Mistake</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Logical_And_and_Or.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.8.2.4. Logical And and Or</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-If_Statements.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-If_Statements.html
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@@ -0,0 +1,68 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.8.3. "If This Is True, Then... "</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html" title="11.3.8. Conditional Execution" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Order_of_Precedence.html" title="11.3.8.2.5. Order of Precedence" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Switch_Statements.html" title="11.3.8.4. "Switch Execution to This
Path"" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Order_of_Precedence.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Switch_Statements.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.8.3. "If This Is True, Then... "" id="sect-Musicians_Guide-SC-Bas
ic_Programming-Conditional_Execution-If_Statements"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-If_Statements">11.3.8.3. "If This Is True, Then... "</h4></div></div></div><div class="para">
+ The "if" structure is provided a boolean expression and two Functions. If the expression evaluates to "true", it executes one Function. If the expression evaluates to "false", it executes the other Function.
+ </div><div class="para">
+ Here are the two ways to write an "if" structure:
+<pre class="programlisting">if ( booleanExpression, trueFunction, falseFunction );</pre>
+ and
+<pre class="programlisting">booleanExpression.if( trueFunction, falseFunction );</pre>
+ It's possible to exclude the <code class="function">falseFunction</code>, which is like telling the interpreter, "If the boolean expression is true, then execute this Function. Otherwise, don't execute it."
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var test = [true,false].choose; // pseudo-randomly chooses one of the elements in the List
+
+ if ( ( true == test ), { "It's true!".postln; }, { "It's false!".postln; } );
+ nil;
+)
+</pre>
+ This example prints out a nice message, saying whether <code class="literal">test</code> is <code class="literal">true</code> or <code class="literal">false</code>. Because <code class="literal">test</code> is already a boolean value, we don't need to include it in an expression. The "if" statement could have been shortened like this: <code class="code">if ( test, { "It's true!".postln; }, { "It's false!".postln; } );</code>
+ </div><div class="para">
+ Suppose we only wanted to be alerted if <code class="literal">test</code> is <code class="literal">true</code>.
+<pre class="programlisting">
+(
+ var test = [true,false].choose; // pseudo-randomly chooses one of the elements in the List
+
+ test.if( { "It's true!".postln; } );
+ nil;
+)
+</pre>
+ In this example, the alternate "if" syntax is used, where the boolean expression is placed before the parentheses.
+ </div><div class="para">
+ "If" structures can also be "nested," which is like telling the interpreter, "If this is true, do this; otherwise if this is true, do this; otherwise if this is true, do this." In this relatively simple example of nesting, the interpreter evaluates each "if" structure only if the previous one was "false".
+<pre class="programlisting">
+(
+ var test = [1,2,3].choose; // pseudo-randomly chooses one of the elements in the List
+
+ if( 1 == test, { "It's one!".postln; },
+ if( 2 == test, { "It's two!".postln; },
+ if( 3 == test, { "It's three!".postln; } ) ) );
+
+ nil;
+)
+</pre>
+
+ </div><div class="para">
+ This is a more complex example of nesting:
+<pre class="programlisting">
+(
+ var testA = [1,2,3].choose; // pseudo-randomly chooses one of the elements in the List
+ var testB = [1,2,3].choose;
+
+ if( 1 == testA, { ( 1 == testB ).if( { "It's one and one!".postln; },
+ ( 2 == testB ).if( { "It's one and two!".postln; },
+ ( 3 == testB ).if( { "It's one and three!".postln; } ) ) ); },
+ if( 2 == testA, { ( 1 == testB ).if( { "It's two and one!".postln; },
+ ( 2 == testB ).if( { "It's two and two!".postln; },
+ ( 3 == testB ).if( { "It's two and three!".postln; } ) ) ); },
+ if( 3 == testA, { ( 1 == testB ).if( { "It's three and one!".postln; },
+ ( 2 == testB ).if( { "It's three and two!".postln; },
+ ( 3 == testB ).if( { "It's three and three!".postln; } ) ) ); } ) ) );
+
+ nil;
+)
+</pre>
+ As you can see, this type of nesting is not easy to figure out - from the standpoint of the original programmer or somebody else who wishes to use your code. In writing this example, it took me several attempts before getting the parentheses and braces right. Usually, if you have a long list of possibilities to test (like the nine in this example), it is better to use a "case" or "switch" structure. Not only does this help to make the code easier to understand, but the <span class="application"><strong>SuperCollider</strong></span> interpreter can apply optimizations that make the code run marginally faster.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Order_of_Precedence.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.8.2.5. Order of Precedence</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Switch_Statements.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.8.4. "Switch Execution to This Path"</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Logical_And_and_Or.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Logical_And_and_Or.html
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@@ -0,0 +1,65 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.8.2.4. Logical And and Or</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html" title="11.3.8.2. Boolean Expressions" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Equality_versus_Identity.html" title="11.3.8.2.3. Equality versus Identity" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Order_of_Precedence.html" title="11.3.8.2.5. Ord
er of Precedence" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Equality_versus_Identity.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Order_of_Precedence.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.8.2.4. Logical And and Or" id="sect-Musicians_Guide-SC-Basic_Pr
ogramming-Conditional_Execution-Logical_And_and_Or"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Logical_And_and_Or">11.3.8.2.4. Logical <code class="literal">And</code> and <code class="literal">Or</code></h5></div></div></div><div class="para">
+ The logical And and Or operators must receive two boolean arguments. Logical And returns <code class="literal">true</code> if both of its arguments are <code class="literal">true</code>. Logical Or returns <code class="literal">true</code> if one of its arguments are <code class="literal">true</code>.
+ </div><div class="para">
+ The following table illustrates how the <span class="application"><strong>SuperCollider</strong></span> interpreter will evaluate each of the following situations.
+ <div class="table" title="表11.3 Truth Table"><div class="table-contents"><table summary="Truth Table" border="1"><colgroup><col align="center" width="25%" /><col align="center" width="25%" /><col align="center" width="25%" /><col align="center" width="25%" /></colgroup><thead><tr><th align="center">
+ If the left sub-expression is...
+ </th><th align="center">
+ ... and the right sub-expression is...
+ </th><th align="center">
+ ... then logical <code class="literal">And</code> evaluates to...
+ </th><th align="center">
+ ... and logical <code class="literal">Or</code> evaluates to...
+ </th></tr></thead><tbody><tr><td align="center">
+ <code class="literal">true</code>
+ </td><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">true</code>
+ </td></tr><tr><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">true</code>
+ </td><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">true</code>
+ </td></tr><tr><td align="center">
+ <code class="literal">true</code>
+ </td><td align="center">
+ <code class="literal">true</code>
+ </td><td align="center">
+ <code class="literal">true</code>
+ </td><td align="center">
+ <code class="literal">true</code>
+ </td></tr><tr><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">false</code>
+ </td></tr></tbody></table></div><h6>表11.3 Truth Table</h6></div><br class="table-break" />
+
+ </div><div class="para">
+ The interpreter evaluates the expression on the left first, and then the expression on the right <span class="emphasis"><em>only</em></span> if it will influence the outcome. This means that, if the left-side expression of a logical Or operator evaluates to "true", the interpreter will not test the right-side expression, because the result will be "true" anyway. Similarly, if the left-side expression of a logical And operator evaluates to "false", the interpreter will not test the right-side expression, because the result will be "false" anyway.
+ </div><div class="para">
+ This can be exploited to help avoid errors like division-by-zero.
+<pre class="programlisting">
+(
+ var x = 5.rand; // assigns a pseudo-random number between 0 and 5
+
+ ( x != 0 ) && ( { x = 17 / x; } ); // doesn't divide by x if it would cause division-by-zero
+
+ x; // the interpreter automatically prints this value after execution
+)
+</pre>
+ If the left-side expression of the logical And operator is "false", the interpreter doesn't evaluate the right-side expression; it simply moves on to the next expression. If the left-side expression is "true" (meaning that x is not zero), then the right-side expression is evaluated. The right-side expression happens to be a Function which assigns "x" the result of dividing 17 by its previous value. The result of the logical And operation is simply discarded in this case - it doesn't really matter to us. This isn't the most straight-forward code, and there are other ways to avoid division-by-zero. If you use this, it's probably best to include a brief explanation of what the code does, as a commment.
+ </div><div class="para">
+ If you run this code many times, you will see that it gives many different results - one of which is zero, which proves that the code works as intended. If <span class="application"><strong>SuperCollider</strong></span> divides by zero, the result is "inf", representing infinity. Try modifying the code so that it will divide by zero, and see what happens.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Equality_versus_Identity.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.8.2.3. Equality versus Identity</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Order_of_Precedence.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.8.2.5. Order of Precedence</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Order_of_Precedence.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Order_of_Precedence.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.8.2.5. Order of Precedence</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html" title="11.3.8.2. Boolean Expressions" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Logical_And_and_Or.html" title="11.3.8.2.4. Logical And and Or" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-If_Statements.html" title="11.3.8.3. "If This Is True,
Then... "" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Logical_And_and_Or.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-If_Statements.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.8.2.5. Order of Precedence" id="sect-Musicians_Guide-SC-Basic_Programming-Co
nditional_Execution-Order_of_Precedence"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Order_of_Precedence">11.3.8.2.5. Order of Precedence</h5></div></div></div><div class="para">
+ In complicated boolean expressions, it's important to clarify the order in which you want sub-expressions to be executed. This order is called the "order of precedence," or "order of operations" (see <em class="citetitle">Order of Operations (Wikipedia)</em>, available at <a href="http://en.wikipedia.org/wiki/Order_of_operations">http://en.wikipedia.org/wiki/Order_of_operations</a> for more information). In computer science, different programming languages enforce different orders of precedence, so you should use parentheses to clarify your intended order, to proactively avoid later confusion. The interpreter will evaluate an expression from left to right, and always fully evaluate parentheses before continuing.
+ </div><div class="para">
+ Even simple expression can benefit from parentheses. These produce the same results:
+<pre class="programlisting">
+(
+ var a = 5 == 5 && 17 != 5;
+ var b = ( 5 == 5 ) && ( 17 != 5 ); // parentheses help to clarify
+
+ a == b; // evaluates to "true"
+)
+</pre>
+
+<pre class="programlisting">
+(
+ var a = 5.isPositive && isNegative( 6 ) || 12 + 5 * 42 - 1 > 18 ;
+ var b = ( 5.isPositive && isNegative( 6 ) ) || ( ((12 + 5) * 42 - 1) > 18 ); // parentheses help to clarify
+
+ a && b; // evaluates to "true"
+)
+</pre>
+ And perhaps even more surprisingly...
+<pre class="programlisting">( 12 + 5 * 42 - 1 ) != ( (12 + 5) * 42 - 1 );</pre>
+ ... evaluates to "false"! They're equal - the interpreter doesn't follow the standard mathematical order of precedence rules! <span class="application"><strong>SuperCollider</strong></span> evaluates from left to right, so it's important to clarify to the interpreter what you mean. Where would you put parentheses so that <span class="application"><strong>SuperCollider</strong></span> evaluates the expression as per the standard mathematical order of precedence rules, with multiplication before addition and subtraction?
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Logical_And_and_Or.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.8.2.4. Logical And and Or</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-If_Statements.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.8.3. "If This Is True, Then... "</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Switch_Statements.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Switch_Statements.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.8.4. "Switch Execution to This Path"</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html" title="11.3.8. Conditional Execution" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-If_Statements.html" title="11.3.8.3. "If This Is True, Then... "" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Case_Statements.html" title="11.3.8.5. "In This Case
, Do This"" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-If_Statements.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Case_Statements.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.8.4. "Switch Execution to This Path"" id="sect-Musicians_Guide-SC-Bas
ic_Programming-Conditional_Execution-Switch_Statements"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Switch_Statements">11.3.8.4. "Switch Execution to This Path"</h4></div></div></div><div class="para">
+ A "switch" structure can be most easily understood by comparison to a switch in a railway line. As a train approaches a railway switch, an operator inspects the train, and decides whether it should be going to the passenger station, the freight station, or the garage for storage. A "switch" structure - like a railways switch, can only act on one Object at a time, but the Object can be a Collection, allowing you to compare multiple things at once. Each case is tested with the boolean equality operator before being executed.
+ </div><div class="para">
+ Here is the syntax of a "switch" statement:
+<pre class="programlisting">
+case( compareThis,
+ toThis1, { doThis; },
+ toThis2, { doThis; },
+ toThis3, { doThis; }
+);
+</pre>
+ You can include any number of cases. Notice that there is no comma after the last case, and that I've put the concluding ");" on a separate line with the same indentation as the word "case", so that it's easy to see.
+ </div><div class="para">
+ The following example shows a simple switch.
+<pre class="programlisting">
+(
+ var grade = 11.rand + 1; // pseudo-randomly chooses 0 to 11, then adds 1 to give 1 to 12
+
+ grade =
+ switch( grade,
+ 1, { "D-" },
+ 2, { "D" },
+ 3, { "D+" },
+ 4, { "C-" },
+ 5, { "C" },
+ 6, { "C+" },
+ 7, { "B-" },
+ 8, { "B" },
+ 9, { "B+" },
+ 10, { "A-" },
+ 11, { "A" },
+ 12, { "A+" }
+ );
+
+ ("Your grade is" + grade).postln;
+ nil;
+)
+</pre>
+ The code picks a pseudo-random number between 1 and 12, then uses a "switch" structure to convert that number into a letter-grade, assigning it to the same <code class="literal">grade</code> variable. Then, it adds the "Your grade is" string to the value of <code class="literal">grade</code> (with a space between), and prints that result.
+ </div><div class="para">
+ This example avoids the complex nested "if" structure from above.
+<pre class="programlisting">
+(
+ var testA = [1,2,3].choose; // pseudo-randomly chooses one of the elements in the List
+ var testB = [1,2,3].choose;
+
+ switch( [testA,testB],
+ [1,1], { "It's one and one!".postln; },
+ [1,2], { "It's one and two!".postln; },
+ [1,3], { "It's one and three!".postln; },
+ [2,1], { "It's two and one!".postln; },
+ [2,2], { "It's two and two!".postln; },
+ [2,3], { "It's two and thre!".postln; },
+ [3,1], { "It's three and one!".postln; },
+ [3,2], { "It's three and two!".postln; },
+ [3,3], { "It's three and three!".postln; }
+ );
+
+ nil;
+)
+</pre>
+ This is an elegant way to inspect two otherwise-separate variables. Remember that the first argument to "switch" (in this case, it's <code class="code">[testA,tesB]</code>) is compared to the first argument of possibe result with the equality operator: <code class="literal">==</code>
+ </div><div class="para">
+ When evaluating which switch to use, the <span class="application"><strong>SuperCollider</strong></span> interpreter will always apply the <span class="emphasis"><em>last</em></span> one that evaluates to <code class="literal">true</code>.
+<pre class="programlisting">
+(
+ switch( 5,
+ 5, { "one".postln; },
+ 5, { "two".postln; },
+ 5, { "three".postln; }
+ );
+
+ nil;
+)
+</pre>
+ All of these cases are true, but this will always result in "three" being printed.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-If_Statements.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.8.3. "If This Is True, Then... "</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Case_Statements.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.8.5. "In This Case, Do This"</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.8. Conditional Execution</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-.html" title="11.3.7.5. Other Loops" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html" title="11.3.8.2. Boolean Expressions" /></head><body class="draft toc_embeded "><div id="tocdi
v" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.8. Conditional Execution" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution"><div class="titlepage"><div><div keep-together.within-column="always"><h3 clas
s="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution">11.3.8. Conditional Execution</h3></div></div></div><div class="para">
+ Conditional execution tells the <span class="application"><strong>SuperCollider</strong></span> interpreter to execute code on the condition that something is true. <span class="application"><strong>SuperCollider</strong></span> offers three conditional execution structures, "if", "switch", and "case" statements. Each of these structures is controlled by one or a series of "boolean expressions" (sometimes called "conditional expressions"), which are composed of "boolean operators".
+ </div><div class="section" title="11.3.8.1. Boolean Operators" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Operators"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Operators">11.3.8.1. Boolean Operators</h4></div></div></div><div class="para">
+ Boolean operators evaluate to <code class="literal">true</code> or <code class="literal">false</code>, and are most useful in boolean expressions, where they help to determine which portion of a program to execute.
+ </div><div class="para">
+ The following table lists binary boolean operators that take two arguments: one on the left and one on the right. These operators produce either <code class="literal">true</code> or <code class="literal">false</code>.
+ <div class="table" title="表11.1 Binary Boolean Operators in SuperCollider"><div class="table-contents"><table summary="Binary Boolean Operators in SuperCollider" border="1"><colgroup><col align="center" width="50%" /><col align="center" width="50%" /></colgroup><thead><tr><th align="center">
+ Operator
+ </th><th align="center">
+ Meaning
+ </th></tr></thead><tbody><tr><td align="center">
+ <
+ </td><td align="center">
+ less than
+ </td></tr><tr><td align="center">
+ <=
+ </td><td align="center">
+ less than or equal to
+ </td></tr><tr><td align="center">
+ >
+ </td><td align="center">
+ greater than
+ </td></tr><tr><td align="center">
+ >=
+ </td><td align="center">
+ greater than or equal to
+ </td></tr><tr><td align="center">
+ ==
+ </td><td align="center">
+ equivalent
+ </td></tr><tr><td align="center">
+ !=
+ </td><td align="center">
+ not equivalent
+ </td></tr><tr><td align="center">
+ ===
+ </td><td align="center">
+ identical (the same object)
+ </td></tr><tr><td align="center">
+ !==
+ </td><td align="center">
+ not identical (not the same object)
+ </td></tr><tr><td align="center">
+ &&
+ </td><td align="center">
+ logical <code class="literal">And</code>
+ </td></tr><tr><td align="center">
+ ||
+ </td><td align="center">
+ logical <code class="literal">Or</code>
+ </td></tr></tbody></table></div><h6>表11.1 Binary Boolean Operators in SuperCollider</h6></div><br class="table-break" />
+
+ </div><div class="para">
+ The following table lists unary boolean operators that take one arguments. These operators produce either <code class="literal">true</code> or <code class="literal">false</code>.
+ <div class="table" title="表11.2 Unary Boolean Operators in SuperCollider"><div class="table-contents"><table summary="Unary Boolean Operators in SuperCollider" border="1"><colgroup><col align="center" width="50%" /><col align="center" width="50%" /></colgroup><thead><tr><th align="center">
+ Operator
+ </th><th align="center">
+ Meaning
+ </th></tr></thead><tbody><tr><td align="center">
+ isPositive
+ </td><td align="center">
+ <code class="literal">true</code> if the argument is greater than or equal to <code class="literal">0</code>
+ </td></tr><tr><td align="center">
+ isStrictlyPositive
+ </td><td align="center">
+ <code class="literal">true</code> if the argument is greater than <code class="literal">0</code>
+ </td></tr><tr><td align="center">
+ isNegative
+ </td><td align="center">
+ <code class="literal">true</code> if <code class="function">isPositive</code> is <code class="literal">false</code>
+ </td></tr></tbody></table></div><h6>表11.2 Unary Boolean Operators in SuperCollider</h6></div><br class="table-break" />
+ Unary operators are actually functions, and must be used as such.
+<pre class="programlisting">
+(
+ var x = 5;
+ x.isPositive; // returns "true"
+ isNegative( x ); // returns "false"
+)
+</pre>
+
+ </div><div class="para">
+ The use of these operators is explained below in the "Boolean Expressions" section.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.7.5. Other Loops</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.8.2. Boolean Expressions</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Email.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Email.html
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@@ -0,0 +1,5 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.14.3. Email</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html" title="11.3.14. How to Get Help" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-IRC.html" title="11.3.14.2. Internet Relay Chat (IRC)" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-SuperCollider_Website.html" title="11.3.14.4. The SuperCollider Website" /></head><body class="draft toc_embeded "><div id="tocdiv" cla
ss="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-IRC.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-SuperCollider_Website.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.14.3. Email" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Email"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musi
cians_Guide-SC-Basic_Programming-Getting_Help-Email">11.3.14.3. Email</h4></div></div></div><div class="para">
+ If you feel comfortable sending an email to a mailing list, you can use the <em class="citetitle">sc-users Mailing List</em>, available at <a href="http://www.beast.bham.ac.uk/research/sc_mailing_lists.shtml">http://www.beast.bham.ac.uk/research/sc_mailing_lists.shtml</a>. If you decide to subscribe to this list, be aware that it receives a large amount of mail every day.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-IRC.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.14.2. Internet Relay Chat (IRC)</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-SuperCollider_Website.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.14.4. The SuperCollider Website</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-IRC.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-IRC.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.14.2. Internet Relay Chat (IRC)</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html" title="11.3.14. How to Get Help" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html" title="11.3.14. How to Get Help" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Email.html" title="11.3.14.3. Email" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" c
lass="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Email.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.14.2. Internet Relay Chat (IRC)" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-IRC"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-G
etting_Help-IRC">11.3.14.2. Internet Relay Chat (IRC)</h4></div></div></div><div class="para">
+ If you know how to use Internet Relay Chat (IRC), you can join the #supercollider channel on the Freenode network. The channel does not usually have a large number of participants or a lot of activity, but the users are some of the most polite and helpful on the internet.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.14. How to Get Help</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Email.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.14.3. Email</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-SuperCollider_Website.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-SuperCollider_Website.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.14.4. The SuperCollider Website</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html" title="11.3.14. How to Get Help" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Email.html" title="11.3.14.3. Email" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution.html" title="11.3.15. Legal Attribution" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocf
rame" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Email.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.14.4. The SuperCollider Website" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-SuperCollider_Website"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musician
s_Guide-SC-Basic_Programming-Getting_Help-SuperCollider_Website">11.3.14.4. The <span class="application"><strong>SuperCollider</strong></span> Website</h4></div></div></div><div class="para">
+ The <em class="citetitle"><span class="application"><strong>SuperCollider</strong></span> Website</em> at SourceForge (<a href="http://supercollider.sourceforge.net/">http://supercollider.sourceforge.net/</a>) offers links to many resources.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Email.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.14.3. Email</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.15. Legal Attribution</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html
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@@ -0,0 +1,11 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.14. How to Get Help</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-TempoClock_Class.html" title="11.3.13.6. Working with the TempoClock Class" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-IRC.html" title="11.3.14.2. Internet Relay Chat (IRC)" /></head><body class="draft toc_embeded
"><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-TempoClock_Class.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-IRC.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.14. How to Get Help" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="ti
tle" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help">11.3.14. How to Get Help</h3></div></div></div><div class="para">
+ Knowing how to get help in <span class="application"><strong>SuperCollider</strong></span> is going to play a large part in determining whether you have a productive or frustrating relationship with the language and its components. There are a large number of ways to get help, but here are some of the most helpful.
+ </div><div class="section" title="11.3.14.1. Use the SuperCollider Help Files" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Official_Help_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Official_Help_Files">11.3.14.1. Use the <span class="application"><strong>SuperCollider</strong></span> Help Files</h4></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> comes with an extensive collection of help files, which contain the answers to most of your problems. The difficulty will be in finding the solution - it's not always located where you think it is, because it often isn't the solution you think it will be.
+ </div><div class="para">
+ On Fedora Linux systems, the main help file is located at [file:///usr/share/SuperCollider/Help/Help.html this URL], and it can be viewed in any web browser. It may also be helpful to browse the directory structure of the help files, located at [file:///usr/share/SuperCollider/Help this URL], which can also be viewed in your web browser.
+ </div><div class="para">
+ If you're looking for further explanations of material in this tutorial, you could start by reviewing the [file:///usr/share/SuperCollider/Help/Tutorials/Getting-Started/Getting%20Started%20With%20SC.html Getting Started With <span class="application"><strong>SuperCollider</strong></span>] tutorial, on which this document is based. The sections in that tutorial roughly correspond to the sections in this guide.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-TempoClock_Class.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.13.6. Working with the TempoClock Class</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-IRC.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.14.2. Internet Relay Chat (IRC)</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.15. Legal Attribution</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-SuperCollider_Website.html" title="11.3.14.4. The SuperCollider Website" /><link rel="next" href="sect-Musicians_Guide-SuperCollider-Composing.html" title="11.4. Composing with SuperCollider" /></head><body class="draft toc_embeded "><div id="toc
div" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-SuperCollider_Website.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SuperCollider-Composing.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.15. Legal Attribution" id="sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-M
usicians_Guide-SC-Basic_Programming-Legal_Attribution">11.3.15. Legal Attribution</h3></div></div></div><div class="para">
+ This portion of the Fedora Musicians' Guide, called "Basic Programming with <span class="application"><strong>SuperCollider</strong></span>," is a derivative work of the, <em class="citetitle">Getting Started With <span class="application"><strong>SuperCollider</strong></span></em> tutorial. The original work was created by Scott Wilson, James Harkins, and the <span class="application"><strong>SuperCollider</strong></span> development team. It is available on the internet from <a href="http://supercollider.svn.sourceforge.net/viewvc/supercollider/trunk/common/build/Help/Tutorials/Getting-Started/Getting%20Started%20With%20SC.html">http://supercollider.svn.sourceforge.net/viewvc/supercollider/trunk/common/build/Help/Tutorials/Getting-Started/Getting%20Started%20With%20SC.html</a>.
+ </div><div class="para">
+ The original document, like all <span class="application"><strong>SuperCollider</strong></span> documentation, is licenced under the Creative Commons' <em class="citetitle">Attribution Share-Alike 3.0 Unported Licence</em>, accessible on the internet at <a href="http://creativecommons.org/licenses/by-sa/3.0/">http://creativecommons.org/licenses/by-sa/3.0/</a>.
+ </div><div class="para">
+ This usage should in no way be construed as an endorsement of the Fedora Project, the Musicians' Guide, or any other party by the <span class="application"><strong>SuperCollider</strong></span> development team.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-SuperCollider_Website.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.14.4. The SuperCollider Website</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SuperCollider-Composing.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.4. Composing with SuperCollider</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Method_One.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Method_One.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.5.3. Method One</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio.html" title="11.3.5. Multichannel Audio" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Multichannel_Expansion.html" title="11.3.5.2. Multichannel Expansion" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Collections.html" title="11.3.6. Collections" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc
"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Multichannel_Expansion.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.5.3. Method One" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Method_One"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id=
"sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Method_One">11.3.5.3. Method One</h4></div></div></div><div class="para">
+ Believe it or not, you now know enough to understand a slightly-modified version of the first part of "Method One," a <span class="application"><strong>SuperCollider</strong></span> program written and heavily commented specifically for use with this guide. You should <code class="function">play</code> this example, and experiment with changing the frequencies, volumes, and so on. The fully-commented version provides a full explanation of how the function works.
+<pre class="programlisting">
+{
+ // sets up the frequencies of both channels
+ var frequencyL = SinOsc.kr( freq:10, mul:200, add:400 ); // oscillating
+ var frequencyR = SinOsc.kr( freq:1, mul:50, add:150 ); // oscillating
+ var frequencyL_drone = SinOsc.kr( freq:0.03, mul:20, add:100 ); // drone
+ var frequencyR_drone = SinOsc.kr( freq:0.01, mul:20, add:210 ); // drone
+
+ // changes the volume of the oscillating part in the left channel
+ var volumeL = SinOsc.kr( freq:0.5, mul:0.02, add:0.03 );
+
+ // left channel
+ var left = [ SinOsc.ar( freq:frequencyL, mul:volumeL ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyL_drone,2*frequencyL_drone], mul:0.02 ), // the rest make up the drone
+ SinOsc.ar( freq:[5*frequencyL_drone,7*frequencyL_drone], mul:0.005 ),
+ SinOsc.ar( freq:[13*frequencyL_drone,28*frequencyL_drone], mul:0.001 ) ];
+
+ // right channel
+ var right = [ SinOsc.ar( freq:frequencyR, mul:0.1 ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyR_drone,2*frequencyR_drone], mul:0.02 ), // the rest make up the drone
+ SinOsc.ar( freq:4*frequencyR_drone, mul:0.005 ),
+ SinOsc.ar( freq:[64*frequencyR_drone,128*frequencyR_drone], mul:0.01 ) ]; // high frequencies!
+
+ [ left, right ];
+}
+</pre>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Multichannel_Expansion.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.5.2. Multichannel Expansion</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.6. Collections</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.5.2. Multichannel Expansion</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio.html" title="11.3.5. Multichannel Audio" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio.html" title="11.3.5. Multichannel Audio" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Method_One.html" title="11.3.5.3. Method One" /></head><body class="draft toc_embeded "><div id="tocdiv" class="t
oc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Method_One.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.5.2. Multichannel Expansion" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Multichannel_Expansion"><div class="titlepage"><div><div keep-together.within-column="always">
<h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Multichannel_Expansion">11.3.5.2. Multichannel Expansion</h4></div></div></div><div class="para">
+ You can automatically create multiple UGens by providing an Array as one of the parameters. The <span class="application"><strong>SuperCollider</strong></span> interpreter will automatically create multichannel UGens as a result.
+ </div><div class="para">
+ The following two examples produce equivalent output:
+<pre class="programlisting">{ [ SinOsc.ar( 440, 0, 0.2 ), SinOsc.ar( 440, 0, 0.2 ) ]; }.play;</pre>
+
+<pre class="programlisting">{ SinOsc.ar( [440, 440], 0, 0.2 ); }.play;</pre>
+ The second example can be easier to read, because it is obvious that only the frequency is changing - or in this case, that nothing is changing. This technique is more useful in a situation like the following:
+<pre class="programlisting">
+{ SinOsc.ar( [[440, 445, 450, 455, 460, 465],
+ [440, 445, 450, 455, 460, 465]],
+ 0,
+ 0.2 ); }.play;
+</pre>
+ That's not exactly easy to read, but it's easier to figure out than the most obvious alternative:
+<pre class="programlisting">
+{
+ [[ SinOsc.ar( 440, 0, 0.2 ), SinOsc.ar( 445, 0, 0.2 ), SinOsc.ar( 450, 0, 0.2 ), SinOsc.ar( 455, 0, 0.2 ), SinOsc.ar( 460, 0, 0.2 ), SinOsc.ar( 465, 0, 0.2 ) ],
+ [ SinOsc.ar( 440, 0, 0.2 ), SinOsc.ar( 445, 0, 0.2 ), SinOsc.ar( 450, 0, 0.2 ), SinOsc.ar( 455, 0, 0.2 ), SinOsc.ar( 460, 0, 0.2 ), SinOsc.ar( 465, 0, 0.2 ) ]];
+}.play;
+</pre>
+ More importantly, multichannel expansion gives us another tool to avoid repetition. Repetition is the enemy of correctness - it's so much more difficult to find a mistake in the second example than in the first!
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.5. Multichannel Audio</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Method_One.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.5.3. Method One</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.5. Multichannel Audio</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-The_play_Function.html" title="11.3.4.2. The "play" Function" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Multichannel_Expansion.html" title="11.3.5.2. Multichannel Expansion" /></head
><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-The_play_Function.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Multichannel_Expansion.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.5. Multichannel Audio" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio"><div c
lass="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio">11.3.5. Multichannel Audio</h3></div></div></div><div class="para">
+ By now you must be growing tired of the left-side-only sounds being produced by the examples.
+ </div><div class="section" title="11.3.5.1. Stereo Array" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Stereo_Array"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Stereo_Array">11.3.5.1. Stereo Array</h4></div></div></div><div class="para">
+ The easiest way to output multichannel audio in <span class="application"><strong>SuperCollider</strong></span> is to use a kind of "Collection" (defined later) called an "Array." <span class="application"><strong>SuperCollider</strong></span> will theoretically handle any number of audio output channels, but by default is usually only configured for two-channel stereo audio. Since humans have only two ears, this is sufficient for most tasks! A multichannel array is notated like this: <code class="code">[ LeftChannel.ar( x ), RightChannel.ar( y ) ]</code>
+ </div><div class="para">
+ Here is our simple sine oscillator expanded to produce stereo audio:
+<pre class="programlisting">{ [ SinOsc.ar( 440, 0, 0.2 ), SinOsc.ar( 440, 0, 0.2 ) ]; }.play;</pre>
+ Not much has changed, except that the audio we hear is now being emitted from both the left and right channels. Change the frequency of one of the sine oscillators to <code class="literal">450</code> and the difference will become much more apparent.
+ </div><div class="para">
+ Multichannel arrays can also be combined with each other, like this:
+<pre class="programlisting">
+{
+ var one = [ x, y, z ];
+ var two = [ a, b, c ];
+ [ one, two ];
+}
+</pre>
+ If <code class="literal">a</code>, <code class="literal">b</code>, <code class="literal">c</code>, <code class="literal">x</code>, <code class="literal">y</code>, and <code class="literal">z</code> were all audio-rate UGens, this function could be <code class="function">play</code>'ed. It would produce stereo audio, and each channel would have three independent UGens.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-The_play_Function.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.4.2. The "play" Function</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Multichannel_Expansion.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.5.2. Multichannel Expansion</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.3.4. Choosing a Paradigm</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented.html" title="11.3.3. Object-Oriented SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Object-Oriented_Programming.html" title="11.3.3.3. Object-Oriented Programming" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions.html" title="11.3.4. Sound-Making Functions" /></head><body class="d
raft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Object-Oriented_Programming.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.3.4. Choosing a Paradigm" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Choosing_a_Paradigm"><div class="title
page"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Choosing_a_Paradigm">11.3.3.4. Choosing a Paradigm</h4></div></div></div><div class="para">
+ At this point you may begin worrying about which programming paradigm you should choose, and when. The answer is unhelpful: "Whichever seems best for the task."
+ </div><div class="para">
+ Let's expand on this. If you are primarily a programmer, then you probably already know how to choose the best paradigm and algorithm for the task. If you are a musician, then you probably just want your program to produce the output that you want (in this case, a particular set of sounds). Part of the beauty of <span class="application"><strong>SuperCollider</strong></span>'s flexibility is that it allows you to produce the same output in different ways. As a musician this means that, as long as your program works as you want it to work, it doesn't matter how you write it. Experience will teach you more and less effective ways of doing things, but there is no need for rules.
+ </div><div class="para">
+ Even so, here are some guidelines that will help you to start thinking about music programs:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Programs of all sorts often follow a simple, four-step flow. Not all parts are always present.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Declare variables.
+ </div></li><li class="listitem"><div class="para">
+ Get input from the user.
+ </div></li><li class="listitem"><div class="para">
+ Calculate something with the input.
+ </div></li><li class="listitem"><div class="para">
+ Provide output to the user (i.e. "make noise").
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Repetition is the enemy of correctness, so if you're going to execute some code more than once, try writing a Function. If it's slightly different every time, try using arguments. Arguments with default values are a great way to expand a Function's usefulness.
+ </div></li><li class="listitem"><div class="para">
+ If it looks too complicated, then it probably is. The more difficult it is to understand something, the greater the chance of making a mistake.
+ </div></li><li class="listitem"><div class="para">
+ Don't forget the semicolons at the end of every statement.
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Object-Oriented_Programming.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.3.3. Object-Oriented Programming</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.4. Sound-Making Functions</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.3.2. Functional Programming</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented.html" title="11.3.3. Object-Oriented SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented.html" title="11.3.3. Object-Oriented SuperCollider" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Object-Oriented_Programming.html" title="11.3.3.3. Object-Oriented Programming" /></head><body class
="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Object-Oriented_Programming.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.3.2. Functional Programming" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Functional_Programming"><div class="tit
lepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Functional_Programming">11.3.3.2. Functional Programming</h4></div></div></div><div class="para">
+ Functional programming is also easy to understand, but it can be a little bit more difficult to think about complex tasks. Functional programs use Functions to complete all of their work. This is not strictly possible in <span class="application"><strong>SuperCollider</strong></span>: it is more imperative than functional, but the creative use of Functions can easily solve some problems that are difficult to write with an imperative approach.
+ </div><div class="para">
+ The following example is an extension of the "Imperative" example. Pretend that the following Functions exist, and do the following tasks:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ getinput : allows the user to enter a number, and returns that number
+ </div></li><li class="listitem"><div class="para">
+ add : adds together the numbers given as arguments, returning the sum
+ </div></li></ul></div>
+
+<pre class="programlisting">
+(
+ postln( add( getinput, getinput ) );
+)
+</pre>
+
+ </div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> will always execute the inner-most Functions first. This is how the interpreter executes the single-line program above:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Execute the left call of <code class="function">getinput</code>
+ </div></li><li class="listitem"><div class="para">
+ Execute the right call of <code class="function">getinput</code>
+ </div></li><li class="listitem"><div class="para">
+ Execute <code class="function">add</code> with the two numbers returned by <code class="function">getinput</code>
+ </div></li><li class="listitem"><div class="para">
+ Execute <code class="function">postln</code> with the number returned by <code class="function">add</code>
+ </div></li></ol></div>
+
+ </div><div class="para">
+ Both imperative and functional programming have advantages and disadvantages. <span class="application"><strong>SuperCollider</strong></span> will allow you to use either approach, or a mix of both, when solving problems.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.3. Object-Oriented SuperCollider</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Object-Oriented_Programming.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.3.3. Object-Oriented Programming</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.3.3. Object-Oriented Programming</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented.html" title="11.3.3. Object-Oriented SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Functional_Programming.html" title="11.3.3.2. Functional Programming" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Choosing_a_Paradigm.html" title="11.3.3.4. Choosing a Paradigm" /></head><bod
y class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Functional_Programming.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Choosing_a_Paradigm.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.3.3. Object-Oriented Programming" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Object-Orien
ted_Programming"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Object-Oriented_Programming">11.3.3.3. Object-Oriented Programming</h4></div></div></div><div class="para">
+ Object-oriented programming is more difficult to think about than imperative or functional. When using this paradigm (mode of thought), almost everything in <span class="application"><strong>SuperCollider</strong></span> is thought of as an abstract Object. In this way, it allows programmers to make compelling comparisons to the real world, where all tangible things are objects, and where it is not hard to conceive of most intangible things as objects, too. With object-oriented programming, computer science takes a break from mathematics, and is influenced by philosophy.
+ </div><div class="para">
+ Class names always begin with an uppercase letter.
+ </div><div class="para">
+ Anything can be represented as an Object - like a bicycle, for instance. Let's pretend that we have an Object called a Bicycle. We don't yet have a particular bicycle - just the abstract <em class="firstterm">class</em> containing everything that is true about all bicycles. If a Bicycle class exists in <span class="application"><strong>SuperCollider</strong></span>, you generate a specific instance like this: <code class="code">var bike = Bicycle.new;</code> All <span class="application"><strong>SuperCollider</strong></span> Objects can be <em class="firstterm">instantiated</em> in this way: you get a specific Bicycle from the generic class, and you can then modify and work with your own Object as you choose. The specific properties associated with a particular instance of a class are called <em class="firstterm">instance variables</em>.
+ </div><div class="para">
+ There are certain things that Bicycles are designed to do: turn the wheels, turn the handlebar, raise and lower the seat, and so on. You can cause these things to happen by providing a certain input to a real-world Bicycle: if you want to turn the wheels, you might push the pedals. In <span class="application"><strong>SuperCollider</strong></span>, you cause things to happen by <em class="firstterm">sending a message</em> to the Object that tells it what you want: if you have a Bicycle, you might turn the wheels like this: <code class="code">bike.turnTheWheels;</code> When you do this, you actually execute the <code class="function">turnTheWheels</code> function, which is defined by the abstract Bicycle class. Because it doesn't make sense to turn the wheels of all bicycles in existence, you don't call the <em class="firstterm">method</em> (a synonym for "Function") from the Bicycle class itself, but from the particular instance whose wheels you want to turn. The proper
way to access instance variables is by using instance methods.
+ </div><div class="para">
+ If this kind of programming is new to you, it might seem extremely difficult. It can be intimidating at first, but it is actually not too difficult to understand once you start to use it. In fact, you have already been using it! Remember the <code class="function">postln</code> command that was described earlier as a special kind of Function? It's actually a Function defined by <span class="application"><strong>SuperCollider</strong></span>'s abstract class <code class="classname">Object</code>, which defines a set of messages that can be passed to <span class="emphasis"><em>any</em></span> <span class="application"><strong>SuperCollider</strong></span> object. Because most things in <span class="application"><strong>SuperCollider</strong></span> are objects, we can send them the <code class="function">postln</code> message, and they will understand that it means to print themselves in the "<span class="application"><strong>SuperCollider</strong></span> output" pane.
+ </div><div class="para">
+ Why is it that all Objects respond to the <code class="function">postln</code> message? <span class="application"><strong>SuperCollider</strong></span> classes are allowed to belong to other <span class="application"><strong>SuperCollider</strong></span> classes, of which they are a part. Consider the Bicycle class again. It is a kind of vehicle, and philosophers might say that "things that are members of the bicycle class are also members of the vehicle class." That is, real-world bicycles share certain characteristics with other real-world objects that are classified as "vehicles." The bicycle class is a "sub-class" of the vehicle class, and it <em class="firstterm">inherits</em> certain properties from the vehicles class. <span class="application"><strong>SuperCollider</strong></span> allows this behaviour too, and calls it <em class="firstterm">inheritance</em>. In <span class="application"><strong>SuperCollider</strong></span>, since all classes define Objects, the
y are all automatically considered to be a sub-class of the class called <code class="classname">Object</code>. All classes therefore inherit certain characteristics from the <code class="classname">Object</code> class, like knowing how to respond to the <code class="function">postln</code> message.
+ </div><div class="para">
+ equivalent notation: <code class="literal">5.postln</code> versus <code class="literal">postln( 5 )</code>
+ </div><div class="para">
+ You still don't know how to write new Classes and Objects in <span class="application"><strong>SuperCollider</strong></span>, but knowing how to use them is more than enough for now. By the time you need to write your own Classes, you will probably prefer to use the official <span class="application"><strong>SuperCollider</strong></span> help files, anyway.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Functional_Programming.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.3.2. Functional Programming</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Choosing_a_Paradigm.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.3.4. Choosing a Paradigm</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.3. Object-Oriented SuperCollider</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-.html" title="11.3.2.6. Variable Scope" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Functional_Programming.html" title="11.3.3.2. Functional Programming" /></head><body class="draft toc
_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Functional_Programming.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.3. Object-Oriented SuperCollider" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented"><div class="titlepage"><div><div keep-to
gether.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented">11.3.3. Object-Oriented <span class="application"><strong>SuperCollider</strong></span></h3></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> is difficult to describe precisely, because its syntax allows great flexibility. There are many different ways to accomplish the same task. Each one is subtly different, and gives you a different set of possibilities, but there is often no "best solution." One of the advantages to this is that it easily allows three "programming paradigms," although one is used much more often than the others.
+ </div><div class="section" title="11.3.3.1. Imperative Programming" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Imperative_Programming"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Imperative_Programming">11.3.3.1. Imperative Programming</h4></div></div></div><div class="para">
+ Imperative programming is easy to understand: it is simply a list of commands, like this:
+<pre class="programlisting">
+(
+ var a, b, c;
+
+ a = 12;
+ b = 25;
+ c = a + b;
+ a.postln;
+)
+</pre>
+ Declare the variables, set the variables, do a calculation, and print the result of the calculation. This is a simple example, and a simple model, but it is very difficult to escape completely. After all, humans think of large problems in terms of algorithms (the instructions needed to do something). Computers solve large problems, so being able to program them with a series of instructions makes sense.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.2.6. Variable Scope</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Functional_Programming.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.3.2. Functional Programming</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.12. Ordering and Other Synth Features</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Example.html" title="11.3.11.5. Using Busses: Audio-Rate Example" /><link rel="next" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Changing_the_Order.html" title="11.3.12.2. Changing the Order
" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Example.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Changing_the_Order.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.12. Ordering and Other Synth Features" id="sect-Musicians_Guide-SC-Basic_Programming-Orderin
g_and_Other_Features"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features">11.3.12. Ordering and Other Synth Features</h3></div></div></div><div class="para">
+ This section discusses the important topic of creating and enforcing an "order" on the server. Because this is done with Functions (or methods) from the Synth Class, other useful Functions from the Class are discussed here.
+ </div><div class="section" title="11.3.12.1. Ordering" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Ordering"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Ordering">11.3.12.1. Ordering</h4></div></div></div><div class="para">
+ Ordering is instructing the server to calculate in a particular order. The audio synthesized by the server takes the same form as any other digital audio: a series of samples are played at a particular speed (called sample rate), each with a set number of bits per sample (called sample format). For each sample, the server calculates the signal at that point in a pre-determined order. Each sample is calculated from scratch, so if a particular UGen depends on the output of another UGen, the other one had better be calculated first. For more information on samples, sample rate, and sample format, see <a class="xref" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html" title="1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート">「サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレートã€</a>.
+ </div><div class="para">
+ Consider the following example:
+<pre class="programlisting">{ SinOsc.ar( freq:SinOsc.kr( freq:1, add:500, mul:10 ), mul:0.2 ); }.play;</pre>
+ What happens if the server calculates the audio-rate UGen first? It wouldn't have a frequency. This is another one of those things which the interpreter takes care of automatically when we run Function rather than create a Synth. Since it's often preferable to use a synth instead of a Function, we need some way to control the order of execution. The interpreter and the server are only so good at guessing what we need, after all.
+ </div><div class="para">
+ There are two methods in the <code class="classname">Synth</code> Class that we can use to inform the server about our desired order of execution: "before" and "after". They represent a small extension to the "new" method, and they work like this: <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">Synth.before</b>(</code><var class="pdparam">variableHoldingSynth</var>, <var class="pdparam">nameOfSynthDef</var>, <var class="pdparam">ListOfArguments</var><code>)</code>;</p></div> and <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">Synth.after</b>(</code><var class="pdparam">variableHoldingSynth</var>, <var class="pdparam">nameOfSynthDef</var>, <var class="pdparam">ListOfArguments</var><code>)</code>;</p></div> And it works just as it looks, too: the server creates a new synth, adds it before or after the synth represented by "variableHoldingSynth" (depending on which Function you use), and uses "nameOfSynthDef" and "ListOfArguments" j
ust as in the "add" method. This example, from <a class="xref" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example.html" title="11.3.11.4. Using Busses: Control-Rate Example">「Using Busses: Control-Rate Exampleã€</a>, uses the "after" Function to ensure that the control-rate synth is calculated before the audio-rate synths that depend on it.
+<pre class="programlisting">
+( // execute first: prepare the server
+ var busAudioSynth =
+ {
+ arg bus, freqOffset = 0;
+
+ Out.ar( 0, SinOsc.ar( freq:( In.kr(bus) + freqOffset ), mul:0.1 ) );
+ };
+
+ var busControlSynth =
+ {
+ arg bus, freq = 400;
+
+ Out.kr( bus, SinOsc.kr( freq:1, mul:( freq/40 ), add:freq ) );
+ };
+
+ SynthDef( \tutorialAudioBus, busAudioSynth ).send( s );
+ SynthDef( \tutorialControlBus, busControlSynth ).send( s );
+
+ b = Bus.control( s );
+)
+
+( // execute second: create synths
+ x = Synth.new( \tutorialControlBus, [\bus, b] ); // control synth
+ y = Synth.after( x, \tutorialAudioBus, [\bus, b] ); // low audio synth
+ z = Synth.after( x, \tutorialAudioBus, [\bus, b, \freqOffset, 200] ); // high audio synth
+)
+
+( // commands to free each Object
+ x.free; x = nil; // control synth
+ y.free; y = nil; // low audio synth
+ z.free; z = nil; // high audio synth
+ b.free; b = nil; // control bus
+)
+</pre>
+ In this case, the control-rate synth is created before the audio-rate synths - probably the easier way to think about it. Even so, it's possible to add them in the opposite order with a little extra thought.
+ </div><div class="para">
+ The other example from <a class="xref" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html" title="11.3.11. Busses">「Bussesã€</a> use the "before" Function to ensure that the "pink noise" and "sine wave" UGen's were calculated before the "reverberation" UGen. Especially since these are all audio-rate UGen's, the server would not reasonably know which to calculate first, so you need to let it know.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Example.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.11.5. Using Busses: Audio-Rate Example</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Changing_the_Order.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.12.2. Changing the Order</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.7.5. Other Loops</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html" title="11.3.7. Repeated Execution" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-While.html" title="11.3.7.4. "Do This While"" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html" title="11.3.8. Conditional Execution" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe i
d="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-While.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.7.5. Other Loops" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Re
peating-">11.3.7.5. Other Loops</h4></div></div></div><div class="para">
+ The default language provides two other loop structures, both of which are designed to iterate over a series of integer values: "for" loops and "forBy" loops. Their use is more limited than "do" loops. They are explained in the <span class="application"><strong>SuperCollider</strong></span> documentation.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-While.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.7.4. "Do This While"</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.8. Conditional Execution</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Repeating-Do_Examples.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Repeating-Do_Examples.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.7.3. Example "Do" Loops</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html" title="11.3.7. Repeated Execution" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Number_Do.html" title="11.3.7.2. "Do This, This Many Times"" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-While.html" title="11.3.7.4. "Do This While"" /></head><body class="draft toc_embeded "><div id="tocdiv"
class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Number_Do.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-While.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.7.3. Example "Do" Loops" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Do_Examples"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title"
id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Do_Examples">11.3.7.3. Example "Do" Loops</h4></div></div></div><div class="para">
+ These examples illustrate different ways to use "do" loops for trivial tasks.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+ tL = [27, 46, 102, 81, 34, 0, 39, 26, 203, 62];
+
+ do( tL, { arg item, rep; [rep, item].postln; }; );
+
+ nil;
+)
+</pre>
+ This example is of the first syntax shown. For each element in <code class="literal">tL</code>, the interpreter executes the function once, giving it <span class="emphasis"><em>first</em></span> the corresponding element of the Collection, and <span class="emphasis"><em>then</em></span> the iteration counter, which happens to be equal to the element's List index number.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+ var myFunc =
+ {
+ arg item;
+ item.postln;
+ };
+
+ tL = [27, 46, 102, 81, 34, 0, 39, 26, 203, 62];
+
+ tL.do( myFunc; );
+
+ nil;
+)
+</pre>
+ This example does several things differently, but maintains the same basic functionality as the previous example. In this case, the Function only uses the first argument that the interpreter provides, and completely ignores the iteration counter. The syntax here also puts the Collection outside the parentheses, which perhaps makes it more clear that <code class="literal">tL</code> is not part of the function.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ 10.do( { "repeat".postln; }; );
+
+ nil;
+)
+</pre>
+ This example simply prints the string "repeat" ten times. If the Function accepted one argument, it would receive the integers zero through nine. If it accepted two arguments, both of the arguments would be equal.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Number_Do.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.7.2. "Do This, This Many Times"</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-While.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.7.4. "Do This While"</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Repeating-Number_Do.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Repeating-Number_Do.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.7.2. "Do This, This Many Times"</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html" title="11.3.7. Repeated Execution" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html" title="11.3.7. Repeated Execution" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Do_Examples.html" title="11.3.7.3. Example "Do" Loops" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc">
<iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Do_Examples.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.7.2. "Do This, This Many Times"" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Number_Do"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Mu
sicians_Guide-SC-Basic_Programming-Repeating-Number_Do">11.3.7.2. "Do This, This Many Times"</h4></div></div></div><div class="para">
+ Another way to write a "do" loop takes advantage of <span class="application"><strong>SuperCollider</strong></span>'s flexibility, and is really the same as one of the methods above. It's basically equivalent to telling the interpreter to "run this Function this many times." The syntax looks like this, <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">aNumber.do</b>(</code>aFunction<code>(</code>number<code>)</code><code>)</code>;</p></div> This causes <code class="function">aFunction</code> to be execute <em class="replaceable"><code>aNumber</code></em> times. The interpreter still provdies two arguments to <code class="function">aFunction</code>, but they are the same: it is the integers from zero to one less than <em class="replaceable"><code>aNumber</code></em>. You might also think of it as the number of times that <code class="function">aFunction</code> has been executed prior to this particular execution.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.7. Repeated Execution</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Do_Examples.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.7.3. Example "Do" Loops</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Repeating-While.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Repeating-While.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.7.4. "Do This While"</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html" title="11.3.7. Repeated Execution" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Do_Examples.html" title="11.3.7.3. Example "Do" Loops" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-.html" title="11.3.7.5. Other Loops" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="toc
frame" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Do_Examples.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.7.4. "Do This While"" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-While"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Progra
mming-Repeating-While">11.3.7.4. "Do This While"</h4></div></div></div><div class="para">
+ "While" loops execute continuously while their "test condition" is evaluated to be "true". Upon reaching the loop, the <span class="application"><strong>SuperCollider</strong></span> interpreter executes the test condition. If it is "fale", the interpreter does not execute the loop, and continues with the code after the loop. If it is "true", the interpreter executes the code in the loop once, then re-executes the test condition. If the test condition is "true", the loop is executed, the test condition re-executed, and so on. Until the test condition returns "false", the interpreter will never leave the loop.
+ </div><div class="para">
+ Here is the format of a "while" loop in <span class="application"><strong>SuperCollider</strong></span>: <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">while</b>(</code>boolean testFunction<code>(</code>number<code>)</code>, bodyFunction<code>(</code>number<code>)</code><code>)</code>;</p></div> or like this: <div class="funcsynopsis"><p><code class="funcdef">testFunction.<b class="fsfunc">while</b>(</code>bodyFunction<code>(</code>number<code>)</code><code>)</code>;</p></div> The test condition, called <code class="function">testFunc</code>, is a function which returns a boolean value - either <code class="literal">true</code> or <code class="literal">false</code>. The loop's body, called <code class="function">bodyFunc</code>, is a function which can do anything. The loop body function is not provided any arguments by the interpreter. You will have to use comparison operators and boolean expressions when writing the Function for the test condition
. For information on how these work in <span class="application"><strong>SuperCollider</strong></span>, see <a class="xref" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html#sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Operators" title="11.3.8.1. Boolean Operators">「Boolean Operatorsã€</a> and <a class="xref" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html" title="11.3.8.2. Boolean Expressions">「Boolean Expressionsã€</a>.
+ </div><div class="para">
+ The following three code blocks are equivalent:
+<pre class="programlisting">
+(
+ 10.do( { "repeat".postln; }; );
+)
+</pre>
+ and
+<pre class="programlisting">
+(
+ var counter = 0;
+ while( { counter < 10; }, { "repeat".postln; counter = counter + 1; } );
+)
+</pre>
+ and
+<pre class="programlisting">
+(
+ var counter = 0;
+ { counter < 10; }.while( { "repeat".postln; counter = counter + 1; } );
+)
+</pre>
+ You can see how it's easier to write this particular activity as a "do" loop. It's often the case that a "do" loop better reflects what you want to do, but not always.
+ </div><div class="para">
+ Contemplate a situation where you are waiting for the user to input some information, which you're going to use to calculate the rest of the composition. The following example isn't real code. It's intended to simplify a complex situation, so you can see where a "while" loop makes more sense than a "do" loop.
+<pre class="programlisting">
+play( some background music );
+while( { is the user still inputting information? }, { keep playing music } );
+stop( some background music );
+</pre>
+ The background music is begun, and then the interpreter would enter the loop. For as long as the user is still inputting information, the interpreter will then "keep playing music." When the user is not still inputting information, the interpreter will move on to the next command, which stops the music. An equivalent "do" loop would be very difficult to write, if not impossible. This is because we won't know when the user has finished inputting their information until <span class="emphasis"><em>after</em></span> they've finished, so we can't plan in advance for how long to play background music.
+ </div><div class="para">
+ Thus, the most appropriate use of a "while" loop is for cases where you cannot know in advance how many times something should be executed. For most other cases of repeated execution, a "do" loop is the most appropriate choice.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Do_Examples.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.7.3. Example "Do" Loops</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.7.5. Other Loops</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Repeating.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Repeating.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.7. Repeated Execution</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-Other_Collections.html" title="11.3.6.4. Other Collections" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Number_Do.html" title="11.3.7.2. "Do This, This Many Times"" /></head><body class="draft toc_embeded
"><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-Other_Collections.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Number_Do.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.7. Repeated Execution" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class
="title" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating">11.3.7. Repeated Execution</h3></div></div></div><div class="para">
+ Repeating boring tasks is one of the main uses of computers, which don't mind doing the same thing over and over again. More importantly, writing code once and using it many times is much more intelligent than writing the same code many times. Repetition of the same code is often problematic, and repetition with subtle differences is even worse. Errors in this kind of code are difficult to find in the first place, and more difficult to solve effectively. Thankfully, as with most other things, <span class="application"><strong>SuperCollider</strong></span> offers a wide variety of ways to repeat code without re-writing it.
+ </div><div class="para">
+ The code structure used to create repetition is normally called a <em class="firstterm">loop</em>. "Do" loops are <span class="application"><strong>SuperCollider</strong></span>'s most versatile and useful repetition structure, and there are a few different ways to think about and write it. The "while" loop is a standard of most programming languages.
+ </div><div class="section" title="11.3.7.1. "Do This to Everything in This Collection"" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Simple_Do"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Simple_Do">11.3.7.1. "Do This to Everything in This Collection"</h4></div></div></div><div class="para">
+ One way to write a "do" loop is basically the same as telling the interpreter to "do this Function to every element in this Collection." The syntax looks like this: <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">do</b>(</code><var class="pdparam">aCollection</var>, aFunction<code>(</code>number, number<code>)</code><code>)</code>;</p></div> ... or like this: <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">aCollection.do</b>(</code>aFunction<code>(</code>number, number<code>)</code><code>)</code>;</p></div> This causes <code class="function">aFunction</code> to be executed once for each element in <em class="replaceable"><code>aCollection</code></em>, which can be any kind of Collection. Each time <code class="function">aFunction</code> is run, it is given two arguments, in this order: an element of <em class="replaceable"><code>aCollection</code></em>, and the elements index number. For Collection's that don't have index numbers
, it returns what the element's index number would have been. The loop always begins at the start of the Collection, and progresses with each element in order to the end. The second argument, really, is the integers from zero to one less than the number of elements in the Collection, increasing by one each time the loop executes <code class="function">aFunction</code>.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-Other_Collections.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.6.4. Other Collections</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Number_Do.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.7.2. "Do This, This Many Times"</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Default_Clocks.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Default_Clocks.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.13.2. Default Clocks</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling.html" title="11.3.13. Scheduling" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling.html" title="11.3.13. Scheduling" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Finding_the_Current_Time.html" title="11.3.13.3. Finding the Current Time" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="
tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Finding_the_Current_Time.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.13.2. Default Clocks" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Default_Clocks"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guid
e-SC-Basic_Programming-Scheduling-Default_Clocks">11.3.13.2. Default Clocks</h4></div></div></div><div class="para">
+ The <span class="application"><strong>SuperCollider</strong></span> interpreter provides two default clocks, and one default pseudo-clock.
+ </div><div class="para">
+ The <code class="classname">SystemClock</code> always operates in seconds, and it can be used to schedule musical events, but usually this isn't necessary.
+ </div><div class="para">
+ The <code class="code">TempoClock.default</code> runs at 60 beats-per-minute by default (equal to one beat per second). Since it's accessible from anywhere within a program, any tempo changes will have an effect on the scheduling of the entire program - so be careful! If you don't want something to be effected by tempo changes, you can create a new TempoClock just for that part of the program. If you will be using this clock frequently, you can assign it to a variable like this:
+<pre class="programlisting">var t = TempoClock.default;</pre>
+
+ </div><div class="para">
+ The <code class="code">thisThread.clock</code> is not really a clock in itself, but refers to the clock which is responsible for scheduling the part of the program where the command is written. It can be a little bit tricky working with this clock, since it may be either the SystemClock or a TempoClock.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.13. Scheduling</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Finding_the_Current_Time.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.13.3. Finding the Current Time</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Finding_the_Current_Time.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Finding_the_Current_Time.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.13.3. Finding the Current Time</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling.html" title="11.3.13. Scheduling" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Default_Clocks.html" title="11.3.13.2. Default Clocks" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Relative_Scheduling.html" title="11.3.13.4. Relative Scheduling" /></head><body class="draft toc_embeded "><div id="tocdiv" cla
ss="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Default_Clocks.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Relative_Scheduling.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.13.3. Finding the Current Time" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Finding_the_Current_Time"><div class="titlepage"><div><div keep-together.within-column
="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Finding_the_Current_Time">11.3.13.3. Finding the Current Time</h4></div></div></div><div class="para">
+ Using the "beats" method on a clock will return that clock's current time. Try running each of the following:
+<pre class="programlisting">
+SystemClock.beats;
+TempoClock.default.beats;
+thisThread.clock.beats;
+</pre>
+
+ </div><div class="para">
+ This can be useful for scheduling events in an absolute way, or for a number of other things.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Default_Clocks.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.13.2. Default Clocks</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Relative_Scheduling.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.13.4. Relative Scheduling</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Relative_Scheduling.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Relative_Scheduling.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.13.4. Relative Scheduling</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling.html" title="11.3.13. Scheduling" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Finding_the_Current_Time.html" title="11.3.13.3. Finding the Current Time" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Repeated_Scheduling.html" title="11.3.13.5. Repeated Scheduling" /></head><body class="draft toc_embeded "><div
id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Finding_the_Current_Time.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Repeated_Scheduling.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.13.4. Relative Scheduling" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Relative_Scheduling"><div class="titlepage"><div><div keep-togethe
r.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Relative_Scheduling">11.3.13.4. Relative Scheduling</h4></div></div></div><div class="para">
+ The standard way to schedule things is in a certain number of beats from now. If you're scheduling on a SystemClock, one beat is equal to one second. If you're scheduling on a TempoClock, one beat is equal to whatever the current setting is.
+ </div><div class="para">
+ To schedule things on a clock, use the "sched" Function: <div class="funcsynopsis"><p><code class="funcdef">nameOfClock<b class="fsfunc">sched</b>(</code><var class="pdparam">beatsFromNow</var>, <var class="pdparam">FunctionToExecute</var><code>)</code>;</p></div> The interpreter will let you schedule just about anything, but there's no point in scheduling something other than a Function: scheduling a five won't have any effect - try it!
+<pre class="programlisting">SystemClock.sched( 5, 5 );</pre>
+ It looks like nothing happens. The <code class="literal">5</code> does happen, but... well... it doesn't do anything. Scheduling a Function <span class="emphasis"><em>will</em></span> do something:
+<pre class="programlisting">SystemClock.sched( 5, { 5.postln; } );</pre>
+ When you run this, there are two things to notice:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The interpreter prints out "SystemClock" first. This is to let you know that it did the scheduling as requested.
+ </div></li><li class="listitem"><div class="para">
+ The five prints out endlessly, in five-second intervals. For an explanation, see "Repeated Scheduling"
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Finding_the_Current_Time.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.13.3. Finding the Current Time</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Repeated_Scheduling.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.13.5. Repeated Scheduling</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Repeated_Scheduling.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Repeated_Scheduling.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.13.5. Repeated Scheduling</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling.html" title="11.3.13. Scheduling" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Relative_Scheduling.html" title="11.3.13.4. Relative Scheduling" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-TempoClock_Class.html" title="11.3.13.6. Working with the TempoClock Class" /></head><body class="draft toc_embeded "><div
id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Relative_Scheduling.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-TempoClock_Class.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.13.5. Repeated Scheduling" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Repeated_Scheduling"><div class="titlepage"><div><div keep-together.withi
n-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Repeated_Scheduling">11.3.13.5. Repeated Scheduling</h4></div></div></div><div class="para">
+ If you schedule a Function that returns a number, the interpreter will schedule the Function to re-run in that many beats.
+ </div><div class="para">
+ This will print "5" every five seconds, until you press [Esc] to stop execution.
+<pre class="programlisting">SystemClock.sched( 5, { 5.postln; } );</pre>
+
+ </div><div class="para">
+ To avoid this, you can end your Function with <code class="literal">nil</code>, which has been done sometimes through this guide.
+<pre class="programlisting">SystemClock.sched( 5, { 5.postln; nil; } );</pre>
+ This will print <code class="literal">5</code> in five seconds, and then stop.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Relative_Scheduling.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.13.4. Relative Scheduling</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-TempoClock_Class.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.13.6. Working with the TempoClock Class</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Scheduling-TempoClock_Class.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Scheduling-TempoClock_Class.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.13.6. Working with the TempoClock Class</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling.html" title="11.3.13. Scheduling" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Repeated_Scheduling.html" title="11.3.13.5. Repeated Scheduling" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html" title="11.3.14. How to Get Help" /></head><body class="draft toc_embeded "><div id="tocdiv" class="t
oc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Repeated_Scheduling.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.13.6. Working with the TempoClock Class" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-TempoClock_Class"><div class="titlepage"><div><div keep-together.within-column="always"><h4 cla
ss="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-TempoClock_Class">11.3.13.6. Working with the TempoClock Class</h4></div></div></div><div class="para">
+ Here is a brief explanation of some Functions available with the TempoClock Class. Throughout this section, the variable "t" is used to represent any particular TempoClock.
+ </div><div class="para">
+
+<pre class="programlisting">var t = TempoClock.new( tempo, beats );</pre>
+ This creates a new TempoClock. The arguments are optional, and have the following meanings:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ tempo: tempo of the clock, given in beats per second. To input a value in beats-per-minute, divide it by 60. Defaults to 60 beats per minute, or one per second.
+ </div></li><li class="listitem"><div class="para">
+ beats: starts the clock at this time. Default is zero.
+ </div></li></ul></div>
+
+ </div><div class="para">
+
+<pre class="programlisting">
+t.stop;
+t = nil;
+</pre>
+ Equivalent to the "free" method for a Synth of Bus Object. This stops the clock, discards all scheduled events, and releases the resources used to run the clock. Setting the variable to "nil" afterwards is optional, but recommended, to avoid later programming mistakes.
+ </div><div class="para">
+
+<pre class="programlisting"><em class="replaceable"><code>t</code></em>.clear;</pre>
+ Discards all scheduled events, but keeps the clock running.
+ </div><div class="para">
+
+<pre class="programlisting"><em class="replaceable"><code>t</code></em>.tempo;</pre>
+ Returns the current tempo in beats-per-second.
+ </div><div class="para">
+
+<pre class="programlisting"><em class="replaceable"><code>t</code></em>.tempo_( <em class="replaceable"><code>newTempo</code></em> );</pre>
+ Allows you to change the clock's tempo. The new tempo should be in beats-per-second. To input a tempo in beats-per-minute, divide the value by 60.
+ </div><div class="para">
+
+<pre class="programlisting"><em class="replaceable"><code>t</code></em>.play( <em class="replaceable"><code>aFunction</code></em> );</pre>
+ Schedules the Function to begin execution on the next beat.
+ </div><div class="para">
+ There are many other Functions in the TempoClock Class, related to absolute scheduling, scheduling with bars, and conversion of beats to and from seconds.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Repeated_Scheduling.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.13.5. Repeated Scheduling</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.14. How to Get Help</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.13. Scheduling</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Pausing_and_Restarting_a_Synth.html" title="11.3.12.4. Pausing and Restarting a Synth" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Default_Clocks.html" title="11.3.13.2. Default Clocks" /></head><body clas
s="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Pausing_and_Restarting_a_Synth.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Default_Clocks.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.13. Scheduling" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling"><div class="titlepage"><div><di
v keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling">11.3.13. Scheduling</h3></div></div></div><div class="para">
+ The practice of scheduling allows you to making things happen in a pre-determined amount of time. Scheduling is very different from ordering: ordering is a primarily technical consideration to ensure that the server synthesizes the sound in the right order; scheduling is a primarily musical consideration that allows you to control the perceived time that things happen.
+ </div><div class="section" title="11.3.13.1. Clocks" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Clocks"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Clocks">11.3.13.1. Clocks</h4></div></div></div><div class="para">
+ SuperCollider's clocks have two main functions: they know what time it is, and they know what time things are supposed to happen.
+ </div><div class="para">
+ There are three types of clocks, which each do slightly different things:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ TempoClock: These clocks are aware of metre (time signature) changes, and have an adjustable tempo. They are to be used for scheduling musical events, and they run with a high priority.
+ </div></li><li class="listitem"><div class="para">
+ SystemClock: This clock always runs in seconds. It can be used to schedule musical events, since it runs with a high priority. There is only one SystemClock.
+ </div></li><li class="listitem"><div class="para">
+ AppClock: These clocks always run in seconds. They are to be used for graphic events and other non-musical things not discussed in this guide. These clocks do not run with a high priority, so they can be temporarily "side-lined" by a TempoClock or the SystemClock, if one of those has something to do urgently.
+ </div></li></ul></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Pausing_and_Restarting_a_Synth.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.12.4. Pausing and Restarting a Synth</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Default_Clocks.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.13.2. Default Clocks</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.4.2. The "play" Function</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions.html" title="11.3.4. Sound-Making Functions" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions.html" title="11.3.4. Sound-Making Functions" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio.html" title="11.3.5. Multichannel Audio" /></head><body class="draft toc_embeded "><div id="tocdiv"
class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.4.2. The "play" Function" id="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-The_play_Function"><div class="titlepage"><div><div keep-together.within-column="a
lways"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-The_play_Function">11.3.4.2. The "play" Function</h4></div></div></div><div class="para">
+ The <code class="function">play</code> function does exactly what it says: it plays its input. The input must be a function with an audio-rate signal generator as the return value.
+ </div><div class="para">
+ The following two examples produce the same output:
+<pre class="programlisting">{ SinOsc.ar( 440, 0, 0.2 ); }.play;</pre>
+
+<pre class="programlisting">play( { SinOsc.ar( 440, 0, 0.2 ); } );</pre>
+ The first example is written from an object-oriented perspective. Functions know how to play their return value, when passed the <code class="function">play</code> message. This is true of all Functions whose return value is an audio-rate UGen. The second example is written from a functional perspective. The Function called <code class="function">play</code> will play its input, which must be a Function whose return value is an audio-rate UGen. Whether you should write <code class="function">play</code> in the functional or object-oriented way depends on which makes more sense to you.
+ </div><div class="para">
+ Try to re-write the above example so that the <code class="function">play</code> function operates on a variable-defined Function.
+ </div><div class="para">
+ The arguments to <code class="classname">SinOsc</code>, whether the audio- or control-rate generator, are these:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The first is called <code class="literal">freq</code>; it sets the frequency.
+ </div></li><li class="listitem"><div class="para">
+ The second is called <code class="literal">add</code>; it is added to all values produced by the UGen.
+ </div></li><li class="listitem"><div class="para">
+ The third is called <code class="literal">mul</code>; all values produced by the UGen are multiplied by this.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ You now know enough to spend hours with the sine oscillator UGen. Try combining audio- and control-rate UGens, and try to figure out what happens when each of the arguments is adjusted. Be careful that your audio interface's volume isn't set too high! Experiment with this one:
+<pre class="programlisting">
+(
+ var myFrequency = SinOsc.kr( freq:1, mul:200, add:400 );
+ var sound = { SinOsc.ar( myFrequency, 0, 0.2 ); };
+
+ play( sound );
+)
+</pre>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.4. Sound-Making Functions</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.5. Multichannel Audio</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.4. Sound-Making Functions</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Choosing_a_Paradigm.html" title="11.3.3.4. Choosing a Paradigm" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-The_play_Function.html" title="11.3.4.2. The "play" Function" /></head><bod
y class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Choosing_a_Paradigm.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-The_play_Function.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.4. Sound-Making Functions" id="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions"><div clas
s="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions">11.3.4. Sound-Making Functions</h3></div></div></div><div class="para">
+ It's finally time to start thinking about Functions that produce sound!
+ </div><div class="para">
+ This example is discussed below in the following sections. Remember, when running <span class="application"><strong>SuperCollider</strong></span> code in <span class="application"><strong>GEdit</strong></span>, you can stop the sound by pressing <span class="keycap"><strong>Esc</strong></span>
+<pre class="programlisting">{ SinOsc.ar( 440, 0, 0.2 ); }.play;</pre>
+
+ </div><div class="section" title="11.3.4.1. UGens" id="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-UGens"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-UGens">11.3.4.1. UGens</h4></div></div></div><div class="para">
+ "UGen" stands for "unit generator." UGens are special Objects that generate either an audio or a control signal.
+ </div><div class="para">
+ The UGen that will be used for most of the experimentation in this Guide, and which was primarily used to generate the "Method One" program that goes with this Guide, is called <code class="classname">SinOsc</code>, which generates a sine wave. The class' name, <code class="classname">SinOsc</code> means "sine oscillator."
+ </div><div class="para">
+ The example at the beginning of this chapter, <code class="code">SinOsc.ar( 440, 0, 0.2 );</code> produces an "instance" of the <code class="classname">SinOsc</code> class, which continuously outputs a signal, based on the parameters given in parentheses. This instance produces an "audio rate" signal, which means that it is of sufficient quality to eventually become sound.
+ </div><div class="para">
+ A slightly modified version of that code will give us a "control rate" signal: <code class="code">SinOsc.kr( 440, 0, 0.2 );</code> There is only one small difference between the two examples - for us - but for <span class="application"><strong>SuperCollider</strong></span>, the difference is huge. A control rate signal will not be of sufficient quality to become sound; it is used to control other UGens that do become sound.
+ </div><div class="para">
+ Unlike other Classes, UGen Classes should not be instantiated with the <code class="function">new</code> message. They should always be instantiated as either audio-rate (by passing the <code class="function">ar</code> message), or control-rate (by passing the <code class="function">kr</code> message). Control-rate signals are calculated much less often than audio-rate signals, which allows the <span class="application"><strong>SuperCollider</strong></span> interpreter and server to save processing power where it wouldn't be noticed.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Choosing_a_Paradigm.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.3.4. Choosing a Paradigm</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-The_play_Function.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.4.2. The "play" Function</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Creating_Change_Anyway.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Creating_Change_Anyway.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.10.7. Creating Change Anyway</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html" title="11.3.10. SynthDef and Synth" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Shortcomings_of_a_SynthDef.html" title="11.3.10.6. Shortcomings of a SynthDef" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_with_Arguments.html" title="11.3.10.8. SynthDef with Arguments"
/></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Shortcomings_of_a_SynthDef.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_with_Arguments.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.10.7. Creating Change Anyway" id="sect-Musicians_Guide-SC-Basic_Programming-Synth
Def_and_Synth-Creating_Change_Anyway"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Creating_Change_Anyway">11.3.10.7. Creating Change Anyway</h4></div></div></div><div class="para">
+ The way to create change and pseudo-randomness anyway is to incorporate another UGen to do it for you. Remember: when you send synthesis information to the server, that information can't change unless you replace it. This doesn't mean that the output produced by the synth can't change!
+ </div><div class="para">
+ The way to do this is with control-rate UGen's. The following example uses a control-rate SinOsc to set the frequency of an audio-rate SinOsc.
+<pre class="programlisting">
+(
+ var myRandFunc =
+ {
+ var frequency = SinOsc.kr( freq:0.5, add:660, mul:220 ); // oscillates between 440 and 880, hitting each extreme every 2 seconds
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.2 ) );
+ };
+
+ SynthDef.new( \myRandFunc, myRandFunc ).send( s );
+
+ Synth.new( \myRandFunc );
+)
+</pre>
+ When you use a UGen as a control-rate UGen, you have to think about its arguments quite differently than when using it as an audio-rate UGen. This table shows how the same argument gives a different result for an audio-rate vs. control-rate UGen used for pitch:
+ <div class="table" title="表11.4 Parameters in Audio-Rate and Control-Rate SinOsc UGens"><div class="table-contents"><table summary="Parameters in Audio-Rate and Control-Rate SinOsc UGens" border="1"><colgroup><col align="center" width="33%" /><col align="center" width="33%" /><col align="center" width="33%" /></colgroup><thead><tr><th align="center">
+ Parameter
+ </th><th align="center">
+ In an audio-rate UGen...
+ </th><th align="center">
+ In a control-rate UGen...
+ </th></tr></thead><tbody><tr><td align="center">
+ freq
+ </td><td align="center">
+ controls the pitch
+ </td><td align="center">
+ controls the speed of oscillation
+ </td></tr><tr><td align="center">
+ add
+ </td><td align="center">
+ ??
+ </td><td align="center">
+ sets the middle point of the sine wave by adding this to the output
+ </td></tr><tr><td align="center">
+ mul
+ </td><td align="center">
+ controls volume level
+ </td><td align="center">
+ sets the deviation from "add"
+ </td></tr></tbody></table></div><h6>表11.4 Parameters in Audio-Rate and Control-Rate <code class="classname">SinOsc</code> UGens</h6></div><br class="table-break" />
+ For an audio-rate SinOsc UGen, you set the frequency and the volume level. For a control-rate UGen, you set the mid-point of oscillation with <code class="literal">add</code>, the extremes of oscillation which will be <code class="code">add - mul</code> and <code class="code">add + mul</code>, and the speed of oscillation with <code class="literal">freq</code>. The end result is very different numbers.
+ </div><div class="para">
+ There is a handy UGen designed specifically for replacing pseudo-randomness in Functions. The following example restores the "ten different pitches" to the example from the last section.
+<pre class="programlisting">
+(
+ var myRandFunc =
+ {
+ var frequency = Rand( 440, 880 ); // produces an integer between 440 and 880
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.025 ) );
+ };
+
+ SynthDef.new( \myRandFunc, myRandFunc ).send( s );
+
+ 10.do( { Synth.new( \myRandFunc ); } );
+)
+</pre>
+ If you run this multiple times, you will again hear ten different pitches. Depending on audio hardware, previous musical experience, and other factors, some people may have difficulty hearing that the pitches are different. Try reducing the number of synths created in the loop.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Shortcomings_of_a_SynthDef.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.10.6. Shortcomings of a SynthDef</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_with_Arguments.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.10.8. SynthDef with Arguments</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Load.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Load.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.10.3. Load</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html" title="11.3.10. SynthDef and Synth" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef.html" title="11.3.10.2. SynthDef" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols.html" title="11.3.10.4. Symbols" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="toc
frame" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.10.3. Load" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Load"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Ba
sic_Programming-SynthDef_and_Synth-Load">11.3.10.3. Load</h4></div></div></div><div class="para">
+ There is another way to send a SynthDef to the server: the "load" Function. The "send" Function sends the synthesis information to the server, which stores it in memory. When the server stops running, all synthesis information given with "send" is lost. The "load" Function, on the other hand, sends the synthesis information to the server, which stores it on disk and in memory. Every time the server is started, it loads all of the synthesis information previously sent to it with the "load" Function. The definition remains until you delete it specifically. This is most useful for a SynthDef that takes up a lot of memory, and which would use considerable network time to transfer to the server whenever the server is run. It is also useful to use the "load" Function instead of "send", when there are a lot of SynthDef's, regardless of the size of each one. The idea is the same: avoid sending the SynthDef in order to save time.
+ </div><div class="para">
+ The syntax and usage for "load" is the same as for "send".
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.10.2. SynthDef</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.10.4. Symbols</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Set_and_Free.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Set_and_Free.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.10.9. Things to Do with a SynthDef: Set and Free</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html" title="11.3.10. SynthDef and Synth" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_with_Arguments.html" title="11.3.10.8. SynthDef with Arguments" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html" title="11.3.11. Busses" /></head><body class="draft toc_embeded "
><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_with_Arguments.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.10.9. Things to Do with a SynthDef: Set and Free" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Set_and_Free"><div class="titlepage"><div><div
keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Set_and_Free">11.3.10.9. Things to Do with a SynthDef: Set and Free</h4></div></div></div><div class="para">
+ Once you send a synth definition to the server, and make some synths, you've collected a few Synth Objects, and you wonder what to do with them next. Of course, you could listen to them, but you can also change the arguments that you used, and stop it.
+ </div><div class="para">
+ To change the arguments used by a synth, send it the "set" message, with a list of arguments:
+<pre class="programlisting"><em class="replaceable"><code>variableHoldingSynth</code></em>.set( [<em class="replaceable"><code>\argument1</code></em>,<em class="replaceable"><code>value</code></em>,<em class="replaceable"><code>\argument2</code></em>,<em class="replaceable"><code>value</code></em>,...] );</pre>
+ This helps to save even more time and memory: rather than destroying and creating synths all the time, you can simply change pre-existing ones.
+ </div><div class="para">
+ This modification of the ten-pseudo-random-tones example includes an extra line that lets you change the tones without destroying and re-creating the synths.
+<pre class="programlisting">
+// run this first
+h = List.new;
+
+// run this second
+(
+ var myRandFunc =
+ {
+ arg frequency = 440;
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.025 ) );
+ };
+
+ SynthDef.new( \myRandFunc, myRandFunc ).send( s );
+)
+
+// run this third
+10.do( { h.add( Synth.new( \myRandFunc, [\frequency,(440.rand + 440)] ) ); } );
+
+// run this fourth, as many times as you please
+h.do( { arg item; item.set( \frequency, (440.rand + 440) ); } );
+</pre>
+ The reason that you have to run each of those segments separately is two-fold: we need to store the List of Synth's in a single-letter variable because, for this simple demonstration, this is the most efficient way; second, for the asynchronous behaviour of the server that was previously noted as causing an error.
+ </div><div class="para">
+ The only aspect of that example that's a little tricky to understand is the "do" loop. Remember that when you run a "do" loop on a List, the interpreter automatically loops over each of the elements in the List, running the Function that you provide. Each time the Function is run, it receives the current List item, and its index number in the List, in that order. So the Function in this loop simply uses "set" to change the "frequency" argument.
+ </div><div class="para">
+ Take special note that the arguments in this case are not identical to those given with the "new" message. Compare the two forms below:
+<pre class="programlisting">SynthDef.new( <em class="replaceable"><code>\SynthName</code></em>, [<em class="replaceable"><code>\parameter1</code></em>,<em class="replaceable"><code>value</code></em>,<em class="replaceable"><code>\parameter2</code></em>,<em class="replaceable"><code>value</code></em>] );</pre>
+ and
+<pre class="programlisting"><em class="replaceable"><code>existingSynth</code></em>.set( <em class="replaceable"><code>\parameter1</code></em>, <em class="replaceable"><code>value</code></em>, <em class="replaceable"><code>\parmeter2</code></em>, <em class="replaceable"><code>value</code></em> );</pre>
+
+ </div><div class="para">
+ To get rid of one synth without stopping all sound, send its corresponding Synth the "free" message:
+<pre class="programlisting"><em class="replaceable"><code>variableHoldingSynth</code></em>.free;</pre>
+ This stops the synth and frees the associated memory - on the server. Your Synth Object still exists in the interpreter, but you can't use it any more. A Synth Object represents a synth on the server; since you got rid of the synth on the server, the Synth Object represents something that doesn't exist. If you attempt to send the "free" message again, you'll get an error. For this reason, it's a good idea to get rid of the Synth Object at the same time:
+<pre class="programlisting">
+<replaceable>variableHoldingSynth</replaceable>.free;
+<replaceable>variableHoldingSynth</replaceable> = nil;
+</pre>
+ If you accidentally send "free" to an already-freed Synth, the interpreter will cause an error, and program execution will stop. If you accidentally send "free" to a variable set to "nil", nothing will happen. Proactively avoiding mistakes like this is good programming practice.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_with_Arguments.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.10.8. SynthDef with Arguments</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.11. Busses</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Shortcomings_of_a_SynthDef.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Shortcomings_of_a_SynthDef.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.10.6. Shortcomings of a SynthDef</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html" title="11.3.10. SynthDef and Synth" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_Becomes_Synth.html" title="11.3.10.5. SynthDef Becomes Synth" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Creating_Change_Anyway.html" title="11.3.10.7. Creating Change Anyway" /></he
ad><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_Becomes_Synth.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Creating_Change_Anyway.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.10.6. Shortcomings of a SynthDef" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and
_Synth-Shortcomings_of_a_SynthDef"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Shortcomings_of_a_SynthDef">11.3.10.6. Shortcomings of a SynthDef</h4></div></div></div><div class="para">
+ Consider the following program:
+<pre class="programlisting">
+(
+ var myRandFunc =
+ {
+ var frequency = 440.rand + 440; // produces an integer between 440 and 880
+ SinOsc.ar( freq:frequency, mul:0.025 );
+ };
+
+ 10.do( { myRandFunc.play; } );
+)
+</pre>
+ Execute the program a few times. The result will be different each time: ten different SinOsc's with ten different frequencies.
+ </div><div class="para">
+ What if we convert the program to use a SynthDef and multiple Synth's instead? This program will probably cause an error the first time - this is exaplained below.
+<pre class="programlisting">
+(
+ var myRandFunc =
+ {
+ var frequency = 440.rand + 440; // produces an integer between 440 and 880
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.025 ) );
+ };
+
+ SynthDef.new( \myRandFunc, myRandFunc ).send( s );
+
+ 10.do( { Synth.new( \myRandFunc ); } );
+)
+</pre>
+ Execute the program a few times. The result is still different each time, but it's the <span class="emphasis"><em>same</em></span> ten SinOsc's, all with the same frequency. This is the nature of a SynthDef: once it's sent to the server, you can create a synth from the same instructions without resending them.
+ </div><div class="para">
+ This program causes an error the first time you run it. Inspect the error messages, and see if you can determine why. It's because the server is processing commands <span class="emphasis"><em>asynchronously</em></span>: things don't happen right when the interpreter asks, but very shortly thereafter. The result is that the server is asked to make a new synth before it deals with the synth definition. There are ways to get around this, but they're too complex for this section - for now (to simplify this text's examples), just accept that the error may happen the first time you run a Synth.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_Becomes_Synth.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.10.5. SynthDef Becomes Synth</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Creating_Change_Anyway.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.10.7. Creating Change Anyway</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.10.4. Symbols</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html" title="11.3.10. SynthDef and Synth" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Load.html" title="11.3.10.3. Load" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Writing_Symbols.html" title="11.3.10.4.2. Writing Symbols" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><i
frame id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Load.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Writing_Symbols.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.10.4. Symbols" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sec
t-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols">11.3.10.4. Symbols</h4></div></div></div><div class="para">
+ As stated in the section about variables, a symbol is simply something which represents something else. When used in the context of a SynthDef, a symbol is a string of characters that refers to a SynthDef that we've already sent to the server. What wasn't mentioned in the section about variables is that, in addition to the symbols that can be used as variable names, the <span class="application"><strong>SuperCollider</strong></span> language provides a distinct data-type (like numbers or strings) for symbols. Many programming languages don't provide a "symbol" data-type, so many programmers do not use them extensively, but they are very handy for situations like this. As local variable names are symbols representing data stored by the interpreter, here we are using the symbol data-type to refer to data stored on the server.
+ </div><div class="para">
+ Symbols are a better way to name SynthDef's than strings. Not only do symbols take up less memory, they aren't actually the interpreter doesn't actually think of them as Objects, and neither should you. Symbols are universally unique; only one instance of a symbol with the same characters can exist. On the other hand, an infinite number of strings with the same characters can exist. When we use a symbol, we are defining it universally. When we use a string, the server pretends that all strings with the same characters are the same philosophical object, even though they aren't. This isn't a technical problem, but it can be difficult to think about, and is cognitively dissonant.
+ </div><div class="para">
+ If all this seems a little abstract and ontological, that's because it is.
+ </div><div class="section" title="11.3.10.4.1. Symbols: the Easy Way" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Easy_Symbols"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Easy_Symbols">11.3.10.4.1. Symbols: the Easy Way</h5></div></div></div><div class="para">
+ Symbols are things that you should use to identify a SynthDef sent to the server.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Load.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.10.3. Load</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Writing_Symbols.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.10.4.2. Writing Symbols</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.10.2. SynthDef</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html" title="11.3.10. SynthDef and Synth" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html" title="11.3.10. SynthDef and Synth" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Load.html" title="11.3.10.3. Load" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocfra
me" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Load.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.10.2. SynthDef" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Pro
gramming-SynthDef_and_Synth-SynthDef">11.3.10.2. SynthDef</h4></div></div></div><div class="para">
+ A SynthDef is what we use to tell the server how to create sound. In order to truly understand what SynthDef accomplishes, we need to recall the disconnect between the interpreter and the server. In reality, the interpreter has no idea how to make sound or work with audio hardware. The server, likewise, has no understanding at all of the <span class="application"><strong>SuperCollider</strong></span> language. The interpreter takes the code that we write, and does one of a number of things, depending on the nature of the code:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ executes it completely,
+ </div></li><li class="listitem"><div class="para">
+ executes it partially, makes choices, and then does something else
+ </div></li><li class="listitem"><div class="para">
+ send the server information about how to synthesize sound,
+ </div></li><li class="listitem"><div class="para">
+ etc.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ For simple code like <code class="code">2.postln;</code> the interpreter just executes it. For code like <code class="code">{ SincOsc.ar; }.play;</code> the interpreter expands it a bit, then sends instructions to the server, which deals with the rest of the synthesis process.
+ </div><div class="para">
+ A SynthDef is part of this last process; SynthDef Objects represent the synthesis information that is sent to the server before (or at the same time as) telling the server to play the sound.
+ </div><div class="para">
+ There are two steps to creating a useful SynthDef: making an interpreter Object, and sending the actual synthesis information to the server. There are two ways to write this, as follows:
+<pre class="programlisting">
+<em class="replaceable"><code>someVariable</code></em> = SynthDef.new( <em class="replaceable"><code>nameOfSynthDef</code></em>, <em class="replaceable"><code>FunctionContainingOutUGen</code></em> );
+<em class="replaceable"><code>someVariable</code></em>.send( <em class="replaceable"><code>nameOfServer</code></em> );
+</pre>
+ and
+<pre class="programlisting">SynthDef.new( <em class="replaceable"><code>nameOfSynthDef</code></em>, <em class="replaceable"><code>FunctionContainingOutUGen</code></em> ).send( <em class="replaceable"><code>nameOfServer</code></em> );</pre>
+ The <code class="function">FunctionContainingOutUGen</code> is simply that - a function that, when executed, returns an <code class="classname">Out</code> UGen (meaning that the <code class="classname">Out</code> UGen must be the last expression in the function). The <code class="literal">nameOfSynthDef</code> should be a symbol (as described in <a class="xref" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols.html" title="11.3.10.4. Symbols">「Symbolsã€</a>), but can also be a string. The <code class="literal">nameOfServer</code> is a variable that represents the server to which you want to send the SynthDef's information; unless you know that you need to use a different variable for this, it's probably just the letter "s", which the interpreter automatically assigns to the default server.
+ </div><div class="para">
+ Here is a demonstration of both methods:
+<pre class="programlisting">
+(
+ var playMe =
+ {
+ Out.ar( 0, SinOsc.ar( freq:440, mul:0.2 ) );
+ };
+
+ var playMeSynthDef = SynthDef.new( \playMe, playMe );
+
+ playMeSynthDef.send( s );
+
+ nil;
+)
+</pre>
+ and
+<pre class="programlisting">
+(
+ var playMe =
+ {
+ Out.ar( 0, SinOsc.ar( freq:440, mul:0.2 ) );
+ };
+
+ SynthDef.new( \playMe, playMe ).send( s );
+
+ nil;
+)
+</pre>
+ The only advantage to assigning something to a variable is the ability to refer to it later. If you use the first method, then you can send the SynthDef to more than one server. Since it's rare that you will want to use more than one server, it's usually better to use the second style. In fact, if you won't be using the "playMe" Function again, you don't need to assign it to a variable!
+<pre class="programlisting">SynthDef.new( \playMe, { Out.ar( 0, SinOsc.ar( freq:440, mul:0.2 ) ); } ).send( s );</pre>
+ This is all that's really needed to create and send a synthesis definition to the server. It looks long and frightening, but now at least you understand what all of the parts do.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.10. SynthDef and Synth</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Load.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.10.3. Load</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_Becomes_Synth.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_Becomes_Synth.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.10.5. SynthDef Becomes Synth</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html" title="11.3.10. SynthDef and Synth" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Writing_Symbols.html" title="11.3.10.4.2. Writing Symbols" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Shortcomings_of_a_SynthDef.html" title="11.3.10.6. Shortcomings of a SynthDef" /></head><body
class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Writing_Symbols.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Shortcomings_of_a_SynthDef.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.10.5. SynthDef Becomes Synth" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef
_Becomes_Synth"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_Becomes_Synth">11.3.10.5. SynthDef Becomes Synth</h4></div></div></div><div class="para">
+ After you send a SynthDef to the server, you can put it into action. When the interpreter tells the server to play a synthesis definition (which the interpreter holds in a SynthDef Object), the server creates a synth from the definition, and starts generating sound. The interpreter gives us a Synth Object to represent each synth on the server, so that we can control the synth.
+ </div><div class="para">
+ This is the syntax used to create a new synth, after its definition has been sent to the server. <div class="funcsynopsis"><p><code class="funcdef"><b class="fsfunc">Synth.new</b>(</code><var class="pdparam">nameOfSynthDef</var><code>)</code>;</p></div> The name will be a symbol or a string - whatever you supplied when you ran the <code class="function">SynthDef.new()</code> function.
+ </div><div class="para">
+ Because we're creating a new Synth Object, we should assign it to a variable, for later reference.
+<pre class="programlisting">
+SynthDef.new( \playMe, { Out.ar( 0, SinOsc.ar( freq:440, mul:0.2 ) ); } ).send( s );
+var mySynth = Synth.new( \playMe );
+</pre>
+
+ </div><div class="para">
+ Recall that the interpreter automatically uses the Synth and SynthDef Classes when we send the "play" message to a Function. We can actually capture and use the Synth Object created from "play-ing" a Function, too. This example is almost the same as the previous one.
+<pre class="programlisting">var mySynth = { SinOsc.ar( freq:443, mul:0.2 ); }.play;</pre>
+ The difference is subtle: after the second example, we have no control over what name the interpreter gives to the SynthDef that it sends to the server, so we can't re-use the SynthDef. On the other hand, because we assign the name <code class="literal">\sillyTutorialSD</code> to the SynthDef in the first example, we know what it's called, and we can re-use it. Theoretically, we can make an infinite number of synths from this single definition. Realistically, it's limited by the amount of memory the server can use; for most modern computers, this number is so high that we don't ever need to worry about it.
+ </div><div class="para">
+ As usual, the interpreter provides us with an optional short-cut:
+<pre class="programlisting">var mySynth = SynthDef.new( \playMe, { Out.ar( 0, SinOsc.ar( freq:440, mul:0.2 ) ); } ).play;</pre>
+ This automatically sends the synthesis information to the server, creates a synth, and plays it. What minor functionality is lost when we use this shortcut?
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Writing_Symbols.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.10.4.2. Writing Symbols</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Shortcomings_of_a_SynthDef.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.10.6. Shortcomings of a SynthDef</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_with_Arguments.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_with_Arguments.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.10.8. SynthDef with Arguments</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html" title="11.3.10. SynthDef and Synth" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Creating_Change_Anyway.html" title="11.3.10.7. Creating Change Anyway" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Set_and_Free.html" title="11.3.10.9. Things to Do with a SynthDef: Set and Free"
/></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Creating_Change_Anyway.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Set_and_Free.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.10.8. SynthDef with Arguments" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth
-SynthDef_with_Arguments"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_with_Arguments">11.3.10.8. SynthDef with Arguments</h4></div></div></div><div class="para">
+ There are some siutations where you simply cannot pre-determine all of the material that you're going to use when creating a synth. It might be easier to resort to using a Function rather than a SynthDef, but there is yet another solution - creating an argument in your SynthDef Function.
+ </div><div class="para">
+ With only a subtle change to our Function, we can add the possibility of passing arguments on synth creation:
+<pre class="programlisting">
+var myRandFunc =
+{
+ arg frequency = Rand( 440, 880 ); // default value between 440 and 880
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.025 ) );
+};
+</pre>
+ I've decided to use the Rand UGen anyway, so that supplying a frequency is optional. This adds functionality while making the added complexity optional:
+<pre class="programlisting">
+(
+ var myRandFunc =
+ {
+ arg frequency = 440;
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.025 ) );
+ };
+
+ SynthDef.new( \myRandFunc, myRandFunc ).send( s );
+
+ 10.do( { Synth.new( \myRandFunc ); } );
+)
+</pre>
+ If you use the SynthDef in the old way, as in the example, you'll get the expected result: ten Synth's, all with the same frequency. But, if you add a "rand" Function call into the loop, you can get ten different frequencies!
+<pre class="programlisting">
+(
+ var myRandFunc =
+ {
+ arg frequency = 440;
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.025 ) );
+ };
+
+ SynthDef.new( \myRandFunc, myRandFunc ).send( s );
+
+ 10.do( { Synth.new( \myRandFunc, [\frequency,(440.rand + 440)] ); } );
+)
+</pre>
+ Notice how we supply arguments: an Array with elements alternating between a string-quoted parameter name, and the value of the argument itself. If we "parameterized" all three main fields of the SinOsc, we could supply them like this:
+<pre class="programlisting">Synth.new( \mySinOsc, [\freq,440,\add,0,\mul,0.2] );</pre>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Creating_Change_Anyway.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.10.7. Creating Change Anyway</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Set_and_Free.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.10.9. Things to Do with a SynthDef: Set and ...</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Writing_Symbols.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Writing_Symbols.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.10.4.2. Writing Symbols</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols.html" title="11.3.10.4. Symbols" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols.html" title="11.3.10.4. Symbols" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_Becomes_Synth.html" title="11.3.10.5. SynthDef Becomes Synth" /></head><body class="draft toc_embeded "><div
id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_Becomes_Synth.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.10.4.2. Writing Symbols" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Writing_Symbols"><div class="titlepage"><div><div keep-to
gether.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Writing_Symbols">11.3.10.4.2. Writing Symbols</h5></div></div></div><div class="para">
+ There are two ways to write out a symbol: between single-quotation marks, and after a back-slash. Symbols given between single-quotation marks can contain any characters but a single-quotation mark. Symbols given after a back-slash can contain any characters but a space. Neither type of symbol name can cross onto a new line.
+ </div><div class="para">
+ The following example contains some valid symbols, and some invalid symbols.
+<pre class="programlisting">
+\stopSign \\ this is a symbol
+\stop sign \\ this is a symbol called 'stop' followed by the unrelated word 'sign'
+'stopSign' \\ this is a symbol
+'stop sign' \\ this is a symbol
+'stop
+sign' \\ these lines are not a symbol, and will cause an error
+</pre>
+
+ </div><div class="para">
+ The following example illustrates the differences between strings and symbols.
+<pre class="programlisting">
+var a = "stop sign" \\ a string
+var b = "stop sign" \\ a string with the same letters as the first string
+a == b; \\ returns "true" because the strings are equivalent
+a === b; \\ returns "false" because the strings are separate copies with the same characters
+
+var c = 'stop sign' \\ a symbol
+var d = 'stop sign' \\ the same symbol
+c == d; \\ returns "true" because the symbols are equivalent
+c === d; \\ returns "true" because the symbols are identical
+</pre>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.10.4. Symbols</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_Becomes_Synth.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.10.5. SynthDef Becomes Synth</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.10. SynthDef and Synth</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Addition.html" title="11.3.9.3. Addition" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef.html" title="11.3.10.2. SynthDef" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc
"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Addition.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.10. SynthDef and Synth" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="se
ct-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth">11.3.10. SynthDef and Synth</h3></div></div></div><div class="para">
+ The preceding sections of this "Basic Programming" guide have only created sound with Function's. The truth is that Function's are very useful for creating sound, but they represent a simplification of the actual commands and Functions that must be run by the interpreter in order to create sound.
+<pre class="programlisting">
+// When you write this...
+(
+ { SinOsc.ar( freq:440, mul:0.2 ); }.play;
+)
+
+// The interpreter actually does this...
+(
+ SynthDef.new( "temp__963", { Out.ar( 0, SinOsc.ar( freq:440, mul:0.2 ) ); } ).play;
+)
+</pre>
+ Yikes! Don't despair - it's easy to understand - it just looks scary!
+ </div><div class="section" title="11.3.10.1. "Out" UGen" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Out_UGen"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Out_UGen">11.3.10.1. "Out" UGen</h4></div></div></div><div class="para">
+ The "Out" UGen is one of the bits of magic automatically taken care of by the interpreter. It routes an audio signal from another UGen into a specific output (actually, into a specific bus - see <a class="xref" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html" title="11.3.11. Busses">「Bussesã€</a>).
+ </div><div class="para">
+ The following examples have the same effect:
+<pre class="programlisting">{ SinOsc.ar( freq:500, mul:0.2 ); }.play;</pre>
+ and
+<pre class="programlisting">{ Out.ar( 0, SinOsc.ar( freq:500, mul:0.2 ) ); }.play;</pre>
+ The first argument to "Out.ar" is the bus number for where you want to place the second argument, which is either a UGen or a multi-channel Array of UGen's. If the second argument is an Array, then the first element is sent to the first argument's bus number, the second argument is sent to one bus number higher, the third to two bus numbers higher, and so on. This issues is explained fully in <a class="xref" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html" title="11.3.11. Busses">「Bussesã€</a>, but here is what you need to know for now, working with stereo (two-channel) audio:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ If the second argument is a two-element Array, use bus number 0.
+ </div></li><li class="listitem"><div class="para">
+ If the second argument is a single UGen, and you want it to be heard through the left channel, use bus number 0.
+ </div></li><li class="listitem"><div class="para">
+ If the second argument is a single UGen, and you want it to be heard through the right channel, use bus number 1.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ If you're still struggling with exactly what the "Out" UGen does, think of it like this: when you create an audio-rate UGen, it starts creating an audio signal; the "Out" UGen effectively connects the audio-rate UGen into your audio interface's output port, so it can be heard through the speakers. In <a class="xref" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html" title="11.3.11. Busses">「Bussesã€</a>, it becomes clear that there are, in fact, other useful places to connect an audio-rate UGen (through an effect processor, for example), and the "Out" UGen can help you do that.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Addition.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.9.3. Addition</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.10.2. SynthDef</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.2.6. Variable Scope</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html" title="11.3.2. Variables and Functions" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Return_Values.html" title="11.3.2.5. Function Return Values" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented.html" title="11.3.3. Object-Oriented SuperCollider" /></head><body class="draft
toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Return_Values.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.2.6. Variable Scope" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-"><div class="titlepage"><div><div keep-toge
ther.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-">11.3.2.6. Variable Scope</h4></div></div></div><div class="para">
+ A variable is only valid within its "scope." A variable's scope is determined by where it is declared. It will always last between either <code class="literal">(</code> and <code class="literal">)</code> or <code class="literal">{</code> and <code class="literal">}</code>, and applies to all statements within that block of code. Variable names can be re-declared in some contexts, which can be confusing.
+ </div><div class="para">
+ Consider the scope of the variables in this example:
+<pre class="programlisting">
+(
+ var zero = 0;
+ var function =
+ {
+ var zero = 8;
+ var sixteen = 16;
+ zero.postln; // always prints 8
+ };
+
+ function.value;
+ zero.postln; // always prints 0
+ sixteen.postln; // always causes an error
+)
+</pre>
+ Because <code class="literal">function</code> declares its own copy of <code class="literal">zero</code>, it is modified independently of the variable <code class="literal">zero</code> declared before the Function. Every time <code class="literal">function</code> is executed, it re-declares its own <code class="literal">zero</code>, and the interpreter keeps it separate from any other variables with the same name. When <code class="literal">function</code> has finished executing, the interpreter destroys its variables. Variables declared inside any Function are only ever accessible from within that Function. This is why, when we try to execute <code class="code">sixteen.postln;</code>, the interpreter encounters an error: <code class="literal">sixteen</code> exists only within <code class="literal">function</code>, and is not accessible outside the function. By the way, in order to excute this example, you will need to remove the error-causing reference to <code class=
"literal">sixteen</code>.
+ </div><div class="para">
+ Now consider the scope of the variables in this example:
+<pre class="programlisting">
+(
+ var zero = 0;
+ var function =
+ {
+ var sixteen = 16;
+ zero = 8;
+ zero.postln; // always prints 8
+ sixteen.postln;
+ };
+
+ function.value;
+ zero.postln; // always prints 8
+)
+</pre>
+ Why does the last line always print <code class="literal">8</code>? It's because <code class="literal">zero</code> was set to <code class="literal">8</code> within <code class="literal">function</code>. More importantly, <code class="literal">function</code> did not declare its own copy of <code class="literal">zero</code>, so it simply accesses the one declared in the next "highest" block of code, which exists between <code class="literal">(</code> and <code class="literal">)</code> in this example.
+ </div><div class="para">
+ This is why it is important to pay attention to a variable's scope, and to make sure that you declare your variables in the right place. Unexpected and difficult-to-find programming mistakes can occur when you forget to declare a variable, but it is declared elsewhere in your program: you will be allowed to use the variable, but it will be modified unexpectedly. On the other hand, it can be greatly advantageous to be able to access variables declared "outside the local scope" (meaning variables that are not declared in the same code block in which they are used), but careful thought and planning is required.
+ </div><div class="para">
+ Astute readers will notice that it is possible to re-declare the single-letter variable names, allowing you to control their scope. Consider the following program:
+<pre class="programlisting">
+(
+ var a = 0;
+ b =
+ {
+ var c = 16;
+ a = 8;
+ a.postln;
+ c.postln;
+ };
+
+ b.value;
+ a.postln;
+)
+</pre>
+ This example requires careful examination. What is the scope of <code class="literal">a</code>, <code class="literal">b</code>, and <code class="literal">c</code>? The answers may be surprising.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="literal">a</code> is declared just after the <code class="literal">(</code> character, so the interpreter destroys it upon reaching the <code class="literal">)</code> character.
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">c</code> is declared just after the <code class="literal">{</code> character, so the interpreter destroys it upon reaching the <code class="literal">}</code> character.
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">b</code> is <span class="emphasis"><em>not</em></span> declared in this program, so it refers to the automatically-declared variable with that name. The interpreter does not destroy it until it is restarted or stopped. This means that the Function assigned to <code class="literal">b</code> is still available <span class="emphasis"><em>after</em></span> the program finishes execution. Try it! Execute the program above, and then execute this single-line program alone: <code class="code">b.value;</code>
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Return_Values.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.2.5. Function Return Values</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.3. Object-Oriented SuperCollider</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.2.4. Function Arguments</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html" title="11.3.2. Variables and Functions" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions.html" title="11.3.2.3. Functions" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Return_Values.html" title="11.3.2.5. Function Return Values" /></head><body class="dr
aft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Return_Values.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.2.4. Function Arguments" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Arguments
"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Arguments">11.3.2.4. Function Arguments</h4></div></div></div><div class="para">
+ The most useful aspect of Functions is that they can produce varying results, depending on their input. For whatever reason, the input accepted by a Function is called an "argument." <span class="application"><strong>SuperCollider</strong></span>'s Functions can accept any number of arguments - zero, one, or many. Argument values (called "parameters") are provided to a Function by adding them in parentheses after the name of the Function, separated with commas, like this: <code class="code">exampleFunction( 5, 7, 9 );</code> Argument variables are declared as the first statement in a Function, like this: <code class="code">arg <em class="replaceable"><code>oneNumber</code></em>, <em class="replaceable"><code>twoNumber</code></em>;</code>
+ </div><div class="para">
+ This program is significantly more complicated than previous examples, but it shows how useful Functions can be. Notice how the braces in that example are on different lines than the rest of the Function, which gives us more space within the Function to complete some useful work.
+<pre class="programlisting">
+(
+ var greeter =
+ {
+ arg name;
+ ( "Hello" + name ).postln;
+ };
+
+ greeter.value( "Samantha" );
+ greeter.value( "Jermain" );
+ nil;
+)
+</pre>
+ Here is how the program works:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ A variable named <code class="literal">greeter</code> is declared, and assigned a Function.
+ </div></li><li class="listitem"><div class="para">
+ The Function contains an argument called <code class="literal">name</code>, and outputs "Hello" plus the name given to it.
+ </div></li><li class="listitem"><div class="para">
+ The parentheses here <code class="code">( "Hello" + name )</code> ensure that the two strings are added together <span class="emphasis"><em>before</em></span> the <code class="function">postln</code> message prints them out.
+ </div></li><li class="listitem"><div class="para">
+ The <code class="literal">greeter</code> variable is used to call the Function with two different names.
+ </div></li><li class="listitem"><div class="para">
+ The <code class="code">nil;</code> statement is optional, and does not affect the operation of the program. What it does is return a "nothing" value to the interpreter after program execution completes, so that the last message is not repeated.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ Since every argument has a name, <span class="application"><strong>SuperCollider</strong></span> allows you to use that name when executing the function. This example executes the <code class="function">greeter</code> function from the last example:
+<pre class="programlisting">greeter.value( name:"Myung-Whun" );</pre>
+ This is more useful if there are many arguments, and you do not remember the order that they appear in the Function's definition.
+ </div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> also allows you to specify default values for arguments, so that they do not need to be specified. This allows optional customization of a Function's behaviour, and is therefore very powerful.
+ </div><div class="para">
+ This example modifies the one above by adding default-value arguments, and by calling arguments with their name. As you can see, I've been tricking you a bit: <code class="function">postln</code> is actually a Function, but a special kind, explained later.
+<pre class="programlisting">
+(
+ var greeter =
+ {
+ arg name, greeting = "Hello";
+ postln( greeting + name );
+ };
+
+ greeter.value( "Samantha" );
+ greeter.value( "Jermain", "Goodbye" );
+ greeter.value( name:"Myung-Whun" );
+ greeter.value( greeting:"Bienvenue", name:"Marcel" );
+ nil;
+)
+</pre>
+
+ </div><div class="para">
+ Any value can be used as a parameter, as long as the Function expects it. In fact, even Functions can be used as parameters for Functions!
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.2.3. Functions</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Return_Values.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.2.5. Function Return Values</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.2.5. Function Return Values</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html" title="11.3.2. Variables and Functions" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Arguments.html" title="11.3.2.4. Function Arguments" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-.html" title="11.3.2.6. Variable Scope" /></head><body class="draft toc_
embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Arguments.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.2.5. Function Return Values" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Return_Values"><div class=
"titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Return_Values">11.3.2.5. Function Return Values</h4></div></div></div><div class="para">
+ All <span class="application"><strong>SuperCollider</strong></span> Functions return a value to the interpreter when they have finished execution. As with programs, the value returned is the value of the last statement in the Function. The return value of a Function can be captured, assigned to a variable, and used again later.
+ </div><div class="para">
+ This example assigns the result of a Function to a variable.
+<pre class="programlisting">
+(
+ var mysticalMath =
+ {
+ arg input = 0;
+ input * 23;
+ };
+ var someNumber = 9;
+
+ someNumber = mysticalMath.value( someNumber );
+ someNumber.postln;
+ nil;
+)
+</pre>
+ Here is how the program works:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ A Function and variable are created, and assigned values.
+ </div></li><li class="listitem"><div class="para">
+ This line <code class="code">someNumber = mysticalMath.value( someNumber );</code> executes the <code class="function">mysticalMath</code> function, which multiplies its argument by <code class="literal">23</code> and returns the value. Then, it assigns the return value of the Function to <code class="literal">someNumber</code>. In any statement that contains an assignment, the assignment is always done last. In other words, the Function in this example will <span class="emphasis"><em>always</em></span> be given an argument of <code class="literal">9</code>, and only <span class="emphasis"><em>after</em></span> the Function completes execution and returns a value will that value be assigned to <code class="function">someNumber</code>.
+ </div></li><li class="listitem"><div class="para">
+ The new value of <code class="literal">someNumber</code> is displayed.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ The program could have been shortened like this:
+<pre class="programlisting">
+(
+ var mysticalMath =
+ {
+ arg input = 0;
+ input * 23;
+ };
+
+ var someNumber = mysticalMath.value( 9 );
+ someNumber.postln;
+ nil;
+)
+</pre>
+
+ </div><div class="para">
+ It could have been shortened even more like this:
+<pre class="programlisting">
+(
+ var mysticalMath =
+ {
+ arg input = 0;
+ input * 23;
+ };
+
+ mysticalMath.value( 9 ).postln;
+ nil;
+)
+</pre>
+
+ </div><div class="para">
+ Experiment with the shortened versions of the program, ensuring that you know why they work.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Arguments.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.2.4. Function Arguments</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.2.6. Variable Scope</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.2.3. Functions</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html" title="11.3.2. Variables and Functions" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Using_Variables.html" title="11.3.2.2. Using Variables" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Arguments.html" title="11.3.2.4. Function Arguments" /></head><body class="draft t
oc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Using_Variables.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Arguments.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.2.3. Functions" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions"><div class="titlepa
ge"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions">11.3.2.3. Functions</h4></div></div></div><div class="para">
+ A Function is a statement, or a series of statements, that we want to use many times. When a Function is assigned to a variable, you can execute the Function as many times as you wish. Any statements that happen between braces { like this; } are treated as a Function. Functions are executed by passing them the "value" message, as in the following example.
+ </div><div class="para">
+ Here is a Function that is not assigned to a variable, and is executed once.
+<pre class="programlisting">{ "Hello, World!".postln; }.value;</pre>
+ Notice that there are two semicolons: one after the statement within the Function, and one after the "value" message that tells the Function to execute.
+ </div><div class="para">
+ Here is a Function with identical function, assigned to a variable, and executed twice.
+<pre class="programlisting">
+var myFunction = { "Hello, World!".postln; }; // note two semicolons
+myFunction.value;
+myFunction.value;
+</pre>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Using_Variables.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.2.2. Using Variables</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Arguments.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.2.4. Function Arguments</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Using_Variables.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Using_Variables.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.2.2. Using Variables</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html" title="11.3.2. Variables and Functions" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html" title="11.3.2. Variables and Functions" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions.html" title="11.3.2.3. Functions" /></head><body class="draft toc_embeded "><div id="
tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.2.2. Using Variables" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Using_Variables"><div class="titlepage"><div><div keep-together.within-
column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Using_Variables">11.3.2.2. Using Variables</h4></div></div></div><div class="para">
+ There are three words that describe the key stages of using a variable: declaration, initialization, and assignment.
+ </div><div class="para">
+ A variable must be declared before use, so that the interpreter knows that you want to use that symbol as a variable. All variables must be declared before any statement that does not declare a variable; in other words, you should declare your variables before doing anything else. Variable names are declared like this:
+<pre class="programlisting">var <em class="replaceable"><code>variableName</code></em>;</pre>
+ Variables can also be declared in lists, like this:
+<pre class="programlisting">var <em class="replaceable"><code>variableName</code></em>, <em class="replaceable"><code>variableOtherName</code></em>;</pre>
+
+ </div><div class="para">
+ Variables can be assigned a value at any time after they have been declared. Any single object can be assigned to a variable. If a variable is already assigned a value, any subsequent assignment will erase the previous assignment; the previously-assigned value will is not retrievable.
+ </div><div class="para">
+ The first assignment to a variable is said to "initialize" the variable. Initialization is a special kind of assignment, because a variable cannot be used before it is initialized. If a program attempts to use an un-initialized variable, the <span class="application"><strong>SuperCollider</strong></span> interpreter will cause an error. For this reason, you should always initialize a variable when you declare it. There is a special way to do this:
+<pre class="programlisting">var <em class="replaceable"><code>variableName</code></em> = nil;</pre>
+ Since you can't always assign a useful value, you can pick an arbitrary one. Assigning "nil" is common practice, because it means "nothing," but without actually being nothing (this avoids <span class="emphasis"><em>some</em></span> errors). Assigning zero is another possibility; it is standard practice in many programming languages, and will avoid most errors, even if the variable is eventually supposed to hold another kind of object. Intialization and declaration of multiple variables can also be done as a list:
+<pre class="programlisting">var <em class="replaceable"><code>variableName</code></em> = 0, <em class="replaceable"><code>variableOtherName</code></em> = 0;</pre>
+
+ </div><div class="para">
+ Single-letter variable names have a special purpose in <span class="application"><strong>SuperCollider</strong></span>. They are already declared, so you don't have to declare them. They are also already initialized to "nil", so you don't have to do that either. These variable names are intended to be used as a quick fix, while you're experimenting with how to make a program work. You should not use them in good-quality programs.
+ </div><div class="para">
+ The single-letter variable "s" is automatically assigned to the server on the computer running the interpreter. You should avoid re-assigning that variable.
+ </div><div class="para">
+ Variable names must always begin with a lower-case letter.
+ </div><div class="para">
+ Use variables to write programs that do the following tasks:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Perform arithmetic with an uninitialized variable. An error should appear when the program is executed.
+ </div></li><li class="listitem"><div class="para">
+ Calculate the value of <code class="literal">y</code>, if all other values are known, for the quadratic equation: <code class="code">y = a * x * x + b * x + c</code>
+ </div></li><li class="listitem"><div class="para">
+ Re-write the Hello World Program so that it will say "Hello" to a name stored in a variable. Remember that you can use the interpreter to automatically output the last line of a function.
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.2. Variables and Functions</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.2.3. Functions</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.2. Variables and Functions</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Using_Variables.html" title="11.3.2.2. Using Variables" /></head><body class="draft toc_embeded "
><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Using_Variables.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.2. Variables and Functions" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions"><div class="titlepage"><div><div keep-together.within-column=
"always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions">11.3.2. Variables and Functions</h3></div></div></div><div class="para">
+ The concepts in this section are related to the mathematical terms with the same names. This is a modern-day result of the first uses of computers and programming languages: the calculation of complex mathematical problems.
+ </div><div class="section" title="11.3.2.1. Variables" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Variables"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Variables">11.3.2.1. Variables</h4></div></div></div><div class="para">
+ A variable is a symbol that can be assigned an arbitrary value. A "symbol" is a series of alphabetic and numeric characters, separated by whitespace (a space, a line-break, or the end of the file). When a variable is "assigned" a value, the variable name (the symbol) is understood to be a substitute for the assigned value.
+ </div><div class="para">
+ Consider a traffic light, which has three possible symbols: green, yellow, and red. When you are driving, and you encounter a traffic light, you might see that its red symbol is activated (the red light is illuminated). What you see is a red light, but you understand that it means you should stop your car. Red lights in general do not make you stop - it is specifically red traffic lights, because we know that it is a symbol meaning to stop.
+ </div><div class="para">
+ SuperCollider's variables work in the same way: you tell the interpreter that you want to use a symbol, like <code class="literal">cheese</code>. Then you assign <code class="literal">cheese</code> a value, like <code class="literal">5</code>. After that point, whenever you use <code class="literal">cheese</code>, the interpreter will automatically know that what you really mean is <code class="literal">5</code>.
+ </div><div class="para">
+ Run the following two programs. They should result in the same output.
+<pre class="programlisting">
+(
+ 5 + 5;
+)
+(
+ var x;
+ x = 5;
+ x + x;
+)
+</pre>
+
+ </div><div class="para">
+ In the first example, the program calculates the value of <code class="code">5 + 5</code>, which is <code class="literal">10</code>, and returns that to the interpreter, which prints it out. In the second example, the program tells the interpreter that it wants to use a variable called <code class="literal">x</code> then it assigns cheese the value <code class="literal">5</code>. Finally, the program calculates <code class="code">cheese + cheese</code>, which it understands as meaning <code class="code">5 + 5</code>, and returns <code class="literal">10</code> to the interpreter, which prints it out.
+ </div><div class="para">
+ This trivial use of a variable does nothing but complicate the process of adding 5 to itself. Soon you will see that variables can greatly simplify your programs.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3. Basic Programming in SuperCollider</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Using_Variables.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.2.2. Using Variables</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.4.5. Creating Ten Pseudo-Random Tones</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Composing.html" title="11.4. Composing with SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part.html" title="11.4.4. Designing the Second Part" /><link rel="next" href="sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones.html" title="11.4.6. Scheduling the Tones" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"
><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.4.5. Creating Ten Pseudo-Random Tones" id="sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Mus
icians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones">11.4.5. Creating Ten Pseudo-Random Tones</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ We'll start again with something simple, that we know how to do.
+<pre class="programlisting">
+{
+ SinOsc.ar();
+}.play;
+</pre>
+
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ We already know that we want this to produce stereo output, and we already know that we're going to be using enough SinOsc's that we'll need to reduce "mul." Keeping in mind that there will be ten pitches, and two SinOsc's for each of them, set both of those things now, keeping just one pitch for now.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ The first challenge is to implement pseudo-randomness. We'll use the number.rand function to generate a pseudo-random number (integer, actually), but if run as <code class="code">50.rand</code>, we will get a result between 0 and 50. As a frequency, this is not useful: most audio equipment cannot produce pitches below 20 Hz, and many people have problems hearing very low frequencies. This means that we'll need to add a value to .rand's output (like <code class="code">100 + 50.rand</code>, which will yield an integer between 100 and 150). I decided to go with a value between 200 Hz and 800 Hz instead, largely because I felt like it. Try setting the freq with the .rand call.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ I hope you didn't end up with two different frequencies! If you did, you'll need to use a variable to temporarily store the pseduo-random frequency, so that both sides can use it.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ Now we need to make ten of these, so copy-and-paste until there are ten different stereo pitches at once.
+<pre class="programlisting">
+{
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+}.play;
+</pre>
+
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ It doesn't work: you'll also have to rename your frequency-setting variable each time.
+<pre class="programlisting">
+{
+ var frequency1 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency1, mul:0.01 ), SinOsc.ar( freq:frequency1, mul:0.01 ) ]
+ var frequency2 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency2, mul:0.01 ), SinOsc.ar( freq:frequency2, mul:0.01 ) ]
+ var frequency3 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency3, mul:0.01 ), SinOsc.ar( freq:frequency3, mul:0.01 ) ]
+ var frequency4 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency4, mul:0.01 ), SinOsc.ar( freq:frequency4, mul:0.01 ) ]
+ var frequency5 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency5, mul:0.01 ), SinOsc.ar( freq:frequency5, mul:0.01 ) ]
+ var frequency6 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency6, mul:0.01 ), SinOsc.ar( freq:frequency6, mul:0.01 ) ]
+ var frequency7 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency7, mul:0.01 ), SinOsc.ar( freq:frequency7, mul:0.01 ) ]
+ var frequency8 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency8, mul:0.01 ), SinOsc.ar( freq:frequency8, mul:0.01 ) ]
+ var frequency9 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency9, mul:0.01 ), SinOsc.ar( freq:frequency9, mul:0.01 ) ]
+ var frequency0 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency0, mul:0.01 ), SinOsc.ar( freq:frequency0, mul:0.01 ) ]
+}.play;
+</pre>
+
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ It still doesn't work! The error given in the "SuperCollider output" window is not easy to understand, but it means "You have to put all of your variable declarations before everything else."
+<pre class="programlisting">
+{
+ var frequency1 = 200 + 600.rand;
+ var frequency2 = 200 + 600.rand;
+ var frequency3 = 200 + 600.rand;
+ var frequency4 = 200 + 600.rand;
+ var frequency5 = 200 + 600.rand;
+ var frequency6 = 200 + 600.rand;
+ var frequency7 = 200 + 600.rand;
+ var frequency8 = 200 + 600.rand;
+ var frequency9 = 200 + 600.rand;
+ var frequency0 = 200 + 600.rand;
+
+ [ SinOsc.ar( freq:frequency1, mul:0.01 ), SinOsc.ar( freq:frequency1, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency2, mul:0.01 ), SinOsc.ar( freq:frequency2, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency3, mul:0.01 ), SinOsc.ar( freq:frequency3, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency4, mul:0.01 ), SinOsc.ar( freq:frequency4, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency5, mul:0.01 ), SinOsc.ar( freq:frequency5, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency6, mul:0.01 ), SinOsc.ar( freq:frequency6, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency7, mul:0.01 ), SinOsc.ar( freq:frequency7, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency8, mul:0.01 ), SinOsc.ar( freq:frequency8, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency9, mul:0.01 ), SinOsc.ar( freq:frequency9, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency0, mul:0.01 ), SinOsc.ar( freq:frequency0, mul:0.01 ) ]
+}.play;
+</pre>
+
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ It still doesn't work! SuperCollider is confused because I was been lazy and didn't include enough semicolons. The error we get is, "Index not an Integer," which is a clue as to what SuperCollider is trying to do (but it's irrelevant). The real problem is that SuperCollider interprets our ten stereo arrays as all being part of the same statement. We don't want them to be the same statement, however, because we want ten <span class="emphasis"><em>different</em></span> stereo arrays to be played. Fix this problem by putting a semicolon at the end of each stereo array. You do not <span class="emphasis"><em>need</em></span> to include one at the end of the last statement, because SuperCollider assumes the end of the statement when it encounters a } (end-of-function marker) after it. Since we're still building our code, we might move these around or add something aftwards, so it's better to include a semicolon at the end of each stereo array.
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ Now the file plays successfully, but with a disappointing result. If you can't already see the problem, try to think of it before continuing to read.
+ </div></li><li class="step" title="ステップ 10"><div class="para">
+ Only one SinOsc array gets played, and it's the last one. This is because the last statement is returned by the function that ends at } and it is that result which gets sent to the following .play
+ </div></li><li class="step" title="ステップ 11"><div class="para">
+ To fix this, and ensure that all of the stereo arrays are played, you should remove the .play from the end of the function, and add a .play to each stereo array statement. You end up with
+<pre class="programlisting">
+{
+ var frequency1 = 200 + 600.rand;
+ var frequency2 = 200 + 600.rand;
+ var frequency3 = 200 + 600.rand;
+ var frequency4 = 200 + 600.rand;
+ var frequency5 = 200 + 600.rand;
+ var frequency6 = 200 + 600.rand;
+ var frequency7 = 200 + 600.rand;
+ var frequency8 = 200 + 600.rand;
+ var frequency9 = 200 + 600.rand;
+ var frequency0 = 200 + 600.rand;
+
+ [ SinOsc.ar( freq:frequency1, mul:0.01 ), SinOsc.ar( freq:frequency1, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency2, mul:0.01 ), SinOsc.ar( freq:frequency2, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency3, mul:0.01 ), SinOsc.ar( freq:frequency3, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency4, mul:0.01 ), SinOsc.ar( freq:frequency4, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency5, mul:0.01 ), SinOsc.ar( freq:frequency5, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency6, mul:0.01 ), SinOsc.ar( freq:frequency6, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency7, mul:0.01 ), SinOsc.ar( freq:frequency7, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency8, mul:0.01 ), SinOsc.ar( freq:frequency8, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency9, mul:0.01 ), SinOsc.ar( freq:frequency9, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency0, mul:0.01 ), SinOsc.ar( freq:frequency0, mul:0.01 ) ].play;
+}
+</pre>
+
+ </div></li><li class="step" title="ステップ 12"><div class="para">
+ When you execute this, no sound is produced, but SuperCollider outputs "a Function." Can you think of why this happens? It's because you wrote a function, but never told SuperCollider to evaluate it! At the end of execution, SuperCollider just throws away the function, because it's never used. This is the same thing that happened to the first nine stereo arrays - they were created, but you never said to do anything with them, so they were just thrown out. We need to execute the function. Because it doesn't produce a UGen, we can't use "play," so we have to use "value" instead. You can choose to do either of these:
+<pre class="programlisting">{ ... }.value;</pre>
+ or
+<pre class="programlisting">
+var myFunction = { ... };
+myFunction.value;
+</pre>
+
+ </div></li><li class="step" title="ステップ 13"><div class="para">
+ This gives us yet another error, as if we can't play the stereo arrays! In fact, we can't - and we didn't do it in the first part, either. We play'ed the result of returning a stereo array from a function. The subtle difference isn't important yet - we're just trying to make this work! Use { and } to build a function for .play to .play
+ </div></li><li class="step" title="ステップ 14"><div class="para">
+ Now make the correction nine more times.
+ </div></li><li class="step" title="ステップ 15"><div class="para">
+ When you play execute the resulting code, you probably get something that sounds quite "space-age." Execute it a few times, to see the kind of results you get.
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.4.4. Designing the Second Part</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.4.6. Scheduling the Tones</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.4.3. Designing the First Part</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Composing.html" title="11.4. Composing with SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Composing-Inspiration.html" title="11.4.2. Inspiration" /><link rel="next" href="sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part.html" title="11.4.4. Designing the Second Part" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" cla
ss="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Inspiration.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.4.3. Designing the First Part" id="sect-Musicians_Guide-SC-Composing-Designing_the_First_Part"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Designing_the_First_Part"
>11.4.3. Designing the First Part</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ I started with something simple: a single SinOsc: <code class="code">{ SinOsc.ar(); }.play;</code>
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ This is not exciting: it just stays the same forever, and it only uses one channel! So, I added another SinOsc to the right channel, using the [ , ] array notation. The result is <code class="code">{ [ SinOsc.ar(), SinOsc.ar() ] }.play;</code>
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Now it sounds balanced, at least, like it's coming from the middle. But it's still boring, so I added a frequency-changing SinOsc to the right channel, resulting in <code class="code">{ [ SinOsc.ar(), SinOsc.ar(SinOsc.kr(1,50,300)) ] }.play;</code>
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Since that's difficult to read, and since I know that I'm just going to keep adding things, I expand the code a little bit to make it more legible. This gives me
+<pre class="programlisting">
+{
+ var left = SinOsc.ar();
+ var right = SinOsc.ar( SinOsc.kr( 1, 50, 300 ) );
+
+ [ left, right ]
+
+}.play;
+</pre>
+ I define a variable holding everything I want in the left channel, then the same for the right. I still use the [ , ] array notation to create a stereo array. Remember that SuperCollider functions return the last value stated, so it might look like the stereo array is ignored, but because this array is what is returned by the function contained between { and }, it is this array that gets played by the following ".play;"
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ I also added a frequency controller to the left SinOsc, and realized that it's getting a bit difficult to read again, especially if I wanted to add another parameter to the SinOsc.ar objects. So I placed the SinOsc.kr's into their own variables: frequencyL and frequencyR. This results in
+<pre class="programlisting">
+{
+ var frequencyL = SinOsc.kr( freq:10, mul:200, add:400 );
+ var frequencyR = SinOsc.kr( freq:1, mul:50, add:150 );
+
+ var left = SinOsc.ar( frequencyL );
+ var right = SinOsc.ar( frequencyR );
+
+ [ left, right ]
+
+}.play;
+</pre>
+
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ Now I can experiment with the frequency-changing SinOsc's, to make sure that I get things just right. When I realize what the parameters do, I make a note for myself (see "FSC-method-1-.sc"), so that it will be easy to adjust it later. I also explicitly call the parameters. This isn't necessary, but it also helps to avoid future confusion. Most programmers would not explicitly call the parameters, but we're musicians, not programmers.
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ The left channel has something like a "melody," so I decided to add a drone-like SinOsc to it. This is easy, of course, because any SinOsc left alone is automatically a drone! But, where should it be added? Into the "left" variable, of course. We'll create an array using [ , ] array notation. There are two things that I would do at this point to help with future readability:
+ </div><ol class="a"><li class="step" title="ステップ 7.a"><div class="para">
+ Align all of the left-channel SinOsc's vertically (using tabs and spaces), so that each line is one sound-generating UGen.
+ </div></li><li class="step" title="ステップ 7.b"><div class="para">
+ At the end of each line, write a small comment describing what the UGen on that line doesn.
+ </div></li></ol></li><li class="step" title="ステップ 8"><div class="para">
+ Now the volume is a problem. For most sound-producing UGen's, the "mul" argument controls the volume. For most of those, the default is "1.0," and anything greater will create distorted output. The physics and computer science factors that wind up creating distortion are rather complicated, and it isn't necessary to understand them. What we need to know is that, if the output of a UGen (or some UGen's) sounds distorted, then we should probably adjust the "mul" argument. Sometimes, of course, you may prefer that distorted output.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ It seems that, when you're using multiple SinOsc's in one output channel, the "mul" of all of them must not add to more than 1.0
+ </div></li><li class="listitem"><div class="para">
+ We're using two output channels (left and right). We'll leave the right channel alone for now, because it has only one output UGen.
+ </div></li><li class="listitem"><div class="para">
+ So, I'll change add a "mul" argument to each of the left-channel UGen's, to 0.5
+ </div></li></ul></div>
+
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ Now we can't hear the left channel, because the right channel is too loud! Playing with volumes (sometimes called "adjusting levels" for computers) is a constant aesthetic concern for all musicians. Add a "mul" argument to the right channel, and set it to what seems an appropriate volume for the moment. It will probably change later, but that's okay.
+ </div></li><li class="step" title="ステップ 10"><div class="para">
+ But let's add another dimension to this: there's no reason to keep the volume static, because we can use a SinOsc to change it periodically! I added a SinOsc variable called "volumeL," which I used as the argument to "mul" for the "frequencyL" SinOsc in the left channel.
+ </div></li><li class="step" title="ステップ 11"><div class="para">
+ And now the sheer boredom of the drone in the left channel becomes obvious. I decide to make it more interesting by adding a series of overtones (an overtone is...). I decide to add six, then experiment with which frequencies to add. But, every time I adjust one frequency, I have to re-calculate and change all the others. So I decide to add a variable for the drone's frequency: "frequencyL_drone". This way, after finding the right intervals, I can easily adjust all of them just by changing the variable. I've decided on drone*1, 2, 5, 13, and 28. These are more or less arbitrary, and I arrived on them through experimentation. Of course, the drone will be <span class="emphasis"><em>way</em></span> too loud.
+ </div></li><li class="step" title="ステップ 12"><div class="para">
+ Writing
+<pre class="programlisting">SinOsc.ar( [frequencyL_drone,2*frequencyL_drone,5*frequencyL_drone,13*frequencyL_drone,28*frequencyL_drone], mul:0.1 )</pre>
+ in your program is not easy to read, and actually it doesn't work out volume-balance-wise (for me, at least): the high frequencies are too loud, and the lower ones are not loud enough. In retrospect, I should have created a variable for the "mul" of these drones, so I could adjust them easily in proportion. But, I didn't.
+ </div></li><li class="step" title="ステップ 13"><div class="para">
+ A constant drone isn't as much fun as one that slowly changes over time. So, I changed the "frequencyL_drone" value to a SinOsc.kr UGen. Because it's supposed to be a "drone," it should change only very gradually, so I used a very small freqeuncy argument. It still moves quite quickly, but people won't want to listen to this too long, anyway!
+ </div></li><li class="step" title="ステップ 14"><div class="para">
+ I did something similar with the right channel, addding a slowly-changing drone and overtones above it.
+ </div></li><li class="step" title="ステップ 15"><div class="para">
+ After some final volume adjustments, I feel that I have completed the first part. There is no way to know for sure that you've finished until it happens. Even then, you may want to change your program later.
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Inspiration.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.4.2. Inspiration</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.4.4. Designing the Second Part</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.4.4. Designing the Second Part</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Composing.html" title="11.4. Composing with SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Composing-Designing_the_First_Part.html" title="11.4.3. Designing the First Part" /><link rel="next" href="sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones.html" title="11.4.5. Creating Ten Pseudo-Random Tones" /></head><body class="draft toc_embeded "><div id="tocd
iv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Designing_the_First_Part.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.4.4. Designing the Second Part" id="sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title"
id="sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part">11.4.4. Designing the Second Part</h3></div></div></div><div class="para">
+ The next thing that I did was to design the second part. This will not join them together yet, and I'm going to focus on something completely different, so I decided to do this in a separate file.
+ </div><div class="para">
+ My inspiration for this part came from experimenting with the drones of the first part. There are a virtually unlimited number of combinations of sets of overtones that could be created, and the combinations of discrete frequencies into complex sounds is something that has fascinated me for a long time. Moreover, when thousands of discrete frequencies combine in such a way as to create what we think of as "a violin playing one note," it seems like a magical moment.
+ </div><div class="para">
+ I'm going to build up a set of pseudo-random tones, adding them one at a time, in set increments. As you will see, this introduces a number of problems, primarily because of the scheduling involved with the one-by-one introduction of tones, and keeping track of those tones.
+ </div><div class="para">
+ The fact that there are ten tones also poses a problem, because it might require a lot of typing. We'll see solutions to that, which use SuperCollider's programming features to greatly increase the efficiency.
+ </div><div class="para">
+ Although we've already solved the musical problems (that is, we know what we want this part to sound like), the computer science (programming) problems will have to be solved the old-fashioned way: start with something simple, and build it into a complex solution.
+ </div><div class="para">
+ First I will develop the version used in FSC-method-1.sc, then the version used in FSC-method-1-short.sc
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Designing_the_First_Part.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.4.3. Designing the First Part</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.4.5. Creating Ten Pseudo-Random Tones</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Composing-Inspiration.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Composing-Inspiration.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.4.2. Inspiration</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Composing.html" title="11.4. Composing with SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SuperCollider-Composing.html" title="11.4. Composing with SuperCollider" /><link rel="next" href="sect-Musicians_Guide-SC-Composing-Designing_the_First_Part.html" title="11.4.3. Designing the First Part" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" clas
s="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SuperCollider-Composing.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Designing_the_First_Part.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.4.2. Inspiration" id="sect-Musicians_Guide-SC-Composing-Inspiration"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Inspiration">11.4.2. Inspiration</h3></div></div></div
><div class="para">
+ The intention of this program is to represent one way to write a SuperCollider program. I decided to take one class, SinOsc, and use it for "everything." Here, "everything" means any function that returns a sound, or any function that directly controls a SinOsc.
+ </div><div class="para">
+ In order to fill up time, I decided to employ a three-part "rounded binary" form: ABA' or "something, something new, then the first thing again." This is kind of like a sine oscillation, too!
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SuperCollider-Composing.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.4. Composing with SuperCollider</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Designing_the_First_Part.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.4.3. Designing the First Part</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.4.9. Joining the Two Parts</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Composing.html" title="11.4. Composing with SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part.html" title="11.4.8. Making a Useful Section out of the Second Part" /><link rel="next" href="sect-Musicians_Guide-SuperCollider-Exporting.html" title="11.5. Exporting Sound Files" /></head><body class="draft toc_embeded "><div id
="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SuperCollider-Exporting.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.4.9. Joining the Two Parts" id="sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" i
d="sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts">11.4.9. Joining the Two Parts</h3></div></div></div><div class="para">
+ Now it is time to join the two parts, and ensure a clean transition between them. My reasons for building the first part as a SynthDef, but the second part as a function are explained in the FSC_part_1.sc file. Additional reasons include my desire to illustrate the use of both possibilities, and because the second part stops itself (so it can be a function which is executed and forgotten), whereas the first part does not stop itself (so we'll need to hold onto the synth, to stop it ourselves).
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ I copy-and-pasted both parts into a new file, leaving the other original code in tact, in case I want to build on them in the future. Be sure to copy over the <code class="code">var t_c = TempoClock.default;</code> definition from the second part.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ By default, the two parts would both start playing at the same time (give it a try!) This isn't what we want, however, so you'll need to erase the "play" command from both parts' functions. We'll also need some way to refer to them, so declare the second part as a variable (I've used the name, "secondPart,"), but don't worry about the first part yet. Don't forget the semicolon at the end of the function declaration!
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ To join the two parts, I'm going to use function that does all the scheduling. This is similar to a "main" function, which are used in most programming languages. Although they are optional in SuperCollider, it just makes sense to use one function that does all the scheduling, and nothing else: that way, when you have problems with the scheduling, or you want to make an adjustment or addition to the program, you can easily find the place where the scheduling happens. If your scheduling commands were spread out through the source file, it would be much more difficult to find and modify the scheduling commands.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Our first job is to determine which variables we'll need to use: just one, which will be assigned the currently-running \FirstPart Synth. Also, if you didn't previously assign "TempoClock.default" to the variable "t_c", then it makes sense to do this now.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ The next thing our function must do is guarantee that we're going to have the right tempo. Use the "tempo_" Function with an argument in beats-per-second, to assign "TempoClock.default" a tempo of one beat per second.
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ The next and last thing will be to schedule our sounds. First, we need to determine which events will need to be scheduled, and then at what times.
+ </div><ol class="a"><li class="step" title="ステップ 6.a"><div class="para">
+ Since \FirstPart is a SynthDef, we'll need to start it and stop it ourselves. Since it happens two times in the intended program, we'll need to do it twice.
+ </div></li><li class="step" title="ステップ 6.b"><div class="para">
+ secondPart is a Function, and it stops itself when it's finished. We'll need to start it once and let it go.
+ </div></li><li class="step" title="ステップ 6.c"><div class="para">
+ Just in case something takes a while to process, we'll start the first \FirstPart on beat one, rather than beat zero. We'll let it play for 60 seconds the first time, and 30 seconds the second time.
+ </div></li><li class="step" title="ステップ 6.d"><div class="para">
+ In order to schedule the second appearance of \FirstPart, we need to know how long secondPart will take. Let's inspect the function and calculate how many beats it will take.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 1 beat of silence at the beginning,
+ </div></li><li class="listitem"><div class="para">
+ 5 beats between the entrance of each SinOsc,
+ </div></li><li class="listitem"><div class="para">
+ 10 SinOsc's,
+ </div></li><li class="listitem"><div class="para">
+ 5 beats after the last SinOsc until the function stops.
+ </div></li><li class="listitem"><div class="para">
+ This gives us <code class="code">1 + ( 5 * 9 ) + 5 = 51</code>. Why <code class="code">5 * 9</code>? Because although there are ten SinOsc's, there are only nine spaces between them; the last five-second space happens <span class="emphasis"><em>after</em></span> the last <code class="classname">SinOsc</code>.
+ </div></li></ul></div>
+
+ </div></li><li class="step" title="ステップ 6.e"><div class="para">
+ This gives us the following schedule:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 1 beat: start \FirstPart
+ </div></li><li class="listitem"><div class="para">
+ 61 beats: stop \FirstPart
+ </div></li><li class="listitem"><div class="para">
+ 61 beats: start secondPart
+ </div></li><li class="listitem"><div class="para">
+ 113 beats: start \FirstPart
+ </div></li><li class="listitem"><div class="para">
+ 143 beats: stop \FirstPart
+ </div></li></ul></div>
+
+ </div></li></ol></li><li class="step" title="ステップ 7"><div class="para">
+ Try to schedule the events for yourself, then test your program to make sure that it works as you intended. Here's what I wrote:
+<pre class="programlisting">
+t_c.sched( 1, { sound = Synth.new( \FirstPart ); } );
+t_c.sched( 61, { sound.free; } );
+t_c.sched( 61, { secondPart.value; nil; } );
+t_c.sched( 113, { sound = Synth.new( \FirstPart ); } );
+t_c.sched( 143, { sound.free; } );
+</pre>
+ Why is the "nil" required after "secondPart"? Because that function returns a number. As you know, any scheduled function which returns a number will re-schedule itself to run that many beats after the previous execution began. Since "secondPart" returns the number of seconds it takes to finish, it will always be re-started as soon as it finishes. Including "nil" disallows this repetition.
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.4.8. Making a Useful Section out of the Second...</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SuperCollider-Exporting.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.5. Exporting Sound Files</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.4.8. Making a Useful Section out of the Second Part</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Composing.html" title="11.4. Composing with SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Composing-Optimizing_the_Code.html" title="11.4.7. Optimizing the Code" /><link rel="next" href="sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts.html" title="11.4.9. Joining the Two Parts" /></head><body class="draft toc_embeded "><div id="tocdiv" class="
toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Optimizing_the_Code.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.4.8. Making a Useful Section out of the Second Part" id="sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part"><div class="titlepage"><div><div keep-together.within-column="always"><h
3 class="title" id="sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part">11.4.8. Making a Useful Section out of the Second Part</h3></div></div></div><div class="para">
+ This section describes the reasons for the differences between the second part's Function that was just created, and the Function that appears in "FSC_method_1-short.sc". It all comes down to this: the current solution is tailor-made for this particular program, and would require significant adaptation to be used anywhere else; I want to re-design the Function so that it can be used anywhere to begin with, while still defaulting to the behaviour desired for this program.
+ </div><div class="para">
+ You can skip this section, and return later. The actions for the rest of the tutorial remain unchanged whether you do or do not make the modifications in this section.
+ </div><div class="para">
+ Here's what I have from the previous step:
+<pre class="programlisting">
+var t_c = TempoClock.default;
+
+var secondPart =
+{
+ var so = Array.new( 10 );
+
+ var func =
+ {
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ];
+ };
+
+ 10.do( { arg index; t_c.sched( ((5*index)+1), { so = so.add( {func.value;}.play; ); } ); } );
+ 10.do( { arg index; t_c.sched( 51, { so[index].free; } ); } );
+
+};
+</pre>
+ This Function is the perfect solution if you want ten pseudo-random pitches between 200 Hz and 800 Hz, and a five-second pause between each one. If you want nine or eleven pitches, if you want them to eb between 60 Hz and 80Hz, if you want a six-second pause between each - you would have to modify the Function. If you don't remember how it works, or if you give it to a friend, you're going to have to figure out how it works before you modify it. This is not an ideal solution.
+ </div><div class="para">
+ Let's solve these problems one at a time, starting with allowing a different number of SinOsc synths to be created. We know that we'll have to create an argument, and that it will have to be used wherever we need the number of SinOsc's. Also, to preserve functionality, we'll make a default assignment of 10. Try to accomplish this yourself, making sure to test your Function so that you know it works. Here's what I did:
+<pre class="programlisting">
+var t_c = TempoClock.default;
+
+var secondPart =
+{
+ arg number_of_SinOscs = 10;
+
+ var so = Array.new( number_of_SinOscs );
+
+ var func =
+ {
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ];
+ };
+
+ number_of_SinOscs.do( { arg index; t_c.sched( ((5*index)+1), { so = so.add( {func.value;}.play; ); } ); } );
+ number_of_SinOscs.do( { arg index; t_c.sched( 51, { so[index].free; } ); } );
+
+};
+</pre>
+ The "do" loop doesn't need a constant number; it's fine with a variable. What happens when you pass a bad argument, like a string? This would be an easy way to sabotage your program, and in almost any other programming context it would concern us, but this is just audio programming. If somebody is going to try to create "cheese" SinOsc's, it's their own fault for mis-using the Function.
+ </div><div class="para">
+ Now let's modify the Function so that we can adjust the range of frequencies that the Function will generate. We know that we'll need two more arguments, and that they'll have to be used in the equation to calculate the frequency. But we'll also need to do a bit of arithmetic, because of the way the "rand" Function works (actually we don't - see the "rand" Function's help file). Also, to preserve functionality, we'll make default assignments of 200 and 800. Try to accomplish this yourself, making sure that you test the Function so you know it works. Here's what I did:
+<pre class="programlisting">
+var t_c = TempoClock.default;
+
+var secondPart =
+{
+ arg number_of_SinOscs = 10,
+ pitch_low = 200,
+ pitch_high = 800;
+
+ var so = Array.new( number_of_SinOscs );
+
+ var func =
+ {
+ var freq = pitch_low + (pitch_high - pitch_low).rand;
+ [ SinOsc.ar( freq:freq, mul:0.01),
+ SinOsc.ar( freq:freq, mul:0.01) ];
+ };
+
+ number_of_SinOscs.do( { arg index; t_c.sched( ((5*index)+1), { so = so.add( {func.value;}.play; ); } ); } );
+ number_of_SinOscs.do( { arg index; t_c.sched( 51, { so[index].free; } ); } );
+
+};
+</pre>
+ Notice that I changed the name of the variables, and the indentation in the "func" sub-Function, to make it easier to read. This isn't a particularly difficult change.
+ </div><div class="para">
+ Now let's allow the user to set the length of time between each SinOsc appears. We will need one more argument, used in the scheduling command. Try to accomplish this yourself, and if you run into difficulty, the next paragraph contains some tips.
+ </div><div class="para">
+ The change to the "do" loop which schedules the SinOsc's to play is almost trivial. My new argument is called "pause_length", (meaning "the length of the pause, in seconds, between adding each SinOsc"), so I get this modification: number_of_SinOscs.do(
+<pre class="programlisting">
+{
+ arg time;
+ secondPart_clock.sched( (1+(time*5)), { sounds = sounds.add( func.play ); } );
+});
+</pre>
+ Again, I changed the indentation, and the names of the variables in this sub-Function. Recall that the "1+" portion is designed to add a one-second pause to the start of the Function's execution. The problem comes in the next "do" loop, where we have to know how the number of beats from now will be five seconds after the last SinOsc is added. We'll have to calculate it, so I added a variable to store the value after it's calculated. This also allows us to return it, as a convenience to the Function that called this one, so that it knows how long until this Function is finished. Try adding this yourself, then testing the Function to ensure that it works. I got this:
+<pre class="programlisting">
+var t_c = TempoClock.default;
+
+var secondPart =
+{
+ arg number_of_SinOscs = 10,
+ pitch_low = 200,
+ pitch_high = 800,
+ pause_length = 5;
+
+ var so = Array.new( number_of_SinOscs );
+
+ var when_to_stop = ( 1 + ( pause_length * number_of_SinOscs ) );
+
+ var func =
+ {
+ var freq = pitch_low + (pitch_high - pitch_low).rand;
+ [ SinOsc.ar( freq:freq, mul:0.01),
+ SinOsc.ar( freq:freq, mul:0.01) ];
+ };
+
+ number_of_SinOscs.do(
+ {
+ arg time;
+ t_c.sched( (1+(time*5)), { so = so.add( func.play ); } );
+ });
+
+ t_c.sched( when_to_stop,
+ {
+ number_of_SinOscs.do( { arg index; so[index].free; } );
+ nil;
+ });
+
+ when_to_stop;
+};
+</pre>
+ I decided to "invert" the "free-ing" of the SinOsc's. Rather than scheduling number_of_SinOscs Function-calls at some point in the future, I decided to schedule one thing: a "do" loop that does the work. The indentation looks strange, but sometimes there's not much you can do about that. The "when_to_stop" variable must be the last thing in the Function, so that the interpreter returns it to the Function's caller.
+ </div><div class="para">
+ In order to retain the "bare minimum" robustness to be used elsewhere, we can't rely on the "TempoClock.default" clock having the tempo we expect, and we certainly can't rely on it being declared as "t_c". The solution is quite easy: create a new TempoClock within the Function.
+<pre class="programlisting">var t_c = TempoClock.new; // default tempo is one beat per second</pre>
+ We could hypothetically use the "SystemClock", since we're measuring time strictly in seconds. But, using a TempoClock is preferred for two reasons:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ It has the word "tempo" in its name, and it's designed for scheduling musical events; the "SystemClock" is for system events.
+ </div></li><li class="listitem"><div class="para">
+ We can easily extend this in the future to use a "TempoClock" set to a different tempo.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ There are some further ways to improve this Function, making it more robust (meaning that it will work consistently in a greater range of circumstances). Here are things that could be done to improve the Function, with an explanation of why it would make the Function more robust:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Made the clock an argument, allowing this Function to schedule events on a clock belonging to some other Function. Since all clocks respond to the "sched" message, we could even accept the "SystemClock" or "AppClock". The default value would still be <code class="code">TempoClock.new</code>
+ </div></li><li class="listitem"><div class="para">
+ Use absolute scheduling rather than relative scheduling. Depending on how long the server and interpreter take to process the commands, it could lead to significant delays if the Function is asked to create a lot of SinOsc's.
+ </div></li><li class="listitem"><div class="para">
+ Create one SynthDef (with an argument) for all of the synths. Especially when asked to create a large numbe of SinOsc's, this will lead to faster processing and lower memory consumption. On the other hand, it increases the complexity of the code a little bit, requiring more testing.
+ </div></li><li class="listitem"><div class="para">
+ Each SinOsc is currently created with the same "mul" argument, regardless of how many SinOsc's are created. Set as it is, when asked to create 51 SinOsc's, the signal would become distorted. If you're puzzled about why 51, remember that for each SinOsc the Function is asked to create, it currently creates two: one for the left and one for the right audio channel.
+ </div></li><li class="listitem"><div class="para">
+ Allow the SynthDef to be passed in as an argument, with the requirement that such a SynthDef would need to accept the "freq" and "mul" arguments. This is going out on a limb a bit, and requires careful explanation in comments to ensure that the Function is used correctly. You will also need to test what happens if the Function is used incorrectly. Crashing the server application is a bad thing to do, especially without a warning.
+ </div></li><li class="listitem"><div class="para">
+ Use a Bus to cut the number of synths in half, so that one synth will be sent both to the left and right channels. Alternatively, you could add special stereo effects.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ As you can see, there are a lot of ways to improve this Function even further; there are almost certainly more ways than listed here. Before you distribute your Function, you would want to be sure to test it thoroughly, and add helpful comments so that the Function's users know how to make the Function do what they want. These are both large topics in themselves, so I won't give them any more attention here.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Optimizing_the_Code.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.4.7. Optimizing the Code</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.4.9. Joining the Two Parts</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.4.7. Optimizing the Code</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Composing.html" title="11.4. Composing with SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones.html" title="11.4.6. Scheduling the Tones" /><link rel="next" href="sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part.html" title="11.4.8. Making a Useful Section out of the Second Part" /></head><body class="draft toc_embeded
"><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.4.7. Optimizing the Code" id="sect-Musicians_Guide-SC-Composing-Optimizing_the_Code"><div class="titlepage"><div><div keep-together.within-column="always"><h3
class="title" id="sect-Musicians_Guide-SC-Composing-Optimizing_the_Code">11.4.7. Optimizing the Code</h3></div></div></div><div class="para">
+ Hopefully, while working through the previous sections, you got an idea of how tedious, boring, difficult-to-read, and error-prone this sort of copy-and-paste programming can be. It's ridiculous, and it's poor programming:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ We're using a lot of variables and variable names. They're all just used once or twice, too.
+ </div></li><li class="listitem"><div class="para">
+ When you copy-and-paste code, but change it a little, you might make a mistake in that little change.
+ </div></li><li class="listitem"><div class="para">
+ When you copy-and-paste code, when you make a mistake, you have to copy-and-paste to fix it everywhere.
+ </div></li><li class="listitem"><div class="para">
+ Repetition is the enemy of high-quality code. It is much better to write something once and re-use that same code.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Thankfully, SuperCollider provides three things that will greatly help to solve these problems - at least for our current situation:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Arrays can be used to hold multiple instances of the same thing, all referred to with essentially the same name. We're already doing something similar, (sinosc1, sinosc2, etc.) but arrays are more flexible.
+ </div></li><li class="listitem"><div class="para">
+ Functions can be written once, and executed as many times as desired.
+ </div></li><li class="listitem"><div class="para">
+ Loops also provide a means to write code once, and execute it many times. As you will see, they are useful in situations different from functions.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ It should be noted that, while it is good practise to program like this, it is also optional. You will probably find, though, that writing your programs well in the first place ends up saving huge headaches in the future.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ The first thing we'll do is write a function to deal with generating the stereo arrays of SinOsc's.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Take the code required to generate one stereo array of SinOsc's with a pseudo-random frequency. Put it in a function, and declare a variable for it (I used the name "func").
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Now remove the frequency1 (etc.) variables, and change the sinosc1 (etc.) variables to use the new function. Make sure that the code still works in the same way. It's much easier to troubleshoot problems when you make only one change at a time!
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ At this point, we've eliminated ten lines of code, and made ten more lines easier to read by eliminating the subtle copy-and-paste changes. If you can't manage to work it out, refer to the FSC_method_1.sc file for tips.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ We can eliminate ten more lines of code by using a loop with an array. Let's change only one thing at a time, to make it easier to find a problem, if it should arise. Start by commenting out the lines which declare and initialize sinosc1, sinosc2, and so on.
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ Then declare a ten-element array in the same place: <code class="code">var sinosc = Array.new( 10 );</code>
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ The next part is to write code to get ten func.value's into the array. To add something to an array in SuperCollider, we use the "add" method: <code class="code">sinosc.add( thing_to_add );</code> There is a small wrinkle to this, described in the SuperCollider documentation. It's not important to understand (for musical reasons, that is - it is explained on this help page), but when you add an element to an array, you <span class="emphasis"><em>should</em></span> re-assign the array to the variable-name: <code class="code">sinosc = sinosc.add( thing_to_add )</code> Basically it works out like this: if you don't re-assign, then there is a chance that the array name only includes the elements that were in the array before the "add" command was run.
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ With this, we are able to eliminate a further level of redundancy in the code. Ten exact copies of <code class="code">sinosc = sinosc.add( { func.value; } );</code> Now, ten lines that look almost identical actually are identical. Furthermore, we don't have to worry about assigning unique names, or even about index numbers, as in other programming languages. SuperCollider does this for us!
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ This still won't work, because we need to adjust the rest of the function to work with this array. The scheduling commands be changed to look something like this: <code class="code">t_c.sched( 1, { so1 = sinosc[0].play; } );</code> Since arrays are indexed from 0 to 9, those are the index numbers of the first ten objects in the array.
+ </div></li><li class="step" title="ステップ 10"><div class="para">
+ Remember that you need to put all of your variable declarations <span class="emphasis"><em>before</em></span> anything else.
+ </div></li><li class="step" title="ステップ 11"><div class="para">
+ It <span class="emphasis"><em>should</em></span> still work. Let's use a loop to get rid of the ten identical lines.
+ </div></li><li class="step" title="ステップ 12"><div class="para">
+ In SuperCollider, <code class="code"><em class="replaceable"><code>x</code></em>.do( <em class="replaceable"><code>f</code></em> );</code> will send the <code class="literal">value</code> message to the function <code class="literal">f</code> <code class="literal">x</code> times. So, to do this ten times, we should write <code class="code">10.do( { sinosc = sinosc.add( { func.value; } ); } );</code> and get rid of the other ones. This is very powerful for simple things that must be done multiple times, because you are definitely not going to make a copy-and-paste error, because it's easy to see what is being executed, and because it's easy to see how many times it is being executed.
+ </div></li><li class="step" title="ステップ 13"><div class="para">
+ Now let's reduce the repetitiveness of the scheduling. First, replace so1, so2, etc. with a ten-element array. Test it to ensure that the code still works.
+ </div></li><li class="step" title="ステップ 14"><div class="para">
+ Getting the next two loops working is a little bit more complicated. We know how to run the exact same code in a loop, but we don't know how to change it subtly (by supplying different index numbers for the array, for example). Thankfully, SuperCollider provides a way to keep track of how many times the function in a loop has already been run. The first argument given to a function in a loop is the number of times that the function has <span class="emphasis"><em>already</em></span> been executed. The first time it is run, the function receives a 0; if we're using a <code class="code">10.do( <em class="replaceable"><code>something</code></em> );</code> loop, then the last time the function is run, it receives a 9 because the function has already been executed 9 times. Since our ten-element array is indexed from 0 to 9, this works perfectly for us.
+ </div></li><li class="step" title="ステップ 15"><div class="para">
+ The code to free is shorter: <code class="code">10.do( { arg index; t_c.sched( 51, { so[index].free; } ); } );</code> This can look confusing, especially written in one line, like it is. If it helps, you might want to write it like this instead:
+<pre class="programlisting">
+10.do
+({ arg index;
+ t_c.sched( 51, { so[index].free; } );
+});
+</pre>
+ Now it looks more like a typical function.
+ </div></li><li class="step" title="ステップ 16"><div class="para">
+ The next step is to simplify the original scheduling calls in a similar way, but it's slightly more complicated because we have to schedule a different number of measures for each call. With a little math, this is also not a problem - it's just a simple linear equation: <code class="literal">number_of_measures = 5 * array_index + 1</code> Try to write this loop by yourself, before going to the next step.
+ </div></li><li class="step" title="ステップ 17"><div class="para">
+ If you missed it, my solution is
+<pre class="programlisting">10.do( { arg index; t_c.sched( ((5*index)+1), { so = so.add( sinosc[index].play; ); } ); } );</pre>
+ which includes some extra parentheses to ensure that the math is computed in the right order.
+ </div></li><li class="step" title="ステップ 18"><div class="para">
+ The code is already much shorter, easier to understand, and easier to expand or change. There is one further optimzation that we can easily make: get rid of the sinosc array. This simply involves replacing <code class="code">sinosc[index]</code> with what all of its elements are: <code class="code">{ func.value; }</code>
+ </div></li><li class="step" title="ステップ 19"><div class="para">
+ The resulting program is a little different from what ended up in FSC_method_1.sc, but produces the same output. What I have is this:
+<pre class="programlisting">
+var t_c = TempoClock.default;
+
+{
+ var so = Array.new( 10 );
+
+ var func =
+ {
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ];
+ };
+
+ 10.do( { arg index; t_c.sched( ((5*index)+1), { so = so.add( {func.value;}.play; ); } ); } );
+ 10.do( { arg index; t_c.sched( 51, { so[index].free; } ); } );
+
+}.value;
+</pre>
+
+ </div></li><li class="step" title="ステップ 20"><div class="para">
+ Finally, assign this Function to a variable (called "secondPart", perhaps), and remove the "value" Function-call. If we leave that in, the Function will execute before the rest of the program begins!
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.4.6. Scheduling the Tones</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.4.8. Making a Useful Section out of the Second...</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.4.6. Scheduling the Tones</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Composing.html" title="11.4. Composing with SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones.html" title="11.4.5. Creating Ten Pseudo-Random Tones" /><link rel="next" href="sect-Musicians_Guide-SC-Composing-Optimizing_the_Code.html" title="11.4.7. Optimizing the Code" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"
><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Optimizing_the_Code.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.4.6. Scheduling the Tones" id="sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Co
mposing-Scheduling_the_Tones">11.4.6. Scheduling the Tones</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ The next step is to get these started consecutively, with 5-second pauses after each addition. For this we will use a TempoClock, and since this is the only thing that we're doing, we'll just use the default one called TempoClock.default. I don't feel like typing that, however, so we're going to define an alias variable: <code class="code">var t_c = TempoClock.default;</code> You could put that in the main function, but I suggest putting it before the main function. This way, if we want to write another function later, then it can also access <code class="literal">t_c</code>.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ The default TempoClock has a default tempo of one beat per second (1 Hz). This will be good enough for us. If you wanted to change the tempo, remember that you can enter a metronome setting (which is "beats per minute") by dividing the metronome setting by 60. So a metronome's 120 beats per minute would be given to a new TempoClock as <code class="code">TempoClock.new( 120/60 )</code>. Even though you could do that ahead of time and just write "2," inputting it as "120/60" makes it clearer what tempo you intend to set.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ You can schedule something on a TempoClock by using <code class="code">t_c.sched( <em class="replaceable"><code>x</code></em>, <em class="replaceable"><code>f</code></em> );</code>, where <code class="literal">f</code> is a function to execute, and <code class="literal">x</code> is when it should be done, measured as the number of beats from now. So we can schedule our SinOsc like this:
+<pre class="programlisting">t_c.sched( 1, {{[ SinOsc.ar( freq:frequency1, mul:0.01 ), SinOsc.ar( freq:frequency1, mul:0.01 ) ]}.play;} );</pre>
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Schedule the rest, in intervals of five beats (which is five seconds). They will all be scheduled virtually instantaneously (that is, the computer will notice the slight delay between when each one is scheduled, but humans will not). I started at one beat from now, to insert a slight pause before the sound begins.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ If you've done this correctly, then we should get a build-up of ten pitches. But they never stop! This is going to take some more ingenuity to solve, because we can't just make a stereo array, play it, then throw it away. We need to hold onto the stereo array, so that we can stop it. The first step here is to store the stereo arrays in variables, and subsequently schedule them. You will end up with something like this:
+<pre class="programlisting">
+var sinosc1 = { [ SinOsc.ar( freq:frequency1, mul:0.01 ), SinOsc.ar( freq:frequency1, mul:0.01 ) ] };
+// the other nine...
+
+ t_c.sched( 1, { sinosc1.play; } );
+// the other nine...
+</pre>
+
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ It should still work, but we after all that cutting-and-pasting, we still haven't managed to turn off the SinOsc's. We need to "free" the object that was returned when we used the "play" function. We need to declare yet more variables: <code class="code">var so1, so2, so3, so4, so5, so6, so7, so8, so9, so0;</code> should appear anywhere before the scheduler.
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ Now adjust all the scheduling commands so they look like this: <code class="code">t_c.sched( 1, { so1 = sinosc1.play; } );</code>
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ Now you can add ten of these, after the existing scheduling commands: <code class="code">t_c.sched( 51, { so1.free; } );</code>. Be sure to schedule each one for 51 beats, so that they all turn off simultaneously, 5 beats after the last pitch is added.
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ It should work successfully. If it doesn't, then compare what you have to this, which does work:
+<pre class="programlisting">
+var t_c = TempoClock.default;
+
+{
+ var frequency1 = 200 + 600.rand;
+ var frequency2 = 200 + 600.rand;
+ var frequency3 = 200 + 600.rand;
+ var frequency4 = 200 + 600.rand;
+ var frequency5 = 200 + 600.rand;
+ var frequency6 = 200 + 600.rand;
+ var frequency7 = 200 + 600.rand;
+ var frequency8 = 200 + 600.rand;
+ var frequency9 = 200 + 600.rand;
+ var frequency0 = 200 + 600.rand;
+
+ var sinosc1 = { [ SinOsc.ar( freq:frequency1, mul:0.01 ), SinOsc.ar( freq:frequency1, mul:0.01 ) ] };
+ var sinosc2 = { [ SinOsc.ar( freq:frequency2, mul:0.01 ), SinOsc.ar( freq:frequency2, mul:0.01 ) ] };
+ var sinosc3 = { [ SinOsc.ar( freq:frequency3, mul:0.01 ), SinOsc.ar( freq:frequency3, mul:0.01 ) ] };
+ var sinosc4 = { [ SinOsc.ar( freq:frequency4, mul:0.01 ), SinOsc.ar( freq:frequency4, mul:0.01 ) ] };
+ var sinosc5 = { [ SinOsc.ar( freq:frequency5, mul:0.01 ), SinOsc.ar( freq:frequency5, mul:0.01 ) ] };
+ var sinosc6 = { [ SinOsc.ar( freq:frequency6, mul:0.01 ), SinOsc.ar( freq:frequency6, mul:0.01 ) ] };
+ var sinosc7 = { [ SinOsc.ar( freq:frequency7, mul:0.01 ), SinOsc.ar( freq:frequency7, mul:0.01 ) ] };
+ var sinosc8 = { [ SinOsc.ar( freq:frequency8, mul:0.01 ), SinOsc.ar( freq:frequency8, mul:0.01 ) ] };
+ var sinosc9 = { [ SinOsc.ar( freq:frequency9, mul:0.01 ), SinOsc.ar( freq:frequency9, mul:0.01 ) ] };
+ var sinosc0 = { [ SinOsc.ar( freq:frequency0, mul:0.01 ), SinOsc.ar( freq:frequency0, mul:0.01 ) ] };
+
+ var so1, so2, so3, so4, so5, so6, so7, so8, so9, so0;
+
+ t_c.sched( 1, { so1 = sinosc1.play; } );
+ t_c.sched( 6, { so2 = sinosc2.play; } );
+ t_c.sched( 11, { so3 = sinosc3.play; } );
+ t_c.sched( 16, { so4 = sinosc4.play; } );
+ t_c.sched( 21, { so5 = sinosc5.play; } );
+ t_c.sched( 26, { so6 = sinosc6.play; } );
+ t_c.sched( 31, { so7 = sinosc7.play; } );
+ t_c.sched( 36, { so8 = sinosc8.play; } );
+ t_c.sched( 41, { so9 = sinosc9.play; } );
+ t_c.sched( 46, { so0 = sinosc0.play; } );
+
+ t_c.sched( 51, { so1.free; } );
+ t_c.sched( 51, { so2.free; } );
+ t_c.sched( 51, { so3.free; } );
+ t_c.sched( 51, { so4.free; } );
+ t_c.sched( 51, { so5.free; } );
+ t_c.sched( 51, { so6.free; } );
+ t_c.sched( 51, { so7.free; } );
+ t_c.sched( 51, { so8.free; } );
+ t_c.sched( 51, { so9.free; } );
+ t_c.sched( 51, { so0.free; } );
+
+}.value;
+</pre>
+
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.4.5. Creating Ten Pseudo-Random Tones</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Optimizing_the_Code.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.4.7. Optimizing the Code</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Recording_SuperColliders_Output.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Recording_SuperColliders_Output.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.5.2. Recording SuperCollider's Output (Tutorial)</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Exporting.html" title="11.5. Exporting Sound Files" /><link rel="prev" href="sect-Musicians_Guide-SuperCollider-Exporting.html" title="11.5. Exporting Sound Files" /><link rel="next" href="chap-Musicians_Guide-LilyPond.html" title="第12ç« LilyPond" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../t
oc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SuperCollider-Exporting.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-LilyPond.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.5.2. Recording SuperCollider's Output (Tutorial)" id="sect-Musicians_Guide-SC-Recording_SuperColliders_Output"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Recording_SuperColliders_Output">11.5.2. Recording SuperCollider's Output (Tu
torial)</h3></div></div></div><div class="para">
+ Since <code class="systemitem">SuperCollider</code> outputs its audio signals to the JACK sound server, any other <code class="systemitem">JACK</code>-aware program has the opportunity to record, process, and use them. This portion of the tutorial will help you to record SuperCollider's output in Ardour. Due to the advanced nature of SuperCollider, the text assumes that you have a basic knowledge of how to work with Ardour. If not, you may find it helpful to refer to <a class="xref" href="chap-Musicians_Guide-Ardour.html" title="第7ç« Ardour">7ç« <i>Ardour</i></a>.
+ </div><div class="para">
+ This procedure will help you to use <span class="application"><strong>Ardour</strong></span> to record the <span class="application"><strong>SuperCollider</strong></span> output.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Close unnecessary applications and stop unnecessary processes, which will help to reduce the risk of a buffer overrun or underrun, which cause an audible break in audio. If you are viewing this document in a web browser, you may want to copy-and-paste it into a simple text editor, or <span class="application"><strong>GEdit</strong></span>, if you are already using that.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Use <span class="application"><strong>QjackCtl</strong></span> to set up <code class="systemitem">JACK</code> with the right audio interface and configuration options.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ In order to get a clean start, restart the <span class="application"><strong>SuperCollider</strong></span> interpreter in <span class="application"><strong>GEdit</strong></span>, then start the server.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Open <span class="application"><strong>Ardour</strong></span> with a new session, and set up the rulers and timeline as desired. Seconds is usually the most appropriate unit with which to measure a <span class="application"><strong>SuperCollider</strong></span> recording.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ Add a stereo track (or however many channels desired), and rename it it "SuperCollider."
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ Use Ardour (the "Track/Bus Inspector" window) or <span class="application"><strong>QjackCtl</strong></span> to connect the "SuperCollider" track to SuperCollider's outputs.
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ You'll want to make sure that the <span class="application"><strong>SuperCollider</strong></span> output is also connected to your audio interface, so that you can hear the program as you progress. This is an example of multi-plexing. Changes to your audio interface's volume control will not affect the recording in Ardour.
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ Arm the track and transport in <span class="application"><strong>Ardour</strong></span>. When you are ready, start the transport. It is not important to start SuperCollider as quickly as possible, since you can cut out the silence after the recording is made.
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ Switch to <span class="application"><strong>GEdit</strong></span> and play the program that you want to record. If you make a mistake while starting the program, that's okay. We can always edit the recording after it's recorded.
+ </div></li><li class="step" title="ステップ 10"><div class="para">
+ Listen to the recording as it goes along. Use <span class="application"><strong>QjackCtl</strong></span> to make sure that you don't encounter a buffer underrun, and <span class="application"><strong>Ardour</strong></span> to make sure that you do not record a distorted signal.
+ </div></li><li class="step" title="ステップ 11"><div class="para">
+ When <span class="application"><strong>SuperCollider</strong></span> has finished playing your program, switch to <span class="application"><strong>Ardour</strong></span>, and stop the transport.
+ </div></li><li class="step" title="ステップ 12"><div class="para">
+ When you are ready to export, use the <span class="application"><strong>Ardour</strong></span> menu. <span class="guimenu"><strong>Choose Session</strong></span> → <span class="guisubmenu"><strong>Export</strong></span> → <span class="guimenuitem"><strong>Export session to audio file</strong></span>
+ </div></li><li class="step" title="ステップ 13"><div class="para">
+ The audio file will be created in the "export" sub-directory of the session's directory.
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SuperCollider-Exporting.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.5. Exporting Sound Files</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-LilyPond.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>第12ç« LilyPond</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Using_GEdit-Executing_Code.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Using_GEdit-Executing_Code.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.2.3. Executing Code in GEdit</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Using_GEdit.html" title="11.2. Using GEdit to Write and Run SuperCollider Programs" /><link rel="prev" href="sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server.html" title="11.2.2. Enable SuperCollider Mode and Start a Server" /><link rel="next" href="sect-Musicians_Guide-SC-Using_GEdit-Other_Tips.html" title="11.2.4. Other Tips for Using GEdit with SuperCollider" /></head><body class="draft toc_embede
d "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Using_GEdit-Other_Tips.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.2.3. Executing Code in GEdit" id="sect-Musicians_Guide-SC-Using_GEdit-Executing_Code"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Gui
de-SC-Using_GEdit-Executing_Code">11.2.3. Executing Code in <span class="application"><strong>GEdit</strong></span></h3></div></div></div><div class="para">
+ You can execute code directly from <span class="application"><strong>GEdit</strong></span>, without having to use <code class="command">sclang</code> from the command-line.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Ensure that <span class="application"><strong>SuperCollider</strong></span> mode is enabled, and that a server has been started.
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Select the code that you wish to execute. A single line of code may be executed simply by placing the text-input cursor on that line.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Press 'Ctrl+E' on the keyboard, or from the menu select '<span class="application"><strong>SuperCollider</strong></span> > Evaluate'
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ To stop all sound on the server, press 'Esc' on the keyboard, or from the menu select '<span class="application"><strong>SuperCollider</strong></span> > Stop Sound'
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ If the server successfully executes the code, then it will output something to the "<span class="application"><strong>SuperCollider</strong></span> output" pane. The output will be different, depending on what <span class="application"><strong>SuperCollider</strong></span> asked the server to do, but will usually either look like this:
+<pre class="programlisting">Synth("temp_0": 1000)</pre>
+ or this:
+<pre class="programlisting">RESULT = 0</pre>
+
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.2.2. Enable SuperCollider Mode and Start a Ser...</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Using_GEdit-Other_Tips.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.2.4. Other Tips for Using GEdit with SuperColl...</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Using_GEdit-Other_Tips.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Using_GEdit-Other_Tips.html
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@@ -0,0 +1,24 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.2.4. Other Tips for Using GEdit with SuperCollider</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Using_GEdit.html" title="11.2. Using GEdit to Write and Run SuperCollider Programs" /><link rel="prev" href="sect-Musicians_Guide-SC-Using_GEdit-Executing_Code.html" title="11.2.3. Executing Code in GEdit" /><link rel="next" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /></head><body class="draft toc_embeded "><d
iv id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Using_GEdit-Executing_Code.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.2.4. Other Tips for Using GEdit with SuperCollider" id="sect-Musicians_Guide-SC-Using_GEdit-Other_Tips"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="
sect-Musicians_Guide-SC-Using_GEdit-Other_Tips">11.2.4. Other Tips for Using <span class="application"><strong>GEdit</strong></span> with <span class="application"><strong>SuperCollider</strong></span></h3></div></div></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ If you close <span class="application"><strong>GEdit</strong></span> while the <span class="application"><strong>SuperCollider</strong></span> server is running, then <span class="application"><strong>GEdit</strong></span> will automatically shut down the server.
+ </div></li><li class="listitem"><div class="para">
+ If <code class="systemitem">JACK</code> is started by <span class="application"><strong>SuperCollider</strong></span>, then it will automatically terminate when the <span class="application"><strong>SuperCollider</strong></span> server terminates.
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> will automatically attempt to connect its outputs to the system's outputs. If your audio output doesn't work, then you should use <span class="application"><strong>QjackCtl</strong></span> to verify that it is correctly connected.
+ </div></li><li class="listitem"><div class="para">
+ Other functions available in the <span class="application"><strong>SuperCollider</strong></span> menu include:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Find Help (Opens the <span class="application"><strong>SuperCollider</strong></span> help file for currently-selected object).
+ </div></li><li class="listitem"><div class="para">
+ Find Definition (Opens the <span class="application"><strong>SuperCollider</strong></span> source file for the currently-selected object).
+ </div></li><li class="listitem"><div class="para">
+ Restart Interpreter (Restarts the <span class="application"><strong>SuperCollider</strong></span> interpreter; also closes running servers, but does not restart them).
+ </div></li><li class="listitem"><div class="para">
+ Clear output (Clears all output from the "<span class="application"><strong>SuperCollider</strong></span> output" pane).
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Using_GEdit-Executing_Code.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.2.3. Executing Code in GEdit</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3. Basic Programming in SuperCollider</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.2.2. Enable SuperCollider Mode and Start a Server</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Using_GEdit.html" title="11.2. Using GEdit to Write and Run SuperCollider Programs" /><link rel="prev" href="sect-Musicians_Guide-SC-Using_GEdit.html" title="11.2. Using GEdit to Write and Run SuperCollider Programs" /><link rel="next" href="sect-Musicians_Guide-SC-Using_GEdit-Executing_Code.html" title="11.2.3. Executing Code in GEdit" /></head><body class="draft toc_embeded "><di
v id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Using_GEdit.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Using_GEdit-Executing_Code.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.2.2. Enable SuperCollider Mode and Start a Server" id="sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_
Guide-SC-Using_GEdit-Start_a_Server">11.2.2. Enable <span class="application"><strong>SuperCollider</strong></span> Mode and Start a Server</h3></div></div></div><div class="para">
+ These steps should be followed every time you open <span class="application"><strong>GEdit</strong></span>, and wish to use the <span class="application"><strong>SuperCollider</strong></span> extension.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Choose <span class="guimenu"><strong>Tools</strong></span> → <span class="guimenuitem"><strong>SuperCollider Mode</strong></span>
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ A <span class="guimenu"><strong>SuperCollider</strong></span> menu should appear, and a window at the bottom which says, "<span class="application"><strong>SuperCollider</strong></span> output".
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ If you cannot see the window at the bottom, then select <span class="guimenu"><strong>View</strong></span> → <span class="guimenuitem"><strong>Bottom Pane</strong></span> from the menu, so that it shows up. It is sometimes important to see the information that <span class="application"><strong>SuperCollider</strong></span> provides in this window.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ After enabling <span class="application"><strong>SuperCollider</strong></span> mode, the window should display a series of notices. Near the end should be something like this:
+<pre class="programlisting">
+RESULT = 0
+Welcome to SuperCollider, for help type ctrl-c ctrl-h (Emacs) or :SChelp (vim) or ctrl-U (sced/gedit)
+</pre>
+ If this window gives a non-zero value for "RESULT," then an error has probably occurred, and you should scroll up to see what it is, and try to fix it. If you receive the following warning: "The GUI scheme 'swing' is not installed" then you will not be able to run any <span class="application"><strong>SuperCollider</strong></span> prorams that use a GUI (graphical user interface). The GUI components are not used anywhere in this Guide, and they are highly optional.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ You will probably also want to start a server at this point, so from the menu select '<span class="application"><strong>SuperCollider</strong></span> > Start Server'.
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ After the server starts, you should see messages from "JackDriver". If a JACK server is not already started, then <span class="application"><strong>SuperCollider</strong></span> will start one automatically.
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ If the <span class="application"><strong>SuperCollider</strong></span> server started successfully, you should see a message similar to this:
+<pre class="programlisting">
+SuperCollider 3 server ready..
+JackDriver: max output latency 46.4 ms
+notification is on
+</pre>
+
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Using_GEdit.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.2. Using GEdit to Write and Run SuperCollider ...</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Using_GEdit-Executing_Code.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.2.3. Executing Code in GEdit</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Using_GEdit.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SC-Using_GEdit.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.2. Using GEdit to Write and Run SuperCollider Programs</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-SuperCollider.html" title="第11ç« SuperCollider" /><link rel="prev" href="chap-Musicians_Guide-SuperCollider.html" title="第11ç« SuperCollider" /><link rel="next" href="sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server.html" title="11.2.2. Enable SuperCollider Mode and Start a Server" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe
" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-SuperCollider.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.2. Using GEdit to Write and Run SuperCollider Programs" id="sect-Musicians_Guide-SC-Using_GEdit"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-SC-Using_GEdit">11.2. Using <span class="applicatio
n"><strong>GEdit</strong></span> to Write and Run <span class="application"><strong>SuperCollider</strong></span> Programs</h2></div></div></div><div class="para">
+ The <span class="package">supercollider-gedit</span> package installs an extension for <span class="application"><strong>GEdit</strong></span> which allows editing and running <span class="application"><strong>SuperCollider</strong></span> code from within <span class="application"><strong>GEdit</strong></span>. There are also <span class="application"><strong>SuperCollider</strong></span> extensions for the <span class="application"><strong>emacs</strong></span> and <span class="application"><strong>vim</strong></span> text editors. This tutorial uses the <span class="application"><strong>GEdit</strong></span> extension, because it is easier to learn how to use <span class="application"><strong>GEdit</strong></span> than <span class="application"><strong>vim</strong></span> or "emacs."
+ </div><div class="section" title="11.2.1. Enable and Configure SCEd in GEdit" id="sect-Musicians_Guide-SC-Using_GEdit-Enable_and_Configure_SCEd"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Using_GEdit-Enable_and_Configure_SCEd">11.2.1. Enable and Configure SCEd in <span class="application"><strong>GEdit</strong></span></h3></div></div></div><div class="para">
+ These steps should be followed the first time that you use <span class="application"><strong>GEdit</strong></span>'s <span class="application"><strong>SuperCollider</strong></span> extension.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Start <span class="application"><strong>GEdit</strong></span>
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ Open the Preferences window (from the menu, choose <span class="guimenu"><strong>Edit</strong></span> → <span class="guimenuitem"><strong>Preferences</strong></span>)
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Choose the 'Plugins' tab, and scroll down to <span class="package">Sced</span>, then make sure that it is selected.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Click on the <span class="guibutton"><strong>Configure Plugin</strong></span> button, then select a runtime folder where the <span class="application"><strong>SuperCollider</strong></span> server will store any synth sent to it during program execution. The safest place for this folder could be a sub-folder of the location where you will store your <span class="application"><strong>SuperCollider</strong></span> code.
+ </div></li></ol></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-SuperCollider.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>第11ç« SuperCollider</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.2.2. Enable SuperCollider Mode and Start a Ser...</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Sample_Format.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Sample_Format.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.3.2. サンプルフォーマット</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html" title="1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート" /><link rel="prev" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html" title="1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート" /><link rel="next" href="sect-Musicians_Guide-Sample_Rate.
html" title="1.3.3. サンプルレート" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sample_Rate.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="1.3.2. サンプルフォーマット" id="sect-Musicians_Guide-Sample_Format"><div class="titlepage"><div><div keep-together.within
-column="always"><h3 class="title" id="sect-Musicians_Guide-Sample_Format">1.3.2. サンプルフォーマット</h3></div></div></div><div class="para">
+ サンプルフォーマットã¯ã€å„サンプルを記述ã™ã‚‹ãŸã‚ã«ä½¿ç”¨ã•ã‚Œã‚‹ãƒ“ット数ã§ã™ã€‚ ビット数ãŒå¤§ãããªã‚‹ã»ã©ã€ã‚ˆã‚Šå¤šãã®ãƒ‡ãƒ¼ã‚¿ãŒå„サンプルã«æ ¼ç´ã•ã‚Œã¾ã™ã€‚ 一般的ãªã‚µãƒ³ãƒ—ルフォーマット㯠16 ビット㨠24 ビットã§ã™ã€‚ 8 ビットã®ã‚µãƒ³ãƒ—ルã¯ã€ä½Žå“質ã§ã‚ã‚Šã€ã‚ã¾ã‚Šä½¿ç”¨ã•ã‚Œã¾ã›ã‚“。 20 ビットã®ã‚µãƒ³ãƒ—ルã¯ä¸€èˆ¬çš„ã«ã‚³ãƒ³ãƒ”ュータ上ã§ä½¿ç”¨ã•ã‚Œã¾ã›ã‚“。 32 ビットã®ã‚µãƒ³ãƒ—ルã¯å¯èƒ½ã§ã™ãŒã€ã»ã¨ã‚“ã©ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã«ã‚ˆã£ã¦ã‚µãƒãƒ¼ãƒˆã•ã‚Œã¦ã„ã¾ã›ã‚“。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sample_Rate.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>1.3.3. サンプルレート</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Sample_Rate.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Sample_Rate.html
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+++ b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Sample_Rate.html
@@ -0,0 +1,5 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.3.3. サンプルレート</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html" title="1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート" /><link rel="prev" href="sect-Musicians_Guide-Sample_Format.html" title="1.3.2. サンプルフォーマット" /><link rel="next" href="sect-Musicians_Guide-Bit_Rate.html" title="1.3.4. ビットレート" /></head><body class="draft toc_embeded "><div id="tocd
iv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Sample_Format.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Bit_Rate.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="1.3.3. サンプルレート" id="sect-Musicians_Guide-Sample_Rate"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Sample_Rate">1.3.3. サンプルレート</h3></div></div></div><div
class="para">
+ The sample rate is the number of samples played in each second. Sample rates are measured in "Hertz" (abbreviated "Hz"), which means "per second," or in "kilohertz" (abbreviated "kHz"), which means "per second, times one thousand." The sample rate used on audio CDs can be written as 44Â 100Â Hz, or 44.1Â kHz, which both have the same meaning. Common sample rates are 44.1Â kHz, 48Â kHz, and 96Â kHz. Other possible sample rates include 22Â kHz, 88.2Â kHz, and 192Â kHz.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Sample_Format.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>1.3.2. サンプルフォーマット</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Bit_Rate.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>1.3.4. ビットレート</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Sound_Cards.html" title="第1ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¨ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª" /><link rel="prev" href="sect-Musicians_Guide-Choose_Sound_Card_Connection.html" title="1.2.5. 接続タイプをé¸æŠžã™ã‚‹" /><link rel="next" href="sect-Musicians_Guide-Sample_Format.html" title="1.3.2. サンプルフォーマット" /></head><
body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Choose_Sound_Card_Connection.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sample_Format.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート" id="sect-Musicians_Guide-Sample_Rate_and_Sample_Format"><div class="titlepage"
><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Sample_Rate_and_Sample_Format">1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート</h2></div></div></div><div class="para">
+ オーディオインターフェイスã®ä¸»ãªæ©Ÿèƒ½ã¯ã€ã‚¢ãƒŠãƒã‚°ãŠã‚ˆã³ãƒ‡ã‚¸ã‚¿ãƒ«å½¢å¼ã®é–“ã§ä¿¡å·ã‚’変æ›ã™ã‚‹ã“ã¨ã§ã™ã€‚ å‰è¿°ã—ãŸã‚ˆã†ã«ã€å®Ÿéš›ã®éŸ³ã¯éŸ³ç¨‹ã€ãƒœãƒªãƒ¥ãƒ¼ãƒ ã€ãŠã‚ˆã³æŒç¶šæ™‚é–“ã®ç„¡é™ã®å¯èƒ½æ€§ã‚’æŒã£ã¦ã„ã¾ã™ã€‚ コンピュータã¯ç„¡é™ã®æƒ…å ±ã‚’å‡¦ç†ã™ã‚‹ã“ã¨ã¯ã§ãã¾ã›ã‚“ã‹ã‚‰ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ã¯ä½¿ç”¨ã™ã‚‹å‰ã«å¤‰æ›ã™ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚
+ </div><div class="figure" title="図1.1 コンピュータã«ã‚ˆã£ã¦è¿‘ä¼¼ã•ã‚ŒãŸæ³¢å½¢" id="waveform"><div class="figure-contents"><div class="mediaobject"><img src="./images/sample-graph.png" alt="コンピュータã«ã‚ˆã£ã¦è¿‘ä¼¼ã•ã‚ŒãŸæ³¢å½¢" /><div class="longdesc"><div class="para">
+ ä¸é€£ç¶šãªéšŽæ®µã§è¿‘ä¼¼ã•ã‚Œã‚‹ã€ãªã‚らã‹ã§é€£ç¶šã—ãŸæ³¢å½¢
+ </div></div><div class="caption"><div class="para">
+ ソース: <code class="filename">pcm.svg</code> <a href="http://commons.wikimedia.org/wiki/File:Pcm.svg">http://commons.wikimedia.org/wiki/File:Pcm.svg</a>よりå–å¾—å¯èƒ½ã€‚
+ </div></div></div></div><h6>図1.1 コンピュータã«ã‚ˆã£ã¦è¿‘ä¼¼ã•ã‚ŒãŸæ³¢å½¢</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html#waveform" title="図1.1 コンピュータã«ã‚ˆã£ã¦è¿‘ä¼¼ã•ã‚ŒãŸæ³¢å½¢">図1.1「コンピュータã«ã‚ˆã£ã¦è¿‘ä¼¼ã•ã‚ŒãŸæ³¢å½¢ã€</a>ã®å›³ãŒçŠ¶æ³ã‚’示ã—ã¦ã„ã¾ã™ã€‚赤ã„æ³¢ã®å½¢ã¯æŒæ‰‹ã‚„アコースティック楽器ã«ã‚ˆã£ã¦ç”Ÿæˆã•ã‚Œã‚‹éŸ³æ³¢ã‚’示ã—ã¾ã™ã€‚ 赤ã„æ³¢ãŒå¾ã€…ã«å¤‰åŒ–ã™ã‚‹æ§˜åã¯ã€ã‚³ãƒ³ãƒ”ュータãŒå‡¦ç†ã™ã‚‹ã“ã¨ã¯ã§ãã¾ã›ã‚“。コンピュータã¯ã€å›³ã®ã‚°ãƒ¬ãƒ¼ã«å½±ã¥ã‘ã•ã‚ŒãŸé ˜åŸŸã§ç¤ºã•ã‚Œã‚‹è¿‘似を使ã†å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚ ã“ã®å›³ã¯èª‡å¼µã•ã‚ŒãŸä¾‹ã§ã€å®Ÿéš›ã®ãƒ¬ã‚³ãƒ¼ãƒ‡ã‚£ãƒ³ã‚°ã®æ§˜åを表ã—ã¦ã„ã‚‹ã‚ã‘ã§ã¯ã‚ã‚Šã¾ã›ã‚“。
+ </div><div class="para">
+ アナãƒã‚°ä¿¡å·ã¨ãƒ‡ã‚¸ã‚¿ãƒ«ä¿¡å·é–“ã®å¤‰æ›ã¯ã€ä½Žå“質ã¨é«˜å“質ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã®é•ã„を明らã‹ã«ã—ã¾ã™ã€‚ サンプルレートã¨ã‚µãƒ³ãƒ—ルフォーマットãŒã€ã‚³ãƒ³ãƒ”ュータã«ã‚ˆã£ã¦æ ¼ç´ã•ã‚Œã‚‹éŸ³å£°æƒ…å ±ã®é‡ã‚’制御ã—ã¾ã™ã€‚ æ ¼ç´ã•ã‚Œã¦ã„ã‚‹æƒ…å ±ã®é‡ãŒå¤šã‘ã‚Œã°å¤šã„ã»ã©ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã¯ã€ãƒžã‚¤ã‚¯ã‹ã‚‰ã®å…ƒã®ä¿¡å·ã‚’より良ãè¿‘ä¼¼ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ å¯èƒ½ãªã‚µãƒ³ãƒ—ルレートã¨ã€ã‚µãƒ³ãƒ—ルフォーマットã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã«ã‚ˆã£ã¦ç”Ÿæˆã‚ã‚‹ã„ã¯å–å¾—ã•ã‚Œã‚‹éŸ³ã®å“質ã®ä¸€éƒ¨ã—ã‹æ±ºå®šã—ã¾ã›ã‚“。 ãŸã¨ãˆã°ã€ãƒžã‚¶ãƒ¼ãƒœãƒ¼ãƒ‰ã«çµ±åˆã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã¯ã€24 ビットã®ã‚µãƒ³ãƒ—ルフォーマット㨠192 kHzã®ã‚µãƒ³ãƒ—ルレートãŒå¯èƒ½ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。一方プãƒãƒ¬ãƒ™ãƒ«ã®ã€FireWire 接続ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã
ƒ¼ã‚¹ã§ã€16 ビットã®ã‚µãƒ³ãƒ—ルフォーマットã¨ã€44.1 kHzã®ã‚µãƒ³ãƒ—ルレートãŒå¯èƒ½ãªã‚‚ã®ã®æ–¹ãŒã‚ˆãèžã“ãˆã‚‹ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。
+ </div><div class="section" title="1.3.1. サンプル" id="sect-Musicians_Guide-Sample"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Sample">1.3.1. サンプル</h3></div></div></div><div class="para">
+ A sample is a unit of audio data. Computers store video data as a series of still images (each called a "frame"), and displays them one after the other, changing at a pre-determined rate (called the "frame rate"). Computers store audio data as a series of still sound images (each called a "sample"), and plays them one after the other, changing at a pre-determined rated (called the "sample rate").
+ </div><div class="para">
+ ãƒ“ãƒ‡ã‚ªãƒ‡ãƒ¼ã‚¿ã‚’æ ¼ç´ã™ã‚‹ãŸã‚ã«ä½¿ç”¨ã•ã‚Œã‚‹ãƒ•ãƒ¬ãƒ¼ãƒ フォーマットã¨ãƒ•ãƒ¬ãƒ¼ãƒ レートã¯ã‚ã¾ã‚Šç¨®é¡žãŒã‚ã‚Šã¾ã›ã‚“。 ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ‡ãƒ¼ã‚¿ã‚’æ ¼ç´ã™ã‚‹ãŸã‚ã«ä½¿ç”¨ã•ã‚Œã‚‹ã‚µãƒ³ãƒ—ルフォーマットã¨ã‚µãƒ³ãƒ—ルレートã¯ãŸãã•ã‚“ã®ç¨®é¡žãŒã‚ã‚Šã¾ã™ã€‚
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Choose_Sound_Card_Connection.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>1.2.5. 接続タイプをé¸æŠžã™ã‚‹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sample_Format.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>1.3.2. サンプルフォーマット</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Singing_Exercises.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Singing_Exercises.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.4.2. Singing</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html" title="13.4. 課題を使ã†" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html" title="13.4. 課題を使ã†" /><link rel="next" href="sect-Musicians_Guide-Configure_Yourself_Exericses.html" title="13.4.3. Configure Yourself" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">Th
is is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Configure_Yourself_Exericses.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="13.4.2. Singing" id="sect-Musicians_Guide-Singing_Exercises"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Singing_Exercises">13.4.2. Singing</h3></div></div></div><div class="para">
+ These are: "Sing intervals"
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Select "Sing intervals"
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ フォーカスã—ãŸã„ã‚‚ã®ã‚’é¸ã³ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ 課題ãŒå§‹ã¾ã‚Šã€ã‚ãªãŸãŒæŒã†æœ€åˆã®éŸ³ã‚’æ¼”å¥ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ 最åˆã¨æ¬¡ã®éŸ³ã‚’æŒã£ã¦ãã ã•ã„。ã‚ã‚‹ã„ã¯ã€æ¬¡ã®éŸ³ã ã‘ã‚’æŒã†ã¨ã€ã‚ˆã‚Šé›£ã—ããªã‚Šã¾ã™ã€‚（ヒント：ドレミファ音階をã¤ã‹ã„ãªã•ã„ï¼ï¼‰
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ Solfege ã¯ã‚ãªãŸãŒæ£ã—ã音程をæŒãˆãŸã‹ã‚ã‹ã‚‰ãªã„ã®ã§ã€è‡ªåˆ†ã§ç”³å‘Šã—ãªã„ã¨ã„ã‘ã¾ã›ã‚“。
+ </div></li></ol></div><div class="para">
+ "Tap generated rhythm"
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Select "Tap generated rhythm"
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ サブカテゴリをé¸ã³ã¾ã™ã€‚（ãれらã¯ã€æ›¸ãå–ã‚Šã®èª²é¡Œã¨åŒã˜æ§‹æˆã§ã™ã€‚ãŸã ã€è¤‡åˆéŸ³å¾‹ã¯ã‚ã‚Šã¾ã›ã‚“。）以下をå‚ç…§ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Click "New"
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ リズムãŒæ¼”å¥ã•ã‚Œã¾ã™ã€‚注æ„ã—ã¦è´ãã¾ã—ょã†ã€‚ã§ãã‚Œã°ã€æ‹åã‚’ã¨ã‚Šã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ リズムã®æ›¸ãå–り課題ã¨åŒã˜ãã€ã‚¤ãƒ³ãƒˆãƒãŒæµã‚Œã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ You must repeat the rhythm by click on the "Tap here" button
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ Best to use the space bar to tap in; here's how.
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ The "accuracy" may be set too high; I like 0.30
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ On "Config," change "Number of beats in question" to adjust the difficulty
+ </div></li></ol></div><div class="para">
+ "Sing chord"
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Select "Sing chord"
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ æŒã„ãŸã„和音ã®ã‚¿ã‚¤ãƒ—ã‚’é¸ã³ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Click "New"
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Solfege will automatically play an "A" for you, and you can hear it again by clicking, "440hz"
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ æ˜‡é †ã«å’ŒéŸ³ã‚’æŒã„ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ Verify that you sang correctly by clicking "Play answer" and hearing whether the pitches are the same.
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ Click "New" for another question
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ On the "Config" tab, it allows you to change how far it will transpose the built-in models; best to leave this as it is <code class="code">['key', -5, 5]</code>
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ Solfege ã¯ã‚ãªãŸãŒæ£ã—ã音程をæŒãˆãŸã‹ã‚ã‹ã‚‰ãªã„ã®ã§ã€è‡ªåˆ†ã§ç”³å‘Šã—ãªã„ã¨ã„ã‘ã¾ã›ã‚“。
+ </div></li></ol></div><div class="para">
+ "Sing chord tone"
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Select "Sing chord tone"
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ 和音ã®ä¸ã®ã©ã®éŸ³ã‚’æŒã†ç·´ç¿’ã‚’ã—ãŸã„ã‹é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Click "New"
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Solfege ã¯å’ŒéŸ³ã‚’ブãƒãƒƒã‚¯å½¢å¼ã§è¡¨ç¤ºã¨æ¼”å¥ã—ã¾ã™ã€‚ã‚ãªãŸã¯æŒ‡å®šã•ã‚ŒãŸå’ŒéŸ³ã®ä¸ã®éŸ³ã‚’æŒã‚ãªãã¦ã¯ãªã‚Šã¾ã›ã‚“。
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ You can repeat the chord in blocked form ("Repeat") or in arpeggio form ("Repeat arpeggio"). It is much easier to hear a chord played in arpeggio form, so we recommend that you practice both ways.
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ When you are sure that you correctly sang the chord member, click "Play answer"
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ For the next question, click "New"
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>13.4. 課題を使ã†</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Configure_Yourself_Exericses.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>13.4.3. Configure Yourself</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration-External_Programs.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration-External_Programs.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.2.3. External Programs</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Solfege-Configuration.html" title="13.2. 構æˆ" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Configuration-Instruments.html" title="13.2.2. Instruments" /><link rel="next" href="sect-Musicians_Guide-Solfege-Configuration-Interface.html" title="13.2.4. Interface" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is a
n iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Configuration-Instruments.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Configuration-Interface.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="13.2.3. External Programs" id="sect-Musicians_Guide-Solfege-Configuration-External_Programs"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Configuration-External_Programs">13.2.3. External Programs</h3></div></div></d
iv><div class="para">
+ Solfege ã¯å¤šãã®ä»•äº‹ã‚’ã™ã‚‹ã®ã«ã€å¤–部プãƒã‚°ãƒ©ãƒ を使ã„ã¾ã™ã€‚ã“ã®ã‚¿ãƒ–ã§ã€ä½¿ã‚れるコマンドをターミナルã‹ã‚‰å®Ÿè¡Œã™ã‚‹ã®ã¨åŒã˜ã‚ˆã†ã«æŒ‡å®šã—ã¾ã™ã€‚
+ </div><div class="para">
+ Converters:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ MIDI to WAV
+ </div></li><li class="listitem"><div class="para">
+ WAV to MP3
+ </div></li><li class="listitem"><div class="para">
+ WAV to OGG
+ </div></li><li class="listitem"><div class="para">
+ %(in)s 㨠%(out)s ã¯ã€Solfege ãŒå…¥åŠ›ã¨å‡ºåŠ›ã®ãƒ•ã‚¡ã‚¤ãƒ«åã«ç½®æ›ã—ã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Audio File Players, each with "Test" buttons:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ WAV
+ </div></li><li class="listitem"><div class="para">
+ OGG
+ </div></li><li class="listitem"><div class="para">
+ MP3
+ </div></li><li class="listitem"><div class="para">
+ MIDI
+ </div></li><li class="listitem"><div class="para">
+ Solfege 㯠%s ã‚’ã€æ¼”å¥ã•ã‚Œã‚‹ãƒ•ã‚¡ã‚¤ãƒ«åã«ç½®æ›ã—ã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Miscellaneous:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ CSound: Solfege uses CSound for intonation exercises. It is an optional component. See the "Optional Installation" section above.
+ </div></li><li class="listitem"><div class="para">
+ MMA: Solfege uses MMA for certain harmonic dictation exercises. It is an optional component, and not available in Fedora through standard means. See <a class="xref" href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Install_MMA" title="13.1.5. オプショナルインストール : MMA">「オプショナルインストール : MMAã€</a>
+ </div></li><li class="listitem"><div class="para">
+ Lilypond-book: Solfege uses this for generating print-outs of ear training exercise progress. See the "Optional Installation" section above.
+ </div></li><li class="listitem"><div class="para">
+ Latex: Solfege ã¯ã“れをã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã® HTML å½¢å¼ã§ã¯ãªãã€*.dvi å½¢å¼ã®é€²æ—レãƒãƒ¼ãƒˆã‚’生æˆã™ã‚‹ã®ã«ä½¿ã„ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Latex: Solfege ã¯ã“れをã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã® HTML å½¢å¼ã§ã¯ãªãã€*.dvi å½¢å¼ã®é€²æ—レãƒãƒ¼ãƒˆã‚’生æˆã™ã‚‹ã®ã«ä½¿ã„ã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Configuration-Instruments.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>13.2.2. Instruments</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Configuration-Interface.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>13.2.4. Interface</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration-Instruments.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration-Instruments.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.2.2. Instruments</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Solfege-Configuration.html" title="13.2. 構æˆ" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Configuration.html" title="13.2. 構æˆ" /><link rel="next" href="sect-Musicians_Guide-Solfege-Configuration-External_Programs.html" title="13.2.3. External Programs" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe,
to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Configuration.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Configuration-External_Programs.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="13.2.2. Instruments" id="sect-Musicians_Guide-Solfege-Configuration-Instruments"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Configuration-Instruments">13.2.2. Instruments</h3></div></div></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Tempo: 例ãŒæ¼”å¥ã•ã‚Œã‚‹é€Ÿåº¦ã‚’変ãˆã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Default: Applies to everything that isn't an "Arpeggio."
+ </div></li><li class="listitem"><div class="para">
+ Arpeggio: アルペジオã€ãã‚Œã¯ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§ã€é€šå¸¸ã®ãƒ†ãƒ³ãƒã®ï¼“å€ã®é€Ÿåº¦ã§æ¼”å¥ã•ã‚Œã¾ã™ã€ã«é©ç”¨ã•ã‚Œã¾ã™ã€‚ã“ã‚Œã¯é€šå¸¸ã®ç¿’æ…£ã§ã™ã€‚
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Preferred Instrument: 例を演å¥ã™ã‚‹ã¨ãã«ã“ã® MIDI 楽器ãŒä½¿ã‚ã‚Œã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Chord Instruments: For polyphonic voices, these MIDI instruments will be used for the highest, middle, and lowest voices above the bass voice (which takes the "preferred instrument.")
+ </div></li><li class="listitem"><div class="para">
+ Percussion instruments:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Count in: This MIDI instrument will be used to give "count in" beats that precede musical examples involving rhythm.
+ </div></li><li class="listitem"><div class="para">
+ Rhythm: リズムã ã‘ã®ä¾‹ã§ä½¿ã‚れる MIDI 楽器を指定ã—ã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Configuration.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>13.2. 構æˆ</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Configuration-External_Programs.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>13.2.3. External Programs</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration-Interface.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration-Interface.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.2.4. Interface</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Solfege-Configuration.html" title="13.2. 構æˆ" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Configuration-External_Programs.html" title="13.2.3. External Programs" /><link rel="next" href="sect-Musicians_Guide-Solfege-Configuration-Practise.html" title="13.2.5. Practise" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is
an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Configuration-External_Programs.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Configuration-Practise.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="13.2.4. Interface" id="sect-Musicians_Guide-Solfege-Configuration-Interface"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Configuration-Interface">13.2.4. Interface</h3></div></div></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Resizeable main window:Solfege ã®ãƒ¡ã‚¤ãƒ³ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã®å¤§ãã•ã‚’変ãˆã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Select language
+ </div></li><li class="listitem"><div class="para">
+ Identify tone keyboard accelerators: 特定ã®éŸ³ç¨‹ã‚’入力ã™ã‚‹å¿…è¦ã®ã‚る課題ã§ã€ã“ã‚Œã¯é€šå¸¸ã®ã‚ーボードを MIDI ã‚ーボードã¨ã—ã¦ä½¿ãˆã‚‹ã‚ˆã†ã«ã—ã¾ã™ã€‚ã‚ーボードã®ä¸Šã®æ–‡å—ãŒã€ç‰¹å®šã®éŸ³ç¨‹ã¨å¯¾å¿œä»˜ã‘られã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Configuration-External_Programs.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>13.2.3. External Programs</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Configuration-Practise.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>13.2.5. Practise</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration-Practise.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration-Practise.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.2.5. Practise</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Solfege-Configuration.html" title="13.2. 構æˆ" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Configuration-Interface.html" title="13.2.4. Interface" /><link rel="next" href="sect-Musicians_Guide-Solfege-Configuration-Sound_Setup.html" title="13.2.6. Sound Setup" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe,
to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Configuration-Interface.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Configuration-Sound_Setup.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="13.2.5. Practise" id="sect-Musicians_Guide-Solfege-Configuration-Practise"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Configuration-Practise">13.2.5. Practise</h3></div></div></div><div class="para">
+ These options apply to exercises done in "Practise" mode.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Not allow new question before the old is solved": Solfege will not provide a new question until you have solved the current question.
+ </div></li><li class="listitem"><div class="para">
+ "Repeat question if the answer was wrong": Solfege will repeat a question if you provide an incorrect answer.
+ </div></li><li class="listitem"><div class="para">
+ "Expert mode": Solfege will provide advanced configuration options for individual exercises.
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Configuration-Interface.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>13.2.4. Interface</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Configuration-Sound_Setup.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>13.2.6. Sound Setup</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration-Sound_Setup.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration-Sound_Setup.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.2.6. Sound Setup</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Solfege-Configuration.html" title="13.2. 構æˆ" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Configuration-Practise.html" title="13.2.5. Practise" /><link rel="next" href="sect-Musicians_Guide-Solfege-Training.html" title="13.3. ã‚ãªãŸã®ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe
, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Configuration-Practise.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Training.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="13.2.6. Sound Setup" id="sect-Musicians_Guide-Solfege-Configuration-Sound_Setup"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Configuration-Sound_Setup">13.2.6. Sound Setup</h3></div></div></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "No sound": This mode is used for testing and debugging Solfege.
+ </div></li><li class="listitem"><div class="para">
+ "Use device": This mode lets you specify which audio interface Solfege will use.
+ </div></li><li class="listitem"><div class="para">
+ "User external MIDI player": This mode lets you choose a MIDI synthesizer.
+ </div></li><li class="listitem"><div class="para">
+ The button, "Test": allows you to ensure that you've correctly configured Solfege.
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Configuration-Practise.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>13.2.5. Practise</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Training.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>13.3. ã‚ãªãŸã®ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.2. 構æˆ</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Solfege.html" title="第13ç« GNU ソルフェージュ" /><link rel="prev" href="chap-Musicians_Guide-Solfege.html" title="第13ç« GNU ソルフェージュ" /><link rel="next" href="sect-Musicians_Guide-Solfege-Configuration-Instruments.html" title="13.2.2. Instruments" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to
view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Solfege.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Configuration-Instruments.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="13.2. 構æˆ" id="sect-Musicians_Guide-Solfege-Configuration"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Solfege-Configuration">13.2. 構æˆ</h2></div></div></div><div class="para">
+ Solfege ã®è¨å®šã¯å¿…è¦ã§ã¯ã‚ã‚Šã¾ã›ã‚“。å˜ç´”ãªã€æœ€åˆã®ï¼‘回ã®è¨å®šã§ã€ã‚¢ãƒ—リケーションをã‚ãªãŸã®è¦æ±‚ã«åˆã†ã‚ˆã†ã«ã‚«ã‚¹ã‚¿ãƒžã‚¤ã‚ºã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ãŒã€ãれをã—ãªãã¦ã‚‚ã‹ã¾ã„ã¾ã›ã‚“。他ã®è¨å®šã‚ªãƒ—ションをã‚ãªãŸã®ãƒ¬ãƒ•ã‚¡ãƒ¬ãƒ³ã‚¹ã®ãŸã‚ã«èª¬æ˜Žã—ã¾ã™ã€‚
+ </div><div class="para">
+ These configuration options are not required, but you may wish to change them. They are all available from the "Preferences" window, accesible through Solfege's main menu: 'File > Preferences'.
+ </div><div class="section" title="13.2.1. Solfege ã‚’åˆã‚ã¦å®Ÿè¡Œã™ã‚‹ã¨ã" id="sect-Musicians_Guide-Solfege-Configuration-First_Time"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Configuration-First_Time">13.2.1. Solfege ã‚’åˆã‚ã¦å®Ÿè¡Œã™ã‚‹ã¨ã</h3></div></div></div><div class="para">
+ 以下ã®ã‚¹ãƒ†ãƒƒãƒ—ã§ã€Solfege ã¯è‡ªå‹•çš„ã«ã‚ãªãŸã¸ã®å•é¡Œã‚’カスタマイズã—ã¾ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Solfege を開始ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ From the menu, select 'File > Preferences'.
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Select the "User" tab.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ ã‚‚ã—知ã£ã¦ã„ã‚Œã°ã‚ãªãŸã®å£°åŸŸã‚’入力ã—ã¾ã™ã€‚Solfege ã¯ã“ã®æƒ…å ±ã‚’ä½¿ã£ã¦ã€å¦¥å½“ãªéŸ³ç¨‹ã®ç¯„囲ã®å•é¡Œã‚’出ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ Input your biological gender in the "Sex" field. Solfege uses this information to assign questions in the correct octave.
+ </div></li></ol></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Solfege.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>第13ç« GNU ソルフェージュ</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Configuration-Instruments.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>13.2.2. Instruments</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.4.5. Dictation</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html" title="13.4. 課題を使ã†" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Rhythm_Exercises.html" title="13.4.4. Rhythm" /><link rel="next" href="sect-Musicians_Guide-Solfege-Harmonic_Progressions.html" title="13.4.6. Harmonic Progressions" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This i
s an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Rhythm_Exercises.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Harmonic_Progressions.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="13.4.5. Dictation" id="sect-Musicians_Guide-Solfege-Dictation_Exercises"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Dictation_Exercises">13.4.5. Dictation</h3></div></div></div><div class="para">
+ ã“れらã®æ›¸ãå–り課題ã¯æ—‹å¾‹ã®æ›¸ãå–ã‚Šã®ãŸã‚ã®ã‚‚ã®ã§ã™ã€‚ã“ã“ã§ã¯ä¾‹ã®ç¨®é¡žã¯ã‚ã¾ã‚Šå¤šããªãã€æ˜“ã—ã„ã‹é›£ã—ã„ã‹ã®ã„ãšã‚Œã‹ã§ã€ä¸é–“ã®èª²é¡Œã¯ã‚ã‚Šã¾ã›ã‚“。
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Click "Dictation"
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ レベルをé¸ã³ã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Volkslieder 1: ドイツ民謡（易ã—ã„）
+ </div></li><li class="listitem"><div class="para">
+ Volkslieder 2: ドイツ民謡（易ã—ã„）
+ </div></li><li class="listitem"><div class="para">
+ ï¼’ã¤ã®ãƒãƒƒãƒã®ã‚¤ãƒ³ãƒ™ãƒ³ã‚·ãƒ§ãƒ³ã‹ã‚‰ã®éƒ¨åˆ†ï¼šï¼’ã¤ã ã‘ã§ã™ã€‚ï¼”ã¤ã®ã‚«ãƒ†ã‚´ãƒªãƒ¼ã®ä¸ã§æœ€ã‚‚難ã—ã„ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Norwegian children songs: ３ã¤ã ã‘ã§ã™ã€‚（易ã—ã„）
+ </div></li></ul></div>
+
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ 音部記å·ã€èª¿æ€§ã€ãã—ã¦æ‹å記å·ã¯ã‚ãªãŸã®ãŸã‚ã«ã‚らã‹ã˜ã‚書ã„ã¦ã‚ã‚Šã¾ã™ã€‚開始ã®éŸ³ã¨ã‚¿ã‚¤ãƒˆãƒ«ã‚‚。
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ ４分音符ã®ãƒœã‚¿ãƒ³ã§ã€æ—‹å¾‹ã®ä¸€éƒ¨ã ã‘ã‚’æ¼”å¥ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ "Play the whole music" plays both parts of the music.
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ "Back" and "Forward" shifts through the excerpts for dictation.
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ It's best to "Play the whole music" as many times as needed (5 - 7 or less maximum, depending on the excerpt).
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ It's best to avoid playing only part of the music.
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ Write down the excerpt on paper, then when you're sure that you've finished it correctly, click "Show."
+ </div></li><li class="step" title="ステップ 10"><div class="para">
+ ã“ã®èª²é¡Œã¯è‡ªå·±ç®¡ç†ãªã®ã§ã€é€²æ—管ç†ã¯ã—ã¾ã›ã‚“。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Rhythm_Exercises.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>13.4.4. Rhythm</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Harmonic_Progressions.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>13.4.6. Harmonic Progressions</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Harmonic_Progressions.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Harmonic_Progressions.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.4.6. Harmonic Progressions</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html" title="13.4. 課題を使ã†" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Dictation_Exercises.html" title="13.4.5. Dictation" /><link rel="next" href="sect-Musicians_Guide-Solfege-Intonation.html" title="13.4.7. Intonation" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an
iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Dictation_Exercises.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Intonation.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="13.4.6. Harmonic Progressions" id="sect-Musicians_Guide-Solfege-Harmonic_Progressions"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Harmonic_Progressions">13.4.6. Harmonic Progressions</h3></div></div></div><div class="para">
+ 以下ã®æ›¸ãå–り課題ã¯å’ŒéŸ³ã®æ›¸ãå–ã‚Šã§ã™ã€‚和声進行を当ã¦ã‚‹å•é¡ŒãŒå‡ºã¾ã™ã€‚ã•ã‚‰ã«ã€å°‘ãªãã¨ã‚‚外å´ã®éŸ³ï¼ˆæœ€ã‚‚低ã„ã‚‚ã®ã¨æœ€ã‚‚高ã„ã‚‚ã®ï¼‰ã‚’当ã¦ã‚‹å¿…è¦ã‚‚ã‚ã‚Šã¾ã™ã€‚ã“れらã®é€²è¡Œã¯ã€Common Practice Period 和声進行ã«ã¯å¾“ã£ã¦ã„ãªã„ã®ã«æ³¨æ„ãã ã•ã„。
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Click "Harmonic progressions"
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ ã„ãã¤ã‹ã®å’Œå£°é€²è¡Œã¯ MMA （以å‰ã«è¿°ã¹ãŸã‚ˆã†ã«ï¼‰ãŒå¿…è¦ã§ã™ã€‚ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«æ‰‹é †ã¯ä»¥ä¸‹ã‚’å‚ç…§ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ MMA ã§ãªã„カテゴリーã¯ã€ä»¥ä¸‹ã®å’Œå£°ã‚’å«ã¿ã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Easy harmonic progressions": I, II, IV, V, VI
+ </div></li><li class="listitem"><div class="para">
+ with Inverisons: IV6 㨠V6 ã‚’åŠ ãˆã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ "Three chords, root position": I, II, III, IV, V, VI
+ </div></li></ul></div>
+
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ カテゴリーをé¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ Click "New" to get a question.
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ The passage will automatically play once, but you will not get a key signature. If you are notating the dictation, and you do not know which pitches are being used, then you may wish to guess the key, using sol-fa equivalents to know if you're correct.
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ 和音ボタンをクリックã—ã¦ã€ã‚ãªãŸãŒèžãå–ã£ãŸå’ŒéŸ³ã®åˆ—を最åˆã‹ã‚‰æœ€å¾Œã®é †ã§å…¥åŠ›ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ To hear the example again, click "Repeat."
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ If you make a mistake, click the "Backspace" button to erase the last-input chord.
+ </div></li><li class="step" title="ステップ 10"><div class="para">
+ When you are sure that your answer is correct, click "Guess answer."
+ </div></li><li class="step" title="ステップ 11"><div class="para">
+ To get another question, click "New".
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Dictation_Exercises.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>13.4.5. Dictation</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Intonation.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>13.4.7. Intonation</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Intonation.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Intonation.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.4.7. Intonation</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html" title="13.4. 課題を使ã†" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Harmonic_Progressions.html" title="13.4.6. Harmonic Progressions" /><link rel="next" href="appe-Musicians_Guide-Contributors.html" title="付録A Contributors" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an
iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Harmonic_Progressions.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="appe-Musicians_Guide-Contributors.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="13.4.7. Intonation" id="sect-Musicians_Guide-Solfege-Intonation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Intonation">13.4.7. Intonation</h3></div></div></div><div class="para">
+ In order to use the Intonation exercises, you must install the "Csound" application. See <a class="xref" href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Install_Csound" title="13.1.4. オプショナルãªã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ï¼š Csound">「オプショナルãªã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ï¼š Csoundã€</a> for instructions to install Csound.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Click on "Intonation"
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ ã™ã¹ã¦ã®èª²é¡Œã¯ã€æ˜‡é †ã®å®Œå…¨ï¼•åº¦ã‚’テストã—ã¾ã™ã€‚æ•°å—ãŒï¼‘．ï¼ã«è¿‘ã‘ã‚Œã°è¿‘ã„ã»ã©ã€éŸ³ãŒå¤–ã‚Œã¦ã„ã‚‹è·é›¢ãŒå°ã•ã„ã§ã™
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Click "New" to get a new question.
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ 音程ãŒè‡ªå‹•çš„ã«æ¼”å¥ã•ã‚Œã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ Click "Repeat" to repeat the interval.
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ ï¼’ã¤ã‚ã®éŸ³ãŒã€ãƒ•ãƒ©ãƒƒãƒˆï¼ˆéŸ³ã®é–“éš”ãŒå°ã•ã™ãŽã‚‹ï¼‰ã€åˆã£ã¦ã„ã‚‹ã€ï¼ˆé–“éš”ãŒæ£ã—ã„大ãã•ï¼‰ã‚ã‚‹ã„ã¯ã‚·ãƒ£ãƒ¼ãƒ—（間隔ãŒå¤§ãã™ãŽã‚‹ï¼‰ã®ã„ãšã‚Œã‹ã‚’é¸æŠžã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ æ£ã—ã„ã¨è‡ªä¿¡ãŒæŒã¦ãŸã‚‰ã€å¯¾å¿œã™ã‚‹ãƒœã‚¿ãƒ³ã‚’クリックã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ To get the next question, click "New."
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Harmonic_Progressions.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>13.4.6. Harmonic Progressions</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="appe-Musicians_Guide-Contributors.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>付録A Contributors</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Rhythm_Exercises.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Rhythm_Exercises.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.4.4. Rhythm</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html" title="13.4. 課題を使ã†" /><link rel="prev" href="sect-Musicians_Guide-Configure_Yourself_Exericses.html" title="13.4.3. Configure Yourself" /><link rel="next" href="sect-Musicians_Guide-Solfege-Dictation_Exercises.html" title="13.4.5. Dictation" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is
an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Configure_Yourself_Exericses.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Dictation_Exercises.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="13.4.4. Rhythm" id="sect-Musicians_Guide-Solfege-Rhythm_Exercises"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Rhythm_Exercises">13.4.4. Rhythm</h3></div></div></div><div class="para">
+ This is dictation or play-back. The rhythms described in this section use the "takadimi" rhythm system, which is explained in <em class="citetitle">The Takadimi Article</em>, available at <a href="http://www.takadimi.net/takadimiArticle.html">http://www.takadimi.net/takadimiArticle.html</a>. Use the rhythm system you prefer.
+ </div><div class="para">
+ リズムã®æ›¸ãå–ã‚Šã‚’ã™ã‚‹ã«ã¯ï¼š
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ Click "Rhythm"
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ サブカテゴリをé¸ã³ã¾ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Rhythms (easy) 㯠: ４分音符ã€ï¼’ã¤ã®ï¼˜åˆ†éŸ³ç¬¦ã€ï¼”ã¤ã®ï¼‘６分音符
+ </div></li><li class="listitem"><div class="para">
+ Rhythms ã¯ï¼šã“れプラスã€ka-di-mi, ta-ka-mi, ta-ka-di, ta-mi, ãã—㦠ta-ka ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Rhythms (difficult) 㯠: ã“れプラスã€ä¼‘æ¢ç¬¦ã¨ï¼“連符ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Rhythms in 3/8 㯠: 複åˆæ‹åã§ã™ã¹ã¦
+ </div></li></ul></div>
+
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ Click "New" to get a new question
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ Click the buttons above the "Play" button to input the rhythm-units, in order from start to finish
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ 計算ã™ã‚‹ã«ã¯ã€ç´™ã‚’使ã„ã¾ã—ょã†ã€‚
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ If you make a mistake inputting, use the "Backspace" button
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ You can "Repeat" to hear it again - not too many times!
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ You can change the difficulty by increasing the number of beats per question, on "Config" tab
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ é–“é•ãˆãŸã‚‰ã€ç›´ã™ãƒãƒ£ãƒ³ã‚¹ãŒã‚ã‚Šã¾ã™ã€‚ã‚ãªãŸã®ãŸã‚ã«ã€ä¸æ£è§£ã®éƒ¨åˆ†ã¯èµ¤ã§ã‚¢ãƒ³ãƒ€ãƒ¼ãƒ©ã‚¤ãƒ³ãŒå¼•ã‹ã‚Œã¾ã™ã€‚
+ </div></li></ol></div><div class="para">
+ For Rhythmic Tap-Back, see above section "Singing Exercises."
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Configure_Yourself_Exericses.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>13.4.3. Configure Yourself</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Dictation_Exercises.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>13.4.5. Dictation</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.3.2. 課題ã®ã‚¿ã‚¤ãƒ—</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Solfege-Training.html" title="13.3. ã‚ãªãŸã®ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Training.html" title="13.3. ã‚ãªãŸã®ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°" /><link rel="next" href="sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program.html" title="13.3.3. オーラルスã‚ルプãƒã‚°ãƒ©ãƒ を作る" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc
"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Training.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="13.3.2. 課題ã®ã‚¿ã‚¤ãƒ—" id="sect-Musicians_Guide-Solfege-Training-Exercise_Types"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Training-Exerc
ise_Types">13.3.2. 課題ã®ã‚¿ã‚¤ãƒ—</h3></div></div></div><div class="para">
+ Solfege's exercises are arranged in six broad categories:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Intervals ã¯é †ã«ã‚ã‚‹ã„ã¯å’ŒéŸ³ã§æ¼”å¥ã•ã‚Œã‚‹éŸ³ãŒä½•åº¦é›¢ã‚Œã¦ã„ã‚‹ã‹èžãå–る能力をテストã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Rhythm ã¯å˜ä¸€ã®éŸ³ç¨‹ã§æ¼”å¥ã•ã‚Œã‚‹ãƒªã‚ºãƒ ã‚’è´ã„ã¦è¨˜èœã™ã‚‹èƒ½åŠ›ã¨ã€ãã®ãƒªã‚ºãƒ ã‚’ã‚ーボードã®ä¸Šã§ã‚¿ãƒƒãƒ—ã—ã¦æ¼”å¥ã™ã‚‹èƒ½åŠ›ã‚’テストã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Theory ã¯æ›¸ã‹ã‚ŒãŸéŸ³ç¨‹ã¨éŸ³éšŽã®åå‰ã‚’当ã¦ã‚‹èƒ½åŠ›ã€ãã—ã¦ãƒ‰ãƒ¬ãƒŸãƒ•ã‚¡éŸ³éšŽã‚’æ£ã—ã使ã†èƒ½åŠ›ã‚’テストã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Chords ã¯ã„ã‚ã„ã‚ãªé–“éš”ã®éŸ³ã§ä½œã‚‰ã‚Œã€ã„ã‚ã„ã‚ãªéŸ³ç¨‹ã§æ¼”å¥ã•ã‚Œã‚‹å’ŒéŸ³ã‚’èžãå–る能力ã¨ãã®å’ŒéŸ³ã‚’æŒã†èƒ½åŠ›ã‚’テストã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Scales ã¯æ—‹æ³•ã¨éŸ³éšŽã‚’èžãå–る能力をテストã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Miscellaneous ã¯ã„ã‚ã„ã‚ãªèª²é¡Œã‚’å«ã¿ã¾ã™ã€‚例ãˆã°ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Intonation ã¯ï¼’ã¤ã‚ã®éŸ³ç¨‹ãŒã‚ã‚‹ã¹ã音程より低ã„ã‹é«˜ã„ã‹ã‚’èžãå–る能力をテストã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Dictation ã¯æ—‹å¾‹ã‚’è´ã„ã¦è¨˜èœã™ã‚‹èƒ½åŠ›ã‚’テストã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Identify Tone ã¯ç›¸å¯¾éŸ³æ„Ÿï¼ˆ <a href="http://en.wikipedia.org/wiki/Relative_pitch">http://en.wikipedia.org/wiki/Relative_pitch</a> ã® <em class="citetitle">Relative Pitch (Wikipedia)</em> ã‚’å‚照）を使ã†èƒ½åŠ›ã‚’テストã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Sing Twelve Random Tones ã¯ã€å¤šãã®ã‚¹ã‚ルをテストã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Beats per Minute ã¯ã€ãƒ†ãƒ³ãƒã‚’判æ–ã™ã‚‹èƒ½åŠ›ã‚’テストã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Harmonic Progressions ã¯æ¬¡ã€…ã«æ¼”å¥ã•ã‚Œã‚‹ä¸€é€£ã®å’ŒéŸ³ã‚’èžãå–ã£ã¦ãƒãƒ¼ãƒžæ•°å—ã®å’ŒéŸ³è¨˜å·ã‚’当ã¦ã¯ã‚る能力をテストã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Hear Tones ã¯ã€ç›¸å¯¾éŸ³æ„Ÿã®ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Cadences ã¯ä¸€ç·’ã«æ¼”å¥ã•ã‚Œã‚‹ï¼’ã¤ã®å’ŒéŸ³ã‚’èžãå–ã£ã¦ãƒãƒ¼ãƒžæ•°å—ã®å’ŒéŸ³è¨˜å·ã§è¡¨ã™èƒ½åŠ›ã‚’テストã—ã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ã™ã¹ã¦ã®ã“れらã®èª²é¡Œã¯å®Ÿéš›ã®éŸ³æ¥½ç¾å ´ã§ã®å¤–ã§ã®ã‚ãªãŸã®ã‚ªãƒ¼ãƒ©ãƒ«ã‚¹ã‚ルã®ä½¿ç”¨ã‚’å¿…è¦ã¨ã—ã¾ã™ã€‚ã“ã‚Œã¯ç„¡é§„ãªã“ã¨ã«è¦‹ãˆã‚‹ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“ãŒã€éŸ³æ¥½ç¾å ´ã§ã®æœ€çµ‚çš„ãªèžãå–る能力ã®é‡è¦ãªéƒ¨åˆ†ã§ã‚ã‚‹ã¨ã€ä»¥å‰ã‹ã‚‰èªè˜ã•ã‚Œã¦ã„ã¾ã™ã€‚ã©ã¡ã‚‰ã®èƒ½åŠ›ã‚‚çªç„¶ç¾ã‚Œã‚‹ã“ã¨ã¯ã‚ã‚Šã¾ã›ã‚“。ãã‚Œã¯ç†±å¿ƒãªç·´ç¿’ãŒå¿…è¦ã§ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Training.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>13.3. ã‚ãªãŸã®ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>13.3.3. オーラルスã‚ルプãƒã‚°ãƒ©ãƒ を作る</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.3.3. オーラルスã‚ルプãƒã‚°ãƒ©ãƒ を作る</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Solfege-Training.html" title="13.3. ã‚ãªãŸã®ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Training-Exercise_Types.html" title="13.3.2. 課題ã®ã‚¿ã‚¤ãƒ—" /><link rel="next" href="sect-Musicians_Guide-Solfege-Training-Supplementary_References.html" title="13.3.4. 補足ã®å‚ç…§" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><i
frame id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Training-Exercise_Types.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Training-Supplementary_References.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="13.3.3. オーラルスã‚ルプãƒã‚°ãƒ©ãƒ を作る" id="sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title"
id="sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program">13.3.3. オーラルスã‚ルプãƒã‚°ãƒ©ãƒ を作る</h3></div></div></div><div class="para">
+ オーラルスã‚ルトレーニングã¯ã€é£Ÿã¹ã‚‹ã“ã¨ã®ã‚ˆã†ã«ã€æ¯Žæ—¥ã€å®šæœŸçš„ã«ã€ã„ã‚ã„ã‚ãªç¨®é¡žã®å…¥åŠ›ã‚’ãã¡ã‚“ã¨ã¨ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚食ã¹ç‰©ã«ã¤ã„ã¦è¨€ãˆã°ã€ï¼‘æ—¥ã«ï¼“回以上食ã¹ã¦ã€æžœç‰©ã‚„野èœã‚’ãŸãã•ã‚“ã€è‚‰ãªã©ã¨ç©€ç‰©ã€ãã—ã¦ãã®ä»–ã®ç¨®é¡žã®é£Ÿã¹ç‰©ã®é©å½“ãªãƒãƒ©ãƒ³ã‚¹ãŒå¤§åˆ‡ã§ã™ã€‚耳ã®ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°ã‚‚åŒã˜ã‚ˆã†ã«ï¼‘æ—¥ã®ã„ã‚ã„ã‚ãªæ™‚é–“ã«å¤šæ§˜ãªå…¥åŠ›ãŒå¿…è¦ã§ã™ã€‚
+ </div><div class="para">
+ ã™ã¹ã¦ã®äººã«ã†ã¾ãã„ã解決ç–ã¯ã‚ã‚Šã¾ã›ã‚“。ã‚ãªãŸã¯ã€ï¼‘æ—¥ã®ã†ã¡ã®æ™‚é–“ã€ãã‚Œãžã‚Œã®ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®å›žæ•°ã¨é•·ã•ã€ãã—ã¦å†…容をé¸æŠžã€å¤‰æ›´ã—ã¦è‡ªåˆ†ã®è¦æ±‚ã«åˆã†ã‚ˆã†ã«ã—ãªã‘ã‚Œã°ã„ã‘ã¾ã›ã‚“。以下ã®åŠ©è¨€ã‚’開始点ã¨ã—ã¦ã‚‚らãˆã‚Œã°ã¨æ€ã„ã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ １ï¼åˆ†ã®ã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’３ã¤ã€ï¼‘æ—¥ã«ï¼“ï¼åˆ†ã€ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°ã™ã‚‹ã€‚
+ </div></li><li class="listitem"><div class="para">
+ セグメント１
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ èµ·ããŸã‚‰ã€æœé£Ÿã®å‰ã«ã€‚
+ </div></li><li class="listitem"><div class="para">
+ 声ã¨ä½“をウオームアップã—ã¾ã™ã€‚（ã„ãšã‚Œã«ã›ã‚ˆã€ã‚ˆã„ç¿’æ…£ã§ã™ã€‚１ï¼åˆ†ã«ã¯ <span class="emphasis"><em> å«ã¾ã‚Œã¾ã›ã‚“ </em></span> ï¼ï¼‰
+ </div></li><li class="listitem"><div class="para">
+ åˆè¦‹æŒå”±ã®ãŸã‚ã®æœ¬ã‹ã‚‰ã„ãã¤ã‹ã®æ›²ã‚’æŒã„ã€å®Œæˆã•ã›ã‚‹ã€‚
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ セグメント２
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 昼食ã®å¾Œã€ä»•äº‹ã«æˆ»ã‚‹å‰ã«ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ãªã«ã‹éŸ³æ¥½ã‚’è´ã„ã¦ã€ãれを書ãå–ã£ã¦ã¿ã‚‹ã€‚
+ </div></li><li class="listitem"><div class="para">
+ タスクをより管ç†ã—ã‚„ã™ãã™ã‚‹ãŸã‚ã«ã¯ã€éŸ³æ¥½ã®å°ã•ãªéƒ¨åˆ†ã‚’ã¨ã£ã¦ã€ï¼‘ã¤ã®å´é¢ã«æ³¨ç›®ã™ã‚‹ï¼šãƒ¡ãƒãƒ‡ã‚£ã€å’ŒéŸ³ã€ã‚ã‚‹ã„ã¯ãƒªã‚ºãƒ 。
+ </div></li><li class="listitem"><div class="para">
+ æ£è§£ã‹ã©ã†ã‹ã‚’調ã¹ã‚‹ã«ã¯ã€ãƒ”アノ（ã‚ã‚‹ã„ã¯å›ºå®šéŸ³ç¨‹ã®å‚照楽器）を使ã†ã‹ã€ã‚ã‚‹ã„ã¯å‡ºç‰ˆã•ã‚Œã¦ã„る楽èœãŒã‚ã‚Œã°ãã‚Œã¨æ¯”ã¹ã¾ã™ã€‚
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ セグメント３
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 夕食後少ã—ã—ã¦ã‹ã‚‰ã€‚
+ </div></li><li class="listitem"><div class="para">
+ GNU Solfege を使ã£ã¦éŸ³æ¥½ã®åŸºæœ¬ã‚’èžãå–る能力をテストã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ２，３ã®ç•°ãªã‚‹ç¨®é¡žã®èª²é¡Œã«ã€ãã‚Œãžã‚Œã€ã‚ãšã‹ï¼’，３分をã€ä½¿ã„ã¾ã—ょã†ã€‚
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Three ten-minute segments is not a lot of time, and indeed it may take additional time to plan and to find and set up materials. Even so, the point is that training your aural skills does not have to take an inordinate amount of time or effort. What's important is that your effort is consistent and well-planned.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Training-Exercise_Types.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>13.3.2. 課題ã®ã‚¿ã‚¤ãƒ—</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Training-Supplementary_References.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>13.3.4. 補足ã®å‚ç…§</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.3.4. 補足ã®å‚ç…§</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Solfege-Training.html" title="13.3. ã‚ãªãŸã®ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program.html" title="13.3.3. オーラルスã‚ルプãƒã‚°ãƒ©ãƒ を作る" /><link rel="next" href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html" title="13.4. 課題を使ã†" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><ifra
me id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="13.3.4. 補足ã®å‚ç…§" id="sect-Musicians_Guide-Solfege-Training-Supplementary_References"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Tra
ining-Supplementary_References">13.3.4. 補足ã®å‚ç…§</h3></div></div></div><div class="para">
+ GNU Solfege offers a relatively wide variety of exercises, but no one source can possibly offer all of the exercises and training required to develop a well-rounded set of aural skills. Some of the following books and activities should be used to supplement the exercises available in "Solfege." Note that melodic and harmonic dictation are not yet "Solfege's" strong points, mostly due to a lack of different exercises. This may improve in the future, as the developers improve the software.
+ </div><div class="para">
+ 活動：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 実際ã®éŸ³æ¥½ã§æ›¸ãå–ã‚Šã‚’ã™ã‚‹ã€‚完全ãªæ¥½èœã‚’書ãよりã¯ã€ï¼‘ã¤ã®è¦ç´ ã«æ³¨ç›®ã—ã¦ã¿ã¦ãã ã•ã„。ã‚ãªãŸã®è§£ç”ã‚’å¯èƒ½ãªã‚‰å‡ºç‰ˆã•ã‚ŒãŸæ¥½èœã¨æ¯”ã¹ã¦ç¢ºã‹ã‚ã¾ã™ã€‚ã„ãã¤ã‹ã®ã‚ªãƒ¼ã‚±ã‚¹ãƒˆãƒ©ã®æ¥½å™¨ã¯ã€ã‚³ãƒ³ã‚µãƒ¼ãƒˆãƒ”ッãƒã§æ›¸ã‹ã‚Œã¦ã„ãªã„ã“ã¨ã‚‚ã‚ã‚‹ã®ã§æ³¨æ„ãã ã•ã„。
+ </div></li><li class="listitem"><div class="para">
+ ã‚ãªãŸã®åˆè¦‹æŒå”±ã®ã‚¹ã‚ルを使ã£ã¦ã€ãƒ¡ãƒãƒ‡ã‚£ã‚ã‚‹ã„ã¯ãƒªã‚ºãƒ ã‚’æŒã„ã€ãれをè´ãã‚ãªãŸã®å‹äººãŒæ›¸ãå–ã‚Šã®ä¾‹ã«ä½¿ã„ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ Use Bach chorales as sight-singing examples for a group of four or more people. It helps to have friends in all vocal ranges, but it isn't necessary. Remember to use solfa syllables, and avoid the chorale's text.
+ </div></li><li class="listitem"><div class="para">
+ ファンã®ã‚ˆã†ãªæ©Ÿæ¢°çš„デãƒã‚¤ã‚¹ãŒä¸€å®šã®éŸ³ç¨‹ã‚’出ã—ã¦ã„ã‚‹ãªã‚‰ã€ãã‚Œã«ã‚ã‚ã›ã¦å’Œå£°çš„音程ã§æŒã†ç·´ç¿’ãŒã§ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ ã‚ãªãŸã®å‹é”ã®å‰ã§ã€é•·ã„課題ã¨çŸã„課題をã€åˆ¥ã€…ã®æ¥½å™¨ã§æ¼”å¥ã—ã¾ã™ã€‚ã“ã‚Œã¯ã‚³ãƒ³ãƒ”ュータãŒæä¾›ã™ã‚‹ã‚ˆã‚Šã‚‚ç¾å®Ÿçš„ãªéŸ³æ¥½ã®ç¾å ´ã§ã®èƒ½åŠ›ã‚’開発ã™ã‚‹ã®ã«å½¹ã«ç«‹ã¡ã¾ã™ã€‚ã—ã‹ã—ã€ä¾ç„¶ã¨ã—ã¦ç‹¬ç«‹ã—ãŸç’°å¢ƒã§ã€ã§ã™ã€‚
+ </div></li></ul></div>
+
+ </div><div class="para">
+ オーラルスã‚ルã®æœ¬ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Crowell's <em class="citetitle">Eyes and Ears</em> is an open-source sight-singing text, available for free from the URL listed above. This book contains about 400 melodies from the public domain, along with some helpful instructions.
+ </div></li><li class="listitem"><div class="para">
+ Hall's <em class="citetitle">Studying Rhythm</em> is a small and expensive - but useful - book, containing a collection of rhythms to be spoken or spoken-and-clapped. This book also contains some three-part and four-part rhythms. The exercises increase in difficulty. The book offers some performance tips.
+ </div></li><li class="listitem"><div class="para">
+ Hindemith's <em class="citetitle">Elementary Training</em> is a classic aural skills text, but it was originally published in 1949, and a lot of research has taken place since then about how people learn aural skills. The book offers a wide variety of exercises, especially to develop coordination when performing multiple independent musical lines. We recommend that you ignore Hindemith's instructions, and use <em class="firstterm">tonic solfa</em> syllables. For more information on tonic solfa, refer to <em class="citetitle">Tonic sol-fa</em> at <a href="http://en.wikipedia.org/wiki/Tonic_sol-fa">http://en.wikipedia.org/wiki/Tonic_sol-fa</a>
+ </div></li><li class="listitem"><div class="para">
+ Hoffman's <em class="citetitle">The Rhythm Book</em> was developed specifically for the takadimi rhythm system. Like Hall's text, <em class="citetitle">The Rhythm Book</em> progresses fro easy to difficult exercises, and offers helpful instructions for performance.
+ </div></li><li class="listitem"><div class="para">
+ Karpinski's two texts are the result of two decades of research about how musicians acquire aural skills. The <em class="citetitle">Manual</em> contains instructions, exercises, and tips on training yourself to hear musical elements <span class="emphasis"><em>and</em></span> real music, and how to perform and imagine music. The <em class="citetitle">Anthology</em> is organized in chapters that coincide with the topics discussed in the <em class="citetitle">Manual</em>, and contains very few instructions. The <em class="citetitle">Anthology</em> contains a wide variety of musical excerpts, some from the public domain and others under copyright, taken from the "classical music" canon and from national repertoires. There are some three-part and four-part exercises, which should be performed by a group of people leraning aural skills together.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ã©ã®æœ¬ã§ã‚‚ã€åˆè¦‹æŒå”±ã®ç·´ç¿’ã‚’ã™ã‚‹ã¨ãã¯ã€æ›²ã‚’æŒã†å‰ã«ä¸»éŸ³ç¨‹ã‚’固定音程ã®æ¥½å™¨ï¼ˆãƒ”アノã‚ã‚‹ã„ã¯ã‚ーボードシンセサイザーãªã©ï¼‰ã§è´ãã“ã¨ã‚’ãŠå‹§ã‚ã—ã¾ã™ã€‚主音程を心ã«ç•™ã‚ã¦ã€å£°ã‚’出ã—ã¦æŒã†ã“ã¨ãªãã€æ›²ã®æœ€åˆã®éŸ³ã‚’探ã—ã¾ã™ã€‚ãã—ã¦æ›²ã‚’ <span class="emphasis"><em> 心ã®ä¸ã§ </em></span>ã€ãã®æ›²ã‚’æ£ç¢ºã«æŒã£ã¦ã„ã‚‹ã¨è‡ªä¿¡ãŒæŒã¦ã‚‹ã¾ã§ä½•å›žã‹æŒã„ã¾ã™ã€‚メãƒãƒ‡ã‚£ãŒå¿ƒã®ä¸ã«å¾—られãŸã‚‰ã€ãã®æ›²ã‚’æ£ã—ãæŒã£ã¦ã„ã‚‹ã¨è‡ªä¿¡ãŒæŒã¦ã‚‹ã¾ã§ä½•å›žã§ã‚‚ã€å¤§ããªå£°ã§æŒã„ã¾ã™ã€‚曲を完璧ã«æŒã£ãŸ <span class="emphasis"><em> 後㧠</em></span> 固定音程ã®æ¥½å™¨ã§ãれを演å¥ã—ã¦ã‚ãªãŸãŒæ£ã—ã‹ã£ãŸã‹ã‚’確ã‹ã‚ã¦ãã ã•ã„。
+ </div><div class="para">
+ ã‚ãªãŸã®è€³ã‚’ã€å¤–部ã®éŸ³æºï¼ˆãƒ”アノãªã©ï¼‰ã«ã§ãã‚‹ã ã‘é ¼ã‚‹ã“ã¨ãªã作り上ã’ãªã‘ã‚Œã°ã„ã‘ã¾ã›ã‚“。多ãã®ç ”究ã¯ã€ã“ã‚Œã¯ã‚ãŸãªã«ã‚ˆã‚ŠæŸ”軟ãªéŸ³æ¥½ã®å¿ƒã‚’ã‚‚ãŸã‚‰ã—ã€æœ€åˆã®å¦ç¿’曲線ã¯ã¨ã¦ã‚‚険ã—ã„ã‚‚ã®ã®ã€ã‚ãªãŸã¯æœ€å¾Œã«ã¯æ–°ã—ã„概念をより速ãå¦ç¿’ã§ãるよã†ã«ãªã‚‹ã¨æ•™ãˆã¦ã„ã¾ã™ã€‚
+ </div><div class="bibliography" title="オーラルスã‚ルã®æœ¬" id="id958627"><div class="titlepage"><div><div><h4 class="title">オーラルスã‚ルã®æœ¬</h4></div></div></div><div class="biblioentry" title="Eyes and Ears: an Anthology of Melodies for Sight-Singing"><p><span class="author"><span class="surname">Crowell</span> <span class="firstname">Ben</span> [FAMILY Given]. </span><span class="title"><i>Eyes and Ears: an Anthology of Melodies for Sight-Singing</i>. </span><span class="date">2004. </span><span class="publisher"><span class="publishername">
+ Ben Crowell
+ . </span><span class="address">
+ <span class="otheraddr"><a href="http://www.lightandmatter.com/sight/sight.html">http://www.lightandmatter.com/sight/sight.html</a></span>
+ . </span></span></p></div><div class="biblioentry" title="Studying Rhythm"><p><span class="author"><span class="surname">Hall</span> <span class="firstname">Anne</span> [FAMILY Given]. </span><span class="title"><i>Studying Rhythm</i>. </span><span class="date">2004. </span><span class="publishername">
+ Prentice Hall
+ . </span></p></div><div class="biblioentry" title="Elementary Training for Musicains"><p><span class="author"><span class="surname">Hindemith</span> <span class="firstname">Paul</span> [FAMILY Given]. </span><span class="title"><i>Elementary Training for Musicains</i>. </span><span class="date">1984. </span><span class="publishername">
+ Schott Music Corp.
+ . </span></p></div><div class="biblioentry" title="The Rhythm Book"><p><span class="author"><span class="surname">Hoffman</span> [FAMILY Given]. </span><span class="title"><i>The Rhythm Book</i>. </span><span class="date">2009. </span><span class="publishername">
+ Smith Creek Music
+ . </span></p></div><div class="biblioentry" title="Manual for Ear Training and Sight Singing"><p><span class="author"><span class="surname">Karpinski</span> <span class="firstname">Gary</span> [FAMILY Given]. </span><span class="title"><i>Manual for Ear Training and Sight Singing</i>. </span><span class="date">2007. </span><span class="publishername">
+ Norton
+ . </span></p></div><div class="biblioentry" title="Anthology for Sight Singing"><p><span class="author"><span class="surname">Karpinski</span> <span class="firstname">Gary</span> [FAMILY Given]. </span><span class="title"><i>Anthology for Sight Singing</i>. </span><span class="date">2006. </span><span class="publishername">
+ Norton
+ . </span></p></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>13.3.3. オーラルスã‚ルプãƒã‚°ãƒ©ãƒ を作る</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>13.4. 課題を使ã†</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.3. ã‚ãªãŸã®ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Solfege.html" title="第13ç« GNU ソルフェージュ" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Configuration-Sound_Setup.html" title="13.2.6. Sound Setup" /><link rel="next" href="sect-Musicians_Guide-Solfege-Training-Exercise_Types.html" title="13.3.2. 課題ã®ã‚¿ã‚¤ãƒ—" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../
../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Configuration-Sound_Setup.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Training-Exercise_Types.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="13.3. ã‚ãªãŸã®ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°" id="sect-Musicians_Guide-Solfege-Training"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Solfege-Training">13.3. ã‚ãªãŸã®ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°</h2></div></div
></div><div class="para">
+ Solfege ã§ã¯ï¼“種類ã®èª²é¡ŒãŒã‚ã‚Šã¾ã™ã€‚
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Listen-and-identify" exercises will play some sort of musical structure, and ask you to identify, classify, or label it according to widely-used conventions.
+ </div></li><li class="listitem"><div class="para">
+ "Identify" exercises will show you some sort of musical structure (usually in Western classical notation), and ask you to identify, classify, or label it according to widely-used conventions.
+ </div></li><li class="listitem"><div class="para">
+ "Sing" exercises will provide a specific musical structure, sometimes partially-completed, and ask you to sing the completion of the structure.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Unlike many commercially-available aural skills computer applications, Solfege often relies on the user to know whether they performed the task correctly - and how correctly. This is especially true of the "Sing"-type exercises, since Solfege lacks the capability to receive sung input from the user. This requires at least two things to be kept in mind: firstly, that it is to your own benefit to honestly tell Solfege when you correctly and incorrectly provide a solution, since this helps Solfege to focus on your weaknesses, and to more accurately track your progress; secondly, there are many degrees of correctness when it comes to music, and harmonic and melodic dictation are particularly prone to these forms of partial correctness.
+ </div><div class="para">
+ オーラルスã‚ル開発ã«ãŠã„ã¦å›°é›£ãªåœ°ç‚¹ã«æ¥ãŸãªã‚‰ã°ã€éŸ³æ¥½çš„感性を作るã«ã¯å¤šå¤§ãªæ™‚é–“ã¨åŠªåŠ›ãŒå¿…è¦ã ã¨ã„ã†ã“ã¨ã‚’æ€ã„出ã—ã¦ãã ã•ã„。ã‚る人ã«ã¨ã£ã¦ã¯ãã‚Œã¯ä»–ã®äººã«ã¨ã£ã¦ã‚ˆã‚Šç°¡å˜ã§ã™ã€‚ã‚る課題ãŒä»–ã®èª²é¡Œã‚ˆã‚Šç°¡å˜ã ã€ã¨ã„ã†ã“ã¨ã¯ã€å¤šãã®äººã«ã¨ã£ã¦ã‚ã‚‹ã“ã¨ã§ã™ã€‚よã言ã‚れる音楽的感性（ã¨ã‚ªãƒ¼ãƒ©ãƒ«ã‚¹ã‚ル）ã«ã¤ã„ã¦ã®æ–‡åŒ–的考察ã§ã¯ã€äººã¯éŸ³æ¥½èƒ½åŠ›ã‚’æŒã£ã¦ç”Ÿã¾ã‚Œã‚‹ã‚‚ã®ã§ã€å¾Œã‹ã‚‰ç²å¾—ã™ã‚‹ã“ã¨ã¯ã§ããªã„ã€ã¨ã„ã„ã¾ã™ã€‚ã—ã‹ã—ã€æœ€è¿‘ã®ç ”究ã«ã‚ˆã‚Œã°ã€è´è¦šã«å•é¡Œã®ãªã„人ã§ã‚ã‚Œã°ã€èª°ã§ã‚‚ã€å分ãªæ±ºæ„ã¨åŠªåŠ›ã¨æ£ã—ã„å¦ç¿’ã«ã‚ˆã‚Šã€éŸ³æ¥½çš„感性ã¨ã‚ªãƒ¼ãƒ©ãƒ«ã‚¹ã‚ルをã€ã¨ã¦ã‚‚高ã„レベルã«ã¾ã§é–‹ç™ºã™ã‚‹ã“ã¨ãŒã§ãã‚‹ã¨ã•ã‚Œã¦ã„ã¾ã™ã€‚
+ </div><div class="para">
+ ãれを心ã«ç•™ã‚ã¦ã€ä»¥ä¸‹ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã¯ã‚ãªãŸãŒ Solfege を完全ãªã‚ªãƒ¼ãƒ©ãƒ«ã‚¹ã‚ル開発プãƒã‚°ãƒ©ãƒ ã®ä¸€éƒ¨ã¨ã—ã¦å–り込むã“ã¨ã®ãŠæ‰‹ä¼ã„ã‚’ã—ã¾ã™ã€‚
+ </div><div class="section" title="13.3.1. オーラルスã‚ルã¨éŸ³æ¥½çš„感性" id="sect-Musicians_Guide-Solfege-Training-Aural_Skilla_and_Musical_Sensibility"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Training-Aural_Skilla_and_Musical_Sensibility">13.3.1. オーラルスã‚ルã¨éŸ³æ¥½çš„感性</h3></div></div></div><div class="para">
+ When somebody decides to receive musical training, what they are really doing is developing skills and acquiring stylistic knowledge required for participation in a particular kind of music. There are many different kinds of training, and the time spent in a classroom is not as important to musical development as time spent elsewhere, taking part in real, musical situations. Many different kinds of skills are useful for musicians, depending on the kind of music in which they intend to participate. A folk singer who plays guitar might wish to memorize the chord progressions, melodies, and words for thousands of different songs. An oboe player in an orchestra might wish to make their own reeds from cane tree bark. Most musicians need to be able to listen to music and perceive certain structures that other musicians use to describe their work. These structures are explained by "music theory," and the skill set used to hear these things in music is called "aural skills." Mus
icians train their aural skills by a set of procedures known as "ear training," or "aural skills training."
+ </div><div class="para">
+ Musical sensibility is developed when aural skills are used to help a musician gain an understanding of how and why their music (and other people's music) works and sounds the way it does. This understanding is key to having a sense of the procedures and conventions that an audience will expect of a performer, and therefore to the performer's ability to produce aesthetically pleasing music.
+ </div><div class="para">
+ よã発é”ã—ãŸéŸ³æ¥½çš„感性ã¨ã‚ªãƒ¼ãƒ©ãƒ«ã‚¹ã‚ルã®ã‚»ãƒƒãƒˆã‚’æŒã¤ã“ã¨ã¯ã„ãšã‚Œã‚‚音楽家ã§ã‚ã‚‹ã“ã¨ã®é‡è¦ãªå´é¢ã§ã™ãŒã€ãã‚Œã ã‘ã§ã‚ˆã„ã‚ã‘ã§ã¯ã‚ã‚Šã¾ã›ã‚“。何よりもã€éŸ³æ¥½å®¶ï¼ˆã‚ã‚‹ã„ã¯éŸ³æ¥½å®¶å¿—望ã®äººï¼‰ã¯ä»–ã®éŸ³æ¥½å®¶é”ã¨è©±ã—ã€è´ãã“ã¨ãŒå¤§äº‹ã§ã™ã€‚
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Configuration-Sound_Setup.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>13.2.6. Sound Setup</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Training-Exercise_Types.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>13.3.2. 課題ã®ã‚¿ã‚¤ãƒ—</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.4. 課題を使ã†</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Solfege.html" title="第13ç« GNU ソルフェージュ" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Training-Supplementary_References.html" title="13.3.4. 補足ã®å‚ç…§" /><link rel="next" href="sect-Musicians_Guide-Singing_Exercises.html" title="13.4.2. Singing" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is a
n iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Training-Supplementary_References.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Singing_Exercises.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="13.4. 課題を使ã†" id="sect-Musicians_Guide-Solfege-Using_the_Exercises"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Solfege-Using_the_Exercises">13.4. 課題を使ã†</h2></div></div></div><div class="section" title="13.4.1.
Listening" id="sect-Musicians_Guide-Solfege-Listening_Exercises"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Listening_Exercises">13.4.1. Listening</h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ ソフトウエアを開ãã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ It is at the "Front Page"
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ ã©ã®ã‚¿ã‚¤ãƒ—ã®èª²é¡Œã‚’ã™ã‚‹ã‹æ±ºã‚ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ フォーカスã™ã‚‹ã‚µãƒ–セクションを決ã‚ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ Click "New" or "New Interval" or whatever to get the first question
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ On some exercises, you need to click "new" whenever you want a new one
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ 課題ã«ã‚ˆã£ã¦ã¯ã€ã‚ãªãŸãŒæ£è§£ã‚’ç”ãˆã‚‹ã¨è‡ªå‹•çš„ã«æ¬¡ã®å•é¡Œã‚’出ã™ã‚ˆã†ã«è¨å®šã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ ãã‚Œãžã‚Œã®èª²é¡Œã‚’è´ã„ãŸã‚‰ã€æ£ã—ã„ç”ãˆã‚’探ã—ã¾ã—ょã†ã€‚
+ </div></li><li class="step" title="ステップ 9"><div class="para">
+ ã‚‚ã†ä¸€åº¦èª²é¡Œã‚’èžããŸã„ã¨ãã¯ã€ãã†ã—ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 10"><div class="para">
+ èžãç›´ã™å›žæ•°ã«åˆ¶é™ã‚’è¨ã‘ã‚‹ã®ã¯ã‚ˆã„ã“ã¨ã§ã™ã€‚
+ </div></li><li class="step" title="ステップ 11"><div class="para">
+ ã‚ãªãŸãŒæ£ã—ã„ã¨æ€ã†ã‚‚ã®ã‚’é¸ã³ã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 12"><div class="para">
+ 次ã®å•é¡Œã«è¡Œãã¾ã™ã€‚ãã‚Œã¯å•é¡Œã«ã‚ˆã£ã¦ã¯è‡ªå‹•ã§ã•ã‚Œã‚‹ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。ã‚らã‹ã˜ã‚ã€æ¬¡ã®å•é¡Œã«è¡Œãå‰ã«å¾…ã¤æ™‚間を指定ã™ã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚
+ </div></li></ol></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Training-Supplementary_References.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>13.3.4. 補足ã®å‚ç…§</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Singing_Exercises.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>13.4.2. Singing</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.2. サウンドカードã®æŽ¥ç¶š</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Sound_Cards.html" title="第1ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¨ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª" /><link rel="prev" href="chap-Musicians_Guide-Sound_Cards.html" title="第1ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¨ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª" /><link rel="next" href="sect-Musicians_Guide-PCI_Sound_Cards.html" title="1.2.2. 内蔵 PCI 接続" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="to
cframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Sound_Cards.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-PCI_Sound_Cards.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="1.2. サウンドカードã®æŽ¥ç¶š" id="sect-Musicians_Guide-Sound_Card_Connections"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Sound_Card_Connections">1.2. サウンドカードã®æŽ¥ç¶š</h2></div></div
></div><div class="para">
+ Audio interfaces and MIDI interfaces can both use the following connection methods. In this section, "sound card" means "audio interface or MIDI interface."
+ </div><div class="section" title="1.2.1. マザーボードã«çµ±åˆ" id="sect-Musicians_Guide-Motherboard_Integrated"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Motherboard_Integrated">1.2.1. マザーボードã«çµ±åˆ</h3></div></div></div><div class="para">
+ Integrated sound cards are built into a computer's motherboard. The quality of audio produced by these sound cards has been increasing, and they are sufficient for most non-professional computer audio work. If you want a professional-sounding audio interface, or if you want to connect high-quality devices, then we recommend an additional audio interface.
+ </div><div class="para">
+ MIDI インターフェイスãŒãƒžã‚¶ãƒ¼ãƒœãƒ¼ãƒ‰ã«çµ„ã¿è¾¼ã¾ã‚Œã¦ã„ã‚‹ã“ã¨ã¯ã»ã¨ã‚“ã©ã‚ã‚Šã¾ã›ã‚“。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Sound_Cards.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>第1ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¨ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-PCI_Sound_Cards.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>1.2.2. 内蔵 PCI 接続</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Sound_Servers-JACK.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Sound_Servers-JACK.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>2.2.2. JACK オーディオ接続ã‚ット</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Sound_Servers_Section.html" title="2.2. サウンドサーãƒ" /><link rel="prev" href="sect-Musicians_Guide-Sound_Servers_Section.html" title="2.2. サウンドサーãƒ" /><link rel="next" href="sect-Musicians_Guide-Sound_Servers-Phonon.html" title="2.2.3. フォノン" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../to
c.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Sound_Servers_Section.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sound_Servers-Phonon.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="2.2.2. JACK オーディオ接続ã‚ット" id="sect-Musicians_Guide-Sound_Servers-JACK"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Sound_Servers-JACK">2.2.2. <code class="systemitem">JACK</code> オーディオ接続ã‚ット</
h3></div></div></div><div class="para">
+ <code class="systemitem">JACK</code> サウンドサーãƒã¯ã€ä»–ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚µãƒ¼ãƒã¨æ¯”ã¹ã‚‹ã¨æä¾›ã™ã‚‹æ©Ÿèƒ½ãŒå°‘ãªã„ã§ã™ãŒã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä½œæˆã‚¢ãƒ—リケーションã«ã¨ã£ã¦å¿…è¦ãªæ©Ÿèƒ½ã«ç‰¹åŒ–ã—ã¦ä½œã‚‰ã‚Œã¦ã„ã¾ã™ã€‚ <code class="systemitem">JACK</code> 㯠ã¾ãŸã€ãã®ã‚ˆã†ãªçŠ¶æ³ã§æœ€ã‚‚é‡è¦ãªã‚ªãƒ—ションã®è¨å®šã‚’ユーザーãŒç°¡å˜ã«è¡Œãˆã‚‹ã‚ˆã†ã«ã—ã¦ã„ã¾ã™ã€‚ã“ã®ã‚µãƒ¼ãƒã¯ã€1 度ã«ãŸã １ã¤ã®ã‚µãƒ³ãƒ—ルレートã¨ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆã‚’サãƒãƒ¼ãƒˆã—ã¾ã™ã€‚ãã—ã¦ã€ã‚¢ãƒ—リケーションã¨ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ãŒç°¡å˜ã«æŽ¥ç¶šã—ã€å¤šé‡åŒ–ã™ã‚‹ã®ã‚’å¯èƒ½ã¨ã—ã¾ã™ . ã“ã‚Œã¯ä»–ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚µãƒ¼ãƒã«ã¯ãªã„機能ã§ã™ã€‚（ルーティングã¨å¤šé‡åŒ–ã«ã¤ã„ã¦ãã‚ã—ãã¯ã€<a class="xref" href="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing.html" title="1.4.7. ルーティングã¨å¤šé‡åŒ–">「ルーティングã¨å¤šé‡åŒ–ã€</a> ã‚’å‚ç…§ã—ã¦
ãã ã•ã„ 。） ãã‚Œã¯ã€ã•ã‚‰ã«ã€ä¸€è²«ã—ã¦ä½Žé…延ã§å®Ÿè¡Œã™ã‚‹ã‚ˆã†ã«æœ€é©åŒ–ã•ã‚Œã¦ã„ã¾ã™ã€‚<code class="systemitem">JACK</code> を使用ã™ã‚‹ã«ã¯ã€ã‚‚ã¨ã¨ãªã‚‹ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ã®ã‚ˆã‚Šã‚ˆã„ç†è§£ãŒå¿…è¦ã§ã™ãŒã€<span class="application"><strong>QjackCtl</strong></span> アプリケーションãŒãã®ãƒ—ãƒã‚»ã‚¹ã‚’容易ã«ã™ã‚‹ã‚°ãƒ©ãƒ•ã‚£ã‚«ãƒ«ãƒ¦ãƒ¼ã‚¶ãƒ¼ã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã‚’æä¾›ã—ã¦ã„ã¾ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Sound_Servers_Section.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>2.2. サウンドサーãƒ</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sound_Servers-Phonon.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>2.2.3. フォノン</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Sound_Servers-Phonon.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Sound_Servers-Phonon.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>2.2.3. フォノン</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Sound_Servers_Section.html" title="2.2. サウンドサーãƒ" /><link rel="prev" href="sect-Musicians_Guide-Sound_Servers-JACK.html" title="2.2.2. JACK オーディオ接続ã‚ット" /><link rel="next" href="sect-Musicians_Guide-Using_JACK.html" title="2.3. Use the JACK Audio Connection Kit" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc
.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Sound_Servers-JACK.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Using_JACK.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="2.2.3. フォノン" id="sect-Musicians_Guide-Sound_Servers-Phonon"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Sound_Servers-Phonon">2.2.3. フォノン</h3></div></div></div><div class="para">
+ Phonon is a sound server built into the KDE Software Compilation, and is one of the core components of KDE. By default on Fedora Linux, Phonon feeds output to <code class="systemitem">PulseAudio</code>, but on other platforms (like Mac OS X, Windows, other versions of Linux, FreeBSD, and any other system that supports KDE), Phonon can be configured to feed its output anywhere. This is its greatest strength - that KDE applications like Amarok and Dragon Player need only be programmed to use Phonon, and they can rely on Phonon to take care of everything else. As KDE applications increasingly find their place in Windows and especially Mac OS X, this cross-platform capability is turning out to be very useful.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Sound_Servers-JACK.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>2.2.2. JACK オーディオ接続ã‚ット</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Using_JACK.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>2.3. Use the JACK Audio Connection Kit</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Sound_Servers_Section.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Sound_Servers_Section.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>2.2. サウンドサーãƒ</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html" title="第2ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ç”¨ã®ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢" /><link rel="prev" href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html" title="第2ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ç”¨ã®ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢" /><link rel="next" href="sect-Musicians_Guide-Sound_Servers-JACK.html" title="2.2.2. JACK オーディオ接続ã‚ット" /></head><body class="draft toc_embeded "><
div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sound_Servers-JACK.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="2.2. サウンドサーãƒ" id="sect-Musicians_Guide-Sound_Servers_Section"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Sound_Servers_Secti
on">2.2. サウンドサーãƒ</h2></div></div></div><div class="para">
+ Sound servers are programs that run "in the background," meaning that they do not have a user interface. Sound servers provide a level of abstraction to automate some aspects of using ALSA, and to allow multiple applications to simultaneously access your audio hardware. The three sound servers discussed in this chapter have different goals and different features. The sound server you should use depends on what you are doing.
+ </div><div class="section" title="2.2.1. パルスオーディオ" id="sect-Musicians_Guide-Sound_Servers-PulseAudio"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Sound_Servers-PulseAudio">2.2.1. パルスオーディオ</h3></div></div></div><div class="para">
+ <code class="systemitem">PulseAudio</code> is an advanced sound server, intended to make audio programming in Linux operating systems as easy as possible. The idea behind its design is that an audio application needs only to output audio to <code class="systemitem">PulseAudio</code>, and <code class="systemitem">PulseAudio</code> will take care of the rest: choosing and controlling a particular device, adjusting the volume, working with other applications, and so on. <code class="systemitem">PulseAudio</code> even has the ability to use "networked sound," which allows two computers using <code class="systemitem">PulseAudio</code> to communicate as though they were one computer - either computer can input from or output to either computer's audio hardware just as easily as its own audio hardware. This is all controlled within <code class="systemitem">PulseAudio</code>, so no further complication is added to the software.
+ </div><div class="para">
+ The Fedora Project's integration of <code class="systemitem">PulseAudio</code> as a vital part of the operating system has helped to ensure that audio applications can "just work" for most people under most circumstances. This has made it much easier for users to carry out basic audio tasks.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>第2ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ç”¨ã®ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sound_Servers-JACK.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>2.2.2. JACK オーディオ接続ã‚ット</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.2. 録音ã®ã‚¹ãƒ†ãƒ¼ã‚¸</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Digital_Audio_Workstations.html" title="第6ç« ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ¯ãƒ¼ã‚¯ã‚¹ãƒ†ãƒ¼ã‚·ãƒ§ãƒ³" /><link rel="prev" href="chap-Musicians_Guide-Digital_Audio_Workstations.html" title="第6ç« ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ¯ãƒ¼ã‚¯ã‚¹ãƒ†ãƒ¼ã‚·ãƒ§ãƒ³" /><link rel="next" href="sect-Musicians_Guide-Mixing.html" title="6.2.2. ミã‚シング" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc
"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Digital_Audio_Workstations.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Mixing.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="6.2. 録音ã®ã‚¹ãƒ†ãƒ¼ã‚¸" id="sect-Musicians_Guide-Stages_of_Recording"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Stages_of_Recording">6.2. 録音ã®ã‚¹ãƒ†ãƒ¼ã‚¸</h2></div></div><
/div><div class="para">
+ ã‚ã‚‹ã‚‚ã®ã‚’録音ã—ã¦ã€ãƒªã‚¹ãƒŠã«å±Šã‘る準備をã™ã‚‹ãŸã‚ã«ã¯ï¼“ã¤ã®å¤§ããªã‚¹ãƒ†ãƒ¼ã‚¸ãŒã‚ã‚Šã¾ã™ï¼šéŒ²éŸ³ã€ãƒŸã‚シングã€ãã—ã¦ãƒžã‚¹ã‚¿ãƒªãƒ³ã‚°ã§ã™ã€‚ãã‚Œãžã‚Œã®å‡¦ç†ã®ã‚¹ãƒ†ãƒƒãƒ—ã¯ç‹¬è‡ªã®ç‰¹æ€§ã‚’æŒã¡ã¾ã™ãŒã€æ™‚ã«ã¯ã€ä¸€ç·’ã«æ··ãœåˆã‚ã›ã‚‰ã‚Œã‚‹ã“ã¨ã‚‚ã‚ã‚Šã¾ã™.
+ </div><div class="section" title="6.2.1. 録音" id="sect-Musicians_Guide-Recording"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Recording">6.2.1. 録音</h3></div></div></div><div class="para">
+ Recording is the process of capturing audio regions (also called "clips" or "segments") into the DAW software, for later processing. Recording is a complex process, involving a microphone that captures sound energy, translates it into electrical energy, and transmits it to an audio interface. The audio interface converts the electrical energy into digital signals, and sends it through the operating system to the DAW software. The DAW stores regions in memory and on the hard drive as required. Every time the musicians perform some (or all) of the performance to be recorded, while the DAW is recording, it is considered to be a <em class="firstterm">take</em>. A successful recording usually requires several takes, due to the inconsistencies of musical performance and of the related technological aspects.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Digital_Audio_Workstations.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>第6ç« ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ¯ãƒ¼ã‚¯ã‚¹ãƒ†ãƒ¼ã‚·ãƒ§ãƒ³</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Mixing.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>6.2.2. ミã‚シング</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SuperCollider-Basic_Programming.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SuperCollider-Basic_Programming.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3. Basic Programming in SuperCollider</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-SuperCollider.html" title="第11ç« SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Using_GEdit-Other_Tips.html" title="11.2.4. Other Tips for Using GEdit with SuperCollider" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html" title="11.3.2. Variables and Functions" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc">
<iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Using_GEdit-Other_Tips.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="section" title="11.3. Basic Programming in SuperCollider" id="sect-Musicians_Guide-SuperCollider-Basic_Programming" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title"
id="sect-Musicians_Guide-SuperCollider-Basic_Programming">11.3. Basic Programming in <span class="application"><strong>SuperCollider</strong></span></h2></div></div></div><div class="para">
+ As with any programming language, you will start learning <span class="application"><strong>SuperCollider</strong></span> with the basic commands, that are of little use by themselves. However, since the language is so flexible, even the most basic commands can be combined in ways that create highly complex behaviours. The example program, "Method One," was written with the goal of illustrating how a single sound-generating object can be used to create an entire composition. This tutorial does not begin with audio-generating code, which helps to emphasize that <span class="application"><strong>SuperCollider</strong></span> is primarily a programming language.
+ </div><div class="para">
+ This portion of the Guide is designed as a "reference textbook," which you can use both to learn the <span class="application"><strong>SuperCollider</strong></span> language in the first place, and to remind yourself about the language's features afterwards.
+ </div><div class="para">
+ The section is most effective when read in small portions.
+ </div><div class="section" title="11.3.1. First Steps" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps">11.3.1. First Steps</h3></div></div></div><div class="section" title="11.3.1.1. The Different Parts of SuperCollider" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Parts_of_SuperCollider"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Parts_of_SuperCollider">11.3.1.1. The Different Parts of <span class="application"><strong>SuperCollider</strong></span></h4></div></div></div><div class="para">
+ As you discovered when installing <span class="application"><strong>SuperCollider</strong></span>, there are actually many different components involved with <span class="application"><strong>SuperCollider</strong></span>. Here is a list of some of them, with brief descriptions of their purpose:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Programming language: this is an abstract set of rules and guidelines that allow you to write down instructions for producing sounds.
+ </div></li><li class="listitem"><div class="para">
+ Interpreter: this is what is run in <span class="application"><strong>GEdit</strong></span>; it transforms the programming language instructions written by you into useful instructions for the server; also called the "client."
+ </div></li><li class="listitem"><div class="para">
+ Server: this is what synthesizes the sound, according to instructions sent to it by the interpreter.
+ </div></li><li class="listitem"><div class="para">
+ Library: these contain commands and the instructions to be executed when you call the commands; the interpreter looks up commands in the library when you call them.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ This modular design allows for several advanced capabilities and features. Any particular element could theoretically be replaced without affecting other elements, as long as the methods of communication remain the same. As long as the programming language is the same, portions of the library can be modified, removed, or added at will; this happens often, and Planet CCRMA at Home provides a collection of library extensions. One of the most exciting capabilities is the ability to run the interpreter and server on different physical computers. The networking component is built into these components - they always communicate by UDP or TCP, even when run on the same computer! Although this ability is not used in this Guide, it is not difficult.
+ </div><div class="para">
+ The most important thing to remember is that the <span class="application"><strong>SuperCollider</strong></span> interpreter is what deals with the programs you write. The <span class="application"><strong>SuperCollider</strong></span> server is controlled by the interpreter, but is an independent program. For simple things, like the Hello World Programs below, the server is not even used - after all, there is no audio for it to synthesize.
+ </div></div><div class="section" title="11.3.1.2. "Hello, World!"" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Hello_World"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Hello_World">11.3.1.2. "Hello, World!"</h4></div></div></div><div class="para">
+ The first program that one traditionally makes when learning a new programming language is called "The Hello World Program." This is a simple and trivial application that simply prints outs the phrase, <code class="literal">Hello, World!</code> (or a variation of it). It might seem useless at first, but the ability to provide feedback to an application's user is very important, and this is essentially what the Hello World Program does.
+ </div><div class="para">
+ Here is the program in <span class="application"><strong>SuperCollider</strong></span>:
+<pre class="programlisting">
+"Hello, World!".postln;
+</pre>
+
+ </div><div class="para">
+ Here is an extension to that program:
+<pre class="programlisting">
+"Hello, World!".postln;
+"Hello, SC!".postln;
+</pre>
+
+ </div><div class="para">
+ As with all examples in this section, you should paste these programs into <span class="application"><strong>GEdit</strong></span>, and execute them with <span class="application"><strong>SuperCollider</strong></span>. Look at the output produced by the programs, but don't worry about it for now.
+ </div><div class="para">
+ These programs are very small, but it highlights some key concepts of the <span class="application"><strong>SuperCollider</strong></span> language, described below.
+ </div></div><div class="section" title="11.3.1.3. Return Values" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Return_Values"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Return_Values">11.3.1.3. Return Values</h4></div></div></div><div class="para">
+ Every <span class="application"><strong>SuperCollider</strong></span> program must provide the interpreter with a value (some information) when it has carried out all of its instructions. This value is called a "return value," because it is the value given by a program when it "returns" control to the interpreter. In a <span class="application"><strong>SuperCollider</strong></span> program, it is the last value stated in a program that automatically becomes the return value - no special command is required. When program execution ends, and control is returned to the <span class="application"><strong>SuperCollider</strong></span> interpreter, the interpreter outputs the return value in the "SuperCollider output" pane.
+ </div><div class="para">
+ In the single-line Hello World Program above, the program produces the following output: <code class="computeroutput"> Hello, World! Hello, World! </code> The program appears to have been executed twice, but that is not the case. The first <code class="literal">Hello, World!</code> is printed by the program. The second <code class="literal">Hello, World!</code> appears because <code class="code">"Hello, World!.postln</code> is the last (in this case, the only) value of the program. It is "returned" by the program, and the interpreter prints it.
+ </div><div class="para">
+ In the two-line Hello World Program above, the program produces the following output: <code class="computeroutput"> Hello, World! Hello, SC! Hello, SC! </code> This makes it more clear that the program is not being executed twice, and that it is the last value of a program that is returned to the interpreter.
+ </div><div class="para">
+ Try executing the following single-line programs. Look at the output produced by each, and determine whether it is printed by the program itself, the interpreter, or both.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="code">"Hello, World!".postln;</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="code">"Hello, World!";</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="code">5.postln;</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="code">5;</code>
+ </div></li></ul></div>
+ Can you modify the two-line Hello World Program so that each line is printed only once?
+ </div><div class="para">
+ In reality, every "function" must return a value. Functions are described in <a class="xref" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions.html" title="11.3.2.3. Functions">「Functionsã€</a>, but the difference is not yet important.
+ </div></div><div class="section" title="11.3.1.4. Statements" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Statements"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Statements">11.3.1.4. Statements</h4></div></div></div><div class="para">
+ A "statement" is a single instruction, which always ends with a semicolon. Exactly what constitutes a statement will become clear as you gain experience, and you will eventually automatically remember the semicolon.
+ </div><div class="para">
+ In the Hello World Programs above, all of the statements contain the single instruction to post a line to the output screen. What happens when you remove the first semicolon, which marks the end of the first statement? The <span class="application"><strong>SuperCollider</strong></span> interpreter produces an unhelpful error message, and tells you that an error occurred <span class="emphasis"><em>after</em></span> the forgotten semicolon. This is why it is important to always remember statement-concluding semicolons.
+ </div></div><div class="section" title="11.3.1.5. Data Types: Numbers and Strings" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Numbers_and_Strings"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Numbers_and_Strings">11.3.1.5. Data Types: Numbers and Strings</h4></div></div></div><div class="para">
+ In many programming languages, it is the programmer's responsibility to determine the type of data that is being used, and how it should be stored. The <span class="application"><strong>SuperCollider</strong></span> interpreter takes advantage of the power of modern computers, and deals with this on our behalf. This greatly simplifies basic tasks, because there are only two kinds of data to worry about, and they make perfect sense:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Numbers: These are numbers, written simply as numbers. Anything that can be done with real-world numbers can also be done with <span class="application"><strong>SuperCollider</strong></span>'s numbers. They can be as large or small, positive or negative as you want. They can have any number of digits on either side of the decimal point.
+ </div></li><li class="listitem"><div class="para">
+ Strings: These are a string of characters, written between two double-quote characters like "this." The double-quote characters are required so that <span class="application"><strong>SuperCollider</strong></span> knows where to begin and end the string of characters. A string of character can contain as many characters as you like, including one character and no characters. If you want to include a double-quote character in a string, you should put a blackslash before it. The following is interpreted by <span class="application"><strong>SuperCollider</strong></span> as a string with only a double-quote character: <code class="literal">"\""</code>
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Here are some examples of numbers and strings:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="literal">5</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">18920982341</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">0.00000000000001</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">"characters"</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">"@"</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">""</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">"6"</code>
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Is the last example a number or a string? You and I recognize that it is a number inside a string, but <span class="application"><strong>SuperCollider</strong></span> treats it as a string. You can do string things with it, but you cannot do number things with it. You cannot add <code class="literal">"6"</code> to something, for example.
+ </div><div class="para">
+ Try executing the following single-line programs. Think about why the <span class="application"><strong>SuperCollider</strong></span> interpreter produces the output that it does.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="code">6 + 3;</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="code">"6" + 3;</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="code">"six" + 3;</code>
+ </div></li></ul></div>
+
+ </div></div><div class="section" title="11.3.1.6. Consecutive Execution" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Consecutive_Execution"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Consecutive_Execution">11.3.1.6. Consecutive Execution</h4></div></div></div><div class="para">
+ Complex <span class="application"><strong>SuperCollider</strong></span> programs contain many parts, which all do different things. Sometimes, executing all of these together doesn't make sense, and it can be difficult to know which portions of the program are supposed to be executed when. To help with this, the interpreter allows you to mark portions of your program between ( and ) so that you will know to execute them together.
+ </div><div class="para">
+ Here is an example:
+<pre class="programlisting">
+(
+ "Hello, Fred!".postln;
+ "Hello, Wilma!".postln;
+)
+(
+ "Goodbye, Fred!".postln;
+ "Goodbye, Wilma!".postln;
+)
+</pre>
+ It doesn't make sense to say "hello" and "goodbye" at the same time, so separating these sections with parentheses will serve as a reminder. In case we try to execute all of the code at once, the <span class="application"><strong>SuperCollider</strong></span> interpreter will give us an error.
+ </div></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Using_GEdit-Other_Tips.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.2.4. Other Tips for Using GEdit with SuperColl...</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.2. Variables and Functions</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.4. Composing with SuperCollider</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-SuperCollider.html" title="第11ç« SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution.html" title="11.3.15. Legal Attribution" /><link rel="next" href="sect-Musicians_Guide-SC-Composing-Inspiration.html" title="11.4.2. Inspiration" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../t
oc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Inspiration.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="section" title="11.4. Composing with SuperCollider" id="sect-Musicians_Guide-SuperCollider-Composing" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-SuperCollider-Composing">11.4. Composing with S
uperCollider</h2></div></div></div><div class="para">
+ This section is an explanation of the creative thought-process that went into creating the SuperCollider composition that we've called "Method One," for which the source and exported audio files are available below.
+ </div><div class="para">
+ It is our hope that, in illustrating how we developed this composition from a single SinOsc command, you will learn about SuperCollider and its abilities, about how to be creative with SuperCollider, and how a simple idea can turn into something of greater and greater complexity.
+ </div><div class="para">
+ As musicians, our goal is to learn enough SuperCollider to make music; we don't want to have to memorize which parameters do what for which functions, and in which order to call them. We want to know what they do for us musically. Explicitly calling parameters, and making comments about what does what, so that we can return later and change musical things, are going to help our musical productivity, at the expense of slowing down our typing.
+ </div><div class="section" title="11.4.1. Files for the Tutorial" id="sect-Musicians_Guide-SC-Composing-Tutorial_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Tutorial_Files">11.4.1. Files for the Tutorial</h3></div></div></div><div class="para">
+ The following files represent complete versions of the program. You should try to complete the program yourself before reviewing these versions:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle">Method One</em> is available at <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/SuperCollider/Method_One.sc">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/SuperCollider/Method_One.sc</a>
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">Method One (Optimized)</em> is available at <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/SuperCollider/Method_One-optimized.sc">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/SuperCollider/Method_One-optimized.sc</a>
+ </div></li><li class="listitem"><div class="para">
+ A FLAC-format recording of <em class="citetitle">Method One</em> is available at <a href="http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/SuperCollider/Method_One.flac">http://docs.fedoraproject.org/en-US/Fedora/15/html/Musicians_Guide/files/SuperCollider/Method_One.flac</a>
+ </div></li></ul></div>
+
+ </div><div class="para">
+ <code class="filename">Method_One.sc</code> is an extensively-commented version of the source code. The comments not only describe the way the code works, but pose some problems and questions that you may wish to work on, to increase your knowledge of SuperCollider. The problem with the verbosity of the comments is that it can be difficult to read the code itself, as it would be written in a real program.
+ </div><div class="para">
+ <code class="filename">Method_One-optimized.sc</code> is a less-commented version of the source code. I've also re-written part of the code, to make it more flexible for use in other programs. The differences between this, and code that I would have written for myself only, are trivial.
+ </div><div class="para">
+ <code class="filename">Method_One.flac</code> is a recording that I produced of the program, which I produced in <span class="application"><strong>Ardour</strong></span>.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.15. Legal Attribution</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Inspiration.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.4.2. Inspiration</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SuperCollider-Exporting.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-SuperCollider-Exporting.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.5. Exporting Sound Files</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-SuperCollider.html" title="第11ç« SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts.html" title="11.4.9. Joining the Two Parts" /><link rel="next" href="sect-Musicians_Guide-SC-Recording_SuperColliders_Output.html" title="11.5.2. Recording SuperCollider's Output (Tutorial)" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocfra
me" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Recording_SuperColliders_Output.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div xml:lang="ja-JP" class="section" title="11.5. Exporting Sound Files" id="sect-Musicians_Guide-SuperCollider-Exporting" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-SuperCollider-
Exporting">11.5. Exporting Sound Files</h2></div></div></div><div class="para">
+ This section explains one way to record your SuperCollider programs, so that you can share them with friends who don't have SuperCollider on their computer.
+ </div><div class="section" title="11.5.1. Non-Real-Time Synthesis" id="sect-Musicians_Guide-SC-Non_Real_Time_Synthesis"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Non_Real_Time_Synthesis">11.5.1. Non-Real-Time Synthesis</h3></div></div></div><div class="para">
+ SuperCollider allows you to synthesze audio output to an audio file. Doing this requires using OSC commands on the server, the <code class="classname">DiskOut</code> UGen, the <code class="classname">Buffer</code> UGen, and other relatively advanced concepts. The built-in <em class="citetitle">DiskOut</em> help file, available from <a href="file:///usr/share/SuperCollider/Help/UGens/Playback%20and%20Recording/DiskOut.html">file:///usr/share/SuperCollider/Help/UGens/Playback%20and%20Recording/DiskOut.html</a> on Fedora Linux systems, contains some help with the <code class="classname">DiskOut</code> UGen, and links to other useful help files. This method is not further discussed here.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.4.9. Joining the Two Parts</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Recording_SuperColliders_Output.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.5.2. Recording SuperCollider's Output (Tutoria...</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Track_Info_Pane.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Track_Info_Pane.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.4.3. ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-DAW_User_Interface.html" title="6.4. ユーザインタフェース" /><link rel="prev" href="sect-Musicians_Guide-DAW_Clock.html" title="6.4.2. クãƒãƒƒã‚¯" /><link rel="next" href="sect-Musicians_Guide-Track_Pane.html" title="6.4.4. トラックペイン" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an ifr
ame, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-DAW_Clock.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Track_Pane.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="6.4.3. ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³" id="sect-Musicians_Guide-Track_Info_Pane"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Track_Info_Pane">6.4.3. ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³</h3></div></div></div><div class="figure" title="図6.6 Qtractor ã®ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³" id
="qtractor_track_info"><div class="figure-contents"><div class="mediaobject"><img src="./images/Qtractor-interface-track_info.png" width="444" alt="Qtractor ã®ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³" /><div class="longdesc"><div class="para">
+ Qtractor ã®ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã®ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ã®ãƒšã‚¤ãƒ³
+ </div></div><div class="caption"><div class="para">
+ ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ã®ãƒšã‚¤ãƒ³ï¼šãƒšã‚¤ãƒ³ã«ï¼’ã¤ã®ãƒˆãƒ©ãƒƒã‚¯ãŒã‚ã‚Šã€å³å´ã«ã€ãã‚Œãžã‚Œã®ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ã®ã‚¹ãƒšãƒ¼ã‚¹ãŒã‚ã‚Šã¾ã™ã€‚
+ </div></div></div></div><h6>図6.6 Qtractor ã®ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³</h6></div><br class="figure-break" /><div class="para">
+ The <em class="firstterm">track info</em> pane contains information and settings for each track and bus in the session. Here, you can usually adjust settings like the routing of a track's or bus' input and output routing, the instrument, bank, program, and channel of MIDI tracks, and the three buttons shown in <a class="xref" href="sect-Musicians_Guide-Track_Info_Pane.html#qtractor_track_info" title="図6.6 Qtractor ã®ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³">図6.6「Qtractor ã®ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³ã€</a>: <span class="guibutton"><strong>R</strong></span> for "arm to record," <span class="guibutton"><strong>M</strong></span> for "mute/silence track's output," and <span class="guibutton"><strong>S</strong></span> for "solo mode," where only the selected tracks and busses are heard.
+ </div><div class="para">
+ DAW ã«ã‚ˆã£ã¦ã€æä¾›ã•ã‚Œã‚‹æƒ…å ±ã¨ãƒœã‚¿ãƒ³ã®ãƒ¬ã‚¤ã‚¢ã‚¦ãƒˆã¯å¤§ãã変ã‚ã‚‹ã“ã¨ãŒã‚ã‚Šã¾ã™ãŒã€åŸºæœ¬çš„ãªæ©Ÿèƒ½ã¯ã©ã‚Œã‚‚åŒã˜ã§ã™ã€‚多ãã®å ´åˆã€ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒœãƒƒã‚¯ã‚¹ã‚’å³ã‚¯ãƒªãƒƒã‚¯ã™ã‚‹ã¨ã€é«˜åº¦ãªæ§‹æˆã‚ªãƒ—ションã«ã‚¢ã‚¯ã‚»ã‚¹ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒœãƒƒã‚¯ã‚¹ã®ãƒœã‚¿ãƒ³ã§ã¯ãªã„部分を左クリックã™ã‚‹ã¨ã€<em class="firstterm">トラックペイン</em>ã®ç‰¹å®šã®æ™‚刻をé¸æŠžã™ã‚‹ã“ã¨ãªãã€ã‚るトラックをé¸æŠžã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="para">
+ ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³ã¯ã€ãƒˆãƒ©ãƒƒã‚¯ãƒšã‚¤ãƒ³ã®å¤§ãã•ãŒå¤‰ã‚ã£ãŸã¨ãã€ãƒ“ューã®å¤–ã«ã‚¹ã‚¯ãƒãƒ¼ãƒ«ã—ã¦å‡ºã‚‹ã“ã¨ã¯ãªãã€ç‹¬ç«‹ã—ã¦ã„ã¾ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-DAW_Clock.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>6.4.2. クãƒãƒƒã‚¯</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Track_Pane.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>6.4.4. トラックペイン</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.4.4. トラックペイン</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-DAW_User_Interface.html" title="6.4. ユーザインタフェース" /><link rel="prev" href="sect-Musicians_Guide-Track_Info_Pane.html" title="6.4.3. ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³" /><link rel="next" href="sect-Musicians_Guide-DAW_Transport_Controls.html" title="6.4.5. トランスãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="t
oc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Track_Info_Pane.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-DAW_Transport_Controls.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="6.4.4. トラックペイン" id="sect-Musicians_Guide-Track_Pane"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Track_Pane">6.4.4. トラックペイン</h3></div></div></div><div class="figure" title="図6.7 Qt
ractor ã®ãƒˆãƒ©ãƒƒã‚¯ãƒšã‚¤ãƒ³" id="qtractor_track"><div class="figure-contents"><div class="mediaobject"><img src="./images/Qtractor-interface-track.png" width="444" alt="Qtractor ã®ãƒˆãƒ©ãƒƒã‚¯ãƒšã‚¤ãƒ³" /><div class="longdesc"><div class="para">
+ Qtractor ã®ã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã®ä¸ã®ãƒˆãƒ©ãƒƒã‚¯ãƒšã‚¤ãƒ³
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <em class="firstterm">ルーラー</em>ã¯ã“ã“ã§ã¯ã€<em class="firstterm">BBT</em>（bars, beats, ticks　å°ç¯€ã€æ‹ã€ãƒãƒƒã‚¯ï¼‰ã«è¨å®šã•ã‚Œã¦ã„ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ グラフィカルã«è¡¨ç¾ã•ã‚ŒãŸï¼’ã¤ã®ãƒˆãƒ©ãƒƒã‚¯ã€‚水平軸ã¯æ™‚間を表ã—ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ MIDI <em class="firstterm">クリップ</em>(ä»–ã®ã‚¢ãƒ—リケーションã§ã¯ã€<em class="firstterm">リージョン</em>ã¨å‘¼ã°ã‚Œã¾ã™ï¼‰
+ </div></li><li class="listitem"><div class="para">
+ オーディオ<em class="firstterm">クリップ</em>(ä»–ã®ã‚¢ãƒ—リケーションã§ã¯ã€<em class="firstterm">リージョン</em>ã¨å‘¼ã°ã‚Œã¾ã™ï¼‰
+ </div></li><li class="listitem"><div class="para">
+ トラックペインã®ã‚¹ã‚¯ãƒãƒ¼ãƒ«ãƒãƒ¼ï¼šã“ã®ãƒšã‚¤ãƒ³ã¯ç‹¬ç«‹ã—ã¦ã‚¹ã‚¯ãƒãƒ¼ãƒ«ã™ã‚‹ã“ã¨ã«æ³¨æ„下ã•ã„。
+ </div></li></ol></div></div></div></div><h6>図6.7 Qtractor ã®ãƒˆãƒ©ãƒƒã‚¯ãƒšã‚¤ãƒ³</h6></div><br class="figure-break" /><div class="para">
+ <em class="firstterm">トラックペイン</em>ã¯ã€DAW ã«ãŠã‘る主è¦ãªãƒ¯ãƒ¼ã‚¯ã‚¹ãƒšãƒ¼ã‚¹ã§ã™ã€‚ãã‚Œã¯ã€<em class="firstterm">リージョン</em> (<em class="firstterm">クリップ</em>ã¨ã‚‚呼ã°ã‚Œã¾ã™)をオーディオ波形ã‚ã‚‹ã„㯠MIDI ノートã®ãŠãŠã¾ã‹ãªæ¦‚観ã¨ã¨ã‚‚ã«è¡¨ç¤ºã—ã¾ã™ã€‚ã‚ãªãŸã¯ã€ãã“ã§ã€ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã®é–‹å§‹æ™‚刻ã¨é•·ã•ã‚’変ãˆãŸã‚Šã€ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’トラックã«å‰²ã‚Šå½“ã¦ãŸã‚Šã€å†å‰²ã‚Šå½“ã¦ã—ãŸã‚Šã§ãã¾ã™ã€‚トラックペインã§ã¯ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã¯åž‚ç›´ã®ç·šã¨ã—ã¦è¡¨ã•ã‚Œã¾ã™ã€‚<a class="xref" href="sect-Musicians_Guide-Track_Pane.html#qtractor_track" title="図6.7 Qtractor ã®ãƒˆãƒ©ãƒƒã‚¯ãƒšã‚¤ãƒ³">図6.7「Qtractor ã®ãƒˆãƒ©ãƒƒã‚¯ãƒšã‚¤ãƒ³ã€</a>ã§ã¯ã€ãã‚Œã¯ãƒˆãƒ©ãƒƒã‚¯ãƒšã‚¤ãƒ³ã®ä¸ã®æœ€ã‚‚å·¦ã®èµ¤ã„ç·šã§ã™ã€‚
+ </div><div class="para">
+ トラックペインを水平ã«ã‚¹ã‚¯ãƒãƒ¼ãƒ«ã™ã‚‹ã“ã¨ã§ã€ã‚ãªãŸã¯ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®å…¨ä½“ã«æ¸¡ã£ã¦ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’見るã“ã¨ãŒã§ãã¾ã™ã€‚最も左ã®ç‚¹ãŒã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®é–‹å§‹ç‚¹ã§ã™ã€‚最もå³ã®ç‚¹ãŒã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®çµ‚了点ã®å¾Œã‚’示ã—ã¾ã™ã€‚ã»ã¨ã‚“ã©ã® DAW ã§ã¯ã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®çµ‚了点をã¯ã‚‹ã‹ã«è¶Šãˆã¦ã‚¹ã‚¯ãƒãƒ¼ãƒ«ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚トラックペインを垂直ã«ã‚¹ã‚¯ãƒãƒ¼ãƒ«ã™ã‚‹ã“ã¨ã§ã€ã‚ãªãŸã¯ç‰¹å®šã®æ™‚é–“ã®ç¯„囲ã§ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¨ãƒˆãƒ©ãƒƒã‚¯ã‚’見るã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Track_Info_Pane.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>6.4.3. ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-DAW_Transport_Controls.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>6.4.5. トランスãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Track_and_Multitrack.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Track_and_Multitrack.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.3.2. トラックã¨ãƒžãƒ«ãƒãƒˆãƒ©ãƒƒã‚¯</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html" title="6.3. インタフェース用語" /><link rel="prev" href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html" title="6.3. インタフェース用語" /><link rel="next" href="sect-Musicians_Guide-Region_Clip_Segment.html" title="6.3.3. リージョンã€ã‚¯ãƒªãƒƒãƒ—ã€ã‚ã‚‹ã„ã¯ã‚»ã‚°ãƒ¡ãƒ³ãƒˆ" /></head><body class="draft toc_embeded "><div id="tocdiv"
class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Region_Clip_Segment.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="6.3.2. トラックã¨ãƒžãƒ«ãƒãƒˆãƒ©ãƒƒã‚¯" id="sect-Musicians_Guide-Track_and_Multitrack"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Track_and_Multitrack">6.3
.2. トラックã¨ãƒžãƒ«ãƒãƒˆãƒ©ãƒƒã‚¯</h3></div></div></div><div class="para">
+ A <em class="firstterm">track</em> represents one channel, or a predetermined collection of simultaneous, inseparable channels (as is often the case with stereo audio). In the DAW's main window, tracks are usually represented as rows, whereas time is represented by columns. A track may hold multiple regions, but usually only one of those regions can be heard at a time. The <em class="firstterm">multitrack</em> capability of modern software-based DAWs is one of the reasons for their success. Although each individual track can play only one region at a time, the use of multiple tracks allows the DAW's outputted audio to contain a virtually unlimited number of simultaneous regions. The most powerful aspect of this is that audio does not have to be recorded simultaneously in order to be played back simultaneously; you could sing a duet with yourself, for example.
+ </div><div class="figure" title="図6.2 Ardour ã®ãƒˆãƒ©ãƒƒã‚¯" id="ardour_track"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-Track.png" width="444" alt="Ardour ã®ãƒˆãƒ©ãƒƒã‚¯" /><div class="longdesc"><div class="para">
+ Ardour ã®ãƒˆãƒ©ãƒƒã‚¯.ã“ã®æ¥½å™¨ãŒèžã“ãˆãªã„é™å¯‚ãªæœŸé–“ã®çœŸã‚“ä¸ã«ã‚る１ã¤ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’æŒã¡ã¾ã™ã€‚
+ </div></div></div></div><h6>図6.2 Ardour ã®ãƒˆãƒ©ãƒƒã‚¯</h6></div><br class="figure-break" /></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>6.3. インタフェース用語</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Region_Clip_Segment.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>6.3.3. リージョンã€ã‚¯ãƒªãƒƒãƒ—ã€ã‚ã‚‹ã„ã¯ã‚»ã‚°ãƒ¡ãƒ³ãƒˆ</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.3.4. トランスãƒãƒ¼ãƒˆã¨å†ç”Ÿãƒ˜ãƒƒãƒ‰</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html" title="6.3. インタフェース用語" /><link rel="prev" href="sect-Musicians_Guide-Region_Clip_Segment.html" title="6.3.3. リージョンã€ã‚¯ãƒªãƒƒãƒ—ã€ã‚ã‚‹ã„ã¯ã‚»ã‚°ãƒ¡ãƒ³ãƒˆ" /><link rel="next" href="sect-Musicians_Guide-Automation.html" title="6.3.5. オートメーション" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"
><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Region_Clip_Segment.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Automation.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="6.3.4. トランスãƒãƒ¼ãƒˆã¨å†ç”Ÿãƒ˜ãƒƒãƒ‰" id="sect-Musicians_Guide-Transport_and_Playhead"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Transport_and_Playhead">6.3.4. トランスãƒ
ートã¨å†ç”Ÿãƒ˜ãƒƒãƒ‰</h3></div></div></div><div class="para">
+ The <em class="firstterm">transport</em> is responsible for managing the current time in a session, and with it the playhead. The <em class="firstterm">playhead</em> marks the point on the timeline from where audio would be played, or to where audio would be recorded. The transport controls the playhead, and whether it is set for recording or only playback. The transport can move the playhead forward or backward, in slow motion, fast motion, or real time. In most computer-based DAWs, the playhead can also be moved with the cursor. The playhead is represented on the DAW interface as a vertical line through all tracks. The transport's buttons and displays are usually located in a toolbar at the top of the DAW window, but some people prefer to have the transport controls detached from the main interface, and this is how they appear by default in Rosegarden.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Region_Clip_Segment.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>6.3.3. リージョンã€ã‚¯ãƒªãƒƒãƒ—ã€ã‚ã‚‹ã„ã¯ã‚»ã‚°ãƒ¡ãƒ³ãƒˆ</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Automation.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>6.3.5. オートメーション</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-USB_Sound_Cards.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-USB_Sound_Cards.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.2.4. 外部 USB 接続</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Sound_Card_Connections.html" title="1.2. サウンドカードã®æŽ¥ç¶š" /><link rel="prev" href="sect-Musicians_Guide-FireWire_Sound_Cards.html" title="1.2.3. 外部ã®FireWire 接続" /><link rel="next" href="sect-Musicians_Guide-Choose_Sound_Card_Connection.html" title="1.2.5. 接続タイプをé¸æŠžã™ã‚‹" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="to
c" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FireWire_Sound_Cards.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Choose_Sound_Card_Connection.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="1.2.4. 外部 USB 接続" id="sect-Musicians_Guide-USB_Sound_Cards"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-USB_Sound_Cards">1.2.4. 外部 USB 接続</h3></div></div></div><div class="para">
+ ノート PC ã‚„ãƒãƒƒãƒˆãƒ–ックコンピュータãŒã‚ˆã‚Šä¸€èˆ¬çš„ã«ãªã£ã¦ã„ã‚‹ãŸã‚ã€USB 接続ã•ã‚ŒãŸã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¯ã€ã‚ˆã‚Šä¸€èˆ¬çš„ã«ãªã£ã¦ã„ã¾ã™ã€‚ å“質ã¯ã€å†…蔵ã•ã‚ŒãŸã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¨åŒã˜ãらã„良好ã§ã™ãŒã€USB 接続ãŒé…å»¶ã‚’è¿½åŠ ã™ã‚‹ã“ã¨ã‚‚ã‚ã‚Šã¾ã™ã€‚ USB 接続ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¯ã€é€šå¸¸ã€é«˜å“質ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ãŒã»ã—ã„アマãƒãƒ¥ã‚¢ãƒŸãƒ¥ãƒ¼ã‚¸ã‚·ãƒ£ãƒ³ã®ãŸã‚ã®æœ€ã‚‚æ‰‹é ƒãªä¾¡æ ¼ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã§ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FireWire_Sound_Cards.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>1.2.3. 外部ã®FireWire 接続</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Choose_Sound_Card_Connection.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>1.2.5. 接続タイプをé¸æŠžã™ã‚‹</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Using_JACK.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Using_JACK.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>2.3. Use the JACK Audio Connection Kit</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html" title="第2ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ç”¨ã®ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢" /><link rel="prev" href="sect-Musicians_Guide-Sound_Servers-Phonon.html" title="2.2.3. フォノン" /><link rel="next" href="sect-Musicians_Guide-Using_QjackCtl.html" title="2.3.2. QjackCtl を使ã†" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class
="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Sound_Servers-Phonon.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Using_QjackCtl.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="2.3. Use the JACK Audio Connection Kit" id="sect-Musicians_Guide-Using_JACK"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Using_JACK">2.3. Use the <code class="systemitem">JACK</code> Audio Connection Kit</h2></
div></div></div><div class="section" title="2.3.1. Install and Configure JACK" id="sect-Musicians_Guide-Install_and_Configure_JACK"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Install_and_Configure_JACK">2.3.1. Install and Configure <code class="systemitem">JACK</code></h3></div></div></div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ <span class="application"><strong>PackageKit</strong></span> ã‚ã‚‹ã„㯠<span class="application"><strong>KPackageKit</strong></span> を使ã£ã¦ <span class="package">jack-audio-connection-kit</span> 㨠<span class="package">qjackctl</span> パッケージをインストールã—ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ インストールを確èªã—ã€æ‰¿èªãã ã•ã„。ãã‚ŒãŒæ£å¸¸ã«å®Œäº†ã—ãŸã“ã¨ã‚’確èªã—ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ KMenu ã‚ã‚‹ã„ã¯ã‚¢ãƒ—リケーションメニューã‹ã‚‰ <span class="application"><strong>QjackCtl</strong></span> を実行ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ <code class="systemitem">JACK</code> サーãƒãƒ¼ã‚’開始ã™ã‚‹ã«ã¯ <span class="guibutton"><strong>Start</strong></span> をクリックã€<code class="systemitem">JACK</code> サーãƒãƒ¼ã‚’終了ã™ã‚‹ã«ã¯ <span class="guibutton"><strong>Stop</strong></span> をクリックãã ã•ã„。
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ メッセージを見るã«ã¯ã€<span class="guibutton"><strong>Messages</strong></span> をクリックãã ã•ã„。ãã‚Œã¯æ™®é€šã€ã‚¨ãƒ©ãƒ¼ã‚ã‚‹ã„ã¯è¦å‘Šã§ã™ã€‚
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ ç¾åœ¨å®Ÿè¡Œä¸ã®ã‚µãƒ¼ãƒã«ã¤ã„ã¦ã®ã„ã‚ã„ã‚ãªçµ±è¨ˆã‚’見るã«ã¯ã€<span class="guibutton"><strong>Status</strong></span> をクリックãã ã•ã„。
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ アプリケーションã¨ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã®é–“ã®æŽ¥ç¶šã‚’見ãŸã‚Šã€èª¿æ•´ã™ã‚‹ã«ã¯ <span class="guibutton"><strong>Connections</strong></span> ボタンをクリックãã ã•ã„。
+ </div></li></ol></div><div class="important"><h2>é‡è¦é …ç›®</h2><div class="para">
+ <code class="systemitem">JACK</code> operates with special real-time privileges. You must add all JACK users to the <code class="systemitem">jackuser</code> group. Learn how to add users to groups in Chapter 22, <em class="citetitle">Users and Groups</em> of the <em class="citetitle">Fedora Deployment Guide</em>, available at <a href="http://docs.fedoraproject.org">http://docs.fedoraproject.org</a>. Do not add a user to the <code class="systemitem">jackuser</code> group if they will not use <code class="systemitem">JACK</code>.
+ </div></div><div class="para">
+ By default, <span class="application"><strong>QjackCtl</strong></span> configures <code class="systemitem">JACK</code> to use the 'default' sound card. The 'default' sound card uses all features of the <code class="systemitem">ALSA</code> driver, even though <code class="systemitem">JACK</code> provides the same features. To save memory and processor time, you should configure <span class="application"><strong>QjackCtl</strong></span> with a specific sound card.
+ </div><div class="procedure"><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ ターミナルを開ãã¾ã™ã€‚ GNOME ã§ã¯ã€<span class="guimenu"><strong>Applications</strong></span> → <span class="guisubmenu"><strong>System</strong></span> → <span class="guimenuitem"><strong>Terminal</strong></span> ã‚’é¸æŠžã—ã¾ã™ 。 KDE ã§ã¯ã€ã‚¢ãƒ—リケーションランãƒãƒ£ãƒ¼ã‚’クリックã—ã€<span class="guimenu"><strong>System</strong></span> → <span class="guimenuitem"><strong>Konsole</strong></span> ã‚’é¸æŠžã—ã¾ã™ 。
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ ã“ã®ã‚³ãƒžãƒ³ãƒ‰ã‚’実行ã—ã¾ã™ï¼š <code class="command">cat /proc/asound/cards</code>
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ The <span class="application"><strong>cat</strong></span> program outputs a list of sound cards in your computer that looks similarly to this:
+<pre class="programlisting">âŽ
+0 [SB ]: HDA-Intel - HDA ATI SBâŽ
+ HDA ATI SB at 0xf7ff4000 irq 16âŽ
+1 [MobilePre ]: USB-Audio - MobilePreâŽ
+ M Audio MobilePre at usb-0000:00:13.0-2âŽ</pre>
+ ã“ã®å‡ºåŠ›ä¾‹ã§ã¯ã€ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã®åå‰ã¯ã€è§’ã‹ã£ã“ã§å›²ã¾ã‚Œã¾ã™ã€‚ ã“ã®å‡ºåŠ›ä¾‹ã§ã¯ã€ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã®åå‰ã¯ <code class="literal">SB</code> 㨠<code class="literal">MobilePre</code> ã§ã™ã€‚
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ ã‚ãªãŸãŒä½¿ã„ãŸã„サウンドカードã®åå‰ã‚’特定ã—ã¦ãã ã•ã„。 ã‚‚ã—ã€ã‚ãªãŸã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ãŒ <span class="application"><strong>cat</strong></span> ã®å‡ºåŠ›ãƒªã‚¹ãƒˆã«ãªã„å ´åˆã¯ã€ã‚ãªãŸã®ã‚³ãƒ³ãƒ”ュータã¯ãれを検出ã—ãªã‹ã£ãŸã¨ã„ã†ã“ã¨ã§ã™ã€‚
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> を開始ã—ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ Click <span class="guibutton"><strong>Setup</strong></span> to open the "Setup" window.
+ </div></li><li class="step" title="ステップ 7"><div class="para">
+ In the 'Interface' text box, type the name of your preferred sound card with "hw:" in front. With the sound cards listed above, you might write <code class="literal">hw:MobilePre</code>.
+ </div></li><li class="step" title="ステップ 8"><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> を終了ã—ã¦ã€è¨å®šã‚’ä¿å˜ãã ã•ã„。<code class="systemitem">JACK</code> を使ã†å ´åˆã€<span class="application"><strong>QjackCtl</strong></span> ã‚’å†èµ·å‹•ãã ã•ã„。
+ </div></li></ol></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Sound_Servers-Phonon.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>2.2.3. フォノン</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Using_QjackCtl.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>2.3.2. QjackCtl を使ã†</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Using_Planet_CCRMA_Software.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Using_Planet_CCRMA_Software.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>4.3. Planet CCRMA at Home ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’使ã†</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html" title="第4ç« Planet CCRMA at Home" /><link rel="prev" href="sect-Musicians_Guide-CCRMA_Best_Practices.html" title="4.2.3. A Possible "Best Practices" Solution" /><link rel="next" href="sect-Musicians_Guide-CCRMA_Repository_Priorities.html" title="4.3.2. リãƒã‚¸ãƒˆãƒªã®å„ªå…ˆåº¦ã‚’è¨å®šã™ã‚‹" /></head><body class="draft toc_embeded "><div
id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-CCRMA_Best_Practices.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-CCRMA_Repository_Priorities.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="4.3. Planet CCRMA at Home ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’使ã†" id="sect-Musicians_Guide-Using_Planet_CCRMA_Software"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Music
ians_Guide-Using_Planet_CCRMA_Software">4.3. Planet CCRMA at Home ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’使ã†</h2></div></div></div><div class="para">
+ The Planet CCRMA at Home software is hosted (stored) on a server at Stanford University. It is separate from the Fedora Linux servers, so <code class="command">yum</code> (the command line utility used by PackageKit and KPackageKit) must be made aware that you wish to use it. After installing the repository, Planet CCRMA at Home software can be installed through yum, PackageKit, or KPackageKit just as easily as any other software.
+ </div><div class="section" title="4.3.1. Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’インストールã™ã‚‹" id="sect-Musicians_Guide-CCRMA_Installing_Repository"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-CCRMA_Installing_Repository">4.3.1. Planet CCRMA at Home リãƒã‚¸ãƒˆãƒªã‚’インストールã™ã‚‹</h3></div></div></div><div class="procedure"><div class="para">
+ The following steps will install the Planet CCRMA at Home repository, intended only for Fedora Linux-based computers.
+ </div><ol class="1"><li class="step" title="ステップ 1"><div class="para">
+ PackageKit ã‚ã‚‹ã„㯠KPackageKit ã§ã‚³ãƒ³ãƒ”ュータをアップデートã—ã¾ã™ .
+ </div></li><li class="step" title="ステップ 2"><div class="para">
+ ターミナルウインドウã§ã€ä»¥ä¸‹ã®ã‚³ãƒžãƒ³ãƒ‰ã‚’実行ãã ã•ã„。
+ </div><pre class="screen"><code class="command">su -c 'rpm -Uvh http://ccrma.stanford.edu/planetccrma/mirror/fedora/linux/\</code>
+<code class="command">planetccrma/13/i386/planetccrma-repo-1.1-2.fc13.ccrma.noarch.rpm</code></pre><div class="para">
+ ã“ã‚Œã¯ã™ã¹ã¦ã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã® Fedoraã€ï¼“２ビットã§ã‚‚ã€ï¼–４ビットã§ã‚‚ã€ã§å‹•ä½œã—ã¾ã™ . コマンドã¯ã“ã“ã§ã¯è¡¨ç¤ºã®ãŸã‚ã«åˆ†ã‹ã‚Œã¦ã„ã¾ã™ãŒã€ä¸€è¡Œã§æ›¸ã„ã¦ãã ã•ã„。
+ </div></li><li class="step" title="ステップ 3"><div class="para">
+ コンピュータをå†ã³ã‚¢ãƒƒãƒ—デート下ã•ã„。
+ </div></li><li class="step" title="ステップ 4"><div class="para">
+ You may receive a warning that the RPM database was altered outside of "yum". This is normal.
+ </div></li><li class="step" title="ステップ 5"><div class="para">
+ リãƒã‚¸ãƒˆãƒªã®å®šç¾©ã¯è‡ªå‹•çš„ã«æ›´æ–°ã•ã‚Œã¾ã™ã€‚
+ </div></li><li class="step" title="ステップ 6"><div class="para">
+ Some packages are available from Fedora repositories in addition to other repositories (like Planet CCRMA at Home). If the Planet CCRMA repository has a newer version of something than the other repositories that you have installed, then the Planet CCRMA version will be installed at this point.
+ </div></li></ol></div><div class="para">
+ リãƒã‚¸ãƒˆãƒªã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã«ã¯ <code class="command">rpm</code> プãƒã‚°ãƒ©ãƒ を直接使ã†å¿…è¦ãŒã‚ã£ãŸã®ã§ã™ãŒã€ä»–ã®ã™ã¹ã¦ã® Planet CCRMA ソフトウエアã¯ã€ä»–ã®ã‚¢ãƒ—リケーションã¨åŒã˜ãã€<code class="command">yum</code> を使ã£ã¦ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã§ãã¾ã™ã€‚以下ãŒã€ãã®ã¨ãã«ä½¿ã‚れるコマンドラインオプションã®èª¬æ˜Žã§ã™ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="literal">-U</code> means "upgrade," which will install the specified package, and remove any previously-installed version
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">-v</code> means "verbose," which will print additional information meessages
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">-h</code> means "hash," which will display hash marks (these: <code class="literal">#</code>) showing the progress of installation.
+ </div></li></ul></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-CCRMA_Best_Practices.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>4.2.3. A Possible "Best Practices" Solution</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-CCRMA_Repository_Priorities.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>4.3.2. リãƒã‚¸ãƒˆãƒªã®å„ªå…ˆåº¦ã‚’è¨å®šã™ã‚‹</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Using_QjackCtl.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Using_QjackCtl.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>2.3.2. QjackCtl を使ã†</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-Using_JACK.html" title="2.3. Use the JACK Audio Connection Kit" /><link rel="prev" href="sect-Musicians_Guide-Using_JACK.html" title="2.3. Use the JACK Audio Connection Kit" /><link rel="next" href="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK.html" title="2.3.3. PulseAudio ã‚’ JACK ã¨çµ±åˆã™ã‚‹" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc"
src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Using_JACK.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="2.3.2. QjackCtl を使ã†" id="sect-Musicians_Guide-Using_QjackCtl"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Using_QjackCtl">2.3.2. <span class="application"><strong>QjackCtl</strong></span> を使ã†</h3>
</div></div></div><div class="para">
+ The <span class="application"><strong>QjackCtl</strong></span> application offers many more features and configuration options. The patch bay is a notable feature, which lets users save configurations of the "Connections" window, and restore them later, to help avoid the lengthy set-up time that might be required in complicated routing and multiplexing situations.
+ </div><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> ã«ã¤ã„ã¦ã®ã‚ˆã‚Šå¤šãã®æƒ…å ±ã¯ã€<a href="http://www.64studio.com/manual/audio/jack">http://www.64studio.com/manual/audio/jack</a> ã«ã‚ã‚‹ã€<em class="citetitle">Jack Audio Connection Kit (64studio)</em> ã‚’å‚ç…§ãã ã•ã„。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Using_JACK.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>2.3. Use the JACK Audio Connection Kit</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>2.3.3. PulseAudio ã‚’ JACK ã¨çµ±åˆã™ã‚‹</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Vocabulary-Bus.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Vocabulary-Bus.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.4.2. ãƒã‚¹ã€ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã€€ãã—ã¦ã‚µãƒ–マスターãƒã‚¹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Vocabulary.html" title="1.4. ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ¦‚念" /><link rel="prev" href="chap-Musicians_Guide-Vocabulary.html" title="1.4. ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ¦‚念" /><link rel="next" href="sect-Musicians_Guide-Vocabulary-Level.html" title="1.4.3. レベル(ボリュームï¼ãƒ©ã‚¦ãƒ‰ãƒã‚¹ï¼‰" /></head><body class="draft toc_em
beded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Vocabulary.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Vocabulary-Level.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="1.4.2. ãƒã‚¹ã€ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã€€ãã—ã¦ã‚µãƒ–マスターãƒã‚¹" id="sect-Musicians_Guide-Vocabulary-Bus"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Gui
de-Vocabulary-Bus">1.4.2. ãƒã‚¹ã€ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã€€ãã—ã¦ã‚µãƒ–マスターãƒã‚¹</h3></div></div></div><div class="para">
+ <em class="firstterm">オーディオãƒã‚¹</em>ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ã‚’ã‚ã‚‹ã¨ã“ã‚ã‹ã‚‰ä»–ã«é€ä¿¡ã—ã¾ã™.多ãã®ç•°ãªã‚‹ä¿¡å·ãŒåŒæ™‚ã«ãƒã‚¹ã«å…¥åŠ›ã•ã‚Œã€å¤šãã®ç•°ãªã‚‹ãƒ‡ãƒã‚¤ã‚¹ã‚ã‚‹ã„ã¯ã‚¢ãƒ—リケーションãŒåŒæ™‚ã«ãƒã‚¹ã‹ã‚‰èªã¿å‡ºã™ã“ã¨ãŒã§ãã¾ã™ã€‚ãƒã‚¹ã«å…¥åŠ›ã•ã‚ŒãŸä¿¡å·ã¯ä¸€ç·’ã«æ··ãœã‚‰ã‚Œã€ãƒã‚¹ã«å…¥ã£ãŸå¾Œã¯åˆ†é›¢ã™ã‚‹ã“ã¨ãŒã§ãã¾ã›ã‚“。ãƒã‚¹ã‹ã‚‰èªã¿å‡ºã™ã™ã¹ã¦ã®ãƒ‡ãƒã‚¤ã‚¹ã‚ã‚‹ã„ã¯ã‚¢ãƒ—リケーションã¯åŒã˜ä¿¡å·ã‚’å—ä¿¡ã—ã¾ã™.
+ </div><div class="figure" title="図1.2 オーディオãƒã‚¹ãŒã©ã®ã‚ˆã†ã«å‹•ä½œã™ã‚‹ã‹" id="bus"><div class="figure-contents"><div class="mediaobject"><img src="./images/FMG-bus.png" alt="オーディオãƒã‚¹ãŒã©ã®ã‚ˆã†ã«å‹•ä½œã™ã‚‹ã‹" /><div class="longdesc"><div class="para">
+ ３ã¤ã®ä¿¡å·ã‚’ã¾ã¨ã‚るオーディオãƒã‚¹ã®ä¾‹ã€‚ã¾ã¨ã‚られãŸå‡ºåŠ›ã¯ï¼’ã¤ã®åˆ¥ã€…ã®ãƒ‡ãƒã‚¤ã‚¹ã‚ã‚‹ã„ã¯ã‚¢ãƒ—リケーションã«é€ã‚‰ã‚Œã¾ã™ã€‚
+ </div></div></div></div><h6>図1.2 オーディオãƒã‚¹ãŒã©ã®ã‚ˆã†ã«å‹•ä½œã™ã‚‹ã‹</h6></div><br class="figure-break" /><div class="para">
+ プãƒã‚°ãƒ©ãƒ ã‹ã‚‰å‡ºåŠ›ã•ã‚ŒãŸã™ã¹ã¦ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã¯ã€ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã‚’経由ã—ã¾ã™.<em class="firstterm">マスターãƒã‚¹</em>ã¯ã™ã¹ã¦ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒˆãƒ©ãƒƒã‚¯ã‚’ã¾ã¨ã‚ã¦ã€æœ€çµ‚レベルã®èª¿æ•´ã‚’å¯èƒ½ã¨ã—ã€ãƒžã‚¹ã‚¿ãƒªãƒ³ã‚°ã‚’容易ã¨ã—ã¾ã™ã€‚マスターãƒã‚¹ã®ä¸»ãªç›®çš„ã¯ã™ã¹ã¦ã®ãƒˆãƒ©ãƒƒã‚¯ã‚’ï¼’ã¤ã®ãƒãƒ£ãƒãƒ«ã«ãƒŸãƒƒã‚¯ã‚¹ã™ã‚‹ã“ã¨ã§ã™ã€‚
+ </div><div class="para">
+ <em class="firstterm">サブマスターãƒã‚¹</em>ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ãŒãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã«å±Šãå‰ã«ã€ãれらをã¾ã¨ã‚ã¾ã™ã€‚サブマスターãƒã‚¹ã®ä½¿ç”¨ã¯ã‚ªãƒ—ショナルã§ã™ã€‚ãれを使ã†ã¨ã€ã™ã¹ã¦ã®ãƒˆãƒ©ãƒƒã‚¯ã«å½±éŸ¿ã‚’与ãˆã‚‹ã“ã¨ãªãã€ï¼‘ã¤ä»¥ä¸Šã®ãƒˆãƒ©ãƒƒã‚¯ã‚’åŒã˜æ–¹æ³•ã§èª¿æ•´ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="figure" title="図1.3 マスターãƒã‚¹ã¨ã‚µãƒ–マスターãƒã‚¹ã®é–¢ä¿‚" id="master_and_sub-master_busses"><div class="figure-contents"><div class="mediaobject"><img src="./images/FMG-master_sub_bus.png" alt="マスターãƒã‚¹ã¨ã‚µãƒ–マスターãƒã‚¹ã®é–¢ä¿‚" /><div class="longdesc"><div class="para">
+ ï¼’ã¤ã®ã‚µãƒ–マスターãƒã‚¹ã®ä¾‹ã€‚ãã‚Œãžã‚Œã€ï¼’ã¤ã®ç•°ãªã‚‹ä¿¡å·ã‚’ã¾ã¨ã‚ã¦ã€ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã«é€ã£ã¦ã„ã¾ã™ã€‚マスターãƒã‚¹ã¯ï¼’ã¤ã®ä¿¡å·ã‚’１ã¤ã«ã—ã€ãã‚ŒãŒã™ã¹ã¦ã®ï¼”ã¤ã®ã‚ªãƒªã‚¸ãƒŠãƒ«ã®ä¿¡å·ã‚’å«ã¿ã¾ã™ã€‚
+ </div></div></div></div><h6>図1.3 マスターãƒã‚¹ã¨ã‚µãƒ–マスターãƒã‚¹ã®é–¢ä¿‚</h6></div><br class="figure-break" /><div class="para">
+ オーディオãƒã‚¹ã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’エフェクトプãƒã‚»ãƒƒã‚µã«é€ã‚‹ãŸã‚ã«ã‚‚使ã‚ã‚Œã¾ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Vocabulary.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>1.4. ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ¦‚念</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Vocabulary-Level.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>1.4.3. レベル(ボリュームï¼ãƒ©ã‚¦ãƒ‰ãƒã‚¹ï¼‰</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.4.3. レベル(ボリュームï¼ãƒ©ã‚¦ãƒ‰ãƒã‚¹ï¼‰</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Vocabulary.html" title="1.4. ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ¦‚念" /><link rel="prev" href="sect-Musicians_Guide-Vocabulary-Bus.html" title="1.4.2. ãƒã‚¹ã€ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã€€ãã—ã¦ã‚µãƒ–マスターãƒã‚¹" /><link rel="next" href="sect-Musicians_Guide-Vocabulary-Panning_and_Balance.html" title="1.4.4. パニングã¨ãƒãƒ©ãƒ³ã‚¹" /></head><body class="draft toc_emb
eded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Vocabulary-Bus.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Vocabulary-Panning_and_Balance.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="1.4.3. レベル(ボリュームï¼ãƒ©ã‚¦ãƒ‰ãƒã‚¹ï¼‰" id="sect-Musicians_Guide-Vocabulary-Level"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_G
uide-Vocabulary-Level">1.4.3. レベル(ボリュームï¼ãƒ©ã‚¦ãƒ‰ãƒã‚¹ï¼‰</h3></div></div></div><div class="para">
+ The perceived <em class="firstterm">volume</em> or <em class="firstterm">loudness</em> of sound is a complex phenomenon, not entirely understood by experts. One widely-agreed method of assessing loudness is by measuring the sound pressure level (SPL), which is measured in decibels (dB) or bels (B, equal to ten decibels). In audio production communities, this is called level. The <em class="firstterm">level</em> of an audio signal is one way of measuring the signal's perceived loudness. The level is part of the information stored in an audio file.
+ </div><div class="para">
+ There are many different ways to monitor and adjust the level of an audio signal, and there is no widely-agreed practice. One reason for this situation is the technical limitations of recorded audio. Most level meters are designed so that the average level is -6Â dB on the meter, and the maximum level is 0Â dB. This practice was developed for analog audio. We recommend using an external meter and the "K-system," described in a link below. The K-system for level metering was developed for digital audio.
+ </div><div class="para">
+ In the Musicians' Guide, this term is called "volume level," to avoid confusion with other levels, or with perceived volume or loudness.
+ </div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle">Level Practices</em>, available at <a href="http://www.digido.com/level-practices-part-2-includes-the-k-system.html">http://www.digido.com/level-practices-part-2-includes-the-k-system.html</a>. The type of meter described here is available in the "jkmeter" package from Planet CCRMA at Home.
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/K-system">http://en.wikipedia.org/wiki/K-system</a> 㮠<em class="citetitle">K-system (Wikipedia)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Headroom_%28audio_signal_processing%29">http://en.wikipedia.org/wiki/Headroom_%28audio_signal_processing%29</a> 㮠<em class="citetitle">Headroom (Wikipedai)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Equal-loudness_contour">http://en.wikipedia.org/wiki/Equal-loudness_contour</a> 㮠<em class="citetitle">Equal-Loudness Contour (Wikipedia)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Sound_level_meter">http://en.wikipedia.org/wiki/Sound_level_meter</a> 㮠<em class="citetitle">Sound Level Meter (Wikipedia)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Listener_fatigue">http://en.wikipedia.org/wiki/Listener_fatigue</a> 㮠<em class="citetitle">Listener Fatigue (Wikipedia)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Dynamic_range_compression">http://en.wikipedia.org/wiki/Dynamic_range_compression</a> 㮠<em class="citetitle">Dynamic Range Compression (Wikipedia)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Alignment_level">http://en.wikipedia.org/wiki/Alignment_level</a> 㮠<em class="citetitle">Alignment Level (Wikipedia)</em>。
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Vocabulary-Bus.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>1.4.2. ãƒã‚¹ã€ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã€€ãã—ã¦ã‚µãƒ–マスターãƒã‚¹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Vocabulary-Panning_and_Balance.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>1.4.4. パニングã¨ãƒãƒ©ãƒ³ã‚¹</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.4.4. パニングã¨ãƒãƒ©ãƒ³ã‚¹</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Vocabulary.html" title="1.4. ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ¦‚念" /><link rel="prev" href="sect-Musicians_Guide-Vocabulary-Level.html" title="1.4.3. レベル(ボリュームï¼ãƒ©ã‚¦ãƒ‰ãƒã‚¹ï¼‰" /><link rel="next" href="sect-Musicians_Guide-Vocabulary-Time.html" title="1.4.5. タイムã€ã‚¿ã‚¤ãƒ ラインã€ãã—ã¦ã‚¿ã‚¤ãƒ シフティング" /></head><body class="draft toc_embeded ">
<div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Vocabulary-Level.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Vocabulary-Time.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="1.4.4. パニングã¨ãƒãƒ©ãƒ³ã‚¹" id="sect-Musicians_Guide-Vocabulary-Panning_and_Balance"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Vocabulary-Panning_a
nd_Balance">1.4.4. パニングã¨ãƒãƒ©ãƒ³ã‚¹</h3></div></div></div><div class="para">
+ <em class="firstterm">Panning</em> adjusts the portion of a channel's signal that is sent to each output channel. In a stereophonic (two-channel) setup, the two channels represent the "left" and the "right" speakers. Two channels of recorded audio are available in the DAW, and the default setup sends all of the "left" recorded channel to the "left" output channel, and all of the "right" recorded channel to the "right" output channel. Panning sends some of the left recorded channel's level to the right output channel, or some of the right recorded channel's level to the left output channel. Each recorded channel has a constant total output level, which is divided between the two output channels.
+ </div><div class="figure" title="図1.4 パニング" id="panning"><div class="figure-contents"><div class="mediaobject"><img src="./images/panning.png" alt="パニング" /><div class="longdesc"><div class="para">
+ å·¦ã¨å³ã®éŒ²éŸ³ãƒãƒ£ãƒãƒ«ãŒå·¦ã®å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã«é€ã‚‰ã‚Œã¦ã„ã‚‹ã¨ã“ã‚；左ã®éŒ²éŸ³ãƒãƒ£ãƒãƒ«ãŒå·¦ã®å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã«é€ã‚‰ã‚Œã€å³ã®éŒ²éŸ³ãƒãƒ£ãƒãƒ«ãŒå³ã®å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã«é€ã‚‰ã‚Œã‚‹ã¨ã“ã‚ã€ãã—ã¦ã€å·¦ã¨å³ã®éŒ²éŸ³ãƒãƒ£ãƒãƒ«ãŒå³ã®å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã«é€ã‚‰ã‚Œã¦ã„ã‚‹ã¨ã“ã‚
+ </div></div></div></div><h6>図1.4 パニング</h6></div><br class="figure-break" /><div class="para">
+ The default setup for a left recorded channel is for "full left" panning, meaning that 100% of the output level is output to the left output channel. An audio engineer might adjust this so that 80% of the recorded channel's level is output to the left output channel, and 20% of the level is output to the right output channel. An audio engineer might make the left recorded channel sound like it is in front of the listener by setting the panner to "center," meaning that 50% of the output level is output to both the left and right output channels.
+ </div><div class="para">
+ Balance is sometimes confused with panning, even on commercially-available audio equipment. Adjusting the <em class="firstterm">balance</em> changes the volume level of the output channels, without redirecting the recorded signal. The default setting for balance is "center," meaning 0% change to the volume level. As you adjust the dial from "center" toward the "full left" setting, the volume level of the right output channel is decreased, and the volume level of the left output channel remains constant. As you adjust the dial from "center" toward the "full right" setting, the volume level of the left output channel is decreased, and the volume level of the right output channel remains constant. If you set the dial to "20% left," the audio equipment would reduce the volume level of the right output channel by 20%, increasing the perceived loudness of the left output channel by approximately 20%.
+ </div><div class="figure" title="図1.5 ãƒãƒ©ãƒ³ã‚¹" id="balance"><div class="figure-contents"><div class="mediaobject"><img src="./images/balance.png" alt="ãƒãƒ©ãƒ³ã‚¹" /><div class="longdesc"><div class="para">
+ å³ã®å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã¯æ¶ˆéŸ³ã•ã‚Œã¦ã„る（ãƒãƒ©ãƒ³ã‚¹ã¯å…¨å·¦ï¼‰ã€å·¦ã¨å³ã®ãƒãƒ£ãƒãƒ«ã¯åŒã˜ãƒœãƒªãƒ¥ãƒ¼ãƒ （ãƒãƒ©ãƒ³ã‚¹ã¯ã‚»ãƒ³ã‚¿ãƒ¼ï¼‰ã€å·¦ã®å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã¯æ¶ˆéŸ³ã•ã‚Œã¦ã„る（ãƒãƒ©ãƒ³ã‚¹ã¯å…¨å³ï¼‰
+ </div></div></div></div><h6>図1.5 ãƒãƒ©ãƒ³ã‚¹</h6></div><br class="figure-break" /><div class="para">
+ ï¼’ã¤ã®ã‚¹ãƒ”ーカーãŒåŒã˜ãらã„ã®éŸ³ã®å¤§ãã•ã«ãªã‚‹ã‚ˆã†ã«ã€ãƒãƒ©ãƒ³ã‚¹ã‚’調整ã™ã‚‹ã¨ã‚ˆã„ã§ã™ã€‚ãƒãƒ©ãƒ³ã‚¹ã«ã‚ˆã‚Šã€ï¼’ã¤ã®ã‚¹ãƒ”ーカーãŒã€ãƒªã‚¹ãƒŠã‹ã‚‰ç‰è·é›¢ã§ãªã„よã†ãªã€æ‚ªã„リスニング環境を補æ£ã™ã‚‹ã“ã¨ã§ãã¾ã™ã€‚ã‚‚ã—å³ã‚ˆã‚Šå·¦ã®ã‚¹ãƒ”ーカーã®æ–¹ãŒã€ã‚ãªãŸã®è¿‘ãã«ã‚ã‚‹ãªã‚‰ã€ãƒãƒ©ãƒ³ã‚¹ã‚’å³ã«ã—ã¦ã€å·¦ã®ã‚¹ãƒ”ーカーã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルを下ã’ã‚Œã°ã‚ˆã„ã§ã™ã€‚ã“ã‚Œã¯ç†æƒ³çš„ãªè§£æ±ºç–ã§ã¯ã‚ã‚Šã¾ã›ã‚“ãŒã€ã¨ãã«ã¯ã€ã‚¹ãƒ”ーカーをæ£ã—ãç½®ãã®ãŒä¸å¯èƒ½ã€ã‚ã‚‹ã„ã¯ç¾å®Ÿçš„ã§ãªã„ã“ã¨ã‚‚ã‚ã‚‹ã§ã—ょã†ã€‚ãƒãƒ©ãƒ³ã‚¹ã‚’調整ã™ã‚‹ã®ã¯ã€æœ€å¾Œã®å†ç”Ÿã®ã¨ãã ã‘ã«ã—ã¦ãã ã•ã„。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Vocabulary-Level.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>1.4.3. レベル(ボリュームï¼ãƒ©ã‚¦ãƒ‰ãƒã‚¹ï¼‰</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Vocabulary-Time.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>1.4.5. タイムã€ã‚¿ã‚¤ãƒ ラインã€ãã—ã¦ã‚¿ã‚¤ãƒ シフティング</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.4.7. ルーティングã¨å¤šé‡åŒ–</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Vocabulary.html" title="1.4. ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ¦‚念" /><link rel="prev" href="sect-Musicians_Guide-Vocabulary-Synchronization.html" title="1.4.6. åŒæœŸ" /><link rel="next" href="sect-Musicians_Guide-Multichannel_Audio.html" title="1.4.8. マルãƒãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class=
"toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Vocabulary-Synchronization.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Multichannel_Audio.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="1.4.7. ルーティングã¨å¤šé‡åŒ–" id="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing">1.4.7. ルーティ
ングã¨å¤šé‡åŒ–</h3></div></div></div><div class="para">
+ <em class="firstterm">ルーティング</em>ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä¿¡å·ã‚’１ã¤ã®ã¨ã“ã‚ã‹ã‚‰ä»–ã«è»¢é€ã—ã¾ã™ã€‚アプリケーションã®é–“ã€ã‚¢ãƒ—リケーションã®éƒ¨åˆ†ã®é–“ã€ãã—ã¦ã€ãƒ‡ãƒã‚¤ã‚¹ã®é–“ã§ã™ã€‚Linux システムã§ã¯ã€<code class="systemitem">JACK Audio Connection Kit</code> ãŒã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã®ãŸã‚ã«ä½¿ã‚ã‚Œã¾ã™ã€‚<code class="systemitem">JACK</code> 対応ã®ã‚¢ãƒ—リケーション（ãã—ã¦ã€è¨å®šã«ã‚ˆã‚Šã€<code class="systemitem">PulseAudio</code> 対応ã®ã‚‚ã®ã‚‚）ã¯ã€è‡ªåˆ†ã®è¨å®šã«ã‚ˆã‚Šã€å…¥åŠ›ã¨å‡ºåŠ›ã‚’ <code class="systemitem">JACK</code> サーãƒã«æä¾›ã—ã¾ã™ã€‚<span class="application"><strong>QjackCtl</strong></span> アプリケーションã¯ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã®æŽ¥ç¶šã‚’調整ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ã‚ãªãŸã¯ <span class="application"><strong>QjackCtl</strong></span> を使ã£ã¦ã€FluidSynth ã®ã‚ˆã†ãªãƒ—ãƒã‚°ãƒ©ãƒ ã®å‡ºåŠ›ã‚’ã€ä¾‹ãˆã°ã€<span class
="application"><strong>Ardour</strong></span> ã§éŒ²éŸ³ã•ã‚Œã‚‹ã‚ˆã†ã«ã€ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="figure" title="図1.6 ルーティングã¨å¤šé‡åŒ–" id="routing"><div class="figure-contents"><div class="mediaobject"><img src="./images/routing_and_multiplexing.png" width="444" alt="ルーティングã¨å¤šé‡åŒ–" /><div class="longdesc"><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> インタフェース㮠<span class="guilabel"><strong>Connections</strong></span> ウインドウã§ã®ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨å¤šé‡åŒ–ã®å›³
+ </div></div><div class="caption"><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ マスターãƒã‚¹ã®å…¥åŠ›ã¯å¤šãã®ã‚½ãƒ¼ã‚¹ã‹ã‚‰ã®å¤šé‡åŒ–ã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’å—ã‘付ã‘ã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ システムå†ç”Ÿå…¥åŠ›ã«ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã•ã‚ŒãŸãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã®å‡ºåŠ›
+ </div></li></ul></div></div></div></div><h6>図1.6 ルーティングã¨å¤šé‡åŒ–</h6></div><br class="figure-break" /><div class="para">
+ <em class="firstterm">多é‡åŒ–</em>ã«ã‚ˆã‚Šã€è¤‡æ•°ã®ãƒ‡ãƒã‚¤ã‚¹ã¨ã‚¢ãƒ—リケーションを１ã¤ã®å…¥åŠ›ã‚ã‚‹ã„ã¯å‡ºåŠ›ã«æŽ¥ç¶šã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚<span class="application"><strong>QjackCtl</strong></span> ã«ã‚ˆã‚Šã€ç°¡å˜ã«å¤šé‡åŒ–ãŒã§ãã¾ã™ã€‚ã“ã‚Œã¯ã€é‡è¦ã¨ã¯æ€ãˆãªã„ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“ãŒã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã®ã‚ˆã†ãªç‰©ç†ãƒ‡ãƒã‚¤ã‚¹ã«ã¯ã€ãŸã １ã¤ã®æŽ¥ç¶šã—ã‹ã§ããªã„ã“ã¨ã‚’覚ãˆã¦ãŠã„ã¦ä¸‹ã•ã„。コンピュータãŒéŸ³æ¥½è£½ä½œã«ä½¿ã‚れるå‰ã¯ã€å¤šé‡åŒ–ã¯ä¿¡å·ã‚’分離ã‚ã‚‹ã„ã¯çµåˆã™ã‚‹ç‰©ç†ãƒ‡ãƒã‚¤ã‚¹ã‚’å¿…è¦ã¨ã—ã¾ã—ãŸã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Vocabulary-Synchronization.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>1.4.6. åŒæœŸ</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Multichannel_Audio.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>1.4.8. マルãƒãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Vocabulary-Synchronization.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Vocabulary-Synchronization.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Vocabulary-Synchronization.html
@@ -0,0 +1,5 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.4.6. åŒæœŸ</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Vocabulary.html" title="1.4. ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ¦‚念" /><link rel="prev" href="sect-Musicians_Guide-Vocabulary-Time.html" title="1.4.5. タイムã€ã‚¿ã‚¤ãƒ ラインã€ãã—ã¦ã‚¿ã‚¤ãƒ シフティング" /><link rel="next" href="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing.html" title="1.4.7. ルーティングã¨å¤šé‡åŒ–" /></head><body class="draft toc_embeded "><div id="tocdiv" c
lass="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Vocabulary-Time.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="1.4.6. åŒæœŸ" id="sect-Musicians_Guide-Vocabulary-Synchronization"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Vocabulary-Synchronization">1.4.6. åŒæœŸ</h
3></div></div></div><div class="para">
+ <em class="firstterm">åŒæœŸ</em>ã¯ã€è¤‡æ•°ã®ãƒ„ールã€å¤šãã®å ´åˆãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã®ç§»å‹•ã€ã®å‹•ä½œã‚’調整ã™ã‚‹ã‚‚ã®ã§ã™ã€‚ã•ã‚‰ã«ã€åŒæœŸã¯ã€ã‚¢ãƒ—リケーションã¨ãƒ‡ãƒã‚¤ã‚¹ã®é–“ã®ã‚ªãƒ¼ãƒˆãƒ¡ãƒ¼ã‚·ãƒ§ãƒ³ã‚’制御ã—ã¾ã™ã€‚MIDI ä¿¡å·ãŒã€é€šå¸¸ã¯åŒæœŸã®ãŸã‚ã«ä½¿ã‚ã‚Œã¾ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Vocabulary-Time.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>1.4.5. タイムã€ã‚¿ã‚¤ãƒ ラインã€ãã—ã¦ã‚¿ã‚¤ãƒ シフティング</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>1.4.7. ルーティングã¨å¤šé‡åŒ–</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Vocabulary-Time.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Vocabulary-Time.html
new file mode 100644
index 0000000..9ed3e85
--- /dev/null
+++ b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_Guide-Vocabulary-Time.html
@@ -0,0 +1,19 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.4.5. タイムã€ã‚¿ã‚¤ãƒ ラインã€ãã—ã¦ã‚¿ã‚¤ãƒ シフティング</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="chap-Musicians_Guide-Vocabulary.html" title="1.4. ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ¦‚念" /><link rel="prev" href="sect-Musicians_Guide-Vocabulary-Panning_and_Balance.html" title="1.4.4. パニングã¨ãƒãƒ©ãƒ³ã‚¹" /><link rel="next" href="sect-Musicians_Guide-Vocabulary-Synchronization.html" title="1.4.6. åŒæœŸ" /></head><body class="draft toc_embeded "><div id="tocdiv
" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Vocabulary-Panning_and_Balance.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Vocabulary-Synchronization.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="1.4.5. タイムã€ã‚¿ã‚¤ãƒ ラインã€ãã—ã¦ã‚¿ã‚¤ãƒ シフティング" id="sect-Musicians_Guide-Vocabulary-Time"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect
-Musicians_Guide-Vocabulary-Time">1.4.5. タイムã€ã‚¿ã‚¤ãƒ ラインã€ãã—ã¦ã‚¿ã‚¤ãƒ シフティング</h3></div></div></div><div class="para">
+ 音楽ã®æ™‚間を測るã«ã¯ã„ãã¤ã‚‚ã®æ–¹æ³•ãŒã‚ã‚Šã¾ã™ã€‚デジタルオーディオã®ãŸã‚ã®æ™‚é–“ã®å˜ä½ã®æœ€ã‚‚一般的ãªå››ã¤ã¯ï¼š
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Bars and Beats: Usually used for MIDI work, and called "BBT," meaning "Bars, Beats, and Ticks." A tick is a partial beat.
+ </div></li><li class="listitem"><div class="para">
+ 分ã¨ç§’：普通ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä½œå“ã§ä½¿ã‚ã‚Œã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ SMPTE タイムコード: オーディオã¨ãƒ“デオã®é«˜ç²¾åº¦ã®åŒæœŸã®ãŸã‚ã«ç™ºæ˜Žã•ã‚Œã¾ã—ãŸãŒã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã ã‘ã®æ™‚ã«ã‚‚使ã†ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ サンプル：使用ã•ã‚Œã‚‹ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ•ã‚¡ã‚¤ãƒ«ã®å½¢å¼ã«ç›´æŽ¥é–¢é€£ã—ã¦ãŠã‚Šã€ã‚µãƒ³ãƒ—ルã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ•ã‚¡ã‚¤ãƒ«ã«ãŠã‘る最å°ã®æ™‚é–“ã®é•·ã•ã§ã™ã€‚詳ã—ãã¯ã€<a class="xref" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html" title="1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート">「サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレートã€</a>ã‚’å‚照下ã•ã„。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ã»ã¨ã‚“ã©ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã€ç‰¹ã«ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ¯ãƒ¼ã‚¯ã‚¹ãƒ†ãƒ¼ã‚·ãƒ§ãƒ³ï¼ˆDAW）ã¯ã€ãƒ¦ãƒ¼ã‚¶ãŒã€ã©ã®æ™‚é–“å˜ä½ã‚’使ã†ã‹ã€é¸ã¶ã“ã¨ãŒã§ãã¾ã™ã€‚DAW ã¯ã‚»ãƒƒã‚·ãƒ§ãƒ³ã«ãŠã‘る時間ã®é€²è¡Œã‚’<em class="firstterm">タイムライン</em>を使ã£ã¦è¡¨ã—ã€ã‚ãªãŸãŒ<em class="firstterm">タイムシフティング</em>ã€ã¤ã¾ã‚Šã€ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ãŒã‚¿ã‚¤ãƒ ラインã®ä¸ã§å†ç”Ÿã‚’開始ã™ã‚‹æ™‚間を調整ã™ã‚‹ã“ã¨ã‚’å¯èƒ½ã¨ã—ã¾ã™ã€‚
+ </div><div class="para">
+ 時間ã¯æ°´å¹³ã«è¡¨ã•ã‚Œã€æœ€ã‚‚å·¦ã®ç‚¹ãŒã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®é–‹å§‹ï¼ˆæ¸¬å®šã®å˜ä½ã«ã‹ã‹ã‚らãšã€ã‚¼ãƒï¼‰ã§ã€æœ€ã‚‚å³ã®ç‚¹ãŒã‚»ãƒƒã‚·ãƒ§ãƒ³ã®çµ‚ã‚ã‚Šã‹ã‚‰å°‘ã—ã™ãŽãŸã¨ã“ã‚ã§ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Vocabulary-Panning_and_Balance.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>1.4.4. パニングã¨ãƒãƒ©ãƒ³ã‚¹</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Vocabulary-Synchronization.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>1.4.6. åŒæœŸ</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_GuideSC-Basic_Programming-Busses-Control_Rate_Example-Why_Use_a_Bus.html b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_GuideSC-Basic_Programming-Busses-Control_Rate_Example-Why_Use_a_Bus.html
new file mode 100644
index 0000000..44c76c7
--- /dev/null
+++ b/public_html/ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/sect-Musicians_GuideSC-Basic_Programming-Busses-Control_Rate_Example-Why_Use_a_Bus.html
@@ -0,0 +1,19 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.11.4.2. Why Use a Bus</title><link rel="stylesheet" href="Common_Content/css/default.css" type="text/css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.1" /><meta name="package" content="Fedora_Draft_Documentation-Musicians_Guide-0.1-ja-JP-15.9.4-0" /><link rel="home" href="index.html" title="Musicians' Guide" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example.html" title="11.3.11.4. Using Busses: Control-Rate Example" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example.html" title="11.3.11.4. Using Busses: Control-Rate Example" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Special_Note.html" title="11.3.11.4.3. Special
Note about Control-Rate Busses" /></head><body class="draft toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Special_Note.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong></a></li></ul><div class="section" title="11.3.11.4.2. Why Use a Bus" id="sect-Musicians_GuideSC-Basic_Programm
ing-Busses-Control_Rate_Example-Why_Use_a_Bus"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_GuideSC-Basic_Programming-Busses-Control_Rate_Example-Why_Use_a_Bus">11.3.11.4.2. Why Use a Bus</h5></div></div></div><div class="para">
+ The control-rate bus in this example might seem trivial and pointless to you, especially since the use of a UGen to control frequency has already been illustrated in other examples. For this particular program, a control-rate UGen would probably have been a better choice, but remember that this is just an example.
+ </div><div class="para">
+ Here are some advantages to using a control-rate Bus over a UGen:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The signal can be changed without sending the <code class="literal">set</code> message to the audio-rate UGen, simply by changing the input to the bus.
+ </div></li><li class="listitem"><div class="para">
+ Input to the bus can be produced by any number of control-rate UGen's.
+ </div></li><li class="listitem"><div class="para">
+ The signal in the bus can be received by more than one UGen, as it is in this example. One thousand audio-rate UGen's powered by 25 control-rate UGen's is a much better solution than if each audio-rate UGen were powered by its own control-rate UGen.
+ </div></li><li class="listitem"><div class="para">
+ Busses can be accessed quickly and efficiently from any place in the program that has access to the variable holding the Bus. It's easier and safer (less error-prone) than making all of your UGen's equally accessible.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Some of these advantages could be seen as disadvantages. Whether you should use a Bus or a UGen depends on the particular application. The simpler solution is usually the better one, as long as you remember to avoid repetition!
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example.html"><strong>å‰ã®ãƒšãƒ¼ã‚¸</strong>11.3.11.4. Using Busses: Control-Rate Example</a></li><li class="up"><a accesskey="u" href="#"><strong>上ã«æˆ»ã‚‹</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Special_Note.html"><strong>次ã®ãƒšãƒ¼ã‚¸</strong>11.3.11.4.3. Special Note about Control-Rate Buss...</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Site_Statistics.html b/public_html/ja-JP/Site_Statistics.html
index 36aedab..98af272 100644
--- a/public_html/ja-JP/Site_Statistics.html
+++ b/public_html/ja-JP/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>言語数ã®åˆè¨ˆ: </b>42<br />
- <b>パッケージ数ã®åˆè¨ˆ: </b>664
+ <b>パッケージ数ã®åˆè¨ˆ: </b>666
</div>
</body>
</html>
diff --git a/public_html/ja-JP/opds-Fedora.xml b/public_html/ja-JP/opds-Fedora.xml
index 86ce5a5..cab54b6 100644
--- a/public_html/ja-JP/opds-Fedora.xml
+++ b/public_html/ja-JP/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ja-JP/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:34</updated>
+ <updated>2011-07-28T06:06:28</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,27 +25,27 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
</entry>
<entry>
- <title>Release Notes</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora/15/epub/Release_Notes/Fedora-15-Release_Notes-en-US.epub</id>
+ <title>リリースノート</title>
+ <id>http://docs.fedoraproject.org/ja-JP/Fedora/15/epub/Release_Notes/Fedora-15-Release_Notes-ja-JP.epub</id>
<!--author>
<name></name>
<uri></uri>
</author-->
- <updated>2011-06-04</updated>
+ <updated>2011-07-28</updated>
<dc:language>ja-JP</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Release Notes for Fedora 15
+ <summary>Fedora 15 リリースノート
</summary>
- <content type="text">This document details the release notes for Fedora 15.</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/Release_Notes/Fedora-15-Release_Notes-en-US.epub">
+ <content type="text">ã“ã®æ–‡æ›¸ã¯ Fedora 15 リリースノートを記述ã—ã¾ã™ã€‚</content>
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/ja-JP/Fedora/15/epub/Release_Notes/Fedora-15-Release_Notes-ja-JP.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
@@ -118,9 +118,9 @@
<dc:language>ja-JP</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>ISO イメージをダウンãƒÂードã—ã€ÂCD や DVD メディアã¸書ãÂÂ込む方法
+ <summary>ISO イメージをダウンãƒãƒ¼ãƒ‰ã—ã€CD ã‚„ DVD メディアã¸æ›¸ã込む方法
</summary>
- <content type="text">ISO イメージをダウンãƒÂードã—ã€ÂCD や DVD メディアã¸書ãÂÂ込む方法</content>
+ <content type="text">ISO イメージをダウンãƒãƒ¼ãƒ‰ã—ã€CD ã‚„ DVD メディアã¸æ›¸ã込む方法</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/ja-JP/Fedora/14/epub/Burning_ISO_images_to_disc/Fedora-14-Burning_ISO_images_to_disc-ja-JP.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -156,9 +156,9 @@
<dc:language>ja-JP</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Fedora Live イメージã®使ã„方
+ <summary>Fedora Live イメージã®ä½¿ã„æ–¹
</summary>
- <content type="text">Fedora Live イメージã®使ã„方</content>
+ <content type="text">Fedora Live イメージã®ä½¿ã„æ–¹</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/ja-JP/Fedora/14/epub/Fedora_Live_Images/Fedora-14-Fedora_Live_Images-ja-JP.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>ja-JP</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -213,9 +213,9 @@
<dc:language>ja-JP</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Fedora ã«ãŠã‘る電力消費ã®管ç†ã«ã¤ã„ã¦
+ <summary>Fedora ã«ãŠã‘る電力消費ã®ç®¡ç†ã«ã¤ã„ã¦
</summary>
- <content type="text">ã“ã®ドã‚Âュメントã§ã¯ã€ÂFedora 14 システムã§効果的ã«電力消費を管ç†ã™る方法を説明ã—ã¦ã„ã¾ã™。以下ã®セクションã§ã¯電力消費を低減ã™る異ãªる技術（サーãƒÂーã¨ラップトップã®両方）ã¨ã€Âå„技術ãŒシステムã®全体的ãªパフォーマンスã«ã„ã‹ã«影響ã™るã‹を説明ã—ã¾ã™。以下ã®点ã«注æ„Âã—ã¦下ã•ã„: ã“ã®ドã‚Âュメントã¯ã¾ã 開発ä¸Âã§ã‚りã€Â大幅ãª変更ã®å¯能性ãÂÂŒÃ
£Â‚ã‚Šã¾ã™。ãÂÂã®ãŸã‚Âç¾時点ã§ã¯プレビューã¨ã—ã¦æÂÂ供ã•れã¦ã„ã¾ã™。本文ä¸Âã«ã‚る内容ã¨指導事項ã¯ã¾ã 完全ã§ãªãÂÂã€Â注æ„Âã—ã¦å–り扱ã†必è¦ÂãÂ΋‚りã¾ã™。</content>
+ <content type="text">ã“ã®ãƒ‰ã‚ュメントã§ã¯ã€Fedora 14 システムã§åŠ¹æžœçš„ã«é›»åŠ›æ¶ˆè²»ã‚’管ç†ã™ã‚‹æ–¹æ³•ã‚’説明ã—ã¦ã„ã¾ã™ã€‚以下ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã§ã¯é›»åŠ›æ¶ˆè²»ã‚’低減ã™ã‚‹ç•°ãªã‚‹æŠ€è¡“（サーãƒãƒ¼ã¨ãƒ©ãƒƒãƒ—トップã®ä¸¡æ–¹ï¼‰ã¨ã€å„技術ãŒã‚·ã‚¹ãƒ†ãƒ ã®å…¨ä½“çš„ãªãƒ‘フォーマンスã«ã„ã‹ã«å½±éŸ¿ã™ã‚‹ã‹ã‚’説明ã—ã¾ã™ã€‚以下ã®ç‚¹ã«æ³¨æ„ã—ã¦ä¸‹ã•ã„: ã“ã®ãƒ‰ã‚ュメントã¯ã¾ã 開発ä¸ã§ã‚ã‚Šã€å¤§å¹…ãªå¤‰æ›´ã®å¯èƒ½æ€§ãŒã‚ã‚Šã¾ã™ã€‚ãã®ãŸã‚ç¾æ™‚点ã§ã¯ãƒ—レビューã¨ã—ã¦æä¾›ã•ã‚Œã¦ã„ã¾ã™ã€‚本文ä¸ã«ã‚る内容ã¨æŒ‡å°Žäº‹é …ã¯ã¾ã 完全ã§ãªãã€æ³¨æ„ã—ã¦å–り扱ã†å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/ja-JP/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-ja-JP.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/ja-JP/opds-Fedora_Contributor_Documentation.xml b/public_html/ja-JP/opds-Fedora_Contributor_Documentation.xml
index a2d5c83..873d95f 100644
--- a/public_html/ja-JP/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/ja-JP/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ja-JP/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora コントリビュータ用ドã‚ュメント</title>
<subtitle>Fedora コントリビュータ用ドã‚ュメント</subtitle>
- <updated>2011-07-22T14:16:34</updated>
+ <updated>2011-07-28T06:06:28</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/ja-JP/opds-Fedora_Core.xml b/public_html/ja-JP/opds-Fedora_Core.xml
index 0b7ce39..710260d 100644
--- a/public_html/ja-JP/opds-Fedora_Core.xml
+++ b/public_html/ja-JP/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ja-JP/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:34</updated>
+ <updated>2011-07-28T06:06:28</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ja-JP/opds-Fedora_Draft_Documentation.xml b/public_html/ja-JP/opds-Fedora_Draft_Documentation.xml
index 31efc2f..b86294c 100644
--- a/public_html/ja-JP/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/ja-JP/opds-Fedora_Draft_Documentation.xml
@@ -4,9 +4,9 @@
xmlns:opds="http://opds-spec.org/2010/catalog">
<link rel="self" href="http://docs.fedoraproject.org/ja-JP/opds-Fedora_Draft_Documentation.xml" type="application/atom+xml;type=feed;profile=opds-catalog"/>
<id>http://docs.fedoraproject.org/ja-JP/opds-Fedora_Draft_Documentation.xml</id>
- <title>Fedora Draft Documentation</title>
- <subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:34</updated>
+ <title>Fedora ドラフト文書</title>
+ <subtitle>Fedora ドラフト文書</subtitle>
+ <updated>2011-07-28T06:06:28</updated>
<!--author>
<name></name>
<uri></uri>
@@ -89,6 +89,25 @@
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
</entry>
<entry>
+ <title>Musicians' Guide</title>
+ <id>http://docs.fedoraproject.org/ja-JP/Fedora_Draft_Documentation/0.1/epub/Musicians_Guide/Fedora_Draft_Documentation-0.1-Musicians_Guide-ja-JP.epub</id>
+ <!--author>
+ <name></name>
+ <uri></uri>
+ </author-->
+ <updated>2011-07-28</updated>
+ <dc:language>ja-JP</dc:language>
+ <category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
+ <!--dc:issued></dc:issued-->
+ <summary>Audio creation and music software in Fedora Linux
+</summary>
+ <content type="text">is document explores some audio creation and music activities possible with Fedora Linux. Computer audio concepts are explained, and a selection of programs are demonstrated with tutorials that show their typical usage.</content>
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/ja-JP/Fedora_Draft_Documentation/0.1/epub/Musicians_Guide/Fedora_Draft_Documentation-0.1-Musicians_Guide-ja-JP.epub">
+ <dc:format>application/epub+zip</dc:format>
+ </link>
+ <!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
+ </entry>
+ <entry>
<title>RPM Guide</title>
<id>http://docs.fedoraproject.org/en-US/Fedora_Draft_Documentation/0.1/epub/RPM_Guide/Fedora_Draft_Documentation-0.1-RPM_Guide-en-US.epub</id>
<!--author>
diff --git a/public_html/ja-JP/opds.xml b/public_html/ja-JP/opds.xml
index 718de55..abc778f 100644
--- a/public_html/ja-JP/opds.xml
+++ b/public_html/ja-JP/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/ja-JP/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:34</updated>
+ <updated>2011-07-28T06:06:28</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/ja-JP/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:34</updated>
+ <updated>2011-07-28T06:06:28</updated>
<dc:language>ja-JP</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora コントリビュータ用ドã‚ュメント</title>
<id>http://docs.fedoraproject.org/ja-JP/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:34</updated>
+ <updated>2011-07-28T06:06:28</updated>
<dc:language>ja-JP</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,15 +31,15 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/ja-JP/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:34</updated>
+ <updated>2011-07-28T06:06:28</updated>
<dc:language>ja-JP</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
</entry>
<entry>
- <title>Fedora Draft Documentation</title>
+ <title>Fedora ドラフト文書</title>
<id>http://docs.fedoraproject.org/ja-JP/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:34</updated>
+ <updated>2011-07-28T06:06:28</updated>
<dc:language>ja-JP</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/ja-JP/toc.html b/public_html/ja-JP/toc.html
index 8db494b..f50f042 100644
--- a/public_html/ja-JP/toc.html
+++ b/public_html/ja-JP/toc.html
@@ -86,6 +86,15 @@
<a class="type" href="./Fedora/15/html-single/Fedora_Live_Images/index.html" onclick="window.top.location='./Fedora/15/html-single/Fedora_Live_Images/index.html';return false;">html-single</a>
</div>
</div>
+ <div id='Fedora.15.Release_Notes' class="book collapsed">
+ <a class="type" href="Fedora/15/html/Release_Notes/index.html" onclick="window.top.location='./Fedora/15/html/Release_Notes/index.html'"><span class="book">リリースノート</span></a>
+ <div id='Fedora.15.Release_Notes.types' class="types" onclick="work=0;">
+ <a class="type" href="./Fedora/15/epub/Release_Notes/Fedora-15-Release_Notes-ja-JP.epub" >epub</a>
+ <a class="type" href="./Fedora/15/html/Release_Notes/index.html" onclick="window.top.location='./Fedora/15/html/Release_Notes/index.html';return false;">html</a>
+ <a class="type" href="./Fedora/15/html-single/Release_Notes/index.html" onclick="window.top.location='./Fedora/15/html-single/Release_Notes/index.html';return false;">html-single</a>
+ <a class="type" href="./Fedora/15/pdf/Release_Notes/Fedora-15-Release_Notes-ja-JP.pdf" onclick="window.top.location='./Fedora/15/pdf/Release_Notes/Fedora-15-Release_Notes-ja-JP.pdf';return false;">pdf</a>
+ </div>
+ </div>
<div id='Fedora.15' class="version collapsed untranslated" onclick="toggle(event, 'Fedora.15.untrans_books');">
<span class="version">未翻訳</span>
<div id='Fedora.15.untrans_books' class="books hidden">
@@ -122,15 +131,6 @@
<a class="type" href="../en-US/./Fedora/15/pdf/Musicians_Guide/Fedora-15-Musicians_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/15/pdf/Musicians_Guide/Fedora-15-Musicians_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
- <div id='Fedora.15.Release_Notes' class="book collapsed" onclick="toggle(event, 'Fedora.15.Release_Notes.types');">
- <a class="type" href="../en-US/Fedora/15/html/Release_Notes/index.html" onclick="window.top.location='../en-US/Fedora/15/html/Release_Notes/index.html'"><span class="book">Release Notes</span></a>
- <div id='Fedora.15.Release_Notes.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora/15/epub/Release_Notes/Fedora-15-Release_Notes-en-US.epub" >epub</a>
- <a class="type" href="../en-US/./Fedora/15/html/Release_Notes/index.html" onclick="window.top.location='../en-US/./Fedora/15/html/Release_Notes/index.html';return false;">html</a>
- <a class="type" href="../en-US/./Fedora/15/html-single/Release_Notes/index.html" onclick="window.top.location='../en-US/./Fedora/15/html-single/Release_Notes/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/15/pdf/Release_Notes/Fedora-15-Release_Notes-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/15/pdf/Release_Notes/Fedora-15-Release_Notes-en-US.pdf';return false;">pdf</a>
- </div>
- </div>
<div id='Fedora.15.Resource_Management_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.15.Resource_Management_Guide.types');">
<a class="type" href="../en-US/Fedora/15/html/Resource_Management_Guide/index.html" onclick="window.top.location='../en-US/Fedora/15/html/Resource_Management_Guide/index.html'"><span class="book">Resource Management Guide</span></a>
<div id='Fedora.15.Resource_Management_Guide.types' class="types hidden" onclick="work=0;">
@@ -608,7 +608,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -818,7 +818,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -846,7 +846,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -858,7 +858,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -1092,7 +1092,7 @@
</div>
</div>
<div class="product collapsed" onclick="toggle(event, 'Fedora_Draft_Documentation');work=1;">
- <span class="product">Fedora Draft Documentation</span>
+ <span class="product">Fedora ドラフト文書</span>
<div id='Fedora_Draft_Documentation' class="versions hidden">
<div id='Fedora_Draft_Documentation.0.2' class="version collapsed" onclick="toggle(event, 'Fedora_Draft_Documentation.0.2.books');"> <div id='Fedora_Draft_Documentation.0.2.books' class="books">
<div id='Fedora_Draft_Documentation.0.2' class="version collapsed untranslated" onclick="toggle(event, 'Fedora_Draft_Documentation.0.2.untrans_books');">
@@ -1112,6 +1112,14 @@
</div>
</div>
<div id='Fedora_Draft_Documentation.0.1' class="version collapsed" onclick="toggle(event, 'Fedora_Draft_Documentation.0.1.books');"> <div id='Fedora_Draft_Documentation.0.1.books' class="books">
+ <div id='Fedora_Draft_Documentation.0.1.Musicians_Guide' class="book collapsed">
+ <a class="type" href="Fedora_Draft_Documentation/0.1/html/Musicians_Guide/index.html" onclick="window.top.location='./Fedora_Draft_Documentation/0.1/html/Musicians_Guide/index.html'"><span class="book">Musicians' Guide</span></a>
+ <div id='Fedora_Draft_Documentation.0.1.Musicians_Guide.types' class="types" onclick="work=0;">
+ <a class="type" href="./Fedora_Draft_Documentation/0.1/epub/Musicians_Guide/Fedora_Draft_Documentation-0.1-Musicians_Guide-ja-JP.epub" >epub</a>
+ <a class="type" href="./Fedora_Draft_Documentation/0.1/html/Musicians_Guide/index.html" onclick="window.top.location='./Fedora_Draft_Documentation/0.1/html/Musicians_Guide/index.html';return false;">html</a>
+ <a class="type" href="./Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/index.html" onclick="window.top.location='./Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/index.html';return false;">html-single</a>
+ </div>
+ </div>
<div id='Fedora_Draft_Documentation.0.1' class="version collapsed untranslated" onclick="toggle(event, 'Fedora_Draft_Documentation.0.1.untrans_books');">
<span class="version">未翻訳</span>
<div id='Fedora_Draft_Documentation.0.1.untrans_books' class="books hidden">
@@ -1140,13 +1148,6 @@
<a class="type" href="../en-US/./Fedora_Draft_Documentation/0.1/html-single/Documentation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Draft_Documentation/0.1/html-single/Documentation_Guide/index.html';return false;">html-single</a>
</div>
</div>
- <div id='Fedora_Draft_Documentation.0.1.Musicians_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Draft_Documentation.0.1.Musicians_Guide.types');">
- <a class="type" href="../en-US/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/index.html'"><span class="book">Musicians Guide</span></a>
- <div id='Fedora_Draft_Documentation.0.1.Musicians_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Draft_Documentation/0.1/html/Musicians_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Draft_Documentation/0.1/html/Musicians_Guide/index.html';return false;">html</a>
- <a class="type" href="../en-US/./Fedora_Draft_Documentation/0.1/pdf/Musicians_Guide/Fedora_Draft_Documentation-0.1-Musicians_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Draft_Documentation/0.1/pdf/Musicians_Guide/Fedora_Draft_Documentation-0.1-Musicians_Guide-en-US.pdf';return false;">pdf</a>
- </div>
- </div>
<div id='Fedora_Draft_Documentation.0.1.RPM_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Draft_Documentation.0.1.RPM_Guide.types');">
<a class="type" href="../en-US/Fedora_Draft_Documentation/0.1/html/RPM_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Draft_Documentation/0.1/html/RPM_Guide/index.html'"><span class="book">RPM Guide</span></a>
<div id='Fedora_Draft_Documentation.0.1.RPM_Guide.types' class="types hidden" onclick="work=0;">
diff --git a/public_html/kn-IN/Site_Statistics.html b/public_html/kn-IN/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/kn-IN/Site_Statistics.html
+++ b/public_html/kn-IN/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/kn-IN/opds-Fedora.xml b/public_html/kn-IN/opds-Fedora.xml
index 98a90f0..11fd7e4 100644
--- a/public_html/kn-IN/opds-Fedora.xml
+++ b/public_html/kn-IN/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/kn-IN/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:34</updated>
+ <updated>2011-07-28T06:06:29</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>kn-IN</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/kn-IN/opds-Fedora_Contributor_Documentation.xml b/public_html/kn-IN/opds-Fedora_Contributor_Documentation.xml
index 5186da2..1a862a2 100644
--- a/public_html/kn-IN/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/kn-IN/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/kn-IN/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:34</updated>
+ <updated>2011-07-28T06:06:29</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/kn-IN/opds-Fedora_Core.xml b/public_html/kn-IN/opds-Fedora_Core.xml
index d0e2da6..3418ee2 100644
--- a/public_html/kn-IN/opds-Fedora_Core.xml
+++ b/public_html/kn-IN/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/kn-IN/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:34</updated>
+ <updated>2011-07-28T06:06:29</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/kn-IN/opds-Fedora_Draft_Documentation.xml b/public_html/kn-IN/opds-Fedora_Draft_Documentation.xml
index a1c82ec..2091724 100644
--- a/public_html/kn-IN/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/kn-IN/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/kn-IN/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:34</updated>
+ <updated>2011-07-28T06:06:29</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/kn-IN/opds.xml b/public_html/kn-IN/opds.xml
index 9ae2a8e..7e8473f 100644
--- a/public_html/kn-IN/opds.xml
+++ b/public_html/kn-IN/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/kn-IN/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:34</updated>
+ <updated>2011-07-28T06:06:29</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/kn-IN/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:34</updated>
+ <updated>2011-07-28T06:06:29</updated>
<dc:language>kn-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/kn-IN/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:34</updated>
+ <updated>2011-07-28T06:06:29</updated>
<dc:language>kn-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/kn-IN/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:34</updated>
+ <updated>2011-07-28T06:06:29</updated>
<dc:language>kn-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/kn-IN/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:34</updated>
+ <updated>2011-07-28T06:06:29</updated>
<dc:language>kn-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/kn-IN/toc.html b/public_html/kn-IN/toc.html
index 9c83fc3..0a1d535 100644
--- a/public_html/kn-IN/toc.html
+++ b/public_html/kn-IN/toc.html
@@ -609,7 +609,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -819,7 +819,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -838,7 +838,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -859,7 +859,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/ko-KR/Site_Statistics.html b/public_html/ko-KR/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/ko-KR/Site_Statistics.html
+++ b/public_html/ko-KR/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/ko-KR/opds-Fedora.xml b/public_html/ko-KR/opds-Fedora.xml
index 54bb7e2..d0c8c39 100644
--- a/public_html/ko-KR/opds-Fedora.xml
+++ b/public_html/ko-KR/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ko-KR/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:35</updated>
+ <updated>2011-07-28T06:06:29</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>ko-KR</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/ko-KR/opds-Fedora_Contributor_Documentation.xml b/public_html/ko-KR/opds-Fedora_Contributor_Documentation.xml
index bf69519..3da17fa 100644
--- a/public_html/ko-KR/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/ko-KR/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ko-KR/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:35</updated>
+ <updated>2011-07-28T06:06:29</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/ko-KR/opds-Fedora_Core.xml b/public_html/ko-KR/opds-Fedora_Core.xml
index 473de63..246af61 100644
--- a/public_html/ko-KR/opds-Fedora_Core.xml
+++ b/public_html/ko-KR/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ko-KR/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:35</updated>
+ <updated>2011-07-28T06:06:30</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ko-KR/opds-Fedora_Draft_Documentation.xml b/public_html/ko-KR/opds-Fedora_Draft_Documentation.xml
index f97949c..86c841c 100644
--- a/public_html/ko-KR/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/ko-KR/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ko-KR/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:35</updated>
+ <updated>2011-07-28T06:06:30</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ko-KR/opds.xml b/public_html/ko-KR/opds.xml
index b1553fd..b166568 100644
--- a/public_html/ko-KR/opds.xml
+++ b/public_html/ko-KR/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/ko-KR/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:35</updated>
+ <updated>2011-07-28T06:06:30</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/ko-KR/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:35</updated>
+ <updated>2011-07-28T06:06:29</updated>
<dc:language>ko-KR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/ko-KR/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:35</updated>
+ <updated>2011-07-28T06:06:29</updated>
<dc:language>ko-KR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/ko-KR/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:35</updated>
+ <updated>2011-07-28T06:06:30</updated>
<dc:language>ko-KR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/ko-KR/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:35</updated>
+ <updated>2011-07-28T06:06:30</updated>
<dc:language>ko-KR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/ko-KR/toc.html b/public_html/ko-KR/toc.html
index 41d2097..8bb28bd 100644
--- a/public_html/ko-KR/toc.html
+++ b/public_html/ko-KR/toc.html
@@ -609,7 +609,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -819,7 +819,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -838,7 +838,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -859,7 +859,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/ml-IN/Site_Statistics.html b/public_html/ml-IN/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/ml-IN/Site_Statistics.html
+++ b/public_html/ml-IN/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/ml-IN/opds-Fedora.xml b/public_html/ml-IN/opds-Fedora.xml
index 06a9ab1..c48cd00 100644
--- a/public_html/ml-IN/opds-Fedora.xml
+++ b/public_html/ml-IN/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ml-IN/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:35</updated>
+ <updated>2011-07-28T06:06:30</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>ml-IN</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/ml-IN/opds-Fedora_Contributor_Documentation.xml b/public_html/ml-IN/opds-Fedora_Contributor_Documentation.xml
index a7223f7..01e69d5 100644
--- a/public_html/ml-IN/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/ml-IN/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ml-IN/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:35</updated>
+ <updated>2011-07-28T06:06:30</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/ml-IN/opds-Fedora_Core.xml b/public_html/ml-IN/opds-Fedora_Core.xml
index eea972c..4c8d310 100644
--- a/public_html/ml-IN/opds-Fedora_Core.xml
+++ b/public_html/ml-IN/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ml-IN/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:35</updated>
+ <updated>2011-07-28T06:06:30</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ml-IN/opds-Fedora_Draft_Documentation.xml b/public_html/ml-IN/opds-Fedora_Draft_Documentation.xml
index 2596991..3df7a2c 100644
--- a/public_html/ml-IN/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/ml-IN/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ml-IN/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:35</updated>
+ <updated>2011-07-28T06:06:30</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ml-IN/opds.xml b/public_html/ml-IN/opds.xml
index 3e98b45..486df30 100644
--- a/public_html/ml-IN/opds.xml
+++ b/public_html/ml-IN/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/ml-IN/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:35</updated>
+ <updated>2011-07-28T06:06:31</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/ml-IN/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:35</updated>
+ <updated>2011-07-28T06:06:30</updated>
<dc:language>ml-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/ml-IN/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:35</updated>
+ <updated>2011-07-28T06:06:30</updated>
<dc:language>ml-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/ml-IN/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:35</updated>
+ <updated>2011-07-28T06:06:30</updated>
<dc:language>ml-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/ml-IN/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:35</updated>
+ <updated>2011-07-28T06:06:30</updated>
<dc:language>ml-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/ml-IN/toc.html b/public_html/ml-IN/toc.html
index 15da894..6437228 100644
--- a/public_html/ml-IN/toc.html
+++ b/public_html/ml-IN/toc.html
@@ -609,7 +609,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -819,7 +819,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -838,7 +838,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -859,7 +859,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/mr-IN/Site_Statistics.html b/public_html/mr-IN/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/mr-IN/Site_Statistics.html
+++ b/public_html/mr-IN/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/mr-IN/opds-Fedora.xml b/public_html/mr-IN/opds-Fedora.xml
index 24c6313..cf63a48 100644
--- a/public_html/mr-IN/opds-Fedora.xml
+++ b/public_html/mr-IN/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/mr-IN/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:36</updated>
+ <updated>2011-07-28T06:06:31</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>mr-IN</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/mr-IN/opds-Fedora_Contributor_Documentation.xml b/public_html/mr-IN/opds-Fedora_Contributor_Documentation.xml
index c0e597f..2ca76fb 100644
--- a/public_html/mr-IN/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/mr-IN/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/mr-IN/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:36</updated>
+ <updated>2011-07-28T06:06:31</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/mr-IN/opds-Fedora_Core.xml b/public_html/mr-IN/opds-Fedora_Core.xml
index d454248..d586ea3 100644
--- a/public_html/mr-IN/opds-Fedora_Core.xml
+++ b/public_html/mr-IN/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/mr-IN/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:36</updated>
+ <updated>2011-07-28T06:06:31</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/mr-IN/opds-Fedora_Draft_Documentation.xml b/public_html/mr-IN/opds-Fedora_Draft_Documentation.xml
index da82ebb..7bd4c85 100644
--- a/public_html/mr-IN/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/mr-IN/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/mr-IN/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:36</updated>
+ <updated>2011-07-28T06:06:31</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/mr-IN/opds.xml b/public_html/mr-IN/opds.xml
index eaab3d9..9d6c601 100644
--- a/public_html/mr-IN/opds.xml
+++ b/public_html/mr-IN/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/mr-IN/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:36</updated>
+ <updated>2011-07-28T06:06:31</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/mr-IN/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:36</updated>
+ <updated>2011-07-28T06:06:31</updated>
<dc:language>mr-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/mr-IN/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:36</updated>
+ <updated>2011-07-28T06:06:31</updated>
<dc:language>mr-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/mr-IN/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:36</updated>
+ <updated>2011-07-28T06:06:31</updated>
<dc:language>mr-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/mr-IN/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:36</updated>
+ <updated>2011-07-28T06:06:31</updated>
<dc:language>mr-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/mr-IN/toc.html b/public_html/mr-IN/toc.html
index ba37eee..3680267 100644
--- a/public_html/mr-IN/toc.html
+++ b/public_html/mr-IN/toc.html
@@ -609,7 +609,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -819,7 +819,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -838,7 +838,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -859,7 +859,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/nb-NO/Site_Statistics.html b/public_html/nb-NO/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/nb-NO/Site_Statistics.html
+++ b/public_html/nb-NO/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/nb-NO/opds-Fedora.xml b/public_html/nb-NO/opds-Fedora.xml
index 209608c..398ef15 100644
--- a/public_html/nb-NO/opds-Fedora.xml
+++ b/public_html/nb-NO/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/nb-NO/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:36</updated>
+ <updated>2011-07-28T06:06:32</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>nb-NO</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/nb-NO/opds-Fedora_Contributor_Documentation.xml b/public_html/nb-NO/opds-Fedora_Contributor_Documentation.xml
index 069328d..63cc8bf 100644
--- a/public_html/nb-NO/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/nb-NO/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/nb-NO/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:36</updated>
+ <updated>2011-07-28T06:06:32</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/nb-NO/opds-Fedora_Core.xml b/public_html/nb-NO/opds-Fedora_Core.xml
index b3aadb6..b2152b3 100644
--- a/public_html/nb-NO/opds-Fedora_Core.xml
+++ b/public_html/nb-NO/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/nb-NO/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:36</updated>
+ <updated>2011-07-28T06:06:32</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/nb-NO/opds-Fedora_Draft_Documentation.xml b/public_html/nb-NO/opds-Fedora_Draft_Documentation.xml
index 38bd613..dd85d37 100644
--- a/public_html/nb-NO/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/nb-NO/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/nb-NO/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:36</updated>
+ <updated>2011-07-28T06:06:32</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/nb-NO/opds.xml b/public_html/nb-NO/opds.xml
index 3e1f6bb..accd9e5 100644
--- a/public_html/nb-NO/opds.xml
+++ b/public_html/nb-NO/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/nb-NO/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:36</updated>
+ <updated>2011-07-28T06:06:32</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/nb-NO/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:36</updated>
+ <updated>2011-07-28T06:06:32</updated>
<dc:language>nb-NO</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/nb-NO/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:36</updated>
+ <updated>2011-07-28T06:06:32</updated>
<dc:language>nb-NO</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/nb-NO/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:36</updated>
+ <updated>2011-07-28T06:06:32</updated>
<dc:language>nb-NO</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/nb-NO/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:36</updated>
+ <updated>2011-07-28T06:06:32</updated>
<dc:language>nb-NO</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/nb-NO/toc.html b/public_html/nb-NO/toc.html
index 1eede79..03ff9a3 100644
--- a/public_html/nb-NO/toc.html
+++ b/public_html/nb-NO/toc.html
@@ -609,7 +609,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -819,7 +819,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -838,7 +838,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -859,7 +859,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/nl-NL/Site_Statistics.html b/public_html/nl-NL/Site_Statistics.html
index dad5a2e..165ea55 100644
--- a/public_html/nl-NL/Site_Statistics.html
+++ b/public_html/nl-NL/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Totaal talen: </b>42<br />
- <b>Totaal pakketten: </b>664
+ <b>Totaal pakketten: </b>666
</div>
</body>
</html>
diff --git a/public_html/nl-NL/opds-Fedora.xml b/public_html/nl-NL/opds-Fedora.xml
index f05ff9a..51fdb19 100644
--- a/public_html/nl-NL/opds-Fedora.xml
+++ b/public_html/nl-NL/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/nl-NL/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:38</updated>
+ <updated>2011-07-28T06:06:32</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>nl-NL</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Het installeren van Fedora 14 op x86, AMD64, and Intel 64 architecturen
+ <summary>Het installeren van Fedora 14 op x86, AMD64, and Intel 64 architecturen
</summary>
<content type="text">Verstrekt documentatie voor het installeer proces.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/nl-NL/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-nl-NL.epub">
diff --git a/public_html/nl-NL/opds-Fedora_Contributor_Documentation.xml b/public_html/nl-NL/opds-Fedora_Contributor_Documentation.xml
index 3ad6e47..6ee3b5f 100644
--- a/public_html/nl-NL/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/nl-NL/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/nl-NL/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:38</updated>
+ <updated>2011-07-28T06:06:33</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
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diff --git a/public_html/nl-NL/opds-Fedora_Core.xml b/public_html/nl-NL/opds-Fedora_Core.xml
index 1174197..f246fc6 100644
--- a/public_html/nl-NL/opds-Fedora_Core.xml
+++ b/public_html/nl-NL/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/nl-NL/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:38</updated>
+ <updated>2011-07-28T06:06:33</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/nl-NL/opds-Fedora_Draft_Documentation.xml b/public_html/nl-NL/opds-Fedora_Draft_Documentation.xml
index dd280fb..74277bf 100644
--- a/public_html/nl-NL/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/nl-NL/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/nl-NL/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:38</updated>
+ <updated>2011-07-28T06:06:33</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/nl-NL/opds.xml b/public_html/nl-NL/opds.xml
index 6918c65..fdfb687 100644
--- a/public_html/nl-NL/opds.xml
+++ b/public_html/nl-NL/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/nl-NL/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:38</updated>
+ <updated>2011-07-28T06:06:33</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/nl-NL/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:38</updated>
+ <updated>2011-07-28T06:06:32</updated>
<dc:language>nl-NL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/nl-NL/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:38</updated>
+ <updated>2011-07-28T06:06:33</updated>
<dc:language>nl-NL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/nl-NL/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:38</updated>
+ <updated>2011-07-28T06:06:33</updated>
<dc:language>nl-NL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/nl-NL/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:38</updated>
+ <updated>2011-07-28T06:06:33</updated>
<dc:language>nl-NL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/nl-NL/toc.html b/public_html/nl-NL/toc.html
index 8e350d4..35473a9 100644
--- a/public_html/nl-NL/toc.html
+++ b/public_html/nl-NL/toc.html
@@ -288,7 +288,7 @@
<a class="type" href="./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-nl-NL.epub" >epub</a>
<a class="type" href="./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-nl-NL.pdf" onclick="window.top.location='./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-nl-NL.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-nl-NL.pdf" onclick="window.top.location='./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-nl-NL.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed">
@@ -998,7 +998,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -1017,7 +1017,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -1038,7 +1038,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/opds.xml b/public_html/opds.xml
index f39bfc7..8001fbd 100644
--- a/public_html/opds.xml
+++ b/public_html/opds.xml
@@ -7,7 +7,7 @@
<link rel="start" href="http://docs.fedoraproject.org/opds.xml" type="application/atom+xml;type=feed;profile=opds-catalog"/>
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<title>Fedora Documentation</title>
- <updated>2011-07-22T14:16:51</updated>
+ <updated>2011-07-28T06:06:47</updated>
<!--author>
<name></name>
<uri></uri>
@@ -16,7 +16,7 @@
<entry>
<title>অসমীয়া</title>
<id>as-IN/opds.xml</id>
- <updated>2011-07-22T14:16:18</updated>
+ <updated>2011-07-28T06:06:13</updated>
<dc:language>as-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="as-IN/opds.xml"/>
@@ -24,7 +24,7 @@
<entry>
<title>българÑки</title>
<id>bg-BG/opds.xml</id>
- <updated>2011-07-22T14:16:19</updated>
+ <updated>2011-07-28T06:06:14</updated>
<dc:language>bg-BG</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="bg-BG/opds.xml"/>
@@ -32,7 +32,7 @@
<entry>
<title>বাংলা</title>
<id>bn-IN/opds.xml</id>
- <updated>2011-07-22T14:16:19</updated>
+ <updated>2011-07-28T06:06:15</updated>
<dc:language>bn-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="bn-IN/opds.xml"/>
@@ -40,7 +40,7 @@
<entry>
<title>Bosanski</title>
<id>bs-BA/opds.xml</id>
- <updated>2011-07-22T14:16:19</updated>
+ <updated>2011-07-28T06:06:16</updated>
<dc:language>bs-BA</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="bs-BA/opds.xml"/>
@@ -48,7 +48,7 @@
<entry>
<title>Català </title>
<id>ca-ES/opds.xml</id>
- <updated>2011-07-22T14:16:20</updated>
+ <updated>2011-07-28T06:06:16</updated>
<dc:language>ca-ES</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="ca-ES/opds.xml"/>
@@ -56,7 +56,7 @@
<entry>
<title>Čeština</title>
<id>cs-CZ/opds.xml</id>
- <updated>2011-07-22T14:16:20</updated>
+ <updated>2011-07-28T06:06:17</updated>
<dc:language>cs-CZ</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="cs-CZ/opds.xml"/>
@@ -64,7 +64,7 @@
<entry>
<title>Dansk</title>
<id>da-DK/opds.xml</id>
- <updated>2011-07-22T14:16:21</updated>
+ <updated>2011-07-28T06:06:18</updated>
<dc:language>da-DK</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="da-DK/opds.xml"/>
@@ -72,7 +72,7 @@
<entry>
<title>Deutsch</title>
<id>de-DE/opds.xml</id>
- <updated>2011-07-22T14:16:22</updated>
+ <updated>2011-07-28T06:06:19</updated>
<dc:language>de-DE</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="de-DE/opds.xml"/>
@@ -80,7 +80,7 @@
<entry>
<title>Ελληνικά</title>
<id>el-GR/opds.xml</id>
- <updated>2011-07-22T14:16:22</updated>
+ <updated>2011-07-28T06:06:19</updated>
<dc:language>el-GR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="el-GR/opds.xml"/>
@@ -88,7 +88,7 @@
<entry>
<title>English</title>
<id>en-US/opds.xml</id>
- <updated>2011-07-22T14:16:23</updated>
+ <updated>2011-07-28T06:06:20</updated>
<dc:language>en-US</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="en-US/opds.xml"/>
@@ -96,7 +96,7 @@
<entry>
<title>Español</title>
<id>es-ES/opds.xml</id>
- <updated>2011-07-22T14:16:25</updated>
+ <updated>2011-07-28T06:06:21</updated>
<dc:language>es-ES</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="es-ES/opds.xml"/>
@@ -104,7 +104,7 @@
<entry>
<title>Ùارسی</title>
<id>fa-IR/opds.xml</id>
- <updated>2011-07-22T14:16:25</updated>
+ <updated>2011-07-28T06:06:22</updated>
<dc:language>fa-IR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="fa-IR/opds.xml"/>
@@ -112,7 +112,7 @@
<entry>
<title>Suomi</title>
<id>fi-FI/opds.xml</id>
- <updated>2011-07-22T14:16:26</updated>
+ <updated>2011-07-28T06:06:22</updated>
<dc:language>fi-FI</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="fi-FI/opds.xml"/>
@@ -120,7 +120,7 @@
<entry>
<title>Français</title>
<id>fr-FR/opds.xml</id>
- <updated>2011-07-22T14:16:27</updated>
+ <updated>2011-07-28T06:06:23</updated>
<dc:language>fr-FR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="fr-FR/opds.xml"/>
@@ -128,7 +128,7 @@
<entry>
<title>ગà«àªœàª°àª¾àª¤à«€</title>
<id>gu-IN/opds.xml</id>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:24</updated>
<dc:language>gu-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="gu-IN/opds.xml"/>
@@ -136,7 +136,7 @@
<entry>
<title>עברית</title>
<id>he-IL/opds.xml</id>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:25</updated>
<dc:language>he-IL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="he-IL/opds.xml"/>
@@ -144,7 +144,7 @@
<entry>
<title>हिनà¥à¤¦à¥€</title>
<id>hi-IN/opds.xml</id>
- <updated>2011-07-22T14:16:28</updated>
+ <updated>2011-07-28T06:06:25</updated>
<dc:language>hi-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="hi-IN/opds.xml"/>
@@ -152,7 +152,7 @@
<entry>
<title>Magyar</title>
<id>hu-HU/opds.xml</id>
- <updated>2011-07-22T14:16:29</updated>
+ <updated>2011-07-28T06:06:26</updated>
<dc:language>hu-HU</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="hu-HU/opds.xml"/>
@@ -160,7 +160,7 @@
<entry>
<title>Indonesia</title>
<id>id-ID/opds.xml</id>
- <updated>2011-07-22T14:16:29</updated>
+ <updated>2011-07-28T06:06:27</updated>
<dc:language>id-ID</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="id-ID/opds.xml"/>
@@ -168,7 +168,7 @@
<entry>
<title>Italiano</title>
<id>it-IT/opds.xml</id>
- <updated>2011-07-22T14:16:33</updated>
+ <updated>2011-07-28T06:06:28</updated>
<dc:language>it-IT</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="it-IT/opds.xml"/>
@@ -176,7 +176,7 @@
<entry>
<title>日本語</title>
<id>ja-JP/opds.xml</id>
- <updated>2011-07-22T14:16:34</updated>
+ <updated>2011-07-28T06:06:28</updated>
<dc:language>ja-JP</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="ja-JP/opds.xml"/>
@@ -184,7 +184,7 @@
<entry>
<title>ಕನà³à²¨à²¡</title>
<id>kn-IN/opds.xml</id>
- <updated>2011-07-22T14:16:34</updated>
+ <updated>2011-07-28T06:06:29</updated>
<dc:language>kn-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="kn-IN/opds.xml"/>
@@ -192,7 +192,7 @@
<entry>
<title>í•œêµì–´</title>
<id>ko-KR/opds.xml</id>
- <updated>2011-07-22T14:16:35</updated>
+ <updated>2011-07-28T06:06:30</updated>
<dc:language>ko-KR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="ko-KR/opds.xml"/>
@@ -200,7 +200,7 @@
<entry>
<title>മലയാളം</title>
<id>ml-IN/opds.xml</id>
- <updated>2011-07-22T14:16:35</updated>
+ <updated>2011-07-28T06:06:31</updated>
<dc:language>ml-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="ml-IN/opds.xml"/>
@@ -208,7 +208,7 @@
<entry>
<title>मराठी</title>
<id>mr-IN/opds.xml</id>
- <updated>2011-07-22T14:16:36</updated>
+ <updated>2011-07-28T06:06:31</updated>
<dc:language>mr-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="mr-IN/opds.xml"/>
@@ -216,7 +216,7 @@
<entry>
<title>Norsk (bokmål)</title>
<id>nb-NO/opds.xml</id>
- <updated>2011-07-22T14:16:36</updated>
+ <updated>2011-07-28T06:06:32</updated>
<dc:language>nb-NO</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="nb-NO/opds.xml"/>
@@ -224,7 +224,7 @@
<entry>
<title>Nederlands</title>
<id>nl-NL/opds.xml</id>
- <updated>2011-07-22T14:16:38</updated>
+ <updated>2011-07-28T06:06:33</updated>
<dc:language>nl-NL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="nl-NL/opds.xml"/>
@@ -232,7 +232,7 @@
<entry>
<title>ଓଡ଼ିଆ</title>
<id>or-IN/opds.xml</id>
- <updated>2011-07-22T14:16:38</updated>
+ <updated>2011-07-28T06:06:34</updated>
<dc:language>or-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="or-IN/opds.xml"/>
@@ -240,7 +240,7 @@
<entry>
<title>ਪੰਜਾਬੀ</title>
<id>pa-IN/opds.xml</id>
- <updated>2011-07-22T14:16:39</updated>
+ <updated>2011-07-28T06:06:34</updated>
<dc:language>pa-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="pa-IN/opds.xml"/>
@@ -248,7 +248,7 @@
<entry>
<title>Polski</title>
<id>pl-PL/opds.xml</id>
- <updated>2011-07-22T14:16:40</updated>
+ <updated>2011-07-28T06:06:35</updated>
<dc:language>pl-PL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="pl-PL/opds.xml"/>
@@ -256,7 +256,7 @@
<entry>
<title>Português Brasileiro</title>
<id>pt-BR/opds.xml</id>
- <updated>2011-07-22T14:16:41</updated>
+ <updated>2011-07-28T06:06:36</updated>
<dc:language>pt-BR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="pt-BR/opds.xml"/>
@@ -264,7 +264,7 @@
<entry>
<title>Português</title>
<id>pt-PT/opds.xml</id>
- <updated>2011-07-22T14:16:42</updated>
+ <updated>2011-07-28T06:06:37</updated>
<dc:language>pt-PT</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="pt-PT/opds.xml"/>
@@ -272,7 +272,7 @@
<entry>
<title>РуÑÑкий</title>
<id>ru-RU/opds.xml</id>
- <updated>2011-07-22T14:16:43</updated>
+ <updated>2011-07-28T06:06:38</updated>
<dc:language>ru-RU</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="ru-RU/opds.xml"/>
@@ -280,7 +280,7 @@
<entry>
<title>SlovenÅ¡Äina</title>
<id>sk-SK/opds.xml</id>
- <updated>2011-07-22T14:16:43</updated>
+ <updated>2011-07-28T06:06:38</updated>
<dc:language>sk-SK</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="sk-SK/opds.xml"/>
@@ -288,7 +288,7 @@
<entry>
<title>Srpski (latinica)</title>
<id>sr-Latn-RS/opds.xml</id>
- <updated>2011-07-22T14:16:44</updated>
+ <updated>2011-07-28T06:06:39</updated>
<dc:language>sr-Latn-RS</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="sr-Latn-RS/opds.xml"/>
@@ -296,7 +296,7 @@
<entry>
<title>СрпÑки</title>
<id>sr-RS/opds.xml</id>
- <updated>2011-07-22T14:16:45</updated>
+ <updated>2011-07-28T06:06:40</updated>
<dc:language>sr-RS</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="sr-RS/opds.xml"/>
@@ -304,7 +304,7 @@
<entry>
<title>Svenska</title>
<id>sv-SE/opds.xml</id>
- <updated>2011-07-22T14:16:46</updated>
+ <updated>2011-07-28T06:06:41</updated>
<dc:language>sv-SE</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="sv-SE/opds.xml"/>
@@ -312,7 +312,7 @@
<entry>
<title>தமிழà¯</title>
<id>ta-IN/opds.xml</id>
- <updated>2011-07-22T14:16:46</updated>
+ <updated>2011-07-28T06:06:41</updated>
<dc:language>ta-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="ta-IN/opds.xml"/>
@@ -320,7 +320,7 @@
<entry>
<title>తెలà±à°—à±</title>
<id>te-IN/opds.xml</id>
- <updated>2011-07-22T14:16:47</updated>
+ <updated>2011-07-28T06:06:42</updated>
<dc:language>te-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="te-IN/opds.xml"/>
@@ -328,7 +328,7 @@
<entry>
<title>УкраїнÑька</title>
<id>uk-UA/opds.xml</id>
- <updated>2011-07-22T14:16:48</updated>
+ <updated>2011-07-28T06:06:43</updated>
<dc:language>uk-UA</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="uk-UA/opds.xml"/>
@@ -336,7 +336,7 @@
<entry>
<title>简体ä¸æ–‡</title>
<id>zh-CN/opds.xml</id>
- <updated>2011-07-22T14:16:49</updated>
+ <updated>2011-07-28T06:06:44</updated>
<dc:language>zh-CN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="zh-CN/opds.xml"/>
@@ -344,7 +344,7 @@
<entry>
<title>ç¹é«”ä¸æ–‡</title>
<id>zh-TW/opds.xml</id>
- <updated>2011-07-22T14:16:50</updated>
+ <updated>2011-07-28T06:06:45</updated>
<dc:language>zh-TW</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="zh-TW/opds.xml"/>
diff --git a/public_html/or-IN/Site_Statistics.html b/public_html/or-IN/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/or-IN/Site_Statistics.html
+++ b/public_html/or-IN/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/or-IN/opds-Fedora.xml b/public_html/or-IN/opds-Fedora.xml
index 3765f73..f4519cc 100644
--- a/public_html/or-IN/opds-Fedora.xml
+++ b/public_html/or-IN/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/or-IN/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:38</updated>
+ <updated>2011-07-28T06:06:33</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>or-IN</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/or-IN/opds-Fedora_Contributor_Documentation.xml b/public_html/or-IN/opds-Fedora_Contributor_Documentation.xml
index bd99f6c..a5cae7e 100644
--- a/public_html/or-IN/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/or-IN/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/or-IN/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:38</updated>
+ <updated>2011-07-28T06:06:33</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/or-IN/opds-Fedora_Core.xml b/public_html/or-IN/opds-Fedora_Core.xml
index 208fe3b..7717413 100644
--- a/public_html/or-IN/opds-Fedora_Core.xml
+++ b/public_html/or-IN/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/or-IN/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:38</updated>
+ <updated>2011-07-28T06:06:33</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/or-IN/opds-Fedora_Draft_Documentation.xml b/public_html/or-IN/opds-Fedora_Draft_Documentation.xml
index e268069..d7e755e 100644
--- a/public_html/or-IN/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/or-IN/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/or-IN/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:38</updated>
+ <updated>2011-07-28T06:06:33</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/or-IN/opds.xml b/public_html/or-IN/opds.xml
index af61621..b84199a 100644
--- a/public_html/or-IN/opds.xml
+++ b/public_html/or-IN/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/or-IN/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:38</updated>
+ <updated>2011-07-28T06:06:34</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/or-IN/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:38</updated>
+ <updated>2011-07-28T06:06:33</updated>
<dc:language>or-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/or-IN/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:38</updated>
+ <updated>2011-07-28T06:06:33</updated>
<dc:language>or-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/or-IN/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:38</updated>
+ <updated>2011-07-28T06:06:33</updated>
<dc:language>or-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/or-IN/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:38</updated>
+ <updated>2011-07-28T06:06:33</updated>
<dc:language>or-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/or-IN/toc.html b/public_html/or-IN/toc.html
index 4835c9e..6634d7b 100644
--- a/public_html/or-IN/toc.html
+++ b/public_html/or-IN/toc.html
@@ -609,7 +609,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -819,7 +819,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -838,7 +838,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -859,7 +859,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/pa-IN/Site_Statistics.html b/public_html/pa-IN/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/pa-IN/Site_Statistics.html
+++ b/public_html/pa-IN/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/pa-IN/opds-Fedora.xml b/public_html/pa-IN/opds-Fedora.xml
index f711b93..596239c 100644
--- a/public_html/pa-IN/opds-Fedora.xml
+++ b/public_html/pa-IN/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pa-IN/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:38</updated>
+ <updated>2011-07-28T06:06:34</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>pa-IN</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/pa-IN/opds-Fedora_Contributor_Documentation.xml b/public_html/pa-IN/opds-Fedora_Contributor_Documentation.xml
index 96390cd..866b8d5 100644
--- a/public_html/pa-IN/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/pa-IN/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pa-IN/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:39</updated>
+ <updated>2011-07-28T06:06:34</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/pa-IN/opds-Fedora_Core.xml b/public_html/pa-IN/opds-Fedora_Core.xml
index 9c78bba..7f52b1e 100644
--- a/public_html/pa-IN/opds-Fedora_Core.xml
+++ b/public_html/pa-IN/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pa-IN/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:39</updated>
+ <updated>2011-07-28T06:06:34</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/pa-IN/opds-Fedora_Draft_Documentation.xml b/public_html/pa-IN/opds-Fedora_Draft_Documentation.xml
index 6176d67..558712b 100644
--- a/public_html/pa-IN/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/pa-IN/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pa-IN/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:39</updated>
+ <updated>2011-07-28T06:06:34</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/pa-IN/opds.xml b/public_html/pa-IN/opds.xml
index e1b784d..df56a6b 100644
--- a/public_html/pa-IN/opds.xml
+++ b/public_html/pa-IN/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/pa-IN/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:39</updated>
+ <updated>2011-07-28T06:06:34</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/pa-IN/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:38</updated>
+ <updated>2011-07-28T06:06:34</updated>
<dc:language>pa-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/pa-IN/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:39</updated>
+ <updated>2011-07-28T06:06:34</updated>
<dc:language>pa-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/pa-IN/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:39</updated>
+ <updated>2011-07-28T06:06:34</updated>
<dc:language>pa-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/pa-IN/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:39</updated>
+ <updated>2011-07-28T06:06:34</updated>
<dc:language>pa-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/pa-IN/toc.html b/public_html/pa-IN/toc.html
index 32f5427..570c342 100644
--- a/public_html/pa-IN/toc.html
+++ b/public_html/pa-IN/toc.html
@@ -609,7 +609,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -819,7 +819,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -838,7 +838,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -859,7 +859,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/pl-PL/Site_Statistics.html b/public_html/pl-PL/Site_Statistics.html
index be5a7ad..7aecedf 100644
--- a/public_html/pl-PL/Site_Statistics.html
+++ b/public_html/pl-PL/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Razem języków: </b>42<br />
- <b>Razem pakietów: </b>664
+ <b>Razem pakietów: </b>666
</div>
</body>
</html>
diff --git a/public_html/pl-PL/opds-Fedora.xml b/public_html/pl-PL/opds-Fedora.xml
index e1ecbb1..a9660b4 100644
--- a/public_html/pl-PL/opds-Fedora.xml
+++ b/public_html/pl-PL/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pl-PL/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:40</updated>
+ <updated>2011-07-28T06:06:35</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -80,9 +80,9 @@
<dc:language>pl-PL</dc:language>
<category label="14" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Używanie Fedory z niepełnosprawnościami wzrokowymi, słuchowymi lub motorycznymi
+ <summary>Używanie Fedory z niepełnosprawnościami wzrokowymi, słuchowymi lub motorycznymi
</summary>
- <content type="text">Ten dokument opisuje niektóre urządzenia sprzętowe, aplikacje i narzędzia dostępne do pomocy osobom z niepełnosprawnościami w używaniu komputera z systemem operacyjnym Fedora.</content>
+ <content type="text">Ten dokument opisuje niektóre urządzenia sprzętowe, aplikacje i narzędzia dostępne do pomocy osobom z niepełnosprawnościami w używaniu komputera z systemem operacyjnym Fedora.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/pl-PL/Fedora/14/epub/Accessibility_Guide/Fedora-14-Accessibility_Guide-pl-PL.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -118,9 +118,9 @@
<dc:language>pl-PL</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Jak pobrać obrazy ISO i utworzyć nośniki CD i DVD
+ <summary>Jak pobrać obrazy ISO i utworzyć nośniki CD i DVD
</summary>
- <content type="text">Jak pobrać obrazy ISO i utworzyć nośniki CD i DVD</content>
+ <content type="text">Jak pobrać obrazy ISO i utworzyć nośniki CD i DVD</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/pl-PL/Fedora/14/epub/Burning_ISO_images_to_disc/Fedora-14-Burning_ISO_images_to_disc-pl-PL.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -156,9 +156,9 @@
<dc:language>pl-PL</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Jak używać obrazu Live Fedory
+ <summary>Jak używać obrazu Live Fedory
</summary>
- <content type="text">Jak używać obrazu Live Fedory</content>
+ <content type="text">Jak używać obrazu Live Fedory</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/pl-PL/Fedora/14/epub/Fedora_Live_Images/Fedora-14-Fedora_Live_Images-pl-PL.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>pl-PL</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/pl-PL/opds-Fedora_Contributor_Documentation.xml b/public_html/pl-PL/opds-Fedora_Contributor_Documentation.xml
index 289d047..dba1ad3 100644
--- a/public_html/pl-PL/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/pl-PL/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pl-PL/opds-Fedora_Contributor_Documentation.xml</id>
<title>Dokumentacja dla współtwórców Fedory</title>
<subtitle>Dokumentacja dla współtwórców Fedory</subtitle>
- <updated>2011-07-22T14:16:40</updated>
+ <updated>2011-07-28T06:06:35</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
@@ -42,9 +42,9 @@
<dc:language>pl-PL</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Krótki podręcznik dostarczania tłumaczeń dla Projektu Fedora
+ <summary>Krótki podręcznik dostarczania tłumaczeń dla Projektu Fedora
</summary>
- <content type="text">Ten przewodnik jest krótkim, prostym zestawem instrukcji krok po kroku dla tłumaczenia oprogramowania i dokumentów Projektu Fedora.</content>
+ <content type="text">Ten przewodnik jest krótkim, prostym zestawem instrukcji krok po kroku dla tłumaczenia oprogramowania i dokumentów Projektu Fedora.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/pl-PL/Fedora_Contributor_Documentation/1/epub/Translation_Quick_Start_Guide/Fedora_Contributor_Documentation-1-Translation_Quick_Start_Guide-pl-PL.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/pl-PL/opds-Fedora_Core.xml b/public_html/pl-PL/opds-Fedora_Core.xml
index 70c878d..07707d7 100644
--- a/public_html/pl-PL/opds-Fedora_Core.xml
+++ b/public_html/pl-PL/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pl-PL/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:40</updated>
+ <updated>2011-07-28T06:06:35</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/pl-PL/opds-Fedora_Draft_Documentation.xml b/public_html/pl-PL/opds-Fedora_Draft_Documentation.xml
index 8c09cac..6bc34a1 100644
--- a/public_html/pl-PL/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/pl-PL/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pl-PL/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:40</updated>
+ <updated>2011-07-28T06:06:35</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/pl-PL/opds.xml b/public_html/pl-PL/opds.xml
index 22b0785..dfcf141 100644
--- a/public_html/pl-PL/opds.xml
+++ b/public_html/pl-PL/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/pl-PL/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:40</updated>
+ <updated>2011-07-28T06:06:35</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/pl-PL/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:40</updated>
+ <updated>2011-07-28T06:06:35</updated>
<dc:language>pl-PL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Dokumentacja dla współtwórców Fedory</title>
<id>http://docs.fedoraproject.org/pl-PL/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:40</updated>
+ <updated>2011-07-28T06:06:35</updated>
<dc:language>pl-PL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/pl-PL/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:40</updated>
+ <updated>2011-07-28T06:06:35</updated>
<dc:language>pl-PL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/pl-PL/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:40</updated>
+ <updated>2011-07-28T06:06:35</updated>
<dc:language>pl-PL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/pl-PL/toc.html b/public_html/pl-PL/toc.html
index ac5463f..e073f0d 100644
--- a/public_html/pl-PL/toc.html
+++ b/public_html/pl-PL/toc.html
@@ -608,7 +608,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -690,7 +690,7 @@
<a class="type" href="../en-US/./Fedora/10/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/10/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/10/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/10/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/10/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/10/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/10/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/10/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/10/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.10.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.10.User_Guide.types');">
@@ -772,7 +772,7 @@
<a class="type" href="../en-US/./Fedora/9/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/9/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/9/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/9/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/9/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/9/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/9/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/9/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/9/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.9.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.9.User_Guide.types');">
@@ -890,7 +890,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -918,7 +918,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -930,7 +930,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/pt-BR/Site_Statistics.html b/public_html/pt-BR/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/pt-BR/Site_Statistics.html
+++ b/public_html/pt-BR/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/pt-BR/opds-Fedora.xml b/public_html/pt-BR/opds-Fedora.xml
index 5b2eeb7..d408715 100644
--- a/public_html/pt-BR/opds-Fedora.xml
+++ b/public_html/pt-BR/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pt-BR/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:41</updated>
+ <updated>2011-07-28T06:06:36</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>pt-BR</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/pt-BR/opds-Fedora_Contributor_Documentation.xml b/public_html/pt-BR/opds-Fedora_Contributor_Documentation.xml
index c757b92..072b883 100644
--- a/public_html/pt-BR/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/pt-BR/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pt-BR/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:41</updated>
+ <updated>2011-07-28T06:06:36</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/pt-BR/opds-Fedora_Core.xml b/public_html/pt-BR/opds-Fedora_Core.xml
index 58cad21..7f3149b 100644
--- a/public_html/pt-BR/opds-Fedora_Core.xml
+++ b/public_html/pt-BR/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pt-BR/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:41</updated>
+ <updated>2011-07-28T06:06:36</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/pt-BR/opds-Fedora_Draft_Documentation.xml b/public_html/pt-BR/opds-Fedora_Draft_Documentation.xml
index 43fbbf5..cd60c79 100644
--- a/public_html/pt-BR/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/pt-BR/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pt-BR/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:41</updated>
+ <updated>2011-07-28T06:06:36</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/pt-BR/opds.xml b/public_html/pt-BR/opds.xml
index e906353..d516e18 100644
--- a/public_html/pt-BR/opds.xml
+++ b/public_html/pt-BR/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/pt-BR/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:41</updated>
+ <updated>2011-07-28T06:06:36</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/pt-BR/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:41</updated>
+ <updated>2011-07-28T06:06:36</updated>
<dc:language>pt-BR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/pt-BR/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:41</updated>
+ <updated>2011-07-28T06:06:36</updated>
<dc:language>pt-BR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/pt-BR/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:41</updated>
+ <updated>2011-07-28T06:06:36</updated>
<dc:language>pt-BR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/pt-BR/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:41</updated>
+ <updated>2011-07-28T06:06:36</updated>
<dc:language>pt-BR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/pt-BR/toc.html b/public_html/pt-BR/toc.html
index ad91e04..d293377 100644
--- a/public_html/pt-BR/toc.html
+++ b/public_html/pt-BR/toc.html
@@ -609,7 +609,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -828,7 +828,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -847,7 +847,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -868,7 +868,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/pt-PT/Site_Statistics.html b/public_html/pt-PT/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/pt-PT/Site_Statistics.html
+++ b/public_html/pt-PT/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/pt-PT/opds-Fedora.xml b/public_html/pt-PT/opds-Fedora.xml
index 5ca27b6..8ba00c6 100644
--- a/public_html/pt-PT/opds-Fedora.xml
+++ b/public_html/pt-PT/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pt-PT/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:42</updated>
+ <updated>2011-07-28T06:06:37</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>pt-PT</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/pt-PT/opds-Fedora_Contributor_Documentation.xml b/public_html/pt-PT/opds-Fedora_Contributor_Documentation.xml
index eff6341..ec587e3 100644
--- a/public_html/pt-PT/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/pt-PT/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pt-PT/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:42</updated>
+ <updated>2011-07-28T06:06:37</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/pt-PT/opds-Fedora_Core.xml b/public_html/pt-PT/opds-Fedora_Core.xml
index 7a4db39..abba565 100644
--- a/public_html/pt-PT/opds-Fedora_Core.xml
+++ b/public_html/pt-PT/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pt-PT/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:42</updated>
+ <updated>2011-07-28T06:06:37</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/pt-PT/opds-Fedora_Draft_Documentation.xml b/public_html/pt-PT/opds-Fedora_Draft_Documentation.xml
index 6bcc1b5..fdaa5a7 100644
--- a/public_html/pt-PT/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/pt-PT/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pt-PT/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:42</updated>
+ <updated>2011-07-28T06:06:37</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/pt-PT/opds.xml b/public_html/pt-PT/opds.xml
index 26a0b49..4aece36 100644
--- a/public_html/pt-PT/opds.xml
+++ b/public_html/pt-PT/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/pt-PT/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:42</updated>
+ <updated>2011-07-28T06:06:37</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/pt-PT/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:42</updated>
+ <updated>2011-07-28T06:06:37</updated>
<dc:language>pt-PT</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/pt-PT/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:42</updated>
+ <updated>2011-07-28T06:06:37</updated>
<dc:language>pt-PT</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/pt-PT/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:42</updated>
+ <updated>2011-07-28T06:06:37</updated>
<dc:language>pt-PT</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/pt-PT/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:42</updated>
+ <updated>2011-07-28T06:06:37</updated>
<dc:language>pt-PT</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/pt-PT/toc.html b/public_html/pt-PT/toc.html
index 714039f..6a44170 100644
--- a/public_html/pt-PT/toc.html
+++ b/public_html/pt-PT/toc.html
@@ -288,7 +288,7 @@
<a class="type" href="./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-pt-PT.epub" >epub</a>
<a class="type" href="./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-pt-PT.pdf" onclick="window.top.location='./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-pt-PT.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-pt-PT.pdf" onclick="window.top.location='./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-pt-PT.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed">
@@ -608,7 +608,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -827,7 +827,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -846,7 +846,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -867,7 +867,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/ru-RU/Site_Statistics.html b/public_html/ru-RU/Site_Statistics.html
index 24dc429..1f41a11 100644
--- a/public_html/ru-RU/Site_Statistics.html
+++ b/public_html/ru-RU/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Ð’Ñего Ñзыков: </b>42<br />
- <b>Ð’Ñего пакетов: </b>664
+ <b>Ð’Ñего пакетов: </b>666
</div>
</body>
</html>
diff --git a/public_html/ru-RU/opds-Fedora.xml b/public_html/ru-RU/opds-Fedora.xml
index a89bd2c..615d945 100644
--- a/public_html/ru-RU/opds-Fedora.xml
+++ b/public_html/ru-RU/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ru-RU/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:43</updated>
+ <updated>2011-07-28T06:06:37</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -156,9 +156,9 @@
<dc:language>ru-RU</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Úðú øÑÂÿþûь÷þòðть Live-þñрð÷ Fedora
+ <summary>Как иÑпользовать Live-образ Fedora
</summary>
- <content type="text">Úðú øÑÂÿþûь÷þòðть Live-þñрð÷ Fedora</content>
+ <content type="text">Как иÑпользовать Live-образ Fedora</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/ru-RU/Fedora/14/epub/Fedora_Live_Images/Fedora-14-Fedora_Live_Images-ru-RU.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>ru-RU</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -232,9 +232,9 @@
<dc:language>ru-RU</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>ßрøüõчðýøѠú òыÿуÑÂúу Fedora 14
+ <summary>ÐŸÑ€Ð¸Ð¼ÐµÑ‡Ð°Ð½Ð¸Ñ Ðº выпуÑку Fedora 14
</summary>
- <content type="text">ÃÂтþт ôþúуüõýт ÑÂþôõрöøт ÿрøüõчðýøѠú òыÿуÑÂúу Fedora 14.</content>
+ <content type="text">Ðтот документ Ñодержит Ð¿Ñ€Ð¸Ð¼ÐµÑ‡Ð°Ð½Ð¸Ñ Ðº выпуÑку Fedora 14.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/ru-RU/Fedora/14/epub/Release_Notes/Fedora-14-Release_Notes-ru-RU.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/ru-RU/opds-Fedora_Contributor_Documentation.xml b/public_html/ru-RU/opds-Fedora_Contributor_Documentation.xml
index 6984177..20ee5ce 100644
--- a/public_html/ru-RU/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/ru-RU/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ru-RU/opds-Fedora_Contributor_Documentation.xml</id>
<title>Ð”Ð¾ÐºÑƒÐ¼ÐµÐ½Ñ‚Ð°Ñ†Ð¸Ñ ÑƒÑ‡Ð°Ñтника Fedora</title>
<subtitle>Ð”Ð¾ÐºÑƒÐ¼ÐµÐ½Ñ‚Ð°Ñ†Ð¸Ñ ÑƒÑ‡Ð°Ñтника Fedora</subtitle>
- <updated>2011-07-22T14:16:43</updated>
+ <updated>2011-07-28T06:06:37</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
@@ -42,9 +42,9 @@
<dc:language>ru-RU</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Úрðтúþõ руúþòþôÑÂтòþ ôûѠÿõрõòþôчøúþò Fedora
+ <summary>Краткое руководÑтво Ð´Ð»Ñ Ð¿ÐµÑ€ÐµÐ²Ð¾Ð´Ñ‡Ð¸ÐºÐ¾Ð² Fedora
</summary>
- <content type="text">ÃÂтþ руúþòþôÑÂтòþ ÑÂòÃȄÂõтÑÂѠúрðтúþù, ÿрþÑÂтþù, ÿþшðóþòþù øýÑÂтруúцøõù ôûѠÿõрõòþôð ÿрþóрðüüýþóþ þñõÑÂÿõчõýøѠø ôþúуüõýтðцøø ò ÿрþõúтõ Fedora.</content>
+ <content type="text">Ðто руководÑтво ÑвлÑетÑÑ ÐºÑ€Ð°Ñ‚ÐºÐ¾Ð¹, проÑтой, пошаговой инÑтрукцией Ð´Ð»Ñ Ð¿ÐµÑ€ÐµÐ²Ð¾Ð´Ð° программного обеÑÐ¿ÐµÑ‡ÐµÐ½Ð¸Ñ Ð¸ документации в проекте Fedora.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/ru-RU/Fedora_Contributor_Documentation/1/epub/Translation_Quick_Start_Guide/Fedora_Contributor_Documentation-1-Translation_Quick_Start_Guide-ru-RU.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/ru-RU/opds-Fedora_Core.xml b/public_html/ru-RU/opds-Fedora_Core.xml
index 08c7742..d7e55ff 100644
--- a/public_html/ru-RU/opds-Fedora_Core.xml
+++ b/public_html/ru-RU/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ru-RU/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:43</updated>
+ <updated>2011-07-28T06:06:37</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ru-RU/opds-Fedora_Draft_Documentation.xml b/public_html/ru-RU/opds-Fedora_Draft_Documentation.xml
index 93912b1..3a84941 100644
--- a/public_html/ru-RU/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/ru-RU/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ru-RU/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:43</updated>
+ <updated>2011-07-28T06:06:37</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ru-RU/opds.xml b/public_html/ru-RU/opds.xml
index d336eb0..d430642 100644
--- a/public_html/ru-RU/opds.xml
+++ b/public_html/ru-RU/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/ru-RU/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:43</updated>
+ <updated>2011-07-28T06:06:38</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/ru-RU/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:43</updated>
+ <updated>2011-07-28T06:06:37</updated>
<dc:language>ru-RU</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Ð”Ð¾ÐºÑƒÐ¼ÐµÐ½Ñ‚Ð°Ñ†Ð¸Ñ ÑƒÑ‡Ð°Ñтника Fedora</title>
<id>http://docs.fedoraproject.org/ru-RU/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:43</updated>
+ <updated>2011-07-28T06:06:37</updated>
<dc:language>ru-RU</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/ru-RU/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:43</updated>
+ <updated>2011-07-28T06:06:37</updated>
<dc:language>ru-RU</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/ru-RU/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:43</updated>
+ <updated>2011-07-28T06:06:37</updated>
<dc:language>ru-RU</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/ru-RU/toc.html b/public_html/ru-RU/toc.html
index 65a3cd6..160fa4d 100644
--- a/public_html/ru-RU/toc.html
+++ b/public_html/ru-RU/toc.html
@@ -608,7 +608,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -818,7 +818,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -846,7 +846,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -858,7 +858,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/sk-SK/Site_Statistics.html b/public_html/sk-SK/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/sk-SK/Site_Statistics.html
+++ b/public_html/sk-SK/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/sk-SK/opds-Fedora.xml b/public_html/sk-SK/opds-Fedora.xml
index 5f82680..844c054 100644
--- a/public_html/sk-SK/opds-Fedora.xml
+++ b/public_html/sk-SK/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sk-SK/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:43</updated>
+ <updated>2011-07-28T06:06:38</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>sk-SK</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/sk-SK/opds-Fedora_Contributor_Documentation.xml b/public_html/sk-SK/opds-Fedora_Contributor_Documentation.xml
index ff67b85..17f5fb8 100644
--- a/public_html/sk-SK/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/sk-SK/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sk-SK/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:43</updated>
+ <updated>2011-07-28T06:06:38</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/sk-SK/opds-Fedora_Core.xml b/public_html/sk-SK/opds-Fedora_Core.xml
index c398e14..723a05a 100644
--- a/public_html/sk-SK/opds-Fedora_Core.xml
+++ b/public_html/sk-SK/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sk-SK/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:43</updated>
+ <updated>2011-07-28T06:06:38</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/sk-SK/opds-Fedora_Draft_Documentation.xml b/public_html/sk-SK/opds-Fedora_Draft_Documentation.xml
index 7b501f9..d708ead 100644
--- a/public_html/sk-SK/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/sk-SK/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sk-SK/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:43</updated>
+ <updated>2011-07-28T06:06:38</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/sk-SK/opds.xml b/public_html/sk-SK/opds.xml
index a7854ed..fb85e0c 100644
--- a/public_html/sk-SK/opds.xml
+++ b/public_html/sk-SK/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/sk-SK/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:43</updated>
+ <updated>2011-07-28T06:06:38</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/sk-SK/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:43</updated>
+ <updated>2011-07-28T06:06:38</updated>
<dc:language>sk-SK</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/sk-SK/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:43</updated>
+ <updated>2011-07-28T06:06:38</updated>
<dc:language>sk-SK</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/sk-SK/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:43</updated>
+ <updated>2011-07-28T06:06:38</updated>
<dc:language>sk-SK</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/sk-SK/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:43</updated>
+ <updated>2011-07-28T06:06:38</updated>
<dc:language>sk-SK</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/sk-SK/toc.html b/public_html/sk-SK/toc.html
index a7b73e9..c425914 100644
--- a/public_html/sk-SK/toc.html
+++ b/public_html/sk-SK/toc.html
@@ -609,7 +609,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -819,7 +819,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -838,7 +838,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -859,7 +859,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/sr-Latn-RS/Site_Statistics.html b/public_html/sr-Latn-RS/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/sr-Latn-RS/Site_Statistics.html
+++ b/public_html/sr-Latn-RS/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/sr-Latn-RS/opds-Fedora.xml b/public_html/sr-Latn-RS/opds-Fedora.xml
index 3ca0b15..0a7badb 100644
--- a/public_html/sr-Latn-RS/opds-Fedora.xml
+++ b/public_html/sr-Latn-RS/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sr-Latn-RS/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:44</updated>
+ <updated>2011-07-28T06:06:39</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>sr-Latn-RS</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/sr-Latn-RS/opds-Fedora_Contributor_Documentation.xml b/public_html/sr-Latn-RS/opds-Fedora_Contributor_Documentation.xml
index 04f3db2..b7f688a 100644
--- a/public_html/sr-Latn-RS/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/sr-Latn-RS/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sr-Latn-RS/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:44</updated>
+ <updated>2011-07-28T06:06:39</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/sr-Latn-RS/opds-Fedora_Core.xml b/public_html/sr-Latn-RS/opds-Fedora_Core.xml
index 8fa2240..f44198a 100644
--- a/public_html/sr-Latn-RS/opds-Fedora_Core.xml
+++ b/public_html/sr-Latn-RS/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sr-Latn-RS/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:44</updated>
+ <updated>2011-07-28T06:06:39</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/sr-Latn-RS/opds-Fedora_Draft_Documentation.xml b/public_html/sr-Latn-RS/opds-Fedora_Draft_Documentation.xml
index e2dc448..20d5405 100644
--- a/public_html/sr-Latn-RS/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/sr-Latn-RS/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sr-Latn-RS/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:44</updated>
+ <updated>2011-07-28T06:06:39</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/sr-Latn-RS/opds.xml b/public_html/sr-Latn-RS/opds.xml
index 50355d0..2e59ee0 100644
--- a/public_html/sr-Latn-RS/opds.xml
+++ b/public_html/sr-Latn-RS/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/sr-Latn-RS/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:44</updated>
+ <updated>2011-07-28T06:06:39</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/sr-Latn-RS/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:44</updated>
+ <updated>2011-07-28T06:06:39</updated>
<dc:language>sr-Latn-RS</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/sr-Latn-RS/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:44</updated>
+ <updated>2011-07-28T06:06:39</updated>
<dc:language>sr-Latn-RS</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/sr-Latn-RS/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:44</updated>
+ <updated>2011-07-28T06:06:39</updated>
<dc:language>sr-Latn-RS</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/sr-Latn-RS/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:44</updated>
+ <updated>2011-07-28T06:06:39</updated>
<dc:language>sr-Latn-RS</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/sr-Latn-RS/toc.html b/public_html/sr-Latn-RS/toc.html
index d462226..8a73bf1 100644
--- a/public_html/sr-Latn-RS/toc.html
+++ b/public_html/sr-Latn-RS/toc.html
@@ -609,7 +609,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -819,7 +819,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -838,7 +838,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -859,7 +859,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/sr-RS/Site_Statistics.html b/public_html/sr-RS/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/sr-RS/Site_Statistics.html
+++ b/public_html/sr-RS/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/sr-RS/opds-Fedora.xml b/public_html/sr-RS/opds-Fedora.xml
index 13d437c..462e430 100644
--- a/public_html/sr-RS/opds-Fedora.xml
+++ b/public_html/sr-RS/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sr-RS/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:45</updated>
+ <updated>2011-07-28T06:06:40</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>sr-RS</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/sr-RS/opds-Fedora_Contributor_Documentation.xml b/public_html/sr-RS/opds-Fedora_Contributor_Documentation.xml
index e9b80b7..15b64b0 100644
--- a/public_html/sr-RS/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/sr-RS/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sr-RS/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:45</updated>
+ <updated>2011-07-28T06:06:40</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/sr-RS/opds-Fedora_Core.xml b/public_html/sr-RS/opds-Fedora_Core.xml
index ee0fd1e..3140b6f 100644
--- a/public_html/sr-RS/opds-Fedora_Core.xml
+++ b/public_html/sr-RS/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sr-RS/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:45</updated>
+ <updated>2011-07-28T06:06:40</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/sr-RS/opds-Fedora_Draft_Documentation.xml b/public_html/sr-RS/opds-Fedora_Draft_Documentation.xml
index 1c600b2..fcb6511 100644
--- a/public_html/sr-RS/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/sr-RS/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sr-RS/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:45</updated>
+ <updated>2011-07-28T06:06:40</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/sr-RS/opds.xml b/public_html/sr-RS/opds.xml
index f8dd26d..b5ff4e9 100644
--- a/public_html/sr-RS/opds.xml
+++ b/public_html/sr-RS/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/sr-RS/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:45</updated>
+ <updated>2011-07-28T06:06:40</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/sr-RS/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:45</updated>
+ <updated>2011-07-28T06:06:40</updated>
<dc:language>sr-RS</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/sr-RS/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:45</updated>
+ <updated>2011-07-28T06:06:40</updated>
<dc:language>sr-RS</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/sr-RS/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:45</updated>
+ <updated>2011-07-28T06:06:40</updated>
<dc:language>sr-RS</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/sr-RS/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:45</updated>
+ <updated>2011-07-28T06:06:40</updated>
<dc:language>sr-RS</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/sr-RS/toc.html b/public_html/sr-RS/toc.html
index 84cc0f1..e811327 100644
--- a/public_html/sr-RS/toc.html
+++ b/public_html/sr-RS/toc.html
@@ -609,7 +609,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -828,7 +828,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -847,7 +847,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -868,7 +868,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/sv-SE/Site_Statistics.html b/public_html/sv-SE/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/sv-SE/Site_Statistics.html
+++ b/public_html/sv-SE/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/sv-SE/opds-Fedora.xml b/public_html/sv-SE/opds-Fedora.xml
index 66b291b..ddad16e 100644
--- a/public_html/sv-SE/opds-Fedora.xml
+++ b/public_html/sv-SE/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sv-SE/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:46</updated>
+ <updated>2011-07-28T06:06:40</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -118,9 +118,9 @@
<dc:language>sv-SE</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Hur man hämtar ISO-avbilder och skapar CD- och DVD-media
+ <summary>Hur man hämtar ISO-avbilder och skapar CD- och DVD-media
</summary>
- <content type="text">Hur man hämtar ISO-avbilder och skapar CD- och DVD-media</content>
+ <content type="text">Hur man hämtar ISO-avbilder och skapar CD- och DVD-media</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/sv-SE/Fedora/14/epub/Burning_ISO_images_to_disc/Fedora-14-Burning_ISO_images_to_disc-sv-SE.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -156,9 +156,9 @@
<dc:language>sv-SE</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Hur man använder Fedora live-avbilden
+ <summary>Hur man använder Fedora live-avbilden
</summary>
- <content type="text">Hur man använder Fedora live-avbilden</content>
+ <content type="text">Hur man använder Fedora live-avbilden</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/sv-SE/Fedora/14/epub/Fedora_Live_Images/Fedora-14-Fedora_Live_Images-sv-SE.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>sv-SE</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/sv-SE/opds-Fedora_Contributor_Documentation.xml b/public_html/sv-SE/opds-Fedora_Contributor_Documentation.xml
index c91572a..c7f6596 100644
--- a/public_html/sv-SE/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/sv-SE/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sv-SE/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:46</updated>
+ <updated>2011-07-28T06:06:40</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/sv-SE/opds-Fedora_Core.xml b/public_html/sv-SE/opds-Fedora_Core.xml
index b9bc198..fc3288f 100644
--- a/public_html/sv-SE/opds-Fedora_Core.xml
+++ b/public_html/sv-SE/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sv-SE/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:46</updated>
+ <updated>2011-07-28T06:06:41</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/sv-SE/opds-Fedora_Draft_Documentation.xml b/public_html/sv-SE/opds-Fedora_Draft_Documentation.xml
index 2c68ae0..50c964b 100644
--- a/public_html/sv-SE/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/sv-SE/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sv-SE/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:46</updated>
+ <updated>2011-07-28T06:06:41</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/sv-SE/opds.xml b/public_html/sv-SE/opds.xml
index 9f60392..3782361 100644
--- a/public_html/sv-SE/opds.xml
+++ b/public_html/sv-SE/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/sv-SE/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:46</updated>
+ <updated>2011-07-28T06:06:41</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/sv-SE/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:46</updated>
+ <updated>2011-07-28T06:06:40</updated>
<dc:language>sv-SE</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/sv-SE/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:46</updated>
+ <updated>2011-07-28T06:06:40</updated>
<dc:language>sv-SE</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/sv-SE/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:46</updated>
+ <updated>2011-07-28T06:06:41</updated>
<dc:language>sv-SE</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/sv-SE/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:46</updated>
+ <updated>2011-07-28T06:06:41</updated>
<dc:language>sv-SE</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/sv-SE/toc.html b/public_html/sv-SE/toc.html
index ad0c419..2fa46cd 100644
--- a/public_html/sv-SE/toc.html
+++ b/public_html/sv-SE/toc.html
@@ -608,7 +608,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -863,7 +863,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -882,7 +882,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -903,7 +903,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/ta-IN/Site_Statistics.html b/public_html/ta-IN/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/ta-IN/Site_Statistics.html
+++ b/public_html/ta-IN/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/ta-IN/opds-Fedora.xml b/public_html/ta-IN/opds-Fedora.xml
index 62c2ef4..8a99b87 100644
--- a/public_html/ta-IN/opds-Fedora.xml
+++ b/public_html/ta-IN/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ta-IN/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:46</updated>
+ <updated>2011-07-28T06:06:41</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>ta-IN</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/ta-IN/opds-Fedora_Contributor_Documentation.xml b/public_html/ta-IN/opds-Fedora_Contributor_Documentation.xml
index 43206d3..db9cd8b 100644
--- a/public_html/ta-IN/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/ta-IN/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ta-IN/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:46</updated>
+ <updated>2011-07-28T06:06:41</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/ta-IN/opds-Fedora_Core.xml b/public_html/ta-IN/opds-Fedora_Core.xml
index 9bc1920..6f2f339 100644
--- a/public_html/ta-IN/opds-Fedora_Core.xml
+++ b/public_html/ta-IN/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ta-IN/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:46</updated>
+ <updated>2011-07-28T06:06:41</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ta-IN/opds-Fedora_Draft_Documentation.xml b/public_html/ta-IN/opds-Fedora_Draft_Documentation.xml
index f5e599e..268124c 100644
--- a/public_html/ta-IN/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/ta-IN/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ta-IN/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:46</updated>
+ <updated>2011-07-28T06:06:41</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ta-IN/opds.xml b/public_html/ta-IN/opds.xml
index a4c8c1a..02011a2 100644
--- a/public_html/ta-IN/opds.xml
+++ b/public_html/ta-IN/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/ta-IN/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:46</updated>
+ <updated>2011-07-28T06:06:41</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/ta-IN/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:46</updated>
+ <updated>2011-07-28T06:06:41</updated>
<dc:language>ta-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/ta-IN/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:46</updated>
+ <updated>2011-07-28T06:06:41</updated>
<dc:language>ta-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/ta-IN/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:46</updated>
+ <updated>2011-07-28T06:06:41</updated>
<dc:language>ta-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/ta-IN/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:46</updated>
+ <updated>2011-07-28T06:06:41</updated>
<dc:language>ta-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/ta-IN/toc.html b/public_html/ta-IN/toc.html
index 88bbff1..9d4d7d5 100644
--- a/public_html/ta-IN/toc.html
+++ b/public_html/ta-IN/toc.html
@@ -609,7 +609,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -819,7 +819,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -838,7 +838,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -859,7 +859,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/te-IN/Site_Statistics.html b/public_html/te-IN/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/te-IN/Site_Statistics.html
+++ b/public_html/te-IN/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/te-IN/opds-Fedora.xml b/public_html/te-IN/opds-Fedora.xml
index f9a85aa..7dada4d 100644
--- a/public_html/te-IN/opds-Fedora.xml
+++ b/public_html/te-IN/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/te-IN/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:47</updated>
+ <updated>2011-07-28T06:06:42</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>te-IN</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/te-IN/opds-Fedora_Contributor_Documentation.xml b/public_html/te-IN/opds-Fedora_Contributor_Documentation.xml
index 327fd89..e45fb7a 100644
--- a/public_html/te-IN/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/te-IN/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/te-IN/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:47</updated>
+ <updated>2011-07-28T06:06:42</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/te-IN/opds-Fedora_Core.xml b/public_html/te-IN/opds-Fedora_Core.xml
index 714b0d2..20c4ae7 100644
--- a/public_html/te-IN/opds-Fedora_Core.xml
+++ b/public_html/te-IN/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/te-IN/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:47</updated>
+ <updated>2011-07-28T06:06:42</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/te-IN/opds-Fedora_Draft_Documentation.xml b/public_html/te-IN/opds-Fedora_Draft_Documentation.xml
index cc3db12..94511d3 100644
--- a/public_html/te-IN/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/te-IN/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/te-IN/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:47</updated>
+ <updated>2011-07-28T06:06:42</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/te-IN/opds.xml b/public_html/te-IN/opds.xml
index 1a70b23..065bcc7 100644
--- a/public_html/te-IN/opds.xml
+++ b/public_html/te-IN/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/te-IN/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:47</updated>
+ <updated>2011-07-28T06:06:42</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/te-IN/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:47</updated>
+ <updated>2011-07-28T06:06:42</updated>
<dc:language>te-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/te-IN/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:47</updated>
+ <updated>2011-07-28T06:06:42</updated>
<dc:language>te-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/te-IN/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:47</updated>
+ <updated>2011-07-28T06:06:42</updated>
<dc:language>te-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/te-IN/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:47</updated>
+ <updated>2011-07-28T06:06:42</updated>
<dc:language>te-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/te-IN/toc.html b/public_html/te-IN/toc.html
index d768495..4ef7434 100644
--- a/public_html/te-IN/toc.html
+++ b/public_html/te-IN/toc.html
@@ -609,7 +609,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -819,7 +819,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -838,7 +838,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -859,7 +859,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/toc.html b/public_html/toc.html
index bbf33c7..04a2a1a 100644
--- a/public_html/toc.html
+++ b/public_html/toc.html
@@ -2082,7 +2082,7 @@
<a class="type" href="./en-US/Fedora/11/html-single/Security_Guide/index.html">html-single</a>
- <a class="type" href="./en-US/Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf">pdf</a>
+ <a class="type" href="./en-US/Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf">pdf</a>
</div>
</div>
@@ -2366,7 +2366,7 @@
<a class="type" href="./en-US/Fedora/0.1/html-single/Amateur_Radio_Guide/index.html">html-single</a>
- <a class="type" href="./en-US/Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf">pdf</a>
+ <a class="type" href="./en-US/Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf">pdf</a>
</div>
</div>
@@ -2384,7 +2384,7 @@
<span id="Fedora_Elections_Guide" class="book">Fedora Elections Guide</span>
<div class="types">
- <a class="type" href="./en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">epub</a>
+ <a class="type" href="./en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">epub</a>
<a class="type" href="./en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html">html</a>
@@ -2420,7 +2420,7 @@
<a class="type" href="./en-US/Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html">html-single</a>
- <a class="type" href="./en-US/Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf">pdf</a>
+ <a class="type" href="./en-US/Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf">pdf</a>
</div>
</div>
@@ -2963,7 +2963,7 @@
<a class="type" href="./es-ES/Fedora/13/html-single/Accessibility_Guide/index.html">html-single</a>
- <a class="type" href="./es-ES/Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-es-ES.pdf">pdf</a>
+ <a class="type" href="./es-ES/Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-es-ES.pdf">pdf</a>
</div>
</div>
@@ -3931,7 +3931,7 @@
<a class="type" href="./fi-FI/Fedora/11/html-single/Fedora_Live_images/index.html">html-single</a>
- <a class="type" href="./fi-FI/Fedora/11/pdf/Fedora_Live_images/Fedora-11-Fedora_Live_images-fi-FI.pdf">pdf</a>
+ <a class="type" href="./fi-FI/Fedora/11/pdf/Fedora_Live_images/Fedora-13-Fedora_Live_Images-fi-FI.pdf">pdf</a>
</div>
</div>
@@ -3949,7 +3949,7 @@
<a class="type" href="./fi-FI/Fedora/10/html-single/Fedora_Live_Images/index.html">html-single</a>
- <a class="type" href="./fi-FI/Fedora/10/pdf/Fedora_Live_Images/Fedora-10-Fedora_Live_Images-fi-FI.pdf">pdf</a>
+ <a class="type" href="./fi-FI/Fedora/10/pdf/Fedora_Live_Images/Fedora-13-Fedora_Live_Images-fi-FI.pdf">pdf</a>
</div>
</div>
@@ -5390,6 +5390,21 @@
</div>
</div>
+ <div class="book">
+ <span id="Release_Notes" class="book">リリースノート</span>
+ <div class="types">
+
+ <a class="type" href="./ja-JP/Fedora/15/epub/Release_Notes/Fedora-15-Release_Notes-ja-JP.epub">epub</a>
+
+ <a class="type" href="./ja-JP/Fedora/15/html/Release_Notes/index.html">html</a>
+
+ <a class="type" href="./ja-JP/Fedora/15/html-single/Release_Notes/index.html">html-single</a>
+
+ <a class="type" href="./ja-JP/Fedora/15/pdf/Release_Notes/Fedora-15-Release_Notes-ja-JP.pdf">pdf</a>
+
+ </div>
+ </div>
+
</div> </div> <div class="version">
<span class="version">14</span> <div class="books">
@@ -5752,6 +5767,28 @@
</div>
</div>
+ <div class="product">
+ <span id="Fedora_Draft_Documentation" class="product">Fedora ドラフト文書</span>
+ <div class="versions">
+ <div class="books">
+
+ <div class="book">
+ <span id="Musicians_Guide" class="book">Musicians' Guide</span>
+ <div class="types">
+
+ <a class="type" href="./ja-JP/Fedora_Draft_Documentation/0.1/epub/Musicians_Guide/Fedora_Draft_Documentation-0.1-Musicians_Guide-ja-JP.epub">epub</a>
+
+ <a class="type" href="./ja-JP/Fedora_Draft_Documentation/0.1/html/Musicians_Guide/index.html">html</a>
+
+ <a class="type" href="./ja-JP/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/index.html">html-single</a>
+
+ </div>
+ </div>
+
+ </div>
+ </div>
+ </div>
+
</div>
<div class="perlang" id="ಕನà³à²¨à²¡">
@@ -6309,7 +6346,7 @@
<a class="type" href="./nl-NL/Fedora/13/html-single/Accessibility_Guide/index.html">html-single</a>
- <a class="type" href="./nl-NL/Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-nl-NL.pdf">pdf</a>
+ <a class="type" href="./nl-NL/Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-nl-NL.pdf">pdf</a>
</div>
</div>
@@ -8094,7 +8131,7 @@
<a class="type" href="./pt-PT/Fedora/13/html-single/Accessibility_Guide/index.html">html-single</a>
- <a class="type" href="./pt-PT/Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-pt-PT.pdf">pdf</a>
+ <a class="type" href="./pt-PT/Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-pt-PT.pdf">pdf</a>
</div>
</div>
diff --git a/public_html/uk-UA/Site_Statistics.html b/public_html/uk-UA/Site_Statistics.html
index 13afe38..eeb3de1 100644
--- a/public_html/uk-UA/Site_Statistics.html
+++ b/public_html/uk-UA/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Загалом мов: </b>42<br />
- <b>Загалом пакунків: </b>664
+ <b>Загалом пакунків: </b>666
</div>
</body>
</html>
diff --git a/public_html/uk-UA/opds-Fedora.xml b/public_html/uk-UA/opds-Fedora.xml
index 186d210..b05af53 100644
--- a/public_html/uk-UA/opds-Fedora.xml
+++ b/public_html/uk-UA/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/uk-UA/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:47</updated>
+ <updated>2011-07-28T06:06:43</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -80,9 +80,9 @@
<dc:language>uk-UA</dc:language>
<category label="14" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>ïú úþрøÑÂтуòðтøÑÂÑ Fedora, ÑÂúщþ òø üðєтõ ÷þрþòі, ÑÂûухþòі òðôø ðñþ òðôø þÿþрýþ-рухþòøх üþöûøòþÑÂтõù
+ <summary>Як кориÑтуватиÑÑ Fedora, Ñкщо ви маєте зорові, Ñлухові вади або вади опорно-рухових можливоÑтей
</summary>
- <content type="text">æõù ôþúуüõýт ÿрøÑÂòÑÂчõýþ þÿøÑÂу ôõÑÂúøх ÷ ðÿðрðтýøх ÿрøÑÂтрþїò, ÿрþóрðü тð üþôуûіò, ÑÂúі ôþÿþüþöуть úþрøÑÂтуòðчðü ÷ þÑÂþñûøòøüø ÿþтрõñðüø úþрøÑÂтуòðтøÑÂѠúþüÿ’ютõрþü ÿіô úõруòðýýÑÂü þÿõрðціùýþї ÑÂøÑÂтõüø Fedora.</content>
+ <content type="text">Цей документ приÑвÑчено опиÑу деÑких з апаратних приÑтроїв, програм та модулів, Ñкі допоможуть кориÑтувачам з оÑобливими потребами кориÑтуватиÑÑ ÐºÐ¾Ð¼Ð¿â€™ÑŽÑ‚ÐµÑ€Ð¾Ð¼ під керуваннÑм операційної ÑиÑтеми Fedora.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/uk-UA/Fedora/14/epub/Accessibility_Guide/Fedora-14-Accessibility_Guide-uk-UA.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -118,9 +118,9 @@
<dc:language>uk-UA</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>ïú ÷ðòðýтðöøтø þñрð÷ø ISO тð ÑÂтòþрøтø CD тð DVD ýþÑÂії
+ <summary>Як завантажити образи ISO та Ñтворити CD та DVD ноÑÑ–Ñ—
</summary>
- <content type="text">ïú ÷ðòðýтðöøтø þñрð÷ø ISO тð ÑÂтòþрøтø CD тð DVD ýþÑÂії</content>
+ <content type="text">Як завантажити образи ISO та Ñтворити CD та DVD ноÑÑ–Ñ—</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/uk-UA/Fedora/14/epub/Burning_ISO_images_to_disc/Fedora-14-Burning_ISO_images_to_disc-uk-UA.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -156,9 +156,9 @@
<dc:language>uk-UA</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>ïú úþрøÑÂтуòðтøÑÂѠþñрð÷ðüø ÿþртðтøòýþї ÑÂøÑÂтõüø Fedora
+ <summary>Як кориÑтуватиÑÑ Ð¾Ð±Ñ€Ð°Ð·Ð°Ð¼Ð¸ портативної ÑиÑтеми Fedora
</summary>
- <content type="text">ïú úþрøÑÂтуòðтøÑÂѠþñрð÷ðüø ÿþртðтøòýþї ÑÂøÑÂтõüø Fedora</content>
+ <content type="text">Як кориÑтуватиÑÑ Ð¾Ð±Ñ€Ð°Ð·Ð°Ð¼Ð¸ портативної ÑиÑтеми Fedora</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/uk-UA/Fedora/14/epub/Fedora_Live_Images/Fedora-14-Fedora_Live_Images-uk-UA.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>uk-UA</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -308,9 +308,9 @@
<dc:language>uk-UA</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Ã’øúþрøÑÂтðýýѠFedora 14 ÷ üõтþю òøúþýðýýѠ÷òøчýøх ÷ðòôðýь ýð úþüÿ’ютõрі
+ <summary>ВикориÑÑ‚Ð°Ð½Ð½Ñ Fedora 14 з метою Ð²Ð¸ÐºÐ¾Ð½Ð°Ð½Ð½Ñ Ð·Ð²Ð¸Ñ‡Ð½Ð¸Ñ… завдань на комп’ютері
</summary>
- <content type="text">ÆýÑÂтруúцію úþрøÑÂтуòðчð Fedora ÷þÑÂõрõôöõýþ ýð þÿøÑÂі òøúþýðýýѠтøÿþòøх ÷ðòôðýь úþüÿ’ютõрð, ÷þúрõüð ÿõрõóÃȄÂôу ÑÂтþріýþú іÃ½Ñ‚õрýõту, чøтðýýѠі ýðôÑÂøûðýýѠõûõúтрþýýþї ÿþштø тð òøúþýðýýѠþфіÑÂýøх рþñіт.</content>
+ <content type="text">ІнÑтрукцію кориÑтувача Fedora зоÑереджено на опиÑÑ– Ð²Ð¸ÐºÐ¾Ð½Ð°Ð½Ð½Ñ Ñ‚Ð¸Ð¿Ð¾Ð²Ð¸Ñ… завдань комп’ютера, зокрема переглÑду Ñторінок інтернету, Ñ‡Ð¸Ñ‚Ð°Ð½Ð½Ñ Ñ– надÑÐ¸Ð»Ð°Ð½Ð½Ñ ÐµÐ»ÐµÐºÑ‚Ñ€Ð¾Ð½Ð½Ð¾Ñ— пошти та Ð²Ð¸ÐºÐ¾Ð½Ð°Ð½Ð½Ñ Ð¾Ñ„Ñ–Ñних робіт.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/uk-UA/Fedora/14/epub/User_Guide/Fedora-14-User_Guide-uk-UA.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -453,9 +453,9 @@
<dc:language>uk-UA</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>ßøтðýýÑÂ, ÑÂúі ýðùчðÑÂтішõ ÷ðôðють úþрøÑÂтуòðчі щþôþ Security Enhanced Linux, тð òіôÿþòіôі ýð ýøх
+ <summary>ПитаннÑ, Ñкі найчаÑтіше задають кориÑтувачі щодо Security Enhanced Linux, та відповіді на них
</summary>
- <content type="text">ã цьþüу ôþòіôýøúу ýðòõôõýþ òіôÿþòіôі ýð ÿøтðýýѠщþôþ Security-Enhanced Linux. ÒіôþüþÑÂті ÷ ýьþóþ ñуôуть úþрøÑÂýøüø òÑÂіÃ¼, хтþ щõ ýõ ôþÑÂøть ÷ýðùþüøù ÷ SELinux. ×òøчðùýþ ö, у цьþüу ôþòіôýøúу òø ýõ ÷ýðùôõтõ ÿþòýþóþ þÿøÑÂу SELinux. Ôþúûðôýі іÃ½ÑÂтруúції тð ýðÑÂтðýþòø щþôþ òøòчõýýѠтð òøúþрøÑÂтðýýѠSELinux, ýðòõôõýþ у «Ã†Ã½ÑÂÑ
‚руúції úþрøÑÂтуòðчð SELinux» тð «ÃŸÑ–ôручýøúу ÷ úõруòðýýѠÑÂûуöñðüø þñüõöõýýѠôþÑÂтуÿу». ×ýðùтø ці ÿіôручýøúø üþöýð ÷ð ðôрõÑÂþю http://docs.fedoraproject.org</content>
+ <content type="text">У цьому довіднику наведено відповіді на Ð¿Ð¸Ñ‚Ð°Ð½Ð½Ñ Ñ‰Ð¾Ð´Ð¾ Security-Enhanced Linux. ВідомоÑÑ‚Ñ– з нього будуть кориÑними вÑім, хто ще не доÑить знайомий з SELinux. Звичайно ж, у цьому довіднику ви не знайдете повного опиÑу SELinux. Докладні інÑтрукції та наÑтанови щодо Ð²Ð¸Ð²Ñ‡ÐµÐ½Ð½Ñ Ñ‚Ð° викориÑÑ‚Ð°Ð½Ð½Ñ SELinux, наведено у «ІнÑтрукції кориÑтувача SELinux» та «Підручнику з ÐºÐµÑ€ÑƒÐ²Ð°Ð½Ð½Ñ Ñлужбами Ð¾Ð±Ð¼ÐµÐ¶ÐµÐ½Ð½Ñ Ð´Ð¾Ñтупу». Знайти ці підручники можна за адреÑою http://docs.fedoraproject.org</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/uk-UA/Fedora/13/epub/SELinux_FAQ/Fedora-13-SELinux_FAQ-uk-UA.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/uk-UA/opds-Fedora_Contributor_Documentation.xml b/public_html/uk-UA/opds-Fedora_Contributor_Documentation.xml
index ad8796e..0717797 100644
--- a/public_html/uk-UA/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/uk-UA/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/uk-UA/opds-Fedora_Contributor_Documentation.xml</id>
<title>Ð”Ð¾ÐºÑƒÐ¼ÐµÐ½Ñ‚Ð°Ñ†Ñ–Ñ Ð´Ð»Ñ ÑƒÑ‡Ð°Ñника розробки Fedora</title>
<subtitle>Ð”Ð¾ÐºÑƒÐ¼ÐµÐ½Ñ‚Ð°Ñ†Ñ–Ñ Ð´Ð»Ñ ÑƒÑ‡Ð°Ñника розробки Fedora</subtitle>
- <updated>2011-07-22T14:16:48</updated>
+ <updated>2011-07-28T06:06:43</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
@@ -42,9 +42,9 @@
<dc:language>uk-UA</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>ßþчðтúþòі ýðÑÂтðýþòø щþôþ ÿõрõúûðôу Fedora Project
+ <summary>Початкові наÑтанови щодо перекладу Fedora Project
</summary>
- <content type="text">ã цьþüу ÿіôручýøúу òø ÷ýðùôõтõ ÿрþÑÂтøù ÿþúрþúþòøù ýðñір іÃ½ÑÂтруúціù щþôþ ÿõрõúûðôу ÿрþóрðüýþóþ ÷ðñõ÷ÿõчõýýѠтð ôþúуüõýтðції ôþ Fedora Project.</content>
+ <content type="text">У цьому підручнику ви знайдете проÑтий покроковий набір інÑтрукцій щодо перекладу програмного Ð·Ð°Ð±ÐµÐ·Ð¿ÐµÑ‡ÐµÐ½Ð½Ñ Ñ‚Ð° документації до Fedora Project.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/uk-UA/Fedora_Contributor_Documentation/1/epub/Translation_Quick_Start_Guide/Fedora_Contributor_Documentation-1-Translation_Quick_Start_Guide-uk-UA.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/uk-UA/opds-Fedora_Core.xml b/public_html/uk-UA/opds-Fedora_Core.xml
index 347d775..c3338cf 100644
--- a/public_html/uk-UA/opds-Fedora_Core.xml
+++ b/public_html/uk-UA/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/uk-UA/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:48</updated>
+ <updated>2011-07-28T06:06:43</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/uk-UA/opds-Fedora_Draft_Documentation.xml b/public_html/uk-UA/opds-Fedora_Draft_Documentation.xml
index 18eb42f..699f177 100644
--- a/public_html/uk-UA/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/uk-UA/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/uk-UA/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:48</updated>
+ <updated>2011-07-28T06:06:43</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/uk-UA/opds.xml b/public_html/uk-UA/opds.xml
index bca7714..0e240d8 100644
--- a/public_html/uk-UA/opds.xml
+++ b/public_html/uk-UA/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/uk-UA/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:48</updated>
+ <updated>2011-07-28T06:06:43</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/uk-UA/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:48</updated>
+ <updated>2011-07-28T06:06:43</updated>
<dc:language>uk-UA</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Ð”Ð¾ÐºÑƒÐ¼ÐµÐ½Ñ‚Ð°Ñ†Ñ–Ñ Ð´Ð»Ñ ÑƒÑ‡Ð°Ñника розробки Fedora</title>
<id>http://docs.fedoraproject.org/uk-UA/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:48</updated>
+ <updated>2011-07-28T06:06:43</updated>
<dc:language>uk-UA</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/uk-UA/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:48</updated>
+ <updated>2011-07-28T06:06:43</updated>
<dc:language>uk-UA</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/uk-UA/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:48</updated>
+ <updated>2011-07-28T06:06:43</updated>
<dc:language>uk-UA</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/uk-UA/toc.html b/public_html/uk-UA/toc.html
index 2fe8ae3..a42fd6d 100644
--- a/public_html/uk-UA/toc.html
+++ b/public_html/uk-UA/toc.html
@@ -608,7 +608,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -818,7 +818,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -846,7 +846,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -858,7 +858,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/zh-CN/Site_Statistics.html b/public_html/zh-CN/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/zh-CN/Site_Statistics.html
+++ b/public_html/zh-CN/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/zh-CN/opds-Fedora.xml b/public_html/zh-CN/opds-Fedora.xml
index 5a631a3..233a261 100644
--- a/public_html/zh-CN/opds-Fedora.xml
+++ b/public_html/zh-CN/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/zh-CN/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:49</updated>
+ <updated>2011-07-28T06:06:43</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -156,9 +156,9 @@
<dc:language>zh-CN</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>如​何​使​用​ Fedora Live 镜​åƒÂ​
+ <summary>如​何​使​用​ Fedora Live 镜​åƒâ€‹
</summary>
- <content type="text">如​何​使​用​ Fedora Live 镜​åƒÂ​</content>
+ <content type="text">如​何​使​用​ Fedora Live 镜​åƒâ€‹</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/zh-CN/Fedora/14/epub/Fedora_Live_Images/Fedora-14-Fedora_Live_Images-zh-CN.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>zh-CN</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/zh-CN/opds-Fedora_Contributor_Documentation.xml b/public_html/zh-CN/opds-Fedora_Contributor_Documentation.xml
index 2435fdf..7bfb045 100644
--- a/public_html/zh-CN/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/zh-CN/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/zh-CN/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:49</updated>
+ <updated>2011-07-28T06:06:43</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/zh-CN/opds-Fedora_Core.xml b/public_html/zh-CN/opds-Fedora_Core.xml
index 839206d..172aefa 100644
--- a/public_html/zh-CN/opds-Fedora_Core.xml
+++ b/public_html/zh-CN/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/zh-CN/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:49</updated>
+ <updated>2011-07-28T06:06:44</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/zh-CN/opds-Fedora_Draft_Documentation.xml b/public_html/zh-CN/opds-Fedora_Draft_Documentation.xml
index b455f0b..cd46674 100644
--- a/public_html/zh-CN/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/zh-CN/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/zh-CN/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:49</updated>
+ <updated>2011-07-28T06:06:44</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/zh-CN/opds.xml b/public_html/zh-CN/opds.xml
index 0b54373..8218299 100644
--- a/public_html/zh-CN/opds.xml
+++ b/public_html/zh-CN/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/zh-CN/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:49</updated>
+ <updated>2011-07-28T06:06:44</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/zh-CN/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:49</updated>
+ <updated>2011-07-28T06:06:43</updated>
<dc:language>zh-CN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/zh-CN/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:49</updated>
+ <updated>2011-07-28T06:06:43</updated>
<dc:language>zh-CN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/zh-CN/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:49</updated>
+ <updated>2011-07-28T06:06:44</updated>
<dc:language>zh-CN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/zh-CN/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:49</updated>
+ <updated>2011-07-28T06:06:44</updated>
<dc:language>zh-CN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/zh-CN/toc.html b/public_html/zh-CN/toc.html
index 9bd62cc..e9c8658 100644
--- a/public_html/zh-CN/toc.html
+++ b/public_html/zh-CN/toc.html
@@ -608,7 +608,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -726,7 +726,7 @@
<a class="type" href="../en-US/./Fedora/10/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/10/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/10/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/10/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/10/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/10/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/10/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/10/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/10/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.10.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.10.User_Guide.types');">
@@ -890,7 +890,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -918,7 +918,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -930,7 +930,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
diff --git a/public_html/zh-TW/Site_Statistics.html b/public_html/zh-TW/Site_Statistics.html
index e07dffb..301592e 100644
--- a/public_html/zh-TW/Site_Statistics.html
+++ b/public_html/zh-TW/Site_Statistics.html
@@ -113,6 +113,15 @@
</tr>
<tr>
+ <td>Japanese</td>
+ <td>ja-JP</td>
+ <td>4</td>
+ <td>9</td>
+ <td>12</td>
+ <td>24</td>
+ </tr>
+
+ <tr>
<td>Russian</td>
<td>ru-RU</td>
<td>3</td>
@@ -140,15 +149,6 @@
</tr>
<tr>
- <td>Japanese</td>
- <td>ja-JP</td>
- <td>3</td>
- <td>8</td>
- <td>11</td>
- <td>22</td>
- </tr>
-
- <tr>
<td>Finnish</td>
<td>fi-FI</td>
<td>1</td>
@@ -403,7 +403,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>42<br />
- <b>Total Packages: </b>664
+ <b>Total Packages: </b>666
</div>
</body>
</html>
diff --git a/public_html/zh-TW/opds-Fedora.xml b/public_html/zh-TW/opds-Fedora.xml
index 3600353..5e0cbf4 100644
--- a/public_html/zh-TW/opds-Fedora.xml
+++ b/public_html/zh-TW/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/zh-TW/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-07-22T14:16:49</updated>
+ <updated>2011-07-28T06:06:44</updated>
<!--author>
<name></name>
<uri></uri>
@@ -25,7 +25,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing Identity and Authorization Policies for Linux-Based Enterprise Networks
</summary>
- <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
+ <content type="text">Identity and policy management — for both users and machines — is a core function for almost any enterprise environment. IPA provides a way to create an identity domain that allows machines to enroll to a domain and immediately access identity information reuqired for single sign-on and authentication services, as well as policy settings that govern authorization and access. This manual covers all aspects of installing, configuring, and managing IPA domains, including both servers and clients. This guide is intended for IT and systems administrators.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/15/epub/FreeIPA_Guide/Fedora-15-FreeIPA_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
@@ -175,7 +175,7 @@
<dc:language>zh-TW</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
+ <summary>Installing Fedora 14 on x86, AMD64, and Intel 64 architectures
</summary>
<content type="text">Provides documentation for the installation process.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Installation_Guide/Fedora-14-Installation_Guide-en-US.epub">
@@ -215,7 +215,7 @@
<!--dc:issued></dc:issued-->
<summary>Managing power consumption on Fedora
</summary>
- <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
+ <content type="text">This document explains how to manage power consumption on Fedora 14 systems effectively. The following sections discuss different techniques that lower power consumption (for both server and laptop), and how each technique affects the overall performance of your system. Please note: This document is still under development, is subject to heavy change, and is provided here as a preview. The content and instructions contained within should not be considered complete, and should be used with caution.</content>
<link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/14/epub/Power_Management_Guide/Fedora-14-Power_Management_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
diff --git a/public_html/zh-TW/opds-Fedora_Contributor_Documentation.xml b/public_html/zh-TW/opds-Fedora_Contributor_Documentation.xml
index 1be05bf..8a1aa6c 100644
--- a/public_html/zh-TW/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/zh-TW/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/zh-TW/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-07-22T14:16:50</updated>
+ <updated>2011-07-28T06:06:44</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/zh-TW/opds-Fedora_Core.xml b/public_html/zh-TW/opds-Fedora_Core.xml
index 5f8ef85..57bc1c8 100644
--- a/public_html/zh-TW/opds-Fedora_Core.xml
+++ b/public_html/zh-TW/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/zh-TW/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-07-22T14:16:50</updated>
+ <updated>2011-07-28T06:06:44</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/zh-TW/opds-Fedora_Draft_Documentation.xml b/public_html/zh-TW/opds-Fedora_Draft_Documentation.xml
index 499c649..de17a64 100644
--- a/public_html/zh-TW/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/zh-TW/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/zh-TW/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-07-22T14:16:50</updated>
+ <updated>2011-07-28T06:06:44</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/zh-TW/opds.xml b/public_html/zh-TW/opds.xml
index 3c884f4..9a3e1c8 100644
--- a/public_html/zh-TW/opds.xml
+++ b/public_html/zh-TW/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/zh-TW/opds.xml</id>
<title>Product List</title>
- <updated>2011-07-22T14:16:50</updated>
+ <updated>2011-07-28T06:06:45</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/zh-TW/Fedora/opds-Fedora.xml</id>
- <updated>2011-07-22T14:16:49</updated>
+ <updated>2011-07-28T06:06:44</updated>
<dc:language>zh-TW</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/zh-TW/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-07-22T14:16:50</updated>
+ <updated>2011-07-28T06:06:44</updated>
<dc:language>zh-TW</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/zh-TW/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-07-22T14:16:50</updated>
+ <updated>2011-07-28T06:06:44</updated>
<dc:language>zh-TW</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/zh-TW/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-07-22T14:16:50</updated>
+ <updated>2011-07-28T06:06:44</updated>
<dc:language>zh-TW</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/zh-TW/toc.html b/public_html/zh-TW/toc.html
index c59dab3..1d1f8d7 100644
--- a/public_html/zh-TW/toc.html
+++ b/public_html/zh-TW/toc.html
@@ -609,7 +609,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -819,7 +819,7 @@
<a class="type" href="../en-US/./Fedora/0.1/epub/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html/Amateur_Radio_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/0.1/html-single/Amateur_Radio_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/0.1/pdf/Amateur_Radio_Guide/Fedora_Draft_Documentation-0.1-Amateur_Radio_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -838,7 +838,7 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
@@ -859,7 +859,7 @@
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Users_Guide/Fedora_Contributor_Documentation-1-Users_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Users_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Users_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Fedora_Contributor_Documentation-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Users_Guide/Publican-1.6-Users_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
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