[web] * added Musicians_Guide for f16. (ja-JP)
Tadashi Jokagi
elf at fedoraproject.org
Sat Nov 26 10:26:58 UTC 2011
commit 3f358f3c7beb3f0f7618669ae81e523451d505a1
Author: Tadashi Jokagi <elf at elf.no-ip.org>
Date: Sat Nov 26 09:32:37 2011 +0900
* added Musicians_Guide for f16. (ja-JP)
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+ <loc>http://docs.fedoraproject.org/es-ES/Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-es-ES.pdf</loc>
<lastmod>2010-06-13</lastmod>
<changefreq>monthly</changefreq>
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@@ -5797,7 +5797,7 @@
<priority>0.8</priority>
</url>
<url>
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+ <loc>http://docs.fedoraproject.org/fi-FI/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-fi-FI.pdf</loc>
<lastmod>2011-09-10</lastmod>
<changefreq>monthly</changefreq>
<priority>0.8</priority>
@@ -5959,7 +5959,7 @@
<priority>0.8</priority>
</url>
<url>
- <loc>http://docs.fedoraproject.org/fi-FI/Fedora/12/pdf/Fedora_Live_images/Fedora-12-Fedora_Live_images-fi-FI.pdf</loc>
+ <loc>http://docs.fedoraproject.org/fi-FI/Fedora/12/pdf/Fedora_Live_images/Fedora-13-Fedora_Live_Images-fi-FI.pdf</loc>
<lastmod>2010-06-14</lastmod>
<changefreq>monthly</changefreq>
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@@ -6007,7 +6007,7 @@
<priority>0.8</priority>
</url>
<url>
- <loc>http://docs.fedoraproject.org/fi-FI/Fedora/11/pdf/Fedora_Live_images/Fedora-12-Fedora_Live_images-fi-FI.pdf</loc>
+ <loc>http://docs.fedoraproject.org/fi-FI/Fedora/11/pdf/Fedora_Live_images/Fedora-13-Fedora_Live_Images-fi-FI.pdf</loc>
<lastmod>2010-06-14</lastmod>
<changefreq>monthly</changefreq>
<priority>0.8</priority>
@@ -6031,7 +6031,7 @@
<priority>0.8</priority>
</url>
<url>
- <loc>http://docs.fedoraproject.org/fi-FI/Fedora/10/pdf/Fedora_Live_Images/Fedora-12-Fedora_Live_images-fi-FI.pdf</loc>
+ <loc>http://docs.fedoraproject.org/fi-FI/Fedora/10/pdf/Fedora_Live_Images/Fedora-13-Fedora_Live_Images-fi-FI.pdf</loc>
<lastmod>2010-06-14</lastmod>
<changefreq>monthly</changefreq>
<priority>0.8</priority>
@@ -6319,7 +6319,7 @@
<priority>0.8</priority>
</url>
<url>
- <loc>http://docs.fedoraproject.org/fr-FR/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-fr-FR.pdf</loc>
+ <loc>http://docs.fedoraproject.org/fr-FR/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-fr-FR.pdf</loc>
<lastmod>2011-09-10</lastmod>
<changefreq>monthly</changefreq>
<priority>0.8</priority>
@@ -7333,7 +7333,7 @@
<priority>0.8</priority>
</url>
<url>
- <loc>http://docs.fedoraproject.org/it-IT/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-it-IT.pdf</loc>
+ <loc>http://docs.fedoraproject.org/it-IT/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-it-IT.pdf</loc>
<lastmod>2011-09-10</lastmod>
<changefreq>monthly</changefreq>
<priority>0.8</priority>
@@ -8305,6 +8305,30 @@
<priority>0.8</priority>
</url>
<url>
+ <loc>http://docs.fedoraproject.org/ja-JP/Fedora/16/epub/Musicians_Guide/Fedora-16-Musicians_Guide-ja-JP.epub</loc>
+ <lastmod>2011-11-26</lastmod>
+ <changefreq>monthly</changefreq>
+ <priority>0.8</priority>
+</url>
+<url>
+ <loc>http://docs.fedoraproject.org/ja-JP/Fedora/16/html/Musicians_Guide/index.html</loc>
+ <lastmod>2011-11-26</lastmod>
+ <changefreq>monthly</changefreq>
+ <priority>0.8</priority>
+</url>
+<url>
+ <loc>http://docs.fedoraproject.org/ja-JP/Fedora/16/html-single/Musicians_Guide/index.html</loc>
+ <lastmod>2011-11-26</lastmod>
+ <changefreq>monthly</changefreq>
+ <priority>0.8</priority>
+</url>
+<url>
+ <loc>http://docs.fedoraproject.org/ja-JP/Fedora/16/pdf/Musicians_Guide/Fedora-16-Musicians_Guide-ja-JP.pdf</loc>
+ <lastmod>2011-11-26</lastmod>
+ <changefreq>monthly</changefreq>
+ <priority>0.8</priority>
+</url>
+<url>
<loc>http://docs.fedoraproject.org/ja-JP/Fedora/16/epub/Release_Notes/Fedora-16-Release_Notes-ja-JP.epub</loc>
<lastmod>2011-11-07</lastmod>
<changefreq>monthly</changefreq>
@@ -8371,7 +8395,7 @@
<priority>0.8</priority>
</url>
<url>
- <loc>http://docs.fedoraproject.org/ja-JP/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-ja-JP.pdf</loc>
+ <loc>http://docs.fedoraproject.org/ja-JP/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-ja-JP.pdf</loc>
<lastmod>2011-09-10</lastmod>
<changefreq>monthly</changefreq>
<priority>0.8</priority>
@@ -11011,7 +11035,7 @@
<priority>0.8</priority>
</url>
<url>
- <loc>http://docs.fedoraproject.org/pl-PL/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-pl-PL.pdf</loc>
+ <loc>http://docs.fedoraproject.org/pl-PL/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-pl-PL.pdf</loc>
<lastmod>2011-09-10</lastmod>
<changefreq>monthly</changefreq>
<priority>0.8</priority>
@@ -13327,7 +13351,7 @@
<priority>0.8</priority>
</url>
<url>
- <loc>http://docs.fedoraproject.org/ru-RU/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-ru-RU.pdf</loc>
+ <loc>http://docs.fedoraproject.org/ru-RU/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-ru-RU.pdf</loc>
<lastmod>2011-09-10</lastmod>
<changefreq>monthly</changefreq>
<priority>0.8</priority>
@@ -13417,7 +13441,7 @@
<priority>0.8</priority>
</url>
<url>
- <loc>http://docs.fedoraproject.org/ru-RU/Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-ru-RU.pdf</loc>
+ <loc>http://docs.fedoraproject.org/ru-RU/Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-ru-RU.pdf</loc>
<lastmod>2010-05-22</lastmod>
<changefreq>monthly</changefreq>
<priority>0.8</priority>
@@ -14941,7 +14965,7 @@
<priority>0.8</priority>
</url>
<url>
- <loc>http://docs.fedoraproject.org/sv-SE/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-sv-SE.pdf</loc>
+ <loc>http://docs.fedoraproject.org/sv-SE/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-sv-SE.pdf</loc>
<lastmod>2011-09-10</lastmod>
<changefreq>monthly</changefreq>
<priority>0.8</priority>
diff --git a/public_html/as-IN/Site_Statistics.html b/public_html/as-IN/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/as-IN/Site_Statistics.html
+++ b/public_html/as-IN/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/as-IN/opds-Community_Services_Infrastructure.xml b/public_html/as-IN/opds-Community_Services_Infrastructure.xml
index 55cbc58..99be072 100644
--- a/public_html/as-IN/opds-Community_Services_Infrastructure.xml
+++ b/public_html/as-IN/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/as-IN/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:42</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/as-IN/opds-Fedora.xml b/public_html/as-IN/opds-Fedora.xml
index d3f0bb9..cf3d84b 100644
--- a/public_html/as-IN/opds-Fedora.xml
+++ b/public_html/as-IN/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/as-IN/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:44</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/as-IN/opds-Fedora_Contributor_Documentation.xml b/public_html/as-IN/opds-Fedora_Contributor_Documentation.xml
index ab2ffa0..43846c1 100644
--- a/public_html/as-IN/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/as-IN/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/as-IN/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:44</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/as-IN/opds-Fedora_Core.xml b/public_html/as-IN/opds-Fedora_Core.xml
index 026e02a..908d3e8 100644
--- a/public_html/as-IN/opds-Fedora_Core.xml
+++ b/public_html/as-IN/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/as-IN/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:45</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/as-IN/opds-Fedora_Draft_Documentation.xml b/public_html/as-IN/opds-Fedora_Draft_Documentation.xml
index 49b3980..50e7e6a 100644
--- a/public_html/as-IN/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/as-IN/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/as-IN/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:45</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/as-IN/opds.xml b/public_html/as-IN/opds.xml
index ab3ac24..76b9c9f 100644
--- a/public_html/as-IN/opds.xml
+++ b/public_html/as-IN/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/as-IN/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:45</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/as-IN/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:42</updated>
<dc:language>as-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/as-IN/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:44</updated>
<dc:language>as-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/as-IN/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:44</updated>
<dc:language>as-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/as-IN/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:45</updated>
<dc:language>as-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/as-IN/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:45</updated>
<dc:language>as-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/as-IN/toc.html b/public_html/as-IN/toc.html
index 3fb7b43..843f5e4 100644
--- a/public_html/as-IN/toc.html
+++ b/public_html/as-IN/toc.html
@@ -415,7 +415,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed" onclick="toggle(event, 'Fedora.13.Burning_ISO_images_to_disc.types');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -861,7 +861,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.8.Making_Fedora_Discs.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -963,10 +963,10 @@
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<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/bg-BG/Site_Statistics.html b/public_html/bg-BG/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/bg-BG/Site_Statistics.html
+++ b/public_html/bg-BG/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/bg-BG/opds-Community_Services_Infrastructure.xml b/public_html/bg-BG/opds-Community_Services_Infrastructure.xml
index 9b0ca36..585cadb 100644
--- a/public_html/bg-BG/opds-Community_Services_Infrastructure.xml
+++ b/public_html/bg-BG/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bg-BG/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:45</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/bg-BG/opds-Fedora.xml b/public_html/bg-BG/opds-Fedora.xml
index a412932..4e49e8f 100644
--- a/public_html/bg-BG/opds-Fedora.xml
+++ b/public_html/bg-BG/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bg-BG/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/bg-BG/opds-Fedora_Contributor_Documentation.xml b/public_html/bg-BG/opds-Fedora_Contributor_Documentation.xml
index 82a011b..8ddf841 100644
--- a/public_html/bg-BG/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/bg-BG/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bg-BG/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/bg-BG/opds-Fedora_Core.xml b/public_html/bg-BG/opds-Fedora_Core.xml
index b980d6d..8774a72 100644
--- a/public_html/bg-BG/opds-Fedora_Core.xml
+++ b/public_html/bg-BG/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bg-BG/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/bg-BG/opds-Fedora_Draft_Documentation.xml b/public_html/bg-BG/opds-Fedora_Draft_Documentation.xml
index 032d0be..e6c6d3b 100644
--- a/public_html/bg-BG/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/bg-BG/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bg-BG/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/bg-BG/opds.xml b/public_html/bg-BG/opds.xml
index b2881fd..25d50c6 100644
--- a/public_html/bg-BG/opds.xml
+++ b/public_html/bg-BG/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/bg-BG/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/bg-BG/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:45</updated>
<dc:language>bg-BG</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/bg-BG/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<dc:language>bg-BG</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/bg-BG/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<dc:language>bg-BG</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/bg-BG/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<dc:language>bg-BG</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/bg-BG/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<dc:language>bg-BG</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/bg-BG/toc.html b/public_html/bg-BG/toc.html
index e8d9c6a..4ac6726 100644
--- a/public_html/bg-BG/toc.html
+++ b/public_html/bg-BG/toc.html
@@ -413,7 +413,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed" onclick="toggle(event, 'Fedora.13.Burning_ISO_images_to_disc.types');">
@@ -730,7 +730,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -859,7 +859,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.8.Making_Fedora_Discs.types');">
@@ -942,7 +942,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -961,10 +961,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/bn-IN/Site_Statistics.html b/public_html/bn-IN/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/bn-IN/Site_Statistics.html
+++ b/public_html/bn-IN/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/bn-IN/opds-Community_Services_Infrastructure.xml b/public_html/bn-IN/opds-Community_Services_Infrastructure.xml
index 2bc6a91..d15b4ac 100644
--- a/public_html/bn-IN/opds-Community_Services_Infrastructure.xml
+++ b/public_html/bn-IN/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bn-IN/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/bn-IN/opds-Fedora.xml b/public_html/bn-IN/opds-Fedora.xml
index 3eea0a8..ad08538 100644
--- a/public_html/bn-IN/opds-Fedora.xml
+++ b/public_html/bn-IN/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bn-IN/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/bn-IN/opds-Fedora_Contributor_Documentation.xml b/public_html/bn-IN/opds-Fedora_Contributor_Documentation.xml
index 0901a1d..3731400 100644
--- a/public_html/bn-IN/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/bn-IN/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bn-IN/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/bn-IN/opds-Fedora_Core.xml b/public_html/bn-IN/opds-Fedora_Core.xml
index 6471ded..527651c 100644
--- a/public_html/bn-IN/opds-Fedora_Core.xml
+++ b/public_html/bn-IN/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bn-IN/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/bn-IN/opds-Fedora_Draft_Documentation.xml b/public_html/bn-IN/opds-Fedora_Draft_Documentation.xml
index b02160e..a45400b 100644
--- a/public_html/bn-IN/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/bn-IN/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bn-IN/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/bn-IN/opds.xml b/public_html/bn-IN/opds.xml
index e5a3cfb..74c0698 100644
--- a/public_html/bn-IN/opds.xml
+++ b/public_html/bn-IN/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/bn-IN/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/bn-IN/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<dc:language>bn-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/bn-IN/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<dc:language>bn-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/bn-IN/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<dc:language>bn-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/bn-IN/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<dc:language>bn-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/bn-IN/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<dc:language>bn-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/bn-IN/toc.html b/public_html/bn-IN/toc.html
index 9016d23..8fc58ec 100644
--- a/public_html/bn-IN/toc.html
+++ b/public_html/bn-IN/toc.html
@@ -415,7 +415,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed" onclick="toggle(event, 'Fedora.13.Burning_ISO_images_to_disc.types');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -861,7 +861,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.8.Making_Fedora_Discs.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -963,10 +963,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/bs-BA/Site_Statistics.html b/public_html/bs-BA/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/bs-BA/Site_Statistics.html
+++ b/public_html/bs-BA/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/bs-BA/opds-Community_Services_Infrastructure.xml b/public_html/bs-BA/opds-Community_Services_Infrastructure.xml
index a590ddb..48a94f1 100644
--- a/public_html/bs-BA/opds-Community_Services_Infrastructure.xml
+++ b/public_html/bs-BA/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bs-BA/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/bs-BA/opds-Fedora.xml b/public_html/bs-BA/opds-Fedora.xml
index 051b15c..07c2695 100644
--- a/public_html/bs-BA/opds-Fedora.xml
+++ b/public_html/bs-BA/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bs-BA/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/bs-BA/opds-Fedora_Contributor_Documentation.xml b/public_html/bs-BA/opds-Fedora_Contributor_Documentation.xml
index 349ba80..276768a 100644
--- a/public_html/bs-BA/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/bs-BA/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bs-BA/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/bs-BA/opds-Fedora_Core.xml b/public_html/bs-BA/opds-Fedora_Core.xml
index 4dcc59e..cd228bf 100644
--- a/public_html/bs-BA/opds-Fedora_Core.xml
+++ b/public_html/bs-BA/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bs-BA/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/bs-BA/opds-Fedora_Draft_Documentation.xml b/public_html/bs-BA/opds-Fedora_Draft_Documentation.xml
index 22d1394..2fbed56 100644
--- a/public_html/bs-BA/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/bs-BA/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/bs-BA/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/bs-BA/opds.xml b/public_html/bs-BA/opds.xml
index 85d5df4..e079f11 100644
--- a/public_html/bs-BA/opds.xml
+++ b/public_html/bs-BA/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/bs-BA/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:47</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/bs-BA/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<dc:language>bs-BA</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/bs-BA/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<dc:language>bs-BA</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/bs-BA/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<dc:language>bs-BA</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/bs-BA/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<dc:language>bs-BA</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/bs-BA/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<dc:language>bs-BA</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/bs-BA/toc.html b/public_html/bs-BA/toc.html
index e86978f..edf8632 100644
--- a/public_html/bs-BA/toc.html
+++ b/public_html/bs-BA/toc.html
@@ -415,7 +415,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed" onclick="toggle(event, 'Fedora.13.Burning_ISO_images_to_disc.types');">
@@ -741,7 +741,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -861,7 +861,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.8.Making_Fedora_Discs.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -963,10 +963,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/ca-ES/Site_Statistics.html b/public_html/ca-ES/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/ca-ES/Site_Statistics.html
+++ b/public_html/ca-ES/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/ca-ES/opds-Community_Services_Infrastructure.xml b/public_html/ca-ES/opds-Community_Services_Infrastructure.xml
index fbf1578..b270200 100644
--- a/public_html/ca-ES/opds-Community_Services_Infrastructure.xml
+++ b/public_html/ca-ES/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ca-ES/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:47</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ca-ES/opds-Fedora.xml b/public_html/ca-ES/opds-Fedora.xml
index 20f2c9c..dc4b066 100644
--- a/public_html/ca-ES/opds-Fedora.xml
+++ b/public_html/ca-ES/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ca-ES/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:47</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ca-ES/opds-Fedora_Contributor_Documentation.xml b/public_html/ca-ES/opds-Fedora_Contributor_Documentation.xml
index 0ee14f2..d33034e 100644
--- a/public_html/ca-ES/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/ca-ES/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ca-ES/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:47</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/ca-ES/opds-Fedora_Core.xml b/public_html/ca-ES/opds-Fedora_Core.xml
index 3541764..6a0e286 100644
--- a/public_html/ca-ES/opds-Fedora_Core.xml
+++ b/public_html/ca-ES/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ca-ES/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:47</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ca-ES/opds-Fedora_Draft_Documentation.xml b/public_html/ca-ES/opds-Fedora_Draft_Documentation.xml
index f3bf4e1..79ed4bb 100644
--- a/public_html/ca-ES/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/ca-ES/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ca-ES/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:47</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ca-ES/opds.xml b/public_html/ca-ES/opds.xml
index 5bc6835..3dbec62 100644
--- a/public_html/ca-ES/opds.xml
+++ b/public_html/ca-ES/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/ca-ES/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:47</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/ca-ES/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:47</updated>
<dc:language>ca-ES</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/ca-ES/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:47</updated>
<dc:language>ca-ES</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/ca-ES/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:47</updated>
<dc:language>ca-ES</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/ca-ES/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:47</updated>
<dc:language>ca-ES</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/ca-ES/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:47</updated>
<dc:language>ca-ES</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/ca-ES/toc.html b/public_html/ca-ES/toc.html
index 04d7b12..d484240 100644
--- a/public_html/ca-ES/toc.html
+++ b/public_html/ca-ES/toc.html
@@ -415,7 +415,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed" onclick="toggle(event, 'Fedora.13.Burning_ISO_images_to_disc.types');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -861,7 +861,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.8.Making_Fedora_Discs.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -963,10 +963,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/cs-CZ/Site_Statistics.html b/public_html/cs-CZ/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/cs-CZ/Site_Statistics.html
+++ b/public_html/cs-CZ/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/cs-CZ/opds-Community_Services_Infrastructure.xml b/public_html/cs-CZ/opds-Community_Services_Infrastructure.xml
index 6aa4c2b..2bf5788 100644
--- a/public_html/cs-CZ/opds-Community_Services_Infrastructure.xml
+++ b/public_html/cs-CZ/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/cs-CZ/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:47</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/cs-CZ/opds-Fedora.xml b/public_html/cs-CZ/opds-Fedora.xml
index ea2eb78..e3a3019 100644
--- a/public_html/cs-CZ/opds-Fedora.xml
+++ b/public_html/cs-CZ/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/cs-CZ/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:48</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/cs-CZ/opds-Fedora_Contributor_Documentation.xml b/public_html/cs-CZ/opds-Fedora_Contributor_Documentation.xml
index c6ec7de..ff2ff14 100644
--- a/public_html/cs-CZ/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/cs-CZ/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/cs-CZ/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:48</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/cs-CZ/opds-Fedora_Core.xml b/public_html/cs-CZ/opds-Fedora_Core.xml
index 65c004b..b543b4b 100644
--- a/public_html/cs-CZ/opds-Fedora_Core.xml
+++ b/public_html/cs-CZ/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/cs-CZ/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:48</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/cs-CZ/opds-Fedora_Draft_Documentation.xml b/public_html/cs-CZ/opds-Fedora_Draft_Documentation.xml
index 9faaa0f..59c3da4 100644
--- a/public_html/cs-CZ/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/cs-CZ/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/cs-CZ/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:48</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/cs-CZ/opds.xml b/public_html/cs-CZ/opds.xml
index 4f3d610..f8bb996 100644
--- a/public_html/cs-CZ/opds.xml
+++ b/public_html/cs-CZ/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/cs-CZ/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:48</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/cs-CZ/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:47</updated>
<dc:language>cs-CZ</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/cs-CZ/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:48</updated>
<dc:language>cs-CZ</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/cs-CZ/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:48</updated>
<dc:language>cs-CZ</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/cs-CZ/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:48</updated>
<dc:language>cs-CZ</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/cs-CZ/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:48</updated>
<dc:language>cs-CZ</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/cs-CZ/toc.html b/public_html/cs-CZ/toc.html
index 9c7303e..37abcaf 100644
--- a/public_html/cs-CZ/toc.html
+++ b/public_html/cs-CZ/toc.html
@@ -442,7 +442,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Fedora_Live_Images' class="book collapsed" onclick="toggle(event, 'Fedora.13.Fedora_Live_Images.types');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -861,7 +861,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.8.Making_Fedora_Discs.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -963,10 +963,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/da-DK/Site_Statistics.html b/public_html/da-DK/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/da-DK/Site_Statistics.html
+++ b/public_html/da-DK/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/da-DK/opds-Community_Services_Infrastructure.xml b/public_html/da-DK/opds-Community_Services_Infrastructure.xml
index 13620ac..be323ed 100644
--- a/public_html/da-DK/opds-Community_Services_Infrastructure.xml
+++ b/public_html/da-DK/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/da-DK/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:48</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/da-DK/opds-Fedora.xml b/public_html/da-DK/opds-Fedora.xml
index 5f89638..846fdc3 100644
--- a/public_html/da-DK/opds-Fedora.xml
+++ b/public_html/da-DK/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/da-DK/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:48</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/da-DK/opds-Fedora_Contributor_Documentation.xml b/public_html/da-DK/opds-Fedora_Contributor_Documentation.xml
index 553f5cb..bf302cb 100644
--- a/public_html/da-DK/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/da-DK/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/da-DK/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:48</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/da-DK/opds-Fedora_Core.xml b/public_html/da-DK/opds-Fedora_Core.xml
index ef75254..d0906a0 100644
--- a/public_html/da-DK/opds-Fedora_Core.xml
+++ b/public_html/da-DK/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/da-DK/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:48</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/da-DK/opds-Fedora_Draft_Documentation.xml b/public_html/da-DK/opds-Fedora_Draft_Documentation.xml
index 5ae47b7..ec91d51 100644
--- a/public_html/da-DK/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/da-DK/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/da-DK/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:48</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/da-DK/opds.xml b/public_html/da-DK/opds.xml
index a1d2068..816d786 100644
--- a/public_html/da-DK/opds.xml
+++ b/public_html/da-DK/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/da-DK/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:48</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/da-DK/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:48</updated>
<dc:language>da-DK</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/da-DK/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:48</updated>
<dc:language>da-DK</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/da-DK/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:48</updated>
<dc:language>da-DK</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/da-DK/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:48</updated>
<dc:language>da-DK</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/da-DK/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:48</updated>
<dc:language>da-DK</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/da-DK/toc.html b/public_html/da-DK/toc.html
index e15c7b5..5a2329e 100644
--- a/public_html/da-DK/toc.html
+++ b/public_html/da-DK/toc.html
@@ -415,7 +415,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed" onclick="toggle(event, 'Fedora.13.Burning_ISO_images_to_disc.types');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -861,7 +861,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.8.Making_Fedora_Discs.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -963,10 +963,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/de-DE/Site_Statistics.html b/public_html/de-DE/Site_Statistics.html
index 47ded8a..d7efac1 100644
--- a/public_html/de-DE/Site_Statistics.html
+++ b/public_html/de-DE/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Sprachen gesamt: </b>43<br />
- <b>Pakete gesamt: </b>737
+ <b>Pakete gesamt: </b>738
</div>
</body>
</html>
diff --git a/public_html/de-DE/opds-Community_Services_Infrastructure.xml b/public_html/de-DE/opds-Community_Services_Infrastructure.xml
index 37e1e54..398888c 100644
--- a/public_html/de-DE/opds-Community_Services_Infrastructure.xml
+++ b/public_html/de-DE/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/de-DE/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:48</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/de-DE/opds-Fedora.xml b/public_html/de-DE/opds-Fedora.xml
index afb11b0..d22ee23 100644
--- a/public_html/de-DE/opds-Fedora.xml
+++ b/public_html/de-DE/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/de-DE/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:49</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/de-DE/opds-Fedora_Contributor_Documentation.xml b/public_html/de-DE/opds-Fedora_Contributor_Documentation.xml
index a55c32a..c340354 100644
--- a/public_html/de-DE/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/de-DE/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/de-DE/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:49</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
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diff --git a/public_html/de-DE/opds-Fedora_Core.xml b/public_html/de-DE/opds-Fedora_Core.xml
index f33c7fb..0b060e3 100644
--- a/public_html/de-DE/opds-Fedora_Core.xml
+++ b/public_html/de-DE/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/de-DE/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:49</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/de-DE/opds-Fedora_Draft_Documentation.xml b/public_html/de-DE/opds-Fedora_Draft_Documentation.xml
index 5be113c..caed021 100644
--- a/public_html/de-DE/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/de-DE/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/de-DE/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:49</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/de-DE/opds.xml b/public_html/de-DE/opds.xml
index 5226eb4..815831a 100644
--- a/public_html/de-DE/opds.xml
+++ b/public_html/de-DE/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/de-DE/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:49</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/de-DE/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:48</updated>
<dc:language>de-DE</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/de-DE/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:49</updated>
<dc:language>de-DE</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/de-DE/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:49</updated>
<dc:language>de-DE</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/de-DE/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:49</updated>
<dc:language>de-DE</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/de-DE/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:49</updated>
<dc:language>de-DE</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/de-DE/toc.html b/public_html/de-DE/toc.html
index c7aabcc..c25ccd9 100644
--- a/public_html/de-DE/toc.html
+++ b/public_html/de-DE/toc.html
@@ -189,7 +189,7 @@
<a class="type" href="./Fedora/15/epub/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-de-DE.epub" >epub</a>
<a class="type" href="./Fedora/15/html/Burning_ISO_images_to_disc/index.html" onclick="window.top.location='./Fedora/15/html/Burning_ISO_images_to_disc/index.html';return false;">html</a>
<a class="type" href="./Fedora/15/html-single/Burning_ISO_images_to_disc/index.html" onclick="window.top.location='./Fedora/15/html-single/Burning_ISO_images_to_disc/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-de-DE.pdf" onclick="window.top.location='./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-de-DE.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-de-DE.pdf" onclick="window.top.location='./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-de-DE.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.15.Fedora_Live_Images' class="book collapsed">
@@ -433,7 +433,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
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@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -832,7 +832,7 @@
<a class="type" href="../en-US/./Fedora/10/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/10/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/10/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/10/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/10/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/10/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/10/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/10/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/10/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.10.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.10.User_Guide.types');">
@@ -933,7 +933,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.SELinux_FAQ' class="book collapsed" onclick="toggle(event, 'Fedora.8.SELinux_FAQ.types');">
@@ -998,7 +998,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -1017,10 +1017,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/el-GR/Site_Statistics.html b/public_html/el-GR/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/el-GR/Site_Statistics.html
+++ b/public_html/el-GR/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/el-GR/opds-Community_Services_Infrastructure.xml b/public_html/el-GR/opds-Community_Services_Infrastructure.xml
index b8654c2..e7ac9c2 100644
--- a/public_html/el-GR/opds-Community_Services_Infrastructure.xml
+++ b/public_html/el-GR/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/el-GR/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:49</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/el-GR/opds-Fedora.xml b/public_html/el-GR/opds-Fedora.xml
index b9a6548..eedd0c2 100644
--- a/public_html/el-GR/opds-Fedora.xml
+++ b/public_html/el-GR/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/el-GR/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:49</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/el-GR/opds-Fedora_Contributor_Documentation.xml b/public_html/el-GR/opds-Fedora_Contributor_Documentation.xml
index 789b461..b669bbe 100644
--- a/public_html/el-GR/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/el-GR/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/el-GR/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:49</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/el-GR/opds-Fedora_Core.xml b/public_html/el-GR/opds-Fedora_Core.xml
index 3a88abe..ee2fe98 100644
--- a/public_html/el-GR/opds-Fedora_Core.xml
+++ b/public_html/el-GR/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/el-GR/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:49</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/el-GR/opds-Fedora_Draft_Documentation.xml b/public_html/el-GR/opds-Fedora_Draft_Documentation.xml
index 548b025..5570a98 100644
--- a/public_html/el-GR/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/el-GR/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/el-GR/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:49</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/el-GR/opds.xml b/public_html/el-GR/opds.xml
index ec89eee..77f2379 100644
--- a/public_html/el-GR/opds.xml
+++ b/public_html/el-GR/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/el-GR/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:49</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/el-GR/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:49</updated>
<dc:language>el-GR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/el-GR/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:49</updated>
<dc:language>el-GR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/el-GR/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:49</updated>
<dc:language>el-GR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/el-GR/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:49</updated>
<dc:language>el-GR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/el-GR/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:49</updated>
<dc:language>el-GR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/el-GR/toc.html b/public_html/el-GR/toc.html
index d558432..584d759 100644
--- a/public_html/el-GR/toc.html
+++ b/public_html/el-GR/toc.html
@@ -415,7 +415,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed" onclick="toggle(event, 'Fedora.13.Burning_ISO_images_to_disc.types');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -963,10 +963,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/en-US/Site_Statistics.html b/public_html/en-US/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/en-US/Site_Statistics.html
+++ b/public_html/en-US/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/en-US/opds-Community_Services_Infrastructure.xml b/public_html/en-US/opds-Community_Services_Infrastructure.xml
index 25d1b7e..8c0aa13 100644
--- a/public_html/en-US/opds-Community_Services_Infrastructure.xml
+++ b/public_html/en-US/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/en-US/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:50</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/en-US/opds-Fedora.xml b/public_html/en-US/opds-Fedora.xml
index 449601d..ab4dfca 100644
--- a/public_html/en-US/opds-Fedora.xml
+++ b/public_html/en-US/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/en-US/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:50</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/en-US/opds-Fedora_Contributor_Documentation.xml b/public_html/en-US/opds-Fedora_Contributor_Documentation.xml
index f0f4312..3030694 100644
--- a/public_html/en-US/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/en-US/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/en-US/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:50</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/en-US/opds-Fedora_Core.xml b/public_html/en-US/opds-Fedora_Core.xml
index 8adab4d..5c681de 100644
--- a/public_html/en-US/opds-Fedora_Core.xml
+++ b/public_html/en-US/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/en-US/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:50</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/en-US/opds-Fedora_Draft_Documentation.xml b/public_html/en-US/opds-Fedora_Draft_Documentation.xml
index 6121106..e02b589 100644
--- a/public_html/en-US/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/en-US/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/en-US/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:50</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/en-US/opds.xml b/public_html/en-US/opds.xml
index 233babd..24a7542 100644
--- a/public_html/en-US/opds.xml
+++ b/public_html/en-US/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/en-US/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:50</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/en-US/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:50</updated>
<dc:language>en-US</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/en-US/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:50</updated>
<dc:language>en-US</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:50</updated>
<dc:language>en-US</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/en-US/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:50</updated>
<dc:language>en-US</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/en-US/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:50</updated>
<dc:language>en-US</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/en-US/toc.html b/public_html/en-US/toc.html
index e2acec9..6724883 100644
--- a/public_html/en-US/toc.html
+++ b/public_html/en-US/toc.html
@@ -392,7 +392,7 @@
<a class="type" href="./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed">
@@ -699,7 +699,7 @@
<a class="type" href="./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed">
@@ -813,7 +813,7 @@
<a class="type" href="./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed">
@@ -886,7 +886,7 @@
<a class="type" href="./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="./Fedora//html/Security_Guide/index.html" onclick="window.top.location='./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -900,10 +900,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed">
<a class="type" href="Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types" onclick="work=0;">
- <a class="type" href="./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed">
diff --git a/public_html/es-ES/Site_Statistics.html b/public_html/es-ES/Site_Statistics.html
index a9dc1d5..e7934e1 100644
--- a/public_html/es-ES/Site_Statistics.html
+++ b/public_html/es-ES/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Idiomas totales: </b>43<br />
- <b>Paquetes totales: </b>737
+ <b>Paquetes totales: </b>738
</div>
</body>
</html>
diff --git a/public_html/es-ES/opds-Community_Services_Infrastructure.xml b/public_html/es-ES/opds-Community_Services_Infrastructure.xml
index 31c69c6..e684977 100644
--- a/public_html/es-ES/opds-Community_Services_Infrastructure.xml
+++ b/public_html/es-ES/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/es-ES/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:50</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/es-ES/opds-Fedora.xml b/public_html/es-ES/opds-Fedora.xml
index ea4f676..95c9ae0 100644
--- a/public_html/es-ES/opds-Fedora.xml
+++ b/public_html/es-ES/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/es-ES/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/es-ES/opds-Fedora_15.xml b/public_html/es-ES/opds-Fedora_15.xml
index 607f4d6..dff37bd 100644
--- a/public_html/es-ES/opds-Fedora_15.xml
+++ b/public_html/es-ES/opds-Fedora_15.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/es-ES/opds-Fedora_15.xml</id>
<title>Fedora 15</title>
<subtitle>Fedora 15</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/es-ES/opds-Fedora_Contributor_Documentation.xml b/public_html/es-ES/opds-Fedora_Contributor_Documentation.xml
index bdc3806..7c5d5f5 100644
--- a/public_html/es-ES/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/es-ES/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/es-ES/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/es-ES/opds-Fedora_Core.xml b/public_html/es-ES/opds-Fedora_Core.xml
index f1cd590..398b5bb 100644
--- a/public_html/es-ES/opds-Fedora_Core.xml
+++ b/public_html/es-ES/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/es-ES/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/es-ES/opds-Fedora_Draft_Documentation.xml b/public_html/es-ES/opds-Fedora_Draft_Documentation.xml
index 146853e..681820a 100644
--- a/public_html/es-ES/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/es-ES/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/es-ES/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/es-ES/opds.xml b/public_html/es-ES/opds.xml
index 6b57841..830f1e5 100644
--- a/public_html/es-ES/opds.xml
+++ b/public_html/es-ES/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/es-ES/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/es-ES/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:50</updated>
<dc:language>es-ES</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/es-ES/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<dc:language>es-ES</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora 15</title>
<id>http://docs.fedoraproject.org/es-ES/Fedora_15/opds-Fedora_15.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<dc:language>es-ES</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_15.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/es-ES/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<dc:language>es-ES</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/es-ES/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<dc:language>es-ES</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -55,7 +55,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/es-ES/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<dc:language>es-ES</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/es-ES/toc.html b/public_html/es-ES/toc.html
index 2e70e75..02a4582 100644
--- a/public_html/es-ES/toc.html
+++ b/public_html/es-ES/toc.html
@@ -189,7 +189,7 @@
<a class="type" href="./Fedora/15/epub/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-es-ES.epub" >epub</a>
<a class="type" href="./Fedora/15/html/Burning_ISO_images_to_disc/index.html" onclick="window.top.location='./Fedora/15/html/Burning_ISO_images_to_disc/index.html';return false;">html</a>
<a class="type" href="./Fedora/15/html-single/Burning_ISO_images_to_disc/index.html" onclick="window.top.location='./Fedora/15/html-single/Burning_ISO_images_to_disc/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-es-ES.pdf" onclick="window.top.location='./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-es-ES.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-es-ES.pdf" onclick="window.top.location='./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-es-ES.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.15.Fedora_Live_Images' class="book collapsed">
@@ -337,7 +337,7 @@
<a class="type" href="./Fedora/14/epub/Software_Management_Guide/Fedora-14-Software_Management_Guide-es-ES.epub" >epub</a>
<a class="type" href="./Fedora/14/html/Software_Management_Guide/index.html" onclick="window.top.location='./Fedora/14/html/Software_Management_Guide/index.html';return false;">html</a>
<a class="type" href="./Fedora/14/html-single/Software_Management_Guide/index.html" onclick="window.top.location='./Fedora/14/html-single/Software_Management_Guide/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora/14/pdf/Software_Management_Guide/Fedora-14-Software_Management_Guide-es-ES.pdf" onclick="window.top.location='./Fedora/14/pdf/Software_Management_Guide/Fedora-14-Software_Management_Guide-es-ES.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora/14/pdf/Software_Management_Guide/Fedora-0.1-Software_Management_Guide-es-ES.pdf" onclick="window.top.location='./Fedora/14/pdf/Software_Management_Guide/Fedora-0.1-Software_Management_Guide-es-ES.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.14.User_Guide' class="book collapsed">
@@ -410,7 +410,7 @@
<a class="type" href="./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-es-ES.epub" >epub</a>
<a class="type" href="./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-es-ES.pdf" onclick="window.top.location='./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-es-ES.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-es-ES.pdf" onclick="window.top.location='./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-es-ES.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed">
@@ -772,7 +772,7 @@
<a class="type" href="./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-es-ES.epub" >epub</a>
<a class="type" href="./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-es-ES.pdf" onclick="window.top.location='./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-es-ES.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-es-ES.pdf" onclick="window.top.location='./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-es-ES.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed">
@@ -1086,7 +1086,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -1122,10 +1122,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/fa-IR/Site_Statistics.html b/public_html/fa-IR/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/fa-IR/Site_Statistics.html
+++ b/public_html/fa-IR/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/fa-IR/opds-Community_Services_Infrastructure.xml b/public_html/fa-IR/opds-Community_Services_Infrastructure.xml
index 5c3344c..f2c6208 100644
--- a/public_html/fa-IR/opds-Community_Services_Infrastructure.xml
+++ b/public_html/fa-IR/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fa-IR/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/fa-IR/opds-Fedora.xml b/public_html/fa-IR/opds-Fedora.xml
index 9bd42a2..114324c 100644
--- a/public_html/fa-IR/opds-Fedora.xml
+++ b/public_html/fa-IR/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fa-IR/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/fa-IR/opds-Fedora_Contributor_Documentation.xml b/public_html/fa-IR/opds-Fedora_Contributor_Documentation.xml
index 671c38a..d8ee322 100644
--- a/public_html/fa-IR/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/fa-IR/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fa-IR/opds-Fedora_Contributor_Documentation.xml</id>
<title>مستندات مشارکت کننده فدورا</title>
<subtitle>مستندات مشارکت کننده فدورا</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
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diff --git a/public_html/fa-IR/opds-Fedora_Core.xml b/public_html/fa-IR/opds-Fedora_Core.xml
index 18ee4ea..7078f03 100644
--- a/public_html/fa-IR/opds-Fedora_Core.xml
+++ b/public_html/fa-IR/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fa-IR/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/fa-IR/opds-Fedora_Draft_Documentation.xml b/public_html/fa-IR/opds-Fedora_Draft_Documentation.xml
index 7b30f65..3c03a43 100644
--- a/public_html/fa-IR/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/fa-IR/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fa-IR/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/fa-IR/opds.xml b/public_html/fa-IR/opds.xml
index ab63c9a..a30c95a 100644
--- a/public_html/fa-IR/opds.xml
+++ b/public_html/fa-IR/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/fa-IR/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/fa-IR/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<dc:language>fa-IR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/fa-IR/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<dc:language>fa-IR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>مستندات مشارکت کننده فدورا</title>
<id>http://docs.fedoraproject.org/fa-IR/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<dc:language>fa-IR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/fa-IR/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<dc:language>fa-IR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/fa-IR/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<dc:language>fa-IR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/fa-IR/toc.html b/public_html/fa-IR/toc.html
index 8951ce3..0dc6bec 100644
--- a/public_html/fa-IR/toc.html
+++ b/public_html/fa-IR/toc.html
@@ -423,7 +423,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed" onclick="toggle(event, 'Fedora.13.Burning_ISO_images_to_disc.types');">
@@ -731,7 +731,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -860,7 +860,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.8.Making_Fedora_Discs.types');">
@@ -943,7 +943,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -970,10 +970,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Users_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Users_Guide.types');">
diff --git a/public_html/fi-FI/Site_Statistics.html b/public_html/fi-FI/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/fi-FI/Site_Statistics.html
+++ b/public_html/fi-FI/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/fi-FI/opds-Community_Services_Infrastructure.xml b/public_html/fi-FI/opds-Community_Services_Infrastructure.xml
index 0e78552..921d120 100644
--- a/public_html/fi-FI/opds-Community_Services_Infrastructure.xml
+++ b/public_html/fi-FI/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fi-FI/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/fi-FI/opds-Fedora.xml b/public_html/fi-FI/opds-Fedora.xml
index 16e590b..91d826e 100644
--- a/public_html/fi-FI/opds-Fedora.xml
+++ b/public_html/fi-FI/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fi-FI/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:52</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/fi-FI/opds-Fedora_Contributor_Documentation.xml b/public_html/fi-FI/opds-Fedora_Contributor_Documentation.xml
index ac0b5b1..93b32d1 100644
--- a/public_html/fi-FI/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/fi-FI/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fi-FI/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:52</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/fi-FI/opds-Fedora_Core.xml b/public_html/fi-FI/opds-Fedora_Core.xml
index d56d7c9..ddfcf79 100644
--- a/public_html/fi-FI/opds-Fedora_Core.xml
+++ b/public_html/fi-FI/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fi-FI/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:52</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/fi-FI/opds-Fedora_Draft_Documentation.xml b/public_html/fi-FI/opds-Fedora_Draft_Documentation.xml
index e5b6403..2bdd319 100644
--- a/public_html/fi-FI/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/fi-FI/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fi-FI/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:52</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/fi-FI/opds.xml b/public_html/fi-FI/opds.xml
index f59a97d..9c45a0e 100644
--- a/public_html/fi-FI/opds.xml
+++ b/public_html/fi-FI/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/fi-FI/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:52</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/fi-FI/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<dc:language>fi-FI</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/fi-FI/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:52</updated>
<dc:language>fi-FI</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/fi-FI/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:52</updated>
<dc:language>fi-FI</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/fi-FI/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:52</updated>
<dc:language>fi-FI</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/fi-FI/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:52</updated>
<dc:language>fi-FI</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/fi-FI/toc.html b/public_html/fi-FI/toc.html
index 62ae5d0..44c78ed 100644
--- a/public_html/fi-FI/toc.html
+++ b/public_html/fi-FI/toc.html
@@ -189,7 +189,7 @@
<a class="type" href="./Fedora/15/epub/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-fi-FI.epub" >epub</a>
<a class="type" href="./Fedora/15/html/Burning_ISO_images_to_disc/index.html" onclick="window.top.location='./Fedora/15/html/Burning_ISO_images_to_disc/index.html';return false;">html</a>
<a class="type" href="./Fedora/15/html-single/Burning_ISO_images_to_disc/index.html" onclick="window.top.location='./Fedora/15/html-single/Burning_ISO_images_to_disc/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-fi-FI.pdf" onclick="window.top.location='./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-fi-FI.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-fi-FI.pdf" onclick="window.top.location='./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-fi-FI.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.15.Fedora_Live_Images' class="book collapsed">
@@ -433,7 +433,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Installation_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.13.Installation_Guide.types');">
@@ -557,7 +557,7 @@
<a class="type" href="./Fedora/12/epub/Fedora_Live_images/Fedora-12-Fedora_Live_images-fi-FI.epub" >epub</a>
<a class="type" href="./Fedora/12/html/Fedora_Live_images/index.html" onclick="window.top.location='./Fedora/12/html/Fedora_Live_images/index.html';return false;">html</a>
<a class="type" href="./Fedora/12/html-single/Fedora_Live_images/index.html" onclick="window.top.location='./Fedora/12/html-single/Fedora_Live_images/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora/12/pdf/Fedora_Live_images/Fedora-12-Fedora_Live_images-fi-FI.pdf" onclick="window.top.location='./Fedora/12/pdf/Fedora_Live_images/Fedora-12-Fedora_Live_images-fi-FI.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora/12/pdf/Fedora_Live_images/Fedora-13-Fedora_Live_Images-fi-FI.pdf" onclick="window.top.location='./Fedora/12/pdf/Fedora_Live_images/Fedora-13-Fedora_Live_Images-fi-FI.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.12' class="version collapsed untranslated" onclick="toggle(event, 'Fedora.12.untrans_books');">
@@ -684,7 +684,7 @@
<a class="type" href="./Fedora/11/epub/Fedora_Live_images/Fedora-11-Fedora_Live_images-fi-FI.epub" >epub</a>
<a class="type" href="./Fedora/11/html/Fedora_Live_images/index.html" onclick="window.top.location='./Fedora/11/html/Fedora_Live_images/index.html';return false;">html</a>
<a class="type" href="./Fedora/11/html-single/Fedora_Live_images/index.html" onclick="window.top.location='./Fedora/11/html-single/Fedora_Live_images/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora/11/pdf/Fedora_Live_images/Fedora-12-Fedora_Live_images-fi-FI.pdf" onclick="window.top.location='./Fedora/11/pdf/Fedora_Live_images/Fedora-12-Fedora_Live_images-fi-FI.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora/11/pdf/Fedora_Live_images/Fedora-13-Fedora_Live_Images-fi-FI.pdf" onclick="window.top.location='./Fedora/11/pdf/Fedora_Live_images/Fedora-13-Fedora_Live_Images-fi-FI.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11' class="version collapsed untranslated" onclick="toggle(event, 'Fedora.11.untrans_books');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -757,7 +757,7 @@
<a class="type" href="./Fedora/10/epub/Fedora_Live_Images/Fedora-10-Fedora_Live_Images-fi-FI.epub" >epub</a>
<a class="type" href="./Fedora/10/html/Fedora_Live_Images/index.html" onclick="window.top.location='./Fedora/10/html/Fedora_Live_Images/index.html';return false;">html</a>
<a class="type" href="./Fedora/10/html-single/Fedora_Live_Images/index.html" onclick="window.top.location='./Fedora/10/html-single/Fedora_Live_Images/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora/10/pdf/Fedora_Live_Images/Fedora-12-Fedora_Live_images-fi-FI.pdf" onclick="window.top.location='./Fedora/10/pdf/Fedora_Live_Images/Fedora-12-Fedora_Live_images-fi-FI.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora/10/pdf/Fedora_Live_Images/Fedora-13-Fedora_Live_Images-fi-FI.pdf" onclick="window.top.location='./Fedora/10/pdf/Fedora_Live_Images/Fedora-13-Fedora_Live_Images-fi-FI.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.10.Making_Fedora_Discs' class="book collapsed">
@@ -879,7 +879,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.SELinux_FAQ' class="book collapsed" onclick="toggle(event, 'Fedora.8.SELinux_FAQ.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -963,10 +963,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/fr-FR/Site_Statistics.html b/public_html/fr-FR/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/fr-FR/Site_Statistics.html
+++ b/public_html/fr-FR/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/fr-FR/opds-Community_Services_Infrastructure.xml b/public_html/fr-FR/opds-Community_Services_Infrastructure.xml
index 849eb36..5f7e317 100644
--- a/public_html/fr-FR/opds-Community_Services_Infrastructure.xml
+++ b/public_html/fr-FR/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fr-FR/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:52</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/fr-FR/opds-Fedora.xml b/public_html/fr-FR/opds-Fedora.xml
index e047224..b3cf1d0 100644
--- a/public_html/fr-FR/opds-Fedora.xml
+++ b/public_html/fr-FR/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fr-FR/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:53</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/fr-FR/opds-Fedora_Contributor_Documentation.xml b/public_html/fr-FR/opds-Fedora_Contributor_Documentation.xml
index 094ae73..2e8f7b1 100644
--- a/public_html/fr-FR/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/fr-FR/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fr-FR/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:53</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/fr-FR/opds-Fedora_Core.xml b/public_html/fr-FR/opds-Fedora_Core.xml
index c13ea5d..e2da572 100644
--- a/public_html/fr-FR/opds-Fedora_Core.xml
+++ b/public_html/fr-FR/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fr-FR/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:53</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/fr-FR/opds-Fedora_Draft_Documentation.xml b/public_html/fr-FR/opds-Fedora_Draft_Documentation.xml
index c4feeac..c2b32b5 100644
--- a/public_html/fr-FR/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/fr-FR/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/fr-FR/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:53</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/fr-FR/opds.xml b/public_html/fr-FR/opds.xml
index c6fec43..0448a05 100644
--- a/public_html/fr-FR/opds.xml
+++ b/public_html/fr-FR/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/fr-FR/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:53</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/fr-FR/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:52</updated>
<dc:language>fr-FR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/fr-FR/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:53</updated>
<dc:language>fr-FR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/fr-FR/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:53</updated>
<dc:language>fr-FR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/fr-FR/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:53</updated>
<dc:language>fr-FR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/fr-FR/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:53</updated>
<dc:language>fr-FR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/fr-FR/toc.html b/public_html/fr-FR/toc.html
index 8fef75b..615e160 100644
--- a/public_html/fr-FR/toc.html
+++ b/public_html/fr-FR/toc.html
@@ -189,7 +189,7 @@
<a class="type" href="./Fedora/15/epub/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-fr-FR.epub" >epub</a>
<a class="type" href="./Fedora/15/html/Burning_ISO_images_to_disc/index.html" onclick="window.top.location='./Fedora/15/html/Burning_ISO_images_to_disc/index.html';return false;">html</a>
<a class="type" href="./Fedora/15/html-single/Burning_ISO_images_to_disc/index.html" onclick="window.top.location='./Fedora/15/html-single/Burning_ISO_images_to_disc/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-fr-FR.pdf" onclick="window.top.location='./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-fr-FR.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-fr-FR.pdf" onclick="window.top.location='./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-fr-FR.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.15.Fedora_Live_Images' class="book collapsed">
@@ -458,7 +458,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Installation_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.13.Installation_Guide.types');">
@@ -730,7 +730,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -859,7 +859,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.8.Making_Fedora_Discs.types');">
@@ -942,7 +942,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -961,10 +961,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/gu-IN/Site_Statistics.html b/public_html/gu-IN/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/gu-IN/Site_Statistics.html
+++ b/public_html/gu-IN/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/gu-IN/opds-Community_Services_Infrastructure.xml b/public_html/gu-IN/opds-Community_Services_Infrastructure.xml
index ac332d3..74063d5 100644
--- a/public_html/gu-IN/opds-Community_Services_Infrastructure.xml
+++ b/public_html/gu-IN/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/gu-IN/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:53</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/gu-IN/opds-Fedora.xml b/public_html/gu-IN/opds-Fedora.xml
index 733b29a..2ef963e 100644
--- a/public_html/gu-IN/opds-Fedora.xml
+++ b/public_html/gu-IN/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/gu-IN/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:54</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/gu-IN/opds-Fedora_Contributor_Documentation.xml b/public_html/gu-IN/opds-Fedora_Contributor_Documentation.xml
index c94eac3..cce0648 100644
--- a/public_html/gu-IN/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/gu-IN/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/gu-IN/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:54</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/gu-IN/opds-Fedora_Core.xml b/public_html/gu-IN/opds-Fedora_Core.xml
index 8a4bb79..3507672 100644
--- a/public_html/gu-IN/opds-Fedora_Core.xml
+++ b/public_html/gu-IN/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/gu-IN/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:54</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/gu-IN/opds-Fedora_Draft_Documentation.xml b/public_html/gu-IN/opds-Fedora_Draft_Documentation.xml
index d244d6c..dca314d 100644
--- a/public_html/gu-IN/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/gu-IN/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/gu-IN/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:54</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/gu-IN/opds.xml b/public_html/gu-IN/opds.xml
index 1b7f107..24f04db 100644
--- a/public_html/gu-IN/opds.xml
+++ b/public_html/gu-IN/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/gu-IN/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:54</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/gu-IN/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:53</updated>
<dc:language>gu-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/gu-IN/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:54</updated>
<dc:language>gu-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/gu-IN/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:54</updated>
<dc:language>gu-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/gu-IN/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:54</updated>
<dc:language>gu-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/gu-IN/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:54</updated>
<dc:language>gu-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/gu-IN/toc.html b/public_html/gu-IN/toc.html
index 62a77b2..c4ac215 100644
--- a/public_html/gu-IN/toc.html
+++ b/public_html/gu-IN/toc.html
@@ -415,7 +415,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed" onclick="toggle(event, 'Fedora.13.Burning_ISO_images_to_disc.types');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -861,7 +861,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
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@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -963,10 +963,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/he-IL/Site_Statistics.html b/public_html/he-IL/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/he-IL/Site_Statistics.html
+++ b/public_html/he-IL/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/he-IL/opds-Community_Services_Infrastructure.xml b/public_html/he-IL/opds-Community_Services_Infrastructure.xml
index db50c4c..87c05aa 100644
--- a/public_html/he-IL/opds-Community_Services_Infrastructure.xml
+++ b/public_html/he-IL/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/he-IL/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:54</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/he-IL/opds-Fedora.xml b/public_html/he-IL/opds-Fedora.xml
index acb69e6..751c5e3 100644
--- a/public_html/he-IL/opds-Fedora.xml
+++ b/public_html/he-IL/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/he-IL/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:54</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/he-IL/opds-Fedora_Contributor_Documentation.xml b/public_html/he-IL/opds-Fedora_Contributor_Documentation.xml
index 559b459..dd85e82 100644
--- a/public_html/he-IL/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/he-IL/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/he-IL/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:54</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
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diff --git a/public_html/he-IL/opds-Fedora_Core.xml b/public_html/he-IL/opds-Fedora_Core.xml
index fa6e1cd..ec7db86 100644
--- a/public_html/he-IL/opds-Fedora_Core.xml
+++ b/public_html/he-IL/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/he-IL/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:54</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/he-IL/opds-Fedora_Draft_Documentation.xml b/public_html/he-IL/opds-Fedora_Draft_Documentation.xml
index af3b697..5c15f4b 100644
--- a/public_html/he-IL/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/he-IL/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/he-IL/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:54</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/he-IL/opds.xml b/public_html/he-IL/opds.xml
index 1dfd732..bde100f 100644
--- a/public_html/he-IL/opds.xml
+++ b/public_html/he-IL/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/he-IL/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:54</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/he-IL/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:54</updated>
<dc:language>he-IL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/he-IL/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:54</updated>
<dc:language>he-IL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/he-IL/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:54</updated>
<dc:language>he-IL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/he-IL/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:54</updated>
<dc:language>he-IL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/he-IL/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:54</updated>
<dc:language>he-IL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/he-IL/toc.html b/public_html/he-IL/toc.html
index 52acc97..5ea4179 100644
--- a/public_html/he-IL/toc.html
+++ b/public_html/he-IL/toc.html
@@ -424,7 +424,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed" onclick="toggle(event, 'Fedora.13.Burning_ISO_images_to_disc.types');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -861,7 +861,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.8.Making_Fedora_Discs.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -963,10 +963,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/hi-IN/Site_Statistics.html b/public_html/hi-IN/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/hi-IN/Site_Statistics.html
+++ b/public_html/hi-IN/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/hi-IN/opds-Community_Services_Infrastructure.xml b/public_html/hi-IN/opds-Community_Services_Infrastructure.xml
index baa962c..a3b1379 100644
--- a/public_html/hi-IN/opds-Community_Services_Infrastructure.xml
+++ b/public_html/hi-IN/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/hi-IN/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:54</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/hi-IN/opds-Fedora.xml b/public_html/hi-IN/opds-Fedora.xml
index 3979743..b65fbe3 100644
--- a/public_html/hi-IN/opds-Fedora.xml
+++ b/public_html/hi-IN/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/hi-IN/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:55</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/hi-IN/opds-Fedora_Contributor_Documentation.xml b/public_html/hi-IN/opds-Fedora_Contributor_Documentation.xml
index 72fff01..8a2e99d 100644
--- a/public_html/hi-IN/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/hi-IN/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/hi-IN/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:55</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/hi-IN/opds-Fedora_Core.xml b/public_html/hi-IN/opds-Fedora_Core.xml
index c0de806..7600edc 100644
--- a/public_html/hi-IN/opds-Fedora_Core.xml
+++ b/public_html/hi-IN/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/hi-IN/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:55</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/hi-IN/opds-Fedora_Draft_Documentation.xml b/public_html/hi-IN/opds-Fedora_Draft_Documentation.xml
index 900746c..6f9ffd2 100644
--- a/public_html/hi-IN/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/hi-IN/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/hi-IN/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:55</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/hi-IN/opds.xml b/public_html/hi-IN/opds.xml
index c31da6e..99f2984 100644
--- a/public_html/hi-IN/opds.xml
+++ b/public_html/hi-IN/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/hi-IN/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:55</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/hi-IN/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:54</updated>
<dc:language>hi-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/hi-IN/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:55</updated>
<dc:language>hi-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/hi-IN/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:55</updated>
<dc:language>hi-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/hi-IN/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:55</updated>
<dc:language>hi-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/hi-IN/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:55</updated>
<dc:language>hi-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/hi-IN/toc.html b/public_html/hi-IN/toc.html
index fa737f6..2a4de53 100644
--- a/public_html/hi-IN/toc.html
+++ b/public_html/hi-IN/toc.html
@@ -415,7 +415,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed" onclick="toggle(event, 'Fedora.13.Burning_ISO_images_to_disc.types');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -861,7 +861,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.8.Making_Fedora_Discs.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -963,10 +963,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/hu-HU/Site_Statistics.html b/public_html/hu-HU/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/hu-HU/Site_Statistics.html
+++ b/public_html/hu-HU/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/hu-HU/opds-Community_Services_Infrastructure.xml b/public_html/hu-HU/opds-Community_Services_Infrastructure.xml
index e34961e..702ead5 100644
--- a/public_html/hu-HU/opds-Community_Services_Infrastructure.xml
+++ b/public_html/hu-HU/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/hu-HU/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:55</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/hu-HU/opds-Fedora.xml b/public_html/hu-HU/opds-Fedora.xml
index a6a9222..452947d 100644
--- a/public_html/hu-HU/opds-Fedora.xml
+++ b/public_html/hu-HU/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/hu-HU/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:55</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/hu-HU/opds-Fedora_Contributor_Documentation.xml b/public_html/hu-HU/opds-Fedora_Contributor_Documentation.xml
index 55e9044..274f722 100644
--- a/public_html/hu-HU/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/hu-HU/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/hu-HU/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:55</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/hu-HU/opds-Fedora_Core.xml b/public_html/hu-HU/opds-Fedora_Core.xml
index a316b56..74618ad 100644
--- a/public_html/hu-HU/opds-Fedora_Core.xml
+++ b/public_html/hu-HU/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/hu-HU/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:55</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/hu-HU/opds-Fedora_Draft_Documentation.xml b/public_html/hu-HU/opds-Fedora_Draft_Documentation.xml
index 1afab2a..ed6177d 100644
--- a/public_html/hu-HU/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/hu-HU/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/hu-HU/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:55</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/hu-HU/opds.xml b/public_html/hu-HU/opds.xml
index 1be8e2e..431e2d8 100644
--- a/public_html/hu-HU/opds.xml
+++ b/public_html/hu-HU/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/hu-HU/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:55</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/hu-HU/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:55</updated>
<dc:language>hu-HU</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/hu-HU/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:55</updated>
<dc:language>hu-HU</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/hu-HU/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:55</updated>
<dc:language>hu-HU</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/hu-HU/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:55</updated>
<dc:language>hu-HU</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/hu-HU/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:55</updated>
<dc:language>hu-HU</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/hu-HU/toc.html b/public_html/hu-HU/toc.html
index f0d5d4e..752acd4 100644
--- a/public_html/hu-HU/toc.html
+++ b/public_html/hu-HU/toc.html
@@ -415,7 +415,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed" onclick="toggle(event, 'Fedora.13.Burning_ISO_images_to_disc.types');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -861,7 +861,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.8.Making_Fedora_Discs.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -963,10 +963,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/id-ID/Site_Statistics.html b/public_html/id-ID/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/id-ID/Site_Statistics.html
+++ b/public_html/id-ID/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/id-ID/opds-Community_Services_Infrastructure.xml b/public_html/id-ID/opds-Community_Services_Infrastructure.xml
index 705f282..1744c4e 100644
--- a/public_html/id-ID/opds-Community_Services_Infrastructure.xml
+++ b/public_html/id-ID/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/id-ID/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:55</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/id-ID/opds-Fedora.xml b/public_html/id-ID/opds-Fedora.xml
index bbae727..d88db3d 100644
--- a/public_html/id-ID/opds-Fedora.xml
+++ b/public_html/id-ID/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/id-ID/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:56</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/id-ID/opds-Fedora_Contributor_Documentation.xml b/public_html/id-ID/opds-Fedora_Contributor_Documentation.xml
index 9da13ef..7126a2b 100644
--- a/public_html/id-ID/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/id-ID/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/id-ID/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:56</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/id-ID/opds-Fedora_Core.xml b/public_html/id-ID/opds-Fedora_Core.xml
index 3433f75..ec2e02f 100644
--- a/public_html/id-ID/opds-Fedora_Core.xml
+++ b/public_html/id-ID/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/id-ID/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:56</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/id-ID/opds-Fedora_Draft_Documentation.xml b/public_html/id-ID/opds-Fedora_Draft_Documentation.xml
index af1b3e6..f669181 100644
--- a/public_html/id-ID/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/id-ID/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/id-ID/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:56</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/id-ID/opds.xml b/public_html/id-ID/opds.xml
index 4b9af27..45037c3 100644
--- a/public_html/id-ID/opds.xml
+++ b/public_html/id-ID/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/id-ID/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:56</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/id-ID/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:55</updated>
<dc:language>id-ID</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/id-ID/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:56</updated>
<dc:language>id-ID</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/id-ID/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:56</updated>
<dc:language>id-ID</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/id-ID/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:56</updated>
<dc:language>id-ID</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/id-ID/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:56</updated>
<dc:language>id-ID</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/id-ID/toc.html b/public_html/id-ID/toc.html
index 1f99b72..8a261e6 100644
--- a/public_html/id-ID/toc.html
+++ b/public_html/id-ID/toc.html
@@ -424,7 +424,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Fedora_Live_Images' class="book collapsed" onclick="toggle(event, 'Fedora.13.Fedora_Live_Images.types');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -861,7 +861,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
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</div>
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<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
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<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
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diff --git a/public_html/it-IT/Site_Statistics.html b/public_html/it-IT/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/it-IT/Site_Statistics.html
+++ b/public_html/it-IT/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/it-IT/opds-Community_Services_Infrastructure.xml b/public_html/it-IT/opds-Community_Services_Infrastructure.xml
index 01a0f14..570f7d0 100644
--- a/public_html/it-IT/opds-Community_Services_Infrastructure.xml
+++ b/public_html/it-IT/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/it-IT/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:56</updated>
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<name></name>
<uri></uri>
diff --git a/public_html/it-IT/opds-Fedora.xml b/public_html/it-IT/opds-Fedora.xml
index a528a3d..ca98045 100644
--- a/public_html/it-IT/opds-Fedora.xml
+++ b/public_html/it-IT/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/it-IT/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:57</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/it-IT/opds-Fedora_Contributor_Documentation.xml b/public_html/it-IT/opds-Fedora_Contributor_Documentation.xml
index a2e5145..78a9458 100644
--- a/public_html/it-IT/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/it-IT/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/it-IT/opds-Fedora_Contributor_Documentation.xml</id>
<title>Documentazione Collaboratori Fedora</title>
<subtitle>Documentazione Collaboratori Fedora</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:57</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
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diff --git a/public_html/it-IT/opds-Fedora_Core.xml b/public_html/it-IT/opds-Fedora_Core.xml
index 66171e3..cc69682 100644
--- a/public_html/it-IT/opds-Fedora_Core.xml
+++ b/public_html/it-IT/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/it-IT/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:57</updated>
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<name></name>
<uri></uri>
diff --git a/public_html/it-IT/opds-Fedora_Draft_Documentation.xml b/public_html/it-IT/opds-Fedora_Draft_Documentation.xml
index 34f6a3f..00ec5cc 100644
--- a/public_html/it-IT/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/it-IT/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/it-IT/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:57</updated>
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<name></name>
<uri></uri>
diff --git a/public_html/it-IT/opds.xml b/public_html/it-IT/opds.xml
index d149963..2858018 100644
--- a/public_html/it-IT/opds.xml
+++ b/public_html/it-IT/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/it-IT/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:57</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/it-IT/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:56</updated>
<dc:language>it-IT</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/it-IT/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:57</updated>
<dc:language>it-IT</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Documentazione Collaboratori Fedora</title>
<id>http://docs.fedoraproject.org/it-IT/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:57</updated>
<dc:language>it-IT</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/it-IT/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:57</updated>
<dc:language>it-IT</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/it-IT/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:57</updated>
<dc:language>it-IT</dc:language>
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<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/it-IT/toc.html b/public_html/it-IT/toc.html
index 031f84d..dc2481d 100644
--- a/public_html/it-IT/toc.html
+++ b/public_html/it-IT/toc.html
@@ -189,7 +189,7 @@
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<a class="type" href="./Fedora/15/html/Burning_ISO_images_to_disc/index.html" onclick="window.top.location='./Fedora/15/html/Burning_ISO_images_to_disc/index.html';return false;">html</a>
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+ <a class="type" href="./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-it-IT.pdf" onclick="window.top.location='./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-it-IT.pdf';return false;">pdf</a>
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@@ -730,7 +730,7 @@
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<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
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+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
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<a class="type" href="../en-US/./Fedora/10/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/10/html/Security_Guide/index.html';return false;">html</a>
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+ <a class="type" href="../en-US/./Fedora/10/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/10/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
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<a class="type" href="../en-US/./Fedora/9/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/9/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/9/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/9/html-single/Security_Guide/index.html';return false;">html-single</a>
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+ <a class="type" href="../en-US/./Fedora/9/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/9/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
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@@ -1039,7 +1039,7 @@
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<a class="type" href="../en-US/./Fedora/8/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Security_Guide/index.html';return false;">html-single</a>
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+ <a class="type" href="../en-US/./Fedora/8/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
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<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
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+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
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<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
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+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
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+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
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+sup {
+ color:#999;
+ margin:0em;
+ padding:0em;
+ line-height: .4em;
+ font-size: 1em;
+ padding-left:0em;
+}
+
+.footnote {
+ position:relative;
+}
+
+.footnote sup {
+ color:#e3dcc0;
+ position:absolute;
+ left: .4em;
+}
+
+.footnote sup a:link,
+.footnote sup a:visited {
+ color:#92917d;
+ text-decoration:none;
+}
+
+.footnote:hover sup a {
+ text-decoration:none;
+}
+
+.footnote p,.footnote div.para {
+ padding-left:2em;
+}
+
+.footnote a:link,
+.footnote a:visited {
+ color:#00537c;
+}
+
+.footnote a:hover {
+}
+
+/**/
+div.chapter {
+ margin-top:3em;
+ page-break-inside: avoid;
+}
+
+div.preface {
+ page-break-inside: avoid;
+}
+
+div.section {
+ margin-top:1em;
+ page-break-inside: auto;
+}
+
+div.note .replaceable,
+div.important .replaceable,
+div.warning .replaceable,
+div.note .keycap,
+div.important .keycap,
+div.warning .keycap
+{
+}
+
+ul li p:last-child, ul li div.para:last-child {
+ margin-bottom:0em;
+ padding-bottom:0em;
+}
+
+/*document navigation*/
+.docnav a, .docnav strong {
+ border:none;
+ text-decoration:none;
+ font-weight:normal;
+}
+
+.docnav {
+ list-style:none;
+ margin:0em;
+ padding:0em;
+ position:relative;
+ width:100%;
+ padding-bottom:2em;
+ padding-top:1em;
+ border-top:1px dotted #ccc;
+}
+
+.docnav li {
+ list-style:none;
+ margin:0em;
+ padding:0em;
+ display:inline;
+ font-size:.8em;
+}
+
+.docnav li:before {
+ content:" ";
+}
+
+.docnav li.previous, .docnav li.next {
+ position:absolute;
+ top:1em;
+}
+
+.docnav li.up, .docnav li.home {
+ margin:0em 1.5em;
+}
+
+.docnav li.previous {
+ left:0px;
+ text-align:left;
+}
+
+.docnav li.next {
+ right:0px;
+ text-align:right;
+}
+
+.docnav li.previous strong, .docnav li.next strong {
+ height:22px;
+ display:block;
+}
+
+.docnav {
+ margin:0 auto;
+ text-align:center;
+}
+
+.docnav li.next a strong {
+ background: url(../images/stock-go-forward.png) top right no-repeat;
+ padding-top:3px;
+ padding-bottom:4px;
+ padding-right:28px;
+ font-size:1.2em;
+}
+
+.docnav li.previous a strong {
+ background: url(../images/stock-go-back.png) top left no-repeat;
+ padding-top:3px;
+ padding-bottom:4px;
+ padding-left:28px;
+ padding-right:0.5em;
+ font-size:1.2em;
+}
+
+.docnav li.home a strong {
+ background: url(../images/stock-home.png) top left no-repeat;
+ padding:5px;
+ padding-left:28px;
+ font-size:1.2em;
+}
+
+.docnav li.up a strong {
+ background: url(../images/stock-go-up.png) top left no-repeat;
+ padding:5px;
+ padding-left:28px;
+ font-size:1.2em;
+}
+
+.docnav a:link, .docnav a:visited {
+ color:#666;
+}
+
+.docnav a:hover, .docnav a:focus, .docnav a:active {
+ color:black;
+}
+
+.docnav a {
+ max-width: 10em;
+ overflow:hidden;
+}
+
+.docnav a:link strong {
+ text-decoration:none;
+}
+
+.docnav {
+ margin:0 auto;
+ text-align:center;
+}
+
+ul.docnav {
+ margin-bottom: 1em;
+}
+/* Reports */
+.reports ul {
+ list-style:none;
+ margin:0em;
+ padding:0em;
+}
+
+.reports li{
+ margin:0em;
+ padding:0em;
+}
+
+.reports li.odd {
+ background-color: #eeeeee;
+ margin:0em;
+ padding:0em;
+}
+
+.reports dl {
+ display:inline;
+ margin:0em;
+ padding:0em;
+ float:right;
+ margin-right: 17em;
+ margin-top:-1.3em;
+}
+
+.reports dt {
+ display:inline;
+ margin:0em;
+ padding:0em;
+}
+
+.reports dd {
+ display:inline;
+ margin:0em;
+ padding:0em;
+ padding-right:.5em;
+}
+
+.reports h2, .reports h3{
+ display:inline;
+ padding-right:.5em;
+ font-size:10pt;
+ font-weight:normal;
+}
+
+.reports div.progress {
+ display:inline;
+ float:right;
+ width:16em;
+ background:#c00 url(../images/shine.png) top left repeat-x;
+ margin:0em;
+ margin-top:-1.3em;
+ padding:0em;
+ border:none;
+}
+
+/*uniform*/
+body.results, body.reports {
+ max-width:57em ;
+ padding:0em;
+}
+
+/*Progress Bar*/
+div.progress {
+ display:block;
+ float:left;
+ width:16em;
+ background:#c00 url(../images/shine.png) top left repeat-x;
+ height:1em;
+}
+
+div.progress span {
+ height:1em;
+ float:left;
+}
+
+div.progress span.translated {
+ background:#6c3 url(../images/shine.png) top left repeat-x;
+}
+
+div.progress span.fuzzy {
+ background:#ff9f00 url(../images/shine.png) top left repeat-x;
+}
+
+
+/*Results*/
+
+.results ul {
+ list-style:none;
+ margin:0em;
+ padding:0em;
+}
+
+.results li{
+ margin:0em;
+ padding:0em;
+}
+
+.results li.odd {
+ background-color: #eeeeee;
+ margin:0em;
+ padding:0em;
+}
+
+.results dl {
+ display:inline;
+ margin:0em;
+ padding:0em;
+ float:right;
+ margin-right: 17em;
+ margin-top:-1.3em;
+}
+
+.results dt {
+ display:inline;
+ margin:0em;
+ padding:0em;
+}
+
+.results dd {
+ display:inline;
+ margin:0em;
+ padding:0em;
+ padding-right:.5em;
+}
+
+.results h2, .results h3 {
+ display:inline;
+ padding-right:.5em;
+ font-size:10pt;
+ font-weight:normal;
+}
+
+.results div.progress {
+ display:inline;
+ float:right;
+ width:16em;
+ background:#c00 url(../images/shine.png) top left repeat-x;
+ margin:0em;
+ margin-top:-1.3em;
+ padding:0em;
+ border:none;
+}
+
+/* Dirty EVIL Mozilla hack for round corners */
+pre {
+ -moz-border-radius:11px;
+ -webkit-border-radius:11px;
+ border-radius: 11px;
+ page-break-inside: avoid;
+}
+
+.example {
+ -moz-border-radius:0px;
+ -webkit-border-radius:0px;
+ border-radius: 0px;
+ page-break-inside: avoid;
+}
+
+.package, .citetitle {
+ font-style: italic;
+}
+
+.titlepage .edition {
+ color: #336699;
+ background-color: transparent;
+ margin-top: 1em;
+ margin-bottom: 1em;
+ font-size: 1.4em;
+ font-weight: bold;
+ text-align: center;
+}
+
+span.remark {
+ background-color: #ff00ff;
+}
+
+.draft {
+ background-image: url(../images/watermark-draft.png);
+ background-repeat: repeat-y;
+ background-position: center;
+}
+
+.foreignphrase {
+ font-style: inherit;
+}
+
+dt {
+ clear:both;
+}
+
+dt img {
+ border-style: none;
+ max-width: 112px;
+}
+
+dt object {
+ max-width: 112px;
+}
+
+dt .inlinemediaobject, dt object {
+ display: inline;
+ float: left;
+ margin-bottom: 1em;
+ padding-right: 1em;
+ width: 112px;
+}
+
+dl:after {
+ display: block;
+ clear: both;
+ content: "";
+}
+
+.toc dd {
+ padding-bottom: 0em;
+ margin-bottom: 1em;
+ padding-left: 1.3em;
+ margin-left: 0em;
+}
+
+div.toc > dl > dt {
+ padding-bottom: 0em;
+ margin-bottom: 0em;
+ margin-top: 1em;
+}
+
+
+.strikethrough {
+ text-decoration: line-through;
+}
+
+.underline {
+ text-decoration: underline;
+}
+
+.calloutlist img, .callout {
+ padding: 0em;
+ margin: 0em;
+ width: 12pt;
+ display: inline;
+ vertical-align: middle;
+}
+
+.stepalternatives {
+ list-style-image: none;
+ list-style-type: none;
+}
+
+
diff --git a/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/css/default.css b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/css/default.css
new file mode 100644
index 0000000..bf38ebb
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/css/default.css
@@ -0,0 +1,3 @@
+ at import url("common.css");
+ at import url("overrides.css");
+ at import url("lang.css");
diff --git a/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/css/lang.css b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/css/lang.css
new file mode 100644
index 0000000..81c3115
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/css/lang.css
@@ -0,0 +1,2 @@
+/* place holder */
+
diff --git a/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/css/overrides.css b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/css/overrides.css
new file mode 100644
index 0000000..057be29
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/css/overrides.css
@@ -0,0 +1,51 @@
+a:link {
+ color:#0066cc;
+}
+
+a:hover, a:active {
+ color:#003366;
+}
+
+a:visited {
+ color:#6699cc;
+}
+
+
+h1 {
+ color:#3c6eb4
+}
+
+.producttitle {
+ background: #3c6eb4 url(../images/h1-bg.png) top left repeat;
+}
+
+.section h1.title {
+ color:#3c6eb4;
+}
+
+
+h2,h3,h4,h5,h6 {
+ color:#3c6eb4;
+}
+
+table {
+ border:1px solid #3c6eb4;
+}
+
+table th {
+ background-color:#3c6eb4;
+}
+
+
+table tr.even td {
+ background-color:#f5f5f5;
+}
+
+.revhistory table th {
+ color:#3c6eb4;
+}
+
+.titlepage .edition {
+ color: #3c6eb4;
+}
+
diff --git a/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/css/print.css b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/css/print.css
new file mode 100644
index 0000000..773d8ae
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/css/print.css
@@ -0,0 +1,16 @@
+ at import url("common.css");
+ at import url("overrides.css");
+ at import url("lang.css");
+
+#tocframe {
+ display: none;
+}
+
+body.toc_embeded {
+ margin-left: 30px;
+}
+
+.producttitle {
+ color: #336699;
+}
+
diff --git a/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/images/1.png b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/images/1.png
new file mode 100644
index 0000000..c21d7a3
Binary files /dev/null and b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/images/1.png differ
diff --git a/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/images/1.svg b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/images/1.svg
new file mode 100644
index 0000000..a2b3903
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/images/1.svg
@@ -0,0 +1,27 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!-- Created with Inkscape (http://www.inkscape.org/) -->
+
+<svg
+ xmlns:svg="http://www.w3.org/2000/svg"
+ xmlns="http://www.w3.org/2000/svg"
+ version="1.0"
+ width="32"
+ height="32"
+ id="svg2">
+ <defs
+ id="defs15" />
+ <circle
+ cx="16"
+ cy="16"
+ r="14"
+ id="circle"
+ style="fill:#3c6eb4" />
+ <g
+ id="text2820"
+ style="font-size:10px;font-style:normal;font-variant:normal;font-weight:normal;font-stretch:normal;fill:#000000;fill-opacity:1;stroke:none;font-family:Droid Sans;-inkscape-font-specification:Droid Sans">
+ <path
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+ id="path2818"
+ style="font-size:17px;font-weight:bold;fill:#ffffff;-inkscape-font-specification:Bitstream Vera Sans Bold" />
+ </g>
+</svg>
diff --git a/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/images/10.png b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/images/10.png
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diff --git a/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/images/10.svg b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/images/10.svg
new file mode 100644
index 0000000..af015ab
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/images/10.svg
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!-- Created with Inkscape (http://www.inkscape.org/) -->
+
+<svg
+ xmlns:svg="http://www.w3.org/2000/svg"
+ xmlns="http://www.w3.org/2000/svg"
+ version="1.0"
+ width="32"
+ height="32"
+ id="svg2">
+ <defs
+ id="defs15" />
+ <circle
+ cx="16"
+ cy="16"
+ r="14"
+ id="circle"
+ style="fill:#3c6eb4" />
+ <g
+ id="text2820"
+ style="font-size:10px;font-style:normal;font-variant:normal;font-weight:normal;font-stretch:normal;text-align:center;text-anchor:middle;fill:#ffffff;fill-opacity:1;stroke:none;font-family:Droid Sans;-inkscape-font-specification:Droid Sans">
+ <path
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diff --git a/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/images/11.png b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/images/11.png
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new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/Common_Content/images/11.svg
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!-- Created with Inkscape (http://www.inkscape.org/) -->
+
+<svg
+ xmlns:svg="http://www.w3.org/2000/svg"
+ xmlns="http://www.w3.org/2000/svg"
+ version="1.0"
+ width="32"
+ height="32"
+ id="svg2">
+ <defs
+ id="defs15" />
+ <circle
+ cx="16"
+ cy="16"
+ r="14"
+ id="circle"
+ style="fill:#3c6eb4" />
+ <g
+ id="text2820"
+ style="font-size:10px;font-style:normal;font-variant:normal;font-weight:normal;font-stretch:normal;text-align:center;text-anchor:middle;fill:#ffffff;fill-opacity:1;stroke:none;font-family:Droid Sans;-inkscape-font-specification:Droid Sans">
+ <path
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diff --git a/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/files/LilyPond/Bar-Check_Example-result.pdf b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/files/LilyPond/Bar-Check_Example-result.pdf
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diff --git a/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/files/LilyPond/Bar-Check_Example-source.ly b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/files/LilyPond/Bar-Check_Example-source.ly
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index 0000000..16c3bb9
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/files/LilyPond/Bar-Check_Example-source.ly
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+\version "2.12.3"
+
+\header
+{
+ tagline = ##f % Remove default LilyPond tagline
+}
+
+trebleClefVoice = \relative c''
+{
+ % This example shows the bar-check symbol at work.
+ \key c \major
+ \time 4/4
+ c4 c2 c4 |
+ c4 c2 c | % This bar contains five beats. The bar-check symbol prints a warning.
+ c4 c2 c4 | % This bar-check symbol also prints a warning -- but for some reason it doesn't?!?!
+}
+
+\score
+{
+ \new Staff { \trebleClefVoice }
+ \layout { }
+}
diff --git a/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/files/LilyPond/Bar-Check_Example-source.pdf b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/files/LilyPond/Bar-Check_Example-source.pdf
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diff --git a/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/files/LilyPond/Counterpoint-result.pdf b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/files/LilyPond/Counterpoint-result.pdf
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diff --git a/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/files/LilyPond/Counterpoint-source.ly b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/files/LilyPond/Counterpoint-source.ly
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/files/LilyPond/Counterpoint-source.ly
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+\version "2.12.2"
+
+\header
+{
+ title = "Simple Counterpoint Exercise"
+ composer = "Christopher Antila"
+}
+
+global =
+{
+ \key f \major
+ \time 4/4
+
+ \override Score.BarLine #'transparent = ##t
+ \override Score.SpanBar #'transparent = ##t
+ \override Score.TimeSignature #'transparent = ##t
+}
+
+right = \relative c'
+{
+ \global
+
+ f1 g a f d e f c' a f g f
+
+ \revert Score.BarLine #'transparent
+ \revert Score.SpanBar #'transparent
+
+ \bar "|."
+}
+
+left = \relative c
+{
+ \global
+ % Music follows here.
+
+ f1 e d a bes c d e f d c f
+}
+
+figBass = \figuremode
+{
+ \global
+ % Figures follow here.
+ <1>1 <3> <5> <6> <3> <3> <3> <6> <3> <3> <5> <1>
+}
+
+pianoPart = \new PianoStaff \with{}
+<<
+ \new Staff = "right" \right
+ \new FiguredBass \figBass
+ \new Staff = "left" { \clef bass \left }
+>>
+
+\score
+{
+ <<
+ \pianoPart
+ >>
+
+ \layout { }
+}
diff --git a/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/files/LilyPond/Orchestra-result.pdf b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/files/LilyPond/Orchestra-result.pdf
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diff --git a/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/files/LilyPond/Orchestra-source.ly b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/files/LilyPond/Orchestra-source.ly
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+++ b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/files/LilyPond/Orchestra-source.ly
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+\version "2.12.2"
+
+\header
+{
+ dedication = "Comte d‘Ogny and Prince Oettingen-Wallerstein"
+ title = "Sinfonia No. 92"
+ subtitle = "“Oxford”"
+ composer = "Haydn, Joseph"
+ % Remove default LilyPond tagline
+ tagline = ##f
+}
+
+tempoMark =
+{
+ \once \override Score.RehearsalMark #'self-alignment-X = #LEFT
+ \once \override Score.RehearsalMark #'break-align-symbols = #'(time-signature key-signature)
+ \once \override Staff.TimeSignature #'break-align-anchor-alignment = #LEFT
+ \mark \markup \bold "Adagio"
+}
+
+global =
+{
+ %% NB: "hornF" does not follow this
+ %% NB: "trumpetC" does not follow this
+ \tempoMark
+ \key g \major
+ \time 3/4
+}
+
+startExposition =
+{
+ \once \override Score.RehearsalMark #'self-alignment-X = #LEFT
+ \once \override Score.RehearsalMark #'break-align-symbols = #'(time-signature key-signature)
+ \mark \markup \bold "Allegro spiritoso"
+
+ \bar "|:"
+}
+
+
+
+
+
+
+%%%%%%%% NOTES %%%%%%%%
+flute = \relative c'''
+{
+ \global
+ % Music follows here.
+ R2.*13 |
+ r8 e-.\p e-. e-. e-. e-. |
+ es8[ d]\f d-. d-. d-. d-. |
+ d8( cis) cis4 r |
+ R2.*3 |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+oboeI = \relative c'''
+{
+ \global
+ % Music follows here.
+ R2.*13 |
+ r8 a-.\p a-. a-. a-. a-. |
+ a8([ bes)]\f bes-. g-. g-. g-. |
+ g8( bes,) bes4 r |
+ r4 cis\p cis |
+ r4 cis cis |
+ r4 cis\pp cis |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+oboeII = \relative c''
+{
+ \global
+ % Music follows here.
+ R2.*13 |
+ R2. |
+ r8\f bes-. bes-. bes-. bes-. bes-. |
+ bes8 bes bes4 r |
+ r4 g\p g |
+ r4 g g |
+ r4 g\pp g |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+bassoon = \relative c
+{
+ \global
+ % Music follows here.
+ R2.*13 |
+ R2. |
+ r8\f d-.^"a 2" g-. bes-. d-. bes-. |
+ g8( cis) cis4 r |
+ R2.*3 |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+hornF = \relative c'
+{
+ \tempoMark
+ \time 3/4
+ \key c \major
+ \transposition g
+ % Music follows here.
+ R2.*13 |
+ R2. |
+ r8\f <g g'>-. <g g'>-. <g g'>-. <g g'>-. <g g'>-. |
+ <c c'>8 <c c'> <c c'>4 r |
+ R2.* 3 |
+ r4 r r\fermata
+
+ \startExposition
+
+ R2.*4 |
+}
+
+trumpetC = \relative c''
+{
+ \tempoMark
+ \time 3/4
+ \key c \major
+ % Music follows here.
+ R2.*13 |
+ R2.*6 |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+timpani = \relative c
+{
+ \global
+ % Music follows here.
+ R2.*13 |
+ R2.*6 |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+violinI = \relative c''
+{
+ \global
+ % Music follows here.
+ d8-.\p r d-. r d-. r |
+ d2.~\< |
+ d4\> c8( b a e') |
+ g,4(\! fis8)-. r r4 |
+ % M.5
+ c'8-. r c-. r c-. r |
+ c2.~\< |
+ c8\> e( d c b a)\! |
+ \grace {c8} b4\trill a8-. r r4 |
+ c8[( \grace {d16[ c b]} c16. d32]) b8-. r r4 |
+ % M.10
+ e8[( \grace {fis16[ e dis]} e16. fis32]) g8-. r r4 |
+ d4 cis8( c b bes) |
+ a8 r r4 r |
+ r8 g'-. g-. g-. g-. g-. |
+ g8[( fis]) fis-. fis-. fis-. fis-. |
+ % M.15
+ fis8[( g])\f g-. d'-. d-. d-. |
+ d8[( cis]) cis4 r8. g16\p |
+ g4( cis,) r8. bes'16 |
+ bes4( cis,) r |
+ \times 2/3 { g'8[(-.^\markup{\italic staccato} fis-. f])-. } \times 2/3 { e8[(-. es-. d])-. } cis8-. r16 bes' |
+ bes4( cis,) r\fermata |
+
+ \startExposition
+
+ c!4~\p c8 b-. a-. g-. |
+}
+
+violinII = \relative c''
+{
+ \global
+ % Music follows here.
+ b8-.\p r b-. r b-. r |
+ b4. a8( g fis) |
+ e4. d8( c a) |
+ d4 r r |
+ % M.5
+ <fis a>8-. r <fis a>-. r <fis a>-. r |
+ <fis a>4. b8( a g) |
+ fis2( g8 d) |
+ d8[( cis]) d-. r r4 |
+ g4~ g8-. r r4 |
+ % M.10
+ g4~ g8-. r r4 |
+ d4 e8( fis g) g |
+ fis8[ d]-. d-. d-. d-. d-. |
+ d4( cis c) |
+ c2.~ |
+ % M.15
+ c8[( bes])\f bes-. bes-. bes-. bes-. |
+ bes8 g' g4 r |
+ r4 <bes, g'>\p <bes g'> |
+ r4 <bes g'> <bes g'> |
+ r4 <bes g'>\pp <bes g'> |
+ % M.20
+ r4 r r\fermata
+
+ \startExposition
+
+ <a fis'>8-.\p <a fis'>-. <a fis'>-. r r4
+}
+
+viola = \relative c''
+{
+ \global
+ % Music follows here.
+ g8-.\p r g-. r g-. r |
+ g4. g,8( a b) |
+ c( e, fis gis a c) |
+ b4( a8-.) r r4 |
+ % M.5
+ d8-. r d-. r d-. r |
+ d4. d,8( fis g) |
+ a8( c b a g fis) |
+ g4( fis8-.) r r4 |
+ e'4( d8-.) r r4 |
+ % M.10
+ c4( b8-.) r r4 |
+ b8( bes a) d g, cis |
+ d4 r r |
+ R2. |
+ r8 a'-. a-. a-. a-. a-. |
+ % M.15
+ a8[( g])\f g-. g-. g-. g-. |
+ g8 g g4 r |
+ r4 cis,\p cis |
+ r4 cis cis |
+ r4 cis\pp cis |
+ % M.20
+ r4 r r\fermata |
+
+ \startExposition
+
+ c8-.\pp c-. c-. r r4 |
+
+}
+
+cello = \relative c
+{
+ \global
+ % Music follows here.
+ R2. |
+ g8(\p b d g a b) |
+ c8( e, fis gis a c) |
+ b4( a8-.) r r4 |
+ % M.5
+ R2.
+ d,,8( fis a d fis g) |
+ a8( c b a g fis) |
+ g4( fis8-.) r r4 |
+ e'4( d8-.) r r4 |
+ % M.10
+ c4( b8-.) r r4 |
+ b8( bes a) d g, cis |
+ d4 r r |
+ es,2. |
+ d2.~ |
+ % M.15
+ d8[ d]-.\f d-. d-. d-. d-. |
+ es8 es es4 r |
+ r4 << { es' es } \\ { es,\p es } >> |
+ r4 << { es' es } \\ { es, es } >> |
+ r4 << { es' es } \\ { es,\pp es } >> |
+ % M.20
+ r4 r r\fermata |
+
+ \startExposition
+
+ d8-.\p d-. d-. r r4 |
+
+}
+
+contrabass = \relative c
+{
+ \global
+ % Music follows here.
+ R2. |
+ g2\p r4 |
+ c2. |
+ d4 r r |
+ % M.5
+ R2. |
+ d2.~ |
+ d2. |
+ d8-. r d-. r r4 |
+ % M.9
+ R2.*4 |
+ es2. |
+ % M.15
+ d2.~ |
+ d8[ d]-.\f d-. d-. d-. d-. |
+ es8 es es4 r |
+ r4 es\p es |
+ r4 es es |
+ r4 es\pp es |
+ % M.20
+ r4 r r\fermata
+
+ \startExposition
+
+ d8-.\p d-. d-. r r4 |
+
+}
+
+
+
+
+
+
+%%%%%%%% PARTS %%%%%%%%
+flutePart = \new Staff \with
+{
+ instrumentName = "Flauto"
+} \flute
+
+oboeIPart = \new Staff \with
+{
+ instrumentName = "I Oboe"
+} \oboeI
+
+oboeIIPart = \new Staff \with
+{
+ instrumentName = "II Oboe"
+} \oboeII
+
+bassoonPart = \new Staff \with
+{
+ instrumentName = "2 Fagotti"
+} { \clef bass \bassoon }
+
+hornFPart = \new Staff \with
+{
+ instrumentName = "2 Corni in Sol"
+} \hornF
+
+trumpetCPart = \new Staff \with
+{
+ instrumentName = "2 Clarini in Do"
+} \trumpetC
+
+timpaniPart = \new Staff \with
+{
+ instrumentName = "Timpani"
+} { \clef bass \timpani }
+
+violinIPart = \new Staff \with
+{
+ instrumentName = "Violino I"
+} \violinI
+
+violinIIPart = \new Staff \with
+{
+ instrumentName = "Violino II"
+} \violinII
+
+violaPart = \new Staff \with
+{
+ instrumentName = "Viola"
+} { \clef alto \viola }
+
+celloPart = \new Staff \with
+{
+ instrumentName = "Violoncello obligato"
+} { \clef bass \cello }
+
+contrabassPart = \new Staff \with
+{
+ instrumentName = "Basso"
+} { \clef bass \contrabass }
+
+
+
+
+
+
+%%%%%%%% SCORE %%%%%%%%
+\score
+{
+ <<
+ \flutePart
+ \oboeIPart
+ \oboeIIPart
+ \bassoonPart
+ \hornFPart
+ \trumpetCPart
+ \timpaniPart
+ \violinIPart
+ \violinIIPart
+ \violaPart
+ \celloPart
+ \contrabassPart
+ >>
+ \layout { }
+}
diff --git a/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/files/LilyPond/Piano-result.pdf b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/files/LilyPond/Piano-result.pdf
new file mode 100644
index 0000000..c897eb3
Binary files /dev/null and b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/files/LilyPond/Piano-result.pdf differ
diff --git a/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/files/LilyPond/Piano-source.ly b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/files/LilyPond/Piano-source.ly
new file mode 100644
index 0000000..3430a39
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/files/LilyPond/Piano-source.ly
@@ -0,0 +1,531 @@
+\version "2.12.2"
+
+\header
+{
+ title = "Impromptu (Excerpt)"
+ composer = "Schubert, Franz"
+ opus = "Opus 90/4"
+ % Remove default LilyPond tagline
+ tagline = ##f
+}
+
+tempoMark =
+{
+ \once \override Score.RehearsalMark #'self-alignment-X = #LEFT
+ \once \override Score.RehearsalMark #'break-align-symbols = #'(time-signature key-signature)
+ \once \override Staff.TimeSignature #'break-align-anchor-alignment = #LEFT
+ \mark \markup \bold "Allegretto"
+}
+
+global =
+{
+ \tempoMark
+ \key as \major
+ \time 3/4
+}
+
+
+
+
+
+
+%%%%%%%% NOTES %%%%%%%%
+%%%% RIGHT %%%%
+right = \relative c'''
+{
+ \global
+ % Music follows here.
+ ces16(-2 es ces as-1 as-3 ces as es-1 es as es ces |
+ ces16-2 es ces as as-3 ces as es <g bes>8-. r |
+ ces'16(-2 es ces as-1 as-3 ces as es-1 es as es ces |
+ ces16-2 es ces as as-3 ces as es <g bes>8-.) r |
+ % M.5
+ <as ces>4-_-3 <g bes fes'>-.( <g bes fes'>-. |
+ <g bes fes'>4-. <g bes es>-.-4 <g bes des>-.)-3 |
+ ces'16( es ces as as ces as es es as es ces |
+ ces16 es ces as as ces as es <g bes>8-.) r |
+ ces'16( es ces as as ces as es es as es ces |
+ % M.10
+ ces16 es ces as as ces as es <g bes>8-.) r |
+ <as ces>4-_-2 <ges bes fes'>-.( <ges bes fes'>-. |
+ <ges bes fes'>4-. <ges bes es>-.-4 <ges bes d>-.)-3 |
+ es''16(-2 ges es ces ces-2 es ces ges ges-2 ces ges es |
+ es16-2 ges es ces ces-3 es ces ges <<bes8-.) d>> r |
+ % M.15
+ es'16( ges es ces ces es ces ges ges ces ges es |
+ es16 ges es ces ces es ces ges <<bes8-.) d>> r |
+ <ces es>4-_-3 <bes des as'>-.( <bes des as'>-. |
+ <bes des as'>4-. <bes es ges>-.-4 <bes fes'>-.-)-3 |
+ d'16(-2 fis d b b-2 d b fis fis-2 b fis d |
+ % M.20
+ d16-2 fis d b b-3 d b fis <ais cis>8-.) r |
+ d'16( fis d b b d b fis fis b fis d |
+ d16 fis d b b d b fis <ais cis>8-.) r |
+ <fis b d>4-_ <cis' e b'>-.( <cis e b'>-. |
+ <cis e b'>4-. <cis fis a>-.-4 <cis g'>4-.-3 |
+ % M.25
+ <d fis>4-.) <ais cis g'>-.(-5 <ais cis gis'>-. |
+ <ais cis g'>4-. <ais cis fis>-. <cis e>-.-4 |
+ <b dis>4-.) <fes as! fes'>-.(\> <fes as fes'>-. |
+ <fes as fes'>4-. <es! as es'!>-. <des! as' des!>-. |
+ <es as ces>4-.) <es as ces>-.( <es as ces>-. |
+ % M.30
+ <es g bes>4-.) <es g bes>-.( <es g bes>-.) |
+ c''!16(-2 es c as as-3 c as es es-2 as es c |
+ c16-2 es c as as-3 c as es <g bes>8-.) r |
+ c'16( es c as as c as es es as es c |
+ c16 es c as as c as es <g bes>8-.) r |
+ % M.35
+ es''16(-2 as es c c-2 es c as as-3 c as es |
+ es16-2 as es c c-2 es c as <g bes>8-.) r |
+ es''16( as es c c es c as as c as es |
+ es16 as es c c es c as <g bes>8-.) r |
+ c16(-2 es c as as-2 c as es as8-.) r |
+ % M.40
+ des16(-3 f des as as-2 des as f as8-.) r |
+ es'16(-3 g es bes bes-2 es bes g bes8-.) r |
+ es16(-2 as es c c-2 es c as c8-.) r |
+ c'16(-2 es c as as-2 c as es as8-.) r |
+ des16(-3 f des as as-2 des as f as8-.) r |
+ % M.45
+ es'16(-3 g es bes bes-2 es bes g bes8-.) r |
+ es16(-2 as es c c-2 es c as c8-.) r |
+ c,16( es c as as c as es as8-.) r |
+ des16( f des as as des as f as8-.) r |
+ es'16( g es bes bes es bes g bes8-.) r |
+ % M.50
+ es16( as es c c es c as c8-.) r |
+ c'16( es c as as c as es as8-.) r |
+ des16( f des as as des as f as8-.) r |
+ es'16( g es bes bes es bes g bes8-.) r |
+ es16( as es c c es c as c8-.) r |
+ % M.55
+ es16( g es bes bes es bes g bes8-.) r |
+ es16( as es c c es c as c8-.) r |
+ \ottava #1
+ f='''16( a f c c f c a c8-.->) r |
+ f16( bes f des des f des bes-1 des8-.->) r |
+ f16( a f c c f c a c8-.->) r |
+ % M.60
+ f16( bes f des des f des bes-1 des8-.->) r |
+ as'!16( c as es es as es c es8-.) r |
+ as16( des as f f as f des f8-.) r |
+ as16( c as es es as es c es8-.) r |
+ as16( des as f f-2 as f des des-3 f des as |
+ % M.65
+ \ottava #0
+ as=''16(-2 des as f f-2 as f des des-3 f des as) |
+ as'16( des as f f as f des des f des as |
+ as16 des as f f as f des des f des as) |
+ des16-3( fes des bes bes-2 des bes ges des'-3 fes des bes |
+ bes16 des bes ges des' fes des bes bes des bes ges) |
+ % M.70
+ des'16->(-3 es des bes bes16-2 des bes ges des'->-3 es des bes |
+ bes16 des bes ges des'-> es des bes bes des bes ges) |
+ << {
+ es'4(-3 as 4 g-4 |
+ f4-3 des' bes |
+ bes4)(-5 as) as |
+ % M.75
+ as4(-5 g) g |
+ es4(-3 as g-4 |
+ f4 f' des-5 |
+ des4)( c)-4 c |
+ c4(-5 bes)-4 bes |
+ } \\
+ {
+ \times 2/3 {es,8[ c as]} \times 2/3 {as'[ es-2 c]} \times 2/3 {g'[ es c]} |
+ \times 2/3 {f8[ des as]} \times 2/3 {des'8[ f, des]} \times 2/3 {bes'[ f des]} |
+ \times 2/3 {bes'8[ es, des]} \times 2/3 {as'[ es c]} \times 2/3 {as'[ es c]} |
+ % M.75
+ \times 2/3 {as'8[ es c]} \times 2/3 {g'[ es bes]} \times 2/3 {g'[ es bes]} |
+ \times 2/3 {es8[ c as]} \times 2/3 {as'[ es-2 c]} \times 2/3 {g'[ es c]} |
+ \times 2/3 {f8[ des as]} \times 2/3 {f''[ as, f]} \times 2/3 {des'[ f, des]} |
+ \times 2/3 {des'8[ as-2 f]} \times 2/3 {c'[ as es]} \times 2/3 {c'[ as es]} |
+ \times 2/3 {c'8[ es, des]} \times 2/3 {bes'[ es, des]} \times 2/3 {bes'[ es, des]} |
+ }
+ >>
+ % M.80
+ c'16(-2 es c as as-2 c as es as8-.) r |
+ des16(-3 f des as as-2 des as f as8-.) r |
+ es'16(-3 g es bes bes-2 es bes g bes8-.) r |
+ es16(-2 as es c c-2 es c as c8-.) r |
+ c'16(-2 es c as as-2 c as es as8-.) r |
+ % M.85
+ des16(-3 f des as as-2 des as f as8-.) r |
+ es'16(-3 g es bes bes-2 es bes g bes8-.) r |
+ es16(-2 as es c c-2 es c as c8-.) r |
+ c,16( es c as as c as es as8-.) r |
+ des16( f des as as des as f as8-.) r |
+ % M.90
+ es'16( g es bes bes es bes g bes8-.) r |
+ es16( as es c c es c as c8-.) r |
+ c'16( es c as as c as es as8-.) r |
+ des16( f des as as des as f as8-.) r |
+ es'16( g es bes bes es bes g bes8-.) r |
+ % M.95
+ es16( as es c c-2 es c as c8-.) r |
+ es16( g es bes bes es bes g bes8-.) r |
+ es16( as es c c es c as c8-.) r |
+ es16( g es bes bes es bes g bes8-.) r |
+ es16( as es c c-2 es c as as-3 c as es |
+ % M.100
+ es16-2 as es c c-2 es c as as-3 c as es) |
+ es'16( as es c c es c as as c as es |
+ es16 as es c c es c as es'-3 as es c)-1 |
+ \clef bass
+ as16(-2 c as es as c as es as c as es |
+ as16 c as es as c as es as c as es) |
+ % M.105
+ \clef treble
+ << {
+ as'2.~ |
+ as2. |
+ } \\
+ {
+ es16 ges es as, es' ges es as, es' ges es as, |
+ es'16 ges es as, es' ges es as, es' ges es as, |
+ }
+ >>
+%% TRIO %%
+ \bar "||"
+ \key cis \minor
+ gis'2.
+}
+
+%%%% LEFT %%%%
+left = \relative c
+{
+ \global
+ % Music follows here.
+ as4-. <as' ces es>2~-3 |
+ <as ces es>2 <es bes' es>8-. r |
+ as,4-. <as' ces es>2~ |
+ <as ces es>2 <es bes' es>8-. r |
+ % M.5
+ <as ces es>4-_ <es bes' fes'>-.( <es bes' fes'>-. |
+ <es bes' fes'>4-. <es bes' es>-.-4 <es bes' des>-.-3) |
+ as,4-. <as' ces es>2~ |
+ <as ces es>2 <es bes' es>8-. r |
+ as,4-. <as' ces es>2~ |
+ % M.10
+ <as ces es>2 <es bes' es>8-. r |
+ <as ces es>4-_ <ges bes fes'>-.( <ges bes fes'>-. |
+ <ges bes fes'>4-. <ges bes es>-.-4 <ges bes d>-.-3) |
+ ces,4-. <ges' ces es>2~-4 |
+ <ges ces es>2 <ges fes'>8-. r |
+ % M.15
+ ces,4-. <ges' ces es>2~ |
+ <ges ces es>2 <ges fes'>8-. r |
+ <ces es>4-_ <ges fes'>-.( <ges fes'>-. |
+ <ges fes'>4-. <ges es'>-._4 <ges des'>-._3) |
+ b,4-. <fis' b d>2~_4 |
+ % M.20
+ <fis b d>2 <fis e'>8-. r |
+ b,4-. <fis' b d>2~ |
+ <fis b d>2 <fis e'>8-. r |
+ <b d>4-_ <a g'>-.( <a g'>-. |
+ <a g'>4-. <a fis'>-. <a_5 e'_1>-. |% <<a-.-5 e'-1>> |
+ % M.25
+ <b d>4-.) <fis e'>-.( <fis e'>-. |
+ <fis e'>4-. <fis-._4 cis'_1>-. <fis ais>-. |
+ <gis b>4-.) <des! as'! des!>-.( <des as' des>-. |
+ <des as' des>4-. <es!_4 as ces>-. <fes_3 as>-. |
+ <es as ces>4-.) <es as ces>-.( <es as ces>-. |
+ % M.30
+ <es_3 g bes>4-.) <es g bes>-.( <es g bes>-.) |
+ as,4-. <es' as c>2~ |
+ <es as c>2 <es des'>8-. r |
+ as,4-. <es' as c>2~ |
+ <es as c>2 <es des'>8-. r |
+ % M.35
+ as,4-. <es' as c>2~ |
+ <es as c>2 <es des'>8-. r |
+ as,4-. <es' as c>2~ |
+ <es as c>2 <es des'>8-. r |
+ as,4 <ges' as c>2 |
+ % M.40
+ des4-. <f as des>2 |
+ es,4-. <es' bes' des>2 |
+ as,4-. <es' as c>2 |
+ as,4 <ges' as c>2 |
+ des4-. <f as des>2 |
+ % M.45
+ es,4-. <es' bes' des>2 |
+ as,4-. <es' as c>2 |
+ << { e=4(-2 as4.-> g8-1 |
+ f4-2 des'4.->-1 c8-1 |
+ bes4-2 es4.->-1 d8-1 |
+ % M.50
+ c4-2 es2->) |
+ es,=4(-2 as4.-> g8-1 |
+ f4-2 des'4.->-1 c8-1 |
+ bes4 es4.-> des8-1 |
+ c4-2 es4.-> c8 |
+ % M.55
+ bes4)( es4.-> des8 |
+ c4 es4.-> c8) |
+ c4( f4.-> es8-2 |
+ des4-3 f4.-> des8-2 |
+ c4)( f4.-> es8 |
+ % M.60
+ des4 f4.-> des8 |
+ \clef treble
+ es4)( as4.-> ges8-1 |
+ f4-2 as4.-> f8 |
+ es4)( as4.-> ges8 |
+ f4) % end of polyphonic section
+ } \\
+ { as,,=,2. |
+ des2.-4 |
+ es2.-5 |
+ % M.50
+ as2.-3 |
+ as,=,2. |
+ des2.-4 |
+ es2. |
+ as2.-3 |
+ % M.55
+ es2. |
+ as2. |
+ f2. |
+ bes2.-4 |
+ f2. |
+ % M.60
+ f2.-4 |
+ \clef treble
+ as2. |
+ des2.-3 |
+ as2. |
+ des4 % end of polyphonic section
+ }
+ >>
+ r4 r | % beats 2 and 3 only; this eliminates redundant rests
+ % M.65
+ R2. |
+ as'8-1 r f r des r |
+ \clef bass
+ as8-1 r f r des r |
+ <ges, bes des fes>2 <ges bes des fes>4~ |
+ <ges bes des fes>4 <ges bes des fes>2 |
+ % M.70
+ <g bes des es>2 <g bes des es>4~ |
+ <g bes des es>4 <g bes des es>2 |
+ as2-3( c4 |
+ des4-2 bes des |
+ es2.)( |
+ % M.75
+ es,2.) |
+ as2-3( c4 |
+ des4 bes-5)
+ << {
+ bes'~-1 |
+ bes4( as-2) as~-1 |
+ as4( g-2) g-1 |
+ } \\
+ {
+ des(-4 |
+ es2.) |
+ es2. |
+ }
+ >>
+ % M.80
+ as,4-. <ges' as c>2 |
+ des4-. <f as des>2 |
+ es,4-. <es' bes' des>2 |
+ as,4-. <es' as c>2 |
+ as,4-. <ges' as c>2 |
+ % M.85
+ des4-. <f as des>2 |
+ es,4-. <es' bes' des>2 |
+ as,4-. <es' as c>2 |
+ << {
+ es4( as4.-> g8-1 |
+ f4 des'4.-> c8-1 |
+ % M.90
+ bes4 es4.-> des8-1 |
+ c4-2 es2->) |
+ es,4( as4.-> g8 |
+ f4 des'4.-> c8 |
+ bes4 es4.-> des8 |
+ % M.95
+ c4 es4.-> c8 |
+ bes4)( es4.-> des8 |
+ c4 es4.-> c8 |
+ bes4)( es4.-> des8 |
+ c4)
+ } \\
+ {
+ as,2. | des2.-4 |
+ % M.90
+ es2. | as2.-3 | as,2. | des2. | es2. |
+ % M.95
+ as2. | es2. | as 2. | es2. | as4
+ }
+ >>
+ r4 r |
+ % M.100
+ R2. |
+ es'8-2 r c-1 r as r |
+ ees8 r c r es-2 r |
+ as,4-5 r r |
+ R2. |
+ % M.105
+ <c, as' c>2.~ |
+ <c as' c>2. |
+%% TRIO %%
+ \bar "||"
+ \key cis \minor
+ cis8 <gis'_4 cis e> <gis cis e> <gis cis e> <gis cis e> <gis cis e> |
+}
+
+
+%%%% DYNAMICS %%%%
+dynamics =
+{
+ s2.\pp |
+ R2.*3 |
+ % M.5
+ s4\< s\! s\> |
+ s2 s4\! |
+ R2.*4 |
+ % M.11
+ s4\< s\! s\> |
+ s2 s4\! |
+ R2.*4 |
+ % M.17
+ s4\< s\! s\> |
+ s2 s4\! |
+ R2.*4 |
+ % M.23
+ s4 s2\> |
+ s2 s4\! |
+ % M.25
+ s4\< s\! s\> |
+ s2 s4\! |
+ s4 s\f s\> |
+ s2 s4\! |
+ s4\p s2 |
+ % M.30
+ R2. |
+ s2.\pp |
+ R2.*3 |
+ % M.35
+ \crescTextCresc
+ s2.\< |
+ R2.*2 |
+ s2 s8 s\! |
+ s16 s\pp s8 s2 |
+ % M.40
+ R2.*3 |
+ s2.\< |
+ R2.*2 |
+ % M.46
+ s2 s8 s\! |
+ s16 s\pp s8 s2 |
+ R2.*3 |
+ % M.51
+ s2.\< |
+ R2.*5 |
+ % M.57
+ s32 s\f s8. s2 |
+ R2.*4 |
+ % M.62
+ s2.\< |
+ R2. |
+ % M.65
+ s32 s\ff s8. s2 |
+ R2.*3 |
+ s2\fz s4\fz |
+ % M.70
+ s4 s2\fz |
+ \dimTextDim
+ s8\> s\! s2 | % with this \! I eliminated the dashed line without tweaking settings
+ s32 s\p s8. s2 |
+ s16 s\pp s8 s2 |
+ % M.74
+ R2.*7 |
+ % M.81
+ s32 s\p s8. s2 |
+ R2.*3 |
+ % M.85
+ s2.\< |
+ R2.*3 |
+ s32 s\p s8. s2 |
+ % M.90
+ R2.*3 |
+ s32 s\f s8. s2 |
+ R2.*3 |
+ % M.97
+ s2.\< |
+ R2. |
+ s32 s\ff s8. s2 |
+ % M.100
+ R2.*8 |
+%% TRIO %%
+ s32 s\p s8. s2 |
+}
+
+
+
+%%%%%%%% SCORE %%%%%%%%
+
+% This is completely optional, but taken right from the LilyPond
+% reference manual. I wanted to ensure the right paper size, since
+% the default is A4. I also wanted to squeeze the music onto
+% fewer pages, since it seemed like there was a lot of vertical
+% space being wasted.
+\paper
+{
+ #(set-paper-size "letter")
+ between-system-padding = #0.1
+ ragged-last-bottom = ##f
+}
+
+% This is the standard, obligatory "score" section. Note the
+% addition of the extra \context commands in the "layout"
+% portion, which are for the piano-centred-dynamics.
+\score
+{
+ \new PianoStaff \with
+ {
+ instrumentName = "Piano"
+ }
+ <<
+ \new Staff = "right" \right
+ \new PianoDynamics = "dynamics" \dynamics
+ \new Staff = "left" { \clef bass \left }
+ >>
+
+ \layout
+ {
+ % Everything below here is for the piano dynamics.
+ % Define "PianoDynamics" context.
+ \context
+ {
+ \type "Engraver_group"
+ \name PianoDynamics
+ \alias Voice
+ \consists "Output_property_engraver"
+ \consists "Script_engraver"
+ \consists "New_dynamic_engraver"
+ \consists "Dynamic_align_engraver"
+ \consists "Text_engraver"
+ \consists "Skip_event_swallow_translator"
+ \consists "Axis_group_engraver"
+
+ \override DynamicLineSpanner #'Y-offset = #0
+ \override TextScript #'font-size = #2
+ \override TextScript #'font-shape = #'italic
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
+ }
+
+ % Modify "PianoStaff" context to accept Dynamics context.
+ \context
+ {
+ \PianoStaff
+ \accepts PianoDynamics
+ }
+ % End of PianoDynamics code.
+ }
+}
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+// "Method One"
+//
+// Composed for the Fedora Project's "Musicians' Guide."
+// Christopher Antila.
+//
+// Creative Commons CC-BY-SA 3.0
+// http://creativecommons.org/licenses/by-sa/3.0/
+
+(
+// second part of the form -- I've substantially re-written this, so
+// that it can be easily used in other programs.
+//
+// Because of my defaults argument values, when called with
+var secondPart =
+{
+ arg number_of_SinOscs = 10,
+ pitch_low = 200,
+ pitch_high = 800,
+ pause_length = 5;
+
+ // new, personal clock, so we don't interfere with the global one
+ var t_c = TempoClock.new( 1 ); // 1 beat per second
+ var so = Array.new( number_of_SinOscs ); // holds the SinOsc's
+
+ // We'll need to know this, later.
+ var when_to_stop = ( 1 + ( pause_length * number_of_SinOscs ) );
+
+ // makes a stereo SinOsc with pseudo-random pitch between
+ // pitch_low and pitch_high
+ var func =
+ {
+ var freq = pitch_low + (pitch_high - pitch_low).rand;
+ [ SinOsc.ar( freq:freq, mul:0.01),
+ SinOsc.ar( freq:freq, mul:0.01) ];
+ };
+
+ // play them starting on beat 1, then every pause_length beats thereafter
+ number_of_SinOscs.do(
+ {
+ arg time;
+ t_c.sched( (1+(time*5)), { so = so.add( func.play ); } );
+ });
+
+ // stop
+ t_c.sched( when_to_stop,
+ {
+ number_of_SinOscs.do( { arg index; so[index].free; } );
+ nil;
+ });
+
+ // I want to return this, so that a function calling me knows when
+ // I'm going to stop.
+ when_to_stop;
+};
+
+
+
+
+
+
+// first part of the form
+SynthDef.new( \FirstPart,
+{
+ // sets up the frequencies of both channels
+ var frequencyL = SinOsc.kr( freq:10, mul:200, add:400 ); // oscillating
+ var frequencyR = SinOsc.kr( freq:1, mul:50, add:150 ); // oscillating
+ var frequencyL_drone = SinOsc.kr( freq:0.03, mul:20, add:100 ); // drone
+ var frequencyR_drone = SinOsc.kr( freq:0.01, mul:20, add:210 ); // drone
+
+ // changes the volume of the oscillating part in the left channel
+ var volumeL = SinOsc.kr( freq:0.5, mul:0.02, add:0.03 );
+
+ // left channel
+ var left = [ SinOsc.ar( freq:frequencyL, mul:volumeL ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyL_drone,2*frequencyL_drone], mul:0.02 ), // the rest make up the drone
+ SinOsc.ar( freq:[5*frequencyL_drone,7*frequencyL_drone], mul:0.005 ),
+ SinOsc.ar( freq:[13*frequencyL_drone,28*frequencyL_drone], mul:0.001 ) ];
+
+ // right channel
+ var right = [ SinOsc.ar( freq:frequencyR, mul:0.1 ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyR_drone,2*frequencyR_drone], mul:0.02 ), // the rest make up the drone
+ SinOsc.ar( freq:4*frequencyR_drone, mul:0.005 ),
+ SinOsc.ar( freq:[64*frequencyR_drone,128*frequencyR_drone], mul:0.01 ) ]; // high frequencies!
+
+ Out.ar( 0, [left,right] );
+} ).send( s );
+
+// "Main" function
+{
+ var t_c = TempoClock.default;
+ var sound = nil; // holds currently-running "FirstPart"
+
+ t_c.tempo_( 1 ); // set the tempo to one beat per second
+
+ // Scheduling:
+ t_c.sched( 1, { sound = Synth.new( \FirstPart ); } );
+ t_c.sched( 61, { sound.free; } );
+ t_c.sched( 61, { secondPart.value; nil; } ); // this takes 51 beats to complete
+ t_c.sched( 113, { sound = Synth.new( \FirstPart ); } );
+ t_c.sched( 143, { sound.free; } );
+
+}.value;
+
+)
+
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+// "Method One"
+//
+// Composed for the Fedora Project's "Musicians' Guide."
+// Christopher Antila.
+//
+// Creative Commons CC-BY-SA 3.0
+// http://creativecommons.org/licenses/by-sa/3.0/
+
+(
+// The method is, "Choose something, and take it to the extreme."
+// Here I've chosen to take SinOsc to the extreme, so I use it in every
+// way that I can imagine. Of course, there are more and different ways
+// to use SinOsc.
+
+// When looking at this source code (as with any SuperCollider source
+// file), keep in mind that there will be other ways to achieve the
+// same end result. I always find it helpful to arrange my code in
+// such a way as to make it easily understood.
+
+
+
+
+
+
+// I'm creating a new TempoClock and assigning it to "t_c". This
+// way, when I change the tempo later, it won't be interfering with
+// the default TempoClock (which is TempoClock.default). It must be
+// declared here, so that all of the functions in the file can access
+// it, and I've put it first because, in each "scope," all var objects
+// must be declared before anything else. Really, I could have written:
+// var t_c;
+// here, and only run:
+// t_c = TempoClock.new;
+// later. There is no benefit to that *for this file*, so they're together.
+var t_c = TempoClock.new;
+
+
+
+
+
+
+// This is the function that, when executed (by calling
+// secondPart.value ), will produce the second part of this simple
+// three-part form. Because it's assigned to a "var", it needs to
+// be placed above the first part, which is a SynthDef sent to the
+// server.
+//
+// I've written this as a function, rather than as a SynthDef. The
+// intention is that it sounds different every time it is heard, which
+// is why I use pseudo-randomness in the "func" sub-function (see
+// inside). If this had been written as a SynthDef, then the pitches
+// would be calculated pseudo-randomly *once* and every time a new
+// Synth was created from it, it would have the same pitches. Because
+// it's a function, however, the pitches are generated pseudo-randomly
+// every time the function is run.
+//
+// Since the function is only run once in the execution of this
+// program, you may be wondering why it matters. Every time the
+// program is run, the SynthDef would be re-calculated and sent to the
+// server again. In other words, every time the program is run, this
+// middle section will sound different whether it's a SynthDef or a
+// function.
+//
+// This is true, but one of the principles of good programming is
+// to allow for maximum flexibility. If I later wanted to add another
+// playing of "secondPart" to the program, I can do that easily, and
+// it would produce different pitches each time. I might also want to
+// take this function and put it into a different program, and writing
+// it as a function again allows for greater flexibility. Besides, if
+// I decided that I wanted a SynthDef, it's easy to get one from a
+// function (in fact, it's impossible to get one without a function!)
+// SynthDef.new( "SecondPart", secondPart ).send( s );
+// But you can't get the function out of a SynthDef.
+var secondPart =
+{
+ // This creates a new array with the ability to hold ten objects of
+ // any sort. It's going to be used to hold each of the SinOsc
+ // objects that are created in this section. By using an array
+ // (in SuperCollider called "ArrayedCollection"), I don't have to
+ // worry about code like this:
+ // var so_1;
+ // var so_2;
+ // ...
+ // var so_10;
+ // to hold the ten SinOsc's.
+ var sounds = Array.new( 10 );
+
+ // This generates a pseudo-random number to use as the pitch or
+ // frequency (here meaning the same thing), and then creates two
+ // equal SinOsc's on either side of the stereo image.
+ var func =
+ {
+ // a_number.rand means "generate a pseudo-random number between
+ // 0 and a_number". I've added 200 to this because frequencies
+ // below 200 aren't particularly useful, in terms of pitch. So
+ // the result of this is a number between 200 and 800.
+ var freq = 200 + 600.rand;
+
+ // This is what the function returns, and it's why you can "play"
+ // the function. When you run func.play, you aren't actually
+ // playing func, but rather you're playing what func returns.
+ [ SinOsc.ar( freq:freq, mul:0.01),
+ SinOsc.ar( freq:freq, mul:0.01) ];
+ };
+
+ // This part could certainly be written more elegantly (that is, with
+ // less pointless repetition). When programming, whether for audio
+ // or any other reason, repetition is usually regarded as the
+ // enemy of good code. What if I wanted to change the time between
+ // the addition of each object, from 5 beats to 6? What if I wanted
+ // to change the number of objects from 10 to 300? Worse still,
+ // what if I made a typing mistake in one line, and copy-and-pasted
+ // it to all the others? I would have to correct them all. What
+ // a pain!
+ //
+ // As an exercise, try to make this more efficient. You'll need
+ // to read up on "control structures" (see the SuperCollider help
+ // files). It's possible to work these ten lines into one - in
+ // fact, it's recommended!
+ t_c.sched( 1, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 6, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 11, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 16, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 21, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 26, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 31, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 36, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 41, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 46, { sounds = sounds.add( func.play ); } );
+
+ // This will stop all the sounds held in "sounds". The last "nil"
+ // is required as a return value for the function, or else the .do
+ // function will return "10", which t_c.sched() interprets as meaning
+ // "run me again 10 beats after I finish." This isn't disastrous,
+ // as it might be in a more complex program, but it would give a
+ // lot of error messages to anybody watching the "SuperCollider
+ // output" pane.
+ t_c.sched( 51, { 10.do( { arg index; sounds[index].free; } ); nil; } );
+
+};
+
+
+
+
+
+
+// This SynthDef represents the first part of the piece. Note that
+// because the concluding brace is followed by ".send(s)", this
+// definition gets sent to the server. Although we have no local var
+// that points to this SynthDef, we can use Synth.new( "FirstPart" ),
+// because the server knows what "FirstPart" is.
+//
+// I've chosen to write this as a SynthDef because it does not need
+// to change when it is played. It is intended to always sound the same,
+// so there is no reason for the server to re-calculate everything
+// each time it is to be played. This is not the case for the second
+// part (see above).
+//
+// Above, I claimed it's impossible to get a SynthDef
+// without a function. Although "FirstPart" may look like a SynthDef
+// without a function, the function simply isn't named, but it does
+// start at the { and end at the }. So, why not declare this as a
+// function, then make a SynthDef below it, like this?
+// SynthDef.new( "FirstPart", firstPart ).send( s );
+// Personal preference, really. This format makes it more clear that
+// "FirstPart" is only intended to be run as a Synth, and it also avoids
+// the very minor computational slow-down that would have been involved
+// with declaring a function, and a SynthDef from that.
+SynthDef.new( \FirstPart,
+{
+ // These set and modulate the frequency emitted by the left and
+ // right channels, respectively.
+ //
+ // What I've called "drone" is the slowly-moving pitches.
+ //
+ // "freq" changes how quickly the frequency changes
+ // "mul" changes the range of oscillation
+ // "add" is the lowest frequency it will hit
+ //
+ // The resulting frequency goes between "add" and "add + mul",
+ // and it reaches each extreme "freq" times per second
+ var frequencyL = SinOsc.kr( freq:10, mul:200, add:400 );
+ var frequencyR = SinOsc.kr( freq:1, mul:50, add:150 );
+ var frequencyL_drone = SinOsc.kr( freq:0.03, mul:20, add:100 );
+ var frequencyR_drone = SinOsc.kr( freq:0.01, mul:20, add:210 );
+
+ // This will change the volume of the left audio channel.
+ // It was annoying when too loud for too long.
+ //
+ // It means that the volume will go between 0.03 and 0.05, reaching
+ // the extremes once every two seconds.
+ var volumeL = SinOsc.kr( freq:0.5, mul:0.02, add:0.03 );
+
+ // This is where I'm compiling the sound generators themselves.
+ // Notice that all the SinOsc's above were SinOsc.kr(), for "kontrol,"
+ // and all the ones here are SinOsc.ar(), for "audio." I use array
+ // notation, which is the [ ] brackets, several times. This allows
+ // multiple SinOsc calls with different arguments, and within each
+ // call it allows multiple audio streams to be outputted, with
+ // different frequencies. While you might expect there to by
+ // multi-channel audio created from this, that's not the case,
+ // because everything assigned to "left" or "right" is ultimately
+ // played below. More on that later...
+ var left = [ SinOsc.ar( freq:frequencyL, mul:volumeL ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyL_drone,2*frequencyL_drone], mul:0.02 ), // the rest make up the drone; the numbers are close to the 2^x series
+ SinOsc.ar( freq:[5*frequencyL_drone,7*frequencyL_drone], mul:0.005 ),
+ SinOsc.ar( freq:[13*frequencyL_drone,28*frequencyL_drone], mul:0.001 ) ];
+
+ var right = [ SinOsc.ar( freq:frequencyR, mul:0.1 ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyR_drone,2*frequencyR_drone], mul:0.02 ), // the rest make up the drone
+ SinOsc.ar( freq:4*frequencyR_drone, mul:0.005 ),
+ SinOsc.ar( freq:[64*frequencyR_drone,128*frequencyR_drone], mul:0.01 ) ]; // high frequencies!
+
+ // This stereo mix is what ultimately gets played. Notice that
+ // any multichannel effects created while mixing "left" and "right"
+ // are ignored here, and all the sound from each variable is put
+ // into one channel: all of the channels from "left" get played in
+ // the new left channel, and all of the channels from "right" get
+ // played in the new right channel.
+ //
+ // Try commenting the array, and play "left" and "right" by
+ // uncommenting the following lines, one at a time. When you do
+ // that, the multichannel mix of the variable is preserved, which
+ // may lead to a surprising result (if it doesn't, listen more
+ // carefully, and compare to the original).
+ //
+ // For an explanation, go read about busses, and keep in mind
+ // that this array doesn't create "left" and "right" channels,
+ // but rather plays to busses 0 and 1, which usually wind up being
+ // played through the speakers as "left" and "right" channels.
+ Out.ar( 0, [left,right] );
+
+} ).send( s );
+
+
+
+
+
+
+// This is the equivalent of the "main" function in a C-like language,
+// which basically "causes" everything else to happen. It's important
+// to include the ".value;" at the end, or else executing the program
+// would result in "a Function" in the output pane, and no sound.
+{
+ // This will hold the currently-running instance of "FirstPart".
+ // I've set it to 0 now as a matter of habit, like initializing an
+ // int in C.
+ var sound = 0;
+
+ // This sets the tempo to one beat per second; in effect, t_c now
+ // counts in seconds.
+ t_c.tempo_( 1 );
+
+ // This schedules events to take place. By number of beats after start:
+ // 1: "FirstPart" starts to play.
+ // 60: "FirstPart" is silenced.
+ // 60: secondPart is engaged (but starts to play only on beat 61).
+ // 112: "FirstPart" starts to play.
+ // 142: "FirstPart" is silenced.
+ t_c.sched( 1, { sound = Synth.new( \FirstPart ); } );
+ t_c.sched( 61, { sound.free; } );
+ t_c.sched( 61, { secondPart.value; nil; } ); // this takes 51 beats to complete
+ t_c.sched( 113, { sound = Synth.new( \FirstPart ); } );
+ t_c.sched( 143, { sound.free; } );
+ // I could have simply "paused" the \FirstPart synth, but then it
+ // wouldn't necessarily re-start at the same point in the oscillation
+ // as it did when first created.
+}.value;
+
+)
+
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diff --git a/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/index.html b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/index.html
new file mode 100644
index 0000000..5c7e15f
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html-single/Musicians_Guide/index.html
@@ -0,0 +1,8051 @@
+<?xml version="1.0" encoding="UTF-8"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>ミュージシャンのガイド</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><meta name="description" content="このドキュメントでは、Fedora で可能な、いくつかのオーディオ作成と音楽の活動を探ります。コンピューターオーディオの概念を説明し、選ばれたいくつかのプログラムを、一般的な使用方法を示すチュートリアルとともに紹介します。" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><div xml:lang="ja-JP" class="book" id="id1715667" lang="ja-JP"><div class="titlepage"><div><div class="producttitle" font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><span class="productname">Fedora</span> <span class="productnumber">16</span></div><div font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><h1 id="id1715667" class="title">ミュージシャンのガイド<
/h1></div><div font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><h2 class="subtitle">Fedora 上でのオーディオ作成と音楽ソフトウエアへのガイド</h2></div><p class="edition">エディッション 1.0</p><div font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><h3 class="corpauthor">
+ <span class="inlinemediaobject"><object data="Common_Content/images/title_logo.svg" type="image/svg+xml"> Fedora Documentation Project</object></span>
+
+ </h3></div><hr /><div font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><div id="id894082" class="legalnotice"><h1 class="legalnotice">法律上の通知</h1><div class="para">
+ Copyright <span class="trademark"></span>© 2011 Fedora Project Contributors.
+ </div><div class="para">
+ The text of and illustrations in this document are licensed by Red Hat under a Creative Commons Attribution–Share Alike 3.0 Unported license ("CC-BY-SA"). An explanation of CC-BY-SA is available at <a href="http://creativecommons.org/licenses/by-sa/3.0/">http://creativecommons.org/licenses/by-sa/3.0/</a>. The original authors of this document, and Red Hat, designate the Fedora Project as the "Attribution Party" for purposes of CC-BY-SA. In accordance with CC-BY-SA, if you distribute this document or an adaptation of it, you must provide the URL for the original version.
+ </div><div class="para">
+ Red Hat, as the licensor of this document, waives the right to enforce, and agrees not to assert, Section 4d of CC-BY-SA to the fullest extent permitted by applicable law.
+ </div><div class="para">
+ Red Hat, Red Hat Enterprise Linux, the Shadowman logo, JBoss, MetaMatrix, Fedora, the Infinity Logo, and RHCE are trademarks of Red Hat, Inc., registered in the United States and other countries.
+ </div><div class="para">
+ For guidelines on the permitted uses of the Fedora trademarks, refer to <a href="https://fedoraproject.org/wiki/Legal:Trademark_guidelines">https://fedoraproject.org/wiki/Legal:Trademark_guidelines</a>.
+ </div><div class="para">
+ <span class="trademark">Linux</span>® is the registered trademark of Linus Torvalds in the United States and other countries.
+ </div><div class="para">
+ <span class="trademark">Java</span>® is a registered trademark of Oracle and/or its affiliates.
+ </div><div class="para">
+ <span class="trademark">XFS</span>® is a trademark of Silicon Graphics International Corp. or its subsidiaries in the United States and/or other countries.
+ </div><div class="para">
+ <span class="trademark">MySQL</span>® is a registered trademark of MySQL AB in the United States, the European Union and other countries.
+ </div><div class="para">
+ All other trademarks are the property of their respective owners.
+ </div></div></div><div font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><div class="abstract"><h6>概要</h6><div class="para">
+ このドキュメントでは、Fedora で可能な、いくつかのオーディオ作成と音楽の活動を探ります。コンピューターオーディオの概念を説明し、選ばれたいくつかのプログラムを、一般的な使用方法を示すチュートリアルとともに紹介します。
+ </div></div></div></div><hr /></div><div class="toc"><dl><dt><span class="preface"><a href="#pref-Musicians_Guide-Preface">前書き</a></span></dt><dd><dl><dt><span class="section"><a href="#id867643">1. 表記方法</a></span></dt><dd><dl><dt><span class="section"><a href="#id1234484">1.1. 印刷における表記方法</a></span></dt><dt><span class="section"><a href="#id1030373">1.2. 引用における表記方法</a></span></dt><dt><span class="section"><a href="#id868019">1.3. 注記および警告</a></span></dt></dl></dd><dt><span class="section"><a href="#id835744">2. フィードバック</a></span></dt></dl></dd><dt><span class="part"><a href="#id847096">I. Linux オーディオの基本</a></span></dt><dd><dl><dt><span class="chapter"><a href="#chap-Musicians_Guide-Sound_Cards">1. サウンドカードとデジタルオーディオ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-What_Sound_Cards_Are">1.1. サウンドカードの
種類</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audio_Interfaces">1.1.1. オーディオインタフェース</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-MIDI_Interfaces">1.1.2. MIDI インターフェイス</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Card_Connections">1.2. サウンドカードの接続</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Motherboard_Integrated">1.2.1. マザーボードに統合</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-PCI_Sound_Cards">1.2.2. 内蔵 PCI 接続</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FireWire_Sound_Cards">1.2.3. 外部のFireWire 接続</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-USB_Sound_Cards">1.2.4. 外部 USB 接続</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Choose_
Sound_Card_Connection">1.2.5. 接続タイプをé¸æŠžã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Sample_Rate_and_Sample_Format">1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Sample">1.3.1. サンプル</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sample_Format">1.3.2. サンプルフォーマット</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sample_Rate">1.3.3. サンプルレート</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Bit_Rate">1.3.4. ビットレート</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions">1.3.5. çµè«–</a></span></dt></dl></dd><dt><span class="section"><a href="#chap-Musicians_Guide-Vocabulary">1.4. ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã
‚ªã®æ¦‚念</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-MIDI_Sequencer">1.4.1. MIDI シーケンサー</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Bus">1.4.2. ãƒã‚¹ã€ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã€€ãã—ã¦ã‚µãƒ–マスターãƒã‚¹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Level">1.4.3. レベル(ボリュームï¼ãƒ©ã‚¦ãƒ‰ãƒã‚¹ï¼‰</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Panning_and_Balance">1.4.4. パニングã¨ãƒãƒ©ãƒ³ã‚¹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Time">1.4.5. タイムã€ã‚¿ã‚¤ãƒ ラインã€ãã—ã¦ã‚¿ã‚¤ãƒ シフティング</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Synchronization">1.4.6. åŒæœŸ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing">1.4.7. ã
ƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨å¤šé‡åŒ–</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Multichannel_Audio">1.4.8. マルãƒãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-How_Computers_Deal_with_Hardware">2. サウンドカード用ã®ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers-ALSA">2.1. Linux ã¯ã©ã®ã‚ˆã†ã«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ã‚’扱ã†ã‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers_Section">2.2. サウンドサーãƒ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers-PulseAudio">2.2.1. パルスオーディオ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers-JACK">2.2.2. <code class="systemitem">JACK</code> オーディオ接続ã‚ット</a></span></dt><dt><span class="section"><a hr
ef="#sect-Musicians_Guide-Sound_Servers-Phonon">2.2.3. フォノン</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Using_JACK">2.3. <code class="systemitem">JACK</code> Audio Connection Kit を使う</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Install_and_Configure_JACK">2.3.1. <code class="systemitem">JACK</code> をインストール、設定する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Using_QjackCtl">2.3.2. <span class="application"><strong>QjackCtl</strong></span> を使う</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Integrating_PulseAudio_with_JACK">2.3.3. <code class="systemitem">PulseAudio</code> を <code class="systemitem">JACK</code> と統合する</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Real_Time_and_Low_Latency">3. リアルタイムと低遅延</a></span></dt><dd><dl><dt><span cl
ass="section"><a href="#sect-Musicians_Guide-Low_Latency">3.1. 低遅延がなぜ望ましいか</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Processor_Scheduling">3.2. プロセッサスケジューリング</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Real_Time_Linux_Kernel">3.3. リアルタイム Linux カーネル</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Hard_and_Soft_Real_Time">3.4. ハードとソフトリアルタイム</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora">3.5. Fedora Linux でリアルタイムカーネルを得る</a></span></dt></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Planet_CCRMA_at_Home">4. Planet CCRMA at Home</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-What_Is_Planet_CCRMA">4.1. Planet CCRMA at Home について</a></span></dt><dt><span class="se
ction"><a href="#sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA">4.2. Planet CCRMA at Home を使うかどうかを決める</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Need_Exclusive_Software">4.2.1. 独占的ソフトウエア</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Security_and_Stability">4.2.2. セキュリティと安定性</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Best_Practices">4.2.3. 可能な "ベストプラクティス "ソリューション</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Using_Planet_CCRMA_Software">4.3. Planet CCRMA at Home のソフトウエアを使う</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Installing_Repository">4.3.1. Planet CCRMA at Home リポジトリをインストールする</a></span></dt><dt><span class="section"><a href="#sect-M
usicians_Guide-CCRMA_Repository_Priorities">4.3.2. リポジトリの優先度を設定する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Preventing_Package_Updates">4.3.3. パッケージを更新されなくする</a></span></dt></dl></dd></dl></dd></dl></dd><dt><span class="part"><a href="#id810424">II. オーディオと音楽ソフトウエア</a></span></dt><dd><dl><dt><span class="chapter"><a href="#chap-Musicians_Guide-Audacity">5. Audacity</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Knowing_When_to_Use">5.1. Audacity をいつ使うか</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Requirements_and_Installation">5.2. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Software_Requirements">5.2.1. ソフトウエア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guid
e-Audacity-Hardware_Requirements">5.2.2. ハードウエア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Installation">5.2.3. 標準のインストール</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion">5.2.4. MP3 サポートを含むインストール</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Testing_Playback">5.2.5. インストール後のテスト：再生</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Testing_Recording">5.2.6. インストール後のテスト：録音</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity_Configuration">5.3. 構成</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-First_Use">5.3.1. 初めて Audacity を実行する時</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Gui
de-Audacity-Configure_to_Use_Your_Hardware">5.3.2. お使いのサウンドカードに合わせて Audacity を設定する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format">5.3.3. プロジェクトのサンプルレートとフォーマットを設定する</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Interface">5.4. インターフェース</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Recording">5.5. 録音</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Recording-Start_to_Record">5.5.1. 録音を開始する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record">5.5.2. 続けて録音する</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial">5.6. 新しいログインサウンドを
作る（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Files">5.6.1. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Scenario">5.6.2. シナリオ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks">5.6.3. トラックをæƒãˆã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks">5.6.4. トラックを伸ã°ã™</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level">5.6.5. ボリュームレベルを調整ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise">5.6.6. ノイズを除ã</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Fade_Out">5.6.7. ãƒ
•ã‚§ãƒ¼ãƒ‰ã‚¤ãƒ³ãƒ»ãƒ•ã‚§ãƒ¼ãƒ‰ã‚¢ã‚¦ãƒˆ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio">5.6.8. オーディオを削除ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment">5.6.9. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’ç¹°ã‚Šè¿”ã™</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser">5.6.10. ç‰¹æ®ŠåŠ¹æžœã‚’åŠ ãˆã‚‹ï¼ˆãƒ•ã‚§ãƒ¼ã‚¶ãƒ¼ï¼‰</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Conclusion">5.6.11. çµè«–</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Save_and_Export">5.7. ä¿å˜ã¨æ›¸ã出ã—</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Exporting_Part_of_a_File">5.7.1. ファイルã®éƒ¨åˆ†ã‚’書ã出ã™</a></span></dt><dt><span class="section"><a href="#sect-Music
ians_Guide-Audacity-Exporting_a_Whole_File">5.7.2. ファイルを全部書き出す</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Digital_Audio_Workstations">6. デジタルオーディオワークステーション</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Knowing_Which_DAW_to_Use">6.1. どの DAW を使うか</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Stages_of_Recording">6.2. 録音のステージ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Recording">6.2.1. 録音</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Mixing">6.2.2. ミキシング</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Mastering">6.2.3. マスタリング</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Record_Mix_Master_More_Info">6.2.4. 参考</a></span></dt></dl></dd><dt><span clas
s="section"><a href="#sect-Musicians_Guide-DAW_Interface_Vocabulary">6.3. インタフェース用語</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Session">6.3.1. セッション</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Track_and_Multitrack">6.3.2. トラックとマルチトラック</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Region_Clip_Segment">6.3.3. リージョン、クリップ、あるいはセグメント</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Transport_and_Playhead">6.3.4. トランスポートと再生ヘッド</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Automation">6.3.5. オートメーション</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-DAW_User_Interface">6.4. ユーザインタフェース</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide
-Messages_Pane">6.4.1. メッセージペイン</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-DAW_Clock">6.4.2. クロック</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Track_Info_Pane">6.4.3. トラック情報ペイン</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Track_Pane">6.4.4. トラックペイン</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-DAW_Transport_Controls">6.4.5. トランスポートコントロール</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Ardour">7. Ardour</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Requirements_and_Installation">7.1. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Knowledge_Requirements">7.1.1. 前提知識</a></span></dt><dt><span class="section"><a href="#sect-Musicians_
Guide-Ardour-Software_Requirements">7.1.2. ソフトウエア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Hardware_Requirements">7.1.3. ハードウエア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Installation">7.1.4. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording_a_Session">7.2. セッションを録音する</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Running_Ardour">7.2.1. <span class="application"><strong>Ardour</strong></span> を実行する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Interface">7.2.2. インターフェース</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline">7.2.3. タイムラインを設定する</a></span></dt><dt><span class="section"><
a href="#sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources">7.2.4. オーディオソースを <span class="application"><strong>Ardour</strong></span> ã«ã¤ãªã</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks">7.2.5. ãƒã‚¹ã¨ãƒˆãƒ©ãƒƒã‚¯ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level">7.2.6. 録音レベル（ボリューム）を調整ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Recording_a_Region">7.2.7. リージョンを録音ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Recording_More">7.2.8. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Routing_Audio">7.2.9. オーディオã®ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨ <code class="systemitem">JACK</code> 接ç
¶šã®ç®¡ç†</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio">7.2.10. æ—¢å˜ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’インãƒãƒ¼ãƒˆã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Tutorial_Files">7.3. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing">7.4. 曲を編集ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Add_Tracks_and_Busses">7.4.1. トラックã¨ãƒã‚¹ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses">7.4.2. トラックã¨ãƒã‚¹ã‚’接続ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks">7.4.3. トラックã«ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span cl
ass="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size">7.4.4. リージョンの大きさを切り詰める</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings">7.4.5. 同じものの複数の録音を比較する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Arrange">7.4.6. リージョンを正しい場所に並べる</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Listen">7.4.7. 聞く</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing">7.5. 曲をミキシングする（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Enabling_Stereo_Output">7.5.1. ステレオ出力のためにセッションの設定を行い、エディットグループを解除する</a></span></dt><dt><span class="
section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels">7.5.2. 最初のレベルを設定する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning">7.5.3. 最初のパニングを設定する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks">7.5.4. オートメーショントラックで、さらに調整をする</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Other_Things">7.5.5. その他、やると良いこと</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Listen">7.5.6. 聞く</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mastering">7.6. セッションのマスタリング</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mastering-Ways_to_Export">7.6.1. オーディオをエクスポー
トする方法</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window">7.6.2. エクスポートウインドウを使う</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Qtractor">8. Qtractor</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Requirements_and_Installation">8.1. 要求とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Knowledge_Requirements">8.1.1. 前提知識</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Software_Requirements">8.1.2. ソフトウエア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Hardware_Requirements">8.1.3. ハードウエア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Other_Requirements">8.1.4. その他の要件</a></span></dt
><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Installation">8.1.5. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration">8.2. 構成</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration-JACK">8.2.1. <span class="application"><strong>Qtractor</strong></span> を、 <code class="systemitem">JACK</code> (<span class="application"><strong>QjackCtl</strong></span>) と一緒に使う</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab">8.2.2. オーディオオプションを変更する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab">8.2.3. MIDI オプションを変更する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names">8.2.4. MIDI チャネル名を設定する<
/a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using">8.3. Qtractor を使う</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using-Blue_Place_Markers">8.3.1. 青いプレースマーカを使う</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using-MIDI_Tools">8.3.2. MIDI マトリックスエディタのツールを使う</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together">8.3.3. ファイル全部（オーディオと MIDI を一緒に）をエクスポートする</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using-Tips">8.3.4. その他の知識</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial">8.4. MIDI で作曲する（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a hre
f="#sect-Musicians_Guide-Qtractor-Tutorial-Inspiration">8.4.1. インスピレーション</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Requirements">8.4.2. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready">8.4.3. Qtractor を準備ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File">8.4.4. オーディオファイルをインãƒãƒ¼ãƒˆã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area">8.4.5. 最åˆã®ãƒ•ã‚©ãƒ¼ãƒžãƒ«ã‚¨ãƒªã‚¢ã‚’マークã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme">8.4.6. 主題を作る</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme">8.4.7. 主é
¡Œã‚’ç¹°ã‚Šè¿”ã—ã¾ã™ã€‚</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part">8.4.8. 次ã®ãƒ‘ートを作曲ã—ã¾ã™</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75">8.4.9. Qtractor ã®ï¼•ï¼’ã‹ã‚‰ï¼—５å°ç¯€</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97">8.4.10. Qtractor ã®ï¼—５ã‹ã‚‰ï¼™ï¼—å°ç¯€</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measure_97">8.4.11. Qtractor ã®ï¼™ï¼—å°ç¯€</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119">8.4.12. Qtractor ã®ï¼™ï¼˜ã‹ã‚‰ï¼‘１９å°ç¯€</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139">8.4.13. Qtractor ã®ï¼‘１９ã‹ã‚‰ï¼‘３９å°ç¯€</a></span></dt><dt><span class="section"><a hr
ef="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158">8.4.14. Qtractor の１３９から１５８小節</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176">8.4.15. Qtractor の１５８から１７６小節</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End">8.4.16. Qtractor の１７７小節から終わり</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Rosegarden">9. Rosegarden</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Requirements_and_Installation">9.1. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Knowledge_Requirements">9.1.1. 前提知識</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Software_Requirements">9.1.2. ソフトウェア要件
</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Hardware_Requirements">9.1.3. ハードウェア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Other_Requirements">9.1.4. その他の要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Installation">9.1.5. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Configuration">9.2. 構成</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Configuration-JACK_and_Qsynth">9.2.1. <span class="application"><strong>JACK</strong></span> と <span class="application"><strong>FluidSynth</strong></span> (<span class="application"><strong>Qsynth</strong></span>) をセットアップ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden">9.2.2. <span class="application"><stron
g>Rosegarden</strong></span> の設定</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden_and_LilyPond">9.3. <span class="application"><strong>Rosegarden</strong></span> と LilyPond</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial">9.4. <span class="application"><strong>Rosegarden</strong></span> で、作曲する。（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Bass_Line">9.4.1. 楽譜をベースラインから始める</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track">9.4.2. パーカッショントラックを追加</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion">9.4.3. パーカッションをスパイスアップ</a></span></dt><dt><span class="section"><a href="#sect-Musicians
_Guide-Rosegarden-Tutorial-Melody">9.4.4. メãƒãƒ‡ã‚£ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue">9.4.5. å…ˆã«é€²ã‚€ã„ãã¤ã‹ã®æ–¹æ³•</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-FluidSynth">10. FluidSynth</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-SoundFont_Technology_and_MIDI">10.1. サウンドフォント技術㨠MIDI</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-How_to_Get_a_SoundFont">10.1.1. ã©ã®ã‚ˆã†ã«ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã‚’å¾—ã‚‹ã‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-MIDI_Terms">10.1.2. MIDI インストゥルメントã€ãƒãƒ³ã‚¯ã€ãƒ—ãƒã‚°ãƒ©ãƒ ã€ãŠã‚ˆã³ãƒ‘ッãƒ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-MIDI_Channels">10.1.3. MIDIãƒãƒ£ãƒ³ã
ƒãƒ«</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Requirements_and_Installation">10.2. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Software_Requirements">10.2.1. ソフトウェアè¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation">10.2.2. <span class="application"><strong>FluidSynth</strong></span> ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth">10.2.3. <span class="application"><strong>Qsynth</strong></span> ã¨ä¸€ç·’ã«ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth">10.2.4. <span class="application"><strong>Qsynth</strong></span> ãªã—ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dt><sp
an class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files">10.2.5. サウンドフォントファイルをインストールする</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-In_a_Terminal">10.3. <span class="application"><strong>FluidSynth</strong></span> を、ターミナルエミュレータから使う</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring">10.4. <span class="application"><strong>Qsynth</strong></span> を設定する</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-Starting_FluidSynth">10.4.1. <span class="application"><strong>FluidSynth</strong></span> を開始する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-SoundFont">10.4.2. サウンドフォントの構成</a></span></dt><dt><span class="section"><a href="#sect-Mus
icians_Guide-FluidSynth-Configuring-JACK_Output">10.4.3. <span class="application"><strong>JACK</strong></span> の出力を設定する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input">10.4.4. MIDI 入力を設定する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings">10.4.5. <span class="application"><strong>FluidSynth</strong></span> の設定のすべてを見る</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels">10.5. <span class="application"><strong>Qsynth</strong></span> で、プログラムをチャネルに割り当てる</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Changing_Number_of_Input_Channels">10.5.1. MIDI 入力チャネル数を変更する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Fl
uidSynth-Saving_and_Reusing_Channel_Assignments">10.5.2. チャネルの割り当てを保存、再使用する</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus">10.6. <span class="application"><strong>Qsynth</strong></span> で、リバーブとコーラスを使う</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Multiple_Instances">10.7. <span class="application"><strong>Qsynth</strong></span> で、複数の <span class="application"><strong>FluidSynth</strong></span> インスタンスを使う</a></span></dt></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-SuperCollider">11. <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Requirements_and_Installation">11.1. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_G
uide-SC-Req_and_Inst-Knowledge">11.1.1. 前提知識</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Req_and_Inst-Software_Requirements">11.1.2. ソフトウエア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Req_and_Inst-Hardware_Requirements">11.1.3. ハードウエア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-SC-Req_and_Inst-Available_Packages">11.1.4. <span class="application"><strong>SuperCollider</strong></span> 関連のパッケージ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Req_and_Inst-Recommended_Installation">11.1.5. お勧めするインストール</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit">11.2. <span class="application"><strong>GEdit</strong></span> を使って <span class="application"><strong>SuperCollider</strong></span> プログラムを書いて実行する</a></sp
an></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit-Enable_and_Configure_SCEd">11.2.1. <span class="application"><strong>GEdit</strong></span> で、SCEd を有効にして、構成する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server">11.2.2. <span class="application"><strong>SuperCollider</strong></span> モードを有効にして、サーバを開始します。</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit-Executing_Code">11.2.3. <span class="application"><strong>GEdit</strong></span> でコードを実行する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit-Other_Tips">11.2.4. <span class="application"><strong>GEdit</strong></span> を <span class="application"><strong>SuperCollider</strong></span> と使うための他のヒント</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Mus
icians_Guide-SuperCollider-Basic_Programming">11.3. Basic Programming in <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-First_Steps">11.3.1. First Steps</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions">11.3.2. Variables and Functions</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented">11.3.3. Object-Oriented <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions">11.3.4. Sound-Making Functions</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio">11.3.5. Multichannel Audio</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_P
rogramming-Collections">11.3.6. Collections</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Repeating">11.3.7. Repeated Execution</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution">11.3.8. Conditional Execution</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix">11.3.9. Combining Audio; the Mix Class</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth">11.3.10. SynthDef and Synth</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Busses">11.3.11. Busses</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features">11.3.12. Ordering and Other Synth Features</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-S
cheduling">11.3.13. Scheduling</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Getting_Help">11.3.14. How to Get Help</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution">11.3.15. Legal Attribution</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-SuperCollider-Composing">11.4. Composing with SuperCollider</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Tutorial_Files">11.4.1. Files for the Tutorial</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Inspiration">11.4.2. Inspiration</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Designing_the_First_Part">11.4.3. Designing the First Part</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part">11.4.4. Designing the Second Pa
rt</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones">11.4.5. Creating Ten Pseudo-Random Tones</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones">11.4.6. Scheduling the Tones</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Optimizing_the_Code">11.4.7. Optimizing the Code</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part">11.4.8. Making a Useful Section out of the Second Part</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts">11.4.9. Joining the Two Parts</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-SuperCollider-Exporting">11.5. Exporting Sound Files</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Non_Real_Ti
me_Synthesis">11.5.1. Non-Real-Time Synthesis</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Recording_SuperColliders_Output">11.5.2. Recording SuperCollider's Output (Tutorial)</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-LilyPond">12. <span class="application"><strong>LilyPond</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-How_LilyPond_Works">12.1. <span class="application"><strong>LilyPond</strong></span> がいかに動作するか</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-The_LilyPond_Approach">12.2. <span class="application"><strong>LilyPond</strong></span> アプローチ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Installation">12.3. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Installation-
Frescobaldi">12.3.1. Frescobaldi について</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation">12.3.2. 要件とインストール (<span class="application"><strong>Frescobaldi</strong></span> のため)</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Configure_Frescobaldi">12.4. <span class="application"><strong>Frescobaldi</strong></span> の設定</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax">12.5. <span class="application"><strong>LilyPond</strong></span> の基本</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Letters_Are_Pitches">12.5.1. 文字は音程</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations">12.5.2. 数字は長さ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-
Syntax-Articulations">12.5.3. アーティキュレーション、表情記号</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Simultaneity">12.5.4. 同時性</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Chords">12.5.5. 和音</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Commands">12.5.6. コマンド</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Source_Files">12.5.7. ソースファイルとそのフォーマット</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors">12.5.8. 誤りを避けるには</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint">12.6. 対位法の課題をする（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterp
oint-Tutorial_Files">12.6.1. チュートリアルのためのファイル</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score">12.6.2. 楽譜を開始する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output">12.6.3. Frescobaldi の出力を調整する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Inputting">12.6.4. 音符を入力する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score">12.6.5. 楽譜をフォーマットする</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra">12.7. オーケストラスコアの作業（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra-Tutorial_Files">12.7.1. チュート
リアルのためのファイル</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score">12.7.2. スコアを開始する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output">12.7.3. Frescobaldi の出力を調整する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra-Inputting">12.7.4. 音符を入力する</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano">12.8. ピアノソナタの作業（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Tutorial_Files">12.8.1. チュートリアルのためのファイル</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score">12.8.2. 楽譜を開始する</a></span></dt><dt><span class="section"><a href="#
sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output">12.8.3. Frescobaldi の出力を調整する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Inputting">12.8.4. Input Notes</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors">12.8.5. Troubleshoot Errors</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Formatting">12.8.6. Format the Score (Piano Dynamics)</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Solfege">13. GNU ソルフェージュ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Requirements_and_Installation">13.1. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Hardware_and_Software_Requirements">13.1.1. ハードウエアとソフトウエア要件</a></span></dt><dt><span
class="section"><a href="#sect-Musicians_Guide-Solfege-Other_Requirements">13.1.2. その他の要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Install">13.1.3. 必要なインストール</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Install_Csound">13.1.4. オプショナルなインストール： Csound</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Install_MMA">13.1.5. オプショナルインストール : MMA</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration">13.2. 構成</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-First_Time">13.2.1. Solfege を初めて実行するとき</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-Instruments">13.2.2. Instruments</a></span></dt><dt><span class="section"><a href="#sect-Mu
sicians_Guide-Solfege-Configuration-External_Programs">13.2.3. External Programs</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-Interface">13.2.4. Interface</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-Practise">13.2.5. Practise</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-Sound_Setup">13.2.6. Sound Setup</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training">13.3. あなたのトレーニング</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training-Aural_Skilla_and_Musical_Sensibility">13.3.1. オーラルスキルと音楽的感性</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training-Exercise_Types">13.3.2. 課題のタイプ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Train
ing-Making_an_Aural_Skills_Program">13.3.3. オーラルスキルプログラムを作る</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training-Supplementary_References">13.3.4. 補足の参照</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Using_the_Exercises">13.4. 課題を使う</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Listening_Exercises">13.4.1. Listening</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Singing_Exercises">13.4.2. Singing</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Configure_Yourself_Exericses">13.4.3. Configure Yourself</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Rhythm_Exercises">13.4.4. Rhythm</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Dictation_Exercises">13.4.5. Dictation</a></span></dt><dt><span class="
section"><a href="#sect-Musicians_Guide-Solfege-Harmonic_Progressions">13.4.6. Harmonic Progressions</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Intonation">13.4.7. Intonation</a></span></dt></dl></dd></dl></dd></dl></dd><dt><span class="appendix"><a href="#appe-Musicians_Guide-Contributors">A. Contributors</a></span></dt><dt><span class="appendix"><a href="#appe-Musicians_Guide-Revision_History">B. 改訂履歴</a></span></dt></dl></div><div xml:lang="ja-JP" class="preface" id="pref-Musicians_Guide-Preface" lang="ja-JP"><div class="titlepage"><div><div><h1 class="title">前書き</h1></div></div></div><div xml:lang="ja-JP" class="section" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="id867643">1. 表記方法</h2></div></div></div><div class="para">
+ 本ガイドは特定の単語や語句を強調したり、 記載内容の特定部分に注意を引かせる目的で次のような表記方法を使用しています。
+ </div><div class="para">
+ PDF版 および印刷版では、 <a href="https://fedorahosted.org/liberation-fonts/">Liberation Fonts</a> セットから採用した書体を使用しています。 ご使用のシステムに Liberation Fonts セットがインストールされている場合、 HTML 版でもこのセットが使用されます。 インストールされていない場合は代替として同等の書体が表示されます。 注記: Red Hat Enterprise Linux 5 およびそれ以降のバージョンにはデフォルトで Liberation Fonts セットが収納されます。
+ </div><div class="section"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="id1234484">1.1. 印刷における表記方法</h3></div></div></div><div class="para">
+ 特定の単語や語句に注意を引く目的で 4 種類の表記方法を使用しています。 その表記方法および適用される状況は以下の通りです。
+ </div><div class="para">
+ <code class="literal">等幅の太字</code>
+ </div><div class="para">
+ シェルコマンド、ファイル名、パスなどシステムへの入力を強調するために使用しています。またキー配列やキーの組み合わせを強調するのにも使用しています。 例えば、
+ </div><div class="blockquote"><blockquote class="blockquote"><div class="para">
+ 現在作業中のディレクトリ内のファイル <code class="filename">my_next_bestselling_novel</code> の内容を表示させるには、 シェルプロンプトで <code class="command">cat my_next_bestselling_novel</code> コマンドを入力してから <span class="keycap"><strong>Enter</strong></span> を押してそのコマンドを実行します。
+ </div></blockquote></div><div class="para">
+ 上記にはファイル名、シェルコマンド、キーが含まれています。 すべて等幅の太字で表されているため文中内で見分けやすくなっています。
+ </div><div class="para">
+ キーが 1 つの場合と複数のキーの組み合わせになる場合を区別するため、 その組み合わせを構成するキー同士をハイフンでつないでいます。 例えば、
+ </div><div class="blockquote"><blockquote class="blockquote"><div class="para">
+ <span class="keycap"><strong>Enter</strong></span> を押してコマンドを実行します。
+ </div><div class="para">
+ 1 番目の仮想ターミナルに切り替えるは、 <span class="keycap"><strong>Ctrl</strong></span>+<span class="keycap"><strong>Alt</strong></span>+<span class="keycap"><strong>F2</strong></span> を押します。 X-Windows セッションに戻るには、 <span class="keycap"><strong>Ctrl</strong></span>+<span class="keycap"><strong>Alt</strong></span>+<span class="keycap"><strong>F1</strong></span> を押します。
+ </div></blockquote></div><div class="para">
+ 最初の段落では押すべき 1 つのキーを特定して強調しています。 次の段落では同時に押すべき 3 つのキーの組み合わせが 2 種類ありそれぞれ強調されています。
+ </div><div class="para">
+ ソースコードの説明では 1 段落内で提示されるクラス名、 メソッド、 関数、 変数名、 戻り値を上記のように <code class="literal">等幅の太字</code> で表示します。 例えば、
+ </div><div class="blockquote"><blockquote class="blockquote"><div class="para">
+ ファイル関連のクラス群はファイルシステムに対しては <code class="classname">filesystem</code>、 ファイルには <code class="classname">file</code>、 ディレクトリには <code class="classname">dir</code> をそれぞれ含みます。 各クラスは個別に関連する権限セットを持っています。
+ </div></blockquote></div><div class="para">
+ <span class="application"><strong>プロポーショナルの太字</strong></span>
+ </div><div class="para">
+ アプリケーション名、 ダイアログボックスのテキスト、ラベル付きボタン、 チェックボックスとラジオボタンのラベル、 メニュータイトルとサブメニュータイトルなどシステム上で見られる単語や語句を表します。 例えば、
+ </div><div class="blockquote"><blockquote class="blockquote"><div class="para">
+ メインメニューバーから <span class="guimenu"><strong>システム > 個人設定 > マウス</strong></span> の順で選択し <span class="application"><strong>マウスの個人設定</strong></span> を起動します。 <span class="guilabel"><strong>ボタン</strong></span> タブ内で <span class="guilabel"><strong>左ききのマウス</strong></span> チェックボックスをクリックしてから <span class="guibutton"><strong>閉じる</strong></span> をクリックしマウスの主要ボタンを左から右に切り替えます (マウスを左ききの人が使用するのに適した設定にする)。
+ </div><div class="para">
+ <span class="application"><strong>gedit</strong></span> ファイルに特殊な文字を挿入する場合は、 メインメニューバーから <span class="guimenu"><strong>アプリケーション > アクセサリ > 文字マップ</strong></span> の順で選択します。 次に <span class="application"><strong>文字マップ</strong></span> メニューバーから <span class="guimenu"><strong>検索 > 検索…</strong></span> と選択して <span class="guilabel"><strong>検索</strong></span> フィールド内にその文字名を入力し <span class="guibutton"><strong>次</strong></span> をクリックします。 探している文字が <span class="guilabel"><strong>文字表</strong></span> 内で強調表示されます。 この強調表示された文字をダブルクリックすると <span class="guilabel"><strong>コピーするテキスト</strong></span> フィールド内に置かれるので次に <span class="guibutton"><st
rong>コピー</strong></span> ボタンをクリックします。 ここでドキュメントに戻り <span class="application"><strong>gedit</strong></span> メニューバーから <span class="guimenu"><strong>編集 > 貼り付け</strong></span> を選択します。
+ </div></blockquote></div><div class="para">
+ 上記には、 アプリケーション名、 システム全体のメニュー名と項目、 アプリケーション固有のメニュー名、 GUI インタフェースで見られるボタンやテキストがあります。 すべてプロポーショナルの太字で表示されているため文中内で見分けやすくなっています。
+ </div><div class="para">
+ <code class="command"><em class="replaceable"><code>等幅の太字で且つ斜体</code></em></code> または <span class="application"><strong><em class="replaceable"><code>プロポーショナルの太字で且つ斜体</code></em></strong></span>
+ </div><div class="para">
+ 等幅の太字やプロポーショナルの太字はいずれであっても斜体の場合は置換可能なテキストか変化するテキストを示します。 斜体は記載されている通りには入力しないテキスト、あるいは状況に応じて変化する出力テキストを表します。 例えば、
+ </div><div class="blockquote"><blockquote class="blockquote"><div class="para">
+ ssh を使用してリモートマシンに接続するには、 シェルプロンプトで <code class="command">ssh <em class="replaceable"><code>username</code></em>@<em class="replaceable"><code>domain.name</code></em></code> と入力します。 リモートマシンが <code class="filename">example.com</code> であり、 そのマシンで使用しているユーザー名が john なら <code class="command">ssh john at example.com</code> と入力します。
+ </div><div class="para">
+ <code class="command">mount -o remount <em class="replaceable"><code>file-system</code></em></code> コマンドは指定したファイルシステムを再マウントします。 例えば、 <code class="filename">/home</code> ファイルシステムを再マウントするコマンドは <code class="command">mount -o remount /home</code> になります。
+ </div><div class="para">
+ 現在インストールされているパッケージのバージョンを表示するには、 <code class="command">rpm -q <em class="replaceable"><code>package</code></em></code> コマンドを使用します。 結果として次を返してきます、 <code class="command"><em class="replaceable"><code>package-version-release</code></em></code>。
+ </div></blockquote></div><div class="para">
+ 上記の太字斜体の単語 — username、 domain.name、 file-system、 package、 version、 release に注目してください。 いずれもコマンドを発行するときに入力するテキスト用のプレースホルダーかシステムにより出力されるテキスト用のプレースホルダーになっています。
+ </div><div class="para">
+ タイトル表示のような標準的な使用の他、 斜体は新しい重要な用語が初めて出現する場合にも使用されます。 例えば、
+ </div><div class="blockquote"><blockquote class="blockquote"><div class="para">
+ Publican は <em class="firstterm">DocBook</em> の発行システムです。
+ </div></blockquote></div></div><div class="section"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="id1030373">1.2. 引用における表記方法</h3></div></div></div><div class="para">
+ 端末の出力とソースコード一覧は、視覚的に周囲の文から区別されています。
+ </div><div class="para">
+ 端末に送信される出力は <code class="computeroutput">mono-spaced roman</code> (等幅の Roman) にセットされるので以下のように表示されます。
+ </div><pre class="screen">books Desktop documentation drafts mss photos stuff svn
+books_tests Desktop1 downloads images notes scripts svgs</pre><div class="para">
+ ソースコードの一覧も <code class="computeroutput">mono-spaced roman</code> (等幅の Roman) でセットされますが、以下のように強調表示されます。
+ </div><pre class="programlisting">package org.<span class="perl_Function">jboss</span>.<span class="perl_Function">book</span>.<span class="perl_Function">jca</span>.<span class="perl_Function">ex1</span>;
+
+<span class="perl_Keyword">import</span> javax.naming.InitialContext;
+
+<span class="perl_Keyword">public</span> <span class="perl_Keyword">class</span> ExClient
+{
+ <span class="perl_Keyword">public</span> <span class="perl_DataType">static</span> <span class="perl_DataType">void</span> <span class="perl_Function">main</span>(String args[])
+ <span class="perl_Keyword">throws</span> Exception
+ {
+ InitialContext iniCtx = <span class="perl_Keyword">new</span> InitialContext();
+ Object ref = iniCtx.<span class="perl_Function">lookup</span>(<span class="perl_String">"EchoBean"</span>);
+ EchoHome home = (EchoHome) ref;
+ Echo echo = home.<span class="perl_Function">create</span>();
+
+ System.<span class="perl_Function">out</span>.<span class="perl_Function">println</span>(<span class="perl_String">"Created Echo"</span>);
+
+ System.<span class="perl_Function">out</span>.<span class="perl_Function">println</span>(<span class="perl_String">"Echo.echo('Hello') = "</span> + echo.<span class="perl_Function">echo</span>(<span class="perl_String">"Hello"</span>));
+ }
+}</pre></div><div class="section"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="id868019">1.3. 注記および警告</h3></div></div></div><div class="para">
+ 情報が見過ごされないよう 3 種類の視覚的なスタイルを使用して注意を引いています。
+ </div><div class="note"><div class="admonition_header"><h2>注記</h2></div><div class="admonition"><div class="para">
+ 注記は説明している部分に対するヒントや近道あるいは代替となる手段などになります。注記を無視しても悪影響はありませんが知っておくと便利なコツを見逃すことになるかもしれません。
+ </div></div></div><div class="important"><div class="admonition_header"><h2>重要</h2></div><div class="admonition"><div class="para">
+ 重要ボックスは見逃しやすい事項を詳細に説明しています。現在のセッションにのみ適用される設定上の変更点、 更新を適用する前に再起動が必要なサービスなどがあります。重要ボックスを無視してもデータを喪失するような結果にはなりませんがイライラ感やフラストレーションが生じる可能性があります。
+ </div></div></div><div class="warning"><div class="admonition_header"><h2>警告</h2></div><div class="admonition"><div class="para">
+ 警告は無視しないでください。警告を無視するとデータを喪失する可能性が非常に高くなります。
+ </div></div></div></div></div><div xml:lang="ja-JP" class="section" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="id835744">2. フィードバック</h2></div></div></div><a id="id835754" class="indexterm"></a><div class="para">
+ 本ガイドに誤植を見つけられた場合や本ガイドの改善案をお持ちの場合はぜひお知らせください。 Bugzilla <a href="http://bugzilla.redhat.com/bugzilla/">http://bugzilla.redhat.com/bugzilla/</a> にて、 Product には <span class="application"><strong>Fedora Documentation.</strong></span> を選びレポートの提出をお願いいたします。
+ </div><div class="para">
+ バグレポートを提出される場合は、 そのガイドの識別子となる <em class="citetitle">musicians-guide</em> を必ず明記して頂くようお願いします。
+ </div><div class="para">
+ ドキュメントに関する改善のご意見についてはできるだけ具体的にお願いいたします。 エラーを発見された場合は、 セクション番号および該当部分の前後の文章も含めてご報告頂くと照合が容易になります。
+ </div></div></div><div class="part" id="id847096"><div class="titlepage"><div><div text-align="center"><h1 class="title">パート I. Linux オーディオの基本</h1></div></div></div><div class="toc"><p><strong>目次</strong></p><dl><dt><span class="chapter"><a href="#chap-Musicians_Guide-Sound_Cards">1. サウンドカードとデジタルオーディオ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-What_Sound_Cards_Are">1.1. サウンドカードの種類</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audio_Interfaces">1.1.1. オーディオインタフェース</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-MIDI_Interfaces">1.1.2. MIDI インターフェイス</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Card_Connections">1.2. サウンドカードの接続</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_G
uide-Motherboard_Integrated">1.2.1. マザーボードã«çµ±åˆ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-PCI_Sound_Cards">1.2.2. 内蔵 PCI 接続</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FireWire_Sound_Cards">1.2.3. 外部ã®FireWire 接続</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-USB_Sound_Cards">1.2.4. 外部 USB 接続</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Choose_Sound_Card_Connection">1.2.5. 接続タイプをé¸æŠžã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Sample_Rate_and_Sample_Format">1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Sample">1.3.1. サンプル</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sample_Format">1.3.2. サンプãƒ
«ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sample_Rate">1.3.3. サンプルレート</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Bit_Rate">1.3.4. ビットレート</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions">1.3.5. çµè«–</a></span></dt></dl></dd><dt><span class="section"><a href="#chap-Musicians_Guide-Vocabulary">1.4. ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ¦‚念</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-MIDI_Sequencer">1.4.1. MIDI シーケンサー</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Bus">1.4.2. ãƒã‚¹ã€ãƒžã‚¹ã‚¿ãƒ¼ãƒã‚¹ã€€ãã—ã¦ã‚µãƒ–マスターãƒã‚¹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Level">1.4.3. レベル(ボリュームï¼ãƒ©ã‚¦ãƒ‰ãƒã‚¹ï¼‰</a></span></dt><dt><span class="section
"><a href="#sect-Musicians_Guide-Vocabulary-Panning_and_Balance">1.4.4. パニングã¨ãƒãƒ©ãƒ³ã‚¹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Time">1.4.5. タイムã€ã‚¿ã‚¤ãƒ ラインã€ãã—ã¦ã‚¿ã‚¤ãƒ シフティング</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Synchronization">1.4.6. åŒæœŸ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing">1.4.7. ルーティングã¨å¤šé‡åŒ–</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Multichannel_Audio">1.4.8. マルãƒãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-How_Computers_Deal_with_Hardware">2. サウンドカード用ã®ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers-ALSA">2.1. Linux ã¯ã©ã®ã‚ˆã†ã«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒãƒ¼ã
ƒ‰ã‚¦ã‚§ã‚¢ã‚’扱ã†ã‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers_Section">2.2. サウンドサーãƒ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers-PulseAudio">2.2.1. パルスオーディオ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers-JACK">2.2.2. <code class="systemitem">JACK</code> オーディオ接続ã‚ット</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers-Phonon">2.2.3. フォノン</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Using_JACK">2.3. <code class="systemitem">JACK</code> Audio Connection Kit を使ã†</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Install_and_Configure_JACK">2.3.1. <code class="systemitem">JACK</code> をインストールã€è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Gu
ide-Using_QjackCtl">2.3.2. <span class="application"><strong>QjackCtl</strong></span> を使う</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Integrating_PulseAudio_with_JACK">2.3.3. <code class="systemitem">PulseAudio</code> を <code class="systemitem">JACK</code> と統合する</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Real_Time_and_Low_Latency">3. リアルタイムと低遅延</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Low_Latency">3.1. 低遅延がなぜ望ましいか</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Processor_Scheduling">3.2. プロセッサスケジューリング</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Real_Time_Linux_Kernel">3.3. リアルタイム Linux カーネル</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Hard_and_Soft_Real_Time">3.4. ハードとソ
フトリアルタイム</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora">3.5. Fedora Linux でリアルタイムカーネルを得る</a></span></dt></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Planet_CCRMA_at_Home">4. Planet CCRMA at Home</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-What_Is_Planet_CCRMA">4.1. Planet CCRMA at Home について</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA">4.2. Planet CCRMA at Home を使うかどうかを決める</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Need_Exclusive_Software">4.2.1. 独占的ソフトウエア</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Security_and_Stability">4.2.2. セキュリティと安定性</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide
-CCRMA_Best_Practices">4.2.3. 可能な "ベストプラクティス "ソリューション</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Using_Planet_CCRMA_Software">4.3. Planet CCRMA at Home のソフトウエアを使う</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Installing_Repository">4.3.1. Planet CCRMA at Home リポジトリをインストールする</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Repository_Priorities">4.3.2. リポジトリの優先度を設定する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Preventing_Package_Updates">4.3.3. パッケージを更新されなくする</a></span></dt></dl></dd></dl></dd></dl></div><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-Sound_Cards" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第1章 サウンドカードとデジタルオーディ
オ</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-What_Sound_Cards_Are">1.1. サウンドカードの種類</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audio_Interfaces">1.1.1. オーディオインタフェース</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-MIDI_Interfaces">1.1.2. MIDI インターフェイス</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Card_Connections">1.2. サウンドカードの接続</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Motherboard_Integrated">1.2.1. マザーボードに統合</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-PCI_Sound_Cards">1.2.2. 内蔵 PCI 接続</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FireWire_Sound_Cards">1.2.3. 外部のFireWire 接続</a></span></dt><dt><span class="sectio
n"><a href="#sect-Musicians_Guide-USB_Sound_Cards">1.2.4. 外部 USB 接続</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Choose_Sound_Card_Connection">1.2.5. 接続タイプを選択する</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Sample_Rate_and_Sample_Format">1.3. サンプル、サンプルレート、サンプルフォーマット、およびビットレート</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Sample">1.3.1. サンプル</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sample_Format">1.3.2. サンプルフォーマット</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sample_Rate">1.3.3. サンプルレート</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Bit_Rate">1.3.4. ビットレート</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusi
ons">1.3.5. 結論</a></span></dt></dl></dd><dt><span class="section"><a href="#chap-Musicians_Guide-Vocabulary">1.4. その他のデジタルオーディオの概念</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-MIDI_Sequencer">1.4.1. MIDI シーケンサー</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Bus">1.4.2. バス、マスターバス そしてサブマスターバス</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Level">1.4.3. レベル(ボリューム／ラウドネス）</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Panning_and_Balance">1.4.4. パニングとバランス</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Time">1.4.5. タイム、タイムライン、そしてタイムシフティング</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Voca
bulary-Synchronization">1.4.6. 同期</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing">1.4.7. ルーティングと多重化</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Multichannel_Audio">1.4.8. マルチチャネルオーディオ</a></span></dt></dl></dd></dl></div><div class="para">
+ この章では、コンピュータオーディオのハードウェアに使用される技術的な用語を紹介します。
+ </div><div class="section" id="sect-Musicians_Guide-What_Sound_Cards_Are"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-What_Sound_Cards_Are">1.1. サウンドカードの種類</h2></div></div></div><div class="para">
+ サウンドカードは、コンピュータが音を処理するためのハードウェアデバイスです。 ほとんどのサウンドカードは、オーディオインターフェースか MIDI インターフェイスを持ちます。 この2種類のインターフェイスは以下で説明されます。
+ </div><div class="section" id="sect-Musicians_Guide-Audio_Interfaces"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audio_Interfaces">1.1.1. オーディオインタフェース</h3></div></div></div><div class="para">
+ オーディオインターフェイスは、コンピュータとマイク、スピーカーなどのオーディオ機器の間の接続を提供するハードウェアデバイスです。 オーディオインターフェイスは、通常、オーディオ信号をアナログとデジタル形式の間で変換します：コンピュータに入る信号は、アナログ - デジタル変換器を介し、コンピュータから出る信号はディジタル - アナログ変換器を介します。 一部のオーディオインターフェイスは、 デジタル入力と出力ポートがあります。つまり、他のデバイスが、アナログおよびデジタル信号フォーマット間の変換をすることを意味します。
+ </div><div class="para">
+ アナログとデジタルのオーディオ信号フォーマット間の変換はオーディオインターフェースの主な機能です。 本物の音は、音程、ボリューム、および持続時間の範囲が無限になることがあります。 コンピュータは、無限の情報を処理できず、音はデジタル形式に変換される必要があります。 デジタル音声信号は、音程、ボリューム、および持続時間の範囲が限られています。 高品質のアナログ -デジタルおよびデジタル - アナログコンバータは、可能な限り、元のアナログ信号を保つ方法で、信号形式を変換します。これらのコンバータの品質はオーディオインターフェイスの品質を決定する上で非常に重要です。
+ </div><div class="para">
+ オーディオインターフェイスは、そのほかに、マイク、スピーカー、ヘッドフォン、エレキギターのような電子楽器など、外部オーディオ機器用のコネクタを提供します。
+ </div></div><div class="section" id="sect-Musicians_Guide-MIDI_Interfaces"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-MIDI_Interfaces">1.1.2. MIDI インターフェイス</h3></div></div></div><div class="para">
+ Musical Instrument Digital Interface（MIDI）は、デジタル音楽機器を制御するために使用される標準です。 多くの人々は、この言葉をアコースティック楽器の低品質の模造品と関連付けます。 MIDI 信号自身は音を持っていないので、これは残念なことです。 MIDI 信号は、デバイスを制御するための命令です：それはシンセサイザに、いつ音を開始し停止するか、音はどれくらいの長さか、どの高さかを指示します。 シンセサイザは、これらの命令に従って、オーディオ信号を生成します。 多くの MIDI 制御シンセサイザは、アコースティック楽器の低品質の模造品ですが、高品質の模造品といえるものも多くあります。 MIDI 対応のデバイスは、多くの主流、非主流の音楽の現場で使用されており、ほとんど実際のアコースティック楽器と区別
することができません。 MIDI インターフェイスは、MIDI 信号だけを送信し、オーディオ信号を送信しません。 一部のオーディオインターフェイスは組み込みの MIDI インターフェイスを持っており、両方のインターフェイスが同じ物理デバイスを共有することを可能にしています。
+ </div><div class="para">
+ MIDI 信号から音を作成するには、"MIDI シンセサイザ"が必要です。 MIDI シンセサイザには専用のハードウェアを持つものも、ソフトウェアだけを使うものもあります。サウンドフォント技術に基づく、ソフトウェアだけの、 MIDI シンセサイザについては、<a class="xref" href="#chap-Musicians_Guide-FluidSynth">10章<em>FluidSynth</em></a> に書かれています。
+ </div><div class="para">
+ あなたは、ハードウェアベースの MIDI インターフェイスを使用せずに、MIDI 信号、シンセサイザ、およびアプリケーションを使用することができます。 ミュージシャンガイドのすべてのMIDI対応アプリケーションは、ソフトウェアベースの MIDI ソリューションとよく連動し、また、ハードウェアベースの MIDI 機器と互換性があります。
+ </div></div></div><div class="section" id="sect-Musicians_Guide-Sound_Card_Connections"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Sound_Card_Connections">1.2. サウンドカードの接続</h2></div></div></div><div class="para">
+ オーディオインターフェイスと MIDI インターフェイスの両方は、以下の接続方法を使用することができます。 このセクションでは、"サウンドカード"は"オーディオインターフェースや MIDI インターフェイス"を意味します。
+ </div><div class="section" id="sect-Musicians_Guide-Motherboard_Integrated"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Motherboard_Integrated">1.2.1. マザーボードに統合</h3></div></div></div><div class="para">
+ 統合されたサウンドカードがコンピュータのマザーボードに組み込まれています。 これらのサウンドカードによって生成される音声の品質が向上しており、これらはほとんどの非専門のコンピュータオーディオの作業には十分です。 あなたが、プロフェッショナルなサウンドのオーディオインターフェイスを望む場合や、高品質のデバイスを接続する場合は、追加のオーディオインターフェイスをお勧めします。
+ </div><div class="para">
+ MIDI インターフェイスがマザーボードに組み込まれていることはほとんどありません。
+ </div></div><div class="section" id="sect-Musicians_Guide-PCI_Sound_Cards"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-PCI_Sound_Cards">1.2.2. 内蔵 PCI 接続</h3></div></div></div><div class="para">
+ PCI または PCI-Express でマザーボードに接続するサウンドカードは、USB または FireWire 接続のサウンドカードよりも高いパフォーマンスと低遅延を提供します。 プロ品質のサウンドカードは、多くの場合、サウンドカードに接続された外部デバイスを持ち、これにオーディオ機器が接続されています。 あなたはノート PC やネットブックコンピュータで、これらのサウンドカードを使用することはできません。
+ </div></div><div class="section" id="sect-Musicians_Guide-FireWire_Sound_Cards"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FireWire_Sound_Cards">1.2.3. 外部のFireWire 接続</h3></div></div></div><div class="para">
+ FireWire 接続のサウンドカードは、USB 接続のサウンドカードほど普及していませんが、それらは一般的に高品質です。その理由の１つは、 FireWire 接続のサウンドカードは、FireWire の"帯域保証"と"バスマスタリング"能力を使用し、これらはいずれも遅延を少なくするからです。 高速 FireWire 接続は、高速 USB 接続がない、古いコンピュータ上でも利用できます。
+ </div><div class="para">
+ FireWire デバイスは、標準の Fedora Linux カーネルと互換性のないことがあります。もしあなたが FireWire 接続のサウンドカードをお持ちなら、Planet CCRMA at Home のカーネルを使用する必要があります。 Planet CCRMA at Home のカーネルをインストールする手順は、 <a class="xref" href="#sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora">「Fedora Linux でリアルタイムカーネルを得る」</a>を参照ください。
+ </div></div><div class="section" id="sect-Musicians_Guide-USB_Sound_Cards"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-USB_Sound_Cards">1.2.4. 外部 USB 接続</h3></div></div></div><div class="para">
+ ノート PC やネットブックコンピュータがより一般的になっているため、USB 接続されたサウンドカードは、より一般的になっています。 品質は、内蔵されたサウンドカードと同じくらい良好ですが、USB 接続が遅延を追加することもあります。 USB 接続のサウンドカードは、通常、高品質のサウンドカードがほしいアマチュアミュージシャンのための最も手頃な価格のサウンドカードです。
+ </div></div><div class="section" id="sect-Musicians_Guide-Choose_Sound_Card_Connection"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Choose_Sound_Card_Connection">1.2.5. 接続タイプを選択する</h3></div></div></div><div class="para">
+ 接続タイプは、サウンドカードを選択する観点の1つにすぎません。 あなたがデスクトップコンピュータを所有しており、オーディオ用にノートPCやネットブックコンピュータを使用するつもりがないならば、内蔵 PCI または PCI-Express 接続を考慮しましょう。 外部のサウンドカードが必要な場合は、FireWire 接続を考慮しましょう。 FireWire 接続のサウンドカードは値段が高すぎる場合は、USB 接続を考慮しましょう。 接続タイプは、サウンドカードを選択する際に最も重要な観点ではありません。 アナログ - デジタルおよびデジタル - アナログコンバータの主観的品質が最も重要な観点です。
+ </div></div></div><div class="section" id="sect-Musicians_Guide-Sample_Rate_and_Sample_Format"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Sample_Rate_and_Sample_Format">1.3. サンプル、サンプルレート、サンプルフォーマット、およびビットレート</h2></div></div></div><div class="para">
+ オーディオインターフェイスの主な機能は、アナログおよびデジタル形式の間で信号を変換することです。 前述したように、実際の音は音程、ボリューム、および持続時間の無限の可能性を持っています。 コンピュータは無限の情報を処理することはできませんから、オーディオ信号は使用する前に変換する必要があります。
+ </div><div class="figure" id="waveform"><div class="figure-contents"><div class="mediaobject"><img src="./images/sample-graph.png" alt="コンピュータによって近似された波形" /><div class="longdesc"><div class="para">
+ 不連続な階段で近似される、なめらかで連続した波形
+ </div></div><div class="caption"><div class="para">
+ ソース: <code class="filename">pcm.svg</code> <a href="http://commons.wikimedia.org/wiki/File:Pcm.svg">http://commons.wikimedia.org/wiki/File:Pcm.svg</a>より取得可能。
+ </div></div></div></div><h6>図1.1 コンピュータによって近似された波形</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="#waveform">図1.1「コンピュータによって近似された波形」</a>の図が状況を示しています。赤い波の形は歌手やアコースティック楽器によって生成される音波を示します。 赤い波が徐々に変化する様子は、コンピュータが処理することはできません。コンピュータは、図のグレーに影づけされた領域で示される近似を使う必要があります。 この図は誇張された例で、実際のレコーディングの様子を表しているわけではありません。
+ </div><div class="para">
+ アナãƒã‚°ä¿¡å·ã¨ãƒ‡ã‚¸ã‚¿ãƒ«ä¿¡å·é–“ã®å¤‰æ›ã¯ã€ä½Žå“質ã¨é«˜å“質ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã®é•ã„を明らã‹ã«ã—ã¾ã™ã€‚ サンプルレートã¨ã‚µãƒ³ãƒ—ルフォーマットãŒã€ã‚³ãƒ³ãƒ”ュータã«ã‚ˆã£ã¦æ ¼ç´ã•ã‚Œã‚‹éŸ³å£°æƒ…å ±ã®é‡ã‚’制御ã—ã¾ã™ã€‚ æ ¼ç´ã•ã‚Œã¦ã„ã‚‹æƒ…å ±ã®é‡ãŒå¤šã‘ã‚Œã°å¤šã„ã»ã©ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã¯ã€ãƒžã‚¤ã‚¯ã‹ã‚‰ã®å…ƒã®ä¿¡å·ã‚’より良ãè¿‘ä¼¼ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ å¯èƒ½ãªã‚µãƒ³ãƒ—ルレートã¨ã€ã‚µãƒ³ãƒ—ルフォーマットã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã«ã‚ˆã£ã¦ç”Ÿæˆã‚ã‚‹ã„ã¯å–å¾—ã•ã‚Œã‚‹éŸ³ã®å“質ã®ä¸€éƒ¨ã—ã‹æ±ºå®šã—ã¾ã›ã‚“。 ãŸã¨ãˆã°ã€ãƒžã‚¶ãƒ¼ãƒœãƒ¼ãƒ‰ã«çµ±åˆã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã¯ã€24 ビットã®ã‚µãƒ³ãƒ—ルフォーマット㨠192 kHzã®ã‚µãƒ³ãƒ—ルレートãŒå¯èƒ½ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。一方プãƒãƒ¬ãƒ™ãƒ«ã®ã€FireWire 接続ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã
ƒ¼ã‚¹ã§ã€16 ビットã®ã‚µãƒ³ãƒ—ルフォーマットã¨ã€44.1 kHzã®ã‚µãƒ³ãƒ—ルレートãŒå¯èƒ½ãªã‚‚ã®ã®æ–¹ãŒã‚ˆãèžã“ãˆã‚‹ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。
+ </div><div class="section" id="sect-Musicians_Guide-Sample"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Sample">1.3.1. サンプル</h3></div></div></div><div class="para">
+ サンプルは、オーディオデータの単位です。 コンピュータは、（それぞれが"フレーム"と呼ばれる）静止画の連続として映像データを格納し、（"フレームレート"と呼ばれる）所定の割合で、それらを1つずつ表示します。 コンピュータは、（それぞれが"サンプル"と呼ばれる）静止した音のイメージの連続としてオーディオデータを格納し、（"サンプルレート"と呼ばれる）所定の割合で、それらを1つずつ演奏します。
+ </div><div class="para">
+ ビデオデータを格納するために使用されるフレームフォーマットとフレームレートはあまり種類がありません。 オーディオデータを格納するために使用されるサンプルフォーマットとサンプルレートはたくさんの種類があります。
+ </div></div><div class="section" id="sect-Musicians_Guide-Sample_Format"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Sample_Format">1.3.2. サンプルフォーマット</h3></div></div></div><div class="para">
+ サンプルフォーマットは、各サンプルを記述するために使用されるビット数です。 ビット数が大きくなるほど、より多くのデータが各サンプルに格納されます。 一般的なサンプルフォーマットは 16 ビットと 24 ビットです。 8 ビットのサンプルは、低品質であり、あまり使用されません。 20 ビットのサンプルは一般的にコンピュータ上で使用されません。 32 ビットのサンプルは可能ですが、ほとんどのオーディオインターフェイスによってサポートされていません。
+ </div></div><div class="section" id="sect-Musicians_Guide-Sample_Rate"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Sample_Rate">1.3.3. サンプルレート</h3></div></div></div><div class="para">
+ サンプルレートは毎秒に演奏されるサンプルの数です。 サンプルレートは、"毎秒"を意味する"ヘルツ"（"Hz"と略される）あるいは、"秒当たり千回"を意味する"キロヘルツ"（"kHz"と略される）で測定されます。オーディオ CD で使用されるサンプルレートは44 100 Hz、または44.1 kHzと記述することができ、どちらも同じ意味を持ちます。 一般的なサンプルレートは44.1 kHz、48 kHz、および 96 kHzです。 他の可能なサンプルレートには 22 kHz、88.2 kHz、および192 kHzが含まれています。
+ </div></div><div class="section" id="sect-Musicians_Guide-Bit_Rate"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Bit_Rate">1.3.4. ビットレート</h3></div></div></div><div class="para">
+ ビットレートは指定された期間内にあるビット数です。 ビットレートは、通常は（"kbps"または"kb/s"と略称される）毎秒キロビットで測定されます。 この単位は、一般的に非可逆圧縮オーディオ形式で格納されている情報の量を示すために使用されます。
+ </div><div class="para">
+ ビットレートを計算するためには、サンプルレートに、サンプルフォーマットを掛けます。 たとえば、オーディオ CD（705.6 kb/s）のビットレートは、サンプルレート（44.1 kHz）にサンプルフォーマット（16 ビット）を乗じたものです。 MP3形式のファイルは、通常128 キロビット/秒のビットレートでエンコードされます。
+ </div></div><div class="section" id="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions">1.3.5. 結論</h3></div></div></div><div class="para">
+ サンプルレートと、サンプルフォーマットの両方は、潜在的な音質に影響を与えます。お使いのオーディオ機器の能力と、あなたのオーディオ信号の使用目的が、あなたが使用するべき設定を決めます。
+ </div><div class="para">
+ 以下はいくつかの広く使われているサンプルレートと、サンプルフォーマットです。どのサンプルレートと、サンプルフォーマットを使用するかを決めるための参考としてください。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 16ビットサンプル、44.1 kHzのサンプルレート。 オーディオ CD に使用されます。 広く互換性があります。 705.6 キロビット/秒のビットレート。
+ </div></li><li class="listitem"><div class="para">
+ 24ビットサンプル、および96 kHzのサンプルレート。 オーディオ CDはこれらの設定で録音され、後に"ダウンミックス"されます。 2304 キロビット/秒のビットレート。
+ </div></li><li class="listitem"><div class="para">
+ 24ビットサンプル、および192 kHzのサンプルレート。 DVD オーディオの最大の設定。ただし、あまり互換性がありません。 4608 キロビット/秒のビットレート。
+ </div></li><li class="listitem"><div class="para">
+ 1ビットのサンプル、および2822.4 kHzのサンプルレート。 SuperAudio CD のために使用されます。 それ以外にはまず使われません。 2822.4 キロビット/秒のビットレート。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ サンプルレートと、サンプルフォーマットは、全体的な音質を決定するもののほんの一部です。 音質は主観的なものです。このためあなたは、あなたのすることにとって最適なオーディオインターフェイスと設定を見つけるために実験をする必要があります。
+ </div></div></div><div xml:lang="ja-JP" class="section" id="chap-Musicians_Guide-Vocabulary" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="chap-Musicians_Guide-Vocabulary">1.4. その他のデジタルオーディオの概念</h2></div></div></div><div class="para">
+ これらの用語は多くの異なるオーディオの文脈で使われます。これらを理解することはコンピュータベースであるかどうかにかかわらず、オーディオ機器をどのように操作するかを知るために重要です。
+ </div><div class="section" id="sect-Musicians_Guide-Vocabulary-MIDI_Sequencer"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Vocabulary-MIDI_Sequencer">1.4.1. MIDI シーケンサー</h3></div></div></div><div class="para">
+ <em class="firstterm">シーケンサー</em>とは、デバイスあるいはソフトウエアプログラムで、シンセサイザが音に変換する信号を生成するものです。他にも、MIDI 信号を音楽にするためにもシーケンサーを使うことができます。ミュージシャンのガイドは、主に MIDI シーケンサーである２つのデジタルオーディオワークステーション（DAW）、Qtractor と Rosegarde をとりあげます。このガイドのすべての3つの DAW は、MIDI 信号を、他のデバイスやエフェクトを制御するのに使います。
+ </div></div><div class="section" id="sect-Musicians_Guide-Vocabulary-Bus"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Vocabulary-Bus">1.4.2. バス、マスターバス そしてサブマスターバス</h3></div></div></div><div class="para">
+ <em class="firstterm">オーディオバス</em>はオーディオ信号をあるところから他に送信します.多くの異なる信号が同時にバスに入力され、多くの異なるデバイスあるいはアプリケーションが同時にバスから読み出すことができます。バスに入力された信号は一緒に混ぜられ、バスに入った後は分離することができません。バスから読み出すすべてのデバイスあるいはアプリケーションは同じ信号を受信します.
+ </div><div class="figure" id="bus"><div class="figure-contents"><div class="mediaobject"><img src="./images/FMG-bus.png" alt="オーディオバスがどのように動作するか" /><div class="longdesc"><div class="para">
+ ３つの信号をまとめるオーディオバスの例。まとめられた出力は２つの別々のデバイスあるいはアプリケーションに送られます。
+ </div></div></div></div><h6>図1.2 オーディオバスがどのように動作するか</h6></div><br class="figure-break" /><div class="para">
+ プログラムから出力されたすべてのオーディオは、マスターバスを経由します.<em class="firstterm">マスターバス</em>はすべてのオーディオトラックをまとめて、最終レベルの調整を可能とし、マスタリングを容易とします。マスターバスの主な目的はすべてのトラックを２つのチャネルにミックスすることです。
+ </div><div class="para">
+ <em class="firstterm">サブマスターバス</em>はオーディオ信号がマスターバスに届く前に、それらをまとめます。サブマスターバスの使用はオプショナルです。それを使うと、すべてのトラックに影響を与えることなく、１つ以上のトラックを同じ方法で調整することができます。
+ </div><div class="figure" id="master_and_sub-master_busses"><div class="figure-contents"><div class="mediaobject"><img src="./images/FMG-master_sub_bus.png" alt="マスターバスとサブマスターバスの関係" /><div class="longdesc"><div class="para">
+ ２つのサブマスターバスの例。それぞれ、２つの異なる信号をまとめて、マスターバスに送っています。マスターバスは２つの信号を１つにし、それがすべての４つのオリジナルの信号を含みます。
+ </div></div></div></div><h6>図1.3 マスターバスとサブマスターバスの関係</h6></div><br class="figure-break" /><div class="para">
+ オーディオバスはオーディオをエフェクトプロセッサーに送るためにも使われます。
+ </div></div><div class="section" id="sect-Musicians_Guide-Vocabulary-Level"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Vocabulary-Level">1.4.3. レベル(ボリューム／ラウドネス）</h3></div></div></div><div class="para">
+ 音の知覚される<em class="firstterm">ボリューム</em>あるいは<em class="firstterm">ラウドネス</em>は複雑な現象で、専門家によっても完全に理解されているものではありません。ラウドネスを判定する１つの広く合意されている方法は、音圧レベル（sound pressure level, SPL）を測定する事です。それはデシベル(dB) あるいはベル(B, １０デシベルに等しい)で表されます。オーディオを作成する人々の間で、これはレベルと呼ばれます。オーディオ信号の<em class="firstterm">レベル</em>は、信号の知覚されるラウドネスを測定する１つの方法です。レベルはオーディオファイルに記録されている情報の一部です。
+ </div><div class="para">
+ オーディオ信号のレベルを測定して調整するには多くの異なる方法があり、広く合意されている手段はありません。この状況の１つの理由は、オーディオ録音の技術的制限です。ほとんどのレベルメーターは目盛りの上で -6 dB が平均で、0 dB が最大であるように設計されています。この慣習はアナログオーディオのために開発されました。私たちは外部のメーターと以下のリンクで記述される "K-system" を使うことをお勧めします。レベル測定のための K-system は、デジタルオーディオのために開発されました。
+ </div><div class="para">
+ ミュージシャンのガイドでは、この用語は、他のレベルや、知覚されるボリュームやラウドネスとの混乱を避けるために"ボリュームレベル"と呼びます。
+ </div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://www.digido.com/level-practices-part-2-includes-the-k-system.html">http://www.digido.com/level-practices-part-2-includes-the-k-system.html</a> の <em class="citetitle">Level Practices</em>。ここで記述されているタイプのメーターは、Planet CCRMA at Home の "jkmeter" パッケージとして入手可能です。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/K-system">http://en.wikipedia.org/wiki/K-system</a> の <em class="citetitle">K-system (Wikipedia)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Headroom_%28audio_signal_processing%29">http://en.wikipedia.org/wiki/Headroom_%28audio_signal_processing%29</a> の <em class="citetitle">Headroom (Wikipedai)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Equal-loudness_contour">http://en.wikipedia.org/wiki/Equal-loudness_contour</a> の <em class="citetitle">Equal-Loudness Contour (Wikipedia)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Sound_level_meter">http://en.wikipedia.org/wiki/Sound_level_meter</a> の <em class="citetitle">Sound Level Meter (Wikipedia)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Listener_fatigue">http://en.wikipedia.org/wiki/Listener_fatigue</a> の <em class="citetitle">Listener Fatigue (Wikipedia)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Dynamic_range_compression">http://en.wikipedia.org/wiki/Dynamic_range_compression</a> の <em class="citetitle">Dynamic Range Compression (Wikipedia)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Alignment_level">http://en.wikipedia.org/wiki/Alignment_level</a> の <em class="citetitle">Alignment Level (Wikipedia)</em>。
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Vocabulary-Panning_and_Balance"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Vocabulary-Panning_and_Balance">1.4.4. パニングとバランス</h3></div></div></div><div class="para">
+ <em class="firstterm">パニング</em>とは、別々の出力チャネルに送られるチャネルの信号の割合を調整することです。ステレオ設定（２チャネル）では、２つのチャネルは"左"と"右"のスピーカーをあらわします。DAW において、録音されたオーディオの２つのチャネルがあり、デフォルト設定では"左"に録音されたチャネルはすべて"左"の出力チャネルに送られ、"右"に録音されたチャネルはすべて"右"の出力チャネルに送られます。パニングは、左に録音されたチャネルのレベルのいくらかを右の出力チャネルに送り、右に録音されたチャネルのレベルのいくらかを左の出力チャネルに送ります。それぞれの録音チャネルは合計で一定の出力レベルを持ち、それが２つの出力チャネルの間で分けられます。
+ </div><div class="figure" id="panning"><div class="figure-contents"><div class="mediaobject"><img src="./images/panning.png" alt="パニング" /><div class="longdesc"><div class="para">
+ 左と右の録音チャネルが左の出力チャネルに送られているところ；左の録音チャネルが左の出力チャネルに送られ、右の録音チャネルが右の出力チャネルに送られるところ、そして、左と右の録音チャネルが右の出力チャネルに送られているところ
+ </div></div></div></div><h6>図1.4 パニング</h6></div><br class="figure-break" /><div class="para">
+ 左の録音チャネルのデフォルト設定は、"全左"パニング、つまり出力レベルの１００％が左の出力チャネルに行くというものです。オーディオ技術者はこれを調整して、録音チャネルのレベルの８０％が左の出力チャネルに行き、レベルの２０％が右の出力チャネルに行くようにするかもしれません。オーディオ技術者は、パンナーを"センター"にすることで、左の録音チャネルがリスナーのまん前にいるかのようにすることもできます。つまり、出力レベルの５０％が左と右の出力チャネルの両方に行くわけです。
+ </div><div class="para">
+ ãƒãƒ©ãƒ³ã‚¹ã¯ã¨ãã«ã‚ˆã‚Šãƒ‘ニングã¨æ··åŒã•ã‚Œã€ãã‚Œã¯å¸‚販ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ©Ÿå™¨ã«ãŠã„ã¦ã‚‚ã¿ã‹ã‘られã¾ã™ã€‚<em class="firstterm">ãƒãƒ©ãƒ³ã‚¹</em>を調整ã™ã‚‹ã“ã¨ã¯å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルを変ãˆã¾ã™ãŒã€éŒ²éŸ³ã•ã‚ŒãŸä¿¡å·ã‚’移動ã™ã‚‹ã“ã¨ã¯ã‚ã‚Šã¾ã›ã‚“。ãƒãƒ©ãƒ³ã‚¹ã®ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆè¨å®šã¯"センター"ã§ã€ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルã®å¤‰åŒ–ã¯ï¼ï¼…ã¨ã„ã†ã“ã¨ã§ã™ã€‚ダイアルを"センター"ã‹ã‚‰"全左"è¨å®šã«ã™ã‚‹ã«ã¤ã‚Œã€å³ã®å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルã¯å°ã•ããªã‚Šã€å·¦ã®å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルã¯å¤‰ã‚ã‚Šã¾ã›ã‚“。ダイアルを"センター"ã‹ã‚‰"å…¨å³"è¨å®šã«ã™ã‚‹ã«ã¤ã‚Œã€å·¦ã®å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルã¯å°ã•ããªã‚Šã€å³ã®å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルã¯å¤‰ã‚ã‚Šã¾ã›ã‚“。ダイアルを"ï¼’ï¼ï¼… å·¦"ã«ã™ã‚‹ã¨ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªè£…ç½®ã¯å³ã®å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã®ã
ƒœãƒªãƒ¥ãƒ¼ãƒ レベルを２ï¼ï¼…下ã’ã€å·¦ã®å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã®çŸ¥è¦šã•ã‚Œã‚‹ãƒ©ã‚¦ãƒ‰ãƒã‚¹ã‚’ç´„ï¼’ï¼ï¼…上ã’ã‚‹ã®ã§ã™ã€‚
+ </div><div class="figure" id="balance"><div class="figure-contents"><div class="mediaobject"><img src="./images/balance.png" alt="バランス" /><div class="longdesc"><div class="para">
+ 右の出力チャネルは消音されている（バランスは全左）、左と右のチャネルは同じボリューム（バランスはセンター）、左の出力チャネルは消音されている（バランスは全右）
+ </div></div></div></div><h6>図1.5 バランス</h6></div><br class="figure-break" /><div class="para">
+ ２つのスピーカーが同じくらいの音の大きさになるように、バランスを調整するとよいです。バランスにより、２つのスピーカーが、リスナから等距離でないような、悪いリスニング環境を補正することできます。もし右より左のスピーカーの方が、あなたの近くにあるなら、バランスを右にして、左のスピーカーのボリュームレベルを下げればよいです。これは理想的な解決策ではありませんが、ときには、スピーカーを正しく置くのが不可能、あるいは現実的でないこともあるでしょう。バランスを調整するのは、最後の再生のときだけにしてください。
+ </div></div><div class="section" id="sect-Musicians_Guide-Vocabulary-Time"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Vocabulary-Time">1.4.5. タイム、タイムライン、そしてタイムシフティング</h3></div></div></div><div class="para">
+ 音楽の時間を測るにはいくつもの方法があります。デジタルオーディオのための時間の単位の最も一般的な四つは：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Bars and Beats、小節と拍:普通、MIDI 作品で使われ、"BBT,"つまり"Bars, Beats, and Ticks"と呼ばれます。チックは、部分的な拍です。
+ </div></li><li class="listitem"><div class="para">
+ 分と秒：普通、オーディオ作品で使われます。
+ </div></li><li class="listitem"><div class="para">
+ SMPTE タイムコード: オーディオとビデオの高精度の同期のために発明されましたが、オーディオだけの時にも使うことができます。
+ </div></li><li class="listitem"><div class="para">
+ サンプル：使用されるオーディオファイルの形式に直接関連しており、サンプルは、オーディオファイルにおける最小の時間の長さです。詳しくは、<a class="xref" href="#sect-Musicians_Guide-Sample_Rate_and_Sample_Format">「サンプル、サンプルレート、サンプルフォーマット、およびビットレート」</a>を参照下さい。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ほとんどのオーディオソフトウエア、特にデジタルオーディオワークステーション（DAW）は、ユーザが、どの時間単位を使うか、選ぶことができます。DAW はセッションにおける時間の進行を<em class="firstterm">タイムライン</em>を使って表し、あなたが<em class="firstterm">タイムシフティング</em>、つまり、リージョンがタイムラインの中で再生を開始する時間を調整することを可能とします。
+ </div><div class="para">
+ 時間は水平に表され、最も左の点が、セッションの開始（測定の単位にかかわらず、ゼロ）で、最も右の点がセッションの終わりから少しすぎたところです。
+ </div></div><div class="section" id="sect-Musicians_Guide-Vocabulary-Synchronization"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Vocabulary-Synchronization">1.4.6. 同期</h3></div></div></div><div class="para">
+ <em class="firstterm">同期</em>は、複数のツール、多くの場合トランスポートの移動、の動作を調整するものです。さらに、同期は、アプリケーションとデバイスの間のオートメーションを制御します。MIDI 信号が、通常は同期のために使われます。
+ </div></div><div class="section" id="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing">1.4.7. ルーティングと多重化</h3></div></div></div><div class="para">
+ <em class="firstterm">ルーティング</em>は、オーディオ信号を１つのところから他に転送します。アプリケーションの間、アプリケーションの部分の間、そして、デバイスの間です。Linux システムでは、<code class="systemitem">JACK Audio Connection Kit</code> がオーディオルーティングのために使われます。<code class="systemitem">JACK</code> 対応のアプリケーション（そして、設定により、<code class="systemitem">PulseAudio</code> 対応のものも）は、自分の設定により、入力と出力を <code class="systemitem">JACK</code> サーバに提供します。<span class="application"><strong>QjackCtl</strong></span> アプリケーションはデフォルトの接続を調整することができます。あなたは <span class="application"><strong>QjackCtl</strong></span> を使って、FluidSynth のようなプログラムの出力を、例えば、<span class
="application"><strong>Ardour</strong></span> で録音されるように、ルーティングすることができます。
+ </div><div class="figure" id="routing"><div class="figure-contents"><div class="mediaobject"><img src="./images/routing_and_multiplexing.png" width="444" alt="ルーティングと多重化" /><div class="longdesc"><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> インターフェースの <span class="guilabel"><strong>Connections</strong></span> ウインドウでのルーティングと多重化の図
+ </div></div><div class="caption"><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ マスターバスの入力は多くのソースからの多重化されたオーディオを受け付けます。
+ </div></li><li class="listitem"><div class="para">
+ システム再生入力にルーティングされたマスターバスの出力
+ </div></li></ul></div></div></div></div><h6>図1.6 ルーティングと多重化</h6></div><br class="figure-break" /><div class="para">
+ <em class="firstterm">多重化</em>により、複数のデバイスとアプリケーションを１つの入力あるいは出力に接続することができます。<span class="application"><strong>QjackCtl</strong></span> により、簡単に多重化ができます。これは、重要とは思えないかもしれませんが、オーディオインターフェースのような物理デバイスには、ただ１つの接続しかできないことを覚えておいて下さい。コンピュータが音楽製作に使われる前は、多重化は信号を分離あるいは結合する物理デバイスを必要としました。
+ </div></div><div class="section" id="sect-Musicians_Guide-Multichannel_Audio"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Multichannel_Audio">1.4.8. マルチチャネルオーディオ</h3></div></div></div><div class="para">
+ <em class="firstterm">オーディオチャネル</em>とは、オーディオデータの単一のパスです。<em class="firstterm">マルチチャネルオーディオ</em>とは同時に１つ以上のチャネルを使い、シングルチャネルオーディオより多くのオーディオデータの転送が可能なオーディオのことです。
+ </div><div class="para">
+ オーディオは昔はただ１つのチャネルで録音され、"モノフォニック"あるいは"モノ"録音を作成しました。１９５０年代に、２つの独立のチャネルを持つステレオ録音が始まり、モノフォニック録音に代わり始めました。人間は２つの独立した耳を持つので、２つの独立したチャネル、２つのスピーカーでオーディオを録音、再生するのは自然なことです。現在入手可能なサウンド録音はステレオであり、人々はこれにほぼ満足しています。
+ </div><div class="para">
+ 主ã«"サラウンディングサウンド"æ˜ ç”»ã«ã‚ˆã£ã¦ã‚‚ãŸã‚‰ã•ã‚Œã¤ã¤ã‚ã‚‹ã€ï¼•ã‚ã‚‹ã„ã¯ï¼—ãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ½®æµãŒã‚ã‚Šã¾ã™ã€‚ã“ã‚Œã¯éŸ³æ¥½ã«ã¤ã„ã¦ã¯ã‚ã¾ã‚Šæ™®åŠã—ã¦ã„ã¾ã›ã‚“。２ã¤ã®éŸ³æ¥½ç”¨"サラウンディングサウンド"å½¢å¼ãŒå˜åœ¨ã—ã¾ã™ï¼šDVD オーディオ（DVDA）ã¨ã€ã‚¹ãƒ¼ãƒ‘ーオーディオ CD（SACD）ã§ã™ã€‚ã“れらã®å½¢å¼ã¨ãれを使ã†ãƒ‡ãƒã‚¤ã‚¹ã®é–‹ç™ºã¯ã€å€‹äººç”¨ã® MP３プレイヤーã®ãƒ˜ãƒƒãƒ‰ãƒ•ã‚©ãƒ³ã®æ™®åŠã‚„ã€ä¸€èˆ¬æ¶ˆè²»è€…ã¯ãã‚Œã»ã©ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªå“質ã®å‘上ã«èˆˆå‘³ãŒãªã‹ã£ãŸã“ã¨ã€ãƒ¬ã‚³ãƒ¼ãƒ‰ä¼šç¤¾ã«ã‚ˆã‚‹ã‚³ãƒ”ープãƒãƒ†ã‚¯ã‚·ãƒ§ãƒ³ã®ä»•çµ„ã¿ã€ãªã©ã«ã‚ˆã‚ŠæˆåŠŸã—ã¾ã›ã‚“ã§ã—ãŸã€‚ãã®çµæžœã€DVDーA ã‚„ SACD 録音ã®ãŸã‚ã«ã‚ˆã‚Šé«˜ã„ãŠé‡‘を払ã£ã¦ã‚‚よã„ã¨ã™ã‚‹ã„ãらã‹ã®ãŠå®¢ã•ã‚“ãŒã„ã‚‹ã‚‚ã®ã®ã€å°‘æ•°ã®éŒ²éŸ³ã—ã‹å…¥æ‰‹å¯èƒ½ã§ã¯ã‚ã‚Šã¾ã›ã‚“。もã—ã‚ãªãŸãŒ DVDーA ã‚„ SACD ãŒæ‰±ã
ˆã‚‹ãƒ—レイヤーを買ã£ãŸã¨ã—ã¦ã‚‚ã€ã‚ãªãŸã¯ãŠæŒã¡ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ©Ÿå™¨ã‚’ã™ã¹ã¦ã€ãƒ—ãƒãƒ—ライエタリãªã‚³ãƒ”ープãƒãƒ†ã‚¯ã‚·ãƒ§ãƒ³ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’サãƒãƒ¼ãƒˆã™ã‚‹ãƒ¢ãƒ‡ãƒ«ã«è²·ã„替ãˆãªã„ã¨ã„ã‘ãªã„ã®ã§ã™ã€‚ã“ã®è£…ç½®ãŒãªã„ã¨ã€ãƒ—レイヤーã¯ã€é€šå¸¸ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª CD 以上ã®ã‚µãƒ³ãƒ—ルレートやサンプルフォーマットã§ã®éŸ³æ¥½ã®å‡ºåŠ›ãŒã§ããªãã•ã‚Œã¦ã„ã¾ã™ã€‚ä¸å¹¸ãªã“ã¨ã«ã€ã“れらã®ã“ã¨ãŒè¿‘ã„å°†æ¥ã«å¤‰ã‚ã‚‹ã¨ã¯æ€ãˆã¾ã›ã‚“。
+ </div></div></div></div><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-How_Computers_Deal_with_Hardware" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第2章 サウンドカード用のソフトウェア</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers-ALSA">2.1. Linux はどのようにオーディオハードウェアを扱うか</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers_Section">2.2. サウンドサーバ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers-PulseAudio">2.2.1. パルスオーディオ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers-JACK">2.2.2. <code class="systemitem">JACK</code> オーディオ接続キット</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Sound_Servers-Phonon">2.2.3. フォノン</a></span></
dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Using_JACK">2.3. <code class="systemitem">JACK</code> Audio Connection Kit を使う</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Install_and_Configure_JACK">2.3.1. <code class="systemitem">JACK</code> をインストール、設定する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Using_QjackCtl">2.3.2. <span class="application"><strong>QjackCtl</strong></span> を使う</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Integrating_PulseAudio_with_JACK">2.3.3. <code class="systemitem">PulseAudio</code> を <code class="systemitem">JACK</code> と統合する</a></span></dt></dl></dd></dl></div><div class="para">
+ 一貫ã—ã¦ã‚³ãƒ³ãƒ”ュータサイエンスã§ä½¿ç”¨ã•ã‚Œã‚‹æŠ€è¡“ã®ä¸€ã¤ã¯ã€æŠ½è±¡åŒ–ã§ã™ã€‚ 抽象化ã¯å®Ÿéš›ã«ã¯ãƒ¦ãƒ‹ãƒ¼ã‚¯ãªä½•ã‹ï¼ˆã¾ãŸã¯ã„ãã¤ã‹ã®ä½•ã‹ï¼‰ã®ä¸€èˆ¬çš„ãªãƒ¢ãƒ‡ãƒ«ã‚’作るプãƒã‚»ã‚¹ã®ã“ã¨ã§ã™ã€‚ コンピュータã®ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ãƒ‡ãƒã‚¤ã‚¹ã® "ドライム"ã¯ã€æŠ½è±¡åŒ–ã®ã²ã¨ã¤ã®å½¢å¼ã§ã™ï¼šã‚³ãƒ³ãƒ”ュータã®ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢ã¯ã€åŒæ§˜ã®æ–¹æ³•ã§ã™ã¹ã¦ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¨ç›¸äº’作用ã—ã€ãã—ã¦ã€ãƒ‰ãƒ©ã‚¤ãƒãŒã€ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢ã§æŒ‡å®šã•ã‚ŒãŸæ™®é的命令をã€ãã®ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ãƒ‡ãƒã‚¤ã‚¹ã‚’æ“作ã™ã‚‹ç‰¹å®šã®å‘½ä»¤ã«ç¿»è¨³ã—ã¾ã™ã€‚ ç¾å®Ÿä¸–ç•Œã§ã®ã“ã®å¯¾æ¯”を考ãˆã¾ã—ょã†ï¼šã‚ãªãŸã¯å˜åœ¨ã™ã‚‹ã™ã¹ã¦ã®ãƒ‰ã‚¢ã‚’é–‹é–‰ã™ã‚‹æ‰‹æ®µã‚’知りã¾ã›ã‚“。ã—ã‹ã—ã€ã‚ãªãŸãŒå®Ÿéš›ã«æ“作ã™ã‚‹æ–¹æ³•ã‚’知ã£ã¦ã„るドアã®ã†ã¡ã‹ã‚‰ã€ã‚ãªãŸã®è„³ã¯è‡ªå‹•çš„ã«æŠ½è±¡åŒ–ã•ã‚ŒãŸæ‰‹é †ã€ä¾‹ãˆã° "ãƒãƒ³ãƒ‰ãƒ«ã‚’回㙠"ã€ãã—ã
¦ "ドアを押㙠"ã€ã‚’生æˆã—ã¾ã™ . ãã—ã¦ãã‚Œã¯ã™ã¹ã¦ã¾ãŸã¯ã»ã¨ã‚“ã©ã®ãƒ‰ã‚¢ã«é©ç”¨å¯èƒ½ã§ã™ã€‚ ã‚ãªãŸã¯æ–°ã—ã„ドアをã¿ãŸã‚‰ã€ãƒ‰ã‚¢ã®æŠ½è±¡çš„ãªå‹•ä½œã«åŸºã¥ã„ã¦ã€ãã‚ŒãŒã©ã®ã‚ˆã†ã«åƒãã®ã‹ã€äºˆæœŸã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ãã—ã¦ã™ãã«ã€å°‘ã—見ãŸã ã‘ã§ã€ãã®ç‰¹å®šã®ãƒ‰ã‚¢ã‚’æ“作ã™ã‚‹æ–¹æ³•ã‚’見ã¤ã‘出ã—ã¾ã™ã€‚原ç†ã¯ã€ã‚³ãƒ³ãƒ”ュータã®ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ã®ãƒ‰ãƒ©ã‚¤ãƒã‚‚åŒã˜ã§ã™ï¼šã‚³ãƒ³ãƒ”ュータã¯ã™ã§ã« "サウンドカード "ã‚’ã©ã®ã‚ˆã†ã«æ“作ã™ã‚‹ã‹çŸ¥ã£ã¦ã„ã‚‹ã®ã§ã€ç‰¹å®šã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã‚’動作ã•ã›ã‚‹æ–¹æ³•ã‚’知るãŸã‚ã«ã¯ã„ãã¤ã‹ã®ç°¡å˜ãªæ‰‹é †ï¼ˆãƒ‰ãƒ©ã‚¤ãƒï¼‰ãŒã‚ã‚Œã°ã‚ˆã„ã®ã§ã™ã€‚
+ </div><div class="section" id="sect-Musicians_Guide-Sound_Servers-ALSA"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Sound_Servers-ALSA">2.1. Linux はどのようにオーディオハードウェアを扱うか</h2></div></div></div><div class="para">
+ Linux では、オペレーティングシステムのコアは、ほとんどのオーディオハードウェア用のハードウェアのドライバを提供しています。 ハードウェアドライバと、その他のソフトウェアが、これらのドライバに接続するために使用できる命令の総称は "ALSA"、"Advanced Linux Sound Architecture"と呼ばれています。 ALSA は、ソフトウェアアプリケーションが、オーディオと MIDI のハードウェアと相互作用することができる最も直接的な方法であり、それは最も一般的な方法でもありました。 ただし、ソフトウェアアプリケーションが使用する可能性があるすべての機能を含めるために、ALSA は、非常に複雑で、誤りを起こしがちになることもあります。 これと他の多くの理由から、抽象化の別のレベルが、通常使用されており、これによりソフ
トウェアアプリケーションは、必要な機能を簡単に活用できるようになります。
+ </div></div><div class="section" id="sect-Musicians_Guide-Sound_Servers_Section"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Sound_Servers_Section">2.2. サウンドサーバ</h2></div></div></div><div class="para">
+ サウンドサーバーは、"バックグラウンドで "動作する、つまり、ユーザーインターフェイスを持っていないプログラムです。 サウンドサーバは、ALSA を使用するいくつかの側面を自動化するための、抽象化のレベルを提供します。そして、複数のアプリケーションが同時にオーディオハードウェアにアクセスできるようにします。この章で説明する 3 つのサウンドサーバーは別々の目標と特徴を持っています。 あなたが使用するべきサウンドサーバは、あなたが何をしているかによって決まります。
+ </div><div class="section" id="sect-Musicians_Guide-Sound_Servers-PulseAudio"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Sound_Servers-PulseAudio">2.2.1. パルスオーディオ</h3></div></div></div><div class="para">
+ <code class="systemitem">PulseAudio</code> ã¯ã€Linux オペレーティングシステムã§ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ—ãƒã‚°ãƒ©ãƒŸãƒ³ã‚°ã‚’ã§ãã‚‹ã ã‘ç°¡å˜ã«ã™ã‚‹ã“ã¨ã‚’ã‚ã–ã—ãŸã€é€²ã‚“ã オーディオサーãƒã§ã™ã€‚ãã®ãƒ‡ã‚¶ã‚¤ãƒ³ã®èƒŒå¾Œã«ã‚る考ãˆæ–¹ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¢ãƒ—リケーションã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’ <code class="systemitem">PulseAudio</code> ã«å‡ºåŠ›ã™ã‚‹ã ã‘ã§ã‚ˆãã€ã‚ã¨ã¯ã€<code class="systemitem">PulseAudio</code> ãŒé¢å€’ã‚’ã¿ã¦ãれるã¨ã„ã†ã“ã¨ã§ã™ï¼šç‰¹å®šã®ãƒ‡ãƒã‚¤ã‚¹ã‚’é¸ã³ã€åˆ¶å¾¡ã—ã€ãƒœãƒªãƒ¥ãƒ¼ãƒ を調整ã—ã€ä»–ã®ã‚¢ãƒ—リケーションã¨ä¸€ç·’ã«å‹•ä½œã™ã‚‹ã€ãªã©ã§ã™ã€‚<code class="systemitem">PulseAudio</code> ã¯ã€"ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ã‚µã‚¦ãƒ³ãƒ‰ "を使ã†èƒ½åŠ›ã‚‚ã‚ã‚Šã¾ã™ã€‚ã“ã‚Œã¯ã€<code class="systemitem">PulseAudio</code> を使ã†ï¼’ã¤ã®ã‚³ãƒ³ãƒ”ュータãŒã€ï¼‘ã¤ã®ã‚³ãƒ³ãƒ”ュータã§ã‚ã‚‹ã‹ã®ã‚ˆã†ã«é€šä¿¡ã™ã‚‹ã¨ã„ã†ã‚‚ã®ã§ã™ã€‚ã©ã¡ã‚‰ã®ã
‚³ãƒ³ãƒ”ュータもã€ç›¸æ‰‹ã®ã‚³ãƒ³ãƒ”ュータã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã«ã€è‡ªåˆ†ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã¨åŒæ§˜ã«ç°¡å˜ã«å…¥å‡ºåŠ›ã§ãã‚‹ã®ã§ã™ã€‚ã“ã‚Œã¯ã™ã¹ã¦ã€<code class="systemitem">PulseAudio</code> ã®ä¸ã§åˆ¶å¾¡ã•ã‚Œã¦ã„ã‚‹ã®ã§ã€ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ãŒã‚ˆã‚Šè¤‡é›‘ã«ãªã‚‹ã“ã¨ã¯ã‚ã‚Šã¾ã›ã‚“。
+ </div><div class="para">
+ Fedora プロジェクトは、 <code class="systemitem">PulseAudio</code> を、オペレーティングシステムの重要な部分として統合しているので、ほとんどの人にとって、ほとんどの状況で、オーディオアプリケーションが "単に動作する "ことができるのを保証してきました。 これは、ユーザーが基本的なオーディオ作業を行うのをはるかに容易にしました。
+ </div></div><div class="section" id="sect-Musicians_Guide-Sound_Servers-JACK"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Sound_Servers-JACK">2.2.2. <code class="systemitem">JACK</code> オーディオ接続キット</h3></div></div></div><div class="para">
+ <code class="systemitem">JACK</code> サウンドサーバは、他のサウンドサーバと比べると提供する機能が少ないですが、オーディオ作成アプリケーションにとって必要な機能に特化して作られています。 <code class="systemitem">JACK</code> は また、そのような状況で最も重要なオプションの設定をユーザーが簡単に行えるようにしています。このサーバは、1 度にただ１つのサンプルレートとフォーマットをサポートします。そして、アプリケーションとハードウエアが簡単に接続し、多重化するのを可能とします . これは他のサウンドサーバにはない機能です。（ルーティングと多重化についてくわしくは、<a class="xref" href="#sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing">「ルーティングと多重化」</a> を参照してください 。） それは、さらに、一貫
して低遅延で実行するように最適化されています。<code class="systemitem">JACK</code> を使用するには、もととなるハードウェアのよりよい理解が必要ですが、<span class="application"><strong>QjackCtl</strong></span> アプリケーションがそのプロセスを容易にするグラフィカルユーザーインターフェイスを提供しています。
+ </div></div><div class="section" id="sect-Musicians_Guide-Sound_Servers-Phonon"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Sound_Servers-Phonon">2.2.3. フォノン</h3></div></div></div><div class="para">
+ フォノンã¯ã€KDE ソフトウェア集ã«å«ã¾ã‚Œã‚‹ã‚µã‚¦ãƒ³ãƒ‰ã‚µãƒ¼ãƒã§ã€KDE ã®ä¸å¿ƒã¨ãªã‚‹ã‚³ãƒ³ãƒãƒ¼ãƒãƒ³ãƒˆã®ï¼‘ã¤ã§ã™ã€‚ Fedora Linux ã®ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§ã¯ã€ãƒ•ã‚©ãƒŽãƒ³ã¯ã€å‡ºåŠ›ã‚’ <code class="systemitem">PulseAudio</code> ã«ä¾›çµ¦ã—ã¾ã™ã€‚ã—ã‹ã—ã€ä»–ã®ãƒ—ラットフォーム（ Mac OS Xã€Windowsã€ä»–ã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã® Linuxã€FreeBSDã€ãã—㦠KDE をサãƒãƒ¼ãƒˆã™ã‚‹ä»–ã®ä»»æ„ã®ã‚·ã‚¹ãƒ†ãƒ ãªã©ï¼‰ã§ã¯ã€ãƒ•ã‚©ãƒŽãƒ³ã¯å‡ºåŠ›ã‚’ã©ã“ã«ä¾›çµ¦ã™ã‚‹ã‚ˆã†ã«ã§ã‚‚構æˆã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ã“ã‚Œã¯ã€ãã®æœ€å¤§ã®å¼·ã•ã§ã™ - KDE アプリケーションã§ã‚ã‚‹ Amarok ã‚„ Dragon Player ãªã©ã¯ã€ãƒ•ã‚©ãƒŽãƒ³ã‚’使ã†ã‚ˆã†ã«ãƒ—ãƒã‚°ãƒ©ãƒ ã™ã‚‹ã ã‘ã§ã‚ˆãã€ãれらã¯ãƒ•ã‚©ãƒŽãƒ³ãŒä»–ã®ã™ã¹ã¦ã®é¢å€’を見ã¦ãれるã®ã«é ¼ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ KDE アプリケーションãŒã€Windows ã‚ã‚‹ã„ã¯ç‰¹ã« Mac OS X ã«ãŠã„ã¦ã¾ã™ã¾ã™ãã®ä½ç½®ã‚’見ã¤ã‘ã‚‹ã«ã¤ã
‚Œã€ã“ã®ã‚¯ãƒã‚¹ãƒ—ラットフォームã®æ©Ÿèƒ½ã¯éžå¸¸ã«æœ‰ç”¨ã¨ãªã£ã¦ãã¾ã—ãŸã€‚
+ </div></div></div><div class="section" id="sect-Musicians_Guide-Using_JACK"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Using_JACK">2.3. <code class="systemitem">JACK</code> Audio Connection Kit を使う</h2></div></div></div><div class="section" id="sect-Musicians_Guide-Install_and_Configure_JACK"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Install_and_Configure_JACK">2.3.1. <code class="systemitem">JACK</code> をインストール、設定する</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>PackageKit</strong></span> あるいは <span class="application"><strong>KPackageKit</strong></span> を使って <span class="package">jack-audio-connection-kit</span> と <span class="package">qjackctl</span> パッケージをインストールしてください。
+ </div></li><li class="step"><div class="para">
+ インストールを確認し、承認ください。それが正常に完了したことを確認してください。
+ </div></li><li class="step"><div class="para">
+ KMenu あるいはアプリケーションメニューから <span class="application"><strong>QjackCtl</strong></span> を実行ください。
+ </div></li><li class="step"><div class="para">
+ <code class="systemitem">JACK</code> サーバーを開始するには <span class="guibutton"><strong>Start</strong></span> をクリック、<code class="systemitem">JACK</code> サーバーを終了するには <span class="guibutton"><strong>Stop</strong></span> をクリックください。
+ </div></li><li class="step"><div class="para">
+ メッセージを見るには、<span class="guibutton"><strong>Messages</strong></span> をクリックください。それは普通、エラーあるいは警告です。
+ </div></li><li class="step"><div class="para">
+ 現在実行中のサーバについてのいろいろな統計を見るには、<span class="guibutton"><strong>Status</strong></span> をクリックください。
+ </div></li><li class="step"><div class="para">
+ アプリケーションとオーディオハードウエアの間の接続を見たり、調整するには <span class="guibutton"><strong>Connections</strong></span> ボタンをクリックください。
+ </div></li></ol></div><div class="important"><div class="admonition_header"><h2>重要</h2></div><div class="admonition"><div class="para">
+ <code class="systemitem">JACK</code> は、特別なリアルタイム特権で動作します。 <code class="systemitem">JACK</code> を使うすべてのユーザーは、 <code class="systemitem">jackuser</code> グループに入れる必要があります。ユーザーをグループに入れる方法については、<a href="http://docs.fedoraproject.org">http://docs.fedoraproject.org</a> から入手可能な <em class="citetitle">Fedora Deployment Guide</em> の 22 章 , <em class="citetitle">Users and Groups</em> を参照ください。<code class="systemitem">JACK</code> を使わないユーザーは、これらのグループに入れないでください。
+ </div></div></div><div class="para">
+ デフォルトでは、 <span class="application"><strong>QjackCtl</strong></span> は、「デフォルト」サウンドカードを使うように、 <code class="systemitem">JACK</code> を構成します。「デフォルト」サウンドカードは、<code class="systemitem">JACK</code> が同じ機能を提供していたとしても、<code class="systemitem">ALSA</code> ドライバのすべての機能を使います。 メモリとプロセッサ時間を節約するために、 <span class="application"><strong>QjackCtl</strong></span> を特定のサウンドカード向けに構成するのがよいでしょう。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ ターミナルを開きます。 GNOME では、<span class="guimenu"><strong>Applications</strong></span> → <span class="guisubmenu"><strong>System</strong></span> → <span class="guimenuitem"><strong>Terminal</strong></span> を選択します 。 KDE では、アプリケーションランチャーをクリックし、<span class="guimenu"><strong>System</strong></span> → <span class="guimenuitem"><strong>Konsole</strong></span> を選択します 。
+ </div></li><li class="step"><div class="para">
+ このコマンドを実行します： <code class="command">cat /proc/asound/cards</code>
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>cat</strong></span> プログラムは、あなたのコンピュータにあるサウンドカードのリストを出力します。それは、このように見えるでしょう：
+<pre class="programlisting">
+⏎
+0 [SB ]: HDA-Intel - HDA ATI SB⏎
+ HDA ATI SB at 0xf7ff4000 irq 16⏎
+1 [MobilePre ]: USB-Audio - MobilePre⏎
+ M Audio MobilePre at usb-0000:00:13.0-2⏎
+</pre>
+ この出力例では、サウンドカードの名前は、角かっこで囲まれます。 この出力例では、サウンドカードの名前は <code class="literal">SB</code> と <code class="literal">MobilePre</code> です。
+ </div></li><li class="step"><div class="para">
+ あなたが使いたいサウンドカードの名前を特定してください。 もし、あなたのサウンドカードが <span class="application"><strong>cat</strong></span> の出力リストにない場合は、あなたのコンピュータはそれを検出しなかったということです。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> を開始してください。
+ </div></li><li class="step"><div class="para">
+ <span class="guibutton"><strong>Setup</strong></span> をクリックして、"Setup"ウインドウを開いてください。
+ </div></li><li class="step"><div class="para">
+ 'Interface'テキストボックスで、あなたが使いたいサウンドカードの名前を "hw:"を先頭につけてタイプください。 上記のサウンドカードのリストであれば、次のように書くかもしれません <code class="literal">hw:MobilePre</code>。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> を終了して、設定を保存ください。<code class="systemitem">JACK</code> を使う場合、<span class="application"><strong>QjackCtl</strong></span> を再起動ください。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-Using_QjackCtl"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Using_QjackCtl">2.3.2. <span class="application"><strong>QjackCtl</strong></span> を使う</h3></div></div></div><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> アプリケーションは、より多くの機能と構成オプションを提供しています。 パッチベイは、注目すべき機能であり、ユーザは "Connections"ウインドウの構成を保存し、後にそれを回復することができます。それは、複雑なルーティングと多重化がされた状況での面倒なセットアップ時間を回避することができます。
+ </div><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> についてのより多くの情報は、<a href="http://www.64studio.com/manual/audio/jack">http://www.64studio.com/manual/audio/jack</a> にある、<em class="citetitle">Jack Audio Connection Kit (64studio)</em> を参照ください。
+ </div></div><div class="section" id="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK">2.3.3. <code class="systemitem">PulseAudio</code> を <code class="systemitem">JACK</code> と統合する</h3></div></div></div><div class="para">
+ <code class="systemitem">PulseAudio</code> のデフォルトの設定は、それは、<code class="systemitem">JACK</code> サーバーが起動したら、<code class="systemitem">JACK</code> にオーディオ機器の制御をあけわたします。<code class="systemitem">PulseAudio</code> は <code class="systemitem">JACK</code> によって使用されるオーディオインターフェイスからオーディオ信号入力を受信したり、出力を送信したりすることはできません。これは、時折しか <code class="systemitem">JACK</code> を使用しないユーザにとってはよいことですが、多くのユーザーは <code class="systemitem">JACK</code> と <code class="systemitem">PulseAudio</code> を同時に使用したり、または頻繁にこれら２つを切り替えたりしたいことでしょう。 次の手順では、<code class="systemitem">PulseAudio</code> を構成して、その入力と出力が <code clas
s="systemitem">JACK</code> を経由するようにします。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ PackageKit あるいは KPackageKit を使って <span class="package">pulseaudio-module-jack</span> をインストールしてください。
+ </div></li><li class="step"><div class="para">
+ インストールを承認し、それが正しく終了するのを確認ください。
+ </div></li><li class="step"><div class="para">
+ あなたは <code class="systemitem">JACK</code> モジュールを使うために、<code class="systemitem">PulseAudio</code> の設定ファイルを編集しなくてはいけません。
+ </div><ol class="a"><li class="step"><div class="para">
+ 注意してください！ あなたは、root ユーザーとして重要なシステムファイルを編集します！
+ </div></li><li class="step"><div class="para">
+ ターミナルで以下のコマンドを実行します： <code class="command">sudo -c 'gedit /etc/pulse/default.pa'</code>
+ </div></li><li class="step"><div class="para">
+ [code]#load-module module-alsa-sink[/code] と書かれた行の下に、次の行を追加します：
+<pre class="programlisting">
+⏎
+load-module module-jack-sink⏎
+load-module module-jack-source⏎
+</pre>
+
+ </div></li></ol></li><li class="step"><div class="para">
+ ターミナルで以下のコマンドを実行して、<code class="systemitem">PulseAudio</code> を再開始してください : <code class="command">killall pulseaudio</code> <code class="systemitem">PulseAudio</code> は自動的に再開始します。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> を開いて、これがうまくいったことを確認ください。表示は、<code class="systemitem">JACK</code> は "Active"のはずです。
+ </div></li><li class="step"><div class="para">
+ "Connect"ウィンドウの "Audio"タブには <code class="systemitem">PulseAudio</code> デバイスが両側にあり、それらは反対側の "system"デバイスに接続されているはずです。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> の "Setup" ウインドウを開いてください、そして、"Options" タブをクリックします ."Execute script after Shutdown: killall jackd"のチェックをはずします。この修正をしないと、<span class="application"><strong>QjackCtl</strong></span> はプログラムが終了する度に <code class="systemitem">JACK</code> サーバを停止しようとします。<code class="systemitem">PulseAudio</code> はその後でもまだ、<code class="systemitem">JACK</code> を使おうとしますから、これはしてはいけないのです。
+ </div></li><li class="step"><div class="para">
+ <code class="systemitem">PulseAudio</code> が <code class="systemitem">JACK</code> を開始するとき、それは <code class="filename">~/.jackdrc</code> ファイルにあるコマンドを使おうとします。<span class="application"><strong>QjackCtl</strong></span> はあなたが設定を変えたときこのファイルを、自動的に更新します。しかし、そのときあなたは、<code class="systemitem">PulseAudio</code> と <code class="systemitem">JACK</code> の両方を再起動しないと、設定の変更は有効になりません。もし設定が反映されないようであれば、自分でそのファイルを編集ください。
+ </div></li><li class="step"><div class="para">
+ <code class="systemitem">PulseAudio</code> で非常に高いサンプルレートを使うときは注意してください。それは多くの CPU パワーを使用する傾向にあります。
+ </div></li></ol></div></div></div></div><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-Real_Time_and_Low_Latency" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第3章 リアルタイムと低遅延</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Low_Latency">3.1. 低遅延がなぜ望ましいか</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Processor_Scheduling">3.2. プロセッサスケジューリング</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Real_Time_Linux_Kernel">3.3. リアルタイム Linux カーネル</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Hard_and_Soft_Real_Time">3.4. ハードとソフトリアルタイム</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora">3.5. Fedora Linux でリアルタイムカーネルを得る</a></span>
</dt></dl></div><div class="para">
+ コンピュータは即時に計算ができるというのは、たぶん、一般的な考え方でしょう。ウエブページがロードされるのを待ったことのある人なら誰でもこれが正しくないと経験から知っていることでしょう。コンピュータは何かをするのに時間がかかります。多くの場合、見ている人にとって、時間の合計は感知できないほどであっても、です。さらに、１つのことをしているコンピュータはほとんど即時にそれをしているように見えるでしょうが、１５のことをしているコンピュータは即時にそれをしているように見せるのはずっと大変です。
+ </div><div class="section" id="sect-Musicians_Guide-Low_Latency"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Low_Latency">3.1. 低遅延がなぜ望ましいか</h2></div></div></div><div class="para">
+ コンピュータオーディオの専門家がコンピュータが <em class="firstterm"> リアルタイム </em> で動作するというとき、それは、ほとんど感知できない遅延で動作している、ということです。コンピュータは何かを一瞬で行うことはできず、入力とその出力を待つ時間のことを <em class="firstterm"> レーテンシー、遅延 </em> と呼びます。入力と出力の間の遅れが存在しないように知覚される、（別の言葉で言うとコンピュータが "リアルタイムで応答する "）ためには、遅延は小さくなければいけません。
+ </div><div class="para">
+ オーディオ処理（それは毎秒、一貫して繰り替えされる量のデータを持ちます）のように、周期的な作業にとって、低遅延は望ましいことですが、<span class="emphasis"><em> 一貫した </em></span> 遅延であることが、通常はより重要です。このように考えてください：ずっと昔、北アメリカでは牛乳は専門の配達員によって家庭に配られました。牛乳配達員は中くらいの遅延を持ちますが一貫したスケジュールを持ち、7 日に１回、まわってくると考えてください。あなたは牛乳をどれだけ買うか、計画することができ、すぐになくならないように飲むのをひかえることもできます。さて、牛乳配達員が、低遅延ですが、一貫しないスケジュールを持ち、１日から４日でまわってくるものとしましょう。あなたは牛乳をどれだけ買うか、どの
ように飲むのをひかえるか、全く見当がつかないでしょう。あるときは牛乳がありすぎ、あるときは底をついてしまいます。オーディオ処理と生成ソフトウエアはこのように振る舞います。もし、遅延の量が一貫していれば、それにしたがって計画できます。遅延が一貫していないとき、それが大きくても小さくても、ときにはデータが多すぎたり、ときには不足したりします。もし、アプリケーションがオーディオデータに不足すると、オーディオ信号の中に雑音か、静寂が生まれ、いずれも、よいものではありません。
+ </div><div class="para">
+ ある程度、低遅延であることは重要です。あなたのコンピュータが、今起きていることに、気がつかないほど迅速に反応できるためです。重要なのは、8 ms の遅延と 16 ms の遅延は人間にとってほとんど区別できないのに比べて、大きな遅延を許せば、コンピュータはより一貫した動作ができ、そちらの方がより重要だということです。
+ </div></div><div class="section" id="sect-Musicians_Guide-Processor_Scheduling"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Processor_Scheduling">3.2. プロセッサスケジューリング</h2></div></div></div><div class="para">
+ "システムモニタ "アプリケーションを開いたことがおありなら、いつもたくさんの "プロセス "が動いていることに気がつかれたでしょう。これらのうちのいくつかのプロセスは、プロセッサを必要とし、いくつかはただ、何かが起きるのを待っています。一度に走ることのできるプロセスの数を増やすために多くの現代の CPU は１つ以上の "コア "を持ち、一度により多くのプロセスが評価されることができます。この改善があっても、プロセスの数は存在するコアの数より多いのが普通です。私のコンピュータは今、１９６プロセスと、たった３つのコアを持ちます。どのプロセスが、いつ、実行する機会を得るかを決める手段が必要で、この仕事はオペレーティングシステムに任されています。
+ </div><div class="para">
+ Fedora ã®ã‚ˆã†ãª Linux システムã§ã¯ã€ã‚ªãƒšãƒ¬ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã‚·ã‚¹ãƒ†ãƒ ã®ä¸å¿ƒã€(<em class="firstterm"> カーãƒãƒ« </em> ã¨å‘¼ã°ã‚Œã¾ã™ )ã¯ã€ã©ã®ãƒ—ãƒã‚»ã‚¹ãŒã„ã¤å®Ÿè¡Œã™ã‚‹æ©Ÿä¼šã‚’å¾—ã‚‹ã‹ã‚’決ã‚る権é™ã‚’æŒã¡ã¾ã™ã€‚ã“ã®æ¨©é™ã¯ã€"スケジューリング "ã¨å‘¼ã°ã‚Œã¾ã™ã€‚プãƒã‚»ãƒƒã‚µã¸ã®ã‚¢ã‚¯ã‚»ã‚¹ã‚’スケジュールã™ã‚‹ã“ã¨ã¯ <em class="firstterm"> プãƒã‚»ãƒƒã‚µã‚¹ã‚±ã‚¸ãƒ¥ãƒ¼ãƒªãƒ³ã‚° </em> ã¨å‘¼ã°ã‚Œã¾ã™ã€‚カーãƒãƒ«ã¯ã€å¤šãã®ä»–ã®ã‚‚ã®ã®ã‚¹ã‚±ã‚¸ãƒ¥ãƒ¼ãƒªãƒ³ã‚°ã‚‚è¡Œã„ã¾ã™ã€‚例ãˆã°ã€ãƒ¡ãƒ¢ãƒªã‚¢ã‚¯ã‚»ã‚¹ã€ãƒ“デオãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã‚¢ã‚¯ã‚»ã‚¹ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã‚¢ã‚¯ã‚»ã‚¹ã€ãƒãƒ¼ãƒ‰ãƒ‡ã‚£ã‚¹ã‚¯ã‚¢ã‚¯ã‚»ã‚¹ã€ãªã©ã§ã™ã€‚ã“れらã®ã‚¹ã‚±ã‚¸ãƒ¥ãƒ¼ãƒªãƒ³ã‚°ä½œæ¥ã§ä½¿ã‚れるアルゴリズム( 手続ã ) ã¯ãã‚Œãžã‚Œç•°ãªã‚Šã€ãƒ¦ãƒ¼ã‚¶ã®è¦æ±‚ã¨ä½¿ã‚れるãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã«ã‚ˆã£ã¦ã€å¤‰ãˆã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚例ãˆã°ã€ãƒãƒ¼ãƒ‰ãƒ‡ã‚
£ã‚¹ã‚¯ã¯ã€ã©ã®ãƒ—ãƒã‚»ã‚¹ãŒæœ€åˆã«èªã¿å‡ºã—ãŒã§ãã‚‹ã‹ã‚’決ã‚ã‚‹ã®ã«ã€ãƒ‡ã‚£ã‚¹ã‚¯ä¸Šã®ãƒ‡ãƒ¼ã‚¿ã®ä½ç½®ã‚’考慮ã™ã‚‹ã®ãŒå¦¥å½“ã§ã™ã€‚プãƒã‚»ãƒƒã‚µã®å ´åˆã€ã“ã‚Œã¯ç„¡é–¢ä¿‚ã§ã™ãŒã€ä»–ã«è€ƒæ…®ã™ã¹ãã“ã¨ãŒãŸãã•ã‚“ã‚ã‚Šã¾ã™ã€‚
+ </div><div class="para">
+ 標準㮠Linux カーãƒãƒ«ã§ä½¿ã†ã“ã¨ã®ã§ãるスケジューリングアルゴリズムã¯ãŸãã•ã‚“ã‚ã‚Šã¾ã™ãŒã€ã»ã¨ã‚“ã©ã®ãƒ¦ãƒ¼ã‚¶ã«ã¨ã£ã¦ã€"フェアã‚ューイング "システムãŒé©å½“ã§ã™ã€‚ã“ã‚Œã¯ã€ã™ã¹ã¦ã®ãƒ—ãƒã‚»ã‚¹ãŒãƒ—ãƒã‚»ãƒƒã‚µã®ç‰ã—ã„é‡ã®æ™‚é–“ã‚’å¾—ã‚‹ã“ã¨ã‚’ä¿è¨¼ã—ã¾ã™ã€‚ã“ã‚Œã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä½œæ¥ã«ã¯å‘ãã¾ã›ã‚“。もã—ã‚ãªãŸãŒãƒ©ã‚¤ãƒ–コンサートを録音ã—ã¦ãŠã‚Šã€"PackageKit"ã®æ›´æ–°ãƒžãƒãƒ¼ã‚¸ãƒ£ãŒé–‹å§‹ã—ãŸã¨ãã€PackageKit ãŒå¹³ç‰ãªãƒ—ãƒã‚»ãƒƒã‚µæ™‚é–“ã‚’å¾—ã‚‹ã‹ã¯ã©ã†ã§ã‚‚よã„ã§ã—ょã†ã€‚オーディオãŒã§ãã‚‹é™ã‚Šæ£ç¢ºã«éŒ²éŸ³ã•ã‚Œã‚‹ã“ã¨ãŒãšã£ã¨é‡è¦ã§ã™ã€‚ã•ã‚‰ã«ã€ã‚ãªãŸãŒãƒ©ã‚¤ãƒ–コンサートを録音ã—ã¦ãŠã‚Šã€ã‚ãªãŸã®ã‚³ãƒ³ãƒ”ュータãŒã€ä¸æ–ã•ã‚Œãªã„ã€é«˜å“質ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’æä¾›ã™ã‚‹ä¸€æ–¹ã€ãƒ¢ãƒ‹ã‚¿ãƒ¼ã€ã‚ーボードã€ãƒžã‚¦ã‚¹ã‚’æ›´æ–°ã™ã‚‹ã ã‘ã®é€Ÿã•ã‚’æŒãŸãªã„å ´åˆã€ã
‚ãªãŸã¯ãƒ¢ãƒ‹ã‚¿ã€ã‚ーボードã€ãƒžã‚¦ã‚¹ã®ä»£ã‚ã‚Šã«ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’望むã§ã—ょã†ã€‚実際ã€ã‚ãªãŸãŒã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®ã¨ã¦ã‚‚å°ã•ãªéƒ¨åˆ†ã‚’見逃ã—ãŸã¨ã—ãŸã‚‰ã€ãã‚Œã¯æ°¸é ã«å¤±ã‚ã‚Œã¦ã—ã¾ã†ã®ã§ã™ã€‚
+ </div></div><div class="section" id="sect-Musicians_Guide-Real_Time_Linux_Kernel"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Real_Time_Linux_Kernel">3.3. リアルタイム Linux カーネル</h2></div></div></div><div class="para">
+ Linux カーネルの "リアルタイムパッチ "があり、それは高い優先度を要求するあるプロセスを、プロセッサが非平等にスケジュールするのを可能とします。"パッチ "という言葉は、これがほんの部分的なソリューションであるかのように聞こえますが、実のところは、この種の非平等なスケジューリングを可能とするプログラムコードは標準のカーネルには含まれていない事実を意味します。標準のカーネルコードは、このコードを "つぎあて "されないといけないのです。
+ </div><div class="para">
+ リアルタイムカーãƒãƒ«ã®ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆå‹•ä½œã¯ã€ã‚„ã¯ã‚Šã€"フェアã‚ューイング "をデフォルトã§ä½¿ã†ã¨ã„ã†ã‚‚ã®ã§ã™ã€‚ã“ã‚Œã¯ã€ã»ã¨ã‚“ã©ã®ãƒ—ãƒã‚»ã‚¹ã¯ä¸€è²«ã—ãŸä½Žé…延を必è¦ã¨ã—ãªã„ã®ã§ã€ã‚ˆã„ã“ã¨ã§ã™ã€‚特別ãªãƒ—ãƒã‚»ã‚¹ã ã‘ãŒã€é«˜å„ªå…ˆåº¦ã®ã‚¹ã‚±ã‚¸ãƒ¥ãƒ¼ãƒªãƒ³ã‚°ã‚’è¦æ±‚ã™ã‚‹ã‚ˆã†ã«è¨è¨ˆã•ã‚Œã¾ã™ã€‚å„プãƒã‚»ã‚¹ã¯å„ªå…ˆåº¦ç•ªå·ã‚’与ãˆã‚‰ã‚Œã€ï¼ˆã‚ã‚‹ã„ã¯è¦æ±‚ã—ã€ï¼‰ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ カーãƒãƒ«ã¯å¸¸ã«ãƒ—ãƒã‚»ãƒƒã‚µæ™‚間を最も高ã„優先度番å·ã‚’æŒã¤ãƒ—ãƒã‚»ã‚¹ã«ä¸Žãˆã¾ã™ã€‚ãã®ãƒ—ãƒã‚»ã‚¹ãŒã€<span class="emphasis"><em> ã™ã¹ã¦ã® </em></span> プãƒã‚»ãƒƒã‚µæ™‚間を使ã„å°½ãã™ã¨ã—ã¦ã‚‚ã§ã™ã€‚ã“ã‚Œã¯ã€é€šå¸¸ã®ã‚¢ãƒ—リケーションã«ä¸åˆ©ã«ãªã‚Šã¾ã™ã€‚高優先度ã®ãƒ—ãƒã‚»ã‚¹ãŒèµ°ã£ã¦ã„る時ã¯ã€æ®‹ã‚Šã®ã‚·ã‚¹ãƒ†ãƒ ã¯æ£ã—ã動作ã™ã‚‹ã“ã¨ãŒã§ããªã„ã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚極端ãªï¼ˆãã—ã¦ã¨ã¦ã‚‚ã¾ã‚Œã
ªï¼ï¼‰å ´åˆã€ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ プãƒã‚»ã‚¹ãŒã‚¨ãƒ©ãƒ¼ã«ãªã£ã¦ã€ã™ã¹ã¦ã®ãƒ—ãƒã‚»ãƒƒã‚µæ™‚間を使ã„å°½ãã—ã¦ã€ä»–ã®ãƒ—ãƒã‚»ã‚¹ãŒèµ°ã‚‹ã®ã‚’ç¦æ¢ã™ã‚‹ã€ã¤ã¾ã‚Šã‚ãªãŸã‚’コンピュータã‹ã‚‰ãƒãƒƒã‚¯ã‚¢ã‚¦ãƒˆã™ã‚‹ã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚ã“ã‚“ãªã“ã¨ãŒèµ·ããªã„よã†ã«é˜²æ¢æŽªç½®ãŒã¨ã‚‰ã‚Œã¦ã„ã¾ã™ãŒã€ã‚ˆãã‚るよã†ã«ã€ä¿è¨¼ã¯ã‚ã‚Šã¾ã›ã‚“。ã‚ãªãŸãŒãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ カーãƒãƒ«ã‚’使ã†ã¨ãã€ã‚ãªãŸã¯ã‚·ã‚¹ãƒ†ãƒ クラッシュã®ã‚ˆã‚Šé«˜ã„å±é™ºã«è‡ªã‚‰ã‚’ã•ã‚‰ã—ã¦ã„ã‚‹ã®ã§ã™ã€‚
+ </div><div class="para">
+ その理由から、リアルタイムカーネルは、サーバとして動作するコンピュータでは使うべきでありません。
+ </div></div><div class="section" id="sect-Musicians_Guide-Hard_and_Soft_Real_Time"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Hard_and_Soft_Real_Time">3.4. ハードとソフトリアルタイム</h2></div></div></div><div class="para">
+ 最後に、リアルタイムスケジューリングには２つの異なる種類があります。Linux カーネルは、最も極端な場合でも <em class="firstterm"> ソフトリアルタイム </em> しか使いません。この意味するところは、プロセッサと他のスケジューリングアルゴリズムが、高優先度のプロセスを優先するように最適化されているとしても、絶対的な動作時間の保証はないということです。リアルタイムカーネルはオーディオプロセスが、データを失う機会をおおいに減らすことに役立ちますが、ときにはそれがやはり起きることもあります。
+ </div><div class="para">
+ <em class="firstterm"> ハードリアルタイム </em> コンピュータは、ほんのわずかの遅延が、生と死の違いを引き起こすような特別な用途のために設計されたものです。これらのシステムはハードウエアあるいはソフトウエアで実装されています。自動車事故の時にエアバッグを展開するもの、手術中に患者の脈拍をモニタするもの、などの例があります。これらのコンピュータは多機能ではなく、それが保証された低遅延を実現できる理由の１つでもあります。
+ </div></div><div class="section" id="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora">3.5. Fedora Linux でリアルタイムカーネルを得る</h2></div></div></div><div class="para">
+ Fedora Linux で、リアルタイムカーネルは、Planet CCRMA at Home リポジトリで提供されます。Planet CCRMA at Home の章 (<a class="xref" href="#sect-Musicians_Guide-CCRMA_Security_and_Stability">「セキュリティと安定性」</a> を参照ください ) での注意とともに、ここで、もう１つ、考えることがあります：リアルタイムカーネルは、標準のカーネルに比べて使っている人が少ないので、テストのされ方が少ないです。何かおかしなことになる可能性は比較的少ないとはいえ、リアルタイムカーネルを使うことはリスクレベルを上げることに注意下さい。リアルタイムカーネルが動作しなくなったときのためにリアルタイムでない選択肢を常に残して下さい。
+ </div><div class="para">
+ リアルタイムカーネルを、他のシステム最適化とともにインストールするには、以下の手順にしたがってください：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Planet CCRMA at Home リポジトリを、<a class="xref" href="#sect-Musicians_Guide-CCRMA_Installing_Repository">「Planet CCRMA at Home リポジトリをインストールする」</a> の手順でインストール下さい。
+ </div></li><li class="listitem"><div class="para">
+ 以下のコマンドをターミナルで実行ください： <code class="command">su -c 'yum install planetccrma-core'</code> これは、メタパッケージであり、それは自分では何もインストールしません。そのかわりに、いくつかの他のパッケージがインストールされるようにして、それらが目的のインストールと最適化をします。
+ </div></li><li class="listitem"><div class="para">
+ 新しいカーネルをテストするために、コンピュータをシャットダウン、リブートして下さい。もし、GRUB 設定をなおすつもりなら、リアルタイムでないカーネルを、使えるように必ず残すようにして下さい。
+ </div></li></ol></div>
+
+ </div></div></div><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-Planet_CCRMA_at_Home" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第4章 Planet CCRMA at Home</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-What_Is_Planet_CCRMA">4.1. Planet CCRMA at Home について</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA">4.2. Planet CCRMA at Home を使うかどうかを決める</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Need_Exclusive_Software">4.2.1. 独占的ソフトウエア</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Security_and_Stability">4.2.2. セキュリティと安定性</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Best_Practices">4.2.3. 可能な "ベストプラクティス "ソリューション</a></span></
dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Using_Planet_CCRMA_Software">4.3. Planet CCRMA at Home のソフトウエアを使う</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Installing_Repository">4.3.1. Planet CCRMA at Home リポジトリをインストールする</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Repository_Priorities">4.3.2. リポジトリの優先度を設定する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-CCRMA_Preventing_Package_Updates">4.3.3. パッケージを更新されなくする</a></span></dt></dl></dd></dl></div><div class="section" id="sect-Musicians_Guide-What_Is_Planet_CCRMA"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-What_Is_Planet_CCRMA">4.1. Planet CCRMA at Home について</h2></div></div></div><div class="para">
+ プロジェクトのホームページで述べられているように、Planet CCRMA at Home のゴールは、Fedora Linux ベースのコンピュータをオーディオワークステーションに変貌させるためのパッケージを提供することです。これが意味するところは、Fedora プロジェクトは汎用のオペレーティングシステムを提供することにかけてはすばらしいはたらきをしていますが、汎用のオペレーティングシステムというものは高品質のオーディオ作業にとっては不十分であるということです。Planet CCRMA at Home の貢献者たちはあなたのシステムをオーディオ作業のために特別に調整することのできるソフトウエアパッケージを提供します。
+ </div><div class="para">
+ GNU Solfege と LilyPond のユーザは、Planet CCRMA at Home とかかわりをもつ必要はありません。他のオーディオソフトウエアをお使いの場合は除きますが。Solfege も LilyPond も、オーディオ作成のために最適化されたコンピュータで有利になることはありません。
+ </div><div class="para">
+ CCRMA は、"Center for Computer Research in Music and Acoustics 音楽と音響学のコンピュータ研究センター "の略で、カリフォルニア州スタンフォードにある、スタンフォード大学の学術研究機関および音楽コンピューティング機関の名前です。そこではさまざまな音楽の環境において、コンピュータと技術が及ぼす効果と可能性を理解する研究が行われています。そこでは、学術コースが提供され、ワークショップとコンサートがひらかれ、多くの高度に専門化された分野の仕事をひとつにまとめる試みがなされています。
+ </div><div class="para">
+ Planet CCRMA at Home のウエブサイトには、彼らが、CCRMA のコンピュータ施設で使われるソフトウエアのほとんどを提供していると書いてあります。このソフトウエアの多くは、先進的で複雑で、日常的に使うためのものではありません。冒険好きなユーザは Planet CCRMA のウエブサイトを探検して自分でそのソフトウエアを調べてみるとよいでしょう。
+ </div></div><div class="section" id="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA">4.2. Planet CCRMA at Home を使うかどうかを決める</h2></div></div></div><div class="section" id="sect-Musicians_Guide-CCRMA_Need_Exclusive_Software"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-CCRMA_Need_Exclusive_Software">4.2.1. 独占的ソフトウエア</h3></div></div></div><div class="para">
+ 追加のリポジトリをインストールするただ１つのもっともな理由は、あなたがそこのソフトウエアをインストールして使いたいからでしょう。このガイドで取り扱っているソフトウエアアプリケーションのうち、Planet CCRMA at Home リポジトリでしか手に入らないものは、 "SuperCollider"です。Planet CCRMA at Home は他にも、オーディオ関連の多くのソフトウエアアプリケーションを提供していますが、その多くはデフォルトの Fedora プロジェクトリポジトリで手に入ります。
+ </div><div class="para">
+ 現在デフォルトの Fedora リポジトリで手に入る多くのオーディオソフトウエアのほとんどは、最初は、 Fedora において、Planet CCRMA at Home リポジトリで入手可能になりました。ときには、アプリケーションのアップデート版が、Fedora Updates で入手可能になるよりも早く Planet CCRMA から得られることもあります。もしあなたがより新しいソフトウエアバージョンが必要ならば、あなたは Planet CCRMA リポジトリをインストールするべきです。
+ </div><div class="para">
+ これは、Planet CCRMA リポジトリをインストールして、そのソフトウエアを何もインストールしないユーザには潜在的なセキュリティ上の弱点ともなります。"yum"は、インストールされているアプリケーションのより新しいバージョンを見つけると、リポジトリにかかわらずそれをインストールします。これはあなたが気がつかないうちに起きることがあるので、あなたは知らないうちに Planet CCRMA のソフトウエアを使っていることがあります。
+ </div></div><div class="section" id="sect-Musicians_Guide-CCRMA_Security_and_Stability"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-CCRMA_Security_and_Stability">4.2.2. セキュリティと安定性</h3></div></div></div><div class="para">
+ あなたがそこのソフトウエアを <span class="emphasis"><em> 必要とする </em></span> のでなければ Planet CCRMA at Home リポジトリをインストールするべきでない最大の理由は、セキュリティです。Planet CCRMA リポジトリを使うことについて、主に２つのセキュリティ問題があります。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Planet CCRMA は、専用のオーディオワークステーションのためのものです。ソフトウエアは、コンピュータシステムをオーディオ作業に使えるようにするために必要な最適化により引き起こされる潜在的 ( あるいは未知の）セキュリティ上の脅威を生み出すかもしれない方法でパッケージングされます。さらに、これらの最適化は Planet CCRMA 以外のソフトウエアに存在するバグを明らかにして、最適化されないシステムで起きる以上の損害を与えるかもしれません。最後に、コンピュータシステムの "安定性 "（トラブルなしに動くことのできる能力）は、オーディオ最適化のために損なわれるかもしれません。普通のデスクトップアプリケーションは、オーディオ最適化されたシステムの上では比較的うまく動かないかもしれません
。最適化処理が、意図に反して、いくつかの他のプロセスを最適ではなくすることもあるからです。
+ </div></li><li class="listitem"><div class="para">
+ CCRMA は、Linux にフォーカスした巨大な組織ではありません。それは学術組織でありその Planet CCRMA at Home リポジトリに対する主な意図は、コンピュータを持っている誰でもが、彼らがしていることと同じ種類の作業をできるようにするということです。Fedora Project は比較的大きな組織で、世界で最大の商用 Linux 提供者の１つに後援されています。そして、日々の使用に耐える安定してセキュアなオペレーティングシステムを作成することにフォーカスしています。さらに、世界の数千の人々が Fedora Project あるいはそのスポンサー企業で働いており、積極的に問題を解決するのが彼らの責任です。CCRMA も同じ責任を持ちますが、彼らは Fedora Project のように専用のリソースを持ちませんから、同じレベルのサポートを提供できると考
えるのは単純（？？？）過ぎると言えるかもしれません。
+ </div></li></ol></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-CCRMA_Best_Practices"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-CCRMA_Best_Practices">4.2.3. 可能な "ベストプラクティス "ソリューション</h3></div></div></div><div class="para">
+ すべての Fedora Linux ユーザは CCRMA で働く、Planet CCRMA at Home リポジトリを提供してくれる人々に感謝するべきです。これまで彼らの作業は、Fedora が多くの高品質のオーディオソフトウエアを提供する助けとなってきました。さらに、Planet CCRMA at Home リポジトリをとおして、多くの CCRMA の高度に専門化されたソフトウエアアプリケーションが入手可能なことはオーディオと音楽の熱狂者にとってとても貴重なリソースでした。
+ </div><div class="para">
+ 一方、Fedora ユーザは、Planet CCRMA ソフトウエアが、Fedora ソフトウエアと同じ基準を満たすとは期待できません。Fedora Project の主なゴールは Linux ソフトウエアを提供することですが、CCRMA の主なゴールはコンピュータを使った音楽とオーディオの研究と芸術についての知識を前進させることなのです。
+ </div><div class="para">
+ これらの２つのゴールはどこで出会うでしょうか？
+ </div><div class="para">
+ もしあなたが、あなたのコンピュータを日々のデスクトップ作業と高品質オーディオ製作の両方に使いたいならば、１つのよい解決策はあなたのコンピュータを "デュアルブート "することです。これには、同じ物理コンピュータに Fedora Linux を 2 回インストールする必要がありますが、こうすれば Planet CCRMA at Home ソフトウエアのために完全に分離されたオペレーティングシステム環境を保持することができます。これによりあなたは、Planet CCRMA のアプリケーションを、最も最適化された状態で安全に、セキュアに実行することができます。さらに、あなたはオーディオ作業のために必要のないシステムサービスを停止したり、削除することにより、システムをより最適化することもできます。例えば、GNOME あるいは KDE ユーザは、
オーディオ最適化されたインストールのためには "Openbox"だけをインストールする選択ができます。
+ </div><div class="para">
+ あるいは、半分、という手段もあります：いくつかの Planet CCRMA アプリケーションだけをインストールして、完全に最適化されたカーネルとシステムコンポーネントはインストールしないということです。これは、典型的な日々の作業（電子メール、ワードプロセッシング、ウエブブラウジング、など ) に使われることが多いコンピュータに適しています。例えばもしあなたが SuperCollider を使いたいけど他のオーディオソフトウエアは必要ない場合、これがあなたにとって最適な解決策かもしれません。
+ </div><div class="para">
+ 結局、あなたのコンピュータとデータが安全でセキュアであるのを保証するのはあなたの責任です。あなたは自分の作業パターンと欲求のために最適な策を見つけてください。
+ </div></div></div><div class="section" id="sect-Musicians_Guide-Using_Planet_CCRMA_Software"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Using_Planet_CCRMA_Software">4.3. Planet CCRMA at Home のソフトウエアを使う</h2></div></div></div><div class="para">
+ Planet CCRMA at Home ソフトウエアは、スタンフォード大学のサーバにホスト ( 格納）されています。それは Fedora Linux のサーバとは別なので、<code class="command">yum</code> （ PackageKit と KPackageKit が使うコマンドラインユティリティ）はあなたがそれを使いたいということを知らせられなくてはいけません。リポジトリをインストールした後は Planet CCRMA at Home ソフトウエアは yum, PackageKit, あるいは KPackageKit により他のソフトウエアと同じように簡単にインストールすることができます。
+ </div><div class="section" id="sect-Musicians_Guide-CCRMA_Installing_Repository"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-CCRMA_Installing_Repository">4.3.1. Planet CCRMA at Home リポジトリをインストールする</h3></div></div></div><div class="procedure"><div class="para">
+ 以下の手順は、Planet CCRMA at Home リポジトリ、それは Fedora Linux ベースのコンピュータ専用です、をインストールします .
+ </div><ol class="1"><li class="step"><div class="para">
+ PackageKit あるいは KPackageKit でコンピュータをアップデートします .
+ </div></li><li class="step"><div class="para">
+ ターミナルウインドウで、以下のコマンドを実行ください。
+ </div><pre class="screen"><code class="command">su -c 'rpm -Uvh http://ccrma.stanford.edu/planetccrma/mirror/fedora/linux/\</code>⏎
+<code class="command">planetccrma/13/i386/planetccrma-repo-1.1-2.fc13.ccrma.noarch.rpm</code></pre><div class="para">
+ これはすべてのバージョンの Fedora、３２ビットでも、６４ビットでも、で動作します . コマンドはここでは表示のために分かれていますが、一行で書いてください。
+ </div></li><li class="step"><div class="para">
+ コンピュータを再びアップデート下さい。
+ </div></li><li class="step"><div class="para">
+ "yum"の外で RPM データベースが変更されたという警告が出るかもしれませんが、これは正常です。
+ </div></li><li class="step"><div class="para">
+ リポジトリの定義は自動的に更新されます。
+ </div></li><li class="step"><div class="para">
+ いくつかのパッケージは他のリポジトリ（ Planet CCRMA at Home のような）に加えて Fedora リポジトリでも入手可能です。もし Planet CCRMA at Home リポジトリがあなたがインストールした他のリポジトリより新しいバージョンを持っていたら、その時点で Planet CCRMA バージョンがインストールされます。
+ </div></li></ol></div><div class="para">
+ リポジトリのインストールには <code class="command">rpm</code> プログラムを直接使う必要があったのですが、他のすべての Planet CCRMA ソフトウエアは、他のアプリケーションと同じく、<code class="command">yum</code> を使ってインストールできます。以下が、そのときに使われるコマンドラインオプションの説明です：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="literal">-U</code> は "upgrade アップグレード "を意味し、指定されたパッケージをインストールし、以前にインストールされたバージョンがあれば削除します .
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">-v</code> は "verbose 冗舌 "の意味で、余分の情報メッセージを表示します .
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">-h</code> は "hash ハッシュ "の意味で、インストールの進行を示すハッシュマーク（ <code class="literal">#</code> ）を表示します .
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-CCRMA_Repository_Priorities"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-CCRMA_Repository_Priorities">4.3.2. リポジトリの優先度を設定する</h3></div></div></div><div class="para">
+ ã“ã‚Œã¯ã‚ªãƒ—ショナルã§ã€é€²ã‚“ã ユーザã«ã®ã¿å‹§ã‚られã¾ã™ã€‚<span class="application"><strong>yum</strong></span> ã¯æ™®é€šã¯ã€ã©ã®ãƒªãƒã‚¸ãƒˆãƒªãŒæä¾›ã™ã‚‹ã‹ã«ã¯ç„¡é–¢ä¿‚ã«ã€ãƒ‘ッケージã®æœ€æ–°ã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã‚’インストールã—ã¾ã™ . ã“ã®ãƒ—ラグインを使ã†ã¨ã€ã“ã®æŒ¯ã‚‹èˆžã„を変ãˆã€<span class="application"><strong>yum</strong></span> ãŒã€ä¸»ã«æä¾›ã™ã‚‹ãƒªãƒã‚¸ãƒˆãƒªã«ã‚ˆã£ã¦ãƒ‘ッケージãƒãƒ¼ã‚¸ãƒ§ãƒ³ã‚’é¸ã¶ã‚ˆã†ã«ã§ãã¾ã™ã€‚低ã„優先度ã®ãƒªãƒã‚¸ãƒˆãƒªã§æ–°ã—ã„ãƒãƒ¼ã‚¸ãƒ§ãƒ³ãŒã‚ã£ã¦ã‚‚ã€<span class="application"><strong>yum</strong></span> ã¯ãƒ‘ッケージをアップグレードã—ã¾ã›ã‚“ . ã‚‚ã—ã‚ãªãŸãŒã€å˜ã«ã€ã‚るパッケージをアップデートã—ãŸããªã„ã¨ã㯠<a class="xref" href="#sect-Musicians_Guide-CCRMA_Preventing_Package_Updates">「パッケージを更新ã•ã‚Œãªãã™ã‚‹ã€</a> ã®æ‰‹é †ã®æ–¹ãŒã€ã‚ãªãŸã®ç›®çš„ã«ã‹ãªã
„ã¾ã™ã€‚
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="package">yum-plugin-priorities</span> パッケージをインストールください。
+ </div></li><li class="step"><div class="para">
+ テキストエディタ、<span class="application"><strong>cat</strong></span> あるいは <span class="application"><strong>less</strong></span> コマンドで <code class="filename">/etc/yum/pluginconf.d/priorities.conf</code> が存在し、以下のテキストを含むのを確認ください：
+<pre class="programlisting">
+⏎
+[main]⏎
+enabled = 1⏎
+</pre>
+ もしこのプラグインを使うのを止めるときは、このファイルを編集して、<code class="code">enabled = 0</code> として下さい。そうすれば、リポジトリ構成ファイルに設定された優先度をそのままにしておけます。
+ </div></li><li class="step"><div class="para">
+ 一部、あるいはすべてのリポジトリに優先度を設定できます。リポジトリに優先度を設定するには、<code class="filename">/etc/yum.repos.d/<em class="replaceable"><code>*</code></em></code> ディレクトリのそのリポジトリに相当するファイルを編集して、以下のような行を追加します： <code class="literal">priority = <em class="replaceable"><code>N</code></em></code>。ここで、<code class="literal">N</code> は <code class="literal">1</code> 以上 <code class="literal">99</code> 以下の数字です。優先度 <code class="literal">1</code> が最高の設定で、<code class="literal">99</code> が最低です。少なくとも２つのリポジトリに優先度を設定しないと、このはたらきは有効でありません。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates">4.3.3. パッケージを更新されなくする</h3></div></div></div><div class="para">
+ ã“ã‚Œã¯ã‚ªãƒ—ショナルã§ã€é€²ã‚“ã ユーザã«ã®ã¿å‹§ã‚られã¾ã™ã€‚<span class="application"><strong>yum</strong></span> ã¯æ™®é€šã¯ã€ã©ã®ãƒªãƒã‚¸ãƒˆãƒªãŒæä¾›ã™ã‚‹ã‹ã«ã¯ç„¡é–¢ä¿‚ã«ã€ãƒ‘ッケージã®æœ€æ–°ã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã‚’インストールã—ã¾ã™ . ã“ã®ãƒ—ラグインを使ã†ã¨ã€ã“ã®æŒ¯ã‚‹èˆžã„を変ãˆã€<span class="application"><strong>yum</strong></span> ãŒã€ä¸»ã«æä¾›ã™ã‚‹ãƒªãƒã‚¸ãƒˆãƒªã«ã‚ˆã£ã¦ãƒ‘ッケージãƒãƒ¼ã‚¸ãƒ§ãƒ³ã‚’é¸ã¶ã‚ˆã†ã«ã§ãã¾ã™ã€‚低ã„優先度ã®ãƒªãƒã‚¸ãƒˆãƒªã§æ–°ã—ã„ãƒãƒ¼ã‚¸ãƒ§ãƒ³ãŒã‚ã£ã¦ã‚‚ã€<span class="application"><strong>yum</strong></span> ã¯ãƒ‘ッケージをアップグレードã—ã¾ã›ã‚“ . ã‚‚ã—ã‚ãªãŸãŒã€å˜ã«ã€ã‚るパッケージをアップデートã—ãŸããªã„ã¨ã㯠<a class="xref" href="#sect-Musicians_Guide-CCRMA_Preventing_Package_Updates">「パッケージを更新ã•ã‚Œãªãã™ã‚‹ã€</a> ã®æ‰‹é †ã®æ–¹ãŒã€ã‚ãªãŸã®ç›®çš„ã«ã‹ãªã
„ã¾ã™ã€‚
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <code class="literal">yum-plugin-versionlock</code> パッケージをインストール下さい。
+ </div></li><li class="listitem"><div class="para">
+ テキストエディタ、<span class="application"><strong>cat</strong></span> あるいは <span class="application"><strong>less</strong></span> コマンドで <code class="filename">/etc/yum/pluginconf.d/versionlock.conf</code> が存在し、以下のテキストを含むのを確認ください： <code class="code">enabled = 1</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="filename">/etc/yum/pluginconf.d/versionlock.list</code> に、あなたが更新したくないパッケージのリストを追加下さい。それぞれのパッケージは別の行に書いてください。例えば：
+<pre class="programlisting">
+⏎
+jack-audio-connect-kit-1.9.4⏎
+qjackctl-0.3.6⏎
+</pre>
+
+ </div></li></ol></div>
+
+ </div></div></div></div></div><div class="part" id="id810424"><div class="titlepage"><div><div text-align="center"><h1 class="title">パート II. オーディオと音楽ソフトウエア</h1></div></div></div><div class="toc"><p><strong>目次</strong></p><dl><dt><span class="chapter"><a href="#chap-Musicians_Guide-Audacity">5. Audacity</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Knowing_When_to_Use">5.1. Audacity をいつ使うか</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Requirements_and_Installation">5.2. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Software_Requirements">5.2.1. ソフトウエア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Hardware_Requirements">5.2.2. ハードウエア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Au
dacity-Installation">5.2.3. 標準のインストール</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion">5.2.4. MP3 サポートを含むインストール</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Testing_Playback">5.2.5. インストール後のテスト：再生</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Testing_Recording">5.2.6. インストール後のテスト：録音</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity_Configuration">5.3. 構成</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-First_Use">5.3.1. 初めて Audacity を実行する時</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware">5.3.2. お使いのサウンドカードに合わせて Audacity を設定する</a></span></dt>
<dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format">5.3.3. プロジェクトのサンプルレートとフォーマットを設定する</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Interface">5.4. インターフェース</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Recording">5.5. 録音</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Recording-Start_to_Record">5.5.1. 録音を開始する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record">5.5.2. 続けて録音する</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial">5.6. 新しいログインサウンドを作る（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Files">5
.6.1. チュートリアルのためのファイル</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Scenario">5.6.2. シナリオ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks">5.6.3. トラックを揃える</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks">5.6.4. トラックを伸ばす</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level">5.6.5. ボリュームレベルを調整する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise">5.6.6. ノイズを除く</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Fade_Out">5.6.7. フェードイン・フェードアウト</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Removing_
Audio">5.6.8. オーディオを削除する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment">5.6.9. 既に録音されたセグメントを繰り返す</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser">5.6.10. 特殊効果を加える（フェーザー）</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Conclusion">5.6.11. 結論</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Save_and_Export">5.7. 保存と書き出し</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Exporting_Part_of_a_File">5.7.1. ファイルの部分を書き出す</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Exporting_a_Whole_File">5.7.2. ファイルを全部書き出す</a></span></dt></dl></dd></dl></dd><dt><span class="cha
pter"><a href="#chap-Musicians_Guide-Digital_Audio_Workstations">6. デジタルオーディオワークステーション</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Knowing_Which_DAW_to_Use">6.1. どの DAW を使うか</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Stages_of_Recording">6.2. 録音のステージ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Recording">6.2.1. 録音</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Mixing">6.2.2. ミキシング</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Mastering">6.2.3. マスタリング</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Record_Mix_Master_More_Info">6.2.4. 参考</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-DAW_Interface_Vocabulary">6.3. インタフェース用語</a></span></dt><dd><dl><dt><span class
="section"><a href="#sect-Musicians_Guide-Session">6.3.1. セッション</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Track_and_Multitrack">6.3.2. トラックã¨ãƒžãƒ«ãƒãƒˆãƒ©ãƒƒã‚¯</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Region_Clip_Segment">6.3.3. リージョンã€ã‚¯ãƒªãƒƒãƒ—ã€ã‚ã‚‹ã„ã¯ã‚»ã‚°ãƒ¡ãƒ³ãƒˆ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Transport_and_Playhead">6.3.4. トランスãƒãƒ¼ãƒˆã¨å†ç”Ÿãƒ˜ãƒƒãƒ‰</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Automation">6.3.5. オートメーション</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-DAW_User_Interface">6.4. ユーザインタフェース</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Messages_Pane">6.4.1. メッセージペイン</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-DAW_Clock">6.4.2. ã‚
¯ãƒãƒƒã‚¯</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Track_Info_Pane">6.4.3. ãƒˆãƒ©ãƒƒã‚¯æƒ…å ±ãƒšã‚¤ãƒ³</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Track_Pane">6.4.4. トラックペイン</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-DAW_Transport_Controls">6.4.5. トランスãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Ardour">7. Ardour</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Requirements_and_Installation">7.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Knowledge_Requirements">7.1.1. å‰æ知è˜</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Software_Requirements">7.1.2. ソフトウエアè¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-
Ardour-Hardware_Requirements">7.1.3. ハードウエア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Installation">7.1.4. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording_a_Session">7.2. セッションを録音する</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Running_Ardour">7.2.1. <span class="application"><strong>Ardour</strong></span> を実行する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Interface">7.2.2. インターフェース</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline">7.2.3. タイムラインを設定する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources">7.2.4. オーディオソースを <span class="application"><stron
g>Ardour</strong></span> ã«ã¤ãªã</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks">7.2.5. ãƒã‚¹ã¨ãƒˆãƒ©ãƒƒã‚¯ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level">7.2.6. 録音レベル（ボリューム）を調整ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Recording_a_Region">7.2.7. リージョンを録音ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Recording_More">7.2.8. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Routing_Audio">7.2.9. オーディオã®ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨ <code class="systemitem">JACK</code> 接続ã®ç®¡ç†</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio">7.2.10. æ—¢å
˜ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’インãƒãƒ¼ãƒˆã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Tutorial_Files">7.3. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing">7.4. 曲を編集ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Add_Tracks_and_Busses">7.4.1. トラックã¨ãƒã‚¹ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses">7.4.2. トラックã¨ãƒã‚¹ã‚’接続ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks">7.4.3. トラックã«ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size">7.4.4. リージョンã®å¤§ãã•ã‚’切り詰ã‚ã‚‹</
a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings">7.4.5. 同じものの複数の録音を比較する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Arrange">7.4.6. リージョンを正しい場所に並べる</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Listen">7.4.7. 聞く</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing">7.5. 曲をミキシングする（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Enabling_Stereo_Output">7.5.1. ステレオ出力のためにセッションの設定を行い、エディットグループを解除する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels">7.5.2. 最初のレベルを設定する</a></span></dt><dt><span
class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning">7.5.3. 最åˆã®ãƒ‘ニングをè¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks">7.5.4. オートメーショントラックã§ã€ã•ã‚‰ã«èª¿æ•´ã‚’ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Other_Things">7.5.5. ãã®ä»–ã€ã‚„ã‚‹ã¨è‰¯ã„ã“ã¨</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Listen">7.5.6. èžã</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mastering">7.6. セッションã®ãƒžã‚¹ã‚¿ãƒªãƒ³ã‚°</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mastering-Ways_to_Export">7.6.1. オーディオをエクスãƒãƒ¼ãƒˆã™ã‚‹æ–¹æ³•</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window">7.6.2. エクã
‚¹ãƒãƒ¼ãƒˆã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã‚’使ã†</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Qtractor">8. Qtractor</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Requirements_and_Installation">8.1. è¦æ±‚ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Knowledge_Requirements">8.1.1. å‰æ知è˜</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Software_Requirements">8.1.2. ソフトウエアè¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Hardware_Requirements">8.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Other_Requirements">8.1.4. ãã®ä»–ã®è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Installation">8.1.5. インストール</a></span></dt></dl></dd><dt><spa
n class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration">8.2. 構成</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration-JACK">8.2.1. <span class="application"><strong>Qtractor</strong></span> を、 <code class="systemitem">JACK</code> (<span class="application"><strong>QjackCtl</strong></span>) と一緒に使う</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab">8.2.2. オーディオオプションを変更する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab">8.2.3. MIDI オプションを変更する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names">8.2.4. MIDI チャネル名を設定する</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using">8.3. Qtractor を使う</a></span></dt><dd
><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using-Blue_Place_Markers">8.3.1. 青いプレースマーカを使う</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using-MIDI_Tools">8.3.2. MIDI マトリックスエディタのツールを使う</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together">8.3.3. ファイル全部（オーディオと MIDI を一緒に）をエクスポートする</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using-Tips">8.3.4. その他の知識</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial">8.4. MIDI で作曲する（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Inspiration">8.4.1. インスピレーション</a></span></dt><dt><span class="section"><a href=
"#sect-Musicians_Guide-Qtractor-Tutorial-Requirements">8.4.2. チュートリアルのファイル</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready">8.4.3. Qtractor を準備する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File">8.4.4. オーディオファイルをインポートする</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area">8.4.5. 最初のフォーマルエリアをマークする</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme">8.4.6. 主題を作る</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme">8.4.7. 主題を繰り返します。</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part">
8.4.8. 次のパートを作曲します</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75">8.4.9. Qtractor の５２から７５小節</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97">8.4.10. Qtractor の７５から９７小節</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measure_97">8.4.11. Qtractor の９７小節</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119">8.4.12. Qtractor の９８から１１９小節</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139">8.4.13. Qtractor の１１９から１３９小節</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158">8.4.14. Qtractor の１３９から１５８小節</a></span></dt><dt><span
class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176">8.4.15. Qtractor の１５８から１７６小節</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End">8.4.16. Qtractor の１７７小節から終わり</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Rosegarden">9. Rosegarden</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Requirements_and_Installation">9.1. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Knowledge_Requirements">9.1.1. 前提知識</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Software_Requirements">9.1.2. ソフトウェア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Hardware_Requirements">9.1.3. ハードウェア要件</
a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Other_Requirements">9.1.4. その他の要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Installation">9.1.5. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Configuration">9.2. 構成</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Configuration-JACK_and_Qsynth">9.2.1. <span class="application"><strong>JACK</strong></span> と <span class="application"><strong>FluidSynth</strong></span> (<span class="application"><strong>Qsynth</strong></span>) をセットアップ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden">9.2.2. <span class="application"><strong>Rosegarden</strong></span> の設定</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden_and_Lily
Pond">9.3. <span class="application"><strong>Rosegarden</strong></span> と LilyPond</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial">9.4. <span class="application"><strong>Rosegarden</strong></span> で、作曲する。（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Bass_Line">9.4.1. 楽譜をベースラインから始める</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track">9.4.2. パーカッショントラックを追加</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion">9.4.3. パーカッションをスパイスアップ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Melody">9.4.4. メロディを追加する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guid
e-Rosegarden-Tutorial-Ways_to_Continue">9.4.5. å…ˆã«é€²ã‚€ã„ãã¤ã‹ã®æ–¹æ³•</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-FluidSynth">10. FluidSynth</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-SoundFont_Technology_and_MIDI">10.1. サウンドフォント技術㨠MIDI</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-How_to_Get_a_SoundFont">10.1.1. ã©ã®ã‚ˆã†ã«ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã‚’å¾—ã‚‹ã‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-MIDI_Terms">10.1.2. MIDI インストゥルメントã€ãƒãƒ³ã‚¯ã€ãƒ—ãƒã‚°ãƒ©ãƒ ã€ãŠã‚ˆã³ãƒ‘ッãƒ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-MIDI_Channels">10.1.3. MIDIãƒãƒ£ãƒ³ãƒãƒ«</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Requirements_and_Installation">10.2. è¦ä
»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Software_Requirements">10.2.1. ソフトウェアè¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation">10.2.2. <span class="application"><strong>FluidSynth</strong></span> ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth">10.2.3. <span class="application"><strong>Qsynth</strong></span> ã¨ä¸€ç·’ã«ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth">10.2.4. <span class="application"><strong>Qsynth</strong></span> ãªã—ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files">10.2.5. サウンドフォントファイ
ルをインストールする</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-In_a_Terminal">10.3. <span class="application"><strong>FluidSynth</strong></span> を、ターミナルエミュレータから使う</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring">10.4. <span class="application"><strong>Qsynth</strong></span> を設定する</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-Starting_FluidSynth">10.4.1. <span class="application"><strong>FluidSynth</strong></span> を開始する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-SoundFont">10.4.2. サウンドフォントの構成</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output">10.4.3. <span class="application"><strong>JACK</strong></span> の出力を設定する</a>
</span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input">10.4.4. MIDI 入力を設定する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings">10.4.5. <span class="application"><strong>FluidSynth</strong></span> の設定のすべてを見る</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels">10.5. <span class="application"><strong>Qsynth</strong></span> で、プログラムをチャネルに割り当てる</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Changing_Number_of_Input_Channels">10.5.1. MIDI 入力チャネル数を変更する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments">10.5.2. チャネルの割り当てを保存、再使用する</a></span></dt></dl></dd><dt
><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus">10.6. <span class="application"><strong>Qsynth</strong></span> で、リバーブとコーラスを使う</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Multiple_Instances">10.7. <span class="application"><strong>Qsynth</strong></span> で、複数の <span class="application"><strong>FluidSynth</strong></span> インスタンスを使う</a></span></dt></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-SuperCollider">11. <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Requirements_and_Installation">11.1. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Req_and_Inst-Knowledge">11.1.1. 前提知識</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Req_and_Inst
-Software_Requirements">11.1.2. ソフトウエア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Req_and_Inst-Hardware_Requirements">11.1.3. ハードウエア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-SC-Req_and_Inst-Available_Packages">11.1.4. <span class="application"><strong>SuperCollider</strong></span> 関連のパッケージ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Req_and_Inst-Recommended_Installation">11.1.5. お勧めするインストール</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit">11.2. <span class="application"><strong>GEdit</strong></span> を使って <span class="application"><strong>SuperCollider</strong></span> プログラムを書いて実行する</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit-Enable_and_Configure_SCEd">11.2.1. <span class="appl
ication"><strong>GEdit</strong></span> で、SCEd を有効にして、構成する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server">11.2.2. <span class="application"><strong>SuperCollider</strong></span> モードを有効にして、サーバを開始します。</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit-Executing_Code">11.2.3. <span class="application"><strong>GEdit</strong></span> でコードを実行する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit-Other_Tips">11.2.4. <span class="application"><strong>GEdit</strong></span> を <span class="application"><strong>SuperCollider</strong></span> と使うための他のヒント</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-SuperCollider-Basic_Programming">11.3. Basic Programming in <span class="application"><strong>SuperCollider</strong></span></a>
</span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-First_Steps">11.3.1. First Steps</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions">11.3.2. Variables and Functions</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented">11.3.3. Object-Oriented <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions">11.3.4. Sound-Making Functions</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio">11.3.5. Multichannel Audio</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Collections">11.3.6. Collections</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Rep
eating">11.3.7. Repeated Execution</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution">11.3.8. Conditional Execution</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix">11.3.9. Combining Audio; the Mix Class</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth">11.3.10. SynthDef and Synth</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Busses">11.3.11. Busses</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features">11.3.12. Ordering and Other Synth Features</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Scheduling">11.3.13. Scheduling</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Getting_Help">11
.3.14. How to Get Help</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution">11.3.15. Legal Attribution</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-SuperCollider-Composing">11.4. Composing with SuperCollider</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Tutorial_Files">11.4.1. Files for the Tutorial</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Inspiration">11.4.2. Inspiration</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Designing_the_First_Part">11.4.3. Designing the First Part</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part">11.4.4. Designing the Second Part</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones">11.4.5. Creating T
en Pseudo-Random Tones</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones">11.4.6. Scheduling the Tones</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Optimizing_the_Code">11.4.7. Optimizing the Code</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part">11.4.8. Making a Useful Section out of the Second Part</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts">11.4.9. Joining the Two Parts</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-SuperCollider-Exporting">11.5. Exporting Sound Files</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Non_Real_Time_Synthesis">11.5.1. Non-Real-Time Synthesis</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Recording_SuperColl
iders_Output">11.5.2. Recording SuperCollider's Output (Tutorial)</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-LilyPond">12. <span class="application"><strong>LilyPond</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-How_LilyPond_Works">12.1. <span class="application"><strong>LilyPond</strong></span> がいかに動作するか</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-The_LilyPond_Approach">12.2. <span class="application"><strong>LilyPond</strong></span> アプローチ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Installation">12.3. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Installation-Frescobaldi">12.3.1. Frescobaldi について</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Installation-
Frescobaldi-Installation">12.3.2. 要件とインストール (<span class="application"><strong>Frescobaldi</strong></span> のため)</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Configure_Frescobaldi">12.4. <span class="application"><strong>Frescobaldi</strong></span> の設定</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax">12.5. <span class="application"><strong>LilyPond</strong></span> の基本</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Letters_Are_Pitches">12.5.1. 文字は音程</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations">12.5.2. 数字は長さ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Articulations">12.5.3. アーティキュレーション、表情記号</a></span></dt><dt><span class="section"><a href="#sect-Music
ians_Guide-LilyPond-Syntax-Simultaneity">12.5.4. 同時性</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Chords">12.5.5. 和音</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Commands">12.5.6. コマンド</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Source_Files">12.5.7. ソースファイルとそのフォーマット</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors">12.5.8. 誤りを避けるには</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint">12.6. 対位法の課題をする（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Tutorial_Files">12.6.1. チュートリアルのためのファイル</a></span></dt><dt><span class="section"><a href="#sect-Musicians
_Guide-LilyPond-Counterpoint-Starting_the_Score">12.6.2. 楽譜を開始する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output">12.6.3. Frescobaldi の出力を調整する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Inputting">12.6.4. 音符を入力する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score">12.6.5. 楽譜をフォーマットする</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra">12.7. オーケストラスコアの作業（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra-Tutorial_Files">12.7.1. チュートリアルのためのファイル</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Sc
ore">12.7.2. スコアを開始する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output">12.7.3. Frescobaldi の出力を調整する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra-Inputting">12.7.4. 音符を入力する</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano">12.8. ピアノソナタの作業（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Tutorial_Files">12.8.1. チュートリアルのためのファイル</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score">12.8.2. 楽譜を開始する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output">12.8.3. Frescobaldi の出力を調整する</a></span></dt><dt><span cla
ss="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Inputting">12.8.4. Input Notes</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors">12.8.5. Troubleshoot Errors</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Formatting">12.8.6. Format the Score (Piano Dynamics)</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="#chap-Musicians_Guide-Solfege">13. GNU ソルフェージュ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Requirements_and_Installation">13.1. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Hardware_and_Software_Requirements">13.1.1. ハードウエアとソフトウエア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Other_Requirements">13.1.2. その他の要件</a></span></dt><dt><span class="sectio
n"><a href="#sect-Musicians_Guide-Solfege-Install">13.1.3. 必要なインストール</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Install_Csound">13.1.4. オプショナルなインストール： Csound</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Install_MMA">13.1.5. オプショナルインストール : MMA</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration">13.2. 構成</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-First_Time">13.2.1. Solfege を初めて実行するとき</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-Instruments">13.2.2. Instruments</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-External_Programs">13.2.3. External Programs</a></span></dt><dt><span class="section"><a href="#sect-Mus
icians_Guide-Solfege-Configuration-Interface">13.2.4. Interface</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-Practise">13.2.5. Practise</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-Sound_Setup">13.2.6. Sound Setup</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training">13.3. あなたのトレーニング</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training-Aural_Skilla_and_Musical_Sensibility">13.3.1. オーラルスキルと音楽的感性</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training-Exercise_Types">13.3.2. 課題のタイプ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program">13.3.3. オーラルスキルプログラムを作る</a></span></dt><dt><span class="section"><a href="
#sect-Musicians_Guide-Solfege-Training-Supplementary_References">13.3.4. 補足の参照</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Using_the_Exercises">13.4. 課題を使う</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Listening_Exercises">13.4.1. Listening</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Singing_Exercises">13.4.2. Singing</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Configure_Yourself_Exericses">13.4.3. Configure Yourself</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Rhythm_Exercises">13.4.4. Rhythm</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Dictation_Exercises">13.4.5. Dictation</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Harmonic_Progressions">13.4.6. Harmonic Progressions</a></span></dt><dt><span class="section
"><a href="#sect-Musicians_Guide-Solfege-Intonation">13.4.7. Intonation</a></span></dt></dl></dd></dl></dd></dl></div><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-Audacity" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第5章 Audacity</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Knowing_When_to_Use">5.1. Audacity をいつ使うか</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Requirements_and_Installation">5.2. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Software_Requirements">5.2.1. ソフトウエア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Hardware_Requirements">5.2.2. ハードウエア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Installation">5.2.3. 標準のインストール
</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion">5.2.4. MP3 サポートを含むインストール</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Testing_Playback">5.2.5. インストール後のテスト：再生</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Testing_Recording">5.2.6. インストール後のテスト：録音</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity_Configuration">5.3. 構成</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-First_Use">5.3.1. 初めて Audacity を実行する時</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware">5.3.2. お使いのサウンドカードに合わせて Audacity を設定する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guid
e-Audacity-Setting_Sample_Rate_and_Format">5.3.3. プロジェクトのサンプルレートとフォーマットを設定する</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Interface">5.4. インターフェース</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Recording">5.5. 録音</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Recording-Start_to_Record">5.5.1. 録音を開始する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record">5.5.2. 続けて録音する</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial">5.6. 新しいログインサウンドを作る（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Files">5.6.1. チュートリアルのためのファイル</a>
</span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Scenario">5.6.2. シナリオ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks">5.6.3. トラックを揃える</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks">5.6.4. トラックを伸ばす</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level">5.6.5. ボリュームレベルを調整する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise">5.6.6. ノイズを除く</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Fade_Out">5.6.7. フェードイン・フェードアウト</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio">5.6.8. オーディオを削除する</a></span>
</dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment">5.6.9. 既に録音されたセグメントを繰り返す</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser">5.6.10. 特殊効果を加える（フェーザー）</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Tutorial-Conclusion">5.6.11. 結論</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Save_and_Export">5.7. 保存と書き出し</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Exporting_Part_of_a_File">5.7.1. ファイルの部分を書き出す</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Audacity-Exporting_a_Whole_File">5.7.2. ファイルを全部書き出す</a></span></dt></dl></dd></dl></div><div class="para">
+ Audacity は、高品質のサウンド録音アプリケーションで、ユーザーが使いやすいように設計されています。Audacity はシンプルなのでほとんどのコンピューターユーザーにお勧めできます。それでも、それは多くの機能と能力があります。Audacity を使うのに、進んだコンピューターオーディオの概念を理解する必要はありません。あなたがマイクをコンピューターにつなぐことができれば、Audacity を使うのに十分な知識があると言えます。
+ </div><div class="section" id="sect-Musicians_Guide-Audacity-Knowing_When_to_Use"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity-Knowing_When_to_Use">5.1. Audacity をいつ使うか</h2></div></div></div><div class="para">
+ Audacity はシンプルなユーザーインターフェースを持ち、使いやすく、たくさんの進んだ能力があります。Audacity はコンピューター、音楽、あるいは録音についての進んだ知識は必要としません。Audacity は単一のオーディオファイルを編集するのにぴったりのツールです。それは同時に複数のオーディオファイルを協調させることもできます。ほとんどのユーザーは、ミュージシャンのガイドで扱われている他の録音できるアプリケーションと比べたとき、Audacity を選ぶでしょう。
+ </div><div class="para">
+ もしあなたが手っ取り早く録音がしたくて、複雑なソフトウエアを学ぶ時間がないならば、Audacity を使うべきです。
+ </div><div class="para">
+ もしあなたがプロ品質のオーディオ機器を持っていたり、とても高度な処理をしたかったり、あるいは録音に関して細かい制御がしたいならば、 Ardour, Qtractor, あるいは Rosegarden を使うのがよいでしょう。これらのどのアプリケーションも使ったことがないならば、 Ardour あるいは Rosegarden の前に Qtractor を学ぶのをお勧めします。Ardour と Rosegarden は Qtractor に比べて複雑で、あなたはそれらの進んだ機能は必要ないかもしれません。
+ </div></div><div class="section" id="sect-Musicians_Guide-Audacity-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity-Requirements_and_Installation">5.2. 要件とインストール</h2></div></div></div><div class="section" id="sect-Musicians_Guide-Audacity-Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Software_Requirements">5.2.1. ソフトウエア要件</h3></div></div></div><div class="para">
+ Audacity はいくつかの"ライブラリ"を使います。ライブラリは、独立していないプログラムで、他のプログラムあるいはアプリケーションに能力を加えます。ライブラリはプログラムの間で共用できます。Audacity が必要とするライブラリは自動的にインストールされます。
+ </div><div class="para">
+ Fedora リポジトリにあるバージョンの Audacity は、MP3 ライブラリを使いません。Audacity で MP3 ファイルを使わないならば、<a class="xref" href="#sect-Musicians_Guide-Audacity-Installation">「標準のインストール」</a>の手順に従ってください。使いたいならば、<a class="xref" href="#sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion">「MP3 サポートを含むインストール」</a>の手順に従ってください。
+ </div><div class="para">
+ Audacity は JACK Audio Connection Kit を使うことができます。Audacity をインストールする前に JACK をインストール下さい。JACK をインストールするには、<a class="xref" href="#sect-Musicians_Guide-Install_and_Configure_JACK">「<code class="systemitem">JACK</code> をインストール、設定する」</a>の手順に従ってください。Audacity はJACK と一緒に使わないで、ただし、JACK はインストールされているのをお勧めします。
+ </div></div><div class="section" id="sect-Musicians_Guide-Audacity-Hardware_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Hardware_Requirements">5.2.2. ハードウエア要件</h3></div></div></div><div class="para">
+ Audacity を使うにはオーディオインターフェイスが必要です。Audacity でオーディオを録音するならば、少なくとも１つの、オーディオインターフェイスに接続されたマイクが必要です。既存のオーディオファイルを編集するのにマイクはいりません。
+ </div></div><div class="section" id="sect-Musicians_Guide-Audacity-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Installation">5.2.3. 標準のインストール</h3></div></div></div><div class="procedure"><div class="para">
+ この方法はAudacity を Fedora リポジトリからインストールします。このバージョンの Audacity は MP3 ライブラリを使わないので、MP3 ファイルを処理することはできません。
+ </div><ol class="1"><li class="step"><div class="para">
+ PackageKit あるいは KPackageKit を使って<span class="package">audacity</span>パッケージをインストールします。
+ </div></li><li class="step"><div class="para">
+ 提案されたインストールは、Audacity と Audacity が使うすべてのライブラリを含みます。提案を見て、承認し、Audacity のインストールを続けてください。
+ </div></li><li class="step"><div class="para">
+ Audacity は自動的に自分で設定をします。しかし、あなたのほしい設定は使わないかもしれません。録音する前に、Audacity をテストして、うまく動くのを確認してください。<a class="xref" href="#sect-Musicians_Guide-Audacity-Testing_Playback">「インストール後のテスト：再生」</a>と<a class="xref" href="#sect-Musicians_Guide-Audacity-Testing_Recording">「インストール後のテスト：録音」</a>の手順に従って、Audacity をテストください。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion">5.2.4. MP3 サポートを含むインストール</h3></div></div></div><div class="procedure"><div class="para">
+ この方法は、Audacity を、RPM Fusion リポジトリからインストールします。このバージョンの Audacity は MP3 ライブラリを使うので、MP3 ファイルを処理できます。これは Fedora によって用意されたものではないので、 Fedora では、このバージョンのAudacity にサポートを提供することはできません。
+ </div><ol class="1"><li class="step"><div class="para">
+ ターミナルで、このコマンドを実行します：
+ </div><pre class="screen"><code class="command">su -c 'yum localinstall --nogpgcheck http://download1.rpmfusion.org/free/fedora/\</code>
+<code class="command">rpmfusion-free-release-stable.noarch.rpmhttp://download1.rpmfusion.org/nonfree/\</code>
+<code class="command">fedora/rpmfusion-nonfree-release-stable.noarch.rpm'</code></pre><div class="para">
+ これは１つのコマンドで、ここでは表示のために３行に分けてあることに注意ください。
+ </div></li><li class="step"><div class="para">
+ PackageKit あるいは KPackageKit を使って <code class="code">audacity-freeworld</code> パッケージをインストールします。
+ </div></li><li class="step"><div class="para">
+ 提案されたインストールは、Audacity と Audacity が使うすべてのライブラリを含みます。提案を見て、承認し、Audacity のインストールを続けてください。
+ </div></li><li class="step"><div class="para">
+ Audacity は自動的に自分で設定をします。しかし、あなたのほしい設定は使わないかもしれません。録音する前に、Audacity をテストして、うまく動くのを確認してください。<a class="xref" href="#sect-Musicians_Guide-Audacity-Testing_Playback">「インストール後のテスト：再生」</a>と<a class="xref" href="#sect-Musicians_Guide-Audacity-Testing_Recording">「インストール後のテスト：録音」</a>の手順に従って、Audacity をテストください。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-Audacity-Testing_Playback"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Testing_Playback">5.2.5. インストール後のテスト：再生</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ Audacity を開始します。
+ </div></li><li class="step"><div class="para">
+ オーディオインターフェイスとスピーカーのボリュームを安全なレベルにします。
+ </div></li><li class="step"><div class="para">
+ <span class="guimenu"><strong>ファイル</strong></span> → <span class="guimenuitem"><strong>開く</strong></span>を選択して、ファイルを開くウインドウを開きます。
+ </div></li><li class="step"><div class="para">
+ <code class="literal">/usr/share/sounds/alsa/Noise.wav</code> ファイルを開きます。このファイルは、オーディオ機器をテストするために作られたものです。
+ </div></li><li class="step"><div class="para">
+ 必要な回数ファイルを演奏します。ファイルが演奏される間、オーディオインターフェイスとスピーカーのボリュームを調整してください。
+ </div></li><li class="step"><div class="para">
+ ファイルが演奏される間、音が聞こえないときはオーディオインターフェイスとスピーカーが正しく接続されて、電源が入っているのを確認下さい。
+ </div></li><li class="step"><div class="para">
+ それでも、ファイルが演奏される間、音が聞こえないときは、<a class="xref" href="#sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware">「お使いのサウンドカードに合わせて Audacity を設定する」</a> を参照ください。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-Audacity-Testing_Recording"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Testing_Recording">5.2.6. インストール後のテスト：録音</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ マイクをオーディオインターフェイスにつなぎます。
+ </div></li><li class="step"><div class="para">
+ Audacity を開始します。ファイルは開かないでください。
+ </div></li><li class="step"><div class="para">
+ トランスポートコントロールの右にある、ボリュームレベルメーターを、ツールバーの上で探してください。メーターが見えないときは、<span class="guimenu"><strong>表示</strong></span> → <span class="guisubmenu"><strong>ツールバー</strong></span> → <span class="guimenuitem"><strong>メーターツールバー</strong></span>を選択してください。そのとなりに、チェックマークがついているのを確認下さい。
+ </div></li><li class="step"><div class="para">
+ マイクのとなりの矢印をクリックして、入力メーターのポップアップメニューを開きます。<span class="guimenuitem"><strong>モニターを開始</strong></span>を選択してください。
+ </div></li><li class="step"><div class="para">
+ マイクの前で歌う、話す、あるいは雑音を立ててください。ボリュームレベルメーターで、赤いバーが動いて見えるはずです。
+ </div></li><li class="step"><div class="para">
+ オーディオインターフェイスの録音入力のボリュームを調整してください。雑音がないときは、赤いバーの動くはとても小さくなるはずです。
+ </div></li><li class="step"><div class="para">
+ ボリュームレベルメーターで、動く赤いバーが見えないときは、オーディオインターフェイスとマイクが正しく接続されて、電源が入っているのを確認下さい。もし機器が正しく接続されていなかったときは、オーディオインターフェースの録音入力のボリュームを、今、調整してください。
+ </div></li><li class="step"><div class="para">
+ それでも動く赤いバーが見えないときは、<a class="xref" href="#sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware">「お使いのサウンドカードに合わせて Audacity を設定する」</a>を参照ください。
+ </div></li><li class="step"><div class="para">
+ <span class="guibutton"><strong>録音</strong></span>ボタンをクリックして、テスト録音を始めます。マイクの前で歌う、話す、あるいは雑音を立ててください。
+ </div></li><li class="step"><div class="para">
+ 何秒かしたら、<span class="guibutton"><strong>停止</strong></span>ボタンをクリックして、テスト録音を止めます。
+ </div></li><li class="step"><div class="para">
+ <span class="guibutton"><strong>再生</strong></span>ボタンをクリックして、録音されたオーディオを聞きます。
+ </div></li><li class="step"><div class="para">
+ 録音の音が変なときは、手動で Audacity を設定してください。<a class="xref" href="#sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware">「お使いのサウンドカードに合わせて Audacity を設定する」</a> を参照ください。
+ </div></li></ol></div></div></div><div class="section" id="sect-Musicians_Guide-Audacity_Configuration"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity_Configuration">5.3. 構成</h2></div></div></div><div class="section" id="sect-Musicians_Guide-Audacity-First_Use"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-First_Use">5.3.1. 初めて Audacity を実行する時</h3></div></div></div><div class="para">
+ 初めて Audacity を実行する時、インターフェースで使う言語を選ぶように言われます。Audacity を使う前に、前記のインストール後のテスト手順に従うことをお勧めします。
+ </div></div><div class="section" id="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware">5.3.2. お使いのサウンドカードに合わせて Audacity を設定する</h3></div></div></div><div class="para">
+ Audacity は自動的に自分で設定をします。もしあなたのコンピューターに複数のサウンドカードがあったり、あなたのサウンドカードが特殊なセットアップを必要としたりすると、Audacity はあなたが使う入力と出力を推測します。Audacity の推測は間違うこともあり、そのときあなたは自分で設定することができます。
+ </div><div class="para">
+ ときには、Audacity は動いても、性能が悪かったり、オーディオ品質が悪いことがあります。あなたのコンピューターで、Audacity がうまく動かないときは、サウンドカードを手動で設定する必要があります。
+ </div><div class="para">
+ お使いのサウンドカードに合わせて Audacity を設定するには、以下のステップに従ってください。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ あなたのサウンドカードの Linux での名前を知る必要があります。
+ </div><ol class="a"><li class="step"><div class="para">
+ ターミナルを開きます。GNOME では<span class="guimenu"><strong>アプリケーション</strong></span> → <span class="guisubmenu"><strong>システムツール</strong></span> → <span class="guimenuitem"><strong>端末</strong></span>を選択します。KDE では、アプリケーションランチャーを開いて、<span class="guimenu"><strong>システムツール</strong></span> → <span class="guimenuitem"><strong>Konsole</strong></span>を選択します。
+ </div></li><li class="step"><div class="para">
+ このコマンドを実行します：<code class="command">cat /proc/asound/cards</code>
+ </div></li><li class="step"><div class="para">
+ <code class="command">cat</code>プログラムはあなたのコンピューターのサウンドカードのリストを出力します。それは、このリストのように見えるでしょう：
+ </div><pre class="screen"><code class="computeroutput">0 [SB ]: HDA-Intel - HDA ATI SB</code>
+<code class="computeroutput"> HDA ATI SB at 0xf7ff4000 irq 16</code>
+<code class="computeroutput">1 [MobilePre ]: USB-Audio - MobilePre</code>
+<code class="computeroutput"> M Audio MobilePre at usb-0000:00:13.0-2</code></pre><div class="para">
+ この出力例では、角かっこがサウンドカードの名前を囲みます。この出力例のサウンドカードの名前は <code class="literal">SB</code> と <code class="literal">MobilePre</code> です。
+ </div></li><li class="step"><div class="para">
+ 使いたいサウンドカードの名前を見つけます。あなたのカードが、<code class="code">cat</code> の出力のリストの中にないときは、あなたのオペレーティングシステムはそれを検出できなかったということです。サウンドカードの番号、それは名前の左に表示されます、も覚えておく必要があります。録音と再生に、２つの異なるサウンドカードを使うことができます。
+ </div></li></ol></li><li class="step"><div class="para">
+ Audacity を開始します。
+ </div></li><li class="step"><div class="para">
+ "設定"ウインドウを開きます。<span class="guimenu"><strong>編集</strong></span> > <span class="guimenuitem"><strong>設定</strong></span>をクリックしてください。
+ </div></li><li class="step"><div class="para">
+ "ホスト"は <code class="literal">ALSA</code> にします。
+ </div></li><li class="step"><div class="para">
+ 録音と再生のデバイスを、あなたが使いたいサウンドカードの名前にします。サウンドカードの選択肢がたくさんあるならば、<code class="literal">(hw:0)</code> で終わるものを選択します。<code class="literal">0</code> の部分は、使いたいサウンドカードの番号に置換下さい。
+ </div></li><li class="step"><div class="para">
+ 設定が正しいか、インストール後のテスト手順を行ってください。
+ </div></li></ol></div><div class="para">
+ 再生と録音のデバイスのリストにはたくさんの選択肢があります。<code class="code">default</code> デバイスにすると、Audacity は ALSA にどのサウンドカードを使うかを決定させます。<code class="literal">pulse</code> デバイスにすると、Audacity は PulseAudio にどのサウンドカードを使うかを決定させます。Audacity は、特定のサウンドカードで設定されたときに最も効率よく動作しますから、 <code class="literal">default</code> や <code class="literal">pulse</code> デバイスは、他の選択肢がうまくいかないときだけ使うのがよいでしょう。
+ </div></div><div class="section" id="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format">5.3.3. プロジェクトのサンプルレートとフォーマットを設定する</h3></div></div></div><div class="para">
+ サンプルレートとサンプルフォーマット（定義は<a class="xref" href="#sect-Musicians_Guide-Sample_Rate_and_Sample_Format">「サンプル、サンプルレート、サンプルフォーマット、およびビットレート」</a>を参照下さい。）を変更することができます。プロジェクトで作業をし始めるときにサンプルレートとサンプルフォーマットを設定するべきです。オーディオを録音した後、サンプルレートとサンプルフォーマットを変更することはできません。既にあるオーディオファイルを使うならば、そのファイルのサンプルレートとサンプルフォーマットを使うべきです。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "設定"ウインドウを開きます。<span class="guimenu"><strong>編集</strong></span> > <span class="guimenuitem"><strong>設定</strong></span>をクリックしてください。
+ </div></li><li class="step"><div class="para">
+ ウインドウの左にあるリストの中から<span class="guibutton"><strong>品質</strong></span>をクリックします。
+ </div></li><li class="step"><div class="para">
+ 設定を必要に合わせて変更します。ほとんどのプロジェクトに対して、44 100 Hz のサンプルレートと 16 bits のサンプルフォーマットをお勧めします。
+ </div></li></ol></div></div></div><div class="section" id="sect-Musicians_Guide-Audacity-Interface"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity-Interface">5.4. インターフェース</h2></div></div></div><div class="figure" id="audacity_interface"><div class="figure-contents"><div class="mediaobject"><img src="./images/Audacity-Interface.png" width="444" alt="Audacity のインターフェース" /><div class="longdesc"><div class="para">
+ １つのステレオトラックを表示する Audacity のウインドウ。
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <em class="firstterm">トランスポートコントロール</em>は、オーディオを再生、停止、あるいは再生を一時停止します。録音とファイルの中を素早く移動するためのボタンもここにあります。
+ </div></li><li class="listitem"><div class="para">
+ <em class="firstterm">ツール選択ボックス</em>はカーソルのはたらきを変えます。
+ </div></li><li class="listitem"><div class="para">
+ ２つの<em class="firstterm">ボリュームレベルメーター</em>はステレオオーディオのボリュームレベルを表示します。左のメーターは出力信号のボリュームレベルを表示し、右のメーターは入力信号のボリュームレベルを表示します。
+ </div></li><li class="listitem"><div class="para">
+ <em class="firstterm">ルーラー</em>は、ファイル先頭からの時間を分と秒で表示します。
+ </div></li><li class="listitem"><div class="para">
+ それぞれの<em class="firstterm">トラック</em>には２チャネルのオーディオ信号データがあります。Audacity はトラックをメインウインドウで垂直に並べて表示します。Audacity はすべてのトラックを同時に演奏します。
+ </div></li></ol></div></div></div></div><h6>図5.1 Audacity のインターフェース</h6></div><br class="figure-break" /><div class="figure" id="audacity_track"><div class="figure-contents"><div class="mediaobject"><img src="./images/Audacity-Track.png" width="444" alt="Audacity のトラック" /><div class="longdesc"><div class="para">
+ Audacity で表示された１つのステレオトラック
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ それぞれのトラックには<em class="firstterm">トラック情報エリア</em>があり、そこにはフェーダーやパンナーのような設定と、<span class="guibutton"><strong>ミュート</strong></span>と<span class="guibutton"><strong>ソロ</strong></span>ボタンがあります。
+ </div></li><li class="listitem"><div class="para">
+ <em class="firstterm">タイムライン</em>は Audacity のメインウインドウのメインのエリアです。最も左の点がオーディオファイルの先頭です。
+ </div></li></ol></div></div></div></div><h6>図5.2 Audacity のトラック</h6></div><br class="figure-break" /><div class="para">
+ Audacity のユーザーインターフェースについて読み進むとき、前記の図を見てください。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "トランスポートコントロール"は、オーディオを再生、停止、あるいは再生を一時停止します。録音とファイルの中を素早く移動するためのボタンもここにあります。
+ </div></li><li class="listitem"><div class="para">
+ "ツール選択ボックス"はカーソルのはたらきを変えます。
+ </div></li><li class="listitem"><div class="para">
+ ２つの"ボリュームレベルメーター"はステレオオーディオのボリュームレベルを表示します。左のメーターは出力信号のボリュームレベルを表示し、右のメーターは入力信号のボリュームレベルを表示します。
+ </div></li><li class="listitem"><div class="para">
+ "ルーラー"は、ファイル先頭からの時間を分と秒で表示します。
+ </div></li><li class="listitem"><div class="para">
+ "タイムライン"は Audacity のメインウインドウのメインのエリアです。最も左の点がオーディオファイルの先頭です。
+ </div></li><li class="listitem"><div class="para">
+ それぞれの"トラック"は２チャネルのオーディオ信号データを持ちます。Audacity はトラックをメインウインドウで垂直に並べて表示します。Audacity はすべてのトラックを同時に演奏します。
+ </div></li><li class="listitem"><div class="para">
+ それぞれのトラックには"トラック情報エリア"があり、そこにはフェーダーやパンナーのような設定と、<span class="guibutton"><strong>ミュート</strong></span>と<span class="guibutton"><strong>ソロ</strong></span>ボタンがあります。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ <a class="xref" href="#chap-Musicians_Guide-Digital_Audio_Workstations">6章<em>デジタルオーディオワークステーション</em></a>には、Audacity のユーザーインターフェースについてより詳しく書いてあります。その章は、多くのユーザーインターフェースコンポーネントの目的と用途を説明しています。
+ </div></div><div class="section" id="sect-Musicians_Guide-Audacity-Recording"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity-Recording">5.5. 録音</h2></div></div></div><div class="para">
+ このセクションでは、Audacity で録音をするいくつかの方法を説明します。
+ </div><div class="section" id="sect-Musicians_Guide-Audacity-Recording-Start_to_Record"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Recording-Start_to_Record">5.5.1. 録音を開始する</h3></div></div></div><div class="para">
+ この手順は、あなたがマイクから録音するときにも、あなたのコンピューターの他のアプリケーションから録音するときにも使えます。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ コンピューターを録音準備します。使いたいマイクをつないで、テストします。機器をテストする手順は、<a class="xref" href="#sect-Musicians_Guide-Audacity-Testing_Playback">「インストール後のテスト：再生」</a>と<a class="xref" href="#sect-Musicians_Guide-Audacity-Testing_Recording">「インストール後のテスト：録音」</a>を参照下さい。
+ </div></li><li class="step"><div class="para">
+ サンプルレートとサンプルフォーマットをチェックします。サンプルレートとサンプルフォーマットを変える手順は、<a class="xref" href="#sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format">「プロジェクトのサンプルレートとフォーマットを設定する」</a>を参照下さい。
+ </div></li><li class="step"><div class="para">
+ <span class="guibutton"><strong>録音</strong></span>ボタンは赤い丸が書いてあります。録音の準備ができたら <span class="guibutton"><strong>録音</strong></span>ボタンをクリックします。
+ </div></li><li class="step"><div class="para">
+ <span class="guibutton"><strong>停止</strong></span>ボタンはオレンジの四角が書いてあります。録音を止めるには、<span class="guibutton"><strong>停止</strong></span>ボタンをクリックします。
+ </div></li><li class="step"><div class="para">
+ * Audacity は録音されたオーディオをトラックのタイムラインの中で、青色の、ボリュームレベルに対応する音波のような図形で表します。Audacity はときには青い図形をすぐに表示し、ときにはあなたが<span class="guibutton"><strong>停止</strong></span>ボタンを押した後にだけ表示します。Audacityが青い図形をすぐに表示しないときは、十分なプロセッサパワーが得られないために、青い図形を処理する代わりにオーディオを処理することに決めたということです。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record">5.5.2. 続けて録音する</h3></div></div></div><div class="para">
+ 最初の録音の後でさらにオーディオを録音するには、以下の手段があります：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 既に録音されたオーディオの最後に続けて録音することができます。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="keycap"><strong>シフト</strong></span>を押しながら<span class="guibutton"><strong>録音</strong></span>をクリックします。
+ </div></li><li class="step"><div class="para">
+ Audacity は既に録音されたオーディオの最後から録音を開始します。新しいオーディオは以前に選択されたトラックに入ります。
+ </div></li></ol></div></li><li class="listitem"><div class="para">
+ 新しいオーディオを、既に録音されたオーディオと同時に演奏されるが、少し遅れて開始するように録音することもできます。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="guimenu"><strong>録音と再生</strong></span> → <span class="guimenuitem"><strong>初期位置まで進める</strong></span> を選択するか、<span class="keycap"><strong>Home</strong></span>を押して、トランスポートヘッドをファイルの先頭に移動します。
+ </div></li><li class="step"><div class="para">
+ <span class="guibutton"><strong>録音</strong></span>をクリックします。
+ </div></li><li class="step"><div class="para">
+ Audacity は最初から録音を開始します。新しいオーディオは新しいトラックに入り、既にあるオーディオを消すことはありません。
+ </div></li></ol></div></li><li class="listitem"><div class="para">
+ 新しいオーディオを、既に録音されたオーディオと同時に演奏されるが、少し遅れて開始するように録音することもできます。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ 新しいオーディオを録音したいタイムラインの位置を探します。既にあるトラックのその時刻をクリックします。
+ </div></li><li class="step"><div class="para">
+ <span class="guibutton"><strong>録音</strong></span>をクリックします。
+ </div></li><li class="step"><div class="para">
+ Audacity はトランスポートヘッドの位置から録音を開始します。新しいオーディオは新しいトラックに入り、既にあるオーディオを消すことはありません。
+ </div></li></ol></div></li></ol></div>
+
+ </div></div></div><div class="section" id="sect-Musicians_Guide-Audacity-Tutorial"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity-Tutorial">5.6. 新しいログインサウンドを作る（チュートリアル）</h2></div></div></div><div class="section" id="sect-Musicians_Guide-Audacity-Tutorial-Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Files">5.6.1. チュートリアルのためのファイル</h3></div></div></div><div class="para">
+ チュートリアルをするには、<em class="citetitle">Tutorial Start</em>ファイルを使います。<em class="citetitle">Tutorial End</em> ファイルと<em class="citetitle">Exported FLAC</em>ファイルは完成された例です。あなたがチュートリアルを終わったとき、あなたのプロジェクトは私たちのものとたぶん同じではないでしょう。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle">Tutorial Start</em> is available at <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/Audacity/Audacity-start.tar.lzma">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/Audacity/Audacity-start.tar.lzma</a>
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">Tutorial End</em> is available at <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/Audacity/Audacity-start.tar.lzma">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/Audacity/Audacity-start.tar.lzma</a>
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">Exported FLAC</em>is available at <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/Audacity/Audacity-export.flac">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/Audacity/Audacity-export.flac</a>
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Audacity-Tutorial-Scenario"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Scenario">5.6.2. シナリオ</h3></div></div></div><div class="para">
+ あなたは友達に、Fedora Linux にあるいくつかのオープンソースのオーディオアプリケーションの話をしました。あなたの友達はコンピューターにログインしたときに演奏される新しいサウンドを作るのを手伝ってくれといいました。あなたは自分の音楽 CD コレクションを探して、お気に入りの録音を見つけました。あなたとあなたの友達はその CD からいくつかのクリップを使って新しいログインサウンドを作り始めることにしました。
+ </div></div><div class="section" id="sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks">5.6.3. トラックを揃える</h3></div></div></div><div class="para">
+ セグメントの開始時刻を調整します。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ Audacity ツール ツールバーから、<span class="guibutton"><strong>タイムシフト</strong></span>ボタンをクリックします。
+ </div></li><li class="step"><div class="para">
+ 移動したいセグメントのあるトラックを選択します。セグメントを右か左にドラッグして、それが演奏開始する時刻を変更します。
+ </div></li><li class="step"><div class="para">
+ １つのセグメントの開始点を他のセグメントの終了点にそろえることができます。セグメントをドラッグして、開始点を他のセグメントの終了点に近づけます。セグメントをゆっくり前後にドラッグすると黄色い線が現れます。黄色い線は、２つのセグメントの間に静寂がなくて、セグメントが重なっていないことを示します。
+ </div></li><li class="step"><div class="para">
+ セグメントを、選択カーソルの位置から開始するように移動することもできます。<span class="guibutton"><strong>選択ツール</strong></span>ボタンをクリックして、セグメントが演奏開始する点をトラック上でクリックします。<span class="guimenu"><strong>トラック</strong></span> → <span class="guisubmenu"><strong>トラックを揃える</strong></span> → <span class="guimenuitem"><strong>カーソルに揃える</strong></span>を選択して、トラックを移動します。
+ </div></li><li class="step"><div class="para">
+ <span class="guimenu"><strong>トラック</strong></span> → <span class="guisubmenu"><strong>トラックを揃える</strong></span>のメニューの選択肢を使えば、その他の方法でトラックを移動できます。
+ </div></li><li class="step"><div class="para">
+ 複数トラックを同時に選択できます。それぞれのトラックを選択するときに、<span class="keycap"><strong>シフト</strong></span>を押してください。
+ </div></li><li class="step"><div class="para">
+ 調整をしたら、正しくできたか聞いて確認する必要があります。Audacity ツール ツールバーから<span class="guibutton"><strong>選択ツール</strong></span>をクリックして、聞きたいトラックをクリックします。<span class="guibutton"><strong>再生</strong></span>を押してオーディオを聞いてください。
+ </div></li></ol></div><div class="para">
+ 私たちは自分たちにとって良く聞こえるようにトラックを揃えました。サウンドは短く、面白く、しかし混乱させることのないようにしました。このステップの後、何度もトラックの位置を変更しました。
+ </div></div><div class="section" id="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks">5.6.4. トラックを伸ばす</h3></div></div></div><div class="para">
+ トラックを伸ばしたり縮めたりして、演奏時間を長く、あるいは短くすることもできます。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "テンポの変更"ツールは速度を変え、音程は変えません。音の品質は大いに低下します。
+ </div></li><li class="listitem"><div class="para">
+ "スピードの変更"ツールは速度と音程を変えます。音の品質はあまり変わりません。
+ </div></li></ul></div>
+
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ 調整したいトラックのトラック情報の部分をクリックします。
+ </div></li><li class="step"><div class="para">
+ <span class="guimenu"><strong>エフェクト</strong></span> → <span class="guimenuitem"><strong>テンポの変更</strong></span>あるいは<span class="guimenu"><strong>エフェクト</strong></span> → <span class="guimenuitem"><strong>スピードの変更</strong></span>を選択します。正の数を入れると、スピードは増して、オーディオは短い時間で終わります。負の数を入れると、スピードは減って、オーディオは長い時間かかります。
+ </div></li><li class="step"><div class="para">
+ <span class="guibutton"><strong>プレビュー</strong></span>をクリックして、調整されたスピードでいくらかのオーディオを聞いてみます。Audacity は変更をプレビューするとき、オーディオを変更しません。
+ </div></li><li class="step"><div class="para">
+ 変更を適用するには<span class="guibutton"><strong>OK</strong></span>をクリックします。Audacity はオーディオを処理します。変更はすぐには現れません。
+ </div></li></ol></div><div class="para">
+ １つのトラックのスピードを変更しました。これは私たちにとって初めての音であるので、音の品質には注意していません。あなたが他の人に聴いてもらうオーディオを編集するときには音の品質を保つように注意してください。
+ </div></div><div class="section" id="sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level">5.6.5. ボリュームレベルを調整する</h3></div></div></div><div class="para">
+ トラック情報ボックスのフェーダーを使って、トラックのボリュームレベルを調整できます。フェーダーは、左に<code class="literal">-</code>記号、右に<code class="literal">+</code>記号が書かれた水平線です。フェーダーはオーディオ信号そのものは変更しません。
+ </div><div class="para">
+ オーディオの一部分のボリュームレベルを調整することもできます。この場合、オーディオ信号そのものが変更されます。オーディオの一部分のボリュームレベルを調整するには、以下の手順に従ってください。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ チュートリアルの一番下のトラックはとても静かです。トラックの<span class="guibutton"><strong>ソロ</strong></span>ボタンをクリックして、そのトラックだけを聞いてみましょう。トラックのほとんどは静かなうなりが聞こえるだけです。
+ </div></li><li class="step"><div class="para">
+ <span class="guibutton"><strong>選択ツール</strong></span>をクリックし、マウスボタンを押して、１つのトラックのいくらかのオーディオを選択します。
+ </div></li><li class="step"><div class="para">
+ <span class="guimenu"><strong>エフェクト</strong></span> → <span class="guimenuitem"><strong>増幅...</strong></span>を選択します。"増幅"ウインドウが開いたら音の品質を低下させない最大のボリュームレベルの増大値に設定されています。"クリッピングを許可"を有効にするとボリュームレベルをさらに上げることができますが、音の品質は低下します。
+ </div></li><li class="step"><div class="para">
+ 増幅ツールを使って、ボリュームレベルを気にいるまで調整ください。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise">5.6.6. ノイズを除く</h3></div></div></div><div class="para">
+ "ノイズ"は、オーディオ信号のうち、期待されない信号部分です。ラジオで音楽を聞くと、音楽とともに、普通はいくらかのノイズが聞こえます。コンピューターがオーディオを録音あるいは再生するとき、電子部品が余分なノイズを作り出すことがあります。チュートリアルの一番下のトラックは、CD を演奏するときに使われた古いノートパソコンの電子部品が作りだしたノイズが含まれます。"ノイズの除去"ツールを使うには、以下のステップに従ってください。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="guibutton"><strong>選択ツール</strong></span>をクリックして、一番下のトラックの小さい部分を選択します。
+ </div></li><li class="step"><div class="para">
+ <span class="guimenu"><strong>エフェクト</strong></span> → <span class="guimenuitem"><strong>ノイズの除去</strong></span>を選択します。"ノイズの除去"ウインドウが現れます。<span class="guibutton"><strong>ノイズプロファイルの取得</strong></span>をクリックします。ノイズの除去ツールは、選択されたオーディオを、除去するべきノイズの例として使います。
+ </div></li><li class="step"><div class="para">
+ トラック全体を選択します。
+ </div></li><li class="step"><div class="para">
+ "ノイズの除去"ウインドウを開きます。<span class="guibutton"><strong>OK</strong></span>をクリックします。ノイズの除去ツールはオーディオを処理します。この例では、ほとんどの信号がノイズなので、ノイズの除去ツールは効果的ではありません。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out">5.6.7. フェードイン・フェードアウト</h3></div></div></div><div class="para">
+ Audacity にはフェードイン・フェードアウトのためのツールがあります。"フェードイン"するときは、静寂から元のレベルに、ボリュームレベルをゆっくり上げていくということです。"フェードアウト"するときは、元のレベルから静寂に、ボリュームレベルをゆっくり下げていくということです。プロのコンサート録音では、しばしば歌の後、聴衆が拍手をしている間にフェードアウトします。フェードアウトは、ボリュームレベルが徐々に小さくなるので、録音の最後での突然の停止を防ぐことができます。
+ </div><div class="para">
+ 一般的に、オーディオセグメントの開始でフェードインし、オーディオセグメントの最後でフェードアウトします。オーディオセグメントの中間でフェードインあるいはフェードアウトするときに、Audacity を使って特殊効果を使うことができます。Audacity の設定によって、数秒の間にフェードインあるいはフェードアウトし、最初のフェードの中で逆のフェードを加えるという驚くようなエフェクトを使うことができます。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="guibutton"><strong>選択ツール</strong></span>をクリックして、フェードインあるいはフェードアウトするオーディオの部分を選択します。
+ </div></li><li class="step"><div class="para">
+ <span class="guimenu"><strong>エフェクト</strong></span> → <span class="guimenuitem"><strong>フェードイン</strong></span>あるいは<span class="guimenu"><strong>エフェクト</strong></span> → <span class="guimenuitem"><strong>フェードアウト</strong></span>を選択します。
+ </div></li></ol></div><div class="para">
+ 私たちは、トラックの１つで、長いフェードアウトを作って、トラックが静かになるようにしました。それから他のトラックの間隔を調整して、それらを近づけました。
+ </div></div><div class="section" id="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio">5.6.8. オーディオを削除する</h3></div></div></div><div class="para">
+ トラックの一部を削除できます。この手続きは、トラックの最後のオーディオを削除します。似た方法で、その他のオーディオ部分を削除することもできます。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="guibutton"><strong>選択ツール</strong></span>クリックして、編集カーソルをトラックを終えたい点に置きます。
+ </div></li><li class="step"><div class="para">
+ <span class="guimenu"><strong>編集</strong></span> → <span class="guisubmenu"><strong>選択</strong></span> → <span class="guimenuitem"><strong>カーソルから最後まで</strong></span>を選択します。<span class="guimenu"><strong>編集</strong></span> → <span class="guisubmenu"><strong>選択</strong></span>メニューには、その他の選択肢もたくさんあります。
+ </div></li><li class="step"><div class="para">
+ <span class="keycap"><strong>Delete</strong></span>を押します。選択されたオーディオは削除されます。
+ </div></li><li class="step"><div class="para">
+ 間違えたら、前の動作を取り消すことができます。<span class="guimenu"><strong>編集</strong></span> → <span class="guimenuitem"><strong>取り消し</strong></span>を選択ください。
+ </div></li></ol></div><div class="para">
+ 最も下のトラックの終端を削除しました。
+ </div></div><div class="section" id="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment">5.6.9. 既に録音されたセグメントを繰り返す</h3></div></div></div><div class="para">
+ 既に録音されたオーディオのセグメントを繰り返すことができます。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="guibutton"><strong>選択ツール</strong></span>をクリックして、オーディオの部分を選択します。
+ </div></li><li class="step"><div class="para">
+ <span class="guimenu"><strong>編集</strong></span> → <span class="guimenuitem"><strong>コピー</strong></span>を選択するか、 <span class="keycap"><strong>Control</strong></span>+<span class="keycap"><strong>c</strong></span>を押します。
+ </div></li><li class="step"><div class="para">
+ トラックの中でコピーが演奏し始めるべき付近をクリックします。
+ </div></li><li class="step"><div class="para">
+ <span class="guimenu"><strong>編集</strong></span> → <span class="guimenuitem"><strong>ペースト</strong></span>を選択するか、 <span class="keycap"><strong>Control</strong></span>+<span class="keycap"><strong>v</strong></span>を押します。
+ </div></li><li class="step"><div class="para">
+ <span class="guibutton"><strong>タイムシフトツール</strong></span>をクリックして、新しいオーディオクリップのタイムラインの位置を調整します。
+ </div></li></ol></div><div class="para">
+ ログインサウンドの終わりをより面白くするため、セグメントの終わりを２回繰り返しました。
+ </div></div><div class="section" id="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser">5.6.10. 特殊効果を加える（フェーザー）</h3></div></div></div><div class="para">
+ Audacity にはたくさんのエフェクトプラグインがあり、もっと追加することもできます。フェーザーは、反響、パニング、そして周波数を調整して、こまのようなサウンドを作ります。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ １つのトラックだけが演奏されているときに、どれかのトラックの部分を選択します。
+ </div></li><li class="step"><div class="para">
+ <span class="guimenu"><strong>エフェクト</strong></span> → <span class="guimenuitem"><strong>フェーザー</strong></span>を選択して、設定を実験します。<span class="guibutton"><strong>プレビュー</strong></span>をクリックして、あなたの設定の効果を聞きます。Audacityは、あなたが設定をプレ>ビューするときに、オーディオは変更しません。
+ </div></li><li class="step"><div class="para">
+ チュートリアルでは、フェーザーを、最後に、この設定で使います：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Stages: 2
+ </div></li><li class="listitem"><div class="para">
+ Dry/Wet: 128
+ </div></li><li class="listitem"><div class="para">
+ LFO Frequency: 0.4
+ </div></li><li class="listitem"><div class="para">
+ LFO Start Phase: 0
+ </div></li><li class="listitem"><div class="para">
+ Depth: 128
+ </div></li><li class="listitem"><div class="para">
+ Feedback: 90
+ </div></li></ul></div>
+
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-Audacity-Tutorial-Conclusion"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Conclusion">5.6.11. 結論</h3></div></div></div><div class="para">
+ あなたのログインサウンドファイルは私たちが完成したものとは異なる音がするでしょう。チュートリアルの指示は意図的にあいまいでした。あなたは自分の創造性を使ってチュートリアルを完成させたのです。あなたはさらに、これらのツールをいろいろな異なる目的のためにどのように使うか学んだことでしょう。
+ </div></div></div><div class="section" id="sect-Musicians_Guide-Audacity-Save_and_Export"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity-Save_and_Export">5.7. 保存と書き出し</h2></div></div></div><div class="para">
+ Audacity はそのデータを、Audacity だけが使うことのできる形式で保存します。Audacity は単なるオーディオファイル以上に多くの情報を保存し、この情報は、通常の OGG, FLAC, あるいは AIFF のようなオーディオファイルでは格納できません。
+ </div><div class="para">
+ あなたが自分の作品を共用したり、他のアプリケーションで使いたいときは、エクスポート、書き出す必要があります。オーディオを"書き出す"と、Audacity は Audacity 専用のファイルを通常のオーディオファイル形式に変換します。Audacity は元の Audacity 専用のファイルを削除しませんが、書き出されたファイルは元の Audacity 専用形式に変換することはできません。
+ </div><div class="section" id="sect-Musicians_Guide-Audacity-Exporting_Part_of_a_File"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Exporting_Part_of_a_File">5.7.1. ファイルの部分を書き出す</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ 書き出したいオーディオの部分を選択します。
+ </div></li><li class="step"><div class="para">
+ <span class="guimenu"><strong>ファイル</strong></span> → <span class="guimenuitem"><strong>選択範囲を書き出し</strong></span>を選択します。
+ </div></li><li class="step"><div class="para">
+ 書きだされるオーディオの形式、ファイル名、そしてディレクトリを選択します。終わったら<span class="guibutton"><strong>保存</strong></span>をクリックします。
+ </div></li><li class="step"><div class="para">
+ あなたが選ぶフォーマットによっては、"メタデータ"ウインドウが現れます。望むならこの情報を入力します。
+ </div></li><li class="step"><div class="para">
+ Audacity は書き出すオーディオを処理します。これはオーディオによってはしばらくかかります。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-Audacity-Exporting_a_Whole_File"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Exporting_a_Whole_File">5.7.2. ファイルを全部書き出す</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="guimenu"><strong>ファイル</strong></span> → <span class="guimenuitem"><strong>選択範囲を書き出し</strong></span>を選択します。
+ </div></li><li class="step"><div class="para">
+ 書きだされるオーディオの形式、ファイル名、そしてディレクトリを選択します。終わったら<span class="guibutton"><strong>保存</strong></span>をクリックします。
+ </div></li><li class="step"><div class="para">
+ あなたが選ぶフォーマットによっては、"メタデータ"ウインドウが現れます。望むならこの情報を入力します。
+ </div></li><li class="step"><div class="para">
+ Audacity は書き出すオーディオを処理します。これはオーディオによってはしばらくかかります。
+ </div></li></ol></div></div></div></div><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-Digital_Audio_Workstations" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第6章 デジタルオーディオワークステーション</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Knowing_Which_DAW_to_Use">6.1. どの DAW を使うか</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Stages_of_Recording">6.2. 録音のステージ</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Recording">6.2.1. 録音</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Mixing">6.2.2. ミキシング</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Mastering">6.2.3. マスタリング</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Record_Mix_Master_More_Info">6.2.4. 参考</a></span></dt></dl
></dd><dt><span class="section"><a href="#sect-Musicians_Guide-DAW_Interface_Vocabulary">6.3. インタフェース用語</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Session">6.3.1. セッション</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Track_and_Multitrack">6.3.2. トラックとマルチトラック</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Region_Clip_Segment">6.3.3. リージョン、クリップ、あるいはセグメント</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Transport_and_Playhead">6.3.4. トランスポートと再生ヘッド</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Automation">6.3.5. オートメーション</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-DAW_User_Interface">6.4. ユーザインタフェース</a></span></dt><dd><dl><dt><span class="section"><a href="#
sect-Musicians_Guide-Messages_Pane">6.4.1. メッセージペイン</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-DAW_Clock">6.4.2. クロック</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Track_Info_Pane">6.4.3. トラック情報ペイン</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Track_Pane">6.4.4. トラックペイン</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-DAW_Transport_Controls">6.4.5. トランスポートコントロール</a></span></dt></dl></dd></dl></div><div class="para">
+ <em class="firstterm">デジタルオーディオワークステーション</em> (以é™ã€<em class="firstterm">DAW</em>) ã¨ã„ã†ç”¨èªžã¯ã€ãƒ—ãƒãƒ•ã‚§ãƒƒã‚·ãƒ§ãƒŠãƒ«ãªã€ï¼ˆã‚ã‚‹ã„ã¯ã€ãƒ—ãƒãƒ•ã‚§ãƒƒã‚·ãƒ§ãƒŠãƒ«å“質ã®ï¼‰ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®éŒ²éŸ³ã€æ“作ã€åˆæˆã€ãã—ã¦è£½ä½œã«ä½¿ã‚れるã€ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã¨ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã®å…¨ä½“ã®ã‚»ãƒƒãƒˆã‚¢ãƒƒãƒ—ã®ã“ã¨ã§ã™ã€‚ãã‚Œã¯å…ƒã€…ã¯ã€ãã®ç›®çš„ã®ãŸã‚ã«å°‚用ã«ä½œã‚‰ã‚ŒãŸãƒ‡ãƒã‚¤ã‚¹ã‚’æ„味ã—ã¾ã—ãŸãŒã€ãƒ‘ーソナルコンピュータãŒã‚ˆã‚Šå¼·åŠ›ã§ä¸€èˆ¬çš„ã«ãªã£ã¦æ¥ã‚‹ã«ã¤ã‚Œã€ã‚る種ã®ç‰¹åˆ¥ã«è¨è¨ˆã•ã‚ŒãŸãƒ‘ーソナルコンピュータもã€DAW ã¨ã¿ãªã›ã‚‹ã‚ˆã†ã«ãªã‚Šã¾ã—ãŸã€‚ã“れらã®ã‚³ãƒ³ãƒ”ュータã§å‹•ã„ã¦ã„るソフトウエアã€ç‰¹ã«ãƒžãƒ«ãƒãƒˆãƒ©ãƒƒã‚¯éŒ²éŸ³ã€å†ç”Ÿã€ãã—ã¦åˆæˆãŒã§ãるソフトウエアã¯ã€å˜ã« "DAW ソフトウエア"ã€å¤šãã®å ´åˆã€çŸã "DAW" ã¨å‘¼ã°ã‚Œã¾ã™.ãã®ãŸã‚ã€"DAW" ã
¨ã„ã†ç”¨èªžã¨ãã®ä½¿ã„æ–¹ã¯å°‘ã—ã‚ã„ã¾ã„ã§ã™ãŒã€ä¸€èˆ¬çš„ã«ã€ã“ã‚Œã¾ã§è¿°ã¹ãŸã‚‚ã®ã®ã†ã¡ã®ï¼‘ã¤ã‚’指ã—ã¾ã™.
+ </div><div class="para">
+ その他のデジタルオーディオに関する用語については、<a class="xref" href="#chap-Musicians_Guide-Sound_Cards">1章<em>サウンドカードとデジタルオーディオ</em></a>を参照ください。
+ </div><div class="section" id="sect-Musicians_Guide-Knowing_Which_DAW_to_Use"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Knowing_Which_DAW_to_Use">6.1. どの DAW を使うか</h2></div></div></div><div class="para">
+ ミュージシャンのガイドは３つの広く使われているDAW をとりあげます：<span class="application"><strong>Ardour</strong></span>, <span class="application"><strong>Qtractor</strong></span>, そして <span class="application"><strong>Rosegarden</strong></span> です。これら３つはすべて <code class="systemitem">JACK</code> を活用し、高度に構成可能で、似たユーザインタフェースを持ち、そしてユーザはオーディオと MIDI 信号の両方を扱うことができます.他の多くの DAW があり、商品として利用可能なソリューションもたくさんあります。以下は、ミュージシャンのガイドで述べるプログラムの簡単な記述です：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> は、オーディオ操作のための、オープンソース標準です.柔軟で、拡張できます.
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Qtractor</strong></span> は比較的新しく出てきたものですが、使用が簡単な、 "必要最小限の"、MIDI に集中した DAW です。Planet CCRMA at Home あるいは RPM Fusionから入手可能です.
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> は十分テストされた、機能が充実した Linux オーディオ、特に MIDI、の働き者です。MIDI トラックを作成するためのビジュアルな譜面エディタがあります。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ もしあなたが、どれから始めればいいか分からないときは、あなたは DAW を全然必要としないのかもしれません：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ もしあなたが、高品質の録音アプリケーション、あるいはオーディオファイルを１つづつ操作するためのツールを探しているなら、もしかすると <span class="application"><strong>Audacity</strong></span> がよいでしょう。これは、ほとんどのコンピュータユーザ、特に初めてコンピュータオーディオをする人や、特別な知識を必要としない迅速なソリューションを探している人にとって、よい選択です.<span class="application"><strong>Audacity</strong></span> は、他の多くのオーディオソフトウエアと比べて、より使いやすいので、あなたが最初のコンピュータオーディオの経験をするにはよい手段です.
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Ardour</strong></span>、<span class="application"><strong>Qtractor</strong></span>, そして <span class="application"><strong>Rosegarden</strong></span> が提供する機能をぞんぶんに活用するには、あなたのコンピューターには、プロフェッショナル品質のオーディオ機器、追加で購入されるオーディオインタフェースとマイクのような入力デバイスが備わっているべきです.もしあながたそのような機器を持たない場合、Audacity があなたにとってよい選択かもしれません.
+ </div></li><li class="listitem"><div class="para">
+ もしあなたが、単に、ある楽譜の "MIDI 録音"を作成したいならば、たぶん、<span class="application"><strong>LilyPond</strong></span> を使うのが良いでしょう.このプログラムは、主に、印刷可能な楽譜を作成するために設計されていますが、あなたの <span class="application"><strong>LilyPond</strong></span> ソースファイルの <code class="literal">score</code> セクションに以下のコマンドを含めると、MIDI 形式のバージョンの楽譜を生成します：<code class="code">\midi { }</code>。<code class="literal">midi</code> セクションに入れることのできるオプションがいくつかあります：そのリストについては、<span class="application"><strong>LilyPond</strong></span> のヘルプファイルを参照下さい.
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Stages_of_Recording"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Stages_of_Recording">6.2. 録音のステージ</h2></div></div></div><div class="para">
+ あるものを録音して、リスナーに届ける準備をするためには３つの大きなステージがあります：録音、ミキシング、そしてマスタリングです。それぞれの処理のステップは独自の特性を持ちますが、時には、一緒に混ぜ合わせられることもあります.
+ </div><div class="section" id="sect-Musicians_Guide-Recording"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Recording">6.2.1. 録音</h3></div></div></div><div class="para">
+ 録音ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒªãƒ¼ã‚¸ãƒ§ãƒ³ï¼ˆ"クリップ"ã‚ã‚‹ã„㯠"セグメント"ã¨ã‚‚呼ã°ã‚Œã¾ã™ï¼‰ã‚’ã€å¾Œã®å‡¦ç†ã®ãŸã‚ã«DAW ソフトウエアã«å–り込む処ç†ã§ã™.録音ã¯è¤‡é›‘ãªãƒ—ãƒã‚»ã‚¹ã§ã€éŸ³ã®ã‚¨ãƒãƒ«ã‚®ãƒ¼ã‚’ã¨ã‚‰ãˆã€é›»æ°—エãƒãƒ«ã‚®ãƒ¼ã«å¤‰æ›ã—ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã«é€ä¿¡ã™ã‚‹ãƒžã‚¤ã‚¯ã‚’å«ã¿ã¾ã™.オーディオインタフェースã¯é›»æ°—エãƒãƒ«ã‚®ãƒ¼ã‚’デジタル信å·ã«å¤‰æ›ã—ã¦ã€ã‚ªãƒšãƒ¬ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã‚·ã‚¹ãƒ†ãƒ 経由㧠DAW ソフトウエアã«é€ã‚Šã¾ã™ã€‚DAW ã¯ãƒ¡ãƒ¢ãƒªã¨ã€å¿…è¦ã«å¿œã˜ã¦ãƒãƒ¼ãƒ‰ãƒ‡ã‚£ã‚¹ã‚¯ã«ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’ä¿å˜ã—ã¾ã™ã€‚DAWãŒéŒ²éŸ³ã—ã¦ã„る時ã«ã€ãƒŸãƒ¥ãƒ¼ã‚¸ã‚·ãƒ£ãƒ³ãŒéŒ²éŸ³ã®ãŸã‚ã«æ›²ã®ä¸€éƒ¨ã‚ã‚‹ã„ã¯å…¨éƒ¨ã‚’æ¼”å¥ã™ã‚‹ã¨ãã€ãã‚Œã¯ã€<em class="firstterm">テイク</em>ã¨å‘¼ã°ã‚Œã¾ã™ã€‚録音ãŒæˆåŠŸã™ã‚‹ã¾ã§ã€æ™®é€šã¯ä½•å›žã‹ã®ãƒ†ã‚¤ã‚¯ãŒå¿…è¦ã§ã™ã€‚音楽演å¥ãŒä¸å®Œå…¨ã§ã
‚ã£ãŸã‚Šã€æŠ€è¡“çš„ãªå´é¢ãŒä¸å®Œå…¨ã§ã‚ã£ãŸã‚Šã™ã‚‹ã®ãŒåŽŸå› ã§ã™ã€‚
+ </div></div><div class="section" id="sect-Musicians_Guide-Mixing"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Mixing">6.2.2. ミキシング</h3></div></div></div><div class="para">
+ ミキシングは、録音されたオーディオリージョン、 ( "クリップ"とも呼ばれます)を集めて、美的に優れた音楽出力を作成するプロセスです.これは普通、録音の後に行われますが、時には、追加のテイクが必要となることもあります.ミキシングは多くの場合、ステレオオーディオのために、複数のトラックからのオーディオを２つのチャネルに集約します。オーディオデータの量を減らすため、"ダウンミキシング"として知られる処理です.
+ </div><div class="para">
+ ミキシングには主に以下の処理があります：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ エフェクトをオートメイトする、
+ </div></li><li class="listitem"><div class="para">
+ レベルを調整する、
+ </div></li><li class="listitem"><div class="para">
+ タイムシフトする、
+ </div></li><li class="listitem"><div class="para">
+ フィルタする、
+ </div></li><li class="listitem"><div class="para">
+ パニング、
+ </div></li><li class="listitem"><div class="para">
+ 特殊効果を加える、
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ミキシングを行っている人が完了したと思ったとき、その完了した結果は<em class="firstterm">ファイナルミックス</em>と呼ばれます.
+ </div></div><div class="section" id="sect-Musicians_Guide-Mastering"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Mastering">6.2.3. マスタリング</h3></div></div></div><div class="para">
+ マスタリングは、ファイナルミックスのバージョンが、配布と聴取のために準備されるプロセスです.マスタリングは CD、テープ、スーパーオーディオ CD、あるいはハードディスクを含む、多くの対象フォーマット向けに実行されることがあります.マスタリングは、多くの場合、オーディオファイルにある情報を縮小することがあります：例えば、オーディオ CD は普通、２０あるいは２４ビットサンプルで録音されマスタリングの間に１６ビットサンプルに縮小されます.ほとんどの物理フォーマット（CD のような）はオーディオ信号のフォーマットを規定しますが、ハードディスクにマスタリングされたオーディオ録音は、OGG, FLAC, AIFF, MP3 を含む、多くの他のフォーマットをとることができます。これにより、マスタリングをする
人は、結果となるオーディオの品質とファイルサイズを選ぶに当たって、いくらかの柔軟性を得ることができます.
+ </div><div class="para">
+ ミキシングとマスタリングはどちらも独立した作業ですが、時には同じ技術を使います.例えば、マスタリングの技術者はオーディオをある物理媒体に最適化するために、特別なイコライゼーションフィルタを使うことがあります.
+ </div></div><div class="section" id="sect-Musicians_Guide-Record_Mix_Master_More_Info"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Record_Mix_Master_More_Info">6.2.4. 参考</h3></div></div></div><div class="para">
+ 録音、ミキシング、そしてマスタリングを成功させる技術を習得するには、経験と実践が必要です.これらの手続きについてのこれ以上の情報は、以下のウエブページをはじめとして、いろいろなところで得られます：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://www.64studio.com/howto-mastering">http://www.64studio.com/howto-mastering</a> で利用可能な、<em class="citetitle">Mastering Your Final Mix (64studio)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Audio_mixing_%28recorded_music%29">http://en.wikipedia.org/wiki/Audio_mixing_%28recorded_music%29</a> で利用可能な<em class="citetitle">Audio Mixing (Wikipedia)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Multitrack_recording">http://en.wikipedia.org/wiki/Multitrack_recording</a> で利用可能な<em class="citetitle">Multitrack Recording (Wikipedia)</em>。
+ </div></li></ul></div>
+
+ </div></div></div><div class="section" id="sect-Musicians_Guide-DAW_Interface_Vocabulary"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-DAW_Interface_Vocabulary">6.3. インタフェース用語</h2></div></div></div><div class="para">
+ 以下の概念を理解することが、DAW ソフトウエアのインタフェースの使い方を理解するために重要です.
+ </div><div class="section" id="sect-Musicians_Guide-Session"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Session">6.3.1. セッション</h3></div></div></div><div class="para">
+ <em class="firstterm">セッション</em>は、すべての、トラック、リージョン、オートメーションの設定、そして DAW ソフトウエアによって、１つの"ファイル"に保存されるその他すべてのものです。 ある DAW ソフトウエアはセッション全体を1つのファイルに隠蔽しますが、そのかわりに、リージョンや他のデータを保存するための新しいディレクトリを作成するものもあります。
+ </div><div class="para">
+ 典型的には、１つのセッションは、録音セッション全体を入れるのに使われます.それは、録音の後で、個々の歌や、楽章に分けられます.ときには、ミュージシャンのガイドのチュートリアルの例のように、１つのセッションに１つの歌あるいは楽章だけが入ることもあります.どのくらいの量の音楽が１つのセッションに入るべきか、きちんとした規則はないので、今の場合、あなたがどうするかは、あなたの個人的な好みで決めても良いです.
+ </div><div class="figure" id="ardour_session"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-Session.png" width="444" alt="Ardour のセッション" /><div class="longdesc"><div class="para">
+ 複数の楽器のトラックを含む、Ardour のセッション
+ </div></div></div></div><h6>図6.1 Ardour のセッション</h6></div><br class="figure-break" /></div><div class="section" id="sect-Musicians_Guide-Track_and_Multitrack"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Track_and_Multitrack">6.3.2. トラックとマルチトラック</h3></div></div></div><div class="para">
+ <em class="firstterm">トラック</em>は、１つのチャネル、もしくは、あらかじめ決められた、分割不可能で同時に演奏されるチャネル（ステレオオーディオのように）の集まりです.DAW のメインウインドウでは、トラックは普通、行として表されます.そして、時間が列として表されます.トラックは複数のリージョンを持つことがありますが、普通は、それらのリージョンのただ１つだけが1度に聞くことができます。最近の、ソフトウエアによる DAW は、<em class="firstterm">マルチトラック</em>の機能を持ち、それが、その成功の１つの理由です.それぞれの独立したトラックは、一度にただ1つのリージョンしか演奏することはできませんが、マルチトラックの使用により、DAW が出力するオーディオはほとんど無限の同時に演奏されるリージョ
ンを持つことができます.この最もパワフルな側面は、オーディオは同時に録音しなくても、同時に演奏されることができるということです。例えば、あなたは、一人でデュエットを歌うことができます.
+ </div><div class="figure" id="ardour_track"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-Track.png" width="444" alt="Ardour のトラック" /><div class="longdesc"><div class="para">
+ Ardour のトラック.この楽器が聞こえない静寂な期間の真ん中にある１つのリージョンを持ちます。
+ </div></div></div></div><h6>図6.2 Ardour のトラック</h6></div><br class="figure-break" /></div><div class="section" id="sect-Musicians_Guide-Region_Clip_Segment"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Region_Clip_Segment">6.3.3. リージョン、クリップ、あるいはセグメント</h3></div></div></div><div class="para">
+ リージョン、クリップそしてセグメントは、同義語です：異なるソフトウエアは同じものを示すのに異なる用語を使います.<em class="firstterm">リージョン</em> (あるいは <em class="firstterm">クリップ</em> あるいは<em class="firstterm">セグメント</em>)は、１つのテイクの中で１つのトラックに録音されたオーディオの部分のことです。リージョンは、DAW のメインのインタフェースウインドウで、通常は色がついた四角形で表現されます。そして、ただ１つのトラックに含まれます。オーディオ信号データを持つリージョンは普通、そのデータの周波数分布グラフが表示されます。MIDI信号データを持つリージョンは普通、そのデータのマトリクス表示がされます。
+ </div><div class="para">
+ ミュージシャンのガイドの３つの DAW アプリケーションについていえば：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> はそれを"リージョン"と呼び、
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Qtractor</strong></span> はそれを"クリップ"と呼び、そして、
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> はそれを"セグメント"と呼びます。
+ </div></li></ul></div>
+
+ </div><div class="figure" id="ardour_region"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-Region.png" width="444" alt="Ardour のリージョン" /><div class="longdesc"><div class="para">
+ Ardour のリージョン
+ </div></div></div></div><h6>図6.3 Ardour のリージョン</h6></div><br class="figure-break" /></div><div class="section" id="sect-Musicians_Guide-Transport_and_Playhead"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Transport_and_Playhead">6.3.4. トランスポートと再生ヘッド</h3></div></div></div><div class="para">
+ <em class="firstterm">トランスãƒãƒ¼ãƒˆ</em>ã¯ã€ã‚»ãƒƒã‚·ãƒ§ãƒ³å†…ã®ç¾åœ¨æ™‚刻ã¨ã€ãã‚Œã¨ã¨ã‚‚ã«å†ç”Ÿãƒ˜ãƒƒãƒ‰ã‚’管ç†ã™ã‚‹å½¹å‰²ã‚’æŒã¡ã¾ã™ã€‚ <em class="firstterm">å†ç”Ÿãƒ˜ãƒƒãƒ‰</em>ã¯ã€æ™‚間軸ã®ä¸Šã§ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãŒå†ç”Ÿã•ã‚Œã‚‹ã€ã‚ã‚‹ã„ã¯ã€éŒ²éŸ³ã•ã‚Œã‚‹ç‚¹ã‚’示ã—ã¾ã™ã€‚トランスãƒãƒ¼ãƒˆã¯ã€å†ç”Ÿãƒ˜ãƒƒãƒ‰ã¨ã€ãã‚ŒãŒéŒ²éŸ³ä½ç½®ã‹å†ç”Ÿä½ç½®ã‹ã‚’制御ã—ã¾ã™ã€‚トランスãƒãƒ¼ãƒˆã¯ã€å†ç”Ÿãƒ˜ãƒƒãƒ‰ã‚’ã€å‰ã‚ã‚‹ã„ã¯å¾Œã‚ã«å‹•ã‹ã—ãŸã‚Šã€ã‚¹ãƒãƒ¼ãƒ¢ãƒ¼ã‚·ãƒ§ãƒ³ã€æ—©é€ã‚Šã€ã‚ã‚‹ã„ã¯å®Ÿæ™‚é–“ã§å‹•ã‹ã—ãŸã‚Šã‚‚ã§ãã¾ã™ã€‚ã»ã¨ã‚“ã©ã®ã€ã‚³ãƒ³ãƒ”ュータをもã¨ã«ã—㟠DAW ã§ã¯ã€å†ç”Ÿãƒ˜ãƒƒãƒ‰ã¯ã‚«ãƒ¼ã‚½ãƒ«ã§å‹•ã‹ã™ã“ã¨ã‚‚ã§ãã¾ã™ã€‚DAW インタフェースã§ã¯ã€å†ç”Ÿãƒ˜ãƒƒãƒ‰ã¯ã™ã¹ã¦ã®ãƒˆãƒ©ãƒƒã‚¯ã‚’横切る垂直ã®ç·šã§è¡¨ã•ã‚Œã¾ã™ã€‚トランスãƒãƒ¼ãƒˆã®ãƒœã‚¿ãƒ³ã¨è¡¨ç¤ºã¯æ™®é€šã¯ã€DAW ウインドウã®ä¸€ç•ªä¸Šã®ãƒ„ールãƒãƒ¼ã®ä¸ã«ã
‚ã‚Šã¾ã™ãŒã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ãŒãƒ¡ã‚¤ãƒ³ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã‹ã‚‰åˆ‡ã‚Šé›¢ã•ã‚Œã‚‹ã®ã‚’好む人もãŠã‚Šã€Rosegardenã§ã¯ã€ã“ã‚ŒãŒãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã®è¦‹ãˆæ–¹ã«ãªã£ã¦ã„ã¾ã™ã€‚
+ </div></div><div class="section" id="sect-Musicians_Guide-Automation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Automation">6.3.5. オートメーション</h3></div></div></div><div class="para">
+ DAW でのオートメーションは、進んだ話題であるか、あるいは人間が行う決定を代わりに行うために使われるもののように聞こえるかもしれません。これは全く誤りです。<em class="firstterm">オートメーション</em>は、ユーザが、セッションが再生される度に同じ設定を自動的にすることを可能とします。これは以下の点で手動だけの制御より優れています。それは、とても正確で、なめらかで、一貫した調整ができます。あなたは調整を記憶しなくてもよいです。そして、それは、あなたが手動でできるよりずっとたくさんの調整を同時に行うことができます。オートメーションを使えば、セッションの超人的な制御ができるということです。ほとんどの設定はオートメーションにより調整できます。最も一般的なのは、フェーダとパ
ンナーでしょう。
+ </div><div class="para">
+ è¨å®šã‚’オートメーションã§è¡Œã†æœ€ã‚‚一般的ãªæ–¹æ³•ã¯ã€<em class="firstterm">エンベãƒãƒ¼ãƒ—</em>ã¨å‘¼ã°ã‚Œã‚‹2次元ã®ã‚°ãƒ©ãƒ•ã‚’使ã†ã“ã¨ã§ã™ã€‚ãã‚Œã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒˆãƒ©ãƒƒã‚¯ã®ä¸Šã«æã‹ã‚Œã¦ã„ã‚‹ã‹ã€ã‚ã‚‹ã„ã¯ãã®ä¸‹ã€<em class="firstterm">オートメーショントラック</em>ã®ä¸ã«æã‹ã‚Œã¦ã„ã¾ã™ã€‚ユーザã¯ã€èª¿æ•´ä½ç½®ã‚’グラフã®ä¸Šã«è¿½åŠ ã—ã€ç§»å‹•ã™ã‚‹ã“ã¨ã§è¨å®šã—ã¾ã™ã€‚ã“ã®æ–¹æ³•ã§ã€è¤‡é›‘ãªã€ãªã‚らã‹ãªè¨å®šã®å¤‰åŒ–ã‚‚ã§ãã¾ã™ã—ã€ç°¡å˜ãªã€1回ã ã‘ã®å¤‰åŒ–ã‚‚ã§ãã¾ã™ã€‚オートメーションã¯ã€ã—ã°ã—ã°ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã¨MIDIトラックã®ã©ã¡ã‚‰ã®å ´åˆã§ã‚‚ã€MIDI ä¿¡å·ã§åˆ¶å¾¡ã•ã‚Œã¾ã™ã€‚ã“ã‚Œã«ã‚ˆã‚Šã€å¤–部デãƒã‚¤ã‚¹ãŒ DAW ã®è¨å®šã‚’変ãˆãŸã‚Šã€ãã®é€†ã‚‚å¯èƒ½ã§ã™ã€‚ã‚ãªãŸã¯ã€ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã® DAW ã‹ã‚‰ã€ã‚ãªãŸè‡ªèº«ã®ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã‚’実際ã«ã‚ªãƒ¼ãƒˆãƒ¡ãƒ¼ã‚·ãƒ§ãƒ³æ“作ã§ãã‚‹ã®ã§ã™ï¼ã
‚‚ã¡ã‚ã‚“ã€ã™ã¹ã¦ã®ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ãŒã“れをサãƒãƒ¼ãƒˆã—ã¦ã„ã‚‹ã‚ã‘ã§ã¯ãªã„ã®ã§ã€ã‚ãªãŸã®ãƒ‡ãƒã‚¤ã‚¹ã®ãƒ¦ãƒ¼ã‚¶ãƒžãƒ‹ãƒ¥ã‚¢ãƒ«ã‚’å‚ç…§ã—ã¦ãã ã•ã„。
+ </div></div></div><div class="section" id="sect-Musicians_Guide-DAW_User_Interface"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-DAW_User_Interface">6.4. ユーザインタフェース</h2></div></div></div><div class="para">
+ このセクションではソフトウエア DAW インタフェースのいろいろなコンポーネントを見てみましょう。<span class="application"><strong>Qtractor</strong></span>アプリケーションの画像を使いますが、<span class="application"><strong>Ardour</strong></span> と <span class="application"><strong>Rosegarden</strong></span>（他のほとんどの DAW ソフトウエアと同じように）も、どのボタンがどこにあるか、のような細かい点だけが異なるインタフェースを持っています。
+ </div><div class="section" id="sect-Musicians_Guide-Messages_Pane"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Messages_Pane">6.4.1. メッセージペイン</h3></div></div></div><div class="figure" id="qtractor_messages"><div class="figure-contents"><div class="mediaobject"><img src="./images/Qtractor-interface-messages.png" width="444" alt="Qtractor のメッセージペイン" /><div class="longdesc"><div class="para">
+ Qtractor のウインドウの下にあるメッセージペイン
+ </div></div></div></div><h6>図6.4 Qtractor のメッセージペイン</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="#qtractor_messages">図6.4「Qtractor のメッセージペイン」</a>に示した<span class="guilabel"><strong>messages</strong></span>ペインは、DAW により生成されたメッセージを持ち、そしてときには<code class="systemitem">JACK</code>のように、DAW が使うソフトウエアにより生成されたメッセージも含みます。もしエラーが起きたり、DAW が期待通りに動かないときは<span class="guilabel"><strong>messages</strong></span>ペインを調べて、あなたが期待する結果を得るために役立つ情報を探して下さい。<span class="guilabel"><strong>messages</strong></span>ペインは<code class="systemitem">JACK</code>と DAW があなたがのぞむオプションで正常に開始したかどうかを判断するのにも使われます。
+ </div></div><div class="section" id="sect-Musicians_Guide-DAW_Clock"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-DAW_Clock">6.4.2. クロック</h3></div></div></div><div class="figure" id="qtractor_clocks"><div class="figure-contents"><div class="mediaobject"><img src="./images/Qtractor-interface-clocks.png" width="444" alt="Qtractor のクロック" /><div class="longdesc"><div class="para">
+ Qtractor のウインドウの中のクロック
+ </div></div></div></div><h6>図6.5 Qtractor のクロック</h6></div><br class="figure-break" /><div class="para">
+ クãƒãƒƒã‚¯ã¯ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆãŒç¤ºã™ã€ãƒ•ã‚¡ã‚¤ãƒ«ã®ä¸ã®ç¾åœ¨ã®ä½ç½®ã‚’表ã—ã¾ã™ã€‚<a class="xref" href="#qtractor_clocks">図6.5「Qtractor ã®ã‚¯ãƒãƒƒã‚¯ã€</a>ã§ã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã¯ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®æœ€åˆã«ã„ã¾ã™ã‹ã‚‰ã€ã‚¯ãƒãƒƒã‚¯ã¯<code class="literal">0</code>を示ã—ã¦ã„ã¾ã™ã€‚ã“ã®ã‚¯ãƒãƒƒã‚¯ã¯ã€æ™‚é–“ã‚’ã€åˆ†ã¨ç§’ã§è¡¨ã™ã‚ˆã†ã«æ§‹æˆã•ã‚Œã¦ã„ã¾ã™ã‹ã‚‰ã€ã“ã‚Œã¯<em class="firstterm">タイムクãƒãƒƒã‚¯</em>ã§ã™ã€‚クãƒãƒƒã‚¯ã®ä»–ã®è¨å®šã«ã¯ã€<em class="firstterm">BBT</em>ã‚’ã‚らã‚ã™ã‚‚ã®(bars, beats, and ticks å°ç¯€ã€æ‹ã€ãƒãƒƒã‚¯<em class="firstterm">MIDIクãƒãƒƒã‚¯</em>)ã€ã‚µãƒ³ãƒ—ルをã‚らã‚ã™ã‚‚ã®(<em class="firstterm">サンプルクãƒãƒƒã‚¯</em>)ã€ãã—ã¦<em class="firstterm">SMPTE タイムコード</em>ã‚’ã‚らã‚ã™ã‚‚ã®(通常ã€ãƒ“デオã§ã®ã€é«˜ç²¾åº¦ãªåŒæœŸã®ãŸã‚ã«ä½¿ã‚れるã€<em class="firstterm">タイムコードクãƒãƒƒã‚¯</em>)ãŒã‚ã‚Šã
¾ã™ã€‚DAWã«ã‚ˆã£ã¦ã¯ã€è¤‡æ•°ã®ã‚¯ãƒãƒƒã‚¯ã‚’åŒæ™‚ã«ä½¿ã†ã“ã¨ã‚‚ã§ãã¾ã™ã€‚
+ </div><div class="para">
+ <span class="application"><strong>Qtractor</strong></span> での、ここに示したタイムクロックは、MIDI テンポと拍子についての（毎分120.0拍、4/4拍子）情報と、MIDI 録音での量子化の設定も示していることに注意下さい。
+ </div></div><div class="section" id="sect-Musicians_Guide-Track_Info_Pane"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Track_Info_Pane">6.4.3. トラック情報ペイン</h3></div></div></div><div class="figure" id="qtractor_track_info"><div class="figure-contents"><div class="mediaobject"><img src="./images/Qtractor-interface-track_info.png" width="444" alt="Qtractor のトラック情報ペイン" /><div class="longdesc"><div class="para">
+ Qtractor のウインドウのトラック情報のペイン
+ </div></div><div class="caption"><div class="para">
+ トラック情報のペイン：ペインに２つのトラックがあり、右側に、それぞれのトラック情報のスペースがあります。
+ </div></div></div></div><h6>図6.6 Qtractor のトラック情報ペイン</h6></div><br class="figure-break" /><div class="para">
+ <em class="firstterm">トラック情報</em>ペインには、セッションに含まれるトラックとバスのそれぞれの情報と設定があります。普通、ここであなたは、トラックあるいはバスの入力と出力のルーティングの設定、MIDIトラックのインストゥルメント、バンク、プログラム、チャネルの設定などを調整することができます。さらに、<a class="xref" href="#qtractor_track_info">図6.6「Qtractor のトラック情報ペイン」</a>にある３つのボタン：<span class="guibutton"><strong>R</strong></span>は"録音の準備をする" <span class="guibutton"><strong>M</strong></span>は"ミュート、トラックの出力を無音にする"そして<span class="guibutton"><strong>S</strong></span>は"ソロモード"、を操作することもできます。
+ </div><div class="para">
+ DAW によって、提供される情報とボタンのレイアウトは大きく変わることがありますが、基本的な機能はどれも同じです。多くの場合、トラック情報ボックスを右クリックすると、高度な構成オプションにアクセスすることができます。トラック情報ボックスのボタンではない部分を左クリックすると、<em class="firstterm">トラックペイン</em>の特定の時刻を選択することなく、あるトラックを選択することができます。
+ </div><div class="para">
+ トラック情報ペインは、トラックペインの大きさが変わったとき、ビューの外にスクロールして出ることはなく、独立しています。
+ </div></div><div class="section" id="sect-Musicians_Guide-Track_Pane"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Track_Pane">6.4.4. トラックペイン</h3></div></div></div><div class="figure" id="qtractor_track"><div class="figure-contents"><div class="mediaobject"><img src="./images/Qtractor-interface-track.png" width="444" alt="Qtractor のトラックペイン" /><div class="longdesc"><div class="para">
+ Qtractor のウインドウの中のトラックペイン
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <em class="firstterm">ルーラー</em>はここでは、<em class="firstterm">BBT</em>（bars, beats, ticks 小節、拍、チック）に設定されています。
+ </div></li><li class="listitem"><div class="para">
+ グラフィカルに表現された２つのトラック。水平軸は時間を表します。
+ </div></li><li class="listitem"><div class="para">
+ MIDI <em class="firstterm">クリップ</em>(他のアプリケーションでは、<em class="firstterm">リージョン</em>と呼ばれます）
+ </div></li><li class="listitem"><div class="para">
+ オーディオ<em class="firstterm">クリップ</em>(他のアプリケーションでは、<em class="firstterm">リージョン</em>と呼ばれます）
+ </div></li><li class="listitem"><div class="para">
+ トラックペインのスクロールバー：このペインは独立してスクロールすることに注意下さい。
+ </div></li></ol></div></div></div></div><h6>図6.7 Qtractor のトラックペイン</h6></div><br class="figure-break" /><div class="para">
+ <em class="firstterm">トラックペイン</em>は、DAW における主要なワークスペースです。それは、<em class="firstterm">リージョン</em> (<em class="firstterm">クリップ</em>とも呼ばれます)をオーディオ波形あるいは MIDI ノートのおおまかな概観とともに表示します。あなたは、そこで、リージョンの開始時刻と長さを変えたり、リージョンをトラックに割り当てたり、再割り当てしたりできます。トラックペインでは、トランスポートは垂直の線として表されます。<a class="xref" href="#qtractor_track">図6.7「Qtractor のトラックペイン」</a>では、それはトラックペインの中の最も左の赤い線です。
+ </div><div class="para">
+ トラックペインを水平にスクロールすることで、あなたはセッションの全体に渡ってリージョンを見ることができます。最も左の点が、セッションの開始点です。最も右の点が、セッションの終了点の後を示します。ほとんどの DAW では、セッションの終了点をはるかに越えてスクロールすることができます。トラックペインを垂直にスクロールすることで、あなたは特定の時間の範囲でのリージョンとトラックを見ることができます。
+ </div></div><div class="section" id="sect-Musicians_Guide-DAW_Transport_Controls"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-DAW_Transport_Controls">6.4.5. トランスポートコントロール</h3></div></div></div><div class="figure" id="qtractor_transport"><div class="figure-contents"><div class="mediaobject"><img src="./images/Qtractor-interface-transport.png" width="444" alt="Qtractor のトランスポートコントロール" /><div class="longdesc"><div class="para">
+ Qtractor のウインドウ内のトランスポートコントロール
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 最初に戻る
+ </div></li><li class="listitem"><div class="para">
+ 早戻し
+ </div></li><li class="listitem"><div class="para">
+ 早送り
+ </div></li><li class="listitem"><div class="para">
+ 最後に進む
+ </div></li><li class="listitem"><div class="para">
+ リアルタイムで進む
+ </div></li><li class="listitem"><div class="para">
+ 録音の準備をする
+ </div></li></ol></div></div></div></div><h6>図6.8 Qtractor のトランスポートコントロール</h6></div><br class="figure-break" /><div class="para">
+ トランスポートコントロールを使い、トランスポートをいろいろと操作することができます。ボタンの形はほぼ標準化されています。似たように見えるボタンは普通、すべての DAW で同じ機能をはたします。それは CD プレイヤーや DVD プレイヤーなどの家庭用電子機器と同じです。
+ </div><div class="para">
+ 垂直線のある１重の左を向いた矢印は、再生や録音をすることなく、トランスポートをセッションの開始点に位置づけます。<span class="application"><strong>Qtractor</strong></span> では、トランスポートとセッションの開始点の間に、青いプレースマーカーがあれば、トランスポートは青いプレースマーカーの所までスキップします。もう一度ボタンを押すと、次の青いプレースマーカーもしくは、セッションの開始点に移動します。
+ </div><div class="para">
+ 左向きの二重の矢印は、トランスポートをセッションの開始点へ向けて速く移動します。右向きの二重の矢印は、トランスポートをセッションの終了点へ向けて速く移動します。
+ </div><div class="para">
+ 垂直線のある１重の右向きの矢印はトランスポートを、現在セッションにある最後のリージョンの終了点に移動します。<span class="application"><strong>Qtractor</strong></span> では、トランスポートとセッションの最後のリージョンの間に、青いプレースマーカーがあれば、トランスポートは青いプレースマーカーの所までスキップします。もう一度ボタンを押すと、次の青いプレースマーカーもしくは、セッションの最後のリージョンに移動します。
+ </div><div class="para">
+ １重の右向き矢印は普通、"再生" と呼ばれますが、正確には、それはトランスポートをリアルタイムで前向きに移動します。そのとき、もしもトランスポートが録音準備されているときは、録音準備されているトラックはすべて録音されます。トランスポートが録音準備されているかいないかにかかわらず、"再生"ボタンを押すと、すべての録音準備されていないトラックはすべての存在するリージョンを再生します。
+ </div><div class="para">
+ 丸いボタンはトランスポートを、録音準備します.それは、慣習的に、赤い色をしています。<span class="application"><strong>Qtractor</strong></span> では、トランスポートは、少なくても1つのトラックが録音準備された<span class="emphasis"><em>後</em></span>でないと録音準備できません.これを示すために、トランスポートの録音ボタンはトラックが録音準備されるまで赤くなりません.
+ </div></div></div></div><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-Ardour" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第7ç« Ardour</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Requirements_and_Installation">7.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Knowledge_Requirements">7.1.1. å‰æ知è˜</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Software_Requirements">7.1.2. ソフトウエアè¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Hardware_Requirements">7.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Installation">7.1.4. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording_a_Session">7.2. セッã‚
·ãƒ§ãƒ³ã‚’録音ã™ã‚‹</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Running_Ardour">7.2.1. <span class="application"><strong>Ardour</strong></span> を実行ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Interface">7.2.2. インターフェース</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline">7.2.3. タイムラインをè¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources">7.2.4. オーディオソースを <span class="application"><strong>Ardour</strong></span> ã«ã¤ãªã</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks">7.2.5. ãƒã‚¹ã¨ãƒˆãƒ©ãƒƒã‚¯ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Adjusting_Reco
rding_Level">7.2.6. 録音レベル（ボリューム）を調整ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Recording_a_Region">7.2.7. リージョンを録音ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Recording_More">7.2.8. 続ã‘ã¦éŒ²éŸ³ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Routing_Audio">7.2.9. オーディオã®ãƒ«ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã¨ <code class="systemitem">JACK</code> 接続ã®ç®¡ç†</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio">7.2.10. æ—¢å˜ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’インãƒãƒ¼ãƒˆã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Tutorial_Files">7.3. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing">7.4. 曲を編é›
†ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Add_Tracks_and_Busses">7.4.1. トラックã¨ãƒã‚¹ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses">7.4.2. トラックã¨ãƒã‚¹ã‚’接続ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks">7.4.3. トラックã«ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size">7.4.4. リージョンã®å¤§ãã•ã‚’切り詰ã‚ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings">7.4.5. åŒã˜ã‚‚ã®ã®è¤‡æ•°ã®éŒ²éŸ³ã‚’比較ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Arrange">7.4.6. リージョンをæ£ã—ã„å ´æ‰€
に並べる</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Editing-Listen">7.4.7. 聞く</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing">7.5. 曲をミキシングする（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Enabling_Stereo_Output">7.5.1. ステレオ出力のためにセッションの設定を行い、エディットグループを解除する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels">7.5.2. 最初のレベルを設定する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning">7.5.3. 最初のパニングを設定する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks">7.5.4. オートメーショントラックで、さらに調整をする
</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Other_Things">7.5.5. その他、やると良いこと</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mixing-Listen">7.5.6. 聞く</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mastering">7.6. セッションのマスタリング</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mastering-Ways_to_Export">7.6.1. オーディオをエクスポートする方法</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window">7.6.2. エクスポートウインドウを使う</a></span></dt></dl></dd></dl></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> はマルチトラック録音のために設計された豊富な機能が実装されたアプリケーションです。
+ </div><div class="section" id="sect-Musicians_Guide-Ardour-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Ardour-Requirements_and_Installation">7.1. 要件とインストール</h2></div></div></div><div class="section" id="sect-Musicians_Guide-Ardour-Knowledge_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Knowledge_Requirements">7.1.1. 前提知識</h3></div></div></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> のユーザーインターフェースは他の DAW に似ています。もしあなたが DAW を使ったことがなければ、<a class="xref" href="#sect-Musicians_Guide-DAW_User_Interface">「ユーザインタフェース」</a> を読むことをお勧めします。
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Software_Requirements">7.1.2. ソフトウエア要件</h3></div></div></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> は <code class="systemitem">JACK Audio Connection Kit</code> を使います。 <span class="application"><strong>Ardour</strong></span> をインストールする前に、<code class="systemitem">JACK</code> をインストールして下さい。<code class="systemitem">JACK</code> をインストールするには、<a class="xref" href="#sect-Musicians_Guide-Install_and_Configure_JACK">「<code class="systemitem">JACK</code> をインストール、設定する」</a> の手順に従ってください。
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Hardware_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Hardware_Requirements">7.1.3. ハードウエア要件</h3></div></div></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> を使うには、オーディオインターフェースが必要です。<span class="application"><strong>Ardour</strong></span> でオーディオを録音するには、オーディオインターフェースに接続されたマイクが少なくても１つ必要です。<span class="application"><strong>FluidSynth</strong></span> や <span class="application"><strong>SuperCollider</strong></span> のような、JACK 対応プログラムからのオーディオ信号を録音するには、マイクは必要ありません。
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Installation">7.1.4. インストール</h3></div></div></div><div class="para">
+ <span class="application"><strong>PackageKit</strong></span> あるいは <span class="application"><strong>KPackageKit</strong></span> を使って <span class="package">ardour</span> パッケージをインストールします。他の必要なソフトウエアは自動的にインストールされます。
+ </div></div></div><div class="section" id="sect-Musicians_Guide-Ardour-Recording_a_Session"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Ardour-Recording_a_Session">7.2. セッションを録音する</h2></div></div></div><div class="para">
+ セッションの録音は通常は全部、一度に行われます。しかし、ときには録音は何日あるいは何週間にもわたって行われることがあります。ミキシングとマスタリングはセッションが録音された後で行われます。セッションを開く時に、毎回、<code class="systemitem">JACK</code> のサンプルレートとサンプルフォーマットの設定は同じでなければいけないことに注意下さい。
+ </div><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Running_Ardour"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Running_Ardour">7.2.1. <span class="application"><strong>Ardour</strong></span> を実行する</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> は <code class="systemitem">JACK</code> サウンドサーバーを使います。<span class="application"><strong>Ardour</strong></span> の前に <span class="application"><strong>QjackCtl</strong></span> を使って <code class="systemitem">JACK</code> を開始してください。あるいは <span class="application"><strong>Ardour</strong></span> は <code class="systemitem">JACK</code> をあなたの代わりに開始します。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> は新しいセッションを保存する場所を選択するように聞いてきます。<span class="application"><strong>Ardour</strong></span> はセッションのファイルを保存するディレクトリーを自動的に作成します。既存のセッションを開くこともできます。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Interface"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Interface">7.2.2. インターフェース</h3></div></div></div><div class="para">
+ このセクションは <span class="application"><strong>Ardour</strong></span> に特有のいくつかのグラフィカル・インターフェース・コンポーネントを説明します。ほとんどの DAW で同じように使われるコンポーネントは、<a class="xref" href="#sect-Musicians_Guide-DAW_Interface_Vocabulary">「インタフェース用語」</a> で説明されています。
+ </div><div class="figure" id="ardour_interface_overview"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-interface-overview.png" width="444" alt="Ardour インターフェース" /><div class="longdesc"><div class="para">
+ Ardour インターフェースには固有の３つのグラフィカル・インターフェース・コンポーネントがあります。
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <em class="firstterm"> エディターミキサー </em>
+ </div></li><li class="listitem"><div class="para">
+ <em class="firstterm"> セッションサイドバー </em>
+ </div></li><li class="listitem"><div class="para">
+ メインツールバー
+ </div></li></ol></div></div></div></div><h6>図7.1 Ardour インターフェース</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="#ardour_interface_overview">図7.1「Ardour インターフェース」</a> は、Ardour インターフェースに固有の３つのグラフィカルインターフェースを説明します。<em class="firstterm"> エディターミキサー </em>、<em class="firstterm"> セッションサイドバー </em>、そしてメインツールバーです。
+ </div><div class="figure" id="ardour_interface_editor_mixer"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-interface-editor_mixer.png" alt="Ardour エディターミキサー" /><div class="longdesc"><div class="para">
+ Ardour エディターミキサーパネル
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ フェーダー
+ </div></li><li class="listitem"><div class="para">
+ フェーダーコントロール
+ </div></li><li class="listitem"><div class="para">
+ フェーダーレベルメーター
+ </div></li><li class="listitem"><div class="para">
+ パンナー
+ </div></li><li class="listitem"><div class="para">
+ 出力コネクションボタン
+ </div></li></ol></div></div></div></div><h6>図7.2 Ardour エディターミキサー</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="#ardour_interface_editor_mixer">図7.2「Ardour エディターミキサー」</a> は、<span class="application"><strong>Ardour</strong></span> メインウインドウの左にあるエディタエディターミキサーを示します。エディタエディターミキサーは、一度に１つだけのミキサーストリップを表示します。ミキサーストリップの中間にフェーダーとそのコントロール、一番下にパンナーとそのコントロール、そして <span class="guibutton"><strong>Comments</strong></span> と出力コネクションボタンがあります。
+ </div><div class="figure" id="ardour_interface_session_sidebar"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-interface-session_sidebar.png" alt="Ardour セッションサイドバー" /><div class="longdesc"><div class="para">
+ Ardour セッションサイドバー
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ タブストリップ
+ </div></li><li class="listitem"><div class="para">
+ リージョンリスト
+ </div></li></ol></div></div></div></div><h6>図7.3 Ardour セッションサイドバー</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="#ardour_interface_session_sidebar">図7.3「Ardour セッションサイドバー」</a> は、<span class="application"><strong>Ardour</strong></span> のメインウインドウの右にあるセッションサイドバーです。この図では、<span class="guilabel"><strong>Regions</strong></span> タブが選択されているので、サイドバーには、現在セッションにあるリージョンのリストが表示されています。青いものは直接インポートされたもの、白いものは青いリージョンから作成されたもの、そしていくつかの青いリージョンの左にある矢印はこれらの青いリージョンに対応する白いサブリージョンがあることを示します。
+ </div><div class="figure" id="ardour_interface_toolbar"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-interface-toolbar.png" width="444" alt="メイン Ardour ツールバー" /><div class="longdesc"><div class="para">
+ メイン Ardour ツールバー
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ ツール選択ボタン
+ </div></li><li class="listitem"><div class="para">
+ <span class="guibutton"><strong>select/edit object</strong></span> ボタン
+ </div></li><li class="listitem"><div class="para">
+ <span class="guibutton"><strong>select/edit range</strong></span> ボタン
+ </div></li><li class="listitem"><div class="para">
+ snap mode
+ </div></li><li class="listitem"><div class="para">
+ grid mode
+ </div></li><li class="listitem"><div class="para">
+ edit point
+ </div></li></ol></div></div></div></div><h6>図7.4 メイン Ardour ツールバー</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="#ardour_interface_toolbar">図7.4「メイン Ardour ツールバー」</a> は、メインツールバーです。それはトランスポートコントロールの下、タイムラインとそのルーラーの上にあります。ツールバーの中間には、３つのラベルの付いていない、しかしとても役に立つ複数選択可能なメニューがあります： <span class="guimenu"><strong>snap mode</strong></span> メニュー（現在、<code class="literal">No Grid</code> です）。<span class="guimenu"><strong>grid mode</strong></span> メニュー（現在、<code class="literal">Bars</code> です）。そして <span class="guimenu"><strong>edit point</strong></span> メニュー（現在、<code class="literal">Mouse</code> です）。これらメニューの左には、ツール選択ボタンがあり、その中で重要なのは、最も左にある２つ、<span class="guibutton"><strong>select/edit objec
t</strong></span> と <span class="guibutton"><strong>select/edit range</strong></span> ボタンです。
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline">7.2.3. タイムラインを設定する</h3></div></div></div><div class="para">
+ メイン <span class="application"><strong>Ardour</strong></span> ウインドウの一番上、トランスポートツールバーの右に、２つの比較的大きな時計があります。２つの時計が不要なら、片方を消すことができます。表示を変えるには、右クリックします。
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>Bars:Beats</strong></span> は、小節と拍を表示します。
+ </div></li><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>Minutes:Seconds</strong></span> はトラック先頭からの時間を示します。
+ </div></li><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>Timecode</strong></span> はフレーム／秒のタイムコード（通常、フィルムの作業をするときに使われます）を示します。
+ </div></li><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>Samples</strong></span> は開始からのサンプル数を表示します。
+ </div></li></ul></div><div class="para">
+ 時間の測定について、詳しくは、 <a class="xref" href="#sect-Musicians_Guide-Vocabulary-Time">「タイム、タイムライン、そしてタイムシフティング」</a>を参照下さい。
+ </div><div class="para">
+ <span class="guimenu"><strong>snap mode</strong></span> メニューはタイムラインと時計の間にあります。このメニューはリージョンが移動できるところを制御します。あなたは現在のアクティビティによっては、セッションの作業をしているときにこれを変更する必要があるかもしれません。左のメニューには：
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>No Grid</strong></span>: リージョンは自由にどこへでも移動できます。
+ </div></li><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>Grid</strong></span>: リージョンは直近のグリッド点から開始しないといけません。
+ </div></li><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>Magnetic</strong></span> リージョンは自由に動けますが、グリッド点の近くに来ると、それに自動的にくっつきます。
+ </div></li></ul></div><div class="para">
+ 中間のメニューはグリッド線をどこに置くかを制御します。SMPTE タイムコード、時計の時刻、小節と拍、あるいはリージョンごとに置くのいずれかです。
+ </div><div class="figure" id="ardour_interface_nudge_pane"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-interface-nudge-pane.png" width="444" alt="Ardour nudge ペイン" /><div class="longdesc"><div class="para">
+ Ardour nudge ペイン
+ </div></div></div></div><h6>図7.5 Ardour nudge ペイン</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="#ardour_interface_nudge_pane">図7.5「Ardour nudge ペイン」</a> は、トランスポートの一部である、 nudge ペインを示します。 nudge ツールは、選択された１つ、あるいは複数のリージョンを指定されただけ、セッションの中で前や後ろに移動します。<span class="guibutton"><strong><</strong></span> ボタンは、リージョンをセッションの中で後ろに進めます。<span class="guibutton"><strong>></strong></span> ボタンは、リージョンをセッションの中で前に進めます。リージョンが選択されていないときは、nudge ツールは、トランスポートヘッドを動かします。 <span class="guibutton"><strong>></strong></span> ボタンの右にある表示は、選択されたリージョンが移動する距離を示します。この場合、nudge ツールは、リージョンを 5 秒、移動します。
+ </div><div class="para">
+ タイムラインには、多くの<em class="firstterm"> ルーラー </em> があり、いろいろな時間をマークする目盛りが表示されます。タイムラインは、キャンバスエリアの最上位、ツールバーの下にあります。コンテキストメニュー(<span class="mousebutton">右クリック</span>) を使って、表示したいルーラーを選びます。使うルーラーは、時計の設定とスナップモードに依存します。
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources">7.2.4. オーディオソースを <span class="application"><strong>Ardour</strong></span> につなぐ</h3></div></div></div><div class="para">
+ そこに録音したいトラックの名前は、<code class="systemitem">JACK</code> での入力の名前と同じであるべきです。
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks">7.2.5. バスとトラックを設定する</h3></div></div></div><div class="para">
+ バスの一般的な説明は <a class="xref" href="#sect-Musicians_Guide-Vocabulary-Bus">「バス、マスターバス そしてサブマスターバス」</a> を参照下さい。デフォルトでは <span class="application"><strong>Ardour</strong></span> の出力はすべてマスターバスに行きます。バスはリージョンを含みませんが、とりまとめのための領域としてはたらき、それを使ってあなたはプロジェクト全体をあるフィルタにかけたり、ボリューム調整をしたりすることができます。
+ </div><div class="procedure"><h6>手順7.1 録音のためにトラックを追加する</h6><ol class="1"><li class="step"><div class="para">
+ <span class="guimenu"><strong>Track</strong></span> → <span class="guimenuitem"><strong>Add Track/Bus</strong></span> を選択します。
+ </div></li><li class="step"><div class="para">
+ <span class="guilabel"><strong>Tracks</strong></span> が選択されていることを確認下さい。
+ </div></li><li class="step"><div class="para">
+ 番号を設定します。（だいたいの場合、<code class="literal">1</code> でしょう）。
+ </div></li><li class="step"><div class="para">
+ 入力チャネル数を選択します。（だいたいの場合、<code class="literal">Stereo</code> つまり２でしょう）
+ </div></li><li class="step"><div class="para">
+ モードを選択します：
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="literal">Normal</code>: それぞれの録音テイクごとに新しいリージョンを作ります。
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">Tape</code>: 何かがすでに録音されていてもその上に、破壊的に録音します。（テープのように）
+ </div></li></ul></div></li><li class="step"><div class="para">
+ <span class="guibutton"><strong>Add</strong></span> をクリックして、トラックを作成します。
+ </div></li></ol></div><div class="procedure"><h6>手順7.2 見分けがつくように、トラックの名前を変えます。</h6><ol class="1"><li class="step"><div class="para">
+ トラックエリアの一番左の、今あるトラック名ラベルをクリックします。
+ </div></li><li class="step"><div class="para">
+ 今の名前の上にタイプします。
+ </div></li><li class="step"><div class="para">
+ <span class="keycap"><strong>Enter</strong></span> を押します。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level">7.2.6. 録音レベル（ボリューム）を調整する</h3></div></div></div><div class="para">
+ 録音の前に、入力レベルを正しく設定することは重要です。
+ </div><div class="para">
+ オーディオ機器の性質として、それは限られた範囲の音の圧力（ボリュームとして表される）だけを受け付けることができるということです。もし音が小さすぎるときは、聞き取れません。もし大きすぎるときは正しく聞き取れません。さらに、あなたの自分の耳のために最も大切なことですが、もし音がとても大きすぎるときは、オーディオ機器を故障させてしまうことがあります。
+ </div><div class="para">
+ デジタルオーディオの性質として、何かが録音できるボリュームレベルはきちんと決まっているということです。音がその範囲の下だったり上だったりしたときには、正しく録音されません。そのような、不適当に録音された音を再生したとき、小さすぎるときも大きすぎるときも、人は普通それを "ただのノイズ "として知覚します。
+ </div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> が静寂を録音すると、それは、入力が何もないときと同じにふるまいます。<span class="application"><strong>Ardour</strong></span> がオーディオの部分が大きすぎるためにひずんでいると計算したときは、<a class="xref" href="#ardour_red_peaks">図7.6「大きすぎるオーディオ」</a> で示すように、波形を赤色で縁どります。
+ </div><div class="figure" id="ardour_red_peaks"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-red_peaks.png" width="444" alt="大きすぎるオーディオ" /><div class="longdesc"><div class="para">
+ Ardour の波形。オーディオが大きすぎるとき、赤いピークを示す。
+ </div></div></div></div><h6>図7.6 大きすぎるオーディオ</h6></div><br class="figure-break" /><div class="para">
+ オーディオ信号の入力レベルを変更するには、３つの単純なやり方があります：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ マイクを音源から離す、あるいは近づける。
+ </div></li><li class="listitem"><div class="para">
+ マイクをオーディオインターフェースへ繋げる前にミキサーを通す。
+ </div></li><li class="listitem"><div class="para">
+ オーディオが録音される前に、<span class="application"><strong>Ardour</strong></span> のバスを通す。
+ </div></li></ol></div>
+
+ </div><div class="para">
+ それらのアプローチの利点と欠点は以下です：
+ </div><div class="para">
+ マイクを動かしたり、ハードウエア・ミキサーを通すことが、現実的でない、不可能である、あるいはお勧めできない状況があるでしょうから、そういうときは入力信号が録音される前に <span class="application"><strong>Ardour</strong></span> のバスを使って信号のボリュームを変えるのがよいでしょう。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="guimenu"><strong>Track</strong></span> → <span class="guimenuitem"><strong>Add Track/Bus</strong></span> を選択します。
+ </div></li><li class="step"><div class="para">
+ ポップアップしたウインドウで、"busses"を選択します。
+ </div></li><li class="step"><div class="para">
+ 追加したいバスの数を選択します。録音中にボリュームを調整したいトラックに１つづつ、バスが必要です。異なるいくつかのボリュームで録音することもできます。
+ </div></li><li class="step"><div class="para">
+ バスで必要なチャネルの数を入れます。
+ </div></li><li class="step"><div class="para">
+ 新しいバスができたら、その名前を変えます。バスを、出力のためでなくて録音のために使っていることがわかる、"REC-Bus"のような名前をつけることをお勧めします。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> は、オーディオが出力されるとき、使われる自動的にバスを設定します。さらに、ボリューム／レベルコントロールは、トラックあるいはバスから出力されるオーディオに対してしかはたらきません。これが、あなたがトラックの入力ボリュームを調整するのにトラックのボリューム／レベルコントロールを使えない理由です。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> を使って、このように再接続します。（ヘルプは、<a class="xref" href="#sect-Musicians_Guide-Ardour-Recording-Routing_Audio">「オーディオのルーティングと <code class="systemitem">JACK</code> 接続の管理」</a> を参照下さい。）：
+ </div><ol class="a"><li class="step"><div class="para">
+ 録音に使いたいバス ("recording bus") のすべての入出力接続を切断します。
+ </div></li><li class="step"><div class="para">
+ 録音したいトラック ("recording track") の入力には何も接続されていないことを確認下さい。
+ </div></li><li class="step"><div class="para">
+ マイク（入力音源）を録音バスの入力に接続します。
+ </div></li><li class="step"><div class="para">
+ 入力バスの出力を録音トラックの入力に接続します。
+ </div></li><li class="step"><div class="para">
+ 録音トラックの出力が "master"入力（これはマスター出力バスで、すべてのプロジェクトで存在するはずで、すべてのオーディオ出力はそこを通るはずです。）に接続されていることを確認下さい。
+ </div></li></ol></li></ol></div><div class="para">
+ 注意：この目的のためにバスを通せるのは、ただ１つの録音されるトラックだけです。バスはオーディオの１つのストリームしか出力が行えないためです。
+ </div><div class="para">
+ 以下は、トラックの録音ボリュームが正しく設定されているかをテストするアルゴリズムです。これは、トラックを録音準備する前に行わなければいけません。不幸なことに、最適の入力レベルを選択したかどうかは、リージョンが録音された後でないとわかりません。良い入力レベルを安定して選択できるようになるためには本能と経験の両方が必要です。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ 必要に応じてすべてのマイクを設定します。
+ </div></li><li class="step"><div class="para">
+ 必要に応じて <code class="systemitem">JACK</code> の接続を設定します。
+ </div></li><li class="step"><div class="para">
+ 必要に応じて録音バス（前記を参照）を設定します。
+ </div></li><li class="step"><div class="para">
+ 録音されるオーディオトラックで、"metering point"を "input"に設定します。（やり方は以下を見てください。）
+ </div></li><li class="step"><div class="para">
+ 演奏者に、セッションで演奏する最も大きな音のパッセージをやってもらいます。入力レベルを調整して、最大レベルが -3 dB から -6 dB の間に来るようにします（ここを見ることで）。maximum-level-seer をクリックしてリセットすることができます。
+ </div></li><li class="step"><div class="para">
+ 演奏者に、セッションで演奏する最も静かなパッセージをやってもらいます。入力レベルを調整して、これが -40 dB 以下にならないようにします。-30 dB から -20 dB の間にあるのがよいでしょう。
+ </div></li><li class="step"><div class="para">
+ 演奏者に、セッションで演奏する平均的なパッセージをやってもらいます。これは、前の２つのチェックよりは重要ではありません。しかし、ほとんどの演奏が静かであれば、より詳細をとらえることができるように、より高い入力レベルというリスクをおかすのも価値があるかもしれません。いずれにしても、"ほどほどの "ボリュームレベルが得られて、入力レベルの値は -20 dB から -10 dB であるべきです。
+ </div></li><li class="step"><div class="para">
+ あなたが録音しようとするグループの種類と、それをするのに使われるソフトウエアと機器についてより経験をつんだならば、毎回このレベルチェックをする必要はないかもしれません。しかし、後悔するよりは安全をめざすのはよいことで、一度、音楽の時間が過ぎ去ってしまったらそれを再作成することができないのですから。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Recording_a_Region"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Recording_a_Region">7.2.7. リージョンを録音する</h3></div></div></div><div class="para">
+ 順々にセッションを録音するとき、少なくとも１つのリージョンを作成することになります。なお、オーディオは、デフォルトでは "audition"出力に流れることに注意下さい。（ヘッドホンを使うこと。）
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ 入力とタイムラインとトラックが正しく設定されているのを確認下さい。
+ </div></li><li class="step"><div class="para">
+ エディターウインドウの左に何もないときは、Ctrl+E を押すか、'View > Show Editor Mixer'を選択します。
+ </div></li><li class="step"><div class="para">
+ そこに録音しようとするトラックを選択します。
+ </div></li><li class="step"><div class="para">
+ メーターを "input"にして、それが正しく動き、正しいものに接続されているか確かめてください。（これで何が起きるか、あなたは今、なぜそれをしたいのか、言ってごらんなさい。）
+ </div></li><li class="step"><div class="para">
+ 以下の "録音ボリュームを調整する "を見て、今、そのとおりにしてください。
+ </div></li><li class="step"><div class="para">
+ トラックを録音準備します：左のトラックのミキサーで "Record"を押すか、トラック自身の上にある小さい赤い録音ボタンを押します。
+ </div></li><li class="step"><div class="para">
+ ボタンは、トラックが録音準備されたことを示すために、点灯したままとなります。
+ </div></li><li class="step"><div class="para">
+ トランスポートの大きい赤い録音ボタンを選択して、<span class="application"><strong>Ardour</strong></span> を録音準備します。
+ </div></li><li class="step"><div class="para">
+ トランスポートを、通常のやりかたで開始します。（大きい再生ボタン）
+ </div></li><li class="step"><div class="para">
+ 録音が終わったら、大きい停止ボタンでトランスポートを止めます。
+ </div></li><li class="step"><div class="para">
+ トランスポートを開始、停止、するたびに、新しい "リージョン "が作成されます。
+ </div></li><li class="step"><div class="para">
+ トランスポートを止めるたびに、<span class="application"><strong>Ardour</strong></span> は、自分を "録音準備を解除 "します。しかし、あなたが選択したトラックはすべて、録音準備されたままです。
+ </div></li><li class="step"><div class="para">
+ リージョンを録音し終わったら、インターフェースの右の "Regions"のボックスのようなものを使って、リージョンの名前を変えます。
+ </div><ol class="a"><li class="step"><div class="para">
+ あなたが録音したばかりのリージョンを探します。（デフォルトではそれは、"Audio 1-1"のように名前がついています。それは、録音トラックの名前と、ハイフン、そして "テイク "を示す昇順の通番です。）それを選択します。
+ </div></li><li class="step"><div class="para">
+ タイトルをクリックすると、ボックスが現れます。
+ </div></li><li class="step"><div class="para">
+ 名前を好きなように変えます。
+ </div></li><li class="step"><div class="para">
+ Enter キーを押して、名前の編集を終わります。
+ </div></li></ol></li></ol></div></div><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Recording_More"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Recording_More">7.2.8. 続けて録音する</h3></div></div></div><div class="para">
+ １つのリージョンを録音した後、あなたはまだほしいものを全部持っていないでしょう。録音を続けるには多くの方法があり、何がまだ録音されていないかに依存します。
+ </div><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Continue_the_Same_Session"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Recording-Continue_the_Same_Session">7.2.8.1. 同じセッションを続ける</h4></div></div></div><div class="para">
+ この機能は、例えば、セッションを録音していて、１０分の休みを入れようとしたときなどに、必要となるでしょう。これは、すでに録音を始めたセッションを、続けて録音するというすべての状況で使われます。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ トランスポートをあなたがすでに録音したところの少し後ろに移動します。これを行うには、トランスポートの、forward/reverse と play/stop ボタンを使うか、タイムラインの中でトランスポートを移動したい箇所を探して、そのあたりを左クリックします。
+ </div></li><li class="listitem"><div class="para">
+ コネクションとレベルが正しく設定されていることを確認下さい。
+ </div></li><li class="listitem"><div class="para">
+ 録音するトラックが録音準備されていることを確認下さい。
+ </div></li><li class="listitem"><div class="para">
+ トランスポートを録音準備します。
+ </div></li><li class="listitem"><div class="para">
+ 録音の準備ができたら、トランスポートを開始します。
+ </div></li></ol></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Capture_Additional_Parts"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Recording-Capture_Additional_Parts">7.2.8.2. すでに録音されているものにパートを追加で録音する</h4></div></div></div><div class="para">
+ スタジオ録音でよく使われるテクニックでは、本来一緒に演奏されるパートを別々に録音して、後で一緒に聞こえるようにするというものです。（以下の、"セッションを準備する "を参照下さい。）例えば、１人のトランペット演奏者が、２つのトランペットのために書かれた曲の両方のソロパートを録音したいとします。オーケストラをスタジオに持ってきて、トランペットのソロを除いた完全な曲を演奏するとしましょう。<span class="application"><strong>Ardour</strong></span> はそれを、１つのトラックに録音します。そして、トランペットソリストがスタジオに行って、<span class="application"><strong>Ardour</strong></span> を使って、以前に録音されたオーケストラのトラックを聞きながら同時に、トランペットのソロパートの１つを演奏し、そ
れは別のトラックに録音されます。翌日、奏者はスタジオに戻って、<span class="application"><strong>Ardour</strong></span> を使って、以前に録音されたオーケストラのトラックと、以前に録音されたトランペットソロのパートを聞きながら同時に、トランペットのもうひとつのソロパートを演奏し、それは３つめのトラックに録音されます。録音技術者は Audacity のミキシングと編集の機能を使って、トランペット演奏者が、オーケストラと一緒に、両方のソロパートを演奏したように聞こえるようにします。
+ </div><div class="para">
+ 別々に録音されたトラックの間で、音楽家たちのタイミングを調和させるのは困難なことです。"クリックトラック "とは、目的のテンポに合わせた一定のクリックノイズが入っているトラックです。録音をする音楽家、あるいは他の人をリードする音楽家は、ヘッドホンで、クリックトラックを聞きます。クリックトラックは、ファイナルミックスには含まれません。
+ </div><div class="para">
+ これを行うためには：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 最初のパートを録音します。パートを録音する順序は録音技術者（つまりあなたです）が決めます。最もたくさん演奏する人か、最もリズム的に一貫したパートを演奏する人を先に録音するのがたぶん、より簡単でしょう。
+ </div></li><li class="listitem"><div class="para">
+ 次に録音するトラックを追加します。
+ </div></li><li class="listitem"><div class="para">
+ 新しいトラックの接続を設定します。
+ </div></li><li class="listitem"><div class="para">
+ 新しいトラックの音が大きすぎたり小さすぎたりしないように、レベルチェックをします。
+ </div></li><li class="listitem"><div class="para">
+ 新しいトラックを録音し始めるパッセージの最初にトランスポートを位置づけます。トラックの開始点をそれほど厳密に決める必要はありません。後から変えられるからです。次の演奏者が、トランスポートが開始してから、彼らがどこから、どんなテンポで入ればいいのかわかるように、十分、聞き取る時間が取れることを確認下さい。
+ </div></li><li class="listitem"><div class="para">
+ 演奏者（あるいは、指揮／リードする人）が今までに録音されたものを聴くことができる手段を準備する必要があります。ヘッドホンを使うのがよいかもしれません。
+ </div></li><li class="listitem"><div class="para">
+ 録音したいトラックを録音準備します。すでに録音されたトラックはもはや録音準備されていないことを確認下さい。特に、"テープモード "のときは大変です。
+ </div></li><li class="listitem"><div class="para">
+ トランスポートを録音準備します。
+ </div></li><li class="listitem"><div class="para">
+ 録音の準備ができたら、トランスポートを開始します。
+ </div></li></ol></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Redo_a_Take"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Recording-Redo_a_Take">7.2.8.3. すでに録音されたもののよりよい録音をする</h4></div></div></div><div class="para">
+ すでに、セッションのすべてあるいはほとんどを録音し終わっていても、なんらかの問題を "解決 "するためにセッションの * 部分 * を再録音することができます。<span class="application"><strong>Ardour</strong></span> では、最初のテイクをこわさずに、今あるトラックの上に録音して、新しく録音したリージョンをその上にかぶせることができます。後で、録音の出力が、リージョン／テイクの間で切り替わる正確なポイントを決めれば良いのです。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ セッションを録音する
+ </div></li><li class="listitem"><div class="para">
+ いま録音しようとするリージョンの接続とレベルが、最初に録音したものと同じであることを確認下さい。
+ </div></li><li class="listitem"><div class="para">
+ トランスポートの位置を決めます。入れ替えたいセグメントの前の場所を選びます。演奏者は入れ替えるセクションの前から演奏を開始する必要があるでしょう。彼らがテンポをつかんで、グルーブを得て、そして入れ替えが必要な部分の * ずっと前から * 演奏を開始できるように、あなたは十分に間隔をとる必要があります。
+ </div></li><li class="listitem"><div class="para">
+ タイムラインの中で、クリックして、トランスポートを移動します。
+ </div></li><li class="listitem"><div class="para">
+ 正しいトラックが録音準備されていることを確認下さい。
+ </div></li><li class="listitem"><div class="para">
+ トランスポートを録音準備します。
+ </div></li><li class="listitem"><div class="para">
+ トランスポートを開始して、音楽の改訂版のセクションを録音します。
+ </div></li></ol></div>
+ いずれ、必要なものの録音が全部終わって、ミキシングと編集に進むときが来ます。
+ </div></div></div><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Routing_Audio"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Routing_Audio">7.2.9. オーディオのルーティングと <code class="systemitem">JACK</code> 接続の管理</h3></div></div></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> は、セッションを保存するときに、自動的に <code class="systemitem">JACK</code> 接続の状態を保存します。
+ </div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> は、ステレオ設定（２チャンネル）で、以下の出力ポートを提供します：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "track_name/out 1"と "track_name/out 2"という名前の１トラックあたり２つのチャネル。これらは、通常、マスターバスあるいは、サブミキシングバスが使われているときはそこに接続されます。
+ </div></li><li class="listitem"><div class="para">
+ "bus_name/out 1"と "bus_name/out 2"という名前の１バスあたり２つのチャネル。これらは、２レベルのサブミキシングバスが使われているとき以外は、通常、マスターバスに接続されます。
+ </div></li><li class="listitem"><div class="para">
+ "auditioner/out 1"と呼ばれる、試聴者のための２つのチャネル。これは、リージョンを試聴するときに使われるチャネルです。例えば、リージョンをインポートするとき、あるいは、右側の "Regions"ボックスで右クリックして "Audition"を選択したときに使われます。これらはマスターバスに接続されてはいけません。あなたがリージョンを試聴するときに使う出力デバイスに接続してください。
+ </div></li><li class="listitem"><div class="para">
+ "click/out 1"と呼ばれるクリックトラックのための２つのチャネル。録音の時にクリックトラックを演奏するのに使われるチャネルです。これらはマスターバスに接続されてはいけません。クリックトラックに使う出力デバイスに接続してください。
+ </div></li><li class="listitem"><div class="para">
+ "master/out 1"と呼ばれる、マスターバスのための２つのチャネル。マスター出力バスにより使われる出力です。これらは、トランスポートが動くときにあなたがセッションを聞くために使う出力デバイスに接続してください。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> は、ステレオ設定（２チャンネル）で、以下の入力ポートを提供します：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "track_name/in 1"と "track_name/in 2"という名前の１トラックあたり２つのチャネル。これらは、どちらも同じ入力デバイスにつないでください。録音バスを使っているときは、そのバスにつないでください。
+ </div></li><li class="listitem"><div class="para">
+ "bus_name/in 1"と "bus_name/in 2"という名前の１バスあたり２つのチャネル。これらは、あなたがミックスしたいチャネルを全部つなぎます。録音バスを使っているときは、これらは同じ入力デバイスにつないでください。
+ </div></li><li class="listitem"><div class="para">
+ "master/in 1"と呼ばれる、マスターバスのための２つのチャネル。マスターバスにより使われる入力です。これらは、すべてのトラックにつないでください。もし、サブバスミキシングを使っているときは、すべてのトラックは、マスターバスの入力に、直接か、そうでなければサブバスを経由してつながっていなくてはいけません。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ほとんどの状況で、<span class="application"><strong>Ardour</strong></span> はチャネルの接続を自動的に正しく設定します。<span class="application"><strong>Ardour</strong></span> の中から、接続を変える方法はありますが、できることは限られます。このため、ユーザーが <span class="application"><strong>QjackCtl</strong></span> を使って接続をモニタすることをお勧めします。<span class="application"><strong>QjackCtl</strong></span> を使えば、<code class="systemitem">JACK</code> のその他の多くの機能もモニター、変更することができるからです。
+ </div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> を使う人たちにとって、正しい接続の仕方を学ぶことは貴重な技です。<span class="application"><strong>Ardour</strong></span> が <code class="systemitem">JACK</code> をその内部と外部の接続のために使っているという事実のために、以下の技が可能です。以前お話しした録音バス（音源の入力レベルを調整する）、左と右のオーディオチャネルをひっくり返す、そして多くの入力チャネルをまとめて、マルチチャネルオーディオ出力を作成する、などです。他にも技があることは疑うべくもありません。
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio">7.2.10. 既存のオーディオをインポートする</h3></div></div></div><div class="para">
+ オーディオを録音すると、<span class="application"><strong>Ardour</strong></span> は自動的にそれをディスクに保存して、そのファイルのプログラムでの表現を "リージョン "として追加します。既存のオーディオファイルをリージョンとして使うこともでき、それはどのトラックにも付け加えることができます。
+ </div><div class="para">
+ 既存のオーディオファイルをインポートするには：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ インターフェースの右側にあるパネルの "regions"部分をクリックします。
+ </div></li><li class="listitem"><div class="para">
+ ボックスのどこかを右クリックします。
+ </div></li><li class="listitem"><div class="para">
+ "Import to Region List"を選択します。
+ </div></li><li class="listitem"><div class="para">
+ "Add existing audio"ウインドウが開きます。
+ </div></li><li class="listitem"><div class="para">
+ 加えるオーディオファイルを選択するのに、３つの異なるタブを使います：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Browse Files"（ファイルをブラウズします）（以下で説明されています）
+ </div></li><li class="listitem"><div class="para">
+ "Search Tags"（タグを探します）
+ </div></li><li class="listitem"><div class="para">
+ "Search Freesound" ( フリーサウンドを探します )
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ "Browse Files"を使って、加えたいサウンドの場所に行きます。FLAC のようなファイル形式がサポートされていますが、WAV あるいは AIFF ファイルがたぶん、一番よいでしょう。
+ </div></li><li class="listitem"><div class="para">
+ ウインドウの右側に、オーディオファイルのいろいろな情報が表示されます。ウインドウのこの部分でそのファイルをインポートする前に、"試聴 "することもできます。つまり、あなたは自分の現在のプロジェクトに影響を与えることなく、ウインドウの "Play"と "Stop"ボタンを使ってそれを聞くことができます。
+ </div></li><li class="listitem"><div class="para">
+ もし、選択したファイルが、今のプロジェクトと異なるサンプルレートを持っている場合、そのサンプルレートは赤色でハイライト表示されます。それでも選択してインポートすることはできます。そのとき <span class="application"><strong>Ardour</strong></span> は再び警告を出します。今のプロジェクトと異なるサンプルレートのファイルをインポートした場合、それはプロジェクトのサンプルレートで演奏されるので、間違った速度と音程になります。
+ </div></li><li class="listitem"><div class="para">
+ ウインドウの下には、他の多くのオプションが表示されています。
+ </div></li><li class="listitem"><div class="para">
+ ファイルを追加するとき、以下の選択があります：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "as new tracks"の場合、それぞれのファイルはそれ専用のトラックに入り、ノーマルモードに設定され、リージョンリストに加わります。
+ </div></li><li class="listitem"><div class="para">
+ "as new tape tracks"の場合、それぞれのファイルはそれ専用のトラックに入り、テープモードに設定され、リージョンリストに加わります。
+ </div></li><li class="listitem"><div class="para">
+ "to region list"の場合、それぞれのファイルはリージョンリストに入りますが、自動的にどれかのトラックに入ることはありません。
+ </div></li><li class="listitem"><div class="para">
+ 自動的にトラックを作成するように選択した場合、<span class="application"><strong>Ardour</strong></span> は、トランスポートの現在の位置から始まるリージョンを新しいトラックに加えます。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ このリストの他のオプションは、説明はいらないと思います。通常、最高の品質で変換をするのがよいです。なぜならば、品質は後からいつでも（スペースを節約するために）落とすことができるからです。
+ </div></li><li class="listitem"><div class="para">
+ もしトラックを自動的に作成しない選択をした場合、あなたはインポートしたリージョンをセッションで演奏する前にそれをトラックに加えなければいけません。これを行うのは簡単で、右にある "Regions"ボックスからそのリージョンを選んで、トラックにドラッグすればよいです。
+ </div></li></ol></div>
+
+ </div></div></div><div class="section" id="sect-Musicians_Guide-Ardour-Tutorial_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Ardour-Tutorial_Files">7.3. チュートリアルのためのファイル</h2></div></div></div><div class="para">
+ これらのチュートリアルファイルは、Esther Wheaton 作曲の "Here Is How"という歌の最終版を作成するのに必要なものです。その歌は彼女のファーストアルバム "Not Legendary"の一部としてリリースされ、彼女はこの歌の無編集のソースファイルを Creative Commons Attribution-NonCommercial-ShareAlike licence、インターネットでは http://creativecommons.org/licenses/by-nc-sa/3.0/ で得られます、でリリースしました。このアーチストについて詳しくは、<a href="http://www.myspace.com/estherwheaton">http://www.myspace.com/estherwheaton</a> の <em class="citetitle">Esther Wheaton's MySpace Page</em> を参照下さい。
+ </div><div class="para">
+ チュートリアルのファイルは、<span class="application"><strong>Ardour</strong></span> のプロジェクトファイルと、オーディオファイルそのものです。以下の手順で、チュートリアルの準備をしてください。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ Download the <span class="application"><strong>Ardour</strong></span> project folder from <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/Ardour/FMG-HereIsHow.tar.lzma">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/Ardour/FMG-HereIsHow.tar.lzma</a>. Uncompress the file in a directory where you have at least 1 GiB of free disk space.
+ </div></li><li class="step"><div class="para">
+ http://soundcloud.com/fedoraproject/sets/fmg-ardour-tutorial にあるすべてのオーディオファイルをダウンロードします。それらのファイルを、前のステップで作った、Ardour のプロジェクトフォルダのサブディレクトリ、 Interchange/FMG-HereIsHow/audiofiles に置きます。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-Ardour-Editing"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Ardour-Editing">7.4. 曲を編集する（チュートリアル）</h2></div></div></div><div class="para">
+ このセクションは "Here Is How"の基本的な準備について述べます。リージョンをトリムして、タイムラインの上の正しい位置に置くことが中心です。ゴールは、元の曲の複製を作り上げることなので、芸術的な自由度はほとんどありません。
+ </div><div class="para">
+ このセクションを最大に活用するためには、上記のチュートリアルファイルを使ってください。チュートリアルファイルについての指示に従うことで、あなたは本物の曲を作成するために、実際に編集、ミキシング、そしてマスタリングする技術を得られるでしょう。チュートリアルファイルを得る手順は、<a class="xref" href="#sect-Musicians_Guide-Ardour-Tutorial_Files">「チュートリアルのためのファイル」</a> を参照下さい。
+ </div><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Add_Tracks_and_Busses"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Add_Tracks_and_Busses">7.4.1. トラックとバスを追加する</h3></div></div></div><div class="para">
+ ã“ã®ãƒˆãƒ©ãƒƒã‚¯ã‚’録音ã™ã‚‹ã®ã«ä½¿ã‚ã‚ŒãŸãƒ—ãƒã‚°ãƒ©ãƒ ã¯ã€å·¦ã¨å³ã‚’別々ã®ãƒˆãƒ©ãƒƒã‚¯ã«éŒ²éŸ³ã™ã‚‹ã‚ˆã†ã«è¨å®šã•ã‚Œã¦ã„ã¾ã—ãŸã€‚ã“ã®ãŸã‚ã€<span class="application"><strong>Ardour</strong></span> ã‚‚ãã®ã‚ˆã†ã«è¨å®šã•ã‚Œã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚ãã†ã™ã‚‹ã¨ã€ã‚»ãƒƒãƒˆã‚¢ãƒƒãƒ—ãŒé¢å€’ã§ã€ãƒ¡ãƒ¢ãƒªã‚„ CPU パワーもより必è¦ã¨ã—ã¾ã™ãŒã€ã‚¹ãƒ†ãƒ¬ã‚ªã‚¤ãƒ¡ãƒ¼ã‚¸ã¨ãƒ¬ãƒ™ãƒ«ã®ãƒãƒ©ãƒ³ã‚¹ã®åˆ¶å¾¡ã«ã¤ã„ã¦ã¯ã‚ˆã‚Šå®Œå…¨ã¨ãªã‚Šã¾ã™ã€‚ボーカルã€ã‚¯ãƒ©ãƒªãƒãƒƒãƒˆã€ãã—ã¦å¼¦æ¥½å™¨ã«ã¤ã„ã¦ï¼‘トラックをã€ãƒžãƒªãƒ³ãƒã«ã¯ï¼’トラックを使ã„ã¾ã™ã€‚ステレオオーディオã§ã™ã‹ã‚‰ã€å€ã«ãªã£ã¦ã€å…¨éƒ¨ã§ï¼‘ï¼ãƒˆãƒ©ãƒƒã‚¯ãŒå¿…è¦ã§ã™ã€‚ステレオトラックを一緒ã«æ“作ã™ã‚‹ã“ã¨ãŒã§ãã‚‹ã¨ä¾¿åˆ©ãªã®ã§ã€ãã®ãŸã‚ã«ï¼•ã¤ã®ãƒã‚¹ã‚’使ã„ã¾ã™ã€‚ã“ã†ã™ã‚‹ã“ã¨ã§ã€ã‚¹ãƒ†ãƒ¬ã‚ªãƒãƒ£ãƒãƒ«ã®ä¸¡æ–¹ã‚’変更ã™ã‚‹ã“ã¨ã‚‚ã€ç‰‡æ–¹ã ã‘を変æ›
´ã™ã‚‹ã“ã¨ã‚‚ã§ãるよã†ã«ãªã‚Šã¾ã™ã€‚ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ãŒé€²ã‚€ã«é€£ã‚Œã¦ã€ãŠã‚ã‹ã‚Šã«ãªã‚‹ã¨æ€ã„ã¾ã™ã€‚ã“れら全部ã¯ã€<span class="application"><strong>Ardour</strong></span> ã®ä¸ã§è¡Œã‚ã‚Œã¾ã™ã€‚
+ </div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ "master" という名前のマスターバスがすでにあり、すべてのオーディオ出力はこのバスを経由して行われます。
+ </div></li><li class="listitem"><div class="para">
+ ５つの新しいバスを作成します：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ メニューから、'Track > Add Track/Bus' を選択します。
+ </div></li><li class="listitem"><div class="para">
+ ５つのステレオバスを追加するようにオプションを変更します。
+ </div></li><li class="listitem"><div class="para">
+ 'Add'をクリックします。
+ </div></li><li class="listitem"><div class="para">
+ ５つのバスは、キャンバスエリアの、マスターバスの下に、"Bus 1" から "Bus 5" という名前で現れるはずです。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ バスの名前を変更します：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ キャンバスエリアの左端に、それぞれのバスの名前のついたボックスを含むコントロールのあるスペースがあります。
+ </div></li><li class="listitem"><div class="para">
+ バスの名前を変えるには、バスの名前が書かれたボックスの中をマウスで左クリックします。
+ </div></li><li class="listitem"><div class="para">
+ ボックスはテキスト編集ボックスになります。内容を消して、新しい名前を書きます。
+ </div></li><li class="listitem"><div class="para">
+ 新しい名前を入れたら、キーボードで "Enter" を押して、 <span class="application"><strong>Ardour</strong></span> に設定します。
+ </div></li><li class="listitem"><div class="para">
+ ボックスは、テキスト編集ボックスではなくなります。
+ </div></li><li class="listitem"><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Bus-marimba1
+ </div></li><li class="listitem"><div class="para">
+ Bus-marimba2
+ </div></li><li class="listitem"><div class="para">
+ Bus-voice
+ </div></li><li class="listitem"><div class="para">
+ Bus-strings
+ </div></li><li class="listitem"><div class="para">
+ Bus-clarinet
+ </div></li></ul></div>
+
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ １０の新しいトラックを作成する。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ メニューから、'Track > Add Track/Bus' を選択します。
+ </div></li><li class="listitem"><div class="para">
+ １０の、ノーマルモードのモノラルトラックを追加するようにオプションを設定します。
+ </div></li><li class="listitem"><div class="para">
+ 'Add'をクリックします。
+ </div></li><li class="listitem"><div class="para">
+ キャンバスエリアのバスの下に、 "Audio 1" から "Audio 10" という名前のトラックが現れるはずです。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ バスの名前を変えたのと同じように、トラックの名前を変えます。ここのそれぞれのトラックはオーディオチャネルの左か右だけを保持することに注意ください。名前は、左チャネルなら "0" か "L" 、右チャネルなら "1" か "R" を先頭あるいは後尾につけるのがよいでしょう。このような名前になるでしょう：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ marimba1-L
+ </div></li><li class="listitem"><div class="para">
+ marimba1-R
+ </div></li><li class="listitem"><div class="para">
+ marimba2-L
+ </div></li><li class="listitem"><div class="para">
+ marimba2-R
+ </div></li><li class="listitem"><div class="para">
+ voice-L
+ </div></li><li class="listitem"><div class="para">
+ voice-R
+ </div></li><li class="listitem"><div class="para">
+ strings-L
+ </div></li><li class="listitem"><div class="para">
+ strings-R
+ </div></li><li class="listitem"><div class="para">
+ clarinet-L
+ </div></li><li class="listitem"><div class="para">
+ clarinet-R
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 最後にトラックとバスの並び順を変えます。これは厳密には不要で、あなたが最もよいと思う順序を好きに採用ください。例えば、マリンバは、ほとんど曲の間ずっと演奏されるので、一番下に持ってくるのがよいかもしれません。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ キャンバスエリアの右のセッションサイドバーを探します。
+ </div></li><li class="listitem"><div class="para">
+ ５つのタブがあります：Regions, Tracks/Busses, Snapshots, Edit Groups, そして Chunks です。'Tracks/Busses' を選択します。
+ </div></li><li class="listitem"><div class="para">
+ すべてのトラックとバスはリストに表示され、それぞれにキャンバスエリアでそのトラックあるいはバスを表示するかどうかのチェックボックスがあります。これで、バスの名前に "bus" という語をつけるのがよい理由がわかったと思います。
+ </div></li><li class="listitem"><div class="para">
+ トラックとバスの並び順を変えるには、マウスで移動したいトラックあるいはバスの名前をクリックしてドラッグします。
+ </div></li><li class="listitem"><div class="para">
+ トラックあるいはバスのドラッグを始めると、リストに線が現れて、トラックあるいはバスの移動先を示します。リストが見えにくい時は、ドラッグしているトラックあるいはバスを少し横に動かすとよいです。
+ </div></li><li class="listitem"><div class="para">
+ インターフェースでは、トラックあるいはバスを他のトラックあるいはバスの上に重ねられるように見えるかもしれませんが、実はそうではありません。トラックあるいはバスが他のトラックあるいはバスの上に重なるように見えるとき、実際にはリストの上でそのトラックあるいはバスの１つ前に置かれます。
+ </div></li><li class="listitem"><div class="para">
+ 編集するには、バスを、それが制御するトラックの次に置くと便利です。これはいつでも、後から変えることができます。
+ </div></li></ol></div>
+
+ </div></li></ol></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses">7.4.2. トラックとバスを接続する</h3></div></div></div><div class="para">
+ 私たちは、心の中ではバスのシステムを作り上げましたが、まだそれを <span class="application"><strong>Ardour</strong></span> には伝えていません。<span class="application"><strong>QjackCtl</strong></span> でそれを確かめることもできます。すべての追加されたトラックとバスはマスターバスのオーディオ出力につながっています。さらに悪いことに、バスには、入力信号は何もありません。私たちがトラックとバスをどのようにつなぎたいのかを <span class="application"><strong>Ardour</strong></span> に伝えるには、２つのアプローチがあります。これから両方の例をあげます。あなたが、残りを仕上げてください。
+ </div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ トラックとバスをつなぐ１つの方法は、接続の変更が少ない時に適します。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ コントロールの下、トラックのコントロールエリアをクリックして、"marimba1-L" トラックを選択ください。
+ </div></li><li class="listitem"><div class="para">
+ キャンバスエリアの左のエディターミキサーが、トラックの名前と色（たぶん、今の場合、緑）を上の方に表示するはずです。
+ </div></li><li class="listitem"><div class="para">
+ エディターミキサーが見えないときは、メニューから 'View > Show Editor Mixer' をクリックして、チェックをつけます。キーボードから 'Shift + E' を押しても、表示をトグルできます。
+ </div></li><li class="listitem"><div class="para">
+ エディターミキサーが "marimba1-L" トラックのコントロールを表示しているのを確認したら、エディターミキサーの一番下、 'Comments' の上のボタンを見てください。"master" とあるはずです。出力がマスターバスにつながっていることを意味します。これは望むものではありません。 "master" ボタンをクリックします。
+ </div></li><li class="listitem"><div class="para">
+ 'master' ボタンをクリックすると、メニューがポップアップして、別の出力を選べるようになります。このトラックは、 "Bus-marimba1" バスにつなぎたいのですが、リストにはありません。このためメニューから 'Edit' を選択します。
+ </div></li><li class="listitem"><div class="para">
+ コネクションウインドウが現れます。使い方がわかりにくいので、以下に説明します：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 左の、 "Outputs" のラベルのところは、 "out 1" と "out 2" の２つの出力チャネル、それに、それがつながっている先のすべてのもののリストがあります。
+ </div></li><li class="listitem"><div class="para">
+ 'Add' ボタンは、出力チャネルを追加します。信号をステレオバスに出力するので、２つで十分です。
+ </div></li><li class="listitem"><div class="para">
+ 'Remove' ボタンは、出力チャネルを削除します。
+ </div></li><li class="listitem"><div class="para">
+ 'Disconnect All' ボタンは、トラックの出力コネクションをすべて削除します。
+ </div></li><li class="listitem"><div class="para">
+ このリストでコネクションをクリックすると、削除されます。
+ </div></li><li class="listitem"><div class="para">
+ 右側、"Available connections" とラベルのある方には、<code class="systemitem">JACK</code> が提供するすべての入力のリストがあります。
+ </div></li><li class="listitem"><div class="para">
+ <code class="systemitem">JACK</code> 対応のアプリケーションは、それぞれ、タブがあり、その下にコネクションのリストがあります。
+ </div></li><li class="listitem"><div class="para">
+ このリストのコネクションをクリックすると、最後に選択された出力チャネルに、それが加えられます。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 'Disconnect All' ボタンをクリックします。
+ </div></li><li class="listitem"><div class="para">
+ 空の "out 1" リストをクリックします。
+ </div></li><li class="listitem"><div class="para">
+ "Available connections" リストから、"Bus-marimba1/in 1" コネクションをクリックします。それは "out 1" リストに加えられます。
+ </div></li><li class="listitem"><div class="para">
+ 次に、"Bus-marimba1/in 2" コネクションをクリックします。それは、 "out 2" リストに加えられます。
+ </div></li><li class="listitem"><div class="para">
+ コネクションリストの表示が変わって、あなたがコネクションのペアを追加したことを示します。
+ </div></li><li class="listitem"><div class="para">
+ 'Close' をクリックして、コネクションの変更を有効にします。
+ </div></li><li class="listitem"><div class="para">
+ "master" ボタンは、 "Bus-ma" のようになっていることに注意ください。トラックの出力コネクションが変わったためです。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ コネクションを変更するもう１つの方法は、今回必要となるような、大量の変更を行うのに、ずっと高速です。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <span class="guimenu"><strong>Window</strong></span> → <span class="guimenuitem"><strong>Track/Bus Inspector</strong></span> を選択します。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Track/Bus Inspector" ウインドウが現れます。左側にトラックとバスのリストが、右側に４つの情報タブがあります。
+ </div></li><li class="listitem"><div class="para">
+ "Inputs" と "Outputs" タブで、選択されたトラックあるいはバスの入力と出力を見たり設定したりできます。２つの "Redirects" タブは、プラグインの設定を変えるのに使いますが、このチュートリアルでは扱いません。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ リストから "Bus-marimba1" バスを選択してください。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Input" と "Output" タブを見てください。
+ </div></li><li class="listitem"><div class="para">
+ "marimba1-L" トラックが、このバスの入力に接続され、このバスの出力が、 "master" バスの入力に接続されているのを確認ください。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ "marimba1-R" トラックの２つの出力を、このバスの入力リストに加えます。
+ </div></li><li class="listitem"><div class="para">
+ "marimba1-R" トラックの出力を見てください。これは、望むものではありません。マスターバスへの接続を削除ください。
+ </div></li><li class="listitem"><div class="para">
+ 他のトラックも修正して、以下のテーブルが示すような接続になるようにしてください。
+ </div></li><li class="listitem"><div class="para">
+ それぞれのバスの "Input" タブを見て、接続を確認ください。
+ </div></li><li class="listitem"><div class="para">
+ マスターバスの入力には、５つのバスだけがつながっていることを確認ください。
+ </div></li></ol></div>
+
+ </div></li></ol></div>
+
+ </div><div class="figure" id="ardour_connections"><div class="figure-contents"><div class="mediaobject"><img src="./images/FMG-Ardour-Connections.png" width="444" alt="Ardour でのコネクション" /><div class="longdesc"><div class="para">
+ Ardour でのコネクション
+ </div></div></div></div><h6>図7.7 Ardour でのコネクション</h6></div><br class="figure-break" /></div><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks">7.4.3. トラックにリージョンを追加する</h3></div></div></div><div class="para">
+ 次のステップは、トラックにリージョンを追加することです。この時点でリージョンを切り詰めると、後の作業が速くなるのですが、長いリージョン、あるいは休止（ほとんど静かなスペース）をリージョンに持つのは、便利な理由がいくつもあるので、今回はそのままとしましょう。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ セッションサイドバー（キャンバスエリアの右）で、"Regions" タブを選択します。リストには、セッションのすべてのリージョンが含まれます。それぞれのリージョンは、１度だけ表示されます。タイムラインの上で何回、現れようと、あるいは、全く使われなくても、です。
+ </div></li><li class="listitem"><div class="para">
+ キャンバスエリアにリージョンを追加するには、リージョンの名前をクリックして、トラックの上にドラッグするだけです。これをするときにカーソルが変化して、カーソルの垂直線が、タイムラインの上でリージョンが開始する点を示します。
+ </div></li></ol></div>
+
+ </div><div class="para">
+ リージョンの追加は、こんなに簡単！
+ </div><div class="para">
+ ãŠã‚ã‹ã‚Šã‹ã‚‚ã—ã‚Œã¾ã›ã‚“ãŒã€å®Ÿã¯ã¾ã ã‚„ã‚‹ã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚ãã—ã¦ãã‚Œã¯ã€ã“ã®ç‰¹å®šã®ãƒ•ã‚¡ã‚¤ãƒ«ã®æ§‹æˆã«é–¢ä¿‚ãŒã‚ã‚Šã¾ã™ã€‚リージョンリストã«ã¯ã€å¤šãã®ä¼¼ãŸåå‰ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ãŒã‚ã‚‹ã®ã«æ°—ãŒã¤ã‹ã‚Œã‚‹ã§ã—ょã†ã€‚ãã—ã¦ã€åå‰ã®ã»ã¨ã‚“ã©ã¯ã€ç‰¹å®šã®ãƒˆãƒ©ãƒƒã‚¯ã¨ãƒã‚¹ã«å¯¾å¿œã—ã¾ã™ã€‚ファイルã¯ã€ä¸ã«ä½•ãŒã‚ã‚‹ã‹ã‚ã‹ã‚‹ã‚ˆã†ãªåå‰ãŒã¤ã„ã¦ã„ã¾ã™ã€‚番å·ãŒã¤ã„ã¦ã„ã¦ã€è¿½åŠ ã•ã‚Œã‚‹é †åºãŒã‚ã‹ã‚Šã¾ã™ ("Marimba_1" ã®æ¬¡ã¯ã€ "Marimba_2")。ãã—ã¦ã€æœ«å°¾ã® "L" ã‚ã‚‹ã„㯠"R" ã¯ã€ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ãŒå·¦ãƒãƒ£ãƒãƒ«ã‹å³ã‹ã‚’示ã—ã¾ã™ã€‚ã•ã‚‰ã«ã€ "ens-" ã§å§‹ã¾ã‚‹ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¯ã€ "voice" トラックã«å±žã—ã¾ã™ã€‚ ("ens" ã¯ã€ "ensemble" ã®ç•¥ã§ã€ã“ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã«çŸã„ボーカルã®ã‚¢ãƒ³ã‚µãƒ³ãƒ–ルãŒã‚ã‚‹ã“ã¨ã‚’示ã—ã¾ã™ã€‚ã¾ãŸã€ "Voice... " リージョンã«ã¯ã€ï¼‘人ã®æŒæ‰‹ã ã‘ãŒã‚ã‚Šã¾ã
™)。"Here_Is_How" リージョンã¯ã€ "Create_the_Inconceivable" リージョンã®å‰ã«ã‚ã‚Šã¾ã™ã€‚ã“ã®ã‚ˆã†ã«ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’å付ã‘る技術的ãªç†ç”±ã¯ã‚ã‚Šã¾ã›ã‚“。ã“れらã®åå‰ã¯ã€ã‚ãªãŸãŒæ›²ã‚’編集ã—ã¦ãƒŸãƒƒã‚¯ã‚¹ã™ã‚‹ã®ã«ä¾¿åˆ©ãªã‚ˆã†ã«ã¤ã‘られã¾ã—ãŸã€‚今ã®ã¨ã“ã‚ã€ã¾ã "marimba2" トラックã¨ãƒã‚¹ã¯ä½¿ã‚ãªã„ã®ã§ã€ "Marimba_" リージョンã¯ã€å…¨éƒ¨ã€ "marimba1" トラックã«å…¥ã‚Œã¦ãŠãã¾ã™ã€‚
+ </div><div class="para">
+ リージョンを追加するうちに、あなたは <span class="application"><strong>Ardour</strong></span> でリージョンを操作することについて多くを学ぶでしょう。以下は、ためになるヒントです：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ すべてのトラックを見るには、マウスのスクロールホイール（それがあれば）を使って、垂直にスクロールしましょう。
+ </div></li><li class="listitem"><div class="para">
+ キーボードで 'Ctrl' ボタンを押したままにして、マウスのスクロールホイールを使えば、キャンバスウインドウで見ることのできる時間を調整できます。
+ </div></li><li class="listitem"><div class="para">
+ キーボードで 'Alt' ボタンを押したままにして、マウスのスクロールホイールを使えば、横にスクロールして、タイムラインを移動できます。
+ </div></li><li class="listitem"><div class="para">
+ リージョンを置いた後も、キャンバスエリアの中でそれをどこへでも動かすことができます。"Select/Move Objects" ツールを使ってください。トランスポートコントロールの下、ツールバーの中で、指さす手のアイコンをクリックします。
+ </div></li><li class="listitem"><div class="para">
+ リージョンを動かすときは、色のついたバーの上の大きなエリアをクリックしてドラッグするように注意ください。リージョンの下の方の色のついたバーをクリックすると、リージョンの大きさを短くしてしまいます。
+ </div></li><li class="listitem"><div class="para">
+ このようにトラックを追加しているときは、それらが完全に同期されていることは重要ではありません。しかし、トラックの開始を他のトラックに自動的にそろえる "magnetic" スナップ機能を使うこともできます。リージョンをゆっくりドラッグすると、開始点が他のリージョンに近づくと、（キャンバスエリアの垂直線で示されます）リージョンはそれに "stick" くっつく、ように見えます。終わったら、その機能を無効にします。
+ </div></li><li class="listitem"><div class="para">
+ とりあえず、今は不正確でもよいので、リージョンを適当なトラックに、できるだけつめて、オーバラップしないように入れます。
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size">7.4.4. リージョンの大きさを切り詰める</h3></div></div></div><div class="para">
+ さて、リージョンの大きさを切り詰める準備ができました。本来録音対象とした部分の前と後にある、ほとんど静かなスペースを削除すします。特別ケースがいくつかあるので、まず、最初に、リージョンにこれを行うための一般的な説明をします。つぎに、それぞれのリージョンについて、具体的な説明をします。
+ </div><div class="para">
+ クラリネットから始めましょう：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ まず、クラリネットバスを "solo" モードにします。バスのコントロールスペースで、 's' ボタンを押してください。これで、クラリネットバスだけが聞こえるようになります。
+ </div></li><li class="listitem"><div class="para">
+ 最初のクラリネットリージョンを聞きます。キーボードで "Home" を押して、トランスポートの再生ヘッドを最初に位置づけ、スペースキーを押して、トランスポートを開始します。
+ </div></li><li class="listitem"><div class="para">
+ クラリネットが演奏を始める前に、２０秒くらいのほとんど静かな部分があります。注意して聞くと、部屋の音や、誰かが小節数を数えている声が聞こえます。
+ </div></li><li class="listitem"><div class="para">
+ チャネルが同期していないときには、タイムラインの上で位置を調整する必要があります。リージョンをドラッグするときに現れる黄色い時計を使います。それは、２つめの時計と同じ単位に設定されていて、ファイルの最初からの時間を示します。次のステップに進む前に、同期させるのが重要です！
+ </div></li><li class="listitem"><div class="para">
+ "L" あるいは "R" リージョンを選択します。エディットグループを使っているときは、どちらを選択してもかまいません。<span class="application"><strong>Ardour</strong></span> は ２つのトラックのリージョンが、"group equivalent" 同じグループ、であることを知っているからです。（つまり、それらは基本的には同じもので、たぶん、同じ所に属するはずだと）
+ </div></li><li class="listitem"><div class="para">
+ クラリネットが開始する点の近くの、リージョンの色のついたバーをマウスでクリックします。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> は、 <span class="emphasis"><em>両方のトラック</em></span>で自動的にリージョンの開始点を移動します。
+ </div></li><li class="listitem"><div class="para">
+ 再生ヘッドを位置づけたい先の点のルーラーをクリックして、再生ヘッドを動かし、重要なオーディオを切り取ったりしないように、リージョンの部分をよく聞いてみます。
+ </div></li><li class="listitem"><div class="para">
+ リージョンの開始点を変更するには、注意深くマウスカーソルをリージョンの開始点の色のついたバーに移動します。カーソルは、左右の両側に矢印のついた形に変わります。間違って大切なクラリネットのサウンドの一部を削除してしまっても、それはそのままだとわかるでしょう。実際、このようにリージョンをトリミングするうえでのありがたいことは、それが「非破壊的」つまり、完全なオリジナルのリージョンがそのままあることです。
+ </div></li><li class="listitem"><div class="para">
+ 最åˆã®å¤‰æ›´ã‚’ã—ãŸæ™‚ã€<span class="application"><strong>Ardour</strong></span> ã¯ã‚»ãƒƒã‚·ãƒ§ãƒ³ã‚µã‚¤ãƒ‰ãƒãƒ¼ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ãƒªã‚¹ãƒˆã«ã‚るリージョンåã®éš£ã«ã€çŸ¢å°ã‚’ã¤ã‘ãŸã“ã¨ã«æ³¨æ„ãã ã•ã„。ãã®çŸ¢å°ã‚’クリックã™ã‚‹ã¨ã€ä¸‹ã«ã€åŒã˜ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã®ã‚‚ã†ã²ã¨ã¤ã®ã€ç™½è‰²ã®ã‚³ãƒ”ーãŒã‚ã‚‹ã“ã¨ãŒã‚ã‹ã‚Šã¾ã™ã€‚<span class="application"><strong>Ardour</strong></span> ã¯ã€ç™½è‰²ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¯ã€é’ã„リージョンã®å¤‰æ›´ã ã¨ã„ã†ã“ã¨ã‚’示ã—ã¾ã™ã€‚白ã„リージョンをã‚ャンãƒã‚¹ã‚¨ãƒªã‚¢ã«ãƒ‰ãƒ©ãƒƒã‚°ã™ã‚‹ã¨ã€ã‚ãªãŸãŒå¤‰æ›´ã—ãŸãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¨åŒã˜æ‰€ã‹ã‚‰é–‹å§‹ã™ã‚‹ã®ãŒã‚ã‹ã‚Šã¾ã™ã€‚å…ƒã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¨åŒã˜å¤§ãã•ã«å¼•ã伸ã°ã™ã“ã¨ã‚‚ã§ãã€ãã†ã™ã‚‹ã¨ã‚ªãƒªã‚¸ãƒŠãƒ«ã®ã‚‚ã†ã²ã¨ã¤ã®å¤‰æ›´ã•ã‚ŒãŸãƒãƒ¼ã‚¸ãƒ§ãƒ³ãŒä½œã‚‰ã‚Œã¾ã™ã€‚<span class="application"><strong>Ardour</strong></span> ã¯ã€ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã®è¤‡æ•°ã®ã‚³ãƒ”ã
ƒ¼ã‚’ä¿å˜ã—ã¦ã„るよã†ã«è¦‹ãˆã¾ã™ãŒã€å®Ÿéš›ã«ã¯ï¼‘ã¤ã ã‘ã‚’ä¿å˜ã—ã¦ãŠã‚Šã€ãŸãã•ã‚“ã‚るよã†ã«è¦‹ãˆã‚‹ãŸã‚ã«å¿…è¦ãªæƒ…å ±ã‚’åˆ¥ã«ä¿å˜ã—ã¦ã„ã‚‹ã®ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ リージョンの終点を変更して、クラリネットの後の長すぎる静寂を取り除きます。このとき、クラリネットを切り取ってしまわないように特別に注意してください。クラリネットは、リージョンの終わりではとても小さい音になります。切り取るものはそれほどありません！リージョンの終点を変更するとき、色のついたバーをクリックすることはできないことに注意してください。クリックアンドドラッグしないといけません。
+ </div></li></ol></div>
+
+ </div><div class="para">
+ 以下は、その他のリージョンを編集するための指示です。リージョンを切り詰めるとき、セッションの最初に向けて移動させるのがよいでしょう。別のトラックに行く時には、「ソロモード」にあるバスを変更するのを忘れないでください。さもないと、編集しようとするトラックを聞くことができません。また、リージョンのいくつかには、同じか、ほとんど同じ音楽が入っていることに気がつくかもしれません。それについては、後で説明します。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Clarinet
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Clarinet_2:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 開始時に音が入りますが、不要です。削除します。その後の静寂も含めて。
+ </div></li><li class="listitem"><div class="para">
+ 終点には長い静寂がありますから、削除します。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Clarinet_3, Clarinet_4: 最初と最後の静寂は削除しますが、途中の静寂は残してください。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Strings:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Strings_1: 開始時にぶつぶついうノイズが入ります。そのままにしても、削除してもよいです。Esther はそのままにする方を選んだので、私もそうしましょう。
+ </div></li><li class="listitem"><div class="para">
+ Strings_2, 3, 4: 開始時に静寂、終了時にはほんの少し。会話は削除しても、後で対策してもよいです。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Voice:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Voice_1, 2, 3, 4: 最初と最後の静寂を単純に除きます。失敗はそのままにしておきます。後で、対策します。
+ </div></li><li class="listitem"><div class="para">
+ ens-Here_Is_How-1, 2, 3: 今のところ、すべての余分なノイズを除くのは大変むつかしいため、そのままとします。breating と shuffling は後で削除できます。訳注：breath, snuff 息と鼻をかむ音？
+ </div></li><li class="listitem"><div class="para">
+ ens-Create_the_Inconceivable: とりあえず、両方のテイクをそのままとします。後で、どっちを採用するか決めます。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Marimba:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Marimba_1: このリージョンの最初を切り詰めないでください。セッションの開始時刻として使います。終端の静寂を削除してもよいですが、マリンバがまだ鳴っているときに切り取ってしまわないように注意してください。
+ </div></li><li class="listitem"><div class="para">
+ Marimba_2, 3, 4, 5, 6, 7: まわりの静寂を削除してもよいです。マリンバがまだ鳴っているときに切り取ってしまわないように注意してください。ボリュームを上げてよく聞く必要があるでしょう。
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div><div class="para">
+ さて、本当に必要なオーディオ部分のまわりの静寂を、だいたい、取り終わったので、正しい順序に並べるのが簡単になりました。
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings">7.4.5. 同じものの複数の録音を比較する</h3></div></div></div><div class="para">
+ DAW を使った録音のパワーの１つは、同じものを何度でも録音できることです。このようなミキシングとマッチングを使えば、ある音楽の部分の「パーフェクト」な演奏を作り上げることができます。このファイルのいくつかのリージョンは同じものの複数のテイクです。片方が、もう片方より、どう見ても優れていると言えるときも、個人的な好みによって決めるしかないときもあります。このセクションでは、オーディオの部分を比較して優れた方を選択するという目的のために、さらにオーディオを切り刻むのに使うテクニックを説明します。ただ、まだすべての選択がなされる訳ではありません。
+ </div><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_1_and_2"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_1_and_2">7.4.5.1. Clarinet_1 と Clarinet_2 リージョン</h4></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Clarinet_1 と Clarinet_2 リージョンを聞きます。同じ曲で、ほとんど等しいです。なので、まだ、どっちを使うか決めるのは早すぎます。しかし、同じだとわかるようにラベルを付けておきましょう。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ セッションツールバーのリージョンリストから、青色の名前の左にある三角を左クリックして、"Clarinet_1--L" リージョンを選択します。白い名前が現れますから、それを１度左クリックします。白いリージョンは、元の（青い）リージョンの空のエリアを削除した時に作成されたものです。
+ </div></li><li class="listitem"><div class="para">
+ もう一度、白い名前をクリックすると、テキストボックスが現れます。
+ </div></li><li class="listitem"><div class="para">
+ テキストボックスを、 "Clarinet_1A--L" に変更します。
+ </div></li><li class="listitem"><div class="para">
+ キーボードで 'Enter' を押して、名前を設定します。
+ </div></li><li class="listitem"><div class="para">
+ 以下のリージョンの名前をこのように変更します：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Clarinet_1--R" は "Clarinet_1A--R" に。
+ </div></li><li class="listitem"><div class="para">
+ "Clarinet_2--L" は "Clarinet_1B--L" に。
+ </div></li><li class="listitem"><div class="para">
+ "Clarinet_2--R"は "Clarinet_1B--R" に。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Clarinet_1 と Clarinet_2 は同じ音楽の素材なので、それを示す名前にしました。Clarinet_1 の２つのバージョン、 "A" と "B" です。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ ここで、名前付けの矛盾が発生します。青色のリージョンは、まだ元の名前を使っており、キャンバスエリアには "Clarinet_2" というリージョンはありません！これが気になるようなら、他のリージョンの名前を正しく変更してください。
+ </div></li></ol></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_3_and_4"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_3_and_4">7.4.5.2. Clarinet_3 と Clarinet_4 リージョン</h4></div></div></div><div class="para">
+ Clarinet_3 と Clarinet_4 リージョンを聞きます。Clarinet_4 は、最初、 Clarinet_3 にあるのと同じ演奏で始まり、 Clarinet_1A と Clarinet_1B にあるのと同じ演奏で終わります。まず、 "Clarinet_3" リージョンの名前を "Clarinet_3A" と変え、 "Clarinet_4" リージョンを "Clarinet_3B" とします。次に、Clarinet_3B リージョンから、 Clarinet_1 のような部分を抜き出します。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ トランスポートツールバーから、垂直線に挟まれた両方向矢印のように見える、 "Select/Move Ranges" ツールを選択します。
+ </div></li><li class="listitem"><div class="para">
+ カーソルがテキスト編集のときの "I" の形に変わります。
+ </div></li><li class="listitem"><div class="para">
+ "Clarinet_3B" の終わりにスクロールして、"Clarinet_1" リージョンと同じように聞こえる部分が見えるようにします。
+ </div></li><li class="listitem"><div class="para">
+ どちらかのトラックの中で、"Clarinet_1" のように見えるリージョンの上でクリックアンドドラッグして、それを選択します。
+ </div></li><li class="listitem"><div class="para">
+ エディットグループのため、<span class="application"><strong>Ardour</strong></span> は、自動的に両方のトラックで同じエリアを選択します。
+ </div></li><li class="listitem"><div class="para">
+ "Clarinet_1" に似た部分をすべて選択したのを確認するため、範囲を選択したらそれを右クリックして、メニューから 'Play Range' を選択します。
+ </div></li><li class="listitem"><div class="para">
+ 選択した範囲を変更したい時は、範囲選択ボックスの上の角にある暗い色の四角を使います。このボックスの１つにカーソルを置くと、両方向の矢印に変わります。
+ </div></li><li class="listitem"><div class="para">
+ さあ、その範囲から新しいリージョンを作成しましょう。選択した範囲を右クリックして、メニューから 'Bounce range to region list' を選択します。
+ </div></li><li class="listitem"><div class="para">
+ その範囲は独立したリージョンとなり、リージョンリストに "clarinet-L-0-bounce-1" のような名前で現れます。使いにくいので、"Clarinet_1C--L" と "Clarinet_1C--R" とリージョンの名前を変えます。新しいリージョンは、白色であることに注意してください。
+ </div></li><li class="listitem"><div class="para">
+ 範囲ツールはもう使いません。次はトランスポートツールバーの下、範囲ツールの左にある、手の形のアイコンの "Select/Move Objects" ツールを選択します。
+ </div></li><li class="listitem"><div class="para">
+ 選択した範囲は、もう、選択されなくなります。 "Clarinet_3B" リージョンの最後を、今、リージョンリストに入れたものの後、その前の静寂に近いところまで、切り詰めます。
+ </div></li><li class="listitem"><div class="para">
+ 次に "Clarinet_3" リージョンを後ろに動かして、新しく作成された "Clarinet_1C" リージョンを入れる場所を作りましょう。
+ </div></li><li class="listitem"><div class="para">
+ 新しい "Clarinet_1C" リージョンを、キャンバスエリアの他の "Clarinet_1" の後にドラッグします。他のリージョンの間隔を調整してもよいです。
+ </div></li></ol></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings_1"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings_1">7.4.5.3. Strings_1 リージョン</h4></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ これらのリージョンは、誤って録音されたぶつぶついうノイズで始まります。そのままにするならば、ノイズをリージョンリストに入れれば、その後に続く弦楽器とは別に独立して制御することができます。
+ </div></li><li class="listitem"><div class="para">
+ 新しいリージョンは、 "strings-L-0-bounce-1" とでも名付ければよいでしょうか。私は、この音は、録音スタジオの上の階で椅子を床の上で動かす音だと知っているので、 "Chairs--L" と "Chairs--R" というリージョン名をつけました。
+ </div></li><li class="listitem"><div class="para">
+ そして、 Strings_1 リージョンから椅子のノイズを除きましょう。
+ </div></li><li class="listitem"><div class="para">
+ marimba2 トラックはまだ使っていないので、椅子のリージョンをそこに置くことができます。今はとりあえず、あることを忘れないために。
+ </div></li><li class="listitem"><div class="para">
+ Strings_1 リージョンを聞きます。椅子のノイズはリージョンの間じゅう続いていることがわかります。後で削除しましょう。
+ </div></li><li class="listitem"><div class="para">
+ あなたが注意深く歌を聞くか、あるいは、 "Here Is How" の楽譜を持っていなければ気がつかれないでしょうから、教えてあげますが、演奏家はこのリージョンの終わり付近でミスをしました。バイオリン奏者が、そのすぐ後で、 "sorry" と言っているのはこのためです。
+ </div></li><li class="listitem"><div class="para">
+ 誤りを除かないといけないので、トラックの終わりを調整して、約６秒、短くします。キャンバスビューで、リージョンの最後を、最後から２つめの "blob" の前にします。
+ </div></li></ol></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings">7.4.5.4. 弦楽器リージョン</h4></div></div></div><div class="para">
+ これらの４つのリージョンは、すべて、関連していて、内容もオーバラップしています。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Strings_2 は、 Strings_1 と同じ演奏のほとんどを含み、少し長いです。そこには、椅子のノイズはありません。しかし、最初の１分２０秒（１：２０）のあたりに、演奏ミスがあるので、終わりの方は使うことができません。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 最後の３２秒程度を切り詰めます。
+ </div></li><li class="listitem"><div class="para">
+ このリージョンを、 "Strings_1B" という名前に変えます。
+ </div></li><li class="listitem"><div class="para">
+ 1B と合うように、 "Strings_1" リージョンの名前を "Strings_1A" と変えます。
+ </div></li><li class="listitem"><div class="para">
+ 後で、どっちのリージョンを使うか決めます。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Strings_3 も同じ演奏なので、 "Strings_1C" という名前に変えます。
+ </div></li><li class="listitem"><div class="para">
+ Strings_4 は、 Strings_1A が失敗したところから始まって、そこから続きます。今は、このままとしましょう。
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Voice"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Voice">7.4.5.5. ボイスリージョン</h4></div></div></div><div class="para">
+ これらのリージョンはいくらかのオーバラップがありますが、見分けるのはわりと簡単です。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Voice_1 には、２つのオーディオのチャンクがあります。最初のは良いですが、２つめは歌手の問題でクリアーでないため、これは使わないことにしましょう。
+ </div></li><li class="listitem"><div class="para">
+ Voice_2 には、 Voice_1で録音が失敗していた２つめのオーディオのチャンクが入っています。 Voice_2 においても、彼女は少し問題を抱えているようです。今、それを直しましょう。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Voice_1 リージョンを切り詰めて、オーディオの２つめのチャンクと、その前の静寂に近い部分を除きます。
+ </div></li><li class="listitem"><div class="para">
+ Voice_2 リージョンの対策の１つの手は単純にリージョンの最初の部分を切り取ってしまうことです。"I have your flax-" という歌詞と静寂がある部分です。
+ </div></li><li class="listitem"><div class="para">
+ 歌手が、２回目に "I have your flax-" と歌うところは、少し急いで聞こえます。それで、１番目の "I have your flax-" と、続く "golden tails to ... " をくっつけることにしました。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ "Select/Move Ranges" ツールを使って、歌手が最初に "I have your flax-" と歌う部分を選択します。 "flax" という語が全部入るように、そしてその後の静寂が入らないように、注意します。
+ </div></li><li class="listitem"><div class="para">
+ トランスポートのループ機能を使って、正しい範囲を選択したことを確認します。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 範囲を選択して、右クリックし、 'loop range' を選択します。
+ </div></li><li class="listitem"><div class="para">
+ 直したい時は、トランスポートを止め、範囲を調整します。
+ </div></li><li class="listitem"><div class="para">
+ もう一度聞くには、範囲を右クリックして、 'loop range' を選択します。
+ </div></li><li class="listitem"><div class="para">
+ 範囲を十分細かく調整するために、ズームインした方がよいかもしれません。キーボードで 'Ctrl' キーを押したまま、スクロールホイールを使ってズームインします。
+ </div></li><li class="listitem"><div class="para">
+ ループ機能を使い終わったら、タイムラインからループマーカーを除きます。 "Loop" と、書いてある、緑色の三角印です。三角の上にカーソルを置くと色が変わるので、キーボードで 'Delete' ボタンを押します。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 選択した範囲がそれでよければ、範囲を右クリックして、メニューから 'Consolidate range' を選択します。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> は、あなたが選択した範囲からリージョンを作ってそこに置きます。さらに、新しいリージョンの前と後ろのスペースも別リージョンとして分割するため、多くの小さいリージョンができることになります。すべては、セッションツールバーのリージョンリスト、青色の "Voice_2--L" と "Voice_2--R" リージョンの下に、わかりやすいようにまとめられます。
+ </div></li><li class="listitem"><div class="para">
+ オリジナルの Voice_2 リージョンの残りを切り詰めて、それが "golden" で始まって、前の語（"flax-"）を含まないようにします。範囲ツールを使う必要はありませんが、使ってもよいです。
+ </div></li><li class="listitem"><div class="para">
+ 次に、２つのリージョンをくっつけて、 "I have your flax-golden tails to... " と聞こえるようにします。
+ </div></li><li class="listitem"><div class="para">
+ この方法は、完全とは言えませんが、単に、 Voice_2 リージョンの先頭を切り詰めてもなんとかなります。
+ </div></li><li class="listitem"><div class="para">
+ 両方のリージョンを同時に動かすのを忘れないことが大事です。誤ってバラバラになっても、元の通りに戻すのは簡単です。
+ </div></li></ol></div>
+
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Voice_3 は２つのオーディオのチャンクがあります。今は、そのままにしましょう。
+ </div></li><li class="listitem"><div class="para">
+ Voice_4 には Voice_3 と同じ２つのオーディオのチャンクがありますが、さらに続いて、他のものも含まれます。この２つのチャンクについて、 Voice_3 か Voice_4 のどちらを使うか、まだ決められないので、両方のリージョンに残すことにします。
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Here_Is_How"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Here_Is_How">7.4.5.6. ens-Here_Is_How リージョン</h4></div></div></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ens-Here_Is_How-1 は、似たオーディオの２つのチャンクがあります。どちらも正しいです。
+ </div></li><li class="listitem"><div class="para">
+ ens-Here_Is_How-2 は、似たオーディオの２つのチャンクがあります。ens-Here_Is_How-1 とは異なります。２つめのチャンクは、音程がおかしいです。２つのチャンクの間のタイミングは正しいです。
+ </div></li><li class="listitem"><div class="para">
+ ens-Here_Is_How-3 には、 ens-Here_Is_How-2 のオーディオの２つめのチャンクの正しい音程のものがあります。ens-Here_Is_How-2 の正しいタイミングを維持したいので、 ens-Here_Is_How-3 を ens-Here_Is_How-2 のちょうど上にドラッグします。２つのリージョンを並べて、３の波形ができるだけ２の波形をカバーするように調整します。これらのリージョンは、一緒に移動するように注意ください。
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Create_the_Inconceivable"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Create_the_Inconceivable">7.4.5.7. ens-Create_the_Inconceivable リージョン</h4></div></div></div><div class="para">
+ このリージョンには、同じ曲の２つのテイクがあります。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 両方を聞いて、どちらが好きか決めます。あなたの好みの問題です。後から、選択を逆にすることもできます。 <span class="application"><strong>Ardour</strong></span> は、リージョンを切り詰めるときに削除されたものを本当に消してしまうわけではないためです。
+ </div></li><li class="listitem"><div class="para">
+ 範囲ツールを使って、あなたが好きな方のテイクを含む範囲を選択します。
+ </div></li><li class="listitem"><div class="para">
+ トランスポートのループ機能を使って、正しい範囲を選択したことを確認するのもよいでしょう。
+ </div></li><li class="listitem"><div class="para">
+ 範囲を右クリックして、 'Crop region to range' を選択します。自動的に、リージョンを切り詰めてくれます。
+ </div></li></ol></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Marimba"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Marimba">7.4.5.8. マリンバリージョン</h4></div></div></div><div class="para">
+ マリンバリージョンは、調整が不要です。
+ </div></div></div><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Arrange"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Arrange">7.4.6. リージョンを正しい場所に並べる</h3></div></div></div><div class="para">
+ マリンバを並べることから始めましょう。それは曲のほとんどにわたって、比較的一定のリズムを演奏するからです。このようなものから始めるのはよい考えで、他のトラックとリージョンを、それに関連させることができるからです。
+ </div><div class="para">
+ ここでの時間はすべて、分と秒で示されます。チュートリアルのファイルはデフォルトでこの単位を使うように設定されています。しかし、あなたがそれを変更したなら、それを覚えておく必要があります。また、私は、 "Marimba_1" リージョンを切り詰めたりはしておらず、それは "marimba1" トラックの 00:00:00.000 から開始します。もしあなたがこのリージョンを変更したなら、元の大きさに戻しておくことをおすすめします。
+ </div><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba">7.4.6.1. マリンバリージョンから始める</h4></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ "Marimba_1" リージョンを切り詰めたりしてないことと、それが 00:00:00.000 から開始することを確かめたら、その場でロックしましょう。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ リージョンを右クリックして、 'Selected regions' メニューに行って、メニューから 'Lock' をクリックします。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> が、キャンバスエリアで、 > と < を、名前のまわりにつけることに注意ください。
+ </div></li><li class="listitem"><div class="para">
+ また、そのリージョンを、 "Select/Move Objects" ツールで動かすことができなくなっていることにも注意ください。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ さて、それが開始する正確な時刻を示すためにマーカーを置きます。セッションが始まってから６秒です。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 適当にズームインして、６秒のマークがルーラーの上でどこに行くかわかるようにしてください。（今すぐに、見える必要はありません。）キーボードで 'Ctrl' ボタンを押したままにして、マウスのスクロールホイールを使ってズームインして下さい。あるいは、キーボードの '=' でズームイン、 '-' でズームアウトすることもできます。
+ </div></li><li class="listitem"><div class="para">
+ カーソルを６秒のマークの近くに移動します。（繰り返しますが、まだ、正確である必要はありません。）"Location Markers" 行を右クリックして、メニューから 'New location marker' を選択します。
+ </div></li><li class="listitem"><div class="para">
+ 黄緑色の矢印が現れますから、クリックアンドドラッグして、黄色の時計が 00:00:06.000 ちょうど６秒を指すようにして、マウスを離します。
+ </div></li><li class="listitem"><div class="para">
+ カーソルをマーカーの上に移動すると、黄緑色から、赤褐色（コーラル）になります。右クリックして、メニューから 'Lock' を選び、マーカーが誤って動かないようにします。
+ </div></li><li class="listitem"><div class="para">
+ カーソルをマーカーの上に置いて、もう一度、右クリックします。メニューから 'Rename' を選択します。
+ </div></li><li class="listitem"><div class="para">
+ 小さいウインドウが現れます。マーカーの名前を "marimba-start" と書いて、 'Rename' をクリックして新しい名前を設定します。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ タイムラインの上でのリージョンの位置の調整を、とても正確に行う必要があるので、別の "Snap/Grid Mode" を使う必要があります。それぞれの設定は、異なる種類の作業に適しています。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ キャンバスエリアの上のツールバーを使って、モードを変更します。ポップダウンメニューは、"Magnetic" つまり、現在 "Magnetic Snapping Mode" にあることを示しているかもしれません。その他に、 "No Grid" と "Grid" があるはずです。
+ </div></li><li class="listitem"><div class="para">
+ No Grid: このモードは、ユーザーがリージョンを置く場所を完全にコントロールすることができます。私たちがやろうとしているような、とても正確な配置に適します。
+ </div></li><li class="listitem"><div class="para">
+ Grid: このモードは、ユーザーがリージョンを、グリッド線の上で始まるように置くことしか許しません。あなたが変更してないならば、グリッドは２秒に設定されているはずですから、リージョンは２秒間隔以外のところから開始することはできません。<span class="application"><strong>Ardour</strong></span> は、リージョンを奇数秒で始めたり、その間のどこかで始まるように配置することを許しません。
+ </div></li><li class="listitem"><div class="para">
+ Magnetic: このモードは、リージョンをどこに置いてもよいです。しかし、リージョンの開始点がグリッド線（このセッションでは偶数秒）の近くにあるときには、開始点は、自動的にその地点に「くっつき」ます。リージョンの開始点が、グリッド線に、磁石で引き寄せられるようにふるまいます。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ snap/grid モードを "No Grid" にする
+ </div></li><li class="listitem"><div class="para">
+ "Marimba_2" リージョンを動かして、 "marimba2" トラックに入れ、 "Marimba_2" のサウンドがタイムラインの約１５秒の (00:00:15.000) ところで始まるようにします。椅子を引きずる音をそのままにするならば、じゃまにならないところに置きましょう。"strings" トラックの "Strings" リージョンの前に移動します。
+ </div></li><li class="listitem"><div class="para">
+ "marimba1" と "marimba2" バスが聞こえるように、それらが両方ともソロモードであるのを確認します。
+ </div></li><li class="listitem"><div class="para">
+ さて、むつかしい仕事です。２つのトラックを並べて、一緒に始まるようにしなければいけません。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Marimba_2" リージョンのサウンドは、 "Marimba_1" トラックの２つめのパターン、タイムラインで約１５秒のところ、と同時に開始しなければいけません。
+ </div></li><li class="listitem"><div class="para">
+ リージョンの波形をよく見るために、ズームインする必要があります。もっと重要なことは、ズームインすれば、リージョンの配置をより細かく調整できます。
+ </div></li><li class="listitem"><div class="para">
+ 範囲を選択して、トランスポートのループモードを使うとよいでしょう。２つのリージョンの開始点を何度も聞いて、それらがきちんと並んでいるのを確認下さい。
+ </div></li><li class="listitem"><div class="para">
+ だいたい良いのだが、きっちり一緒と言えないと感じたときは、一度ずっと遠くに動かして、聞いて、そして、また近づけましょう。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ このパターンの最初の何秒かを整列させても、いずれ、同期が取れなくなるでしょう。それはかまいません。最初が、最も気になる部分です。リスナーが２つの同時演奏されるマリンバトラックのサウンドに慣れてきた頃、そんなに細かい注意をはらうことはなくなります。さらに、マリンバトラックが同期が取れなくなる頃には、リスナーは歌詞に注意が行っていることでしょう。
+ </div></li><li class="listitem"><div class="para">
+ "Marimba_2" リージョンのロックを忘れないように！
+ </div></li><li class="listitem"><div class="para">
+ リージョンの残りを一緒に聞いてみます。00:02:20.000 頃の、リージョンの終わりは、あなたが開始を正しく並べたならば、こちらも並んでいるはずです。高音と低音のマリンバが交代します。
+ </div></li><li class="listitem"><div class="para">
+ "Marimba_3" リージョンを、"marimba1" トラックの約 00:03:20.000 に開始するように移動します。最終的な配置は後で決めます。
+ </div></li><li class="listitem"><div class="para">
+ "Marimba_4" リージョンを、"Marimba_3" リージョンとだいたい同じ時刻に始まるように、こちらは、 "marimba2" トラックに、移動します。最終的な配置は後で決めます。
+ </div></li></ol></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Voice"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Voice">7.4.6.2. ボイスリージョンの続き</h4></div></div></div><div class="para">
+ このセクションのあいだじゅう、配置が決まっていないリージョンを、他の整列処理にじゃまにならないようにどけることが必要になるでしょう。リージョンを正しい位置に置いたら、ロックするのを忘れないでください。後から、アンロックして、並べ直すこともできます。また、マーカー（前に使った "marimba-start" マーカーのように）を、それぞれのリージョンの開始点に置くと良いでしょう。マーカーを置けば、それをクリックして、青色のプレースマーカーラインを動かすことができます。こうすれば、リージョンの中のサウンドの開始点を好きなところに揃えて並べるのが簡単です。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ "voice" バスで、 "solo" モードを有効にして、マリンババスと一緒に聞けるようにします。
+ </div></li><li class="listitem"><div class="para">
+ "Voice_1" リージョンを動かして、歌手が高音のマリンバとほぼ同じに開始するようにします。
+ </div></li><li class="listitem"><div class="para">
+ "Voice_2" リージョンを動かして、歌手が、約 <code class="literal">00:00:48.00</code> に開始するようにします。
+ </div></li><li class="listitem"><div class="para">
+ "ens-Here_Is_How-1" リージョンを動かして、約 <code class="literal">00:01:33.300</code> に歌い出すようにします。
+ </div></li><li class="listitem"><div class="para">
+ "ens-Here_Is_How-2" (と、結合された "ens-Here_Is_How-3" も) リージョンを動かして、約 <code class="literal">00:02:11.500</code> に歌い出すようにします。
+ </div></li><li class="listitem"><div class="para">
+ "Voice_3" と "Voice_4" をよく聞くと、"Voice_4" で歌手が歌詞を抜かした ("plan <span class="emphasis"><em>in</em></span> you spider's ear") のに気がつくでしょう。 "Voice_3" には、 "Voice_4" の２つめのパートが含まれないので、 "Voice_4" リージョンを切り詰めて、両方を使う必要があります。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 歌手は、 "Voice_3" の約 <code class="literal">00:02:24.500</code> に開始するようにします。
+ </div></li><li class="listitem"><div class="para">
+ 歌手は、"Voice_4" の、約 <code class="literal">00:02:43.000</code> に、 "and here is how" と歌い始めるようにします。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ "ens-Create_the_Inconceivable" リージョンを動かして、約 <code class="literal">00:02:59.000</code> に開始するようにします。
+ </div></li></ol></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba_at_End"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba_at_End">7.4.6.3. マリンバの終わりをそろえる</h4></div></div></div><div class="para">
+ すべての歌手のリージョンを、ほぼ並べ終わったので、最後のマリンバのパッセージをどこに置くかを考えましょう。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ "ens-Create_the_Inconceivable" リージョンを聞きます。マリンバの終了リージョンを、最高音の歌手が "if you know what I mean" と歌った後、"mean" という語を歌い終わる前のどこかに置きます。
+ </div></li><li class="listitem"><div class="para">
+ マリンバを再開始する正確なところは、あなたが決めればよいです。位置を決めて、２つの "Marimba_3" リージョンを、 "marimba1" のその場所に動かし、 "Marimba_4" リージョンを "marimba2" で動かします。
+ </div></li><li class="listitem"><div class="para">
+ 正確な整列をするために、範囲を設定し、トランスポートのループ機能を使うと良いかもしれません。
+ </div></li><li class="listitem"><div class="para">
+ この特別な開始点は、難しいかもしれません。低音のマリンバは静かに始まって、しだいに大きくなります。一方、高音のマリンバは、大きな音が減衰していくところです。ということは、もし両方のマリンバトラックを同時に開始すると、リスナーは、低音トラックが、高音トラックの後に開始するように感じます。私の言うことが信じられないなら、やってご覧なさい。
+ </div></li><li class="listitem"><div class="para">
+ この問題を解決するため、オリジナル編集者 (Esther) は、高音のマリンバが低音のマリンバより少し遅く開始するようにしました。
+ </div></li></ol></div>
+
+ </div><div class="para">
+ 今までのセッションを聞くとわかりますが、マリンバが、歌手と比べるとずっと大きく、全体がとても狭い感じに聞こえるかと思います。これは、私たちがリージョンを並べただけで、まだミキシングを何もしていないからです！
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Strings"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Strings">7.4.6.4. 弦楽器リージョンを並べる</h4></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ "Strings_1A" リージョンを動かして、約 00:00:28.00 から始まるようにします。そうすれば、椅子の音、それを消さないならば、に十分なスペースがあります。
+ </div></li><li class="listitem"><div class="para">
+ "Strings_4" リージョンの始まりは、 "Strings_1A" リージョンの終わりとほぼ同じです。両方を聞いて、どっちが好きか決め、"Strings_1A" リージョンの中のサウンドの位置を使って、 "Strings_4" リージョンの切り詰めと整列のガイドとしてください。
+ </div></li><li class="listitem"><div class="para">
+ 他の２つの弦楽器リージョンは、 "Strings_1A" と同じ曲が入っています。どれを使うかまだ決められないので、それらを、マリンバリージョンの終了点の後ろに移動して、聞こえないようにします。
+ </div></li></ol></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Clarinet"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Clarinet">7.4.6.5. クラリネットリージョンを並べる</h4></div></div></div><div class="para">
+ 弦楽器リージョンと同じく、適当なクラリネットリージョンを１つ選んで、正しい位置に置きましょう。複数の演奏の間の選択は後回しにします。こんなふうにリージョンを大きく離れて動かすときは、少しズームアウトするとよいです。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ "Clarinet_1A" リージョンを動かして、サウンドが 00:01:06.200 の後に始まるようにします。
+ </div></li><li class="listitem"><div class="para">
+ "Clarinet_3A" リージョンを動かして、サウンドが 00:01:35.000 の後に始まるようにします。
+ </div></li></ol></div>
+
+ </div></div></div><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Listen"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Listen">7.4.7. 聞く</h3></div></div></div><div class="para">
+ ミキシング段階に進む前に、曲全体を聞いて、並び替えが正しいことを確認下さい。聞くときには、ボリュームレベルとバランスが変で、セッション全体が、ステレオイメージの中でとても、「中心にある」ように聞こえるのに注意ください。
+ </div></div></div><div class="section" id="sect-Musicians_Guide-Ardour-Mixing"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Ardour-Mixing">7.5. 曲をミキシングする（チュートリアル）</h2></div></div></div><div class="para">
+ 次の段階は「ミキシング」と呼ばれ、だいたい２つの作業からなります。ボリュームレベルを設定することと、ステレオパン設定を調整することです。フェーダーとパンの設定を保存するのに、オートメーションを使います。また、右と左のチャネルを別々のトラックに録音して、サブマスターバスで結合させるのが、どんなに便利か、見てください。
+ </div><div class="para">
+ ライブの音楽演奏の録音制作において、オーディオ技術者（今の場合、あなた）がもっとも創造的な影響を及ぼすのが、ミキシング段階です。トラックの注意深い調整とチューニングが、リスナーの体験に大きな違いをもたらします。
+ </div><div class="para">
+ 最後ã«ã€ç·¨é›†æ®µéšŽã¨æ¯”ã¹ã¦ã€ãƒŸã‚シング段階ã¯ã€ç›´ç·šçš„ã«é€²è¡Œã™ã‚‹ã®ã§ã¯<span class="emphasis"><em>ãªã„</em></span> ã¨ã„ã†ã“ã¨ã«æ³¨æ„ãã ã•ã„。ã¤ã¾ã‚Šã€ã‚ãªãŸã¯ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã‚’最åˆã‹ã‚‰æœ€å¾Œã¾ã§é †ã«ã™ã‚‹ã®ã§ãªãã¦ã€ã‚»ã‚¯ã‚·ãƒ§ãƒ³é–“をジャンプã™ã‚‹ã®ãŒã‚ˆã„ã€ã¨ã„ã†ã“ã¨ã§ã™ã€‚ã‚ãªãŸã¯ã¾ãšæœ€åˆã«ã€ã‚¹ãƒ†ãƒ¬ã‚ªå‡ºåŠ›ã®ãŸã‚ã«ãƒˆãƒ©ãƒƒã‚¯ã‚’è¨å®šã™ã‚‹ã§ã—ょã†ã€æ¬¡ã«ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã‚’é †ã«å…¨éƒ¨èªã‚“ã§ã€ãã®ã‚¢ãƒ‰ãƒã‚¤ã‚¹ã«å¾“ã†ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。ã—ã‹ã—ã€æ™‚々ã€å‰ã®ä½œæ¥ã«æˆ»ã£ã¦ã€è¨å®šã‚’ã‚„ã‚Šç›´ã™ã“ã¨ã«ãªã‚‹ã§ã—ょã†ã€‚１ã¤ã®è¨å®šãŒå¤‰æ›´ã•ã‚ŒãŸã‚‰ã€ä»–ã®è¨å®šã«ã‚‚影響ãŒå‡ºã‚‹ã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚例ãˆã°ã€ä¸€åº¦ãƒˆãƒ©ãƒƒã‚¯ã®ãƒ¬ãƒ™ãƒ«ã‚’è¨å®šã—ã€ãã®ãƒ‘ニングを変更ã—ãŸã‚‰ã€è¨å®šã—ãŸãƒ¬ãƒ™ãƒ«ãŒä»Šã§ã‚‚ãã‚Œã§ã‚ˆã„ã®ã‹ã‚’確ã‹ã‚ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚ãŸã¶ã‚“ã
€å°‘ã—ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“ãŒã€èª¿æ•´ãŒå¿…è¦ã§ã—ょã†ã€‚
+ </div><div class="section" id="sect-Musicians_Guide-Ardour-Mixing-Enabling_Stereo_Output"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mixing-Enabling_Stereo_Output">7.5.1. ステレオ出力のためにセッションの設定を行い、エディットグループを解除する</h3></div></div></div><div class="para">
+ セッションがずいぶん変に聞こえた理由のひとつは、すべてのオーディオが左と右のチャネルを等しく経由したため、「ステレオ」録音素材があるにもかかわらず、「モノラル」録音になってしまったことです。これはもっと前に対策できたのですが、今やっても、大差はありません。今までの作業は、リージョンを集めてそれらしい曲に聞こえるようにすることでしたが、ミキシングが行うのはリージョンとトラックを微調整して、曲がより優れたものに聞こえるようにすることです。
+ </div><div class="para">
+ エディットグループを解除するのはよい考えです。そのままにしておくと、この制作段階で可能な機能を<span class="emphasis"><em>減らす</em></span>ことになるからです。エディットグループが有効だと、１つのトラックにした変更が、自動的に他のトラックにもされてしまいます。私たちはトラックを独立に調整したいのです。両方のトラックに同じ調整が必要なときには、それがアタッチされているサブマスターバスを使います。
+ </div><div class="para">
+ 以下のステップは、エディットグループを無効とし、セッションのトラックをステレオ出力のために再構成します。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ トラックを独立して調整したいので、エディットグループを一時的に無効にしなければいけません。
+ </div></li><li class="listitem"><div class="para">
+ セッションサイドバーの "Edit Groups" タブを開きます。
+ </div></li><li class="listitem"><div class="para">
+ すべてのグループの "Active" ボタンのチェックを外します。後でエディットグループを有効にしたい時は、"Active" ボタンをチェックすればよいです。
+ </div></li><li class="listitem"><div class="para">
+ メニューから 'Window > Show Mixer' を選択して、ミキサーウインドウを開きます。マルチモニター構成をお持ちなら、ミキサーウインドウを、メインのエディタウインドウとは別のモニターに置くと便利です。マルチモニターでないときは、ミキサーウインドウを、別の仮想デスクトップに置くと良いでしょう。もちろん、これはどちらもオプショナルな手順です。
+ </div></li><li class="listitem"><div class="para">
+ それぞれのトラックのミキサーの一番下付近、ボタンの上、に小さい黒い四角があり、３つの灰色の三角と緑の垂直線があるはずです。それぞれのバスにはこの四角が２つあります。これが、パンナーを制御して、ステレオイメージでのトラックの左と右の位置の調整をするものです。
+ </div></li><li class="listitem"><div class="para">
+ パンナーを調整するには、パンナーの表示をクリックアンドドラッグします。緑の線をクリックする必要はありません。線はステレオイメージでのトラックのだいたいの位置を示します。
+ </div></li><li class="listitem"><div class="para">
+ 大文字の "L" で終わる「左」トラックはすべて、緑の線を一番左に設定します。
+ </div></li><li class="listitem"><div class="para">
+ 大文字の "R" で終わる「右」トラックはすべて、緑の線を一番右に設定します。
+ </div></li><li class="listitem"><div class="para">
+ バスは、すでに正しく設定されていると思います。バスの上のウインドウは左チャネルを示し、緑の線は一番左、下のウインドウは右チャネルを示し、緑の線は一番右にあるはずです。
+ </div></li></ol></div>
+
+ </div><div class="para">
+ パンナーの上のミキサーコントロールは、「フェーダー」と呼ばれ、トラックのレベルを変更します。
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels">7.5.2. 最初のレベルを設定する</h3></div></div></div><div class="para">
+ 編集と同様、ここで大切なことは、レベルをほぼ正しい領域に設定して、トラック全体にわたってそれが使えるようにすることです。後でオートメーショントラックを使い始めると、レベルを微調整したり、セッションの中で変えたりできるようになります。以下は、最初のレベル設定のために使うことのできる１つの手順です。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ メニューから 'Window > Mixer' を選択して、ミキサーウインドウを開きます。以前に言ったように、ミキサーウインドウは別のモニターあるいは仮想デスクトップに置くと便利です。
+ </div></li><li class="listitem"><div class="para">
+ すべてのフェーダーを 0 dB にします。あなたが以前に変えたりしていなければ、すでにそのレベルになっているでしょう。
+ </div></li><li class="listitem"><div class="para">
+ 一番静かなトラックを選び、 0 dB に設定して、他のトラックのレベルの大きさの最大値として使います。一般的に言って、オーディオ信号を増幅するのは避けるのが安全なので、一番静かなトラックを「ベースライン」に使うということは、他のトラックのレベルを、それに合うように<span class="emphasis"><em>下げる</em></span>必要があるということです。今の場合、ボイストラックが一番静かです。
+ </div></li><li class="listitem"><div class="para">
+ この時点で、バスのフェーダーだけを触るのがよいでしょう。トラックのフェーダーを触ると、パニングが変わって、後でわかりにくい問題になることがあります。
+ </div></li><li class="listitem"><div class="para">
+ セッション全体を演奏して、バスのフェーダーを調整し、すべてのトラックが同じように良く聞こえるようにします。この時点では、セッションの<span class="emphasis"><em>ほとんど</em></span>の部分がバランスされていることが目的だということに注意ください。セッション全体でただ１つのフェーダー設定でよいということはまずありません。
+ </div></li><li class="listitem"><div class="para">
+ フェーダー設定を変えるには、２つの方法があります：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ レベルメーターの左にある垂直のドットのついたコントロールストリップ（トラックの演奏中に光ります。）をクリックアンドドラッグする。
+ </div></li><li class="listitem"><div class="para">
+ インジケーターボックスのテキストフィールドを使う。ボックスをクリックして、それが示す数字を削除し、新しい数字を入れ、キーボードで「エンター」を押す。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ キャンバスエリアで、トラックとバスの表示の順序を変えると、ミキサーウインドウの表示も変わります。バスを全部一緒にすると、見やすいかもしれません。
+ </div></li><li class="listitem"><div class="para">
+ あるいは、トラックを表示しないようにして、変更するバスだけに集中することもできます。一時的にトラックあるいはバスをミキサーウインドウで隠すには、ミキサーウインドウの左側のツールボックスを使います。隠したいトラックあるいはバスの "Show" ボックスのチェックを外します。
+ </div></li><li class="listitem"><div class="para">
+ フェーダーツールの "maximum level" インジケータが、それぞれのトラックがどの程度大きな音かを判断する助けとなるでしょう。このインジケータは、メーターの上、 "Solo" ボタンの下にあります。インジケータは、インジケータが最後にリセットされて以来、トラックが生成した最大レベルを表示します。インジケータをリセットするには、それをクリックします。
+ </div></li></ol></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning">7.5.3. 最初のパニングを設定する</h3></div></div></div><div class="para">
+ 最åˆã®ãƒ‘ニングをè¨å®šã™ã‚‹ã®ã¯ã€æœ€åˆã®ãƒ¬ãƒ™ãƒ«ã‚’è¨å®šã™ã‚‹ã‚ˆã‚Šã‚‚ã€ã‹ãªã‚Šå¤šãã®è€ƒå¯ŸãŒå¿…è¦ã§ã™ã€‚ç•°ãªã‚‹éŸ³æ¥½ã«ã¯ç•°ãªã‚‹è¦æ±‚ãŒã‚ã‚‹ã§ã—ょã†ãŒã€ã“ã®ç¨®é¡žã®éŒ²éŸ³ã•ã‚ŒãŸã‚¢ã‚³ãƒ¼ã‚¹ãƒ†ã‚£ãƒƒã‚¯éŸ³æ¥½ã®ãƒ‘ニングをè¨å®šã™ã‚‹ã¨ãã®ä¸»ãªç›®çš„ã¯ã€ãã‚Œãžã‚Œã®æ¼”å¥è€…ãŒã‚¹ãƒ†ãƒ¬ã‚ªã‚¤ãƒ¡ãƒ¼ã‚¸ã®ä¸Šã§ã€ãƒ¦ãƒ‹ãƒ¼ã‚¯ã§ä¸å¤‰ã®ä½ç½®ã‚’å ã‚ã‚‹ã“ã¨ã‚’ä¿è¨¼ã™ã‚‹ã“ã¨ã§ã™ã€‚人ãŒéŸ³æ¥½ã‚’èžãã¨ãã€æš—黙的ã«ã€è„³ãŒéŸ³ãŒãã“ã‹ã‚‰ã‚„ã£ã¦ãã‚‹ã¹ãã¨æ€ã†ã¨ã“ã‚ã€ã€Œä½ç½®ã€ã‚’サウンドã«æœŸå¾…ã—ã¾ã™ã€‚録音ã•ã‚ŒãŸéŸ³æ¥½ã‚’èžãã¨ãç§ãŸã¡ã¯ã‚µã‚¦ãƒ³ãƒ‰ã¯å®Ÿéš›ã«ã¯ã‚¹ãƒ”ーカーもã—ãã¯ãƒ˜ãƒƒãƒ‰ãƒ›ãƒ³ã‹ã‚‰æ¥ã‚‹ã®ã§ã‚ã£ã¦ã€æ¼”å¥è€…ã¯ãã“ã«ã„ãªã„ã“ã¨ã‚’ç†è§£ã—ã¦ã„ã¾ã™ã€‚ãã†ã§ã‚ã£ã¦ã‚‚ã€æ¼”å¥è€…ã‚‚ã—ãã¯ã‚µã‚¦ãƒ³ãƒ‰ã®ç©ºæƒ³ä¸Šã®å ´æ‰€ãŒçµ¶ãˆãšå¤‰åŒ–ã™ã‚‹ã‚ˆã†ãªéŸ³æ¥½ã‚’èžãã®ã¯é›£ã—ã„ã€ç–²ã‚Œã‚‹ã€ã‚ã‚‹ã
„ã¯ä¸æ„‰å¿«ãªã“ã¨ã§ã™ã€‚åŒã˜ã‚ˆã†ã«ã€ãƒ¬ãƒ™ãƒ«ã®ãƒãƒ©ãƒ³ã‚¹ãŒæ‚ªã„音楽をèžãã®ã¯ã€é›£ã—ãã¦ç–²ã‚Œã‚‹ã“ã¨ã§ã™ã€‚
+ </div><div class="para">
+ 困難さに輪をかけるように、ステレオイメージは私たちの心の中で多くの要素の複雑な組み合わせとして作られます。静かなサウンドと後から起きるサウンドは、大きなサウンドと最初からあるサウンドと比べると、遠くにあるように感じられます。DAW のパンナーは、信号を「全部左」と、「全部右」の直線上のどこかに置くことしかできないにもかかわらず、私たちの脳は３次元世界にサウンドがあるように処理します。優れたオーディオ技術者はこれらの要素を比較的簡単に制御できることでしょうが、私たちにとってはたくさんの試行錯誤が必要となるでしょう。
+ </div><div class="para">
+ このセッションの固有の問題は、ソリストを含むリージョンが、ソリストが他の歌手と一緒に歌っているリージョンと比較して、彼女を異なる空想上の場所に置くということです。これは同じトラックで起きるので、オートメーションのパンナーとフェーダーをトラックに使ってこの問題を解決しましょう。ご自分で聞いてみてください：00:02:40.000 あたりから始めて、"Voice_4" リージョンと "ens-Create_the_Inconceivable" リージョンで、ソリストがどこに立っているように聞こえるか、注意してください。私には、彼女が右の近いところから、左の遠いところに、ボーカルアンサンブルの人たちや、通り道にいるはずの弦楽器にぶつかることなく通り抜けていったように聞こえます！ほとんどのリスナーはそんなこと気にしないだろうとあ
なたは言うかもしれません。そうかもしれません。そうであっても、レベルとパニングの大幅な変化は、それら同じ人たちによって、受動的に発見されるだろうと、私は反論します。彼らが、意識の上では、「なんか、変だ」と思うだけかもしれませんが。
+ </div><div class="para">
+ こんなふうに始めてみましょう：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 必要ならセッションを聞いて、ほとんどのセッションの間、楽器と歌手の位置を決められるか、考えます。これを覚えておく必要があるので、書き留めるか、地図を書くのがよいでしょう。
+ </div></li><li class="listitem"><div class="para">
+ さて、すべてのものがあるはずの場所の地図を書きましょう。このような普通でないアンサンブルの時には、特に、あらかじめ決められた座席や立ち位置の決まりはありません。トラックによってはほとんど調整が不要のものもあるでしょうし、大幅な調整が必要なものもあるでしょう。一般的に言って、いじりまわすのが少ないほど、セッションはよく聞こえるので、あるトラックがすでに一貫した場所を持ち、他のトラックと矛盾しないならば、そのままにするのがよいでしょう。
+ </div></li><li class="listitem"><div class="para">
+ 以下が、私の意見です。あなたが聞いたものとは違うかもしれません。特に、最初のレベル設定をあなたが独自にされたならば、違ってくるでしょう。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ マリンバトラックはどちらも、ずっと一定です。"marimba1" トラックは私の前、５メートル、少し左にあります。"marimba2" トラックは同じ距離で、右にあります。
+ </div></li><li class="listitem"><div class="para">
+ 弦楽器リージョンはすべて一定です。バイオリンが中心のすぐ左に、チェロがすぐ右に。マリンバより、少し近くにあります。
+ </div></li><li class="listitem"><div class="para">
+ クラリネットは、高音マリンバの反対側、５メートルの距離、中心と左の中間にあります。
+ </div></li><li class="listitem"><div class="para">
+ ボーカルアンサンブルは弦楽器と同じ所にあります。右に少し、広がっています。
+ </div></li><li class="listitem"><div class="para">
+ ソロボーカリストはボーカルアンサンブルの男性歌手と同じ所に立っています。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ これが、私の修正プランです。リスナーが北を向いているとして方向を書きました。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ リスナーを半円形に囲む、２つの演奏者の列を確立します。
+ </div></li><li class="listitem"><div class="para">
+ 弦楽器は近い方の列の北西に置きます。左に少し動かす必要があります。
+ </div></li><li class="listitem"><div class="para">
+ ボーカルソリストは、近い方の列の北から少しだけ東（まんなか）に置きます。彼女を<span class="emphasis"><em>少しだけ</em></span>左に動かす必要があります。
+ </div></li><li class="listitem"><div class="para">
+ ボーカルアンサンブルは、近い方の列の北から北西に広がって置きます。ソリストは、同じ場所にいることができます。アンサンブルを近く聞こえるようにするには、フェーダー設定が必要でしょう。
+ </div></li><li class="listitem"><div class="para">
+ 低音マリンバは、外側の列の北西に置きます。これは調整が不要でしょう。あるいは少し左に移動。
+ </div></li><li class="listitem"><div class="para">
+ 高音マリンバは、外側の列の北東に置きます。少し左に移動が必要です。
+ </div></li><li class="listitem"><div class="para">
+ クラリネットは外側の列の北。大きく右に動かす必要があります。
+ </div></li></ul></div>
+
+ </div></li></ol></div>
+
+ </div><div class="para">
+ ã“ã®ã‚ˆã†ãªãƒ¬ã‚¤ã‚¢ã‚¦ãƒˆã‚’é¸ã‚“ã ã®ã¯ã€ãã‚ŒãŒæ¯”較的ã€å°ã•ãªèª¿æ•´ã§æ¸ˆã‚€ã“ã¨ã¨ã€ä¼çµ±çš„ãªå™¨æ¥½ã‚¢ãƒ³ã‚µãƒ³ãƒ–ルã®åº§å¸ãƒ‘ターンã‹ã‚‰è¦‹ã¦ã€é“ç†ã«ã‹ãªã£ãŸã‚‚ã®ã ã‹ã‚‰ã§ã™ã€‚ã¾ãŸã€ã“ã®æ›²ã§ã‚¯ãƒ©ãƒªãƒãƒƒãƒˆãŒæ¼”å¥ã™ã‚‹éŸ³ã¯ã€é ã„ã¨ã“ã‚ã§é³´ã£ã¦ã„るよã†ã«èžã“ãˆã‚‹ã®ãŒé©å½“ã¨æ€ã‚ã‚Œã€ãƒ‘ッセージã¯å分ãªæƒ…æ„Ÿã‚’ã‚‚ã£ã¦æ¼”å¥ã•ã‚Œã¦ã„ã‚‹ã®ã§ã€ãã†ã„ã†åŠ¹æžœã‚’å¾—ã‚‹ã®ã¯å‰²ã¨ç°¡å˜ã ã¨æ€ãˆã¾ã—ãŸã€‚最もé‡è¦ãªè€ƒæ…®ç‚¹ã¯ã€ãƒœãƒ¼ã‚«ãƒ«ã‚¢ãƒ³ã‚µãƒ³ãƒ–ルã¨ãã®ä¸ã®ã‚½ãƒãƒœãƒ¼ã‚«ãƒªã‚¹ãƒˆã®é…ç½®ã§ã—ãŸã€‚ソãƒãƒœãƒ¼ã‚«ãƒªã‚¹ãƒˆã¯ã‚¢ãƒ³ã‚µãƒ³ãƒ–ルã§æœ€ã‚‚高ã„パート（ソプラノ）をæŒã£ã¦ã„ã¾ã™ãŒã€ã‚¹ãƒ†ãƒ¬ã‚ªéŒ²éŸ³ã§ã¯ã€å½¼å¥³ã¯ã‚¢ãƒ³ã‚µãƒ³ãƒ–ルã®æœ€ã‚‚å·¦ã«ã„るよã†ã«ã¯èžã“ãˆã¾ã›ã‚“。（ç§ã¯ãƒ¬ã‚³ãƒ¼ãƒ‡ã‚£ãƒ³ã‚°ã®é–“ã€ãã“ã«ã„ãŸã®ã§ã€ãã†ã§ãªã„ã“ã¨ãŒã‚ã‹ã‚‹ã®ã§ã™ã€‚）ã“ã‚Œã¯ã‚ˆã‚Šé›£ã
—ã„ã“ã¨ã«ãªã‚Šã¾ã™ã€‚ボイストラック全体ã®ãƒ•ã‚§ãƒ¼ãƒ€ãƒ¼ã¨ãƒ‘ンナーã®è¨å®šã¯ã€ "ens-Create_the_Inconceivable" リージョンã«ãŠã„ã¦ã€ï¼’番目ã«é«˜éŸ³ã®æŒæ‰‹ï¼ˆã‚¢ãƒ«ãƒˆï¼‰ãŒã€ã‚½ãƒªã‚¹ãƒˆã§ã‚る最高音ã®æŒæ‰‹ã®ã™ã後ã«æŒã†ã€ãã®çž¬é–“を基準ã¨ã—ãªã‘ã‚Œã°ã„ã‘ãªã„ã¨ã„ã†ã“ã¨ã§ã™ã€‚
+ </div><div class="para">
+ ほぼ全部のトラックに、それをステレオイメージの中でだいたい正しい位置に置くために、おおまかな調整をしてください。バスのパンナー設定に加えて、個々のトラックのパンナーの設定を変える必要があるかもしれません。少し違う効果があります。マリンバトラックを、今、フェーダー設定を含めて微調整するのもよいでしょう。このトラックはとても一定なので、ほとんどオートメーションは使う必要がなく、最初の設定をより完全にすることで得られるものが大きいのです。フェーダーは、ターンアップするより、ターンダウンする方が良いのを忘れないように！
+ </div><div class="para">
+ ボイストラックを操作するのは、今はやめといた方が良いでしょう。
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks">7.5.4. オートメーショントラックで、さらに調整をする</h3></div></div></div><div class="para">
+ 今ã¾ã§ã¯ã€é›‘ã§ã™ãŒã€ãƒ•ã‚§ãƒ¼ãƒ€ãƒ¼ã¨ãƒ‘ンナーã®è¨å®šã®èª¿æ•´ã¯æ‰‹ã§ã‚„ã£ã¦ãã¾ã—ãŸã€‚ã“ã‚Œã ã¨ã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ãŒæ¼”å¥ã—ã¦ã„ã‚‹ã¨ãã«è¨å®šã‚’変ãˆã‚ˆã†ã¨ã—ã¦ã‚‚ã§ãã¾ã›ã‚“。セッションを演å¥ã™ã‚‹ã¨ãã«æ¯Žå›žã€ã‚ãªãŸã¯è‡ªåˆ†ã§ã™ã¹ã¦ã®è¨å®šã‚’変更ã—ãªã‘ã‚Œã°ã„ã‘ã¾ã›ã‚“。ã“ã‚Œã¯ã™ãã«è¤‡é›‘ãªã“ã¨ã«ãªã‚Šã¾ã™ã€‚覚ãˆã‚‹ã®ã«å¤§å¤‰ã€ã¨ã„ã†ã®ã¯è¨€ã†ã¾ã§ã‚‚ãªã。「オートメーションã€ã‚’使ã†ã¨ã€ã‚»ãƒƒã‚·ãƒ§ãƒ³æ¼”å¥ã®æ™‚ã«ã€ã‚¨ãƒ•ã‚§ã‚¯ãƒˆï¼ˆãƒ‘ンナーやフェーダーãªã©ï¼‰ã‚’ã€è‡ªå‹•çš„ã«ã‹ã‘ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚オートメーショントラックã¯ã€ãŸã ã®ãƒˆãƒ©ãƒƒã‚¯ã§ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãŒä½•ã‚‚å…¥ã£ã¦ãŠã‚‰ãšã€ã‹ã‚ã‚Šã«ãã‚Œãžã‚Œã®ã‚¨ãƒ•ã‚§ã‚¯ãƒˆã‚’調整ã™ã‚‹æŒ‡ç¤ºãŒå…¥ã£ã¦ã„ã¾ã™ã€‚オートメーショントラックã¯ã€æ™®é€šã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒˆãƒ©ãƒƒã‚¯ã«ä¼¼ã¦ã„ã¾ã™ãŒã€è¨å®šã®å¤‰æ›´ã‚’示ã™ãŸã‚ã
®ç·šã¨ç‚¹ãŒè¡¨ç¤ºã•ã‚Œã¾ã™ã€‚オートメーショントラックã¯ã€å®Ÿéš›ã€ã€ŒéŒ²éŸ³ã€ã™ã‚‹ã“ã¨ã‚‚ã§ãã‚‹ã®ã§ã™ãŒã€ç§ãŸã¡ã¯ã‚‚ã£ã¨åŸºæœ¬çš„ãªç·¨é›†æ‰‹æ®µã‚’使ã„ã¾ã—ょã†ã€‚オートメーショントラックã¯ã€ãƒã‚¹ã¨ãƒˆãƒ©ãƒƒã‚¯ã«å‰²å½“ã¦ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="para">
+ 以下が、オートメーショントラックを作成して、設定する方法です。低音のマリンバが、最初は大きく、高音マリンバとソロボーカリストが加わるにつれて小さくなるように、そのフェーダーを設定します。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ キャンバスエリアで、 "Bus-marimba1" バスのコントロールボックスから 'a' ボタンをクリックして、 "automation" メニューを開きます。
+ </div></li><li class="listitem"><div class="para">
+ オートメーションメニューから、 'Fader' をクリックします。
+ </div></li><li class="listitem"><div class="para">
+ バスの下に、フェーダーを制御するオートメーショントラックが現れます。
+ </div></li><li class="listitem"><div class="para">
+ オートメーショントラックの中をクリックすると、点が現れます。それぞれの点は、コントロールの設定の絶対値を示します。点が現れた後、それをクリックアンドドラッグすると、カーソルの横の黄色い数字が、その時のフェーダーの設定値を示します。
+ </div></li><li class="listitem"><div class="para">
+ オートメーショントラックに２つ以上の点があると、それらを結ぶ線が現れます。フェーダーは、点をつなぐ線が示すとおりに、絶対値の間でなめらかに変化します。
+ </div></li><li class="listitem"><div class="para">
+ 誤りをして最初からやり直したい時は、オートメーショントラックのコントロールボックスで 'clear' ボタンを押します。残念ですが、１つだけの点を削除することはできません。これは、実は、不要なのです。もし、誤って点を増やし過ぎたら、単に、余分なものは設定を一定にするために使えばよいです。
+ </div></li><li class="listitem"><div class="para">
+ オートメーショントラックの最初に、 0.0 dB の設定値の点を１つ、加えます。
+ </div></li><li class="listitem"><div class="para">
+ 約 00:00:15.000 のところに、 0.0 dB の設定値の点を１つ、加えます。
+ </div></li><li class="listitem"><div class="para">
+ 約 00:00:16.500 のところ（歌手が歌い始めるところ）に、 -10.0 dB あるいは、あなたが以前設定したもの、の設定値の点を１つ、加えます。
+ </div></li><li class="listitem"><div class="para">
+ さて、これでオートメーションのプランができました。しかし、フェーダーはまだ、「マニュアル」モードのままですから、オートメーショントラックは何の効果も持ちません。オートメーショントラックの設定を、トラックのコントロールボックスの中のモードボタンをクリックして変更します。ボタンは、現在、"Manual" です。
+ </div></li><li class="listitem"><div class="para">
+ メニューから、 "Play" を選択すると、オートメーション設定が演奏されます。"Manual" モードでは、すべての設定の調整を手で行う必要があります。"Write" モードでは、セッションが演奏される間、あなたが行う変更は、オートメーショントラックに、以前の設定を上書きして録音されます。"Touch" モードでは、セッションが演奏される間、あなたが行う変更は、以前のオートメーション設定に取り込まれます。
+ </div></li><li class="listitem"><div class="para">
+ 最後に、オートメーションされたパンナーの変更が気にいるか、聞いて確認します。良くないときは、今でも後からでも、常に変更することが可能です。
+ </div></li></ol></div>
+
+ </div><div class="para">
+ さて、ここが難しいところです！オートメーションを使って、セッション全体のフェーダーとパンナーの設定を変更します。特に、ボイストラックが一定であるように注意ください。
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Mixing-Other_Things"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mixing-Other_Things">7.5.5. その他、やると良いこと</h3></div></div></div><div class="para">
+ ミキシング段階は、たくさんの小さな（そして大きな）調整でいっぱいです。以下は、フェーダーとパンナーの設定変更以外に、あなたがやってみたいと思うかもしれないことです。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ トラックを整列しなおして、それらが同期するようにする。
+ </div></li><li class="listitem"><div class="para">
+ 椅子の音の入っているリージョンを使うことのできる、意味のある方法を探す。
+ </div></li><li class="listitem"><div class="para">
+ 今は使ってない方のクラリネットのリージョンを、今使っているものと比べる。リージョンの他の組み合わせを試してみる。セッションから使わないリージョンを取り除く。
+ </div></li><li class="listitem"><div class="para">
+ 今は使ってない方の弦楽器のリージョンを、今使っているものと比べる。このリージョンはクラリネットのリージョンよりずっと長いので、リージョンの中の範囲を選択して取り替えるのも良いかもしれません。
+ </div></li><li class="listitem"><div class="para">
+ 友達、あるいは、少なくても誰か他の人に、今準備中のミックスを聞いてもらう。今の問題についての意見を求めたり、もっと一般的なリスナーとして扱う。
+ </div></li><li class="listitem"><div class="para">
+ ミックスを、異なる種類の再生装置（スピーカーとアンプ）を使って聞く。同じオーディオ信号も、異なる装置で演奏すると違って聞こえることがあります。
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Mixing-Listen"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mixing-Listen">7.5.6. 聞く</h3></div></div></div><div class="para">
+ 曲をミキシングし終わったら、それを聞かなくてはいけません。できるだけたくさんの異なるデバイスで聞きます。ヘッドホン、スピーカー、ホームシアターシステム、などです。あなたの友人や同僚にあなたの作品を聞いてくれるように頼みましょう。他の人は、あなたとは違った聞き方をするでしょうし、異なるフィードバックをくれるでしょう。
+ </div></div></div><div class="section" id="sect-Musicians_Guide-Ardour-Mastering"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Ardour-Mastering">7.6. セッションのマスタリング</h2></div></div></div><div class="para">
+ セッションマスタリングの真のマスターになるためには、何年もの経験と目的フォーマットのための注意深い最適化が必要です。適用すべきイコライゼーションとフィルタリングの設定を正しく知ることは、それ自身でアートであり、完全なユーザーガイドが必要です。このセクションは、セッションからオーディオを取り出して、使いやすいフォーマットにすることを説明します。
+ </div><div class="section" id="sect-Musicians_Guide-Ardour-Mastering-Ways_to_Export"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mastering-Ways_to_Export">7.6.1. オーディオをエクスポートする方法</h3></div></div></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> セッションからオーディオをエクスポートするには、３つの方法があります。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ リージョンから
+ </div></li><li class="listitem"><div class="para">
+ 範囲から、あるいは、
+ </div></li><li class="listitem"><div class="para">
+ セッションから。
+ </div></li></ol></div>
+
+ </div><div class="para">
+ リージョンをエクスポートする：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ リージョンがキャンバスエリアにあるのを確認します。
+ </div></li><li class="listitem"><div class="para">
+ リージョンを右クリックします。
+ </div></li><li class="listitem"><div class="para">
+ リージョン名のメニューを選択して、 'Export' します。
+ </div></li><li class="listitem"><div class="para">
+ エクスポートウインドウで続きをします。
+ </div></li></ol></div>
+
+ </div><div class="para">
+ タイムラインの上の、ある範囲のオーディオをすべてエクスポートする：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 範囲を、 "Select/Move Ranges" ツールで選択します。あなたが選択したトラックにかかわらず、すべてのトラックがエクスポートされます。
+ </div></li><li class="listitem"><div class="para">
+ 範囲を右クリックします。
+ </div></li><li class="listitem"><div class="para">
+ メニューから 'Export' を選択します。
+ </div></li><li class="listitem"><div class="para">
+ エクスポートウインドウで続きをします。
+ </div></li></ol></div>
+
+ </div><div class="para">
+ セッションのすべてのオーディオをエクスポートする：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ メニューから、 'Session > Export > Export > Export session to audiofile' を選択するか、キーボードで 'Ctrl + Alt + e' を押します。
+ </div></li><li class="listitem"><div class="para">
+ エクスポートウインドウで続きをします。
+ </div></li></ol></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window">7.6.2. エクスポートウインドウを使う</h3></div></div></div><div class="para">
+ どのエクスポート方法を使っても、 "Export" ウインドウは似ています。リージョンをエクスポートするときは、どのトラックをエクスポートするかを選択することはできません。（定義により、あなたはそのリージョンのトラックだけをエクスポートします。）
+ </div><div class="section" id="sect-Musicians_Guide-Ardour-Mastering-Choosing_Tracks_to_Export"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Mastering-Choosing_Tracks_to_Export">7.6.2.1. エクスポートするトラックを選ぶ</h4></div></div></div><div class="para">
+ デフォルトで、<span class="application"><strong>Ardour</strong></span> はエクスポートされる範囲あるいはセッションに含まれるすべてのオーディオをエクスポートしようとします。実際にエクスポートされるのは、マスター出力バスを経由する、すべてのオーディオです。"Export" ウインドウの右端で、エクスポートするトラックのリストを見ることができます。 'Specific Tracks' ボタンを押すと、セッションのすべてのトラックとバスのリストの中から選択することができます。特定のトラックを選択するのは、マスターバスの出力をエクスポートしないときでないと意味がありませんから、たぶん、最初にその選択を外すのが良いでしょう。
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Mastering-Choosing_Export_Format"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Mastering-Choosing_Export_Format">7.6.2.2. エクスポートフォーマットを選ぶ</h4></div></div></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> は、とても多くの出力フォーマットを提供しており、どれを選んだら良いか困るでしょう。すべてのファイルタイプで、すべてのオプションが使えるわけではありません。Fedora Linux は、法律上の理由により、デフォルトでは MP3 ファイルをサポートしません。詳細は、 <em class="citetitle">MP3 (Fedora Project Wiki)</em> <a href="http://fedoraproject.org/wiki/Multimedia/MP3">http://fedoraproject.org/wiki/Multimedia/MP3</a> を参照下さい。
+ </div><div class="para">
+ チュートリアルのリージョンは、２４ビットサンプル、48 kHz レートで録音されています。セッションのどこでも、より高いサンプルフォーマットあるいはサンプルレートでエクスポートすると、オーディオ品質が低下します。
+ </div><div class="para">
+ 推奨のファイル形式：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ WAV: マイクロソフトにより設計された、非圧縮フォーマット。さらにオーディオ操作をする予定のあるときに限り、おすすめします。オーディオデータだけを含むので、タイトル、アーティスト、そして作曲者などの情報は失われます。ほとんど、どのデバイスでも演奏可能です。
+ </div></li><li class="listitem"><div class="para">
+ AIFF: アップルにより設計された、非圧縮フォーマット。さらにオーディオ操作をする予定のあるときに限り、おすすめします。オーディオデータだけを含むので、タイトル、アーティスト、そして作曲者などの情報は失われます。ほとんどの DAW と、いくつかのオーディオプレーヤーで演奏可能です。
+ </div></li><li class="listitem"><div class="para">
+ FLAC: オープンソースの圧縮フォーマット。「可逆」フォーマットです。つまり、圧縮と展開で、いかなるオーディオ情報も失われません。オーディオ品質は、WAV や AIFF フォーマットと同じです。メタデータを含むことができるので、タイトル、アーティスト、そして作曲家などの情報が保持されます。Linux において、デフォルトで広くサポートされています。他の主なオペレーティングシステムについては、<a href="http://flac.sourceforge.net/download.html#extras">http://flac.sourceforge.net/download.html#extras</a> の <em class="citetitle">Download Extras (FLAC Website)</em> で、FLAC ファイルを演奏できるアプリケーションとプログラムのリストを得ることができます。これが、普通、リスナーに高品質のオーディオを配布するのに、最適な選択です。
+ </div></li><li class="listitem"><div class="para">
+ Ogg/Vorbis: オープンソースの圧縮フォーマット。「非可逆」フォーマット、つまり、圧縮と展開で、いくらかのオーディオ情報が失われます。オーディオ品質は WAV や AIFF に劣りますが、普通は、 MP3 より優れます。メタデータを含むことができるので、タイトル、アーティスト、そして作曲家などの情報が保持されます。Linux において、デフォルトで広くサポートされています。他の主なオペレーティングシステムについては、<em class="citetitle">Vorbis Website</em> <a href="http://www.vorbis.com/">http://www.vorbis.com/</a> の手順に従ってください。これは、リスナーに高品質のオーディオを配布する、良い選択です。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ サンプルフォーマット（<a class="xref" href="#sect-Musicians_Guide-Sample_Format">「サンプルフォーマット」</a> で説明されています。）を高く設定すると、サンプルごとに保存されるオーディオ情報を増やすことができます。３２ビットサポートは、ほとんど存在しないので、近い将来にわたってもこのフォーマットを使う必要があることはないでしょう。"float" フォーマットは、異なる内部的なフォーマットでサンプルを保存するもので、まず、必要とすることはないでしょう。
+ </div><div class="para">
+ もしあなたが、オーディオをハイエンドの装置のためにエクスポートしているか、あるいは、さらに処理をするつもりならば、２４ビットフォーマットを選んでください。そうでないときは、オーディオ CD のサンプルフォーマットである、１６ビットフォーマットが良いでしょう。
+ </div><div class="para">
+ "Sample endianness" は、理解が難しい概念で、結果となるオーディオには何の影響もありません。保存の形式を変えるだけです。もしあなたが、数少ない PowerPC コンピュータをお使いでない限り、 "Little-endian (Intel)" オプションを選択下さい。
+ </div><div class="para">
+ 高いサンプルレート（<a class="xref" href="#sect-Musicians_Guide-Sample_Rate">「サンプルレート」</a> で説明されています。）を使うと、オーディオ情報をよりたくさん保存することができますが、オーディオファイルのサイズが大きくなります。
+ </div><div class="para">
+ "Convesion quality" と "dither type" は、Fedora Linux で提供されるファイルフォーマットでは無効です。
+ </div><div class="para">
+ "CD Marker File Type" を使うと、エクスポートされたファイルに、CD トラックの CUE- あるいは TOC- フォーマットのリストを書き出すことができます。これは、いずれディスクに焼かれる、CD 全体を含むセッション全体をエクスポートするときに最も便利です。
+ </div></div></div></div></div><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-Qtractor" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第8章 Qtractor</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Requirements_and_Installation">8.1. 要求とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Knowledge_Requirements">8.1.1. 前提知識</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Software_Requirements">8.1.2. ソフトウエア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Hardware_Requirements">8.1.3. ハードウエア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Other_Requirements">8.1.4. その他の要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Installation">8
.1.5. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration">8.2. 構成</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration-JACK">8.2.1. <span class="application"><strong>Qtractor</strong></span> を、 <code class="systemitem">JACK</code> (<span class="application"><strong>QjackCtl</strong></span>) と一緒に使う</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab">8.2.2. オーディオオプションを変更する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab">8.2.3. MIDI オプションを変更する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names">8.2.4. MIDI チャネル名を設定する</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-
Qtractor-Using">8.3. Qtractor を使ã†</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using-Blue_Place_Markers">8.3.1. é’ã„プレースマーカを使ã†</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using-MIDI_Tools">8.3.2. MIDI マトリックスエディタã®ãƒ„ールを使ã†</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together">8.3.3. ファイル全部（オーディオ㨠MIDI を一緒ã«ï¼‰ã‚’エクスãƒãƒ¼ãƒˆã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Using-Tips">8.3.4. ãã®ä»–ã®çŸ¥è˜</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial">8.4. MIDI ã§ä½œæ›²ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Inspiration">8.4.1. インスピレーã
‚·ãƒ§ãƒ³</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Requirements">8.4.2. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready">8.4.3. Qtractor を準備ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File">8.4.4. オーディオファイルをインãƒãƒ¼ãƒˆã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area">8.4.5. 最åˆã®ãƒ•ã‚©ãƒ¼ãƒžãƒ«ã‚¨ãƒªã‚¢ã‚’マークã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme">8.4.6. 主題を作る</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme">8.4.7. 主題を繰り返ã—ã¾ã™ã€‚</a></span></dt><dt><span class="section"><a href="#sect
-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part">8.4.8. 次のパートを作曲します</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75">8.4.9. Qtractor の５２から７５小節</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97">8.4.10. Qtractor の７５から９７小節</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measure_97">8.4.11. Qtractor の９７小節</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119">8.4.12. Qtractor の９８から１１９小節</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139">8.4.13. Qtractor の１１９から１３９小節</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158">8.4.14. Qtractor
の１３９から１５８小節</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176">8.4.15. Qtractor の１５８から１７６小節</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End">8.4.16. Qtractor の１７７小節から終わり</a></span></dt></dl></dd></dl></div><div class="para">
+ Qtractor は、比較的新しいアプリケーションで、QjackCtl と Qsynth （どちらも、このガイドの他の章で扱われています ) と同じ開発者により作成、メンテナンスされています。それは、Audacity 以上の柔軟性を提供します。それにもかかわらず、Ardour や Rosegarden と比べると使いやすいです。そのため、それは、最初にソフトウエアの DAW を試してみたい人にとって最適の開始点といえます。
+ </div><div class="para">
+ ã—ã‹ã—ã€Qtractor ã¯ãŸã ã®é–‹å§‹ç‚¹ä»¥ä¸Šã®ã‚‚ã®ã§ã™ï¼šãã®ã‚·ãƒ³ãƒ—ルã•ã¯ãã®æœ€å¤§ã®å¼·ã¿ã§ã™ã€‚Ardour 㨠Rosegarden ã¯ã‚ˆã‚Šå¤šãã®æ©Ÿèƒ½ã‚’æä¾›ã™ã‚‹ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“ãŒã€Qtractor ã¯ç¿’ã†ã®ã«ãšã£ã¨å°‘ãªã„時間ã§æ¸ˆã¿ã¾ã™ã€‚最åˆã®å¦ç¿’曲線を越ãˆã‚‹ã¨ã‚ãªãŸã¯ã»ã¨ã‚“ã©ã™ã¹ã¦ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚ã‚‹ã„㯠MIDI ã®ãƒ—ãƒã‚¸ã‚§ã‚¯ãƒˆã‚’ Qtractor ã§å®Œæˆã•ã›ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ãã®ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã¯ä»¥ä¸‹ã‚’æä¾›ã—ã¾ã™ã€‚クリップã«å¯¾ã™ã‚‹ã‚·ãƒ³ãƒ—ルã§ã€ç›´æ„Ÿçš„ãªãƒã‚¤ãƒ³ãƒˆã‚¢ãƒ³ãƒ‰ã‚¯ãƒªãƒƒã‚¯ç›¸äº’作用。 JACK 接続ã®çµ±åˆã•ã‚ŒãŸåˆ¶å¾¡ã€‚外部デãƒã‚¤ã‚¹ã¨ MIDI 対応ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã¨ã® MIDI コントãƒãƒ¼ãƒ«çµ±åˆã€‚LADSPA, DSSI, ãƒã‚¤ãƒ†ã‚£ãƒ– VSTiã€ãã—㦠LV2 プラグインã®ã‚µãƒãƒ¼ãƒˆã€‚開発スピードãŒã¨ã¦ã‚‚速ã„ã®ã§ã€Qtractor ã¯æ¯Žåˆ†ã”ã¨ã«ã€ã‚ˆã‚Šå®‰å®šã—ã€ä½¿ã„ã‚„ã™ããªã£ã¦ã„ãã¾ã™ã€‚シンプルãªã‚¤ãƒ³ã‚¿ã
ƒ•ã‚§ãƒ¼ã‚¹ã¯ã‚ãªãŸãŒã”自分ã®å‰µé€ 的欲求ã«å¾“ã£ã¦éŸ³æ¥½ä½œæˆã«ãƒ•ã‚©ãƒ¼ã‚«ã‚¹ã™ã‚‹ã®ã‚’助ã‘ã¾ã™ã€‚
+ </div><div class="para">
+ 初心者も進んだユーザも、Qtractor が自分のためにいかに働くかを見て、同じように楽しむことができるでしょう。
+ </div><div class="section" id="sect-Musicians_Guide-Qtractor-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Qtractor-Requirements_and_Installation">8.1. 要求とインストール</h2></div></div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Knowledge_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Knowledge_Requirements">8.1.1. 前提知識</h3></div></div></div><div class="para">
+ Qtractor は使いやすく、そのユーザインタフェースは他の DAW に似ています。もしあなたが以前に DAW を使ったことがなければ、<a class="xref" href="#sect-Musicians_Guide-DAW_User_Interface">「ユーザインタフェース」</a> を読むことをお勧めします。
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Software_Requirements">8.1.2. ソフトウエア要件</h3></div></div></div><div class="para">
+ Qtractor は JACK Audio Connection Kit を使います。Qtractor をインストールする前に JACK をインストール下さい。JACK をインストールする手順は <a class="xref" href="#sect-Musicians_Guide-Install_and_Configure_JACK">「<code class="systemitem">JACK</code> をインストール、設定する」</a> を参照下さい。
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Hardware_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Hardware_Requirements">8.1.3. ハードウエア要件</h3></div></div></div><div class="para">
+ Qtractor を使うには、オーディオインタフェースが必要です。Qtractor でオーディオを録音するには、オーディオインタフェースに接続されたマイクが少なくても１つ必要です。<span class="application"><strong>FluidSynth</strong></span> や <span class="application"><strong>SuperCollider</strong></span> のような、JACK 対応プログラムからのオーディオ信号を録音するには、マイクは必要ありません。
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Other_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Other_Requirements">8.1.4. その他の要件</h3></div></div></div><div class="para">
+ Qtractor を MIDI シーケンサーとして使うためには MIDI シンセサイザーが必要です。Qtractor とともに、ハードウエアおよびソフトウエアのシンセサイザーを使うことができます。<span class="application"><strong>FluidSynth</strong></span> ソフトウエア MIDI シンセサイザーを使うことをお勧めします。<span class="application"><strong>FluidSynth</strong></span> については、<a class="xref" href="#chap-Musicians_Guide-FluidSynth">10章<em>FluidSynth</em></a> を参照下さい。
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Installation">8.1.5. インストール</h3></div></div></div><div class="para">
+ Qtractor は、Fedora ソフトウエアリポジトリからは入手できません。Qtractor は、"Planet CCRMA at Home"と "RPM Fusion"リポジトリから入手できます。もしあなたがこれらのリポジトリの１つを既に有効にしているならば、そのリポジトリから Qtractor をインストールできます。もしこれらのリポジトリを有効にしていないなら、Qtractor を "Planet CCRMA at Home"リポジトリからインストールすることをお勧めします。"Planet CCRMA at Home"リポジトリを有効にする手順は、<a class="xref" href="#sect-Musicians_Guide-CCRMA_Installing_Repository">「Planet CCRMA at Home リポジトリをインストールする」</a> を参照下さい。"Planet CCRMA at Home"リポジトリには、たくさんの種類の音楽とオーディオアプリケーションがあります。
+ </div><div class="para">
+ "RPM Fusion"あるいは "Planet CCRMA at Home"リポジトリを有効にした後、PackageKit あるいは KPackageKit を使って、"qtractor"パッケージをインストールします . その他の必要なソフトウエアは自動的にインストールされます。
+ </div></div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Configuration"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Qtractor-Configuration">8.2. 構成</h2></div></div></div><div class="para">
+ Qtractor は、追加の設定なしで動作するはずです。このセクションでは、あなたが変えたいと思うかもしれない設定について述べます。<span class="guimenu"><strong>View</strong></span> → <span class="guimenuitem"><strong>Options</strong></span> をクリックして "Options"ウインドウを開いて下さい。
+ </div><div class="section" id="sect-Musicians_Guide-Qtractor-Configuration-JACK"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Configuration-JACK">8.2.1. <span class="application"><strong>Qtractor</strong></span> を、 <code class="systemitem">JACK</code> (<span class="application"><strong>QjackCtl</strong></span>) と一緒に使う</h3></div></div></div><div class="para">
+ 同じ開発者 (Rui Nuno Capela) が、 <span class="application"><strong>QjackCtl</strong></span>, <span class="application"><strong>Qsynth</strong></span>, そして <span class="application"><strong>Qtractor</strong></span> の開発をしています。なので、 <span class="application"><strong>Qtractor</strong></span> を <span class="application"><strong>QjackCtl</strong></span> と <span class="application"><strong>Qsynth</strong></span> と一緒に使うのをおすすめします。
+ </div><div class="para">
+ <span class="application"><strong>Qtractor</strong></span> は、 <span class="application"><strong>QjackCtl</strong></span> と同じ事をすることがあります。例えば、 <span class="application"><strong>Qtractor</strong></span> は、あなたが最後に <span class="application"><strong>QjackCtl</strong></span> を使ったのと同じ設定で JACK を自動的に開始します。また、 <span class="application"><strong>Qtractor</strong></span> は、それぞれの <span class="application"><strong>Qtractor</strong></span> ファイルに、使用する JACK コネクションを記憶します。JACK の設定を変えるには、 <span class="application"><strong>QjackCtl</strong></span> を使わなくてはいけません。
+ </div><div class="important"><div class="admonition_header"><h2>重要</h2></div><div class="admonition"><div class="para">
+ <span class="application"><strong>Qtractor</strong></span> の "Connections" ウインドウは、 <span class="application"><strong>QjackCtl</strong></span> の "Connections" ウインドウと似ていますが、同じではありません。<span class="application"><strong>Qtractor</strong></span> の "MIDI" タブのコネクションは、<span class="application"><strong>QjackCtl</strong></span> の "ALSA" タブに現れます。<span class="application"><strong>QjackCtl</strong></span> の "MIDI" タブのコネクションは、<span class="application"><strong>Qtractor</strong></span> では見えません。
+ </div></div></div><div class="para">
+ <span class="application"><strong>Qtractor</strong></span> が、自動的に <span class="application"><strong>Qsynth</strong></span> あるいは <span class="application"><strong>FluidSynth</strong></span> を制御することはありません。
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab">8.2.2. オーディオオプションを変更する</h3></div></div></div><div class="para">
+ "Capture/Export"設定は、Qtractor が録音、あるいはエクスポートするときにオーディオクリップを格納するのに使う形式を選択することができます。"WAV Microsoft"は、標準の ".wav"ファイル、"AIFF Apple-SGI"は標準の ".aiff"ファイル、あるいはお勧めの "FLAC Lossless Audio Codec"形式などのファイルタイプを選ぶことができます。FLAC は、オーディオ信号とメタデータを格納するための、オープンソースの、損失のない、圧縮形式です。詳しくは、<em class="citetitle">FLAC Website</em><a href="http://flac.sourceforge.net/">http://flac.sourceforge.net/</a> ã‚’å‚照下ã•ã„。他ã«ã‚‚ã€æ失ã®ã‚る圧縮形å¼ã®å“質è¨å®šã‚„ã€ã™ã¹ã¦ã®æ失ã®ãªã„å½¢å¼ã§ä½¿ã‚れるサンプル形å¼ã‚’é¸æŠžã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ã‚‚ã—ã©ã®ã‚µãƒ³ãƒ—ル形å¼ã‚’é¸ã¹ã°ã‚ˆã„ã‹ã‚ã‹ã‚‰ãªã„ã¨ãã¯ã€"Signed 16-Bit"ãŒã€ã»ã¨ã‚“ã©ã
®ãƒ¦ãƒ¼ã‚¶ã«ã¨ã£ã¦ã‚ˆã„é¸æŠžã§ã‚ã‚Šã€CD å“質ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’æä¾›ã—ã¾ã™ . ã»ã¨ã‚“ã©ã®ã€ç‰¹åˆ¥ä»•æ§˜ã§ãªã„ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã¯ã€ã‚ˆã‚Šé«˜ã„サンプル形å¼ã‚’å分ã«æ´»ç”¨ã™ã‚‹èƒ½åŠ›ãŒã‚ã‚Šã¾ã›ã‚“。サンプル形å¼ã«ã¤ã„ã¦è©³ã—ãã¯ã€<a class="xref" href="#sect-Musicians_Guide-Sample_Rate_and_Sample_Format">「サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレートã€</a> ã‚’å‚照下ã•ã„。
+ </div><div class="para">
+ "Transport mode"の設定は、トランスポートの振る舞いを調整します .
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ None : Qtractor のトランスポートは独立して動作します .
+ </div></li><li class="listitem"><div class="para">
+ Slave : Qtractor のトランスポートは、 JACK のトランスポートが送る命令を受け付けます。それは、QjackCtl や、他のアプリケーションから制御できます。
+ </div></li><li class="listitem"><div class="para">
+ Master : Qtractor のトランスポートは、 JACK のトランスポートに命令を送ります。それは、QjackCtl で見たり、他のアプリケーションから使用できます。
+ </div></li><li class="listitem"><div class="para">
+ Full : "Master"と "Slave"モードを同時に行うのと同じです。Qtractor のトランスポートは、命令を送信、受信します .
+ </div></li></ul></div>
+ もしあなたが Qtractor を単独で使っている場合、あるいは、どれを選べばよいかわからない場合は、"None"がよいでしょう。この設定は、後であなたが複数のアプリケーションでトランスポートをリンクすることにしたときに、いつでも変更できます。
+ </div><div class="para">
+ "Metronome"セクションでは、標準の MIDI ベースのメトロノームの代わりに、( 短い）オーディオファイルをメトロノームの音として使うことができます。お望みなら、"beat"と "bar"に同じファイルを指定できます。"Dedicated audio metronome outputs"オプションは、オーディオメトロノームの信号を、JACK の独立した出力に送ります . これは Ardour のデフォルトの振る舞いです。
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab">8.2.3. MIDI オプションを変更する</h3></div></div></div><div class="para">
+ "File format"で、MIDI クリップが格納される形式を選ぶことができます。あなたは、外部のアプリケーションにより必要とされない限り、これを変更する必要はありません。ファイルタイプについては、<a href="http://en.wikipedia.org/wiki/Musical_Instrument_Digital_Interface#Standard_MIDI_.28.mid_or_.smf.29">http://en.wikipedia.org/wiki/Musical_Instrument_Digital_Interface#Standard_MIDI_.28.mid_or_.smf.29</a> の <em class="citetitle">Musical Instrument Digital Interface: Standard MIDI (.mid or .smf) (Wikipedia)</em> を参照下さい。
+ </div><div class="para">
+ "MMC"は "MIDI Machine Control"の略で、複数の MIDI 接続されたデバイスが相互作用し、互いを制御することができるようにします。"Transport mode"を "None"以外にすると、MMC メッセージで制御されるようになります。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ None :Qtracto は入力 MMC メッセージを無視し、MMC メッセージを出力しません .
+ </div></li><li class="listitem"><div class="para">
+ Input :Qtracto は入力 MMC メッセージに従いますが、、MMC メッセージを出力しません .
+ </div></li><li class="listitem"><div class="para">
+ Output:Qtracto は入力 MMC メッセージを無視しますが、MMC メッセージを出力します。
+ </div></li><li class="listitem"><div class="para">
+ Duplex :Qtracto は入力 MMC メッセージに従い、MMC メッセージを出力します。
+ </div></li></ul></div>
+ Qtractor が相互作用する特定の MIDI デバイス番号を指定することもできます。そうすると、他のデバイスからの MMC メッセージを無視し、他のデバイスには MMC メッセージを送りません。"Dedicated MIDI control input/output"を有効にすると、Qtractor が MMC メッセージ専用に使う MIDI 入力と出力を JACK に提供します . このオプションが有効だと、Qtractor は他の入力あるいは出力から MMC メッセージを送受信しなくなります ."SPP"は "Song Position Pointer"の略で、MIDI 接続されたアプリケーションがセッションの現在位置、( 他の言葉で言うと、トランスポートがどこにいるか）を保持するのを助けます。これはたぶん、"MMC"と同じ設定にするべきです。これらのどの設定を使うかわからなければ、"MMC"を "None"にするのがよいでしょう。これは、後であなた
がアプリケーションを MMC でリンクすることにしたときにいつでも変更することができます。
+ </div><div class="para">
+ デフォルトのメトロノームの音は "MIDI Metronome"で提供され、その設定をここで変えることができます。特に、"Dedicated MIDI metronome output"をチェックして、メトロノームの信号を分けるのが良いかもしれません。
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names">8.2.4. MIDI チャネル名を設定する</h3></div></div></div><div class="para">
+ もし "<span class="application"><strong>FluidSynth</strong></span>"を QSynth とともにお使いならば、Qtractor に、お使いのサウンドフォントについて教えないといけません。これをすると、Qtractor はあなたが楽器 ("パッチ ") を選ぶ手伝いをします。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 'View > Instruments'をクリックします。
+ </div></li><li class="listitem"><div class="para">
+ "Instruments"ウインドウで "Import"をクリックします .
+ </div></li><li class="listitem"><div class="para">
+ <code class="filename">/usr/share/soundfonts</code> へ行きます。
+ </div></li><li class="listitem"><div class="para">
+ あなたが使いたいサウンドフォントを選択します . デフォルトは FluidR3 GM サウンドフォントですが、あなたは同時に使う複数のサウンドフォントを選ぶことができます。
+ </div></li><li class="listitem"><div class="para">
+ "Instruments"ウインドウを閉じて、Qtractor のメインウインドウに戻ります。
+ </div></li></ol></div>
+
+ </div></div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Using"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Qtractor-Using">8.3. Qtractor を使う</h2></div></div></div><div class="para">
+ "チュートリアル "セクションは例を示してあなたに Qtractor の使い方を教えます。このセクションは、あなたがチュートリアルを完成する間のレファレンスとなるよう、または後であなたの記憶の助けとなる用に作られています。
+ </div><div class="section" id="sect-Musicians_Guide-Qtractor-Using-Blue_Place_Markers"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Using-Blue_Place_Markers">8.3.1. 青いプレースマーカを使う</h3></div></div></div><div class="para">
+ トランスポートに加えて、Qtractor は他に２つのプレースマーカを提供します . それは青色をしています。以下は、青いプレースマーカでできることです：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ * レンジをマークする：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 左端のマーカを置きたいところにカーソルを移動下さい。
+ </div></li><li class="listitem"><div class="para">
+ 左クリックして保持下さい。
+ </div></li><li class="listitem"><div class="para">
+ 右端のマーカを置きたいところまでカーソルをドラッグ下さい。
+ </div></li><li class="listitem"><div class="para">
+ マウスボタンを離します。
+ </div></li><li class="listitem"><div class="para">
+ 青いマーカが、特定のレンジをマークしているはずです。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ * １つの特定の場所をマークする：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ マークしたいところにカーソルを移動します。
+ </div></li><li class="listitem"><div class="para">
+ そこで左クリックして保持します。
+ </div></li><li class="listitem"><div class="para">
+ カーソルを少し右にドラッグします。
+ </div></li><li class="listitem"><div class="para">
+ 青いマーカが現れるはずです。
+ </div></li><li class="listitem"><div class="para">
+ それらを分離しておく代わりに、２つめの青いマーカを最初のものの上に移動します。
+ </div></li><li class="listitem"><div class="para">
+ マウスボタンを離します。
+ </div></li><li class="listitem"><div class="para">
+ 矢印は１つになるはずです。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ * マーカの１つを移動する：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ トラックペインの一番上にあるルーラーのところにあるマーカーの三角形のトップの上にカーソルを置きます。
+ </div></li><li class="listitem"><div class="para">
+ カーソルの形が、両方に矢印のある水平な線に変わるはずです。
+ </div></li><li class="listitem"><div class="para">
+ 左クリックして、マウスをドラッグします。
+ </div></li><li class="listitem"><div class="para">
+ 青いプレースマーカはマウスについてくるはずです。もしそうならないときはもう一度やってみて下さい。プレースマーカを選択するのは難しいときがあります。
+ </div></li></ol></div>
+
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools">8.3.2. MIDI マトリックスエディタのツールを使う</h3></div></div></div><div class="para">
+ Qtractor の MIDI クリップのためのマトリックスエディタは、たくさんの便利なツールを提供し、それらはマトリックスエディタウインドウの "Tools"メニューから使えます。これらのツールは、ツールのウインドウが開く前にマトリックスエディタウインドウにおいて選択されていた MIDI 音符だけを操作します。メニューからどのツールを選んでも、ウインドウが開いたときに同じオプションが使えます。一度に複数のツールを使うことができます。
+ </div><div class="para">
+ ご注意：ツールの名前はまぎらわしいです。
+ </div><div class="para">
+ 以下が、それぞれのツールが何をするかの説明です：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Quantize: このツールは、MIDI 音符がどこで開始できるか、どれだけの長さ、続くかを調整します。拍の分割でマークされます。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Time: デフォルト設定の "Beat/4"は、音符が１６分音符の境界でだけ、開始するようにします。もし音符がどこか他のところから始まるならば、それは近くの１６分音符の境界まで移動されます。例えば、ある小節の最初の３２分音符のところから始まる音符は、代わりに最初の拍に移動されます。
+ </div></li><li class="listitem"><div class="para">
+ Duration: デフォルト設定の "Beat/2"は音符が８分音符の倍数でだけ、続くようにします . もし音符が８分音符の倍数より長かったり短かったりすると、それは８分音符の倍数の最も近い長さに調整されます。例えば、１６分音符は８分音符に変更されます。
+ </div></li><li class="listitem"><div class="para">
+ Swing: これはリズムの "swing"エフェクトを調整します。あなたは自分に合う設定を見つけるために実験をする必要があります。
+ </div></li><li class="listitem"><div class="para">
+ ４分音符が拍を得るときの一般的な設定を、単純に表したもの：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Beat :4 分音符の長さ
+ </div></li><li class="listitem"><div class="para">
+ Beat/2 : ８分音符の長さ
+ </div></li><li class="listitem"><div class="para">
+ Beat/3 : ８分音符３連符の長さ
+ </div></li><li class="listitem"><div class="para">
+ Beat/4 : １６分音符の長さ
+ </div></li><li class="listitem"><div class="para">
+ Beat/6 : １６分音符６連符の長さ
+ </div></li><li class="listitem"><div class="para">
+ Beat/8 : ３２分音符の長さ
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Transpose: このツールは選択された MIDI 音符のピッチ（垂直軸 ) あるいは時間（水平軸 ) を調整します。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Pitch: 音符をこれだけの音程、移調します。正の値は高い音程に、負の値は低い音程にします。
+ </div></li><li class="listitem"><div class="para">
+ Time:MIDI 音符の開始時間を、長さや音程を変えることなく、調整します。これは、"BBT" ( つまり "Bars, Beats, and Ticks"それぞれは、小数点で区切られます）で表すのが最も便利ですが、時間やフレームを単位に表すこともできます。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Normalize: これは、選択された MIDI 音符のラウドネス、"ベロシティ "と呼ばれます、を調整します。このツールを使うには３つの方法があります。"MIDI Tools"ウインドウで指定された値は可能な最大ベロシティとして使われます。他のすべてのベロシティ値は適当に調整されます。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Percent"だけを調整する : これは、ベロシティを最大ベロシティのパーセントで指定します。
+ </div></li><li class="listitem"><div class="para">
+ "Value"だけを調整する : これは、特定の値をベロシティに設定します。可能な値は０から１２７です。
+ </div></li><li class="listitem"><div class="para">
+ "Percent"と "Value"の両方を調整する : これは指定された値のパーセントを設定します。例えば、"50%"と "32"を設定すると、結果のベロシティは "16"であり、これは３２の５０％です。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Randomize: このツールは選択されたパラメータを擬似ランダムな値に調整します。値は２つの理由から擬似ランダムであるに過ぎません：コンピュータは真のランダム値を生成することはできません。人にとってランダムに見える値だけが可能です。パーセンテージ値で、結果がどの程度広く変化するかを指定できます。低いパーセント設定は、高いパーセント設定のときと比べて、より、もとの MIDI 音符に近くなります。以下のパラメータがランダムにできます：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Note, つまり、音程
+ </div></li><li class="listitem"><div class="para">
+ Time, つまり、音の開始時刻
+ </div></li><li class="listitem"><div class="para">
+ Duration, つまり、長さ
+ </div></li><li class="listitem"><div class="para">
+ Value, つまり、ラウドネス（ベロシティ）
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Resize: このツールでは、ある MIDI 音符の長さあるいは大きさを直接指定することができます。"Value"フィールドを設定すると、すべての選択された音符のベロシティ（ラウドネス）をその値にします。有効な設定は０（最も静か）から１２７（最も大きい）です。"Duration"フィールドを設定すると、すべての選択された音符のデュレーション（長さ）をその値にします。長さは "BBT" ( つまり "Bars, Beats, and Ticks" それぞれは小数点で区切られます。）で表すのが最も便利ですが、時間やフレームを単位として表すこともできます。
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together">8.3.3. ファイル全部（オーディオと MIDI を一緒に）をエクスポートする</h3></div></div></div><div class="para">
+ Qtractor はセッションのオーディオクリップのすべてを１つのオーディオファイルにエクスポートすることができます。しかし、そのオーディオファイルに MIDI クリップを直接エクスポートすることはできません。これは、Qtractor は MIDI 信号からオーディオを合成するのでなく、外部の MIDI シンセサイザーでこれを行うためです。ありがたいことに、この制限を越え、オーディオと MIDI を同じオーディオファイルにエクスポートする比較的簡単な方法があります： Qtractor を使って、MIDI シンセサイザーが生成するオーディオ信号を録音するのです。この手順は、あなたがオーディオ信号を JACK に出力する MIDI シンセサイザー（ <span class="application"><strong>FluidSynth</strong></span> のように）を使っているときしかうまくいきません。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Qtractor で'Track > Add Track'をクリックして、新しいオーディオトラックを作ります。
+ </div></li><li class="listitem"><div class="para">
+ あなたの MIDI シンセサイザーが、正しくセットアップされていて、通常の方式で（スピーカーを通して）出力を生成することを確認下さい。
+ </div></li><li class="listitem"><div class="para">
+ Qtractor の "Connections"ウインドウを使って（キーボードで F8 を押します）あなたの MIDI シンセサイザーの出力が新しく作られたオーディオトラックの入力にルーティングされていることを確認下さい。
+ </div></li><li class="listitem"><div class="para">
+ Qtractor のトランスポートをセッションの最初に移動します。
+ </div></li><li class="listitem"><div class="para">
+ 新しく作成されたオーディオトラックだけが、録音の準備をされていることを確認下さい。
+ </div></li><li class="listitem"><div class="para">
+ Qtractor のトランスポートを録音準備します。
+ </div></li><li class="listitem"><div class="para">
+ トランスポートで "Play"を押してセッションが最後まで再生するのを待ちます。
+ </div></li><li class="listitem"><div class="para">
+ セッションの最後に行ったら、トランスポートを止めます。Qtractor は自動的にはトランスポートを止めません。
+ </div></li><li class="listitem"><div class="para">
+ 'Track > Export Tracks > Audio'をクリックして、いつもの通り、ファイルをエクスポートします .
+ </div></li></ol></div>
+
+ </div><div class="para">
+ MIDI 信号のオーディオバージョンが録音され、あなたがセッションをエクスポートしたら、新しいオーディオトラックは削除しても構いません。
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Using-Tips"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Using-Tips">8.3.4. その他の知識</h3></div></div></div><div class="para">
+ Qtractor のトラックペインあるいはマトリックスエディタで水平方向にスクロールしたい時は、マウスのスクロールホイールを動かす間、コントロール (Ctrl) キーを押したままにして下さい。
+ </div><div class="para">
+ Qtractor ファイルは、空のフォルダにセーブされなくてはいけません。Ardour, Audacity, そして Rosegarden とは異なり、Qtractor は自動的にサブフォルダを作ることなく、セッションのクリップのすべてを、Qtractor ファイル自身と同じフォルダに格納しようとします .
+ </div><div class="section" id="sect-Musicians_Guide-Qtractor-Using-Tips-Transport"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Qtractor-Using-Tips-Transport">8.3.4.1. トランスポート</h4></div></div></div><div class="para">
+ Qtractor のトランスポートをセッションの特定の点に移動するには、マウスでその点をクリックする時に、シフトを押したままにします .
+ </div><div class="para">
+ 'Transport > Follow Playhead'をクリックすることで、トラックペインがトランスポートが移動するに連れて自動的にスクロールするかどうかを選択できます。
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Using-Tips-MIDI"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Qtractor-Using-Tips-MIDI">8.3.4.2. MIDI</h4></div></div></div><div class="para">
+ MIDI トラックを作成するとき、"omni"チェックボックスを使うと、トラックがどの MIDI チャネルからの入力にも反応するようにできます。チェックボックスが選択されていないときはトラックはそれがアサインされた MIDI チャネルの信号だけに反応します .
+ </div><div class="para">
+ マトリックスエディタウインドウで、あなたは音符の "ベロシティ "（ラウドネス）を、"Resize"MIDI ツール（ <a class="xref" href="#sect-Musicians_Guide-Qtractor-Using-MIDI_Tools">「MIDI マトリックスエディタのツールを使う」</a> を参照）を使って調整できます。
+ </div><div class="para">
+ あなたが Qtractor のマトリックスエディタを使うのが難しいと感じる一方、LilyPond での作業が簡単だと思うならば、これをあなたの強みにしましょう。LilyPond は、あなたの楽譜の MIDI 形式の表示を出力することができます。それには、"score"セクションに "midi"セクションを加えます。それは、こんなふうに見えるでしょう：
+<pre class="programlisting">
+⏎
+\score⏎
+{⏎
+ ...⏎
+ \midi { }⏎
+}⏎
+</pre>
+ <span class="application"><strong>LilyPond</strong></span> の MIDI 出力を、<span class="application"><strong>Qtractor</strong></span> でインポートすることができます。<span class="guimenu"><strong>Track</strong></span> → <span class="guisubmenu"><strong>Import Tracks</strong></span> → <span class="guimenuitem"><strong>MIDI</strong></span> を選択下さい。
+ </div></div></div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial">8.4. MIDI で作曲する（チュートリアル）</h2></div></div></div><div class="para">
+ これは、<span class="application"><strong>Qtractor</strong></span> の最初のユーザのためのプロジェクトのデモンストレーションです。チュートリアルの一連の手順は作者の意思決定と、作者が使ったいろいろなアプリケーションの機能を説明します。これは、創作の汎用的な方式を示すためのものではなく、むしろ、作者がインスピレーションによって新しい作曲をしたときの特別の仕方を示すものです。
+ </div><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Inspiration"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Inspiration">8.4.1. インスピレーション</h3></div></div></div><div class="para">
+ このチュートリアルは、オーディオと MIDI トラックを１つのプロジェクトで一緒にするという、 <span class="application"><strong>Qtractor</strong></span> の独特の強みを明らかにします。私は、私のお気に入りの作品の一部分から始めようと思います。そして、MIDI ベースのそれの分身ともいえる曲を作曲します。
+ </div><div class="para">
+ オーディオ録音は、 "主題と変奏曲 "の楽章なので、それは主題から始まります。そして、その主題の変奏された版が続きます。主題は２つの部分からなり、それぞれが１度、繰り返されます。オリジナルの作曲家は彼の時代において典型的ないくつかの作曲技法を使って、一貫して似ていて、しかも一貫して新しい楽章を作り上げました。
+ </div><div class="para">
+ 私たちはベートーヴェンと同じ美学的規則に従う必要はありません。そんなことは不可能だという人もいます。新しいピアノ独奏曲を作曲するとき、私たちは、１５０年あまりにわたって、ベートーヴェンの美学的規則が拡張され続けてきた音楽の歴史を知らずにはいられないからです。このチュートリアルで、私たちは<span class="application"><strong>Qtractor</strong></span>でマトリックスエディタを使います。それは、標準の西洋音楽の記譜法には似ていません—同じ結果は望むべくもありません。このチュートリアルは、１９世紀初頭の室内音楽と、２１世紀初頭の電子音楽の結合という芸術的可能性を探るものです。
+ </div><div class="para">
+ 最後になりましたが、このチュートリアルを準備する際に、MIDI 部分を作曲したときに使ったオーディオ録音を配布できないという問題が起きました。このため、あなたが使うオーディオ録音は、私たちの使ったものとは違うかもしれません。あなたが以下の指示に忠実に従ったとしても、あなたの結果は、私たちのものとはずいぶん違ってくるかもしれません。
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Requirements">8.4.2. チュートリアルのファイル</h3></div></div></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ベートーヴェンのピアノソナタ２３番、"熱情 "の第２楽章の録音。以下のいずれか：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://www.mutopiaproject.org/cgibin/make-table.cgi?searchingfor=appassionata">http://www.mutopiaproject.org/cgibin/make-table.cgi?searchingfor=appassionata</a> の <em class="citetitle">Mutopia</em> (MIDI シンセサイザー録音で、LilyPond 楽譜つき),
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://soundcloud.com/waltereegho/beethoven-sonata-no-23-in-f-minor-op-57-appassionata-ii-andante-con-moto-09">http://soundcloud.com/waltereegho/beethoven-sonata-no-23-in-f-minor-op-57-appassionata-ii-andante-con-moto-09</a> の <em class="citetitle">SoundCloud</em>（ライブ録音）、あるいは、
+ </div></li><li class="listitem"><div class="para">
+ 商業的録音
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ <a class="xref" href="#chap-Musicians_Guide-FluidSynth">10章<em>FluidSynth</em></a> で述べた <span class="application"><strong>FluidSynth</strong></span> が必要です。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/Qtractor/FMG-Qtractor-MIDI-Recording.flac">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/Qtractor/FMG-Qtractor-MIDI-Recording.flac</a> から、チュートリアルの、MIDI 部分の録音をダウンロードします。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://soundcloud.com/fedoraproject/fmg-qtractor-export">http://soundcloud.com/fedoraproject/fmg-qtractor-export</a> で、このチュートリアルの、MIDI 部分とオーディオ部分が一緒になった録音を聞いて下さい。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://soundcloud.com/bradbreeck/beethoven-piano-sonata-no-23">http://soundcloud.com/bradbreeck/beethoven-piano-sonata-no-23</a> で、この作品の別の楽章を使った、同じようなプロジェクトを聞いて下さい。
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready">8.4.3. Qtractor を準備する</h3></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ QjackCtl を開いて、JACK を開始します。
+ </div></li><li class="listitem"><div class="para">
+ Qsynth を開いて、デフォルトの FluidR3 サウンドフォントを使って１つのインスタンスを構成します。
+ </div></li><li class="listitem"><div class="para">
+ Qtractor を開きます。
+ </div></li><li class="listitem"><div class="para">
+ MIDI トラックがデフォルトの FluidR3 サウンドフォントを使う用に構成します。
+ </div></li><li class="listitem"><div class="para">
+ QjackCtl に移って、接続が正しいことを確認します：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Qtractor の MIDI out("ALSA"ページにある ) は、Qsynth の MIDI in につながっている。
+ </div></li><li class="listitem"><div class="para">
+ Qsynth の audio out は system in( スピーカー ) につながっている。
+ </div></li><li class="listitem"><div class="para">
+ Qtractor の audio out は system in （スピーカー）につながっている。
+ </div></li><li class="listitem"><div class="para">
+ 他の接続は不要です。
+ </div></li></ul></div>
+
+ </div></li></ol></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File">8.4.4. オーディオファイルをインポートする</h3></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 新しいオーディオトラックを作ってください。
+ </div></li><li class="listitem"><div class="para">
+ オーディオトラックを右クリックして、"Clip"そして、"Import"を選択します。
+ </div></li><li class="listitem"><div class="para">
+ インポートしたいオーディオファイルを位置づけます。（今の場合、私はベートーヴェン作品番号５７ピアノソナタ "熱情 "の第２楽章の録音をインポートしました。）
+ </div></li><li class="listitem"><div class="para">
+ クリップがトラックの最初から始まらないときは、クリックアンドドラッグして最初に持って行きます。
+ </div></li></ol></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area">8.4.5. 最初のフォーマルエリアをマークする</h3></div></div></div><div class="para">
+ トランスポートの他に、Qtractor には２つの青いプレースマーカがあり、それらはときには１つに合わさることもあります。青いプレースマーカの振る舞いを知るもっとも良い方法は、使ってみることです。それらは、ワークエリア（ "メインスクリーン "）において範囲をマークするためのものです。
+ </div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 標準の速度を１分に１２０拍、４／４拍子とします。
+ </div></li><li class="listitem"><div class="para">
+ 最初から始めて、最初のフォーマルな楽節の終わりまで聴きます。私はそれを、１２小節の４つめの拍と决めました。（ルーラーで見てください。）
+ </div></li><li class="listitem"><div class="para">
+ 青い矢印でその点をマークします。
+ </div></li><li class="listitem"><div class="para">
+ セッションの最初を左クリックして、フォーマルエリアの最初をマークします。もしトランスポートが最初にあるならば、青いプレースマーカは隠れてしまいます。
+ </div></li><li class="listitem"><div class="para">
+ "Edit > Clip > New"をクリックして、新しいクリップを作ります。
+ </div></li><li class="listitem"><div class="para">
+ クリップエディタが現れます
+ </div></li></ol></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme">8.4.6. 主題を作る</h3></div></div></div><div class="para">
+ 私は、なにかシンプルなものがほしいと思います。この楽章の主題である最初のシンプルな響きのコラールに見合うような。しばらくの音、そしてしばらくの休止以上にシンプルなものはあるでしょうか？
+ </div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ MIDI マトリックスエディタウインドウで、"Edit mode"ツールをクリックします。それは他に何もマーキングのない鉛筆に見えます。
+ </div></li><li class="listitem"><div class="para">
+ ３つの拍ごとに音を入れることにします。（１つの拍は１つの垂直線でマークされます。）拍では１６分音符だけ続きます。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 音符を置くところを鉛筆でクリックします。箱が現れます。箱を右にドラッグすると、音は長く続くことになります。
+ </div></li><li class="listitem"><div class="para">
+ 私はすべての音符を同じ音程に置きましたが、あなたがそれらを同じ音程に置くかどうかはどうでもよいです。後で、変えるからです。
+ </div></li><li class="listitem"><div class="para">
+ 音符を入力するときに、間違いをしました。このため、３拍離れるはずが２拍しか離れていないところが１箇所あります。これは私にはどうでもよいですが、あなたにはそうでないかもしれません。
+ </div></li><li class="listitem"><div class="para">
+ あなたがあらかじめ選択しておいたリージョン（青いマーカの間）をすべてうめるまで、音符を入力してください。Qtractor はその点を超えて続けることを許すので、あなたは自分でマーカに気をつけないといけません。
+ </div></li><li class="listitem"><div class="para">
+ 横にスクロールするには、シフトあるいはコントロールを押したままマウスのスクロールホイールを使ってください。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ あなたが追加したセグメントの終わりのちょうど前までトランスポートを動かします。シフト、クリックを使います。
+ </div></li><li class="listitem"><div class="para">
+ 最後まで聴いて、あなたのセグメントが最初のフォーマルエリアの終端と同じか、あるいはその前で終わるのを確認してください。
+ </div></li><li class="listitem"><div class="para">
+ マトリックスエディタウインドウを閉じます。
+ </div></li><li class="listitem"><div class="para">
+ あなたが入力した MIDI セグメントを見るために、メインウインドウを使います。垂直の線は小節の線で、暗い色の四角は音符を表します。
+ </div></li><li class="listitem"><div class="para">
+ もし MIDI セグメントがあなたが入力した最後の音符より長いようなら、終端をクリックアンドドラッグして、はみ出すところがあまり多くないようにしてください。もしうっかり短くしすぎて音符を削除してしまったならば、そのセグメントを単にドラッグして元に戻します。音符はそのまま、あるはずです。
+ </div></li><li class="listitem"><div class="para">
+ MIDI セグメントをダブルクリックして、マトリックスエディタに戻ります。
+ </div></li><li class="listitem"><div class="para">
+ 今までに入力した音符を全部選択します：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Control-a を押す
+ </div></li><li class="listitem"><div class="para">
+ クリックおよびドラッグして選択、あるいは
+ </div></li><li class="listitem"><div class="para">
+ 'Edit > Select > Select All'をクリックください。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 音程をランダムにする：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 'Tools > Randomize'をクリックします。
+ </div></li><li class="listitem"><div class="para">
+ "Randomize"がチェックされているのを確認します。
+ </div></li><li class="listitem"><div class="para">
+ "Note"がチェックされているのを確認します。（これは、"音程 "を意味します。）
+ </div></li><li class="listitem"><div class="para">
+ パーセントを選択します。
+ </div></li><li class="listitem"><div class="para">
+ "OK"をクリックして、適用します。
+ </div></li><li class="listitem"><div class="para">
+ ランダムにするパーセントについては、実験が必要です。ランダム化が大きいと繰り返しが少なくなりますが、それは音程がより狭い範囲に分散することを意味します。
+ </div></li><li class="listitem"><div class="para">
+ ランダム化をやり直すには、'Edit > Undo Randomization'をクリックして、次に "Randomize"ツールをもう一度使ってください。
+ </div></li><li class="listitem"><div class="para">
+ ほとんどの音程に起きた変化に満足したら、音符のいくつかを単独であるいは一緒に、選択して移動することができます。グループで音程を変えるには動かしたいものを選択して、（クリックアンドドラッグして選択するか、あるいはコントロール、クリックして選択するか）それらを動かしたいところにコントロール、ドラッグします。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ さて、音符のボリュームを調整しなければいけません。これには２つのやり方があります：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ すべての音符を選択して、"Resize MIDI"ツールを使い、"Value"プロパティを調整する。
+ </div></li><li class="listitem"><div class="para">
+ 全部の音符を選択して、次にマトリックスエディタウインドウの値エディタの部分を使うことができます。これは、マトリックスエディタウインドウの、一番下にあり、ここで示される各音符の高さは、それが演奏されるときのボリュームに相当します。一度にすべての音符を変更するには、それらをコントロール、ドラッグして、望みの高さに調整します。このとき、水平位置を変えないように注意してください。それは、音符が鳴る時刻を変えてしまいます。
+ </div></li><li class="listitem"><div class="para">
+ だいたい "32"のボリュームをお勧めしますが、これはあなたのお好み次第です。さらに、私はいくつかの音符のボリュームを、オーディオファイルが大きい時は同じように大きくしました。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 音程とボリュームに満足したら、トランスポートを最初から開始して、あなたが今作成したセグメントの全体を聴いてみます。この楽節をもう一度変更してもよいですし、次のステップに進んでもよいです。
+ </div></li></ol></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme">8.4.7. 主題を繰り返します。</h3></div></div></div><div class="para">
+ この作品の冒頭は、（この Qtractor セッションでは）１３小節のセグメントから始まり、それはすぐに繰り返されます。あなたが私のように１３小節の主題を作ることにしたのならばベートーヴェンの繰り返しに対応する２つめの MIDI セグメントを作るか、あるいは私のように、あなたの主題を繰り返すためにコピーアンドペーストをしてください。
+ </div><div class="para">
+ あなたの主題を正確に繰り返す：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 最初の MIDI セグメントをクリックして選択し、'Edit > Copy'を選択するか、Control-c によってコピーします。
+ </div></li><li class="listitem"><div class="para">
+ 'Edit > Paste'をクリックするか、Control-v によりペーストします。
+ </div></li><li class="listitem"><div class="para">
+ カーソルはクリップボードのアイコンの形に変わり、その右に四角が現れます。四角はペーストされるクリップを示します。しかし、まず、それを置くところを選択しないといけません。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ カーソルを動かして、四角が最初の MIDI クリップの直後（右端のエッジ）に現れるようにします。
+ </div></li><li class="listitem"><div class="para">
+ メインウインドウをスクロールするのにスクロールバー矢印を使うことができますが、それは、カーソルが変化しているので難しいかもしれません。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ メインウインドウをスクロールするにはコントロールを押してマウスのスクロールホイールを使ってもよいです。
+ </div></li><li class="listitem"><div class="para">
+ 注意深くマウスカーソルをメインのものの端に動かすことによってもスクロールすることができます。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 四角を正確に最終位置に置く必要はありません。その近くでよいです。
+ </div></li><li class="listitem"><div class="para">
+ 四角を置きたい位置に置いたら、左クリックします。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ トランスポートを動かして、最初のクリップの終端から２つめのクリップの開始への移行が聞けるようにします。トランスポートコントロールで <span class="guibutton"><strong>Play</strong></span> を押して聞いてみて、終わったら止めます。
+ </div></li><li class="listitem"><div class="para">
+ ２つめのクリップの位置を調整する必要があるときは、クリックアンドドラッグして正しい位置に移動します。クリップを正しく置いたことを確認するために、もう一度聞いてみます。
+ </div></li></ol></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part">8.4.8. 次のパートを作曲します</h3></div></div></div><div class="para">
+ 説明しにくいのですが、この部分は、最初の部分にとても似ているものの、ずっと和音にフォーカスしているように私には思えます。私はこれを、最初の部分と同じ生成的なアイデアを用いながら、１つでなく２つの同時の音程を使うことで表現しようと思います。セグメントの最後に、今までより長く続く音の "ランダム化した "音程の短いかたまりを加えました。この和音的な出来事を加えるのに特別な理由はないのですが、そうするのが正しいという気がしたのです。
+ </div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ オーディオファイルの次の部分を聴きます。そして、使いたい次のフォーマルセクションをマークします。（私の場合、Qtractor の２５小節から、３８小節の２拍までです。）私の選んだ部分は、最初の部分と同じように繰り返されます。
+ </div></li><li class="listitem"><div class="para">
+ あなたの選んだセグメントの最初と最後に青いマーカを置きます。
+ </div></li><li class="listitem"><div class="para">
+ 新しい MIDI クリップを作成します。
+ </div></li><li class="listitem"><div class="para">
+ 最後のセグメントと同じく、３拍の間をおいて音符を作成します。今回は、同時に２つの音符を加えるのに注意ください。それらは、垂直に並びます。後にランダム化されるので、どの音程に置くかはどうでもよいです。
+ </div></li><li class="listitem"><div class="para">
+ すべての音符を選択して、"Randomize MIDI"ツールを使ってランダム化します。
+ </div></li><li class="listitem"><div class="para">
+ 音程がランダム化されるやり方により、それぞれの音符の対は以下のいずれかの状態になるでしょう：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ それらは近すぎる、あるいは、特定の間隔にある関係のため、１つの音のように聞こえる。
+ </div></li><li class="listitem"><div class="para">
+ それらは遠すぎる、あるいは、特定の間隔にある関係のため、２つの音のように聞こえる。
+ </div></li><li class="listitem"><div class="para">
+ 特定の間隔にある関係のため、２つの同じ大きさの音から作られる１つの和音のように聞こえる。
+ </div></li></ul></div>
+ 上にあげたどれかが美的に望ましくないなら、いくつかの音符を変更しましょう。
+ </div></li><li class="listitem"><div class="para">
+ 私は３７小節全体で、ランダムにクリックすることで、最後の音のクラスターを作りました。偶然、音程は G, E, C シャープ、F シャープ、G シャープ、そして B の６つになりました。"Randomize MIDI"ツールを使ってもよかったのですが、そうしませんでした。
+ </div></li><li class="listitem"><div class="para">
+ 次に私は、それぞれの音符の右の終端を注意深くクリックアンドドラッグして、３８小節の最初の拍で全部が同時に終わるようにしました。
+ </div></li><li class="listitem"><div class="para">
+ 終わったら、セグメントをコピーアンドペーストする必要があるかもしれません。
+ </div></li></ol></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75">8.4.9. Qtractor の５２から７５小節</h3></div></div></div><div class="para">
+ このセグメントを作成するのに必要なことはすべてご存知と思うので、芸術的な理由付けだけを説明します。
+ </div><div class="para">
+ これはオーディオファイルの "第１変奏曲 "に対応します。変奏は主題に基づくので、私の楽節の残りはすべて私の主題の楽節に、なにかしら基づいています。ここで私はまた、音楽からインスピレーションを得ました。主題と同じようにここでは（ほぼ）３拍ごとに音符があります。しかし私はそれを２拍を占めるように伸ばして、１つの音符の最後で次の音符が続けてすぐに鳴り出すようにしました。これは第１変奏曲でのベートーヴェンの技法と似ています。私は主題では無視しましたが、ベートーヴェンの主題には内側の楽節の間に小さな移調があります。私は自分の第１変奏曲ではそれを加えることにしました。（ Qtractor の６９小節を見てください。）
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97">8.4.10. Qtractor の７５から９７小節</h3></div></div></div><div class="para">
+ このセグメントを作成するのに必要なことはすべてご存知と思うので、芸術的な理由付けだけを説明します。
+ </div><div class="para">
+ この楽節は、私たちが以前、"次のパートを作曲します "セクションで作成した部分に対応します。私は第１変奏曲のアイデアをその "次のパート "のアイデアと結合させることにしました。ご覧のように、その結果は、５２から７５小節によく似たものですが、"次のパート "のように、より同時の音程が含まれます。
+ </div><div class="para">
+ この時点で私の MIDI 伴奏は本当に独自のリズムと個性を持つようになってきました。それはベートーヴェンのアイデアを表現するオーディオファイルと競い合うものです。ベートーヴェンと比べると MIDI パートのランダム化された音程は子供っぽくてつまらなく聞こえます。これは、リスナに、MIDI は "真のクラシック音楽 "に比べて、単純につまらなくて子供っぽいというメッセージを送るかもしれません。そしてそれは全く正しい解釈です。
+ </div><div class="para">
+ しかし、私が言いたかったのはこうです：ベートーヴェンはたくさんのピアノ曲を書き、その多くは今もなお人々に楽しまれています。誰も、ベートーヴェンの魔法を再び繰り返すことはできず、それを試みるのは愚かなことだと私は思います。だから私は自分の音楽をシリアスな響きをさせようとするのでなくて、愚かに聞こえるものにしたのです。また、ベートーヴェンのような作曲家からインスピレーションを得ることは自分たちで新しい芸術を創造するすばらしい方法だと感じます。なので私は、直接音楽からある種のヒント（多くはあいまいな様式上のことです）を得ようとする一方、それ以外のもの（音程はなにかしら組織化されているべきであるという考えなど）を無視するのです。
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Measure_97"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measure_97">8.4.11. Qtractor の９７小節</h3></div></div></div><div class="para">
+ これは３拍の経過的パッセージで、オーディオトラックの空白を埋めるためにだけの理由で私が加えたものです。
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119">8.4.12. Qtractor の９８から１１９小節</h3></div></div></div><div class="para">
+ ã“ã®æ¥½ç¯€ã‚’作曲ã™ã‚‹ä¸Šã§ï¼‘ã¤ã®æ–°ã—ã„技法を使ã„ã¾ã—ãŸã€‚マトリックスエディタã®ä¸ã§ã®ã‚³ãƒ”ーアンドペーストã§ã™ã€‚ã“ã‚Œã¯ï¼‘ï¼ï¼“å°ç¯€ã®æœ€åˆã‚ãŸã‚Šã«è¦‹ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ãã“ã§ã¯ã€åŒã˜éŸ³ç¨‹ã®ã‚¯ãƒ©ã‚¹ãŒé«˜ã„オクターブã¨ä½Žã„オクターブã§åŒæ™‚ã«èžã“ãˆã¾ã™ã€‚ç§ã¯ä¸Šã®éŸ³åŸŸã‚’å…ˆã«ä½œã£ã¦ã€æ¬¡ã«ã‚³ãƒ”ーã—ãŸã„音符をé¸æŠžã—ã¾ã—ãŸã€‚Control-c 㨠Control-v ã§ã‚³ãƒ”ーを作りã¾ã—ãŸã€‚メインウインドウã§ã‚¯ãƒªãƒƒãƒ—をコピーアンドペーストã™ã‚‹ã¨ãã¨åŒã˜ã‚ˆã†ã«ã€ã‚«ãƒ¼ã‚½ãƒ«ã®ã‚¢ã‚¤ã‚³ãƒ³ã¯ã‚¯ãƒªãƒƒãƒ—ボートã«å¤‰ã‚ã‚Šã€ãƒšãƒ¼ã‚¹ãƒˆã•ã‚Œã‚‹ã‚‚ã®ã®ã‚¢ã‚¦ãƒˆãƒ©ã‚¤ãƒ³ãŒç¤ºã•ã‚Œã‚‹ã®ã§ã€æœ›ã¿ã®ã¨ã“ã‚ã«ä½ç½®ã¥ã‘ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ã”覧ã«ãªã£ã¦ã‚ã‹ã‚‹ã‚ˆã†ã«ã€ã‚³ãƒ”ーã¯ã€ã©ã®éŸ³ç¨‹ãƒ¬ãƒ™ãƒ«ã«ã‚‚ã€å°ç¯€ã®ã©ã®å ´æ‰€ã«ã‚‚ペーストã§ãã¾ã™ã€‚åŒã˜ã«ä¿ãŸã‚Œã‚‹ã®ã¯ã€éŸ³ç¬¦é–“ã®é
Ÿ³ç¨‹ã®å·®ã¨ã€éŸ³ç¬¦é–“ã®ãƒªã‚ºãƒ ã§ã™ã€‚
+ </div><div class="para">
+ 私はコピーアンドペースト技術をこのパッセージにある、３つの階段的に下降する音符の音型においても使いました。４つの組からなる最初の音符を作成して、それらをランダム化して、後から３つの下降する音符をコピーアンドペーストしました。このようにして、メロディの一部をランダム化して、残りをランダムにしないようにできました。
+ </div><div class="para">
+ このパッセージで私は、"１音と続く３拍の休止 "のアイデアを続けました。そして、オーディオファイルから２つのヒントを得てメロディを追加しました。最初のは、上声部の増大する表面のリズムで、それが "下降する３音 "音型を生みます。２つめはそのメロディの下で和音は依然として進行しているという事実で、私は自分の上声部の下に２つめのランダム化された音符のセットを加えました。パッセージの終わりで私は、私が開始した潮流を継続し、最後のファンファーレで続いている音を回収するようにしました。
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139">8.4.13. Qtractor の１１９から１３９小節</h3></div></div></div><div class="para">
+ このパッセージは新しい技術を導入しません。セクションの最後で説明されるボリューム操作のトリックを使うだけです。
+ </div><div class="para">
+ このパッセージはずっと忙しく聞こえることでしょう。私が主な音符の間の空白を３拍から２拍にしたためです。私はオクターブをほぼ４つの同じ大きさの範囲に区切りました。最も低いものは "主な音 "がない拍で始まって１拍続くランダム化された音を持ちます。この点については、ベートーヴェンの音楽との対応はありません。
+ </div><div class="para">
+ 次に高い範囲はオーディオファイルのこの部分のメロディ、それは以前より少し低くなっています、をなぞるためのものです。最も上の範囲はこれにつながっています。ベートーヴェンがメロディの一部を他の部分よりずっと高く書いたためです。
+ </div><div class="para">
+ ２番目に高い範囲は、ピアノの上の方の音域の早く動く伴奏声部を反映します。
+ </div><div class="para">
+ このパッセージのボリュームを整理するのは小さな挑戦でした。今までのパッセージと比べてとてもたくさんの音符があるからです。ありがたいことに、声部はマトリックスエディタで互いにほとんど分かれています。私はそれぞれの範囲を別々にクリックアンドドラッグで選択して、ボリュームを、"Resize MIDI"ツールと、マトリックスエディタウインドウの下部のボリューム調整スペースでコントロール、ドラッグすることで調整することができました。
+ </div><div class="para">
+ このパッセージの最後の連続する音のファンファーレは、私の使った最も高い音域に、イ長調の調性を確立しようとするかすかな試みです。
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158">8.4.14. Qtractor の１３９から１５８小節</h3></div></div></div><div class="para">
+ この楽節で使われる新しい技術はありません。
+ </div><div class="para">
+ 主な音は２拍の間隔を維持してきました。そして、ただ２あるいは３の音域から始めました。最も低い音域はこの時点のオーディオファイルと同じように、最も高い音域のただの気まぐれな強化です。早く動いている中間ラインを作成するために、コピーアンドペーストを使いました。
+ </div><div class="para">
+ 楽節が進むにつれ、中間ラインは同時の追加を得ていきます。これは最後にはずっと冒険的になり、まずずっと高い音域へジャンプし、そして次の楽節でそれが占める位置、最低部の音域に下降していきます。
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176">8.4.15. Qtractor の１５８から１７６小節</h3></div></div></div><div class="para">
+ この楽節では新しい技術はありません。私はコピーアンドペースト、特に部分的なランダム化の、をたくさん使いました。ファンファーレの最初の音を加えて、ランダム化し、ファンファーレの残りの部分を適当な音程の場所にコピーアンドペーストします。
+ </div><div class="para">
+ この時点で、私は基本的に、主題へのあらわな参照をすべてやめます。それは、ベートーヴェンの楽譜でも起きることです。もちろん、その影響はまだそこにあります。４拍ごとに、私の中間声部は同じ音程を繰り返し、次の４拍の間、保持します。さらに、私の上声部はベートーヴェンの上声部を形づくる、"単一の繰り返される音程 "のアイデアを共用します。これら２つには、弱いリズムの上の類似性もあります。
+ </div><div class="para">
+ 最初のサブセクションの終わり近く、（１６４小節から１６６まで）私は、長い下降する１２音音階を加えましたが、これはベートーヴェンの作品にあるずっと小さい下降する音階に触発されたものです。
+ </div><div class="para">
+ 次のサブセクションはアイデアの正確な繰り返しです。ただし、異なる音程、より小さい音程の範囲、そして少し異なるエンディングを持ちます。
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End">8.4.16. Qtractor の１７７小節から終わり</h3></div></div></div><div class="para">
+ この楽節で使われる新しい技術はありません。
+ </div><div class="para">
+ 作品のこの部分は、ベートーヴェンの楽譜をとても明らかになぞるように意図されています。私が遊んだただ１つのトリックは、ベートーヴェンの楽譜を見て、そこからいくつかの音符を組み入れたことです：２１２小節の和音は、オーディオファイルの２１０小節の和音で使われる同じ音程から合成されたものです。それは、"本物のピアノ対 MIDI ピアノ "の理由でとても異なって聞こえます。さらに、録音時のピアノの調律が MIDI ピアノの調律と異なるためでもあります。また、２１３小節の２拍めの和音は、楽章の最初の和音であり、オーディオファイルに録音されているものに従ったものです。これを含める（それを "溶解させ "、次に再導入する。）ことで、ベートーヴェンのソナタをよくご存知のリスナの期待と戯れさせ
てもらったということです。
+ </div></div></div></div><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-Rosegarden" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第9章 Rosegarden</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Requirements_and_Installation">9.1. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Knowledge_Requirements">9.1.1. 前提知識</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Software_Requirements">9.1.2. ソフトウェア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Hardware_Requirements">9.1.3. ハードウェア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Other_Requirements">9.1.4. その他の要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Instal
lation">9.1.5. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Configuration">9.2. 構成</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Configuration-JACK_and_Qsynth">9.2.1. <span class="application"><strong>JACK</strong></span> と <span class="application"><strong>FluidSynth</strong></span> (<span class="application"><strong>Qsynth</strong></span>) をセットアップ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden">9.2.2. <span class="application"><strong>Rosegarden</strong></span> の設定</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden_and_LilyPond">9.3. <span class="application"><strong>Rosegarden</strong></span> と LilyPond</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial">9.4. <span class="application"><strong>
Rosegarden</strong></span> で、作曲する。（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Bass_Line">9.4.1. 楽譜をベースラインから始める</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track">9.4.2. パーカッショントラックを追加</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion">9.4.3. パーカッションをスパイスアップ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Melody">9.4.4. メロディを追加する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue">9.4.5. 先に進むいくつかの方法</a></span></dt></dl></dd></dl></div><div class="section" id="sect-Musicians_Guide-Rosegarden-Requirements_and_Installation"><div class="
titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Rosegarden-Requirements_and_Installation">9.1. 要件とインストール</h2></div></div></div><div class="section" id="sect-Musicians_Guide-Rosegarden-Knowledge_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Knowledge_Requirements">9.1.1. 前提知識</h3></div></div></div><div class="para">
+ Rosegarden のユーザーインターフェイスは、他の DAW(Digital Audio Workstatio) に似ています。 あなたが以前に DAW を使ったことがないのであれば、 まず、<a class="xref" href="#sect-Musicians_Guide-DAW_User_Interface">「ユーザインタフェース」</a> を読むことをおすすめします。
+ </div></div><div class="section" id="sect-Musicians_Guide-Rosegarden-Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Software_Requirements">9.1.2. ソフトウェア要件</h3></div></div></div><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> は <span class="application"><strong>JACK Audio Connection Kit</strong></span> を使います。 <span class="application"><strong>Rosegarden</strong></span> をインストールする前に <span class="application"><strong>JACK</strong></span> をインストールする必要があります。<span class="application"><strong>JACK</strong></span> をインストールする方法については <a class="xref" href="#sect-Musicians_Guide-Install_and_Configure_JACK">「<code class="systemitem">JACK</code> をインストール、設定する」</a> を参照下さい。
+ </div></div><div class="section" id="sect-Musicians_Guide-Rosegarden-Hardware_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Hardware_Requirements">9.1.3. ハードウェア要件</h3></div></div></div><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> を使用するには、オーディオインターフェイスが必要です。<span class="application"><strong>Rosegarden</strong></span> で音声を録音するにはオーディオインターフェイスに接続されたマイクが少なくても 1 つ必要です。<span class="application"><strong>FluidSynth</strong></span> や <span class="application"><strong>SuperCollider</strong></span> のような、<span class="application"><strong>JACK</strong></span> に対応する他のプログラムからのオーディオ信号を録音するのにマイクは必要ありません。
+ </div></div><div class="section" id="sect-Musicians_Guide-Rosegarden-Other_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Other_Requirements">9.1.4. その他の要件</h3></div></div></div><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> を MIDI シーケンサーとして使うなら、MIDI シンセサイザーが必要です。<span class="application"><strong>Rosegarden</strong></span> とともに、ハードウエアシンセサイザーとソフトウエアシンセサイザーを使うことができます。ソフトウエアシンセサイザーである、<span class="application"><strong>FluidSynth</strong></span> MIDI シンセサイザーを使うことをおすすめします。<span class="application"><strong>FluidSynth</strong></span> については、<a class="xref" href="#chap-Musicians_Guide-FluidSynth">10章<em>FluidSynth</em></a> を参照下さい。
+ </div></div><div class="section" id="sect-Musicians_Guide-Rosegarden-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Installation">9.1.5. インストール</h3></div></div></div><div class="para">
+ <span class="application"><strong>PackageKit</strong></span> あるいは <span class="application"><strong>KPackageKit</strong></span> を使って、 <span class="package">rosegarden4</span> パッケージをインストールして下さい。他の必要なソフトウエアは自動的にインストールされます。
+ </div></div></div><div class="section" id="sect-Musicians_Guide-Rosegarden-Configuration"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Rosegarden-Configuration">9.2. 構成</h2></div></div></div><div class="section" id="sect-Musicians_Guide-Rosegarden-Configuration-JACK_and_Qsynth"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Configuration-JACK_and_Qsynth">9.2.1. <span class="application"><strong>JACK</strong></span> と <span class="application"><strong>FluidSynth</strong></span> (<span class="application"><strong>Qsynth</strong></span>) をセットアップ</h3></div></div></div><div class="para">
+ 以下の指示に従って、 <span class="application"><strong>JACK</strong></span> と <span class="application"><strong>Qsynth</strong></span> をセットアップします。そして、 <a class="xref" href="#sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden">「<span class="application"><strong>Rosegarden</strong></span> の設定」</a> の指示に従って、 <span class="application"><strong>Rosegarden</strong></span> を <span class="application"><strong>JACK</strong></span> と <span class="application"><strong>Qsynth</strong></span> に接続します。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>JACK</strong></span> をコントロールするために、<span class="application"><strong>QjackCtl</strong></span> を開始してください。
+ </div></li><li class="step"><div class="para">
+ FluidSynth をコントロールするために、<span class="application"><strong>Qsynth</strong></span> を開始してください。<span class="application"><strong>FluidSynth</strong></span> は自動的に開始します。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> を開始します。
+ </div></li><li class="step"><div class="para">
+ "alsa_seq" MIDI Driver を使うように <span class="application"><strong>Qsynth</strong></span> を 設定します。<a class="xref" href="#sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input">「MIDI 入力を設定する」</a> を参照してください。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> で使いたいもの以外のすべての <span class="application"><strong>JACK</strong></span> 接続を切断するのがよいでしょう。 <span class="application"><strong>QjackCtl</strong></span> の "Connect"ウインドウを使って、以下を設定して下さい：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 「オーディオ」タブ：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="application"><strong>Qsynth</strong></span> の出力ポートは "system" 入力ポートにつながっています。もしあなたが、<span class="application"><strong>Rosegarden</strong></span> で MIDI だけを使い, オーディオを使わないなら、"Audio" タブの接続はこれで十分です。
+ </div></li><li class="listitem"><div class="para">
+ もしあなたが、<span class="application"><strong>Rosegarden</strong></span> でオーディオを使うなら、 "master out" ポートを "system" 入力ポートにつないで下さい。
+ </div></li><li class="listitem"><div class="para">
+ そして、"record monitor" ポートを "system" 入力ポートにつなぎます。
+ </div></li><li class="listitem"><div class="para">
+ さらに、入力ポートを "system" 出力ポートにつなぎます。<span class="application"><strong>Rosegarden</strong></span> は、２つのチャネル ("L" が左 "R" が右 ) を持つ、２つの独立したソース、("1" と "2") から録音して、ステレオ録音を作成することができることに注意下さい。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 「 MIDI 」タブ：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ なにもありません。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 「 ALSA 」タブ：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> の出力ポートを "FLUID synth" の入力ポートに接続します。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 1:sync out (MIDI コントロールメッセージを送る )
+ </div></li><li class="listitem"><div class="para">
+ 2:external controller ( セッションの最初の MIDI 機器のセットのため )
+ </div></li><li class="listitem"><div class="para">
+ 3:out 2 - General MIDI Device ( セッションの２つめの MIDI 機器のセットのため )
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> が、他の MIDI デバイスからのコマンドを受け付けることができるようにするには、<span class="application"><strong>Rosegarden</strong></span> の入力ポートを他のデバイスの出力ポートにつなぎます。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 0:record in
+ </div></li><li class="listitem"><div class="para">
+ 2:external controller
+ </div></li></ul></div>
+
+ </div></li></ol></div>
+
+ </div></li></ul></div>
+
+ </div></li></ol></div><div class="para">
+ すべてのポートは、接続が必要となるまで、切断しておくことをおすすめします。余分な接続があると、誤って信号を送って、期待されない結果になることがあります。
+ </div></div><div class="section" id="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden">9.2.2. <span class="application"><strong>Rosegarden</strong></span> の設定</h3></div></div></div><div class="para">
+ <a class="xref" href="#sect-Musicians_Guide-Rosegarden-Configuration-JACK_and_Qsynth">「<span class="application"><strong>JACK</strong></span> と <span class="application"><strong>FluidSynth</strong></span> (<span class="application"><strong>Qsynth</strong></span>) をセットアップ」</a> の指示に従って、 <span class="application"><strong>JACK</strong></span> と <span class="application"><strong>Qsynth</strong></span> をセットアップします。次に、以下の指示に従って <span class="application"><strong>Rosegarden</strong></span> を <span class="application"><strong>JACK</strong></span> と <span class="application"><strong>Qsynth</strong></span> に接続します。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> のメニューから、<span class="guimenu"><strong>編集</strong></span> → <span class="guimenuitem"><strong>設定</strong></span>を選択します。
+ </div></li><li class="step"><div class="para">
+ "一般 "を必要に応じて設定してください。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> が、<span class="application"><strong>QjackCtl</strong></span> に示されるトランスポートからの命令に従うのが望ましい場合、"振る舞い " タブで、 "<span class="application"><strong>JACK</strong></span> トランスポートを使用 "を選択します。
+ </div></li><li class="listitem"><div class="para">
+ あなたが <span class="application"><strong>KDE</strong></span> を使っていないならば、"外部アプリケーション " タブで、あなたのコンピュータにインストールされているものにあうようにこれらを変更するのがよいでしょう。
+ </div></li></ul></div>
+
+ </div></li><li class="step"><div class="para">
+ "MIDI" の設定を必要に応じて行ってください。"MIDI 同期" タブについては：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ もし、<span class="application"><strong>Rosegarden</strong></span> が他のすべての MIDI 機器をコントロールするならば、"MIDI クロック、スタート、ストップを送信 " を選択します。
+ </div></li><li class="listitem"><div class="para">
+ もし、<span class="application"><strong>Rosegarden</strong></span> が他の MIDI 機器からの制御信号に従うならば、"スタート、ストップ、コンティニューを許可 " を選択します。
+ </div></li><li class="listitem"><div class="para">
+ どちらのオプションを選べばいいかわからないときは、"Off" にしましょう。
+ </div></li></ul></div>
+
+ </div></li><li class="step"><div class="para">
+ "オーディオ "の設定を必要に応じて行ってください。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ プレビュースケールは、<span class="application"><strong>Rosegarden</strong></span> での表示を変更しますが、オーディオに影響を与えません。
+ </div></li><li class="listitem"><div class="para">
+ あなたのコンピュータで、<span class="application"><strong>Rosegarden</strong></span>が遅く感じるようなら、音質を３２ビットから１６ビットにしてください。ただし、オーディオの質が低下するので、その必要がないならば１６ビット音質は使わないことをおすすめします。
+ </div></li><li class="listitem"><div class="para">
+ デフォルトの選択(<span class="application"><strong>Audacity</strong></span>)を使いたくないときは、他の外部エディタを選択して下さい。
+ </div></li></ul></div>
+
+ </div></li></ol></div></div></div><div class="section" id="sect-Musicians_Guide-Rosegarden_and_LilyPond"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Rosegarden_and_LilyPond">9.3. <span class="application"><strong>Rosegarden</strong></span> と LilyPond</h2></div></div></div><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> と LilyPond はいっしょに使うことができ、あなたの生産性をおおいに上げることができます。あなたが "score" セクションに "midi"セクションを入れると、LilyPond は MIDI フォーマットのあなたの楽譜を出力します。それは、こんな風に見えるはずです：
+<pre class="programlisting">
+\score
+{
+ ...
+ \midi { }
+}
+</pre>
+ この MIDI ファイルは、次に、'ファイル > インポート > MIDI ファイルをインポート'メニューから選択することで、<span class="application"><strong>Rosegarden</strong></span> にインポートすることができます。残念なことに、これは現在のセッションを消してしまうので、一度しかできません。
+ </div><div class="para">
+ また、MIDI トラックを LilyPond フォーマットでエクスポートし、それをさらに編集したり、あるいは単純に楽譜にすることもできます。これをするためには、メニューから'ファイル > エクスポート > LilyPond ファイルのエクスポート'を選択します . あなたがファイルをセーブする場所を選択した後、 <span class="application"><strong>Rosegarden</strong></span> は、エクスポートの際にあなたが楽譜の設定を調整することを可能とします。LilyPond ファイルをエクスポートした後、それが正しいと信じる前に、あなたはそれを Frescobaldi でよく調べた方がよいでしょう。コンピュータはときどき間違いをします！
+ </div></div><div class="section" id="sect-Musicians_Guide-Rosegarden-Tutorial"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Rosegarden-Tutorial">9.4. <span class="application"><strong>Rosegarden</strong></span> で、作曲する。（チュートリアル）</h2></div></div></div><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> の楽譜エディタは誤って、必要以上に長く音を鳴らすことがあります。その時は、<span class="application"><strong>Qsynth</strong></span> の <span class="guibutton"><strong>panic</strong></span> ボタンを押せばなおりなす。<span class="guibutton"><strong>panic</strong></span> ボタンは、他のシンセサイザにもあると思います。
+ </div><div class="section" id="sect-Musicians_Guide-Rosegarden-Tutorial-Bass_Line"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Tutorial-Bass_Line">9.4.1. 楽譜をベースラインから始める</h3></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span>、<span class="application"><strong>Qsynth</strong></span> そして <span class="application"><strong>Rosegarden</strong></span> の順に、開始してください。
+ </div></li><li class="listitem"><div class="para">
+ このチュートリアルでは、デフォルトの "Fluid R3"サウンドフォントを使いますが、あなたは任意の汎用 MIDI サウンドフォントを使用することができます。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>JACK</strong></span> で、<span class="application"><strong>Rosegarden</strong></span> を、MIDI だけを使うようにセットアップします。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> のメニューから、<span class="guimenu"><strong>編集</strong></span> → <span class="guimenuitem"><strong>設定</strong></span> を選択します。 "MIDI"タブ、次に'一般'タブをクリックして "おのおのの再生開始時にすべての MIDI コントローラに送ります "を選択します。 これは、シンセサイザ（このチュートリアルの場合 <span class="application"><strong>FluidSynth</strong></span> ）が正しいパッチ（訳注：楽器）を使用することを保証します。
+ </div></li><li class="listitem"><div class="para">
+ 新しいセグメントを作成します。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ ツールバー上の "描画 "ツール（これは赤鉛筆のように見えます）をクリックするか、またはキーボードで'F3'を押してください。
+ </div></li><li class="listitem"><div class="para">
+ 最初のトラックで、最初の 2 小節の領域をクリック、ドラッグして選択します。
+ </div></li><li class="listitem"><div class="para">
+ マウスボタンを離すと、"アコースティックグランドピアノ "、または似たようなことが書かれた四角形があるはずです。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 四角形をダブルクリックして、デフォルトの MIDI セグメントエディタを開きます。 それは、楽譜エディタのはずです。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 音部記号を変更してください。 エディタウィンドウの左側にあるツールバーの低音部記号をクリックしてください。次に、それを置き換えるために、既存の記号をクリックしてください。
+ </div></li><li class="listitem"><div class="para">
+ 必要に応じて音符入力ツールへ切り替えてください。 それらは楽譜エディタウィンドウの左側にあるツールバーの、音部記号ツールの隣にあります。
+ </div></li><li class="listitem"><div class="para">
+ 3 つの C の四分音符、C と G の 2 つの八分音符、2 つの E フラットの四分音符、および D, F, D, G の 4 つの八分音符を入力してください。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ おそらく、いくつかのミスをするでしょう。 間違いを修正する最も簡単な方法は、音符を消して正しく再入力することです。 これには消しゴムツールを使用します。 それは、楽譜編集ウィンドウの上部のツールバーにあります。大文字の "T"の左、赤鉛筆の右にあります。普通の白い消しゴムを表す赤と白の長方形のように見えます。
+ </div></li><li class="listitem"><div class="para">
+ トランスポートウィンドウで'再生'ボタンをクリックして、あなたの作品を聞いてください。 あなたが停止するまで再生ヘッドは停止しません。目に見える再生ヘッド（縦線）は停止しますが。
+ </div></li><li class="listitem"><div class="para">
+ 楽譜エディタを閉じてください。'保存'ボタンをクリックする必要はありません。<span class="application"><strong>Rosegarden</strong></span> はあなたの変更を自動的に記憶しています。
+ </div></li><li class="listitem"><div class="para">
+ なお、あなたはファイルを保存する必要があります。訳注：エディタを閉じても変更された楽譜は演奏されるが、プログラムを終了する時には保存しないと変更は失われる、ということか。
+ </div></li><li class="listitem"><div class="para">
+ ツールバー上のマウスカーソルのように見える "選択と編集 "ツールをクリックします。 または、キーボード上の'F2'ボタンを押して、そのツールを選択することができます。
+ </div></li><li class="listitem"><div class="para">
+ あなたが今作成したセグメントをクリックして選択してください。
+ </div></li><li class="listitem"><div class="para">
+ それのコピーを作成します。キーボードの'Ctrl'キーを押しながら、セグメントをクリック、ドラッグしてください。
+ </div></li><li class="listitem"><div class="para">
+ 最初のセグメントの直後に、同じトラック内でコピーを配置します。
+ </div></li><li class="listitem"><div class="para">
+ このように、さらにいくつかのコピーを作成します。
+ </div></li><li class="listitem"><div class="para">
+ 先頭に再生ヘッドを移動するためにトランスポートを使用してください。（縦棒と、それを指す矢印のようなボタンをクリックしてください）
+ </div></li><li class="listitem"><div class="para">
+ 名前をダブルクリックして新しく作成されたトラックに名前を付けます。トラック名を変更できるように、 ウィンドウがポップアップ表示されます。 あなたがそれをどう呼ぶかわからない場合は、"ベースライン "とでもしましょう。
+ </div></li></ol></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track">9.4.2. パーカッショントラックを追加</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ 次のトラックを選択し、"パーカッション "（またはお望みなら他の何か）に名前を変更します。
+ </div></li><li class="step"><div class="para">
+ エディタウィンドウの左側の、ツールボックスの、"インストゥルメントパラメタ"の部分で、"パーカッション"チェックボックスをチェックしてください。"インストゥルメントパラメタ"パネルが見えないときは、メニューから<span class="guimenu"><strong>表示</strong></span> → <span class="guimenuitem"><strong>特別パラメータの表示</strong></span>を選択ください。
+ </div></li><li class="step"><div class="para">
+ トランスポートで<span class="guibutton"><strong>再生</strong></span>を1 秒だけ選択し、そして止めます。 <span class="application"><strong>Rosegarden</strong></span> は、<span class="application"><strong>FluidSynth</strong></span>と、楽器の再割り当てを同期します。
+ </div></li><li class="step"><div class="para">
+ キーボードの<span class="keycap"><strong>F3</strong></span>を押す、または鉛筆のように見える "描画 "ツールをクリックしてください。
+ </div></li><li class="step"><div class="para">
+ 2 番目のトラックに 1 小節のセグメントを作成し、それを右クリックし、<span class="guimenuitem"><strong>パーカッションマトリックスエディタで開く</strong></span>を選択します。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ パーカッションマトリックスエディタは、マトリックスエディタに似ていますが、各音程のかわりに、それが鳴らす楽器のラベルがついています。
+ </div></li><li class="listitem"><div class="para">
+ さまざまな楽器と音程を実験して、各小節で繰り返す四分音符のパターンを探してください。
+ </div></li><li class="listitem"><div class="para">
+ パターンを入れ終わったら、エディタを閉じます。
+ </div></li></ol></div>
+
+ </div></li><li class="step"><div class="para">
+ 新しく作成されたパーカッションのセグメントを選択して、 メニューから <span class="guimenu"><strong>編集</strong></span> → <span class="guimenuitem"><strong>コピー</strong></span>を選択してください。
+ </div></li><li class="step"><div class="para">
+ 最初の小節の最後にトランスポートの再生ヘッドを移動します。 まず、それを先頭に移動します。次に "早送り "を押すと最初の小節の最後に移動します。
+ </div></li><li class="step"><div class="para">
+ ２番目のトラックがまだ選択されていることを確認してください。
+ </div></li><li class="step"><div class="para">
+ メニューから、<span class="guimenu"><strong>編集</strong></span> → <span class="guimenuitem"><strong>貼り付け</strong></span>を何回か選択して、パーカッショントラックがベースラインと同じスペースを占めるようにします。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion">9.4.3. パーカッションをスパイスアップ</h3></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ ４つの四分音符は、十分な長さのパーカッションの伴奏ではありません。もっと面白くしましょう。
+ </div></li><li class="listitem"><div class="para">
+ 最初のパーカッションのセグメントをダブルクリックして、標準的な楽譜エディタで開きます。
+ </div></li><li class="listitem"><div class="para">
+ メニューから '編集 > すべてのセグメントを選択'を選択します。
+ </div></li><li class="listitem"><div class="para">
+ 次に、メニューから'調整 > 音符 > 8 分音符'を選択します。
+ </div></li><li class="listitem"><div class="para">
+ これは、音符を圧縮してしまいました。望むものではありません。'編集 > アンドゥ'で変更を元に戻してください。
+ </div></li><li class="listitem"><div class="para">
+ 全体が選択されていることをもういちど確認してください。
+ </div></li><li class="listitem"><div class="para">
+ メニューから'調整 > 音符 > 8 分音符（デュレーション変更なし）'を選択します。
+ </div></li><li class="listitem"><div class="para">
+ 今オリジナルのリズムの間に 8 分休符があります。お望みなら、休符のあるところにオフビートのアクセントを加えることもできます。あなたは、パーカッションマトリクスエディタに切り替えることができますが、今の楽譜エディタを使用し続けることもできます - どの音程がどの楽器を表すか推測するのは面白いかもしれません。
+ </div></li><li class="listitem"><div class="para">
+ 今、あなたは変更をしたので、すべてのコピーを削除し、再度コピーする必要があります。そのかわりに、よりよい方法を使いますが、それでもセグメントのコピーをすべて削除することから始める必要があります。最初のを残すことを忘れないでください！
+ </div></li><li class="listitem"><div class="para">
+ 最初以外のすべてのセグメントを削除した後、左側のツールボックスの "セグメントのパラメータ "ボックスから、"繰り返し "チェックボックスをチェックします。
+ </div></li><li class="listitem"><div class="para">
+ 今セグメントは永遠に繰り返されます。 これは、便利ですが、いずれは、曲を停止したいと思うでしょう。 繰り返しをコピーに変更するには、メニュー'セグメント > Turn Repeats Into Copies'を選択します。
+ </div></li><li class="listitem"><div class="para">
+ 最初のトラックも、繰り替えされるように調整します。
+ </div></li></ol></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Rosegarden-Tutorial-Melody"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Tutorial-Melody">9.4.4. メロディを追加する</h3></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 3 番目のトラックの名前を "メロディー "、またはそのようなものに変更します。
+ </div></li><li class="listitem"><div class="para">
+ トラックのプログラムを変更します。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ メインの編集ウィンドウの左側にある "特別パラメータ "ツールボックスの "インストゥルメントパラメータ "ボックスを見てください。
+ </div></li><li class="listitem"><div class="para">
+ "メロディー "トラックが選択されていることを確認してください。
+ </div></li><li class="listitem"><div class="para">
+ "標準 MIDI"バンクを選択してください。おそらく既に選択されていることでしょう。
+ </div></li><li class="listitem"><div class="para">
+ プログラムに、どれでもお好みのものを選択してください。 私は "シンセストリングス 1"と呼ばれるプログラム 51 を使用することにします。これは、1980 年代の音楽を思い出させます。
+ </div></li><li class="listitem"><div class="para">
+ プログラムを設定した後、トランスポートツールバーの'再生'を押して、1 秒ほど演奏します。 これにより <span class="application"><strong>Rosegarden</strong></span> は FluidSynth に、プログラムチェンジメッセージを送信することができます。これは、厳密には必要ではありません。そして、後でいずれにせよ行われます。しかし、今やっておくと、後の混乱を避けるために役立ちます。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ "メロディー "トラックに 4 小節の長さのセグメントを作成するために "選択と編集 "ツールを使います。
+ </div></li><li class="listitem"><div class="para">
+ ダブルクリックしてデフォルトのエディタでセグメントを編集します。
+ </div></li><li class="listitem"><div class="para">
+ 4 小節のメロディを作成ください。 それは複雑である必要はありません。とりあえず、面白くなくてもよいです。
+ </div></li><li class="listitem"><div class="para">
+ 楽譜エディタを終了し、3 つのトラックを聞いてみましょう。 セッションの先頭に再生ヘッドをリセットすることを忘れないでください！
+ </div></li><li class="listitem"><div class="para">
+ メロディーが一番最初から入るのは少し変に聞こえるので、イントロを追加しましょう。"選択と編集 "ツールを使って、（これを行うには、キーボード上の'F2'を押します）メロディセグメントを、クリック、ドラッグして数小節あるいは数拍、後にずらします。 それが、2、3 または 4 拍目で開始するように移動しても、楽譜エディタのビューでは、常にセグメントは 1 拍目で開始することに注意ください。
+ </div></li></ol></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue">9.4.5. 先に進むいくつかの方法</h3></div></div></div><div class="para">
+ あなたは完全な MIDI 作曲への途上にいます。 必要なのは続けるためのいくらかのインスピレーション、より高度な機能やツールを試そうといういくらかの意志です。 あなたが、進む方法がわからない場合は、これらのことを試してください。注意：あなたは始めたばかりなので、あなたの最初の曲は、面白いとか、特に良い必要はありません。MIDI の作曲ツールを使用する方法を学んだら、自然にそれでより良い音楽を作成する方法を学ぶことでしょう！
+ </div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ シンプルな三形式（ ABA ）を作りましょう：あなたはすでに（ "A"と呼ばれる）最初の部分を作成しています。変化させて、（ "B"と呼ばれる）第 2 の別の部分を作りましょう。さらに変化させて、最初の部分を繰り返してください。 それは長くする必要はありませんが、そうしてもよいです。
+ </div></li><li class="listitem"><div class="para">
+ "バリエーション "フォームを作成します：すでに作成した部分を数回繰り返してください。ただし、それはわずかに毎回異なるようにします。それを変更するいくつかの異なる方法を試してください：今のものと一緒に流れる別のメロディを追加します。既存のメロディに別の音符を追加します。パーカッショントラックを変更します。新しいベースラインを書きます。メロディーを引き伸ばし、2 倍の時間がかかるようにします。そして、これらの組み合わせ。 既存のセクションのバリエーションを作るのは、より多くの時間がかかるようにすることの一般的な方法です。
+ </div></li><li class="listitem"><div class="para">
+ 自分の直感に従ってより多くの音楽を追加して、既存の素材の拡張バージョンを作成します。
+ </div></li><li class="listitem"><div class="para">
+ ベースラインとパーカッションのセグメントを繰り返すところに別のメロディーを作成するかわりに、 何度もメロディーを繰り返し、新しいベースラインとパーカッションのセグメントを作ってみてください。
+ </div></li></ul></div>
+
+ </div></div></div></div><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-FluidSynth" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第10章 FluidSynth</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-SoundFont_Technology_and_MIDI">10.1. サウンドフォント技術と MIDI</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-How_to_Get_a_SoundFont">10.1.1. どのようにサウンドフォントを得るか</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-MIDI_Terms">10.1.2. MIDI インストゥルメント、バンク、プログラム、およびパッチ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-MIDI_Channels">10.1.3. MIDIチャンネル</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Requirements_and_Installation">10.2
. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Software_Requirements">10.2.1. ソフトウェア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation">10.2.2. <span class="application"><strong>FluidSynth</strong></span> のインストール</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth">10.2.3. <span class="application"><strong>Qsynth</strong></span> と一緒にインストールする</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth">10.2.4. <span class="application"><strong>Qsynth</strong></span> なしのインストール</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files">10.2.5. サウンドフォントフ
ァイルをインストールã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-In_a_Terminal">10.3. <span class="application"><strong>FluidSynth</strong></span> ã‚’ã€ã‚¿ãƒ¼ãƒŸãƒŠãƒ«ã‚¨ãƒŸãƒ¥ãƒ¬ãƒ¼ã‚¿ã‹ã‚‰ä½¿ã†</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring">10.4. <span class="application"><strong>Qsynth</strong></span> ã‚’è¨å®šã™ã‚‹</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-Starting_FluidSynth">10.4.1. <span class="application"><strong>FluidSynth</strong></span> を開始ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-SoundFont">10.4.2. サウンドフォントã®æ§‹æˆ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output">10.4.3. <span class="application"><strong>JACK</strong></span> ã®å‡ºåŠ›ã‚’è¨å®šã™ã
‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input">10.4.4. MIDI 入力をè¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings">10.4.5. <span class="application"><strong>FluidSynth</strong></span> ã®è¨å®šã®ã™ã¹ã¦ã‚’見る</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels">10.5. <span class="application"><strong>Qsynth</strong></span> ã§ã€ãƒ—ãƒã‚°ãƒ©ãƒ ã‚’ãƒãƒ£ãƒãƒ«ã«å‰²ã‚Šå½“ã¦ã‚‹</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Changing_Number_of_Input_Channels">10.5.1. MIDI 入力ãƒãƒ£ãƒãƒ«æ•°ã‚’変更ã™ã‚‹</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments">10.5.2. ãƒãƒ£ãƒãƒ«ã®å‰²ã‚Šå½“ã¦ã‚’ä¿å˜ã€å†ä½¿ç”¨ã™ã‚‹</a></span></dt></dl></
dd><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus">10.6. <span class="application"><strong>Qsynth</strong></span> で、リバーブとコーラスを使う</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-FluidSynth-Multiple_Instances">10.7. <span class="application"><strong>Qsynth</strong></span> で、複数の <span class="application"><strong>FluidSynth</strong></span> インスタンスを使う</a></span></dt></dl></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> はソフトウェアベースの MIDI シンセサイザーです。<span class="application"><strong>FluidSynth</strong></span> は Qtractor や Rosegarden のようなプログラムから MIDI 入力を受け取り、サウンドフォント技術を使用してオーディオ信号を作成します.これにより、 <span class="application"><strong>FluidSynth</strong></span> は非常に柔軟なツールとなります; それは、低いパワーのコンピュータでも使うことができ、特別なハードウェアを必要とせず、高品質な MIDI 機器を自由に選ぶことができるという利点を持ちます。<span class="application"><strong>Qsynth</strong></span> グラフィカルインターフェイスとともに使うとき、<span class="application"><strong>FluidSynth</strong></span> はいっそう強力になります。ユーザーはリバーブやコーラスのよ
うな基本的なエフェクトを簡単に制御することができます。複数の <span class="application"><strong>FluidSynth</strong></span> を、それぞれ別の設定と MIDI 機器の接続のもとで動かすことができます。最後に、<span class="application"><strong>Qsynth</strong></span> は、Qtractor や QjackCtl と同じ開発者により、開発、維持されているので、それは、使い慣れたインターフェイスを提供し、これらのアプリケーションと、うまく統合されます。
+ </div><div class="section" id="sect-Musicians_Guide-FluidSynth-SoundFont_Technology_and_MIDI"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-SoundFont_Technology_and_MIDI">10.1. サウンドフォント技術と MIDI</h2></div></div></div><div class="para">
+ サウンドフォント技術は、1990年代初頭に開発され、アコースティック楽器のような音が出せる MIDI 機器の作成を可能にするように設計された、ファイル形式およびある種のハードウェア技術からなるものです。アコースティック楽器と全く同じに聞こえる、電子的に合成された楽器を作るのはほとんど不可能であるものの、サウンドフォント技術はそのギャップをかなり縮小することができます。適切な状況で聞かれたときに、ほとんどの人は、音楽がサウンドフォント対応の MIDI シンセサイザーによって録音されたことに気づかないでしょう。なお、結果は大きく異なる場合があります。
+ </div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> がユーザーに可能とするのは、サウンドフォントを使う際のハードウエアコンポーネントを不要とすることです。これにより、どんなコンピュータでもサウンドフォントファイル、多くの場合、単に"サウンドフォント"と呼ばれます、を使ったシンセサイザーになることができます。フォントがテキスト文字の見た目を変更するように、サウンドフォントは、MIDI ノートのサウンドを変更します。-全体的な意味というものは、任意のフォント（またはサウンドフォント）を使っても同じです。ただ、特定のニュアンスが変更されます。
+ </div><div class="para">
+ Fedora はデフォルトのリポジトリ内にいくつかのサウンドフォントを提供しています。デフォルトでは、<span class="application"><strong>FluidSynth</strong></span> はFluidR3 General MIDI ("GM") サウンドフォントをインストールします。それは、幅広い一般的な（そして、いくつかは一般的でない）"パッチ"を含みます。入手可能な他のオプションを見るには、PackageKit、KPackageKit あるいは yum を使い、"soundfont"を検索してください。
+ </div><div class="section" id="sect-Musicians_Guide-FluidSynth-How_to_Get_a_SoundFont"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-How_to_Get_a_SoundFont">10.1.1. どのようにサウンドフォントを得るか</h3></div></div></div><div class="para">
+ インターネット上には、無料で利用できるたくさんのサウンドフォントがありますし、購入が可能なものもいくつかあります。その中には、非常に高品質のサウンドフォントもあります。 次の3つのウェブサイトはサウンドフォントのリソースへのリンクおよびいくつかの有料または無料でダウンロードできるサウンドフォントへのリンクを持ちます。そこで提供されるものの品質あるいは、そのウェブサイトの品質とセキュリティについては、何も保証されません。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://www.schristiancollins.com/generaluser.php">http://www.schristiancollins.com/generaluser.php</a> で利用可能な、<em class="citetitle">S. Christian Collins' "General User" SoundFont</em>
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://www.hammersound.net/cgi-bin/soundlink.pl">http://www.hammersound.net/cgi-bin/soundlink.pl</a> で利用可能な<em class="citetitle">HammerSound SoundFont Library</em>
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://soundfonts.homemusician.net/">http://soundfonts.homemusician.net/</a> で利用可能な、<em class="citetitle">homemusician.net SoundFont Library</em>
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://www.synthzone.com/soundfont.htm">http://www.synthzone.com/soundfont.htm</a> で利用可能な<em class="citetitle">Synth Zone</em>
+ </div></li></ul></div>
+
+ </div><div class="para">
+ SoundFont をインストールする手順は、以下の <a class="xref" href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files">「サウンドフォントファイルをインストールする」</a> を参照ください。
+ </div></div><div class="section" id="sect-Musicians_Guide-FluidSynth-MIDI_Terms"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-MIDI_Terms">10.1.2. MIDI インストゥルメント、バンク、プログラム、およびパッチ</h3></div></div></div><div class="para">
+ "MIDI インストゥルメント"はシンセサイザーそのものです。 シンセサイザーがサウンドフォントを使用する場合は、サウンドフォントもインストゥルメントの一部を構成しています。 各インストゥルメントは、本が置いてある図書館と考えることができます。
+ </div><div class="para">
+ それぞれのインストゥルメントは、少なくとも1つ、たぶんいくつかの"バンク"を提供し、それはプログラムを格納しています。 MIDI インストゥルメントが、図書館とすると、バンクは特定の棚のようなものです。 あなたはまず、本を選ぶ前に、棚を選ぶ必要があります。
+ </div><div class="para">
+ 各バンクは、（"パッチ"とも呼ばれる）１から１２７の"プログラム"を提供しています。それらは、音そのものです。MIDI インストゥルメントが図書館でバンクが棚なら、プログラムは本です。各プログラムは、必ずしも関連する必要はありませんが、（"汎用 MIDI "バンクのように）多数のプログラムを持つバンクは、通常、規則的な並び方をしています。 合成されるオーディオの音を決めるのはプログラムだけであり、バンクとインストゥルメントは可能なプログラムの選択を制限するだけです。
+ </div></div><div class="section" id="sect-Musicians_Guide-FluidSynth-MIDI_Channels"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-MIDI_Channels">10.1.3. MIDIチャンネル</h3></div></div></div><div class="para">
+ MIDI シンセサイザーは、複数のチャンネルの入力を受け入れます。シンセサイザーの各"インスタンス"には、MIDI インストゥルメントを１つしか割り当てられませんが、各チャネルには別々にプログラムを割り当てることができます。これにより仮想的な楽器のアンサンブルの合成をすることができます。
+ </div><div class="para">
+ デフォルトの FluidR3 サウンドフォントと、<span class="application"><strong>FluidSynth</strong></span> そのものによって部分的に使われている、汎用 MIDI("GM") 標準は、１６チャネルがあること、チャネル１０は、（多くが音階のない）打楽器に使われることを定めます。チャネル１０に送られるプログラムチェンジメッセージは、無視されます。<span class="application"><strong>FluidSynth</strong></span> の設定により、チャネル１０に、打楽器以外のプログラムを使うことはできますが、おすすめしません。
+ </div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span>が汎用 MIDI 標準に従わない場合、それは機能を削除するのでなく、追加しています.
+ </div></div></div><div class="section" id="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation">10.2. 要件とインストール</h2></div></div></div><div class="section" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Software_Requirements">10.2.1. ソフトウェア要件</h3></div></div></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> は <code class="systemitem"><span class="application"><strong>JACK</strong></span> Audio Connection Kit</code> を必要とします。もしあなたが <span class="application"><strong>JACK</strong></span> パッケージをインストールしていないなら、<span class="application"><strong>FluidSynth</strong></span> をインストールする<span class="emphasis"><em>前に</em></span>そうしてください。手順は <a class="xref" href="#sect-Musicians_Guide-Install_and_Configure_JACK">「<code class="systemitem">JACK</code> をインストール、設定する」</a> を参照してください。
+ </div></div><div class="section" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation">10.2.2. <span class="application"><strong>FluidSynth</strong></span> のインストール</h3></div></div></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> をインストールã™ã‚‹ã«ã¯ï¼’ã¤ã®æ–¹æ³•ãŒã‚ã‚Šã¾ã™ã€‚第1ã€<span class="application"><strong>FluidSynth</strong></span> ã‚’ <span class="application"><strong>Qsynth</strong></span> ã¨ã„ã£ã—ょã«ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã™ã‚‹æ–¹æ³•ã¯ã€ <span class="application"><strong>FluidSynth</strong></span> ã‚’ <span class="application"><strong>Qsynth</strong></span> グラフィカルユーザーインターフェースã¨ã¨ã‚‚ã«ä½¿ã†ã“ã¨ãŒã§ãã¾ã™ã€‚デフォルトサウンドフォントもインストールã•ã‚Œã€ï¼ˆ<span class="application"><strong>timidity++</strong></span> ã®ã‚ˆã†ãªï¼‰ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆå¯¾å¿œã®ä»»æ„ã®ã‚¢ãƒ—リケーションã‹ã‚‰ä½¿ã†ã“ã¨ãŒã§ãã¾ã™ã€‚ã“ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«æ–¹æ³•ã¯ã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§ã¯ã€<span class="application"><strong>FluidSynth</strong></span> をターミナルã‹ã‚‰ä½¿ã†ã“ã¨ã¯ã§ãã¾ã›ã‚“。ã—ã‹ã—ã€ãã‚Œã¯å¾Œã‹ã
‚‰ç°¡å˜ã«è¿½åŠ ã§ãã¾ã™ã€‚ã“ã‚ŒãŒã€ã»ã¨ã‚“ã©ã®ãƒ¦ãƒ¼ã‚¶ãƒ¼ã«ã™ã™ã‚られるインストール方法ã§ã™ã€‚
+ </div><div class="para">
+ 第2の <span class="application"><strong>FluidSynth</strong></span> をインストールする方法は、<span class="application"><strong>Qsynth</strong></span> グラフィカルインターフェースを含めないで行うことです。この方法だと、<span class="application"><strong>FluidSynth</strong></span> を、ターミナルから実行することができ、デフォルトのサウンドフォントはインストールされません。このインストール方法は、高度なユーザーにのみすすめられます。
+ </div></div><div class="section" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth">10.2.3. <span class="application"><strong>Qsynth</strong></span> と一緒にインストールする</h3></div></div></div><div class="para">
+ このインストール方法は、ほとんどのユーザーにとっておすすめです。<span class="application"><strong>FluidSynth</strong></span>.に必要なすべてをインストールするには、以下の手順に従ってください。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>PackageKit</strong></span> あるいは <span class="application"><strong>KPackageKit</strong></span> を使って、 <span class="package">qsynth</span> パッケージをインストールします。
+ </div></li><li class="step"><div class="para">
+ 提案されたインストールをよく見て，承認します。以前に、<span class="package">fluid-soundfont-gm</span> パッケージをインストールしたことがない場合、<span class="application"><strong>PackageKit</strong></span> は、今、それをインストールしようとします。<span class="package">fluid-soundfont-gm</span> は、ほぼ、１４２MBあります。
+ </div></li></ol></div><div class="para">
+ もしあなたが、<span class="application"><strong>FluidSynth</strong></span> を、<span class="application"><strong>Qsynth</strong></span> グラフィカルインターフェースでなく、ターミナルエミュレータから使いたいときは、<span class="package">fluidsynth</span> パッケージをインストールします。<span class="package">fluidsynth</span> は、あなたが <span class="application"><strong>Qsynth</strong></span> グラフィカルインターフェースを使うならば不要です。もしあなたが <span class="package">fluidsynth</span> パッケージをインストールするべきかわからないなら、それをインストールしてもかまいません。まるで使うことがなくてもよいです。ハードディスクのわずかなスペースを使うだけですから。
+ </div></div><div class="section" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth">10.2.4. <span class="application"><strong>Qsynth</strong></span> なしのインストール</h3></div></div></div><div class="para">
+ このインストール方法は、高度なユーザーにのみおすすめします。<span class="application"><strong>FluidSynth</strong></span> を、グラフィカルインターフェースとサウンドフォントファイルなしにインストールするには、以下の手順に従ってください。<span class="application"><strong>FluidSynth</strong></span> を使うには、サウンドフォントファイルをインストールしなくてはいけません。(<a class="xref" href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files">「サウンドフォントファイルをインストールする」</a>を参照。)
+ </div><div class="para">
+ <span class="application"><strong>PackageKit</strong></span> または <span class="application"><strong>KPackageKit</strong></span> を使って、<span class="package">fluidsynth</span> パッケージをインストールします.
+ </div></div><div class="section" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files">10.2.5. サウンドフォントファイルをインストールする</h3></div></div></div><div class="para">
+ <span class="application"><strong>Qsynth</strong></span> ã¯ã€<span class="application"><strong>FluidSynth</strong></span> ãŒä½¿ç”¨ã™ã‚‹ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã‚’自動的ã«ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã—ã¾ã™ã€‚ã—ã‹ã—ã€ã‚‚ã—ã‚ãªãŸãŒ <span class="application"><strong>Qsynth</strong></span> をインストールãªã‹ã£ãŸå ´åˆã€ã¾ãŸã¯åˆ¥ã®ãƒ—ãƒã‚°ãƒ©ãƒ ã¨ã„ã£ã—ょã«åˆ¥ã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆãƒ•ã‚¡ã‚¤ãƒ«ã‚’入れãŸã„å ´åˆã€ã‚ãªãŸã¯ãれらを個別ã«ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã™ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚ Fedora ã®ãƒ‘ッケージã®ãƒªãƒã‚¸ãƒˆãƒªã¯ã€å°‘æ•°ã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆãƒ•ã‚¡ã‚¤ãƒ«ã‚’æä¾›ã—ã¦ãŠã‚Šã€ã‚ãªãŸã¯ãれらを <span class="application"><strong>PackageKit</strong></span>, <span class="application"><strong>KPackageKit</strong></span>, ãã—㦠<span class="application"><strong>yum</strong></span> ã§ã€"soundfont" を検索ã—ã¦è¦‹ã¤ã‘ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ã“れらã®ãƒ•ã‚¡ã‚¤ãƒ«ã¯è‡ªå‹•çš„ã«æ£ã—ãã‚
¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã•ã‚Œã‚‹ã¯ãšã§ã™ã€‚ã‚ãªãŸãŒã•ã‚‰ã«åˆ¥ã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆãƒ•ã‚¡ã‚¤ãƒ«ã‚’インストールã—ãŸã„å ´åˆã€ãれらをã€Fedora ã®ãƒªãƒã‚¸ãƒˆãƒªã‹ã‚‰ã®ã‚‚ã®ã¨åŒã˜å ´æ‰€â€”åŒã˜ã‚»ã‚ュリティã®è¨å®šâ€”ã§ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã™ã‚‹ã®ã‚’ãŠã™ã™ã‚ã—ã¾ã™ã€‚ãã†ã™ã‚Œã°ã€ãã®ã‚³ãƒ³ãƒ”ュータシステムã®ã™ã¹ã¦ã®ãƒ¦ãƒ¼ã‚¶ãƒ¼ãŒãã®ãƒ•ã‚¡ã‚¤ãƒ«ã‚’アクセスã§ãã¾ã™ã—ã€ãã‚ŒãŒã©ã“ã«æ ¼ç´ã•ã‚Œã¦ã„ã‚‹ã‹å¿˜ã‚Œã¦ã‚‚ãれを"失ã†"ã“ã¨ã¯ãªã„ã§ã™ã—ã€ã‚¤ãƒ³ã‚¿ãƒ¼ãƒãƒƒãƒˆã§ãƒ€ã‚¦ãƒ³ãƒãƒ¼ãƒ‰ã—ãŸã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’使ã†ã“ã¨ã«ã‚ˆã‚‹æ½œåœ¨çš„ãªã‚»ã‚ュリティリスクを最å°é™ã«ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="para">
+ 次の手順では、<code class="filename">myFont.sf2</code> と呼ばれるサウンドフォントファイルを、デフォルトのフォルダ（<code class="filename">/usr/share/soundfonts</code> ）に移動して、正しくセキュリティ設定を行います。この操作を完了するには、システム管理者のパスワード（"root" アカウントに所属する）が必要なことに注意ください。あなたがそのパスワードを持っていない場合は、システム管理者にあなたのためにファイルをインストールしてくれるように頼むのが一番です。あるいは、単純に、あなたのホームフォルダ内のサブフォルダに置いたサウンドフォントファイルを使うという手段もあります。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ シェルまたはターミナルを起動し、サウンドフォントファイルが現在格納されているフォルダに移動します。
+ </div></li><li class="step"><div class="para">
+ <code class="command">su -c 'cp <em class="replaceable"><code>myFont.sf2</code></em> /usr/share/soundfonts'</code> を実行します.
+ </div><ol class="a"><li class="step"><div class="para">
+ 必要に応じて、<code class="filename">myFont.sf2</code> でなく、あなたのサウンドフォントファイルをコピーするようにコマンドを変更ください。
+ </div></li><li class="step"><div class="para">
+ あなたは、<code class="literal">root</code> アカウントのパスワードを要求されます。
+ </div></li></ol></li><li class="step"><div class="para">
+ <code class="command">cd /usr/share/soundfonts</code> を実行して、サウンドフォントのディレクトリに移動ください。
+ </div></li><li class="step"><div class="para">
+ <code class="command">su -c 'chmod 644 <em class="replaceable"><code>myFont.sf2</code></em>'</code> を実行します.
+ </div><ol class="a"><li class="step"><div class="para">
+ 必要に応じて、<code class="filename">myFont.sf2</code> でなくてあなたのサウンドフォントファイルを指定するようにコマンドを変更ください。
+ </div></li><li class="step"><div class="para">
+ これにより、ファイルシステムのアクセス許可は、所有者（この場合は"root" ユーザー）に、"読み書き可能"に設定され、他のすべてのユーザーに"読み取り専用"となります。これで、システム管理者だけが、ファイルを変更することができ、すべてのユーザーがそれを使用できるようになります。
+ </div></li></ol></li><li class="step"><div class="para">
+ <code class="command">ll <em class="replaceable"><code>myFont.sf2</code></em></code> を実行して、アクセス許可が正しく設定されていることを確認ください。
+ </div><ol class="a"><li class="step"><div class="para">
+ 必要に応じて、<code class="filename">myFont.sf2</code> でなくてあなたのサウンドフォントファイルを指定するようにコマンドを変更ください。
+ </div></li><li class="step"><div class="para">
+ 出力は、こんなふうになるはずです：
+<pre class="programlisting">-rw-r--r--. 1 root root 9 2010-06-23 02:28 myFont.sf2</pre>
+ ただし、日付、時刻、ファイル名は異なります。
+ </div></li></ol></li><li class="step"><div class="para">
+ 注意深いユーザーは、新しいファイルの SELinux のコンテキストは、Fedora でインストールされている他のサウンドフォントファイルと異なることに気がつくかもしれません。タイプがデフォルトの <code class="literal">usr_t</code> である限りは、このファイルと Fedora でインストールされたサウンドフォントファイルとで、実用的な違い（エンフォースメントにおいての違い）はありません。あなたがこれがなんのことだかわからない時や、それに気がつかなかったときは、この新しいサウンドフォントファイルは新たな潜在的なセキュリティ上の問題は生み出さないということです。
+ </div></li></ol></div></div></div><div class="section" id="sect-Musicians_Guide-FluidSynth-In_a_Terminal"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-In_a_Terminal">10.3. <span class="application"><strong>FluidSynth</strong></span> を、ターミナルエミュレータから使う</h2></div></div></div><div class="para">
+ これは、<span class="application"><strong>FluidSynth</strong></span> を使用する方法としてはおすすめできません。<span class="application"><strong>Qsynth</strong></span> グラフィカルインターフェイスはずっと使いやすいです。<span class="application"><strong>Qsynth</strong></span> は、 自動的にほとんどの<span class="application"><strong>FluidSynth</strong></span> の設定をデフォルトで構成します。あなたが<span class="application"><strong>FluidSynth</strong></span> でやりたいことに集中することを助けます。どのように <span class="application"><strong>FluidSynth</strong></span> を使うか、ではなく。
+ </div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> をターミナルで使用するには、<code class="command">fluidsynth</code> コマンドを使います。 デフォルトのサンプルレートは、44.1kHzです。もしあなたが <span class="application"><strong>JACK</strong></span> を別のサンプルレートで使いたいときは、 <code class="command">-r</code> フラグをつけて、この様にする必要があります：<code class="command">fluidsynth -r 48000</code>
+ </div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> をターミナルから起動すると、それは普通、自分のシェルを起動します。どのようにこのシェルを使用するかは、このミュージシャンのガイドの範囲を越えています。しかし、あなたは <span class="application"><strong>FluidSynth</strong></span> のコマンドライン(訳注：シェルのプロンプト）で "help" と打つことで、基本的なヘルプを得ることができます。
+ </div></div><div class="section" id="sect-Musicians_Guide-FluidSynth-Configuring"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-Configuring">10.4. <span class="application"><strong>Qsynth</strong></span> を設定する</h2></div></div></div><div class="para">
+ あなたが <span class="application"><strong>Qsynth</strong></span> を終了するとき、すべての設定は保存されます。そして、<span class="application"><strong>Qsynth</strong></span> が再開始するとき、ふたたび使われます。これは、他の <span class="application"><strong>Qsynth</strong></span> のインスタンス、(以下で説明します)の設定も含み、それらインスタンスは <span class="application"><strong>Qsynth</strong></span> が再開始するとき、同じように再生成されます。
+ </div><div class="section" id="sect-Musicians_Guide-FluidSynth-Configuring-Starting_FluidSynth"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Configuring-Starting_FluidSynth">10.4.1. <span class="application"><strong>FluidSynth</strong></span> を開始する</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ アプリケーションメニューあるいは K Menu から <span class="application"><strong>Qsynth</strong></span> を開始してください。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> エンジンは自動的に開始します.
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>Qsynth</strong></span> ウインドウの右にある一列のボタンが、<span class="application"><strong>Qsynth</strong></span> を制御します.そのほかの設定は、<span class="application"><strong>FluidSynth</strong></span> を制御します.
+ </div></li><li class="step"><div class="para">
+ "Messages"ボタンで、<span class="application"><strong>FluidSynth</strong></span> の出力を示すウインドウを表示できます。 <span class="application"><strong>FluidSynth</strong></span> が期待どおりに動作しない場合、このウインドウで生成されているかもしれないエラーメッセージを表示してください。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont">10.4.2. サウンドフォントの構成</h3></div></div></div><div class="para">
+ <span class="application"><strong>Qsynth</strong></span> といっしょにインストールされたデフォルトの "FluidR3" サウンドフォントは、自動的に構成されます。
+ </div><div class="para">
+ 別のサウンドフォントを構成するには：
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ 'Setup' ボタンをクリック、'Soundfonts' タブを選択し、'Open' ボタンをクリックして、追加したいサウンドフォントのパスへ移動します。 これは、<a class="xref" href="#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files">「サウンドフォントファイルをインストールする」</a> で指定した標準の場所にインストールされている場合、<code class="filename">/usr/share/soundfonts</code> です。
+ </div></li><li class="step"><div class="para">
+ 追加のサウンドフォントを選択して、'Open' ボタンをクリックください。
+ </div></li><li class="step"><div class="para">
+ サウンドフォント ID（SFID）を変更するには、 'Up' と 'Down' ボタンを使って、望みの位置にサウンドフォントを移動ください。 これは <span class="application"><strong>FluidSynth</strong></span> の機能を直接変更することはありません。すべてのサウンドフォントは、任意のサウンドフォント ID 番号で動くはずです。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output">10.4.3. <span class="application"><strong>JACK</strong></span> の出力を設定する</h3></div></div></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> が、合成された音声を <span class="application"><strong>JACK</strong></span> に出力するようにも、ALSA にするようにも、構成することが可能です。デフォルトで、おすすめの方法は、合成された音声を <span class="application"><strong>JACK</strong></span> に出力することです。これは、オーディオ品質を最大限に制御することができ、ルーティングと多重化（定義 は <a class="xref" href="#sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing">「ルーティングと多重化」</a> を参照ください。）を最も柔軟にできます.あなたは、合成されたオーディオ信号を聞きながら、同時に録音することができます。
+ </div><div class="para">
+ 問題がある場合は、<span class="application"><strong>Qsynth</strong></span> が <span class="application"><strong>JACK</strong></span> を使うように正しく構成されているか確認するとよいです。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>Qsynth</strong></span>の "Setup"ウインドウを開きます。
+ </div></li><li class="step"><div class="para">
+ 'Audio' タブを選択して、 "Audio Driver" が "jack" になっているのを確認ください。
+ </div></li><li class="step"><div class="para">
+ 他の設定が正しいことも確認ください。特に、"sample rate" が、<span class="application"><strong>JACK</strong></span> と同じサンプルレートになっていることを（<span class="application"><strong>QjackCtl</strong></span> によって）。
+ </div></li><li class="step"><div class="para">
+ ほとんどの場合、デフォルト設定がうまくいくはずです。もしあなたがデフォルト設定を変更したならば、以下がそれです：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Buffer Size: 1024
+ </div></li><li class="listitem"><div class="para">
+ Buffer Count: 2
+ </div></li><li class="listitem"><div class="para">
+ Audio Channels: 1
+ </div></li><li class="listitem"><div class="para">
+ Audio Groups: 1
+ </div></li><li class="listitem"><div class="para">
+ Polyphony: 256
+ </div></li></ul></div>
+
+ </div></li></ol></div><div class="para">
+ オーディオカットアウトで問題がある場合は、バッファの設定値を大きくしてください。サイズは、1024 の倍数で増加させてください。バッファの数は大幅に増加する必要はありません。デフォルトの設定、または1つの"オーディオチャンネル"は、ステレオ出力を提供します。追加の各チャンネルは、ステレオ出力の別のセットを生成します。 "polyphony" の設定を増やせば、同時に鳴る音（実は、 "MIDI イベント"）の数を増やすことができ、複雑な状況では役に立つでしょう。
+ </div></div><div class="section" id="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input">10.4.4. MIDI 入力を設定する</h3></div></div></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> は、接続された（ソフトウエアベースもしくはハードウエアベース、いずれでも）MIDI デバイスに指示されるとおりにサウンドを生成します。以下の設定を確認して、<span class="application"><strong>FluidSynth</strong></span> が正しいデバイスに接続するようにしましょう。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>Qsynth</strong></span> の "Setup" ウインドウを開いてください.
+ </div></li><li class="step"><div class="para">
+ "Enable MIDI Input" チェックボックスはチェックされていること。
+ </div></li><li class="step"><div class="para">
+ "MIDI Driver" の設定を正しく選ぶ：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> を、<span class="application"><strong>QjackCtl</strong></span> の "Connect" ウインドウの、"ALSA" タブに見えている入力に接続するときは、"alsa_seq" 設定を選択します。<span class="application"><strong>Rosegarden</strong></span> と <span class="application"><strong>Qtractor</strong></span> を使うほとんどの場合、この設定を使うのがよいでしょう。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> を、<span class="application"><strong>QjackCtl</strong></span> の "Connect" ウインドウの、"MIDI" タブに見えている入力に接続するときは、 "jack" 設定を選択します。
+ </div></li></ul></div>
+
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> が使う MIDI 入力チャネルの数を変更するには、以下の <a class="xref" href="#sect-Musicians_Guide-FluidSynth-Changing_Number_of_Input_Channels">「MIDI 入力チャネル数を変更する」</a> を参照ください。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings">10.4.5. <span class="application"><strong>FluidSynth</strong></span> の設定のすべてを見る</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "Setup" ウインドウを開いてください。
+ </div></li><li class="step"><div class="para">
+ "Settings" タブを選択ください。
+ </div></li><li class="step"><div class="para">
+ あなたが見たい設定まで、リストをスクロールください。
+ </div></li><li class="step"><div class="para">
+ このタブの設定は、このタブからは編集できません。
+ </div></li></ol></div></div></div><div class="section" id="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels">10.5. <span class="application"><strong>Qsynth</strong></span> で、プログラムをチャネルに割り当てる</h2></div></div></div><div class="para">
+ これを行う最もよい方法は、<span class="application"><strong>Qtractor</strong></span> あるいは <span class="application"><strong>Rosegarden</strong></span> などの MIDI シーケンサーからすることです。もしあなたが、プログラムチェンジメッセージを送ることができないアプリケーションをお使いであるか、あるいは別の理由でプログラムの設定をしたいならば、以下の手順にしたがってください。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>Qsynth</strong></span> のメインウインドウで、"Channels" をクリックして、"Channels" ウインドウを開きます。
+ </div></li><li class="step"><div class="para">
+ チャネルウインドウで、それぞれのチャネルは、デフォルトで、こんなふうに見えます。
+<pre class="programlisting">1 - - -</pre>
+ </div></li><li class="step"><div class="para">
+ プログラムをチャネルに割り当てるには、割り当てたいチャネルの行をクリックします.
+ </div></li><li class="step"><div class="para">
+ お望みのバンクとプログラム番号を選択します.名前、 SFID, サウンドフォントの列を参考にしてください。
+ </div></li><li class="step"><div class="para">
+ 割り当てたいすべてのチャネルについて、このプロセスを繰り替えします.
+ </div></li><li class="step"><div class="para">
+ あなたがチャネルを使用する予定がない場合は、それにプログラムを割り当てても害はありません。 しかし、使用しないチャネルにプログラムを割り当てると、後で、あなたがそのチャネルを使用しないつもりだったことを忘れたときなど特に、混乱を招くことがあります。
+ </div></li><li class="step"><div class="para">
+ チャネル１０は打楽器に予約されており、汎用 MIDI 打楽器プログラムから変更してはいけないことに注意ください.
+ </div></li></ol></div><div class="section" id="sect-Musicians_Guide-FluidSynth-Changing_Number_of_Input_Channels"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Changing_Number_of_Input_Channels">10.5.1. MIDI 入力チャネル数を変更する</h3></div></div></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> ãŒæä¾›ã™ã‚‹ MIDI 入力ãƒãƒ£ãƒãƒ«ã®æ•°ã‚’増やã™ã“ã¨ãŒã§ãã¾ã™.<span class="application"><strong>QSynth</strong></span> ã§ã¯ï¼‘ã‹ã‚‰ï¼’５６ã¾ã§ã®ä»»æ„ã®æ•°ã‚’è¨å®šã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ãŒã€ãƒãƒ£ãƒãƒ«ã¯ã€ï¼‘ï¼–å˜ä½ã§ã—ã‹ã€è¿½åŠ ã€å‰Šé™¤ã§ãã¾ã›ã‚“.<span class="application"><strong>Qsynth</strong></span> ã¯ã€è‡ªå‹•çš„ã«ã€ã‚ãªãŸãŒæœ›ã‚€ãƒãƒ£ãƒãƒ«æ•°ã«å¿…è¦ãªæœ€å°ã®ãƒãƒ£ãƒãƒ«æ•°ã‚’生æˆã—ã¾ã™.ãã‚Œãžã‚Œã®ï¼‘ï¼–ãƒãƒ£ãƒãƒ«ã®ã‚»ãƒƒãƒˆã¯ã€<span class="application"><strong>JACK</strong></span> ã«ãŠã„ã¦ã€è¿½åŠ ã® MIDI 入力デãƒã‚¤ã‚¹ã¨ã—ã¦è¡¨ç¤ºã•ã‚Œã¾ã™.デãƒã‚¤ã‚¹ã®åå‰ã¯ã€ã©ã®ãƒãƒ£ãƒãƒ«ãŒãれをå—ä¿¡ã—ã¦ã„ã‚‹ã‹ã‚’示ã—ã¾ã™ã€‚ãƒãƒ£ãƒãƒ«ï¼‘ã‹ã‚‰ï¼‘ï¼–ã¯ï¼ã§çµ‚ã‚るデãƒã‚¤ã‚¹ã‚’å—ä¿¡ã—ã¾ã™.ãƒãƒ£ãƒãƒ«ï¼‘ï¼—ã‹ã‚‰ï¼“ï¼’ã¯ã€ï¼‘ã§çµ‚ã‚るデãƒã‚¤ã‚¹ã‚’å—ä¿¡ã—ã¾ã™.ãƒãƒ£ãƒãƒ«ï¼“３ã‹ã‚‰ï¼
•ï¼˜ã¯ã€ï¼’ã§çµ‚ã‚るデãƒã‚¤ã‚¹ã€ãªã©ã§ã™ã€‚
+ </div><div class="para">
+ MIDI 入力チャネル数を変更するには、以下の手順にしたがってください.
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>Qsynth</strong></span> の "Setup" ウインドウを開いてください.
+ </div></li><li class="step"><div class="para">
+ "Enable MIDI Input" 設定は有効であること。
+ </div></li><li class="step"><div class="para">
+ １から２５６までの間の、使いたいチャネル数を入力ください.
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments">10.5.2. チャネルの割り当てを保存、再使用する</h3></div></div></div><div class="para">
+ QSynth では、複数のプログラム割り当てを保存して、後に回復することができます。つまり、あなたは、変えたい時に毎回、すべてのチャネルを再構成する必要はないということです。
+ </div><div class="para">
+ 後のために設定を保存するには：
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>Qsynth</strong></span> が正しく構成され、期待するプログラム割り当てで動いていることを確認ください.
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>Qsynth</strong></span> の "Channels" ウインドウで、"Preset Name" テキストフィールドの内容を削除して、あなたの好きな名前に入れ替えてください.
+ </div></li><li class="step"><div class="para">
+ "Save" をクリックしてその名前で設定を保存します.
+ </div></li></ol></div><div class="para">
+ 以前の設定を回復するには：
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>Qsynth</strong></span>の"Channels" ウインドウを開きます.
+ </div></li><li class="step"><div class="para">
+ "Preset Name" のドロップダウンボックスから、あなたが回復したいプリセットの名前を探します.
+ </div></li><li class="step"><div class="para">
+ それを選択し、正しいチャネル割り当てが回復されたのを確認ください。
+ </div></li></ol></div></div></div><div class="section" id="sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus">10.6. <span class="application"><strong>Qsynth</strong></span> で、リバーブとコーラスを使う</h2></div></div></div><div class="para">
+ "reverb" ("残響"の意味)と "chorus" エフェクトは、汎用 MIDI 標準に含まれませんが、それらはほとんどの MIDI シンセサイザーで提供されます.<span class="application"><strong>FluidSynth</strong></span> も例外ではなく、<span class="application"><strong>Qsynth</strong></span> インターフェースは、リバーブとコーラスエフェクトのジェネレータの設定を調整する便利で簡単な方法を提供します.あなたが正しい設定を選んだかを知る唯一の方法は実験であり、それはたぶん、あなたがどんな音楽に取り組んでいるかにより違うでしょう.１つの作品の中でも、違うかもしれません.ほとんどの MIDI シーケンサとプレイヤ（Qtractor と Rosegarden を含む、）は、セッションを演奏中に、リバーブとコーラスの設定を変更する MIDI メッセージを送ることができます.
+ </div><div class="para">
+ あなたがそれを使う予定がないなら、リバーブとコーラスエフェクトは、一時的に無効にすることができます.<span class="application"><strong>Qsynth</strong></span> でこれをするには、それぞれのジェネレータの設定ダイアルの下の "Active" チェックボックスのチェックを外します.
+ </div><div class="para">
+ <em class="firstterm">reverb</em> エフェクトジェネレータは、人工的な残響（"こだま"のようなものですが、もっと複雑です)を作り出します.それは、ほとんどすべての演奏環境で自然に発生するものです.エフェクトジェネレータは、仮想的な部屋を作り、ユーザーがその中で聞いているかのようにするはたらきをします。以下は、<span class="application"><strong>Qsynth</strong></span> が提供する設定です：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Room: 仮想的な部屋の大きさを調整します.１００より大きい設定は、 "level" 設定を最小にしたときでも、危険なレベルまで音量が大きくなる状況を作り出すことがあります。これは面白いエフェクトですが、リスナーが聴覚障害事故を起こさないように、注意が必要です.また、リバーブエフェクトは、時間とともに蓄積されるので、設定によっては、音量が危険な高レベルになるのに何分もかかることがあることを覚えておいてください.
+ </div></li><li class="listitem"><div class="para">
+ Damp: 仮想的な部屋での"音の減衰"量を調整します.音が消えるまでの時間の外に,最も影響される周波数を変えます.減衰が大きければ大きいほど、高い周波数は短時間しか続きません.
+ </div></li><li class="listitem"><div class="para">
+ Width: 仮想的な部屋のステレオイメージで知覚される "広さ"を調整します.ボリュームレベルにも大きな影響があります.
+ </div></li><li class="listitem"><div class="para">
+ Level: 残響のボリュームレベルを調整します.
+ </div></li></ul></div>
+ すべての設定は相互作用するので、推奨されるなんらかの設定を示すことはむつかしいです。ユーザーは、自分の要求に合う設定を探すために、いろいろな設定を実験することを強くおすすめします.幅広い聴取環境をシミュレートすることができ、必要な設定は最も論理的な選択を反映するとは限らないことがあります.例えば、比較的小さな "room" 設定で、コンサートホールをエミュレートすることができます。リバーブエフェクトの効果的な使用は、MIDI 聴取経験をとても優れたものにすることができます.
+ </div><div class="para">
+ <em class="firstterm">chorus</em>エフェクトジェネレータは、それぞれの MIDIラ インを、１つ以上の実際の楽器が演奏しているかのような印象を作り出します.エフェクトジェネレータは、それぞれの MIDI ノートに、かすかに、複数回、応答することで動作します.そのとき、それぞれの応答で、音程と時間を微妙にずらします。このように言うのは、ずいぶんネガティブに聞こえるかもしれませんが、人間の直感は、この不正確さが、実世界のアコースティック音楽の一部であると認識するので、コーラスエフェクトは、演奏によっては、リアルな感じを加えるのに役に立ちます。以下が、<span class="application"><strong>Qsynth</strong></span> が提供する設定です：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ N: エフェクトの "stages" の数を調整します.知覚される個々の楽器のだいたいの数をコントロールできます.
+ </div></li><li class="listitem"><div class="para">
+ Level: エフェクトのボリュームレベルを調整します.
+ </div></li><li class="listitem"><div class="para">
+ Speed: コーラスの速度を調整します.音が拡散される時間の範囲を変えます.
+ </div></li><li class="listitem"><div class="para">
+ Depth: ステレオイメージで知覚される "depth" を調整します.
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-FluidSynth-Multiple_Instances"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-Multiple_Instances">10.7. <span class="application"><strong>Qsynth</strong></span> で、複数の <span class="application"><strong>FluidSynth</strong></span> インスタンスを使う</h2></div></div></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> の１つ以上のインスタンスを必要とすることはまれでしょう。なぜなら、QSynth/<span class="application"><strong>FluidSynth</strong></span> の組み合わせは、２５６までの独立した入力チャネルを提供し、リバーブとコーラスエフェクトをチャネルごとに独立してコントロールできるからです.最も一般的な、複数の <span class="application"><strong>FluidSynth</strong></span> インスタンスの使い方は、あなたが複数の MIDI 楽器を使いたいときでしょう.別の言葉で言うと、もしあなたが複数のサウンドフォントを同時に使いたいときは、それぞれのサウンドフォントに１つずつ <span class="application"><strong>FluidSynth</strong></span> インスタンスが必要です.
+ </div><div class="para">
+ ã‚ã‚ŠãŒãŸã„ã“ã¨ã«ã€<span class="application"><strong>Qsynth</strong></span> ã§ã¯ã“れをã»ã¨ã‚“ã©åŠªåŠ›ãªã—ã«ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ï¼ <span class="application"><strong>FluidSynth</strong></span> ã® "インスタンス" ã¯ã€å®Ÿéš›ã€<span class="application"><strong>FluidSynth</strong></span> åˆæˆã‚¢ãƒ—リケーションを複数回実行ã™ã‚‹ã“ã¨ã§ã€ç”Ÿæˆã•ã‚Œã€åˆ¶å¾¡ã•ã‚Œã¾ã™.ç¾å®Ÿã¯ã“ã†ã§ã™ã€‚<span class="application"><strong>Qsynth</strong></span> 㯠<span class="application"><strong>FluidSynth</strong></span> エンジンを直接制御ã™ã‚‹ã®ã§ã€ãã‚Œã¯åˆæˆã‚¨ãƒ³ã‚¸ãƒ³ã‚’å˜ã«ç›´æŽ¥é–‹å§‹ã—ã€ã‚¨ãƒ³ã‚¸ãƒ³ã®è¤‡æ•°ã®ã‚¤ãƒ³ã‚¹ã‚¿ãƒ³ã‚¹ã‚’作るã®ã§ã™.ã“ã‚Œã¯ã€<span class="application"><strong>Qsynth</strong></span> を実際ã«è¤‡æ•°å›žå®Ÿè¡Œã™ã‚‹ã“ã¨ã‚„ã€<span class="application"><strong>FluidSynth</strong></span> を直接ターミナルã‹ã‚‰å®Ÿè¡Œã™ã‚‹ã“ã¨ã‚ˆã‚Šã‚‚ãšã£ã¨åŠ¹çŽ‡ãŒã‚ˆã„ã§ã™.ã
れらã®ã‚¤ãƒ³ã‚¹ã‚¿ãƒ³ã‚¹ã¯ã€<span class="application"><strong>Qsynth</strong></span> ã® "タブ"ã€<span class="application"><strong>Qsynth</strong></span>ウ インドウã®ä¸‹ã®ã¨ã“ã‚ã«è¡¨ç¤ºã•ã‚Œã‚‹ã€ã«ã‚ˆã£ã¦è¡¨ã•ã‚Œã¾ã™.
+ </div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> の追加のインスタンスを生成するには：
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>Qsynth</strong></span>のメインウインドウの左下にある緑の "+" ボタンを押してください.
+ </div></li><li class="step"><div class="para">
+ ポップアップするセットアップウインドウを使って、希望するように設定を調整します.
+ </div></li><li class="step"><div class="para">
+ "OK" を押して、追加のインスタンスを開始します.
+ </div></li><li class="step"><div class="para">
+ 追加のインスタンスを閉じるには、右下すみの赤い "X" ボタンを使います.
+ </div></li></ol></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> エンジンのそれぞれのインスタンスは、"Setup" ウインドウに、自分の設定を持ちます.<span class="application"><strong>Qsynth</strong></span> は、理論的には無限の数の <span class="application"><strong>FluidSynth</strong></span> インスタンスをサポートしますが、お使いのコンピュータのメモリの制限のため、おそらく、使われるサウンドフォントにもよりますが、１０よりそんなに多くはできないでしょう。
+ </div></div></div><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-SuperCollider" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第11章 <span class="application"><strong>SuperCollider</strong></span></h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Requirements_and_Installation">11.1. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Req_and_Inst-Knowledge">11.1.1. 前提知識</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Req_and_Inst-Software_Requirements">11.1.2. ソフトウエア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Req_and_Inst-Hardware_Requirements">11.1.3. ハードウエア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-SC-Req_and_Inst-Available_Packages">11.1.4. <span class="application"><strong>SuperCollider</st
rong></span> 関連のパッケージ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Req_and_Inst-Recommended_Installation">11.1.5. お勧めするインストール</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit">11.2. <span class="application"><strong>GEdit</strong></span> を使って <span class="application"><strong>SuperCollider</strong></span> プログラムを書いて実行する</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit-Enable_and_Configure_SCEd">11.2.1. <span class="application"><strong>GEdit</strong></span> で、SCEd を有効にして、構成する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server">11.2.2. <span class="application"><strong>SuperCollider</strong></span> モードを有効にして、サーバを開始します。</a></span></dt><dt><span class="section"><a href="#
sect-Musicians_Guide-SC-Using_GEdit-Executing_Code">11.2.3. <span class="application"><strong>GEdit</strong></span> でコードを実行する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Using_GEdit-Other_Tips">11.2.4. <span class="application"><strong>GEdit</strong></span> を <span class="application"><strong>SuperCollider</strong></span> と使うための他のヒント</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-SuperCollider-Basic_Programming">11.3. Basic Programming in <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-First_Steps">11.3.1. First Steps</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions">11.3.2. Variables and Functions</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programmi
ng-Object_Oriented">11.3.3. Object-Oriented <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions">11.3.4. Sound-Making Functions</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio">11.3.5. Multichannel Audio</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Collections">11.3.6. Collections</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Repeating">11.3.7. Repeated Execution</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution">11.3.8. Conditional Execution</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix">11.3.9. Combining Audio; the Mix Class</a></span></dt><dt><span class="section
"><a href="#sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth">11.3.10. SynthDef and Synth</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Busses">11.3.11. Busses</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features">11.3.12. Ordering and Other Synth Features</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Scheduling">11.3.13. Scheduling</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Getting_Help">11.3.14. How to Get Help</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution">11.3.15. Legal Attribution</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-SuperCollider-Composing">11.4. Composing with SuperCollider</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Mus
icians_Guide-SC-Composing-Tutorial_Files">11.4.1. Files for the Tutorial</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Inspiration">11.4.2. Inspiration</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Designing_the_First_Part">11.4.3. Designing the First Part</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part">11.4.4. Designing the Second Part</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones">11.4.5. Creating Ten Pseudo-Random Tones</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones">11.4.6. Scheduling the Tones</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Optimizing_the_Code">11.4.7. Optimizing the Code</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Com
posing-Making_a_Useful_Function_Out_of_the_Second_Part">11.4.8. Making a Useful Section out of the Second Part</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts">11.4.9. Joining the Two Parts</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-SuperCollider-Exporting">11.5. Exporting Sound Files</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Non_Real_Time_Synthesis">11.5.1. Non-Real-Time Synthesis</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-SC-Recording_SuperColliders_Output">11.5.2. Recording SuperCollider's Output (Tutorial)</a></span></dt></dl></dd></dl></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> はいろいろなものですが、何よりも：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ オーディオ合成エンジン、
+ </div></li><li class="listitem"><div class="para">
+ 柔軟なプログラミング言語、そして
+ </div></li><li class="listitem"><div class="para">
+ プログラミング言語を合成命令に変換するインタプリタです。
+ </div></li></ul></div>
+
+ </div><div class="section" id="sect-Musicians_Guide-SC-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-SC-Requirements_and_Installation">11.1. 要件とインストール</h2></div></div></div><div class="section" id="sect-Musicians_Guide-SC-Req_and_Inst-Knowledge"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Req_and_Inst-Knowledge">11.1.1. 前提知識</h3></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> はミュージシャンのガイドで記述されている中で、最も難しいプログラムでしょう。<span class="application"><strong>SuperCollider</strong></span> アプリケーション自身は使いやすく、とてもうまく動きます。しかし、それはあなたが何か役に立つことをするためのただの道具です。<span class="application"><strong>SuperCollider</strong></span> はとてもパワフルで柔軟なプログラミング言語を持ち、主にオーディオ処理のために設計されたライブラリを持ちます。しかし、コンピュータによくあることですが、この強力な柔軟性とパワーは、ユーザの側に、多くの理解と学習を必要とする、というコストを伴います。<span class="application"><strong>SuperCollider</strong></span> は実際のプログラミングを伴うので、この言語
を学習しようという人にとって、コンピュータサイエンスのいくらかの原理と概念について基本的な理解があることは大いに役に立つでしょう。ウイキペディアからの以下の記事は必読ではありませんが、あなたが言語を学ぶ間、必要に応じて参照するとよいでしょう。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Computer_programming">http://en.wikipedia.org/wiki/Computer_programming</a> の <em class="citetitle">Computer Programming</em> ：あなたは多分、これが何かご存知でしょう。あなたがこれからやろうとしていることです。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Programming_language">http://en.wikipedia.org/wiki/Programming_language</a> の <em class="citetitle">Programming Language</em> ： <span class="application"><strong>SuperCollider</strong></span> はプログラミング言語です。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Interpreter_%28computing%29">http://en.wikipedia.org/wiki/Interpreter_%28computing%29</a> の <em class="citetitle">Interpreter</em> ：これがあなたのコードを読んで、サーバにコマンドを送り、音を出させます。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Server_%28computing%29">http://en.wikipedia.org/wiki/Server_%28computing%29</a> の <em class="citetitle">Server</em> ： <span class="application"><strong>SuperCollider</strong></span> は'サーバ'コンポーネントを持ち、それはインタプリタが操作します。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Functional_programming">http://en.wikipedia.org/wiki/Functional_programming</a> の <em class="citetitle">Functional Programming</em> ： <span class="application"><strong>SuperCollider</strong></span> は "関数型 "言語であるといえます。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Imperative_programming">http://en.wikipedia.org/wiki/Imperative_programming</a> の <em class="citetitle">Imperative Programming</em> ： <span class="application"><strong>SuperCollider</strong></span> は "命令型 "言語であるといえます。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Object-oriented_programming">http://en.wikipedia.org/wiki/Object-oriented_programming</a> の <em class="citetitle">Object-Oriented Programming</em> ： <span class="application"><strong>SuperCollider</strong></span> は "オブジェクト指向 "言語であるといえます。
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Req_and_Inst-Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Req_and_Inst-Software_Requirements">11.1.2. ソフトウエア要件</h3></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> は JACK Audio Connection Kit を使います。<span class="application"><strong>SuperCollider</strong></span> をインストールする前に JACK をインストールください。JACK をインストールする手順は <a class="xref" href="#sect-Musicians_Guide-Install_and_Configure_JACK">「<code class="systemitem">JACK</code> をインストール、設定する」</a> を参照ください。
+ </div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> は Fedora ソフトウエアリポジトリからは入手できません。あなたは <span class="application"><strong>SuperCollider</strong></span> をインストールするには "Planet CCRMA at Home"リポジトリを有効にする必要があります。"Planet CCRMA at Home"リポジトリを有効にする手順は <a class="xref" href="#sect-Musicians_Guide-CCRMA_Installing_Repository">「Planet CCRMA at Home リポジトリをインストールする」</a> を参照ください。"Planet CCRMA at Home"リポジトリには、多くの種類の音楽とオーディオアプリケーションがあります。
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Req_and_Inst-Hardware_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Req_and_Inst-Hardware_Requirements">11.1.3. ハードウエア要件</h3></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> を使うには、オーディオインタフェースが必要です。マイクはいりません。
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-SC-Req_and_Inst-Available_Packages"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-SC-Req_and_Inst-Available_Packages">11.1.4. <span class="application"><strong>SuperCollider</strong></span> 関連のパッケージ</h3></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> パッケージはすべて Planet CCRMA at Home リポジトリにあり。それらはたくさんあります。そのうちの多くは、Fedora の標準のサフィックスを持ちますが、多くはその他の種類のオプショナルなコンポーネントです。オプショナルな機能のほとんどは、<span class="application"><strong>SuperCollider</strong></span> にライブラリを追加して、あなたのオーディオプログラムからそれらを使えるようにするものです。それぞれの追加のパッケージで得られる機能はここでは説明されません。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">supercollider-ambiem</span> : オプショナルなライブラリ ("Ambisonics classes for SC").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-debuginfo</span> : <span class="application"><strong>SuperCollider</strong></span> のデバッグ情報。
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-devel</span> : <span class="application"><strong>SuperCollider</strong></span> で開発をするために必要なファイル。
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-dewdrop</span> : オプショナルなライブラリ ("DewDrop external collection for SC").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-emacs</span> :<span class="application"><strong>emacs</strong></span> テキストエディタに <span class="application"><strong>SuperCollider</strong></span> サポートを加える。
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-extras</span> : オプショナルなライブラリ ("Extra plugins and classes for SC").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-gedit</span> :<span class="application"><strong>GEdit</strong></span> テキストエディタに <span class="application"><strong>SuperCollider</strong></span> サポートを加える。
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-libscsynth</span> : "<span class="application"><strong>SuperCollider</strong></span> synthesis library."
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-quarks</span> : オプショナルなライブラリ ("Local quarks repository for <span class="application"><strong>SuperCollider</strong></span>").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-sclang</span> : ヘルプファイル、例、クラスライブラリ、そして言語インタプリタ。
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-vim</span> :<span class="application"><strong>vim</strong></span> テキストエディタに <span class="application"><strong>SuperCollider</strong></span> サポートを加える。
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider</span> :<span class="application"><strong>SuperCollider</strong></span> を動かすための "必要最低限 "。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">supercollider-sclang</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-libscsynth</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">fftw</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">w3m-el</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">emacs</span>
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-bbcut2</span> : オプショナルなライブラリ ("Beat tracking of audio streams").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-bbcut2-debuginfo</span> : bbcut2 のデバッグ情報。
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-mathlib</span> : オプショナルなライブラリ ("Useful classes for SC").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-redclasses</span> : オプショナルなライブラリ ("Frederik Olofsson Red SC classes").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-redclasses-debuginfo</span> : redclasses のデバッグ情報。
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-world</span> : ほとんどの <span class="application"><strong>SuperCollider</strong></span> パッケージをインストールします。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">supercollider</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">abmiem</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-redclasses</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-dewdrop</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-emacs</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-mathlib</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-midifile</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-extras</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-bbcut2</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-reduniverse</span>
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-midifile</span> : オプショナルなライブラリ ("MIDI file reader for <span class="application"><strong>SuperCollider</strong></span>").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-reduniverse</span> : オプショナルなライブラリ ("Sonification and visualization of dynamic systems").
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Req_and_Inst-Recommended_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Req_and_Inst-Recommended_Installation">11.1.5. お勧めするインストール</h3></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> を以前に使ったことがないならば、可能な限り少ない数のパッケージをインストールするのをお勧めします。そうするとあなたは、すべての <span class="application"><strong>SuperCollider</strong></span> のインストールにある、コアクラスから学習を始めることができます。もちろん、必要最小限のインストールをした後で将来、オプショナルなライブラリをインストールするのは可能です。
+ </div><div class="para">
+ このお勧めのインストールは、<span class="application"><strong>emacs</strong></span> あるいは <span class="application"><strong>vim</strong></span> （あなたが既にプログラマーであるのでなければ、たぶん、これらの使い方は知らないでしょう）のコンポーネントをインストールすることがありません。<span class="application"><strong>emacs</strong></span> と <span class="application"><strong>vim</strong></span> テキストエディタは、とてもパワフルで拡張可能なのですが、学ぶのが難しいかもしれません。さらに、<span class="application"><strong>GEdit</strong></span> 用のコンポーネントがあって十分以上の働きをするので、<span class="application"><strong>SuperCollider</strong></span> のためにだけ、それらを学ぶ理由はありません。
+ </div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> のための最小のお勧めのインストールをするには：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ ターミナルで、<code class="command">su -c 'yum install supercollider supercollider-gedit'</code> を実行します。
+ </div></li><li class="listitem"><div class="para">
+ 提案されたインストールをよく見ます。リストはとても長く、大量のダウンロードを必要とすることがあります。
+ </div></li></ol></div>
+
+ </div></div></div><div class="section" id="sect-Musicians_Guide-SC-Using_GEdit"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-SC-Using_GEdit">11.2. <span class="application"><strong>GEdit</strong></span> を使って <span class="application"><strong>SuperCollider</strong></span> プログラムを書いて実行する</h2></div></div></div><div class="para">
+ <span class="package">supercollider-gedit</span> パッケージã¯ã€<span class="application"><strong>GEdit</strong></span> ã®ã‚¨ã‚¯ã‚¹ãƒ†ãƒ³ã‚·ãƒ§ãƒ³ã€æ‹¡å¼µæ©Ÿèƒ½ã‚’インストールã—ã€<span class="application"><strong>SuperCollider</strong></span> ã®ã‚³ãƒ¼ãƒ‰ã‚’ <span class="application"><strong>GEdit</strong></span> ã®ä¸ã‹ã‚‰ç·¨é›†ã—ã¦å®Ÿè¡Œã™ã‚‹ã“ã¨ãŒã§ãるよã†ã«ã—ã¾ã™ã€‚<span class="application"><strong>emacs</strong></span> 㨠<span class="application"><strong>vim</strong></span> テã‚ストエディタ用㮠<span class="application"><strong>SuperCollider</strong></span> エクステンションもã‚ã‚Šã¾ã™ã€‚ã“ã®ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã§ã¯ã€<span class="application"><strong>GEdit</strong></span> エクステンションを使ã„ã¾ã™ã€‚ãªãœãªã‚‰ã€<span class="application"><strong>GEdit</strong></span> 㯠<span class="application"><strong>vim</strong></span> ã‚ã‚‹ã„㯠"emacs"より使ã„方をå¦ã¶ã®ãŒç°¡å˜ã ã‹ã‚‰ã
§ã™ã€‚
+ </div><div class="section" id="sect-Musicians_Guide-SC-Using_GEdit-Enable_and_Configure_SCEd"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Using_GEdit-Enable_and_Configure_SCEd">11.2.1. <span class="application"><strong>GEdit</strong></span> で、SCEd を有効にして、構成する</h3></div></div></div><div class="para">
+ <span class="application"><strong>GEdit</strong></span> の <span class="application"><strong>SuperCollider</strong></span> エクステンションを初めて使うときは以下のステップに従ってください。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>GEdit</strong></span> を開始します。
+ </div></li><li class="step"><div class="para">
+ 設定ウインドウを開きます。( メニューから <span class="guimenu"><strong> 編集 </strong></span> → <span class="guimenuitem"><strong> 設定 </strong></span> を選択します。)
+ </div></li><li class="step"><div class="para">
+ 'プラグイン'タブを選択して、<span class="package">Sced</span> までスクロールダウンします。それが選択されているのを確認下さい。
+ </div></li><li class="step"><div class="para">
+ <span class="guibutton"><strong> プラグインの設定 </strong></span> ボタンをクリックして、<span class="application"><strong>SuperCollider</strong></span> サーバがプログラム実行中にそれに送られる合成を格納するランタイムのフォルダを選択します。このフォルダの一番安全な場所は、あなたが <span class="application"><strong>SuperCollider</strong></span> コードを格納するフォルダのサブフォルダでしょう。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server">11.2.2. <span class="application"><strong>SuperCollider</strong></span> モードを有効にして、サーバを開始します。</h3></div></div></div><div class="para">
+ 以下のステップは、あなたが <span class="application"><strong>GEdit</strong></span> を開始して、<span class="application"><strong>SuperCollider</strong></span> エクステンションを使うときに毎回やってください。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="guimenu"><strong> ツール </strong></span> → <span class="guimenuitem"><strong>SuperCollider Mode</strong></span> を選択します。
+ </div></li><li class="step"><div class="para">
+ <span class="guimenu"><strong>SuperCollider</strong></span> メニューが現れて、下に "<span class="application"><strong>SuperCollider</strong></span> output"と書かれたウインドウが現れるはずです。
+ </div></li><li class="step"><div class="para">
+ 下にウインドウが見えないときは、メニューから <span class="guimenu"><strong> 表示 </strong></span> → <span class="guimenuitem"><strong> ボトムペイン </strong></span> を選択すれば現れるはずです。<span class="application"><strong>SuperCollider</strong></span> がこのウインドウに提供する情報を見ることは、ときに重要になることがあります。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> モードを有効にした後、このウインドウにはいくつかのメッセージが表示されるはずです。終わりの方は、こうあるはずです：
+<pre class="programlisting">
+⏎
+RESULT = 0⏎
+Welcome to SuperCollider, for help type ctrl-c ctrl-h (Emacs) or :SChelp (vim) or ctrl-U (sced/gedit)⏎
+</pre>
+ もし、ウインドウの "RESULT"がゼロ以外の値の時は、エラーが起きたと思われるので、それが何か、上にスクロールして、見て、修正する必要があります。"The GUI scheme 'swing' is not installed"というワーニングがでた場合、GUI （グラフィカルユーザインタフェース）を使う <span class="application"><strong>SuperCollider</strong></span> プログラムは一切、動かすことができません。GUI コンポーネントはこのガイドでは使われておらず、とてもオプショナルなものです。
+ </div></li><li class="step"><div class="para">
+ ここで、あなたはサーバを開始したいことでしょう。メニューから、'<span class="application"><strong>SuperCollider</strong></span> > Start Server'を選択します。
+ </div></li><li class="step"><div class="para">
+ サーバが開始した後、"JackDriver"からのメッセージが見えるはずです。もし JACK サーバが既に実行中でなければ、<span class="application"><strong>SuperCollider</strong></span> はそれを自動的に開始します。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> サーバが正常に開始したら、このようなメッセージが見えるはずです：
+<pre class="programlisting">
+⏎
+SuperCollider 3 server ready..⏎
+JackDriver: max output latency 46.4 ms⏎
+notification is on⏎
+</pre>
+
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-SC-Using_GEdit-Executing_Code"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Using_GEdit-Executing_Code">11.2.3. <span class="application"><strong>GEdit</strong></span> でコードを実行する</h3></div></div></div><div class="para">
+ コマンドラインから <code class="command">sclang</code> を使わないでも、<span class="application"><strong>GEdit</strong></span> から直接コードを実行できます。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> モードが有効で、サーバが開始しているのを確認下さい。
+ </div></li><li class="step"><div class="para">
+ 実行したいコードを選択します。１行のコードは、単にテキスト入力カーソルをその行に置くだけで実行させることができます。
+ </div></li><li class="step"><div class="para">
+ キーボードで'Ctrl+E'を押すか、メニューから'<span class="application"><strong>SuperCollider</strong></span> > Evaluate'を選択します。
+ </div></li><li class="step"><div class="para">
+ サーバですべての音を止めるには、キーボードで'Esc'を押すか、メニューから'<span class="application"><strong>SuperCollider</strong></span> > Stop Sound'を選択します。
+ </div></li><li class="step"><div class="para">
+ サーバがコードを正常に実行したら、 "<span class="application"><strong>SuperCollider</strong></span> output"ペインに何かを表示するはずです。出力は <span class="application"><strong>SuperCollider</strong></span> が何をするようにサーバに頼んだかによりますが、普通はこのように見えるでしょう：
+<pre class="programlisting">Synth("temp_0": 1000)</pre>
+ あるいは、こうです：
+<pre class="programlisting">RESULT = 0</pre>
+
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-SC-Using_GEdit-Other_Tips"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Using_GEdit-Other_Tips">11.2.4. <span class="application"><strong>GEdit</strong></span> を <span class="application"><strong>SuperCollider</strong></span> と使うための他のヒント</h3></div></div></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> サーバが実行中に <span class="application"><strong>GEdit</strong></span> をクローズすると、<span class="application"><strong>GEdit</strong></span> は自動的にサーバを停止します。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> によって <code class="systemitem">JACK</code> が開始された場合、それは <span class="application"><strong>SuperCollider</strong></span> サーバが終了するときに自動的に終了します。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> は自動的にその出力をシステムの出力に接続しようとします。もし、オーディオ出力がうまくいかないときは、<span class="application"><strong>QjackCtl</strong></span> を使って、出力が正しく接続されているか確かめてください。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> メニューで可能な機能は：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Find Help ( 現在選択されているオブジェクトについての <span class="application"><strong>SuperCollider</strong></span> ヘルプファイルを開きます。)
+ </div></li><li class="listitem"><div class="para">
+ Find Definition ( 現在選択されているオブジェクトについての <span class="application"><strong>SuperCollider</strong></span> ソースファイルを開きます。)
+ </div></li><li class="listitem"><div class="para">
+ Restart Interpreter (<span class="application"><strong>SuperCollider</strong></span> インタプリタを再開始します。実行中のサーバも止めます。ただし、それらは再開始しません。)
+ </div></li><li class="listitem"><div class="para">
+ Clear output ("<span class="application"><strong>SuperCollider</strong></span> output"ペインのすべての出力をクリアします。)
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div></div></div><div xml:lang="ja-JP" class="section" id="sect-Musicians_Guide-SuperCollider-Basic_Programming" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-SuperCollider-Basic_Programming">11.3. Basic Programming in <span class="application"><strong>SuperCollider</strong></span></h2></div></div></div><div class="para">
+ As with any programming language, you will start learning <span class="application"><strong>SuperCollider</strong></span> with the basic commands, that are of little use by themselves. However, since the language is so flexible, even the most basic commands can be combined in ways that create highly complex behaviours. The example program, "Method One," was written with the goal of illustrating how a single sound-generating object can be used to create an entire composition. This tutorial does not begin with audio-generating code, which helps to emphasize that <span class="application"><strong>SuperCollider</strong></span> is primarily a programming language.
+ </div><div class="para">
+ This portion of the Guide is designed as a "reference textbook," which you can use both to learn the <span class="application"><strong>SuperCollider</strong></span> language in the first place, and to remind yourself about the language's features afterwards.
+ </div><div class="para">
+ The section is most effective when read in small portions.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps">11.3.1. First Steps</h3></div></div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Parts_of_SuperCollider"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Parts_of_SuperCollider">11.3.1.1. The Different Parts of <span class="application"><strong>SuperCollider</strong></span></h4></div></div></div><div class="para">
+ As you discovered when installing <span class="application"><strong>SuperCollider</strong></span>, there are actually many different components involved with <span class="application"><strong>SuperCollider</strong></span>. Here is a list of some of them, with brief descriptions of their purpose:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Programming language: this is an abstract set of rules and guidelines that allow you to write down instructions for producing sounds.
+ </div></li><li class="listitem"><div class="para">
+ Interpreter: this is what is run in <span class="application"><strong>GEdit</strong></span>; it transforms the programming language instructions written by you into useful instructions for the server; also called the "client."
+ </div></li><li class="listitem"><div class="para">
+ Server: this is what synthesizes the sound, according to instructions sent to it by the interpreter.
+ </div></li><li class="listitem"><div class="para">
+ Library: these contain commands and the instructions to be executed when you call the commands; the interpreter looks up commands in the library when you call them.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ This modular design allows for several advanced capabilities and features. Any particular element could theoretically be replaced without affecting other elements, as long as the methods of communication remain the same. As long as the programming language is the same, portions of the library can be modified, removed, or added at will; this happens often, and Planet CCRMA at Home provides a collection of library extensions. One of the most exciting capabilities is the ability to run the interpreter and server on different physical computers. The networking component is built into these components - they always communicate by UDP or TCP, even when run on the same computer! Although this ability is not used in this Guide, it is not difficult.
+ </div><div class="para">
+ The most important thing to remember is that the <span class="application"><strong>SuperCollider</strong></span> interpreter is what deals with the programs you write. The <span class="application"><strong>SuperCollider</strong></span> server is controlled by the interpreter, but is an independent program. For simple things, like the Hello World Programs below, the server is not even used - after all, there is no audio for it to synthesize.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Hello_World"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Hello_World">11.3.1.2. "Hello, World!"</h4></div></div></div><div class="para">
+ The first program that one traditionally makes when learning a new programming language is called "The Hello World Program." This is a simple and trivial application that simply prints outs the phrase, <code class="literal">Hello, World!</code> (or a variation of it). It might seem useless at first, but the ability to provide feedback to an application's user is very important, and this is essentially what the Hello World Program does.
+ </div><div class="para">
+ Here is the program in <span class="application"><strong>SuperCollider</strong></span>:
+<pre class="programlisting">
+"Hello, World!".postln;
+</pre>
+
+ </div><div class="para">
+ Here is an extension to that program:
+<pre class="programlisting">
+"Hello, World!".postln;
+"Hello, SC!".postln;
+</pre>
+
+ </div><div class="para">
+ As with all examples in this section, you should paste these programs into <span class="application"><strong>GEdit</strong></span>, and execute them with <span class="application"><strong>SuperCollider</strong></span>. Look at the output produced by the programs, but don't worry about it for now.
+ </div><div class="para">
+ These programs are very small, but it highlights some key concepts of the <span class="application"><strong>SuperCollider</strong></span> language, described below.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Return_Values"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Return_Values">11.3.1.3. Return Values</h4></div></div></div><div class="para">
+ Every <span class="application"><strong>SuperCollider</strong></span> program must provide the interpreter with a value (some information) when it has carried out all of its instructions. This value is called a "return value," because it is the value given by a program when it "returns" control to the interpreter. In a <span class="application"><strong>SuperCollider</strong></span> program, it is the last value stated in a program that automatically becomes the return value - no special command is required. When program execution ends, and control is returned to the <span class="application"><strong>SuperCollider</strong></span> interpreter, the interpreter outputs the return value in the "SuperCollider output" pane.
+ </div><div class="para">
+ In the single-line Hello World Program above, the program produces the following output: <code class="computeroutput"> Hello, World! Hello, World! </code> The program appears to have been executed twice, but that is not the case. The first <code class="literal">Hello, World!</code> is printed by the program. The second <code class="literal">Hello, World!</code> appears because <code class="code">"Hello, World!.postln</code> is the last (in this case, the only) value of the program. It is "returned" by the program, and the interpreter prints it.
+ </div><div class="para">
+ In the two-line Hello World Program above, the program produces the following output: <code class="computeroutput"> Hello, World! Hello, SC! Hello, SC! </code> This makes it more clear that the program is not being executed twice, and that it is the last value of a program that is returned to the interpreter.
+ </div><div class="para">
+ Try executing the following single-line programs. Look at the output produced by each, and determine whether it is printed by the program itself, the interpreter, or both.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="code">"Hello, World!".postln;</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="code">"Hello, World!";</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="code">5.postln;</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="code">5;</code>
+ </div></li></ul></div>
+ Can you modify the two-line Hello World Program so that each line is printed only once?
+ </div><div class="para">
+ In reality, every "function" must return a value. Functions are described in <a class="xref" href="#sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions">「Functions」</a>, but the difference is not yet important.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Statements"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Statements">11.3.1.4. Statements</h4></div></div></div><div class="para">
+ A "statement" is a single instruction, which always ends with a semicolon. Exactly what constitutes a statement will become clear as you gain experience, and you will eventually automatically remember the semicolon.
+ </div><div class="para">
+ In the Hello World Programs above, all of the statements contain the single instruction to post a line to the output screen. What happens when you remove the first semicolon, which marks the end of the first statement? The <span class="application"><strong>SuperCollider</strong></span> interpreter produces an unhelpful error message, and tells you that an error occurred <span class="emphasis"><em>after</em></span> the forgotten semicolon. This is why it is important to always remember statement-concluding semicolons.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Numbers_and_Strings"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Numbers_and_Strings">11.3.1.5. Data Types: Numbers and Strings</h4></div></div></div><div class="para">
+ In many programming languages, it is the programmer's responsibility to determine the type of data that is being used, and how it should be stored. The <span class="application"><strong>SuperCollider</strong></span> interpreter takes advantage of the power of modern computers, and deals with this on our behalf. This greatly simplifies basic tasks, because there are only two kinds of data to worry about, and they make perfect sense:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Numbers: These are numbers, written simply as numbers. Anything that can be done with real-world numbers can also be done with <span class="application"><strong>SuperCollider</strong></span>'s numbers. They can be as large or small, positive or negative as you want. They can have any number of digits on either side of the decimal point.
+ </div></li><li class="listitem"><div class="para">
+ Strings: These are a string of characters, written between two double-quote characters like "this." The double-quote characters are required so that <span class="application"><strong>SuperCollider</strong></span> knows where to begin and end the string of characters. A string of character can contain as many characters as you like, including one character and no characters. If you want to include a double-quote character in a string, you should put a blackslash before it. The following is interpreted by <span class="application"><strong>SuperCollider</strong></span> as a string with only a double-quote character: <code class="literal">"\""</code>
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Here are some examples of numbers and strings:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="literal">5</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">18920982341</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">0.00000000000001</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">"characters"</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">"@"</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">""</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">"6"</code>
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Is the last example a number or a string? You and I recognize that it is a number inside a string, but <span class="application"><strong>SuperCollider</strong></span> treats it as a string. You can do string things with it, but you cannot do number things with it. You cannot add <code class="literal">"6"</code> to something, for example.
+ </div><div class="para">
+ Try executing the following single-line programs. Think about why the <span class="application"><strong>SuperCollider</strong></span> interpreter produces the output that it does.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="code">6 + 3;</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="code">"6" + 3;</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="code">"six" + 3;</code>
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Consecutive_Execution"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Consecutive_Execution">11.3.1.6. Consecutive Execution</h4></div></div></div><div class="para">
+ Complex <span class="application"><strong>SuperCollider</strong></span> programs contain many parts, which all do different things. Sometimes, executing all of these together doesn't make sense, and it can be difficult to know which portions of the program are supposed to be executed when. To help with this, the interpreter allows you to mark portions of your program between ( and ) so that you will know to execute them together.
+ </div><div class="para">
+ Here is an example:
+<pre class="programlisting">
+(
+ "Hello, Fred!".postln;
+ "Hello, Wilma!".postln;
+)
+(
+ "Goodbye, Fred!".postln;
+ "Goodbye, Wilma!".postln;
+)
+</pre>
+ It doesn't make sense to say "hello" and "goodbye" at the same time, so separating these sections with parentheses will serve as a reminder. In case we try to execute all of the code at once, the <span class="application"><strong>SuperCollider</strong></span> interpreter will give us an error.
+ </div></div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions">11.3.2. Variables and Functions</h3></div></div></div><div class="para">
+ The concepts in this section are related to the mathematical terms with the same names. This is a modern-day result of the first uses of computers and programming languages: the calculation of complex mathematical problems.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Variables"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Variables">11.3.2.1. Variables</h4></div></div></div><div class="para">
+ A variable is a symbol that can be assigned an arbitrary value. A "symbol" is a series of alphabetic and numeric characters, separated by whitespace (a space, a line-break, or the end of the file). When a variable is "assigned" a value, the variable name (the symbol) is understood to be a substitute for the assigned value.
+ </div><div class="para">
+ Consider a traffic light, which has three possible symbols: green, yellow, and red. When you are driving, and you encounter a traffic light, you might see that its red symbol is activated (the red light is illuminated). What you see is a red light, but you understand that it means you should stop your car. Red lights in general do not make you stop - it is specifically red traffic lights, because we know that it is a symbol meaning to stop.
+ </div><div class="para">
+ SuperCollider's variables work in the same way: you tell the interpreter that you want to use a symbol, like <code class="literal">cheese</code>. Then you assign <code class="literal">cheese</code> a value, like <code class="literal">5</code>. After that point, whenever you use <code class="literal">cheese</code>, the interpreter will automatically know that what you really mean is <code class="literal">5</code>.
+ </div><div class="para">
+ Run the following two programs. They should result in the same output.
+<pre class="programlisting">
+(
+ 5 + 5;
+)
+(
+ var x;
+ x = 5;
+ x + x;
+)
+</pre>
+
+ </div><div class="para">
+ In the first example, the program calculates the value of <code class="code">5 + 5</code>, which is <code class="literal">10</code>, and returns that to the interpreter, which prints it out. In the second example, the program tells the interpreter that it wants to use a variable called <code class="literal">x</code> then it assigns cheese the value <code class="literal">5</code>. Finally, the program calculates <code class="code">cheese + cheese</code>, which it understands as meaning <code class="code">5 + 5</code>, and returns <code class="literal">10</code> to the interpreter, which prints it out.
+ </div><div class="para">
+ This trivial use of a variable does nothing but complicate the process of adding 5 to itself. Soon you will see that variables can greatly simplify your programs.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Using_Variables"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Using_Variables">11.3.2.2. Using Variables</h4></div></div></div><div class="para">
+ There are three words that describe the key stages of using a variable: declaration, initialization, and assignment.
+ </div><div class="para">
+ A variable must be declared before use, so that the interpreter knows that you want to use that symbol as a variable. All variables must be declared before any statement that does not declare a variable; in other words, you should declare your variables before doing anything else. Variable names are declared like this:
+<pre class="programlisting">var <em class="replaceable"><code>variableName</code></em>;</pre>
+ Variables can also be declared in lists, like this:
+<pre class="programlisting">var <em class="replaceable"><code>variableName</code></em>, <em class="replaceable"><code>variableOtherName</code></em>;</pre>
+
+ </div><div class="para">
+ Variables can be assigned a value at any time after they have been declared. Any single object can be assigned to a variable. If a variable is already assigned a value, any subsequent assignment will erase the previous assignment; the previously-assigned value will is not retrievable.
+ </div><div class="para">
+ The first assignment to a variable is said to "initialize" the variable. Initialization is a special kind of assignment, because a variable cannot be used before it is initialized. If a program attempts to use an un-initialized variable, the <span class="application"><strong>SuperCollider</strong></span> interpreter will cause an error. For this reason, you should always initialize a variable when you declare it. There is a special way to do this:
+<pre class="programlisting">var <em class="replaceable"><code>variableName</code></em> = nil;</pre>
+ Since you can't always assign a useful value, you can pick an arbitrary one. Assigning "nil" is common practice, because it means "nothing," but without actually being nothing (this avoids <span class="emphasis"><em>some</em></span> errors). Assigning zero is another possibility; it is standard practice in many programming languages, and will avoid most errors, even if the variable is eventually supposed to hold another kind of object. Intialization and declaration of multiple variables can also be done as a list:
+<pre class="programlisting">var <em class="replaceable"><code>variableName</code></em> = 0, <em class="replaceable"><code>variableOtherName</code></em> = 0;</pre>
+
+ </div><div class="para">
+ Single-letter variable names have a special purpose in <span class="application"><strong>SuperCollider</strong></span>. They are already declared, so you don't have to declare them. They are also already initialized to "nil", so you don't have to do that either. These variable names are intended to be used as a quick fix, while you're experimenting with how to make a program work. You should not use them in good-quality programs.
+ </div><div class="para">
+ The single-letter variable "s" is automatically assigned to the server on the computer running the interpreter. You should avoid re-assigning that variable.
+ </div><div class="para">
+ Variable names must always begin with a lower-case letter.
+ </div><div class="para">
+ Use variables to write programs that do the following tasks:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Perform arithmetic with an uninitialized variable. An error should appear when the program is executed.
+ </div></li><li class="listitem"><div class="para">
+ Calculate the value of <code class="literal">y</code>, if all other values are known, for the quadratic equation: <code class="code">y = a * x * x + b * x + c</code>
+ </div></li><li class="listitem"><div class="para">
+ Re-write the Hello World Program so that it will say "Hello" to a name stored in a variable. Remember that you can use the interpreter to automatically output the last line of a function.
+ </div></li></ol></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions">11.3.2.3. Functions</h4></div></div></div><div class="para">
+ A Function is a statement, or a series of statements, that we want to use many times. When a Function is assigned to a variable, you can execute the Function as many times as you wish. Any statements that happen between braces { like this; } are treated as a Function. Functions are executed by passing them the "value" message, as in the following example.
+ </div><div class="para">
+ Here is a Function that is not assigned to a variable, and is executed once.
+<pre class="programlisting">{ "Hello, World!".postln; }.value;</pre>
+ Notice that there are two semicolons: one after the statement within the Function, and one after the "value" message that tells the Function to execute.
+ </div><div class="para">
+ Here is a Function with identical function, assigned to a variable, and executed twice.
+<pre class="programlisting">
+var myFunction = { "Hello, World!".postln; }; // note two semicolons
+myFunction.value;
+myFunction.value;
+</pre>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Arguments"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Arguments">11.3.2.4. Function Arguments</h4></div></div></div><div class="para">
+ The most useful aspect of Functions is that they can produce varying results, depending on their input. For whatever reason, the input accepted by a Function is called an "argument." <span class="application"><strong>SuperCollider</strong></span>'s Functions can accept any number of arguments - zero, one, or many. Argument values (called "parameters") are provided to a Function by adding them in parentheses after the name of the Function, separated with commas, like this: <code class="code">exampleFunction( 5, 7, 9 );</code> Argument variables are declared as the first statement in a Function, like this: <code class="code">arg <em class="replaceable"><code>oneNumber</code></em>, <em class="replaceable"><code>twoNumber</code></em>;</code>
+ </div><div class="para">
+ This program is significantly more complicated than previous examples, but it shows how useful Functions can be. Notice how the braces in that example are on different lines than the rest of the Function, which gives us more space within the Function to complete some useful work.
+<pre class="programlisting">
+(
+ var greeter =
+ {
+ arg name;
+ ( "Hello" + name ).postln;
+ };
+
+ greeter.value( "Samantha" );
+ greeter.value( "Jermain" );
+ nil;
+)
+</pre>
+ Here is how the program works:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ A variable named <code class="literal">greeter</code> is declared, and assigned a Function.
+ </div></li><li class="listitem"><div class="para">
+ The Function contains an argument called <code class="literal">name</code>, and outputs "Hello" plus the name given to it.
+ </div></li><li class="listitem"><div class="para">
+ The parentheses here <code class="code">( "Hello" + name )</code> ensure that the two strings are added together <span class="emphasis"><em>before</em></span> the <code class="function">postln</code> message prints them out.
+ </div></li><li class="listitem"><div class="para">
+ The <code class="literal">greeter</code> variable is used to call the Function with two different names.
+ </div></li><li class="listitem"><div class="para">
+ The <code class="code">nil;</code> statement is optional, and does not affect the operation of the program. What it does is return a "nothing" value to the interpreter after program execution completes, so that the last message is not repeated.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ Since every argument has a name, <span class="application"><strong>SuperCollider</strong></span> allows you to use that name when executing the function. This example executes the <code class="function">greeter</code> function from the last example:
+<pre class="programlisting">greeter.value( name:"Myung-Whun" );</pre>
+ This is more useful if there are many arguments, and you do not remember the order that they appear in the Function's definition.
+ </div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> also allows you to specify default values for arguments, so that they do not need to be specified. This allows optional customization of a Function's behaviour, and is therefore very powerful.
+ </div><div class="para">
+ This example modifies the one above by adding default-value arguments, and by calling arguments with their name. As you can see, I've been tricking you a bit: <code class="function">postln</code> is actually a Function, but a special kind, explained later.
+<pre class="programlisting">
+(
+ var greeter =
+ {
+ arg name, greeting = "Hello";
+ postln( greeting + name );
+ };
+
+ greeter.value( "Samantha" );
+ greeter.value( "Jermain", "Goodbye" );
+ greeter.value( name:"Myung-Whun" );
+ greeter.value( greeting:"Bienvenue", name:"Marcel" );
+ nil;
+)
+</pre>
+
+ </div><div class="para">
+ Any value can be used as a parameter, as long as the Function expects it. In fact, even Functions can be used as parameters for Functions!
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Return_Values"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Return_Values">11.3.2.5. Function Return Values</h4></div></div></div><div class="para">
+ All <span class="application"><strong>SuperCollider</strong></span> Functions return a value to the interpreter when they have finished execution. As with programs, the value returned is the value of the last statement in the Function. The return value of a Function can be captured, assigned to a variable, and used again later.
+ </div><div class="para">
+ This example assigns the result of a Function to a variable.
+<pre class="programlisting">
+(
+ var mysticalMath =
+ {
+ arg input = 0;
+ input * 23;
+ };
+ var someNumber = 9;
+
+ someNumber = mysticalMath.value( someNumber );
+ someNumber.postln;
+ nil;
+)
+</pre>
+ Here is how the program works:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ A Function and variable are created, and assigned values.
+ </div></li><li class="listitem"><div class="para">
+ This line <code class="code">someNumber = mysticalMath.value( someNumber );</code> executes the <code class="function">mysticalMath</code> function, which multiplies its argument by <code class="literal">23</code> and returns the value. Then, it assigns the return value of the Function to <code class="literal">someNumber</code>. In any statement that contains an assignment, the assignment is always done last. In other words, the Function in this example will <span class="emphasis"><em>always</em></span> be given an argument of <code class="literal">9</code>, and only <span class="emphasis"><em>after</em></span> the Function completes execution and returns a value will that value be assigned to <code class="function">someNumber</code>.
+ </div></li><li class="listitem"><div class="para">
+ The new value of <code class="literal">someNumber</code> is displayed.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ The program could have been shortened like this:
+<pre class="programlisting">
+(
+ var mysticalMath =
+ {
+ arg input = 0;
+ input * 23;
+ };
+
+ var someNumber = mysticalMath.value( 9 );
+ someNumber.postln;
+ nil;
+)
+</pre>
+
+ </div><div class="para">
+ It could have been shortened even more like this:
+<pre class="programlisting">
+(
+ var mysticalMath =
+ {
+ arg input = 0;
+ input * 23;
+ };
+
+ mysticalMath.value( 9 ).postln;
+ nil;
+)
+</pre>
+
+ </div><div class="para">
+ Experiment with the shortened versions of the program, ensuring that you know why they work.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-">11.3.2.6. Variable Scope</h4></div></div></div><div class="para">
+ A variable is only valid within its "scope." A variable's scope is determined by where it is declared. It will always last between either <code class="literal">(</code> and <code class="literal">)</code> or <code class="literal">{</code> and <code class="literal">}</code>, and applies to all statements within that block of code. Variable names can be re-declared in some contexts, which can be confusing.
+ </div><div class="para">
+ Consider the scope of the variables in this example:
+<pre class="programlisting">
+(
+ var zero = 0;
+ var function =
+ {
+ var zero = 8;
+ var sixteen = 16;
+ zero.postln; // always prints 8
+ };
+
+ function.value;
+ zero.postln; // always prints 0
+ sixteen.postln; // always causes an error
+)
+</pre>
+ Because <code class="literal">function</code> declares its own copy of <code class="literal">zero</code>, it is modified independently of the variable <code class="literal">zero</code> declared before the Function. Every time <code class="literal">function</code> is executed, it re-declares its own <code class="literal">zero</code>, and the interpreter keeps it separate from any other variables with the same name. When <code class="literal">function</code> has finished executing, the interpreter destroys its variables. Variables declared inside any Function are only ever accessible from within that Function. This is why, when we try to execute <code class="code">sixteen.postln;</code>, the interpreter encounters an error: <code class="literal">sixteen</code> exists only within <code class="literal">function</code>, and is not accessible outside the function. By the way, in order to excute this example, you will need to remove the error-causing reference to <code class="
literal">sixteen</code>.
+ </div><div class="para">
+ Now consider the scope of the variables in this example:
+<pre class="programlisting">
+(
+ var zero = 0;
+ var function =
+ {
+ var sixteen = 16;
+ zero = 8;
+ zero.postln; // always prints 8
+ sixteen.postln;
+ };
+
+ function.value;
+ zero.postln; // always prints 8
+)
+</pre>
+ Why does the last line always print <code class="literal">8</code>? It's because <code class="literal">zero</code> was set to <code class="literal">8</code> within <code class="literal">function</code>. More importantly, <code class="literal">function</code> did not declare its own copy of <code class="literal">zero</code>, so it simply accesses the one declared in the next "highest" block of code, which exists between <code class="literal">(</code> and <code class="literal">)</code> in this example.
+ </div><div class="para">
+ This is why it is important to pay attention to a variable's scope, and to make sure that you declare your variables in the right place. Unexpected and difficult-to-find programming mistakes can occur when you forget to declare a variable, but it is declared elsewhere in your program: you will be allowed to use the variable, but it will be modified unexpectedly. On the other hand, it can be greatly advantageous to be able to access variables declared "outside the local scope" (meaning variables that are not declared in the same code block in which they are used), but careful thought and planning is required.
+ </div><div class="para">
+ Astute readers will notice that it is possible to re-declare the single-letter variable names, allowing you to control their scope. Consider the following program:
+<pre class="programlisting">
+(
+ var a = 0;
+ b =
+ {
+ var c = 16;
+ a = 8;
+ a.postln;
+ c.postln;
+ };
+
+ b.value;
+ a.postln;
+)
+</pre>
+ This example requires careful examination. What is the scope of <code class="literal">a</code>, <code class="literal">b</code>, and <code class="literal">c</code>? The answers may be surprising.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="literal">a</code> is declared just after the <code class="literal">(</code> character, so the interpreter destroys it upon reaching the <code class="literal">)</code> character.
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">c</code> is declared just after the <code class="literal">{</code> character, so the interpreter destroys it upon reaching the <code class="literal">}</code> character.
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">b</code> is <span class="emphasis"><em>not</em></span> declared in this program, so it refers to the automatically-declared variable with that name. The interpreter does not destroy it until it is restarted or stopped. This means that the Function assigned to <code class="literal">b</code> is still available <span class="emphasis"><em>after</em></span> the program finishes execution. Try it! Execute the program above, and then execute this single-line program alone: <code class="code">b.value;</code>
+ </div></li></ul></div>
+
+ </div></div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented">11.3.3. Object-Oriented <span class="application"><strong>SuperCollider</strong></span></h3></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> is difficult to describe precisely, because its syntax allows great flexibility. There are many different ways to accomplish the same task. Each one is subtly different, and gives you a different set of possibilities, but there is often no "best solution." One of the advantages to this is that it easily allows three "programming paradigms," although one is used much more often than the others.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Imperative_Programming"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Imperative_Programming">11.3.3.1. Imperative Programming</h4></div></div></div><div class="para">
+ Imperative programming is easy to understand: it is simply a list of commands, like this:
+<pre class="programlisting">
+(
+ var a, b, c;
+
+ a = 12;
+ b = 25;
+ c = a + b;
+ a.postln;
+)
+</pre>
+ Declare the variables, set the variables, do a calculation, and print the result of the calculation. This is a simple example, and a simple model, but it is very difficult to escape completely. After all, humans think of large problems in terms of algorithms (the instructions needed to do something). Computers solve large problems, so being able to program them with a series of instructions makes sense.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Functional_Programming"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Functional_Programming">11.3.3.2. Functional Programming</h4></div></div></div><div class="para">
+ Functional programming is also easy to understand, but it can be a little bit more difficult to think about complex tasks. Functional programs use Functions to complete all of their work. This is not strictly possible in <span class="application"><strong>SuperCollider</strong></span>: it is more imperative than functional, but the creative use of Functions can easily solve some problems that are difficult to write with an imperative approach.
+ </div><div class="para">
+ The following example is an extension of the "Imperative" example. Pretend that the following Functions exist, and do the following tasks:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ getinput : allows the user to enter a number, and returns that number
+ </div></li><li class="listitem"><div class="para">
+ add : adds together the numbers given as arguments, returning the sum
+ </div></li></ul></div>
+
+<pre class="programlisting">
+(
+ postln( add( getinput, getinput ) );
+)
+</pre>
+
+ </div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> will always execute the inner-most Functions first. This is how the interpreter executes the single-line program above:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Execute the left call of <code class="function">getinput</code>
+ </div></li><li class="listitem"><div class="para">
+ Execute the right call of <code class="function">getinput</code>
+ </div></li><li class="listitem"><div class="para">
+ Execute <code class="function">add</code> with the two numbers returned by <code class="function">getinput</code>
+ </div></li><li class="listitem"><div class="para">
+ Execute <code class="function">postln</code> with the number returned by <code class="function">add</code>
+ </div></li></ol></div>
+
+ </div><div class="para">
+ Both imperative and functional programming have advantages and disadvantages. <span class="application"><strong>SuperCollider</strong></span> will allow you to use either approach, or a mix of both, when solving problems.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Object-Oriented_Programming"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Object-Oriented_Programming">11.3.3.3. Object-Oriented Programming</h4></div></div></div><div class="para">
+ Object-oriented programming is more difficult to think about than imperative or functional. When using this paradigm (mode of thought), almost everything in <span class="application"><strong>SuperCollider</strong></span> is thought of as an abstract Object. In this way, it allows programmers to make compelling comparisons to the real world, where all tangible things are objects, and where it is not hard to conceive of most intangible things as objects, too. With object-oriented programming, computer science takes a break from mathematics, and is influenced by philosophy.
+ </div><div class="para">
+ Class names always begin with an uppercase letter.
+ </div><div class="para">
+ Anything can be represented as an Object - like a bicycle, for instance. Let's pretend that we have an Object called a Bicycle. We don't yet have a particular bicycle - just the abstract <em class="firstterm">class</em> containing everything that is true about all bicycles. If a Bicycle class exists in <span class="application"><strong>SuperCollider</strong></span>, you generate a specific instance like this: <code class="code">var bike = Bicycle.new;</code> All <span class="application"><strong>SuperCollider</strong></span> Objects can be <em class="firstterm">instantiated</em> in this way: you get a specific Bicycle from the generic class, and you can then modify and work with your own Object as you choose. The specific properties associated with a particular instance of a class are called <em class="firstterm">instance variables</em>.
+ </div><div class="para">
+ There are certain things that Bicycles are designed to do: turn the wheels, turn the handlebar, raise and lower the seat, and so on. You can cause these things to happen by providing a certain input to a real-world Bicycle: if you want to turn the wheels, you might push the pedals. In <span class="application"><strong>SuperCollider</strong></span>, you cause things to happen by <em class="firstterm">sending a message</em> to the Object that tells it what you want: if you have a Bicycle, you might turn the wheels like this: <code class="code">bike.turnTheWheels;</code> When you do this, you actually execute the <code class="function">turnTheWheels</code> function, which is defined by the abstract Bicycle class. Because it doesn't make sense to turn the wheels of all bicycles in existence, you don't call the <em class="firstterm">method</em> (a synonym for "Function") from the Bicycle class itself, but from the particular instance whose wheels you want to turn. The proper
way to access instance variables is by using instance methods.
+ </div><div class="para">
+ If this kind of programming is new to you, it might seem extremely difficult. It can be intimidating at first, but it is actually not too difficult to understand once you start to use it. In fact, you have already been using it! Remember the <code class="function">postln</code> command that was described earlier as a special kind of Function? It's actually a Function defined by <span class="application"><strong>SuperCollider</strong></span>'s abstract class <code class="classname">Object</code>, which defines a set of messages that can be passed to <span class="emphasis"><em>any</em></span> <span class="application"><strong>SuperCollider</strong></span> object. Because most things in <span class="application"><strong>SuperCollider</strong></span> are objects, we can send them the <code class="function">postln</code> message, and they will understand that it means to print themselves in the "<span class="application"><strong>SuperCollider</strong></span> output" pane.
+ </div><div class="para">
+ Why is it that all Objects respond to the <code class="function">postln</code> message? <span class="application"><strong>SuperCollider</strong></span> classes are allowed to belong to other <span class="application"><strong>SuperCollider</strong></span> classes, of which they are a part. Consider the Bicycle class again. It is a kind of vehicle, and philosophers might say that "things that are members of the bicycle class are also members of the vehicle class." That is, real-world bicycles share certain characteristics with other real-world objects that are classified as "vehicles." The bicycle class is a "sub-class" of the vehicle class, and it <em class="firstterm">inherits</em> certain properties from the vehicles class. <span class="application"><strong>SuperCollider</strong></span> allows this behaviour too, and calls it <em class="firstterm">inheritance</em>. In <span class="application"><strong>SuperCollider</strong></span>, since all classes define Objects, they
are all automatically considered to be a sub-class of the class called <code class="classname">Object</code>. All classes therefore inherit certain characteristics from the <code class="classname">Object</code> class, like knowing how to respond to the <code class="function">postln</code> message.
+ </div><div class="para">
+ equivalent notation: <code class="literal">5.postln</code> versus <code class="literal">postln( 5 )</code>
+ </div><div class="para">
+ You still don't know how to write new Classes and Objects in <span class="application"><strong>SuperCollider</strong></span>, but knowing how to use them is more than enough for now. By the time you need to write your own Classes, you will probably prefer to use the official <span class="application"><strong>SuperCollider</strong></span> help files, anyway.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Choosing_a_Paradigm"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Choosing_a_Paradigm">11.3.3.4. Choosing a Paradigm</h4></div></div></div><div class="para">
+ At this point you may begin worrying about which programming paradigm you should choose, and when. The answer is unhelpful: "Whichever seems best for the task."
+ </div><div class="para">
+ Let's expand on this. If you are primarily a programmer, then you probably already know how to choose the best paradigm and algorithm for the task. If you are a musician, then you probably just want your program to produce the output that you want (in this case, a particular set of sounds). Part of the beauty of <span class="application"><strong>SuperCollider</strong></span>'s flexibility is that it allows you to produce the same output in different ways. As a musician this means that, as long as your program works as you want it to work, it doesn't matter how you write it. Experience will teach you more and less effective ways of doing things, but there is no need for rules.
+ </div><div class="para">
+ Even so, here are some guidelines that will help you to start thinking about music programs:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Programs of all sorts often follow a simple, four-step flow. Not all parts are always present.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Declare variables.
+ </div></li><li class="listitem"><div class="para">
+ Get input from the user.
+ </div></li><li class="listitem"><div class="para">
+ Calculate something with the input.
+ </div></li><li class="listitem"><div class="para">
+ Provide output to the user (i.e. "make noise").
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Repetition is the enemy of correctness, so if you're going to execute some code more than once, try writing a Function. If it's slightly different every time, try using arguments. Arguments with default values are a great way to expand a Function's usefulness.
+ </div></li><li class="listitem"><div class="para">
+ If it looks too complicated, then it probably is. The more difficult it is to understand something, the greater the chance of making a mistake.
+ </div></li><li class="listitem"><div class="para">
+ Don't forget the semicolons at the end of every statement.
+ </div></li></ul></div>
+
+ </div></div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions">11.3.4. Sound-Making Functions</h3></div></div></div><div class="para">
+ It's finally time to start thinking about Functions that produce sound!
+ </div><div class="para">
+ This example is discussed below in the following sections. Remember, when running <span class="application"><strong>SuperCollider</strong></span> code in <span class="application"><strong>GEdit</strong></span>, you can stop the sound by pressing <span class="keycap"><strong>Esc</strong></span>
+<pre class="programlisting">{ SinOsc.ar( 440, 0, 0.2 ); }.play;</pre>
+
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-UGens"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-UGens">11.3.4.1. UGens</h4></div></div></div><div class="para">
+ "UGen" stands for "unit generator." UGens are special Objects that generate either an audio or a control signal.
+ </div><div class="para">
+ The UGen that will be used for most of the experimentation in this Guide, and which was primarily used to generate the "Method One" program that goes with this Guide, is called <code class="classname">SinOsc</code>, which generates a sine wave. The class' name, <code class="classname">SinOsc</code> means "sine oscillator."
+ </div><div class="para">
+ The example at the beginning of this chapter, <code class="code">SinOsc.ar( 440, 0, 0.2 );</code> produces an "instance" of the <code class="classname">SinOsc</code> class, which continuously outputs a signal, based on the parameters given in parentheses. This instance produces an "audio rate" signal, which means that it is of sufficient quality to eventually become sound.
+ </div><div class="para">
+ A slightly modified version of that code will give us a "control rate" signal: <code class="code">SinOsc.kr( 440, 0, 0.2 );</code> There is only one small difference between the two examples - for us - but for <span class="application"><strong>SuperCollider</strong></span>, the difference is huge. A control rate signal will not be of sufficient quality to become sound; it is used to control other UGens that do become sound.
+ </div><div class="para">
+ Unlike other Classes, UGen Classes should not be instantiated with the <code class="function">new</code> message. They should always be instantiated as either audio-rate (by passing the <code class="function">ar</code> message), or control-rate (by passing the <code class="function">kr</code> message). Control-rate signals are calculated much less often than audio-rate signals, which allows the <span class="application"><strong>SuperCollider</strong></span> interpreter and server to save processing power where it wouldn't be noticed.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-The_play_Function"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-The_play_Function">11.3.4.2. The "play" Function</h4></div></div></div><div class="para">
+ The <code class="function">play</code> function does exactly what it says: it plays its input. The input must be a function with an audio-rate signal generator as the return value.
+ </div><div class="para">
+ The following two examples produce the same output:
+<pre class="programlisting">{ SinOsc.ar( 440, 0, 0.2 ); }.play;</pre>
+
+<pre class="programlisting">play( { SinOsc.ar( 440, 0, 0.2 ); } );</pre>
+ The first example is written from an object-oriented perspective. Functions know how to play their return value, when passed the <code class="function">play</code> message. This is true of all Functions whose return value is an audio-rate UGen. The second example is written from a functional perspective. The Function called <code class="function">play</code> will play its input, which must be a Function whose return value is an audio-rate UGen. Whether you should write <code class="function">play</code> in the functional or object-oriented way depends on which makes more sense to you.
+ </div><div class="para">
+ Try to re-write the above example so that the <code class="function">play</code> function operates on a variable-defined Function.
+ </div><div class="para">
+ The arguments to <code class="classname">SinOsc</code>, whether the audio- or control-rate generator, are these:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The first is called <code class="literal">freq</code>; it sets the frequency.
+ </div></li><li class="listitem"><div class="para">
+ The second is called <code class="literal">add</code>; it is added to all values produced by the UGen.
+ </div></li><li class="listitem"><div class="para">
+ The third is called <code class="literal">mul</code>; all values produced by the UGen are multiplied by this.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ You now know enough to spend hours with the sine oscillator UGen. Try combining audio- and control-rate UGens, and try to figure out what happens when each of the arguments is adjusted. Be careful that your audio interface's volume isn't set too high! Experiment with this one:
+<pre class="programlisting">
+(
+ var myFrequency = SinOsc.kr( freq:1, mul:200, add:400 );
+ var sound = { SinOsc.ar( myFrequency, 0, 0.2 ); };
+
+ play( sound );
+)
+</pre>
+
+ </div></div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio">11.3.5. Multichannel Audio</h3></div></div></div><div class="para">
+ By now you must be growing tired of the left-side-only sounds being produced by the examples.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Stereo_Array"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Stereo_Array">11.3.5.1. Stereo Array</h4></div></div></div><div class="para">
+ The easiest way to output multichannel audio in <span class="application"><strong>SuperCollider</strong></span> is to use a kind of "Collection" (defined later) called an "Array." <span class="application"><strong>SuperCollider</strong></span> will theoretically handle any number of audio output channels, but by default is usually only configured for two-channel stereo audio. Since humans have only two ears, this is sufficient for most tasks! A multichannel array is notated like this: <code class="code">[ LeftChannel.ar( x ), RightChannel.ar( y ) ]</code>
+ </div><div class="para">
+ Here is our simple sine oscillator expanded to produce stereo audio:
+<pre class="programlisting">{ [ SinOsc.ar( 440, 0, 0.2 ), SinOsc.ar( 440, 0, 0.2 ) ]; }.play;</pre>
+ Not much has changed, except that the audio we hear is now being emitted from both the left and right channels. Change the frequency of one of the sine oscillators to <code class="literal">450</code> and the difference will become much more apparent.
+ </div><div class="para">
+ Multichannel arrays can also be combined with each other, like this:
+<pre class="programlisting">
+{
+ var one = [ x, y, z ];
+ var two = [ a, b, c ];
+ [ one, two ];
+}
+</pre>
+ If <code class="literal">a</code>, <code class="literal">b</code>, <code class="literal">c</code>, <code class="literal">x</code>, <code class="literal">y</code>, and <code class="literal">z</code> were all audio-rate UGens, this function could be <code class="function">play</code>'ed. It would produce stereo audio, and each channel would have three independent UGens.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Multichannel_Expansion"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Multichannel_Expansion">11.3.5.2. Multichannel Expansion</h4></div></div></div><div class="para">
+ You can automatically create multiple UGens by providing an Array as one of the parameters. The <span class="application"><strong>SuperCollider</strong></span> interpreter will automatically create multichannel UGens as a result.
+ </div><div class="para">
+ The following two examples produce equivalent output:
+<pre class="programlisting">{ [ SinOsc.ar( 440, 0, 0.2 ), SinOsc.ar( 440, 0, 0.2 ) ]; }.play;</pre>
+
+<pre class="programlisting">{ SinOsc.ar( [440, 440], 0, 0.2 ); }.play;</pre>
+ The second example can be easier to read, because it is obvious that only the frequency is changing - or in this case, that nothing is changing. This technique is more useful in a situation like the following:
+<pre class="programlisting">
+{ SinOsc.ar( [[440, 445, 450, 455, 460, 465],
+ [440, 445, 450, 455, 460, 465]],
+ 0,
+ 0.2 ); }.play;
+</pre>
+ That's not exactly easy to read, but it's easier to figure out than the most obvious alternative:
+<pre class="programlisting">
+{
+ [[ SinOsc.ar( 440, 0, 0.2 ), SinOsc.ar( 445, 0, 0.2 ), SinOsc.ar( 450, 0, 0.2 ), SinOsc.ar( 455, 0, 0.2 ), SinOsc.ar( 460, 0, 0.2 ), SinOsc.ar( 465, 0, 0.2 ) ],
+ [ SinOsc.ar( 440, 0, 0.2 ), SinOsc.ar( 445, 0, 0.2 ), SinOsc.ar( 450, 0, 0.2 ), SinOsc.ar( 455, 0, 0.2 ), SinOsc.ar( 460, 0, 0.2 ), SinOsc.ar( 465, 0, 0.2 ) ]];
+}.play;
+</pre>
+ More importantly, multichannel expansion gives us another tool to avoid repetition. Repetition is the enemy of correctness - it's so much more difficult to find a mistake in the second example than in the first!
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Method_One"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Method_One">11.3.5.3. Method One</h4></div></div></div><div class="para">
+ Believe it or not, you now know enough to understand a slightly-modified version of the first part of "Method One," a <span class="application"><strong>SuperCollider</strong></span> program written and heavily commented specifically for use with this guide. You should <code class="function">play</code> this example, and experiment with changing the frequencies, volumes, and so on. The fully-commented version provides a full explanation of how the function works.
+<pre class="programlisting">
+{
+ // sets up the frequencies of both channels
+ var frequencyL = SinOsc.kr( freq:10, mul:200, add:400 ); // oscillating
+ var frequencyR = SinOsc.kr( freq:1, mul:50, add:150 ); // oscillating
+ var frequencyL_drone = SinOsc.kr( freq:0.03, mul:20, add:100 ); // drone
+ var frequencyR_drone = SinOsc.kr( freq:0.01, mul:20, add:210 ); // drone
+
+ // changes the volume of the oscillating part in the left channel
+ var volumeL = SinOsc.kr( freq:0.5, mul:0.02, add:0.03 );
+
+ // left channel
+ var left = [ SinOsc.ar( freq:frequencyL, mul:volumeL ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyL_drone,2*frequencyL_drone], mul:0.02 ), // the rest make up the drone
+ SinOsc.ar( freq:[5*frequencyL_drone,7*frequencyL_drone], mul:0.005 ),
+ SinOsc.ar( freq:[13*frequencyL_drone,28*frequencyL_drone], mul:0.001 ) ];
+
+ // right channel
+ var right = [ SinOsc.ar( freq:frequencyR, mul:0.1 ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyR_drone,2*frequencyR_drone], mul:0.02 ), // the rest make up the drone
+ SinOsc.ar( freq:4*frequencyR_drone, mul:0.005 ),
+ SinOsc.ar( freq:[64*frequencyR_drone,128*frequencyR_drone], mul:0.01 ) ]; // high frequencies!
+
+ [ left, right ];
+}
+</pre>
+
+ </div></div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections">11.3.6. Collections</h3></div></div></div><div class="para">
+ A "collection" is just that - a collection of Objects. Collections are simply a means of organizing a large amount of data, without having to assign a variable name for each portion of data. Compared to other programming languages, <span class="application"><strong>SuperCollider</strong></span> provides a relatively large number of Collections in the standard library.
+ </div><div class="para">
+ We have already seen an example of a Collection as multichannel audio arrays. An Array is a kind of Collection - in object-oriented terminology, the Array Class is a <em class="firstterm">sub-class</em> of the Collection Class, and inherits its behaviours. Conversely, the Collection Class is the <em class="firstterm">super-class</em> of the Array Class. The Collection Class itself is not to be used; it is designed to provide common features so that it is easier to write Classes for collections.
+ </div><div class="para">
+ As with all the chapters from this point on, it is not necessary to read this in sequence. If you prefer, you can skip it and return later when you need to manage a large set of data.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Array"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Array">11.3.6.1. Array</h4></div></div></div><div class="para">
+ Arrays have been traditionally been very popular with programmers. In <span class="application"><strong>SuperCollider</strong></span>, they are capable of storing a large number of Objects, and they provide advanced behaviours that are normally not associated with Arrays. They are not as indespensible as they used to be. Most programming languages now provide (or can easily be extended to add) Lists, Trees, and other kinds of data storage structures, which offer more capabilities, and are easier to use and to think about. Users new to programming might find the various kinds of Lists to be more helpful.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Array-Building"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Array-Building">11.3.6.1.1. Building an Array</h5></div></div></div><div class="para">
+ An Array is a Collection with a finite maximum size, determined at declaration time. It is the programmer's responsibility to maintain a meaningful order, and to remember the meaning of the data. Data in an Array is called "elements," each of which is assigned a specific "index number." Index numbers begin at 0. Any mix of Objects can be stored in an Array, including an Array.
+ </div><div class="para">
+ This example declares an Array, adds some elements, then prints them out.
+<pre class="programlisting">
+(
+ var tA = Array.new( 2 ); // "tA" stands for "testArray"
+
+ tA = tA.add( 5 );
+ tA = tA.add( 3 );
+ tA = tA.add( 17 );
+
+ tA.postln;
+ nil;
+)
+</pre>
+ Notice that Array is a Class, and it must be instantiated before use. Here, the variable <code class="literal">tA</code> is assigned an Array with enough space for two objects. Notice that the elements are printed out in the order that you add them to the Array. They are not sorted or shuffled (unless you send a message like <code class="function">scramble</code>). But why did I write <code class="code">tA = tA.add( 17 );</code> instead of <code class="code">tA.add( 17 );</code>? Shouldn't the second method be sufficient for adding an Object to an Array, thereby making the re-assignment unnecessary? It does, but let's see what happens when we take it away:
+<pre class="programlisting">
+(
+ var tA = Array.new( 2 ); // "tA" stands for "testArray"
+
+ tA.add( 5 );
+ tA.add( 3 );
+ tA.add( 17 );
+
+ tA.postln;
+ nil;
+)
+</pre>
+ The <code class="literal">17</code> is missing - it doesn't get added into the Array! This is because the Array was only declared with two slots, and you can't add three Objects into two slots. So why did this work the first time? <span class="application"><strong>SuperCollider</strong></span> was programmed to help us fit additional items into an Array. If an Array has reached its capacity, <span class="application"><strong>SuperCollider</strong></span> will automatically make a new, larger Array for us, and returns that from the <code class="function">add</code> method. Therefore, any time you add an element to an Array, you should always re-assign the result, so that you don't have to worry about whether you exceeded the Array's capacity.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Array-Accessing"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Array-Accessing">11.3.6.1.2. Accessing an Array's Elements</h5></div></div></div><div class="para">
+ There are two ways to access individual elements within an Array. One way is object-oriented, and one way is more traditional, inspired by programming languages such as the wildly popular "C" language. The object-oriented style uses the <code class="function">at</code> and <code class="function">put</code> methods. The traditional style uses square brackets with an index number.
+ </div><div class="para">
+ The following examples produce equivalent output. The first uses the object-oriented style, and the second uses the traditional style.
+<pre class="programlisting">
+(
+ var tA = Array.new( 3 );
+
+ tA = tA.add( 5 );
+ tA = tA.add( 3 );
+ tA = tA.add( 17 );
+
+ tA.at( 0 ).postln; // outputs 5
+ tA.at( 1 ).postln; // outputs 3
+ tA.at( 2 ).postln; // outputs 17
+
+ tA.put( 0, 24 ); // assigns 24 to element 0
+
+ tA.at( 0 ).postln; // outputs 24
+
+ nil;
+)
+</pre>
+
+<pre class="programlisting">
+(
+ var tA = Array.new( 3 );
+
+ tA = tA.add( 5 );
+ tA = tA.add( 3 );
+ tA = tA.add( 17 );
+
+ tA[0].postln; // outputs 5
+ tA[1].postln; // outputs 3
+ tA[2].postln; // outputs 17
+
+ tA[0] = 24 ; // assigns 24 to element 0
+
+ tA[0].postln; // outputs 24
+
+ nil;
+)
+</pre>
+ Different people prefer different styles of accessing Arrays.
+ </div></div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List">11.3.6.2. List</h4></div></div></div><div class="para">
+ An List is a Collection with an infinite maximum size. It is the programmer's responsibility to maintain a meaningful order, and to remember the meaning of the data. Data in a List is called "elements," each of which is assigned a specific "index number." Index numbers begin at 0. Any mix of Objects can be stored in a List, including a List. Lists and Arrays are very similar, but <span class="application"><strong>SuperCollider</strong></span> manages some of the dirty work for you, when you use the List Class.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Building"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Building">11.3.6.2.1. Building a List</h5></div></div></div><div class="para">
+ There are four methods which instantiate a List. These are all "Class methods," meaning they do not operate on a specific List, but can be used to make any List.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">List.new</code> creates a List. You can also specify the initial number of elements as an argument, if you choose.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">List.newClear( <em class="replaceable"><code>x</code></em> )</code> creates a List with <code class="literal">x</code> number of slots, filled with <code class="literal">nil</code>.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">List.copyInstance( <em class="replaceable"><code>aList</code></em> )</code> creates a List which is a copy of <code class="literal">aList</code>.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">List.newUsing( <em class="replaceable"><code>anArray</code></em> )</code> creates a List with the same elements as <code class="literal">anArray</code>.
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Adding_to_an_Existing_List"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Adding_to_an_Existing_List">11.3.6.2.2. Adding to an Existing List</h5></div></div></div><div class="para">
+ These are "instance methods," meaning that they operate on a specific list.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">put( <em class="replaceable"><code>index</code></em>, , <em class="replaceable"><code>item</code></em> )</code> adds <code class="literal">item</code> into the List at index number <code class="literal">index</code>.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">add( <em class="replaceable"><code>item</code></em> )</code> adds <code class="literal">item</code> to the end of a List.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">addFirst( <em class="replaceable"><code>item</code></em> )</code> adds <code class="literal">item</code> to the beginning of a List.
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Accessing"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Accessing">11.3.6.2.3. Accessing a List</h5></div></div></div><div class="para">
+ These are "instance methods," meaning that they operate on a specific list.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">at( <em class="replaceable"><code>index</code></em> )</code> returns the Object assigned to the <code class="literal">index</code> index number. If <code class="literal">index</code> is greater than the last element in the List, returns <code class="literal">nil</code>.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">clipAt( <em class="replaceable"><code>index</code></em> )</code> returns the Object assigned to the <code class="literal">index</code> index number. If <code class="literal">index</code> is greater than the last element in the List, returns the last element in the List.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">wrapAt( <em class="replaceable"><code>index</code></em> )</code> returns the Object assigned to the <code class="literal">index</code> index number. If <code class="literal">index</code> is greater than the last element in the List, returns an element based on a "wrap-around" index number. For a three-element List, <code class="literal">0</code> will return element <code class="literal">0</code>, <code class="literal">1</code> returns <code class="literal">1</code>, <code class="literal">2</code> returns <code class="literal">2</code>, <code class="literal">3</code> returns <code class="literal">0</code>, <code class="literal">4</code> returns <code class="literal">1</code>, <code class="literal">5</code> returns <code class="literal">2</code>, <code class="literal">6</code> returns <code class="literal">0</code>, and so on.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">foldAt( <em class="replaceable"><code>index</code></em> )</code> returns the Object assigned to the <code class="literal">index</code> index number. If <code class="literal">index</code> is greater than the last element in the List, returns an element based on a "fold-back" index number. Whereas <code class="function">wrapAt()</code> always continues from the lowest to the highest index number, <code class="function">foldAt()</code> changes every time: low to high, high to low, low to high, and so on.
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Removing"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Removing">11.3.6.2.4. Removing from a List</h5></div></div></div><div class="para">
+ One way to remove an element from a List is to re-assign that element's index number the value <code class="literal">nil</code>. These two Functions also remove elements from a List. They are "instance methods," meaning that they operate on a specific list.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">pop</code> returns the last element in a List, and removes it from the List.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">removeAt( <em class="replaceable"><code>index</code></em> )</code> removes the element assigned to <code class="literal">index</code> index number, removing it from the List and shrinking the List. <code class="function">removeAt()</code> does not leave a <code class="literal">nil</code> element in the List.
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Examples"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Examples">11.3.6.2.5. Examples</h5></div></div></div><div class="para">
+ The following examples show different ways to use List's.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL.add( 42 );
+ tL.add( 820 );
+
+ postln( tL.pop ); // outputs 820
+
+ tL.add( 7 );
+ tL.add( 19 );
+ tL.add( 23 );
+
+ postln( tL.pop ); // outputs 23
+ postln( tL.pop ); // outputs 19
+ postln( tL.pop ); // outputs 7
+ postln( tL.pop ); // outputs 42
+
+ postln( tL.pop ); // List is empty, so we get "nil"
+
+ nil;
+)
+</pre>
+ This code adds numbers to the end of a List, then removes them from the end of the List.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL.addFirst( 42 );
+ tL.addFirst( 820 );
+
+ postln( tL.pop ); // outputs 42
+
+ tL.addFirst( 7 );
+ tL.addFirst ( 19 );
+ tL.addFirst ( 23 );
+
+ postln( tL.pop ); // outputs 820
+ postln( tL.pop ); // outputs 7
+ postln( tL.pop ); // outputs 19
+ postln( tL.pop ); // outputs 23
+
+ postln( tL.pop ); // list is empty, so we get "nil"
+
+ nil;
+)
+</pre>
+ This modification of the first example adds numbers to the beginning of a List, then removes them from the end of the List. This is one way to ensure that the List elements are removed in the same order that they are added.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL.add( 42 );
+ tL.add( 820 );
+
+ postln( tL.removeAt( 0 ) ); // outputs 42
+
+ tL.add( 7 );
+ tL.add( 19 );
+ tL.add( 23 );
+
+ postln( tL.removeAt( 0 ) ); // outputs 820
+ postln( tL.removeAt( 0 ) ); // outputs 7
+ postln( tL.removeAt( 0 ) ); // outputs 19
+ postln( tL.removeAt( 0 ) ); // outputs 23
+
+// postln( tL.removeAt( 0 ) ); // causes an error!
+
+ nil;
+)
+</pre>
+ This modification of the first example adds numbers to the end of a List, then removes from the beginning of the List. This is another way to ensure that the List elements are removed in the same order that they're added. Note that, when the List is empty, using the "removeAt()" Function causes an error, because you try to access a List index which doesn't exist.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL = [42,820,7,19,23];
+
+ tL.at( 0 ).postln; // outputs 42
+ tL.at( 1 ).postln; // outputs 820
+ tL.at( 2 ).postln; // outputs 7
+ tL.at( 3 ).postln; // outputs 19
+ tL.at( 4 ).postln; // outputs 23
+ tL.at( 5 ).postln; // outputs nil
+ tL.at( 6 ).postln; // outputs nil
+
+ nil;
+)
+</pre>
+ This example shows another way to add elements to an empty List, which also works for Arrays. Then it shows what happens when you try to access elements beyond the end of a List with the "at()"Function.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL = [42,820,7,19,23];
+
+ tL.clipAt( 0 ).postln; // outputs 42
+ tL.clipAt( 1 ).postln; // outputs 820
+ tL.clipAt( 2 ).postln; // outputs 7
+ tL.clipAt( 3 ).postln; // outputs 19
+ tL.clipAt( 4 ).postln; // outputs 23
+ tL.clipAt( 5 ).postln; // outputs 23
+ tL.clipAt( 6 ).postln; // outputs 23
+
+ nil;
+)
+</pre>
+ This example shows what happens when you try to access elements beyond the end of a List with the "clipAt()" Function. For index numbers beyond the end of the List, the interpreter will simply return the last element.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL = [42,820,7,19,23];
+
+ tL.foldAt( 0 ).postln; // outputs 42
+ tL.foldAt( 1 ).postln; // outputs 820
+ tL.foldAt( 2 ).postln; // outputs 7
+ tL.foldAt( 3 ).postln; // outputs 19
+ tL.foldAt( 4 ).postln; // outputs 23
+ tL.foldAt( 5 ).postln; // outputs 19
+ tL.foldAt( 6 ).postln; // outputs 7
+
+ nil;
+)
+</pre>
+ This example shows what happens when you try to aceess elements beyond the end of a List with the "foldAt()" Function. For index numbers beyond the end of the List, the interpreter will start moving back through the List, towards the first element, "folding" through the List.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL = [42,820,7,19,23];
+
+ tL.wrapAt( 0 ).postln; // outputs 42
+ tL.wrapAt( 1 ).postln; // outputs 820
+ tL.wrapAt( 2 ).postln; // outputs 7
+ tL.wrapAt( 3 ).postln; // outputs 19
+ tL.wrapAt( 4 ).postln; // outputs 23
+ tL.wrapAt( 5 ).postln; // outputs 42
+ tL.wrapAt( 6 ).postln; // outputs 820
+
+ nil;
+)
+</pre>
+ This example shows what happens when you try to access elements beyond the end of a List with the "wrapAt()" Function. For index numbers beyond the end of the List, the interpreter will start again at the beginning of the List, "wrapping" around to the beginning.
+ </div></div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList">11.3.6.3. LinkedList</h4></div></div></div><div class="para">
+ Linked lists are very common structures for data management in computer science. They are more efficient than arrays for many tasks, particularly when it's impossible to know how many elements will be required in an array until the program is run. <span class="application"><strong>SuperCollider</strong></span>'s List Class is implemented with arrays, and it offers nearly the same functionality as the LinkedList class.
+ </div><div class="para">
+ A true linked list is accessed most efficiently from the start (called the "head" of the list) or the end (called the "tail"). Each element is linked to the one before it, the one after it, or both. <span class="application"><strong>SuperCollider</strong></span>'s LinkedList Class has elements which are linked both to the preceding and following elements, so it is called a "doubly linked list."
+ </div><div class="para">
+ Knowing when to use a LinkedList over a List is a question of efficiency, and for small collections of information, it isn't going to make a big difference - you might as well use a basic List. When you plan to store hundreds or thousands of elements, choosing the right Class becomes more important, and can save a lot of processor time. Here is how to know which Class you should use:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ If you're going to be adding elements to the start or end of the list, and accessing from the start or end of the list, the LinkedList Class will be more efficient.
+ </div></li><li class="listitem"><div class="para">
+ If you're going to be adding elements at arbitrary index numbers <span class="emphasis"><em>inside</em></span> the list, and accessing elements at arbitrary index numbers inside the list, the List Class will be more efficient.
+ </div></li><li class="listitem"><div class="para">
+ If you're going to be adding elements to the start or end, but accessing specific indices, or adding elements at specific indices, but accessing from the start or end, then you get to choose where to save computation time. In one of these cases, it might not matter which one you choose.
+ </div></li></ul></div>
+
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Inefficient_Functions"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Inefficient_Functions">11.3.6.3.1. Efficient Functions</h5></div></div></div><div class="para">
+ These Functions make use of the LinkedList Class in an efficient way. They are efficient because they access only the first or last element in the LinkedList.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">add( <em class="replaceable"><code>obj</code></em> )</code> adds <code class="literal">obj</code> to a LinkedList as the last item.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">addFirst( <em class="replaceable"><code>obj</code></em> )</code> adds <code class="literal">obj</code> to a LinkedList as the first item.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">pop</code> removes the last item in a LinkedList and returns it.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">popFirst</code> removes the first item in a LinkedList and returns it.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">first</code> returns a copy of the first item in a LinkedList.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">last</code> returns a copy of the last item in a LinkedList.
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Efficient_Functions"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Efficient_Functions">11.3.6.3.2. Inefficient Functions</h5></div></div></div><div class="para">
+ These Functions make use of the LinkedList Class in an inefficient way, but they can be useful. They are inefficient because they may potentially have to review all of the elements in a LinkedList before completing.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">at( <em class="replaceable"><code>index</code></em> )</code> pretends the LinkedList is an Array, and returns a copy of what would be the element at the given index number.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">put( <em class="replaceable"><code>index</code></em>, , <em class="replaceable"><code>obj</code></em> )</code> pretends the LinkedList is an Array, and changes the element at the given index number to be <code class="literal">obj</code>.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">remove( <em class="replaceable"><code>obj</code></em> )</code> searches through a LinkedList and removes the element judged to be equal to <code class="literal">obj</code>, regardless of its index number.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">removeAt( <em class="replaceable"><code>index</code></em> )</code> pretends the LinkedList is an Array, and removes the element located at the given index number.
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Example"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Example">11.3.6.3.3. Example</h5></div></div></div><div class="para">
+ This example uses a LinkedList as a queue, adding numbers to the tail, and removing and printing from the head.
+<pre class="programlisting">
+(
+ var tL = LinkedList.new;
+
+ tL.add( 42 );
+ tL.add( 89 );
+
+ tL.popFirst.postln; // prints 42
+
+ tL.add( 256 );
+
+ tL.popFirst.postln; // prints 89
+
+ tL.add( 900 );
+
+ tL.popFirst.postln; // prints 256
+ tL.popFirst.postln; // prints 900
+
+ nil;
+)
+</pre>
+
+ </div></div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Other_Collections"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Other_Collections">11.3.6.4. Other Collections</h4></div></div></div><div class="para">
+ As mentioned previously, the <span class="application"><strong>SuperCollider</strong></span> language provides for many more kinds of data structures. The following Collections are useful, but much more complex than those listed above. For usage instructions, refer to the <span class="application"><strong>SuperCollider</strong></span> documentation.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Dictionary: stores and allows retrieval of data by arbitrary Objects (for example, by symbols, rather than by index numbers).
+ </div></li><li class="listitem"><div class="para">
+ Library: a type of Dictionary. Objects inserted can be used by any Object in the program, like books in a real-world library can be used by anybody who walks in.
+ </div></li><li class="listitem"><div class="para">
+ Set: an unordered Collection of like Objects, where no two elements are identical.
+ </div></li><li class="listitem"><div class="para">
+ SortedList: a List where all elements are kept in a sorted order, regardless of how they are added. The inserted Objects should have a useful ordering method, numerical or lexicographic (alphabetic, for example).
+ </div></li></ul></div>
+
+ </div></div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating">11.3.7. Repeated Execution</h3></div></div></div><div class="para">
+ Repeating boring tasks is one of the main uses of computers, which don't mind doing the same thing over and over again. More importantly, writing code once and using it many times is much more intelligent than writing the same code many times. Repetition of the same code is often problematic, and repetition with subtle differences is even worse. Errors in this kind of code are difficult to find in the first place, and more difficult to solve effectively. Thankfully, as with most other things, <span class="application"><strong>SuperCollider</strong></span> offers a wide variety of ways to repeat code without re-writing it.
+ </div><div class="para">
+ The code structure used to create repetition is normally called a <em class="firstterm">loop</em>. "Do" loops are <span class="application"><strong>SuperCollider</strong></span>'s most versatile and useful repetition structure, and there are a few different ways to think about and write it. The "while" loop is a standard of most programming languages.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Simple_Do"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Simple_Do">11.3.7.1. "Do This to Everything in This Collection"</h4></div></div></div><div class="para">
+ One way to write a "do" loop is basically the same as telling the interpreter to "do this Function to every element in this Collection." The syntax looks like this: <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncdo</strong>(</code><var class="pdparam">aCollection</var>, aFunction<code>(</code>number, number<code>)</code><code>)</code>;</p></div> ... or like this: <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncaCollection.do</strong>(</code>aFunction<code>(</code>number, number<code>)</code><code>)</code>;</p></div> This causes <code class="function">aFunction</code> to be executed once for each element in <em class="replaceable"><code>aCollection</code></em>, which can be any kind of Collection. Each time <code class="function">aFunction</code> is run, it is given two arguments, in this order: an element of <em class="replaceable"><code>aCollection</code></em>, and the elements index number. For Collection's that don't have index numbe
rs, it returns what the element's index number would have been. The loop always begins at the start of the Collection, and progresses with each element in order to the end. The second argument, really, is the integers from zero to one less than the number of elements in the Collection, increasing by one each time the loop executes <code class="function">aFunction</code>.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Number_Do"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Number_Do">11.3.7.2. "Do This, This Many Times"</h4></div></div></div><div class="para">
+ Another way to write a "do" loop takes advantage of <span class="application"><strong>SuperCollider</strong></span>'s flexibility, and is really the same as one of the methods above. It's basically equivalent to telling the interpreter to "run this Function this many times." The syntax looks like this, <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncaNumber.do</strong>(</code>aFunction<code>(</code>number<code>)</code><code>)</code>;</p></div> This causes <code class="function">aFunction</code> to be execute <em class="replaceable"><code>aNumber</code></em> times. The interpreter still provdies two arguments to <code class="function">aFunction</code>, but they are the same: it is the integers from zero to one less than <em class="replaceable"><code>aNumber</code></em>. You might also think of it as the number of times that <code class="function">aFunction</code> has been executed prior to this particular execution.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Do_Examples"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Do_Examples">11.3.7.3. Example "Do" Loops</h4></div></div></div><div class="para">
+ These examples illustrate different ways to use "do" loops for trivial tasks.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+ tL = [27, 46, 102, 81, 34, 0, 39, 26, 203, 62];
+
+ do( tL, { arg item, rep; [rep, item].postln; }; );
+
+ nil;
+)
+</pre>
+ This example is of the first syntax shown. For each element in <code class="literal">tL</code>, the interpreter executes the function once, giving it <span class="emphasis"><em>first</em></span> the corresponding element of the Collection, and <span class="emphasis"><em>then</em></span> the iteration counter, which happens to be equal to the element's List index number.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+ var myFunc =
+ {
+ arg item;
+ item.postln;
+ };
+
+ tL = [27, 46, 102, 81, 34, 0, 39, 26, 203, 62];
+
+ tL.do( myFunc; );
+
+ nil;
+)
+</pre>
+ This example does several things differently, but maintains the same basic functionality as the previous example. In this case, the Function only uses the first argument that the interpreter provides, and completely ignores the iteration counter. The syntax here also puts the Collection outside the parentheses, which perhaps makes it more clear that <code class="literal">tL</code> is not part of the function.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ 10.do( { "repeat".postln; }; );
+
+ nil;
+)
+</pre>
+ This example simply prints the string "repeat" ten times. If the Function accepted one argument, it would receive the integers zero through nine. If it accepted two arguments, both of the arguments would be equal.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-While"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-While">11.3.7.4. "Do This While"</h4></div></div></div><div class="para">
+ "While" loops execute continuously while their "test condition" is evaluated to be "true". Upon reaching the loop, the <span class="application"><strong>SuperCollider</strong></span> interpreter executes the test condition. If it is "fale", the interpreter does not execute the loop, and continues with the code after the loop. If it is "true", the interpreter executes the code in the loop once, then re-executes the test condition. If the test condition is "true", the loop is executed, the test condition re-executed, and so on. Until the test condition returns "false", the interpreter will never leave the loop.
+ </div><div class="para">
+ Here is the format of a "while" loop in <span class="application"><strong>SuperCollider</strong></span>: <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncwhile</strong>(</code>boolean testFunction<code>(</code>number<code>)</code>, bodyFunction<code>(</code>number<code>)</code><code>)</code>;</p></div> or like this: <div class="funcsynopsis"><p><code class="funcdef">testFunction.<strong>fsfuncwhile</strong>(</code>bodyFunction<code>(</code>number<code>)</code><code>)</code>;</p></div> The test condition, called <code class="function">testFunc</code>, is a function which returns a boolean value - either <code class="literal">true</code> or <code class="literal">false</code>. The loop's body, called <code class="function">bodyFunc</code>, is a function which can do anything. The loop body function is not provided any arguments by the interpreter. You will have to use comparison operators and boolean expressions when writing the Function for the test conditi
on. For information on how these work in <span class="application"><strong>SuperCollider</strong></span>, see <a class="xref" href="#sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Operators">「Boolean Operators」</a> and <a class="xref" href="#sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions">「Boolean Expressions」</a>.
+ </div><div class="para">
+ The following three code blocks are equivalent:
+<pre class="programlisting">
+(
+ 10.do( { "repeat".postln; }; );
+)
+</pre>
+ and
+<pre class="programlisting">
+(
+ var counter = 0;
+ while( { counter < 10; }, { "repeat".postln; counter = counter + 1; } );
+)
+</pre>
+ and
+<pre class="programlisting">
+(
+ var counter = 0;
+ { counter < 10; }.while( { "repeat".postln; counter = counter + 1; } );
+)
+</pre>
+ You can see how it's easier to write this particular activity as a "do" loop. It's often the case that a "do" loop better reflects what you want to do, but not always.
+ </div><div class="para">
+ Contemplate a situation where you are waiting for the user to input some information, which you're going to use to calculate the rest of the composition. The following example isn't real code. It's intended to simplify a complex situation, so you can see where a "while" loop makes more sense than a "do" loop.
+<pre class="programlisting">
+play( some background music );
+while( { is the user still inputting information? }, { keep playing music } );
+stop( some background music );
+</pre>
+ The background music is begun, and then the interpreter would enter the loop. For as long as the user is still inputting information, the interpreter will then "keep playing music." When the user is not still inputting information, the interpreter will move on to the next command, which stops the music. An equivalent "do" loop would be very difficult to write, if not impossible. This is because we won't know when the user has finished inputting their information until <span class="emphasis"><em>after</em></span> they've finished, so we can't plan in advance for how long to play background music.
+ </div><div class="para">
+ Thus, the most appropriate use of a "while" loop is for cases where you cannot know in advance how many times something should be executed. For most other cases of repeated execution, a "do" loop is the most appropriate choice.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-">11.3.7.5. Other Loops</h4></div></div></div><div class="para">
+ The default language provides two other loop structures, both of which are designed to iterate over a series of integer values: "for" loops and "forBy" loops. Their use is more limited than "do" loops. They are explained in the <span class="application"><strong>SuperCollider</strong></span> documentation.
+ </div></div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution">11.3.8. Conditional Execution</h3></div></div></div><div class="para">
+ Conditional execution tells the <span class="application"><strong>SuperCollider</strong></span> interpreter to execute code on the condition that something is true. <span class="application"><strong>SuperCollider</strong></span> offers three conditional execution structures, "if", "switch", and "case" statements. Each of these structures is controlled by one or a series of "boolean expressions" (sometimes called "conditional expressions"), which are composed of "boolean operators".
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Operators"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Operators">11.3.8.1. Boolean Operators</h4></div></div></div><div class="para">
+ Boolean operators evaluate to <code class="literal">true</code> or <code class="literal">false</code>, and are most useful in boolean expressions, where they help to determine which portion of a program to execute.
+ </div><div class="para">
+ The following table lists binary boolean operators that take two arguments: one on the left and one on the right. These operators produce either <code class="literal">true</code> or <code class="literal">false</code>.
+ <div class="table"><h6>表11.1 Binary Boolean Operators in SuperCollider</h6><div class="table-contents"><table summary="Binary Boolean Operators in SuperCollider" border="1"><colgroup><col align="center" class="operator" width="50%" /><col align="center" class="meaning" width="50%" /></colgroup><thead><tr><th align="center">
+ Operator
+ </th><th align="center">
+ Meaning
+ </th></tr></thead><tbody><tr><td align="center">
+ <
+ </td><td align="center">
+ less than
+ </td></tr><tr><td align="center">
+ <=
+ </td><td align="center">
+ less than or equal to
+ </td></tr><tr><td align="center">
+ >
+ </td><td align="center">
+ greater than
+ </td></tr><tr><td align="center">
+ >=
+ </td><td align="center">
+ greater than or equal to
+ </td></tr><tr><td align="center">
+ ==
+ </td><td align="center">
+ equivalent
+ </td></tr><tr><td align="center">
+ !=
+ </td><td align="center">
+ not equivalent
+ </td></tr><tr><td align="center">
+ ===
+ </td><td align="center">
+ identical (the same object)
+ </td></tr><tr><td align="center">
+ !==
+ </td><td align="center">
+ not identical (not the same object)
+ </td></tr><tr><td align="center">
+ &&
+ </td><td align="center">
+ logical <code class="literal">And</code>
+ </td></tr><tr><td align="center">
+ ||
+ </td><td align="center">
+ logical <code class="literal">Or</code>
+ </td></tr></tbody></table></div></div><br class="table-break" />
+
+ </div><div class="para">
+ The following table lists unary boolean operators that take one arguments. These operators produce either <code class="literal">true</code> or <code class="literal">false</code>.
+ <div class="table"><h6>表11.2 Unary Boolean Operators in SuperCollider</h6><div class="table-contents"><table summary="Unary Boolean Operators in SuperCollider" border="1"><colgroup><col align="center" class="operator" width="50%" /><col align="center" class="meaning" width="50%" /></colgroup><thead><tr><th align="center">
+ Operator
+ </th><th align="center">
+ Meaning
+ </th></tr></thead><tbody><tr><td align="center">
+ isPositive
+ </td><td align="center">
+ <code class="literal">true</code> if the argument is greater than or equal to <code class="literal">0</code>
+ </td></tr><tr><td align="center">
+ isStrictlyPositive
+ </td><td align="center">
+ <code class="literal">true</code> if the argument is greater than <code class="literal">0</code>
+ </td></tr><tr><td align="center">
+ isNegative
+ </td><td align="center">
+ <code class="literal">true</code> if <code class="function">isPositive</code> is <code class="literal">false</code>
+ </td></tr></tbody></table></div></div><br class="table-break" />
+ Unary operators are actually functions, and must be used as such.
+<pre class="programlisting">
+(
+ var x = 5;
+ x.isPositive; // returns "true"
+ isNegative( x ); // returns "false"
+)
+</pre>
+
+ </div><div class="para">
+ The use of these operators is explained below in the "Boolean Expressions" section.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions">11.3.8.2. Boolean Expressions</h4></div></div></div><div class="para">
+ Boolean expressions are expressions which, when executed, result in either "true" or "false". Boolean expressions must use at least one boolean operator (as listed above), or a Function which returns a boolean value. Boolean expressions can also use other operators and Functions.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Simple_Boolean"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Simple_Boolean">11.3.8.2.1. Simple Expressions</h5></div></div></div><div class="para">
+ Here are a few simple boolean expressions. Of course, variables can be used in place of constant numbers:
+<pre class="programlisting">
+5 < 60; // evaluates to "false"
+42 != 42; // evaluates to "false"
+42 == 42; // evaluates to "true"
+0.isPositive; // evaluates to "true"
+isNegative( -256 ); // evaluates to "true"
+</pre>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Assignment_and_Equality_Mistake"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Assignment_and_Equality_Mistake">11.3.8.2.2. Assignment/Equality Mistake</h5></div></div></div><div class="para">
+ Beware the following pitfall, common to a large number of programming languages:
+<pre class="programlisting">
+a == 42; // evaluates to "true" or "false", depending on the value in "a"
+a = 42; // assigns the value 42 to "a", over-writing the previously-stored value
+</pre>
+ One possible work-around is to write the number first.
+<pre class="programlisting">
+42 == a; // evaluates to "true" or "false", depending on the value in "a"
+42 = a; // causes an error, because you can't assign a value to a constant number
+</pre>
+ This way, if you accidentally leave out one of the <code class="literal">=</code> signs, the interpreter will stop execution and produce an error, rather than continuing with an unexpected assignment.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Equality_versus_Identity"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Equality_versus_Identity">11.3.8.2.3. Equality versus Identity</h5></div></div></div><div class="para">
+ The identity-equivalence operators are not usually needed.
+<pre class="programlisting">
+(
+ var a = [12,24,48];
+ var b = [12,24,48];
+
+ a == b; // evaluates to "true"
+ a === b; // evaluates to "false"
+)
+</pre>
+ The <code class="literal">==</code> operator evaluates to <code class="literal">true</code> because <code class="literal">a</code> and <code class="literal">b</code> represent equivalent Objects - they are equal. The <code class="literal">===</code> operator evaluates to <code class="literal">false</code> because <code class="literal">a</code> and <code class="literal">b</code> represent different instances of the Objects - they are not identical.
+<pre class="programlisting">
+(
+ var a = [12,24,48];
+ var b = a;
+
+ a == b; // evaluates to "true"
+ a === b; // evaluates to "true"
+)
+</pre>
+ In this case, the <code class="literal">==</code> operator still evaluates to <code class="literal">true</code>. The <code class="literal">===</code> operator also evaluates to <code class="literal">true</code>, because <code class="literal">a</code> and <code class="literal">b</code> both represent the same Object. When the interpreter evaluates <code class="code">var b = a;</code> in the example above, it actually assigns <code class="literal">b</code> the same value that <code class="literal">a</code> stores, not a copy of it.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Logical_And_and_Or"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Logical_And_and_Or">11.3.8.2.4. Logical <code class="literal">And</code> and <code class="literal">Or</code></h5></div></div></div><div class="para">
+ The logical And and Or operators must receive two boolean arguments. Logical And returns <code class="literal">true</code> if both of its arguments are <code class="literal">true</code>. Logical Or returns <code class="literal">true</code> if one of its arguments are <code class="literal">true</code>.
+ </div><div class="para">
+ The following table illustrates how the <span class="application"><strong>SuperCollider</strong></span> interpreter will evaluate each of the following situations.
+ <div class="table"><h6>表11.3 Truth Table</h6><div class="table-contents"><table summary="Truth Table" border="1"><colgroup><col align="center" class="left" width="25%" /><col align="center" class="right" width="25%" /><col align="center" class="and" width="25%" /><col align="center" class="or" width="25%" /></colgroup><thead><tr><th align="center">
+ If the left sub-expression is...
+ </th><th align="center">
+ ... and the right sub-expression is...
+ </th><th align="center">
+ ... then logical <code class="literal">And</code> evaluates to...
+ </th><th align="center">
+ ... and logical <code class="literal">Or</code> evaluates to...
+ </th></tr></thead><tbody><tr><td align="center">
+ <code class="literal">true</code>
+ </td><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">true</code>
+ </td></tr><tr><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">true</code>
+ </td><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">true</code>
+ </td></tr><tr><td align="center">
+ <code class="literal">true</code>
+ </td><td align="center">
+ <code class="literal">true</code>
+ </td><td align="center">
+ <code class="literal">true</code>
+ </td><td align="center">
+ <code class="literal">true</code>
+ </td></tr><tr><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">false</code>
+ </td></tr></tbody></table></div></div><br class="table-break" />
+
+ </div><div class="para">
+ The interpreter evaluates the expression on the left first, and then the expression on the right <span class="emphasis"><em>only</em></span> if it will influence the outcome. This means that, if the left-side expression of a logical Or operator evaluates to "true", the interpreter will not test the right-side expression, because the result will be "true" anyway. Similarly, if the left-side expression of a logical And operator evaluates to "false", the interpreter will not test the right-side expression, because the result will be "false" anyway.
+ </div><div class="para">
+ This can be exploited to help avoid errors like division-by-zero.
+<pre class="programlisting">
+(
+ var x = 5.rand; // assigns a pseudo-random number between 0 and 5
+
+ ( x != 0 ) && ( { x = 17 / x; } ); // doesn't divide by x if it would cause division-by-zero
+
+ x; // the interpreter automatically prints this value after execution
+)
+</pre>
+ If the left-side expression of the logical And operator is "false", the interpreter doesn't evaluate the right-side expression; it simply moves on to the next expression. If the left-side expression is "true" (meaning that x is not zero), then the right-side expression is evaluated. The right-side expression happens to be a Function which assigns "x" the result of dividing 17 by its previous value. The result of the logical And operation is simply discarded in this case - it doesn't really matter to us. This isn't the most straight-forward code, and there are other ways to avoid division-by-zero. If you use this, it's probably best to include a brief explanation of what the code does, as a commment.
+ </div><div class="para">
+ If you run this code many times, you will see that it gives many different results - one of which is zero, which proves that the code works as intended. If <span class="application"><strong>SuperCollider</strong></span> divides by zero, the result is "inf", representing infinity. Try modifying the code so that it will divide by zero, and see what happens.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Order_of_Precedence"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Order_of_Precedence">11.3.8.2.5. Order of Precedence</h5></div></div></div><div class="para">
+ In complicated boolean expressions, it's important to clarify the order in which you want sub-expressions to be executed. This order is called the "order of precedence," or "order of operations" (see <em class="citetitle">Order of Operations (Wikipedia)</em>, available at <a href="http://en.wikipedia.org/wiki/Order_of_operations">http://en.wikipedia.org/wiki/Order_of_operations</a> for more information). In computer science, different programming languages enforce different orders of precedence, so you should use parentheses to clarify your intended order, to proactively avoid later confusion. The interpreter will evaluate an expression from left to right, and always fully evaluate parentheses before continuing.
+ </div><div class="para">
+ Even simple expression can benefit from parentheses. These produce the same results:
+<pre class="programlisting">
+(
+ var a = 5 == 5 && 17 != 5;
+ var b = ( 5 == 5 ) && ( 17 != 5 ); // parentheses help to clarify
+
+ a == b; // evaluates to "true"
+)
+</pre>
+
+<pre class="programlisting">
+(
+ var a = 5.isPositive && isNegative( 6 ) || 12 + 5 * 42 - 1 > 18 ;
+ var b = ( 5.isPositive && isNegative( 6 ) ) || ( ((12 + 5) * 42 - 1) > 18 ); // parentheses help to clarify
+
+ a && b; // evaluates to "true"
+)
+</pre>
+ And perhaps even more surprisingly...
+<pre class="programlisting">( 12 + 5 * 42 - 1 ) != ( (12 + 5) * 42 - 1 );</pre>
+ ... evaluates to "false"! They're equal - the interpreter doesn't follow the standard mathematical order of precedence rules! <span class="application"><strong>SuperCollider</strong></span> evaluates from left to right, so it's important to clarify to the interpreter what you mean. Where would you put parentheses so that <span class="application"><strong>SuperCollider</strong></span> evaluates the expression as per the standard mathematical order of precedence rules, with multiplication before addition and subtraction?
+ </div></div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-If_Statements"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-If_Statements">11.3.8.3. "If This Is True, Then... "</h4></div></div></div><div class="para">
+ The "if" structure is provided a boolean expression and two Functions. If the expression evaluates to "true", it executes one Function. If the expression evaluates to "false", it executes the other Function.
+ </div><div class="para">
+ Here are the two ways to write an "if" structure:
+<pre class="programlisting">if ( booleanExpression, trueFunction, falseFunction );</pre>
+ and
+<pre class="programlisting">booleanExpression.if( trueFunction, falseFunction );</pre>
+ It's possible to exclude the <code class="function">falseFunction</code>, which is like telling the interpreter, "If the boolean expression is true, then execute this Function. Otherwise, don't execute it."
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var test = [true,false].choose; // pseudo-randomly chooses one of the elements in the List
+
+ if ( ( true == test ), { "It's true!".postln; }, { "It's false!".postln; } );
+ nil;
+)
+</pre>
+ This example prints out a nice message, saying whether <code class="literal">test</code> is <code class="literal">true</code> or <code class="literal">false</code>. Because <code class="literal">test</code> is already a boolean value, we don't need to include it in an expression. The "if" statement could have been shortened like this: <code class="code">if ( test, { "It's true!".postln; }, { "It's false!".postln; } );</code>
+ </div><div class="para">
+ Suppose we only wanted to be alerted if <code class="literal">test</code> is <code class="literal">true</code>.
+<pre class="programlisting">
+(
+ var test = [true,false].choose; // pseudo-randomly chooses one of the elements in the List
+
+ test.if( { "It's true!".postln; } );
+ nil;
+)
+</pre>
+ In this example, the alternate "if" syntax is used, where the boolean expression is placed before the parentheses.
+ </div><div class="para">
+ "If" structures can also be "nested," which is like telling the interpreter, "If this is true, do this; otherwise if this is true, do this; otherwise if this is true, do this." In this relatively simple example of nesting, the interpreter evaluates each "if" structure only if the previous one was "false".
+<pre class="programlisting">
+(
+ var test = [1,2,3].choose; // pseudo-randomly chooses one of the elements in the List
+
+ if( 1 == test, { "It's one!".postln; },
+ if( 2 == test, { "It's two!".postln; },
+ if( 3 == test, { "It's three!".postln; } ) ) );
+
+ nil;
+)
+</pre>
+
+ </div><div class="para">
+ This is a more complex example of nesting:
+<pre class="programlisting">
+(
+ var testA = [1,2,3].choose; // pseudo-randomly chooses one of the elements in the List
+ var testB = [1,2,3].choose;
+
+ if( 1 == testA, { ( 1 == testB ).if( { "It's one and one!".postln; },
+ ( 2 == testB ).if( { "It's one and two!".postln; },
+ ( 3 == testB ).if( { "It's one and three!".postln; } ) ) ); },
+ if( 2 == testA, { ( 1 == testB ).if( { "It's two and one!".postln; },
+ ( 2 == testB ).if( { "It's two and two!".postln; },
+ ( 3 == testB ).if( { "It's two and three!".postln; } ) ) ); },
+ if( 3 == testA, { ( 1 == testB ).if( { "It's three and one!".postln; },
+ ( 2 == testB ).if( { "It's three and two!".postln; },
+ ( 3 == testB ).if( { "It's three and three!".postln; } ) ) ); } ) ) );
+
+ nil;
+)
+</pre>
+ As you can see, this type of nesting is not easy to figure out - from the standpoint of the original programmer or somebody else who wishes to use your code. In writing this example, it took me several attempts before getting the parentheses and braces right. Usually, if you have a long list of possibilities to test (like the nine in this example), it is better to use a "case" or "switch" structure. Not only does this help to make the code easier to understand, but the <span class="application"><strong>SuperCollider</strong></span> interpreter can apply optimizations that make the code run marginally faster.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Switch_Statements"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Switch_Statements">11.3.8.4. "Switch Execution to This Path"</h4></div></div></div><div class="para">
+ A "switch" structure can be most easily understood by comparison to a switch in a railway line. As a train approaches a railway switch, an operator inspects the train, and decides whether it should be going to the passenger station, the freight station, or the garage for storage. A "switch" structure - like a railways switch, can only act on one Object at a time, but the Object can be a Collection, allowing you to compare multiple things at once. Each case is tested with the boolean equality operator before being executed.
+ </div><div class="para">
+ Here is the syntax of a "switch" statement:
+<pre class="programlisting">
+case( compareThis,
+ toThis1, { doThis; },
+ toThis2, { doThis; },
+ toThis3, { doThis; }
+);
+</pre>
+ You can include any number of cases. Notice that there is no comma after the last case, and that I've put the concluding ");" on a separate line with the same indentation as the word "case", so that it's easy to see.
+ </div><div class="para">
+ The following example shows a simple switch.
+<pre class="programlisting">
+(
+ var grade = 11.rand + 1; // pseudo-randomly chooses 0 to 11, then adds 1 to give 1 to 12
+
+ grade =
+ switch( grade,
+ 1, { "D-" },
+ 2, { "D" },
+ 3, { "D+" },
+ 4, { "C-" },
+ 5, { "C" },
+ 6, { "C+" },
+ 7, { "B-" },
+ 8, { "B" },
+ 9, { "B+" },
+ 10, { "A-" },
+ 11, { "A" },
+ 12, { "A+" }
+ );
+
+ ("Your grade is" + grade).postln;
+ nil;
+)
+</pre>
+ The code picks a pseudo-random number between 1 and 12, then uses a "switch" structure to convert that number into a letter-grade, assigning it to the same <code class="literal">grade</code> variable. Then, it adds the "Your grade is" string to the value of <code class="literal">grade</code> (with a space between), and prints that result.
+ </div><div class="para">
+ This example avoids the complex nested "if" structure from above.
+<pre class="programlisting">
+(
+ var testA = [1,2,3].choose; // pseudo-randomly chooses one of the elements in the List
+ var testB = [1,2,3].choose;
+
+ switch( [testA,testB],
+ [1,1], { "It's one and one!".postln; },
+ [1,2], { "It's one and two!".postln; },
+ [1,3], { "It's one and three!".postln; },
+ [2,1], { "It's two and one!".postln; },
+ [2,2], { "It's two and two!".postln; },
+ [2,3], { "It's two and thre!".postln; },
+ [3,1], { "It's three and one!".postln; },
+ [3,2], { "It's three and two!".postln; },
+ [3,3], { "It's three and three!".postln; }
+ );
+
+ nil;
+)
+</pre>
+ This is an elegant way to inspect two otherwise-separate variables. Remember that the first argument to "switch" (in this case, it's <code class="code">[testA,tesB]</code>) is compared to the first argument of possibe result with the equality operator: <code class="literal">==</code>
+ </div><div class="para">
+ When evaluating which switch to use, the <span class="application"><strong>SuperCollider</strong></span> interpreter will always apply the <span class="emphasis"><em>last</em></span> one that evaluates to <code class="literal">true</code>.
+<pre class="programlisting">
+(
+ switch( 5,
+ 5, { "one".postln; },
+ 5, { "two".postln; },
+ 5, { "three".postln; }
+ );
+
+ nil;
+)
+</pre>
+ All of these cases are true, but this will always result in "three" being printed.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Case_Statements"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Case_Statements">11.3.8.5. "In This Case, Do This"</h4></div></div></div><div class="para">
+ "Case" and "switch" structures look similar, but work in subtly different way. A "switch" structure is like a railway switch, allowing one train to be routed onto the right track, according to qualities of the train. A "case" structure, on the other hand, works like somebody trying to decide how to get to work. The person might ask themselves how far they are going, how long they have to get to work, how fast the available options are, what the available options cost, and so on. While in a "switch" structure, the path of execution is determined by examining only one Object, a "case" structure determines the path of execution based on any number of things.
+ </div><div class="para">
+ Here is the syntax of a "case" structure:
+<pre class="programlisting">
+case
+ <replaceable>booleanFunction</replaceable> <replaceable>resultFunction</replaceable>
+ <replaceable>booleanFunction</replaceable> <replaceable>resultFunction</replaceable>
+ <replaceable>booleanFunction</replaceable> <replaceable>resultFunction</replaceable>
+ <replaceable>booleanFunction</replaceable> <replaceable>resultFunction</replaceable>
+;
+</pre>
+
+ </div><div class="para">
+ Contemplate the following pseudo-code example, which represents a possible musical sitation, and a good use of the "case" structure.
+<pre class="programlisting">
+(
+ var coolFunction =
+ {
+ case
+ { is there no music playing?
+ AND people are in the room } { play music }
+ { has the same song been playing for too long?
+ OR is the song boring? } { change the song }
+ { has everybody left the room? } { turn off the music }
+ { has a song been requested? } { change to that song }
+ { is the music too loud? } { lower the music's volume }
+ { is the music too quiet? } { raise the music's volume }
+ { is the music too fast? } { lower the music's tempo }
+ { is the music too slow? } { raise the music's tempo }
+ { is everything okay? } { wait for 10 seconds }
+ ;
+ };
+
+ ( 5 == 5 ).while( coolFunction ); // executes coolFunction contiuously
+)
+</pre>
+ It might seem like this example doesn't relate to a real <span class="application"><strong>SuperCollider</strong></span> programming situation, but in fact it might. If you could program Function's which determined all of those questions and all of the answers, this sort of "case" structure would be very helpful in a situation where a computer running <span class="application"><strong>SuperCollider</strong></span> were left in a room by itself, and expected to play music whenever anybody entered the room. Since five is always equal to five, the interpreter will run <code class="function">coolFunction</code> forever. If the music needs adjustment in some way, the Function will adjust the music. If everything is okay, then the interpreter will wait for 10 seconds, and then the loop will cause the Function to be re-evaluated. Because many different criteria are evaluated in the "case" structure, this represents an efficient use of the structure.
+ </div><div class="para">
+ "Case" structures can be used to do the same thing as "switch" structures, but it's usually less elegant solution. Also, it doesn't allow the interpreter to use an speed optimization that it would have used in an equivalent "switch" structure.
+<pre class="programlisting">
+(
+ var grade = 11.rand + 1; // pseudo-randomly chooses 0 to 11, then adds 1 to give 1 to 12
+
+ grade =
+ case
+ { 1 == grade; } { "D-" }
+ { 2 == grade; } { "D" }
+ { 3 == grade; } { "D+" }
+ { 4 == grade; } { "C-" }
+ { 5 == grade; } { "C" }
+ { 6 == grade; } { "C+" }
+ { 7 == grade; } { "B-" }
+ { 8 == grade; } { "B" }
+ { 9 == grade; } { "B+" }
+ { 10 == grade; } { "A-" }
+ { 11 == grade; } { "A" }
+ { 12 == grade; } { "A+" }
+ ;
+
+ ("Your grade is" + grade).postln;
+ nil;
+)
+</pre>
+ This example is equivalent to one of the "switch" structure examples. This is not a good use of the "case" structure, because it requires a lot of code repetition.
+ </div><div class="para">
+ Unlike a "switch" structure, a "case" structure will always follow the <span class="emphasis"><em>first</em></span> case that evaluates to "true".
+<pre class="programlisting">
+(
+ case
+ { 5 == 5; } { "one".postln; }
+ { 5 == 5; } { "two".postln; }
+ { 5 == 5; } { "three".postln; }
+ ;
+
+ nil;
+)
+</pre>
+ This example will always result in "one" being printed.
+ </div></div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix">11.3.9. Combining Audio; the Mix Class</h3></div></div></div><div class="para">
+ One of the requirements of multi-channel audio is the ability to combine a large number of UGen's into a small number of channels - normally just two. The <span class="application"><strong>SuperCollider</strong></span> interpreter allows you to accomplish this in a number of ways, which are explained here.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Mix_Class"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Mix_Class">11.3.9.1. The "Mix" Class</h4></div></div></div><div class="para">
+ The "Mix" Class allows you to combine a mutli-channel Array into one channel. It's just that simple: you put in an Array of UGens, and out comes a single-channel combination of them.
+ </div><div class="para">
+ Here are the two possible syntaxes for the "Mix" Class: <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncMix.new</strong>(</code><var class="pdparam">ArrayOfUGens</var><code>)</code>;</p></div> and <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncMix</strong>(</code><var class="pdparam">ArrayOfUGens</var><code>)</code>;</p></div> The second form is simply a short-hand version of the first. The <code class="classname">Mix</code> Class doesn't really create "Mix" Objects either - it's just a Function that combines many UGen's into one.
+ </div><div class="para">
+ Here's an example of the "Mix" Class in action:
+<pre class="programlisting">
+{
+ Mix( [SinOsc.ar(220, 0, 0.1),
+ SinOsc.ar(440, 0, 0.1),
+ SinOsc.ar(660, 0, 0.1),
+ SinOsc.ar(880, 0, 0.1),
+ SinOsc.ar(850, 0, 0.1),
+ SinOsc.ar(870, 0, 0.1),
+ SinOsc.ar(880, 0, 0.1),
+ SinOsc.ar(885, 0, 0.1),
+ SinOsc.ar(890, 0, 0.1),
+ SinOsc.ar(1000, 0, 0.1)] );
+}.play;
+</pre>
+ Notice how all of these <code class="classname">SinOsc</code>s are heard through the left channel only. The <code class="classname">Mix</code> class mixes all the UGen's together into one. You could use a bus to send the audio to both the left and right channels. What happens if we don't use the <code class="classname">Mix</code> class? Try to remove the function, and find out. You only hear some of the <code class="classname">SinOsc</code>'s. Which ones? The first two, representing the left and right channels. If your audio interface has more than two channels, you may be able to hear more than those first two channels.
+ </div><div class="para">
+ There is another function offered by the <code class="classname">Mix</code> class, and it is a kind of loop. The function is called <code class="function">Fill</code>, and it takes two arguments: the number of times to run a function, and the function to run. The function is provided with one argument (like in a "do" loop), which is the number of times the function has <span class="emphasis"><em>already</em></span> been run.
+<pre class="programlisting">
+(
+ var n = 8;
+ var sineFunc =
+ {
+ arg iteration;
+
+ var freq = 440 + iteration;
+ SinOsc.ar( freq:freq, mul:1/n );
+ };
+
+ { Mix.fill( n, sineFunc ); }.play;
+)
+</pre>
+ As you can see, the <code class="function">fill</code> function itself is quite simple: you provide the number of UGen's to create, and a function that creates UGen's. It's the <code class="literal">sineFunc</code> function that is a little confusing. The argument is called "iteration", because it holds how many times the function has already been run - how many iterations have happened already. It uses this value to help calculate the frequency (stored in a variable called <code class="literal">freq</code>), and then creates a <code class="classname">SinOsc</code> UGen. The <code class="literal">mul</code> argument helps to automatically control the volume level. Since the total volume should be no more than 1.0, the <code class="function">sineFunc</code> function calculates UGen's' volume by dividing 1, the maximum level, by the number of UGen's that will be created. The slowly pulsating volume is part of the acoustic result of this many frequencies being so close tog
ether - it is not a hidden effect by <span class="application"><strong>SuperCollider</strong></span>.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Arrays_of_Arrays"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Arrays_of_Arrays">11.3.9.2. Arrays of Arrays</h4></div></div></div><div class="para">
+ There is another way to combine many UGen's into two channels for stereo output: rather than sending the Array's to the Mix class, combine them into a two-element Array.
+ </div><div class="para">
+
+<pre class="programlisting">
+{
+ [
+ [ SinOsc.ar(440, 0, 0.1), SinOsc.ar( 880, 0, 0.1 ), SinOsc.ar( 1660, 0, 0.1 ) ],
+ [ SinOsc.ar(440, 0, 0.1), SinOsc.ar( 880, 0, 0.1 ), SinOsc.ar( 1660, 0, 0.1 ) ]
+ ];
+}.play;
+</pre>
+ Here, a two-element Array is the result of a Function, which gets sent the "play" message. Each of the elements is an equivalent, three-element Array where each element is a UGen.
+ </div><div class="para">
+ This representation also offers another benefit: each UGen can have a different "mul" value, which will be preserved.
+<pre class="programlisting">
+{
+ [
+ [ SinOsc.ar(440, 0, 0.2), SinOsc.ar( 880, 0, 0.1 ), SinOsc.ar( 1660, 0, 0.05 ) ],
+ [ SinOsc.ar(440, 0, 0.2), SinOsc.ar( 880, 0, 0.1 ), SinOsc.ar( 1660, 0, 0.05 ) ]
+ ];
+}.play;
+</pre>
+ This sounds much less harsh than the first example. Try it with the Mix Class. Even with the different "mul" values, it sounds the same as the first example! This helps Mix to ensure that the total level doesn't exceed 1.0, but it has the disadvantage that careful level-balancing on your part will be erased.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Addition"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Addition">11.3.9.3. Addition</h4></div></div></div><div class="para">
+ This method of combinine UGen's into two channels uses the addition operator: +
+ </div><div class="para">
+
+<pre class="programlisting">
+{
+ [
+ ( SinOsc.ar(440, 0, 0.1) + SinOsc.ar( 880, 0, 0.1 ) + SinOsc.ar( 1660, 0, 0.1 ) ),
+ ( SinOsc.ar(440, 0, 0.1) + SinOsc.ar( 880, 0, 0.1 ) + SinOsc.ar( 1660, 0, 0.1 ) )
+ ];
+}.play;
+</pre>
+ Notice that, like with the Mix Class, independent "mul" levels are not preserved.
+ </div></div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth">11.3.10. SynthDef and Synth</h3></div></div></div><div class="para">
+ The preceding sections of this "Basic Programming" guide have only created sound with Function's. The truth is that Function's are very useful for creating sound, but they represent a simplification of the actual commands and Functions that must be run by the interpreter in order to create sound.
+<pre class="programlisting">
+// When you write this...
+(
+ { SinOsc.ar( freq:440, mul:0.2 ); }.play;
+)
+
+// The interpreter actually does this...
+(
+ SynthDef.new( "temp__963", { Out.ar( 0, SinOsc.ar( freq:440, mul:0.2 ) ); } ).play;
+)
+</pre>
+ Yikes! Don't despair - it's easy to understand - it just looks scary!
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Out_UGen"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Out_UGen">11.3.10.1. "Out" UGen</h4></div></div></div><div class="para">
+ The "Out" UGen is one of the bits of magic automatically taken care of by the interpreter. It routes an audio signal from another UGen into a specific output (actually, into a specific bus - see <a class="xref" href="#sect-Musicians_Guide-SC-Basic_Programming-Busses">「Busses」</a>).
+ </div><div class="para">
+ The following examples have the same effect:
+<pre class="programlisting">{ SinOsc.ar( freq:500, mul:0.2 ); }.play;</pre>
+ and
+<pre class="programlisting">{ Out.ar( 0, SinOsc.ar( freq:500, mul:0.2 ) ); }.play;</pre>
+ The first argument to "Out.ar" is the bus number for where you want to place the second argument, which is either a UGen or a multi-channel Array of UGen's. If the second argument is an Array, then the first element is sent to the first argument's bus number, the second argument is sent to one bus number higher, the third to two bus numbers higher, and so on. This issues is explained fully in <a class="xref" href="#sect-Musicians_Guide-SC-Basic_Programming-Busses">「Busses」</a>, but here is what you need to know for now, working with stereo (two-channel) audio:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ If the second argument is a two-element Array, use bus number 0.
+ </div></li><li class="listitem"><div class="para">
+ If the second argument is a single UGen, and you want it to be heard through the left channel, use bus number 0.
+ </div></li><li class="listitem"><div class="para">
+ If the second argument is a single UGen, and you want it to be heard through the right channel, use bus number 1.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ If you're still struggling with exactly what the "Out" UGen does, think of it like this: when you create an audio-rate UGen, it starts creating an audio signal; the "Out" UGen effectively connects the audio-rate UGen into your audio interface's output port, so it can be heard through the speakers. In <a class="xref" href="#sect-Musicians_Guide-SC-Basic_Programming-Busses">「Busses」</a>, it becomes clear that there are, in fact, other useful places to connect an audio-rate UGen (through an effect processor, for example), and the "Out" UGen can help you do that.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef">11.3.10.2. SynthDef</h4></div></div></div><div class="para">
+ A SynthDef is what we use to tell the server how to create sound. In order to truly understand what SynthDef accomplishes, we need to recall the disconnect between the interpreter and the server. In reality, the interpreter has no idea how to make sound or work with audio hardware. The server, likewise, has no understanding at all of the <span class="application"><strong>SuperCollider</strong></span> language. The interpreter takes the code that we write, and does one of a number of things, depending on the nature of the code:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ executes it completely,
+ </div></li><li class="listitem"><div class="para">
+ executes it partially, makes choices, and then does something else
+ </div></li><li class="listitem"><div class="para">
+ send the server information about how to synthesize sound,
+ </div></li><li class="listitem"><div class="para">
+ etc.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ For simple code like <code class="code">2.postln;</code> the interpreter just executes it. For code like <code class="code">{ SincOsc.ar; }.play;</code> the interpreter expands it a bit, then sends instructions to the server, which deals with the rest of the synthesis process.
+ </div><div class="para">
+ A SynthDef is part of this last process; SynthDef Objects represent the synthesis information that is sent to the server before (or at the same time as) telling the server to play the sound.
+ </div><div class="para">
+ There are two steps to creating a useful SynthDef: making an interpreter Object, and sending the actual synthesis information to the server. There are two ways to write this, as follows:
+<pre class="programlisting">
+<em class="replaceable"><code>someVariable</code></em> = SynthDef.new( <em class="replaceable"><code>nameOfSynthDef</code></em>, <em class="replaceable"><code>FunctionContainingOutUGen</code></em> );
+<em class="replaceable"><code>someVariable</code></em>.send( <em class="replaceable"><code>nameOfServer</code></em> );
+</pre>
+ and
+<pre class="programlisting">SynthDef.new( <em class="replaceable"><code>nameOfSynthDef</code></em>, <em class="replaceable"><code>FunctionContainingOutUGen</code></em> ).send( <em class="replaceable"><code>nameOfServer</code></em> );</pre>
+ The <code class="function">FunctionContainingOutUGen</code> is simply that - a function that, when executed, returns an <code class="classname">Out</code> UGen (meaning that the <code class="classname">Out</code> UGen must be the last expression in the function). The <code class="literal">nameOfSynthDef</code> should be a symbol (as described in <a class="xref" href="#sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols">「Symbols」</a>), but can also be a string. The <code class="literal">nameOfServer</code> is a variable that represents the server to which you want to send the SynthDef's information; unless you know that you need to use a different variable for this, it's probably just the letter "s", which the interpreter automatically assigns to the default server.
+ </div><div class="para">
+ Here is a demonstration of both methods:
+<pre class="programlisting">
+(
+ var playMe =
+ {
+ Out.ar( 0, SinOsc.ar( freq:440, mul:0.2 ) );
+ };
+
+ var playMeSynthDef = SynthDef.new( \playMe, playMe );
+
+ playMeSynthDef.send( s );
+
+ nil;
+)
+</pre>
+ and
+<pre class="programlisting">
+(
+ var playMe =
+ {
+ Out.ar( 0, SinOsc.ar( freq:440, mul:0.2 ) );
+ };
+
+ SynthDef.new( \playMe, playMe ).send( s );
+
+ nil;
+)
+</pre>
+ The only advantage to assigning something to a variable is the ability to refer to it later. If you use the first method, then you can send the SynthDef to more than one server. Since it's rare that you will want to use more than one server, it's usually better to use the second style. In fact, if you won't be using the "playMe" Function again, you don't need to assign it to a variable!
+<pre class="programlisting">SynthDef.new( \playMe, { Out.ar( 0, SinOsc.ar( freq:440, mul:0.2 ) ); } ).send( s );</pre>
+ This is all that's really needed to create and send a synthesis definition to the server. It looks long and frightening, but now at least you understand what all of the parts do.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Load"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Load">11.3.10.3. Load</h4></div></div></div><div class="para">
+ There is another way to send a SynthDef to the server: the "load" Function. The "send" Function sends the synthesis information to the server, which stores it in memory. When the server stops running, all synthesis information given with "send" is lost. The "load" Function, on the other hand, sends the synthesis information to the server, which stores it on disk and in memory. Every time the server is started, it loads all of the synthesis information previously sent to it with the "load" Function. The definition remains until you delete it specifically. This is most useful for a SynthDef that takes up a lot of memory, and which would use considerable network time to transfer to the server whenever the server is run. It is also useful to use the "load" Function instead of "send", when there are a lot of SynthDef's, regardless of the size of each one. The idea is the same: avoid sending the SynthDef in order to save time.
+ </div><div class="para">
+ The syntax and usage for "load" is the same as for "send".
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols">11.3.10.4. Symbols</h4></div></div></div><div class="para">
+ As stated in the section about variables, a symbol is simply something which represents something else. When used in the context of a SynthDef, a symbol is a string of characters that refers to a SynthDef that we've already sent to the server. What wasn't mentioned in the section about variables is that, in addition to the symbols that can be used as variable names, the <span class="application"><strong>SuperCollider</strong></span> language provides a distinct data-type (like numbers or strings) for symbols. Many programming languages don't provide a "symbol" data-type, so many programmers do not use them extensively, but they are very handy for situations like this. As local variable names are symbols representing data stored by the interpreter, here we are using the symbol data-type to refer to data stored on the server.
+ </div><div class="para">
+ Symbols are a better way to name SynthDef's than strings. Not only do symbols take up less memory, they aren't actually the interpreter doesn't actually think of them as Objects, and neither should you. Symbols are universally unique; only one instance of a symbol with the same characters can exist. On the other hand, an infinite number of strings with the same characters can exist. When we use a symbol, we are defining it universally. When we use a string, the server pretends that all strings with the same characters are the same philosophical object, even though they aren't. This isn't a technical problem, but it can be difficult to think about, and is cognitively dissonant.
+ </div><div class="para">
+ If all this seems a little abstract and ontological, that's because it is.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Easy_Symbols"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Easy_Symbols">11.3.10.4.1. Symbols: the Easy Way</h5></div></div></div><div class="para">
+ Symbols are things that you should use to identify a SynthDef sent to the server.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Writing_Symbols"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Writing_Symbols">11.3.10.4.2. Writing Symbols</h5></div></div></div><div class="para">
+ There are two ways to write out a symbol: between single-quotation marks, and after a back-slash. Symbols given between single-quotation marks can contain any characters but a single-quotation mark. Symbols given after a back-slash can contain any characters but a space. Neither type of symbol name can cross onto a new line.
+ </div><div class="para">
+ The following example contains some valid symbols, and some invalid symbols.
+<pre class="programlisting">
+\stopSign \\ this is a symbol
+\stop sign \\ this is a symbol called 'stop' followed by the unrelated word 'sign'
+'stopSign' \\ this is a symbol
+'stop sign' \\ this is a symbol
+'stop
+sign' \\ these lines are not a symbol, and will cause an error
+</pre>
+
+ </div><div class="para">
+ The following example illustrates the differences between strings and symbols.
+<pre class="programlisting">
+var a = "stop sign" \\ a string
+var b = "stop sign" \\ a string with the same letters as the first string
+a == b; \\ returns "true" because the strings are equivalent
+a === b; \\ returns "false" because the strings are separate copies with the same characters
+
+var c = 'stop sign' \\ a symbol
+var d = 'stop sign' \\ the same symbol
+c == d; \\ returns "true" because the symbols are equivalent
+c === d; \\ returns "true" because the symbols are identical
+</pre>
+
+ </div></div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_Becomes_Synth"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_Becomes_Synth">11.3.10.5. SynthDef Becomes Synth</h4></div></div></div><div class="para">
+ After you send a SynthDef to the server, you can put it into action. When the interpreter tells the server to play a synthesis definition (which the interpreter holds in a SynthDef Object), the server creates a synth from the definition, and starts generating sound. The interpreter gives us a Synth Object to represent each synth on the server, so that we can control the synth.
+ </div><div class="para">
+ This is the syntax used to create a new synth, after its definition has been sent to the server. <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncSynth.new</strong>(</code><var class="pdparam">nameOfSynthDef</var><code>)</code>;</p></div> The name will be a symbol or a string - whatever you supplied when you ran the <code class="function">SynthDef.new()</code> function.
+ </div><div class="para">
+ Because we're creating a new Synth Object, we should assign it to a variable, for later reference.
+<pre class="programlisting">
+SynthDef.new( \playMe, { Out.ar( 0, SinOsc.ar( freq:440, mul:0.2 ) ); } ).send( s );
+var mySynth = Synth.new( \playMe );
+</pre>
+
+ </div><div class="para">
+ Recall that the interpreter automatically uses the Synth and SynthDef Classes when we send the "play" message to a Function. We can actually capture and use the Synth Object created from "play-ing" a Function, too. This example is almost the same as the previous one.
+<pre class="programlisting">var mySynth = { SinOsc.ar( freq:443, mul:0.2 ); }.play;</pre>
+ The difference is subtle: after the second example, we have no control over what name the interpreter gives to the SynthDef that it sends to the server, so we can't re-use the SynthDef. On the other hand, because we assign the name <code class="literal">\sillyTutorialSD</code> to the SynthDef in the first example, we know what it's called, and we can re-use it. Theoretically, we can make an infinite number of synths from this single definition. Realistically, it's limited by the amount of memory the server can use; for most modern computers, this number is so high that we don't ever need to worry about it.
+ </div><div class="para">
+ As usual, the interpreter provides us with an optional short-cut:
+<pre class="programlisting">var mySynth = SynthDef.new( \playMe, { Out.ar( 0, SinOsc.ar( freq:440, mul:0.2 ) ); } ).play;</pre>
+ This automatically sends the synthesis information to the server, creates a synth, and plays it. What minor functionality is lost when we use this shortcut?
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Shortcomings_of_a_SynthDef"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Shortcomings_of_a_SynthDef">11.3.10.6. Shortcomings of a SynthDef</h4></div></div></div><div class="para">
+ Consider the following program:
+<pre class="programlisting">
+(
+ var myRandFunc =
+ {
+ var frequency = 440.rand + 440; // produces an integer between 440 and 880
+ SinOsc.ar( freq:frequency, mul:0.025 );
+ };
+
+ 10.do( { myRandFunc.play; } );
+)
+</pre>
+ Execute the program a few times. The result will be different each time: ten different SinOsc's with ten different frequencies.
+ </div><div class="para">
+ What if we convert the program to use a SynthDef and multiple Synth's instead? This program will probably cause an error the first time - this is exaplained below.
+<pre class="programlisting">
+(
+ var myRandFunc =
+ {
+ var frequency = 440.rand + 440; // produces an integer between 440 and 880
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.025 ) );
+ };
+
+ SynthDef.new( \myRandFunc, myRandFunc ).send( s );
+
+ 10.do( { Synth.new( \myRandFunc ); } );
+)
+</pre>
+ Execute the program a few times. The result is still different each time, but it's the <span class="emphasis"><em>same</em></span> ten SinOsc's, all with the same frequency. This is the nature of a SynthDef: once it's sent to the server, you can create a synth from the same instructions without resending them.
+ </div><div class="para">
+ This program causes an error the first time you run it. Inspect the error messages, and see if you can determine why. It's because the server is processing commands <span class="emphasis"><em>asynchronously</em></span>: things don't happen right when the interpreter asks, but very shortly thereafter. The result is that the server is asked to make a new synth before it deals with the synth definition. There are ways to get around this, but they're too complex for this section - for now (to simplify this text's examples), just accept that the error may happen the first time you run a Synth.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Creating_Change_Anyway"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Creating_Change_Anyway">11.3.10.7. Creating Change Anyway</h4></div></div></div><div class="para">
+ The way to create change and pseudo-randomness anyway is to incorporate another UGen to do it for you. Remember: when you send synthesis information to the server, that information can't change unless you replace it. This doesn't mean that the output produced by the synth can't change!
+ </div><div class="para">
+ The way to do this is with control-rate UGen's. The following example uses a control-rate SinOsc to set the frequency of an audio-rate SinOsc.
+<pre class="programlisting">
+(
+ var myRandFunc =
+ {
+ var frequency = SinOsc.kr( freq:0.5, add:660, mul:220 ); // oscillates between 440 and 880, hitting each extreme every 2 seconds
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.2 ) );
+ };
+
+ SynthDef.new( \myRandFunc, myRandFunc ).send( s );
+
+ Synth.new( \myRandFunc );
+)
+</pre>
+ When you use a UGen as a control-rate UGen, you have to think about its arguments quite differently than when using it as an audio-rate UGen. This table shows how the same argument gives a different result for an audio-rate vs. control-rate UGen used for pitch:
+ <div class="table"><h6>表11.4 Parameters in Audio-Rate and Control-Rate <code class="classname">SinOsc</code> UGens</h6><div class="table-contents"><table summary="Parameters in Audio-Rate and Control-Rate SinOsc UGens" border="1"><colgroup><col align="center" class="parameter" width="33%" /><col align="center" class="ar" width="33%" /><col align="center" class="kr" width="33%" /></colgroup><thead><tr><th align="center">
+ Parameter
+ </th><th align="center">
+ In an audio-rate UGen...
+ </th><th align="center">
+ In a control-rate UGen...
+ </th></tr></thead><tbody><tr><td align="center">
+ freq
+ </td><td align="center">
+ controls the pitch
+ </td><td align="center">
+ controls the speed of oscillation
+ </td></tr><tr><td align="center">
+ add
+ </td><td align="center">
+ ??
+ </td><td align="center">
+ sets the middle point of the sine wave by adding this to the output
+ </td></tr><tr><td align="center">
+ mul
+ </td><td align="center">
+ controls volume level
+ </td><td align="center">
+ sets the deviation from "add"
+ </td></tr></tbody></table></div></div><br class="table-break" />
+ For an audio-rate SinOsc UGen, you set the frequency and the volume level. For a control-rate UGen, you set the mid-point of oscillation with <code class="literal">add</code>, the extremes of oscillation which will be <code class="code">add - mul</code> and <code class="code">add + mul</code>, and the speed of oscillation with <code class="literal">freq</code>. The end result is very different numbers.
+ </div><div class="para">
+ There is a handy UGen designed specifically for replacing pseudo-randomness in Functions. The following example restores the "ten different pitches" to the example from the last section.
+<pre class="programlisting">
+(
+ var myRandFunc =
+ {
+ var frequency = Rand( 440, 880 ); // produces an integer between 440 and 880
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.025 ) );
+ };
+
+ SynthDef.new( \myRandFunc, myRandFunc ).send( s );
+
+ 10.do( { Synth.new( \myRandFunc ); } );
+)
+</pre>
+ If you run this multiple times, you will again hear ten different pitches. Depending on audio hardware, previous musical experience, and other factors, some people may have difficulty hearing that the pitches are different. Try reducing the number of synths created in the loop.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_with_Arguments"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_with_Arguments">11.3.10.8. SynthDef with Arguments</h4></div></div></div><div class="para">
+ There are some siutations where you simply cannot pre-determine all of the material that you're going to use when creating a synth. It might be easier to resort to using a Function rather than a SynthDef, but there is yet another solution - creating an argument in your SynthDef Function.
+ </div><div class="para">
+ With only a subtle change to our Function, we can add the possibility of passing arguments on synth creation:
+<pre class="programlisting">
+var myRandFunc =
+{
+ arg frequency = Rand( 440, 880 ); // default value between 440 and 880
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.025 ) );
+};
+</pre>
+ I've decided to use the Rand UGen anyway, so that supplying a frequency is optional. This adds functionality while making the added complexity optional:
+<pre class="programlisting">
+(
+ var myRandFunc =
+ {
+ arg frequency = 440;
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.025 ) );
+ };
+
+ SynthDef.new( \myRandFunc, myRandFunc ).send( s );
+
+ 10.do( { Synth.new( \myRandFunc ); } );
+)
+</pre>
+ If you use the SynthDef in the old way, as in the example, you'll get the expected result: ten Synth's, all with the same frequency. But, if you add a "rand" Function call into the loop, you can get ten different frequencies!
+<pre class="programlisting">
+(
+ var myRandFunc =
+ {
+ arg frequency = 440;
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.025 ) );
+ };
+
+ SynthDef.new( \myRandFunc, myRandFunc ).send( s );
+
+ 10.do( { Synth.new( \myRandFunc, [\frequency,(440.rand + 440)] ); } );
+)
+</pre>
+ Notice how we supply arguments: an Array with elements alternating between a string-quoted parameter name, and the value of the argument itself. If we "parameterized" all three main fields of the SinOsc, we could supply them like this:
+<pre class="programlisting">Synth.new( \mySinOsc, [\freq,440,\add,0,\mul,0.2] );</pre>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Set_and_Free"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Set_and_Free">11.3.10.9. Things to Do with a SynthDef: Set and Free</h4></div></div></div><div class="para">
+ Once you send a synth definition to the server, and make some synths, you've collected a few Synth Objects, and you wonder what to do with them next. Of course, you could listen to them, but you can also change the arguments that you used, and stop it.
+ </div><div class="para">
+ To change the arguments used by a synth, send it the "set" message, with a list of arguments:
+<pre class="programlisting"><em class="replaceable"><code>variableHoldingSynth</code></em>.set( [<em class="replaceable"><code>\argument1</code></em>,<em class="replaceable"><code>value</code></em>,<em class="replaceable"><code>\argument2</code></em>,<em class="replaceable"><code>value</code></em>,...] );</pre>
+ This helps to save even more time and memory: rather than destroying and creating synths all the time, you can simply change pre-existing ones.
+ </div><div class="para">
+ This modification of the ten-pseudo-random-tones example includes an extra line that lets you change the tones without destroying and re-creating the synths.
+<pre class="programlisting">
+// run this first
+h = List.new;
+
+// run this second
+(
+ var myRandFunc =
+ {
+ arg frequency = 440;
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.025 ) );
+ };
+
+ SynthDef.new( \myRandFunc, myRandFunc ).send( s );
+)
+
+// run this third
+10.do( { h.add( Synth.new( \myRandFunc, [\frequency,(440.rand + 440)] ) ); } );
+
+// run this fourth, as many times as you please
+h.do( { arg item; item.set( \frequency, (440.rand + 440) ); } );
+</pre>
+ The reason that you have to run each of those segments separately is two-fold: we need to store the List of Synth's in a single-letter variable because, for this simple demonstration, this is the most efficient way; second, for the asynchronous behaviour of the server that was previously noted as causing an error.
+ </div><div class="para">
+ The only aspect of that example that's a little tricky to understand is the "do" loop. Remember that when you run a "do" loop on a List, the interpreter automatically loops over each of the elements in the List, running the Function that you provide. Each time the Function is run, it receives the current List item, and its index number in the List, in that order. So the Function in this loop simply uses "set" to change the "frequency" argument.
+ </div><div class="para">
+ Take special note that the arguments in this case are not identical to those given with the "new" message. Compare the two forms below:
+<pre class="programlisting">SynthDef.new( <em class="replaceable"><code>\SynthName</code></em>, [<em class="replaceable"><code>\parameter1</code></em>,<em class="replaceable"><code>value</code></em>,<em class="replaceable"><code>\parameter2</code></em>,<em class="replaceable"><code>value</code></em>] );</pre>
+ and
+<pre class="programlisting"><em class="replaceable"><code>existingSynth</code></em>.set( <em class="replaceable"><code>\parameter1</code></em>, <em class="replaceable"><code>value</code></em>, <em class="replaceable"><code>\parmeter2</code></em>, <em class="replaceable"><code>value</code></em> );</pre>
+
+ </div><div class="para">
+ To get rid of one synth without stopping all sound, send its corresponding Synth the "free" message:
+<pre class="programlisting"><em class="replaceable"><code>variableHoldingSynth</code></em>.free;</pre>
+ This stops the synth and frees the associated memory - on the server. Your Synth Object still exists in the interpreter, but you can't use it any more. A Synth Object represents a synth on the server; since you got rid of the synth on the server, the Synth Object represents something that doesn't exist. If you attempt to send the "free" message again, you'll get an error. For this reason, it's a good idea to get rid of the Synth Object at the same time:
+<pre class="programlisting">
+<replaceable>variableHoldingSynth</replaceable>.free;
+<replaceable>variableHoldingSynth</replaceable> = nil;
+</pre>
+ If you accidentally send "free" to an already-freed Synth, the interpreter will cause an error, and program execution will stop. If you accidentally send "free" to a variable set to "nil", nothing will happen. Proactively avoiding mistakes like this is good programming practice.
+ </div></div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Busses"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses">11.3.11. Busses</h3></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> busses work just like busses in other audio creation contexts, which work similarly to busses used to transport humans. Busses are used to send audio from one place to another, and in <span class="application"><strong>SuperCollider</strong></span> they can also be used to send control-rate signals. Each <span class="application"><strong>SuperCollider</strong></span> bus is given an index number, which are integers starting at 0. Audio-rate busses and control-rate busses are independent, and are given an independent set of index numbers. Any number of unique signals can be routed into a bus, and any number of receivers can take signals from a bus - but the signal will be the sum of all the input signals. In other words, if you want to send two different sets of signals, you need two different busses with different index numbers.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Numbers"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Numbers">11.3.11.1. Audio-Rate Bus Numbers</h4></div></div></div><div class="para">
+ There are special audio-rate busses reserved automatically by the server. These interact with the audio interface, allowing you to get sound from its inputs, and send sound to its outputs. The lowest audio-rate bus numbers are reserved for audio interface outputs, each channel receiving an independent bus. The bus numbers just above those are reserved for audio interface inputs, each channel receiving an independent bus.
+ </div><div class="para">
+ For a simple audio interface with two channels each for input and output, the pre-reserved audio-rate bus numbers would be these:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 0 for left channel output
+ </div></li><li class="listitem"><div class="para">
+ 1 for right channel output
+ </div></li><li class="listitem"><div class="para">
+ 2 for left channel input
+ </div></li><li class="listitem"><div class="para">
+ 3 for right channel input
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Now you can change the first argument of the "Out" UGen as desired!
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Out_and_In_UGens"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Out_and_In_UGens">11.3.11.2. Out and In UGens</h4></div></div></div><div class="para">
+ The "Out" UGen is discussed in <a class="xref" href="#sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Out_UGen">「"Out" UGen」</a>. What it does is take a signal and route it to the specified bus number. The "In" UGen performs a similar action: take a signal from a bus number, and make it available for use.
+ </div><div class="para">
+ This is the syntax to use for the <code class="classname">Out</code> UGen: <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncOut.ar</strong>(</code><var class="pdparam">busNumber</var>, <var class="pdparam">audioRateUGen</var><code>)</code>;</p></div> or <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncOut.kr</strong>(</code><var class="pdparam">busNumber</var>, <var class="pdparam">controlRateUGen</var><code>)</code>;</p></div> The UGen enclosed here should not be enclosed in a Function. If the UGen provides multi-channel output, "Out" will automatically route the lowest channel to the specified bus number, the next channel to the next highest bus number, and so on. This way, you can achieve stereo output with one "Out" UGen.
+ </div><div class="para">
+ This is the syntax to use for the <code class="classname">In</code> UGen: <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncIn.ar</strong>(</code><var class="pdparam">busNumber</var>, <var class="pdparam">numberOfChannels</var><code>)</code>;</p></div> or <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncIn.kr</strong>(</code><var class="pdparam">busNumber</var>, <var class="pdparam">numberOfChannels</var><code>)</code>;</p></div> Whereas "Out" automatically outputs the right number of channels based on how many you provide, "In" requires that you specify how many channels you want it to fetch for you.
+ </div><div class="para">
+ When created with this form, both of these UGens automatically connect to the default server, stored in the single-letter "s" variable by the interpreter.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Bus_Objects"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Bus_Objects">11.3.11.3. Bus Objects</h4></div></div></div><div class="para">
+ As SynthDef and Synth represent things stored on the server, the interpreter provides us with an instantiable "Bus" Class that represents the server's busses. In many programs that you write, you won't need to use a Bus Object - particularly when you're doing simple input and output with the automatically-reserved bus numbers. But, like the SynthDef and Synth Classes make it easier to deal with synthdefs and synths on the server (which are very difficult to deal with directly), the Bus Class makes it easier to deal with busses on the server, and provides some extra functionality to boot!
+ </div><div class="para">
+ The primary advantage of using Bus Objects is that you don't have to keep track of bus numbers, whether they're being used, and how mnany channels are being routed. For simple input and output of audio-rate signals, you're better off simply remembering the bus numbers
+ </div><div class="para">
+ The <code class="literal">new</code> message creates a new Bus object. This is the syntax: <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncBus.audio</strong>(</code><var class="pdparam">serverName</var>, <var class="pdparam">numberOfChannels</var><code>)</code>;</p></div> or <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncBus.control</strong>(</code><var class="pdparam">serverName</var>, <var class="pdparam">numberOfChannels</var><code>)</code>;</p></div> The interpreter takes "numberOfChannels" busses on the "serverName" server, and groups them together for multi-channel use in one Bus Object, which it returns to you. The "numberOfChannels" argument is optional; if you leave it out, the Bus Object will have only one bus, for single-channel signals. You should always assign the object to a variable, or else you have no way to use the bus later:
+<pre class="programlisting">var myBus = Bus.audio( s, 2 );</pre>
+
+ </div><div class="para">
+ The interpreter also keeps track of which bus numbers are used for which Bus Objects, so the signals will never get confused. Of course, you can still route signals through those bus numbers without using the Bus Object, but the Bus Class helps us to keep things straight.
+ </div><div class="para">
+ The following messages/functions can also be used with Bus Objects:
+ <div class="table"><h6>表11.5 Some Functions of the <code class="classname">Bus</code> Class</h6><div class="table-contents"><table summary="Some Functions of the Bus Class" border="1"><colgroup><col align="center" class="message" width="33%" /><col align="center" class="example" width="33%" /><col align="center" class="purpose" width="33%" /></colgroup><thead><tr><th align="center">
+ Message/Function
+ </th><th align="center">
+ Example
+ </th><th align="center">
+ Return Value
+ </th></tr></thead><tbody><tr><td align="center">
+ index
+ </td><td align="center">
+ <code class="code">b.index;</code>
+ </td><td align="center">
+ The lowest bus number used by this Bus object.
+ </td></tr><tr><td align="center">
+ numChannels
+ </td><td align="center">
+ <code class="code">b.numChannels;</code>
+ </td><td align="center">
+ The number of busses used by this Bus object.
+ </td></tr><tr><td align="center">
+ rate
+ </td><td align="center">
+ <code class="code">b.rate;</code>
+ </td><td align="center">
+ Either <code class="literal">audio</code> or <code class="literal">control</code>.
+ </td></tr><tr><td align="center">
+ server
+ </td><td align="center">
+ <code class="code">b.server;</code>
+ </td><td align="center">
+ The name of the server used by the Bus object. The default server is <code class="literal">localhost</code>
+ </td></tr></tbody></table></div></div><br class="table-break" />
+
+ </div><div class="para">
+ When you are done with a Bus, you can release the channels for use by other Bus Objects:
+<pre class="programlisting">
+<replaceable>myBusVariable</replaceable>.free;
+<replaceable>myBusVariable</replaceable> = nil;
+</pre>
+ Like when sending the "free" message to a Synth Object, you should set the variable name of a "free'd" Bus to "nil". This will prevent you from accidentally sending audio there after the Bus is released.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example">11.3.11.4. Using Busses: Control-Rate Example</h4></div></div></div><div class="para">
+ The best way to understand how and when to use a bus is to see them in action.
+<pre class="programlisting">
+( // execute first: prepare the server
+ var busAudioSynth =
+ {
+ arg bus, freqOffset = 0;
+
+ Out.ar( 0, SinOsc.ar( freq:( In.kr(bus) + freqOffset ), mul:0.1 ) );
+ };
+
+ var busControlSynth =
+ {
+ arg bus, freq = 400;
+
+ Out.kr( bus, SinOsc.kr( freq:1, mul:( freq/40 ), add:freq ) );
+ };
+
+ SynthDef( \tutorialAudioBus, busAudioSynth ).send( s );
+ SynthDef( \tutorialControlBus, busControlSynth ).send( s );
+
+ b = Bus.control( s );
+)
+
+( // execute second: create synths
+ x = Synth.new( \tutorialControlBus, [\bus, b] ); // control synth
+ y = Synth.after( x, \tutorialAudioBus, [\bus, b] ); // low audio synth
+ z = Synth.after( x, \tutorialAudioBus, [\bus, b, \freqOffset, 200] ); // high audio synth
+)
+
+( // commands to free each Object
+ x.free; x = nil; // control synth
+ y.free; y = nil; // low audio synth
+ z.free; z = nil; // high audio synth
+ b.free; b = nil; // control bus
+)
+</pre>
+ This example contains three stages: prepare the server, create the synths, destroy the synths. These three stages will become familiar as you program in <span class="application"><strong>SuperCollider</strong></span>, whether or not you use busses frequently. The example is fairly complicated, so the code is explained here:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">busAudioSynth</code> Function: Accepts two arguments, and creates an audio-rate <code class="classname">SinOsc</code>, routed to the left output channel. The frequency is determined by a control-rate bus given as an argument, and optionally with an offset that can be supplied as an argument.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">busControlSynth</code> Function: Accepts two arguments, and creates a control-rate <code class="classname">SinOsc</code>, routed to the bus given as an argument. Can also be given a frequency; the value produced by the synth is intended to be used to control pitch. The centre pitch of the oscillation is <code class="literal">freq</code>, and the range of oscillation is one-twentieth the size of <code class="literal">freq</code> (one-fourtieth both higher and lower than <code class="literal">freq</code>).
+ </div></li><li class="listitem"><div class="para">
+ SynthDef: These commands are straight-forward. They send the synthesis definitions to the server.
+ </div></li><li class="listitem"><div class="para">
+ <code class="code">b = Bus.control( s );</code> : This should also be straight-forward. A single-channel control bus is created, and assigned to the pre-declared variable <code class="literal">b</code>.
+ </div></li><li class="listitem"><div class="para">
+ For synth creation, <code class="literal">x</code> is assigned a control-rate synth, while <code class="literal">y</code> and <code class="literal">z</code> are assigned audio-rate synths. Each synth is given the variable <code class="literal">b</code>, which refers to our control-rate bus. <code class="literal">z</code> is also given an argument for <code class="literal">\freqOffset</code>, which makes its frequency 200 Hz higher than the synth assigned to <code class="literal">y</code>.
+ </div></li><li class="listitem"><div class="para">
+ Don't worry about the <code class="function">after</code> message for now. It's explained in <a class="xref" href="#sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Ordering">「Ordering」</a>.
+ </div></li></ul></div>
+
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Global_Variables"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Global_Variables">11.3.11.4.1. Why Use Global Variables</h5></div></div></div><div class="para">
+ Since this is just an example, and not an actual program, the program uses four automatically-declared global variables: <code class="literal">b</code>, <code class="literal">x</code>, <code class="literal">y</code>, and <code class="literal">z</code>. Because these variables are shared with everything, it's especially important to set them to <code class="literal">nil</code> when you're done. If this were going to be written into a real program, it would be a good idea to change the variables to something which can't be accessed by other programs.
+ </div></div><div class="section" id="sect-Musicians_GuideSC-Basic_Programming-Busses-Control_Rate_Example-Why_Use_a_Bus"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_GuideSC-Basic_Programming-Busses-Control_Rate_Example-Why_Use_a_Bus">11.3.11.4.2. Why Use a Bus</h5></div></div></div><div class="para">
+ The control-rate bus in this example might seem trivial and pointless to you, especially since the use of a UGen to control frequency has already been illustrated in other examples. For this particular program, a control-rate UGen would probably have been a better choice, but remember that this is just an example.
+ </div><div class="para">
+ Here are some advantages to using a control-rate Bus over a UGen:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The signal can be changed without sending the <code class="literal">set</code> message to the audio-rate UGen, simply by changing the input to the bus.
+ </div></li><li class="listitem"><div class="para">
+ Input to the bus can be produced by any number of control-rate UGen's.
+ </div></li><li class="listitem"><div class="para">
+ The signal in the bus can be received by more than one UGen, as it is in this example. One thousand audio-rate UGen's powered by 25 control-rate UGen's is a much better solution than if each audio-rate UGen were powered by its own control-rate UGen.
+ </div></li><li class="listitem"><div class="para">
+ Busses can be accessed quickly and efficiently from any place in the program that has access to the variable holding the Bus. It's easier and safer (less error-prone) than making all of your UGen's equally accessible.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Some of these advantages could be seen as disadvantages. Whether you should use a Bus or a UGen depends on the particular application. The simpler solution is usually the better one, as long as you remember to avoid repetition!
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Special_Note"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Special_Note">11.3.11.4.3. Special Note about Control-Rate Busses</h5></div></div></div><div class="para">
+ Control-rate Bus'ses are a great way to enhance the flexibility of your program. The best part is that, in order to use a control-rate Bus, the UGen doesn't even need to have been written to accomodate it.
+<pre class="programlisting">{ SinOsc.ar( freq:In.kr( controlRateBus, 1 ), mul:0.2 ); }.play;</pre>
+ Now you've managed to spice up an otherwise-boring synth!
+ </div><div class="para">
+ Also, control-rate Bus'ses don't need to be constantly changing. Unlike an audio-rate Bus, a control-rate Bus will hold the last-inputted value until another value is provided. You can the value of a control-rate Bus with the <code class="function">set</code> message (and a single argument, which is the value). You can also get the current value, whether created by <code class="function">set</code> or a UGen, by using the <code class="function">get</code> message, and sending a Function with one argument.
+<pre class="programlisting">
+(
+ var bus = Bus.control( s );
+ bus.set( 12 );
+ bus.get( { arg val; val.postln; } );
+ bus.free; bus = nil;
+)
+</pre>
+ When running this example, you'll notice that the <code class="literal">12</code> doesn't get posted until <span class="emphasis"><em>after</em></span> the program finishes with <code class="literal">nil</code>. This is because of the <em class="firstterm">latency</em> between when the interpreter asks the server to do something, and when the server does it. The amount of time it takes for the server to complete a command is usually very small, but as you can see, it can make an important difference to your program. This latency is also the reason that you can't call <code class="code">SynthDef.new( <em class="replaceable"><code>...</code></em> )</code> and <code class="code">Synth.new( <em class="replaceable"><code>...</code></em> )</code> at the exact same time.
+ </div><div class="para">
+ This latency is also the reason that we have to provide a single-argument function as an argument to the <code class="function">get</code> function. Since the function won't immediately be able to get the value of the bus from the server, we can't expect the value to be returned by the function. Instead, when "get" gets the value of the bus from the server, it runs the function that you gave it.
+ </div></div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Example"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Example">11.3.11.5. Using Busses: Audio-Rate Example</h4></div></div></div><div class="para">
+
+<pre class="programlisting">
+(
+ var tutorialDecayPink =
+ {
+ arg outBus = 0, effectBus,
+ direct = 0.5; // controls proportion of "direct" / "processed" sound
+ var source;
+
+ // Decaying pulses of PinkNoise.
+ source = Decay2.ar( in:Impulse.ar( freq:1, phase:0.25 ),
+ attackTime:0.01,
+ decayTime:0.2,
+ mul:PinkNoise.ar
+ );
+
+ Out.ar( outBus, (source*direct) ); // main output
+ Out.ar( effectBus, (source*(1-direct)) ); // effects output
+ };
+
+ var tutorialDecaySine =
+ {
+ arg outBus = 0, effectBus,
+ direct = 0.5; // controls proportion of "direct" / "processed" sound
+ var source;
+
+ // Decaying pulses of a modulating Sine wave.
+ source = Decay2.ar( in:Impulse.ar( freq:0.3, phase: 0.25),
+ attackTime:0.3,
+ decayTime:1,
+ mul:SinOsc.ar( freq:SinOsc.kr( freq:0.2, mul:110, add:440) )
+ );
+
+ Out.ar(outBus, (source*direct) ); // main output
+ Out.ar(effectBus, (source*(1-direct)) ); // effects output
+ };
+
+ var tutorialReverb =
+ {
+ arg outBus = 0, inBus; // default outBus is audio interface
+ var input;
+
+ input = In.ar( inBus, 1 );
+
+ 16.do( { input = AllpassC.ar( in:input,
+ maxdelaytime:0.04,
+ delaytime:{ Rand(0.001,0.04) }.dup,
+ decaytime:3
+ )
+ }
+ );
+
+ Out.ar( outBus, input );
+ };
+
+ // send synthesis information to the server
+ SynthDef( \tutorialReverb, tutorialReverb ).send( s );
+ SynthDef( \tutorialDecayPink, tutorialDecayPink ).send( s );
+ SynthDef( \tutorialDecaySine, tutorialDecaySine ).send( s );
+
+ // reserve an effects Bus
+ b = Bus.audio( s );
+)
+
+(
+ x = Synth.new( \tutorialReverb, [\inBus, b] );
+ y = Synth.before( x, \tutorialDecayPink, [\effectBus, b] );
+ z = Synth.before( x, \tutorialDecaySine, [\effectBus, b, \outBus, 1] );
+)
+
+// Change the balance of "wet" to "dry"
+y.set( \direct, 1 ); // only direct PinkNoise
+z.set( \direct, 1 ); // only direct Sine wave
+y.set( \direct, 0 ); // only reverberated PinkNoise
+z.set( \direct, 0 ); // only reverberated Sine wave
+y.set( \direct, 0.5 ); // original PinkNoise
+z.set( \direct, 0.5 ); // original Sine wave
+
+( // commands to free each Object
+ x.free; x = nil;
+ y.free; y = nil;
+ z.free; z = nil;
+ b.free; b = nil;
+)
+</pre>
+
+ </div><div class="para">
+ I'm not going to explain this example as extensively as the previous one. It's definitely the most complex example so far. It's better if you figure out what the parts do by playing with them yourself. The bus works by routing audio from the <code class="literal">\tutorialDecayPink</code> and <code class="literal">\tutorialDecaySine</code> synths into the <code class="literal">\tutorialReverb</code> synth. The first two synths can be controlled to put all, none, or some of their signal into the bus (so that it goes through the <code class="literal">\tutorialReverb</code> synth), or straight out the audio interface (bypassing the <code class="literal">\tutorialReverb</code> synth). Notice that the <span class="emphasis"><em>same</em></span> effects processor is operating on two different input sources.
+ </div></div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features">11.3.12. Ordering and Other Synth Features</h3></div></div></div><div class="para">
+ This section discusses the important topic of creating and enforcing an "order" on the server. Because this is done with Functions (or methods) from the Synth Class, other useful Functions from the Class are discussed here.
+ </div><div class="section" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Ordering"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Ordering">11.3.12.1. Ordering</h4></div></div></div><div class="para">
+ Ordering is instructing the server to calculate in a particular order. The audio synthesized by the server takes the same form as any other digital audio: a series of samples are played at a particular speed (called sample rate), each with a set number of bits per sample (called sample format). For each sample, the server calculates the signal at that point in a pre-determined order. Each sample is calculated from scratch, so if a particular UGen depends on the output of another UGen, the other one had better be calculated first. For more information on samples, sample rate, and sample format, see <a class="xref" href="#sect-Musicians_Guide-Sample_Rate_and_Sample_Format">「サンプル、サンプルレート、サンプルフォーマット、およびビットレート」</a>.
+ </div><div class="para">
+ Consider the following example:
+<pre class="programlisting">{ SinOsc.ar( freq:SinOsc.kr( freq:1, add:500, mul:10 ), mul:0.2 ); }.play;</pre>
+ What happens if the server calculates the audio-rate UGen first? It wouldn't have a frequency. This is another one of those things which the interpreter takes care of automatically when we run Function rather than create a Synth. Since it's often preferable to use a synth instead of a Function, we need some way to control the order of execution. The interpreter and the server are only so good at guessing what we need, after all.
+ </div><div class="para">
+ There are two methods in the <code class="classname">Synth</code> Class that we can use to inform the server about our desired order of execution: "before" and "after". They represent a small extension to the "new" method, and they work like this: <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncSynth.before</strong>(</code><var class="pdparam">variableHoldingSynth</var>, <var class="pdparam">nameOfSynthDef</var>, <var class="pdparam">ListOfArguments</var><code>)</code>;</p></div> and <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncSynth.after</strong>(</code><var class="pdparam">variableHoldingSynth</var>, <var class="pdparam">nameOfSynthDef</var>, <var class="pdparam">ListOfArguments</var><code>)</code>;</p></div> And it works just as it looks, too: the server creates a new synth, adds it before or after the synth represented by "variableHoldingSynth" (depending on which Function you use), and uses "nameOfSynthDef" and "ListOfArguments"
just as in the "add" method. This example, from <a class="xref" href="#sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example">「Using Busses: Control-Rate Example」</a>, uses the "after" Function to ensure that the control-rate synth is calculated before the audio-rate synths that depend on it.
+<pre class="programlisting">
+( // execute first: prepare the server
+ var busAudioSynth =
+ {
+ arg bus, freqOffset = 0;
+
+ Out.ar( 0, SinOsc.ar( freq:( In.kr(bus) + freqOffset ), mul:0.1 ) );
+ };
+
+ var busControlSynth =
+ {
+ arg bus, freq = 400;
+
+ Out.kr( bus, SinOsc.kr( freq:1, mul:( freq/40 ), add:freq ) );
+ };
+
+ SynthDef( \tutorialAudioBus, busAudioSynth ).send( s );
+ SynthDef( \tutorialControlBus, busControlSynth ).send( s );
+
+ b = Bus.control( s );
+)
+
+( // execute second: create synths
+ x = Synth.new( \tutorialControlBus, [\bus, b] ); // control synth
+ y = Synth.after( x, \tutorialAudioBus, [\bus, b] ); // low audio synth
+ z = Synth.after( x, \tutorialAudioBus, [\bus, b, \freqOffset, 200] ); // high audio synth
+)
+
+( // commands to free each Object
+ x.free; x = nil; // control synth
+ y.free; y = nil; // low audio synth
+ z.free; z = nil; // high audio synth
+ b.free; b = nil; // control bus
+)
+</pre>
+ In this case, the control-rate synth is created before the audio-rate synths - probably the easier way to think about it. Even so, it's possible to add them in the opposite order with a little extra thought.
+ </div><div class="para">
+ The other example from <a class="xref" href="#sect-Musicians_Guide-SC-Basic_Programming-Busses">「Busses」</a> use the "before" Function to ensure that the "pink noise" and "sine wave" UGen's were calculated before the "reverberation" UGen. Especially since these are all audio-rate UGen's, the server would not reasonably know which to calculate first, so you need to let it know.
+ </div></div><div class="section" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Changing_the_Order"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Changing_the_Order">11.3.12.2. Changing the Order</h4></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> offers equally easy-to-use methods to change the order of execution.
+ </div><div class="para">
+ To move a synth's execution after another: <div class="funcsynopsis"><p><code class="funcdef">variableHoldingSynth<strong>fsfuncmoveAfter</strong>(</code><var class="pdparam">variableHoldingAnotherSynth</var><code>)</code>;</p></div>
+ </div><div class="para">
+ To move a synth's execution before another: <div class="funcsynopsis"><p><code class="funcdef">variableHoldingSynth<strong>fsfuncmoveBefore</strong>(</code><var class="pdparam">variableHoldingAnotherSynth</var><code>)</code>;</p></div>
+ </div></div><div class="section" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Replace_a_Running_Synth"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Replace_a_Running_Synth">11.3.12.3. Replace a Running Synth</h4></div></div></div><div class="para">
+ The server allows you to replace a running synth with a newly-created one, maintaining all of the ordering relationships.
+ </div><div class="para">
+ This is the syntax:
+<pre class="programlisting">variableHoldingNewSynth = Synth.replace( variableHoldingSynthToReplace, nameOfSynthDef, ListOfArguments );</pre>
+ The "variableHoldingNewSynth" will often be the same as the "variableHoldingSynthToReplace," but not always. When you use this Function, the synth being replaced is freed from the server (equivalent to running "free"), so that variable should always be assigned something.
+ </div></div><div class="section" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Pausing_and_Restarting_a_Synth"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Pausing_and_Restarting_a_Synth">11.3.12.4. Pausing and Restarting a Synth</h4></div></div></div><div class="para">
+ The server allows you to temporarily pause and later re-start a synth, without freeing and re-creating it.
+ </div><div class="para">
+ To pause a synth:
+<pre class="programlisting"><em class="replaceable"><code>variableHoldingSynth</code></em>.run( false );</pre>
+
+ </div><div class="para">
+ To re-start a synth:
+<pre class="programlisting"><em class="replaceable"><code>variableHoldingSynth</code></em>.run( true );</pre>
+
+ </div></div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling">11.3.13. Scheduling</h3></div></div></div><div class="para">
+ The practice of scheduling allows you to making things happen in a pre-determined amount of time. Scheduling is very different from ordering: ordering is a primarily technical consideration to ensure that the server synthesizes the sound in the right order; scheduling is a primarily musical consideration that allows you to control the perceived time that things happen.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Clocks"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Clocks">11.3.13.1. Clocks</h4></div></div></div><div class="para">
+ SuperCollider's clocks have two main functions: they know what time it is, and they know what time things are supposed to happen.
+ </div><div class="para">
+ There are three types of clocks, which each do slightly different things:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ TempoClock: These clocks are aware of metre (time signature) changes, and have an adjustable tempo. They are to be used for scheduling musical events, and they run with a high priority.
+ </div></li><li class="listitem"><div class="para">
+ SystemClock: This clock always runs in seconds. It can be used to schedule musical events, since it runs with a high priority. There is only one SystemClock.
+ </div></li><li class="listitem"><div class="para">
+ AppClock: These clocks always run in seconds. They are to be used for graphic events and other non-musical things not discussed in this guide. These clocks do not run with a high priority, so they can be temporarily "side-lined" by a TempoClock or the SystemClock, if one of those has something to do urgently.
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Default_Clocks"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Default_Clocks">11.3.13.2. Default Clocks</h4></div></div></div><div class="para">
+ The <span class="application"><strong>SuperCollider</strong></span> interpreter provides two default clocks, and one default pseudo-clock.
+ </div><div class="para">
+ The <code class="classname">SystemClock</code> always operates in seconds, and it can be used to schedule musical events, but usually this isn't necessary.
+ </div><div class="para">
+ The <code class="code">TempoClock.default</code> runs at 60 beats-per-minute by default (equal to one beat per second). Since it's accessible from anywhere within a program, any tempo changes will have an effect on the scheduling of the entire program - so be careful! If you don't want something to be effected by tempo changes, you can create a new TempoClock just for that part of the program. If you will be using this clock frequently, you can assign it to a variable like this:
+<pre class="programlisting">var t = TempoClock.default;</pre>
+
+ </div><div class="para">
+ The <code class="code">thisThread.clock</code> is not really a clock in itself, but refers to the clock which is responsible for scheduling the part of the program where the command is written. It can be a little bit tricky working with this clock, since it may be either the SystemClock or a TempoClock.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Finding_the_Current_Time"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Finding_the_Current_Time">11.3.13.3. Finding the Current Time</h4></div></div></div><div class="para">
+ Using the "beats" method on a clock will return that clock's current time. Try running each of the following:
+<pre class="programlisting">
+SystemClock.beats;
+TempoClock.default.beats;
+thisThread.clock.beats;
+</pre>
+
+ </div><div class="para">
+ This can be useful for scheduling events in an absolute way, or for a number of other things.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Relative_Scheduling"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Relative_Scheduling">11.3.13.4. Relative Scheduling</h4></div></div></div><div class="para">
+ The standard way to schedule things is in a certain number of beats from now. If you're scheduling on a SystemClock, one beat is equal to one second. If you're scheduling on a TempoClock, one beat is equal to whatever the current setting is.
+ </div><div class="para">
+ To schedule things on a clock, use the "sched" Function: <div class="funcsynopsis"><p><code class="funcdef">nameOfClock<strong>fsfuncsched</strong>(</code><var class="pdparam">beatsFromNow</var>, <var class="pdparam">FunctionToExecute</var><code>)</code>;</p></div> The interpreter will let you schedule just about anything, but there's no point in scheduling something other than a Function: scheduling a five won't have any effect - try it!
+<pre class="programlisting">SystemClock.sched( 5, 5 );</pre>
+ It looks like nothing happens. The <code class="literal">5</code> does happen, but... well... it doesn't do anything. Scheduling a Function <span class="emphasis"><em>will</em></span> do something:
+<pre class="programlisting">SystemClock.sched( 5, { 5.postln; } );</pre>
+ When you run this, there are two things to notice:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The interpreter prints out "SystemClock" first. This is to let you know that it did the scheduling as requested.
+ </div></li><li class="listitem"><div class="para">
+ The five prints out endlessly, in five-second intervals. For an explanation, see "Repeated Scheduling"
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Repeated_Scheduling"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Repeated_Scheduling">11.3.13.5. Repeated Scheduling</h4></div></div></div><div class="para">
+ If you schedule a Function that returns a number, the interpreter will schedule the Function to re-run in that many beats.
+ </div><div class="para">
+ This will print "5" every five seconds, until you press [Esc] to stop execution.
+<pre class="programlisting">SystemClock.sched( 5, { 5.postln; } );</pre>
+
+ </div><div class="para">
+ To avoid this, you can end your Function with <code class="literal">nil</code>, which has been done sometimes through this guide.
+<pre class="programlisting">SystemClock.sched( 5, { 5.postln; nil; } );</pre>
+ This will print <code class="literal">5</code> in five seconds, and then stop.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-TempoClock_Class"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-TempoClock_Class">11.3.13.6. Working with the TempoClock Class</h4></div></div></div><div class="para">
+ Here is a brief explanation of some Functions available with the TempoClock Class. Throughout this section, the variable "t" is used to represent any particular TempoClock.
+ </div><div class="para">
+
+<pre class="programlisting">var t = TempoClock.new( tempo, beats );</pre>
+ This creates a new TempoClock. The arguments are optional, and have the following meanings:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ tempo: tempo of the clock, given in beats per second. To input a value in beats-per-minute, divide it by 60. Defaults to 60 beats per minute, or one per second.
+ </div></li><li class="listitem"><div class="para">
+ beats: starts the clock at this time. Default is zero.
+ </div></li></ul></div>
+
+ </div><div class="para">
+
+<pre class="programlisting">
+t.stop;
+t = nil;
+</pre>
+ Equivalent to the "free" method for a Synth of Bus Object. This stops the clock, discards all scheduled events, and releases the resources used to run the clock. Setting the variable to "nil" afterwards is optional, but recommended, to avoid later programming mistakes.
+ </div><div class="para">
+
+<pre class="programlisting"><em class="replaceable"><code>t</code></em>.clear;</pre>
+ Discards all scheduled events, but keeps the clock running.
+ </div><div class="para">
+
+<pre class="programlisting"><em class="replaceable"><code>t</code></em>.tempo;</pre>
+ Returns the current tempo in beats-per-second.
+ </div><div class="para">
+
+<pre class="programlisting"><em class="replaceable"><code>t</code></em>.tempo_( <em class="replaceable"><code>newTempo</code></em> );</pre>
+ Allows you to change the clock's tempo. The new tempo should be in beats-per-second. To input a tempo in beats-per-minute, divide the value by 60.
+ </div><div class="para">
+
+<pre class="programlisting"><em class="replaceable"><code>t</code></em>.play( <em class="replaceable"><code>aFunction</code></em> );</pre>
+ Schedules the Function to begin execution on the next beat.
+ </div><div class="para">
+ There are many other Functions in the TempoClock Class, related to absolute scheduling, scheduling with bars, and conversion of beats to and from seconds.
+ </div></div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help">11.3.14. How to Get Help</h3></div></div></div><div class="para">
+ Knowing how to get help in <span class="application"><strong>SuperCollider</strong></span> is going to play a large part in determining whether you have a productive or frustrating relationship with the language and its components. There are a large number of ways to get help, but here are some of the most helpful.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Official_Help_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Official_Help_Files">11.3.14.1. Use the <span class="application"><strong>SuperCollider</strong></span> Help Files</h4></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> comes with an extensive collection of help files, which contain the answers to most of your problems. The difficulty will be in finding the solution - it's not always located where you think it is, because it often isn't the solution you think it will be.
+ </div><div class="para">
+ On Fedora Linux systems, the main help file is located at [file:///usr/share/SuperCollider/Help/Help.html this URL], and it can be viewed in any web browser. It may also be helpful to browse the directory structure of the help files, located at [file:///usr/share/SuperCollider/Help this URL], which can also be viewed in your web browser.
+ </div><div class="para">
+ If you're looking for further explanations of material in this tutorial, you could start by reviewing the [file:///usr/share/SuperCollider/Help/Tutorials/Getting-Started/Getting%20Started%20With%20SC.html Getting Started With <span class="application"><strong>SuperCollider</strong></span>] tutorial, on which this document is based. The sections in that tutorial roughly correspond to the sections in this guide.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-IRC"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-IRC">11.3.14.2. Internet Relay Chat (IRC)</h4></div></div></div><div class="para">
+ If you know how to use Internet Relay Chat (IRC), you can join the #supercollider channel on the Freenode network. The channel does not usually have a large number of participants or a lot of activity, but the users are some of the most polite and helpful on the internet.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Email"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Email">11.3.14.3. Email</h4></div></div></div><div class="para">
+ If you feel comfortable sending an email to a mailing list, you can use the <em class="citetitle">sc-users Mailing List</em>, available at <a href="http://www.beast.bham.ac.uk/research/sc_mailing_lists.shtml">http://www.beast.bham.ac.uk/research/sc_mailing_lists.shtml</a>. If you decide to subscribe to this list, be aware that it receives a large amount of mail every day.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-SuperCollider_Website"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-SuperCollider_Website">11.3.14.4. The <span class="application"><strong>SuperCollider</strong></span> Website</h4></div></div></div><div class="para">
+ The <em class="citetitle"><span class="application"><strong>SuperCollider</strong></span> Website</em> at SourceForge (<a href="http://supercollider.sourceforge.net/">http://supercollider.sourceforge.net/</a>) offers links to many resources.
+ </div></div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution">11.3.15. Legal Attribution</h3></div></div></div><div class="para">
+ This portion of the Fedora Musicians' Guide, called "Basic Programming with <span class="application"><strong>SuperCollider</strong></span>," is a derivative work of the, <em class="citetitle">Getting Started With <span class="application"><strong>SuperCollider</strong></span></em> tutorial. The original work was created by Scott Wilson, James Harkins, and the <span class="application"><strong>SuperCollider</strong></span> development team. It is available on the internet from <a href="http://supercollider.svn.sourceforge.net/viewvc/supercollider/trunk/common/build/Help/Tutorials/Getting-Started/Getting%20Started%20With%20SC.html">http://supercollider.svn.sourceforge.net/viewvc/supercollider/trunk/common/build/Help/Tutorials/Getting-Started/Getting%20Started%20With%20SC.html</a>.
+ </div><div class="para">
+ The original document, like all <span class="application"><strong>SuperCollider</strong></span> documentation, is licenced under the Creative Commons' <em class="citetitle">Attribution Share-Alike 3.0 Unported Licence</em>, accessible on the internet at <a href="http://creativecommons.org/licenses/by-sa/3.0/">http://creativecommons.org/licenses/by-sa/3.0/</a>.
+ </div><div class="para">
+ This usage should in no way be construed as an endorsement of the Fedora Project, the Musicians' Guide, or any other party by the <span class="application"><strong>SuperCollider</strong></span> development team.
+ </div></div></div><div xml:lang="ja-JP" class="section" id="sect-Musicians_Guide-SuperCollider-Composing" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-SuperCollider-Composing">11.4. Composing with SuperCollider</h2></div></div></div><div class="para">
+ This section is an explanation of the creative thought-process that went into creating the SuperCollider composition that we've called "Method One," for which the source and exported audio files are available below.
+ </div><div class="para">
+ It is our hope that, in illustrating how we developed this composition from a single SinOsc command, you will learn about SuperCollider and its abilities, about how to be creative with SuperCollider, and how a simple idea can turn into something of greater and greater complexity.
+ </div><div class="para">
+ As musicians, our goal is to learn enough SuperCollider to make music; we don't want to have to memorize which parameters do what for which functions, and in which order to call them. We want to know what they do for us musically. Explicitly calling parameters, and making comments about what does what, so that we can return later and change musical things, are going to help our musical productivity, at the expense of slowing down our typing.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Composing-Tutorial_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Tutorial_Files">11.4.1. Files for the Tutorial</h3></div></div></div><div class="para">
+ The following files represent complete versions of the program. You should try to complete the program yourself before reviewing these versions:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle">Method One</em> is available at <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/SuperCollider/Method_One.sc">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/SuperCollider/Method_One.sc</a>
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">Method One (Optimized)</em> is available at <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/SuperCollider/Method_One-optimized.sc">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/SuperCollider/Method_One-optimized.sc</a>
+ </div></li><li class="listitem"><div class="para">
+ A FLAC-format recording of <em class="citetitle">Method One</em> is available at <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/SuperCollider/Method_One.flac">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/SuperCollider/Method_One.flac</a>
+ </div></li></ul></div>
+
+ </div><div class="para">
+ <code class="filename">Method_One.sc</code> is an extensively-commented version of the source code. The comments not only describe the way the code works, but pose some problems and questions that you may wish to work on, to increase your knowledge of SuperCollider. The problem with the verbosity of the comments is that it can be difficult to read the code itself, as it would be written in a real program.
+ </div><div class="para">
+ <code class="filename">Method_One-optimized.sc</code> is a less-commented version of the source code. I've also re-written part of the code, to make it more flexible for use in other programs. The differences between this, and code that I would have written for myself only, are trivial.
+ </div><div class="para">
+ <code class="filename">Method_One.flac</code> is a recording that I produced of the program, which I produced in <span class="application"><strong>Ardour</strong></span>.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Composing-Inspiration"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Inspiration">11.4.2. Inspiration</h3></div></div></div><div class="para">
+ The intention of this program is to represent one way to write a SuperCollider program. I decided to take one class, SinOsc, and use it for "everything." Here, "everything" means any function that returns a sound, or any function that directly controls a SinOsc.
+ </div><div class="para">
+ In order to fill up time, I decided to employ a three-part "rounded binary" form: ABA' or "something, something new, then the first thing again." This is kind of like a sine oscillation, too!
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Composing-Designing_the_First_Part"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Designing_the_First_Part">11.4.3. Designing the First Part</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ I started with something simple: a single SinOsc: <code class="code">{ SinOsc.ar(); }.play;</code>
+ </div></li><li class="step"><div class="para">
+ This is not exciting: it just stays the same forever, and it only uses one channel! So, I added another SinOsc to the right channel, using the [ , ] array notation. The result is <code class="code">{ [ SinOsc.ar(), SinOsc.ar() ] }.play;</code>
+ </div></li><li class="step"><div class="para">
+ Now it sounds balanced, at least, like it's coming from the middle. But it's still boring, so I added a frequency-changing SinOsc to the right channel, resulting in <code class="code">{ [ SinOsc.ar(), SinOsc.ar(SinOsc.kr(1,50,300)) ] }.play;</code>
+ </div></li><li class="step"><div class="para">
+ Since that's difficult to read, and since I know that I'm just going to keep adding things, I expand the code a little bit to make it more legible. This gives me
+<pre class="programlisting">
+{
+ var left = SinOsc.ar();
+ var right = SinOsc.ar( SinOsc.kr( 1, 50, 300 ) );
+
+ [ left, right ]
+
+}.play;
+</pre>
+ I define a variable holding everything I want in the left channel, then the same for the right. I still use the [ , ] array notation to create a stereo array. Remember that SuperCollider functions return the last value stated, so it might look like the stereo array is ignored, but because this array is what is returned by the function contained between { and }, it is this array that gets played by the following ".play;"
+ </div></li><li class="step"><div class="para">
+ I also added a frequency controller to the left SinOsc, and realized that it's getting a bit difficult to read again, especially if I wanted to add another parameter to the SinOsc.ar objects. So I placed the SinOsc.kr's into their own variables: frequencyL and frequencyR. This results in
+<pre class="programlisting">
+{
+ var frequencyL = SinOsc.kr( freq:10, mul:200, add:400 );
+ var frequencyR = SinOsc.kr( freq:1, mul:50, add:150 );
+
+ var left = SinOsc.ar( frequencyL );
+ var right = SinOsc.ar( frequencyR );
+
+ [ left, right ]
+
+}.play;
+</pre>
+
+ </div></li><li class="step"><div class="para">
+ Now I can experiment with the frequency-changing SinOsc's, to make sure that I get things just right. When I realize what the parameters do, I make a note for myself (see "FSC-method-1-.sc"), so that it will be easy to adjust it later. I also explicitly call the parameters. This isn't necessary, but it also helps to avoid future confusion. Most programmers would not explicitly call the parameters, but we're musicians, not programmers.
+ </div></li><li class="step"><div class="para">
+ The left channel has something like a "melody," so I decided to add a drone-like SinOsc to it. This is easy, of course, because any SinOsc left alone is automatically a drone! But, where should it be added? Into the "left" variable, of course. We'll create an array using [ , ] array notation. There are two things that I would do at this point to help with future readability:
+ </div><ol class="a"><li class="step"><div class="para">
+ Align all of the left-channel SinOsc's vertically (using tabs and spaces), so that each line is one sound-generating UGen.
+ </div></li><li class="step"><div class="para">
+ At the end of each line, write a small comment describing what the UGen on that line doesn.
+ </div></li></ol></li><li class="step"><div class="para">
+ Now the volume is a problem. For most sound-producing UGen's, the "mul" argument controls the volume. For most of those, the default is "1.0," and anything greater will create distorted output. The physics and computer science factors that wind up creating distortion are rather complicated, and it isn't necessary to understand them. What we need to know is that, if the output of a UGen (or some UGen's) sounds distorted, then we should probably adjust the "mul" argument. Sometimes, of course, you may prefer that distorted output.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ It seems that, when you're using multiple SinOsc's in one output channel, the "mul" of all of them must not add to more than 1.0
+ </div></li><li class="listitem"><div class="para">
+ We're using two output channels (left and right). We'll leave the right channel alone for now, because it has only one output UGen.
+ </div></li><li class="listitem"><div class="para">
+ So, I'll change add a "mul" argument to each of the left-channel UGen's, to 0.5
+ </div></li></ul></div>
+
+ </div></li><li class="step"><div class="para">
+ Now we can't hear the left channel, because the right channel is too loud! Playing with volumes (sometimes called "adjusting levels" for computers) is a constant aesthetic concern for all musicians. Add a "mul" argument to the right channel, and set it to what seems an appropriate volume for the moment. It will probably change later, but that's okay.
+ </div></li><li class="step"><div class="para">
+ But let's add another dimension to this: there's no reason to keep the volume static, because we can use a SinOsc to change it periodically! I added a SinOsc variable called "volumeL," which I used as the argument to "mul" for the "frequencyL" SinOsc in the left channel.
+ </div></li><li class="step"><div class="para">
+ And now the sheer boredom of the drone in the left channel becomes obvious. I decide to make it more interesting by adding a series of overtones (an overtone is...). I decide to add six, then experiment with which frequencies to add. But, every time I adjust one frequency, I have to re-calculate and change all the others. So I decide to add a variable for the drone's frequency: "frequencyL_drone". This way, after finding the right intervals, I can easily adjust all of them just by changing the variable. I've decided on drone*1, 2, 5, 13, and 28. These are more or less arbitrary, and I arrived on them through experimentation. Of course, the drone will be <span class="emphasis"><em>way</em></span> too loud.
+ </div></li><li class="step"><div class="para">
+ Writing
+<pre class="programlisting">SinOsc.ar( [frequencyL_drone,2*frequencyL_drone,5*frequencyL_drone,13*frequencyL_drone,28*frequencyL_drone], mul:0.1 )</pre>
+ in your program is not easy to read, and actually it doesn't work out volume-balance-wise (for me, at least): the high frequencies are too loud, and the lower ones are not loud enough. In retrospect, I should have created a variable for the "mul" of these drones, so I could adjust them easily in proportion. But, I didn't.
+ </div></li><li class="step"><div class="para">
+ A constant drone isn't as much fun as one that slowly changes over time. So, I changed the "frequencyL_drone" value to a SinOsc.kr UGen. Because it's supposed to be a "drone," it should change only very gradually, so I used a very small freqeuncy argument. It still moves quite quickly, but people won't want to listen to this too long, anyway!
+ </div></li><li class="step"><div class="para">
+ I did something similar with the right channel, addding a slowly-changing drone and overtones above it.
+ </div></li><li class="step"><div class="para">
+ After some final volume adjustments, I feel that I have completed the first part. There is no way to know for sure that you've finished until it happens. Even then, you may want to change your program later.
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part">11.4.4. Designing the Second Part</h3></div></div></div><div class="para">
+ The next thing that I did was to design the second part. This will not join them together yet, and I'm going to focus on something completely different, so I decided to do this in a separate file.
+ </div><div class="para">
+ My inspiration for this part came from experimenting with the drones of the first part. There are a virtually unlimited number of combinations of sets of overtones that could be created, and the combinations of discrete frequencies into complex sounds is something that has fascinated me for a long time. Moreover, when thousands of discrete frequencies combine in such a way as to create what we think of as "a violin playing one note," it seems like a magical moment.
+ </div><div class="para">
+ I'm going to build up a set of pseudo-random tones, adding them one at a time, in set increments. As you will see, this introduces a number of problems, primarily because of the scheduling involved with the one-by-one introduction of tones, and keeping track of those tones.
+ </div><div class="para">
+ The fact that there are ten tones also poses a problem, because it might require a lot of typing. We'll see solutions to that, which use SuperCollider's programming features to greatly increase the efficiency.
+ </div><div class="para">
+ Although we've already solved the musical problems (that is, we know what we want this part to sound like), the computer science (programming) problems will have to be solved the old-fashioned way: start with something simple, and build it into a complex solution.
+ </div><div class="para">
+ First I will develop the version used in FSC-method-1.sc, then the version used in FSC-method-1-short.sc
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones">11.4.5. Creating Ten Pseudo-Random Tones</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ We'll start again with something simple, that we know how to do.
+<pre class="programlisting">
+{
+ SinOsc.ar();
+}.play;
+</pre>
+
+ </div></li><li class="step"><div class="para">
+ We already know that we want this to produce stereo output, and we already know that we're going to be using enough SinOsc's that we'll need to reduce "mul." Keeping in mind that there will be ten pitches, and two SinOsc's for each of them, set both of those things now, keeping just one pitch for now.
+ </div></li><li class="step"><div class="para">
+ The first challenge is to implement pseudo-randomness. We'll use the number.rand function to generate a pseudo-random number (integer, actually), but if run as <code class="code">50.rand</code>, we will get a result between 0 and 50. As a frequency, this is not useful: most audio equipment cannot produce pitches below 20 Hz, and many people have problems hearing very low frequencies. This means that we'll need to add a value to .rand's output (like <code class="code">100 + 50.rand</code>, which will yield an integer between 100 and 150). I decided to go with a value between 200 Hz and 800 Hz instead, largely because I felt like it. Try setting the freq with the .rand call.
+ </div></li><li class="step"><div class="para">
+ I hope you didn't end up with two different frequencies! If you did, you'll need to use a variable to temporarily store the pseduo-random frequency, so that both sides can use it.
+ </div></li><li class="step"><div class="para">
+ Now we need to make ten of these, so copy-and-paste until there are ten different stereo pitches at once.
+<pre class="programlisting">
+{
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+}.play;
+</pre>
+
+ </div></li><li class="step"><div class="para">
+ It doesn't work: you'll also have to rename your frequency-setting variable each time.
+<pre class="programlisting">
+{
+ var frequency1 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency1, mul:0.01 ), SinOsc.ar( freq:frequency1, mul:0.01 ) ]
+ var frequency2 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency2, mul:0.01 ), SinOsc.ar( freq:frequency2, mul:0.01 ) ]
+ var frequency3 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency3, mul:0.01 ), SinOsc.ar( freq:frequency3, mul:0.01 ) ]
+ var frequency4 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency4, mul:0.01 ), SinOsc.ar( freq:frequency4, mul:0.01 ) ]
+ var frequency5 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency5, mul:0.01 ), SinOsc.ar( freq:frequency5, mul:0.01 ) ]
+ var frequency6 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency6, mul:0.01 ), SinOsc.ar( freq:frequency6, mul:0.01 ) ]
+ var frequency7 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency7, mul:0.01 ), SinOsc.ar( freq:frequency7, mul:0.01 ) ]
+ var frequency8 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency8, mul:0.01 ), SinOsc.ar( freq:frequency8, mul:0.01 ) ]
+ var frequency9 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency9, mul:0.01 ), SinOsc.ar( freq:frequency9, mul:0.01 ) ]
+ var frequency0 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency0, mul:0.01 ), SinOsc.ar( freq:frequency0, mul:0.01 ) ]
+}.play;
+</pre>
+
+ </div></li><li class="step"><div class="para">
+ It still doesn't work! The error given in the "SuperCollider output" window is not easy to understand, but it means "You have to put all of your variable declarations before everything else."
+<pre class="programlisting">
+{
+ var frequency1 = 200 + 600.rand;
+ var frequency2 = 200 + 600.rand;
+ var frequency3 = 200 + 600.rand;
+ var frequency4 = 200 + 600.rand;
+ var frequency5 = 200 + 600.rand;
+ var frequency6 = 200 + 600.rand;
+ var frequency7 = 200 + 600.rand;
+ var frequency8 = 200 + 600.rand;
+ var frequency9 = 200 + 600.rand;
+ var frequency0 = 200 + 600.rand;
+
+ [ SinOsc.ar( freq:frequency1, mul:0.01 ), SinOsc.ar( freq:frequency1, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency2, mul:0.01 ), SinOsc.ar( freq:frequency2, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency3, mul:0.01 ), SinOsc.ar( freq:frequency3, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency4, mul:0.01 ), SinOsc.ar( freq:frequency4, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency5, mul:0.01 ), SinOsc.ar( freq:frequency5, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency6, mul:0.01 ), SinOsc.ar( freq:frequency6, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency7, mul:0.01 ), SinOsc.ar( freq:frequency7, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency8, mul:0.01 ), SinOsc.ar( freq:frequency8, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency9, mul:0.01 ), SinOsc.ar( freq:frequency9, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency0, mul:0.01 ), SinOsc.ar( freq:frequency0, mul:0.01 ) ]
+}.play;
+</pre>
+
+ </div></li><li class="step"><div class="para">
+ It still doesn't work! SuperCollider is confused because I was been lazy and didn't include enough semicolons. The error we get is, "Index not an Integer," which is a clue as to what SuperCollider is trying to do (but it's irrelevant). The real problem is that SuperCollider interprets our ten stereo arrays as all being part of the same statement. We don't want them to be the same statement, however, because we want ten <span class="emphasis"><em>different</em></span> stereo arrays to be played. Fix this problem by putting a semicolon at the end of each stereo array. You do not <span class="emphasis"><em>need</em></span> to include one at the end of the last statement, because SuperCollider assumes the end of the statement when it encounters a } (end-of-function marker) after it. Since we're still building our code, we might move these around or add something aftwards, so it's better to include a semicolon at the end of each stereo array.
+ </div></li><li class="step"><div class="para">
+ Now the file plays successfully, but with a disappointing result. If you can't already see the problem, try to think of it before continuing to read.
+ </div></li><li class="step"><div class="para">
+ Only one SinOsc array gets played, and it's the last one. This is because the last statement is returned by the function that ends at } and it is that result which gets sent to the following .play
+ </div></li><li class="step"><div class="para">
+ To fix this, and ensure that all of the stereo arrays are played, you should remove the .play from the end of the function, and add a .play to each stereo array statement. You end up with
+<pre class="programlisting">
+{
+ var frequency1 = 200 + 600.rand;
+ var frequency2 = 200 + 600.rand;
+ var frequency3 = 200 + 600.rand;
+ var frequency4 = 200 + 600.rand;
+ var frequency5 = 200 + 600.rand;
+ var frequency6 = 200 + 600.rand;
+ var frequency7 = 200 + 600.rand;
+ var frequency8 = 200 + 600.rand;
+ var frequency9 = 200 + 600.rand;
+ var frequency0 = 200 + 600.rand;
+
+ [ SinOsc.ar( freq:frequency1, mul:0.01 ), SinOsc.ar( freq:frequency1, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency2, mul:0.01 ), SinOsc.ar( freq:frequency2, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency3, mul:0.01 ), SinOsc.ar( freq:frequency3, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency4, mul:0.01 ), SinOsc.ar( freq:frequency4, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency5, mul:0.01 ), SinOsc.ar( freq:frequency5, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency6, mul:0.01 ), SinOsc.ar( freq:frequency6, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency7, mul:0.01 ), SinOsc.ar( freq:frequency7, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency8, mul:0.01 ), SinOsc.ar( freq:frequency8, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency9, mul:0.01 ), SinOsc.ar( freq:frequency9, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency0, mul:0.01 ), SinOsc.ar( freq:frequency0, mul:0.01 ) ].play;
+}
+</pre>
+
+ </div></li><li class="step"><div class="para">
+ When you execute this, no sound is produced, but SuperCollider outputs "a Function." Can you think of why this happens? It's because you wrote a function, but never told SuperCollider to evaluate it! At the end of execution, SuperCollider just throws away the function, because it's never used. This is the same thing that happened to the first nine stereo arrays - they were created, but you never said to do anything with them, so they were just thrown out. We need to execute the function. Because it doesn't produce a UGen, we can't use "play," so we have to use "value" instead. You can choose to do either of these:
+<pre class="programlisting">{ ... }.value;</pre>
+ or
+<pre class="programlisting">
+var myFunction = { ... };
+myFunction.value;
+</pre>
+
+ </div></li><li class="step"><div class="para">
+ This gives us yet another error, as if we can't play the stereo arrays! In fact, we can't - and we didn't do it in the first part, either. We play'ed the result of returning a stereo array from a function. The subtle difference isn't important yet - we're just trying to make this work! Use { and } to build a function for .play to .play
+ </div></li><li class="step"><div class="para">
+ Now make the correction nine more times.
+ </div></li><li class="step"><div class="para">
+ When you play execute the resulting code, you probably get something that sounds quite "space-age." Execute it a few times, to see the kind of results you get.
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones">11.4.6. Scheduling the Tones</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ The next step is to get these started consecutively, with 5-second pauses after each addition. For this we will use a TempoClock, and since this is the only thing that we're doing, we'll just use the default one called TempoClock.default. I don't feel like typing that, however, so we're going to define an alias variable: <code class="code">var t_c = TempoClock.default;</code> You could put that in the main function, but I suggest putting it before the main function. This way, if we want to write another function later, then it can also access <code class="literal">t_c</code>.
+ </div></li><li class="step"><div class="para">
+ The default TempoClock has a default tempo of one beat per second (1 Hz). This will be good enough for us. If you wanted to change the tempo, remember that you can enter a metronome setting (which is "beats per minute") by dividing the metronome setting by 60. So a metronome's 120 beats per minute would be given to a new TempoClock as <code class="code">TempoClock.new( 120/60 )</code>. Even though you could do that ahead of time and just write "2," inputting it as "120/60" makes it clearer what tempo you intend to set.
+ </div></li><li class="step"><div class="para">
+ You can schedule something on a TempoClock by using <code class="code">t_c.sched( <em class="replaceable"><code>x</code></em>, <em class="replaceable"><code>f</code></em> );</code>, where <code class="literal">f</code> is a function to execute, and <code class="literal">x</code> is when it should be done, measured as the number of beats from now. So we can schedule our SinOsc like this:
+<pre class="programlisting">t_c.sched( 1, {{[ SinOsc.ar( freq:frequency1, mul:0.01 ), SinOsc.ar( freq:frequency1, mul:0.01 ) ]}.play;} );</pre>
+ </div></li><li class="step"><div class="para">
+ Schedule the rest, in intervals of five beats (which is five seconds). They will all be scheduled virtually instantaneously (that is, the computer will notice the slight delay between when each one is scheduled, but humans will not). I started at one beat from now, to insert a slight pause before the sound begins.
+ </div></li><li class="step"><div class="para">
+ If you've done this correctly, then we should get a build-up of ten pitches. But they never stop! This is going to take some more ingenuity to solve, because we can't just make a stereo array, play it, then throw it away. We need to hold onto the stereo array, so that we can stop it. The first step here is to store the stereo arrays in variables, and subsequently schedule them. You will end up with something like this:
+<pre class="programlisting">
+var sinosc1 = { [ SinOsc.ar( freq:frequency1, mul:0.01 ), SinOsc.ar( freq:frequency1, mul:0.01 ) ] };
+// the other nine...
+
+ t_c.sched( 1, { sinosc1.play; } );
+// the other nine...
+</pre>
+
+ </div></li><li class="step"><div class="para">
+ It should still work, but we after all that cutting-and-pasting, we still haven't managed to turn off the SinOsc's. We need to "free" the object that was returned when we used the "play" function. We need to declare yet more variables: <code class="code">var so1, so2, so3, so4, so5, so6, so7, so8, so9, so0;</code> should appear anywhere before the scheduler.
+ </div></li><li class="step"><div class="para">
+ Now adjust all the scheduling commands so they look like this: <code class="code">t_c.sched( 1, { so1 = sinosc1.play; } );</code>
+ </div></li><li class="step"><div class="para">
+ Now you can add ten of these, after the existing scheduling commands: <code class="code">t_c.sched( 51, { so1.free; } );</code>. Be sure to schedule each one for 51 beats, so that they all turn off simultaneously, 5 beats after the last pitch is added.
+ </div></li><li class="step"><div class="para">
+ It should work successfully. If it doesn't, then compare what you have to this, which does work:
+<pre class="programlisting">
+var t_c = TempoClock.default;
+
+{
+ var frequency1 = 200 + 600.rand;
+ var frequency2 = 200 + 600.rand;
+ var frequency3 = 200 + 600.rand;
+ var frequency4 = 200 + 600.rand;
+ var frequency5 = 200 + 600.rand;
+ var frequency6 = 200 + 600.rand;
+ var frequency7 = 200 + 600.rand;
+ var frequency8 = 200 + 600.rand;
+ var frequency9 = 200 + 600.rand;
+ var frequency0 = 200 + 600.rand;
+
+ var sinosc1 = { [ SinOsc.ar( freq:frequency1, mul:0.01 ), SinOsc.ar( freq:frequency1, mul:0.01 ) ] };
+ var sinosc2 = { [ SinOsc.ar( freq:frequency2, mul:0.01 ), SinOsc.ar( freq:frequency2, mul:0.01 ) ] };
+ var sinosc3 = { [ SinOsc.ar( freq:frequency3, mul:0.01 ), SinOsc.ar( freq:frequency3, mul:0.01 ) ] };
+ var sinosc4 = { [ SinOsc.ar( freq:frequency4, mul:0.01 ), SinOsc.ar( freq:frequency4, mul:0.01 ) ] };
+ var sinosc5 = { [ SinOsc.ar( freq:frequency5, mul:0.01 ), SinOsc.ar( freq:frequency5, mul:0.01 ) ] };
+ var sinosc6 = { [ SinOsc.ar( freq:frequency6, mul:0.01 ), SinOsc.ar( freq:frequency6, mul:0.01 ) ] };
+ var sinosc7 = { [ SinOsc.ar( freq:frequency7, mul:0.01 ), SinOsc.ar( freq:frequency7, mul:0.01 ) ] };
+ var sinosc8 = { [ SinOsc.ar( freq:frequency8, mul:0.01 ), SinOsc.ar( freq:frequency8, mul:0.01 ) ] };
+ var sinosc9 = { [ SinOsc.ar( freq:frequency9, mul:0.01 ), SinOsc.ar( freq:frequency9, mul:0.01 ) ] };
+ var sinosc0 = { [ SinOsc.ar( freq:frequency0, mul:0.01 ), SinOsc.ar( freq:frequency0, mul:0.01 ) ] };
+
+ var so1, so2, so3, so4, so5, so6, so7, so8, so9, so0;
+
+ t_c.sched( 1, { so1 = sinosc1.play; } );
+ t_c.sched( 6, { so2 = sinosc2.play; } );
+ t_c.sched( 11, { so3 = sinosc3.play; } );
+ t_c.sched( 16, { so4 = sinosc4.play; } );
+ t_c.sched( 21, { so5 = sinosc5.play; } );
+ t_c.sched( 26, { so6 = sinosc6.play; } );
+ t_c.sched( 31, { so7 = sinosc7.play; } );
+ t_c.sched( 36, { so8 = sinosc8.play; } );
+ t_c.sched( 41, { so9 = sinosc9.play; } );
+ t_c.sched( 46, { so0 = sinosc0.play; } );
+
+ t_c.sched( 51, { so1.free; } );
+ t_c.sched( 51, { so2.free; } );
+ t_c.sched( 51, { so3.free; } );
+ t_c.sched( 51, { so4.free; } );
+ t_c.sched( 51, { so5.free; } );
+ t_c.sched( 51, { so6.free; } );
+ t_c.sched( 51, { so7.free; } );
+ t_c.sched( 51, { so8.free; } );
+ t_c.sched( 51, { so9.free; } );
+ t_c.sched( 51, { so0.free; } );
+
+}.value;
+</pre>
+
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-SC-Composing-Optimizing_the_Code"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Optimizing_the_Code">11.4.7. Optimizing the Code</h3></div></div></div><div class="para">
+ Hopefully, while working through the previous sections, you got an idea of how tedious, boring, difficult-to-read, and error-prone this sort of copy-and-paste programming can be. It's ridiculous, and it's poor programming:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ We're using a lot of variables and variable names. They're all just used once or twice, too.
+ </div></li><li class="listitem"><div class="para">
+ When you copy-and-paste code, but change it a little, you might make a mistake in that little change.
+ </div></li><li class="listitem"><div class="para">
+ When you copy-and-paste code, when you make a mistake, you have to copy-and-paste to fix it everywhere.
+ </div></li><li class="listitem"><div class="para">
+ Repetition is the enemy of high-quality code. It is much better to write something once and re-use that same code.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Thankfully, SuperCollider provides three things that will greatly help to solve these problems - at least for our current situation:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Arrays can be used to hold multiple instances of the same thing, all referred to with essentially the same name. We're already doing something similar, (sinosc1, sinosc2, etc.) but arrays are more flexible.
+ </div></li><li class="listitem"><div class="para">
+ Functions can be written once, and executed as many times as desired.
+ </div></li><li class="listitem"><div class="para">
+ Loops also provide a means to write code once, and execute it many times. As you will see, they are useful in situations different from functions.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ It should be noted that, while it is good practise to program like this, it is also optional. You will probably find, though, that writing your programs well in the first place ends up saving huge headaches in the future.
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ The first thing we'll do is write a function to deal with generating the stereo arrays of SinOsc's.
+ </div></li><li class="step"><div class="para">
+ Take the code required to generate one stereo array of SinOsc's with a pseudo-random frequency. Put it in a function, and declare a variable for it (I used the name "func").
+ </div></li><li class="step"><div class="para">
+ Now remove the frequency1 (etc.) variables, and change the sinosc1 (etc.) variables to use the new function. Make sure that the code still works in the same way. It's much easier to troubleshoot problems when you make only one change at a time!
+ </div></li><li class="step"><div class="para">
+ At this point, we've eliminated ten lines of code, and made ten more lines easier to read by eliminating the subtle copy-and-paste changes. If you can't manage to work it out, refer to the FSC_method_1.sc file for tips.
+ </div></li><li class="step"><div class="para">
+ We can eliminate ten more lines of code by using a loop with an array. Let's change only one thing at a time, to make it easier to find a problem, if it should arise. Start by commenting out the lines which declare and initialize sinosc1, sinosc2, and so on.
+ </div></li><li class="step"><div class="para">
+ Then declare a ten-element array in the same place: <code class="code">var sinosc = Array.new( 10 );</code>
+ </div></li><li class="step"><div class="para">
+ The next part is to write code to get ten func.value's into the array. To add something to an array in SuperCollider, we use the "add" method: <code class="code">sinosc.add( thing_to_add );</code> There is a small wrinkle to this, described in the SuperCollider documentation. It's not important to understand (for musical reasons, that is - it is explained on this help page), but when you add an element to an array, you <span class="emphasis"><em>should</em></span> re-assign the array to the variable-name: <code class="code">sinosc = sinosc.add( thing_to_add )</code> Basically it works out like this: if you don't re-assign, then there is a chance that the array name only includes the elements that were in the array before the "add" command was run.
+ </div></li><li class="step"><div class="para">
+ With this, we are able to eliminate a further level of redundancy in the code. Ten exact copies of <code class="code">sinosc = sinosc.add( { func.value; } );</code> Now, ten lines that look almost identical actually are identical. Furthermore, we don't have to worry about assigning unique names, or even about index numbers, as in other programming languages. SuperCollider does this for us!
+ </div></li><li class="step"><div class="para">
+ This still won't work, because we need to adjust the rest of the function to work with this array. The scheduling commands be changed to look something like this: <code class="code">t_c.sched( 1, { so1 = sinosc[0].play; } );</code> Since arrays are indexed from 0 to 9, those are the index numbers of the first ten objects in the array.
+ </div></li><li class="step"><div class="para">
+ Remember that you need to put all of your variable declarations <span class="emphasis"><em>before</em></span> anything else.
+ </div></li><li class="step"><div class="para">
+ It <span class="emphasis"><em>should</em></span> still work. Let's use a loop to get rid of the ten identical lines.
+ </div></li><li class="step"><div class="para">
+ In SuperCollider, <code class="code"><em class="replaceable"><code>x</code></em>.do( <em class="replaceable"><code>f</code></em> );</code> will send the <code class="literal">value</code> message to the function <code class="literal">f</code> <code class="literal">x</code> times. So, to do this ten times, we should write <code class="code">10.do( { sinosc = sinosc.add( { func.value; } ); } );</code> and get rid of the other ones. This is very powerful for simple things that must be done multiple times, because you are definitely not going to make a copy-and-paste error, because it's easy to see what is being executed, and because it's easy to see how many times it is being executed.
+ </div></li><li class="step"><div class="para">
+ Now let's reduce the repetitiveness of the scheduling. First, replace so1, so2, etc. with a ten-element array. Test it to ensure that the code still works.
+ </div></li><li class="step"><div class="para">
+ Getting the next two loops working is a little bit more complicated. We know how to run the exact same code in a loop, but we don't know how to change it subtly (by supplying different index numbers for the array, for example). Thankfully, SuperCollider provides a way to keep track of how many times the function in a loop has already been run. The first argument given to a function in a loop is the number of times that the function has <span class="emphasis"><em>already</em></span> been executed. The first time it is run, the function receives a 0; if we're using a <code class="code">10.do( <em class="replaceable"><code>something</code></em> );</code> loop, then the last time the function is run, it receives a 9 because the function has already been executed 9 times. Since our ten-element array is indexed from 0 to 9, this works perfectly for us.
+ </div></li><li class="step"><div class="para">
+ The code to free is shorter: <code class="code">10.do( { arg index; t_c.sched( 51, { so[index].free; } ); } );</code> This can look confusing, especially written in one line, like it is. If it helps, you might want to write it like this instead:
+<pre class="programlisting">
+10.do
+({ arg index;
+ t_c.sched( 51, { so[index].free; } );
+});
+</pre>
+ Now it looks more like a typical function.
+ </div></li><li class="step"><div class="para">
+ The next step is to simplify the original scheduling calls in a similar way, but it's slightly more complicated because we have to schedule a different number of measures for each call. With a little math, this is also not a problem - it's just a simple linear equation: <code class="literal">number_of_measures = 5 * array_index + 1</code> Try to write this loop by yourself, before going to the next step.
+ </div></li><li class="step"><div class="para">
+ If you missed it, my solution is
+<pre class="programlisting">10.do( { arg index; t_c.sched( ((5*index)+1), { so = so.add( sinosc[index].play; ); } ); } );</pre>
+ which includes some extra parentheses to ensure that the math is computed in the right order.
+ </div></li><li class="step"><div class="para">
+ The code is already much shorter, easier to understand, and easier to expand or change. There is one further optimzation that we can easily make: get rid of the sinosc array. This simply involves replacing <code class="code">sinosc[index]</code> with what all of its elements are: <code class="code">{ func.value; }</code>
+ </div></li><li class="step"><div class="para">
+ The resulting program is a little different from what ended up in FSC_method_1.sc, but produces the same output. What I have is this:
+<pre class="programlisting">
+var t_c = TempoClock.default;
+
+{
+ var so = Array.new( 10 );
+
+ var func =
+ {
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ];
+ };
+
+ 10.do( { arg index; t_c.sched( ((5*index)+1), { so = so.add( {func.value;}.play; ); } ); } );
+ 10.do( { arg index; t_c.sched( 51, { so[index].free; } ); } );
+
+}.value;
+</pre>
+
+ </div></li><li class="step"><div class="para">
+ Finally, assign this Function to a variable (called "secondPart", perhaps), and remove the "value" Function-call. If we leave that in, the Function will execute before the rest of the program begins!
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part">11.4.8. Making a Useful Section out of the Second Part</h3></div></div></div><div class="para">
+ This section describes the reasons for the differences between the second part's Function that was just created, and the Function that appears in "FSC_method_1-short.sc". It all comes down to this: the current solution is tailor-made for this particular program, and would require significant adaptation to be used anywhere else; I want to re-design the Function so that it can be used anywhere to begin with, while still defaulting to the behaviour desired for this program.
+ </div><div class="para">
+ You can skip this section, and return later. The actions for the rest of the tutorial remain unchanged whether you do or do not make the modifications in this section.
+ </div><div class="para">
+ Here's what I have from the previous step:
+<pre class="programlisting">
+var t_c = TempoClock.default;
+
+var secondPart =
+{
+ var so = Array.new( 10 );
+
+ var func =
+ {
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ];
+ };
+
+ 10.do( { arg index; t_c.sched( ((5*index)+1), { so = so.add( {func.value;}.play; ); } ); } );
+ 10.do( { arg index; t_c.sched( 51, { so[index].free; } ); } );
+
+};
+</pre>
+ This Function is the perfect solution if you want ten pseudo-random pitches between 200 Hz and 800 Hz, and a five-second pause between each one. If you want nine or eleven pitches, if you want them to eb between 60 Hz and 80Hz, if you want a six-second pause between each - you would have to modify the Function. If you don't remember how it works, or if you give it to a friend, you're going to have to figure out how it works before you modify it. This is not an ideal solution.
+ </div><div class="para">
+ Let's solve these problems one at a time, starting with allowing a different number of SinOsc synths to be created. We know that we'll have to create an argument, and that it will have to be used wherever we need the number of SinOsc's. Also, to preserve functionality, we'll make a default assignment of 10. Try to accomplish this yourself, making sure to test your Function so that you know it works. Here's what I did:
+<pre class="programlisting">
+var t_c = TempoClock.default;
+
+var secondPart =
+{
+ arg number_of_SinOscs = 10;
+
+ var so = Array.new( number_of_SinOscs );
+
+ var func =
+ {
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ];
+ };
+
+ number_of_SinOscs.do( { arg index; t_c.sched( ((5*index)+1), { so = so.add( {func.value;}.play; ); } ); } );
+ number_of_SinOscs.do( { arg index; t_c.sched( 51, { so[index].free; } ); } );
+
+};
+</pre>
+ The "do" loop doesn't need a constant number; it's fine with a variable. What happens when you pass a bad argument, like a string? This would be an easy way to sabotage your program, and in almost any other programming context it would concern us, but this is just audio programming. If somebody is going to try to create "cheese" SinOsc's, it's their own fault for mis-using the Function.
+ </div><div class="para">
+ Now let's modify the Function so that we can adjust the range of frequencies that the Function will generate. We know that we'll need two more arguments, and that they'll have to be used in the equation to calculate the frequency. But we'll also need to do a bit of arithmetic, because of the way the "rand" Function works (actually we don't - see the "rand" Function's help file). Also, to preserve functionality, we'll make default assignments of 200 and 800. Try to accomplish this yourself, making sure that you test the Function so you know it works. Here's what I did:
+<pre class="programlisting">
+var t_c = TempoClock.default;
+
+var secondPart =
+{
+ arg number_of_SinOscs = 10,
+ pitch_low = 200,
+ pitch_high = 800;
+
+ var so = Array.new( number_of_SinOscs );
+
+ var func =
+ {
+ var freq = pitch_low + (pitch_high - pitch_low).rand;
+ [ SinOsc.ar( freq:freq, mul:0.01),
+ SinOsc.ar( freq:freq, mul:0.01) ];
+ };
+
+ number_of_SinOscs.do( { arg index; t_c.sched( ((5*index)+1), { so = so.add( {func.value;}.play; ); } ); } );
+ number_of_SinOscs.do( { arg index; t_c.sched( 51, { so[index].free; } ); } );
+
+};
+</pre>
+ Notice that I changed the name of the variables, and the indentation in the "func" sub-Function, to make it easier to read. This isn't a particularly difficult change.
+ </div><div class="para">
+ Now let's allow the user to set the length of time between each SinOsc appears. We will need one more argument, used in the scheduling command. Try to accomplish this yourself, and if you run into difficulty, the next paragraph contains some tips.
+ </div><div class="para">
+ The change to the "do" loop which schedules the SinOsc's to play is almost trivial. My new argument is called "pause_length", (meaning "the length of the pause, in seconds, between adding each SinOsc"), so I get this modification: number_of_SinOscs.do(
+<pre class="programlisting">
+{
+ arg time;
+ secondPart_clock.sched( (1+(time*5)), { sounds = sounds.add( func.play ); } );
+});
+</pre>
+ Again, I changed the indentation, and the names of the variables in this sub-Function. Recall that the "1+" portion is designed to add a one-second pause to the start of the Function's execution. The problem comes in the next "do" loop, where we have to know how the number of beats from now will be five seconds after the last SinOsc is added. We'll have to calculate it, so I added a variable to store the value after it's calculated. This also allows us to return it, as a convenience to the Function that called this one, so that it knows how long until this Function is finished. Try adding this yourself, then testing the Function to ensure that it works. I got this:
+<pre class="programlisting">
+var t_c = TempoClock.default;
+
+var secondPart =
+{
+ arg number_of_SinOscs = 10,
+ pitch_low = 200,
+ pitch_high = 800,
+ pause_length = 5;
+
+ var so = Array.new( number_of_SinOscs );
+
+ var when_to_stop = ( 1 + ( pause_length * number_of_SinOscs ) );
+
+ var func =
+ {
+ var freq = pitch_low + (pitch_high - pitch_low).rand;
+ [ SinOsc.ar( freq:freq, mul:0.01),
+ SinOsc.ar( freq:freq, mul:0.01) ];
+ };
+
+ number_of_SinOscs.do(
+ {
+ arg time;
+ t_c.sched( (1+(time*5)), { so = so.add( func.play ); } );
+ });
+
+ t_c.sched( when_to_stop,
+ {
+ number_of_SinOscs.do( { arg index; so[index].free; } );
+ nil;
+ });
+
+ when_to_stop;
+};
+</pre>
+ I decided to "invert" the "free-ing" of the SinOsc's. Rather than scheduling number_of_SinOscs Function-calls at some point in the future, I decided to schedule one thing: a "do" loop that does the work. The indentation looks strange, but sometimes there's not much you can do about that. The "when_to_stop" variable must be the last thing in the Function, so that the interpreter returns it to the Function's caller.
+ </div><div class="para">
+ In order to retain the "bare minimum" robustness to be used elsewhere, we can't rely on the "TempoClock.default" clock having the tempo we expect, and we certainly can't rely on it being declared as "t_c". The solution is quite easy: create a new TempoClock within the Function.
+<pre class="programlisting">var t_c = TempoClock.new; // default tempo is one beat per second</pre>
+ We could hypothetically use the "SystemClock", since we're measuring time strictly in seconds. But, using a TempoClock is preferred for two reasons:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ It has the word "tempo" in its name, and it's designed for scheduling musical events; the "SystemClock" is for system events.
+ </div></li><li class="listitem"><div class="para">
+ We can easily extend this in the future to use a "TempoClock" set to a different tempo.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ There are some further ways to improve this Function, making it more robust (meaning that it will work consistently in a greater range of circumstances). Here are things that could be done to improve the Function, with an explanation of why it would make the Function more robust:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Made the clock an argument, allowing this Function to schedule events on a clock belonging to some other Function. Since all clocks respond to the "sched" message, we could even accept the "SystemClock" or "AppClock". The default value would still be <code class="code">TempoClock.new</code>
+ </div></li><li class="listitem"><div class="para">
+ Use absolute scheduling rather than relative scheduling. Depending on how long the server and interpreter take to process the commands, it could lead to significant delays if the Function is asked to create a lot of SinOsc's.
+ </div></li><li class="listitem"><div class="para">
+ Create one SynthDef (with an argument) for all of the synths. Especially when asked to create a large numbe of SinOsc's, this will lead to faster processing and lower memory consumption. On the other hand, it increases the complexity of the code a little bit, requiring more testing.
+ </div></li><li class="listitem"><div class="para">
+ Each SinOsc is currently created with the same "mul" argument, regardless of how many SinOsc's are created. Set as it is, when asked to create 51 SinOsc's, the signal would become distorted. If you're puzzled about why 51, remember that for each SinOsc the Function is asked to create, it currently creates two: one for the left and one for the right audio channel.
+ </div></li><li class="listitem"><div class="para">
+ Allow the SynthDef to be passed in as an argument, with the requirement that such a SynthDef would need to accept the "freq" and "mul" arguments. This is going out on a limb a bit, and requires careful explanation in comments to ensure that the Function is used correctly. You will also need to test what happens if the Function is used incorrectly. Crashing the server application is a bad thing to do, especially without a warning.
+ </div></li><li class="listitem"><div class="para">
+ Use a Bus to cut the number of synths in half, so that one synth will be sent both to the left and right channels. Alternatively, you could add special stereo effects.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ As you can see, there are a lot of ways to improve this Function even further; there are almost certainly more ways than listed here. Before you distribute your Function, you would want to be sure to test it thoroughly, and add helpful comments so that the Function's users know how to make the Function do what they want. These are both large topics in themselves, so I won't give them any more attention here.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts">11.4.9. Joining the Two Parts</h3></div></div></div><div class="para">
+ Now it is time to join the two parts, and ensure a clean transition between them. My reasons for building the first part as a SynthDef, but the second part as a function are explained in the FSC_part_1.sc file. Additional reasons include my desire to illustrate the use of both possibilities, and because the second part stops itself (so it can be a function which is executed and forgotten), whereas the first part does not stop itself (so we'll need to hold onto the synth, to stop it ourselves).
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ I copy-and-pasted both parts into a new file, leaving the other original code in tact, in case I want to build on them in the future. Be sure to copy over the <code class="code">var t_c = TempoClock.default;</code> definition from the second part.
+ </div></li><li class="step"><div class="para">
+ By default, the two parts would both start playing at the same time (give it a try!) This isn't what we want, however, so you'll need to erase the "play" command from both parts' functions. We'll also need some way to refer to them, so declare the second part as a variable (I've used the name, "secondPart,"), but don't worry about the first part yet. Don't forget the semicolon at the end of the function declaration!
+ </div></li><li class="step"><div class="para">
+ To join the two parts, I'm going to use function that does all the scheduling. This is similar to a "main" function, which are used in most programming languages. Although they are optional in SuperCollider, it just makes sense to use one function that does all the scheduling, and nothing else: that way, when you have problems with the scheduling, or you want to make an adjustment or addition to the program, you can easily find the place where the scheduling happens. If your scheduling commands were spread out through the source file, it would be much more difficult to find and modify the scheduling commands.
+ </div></li><li class="step"><div class="para">
+ Our first job is to determine which variables we'll need to use: just one, which will be assigned the currently-running \FirstPart Synth. Also, if you didn't previously assign "TempoClock.default" to the variable "t_c", then it makes sense to do this now.
+ </div></li><li class="step"><div class="para">
+ The next thing our function must do is guarantee that we're going to have the right tempo. Use the "tempo_" Function with an argument in beats-per-second, to assign "TempoClock.default" a tempo of one beat per second.
+ </div></li><li class="step"><div class="para">
+ The next and last thing will be to schedule our sounds. First, we need to determine which events will need to be scheduled, and then at what times.
+ </div><ol class="a"><li class="step"><div class="para">
+ Since \FirstPart is a SynthDef, we'll need to start it and stop it ourselves. Since it happens two times in the intended program, we'll need to do it twice.
+ </div></li><li class="step"><div class="para">
+ secondPart is a Function, and it stops itself when it's finished. We'll need to start it once and let it go.
+ </div></li><li class="step"><div class="para">
+ Just in case something takes a while to process, we'll start the first \FirstPart on beat one, rather than beat zero. We'll let it play for 60 seconds the first time, and 30 seconds the second time.
+ </div></li><li class="step"><div class="para">
+ In order to schedule the second appearance of \FirstPart, we need to know how long secondPart will take. Let's inspect the function and calculate how many beats it will take.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 1 beat of silence at the beginning,
+ </div></li><li class="listitem"><div class="para">
+ 5 beats between the entrance of each SinOsc,
+ </div></li><li class="listitem"><div class="para">
+ 10 SinOsc's,
+ </div></li><li class="listitem"><div class="para">
+ 5 beats after the last SinOsc until the function stops.
+ </div></li><li class="listitem"><div class="para">
+ This gives us <code class="code">1 + ( 5 * 9 ) + 5 = 51</code>. Why <code class="code">5 * 9</code>? Because although there are ten SinOsc's, there are only nine spaces between them; the last five-second space happens <span class="emphasis"><em>after</em></span> the last <code class="classname">SinOsc</code>.
+ </div></li></ul></div>
+
+ </div></li><li class="step"><div class="para">
+ This gives us the following schedule:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 1 beat: start \FirstPart
+ </div></li><li class="listitem"><div class="para">
+ 61 beats: stop \FirstPart
+ </div></li><li class="listitem"><div class="para">
+ 61 beats: start secondPart
+ </div></li><li class="listitem"><div class="para">
+ 113 beats: start \FirstPart
+ </div></li><li class="listitem"><div class="para">
+ 143 beats: stop \FirstPart
+ </div></li></ul></div>
+
+ </div></li></ol></li><li class="step"><div class="para">
+ Try to schedule the events for yourself, then test your program to make sure that it works as you intended. Here's what I wrote:
+<pre class="programlisting">
+t_c.sched( 1, { sound = Synth.new( \FirstPart ); } );
+t_c.sched( 61, { sound.free; } );
+t_c.sched( 61, { secondPart.value; nil; } );
+t_c.sched( 113, { sound = Synth.new( \FirstPart ); } );
+t_c.sched( 143, { sound.free; } );
+</pre>
+ Why is the "nil" required after "secondPart"? Because that function returns a number. As you know, any scheduled function which returns a number will re-schedule itself to run that many beats after the previous execution began. Since "secondPart" returns the number of seconds it takes to finish, it will always be re-started as soon as it finishes. Including "nil" disallows this repetition.
+ </div></li></ol></div></div></div><div xml:lang="ja-JP" class="section" id="sect-Musicians_Guide-SuperCollider-Exporting" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-SuperCollider-Exporting">11.5. Exporting Sound Files</h2></div></div></div><div class="para">
+ This section explains one way to record your SuperCollider programs, so that you can share them with friends who don't have SuperCollider on their computer.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Non_Real_Time_Synthesis"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Non_Real_Time_Synthesis">11.5.1. Non-Real-Time Synthesis</h3></div></div></div><div class="para">
+ SuperCollider allows you to synthesze audio output to an audio file. Doing this requires using OSC commands on the server, the <code class="classname">DiskOut</code> UGen, the <code class="classname">Buffer</code> UGen, and other relatively advanced concepts. The built-in <em class="citetitle">DiskOut</em> help file, available from <a href="file:///usr/share/SuperCollider/Help/UGens/Playback%20and%20Recording/DiskOut.html">file:///usr/share/SuperCollider/Help/UGens/Playback%20and%20Recording/DiskOut.html</a> on Fedora Linux systems, contains some help with the <code class="classname">DiskOut</code> UGen, and links to other useful help files. This method is not further discussed here.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Recording_SuperColliders_Output"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Recording_SuperColliders_Output">11.5.2. Recording SuperCollider's Output (Tutorial)</h3></div></div></div><div class="para">
+ Since <code class="systemitem">SuperCollider</code> outputs its audio signals to the JACK sound server, any other <code class="systemitem">JACK</code>-aware program has the opportunity to record, process, and use them. This portion of the tutorial will help you to record SuperCollider's output in Ardour. Due to the advanced nature of SuperCollider, the text assumes that you have a basic knowledge of how to work with Ardour. If not, you may find it helpful to refer to <a class="xref" href="#chap-Musicians_Guide-Ardour">7章<em>Ardour</em></a>.
+ </div><div class="para">
+ This procedure will help you to use <span class="application"><strong>Ardour</strong></span> to record the <span class="application"><strong>SuperCollider</strong></span> output.
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ Close unnecessary applications and stop unnecessary processes, which will help to reduce the risk of a buffer overrun or underrun, which cause an audible break in audio. If you are viewing this document in a web browser, you may want to copy-and-paste it into a simple text editor, or <span class="application"><strong>GEdit</strong></span>, if you are already using that.
+ </div></li><li class="step"><div class="para">
+ Use <span class="application"><strong>QjackCtl</strong></span> to set up <code class="systemitem">JACK</code> with the right audio interface and configuration options.
+ </div></li><li class="step"><div class="para">
+ In order to get a clean start, restart the <span class="application"><strong>SuperCollider</strong></span> interpreter in <span class="application"><strong>GEdit</strong></span>, then start the server.
+ </div></li><li class="step"><div class="para">
+ Open <span class="application"><strong>Ardour</strong></span> with a new session, and set up the rulers and timeline as desired. Seconds is usually the most appropriate unit with which to measure a <span class="application"><strong>SuperCollider</strong></span> recording.
+ </div></li><li class="step"><div class="para">
+ Add a stereo track (or however many channels desired), and rename it it "SuperCollider."
+ </div></li><li class="step"><div class="para">
+ Use Ardour (the "Track/Bus Inspector" window) or <span class="application"><strong>QjackCtl</strong></span> to connect the "SuperCollider" track to SuperCollider's outputs.
+ </div></li><li class="step"><div class="para">
+ You'll want to make sure that the <span class="application"><strong>SuperCollider</strong></span> output is also connected to your audio interface, so that you can hear the program as you progress. This is an example of multi-plexing. Changes to your audio interface's volume control will not affect the recording in Ardour.
+ </div></li><li class="step"><div class="para">
+ Arm the track and transport in <span class="application"><strong>Ardour</strong></span>. When you are ready, start the transport. It is not important to start SuperCollider as quickly as possible, since you can cut out the silence after the recording is made.
+ </div></li><li class="step"><div class="para">
+ Switch to <span class="application"><strong>GEdit</strong></span> and play the program that you want to record. If you make a mistake while starting the program, that's okay. We can always edit the recording after it's recorded.
+ </div></li><li class="step"><div class="para">
+ Listen to the recording as it goes along. Use <span class="application"><strong>QjackCtl</strong></span> to make sure that you don't encounter a buffer underrun, and <span class="application"><strong>Ardour</strong></span> to make sure that you do not record a distorted signal.
+ </div></li><li class="step"><div class="para">
+ When <span class="application"><strong>SuperCollider</strong></span> has finished playing your program, switch to <span class="application"><strong>Ardour</strong></span>, and stop the transport.
+ </div></li><li class="step"><div class="para">
+ When you are ready to export, use the <span class="application"><strong>Ardour</strong></span> menu. <span class="guimenu"><strong>Choose Session</strong></span> → <span class="guisubmenu"><strong>Export</strong></span> → <span class="guimenuitem"><strong>Export session to audio file</strong></span>
+ </div></li><li class="step"><div class="para">
+ The audio file will be created in the "export" sub-directory of the session's directory.
+ </div></li></ol></div></div></div></div><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-LilyPond" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第12章 <span class="application"><strong>LilyPond</strong></span></h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-How_LilyPond_Works">12.1. <span class="application"><strong>LilyPond</strong></span> がいかに動作するか</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-The_LilyPond_Approach">12.2. <span class="application"><strong>LilyPond</strong></span> アプローチ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Installation">12.3. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Installation-Frescobaldi">12.3.1. Frescobaldi について</a></span></dt><dt><span class="section"><a href="#sect-
Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation">12.3.2. 要件とインストール (<span class="application"><strong>Frescobaldi</strong></span> のため)</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Configure_Frescobaldi">12.4. <span class="application"><strong>Frescobaldi</strong></span> の設定</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax">12.5. <span class="application"><strong>LilyPond</strong></span> の基本</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Letters_Are_Pitches">12.5.1. 文字は音程</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations">12.5.2. 数字は長さ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Articulations">12.5.3. アーティキュレーション、表情記号</a></span></dt><dt><spa
n class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Simultaneity">12.5.4. 同時性</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Chords">12.5.5. 和音</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Commands">12.5.6. コマンド</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Source_Files">12.5.7. ソースファイルとそのフォーマット</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors">12.5.8. 誤りを避けるには</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint">12.6. 対位法の課題をする（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Tutorial_Files">12.6.1. チュートリアルのためのファイル</a></span></dt><dt><span cl
ass="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score">12.6.2. 楽譜を開始する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output">12.6.3. Frescobaldi の出力を調整する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Inputting">12.6.4. 音符を入力する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score">12.6.5. 楽譜をフォーマットする</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra">12.7. オーケストラスコアの作業（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra-Tutorial_Files">12.7.1. チュートリアルのためのファイル</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Gu
ide-LilyPond-Orchestra-Starting_the_Score">12.7.2. スコアを開始する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output">12.7.3. Frescobaldi の出力を調整する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Orchestra-Inputting">12.7.4. 音符を入力する</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano">12.8. ピアノソナタの作業（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Tutorial_Files">12.8.1. チュートリアルのためのファイル</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score">12.8.2. 楽譜を開始する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output">12.8.3. Frescobaldi の出力を調
整する</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Inputting">12.8.4. Input Notes</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors">12.8.5. Troubleshoot Errors</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-LilyPond-Piano-Formatting">12.8.6. Format the Score (Piano Dynamics)</a></span></dt></dl></dd></dl></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> は、見た目が素晴らしい楽譜を作ることができる楽譜作成プログラムです。<span class="application"><strong>LilyPond</strong></span> のテキストファイルは、楽譜の意味を記述し、楽譜の見た目の詳細は含んでいません。人気のあるプロプライエタリな楽譜作成アプリケーションは、楽譜の見た目を表現します。ビジュアルな楽譜作成アプリケーションのユーザは、常に、楽譜がどう見えるか、気にし続けないといけません。<span class="application"><strong>LilyPond</strong></span> のユーザは、楽譜の意味だけを気にすればよいです。というのも、<span class="application"><strong>LilyPond</strong></span> が自動的に、素晴らしい結果を生成するからです。
+ </div><div class="para">
+ ここで <span class="application"><strong>LilyPond</strong></span> が登場します。ユーザーは楽譜がどうなるかは気にする必要がありません。というのも、<span class="application"><strong>LilyPond</strong></span> の巧妙に作られたメソッドが楽譜の上のオブジェクトをきれいに見えて、しかも読みやすく、自動的に構成してくれるからです。<span class="application"><strong>LilyPond</strong></span> のユーザーは、楽譜が <span class="emphasis"><em> いかに </em></span> 表示されるかではなく、表示したい <span class="emphasis"><em> そのもの </em></span> に集中します。
+ </div><div class="para">
+ すべてのアプローチにいえることですが、<span class="application"><strong>LilyPond</strong></span> のアプローチがすべての人に適するわけではありません。しかし、あなたがこのソフトウエアで作業することに慣れ、問題に対処し、ご自分の楽譜のソースファイルを編成するための方式を学んだならば、きっとあなたは <span class="application"><strong>LilyPond</strong></span> が今までの商用の音楽記譜プログラムよりもずっと速く、かつずっと柔軟であることがわかるでしょう。
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> を使えば、以下が可能です：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 楽譜を LaTeX あるいは HTML 文書にする。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>ooolilypond</strong></span> プログラムを使って、楽譜を <span class="application"><strong>LibreOffice</strong></span> 文書にする。
+ </div></li><li class="listitem"><div class="para">
+ すべての主なオペレーティングシステムで使える。
+ </div></li><li class="listitem"><div class="para">
+ 大きな作品のパート別あるいは全体の楽譜を管理できる。
+ </div></li><li class="listitem"><div class="para">
+ Scheme プログラム言語を使って新しい音楽記号を作成できる。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ユーザーを助けて、テキストベースのアプローチからくる初期学習の困難さをより早く克服するのが、このガイドの目的です。<span class="application"><strong>Frescobaldi</strong></span> テキストエディタのようなツールを使うことで、生産性を上げ、トラブルシュートを容易にし、そしてテキストベースのアプローチにまつわる記憶力の負荷を減らすことができるでしょう。
+ </div><div class="section" id="sect-Musicians_Guide-LilyPond-How_LilyPond_Works"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-How_LilyPond_Works">12.1. <span class="application"><strong>LilyPond</strong></span> がいかに動作するか</h2></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> を自動車の修理工と思ってください。あなたの車がこわれたとき、修理工はどの工具を使うかわかります。あなたは自分で工具を買って車をなおすこともできますが、修理工は専門家です。使う工具を知り、工具をいかに用意するか知り、あなたより速く車をなおすにはどうするかわかっています。<span class="application"><strong>LilyPond</strong></span> はあなたも自分で使うことのできるプログラムをたくさん使います。しかし <span class="application"><strong>LilyPond</strong></span> は専門家なので、使うプログラム、使う設定を知っています。そして最も大事なことに、<span class="application"><strong>LilyPond</strong></span> はあなたが直接それらのプログラムを使うより、ずっと少ない時間でできるのです。
+ </div><div class="para">
+ 我々は <span class="application"><strong>LilyPond</strong></span> に、特別な形式のテキストファイルで命令を与えます。<span class="application"><strong>LilyPond</strong></span> の入力ファイルは記譜する音楽を記述します。<span class="application"><strong>LilyPond</strong></span> が音楽がどう見えるかを決定して、出力ファイルを作成します。入力ファイルには、音楽がどう見えるかについての指示は含まれません。ときには、あなたは出力ファイルがどう見えるかを調整しなくてはいけないでしょう。そのために <span class="application"><strong>LilyPond</strong></span> はその内部的なツールの設定を変更する手段を提供します。
+ </div></div><div class="section" id="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach">12.2. <span class="application"><strong>LilyPond</strong></span> アプローチ</h2></div></div></div><div class="para">
+ 以下のセクションの完全な説明は、<a href="http://www.lilypond.org/about/automated-engraving/">http://www.lilypond.org/about/automated-engraving/</a> の <em class="citetitle"><span class="application"><strong>LilyPond</strong></span> Website</em> を参照ください。以下の内容もそこから得られたものです。
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> は、楽譜作成を、２つの部分に分割します。何を置くか、そして、どこに置くかです。<span class="application"><strong>LilyPond</strong></span> ユーザは、<span class="emphasis"><em>どんな</em></span>記譜記号を置くかを決めます。しかし、それを<span class="emphasis"><em>どこに</em></span>置くかを決めるのは、<span class="application"><strong>LilyPond</strong></span> 自身です。<span class="application"><strong>LilyPond</strong></span> は、それぞれの記譜記号をどこに置くかを、プラグインを使って決めます。<span class="application"><strong>LilyPond</strong></span> のプラグインは、特別な記譜記号に働く、特別のツールのようなものです。
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> は、すべての音楽記号の可能な配置を得るために、いくつかのプラグインを使います。そして、<span class="application"><strong>LilyPond</strong></span> は、すべての音楽記号の最適な配置を決めるために、別のプラグインを使います。このプラグインは、それぞれの配置の可能性ごとに、美的な理想にどのくらい近づけたかを示す点数を付けます。最高の点数がついた配置が、楽譜として出力されます。
+ </div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-Installation">12.3. 要件とインストール</h2></div></div></div><div class="para">
+ <span class="application"><strong>PackageKit</strong></span> あるいは <span class="application"><strong>KPackageKit</strong></span> を使って <code class="literal">lilypond</code> パッケージをインストールします。依存関係をよく見てください。<code class="literal">lilypond-*-fonts</code> と呼ばれる多くのパッケージがインストールされます。
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> をコマンドラインから使うことができます。ターミナルで、<code class="command">lilypond <em class="replaceable"><code>input_file.ly</code></em></code> を実行します。
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span>と一緒に、<span class="application"><strong>Frescobaldi</strong></span> テキストエディタを使うことをお勧めします。それは <span class="application"><strong>LilyPond</strong></span> 専用の多くの機能があります。
+ </div><div class="section" id="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi">12.3.1. Frescobaldi について</h3></div></div></div><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> は、<span class="application"><strong>LilyPond</strong></span> ソースファイル のための進んだテキストエディタです。<span class="application"><strong>Frescobaldi</strong></span> のユーザインタフェースは、<span class="application"><strong>LilyPond</strong></span> で楽譜を作成したり編集したりする作業を簡単にします。以下は、<span class="application"><strong>Frescobaldi</strong></span> の利点のいくつかです。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> のテキスト編集コンポーネント、PDF プレビューコンポーネント、そしてヘルプファイルビューアは、あなたが既にご存知の一般的なアプリケーションと同じです(<span class="application"><strong>Kate</strong></span>/<span class="application"><strong>KWrite</strong></span>, <span class="application"><strong>Okular</strong></span>, そして <span class="application"><strong>Konqueror</strong></span>)。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> のユーザインタフェースでは、<span class="application"><strong>LilyPond</strong></span> ソースファイルと、ＰＤＦ出力あるいは <span class="application"><strong>LilyPond</strong></span> ヘルプ文書のいずれかが同時に表示されます。
+ </div></li><li class="listitem"><div class="para">
+ "Setup new score"ツールを使えば、新しい楽譜をすばやく作成できます。"Setup new score"ツールは、いくつかの進んだカスタマイズ機能を提供します。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> ウインドウの左側の "Quick Insert"サイドバーから、アーティキュレーション、トリル、そして他の音楽記号を入れることができます。<span class="application"><strong>Frescobaldi</strong></span> があなたの代わりに正しいコマンドを覚えてくれているので、あなたは <span class="application"><strong>LilyPond</strong></span> レファレンスファイルを参照する必要がありません。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> の <span class="guimenu"><strong>LilyPond</strong></span> メニューは、楽譜ファイルを調整したりトラブルシュートするための多くのツールを提供します。
+ </div></li><li class="listitem"><div class="para">
+ 音符を MIDI キーボードから入れたり、<span class="application"><strong>LilyPond</strong></span> 楽譜の MIDI 出力を聴いたり、そして楽譜の PDF ファイルを印刷したり、ということも、<span class="application"><strong>Frescobaldi</strong></span> の中から行うことができます。
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation">12.3.2. 要件とインストール (<span class="application"><strong>Frescobaldi</strong></span> のため)</h3></div></div></div><div class="para">
+ <span class="application"><strong>PackageKit</strong></span> あるいは <span class="application"><strong>KPackageKit</strong></span> で <span class="package">frescobaldi</span> パッケージをインストールください。インストールを承認する前に、依存関係をよく見て下さい。<span class="application"><strong>Frescobaldi</strong></span> は、他のたくさんのパッケージに依存します。例えば、
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">perl-<em class="replaceable"><code>*</code></em></span> パッケージ、
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">kde-<em class="replaceable"><code>*</code></em></span> パッケージ、
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>timidity++</strong></span>、そして
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">fluid-soundfont-gm</span> （これは、１１４ MB あります。）
+ </div></li></ul></div>
+
+ </div><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> は、<span class="guimenu"><strong>Applications</strong></span> メニューの <span class="guisubmenu"><strong>Multimedia</strong></span> サブメユーから実行できます。
+ </div></div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Configure_Frescobaldi"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-Configure_Frescobaldi">12.4. <span class="application"><strong>Frescobaldi</strong></span> の設定</h2></div></div></div><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> は、設定なしに、そのまま、使うことができます。アプリケーションをより簡単に使うことができるように、以下の設定をチェックすることをお勧めします。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> メニューから、 <span class="guimenu"><strong>Settings</strong></span> → <span class="guimenuitem"><strong>Configure Frescobaldi</strong></span> を選択します。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> を実行する前に、<span class="application"><strong>Frescobaldi</strong></span> が自動的に楽譜をセーブすることを望むならば、'General Preferences' の、'Save document when LilyPond is run' をチェックします。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> が使うアプリケーションを変えたいときは、<span class="guibutton"><strong>Paths</strong></span> を選択します。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="note"><div class="admonition_header"><h2>注記</h2></div><div class="admonition"><div class="para">
+ すべてのフィールドをうめる必要はありません。
+ </div></div></div></li><li class="listitem"><div class="para">
+ GNOME ユーザーは "PDF Viewer"を <code class="command">evince</code> にするのがよいでしょう。<span class="application"><strong>Frescobaldi</strong></span> は、<span class="guibutton"><strong>Open PDF</strong></span> が選択されたときに、 <span class="application"><strong>Evince</strong></span> を使います。<span class="guibutton"><strong>Open PDF</strong></span> ボタンは、楽譜を作成しないと見えません。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> の MIDI ファイルを演奏するには、"MIDI Player"フィールドを設定します。MIDI ファイルをサウンドファイルに変換するには、<span class="application"><strong>timidity++</strong></span> が使えます。<span class="application"><strong>pmidi</strong></span> を使うこともできます。(Planet CCRMA at Home リポジトリより。詳しくは、 <a class="xref" href="#chap-Musicians_Guide-Planet_CCRMA_at_Home">4章<em>Planet CCRMA at Home</em></a> を参照。)ターミナルを開いて、<span class="application"><strong>timidity++</strong></span> や <span class="application"><strong>pmidi</strong></span> の<span class="application"><strong>man</strong></span> ヘルプページを見て下さい。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> が必要なときに、<span class="application"><strong>LilyPond</strong></span> ヘルプファイルをダウンロードするのをやめるには：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">lilypond-doc</span> パッケージをインストールします。このパッケージは、ダウンロードにかなり時間がかかります。
+ </div></li><li class="listitem"><div class="para">
+ "LilyPond documentation" フィールドに、<code class="filename">/usr/share/doc/lilypond-doc-<em class="replaceable"><code>2.14.2</code></em>/index.html</code> と書きます。
+ </div></li><li class="listitem"><div class="para">
+ このパスは、 <span class="application"><strong>LilyPond</strong></span> を更新したら更新する必要があります。デフォルトで、<span class="application"><strong>PackageKit</strong></span> はそれぞれの更新では、変更されたドキュメントだけをダウンロードします。なので、最初のインストールだけ、長い時間がかかります。
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div></li><li class="step"><div class="para">
+ "Editor Component"のオプションは、<span class="application"><strong>KWrite</strong></span> や <span class="application"><strong>Kate</strong></span> のそれと同じです。<span class="application"><strong>Frescboaldi</strong></span> の設定を変えても、<span class="application"><strong>KWrite</strong></span> や <span class="application"><strong>Kate</strong></span> の設定は、<span class="emphasis"><em>変わりません</em></span>。
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 自動補完はオフにするのをお勧めします。 <span class="guibutton"><strong>Editing</strong></span> コンポーネント、そして<span class="guibutton"><strong>Auto Completion</strong></span> タブを選択して、チェックボックスがチェックされていないことを確認下さい。
+ </div></li><li class="listitem"><div class="para">
+ ここで他の設定を変えてもよいです。高度に柔軟、カスタマイズ可能、パワフル。Frescobaldi にだけ適用されます。
+ </div></li></ul></div></li></ol></div></div><div xml:lang="ja-JP" class="section" id="sect-Musicians_Guide-LilyPond-Syntax" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-Syntax">12.5. <span class="application"><strong>LilyPond</strong></span> の基本</h2></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> ファイルのシンタックスは、すべての音楽状況において、最大の柔軟性を提供します。あなたは何度も、最初は複雑すぎると思われた機能が、実は、複雑な問題を解くためのとてもパワフルでシンプルな方法であり、それは市販のプログラムでは不可能だということに気がつくでしょう。
+ </div><div class="section" id="sect-Musicians_Guide-LilyPond-Syntax-Letters_Are_Pitches"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Letters_Are_Pitches">12.5.1. 文字は音程</h3></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> ソースファイルでは、１文字が、１つの音を表します。音の長さ、表情記号、そして他の属性を変えるために、その他の文字、数字、記号を使います。
+ </div><div class="para">
+ 音符で"シャープ "と "フラット "を指定するには、デフォルトの方法を使うのをお勧めします。シャープには "is" をつけ、フラットには "es" をつけます。以下のコマンドは「 b フラット、b、b シャープ」のことです： <code class="code">bes b bis </code>
+ </div><div class="para">
+ "isis" と "eses" は、ダブルシャープとダブルフラットのことです。以下のコマンドは、「b ダブルフラット、b 、b ダブルシャープ」のことです。 <code class="code">beses b bisis</code>.
+ </div><div class="para">
+ "Is" と "es" は、"シャープ "と "フラット "を意味するドイツ語です。<span class="application"><strong>LilyPond</strong></span> は、英語名を理解することもできます。 <code class="code">bflat b bsharp</code>ドイツ語の方が速いので、こちらを使うのをお勧めします。
+ </div><div class="para">
+ 音程の入力は絶対的に行うことも、前の音からの相対位置で行うこともできます。通常、（大きな飛びがあまりない音楽では） "相対 "モードを使うほうが便利です。<code class="literal">,</code> と <code class="literal">'</code> 記号（コンマとアポストロフィ）は、音域を指定するのに使われます。
+ </div><div class="para">
+ 絶対音程を入力するときは、音域は、ほぼヘルムホルツシステム（ <a href="http://en.wikipedia.org/wiki/Helmholtz_pitch_notation">http://en.wikipedia.org/wiki/Helmholtz_pitch_notation</a> の <em class="citetitle">Helmholtz Pitch Notation (Wikipedia)</em> を参照。）に従って指定されます：オクターブは "C"音程で始まり、１１音高いところ、"B"音程で終わります。"middle C"の下のオクターブ（ scientific pitch notation で、オクターブ３、<a href="http://en.wikipedia.org/wiki/Scientific_pitch_notation Scientific Pitch Notation">http://en.wikipedia.org/wiki/Scientific_pitch_notation Scientific Pitch Notation</a> ã® <em class="citetitle">Scientific Pitch Notation (Wikipedia)</em> ã‚’å‚照）ã¯ã‚³ãƒ³ãƒžã‚‚ã‚¢ãƒã‚¹ãƒˆãƒãƒ•ã‚£ã‚‚ã¤ã„ã¦ã„ã¾ã›ã‚“。"middle C"ã‹ã‚‰å§‹ã¾ã‚‹ã‚ªã‚¯ã‚¿ãƒ¼ãƒ–（オクターブ４）ã¯ã€ï¼‘ã¤ã®ã‚¢ãƒã‚¹ãƒˆãƒãƒ•ã‚£ãŒã¤ãã¾ã™ã€‚ãã®ä¸Šã®ã‚ªã‚¯ã‚¿ãƒ¼ãƒ–ï
¼ˆã‚ªã‚¯ã‚¿ãƒ¼ãƒ–５）ã¯ï¼’ã¤ã®ã‚¢ãƒã‚¹ãƒˆãƒãƒ•ã‚£ãŒã¤ãã€ã¨ç¶šãã¾ã™ã€‚通常ã¯ã€<span class="application"><strong>LilyPond</strong></span> ã§ã“れをã©ã†ä½¿ã†ã‹ç†è§£ã—ãŸã‚Šã€ãã‚Œã‚’ç´ æ—©ã使ãˆã‚‹ã‚ˆã†ã«ãªã‚‹ã“ã¨ã¯å¿…è¦ã§ã¯ã‚ã‚Šã¾ã›ã‚“。ãªãœãªã‚‰ã°ã€ã»ã¨ã‚“ã©ã®æ¥½èœã¯ "相対モード "を使ã†ã‹ã‚‰ã§ã™ã€‚
+ </div><div class="para">
+ 前の音符に相対的に音符を入力するとき、コンマとアポストロフィで音域を指定することもできますが、通常は、どちらも使われません。この入力モードでは、それぞれの音符のオクターブは前の音符のオクターブをもとに推測されます。このように考えてください；次の音符は常に、最小の音程差になるように置かれます。例えば、C の後で E を置くと、それは長３度、短６度、長１０度、短１３度、などに置くことができます。<span class="application"><strong>LilyPond</strong></span> は、相対モードでは、常に "長３度 "を選びます。もしあなたが、<span class="application"><strong>LilyPond</strong></span> が E を短６度に置くことを望むなら、あなたは <span class="application"><strong>LilyPond</strong></span> に、コンマを加えて指示をします： <code class="code">c e,</co
de> こうすれば、<span class="application"><strong>LilyPond</strong></span> はあなたの意図がわかります。同じように、<code class="code">c aes</code> （ C そして、A フラットの意味）を入力すると、A フラットは C から長３度に置かれます。もしあなたが、<span class="application"><strong>LilyPond</strong></span> に A フラットを C より短６度高く置いてほしいならアポストロフィを加えて、<code class="code">c aes'</code> としてください。
+ </div><div class="para">
+ この方法の唯一の曖昧な点は、トライトーンのときです。<span class="application"><strong>LilyPond</strong></span> は "トライトーン "それ自身は認識しないものとして、それらを "増４度 "あるいは "減５度 "として扱うことで曖昧さを解決します。<span class="application"><strong>LilyPond</strong></span> は、（コンマかアポストロフィで指示されないときは、）音程を増４度として記譜します。
+ </div><div class="para">
+ シャープとフラットは、五線譜の最初の調号で指定があるときでも、常に指定しなくてはいけません。これは、最終的には、誤りの数を減らすのに役に立ちます。
+ </div><div class="para">
+ 音程を示すのに使われる文字は、常に小文字です。
+ </div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations">12.5.2. 数字は長さ</h3></div></div></div><div class="para">
+ 文字に付与された数字は、<span class="application"><strong>LilyPond</strong></span> により、その音符の音の長さを示すと解釈されます。全音符は１で、それ以外の長さは、音の占める全音符の割合を示す数字で表されます：２分音符は２（ "1/2 音符 "ですから）。４分音符は４ ("1/4 音符 ") ８分音符は８ ("1/8 音符 ") など、です。
+ </div><div class="para">
+ 音符に "ドット "を加える（その長さを、１／２、長くする）には、数字の後にピリオドを加えればよいです。例えば、<code class="literal">e4.</code> は、"E の付点４分音符 "の意味です。
+ </div><div class="para">
+ １つの音符から次の音符にタイを加える（音符の長さを小節線をまたがって続けるため）には、音程と長さの後にチルド（ <code class="literal">~</code> ）を加えます。
+ </div><div class="para">
+ 長さを指定した後は、別の指示があるまで、すべての続く音符は同じ長さを持つものとされます。
+ </div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Syntax-Articulations"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Articulations">12.5.3. アーティキュレーション、表情記号</h3></div></div></div><div class="para">
+ 多くの異なる記号が、<span class="application"><strong>LilyPond</strong></span> に、音符に表情記号を加えるために使われます。それは、すべて、音程と（もしあれば）長さの後に付加されます。多くは、位置の指定も持ちます。
+ </div><div class="para">
+ 表情記号の完全なリストは <span class="application"><strong>LilyPond</strong></span> マニュアルにあり、<span class="application"><strong>Frescobaldi</strong></span> はあなたのためにそのほとんどを記憶しています。（左側のパネルにあります。）
+ </div><div class="para">
+ 以下に、よく使われるいくつかの表情記号をあげます。特に指定がないときは、位置の指定も必要です。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="literal">(</code> は、スラーを開始します。（位置の指定はありません。）
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">)</code> は、スラーを終了します。（位置の指定はありません。）
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">~</code> はタイを開始します。（終了は必要ありません。位置の指定はありません。）
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">.</code> はスタッカートマークです。
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">></code> は、"アクセント "です。
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">-</code> は "テヌート "マークです。
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">^</code> は "マルカート "マークです。
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">_</code> は、"ポルタート "マークです。（ドットと下線）
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ３つの位置指定子があります：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="literal">-</code> は、<span class="application"><strong>LilyPond</strong></span> が妥当と判断したところにどこでも、表情記号を入れることを意味します。
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">_</code> は、表情記号を音符の玉の <span class="emphasis"><em> 下 </em></span> に入れることを意味します。
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">^</code> は、表情記号を音符の玉の <span class="emphasis"><em> 上 </em></span> に入れることを意味します。
+ </div></li></ul></div>
+ ３つの位置指定子は、ときには、このような音符になることがあります： <code class="code">g4--</code>, <code class="code">g4__</code>, そして <code class="code">g4^^</code>。これは正しくないように見えるかもしれませんが、完全に受け付けられる表記です。訳注：ハイフン２つはテヌートの任意位置、ということ。
+ </div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Syntax-Simultaneity"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Simultaneity">12.5.4. 同時性</h3></div></div></div><div class="para">
+ 単純に言うと、<code class="literal"><<</code> と <code class="literal">>></code> の間に囲まれたものはすべて、<span class="application"><strong>LilyPond</strong></span> によって、同時に起きるものと解釈されます。これはいかなる状況でも（そしていかなるコンテキスト、以下を参照、でも）使えます。<span class="application"><strong>LilyPond</strong></span> に、同じ声部において、２つの音が同時に鳴る（和音になります）ように指示したり、１つの五線譜において同時に演奏される（ポリフォニーになります）ように指示したりできます。さらに、複数の譜表からなる総譜では、<code class="literal"><<</code> と <code class="literal">>></code> を使って、各パートが同時に始まるべきであることを <span class="application"><strong>LilyPond</strong></span> に指示するでしょう
。<code class="literal"><<</code> と <code class="literal">>></code> を創造的に使うことは、進んだ記譜のための１つの鍵となります。
+ </div><div class="para">
+ 最初は、同時性を理解することは重要ではありません。<span class="application"><strong>Frescobaldi</strong></span> があなたに代わってどのように楽譜を作成するか、そして、インターネット上の例がこれらの記号をどのように使っているかを観察することで、あなたはいずれその使い方を理解するでしょう。
+ </div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Syntax-Chords"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Chords">12.5.5. 和音</h3></div></div></div><div class="para">
+ <code class="literal"><<</code> と <code class="literal">>></code> で同時性を指定するというルールに従って、<span class="application"><strong>LilyPond</strong></span> は、<code class="literal"><<</code> と <code class="literal">>></code> の間に複数の音程があると、それらを和音を構成するものだと認識します。１つの和音を１つの <code class="literal">< ></code> かっこで表すことは、２つの利点があります。１つは、それらが和音であって、何か他のもっと複雑なものではないということが簡単に分かることです。２つめは、情報をよりはっきりと入力できることです。
+ </div><div class="para">
+ 以下の例を見てください。どちらも同じ出力を得るはずです： <code class="code"><<g'4->-5 b d>></code> と <code class="code"><g' b d>4->-5</code>。最初の例では、和音を構成する音、長さ、そして <code class="literal">5</code> の意味を見分けるのは難しいです。２つめの例では、和音は <code class="literal">G</code>、<code class="literal">B</code>、そして <code class="literal">D</code> であり、４分音符であり、<code class="literal">5</code> は実際には指使いの指定であることが簡単に分かります。
+ </div><div class="para">
+ 単純な和音を書き表すのに <code class="literal"><</code> と <code class="literal">></code> を使うもうひとつの利点があります。論理的な連続性が、"相対 "モードで保たれるということです。和音に続く音は、和音が何オクターブにわたっていたとしても、常に和音の最も低い音からの相対音程で表記されます。<code class="literal"><</code> と <code class="literal">></code> 表記ではそうではありません。その場合、続く音は、<code class="literal"><</code> と <code class="literal">></code> の中の最後の音からの相対音程で表記されます。
+ </div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Syntax-Commands"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Commands">12.5.6. コマンド</h3></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> では、幅広い種類のコマンドがあります。とてもシンプルなものも、複雑なものもあります。それらはすべて、バックスラッシュで始まり、次にコマンド名、最後に "引数 "、つまりあなたがコマンドにさせたいことについての詳しい情報からなります。音を指定するのに文字を使ったように、コマンドはあなたが <span class="application"><strong>LilyPond</strong></span> にあなたの楽譜をどのように展開させたいかを伝えるもうひとつの手段です。
+ </div><div class="para">
+ 例えば、<code class="code">\time 2/4</code> と <code class="code">\clef bass</code> は、とてもよく使われるだろう２つのコマンドです。それらはまさに、見たとおりの機能を持ちます： <code class="literal">\time</code> は拍子記号を変え、<code class="literal">\clef</code> は音部記号を変えます。この２つは、異なるコンテキストに属します（ <code class="literal">\time</code> は楽譜全体に有効ですが、<code class="literal">\clef</code> はただ１つの五線譜にだけ有効です。）。
+ </div><div class="para">
+ これらの基本的なコマンドとその入力をフォーマットする方法を覚えるだけでもしばらくかかるかもしれません。このときこそ、<span class="application"><strong>Frescobaldi</strong></span> の組み込みドキュメントビューアが役に立ちます。すべてのオフィシャルな <span class="application"><strong>LilyPond</strong></span> ドキュメントは <span class="application"><strong>Frescobaldi</strong></span> から見ることができます。そのため、あなたは、同じアプリケーションの同じウインドウで、ドキュメントを見ながら楽譜をなおすことが簡単にできるのです。
+ </div><div class="section" id="sect-Musicians_Guide-LilyPond-Syntax-Commands-Customization"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Commands-Customization">12.5.6.1. カスタマイズ</h4></div></div></div><div class="para">
+ 出力がとても特別で、<span class="application"><strong>LilyPond</strong></span> の標準シンタックスでは許されないために、カスタマイズしなくてはいけないということはまれです。初心者にとっては、既存の楽譜の見た目を正確に再現しようとすると、こういうことはよく起きます。<span class="application"><strong>LilyPond</strong></span> は、内容にフォーカスした、音楽を表現する方式を提供し、それは通常は、高度なカスタマイゼーションなしでも意味のある出力を生成することを思い出してください。カスタマイズが本当に必要か、迷ったときは、それはその楽譜から演奏される音楽を変えるのか、と自分に問いかけてください。
+ </div><div class="para">
+ 本当になんらかの設定のカスタマイズが必要なときは、以下の２点を覚えておいてください：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> のカスタマイズは、要求に比例して複雑になります。
+ </div></li><li class="listitem"><div class="para">
+ 最終的に、カスタマイズは、コマンドの形をとります。
+ </div></li></ol></div>
+
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> のヒントとトリックをインターネットで探すのは助け舟になるかもしれませんが、同時に必要以上に複雑な解決策となることもあります。ときには、これはインターネットに投稿される貧弱な回答の結果でもありますが、多くの場合、それは <span class="application"><strong>LilyPond</strong></span> 開発が常に進められており、定期的により優れた解決策が得られるようになっていくことの結果です。このため、最初にオフィシャルな <span class="application"><strong>LilyPond</strong></span> ドキュメントを探し、次に "<span class="application"><strong>LilyPond</strong></span> Snippet Repository" (LSR - リンクを入れること ) を探し、それから、グーグル、にすることをお勧めします。
+ </div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Syntax-Commands-Contexts"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Commands-Contexts">12.5.6.2. コンテキスト</h4></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> のもうひとつの側面で、初心者をしばしば混乱させるのは、コンテキスト、文脈の概念です。それはデフォルトの振る舞いを変えるための重要な概念です。<span class="application"><strong>LilyPond</strong></span> のすべてのものと同じく、それは完全に明らかです： "コンテキスト "は、"コンテキスト "という意味です。３つの主要なコンテキストは、"Voice"、"Staff"そして "Score"です。（訳注：声部、五線譜、総譜と訳しました。http://lilypond.web.fc2.com/ ã§ã¯ã€ãƒœã‚¤ã‚¹ã€èœã€Score ã¨è¨³ã—ã¦ãŠã‚‰ã‚Œã¾ã™ã€‚）ç·èœã®ä¸ã§èµ·ãã‚‹ã“ã¨ã¯ã™ã¹ã¦ã€ã‚³ãƒ³ãƒ†ã‚ストã®ä¸ã§èµ·ãã¾ã™ã€‚実ã«å˜ç´”ãªã“ã¨ã§ã™ã€‚ã™ã¹ã¦ã¯ã‚³ãƒ³ãƒ†ã‚ストã®ä¸ã§èµ·ãã‚‹ï¼ç·èœã®ä¸ã§èµ·ãã‚‹ã“ã¨ã¯ã™ã¹ã¦ã€ç·èœã‚³ãƒ³ãƒ†ã‚ストã§èµ·ãã€äº”ç·šèœã®ä¸Šã§èµ·ã
ã‚‹ã“ã¨ã¯ã™ã¹ã¦ã€äº”ç·šèœã‚³ãƒ³ãƒ†ã‚ストã§èµ·ãã€ãã—ã¦å£°éƒ¨ã§èµ·ãã‚‹ã“ã¨ã¯ã™ã¹ã¦ã€å£°éƒ¨ã‚³ãƒ³ãƒ†ã‚ストã§èµ·ãã‚‹ã®ã§ã™ã€‚
+ </div><div class="para">
+ 少しわかりやすくするために、３つの例をあげましょう。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 曲のタイトルはどこに属しますか？
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 総譜でしょうか。そうです。なので、それは総譜コンテキストに属します。
+ </div></li><li class="listitem"><div class="para">
+ それは、五線譜に属しますか？いいえ。なので、それは五線譜コンテキストには属しません。
+ </div></li><li class="listitem"><div class="para">
+ それは、声部に属しますか？いいえ。なぜなら、声部にあるためには、五線譜になくてはいけません。
+ </div></li></ul></div>
+ 曲のタイトルは、五線譜にも声部にも属さず、総譜に属しますから、私たちはそれは総譜コンテキストで起きる、と言います。
+ </div></li><li class="listitem"><div class="para">
+ 音部記号はどこに属しますか？
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ それは総譜に属しますか？はい。それは音符の一部ですから。
+ </div></li><li class="listitem"><div class="para">
+ それは五線譜に属しますか？はい。五線譜を離れて音部記号を置いても意味がありませんから。
+ </div></li><li class="listitem"><div class="para">
+ それは声部に属しますか？いいえ。それは特定の "ライン "や声部に関係したものではありませんから。
+ </div></li></ul></div>
+ 音部記号は普通は五線譜に属し、それぞれのラインの最初にあります。なので、それは五線譜のコンテキストで起きる、と言います。
+ </div></li><li class="listitem"><div class="para">
+ 音符の玉はどこに属しますか？
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ それは総譜に属しますか？はい。それは音符の一部ですから。
+ </div></li><li class="listitem"><div class="para">
+ それは五線譜に属しますか？はい。五線譜の加線、上や下にはみ出たところ、にあっても、音符は五線譜に置かれていなければ意味がありません。
+ </div></li><li class="listitem"><div class="para">
+ それは声部に属しますか？はい。１つの特定の音楽ラインは主に、音符の玉で示されますから。
+ </div></li></ul></div>
+ 音符の玉は、特定の声部に属しますから、それは声部コンテキストで起きる、と言います。
+ </div></li></ol></div>
+
+ </div><div class="para">
+ さらに理解を深めるため、以下を考えてください；
+ </div><div class="para">
+ 本当の世界と同じように、<span class="application"><strong>LilyPond</strong></span> のオブジェクトは潜在的には、どんなコンテキストにでも現れることができます。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ （ドアのとってのように）
+ </div></li><li class="listitem"><div class="para">
+ （バスの運転席に座っているバスの運転手のように）
+ </div></li><li class="listitem"><div class="para">
+ （スーパーマーケットで食料品を買っている人のように）
+ </div></li><li class="listitem"><div class="para">
+ （音符の玉の隣のフラット記号のように）
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ... コンテキストのいくつかは普通ではありませんが、意味はあります。...
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ （壁についたドアのとって。もし、壁がドアのように見えるように設計されたならば）
+ </div></li><li class="listitem"><div class="para">
+ （客席に座っているバスの運転手。もし、車庫に行くところならば。）
+ </div></li><li class="listitem"><div class="para">
+ （角のお店で食料品を買う人。もし、スーパーマーケットが閉まっているなら。）
+ </div></li><li class="listitem"><div class="para">
+ （文章のパラグラフについているフラット記号。もし、そのパラグラフがフラット記号のことを書いているなら。）
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ... そして、コンテキストのいくつかは意味を成しません。しかし、それでも起き得ます。...
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ （テレビについたドアのとって）
+ </div></li><li class="listitem"><div class="para">
+ （レストランでお客さんに給仕するバスの運転手）
+ </div></li><li class="listitem"><div class="para">
+ （政府機関のオフィスで食料品を買う人）
+ </div></li><li class="listitem"><div class="para">
+ （ページ番号のあるべきところ、総譜の上の角にあるフラット記号）
+ </div></li></ul></div>
+
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> の設計者は、このソフトウエアのすべての可能な使い方を考えるのは無理だと、賢明にも決定しました。このため、<span class="application"><strong>LilyPond</strong></span> はほとんどのコンテキストでほとんどの製版記号を使えるようにしました。さらに、コンテキストは他のコンテキストの中で起きることもできます。それは、もっともなことです。<code class="literal"> 声部 </code> コンテキストは、<code class="literal"> 五線譜 </code> に現れてこそ意味があり、<code class="literal"> 五線譜 </code> は <code class="literal"> 総譜 </code> にあってこそ意味があるのです。
+ </div><div class="para">
+ ですから、あるものがはたらくコンテキストを考えるとき、"これは、どのコンテキストに適用されるだろうか？ "と、自身に問いかけてください。連桁と音符の旗は１つの声部に現れます。臨時記号は五線譜全体に適用されます。そして速度標語は総譜全体に適用されます。この考えに慣れるのにはいくらかの注意深い考察が必要かもしれませんが、コンテキストはいずれは完全に意味のあるものと思えてくるでしょう。
+ </div></div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Syntax-Source_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Source_Files">12.5.7. ソースファイルとそのフォーマット</h3></div></div></div><div class="para">
+ ソースファイルは <span class="application"><strong>LilyPond</strong></span> にあなたが作成してほしい楽譜の内容を伝えるための指示が書かれたテキストファイルです。このファイルは、あなたが作成したいことの "源泉 "であるので、こう呼ばれます。プログラミング言語のときと同じように、このファイルの中のテキストは、"ソースコード "と呼ばれることが多いです。<span class="application"><strong>LilyPond</strong></span> を使うためにコードを編集しないといけないというのは、ぞっとするかもしれませんが、"コード "は、それが普通の英語（あるいは、何か他の、言語）でないことを示しているだけです。
+ </div><div class="para">
+ 特定のフォーマット、（タブ、空白、そして改行の配置）は、<span class="application"><strong>LilyPond</strong></span> でなくて、個々のユーザによって決められます。これは、あなたが他の人のフォーマットを見るときには頭の痛いことかもしれません。しかし、これはアプリケーションの柔軟さの１つのキーです。このガイドは、特定のフォーマットスタイルを使いますが、それは１人のユーザのスタイルに過ぎないと理解されるべきです。スタイルは、その人の経験と、その人が <span class="application"><strong>LilyPond</strong></span> でよく行う作業によって影響されるのです。
+ </div><div class="para">
+ あなたはいずれ、自分のやりたいことにあった、自分独自のスタイルをつくり上げるでしょう。そのとき、心においてほしいルールはただ１つです：ソースファイルの中で、一貫していること。ソースファイルが一貫した方法でプログラムされているならば、そのファイルを使いたいと思う人（未来のあなたかもしれません）は誰でも、それがどのように構成されているか簡単に判断できます。
+ </div><div class="section" id="sect-Musicians_Guide-"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-">12.5.7.1. ソースファイルの構成</h4></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> ファイルは、コマンドの連続として作られます。良いことか悪いことか、<span class="application"><strong>LilyPond</strong></span> インタプリタは、ソースファイルの構成に関しては、とても許容範囲が広いです。これは、<span class="application"><strong>Frescobaldi</strong></span> のような自動楽譜設定ツールを使うときには特に、どこに何を置くかについて、誤解をまねくことがあります。
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> ソースファイルの一般的な構成は、以下です：
+<pre class="programlisting">
+\version <em class="replaceable"><code>version_number</code></em>
+
+\header { <em class="replaceable"><code>things like title, composer, and so on</code></em> }
+
+\score
+{
+ \new Staff
+ {
+ <em class="replaceable"><code>notes go here</code></em>
+ }
+
+ \layout
+ {
+ }
+
+ <em class="replaceable"><code>and so on</code></em>
+}
+</pre>
+
+ </div><div class="para">
+ 誤解はここで生じます：柔軟性を最大にするために <span class="application"><strong>LilyPond</strong></span> はソースファイルがそれ自身のコマンドを作成するのを許します。これを聞くと、あなたは、「オーケー。私は高度なコマンドやらなにやらはいりません。私はこれを片付けて、フィナーレを使うから。」と思うかもしれません。そうする必要はありません。コマンドは簡単です！コマンドは、あなたが書いたものでも、<span class="application"><strong>LilyPond</strong></span> に含まれるものでも、テキスト置換の方法と考えてください。
+ </div><div class="para">
+ こんな風にはたらきます：
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ コマンドを "定義 "（作成）するには、<code class="code"><em class="replaceable"><code> コマンド名 </code></em> = { <em class="replaceable"><code> たくさんのコマンド </code></em> }</code> とします。
+ </div></li><li class="step"><div class="para">
+ そこより後で、どこでも、何度でも、好きなだけ、ソースファイルに <code class="code">\ コマンド名 </code> と書けばそのコマンドを使うことができます。<span class="application"><strong>LilyPond</strong></span> がテキストのその部分を処理するとき、あなたが定義のところに書いたものに置き換わります。
+ </div></li></ol></div><div class="para">
+ １−２のように簡単です！
+ </div><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> （そしてほとんどの <span class="application"><strong>LilyPond</strong></span> ユーザ）はこの機能を利用して、よく構成され、使いやすいソースファイルを作成します。
+ </div><div class="para">
+ これは、<span class="application"><strong>Frescobaldi</strong></span> があなたのために生成したかもしれない、良いテンプレートソースファイルです：
+<pre class="programlisting">
+\version "2.12.2"
+
+\header
+{
+ title = "Empty Example"
+}
+
+violin = \relative c''
+{
+ \key c \major
+ \time 4/4
+ % Music follows here.
+
+ <em class="replaceable"><code>Put your music here</code></em>
+}
+
+\score
+{
+ \new Staff \with
+ {
+ instrumentName = "Violin"
+ }
+ \violin
+ \layout { }
+}
+</pre>
+
+ </div><div class="para">
+ この例は多くの組み込みコマンド (<code class="literal">\relative</code> や <code class="literal">\key</code>) を使い、 <code class="literal">violin</code> コマンドを定義します。 <span class="application"><strong>Frescobaldi</strong></span> は、 <code class="literal">% Music follows here.</code> コメントを、そこに音符を入力するべき場所に入れます。あなたの音符は、 <code class="literal">violin</code> セクションに属することに注意ください。あなたは、 <code class="literal">violin</code> コマンドの部分を書くということです。
+ </div><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> は、バイオリンの音符を、 <code class="literal">\score</code> セクションから分離します。ソースファイルが読み易くなる為です。良い構成のソースファイルだと、誤りの修正も簡単です。以下のチュートリアルを終えると、あなたも、ソースファイルを構成するための三つの戦略がわかるでしょう。
+ </div><div class="para">
+ <code class="literal">\layout</code> セクションは、この例では空です。<code class="literal">\score</code> セクションと同じように、 <code class="literal">\layout</code> はコマンドです。 <code class="literal">\layout</code> コマンドは、 LilyPond に、楽譜を出力するように指示します。進んだユーザはときには、 <code class="literal">\layout</code> コマンドを削除することもありますが、ほとんどのソースファイルはそれを使います。
+ </div></div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors">12.5.8. 誤りを避けるには</h3></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> シンタックスは、音楽の誤りを避けるのを助ける２つの組み込みシンボルを持ちます。オクターブチェックシンボルは音符が意図したオクターブにあることを保証します。小節線チェックシンボルは、小節線が意図したとおりであることを保証します。
+ </div><div class="section" id="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Octave_Check_Symbol"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Octave_Check_Symbol">12.5.8.1. オクターブチェックシンボル</h4></div></div></div><div class="para">
+ オクターブチェックシンボルは、相対音程を、その対応する絶対音程と比べます。もし音程が違うと、<span class="application"><strong>LilyPond</strong></span> は警告を表示し、絶対音程で続けます。<span class="application"><strong>LilyPond</strong></span> が警告を表示したら、相対音程を修正してください。
+ </div><div class="para">
+ オクターブチェックシンボルは、<code class="literal">=</code> です。シンボルは、音符の後に書かれ、コンマ (<code class="literal">,</code>)、アポストロフィ (<code class="literal">'</code>) が続くか、何もないか、です。それは、その音程の意図される相対オクターブによります。
+ </div><div class="para">
+ 以下は、オクターブチェックシンボルを使う例です： <code class="code">c'='''</code> この例で、絶対音程は、<code class="code">c'''</code> で、<span class="application"><strong>LilyPond</strong></span> は、左の <code class="code">c</code> と、<code class="code">=</code> シンボルの後の <code class="code">'''</code> から、そのように判断します。
+ </div><div class="para">
+ この例はどうなるでしょう： <code class="code">c'=4</code> ？ <code class="code">=</code> シンボルの後には、コンマやアポストロフィの代わりに、<code class="code">4</code> があります。絶対音程は <code class="code">c</code> で、<span class="application"><strong>LilyPond</strong></span> は、左の <code class="code">c</code> と、<code class="code">=</code> シンボルの右にコンマもアポストロフィもないことから、そのように判断します。<span class="application"><strong>LilyPond</strong></span> は、<code class="code">4</code> を "４分音符 "と判断します。
+ </div><div class="para">
+ オクターブチェックシンボルは、必要と思うときに使ってください。新しいユーザは、経験豊かなユーザに比べて、オクターブチェックシンボルをより頻繁に使うようです。
+ </div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol">12.5.8.2. 小節線チェックシンボル</h4></div></div></div><div class="para">
+ 小節線チェックシンボルは、小節線が音楽のその部分に描かれているかをテストします。小節線チェックシンボルと、楽譜の小節線が一致していないと、<span class="application"><strong>LilyPond</strong></span> は警告を表示します。<span class="application"><strong>LilyPond</strong></span> は、音楽の処理を続行し、自動的になんらかの音の長さを変更することはありません。
+ </div><div class="para">
+ 小節線チェックシンボルは、パイプ文字、<code class="literal">|</code> です。すべての小節線の後に小節線チェックシンボルを置き、１行に１小節だけを入力するのを勧めます。その方が、誤りをするのが少なくなるはずです。
+ </div><div class="para">
+ この例は正しく、<span class="application"><strong>LilyPond</strong></span> は警告を表示しません：
+<pre class="programlisting">
+\time 4/4
+c4 c c c |
+c4 c c c |
+</pre>
+ ４つの４分音符がそれぞれの小節線チェックシンボルの間にあり、この拍子における正しい数の拍です。
+ </div><div class="para">
+ この例は誤りで、<span class="application"><strong>LilyPond</strong></span> は警告を表示します。
+<pre class="programlisting">
+\time 4/4
+c4 c2 c4 |
+c4 c2 c |
+c4 c2 c4 |
+</pre>
+ この例は、同じパターンの３つの小節があります： <code class="literal">c4 c2 c4</code> 。二小節目は最後の４分音符 (<code class="literal">4</code>) がなく、<span class="application"><strong>LilyPond</strong></span> は、１つの４分音符と、それに続く２つの２分音符を出力します。二小節は、５拍になるので、小節線チェックシンボルと小節線は、４つめの拍以降、一致しなくなります。<span class="application"><strong>LilyPond</strong></span> は、二小節目の最後の小節線チェックシンボルに来たところで警告を表示します。
+ </div><div class="para">
+ この例を見てください。
+<pre class="programlisting">
+\time 4/4
+c2 c c c |
+c4 c c c |
+</pre>
+ 最初の小節は、４つの２分音符があり、許される拍の倍です。<span class="application"><strong>LilyPond</strong></span> は、最初の小節線チェックシンボルのところで警告を表示します。
+ </div><div class="para">
+ ファイルの１つの誤りのために、ときには <span class="application"><strong>LilyPond</strong></span> がたくさんの警告を表示することがあります。小節線チェックシンボルが、 <span class="application"><strong>LilyPond</strong></span> に、小節線を挿入させるということはありません。 <span class="application"><strong>LilyPond</strong></span> は、ファイルのとおりの長さで音符を入れ続けます。以下の例と、 <span class="application"><strong>LilyPond</strong></span> の出力を見てください。
+<pre class="programlisting">
+\time 4/4
+c4 c2 c4 |
+c4 c2 c |
+c4 c2 c4 |
+</pre>
+
+<pre class="programlisting">
+Interpreting music...
+example.ly:3:10: warning: barcheck failed at: 1/4
+ c4 c2 c
+ |
+</pre>
+ 二小節目の誤りのため、小節線チェックシンボルのところで警告が出ます。 <span class="application"><strong>LilyPond</strong></span> は音符の長さを変えないので、二小節目の終わりの２分音符は二小節目の４拍目 <span class="emphasis"><em>と</em></span> 三小節目の最初の拍を占めます。三小節目は四拍あって正しいですが、 <span class="application"><strong>LilyPond</strong></span> は最後の４分音符の後でなく、その前に小節線を期待するため、小節線チェックシンボルは警告を表示します。
+ </div><div class="para">
+ 混乱を防ぐためにも、まず最初の警告を修正して、ファイルを再度処理し、残りの警告を修正するのがよいです。１つの誤りが、多くの警告を生むことがあります。
+ </div></div></div></div><div xml:lang="ja-JP" class="section" id="sect-Musicians_Guide-LilyPond-Counterpoint" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint">12.6. 対位法の課題をする（チュートリアル）</h2></div></div></div><div class="para">
+ あなたが、対位法の授業をとっていて、次の宿題のとてもきれいなコピーを提出するように言われたとします。あなたは商用の記譜ソリューションとそれを使うための立派なコンピュータに、４５００００ドルも出すのはいやなので、 Lilypond が自分にはぴったりだと決めました。
+ </div><div class="section" id="sect-Musicians_Guide-LilyPond-Counterpoint-Tutorial_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Tutorial_Files">12.6.1. チュートリアルのためのファイル</h3></div></div></div><div class="para">
+ チュートリアルをするのに、これらのファイルは不要です。これは、完成した例です。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle">LilyPond Input File</em> at <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/LilyPond/Counterpoint-source.ly">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/LilyPond/Counterpoint-source.ly</a>
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">PDF Output File</em> at <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/LilyPond/Counterpoint-result.pdf">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/LilyPond/Counterpoint-result.pdf</a>
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score">12.6.2. 楽譜を開始する</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ Frescobaldi で新規文書を開きます。
+ </div></li><li class="step"><div class="para">
+ 'LilyPond > Setup New Score'ダイアログを使います。
+ </div></li><li class="step"><div class="para">
+ 'Titles and Headers'タブで、タイトルと作曲家（そして他のフィールドも）を設定します。
+ </div></li><li class="step"><div class="para">
+ ２つの譜表が必要です。'Parts'、'Keyboard'、そして'Piano'へ行きます。
+ </div></li><li class="step"><div class="para">
+ 音符の間隔をラベルで示す必要があります。'Special'そして'Figured Bass'を選択します。（後で、正しい場所に置きます。）
+ </div></li><li class="step"><div class="para">
+ 'Score settings'タブに行きます。
+ </div><ol class="a"><li class="step"><div class="para">
+ あなたは既にこの例を演奏したことがあるので、"Create MIDI output"のチェックを外して、処理時間を節約します。
+ </div></li><li class="step"><div class="para">
+ 例はヘ長調です。
+ </div></li><li class="step"><div class="para">
+ 全音符だけが必要です。縦線はなし。４／４拍子を選択します。どうせ、後で変更します。
+ </div></li></ol></li><li class="step"><div class="para">
+ 'Try'を押して、楽譜の設定のプレビューをします。音符は表示例として見えているだけで、実際には入力されません。
+ </div></li><li class="step"><div class="para">
+ 設定がそれでよければ、'OK'を押して、テンプレートを作ります。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output">12.6.3. Frescobaldi の出力を調整する</h3></div></div></div><div class="para">
+ このチュートリアルのためには、Frescobaldi のデフォルトの出力で十分です。
+ </div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting">12.6.4. 音符を入力する</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ テンプレートをざっと見ましょう。その中のそれぞれを理解するのは重要ではありませんが、推測ができれば、それは良いことです。
+ </div></li><li class="step"><div class="para">
+ ピアノの上の譜表の、<code class="code">right = \relative c''</code> の部分に続く、<code class="literal">{</code> と <code class="literal">}</code> の間に、音符をこれから入れます。
+ </div></li><li class="step"><div class="para">
+ ピアノの下の譜表は、上と同じで、 left のところだけが違います。
+ </div></li><li class="step"><div class="para">
+ 数字付き低音は、あなたが figBass に入れたようになります。訳注：通奏低音のコードを数字で指定する表記です。
+ </div></li><li class="step"><div class="para">
+ ピアノの上声部から始めます。"f1 g a f d e f c a f g f" ( 説明を追加すること ) を入力します。
+ </div></li><li class="step"><div class="para">
+ 正しいことを確認します。ツールバーの "LilyPond"ボタンを押して、プレビューをします。
+ </div></li><li class="step"><div class="para">
+ 例は、高すぎる音で始まり、終わりは低すぎます。最初の音程を、" right = \relative c' "によって変更しましょう。
+ </div></li><li class="step"><div class="para">
+ もう一度プレビューをします。もちろん、まだ終わりは低すぎます。（こういうシンプルな課題は、普通は、開始と終了が同じ音です。）
+ </div></li><li class="step"><div class="para">
+ c のすぐ後に、' を置きます。それで、オクターブ上の C になります。
+ </div></li><li class="step"><div class="para">
+ もう一度プレビューをします。今回は、うまくいきました。
+ </div></li><li class="step"><div class="para">
+ 次は、ピアノの下の譜表のためにあなたが書いた音を入力します： "f1 e d c bes c bes f d bes e f"
+ </div></li><li class="step"><div class="para">
+ 出力をもう一度プレビューします。開始は高すぎますが、終了は正しい音程です。
+ </div></li><li class="step"><div class="para">
+ 開始が高すぎるのを、" left = \relative c { "に変えて、なおします。
+ </div></li><li class="step"><div class="para">
+ もう一度プレビューをして、どこをもう一箇所直すか、決めます。（注意：私は、"f1 e d c bes c bes f' d bes e f"にしました。）
+ </div></li><li class="step"><div class="para">
+ " figBass = \figuremode "の後の、{ と } の間に、最高音と最低音の間隔の数を入れます。
+ </div></li><li class="step"><div class="para">
+ それぞれの数字は、< > かっこの中に入れます。音の長さは > の後に書きます。こんな風にしました。"<1>1 <3> <5> <4> <3> <3> <5> <5> <5> <5> <3> <1>"
+ </div></li><li class="step"><div class="para">
+ さて、この作品にはいくつかの重大な誤りがあることに気が付きました。一番上の譜表は定旋律なので、変えることはできません。下の譜表を直します。
+ </div></li><li class="step"><div class="para">
+ 私は、下のパートを "f1 e d a bes c d e f d c f"にして、低音番号を "<1>1 <3> <5> <6> <3> <3> <3> <6> <3> <3> <5> <1>"にしました。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score">12.6.5. 楽譜をフォーマットする</h3></div></div></div><div class="para">
+ 楽譜をフォーマットするのは、音符を入れ終わってからにすることをお勧めします。入力を終わってからフォーマットすれば、フォーマットのエラーを避けるのに役立ちます。LilyPond は、このアプローチに関して、効率的です。
+ </div><div class="section" id="sect-Musicians_Guide-LilyPond-Counterpoint-Move_the_Figured_Bass"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Move_the_Figured_Bass">12.6.5.1. 数字付き低音を移動する</h4></div></div></div><div class="para">
+ 通常、数字付き低音部は譜表の下にあります。この例は LilyPond の数字付き低音のためのいろいろな機能を使って変わったことをします。数字付き低音を、移動してみましょう。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ \score{ } セクションは、楽譜にあるすべてを含みます。数字付き低音は、\bassFiguresPart という識別子を持っています。これを削除しましょう。
+ </div></li><li class="step"><div class="para">
+ "bassFiguresPart = ... "と書いてあるところまでスクロールアップして、% でコメントアウトします。
+ </div></li><li class="step"><div class="para">
+ "pianoPart = ... "と書いてあるところまでスクロールアップして、今コメントアウトした"\n"\new FiguredBass \figBass"行を、"right"と"left"譜表の間に入れます。
+ </div></li><li class="step"><div class="para">
+ (2) でコメントにした部分を削除します。（あるいは、そのままにします。）
+ </div></li><li class="step"><div class="para">
+ ファイルをプレビューして、数字付き低音がピアノの譜表の間に現れるのを確認ください。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Counterpoint-Remove_the_Word_Piano"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Remove_the_Word_Piano">12.6.5.2. 最初の、"Piano"という語を削除します。</h4></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "pianoPart = ... " で始まる部分を探して、 "instrumentName ... "の行を削除します。（あるいは、コメントにします。）
+ </div></li><li class="step"><div class="para">
+ ファイルをプレビューして、今回は、"Piano"と表示されないのを確認ください。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Counterpoint-Make_some_Elements_Transparent"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Make_some_Elements_Transparent">12.6.5.3. いくつかの要素を透明にする</h4></div></div></div><div class="para">
+ これは、より進んだ技を使います。これらのコマンドを説明します。
+ </div><div class="para">
+ すべてのレイアウトオブジェクトは、"stencil"属性を持ちます。デフォルトでこれは、オブジェクトを描画するなんらかの関数になっています。もしこの属性を #f, つまり "false"にすると、描画関数は呼ばれず、オブジェクトは楽譜に現れなくなります。
+ </div><div class="para">
+ また、すべてのレイアウトオブジェクトは、"transparent"属性を持ちます。デフォルトでこれは、#f, （ "false"）です。これを #t ("true") にすると、オブジェクトは透明になります。
+ </div><div class="para">
+ "\once \override ..."あるいは "\revert ..."も使うことができます。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "global"セクションを探します。
+ </div></li><li class="step"><div class="para">
+ \key と \time の後に " \override Score.BarLine #'stencil = ##f "を入れます。
+ </div></li><li class="step"><div class="para">
+ ファイルをプレビューします。これは、期待通りにはいかなかったようです。
+ </div></li><li class="step"><div class="para">
+ というのも、譜表の中の小節線は、Staff.BarLine で扱われますが、複数の譜表の間の小節線は Staff.SpanBar で扱われるからです。その'transparent シンボルも #t にする必要があります。
+ </div></li><li class="step"><div class="para">
+ しかし、終わりには、小節線がありません！縦線を入れるには、譜表を１つ選んで（右、左、figBass 今の場合、どれでもいいです） \revert コマンドを使います。（これが必要かわかりませんが： "\revert Score.BarLine #'transparent と \revert Score.SpanBar #'transparent"）
+ </div></li><li class="step"><div class="para">
+ しかし、これでも、実は正しくありません。曲の終わりには、副縦線が必要です。カーソルを \revert の行の後に置いて、メニュー'LilyPond > Bar Lines > Ending Bar Line' を選択します。LilyPond はあなたのしたいことがわかり、シンボルをあなたに代わって記憶していますから、あなたは終止線の記号を覚えている必要はありません。
+ </div></li></ol></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Staff.* と Score.* の上書きについて説明すること。
+ </div></li><li class="listitem"><div class="para">
+ 他の要素と違って、"\time 4/4"の指示を除いてしまっても、デフォルトの４／４の拍子記号が表示されます。
+ </div></li><li class="listitem"><div class="para">
+ この例は、音楽的には単純でしたが、進んだ概念を含み、初心者が持ちがちなよくある、（たしかにもっともな）おそれを克服するのに大いに役に立ったと思います。
+ </div></li></ul></div>
+
+ </div></div></div></div><div xml:lang="ja-JP" class="section" id="sect-Musicians_Guide-LilyPond-Orchestra" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra">12.7. オーケストラスコアの作業（チュートリアル）</h2></div></div></div><div class="para">
+ シナリオ：あなたは、コミュニティのオーケストラでボランティアをしています。指揮者が、ハイドンの交響曲を演奏することに決めました。オーケストラには、ハイドンの交響曲の楽譜はないので、指揮者は、あなたに、フルスコアとパート譜を探してくれるように頼みます。あなたは、指揮者のスコアがのっている本を見つけましたが、パート譜はありませんでした。あなたは、LilyPond に楽譜を打ち込むことにしました。そうすれば、足りない部分を簡単に作り出せるでしょう。
+ </div><div class="para">
+ このチュートリアルは、ヨゼフハイドンの「交響曲第９２番：オックスフォード」の最初の楽章を使います。
+ </div><div class="para">
+ このチュートリアルを行うとき、読者はこのチュートリアルの PDF のコピーを作り上げながら進んでいくことをお勧めします。
+ </div><div class="section" id="sect-Musicians_Guide-LilyPond-Orchestra-Tutorial_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Tutorial_Files">12.7.1. チュートリアルのためのファイル</h3></div></div></div><div class="para">
+ チュートリアルを行うのに、<span class="application"><strong>LilyPond</strong></span> の入力ファイルは不要です。PDF 出力ファイルは、必要です。入力ファイルは、もし何か問題が起きたり、あなたの結果をチェックしたいときに使って下さい。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle">LilyPond Input File</em> at <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/LilyPond/Orchestra-source.ly">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/LilyPond/Orchestra-source.ly</a>
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">PDF Output File</em> at <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/LilyPond/Orchestra-result.pdf">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/LilyPond/Orchestra-result.pdf</a>
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score">12.7.2. スコアを開始する</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ 'LilyPond > Setup New Score'
+ </div></li><li class="step"><div class="para">
+ "Titles and Headers" タブ：
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Dedication: Comte d'Ogny and Prince Oettingen-Wallerstein
+ </div></li><li class="listitem"><div class="para">
+ Title: Sinfonia No. 92
+ </div></li><li class="listitem"><div class="para">
+ Subtitle: "Oxford"
+ </div></li><li class="listitem"><div class="para">
+ Composer: Haydn, Joseph
+ </div></li><li class="listitem"><div class="para">
+ 残りすべて、空白
+ </div></li></ul></div></li><li class="step"><div class="para">
+ "Parts" タブ：
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Flute, 2 of Oboe, Bassoon
+ </div></li><li class="listitem"><div class="para">
+ Horn in F, Trumpet in C
+ </div></li><li class="listitem"><div class="para">
+ Timpani
+ </div></li><li class="listitem"><div class="para">
+ Violin, Violin, Viola, Cello, Contrabass
+ </div></li></ul></div></li><li class="step"><div class="para">
+ "Score settings" タブ：
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Key signature: G Major
+ </div></li><li class="listitem"><div class="para">
+ Time signature: 3/4
+ </div></li><li class="listitem"><div class="para">
+ Tempo indication: Adagio
+ </div></li><li class="listitem"><div class="para">
+ その他の設定は、お好きなように。Remove bar numbers は、オフに、Remove default tagline はオンにするのをお勧めします。
+ </div></li></ul></div></li><li class="step"><div class="para">
+ "Try" をクリックして、うまくいくか見ましょう。楽器の名前は、ＰＤＦファイルとは違うかもしれません。これは後で直します。
+ </div></li><li class="step"><div class="para">
+ "OK" をクリックして、楽譜を生成します。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output">12.7.3. Frescobaldi の出力を調整する</h3></div></div></div><div class="para">
+ 以下のステップは、一貫した LilyPond の入力スタイルを確立するのに役に立つでしょう。ここで勧められていることは大きな楽譜で作業すること、それはどんなテキストエディタを使っても大変なことです、に慣れるためにも役に立ちます。ありがたいことに、注意深く（かつ、一貫した）コードの構成は、あなたがご自分のファイルの中で正しい道を探すのに大いに役立つでしょう。最初にファイルを正しくセットアップすることは、最後には、それをずっと簡単にするでしょう。
+ </div><div class="para">
+ 最初に楽譜をセットアップするとき、Frescobaldi は、あなたに代わって、デフォルトで多くのセクションを作成しています。プログラムは、あなたにスタイル上の選択を与えすぎることのないようにしていますから、あなたは自分自身のスタイルを作成することができます。また、デフォルトのセクションは、論理的に構成されています。
+<div class="literallayout"><p>version<br />
+ header<br />
+ widely-used settings like tempoMark and "global"<br />
+ individual parts<br />
+ score formatting<br />
+</p></div>
+ それぞれの順序はあなたが LilyPond に慣れるにつれて、明らかになっていくでしょう。
+ </div><div class="para">
+ 以下は、私が音符を入力する前にすることです。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 区切り記号（<code class="code">%%%%%%%% NOTES %%%%%%%%</code> をそれぞれのパートにつけるなど）で、セクションの区切りを目立たせます。
+ </div></li><li class="listitem"><div class="para">
+ 異なるレベルの区切り記号（オーボエには、<code class="code">%%%% OBOE %%%%</code> ）で、サブセクションを表します。
+ </div></li><li class="listitem"><div class="para">
+ 大きなセクションの間には、空白行を入れて、はっきりと区切りがわかるようにしましょう。
+ </div></li><li class="listitem"><div class="para">
+ かっこは、別の行に置きましょう。例えば、
+<div class="literallayout"><p>\header<br />
+ {<br />
+ title = "Symphony"<br />
+ ...<br />
+ }<br />
+</p></div>
+ 同じ行を、以下のように表すのではなくて。
+<div class="literallayout"><p>\header {<br />
+ title = "Symphony"<br />
+ ...<br />
+ }<br />
+</p></div>
+ これは、単に個人的な好みの問題です。私が、C や、C ライクのプログラミング言語を使ったことのあることに由来します。
+ </div></li><li class="listitem"><div class="para">
+ Frescobaldi が生成したセクションとコマンドに慣れるようにしましょう。それらのセクション、コマンドが何をするのかを推測しましょう（それぞれのコマンドが何をするのかはわからないとしても）。そうすれば、問題を解決したり、カスタマイズをしたりするのがより簡単になるでしょう。ときどき、セットアップがとても複雑になる時など、私は現在行われていることについてコメントを残します。
+ </div></li><li class="listitem"><div class="para">
+ 私の楽譜が示すように、楽器の名前を変更して下さい。これは、あなたの楽譜を使う人がそれが何の楽器かわかるならば、必要のないことかもしれません。私のゴールは、 Dover 版の楽譜を複製することですので、私は楽器の名前を変更します。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "PARTS" セクションで、それぞれのパートセクションには、 "instrumentName = "something"" というフィールドがあります。
+ </div></li><li class="step"><div class="para">
+ それを、以下のイタリア名に変えましょう。
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Flute --> Flauto
+ </div></li><li class="listitem"><div class="para">
+ Oboe I --> I Oboe
+ </div></li><li class="listitem"><div class="para">
+ Oboe II --> II Oboe
+ </div></li><li class="listitem"><div class="para">
+ Bassoon --> 2 Fagotti
+ </div></li><li class="listitem"><div class="para">
+ Horn in F --> 2 Corni in Sol (NB: these would have been "natural horns")
+ </div></li><li class="listitem"><div class="para">
+ Trumpet in C --> 2 Clarini in Do (NB: a clarino is a kind of trumpet)
+ </div></li><li class="listitem"><div class="para">
+ Violin I --> Violino I
+ </div></li><li class="listitem"><div class="para">
+ Violin II --> Violino II
+ </div></li><li class="listitem"><div class="para">
+ Cello --> Violoncello obligato
+ </div></li><li class="listitem"><div class="para">
+ Contrabass --> Basso
+ </div></li></ul></div></li><li class="step"><div class="para">
+ さて、ホルンの移調を、名前に合わせないといけません。 Frescobaldi は、 "Horn in F" パートを作成し、それが最も一般的なホルンの移調なのですが、ハイドンの楽譜は、G （イタリア語で"Sol"）のホルンを使います。
+ </div></li><li class="step"><div class="para">
+ NOTES マーカーの下にある "hornF" セクションにスクロールして、 <code class="code">\transposition f</code> という行を、 <code class="code">\transposition g</code> にします。
+ </div></li><li class="step"><div class="para">
+ いずれわかるように、移調というのはそれだけでは済みません。それについては、その時が来たらまた述べましょう。
+ </div></li></ol></div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting">12.7.4. 音符を入力する</h3></div></div></div><div class="para">
+ このチュートリアルでは。楽譜を入力する１つの方法を、ステップを追って説明します。「アレグレット」の前の部分だけを入力します。第１楽章全体は、PDF ファイルにあるので、ご自分で入力して下さい。
+ </div><div class="section" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Start_with_the_Easy_Part"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Start_with_the_Easy_Part">12.7.4.1. 易しいところから始めましょう</h4></div></div></div><div class="para">
+ 大きな楽譜の作業を始める最善の方法は、どこか簡単なところからとにかく始めることです。何もしないのが一番簡単でしょうから、まずは、管楽器とティンパニの何小節もある休止付から入力しましょう。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ 休止の小節を数えます。今の場合、すべての管楽器とティンパニは、最初の音が出るまで１３以上の休止小節があります。
+ </div></li><li class="step"><div class="para">
+ 最初にこの１３小節を入力しましょう。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ NOTES セクションでフルートのセクションを探して、<code class="code">R2.*13 |</code> と入力します。
+ </div></li><li class="step"><div class="para">
+ <code class="literal">R</code> 記号は、「小節ごと休み」（あるいは、full-bar rest, full-measure rest）の意味です。LilyPond は、full-bar rest を、１小節の長さ続く休符とは異なるように表示します。
+ </div></li><li class="step"><div class="para">
+ <code class="literal">|</code> 記号は、小節チェック記号です。詳しくは、<a class="xref" href="#sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol">「小節線チェックシンボル」</a> を参照下さい。
+ </div></li><li class="step"><div class="para">
+ その部分を、管楽器とティンパニの残りの部分に、コピー、ペーストしてください。
+ </div></li></ol></div></li><li class="step"><div class="para">
+ ティンパニとトランペット/clarini のパートは、フェルマータのある小節に着くまでさらに６小節の休みがあります。フェルマータは、複数小節の休止付に含めることはできないので、別にして扱いましょう。ティンパニとトランペットのパートに、<code class="code">R2.*6 |</code> を追加します。
+ </div></li><li class="step"><div class="para">
+ ホルン、バスーン、そしてセカンドオーボエはさらに１小節の休止があるので、<code class="code">R2. |</code> をこれらのパートに加えます。小節ごとの休止付は、必ず大文字の R で表します。これにより、LilyPond は小節の中で休止付を正しく、中心に置くことができます。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Wind_and_Timpani"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Wind_and_Timpani">12.7.4.2. 管楽器とティンパニのパートを続ける</h4></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ さて、音符を加えることにしましょう。休止符だけのパートから始めます。
+ </div><ol class="a"><li class="step"><div class="para">
+ トランペットとティンパニは、ゆっくりした導入部では音がありません。なので、３つの休止符と、３拍めのフェルマータだけがあります。
+ </div></li><li class="step"><div class="para">
+ 休止符は、"r" という音程を持つかのように扱われます。つまり、休止符を入力するには、r 音程を入力します。この３つの４分休符は、<code class="code">r4 r r |</code> と表記されます。これを、ティンパニとトランペットのパートに入力して下さい。ご注意：小節の最初で、音の長さを指定するのは、常によいことです。ただ、連続する音の長さは、指定する必要はありません。
+ </div></li><li class="step"><div class="para">
+ Frescobaldi では、画面の左の "Quick Insert" タブを使えば、一般的な音楽記号を挿入することができます。それは、隠れていることもあります。表示するには、Frescobaldi ウインドウの左の縁の、 "Quick Insert" をクリックして下さい。
+ </div></li><li class="step"><div class="para">
+ この小節の３つめの４分休符に、通常のフェルマータが必要です。テキスト入力キャレットを３つめの４分休符のすぐ後に置いて、 "Quick Insert" ツールバーからフェルマータ記号をクリックします。
+ </div></li><li class="step"><div class="para">
+ <code class="code">r4 r r\fermata |</code> と、なるはずです。
+ </div></li><li class="step"><div class="para">
+ フェルマータ記号の名前は覚えやすいものでしたが、他の記号には、LilyPond での名前がわかりにくいものもあります。なので、 "Quick Insert" ツールバーはとても便利です。
+ </div></li><li class="step"><div class="para">
+ この小節を、他のパートにもコピーします。
+ </div></li></ol></li><li class="step"><div class="para">
+ 次に簡単なパートは、バスーンです。
+ </div><ol class="a"><li class="step"><div class="para">
+ バスーンの、休止小節はもう入力しましたから、演奏される最初の小節から始めましょう。<code class="code">r8 d g bes d bes |</code> となるはずです。これを入力して、楽譜がどうなるか、プレビューしてください。
+ </div></li><li class="step"><div class="para">
+ うまくいきました！楽器を入力し始めるときは、音符が正しい音域で始まるのを確認するのが重要です。そうでないときは、<code class="code">\relative</code> 宣言の後にある、音程の指定を直せば、簡単に調整できます。今の場合、バスーンは、デフォルトで正しい音域になっていました。
+ </div></li><li class="step"><div class="para">
+ 次の小節は、<code class="code">g8 cis cis4 r |</code> です。 "cis" は、２つ必要です。これを入力して、正しく表示されるのを確認して下さい。
+ </div></li><li class="step"><div class="para">
+ よさそうです。しかし、まだ、書式づけがしてありません。 "Quick Insert" ツールバーを使って、スタッカートマークを最初の小節に入れましょう。８分休符にもスタッカートをつけることもできるのですが、それは意味がないので、やめましょう。
+ </div></li><li class="step"><div class="para">
+ スラーは、( で始まって、 ) で終わります。スラーを、g から c-sharp につけます。
+ </div></li><li class="step"><div class="para">
+ 楽譜をプレビューして、正しく表情記号を入れられたか見ましょう。こうなるはずです。
+<div class="literallayout"><p>r8 d-. g-. bes-. d-. bes-. |<br />
+ g8( cis) cis4 r |</p></div>
+ </div></li></ol></li><li class="step"><div class="para">
+ "forte" マークを入れましょう。テキスト（あるいはどんなオブジェクトでも）音符（あるいは休符など）につけるには、これら３つの記号のどれかを使います。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ^ は、「オブジェクトの上につける」
+ </div></li><li class="listitem"><div class="para">
+ - は、「上か下、適当な方につける」
+ </div></li><li class="listitem"><div class="para">
+ _ は、「オブジェクトの下につける」
+ </div></li></ul></div>
+ 以前に見たように、Frescobaldi は、スタッカートマークを、「一番良さそうな」記号につけます。それは、だいたいの場合、表情記号に関しては正しい選択となります。慣習的に、ダイナミックなマーキングは、適用される音符の五線譜の下に書かれます。なので、今回は、LilyPond の自由に任せきりにするのはよくありません。
+ </div></li><li class="step"><div class="para">
+ 音符に（フォーマットされていない）テキストを付加する最も簡単な方法は、引用符で囲んで付加することです。"forte" マークであれば、以下を８分休符につけます。<code class="code">r8_"f" <em class="replaceable"><code>and so on</code></em></code>
+ </div></li><li class="step"><div class="para">
+ これをプレビューすると、結果がまるで期待はずれであることに気がつくでしょう。どう見ても "forte" マークとは見えません。楽譜を読む人も、一時的にせよ、混乱することでしょう。
+ </div></li><li class="step"><div class="para">
+ ありがたいことに、LilyPond では、とても簡単で、エレガントに、正しい書式のダイナミックなマーキングを入力する手段があります。８分休符を、こう変更しましょう。<code class="code">r8\f <em class="replaceable"><code>and so on</code></em></code>
+ </div></li><li class="step"><div class="para">
+ これをプレビューすると、今回は、まさに、 "forte" マークらしく見えるでしょう。すべてのダイナミックマーキングに、このような短縮形があるわけではありませんが、あるものが多いです。
+ </div></li><li class="step"><div class="para">
+ "a 2" の指定は、「２人の奏者が演奏する」という意味で、引用符でテキストを囲むという例になっています。これを、８分休符の後の d の<span class="emphasis"><em>上に</em></span>置いて下さい。
+ </div></li><li class="step"><div class="para">
+ この２小節は、このようになるはずです。
+<div class="literallayout"><p>r8\f d-.^"a 2" g-. bes-. d-. bes-. |<br />
+ g8( cis) cis4 r |</p></div>
+ なお、<code class="code">d-.^"a 2"</code> と <code class="code">d^"a 2"-.</code> の効果は同じです。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Oboe_and_Horn"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Oboe_and_Horn">12.7.4.3. オーボエとホルンのパート</h4></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ オーボエとフルートのパートを完成させて下さい。悩んだ時は、以下のヒントを見て下さい。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ フルートとオーボエの音域を調整する必要があります。<code class="code">flute = \relative c'''</code> と <code class="code">oboeI = \relative c'''</code> になるはずです。
+ </div></li><li class="listitem"><div class="para">
+ 第一オーボエとフルートのパートの、８分音符の連桁を引くのに、 [ と ] を使いたくなるかもしれませんが、だめです。
+ </div></li><li class="listitem"><div class="para">
+ フルートは、いくつかの音符を入力した<span class="emphasis"><em>後</em></span>に、さらに R で示されるいくつかの休止小節があります。
+ </div></li><li class="listitem"><div class="para">
+ これらすべてのパートは、同じ、３つの４分休符とフェルマータのある小節で終わります。
+ </div></li></ul></div>
+
+ </div></li><li class="step"><div class="para">
+ さて、ホルンのパートです。楽器の移調は、 LilyPond では少し面倒です。それは、人間の作業でも、なんらかのコンピュータ記譜ツールでも、同じ事です。移調が正しく設定されることを、以下の手順でまず確認しましょう。
+ </div></li><li class="step"><div class="para">
+ The "hornF" section should already have a <code class="code">\transposition g</code> segment from earlier. This tells LilyPond that the following notes are not in concert pitch, but rather are "in G." A transposition statement tells LilyPond, in absolute pitch, which pitch actually sounds when the player plays a written c' . In this case, the sound pitch is a perfect fourth below c' . If we wanted it to be a perfect fifth higher, then we would need to write <code class="code">\transposition g'</code>, but that's not accurate for this case.
+ </div></li><li class="step"><div class="para">
+ Our next obstacle is not actually a problem with LilyPond, but with how Frescobaldi set up the score for us. The score that we wish to notate does not have a written key signature for the horn, but the "global" section (near the top of the file) includes one: G Major. If this score were particularly complicated, or if it contained a large number of transposing instruments, then it would be best to remove the <code class="code">\key g</code> declartion from the "global" section (and including it in every instrument as necessary). However, since there is only one transposing instrument, we might be better off simply removing the global from the horn.
+ </div></li><li class="step"><div class="para">
+ do the rest of this stuff to get that done right
+ </div></li><li class="step"><div class="para">
+ make a note in the global section of which instruments don't use it
+ </div></li><li class="step"><div class="para">
+ While you're at it, do the same for the trumpets and timpani parts, which also do not use a printed key signature.
+ </div></li><li class="step"><div class="para">
+ The other issue with the horn part is that two pitches are to be played at once, and they are both notated in the same voice. This is solved in the piano example like this: <code class="code"><g g'></code>. You can copy-and-paste this as needed.
+ </div></li><li class="step"><div class="para">
+ You can now finish inputting the horn part.
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Strings"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Strings">12.7.4.4. Continue with the Strings</h4></div></div></div><div class="para">
+ After correctly finishing all of the wind and timpani parts, you can move on to the strings.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Input all of the pitches and note lengths first, then return to fill in the other markings.
+ </div></li><li class="listitem"><div class="para">
+ If you get stuck, then put in some filler notes, and finish the rest of that part. Make a note for yourself, as a comment in the source file, so that you know to return later to finish the part.
+ </div></li><li class="listitem"><div class="para">
+ If twenty measures at once is too many, then break it into smaller chunks and input those.
+ </div></li><li class="listitem"><div class="para">
+ Here are some tips to help you through this passage. Use the LilyPond help files if you need further assistance.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Tuplets (Triplets):
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ To write any tuplet, use the formula <code class="code">\times x/y { notes in here }</code>, where x is the number of notes actually space to use, and y is the number of notes to let you display.
+ </div></li><li class="listitem"><div class="para">
+ For an eighth-note triplet that takes up one beat, you might use this: <code class="code">\times 2/3 { c8 d e }</code>, because in the space of 2 eighth notes you want to fit three instead.
+ </div></li><li class="listitem"><div class="para">
+ This is much more powerful than it seems at first. You might want to make it seem as though the measures have stopped being marked, and write something like <code class="code">\times 4/40 { ... }</code>, which will allow you to fit forty of something into the number of beat usually occupied by four of them. This is especially useful with cadenzas, and cadenza-like passages.
+ </div></li></ul></div>
+ </div></li><li class="listitem"><div class="para">
+ Short-term Polyphonic Input (Divisi):
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Anything between <code class="literal"><<</code> and <code class="literal">>></code> is interpreted by LilyPond as happening together. If you take a look at the "score" section at the bottom of the file, you will see that all of the parts are listed in that kind of bracket. This ensures that they all happen simultaneously.
+ </div></li><li class="listitem"><div class="para">
+ For short-term polyphonic input, use the formula <code class="code"><< { upper-voice notes } \\ { lower-voice notes } >></code>. Remember that the "upper voice" has upward-pointing stems, and the "lower voice" has downward-pointing stems.
+ </div></li></ul></div>
+ </div></li><li class="listitem"><div class="para">
+ Ties: These can be written by adding ~ to the end of the note beginning the tie: <code class="code">c4~ c8</code>
+ </div></li><li class="listitem"><div class="para">
+ Grace Notes: These take up no logical time, and are smaller than ordinary notes. Any notes appearing <code class="code">\grace { in here }</code> would be considered grace notes.
+ </div></li><li class="listitem"><div class="para">
+ Crescendo and Diminuendo Markings:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ These are added like other dynamic markings, attached with a backslash to the note where they begin. A crescendo is triggered with <code class="literal">\<</code> and a diminuendo with <code class="literal">\></code>.
+ </div></li><li class="listitem"><div class="para">
+ The left-most point of the marking (its beginning) is indicated by where you put <code class="literal">\<</code> or <code class="literal">\></code>
+ </div></li><li class="listitem"><div class="para">
+ The right-most (or end-)point is indicated by either another dynamic marking of any sort, or the special cancellation character <code class="literal">\!</code>
+ </div></li></ul></div>
+ </div></li><li class="listitem"><div class="para">
+ Italic "staccato" Text: <code class="code">\markup { \italic { staccato } }</code>
+ </div></li><li class="listitem"><div class="para">
+ Source File Measure Numbers: One of the techniques that can be used when inputting larger scores is writing measure numbers into the source file as comments. I usually write measure numbers every five measures, but it depends on the speed of the music, and what seems like it's useful.
+ </div></li></ul></div>
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Fast_Section"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Fast_Section">12.7.4.5. Continue to the Fast Section</h4></div></div></div><div class="para">
+ If you want to finish inputting the first movement, as an exercise, then you will also need to know how to write a tempo-change in an orchestral score:
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ In order to continue, we'll need to include a special measure-line (barline) and a change-of-tempo indicator. This would be easy, and would display correctly, if we simply inputted the change in one particular voice. However, if we did that, the change would only appear in one of the orchestral parts exported from the score.
+ </div></li><li class="step"><div class="para">
+ We're going to define a new whatever-thing, like the "global" section created for us by Frescobaldi, and include it in all of the parts.
+ </div></li><li class="step"><div class="para">
+ The code needed for this is a little bit complicated, but you don't need to write it yourself: just take it from the "tempoMark" section created by Frescobaldi. All you need to do is change "Adagio" to "Allegro spiritoso," and add the barline indicator. This is also easy because of Frescobaldi: 'LilyPond > Bar Lines > Repeat start'
+ </div></li><li class="step"><div class="para">
+ You end up with
+<div class="literallayout"><p>startExposition =<br />
+ {<br />
+ \once \override Score.RehearsalMark #'self-alignment-X = #LEFT<br />
+ \once \override Score.RehearsalMark #'break-align-symbols = #'(time-signature key-signature)<br />
+ \mark \markup \bold "Allegro spiritoso"<br />
+ \bar "|:"<br />
+ }</p></div>
+ </div></li><li class="step"><div class="para">
+ Add the reference to this in all of your parts. Because of how I named it, this also serves as a handy way to find your way through the LilyPond markup file.
+<div class="literallayout"><p> r4 r r\fermata |<br />
+ <br />
+ \startExposition<br />
+ <br />
+ R2.*4 |</p></div>
+ </div></li><li class="step"><div class="para">
+ The barline and tempo-change will not appear unless you write some music after them, so put in some or all of the rests that follow, just to test it.
+ </div></li></ol></div></div></div></div><div xml:lang="ja-JP" class="section" id="sect-Musicians_Guide-LilyPond-Piano" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-Piano">12.8. ピアノソナタの作業（チュートリアル）</h2></div></div></div><div class="para">
+ シナリオ：中古音楽店であなたは６０年前の、手書きのシューベルト"即興曲"のコピーをみつけました。しかしそれは水にぬれてずいぶん傷んでいます。店主は、その楽譜が役に立つならただで持って行っていいと言いました。楽譜はかろうじて読めるくらいだったので、あなたは、コンピュータ記譜プログラムでコピーを作ることにしました。
+ </div><div class="para">
+ 私はシューベルト作曲"即興曲"作品番号９０（D.８９９）第４番、変イ長調を使います。Edition Peters: 10463 出版、Walter Niemann編集。"A"セクション（最初から"トリオ"まで）を入力しましょう。
+ </div><div class="para">
+ このチュートリアルをするとき、読者はこのチュートリアルの PDF と同じものを、自分で作りながら読み進むとよいでしょう。
+ </div><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Tutorial_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Tutorial_Files">12.8.1. チュートリアルのためのファイル</h3></div></div></div><div class="para">
+ チュートリアルをするのに<span class="application"><strong>LilyPond</strong></span>入力ファイルは不要です。入力ファイルは、なにか問題が起きて、あなたの結果を比較するために使うのがよいでしょう。PDF 出力ファイルも、チュートリアルをするのには不要です。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle"><span class="application"><strong>LilyPond</strong></span> Input File</em> at <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/LilyPond/Piano-source.ly">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/LilyPond/Piano-source.ly</a>
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">PDF Output File</em> at <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/LilyPond/Piano-result.pdf">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/LilyPond/Piano-result.pdf</a>.
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score">12.8.2. 楽譜を開始する</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ Frescobaldi で新しい文書を開きます。
+ </div></li><li class="step"><div class="para">
+ '<span class="application"><strong>LilyPond</strong></span> > Setup New Score' をクリックして、"Setup New Score" ツールを開始します。
+ </div></li><li class="step"><div class="para">
+ "Titles and Headers" タブで以下のフィールドを入れます：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Title: Impromptu
+ </div></li><li class="listitem"><div class="para">
+ Compuser: Schubert, Franz
+ </div></li><li class="listitem"><div class="para">
+ Opus: Opus 90/4
+ </div></li></ul></div>
+
+ </div></li><li class="step"><div class="para">
+ "Parts" タブに移ります：
+ </div><ol class="a"><li class="step"><div class="para">
+ "Available parts" リストから "Keyboard instruments" を選択します。
+ </div></li><li class="step"><div class="para">
+ "Piano" を選択し、
+ </div></li><li class="step"><div class="para">
+ "Add" をクリックします。
+ </div></li><li class="step"><div class="para">
+ ウインドウの右側に、最初から複数の声部を加えることができます。私たちはこの機能は使いません。ここのほとんどの楽譜はポリフォニックではないからです。この機能はフーガで特に便利です。
+ </div></li></ol></li><li class="step"><div class="para">
+ "Score settings" タブに切り替えて、以下の設定を調整します：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Key signature: As Major
+ </div></li><li class="listitem"><div class="para">
+ Time signature: 3/4
+ </div></li><li class="listitem"><div class="para">
+ Tempo indication: Allegretto
+ </div></li><li class="listitem"><div class="para">
+ Remove default tagline: チェックします。
+ </div></li><li class="listitem"><div class="para">
+ 必要に応じて、他の設定も変更します。pitch name languageは、defaultのままにするのがよいです。
+ </div></li></ul></div>
+
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output">12.8.3. Frescobaldi の出力を調整する</h3></div></div></div><div class="para">
+ 以下のステップは、一貫した <span class="application"><strong>LilyPond</strong></span> の入力スタイルを確立するのに役に立つでしょう。ここで勧められていることは大きな楽譜で作業すること、それはどんなテキストエディタを使っても大変なことです、に慣れるためにも役に立ちます。ありがたいことに、注意深く（かつ、一貫した）コードの構成は、あなたがご自分のファイルの中で正しい道を探すのに大いに役立つでしょう。最初にファイルを正しくセットアップすることは、最後には、それをずっと簡単にするでしょう。
+ </div><div class="para">
+ 最初に楽譜をセットアップするとき、Frescobaldi は、あなたに代わって、デフォルトで多くのセクションを作成しています。プログラムは、あなたにスタイル上の選択を与えすぎることのないようにしていますから、あなたは自分自身のスタイルを作成することができます。また、デフォルトのセクションは、論理的に構成されています。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ version
+ </div></li><li class="listitem"><div class="para">
+ header
+ </div></li><li class="listitem"><div class="para">
+ 拍子記号のように、よく使われる設定と "global"
+ </div></li><li class="listitem"><div class="para">
+ individual parts
+ </div></li><li class="listitem"><div class="para">
+ score formatting
+ </div></li></ol></div>
+ 個々の順序は、あなたが <span class="application"><strong>LilyPond</strong></span> に慣れるにつれてより明らかになるでしょう。
+ </div><div class="para">
+ Here are some of the things that I do before inputting notes:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Use section-dividers (like <code class="code">%%%%%%%% NOTES %%%%%%%%</code> for individual parts) to demarcate sections.
+ </div></li><li class="listitem"><div class="para">
+ Use different levels of dividers (like <code class="code">%%%% RIGHT HAND %%%%</code> for the right hand) to show sub-sections
+ </div></li><li class="listitem"><div class="para">
+ Add blank lines between large sections, to separate them more obviously
+ </div></li><li class="listitem"><div class="para">
+ Begin braces on new lines (as
+<pre class="programlisting">
+\header
+{
+ title = "Impromptu"
+ ...
+}
+</pre>
+ instead of on the same line (as
+<pre class="programlisting">
+\header {
+ title = "Impromptu"
+ ...
+}
+</pre>
+ This is simply a matter of personal taste, resulting from prior experience with C and C-like programming languages.
+ </div></li><li class="listitem"><div class="para">
+ Familiarize myself with the sections and commands created by Frescobaldi, getting a sense of what the section/command does (even if I don't understand what each specific command does). This makes it easier to sort out problems and customization down the road. Sometimes, when the setup is quite complex, I make comments about what seems to be going on.
+ </div></li><li class="listitem"><div class="para">
+ At this point, I also added the "Dynamics Context" commands, as described below in the "Piano Dynamics" section
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Inputting"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting">12.8.4. Input Notes</h3></div></div></div><div class="para">
+ Piano scores present some unique challenges with <span class="application"><strong>LilyPond</strong></span>, but they're easy to overcome with some careful thought. This tutorial will avoid step-by-step instructions on how to input particular notes, instead focussing on those unique piano challenges presented in this particular composition. The <span class="application"><strong>LilyPond</strong></span> "Notation Reference" provides a section dedicated to keyboard and piano music. Most of the situations described there are not present or discussed in this score, which gives this tutorial unique material.
+ </div><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Order_of_Inputting"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Order_of_Inputting">12.8.4.1. Order of Input</h4></div></div></div><div class="para">
+ Choosing the right order to input your scores can make things much easier to troubleshoot. Here are some suggestions:
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ Input music in small sections at a time. Two, four, or eight measures is usually a good size, but it depends on the size of the composition, the size of its sections, and the form of the music. It doesn't make sense to input a passage of 9 whole-notes in stages of two measures, but two measures may be too long for passages composed primarily of 128th-notes.
+ </div></li><li class="step"><div class="para">
+ Input one staff at a time, then check its accuracy using Frescobaldi's preview function (press the "LilyPond" button on the toolbar)
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Input the pitch and rhythms first, then slurs, articulations, ties, and fingerings. It's easier to correct errors with pitch and rhythm (and register!) before the extra markings are added.
+ </div></li><li class="listitem"><div class="para">
+ To help make sixteenth-note passages easier to read, you can use double- or triple-spaces to separate beats. Such passages often feature repeated patterns; before copy-and-pasting, make sure that the pattern repetition is truly exact!
+ </div></li></ul></div></li><li class="step"><div class="para">
+ When you progress to a new four-measure section (or two- or six-, etc.), input the less difficult staff first (if there is one). This way, you will have a better visual reference when verifying the more difficult part. It's easier to see differences if your score looks closer to the original.
+ </div></li><li class="step"><div class="para">
+ The same idea applies for multi-measure polyphonic passages in the same staff: input the easier part first, so you have a visual reference.
+ </div></li><li class="step"><div class="para">
+ To help ensure that you don't get lost, write measure numbers in the source file every five measures or so. See the example source file to see how this is done. Even if you don't want to have measure numbers in the final score, it can be helpful to include them during inputting and error-checking.
+ </div></li><li class="step"><div class="para">
+ Save the dynamics and pedal markings for last! Sometimes, they can help you to keep your place in the score while double-checking that it's correct, but I don't usually put them in with the rest of the notes, for reasons described below in the "Piano Dynamics" section.
+ </div></li></ol></div><div class="para">
+ Most importantly, remember that these are just suggestions! The order in which you do things should change depending on what suits you best. Different kinds of scores will require different strategies.
+ </div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Chords"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Chords">12.8.4.2. Chords</h4></div></div></div><div class="para">
+ There are two ways to input chords, but one will be used much more often.
+ </div><div class="para">
+ This style of chord notation is more common: <code class="literal"><as ces>4-_</code> Notice how only the pitches are notated inside the <code class="literal">< ></code> brackets, and everything else attached to the end. There is one exception to this: fingering should be indicated on the pitch associated with that finger: <code class="literal"><as-1 ces-3>4-_</code> Not only does this help you to sort out what was probably intended, but it allows <span class="application"><strong>LilyPond</strong></span> to stack the fingering in the right order. When using "relative" entry mode, it is the lowest note of the chord that is taken into consideration when placing the next note.
+ </div><div class="para">
+ This style of chord notation is less common: <code class="literal"><<as4-> ces>></code> Notice how everything must be notated inside the <code class="literal"><< >></code> brackets. This can make it more difficult to read the chord in the source file, but it also allows much greater flexibility: only some chord members can have ties; certain chord members can last for longer than others; certain chord members can "break out" into or out of polyphonic passages. This notation is rarely <span class="emphasis"><em>needed</em></span>, but you may be inclined to over-use it if you are trying to exactly copy the look of a hand-engraved score. Like the "times" command for tuplets, this is one of <span class="application"><strong>LilyPond</strong></span>'s deceptively powerful techniques. When using "relative" entry mode, it is the last note of the chord that is taken into consideration when placing the next note.
+ </div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Fingering"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Fingering">12.8.4.3. Fingering</h4></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> allows you to indicate fingering by attaching the digit number to a note as an articulation mark: <code class="code">a16-5</code> will show a "5" as a fingering mark. As with all other articulation marks indicated in this way, you can use <code class="literal">^</code> or <code class="literal">_</code> to instruct <span class="application"><strong>LilyPond</strong></span> to put the mark above or below the note, respectively. It is usually better to let <span class="application"><strong>LilyPond</strong></span> decide for itself by using a <code class="literal">-</code>.
+ </div><div class="para">
+ When entering chords, it is recommended that you enter the fingering with the note to which it is attached, like <code class="literal"><as-1 ces-4>4-_</code>. It is possible to enter this as <code class="literal"><as ces>4-1-4-></code>, but this not only looks confusing, it may confuse <span class="application"><strong>LilyPond</strong></span> as to which digit is intended for which note.
+ </div><div class="para">
+ Because the extra digits look like they indicate note-lengths, it is recommended to mark them consistently. For this same reason, it is also recommended that fingering marks be added to source files only after the pitch and rhythm have been double-checked. The source file included with this tutorial puts fingering marks after any other articulation and length marking.
+ </div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Cautionary_Accidentals"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Cautionary_Accidentals">12.8.4.4. Cautionary Accidentals</h4></div></div></div><div class="para">
+ Musical Definition: This score makes some use of <em class="firstterm">cautionary accidentals</em>. These are accidentals which don't change the pitches to be played, but rather are used as a precaution against forgetting that they are there. This usually happens when an accidental in the written key signature is changed for a significant number of measures, and then suddenly changes back. The cautionary accidental would be applied when the standard key signature returns, to remind the musician of the key signature.
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> Notation: These are notated in <span class="application"><strong>LilyPond</strong></span> with an exclamation mark placed before the note-value: <code class="code">ces!16</code>
+ </div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Changing_the_Style_of_Crescendo"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Changing_the_Style_of_Crescendo">12.8.4.5. Change the Style of Crescendo</h4></div></div></div><div class="para">
+ Sometimes the composer or editor prefers to use the words <span class="foreignphrase"><em class="foreignphrase">crescendo</em></span> or its abbreviation, <span class="foreignphrase"><em class="foreignphrase">cresc.</em></span>, instead of the <code class="literal">\<</code> style of crescendo. In <span class="application"><strong>LilyPond</strong></span> these are handled by the same source-file notation (<code class="literal">\<</code> to start and <code class="code">\!</code> to end explicitly). However, if you want to use text and a "spanner" (dotted or dashed line, for example) instead of the < sign, you need to tell <span class="application"><strong>LilyPond</strong></span>. This can be accomplished with the following command: <code class="code">\crescTextCresc</code>.
+ </div><div class="para">
+ After changing to this style of <span class="foreignphrase"><em class="foreignphrase">crescendo</em></span>, you can revert to the standard < style with the following command: <code class="literal">\crescHairpin</code>.
+ </div><div class="para">
+ The <code class="literal">\dimTextDim</code> and <code class="literal">\dimHairpin</code> commands do the same for a <span class="foreignphrase"><em class="foreignphrase">diminuendo</em></span>.
+ </div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Polyphonic_Sections_of_Homophonic_Music"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Polyphonic_Sections_of_Homophonic_Music">12.8.4.6. Polyphonic Sections of Homophonic Music</h4></div></div></div><div class="para">
+ Sometimes, especially in piano music, a passage of some measures will require polyphonic (multi-Voice) notation in <span class="application"><strong>LilyPond</strong></span>, even though most of the music does not. In this case, you would use the following format: <code class="literal"> << { % upper voice notes go here } \\ { % lower voice notes go here } >> </code> This is used a few times in both hands in the example score file.
+ </div><div class="para">
+ When writing these sections in "relative" entry mode, it is a good idea to use the "octave-check" mechanism, at least at the beginning of the lower voice. This is because, when judging the relative starting pitch of the first note of the lower voice, <span class="application"><strong>LilyPond</strong></span> judges from the last note of the upper voice - <span class="emphasis"><em>not</em></span> the last note before the polyphonic section began.
+ </div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Octave_Change_Spanners"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Octave_Change_Spanners">12.8.4.7. Octave-Change Spanners ("8ve" Signs, "Ottava Brackets")</h4></div></div></div><div class="para">
+ Musical Definition: In order to most conveniently notate over large ranges, composers and editors sometimes use text spanners to indicate that a passage should be played one or two octaves higher or lower than written. This allows the notes to stay mostly within the staff lines, thereby decreasing the number of ledger lines required.
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> Notation: The <code class="code">\ottava</code> command is used to notate all five states of transposition:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 15va (play two octaves higher than written) is engaged with <code class="code">\ottava #2</code>
+ </div></li><li class="listitem"><div class="para">
+ 8va (play one octave higher than written) is engaged with <code class="code">\ottava #1</code>
+ </div></li><li class="listitem"><div class="para">
+ <span class="foreignphrase"><em class="foreignphrase">loco</em></span> (play in the octave written) is engaged with <code class="code">\ottava #0</code>, which also cancels another sign.
+ </div></li><li class="listitem"><div class="para">
+ 8vb (play one octave lower than written) is engaged with <code class="code">\ottava #-1</code>
+ </div></li><li class="listitem"><div class="para">
+ 15vb (play two octaves lower than written) is engaged with <code class="code">\ottava #-2</code>
+ </div></li></ul></div>
+
+ </div></div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors">12.8.5. Troubleshoot Errors</h3></div></div></div><div class="para">
+ It can be difficult to troubleshoot inputting errors, especially when you find them days or weeks after originally inputting that section of a score. The best way to fix errors is to input scores in a way that doesn't allow them in the first place. As they say, "an ounce of prevention is worth a pound of cure," which means "if you input your <span class="application"><strong>LilyPond</strong></span> files carefully, then you will encounter fewer problems." Such practices as proper spacing, and regular use of the octave- and bar-check features will deal with many common problems.
+ </div><div class="para">
+ However, when searching for an error in your score, Frescobaldi does offer some features to help you find it:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ If you have written something in the text-input window that is obviously incorrect, then Frescobaldi will sometimes catch your mistake and underline and highlight the erroneous code in red. This is most useful for catching typographical errors ("typos").
+ </div></li><li class="listitem"><div class="para">
+ If <span class="application"><strong>LilyPond</strong></span> encounters a processing error, it will show up in the "<span class="application"><strong>LilyPond</strong></span> Log" window below the text-input window. You can click on the blue, underlined text to move the text-selection caret to the error.
+ </div></li><li class="listitem"><div class="para">
+ If you can see an error in the PDF preview, but you can't find it in the source file, you can click on the problematic note or object in the PDF preview, and Frescobaldi will automatically move the text-selection caret to that object.
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Formatting"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Formatting">12.8.6. Format the Score (Piano Dynamics)</h3></div></div></div><div class="para">
+ Keyboard instruments use a unique notation when it comes to dynamics. Most instruments use only one staff per player, so the dynamics are, by convention, notated underneath that staff. Keyboard instruments usually use two staves (organs and complex piano music may use three). Because the dynamics are usually meant to apply to both staves, they are usually notated between the two staves. This is similar to notation beneath the upper staff, but in truth, piano dynamics tend to be placed in the middle between the staves - entering the dynamics as belonging to the upper staff, in <span class="application"><strong>LilyPond</strong></span>, will not produce that effect.
+ </div><div class="para">
+ There is a way to notate dynamics between two staves in <span class="application"><strong>LilyPond</strong></span>, and it involves a little bit of thought to get it right. It also requires the addition of a significant number of commands, and the creation of a new context.
+ </div><div class="para">
+ This process looks difficult, and may seem daunting. It's not necessary to understand all of the commands in the "PianoDynamics" Context in order to use the context, so there is no need to worry!
+ </div><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Formatting-Preparing_the_PianoDynamics_Context"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Formatting-Preparing_the_PianoDynamics_Context">12.8.6.1. Prepare the "PianoDynamics" Context</h4></div></div></div><div class="para">
+ It is probably easier to add these commands before inputting most of the score, but there is no reason why this context cannot be added to any score at any time.
+ </div><div class="para">
+ Follow these steps to create a "PianoDynamics" Context:
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ Between the left and right staves of the PianoStaff, add "<code class="code">\new PianoDynamics = "dynamics" \dynamics</code>". For the Schubert score, this looks like:
+<pre class="programlisting">
+\new PianoStaff \with
+ {
+ instrumentName = "Piano"
+ }
+<<
+ \new Staff = "right" \right
+ \new PianoDynamics = "dynamics" \dynamics
+ \new Staff = "left" { \clef bass \left }
+>>
+</pre>
+
+ </div></li><li class="step"><div class="para">
+ To the layout section, add the following:
+<pre class="programlisting">
+% Everything below here is for the piano dynamics.
+% Define "PianoDynamics" context.
+\context
+{
+ \type "Engraver_group"
+ \name PianoDynamics
+ \alias Voice
+ \consists "Output_property_engraver"
+ \consists "Script_engraver"
+ \consists "New_dynamic_engraver"
+ \consists "Dynamic_align_engraver"
+ \consists "Text_engraver"
+ \consists "Skip_event_swallow_translator"
+ \consists "Axis_group_engraver"
+
+ \override DynamicLineSpanner #'Y-offset = #0
+ \override TextScript #'font-size = #2
+ \override TextScript #'font-shape = #'italic
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
+}
+
+% Modify "PianoStaff" context to accept Dynamics context.
+\context
+{
+ \PianoStaff
+ \accepts PianoDynamics
+}
+% End of PianoDynamics code.
+</pre>
+ This creates a "PianoDynamics" context, and modifies the "PianoStaff" context so that it will accept a "PianoDynamics" context.
+ </div></li><li class="step"><div class="para">
+ Before the "\score" section, add a section called "dynamics," like this:
+<pre class="programlisting">
+dynamics =
+{
+ % Dynamics go here.
+
+}
+</pre>
+ This is where you will input the dynamics.
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Formatting-Inputting_the_Dynamics"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Formatting-Inputting_the_Dynamics">12.8.6.2. Input Dynamics</h4></div></div></div><div class="para">
+ Now you can input the dynamic markings. These are inputted with a special note called a "spacer," that uses the letter "s" rather than a note name. You can also use rests (both partial- and multi-measure, r and R), but dynamic markings cannot be assigned to them.
+ </div><div class="para">
+ For example, if you want a <span class="foreignphrase"><em class="foreignphrase">piano</em></span> marking on the first beat, and a <span class="foreignphrase"><em class="foreignphrase">diminuendo</em></span> from the third to the fourth beat, you could write this: <code class="code">s4\p r s\> s\!</code>, or this: <code class="code">s2\p s4\> s\!</code>
+ </div><div class="para">
+ That's all there is to it! Think of the dynamics part as an invisible, pitch-free line between the two staves, for the sole purpose of dynamics (and other expression markings).
+ </div></div></div></div></div><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-Solfege" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第13章 GNU ソルフェージュ</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Requirements_and_Installation">13.1. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Hardware_and_Software_Requirements">13.1.1. ハードウエアとソフトウエア要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Other_Requirements">13.1.2. その他の要件</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Install">13.1.3. 必要なインストール</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Install_Csound">13.1.4. オプショナルなインストール： Csound</a></span></dt><dt><span class="sect
ion"><a href="#sect-Musicians_Guide-Solfege-Install_MMA">13.1.5. オプショナルインストール : MMA</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration">13.2. 構成</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-First_Time">13.2.1. Solfege を初めて実行するとき</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-Instruments">13.2.2. Instruments</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-External_Programs">13.2.3. External Programs</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-Interface">13.2.4. Interface</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuration-Practise">13.2.5. Practise</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Configuratio
n-Sound_Setup">13.2.6. Sound Setup</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training">13.3. あなたのトレーニング</a></span></dt><dd><dl><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training-Aural_Skilla_and_Musical_Sensibility">13.3.1. オーラルスキルと音楽的感性</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training-Exercise_Types">13.3.2. 課題のタイプ</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program">13.3.3. オーラルスキルプログラムを作る</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Training-Supplementary_References">13.3.4. 補足の参照</a></span></dt></dl></dd><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Using_the_Exercises">13.4. 課題を使う</a></span></dt><dd><dl><dt><span class="section"><a hre
f="#sect-Musicians_Guide-Solfege-Listening_Exercises">13.4.1. Listening</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Singing_Exercises">13.4.2. Singing</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Configure_Yourself_Exericses">13.4.3. Configure Yourself</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Rhythm_Exercises">13.4.4. Rhythm</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Dictation_Exercises">13.4.5. Dictation</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Harmonic_Progressions">13.4.6. Harmonic Progressions</a></span></dt><dt><span class="section"><a href="#sect-Musicians_Guide-Solfege-Intonation">13.4.7. Intonation</a></span></dt></dl></dd></dl></div><div class="section" id="sect-Musicians_Guide-Solfege-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="tit
le" id="sect-Musicians_Guide-Solfege-Requirements_and_Installation">13.1. 要件とインストール</h2></div></div></div><div class="section" id="sect-Musicians_Guide-Hardware_and_Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Hardware_and_Software_Requirements">13.1.1. ハードウエアとソフトウエア要件</h3></div></div></div><div class="para">
+ GNU Solfege を使う前に、ユーザは既にオーディオ機器を正しく設定してあることが必要です。
+ </div><div class="para">
+ ã•ã‚‰ã«ã€Solfege 㯠<span class="application"><strong>timidity++</strong></span> パッケージを必è¦ã¨ã—ã€ãã‚Œã¯å¤§ããªï¼ˆãŠã‚ˆãï¼‘ï¼”ï¼ MB ã®ï¼‰ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆãƒ©ã‚¤ãƒ–ラリを必è¦ã¨ã—ã¾ã™ã€‚ã“ã®ãƒ©ã‚¤ãƒ–ラリ㯠<span class="application"><strong>FluidSynth</strong></span> アプリケーションã€ãã‚Œã¯ã“ã®ã‚¬ã‚¤ãƒ‰ã®ä»–ã®ç« ã§èª¬æ˜Žã•ã‚Œã¾ã™ã€ã¨å…±æœ‰ã•ã‚Œã€ã•ã‚‰ã«ä»–ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ãƒ‘ッケージã§ã‚‚使ã‚ã‚Œã¾ã™ã€‚<span class="application"><strong>timidity++</strong></span> ã¯ã•ã‚‰ã« JACK Audio Connection Kit ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã‚’å¿…è¦ã¨ã—ã¾ã™ã€‚JACK をインストールã™ã‚‹æ‰‹é †ã¯ã€<a class="xref" href="#sect-Musicians_Guide-Install_and_Configure_JACK">「<code class="systemitem">JACK</code> をインストールã€è¨å®šã™ã‚‹ã€</a> ã‚’å‚ç…§ãã ã•ã„。訳注： JACK ã‚’ Planet CCRMA at Home ã‹ã‚‰ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã™ã‚‹è¨˜è¿°ãŒã‚ã‚Šã¾ã™ãŒã€èª¤ã‚Šã®ãŸã‚訳ã—ã¾ã
›ã‚“。
+ </div></div><div class="section" id="sect-Musicians_Guide-Solfege-Other_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Other_Requirements">13.1.2. その他の要件</h3></div></div></div><div class="para">
+ Solfege は西洋音楽の記譜法と、基本的な音楽理論の用語と概念についての知識を必要とします。
+ </div></div><div class="section" id="sect-Musicians_Guide-Solfege-Install"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Install">13.1.3. 必要なインストール</h3></div></div></div><div class="para">
+ インストールの前に前記の "Requirements"セクションをよく読んでください。
+ </div><div class="para">
+ PackageKit, KPackageKit を使って、<span class="package">solfege</span> パッケージをインストールします。
+ </div></div><div class="section" id="sect-Musicians_Guide-Solfege-Install_Csound"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Install_Csound">13.1.4. オプショナルなインストール： Csound</h3></div></div></div><div class="para">
+ Csound は SuperCollider のようなサウンド合成プログラムです。それはより古く、とてもよく開発されており、より広い機能の範囲を持ちます。
+ </div><div class="para">
+ Csound をインストールするには、まず Solfege を閉じて、PackageKit あるいは KPackageKit を使って <span class="package">csound</span> パッケージをインストールします。Solfege を再開始したら、"Intonation"課題ができるはずです。
+ </div></div><div class="section" id="sect-Musicians_Guide-Solfege-Install_MMA"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Install_MMA">13.1.5. オプショナルインストール : MMA</h3></div></div></div><div class="para">
+ MMA は "Musical MIDI Accompaniment"の略で、 Fedora ではパッケージされた形で入手することはできません。ソフトウエアは <a href="http://www.mellowood.ca/mma/">http://www.mellowood.ca/mma/</a> の <em class="citetitle">MMA Homepage</em> にあり、ご希望ならばソースコードをダウンロードしてコンパイルすることができます。MMA はいくつかの和声書き取り問題でだけ使われるので、そのインストールは必須ではありません。
+ </div></div></div><div class="section" id="sect-Musicians_Guide-Solfege-Configuration"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Solfege-Configuration">13.2. 構成</h2></div></div></div><div class="para">
+ Solfege の設定は必要ではありません。単純な、最初の１回の設定で、アプリケーションをあなたの要求に合うようにカスタマイズすることができますが、それをしなくてもかまいません。他の設定オプションをあなたのレファレンスのために説明します。
+ </div><div class="para">
+ これらの設定オプションは必須ではありませんが、変えたいと思うかもしれません。これらはすべて、Solfege のメインメニュー'File > Preferences'からアクセスできる "Preferences"ウインドウにあります。
+ </div><div class="section" id="sect-Musicians_Guide-Solfege-Configuration-First_Time"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Configuration-First_Time">13.2.1. Solfege を初めて実行するとき</h3></div></div></div><div class="para">
+ 以下のステップで、Solfege は自動的にあなたへの問題をカスタマイズします。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ Solfege を開始します。
+ </div></li><li class="step"><div class="para">
+ メニューから'File > Preferences'を選択します。
+ </div></li><li class="step"><div class="para">
+ "User"タブを選択します。
+ </div></li><li class="step"><div class="para">
+ もし知っていればあなたの声域を入力します。Solfege はこの情報を使って、妥当な音程の範囲の問題を出します。
+ </div></li><li class="step"><div class="para">
+ "Sex"フィールドにあなたの生物学的な性別を入力します。Solfege はこの情報を使って、正しいオクターブのの問題を出します。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-Solfege-Configuration-Instruments"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Configuration-Instruments">13.2.2. Instruments</h3></div></div></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Tempo: 例が演奏される速度を変えます。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Default:"Arpeggio"以外のすべてに適用されます。
+ </div></li><li class="listitem"><div class="para">
+ Arpeggio: アルペジオ、それはデフォルトで、通常のテンポの３倍の速度で演奏されます、に適用されます。これは通常の習慣です。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Preferred Instrument: 例を演奏するときにこの MIDI 楽器が使われます。
+ </div></li><li class="listitem"><div class="para">
+ Chord Instruments: 多声部のときに、高音、中間、バス（それは "preferred instrument"を使います。）の上の低音のそれぞれの声部で使われる MIDI 楽器を指定します。
+ </div></li><li class="listitem"><div class="para">
+ Percussion instruments:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Count in: リズムについての音楽の例が始まる前に聞こえる "count in"拍子に使われる MIDI 楽器を指定します。
+ </div></li><li class="listitem"><div class="para">
+ Rhythm: リズムだけの例で使われる MIDI 楽器を指定します。
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Solfege-Configuration-External_Programs"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Configuration-External_Programs">13.2.3. External Programs</h3></div></div></div><div class="para">
+ Solfege は多くの仕事をするのに、外部プログラムを使います。このタブで、使われるコマンドをターミナルから実行するのと同じように指定します。
+ </div><div class="para">
+ Converters:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ MIDI to WAV
+ </div></li><li class="listitem"><div class="para">
+ WAV to MP3
+ </div></li><li class="listitem"><div class="para">
+ WAV to OGG
+ </div></li><li class="listitem"><div class="para">
+ %(in)s と %(out)s は、Solfege が入力と出力のファイル名に置換します。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Audio File Players、それぞれ、"Test"ボタンがあります。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ WAV
+ </div></li><li class="listitem"><div class="para">
+ OGG
+ </div></li><li class="listitem"><div class="para">
+ MP3
+ </div></li><li class="listitem"><div class="para">
+ MIDI
+ </div></li><li class="listitem"><div class="para">
+ Solfege は %s を、演奏されるファイル名に置換します。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Miscellaneous:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ CSound:Solfege は CSound をイントネーションの課題で使います。これはオプショナルなコンポーネントです。前記の "Optional Installation"セクションを参照ください。
+ </div></li><li class="listitem"><div class="para">
+ MMA: Solfege は MMA を、いくつかの和声の聞き取り課題で使います。これはオプショナルなコンポーネントで、Fedora では通常の方法では入手できません。<a class="xref" href="#sect-Musicians_Guide-Solfege-Install_MMA">「オプショナルインストール : MMA」</a> を参照ください。
+ </div></li><li class="listitem"><div class="para">
+ Lilypond-book: Solfege はこれを耳の訓練課題の進み具合を印刷するのに使います。前記の "Optional Installation"セクションを参照ください。
+ </div></li><li class="listitem"><div class="para">
+ Latex: Solfege はこれを、デフォルトの HTML 形式ではなく、*.dvi 形式の進捗レポートを生成するのに使います。
+ </div></li><li class="listitem"><div class="para">
+ Latex: Solfege はこれを、デフォルトの HTML 形式ではなく、*.dvi 形式の進捗レポートを生成するのに使います。
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Solfege-Configuration-Interface"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Configuration-Interface">13.2.4. Interface</h3></div></div></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Resizeable main window:Solfege のメインウインドウの大きさを変えることができます。
+ </div></li><li class="listitem"><div class="para">
+ Select language
+ </div></li><li class="listitem"><div class="para">
+ Identify tone keyboard accelerators: 特定の音程を入力する必要のある課題で、これは通常のキーボードを MIDI キーボードとして使えるようにします。キーボードの上の文字が、特定の音程と対応付けられます。
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Solfege-Configuration-Practise"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Configuration-Practise">13.2.5. Practise</h3></div></div></div><div class="para">
+ これらのオプションは、"Practise"モードで行われる課題に適用されます。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Not allow new question before the old is solved": Solfege は今の問題が解けるまで新しい問題を出しません。
+ </div></li><li class="listitem"><div class="para">
+ "Repeat question if the answer was wrong": Solfege は、あなたが答えを間違えたとき、問題を繰り返します。
+ </div></li><li class="listitem"><div class="para">
+ "Expert mode": Solfege はそれぞれの課題について、進んだ設定オプションを提供します。
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-Solfege-Configuration-Sound_Setup"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Configuration-Sound_Setup">13.2.6. Sound Setup</h3></div></div></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "No sound": このモードは Solfege をテスト、デバッグするために使われます。
+ </div></li><li class="listitem"><div class="para">
+ "Use device": あなたは Solfege が使うオーディオインタフェースを指定します。
+ </div></li><li class="listitem"><div class="para">
+ "Use external MIDI player": あなたは MIDI シンセサイザーを選びます。
+ </div></li><li class="listitem"><div class="para">
+ "Test"ボタン : あなたが Solfege を正しく設定したかを確認します。
+ </div></li></ul></div>
+
+ </div></div></div><div class="section" id="sect-Musicians_Guide-Solfege-Training"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Solfege-Training">13.3. あなたのトレーニング</h2></div></div></div><div class="para">
+ Solfege では３種類の課題があります。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "聴いて当てる "課題は、ある種の音楽の構造を演奏して、あなたにそれを、広く持ちいられるきまりに従って特定、分類、あるいはラベル付けするように質問します。
+ </div></li><li class="listitem"><div class="para">
+ "当てる "課題は、ある種の音楽の構造（普通は西洋音楽の記譜法で）を表示して、あなたにそれを、広く持ちいられるきまりに従って特定、分類、あるいはラベル付けするように質問します。
+ </div></li><li class="listitem"><div class="para">
+ "歌う "課題は、ある音楽の構造、ときには部分的に完成されたもの、を示して、あなたにその構造を完成させて歌うように質問します。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ 多くの商用のオーラルスキルコンピュータアプリケーションと違って、Solfege では、ユーザは問題ができたか、どのくらい正しくできたか、を知ることが求められます。これは特に "歌う "タイプの課題で顕著です。Solfege はユーザが歌った結果を入力する機能がないからです。このため、少なくても２つのことを注意しないといけません：１つめは、問題ができたかどうかを正直に Solfege に伝えるのはあなた自身のためになるということです。そうすれば、Solfege はあなたの弱点に集中することができ、あなたの進捗をより正確に把握することができるからです。２つめは、音楽に関しては、正しさには多くの段階があり、和声やメロディの書き取りでは特にこの種類の部分的な正解というものがあるということです。
+ </div><div class="para">
+ オーラルスキル開発において困難な地点に来たならば、音楽的感性を作るには多大な時間と努力が必要だということを思い出してください。ある人にとってはそれは他の人にとってより簡単です。ある課題が他の課題より簡単だ、ということは、多くの人にとってあることです。よく言われる音楽的感性（とオーラルスキル）についての文化的考察では、人は音楽能力を持って生まれるもので、後から獲得することはできない、といいます。しかし、最近の研究によれば、聴覚に問題のない人であれば、誰でも、十分な決意と努力と正しい学習により、音楽的感性とオーラルスキルを、とても高いレベルにまで開発することができるとされています。
+ </div><div class="para">
+ それを心に留めて、以下のセクションはあなたが Solfege を完全なオーラルスキル開発プログラムの一部として取り込むことのお手伝いをします。
+ </div><div class="section" id="sect-Musicians_Guide-Solfege-Training-Aural_Skilla_and_Musical_Sensibility"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Training-Aural_Skilla_and_Musical_Sensibility">13.3.1. オーラルスキルと音楽的感性</h3></div></div></div><div class="para">
+ 誰ã‹ãŒéŸ³æ¥½ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°ã‚’å—ã‘よã†ã¨æ±ºã‚ã‚‹ã¨ãã€å½¼ã‚‰ãŒå®Ÿéš›ã«ã—ã¦ã„ã‚‹ã®ã¯ã€ï¼‘ã¤ã®ç‰¹å®šã®ç¨®é¡žã®éŸ³æ¥½ã«å‚åŠ ã™ã‚‹ãŸã‚ã«å¿…è¦ãªã‚¹ã‚ル開発ã¨æ§˜å¼çš„知è˜ã®ç²å¾—ã§ã™ã€‚多ãã®ç•°ãªã‚‹ç¨®é¡žã®ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°ãŒã‚ã‚Šã€éŸ³æ¥½é–‹ç™ºã«ã¨ã£ã¦ã€æ•™å®¤ã§è²»ã‚„ã•ã‚Œã‚‹æ™‚é–“ã¯ã€ã©ã“ã‹ä»–ã®æœ¬ç‰©ã®éŸ³æ¥½ç¾å ´ã«å‚åŠ ã™ã‚‹ã“ã¨ã§è²»ã‚„ã•ã‚Œã‚‹æ™‚é–“ã¨æ¯”ã¹ã¦ã€é‡è¦ã§ã¯ã‚ã‚Šã¾ã›ã‚“。音楽家ã«ã¨ã£ã¦å¤šãã®ç•°ãªã‚‹ç¨®é¡žã®ã‚¹ã‚ルãŒæœ‰ç”¨ã§ã€ãã‚Œã¯ãã®äººãŒå‚åŠ ã—よã†ã¨ã™ã‚‹éŸ³æ¥½ã®ç¨®é¡žã«ä¾å˜ã—ã¾ã™ã€‚ギターを演å¥ã™ã‚‹ãƒ•ã‚©ãƒ¼ã‚¯ã‚·ãƒ³ã‚¬ãƒ¼ã¯ã€æ•°åƒã®ç•°ãªã‚‹æŒã®ã‚³ãƒ¼ãƒ‰é€²è¡Œã€ãƒ¡ãƒãƒ‡ã‚£ãã—ã¦æŒè©žã‚’記憶ã™ã‚‹ã“ã¨ã‚’望むã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。オーケストラã®ã‚ªãƒ¼ãƒœã‚¨å¥è€…ã¯è‡ªåˆ†ã®ãƒªãƒ¼ãƒ‰ã‚’アシã®çš®ã‹ã‚‰ä½œã‚‹ã“ã¨ã‚’望むã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。ã»ã¨ã‚“ã©ã®éŸ³æ¥½å®¶ã¯éŸ³æ¥½ã‚’è´ã„ã¦ä»–ã®éŸ³æ¥½å
®¶ãŒè‡ªåˆ†ã®ä½œå“を表ç¾ã™ã‚‹ã®ã«ä½¿ã£ãŸæ§‹é€ を知覚ã™ã‚‹èƒ½åŠ›ãŒå¿…è¦ã§ã™ã€‚ã“れらã®æ§‹é€ 㯠"音楽ç†è«– "ã§èª¬æ˜Žã•ã‚Œã€éŸ³æ¥½ã®ä¸ã§ã“れらã®ã“ã¨ã‚’èžãå–ã‚‹ã®ã«ä½¿ã‚れるスã‚ルセットを "オーラルスã‚ル "ã¨å‘¼ã³ã¾ã™ã€‚音楽家ã¯å½¼ã‚‰ã®ã‚ªãƒ¼ãƒ©ãƒ«ã‚¹ã‚ルを "イヤートレーニング "ã‚ã‚‹ã„㯠"オーラルスã‚ルトレーニング "ã¨å‘¼ã°ã‚Œã‚‹æ‰‹é †ã®ã‚»ãƒƒãƒˆã§è¨“ç·´ã—ã¾ã™ã€‚
+ </div><div class="para">
+ 音楽的感性は、オーラルスキルが使われて、音楽家が自分の音楽（そして他の人々の音楽）がどのように、そしてなぜ、機能して、そのように響くのかを理解したときに発達します。この理解は、聴衆が演奏者に期待する手続きと慣習を知覚する鍵となるものです。このため、演奏者が美的に喜ばしい音楽を作成する能力の鍵でもあります。
+ </div><div class="para">
+ よく発達した音楽的感性とオーラルスキルのセットを持つことはいずれも音楽家であることの重要な側面ですが、それだけでよいわけではありません。何よりも、音楽家（あるいは音楽家志望の人）は他の音楽家達と話し、聴くことが大事です。
+ </div></div><div class="section" id="sect-Musicians_Guide-Solfege-Training-Exercise_Types"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Training-Exercise_Types">13.3.2. 課題のタイプ</h3></div></div></div><div class="para">
+ Solfege の課題は６つの大きなカテゴリーに分かれています。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Intervals は順にあるいは和音で演奏される音が何度離れているか聞き取る能力をテストします。
+ </div></li><li class="listitem"><div class="para">
+ Rhythm は単一の音程で演奏されるリズムを聴いて記譜する能力と、そのリズムをキーボードの上でタップして演奏する能力をテストします。
+ </div></li><li class="listitem"><div class="para">
+ Theory は書かれた音程と音階の名前を当てる能力、そしてドレミファ音階を正しく使う能力をテストします。
+ </div></li><li class="listitem"><div class="para">
+ Chords はいろいろな間隔の音で作られ、いろいろな音程で演奏される和音を聞き取る能力とその和音を歌う能力をテストします。
+ </div></li><li class="listitem"><div class="para">
+ Scales は旋法と音階を聞き取る能力をテストします。
+ </div></li><li class="listitem"><div class="para">
+ Miscellaneous はいろいろな課題を含みます。例えば：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Intonation は２つめの音程があるべき音程より低いか高いかを聞き取る能力をテストします。
+ </div></li><li class="listitem"><div class="para">
+ Dictation は旋律を聴いて記譜する能力をテストします。
+ </div></li><li class="listitem"><div class="para">
+ Identify Tone は相対音感（ <a href="http://en.wikipedia.org/wiki/Relative_pitch">http://en.wikipedia.org/wiki/Relative_pitch</a> の <em class="citetitle">Relative Pitch (Wikipedia)</em> を参照）を使う能力をテストします。
+ </div></li><li class="listitem"><div class="para">
+ Sing Twelve Random Tones は、多くのスキルをテストします。
+ </div></li><li class="listitem"><div class="para">
+ Beats per Minute は、テンポを判断する能力をテストします。
+ </div></li><li class="listitem"><div class="para">
+ Harmonic Progressions は次々に演奏される一連の和音を聞き取ってローマ数字の和音記号を当てはめる能力をテストします。
+ </div></li><li class="listitem"><div class="para">
+ Hear Tones は、相対音感のトレーニングです。
+ </div></li><li class="listitem"><div class="para">
+ Cadences は一緒に演奏される２つの和音を聞き取ってローマ数字の和音記号で表す能力をテストします。
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div><div class="para">
+ すべてのこれらの課題は実際の音楽現場での外でのあなたのオーラルスキルの使用を必要とします。これは無駄なことに見えるかもしれませんが、音楽現場での最終的な聞き取る能力の重要な部分であると、以前から認識されています。どちらの能力も突然現れることはありません。それは熱心な練習が必要です。
+ </div></div><div class="section" id="sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program">13.3.3. オーラルスキルプログラムを作る</h3></div></div></div><div class="para">
+ オーラルスキルトレーニングは、食べることのように、毎日、定期的に、いろいろな種類の入力をきちんととる必要があります。食べ物について言えば、１日に３回以上食べて、果物や野菜をたくさん、肉などと穀物、そしてその他の種類の食べ物の適当なバランスが大切です。耳のトレーニングも同じように１日のいろいろな時間に多様な入力が必要です。
+ </div><div class="para">
+ すべての人にうまくいく解決策はありません。あなたは、１日のうちの時間、それぞれのセッションの回数と長さ、そして内容を選択、変更して自分の要求に合うようにしなければいけません。以下の助言を開始点としてもらえればと思います。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ １０分のセグメントを３つ、１日に３０分、トレーニングする。
+ </div></li><li class="listitem"><div class="para">
+ セグメント１
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 起きたら、朝食の前に。
+ </div></li><li class="listitem"><div class="para">
+ 声と体をウオームアップします。（いずれにせよ、よい習慣です。１０分には <span class="emphasis"><em> 含まれません </em></span> ！）
+ </div></li><li class="listitem"><div class="para">
+ 初見歌唱のための本からいくつかの曲を歌い、完成させる。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ セグメント２
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 昼食の後、仕事に戻る前に。
+ </div></li><li class="listitem"><div class="para">
+ なにか音楽を聴いて、それを書き取ってみる。
+ </div></li><li class="listitem"><div class="para">
+ タスクをより管理しやすくするためには、音楽の小さな部分をとって、１つの側面に注目する：メロディ、和音、あるいはリズム。
+ </div></li><li class="listitem"><div class="para">
+ 正解かどうかを調べるには、ピアノ（あるいは固定音程の参照楽器）を使うか、あるいは出版されている楽譜があればそれと比べます。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ セグメント３
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 夕食後少ししてから。
+ </div></li><li class="listitem"><div class="para">
+ GNU Solfege を使って音楽の基本を聞き取る能力をテストします。
+ </div></li><li class="listitem"><div class="para">
+ ２，３の異なる種類の課題に、それぞれ、わずか２，３分を、使いましょう。
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div><div class="para">
+ １０分のセグメントが３つは、長い時間ではありません。そして、実際のところ、それは計画したり資料を探して準備したりするのに余分の時間がかかるかもしれません。そうであっても、重要なことはあなたのオーラルスキルのトレーニングは、過度な量と時間をかける必要はないということです。大事なのはあなたの努力が一貫していて、よく計画されていることです。
+ </div></div><div class="section" id="sect-Musicians_Guide-Solfege-Training-Supplementary_References"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Training-Supplementary_References">13.3.4. 補足の参照</h3></div></div></div><div class="para">
+ GNU Solfege は比較的広い種類の課題を提供します。しかし、１つのもので、かたよりのないオーラルスキルのセットを開発するのに必要なすべての課題とトレーニングを提供するのはおそらく不可能です。以下のいくつかの本と活動は、"Solfege"で得られる課題を補足するものとして使われるとよいでしょう。メロディと和音の書き取りは、まだ "Solfege"の強みではありません。これは異なる課題の数が少ないためです。これは将来、開発者がソフトウエアを改善するにつれ、改善されるでしょう。
+ </div><div class="para">
+ 活動：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 実際の音楽で書き取りをする。完全な楽譜を書くよりは、１つの要素に注目してみてください。あなたの解答を可能なら出版された楽譜と比べて確かめます。いくつかのオーケストラの楽器は、コンサートピッチで書かれていないこともあるので注意ください。
+ </div></li><li class="listitem"><div class="para">
+ あなたの初見歌唱のスキルを使って、メロディあるいはリズムを歌い、それを聴くあなたの友人が書き取りの例に使います。
+ </div></li><li class="listitem"><div class="para">
+ ４人以上の人で、バッハのコラールを初見歌唱する例に使います。すべての声域の友達がそろうと助かりますが、必須ではありません。ドレミファ音階を使い、コラールの歌詞は無視してください。
+ </div></li><li class="listitem"><div class="para">
+ ファンのような機械的デバイスが一定の音程を出しているなら、それにあわせて和声的音程で歌う練習ができます。
+ </div></li><li class="listitem"><div class="para">
+ あなたの友達の前で、長い課題と短い課題を、別々の楽器で演奏します。これはコンピュータが提供するよりも現実的な音楽の現場での能力を開発するのに役に立ちます。しかし、依然として独立した環境で、です。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ オーラルスキルの本：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Crowell の <em class="citetitle">Eyes and Ears</em> は、上に示した URL から無料で入手できるオープンソースの初見歌唱の教科書です。この本は４００ほどのパブリックドメインのメロディを、役立ついくつかの指示とともに収録しています。
+ </div></li><li class="listitem"><div class="para">
+ Hall の <em class="citetitle">Studying Rhythm</em> は、小さくて高価で、しかし役に立つ本で、演奏、あるいは演奏と拍手されるためのリズムのコレクションです。この本はいくつかの３部あるいは４部のリズムも収録しています。課題は順に難しくなっていきます。いくつかの演奏上のヒントも述べられています。
+ </div></li><li class="listitem"><div class="para">
+ Hindemith の <em class="citetitle">Elementary Training</em> は、古典的なオーラルスキルの教科書です。しかし、それが最初に出版されたのは１９４９年のことで、それ以来、人々がオーラルスキルをいかにに学ぶことができるかについての多くの研究が行われました。この本では広い種類の課題、特に複数の音楽ラインを演奏するときに協調させる能力を開発する課題が提供されます。Hindemith の指示を無視して、<em class="firstterm">tonic solfa</em> シラブルを使うことをお勧めします。tonic solfa について詳しくは、<a href="http://en.wikipedia.org/wiki/Tonic_sol-fa">http://en.wikipedia.org/wiki/Tonic_sol-fa</a> の <em class="citetitle">Tonic sol-fa</em> を参照ください。
+ </div></li><li class="listitem"><div class="para">
+ Hoffman の <em class="citetitle">The Rhythm Book</em> は takadimi リズムシステムのために特別に書かれました。Hall の教科書と同じように、<em class="citetitle">The Rhythm Book</em> は簡単な課題から難しい課題に進み、演奏のための役に立つ指示を提供します。
+ </div></li><li class="listitem"><div class="para">
+ Karpinski の２つの教科書は音楽家がいかにしてオーラルスキルを獲得するかについての２０年における研究の結果です。<em class="citetitle">Manual</em> には、あなたが音楽の要素 <span class="emphasis"><em> と </em></span> 本物の音楽を聴くトレーニングをするときの指示、課題、そしてヒントが書いてあります。さらに、いかに音楽を演奏し、想像するかについても書いてあります。<em class="citetitle">Anthology</em> は <em class="citetitle">Manual</em> で議論されている話題と同じ章で構成され、ほとんど説明は書いてありません。<em class="citetitle">Anthology</em> は広い種類の音楽の抜粋を収録します。あるものはパブリックドメインで、あるものは著作権のもとにあります。"クラシック音楽 "の聖典から民謡にいたるまで。３声部あるいは４声部の課題もあり
、オーラルスキルを勉強する人のグループで演奏されるためのものです。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ どの本でも、初見歌唱の練習をするときは、曲を歌う前に主音程を固定音程の楽器（ピアノあるいはキーボードシンセサイザーなど）で聴くことをお勧めします。主音程を心に留めて、声を出して歌うことなく、曲の最初の音を探します。そして曲を <span class="emphasis"><em> 心の中で </em></span>、その曲を正確に歌っていると自信が持てるまで何回か歌います。メロディが心の中に得られたら、その曲を正しく歌っていると自信が持てるまで何回でも、大きな声で歌います。曲を完璧に歌った <span class="emphasis"><em> 後で </em></span> 固定音程の楽器でそれを演奏してあなたが正しかったかを確かめてください。
+ </div><div class="para">
+ あなたの耳を、外部の音源（ピアノなど）にできるだけ頼ることなく作り上げなければいけません。多くの研究は、これはあたなにより柔軟な音楽の心をもたらし、最初の学習曲線はとても険しいものの、あなたは最後には新しい概念をより速く学習できるようになると教えています。
+ </div><div class="bibliography" id="id1010518"><div class="titlepage"><div><div><h4 class="title">オーラルスキルの本</h4></div></div></div><div class="biblioentry"><p><span class="author"><span class="surname">Crowell</span> <span class="firstname">Ben</span> [FAMILY Given]. </span><span class="title"><em>Eyes and Ears: an Anthology of Melodies for Sight-Singing</em>. </span><span class="date">2004. </span><span class="publisher"><span class="publishername">
+ Ben Crowell
+ . </span><span class="address"><span class="otheraddr"><a href="http://www.lightandmatter.com/sight/sight.html">http://www.lightandmatter.com/sight/sight.html</a></span>. </span></span></p></div><div class="biblioentry"><p><span class="author"><span class="surname">Hall</span> <span class="firstname">Anne</span> [FAMILY Given]. </span><span class="title"><em>Studying Rhythm</em>. </span><span class="date">2004. </span><span class="publishername">
+ Prentice Hall
+ . </span></p></div><div class="biblioentry"><p><span class="author"><span class="surname">Hindemith</span> <span class="firstname">Paul</span> [FAMILY Given]. </span><span class="title"><em>Elementary Training for Musicains</em>. </span><span class="date">1984. </span><span class="publishername">
+ Schott Music Corp.
+ . </span></p></div><div class="biblioentry"><p><span class="author"><span class="surname">Hoffman</span> [FAMILY Given]. </span><span class="title"><em>The Rhythm Book</em>. </span><span class="date">2009. </span><span class="publishername">
+ Smith Creek Music
+ . </span></p></div><div class="biblioentry"><p><span class="author"><span class="surname">Karpinski</span> <span class="firstname">Gary</span> [FAMILY Given]. </span><span class="title"><em>Manual for Ear Training and Sight Singing</em>. </span><span class="date">2007. </span><span class="publishername">
+ Norton
+ . </span></p></div><div class="biblioentry"><p><span class="author"><span class="surname">Karpinski</span> <span class="firstname">Gary</span> [FAMILY Given]. </span><span class="title"><em>Anthology for Sight Singing</em>. </span><span class="date">2006. </span><span class="publishername">
+ Norton
+ . </span></p></div></div></div></div><div class="section" id="sect-Musicians_Guide-Solfege-Using_the_Exercises"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Solfege-Using_the_Exercises">13.4. 課題を使う</h2></div></div></div><div class="section" id="sect-Musicians_Guide-Solfege-Listening_Exercises"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Listening_Exercises">13.4.1. Listening</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ ソフトウエアを開きます。
+ </div></li><li class="step"><div class="para">
+ "Front Page"にいます。
+ </div></li><li class="step"><div class="para">
+ どのタイプの課題をするか決めます。
+ </div></li><li class="step"><div class="para">
+ フォーカスするサブセクションを決めます。
+ </div></li><li class="step"><div class="para">
+ 最初の問題を、"New"あるいは "New Interval"もしくは、そのようなボタンをクリックして始めます。
+ </div></li><li class="step"><div class="para">
+ 課題によっては、"new"をクリックしないと新しい問題が出ないものもあります。
+ </div></li><li class="step"><div class="para">
+ 課題によっては、あなたが正解を答えると自動的に次の問題を出すように設定することができます。
+ </div></li><li class="step"><div class="para">
+ それぞれの課題を聴いたら、正しい答えを探しましょう。
+ </div></li><li class="step"><div class="para">
+ もう一度課題を聞きたいときは、そうします。
+ </div></li><li class="step"><div class="para">
+ 聞き直す回数に制限を設けるのはよいことです。
+ </div></li><li class="step"><div class="para">
+ あなたが正しいと思うものを選びます。
+ </div></li><li class="step"><div class="para">
+ 次の問題に行きます。それは問題によっては自動でされるかもしれません。あらかじめ、次の問題に行く前に待つ時間を指定することもできます。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-Singing_Exercises"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Singing_Exercises">13.4.2. Singing</h3></div></div></div><div class="para">
+ これらは、"Sing intervals"です。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "Sing intervals"を選択します。
+ </div></li><li class="step"><div class="para">
+ フォーカスしたいものを選びます。
+ </div></li><li class="step"><div class="para">
+ 課題が始まり、あなたが歌う最初の音を演奏します。
+ </div></li><li class="step"><div class="para">
+ 最初と次の音を歌ってください。あるいは、次の音だけを歌うと、より難しくなります。（ヒント：ドレミファ音階をつかいなさい！）
+ </div></li><li class="step"><div class="para">
+ Solfege はあなたが正しく音程を歌えたかわからないので、自分で申告しないといけません。
+ </div></li></ol></div><div class="para">
+ "Tap generated rhythm"
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "Tap generated rhythm"を選択します。
+ </div></li><li class="step"><div class="para">
+ サブカテゴリを選びます。（それらは、書き取りの課題と同じ構成です。ただ、複合音律はありません。）以下を参照ください。
+ </div></li><li class="step"><div class="para">
+ "New"をクリックします。
+ </div></li><li class="step"><div class="para">
+ リズムが演奏されます。注意して聴きましょう。できれば、拍子をとります。
+ </div></li><li class="step"><div class="para">
+ リズムの書き取り課題と同じく、イントロが流れます。
+ </div></li><li class="step"><div class="para">
+ "Tap here"をクリックして、そのリズムを繰り返してください。
+ </div></li><li class="step"><div class="para">
+ スペースバーを使ってタップするのが一番良いです。こうします。
+ </div></li><li class="step"><div class="para">
+ "accuracy"の設定は高すぎることもあります。私は０．３０が好みです。
+ </div></li><li class="step"><div class="para">
+ "Config"で、"Number of beats in question"を変更して、難しさを調整できます。
+ </div></li></ol></div><div class="para">
+ "Sing chord"
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "Sing chord"を選択します。
+ </div></li><li class="step"><div class="para">
+ 歌いたい和音のタイプを選びます。
+ </div></li><li class="step"><div class="para">
+ "New"をクリックします。
+ </div></li><li class="step"><div class="para">
+ Solfege は自動的に "A"の音を演奏します。もう一度聴くには、"440hz"をクリックします。
+ </div></li><li class="step"><div class="para">
+ 昇順に和音を歌います。
+ </div></li><li class="step"><div class="para">
+ "Play answer"をクリックして、正しく歌えたか確認します。音程が同じかよく聞いてください。
+ </div></li><li class="step"><div class="para">
+ 次の問題は、"New"をクリックします。
+ </div></li><li class="step"><div class="para">
+ "Config"タブで、組み込みのモデルをどの遠さまで転調するかを変更できます。<code class="code">['key', -5, 5]</code> のままにしておくのがよいです。
+ </div></li><li class="step"><div class="para">
+ Solfege はあなたが正しく音程を歌えたかわからないので、自分で申告しないといけません。
+ </div></li></ol></div><div class="para">
+ "Sing chord tone"
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "Sing chord tone"を選択します。
+ </div></li><li class="step"><div class="para">
+ 和音の中のどの音を歌う練習をしたいか選択します。
+ </div></li><li class="step"><div class="para">
+ "New"をクリックします。
+ </div></li><li class="step"><div class="para">
+ Solfege は和音をブロック形式で表示と演奏します。あなたは指定された和音の中の音を歌わなくてはなりません。
+ </div></li><li class="step"><div class="para">
+ ブロック形式で和音を繰り返して聴く ("Repeat") ことも、アルペジオ形式で聴く ("Repeat arpeggio") こともできます。アルペジオ形式で聴くのはずっと易しいので、両方の方法で練習するとよいです。
+ </div></li><li class="step"><div class="para">
+ 和音の中の音を正しく歌ったと思ったら、"Play answer"をクリックします。
+ </div></li><li class="step"><div class="para">
+ 次の問題は、"New"をクリックします。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-Configure_Yourself_Exericses"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Configure_Yourself_Exericses">13.4.3. Configure Yourself</h3></div></div></div><div class="para">
+ これらの課題では、Solfege のデフォルトを使う代わりに、あなたが自分のトレーニングのフォーカスを変更することができます。課題を開くと、デフォルトの設定がありますが、同じウインドウの "Config"タブでカスタマイズできます。"Configure Yourself"では以下のものがカスタマイズできますが、他の課題ではそれはできません。
+ </div><div class="para">
+ "Harmonic intervals"では m2 から M10 までの特定の音程を選択したり選択を外したりできます。
+ </div><div class="para">
+ "Melodic intervals"と "Sing intervals"では m2 から M10 までの特定の音程を選択したり選択を外したりできます。さらに、それらを昇順、降順、あるいは両方でテストする指定ができます。
+ </div><div class="para">
+ "Compare intervals"では、短２度から長１０度までの特定の音程を選ぶことができます。さらに、最初と次の音程で独立に、和音的か旋律的かを選ぶこともできます。
+ </div><div class="para">
+ "Id tone": はそれぞれの音程に "重み付け "を設定して、特定の音に集中するようにできます。オクターブを高くしたり低くしたり調整することもできます。
+ </div><div class="para">
+ リズムのすべての課題で、"binary time"は "単純拍子 "の意味で、"ternary time"は "複合拍子 "の意味です。すべてのセクションで、問題を作るときにどの単拍子のリズムを使うかを選択できます。
+ </div></div><div class="section" id="sect-Musicians_Guide-Solfege-Rhythm_Exercises"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Rhythm_Exercises">13.4.4. Rhythm</h3></div></div></div><div class="para">
+ これは書き取りあるいはプレイバックです。このセクションで述べられるリズムは、"takadimi"リズムシステムを使っています。詳しくは <a href="http://www.takadimi.net/takadimiArticle.html">http://www.takadimi.net/takadimiArticle.html</a> の <em class="citetitle">The Takadimi Article</em> を参照ください。お好みのリズムシステムを使ってください。
+ </div><div class="para">
+ リズムの書き取りをするには：
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "Rhythm"を選択します。
+ </div></li><li class="step"><div class="para">
+ サブカテゴリを選びます：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Rhythms (easy) は : ４分音符、２つの８分音符、４つの１６分音符
+ </div></li><li class="listitem"><div class="para">
+ Rhythms は：これプラス、ka-di-mi, ta-ka-mi, ta-ka-di, ta-mi, そして ta-ka です。
+ </div></li><li class="listitem"><div class="para">
+ Rhythms (difficult) は : これプラス、休止符と３連符です。
+ </div></li><li class="listitem"><div class="para">
+ Rhythms in 3/8 は : 複合拍子ですべて
+ </div></li></ul></div>
+
+ </div></li><li class="step"><div class="para">
+ 新しい問題は、"New"をクリックします。
+ </div></li><li class="step"><div class="para">
+ "Play"ボタンの上にあるボタンをクリックして、リズムの単位を、最初から最後の順で入手します。
+ </div></li><li class="step"><div class="para">
+ 計算するには、紙を使いましょう。
+ </div></li><li class="step"><div class="para">
+ 入力を間違えたら、"Backspace"ボタンを使います。
+ </div></li><li class="step"><div class="para">
+ "Repeat"で、もう一度聴くことができます。あまりたくさんはダメです！
+ </div></li><li class="step"><div class="para">
+ "Config"タブで問題ごとの拍子の数を増やして難しさを変えることができます。
+ </div></li><li class="step"><div class="para">
+ 間違えたら、直すチャンスがあります。あなたのために、不正解の部分は赤でアンダーラインが引かれます。
+ </div></li></ol></div><div class="para">
+ リズムのタップバックについては、前記 "Singing Exercises"のセクションを参照ください。
+ </div></div><div class="section" id="sect-Musicians_Guide-Solfege-Dictation_Exercises"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Dictation_Exercises">13.4.5. Dictation</h3></div></div></div><div class="para">
+ これらの書き取り課題は旋律の書き取りのためのものです。ここでは例の種類はあまり多くなく、易しいか難しいかのいずれかで、中間の課題はありません。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "Dictation"をクリックします。
+ </div></li><li class="step"><div class="para">
+ レベルを選びます：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Volkslieder 1: ドイツ民謡（易しい）
+ </div></li><li class="listitem"><div class="para">
+ Volkslieder 2: ドイツ民謡（易しい）
+ </div></li><li class="listitem"><div class="para">
+ ２つのバッハのインベンションからの部分：２つだけです。４つのカテゴリーの中で最も難しいです。
+ </div></li><li class="listitem"><div class="para">
+ Norwegian children songs: ３つだけです。（易しい）
+ </div></li></ul></div>
+
+ </div></li><li class="step"><div class="para">
+ 音部記号、調性、そして拍子記号はあなたのためにあらかじめ書いてあります。開始の音とタイトルも。
+ </div></li><li class="step"><div class="para">
+ ４分音符のボタンで、旋律の一部だけを演奏することができます。
+ </div></li><li class="step"><div class="para">
+ "Play the whole music"は、音楽のすべての部分を演奏します。
+ </div></li><li class="step"><div class="para">
+ "戻る "と "進む "は、書き取りのための曲を変更します。
+ </div></li><li class="step"><div class="para">
+ "Play the whole music"を必要なだけ何回でも（最高でも５−７あるいはそれより少なく、曲にもよります）聴くのがよいです。
+ </div></li><li class="step"><div class="para">
+ 音楽の部分だけを聴くのは避けるのがよいです。
+ </div></li><li class="step"><div class="para">
+ 紙に曲を書いて、正しくできたと自信が持てたら、"Show"をクリックします。
+ </div></li><li class="step"><div class="para">
+ この課題は自己管理なので、進捗管理はしません。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-Solfege-Harmonic_Progressions"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Harmonic_Progressions">13.4.6. Harmonic Progressions</h3></div></div></div><div class="para">
+ 以下の書き取り課題は和音の書き取りです。和声進行を当てる問題が出ます。さらに、少なくとも外側の音（最も低いものと最も高いもの）を当てる必要もあります。これらの進行は、Common Practice Period 和声進行には従っていないのに注意ください。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "Harmonic progressions"をクリックします。
+ </div></li><li class="step"><div class="para">
+ いくつかの和声進行は MMA （以前に述べたように）が必要です。インストール手順は以下を参照ください。
+ </div></li><li class="step"><div class="para">
+ MMA でないカテゴリーは、以下の和声を含みます。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Easy harmonic progressions": I, II, IV, V, VI
+ </div></li><li class="listitem"><div class="para">
+ with Inverisons: IV6 と V6 を加えます。
+ </div></li><li class="listitem"><div class="para">
+ "Three chords, root position": I, II, III, IV, V, VI
+ </div></li></ul></div>
+
+ </div></li><li class="step"><div class="para">
+ カテゴリーを選択します。
+ </div></li><li class="step"><div class="para">
+ "New"を選択して、問題を得ます。
+ </div></li><li class="step"><div class="para">
+ パッセージは自動的に１回、演奏されます。しかし、調号はわからないかもしれません。書き取り結果を記譜していてどの音程が使われているかわからないときは、調を推測しないといけません。あなたが正しいか知るには、ドレミファ音階相当を使ってください。
+ </div></li><li class="step"><div class="para">
+ 和音ボタンをクリックして、あなたが聞き取った和音の列を最初から最後の順で入力します。
+ </div></li><li class="step"><div class="para">
+ 例をもう一度聞くには、"Repeat"をクリックします。
+ </div></li><li class="step"><div class="para">
+ 間違えたら、"Backspace"をクリックして、最後に入力した和音を消します。
+ </div></li><li class="step"><div class="para">
+ 正しいという自信が持てたら、"Guess answer"をクリックします。
+ </div></li><li class="step"><div class="para">
+ 次の問題は、"New"をクリックします。
+ </div></li></ol></div></div><div class="section" id="sect-Musicians_Guide-Solfege-Intonation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Intonation">13.4.7. Intonation</h3></div></div></div><div class="para">
+ イントネーションの課題をするには、"Csound"アプリケーションをインストールする必要があります。Csound をインストールする手順は <a class="xref" href="#sect-Musicians_Guide-Solfege-Install_Csound">「オプショナルなインストール： Csound」</a> を参照ください。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "Intonation"をクリックします。
+ </div></li><li class="step"><div class="para">
+ すべての課題は、昇順の完全５度をテストします。数字が１．０に近ければ近いほど、音が外れている距離が小さいです
+ </div></li><li class="step"><div class="para">
+ 新しい問題は、"New"をクリックします。
+ </div></li><li class="step"><div class="para">
+ 音程が自動的に演奏されます。
+ </div></li><li class="step"><div class="para">
+ 音程を繰り返すには、"Repeat"をクリックします。
+ </div></li><li class="step"><div class="para">
+ ２つめの音が、フラット（音の間隔が小さすぎる）、合っている、（間隔が正しい大きさ）あるいはシャープ（間隔が大きすぎる）のいずれかを選択します。
+ </div></li><li class="step"><div class="para">
+ 正しいと自信が持てたら、対応するボタンをクリックします。
+ </div></li><li class="step"><div class="para">
+ 新しい問題は、"New"をクリックします。
+ </div></li></ol></div></div></div></div></div><div xml:lang="ja-JP" class="appendix" id="appe-Musicians_Guide-Contributors" lang="ja-JP"><div class="titlepage"><div><div><h1 class="title">Contributors</h1></div></div></div><div class="para">
+ The following people have contributed to the Fedora 16 Musicians' Guide, or a previous version.
+ </div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="https://fedoraproject.org/wiki/User:Crantila">Christopher Antila</a> (writer)
+ </div></li><li class="listitem"><div class="para">
+ Motohiro Kanda (translator—Japanese)
+ </div></li><li class="listitem"><div class="para">
+ <a href="https://fedoraproject.org/wiki/User:Rlandmann">Ruedigger Landmann</a> (mentor)
+ </div></li></ul></div>
+
+ </div></div><div xml:lang="ja-JP" class="appendix" id="appe-Musicians_Guide-Revision_History" lang="ja-JP"><div class="titlepage"><div><div><h1 class="title">改訂履歴</h1></div></div></div><div class="para">
+ <div class="revhistory"><table border="0" width="100%" summary="Revision history"><tr><th align="left" valign="top" colspan="3"><strong>改訂履歴</strong></th></tr><tr><td align="left">改訂 0.0</td><td align="left">27 July 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>publican で最初のブックを作成</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.1</td><td align="left">2 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>First publically-available draft in DocBook format.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.2</td><td align="left">3 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Revised section headings.</td></tr><tr><td>Improved and consistent-ified "Requirements and Installation" for DAWs</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.3</td><td align="left">4 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Significantly revised Audacity chapter.</td></tr><tr><td>Updated JACK installation slightly.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.4</td><td align="left">5 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added all external and internal links.</td></tr><tr><td>Added all images.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.5</td><td align="left">6 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Re-formatted ex-<pre> tags.</td></tr><tr><td>Changed images to <inlinemediaobject>, where appropriate.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.6</td><td align="left">7 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added tables to SuperCollider chapter.</td></tr><tr><td>Reviewed <code> tags, all but Basic Programming in SC.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.7</td><td align="left">8 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Reviewed use of <code> tags in "Basic Programming in SC" chapter.</td></tr><tr><td>Searched code for '' or ''' and replaced them with <emphasis> where appropriate.</td></tr><tr><td>Formatted bibliography/book-list in the Solfege chapter.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.8</td><td align="left">27 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Re-wrote the JACK installation instructions, to incorporate the fact that jack2 will be in F14</td></tr><tr><td>Made other minor revisions to the sound servers section.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.9</td><td align="left">6 September 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added links to tutorial files.</td></tr><tr><td>Incorporated some comments from external sources.</td></tr><tr><td>Changed numbering of Revision History.</td></tr><tr><td>Added list of links that need to be updated with every release, to Musicians_Guide.xml</td></tr><tr><td>Updated Audacity to make it publish-able.</td></tr><tr><td>Replaced instances of "Fedora 14" with "Fedora $PRODVER;"</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.9</td><td align="left">23 December 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Changed version numbering to correspond more closely to the intended Fedora release version.</td></tr><tr><td>Removed "asdf" part introductions.</td></tr><tr><td>Updated entity (.ent) file for Fedora 15.</td></tr><tr><td>Updated hard-coded links to supplemental files for Fedora 15.</td></tr><tr><td>Changed subtitle to remove possessive ("Fedora Linux's").</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.9.1</td><td align="left">26 December 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Fixed Bug 665663 ("URLs to all Tutorial Files Are Broken") for Fedora 15.</td></tr><tr><td>Re-wrote Section 12.4.7.1 to fix the first error in Bug 654187.</td></tr><tr><td>Renamed some section in Chapter 12, making them easier to translate (I hope).</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.9.2</td><td align="left">2 January 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Reformatted dates in Revision History.</td></tr><tr><td>Re-wrote Section 12.4.8.2 to fix the second error in Bug 654187.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.9.3</td><td align="left">28 January 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added fix for Bug 670520.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.9.4</td><td align="left">27 February 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added fixes for Bugs 677362 and 674335.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.9.5</td><td align="left">2 May 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added fix for Bug 665660.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15-1.0</td><td align="left">21 May 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Published for Fedora 15.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15-1.0.1</td><td align="left">3 June 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Fixed Bug 710332.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15.9.1</td><td align="left">15 June 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Fixed Bug 670540.</td></tr><tr><td>Revised parts of Chapters 9 (Rosegarden) and 10 (FluidSynth).</td></tr><tr><td>Removed period from end of subtitle.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15.9.2</td><td align="left">26 June 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Fixed Bug 670533.</td></tr><tr><td>Revised parts of Chapter 9 (Rosegarden configuration).</td></tr><tr><td>Revised parts of Chapter 8 (Qtractor configuration).</td></tr><tr><td>Fixed Bug 673519.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15.9.3</td><td align="left">3 July 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added "O_S" and "OPERATING_SYSTEM" entities to aid potential adoption by other distributions.</td></tr><tr><td>Started replacing "Fedora" and "Fedora Linux" with entities listed above.</td></tr><tr><td>Added documentation of the Ardour "nudge tool."</td></tr><tr><td>Integrated useful parts of "Frescobaldi" chapter into "LilyPond" chapter and removed "Frescobaldi."</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15.9.4</td><td align="left">9 July 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added links to Qtractor tutorial recordings and revised opening paragraphs of tutorial.</td></tr><tr><td>Updated copyright holder from "Red Hat Inc. and others" to "Fedora Project Contributors."</td></tr><tr><td>Added "Contributors" appendix.</td></tr><tr><td>Removed index; will replace it when it's useful.</td></tr><tr><td>Removed my name from the Author_Group.xml, moved it into Contributors appendx.</td></tr><tr><td>Removed "pulse-rt" from the groups required for JACK access.</td></tr><tr><td>Updated all files, as appropriate, to replace "Fedora" and "Fedora Linux" with XML entities, to aid adoption by other groups.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15.9.5</td><td align="left">14 September 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added R. Landmann to list of contributors.</td></tr><tr><td>Updated "ooolilypond" to refer to LibreOffice. Hope it's okay.</td></tr><tr><td>Started to proofread LilyPond introductory material.</td></tr><tr><td>Branched for Fedora 16.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 16-1.0</td><td align="left">9 November 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Published book for Fedora 16.</td></tr></table>
+
+ </td></tr></table></div>
+
+ </div></div></div></body></html>
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+ white-space: -o-pre-wrap; /* Opera 7 */
+ word-wrap: break-word; /* Internet Explorer 5.5+ */
+ font-size: 0.9em;
+}
+
+pre .replaceable,
+pre .keycap {
+}
+
+code {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+/* white-space: nowrap;*/
+ white-space: pre-wrap;
+ word-wrap: break-word;
+ font-weight:bold;
+}
+
+.parameter code {
+ display: inline;
+ white-space: pre-wrap; /* css-3 */
+ white-space: -moz-pre-wrap !important; /* Mozilla, since 1999 */
+ white-space: -pre-wrap; /* Opera 4-6 */
+ white-space: -o-pre-wrap; /* Opera 7 */
+ word-wrap: break-word; /* Internet Explorer 5.5+ */
+}
+
+/*Notifications*/
+div.warning:before {
+ content:url(../images/warning.png);
+ padding-left: 5px;
+}
+
+div.note:before {
+ content:url(../images/note.png);
+ padding-left: 5px;
+}
+
+div.important:before {
+ content:url(../images/important.png);
+ padding-left: 5px;
+}
+
+div.warning, div.note, div.important {
+ color: black;
+ margin: 0em;
+ padding: 0em;
+ background: none;
+ background-color: white;
+ margin-bottom: 1em;
+ border-bottom: 1px solid #aaaaaa;
+ page-break-inside: avoid;
+}
+
+div.warning h2, div.note h2,div.important h2 {
+ margin: 0em;
+ padding: 0em;
+ color: #eeeeec;
+ padding-top: 0px;
+ padding-bottom: 0px;
+ height: 1.4em;
+ line-height: 1.4em;
+ font-size: 1.4em;
+ display:inline;
+}
+
+div.admonition_header {
+ clear: both;
+ margin: 0em;
+ padding: 0em;
+ margin-top: -3.3em;
+ padding-left: 58px;
+ line-height: 1.0em;
+ font-size: 1.0em;
+}
+
+div.warning div.admonition_header {
+ background: url(../images/red.png) top left repeat-x;
+ background-color: #590000;
+}
+
+div.note div.admonition_header {
+ background: url(../images/green.png) top right repeat-x;
+ background-color: #597800;
+}
+
+div.important div.admonition_header {
+ background: url(../images/yellow.png) top right repeat-x;
+ background-color: #a6710f;
+}
+
+div.warning p, div.warning div.para,
+div.note p, div.note div.para,
+div.important p, div.important div.para {
+ padding: 0em;
+ margin: 0em;
+}
+
+div.admonition {
+ border: none;
+ border-left: 1px solid #aaaaaa;
+ border-right: 1px solid #aaaaaa;
+ padding:0em;
+ margin:0em;
+ padding-top: 1.5em;
+ padding-bottom: 1em;
+ padding-left: 2em;
+ padding-right: 1em;
+ background-color: #eeeeec;
+ -moz-border-radius: 0px;
+ -webkit-border-radius: 0px;
+ border-radius: 0px;
+}
+
+/*Page Title*/
+#title {
+ display:block;
+ height:45px;
+ padding-bottom:1em;
+ margin:0em;
+}
+
+#title a.left{
+ display:inline;
+ border:none;
+}
+
+#title a.left img{
+ border:none;
+ float:left;
+ margin:0em;
+ margin-top:.7em;
+}
+
+#title a.right {
+ padding-bottom:1em;
+}
+
+#title a.right img {
+ border:none;
+ float:right;
+ margin:0em;
+ margin-top:.7em;
+}
+
+/*Table*/
+div.table {
+ page-break-inside: avoid;
+}
+
+table {
+ border:1px solid #6c614b;
+ width:100%;
+ border-collapse:collapse;
+}
+
+table.simplelist, .calloutlist table {
+ border-style: none;
+}
+
+table th {
+ text-align:left;
+ background-color:#6699cc;
+ padding:.3em .5em;
+ color:white;
+}
+
+table td {
+ padding:.15em .5em;
+}
+
+table tr.even td {
+ background-color:#f5f5f5;
+}
+
+table th p:first-child, table td p:first-child, table li p:first-child,
+table th div.para:first-child, table td div.para:first-child, table li div.para:first-child {
+ margin-top:0em;
+ padding-top:0em;
+ display:inline;
+}
+
+th, td {
+ border-style:none;
+ vertical-align: top;
+ border: 1px solid #000;
+}
+
+.simplelist th, .simplelist td {
+ border: none;
+}
+
+table table td {
+ border-bottom:1px dotted #aaa;
+ background-color:white;
+ padding:.6em 0em;
+}
+
+table table {
+ border:1px solid white;
+}
+
+td.remarkval {
+ color:#444;
+}
+
+td.fieldval {
+ font-weight:bold;
+}
+
+.lbname, .lbtype, .lbdescr, .lbdriver, .lbhost {
+ color:white;
+ font-weight:bold;
+ background-color:#999;
+ width:120px;
+}
+
+td.remarkval {
+ width:230px;
+}
+
+td.tname {
+ font-weight:bold;
+}
+
+th.dbfield {
+ width:120px;
+}
+
+th.dbtype {
+ width:70px;
+}
+
+th.dbdefault {
+ width:70px;
+}
+
+th.dbnul {
+ width:70px;
+}
+
+th.dbkey {
+ width:70px;
+}
+
+span.book {
+ margin-top:4em;
+ display:block;
+ font-size:11pt;
+}
+
+span.book a{
+ font-weight:bold;
+}
+span.chapter {
+ display:block;
+ margin-top:0.5em;
+}
+
+table.simplelist td, .calloutlist table td {
+ border-style: none;
+}
+
+/*Breadcrumbs*/
+#breadcrumbs ul li.first:before {
+ content:" ";
+}
+
+#breadcrumbs {
+ color:#900;
+ padding:3px;
+ margin-bottom:25px;
+}
+
+#breadcrumbs ul {
+ margin-left:0;
+ padding-left:0;
+ display:inline;
+ border:none;
+}
+
+#breadcrumbs ul li {
+ margin-left:0;
+ padding-left:2px;
+ border:none;
+ list-style:none;
+ display:inline;
+}
+
+#breadcrumbs ul li:before {
+ content:"\0020 \0020 \0020 \00BB \0020";
+ color:#333;
+}
+
+/*index*/
+.glossary h3,
+.index h3 {
+ font-size: 2em;
+ color:#aaa;
+ margin:0em;
+}
+
+.indexdiv {
+ margin-bottom:1em;
+}
+
+.glossary dt,
+.index dt {
+ color:#444;
+ padding-top:.5em;
+}
+
+.glossary dl dl dt,
+.index dl dl dt {
+ color:#777;
+ font-weight:normal;
+ padding-top:0em;
+}
+
+.index dl dl dt:before {
+ content:"- ";
+ color:#ccc;
+}
+
+/*changes*/
+.footnote {
+ font-size: .7em;
+ margin:0em;
+ color:#222;
+}
+
+table .footnote {
+}
+
+sup {
+ color:#999;
+ margin:0em;
+ padding:0em;
+ line-height: .4em;
+ font-size: 1em;
+ padding-left:0em;
+}
+
+.footnote {
+ position:relative;
+}
+
+.footnote sup {
+ color:#e3dcc0;
+ position:absolute;
+ left: .4em;
+}
+
+.footnote sup a:link,
+.footnote sup a:visited {
+ color:#92917d;
+ text-decoration:none;
+}
+
+.footnote:hover sup a {
+ text-decoration:none;
+}
+
+.footnote p,.footnote div.para {
+ padding-left:2em;
+}
+
+.footnote a:link,
+.footnote a:visited {
+ color:#00537c;
+}
+
+.footnote a:hover {
+}
+
+/**/
+div.chapter {
+ margin-top:3em;
+ page-break-inside: avoid;
+}
+
+div.preface {
+ page-break-inside: avoid;
+}
+
+div.section {
+ margin-top:1em;
+ page-break-inside: auto;
+}
+
+div.note .replaceable,
+div.important .replaceable,
+div.warning .replaceable,
+div.note .keycap,
+div.important .keycap,
+div.warning .keycap
+{
+}
+
+ul li p:last-child, ul li div.para:last-child {
+ margin-bottom:0em;
+ padding-bottom:0em;
+}
+
+/*document navigation*/
+.docnav a, .docnav strong {
+ border:none;
+ text-decoration:none;
+ font-weight:normal;
+}
+
+.docnav {
+ list-style:none;
+ margin:0em;
+ padding:0em;
+ position:relative;
+ width:100%;
+ padding-bottom:2em;
+ padding-top:1em;
+ border-top:1px dotted #ccc;
+}
+
+.docnav li {
+ list-style:none;
+ margin:0em;
+ padding:0em;
+ display:inline;
+ font-size:.8em;
+}
+
+.docnav li:before {
+ content:" ";
+}
+
+.docnav li.previous, .docnav li.next {
+ position:absolute;
+ top:1em;
+}
+
+.docnav li.up, .docnav li.home {
+ margin:0em 1.5em;
+}
+
+.docnav li.previous {
+ left:0px;
+ text-align:left;
+}
+
+.docnav li.next {
+ right:0px;
+ text-align:right;
+}
+
+.docnav li.previous strong, .docnav li.next strong {
+ height:22px;
+ display:block;
+}
+
+.docnav {
+ margin:0 auto;
+ text-align:center;
+}
+
+.docnav li.next a strong {
+ background: url(../images/stock-go-forward.png) top right no-repeat;
+ padding-top:3px;
+ padding-bottom:4px;
+ padding-right:28px;
+ font-size:1.2em;
+}
+
+.docnav li.previous a strong {
+ background: url(../images/stock-go-back.png) top left no-repeat;
+ padding-top:3px;
+ padding-bottom:4px;
+ padding-left:28px;
+ padding-right:0.5em;
+ font-size:1.2em;
+}
+
+.docnav li.home a strong {
+ background: url(../images/stock-home.png) top left no-repeat;
+ padding:5px;
+ padding-left:28px;
+ font-size:1.2em;
+}
+
+.docnav li.up a strong {
+ background: url(../images/stock-go-up.png) top left no-repeat;
+ padding:5px;
+ padding-left:28px;
+ font-size:1.2em;
+}
+
+.docnav a:link, .docnav a:visited {
+ color:#666;
+}
+
+.docnav a:hover, .docnav a:focus, .docnav a:active {
+ color:black;
+}
+
+.docnav a {
+ max-width: 10em;
+ overflow:hidden;
+}
+
+.docnav a:link strong {
+ text-decoration:none;
+}
+
+.docnav {
+ margin:0 auto;
+ text-align:center;
+}
+
+ul.docnav {
+ margin-bottom: 1em;
+}
+/* Reports */
+.reports ul {
+ list-style:none;
+ margin:0em;
+ padding:0em;
+}
+
+.reports li{
+ margin:0em;
+ padding:0em;
+}
+
+.reports li.odd {
+ background-color: #eeeeee;
+ margin:0em;
+ padding:0em;
+}
+
+.reports dl {
+ display:inline;
+ margin:0em;
+ padding:0em;
+ float:right;
+ margin-right: 17em;
+ margin-top:-1.3em;
+}
+
+.reports dt {
+ display:inline;
+ margin:0em;
+ padding:0em;
+}
+
+.reports dd {
+ display:inline;
+ margin:0em;
+ padding:0em;
+ padding-right:.5em;
+}
+
+.reports h2, .reports h3{
+ display:inline;
+ padding-right:.5em;
+ font-size:10pt;
+ font-weight:normal;
+}
+
+.reports div.progress {
+ display:inline;
+ float:right;
+ width:16em;
+ background:#c00 url(../images/shine.png) top left repeat-x;
+ margin:0em;
+ margin-top:-1.3em;
+ padding:0em;
+ border:none;
+}
+
+/*uniform*/
+body.results, body.reports {
+ max-width:57em ;
+ padding:0em;
+}
+
+/*Progress Bar*/
+div.progress {
+ display:block;
+ float:left;
+ width:16em;
+ background:#c00 url(../images/shine.png) top left repeat-x;
+ height:1em;
+}
+
+div.progress span {
+ height:1em;
+ float:left;
+}
+
+div.progress span.translated {
+ background:#6c3 url(../images/shine.png) top left repeat-x;
+}
+
+div.progress span.fuzzy {
+ background:#ff9f00 url(../images/shine.png) top left repeat-x;
+}
+
+
+/*Results*/
+
+.results ul {
+ list-style:none;
+ margin:0em;
+ padding:0em;
+}
+
+.results li{
+ margin:0em;
+ padding:0em;
+}
+
+.results li.odd {
+ background-color: #eeeeee;
+ margin:0em;
+ padding:0em;
+}
+
+.results dl {
+ display:inline;
+ margin:0em;
+ padding:0em;
+ float:right;
+ margin-right: 17em;
+ margin-top:-1.3em;
+}
+
+.results dt {
+ display:inline;
+ margin:0em;
+ padding:0em;
+}
+
+.results dd {
+ display:inline;
+ margin:0em;
+ padding:0em;
+ padding-right:.5em;
+}
+
+.results h2, .results h3 {
+ display:inline;
+ padding-right:.5em;
+ font-size:10pt;
+ font-weight:normal;
+}
+
+.results div.progress {
+ display:inline;
+ float:right;
+ width:16em;
+ background:#c00 url(../images/shine.png) top left repeat-x;
+ margin:0em;
+ margin-top:-1.3em;
+ padding:0em;
+ border:none;
+}
+
+/* Dirty EVIL Mozilla hack for round corners */
+pre {
+ -moz-border-radius:11px;
+ -webkit-border-radius:11px;
+ border-radius: 11px;
+ page-break-inside: avoid;
+}
+
+.example {
+ -moz-border-radius:0px;
+ -webkit-border-radius:0px;
+ border-radius: 0px;
+ page-break-inside: avoid;
+}
+
+.package, .citetitle {
+ font-style: italic;
+}
+
+.titlepage .edition {
+ color: #336699;
+ background-color: transparent;
+ margin-top: 1em;
+ margin-bottom: 1em;
+ font-size: 1.4em;
+ font-weight: bold;
+ text-align: center;
+}
+
+span.remark {
+ background-color: #ff00ff;
+}
+
+.draft {
+ background-image: url(../images/watermark-draft.png);
+ background-repeat: repeat-y;
+ background-position: center;
+}
+
+.foreignphrase {
+ font-style: inherit;
+}
+
+dt {
+ clear:both;
+}
+
+dt img {
+ border-style: none;
+ max-width: 112px;
+}
+
+dt object {
+ max-width: 112px;
+}
+
+dt .inlinemediaobject, dt object {
+ display: inline;
+ float: left;
+ margin-bottom: 1em;
+ padding-right: 1em;
+ width: 112px;
+}
+
+dl:after {
+ display: block;
+ clear: both;
+ content: "";
+}
+
+.toc dd {
+ padding-bottom: 0em;
+ margin-bottom: 1em;
+ padding-left: 1.3em;
+ margin-left: 0em;
+}
+
+div.toc > dl > dt {
+ padding-bottom: 0em;
+ margin-bottom: 0em;
+ margin-top: 1em;
+}
+
+
+.strikethrough {
+ text-decoration: line-through;
+}
+
+.underline {
+ text-decoration: underline;
+}
+
+.calloutlist img, .callout {
+ padding: 0em;
+ margin: 0em;
+ width: 12pt;
+ display: inline;
+ vertical-align: middle;
+}
+
+.stepalternatives {
+ list-style-image: none;
+ list-style-type: none;
+}
+
+
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/Common_Content/css/default.css b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/Common_Content/css/default.css
new file mode 100644
index 0000000..bf38ebb
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/Common_Content/css/default.css
@@ -0,0 +1,3 @@
+ at import url("common.css");
+ at import url("overrides.css");
+ at import url("lang.css");
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/Common_Content/css/lang.css b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/Common_Content/css/lang.css
new file mode 100644
index 0000000..81c3115
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/Common_Content/css/lang.css
@@ -0,0 +1,2 @@
+/* place holder */
+
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/Common_Content/css/overrides.css b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/Common_Content/css/overrides.css
new file mode 100644
index 0000000..057be29
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/Common_Content/css/overrides.css
@@ -0,0 +1,51 @@
+a:link {
+ color:#0066cc;
+}
+
+a:hover, a:active {
+ color:#003366;
+}
+
+a:visited {
+ color:#6699cc;
+}
+
+
+h1 {
+ color:#3c6eb4
+}
+
+.producttitle {
+ background: #3c6eb4 url(../images/h1-bg.png) top left repeat;
+}
+
+.section h1.title {
+ color:#3c6eb4;
+}
+
+
+h2,h3,h4,h5,h6 {
+ color:#3c6eb4;
+}
+
+table {
+ border:1px solid #3c6eb4;
+}
+
+table th {
+ background-color:#3c6eb4;
+}
+
+
+table tr.even td {
+ background-color:#f5f5f5;
+}
+
+.revhistory table th {
+ color:#3c6eb4;
+}
+
+.titlepage .edition {
+ color: #3c6eb4;
+}
+
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/Common_Content/css/print.css b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/Common_Content/css/print.css
new file mode 100644
index 0000000..773d8ae
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/Common_Content/css/print.css
@@ -0,0 +1,16 @@
+ at import url("common.css");
+ at import url("overrides.css");
+ at import url("lang.css");
+
+#tocframe {
+ display: none;
+}
+
+body.toc_embeded {
+ margin-left: 30px;
+}
+
+.producttitle {
+ color: #336699;
+}
+
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/Common_Content/images/1.png b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/Common_Content/images/1.png
new file mode 100644
index 0000000..c21d7a3
Binary files /dev/null and b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/Common_Content/images/1.png differ
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/Common_Content/images/1.svg b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/Common_Content/images/1.svg
new file mode 100644
index 0000000..a2b3903
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/Common_Content/images/1.svg
@@ -0,0 +1,27 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!-- Created with Inkscape (http://www.inkscape.org/) -->
+
+<svg
+ xmlns:svg="http://www.w3.org/2000/svg"
+ xmlns="http://www.w3.org/2000/svg"
+ version="1.0"
+ width="32"
+ height="32"
+ id="svg2">
+ <defs
+ id="defs15" />
+ <circle
+ cx="16"
+ cy="16"
+ r="14"
+ id="circle"
+ style="fill:#3c6eb4" />
+ <g
+ id="text2820"
+ style="font-size:10px;font-style:normal;font-variant:normal;font-weight:normal;font-stretch:normal;fill:#000000;fill-opacity:1;stroke:none;font-family:Droid Sans;-inkscape-font-specification:Droid Sans">
+ <path
+ d="m 17.853468,22.008438 -2.564941,0 0,-7.022461 c -5e-6,-0.143873 -5e-6,-0.315422 0,-0.514648 0.0055,-0.204745 0.01106,-0.415031 0.0166,-0.63086 0.01106,-0.221345 0.01936,-0.442699 0.0249,-0.664062 0.01106,-0.221345 0.01936,-0.423331 0.0249,-0.605957 -0.02767,0.03321 -0.07471,0.08302 -0.141113,0.149414 -0.06641,0.06642 -0.141118,0.141122 -0.224122,0.224121 -0.08301,0.07748 -0.168786,0.157724 -0.257324,0.240723 -0.08854,0.08302 -0.17432,0.157723 -0.257324,0.224121 l -1.394531,1.120605 -1.245117,-1.543945 3.909668,-3.1127931 2.108398,0 0,12.1357421"
+ id="path2818"
+ style="font-size:17px;font-weight:bold;fill:#ffffff;-inkscape-font-specification:Bitstream Vera Sans Bold" />
+ </g>
+</svg>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/Common_Content/images/10.png b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/Common_Content/images/10.png
new file mode 100644
index 0000000..15b81da
Binary files /dev/null and b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/Common_Content/images/10.png differ
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/Common_Content/images/10.svg b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/Common_Content/images/10.svg
new file mode 100644
index 0000000..af015ab
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/Common_Content/images/10.svg
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!-- Created with Inkscape (http://www.inkscape.org/) -->
+
+<svg
+ xmlns:svg="http://www.w3.org/2000/svg"
+ xmlns="http://www.w3.org/2000/svg"
+ version="1.0"
+ width="32"
+ height="32"
+ id="svg2">
+ <defs
+ id="defs15" />
+ <circle
+ cx="16"
+ cy="16"
+ r="14"
+ id="circle"
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diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/appe-Musicians_Guide-Contributors.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/appe-Musicians_Guide-Contributors.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>付録A Contributors</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="index.html" title="ミュージシャンのガイド" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Intonation.html" title="13.4.7. Intonation" /><link rel="next" href="appe-Musicians_Guide-Revision_History.html" title="付録B 改訂履歴" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Intonation.html"><strong>戻ã‚
‹</strong></a></li><li class="next"><a accesskey="n" href="appe-Musicians_Guide-Revision_History.html"><strong>次ã¸</strong></a></li></ul><div xml:lang="ja-JP" class="appendix" id="appe-Musicians_Guide-Contributors" lang="ja-JP"><div class="titlepage"><div><div><h1 class="title">Contributors</h1></div></div></div><div class="para">
+ The following people have contributed to the Fedora 16 Musicians' Guide, or a previous version.
+ </div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="https://fedoraproject.org/wiki/User:Crantila">Christopher Antila</a> (writer)
+ </div></li><li class="listitem"><div class="para">
+ Motohiro Kanda (translator—Japanese)
+ </div></li><li class="listitem"><div class="para">
+ <a href="https://fedoraproject.org/wiki/User:Rlandmann">Ruedigger Landmann</a> (mentor)
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Intonation.html"><strong>戻る</strong>13.4.7. Intonation</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="appe-Musicians_Guide-Revision_History.html"><strong>次へ</strong>付録B 改訂履歴</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/appe-Musicians_Guide-Revision_History.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/appe-Musicians_Guide-Revision_History.html
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+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>付録B 改訂履歴</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="index.html" title="ミュージシャンのガイド" /><link rel="prev" href="appe-Musicians_Guide-Contributors.html" title="付録A Contributors" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="appe-Musicians_Guide-Contributors.html"><strong>戻る</strong></a></li><li class="next"></li></ul><div xml:lang="ja-JP" class="appendix" id="appe-Musicians_Guid
e-Revision_History" lang="ja-JP"><div class="titlepage"><div><div><h1 class="title">改訂履歴</h1></div></div></div><div class="para">
+ <div class="revhistory"><table border="0" width="100%" summary="Revision history"><tr><th align="left" valign="top" colspan="3"><strong>改訂履歴</strong></th></tr><tr><td align="left">改訂 0.0</td><td align="left">27 July 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>publican で最初のブックを作成</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.1</td><td align="left">2 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>First publically-available draft in DocBook format.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.2</td><td align="left">3 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Revised section headings.</td></tr><tr><td>Improved and consistent-ified "Requirements and Installation" for DAWs</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.3</td><td align="left">4 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Significantly revised Audacity chapter.</td></tr><tr><td>Updated JACK installation slightly.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.4</td><td align="left">5 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added all external and internal links.</td></tr><tr><td>Added all images.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.5</td><td align="left">6 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Re-formatted ex-<pre> tags.</td></tr><tr><td>Changed images to <inlinemediaobject>, where appropriate.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.6</td><td align="left">7 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added tables to SuperCollider chapter.</td></tr><tr><td>Reviewed <code> tags, all but Basic Programming in SC.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.7</td><td align="left">8 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Reviewed use of <code> tags in "Basic Programming in SC" chapter.</td></tr><tr><td>Searched code for '' or ''' and replaced them with <emphasis> where appropriate.</td></tr><tr><td>Formatted bibliography/book-list in the Solfege chapter.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.8</td><td align="left">27 August 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Re-wrote the JACK installation instructions, to incorporate the fact that jack2 will be in F14</td></tr><tr><td>Made other minor revisions to the sound servers section.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 0.9</td><td align="left">6 September 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added links to tutorial files.</td></tr><tr><td>Incorporated some comments from external sources.</td></tr><tr><td>Changed numbering of Revision History.</td></tr><tr><td>Added list of links that need to be updated with every release, to Musicians_Guide.xml</td></tr><tr><td>Updated Audacity to make it publish-able.</td></tr><tr><td>Replaced instances of "Fedora 14" with "Fedora $PRODVER;"</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.9</td><td align="left">23 December 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Changed version numbering to correspond more closely to the intended Fedora release version.</td></tr><tr><td>Removed "asdf" part introductions.</td></tr><tr><td>Updated entity (.ent) file for Fedora 15.</td></tr><tr><td>Updated hard-coded links to supplemental files for Fedora 15.</td></tr><tr><td>Changed subtitle to remove possessive ("Fedora Linux's").</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.9.1</td><td align="left">26 December 2010</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Fixed Bug 665663 ("URLs to all Tutorial Files Are Broken") for Fedora 15.</td></tr><tr><td>Re-wrote Section 12.4.7.1 to fix the first error in Bug 654187.</td></tr><tr><td>Renamed some section in Chapter 12, making them easier to translate (I hope).</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.9.2</td><td align="left">2 January 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Reformatted dates in Revision History.</td></tr><tr><td>Re-wrote Section 12.4.8.2 to fix the second error in Bug 654187.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.9.3</td><td align="left">28 January 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added fix for Bug 670520.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.9.4</td><td align="left">27 February 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added fixes for Bugs 677362 and 674335.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 14.9.5</td><td align="left">2 May 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added fix for Bug 665660.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15-1.0</td><td align="left">21 May 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Published for Fedora 15.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15-1.0.1</td><td align="left">3 June 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Fixed Bug 710332.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15.9.1</td><td align="left">15 June 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Fixed Bug 670540.</td></tr><tr><td>Revised parts of Chapters 9 (Rosegarden) and 10 (FluidSynth).</td></tr><tr><td>Removed period from end of subtitle.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15.9.2</td><td align="left">26 June 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Fixed Bug 670533.</td></tr><tr><td>Revised parts of Chapter 9 (Rosegarden configuration).</td></tr><tr><td>Revised parts of Chapter 8 (Qtractor configuration).</td></tr><tr><td>Fixed Bug 673519.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15.9.3</td><td align="left">3 July 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added "O_S" and "OPERATING_SYSTEM" entities to aid potential adoption by other distributions.</td></tr><tr><td>Started replacing "Fedora" and "Fedora Linux" with entities listed above.</td></tr><tr><td>Added documentation of the Ardour "nudge tool."</td></tr><tr><td>Integrated useful parts of "Frescobaldi" chapter into "LilyPond" chapter and removed "Frescobaldi."</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15.9.4</td><td align="left">9 July 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added links to Qtractor tutorial recordings and revised opening paragraphs of tutorial.</td></tr><tr><td>Updated copyright holder from "Red Hat Inc. and others" to "Fedora Project Contributors."</td></tr><tr><td>Added "Contributors" appendix.</td></tr><tr><td>Removed index; will replace it when it's useful.</td></tr><tr><td>Removed my name from the Author_Group.xml, moved it into Contributors appendx.</td></tr><tr><td>Removed "pulse-rt" from the groups required for JACK access.</td></tr><tr><td>Updated all files, as appropriate, to replace "Fedora" and "Fedora Linux" with XML entities, to aid adoption by other groups.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 15.9.5</td><td align="left">14 September 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Added R. Landmann to list of contributors.</td></tr><tr><td>Updated "ooolilypond" to refer to LibreOffice. Hope it's okay.</td></tr><tr><td>Started to proofread LilyPond introductory material.</td></tr><tr><td>Branched for Fedora 16.</td></tr></table>
+
+ </td></tr><tr><td align="left">改訂 16-1.0</td><td align="left">9 November 2011</td><td align="left"><span class="author"><span class="surname">Antila</span> <span class="firstname">Christopher</span> [FAMILY Given]</span></td></tr><tr><td align="left" colspan="3">
+ <table border="0" summary="Simple list" class="simplelist"><tr><td>Published book for Fedora 16.</td></tr></table>
+
+ </td></tr></table></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="appe-Musicians_Guide-Contributors.html"><strong>戻る</strong>付録A Contributors</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/chap-Musicians_Guide-Ardour.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/chap-Musicians_Guide-Ardour.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
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+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>第7章 Ardour</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="pt02.html" title="パート II. オーディオと音楽ソフトウエア" /><link rel="prev" href="sect-Musicians_Guide-DAW_Transport_Controls.html" title="6.4.5. トランスポートコントロール" /><link rel="next" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html" title="7.2. セッションを録音する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><
a accesskey="p" href="sect-Musicians_Guide-DAW_Transport_Controls.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html"><strong>次へ</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-Ardour" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第7章 Ardour</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Requirements_and_Installation">7.1. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Knowledge_Requirements">7.1.1. 前提知識</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Software_Requirements">7.1.2. ソフトウエア要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-A
rdour.html#sect-Musicians_Guide-Ardour-Hardware_Requirements">7.1.3. ハードウエア要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Installation">7.1.4. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording_a_Session.html">7.2. セッションを録音する</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording_a_Session.html#sect-Musicians_Guide-Ardour-Recording-Running_Ardour">7.2.1. <span class="application"><strong>Ardour</strong></span> を実行する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Interface.html">7.2.2. インターフェース</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline.html">7.2.3. タイムラインを設定する</a></span></dt><dt><span class="section"><a href="sect
-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources.html">7.2.4. オーディオソースを <span class="application"><strong>Ardour</strong></span> につなぐ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks.html">7.2.5. バスとトラックを設定する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level.html">7.2.6. 録音レベル（ボリューム）を調整する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Recording_a_Region.html">7.2.7. リージョンを録音する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Recording_More.html">7.2.8. 続けて録音する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Routing_Audio.html">7.2.9. オーディオのルーティングと <code class="systemitem">JACK
</code> 接続ã®ç®¡ç†</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio.html">7.2.10. æ—¢å˜ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’インãƒãƒ¼ãƒˆã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Tutorial_Files.html">7.3. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing.html">7.4. 曲を編集ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing.html#sect-Musicians_Guide-Ardour-Editing-Add_Tracks_and_Busses">7.4.1. トラックã¨ãƒã‚¹ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses.html">7.4.2. トラックã¨ãƒã‚¹ã‚’接続ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks.html">7.4.3. ã
ƒˆãƒ©ãƒƒã‚¯ã«ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size.html">7.4.4. リージョンã®å¤§ãã•ã‚’切り詰ã‚ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html">7.4.5. åŒã˜ã‚‚ã®ã®è¤‡æ•°ã®éŒ²éŸ³ã‚’比較ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Arrange.html">7.4.6. リージョンをæ£ã—ã„å ´æ‰€ã«ä¸¦ã¹ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Listen.html">7.4.7. èžã</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing.html">7.5. 曲をミã‚シングã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing.html#sect-Musicians_Guide-Ardour-Mixing-Enabling_Stereo_Output">7.5.1. ステレã
‚ªå‡ºåŠ›ã®ãŸã‚ã«ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®è¨å®šã‚’è¡Œã„ã€ã‚¨ãƒ‡ã‚£ãƒƒãƒˆã‚°ãƒ«ãƒ¼ãƒ—を解除ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels.html">7.5.2. 最åˆã®ãƒ¬ãƒ™ãƒ«ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning.html">7.5.3. 最åˆã®ãƒ‘ニングをè¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks.html">7.5.4. オートメーショントラックã§ã€ã•ã‚‰ã«èª¿æ•´ã‚’ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Other_Things.html">7.5.5. ãã®ä»–ã€ã‚„ã‚‹ã¨è‰¯ã„ã“ã¨</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Listen.html">7.5.6. èžã</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mastering.html">7.6. セッションã®ãƒžã‚¹ã‚¿ãƒªãƒ³ã‚
°</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mastering.html#sect-Musicians_Guide-Ardour-Mastering-Ways_to_Export">7.6.1. オーディオをエクスãƒãƒ¼ãƒˆã™ã‚‹æ–¹æ³•</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window.html">7.6.2. エクスãƒãƒ¼ãƒˆã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã‚’使ã†</a></span></dt></dl></dd></dl></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> はマルチトラック録音のために設計された豊富な機能が実装されたアプリケーションです。
+ </div><div class="section" id="sect-Musicians_Guide-Ardour-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Ardour-Requirements_and_Installation">7.1. 要件とインストール</h2></div></div></div><div class="section" id="sect-Musicians_Guide-Ardour-Knowledge_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Knowledge_Requirements">7.1.1. 前提知識</h3></div></div></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> のユーザーインターフェースは他の DAW に似ています。もしあなたが DAW を使ったことがなければ、<a class="xref" href="sect-Musicians_Guide-DAW_User_Interface.html">「ユーザインタフェース」</a> を読むことをお勧めします。
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Software_Requirements">7.1.2. ソフトウエア要件</h3></div></div></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> は <code class="systemitem">JACK Audio Connection Kit</code> を使います。 <span class="application"><strong>Ardour</strong></span> をインストールする前に、<code class="systemitem">JACK</code> をインストールして下さい。<code class="systemitem">JACK</code> をインストールするには、<a class="xref" href="sect-Musicians_Guide-Using_JACK.html#sect-Musicians_Guide-Install_and_Configure_JACK">「<code class="systemitem">JACK</code> をインストール、設定する」</a> の手順に従ってください。
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Hardware_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Hardware_Requirements">7.1.3. ハードウエア要件</h3></div></div></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> を使うには、オーディオインターフェースが必要です。<span class="application"><strong>Ardour</strong></span> でオーディオを録音するには、オーディオインターフェースに接続されたマイクが少なくても１つ必要です。<span class="application"><strong>FluidSynth</strong></span> や <span class="application"><strong>SuperCollider</strong></span> のような、JACK 対応プログラムからのオーディオ信号を録音するには、マイクは必要ありません。
+ </div></div><div class="section" id="sect-Musicians_Guide-Ardour-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Installation">7.1.4. インストール</h3></div></div></div><div class="para">
+ <span class="application"><strong>PackageKit</strong></span> あるいは <span class="application"><strong>KPackageKit</strong></span> を使って <span class="package">ardour</span> パッケージをインストールします。他の必要なソフトウエアは自動的にインストールされます。
+ </div></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-DAW_Transport_Controls.html"><strong>戻る</strong>6.4.5. トランスポートコントロール</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html"><strong>次へ</strong>7.2. セッションを録音する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/chap-Musicians_Guide-Audacity.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/chap-Musicians_Guide-Audacity.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
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+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>第5章 Audacity</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="pt02.html" title="パート II. オーディオと音楽ソフトウエア" /><link rel="prev" href="pt02.html" title="パート II. オーディオと音楽ソフトウエア" /><link rel="next" href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html" title="5.2. 要件とインストール" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" hr
ef="pt02.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html"><strong>次へ</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-Audacity" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第5章 Audacity</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="chap-Musicians_Guide-Audacity.html#sect-Musicians_Guide-Audacity-Knowing_When_to_Use">5.1. Audacity をいつ使うか</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html">5.2. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html#sect-Musicians_Guide-Audacity-Software_Requirements">5.2.1. ソフトウエア要件</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Hardware_Re
quirements.html">5.2.2. ハードウエア要件</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Installation.html">5.2.3. 標準のインストール</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html">5.2.4. MP3 サポートを含むインストール</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Testing_Playback.html">5.2.5. インストール後のテスト：再生</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Testing_Recording.html">5.2.6. インストール後のテスト：録音</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Audacity_Configuration.html">5.3. 構成</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity_Configuration.html#sect-Musicians_Guide-Audacity-First_Use">5.3.1. 初めて Audacity を実行する時</a></span></dt><dt
><span class="section"><a href="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html">5.3.2. お使いのサウンドカードに合わせて Audacity を設定する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format.html">5.3.3. プロジェクトのサンプルレートとフォーマットを設定する</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Interface.html">5.4. インターフェース</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Recording.html">5.5. 録音</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Recording.html#sect-Musicians_Guide-Audacity-Recording-Start_to_Record">5.5.1. 録音を開始する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record.html">5.5.2. 続けて録音する</a></span></dt></dl></dd><d
t><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial.html">5.6. 新しいログインサウンドを作る（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial.html#sect-Musicians_Guide-Audacity-Tutorial-Files">5.6.1. チュートリアルのためのファイル</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Scenario.html">5.6.2. シナリオ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks.html">5.6.3. トラックを揃える</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks.html">5.6.4. トラックを伸ばす</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level.html">5.6.5. ボリュームレベルを調整する</a></span></dt><dt><span class="section"><a href="sect-Musici
ans_Guide-Audacity-Tutorial-Remove_Noise.html">5.6.6. ノイズを除く</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out.html">5.6.7. フェードイン・フェードアウト</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio.html">5.6.8. オーディオを削除する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment.html">5.6.9. 既に録音されたセグメントを繰り返す</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser.html">5.6.10. 特殊効果を加える（フェーザー）</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Conclusion.html">5.6.11. 結論</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Save_and_Export.html">5.7. 保存と書き出し</a></span></dt
><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Save_and_Export.html#sect-Musicians_Guide-Audacity-Exporting_Part_of_a_File">5.7.1. ファイルの部分を書き出す</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Exporting_a_Whole_File.html">5.7.2. ファイルを全部書き出す</a></span></dt></dl></dd></dl></div><div class="para">
+ Audacity は、高品質のサウンド録音アプリケーションで、ユーザーが使いやすいように設計されています。Audacity はシンプルなのでほとんどのコンピューターユーザーにお勧めできます。それでも、それは多くの機能と能力があります。Audacity を使うのに、進んだコンピューターオーディオの概念を理解する必要はありません。あなたがマイクをコンピューターにつなぐことができれば、Audacity を使うのに十分な知識があると言えます。
+ </div><div class="section" id="sect-Musicians_Guide-Audacity-Knowing_When_to_Use"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity-Knowing_When_to_Use">5.1. Audacity をいつ使うか</h2></div></div></div><div class="para">
+ Audacity はシンプルなユーザーインターフェースを持ち、使いやすく、たくさんの進んだ能力があります。Audacity はコンピューター、音楽、あるいは録音についての進んだ知識は必要としません。Audacity は単一のオーディオファイルを編集するのにぴったりのツールです。それは同時に複数のオーディオファイルを協調させることもできます。ほとんどのユーザーは、ミュージシャンのガイドで扱われている他の録音できるアプリケーションと比べたとき、Audacity を選ぶでしょう。
+ </div><div class="para">
+ もしあなたが手っ取り早く録音がしたくて、複雑なソフトウエアを学ぶ時間がないならば、Audacity を使うべきです。
+ </div><div class="para">
+ もしあなたがプロ品質のオーディオ機器を持っていたり、とても高度な処理をしたかったり、あるいは録音に関して細かい制御がしたいならば、 Ardour, Qtractor, あるいは Rosegarden を使うのがよいでしょう。これらのどのアプリケーションも使ったことがないならば、 Ardour あるいは Rosegarden の前に Qtractor を学ぶのをお勧めします。Ardour と Rosegarden は Qtractor に比べて複雑で、あなたはそれらの進んだ機能は必要ないかもしれません。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="pt02.html"><strong>戻る</strong>パート II. オーディオと音楽ソフトウエア</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html"><strong>次へ</strong>5.2. 要件とインストール</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/chap-Musicians_Guide-Digital_Audio_Workstations.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/chap-Musicians_Guide-Digital_Audio_Workstations.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>第6章 デジタルオーディオワークステーション</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="pt02.html" title="パート II. オーディオと音楽ソフトウエア" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Exporting_a_Whole_File.html" title="5.7.2. ファイルを全部書き出す" /><link rel="next" href="sect-Musicians_Guide-Stages_of_Recording.html" title="6.2. 録音のステージ" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="
p" href="sect-Musicians_Guide-Audacity-Exporting_a_Whole_File.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Stages_of_Recording.html"><strong>次へ</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-Digital_Audio_Workstations" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第6章 デジタルオーディオワークステーション</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="chap-Musicians_Guide-Digital_Audio_Workstations.html#sect-Musicians_Guide-Knowing_Which_DAW_to_Use">6.1. どの DAW を使うか</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Stages_of_Recording.html">6.2. 録音のステージ</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Stages_of_Recording.html#sect-Musicians_Guide-Recording">6.2.1. 録音</a></span></dt><dt><span class="section"><a href="sect-Musicians_G
uide-Mixing.html">6.2.2. ミキシング</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Mastering.html">6.2.3. マスタリング</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Record_Mix_Master_More_Info.html">6.2.4. 参考</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html">6.3. インタフェース用語</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html#sect-Musicians_Guide-Session">6.3.1. セッション</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Track_and_Multitrack.html">6.3.2. トラックとマルチトラック</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Region_Clip_Segment.html">6.3.3. リージョン、クリップ、あるいはセグメント</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Transport_and_Playhead.html">6.
3.4. トランスポートと再生ヘッド</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Automation.html">6.3.5. オートメーション</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-DAW_User_Interface.html">6.4. ユーザインタフェース</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-DAW_User_Interface.html#sect-Musicians_Guide-Messages_Pane">6.4.1. メッセージペイン</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-DAW_Clock.html">6.4.2. クロック</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Track_Info_Pane.html">6.4.3. トラック情報ペイン</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Track_Pane.html">6.4.4. トラックペイン</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-DAW_Transport_Controls.html">6.4.5. トランスポートコントロール</a></span></
dt></dl></dd></dl></div><div class="para">
+ <em class="firstterm">デジタルオーディオワークステーション</em> (以é™ã€<em class="firstterm">DAW</em>) ã¨ã„ã†ç”¨èªžã¯ã€ãƒ—ãƒãƒ•ã‚§ãƒƒã‚·ãƒ§ãƒŠãƒ«ãªã€ï¼ˆã‚ã‚‹ã„ã¯ã€ãƒ—ãƒãƒ•ã‚§ãƒƒã‚·ãƒ§ãƒŠãƒ«å“質ã®ï¼‰ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®éŒ²éŸ³ã€æ“作ã€åˆæˆã€ãã—ã¦è£½ä½œã«ä½¿ã‚れるã€ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã¨ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã®å…¨ä½“ã®ã‚»ãƒƒãƒˆã‚¢ãƒƒãƒ—ã®ã“ã¨ã§ã™ã€‚ãã‚Œã¯å…ƒã€…ã¯ã€ãã®ç›®çš„ã®ãŸã‚ã«å°‚用ã«ä½œã‚‰ã‚ŒãŸãƒ‡ãƒã‚¤ã‚¹ã‚’æ„味ã—ã¾ã—ãŸãŒã€ãƒ‘ーソナルコンピュータãŒã‚ˆã‚Šå¼·åŠ›ã§ä¸€èˆ¬çš„ã«ãªã£ã¦æ¥ã‚‹ã«ã¤ã‚Œã€ã‚る種ã®ç‰¹åˆ¥ã«è¨è¨ˆã•ã‚ŒãŸãƒ‘ーソナルコンピュータもã€DAW ã¨ã¿ãªã›ã‚‹ã‚ˆã†ã«ãªã‚Šã¾ã—ãŸã€‚ã“れらã®ã‚³ãƒ³ãƒ”ュータã§å‹•ã„ã¦ã„るソフトウエアã€ç‰¹ã«ãƒžãƒ«ãƒãƒˆãƒ©ãƒƒã‚¯éŒ²éŸ³ã€å†ç”Ÿã€ãã—ã¦åˆæˆãŒã§ãるソフトウエアã¯ã€å˜ã« "DAW ソフトウエア"ã€å¤šãã®å ´åˆã€çŸã "DAW" ã¨å‘¼ã°ã‚Œã¾ã™.ãã®ãŸã‚ã€"DAW" ã
¨ã„ã†ç”¨èªžã¨ãã®ä½¿ã„æ–¹ã¯å°‘ã—ã‚ã„ã¾ã„ã§ã™ãŒã€ä¸€èˆ¬çš„ã«ã€ã“ã‚Œã¾ã§è¿°ã¹ãŸã‚‚ã®ã®ã†ã¡ã®ï¼‘ã¤ã‚’指ã—ã¾ã™.
+ </div><div class="para">
+ その他のデジタルオーディオに関する用語については、<a class="xref" href="chap-Musicians_Guide-Sound_Cards.html">1章<em>サウンドカードとデジタルオーディオ</em></a>を参照ください。
+ </div><div class="section" id="sect-Musicians_Guide-Knowing_Which_DAW_to_Use"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Knowing_Which_DAW_to_Use">6.1. どの DAW を使うか</h2></div></div></div><div class="para">
+ ミュージシャンのガイドは３つの広く使われているDAW をとりあげます：<span class="application"><strong>Ardour</strong></span>, <span class="application"><strong>Qtractor</strong></span>, そして <span class="application"><strong>Rosegarden</strong></span> です。これら３つはすべて <code class="systemitem">JACK</code> を活用し、高度に構成可能で、似たユーザインタフェースを持ち、そしてユーザはオーディオと MIDI 信号の両方を扱うことができます.他の多くの DAW があり、商品として利用可能なソリューションもたくさんあります。以下は、ミュージシャンのガイドで述べるプログラムの簡単な記述です：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> は、オーディオ操作のための、オープンソース標準です.柔軟で、拡張できます.
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Qtractor</strong></span> は比較的新しく出てきたものですが、使用が簡単な、 "必要最小限の"、MIDI に集中した DAW です。Planet CCRMA at Home あるいは RPM Fusionから入手可能です.
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> は十分テストされた、機能が充実した Linux オーディオ、特に MIDI、の働き者です。MIDI トラックを作成するためのビジュアルな譜面エディタがあります。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ もしあなたが、どれから始めればいいか分からないときは、あなたは DAW を全然必要としないのかもしれません：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ もしあなたが、高品質の録音アプリケーション、あるいはオーディオファイルを１つづつ操作するためのツールを探しているなら、もしかすると <span class="application"><strong>Audacity</strong></span> がよいでしょう。これは、ほとんどのコンピュータユーザ、特に初めてコンピュータオーディオをする人や、特別な知識を必要としない迅速なソリューションを探している人にとって、よい選択です.<span class="application"><strong>Audacity</strong></span> は、他の多くのオーディオソフトウエアと比べて、より使いやすいので、あなたが最初のコンピュータオーディオの経験をするにはよい手段です.
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Ardour</strong></span>、<span class="application"><strong>Qtractor</strong></span>, そして <span class="application"><strong>Rosegarden</strong></span> が提供する機能をぞんぶんに活用するには、あなたのコンピューターには、プロフェッショナル品質のオーディオ機器、追加で購入されるオーディオインタフェースとマイクのような入力デバイスが備わっているべきです.もしあながたそのような機器を持たない場合、Audacity があなたにとってよい選択かもしれません.
+ </div></li><li class="listitem"><div class="para">
+ もしあなたが、単に、ある楽譜の "MIDI 録音"を作成したいならば、たぶん、<span class="application"><strong>LilyPond</strong></span> を使うのが良いでしょう.このプログラムは、主に、印刷可能な楽譜を作成するために設計されていますが、あなたの <span class="application"><strong>LilyPond</strong></span> ソースファイルの <code class="literal">score</code> セクションに以下のコマンドを含めると、MIDI 形式のバージョンの楽譜を生成します：<code class="code">\midi { }</code>。<code class="literal">midi</code> セクションに入れることのできるオプションがいくつかあります：そのリストについては、<span class="application"><strong>LilyPond</strong></span> のヘルプファイルを参照下さい.
+ </div></li></ul></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Exporting_a_Whole_File.html"><strong>戻る</strong>5.7.2. ファイルを全部書き出す</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Stages_of_Recording.html"><strong>次へ</strong>6.2. 録音のステージ</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/chap-Musicians_Guide-FluidSynth.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/chap-Musicians_Guide-FluidSynth.html
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="pt02.html" title="パート II. オーディオと音楽ソフトウエア" /><link rel="prev" href="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue.html" title="9.4.5. 先に進むいくつかの方法" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html" title="10.2. 要件とインストール" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><l
i class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html"><strong>次へ</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-FluidSynth" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第10章 FluidSynth</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="chap-Musicians_Guide-FluidSynth.html#sect-Musicians_Guide-FluidSynth-SoundFont_Technology_and_MIDI">10.1. サウンドフォント技術と MIDI</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-FluidSynth.html#sect-Musicians_Guide-FluidSynth-How_to_Get_a_SoundFont">10.1.1. どのようにサウンドフォントを得るか</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-FluidSynth.html#sect-Musicians_Guide-Fluid
Synth-MIDI_Terms">10.1.2. MIDI インストゥルメント、バンク、プログラム、およびパッチ</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-FluidSynth.html#sect-Musicians_Guide-FluidSynth-MIDI_Channels">10.1.3. MIDIチャンネル</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html">10.2. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Software_Requirements">10.2.1. ソフトウェア要件</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation.html">10.2.2. <span class="application"><strong>FluidSynth</strong></span> のインストール</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth.html
">10.2.3. <span class="application"><strong>Qsynth</strong></span> と一緒にインストールする</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth.html">10.2.4. <span class="application"><strong>Qsynth</strong></span> なしのインストール</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html">10.2.5. サウンドフォントファイルをインストールする</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-In_a_Terminal.html">10.3. <span class="application"><strong>FluidSynth</strong></span> を、ターミナルエミュレータから使う</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring.html">10.4. <span class="application"><strong>Qsynth</strong></span> を設定する</a></span></dt><dd><dl><dt><span class="section"><a href
="sect-Musicians_Guide-FluidSynth-Configuring.html#sect-Musicians_Guide-FluidSynth-Configuring-Starting_FluidSynth">10.4.1. <span class="application"><strong>FluidSynth</strong></span> を開始する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont.html">10.4.2. サウンドフォントの構成</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output.html">10.4.3. <span class="application"><strong>JACK</strong></span> の出力を設定する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input.html">10.4.4. MIDI 入力を設定する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings.html">10.4.5. <span class="application"><strong>FluidSynth</strong></span> の設定のすべてを見る</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musi
cians_Guide-FluidSynth-Assigning_Programs_to_Channels.html">10.5. <span class="application"><strong>Qsynth</strong></span> で、プログラムをチャネルに割り当てる</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html#sect-Musicians_Guide-FluidSynth-Changing_Number_of_Input_Channels">10.5.1. MIDI 入力チャネル数を変更する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments.html">10.5.2. チャネルの割り当てを保存、再使用する</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus.html">10.6. <span class="application"><strong>Qsynth</strong></span> で、リバーブとコーラスを使う</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Multiple_Instances.html">10.7. <span class="application"><strong>Qsynth</s
trong></span> で、複数の <span class="application"><strong>FluidSynth</strong></span> インスタンスを使う</a></span></dt></dl></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> はソフトウェアベースの MIDI シンセサイザーです。<span class="application"><strong>FluidSynth</strong></span> は Qtractor や Rosegarden のようなプログラムから MIDI 入力を受け取り、サウンドフォント技術を使用してオーディオ信号を作成します.これにより、 <span class="application"><strong>FluidSynth</strong></span> は非常に柔軟なツールとなります; それは、低いパワーのコンピュータでも使うことができ、特別なハードウェアを必要とせず、高品質な MIDI 機器を自由に選ぶことができるという利点を持ちます。<span class="application"><strong>Qsynth</strong></span> グラフィカルインターフェイスとともに使うとき、<span class="application"><strong>FluidSynth</strong></span> はいっそう強力になります。ユーザーはリバーブやコーラスのよ
うな基本的なエフェクトを簡単に制御することができます。複数の <span class="application"><strong>FluidSynth</strong></span> を、それぞれ別の設定と MIDI 機器の接続のもとで動かすことができます。最後に、<span class="application"><strong>Qsynth</strong></span> は、Qtractor や QjackCtl と同じ開発者により、開発、維持されているので、それは、使い慣れたインターフェイスを提供し、これらのアプリケーションと、うまく統合されます。
+ </div><div class="section" id="sect-Musicians_Guide-FluidSynth-SoundFont_Technology_and_MIDI"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-SoundFont_Technology_and_MIDI">10.1. サウンドフォント技術と MIDI</h2></div></div></div><div class="para">
+ サウンドフォント技術は、1990年代初頭に開発され、アコースティック楽器のような音が出せる MIDI 機器の作成を可能にするように設計された、ファイル形式およびある種のハードウェア技術からなるものです。アコースティック楽器と全く同じに聞こえる、電子的に合成された楽器を作るのはほとんど不可能であるものの、サウンドフォント技術はそのギャップをかなり縮小することができます。適切な状況で聞かれたときに、ほとんどの人は、音楽がサウンドフォント対応の MIDI シンセサイザーによって録音されたことに気づかないでしょう。なお、結果は大きく異なる場合があります。
+ </div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> がユーザーに可能とするのは、サウンドフォントを使う際のハードウエアコンポーネントを不要とすることです。これにより、どんなコンピュータでもサウンドフォントファイル、多くの場合、単に"サウンドフォント"と呼ばれます、を使ったシンセサイザーになることができます。フォントがテキスト文字の見た目を変更するように、サウンドフォントは、MIDI ノートのサウンドを変更します。-全体的な意味というものは、任意のフォント（またはサウンドフォント）を使っても同じです。ただ、特定のニュアンスが変更されます。
+ </div><div class="para">
+ Fedora はデフォルトのリポジトリ内にいくつかのサウンドフォントを提供しています。デフォルトでは、<span class="application"><strong>FluidSynth</strong></span> はFluidR3 General MIDI ("GM") サウンドフォントをインストールします。それは、幅広い一般的な（そして、いくつかは一般的でない）"パッチ"を含みます。入手可能な他のオプションを見るには、PackageKit、KPackageKit あるいは yum を使い、"soundfont"を検索してください。
+ </div><div class="section" id="sect-Musicians_Guide-FluidSynth-How_to_Get_a_SoundFont"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-How_to_Get_a_SoundFont">10.1.1. どのようにサウンドフォントを得るか</h3></div></div></div><div class="para">
+ インターネット上には、無料で利用できるたくさんのサウンドフォントがありますし、購入が可能なものもいくつかあります。その中には、非常に高品質のサウンドフォントもあります。 次の3つのウェブサイトはサウンドフォントのリソースへのリンクおよびいくつかの有料または無料でダウンロードできるサウンドフォントへのリンクを持ちます。そこで提供されるものの品質あるいは、そのウェブサイトの品質とセキュリティについては、何も保証されません。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://www.schristiancollins.com/generaluser.php">http://www.schristiancollins.com/generaluser.php</a> で利用可能な、<em class="citetitle">S. Christian Collins' "General User" SoundFont</em>
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://www.hammersound.net/cgi-bin/soundlink.pl">http://www.hammersound.net/cgi-bin/soundlink.pl</a> で利用可能な<em class="citetitle">HammerSound SoundFont Library</em>
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://soundfonts.homemusician.net/">http://soundfonts.homemusician.net/</a> で利用可能な、<em class="citetitle">homemusician.net SoundFont Library</em>
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://www.synthzone.com/soundfont.htm">http://www.synthzone.com/soundfont.htm</a> で利用可能な<em class="citetitle">Synth Zone</em>
+ </div></li></ul></div>
+
+ </div><div class="para">
+ SoundFont をインストールする手順は、以下の <a class="xref" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html">「サウンドフォントファイルをインストールする」</a> を参照ください。
+ </div></div><div class="section" id="sect-Musicians_Guide-FluidSynth-MIDI_Terms"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-MIDI_Terms">10.1.2. MIDI インストゥルメント、バンク、プログラム、およびパッチ</h3></div></div></div><div class="para">
+ "MIDI インストゥルメント"はシンセサイザーそのものです。 シンセサイザーがサウンドフォントを使用する場合は、サウンドフォントもインストゥルメントの一部を構成しています。 各インストゥルメントは、本が置いてある図書館と考えることができます。
+ </div><div class="para">
+ それぞれのインストゥルメントは、少なくとも1つ、たぶんいくつかの"バンク"を提供し、それはプログラムを格納しています。 MIDI インストゥルメントが、図書館とすると、バンクは特定の棚のようなものです。 あなたはまず、本を選ぶ前に、棚を選ぶ必要があります。
+ </div><div class="para">
+ 各バンクは、（"パッチ"とも呼ばれる）１から１２７の"プログラム"を提供しています。それらは、音そのものです。MIDI インストゥルメントが図書館でバンクが棚なら、プログラムは本です。各プログラムは、必ずしも関連する必要はありませんが、（"汎用 MIDI "バンクのように）多数のプログラムを持つバンクは、通常、規則的な並び方をしています。 合成されるオーディオの音を決めるのはプログラムだけであり、バンクとインストゥルメントは可能なプログラムの選択を制限するだけです。
+ </div></div><div class="section" id="sect-Musicians_Guide-FluidSynth-MIDI_Channels"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-MIDI_Channels">10.1.3. MIDIチャンネル</h3></div></div></div><div class="para">
+ MIDI シンセサイザーは、複数のチャンネルの入力を受け入れます。シンセサイザーの各"インスタンス"には、MIDI インストゥルメントを１つしか割り当てられませんが、各チャネルには別々にプログラムを割り当てることができます。これにより仮想的な楽器のアンサンブルの合成をすることができます。
+ </div><div class="para">
+ デフォルトの FluidR3 サウンドフォントと、<span class="application"><strong>FluidSynth</strong></span> そのものによって部分的に使われている、汎用 MIDI("GM") 標準は、１６チャネルがあること、チャネル１０は、（多くが音階のない）打楽器に使われることを定めます。チャネル１０に送られるプログラムチェンジメッセージは、無視されます。<span class="application"><strong>FluidSynth</strong></span> の設定により、チャネル１０に、打楽器以外のプログラムを使うことはできますが、おすすめしません。
+ </div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span>が汎用 MIDI 標準に従わない場合、それは機能を削除するのでなく、追加しています.
+ </div></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue.html"><strong>戻る</strong>9.4.5. 先に進むいくつかの方法</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html"><strong>次へ</strong>10.2. 要件とインストール</a></li></ul></body></html>
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="pt01.html" title="パート I. Linux オーディオの基本" /><link rel="prev" href="sect-Musicians_Guide-Multichannel_Audio.html" title="1.4.8. マルチチャネルオーディオ" /><link rel="next" href="sect-Musicians_Guide-Sound_Servers_Section.html" title="2.2. サウンドサーバ" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicia
ns_Guide-Multichannel_Audio.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sound_Servers_Section.html"><strong>次へ</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-How_Computers_Deal_with_Hardware" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第2章 サウンドカード用のソフトウェア</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html#sect-Musicians_Guide-Sound_Servers-ALSA">2.1. Linux はどのようにオーディオハードウェアを扱うか</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Servers_Section.html">2.2. サウンドサーバ</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Servers_Section.html#sect-Musicians_Guide-Sound_Servers-PulseAudio">2.2.1. パルスオーディオ</a></span></dt><dt
><span class="section"><a href="sect-Musicians_Guide-Sound_Servers-JACK.html">2.2.2. <code class="systemitem">JACK</code> オーディオ接続キット</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Servers-Phonon.html">2.2.3. フォノン</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Using_JACK.html">2.3. <code class="systemitem">JACK</code> Audio Connection Kit を使う</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Using_JACK.html#sect-Musicians_Guide-Install_and_Configure_JACK">2.3.1. <code class="systemitem">JACK</code> をインストール、設定する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Using_QjackCtl.html">2.3.2. <span class="application"><strong>QjackCtl</strong></span> を使う</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK.html">2.3.3. <code class="systemitem">PulseAudio</
code> を <code class="systemitem">JACK</code> と統合する</a></span></dt></dl></dd></dl></div><div class="para">
+ 一貫ã—ã¦ã‚³ãƒ³ãƒ”ュータサイエンスã§ä½¿ç”¨ã•ã‚Œã‚‹æŠ€è¡“ã®ä¸€ã¤ã¯ã€æŠ½è±¡åŒ–ã§ã™ã€‚ 抽象化ã¯å®Ÿéš›ã«ã¯ãƒ¦ãƒ‹ãƒ¼ã‚¯ãªä½•ã‹ï¼ˆã¾ãŸã¯ã„ãã¤ã‹ã®ä½•ã‹ï¼‰ã®ä¸€èˆ¬çš„ãªãƒ¢ãƒ‡ãƒ«ã‚’作るプãƒã‚»ã‚¹ã®ã“ã¨ã§ã™ã€‚ コンピュータã®ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ãƒ‡ãƒã‚¤ã‚¹ã® "ドライム"ã¯ã€æŠ½è±¡åŒ–ã®ã²ã¨ã¤ã®å½¢å¼ã§ã™ï¼šã‚³ãƒ³ãƒ”ュータã®ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢ã¯ã€åŒæ§˜ã®æ–¹æ³•ã§ã™ã¹ã¦ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¨ç›¸äº’作用ã—ã€ãã—ã¦ã€ãƒ‰ãƒ©ã‚¤ãƒãŒã€ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢ã§æŒ‡å®šã•ã‚ŒãŸæ™®é的命令をã€ãã®ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ãƒ‡ãƒã‚¤ã‚¹ã‚’æ“作ã™ã‚‹ç‰¹å®šã®å‘½ä»¤ã«ç¿»è¨³ã—ã¾ã™ã€‚ ç¾å®Ÿä¸–ç•Œã§ã®ã“ã®å¯¾æ¯”を考ãˆã¾ã—ょã†ï¼šã‚ãªãŸã¯å˜åœ¨ã™ã‚‹ã™ã¹ã¦ã®ãƒ‰ã‚¢ã‚’é–‹é–‰ã™ã‚‹æ‰‹æ®µã‚’知りã¾ã›ã‚“。ã—ã‹ã—ã€ã‚ãªãŸãŒå®Ÿéš›ã«æ“作ã™ã‚‹æ–¹æ³•ã‚’知ã£ã¦ã„るドアã®ã†ã¡ã‹ã‚‰ã€ã‚ãªãŸã®è„³ã¯è‡ªå‹•çš„ã«æŠ½è±¡åŒ–ã•ã‚ŒãŸæ‰‹é †ã€ä¾‹ãˆã° "ãƒãƒ³ãƒ‰ãƒ«ã‚’回㙠"ã€ãã—ã
¦ "ドアを押㙠"ã€ã‚’生æˆã—ã¾ã™ . ãã—ã¦ãã‚Œã¯ã™ã¹ã¦ã¾ãŸã¯ã»ã¨ã‚“ã©ã®ãƒ‰ã‚¢ã«é©ç”¨å¯èƒ½ã§ã™ã€‚ ã‚ãªãŸã¯æ–°ã—ã„ドアをã¿ãŸã‚‰ã€ãƒ‰ã‚¢ã®æŠ½è±¡çš„ãªå‹•ä½œã«åŸºã¥ã„ã¦ã€ãã‚ŒãŒã©ã®ã‚ˆã†ã«åƒãã®ã‹ã€äºˆæœŸã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ãã—ã¦ã™ãã«ã€å°‘ã—見ãŸã ã‘ã§ã€ãã®ç‰¹å®šã®ãƒ‰ã‚¢ã‚’æ“作ã™ã‚‹æ–¹æ³•ã‚’見ã¤ã‘出ã—ã¾ã™ã€‚原ç†ã¯ã€ã‚³ãƒ³ãƒ”ュータã®ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ã®ãƒ‰ãƒ©ã‚¤ãƒã‚‚åŒã˜ã§ã™ï¼šã‚³ãƒ³ãƒ”ュータã¯ã™ã§ã« "サウンドカード "ã‚’ã©ã®ã‚ˆã†ã«æ“作ã™ã‚‹ã‹çŸ¥ã£ã¦ã„ã‚‹ã®ã§ã€ç‰¹å®šã®ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã‚’動作ã•ã›ã‚‹æ–¹æ³•ã‚’知るãŸã‚ã«ã¯ã„ãã¤ã‹ã®ç°¡å˜ãªæ‰‹é †ï¼ˆãƒ‰ãƒ©ã‚¤ãƒï¼‰ãŒã‚ã‚Œã°ã‚ˆã„ã®ã§ã™ã€‚
+ </div><div class="section" id="sect-Musicians_Guide-Sound_Servers-ALSA"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Sound_Servers-ALSA">2.1. Linux はどのようにオーディオハードウェアを扱うか</h2></div></div></div><div class="para">
+ Linux では、オペレーティングシステムのコアは、ほとんどのオーディオハードウェア用のハードウェアのドライバを提供しています。 ハードウェアドライバと、その他のソフトウェアが、これらのドライバに接続するために使用できる命令の総称は "ALSA"、"Advanced Linux Sound Architecture"と呼ばれています。 ALSA は、ソフトウェアアプリケーションが、オーディオと MIDI のハードウェアと相互作用することができる最も直接的な方法であり、それは最も一般的な方法でもありました。 ただし、ソフトウェアアプリケーションが使用する可能性があるすべての機能を含めるために、ALSA は、非常に複雑で、誤りを起こしがちになることもあります。 これと他の多くの理由から、抽象化の別のレベルが、通常使用されており、これによりソフ
トウェアアプリケーションは、必要な機能を簡単に活用できるようになります。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Multichannel_Audio.html"><strong>戻る</strong>1.4.8. マルチチャネルオーディオ</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sound_Servers_Section.html"><strong>次へ</strong>2.2. サウンドサーバ</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/chap-Musicians_Guide-LilyPond.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/chap-Musicians_Guide-LilyPond.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>第12章 LilyPond</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="pt02.html" title="パート II. オーディオと音楽ソフトウエア" /><link rel="prev" href="sect-Musicians_Guide-SC-Recording_SuperColliders_Output.html" title="11.5.2. Recording SuperCollider's Output (Tutorial)" /><link rel="next" href="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach.html" title="12.2. LilyPond アプローチ" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li cl
ass="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Recording_SuperColliders_Output.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach.html"><strong>次へ</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-LilyPond" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第12章 <span class="application"><strong>LilyPond</strong></span></h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="chap-Musicians_Guide-LilyPond.html#sect-Musicians_Guide-LilyPond-How_LilyPond_Works">12.1. <span class="application"><strong>LilyPond</strong></span> がいかに動作するか</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach.html">12.2. <span class="application"><strong>LilyPond</strong></span> アプローチ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-L
ilyPond-Installation.html">12.3. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Installation.html#sect-Musicians_Guide-LilyPond-Installation-Frescobaldi">12.3.1. Frescobaldi について</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation.html">12.3.2. 要件とインストール (<span class="application"><strong>Frescobaldi</strong></span> のため)</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Configure_Frescobaldi.html">12.4. <span class="application"><strong>Frescobaldi</strong></span> の設定</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax.html">12.5. <span class="application"><strong>LilyPond</strong></span> の基本</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax.html#sect-Musicians_Guide-LilyPond-Synta
x-Letters_Are_Pitches">12.5.1. 文字は音程</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations.html">12.5.2. 数字は長さ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Articulations.html">12.5.3. アーティキュレーション、表情記号</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Simultaneity.html">12.5.4. 同時性</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Chords.html">12.5.5. 和音</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Commands.html">12.5.6. コマンド</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Source_Files.html">12.5.7. ソースファイルとそのフォーマット</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors.html">12.5.
8. 誤りを避けるには</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint.html">12.6. 対位法の課題をする（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint.html#sect-Musicians_Guide-LilyPond-Counterpoint-Tutorial_Files">12.6.1. チュートリアルのためのファイル</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score.html">12.6.2. 楽譜を開始する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output.html">12.6.3. Frescobaldi の出力を調整する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting.html">12.6.4. 音符を入力する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Sco
re.html">12.6.5. 楽譜をフォーマットする</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra.html">12.7. オーケストラスコアの作業（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra.html#sect-Musicians_Guide-LilyPond-Orchestra-Tutorial_Files">12.7.1. チュートリアルのためのファイル</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score.html">12.7.2. スコアを開始する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output.html">12.7.3. Frescobaldi の出力を調整する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html">12.7.4. 音符を入力する</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Pian
o.html">12.8. ピアノソナタの作業（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano.html#sect-Musicians_Guide-LilyPond-Piano-Tutorial_Files">12.8.1. チュートリアルのためのファイル</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score.html">12.8.2. 楽譜を開始する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output.html">12.8.3. Frescobaldi の出力を調整する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html">12.8.4. Input Notes</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors.html">12.8.5. Troubleshoot Errors</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Formatting.html">12.8.6. Format the Score (Piano Dynamic
s)</a></span></dt></dl></dd></dl></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> は、見た目が素晴らしい楽譜を作ることができる楽譜作成プログラムです。<span class="application"><strong>LilyPond</strong></span> のテキストファイルは、楽譜の意味を記述し、楽譜の見た目の詳細は含んでいません。人気のあるプロプライエタリな楽譜作成アプリケーションは、楽譜の見た目を表現します。ビジュアルな楽譜作成アプリケーションのユーザは、常に、楽譜がどう見えるか、気にし続けないといけません。<span class="application"><strong>LilyPond</strong></span> のユーザは、楽譜の意味だけを気にすればよいです。というのも、<span class="application"><strong>LilyPond</strong></span> が自動的に、素晴らしい結果を生成するからです。
+ </div><div class="para">
+ ここで <span class="application"><strong>LilyPond</strong></span> が登場します。ユーザーは楽譜がどうなるかは気にする必要がありません。というのも、<span class="application"><strong>LilyPond</strong></span> の巧妙に作られたメソッドが楽譜の上のオブジェクトをきれいに見えて、しかも読みやすく、自動的に構成してくれるからです。<span class="application"><strong>LilyPond</strong></span> のユーザーは、楽譜が <span class="emphasis"><em> いかに </em></span> 表示されるかではなく、表示したい <span class="emphasis"><em> そのもの </em></span> に集中します。
+ </div><div class="para">
+ すべてのアプローチにいえることですが、<span class="application"><strong>LilyPond</strong></span> のアプローチがすべての人に適するわけではありません。しかし、あなたがこのソフトウエアで作業することに慣れ、問題に対処し、ご自分の楽譜のソースファイルを編成するための方式を学んだならば、きっとあなたは <span class="application"><strong>LilyPond</strong></span> が今までの商用の音楽記譜プログラムよりもずっと速く、かつずっと柔軟であることがわかるでしょう。
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> を使えば、以下が可能です：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 楽譜を LaTeX あるいは HTML 文書にする。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>ooolilypond</strong></span> プログラムを使って、楽譜を <span class="application"><strong>LibreOffice</strong></span> 文書にする。
+ </div></li><li class="listitem"><div class="para">
+ すべての主なオペレーティングシステムで使える。
+ </div></li><li class="listitem"><div class="para">
+ 大きな作品のパート別あるいは全体の楽譜を管理できる。
+ </div></li><li class="listitem"><div class="para">
+ Scheme プログラム言語を使って新しい音楽記号を作成できる。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ユーザーを助けて、テキストベースのアプローチからくる初期学習の困難さをより早く克服するのが、このガイドの目的です。<span class="application"><strong>Frescobaldi</strong></span> テキストエディタのようなツールを使うことで、生産性を上げ、トラブルシュートを容易にし、そしてテキストベースのアプローチにまつわる記憶力の負荷を減らすことができるでしょう。
+ </div><div class="section" id="sect-Musicians_Guide-LilyPond-How_LilyPond_Works"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-How_LilyPond_Works">12.1. <span class="application"><strong>LilyPond</strong></span> がいかに動作するか</h2></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> を自動車の修理工と思ってください。あなたの車がこわれたとき、修理工はどの工具を使うかわかります。あなたは自分で工具を買って車をなおすこともできますが、修理工は専門家です。使う工具を知り、工具をいかに用意するか知り、あなたより速く車をなおすにはどうするかわかっています。<span class="application"><strong>LilyPond</strong></span> はあなたも自分で使うことのできるプログラムをたくさん使います。しかし <span class="application"><strong>LilyPond</strong></span> は専門家なので、使うプログラム、使う設定を知っています。そして最も大事なことに、<span class="application"><strong>LilyPond</strong></span> はあなたが直接それらのプログラムを使うより、ずっと少ない時間でできるのです。
+ </div><div class="para">
+ 我々は <span class="application"><strong>LilyPond</strong></span> に、特別な形式のテキストファイルで命令を与えます。<span class="application"><strong>LilyPond</strong></span> の入力ファイルは記譜する音楽を記述します。<span class="application"><strong>LilyPond</strong></span> が音楽がどう見えるかを決定して、出力ファイルを作成します。入力ファイルには、音楽がどう見えるかについての指示は含まれません。ときには、あなたは出力ファイルがどう見えるかを調整しなくてはいけないでしょう。そのために <span class="application"><strong>LilyPond</strong></span> はその内部的なツールの設定を変更する手段を提供します。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Recording_SuperColliders_Output.html"><strong>戻る</strong>11.5.2. Recording SuperCollider's Output (Tutoria...</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach.html"><strong>次へ</strong>12.2. LilyPond アプローチ</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/chap-Musicians_Guide-Planet_CCRMA_at_Home.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/chap-Musicians_Guide-Planet_CCRMA_at_Home.html
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+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>第4章 Planet CCRMA at Home</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="pt01.html" title="パート I. Linux オーディオの基本" /><link rel="prev" href="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora.html" title="3.5. Fedora Linux でリアルタイムカーネルを得る" /><link rel="next" href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html" title="4.2. Planet CCRMA at Home を使うかどうかを決める" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a
></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html"><strong>次へ</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-Planet_CCRMA_at_Home" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第4章 Planet CCRMA at Home</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html#sect-Musicians_Guide-What_Is_Planet_CCRMA">4.1. Planet CCRMA at Home について</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html">4.2. Planet CCRMA at Home を使うかどうかを決める</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html#sect-Musi
cians_Guide-CCRMA_Need_Exclusive_Software">4.2.1. 独占的ソフトウエア</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-CCRMA_Security_and_Stability.html">4.2.2. セキュリティと安定性</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-CCRMA_Best_Practices.html">4.2.3. 可能な "ベストプラクティス "ソリューション</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html">4.3. Planet CCRMA at Home のソフトウエアを使う</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html#sect-Musicians_Guide-CCRMA_Installing_Repository">4.3.1. Planet CCRMA at Home リポジトリをインストールする</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-CCRMA_Repository_Priorities.html">4.3.2. リポジトリの優先度を設定する</a></span></dt><dt><span class="section"
><a href="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates.html">4.3.3. パッケージを更新されなくする</a></span></dt></dl></dd></dl></div><div class="section" id="sect-Musicians_Guide-What_Is_Planet_CCRMA"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-What_Is_Planet_CCRMA">4.1. Planet CCRMA at Home について</h2></div></div></div><div class="para">
+ プロジェクトのホームページで述べられているように、Planet CCRMA at Home のゴールは、Fedora Linux ベースのコンピュータをオーディオワークステーションに変貌させるためのパッケージを提供することです。これが意味するところは、Fedora プロジェクトは汎用のオペレーティングシステムを提供することにかけてはすばらしいはたらきをしていますが、汎用のオペレーティングシステムというものは高品質のオーディオ作業にとっては不十分であるということです。Planet CCRMA at Home の貢献者たちはあなたのシステムをオーディオ作業のために特別に調整することのできるソフトウエアパッケージを提供します。
+ </div><div class="para">
+ GNU Solfege と LilyPond のユーザは、Planet CCRMA at Home とかかわりをもつ必要はありません。他のオーディオソフトウエアをお使いの場合は除きますが。Solfege も LilyPond も、オーディオ作成のために最適化されたコンピュータで有利になることはありません。
+ </div><div class="para">
+ CCRMA は、"Center for Computer Research in Music and Acoustics 音楽と音響学のコンピュータ研究センター "の略で、カリフォルニア州スタンフォードにある、スタンフォード大学の学術研究機関および音楽コンピューティング機関の名前です。そこではさまざまな音楽の環境において、コンピュータと技術が及ぼす効果と可能性を理解する研究が行われています。そこでは、学術コースが提供され、ワークショップとコンサートがひらかれ、多くの高度に専門化された分野の仕事をひとつにまとめる試みがなされています。
+ </div><div class="para">
+ Planet CCRMA at Home のウエブサイトには、彼らが、CCRMA のコンピュータ施設で使われるソフトウエアのほとんどを提供していると書いてあります。このソフトウエアの多くは、先進的で複雑で、日常的に使うためのものではありません。冒険好きなユーザは Planet CCRMA のウエブサイトを探検して自分でそのソフトウエアを調べてみるとよいでしょう。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora.html"><strong>戻る</strong>3.5. Fedora Linux でリアルタイムカーネルを得る</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html"><strong>次へ</strong>4.2. Planet CCRMA at Home を使うかどうかを決める</a></li></ul></body></html>
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+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>第8章 Qtractor</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="pt02.html" title="パート II. オーディオと音楽ソフトウエア" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Mastering-Choosing_Export_Format.html" title="7.6.2.2. エクスポートフォーマットを選ぶ" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Configuration.html" title="8.2. 構成" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a a
ccesskey="p" href="sect-Musicians_Guide-Ardour-Mastering-Choosing_Export_Format.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Configuration.html"><strong>次へ</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-Qtractor" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第8章 Qtractor</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Requirements_and_Installation">8.1. 要求とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Knowledge_Requirements">8.1.1. 前提知識</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Software_Requirements">8.1.2. ソフトウエア要件</a></span></dt><dt><span class="section"><a hr
ef="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Hardware_Requirements">8.1.3. ハードウエア要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Other_Requirements">8.1.4. その他の要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Installation">8.1.5. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration.html">8.2. 構成</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration.html#sect-Musicians_Guide-Qtractor-Configuration-JACK">8.2.1. <span class="application"><strong>Qtractor</strong></span> を、 <code class="systemitem">JACK</code> (<span class="application"><strong>QjackCtl</strong></span>) と一緒に使う</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-
Configuration-Audio_Tab.html">8.2.2. オーディオオプションを変更する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab.html">8.2.3. MIDI オプションを変更する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names.html">8.2.4. MIDI チャネル名を設定する</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using.html">8.3. Qtractor を使う</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using.html#sect-Musicians_Guide-Qtractor-Using-Blue_Place_Markers">8.3.1. 青いプレースマーカを使う</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools.html">8.3.2. MIDI マトリックスエディタのツールを使う</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using-Exporting_Audi
o_and_MIDI_Together.html">8.3.3. ファイル全部（オーディオと MIDI を一緒に）をエクスポートする</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using-Tips.html">8.3.4. その他の知識</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial.html">8.4. MIDI で作曲する（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial.html#sect-Musicians_Guide-Qtractor-Tutorial-Inspiration">8.4.1. インスピレーション</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Requirements.html">8.4.2. チュートリアルのファイル</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready.html">8.4.3. Qtractor を準備する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Import_
the_Audio_File.html">8.4.4. オーディオファイルをインポートする</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area.html">8.4.5. 最初のフォーマルエリアをマークする</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme.html">8.4.6. 主題を作る</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme.html">8.4.7. 主題を繰り返します。</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part.html">8.4.8. 次のパートを作曲します</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75.html">8.4.9. Qtractor の５２から７５小節</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97.html">8.4.10. Qt
ractor ã®ï¼—５ã‹ã‚‰ï¼™ï¼—å°ç¯€</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measure_97.html">8.4.11. Qtractor ã®ï¼™ï¼—å°ç¯€</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119.html">8.4.12. Qtractor ã®ï¼™ï¼˜ã‹ã‚‰ï¼‘１９å°ç¯€</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139.html">8.4.13. Qtractor ã®ï¼‘１９ã‹ã‚‰ï¼‘３９å°ç¯€</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158.html">8.4.14. Qtractor ã®ï¼‘３９ã‹ã‚‰ï¼‘５８å°ç¯€</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176.html">8.4.15. Qtractor ã®ï¼‘５８ã‹ã‚‰ï¼‘ï¼—ï¼–å°ç¯€</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End.html">8.4.16. Qtractor ã®ï¼‘ï¼—ï¼—å°ç¯€ã
‹ã‚‰çµ‚ã‚ã‚Š</a></span></dt></dl></dd></dl></div><div class="para">
+ Qtractor は、比較的新しいアプリケーションで、QjackCtl と Qsynth （どちらも、このガイドの他の章で扱われています ) と同じ開発者により作成、メンテナンスされています。それは、Audacity 以上の柔軟性を提供します。それにもかかわらず、Ardour や Rosegarden と比べると使いやすいです。そのため、それは、最初にソフトウエアの DAW を試してみたい人にとって最適の開始点といえます。
+ </div><div class="para">
+ ã—ã‹ã—ã€Qtractor ã¯ãŸã ã®é–‹å§‹ç‚¹ä»¥ä¸Šã®ã‚‚ã®ã§ã™ï¼šãã®ã‚·ãƒ³ãƒ—ルã•ã¯ãã®æœ€å¤§ã®å¼·ã¿ã§ã™ã€‚Ardour 㨠Rosegarden ã¯ã‚ˆã‚Šå¤šãã®æ©Ÿèƒ½ã‚’æä¾›ã™ã‚‹ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“ãŒã€Qtractor ã¯ç¿’ã†ã®ã«ãšã£ã¨å°‘ãªã„時間ã§æ¸ˆã¿ã¾ã™ã€‚最åˆã®å¦ç¿’曲線を越ãˆã‚‹ã¨ã‚ãªãŸã¯ã»ã¨ã‚“ã©ã™ã¹ã¦ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚ã‚‹ã„㯠MIDI ã®ãƒ—ãƒã‚¸ã‚§ã‚¯ãƒˆã‚’ Qtractor ã§å®Œæˆã•ã›ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ãã®ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã¯ä»¥ä¸‹ã‚’æä¾›ã—ã¾ã™ã€‚クリップã«å¯¾ã™ã‚‹ã‚·ãƒ³ãƒ—ルã§ã€ç›´æ„Ÿçš„ãªãƒã‚¤ãƒ³ãƒˆã‚¢ãƒ³ãƒ‰ã‚¯ãƒªãƒƒã‚¯ç›¸äº’作用。 JACK 接続ã®çµ±åˆã•ã‚ŒãŸåˆ¶å¾¡ã€‚外部デãƒã‚¤ã‚¹ã¨ MIDI 対応ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã¨ã® MIDI コントãƒãƒ¼ãƒ«çµ±åˆã€‚LADSPA, DSSI, ãƒã‚¤ãƒ†ã‚£ãƒ– VSTiã€ãã—㦠LV2 プラグインã®ã‚µãƒãƒ¼ãƒˆã€‚開発スピードãŒã¨ã¦ã‚‚速ã„ã®ã§ã€Qtractor ã¯æ¯Žåˆ†ã”ã¨ã«ã€ã‚ˆã‚Šå®‰å®šã—ã€ä½¿ã„ã‚„ã™ããªã£ã¦ã„ãã¾ã™ã€‚シンプルãªã‚¤ãƒ³ã‚¿ã
ƒ•ã‚§ãƒ¼ã‚¹ã¯ã‚ãªãŸãŒã”自分ã®å‰µé€ 的欲求ã«å¾“ã£ã¦éŸ³æ¥½ä½œæˆã«ãƒ•ã‚©ãƒ¼ã‚«ã‚¹ã™ã‚‹ã®ã‚’助ã‘ã¾ã™ã€‚
+ </div><div class="para">
+ 初心者も進んだユーザも、Qtractor が自分のためにいかに働くかを見て、同じように楽しむことができるでしょう。
+ </div><div class="section" id="sect-Musicians_Guide-Qtractor-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Qtractor-Requirements_and_Installation">8.1. 要求とインストール</h2></div></div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Knowledge_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Knowledge_Requirements">8.1.1. 前提知識</h3></div></div></div><div class="para">
+ Qtractor は使いやすく、そのユーザインタフェースは他の DAW に似ています。もしあなたが以前に DAW を使ったことがなければ、<a class="xref" href="sect-Musicians_Guide-DAW_User_Interface.html">「ユーザインタフェース」</a> を読むことをお勧めします。
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Software_Requirements">8.1.2. ソフトウエア要件</h3></div></div></div><div class="para">
+ Qtractor は JACK Audio Connection Kit を使います。Qtractor をインストールする前に JACK をインストール下さい。JACK をインストールする手順は <a class="xref" href="sect-Musicians_Guide-Using_JACK.html#sect-Musicians_Guide-Install_and_Configure_JACK">「<code class="systemitem">JACK</code> をインストール、設定する」</a> を参照下さい。
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Hardware_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Hardware_Requirements">8.1.3. ハードウエア要件</h3></div></div></div><div class="para">
+ Qtractor を使うには、オーディオインタフェースが必要です。Qtractor でオーディオを録音するには、オーディオインタフェースに接続されたマイクが少なくても１つ必要です。<span class="application"><strong>FluidSynth</strong></span> や <span class="application"><strong>SuperCollider</strong></span> のような、JACK 対応プログラムからのオーディオ信号を録音するには、マイクは必要ありません。
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Other_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Other_Requirements">8.1.4. その他の要件</h3></div></div></div><div class="para">
+ Qtractor を MIDI シーケンサーとして使うためには MIDI シンセサイザーが必要です。Qtractor とともに、ハードウエアおよびソフトウエアのシンセサイザーを使うことができます。<span class="application"><strong>FluidSynth</strong></span> ソフトウエア MIDI シンセサイザーを使うことをお勧めします。<span class="application"><strong>FluidSynth</strong></span> については、<a class="xref" href="chap-Musicians_Guide-FluidSynth.html">10章<em>FluidSynth</em></a> を参照下さい。
+ </div></div><div class="section" id="sect-Musicians_Guide-Qtractor-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Installation">8.1.5. インストール</h3></div></div></div><div class="para">
+ Qtractor は、Fedora ソフトウエアリポジトリからは入手できません。Qtractor は、"Planet CCRMA at Home"と "RPM Fusion"リポジトリから入手できます。もしあなたがこれらのリポジトリの１つを既に有効にしているならば、そのリポジトリから Qtractor をインストールできます。もしこれらのリポジトリを有効にしていないなら、Qtractor を "Planet CCRMA at Home"リポジトリからインストールすることをお勧めします。"Planet CCRMA at Home"リポジトリを有効にする手順は、<a class="xref" href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html#sect-Musicians_Guide-CCRMA_Installing_Repository">「Planet CCRMA at Home リポジトリをインストールする」</a> を参照下さい。"Planet CCRMA at Home"リポジトリには、たくさんの種類の音楽とオーディオアプリケーションがあります。
+ </div><div class="para">
+ "RPM Fusion"あるいは "Planet CCRMA at Home"リポジトリを有効にした後、PackageKit あるいは KPackageKit を使って、"qtractor"パッケージをインストールします . その他の必要なソフトウエアは自動的にインストールされます。
+ </div></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mastering-Choosing_Export_Format.html"><strong>戻る</strong>7.6.2.2. エクスポートフォーマットを選ぶ</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Configuration.html"><strong>次へ</strong>8.2. 構成</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/chap-Musicians_Guide-Real_Time_and_Low_Latency.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/chap-Musicians_Guide-Real_Time_and_Low_Latency.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>第3章 リアルタイムと低遅延</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="pt01.html" title="パート I. Linux オーディオの基本" /><link rel="prev" href="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK.html" title="2.3.3. PulseAudio を JACK と統合する" /><link rel="next" href="sect-Musicians_Guide-Processor_Scheduling.html" title="3.2. プロセッサスケジューリング" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a ac
cesskey="p" href="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Processor_Scheduling.html"><strong>次へ</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-Real_Time_and_Low_Latency" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第3章 リアルタイムと低遅延</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html#sect-Musicians_Guide-Low_Latency">3.1. 低遅延がなぜ望ましいか</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Processor_Scheduling.html">3.2. プロセッサスケジューリング</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Real_Time_Linux_Kernel.html">3.3. リアルタイム Linux カーネル</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-H
ard_and_Soft_Real_Time.html">3.4. ハードとソフトリアルタイム</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora.html">3.5. Fedora Linux でリアルタイムカーネルを得る</a></span></dt></dl></div><div class="para">
+ コンピュータは即時に計算ができるというのは、たぶん、一般的な考え方でしょう。ウエブページがロードされるのを待ったことのある人なら誰でもこれが正しくないと経験から知っていることでしょう。コンピュータは何かをするのに時間がかかります。多くの場合、見ている人にとって、時間の合計は感知できないほどであっても、です。さらに、１つのことをしているコンピュータはほとんど即時にそれをしているように見えるでしょうが、１５のことをしているコンピュータは即時にそれをしているように見せるのはずっと大変です。
+ </div><div class="section" id="sect-Musicians_Guide-Low_Latency"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Low_Latency">3.1. 低遅延がなぜ望ましいか</h2></div></div></div><div class="para">
+ コンピュータオーディオの専門家がコンピュータが <em class="firstterm"> リアルタイム </em> で動作するというとき、それは、ほとんど感知できない遅延で動作している、ということです。コンピュータは何かを一瞬で行うことはできず、入力とその出力を待つ時間のことを <em class="firstterm"> レーテンシー、遅延 </em> と呼びます。入力と出力の間の遅れが存在しないように知覚される、（別の言葉で言うとコンピュータが "リアルタイムで応答する "）ためには、遅延は小さくなければいけません。
+ </div><div class="para">
+ オーディオ処理（それは毎秒、一貫して繰り替えされる量のデータを持ちます）のように、周期的な作業にとって、低遅延は望ましいことですが、<span class="emphasis"><em> 一貫した </em></span> 遅延であることが、通常はより重要です。このように考えてください：ずっと昔、北アメリカでは牛乳は専門の配達員によって家庭に配られました。牛乳配達員は中くらいの遅延を持ちますが一貫したスケジュールを持ち、7 日に１回、まわってくると考えてください。あなたは牛乳をどれだけ買うか、計画することができ、すぐになくならないように飲むのをひかえることもできます。さて、牛乳配達員が、低遅延ですが、一貫しないスケジュールを持ち、１日から４日でまわってくるものとしましょう。あなたは牛乳をどれだけ買うか、どの
ように飲むのをひかえるか、全く見当がつかないでしょう。あるときは牛乳がありすぎ、あるときは底をついてしまいます。オーディオ処理と生成ソフトウエアはこのように振る舞います。もし、遅延の量が一貫していれば、それにしたがって計画できます。遅延が一貫していないとき、それが大きくても小さくても、ときにはデータが多すぎたり、ときには不足したりします。もし、アプリケーションがオーディオデータに不足すると、オーディオ信号の中に雑音か、静寂が生まれ、いずれも、よいものではありません。
+ </div><div class="para">
+ ある程度、低遅延であることは重要です。あなたのコンピュータが、今起きていることに、気がつかないほど迅速に反応できるためです。重要なのは、8 ms の遅延と 16 ms の遅延は人間にとってほとんど区別できないのに比べて、大きな遅延を許せば、コンピュータはより一貫した動作ができ、そちらの方がより重要だということです。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK.html"><strong>戻る</strong>2.3.3. PulseAudio を JACK と統合する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Processor_Scheduling.html"><strong>次へ</strong>3.2. プロセッサスケジューリング</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/chap-Musicians_Guide-Rosegarden.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/chap-Musicians_Guide-Rosegarden.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>第9章 Rosegarden</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="pt02.html" title="パート II. オーディオと音楽ソフトウエア" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End.html" title="8.4.16. Qtractor の１７７小節から終わり" /><link rel="next" href="sect-Musicians_Guide-Rosegarden-Configuration.html" title="9.2. 構成" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a a
ccesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Configuration.html"><strong>次へ</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-Rosegarden" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第9章 Rosegarden</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Requirements_and_Installation">9.1. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Knowledge_Requirements">9.1.1. 前提知識</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Software_Requirements">9.1.2. ソフトウェア要件</a></span></dt><dt><span c
lass="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Hardware_Requirements">9.1.3. ハードウェア要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Other_Requirements">9.1.4. その他の要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Installation">9.1.5. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Configuration.html">9.2. 構成</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Configuration.html#sect-Musicians_Guide-Rosegarden-Configuration-JACK_and_Qsynth">9.2.1. <span class="application"><strong>JACK</strong></span> と <span class="application"><strong>FluidSynth</strong></span> (<span class="application"><strong>Qsynth</strong></span>) をセットアップ</a></span></d
t><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden.html">9.2.2. <span class="application"><strong>Rosegarden</strong></span> の設定</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden_and_LilyPond.html">9.3. <span class="application"><strong>Rosegarden</strong></span> と LilyPond</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial.html">9.4. <span class="application"><strong>Rosegarden</strong></span> で、作曲する。（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial.html#sect-Musicians_Guide-Rosegarden-Tutorial-Bass_Line">9.4.1. 楽譜をベースラインから始める</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track.html">9.4.2. パーカッショントラックを追加</a></span></dt><dt><span class="section
"><a href="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion.html">9.4.3. パーカッションをスパイスアップ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial-Melody.html">9.4.4. メロディを追加する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue.html">9.4.5. 先に進むいくつかの方法</a></span></dt></dl></dd></dl></div><div class="section" id="sect-Musicians_Guide-Rosegarden-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Rosegarden-Requirements_and_Installation">9.1. 要件とインストール</h2></div></div></div><div class="section" id="sect-Musicians_Guide-Rosegarden-Knowledge_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Knowledge_Requirement
s">9.1.1. 前提知識</h3></div></div></div><div class="para">
+ Rosegarden のユーザーインターフェイスは、他の DAW(Digital Audio Workstatio) に似ています。 あなたが以前に DAW を使ったことがないのであれば、 まず、<a class="xref" href="sect-Musicians_Guide-DAW_User_Interface.html">「ユーザインタフェース」</a> を読むことをおすすめします。
+ </div></div><div class="section" id="sect-Musicians_Guide-Rosegarden-Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Software_Requirements">9.1.2. ソフトウェア要件</h3></div></div></div><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> は <span class="application"><strong>JACK Audio Connection Kit</strong></span> を使います。 <span class="application"><strong>Rosegarden</strong></span> をインストールする前に <span class="application"><strong>JACK</strong></span> をインストールする必要があります。<span class="application"><strong>JACK</strong></span> をインストールする方法については <a class="xref" href="sect-Musicians_Guide-Using_JACK.html#sect-Musicians_Guide-Install_and_Configure_JACK">「<code class="systemitem">JACK</code> をインストール、設定する」</a> を参照下さい。
+ </div></div><div class="section" id="sect-Musicians_Guide-Rosegarden-Hardware_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Hardware_Requirements">9.1.3. ハードウェア要件</h3></div></div></div><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> を使用するには、オーディオインターフェイスが必要です。<span class="application"><strong>Rosegarden</strong></span> で音声を録音するにはオーディオインターフェイスに接続されたマイクが少なくても 1 つ必要です。<span class="application"><strong>FluidSynth</strong></span> や <span class="application"><strong>SuperCollider</strong></span> のような、<span class="application"><strong>JACK</strong></span> に対応する他のプログラムからのオーディオ信号を録音するのにマイクは必要ありません。
+ </div></div><div class="section" id="sect-Musicians_Guide-Rosegarden-Other_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Other_Requirements">9.1.4. その他の要件</h3></div></div></div><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> を MIDI シーケンサーとして使うなら、MIDI シンセサイザーが必要です。<span class="application"><strong>Rosegarden</strong></span> とともに、ハードウエアシンセサイザーとソフトウエアシンセサイザーを使うことができます。ソフトウエアシンセサイザーである、<span class="application"><strong>FluidSynth</strong></span> MIDI シンセサイザーを使うことをおすすめします。<span class="application"><strong>FluidSynth</strong></span> については、<a class="xref" href="chap-Musicians_Guide-FluidSynth.html">10章<em>FluidSynth</em></a> を参照下さい。
+ </div></div><div class="section" id="sect-Musicians_Guide-Rosegarden-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Installation">9.1.5. インストール</h3></div></div></div><div class="para">
+ <span class="application"><strong>PackageKit</strong></span> あるいは <span class="application"><strong>KPackageKit</strong></span> を使って、 <span class="package">rosegarden4</span> パッケージをインストールして下さい。他の必要なソフトウエアは自動的にインストールされます。
+ </div></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End.html"><strong>戻る</strong>8.4.16. Qtractor の１７７小節から終わり</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Configuration.html"><strong>次へ</strong>9.2. 構成</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/chap-Musicians_Guide-Solfege.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/chap-Musicians_Guide-Solfege.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/chap-Musicians_Guide-Solfege.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>第13章 GNU ソルフェージュ</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="pt02.html" title="パート II. オーディオと音楽ソフトウエア" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano-Formatting-Inputting_the_Dynamics.html" title="12.8.6.2. Input Dynamics" /><link rel="next" href="sect-Musicians_Guide-Solfege-Configuration.html" title="13.2. 構成" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="se
ct-Musicians_Guide-LilyPond-Piano-Formatting-Inputting_the_Dynamics.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Configuration.html"><strong>次へ</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-Solfege" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第13章 GNU ソルフェージュ</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Requirements_and_Installation">13.1. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Hardware_and_Software_Requirements">13.1.1. ハードウエアとソフトウエア要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Other_Requirements">13.1.2. その他の要件</a></span></dt><d
t><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Install">13.1.3. 必要なインストール</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Install_Csound">13.1.4. オプショナルなインストール： Csound</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Install_MMA">13.1.5. オプショナルインストール : MMA</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration.html">13.2. 構成</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration.html#sect-Musicians_Guide-Solfege-Configuration-First_Time">13.2.1. Solfege を初めて実行するとき</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-Instruments.html">13.2.2. Instruments</a></span></dt><dt><spa
n class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-External_Programs.html">13.2.3. External Programs</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-Interface.html">13.2.4. Interface</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-Practise.html">13.2.5. Practise</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-Sound_Setup.html">13.2.6. Sound Setup</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training.html">13.3. あなたのトレーニング</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training.html#sect-Musicians_Guide-Solfege-Training-Aural_Skilla_and_Musical_Sensibility">13.3.1. オーラルスキルと音楽的感性</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training-Exercise_Types.html">13.3.2. 課
題のタイプ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program.html">13.3.3. オーラルスキルプログラムを作る</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training-Supplementary_References.html">13.3.4. 補足の参照</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html">13.4. 課題を使う</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html#sect-Musicians_Guide-Solfege-Listening_Exercises">13.4.1. Listening</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Singing_Exercises.html">13.4.2. Singing</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Configure_Yourself_Exericses.html">13.4.3. Configure Yourself</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Rhythm_Exer
cises.html">13.4.4. Rhythm</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Dictation_Exercises.html">13.4.5. Dictation</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Harmonic_Progressions.html">13.4.6. Harmonic Progressions</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Intonation.html">13.4.7. Intonation</a></span></dt></dl></dd></dl></div><div class="section" id="sect-Musicians_Guide-Solfege-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Solfege-Requirements_and_Installation">13.1. è¦ä»¶ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</h2></div></div></div><div class="section" id="sect-Musicians_Guide-Hardware_and_Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Hardware_and_Software_Requirements">13.1.1. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã
¨ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢è¦ä»¶</h3></div></div></div><div class="para">
+ GNU Solfege を使う前に、ユーザは既にオーディオ機器を正しく設定してあることが必要です。
+ </div><div class="para">
+ ã•ã‚‰ã«ã€Solfege 㯠<span class="application"><strong>timidity++</strong></span> パッケージを必è¦ã¨ã—ã€ãã‚Œã¯å¤§ããªï¼ˆãŠã‚ˆãï¼‘ï¼”ï¼ MB ã®ï¼‰ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆãƒ©ã‚¤ãƒ–ラリを必è¦ã¨ã—ã¾ã™ã€‚ã“ã®ãƒ©ã‚¤ãƒ–ラリ㯠<span class="application"><strong>FluidSynth</strong></span> アプリケーションã€ãã‚Œã¯ã“ã®ã‚¬ã‚¤ãƒ‰ã®ä»–ã®ç« ã§èª¬æ˜Žã•ã‚Œã¾ã™ã€ã¨å…±æœ‰ã•ã‚Œã€ã•ã‚‰ã«ä»–ã®ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ãƒ‘ッケージã§ã‚‚使ã‚ã‚Œã¾ã™ã€‚<span class="application"><strong>timidity++</strong></span> ã¯ã•ã‚‰ã« JACK Audio Connection Kit ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã‚’å¿…è¦ã¨ã—ã¾ã™ã€‚JACK をインストールã™ã‚‹æ‰‹é †ã¯ã€<a class="xref" href="sect-Musicians_Guide-Using_JACK.html#sect-Musicians_Guide-Install_and_Configure_JACK">「<code class="systemitem">JACK</code> をインストールã€è¨å®šã™ã‚‹ã€</a> ã‚’å‚ç…§ãã ã•ã„。訳注： JACK ã‚’ Planet CCRMA at Home ã‹ã‚‰ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã™ã‚‹è¨˜è¿°ãŒã‚ã‚Šã
¾ã™ãŒã€èª¤ã‚Šã®ãŸã‚訳ã—ã¾ã›ã‚“。
+ </div></div><div class="section" id="sect-Musicians_Guide-Solfege-Other_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Other_Requirements">13.1.2. その他の要件</h3></div></div></div><div class="para">
+ Solfege は西洋音楽の記譜法と、基本的な音楽理論の用語と概念についての知識を必要とします。
+ </div></div><div class="section" id="sect-Musicians_Guide-Solfege-Install"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Install">13.1.3. 必要なインストール</h3></div></div></div><div class="para">
+ インストールの前に前記の "Requirements"セクションをよく読んでください。
+ </div><div class="para">
+ PackageKit, KPackageKit を使って、<span class="package">solfege</span> パッケージをインストールします。
+ </div></div><div class="section" id="sect-Musicians_Guide-Solfege-Install_Csound"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Install_Csound">13.1.4. オプショナルなインストール： Csound</h3></div></div></div><div class="para">
+ Csound は SuperCollider のようなサウンド合成プログラムです。それはより古く、とてもよく開発されており、より広い機能の範囲を持ちます。
+ </div><div class="para">
+ Csound をインストールするには、まず Solfege を閉じて、PackageKit あるいは KPackageKit を使って <span class="package">csound</span> パッケージをインストールします。Solfege を再開始したら、"Intonation"課題ができるはずです。
+ </div></div><div class="section" id="sect-Musicians_Guide-Solfege-Install_MMA"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Install_MMA">13.1.5. オプショナルインストール : MMA</h3></div></div></div><div class="para">
+ MMA は "Musical MIDI Accompaniment"の略で、 Fedora ではパッケージされた形で入手することはできません。ソフトウエアは <a href="http://www.mellowood.ca/mma/">http://www.mellowood.ca/mma/</a> の <em class="citetitle">MMA Homepage</em> にあり、ご希望ならばソースコードをダウンロードしてコンパイルすることができます。MMA はいくつかの和声書き取り問題でだけ使われるので、そのインストールは必須ではありません。
+ </div></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Formatting-Inputting_the_Dynamics.html"><strong>戻る</strong>12.8.6.2. Input Dynamics</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Configuration.html"><strong>次へ</strong>13.2. 構成</a></li></ul></body></html>
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+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>第1章 サウンドカードとデジタルオーディオ</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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/a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sound_Card_Connections.html"><strong>次ã¸</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-Sound_Cards" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第1ç« ã‚µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã¨ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="chap-Musicians_Guide-Sound_Cards.html#sect-Musicians_Guide-What_Sound_Cards_Are">1.1. サウンドカードã®ç¨®é¡ž</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Sound_Cards.html#sect-Musicians_Guide-Audio_Interfaces">1.1.1. オーディオインタフェース</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Sound_Cards.html#sect-Musicians_Guide-MIDI_Interfaces">1.1.2. MIDI インターフェイス</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Card_Connections.html">1.2. ã‚
µã‚¦ãƒ³ãƒ‰ã‚«ãƒ¼ãƒ‰ã®æŽ¥ç¶š</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Card_Connections.html#sect-Musicians_Guide-Motherboard_Integrated">1.2.1. マザーボードã«çµ±åˆ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-PCI_Sound_Cards.html">1.2.2. 内蔵 PCI 接続</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FireWire_Sound_Cards.html">1.2.3. 外部ã®FireWire 接続</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-USB_Sound_Cards.html">1.2.4. 外部 USB 接続</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Choose_Sound_Card_Connection.html">1.2.5. 接続タイプをé¸æŠžã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html">1.3. サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート</a></span></dt><dd><dl><dt><span class="s
ection"><a href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html#sect-Musicians_Guide-Sample">1.3.1. サンプル</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sample_Format.html">1.3.2. サンプルフォーマット</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sample_Rate.html">1.3.3. サンプルレート</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Bit_Rate.html">1.3.4. ビットレート</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions.html">1.3.5. 結論</a></span></dt></dl></dd><dt><span class="section"><a href="chap-Musicians_Guide-Vocabulary.html">1.4. その他のデジタルオーディオの概念</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Vocabulary.html#sect-Musicians_Guide-Vocabulary-MIDI_Sequencer">1.4.1. MIDI シーケンサー</a></span></dt><dt><span class="section"><a href="sect-Musi
cians_Guide-Vocabulary-Bus.html">1.4.2. バス、マスターバス そしてサブマスターバス</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Level.html">1.4.3. レベル(ボリューム／ラウドネス）</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Panning_and_Balance.html">1.4.4. パニングとバランス</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Time.html">1.4.5. タイム、タイムライン、そしてタイムシフティング</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Synchronization.html">1.4.6. 同期</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing.html">1.4.7. ルーティングと多重化</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Multichannel_Audio.html">1.4.8. マルチチャネルオーディオ</a></span></dt>
</dl></dd></dl></div><div class="para">
+ この章では、コンピュータオーディオのハードウェアに使用される技術的な用語を紹介します。
+ </div><div class="section" id="sect-Musicians_Guide-What_Sound_Cards_Are"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-What_Sound_Cards_Are">1.1. サウンドカードの種類</h2></div></div></div><div class="para">
+ サウンドカードは、コンピュータが音を処理するためのハードウェアデバイスです。 ほとんどのサウンドカードは、オーディオインターフェースか MIDI インターフェイスを持ちます。 この2種類のインターフェイスは以下で説明されます。
+ </div><div class="section" id="sect-Musicians_Guide-Audio_Interfaces"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audio_Interfaces">1.1.1. オーディオインタフェース</h3></div></div></div><div class="para">
+ オーディオインターフェイスは、コンピュータとマイク、スピーカーなどのオーディオ機器の間の接続を提供するハードウェアデバイスです。 オーディオインターフェイスは、通常、オーディオ信号をアナログとデジタル形式の間で変換します：コンピュータに入る信号は、アナログ - デジタル変換器を介し、コンピュータから出る信号はディジタル - アナログ変換器を介します。 一部のオーディオインターフェイスは、 デジタル入力と出力ポートがあります。つまり、他のデバイスが、アナログおよびデジタル信号フォーマット間の変換をすることを意味します。
+ </div><div class="para">
+ アナログとデジタルのオーディオ信号フォーマット間の変換はオーディオインターフェースの主な機能です。 本物の音は、音程、ボリューム、および持続時間の範囲が無限になることがあります。 コンピュータは、無限の情報を処理できず、音はデジタル形式に変換される必要があります。 デジタル音声信号は、音程、ボリューム、および持続時間の範囲が限られています。 高品質のアナログ -デジタルおよびデジタル - アナログコンバータは、可能な限り、元のアナログ信号を保つ方法で、信号形式を変換します。これらのコンバータの品質はオーディオインターフェイスの品質を決定する上で非常に重要です。
+ </div><div class="para">
+ オーディオインターフェイスは、そのほかに、マイク、スピーカー、ヘッドフォン、エレキギターのような電子楽器など、外部オーディオ機器用のコネクタを提供します。
+ </div></div><div class="section" id="sect-Musicians_Guide-MIDI_Interfaces"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-MIDI_Interfaces">1.1.2. MIDI インターフェイス</h3></div></div></div><div class="para">
+ Musical Instrument Digital Interface（MIDI）は、デジタル音楽機器を制御するために使用される標準です。 多くの人々は、この言葉をアコースティック楽器の低品質の模造品と関連付けます。 MIDI 信号自身は音を持っていないので、これは残念なことです。 MIDI 信号は、デバイスを制御するための命令です：それはシンセサイザに、いつ音を開始し停止するか、音はどれくらいの長さか、どの高さかを指示します。 シンセサイザは、これらの命令に従って、オーディオ信号を生成します。 多くの MIDI 制御シンセサイザは、アコースティック楽器の低品質の模造品ですが、高品質の模造品といえるものも多くあります。 MIDI 対応のデバイスは、多くの主流、非主流の音楽の現場で使用されており、ほとんど実際のアコースティック楽器と区別
することができません。 MIDI インターフェイスは、MIDI 信号だけを送信し、オーディオ信号を送信しません。 一部のオーディオインターフェイスは組み込みの MIDI インターフェイスを持っており、両方のインターフェイスが同じ物理デバイスを共有することを可能にしています。
+ </div><div class="para">
+ MIDI 信号から音を作成するには、"MIDI シンセサイザ"が必要です。 MIDI シンセサイザには専用のハードウェアを持つものも、ソフトウェアだけを使うものもあります。サウンドフォント技術に基づく、ソフトウェアだけの、 MIDI シンセサイザについては、<a class="xref" href="chap-Musicians_Guide-FluidSynth.html">10章<em>FluidSynth</em></a> に書かれています。
+ </div><div class="para">
+ あなたは、ハードウェアベースの MIDI インターフェイスを使用せずに、MIDI 信号、シンセサイザ、およびアプリケーションを使用することができます。 ミュージシャンガイドのすべてのMIDI対応アプリケーションは、ソフトウェアベースの MIDI ソリューションとよく連動し、また、ハードウェアベースの MIDI 機器と互換性があります。
+ </div></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="pt01.html"><strong>戻る</strong>パート I. Linux オーディオの基本</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sound_Card_Connections.html"><strong>次へ</strong>1.2. サウンドカードの接続</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
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+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>第11章 SuperCollider</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="pt02.html" title="パート II. オーディオと音楽ソフトウエア" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Multiple_Instances.html" title="10.7. Qsynth で、複数の FluidSynth インスタンスを使う" /><link rel="next" href="sect-Musicians_Guide-SC-Using_GEdit.html" title="11.2. GEdit を使って SuperCollider プログラムを書いて実行する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentatio
n Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Multiple_Instances.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Using_GEdit.html"><strong>次へ</strong></a></li></ul><div xml:lang="ja-JP" class="chapter" id="chap-Musicians_Guide-SuperCollider" lang="ja-JP"><div class="titlepage"><div><div><h2 class="title">第11章 <span class="application"><strong>SuperCollider</strong></span></h2></div></div></div><div class="toc"><dl><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Requirements_and_Installation">11.1. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Req_and_Inst-Knowledge">11.1.1. 前提知識</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-
SC-Req_and_Inst-Software_Requirements">11.1.2. ソフトウエア要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Req_and_Inst-Hardware_Requirements">11.1.3. ハードウエア要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-SC-Req_and_Inst-Available_Packages">11.1.4. <span class="application"><strong>SuperCollider</strong></span> 関連のパッケージ</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Req_and_Inst-Recommended_Installation">11.1.5. お勧めするインストール</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit.html">11.2. <span class="application"><strong>GEdit</strong></span> を使って <span class="application"><strong>SuperCollider</strong></span> プログラムを書いて実行する</a></span><
/dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit.html#sect-Musicians_Guide-SC-Using_GEdit-Enable_and_Configure_SCEd">11.2.1. <span class="application"><strong>GEdit</strong></span> で、SCEd を有効にして、構成する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server.html">11.2.2. <span class="application"><strong>SuperCollider</strong></span> モードを有効にして、サーバを開始します。</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit-Executing_Code.html">11.2.3. <span class="application"><strong>GEdit</strong></span> でコードを実行する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit-Other_Tips.html">11.2.4. <span class="application"><strong>GEdit</strong></span> を <span class="application"><strong>SuperCollider</strong></span> と使うための他のヒント</a></span></dt></dl><
/dd><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html">11.3. Basic Programming in <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html#sect-Musicians_Guide-SC-Basic_Programming-First_Steps">11.3.1. First Steps</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html">11.3.2. Variables and Functions</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented.html">11.3.3. Object-Oriented <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions.html">11.3.4. Sound-Making Functions</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Multichan
nel_Audio.html">11.3.5. Multichannel Audio</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Collections.html">11.3.6. Collections</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html">11.3.7. Repeated Execution</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html">11.3.8. Conditional Execution</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html">11.3.9. Combining Audio; the Mix Class</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html">11.3.10. SynthDef and Synth</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html">11.3.11. Busses</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other
_Features.html">11.3.12. Ordering and Other Synth Features</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling.html">11.3.13. Scheduling</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html">11.3.14. How to Get Help</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution.html">11.3.15. Legal Attribution</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Composing.html">11.4. Composing with SuperCollider</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Composing.html#sect-Musicians_Guide-SC-Composing-Tutorial_Files">11.4.1. Files for the Tutorial</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Inspiration.html">11.4.2. Inspiration</a></span></dt><dt><span class="section"><a href="sect-Musicians_
Guide-SC-Composing-Designing_the_First_Part.html">11.4.3. Designing the First Part</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part.html">11.4.4. Designing the Second Part</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones.html">11.4.5. Creating Ten Pseudo-Random Tones</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones.html">11.4.6. Scheduling the Tones</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Optimizing_the_Code.html">11.4.7. Optimizing the Code</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part.html">11.4.8. Making a Useful Section out of the Second Part</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts.html">11.4.9. J
oining the Two Parts</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Exporting.html">11.5. Exporting Sound Files</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Exporting.html#sect-Musicians_Guide-SC-Non_Real_Time_Synthesis">11.5.1. Non-Real-Time Synthesis</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Recording_SuperColliders_Output.html">11.5.2. Recording SuperCollider's Output (Tutorial)</a></span></dt></dl></dd></dl></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> はいろいろなものですが、何よりも：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ オーディオ合成エンジン、
+ </div></li><li class="listitem"><div class="para">
+ 柔軟なプログラミング言語、そして
+ </div></li><li class="listitem"><div class="para">
+ プログラミング言語を合成命令に変換するインタプリタです。
+ </div></li></ul></div>
+
+ </div><div class="section" id="sect-Musicians_Guide-SC-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-SC-Requirements_and_Installation">11.1. 要件とインストール</h2></div></div></div><div class="section" id="sect-Musicians_Guide-SC-Req_and_Inst-Knowledge"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Req_and_Inst-Knowledge">11.1.1. 前提知識</h3></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> はミュージシャンのガイドで記述されている中で、最も難しいプログラムでしょう。<span class="application"><strong>SuperCollider</strong></span> アプリケーション自身は使いやすく、とてもうまく動きます。しかし、それはあなたが何か役に立つことをするためのただの道具です。<span class="application"><strong>SuperCollider</strong></span> はとてもパワフルで柔軟なプログラミング言語を持ち、主にオーディオ処理のために設計されたライブラリを持ちます。しかし、コンピュータによくあることですが、この強力な柔軟性とパワーは、ユーザの側に、多くの理解と学習を必要とする、というコストを伴います。<span class="application"><strong>SuperCollider</strong></span> は実際のプログラミングを伴うので、この言語
を学習しようという人にとって、コンピュータサイエンスのいくらかの原理と概念について基本的な理解があることは大いに役に立つでしょう。ウイキペディアからの以下の記事は必読ではありませんが、あなたが言語を学ぶ間、必要に応じて参照するとよいでしょう。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Computer_programming">http://en.wikipedia.org/wiki/Computer_programming</a> の <em class="citetitle">Computer Programming</em> ：あなたは多分、これが何かご存知でしょう。あなたがこれからやろうとしていることです。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Programming_language">http://en.wikipedia.org/wiki/Programming_language</a> の <em class="citetitle">Programming Language</em> ： <span class="application"><strong>SuperCollider</strong></span> はプログラミング言語です。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Interpreter_%28computing%29">http://en.wikipedia.org/wiki/Interpreter_%28computing%29</a> の <em class="citetitle">Interpreter</em> ：これがあなたのコードを読んで、サーバにコマンドを送り、音を出させます。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Server_%28computing%29">http://en.wikipedia.org/wiki/Server_%28computing%29</a> の <em class="citetitle">Server</em> ： <span class="application"><strong>SuperCollider</strong></span> は'サーバ'コンポーネントを持ち、それはインタプリタが操作します。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Functional_programming">http://en.wikipedia.org/wiki/Functional_programming</a> の <em class="citetitle">Functional Programming</em> ： <span class="application"><strong>SuperCollider</strong></span> は "関数型 "言語であるといえます。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Imperative_programming">http://en.wikipedia.org/wiki/Imperative_programming</a> の <em class="citetitle">Imperative Programming</em> ： <span class="application"><strong>SuperCollider</strong></span> は "命令型 "言語であるといえます。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Object-oriented_programming">http://en.wikipedia.org/wiki/Object-oriented_programming</a> の <em class="citetitle">Object-Oriented Programming</em> ： <span class="application"><strong>SuperCollider</strong></span> は "オブジェクト指向 "言語であるといえます。
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Req_and_Inst-Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Req_and_Inst-Software_Requirements">11.1.2. ソフトウエア要件</h3></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> は JACK Audio Connection Kit を使います。<span class="application"><strong>SuperCollider</strong></span> をインストールする前に JACK をインストールください。JACK をインストールする手順は <a class="xref" href="sect-Musicians_Guide-Using_JACK.html#sect-Musicians_Guide-Install_and_Configure_JACK">「<code class="systemitem">JACK</code> をインストール、設定する」</a> を参照ください。
+ </div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> は Fedora ソフトウエアリポジトリからは入手できません。あなたは <span class="application"><strong>SuperCollider</strong></span> をインストールするには "Planet CCRMA at Home"リポジトリを有効にする必要があります。"Planet CCRMA at Home"リポジトリを有効にする手順は <a class="xref" href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html#sect-Musicians_Guide-CCRMA_Installing_Repository">「Planet CCRMA at Home リポジトリをインストールする」</a> を参照ください。"Planet CCRMA at Home"リポジトリには、多くの種類の音楽とオーディオアプリケーションがあります。
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Req_and_Inst-Hardware_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Req_and_Inst-Hardware_Requirements">11.1.3. ハードウエア要件</h3></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> を使うには、オーディオインタフェースが必要です。マイクはいりません。
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-SC-Req_and_Inst-Available_Packages"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-SC-Req_and_Inst-Available_Packages">11.1.4. <span class="application"><strong>SuperCollider</strong></span> 関連のパッケージ</h3></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> パッケージはすべて Planet CCRMA at Home リポジトリにあり。それらはたくさんあります。そのうちの多くは、Fedora の標準のサフィックスを持ちますが、多くはその他の種類のオプショナルなコンポーネントです。オプショナルな機能のほとんどは、<span class="application"><strong>SuperCollider</strong></span> にライブラリを追加して、あなたのオーディオプログラムからそれらを使えるようにするものです。それぞれの追加のパッケージで得られる機能はここでは説明されません。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">supercollider-ambiem</span> : オプショナルなライブラリ ("Ambisonics classes for SC").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-debuginfo</span> : <span class="application"><strong>SuperCollider</strong></span> のデバッグ情報。
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-devel</span> : <span class="application"><strong>SuperCollider</strong></span> で開発をするために必要なファイル。
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-dewdrop</span> : オプショナルなライブラリ ("DewDrop external collection for SC").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-emacs</span> :<span class="application"><strong>emacs</strong></span> テキストエディタに <span class="application"><strong>SuperCollider</strong></span> サポートを加える。
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-extras</span> : オプショナルなライブラリ ("Extra plugins and classes for SC").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-gedit</span> :<span class="application"><strong>GEdit</strong></span> テキストエディタに <span class="application"><strong>SuperCollider</strong></span> サポートを加える。
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-libscsynth</span> : "<span class="application"><strong>SuperCollider</strong></span> synthesis library."
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-quarks</span> : オプショナルなライブラリ ("Local quarks repository for <span class="application"><strong>SuperCollider</strong></span>").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-sclang</span> : ヘルプファイル、例、クラスライブラリ、そして言語インタプリタ。
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-vim</span> :<span class="application"><strong>vim</strong></span> テキストエディタに <span class="application"><strong>SuperCollider</strong></span> サポートを加える。
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider</span> :<span class="application"><strong>SuperCollider</strong></span> を動かすための "必要最低限 "。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">supercollider-sclang</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-libscsynth</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">fftw</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">w3m-el</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">emacs</span>
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-bbcut2</span> : オプショナルなライブラリ ("Beat tracking of audio streams").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-bbcut2-debuginfo</span> : bbcut2 のデバッグ情報。
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-mathlib</span> : オプショナルなライブラリ ("Useful classes for SC").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-redclasses</span> : オプショナルなライブラリ ("Frederik Olofsson Red SC classes").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-redclasses-debuginfo</span> : redclasses のデバッグ情報。
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-world</span> : ほとんどの <span class="application"><strong>SuperCollider</strong></span> パッケージをインストールします。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">supercollider</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">abmiem</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-redclasses</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-dewdrop</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-emacs</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-mathlib</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-midifile</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-extras</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-bbcut2</span>
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-reduniverse</span>
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-midifile</span> : オプショナルなライブラリ ("MIDI file reader for <span class="application"><strong>SuperCollider</strong></span>").
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">supercollider-reduniverse</span> : オプショナルなライブラリ ("Sonification and visualization of dynamic systems").
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Req_and_Inst-Recommended_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Req_and_Inst-Recommended_Installation">11.1.5. お勧めするインストール</h3></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> を以前に使ったことがないならば、可能な限り少ない数のパッケージをインストールするのをお勧めします。そうするとあなたは、すべての <span class="application"><strong>SuperCollider</strong></span> のインストールにある、コアクラスから学習を始めることができます。もちろん、必要最小限のインストールをした後で将来、オプショナルなライブラリをインストールするのは可能です。
+ </div><div class="para">
+ このお勧めのインストールは、<span class="application"><strong>emacs</strong></span> あるいは <span class="application"><strong>vim</strong></span> （あなたが既にプログラマーであるのでなければ、たぶん、これらの使い方は知らないでしょう）のコンポーネントをインストールすることがありません。<span class="application"><strong>emacs</strong></span> と <span class="application"><strong>vim</strong></span> テキストエディタは、とてもパワフルで拡張可能なのですが、学ぶのが難しいかもしれません。さらに、<span class="application"><strong>GEdit</strong></span> 用のコンポーネントがあって十分以上の働きをするので、<span class="application"><strong>SuperCollider</strong></span> のためにだけ、それらを学ぶ理由はありません。
+ </div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> のための最小のお勧めのインストールをするには：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ ターミナルで、<code class="command">su -c 'yum install supercollider supercollider-gedit'</code> を実行します。
+ </div></li><li class="listitem"><div class="para">
+ 提案されたインストールをよく見ます。リストはとても長く、大量のダウンロードを必要とすることがあります。
+ </div></li></ol></div>
+
+ </div></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Multiple_Instances.html"><strong>戻る</strong>10.7. Qsynth で、複数の FluidSynth インスタンスを使う</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Using_GEdit.html"><strong>次へ</strong>11.2. GEdit を使って SuperCollider プログラムを書いて実行する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/chap-Musicians_Guide-Vocabulary.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/chap-Musicians_Guide-Vocabulary.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.4. その他のデジタルオーディオの概念</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Sound_Cards.html" title="第1章 サウンドカードとデジタルオーディオ" /><link rel="prev" href="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions.html" title="1.3.5. 結論" /><link rel="next" href="sect-Musicians_Guide-Vocabulary-Bus.html" title="1.4.2. バス、マスターバス そしてサブマスターバス" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="do
cnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Vocabulary-Bus.html"><strong>次へ</strong></a></li></ul><div xml:lang="ja-JP" class="section" id="chap-Musicians_Guide-Vocabulary" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="chap-Musicians_Guide-Vocabulary">1.4. その他のデジタルオーディオの概念</h2></div></div></div><div class="para">
+ これらの用語は多くの異なるオーディオの文脈で使われます。これらを理解することはコンピュータベースであるかどうかにかかわらず、オーディオ機器をどのように操作するかを知るために重要です。
+ </div><div class="section" id="sect-Musicians_Guide-Vocabulary-MIDI_Sequencer"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Vocabulary-MIDI_Sequencer">1.4.1. MIDI シーケンサー</h3></div></div></div><div class="para">
+ <em class="firstterm">シーケンサー</em>とは、デバイスあるいはソフトウエアプログラムで、シンセサイザが音に変換する信号を生成するものです。他にも、MIDI 信号を音楽にするためにもシーケンサーを使うことができます。ミュージシャンのガイドは、主に MIDI シーケンサーである２つのデジタルオーディオワークステーション（DAW）、Qtractor と Rosegarde をとりあげます。このガイドのすべての3つの DAW は、MIDI 信号を、他のデバイスやエフェクトを制御するのに使います。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions.html"><strong>戻る</strong>1.3.5. 結論</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Vocabulary-Bus.html"><strong>次へ</strong>1.4.2. バス、マスターバス そしてサブマスターバス</a></li></ul></body></html>
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/files/LilyPond/Bar-Check_Example-source.ly
@@ -0,0 +1,22 @@
+\version "2.12.3"
+
+\header
+{
+ tagline = ##f % Remove default LilyPond tagline
+}
+
+trebleClefVoice = \relative c''
+{
+ % This example shows the bar-check symbol at work.
+ \key c \major
+ \time 4/4
+ c4 c2 c4 |
+ c4 c2 c | % This bar contains five beats. The bar-check symbol prints a warning.
+ c4 c2 c4 | % This bar-check symbol also prints a warning -- but for some reason it doesn't?!?!
+}
+
+\score
+{
+ \new Staff { \trebleClefVoice }
+ \layout { }
+}
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/files/LilyPond/Counterpoint-source.ly
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+\version "2.12.2"
+
+\header
+{
+ title = "Simple Counterpoint Exercise"
+ composer = "Christopher Antila"
+}
+
+global =
+{
+ \key f \major
+ \time 4/4
+
+ \override Score.BarLine #'transparent = ##t
+ \override Score.SpanBar #'transparent = ##t
+ \override Score.TimeSignature #'transparent = ##t
+}
+
+right = \relative c'
+{
+ \global
+
+ f1 g a f d e f c' a f g f
+
+ \revert Score.BarLine #'transparent
+ \revert Score.SpanBar #'transparent
+
+ \bar "|."
+}
+
+left = \relative c
+{
+ \global
+ % Music follows here.
+
+ f1 e d a bes c d e f d c f
+}
+
+figBass = \figuremode
+{
+ \global
+ % Figures follow here.
+ <1>1 <3> <5> <6> <3> <3> <3> <6> <3> <3> <5> <1>
+}
+
+pianoPart = \new PianoStaff \with{}
+<<
+ \new Staff = "right" \right
+ \new FiguredBass \figBass
+ \new Staff = "left" { \clef bass \left }
+>>
+
+\score
+{
+ <<
+ \pianoPart
+ >>
+
+ \layout { }
+}
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/files/LilyPond/Orchestra-result.pdf b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/files/LilyPond/Orchestra-result.pdf
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/files/LilyPond/Orchestra-source.ly
@@ -0,0 +1,418 @@
+\version "2.12.2"
+
+\header
+{
+ dedication = "Comte d‘Ogny and Prince Oettingen-Wallerstein"
+ title = "Sinfonia No. 92"
+ subtitle = "“Oxford”"
+ composer = "Haydn, Joseph"
+ % Remove default LilyPond tagline
+ tagline = ##f
+}
+
+tempoMark =
+{
+ \once \override Score.RehearsalMark #'self-alignment-X = #LEFT
+ \once \override Score.RehearsalMark #'break-align-symbols = #'(time-signature key-signature)
+ \once \override Staff.TimeSignature #'break-align-anchor-alignment = #LEFT
+ \mark \markup \bold "Adagio"
+}
+
+global =
+{
+ %% NB: "hornF" does not follow this
+ %% NB: "trumpetC" does not follow this
+ \tempoMark
+ \key g \major
+ \time 3/4
+}
+
+startExposition =
+{
+ \once \override Score.RehearsalMark #'self-alignment-X = #LEFT
+ \once \override Score.RehearsalMark #'break-align-symbols = #'(time-signature key-signature)
+ \mark \markup \bold "Allegro spiritoso"
+
+ \bar "|:"
+}
+
+
+
+
+
+
+%%%%%%%% NOTES %%%%%%%%
+flute = \relative c'''
+{
+ \global
+ % Music follows here.
+ R2.*13 |
+ r8 e-.\p e-. e-. e-. e-. |
+ es8[ d]\f d-. d-. d-. d-. |
+ d8( cis) cis4 r |
+ R2.*3 |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+oboeI = \relative c'''
+{
+ \global
+ % Music follows here.
+ R2.*13 |
+ r8 a-.\p a-. a-. a-. a-. |
+ a8([ bes)]\f bes-. g-. g-. g-. |
+ g8( bes,) bes4 r |
+ r4 cis\p cis |
+ r4 cis cis |
+ r4 cis\pp cis |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+oboeII = \relative c''
+{
+ \global
+ % Music follows here.
+ R2.*13 |
+ R2. |
+ r8\f bes-. bes-. bes-. bes-. bes-. |
+ bes8 bes bes4 r |
+ r4 g\p g |
+ r4 g g |
+ r4 g\pp g |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+bassoon = \relative c
+{
+ \global
+ % Music follows here.
+ R2.*13 |
+ R2. |
+ r8\f d-.^"a 2" g-. bes-. d-. bes-. |
+ g8( cis) cis4 r |
+ R2.*3 |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+hornF = \relative c'
+{
+ \tempoMark
+ \time 3/4
+ \key c \major
+ \transposition g
+ % Music follows here.
+ R2.*13 |
+ R2. |
+ r8\f <g g'>-. <g g'>-. <g g'>-. <g g'>-. <g g'>-. |
+ <c c'>8 <c c'> <c c'>4 r |
+ R2.* 3 |
+ r4 r r\fermata
+
+ \startExposition
+
+ R2.*4 |
+}
+
+trumpetC = \relative c''
+{
+ \tempoMark
+ \time 3/4
+ \key c \major
+ % Music follows here.
+ R2.*13 |
+ R2.*6 |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+timpani = \relative c
+{
+ \global
+ % Music follows here.
+ R2.*13 |
+ R2.*6 |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+violinI = \relative c''
+{
+ \global
+ % Music follows here.
+ d8-.\p r d-. r d-. r |
+ d2.~\< |
+ d4\> c8( b a e') |
+ g,4(\! fis8)-. r r4 |
+ % M.5
+ c'8-. r c-. r c-. r |
+ c2.~\< |
+ c8\> e( d c b a)\! |
+ \grace {c8} b4\trill a8-. r r4 |
+ c8[( \grace {d16[ c b]} c16. d32]) b8-. r r4 |
+ % M.10
+ e8[( \grace {fis16[ e dis]} e16. fis32]) g8-. r r4 |
+ d4 cis8( c b bes) |
+ a8 r r4 r |
+ r8 g'-. g-. g-. g-. g-. |
+ g8[( fis]) fis-. fis-. fis-. fis-. |
+ % M.15
+ fis8[( g])\f g-. d'-. d-. d-. |
+ d8[( cis]) cis4 r8. g16\p |
+ g4( cis,) r8. bes'16 |
+ bes4( cis,) r |
+ \times 2/3 { g'8[(-.^\markup{\italic staccato} fis-. f])-. } \times 2/3 { e8[(-. es-. d])-. } cis8-. r16 bes' |
+ bes4( cis,) r\fermata |
+
+ \startExposition
+
+ c!4~\p c8 b-. a-. g-. |
+}
+
+violinII = \relative c''
+{
+ \global
+ % Music follows here.
+ b8-.\p r b-. r b-. r |
+ b4. a8( g fis) |
+ e4. d8( c a) |
+ d4 r r |
+ % M.5
+ <fis a>8-. r <fis a>-. r <fis a>-. r |
+ <fis a>4. b8( a g) |
+ fis2( g8 d) |
+ d8[( cis]) d-. r r4 |
+ g4~ g8-. r r4 |
+ % M.10
+ g4~ g8-. r r4 |
+ d4 e8( fis g) g |
+ fis8[ d]-. d-. d-. d-. d-. |
+ d4( cis c) |
+ c2.~ |
+ % M.15
+ c8[( bes])\f bes-. bes-. bes-. bes-. |
+ bes8 g' g4 r |
+ r4 <bes, g'>\p <bes g'> |
+ r4 <bes g'> <bes g'> |
+ r4 <bes g'>\pp <bes g'> |
+ % M.20
+ r4 r r\fermata
+
+ \startExposition
+
+ <a fis'>8-.\p <a fis'>-. <a fis'>-. r r4
+}
+
+viola = \relative c''
+{
+ \global
+ % Music follows here.
+ g8-.\p r g-. r g-. r |
+ g4. g,8( a b) |
+ c( e, fis gis a c) |
+ b4( a8-.) r r4 |
+ % M.5
+ d8-. r d-. r d-. r |
+ d4. d,8( fis g) |
+ a8( c b a g fis) |
+ g4( fis8-.) r r4 |
+ e'4( d8-.) r r4 |
+ % M.10
+ c4( b8-.) r r4 |
+ b8( bes a) d g, cis |
+ d4 r r |
+ R2. |
+ r8 a'-. a-. a-. a-. a-. |
+ % M.15
+ a8[( g])\f g-. g-. g-. g-. |
+ g8 g g4 r |
+ r4 cis,\p cis |
+ r4 cis cis |
+ r4 cis\pp cis |
+ % M.20
+ r4 r r\fermata |
+
+ \startExposition
+
+ c8-.\pp c-. c-. r r4 |
+
+}
+
+cello = \relative c
+{
+ \global
+ % Music follows here.
+ R2. |
+ g8(\p b d g a b) |
+ c8( e, fis gis a c) |
+ b4( a8-.) r r4 |
+ % M.5
+ R2.
+ d,,8( fis a d fis g) |
+ a8( c b a g fis) |
+ g4( fis8-.) r r4 |
+ e'4( d8-.) r r4 |
+ % M.10
+ c4( b8-.) r r4 |
+ b8( bes a) d g, cis |
+ d4 r r |
+ es,2. |
+ d2.~ |
+ % M.15
+ d8[ d]-.\f d-. d-. d-. d-. |
+ es8 es es4 r |
+ r4 << { es' es } \\ { es,\p es } >> |
+ r4 << { es' es } \\ { es, es } >> |
+ r4 << { es' es } \\ { es,\pp es } >> |
+ % M.20
+ r4 r r\fermata |
+
+ \startExposition
+
+ d8-.\p d-. d-. r r4 |
+
+}
+
+contrabass = \relative c
+{
+ \global
+ % Music follows here.
+ R2. |
+ g2\p r4 |
+ c2. |
+ d4 r r |
+ % M.5
+ R2. |
+ d2.~ |
+ d2. |
+ d8-. r d-. r r4 |
+ % M.9
+ R2.*4 |
+ es2. |
+ % M.15
+ d2.~ |
+ d8[ d]-.\f d-. d-. d-. d-. |
+ es8 es es4 r |
+ r4 es\p es |
+ r4 es es |
+ r4 es\pp es |
+ % M.20
+ r4 r r\fermata
+
+ \startExposition
+
+ d8-.\p d-. d-. r r4 |
+
+}
+
+
+
+
+
+
+%%%%%%%% PARTS %%%%%%%%
+flutePart = \new Staff \with
+{
+ instrumentName = "Flauto"
+} \flute
+
+oboeIPart = \new Staff \with
+{
+ instrumentName = "I Oboe"
+} \oboeI
+
+oboeIIPart = \new Staff \with
+{
+ instrumentName = "II Oboe"
+} \oboeII
+
+bassoonPart = \new Staff \with
+{
+ instrumentName = "2 Fagotti"
+} { \clef bass \bassoon }
+
+hornFPart = \new Staff \with
+{
+ instrumentName = "2 Corni in Sol"
+} \hornF
+
+trumpetCPart = \new Staff \with
+{
+ instrumentName = "2 Clarini in Do"
+} \trumpetC
+
+timpaniPart = \new Staff \with
+{
+ instrumentName = "Timpani"
+} { \clef bass \timpani }
+
+violinIPart = \new Staff \with
+{
+ instrumentName = "Violino I"
+} \violinI
+
+violinIIPart = \new Staff \with
+{
+ instrumentName = "Violino II"
+} \violinII
+
+violaPart = \new Staff \with
+{
+ instrumentName = "Viola"
+} { \clef alto \viola }
+
+celloPart = \new Staff \with
+{
+ instrumentName = "Violoncello obligato"
+} { \clef bass \cello }
+
+contrabassPart = \new Staff \with
+{
+ instrumentName = "Basso"
+} { \clef bass \contrabass }
+
+
+
+
+
+
+%%%%%%%% SCORE %%%%%%%%
+\score
+{
+ <<
+ \flutePart
+ \oboeIPart
+ \oboeIIPart
+ \bassoonPart
+ \hornFPart
+ \trumpetCPart
+ \timpaniPart
+ \violinIPart
+ \violinIIPart
+ \violaPart
+ \celloPart
+ \contrabassPart
+ >>
+ \layout { }
+}
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/files/LilyPond/Piano-result.pdf b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/files/LilyPond/Piano-result.pdf
new file mode 100644
index 0000000..c897eb3
Binary files /dev/null and b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/files/LilyPond/Piano-result.pdf differ
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/files/LilyPond/Piano-source.ly b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/files/LilyPond/Piano-source.ly
new file mode 100644
index 0000000..3430a39
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/files/LilyPond/Piano-source.ly
@@ -0,0 +1,531 @@
+\version "2.12.2"
+
+\header
+{
+ title = "Impromptu (Excerpt)"
+ composer = "Schubert, Franz"
+ opus = "Opus 90/4"
+ % Remove default LilyPond tagline
+ tagline = ##f
+}
+
+tempoMark =
+{
+ \once \override Score.RehearsalMark #'self-alignment-X = #LEFT
+ \once \override Score.RehearsalMark #'break-align-symbols = #'(time-signature key-signature)
+ \once \override Staff.TimeSignature #'break-align-anchor-alignment = #LEFT
+ \mark \markup \bold "Allegretto"
+}
+
+global =
+{
+ \tempoMark
+ \key as \major
+ \time 3/4
+}
+
+
+
+
+
+
+%%%%%%%% NOTES %%%%%%%%
+%%%% RIGHT %%%%
+right = \relative c'''
+{
+ \global
+ % Music follows here.
+ ces16(-2 es ces as-1 as-3 ces as es-1 es as es ces |
+ ces16-2 es ces as as-3 ces as es <g bes>8-. r |
+ ces'16(-2 es ces as-1 as-3 ces as es-1 es as es ces |
+ ces16-2 es ces as as-3 ces as es <g bes>8-.) r |
+ % M.5
+ <as ces>4-_-3 <g bes fes'>-.( <g bes fes'>-. |
+ <g bes fes'>4-. <g bes es>-.-4 <g bes des>-.)-3 |
+ ces'16( es ces as as ces as es es as es ces |
+ ces16 es ces as as ces as es <g bes>8-.) r |
+ ces'16( es ces as as ces as es es as es ces |
+ % M.10
+ ces16 es ces as as ces as es <g bes>8-.) r |
+ <as ces>4-_-2 <ges bes fes'>-.( <ges bes fes'>-. |
+ <ges bes fes'>4-. <ges bes es>-.-4 <ges bes d>-.)-3 |
+ es''16(-2 ges es ces ces-2 es ces ges ges-2 ces ges es |
+ es16-2 ges es ces ces-3 es ces ges <<bes8-.) d>> r |
+ % M.15
+ es'16( ges es ces ces es ces ges ges ces ges es |
+ es16 ges es ces ces es ces ges <<bes8-.) d>> r |
+ <ces es>4-_-3 <bes des as'>-.( <bes des as'>-. |
+ <bes des as'>4-. <bes es ges>-.-4 <bes fes'>-.-)-3 |
+ d'16(-2 fis d b b-2 d b fis fis-2 b fis d |
+ % M.20
+ d16-2 fis d b b-3 d b fis <ais cis>8-.) r |
+ d'16( fis d b b d b fis fis b fis d |
+ d16 fis d b b d b fis <ais cis>8-.) r |
+ <fis b d>4-_ <cis' e b'>-.( <cis e b'>-. |
+ <cis e b'>4-. <cis fis a>-.-4 <cis g'>4-.-3 |
+ % M.25
+ <d fis>4-.) <ais cis g'>-.(-5 <ais cis gis'>-. |
+ <ais cis g'>4-. <ais cis fis>-. <cis e>-.-4 |
+ <b dis>4-.) <fes as! fes'>-.(\> <fes as fes'>-. |
+ <fes as fes'>4-. <es! as es'!>-. <des! as' des!>-. |
+ <es as ces>4-.) <es as ces>-.( <es as ces>-. |
+ % M.30
+ <es g bes>4-.) <es g bes>-.( <es g bes>-.) |
+ c''!16(-2 es c as as-3 c as es es-2 as es c |
+ c16-2 es c as as-3 c as es <g bes>8-.) r |
+ c'16( es c as as c as es es as es c |
+ c16 es c as as c as es <g bes>8-.) r |
+ % M.35
+ es''16(-2 as es c c-2 es c as as-3 c as es |
+ es16-2 as es c c-2 es c as <g bes>8-.) r |
+ es''16( as es c c es c as as c as es |
+ es16 as es c c es c as <g bes>8-.) r |
+ c16(-2 es c as as-2 c as es as8-.) r |
+ % M.40
+ des16(-3 f des as as-2 des as f as8-.) r |
+ es'16(-3 g es bes bes-2 es bes g bes8-.) r |
+ es16(-2 as es c c-2 es c as c8-.) r |
+ c'16(-2 es c as as-2 c as es as8-.) r |
+ des16(-3 f des as as-2 des as f as8-.) r |
+ % M.45
+ es'16(-3 g es bes bes-2 es bes g bes8-.) r |
+ es16(-2 as es c c-2 es c as c8-.) r |
+ c,16( es c as as c as es as8-.) r |
+ des16( f des as as des as f as8-.) r |
+ es'16( g es bes bes es bes g bes8-.) r |
+ % M.50
+ es16( as es c c es c as c8-.) r |
+ c'16( es c as as c as es as8-.) r |
+ des16( f des as as des as f as8-.) r |
+ es'16( g es bes bes es bes g bes8-.) r |
+ es16( as es c c es c as c8-.) r |
+ % M.55
+ es16( g es bes bes es bes g bes8-.) r |
+ es16( as es c c es c as c8-.) r |
+ \ottava #1
+ f='''16( a f c c f c a c8-.->) r |
+ f16( bes f des des f des bes-1 des8-.->) r |
+ f16( a f c c f c a c8-.->) r |
+ % M.60
+ f16( bes f des des f des bes-1 des8-.->) r |
+ as'!16( c as es es as es c es8-.) r |
+ as16( des as f f as f des f8-.) r |
+ as16( c as es es as es c es8-.) r |
+ as16( des as f f-2 as f des des-3 f des as |
+ % M.65
+ \ottava #0
+ as=''16(-2 des as f f-2 as f des des-3 f des as) |
+ as'16( des as f f as f des des f des as |
+ as16 des as f f as f des des f des as) |
+ des16-3( fes des bes bes-2 des bes ges des'-3 fes des bes |
+ bes16 des bes ges des' fes des bes bes des bes ges) |
+ % M.70
+ des'16->(-3 es des bes bes16-2 des bes ges des'->-3 es des bes |
+ bes16 des bes ges des'-> es des bes bes des bes ges) |
+ << {
+ es'4(-3 as 4 g-4 |
+ f4-3 des' bes |
+ bes4)(-5 as) as |
+ % M.75
+ as4(-5 g) g |
+ es4(-3 as g-4 |
+ f4 f' des-5 |
+ des4)( c)-4 c |
+ c4(-5 bes)-4 bes |
+ } \\
+ {
+ \times 2/3 {es,8[ c as]} \times 2/3 {as'[ es-2 c]} \times 2/3 {g'[ es c]} |
+ \times 2/3 {f8[ des as]} \times 2/3 {des'8[ f, des]} \times 2/3 {bes'[ f des]} |
+ \times 2/3 {bes'8[ es, des]} \times 2/3 {as'[ es c]} \times 2/3 {as'[ es c]} |
+ % M.75
+ \times 2/3 {as'8[ es c]} \times 2/3 {g'[ es bes]} \times 2/3 {g'[ es bes]} |
+ \times 2/3 {es8[ c as]} \times 2/3 {as'[ es-2 c]} \times 2/3 {g'[ es c]} |
+ \times 2/3 {f8[ des as]} \times 2/3 {f''[ as, f]} \times 2/3 {des'[ f, des]} |
+ \times 2/3 {des'8[ as-2 f]} \times 2/3 {c'[ as es]} \times 2/3 {c'[ as es]} |
+ \times 2/3 {c'8[ es, des]} \times 2/3 {bes'[ es, des]} \times 2/3 {bes'[ es, des]} |
+ }
+ >>
+ % M.80
+ c'16(-2 es c as as-2 c as es as8-.) r |
+ des16(-3 f des as as-2 des as f as8-.) r |
+ es'16(-3 g es bes bes-2 es bes g bes8-.) r |
+ es16(-2 as es c c-2 es c as c8-.) r |
+ c'16(-2 es c as as-2 c as es as8-.) r |
+ % M.85
+ des16(-3 f des as as-2 des as f as8-.) r |
+ es'16(-3 g es bes bes-2 es bes g bes8-.) r |
+ es16(-2 as es c c-2 es c as c8-.) r |
+ c,16( es c as as c as es as8-.) r |
+ des16( f des as as des as f as8-.) r |
+ % M.90
+ es'16( g es bes bes es bes g bes8-.) r |
+ es16( as es c c es c as c8-.) r |
+ c'16( es c as as c as es as8-.) r |
+ des16( f des as as des as f as8-.) r |
+ es'16( g es bes bes es bes g bes8-.) r |
+ % M.95
+ es16( as es c c-2 es c as c8-.) r |
+ es16( g es bes bes es bes g bes8-.) r |
+ es16( as es c c es c as c8-.) r |
+ es16( g es bes bes es bes g bes8-.) r |
+ es16( as es c c-2 es c as as-3 c as es |
+ % M.100
+ es16-2 as es c c-2 es c as as-3 c as es) |
+ es'16( as es c c es c as as c as es |
+ es16 as es c c es c as es'-3 as es c)-1 |
+ \clef bass
+ as16(-2 c as es as c as es as c as es |
+ as16 c as es as c as es as c as es) |
+ % M.105
+ \clef treble
+ << {
+ as'2.~ |
+ as2. |
+ } \\
+ {
+ es16 ges es as, es' ges es as, es' ges es as, |
+ es'16 ges es as, es' ges es as, es' ges es as, |
+ }
+ >>
+%% TRIO %%
+ \bar "||"
+ \key cis \minor
+ gis'2.
+}
+
+%%%% LEFT %%%%
+left = \relative c
+{
+ \global
+ % Music follows here.
+ as4-. <as' ces es>2~-3 |
+ <as ces es>2 <es bes' es>8-. r |
+ as,4-. <as' ces es>2~ |
+ <as ces es>2 <es bes' es>8-. r |
+ % M.5
+ <as ces es>4-_ <es bes' fes'>-.( <es bes' fes'>-. |
+ <es bes' fes'>4-. <es bes' es>-.-4 <es bes' des>-.-3) |
+ as,4-. <as' ces es>2~ |
+ <as ces es>2 <es bes' es>8-. r |
+ as,4-. <as' ces es>2~ |
+ % M.10
+ <as ces es>2 <es bes' es>8-. r |
+ <as ces es>4-_ <ges bes fes'>-.( <ges bes fes'>-. |
+ <ges bes fes'>4-. <ges bes es>-.-4 <ges bes d>-.-3) |
+ ces,4-. <ges' ces es>2~-4 |
+ <ges ces es>2 <ges fes'>8-. r |
+ % M.15
+ ces,4-. <ges' ces es>2~ |
+ <ges ces es>2 <ges fes'>8-. r |
+ <ces es>4-_ <ges fes'>-.( <ges fes'>-. |
+ <ges fes'>4-. <ges es'>-._4 <ges des'>-._3) |
+ b,4-. <fis' b d>2~_4 |
+ % M.20
+ <fis b d>2 <fis e'>8-. r |
+ b,4-. <fis' b d>2~ |
+ <fis b d>2 <fis e'>8-. r |
+ <b d>4-_ <a g'>-.( <a g'>-. |
+ <a g'>4-. <a fis'>-. <a_5 e'_1>-. |% <<a-.-5 e'-1>> |
+ % M.25
+ <b d>4-.) <fis e'>-.( <fis e'>-. |
+ <fis e'>4-. <fis-._4 cis'_1>-. <fis ais>-. |
+ <gis b>4-.) <des! as'! des!>-.( <des as' des>-. |
+ <des as' des>4-. <es!_4 as ces>-. <fes_3 as>-. |
+ <es as ces>4-.) <es as ces>-.( <es as ces>-. |
+ % M.30
+ <es_3 g bes>4-.) <es g bes>-.( <es g bes>-.) |
+ as,4-. <es' as c>2~ |
+ <es as c>2 <es des'>8-. r |
+ as,4-. <es' as c>2~ |
+ <es as c>2 <es des'>8-. r |
+ % M.35
+ as,4-. <es' as c>2~ |
+ <es as c>2 <es des'>8-. r |
+ as,4-. <es' as c>2~ |
+ <es as c>2 <es des'>8-. r |
+ as,4 <ges' as c>2 |
+ % M.40
+ des4-. <f as des>2 |
+ es,4-. <es' bes' des>2 |
+ as,4-. <es' as c>2 |
+ as,4 <ges' as c>2 |
+ des4-. <f as des>2 |
+ % M.45
+ es,4-. <es' bes' des>2 |
+ as,4-. <es' as c>2 |
+ << { e=4(-2 as4.-> g8-1 |
+ f4-2 des'4.->-1 c8-1 |
+ bes4-2 es4.->-1 d8-1 |
+ % M.50
+ c4-2 es2->) |
+ es,=4(-2 as4.-> g8-1 |
+ f4-2 des'4.->-1 c8-1 |
+ bes4 es4.-> des8-1 |
+ c4-2 es4.-> c8 |
+ % M.55
+ bes4)( es4.-> des8 |
+ c4 es4.-> c8) |
+ c4( f4.-> es8-2 |
+ des4-3 f4.-> des8-2 |
+ c4)( f4.-> es8 |
+ % M.60
+ des4 f4.-> des8 |
+ \clef treble
+ es4)( as4.-> ges8-1 |
+ f4-2 as4.-> f8 |
+ es4)( as4.-> ges8 |
+ f4) % end of polyphonic section
+ } \\
+ { as,,=,2. |
+ des2.-4 |
+ es2.-5 |
+ % M.50
+ as2.-3 |
+ as,=,2. |
+ des2.-4 |
+ es2. |
+ as2.-3 |
+ % M.55
+ es2. |
+ as2. |
+ f2. |
+ bes2.-4 |
+ f2. |
+ % M.60
+ f2.-4 |
+ \clef treble
+ as2. |
+ des2.-3 |
+ as2. |
+ des4 % end of polyphonic section
+ }
+ >>
+ r4 r | % beats 2 and 3 only; this eliminates redundant rests
+ % M.65
+ R2. |
+ as'8-1 r f r des r |
+ \clef bass
+ as8-1 r f r des r |
+ <ges, bes des fes>2 <ges bes des fes>4~ |
+ <ges bes des fes>4 <ges bes des fes>2 |
+ % M.70
+ <g bes des es>2 <g bes des es>4~ |
+ <g bes des es>4 <g bes des es>2 |
+ as2-3( c4 |
+ des4-2 bes des |
+ es2.)( |
+ % M.75
+ es,2.) |
+ as2-3( c4 |
+ des4 bes-5)
+ << {
+ bes'~-1 |
+ bes4( as-2) as~-1 |
+ as4( g-2) g-1 |
+ } \\
+ {
+ des(-4 |
+ es2.) |
+ es2. |
+ }
+ >>
+ % M.80
+ as,4-. <ges' as c>2 |
+ des4-. <f as des>2 |
+ es,4-. <es' bes' des>2 |
+ as,4-. <es' as c>2 |
+ as,4-. <ges' as c>2 |
+ % M.85
+ des4-. <f as des>2 |
+ es,4-. <es' bes' des>2 |
+ as,4-. <es' as c>2 |
+ << {
+ es4( as4.-> g8-1 |
+ f4 des'4.-> c8-1 |
+ % M.90
+ bes4 es4.-> des8-1 |
+ c4-2 es2->) |
+ es,4( as4.-> g8 |
+ f4 des'4.-> c8 |
+ bes4 es4.-> des8 |
+ % M.95
+ c4 es4.-> c8 |
+ bes4)( es4.-> des8 |
+ c4 es4.-> c8 |
+ bes4)( es4.-> des8 |
+ c4)
+ } \\
+ {
+ as,2. | des2.-4 |
+ % M.90
+ es2. | as2.-3 | as,2. | des2. | es2. |
+ % M.95
+ as2. | es2. | as 2. | es2. | as4
+ }
+ >>
+ r4 r |
+ % M.100
+ R2. |
+ es'8-2 r c-1 r as r |
+ ees8 r c r es-2 r |
+ as,4-5 r r |
+ R2. |
+ % M.105
+ <c, as' c>2.~ |
+ <c as' c>2. |
+%% TRIO %%
+ \bar "||"
+ \key cis \minor
+ cis8 <gis'_4 cis e> <gis cis e> <gis cis e> <gis cis e> <gis cis e> |
+}
+
+
+%%%% DYNAMICS %%%%
+dynamics =
+{
+ s2.\pp |
+ R2.*3 |
+ % M.5
+ s4\< s\! s\> |
+ s2 s4\! |
+ R2.*4 |
+ % M.11
+ s4\< s\! s\> |
+ s2 s4\! |
+ R2.*4 |
+ % M.17
+ s4\< s\! s\> |
+ s2 s4\! |
+ R2.*4 |
+ % M.23
+ s4 s2\> |
+ s2 s4\! |
+ % M.25
+ s4\< s\! s\> |
+ s2 s4\! |
+ s4 s\f s\> |
+ s2 s4\! |
+ s4\p s2 |
+ % M.30
+ R2. |
+ s2.\pp |
+ R2.*3 |
+ % M.35
+ \crescTextCresc
+ s2.\< |
+ R2.*2 |
+ s2 s8 s\! |
+ s16 s\pp s8 s2 |
+ % M.40
+ R2.*3 |
+ s2.\< |
+ R2.*2 |
+ % M.46
+ s2 s8 s\! |
+ s16 s\pp s8 s2 |
+ R2.*3 |
+ % M.51
+ s2.\< |
+ R2.*5 |
+ % M.57
+ s32 s\f s8. s2 |
+ R2.*4 |
+ % M.62
+ s2.\< |
+ R2. |
+ % M.65
+ s32 s\ff s8. s2 |
+ R2.*3 |
+ s2\fz s4\fz |
+ % M.70
+ s4 s2\fz |
+ \dimTextDim
+ s8\> s\! s2 | % with this \! I eliminated the dashed line without tweaking settings
+ s32 s\p s8. s2 |
+ s16 s\pp s8 s2 |
+ % M.74
+ R2.*7 |
+ % M.81
+ s32 s\p s8. s2 |
+ R2.*3 |
+ % M.85
+ s2.\< |
+ R2.*3 |
+ s32 s\p s8. s2 |
+ % M.90
+ R2.*3 |
+ s32 s\f s8. s2 |
+ R2.*3 |
+ % M.97
+ s2.\< |
+ R2. |
+ s32 s\ff s8. s2 |
+ % M.100
+ R2.*8 |
+%% TRIO %%
+ s32 s\p s8. s2 |
+}
+
+
+
+%%%%%%%% SCORE %%%%%%%%
+
+% This is completely optional, but taken right from the LilyPond
+% reference manual. I wanted to ensure the right paper size, since
+% the default is A4. I also wanted to squeeze the music onto
+% fewer pages, since it seemed like there was a lot of vertical
+% space being wasted.
+\paper
+{
+ #(set-paper-size "letter")
+ between-system-padding = #0.1
+ ragged-last-bottom = ##f
+}
+
+% This is the standard, obligatory "score" section. Note the
+% addition of the extra \context commands in the "layout"
+% portion, which are for the piano-centred-dynamics.
+\score
+{
+ \new PianoStaff \with
+ {
+ instrumentName = "Piano"
+ }
+ <<
+ \new Staff = "right" \right
+ \new PianoDynamics = "dynamics" \dynamics
+ \new Staff = "left" { \clef bass \left }
+ >>
+
+ \layout
+ {
+ % Everything below here is for the piano dynamics.
+ % Define "PianoDynamics" context.
+ \context
+ {
+ \type "Engraver_group"
+ \name PianoDynamics
+ \alias Voice
+ \consists "Output_property_engraver"
+ \consists "Script_engraver"
+ \consists "New_dynamic_engraver"
+ \consists "Dynamic_align_engraver"
+ \consists "Text_engraver"
+ \consists "Skip_event_swallow_translator"
+ \consists "Axis_group_engraver"
+
+ \override DynamicLineSpanner #'Y-offset = #0
+ \override TextScript #'font-size = #2
+ \override TextScript #'font-shape = #'italic
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
+ }
+
+ % Modify "PianoStaff" context to accept Dynamics context.
+ \context
+ {
+ \PianoStaff
+ \accepts PianoDynamics
+ }
+ % End of PianoDynamics code.
+ }
+}
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/files/LilyPond/f16-Piano-original.pdf b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/files/LilyPond/f16-Piano-original.pdf
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diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/files/Qtractor/FMG-Qtractor-MIDI-Recording.flac b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/files/Qtractor/FMG-Qtractor-MIDI-Recording.flac
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diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/files/SuperCollider/Method_One-optimized.sc b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/files/SuperCollider/Method_One-optimized.sc
new file mode 100644
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+// "Method One"
+//
+// Composed for the Fedora Project's "Musicians' Guide."
+// Christopher Antila.
+//
+// Creative Commons CC-BY-SA 3.0
+// http://creativecommons.org/licenses/by-sa/3.0/
+
+(
+// second part of the form -- I've substantially re-written this, so
+// that it can be easily used in other programs.
+//
+// Because of my defaults argument values, when called with
+var secondPart =
+{
+ arg number_of_SinOscs = 10,
+ pitch_low = 200,
+ pitch_high = 800,
+ pause_length = 5;
+
+ // new, personal clock, so we don't interfere with the global one
+ var t_c = TempoClock.new( 1 ); // 1 beat per second
+ var so = Array.new( number_of_SinOscs ); // holds the SinOsc's
+
+ // We'll need to know this, later.
+ var when_to_stop = ( 1 + ( pause_length * number_of_SinOscs ) );
+
+ // makes a stereo SinOsc with pseudo-random pitch between
+ // pitch_low and pitch_high
+ var func =
+ {
+ var freq = pitch_low + (pitch_high - pitch_low).rand;
+ [ SinOsc.ar( freq:freq, mul:0.01),
+ SinOsc.ar( freq:freq, mul:0.01) ];
+ };
+
+ // play them starting on beat 1, then every pause_length beats thereafter
+ number_of_SinOscs.do(
+ {
+ arg time;
+ t_c.sched( (1+(time*5)), { so = so.add( func.play ); } );
+ });
+
+ // stop
+ t_c.sched( when_to_stop,
+ {
+ number_of_SinOscs.do( { arg index; so[index].free; } );
+ nil;
+ });
+
+ // I want to return this, so that a function calling me knows when
+ // I'm going to stop.
+ when_to_stop;
+};
+
+
+
+
+
+
+// first part of the form
+SynthDef.new( \FirstPart,
+{
+ // sets up the frequencies of both channels
+ var frequencyL = SinOsc.kr( freq:10, mul:200, add:400 ); // oscillating
+ var frequencyR = SinOsc.kr( freq:1, mul:50, add:150 ); // oscillating
+ var frequencyL_drone = SinOsc.kr( freq:0.03, mul:20, add:100 ); // drone
+ var frequencyR_drone = SinOsc.kr( freq:0.01, mul:20, add:210 ); // drone
+
+ // changes the volume of the oscillating part in the left channel
+ var volumeL = SinOsc.kr( freq:0.5, mul:0.02, add:0.03 );
+
+ // left channel
+ var left = [ SinOsc.ar( freq:frequencyL, mul:volumeL ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyL_drone,2*frequencyL_drone], mul:0.02 ), // the rest make up the drone
+ SinOsc.ar( freq:[5*frequencyL_drone,7*frequencyL_drone], mul:0.005 ),
+ SinOsc.ar( freq:[13*frequencyL_drone,28*frequencyL_drone], mul:0.001 ) ];
+
+ // right channel
+ var right = [ SinOsc.ar( freq:frequencyR, mul:0.1 ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyR_drone,2*frequencyR_drone], mul:0.02 ), // the rest make up the drone
+ SinOsc.ar( freq:4*frequencyR_drone, mul:0.005 ),
+ SinOsc.ar( freq:[64*frequencyR_drone,128*frequencyR_drone], mul:0.01 ) ]; // high frequencies!
+
+ Out.ar( 0, [left,right] );
+} ).send( s );
+
+// "Main" function
+{
+ var t_c = TempoClock.default;
+ var sound = nil; // holds currently-running "FirstPart"
+
+ t_c.tempo_( 1 ); // set the tempo to one beat per second
+
+ // Scheduling:
+ t_c.sched( 1, { sound = Synth.new( \FirstPart ); } );
+ t_c.sched( 61, { sound.free; } );
+ t_c.sched( 61, { secondPart.value; nil; } ); // this takes 51 beats to complete
+ t_c.sched( 113, { sound = Synth.new( \FirstPart ); } );
+ t_c.sched( 143, { sound.free; } );
+
+}.value;
+
+)
+
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+// "Method One"
+//
+// Composed for the Fedora Project's "Musicians' Guide."
+// Christopher Antila.
+//
+// Creative Commons CC-BY-SA 3.0
+// http://creativecommons.org/licenses/by-sa/3.0/
+
+(
+// The method is, "Choose something, and take it to the extreme."
+// Here I've chosen to take SinOsc to the extreme, so I use it in every
+// way that I can imagine. Of course, there are more and different ways
+// to use SinOsc.
+
+// When looking at this source code (as with any SuperCollider source
+// file), keep in mind that there will be other ways to achieve the
+// same end result. I always find it helpful to arrange my code in
+// such a way as to make it easily understood.
+
+
+
+
+
+
+// I'm creating a new TempoClock and assigning it to "t_c". This
+// way, when I change the tempo later, it won't be interfering with
+// the default TempoClock (which is TempoClock.default). It must be
+// declared here, so that all of the functions in the file can access
+// it, and I've put it first because, in each "scope," all var objects
+// must be declared before anything else. Really, I could have written:
+// var t_c;
+// here, and only run:
+// t_c = TempoClock.new;
+// later. There is no benefit to that *for this file*, so they're together.
+var t_c = TempoClock.new;
+
+
+
+
+
+
+// This is the function that, when executed (by calling
+// secondPart.value ), will produce the second part of this simple
+// three-part form. Because it's assigned to a "var", it needs to
+// be placed above the first part, which is a SynthDef sent to the
+// server.
+//
+// I've written this as a function, rather than as a SynthDef. The
+// intention is that it sounds different every time it is heard, which
+// is why I use pseudo-randomness in the "func" sub-function (see
+// inside). If this had been written as a SynthDef, then the pitches
+// would be calculated pseudo-randomly *once* and every time a new
+// Synth was created from it, it would have the same pitches. Because
+// it's a function, however, the pitches are generated pseudo-randomly
+// every time the function is run.
+//
+// Since the function is only run once in the execution of this
+// program, you may be wondering why it matters. Every time the
+// program is run, the SynthDef would be re-calculated and sent to the
+// server again. In other words, every time the program is run, this
+// middle section will sound different whether it's a SynthDef or a
+// function.
+//
+// This is true, but one of the principles of good programming is
+// to allow for maximum flexibility. If I later wanted to add another
+// playing of "secondPart" to the program, I can do that easily, and
+// it would produce different pitches each time. I might also want to
+// take this function and put it into a different program, and writing
+// it as a function again allows for greater flexibility. Besides, if
+// I decided that I wanted a SynthDef, it's easy to get one from a
+// function (in fact, it's impossible to get one without a function!)
+// SynthDef.new( "SecondPart", secondPart ).send( s );
+// But you can't get the function out of a SynthDef.
+var secondPart =
+{
+ // This creates a new array with the ability to hold ten objects of
+ // any sort. It's going to be used to hold each of the SinOsc
+ // objects that are created in this section. By using an array
+ // (in SuperCollider called "ArrayedCollection"), I don't have to
+ // worry about code like this:
+ // var so_1;
+ // var so_2;
+ // ...
+ // var so_10;
+ // to hold the ten SinOsc's.
+ var sounds = Array.new( 10 );
+
+ // This generates a pseudo-random number to use as the pitch or
+ // frequency (here meaning the same thing), and then creates two
+ // equal SinOsc's on either side of the stereo image.
+ var func =
+ {
+ // a_number.rand means "generate a pseudo-random number between
+ // 0 and a_number". I've added 200 to this because frequencies
+ // below 200 aren't particularly useful, in terms of pitch. So
+ // the result of this is a number between 200 and 800.
+ var freq = 200 + 600.rand;
+
+ // This is what the function returns, and it's why you can "play"
+ // the function. When you run func.play, you aren't actually
+ // playing func, but rather you're playing what func returns.
+ [ SinOsc.ar( freq:freq, mul:0.01),
+ SinOsc.ar( freq:freq, mul:0.01) ];
+ };
+
+ // This part could certainly be written more elegantly (that is, with
+ // less pointless repetition). When programming, whether for audio
+ // or any other reason, repetition is usually regarded as the
+ // enemy of good code. What if I wanted to change the time between
+ // the addition of each object, from 5 beats to 6? What if I wanted
+ // to change the number of objects from 10 to 300? Worse still,
+ // what if I made a typing mistake in one line, and copy-and-pasted
+ // it to all the others? I would have to correct them all. What
+ // a pain!
+ //
+ // As an exercise, try to make this more efficient. You'll need
+ // to read up on "control structures" (see the SuperCollider help
+ // files). It's possible to work these ten lines into one - in
+ // fact, it's recommended!
+ t_c.sched( 1, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 6, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 11, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 16, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 21, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 26, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 31, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 36, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 41, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 46, { sounds = sounds.add( func.play ); } );
+
+ // This will stop all the sounds held in "sounds". The last "nil"
+ // is required as a return value for the function, or else the .do
+ // function will return "10", which t_c.sched() interprets as meaning
+ // "run me again 10 beats after I finish." This isn't disastrous,
+ // as it might be in a more complex program, but it would give a
+ // lot of error messages to anybody watching the "SuperCollider
+ // output" pane.
+ t_c.sched( 51, { 10.do( { arg index; sounds[index].free; } ); nil; } );
+
+};
+
+
+
+
+
+
+// This SynthDef represents the first part of the piece. Note that
+// because the concluding brace is followed by ".send(s)", this
+// definition gets sent to the server. Although we have no local var
+// that points to this SynthDef, we can use Synth.new( "FirstPart" ),
+// because the server knows what "FirstPart" is.
+//
+// I've chosen to write this as a SynthDef because it does not need
+// to change when it is played. It is intended to always sound the same,
+// so there is no reason for the server to re-calculate everything
+// each time it is to be played. This is not the case for the second
+// part (see above).
+//
+// Above, I claimed it's impossible to get a SynthDef
+// without a function. Although "FirstPart" may look like a SynthDef
+// without a function, the function simply isn't named, but it does
+// start at the { and end at the }. So, why not declare this as a
+// function, then make a SynthDef below it, like this?
+// SynthDef.new( "FirstPart", firstPart ).send( s );
+// Personal preference, really. This format makes it more clear that
+// "FirstPart" is only intended to be run as a Synth, and it also avoids
+// the very minor computational slow-down that would have been involved
+// with declaring a function, and a SynthDef from that.
+SynthDef.new( \FirstPart,
+{
+ // These set and modulate the frequency emitted by the left and
+ // right channels, respectively.
+ //
+ // What I've called "drone" is the slowly-moving pitches.
+ //
+ // "freq" changes how quickly the frequency changes
+ // "mul" changes the range of oscillation
+ // "add" is the lowest frequency it will hit
+ //
+ // The resulting frequency goes between "add" and "add + mul",
+ // and it reaches each extreme "freq" times per second
+ var frequencyL = SinOsc.kr( freq:10, mul:200, add:400 );
+ var frequencyR = SinOsc.kr( freq:1, mul:50, add:150 );
+ var frequencyL_drone = SinOsc.kr( freq:0.03, mul:20, add:100 );
+ var frequencyR_drone = SinOsc.kr( freq:0.01, mul:20, add:210 );
+
+ // This will change the volume of the left audio channel.
+ // It was annoying when too loud for too long.
+ //
+ // It means that the volume will go between 0.03 and 0.05, reaching
+ // the extremes once every two seconds.
+ var volumeL = SinOsc.kr( freq:0.5, mul:0.02, add:0.03 );
+
+ // This is where I'm compiling the sound generators themselves.
+ // Notice that all the SinOsc's above were SinOsc.kr(), for "kontrol,"
+ // and all the ones here are SinOsc.ar(), for "audio." I use array
+ // notation, which is the [ ] brackets, several times. This allows
+ // multiple SinOsc calls with different arguments, and within each
+ // call it allows multiple audio streams to be outputted, with
+ // different frequencies. While you might expect there to by
+ // multi-channel audio created from this, that's not the case,
+ // because everything assigned to "left" or "right" is ultimately
+ // played below. More on that later...
+ var left = [ SinOsc.ar( freq:frequencyL, mul:volumeL ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyL_drone,2*frequencyL_drone], mul:0.02 ), // the rest make up the drone; the numbers are close to the 2^x series
+ SinOsc.ar( freq:[5*frequencyL_drone,7*frequencyL_drone], mul:0.005 ),
+ SinOsc.ar( freq:[13*frequencyL_drone,28*frequencyL_drone], mul:0.001 ) ];
+
+ var right = [ SinOsc.ar( freq:frequencyR, mul:0.1 ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyR_drone,2*frequencyR_drone], mul:0.02 ), // the rest make up the drone
+ SinOsc.ar( freq:4*frequencyR_drone, mul:0.005 ),
+ SinOsc.ar( freq:[64*frequencyR_drone,128*frequencyR_drone], mul:0.01 ) ]; // high frequencies!
+
+ // This stereo mix is what ultimately gets played. Notice that
+ // any multichannel effects created while mixing "left" and "right"
+ // are ignored here, and all the sound from each variable is put
+ // into one channel: all of the channels from "left" get played in
+ // the new left channel, and all of the channels from "right" get
+ // played in the new right channel.
+ //
+ // Try commenting the array, and play "left" and "right" by
+ // uncommenting the following lines, one at a time. When you do
+ // that, the multichannel mix of the variable is preserved, which
+ // may lead to a surprising result (if it doesn't, listen more
+ // carefully, and compare to the original).
+ //
+ // For an explanation, go read about busses, and keep in mind
+ // that this array doesn't create "left" and "right" channels,
+ // but rather plays to busses 0 and 1, which usually wind up being
+ // played through the speakers as "left" and "right" channels.
+ Out.ar( 0, [left,right] );
+
+} ).send( s );
+
+
+
+
+
+
+// This is the equivalent of the "main" function in a C-like language,
+// which basically "causes" everything else to happen. It's important
+// to include the ".value;" at the end, or else executing the program
+// would result in "a Function" in the output pane, and no sound.
+{
+ // This will hold the currently-running instance of "FirstPart".
+ // I've set it to 0 now as a matter of habit, like initializing an
+ // int in C.
+ var sound = 0;
+
+ // This sets the tempo to one beat per second; in effect, t_c now
+ // counts in seconds.
+ t_c.tempo_( 1 );
+
+ // This schedules events to take place. By number of beats after start:
+ // 1: "FirstPart" starts to play.
+ // 60: "FirstPart" is silenced.
+ // 60: secondPart is engaged (but starts to play only on beat 61).
+ // 112: "FirstPart" starts to play.
+ // 142: "FirstPart" is silenced.
+ t_c.sched( 1, { sound = Synth.new( \FirstPart ); } );
+ t_c.sched( 61, { sound.free; } );
+ t_c.sched( 61, { secondPart.value; nil; } ); // this takes 51 beats to complete
+ t_c.sched( 113, { sound = Synth.new( \FirstPart ); } );
+ t_c.sched( 143, { sound.free; } );
+ // I could have simply "paused" the \FirstPart synth, but then it
+ // wouldn't necessarily re-start at the same point in the oscillation
+ // as it did when first created.
+}.value;
+
+)
+
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>ミュージシャンのガイド</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><meta name="description" content="このドキュメントでは、Fedora で可能な、いくつかのオーディオ作成と音楽の活動を探ります。コンピューターオーディオの概念を説明し、選ばれたいくつかのプログラムを、一般的な使用方法を示すチュートリアルとともに紹介します。" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="next" href="pref-Musicians_Guide-Preface.html" title="前書き" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"></li><li class="next"><a accesskey="n" href="pref-Musicians_Guide-Preface.html"><strong>次へ</strong></a></li></ul><div xml:lang="ja-JP" class="book" id="id1207795" lang="ja-JP"><div class="titlepage"><div><div class="producttitle" font-family="sans-serif,Symbol,ZapfDingbats
" font-weight="bold" font-size="12pt" text-align="center"><span class="productname">Fedora</span> <span class="productnumber">16</span></div><div font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><h1 id="id1207795" class="title">ミュージシャンのガイド</h1></div><div font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><h2 class="subtitle">Fedora 上でのオーディオ作成と音楽ソフトウエアへのガイド</h2></div><p class="edition">エディッション 1.0</p><div font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><h3 class="corpauthor">
+ <span class="inlinemediaobject"><object data="Common_Content/images/title_logo.svg" type="image/svg+xml"> Fedora Documentation Project</object></span>
+
+ </h3></div><hr /><div font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><div id="id849831" class="legalnotice"><h1 class="legalnotice">法律上の通知</h1><div class="para">
+ Copyright <span class="trademark"></span>© 2011 Fedora Project Contributors.
+ </div><div class="para">
+ The text of and illustrations in this document are licensed by Red Hat under a Creative Commons Attribution–Share Alike 3.0 Unported license ("CC-BY-SA"). An explanation of CC-BY-SA is available at <a href="http://creativecommons.org/licenses/by-sa/3.0/">http://creativecommons.org/licenses/by-sa/3.0/</a>. The original authors of this document, and Red Hat, designate the Fedora Project as the "Attribution Party" for purposes of CC-BY-SA. In accordance with CC-BY-SA, if you distribute this document or an adaptation of it, you must provide the URL for the original version.
+ </div><div class="para">
+ Red Hat, as the licensor of this document, waives the right to enforce, and agrees not to assert, Section 4d of CC-BY-SA to the fullest extent permitted by applicable law.
+ </div><div class="para">
+ Red Hat, Red Hat Enterprise Linux, the Shadowman logo, JBoss, MetaMatrix, Fedora, the Infinity Logo, and RHCE are trademarks of Red Hat, Inc., registered in the United States and other countries.
+ </div><div class="para">
+ For guidelines on the permitted uses of the Fedora trademarks, refer to <a href="https://fedoraproject.org/wiki/Legal:Trademark_guidelines">https://fedoraproject.org/wiki/Legal:Trademark_guidelines</a>.
+ </div><div class="para">
+ <span class="trademark">Linux</span>® is the registered trademark of Linus Torvalds in the United States and other countries.
+ </div><div class="para">
+ <span class="trademark">Java</span>® is a registered trademark of Oracle and/or its affiliates.
+ </div><div class="para">
+ <span class="trademark">XFS</span>® is a trademark of Silicon Graphics International Corp. or its subsidiaries in the United States and/or other countries.
+ </div><div class="para">
+ <span class="trademark">MySQL</span>® is a registered trademark of MySQL AB in the United States, the European Union and other countries.
+ </div><div class="para">
+ All other trademarks are the property of their respective owners.
+ </div></div></div><div font-family="sans-serif,Symbol,ZapfDingbats" font-weight="bold" font-size="12pt" text-align="center"><div class="abstract"><h6>概要</h6><div class="para">
+ このドキュメントでは、Fedora で可能な、いくつかのオーディオ作成と音楽の活動を探ります。コンピューターオーディオの概念を説明し、選ばれたいくつかのプログラムを、一般的な使用方法を示すチュートリアルとともに紹介します。
+ </div></div></div></div><hr /></div><div class="toc"><dl><dt><span class="preface"><a href="pref-Musicians_Guide-Preface.html">å‰æ›¸ã</a></span></dt><dd><dl><dt><span class="section"><a href="pref-Musicians_Guide-Preface.html#id1061248">1. 表記方法</a></span></dt><dd><dl><dt><span class="section"><a href="pref-Musicians_Guide-Preface.html#id823995">1.1. å°åˆ·ã«ãŠã‘る表記方法</a></span></dt><dt><span class="section"><a href="pref-Musicians_Guide-Preface.html#id956424">1.2. 引用ã«ãŠã‘る表記方法</a></span></dt><dt><span class="section"><a href="pref-Musicians_Guide-Preface.html#id1053838">1.3. 注記ãŠã‚ˆã³è¦å‘Š</a></span></dt></dl></dd><dt><span class="section"><a href="pr01s02.html">2. フィードãƒãƒƒã‚¯</a></span></dt></dl></dd><dt><span class="part"><a href="pt01.html">I. Linux オーディオã®åŸºæœ¬</a></span></dt><dd><dl><dt><span class="chapter"><a href="chap-Musicians_Guide-Sound_Cards.html">1. サウンドカードã¨ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªã
ƒ¼ãƒ‡ã‚£ã‚ª</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Sound_Cards.html#sect-Musicians_Guide-What_Sound_Cards_Are">1.1. サウンドカードã®ç¨®é¡ž</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Sound_Cards.html#sect-Musicians_Guide-Audio_Interfaces">1.1.1. オーディオインタフェース</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Sound_Cards.html#sect-Musicians_Guide-MIDI_Interfaces">1.1.2. MIDI インターフェイス</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Card_Connections.html">1.2. サウンドカードã®æŽ¥ç¶š</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Card_Connections.html#sect-Musicians_Guide-Motherboard_Integrated">1.2.1. マザーボードã«çµ±åˆ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-PCI_Sound_Cards.html">1.2.2. 内蔵 PCI 接続</a></span
></dt><dt><span class="section"><a href="sect-Musicians_Guide-FireWire_Sound_Cards.html">1.2.3. 外部のFireWire 接続</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-USB_Sound_Cards.html">1.2.4. 外部 USB 接続</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Choose_Sound_Card_Connection.html">1.2.5. 接続タイプを選択する</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html">1.3. サンプル、サンプルレート、サンプルフォーマット、およびビットレート</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html#sect-Musicians_Guide-Sample">1.3.1. サンプル</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sample_Format.html">1.3.2. サンプルフォーマット</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sample_Rate.html">1.3
.3. サンプルレート</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Bit_Rate.html">1.3.4. ビットレート</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions.html">1.3.5. 結論</a></span></dt></dl></dd><dt><span class="section"><a href="chap-Musicians_Guide-Vocabulary.html">1.4. その他のデジタルオーディオの概念</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Vocabulary.html#sect-Musicians_Guide-Vocabulary-MIDI_Sequencer">1.4.1. MIDI シーケンサー</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Bus.html">1.4.2. バス、マスターバス そしてサブマスターバス</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Level.html">1.4.3. レベル(ボリューム／ラウドネス）</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Panning_a
nd_Balance.html">1.4.4. パニングã¨ãƒãƒ©ãƒ³ã‚¹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Time.html">1.4.5. タイムã€ã‚¿ã‚¤ãƒ ラインã€ãã—ã¦ã‚¿ã‚¤ãƒ シフティング</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Synchronization.html">1.4.6. åŒæœŸ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing.html">1.4.7. ルーティングã¨å¤šé‡åŒ–</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Multichannel_Audio.html">1.4.8. マルãƒãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html">2. サウンドカード用ã®ã‚½ãƒ•ãƒˆã‚¦ã‚§ã‚¢</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html#sect-Musicians_Guide-Sound_Servers-ALSA">2.1. Linux ã¯ã©ã®ã
‚ˆã†ã«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ã‚’扱ã†ã‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Servers_Section.html">2.2. サウンドサーãƒ</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Servers_Section.html#sect-Musicians_Guide-Sound_Servers-PulseAudio">2.2.1. パルスオーディオ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Servers-JACK.html">2.2.2. <code class="systemitem">JACK</code> オーディオ接続ã‚ット</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Servers-Phonon.html">2.2.3. フォノン</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Using_JACK.html">2.3. <code class="systemitem">JACK</code> Audio Connection Kit を使ã†</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Using_JACK.html#sect-Musicians_Guide-Install_and_Configure_JACK">2.3.1. <code class="
systemitem">JACK</code> をインストール、設定する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Using_QjackCtl.html">2.3.2. <span class="application"><strong>QjackCtl</strong></span> を使う</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK.html">2.3.3. <code class="systemitem">PulseAudio</code> を <code class="systemitem">JACK</code> と統合する</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html">3. リアルタイムと低遅延</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html#sect-Musicians_Guide-Low_Latency">3.1. 低遅延がなぜ望ましいか</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Processor_Scheduling.html">3.2. プロセッサスケジューリング</a></span></dt><dt><span class="section"><a href="sect-Music
ians_Guide-Real_Time_Linux_Kernel.html">3.3. リアルタイム Linux カーネル</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Hard_and_Soft_Real_Time.html">3.4. ハードとソフトリアルタイム</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora.html">3.5. Fedora Linux でリアルタイムカーネルを得る</a></span></dt></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html">4. Planet CCRMA at Home</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html#sect-Musicians_Guide-What_Is_Planet_CCRMA">4.1. Planet CCRMA at Home について</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html">4.2. Planet CCRMA at Home を使うかどうかを決める</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Knowing_Whether_
to_Use_Planet_CCRMA.html#sect-Musicians_Guide-CCRMA_Need_Exclusive_Software">4.2.1. 独占的ソフトウエア</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-CCRMA_Security_and_Stability.html">4.2.2. セキュリティと安定性</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-CCRMA_Best_Practices.html">4.2.3. 可能な "ベストプラクティス "ソリューション</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html">4.3. Planet CCRMA at Home のソフトウエアを使う</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html#sect-Musicians_Guide-CCRMA_Installing_Repository">4.3.1. Planet CCRMA at Home リポジトリをインストールする</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-CCRMA_Repository_Priorities.html">4.3.2. リポジトリの優先度を設定する</a></s
pan></dt><dt><span class="section"><a href="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates.html">4.3.3. パッケージを更新されなくする</a></span></dt></dl></dd></dl></dd></dl></dd><dt><span class="part"><a href="pt02.html">II. オーディオと音楽ソフトウエア</a></span></dt><dd><dl><dt><span class="chapter"><a href="chap-Musicians_Guide-Audacity.html">5. Audacity</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Audacity.html#sect-Musicians_Guide-Audacity-Knowing_When_to_Use">5.1. Audacity をいつ使うか</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html">5.2. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html#sect-Musicians_Guide-Audacity-Software_Requirements">5.2.1. ソフトウエア要件</a></span></dt><dt><span class="section"><a href="sect-Music
ians_Guide-Audacity-Hardware_Requirements.html">5.2.2. ハードウエア要件</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Installation.html">5.2.3. 標準のインストール</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html">5.2.4. MP3 サポートを含むインストール</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Testing_Playback.html">5.2.5. インストール後のテスト：再生</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Testing_Recording.html">5.2.6. インストール後のテスト：録音</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Audacity_Configuration.html">5.3. 構成</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity_Configuration.html#sect-Musicians_Guide-Audacity-First_Use">5.3.1. 初めて Audacity を実
行する時</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html">5.3.2. お使いのサウンドカードに合わせて Audacity を設定する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format.html">5.3.3. プロジェクトのサンプルレートとフォーマットを設定する</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Interface.html">5.4. インターフェース</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Recording.html">5.5. 録音</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Recording.html#sect-Musicians_Guide-Audacity-Recording-Start_to_Record">5.5.1. 録音を開始する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record.html">5.5.2. 続けて録音す
る</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial.html">5.6. 新しいログインサウンドを作る（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial.html#sect-Musicians_Guide-Audacity-Tutorial-Files">5.6.1. チュートリアルのためのファイル</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Scenario.html">5.6.2. シナリオ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks.html">5.6.3. トラックを揃える</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks.html">5.6.4. トラックを伸ばす</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level.html">5.6.5. ボリュームレベルを調整する</a></span></dt><dt><span class
="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise.html">5.6.6. ノイズを除ã</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out.html">5.6.7. フェードイン・フェードアウト</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio.html">5.6.8. オーディオを削除ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment.html">5.6.9. æ—¢ã«éŒ²éŸ³ã•ã‚ŒãŸã‚»ã‚°ãƒ¡ãƒ³ãƒˆã‚’ç¹°ã‚Šè¿”ã™</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser.html">5.6.10. ç‰¹æ®ŠåŠ¹æžœã‚’åŠ ãˆã‚‹ï¼ˆãƒ•ã‚§ãƒ¼ã‚¶ãƒ¼ï¼‰</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Conclusion.html">5.6.11. çµè«–</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Save_and_Export.html">5.7. ä¿å
˜ã¨æ›¸ã出ã—</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Save_and_Export.html#sect-Musicians_Guide-Audacity-Exporting_Part_of_a_File">5.7.1. ファイルã®éƒ¨åˆ†ã‚’書ã出ã™</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Exporting_a_Whole_File.html">5.7.2. ファイルを全部書ã出ã™</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Digital_Audio_Workstations.html">6. デジタルオーディオワークステーション</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Digital_Audio_Workstations.html#sect-Musicians_Guide-Knowing_Which_DAW_to_Use">6.1. ã©ã® DAW を使ã†ã‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Stages_of_Recording.html">6.2. 録音ã®ã‚¹ãƒ†ãƒ¼ã‚¸</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Stages_of_Recording.html#sect-Musicians_G
uide-Recording">6.2.1. 録音</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Mixing.html">6.2.2. ミキシング</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Mastering.html">6.2.3. マスタリング</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Record_Mix_Master_More_Info.html">6.2.4. 参考</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html">6.3. インタフェース用語</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html#sect-Musicians_Guide-Session">6.3.1. セッション</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Track_and_Multitrack.html">6.3.2. トラックとマルチトラック</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Region_Clip_Segment.html">6.3.3. リージョン、クリップ、あるいはセグメント</a></s
pan></dt><dt><span class="section"><a href="sect-Musicians_Guide-Transport_and_Playhead.html">6.3.4. トランスポートと再生ヘッド</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Automation.html">6.3.5. オートメーション</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-DAW_User_Interface.html">6.4. ユーザインタフェース</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-DAW_User_Interface.html#sect-Musicians_Guide-Messages_Pane">6.4.1. メッセージペイン</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-DAW_Clock.html">6.4.2. クロック</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Track_Info_Pane.html">6.4.3. トラック情報ペイン</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Track_Pane.html">6.4.4. トラックペイン</a></span></dt><dt><span class="section"><a href="sect-Musician
s_Guide-DAW_Transport_Controls.html">6.4.5. トランスポートコントロール</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Ardour.html">7. Ardour</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Requirements_and_Installation">7.1. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Knowledge_Requirements">7.1.1. 前提知識</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Software_Requirements">7.1.2. ソフトウエア要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Hardware_Requirements">7.1.3. ハードウエア要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-In
stallation">7.1.4. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording_a_Session.html">7.2. セッションを録音する</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording_a_Session.html#sect-Musicians_Guide-Ardour-Recording-Running_Ardour">7.2.1. <span class="application"><strong>Ardour</strong></span> を実行する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Interface.html">7.2.2. インターフェース</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline.html">7.2.3. タイムラインを設定する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources.html">7.2.4. オーディオソースを <span class="application"><strong>Ardour</strong></span> につなぐ</a></span></dt><dt><span class="secti
on"><a href="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks.html">7.2.5. バスとトラックを設定する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level.html">7.2.6. 録音レベル（ボリューム）を調整する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Recording_a_Region.html">7.2.7. リージョンを録音する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Recording_More.html">7.2.8. 続けて録音する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Routing_Audio.html">7.2.9. オーディオのルーティングと <code class="systemitem">JACK</code> 接続の管理</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio.html">7.2.10. 既存のオーディオをインポートする</a></sp
an></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Tutorial_Files.html">7.3. ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ãŸã‚ã®ãƒ•ã‚¡ã‚¤ãƒ«</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing.html">7.4. 曲を編集ã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing.html#sect-Musicians_Guide-Ardour-Editing-Add_Tracks_and_Busses">7.4.1. トラックã¨ãƒã‚¹ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses.html">7.4.2. トラックã¨ãƒã‚¹ã‚’接続ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks.html">7.4.3. トラックã«ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size.html">7.4.4. リージョンã®å¤§ãã•ã‚’切りè©
°ã‚ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html">7.4.5. åŒã˜ã‚‚ã®ã®è¤‡æ•°ã®éŒ²éŸ³ã‚’比較ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Arrange.html">7.4.6. リージョンをæ£ã—ã„å ´æ‰€ã«ä¸¦ã¹ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Listen.html">7.4.7. èžã</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing.html">7.5. 曲をミã‚シングã™ã‚‹ï¼ˆãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing.html#sect-Musicians_Guide-Ardour-Mixing-Enabling_Stereo_Output">7.5.1. ステレオ出力ã®ãŸã‚ã«ã‚»ãƒƒã‚·ãƒ§ãƒ³ã®è¨å®šã‚’è¡Œã„ã€ã‚¨ãƒ‡ã‚£ãƒƒãƒˆã‚°ãƒ«ãƒ¼ãƒ—を解除ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels.html
">7.5.2. 最åˆã®ãƒ¬ãƒ™ãƒ«ã‚’è¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning.html">7.5.3. 最åˆã®ãƒ‘ニングをè¨å®šã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks.html">7.5.4. オートメーショントラックã§ã€ã•ã‚‰ã«èª¿æ•´ã‚’ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Other_Things.html">7.5.5. ãã®ä»–ã€ã‚„ã‚‹ã¨è‰¯ã„ã“ã¨</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Listen.html">7.5.6. èžã</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mastering.html">7.6. セッションã®ãƒžã‚¹ã‚¿ãƒªãƒ³ã‚°</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mastering.html#sect-Musicians_Guide-Ardour-Mastering-Ways_to_Export">7.6.1. オーディオをエクスãƒãƒ¼ãƒˆã™ã‚‹æ
–¹æ³•</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window.html">7.6.2. エクスãƒãƒ¼ãƒˆã‚¦ã‚¤ãƒ³ãƒ‰ã‚¦ã‚’使ã†</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Qtractor.html">8. Qtractor</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Requirements_and_Installation">8.1. è¦æ±‚ã¨ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Knowledge_Requirements">8.1.1. å‰æ知è˜</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Software_Requirements">8.1.2. ソフトウエアè¦ä»¶</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Hardware_Requirements">8.1.3. ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢è¦ä»¶</a></sp
an></dt><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Other_Requirements">8.1.4. その他の要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Installation">8.1.5. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration.html">8.2. 構成</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration.html#sect-Musicians_Guide-Qtractor-Configuration-JACK">8.2.1. <span class="application"><strong>Qtractor</strong></span> を、 <code class="systemitem">JACK</code> (<span class="application"><strong>QjackCtl</strong></span>) と一緒に使う</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab.html">8.2.2. オーディオオプションを変更する</a></span></dt><dt><span class="section"><a href
="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab.html">8.2.3. MIDI オプションを変更する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names.html">8.2.4. MIDI チャネル名を設定する</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using.html">8.3. Qtractor を使う</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using.html#sect-Musicians_Guide-Qtractor-Using-Blue_Place_Markers">8.3.1. 青いプレースマーカを使う</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools.html">8.3.2. MIDI マトリックスエディタのツールを使う</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together.html">8.3.3. ファイル全部（オーディオと MIDI を一緒に）をエクスポートする</a></span>
</dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using-Tips.html">8.3.4. その他の知識</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial.html">8.4. MIDI で作曲する（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial.html#sect-Musicians_Guide-Qtractor-Tutorial-Inspiration">8.4.1. インスピレーション</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Requirements.html">8.4.2. チュートリアルのファイル</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready.html">8.4.3. Qtractor を準備する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File.html">8.4.4. オーディオファイルをインポートする</a></span></dt><dt><span class="section"><a href="s
ect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area.html">8.4.5. 最初のフォーマルエリアをマークする</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme.html">8.4.6. 主題を作る</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme.html">8.4.7. 主題を繰り返します。</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part.html">8.4.8. 次のパートを作曲します</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75.html">8.4.9. Qtractor の５２から７５小節</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97.html">8.4.10. Qtractor の７５から９７小節</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measure
_97.html">8.4.11. Qtractor の９７小節</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119.html">8.4.12. Qtractor の９８から１１９小節</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139.html">8.4.13. Qtractor の１１９から１３９小節</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158.html">8.4.14. Qtractor の１３９から１５８小節</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176.html">8.4.15. Qtractor の１５８から１７６小節</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End.html">8.4.16. Qtractor の１７７小節から終わり</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Rosegarden.html">9. Roseg
arden</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Requirements_and_Installation">9.1. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Knowledge_Requirements">9.1.1. 前提知識</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Software_Requirements">9.1.2. ソフトウェア要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Hardware_Requirements">9.1.3. ハードウェア要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Other_Requirements">9.1.4. その他の要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-
Rosegarden-Installation">9.1.5. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Configuration.html">9.2. 構成</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Configuration.html#sect-Musicians_Guide-Rosegarden-Configuration-JACK_and_Qsynth">9.2.1. <span class="application"><strong>JACK</strong></span> と <span class="application"><strong>FluidSynth</strong></span> (<span class="application"><strong>Qsynth</strong></span>) をセットアップ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden.html">9.2.2. <span class="application"><strong>Rosegarden</strong></span> の設定</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden_and_LilyPond.html">9.3. <span class="application"><strong>Rosegarden</strong></span> と LilyPond</a></span></dt><dt><span class="section"><a href="sec
t-Musicians_Guide-Rosegarden-Tutorial.html">9.4. <span class="application"><strong>Rosegarden</strong></span> ã§ã€ä½œæ›²ã™ã‚‹ã€‚（ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ï¼‰</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial.html#sect-Musicians_Guide-Rosegarden-Tutorial-Bass_Line">9.4.1. 楽èœã‚’ベースラインã‹ã‚‰å§‹ã‚ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track.html">9.4.2. ãƒ‘ãƒ¼ã‚«ãƒƒã‚·ãƒ§ãƒ³ãƒˆãƒ©ãƒƒã‚¯ã‚’è¿½åŠ </a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion.html">9.4.3. パーカッションをスパイスアップ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial-Melody.html">9.4.4. メãƒãƒ‡ã‚£ã‚’è¿½åŠ ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue.html">9.4.5. å…ˆã«é€²ã‚€ã„ãã¤ã‹ã
®æ–¹æ³•</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-FluidSynth.html">10. FluidSynth</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-FluidSynth.html#sect-Musicians_Guide-FluidSynth-SoundFont_Technology_and_MIDI">10.1. サウンドフォント技術㨠MIDI</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-FluidSynth.html#sect-Musicians_Guide-FluidSynth-How_to_Get_a_SoundFont">10.1.1. ã©ã®ã‚ˆã†ã«ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã‚’å¾—ã‚‹ã‹</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-FluidSynth.html#sect-Musicians_Guide-FluidSynth-MIDI_Terms">10.1.2. MIDI インストゥルメントã€ãƒãƒ³ã‚¯ã€ãƒ—ãƒã‚°ãƒ©ãƒ ã€ãŠã‚ˆã³ãƒ‘ッãƒ</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-FluidSynth.html#sect-Musicians_Guide-FluidSynth-MIDI_Channels">10.1.3. MIDIãƒãƒ£ãƒ³ãƒãƒ«</a></span></dt></dl></dd><dt><span class="section"><a href=
"sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html">10.2. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Software_Requirements">10.2.1. ソフトウェア要件</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation.html">10.2.2. <span class="application"><strong>FluidSynth</strong></span> のインストール</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth.html">10.2.3. <span class="application"><strong>Qsynth</strong></span> と一緒にインストールする</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth.html">10.2.4. <span class="application"><strong>Qsynth</strong></span> なしのインストール</a></
span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html">10.2.5. サウンドフォントファイルをインストールする</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-In_a_Terminal.html">10.3. <span class="application"><strong>FluidSynth</strong></span> を、ターミナルエミュレータから使う</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring.html">10.4. <span class="application"><strong>Qsynth</strong></span> を設定する</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring.html#sect-Musicians_Guide-FluidSynth-Configuring-Starting_FluidSynth">10.4.1. <span class="application"><strong>FluidSynth</strong></span> を開始する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont.html">10.4.2. サウンド
フォントの構成</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output.html">10.4.3. <span class="application"><strong>JACK</strong></span> の出力を設定する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input.html">10.4.4. MIDI 入力を設定する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings.html">10.4.5. <span class="application"><strong>FluidSynth</strong></span> の設定のすべてを見る</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html">10.5. <span class="application"><strong>Qsynth</strong></span> で、プログラムをチャネルに割り当てる</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html#sect-Musicians_Guide-FluidS
ynth-Changing_Number_of_Input_Channels">10.5.1. MIDI 入力チャネル数を変更する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments.html">10.5.2. チャネルの割り当てを保存、再使用する</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus.html">10.6. <span class="application"><strong>Qsynth</strong></span> で、リバーブとコーラスを使う</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Multiple_Instances.html">10.7. <span class="application"><strong>Qsynth</strong></span> で、複数の <span class="application"><strong>FluidSynth</strong></span> インスタンスを使う</a></span></dt></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-SuperCollider.html">11. <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dd><dl><dt><span class="sec
tion"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Requirements_and_Installation">11.1. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Req_and_Inst-Knowledge">11.1.1. 前提知識</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Req_and_Inst-Software_Requirements">11.1.2. ソフトウエア要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Req_and_Inst-Hardware_Requirements">11.1.3. ハードウエア要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-SC-Req_and_Inst-Available_Packages">11.1.4. <span class="application"><strong>SuperCollider</strong></span> 関連のパッケージ</a></span></dt><dt><span class="section"><a href="chap-Musicians_
Guide-SuperCollider.html#sect-Musicians_Guide-SC-Req_and_Inst-Recommended_Installation">11.1.5. お勧めするインストール</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit.html">11.2. <span class="application"><strong>GEdit</strong></span> を使って <span class="application"><strong>SuperCollider</strong></span> プログラムを書いて実行する</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit.html#sect-Musicians_Guide-SC-Using_GEdit-Enable_and_Configure_SCEd">11.2.1. <span class="application"><strong>GEdit</strong></span> で、SCEd を有効にして、構成する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server.html">11.2.2. <span class="application"><strong>SuperCollider</strong></span> モードを有効にして、サーバを開始します。</a></span></dt><dt><span class="section"><a href="sect-Musicians_Gu
ide-SC-Using_GEdit-Executing_Code.html">11.2.3. <span class="application"><strong>GEdit</strong></span> でコードを実行する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit-Other_Tips.html">11.2.4. <span class="application"><strong>GEdit</strong></span> を <span class="application"><strong>SuperCollider</strong></span> と使うための他のヒント</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html">11.3. Basic Programming in <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html#sect-Musicians_Guide-SC-Basic_Programming-First_Steps">11.3.1. First Steps</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html">11.3.2. Variables and Functions</a></span></dt><dt><span class="s
ection"><a href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented.html">11.3.3. Object-Oriented <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions.html">11.3.4. Sound-Making Functions</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio.html">11.3.5. Multichannel Audio</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Collections.html">11.3.6. Collections</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html">11.3.7. Repeated Execution</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html">11.3.8. Conditional Execution</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix
.html">11.3.9. Combining Audio; the Mix Class</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html">11.3.10. SynthDef and Synth</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html">11.3.11. Busses</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html">11.3.12. Ordering and Other Synth Features</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling.html">11.3.13. Scheduling</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html">11.3.14. How to Get Help</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution.html">11.3.15. Legal Attribution</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Compo
sing.html">11.4. Composing with SuperCollider</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Composing.html#sect-Musicians_Guide-SC-Composing-Tutorial_Files">11.4.1. Files for the Tutorial</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Inspiration.html">11.4.2. Inspiration</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Designing_the_First_Part.html">11.4.3. Designing the First Part</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part.html">11.4.4. Designing the Second Part</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones.html">11.4.5. Creating Ten Pseudo-Random Tones</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones.html">11.4.6. Scheduling the Tones</a></span></dt><dt><span class
="section"><a href="sect-Musicians_Guide-SC-Composing-Optimizing_the_Code.html">11.4.7. Optimizing the Code</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part.html">11.4.8. Making a Useful Section out of the Second Part</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts.html">11.4.9. Joining the Two Parts</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Exporting.html">11.5. Exporting Sound Files</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Exporting.html#sect-Musicians_Guide-SC-Non_Real_Time_Synthesis">11.5.1. Non-Real-Time Synthesis</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Recording_SuperColliders_Output.html">11.5.2. Recording SuperCollider's Output (Tutorial)</a></span></dt></dl></dd></dl></dd><dt><span class="ch
apter"><a href="chap-Musicians_Guide-LilyPond.html">12. <span class="application"><strong>LilyPond</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-LilyPond.html#sect-Musicians_Guide-LilyPond-How_LilyPond_Works">12.1. <span class="application"><strong>LilyPond</strong></span> がいかに動作するか</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach.html">12.2. <span class="application"><strong>LilyPond</strong></span> アプローチ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Installation.html">12.3. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Installation.html#sect-Musicians_Guide-LilyPond-Installation-Frescobaldi">12.3.1. Frescobaldi について</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation.htm
l">12.3.2. 要件とインストール (<span class="application"><strong>Frescobaldi</strong></span> のため)</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Configure_Frescobaldi.html">12.4. <span class="application"><strong>Frescobaldi</strong></span> の設定</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax.html">12.5. <span class="application"><strong>LilyPond</strong></span> の基本</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax.html#sect-Musicians_Guide-LilyPond-Syntax-Letters_Are_Pitches">12.5.1. 文字は音程</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations.html">12.5.2. 数字は長さ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Articulations.html">12.5.3. アーティキュレーション、表情記号</a></span></dt><dt><span cl
ass="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Simultaneity.html">12.5.4. 同時性</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Chords.html">12.5.5. 和音</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Commands.html">12.5.6. コマンド</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Source_Files.html">12.5.7. ソースファイルとそのフォーマット</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors.html">12.5.8. 誤りを避けるには</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint.html">12.6. 対位法の課題をする（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint.html#sect-Musicians_Guide-LilyPond-Counterpoint-Tutorial_Files">12.6.1. チュ
ートリアルのためのファイル</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score.html">12.6.2. 楽譜を開始する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output.html">12.6.3. Frescobaldi の出力を調整する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting.html">12.6.4. 音符を入力する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score.html">12.6.5. 楽譜をフォーマットする</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra.html">12.7. オーケストラスコアの作業（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra.html#sect-Musicians_Guide-LilyPond-Orchestra-Tutoria
l_Files">12.7.1. チュートリアルのためのファイル</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score.html">12.7.2. スコアを開始する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output.html">12.7.3. Frescobaldi の出力を調整する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html">12.7.4. 音符を入力する</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano.html">12.8. ピアノソナタの作業（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano.html#sect-Musicians_Guide-LilyPond-Piano-Tutorial_Files">12.8.1. チュートリアルのためのファイル</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Scor
e.html">12.8.2. 楽譜を開始する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output.html">12.8.3. Frescobaldi の出力を調整する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html">12.8.4. Input Notes</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors.html">12.8.5. Troubleshoot Errors</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Formatting.html">12.8.6. Format the Score (Piano Dynamics)</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Solfege.html">13. GNU ソルフェージュ</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Requirements_and_Installation">13.1. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a h
ref="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Hardware_and_Software_Requirements">13.1.1. ハードウエアとソフトウエア要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Other_Requirements">13.1.2. その他の要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Install">13.1.3. 必要なインストール</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Install_Csound">13.1.4. オプショナルなインストール： Csound</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Install_MMA">13.1.5. オプショナルインストール : MMA</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration.html">13.2. 構成</a></span></dt><dd><dl><dt><span cl
ass="section"><a href="sect-Musicians_Guide-Solfege-Configuration.html#sect-Musicians_Guide-Solfege-Configuration-First_Time">13.2.1. Solfege を初めて実行するとき</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-Instruments.html">13.2.2. Instruments</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-External_Programs.html">13.2.3. External Programs</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-Interface.html">13.2.4. Interface</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-Practise.html">13.2.5. Practise</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-Sound_Setup.html">13.2.6. Sound Setup</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training.html">13.3. あなたのトレーニング</a></span></dt><dd
><dl><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training.html#sect-Musicians_Guide-Solfege-Training-Aural_Skilla_and_Musical_Sensibility">13.3.1. オーラルスキルと音楽的感性</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training-Exercise_Types.html">13.3.2. 課題のタイプ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program.html">13.3.3. オーラルスキルプログラムを作る</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training-Supplementary_References.html">13.3.4. 補足の参照</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html">13.4. 課題を使う</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html#sect-Musicians_Guide-Solfege-Listening_Exercises">13.4.1. Listening</a></sp
an></dt><dt><span class="section"><a href="sect-Musicians_Guide-Singing_Exercises.html">13.4.2. Singing</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Configure_Yourself_Exericses.html">13.4.3. Configure Yourself</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Rhythm_Exercises.html">13.4.4. Rhythm</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Dictation_Exercises.html">13.4.5. Dictation</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Harmonic_Progressions.html">13.4.6. Harmonic Progressions</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Intonation.html">13.4.7. Intonation</a></span></dt></dl></dd></dl></dd></dl></dd><dt><span class="appendix"><a href="appe-Musicians_Guide-Contributors.html">A. Contributors</a></span></dt><dt><span class="appendix"><a href="appe-Musicians_Guide-Revision_History.html">B. 改訂履歴</a></span></
dt></dl></div></div><ul class="docnav"><li class="previous"></li><li class="next"><a accesskey="n" href="pref-Musicians_Guide-Preface.html"><strong>次へ</strong>前書き</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>2. フィードバック</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="pref-Musicians_Guide-Preface.html" title="前書き" /><link rel="prev" href="pref-Musicians_Guide-Preface.html" title="前書き" /><link rel="next" href="pt01.html" title="パート I. Linux オーディオの基本" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="pref-Musicians_Guide-Preface.html"><strong>戻る</strong></a></li><li class="next"><a a
ccesskey="n" href="pt01.html"><strong>次へ</strong></a></li></ul><div xml:lang="ja-JP" class="section" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="id843320">2. フィードバック</h2></div></div></div><a id="id843330" class="indexterm"></a><div class="para">
+ 本ガイドに誤植を見つけられた場合や本ガイドの改善案をお持ちの場合はぜひお知らせください。 Bugzilla <a href="http://bugzilla.redhat.com/bugzilla/">http://bugzilla.redhat.com/bugzilla/</a> にて、 Product には <span class="application"><strong>Fedora Documentation.</strong></span> を選びレポートの提出をお願いいたします。
+ </div><div class="para">
+ バグレポートを提出される場合は、 そのガイドの識別子となる <em class="citetitle">musicians-guide</em> を必ず明記して頂くようお願いします。
+ </div><div class="para">
+ ドキュメントに関する改善のご意見についてはできるだけ具体的にお願いいたします。 エラーを発見された場合は、 セクション番号および該当部分の前後の文章も含めてご報告頂くと照合が容易になります。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="pref-Musicians_Guide-Preface.html"><strong>戻る</strong>前書き</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="pt01.html"><strong>次へ</strong>パート I. Linux オーディオの基本</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/pref-Musicians_Guide-Preface.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/pref-Musicians_Guide-Preface.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>前書き</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="index.html" title="ミュージシャンのガイド" /><link rel="prev" href="index.html" title="ミュージシャンのガイド" /><link rel="next" href="pr01s02.html" title="2. フィードバック" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="index.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="pr01s02.html"><stron
g>次へ</strong></a></li></ul><div xml:lang="ja-JP" class="preface" id="pref-Musicians_Guide-Preface" lang="ja-JP"><div class="titlepage"><div><div><h1 class="title">前書き</h1></div></div></div><div xml:lang="ja-JP" class="section" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="id1061248">1. 表記方法</h2></div></div></div><div class="para">
+ 本ガイドは特定の単語や語句を強調したり、 記載内容の特定部分に注意を引かせる目的で次のような表記方法を使用しています。
+ </div><div class="para">
+ PDF版 および印刷版では、 <a href="https://fedorahosted.org/liberation-fonts/">Liberation Fonts</a> セットから採用した書体を使用しています。 ご使用のシステムに Liberation Fonts セットがインストールされている場合、 HTML 版でもこのセットが使用されます。 インストールされていない場合は代替として同等の書体が表示されます。 注記: Red Hat Enterprise Linux 5 およびそれ以降のバージョンにはデフォルトで Liberation Fonts セットが収納されます。
+ </div><div class="section"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="id823995">1.1. 印刷における表記方法</h3></div></div></div><div class="para">
+ 特定の単語や語句に注意を引く目的で 4 種類の表記方法を使用しています。 その表記方法および適用される状況は以下の通りです。
+ </div><div class="para">
+ <code class="literal">等幅の太字</code>
+ </div><div class="para">
+ シェルコマンド、ファイル名、パスなどシステムへの入力を強調するために使用しています。またキー配列やキーの組み合わせを強調するのにも使用しています。 例えば、
+ </div><div class="blockquote"><blockquote class="blockquote"><div class="para">
+ 現在作業中のディレクトリ内のファイル <code class="filename">my_next_bestselling_novel</code> の内容を表示させるには、 シェルプロンプトで <code class="command">cat my_next_bestselling_novel</code> コマンドを入力してから <span class="keycap"><strong>Enter</strong></span> を押してそのコマンドを実行します。
+ </div></blockquote></div><div class="para">
+ 上記にはファイル名、シェルコマンド、キーが含まれています。 すべて等幅の太字で表されているため文中内で見分けやすくなっています。
+ </div><div class="para">
+ キーが 1 つの場合と複数のキーの組み合わせになる場合を区別するため、 その組み合わせを構成するキー同士をハイフンでつないでいます。 例えば、
+ </div><div class="blockquote"><blockquote class="blockquote"><div class="para">
+ <span class="keycap"><strong>Enter</strong></span> を押してコマンドを実行します。
+ </div><div class="para">
+ 1 番目の仮想ターミナルに切り替えるは、 <span class="keycap"><strong>Ctrl</strong></span>+<span class="keycap"><strong>Alt</strong></span>+<span class="keycap"><strong>F2</strong></span> を押します。 X-Windows セッションに戻るには、 <span class="keycap"><strong>Ctrl</strong></span>+<span class="keycap"><strong>Alt</strong></span>+<span class="keycap"><strong>F1</strong></span> を押します。
+ </div></blockquote></div><div class="para">
+ 最初の段落では押すべき 1 つのキーを特定して強調しています。 次の段落では同時に押すべき 3 つのキーの組み合わせが 2 種類ありそれぞれ強調されています。
+ </div><div class="para">
+ ソースコードの説明では 1 段落内で提示されるクラス名、 メソッド、 関数、 変数名、 戻り値を上記のように <code class="literal">等幅の太字</code> で表示します。 例えば、
+ </div><div class="blockquote"><blockquote class="blockquote"><div class="para">
+ ファイル関連のクラス群はファイルシステムに対しては <code class="classname">filesystem</code>、 ファイルには <code class="classname">file</code>、 ディレクトリには <code class="classname">dir</code> をそれぞれ含みます。 各クラスは個別に関連する権限セットを持っています。
+ </div></blockquote></div><div class="para">
+ <span class="application"><strong>プロポーショナルの太字</strong></span>
+ </div><div class="para">
+ アプリケーション名、 ダイアログボックスのテキスト、ラベル付きボタン、 チェックボックスとラジオボタンのラベル、 メニュータイトルとサブメニュータイトルなどシステム上で見られる単語や語句を表します。 例えば、
+ </div><div class="blockquote"><blockquote class="blockquote"><div class="para">
+ メインメニューバーから <span class="guimenu"><strong>システム > 個人設定 > マウス</strong></span> の順で選択し <span class="application"><strong>マウスの個人設定</strong></span> を起動します。 <span class="guilabel"><strong>ボタン</strong></span> タブ内で <span class="guilabel"><strong>左ききのマウス</strong></span> チェックボックスをクリックしてから <span class="guibutton"><strong>閉じる</strong></span> をクリックしマウスの主要ボタンを左から右に切り替えます (マウスを左ききの人が使用するのに適した設定にする)。
+ </div><div class="para">
+ <span class="application"><strong>gedit</strong></span> ファイルに特殊な文字を挿入する場合は、 メインメニューバーから <span class="guimenu"><strong>アプリケーション > アクセサリ > 文字マップ</strong></span> の順で選択します。 次に <span class="application"><strong>文字マップ</strong></span> メニューバーから <span class="guimenu"><strong>検索 > 検索…</strong></span> と選択して <span class="guilabel"><strong>検索</strong></span> フィールド内にその文字名を入力し <span class="guibutton"><strong>次</strong></span> をクリックします。 探している文字が <span class="guilabel"><strong>文字表</strong></span> 内で強調表示されます。 この強調表示された文字をダブルクリックすると <span class="guilabel"><strong>コピーするテキスト</strong></span> フィールド内に置かれるので次に <span class="guibutton"><st
rong>コピー</strong></span> ボタンをクリックします。 ここでドキュメントに戻り <span class="application"><strong>gedit</strong></span> メニューバーから <span class="guimenu"><strong>編集 > 貼り付け</strong></span> を選択します。
+ </div></blockquote></div><div class="para">
+ 上記には、 アプリケーション名、 システム全体のメニュー名と項目、 アプリケーション固有のメニュー名、 GUI インタフェースで見られるボタンやテキストがあります。 すべてプロポーショナルの太字で表示されているため文中内で見分けやすくなっています。
+ </div><div class="para">
+ <code class="command"><em class="replaceable"><code>等幅の太字で且つ斜体</code></em></code> または <span class="application"><strong><em class="replaceable"><code>プロポーショナルの太字で且つ斜体</code></em></strong></span>
+ </div><div class="para">
+ 等幅の太字やプロポーショナルの太字はいずれであっても斜体の場合は置換可能なテキストか変化するテキストを示します。 斜体は記載されている通りには入力しないテキスト、あるいは状況に応じて変化する出力テキストを表します。 例えば、
+ </div><div class="blockquote"><blockquote class="blockquote"><div class="para">
+ ssh を使用してリモートマシンに接続するには、 シェルプロンプトで <code class="command">ssh <em class="replaceable"><code>username</code></em>@<em class="replaceable"><code>domain.name</code></em></code> と入力します。 リモートマシンが <code class="filename">example.com</code> であり、 そのマシンで使用しているユーザー名が john なら <code class="command">ssh john at example.com</code> と入力します。
+ </div><div class="para">
+ <code class="command">mount -o remount <em class="replaceable"><code>file-system</code></em></code> コマンドは指定したファイルシステムを再マウントします。 例えば、 <code class="filename">/home</code> ファイルシステムを再マウントするコマンドは <code class="command">mount -o remount /home</code> になります。
+ </div><div class="para">
+ 現在インストールされているパッケージのバージョンを表示するには、 <code class="command">rpm -q <em class="replaceable"><code>package</code></em></code> コマンドを使用します。 結果として次を返してきます、 <code class="command"><em class="replaceable"><code>package-version-release</code></em></code>。
+ </div></blockquote></div><div class="para">
+ 上記の太字斜体の単語 — username、 domain.name、 file-system、 package、 version、 release に注目してください。 いずれもコマンドを発行するときに入力するテキスト用のプレースホルダーかシステムにより出力されるテキスト用のプレースホルダーになっています。
+ </div><div class="para">
+ タイトル表示のような標準的な使用の他、 斜体は新しい重要な用語が初めて出現する場合にも使用されます。 例えば、
+ </div><div class="blockquote"><blockquote class="blockquote"><div class="para">
+ Publican は <em class="firstterm">DocBook</em> の発行システムです。
+ </div></blockquote></div></div><div class="section"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="id956424">1.2. 引用における表記方法</h3></div></div></div><div class="para">
+ 端末の出力とソースコード一覧は、視覚的に周囲の文から区別されています。
+ </div><div class="para">
+ 端末に送信される出力は <code class="computeroutput">mono-spaced roman</code> (等幅の Roman) にセットされるので以下のように表示されます。
+ </div><pre class="screen">books Desktop documentation drafts mss photos stuff svn
+books_tests Desktop1 downloads images notes scripts svgs</pre><div class="para">
+ ソースコードの一覧も <code class="computeroutput">mono-spaced roman</code> (等幅の Roman) でセットされますが、以下のように強調表示されます。
+ </div><pre class="programlisting">package org.<span class="perl_Function">jboss</span>.<span class="perl_Function">book</span>.<span class="perl_Function">jca</span>.<span class="perl_Function">ex1</span>;
+
+<span class="perl_Keyword">import</span> javax.naming.InitialContext;
+
+<span class="perl_Keyword">public</span> <span class="perl_Keyword">class</span> ExClient
+{
+ <span class="perl_Keyword">public</span> <span class="perl_DataType">static</span> <span class="perl_DataType">void</span> <span class="perl_Function">main</span>(String args[])
+ <span class="perl_Keyword">throws</span> Exception
+ {
+ InitialContext iniCtx = <span class="perl_Keyword">new</span> InitialContext();
+ Object ref = iniCtx.<span class="perl_Function">lookup</span>(<span class="perl_String">"EchoBean"</span>);
+ EchoHome home = (EchoHome) ref;
+ Echo echo = home.<span class="perl_Function">create</span>();
+
+ System.<span class="perl_Function">out</span>.<span class="perl_Function">println</span>(<span class="perl_String">"Created Echo"</span>);
+
+ System.<span class="perl_Function">out</span>.<span class="perl_Function">println</span>(<span class="perl_String">"Echo.echo('Hello') = "</span> + echo.<span class="perl_Function">echo</span>(<span class="perl_String">"Hello"</span>));
+ }
+}</pre></div><div class="section"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="id1053838">1.3. 注記および警告</h3></div></div></div><div class="para">
+ 情報が見過ごされないよう 3 種類の視覚的なスタイルを使用して注意を引いています。
+ </div><div class="note"><div class="admonition_header"><h2>注記</h2></div><div class="admonition"><div class="para">
+ 注記は説明している部分に対するヒントや近道あるいは代替となる手段などになります。注記を無視しても悪影響はありませんが知っておくと便利なコツを見逃すことになるかもしれません。
+ </div></div></div><div class="important"><div class="admonition_header"><h2>重要</h2></div><div class="admonition"><div class="para">
+ 重要ボックスは見逃しやすい事項を詳細に説明しています。現在のセッションにのみ適用される設定上の変更点、 更新を適用する前に再起動が必要なサービスなどがあります。重要ボックスを無視してもデータを喪失するような結果にはなりませんがイライラ感やフラストレーションが生じる可能性があります。
+ </div></div></div><div class="warning"><div class="admonition_header"><h2>警告</h2></div><div class="admonition"><div class="para">
+ 警告は無視しないでください。警告を無視するとデータを喪失する可能性が非常に高くなります。
+ </div></div></div></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="index.html"><strong>戻る</strong>ミュージシャンのガイド</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="pr01s02.html"><strong>次へ</strong>2. フィードバック</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/pt01.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/pt01.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>パート I. Linux オーディオの基本</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
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+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="index.html" title="ミュージシャンのガイド" /><link rel="prev" href="pr01s02.html" title="2. フィードバック" /><link rel="next" href="chap-Musicians_Guide-Sound_Cards.html" title="第1章 サウンドカードとデジタルオーディオ" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="pr01s02.html"><strong>戻る</strong></a></li><li c
lass="next"><a accesskey="n" href="chap-Musicians_Guide-Sound_Cards.html"><strong>次へ</strong></a></li></ul><div class="part" id="id803024"><div class="titlepage"><div><div text-align="center"><h1 class="title">パート I. Linux オーディオの基本</h1></div></div></div><div class="toc"><p><strong>目次</strong></p><dl><dt><span class="chapter"><a href="chap-Musicians_Guide-Sound_Cards.html">1. サウンドカードとデジタルオーディオ</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Sound_Cards.html#sect-Musicians_Guide-What_Sound_Cards_Are">1.1. サウンドカードの種類</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Sound_Cards.html#sect-Musicians_Guide-Audio_Interfaces">1.1.1. オーディオインタフェース</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Sound_Cards.html#sect-Musicians_Guide-MIDI_Interfaces">1.1.2. MIDI インターフェイス</a></span>
</dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Card_Connections.html">1.2. サウンドカードã®æŽ¥ç¶š</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Card_Connections.html#sect-Musicians_Guide-Motherboard_Integrated">1.2.1. マザーボードã«çµ±åˆ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-PCI_Sound_Cards.html">1.2.2. 内蔵 PCI 接続</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FireWire_Sound_Cards.html">1.2.3. 外部ã®FireWire 接続</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-USB_Sound_Cards.html">1.2.4. 外部 USB 接続</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Choose_Sound_Card_Connection.html">1.2.5. 接続タイプをé¸æŠžã™ã‚‹</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html">1.3. サンプルã€ã‚µãƒ³ãƒ—ルレーã
ƒˆã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレート</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html#sect-Musicians_Guide-Sample">1.3.1. サンプル</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sample_Format.html">1.3.2. サンプルフォーマット</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sample_Rate.html">1.3.3. サンプルレート</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Bit_Rate.html">1.3.4. ビットレート</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions.html">1.3.5. çµè«–</a></span></dt></dl></dd><dt><span class="section"><a href="chap-Musicians_Guide-Vocabulary.html">1.4. ãã®ä»–ã®ãƒ‡ã‚¸ã‚¿ãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ¦‚念</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Vocabulary.html#sect-Musicians_Guide-Vocabulary
-MIDI_Sequencer">1.4.1. MIDI シーケンサー</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Bus.html">1.4.2. バス、マスターバス そしてサブマスターバス</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Level.html">1.4.3. レベル(ボリューム／ラウドネス）</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Panning_and_Balance.html">1.4.4. パニングとバランス</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Time.html">1.4.5. タイム、タイムライン、そしてタイムシフティング</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Synchronization.html">1.4.6. 同期</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing.html">1.4.7. ルーティングと多重化</a></span></dt><dt><span class="section"><a href
="sect-Musicians_Guide-Multichannel_Audio.html">1.4.8. マルチチャネルオーディオ</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html">2. サウンドカード用のソフトウェア</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html#sect-Musicians_Guide-Sound_Servers-ALSA">2.1. Linux はどのようにオーディオハードウェアを扱うか</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Servers_Section.html">2.2. サウンドサーバ</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Servers_Section.html#sect-Musicians_Guide-Sound_Servers-PulseAudio">2.2.1. パルスオーディオ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Servers-JACK.html">2.2.2. <code class="systemitem">JACK</code> オーディオ接続キット</a>
</span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Sound_Servers-Phonon.html">2.2.3. フォノン</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Using_JACK.html">2.3. <code class="systemitem">JACK</code> Audio Connection Kit を使う</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Using_JACK.html#sect-Musicians_Guide-Install_and_Configure_JACK">2.3.1. <code class="systemitem">JACK</code> をインストール、設定する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Using_QjackCtl.html">2.3.2. <span class="application"><strong>QjackCtl</strong></span> を使う</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK.html">2.3.3. <code class="systemitem">PulseAudio</code> を <code class="systemitem">JACK</code> と統合する</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Re
al_Time_and_Low_Latency.html">3. リアルタイムと低遅延</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html#sect-Musicians_Guide-Low_Latency">3.1. 低遅延がなぜ望ましいか</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Processor_Scheduling.html">3.2. プロセッサスケジューリング</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Real_Time_Linux_Kernel.html">3.3. リアルタイム Linux カーネル</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Hard_and_Soft_Real_Time.html">3.4. ハードとソフトリアルタイム</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora.html">3.5. Fedora Linux でリアルタイムカーネルを得る</a></span></dt></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html">4. Planet CCRMA at Home</a></
span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html#sect-Musicians_Guide-What_Is_Planet_CCRMA">4.1. Planet CCRMA at Home について</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html">4.2. Planet CCRMA at Home を使うかどうかを決める</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html#sect-Musicians_Guide-CCRMA_Need_Exclusive_Software">4.2.1. 独占的ソフトウエア</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-CCRMA_Security_and_Stability.html">4.2.2. セキュリティと安定性</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-CCRMA_Best_Practices.html">4.2.3. 可能な "ベストプラクティス "ソリューション</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html">4
.3. Planet CCRMA at Home のソフトウエアを使う</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html#sect-Musicians_Guide-CCRMA_Installing_Repository">4.3.1. Planet CCRMA at Home リポジトリをインストールする</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-CCRMA_Repository_Priorities.html">4.3.2. リポジトリの優先度を設定する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates.html">4.3.3. パッケージを更新されなくする</a></span></dt></dl></dd></dl></dd></dl></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="pr01s02.html"><strong>戻る</strong>2. フィードバック</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n"
href="chap-Musicians_Guide-Sound_Cards.html"><strong>次へ</strong>第1章 サウンドカードとデジタルオーディオ</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/pt02.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/pt02.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>パート II. オーディオと音楽ソフトウエア</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="index.html" title="ミュージシャンのガイド" /><link rel="prev" href="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates.html" title="4.3.3. パッケージを更新されなくする" /><link rel="next" href="chap-Musicians_Guide-Audacity.html" title="第5章 Audacity" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-CCRMA
_Preventing_Package_Updates.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Audacity.html"><strong>次へ</strong></a></li></ul><div class="part" id="id1024205"><div class="titlepage"><div><div text-align="center"><h1 class="title">パート II. オーディオと音楽ソフトウエア</h1></div></div></div><div class="toc"><p><strong>目次</strong></p><dl><dt><span class="chapter"><a href="chap-Musicians_Guide-Audacity.html">5. Audacity</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Audacity.html#sect-Musicians_Guide-Audacity-Knowing_When_to_Use">5.1. Audacity をいつ使うか</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html">5.2. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html#sect-Musicians_Guide-Audacity-Software_Req
uirements">5.2.1. ソフトウエア要件</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Hardware_Requirements.html">5.2.2. ハードウエア要件</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Installation.html">5.2.3. 標準のインストール</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html">5.2.4. MP3 サポートを含むインストール</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Testing_Playback.html">5.2.5. インストール後のテスト：再生</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Testing_Recording.html">5.2.6. インストール後のテスト：録音</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Audacity_Configuration.html">5.3. 構成</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guid
e-Audacity_Configuration.html#sect-Musicians_Guide-Audacity-First_Use">5.3.1. 初めて Audacity を実行する時</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html">5.3.2. お使いのサウンドカードに合わせて Audacity を設定する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format.html">5.3.3. プロジェクトのサンプルレートとフォーマットを設定する</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Interface.html">5.4. インターフェース</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Recording.html">5.5. 録音</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Recording.html#sect-Musicians_Guide-Audacity-Recording-Start_to_Record">5.5.1. 録音を開始する</a></span></dt><dt><span class="section
"><a href="sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record.html">5.5.2. 続けて録音する</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial.html">5.6. 新しいログインサウンドを作る（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial.html#sect-Musicians_Guide-Audacity-Tutorial-Files">5.6.1. チュートリアルのためのファイル</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Scenario.html">5.6.2. シナリオ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks.html">5.6.3. トラックを揃える</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks.html">5.6.4. トラックを伸ばす</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-
Adjust_Volume_Level.html">5.6.5. ボリュームレベルを調整する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise.html">5.6.6. ノイズを除く</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out.html">5.6.7. フェードイン・フェードアウト</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio.html">5.6.8. オーディオを削除する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment.html">5.6.9. 既に録音されたセグメントを繰り返す</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser.html">5.6.10. 特殊効果を加える（フェーザー）</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Tutorial-Conclusion.html">5.6.11. 結論</a></span></dt></dl
></dd><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Save_and_Export.html">5.7. 保存と書き出し</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Save_and_Export.html#sect-Musicians_Guide-Audacity-Exporting_Part_of_a_File">5.7.1. ファイルの部分を書き出す</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Audacity-Exporting_a_Whole_File.html">5.7.2. ファイルを全部書き出す</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Digital_Audio_Workstations.html">6. デジタルオーディオワークステーション</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Digital_Audio_Workstations.html#sect-Musicians_Guide-Knowing_Which_DAW_to_Use">6.1. どの DAW を使うか</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Stages_of_Recording.html">6.2. 録音のステージ</a></span></dt><d
d><dl><dt><span class="section"><a href="sect-Musicians_Guide-Stages_of_Recording.html#sect-Musicians_Guide-Recording">6.2.1. 録音</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Mixing.html">6.2.2. ミキシング</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Mastering.html">6.2.3. マスタリング</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Record_Mix_Master_More_Info.html">6.2.4. 参考</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html">6.3. インタフェース用語</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html#sect-Musicians_Guide-Session">6.3.1. セッション</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Track_and_Multitrack.html">6.3.2. トラックとマルチトラック</a></span></dt><dt><span class="section"><a href="sect-Musicians_Gui
de-Region_Clip_Segment.html">6.3.3. リージョン、クリップ、あるいはセグメント</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Transport_and_Playhead.html">6.3.4. トランスポートと再生ヘッド</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Automation.html">6.3.5. オートメーション</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-DAW_User_Interface.html">6.4. ユーザインタフェース</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-DAW_User_Interface.html#sect-Musicians_Guide-Messages_Pane">6.4.1. メッセージペイン</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-DAW_Clock.html">6.4.2. クロック</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Track_Info_Pane.html">6.4.3. トラック情報ペイン</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Track_
Pane.html">6.4.4. トラックペイン</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-DAW_Transport_Controls.html">6.4.5. トランスポートコントロール</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Ardour.html">7. Ardour</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Requirements_and_Installation">7.1. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Knowledge_Requirements">7.1.1. 前提知識</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Software_Requirements">7.1.2. ソフトウエア要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Hardware_Requirements">7.1.3. ハードウエア要件</a></span>
</dt><dt><span class="section"><a href="chap-Musicians_Guide-Ardour.html#sect-Musicians_Guide-Ardour-Installation">7.1.4. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording_a_Session.html">7.2. セッションを録音する</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording_a_Session.html#sect-Musicians_Guide-Ardour-Recording-Running_Ardour">7.2.1. <span class="application"><strong>Ardour</strong></span> を実行する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Interface.html">7.2.2. インターフェース</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline.html">7.2.3. タイムラインを設定する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources.html">7.2.4. オーディオソースを <spa
n class="application"><strong>Ardour</strong></span> につなぐ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks.html">7.2.5. バスとトラックを設定する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level.html">7.2.6. 録音レベル（ボリューム）を調整する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Recording_a_Region.html">7.2.7. リージョンを録音する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Recording_More.html">7.2.8. 続けて録音する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Recording-Routing_Audio.html">7.2.9. オーディオのルーティングと <code class="systemitem">JACK</code> 接続の管理</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Re
cording-Importing_Existing_Audio.html">7.2.10. 既存のオーディオをインポートする</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Tutorial_Files.html">7.3. チュートリアルのためのファイル</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing.html">7.4. 曲を編集する（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing.html#sect-Musicians_Guide-Ardour-Editing-Add_Tracks_and_Busses">7.4.1. トラックとバスを追加する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses.html">7.4.2. トラックとバスを接続する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks.html">7.4.3. トラックにリージョンを追加する</a></span></dt><dt><span class="section"><a href="sect-Musi
cians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size.html">7.4.4. リージョンの大きさを切り詰める</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html">7.4.5. 同じものの複数の録音を比較する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Arrange.html">7.4.6. リージョンを正しい場所に並べる</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Editing-Listen.html">7.4.7. 聞く</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing.html">7.5. 曲をミキシングする（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing.html#sect-Musicians_Guide-Ardour-Mixing-Enabling_Stereo_Output">7.5.1. ステレオ出力のためにセッションの設定を行い、エディットグループを解除する</a></
span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels.html">7.5.2. 最初のレベルを設定する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning.html">7.5.3. 最初のパニングを設定する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks.html">7.5.4. オートメーショントラックで、さらに調整をする</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Other_Things.html">7.5.5. その他、やると良いこと</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mixing-Listen.html">7.5.6. 聞く</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mastering.html">7.6. セッションのマスタリング</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mastering.html#s
ect-Musicians_Guide-Ardour-Mastering-Ways_to_Export">7.6.1. オーディオをエクスポートする方法</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window.html">7.6.2. エクスポートウインドウを使う</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Qtractor.html">8. Qtractor</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Requirements_and_Installation">8.1. 要求とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Knowledge_Requirements">8.1.1. 前提知識</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Software_Requirements">8.1.2. ソフトウエア要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Qtr
actor.html#sect-Musicians_Guide-Qtractor-Hardware_Requirements">8.1.3. ハードウエア要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Other_Requirements">8.1.4. その他の要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Qtractor.html#sect-Musicians_Guide-Qtractor-Installation">8.1.5. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration.html">8.2. 構成</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration.html#sect-Musicians_Guide-Qtractor-Configuration-JACK">8.2.1. <span class="application"><strong>Qtractor</strong></span> を、 <code class="systemitem">JACK</code> (<span class="application"><strong>QjackCtl</strong></span>) と一緒に使う</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab.html
">8.2.2. オーディオオプションを変更する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab.html">8.2.3. MIDI オプションを変更する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names.html">8.2.4. MIDI チャネル名を設定する</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using.html">8.3. Qtractor を使う</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using.html#sect-Musicians_Guide-Qtractor-Using-Blue_Place_Markers">8.3.1. 青いプレースマーカを使う</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools.html">8.3.2. MIDI マトリックスエディタのツールを使う</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together.html">8.
3.3. ファイル全部（オーディオと MIDI を一緒に）をエクスポートする</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Using-Tips.html">8.3.4. その他の知識</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial.html">8.4. MIDI で作曲する（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial.html#sect-Musicians_Guide-Qtractor-Tutorial-Inspiration">8.4.1. インスピレーション</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Requirements.html">8.4.2. チュートリアルのファイル</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready.html">8.4.3. Qtractor を準備する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File.html">8.4.4.
オーディオファイルをインポートする</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area.html">8.4.5. 最初のフォーマルエリアをマークする</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme.html">8.4.6. 主題を作る</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme.html">8.4.7. 主題を繰り返します。</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part.html">8.4.8. 次のパートを作曲します</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75.html">8.4.9. Qtractor の５２から７５小節</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97.html">8.4.10. Qtractor の７５から９７
小節</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measure_97.html">8.4.11. Qtractor の９７小節</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119.html">8.4.12. Qtractor の９８から１１９小節</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139.html">8.4.13. Qtractor の１１９から１３９小節</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158.html">8.4.14. Qtractor の１３９から１５８小節</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176.html">8.4.15. Qtractor の１５８から１７６小節</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End.html">8.4.16. Qtractor の１７７小節から終わり</a></span></d
t></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Rosegarden.html">9. Rosegarden</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Requirements_and_Installation">9.1. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Knowledge_Requirements">9.1.1. 前提知識</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Software_Requirements">9.1.2. ソフトウェア要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Hardware_Requirements">9.1.3. ハードウェア要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Other_Requirements">9.1.4. その他の要件</a></
span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Rosegarden.html#sect-Musicians_Guide-Rosegarden-Installation">9.1.5. インストール</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Configuration.html">9.2. 構成</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Configuration.html#sect-Musicians_Guide-Rosegarden-Configuration-JACK_and_Qsynth">9.2.1. <span class="application"><strong>JACK</strong></span> と <span class="application"><strong>FluidSynth</strong></span> (<span class="application"><strong>Qsynth</strong></span>) をセットアップ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden.html">9.2.2. <span class="application"><strong>Rosegarden</strong></span> の設定</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden_and_LilyPond.html">9.3. <span class="application
"><strong>Rosegarden</strong></span> と LilyPond</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial.html">9.4. <span class="application"><strong>Rosegarden</strong></span> で、作曲する。（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial.html#sect-Musicians_Guide-Rosegarden-Tutorial-Bass_Line">9.4.1. 楽譜をベースラインから始める</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track.html">9.4.2. パーカッショントラックを追加</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion.html">9.4.3. パーカッションをスパイスアップ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Rosegarden-Tutorial-Melody.html">9.4.4. メロディを追加する</a></span></dt><dt><span class="section"><a
href="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue.html">9.4.5. 先に進むいくつかの方法</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-FluidSynth.html">10. FluidSynth</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-FluidSynth.html#sect-Musicians_Guide-FluidSynth-SoundFont_Technology_and_MIDI">10.1. サウンドフォント技術と MIDI</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-FluidSynth.html#sect-Musicians_Guide-FluidSynth-How_to_Get_a_SoundFont">10.1.1. どのようにサウンドフォントを得るか</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-FluidSynth.html#sect-Musicians_Guide-FluidSynth-MIDI_Terms">10.1.2. MIDI インストゥルメント、バンク、プログラム、およびパッチ</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-FluidSynth.html#sect-Musicians_Guide-FluidSynth
-MIDI_Channels">10.1.3. MIDIチャンネル</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html">10.2. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html#sect-Musicians_Guide-FluidSynth-Req_and_Inst-Software_Requirements">10.2.1. ソフトウェア要件</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation.html">10.2.2. <span class="application"><strong>FluidSynth</strong></span> のインストール</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth.html">10.2.3. <span class="application"><strong>Qsynth</strong></span> と一緒にインストールする</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth.h
tml">10.2.4. <span class="application"><strong>Qsynth</strong></span> なしのインストール</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html">10.2.5. サウンドフォントファイルをインストールする</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-In_a_Terminal.html">10.3. <span class="application"><strong>FluidSynth</strong></span> を、ターミナルエミュレータから使う</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring.html">10.4. <span class="application"><strong>Qsynth</strong></span> を設定する</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring.html#sect-Musicians_Guide-FluidSynth-Configuring-Starting_FluidSynth">10.4.1. <span class="application"><strong>FluidSynth</strong></span> を開始する</a></span></dt><dt><span cl
ass="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont.html">10.4.2. サウンドフォントの構成</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output.html">10.4.3. <span class="application"><strong>JACK</strong></span> の出力を設定する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input.html">10.4.4. MIDI 入力を設定する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings.html">10.4.5. <span class="application"><strong>FluidSynth</strong></span> の設定のすべてを見る</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html">10.5. <span class="application"><strong>Qsynth</strong></span> で、プログラムをチャネルに割り当てる</a></span></dt><dd><dl><dt><span class="section"><
a href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html#sect-Musicians_Guide-FluidSynth-Changing_Number_of_Input_Channels">10.5.1. MIDI 入力チャネル数を変更する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments.html">10.5.2. チャネルの割り当てを保存、再使用する</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus.html">10.6. <span class="application"><strong>Qsynth</strong></span> で、リバーブとコーラスを使う</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-FluidSynth-Multiple_Instances.html">10.7. <span class="application"><strong>Qsynth</strong></span> で、複数の <span class="application"><strong>FluidSynth</strong></span> インスタンスを使う</a></span></dt></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-SuperCollider.html">11. <spa
n class="application"><strong>SuperCollider</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Requirements_and_Installation">11.1. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Req_and_Inst-Knowledge">11.1.1. 前提知識</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Req_and_Inst-Software_Requirements">11.1.2. ソフトウエア要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Req_and_Inst-Hardware_Requirements">11.1.3. ハードウエア要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-SC-Req_and_Inst-Available_Packages">11.1.4. <span class="application"><strong>SuperCollider</st
rong></span> 関連ã®ãƒ‘ッケージ</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-SuperCollider.html#sect-Musicians_Guide-SC-Req_and_Inst-Recommended_Installation">11.1.5. ãŠå‹§ã‚ã™ã‚‹ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit.html">11.2. <span class="application"><strong>GEdit</strong></span> を使ã£ã¦ <span class="application"><strong>SuperCollider</strong></span> プãƒã‚°ãƒ©ãƒ を書ã„ã¦å®Ÿè¡Œã™ã‚‹</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit.html#sect-Musicians_Guide-SC-Using_GEdit-Enable_and_Configure_SCEd">11.2.1. <span class="application"><strong>GEdit</strong></span> ã§ã€SCEd を有効ã«ã—ã¦ã€æ§‹æˆã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server.html">11.2.2. <span class="application"><strong>SuperCollider</strong></span> モードを有効ã«ã—ã
¦ã€ã‚µãƒ¼ãƒã‚’開始ã—ã¾ã™ã€‚</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit-Executing_Code.html">11.2.3. <span class="application"><strong>GEdit</strong></span> ã§ã‚³ãƒ¼ãƒ‰ã‚’実行ã™ã‚‹</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Using_GEdit-Other_Tips.html">11.2.4. <span class="application"><strong>GEdit</strong></span> ã‚’ <span class="application"><strong>SuperCollider</strong></span> ã¨ä½¿ã†ãŸã‚ã®ä»–ã®ãƒ’ント</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html">11.3. Basic Programming in <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html#sect-Musicians_Guide-SC-Basic_Programming-First_Steps">11.3.1. First Steps</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Prog
ramming-Variables_and_Functions.html">11.3.2. Variables and Functions</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented.html">11.3.3. Object-Oriented <span class="application"><strong>SuperCollider</strong></span></a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions.html">11.3.4. Sound-Making Functions</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio.html">11.3.5. Multichannel Audio</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Collections.html">11.3.6. Collections</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html">11.3.7. Repeated Execution</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html">11.3.8. Conditional Execution</a></s
pan></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html">11.3.9. Combining Audio; the Mix Class</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html">11.3.10. SynthDef and Synth</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html">11.3.11. Busses</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html">11.3.12. Ordering and Other Synth Features</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling.html">11.3.13. Scheduling</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html">11.3.14. How to Get Help</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution.html">11.3.15. Legal Attributi
on</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Composing.html">11.4. Composing with SuperCollider</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Composing.html#sect-Musicians_Guide-SC-Composing-Tutorial_Files">11.4.1. Files for the Tutorial</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Inspiration.html">11.4.2. Inspiration</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Designing_the_First_Part.html">11.4.3. Designing the First Part</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part.html">11.4.4. Designing the Second Part</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones.html">11.4.5. Creating Ten Pseudo-Random Tones</a></span></dt><dt><span class="section"><a href="sect-Musicians_Gu
ide-SC-Composing-Scheduling_the_Tones.html">11.4.6. Scheduling the Tones</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Optimizing_the_Code.html">11.4.7. Optimizing the Code</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part.html">11.4.8. Making a Useful Section out of the Second Part</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts.html">11.4.9. Joining the Two Parts</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Exporting.html">11.5. Exporting Sound Files</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-SuperCollider-Exporting.html#sect-Musicians_Guide-SC-Non_Real_Time_Synthesis">11.5.1. Non-Real-Time Synthesis</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-SC-Recording_SuperColliders_Output.html">11.
5.2. Recording SuperCollider's Output (Tutorial)</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-LilyPond.html">12. <span class="application"><strong>LilyPond</strong></span></a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-LilyPond.html#sect-Musicians_Guide-LilyPond-How_LilyPond_Works">12.1. <span class="application"><strong>LilyPond</strong></span> がいかに動作するか</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach.html">12.2. <span class="application"><strong>LilyPond</strong></span> アプローチ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Installation.html">12.3. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Installation.html#sect-Musicians_Guide-LilyPond-Installation-Frescobaldi">12.3.1. Frescobaldi について</a></span></dt><dt
><span class="section"><a href="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation.html">12.3.2. 要件とインストール (<span class="application"><strong>Frescobaldi</strong></span> のため)</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Configure_Frescobaldi.html">12.4. <span class="application"><strong>Frescobaldi</strong></span> の設定</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax.html">12.5. <span class="application"><strong>LilyPond</strong></span> の基本</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax.html#sect-Musicians_Guide-LilyPond-Syntax-Letters_Are_Pitches">12.5.1. 文字は音程</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations.html">12.5.2. 数字は長さ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-A
rticulations.html">12.5.3. アーティキュレーション、表情記号</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Simultaneity.html">12.5.4. 同時性</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Chords.html">12.5.5. 和音</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Commands.html">12.5.6. コマンド</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Source_Files.html">12.5.7. ソースファイルとそのフォーマット</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors.html">12.5.8. 誤りを避けるには</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint.html">12.6. 対位法の課題をする（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Gui
de-LilyPond-Counterpoint.html#sect-Musicians_Guide-LilyPond-Counterpoint-Tutorial_Files">12.6.1. チュートリアルのためのファイル</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score.html">12.6.2. 楽譜を開始する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output.html">12.6.3. Frescobaldi の出力を調整する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting.html">12.6.4. 音符を入力する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score.html">12.6.5. 楽譜をフォーマットする</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra.html">12.7. オーケストラスコアの作業（チュートリアル）</a></span></dt><dd><dl><dt><span class="section
"><a href="sect-Musicians_Guide-LilyPond-Orchestra.html#sect-Musicians_Guide-LilyPond-Orchestra-Tutorial_Files">12.7.1. チュートリアルのためのファイル</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score.html">12.7.2. スコアを開始する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output.html">12.7.3. Frescobaldi の出力を調整する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html">12.7.4. 音符を入力する</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano.html">12.8. ピアノソナタの作業（チュートリアル）</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano.html#sect-Musicians_Guide-LilyPond-Piano-Tutorial_Files">12.8.1. チュートリアルのためのファイル<
/a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score.html">12.8.2. 楽譜を開始する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output.html">12.8.3. Frescobaldi の出力を調整する</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html">12.8.4. Input Notes</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors.html">12.8.5. Troubleshoot Errors</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-LilyPond-Piano-Formatting.html">12.8.6. Format the Score (Piano Dynamics)</a></span></dt></dl></dd></dl></dd><dt><span class="chapter"><a href="chap-Musicians_Guide-Solfege.html">13. GNU ソルフェージュ</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Requirements_an
d_Installation">13.1. 要件とインストール</a></span></dt><dd><dl><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Hardware_and_Software_Requirements">13.1.1. ハードウエアとソフトウエア要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Other_Requirements">13.1.2. その他の要件</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Install">13.1.3. 必要なインストール</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Install_Csound">13.1.4. オプショナルなインストール： Csound</a></span></dt><dt><span class="section"><a href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Install_MMA">13.1.5. オプショナルインストール : MMA</a></span></dt></dl></dd><dt><span class="section"><a
href="sect-Musicians_Guide-Solfege-Configuration.html">13.2. 構成</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration.html#sect-Musicians_Guide-Solfege-Configuration-First_Time">13.2.1. Solfege を初めて実行するとき</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-Instruments.html">13.2.2. Instruments</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-External_Programs.html">13.2.3. External Programs</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-Interface.html">13.2.4. Interface</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-Practise.html">13.2.5. Practise</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Configuration-Sound_Setup.html">13.2.6. Sound Setup</a></span></dt></dl></dd><dt><span class="section"><a hr
ef="sect-Musicians_Guide-Solfege-Training.html">13.3. あなたのトレーニング</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training.html#sect-Musicians_Guide-Solfege-Training-Aural_Skilla_and_Musical_Sensibility">13.3.1. オーラルスキルと音楽的感性</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training-Exercise_Types.html">13.3.2. 課題のタイプ</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program.html">13.3.3. オーラルスキルプログラムを作る</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Training-Supplementary_References.html">13.3.4. 補足の参照</a></span></dt></dl></dd><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html">13.4. 課題を使う</a></span></dt><dd><dl><dt><span class="section"><a href="sect-Musicians_Guide-Solfe
ge-Using_the_Exercises.html#sect-Musicians_Guide-Solfege-Listening_Exercises">13.4.1. Listening</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Singing_Exercises.html">13.4.2. Singing</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Configure_Yourself_Exericses.html">13.4.3. Configure Yourself</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Rhythm_Exercises.html">13.4.4. Rhythm</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Dictation_Exercises.html">13.4.5. Dictation</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Harmonic_Progressions.html">13.4.6. Harmonic Progressions</a></span></dt><dt><span class="section"><a href="sect-Musicians_Guide-Solfege-Intonation.html">13.4.7. Intonation</a></span></dt></dl></dd></dl></dd></dl></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-CCRMA_Preventing_Pack
age_Updates.html"><strong>戻る</strong>4.3.3. パッケージを更新されなくする</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Audacity.html"><strong>次へ</strong>第5章 Audacity</a></li></ul></body></html>
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umentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks">7.4.3. トラックにリージョンを追加する</h3></div></div></div><div class="para">
+ 次のステップは、トラックにリージョンを追加することです。この時点でリージョンを切り詰めると、後の作業が速くなるのですが、長いリージョン、あるいは休止（ほとんど静かなスペース）をリージョンに持つのは、便利な理由がいくつもあるので、今回はそのままとしましょう。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ セッションサイドバー（キャンバスエリアの右）で、"Regions" タブを選択します。リストには、セッションのすべてのリージョンが含まれます。それぞれのリージョンは、１度だけ表示されます。タイムラインの上で何回、現れようと、あるいは、全く使われなくても、です。
+ </div></li><li class="listitem"><div class="para">
+ キャンバスエリアにリージョンを追加するには、リージョンの名前をクリックして、トラックの上にドラッグするだけです。これをするときにカーソルが変化して、カーソルの垂直線が、タイムラインの上でリージョンが開始する点を示します。
+ </div></li></ol></div>
+
+ </div><div class="para">
+ リージョンの追加は、こんなに簡単！
+ </div><div class="para">
+ ãŠã‚ã‹ã‚Šã‹ã‚‚ã—ã‚Œã¾ã›ã‚“ãŒã€å®Ÿã¯ã¾ã ã‚„ã‚‹ã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚ãã—ã¦ãã‚Œã¯ã€ã“ã®ç‰¹å®šã®ãƒ•ã‚¡ã‚¤ãƒ«ã®æ§‹æˆã«é–¢ä¿‚ãŒã‚ã‚Šã¾ã™ã€‚リージョンリストã«ã¯ã€å¤šãã®ä¼¼ãŸåå‰ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ãŒã‚ã‚‹ã®ã«æ°—ãŒã¤ã‹ã‚Œã‚‹ã§ã—ょã†ã€‚ãã—ã¦ã€åå‰ã®ã»ã¨ã‚“ã©ã¯ã€ç‰¹å®šã®ãƒˆãƒ©ãƒƒã‚¯ã¨ãƒã‚¹ã«å¯¾å¿œã—ã¾ã™ã€‚ファイルã¯ã€ä¸ã«ä½•ãŒã‚ã‚‹ã‹ã‚ã‹ã‚‹ã‚ˆã†ãªåå‰ãŒã¤ã„ã¦ã„ã¾ã™ã€‚番å·ãŒã¤ã„ã¦ã„ã¦ã€è¿½åŠ ã•ã‚Œã‚‹é †åºãŒã‚ã‹ã‚Šã¾ã™ ("Marimba_1" ã®æ¬¡ã¯ã€ "Marimba_2")。ãã—ã¦ã€æœ«å°¾ã® "L" ã‚ã‚‹ã„㯠"R" ã¯ã€ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ãŒå·¦ãƒãƒ£ãƒãƒ«ã‹å³ã‹ã‚’示ã—ã¾ã™ã€‚ã•ã‚‰ã«ã€ "ens-" ã§å§‹ã¾ã‚‹ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¯ã€ "voice" トラックã«å±žã—ã¾ã™ã€‚ ("ens" ã¯ã€ "ensemble" ã®ç•¥ã§ã€ã“ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã«çŸã„ボーカルã®ã‚¢ãƒ³ã‚µãƒ³ãƒ–ルãŒã‚ã‚‹ã“ã¨ã‚’示ã—ã¾ã™ã€‚ã¾ãŸã€ "Voice... " リージョンã«ã¯ã€ï¼‘人ã®æŒæ‰‹ã ã‘ãŒã‚ã‚Šã¾ã
™)。"Here_Is_How" リージョンã¯ã€ "Create_the_Inconceivable" リージョンã®å‰ã«ã‚ã‚Šã¾ã™ã€‚ã“ã®ã‚ˆã†ã«ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’å付ã‘る技術的ãªç†ç”±ã¯ã‚ã‚Šã¾ã›ã‚“。ã“れらã®åå‰ã¯ã€ã‚ãªãŸãŒæ›²ã‚’編集ã—ã¦ãƒŸãƒƒã‚¯ã‚¹ã™ã‚‹ã®ã«ä¾¿åˆ©ãªã‚ˆã†ã«ã¤ã‘られã¾ã—ãŸã€‚今ã®ã¨ã“ã‚ã€ã¾ã "marimba2" トラックã¨ãƒã‚¹ã¯ä½¿ã‚ãªã„ã®ã§ã€ "Marimba_" リージョンã¯ã€å…¨éƒ¨ã€ "marimba1" トラックã«å…¥ã‚Œã¦ãŠãã¾ã™ã€‚
+ </div><div class="para">
+ リージョンを追加するうちに、あなたは <span class="application"><strong>Ardour</strong></span> でリージョンを操作することについて多くを学ぶでしょう。以下は、ためになるヒントです：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ すべてのトラックを見るには、マウスのスクロールホイール（それがあれば）を使って、垂直にスクロールしましょう。
+ </div></li><li class="listitem"><div class="para">
+ キーボードで 'Ctrl' ボタンを押したままにして、マウスのスクロールホイールを使えば、キャンバスウインドウで見ることのできる時間を調整できます。
+ </div></li><li class="listitem"><div class="para">
+ キーボードで 'Alt' ボタンを押したままにして、マウスのスクロールホイールを使えば、横にスクロールして、タイムラインを移動できます。
+ </div></li><li class="listitem"><div class="para">
+ リージョンを置いた後も、キャンバスエリアの中でそれをどこへでも動かすことができます。"Select/Move Objects" ツールを使ってください。トランスポートコントロールの下、ツールバーの中で、指さす手のアイコンをクリックします。
+ </div></li><li class="listitem"><div class="para">
+ リージョンを動かすときは、色のついたバーの上の大きなエリアをクリックしてドラッグするように注意ください。リージョンの下の方の色のついたバーをクリックすると、リージョンの大きさを短くしてしまいます。
+ </div></li><li class="listitem"><div class="para">
+ このようにトラックを追加しているときは、それらが完全に同期されていることは重要ではありません。しかし、トラックの開始を他のトラックに自動的にそろえる "magnetic" スナップ機能を使うこともできます。リージョンをゆっくりドラッグすると、開始点が他のリージョンに近づくと、（キャンバスエリアの垂直線で示されます）リージョンはそれに "stick" くっつく、ように見えます。終わったら、その機能を無効にします。
+ </div></li><li class="listitem"><div class="para">
+ とりあえず、今は不正確でもよいので、リージョンを適当なトラックに、できるだけつめて、オーバラップしないように入れます。
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses.html"><strong>戻る</strong>7.4.2. トラックとバスを接続する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size.html"><strong>次へ</strong>7.4.4. リージョンの大きさを切り詰める</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Arrange-Clarinet.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Arrange-Clarinet.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.6.5. クラリネットリージョンを並べる</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing-Arrange.html" title="7.4.6. リージョンを正しい場所に並べる" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Strings.html" title="7.4.6.4. 弦楽器リージョンを並べる" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Listen.html" title="7.4.7. 聞く" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class
="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Strings.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Listen.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Clarinet"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Clarinet">7.4.6.5. クラリネットリージョンを並べる</h4></div></div></div><div class="para">
+ 弦楽器リージョンと同じく、適当なクラリネットリージョンを１つ選んで、正しい位置に置きましょう。複数の演奏の間の選択は後回しにします。こんなふうにリージョンを大きく離れて動かすときは、少しズームアウトするとよいです。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ "Clarinet_1A" リージョンを動かして、サウンドが 00:01:06.200 の後に始まるようにします。
+ </div></li><li class="listitem"><div class="para">
+ "Clarinet_3A" リージョンを動かして、サウンドが 00:01:35.000 の後に始まるようにします。
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Strings.html"><strong>戻る</strong>7.4.6.4. 弦楽器リージョンを並べる</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Listen.html"><strong>次へ</strong>7.4.7. 聞く</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba_at_End.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba_at_End.html
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+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.6.3. マリンバの終わりをそろえる</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
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+
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+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing-Arrange.html" title="7.4.6. リージョンを正しい場所に並べる" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Voice.html" title="7.4.6.2. ボイスリージョンの続き" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Strings.html" title="7.4.6.4. 弦楽器リージョンを並べる" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" />
</a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Voice.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Strings.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba_at_End"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba_at_End">7.4.6.3. マリンバの終わりをそろえる</h4></div></div></div><div class="para">
+ すべての歌手のリージョンを、ほぼ並べ終わったので、最後のマリンバのパッセージをどこに置くかを考えましょう。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ "ens-Create_the_Inconceivable" リージョンを聞きます。マリンバの終了リージョンを、最高音の歌手が "if you know what I mean" と歌った後、"mean" という語を歌い終わる前のどこかに置きます。
+ </div></li><li class="listitem"><div class="para">
+ マリンバを再開始する正確なところは、あなたが決めればよいです。位置を決めて、２つの "Marimba_3" リージョンを、 "marimba1" のその場所に動かし、 "Marimba_4" リージョンを "marimba2" で動かします。
+ </div></li><li class="listitem"><div class="para">
+ 正確な整列をするために、範囲を設定し、トランスポートのループ機能を使うと良いかもしれません。
+ </div></li><li class="listitem"><div class="para">
+ この特別な開始点は、難しいかもしれません。低音のマリンバは静かに始まって、しだいに大きくなります。一方、高音のマリンバは、大きな音が減衰していくところです。ということは、もし両方のマリンバトラックを同時に開始すると、リスナーは、低音トラックが、高音トラックの後に開始するように感じます。私の言うことが信じられないなら、やってご覧なさい。
+ </div></li><li class="listitem"><div class="para">
+ この問題を解決するため、オリジナル編集者 (Esther) は、高音のマリンバが低音のマリンバより少し遅く開始するようにしました。
+ </div></li></ol></div>
+
+ </div><div class="para">
+ 今までのセッションを聞くとわかりますが、マリンバが、歌手と比べるとずっと大きく、全体がとても狭い感じに聞こえるかと思います。これは、私たちがリージョンを並べただけで、まだミキシングを何もしていないからです！
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Voice.html"><strong>戻る</strong>7.4.6.2. ボイスリージョンの続き</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Strings.html"><strong>次へ</strong>7.4.6.4. 弦楽器リージョンを並べる</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Arrange-Strings.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Arrange-Strings.html
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+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.6.4. 弦楽器リージョンを並べる</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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t="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba_at_End.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Clarinet.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Strings"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Strings">7.4.6.4. 弦楽器リージョンを並べる</h4></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ "Strings_1A" リージョンを動かして、約 00:00:28.00 から始まるようにします。そうすれば、椅子の音、それを消さないならば、に十分なスペースがあります。
+ </div></li><li class="listitem"><div class="para">
+ "Strings_4" リージョンの始まりは、 "Strings_1A" リージョンの終わりとほぼ同じです。両方を聞いて、どっちが好きか決め、"Strings_1A" リージョンの中のサウンドの位置を使って、 "Strings_4" リージョンの切り詰めと整列のガイドとしてください。
+ </div></li><li class="listitem"><div class="para">
+ 他の２つの弦楽器リージョンは、 "Strings_1A" と同じ曲が入っています。どれを使うかまだ決められないので、それらを、マリンバリージョンの終了点の後ろに移動して、聞こえないようにします。
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba_at_End.html"><strong>戻る</strong>7.4.6.3. マリンバの終わりをそろえる</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Clarinet.html"><strong>次へ</strong>7.4.6.5. クラリネットリージョンを並べる</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Arrange-Voice.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Arrange-Voice.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.6.2. ボイスリージョンの続き</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing-Arrange.html" title="7.4.6. リージョンを正しい場所に並べる" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Arrange.html" title="7.4.6. リージョンを正しい場所に並べる" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba_at_End.html" title="7.4.6.3. マリンバの終わりをそろえる" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Document
ation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Arrange.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba_at_End.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Voice"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Voice">7.4.6.2. ボイスリージョンの続き</h4></div></div></div><div class="para">
+ このセクションのあいだじゅう、配置が決まっていないリージョンを、他の整列処理にじゃまにならないようにどけることが必要になるでしょう。リージョンを正しい位置に置いたら、ロックするのを忘れないでください。後から、アンロックして、並べ直すこともできます。また、マーカー（前に使った "marimba-start" マーカーのように）を、それぞれのリージョンの開始点に置くと良いでしょう。マーカーを置けば、それをクリックして、青色のプレースマーカーラインを動かすことができます。こうすれば、リージョンの中のサウンドの開始点を好きなところに揃えて並べるのが簡単です。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ "voice" バスで、 "solo" モードを有効にして、マリンババスと一緒に聞けるようにします。
+ </div></li><li class="listitem"><div class="para">
+ "Voice_1" リージョンを動かして、歌手が高音のマリンバとほぼ同じに開始するようにします。
+ </div></li><li class="listitem"><div class="para">
+ "Voice_2" リージョンを動かして、歌手が、約 <code class="literal">00:00:48.00</code> に開始するようにします。
+ </div></li><li class="listitem"><div class="para">
+ "ens-Here_Is_How-1" リージョンを動かして、約 <code class="literal">00:01:33.300</code> に歌い出すようにします。
+ </div></li><li class="listitem"><div class="para">
+ "ens-Here_Is_How-2" (と、結合された "ens-Here_Is_How-3" も) リージョンを動かして、約 <code class="literal">00:02:11.500</code> に歌い出すようにします。
+ </div></li><li class="listitem"><div class="para">
+ "Voice_3" と "Voice_4" をよく聞くと、"Voice_4" で歌手が歌詞を抜かした ("plan <span class="emphasis"><em>in</em></span> you spider's ear") のに気がつくでしょう。 "Voice_3" には、 "Voice_4" の２つめのパートが含まれないので、 "Voice_4" リージョンを切り詰めて、両方を使う必要があります。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 歌手は、 "Voice_3" の約 <code class="literal">00:02:24.500</code> に開始するようにします。
+ </div></li><li class="listitem"><div class="para">
+ 歌手は、"Voice_4" の、約 <code class="literal">00:02:43.000</code> に、 "and here is how" と歌い始めるようにします。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ "ens-Create_the_Inconceivable" リージョンを動かして、約 <code class="literal">00:02:59.000</code> に開始するようにします。
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Arrange.html"><strong>戻る</strong>7.4.6. リージョンを正しい場所に並べる</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba_at_End.html"><strong>次へ</strong>7.4.6.3. マリンバの終わりをそろえる</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Arrange.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Arrange.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Arrange.html
@@ -0,0 +1,83 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.6. リージョンを正しい場所に並べる</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing.html" title="7.4. 曲を編集する（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Marimba.html" title="7.4.5.8. マリンバリージョン" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Voice.html" title="7.4.6.2. ボイスリージョンの続き" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /
></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Marimba.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Voice.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Arrange"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Arrange">7.4.6. リージョンを正しい場所に並べる</h3></div></div></div><div class="para">
+ マリンバを並べることから始めましょう。それは曲のほとんどにわたって、比較的一定のリズムを演奏するからです。このようなものから始めるのはよい考えで、他のトラックとリージョンを、それに関連させることができるからです。
+ </div><div class="para">
+ ここでの時間はすべて、分と秒で示されます。チュートリアルのファイルはデフォルトでこの単位を使うように設定されています。しかし、あなたがそれを変更したなら、それを覚えておく必要があります。また、私は、 "Marimba_1" リージョンを切り詰めたりはしておらず、それは "marimba1" トラックの 00:00:00.000 から開始します。もしあなたがこのリージョンを変更したなら、元の大きさに戻しておくことをおすすめします。
+ </div><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Arrange-Marimba">7.4.6.1. マリンバリージョンから始める</h4></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ "Marimba_1" リージョンを切り詰めたりしてないことと、それが 00:00:00.000 から開始することを確かめたら、その場でロックしましょう。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ リージョンを右クリックして、 'Selected regions' メニューに行って、メニューから 'Lock' をクリックします。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> が、キャンバスエリアで、 > と < を、名前のまわりにつけることに注意ください。
+ </div></li><li class="listitem"><div class="para">
+ また、そのリージョンを、 "Select/Move Objects" ツールで動かすことができなくなっていることにも注意ください。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ さて、それが開始する正確な時刻を示すためにマーカーを置きます。セッションが始まってから６秒です。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 適当にズームインして、６秒のマークがルーラーの上でどこに行くかわかるようにしてください。（今すぐに、見える必要はありません。）キーボードで 'Ctrl' ボタンを押したままにして、マウスのスクロールホイールを使ってズームインして下さい。あるいは、キーボードの '=' でズームイン、 '-' でズームアウトすることもできます。
+ </div></li><li class="listitem"><div class="para">
+ カーソルを６秒のマークの近くに移動します。（繰り返しますが、まだ、正確である必要はありません。）"Location Markers" 行を右クリックして、メニューから 'New location marker' を選択します。
+ </div></li><li class="listitem"><div class="para">
+ 黄緑色の矢印が現れますから、クリックアンドドラッグして、黄色の時計が 00:00:06.000 ちょうど６秒を指すようにして、マウスを離します。
+ </div></li><li class="listitem"><div class="para">
+ カーソルをマーカーの上に移動すると、黄緑色から、赤褐色（コーラル）になります。右クリックして、メニューから 'Lock' を選び、マーカーが誤って動かないようにします。
+ </div></li><li class="listitem"><div class="para">
+ カーソルをマーカーの上に置いて、もう一度、右クリックします。メニューから 'Rename' を選択します。
+ </div></li><li class="listitem"><div class="para">
+ 小さいウインドウが現れます。マーカーの名前を "marimba-start" と書いて、 'Rename' をクリックして新しい名前を設定します。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ タイムラインの上でのリージョンの位置の調整を、とても正確に行う必要があるので、別の "Snap/Grid Mode" を使う必要があります。それぞれの設定は、異なる種類の作業に適しています。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ キャンバスエリアの上のツールバーを使って、モードを変更します。ポップダウンメニューは、"Magnetic" つまり、現在 "Magnetic Snapping Mode" にあることを示しているかもしれません。その他に、 "No Grid" と "Grid" があるはずです。
+ </div></li><li class="listitem"><div class="para">
+ No Grid: このモードは、ユーザーがリージョンを置く場所を完全にコントロールすることができます。私たちがやろうとしているような、とても正確な配置に適します。
+ </div></li><li class="listitem"><div class="para">
+ Grid: このモードは、ユーザーがリージョンを、グリッド線の上で始まるように置くことしか許しません。あなたが変更してないならば、グリッドは２秒に設定されているはずですから、リージョンは２秒間隔以外のところから開始することはできません。<span class="application"><strong>Ardour</strong></span> は、リージョンを奇数秒で始めたり、その間のどこかで始まるように配置することを許しません。
+ </div></li><li class="listitem"><div class="para">
+ Magnetic: このモードは、リージョンをどこに置いてもよいです。しかし、リージョンの開始点がグリッド線（このセッションでは偶数秒）の近くにあるときには、開始点は、自動的にその地点に「くっつき」ます。リージョンの開始点が、グリッド線に、磁石で引き寄せられるようにふるまいます。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ snap/grid モードを "No Grid" にする
+ </div></li><li class="listitem"><div class="para">
+ "Marimba_2" リージョンを動かして、 "marimba2" トラックに入れ、 "Marimba_2" のサウンドがタイムラインの約１５秒の (00:00:15.000) ところで始まるようにします。椅子を引きずる音をそのままにするならば、じゃまにならないところに置きましょう。"strings" トラックの "Strings" リージョンの前に移動します。
+ </div></li><li class="listitem"><div class="para">
+ "marimba1" と "marimba2" バスが聞こえるように、それらが両方ともソロモードであるのを確認します。
+ </div></li><li class="listitem"><div class="para">
+ さて、むつかしい仕事です。２つのトラックを並べて、一緒に始まるようにしなければいけません。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Marimba_2" リージョンのサウンドは、 "Marimba_1" トラックの２つめのパターン、タイムラインで約１５秒のところ、と同時に開始しなければいけません。
+ </div></li><li class="listitem"><div class="para">
+ リージョンの波形をよく見るために、ズームインする必要があります。もっと重要なことは、ズームインすれば、リージョンの配置をより細かく調整できます。
+ </div></li><li class="listitem"><div class="para">
+ 範囲を選択して、トランスポートのループモードを使うとよいでしょう。２つのリージョンの開始点を何度も聞いて、それらがきちんと並んでいるのを確認下さい。
+ </div></li><li class="listitem"><div class="para">
+ だいたい良いのだが、きっちり一緒と言えないと感じたときは、一度ずっと遠くに動かして、聞いて、そして、また近づけましょう。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ このパターンの最初の何秒かを整列させても、いずれ、同期が取れなくなるでしょう。それはかまいません。最初が、最も気になる部分です。リスナーが２つの同時演奏されるマリンバトラックのサウンドに慣れてきた頃、そんなに細かい注意をはらうことはなくなります。さらに、マリンバトラックが同期が取れなくなる頃には、リスナーは歌詞に注意が行っていることでしょう。
+ </div></li><li class="listitem"><div class="para">
+ "Marimba_2" リージョンのロックを忘れないように！
+ </div></li><li class="listitem"><div class="para">
+ リージョンの残りを一緒に聞いてみます。00:02:20.000 頃の、リージョンの終わりは、あなたが開始を正しく並べたならば、こちらも並んでいるはずです。高音と低音のマリンバが交代します。
+ </div></li><li class="listitem"><div class="para">
+ "Marimba_3" リージョンを、"marimba1" トラックの約 00:03:20.000 に開始するように移動します。最終的な配置は後で決めます。
+ </div></li><li class="listitem"><div class="para">
+ "Marimba_4" リージョンを、"Marimba_3" リージョンとだいたい同じ時刻に始まるように、こちらは、 "marimba2" トラックに、移動します。最終的な配置は後で決めます。
+ </div></li></ol></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Marimba.html"><strong>戻る</strong>7.4.5.8. マリンバリージョン</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Voice.html"><strong>次へ</strong>7.4.6.2. ボイスリージョンの続き</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_3_and_4.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_3_and_4.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_3_and_4.html
@@ -0,0 +1,40 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.5.2. Clarinet_3 と Clarinet_4 リージョン</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html" title="7.4.5. 同じものの複数の録音を比較する" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html" title="7.4.5. 同じものの複数の録音を比較する" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings_1.html" title="7.4.5.3. Strings_1 リージョン" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Cont
ent/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings_1.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_3_and_4"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_3_and_4">7.4.5.2. Clarinet_3 と Clarinet_4 リージョン</h4></div></div></div><div class="para">
+ Clarinet_3 と Clarinet_4 リージョンを聞きます。Clarinet_4 は、最初、 Clarinet_3 にあるのと同じ演奏で始まり、 Clarinet_1A と Clarinet_1B にあるのと同じ演奏で終わります。まず、 "Clarinet_3" リージョンの名前を "Clarinet_3A" と変え、 "Clarinet_4" リージョンを "Clarinet_3B" とします。次に、Clarinet_3B リージョンから、 Clarinet_1 のような部分を抜き出します。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ トランスポートツールバーから、垂直線に挟まれた両方向矢印のように見える、 "Select/Move Ranges" ツールを選択します。
+ </div></li><li class="listitem"><div class="para">
+ カーソルがテキスト編集のときの "I" の形に変わります。
+ </div></li><li class="listitem"><div class="para">
+ "Clarinet_3B" の終わりにスクロールして、"Clarinet_1" リージョンと同じように聞こえる部分が見えるようにします。
+ </div></li><li class="listitem"><div class="para">
+ どちらかのトラックの中で、"Clarinet_1" のように見えるリージョンの上でクリックアンドドラッグして、それを選択します。
+ </div></li><li class="listitem"><div class="para">
+ エディットグループのため、<span class="application"><strong>Ardour</strong></span> は、自動的に両方のトラックで同じエリアを選択します。
+ </div></li><li class="listitem"><div class="para">
+ "Clarinet_1" に似た部分をすべて選択したのを確認するため、範囲を選択したらそれを右クリックして、メニューから 'Play Range' を選択します。
+ </div></li><li class="listitem"><div class="para">
+ 選択した範囲を変更したい時は、範囲選択ボックスの上の角にある暗い色の四角を使います。このボックスの１つにカーソルを置くと、両方向の矢印に変わります。
+ </div></li><li class="listitem"><div class="para">
+ さあ、その範囲から新しいリージョンを作成しましょう。選択した範囲を右クリックして、メニューから 'Bounce range to region list' を選択します。
+ </div></li><li class="listitem"><div class="para">
+ その範囲は独立したリージョンとなり、リージョンリストに "clarinet-L-0-bounce-1" のような名前で現れます。使いにくいので、"Clarinet_1C--L" と "Clarinet_1C--R" とリージョンの名前を変えます。新しいリージョンは、白色であることに注意してください。
+ </div></li><li class="listitem"><div class="para">
+ 範囲ツールはもう使いません。次はトランスポートツールバーの下、範囲ツールの左にある、手の形のアイコンの "Select/Move Objects" ツールを選択します。
+ </div></li><li class="listitem"><div class="para">
+ 選択した範囲は、もう、選択されなくなります。 "Clarinet_3B" リージョンの最後を、今、リージョンリストに入れたものの後、その前の静寂に近いところまで、切り詰めます。
+ </div></li><li class="listitem"><div class="para">
+ 次に "Clarinet_3" リージョンを後ろに動かして、新しく作成された "Clarinet_1C" リージョンを入れる場所を作りましょう。
+ </div></li><li class="listitem"><div class="para">
+ 新しい "Clarinet_1C" リージョンを、キャンバスエリアの他の "Clarinet_1" の後にドラッグします。他のリージョンの間隔を調整してもよいです。
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html"><strong>戻る</strong>7.4.5. 同じものの複数の録音を比較する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings_1.html"><strong>次へ</strong>7.4.5.3. Strings_1 リージョン</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Create_the_Inconceivable.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Create_the_Inconceivable.html
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@@ -0,0 +1,22 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.5.7. ens-Create_the_Inconceivable リージョン</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html" title="7.4.5. 同じものの複数の録音を比較する" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Here_Is_How.html" title="7.4.5.6. ens-Here_Is_How リージョン" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Marimba.html" title="7.4.5.8. マリンバリージョン" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Cont
ent/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Here_Is_How.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Marimba.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Create_the_Inconceivable"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Create_the_Inconceivable">7.4.5.7. ens-Create_the_Inconceivable リージョン</h4></div></div></div><div class="para">
+ このリージョンには、同じ曲の２つのテイクがあります。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 両方を聞いて、どちらが好きか決めます。あなたの好みの問題です。後から、選択を逆にすることもできます。 <span class="application"><strong>Ardour</strong></span> は、リージョンを切り詰めるときに削除されたものを本当に消してしまうわけではないためです。
+ </div></li><li class="listitem"><div class="para">
+ 範囲ツールを使って、あなたが好きな方のテイクを含む範囲を選択します。
+ </div></li><li class="listitem"><div class="para">
+ トランスポートのループ機能を使って、正しい範囲を選択したことを確認するのもよいでしょう。
+ </div></li><li class="listitem"><div class="para">
+ 範囲を右クリックして、 'Crop region to range' を選択します。自動的に、リージョンを切り詰めてくれます。
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Here_Is_How.html"><strong>戻る</strong>7.4.5.6. ens-Here_Is_How リージョン</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Marimba.html"><strong>次へ</strong>7.4.5.8. マリンバリージョン</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Here_Is_How.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Here_Is_How.html
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@@ -0,0 +1,19 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.5.6. ens-Here_Is_How リージョン</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html" title="7.4.5. 同じものの複数の録音を比較する" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Voice.html" title="7.4.5.5. ボイスリージョン" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Create_the_Inconceivable.html" title="7.4.5.7. ens-Create_the_Inconceivable リージョン" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org">
<img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Voice.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Create_the_Inconceivable.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Here_Is_How"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Here_Is_How">7.4.5.6. ens-Here_Is_How リージョン</h4></div></div></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ens-Here_Is_How-1 は、似たオーディオの２つのチャンクがあります。どちらも正しいです。
+ </div></li><li class="listitem"><div class="para">
+ ens-Here_Is_How-2 は、似たオーディオの２つのチャンクがあります。ens-Here_Is_How-1 とは異なります。２つめのチャンクは、音程がおかしいです。２つのチャンクの間のタイミングは正しいです。
+ </div></li><li class="listitem"><div class="para">
+ ens-Here_Is_How-3 には、 ens-Here_Is_How-2 のオーディオの２つめのチャンクの正しい音程のものがあります。ens-Here_Is_How-2 の正しいタイミングを維持したいので、 ens-Here_Is_How-3 を ens-Here_Is_How-2 のちょうど上にドラッグします。２つのリージョンを並べて、３の波形ができるだけ２の波形をカバーするように調整します。これらのリージョンは、一緒に移動するように注意ください。
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Voice.html"><strong>戻る</strong>7.4.5.5. ボイスリージョン</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Create_the_Inconceivable.html"><strong>次へ</strong>7.4.5.7. ens-Create_the_Inconceivable リージョン</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Marimba.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Marimba.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Marimba.html
@@ -0,0 +1,12 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.5.8. マリンバリージョン</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html" title="7.4.5. 同じものの複数の録音を比較する" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Create_the_Inconceivable.html" title="7.4.5.7. ens-Create_the_Inconceivable リージョン" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Arrange.html" title="7.4.6. リージョンを正しい場所に並べる" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img sr
c="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Create_the_Inconceivable.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Arrange.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Marimba"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Marimba">7.4.5.8. マリンバリージョン</h4></div></div></div><div class="para">
+ マリンバリージョンは、調整が不要です。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Create_the_Inconceivable.html"><strong>戻る</strong>7.4.5.7. ens-Create_the_Inconceivable リージョン</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Arrange.html"><strong>次へ</strong>7.4.6. リージョンを正しい場所に並べる</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings.html
@@ -0,0 +1,30 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.5.4. 弦楽器リージョン</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html" title="7.4.5. 同じものの複数の録音を比較する" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings_1.html" title="7.4.5.3. Strings_1 リージョン" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Voice.html" title="7.4.5.5. ボイスリージョン" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/im
age_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings_1.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Voice.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings">7.4.5.4. 弦楽器リージョン</h4></div></div></div><div class="para">
+ これらの４つのリージョンは、すべて、関連していて、内容もオーバラップしています。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Strings_2 は、 Strings_1 と同じ演奏のほとんどを含み、少し長いです。そこには、椅子のノイズはありません。しかし、最初の１分２０秒（１：２０）のあたりに、演奏ミスがあるので、終わりの方は使うことができません。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 最後の３２秒程度を切り詰めます。
+ </div></li><li class="listitem"><div class="para">
+ このリージョンを、 "Strings_1B" という名前に変えます。
+ </div></li><li class="listitem"><div class="para">
+ 1B と合うように、 "Strings_1" リージョンの名前を "Strings_1A" と変えます。
+ </div></li><li class="listitem"><div class="para">
+ 後で、どっちのリージョンを使うか決めます。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Strings_3 も同じ演奏なので、 "Strings_1C" という名前に変えます。
+ </div></li><li class="listitem"><div class="para">
+ Strings_4 は、 Strings_1A が失敗したところから始まって、そこから続きます。今は、このままとしましょう。
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings_1.html"><strong>戻る</strong>7.4.5.3. Strings_1 リージョン</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Voice.html"><strong>次へ</strong>7.4.5.5. ボイスリージョン</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings_1.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings_1.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.5.3. Strings_1 リージョン</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
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+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html" title="7.4.5. 同じものの複数の録音を比較する" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_3_and_4.html" title="7.4.5.2. Clarinet_3 と Clarinet_4 リージョン" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings.html" title="7.4.5.4. 弦楽器リージョン" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src=
"Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_3_and_4.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings_1"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings_1">7.4.5.3. Strings_1 リージョン</h4></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ これらのリージョンは、誤って録音されたぶつぶついうノイズで始まります。そのままにするならば、ノイズをリージョンリストに入れれば、その後に続く弦楽器とは別に独立して制御することができます。
+ </div></li><li class="listitem"><div class="para">
+ 新しいリージョンは、 "strings-L-0-bounce-1" とでも名付ければよいでしょうか。私は、この音は、録音スタジオの上の階で椅子を床の上で動かす音だと知っているので、 "Chairs--L" と "Chairs--R" というリージョン名をつけました。
+ </div></li><li class="listitem"><div class="para">
+ そして、 Strings_1 リージョンから椅子のノイズを除きましょう。
+ </div></li><li class="listitem"><div class="para">
+ marimba2 トラックはまだ使っていないので、椅子のリージョンをそこに置くことができます。今はとりあえず、あることを忘れないために。
+ </div></li><li class="listitem"><div class="para">
+ Strings_1 リージョンを聞きます。椅子のノイズはリージョンの間じゅう続いていることがわかります。後で削除しましょう。
+ </div></li><li class="listitem"><div class="para">
+ あなたが注意深く歌を聞くか、あるいは、 "Here Is How" の楽譜を持っていなければ気がつかれないでしょうから、教えてあげますが、演奏家はこのリージョンの終わり付近でミスをしました。バイオリン奏者が、そのすぐ後で、 "sorry" と言っているのはこのためです。
+ </div></li><li class="listitem"><div class="para">
+ 誤りを除かないといけないので、トラックの終わりを調整して、約６秒、短くします。キャンバスビューで、リージョンの最後を、最後から２つめの "blob" の前にします。
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_3_and_4.html"><strong>戻る</strong>7.4.5.2. Clarinet_3 と Clarinet_4 リージョン</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings.html"><strong>次へ</strong>7.4.5.4. 弦楽器リージョン</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Voice.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Voice.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.5.5. ボイスリージョン</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
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+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html" title="7.4.5. 同じものの複数の録音を比較する" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings.html" title="7.4.5.4. 弦楽器リージョン" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Here_Is_How.html" title="7.4.5.6. ens-Here_Is_How リージョン" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content
/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Here_Is_How.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Voice"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Voice">7.4.5.5. ボイスリージョン</h4></div></div></div><div class="para">
+ これらのリージョンはいくらかのオーバラップがありますが、見分けるのはわりと簡単です。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Voice_1 には、２つのオーディオのチャンクがあります。最初のは良いですが、２つめは歌手の問題でクリアーでないため、これは使わないことにしましょう。
+ </div></li><li class="listitem"><div class="para">
+ Voice_2 には、 Voice_1で録音が失敗していた２つめのオーディオのチャンクが入っています。 Voice_2 においても、彼女は少し問題を抱えているようです。今、それを直しましょう。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Voice_1 リージョンを切り詰めて、オーディオの２つめのチャンクと、その前の静寂に近い部分を除きます。
+ </div></li><li class="listitem"><div class="para">
+ Voice_2 リージョンの対策の１つの手は単純にリージョンの最初の部分を切り取ってしまうことです。"I have your flax-" という歌詞と静寂がある部分です。
+ </div></li><li class="listitem"><div class="para">
+ 歌手が、２回目に "I have your flax-" と歌うところは、少し急いで聞こえます。それで、１番目の "I have your flax-" と、続く "golden tails to ... " をくっつけることにしました。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ "Select/Move Ranges" ツールを使って、歌手が最初に "I have your flax-" と歌う部分を選択します。 "flax" という語が全部入るように、そしてその後の静寂が入らないように、注意します。
+ </div></li><li class="listitem"><div class="para">
+ トランスポートのループ機能を使って、正しい範囲を選択したことを確認します。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 範囲を選択して、右クリックし、 'loop range' を選択します。
+ </div></li><li class="listitem"><div class="para">
+ 直したい時は、トランスポートを止め、範囲を調整します。
+ </div></li><li class="listitem"><div class="para">
+ もう一度聞くには、範囲を右クリックして、 'loop range' を選択します。
+ </div></li><li class="listitem"><div class="para">
+ 範囲を十分細かく調整するために、ズームインした方がよいかもしれません。キーボードで 'Ctrl' キーを押したまま、スクロールホイールを使ってズームインします。
+ </div></li><li class="listitem"><div class="para">
+ ループ機能を使い終わったら、タイムラインからループマーカーを除きます。 "Loop" と、書いてある、緑色の三角印です。三角の上にカーソルを置くと色が変わるので、キーボードで 'Delete' ボタンを押します。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 選択した範囲がそれでよければ、範囲を右クリックして、メニューから 'Consolidate range' を選択します。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> は、あなたが選択した範囲からリージョンを作ってそこに置きます。さらに、新しいリージョンの前と後ろのスペースも別リージョンとして分割するため、多くの小さいリージョンができることになります。すべては、セッションツールバーのリージョンリスト、青色の "Voice_2--L" と "Voice_2--R" リージョンの下に、わかりやすいようにまとめられます。
+ </div></li><li class="listitem"><div class="para">
+ オリジナルの Voice_2 リージョンの残りを切り詰めて、それが "golden" で始まって、前の語（"flax-"）を含まないようにします。範囲ツールを使う必要はありませんが、使ってもよいです。
+ </div></li><li class="listitem"><div class="para">
+ 次に、２つのリージョンをくっつけて、 "I have your flax-golden tails to... " と聞こえるようにします。
+ </div></li><li class="listitem"><div class="para">
+ この方法は、完全とは言えませんが、単に、 Voice_2 リージョンの先頭を切り詰めてもなんとかなります。
+ </div></li><li class="listitem"><div class="para">
+ 両方のリージョンを同時に動かすのを忘れないことが大事です。誤ってバラバラになっても、元の通りに戻すのは簡単です。
+ </div></li></ol></div>
+
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Voice_3 は２つのオーディオのチャンクがあります。今は、そのままにしましょう。
+ </div></li><li class="listitem"><div class="para">
+ Voice_4 には Voice_3 と同じ２つのオーディオのチャンクがありますが、さらに続いて、他のものも含まれます。この２つのチャンクについて、 Voice_3 か Voice_4 のどちらを使うか、まだ決められないので、両方のリージョンに残すことにします。
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Strings.html"><strong>戻る</strong>7.4.5.4. 弦楽器リージョン</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Here_Is_How.html"><strong>次へ</strong>7.4.5.6. ens-Here_Is_How リージョン</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html
@@ -0,0 +1,41 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.5. 同じものの複数の録音を比較する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+
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+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing.html" title="7.4. 曲を編集する（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size.html" title="7.4.4. リージョンの大きさを切り詰める" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_3_and_4.html" title="7.4.5.2. Clarinet_3 と Clarinet_4 リージョン" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images
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+ DAW を使った録音のパワーの１つは、同じものを何度でも録音できることです。このようなミキシングとマッチングを使えば、ある音楽の部分の「パーフェクト」な演奏を作り上げることができます。このファイルのいくつかのリージョンは同じものの複数のテイクです。片方が、もう片方より、どう見ても優れていると言えるときも、個人的な好みによって決めるしかないときもあります。このセクションでは、オーディオの部分を比較して優れた方を選択するという目的のために、さらにオーディオを切り刻むのに使うテクニックを説明します。ただ、まだすべての選択がなされる訳ではありません。
+ </div><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_1_and_2"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_1_and_2">7.4.5.1. Clarinet_1 と Clarinet_2 リージョン</h4></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Clarinet_1 と Clarinet_2 リージョンを聞きます。同じ曲で、ほとんど等しいです。なので、まだ、どっちを使うか決めるのは早すぎます。しかし、同じだとわかるようにラベルを付けておきましょう。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ セッションツールバーのリージョンリストから、青色の名前の左にある三角を左クリックして、"Clarinet_1--L" リージョンを選択します。白い名前が現れますから、それを１度左クリックします。白いリージョンは、元の（青い）リージョンの空のエリアを削除した時に作成されたものです。
+ </div></li><li class="listitem"><div class="para">
+ もう一度、白い名前をクリックすると、テキストボックスが現れます。
+ </div></li><li class="listitem"><div class="para">
+ テキストボックスを、 "Clarinet_1A--L" に変更します。
+ </div></li><li class="listitem"><div class="para">
+ キーボードで 'Enter' を押して、名前を設定します。
+ </div></li><li class="listitem"><div class="para">
+ 以下のリージョンの名前をこのように変更します：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Clarinet_1--R" は "Clarinet_1A--R" に。
+ </div></li><li class="listitem"><div class="para">
+ "Clarinet_2--L" は "Clarinet_1B--L" に。
+ </div></li><li class="listitem"><div class="para">
+ "Clarinet_2--R"は "Clarinet_1B--R" に。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Clarinet_1 と Clarinet_2 は同じ音楽の素材なので、それを示す名前にしました。Clarinet_1 の２つのバージョン、 "A" と "B" です。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ ここで、名前付けの矛盾が発生します。青色のリージョンは、まだ元の名前を使っており、キャンバスエリアには "Clarinet_2" というリージョンはありません！これが気になるようなら、他のリージョンの名前を正しく変更してください。
+ </div></li></ol></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size.html"><strong>戻る</strong>7.4.4. リージョンの大きさを切り詰める</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings-Clarinet_3_and_4.html"><strong>次へ</strong>7.4.5.2. Clarinet_3 と Clarinet_4 リージョン</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.2. トラックとバスを接続する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing.html" title="7.4. 曲を編集する（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing.html" title="7.4. 曲を編集する（チュートリアル）" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks.html" title="7.4.3. トラックにリージョンを追加する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a
></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses">7.4.2. トラックとバスを接続する</h3></div></div></div><div class="para">
+ 私たちは、心の中ではバスのシステムを作り上げましたが、まだそれを <span class="application"><strong>Ardour</strong></span> には伝えていません。<span class="application"><strong>QjackCtl</strong></span> でそれを確かめることもできます。すべての追加されたトラックとバスはマスターバスのオーディオ出力につながっています。さらに悪いことに、バスには、入力信号は何もありません。私たちがトラックとバスをどのようにつなぎたいのかを <span class="application"><strong>Ardour</strong></span> に伝えるには、２つのアプローチがあります。これから両方の例をあげます。あなたが、残りを仕上げてください。
+ </div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ トラックとバスをつなぐ１つの方法は、接続の変更が少ない時に適します。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ コントロールの下、トラックのコントロールエリアをクリックして、"marimba1-L" トラックを選択ください。
+ </div></li><li class="listitem"><div class="para">
+ キャンバスエリアの左のエディターミキサーが、トラックの名前と色（たぶん、今の場合、緑）を上の方に表示するはずです。
+ </div></li><li class="listitem"><div class="para">
+ エディターミキサーが見えないときは、メニューから 'View > Show Editor Mixer' をクリックして、チェックをつけます。キーボードから 'Shift + E' を押しても、表示をトグルできます。
+ </div></li><li class="listitem"><div class="para">
+ エディターミキサーが "marimba1-L" トラックのコントロールを表示しているのを確認したら、エディターミキサーの一番下、 'Comments' の上のボタンを見てください。"master" とあるはずです。出力がマスターバスにつながっていることを意味します。これは望むものではありません。 "master" ボタンをクリックします。
+ </div></li><li class="listitem"><div class="para">
+ 'master' ボタンをクリックすると、メニューがポップアップして、別の出力を選べるようになります。このトラックは、 "Bus-marimba1" バスにつなぎたいのですが、リストにはありません。このためメニューから 'Edit' を選択します。
+ </div></li><li class="listitem"><div class="para">
+ コネクションウインドウが現れます。使い方がわかりにくいので、以下に説明します：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 左の、 "Outputs" のラベルのところは、 "out 1" と "out 2" の２つの出力チャネル、それに、それがつながっている先のすべてのもののリストがあります。
+ </div></li><li class="listitem"><div class="para">
+ 'Add' ボタンは、出力チャネルを追加します。信号をステレオバスに出力するので、２つで十分です。
+ </div></li><li class="listitem"><div class="para">
+ 'Remove' ボタンは、出力チャネルを削除します。
+ </div></li><li class="listitem"><div class="para">
+ 'Disconnect All' ボタンは、トラックの出力コネクションをすべて削除します。
+ </div></li><li class="listitem"><div class="para">
+ このリストでコネクションをクリックすると、削除されます。
+ </div></li><li class="listitem"><div class="para">
+ 右側、"Available connections" とラベルのある方には、<code class="systemitem">JACK</code> が提供するすべての入力のリストがあります。
+ </div></li><li class="listitem"><div class="para">
+ <code class="systemitem">JACK</code> 対応のアプリケーションは、それぞれ、タブがあり、その下にコネクションのリストがあります。
+ </div></li><li class="listitem"><div class="para">
+ このリストのコネクションをクリックすると、最後に選択された出力チャネルに、それが加えられます。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 'Disconnect All' ボタンをクリックします。
+ </div></li><li class="listitem"><div class="para">
+ 空の "out 1" リストをクリックします。
+ </div></li><li class="listitem"><div class="para">
+ "Available connections" リストから、"Bus-marimba1/in 1" コネクションをクリックします。それは "out 1" リストに加えられます。
+ </div></li><li class="listitem"><div class="para">
+ 次に、"Bus-marimba1/in 2" コネクションをクリックします。それは、 "out 2" リストに加えられます。
+ </div></li><li class="listitem"><div class="para">
+ コネクションリストの表示が変わって、あなたがコネクションのペアを追加したことを示します。
+ </div></li><li class="listitem"><div class="para">
+ 'Close' をクリックして、コネクションの変更を有効にします。
+ </div></li><li class="listitem"><div class="para">
+ "master" ボタンは、 "Bus-ma" のようになっていることに注意ください。トラックの出力コネクションが変わったためです。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ コネクションを変更するもう１つの方法は、今回必要となるような、大量の変更を行うのに、ずっと高速です。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <span class="guimenu"><strong>Window</strong></span> → <span class="guimenuitem"><strong>Track/Bus Inspector</strong></span> を選択します。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Track/Bus Inspector" ウインドウが現れます。左側にトラックとバスのリストが、右側に４つの情報タブがあります。
+ </div></li><li class="listitem"><div class="para">
+ "Inputs" と "Outputs" タブで、選択されたトラックあるいはバスの入力と出力を見たり設定したりできます。２つの "Redirects" タブは、プラグインの設定を変えるのに使いますが、このチュートリアルでは扱いません。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ リストから "Bus-marimba1" バスを選択してください。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Input" と "Output" タブを見てください。
+ </div></li><li class="listitem"><div class="para">
+ "marimba1-L" トラックが、このバスの入力に接続され、このバスの出力が、 "master" バスの入力に接続されているのを確認ください。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ "marimba1-R" トラックの２つの出力を、このバスの入力リストに加えます。
+ </div></li><li class="listitem"><div class="para">
+ "marimba1-R" トラックの出力を見てください。これは、望むものではありません。マスターバスへの接続を削除ください。
+ </div></li><li class="listitem"><div class="para">
+ 他のトラックも修正して、以下のテーブルが示すような接続になるようにしてください。
+ </div></li><li class="listitem"><div class="para">
+ それぞれのバスの "Input" タブを見て、接続を確認ください。
+ </div></li><li class="listitem"><div class="para">
+ マスターバスの入力には、５つのバスだけがつながっていることを確認ください。
+ </div></li></ol></div>
+
+ </div></li></ol></div>
+
+ </div><div class="figure" id="ardour_connections"><div class="figure-contents"><div class="mediaobject"><img src="./images/FMG-Ardour-Connections.png" width="444" alt="Ardour でのコネクション" /><div class="longdesc"><div class="para">
+ Ardour でのコネクション
+ </div></div></div></div><h6>図7.7 Ardour でのコネクション</h6></div><br class="figure-break" /></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing.html"><strong>戻る</strong>7.4. 曲を編集する（チュートリアル）</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks.html"><strong>次へ</strong>7.4.3. トラックにリージョンを追加する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.4. リージョンの大きさを切り詰める</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
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+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing.html" title="7.4. 曲を編集する（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks.html" title="7.4.3. トラックにリージョンを追加する" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html" title="7.4.5. 同じものの複数の録音を比較する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png"
alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Cut_Regions_Down_to_Size">7.4.4. リージョンの大きさを切り詰める</h3></div></div></div><div class="para">
+ さて、リージョンの大きさを切り詰める準備ができました。本来録音対象とした部分の前と後にある、ほとんど静かなスペースを削除すします。特別ケースがいくつかあるので、まず、最初に、リージョンにこれを行うための一般的な説明をします。つぎに、それぞれのリージョンについて、具体的な説明をします。
+ </div><div class="para">
+ クラリネットから始めましょう：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ まず、クラリネットバスを "solo" モードにします。バスのコントロールスペースで、 's' ボタンを押してください。これで、クラリネットバスだけが聞こえるようになります。
+ </div></li><li class="listitem"><div class="para">
+ 最初のクラリネットリージョンを聞きます。キーボードで "Home" を押して、トランスポートの再生ヘッドを最初に位置づけ、スペースキーを押して、トランスポートを開始します。
+ </div></li><li class="listitem"><div class="para">
+ クラリネットが演奏を始める前に、２０秒くらいのほとんど静かな部分があります。注意して聞くと、部屋の音や、誰かが小節数を数えている声が聞こえます。
+ </div></li><li class="listitem"><div class="para">
+ チャネルが同期していないときには、タイムラインの上で位置を調整する必要があります。リージョンをドラッグするときに現れる黄色い時計を使います。それは、２つめの時計と同じ単位に設定されていて、ファイルの最初からの時間を示します。次のステップに進む前に、同期させるのが重要です！
+ </div></li><li class="listitem"><div class="para">
+ "L" あるいは "R" リージョンを選択します。エディットグループを使っているときは、どちらを選択してもかまいません。<span class="application"><strong>Ardour</strong></span> は ２つのトラックのリージョンが、"group equivalent" 同じグループ、であることを知っているからです。（つまり、それらは基本的には同じもので、たぶん、同じ所に属するはずだと）
+ </div></li><li class="listitem"><div class="para">
+ クラリネットが開始する点の近くの、リージョンの色のついたバーをマウスでクリックします。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> は、 <span class="emphasis"><em>両方のトラック</em></span>で自動的にリージョンの開始点を移動します。
+ </div></li><li class="listitem"><div class="para">
+ 再生ヘッドを位置づけたい先の点のルーラーをクリックして、再生ヘッドを動かし、重要なオーディオを切り取ったりしないように、リージョンの部分をよく聞いてみます。
+ </div></li><li class="listitem"><div class="para">
+ リージョンの開始点を変更するには、注意深くマウスカーソルをリージョンの開始点の色のついたバーに移動します。カーソルは、左右の両側に矢印のついた形に変わります。間違って大切なクラリネットのサウンドの一部を削除してしまっても、それはそのままだとわかるでしょう。実際、このようにリージョンをトリミングするうえでのありがたいことは、それが「非破壊的」つまり、完全なオリジナルのリージョンがそのままあることです。
+ </div></li><li class="listitem"><div class="para">
+ 最åˆã®å¤‰æ›´ã‚’ã—ãŸæ™‚ã€<span class="application"><strong>Ardour</strong></span> ã¯ã‚»ãƒƒã‚·ãƒ§ãƒ³ã‚µã‚¤ãƒ‰ãƒãƒ¼ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ãƒªã‚¹ãƒˆã«ã‚るリージョンåã®éš£ã«ã€çŸ¢å°ã‚’ã¤ã‘ãŸã“ã¨ã«æ³¨æ„ãã ã•ã„。ãã®çŸ¢å°ã‚’クリックã™ã‚‹ã¨ã€ä¸‹ã«ã€åŒã˜ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã®ã‚‚ã†ã²ã¨ã¤ã®ã€ç™½è‰²ã®ã‚³ãƒ”ーãŒã‚ã‚‹ã“ã¨ãŒã‚ã‹ã‚Šã¾ã™ã€‚<span class="application"><strong>Ardour</strong></span> ã¯ã€ç™½è‰²ã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¯ã€é’ã„リージョンã®å¤‰æ›´ã ã¨ã„ã†ã“ã¨ã‚’示ã—ã¾ã™ã€‚白ã„リージョンをã‚ャンãƒã‚¹ã‚¨ãƒªã‚¢ã«ãƒ‰ãƒ©ãƒƒã‚°ã™ã‚‹ã¨ã€ã‚ãªãŸãŒå¤‰æ›´ã—ãŸãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¨åŒã˜æ‰€ã‹ã‚‰é–‹å§‹ã™ã‚‹ã®ãŒã‚ã‹ã‚Šã¾ã™ã€‚å…ƒã®ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã¨åŒã˜å¤§ãã•ã«å¼•ã伸ã°ã™ã“ã¨ã‚‚ã§ãã€ãã†ã™ã‚‹ã¨ã‚ªãƒªã‚¸ãƒŠãƒ«ã®ã‚‚ã†ã²ã¨ã¤ã®å¤‰æ›´ã•ã‚ŒãŸãƒãƒ¼ã‚¸ãƒ§ãƒ³ãŒä½œã‚‰ã‚Œã¾ã™ã€‚<span class="application"><strong>Ardour</strong></span> ã¯ã€ãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã®è¤‡æ•°ã®ã‚³ãƒ”ã
ƒ¼ã‚’ä¿å˜ã—ã¦ã„るよã†ã«è¦‹ãˆã¾ã™ãŒã€å®Ÿéš›ã«ã¯ï¼‘ã¤ã ã‘ã‚’ä¿å˜ã—ã¦ãŠã‚Šã€ãŸãã•ã‚“ã‚るよã†ã«è¦‹ãˆã‚‹ãŸã‚ã«å¿…è¦ãªæƒ…å ±ã‚’åˆ¥ã«ä¿å˜ã—ã¦ã„ã‚‹ã®ã§ã™ã€‚
+ </div></li><li class="listitem"><div class="para">
+ リージョンの終点を変更して、クラリネットの後の長すぎる静寂を取り除きます。このとき、クラリネットを切り取ってしまわないように特別に注意してください。クラリネットは、リージョンの終わりではとても小さい音になります。切り取るものはそれほどありません！リージョンの終点を変更するとき、色のついたバーをクリックすることはできないことに注意してください。クリックアンドドラッグしないといけません。
+ </div></li></ol></div>
+
+ </div><div class="para">
+ 以下は、その他のリージョンを編集するための指示です。リージョンを切り詰めるとき、セッションの最初に向けて移動させるのがよいでしょう。別のトラックに行く時には、「ソロモード」にあるバスを変更するのを忘れないでください。さもないと、編集しようとするトラックを聞くことができません。また、リージョンのいくつかには、同じか、ほとんど同じ音楽が入っていることに気がつくかもしれません。それについては、後で説明します。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Clarinet
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Clarinet_2:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 開始時に音が入りますが、不要です。削除します。その後の静寂も含めて。
+ </div></li><li class="listitem"><div class="para">
+ 終点には長い静寂がありますから、削除します。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Clarinet_3, Clarinet_4: 最初と最後の静寂は削除しますが、途中の静寂は残してください。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Strings:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Strings_1: 開始時にぶつぶついうノイズが入ります。そのままにしても、削除してもよいです。Esther はそのままにする方を選んだので、私もそうしましょう。
+ </div></li><li class="listitem"><div class="para">
+ Strings_2, 3, 4: 開始時に静寂、終了時にはほんの少し。会話は削除しても、後で対策してもよいです。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Voice:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Voice_1, 2, 3, 4: 最初と最後の静寂を単純に除きます。失敗はそのままにしておきます。後で、対策します。
+ </div></li><li class="listitem"><div class="para">
+ ens-Here_Is_How-1, 2, 3: 今のところ、すべての余分なノイズを除くのは大変むつかしいため、そのままとします。breating と shuffling は後で削除できます。訳注：breath, snuff 息と鼻をかむ音？
+ </div></li><li class="listitem"><div class="para">
+ ens-Create_the_Inconceivable: とりあえず、両方のテイクをそのままとします。後で、どっちを採用するか決めます。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Marimba:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Marimba_1: このリージョンの最初を切り詰めないでください。セッションの開始時刻として使います。終端の静寂を削除してもよいですが、マリンバがまだ鳴っているときに切り取ってしまわないように注意してください。
+ </div></li><li class="listitem"><div class="para">
+ Marimba_2, 3, 4, 5, 6, 7: まわりの静寂を削除してもよいです。マリンバがまだ鳴っているときに切り取ってしまわないように注意してください。ボリュームを上げてよく聞く必要があるでしょう。
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div><div class="para">
+ さて、本当に必要なオーディオ部分のまわりの静寂を、だいたい、取り終わったので、正しい順序に並べるのが簡単になりました。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Add_Regions_to_Tracks.html"><strong>戻る</strong>7.4.3. トラックにリージョンを追加する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Compare_Multiple_Recordings.html"><strong>次へ</strong>7.4.5. 同じものの複数の録音を比較する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Listen.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Listen.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing-Listen.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4.7. 聞く</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Editing.html" title="7.4. 曲を編集する（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Clarinet.html" title="7.4.6.5. クラリネットリージョンを並べる" /><link rel="next" href="sect-Musicians_Guide-Ardour-Mixing.html" title="7.5. 曲をミキシングする（チュートリアル）" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site"
/></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Clarinet.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mixing.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Listen"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Listen">7.4.7. 聞く</h3></div></div></div><div class="para">
+ ミキシング段階に進む前に、曲全体を聞いて、並び替えが正しいことを確認下さい。聞くときには、ボリュームレベルとバランスが変で、セッション全体が、ステレオイメージの中でとても、「中心にある」ように聞こえるのに注意ください。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Arrange-Clarinet.html"><strong>戻る</strong>7.4.6.5. クラリネットリージョンを並べる</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mixing.html"><strong>次へ</strong>7.5. 曲をミキシングする（チュートリアル）</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Editing.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.4. 曲を編集する（チュートリアル）</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Ardour.html" title="第7章 Ardour" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Tutorial_Files.html" title="7.3. チュートリアルのためのファイル" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses.html" title="7.4.2. トラックとバスを接続する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previou
s"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Tutorial_Files.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Editing"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Ardour-Editing">7.4. 曲を編集する（チュートリアル）</h2></div></div></div><div class="para">
+ このセクションは "Here Is How"の基本的な準備について述べます。リージョンをトリムして、タイムラインの上の正しい位置に置くことが中心です。ゴールは、元の曲の複製を作り上げることなので、芸術的な自由度はほとんどありません。
+ </div><div class="para">
+ このセクションを最大に活用するためには、上記のチュートリアルファイルを使ってください。チュートリアルファイルについての指示に従うことで、あなたは本物の曲を作成するために、実際に編集、ミキシング、そしてマスタリングする技術を得られるでしょう。チュートリアルファイルを得る手順は、<a class="xref" href="sect-Musicians_Guide-Ardour-Tutorial_Files.html">「チュートリアルのためのファイル」</a> を参照下さい。
+ </div><div class="section" id="sect-Musicians_Guide-Ardour-Editing-Add_Tracks_and_Busses"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Editing-Add_Tracks_and_Busses">7.4.1. トラックとバスを追加する</h3></div></div></div><div class="para">
+ ã“ã®ãƒˆãƒ©ãƒƒã‚¯ã‚’録音ã™ã‚‹ã®ã«ä½¿ã‚ã‚ŒãŸãƒ—ãƒã‚°ãƒ©ãƒ ã¯ã€å·¦ã¨å³ã‚’別々ã®ãƒˆãƒ©ãƒƒã‚¯ã«éŒ²éŸ³ã™ã‚‹ã‚ˆã†ã«è¨å®šã•ã‚Œã¦ã„ã¾ã—ãŸã€‚ã“ã®ãŸã‚ã€<span class="application"><strong>Ardour</strong></span> ã‚‚ãã®ã‚ˆã†ã«è¨å®šã•ã‚Œã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚ãã†ã™ã‚‹ã¨ã€ã‚»ãƒƒãƒˆã‚¢ãƒƒãƒ—ãŒé¢å€’ã§ã€ãƒ¡ãƒ¢ãƒªã‚„ CPU パワーもより必è¦ã¨ã—ã¾ã™ãŒã€ã‚¹ãƒ†ãƒ¬ã‚ªã‚¤ãƒ¡ãƒ¼ã‚¸ã¨ãƒ¬ãƒ™ãƒ«ã®ãƒãƒ©ãƒ³ã‚¹ã®åˆ¶å¾¡ã«ã¤ã„ã¦ã¯ã‚ˆã‚Šå®Œå…¨ã¨ãªã‚Šã¾ã™ã€‚ボーカルã€ã‚¯ãƒ©ãƒªãƒãƒƒãƒˆã€ãã—ã¦å¼¦æ¥½å™¨ã«ã¤ã„ã¦ï¼‘トラックをã€ãƒžãƒªãƒ³ãƒã«ã¯ï¼’トラックを使ã„ã¾ã™ã€‚ステレオオーディオã§ã™ã‹ã‚‰ã€å€ã«ãªã£ã¦ã€å…¨éƒ¨ã§ï¼‘ï¼ãƒˆãƒ©ãƒƒã‚¯ãŒå¿…è¦ã§ã™ã€‚ステレオトラックを一緒ã«æ“作ã™ã‚‹ã“ã¨ãŒã§ãã‚‹ã¨ä¾¿åˆ©ãªã®ã§ã€ãã®ãŸã‚ã«ï¼•ã¤ã®ãƒã‚¹ã‚’使ã„ã¾ã™ã€‚ã“ã†ã™ã‚‹ã“ã¨ã§ã€ã‚¹ãƒ†ãƒ¬ã‚ªãƒãƒ£ãƒãƒ«ã®ä¸¡æ–¹ã‚’変更ã™ã‚‹ã“ã¨ã‚‚ã€ç‰‡æ–¹ã ã‘を変æ›
´ã™ã‚‹ã“ã¨ã‚‚ã§ãるよã†ã«ãªã‚Šã¾ã™ã€‚ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ãŒé€²ã‚€ã«é€£ã‚Œã¦ã€ãŠã‚ã‹ã‚Šã«ãªã‚‹ã¨æ€ã„ã¾ã™ã€‚ã“れら全部ã¯ã€<span class="application"><strong>Ardour</strong></span> ã®ä¸ã§è¡Œã‚ã‚Œã¾ã™ã€‚
+ </div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ "master" という名前のマスターバスがすでにあり、すべてのオーディオ出力はこのバスを経由して行われます。
+ </div></li><li class="listitem"><div class="para">
+ ５つの新しいバスを作成します：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ メニューから、'Track > Add Track/Bus' を選択します。
+ </div></li><li class="listitem"><div class="para">
+ ５つのステレオバスを追加するようにオプションを変更します。
+ </div></li><li class="listitem"><div class="para">
+ 'Add'をクリックします。
+ </div></li><li class="listitem"><div class="para">
+ ５つのバスは、キャンバスエリアの、マスターバスの下に、"Bus 1" から "Bus 5" という名前で現れるはずです。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ バスの名前を変更します：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ キャンバスエリアの左端に、それぞれのバスの名前のついたボックスを含むコントロールのあるスペースがあります。
+ </div></li><li class="listitem"><div class="para">
+ バスの名前を変えるには、バスの名前が書かれたボックスの中をマウスで左クリックします。
+ </div></li><li class="listitem"><div class="para">
+ ボックスはテキスト編集ボックスになります。内容を消して、新しい名前を書きます。
+ </div></li><li class="listitem"><div class="para">
+ 新しい名前を入れたら、キーボードで "Enter" を押して、 <span class="application"><strong>Ardour</strong></span> に設定します。
+ </div></li><li class="listitem"><div class="para">
+ ボックスは、テキスト編集ボックスではなくなります。
+ </div></li><li class="listitem"><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Bus-marimba1
+ </div></li><li class="listitem"><div class="para">
+ Bus-marimba2
+ </div></li><li class="listitem"><div class="para">
+ Bus-voice
+ </div></li><li class="listitem"><div class="para">
+ Bus-strings
+ </div></li><li class="listitem"><div class="para">
+ Bus-clarinet
+ </div></li></ul></div>
+
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ １０の新しいトラックを作成する。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ メニューから、'Track > Add Track/Bus' を選択します。
+ </div></li><li class="listitem"><div class="para">
+ １０の、ノーマルモードのモノラルトラックを追加するようにオプションを設定します。
+ </div></li><li class="listitem"><div class="para">
+ 'Add'をクリックします。
+ </div></li><li class="listitem"><div class="para">
+ キャンバスエリアのバスの下に、 "Audio 1" から "Audio 10" という名前のトラックが現れるはずです。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ バスの名前を変えたのと同じように、トラックの名前を変えます。ここのそれぞれのトラックはオーディオチャネルの左か右だけを保持することに注意ください。名前は、左チャネルなら "0" か "L" 、右チャネルなら "1" か "R" を先頭あるいは後尾につけるのがよいでしょう。このような名前になるでしょう：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ marimba1-L
+ </div></li><li class="listitem"><div class="para">
+ marimba1-R
+ </div></li><li class="listitem"><div class="para">
+ marimba2-L
+ </div></li><li class="listitem"><div class="para">
+ marimba2-R
+ </div></li><li class="listitem"><div class="para">
+ voice-L
+ </div></li><li class="listitem"><div class="para">
+ voice-R
+ </div></li><li class="listitem"><div class="para">
+ strings-L
+ </div></li><li class="listitem"><div class="para">
+ strings-R
+ </div></li><li class="listitem"><div class="para">
+ clarinet-L
+ </div></li><li class="listitem"><div class="para">
+ clarinet-R
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 最後にトラックとバスの並び順を変えます。これは厳密には不要で、あなたが最もよいと思う順序を好きに採用ください。例えば、マリンバは、ほとんど曲の間ずっと演奏されるので、一番下に持ってくるのがよいかもしれません。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ キャンバスエリアの右のセッションサイドバーを探します。
+ </div></li><li class="listitem"><div class="para">
+ ５つのタブがあります：Regions, Tracks/Busses, Snapshots, Edit Groups, そして Chunks です。'Tracks/Busses' を選択します。
+ </div></li><li class="listitem"><div class="para">
+ すべてのトラックとバスはリストに表示され、それぞれにキャンバスエリアでそのトラックあるいはバスを表示するかどうかのチェックボックスがあります。これで、バスの名前に "bus" という語をつけるのがよい理由がわかったと思います。
+ </div></li><li class="listitem"><div class="para">
+ トラックとバスの並び順を変えるには、マウスで移動したいトラックあるいはバスの名前をクリックしてドラッグします。
+ </div></li><li class="listitem"><div class="para">
+ トラックあるいはバスのドラッグを始めると、リストに線が現れて、トラックあるいはバスの移動先を示します。リストが見えにくい時は、ドラッグしているトラックあるいはバスを少し横に動かすとよいです。
+ </div></li><li class="listitem"><div class="para">
+ インターフェースでは、トラックあるいはバスを他のトラックあるいはバスの上に重ねられるように見えるかもしれませんが、実はそうではありません。トラックあるいはバスが他のトラックあるいはバスの上に重なるように見えるとき、実際にはリストの上でそのトラックあるいはバスの１つ前に置かれます。
+ </div></li><li class="listitem"><div class="para">
+ 編集するには、バスを、それが制御するトラックの次に置くと便利です。これはいつでも、後から変えることができます。
+ </div></li></ol></div>
+
+ </div></li></ol></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Tutorial_Files.html"><strong>戻る</strong>7.3. チュートリアルのためのファイル</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing-Connect_Tracks_and_Busses.html"><strong>次へ</strong>7.4.2. トラックとバスを接続する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mastering-Choosing_Export_Format.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mastering-Choosing_Export_Format.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mastering-Choosing_Export_Format.html
@@ -0,0 +1,38 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.6.2.2. エクスポートフォーマットを選ぶ</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
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+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window.html" title="7.6.2. エクスポートウインドウを使う" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window.html" title="7.6.2. エクスポートウインドウを使う" /><link rel="next" href="chap-Musicians_Guide-Qtractor.html" title="第8章 Qtractor" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav
"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Qtractor.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Mastering-Choosing_Export_Format"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Mastering-Choosing_Export_Format">7.6.2.2. エクスポートフォーマットを選ぶ</h4></div></div></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> は、とても多くの出力フォーマットを提供しており、どれを選んだら良いか困るでしょう。すべてのファイルタイプで、すべてのオプションが使えるわけではありません。Fedora Linux は、法律上の理由により、デフォルトでは MP3 ファイルをサポートしません。詳細は、 <em class="citetitle">MP3 (Fedora Project Wiki)</em> <a href="http://fedoraproject.org/wiki/Multimedia/MP3">http://fedoraproject.org/wiki/Multimedia/MP3</a> を参照下さい。
+ </div><div class="para">
+ チュートリアルのリージョンは、２４ビットサンプル、48 kHz レートで録音されています。セッションのどこでも、より高いサンプルフォーマットあるいはサンプルレートでエクスポートすると、オーディオ品質が低下します。
+ </div><div class="para">
+ 推奨のファイル形式：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ WAV: マイクロソフトにより設計された、非圧縮フォーマット。さらにオーディオ操作をする予定のあるときに限り、おすすめします。オーディオデータだけを含むので、タイトル、アーティスト、そして作曲者などの情報は失われます。ほとんど、どのデバイスでも演奏可能です。
+ </div></li><li class="listitem"><div class="para">
+ AIFF: アップルにより設計された、非圧縮フォーマット。さらにオーディオ操作をする予定のあるときに限り、おすすめします。オーディオデータだけを含むので、タイトル、アーティスト、そして作曲者などの情報は失われます。ほとんどの DAW と、いくつかのオーディオプレーヤーで演奏可能です。
+ </div></li><li class="listitem"><div class="para">
+ FLAC: オープンソースの圧縮フォーマット。「可逆」フォーマットです。つまり、圧縮と展開で、いかなるオーディオ情報も失われません。オーディオ品質は、WAV や AIFF フォーマットと同じです。メタデータを含むことができるので、タイトル、アーティスト、そして作曲家などの情報が保持されます。Linux において、デフォルトで広くサポートされています。他の主なオペレーティングシステムについては、<a href="http://flac.sourceforge.net/download.html#extras">http://flac.sourceforge.net/download.html#extras</a> の <em class="citetitle">Download Extras (FLAC Website)</em> で、FLAC ファイルを演奏できるアプリケーションとプログラムのリストを得ることができます。これが、普通、リスナーに高品質のオーディオを配布するのに、最適な選択です。
+ </div></li><li class="listitem"><div class="para">
+ Ogg/Vorbis: オープンソースの圧縮フォーマット。「非可逆」フォーマット、つまり、圧縮と展開で、いくらかのオーディオ情報が失われます。オーディオ品質は WAV や AIFF に劣りますが、普通は、 MP3 より優れます。メタデータを含むことができるので、タイトル、アーティスト、そして作曲家などの情報が保持されます。Linux において、デフォルトで広くサポートされています。他の主なオペレーティングシステムについては、<em class="citetitle">Vorbis Website</em> <a href="http://www.vorbis.com/">http://www.vorbis.com/</a> の手順に従ってください。これは、リスナーに高品質のオーディオを配布する、良い選択です。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ サンプルフォーマット（<a class="xref" href="sect-Musicians_Guide-Sample_Format.html">「サンプルフォーマット」</a> で説明されています。）を高く設定すると、サンプルごとに保存されるオーディオ情報を増やすことができます。３２ビットサポートは、ほとんど存在しないので、近い将来にわたってもこのフォーマットを使う必要があることはないでしょう。"float" フォーマットは、異なる内部的なフォーマットでサンプルを保存するもので、まず、必要とすることはないでしょう。
+ </div><div class="para">
+ もしあなたが、オーディオをハイエンドの装置のためにエクスポートしているか、あるいは、さらに処理をするつもりならば、２４ビットフォーマットを選んでください。そうでないときは、オーディオ CD のサンプルフォーマットである、１６ビットフォーマットが良いでしょう。
+ </div><div class="para">
+ "Sample endianness" は、理解が難しい概念で、結果となるオーディオには何の影響もありません。保存の形式を変えるだけです。もしあなたが、数少ない PowerPC コンピュータをお使いでない限り、 "Little-endian (Intel)" オプションを選択下さい。
+ </div><div class="para">
+ 高いサンプルレート（<a class="xref" href="sect-Musicians_Guide-Sample_Rate.html">「サンプルレート」</a> で説明されています。）を使うと、オーディオ情報をよりたくさん保存することができますが、オーディオファイルのサイズが大きくなります。
+ </div><div class="para">
+ "Convesion quality" と "dither type" は、Fedora Linux で提供されるファイルフォーマットでは無効です。
+ </div><div class="para">
+ "CD Marker File Type" を使うと、エクスポートされたファイルに、CD トラックの CUE- あるいは TOC- フォーマットのリストを書き出すことができます。これは、いずれディスクに焼かれる、CD 全体を含むセッション全体をエクスポートするときに最も便利です。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window.html"><strong>戻る</strong>7.6.2. エクスポートウインドウを使う</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Qtractor.html"><strong>次へ</strong>第8章 Qtractor</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window.html
@@ -0,0 +1,14 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.6.2. エクスポートウインドウを使う</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Mastering.html" title="7.6. セッションのマスタリング" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Mastering.html" title="7.6. セッションのマスタリング" /><link rel="next" href="sect-Musicians_Guide-Ardour-Mastering-Choosing_Export_Format.html" title="7.6.2.2. エクスポートフォーマットを選ぶ" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul
class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mastering.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mastering-Choosing_Export_Format.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window">7.6.2. エクスポートウインドウを使う</h3></div></div></div><div class="para">
+ どのエクスポート方法を使っても、 "Export" ウインドウは似ています。リージョンをエクスポートするときは、どのトラックをエクスポートするかを選択することはできません。（定義により、あなたはそのリージョンのトラックだけをエクスポートします。）
+ </div><div class="section" id="sect-Musicians_Guide-Ardour-Mastering-Choosing_Tracks_to_Export"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Mastering-Choosing_Tracks_to_Export">7.6.2.1. エクスポートするトラックを選ぶ</h4></div></div></div><div class="para">
+ デフォルトで、<span class="application"><strong>Ardour</strong></span> はエクスポートされる範囲あるいはセッションに含まれるすべてのオーディオをエクスポートしようとします。実際にエクスポートされるのは、マスター出力バスを経由する、すべてのオーディオです。"Export" ウインドウの右端で、エクスポートするトラックのリストを見ることができます。 'Specific Tracks' ボタンを押すと、セッションのすべてのトラックとバスのリストの中から選択することができます。特定のトラックを選択するのは、マスターバスの出力をエクスポートしないときでないと意味がありませんから、たぶん、最初にその選択を外すのが良いでしょう。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mastering.html"><strong>戻る</strong>7.6. セッションのマスタリング</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mastering-Choosing_Export_Format.html"><strong>次へ</strong>7.6.2.2. エクスポートフォーマットを選ぶ</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mastering.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mastering.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mastering.html
@@ -0,0 +1,54 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.6. セッションのマスタリング</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Ardour.html" title="第7章 Ardour" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Mixing-Listen.html" title="7.5.6. 聞く" /><link rel="next" href="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window.html" title="7.6.2. エクスポートウインドウを使う" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Music
ians_Guide-Ardour-Mixing-Listen.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Mastering"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Ardour-Mastering">7.6. セッションのマスタリング</h2></div></div></div><div class="para">
+ セッションマスタリングの真のマスターになるためには、何年もの経験と目的フォーマットのための注意深い最適化が必要です。適用すべきイコライゼーションとフィルタリングの設定を正しく知ることは、それ自身でアートであり、完全なユーザーガイドが必要です。このセクションは、セッションからオーディオを取り出して、使いやすいフォーマットにすることを説明します。
+ </div><div class="section" id="sect-Musicians_Guide-Ardour-Mastering-Ways_to_Export"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mastering-Ways_to_Export">7.6.1. オーディオをエクスポートする方法</h3></div></div></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> セッションからオーディオをエクスポートするには、３つの方法があります。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ リージョンから
+ </div></li><li class="listitem"><div class="para">
+ 範囲から、あるいは、
+ </div></li><li class="listitem"><div class="para">
+ セッションから。
+ </div></li></ol></div>
+
+ </div><div class="para">
+ リージョンをエクスポートする：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ リージョンがキャンバスエリアにあるのを確認します。
+ </div></li><li class="listitem"><div class="para">
+ リージョンを右クリックします。
+ </div></li><li class="listitem"><div class="para">
+ リージョン名のメニューを選択して、 'Export' します。
+ </div></li><li class="listitem"><div class="para">
+ エクスポートウインドウで続きをします。
+ </div></li></ol></div>
+
+ </div><div class="para">
+ タイムラインの上の、ある範囲のオーディオをすべてエクスポートする：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 範囲を、 "Select/Move Ranges" ツールで選択します。あなたが選択したトラックにかかわらず、すべてのトラックがエクスポートされます。
+ </div></li><li class="listitem"><div class="para">
+ 範囲を右クリックします。
+ </div></li><li class="listitem"><div class="para">
+ メニューから 'Export' を選択します。
+ </div></li><li class="listitem"><div class="para">
+ エクスポートウインドウで続きをします。
+ </div></li></ol></div>
+
+ </div><div class="para">
+ セッションのすべてのオーディオをエクスポートする：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ メニューから、 'Session > Export > Export > Export session to audiofile' を選択するか、キーボードで 'Ctrl + Alt + e' を押します。
+ </div></li><li class="listitem"><div class="para">
+ エクスポートウインドウで続きをします。
+ </div></li></ol></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mixing-Listen.html"><strong>戻る</strong>7.5.6. 聞く</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mastering-Using_Export_Window.html"><strong>次へ</strong>7.6.2. エクスポートウインドウを使う</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks.html
@@ -0,0 +1,42 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.5.4. オートメーショントラックで、さらに調整をする</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
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+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Mixing.html" title="7.5. 曲をミキシングする（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning.html" title="7.5.3. 最初のパニングを設定する" /><link rel="next" href="sect-Musicians_Guide-Ardour-Mixing-Other_Things.html" title="7.5.5. その他、やると良いこと" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a><
/p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mixing-Other_Things.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks">7.5.4. オートメーショントラックで、さらに調整をする</h3></div></div></div><div class="para">
+ 今ã¾ã§ã¯ã€é›‘ã§ã™ãŒã€ãƒ•ã‚§ãƒ¼ãƒ€ãƒ¼ã¨ãƒ‘ンナーã®è¨å®šã®èª¿æ•´ã¯æ‰‹ã§ã‚„ã£ã¦ãã¾ã—ãŸã€‚ã“ã‚Œã ã¨ã€ã‚»ãƒƒã‚·ãƒ§ãƒ³ãŒæ¼”å¥ã—ã¦ã„ã‚‹ã¨ãã«è¨å®šã‚’変ãˆã‚ˆã†ã¨ã—ã¦ã‚‚ã§ãã¾ã›ã‚“。セッションを演å¥ã™ã‚‹ã¨ãã«æ¯Žå›žã€ã‚ãªãŸã¯è‡ªåˆ†ã§ã™ã¹ã¦ã®è¨å®šã‚’変更ã—ãªã‘ã‚Œã°ã„ã‘ã¾ã›ã‚“。ã“ã‚Œã¯ã™ãã«è¤‡é›‘ãªã“ã¨ã«ãªã‚Šã¾ã™ã€‚覚ãˆã‚‹ã®ã«å¤§å¤‰ã€ã¨ã„ã†ã®ã¯è¨€ã†ã¾ã§ã‚‚ãªã。「オートメーションã€ã‚’使ã†ã¨ã€ã‚»ãƒƒã‚·ãƒ§ãƒ³æ¼”å¥ã®æ™‚ã«ã€ã‚¨ãƒ•ã‚§ã‚¯ãƒˆï¼ˆãƒ‘ンナーやフェーダーãªã©ï¼‰ã‚’ã€è‡ªå‹•çš„ã«ã‹ã‘ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚オートメーショントラックã¯ã€ãŸã ã®ãƒˆãƒ©ãƒƒã‚¯ã§ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãŒä½•ã‚‚å…¥ã£ã¦ãŠã‚‰ãšã€ã‹ã‚ã‚Šã«ãã‚Œãžã‚Œã®ã‚¨ãƒ•ã‚§ã‚¯ãƒˆã‚’調整ã™ã‚‹æŒ‡ç¤ºãŒå…¥ã£ã¦ã„ã¾ã™ã€‚オートメーショントラックã¯ã€æ™®é€šã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒˆãƒ©ãƒƒã‚¯ã«ä¼¼ã¦ã„ã¾ã™ãŒã€è¨å®šã®å¤‰æ›´ã‚’示ã™ãŸã‚ã
®ç·šã¨ç‚¹ãŒè¡¨ç¤ºã•ã‚Œã¾ã™ã€‚オートメーショントラックã¯ã€å®Ÿéš›ã€ã€ŒéŒ²éŸ³ã€ã™ã‚‹ã“ã¨ã‚‚ã§ãã‚‹ã®ã§ã™ãŒã€ç§ãŸã¡ã¯ã‚‚ã£ã¨åŸºæœ¬çš„ãªç·¨é›†æ‰‹æ®µã‚’使ã„ã¾ã—ょã†ã€‚オートメーショントラックã¯ã€ãƒã‚¹ã¨ãƒˆãƒ©ãƒƒã‚¯ã«å‰²å½“ã¦ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="para">
+ 以下が、オートメーショントラックを作成して、設定する方法です。低音のマリンバが、最初は大きく、高音マリンバとソロボーカリストが加わるにつれて小さくなるように、そのフェーダーを設定します。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ キャンバスエリアで、 "Bus-marimba1" バスのコントロールボックスから 'a' ボタンをクリックして、 "automation" メニューを開きます。
+ </div></li><li class="listitem"><div class="para">
+ オートメーションメニューから、 'Fader' をクリックします。
+ </div></li><li class="listitem"><div class="para">
+ バスの下に、フェーダーを制御するオートメーショントラックが現れます。
+ </div></li><li class="listitem"><div class="para">
+ オートメーショントラックの中をクリックすると、点が現れます。それぞれの点は、コントロールの設定の絶対値を示します。点が現れた後、それをクリックアンドドラッグすると、カーソルの横の黄色い数字が、その時のフェーダーの設定値を示します。
+ </div></li><li class="listitem"><div class="para">
+ オートメーショントラックに２つ以上の点があると、それらを結ぶ線が現れます。フェーダーは、点をつなぐ線が示すとおりに、絶対値の間でなめらかに変化します。
+ </div></li><li class="listitem"><div class="para">
+ 誤りをして最初からやり直したい時は、オートメーショントラックのコントロールボックスで 'clear' ボタンを押します。残念ですが、１つだけの点を削除することはできません。これは、実は、不要なのです。もし、誤って点を増やし過ぎたら、単に、余分なものは設定を一定にするために使えばよいです。
+ </div></li><li class="listitem"><div class="para">
+ オートメーショントラックの最初に、 0.0 dB の設定値の点を１つ、加えます。
+ </div></li><li class="listitem"><div class="para">
+ 約 00:00:15.000 のところに、 0.0 dB の設定値の点を１つ、加えます。
+ </div></li><li class="listitem"><div class="para">
+ 約 00:00:16.500 のところ（歌手が歌い始めるところ）に、 -10.0 dB あるいは、あなたが以前設定したもの、の設定値の点を１つ、加えます。
+ </div></li><li class="listitem"><div class="para">
+ さて、これでオートメーションのプランができました。しかし、フェーダーはまだ、「マニュアル」モードのままですから、オートメーショントラックは何の効果も持ちません。オートメーショントラックの設定を、トラックのコントロールボックスの中のモードボタンをクリックして変更します。ボタンは、現在、"Manual" です。
+ </div></li><li class="listitem"><div class="para">
+ メニューから、 "Play" を選択すると、オートメーション設定が演奏されます。"Manual" モードでは、すべての設定の調整を手で行う必要があります。"Write" モードでは、セッションが演奏される間、あなたが行う変更は、オートメーショントラックに、以前の設定を上書きして録音されます。"Touch" モードでは、セッションが演奏される間、あなたが行う変更は、以前のオートメーション設定に取り込まれます。
+ </div></li><li class="listitem"><div class="para">
+ 最後に、オートメーションされたパンナーの変更が気にいるか、聞いて確認します。良くないときは、今でも後からでも、常に変更することが可能です。
+ </div></li></ol></div>
+
+ </div><div class="para">
+ さて、ここが難しいところです！オートメーションを使って、セッション全体のフェーダーとパンナーの設定を変更します。特に、ボイストラックが一定であるように注意ください。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning.html"><strong>戻る</strong>7.5.3. 最初のパニングを設定する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mixing-Other_Things.html"><strong>次へ</strong>7.5.5. その他、やると良いこと</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mixing-Listen.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mixing-Listen.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.5.6. 聞く</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
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+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Mixing.html" title="7.5. 曲をミキシングする（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Mixing-Other_Things.html" title="7.5.5. その他、やると良いこと" /><link rel="next" href="sect-Musicians_Guide-Ardour-Mastering.html" title="7.6. セッションのマスタリング" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docna
v"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mixing-Other_Things.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mastering.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Mixing-Listen"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mixing-Listen">7.5.6. 聞く</h3></div></div></div><div class="para">
+ 曲をミキシングし終わったら、それを聞かなくてはいけません。できるだけたくさんの異なるデバイスで聞きます。ヘッドホン、スピーカー、ホームシアターシステム、などです。あなたの友人や同僚にあなたの作品を聞いてくれるように頼みましょう。他の人は、あなたとは違った聞き方をするでしょうし、異なるフィードバックをくれるでしょう。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mixing-Other_Things.html"><strong>戻る</strong>7.5.5. その他、やると良いこと</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mastering.html"><strong>次へ</strong>7.6. セッションのマスタリング</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mixing-Other_Things.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mixing-Other_Things.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.5.5. その他、やると良いこと</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Mixing.html" title="7.5. 曲をミキシングする（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks.html" title="7.5.4. オートメーショントラックで、さらに調整をする" /><link rel="next" href="sect-Musicians_Guide-Ardour-Mixing-Listen.html" title="7.5.6. 聞く" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><u
l class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mixing-Listen.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Mixing-Other_Things"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mixing-Other_Things">7.5.5. その他、やると良いこと</h3></div></div></div><div class="para">
+ ミキシング段階は、たくさんの小さな（そして大きな）調整でいっぱいです。以下は、フェーダーとパンナーの設定変更以外に、あなたがやってみたいと思うかもしれないことです。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ トラックを整列しなおして、それらが同期するようにする。
+ </div></li><li class="listitem"><div class="para">
+ 椅子の音の入っているリージョンを使うことのできる、意味のある方法を探す。
+ </div></li><li class="listitem"><div class="para">
+ 今は使ってない方のクラリネットのリージョンを、今使っているものと比べる。リージョンの他の組み合わせを試してみる。セッションから使わないリージョンを取り除く。
+ </div></li><li class="listitem"><div class="para">
+ 今は使ってない方の弦楽器のリージョンを、今使っているものと比べる。このリージョンはクラリネットのリージョンよりずっと長いので、リージョンの中の範囲を選択して取り替えるのも良いかもしれません。
+ </div></li><li class="listitem"><div class="para">
+ 友達、あるいは、少なくても誰か他の人に、今準備中のミックスを聞いてもらう。今の問題についての意見を求めたり、もっと一般的なリスナーとして扱う。
+ </div></li><li class="listitem"><div class="para">
+ ミックスを、異なる種類の再生装置（スピーカーとアンプ）を使って聞く。同じオーディオ信号も、異なる装置で演奏すると違って聞こえることがあります。
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks.html"><strong>戻る</strong>7.5.4. オートメーショントラックで、さらに調整をする</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mixing-Listen.html"><strong>次へ</strong>7.5.6. 聞く</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.5.2. 最初のレベルを設定する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Mixing.html" title="7.5. 曲をミキシングする（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Mixing.html" title="7.5. 曲をミキシングする（チュートリアル）" /><link rel="next" href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning.html" title="7.5.3. 最初のパニングを設定する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /
></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mixing.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels">7.5.2. 最初のレベルを設定する</h3></div></div></div><div class="para">
+ 編集と同様、ここで大切なことは、レベルをほぼ正しい領域に設定して、トラック全体にわたってそれが使えるようにすることです。後でオートメーショントラックを使い始めると、レベルを微調整したり、セッションの中で変えたりできるようになります。以下は、最初のレベル設定のために使うことのできる１つの手順です。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ メニューから 'Window > Mixer' を選択して、ミキサーウインドウを開きます。以前に言ったように、ミキサーウインドウは別のモニターあるいは仮想デスクトップに置くと便利です。
+ </div></li><li class="listitem"><div class="para">
+ すべてのフェーダーを 0 dB にします。あなたが以前に変えたりしていなければ、すでにそのレベルになっているでしょう。
+ </div></li><li class="listitem"><div class="para">
+ 一番静かなトラックを選び、 0 dB に設定して、他のトラックのレベルの大きさの最大値として使います。一般的に言って、オーディオ信号を増幅するのは避けるのが安全なので、一番静かなトラックを「ベースライン」に使うということは、他のトラックのレベルを、それに合うように<span class="emphasis"><em>下げる</em></span>必要があるということです。今の場合、ボイストラックが一番静かです。
+ </div></li><li class="listitem"><div class="para">
+ この時点で、バスのフェーダーだけを触るのがよいでしょう。トラックのフェーダーを触ると、パニングが変わって、後でわかりにくい問題になることがあります。
+ </div></li><li class="listitem"><div class="para">
+ セッション全体を演奏して、バスのフェーダーを調整し、すべてのトラックが同じように良く聞こえるようにします。この時点では、セッションの<span class="emphasis"><em>ほとんど</em></span>の部分がバランスされていることが目的だということに注意ください。セッション全体でただ１つのフェーダー設定でよいということはまずありません。
+ </div></li><li class="listitem"><div class="para">
+ フェーダー設定を変えるには、２つの方法があります：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ レベルメーターの左にある垂直のドットのついたコントロールストリップ（トラックの演奏中に光ります。）をクリックアンドドラッグする。
+ </div></li><li class="listitem"><div class="para">
+ インジケーターボックスのテキストフィールドを使う。ボックスをクリックして、それが示す数字を削除し、新しい数字を入れ、キーボードで「エンター」を押す。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ キャンバスエリアで、トラックとバスの表示の順序を変えると、ミキサーウインドウの表示も変わります。バスを全部一緒にすると、見やすいかもしれません。
+ </div></li><li class="listitem"><div class="para">
+ あるいは、トラックを表示しないようにして、変更するバスだけに集中することもできます。一時的にトラックあるいはバスをミキサーウインドウで隠すには、ミキサーウインドウの左側のツールボックスを使います。隠したいトラックあるいはバスの "Show" ボックスのチェックを外します。
+ </div></li><li class="listitem"><div class="para">
+ フェーダーツールの "maximum level" インジケータが、それぞれのトラックがどの程度大きな音かを判断する助けとなるでしょう。このインジケータは、メーターの上、 "Solo" ボタンの下にあります。インジケータは、インジケータが最後にリセットされて以来、トラックが生成した最大レベルを表示します。インジケータをリセットするには、それをクリックします。
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mixing.html"><strong>戻る</strong>7.5. 曲をミキシングする（チュートリアル）</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning.html"><strong>次へ</strong>7.5.3. 最初のパニングを設定する</a></li></ul></body></html>
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" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Panning">7.5.3. 最初のパニングを設定する</h3></div></div></div><div class="para">
+ 最åˆã®ãƒ‘ニングをè¨å®šã™ã‚‹ã®ã¯ã€æœ€åˆã®ãƒ¬ãƒ™ãƒ«ã‚’è¨å®šã™ã‚‹ã‚ˆã‚Šã‚‚ã€ã‹ãªã‚Šå¤šãã®è€ƒå¯ŸãŒå¿…è¦ã§ã™ã€‚ç•°ãªã‚‹éŸ³æ¥½ã«ã¯ç•°ãªã‚‹è¦æ±‚ãŒã‚ã‚‹ã§ã—ょã†ãŒã€ã“ã®ç¨®é¡žã®éŒ²éŸ³ã•ã‚ŒãŸã‚¢ã‚³ãƒ¼ã‚¹ãƒ†ã‚£ãƒƒã‚¯éŸ³æ¥½ã®ãƒ‘ニングをè¨å®šã™ã‚‹ã¨ãã®ä¸»ãªç›®çš„ã¯ã€ãã‚Œãžã‚Œã®æ¼”å¥è€…ãŒã‚¹ãƒ†ãƒ¬ã‚ªã‚¤ãƒ¡ãƒ¼ã‚¸ã®ä¸Šã§ã€ãƒ¦ãƒ‹ãƒ¼ã‚¯ã§ä¸å¤‰ã®ä½ç½®ã‚’å ã‚ã‚‹ã“ã¨ã‚’ä¿è¨¼ã™ã‚‹ã“ã¨ã§ã™ã€‚人ãŒéŸ³æ¥½ã‚’èžãã¨ãã€æš—黙的ã«ã€è„³ãŒéŸ³ãŒãã“ã‹ã‚‰ã‚„ã£ã¦ãã‚‹ã¹ãã¨æ€ã†ã¨ã“ã‚ã€ã€Œä½ç½®ã€ã‚’サウンドã«æœŸå¾…ã—ã¾ã™ã€‚録音ã•ã‚ŒãŸéŸ³æ¥½ã‚’èžãã¨ãç§ãŸã¡ã¯ã‚µã‚¦ãƒ³ãƒ‰ã¯å®Ÿéš›ã«ã¯ã‚¹ãƒ”ーカーもã—ãã¯ãƒ˜ãƒƒãƒ‰ãƒ›ãƒ³ã‹ã‚‰æ¥ã‚‹ã®ã§ã‚ã£ã¦ã€æ¼”å¥è€…ã¯ãã“ã«ã„ãªã„ã“ã¨ã‚’ç†è§£ã—ã¦ã„ã¾ã™ã€‚ãã†ã§ã‚ã£ã¦ã‚‚ã€æ¼”å¥è€…ã‚‚ã—ãã¯ã‚µã‚¦ãƒ³ãƒ‰ã®ç©ºæƒ³ä¸Šã®å ´æ‰€ãŒçµ¶ãˆãšå¤‰åŒ–ã™ã‚‹ã‚ˆã†ãªéŸ³æ¥½ã‚’èžãã®ã¯é›£ã—ã„ã€ç–²ã‚Œã‚‹ã€ã‚ã‚‹ã
„ã¯ä¸æ„‰å¿«ãªã“ã¨ã§ã™ã€‚åŒã˜ã‚ˆã†ã«ã€ãƒ¬ãƒ™ãƒ«ã®ãƒãƒ©ãƒ³ã‚¹ãŒæ‚ªã„音楽をèžãã®ã¯ã€é›£ã—ãã¦ç–²ã‚Œã‚‹ã“ã¨ã§ã™ã€‚
+ </div><div class="para">
+ 困難さに輪をかけるように、ステレオイメージは私たちの心の中で多くの要素の複雑な組み合わせとして作られます。静かなサウンドと後から起きるサウンドは、大きなサウンドと最初からあるサウンドと比べると、遠くにあるように感じられます。DAW のパンナーは、信号を「全部左」と、「全部右」の直線上のどこかに置くことしかできないにもかかわらず、私たちの脳は３次元世界にサウンドがあるように処理します。優れたオーディオ技術者はこれらの要素を比較的簡単に制御できることでしょうが、私たちにとってはたくさんの試行錯誤が必要となるでしょう。
+ </div><div class="para">
+ このセッションの固有の問題は、ソリストを含むリージョンが、ソリストが他の歌手と一緒に歌っているリージョンと比較して、彼女を異なる空想上の場所に置くということです。これは同じトラックで起きるので、オートメーションのパンナーとフェーダーをトラックに使ってこの問題を解決しましょう。ご自分で聞いてみてください：00:02:40.000 あたりから始めて、"Voice_4" リージョンと "ens-Create_the_Inconceivable" リージョンで、ソリストがどこに立っているように聞こえるか、注意してください。私には、彼女が右の近いところから、左の遠いところに、ボーカルアンサンブルの人たちや、通り道にいるはずの弦楽器にぶつかることなく通り抜けていったように聞こえます！ほとんどのリスナーはそんなこと気にしないだろうとあ
なたは言うかもしれません。そうかもしれません。そうであっても、レベルとパニングの大幅な変化は、それら同じ人たちによって、受動的に発見されるだろうと、私は反論します。彼らが、意識の上では、「なんか、変だ」と思うだけかもしれませんが。
+ </div><div class="para">
+ こんなふうに始めてみましょう：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 必要ならセッションを聞いて、ほとんどのセッションの間、楽器と歌手の位置を決められるか、考えます。これを覚えておく必要があるので、書き留めるか、地図を書くのがよいでしょう。
+ </div></li><li class="listitem"><div class="para">
+ さて、すべてのものがあるはずの場所の地図を書きましょう。このような普通でないアンサンブルの時には、特に、あらかじめ決められた座席や立ち位置の決まりはありません。トラックによってはほとんど調整が不要のものもあるでしょうし、大幅な調整が必要なものもあるでしょう。一般的に言って、いじりまわすのが少ないほど、セッションはよく聞こえるので、あるトラックがすでに一貫した場所を持ち、他のトラックと矛盾しないならば、そのままにするのがよいでしょう。
+ </div></li><li class="listitem"><div class="para">
+ 以下が、私の意見です。あなたが聞いたものとは違うかもしれません。特に、最初のレベル設定をあなたが独自にされたならば、違ってくるでしょう。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ マリンバトラックはどちらも、ずっと一定です。"marimba1" トラックは私の前、５メートル、少し左にあります。"marimba2" トラックは同じ距離で、右にあります。
+ </div></li><li class="listitem"><div class="para">
+ 弦楽器リージョンはすべて一定です。バイオリンが中心のすぐ左に、チェロがすぐ右に。マリンバより、少し近くにあります。
+ </div></li><li class="listitem"><div class="para">
+ クラリネットは、高音マリンバの反対側、５メートルの距離、中心と左の中間にあります。
+ </div></li><li class="listitem"><div class="para">
+ ボーカルアンサンブルは弦楽器と同じ所にあります。右に少し、広がっています。
+ </div></li><li class="listitem"><div class="para">
+ ソロボーカリストはボーカルアンサンブルの男性歌手と同じ所に立っています。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ これが、私の修正プランです。リスナーが北を向いているとして方向を書きました。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ リスナーを半円形に囲む、２つの演奏者の列を確立します。
+ </div></li><li class="listitem"><div class="para">
+ 弦楽器は近い方の列の北西に置きます。左に少し動かす必要があります。
+ </div></li><li class="listitem"><div class="para">
+ ボーカルソリストは、近い方の列の北から少しだけ東（まんなか）に置きます。彼女を<span class="emphasis"><em>少しだけ</em></span>左に動かす必要があります。
+ </div></li><li class="listitem"><div class="para">
+ ボーカルアンサンブルは、近い方の列の北から北西に広がって置きます。ソリストは、同じ場所にいることができます。アンサンブルを近く聞こえるようにするには、フェーダー設定が必要でしょう。
+ </div></li><li class="listitem"><div class="para">
+ 低音マリンバは、外側の列の北西に置きます。これは調整が不要でしょう。あるいは少し左に移動。
+ </div></li><li class="listitem"><div class="para">
+ 高音マリンバは、外側の列の北東に置きます。少し左に移動が必要です。
+ </div></li><li class="listitem"><div class="para">
+ クラリネットは外側の列の北。大きく右に動かす必要があります。
+ </div></li></ul></div>
+
+ </div></li></ol></div>
+
+ </div><div class="para">
+ ã“ã®ã‚ˆã†ãªãƒ¬ã‚¤ã‚¢ã‚¦ãƒˆã‚’é¸ã‚“ã ã®ã¯ã€ãã‚ŒãŒæ¯”較的ã€å°ã•ãªèª¿æ•´ã§æ¸ˆã‚€ã“ã¨ã¨ã€ä¼çµ±çš„ãªå™¨æ¥½ã‚¢ãƒ³ã‚µãƒ³ãƒ–ルã®åº§å¸ãƒ‘ターンã‹ã‚‰è¦‹ã¦ã€é“ç†ã«ã‹ãªã£ãŸã‚‚ã®ã ã‹ã‚‰ã§ã™ã€‚ã¾ãŸã€ã“ã®æ›²ã§ã‚¯ãƒ©ãƒªãƒãƒƒãƒˆãŒæ¼”å¥ã™ã‚‹éŸ³ã¯ã€é ã„ã¨ã“ã‚ã§é³´ã£ã¦ã„るよã†ã«èžã“ãˆã‚‹ã®ãŒé©å½“ã¨æ€ã‚ã‚Œã€ãƒ‘ッセージã¯å分ãªæƒ…æ„Ÿã‚’ã‚‚ã£ã¦æ¼”å¥ã•ã‚Œã¦ã„ã‚‹ã®ã§ã€ãã†ã„ã†åŠ¹æžœã‚’å¾—ã‚‹ã®ã¯å‰²ã¨ç°¡å˜ã ã¨æ€ãˆã¾ã—ãŸã€‚最もé‡è¦ãªè€ƒæ…®ç‚¹ã¯ã€ãƒœãƒ¼ã‚«ãƒ«ã‚¢ãƒ³ã‚µãƒ³ãƒ–ルã¨ãã®ä¸ã®ã‚½ãƒãƒœãƒ¼ã‚«ãƒªã‚¹ãƒˆã®é…ç½®ã§ã—ãŸã€‚ソãƒãƒœãƒ¼ã‚«ãƒªã‚¹ãƒˆã¯ã‚¢ãƒ³ã‚µãƒ³ãƒ–ルã§æœ€ã‚‚高ã„パート（ソプラノ）をæŒã£ã¦ã„ã¾ã™ãŒã€ã‚¹ãƒ†ãƒ¬ã‚ªéŒ²éŸ³ã§ã¯ã€å½¼å¥³ã¯ã‚¢ãƒ³ã‚µãƒ³ãƒ–ルã®æœ€ã‚‚å·¦ã«ã„るよã†ã«ã¯èžã“ãˆã¾ã›ã‚“。（ç§ã¯ãƒ¬ã‚³ãƒ¼ãƒ‡ã‚£ãƒ³ã‚°ã®é–“ã€ãã“ã«ã„ãŸã®ã§ã€ãã†ã§ãªã„ã“ã¨ãŒã‚ã‹ã‚‹ã®ã§ã™ã€‚）ã“ã‚Œã¯ã‚ˆã‚Šé›£ã
—ã„ã“ã¨ã«ãªã‚Šã¾ã™ã€‚ボイストラック全体ã®ãƒ•ã‚§ãƒ¼ãƒ€ãƒ¼ã¨ãƒ‘ンナーã®è¨å®šã¯ã€ "ens-Create_the_Inconceivable" リージョンã«ãŠã„ã¦ã€ï¼’番目ã«é«˜éŸ³ã®æŒæ‰‹ï¼ˆã‚¢ãƒ«ãƒˆï¼‰ãŒã€ã‚½ãƒªã‚¹ãƒˆã§ã‚る最高音ã®æŒæ‰‹ã®ã™ã後ã«æŒã†ã€ãã®çž¬é–“を基準ã¨ã—ãªã‘ã‚Œã°ã„ã‘ãªã„ã¨ã„ã†ã“ã¨ã§ã™ã€‚
+ </div><div class="para">
+ ほぼ全部のトラックに、それをステレオイメージの中でだいたい正しい位置に置くために、おおまかな調整をしてください。バスのパンナー設定に加えて、個々のトラックのパンナーの設定を変える必要があるかもしれません。少し違う効果があります。マリンバトラックを、今、フェーダー設定を含めて微調整するのもよいでしょう。このトラックはとても一定なので、ほとんどオートメーションは使う必要がなく、最初の設定をより完全にすることで得られるものが大きいのです。フェーダーは、ターンアップするより、ターンダウンする方が良いのを忘れないように！
+ </div><div class="para">
+ ボイストラックを操作するのは、今はやめといた方が良いでしょう。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels.html"><strong>戻る</strong>7.5.2. 最初のレベルを設定する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mixing-Automation_Tracks.html"><strong>次へ</strong>7.5.4. オートメーショントラックで、さらに調整をする</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mixing.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Mixing.html
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Ardour.html" title="第7章 Ardour" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Editing-Listen.html" title="7.4.7. 聞く" /><link rel="next" href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels.html" title="7.5.2. 最初のレベルを設定する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-A
rdour-Editing-Listen.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Mixing"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Ardour-Mixing">7.5. 曲をミキシングする（チュートリアル）</h2></div></div></div><div class="para">
+ 次の段階は「ミキシング」と呼ばれ、だいたい２つの作業からなります。ボリュームレベルを設定することと、ステレオパン設定を調整することです。フェーダーとパンの設定を保存するのに、オートメーションを使います。また、右と左のチャネルを別々のトラックに録音して、サブマスターバスで結合させるのが、どんなに便利か、見てください。
+ </div><div class="para">
+ ライブの音楽演奏の録音制作において、オーディオ技術者（今の場合、あなた）がもっとも創造的な影響を及ぼすのが、ミキシング段階です。トラックの注意深い調整とチューニングが、リスナーの体験に大きな違いをもたらします。
+ </div><div class="para">
+ 最後ã«ã€ç·¨é›†æ®µéšŽã¨æ¯”ã¹ã¦ã€ãƒŸã‚シング段階ã¯ã€ç›´ç·šçš„ã«é€²è¡Œã™ã‚‹ã®ã§ã¯<span class="emphasis"><em>ãªã„</em></span> ã¨ã„ã†ã“ã¨ã«æ³¨æ„ãã ã•ã„。ã¤ã¾ã‚Šã€ã‚ãªãŸã¯ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã‚’最åˆã‹ã‚‰æœ€å¾Œã¾ã§é †ã«ã™ã‚‹ã®ã§ãªãã¦ã€ã‚»ã‚¯ã‚·ãƒ§ãƒ³é–“をジャンプã™ã‚‹ã®ãŒã‚ˆã„ã€ã¨ã„ã†ã“ã¨ã§ã™ã€‚ã‚ãªãŸã¯ã¾ãšæœ€åˆã«ã€ã‚¹ãƒ†ãƒ¬ã‚ªå‡ºåŠ›ã®ãŸã‚ã«ãƒˆãƒ©ãƒƒã‚¯ã‚’è¨å®šã™ã‚‹ã§ã—ょã†ã€æ¬¡ã«ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã®ã‚»ã‚¯ã‚·ãƒ§ãƒ³ã‚’é †ã«å…¨éƒ¨èªã‚“ã§ã€ãã®ã‚¢ãƒ‰ãƒã‚¤ã‚¹ã«å¾“ã†ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。ã—ã‹ã—ã€æ™‚々ã€å‰ã®ä½œæ¥ã«æˆ»ã£ã¦ã€è¨å®šã‚’ã‚„ã‚Šç›´ã™ã“ã¨ã«ãªã‚‹ã§ã—ょã†ã€‚１ã¤ã®è¨å®šãŒå¤‰æ›´ã•ã‚ŒãŸã‚‰ã€ä»–ã®è¨å®šã«ã‚‚影響ãŒå‡ºã‚‹ã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚例ãˆã°ã€ä¸€åº¦ãƒˆãƒ©ãƒƒã‚¯ã®ãƒ¬ãƒ™ãƒ«ã‚’è¨å®šã—ã€ãã®ãƒ‘ニングを変更ã—ãŸã‚‰ã€è¨å®šã—ãŸãƒ¬ãƒ™ãƒ«ãŒä»Šã§ã‚‚ãã‚Œã§ã‚ˆã„ã®ã‹ã‚’確ã‹ã‚ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚ãŸã¶ã‚“ã
€å°‘ã—ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“ãŒã€èª¿æ•´ãŒå¿…è¦ã§ã—ょã†ã€‚
+ </div><div class="section" id="sect-Musicians_Guide-Ardour-Mixing-Enabling_Stereo_Output"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Mixing-Enabling_Stereo_Output">7.5.1. ステレオ出力のためにセッションの設定を行い、エディットグループを解除する</h3></div></div></div><div class="para">
+ セッションがずいぶん変に聞こえた理由のひとつは、すべてのオーディオが左と右のチャネルを等しく経由したため、「ステレオ」録音素材があるにもかかわらず、「モノラル」録音になってしまったことです。これはもっと前に対策できたのですが、今やっても、大差はありません。今までの作業は、リージョンを集めてそれらしい曲に聞こえるようにすることでしたが、ミキシングが行うのはリージョンとトラックを微調整して、曲がより優れたものに聞こえるようにすることです。
+ </div><div class="para">
+ エディットグループを解除するのはよい考えです。そのままにしておくと、この制作段階で可能な機能を<span class="emphasis"><em>減らす</em></span>ことになるからです。エディットグループが有効だと、１つのトラックにした変更が、自動的に他のトラックにもされてしまいます。私たちはトラックを独立に調整したいのです。両方のトラックに同じ調整が必要なときには、それがアタッチされているサブマスターバスを使います。
+ </div><div class="para">
+ 以下のステップは、エディットグループを無効とし、セッションのトラックをステレオ出力のために再構成します。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ トラックを独立して調整したいので、エディットグループを一時的に無効にしなければいけません。
+ </div></li><li class="listitem"><div class="para">
+ セッションサイドバーの "Edit Groups" タブを開きます。
+ </div></li><li class="listitem"><div class="para">
+ すべてのグループの "Active" ボタンのチェックを外します。後でエディットグループを有効にしたい時は、"Active" ボタンをチェックすればよいです。
+ </div></li><li class="listitem"><div class="para">
+ メニューから 'Window > Show Mixer' を選択して、ミキサーウインドウを開きます。マルチモニター構成をお持ちなら、ミキサーウインドウを、メインのエディタウインドウとは別のモニターに置くと便利です。マルチモニターでないときは、ミキサーウインドウを、別の仮想デスクトップに置くと良いでしょう。もちろん、これはどちらもオプショナルな手順です。
+ </div></li><li class="listitem"><div class="para">
+ それぞれのトラックのミキサーの一番下付近、ボタンの上、に小さい黒い四角があり、３つの灰色の三角と緑の垂直線があるはずです。それぞれのバスにはこの四角が２つあります。これが、パンナーを制御して、ステレオイメージでのトラックの左と右の位置の調整をするものです。
+ </div></li><li class="listitem"><div class="para">
+ パンナーを調整するには、パンナーの表示をクリックアンドドラッグします。緑の線をクリックする必要はありません。線はステレオイメージでのトラックのだいたいの位置を示します。
+ </div></li><li class="listitem"><div class="para">
+ 大文字の "L" で終わる「左」トラックはすべて、緑の線を一番左に設定します。
+ </div></li><li class="listitem"><div class="para">
+ 大文字の "R" で終わる「右」トラックはすべて、緑の線を一番右に設定します。
+ </div></li><li class="listitem"><div class="para">
+ バスは、すでに正しく設定されていると思います。バスの上のウインドウは左チャネルを示し、緑の線は一番左、下のウインドウは右チャネルを示し、緑の線は一番右にあるはずです。
+ </div></li></ol></div>
+
+ </div><div class="para">
+ パンナーの上のミキサーコントロールは、「フェーダー」と呼ばれ、トラックのレベルを変更します。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Editing-Listen.html"><strong>戻る</strong>7.4.7. 聞く</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Mixing-Set_Initial_Levels.html"><strong>次へ</strong>7.5.2. 最初のレベルを設定する</a></li></ul></body></html>
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html" title="7.2. セッションを録音する" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks.html" title="7.2.5. バスとトラックを設定する" /><link rel="next" href="sect-Musicians_Guide-Ardour-Recording-Recording_a_Region.html" title="7.2.7. リージョンを録音する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site"
/></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Recording_a_Region.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level">7.2.6. 録音レベル（ボリューム）を調整する</h3></div></div></div><div class="para">
+ 録音の前に、入力レベルを正しく設定することは重要です。
+ </div><div class="para">
+ オーディオ機器の性質として、それは限られた範囲の音の圧力（ボリュームとして表される）だけを受け付けることができるということです。もし音が小さすぎるときは、聞き取れません。もし大きすぎるときは正しく聞き取れません。さらに、あなたの自分の耳のために最も大切なことですが、もし音がとても大きすぎるときは、オーディオ機器を故障させてしまうことがあります。
+ </div><div class="para">
+ デジタルオーディオの性質として、何かが録音できるボリュームレベルはきちんと決まっているということです。音がその範囲の下だったり上だったりしたときには、正しく録音されません。そのような、不適当に録音された音を再生したとき、小さすぎるときも大きすぎるときも、人は普通それを "ただのノイズ "として知覚します。
+ </div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> が静寂を録音すると、それは、入力が何もないときと同じにふるまいます。<span class="application"><strong>Ardour</strong></span> がオーディオの部分が大きすぎるためにひずんでいると計算したときは、<a class="xref" href="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level.html#ardour_red_peaks">図7.6「大きすぎるオーディオ」</a> で示すように、波形を赤色で縁どります。
+ </div><div class="figure" id="ardour_red_peaks"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-red_peaks.png" width="444" alt="大きすぎるオーディオ" /><div class="longdesc"><div class="para">
+ Ardour の波形。オーディオが大きすぎるとき、赤いピークを示す。
+ </div></div></div></div><h6>図7.6 大きすぎるオーディオ</h6></div><br class="figure-break" /><div class="para">
+ オーディオ信号の入力レベルを変更するには、３つの単純なやり方があります：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ マイクを音源から離す、あるいは近づける。
+ </div></li><li class="listitem"><div class="para">
+ マイクをオーディオインターフェースへ繋げる前にミキサーを通す。
+ </div></li><li class="listitem"><div class="para">
+ オーディオが録音される前に、<span class="application"><strong>Ardour</strong></span> のバスを通す。
+ </div></li></ol></div>
+
+ </div><div class="para">
+ それらのアプローチの利点と欠点は以下です：
+ </div><div class="para">
+ マイクを動かしたり、ハードウエア・ミキサーを通すことが、現実的でない、不可能である、あるいはお勧めできない状況があるでしょうから、そういうときは入力信号が録音される前に <span class="application"><strong>Ardour</strong></span> のバスを使って信号のボリュームを変えるのがよいでしょう。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="guimenu"><strong>Track</strong></span> → <span class="guimenuitem"><strong>Add Track/Bus</strong></span> を選択します。
+ </div></li><li class="step"><div class="para">
+ ポップアップしたウインドウで、"busses"を選択します。
+ </div></li><li class="step"><div class="para">
+ 追加したいバスの数を選択します。録音中にボリュームを調整したいトラックに１つづつ、バスが必要です。異なるいくつかのボリュームで録音することもできます。
+ </div></li><li class="step"><div class="para">
+ バスで必要なチャネルの数を入れます。
+ </div></li><li class="step"><div class="para">
+ 新しいバスができたら、その名前を変えます。バスを、出力のためでなくて録音のために使っていることがわかる、"REC-Bus"のような名前をつけることをお勧めします。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> は、オーディオが出力されるとき、使われる自動的にバスを設定します。さらに、ボリューム／レベルコントロールは、トラックあるいはバスから出力されるオーディオに対してしかはたらきません。これが、あなたがトラックの入力ボリュームを調整するのにトラックのボリューム／レベルコントロールを使えない理由です。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> を使って、このように再接続します。（ヘルプは、<a class="xref" href="sect-Musicians_Guide-Ardour-Recording-Routing_Audio.html">「オーディオのルーティングと <code class="systemitem">JACK</code> 接続の管理」</a> を参照下さい。）：
+ </div><ol class="a"><li class="step"><div class="para">
+ 録音に使いたいバス ("recording bus") のすべての入出力接続を切断します。
+ </div></li><li class="step"><div class="para">
+ 録音したいトラック ("recording track") の入力には何も接続されていないことを確認下さい。
+ </div></li><li class="step"><div class="para">
+ マイク（入力音源）を録音バスの入力に接続します。
+ </div></li><li class="step"><div class="para">
+ 入力バスの出力を録音トラックの入力に接続します。
+ </div></li><li class="step"><div class="para">
+ 録音トラックの出力が "master"入力（これはマスター出力バスで、すべてのプロジェクトで存在するはずで、すべてのオーディオ出力はそこを通るはずです。）に接続されていることを確認下さい。
+ </div></li></ol></li></ol></div><div class="para">
+ 注意：この目的のためにバスを通せるのは、ただ１つの録音されるトラックだけです。バスはオーディオの１つのストリームしか出力が行えないためです。
+ </div><div class="para">
+ 以下は、トラックの録音ボリュームが正しく設定されているかをテストするアルゴリズムです。これは、トラックを録音準備する前に行わなければいけません。不幸なことに、最適の入力レベルを選択したかどうかは、リージョンが録音された後でないとわかりません。良い入力レベルを安定して選択できるようになるためには本能と経験の両方が必要です。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ 必要に応じてすべてのマイクを設定します。
+ </div></li><li class="step"><div class="para">
+ 必要に応じて <code class="systemitem">JACK</code> の接続を設定します。
+ </div></li><li class="step"><div class="para">
+ 必要に応じて録音バス（前記を参照）を設定します。
+ </div></li><li class="step"><div class="para">
+ 録音されるオーディオトラックで、"metering point"を "input"に設定します。（やり方は以下を見てください。）
+ </div></li><li class="step"><div class="para">
+ 演奏者に、セッションで演奏する最も大きな音のパッセージをやってもらいます。入力レベルを調整して、最大レベルが -3 dB から -6 dB の間に来るようにします（ここを見ることで）。maximum-level-seer をクリックしてリセットすることができます。
+ </div></li><li class="step"><div class="para">
+ 演奏者に、セッションで演奏する最も静かなパッセージをやってもらいます。入力レベルを調整して、これが -40 dB 以下にならないようにします。-30 dB から -20 dB の間にあるのがよいでしょう。
+ </div></li><li class="step"><div class="para">
+ 演奏者に、セッションで演奏する平均的なパッセージをやってもらいます。これは、前の２つのチェックよりは重要ではありません。しかし、ほとんどの演奏が静かであれば、より詳細をとらえることができるように、より高い入力レベルというリスクをおかすのも価値があるかもしれません。いずれにしても、"ほどほどの "ボリュームレベルが得られて、入力レベルの値は -20 dB から -10 dB であるべきです。
+ </div></li><li class="step"><div class="para">
+ あなたが録音しようとするグループの種類と、それをするのに使われるソフトウエアと機器についてより経験をつんだならば、毎回このレベルチェックをする必要はないかもしれません。しかし、後悔するよりは安全をめざすのはよいことで、一度、音楽の時間が過ぎ去ってしまったらそれを再作成することができないのですから。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks.html"><strong>戻る</strong>7.2.5. バスとトラックを設定する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Recording_a_Region.html"><strong>次へ</strong>7.2.7. リージョンを録音する</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.2.8.2. すでに録音されているものにパートを追加で録音する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Recording-Recording_More.html" title="7.2.8. 続けて録音する" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Recording-Recording_More.html" title="7.2.8. 続けて録音する" /><link rel="next" href="sect-Musicians_Guide-Ardour-Recording-Redo_a_Take.html" title="7.2.8.3. すでに録音されたもののよりよい録音をする" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a>
</p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Recording_More.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Redo_a_Take.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Capture_Additional_Parts"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Recording-Capture_Additional_Parts">7.2.8.2. すでに録音されているものにパートを追加で録音する</h4></div></div></div><div class="para">
+ スタジオ録音でよく使われるテクニックでは、本来一緒に演奏されるパートを別々に録音して、後で一緒に聞こえるようにするというものです。（以下の、"セッションを準備する "を参照下さい。）例えば、１人のトランペット演奏者が、２つのトランペットのために書かれた曲の両方のソロパートを録音したいとします。オーケストラをスタジオに持ってきて、トランペットのソロを除いた完全な曲を演奏するとしましょう。<span class="application"><strong>Ardour</strong></span> はそれを、１つのトラックに録音します。そして、トランペットソリストがスタジオに行って、<span class="application"><strong>Ardour</strong></span> を使って、以前に録音されたオーケストラのトラックを聞きながら同時に、トランペットのソロパートの１つを演奏し、そ
れは別のトラックに録音されます。翌日、奏者はスタジオに戻って、<span class="application"><strong>Ardour</strong></span> を使って、以前に録音されたオーケストラのトラックと、以前に録音されたトランペットソロのパートを聞きながら同時に、トランペットのもうひとつのソロパートを演奏し、それは３つめのトラックに録音されます。録音技術者は Audacity のミキシングと編集の機能を使って、トランペット演奏者が、オーケストラと一緒に、両方のソロパートを演奏したように聞こえるようにします。
+ </div><div class="para">
+ 別々に録音されたトラックの間で、音楽家たちのタイミングを調和させるのは困難なことです。"クリックトラック "とは、目的のテンポに合わせた一定のクリックノイズが入っているトラックです。録音をする音楽家、あるいは他の人をリードする音楽家は、ヘッドホンで、クリックトラックを聞きます。クリックトラックは、ファイナルミックスには含まれません。
+ </div><div class="para">
+ これを行うためには：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 最初のパートを録音します。パートを録音する順序は録音技術者（つまりあなたです）が決めます。最もたくさん演奏する人か、最もリズム的に一貫したパートを演奏する人を先に録音するのがたぶん、より簡単でしょう。
+ </div></li><li class="listitem"><div class="para">
+ 次に録音するトラックを追加します。
+ </div></li><li class="listitem"><div class="para">
+ 新しいトラックの接続を設定します。
+ </div></li><li class="listitem"><div class="para">
+ 新しいトラックの音が大きすぎたり小さすぎたりしないように、レベルチェックをします。
+ </div></li><li class="listitem"><div class="para">
+ 新しいトラックを録音し始めるパッセージの最初にトランスポートを位置づけます。トラックの開始点をそれほど厳密に決める必要はありません。後から変えられるからです。次の演奏者が、トランスポートが開始してから、彼らがどこから、どんなテンポで入ればいいのかわかるように、十分、聞き取る時間が取れることを確認下さい。
+ </div></li><li class="listitem"><div class="para">
+ 演奏者（あるいは、指揮／リードする人）が今までに録音されたものを聴くことができる手段を準備する必要があります。ヘッドホンを使うのがよいかもしれません。
+ </div></li><li class="listitem"><div class="para">
+ 録音したいトラックを録音準備します。すでに録音されたトラックはもはや録音準備されていないことを確認下さい。特に、"テープモード "のときは大変です。
+ </div></li><li class="listitem"><div class="para">
+ トランスポートを録音準備します。
+ </div></li><li class="listitem"><div class="para">
+ 録音の準備ができたら、トランスポートを開始します。
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Recording_More.html"><strong>戻る</strong>7.2.8. 続けて録音する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Redo_a_Take.html"><strong>次へ</strong>7.2.8.3. すでに録音されたもののよりよい録音をする</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.2.4. オーディオソースを Ardour につなぐ</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html" title="7.2. セッションを録音する" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline.html" title="7.2.3. タイムラインを設定する" /><link rel="next" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks.html" title="7.2.5. バスとトラックを設定する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentatio
n Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources">7.2.4. オーディオソースを <span class="application"><strong>Ardour</strong></span> につなぐ</h3></div></div></div><div class="para">
+ そこに録音したいトラックの名前は、<code class="systemitem">JACK</code> での入力の名前と同じであるべきです。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline.html"><strong>戻る</strong>7.2.3. タイムラインを設定する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks.html"><strong>次へ</strong>7.2.5. バスとトラックを設定する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.2.10. 既存のオーディオをインポートする</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html" title="7.2. セッションを録音する" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Recording-Routing_Audio.html" title="7.2.9. オーディオのルーティングと JACK 接続の管理" /><link rel="next" href="sect-Musicians_Guide-Ardour-Tutorial_Files.html" title="7.3. チュートリアルのためのファイル" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentatio
n Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Routing_Audio.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Tutorial_Files.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio">7.2.10. 既存のオーディオをインポートする</h3></div></div></div><div class="para">
+ オーディオを録音すると、<span class="application"><strong>Ardour</strong></span> は自動的にそれをディスクに保存して、そのファイルのプログラムでの表現を "リージョン "として追加します。既存のオーディオファイルをリージョンとして使うこともでき、それはどのトラックにも付け加えることができます。
+ </div><div class="para">
+ 既存のオーディオファイルをインポートするには：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ インターフェースの右側にあるパネルの "regions"部分をクリックします。
+ </div></li><li class="listitem"><div class="para">
+ ボックスのどこかを右クリックします。
+ </div></li><li class="listitem"><div class="para">
+ "Import to Region List"を選択します。
+ </div></li><li class="listitem"><div class="para">
+ "Add existing audio"ウインドウが開きます。
+ </div></li><li class="listitem"><div class="para">
+ 加えるオーディオファイルを選択するのに、３つの異なるタブを使います：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Browse Files"（ファイルをブラウズします）（以下で説明されています）
+ </div></li><li class="listitem"><div class="para">
+ "Search Tags"（タグを探します）
+ </div></li><li class="listitem"><div class="para">
+ "Search Freesound" ( フリーサウンドを探します )
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ "Browse Files"を使って、加えたいサウンドの場所に行きます。FLAC のようなファイル形式がサポートされていますが、WAV あるいは AIFF ファイルがたぶん、一番よいでしょう。
+ </div></li><li class="listitem"><div class="para">
+ ウインドウの右側に、オーディオファイルのいろいろな情報が表示されます。ウインドウのこの部分でそのファイルをインポートする前に、"試聴 "することもできます。つまり、あなたは自分の現在のプロジェクトに影響を与えることなく、ウインドウの "Play"と "Stop"ボタンを使ってそれを聞くことができます。
+ </div></li><li class="listitem"><div class="para">
+ もし、選択したファイルが、今のプロジェクトと異なるサンプルレートを持っている場合、そのサンプルレートは赤色でハイライト表示されます。それでも選択してインポートすることはできます。そのとき <span class="application"><strong>Ardour</strong></span> は再び警告を出します。今のプロジェクトと異なるサンプルレートのファイルをインポートした場合、それはプロジェクトのサンプルレートで演奏されるので、間違った速度と音程になります。
+ </div></li><li class="listitem"><div class="para">
+ ウインドウの下には、他の多くのオプションが表示されています。
+ </div></li><li class="listitem"><div class="para">
+ ファイルを追加するとき、以下の選択があります：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "as new tracks"の場合、それぞれのファイルはそれ専用のトラックに入り、ノーマルモードに設定され、リージョンリストに加わります。
+ </div></li><li class="listitem"><div class="para">
+ "as new tape tracks"の場合、それぞれのファイルはそれ専用のトラックに入り、テープモードに設定され、リージョンリストに加わります。
+ </div></li><li class="listitem"><div class="para">
+ "to region list"の場合、それぞれのファイルはリージョンリストに入りますが、自動的にどれかのトラックに入ることはありません。
+ </div></li><li class="listitem"><div class="para">
+ 自動的にトラックを作成するように選択した場合、<span class="application"><strong>Ardour</strong></span> は、トランスポートの現在の位置から始まるリージョンを新しいトラックに加えます。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ このリストの他のオプションは、説明はいらないと思います。通常、最高の品質で変換をするのがよいです。なぜならば、品質は後からいつでも（スペースを節約するために）落とすことができるからです。
+ </div></li><li class="listitem"><div class="para">
+ もしトラックを自動的に作成しない選択をした場合、あなたはインポートしたリージョンをセッションで演奏する前にそれをトラックに加えなければいけません。これを行うのは簡単で、右にある "Regions"ボックスからそのリージョンを選んで、トラックにドラッグすればよいです。
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Routing_Audio.html"><strong>戻る</strong>7.2.9. オーディオのルーティングと JACK 接続の管理</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Tutorial_Files.html"><strong>次へ</strong>7.3. チュートリアルのためのファイル</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Interface.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Interface.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.2.2. インターフェース</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html" title="7.2. セッションを録音する" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html" title="7.2. セッションを録音する" /><link rel="next" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline.html" title="7.2.3. タイムラインを設定する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class
="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Interface"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Interface">7.2.2. インターフェース</h3></div></div></div><div class="para">
+ このセクションは <span class="application"><strong>Ardour</strong></span> に特有のいくつかのグラフィカル・インターフェース・コンポーネントを説明します。ほとんどの DAW で同じように使われるコンポーネントは、<a class="xref" href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html">「インタフェース用語」</a> で説明されています。
+ </div><div class="figure" id="ardour_interface_overview"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-interface-overview.png" width="444" alt="Ardour インターフェース" /><div class="longdesc"><div class="para">
+ Ardour インターフェースには固有の３つのグラフィカル・インターフェース・コンポーネントがあります。
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <em class="firstterm"> エディターミキサー </em>
+ </div></li><li class="listitem"><div class="para">
+ <em class="firstterm"> セッションサイドバー </em>
+ </div></li><li class="listitem"><div class="para">
+ メインツールバー
+ </div></li></ol></div></div></div></div><h6>図7.1 Ardour インターフェース</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="sect-Musicians_Guide-Ardour-Recording-Interface.html#ardour_interface_overview">図7.1「Ardour インターフェース」</a> は、Ardour インターフェースに固有の３つのグラフィカルインターフェースを説明します。<em class="firstterm"> エディターミキサー </em>、<em class="firstterm"> セッションサイドバー </em>、そしてメインツールバーです。
+ </div><div class="figure" id="ardour_interface_editor_mixer"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-interface-editor_mixer.png" alt="Ardour エディターミキサー" /><div class="longdesc"><div class="para">
+ Ardour エディターミキサーパネル
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ フェーダー
+ </div></li><li class="listitem"><div class="para">
+ フェーダーコントロール
+ </div></li><li class="listitem"><div class="para">
+ フェーダーレベルメーター
+ </div></li><li class="listitem"><div class="para">
+ パンナー
+ </div></li><li class="listitem"><div class="para">
+ 出力コネクションボタン
+ </div></li></ol></div></div></div></div><h6>図7.2 Ardour エディターミキサー</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="sect-Musicians_Guide-Ardour-Recording-Interface.html#ardour_interface_editor_mixer">図7.2「Ardour エディターミキサー」</a> は、<span class="application"><strong>Ardour</strong></span> メインウインドウの左にあるエディタエディターミキサーを示します。エディタエディターミキサーは、一度に１つだけのミキサーストリップを表示します。ミキサーストリップの中間にフェーダーとそのコントロール、一番下にパンナーとそのコントロール、そして <span class="guibutton"><strong>Comments</strong></span> と出力コネクションボタンがあります。
+ </div><div class="figure" id="ardour_interface_session_sidebar"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-interface-session_sidebar.png" alt="Ardour セッションサイドバー" /><div class="longdesc"><div class="para">
+ Ardour セッションサイドバー
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ タブストリップ
+ </div></li><li class="listitem"><div class="para">
+ リージョンリスト
+ </div></li></ol></div></div></div></div><h6>図7.3 Ardour セッションサイドバー</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="sect-Musicians_Guide-Ardour-Recording-Interface.html#ardour_interface_session_sidebar">図7.3「Ardour セッションサイドバー」</a> は、<span class="application"><strong>Ardour</strong></span> のメインウインドウの右にあるセッションサイドバーです。この図では、<span class="guilabel"><strong>Regions</strong></span> タブが選択されているので、サイドバーには、現在セッションにあるリージョンのリストが表示されています。青いものは直接インポートされたもの、白いものは青いリージョンから作成されたもの、そしていくつかの青いリージョンの左にある矢印はこれらの青いリージョンに対応する白いサブリージョンがあることを示します。
+ </div><div class="figure" id="ardour_interface_toolbar"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-interface-toolbar.png" width="444" alt="メイン Ardour ツールバー" /><div class="longdesc"><div class="para">
+ メイン Ardour ツールバー
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ ツール選択ボタン
+ </div></li><li class="listitem"><div class="para">
+ <span class="guibutton"><strong>select/edit object</strong></span> ボタン
+ </div></li><li class="listitem"><div class="para">
+ <span class="guibutton"><strong>select/edit range</strong></span> ボタン
+ </div></li><li class="listitem"><div class="para">
+ snap mode
+ </div></li><li class="listitem"><div class="para">
+ grid mode
+ </div></li><li class="listitem"><div class="para">
+ edit point
+ </div></li></ol></div></div></div></div><h6>図7.4 メイン Ardour ツールバー</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="sect-Musicians_Guide-Ardour-Recording-Interface.html#ardour_interface_toolbar">図7.4「メイン Ardour ツールバー」</a> は、メインツールバーです。それはトランスポートコントロールの下、タイムラインとそのルーラーの上にあります。ツールバーの中間には、３つのラベルの付いていない、しかしとても役に立つ複数選択可能なメニューがあります： <span class="guimenu"><strong>snap mode</strong></span> メニュー（現在、<code class="literal">No Grid</code> です）。<span class="guimenu"><strong>grid mode</strong></span> メニュー（現在、<code class="literal">Bars</code> です）。そして <span class="guimenu"><strong>edit point</strong></span> メニュー（現在、<code class="literal">Mouse</code> です）。これらメニューの左には、ツール選択ボタンがあり、その中で重要なのは、最も左にある２つ
、<span class="guibutton"><strong>select/edit object</strong></span> と <span class="guibutton"><strong>select/edit range</strong></span> ボタンです。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html"><strong>戻る</strong>7.2. セッションを録音する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline.html"><strong>次へ</strong>7.2.3. タイムラインを設定する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Recording_More.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Recording_More.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.2.8. 続けて録音する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html" title="7.2. セッションを録音する" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Recording-Recording_a_Region.html" title="7.2.7. リージョンを録音する" /><link rel="next" href="sect-Musicians_Guide-Ardour-Recording-Capture_Additional_Parts.html" title="7.2.8.2. すでに録音されているものにパートを追加で録音する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_ri
ght.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Recording_a_Region.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Capture_Additional_Parts.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Recording_More"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Recording_More">7.2.8. 続けて録音する</h3></div></div></div><div class="para">
+ １つのリージョンを録音した後、あなたはまだほしいものを全部持っていないでしょう。録音を続けるには多くの方法があり、何がまだ録音されていないかに依存します。
+ </div><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Continue_the_Same_Session"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Recording-Continue_the_Same_Session">7.2.8.1. 同じセッションを続ける</h4></div></div></div><div class="para">
+ この機能は、例えば、セッションを録音していて、１０分の休みを入れようとしたときなどに、必要となるでしょう。これは、すでに録音を始めたセッションを、続けて録音するというすべての状況で使われます。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ トランスポートをあなたがすでに録音したところの少し後ろに移動します。これを行うには、トランスポートの、forward/reverse と play/stop ボタンを使うか、タイムラインの中でトランスポートを移動したい箇所を探して、そのあたりを左クリックします。
+ </div></li><li class="listitem"><div class="para">
+ コネクションとレベルが正しく設定されていることを確認下さい。
+ </div></li><li class="listitem"><div class="para">
+ 録音するトラックが録音準備されていることを確認下さい。
+ </div></li><li class="listitem"><div class="para">
+ トランスポートを録音準備します。
+ </div></li><li class="listitem"><div class="para">
+ 録音の準備ができたら、トランスポートを開始します。
+ </div></li></ol></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Recording_a_Region.html"><strong>戻る</strong>7.2.7. リージョンを録音する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Capture_Additional_Parts.html"><strong>次へ</strong>7.2.8.2. すでに録音されているものにパートを追加で録音する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Recording_a_Region.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Recording_a_Region.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Recording_a_Region.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.2.7. リージョンを録音する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html" title="7.2. セッションを録音する" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level.html" title="7.2.6. 録音レベル（ボリューム）を調整する" /><link rel="next" href="sect-Musicians_Guide-Ardour-Recording-Recording_More.html" title="7.2.8. 続けて録音する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /
></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Recording_More.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Recording_a_Region"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Recording_a_Region">7.2.7. リージョンを録音する</h3></div></div></div><div class="para">
+ 順々にセッションを録音するとき、少なくとも１つのリージョンを作成することになります。なお、オーディオは、デフォルトでは "audition"出力に流れることに注意下さい。（ヘッドホンを使うこと。）
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ 入力とタイムラインとトラックが正しく設定されているのを確認下さい。
+ </div></li><li class="step"><div class="para">
+ エディターウインドウの左に何もないときは、Ctrl+E を押すか、'View > Show Editor Mixer'を選択します。
+ </div></li><li class="step"><div class="para">
+ そこに録音しようとするトラックを選択します。
+ </div></li><li class="step"><div class="para">
+ メーターを "input"にして、それが正しく動き、正しいものに接続されているか確かめてください。（これで何が起きるか、あなたは今、なぜそれをしたいのか、言ってごらんなさい。）
+ </div></li><li class="step"><div class="para">
+ 以下の "録音ボリュームを調整する "を見て、今、そのとおりにしてください。
+ </div></li><li class="step"><div class="para">
+ トラックを録音準備します：左のトラックのミキサーで "Record"を押すか、トラック自身の上にある小さい赤い録音ボタンを押します。
+ </div></li><li class="step"><div class="para">
+ ボタンは、トラックが録音準備されたことを示すために、点灯したままとなります。
+ </div></li><li class="step"><div class="para">
+ トランスポートの大きい赤い録音ボタンを選択して、<span class="application"><strong>Ardour</strong></span> を録音準備します。
+ </div></li><li class="step"><div class="para">
+ トランスポートを、通常のやりかたで開始します。（大きい再生ボタン）
+ </div></li><li class="step"><div class="para">
+ 録音が終わったら、大きい停止ボタンでトランスポートを止めます。
+ </div></li><li class="step"><div class="para">
+ トランスポートを開始、停止、するたびに、新しい "リージョン "が作成されます。
+ </div></li><li class="step"><div class="para">
+ トランスポートを止めるたびに、<span class="application"><strong>Ardour</strong></span> は、自分を "録音準備を解除 "します。しかし、あなたが選択したトラックはすべて、録音準備されたままです。
+ </div></li><li class="step"><div class="para">
+ リージョンを録音し終わったら、インターフェースの右の "Regions"のボックスのようなものを使って、リージョンの名前を変えます。
+ </div><ol class="a"><li class="step"><div class="para">
+ あなたが録音したばかりのリージョンを探します。（デフォルトではそれは、"Audio 1-1"のように名前がついています。それは、録音トラックの名前と、ハイフン、そして "テイク "を示す昇順の通番です。）それを選択します。
+ </div></li><li class="step"><div class="para">
+ タイトルをクリックすると、ボックスが現れます。
+ </div></li><li class="step"><div class="para">
+ 名前を好きなように変えます。
+ </div></li><li class="step"><div class="para">
+ Enter キーを押して、名前の編集を終わります。
+ </div></li></ol></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level.html"><strong>戻る</strong>7.2.6. 録音レベル（ボリューム）を調整する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Recording_More.html"><strong>次へ</strong>7.2.8. 続けて録音する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Redo_a_Take.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Redo_a_Take.html
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+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.2.8.3. すでに録音されたもののよりよい録音をする</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
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+ addID('Fedora.16');
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+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Recording-Recording_More.html" title="7.2.8. 続けて録音する" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Recording-Capture_Additional_Parts.html" title="7.2.8.2. すでに録音されているものにパートを追加で録音する" /><link rel="next" href="sect-Musicians_Guide-Ardour-Recording-Routing_Audio.html" title="7.2.9. オーディオのルーティングと JACK 接続の管理" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_
Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Capture_Additional_Parts.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Routing_Audio.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Redo_a_Take"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Ardour-Recording-Redo_a_Take">7.2.8.3. すでに録音されたもののよりよい録音をする</h4></div></div></div><div class="para">
+ すでに、セッションのすべてあるいはほとんどを録音し終わっていても、なんらかの問題を "解決 "するためにセッションの * 部分 * を再録音することができます。<span class="application"><strong>Ardour</strong></span> では、最初のテイクをこわさずに、今あるトラックの上に録音して、新しく録音したリージョンをその上にかぶせることができます。後で、録音の出力が、リージョン／テイクの間で切り替わる正確なポイントを決めれば良いのです。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ セッションを録音する
+ </div></li><li class="listitem"><div class="para">
+ いま録音しようとするリージョンの接続とレベルが、最初に録音したものと同じであることを確認下さい。
+ </div></li><li class="listitem"><div class="para">
+ トランスポートの位置を決めます。入れ替えたいセグメントの前の場所を選びます。演奏者は入れ替えるセクションの前から演奏を開始する必要があるでしょう。彼らがテンポをつかんで、グルーブを得て、そして入れ替えが必要な部分の * ずっと前から * 演奏を開始できるように、あなたは十分に間隔をとる必要があります。
+ </div></li><li class="listitem"><div class="para">
+ タイムラインの中で、クリックして、トランスポートを移動します。
+ </div></li><li class="listitem"><div class="para">
+ 正しいトラックが録音準備されていることを確認下さい。
+ </div></li><li class="listitem"><div class="para">
+ トランスポートを録音準備します。
+ </div></li><li class="listitem"><div class="para">
+ トランスポートを開始して、音楽の改訂版のセクションを録音します。
+ </div></li></ol></div>
+ いずれ、必要なものの録音が全部終わって、ミキシングと編集に進むときが来ます。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Capture_Additional_Parts.html"><strong>戻る</strong>7.2.8.2. すでに録音されているものにパートを追加で録音する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Routing_Audio.html"><strong>次へ</strong>7.2.9. オーディオのルーティングと JACK 接続の管理</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Routing_Audio.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Routing_Audio.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.2.9. オーディオのルーティングと JACK 接続の管理</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html" title="7.2. セッションを録音する" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Recording-Redo_a_Take.html" title="7.2.8.3. すでに録音されたもののよりよい録音をする" /><link rel="next" href="sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio.html" title="7.2.10. 既存のオーディオをインポートする" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_ri
ght.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Redo_a_Take.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Routing_Audio"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Routing_Audio">7.2.9. オーディオのルーティングと <code class="systemitem">JACK</code> 接続の管理</h3></div></div></div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> は、セッションを保存するときに、自動的に <code class="systemitem">JACK</code> 接続の状態を保存します。
+ </div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> は、ステレオ設定（２チャンネル）で、以下の出力ポートを提供します：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "track_name/out 1"と "track_name/out 2"という名前の１トラックあたり２つのチャネル。これらは、通常、マスターバスあるいは、サブミキシングバスが使われているときはそこに接続されます。
+ </div></li><li class="listitem"><div class="para">
+ "bus_name/out 1"と "bus_name/out 2"という名前の１バスあたり２つのチャネル。これらは、２レベルのサブミキシングバスが使われているとき以外は、通常、マスターバスに接続されます。
+ </div></li><li class="listitem"><div class="para">
+ "auditioner/out 1"と呼ばれる、試聴者のための２つのチャネル。これは、リージョンを試聴するときに使われるチャネルです。例えば、リージョンをインポートするとき、あるいは、右側の "Regions"ボックスで右クリックして "Audition"を選択したときに使われます。これらはマスターバスに接続されてはいけません。あなたがリージョンを試聴するときに使う出力デバイスに接続してください。
+ </div></li><li class="listitem"><div class="para">
+ "click/out 1"と呼ばれるクリックトラックのための２つのチャネル。録音の時にクリックトラックを演奏するのに使われるチャネルです。これらはマスターバスに接続されてはいけません。クリックトラックに使う出力デバイスに接続してください。
+ </div></li><li class="listitem"><div class="para">
+ "master/out 1"と呼ばれる、マスターバスのための２つのチャネル。マスター出力バスにより使われる出力です。これらは、トランスポートが動くときにあなたがセッションを聞くために使う出力デバイスに接続してください。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> は、ステレオ設定（２チャンネル）で、以下の入力ポートを提供します：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "track_name/in 1"と "track_name/in 2"という名前の１トラックあたり２つのチャネル。これらは、どちらも同じ入力デバイスにつないでください。録音バスを使っているときは、そのバスにつないでください。
+ </div></li><li class="listitem"><div class="para">
+ "bus_name/in 1"と "bus_name/in 2"という名前の１バスあたり２つのチャネル。これらは、あなたがミックスしたいチャネルを全部つなぎます。録音バスを使っているときは、これらは同じ入力デバイスにつないでください。
+ </div></li><li class="listitem"><div class="para">
+ "master/in 1"と呼ばれる、マスターバスのための２つのチャネル。マスターバスにより使われる入力です。これらは、すべてのトラックにつないでください。もし、サブバスミキシングを使っているときは、すべてのトラックは、マスターバスの入力に、直接か、そうでなければサブバスを経由してつながっていなくてはいけません。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ほとんどの状況で、<span class="application"><strong>Ardour</strong></span> はチャネルの接続を自動的に正しく設定します。<span class="application"><strong>Ardour</strong></span> の中から、接続を変える方法はありますが、できることは限られます。このため、ユーザーが <span class="application"><strong>QjackCtl</strong></span> を使って接続をモニタすることをお勧めします。<span class="application"><strong>QjackCtl</strong></span> を使えば、<code class="systemitem">JACK</code> のその他の多くの機能もモニター、変更することができるからです。
+ </div><div class="para">
+ <span class="application"><strong>Ardour</strong></span> を使う人たちにとって、正しい接続の仕方を学ぶことは貴重な技です。<span class="application"><strong>Ardour</strong></span> が <code class="systemitem">JACK</code> をその内部と外部の接続のために使っているという事実のために、以下の技が可能です。以前お話しした録音バス（音源の入力レベルを調整する）、左と右のオーディオチャネルをひっくり返す、そして多くの入力チャネルをまとめて、マルチチャネルオーディオ出力を作成する、などです。他にも技があることは疑うべくもありません。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Redo_a_Take.html"><strong>戻る</strong>7.2.8.3. すでに録音されたもののよりよい録音をする</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio.html"><strong>次へ</strong>7.2.10. 既存のオーディオをインポートする</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.2.5. バスとトラックを設定する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html" title="7.2. セッションを録音する" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources.html" title="7.2.4. オーディオソースを Ardour につなぐ" /><link rel="next" href="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level.html" title="7.2.6. 録音レベル（ボリューム）を調整する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_r
ight.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Setting_up_Busses_and_Tracks">7.2.5. バスとトラックを設定する</h3></div></div></div><div class="para">
+ バスの一般的な説明は <a class="xref" href="sect-Musicians_Guide-Vocabulary-Bus.html">「バス、マスターバス そしてサブマスターバス」</a> を参照下さい。デフォルトでは <span class="application"><strong>Ardour</strong></span> の出力はすべてマスターバスに行きます。バスはリージョンを含みませんが、とりまとめのための領域としてはたらき、それを使ってあなたはプロジェクト全体をあるフィルタにかけたり、ボリューム調整をしたりすることができます。
+ </div><div class="procedure"><h6>手順7.1 録音のためにトラックを追加する</h6><ol class="1"><li class="step"><div class="para">
+ <span class="guimenu"><strong>Track</strong></span> → <span class="guimenuitem"><strong>Add Track/Bus</strong></span> を選択します。
+ </div></li><li class="step"><div class="para">
+ <span class="guilabel"><strong>Tracks</strong></span> が選択されていることを確認下さい。
+ </div></li><li class="step"><div class="para">
+ 番号を設定します。（だいたいの場合、<code class="literal">1</code> でしょう）。
+ </div></li><li class="step"><div class="para">
+ 入力チャネル数を選択します。（だいたいの場合、<code class="literal">Stereo</code> つまり２でしょう）
+ </div></li><li class="step"><div class="para">
+ モードを選択します：
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="literal">Normal</code>: それぞれの録音テイクごとに新しいリージョンを作ります。
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">Tape</code>: 何かがすでに録音されていてもその上に、破壊的に録音します。（テープのように）
+ </div></li></ul></div></li><li class="step"><div class="para">
+ <span class="guibutton"><strong>Add</strong></span> をクリックして、トラックを作成します。
+ </div></li></ol></div><div class="procedure"><h6>手順7.2 見分けがつくように、トラックの名前を変えます。</h6><ol class="1"><li class="step"><div class="para">
+ トラックエリアの一番左の、今あるトラック名ラベルをクリックします。
+ </div></li><li class="step"><div class="para">
+ 今の名前の上にタイプします。
+ </div></li><li class="step"><div class="para">
+ <span class="keycap"><strong>Enter</strong></span> を押します。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources.html"><strong>戻る</strong>7.2.4. オーディオソースを Ardour につなぐ</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Adjusting_Recording_Level.html"><strong>次へ</strong>7.2.6. 録音レベル（ボリューム）を調整する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline.html
@@ -0,0 +1,38 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.2.3. タイムラインを設定する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Ardour-Recording_a_Session.html" title="7.2. セッションを録音する" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Recording-Interface.html" title="7.2.2. インターフェース" /><link rel="next" href="sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources.html" title="7.2.4. オーディオソースを Ardour につなぐ" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></
p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Interface.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline">7.2.3. タイムラインを設定する</h3></div></div></div><div class="para">
+ メイン <span class="application"><strong>Ardour</strong></span> ウインドウの一番上、トランスポートツールバーの右に、２つの比較的大きな時計があります。２つの時計が不要なら、片方を消すことができます。表示を変えるには、右クリックします。
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>Bars:Beats</strong></span> は、小節と拍を表示します。
+ </div></li><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>Minutes:Seconds</strong></span> はトラック先頭からの時間を示します。
+ </div></li><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>Timecode</strong></span> はフレーム／秒のタイムコード（通常、フィルムの作業をするときに使われます）を示します。
+ </div></li><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>Samples</strong></span> は開始からのサンプル数を表示します。
+ </div></li></ul></div><div class="para">
+ 時間の測定について、詳しくは、 <a class="xref" href="sect-Musicians_Guide-Vocabulary-Time.html">「タイム、タイムライン、そしてタイムシフティング」</a>を参照下さい。
+ </div><div class="para">
+ <span class="guimenu"><strong>snap mode</strong></span> メニューはタイムラインと時計の間にあります。このメニューはリージョンが移動できるところを制御します。あなたは現在のアクティビティによっては、セッションの作業をしているときにこれを変更する必要があるかもしれません。左のメニューには：
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>No Grid</strong></span>: リージョンは自由にどこへでも移動できます。
+ </div></li><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>Grid</strong></span>: リージョンは直近のグリッド点から開始しないといけません。
+ </div></li><li class="listitem"><div class="para">
+ <span class="guimenuitem"><strong>Magnetic</strong></span> リージョンは自由に動けますが、グリッド点の近くに来ると、それに自動的にくっつきます。
+ </div></li></ul></div><div class="para">
+ 中間のメニューはグリッド線をどこに置くかを制御します。SMPTE タイムコード、時計の時刻、小節と拍、あるいはリージョンごとに置くのいずれかです。
+ </div><div class="figure" id="ardour_interface_nudge_pane"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-interface-nudge-pane.png" width="444" alt="Ardour nudge ペイン" /><div class="longdesc"><div class="para">
+ Ardour nudge ペイン
+ </div></div></div></div><h6>図7.5 Ardour nudge ペイン</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="sect-Musicians_Guide-Ardour-Recording-Setting_up_the_Timeline.html#ardour_interface_nudge_pane">図7.5「Ardour nudge ペイン」</a> は、トランスポートの一部である、 nudge ペインを示します。 nudge ツールは、選択された１つ、あるいは複数のリージョンを指定されただけ、セッションの中で前や後ろに移動します。<span class="guibutton"><strong><</strong></span> ボタンは、リージョンをセッションの中で後ろに進めます。<span class="guibutton"><strong>></strong></span> ボタンは、リージョンをセッションの中で前に進めます。リージョンが選択されていないときは、nudge ツールは、トランスポートヘッドを動かします。 <span class="guibutton"><strong>></strong></span> ボタンの右にある表示は、選択されたリージョンが移動する距離を示します。この場合、nudge ツール
は、リージョンを 5 秒、移動します。
+ </div><div class="para">
+ タイムラインには、多くの<em class="firstterm"> ルーラー </em> があり、いろいろな時間をマークする目盛りが表示されます。タイムラインは、キャンバスエリアの最上位、ツールバーの下にあります。コンテキストメニュー(<span class="mousebutton">右クリック</span>) を使って、表示したいルーラーを選びます。使うルーラーは、時計の設定とスナップモードに依存します。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Interface.html"><strong>戻る</strong>7.2.2. インターフェース</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Connecting_Audio_Sources.html"><strong>次へ</strong>7.2.4. オーディオソースを Ardour につなぐ</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording_a_Session.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Recording_a_Session.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.2. セッションを録音する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Ardour.html" title="第7章 Ardour" /><link rel="prev" href="chap-Musicians_Guide-Ardour.html" title="第7章 Ardour" /><link rel="next" href="sect-Musicians_Guide-Ardour-Recording-Interface.html" title="7.2.2. インターフェース" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Ardour.html"><strong>戻る</s
trong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Interface.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Recording_a_Session"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Ardour-Recording_a_Session">7.2. セッションを録音する</h2></div></div></div><div class="para">
+ セッションの録音は通常は全部、一度に行われます。しかし、ときには録音は何日あるいは何週間にもわたって行われることがあります。ミキシングとマスタリングはセッションが録音された後で行われます。セッションを開く時に、毎回、<code class="systemitem">JACK</code> のサンプルレートとサンプルフォーマットの設定は同じでなければいけないことに注意下さい。
+ </div><div class="section" id="sect-Musicians_Guide-Ardour-Recording-Running_Ardour"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Ardour-Recording-Running_Ardour">7.2.1. <span class="application"><strong>Ardour</strong></span> を実行する</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> は <code class="systemitem">JACK</code> サウンドサーバーを使います。<span class="application"><strong>Ardour</strong></span> の前に <span class="application"><strong>QjackCtl</strong></span> を使って <code class="systemitem">JACK</code> を開始してください。あるいは <span class="application"><strong>Ardour</strong></span> は <code class="systemitem">JACK</code> をあなたの代わりに開始します。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> は新しいセッションを保存する場所を選択するように聞いてきます。<span class="application"><strong>Ardour</strong></span> はセッションのファイルを保存するディレクトリーを自動的に作成します。既存のセッションを開くこともできます。
+ </div></li></ol></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Ardour.html"><strong>戻る</strong>第7章 Ardour</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Recording-Interface.html"><strong>次へ</strong>7.2.2. インターフェース</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Tutorial_Files.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Tutorial_Files.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Ardour-Tutorial_Files.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>7.3. チュートリアルのためのファイル</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Ardour.html" title="第7章 Ardour" /><link rel="prev" href="sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio.html" title="7.2.10. 既存のオーディオをインポートする" /><link rel="next" href="sect-Musicians_Guide-Ardour-Editing.html" title="7.4. 曲を編集する（チュートリアル）" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="
previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Ardour-Tutorial_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Ardour-Tutorial_Files">7.3. チュートリアルのためのファイル</h2></div></div></div><div class="para">
+ これらのチュートリアルファイルは、Esther Wheaton 作曲の "Here Is How"という歌の最終版を作成するのに必要なものです。その歌は彼女のファーストアルバム "Not Legendary"の一部としてリリースされ、彼女はこの歌の無編集のソースファイルを Creative Commons Attribution-NonCommercial-ShareAlike licence、インターネットでは http://creativecommons.org/licenses/by-nc-sa/3.0/ で得られます、でリリースしました。このアーチストについて詳しくは、<a href="http://www.myspace.com/estherwheaton">http://www.myspace.com/estherwheaton</a> の <em class="citetitle">Esther Wheaton's MySpace Page</em> を参照下さい。
+ </div><div class="para">
+ チュートリアルのファイルは、<span class="application"><strong>Ardour</strong></span> のプロジェクトファイルと、オーディオファイルそのものです。以下の手順で、チュートリアルの準備をしてください。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ Download the <span class="application"><strong>Ardour</strong></span> project folder from <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/Ardour/FMG-HereIsHow.tar.lzma">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/Ardour/FMG-HereIsHow.tar.lzma</a>. Uncompress the file in a directory where you have at least 1 GiB of free disk space.
+ </div></li><li class="step"><div class="para">
+ http://soundcloud.com/fedoraproject/sets/fmg-ardour-tutorial にあるすべてのオーディオファイルをダウンロードします。それらのファイルを、前のステップで作った、Ardour のプロジェクトフォルダのサブディレクトリ、 Interchange/FMG-HereIsHow/audiofiles に置きます。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Ardour-Recording-Importing_Existing_Audio.html"><strong>戻る</strong>7.2.10. 既存のオーディオをインポートする</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Ardour-Editing.html"><strong>次へ</strong>7.4. 曲を編集する（チュートリアル）</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.3.2. お使いのサウンドカードに合わせて Audacity を設定する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Audacity_Configuration.html" title="5.3. 構成" /><link rel="prev" href="sect-Musicians_Guide-Audacity_Configuration.html" title="5.3. 構成" /><link rel="next" href="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format.html" title="5.3.3. プロジェクトのサンプルレートとフォーマットを設定する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><l
i class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity_Configuration.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware">5.3.2. お使いのサウンドカードに合わせて Audacity を設定する</h3></div></div></div><div class="para">
+ Audacity は自動的に自分で設定をします。もしあなたのコンピューターに複数のサウンドカードがあったり、あなたのサウンドカードが特殊なセットアップを必要としたりすると、Audacity はあなたが使う入力と出力を推測します。Audacity の推測は間違うこともあり、そのときあなたは自分で設定することができます。
+ </div><div class="para">
+ ときには、Audacity は動いても、性能が悪かったり、オーディオ品質が悪いことがあります。あなたのコンピューターで、Audacity がうまく動かないときは、サウンドカードを手動で設定する必要があります。
+ </div><div class="para">
+ お使いのサウンドカードに合わせて Audacity を設定するには、以下のステップに従ってください。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ あなたのサウンドカードの Linux での名前を知る必要があります。
+ </div><ol class="a"><li class="step"><div class="para">
+ ターミナルを開きます。GNOME では<span class="guimenu"><strong>アプリケーション</strong></span> → <span class="guisubmenu"><strong>システムツール</strong></span> → <span class="guimenuitem"><strong>端末</strong></span>を選択します。KDE では、アプリケーションランチャーを開いて、<span class="guimenu"><strong>システムツール</strong></span> → <span class="guimenuitem"><strong>Konsole</strong></span>を選択します。
+ </div></li><li class="step"><div class="para">
+ このコマンドを実行します：<code class="command">cat /proc/asound/cards</code>
+ </div></li><li class="step"><div class="para">
+ <code class="command">cat</code>プログラムはあなたのコンピューターのサウンドカードのリストを出力します。それは、このリストのように見えるでしょう：
+ </div><pre class="screen"><code class="computeroutput">0 [SB ]: HDA-Intel - HDA ATI SB</code>
+<code class="computeroutput"> HDA ATI SB at 0xf7ff4000 irq 16</code>
+<code class="computeroutput">1 [MobilePre ]: USB-Audio - MobilePre</code>
+<code class="computeroutput"> M Audio MobilePre at usb-0000:00:13.0-2</code></pre><div class="para">
+ この出力例では、角かっこがサウンドカードの名前を囲みます。この出力例のサウンドカードの名前は <code class="literal">SB</code> と <code class="literal">MobilePre</code> です。
+ </div></li><li class="step"><div class="para">
+ 使いたいサウンドカードの名前を見つけます。あなたのカードが、<code class="code">cat</code> の出力のリストの中にないときは、あなたのオペレーティングシステムはそれを検出できなかったということです。サウンドカードの番号、それは名前の左に表示されます、も覚えておく必要があります。録音と再生に、２つの異なるサウンドカードを使うことができます。
+ </div></li></ol></li><li class="step"><div class="para">
+ Audacity を開始します。
+ </div></li><li class="step"><div class="para">
+ "設定"ウインドウを開きます。<span class="guimenu"><strong>編集</strong></span> > <span class="guimenuitem"><strong>設定</strong></span>をクリックしてください。
+ </div></li><li class="step"><div class="para">
+ "ホスト"は <code class="literal">ALSA</code> にします。
+ </div></li><li class="step"><div class="para">
+ 録音と再生のデバイスを、あなたが使いたいサウンドカードの名前にします。サウンドカードの選択肢がたくさんあるならば、<code class="literal">(hw:0)</code> で終わるものを選択します。<code class="literal">0</code> の部分は、使いたいサウンドカードの番号に置換下さい。
+ </div></li><li class="step"><div class="para">
+ 設定が正しいか、インストール後のテスト手順を行ってください。
+ </div></li></ol></div><div class="para">
+ 再生と録音のデバイスのリストにはたくさんの選択肢があります。<code class="code">default</code> デバイスにすると、Audacity は ALSA にどのサウンドカードを使うかを決定させます。<code class="literal">pulse</code> デバイスにすると、Audacity は PulseAudio にどのサウンドカードを使うかを決定させます。Audacity は、特定のサウンドカードで設定されたときに最も効率よく動作しますから、 <code class="literal">default</code> や <code class="literal">pulse</code> デバイスは、他の選択肢がうまくいかないときだけ使うのがよいでしょう。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity_Configuration.html"><strong>戻る</strong>5.3. 構成</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format.html"><strong>次へ</strong>5.3.3. プロジェクトのサンプルレートとフォーマットを設定する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Exporting_a_Whole_File.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Exporting_a_Whole_File.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.7.2. ファイルを全部書き出す</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Audacity-Save_and_Export.html" title="5.7. 保存と書き出し" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Save_and_Export.html" title="5.7. 保存と書き出し" /><link rel="next" href="chap-Musicians_Guide-Digital_Audio_Workstations.html" title="第6章 デジタルオーディオワークステーション" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li
class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Save_and_Export.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Digital_Audio_Workstations.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Audacity-Exporting_a_Whole_File"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Exporting_a_Whole_File">5.7.2. ファイルを全部書き出す</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="guimenu"><strong>ファイル</strong></span> → <span class="guimenuitem"><strong>選択範囲を書き出し</strong></span>を選択します。
+ </div></li><li class="step"><div class="para">
+ 書きだされるオーディオの形式、ファイル名、そしてディレクトリを選択します。終わったら<span class="guibutton"><strong>保存</strong></span>をクリックします。
+ </div></li><li class="step"><div class="para">
+ あなたが選ぶフォーマットによっては、"メタデータ"ウインドウが現れます。望むならこの情報を入力します。
+ </div></li><li class="step"><div class="para">
+ Audacity は書き出すオーディオを処理します。これはオーディオによってはしばらくかかります。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Save_and_Export.html"><strong>戻る</strong>5.7. 保存と書き出し</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Digital_Audio_Workstations.html"><strong>次へ</strong>第6章 デジタルオーディオワークステーション</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Hardware_Requirements.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Hardware_Requirements.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Hardware_Requirements.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.2.2. ハードウエア要件</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html" title="5.2. 要件とインストール" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html" title="5.2. 要件とインストール" /><link rel="next" href="sect-Musicians_Guide-Audacity-Installation.html" title="5.2.3. 標準のインストール" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docna
v"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Installation.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Audacity-Hardware_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Hardware_Requirements">5.2.2. ハードウエア要件</h3></div></div></div><div class="para">
+ Audacity を使うにはオーディオインターフェイスが必要です。Audacity でオーディオを録音するならば、少なくとも１つの、オーディオインターフェイスに接続されたマイクが必要です。既存のオーディオファイルを編集するのにマイクはいりません。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html"><strong>戻る</strong>5.2. 要件とインストール</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Installation.html"><strong>次へ</strong>5.2.3. 標準のインストール</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Installation.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Installation.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Installation.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.2.3. 標準のインストール</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html" title="5.2. 要件とインストール" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Hardware_Requirements.html" title="5.2.2. ハードウエア要件" /><link rel="next" href="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html" title="5.2.4. MP3 サポートを含むインストール" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /><
/a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Hardware_Requirements.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Audacity-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Installation">5.2.3. 標準のインストール</h3></div></div></div><div class="procedure"><div class="para">
+ この方法はAudacity を Fedora リポジトリからインストールします。このバージョンの Audacity は MP3 ライブラリを使わないので、MP3 ファイルを処理することはできません。
+ </div><ol class="1"><li class="step"><div class="para">
+ PackageKit あるいは KPackageKit を使って<span class="package">audacity</span>パッケージをインストールします。
+ </div></li><li class="step"><div class="para">
+ 提案されたインストールは、Audacity と Audacity が使うすべてのライブラリを含みます。提案を見て、承認し、Audacity のインストールを続けてください。
+ </div></li><li class="step"><div class="para">
+ Audacity は自動的に自分で設定をします。しかし、あなたのほしい設定は使わないかもしれません。録音する前に、Audacity をテストして、うまく動くのを確認してください。<a class="xref" href="sect-Musicians_Guide-Audacity-Testing_Playback.html">「インストール後のテスト：再生」</a>と<a class="xref" href="sect-Musicians_Guide-Audacity-Testing_Recording.html">「インストール後のテスト：録音」</a>の手順に従って、Audacity をテストください。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Hardware_Requirements.html"><strong>戻る</strong>5.2.2. ハードウエア要件</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html"><strong>次へ</strong>5.2.4. MP3 サポートを含むインストール</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html
new file mode 100644
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html
@@ -0,0 +1,24 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.2.4. MP3 サポートを含むインストール</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html" title="5.2. 要件とインストール" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Installation.html" title="5.2.3. 標準のインストール" /><link rel="next" href="sect-Musicians_Guide-Audacity-Testing_Playback.html" title="5.2.5. インストール後のテスト：再生" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="d
ocnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Installation.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Testing_Playback.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion">5.2.4. MP3 サポートを含むインストール</h3></div></div></div><div class="procedure"><div class="para">
+ この方法は、Audacity を、RPM Fusion リポジトリからインストールします。このバージョンの Audacity は MP3 ライブラリを使うので、MP3 ファイルを処理できます。これは Fedora によって用意されたものではないので、 Fedora では、このバージョンのAudacity にサポートを提供することはできません。
+ </div><ol class="1"><li class="step"><div class="para">
+ ターミナルで、このコマンドを実行します：
+ </div><pre class="screen"><code class="command">su -c 'yum localinstall --nogpgcheck http://download1.rpmfusion.org/free/fedora/\</code>
+<code class="command">rpmfusion-free-release-stable.noarch.rpmhttp://download1.rpmfusion.org/nonfree/\</code>
+<code class="command">fedora/rpmfusion-nonfree-release-stable.noarch.rpm'</code></pre><div class="para">
+ これは１つのコマンドで、ここでは表示のために３行に分けてあることに注意ください。
+ </div></li><li class="step"><div class="para">
+ PackageKit あるいは KPackageKit を使って <code class="code">audacity-freeworld</code> パッケージをインストールします。
+ </div></li><li class="step"><div class="para">
+ 提案されたインストールは、Audacity と Audacity が使うすべてのライブラリを含みます。提案を見て、承認し、Audacity のインストールを続けてください。
+ </div></li><li class="step"><div class="para">
+ Audacity は自動的に自分で設定をします。しかし、あなたのほしい設定は使わないかもしれません。録音する前に、Audacity をテストして、うまく動くのを確認してください。<a class="xref" href="sect-Musicians_Guide-Audacity-Testing_Playback.html">「インストール後のテスト：再生」</a>と<a class="xref" href="sect-Musicians_Guide-Audacity-Testing_Recording.html">「インストール後のテスト：録音」</a>の手順に従って、Audacity をテストください。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Installation.html"><strong>戻る</strong>5.2.3. 標準のインストール</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Testing_Playback.html"><strong>次へ</strong>5.2.5. インストール後のテスト：再生</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Interface.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Interface.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Interface.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.4. インターフェース</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Audacity.html" title="第5章 Audacity" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format.html" title="5.3.3. プロジェクトのサンプルレートとフォーマットを設定する" /><link rel="next" href="sect-Musicians_Guide-Audacity-Recording.html" title="5.5. 録音" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="prev
ious"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Recording.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Audacity-Interface"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity-Interface">5.4. インターフェース</h2></div></div></div><div class="figure" id="audacity_interface"><div class="figure-contents"><div class="mediaobject"><img src="./images/Audacity-Interface.png" width="444" alt="Audacity のインターフェース" /><div class="longdesc"><div class="para">
+ １つのステレオトラックを表示する Audacity のウインドウ。
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <em class="firstterm">トランスポートコントロール</em>は、オーディオを再生、停止、あるいは再生を一時停止します。録音とファイルの中を素早く移動するためのボタンもここにあります。
+ </div></li><li class="listitem"><div class="para">
+ <em class="firstterm">ツール選択ボックス</em>はカーソルのはたらきを変えます。
+ </div></li><li class="listitem"><div class="para">
+ ２つの<em class="firstterm">ボリュームレベルメーター</em>はステレオオーディオのボリュームレベルを表示します。左のメーターは出力信号のボリュームレベルを表示し、右のメーターは入力信号のボリュームレベルを表示します。
+ </div></li><li class="listitem"><div class="para">
+ <em class="firstterm">ルーラー</em>は、ファイル先頭からの時間を分と秒で表示します。
+ </div></li><li class="listitem"><div class="para">
+ それぞれの<em class="firstterm">トラック</em>には２チャネルのオーディオ信号データがあります。Audacity はトラックをメインウインドウで垂直に並べて表示します。Audacity はすべてのトラックを同時に演奏します。
+ </div></li></ol></div></div></div></div><h6>図5.1 Audacity のインターフェース</h6></div><br class="figure-break" /><div class="figure" id="audacity_track"><div class="figure-contents"><div class="mediaobject"><img src="./images/Audacity-Track.png" width="444" alt="Audacity のトラック" /><div class="longdesc"><div class="para">
+ Audacity で表示された１つのステレオトラック
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ それぞれのトラックには<em class="firstterm">トラック情報エリア</em>があり、そこにはフェーダーやパンナーのような設定と、<span class="guibutton"><strong>ミュート</strong></span>と<span class="guibutton"><strong>ソロ</strong></span>ボタンがあります。
+ </div></li><li class="listitem"><div class="para">
+ <em class="firstterm">タイムライン</em>は Audacity のメインウインドウのメインのエリアです。最も左の点がオーディオファイルの先頭です。
+ </div></li></ol></div></div></div></div><h6>図5.2 Audacity のトラック</h6></div><br class="figure-break" /><div class="para">
+ Audacity のユーザーインターフェースについて読み進むとき、前記の図を見てください。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "トランスポートコントロール"は、オーディオを再生、停止、あるいは再生を一時停止します。録音とファイルの中を素早く移動するためのボタンもここにあります。
+ </div></li><li class="listitem"><div class="para">
+ "ツール選択ボックス"はカーソルのはたらきを変えます。
+ </div></li><li class="listitem"><div class="para">
+ ２つの"ボリュームレベルメーター"はステレオオーディオのボリュームレベルを表示します。左のメーターは出力信号のボリュームレベルを表示し、右のメーターは入力信号のボリュームレベルを表示します。
+ </div></li><li class="listitem"><div class="para">
+ "ルーラー"は、ファイル先頭からの時間を分と秒で表示します。
+ </div></li><li class="listitem"><div class="para">
+ "タイムライン"は Audacity のメインウインドウのメインのエリアです。最も左の点がオーディオファイルの先頭です。
+ </div></li><li class="listitem"><div class="para">
+ それぞれの"トラック"は２チャネルのオーディオ信号データを持ちます。Audacity はトラックをメインウインドウで垂直に並べて表示します。Audacity はすべてのトラックを同時に演奏します。
+ </div></li><li class="listitem"><div class="para">
+ それぞれのトラックには"トラック情報エリア"があり、そこにはフェーダーやパンナーのような設定と、<span class="guibutton"><strong>ミュート</strong></span>と<span class="guibutton"><strong>ソロ</strong></span>ボタンがあります。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ <a class="xref" href="chap-Musicians_Guide-Digital_Audio_Workstations.html">6章<em>デジタルオーディオワークステーション</em></a>には、Audacity のユーザーインターフェースについてより詳しく書いてあります。その章は、多くのユーザーインターフェースコンポーネントの目的と用途を説明しています。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format.html"><strong>戻る</strong>5.3.3. プロジェクトのサンプルレートとフォーマットを設定する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Recording.html"><strong>次へ</strong>5.5. 録音</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.5.2. 続けて録音する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
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+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Audacity-Recording.html" title="5.5. 録音" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Recording.html" title="5.5. 録音" /><link rel="next" href="sect-Musicians_Guide-Audacity-Tutorial.html" title="5.6. 新しいログインサウンドを作る（チュートリアル）" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href=
"sect-Musicians_Guide-Audacity-Recording.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record">5.5.2. 続けて録音する</h3></div></div></div><div class="para">
+ 最初の録音の後でさらにオーディオを録音するには、以下の手段があります：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 既に録音されたオーディオの最後に続けて録音することができます。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="keycap"><strong>シフト</strong></span>を押しながら<span class="guibutton"><strong>録音</strong></span>をクリックします。
+ </div></li><li class="step"><div class="para">
+ Audacity は既に録音されたオーディオの最後から録音を開始します。新しいオーディオは以前に選択されたトラックに入ります。
+ </div></li></ol></div></li><li class="listitem"><div class="para">
+ 新しいオーディオを、既に録音されたオーディオと同時に演奏されるが、少し遅れて開始するように録音することもできます。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="guimenu"><strong>録音と再生</strong></span> → <span class="guimenuitem"><strong>初期位置まで進める</strong></span> を選択するか、<span class="keycap"><strong>Home</strong></span>を押して、トランスポートヘッドをファイルの先頭に移動します。
+ </div></li><li class="step"><div class="para">
+ <span class="guibutton"><strong>録音</strong></span>をクリックします。
+ </div></li><li class="step"><div class="para">
+ Audacity は最初から録音を開始します。新しいオーディオは新しいトラックに入り、既にあるオーディオを消すことはありません。
+ </div></li></ol></div></li><li class="listitem"><div class="para">
+ 新しいオーディオを、既に録音されたオーディオと同時に演奏されるが、少し遅れて開始するように録音することもできます。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ 新しいオーディオを録音したいタイムラインの位置を探します。既にあるトラックのその時刻をクリックします。
+ </div></li><li class="step"><div class="para">
+ <span class="guibutton"><strong>録音</strong></span>をクリックします。
+ </div></li><li class="step"><div class="para">
+ Audacity はトランスポートヘッドの位置から録音を開始します。新しいオーディオは新しいトラックに入り、既にあるオーディオを消すことはありません。
+ </div></li></ol></div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Recording.html"><strong>戻る</strong>5.5. 録音</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial.html"><strong>次へ</strong>5.6. 新しいログインサウンドを作る（チュートリアル）</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Recording.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Recording.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.5. 録音</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+
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+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Audacity.html" title="第5章 Audacity" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Interface.html" title="5.4. インターフェース" /><link rel="next" href="sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record.html" title="5.5.2. 続けて録音する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Music
ians_Guide-Audacity-Interface.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Audacity-Recording"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity-Recording">5.5. 録音</h2></div></div></div><div class="para">
+ このセクションでは、Audacity で録音をするいくつかの方法を説明します。
+ </div><div class="section" id="sect-Musicians_Guide-Audacity-Recording-Start_to_Record"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Recording-Start_to_Record">5.5.1. 録音を開始する</h3></div></div></div><div class="para">
+ この手順は、あなたがマイクから録音するときにも、あなたのコンピューターの他のアプリケーションから録音するときにも使えます。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ コンピューターを録音準備します。使いたいマイクをつないで、テストします。機器をテストする手順は、<a class="xref" href="sect-Musicians_Guide-Audacity-Testing_Playback.html">「インストール後のテスト：再生」</a>と<a class="xref" href="sect-Musicians_Guide-Audacity-Testing_Recording.html">「インストール後のテスト：録音」</a>を参照下さい。
+ </div></li><li class="step"><div class="para">
+ サンプルレートとサンプルフォーマットをチェックします。サンプルレートとサンプルフォーマットを変える手順は、<a class="xref" href="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format.html">「プロジェクトのサンプルレートとフォーマットを設定する」</a>を参照下さい。
+ </div></li><li class="step"><div class="para">
+ <span class="guibutton"><strong>録音</strong></span>ボタンは赤い丸が書いてあります。録音の準備ができたら <span class="guibutton"><strong>録音</strong></span>ボタンをクリックします。
+ </div></li><li class="step"><div class="para">
+ <span class="guibutton"><strong>停止</strong></span>ボタンはオレンジの四角が書いてあります。録音を止めるには、<span class="guibutton"><strong>停止</strong></span>ボタンをクリックします。
+ </div></li><li class="step"><div class="para">
+ * Audacity は録音されたオーディオをトラックのタイムラインの中で、青色の、ボリュームレベルに対応する音波のような図形で表します。Audacity はときには青い図形をすぐに表示し、ときにはあなたが<span class="guibutton"><strong>停止</strong></span>ボタンを押した後にだけ表示します。Audacityが青い図形をすぐに表示しないときは、十分なプロセッサパワーが得られないために、青い図形を処理する代わりにオーディオを処理することに決めたということです。
+ </div></li></ol></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Interface.html"><strong>戻る</strong>5.4. インターフェース</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record.html"><strong>次へ</strong>5.5.2. 続けて録音する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Requirements_and_Installation.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Requirements_and_Installation.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.2. 要件とインストール</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Audacity.html" title="第5章 Audacity" /><link rel="prev" href="chap-Musicians_Guide-Audacity.html" title="第5章 Audacity" /><link rel="next" href="sect-Musicians_Guide-Audacity-Hardware_Requirements.html" title="5.2.2. ハードウエア要件" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Audacity.html"><st
rong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Hardware_Requirements.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Audacity-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity-Requirements_and_Installation">5.2. 要件とインストール</h2></div></div></div><div class="section" id="sect-Musicians_Guide-Audacity-Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Software_Requirements">5.2.1. ソフトウエア要件</h3></div></div></div><div class="para">
+ Audacity はいくつかの"ライブラリ"を使います。ライブラリは、独立していないプログラムで、他のプログラムあるいはアプリケーションに能力を加えます。ライブラリはプログラムの間で共用できます。Audacity が必要とするライブラリは自動的にインストールされます。
+ </div><div class="para">
+ Fedora リポジトリにあるバージョンの Audacity は、MP3 ライブラリを使いません。Audacity で MP3 ファイルを使わないならば、<a class="xref" href="sect-Musicians_Guide-Audacity-Installation.html">「標準のインストール」</a>の手順に従ってください。使いたいならば、<a class="xref" href="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html">「MP3 サポートを含むインストール」</a>の手順に従ってください。
+ </div><div class="para">
+ Audacity は JACK Audio Connection Kit を使うことができます。Audacity をインストールする前に JACK をインストール下さい。JACK をインストールするには、<a class="xref" href="sect-Musicians_Guide-Using_JACK.html#sect-Musicians_Guide-Install_and_Configure_JACK">「<code class="systemitem">JACK</code> をインストール、設定する」</a>の手順に従ってください。Audacity はJACK と一緒に使わないで、ただし、JACK はインストールされているのをお勧めします。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Audacity.html"><strong>戻る</strong>第5章 Audacity</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Hardware_Requirements.html"><strong>次へ</strong>5.2.2. ハードウエア要件</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Save_and_Export.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Save_and_Export.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.7. 保存と書き出し</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
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+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Audacity.html" title="第5章 Audacity" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Tutorial-Conclusion.html" title="5.6.11. 結論" /><link rel="next" href="sect-Musicians_Guide-Audacity-Exporting_a_Whole_File.html" title="5.7.2. ファイルを全部書き出す" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musici
ans_Guide-Audacity-Tutorial-Conclusion.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Exporting_a_Whole_File.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Audacity-Save_and_Export"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity-Save_and_Export">5.7. 保存と書き出し</h2></div></div></div><div class="para">
+ Audacity はそのデータを、Audacity だけが使うことのできる形式で保存します。Audacity は単なるオーディオファイル以上に多くの情報を保存し、この情報は、通常の OGG, FLAC, あるいは AIFF のようなオーディオファイルでは格納できません。
+ </div><div class="para">
+ あなたが自分の作品を共用したり、他のアプリケーションで使いたいときは、エクスポート、書き出す必要があります。オーディオを"書き出す"と、Audacity は Audacity 専用のファイルを通常のオーディオファイル形式に変換します。Audacity は元の Audacity 専用のファイルを削除しませんが、書き出されたファイルは元の Audacity 専用形式に変換することはできません。
+ </div><div class="section" id="sect-Musicians_Guide-Audacity-Exporting_Part_of_a_File"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Exporting_Part_of_a_File">5.7.1. ファイルの部分を書き出す</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ 書き出したいオーディオの部分を選択します。
+ </div></li><li class="step"><div class="para">
+ <span class="guimenu"><strong>ファイル</strong></span> → <span class="guimenuitem"><strong>選択範囲を書き出し</strong></span>を選択します。
+ </div></li><li class="step"><div class="para">
+ 書きだされるオーディオの形式、ファイル名、そしてディレクトリを選択します。終わったら<span class="guibutton"><strong>保存</strong></span>をクリックします。
+ </div></li><li class="step"><div class="para">
+ あなたが選ぶフォーマットによっては、"メタデータ"ウインドウが現れます。望むならこの情報を入力します。
+ </div></li><li class="step"><div class="para">
+ Audacity は書き出すオーディオを処理します。これはオーディオによってはしばらくかかります。
+ </div></li></ol></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Conclusion.html"><strong>戻る</strong>5.6.11. 結論</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Exporting_a_Whole_File.html"><strong>次へ</strong>5.7.2. ファイルを全部書き出す</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format.html
@@ -0,0 +1,18 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.3.3. プロジェクトのサンプルレートとフォーマットを設定する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Audacity_Configuration.html" title="5.3. 構成" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html" title="5.3.2. お使いのサウンドカードに合わせて Audacity を設定する" /><link rel="next" href="sect-Musicians_Guide-Audacity-Interface.html" title="5.4. インターフェース" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="d
ocnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Interface.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format">5.3.3. プロジェクトのサンプルレートとフォーマットを設定する</h3></div></div></div><div class="para">
+ サンプルレートとサンプルフォーマット（定義は<a class="xref" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html">「サンプル、サンプルレート、サンプルフォーマット、およびビットレート」</a>を参照下さい。）を変更することができます。プロジェクトで作業をし始めるときにサンプルレートとサンプルフォーマットを設定するべきです。オーディオを録音した後、サンプルレートとサンプルフォーマットを変更することはできません。既にあるオーディオファイルを使うならば、そのファイルのサンプルレートとサンプルフォーマットを使うべきです。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "設定"ウインドウを開きます。<span class="guimenu"><strong>編集</strong></span> > <span class="guimenuitem"><strong>設定</strong></span>をクリックしてください。
+ </div></li><li class="step"><div class="para">
+ ウインドウの左にあるリストの中から<span class="guibutton"><strong>品質</strong></span>をクリックします。
+ </div></li><li class="step"><div class="para">
+ 設定を必要に合わせて変更します。ほとんどのプロジェクトに対して、44 100 Hz のサンプルレートと 16 bits のサンプルフォーマットをお勧めします。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html"><strong>戻る</strong>5.3.2. お使いのサウンドカードに合わせて Audacity を設定する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Interface.html"><strong>次へ</strong>5.4. インターフェース</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Testing_Playback.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Testing_Playback.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Testing_Playback.html
@@ -0,0 +1,24 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.2.5. インストール後のテスト：再生</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html" title="5.2. 要件とインストール" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html" title="5.2.4. MP3 サポートを含むインストール" /><link rel="next" href="sect-Musicians_Guide-Audacity-Testing_Recording.html" title="5.2.6. インストール後のテスト：録音" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documenta
tion Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Testing_Recording.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Audacity-Testing_Playback"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Testing_Playback">5.2.5. インストール後のテスト：再生</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ Audacity を開始します。
+ </div></li><li class="step"><div class="para">
+ オーディオインターフェイスとスピーカーのボリュームを安全なレベルにします。
+ </div></li><li class="step"><div class="para">
+ <span class="guimenu"><strong>ファイル</strong></span> → <span class="guimenuitem"><strong>開く</strong></span>を選択して、ファイルを開くウインドウを開きます。
+ </div></li><li class="step"><div class="para">
+ <code class="literal">/usr/share/sounds/alsa/Noise.wav</code> ファイルを開きます。このファイルは、オーディオ機器をテストするために作られたものです。
+ </div></li><li class="step"><div class="para">
+ 必要な回数ファイルを演奏します。ファイルが演奏される間、オーディオインターフェイスとスピーカーのボリュームを調整してください。
+ </div></li><li class="step"><div class="para">
+ ファイルが演奏される間、音が聞こえないときはオーディオインターフェイスとスピーカーが正しく接続されて、電源が入っているのを確認下さい。
+ </div></li><li class="step"><div class="para">
+ それでも、ファイルが演奏される間、音が聞こえないときは、<a class="xref" href="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html">「お使いのサウンドカードに合わせて Audacity を設定する」</a> を参照ください。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion.html"><strong>戻る</strong>5.2.4. MP3 サポートを含むインストール</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Testing_Recording.html"><strong>次へ</strong>5.2.6. インストール後のテスト：録音</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Testing_Recording.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Testing_Recording.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Testing_Recording.html
@@ -0,0 +1,34 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.2.6. インストール後のテスト：録音</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Audacity-Requirements_and_Installation.html" title="5.2. 要件とインストール" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Testing_Playback.html" title="5.2.5. インストール後のテスト：再生" /><link rel="next" href="sect-Musicians_Guide-Audacity_Configuration.html" title="5.3. 構成" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="prev
ious"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Testing_Playback.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity_Configuration.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Audacity-Testing_Recording"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Testing_Recording">5.2.6. インストール後のテスト：録音</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ マイクをオーディオインターフェイスにつなぎます。
+ </div></li><li class="step"><div class="para">
+ Audacity を開始します。ファイルは開かないでください。
+ </div></li><li class="step"><div class="para">
+ トランスポートコントロールの右にある、ボリュームレベルメーターを、ツールバーの上で探してください。メーターが見えないときは、<span class="guimenu"><strong>表示</strong></span> → <span class="guisubmenu"><strong>ツールバー</strong></span> → <span class="guimenuitem"><strong>メーターツールバー</strong></span>を選択してください。そのとなりに、チェックマークがついているのを確認下さい。
+ </div></li><li class="step"><div class="para">
+ マイクのとなりの矢印をクリックして、入力メーターのポップアップメニューを開きます。<span class="guimenuitem"><strong>モニターを開始</strong></span>を選択してください。
+ </div></li><li class="step"><div class="para">
+ マイクの前で歌う、話す、あるいは雑音を立ててください。ボリュームレベルメーターで、赤いバーが動いて見えるはずです。
+ </div></li><li class="step"><div class="para">
+ オーディオインターフェイスの録音入力のボリュームを調整してください。雑音がないときは、赤いバーの動くはとても小さくなるはずです。
+ </div></li><li class="step"><div class="para">
+ ボリュームレベルメーターで、動く赤いバーが見えないときは、オーディオインターフェイスとマイクが正しく接続されて、電源が入っているのを確認下さい。もし機器が正しく接続されていなかったときは、オーディオインターフェースの録音入力のボリュームを、今、調整してください。
+ </div></li><li class="step"><div class="para">
+ それでも動く赤いバーが見えないときは、<a class="xref" href="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html">「お使いのサウンドカードに合わせて Audacity を設定する」</a>を参照ください。
+ </div></li><li class="step"><div class="para">
+ <span class="guibutton"><strong>録音</strong></span>ボタンをクリックして、テスト録音を始めます。マイクの前で歌う、話す、あるいは雑音を立ててください。
+ </div></li><li class="step"><div class="para">
+ 何秒かしたら、<span class="guibutton"><strong>停止</strong></span>ボタンをクリックして、テスト録音を止めます。
+ </div></li><li class="step"><div class="para">
+ <span class="guibutton"><strong>再生</strong></span>ボタンをクリックして、録音されたオーディオを聞きます。
+ </div></li><li class="step"><div class="para">
+ 録音の音が変なときは、手動で Audacity を設定してください。<a class="xref" href="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html">「お使いのサウンドカードに合わせて Audacity を設定する」</a> を参照ください。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Testing_Playback.html"><strong>戻る</strong>5.2.5. インストール後のテスト：再生</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity_Configuration.html"><strong>次へ</strong>5.3. 構成</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level.html
new file mode 100644
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level.html
@@ -0,0 +1,22 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.6.5. ボリュームレベルを調整する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Audacity-Tutorial.html" title="5.6. 新しいログインサウンドを作る（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks.html" title="5.6.4. トラックを伸ばす" /><link rel="next" href="sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise.html" title="5.6.6. ノイズを除く" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p
><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level">5.6.5. ボリュームレベルを調整する</h3></div></div></div><div class="para">
+ トラック情報ボックスのフェーダーを使って、トラックのボリュームレベルを調整できます。フェーダーは、左に<code class="literal">-</code>記号、右に<code class="literal">+</code>記号が書かれた水平線です。フェーダーはオーディオ信号そのものは変更しません。
+ </div><div class="para">
+ オーディオの一部分のボリュームレベルを調整することもできます。この場合、オーディオ信号そのものが変更されます。オーディオの一部分のボリュームレベルを調整するには、以下の手順に従ってください。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ チュートリアルの一番下のトラックはとても静かです。トラックの<span class="guibutton"><strong>ソロ</strong></span>ボタンをクリックして、そのトラックだけを聞いてみましょう。トラックのほとんどは静かなうなりが聞こえるだけです。
+ </div></li><li class="step"><div class="para">
+ <span class="guibutton"><strong>選択ツール</strong></span>をクリックし、マウスボタンを押して、１つのトラックのいくらかのオーディオを選択します。
+ </div></li><li class="step"><div class="para">
+ <span class="guimenu"><strong>エフェクト</strong></span> → <span class="guimenuitem"><strong>増幅...</strong></span>を選択します。"増幅"ウインドウが開いたら音の品質を低下させない最大のボリュームレベルの増大値に設定されています。"クリッピングを許可"を有効にするとボリュームレベルをさらに上げることができますが、音の品質は低下します。
+ </div></li><li class="step"><div class="para">
+ 増幅ツールを使って、ボリュームレベルを気にいるまで調整ください。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks.html"><strong>戻る</strong>5.6.4. トラックを伸ばす</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise.html"><strong>次へ</strong>5.6.6. ノイズを除く</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks.html
@@ -0,0 +1,28 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.6.3. トラックを揃える</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Audacity-Tutorial.html" title="5.6. 新しいログインサウンドを作る（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Tutorial-Scenario.html" title="5.6.2. シナリオ" /><link rel="next" href="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks.html" title="5.6.4. トラックを伸ばす" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class
="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Scenario.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks">5.6.3. トラックを揃える</h3></div></div></div><div class="para">
+ セグメントの開始時刻を調整します。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ Audacity ツール ツールバーから、<span class="guibutton"><strong>タイムシフト</strong></span>ボタンをクリックします。
+ </div></li><li class="step"><div class="para">
+ 移動したいセグメントのあるトラックを選択します。セグメントを右か左にドラッグして、それが演奏開始する時刻を変更します。
+ </div></li><li class="step"><div class="para">
+ １つのセグメントの開始点を他のセグメントの終了点にそろえることができます。セグメントをドラッグして、開始点を他のセグメントの終了点に近づけます。セグメントをゆっくり前後にドラッグすると黄色い線が現れます。黄色い線は、２つのセグメントの間に静寂がなくて、セグメントが重なっていないことを示します。
+ </div></li><li class="step"><div class="para">
+ セグメントを、選択カーソルの位置から開始するように移動することもできます。<span class="guibutton"><strong>選択ツール</strong></span>ボタンをクリックして、セグメントが演奏開始する点をトラック上でクリックします。<span class="guimenu"><strong>トラック</strong></span> → <span class="guisubmenu"><strong>トラックを揃える</strong></span> → <span class="guimenuitem"><strong>カーソルに揃える</strong></span>を選択して、トラックを移動します。
+ </div></li><li class="step"><div class="para">
+ <span class="guimenu"><strong>トラック</strong></span> → <span class="guisubmenu"><strong>トラックを揃える</strong></span>のメニューの選択肢を使えば、その他の方法でトラックを移動できます。
+ </div></li><li class="step"><div class="para">
+ 複数トラックを同時に選択できます。それぞれのトラックを選択するときに、<span class="keycap"><strong>シフト</strong></span>を押してください。
+ </div></li><li class="step"><div class="para">
+ 調整をしたら、正しくできたか聞いて確認する必要があります。Audacity ツール ツールバーから<span class="guibutton"><strong>選択ツール</strong></span>をクリックして、聞きたいトラックをクリックします。<span class="guibutton"><strong>再生</strong></span>を押してオーディオを聞いてください。
+ </div></li></ol></div><div class="para">
+ 私たちは自分たちにとって良く聞こえるようにトラックを揃えました。サウンドは短く、面白く、しかし混乱させることのないようにしました。このステップの後、何度もトラックの位置を変更しました。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Scenario.html"><strong>戻る</strong>5.6.2. シナリオ</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks.html"><strong>次へ</strong>5.6.4. トラックを伸ばす</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Conclusion.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Conclusion.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Conclusion.html
@@ -0,0 +1,12 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.6.11. 結論</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Audacity-Tutorial.html" title="5.6. 新しいログインサウンドを作る（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser.html" title="5.6.10. 特殊効果を加える（フェーザー）" /><link rel="next" href="sect-Musicians_Guide-Audacity-Save_and_Export.html" title="5.7. 保存と書き出し" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation
Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Save_and_Export.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Audacity-Tutorial-Conclusion"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Conclusion">5.6.11. 結論</h3></div></div></div><div class="para">
+ あなたのログインサウンドファイルは私たちが完成したものとは異なる音がするでしょう。チュートリアルの指示は意図的にあいまいでした。あなたは自分の創造性を使ってチュートリアルを完成させたのです。あなたはさらに、これらのツールをいろいろな異なる目的のためにどのように使うか学んだことでしょう。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser.html"><strong>戻る</strong>5.6.10. 特殊効果を加える（フェーザー）</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Save_and_Export.html"><strong>次へ</strong>5.7. 保存と書き出し</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Fade_Out.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Fade_Out.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Fade_Out.html
@@ -0,0 +1,20 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.6.7. フェードイン・フェードアウト</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Audacity-Tutorial.html" title="5.6. 新しいログインサウンドを作る（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise.html" title="5.6.6. ノイズを除く" /><link rel="next" href="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio.html" title="5.6.8. オーディオを削除する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a>
</p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out">5.6.7. フェードイン・フェードアウト</h3></div></div></div><div class="para">
+ Audacity にはフェードイン・フェードアウトのためのツールがあります。"フェードイン"するときは、静寂から元のレベルに、ボリュームレベルをゆっくり上げていくということです。"フェードアウト"するときは、元のレベルから静寂に、ボリュームレベルをゆっくり下げていくということです。プロのコンサート録音では、しばしば歌の後、聴衆が拍手をしている間にフェードアウトします。フェードアウトは、ボリュームレベルが徐々に小さくなるので、録音の最後での突然の停止を防ぐことができます。
+ </div><div class="para">
+ 一般的に、オーディオセグメントの開始でフェードインし、オーディオセグメントの最後でフェードアウトします。オーディオセグメントの中間でフェードインあるいはフェードアウトするときに、Audacity を使って特殊効果を使うことができます。Audacity の設定によって、数秒の間にフェードインあるいはフェードアウトし、最初のフェードの中で逆のフェードを加えるという驚くようなエフェクトを使うことができます。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="guibutton"><strong>選択ツール</strong></span>をクリックして、フェードインあるいはフェードアウトするオーディオの部分を選択します。
+ </div></li><li class="step"><div class="para">
+ <span class="guimenu"><strong>エフェクト</strong></span> → <span class="guimenuitem"><strong>フェードイン</strong></span>あるいは<span class="guimenu"><strong>エフェクト</strong></span> → <span class="guimenuitem"><strong>フェードアウト</strong></span>を選択します。
+ </div></li></ol></div><div class="para">
+ 私たちは、トラックの１つで、長いフェードアウトを作って、トラックが静かになるようにしました。それから他のトラックの間隔を調整して、それらを近づけました。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise.html"><strong>戻る</strong>5.6.6. ノイズを除く</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio.html"><strong>次へ</strong>5.6.8. オーディオを削除する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise.html
@@ -0,0 +1,20 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.6.6. ノイズを除く</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Audacity-Tutorial.html" title="5.6. 新しいログインサウンドを作る（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level.html" title="5.6.5. ボリュームレベルを調整する" /><link rel="next" href="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out.html" title="5.6.7. フェードイン・フェードアウト" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.pn
g" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Remove_Noise">5.6.6. ノイズを除く</h3></div></div></div><div class="para">
+ "ノイズ"は、オーディオ信号のうち、期待されない信号部分です。ラジオで音楽を聞くと、音楽とともに、普通はいくらかのノイズが聞こえます。コンピューターがオーディオを録音あるいは再生するとき、電子部品が余分なノイズを作り出すことがあります。チュートリアルの一番下のトラックは、CD を演奏するときに使われた古いノートパソコンの電子部品が作りだしたノイズが含まれます。"ノイズの除去"ツールを使うには、以下のステップに従ってください。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="guibutton"><strong>選択ツール</strong></span>をクリックして、一番下のトラックの小さい部分を選択します。
+ </div></li><li class="step"><div class="para">
+ <span class="guimenu"><strong>エフェクト</strong></span> → <span class="guimenuitem"><strong>ノイズの除去</strong></span>を選択します。"ノイズの除去"ウインドウが現れます。<span class="guibutton"><strong>ノイズプロファイルの取得</strong></span>をクリックします。ノイズの除去ツールは、選択されたオーディオを、除去するべきノイズの例として使います。
+ </div></li><li class="step"><div class="para">
+ トラック全体を選択します。
+ </div></li><li class="step"><div class="para">
+ "ノイズの除去"ウインドウを開きます。<span class="guibutton"><strong>OK</strong></span>をクリックします。ノイズの除去ツールはオーディオを処理します。この例では、ほとんどの信号がノイズなので、ノイズの除去ツールは効果的ではありません。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level.html"><strong>戻る</strong>5.6.5. ボリュームレベルを調整する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out.html"><strong>次へ</strong>5.6.7. フェードイン・フェードアウト</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio.html
@@ -0,0 +1,22 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.6.8. オーディオを削除する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Audacity-Tutorial.html" title="5.6. 新しいログインサウンドを作る（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out.html" title="5.6.7. フェードイン・フェードアウト" /><link rel="next" href="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment.html" title="5.6.9. 既に録音されたセグメントを繰り返す" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/im
age_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio">5.6.8. オーディオを削除する</h3></div></div></div><div class="para">
+ トラックの一部を削除できます。この手続きは、トラックの最後のオーディオを削除します。似た方法で、その他のオーディオ部分を削除することもできます。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="guibutton"><strong>選択ツール</strong></span>クリックして、編集カーソルをトラックを終えたい点に置きます。
+ </div></li><li class="step"><div class="para">
+ <span class="guimenu"><strong>編集</strong></span> → <span class="guisubmenu"><strong>選択</strong></span> → <span class="guimenuitem"><strong>カーソルから最後まで</strong></span>を選択します。<span class="guimenu"><strong>編集</strong></span> → <span class="guisubmenu"><strong>選択</strong></span>メニューには、その他の選択肢もたくさんあります。
+ </div></li><li class="step"><div class="para">
+ <span class="keycap"><strong>Delete</strong></span>を押します。選択されたオーディオは削除されます。
+ </div></li><li class="step"><div class="para">
+ 間違えたら、前の動作を取り消すことができます。<span class="guimenu"><strong>編集</strong></span> → <span class="guimenuitem"><strong>取り消し</strong></span>を選択ください。
+ </div></li></ol></div><div class="para">
+ 最も下のトラックの終端を削除しました。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Fade_Out.html"><strong>戻る</strong>5.6.7. フェードイン・フェードアウト</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment.html"><strong>次へ</strong>5.6.9. 既に録音されたセグメントを繰り返す</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment.html
@@ -0,0 +1,24 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.6.9. 既に録音されたセグメントを繰り返す</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Audacity-Tutorial.html" title="5.6. 新しいログインサウンドを作る（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio.html" title="5.6.8. オーディオを削除する" /><link rel="next" href="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser.html" title="5.6.10. 特殊効果を加える（フェーザー）" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png"
alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment">5.6.9. 既に録音されたセグメントを繰り返す</h3></div></div></div><div class="para">
+ 既に録音されたオーディオのセグメントを繰り返すことができます。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="guibutton"><strong>選択ツール</strong></span>をクリックして、オーディオの部分を選択します。
+ </div></li><li class="step"><div class="para">
+ <span class="guimenu"><strong>編集</strong></span> → <span class="guimenuitem"><strong>コピー</strong></span>を選択するか、 <span class="keycap"><strong>Control</strong></span>+<span class="keycap"><strong>c</strong></span>を押します。
+ </div></li><li class="step"><div class="para">
+ トラックの中でコピーが演奏し始めるべき付近をクリックします。
+ </div></li><li class="step"><div class="para">
+ <span class="guimenu"><strong>編集</strong></span> → <span class="guimenuitem"><strong>ペースト</strong></span>を選択するか、 <span class="keycap"><strong>Control</strong></span>+<span class="keycap"><strong>v</strong></span>を押します。
+ </div></li><li class="step"><div class="para">
+ <span class="guibutton"><strong>タイムシフトツール</strong></span>をクリックして、新しいオーディオクリップのタイムラインの位置を調整します。
+ </div></li></ol></div><div class="para">
+ ログインサウンドの終わりをより面白くするため、セグメントの終わりを２回繰り返しました。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Removing_Audio.html"><strong>戻る</strong>5.6.8. オーディオを削除する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser.html"><strong>次へ</strong>5.6.10. 特殊効果を加える（フェーザー）</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Scenario.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Scenario.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Scenario.html
@@ -0,0 +1,12 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.6.2. シナリオ</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Audacity-Tutorial.html" title="5.6. 新しいログインサウンドを作る（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Tutorial.html" title="5.6. 新しいログインサウンドを作る（チュートリアル）" /><link rel="next" href="sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks.html" title="5.6.3. トラックを揃える" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png"
alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Audacity-Tutorial-Scenario"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Scenario">5.6.2. シナリオ</h3></div></div></div><div class="para">
+ あなたは友達に、Fedora Linux にあるいくつかのオープンソースのオーディオアプリケーションの話をしました。あなたの友達はコンピューターにログインしたときに演奏される新しいサウンドを作るのを手伝ってくれといいました。あなたは自分の音楽 CD コレクションを探して、お気に入りの録音を見つけました。あなたとあなたの友達はその CD からいくつかのクリップを使って新しいログインサウンドを作り始めることにしました。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial.html"><strong>戻る</strong>5.6. 新しいログインサウンドを作る（チュートリアル）</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks.html"><strong>次へ</strong>5.6.3. トラックを揃える</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks.html
new file mode 100644
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks.html
@@ -0,0 +1,28 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.6.4. トラックを伸ばす</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Audacity-Tutorial.html" title="5.6. 新しいログインサウンドを作る（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks.html" title="5.6.3. トラックを揃える" /><link rel="next" href="sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level.html" title="5.6.5. ボリュームレベルを調整する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Doc
umentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Stretching_Tracks">5.6.4. トラックを伸ばす</h3></div></div></div><div class="para">
+ トラックを伸ばしたり縮めたりして、演奏時間を長く、あるいは短くすることもできます。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "テンポの変更"ツールは速度を変え、音程は変えません。音の品質は大いに低下します。
+ </div></li><li class="listitem"><div class="para">
+ "スピードの変更"ツールは速度と音程を変えます。音の品質はあまり変わりません。
+ </div></li></ul></div>
+
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ 調整したいトラックのトラック情報の部分をクリックします。
+ </div></li><li class="step"><div class="para">
+ <span class="guimenu"><strong>エフェクト</strong></span> → <span class="guimenuitem"><strong>テンポの変更</strong></span>あるいは<span class="guimenu"><strong>エフェクト</strong></span> → <span class="guimenuitem"><strong>スピードの変更</strong></span>を選択します。正の数を入れると、スピードは増して、オーディオは短い時間で終わります。負の数を入れると、スピードは減って、オーディオは長い時間かかります。
+ </div></li><li class="step"><div class="para">
+ <span class="guibutton"><strong>プレビュー</strong></span>をクリックして、調整されたスピードでいくらかのオーディオを聞いてみます。Audacity は変更をプレビューするとき、オーディオを変更しません。
+ </div></li><li class="step"><div class="para">
+ 変更を適用するには<span class="guibutton"><strong>OK</strong></span>をクリックします。Audacity はオーディオを処理します。変更はすぐには現れません。
+ </div></li></ol></div><div class="para">
+ １つのトラックのスピードを変更しました。これは私たちにとって初めての音であるので、音の品質には注意していません。あなたが他の人に聴いてもらうオーディオを編集するときには音の品質を保つように注意してください。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Aligning_Tracks.html"><strong>戻る</strong>5.6.3. トラックを揃える</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Adjust_Volume_Level.html"><strong>次へ</strong>5.6.5. ボリュームレベルを調整する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser.html
new file mode 100644
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser.html
@@ -0,0 +1,32 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.6.10. 特殊効果を加える（フェーザー）</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Audacity-Tutorial.html" title="5.6. 新しいログインサウンドを作る（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment.html" title="5.6.9. 既に録音されたセグメントを繰り返す" /><link rel="next" href="sect-Musicians_Guide-Audacity-Tutorial-Conclusion.html" title="5.6.11. 結論" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation
Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Conclusion.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Using_the_Phaser">5.6.10. 特殊効果を加える（フェーザー）</h3></div></div></div><div class="para">
+ Audacity にはたくさんのエフェクトプラグインがあり、もっと追加することもできます。フェーザーは、反響、パニング、そして周波数を調整して、こまのようなサウンドを作ります。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ １つのトラックだけが演奏されているときに、どれかのトラックの部分を選択します。
+ </div></li><li class="step"><div class="para">
+ <span class="guimenu"><strong>エフェクト</strong></span> → <span class="guimenuitem"><strong>フェーザー</strong></span>を選択して、設定を実験します。<span class="guibutton"><strong>プレビュー</strong></span>をクリックして、あなたの設定の効果を聞きます。Audacityは、あなたが設定をプレ>ビューするときに、オーディオは変更しません。
+ </div></li><li class="step"><div class="para">
+ チュートリアルでは、フェーザーを、最後に、この設定で使います：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Stages: 2
+ </div></li><li class="listitem"><div class="para">
+ Dry/Wet: 128
+ </div></li><li class="listitem"><div class="para">
+ LFO Frequency: 0.4
+ </div></li><li class="listitem"><div class="para">
+ LFO Start Phase: 0
+ </div></li><li class="listitem"><div class="para">
+ Depth: 128
+ </div></li><li class="listitem"><div class="para">
+ Feedback: 90
+ </div></li></ul></div>
+
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Tutorial-Repeating_a_Segment.html"><strong>戻る</strong>5.6.9. 既に録音されたセグメントを繰り返す</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Conclusion.html"><strong>次へ</strong>5.6.11. 結論</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity-Tutorial.html
@@ -0,0 +1,20 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.6. 新しいログインサウンドを作る（チュートリアル）</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Audacity.html" title="第5章 Audacity" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record.html" title="5.5.2. 続けて録音する" /><link rel="next" href="sect-Musicians_Guide-Audacity-Tutorial-Scenario.html" title="5.6.2. シナリオ" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicia
ns_Guide-Audacity-Recording-Continuing_to_Record.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Scenario.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Audacity-Tutorial"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity-Tutorial">5.6. 新しいログインサウンドを作る（チュートリアル）</h2></div></div></div><div class="section" id="sect-Musicians_Guide-Audacity-Tutorial-Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-Tutorial-Files">5.6.1. チュートリアルのためのファイル</h3></div></div></div><div class="para">
+ チュートリアルをするには、<em class="citetitle">Tutorial Start</em>ファイルを使います。<em class="citetitle">Tutorial End</em> ファイルと<em class="citetitle">Exported FLAC</em>ファイルは完成された例です。あなたがチュートリアルを終わったとき、あなたのプロジェクトは私たちのものとたぶん同じではないでしょう。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle">Tutorial Start</em> is available at <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/Audacity/Audacity-start.tar.lzma">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/Audacity/Audacity-start.tar.lzma</a>
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">Tutorial End</em> is available at <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/Audacity/Audacity-start.tar.lzma">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/Audacity/Audacity-start.tar.lzma</a>
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">Exported FLAC</em>is available at <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/Audacity/Audacity-export.flac">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/Audacity/Audacity-export.flac</a>
+ </div></li></ul></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Recording-Continuing_to_Record.html"><strong>戻る</strong>5.5.2. 続けて録音する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Tutorial-Scenario.html"><strong>次へ</strong>5.6.2. シナリオ</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity_Configuration.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity_Configuration.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Audacity_Configuration.html
@@ -0,0 +1,12 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>5.3. 構成</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Audacity.html" title="第5章 Audacity" /><link rel="prev" href="sect-Musicians_Guide-Audacity-Testing_Recording.html" title="5.2.6. インストール後のテスト：録音" /><link rel="next" href="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html" title="5.3.2. お使いのサウンドカードに合わせて Audacity を設定する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /><
/a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Testing_Recording.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Audacity_Configuration"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Audacity_Configuration">5.3. 構成</h2></div></div></div><div class="section" id="sect-Musicians_Guide-Audacity-First_Use"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Audacity-First_Use">5.3.1. 初めて Audacity を実行する時</h3></div></div></div><div class="para">
+ 初めて Audacity を実行する時、インターフェースで使う言語を選ぶように言われます。Audacity を使う前に、前記のインストール後のテスト手順に従うことをお勧めします。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Audacity-Testing_Recording.html"><strong>戻る</strong>5.2.6. インストール後のテスト：録音</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware.html"><strong>次へ</strong>5.3.2. お使いのサウンドカードに合わせて Audacity を設定する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Automation.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Automation.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Automation.html
@@ -0,0 +1,14 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.3.5. オートメーション</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html" title="6.3. インタフェース用語" /><link rel="prev" href="sect-Musicians_Guide-Transport_and_Playhead.html" title="6.3.4. トランスポートと再生ヘッド" /><link rel="next" href="sect-Musicians_Guide-DAW_User_Interface.html" title="6.4. ユーザインタフェース" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="prev
ious"><a accesskey="p" href="sect-Musicians_Guide-Transport_and_Playhead.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-DAW_User_Interface.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Automation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Automation">6.3.5. オートメーション</h3></div></div></div><div class="para">
+ DAW でのオートメーションは、進んだ話題であるか、あるいは人間が行う決定を代わりに行うために使われるもののように聞こえるかもしれません。これは全く誤りです。<em class="firstterm">オートメーション</em>は、ユーザが、セッションが再生される度に同じ設定を自動的にすることを可能とします。これは以下の点で手動だけの制御より優れています。それは、とても正確で、なめらかで、一貫した調整ができます。あなたは調整を記憶しなくてもよいです。そして、それは、あなたが手動でできるよりずっとたくさんの調整を同時に行うことができます。オートメーションを使えば、セッションの超人的な制御ができるということです。ほとんどの設定はオートメーションにより調整できます。最も一般的なのは、フェーダとパ
ンナーでしょう。
+ </div><div class="para">
+ è¨å®šã‚’オートメーションã§è¡Œã†æœ€ã‚‚一般的ãªæ–¹æ³•ã¯ã€<em class="firstterm">エンベãƒãƒ¼ãƒ—</em>ã¨å‘¼ã°ã‚Œã‚‹2次元ã®ã‚°ãƒ©ãƒ•ã‚’使ã†ã“ã¨ã§ã™ã€‚ãã‚Œã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒˆãƒ©ãƒƒã‚¯ã®ä¸Šã«æã‹ã‚Œã¦ã„ã‚‹ã‹ã€ã‚ã‚‹ã„ã¯ãã®ä¸‹ã€<em class="firstterm">オートメーショントラック</em>ã®ä¸ã«æã‹ã‚Œã¦ã„ã¾ã™ã€‚ユーザã¯ã€èª¿æ•´ä½ç½®ã‚’グラフã®ä¸Šã«è¿½åŠ ã—ã€ç§»å‹•ã™ã‚‹ã“ã¨ã§è¨å®šã—ã¾ã™ã€‚ã“ã®æ–¹æ³•ã§ã€è¤‡é›‘ãªã€ãªã‚らã‹ãªè¨å®šã®å¤‰åŒ–ã‚‚ã§ãã¾ã™ã—ã€ç°¡å˜ãªã€1回ã ã‘ã®å¤‰åŒ–ã‚‚ã§ãã¾ã™ã€‚オートメーションã¯ã€ã—ã°ã—ã°ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã¨MIDIトラックã®ã©ã¡ã‚‰ã®å ´åˆã§ã‚‚ã€MIDI ä¿¡å·ã§åˆ¶å¾¡ã•ã‚Œã¾ã™ã€‚ã“ã‚Œã«ã‚ˆã‚Šã€å¤–部デãƒã‚¤ã‚¹ãŒ DAW ã®è¨å®šã‚’変ãˆãŸã‚Šã€ãã®é€†ã‚‚å¯èƒ½ã§ã™ã€‚ã‚ãªãŸã¯ã€ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã® DAW ã‹ã‚‰ã€ã‚ãªãŸè‡ªèº«ã®ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã‚’実際ã«ã‚ªãƒ¼ãƒˆãƒ¡ãƒ¼ã‚·ãƒ§ãƒ³æ“作ã§ãã‚‹ã®ã§ã™ï¼ã
‚‚ã¡ã‚ã‚“ã€ã™ã¹ã¦ã®ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ãŒã“れをサãƒãƒ¼ãƒˆã—ã¦ã„ã‚‹ã‚ã‘ã§ã¯ãªã„ã®ã§ã€ã‚ãªãŸã®ãƒ‡ãƒã‚¤ã‚¹ã®ãƒ¦ãƒ¼ã‚¶ãƒžãƒ‹ãƒ¥ã‚¢ãƒ«ã‚’å‚ç…§ã—ã¦ãã ã•ã„。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Transport_and_Playhead.html"><strong>戻る</strong>6.3.4. トランスポートと再生ヘッド</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-DAW_User_Interface.html"><strong>次へ</strong>6.4. ユーザインタフェース</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Bit_Rate.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Bit_Rate.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Bit_Rate.html
@@ -0,0 +1,14 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.3.4. ビットレート</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html" title="1.3. サンプル、サンプルレート、サンプルフォーマット、およびビットレート" /><link rel="prev" href="sect-Musicians_Guide-Sample_Rate.html" title="1.3.3. サンプルレート" /><link rel="next" href="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions.html" title="1.3.5. 結論" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a
></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Sample_Rate.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Bit_Rate"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Bit_Rate">1.3.4. ビットレート</h3></div></div></div><div class="para">
+ ビットレートは指定された期間内にあるビット数です。 ビットレートは、通常は（"kbps"または"kb/s"と略称される）毎秒キロビットで測定されます。 この単位は、一般的に非可逆圧縮オーディオ形式で格納されている情報の量を示すために使用されます。
+ </div><div class="para">
+ ビットレートを計算するためには、サンプルレートに、サンプルフォーマットを掛けます。 たとえば、オーディオ CD（705.6 kb/s）のビットレートは、サンプルレート（44.1 kHz）にサンプルフォーマット（16 ビット）を乗じたものです。 MP3形式のファイルは、通常128 キロビット/秒のビットレートでエンコードされます。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Sample_Rate.html"><strong>戻る</strong>1.3.3. サンプルレート</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions.html"><strong>次へ</strong>1.3.5. 結論</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions.html
new file mode 100644
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions.html
@@ -0,0 +1,26 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.3.5. 結論</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html" title="1.3. サンプル、サンプルレート、サンプルフォーマット、およびビットレート" /><link rel="prev" href="sect-Musicians_Guide-Bit_Rate.html" title="1.3.4. ビットレート" /><link rel="next" href="chap-Musicians_Guide-Vocabulary.html" title="1.4. その他のデジタルオーディオの概念" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentatio
n Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Bit_Rate.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Vocabulary.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Bit_and_Sample_Rate_Conclusions">1.3.5. 結論</h3></div></div></div><div class="para">
+ サンプルレートと、サンプルフォーマットの両方は、潜在的な音質に影響を与えます。お使いのオーディオ機器の能力と、あなたのオーディオ信号の使用目的が、あなたが使用するべき設定を決めます。
+ </div><div class="para">
+ 以下はいくつかの広く使われているサンプルレートと、サンプルフォーマットです。どのサンプルレートと、サンプルフォーマットを使用するかを決めるための参考としてください。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 16ビットサンプル、44.1 kHzのサンプルレート。 オーディオ CD に使用されます。 広く互換性があります。 705.6 キロビット/秒のビットレート。
+ </div></li><li class="listitem"><div class="para">
+ 24ビットサンプル、および96 kHzのサンプルレート。 オーディオ CDはこれらの設定で録音され、後に"ダウンミックス"されます。 2304 キロビット/秒のビットレート。
+ </div></li><li class="listitem"><div class="para">
+ 24ビットサンプル、および192 kHzのサンプルレート。 DVD オーディオの最大の設定。ただし、あまり互換性がありません。 4608 キロビット/秒のビットレート。
+ </div></li><li class="listitem"><div class="para">
+ 1ビットのサンプル、および2822.4 kHzのサンプルレート。 SuperAudio CD のために使用されます。 それ以外にはまず使われません。 2822.4 キロビット/秒のビットレート。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ サンプルレートと、サンプルフォーマットは、全体的な音質を決定するもののほんの一部です。 音質は主観的なものです。このためあなたは、あなたのすることにとって最適なオーディオインターフェイスと設定を見つけるために実験をする必要があります。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Bit_Rate.html"><strong>戻る</strong>1.3.4. ビットレート</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Vocabulary.html"><strong>次へ</strong>1.4. その他のデジタルオーディオの概念</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Changing_the_Order.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Changing_the_Order.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.12.2. Changing the Order</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html" title="11.3.12. Ordering and Other Synth Features" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html" title="11.3.12. Ordering and Other Synth Features" /><link rel="next" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Replace_a_Running_Synth.html" title="11.3.12.3. Replace a Running Synth" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="
Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Replace_a_Running_Synth.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Changing_the_Order"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Changing_the_Order">11.3.12.2. Changing the Order</h4></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> offers equally easy-to-use methods to change the order of execution.
+ </div><div class="para">
+ To move a synth's execution after another: <div class="funcsynopsis"><p><code class="funcdef">variableHoldingSynth<strong>fsfuncmoveAfter</strong>(</code><var class="pdparam">variableHoldingAnotherSynth</var><code>)</code>;</p></div>
+ </div><div class="para">
+ To move a synth's execution before another: <div class="funcsynopsis"><p><code class="funcdef">variableHoldingSynth<strong>fsfuncmoveBefore</strong>(</code><var class="pdparam">variableHoldingAnotherSynth</var><code>)</code>;</p></div>
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html"><strong>戻る</strong>11.3.12. Ordering and Other Synth Features</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Replace_a_Running_Synth.html"><strong>次へ</strong>11.3.12.3. Replace a Running Synth</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Pausing_and_Restarting_a_Synth.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Pausing_and_Restarting_a_Synth.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.12.4. Pausing and Restarting a Synth</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html" title="11.3.12. Ordering and Other Synth Features" /><link rel="prev" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Replace_a_Running_Synth.html" title="11.3.12.3. Replace a Running Synth" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling.html" title="11.3.13. Scheduling" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" a
lt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Replace_a_Running_Synth.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Pausing_and_Restarting_a_Synth"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Pausing_and_Restarting_a_Synth">11.3.12.4. Pausing and Restarting a Synth</h4></div></div></div><div class="para">
+ The server allows you to temporarily pause and later re-start a synth, without freeing and re-creating it.
+ </div><div class="para">
+ To pause a synth:
+<pre class="programlisting"><em class="replaceable"><code>variableHoldingSynth</code></em>.run( false );</pre>
+
+ </div><div class="para">
+ To re-start a synth:
+<pre class="programlisting"><em class="replaceable"><code>variableHoldingSynth</code></em>.run( true );</pre>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Replace_a_Running_Synth.html"><strong>戻る</strong>11.3.12.3. Replace a Running Synth</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling.html"><strong>次へ</strong>11.3.13. Scheduling</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Replace_a_Running_Synth.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Replace_a_Running_Synth.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.12.3. Replace a Running Synth</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html" title="11.3.12. Ordering and Other Synth Features" /><link rel="prev" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Changing_the_Order.html" title="11.3.12.2. Changing the Order" /><link rel="next" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Pausing_and_Restarting_a_Synth.html" title="11.3.12.4. Pausing and Restarting a Synth" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproj
ect.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Changing_the_Order.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Pausing_and_Restarting_a_Synth.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Replace_a_Running_Synth"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Replace_a_Running_Synth">11.3.12.3. Replace a Running Synth</h4></div></div></div><div class="para">
+ The server allows you to replace a running synth with a newly-created one, maintaining all of the ordering relationships.
+ </div><div class="para">
+ This is the syntax:
+<pre class="programlisting">variableHoldingNewSynth = Synth.replace( variableHoldingSynthToReplace, nameOfSynthDef, ListOfArguments );</pre>
+ The "variableHoldingNewSynth" will often be the same as the "variableHoldingSynthToReplace," but not always. When you use this Function, the synth being replaced is freed from the server (equivalent to running "free"), so that variable should always be assigned something.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Changing_the_Order.html"><strong>戻る</strong>11.3.12.2. Changing the Order</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Pausing_and_Restarting_a_Synth.html"><strong>次へ</strong>11.3.12.4. Pausing and Restarting a Synth</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-CCRMA_Best_Practices.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-CCRMA_Best_Practices.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>4.2.3. 可能な "ベストプラクティス "ソリューション</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html" title="4.2. Planet CCRMA at Home を使うかどうかを決める" /><link rel="prev" href="sect-Musicians_Guide-CCRMA_Security_and_Stability.html" title="4.2.2. セキュリティと安定性" /><link rel="next" href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html" title="4.3. Planet CCRMA at Home のソフトウエアを使う" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt=
"Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-CCRMA_Security_and_Stability.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-CCRMA_Best_Practices"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-CCRMA_Best_Practices">4.2.3. 可能な "ベストプラクティス "ソリューション</h3></div></div></div><div class="para">
+ すべての Fedora Linux ユーザは CCRMA で働く、Planet CCRMA at Home リポジトリを提供してくれる人々に感謝するべきです。これまで彼らの作業は、Fedora が多くの高品質のオーディオソフトウエアを提供する助けとなってきました。さらに、Planet CCRMA at Home リポジトリをとおして、多くの CCRMA の高度に専門化されたソフトウエアアプリケーションが入手可能なことはオーディオと音楽の熱狂者にとってとても貴重なリソースでした。
+ </div><div class="para">
+ 一方、Fedora ユーザは、Planet CCRMA ソフトウエアが、Fedora ソフトウエアと同じ基準を満たすとは期待できません。Fedora Project の主なゴールは Linux ソフトウエアを提供することですが、CCRMA の主なゴールはコンピュータを使った音楽とオーディオの研究と芸術についての知識を前進させることなのです。
+ </div><div class="para">
+ これらの２つのゴールはどこで出会うでしょうか？
+ </div><div class="para">
+ もしあなたが、あなたのコンピュータを日々のデスクトップ作業と高品質オーディオ製作の両方に使いたいならば、１つのよい解決策はあなたのコンピュータを "デュアルブート "することです。これには、同じ物理コンピュータに Fedora Linux を 2 回インストールする必要がありますが、こうすれば Planet CCRMA at Home ソフトウエアのために完全に分離されたオペレーティングシステム環境を保持することができます。これによりあなたは、Planet CCRMA のアプリケーションを、最も最適化された状態で安全に、セキュアに実行することができます。さらに、あなたはオーディオ作業のために必要のないシステムサービスを停止したり、削除することにより、システムをより最適化することもできます。例えば、GNOME あるいは KDE ユーザは、
オーディオ最適化されたインストールのためには "Openbox"だけをインストールする選択ができます。
+ </div><div class="para">
+ あるいは、半分、という手段もあります：いくつかの Planet CCRMA アプリケーションだけをインストールして、完全に最適化されたカーネルとシステムコンポーネントはインストールしないということです。これは、典型的な日々の作業（電子メール、ワードプロセッシング、ウエブブラウジング、など ) に使われることが多いコンピュータに適しています。例えばもしあなたが SuperCollider を使いたいけど他のオーディオソフトウエアは必要ない場合、これがあなたにとって最適な解決策かもしれません。
+ </div><div class="para">
+ 結局、あなたのコンピュータとデータが安全でセキュアであるのを保証するのはあなたの責任です。あなたは自分の作業パターンと欲求のために最適な策を見つけてください。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-CCRMA_Security_and_Stability.html"><strong>戻る</strong>4.2.2. セキュリティと安定性</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html"><strong>次へ</strong>4.3. Planet CCRMA at Home のソフトウエアを使う</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-CCRMA_Preventing_Package_Updates.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-CCRMA_Preventing_Package_Updates.html
new file mode 100644
index 0000000..cc8b497
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-CCRMA_Preventing_Package_Updates.html
@@ -0,0 +1,26 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>4.3.3. パッケージを更新されなくする</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html" title="4.3. Planet CCRMA at Home のソフトウエアを使う" /><link rel="prev" href="sect-Musicians_Guide-CCRMA_Repository_Priorities.html" title="4.3.2. リポジトリの優先度を設定する" /><link rel="next" href="pt02.html" title="パート II. オーディオと音楽ソフトウエア" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="
docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-CCRMA_Repository_Priorities.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="pt02.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates">4.3.3. パッケージを更新されなくする</h3></div></div></div><div class="para">
+ これはオプショナルで、進んだユーザにのみ勧められます。<span class="application"><strong>yum</strong></span> は普通は、どのリポジトリが提供するかには無関係に、パッケージの最新のバージョンをインストールします . このプラグインを使うと、この振る舞いを変え、<span class="application"><strong>yum</strong></span> が、主に提供するリポジトリによってパッケージバージョンを選ぶようにできます。低い優先度のリポジトリで新しいバージョンがあっても、<span class="application"><strong>yum</strong></span> はパッケージをアップグレードしません . もしあなたが、単に、あるパッケージをアップデートしたくないときは <a class="xref" href="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates.html">「パッケージを更新されなくする」</a> の手順の方が、あなたの目的にか
ないます。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <code class="literal">yum-plugin-versionlock</code> パッケージをインストール下さい。
+ </div></li><li class="listitem"><div class="para">
+ テキストエディタ、<span class="application"><strong>cat</strong></span> あるいは <span class="application"><strong>less</strong></span> コマンドで <code class="filename">/etc/yum/pluginconf.d/versionlock.conf</code> が存在し、以下のテキストを含むのを確認ください： <code class="code">enabled = 1</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="filename">/etc/yum/pluginconf.d/versionlock.list</code> に、あなたが更新したくないパッケージのリストを追加下さい。それぞれのパッケージは別の行に書いてください。例えば：
+<pre class="programlisting">
+⏎
+jack-audio-connect-kit-1.9.4⏎
+qjackctl-0.3.6⏎
+</pre>
+
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-CCRMA_Repository_Priorities.html"><strong>戻る</strong>4.3.2. リポジトリの優先度を設定する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="pt02.html"><strong>次へ</strong>パート II. オーディオと音楽ソフトウエア</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-CCRMA_Repository_Priorities.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-CCRMA_Repository_Priorities.html
new file mode 100644
index 0000000..88d9a97
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-CCRMA_Repository_Priorities.html
@@ -0,0 +1,24 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>4.3.2. リポジトリの優先度を設定する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html" title="4.3. Planet CCRMA at Home のソフトウエアを使う" /><link rel="prev" href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html" title="4.3. Planet CCRMA at Home のソフトウエアを使う" /><link rel="next" href="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates.html" title="4.3.3. パッケージを更新されなくする" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png"
alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-CCRMA_Repository_Priorities"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-CCRMA_Repository_Priorities">4.3.2. リポジトリの優先度を設定する</h3></div></div></div><div class="para">
+ これはオプショナルで、進んだユーザにのみ勧められます。<span class="application"><strong>yum</strong></span> は普通は、どのリポジトリが提供するかには無関係に、パッケージの最新のバージョンをインストールします . このプラグインを使うと、この振る舞いを変え、<span class="application"><strong>yum</strong></span> が、主に提供するリポジトリによってパッケージバージョンを選ぶようにできます。低い優先度のリポジトリで新しいバージョンがあっても、<span class="application"><strong>yum</strong></span> はパッケージをアップグレードしません . もしあなたが、単に、あるパッケージをアップデートしたくないときは <a class="xref" href="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates.html">「パッケージを更新されなくする」</a> の手順の方が、あなたの目的にか
ないます。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="package">yum-plugin-priorities</span> パッケージをインストールください。
+ </div></li><li class="step"><div class="para">
+ テキストエディタ、<span class="application"><strong>cat</strong></span> あるいは <span class="application"><strong>less</strong></span> コマンドで <code class="filename">/etc/yum/pluginconf.d/priorities.conf</code> が存在し、以下のテキストを含むのを確認ください：
+<pre class="programlisting">
+⏎
+[main]⏎
+enabled = 1⏎
+</pre>
+ もしこのプラグインを使うのを止めるときは、このファイルを編集して、<code class="code">enabled = 0</code> として下さい。そうすれば、リポジトリ構成ファイルに設定された優先度をそのままにしておけます。
+ </div></li><li class="step"><div class="para">
+ 一部、あるいはすべてのリポジトリに優先度を設定できます。リポジトリに優先度を設定するには、<code class="filename">/etc/yum.repos.d/<em class="replaceable"><code>*</code></em></code> ディレクトリのそのリポジトリに相当するファイルを編集して、以下のような行を追加します： <code class="literal">priority = <em class="replaceable"><code>N</code></em></code>。ここで、<code class="literal">N</code> は <code class="literal">1</code> 以上 <code class="literal">99</code> 以下の数字です。優先度 <code class="literal">1</code> が最高の設定で、<code class="literal">99</code> が最低です。少なくとも２つのリポジトリに優先度を設定しないと、このはたらきは有効でありません。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html"><strong>戻る</strong>4.3. Planet CCRMA at Home のソフトウエアを使う</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-CCRMA_Preventing_Package_Updates.html"><strong>次へ</strong>4.3.3. パッケージを更新されなくする</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-CCRMA_Security_and_Stability.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-CCRMA_Security_and_Stability.html
new file mode 100644
index 0000000..cd4678f
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-CCRMA_Security_and_Stability.html
@@ -0,0 +1,18 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>4.2.2. セキュリティと安定性</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html" title="4.2. Planet CCRMA at Home を使うかどうかを決める" /><link rel="prev" href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html" title="4.2. Planet CCRMA at Home を使うかどうかを決める" /><link rel="next" href="sect-Musicians_Guide-CCRMA_Best_Practices.html" title="4.2.3. 可能な "ベストプラクティス "ソリューション" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src=
"Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-CCRMA_Best_Practices.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-CCRMA_Security_and_Stability"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-CCRMA_Security_and_Stability">4.2.2. セキュリティと安定性</h3></div></div></div><div class="para">
+ あなたがそこのソフトウエアを <span class="emphasis"><em> 必要とする </em></span> のでなければ Planet CCRMA at Home リポジトリをインストールするべきでない最大の理由は、セキュリティです。Planet CCRMA リポジトリを使うことについて、主に２つのセキュリティ問題があります。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Planet CCRMA は、専用のオーディオワークステーションのためのものです。ソフトウエアは、コンピュータシステムをオーディオ作業に使えるようにするために必要な最適化により引き起こされる潜在的 ( あるいは未知の）セキュリティ上の脅威を生み出すかもしれない方法でパッケージングされます。さらに、これらの最適化は Planet CCRMA 以外のソフトウエアに存在するバグを明らかにして、最適化されないシステムで起きる以上の損害を与えるかもしれません。最後に、コンピュータシステムの "安定性 "（トラブルなしに動くことのできる能力）は、オーディオ最適化のために損なわれるかもしれません。普通のデスクトップアプリケーションは、オーディオ最適化されたシステムの上では比較的うまく動かないかもしれません
。最適化処理が、意図に反して、いくつかの他のプロセスを最適ではなくすることもあるからです。
+ </div></li><li class="listitem"><div class="para">
+ CCRMA は、Linux にフォーカスした巨大な組織ではありません。それは学術組織でありその Planet CCRMA at Home リポジトリに対する主な意図は、コンピュータを持っている誰でもが、彼らがしていることと同じ種類の作業をできるようにするということです。Fedora Project は比較的大きな組織で、世界で最大の商用 Linux 提供者の１つに後援されています。そして、日々の使用に耐える安定してセキュアなオペレーティングシステムを作成することにフォーカスしています。さらに、世界の数千の人々が Fedora Project あるいはそのスポンサー企業で働いており、積極的に問題を解決するのが彼らの責任です。CCRMA も同じ責任を持ちますが、彼らは Fedora Project のように専用のリソースを持ちませんから、同じレベルのサポートを提供できると考
えるのは単純（？？？）過ぎると言えるかもしれません。
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html"><strong>戻る</strong>4.2. Planet CCRMA at Home を使うかどうかを決める</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-CCRMA_Best_Practices.html"><strong>次へ</strong>4.2.3. 可能な "ベストプラクティス "ソリューション</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Choose_Sound_Card_Connection.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Choose_Sound_Card_Connection.html
new file mode 100644
index 0000000..8a6e602
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Choose_Sound_Card_Connection.html
@@ -0,0 +1,12 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.2.5. 接続タイプを選択する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Sound_Card_Connections.html" title="1.2. サウンドカードの接続" /><link rel="prev" href="sect-Musicians_Guide-USB_Sound_Cards.html" title="1.2.4. 外部 USB 接続" /><link rel="next" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html" title="1.3. サンプル、サンプルレート、サンプルフォーマット、およびビットレート" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentatio
n Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-USB_Sound_Cards.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Choose_Sound_Card_Connection"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Choose_Sound_Card_Connection">1.2.5. 接続タイプを選択する</h3></div></div></div><div class="para">
+ 接続タイプは、サウンドカードを選択する観点の1つにすぎません。 あなたがデスクトップコンピュータを所有しており、オーディオ用にノートPCやネットブックコンピュータを使用するつもりがないならば、内蔵 PCI または PCI-Express 接続を考慮しましょう。 外部のサウンドカードが必要な場合は、FireWire 接続を考慮しましょう。 FireWire 接続のサウンドカードは値段が高すぎる場合は、USB 接続を考慮しましょう。 接続タイプは、サウンドカードを選択する際に最も重要な観点ではありません。 アナログ - デジタルおよびデジタル - アナログコンバータの主観的品質が最も重要な観点です。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-USB_Sound_Cards.html"><strong>戻る</strong>1.2.4. 外部 USB 接続</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html"><strong>次へ</strong>1.3. サンプル、サンプルレート、サンプルフォーマット、およびビットレート</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Configure_Yourself_Exericses.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Configure_Yourself_Exericses.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Configure_Yourself_Exericses.html
@@ -0,0 +1,22 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.4.3. Configure Yourself</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html" title="13.4. 課題を使う" /><link rel="prev" href="sect-Musicians_Guide-Singing_Exercises.html" title="13.4.2. Singing" /><link rel="next" href="sect-Musicians_Guide-Solfege-Rhythm_Exercises.html" title="13.4.4. Rhythm" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Singing_E
xercises.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Rhythm_Exercises.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Configure_Yourself_Exericses"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Configure_Yourself_Exericses">13.4.3. Configure Yourself</h3></div></div></div><div class="para">
+ これらの課題では、Solfege のデフォルトを使う代わりに、あなたが自分のトレーニングのフォーカスを変更することができます。課題を開くと、デフォルトの設定がありますが、同じウインドウの "Config"タブでカスタマイズできます。"Configure Yourself"では以下のものがカスタマイズできますが、他の課題ではそれはできません。
+ </div><div class="para">
+ "Harmonic intervals"では m2 から M10 までの特定の音程を選択したり選択を外したりできます。
+ </div><div class="para">
+ "Melodic intervals"と "Sing intervals"では m2 から M10 までの特定の音程を選択したり選択を外したりできます。さらに、それらを昇順、降順、あるいは両方でテストする指定ができます。
+ </div><div class="para">
+ "Compare intervals"では、短２度から長１０度までの特定の音程を選ぶことができます。さらに、最初と次の音程で独立に、和音的か旋律的かを選ぶこともできます。
+ </div><div class="para">
+ "Id tone": はそれぞれの音程に "重み付け "を設定して、特定の音に集中するようにできます。オクターブを高くしたり低くしたり調整することもできます。
+ </div><div class="para">
+ リズムのすべての課題で、"binary time"は "単純拍子 "の意味で、"ternary time"は "複合拍子 "の意味です。すべてのセクションで、問題を作るときにどの単拍子のリズムを使うかを選択できます。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Singing_Exercises.html"><strong>戻る</strong>13.4.2. Singing</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Rhythm_Exercises.html"><strong>次へ</strong>13.4.4. Rhythm</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-DAW_Clock.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-DAW_Clock.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-DAW_Clock.html
@@ -0,0 +1,16 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.4.2. クロック</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-DAW_User_Interface.html" title="6.4. ユーザインタフェース" /><link rel="prev" href="sect-Musicians_Guide-DAW_User_Interface.html" title="6.4. ユーザインタフェース" /><link rel="next" href="sect-Musicians_Guide-Track_Info_Pane.html" title="6.4.3. トラック情報ペイン" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p"
href="sect-Musicians_Guide-DAW_User_Interface.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Track_Info_Pane.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-DAW_Clock"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-DAW_Clock">6.4.2. クロック</h3></div></div></div><div class="figure" id="qtractor_clocks"><div class="figure-contents"><div class="mediaobject"><img src="./images/Qtractor-interface-clocks.png" width="444" alt="Qtractor のクロック" /><div class="longdesc"><div class="para">
+ Qtractor のウインドウの中のクロック
+ </div></div></div></div><h6>図6.5 Qtractor のクロック</h6></div><br class="figure-break" /><div class="para">
+ クロックは、トランスポートが示す、ファイルの中の現在の位置を表します。<a class="xref" href="sect-Musicians_Guide-DAW_Clock.html#qtractor_clocks">図6.5「Qtractor のクロック」</a>で、トランスポートはセッションの最初にいますから、クロックは<code class="literal">0</code>を示しています。このクロックは、時間を、分と秒で表すように構成されていますから、これは<em class="firstterm">タイムクロック</em>です。クロックの他の設定には、<em class="firstterm">BBT</em>をあらわすもの(bars, beats, and ticks 小節、拍、チック<em class="firstterm">MIDIクロック</em>)、サンプルをあらわすもの(<em class="firstterm">サンプルクロック</em>)、そして<em class="firstterm">SMPTE タイムコード</em>をあらわすもの(通常、ビデオでの、高精度な同期のために使われる、<em class="firstterm">タイムコ
ードクロック</em>)があります。DAWによっては、複数のクロックを同時に使うこともできます。
+ </div><div class="para">
+ <span class="application"><strong>Qtractor</strong></span> での、ここに示したタイムクロックは、MIDI テンポと拍子についての（毎分120.0拍、4/4拍子）情報と、MIDI 録音での量子化の設定も示していることに注意下さい。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-DAW_User_Interface.html"><strong>戻る</strong>6.4. ユーザインタフェース</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Track_Info_Pane.html"><strong>次へ</strong>6.4.3. トラック情報ペイン</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-DAW_Interface_Vocabulary.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-DAW_Interface_Vocabulary.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-DAW_Interface_Vocabulary.html
@@ -0,0 +1,18 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.3. インタフェース用語</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Digital_Audio_Workstations.html" title="第6章 デジタルオーディオワークステーション" /><link rel="prev" href="sect-Musicians_Guide-Record_Mix_Master_More_Info.html" title="6.2.4. 参考" /><link rel="next" href="sect-Musicians_Guide-Track_and_Multitrack.html" title="6.3.2. トラックとマルチトラック" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><
li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Record_Mix_Master_More_Info.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Track_and_Multitrack.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-DAW_Interface_Vocabulary"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-DAW_Interface_Vocabulary">6.3. インタフェース用語</h2></div></div></div><div class="para">
+ 以下の概念を理解することが、DAW ソフトウエアのインタフェースの使い方を理解するために重要です.
+ </div><div class="section" id="sect-Musicians_Guide-Session"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Session">6.3.1. セッション</h3></div></div></div><div class="para">
+ <em class="firstterm">セッション</em>は、すべての、トラック、リージョン、オートメーションの設定、そして DAW ソフトウエアによって、１つの"ファイル"に保存されるその他すべてのものです。 ある DAW ソフトウエアはセッション全体を1つのファイルに隠蔽しますが、そのかわりに、リージョンや他のデータを保存するための新しいディレクトリを作成するものもあります。
+ </div><div class="para">
+ 典型的には、１つのセッションは、録音セッション全体を入れるのに使われます.それは、録音の後で、個々の歌や、楽章に分けられます.ときには、ミュージシャンのガイドのチュートリアルの例のように、１つのセッションに１つの歌あるいは楽章だけが入ることもあります.どのくらいの量の音楽が１つのセッションに入るべきか、きちんとした規則はないので、今の場合、あなたがどうするかは、あなたの個人的な好みで決めても良いです.
+ </div><div class="figure" id="ardour_session"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-Session.png" width="444" alt="Ardour のセッション" /><div class="longdesc"><div class="para">
+ 複数の楽器のトラックを含む、Ardour のセッション
+ </div></div></div></div><h6>図6.1 Ardour のセッション</h6></div><br class="figure-break" /></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Record_Mix_Master_More_Info.html"><strong>戻る</strong>6.2.4. 参考</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Track_and_Multitrack.html"><strong>次へ</strong>6.3.2. トラックとマルチトラック</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-DAW_Transport_Controls.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-DAW_Transport_Controls.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-DAW_Transport_Controls.html
@@ -0,0 +1,36 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.4.5. トランスポートコントロール</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-DAW_User_Interface.html" title="6.4. ユーザインタフェース" /><link rel="prev" href="sect-Musicians_Guide-Track_Pane.html" title="6.4.4. トラックペイン" /><link rel="next" href="chap-Musicians_Guide-Ardour.html" title="第7章 Ardour" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Track_Pane.html"
><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Ardour.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-DAW_Transport_Controls"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-DAW_Transport_Controls">6.4.5. トランスポートコントロール</h3></div></div></div><div class="figure" id="qtractor_transport"><div class="figure-contents"><div class="mediaobject"><img src="./images/Qtractor-interface-transport.png" width="444" alt="Qtractor のトランスポートコントロール" /><div class="longdesc"><div class="para">
+ Qtractor のウインドウ内のトランスポートコントロール
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 最初に戻る
+ </div></li><li class="listitem"><div class="para">
+ 早戻し
+ </div></li><li class="listitem"><div class="para">
+ 早送り
+ </div></li><li class="listitem"><div class="para">
+ 最後に進む
+ </div></li><li class="listitem"><div class="para">
+ リアルタイムで進む
+ </div></li><li class="listitem"><div class="para">
+ 録音の準備をする
+ </div></li></ol></div></div></div></div><h6>図6.8 Qtractor のトランスポートコントロール</h6></div><br class="figure-break" /><div class="para">
+ トランスポートコントロールを使い、トランスポートをいろいろと操作することができます。ボタンの形はほぼ標準化されています。似たように見えるボタンは普通、すべての DAW で同じ機能をはたします。それは CD プレイヤーや DVD プレイヤーなどの家庭用電子機器と同じです。
+ </div><div class="para">
+ 垂直線のある１重の左を向いた矢印は、再生や録音をすることなく、トランスポートをセッションの開始点に位置づけます。<span class="application"><strong>Qtractor</strong></span> では、トランスポートとセッションの開始点の間に、青いプレースマーカーがあれば、トランスポートは青いプレースマーカーの所までスキップします。もう一度ボタンを押すと、次の青いプレースマーカーもしくは、セッションの開始点に移動します。
+ </div><div class="para">
+ 左向きの二重の矢印は、トランスポートをセッションの開始点へ向けて速く移動します。右向きの二重の矢印は、トランスポートをセッションの終了点へ向けて速く移動します。
+ </div><div class="para">
+ 垂直線のある１重の右向きの矢印はトランスポートを、現在セッションにある最後のリージョンの終了点に移動します。<span class="application"><strong>Qtractor</strong></span> では、トランスポートとセッションの最後のリージョンの間に、青いプレースマーカーがあれば、トランスポートは青いプレースマーカーの所までスキップします。もう一度ボタンを押すと、次の青いプレースマーカーもしくは、セッションの最後のリージョンに移動します。
+ </div><div class="para">
+ １重の右向き矢印は普通、"再生" と呼ばれますが、正確には、それはトランスポートをリアルタイムで前向きに移動します。そのとき、もしもトランスポートが録音準備されているときは、録音準備されているトラックはすべて録音されます。トランスポートが録音準備されているかいないかにかかわらず、"再生"ボタンを押すと、すべての録音準備されていないトラックはすべての存在するリージョンを再生します。
+ </div><div class="para">
+ 丸いボタンはトランスポートを、録音準備します.それは、慣習的に、赤い色をしています。<span class="application"><strong>Qtractor</strong></span> では、トランスポートは、少なくても1つのトラックが録音準備された<span class="emphasis"><em>後</em></span>でないと録音準備できません.これを示すために、トランスポートの録音ボタンはトラックが録音準備されるまで赤くなりません.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Track_Pane.html"><strong>戻る</strong>6.4.4. トラックペイン</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Ardour.html"><strong>次へ</strong>第7章 Ardour</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-DAW_User_Interface.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-DAW_User_Interface.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-DAW_User_Interface.html
@@ -0,0 +1,16 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.4. ユーザインタフェース</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Digital_Audio_Workstations.html" title="第6章 デジタルオーディオワークステーション" /><link rel="prev" href="sect-Musicians_Guide-Automation.html" title="6.3.5. オートメーション" /><link rel="next" href="sect-Musicians_Guide-DAW_Clock.html" title="6.4.2. クロック" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="
p" href="sect-Musicians_Guide-Automation.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-DAW_Clock.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-DAW_User_Interface"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-DAW_User_Interface">6.4. ユーザインタフェース</h2></div></div></div><div class="para">
+ このセクションではソフトウエア DAW インタフェースのいろいろなコンポーネントを見てみましょう。<span class="application"><strong>Qtractor</strong></span>アプリケーションの画像を使いますが、<span class="application"><strong>Ardour</strong></span> と <span class="application"><strong>Rosegarden</strong></span>（他のほとんどの DAW ソフトウエアと同じように）も、どのボタンがどこにあるか、のような細かい点だけが異なるインタフェースを持っています。
+ </div><div class="section" id="sect-Musicians_Guide-Messages_Pane"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Messages_Pane">6.4.1. メッセージペイン</h3></div></div></div><div class="figure" id="qtractor_messages"><div class="figure-contents"><div class="mediaobject"><img src="./images/Qtractor-interface-messages.png" width="444" alt="Qtractor のメッセージペイン" /><div class="longdesc"><div class="para">
+ Qtractor のウインドウの下にあるメッセージペイン
+ </div></div></div></div><h6>図6.4 Qtractor のメッセージペイン</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="sect-Musicians_Guide-DAW_User_Interface.html#qtractor_messages">図6.4「Qtractor のメッセージペイン」</a>に示した<span class="guilabel"><strong>messages</strong></span>ペインは、DAW により生成されたメッセージを持ち、そしてときには<code class="systemitem">JACK</code>のように、DAW が使うソフトウエアにより生成されたメッセージも含みます。もしエラーが起きたり、DAW が期待通りに動かないときは<span class="guilabel"><strong>messages</strong></span>ペインを調べて、あなたが期待する結果を得るために役立つ情報を探して下さい。<span class="guilabel"><strong>messages</strong></span>ペインは<code class="systemitem">JACK</code>と DAW があなたがのぞむオプションで正常に開始したかどうかを判断するのにも使われます。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Automation.html"><strong>戻る</strong>6.3.5. オートメーション</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-DAW_Clock.html"><strong>次へ</strong>6.4.2. クロック</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FireWire_Sound_Cards.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FireWire_Sound_Cards.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FireWire_Sound_Cards.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.2.3. 外部のFireWire 接続</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Sound_Card_Connections.html" title="1.2. サウンドカードの接続" /><link rel="prev" href="sect-Musicians_Guide-PCI_Sound_Cards.html" title="1.2.2. 内蔵 PCI 接続" /><link rel="next" href="sect-Musicians_Guide-USB_Sound_Cards.html" title="1.2.4. 外部 USB 接続" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musician
s_Guide-PCI_Sound_Cards.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-USB_Sound_Cards.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-FireWire_Sound_Cards"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FireWire_Sound_Cards">1.2.3. 外部のFireWire 接続</h3></div></div></div><div class="para">
+ FireWire 接続のサウンドカードは、USB 接続のサウンドカードほど普及していませんが、それらは一般的に高品質です。その理由の１つは、 FireWire 接続のサウンドカードは、FireWire の"帯域保証"と"バスマスタリング"能力を使用し、これらはいずれも遅延を少なくするからです。 高速 FireWire 接続は、高速 USB 接続がない、古いコンピュータ上でも利用できます。
+ </div><div class="para">
+ FireWire デバイスは、標準の Fedora Linux カーネルと互換性のないことがあります。もしあなたが FireWire 接続のサウンドカードをお持ちなら、Planet CCRMA at Home のカーネルを使用する必要があります。 Planet CCRMA at Home のカーネルをインストールする手順は、 <a class="xref" href="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora.html">「Fedora Linux でリアルタイムカーネルを得る」</a>を参照ください。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-PCI_Sound_Cards.html"><strong>戻る</strong>1.2.2. 内蔵 PCI 接続</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-USB_Sound_Cards.html"><strong>次へ</strong>1.2.4. 外部 USB 接続</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.5. Qsynth で、プログラムをチャネルに割り当てる</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-FluidSynth.html" title="第10章 FluidSynth" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings.html" title="10.4.5. FluidSynth の設定のすべてを見る" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments.html" title="10.5.2. チャネルの割り当てを保存、再使用する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documenta
tion Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels">10.5. <span class="application"><strong>Qsynth</strong></span> で、プログラムをチャネルに割り当てる</h2></div></div></div><div class="para">
+ これを行う最もよい方法は、<span class="application"><strong>Qtractor</strong></span> あるいは <span class="application"><strong>Rosegarden</strong></span> などの MIDI シーケンサーからすることです。もしあなたが、プログラムチェンジメッセージを送ることができないアプリケーションをお使いであるか、あるいは別の理由でプログラムの設定をしたいならば、以下の手順にしたがってください。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>Qsynth</strong></span> のメインウインドウで、"Channels" をクリックして、"Channels" ウインドウを開きます。
+ </div></li><li class="step"><div class="para">
+ チャネルウインドウで、それぞれのチャネルは、デフォルトで、こんなふうに見えます。
+<pre class="programlisting">1 - - -</pre>
+ </div></li><li class="step"><div class="para">
+ プログラムをチャネルに割り当てるには、割り当てたいチャネルの行をクリックします.
+ </div></li><li class="step"><div class="para">
+ お望みのバンクとプログラム番号を選択します.名前、 SFID, サウンドフォントの列を参考にしてください。
+ </div></li><li class="step"><div class="para">
+ 割り当てたいすべてのチャネルについて、このプロセスを繰り替えします.
+ </div></li><li class="step"><div class="para">
+ あなたがチャネルを使用する予定がない場合は、それにプログラムを割り当てても害はありません。 しかし、使用しないチャネルにプログラムを割り当てると、後で、あなたがそのチャネルを使用しないつもりだったことを忘れたときなど特に、混乱を招くことがあります。
+ </div></li><li class="step"><div class="para">
+ チャネル１０は打楽器に予約されており、汎用 MIDI 打楽器プログラムから変更してはいけないことに注意ください.
+ </div></li></ol></div><div class="section" id="sect-Musicians_Guide-FluidSynth-Changing_Number_of_Input_Channels"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Changing_Number_of_Input_Channels">10.5.1. MIDI 入力チャネル数を変更する</h3></div></div></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> ãŒæä¾›ã™ã‚‹ MIDI 入力ãƒãƒ£ãƒãƒ«ã®æ•°ã‚’増やã™ã“ã¨ãŒã§ãã¾ã™.<span class="application"><strong>QSynth</strong></span> ã§ã¯ï¼‘ã‹ã‚‰ï¼’５６ã¾ã§ã®ä»»æ„ã®æ•°ã‚’è¨å®šã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ãŒã€ãƒãƒ£ãƒãƒ«ã¯ã€ï¼‘ï¼–å˜ä½ã§ã—ã‹ã€è¿½åŠ ã€å‰Šé™¤ã§ãã¾ã›ã‚“.<span class="application"><strong>Qsynth</strong></span> ã¯ã€è‡ªå‹•çš„ã«ã€ã‚ãªãŸãŒæœ›ã‚€ãƒãƒ£ãƒãƒ«æ•°ã«å¿…è¦ãªæœ€å°ã®ãƒãƒ£ãƒãƒ«æ•°ã‚’生æˆã—ã¾ã™.ãã‚Œãžã‚Œã®ï¼‘ï¼–ãƒãƒ£ãƒãƒ«ã®ã‚»ãƒƒãƒˆã¯ã€<span class="application"><strong>JACK</strong></span> ã«ãŠã„ã¦ã€è¿½åŠ ã® MIDI 入力デãƒã‚¤ã‚¹ã¨ã—ã¦è¡¨ç¤ºã•ã‚Œã¾ã™.デãƒã‚¤ã‚¹ã®åå‰ã¯ã€ã©ã®ãƒãƒ£ãƒãƒ«ãŒãれをå—ä¿¡ã—ã¦ã„ã‚‹ã‹ã‚’示ã—ã¾ã™ã€‚ãƒãƒ£ãƒãƒ«ï¼‘ã‹ã‚‰ï¼‘ï¼–ã¯ï¼ã§çµ‚ã‚るデãƒã‚¤ã‚¹ã‚’å—ä¿¡ã—ã¾ã™.ãƒãƒ£ãƒãƒ«ï¼‘ï¼—ã‹ã‚‰ï¼“ï¼’ã¯ã€ï¼‘ã§çµ‚ã‚るデãƒã‚¤ã‚¹ã‚’å—ä¿¡ã—ã¾ã™.ãƒãƒ£ãƒãƒ«ï¼“３ã‹ã‚‰ï¼
•ï¼˜ã¯ã€ï¼’ã§çµ‚ã‚るデãƒã‚¤ã‚¹ã€ãªã©ã§ã™ã€‚
+ </div><div class="para">
+ MIDI 入力チャネル数を変更するには、以下の手順にしたがってください.
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>Qsynth</strong></span> の "Setup" ウインドウを開いてください.
+ </div></li><li class="step"><div class="para">
+ "Enable MIDI Input" 設定は有効であること。
+ </div></li><li class="step"><div class="para">
+ １から２５６までの間の、使いたいチャネル数を入力ください.
+ </div></li></ol></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings.html"><strong>戻る</strong>10.4.5. FluidSynth の設定のすべてを見る</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments.html"><strong>次へ</strong>10.5.2. チャネルの割り当てを保存、再使用する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.4.3. JACK の出力を設定する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-FluidSynth-Configuring.html" title="10.4. Qsynth を設定する" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont.html" title="10.4.2. サウンドフォントの構成" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input.html" title="10.4.4. MIDI 入力を設定する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><l
i class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output">10.4.3. <span class="application"><strong>JACK</strong></span> の出力を設定する</h3></div></div></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> が、合成された音声を <span class="application"><strong>JACK</strong></span> に出力するようにも、ALSA にするようにも、構成することが可能です。デフォルトで、おすすめの方法は、合成された音声を <span class="application"><strong>JACK</strong></span> に出力することです。これは、オーディオ品質を最大限に制御することができ、ルーティングと多重化（定義 は <a class="xref" href="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing.html">「ルーティングと多重化」</a> を参照ください。）を最も柔軟にできます.あなたは、合成されたオーディオ信号を聞きながら、同時に録音することができます。
+ </div><div class="para">
+ 問題がある場合は、<span class="application"><strong>Qsynth</strong></span> が <span class="application"><strong>JACK</strong></span> を使うように正しく構成されているか確認するとよいです。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>Qsynth</strong></span>の "Setup"ウインドウを開きます。
+ </div></li><li class="step"><div class="para">
+ 'Audio' タブを選択して、 "Audio Driver" が "jack" になっているのを確認ください。
+ </div></li><li class="step"><div class="para">
+ 他の設定が正しいことも確認ください。特に、"sample rate" が、<span class="application"><strong>JACK</strong></span> と同じサンプルレートになっていることを（<span class="application"><strong>QjackCtl</strong></span> によって）。
+ </div></li><li class="step"><div class="para">
+ ほとんどの場合、デフォルト設定がうまくいくはずです。もしあなたがデフォルト設定を変更したならば、以下がそれです：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Buffer Size: 1024
+ </div></li><li class="listitem"><div class="para">
+ Buffer Count: 2
+ </div></li><li class="listitem"><div class="para">
+ Audio Channels: 1
+ </div></li><li class="listitem"><div class="para">
+ Audio Groups: 1
+ </div></li><li class="listitem"><div class="para">
+ Polyphony: 256
+ </div></li></ul></div>
+
+ </div></li></ol></div><div class="para">
+ オーディオカットアウトで問題がある場合は、バッファの設定値を大きくしてください。サイズは、1024 の倍数で増加させてください。バッファの数は大幅に増加する必要はありません。デフォルトの設定、または1つの"オーディオチャンネル"は、ステレオ出力を提供します。追加の各チャンネルは、ステレオ出力の別のセットを生成します。 "polyphony" の設定を増やせば、同時に鳴る音（実は、 "MIDI イベント"）の数を増やすことができ、複雑な状況では役に立つでしょう。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont.html"><strong>戻る</strong>10.4.2. サウンドフォントの構成</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input.html"><strong>次へ</strong>10.4.4. MIDI 入力を設定する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.4.4. MIDI 入力を設定する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-FluidSynth-Configuring.html" title="10.4. Qsynth を設定する" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output.html" title="10.4.3. JACK の出力を設定する" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings.html" title="10.4.5. FluidSynth の設定のすべてを見る" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></
p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input">10.4.4. MIDI 入力を設定する</h3></div></div></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> は、接続された（ソフトウエアベースもしくはハードウエアベース、いずれでも）MIDI デバイスに指示されるとおりにサウンドを生成します。以下の設定を確認して、<span class="application"><strong>FluidSynth</strong></span> が正しいデバイスに接続するようにしましょう。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>Qsynth</strong></span> の "Setup" ウインドウを開いてください.
+ </div></li><li class="step"><div class="para">
+ "Enable MIDI Input" チェックボックスはチェックされていること。
+ </div></li><li class="step"><div class="para">
+ "MIDI Driver" の設定を正しく選ぶ：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> を、<span class="application"><strong>QjackCtl</strong></span> の "Connect" ウインドウの、"ALSA" タブに見えている入力に接続するときは、"alsa_seq" 設定を選択します。<span class="application"><strong>Rosegarden</strong></span> と <span class="application"><strong>Qtractor</strong></span> を使うほとんどの場合、この設定を使うのがよいでしょう。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> を、<span class="application"><strong>QjackCtl</strong></span> の "Connect" ウインドウの、"MIDI" タブに見えている入力に接続するときは、 "jack" 設定を選択します。
+ </div></li></ul></div>
+
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> が使う MIDI 入力チャネルの数を変更するには、以下の <a class="xref" href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html#sect-Musicians_Guide-FluidSynth-Changing_Number_of_Input_Channels">「MIDI 入力チャネル数を変更する」</a> を参照ください。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output.html"><strong>戻る</strong>10.4.3. JACK の出力を設定する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings.html"><strong>次へ</strong>10.4.5. FluidSynth の設定のすべてを見る</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Configuring-SoundFont.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Configuring-SoundFont.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Configuring-SoundFont.html
@@ -0,0 +1,20 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.4.2. サウンドフォントの構成</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-FluidSynth-Configuring.html" title="10.4. Qsynth を設定する" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Configuring.html" title="10.4. Qsynth を設定する" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output.html" title="10.4.3. JACK の出力を設定する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous">
<a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Configuring.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont">10.4.2. サウンドフォントの構成</h3></div></div></div><div class="para">
+ <span class="application"><strong>Qsynth</strong></span> といっしょにインストールされたデフォルトの "FluidR3" サウンドフォントは、自動的に構成されます。
+ </div><div class="para">
+ 別のサウンドフォントを構成するには：
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ 'Setup' ボタンをクリック、'Soundfonts' タブを選択し、'Open' ボタンをクリックして、追加したいサウンドフォントのパスへ移動します。 これは、<a class="xref" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html">「サウンドフォントファイルをインストールする」</a> で指定した標準の場所にインストールされている場合、<code class="filename">/usr/share/soundfonts</code> です。
+ </div></li><li class="step"><div class="para">
+ 追加のサウンドフォントを選択して、'Open' ボタンをクリックください。
+ </div></li><li class="step"><div class="para">
+ サウンドフォント ID（SFID）を変更するには、 'Up' と 'Down' ボタンを使って、望みの位置にサウンドフォントを移動ください。 これは <span class="application"><strong>FluidSynth</strong></span> の機能を直接変更することはありません。すべてのサウンドフォントは、任意のサウンドフォント ID 番号で動くはずです。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Configuring.html"><strong>戻る</strong>10.4. Qsynth を設定する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Configuring-JACK_Output.html"><strong>次へ</strong>10.4.3. JACK の出力を設定する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings.html
@@ -0,0 +1,18 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.4.5. FluidSynth の設定のすべてを見る</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-FluidSynth-Configuring.html" title="10.4. Qsynth を設定する" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input.html" title="10.4.4. MIDI 入力を設定する" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html" title="10.5. Qsynth で、プログラムをチャネルに割り当てる" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Si
te" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Configuring-Viewing_all_Settings">10.4.5. <span class="application"><strong>FluidSynth</strong></span> の設定のすべてを見る</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "Setup" ウインドウを開いてください。
+ </div></li><li class="step"><div class="para">
+ "Settings" タブを選択ください。
+ </div></li><li class="step"><div class="para">
+ あなたが見たい設定まで、リストをスクロールください。
+ </div></li><li class="step"><div class="para">
+ このタブの設定は、このタブからは編集できません。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input.html"><strong>戻る</strong>10.4.4. MIDI 入力を設定する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html"><strong>次へ</strong>10.5. Qsynth で、プログラムをチャネルに割り当てる</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Configuring.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Configuring.html
new file mode 100644
index 0000000..9598e04
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Configuring.html
@@ -0,0 +1,20 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.4. Qsynth を設定する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-FluidSynth.html" title="第10章 FluidSynth" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-In_a_Terminal.html" title="10.3. FluidSynth を、ターミナルエミュレータから使う" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont.html" title="10.4.2. サウンドフォントの構成" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav
"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-In_a_Terminal.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-FluidSynth-Configuring"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-Configuring">10.4. <span class="application"><strong>Qsynth</strong></span> を設定する</h2></div></div></div><div class="para">
+ あなたが <span class="application"><strong>Qsynth</strong></span> を終了するとき、すべての設定は保存されます。そして、<span class="application"><strong>Qsynth</strong></span> が再開始するとき、ふたたび使われます。これは、他の <span class="application"><strong>Qsynth</strong></span> のインスタンス、(以下で説明します)の設定も含み、それらインスタンスは <span class="application"><strong>Qsynth</strong></span> が再開始するとき、同じように再生成されます。
+ </div><div class="section" id="sect-Musicians_Guide-FluidSynth-Configuring-Starting_FluidSynth"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Configuring-Starting_FluidSynth">10.4.1. <span class="application"><strong>FluidSynth</strong></span> を開始する</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ アプリケーションメニューあるいは K Menu から <span class="application"><strong>Qsynth</strong></span> を開始してください。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> エンジンは自動的に開始します.
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>Qsynth</strong></span> ウインドウの右にある一列のボタンが、<span class="application"><strong>Qsynth</strong></span> を制御します.そのほかの設定は、<span class="application"><strong>FluidSynth</strong></span> を制御します.
+ </div></li><li class="step"><div class="para">
+ "Messages"ボタンで、<span class="application"><strong>FluidSynth</strong></span> の出力を示すウインドウを表示できます。 <span class="application"><strong>FluidSynth</strong></span> が期待どおりに動作しない場合、このウインドウで生成されているかもしれないエラーメッセージを表示してください。
+ </div></li></ol></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-In_a_Terminal.html"><strong>戻る</strong>10.3. FluidSynth を、ターミナルエミュレータから使う</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Configuring-SoundFont.html"><strong>次へ</strong>10.4.2. サウンドフォントの構成</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-In_a_Terminal.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-In_a_Terminal.html
new file mode 100644
index 0000000..c6f7b87
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-In_a_Terminal.html
@@ -0,0 +1,16 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.3. FluidSynth を、ターミナルエミュレータから使う</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-FluidSynth.html" title="第10章 FluidSynth" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html" title="10.2.5. サウンドフォントファイルをインストールする" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Configuring.html" title="10.4. Qsynth を設定する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="doc
nav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Configuring.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-FluidSynth-In_a_Terminal"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-In_a_Terminal">10.3. <span class="application"><strong>FluidSynth</strong></span> を、ターミナルエミュレータから使う</h2></div></div></div><div class="para">
+ これは、<span class="application"><strong>FluidSynth</strong></span> を使用する方法としてはおすすめできません。<span class="application"><strong>Qsynth</strong></span> グラフィカルインターフェイスはずっと使いやすいです。<span class="application"><strong>Qsynth</strong></span> は、 自動的にほとんどの<span class="application"><strong>FluidSynth</strong></span> の設定をデフォルトで構成します。あなたが<span class="application"><strong>FluidSynth</strong></span> でやりたいことに集中することを助けます。どのように <span class="application"><strong>FluidSynth</strong></span> を使うか、ではなく。
+ </div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> をターミナルで使用するには、<code class="command">fluidsynth</code> コマンドを使います。 デフォルトのサンプルレートは、44.1kHzです。もしあなたが <span class="application"><strong>JACK</strong></span> を別のサンプルレートで使いたいときは、 <code class="command">-r</code> フラグをつけて、この様にする必要があります：<code class="command">fluidsynth -r 48000</code>
+ </div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> をターミナルから起動すると、それは普通、自分のシェルを起動します。どのようにこのシェルを使用するかは、このミュージシャンのガイドの範囲を越えています。しかし、あなたは <span class="application"><strong>FluidSynth</strong></span> のコマンドライン(訳注：シェルのプロンプト）で "help" と打つことで、基本的なヘルプを得ることができます。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html"><strong>戻る</strong>10.2.5. サウンドフォントファイルをインストールする</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Configuring.html"><strong>次へ</strong>10.4. Qsynth を設定する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Multiple_Instances.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Multiple_Instances.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.7. Qsynth で、複数の FluidSynth インスタンスを使う</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-FluidSynth.html" title="第10章 FluidSynth" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus.html" title="10.6. Qsynth で、リバーブとコーラスを使う" /><link rel="next" href="chap-Musicians_Guide-SuperCollider.html" title="第11章 SuperCollider" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="s
ect-Musicians_Guide-FluidSynth-Reverb_and_Chorus.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-SuperCollider.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-FluidSynth-Multiple_Instances"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-Multiple_Instances">10.7. <span class="application"><strong>Qsynth</strong></span> で、複数の <span class="application"><strong>FluidSynth</strong></span> インスタンスを使う</h2></div></div></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> の１つ以上のインスタンスを必要とすることはまれでしょう。なぜなら、QSynth/<span class="application"><strong>FluidSynth</strong></span> の組み合わせは、２５６までの独立した入力チャネルを提供し、リバーブとコーラスエフェクトをチャネルごとに独立してコントロールできるからです.最も一般的な、複数の <span class="application"><strong>FluidSynth</strong></span> インスタンスの使い方は、あなたが複数の MIDI 楽器を使いたいときでしょう.別の言葉で言うと、もしあなたが複数のサウンドフォントを同時に使いたいときは、それぞれのサウンドフォントに１つずつ <span class="application"><strong>FluidSynth</strong></span> インスタンスが必要です.
+ </div><div class="para">
+ ã‚ã‚ŠãŒãŸã„ã“ã¨ã«ã€<span class="application"><strong>Qsynth</strong></span> ã§ã¯ã“れをã»ã¨ã‚“ã©åŠªåŠ›ãªã—ã«ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ï¼ <span class="application"><strong>FluidSynth</strong></span> ã® "インスタンス" ã¯ã€å®Ÿéš›ã€<span class="application"><strong>FluidSynth</strong></span> åˆæˆã‚¢ãƒ—リケーションを複数回実行ã™ã‚‹ã“ã¨ã§ã€ç”Ÿæˆã•ã‚Œã€åˆ¶å¾¡ã•ã‚Œã¾ã™.ç¾å®Ÿã¯ã“ã†ã§ã™ã€‚<span class="application"><strong>Qsynth</strong></span> 㯠<span class="application"><strong>FluidSynth</strong></span> エンジンを直接制御ã™ã‚‹ã®ã§ã€ãã‚Œã¯åˆæˆã‚¨ãƒ³ã‚¸ãƒ³ã‚’å˜ã«ç›´æŽ¥é–‹å§‹ã—ã€ã‚¨ãƒ³ã‚¸ãƒ³ã®è¤‡æ•°ã®ã‚¤ãƒ³ã‚¹ã‚¿ãƒ³ã‚¹ã‚’作るã®ã§ã™.ã“ã‚Œã¯ã€<span class="application"><strong>Qsynth</strong></span> を実際ã«è¤‡æ•°å›žå®Ÿè¡Œã™ã‚‹ã“ã¨ã‚„ã€<span class="application"><strong>FluidSynth</strong></span> を直接ターミナルã‹ã‚‰å®Ÿè¡Œã™ã‚‹ã“ã¨ã‚ˆã‚Šã‚‚ãšã£ã¨åŠ¹çŽ‡ãŒã‚ˆã„ã§ã™.ã
れらã®ã‚¤ãƒ³ã‚¹ã‚¿ãƒ³ã‚¹ã¯ã€<span class="application"><strong>Qsynth</strong></span> ã® "タブ"ã€<span class="application"><strong>Qsynth</strong></span>ウ インドウã®ä¸‹ã®ã¨ã“ã‚ã«è¡¨ç¤ºã•ã‚Œã‚‹ã€ã«ã‚ˆã£ã¦è¡¨ã•ã‚Œã¾ã™.
+ </div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> の追加のインスタンスを生成するには：
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>Qsynth</strong></span>のメインウインドウの左下にある緑の "+" ボタンを押してください.
+ </div></li><li class="step"><div class="para">
+ ポップアップするセットアップウインドウを使って、希望するように設定を調整します.
+ </div></li><li class="step"><div class="para">
+ "OK" を押して、追加のインスタンスを開始します.
+ </div></li><li class="step"><div class="para">
+ 追加のインスタンスを閉じるには、右下すみの赤い "X" ボタンを使います.
+ </div></li></ol></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> エンジンのそれぞれのインスタンスは、"Setup" ウインドウに、自分の設定を持ちます.<span class="application"><strong>Qsynth</strong></span> は、理論的には無限の数の <span class="application"><strong>FluidSynth</strong></span> インスタンスをサポートしますが、お使いのコンピュータのメモリの制限のため、おそらく、使われるサウンドフォントにもよりますが、１０よりそんなに多くはできないでしょう。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus.html"><strong>戻る</strong>10.6. Qsynth で、リバーブとコーラスを使う</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-SuperCollider.html"><strong>次へ</strong>第11章 SuperCollider</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.2.5. サウンドフォントファイルをインストールする</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-In_a_Terminal.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files">10.2.5. サウンドフォントファイルをインストールする</h3></div></div></div><div class="para">
+ <span class="application"><strong>Qsynth</strong></span> ã¯ã€<span class="application"><strong>FluidSynth</strong></span> ãŒä½¿ç”¨ã™ã‚‹ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆã‚’自動的ã«ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã—ã¾ã™ã€‚ã—ã‹ã—ã€ã‚‚ã—ã‚ãªãŸãŒ <span class="application"><strong>Qsynth</strong></span> をインストールãªã‹ã£ãŸå ´åˆã€ã¾ãŸã¯åˆ¥ã®ãƒ—ãƒã‚°ãƒ©ãƒ ã¨ã„ã£ã—ょã«åˆ¥ã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆãƒ•ã‚¡ã‚¤ãƒ«ã‚’入れãŸã„å ´åˆã€ã‚ãªãŸã¯ãれらを個別ã«ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã™ã‚‹å¿…è¦ãŒã‚ã‚Šã¾ã™ã€‚ Fedora ã®ãƒ‘ッケージã®ãƒªãƒã‚¸ãƒˆãƒªã¯ã€å°‘æ•°ã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆãƒ•ã‚¡ã‚¤ãƒ«ã‚’æä¾›ã—ã¦ãŠã‚Šã€ã‚ãªãŸã¯ãれらを <span class="application"><strong>PackageKit</strong></span>, <span class="application"><strong>KPackageKit</strong></span>, ãã—㦠<span class="application"><strong>yum</strong></span> ã§ã€"soundfont" を検索ã—ã¦è¦‹ã¤ã‘ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ã“れらã®ãƒ•ã‚¡ã‚¤ãƒ«ã¯è‡ªå‹•çš„ã«æ£ã—ãã‚
¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã•ã‚Œã‚‹ã¯ãšã§ã™ã€‚ã‚ãªãŸãŒã•ã‚‰ã«åˆ¥ã®ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆãƒ•ã‚¡ã‚¤ãƒ«ã‚’インストールã—ãŸã„å ´åˆã€ãれらをã€Fedora ã®ãƒªãƒã‚¸ãƒˆãƒªã‹ã‚‰ã®ã‚‚ã®ã¨åŒã˜å ´æ‰€â€”åŒã˜ã‚»ã‚ュリティã®è¨å®šâ€”ã§ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã™ã‚‹ã®ã‚’ãŠã™ã™ã‚ã—ã¾ã™ã€‚ãã†ã™ã‚Œã°ã€ãã®ã‚³ãƒ³ãƒ”ュータシステムã®ã™ã¹ã¦ã®ãƒ¦ãƒ¼ã‚¶ãƒ¼ãŒãã®ãƒ•ã‚¡ã‚¤ãƒ«ã‚’アクセスã§ãã¾ã™ã—ã€ãã‚ŒãŒã©ã“ã«æ ¼ç´ã•ã‚Œã¦ã„ã‚‹ã‹å¿˜ã‚Œã¦ã‚‚ãれを"失ã†"ã“ã¨ã¯ãªã„ã§ã™ã—ã€ã‚¤ãƒ³ã‚¿ãƒ¼ãƒãƒƒãƒˆã§ãƒ€ã‚¦ãƒ³ãƒãƒ¼ãƒ‰ã—ãŸã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’使ã†ã“ã¨ã«ã‚ˆã‚‹æ½œåœ¨çš„ãªã‚»ã‚ュリティリスクを最å°é™ã«ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚
+ </div><div class="para">
+ 次の手順では、<code class="filename">myFont.sf2</code> と呼ばれるサウンドフォントファイルを、デフォルトのフォルダ（<code class="filename">/usr/share/soundfonts</code> ）に移動して、正しくセキュリティ設定を行います。この操作を完了するには、システム管理者のパスワード（"root" アカウントに所属する）が必要なことに注意ください。あなたがそのパスワードを持っていない場合は、システム管理者にあなたのためにファイルをインストールしてくれるように頼むのが一番です。あるいは、単純に、あなたのホームフォルダ内のサブフォルダに置いたサウンドフォントファイルを使うという手段もあります。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ シェルまたはターミナルを起動し、サウンドフォントファイルが現在格納されているフォルダに移動します。
+ </div></li><li class="step"><div class="para">
+ <code class="command">su -c 'cp <em class="replaceable"><code>myFont.sf2</code></em> /usr/share/soundfonts'</code> を実行します.
+ </div><ol class="a"><li class="step"><div class="para">
+ 必要に応じて、<code class="filename">myFont.sf2</code> でなく、あなたのサウンドフォントファイルをコピーするようにコマンドを変更ください。
+ </div></li><li class="step"><div class="para">
+ あなたは、<code class="literal">root</code> アカウントのパスワードを要求されます。
+ </div></li></ol></li><li class="step"><div class="para">
+ <code class="command">cd /usr/share/soundfonts</code> を実行して、サウンドフォントのディレクトリに移動ください。
+ </div></li><li class="step"><div class="para">
+ <code class="command">su -c 'chmod 644 <em class="replaceable"><code>myFont.sf2</code></em>'</code> を実行します.
+ </div><ol class="a"><li class="step"><div class="para">
+ 必要に応じて、<code class="filename">myFont.sf2</code> でなくてあなたのサウンドフォントファイルを指定するようにコマンドを変更ください。
+ </div></li><li class="step"><div class="para">
+ これにより、ファイルシステムのアクセス許可は、所有者（この場合は"root" ユーザー）に、"読み書き可能"に設定され、他のすべてのユーザーに"読み取り専用"となります。これで、システム管理者だけが、ファイルを変更することができ、すべてのユーザーがそれを使用できるようになります。
+ </div></li></ol></li><li class="step"><div class="para">
+ <code class="command">ll <em class="replaceable"><code>myFont.sf2</code></em></code> を実行して、アクセス許可が正しく設定されていることを確認ください。
+ </div><ol class="a"><li class="step"><div class="para">
+ 必要に応じて、<code class="filename">myFont.sf2</code> でなくてあなたのサウンドフォントファイルを指定するようにコマンドを変更ください。
+ </div></li><li class="step"><div class="para">
+ 出力は、こんなふうになるはずです：
+<pre class="programlisting">-rw-r--r--. 1 root root 9 2010-06-23 02:28 myFont.sf2</pre>
+ ただし、日付、時刻、ファイル名は異なります。
+ </div></li></ol></li><li class="step"><div class="para">
+ 注意深いユーザーは、新しいファイルの SELinux のコンテキストは、Fedora でインストールされている他のサウンドフォントファイルと異なることに気がつくかもしれません。タイプがデフォルトの <code class="literal">usr_t</code> である限りは、このファイルと Fedora でインストールされたサウンドフォントファイルとで、実用的な違い（エンフォースメントにおいての違い）はありません。あなたがこれがなんのことだかわからない時や、それに気がつかなかったときは、この新しいサウンドフォントファイルは新たな潜在的なセキュリティ上の問題は生み出さないということです。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth.html"><strong>戻る</strong>10.2.4. Qsynth なしのインストール</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-In_a_Terminal.html"><strong>次へ</strong>10.3. FluidSynth を、ターミナルエミュレータから使う</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation.html
@@ -0,0 +1,14 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.2.2. FluidSynth のインストール</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html" title="10.2. 要件とインストール" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html" title="10.2. 要件とインストール" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth.html" title="10.2.3. Qsynth と一緒にインストールする" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" a
lt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation">10.2.2. <span class="application"><strong>FluidSynth</strong></span> のインストール</h3></div></div></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> をインストールã™ã‚‹ã«ã¯ï¼’ã¤ã®æ–¹æ³•ãŒã‚ã‚Šã¾ã™ã€‚第1ã€<span class="application"><strong>FluidSynth</strong></span> ã‚’ <span class="application"><strong>Qsynth</strong></span> ã¨ã„ã£ã—ょã«ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«ã™ã‚‹æ–¹æ³•ã¯ã€ <span class="application"><strong>FluidSynth</strong></span> ã‚’ <span class="application"><strong>Qsynth</strong></span> グラフィカルユーザーインターフェースã¨ã¨ã‚‚ã«ä½¿ã†ã“ã¨ãŒã§ãã¾ã™ã€‚デフォルトサウンドフォントもインストールã•ã‚Œã€ï¼ˆ<span class="application"><strong>timidity++</strong></span> ã®ã‚ˆã†ãªï¼‰ã‚µã‚¦ãƒ³ãƒ‰ãƒ•ã‚©ãƒ³ãƒˆå¯¾å¿œã®ä»»æ„ã®ã‚¢ãƒ—リケーションã‹ã‚‰ä½¿ã†ã“ã¨ãŒã§ãã¾ã™ã€‚ã“ã®ã‚¤ãƒ³ã‚¹ãƒˆãƒ¼ãƒ«æ–¹æ³•ã¯ã€ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§ã¯ã€<span class="application"><strong>FluidSynth</strong></span> をターミナルã‹ã‚‰ä½¿ã†ã“ã¨ã¯ã§ãã¾ã›ã‚“。ã—ã‹ã—ã€ãã‚Œã¯å¾Œã‹ã
‚‰ç°¡å˜ã«è¿½åŠ ã§ãã¾ã™ã€‚ã“ã‚ŒãŒã€ã»ã¨ã‚“ã©ã®ãƒ¦ãƒ¼ã‚¶ãƒ¼ã«ã™ã™ã‚られるインストール方法ã§ã™ã€‚
+ </div><div class="para">
+ 第2の <span class="application"><strong>FluidSynth</strong></span> をインストールする方法は、<span class="application"><strong>Qsynth</strong></span> グラフィカルインターフェースを含めないで行うことです。この方法だと、<span class="application"><strong>FluidSynth</strong></span> を、ターミナルから実行することができ、デフォルトのサウンドフォントはインストールされません。このインストール方法は、高度なユーザーにのみすすめられます。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html"><strong>戻る</strong>10.2. 要件とインストール</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth.html"><strong>次へ</strong>10.2.3. Qsynth と一緒にインストールする</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth.html
@@ -0,0 +1,18 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.2.3. Qsynth と一緒にインストールする</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html" title="10.2. 要件とインストール" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation.html" title="10.2.2. FluidSynth のインストール" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth.html" title="10.2.4. Qsynth なしのインストール" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt=
"Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth">10.2.3. <span class="application"><strong>Qsynth</strong></span> と一緒にインストールする</h3></div></div></div><div class="para">
+ このインストール方法は、ほとんどのユーザーにとっておすすめです。<span class="application"><strong>FluidSynth</strong></span>.に必要なすべてをインストールするには、以下の手順に従ってください。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>PackageKit</strong></span> あるいは <span class="application"><strong>KPackageKit</strong></span> を使って、 <span class="package">qsynth</span> パッケージをインストールします。
+ </div></li><li class="step"><div class="para">
+ 提案されたインストールをよく見て，承認します。以前に、<span class="package">fluid-soundfont-gm</span> パッケージをインストールしたことがない場合、<span class="application"><strong>PackageKit</strong></span> は、今、それをインストールしようとします。<span class="package">fluid-soundfont-gm</span> は、ほぼ、１４２MBあります。
+ </div></li></ol></div><div class="para">
+ もしあなたが、<span class="application"><strong>FluidSynth</strong></span> を、<span class="application"><strong>Qsynth</strong></span> グラフィカルインターフェースでなく、ターミナルエミュレータから使いたいときは、<span class="package">fluidsynth</span> パッケージをインストールします。<span class="package">fluidsynth</span> は、あなたが <span class="application"><strong>Qsynth</strong></span> グラフィカルインターフェースを使うならば不要です。もしあなたが <span class="package">fluidsynth</span> パッケージをインストールするべきかわからないなら、それをインストールしてもかまいません。まるで使うことがなくてもよいです。ハードディスクのわずかなスペースを使うだけですから。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation.html"><strong>戻る</strong>10.2.2. FluidSynth のインストール</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth.html"><strong>次へ</strong>10.2.4. Qsynth なしのインストール</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth.html
@@ -0,0 +1,14 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.2.4. Qsynth なしのインストール</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html" title="10.2. 要件とインストール" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth.html" title="10.2.3. Qsynth と一緒にインストールする" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html" title="10.2.5. サウンドフォントファイルをインストールする" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img
src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_without_Qsynth">10.2.4. <span class="application"><strong>Qsynth</strong></span> なしのインストール</h3></div></div></div><div class="para">
+ このインストール方法は、高度なユーザーにのみおすすめします。<span class="application"><strong>FluidSynth</strong></span> を、グラフィカルインターフェースとサウンドフォントファイルなしにインストールするには、以下の手順に従ってください。<span class="application"><strong>FluidSynth</strong></span> を使うには、サウンドフォントファイルをインストールしなくてはいけません。(<a class="xref" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html">「サウンドフォントファイルをインストールする」</a>を参照。)
+ </div><div class="para">
+ <span class="application"><strong>PackageKit</strong></span> または <span class="application"><strong>KPackageKit</strong></span> を使って、<span class="package">fluidsynth</span> パッケージをインストールします.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation_with_Qsynth.html"><strong>戻る</strong>10.2.3. Qsynth と一緒にインストールする</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Install_SoundFont_Files.html"><strong>次へ</strong>10.2.5. サウンドフォントファイルをインストールする</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Requirements_and_Installation.html
@@ -0,0 +1,12 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.2. 要件とインストール</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-FluidSynth.html" title="第10章 FluidSynth" /><link rel="prev" href="chap-Musicians_Guide-FluidSynth.html" title="第10章 FluidSynth" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation.html" title="10.2.2. FluidSynth のインストール" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians
_Guide-FluidSynth.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-Requirements_and_Installation">10.2. 要件とインストール</h2></div></div></div><div class="section" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Software_Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Software_Requirements">10.2.1. ソフトウェア要件</h3></div></div></div><div class="para">
+ <span class="application"><strong>FluidSynth</strong></span> は <code class="systemitem"><span class="application"><strong>JACK</strong></span> Audio Connection Kit</code> を必要とします。もしあなたが <span class="application"><strong>JACK</strong></span> パッケージをインストールしていないなら、<span class="application"><strong>FluidSynth</strong></span> をインストールする<span class="emphasis"><em>前に</em></span>そうしてください。手順は <a class="xref" href="sect-Musicians_Guide-Using_JACK.html#sect-Musicians_Guide-Install_and_Configure_JACK">「<code class="systemitem">JACK</code> をインストール、設定する」</a> を参照してください。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-FluidSynth.html"><strong>戻る</strong>第10章 FluidSynth</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Req_and_Inst-Installation.html"><strong>次へ</strong>10.2.2. FluidSynth のインストール</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus.html
@@ -0,0 +1,38 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.6. Qsynth で、リバーブとコーラスを使う</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-FluidSynth.html" title="第10章 FluidSynth" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments.html" title="10.5.2. チャネルの割り当てを保存、再使用する" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Multiple_Instances.html" title="10.7. Qsynth で、複数の FluidSynth インスタンスを使う" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Docum
entation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Multiple_Instances.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus">10.6. <span class="application"><strong>Qsynth</strong></span> で、リバーブとコーラスを使う</h2></div></div></div><div class="para">
+ "reverb" ("残響"の意味)と "chorus" エフェクトは、汎用 MIDI 標準に含まれませんが、それらはほとんどの MIDI シンセサイザーで提供されます.<span class="application"><strong>FluidSynth</strong></span> も例外ではなく、<span class="application"><strong>Qsynth</strong></span> インターフェースは、リバーブとコーラスエフェクトのジェネレータの設定を調整する便利で簡単な方法を提供します.あなたが正しい設定を選んだかを知る唯一の方法は実験であり、それはたぶん、あなたがどんな音楽に取り組んでいるかにより違うでしょう.１つの作品の中でも、違うかもしれません.ほとんどの MIDI シーケンサとプレイヤ（Qtractor と Rosegarden を含む、）は、セッションを演奏中に、リバーブとコーラスの設定を変更する MIDI メッセージを送ることができます.
+ </div><div class="para">
+ あなたがそれを使う予定がないなら、リバーブとコーラスエフェクトは、一時的に無効にすることができます.<span class="application"><strong>Qsynth</strong></span> でこれをするには、それぞれのジェネレータの設定ダイアルの下の "Active" チェックボックスのチェックを外します.
+ </div><div class="para">
+ <em class="firstterm">reverb</em> エフェクトジェネレータは、人工的な残響（"こだま"のようなものですが、もっと複雑です)を作り出します.それは、ほとんどすべての演奏環境で自然に発生するものです.エフェクトジェネレータは、仮想的な部屋を作り、ユーザーがその中で聞いているかのようにするはたらきをします。以下は、<span class="application"><strong>Qsynth</strong></span> が提供する設定です：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Room: 仮想的な部屋の大きさを調整します.１００より大きい設定は、 "level" 設定を最小にしたときでも、危険なレベルまで音量が大きくなる状況を作り出すことがあります。これは面白いエフェクトですが、リスナーが聴覚障害事故を起こさないように、注意が必要です.また、リバーブエフェクトは、時間とともに蓄積されるので、設定によっては、音量が危険な高レベルになるのに何分もかかることがあることを覚えておいてください.
+ </div></li><li class="listitem"><div class="para">
+ Damp: 仮想的な部屋での"音の減衰"量を調整します.音が消えるまでの時間の外に,最も影響される周波数を変えます.減衰が大きければ大きいほど、高い周波数は短時間しか続きません.
+ </div></li><li class="listitem"><div class="para">
+ Width: 仮想的な部屋のステレオイメージで知覚される "広さ"を調整します.ボリュームレベルにも大きな影響があります.
+ </div></li><li class="listitem"><div class="para">
+ Level: 残響のボリュームレベルを調整します.
+ </div></li></ul></div>
+ すべての設定は相互作用するので、推奨されるなんらかの設定を示すことはむつかしいです。ユーザーは、自分の要求に合う設定を探すために、いろいろな設定を実験することを強くおすすめします.幅広い聴取環境をシミュレートすることができ、必要な設定は最も論理的な選択を反映するとは限らないことがあります.例えば、比較的小さな "room" 設定で、コンサートホールをエミュレートすることができます。リバーブエフェクトの効果的な使用は、MIDI 聴取経験をとても優れたものにすることができます.
+ </div><div class="para">
+ <em class="firstterm">chorus</em>エフェクトジェネレータは、それぞれの MIDIラ インを、１つ以上の実際の楽器が演奏しているかのような印象を作り出します.エフェクトジェネレータは、それぞれの MIDI ノートに、かすかに、複数回、応答することで動作します.そのとき、それぞれの応答で、音程と時間を微妙にずらします。このように言うのは、ずいぶんネガティブに聞こえるかもしれませんが、人間の直感は、この不正確さが、実世界のアコースティック音楽の一部であると認識するので、コーラスエフェクトは、演奏によっては、リアルな感じを加えるのに役に立ちます。以下が、<span class="application"><strong>Qsynth</strong></span> が提供する設定です：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ N: エフェクトの "stages" の数を調整します.知覚される個々の楽器のだいたいの数をコントロールできます.
+ </div></li><li class="listitem"><div class="para">
+ Level: エフェクトのボリュームレベルを調整します.
+ </div></li><li class="listitem"><div class="para">
+ Speed: コーラスの速度を調整します.音が拡散される時間の範囲を変えます.
+ </div></li><li class="listitem"><div class="para">
+ Depth: ステレオイメージで知覚される "depth" を調整します.
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments.html"><strong>戻る</strong>10.5.2. チャネルの割り当てを保存、再使用する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Multiple_Instances.html"><strong>次へ</strong>10.7. Qsynth で、複数の FluidSynth インスタンスを使う</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments.html
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@@ -0,0 +1,28 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>10.5.2. チャネルの割り当てを保存、再使用する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html" title="10.5. Qsynth で、プログラムをチャネルに割り当てる" /><link rel="prev" href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html" title="10.5. Qsynth で、プログラムをチャネルに割り当てる" /><link rel="next" href="sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus.html" title="10.6. Qsynth で、リバーブとコーラスを使う" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.o
rg"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-FluidSynth-Saving_and_Reusing_Channel_Assignments">10.5.2. チャネルの割り当てを保存、再使用する</h3></div></div></div><div class="para">
+ QSynth では、複数のプログラム割り当てを保存して、後に回復することができます。つまり、あなたは、変えたい時に毎回、すべてのチャネルを再構成する必要はないということです。
+ </div><div class="para">
+ 後のために設定を保存するには：
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>Qsynth</strong></span> が正しく構成され、期待するプログラム割り当てで動いていることを確認ください.
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>Qsynth</strong></span> の "Channels" ウインドウで、"Preset Name" テキストフィールドの内容を削除して、あなたの好きな名前に入れ替えてください.
+ </div></li><li class="step"><div class="para">
+ "Save" をクリックしてその名前で設定を保存します.
+ </div></li></ol></div><div class="para">
+ 以前の設定を回復するには：
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>Qsynth</strong></span>の"Channels" ウインドウを開きます.
+ </div></li><li class="step"><div class="para">
+ "Preset Name" のドロップダウンボックスから、あなたが回復したいプリセットの名前を探します.
+ </div></li><li class="step"><div class="para">
+ それを選択し、正しいチャネル割り当てが回復されたのを確認ください。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FluidSynth-Assigning_Programs_to_Channels.html"><strong>戻る</strong>10.5. Qsynth で、プログラムをチャネルに割り当てる</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FluidSynth-Reverb_and_Chorus.html"><strong>次へ</strong>10.6. Qsynth で、リバーブとコーラスを使う</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>3.5. Fedora Linux でリアルタイムカーネルを得る</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html" title="第3章 リアルタイムと低遅延" /><link rel="prev" href="sect-Musicians_Guide-Hard_and_Soft_Real_Time.html" title="3.4. ハードとソフトリアルタイム" /><link rel="next" href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html" title="第4章 Planet CCRMA at Home" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="pre
vious"><a accesskey="p" href="sect-Musicians_Guide-Hard_and_Soft_Real_Time.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora">3.5. Fedora Linux でリアルタイムカーネルを得る</h2></div></div></div><div class="para">
+ Fedora Linux で、リアルタイムカーネルは、Planet CCRMA at Home リポジトリで提供されます。Planet CCRMA at Home の章 (<a class="xref" href="sect-Musicians_Guide-CCRMA_Security_and_Stability.html">「セキュリティと安定性」</a> を参照ください ) での注意とともに、ここで、もう１つ、考えることがあります：リアルタイムカーネルは、標準のカーネルに比べて使っている人が少ないので、テストのされ方が少ないです。何かおかしなことになる可能性は比較的少ないとはいえ、リアルタイムカーネルを使うことはリスクレベルを上げることに注意下さい。リアルタイムカーネルが動作しなくなったときのためにリアルタイムでない選択肢を常に残して下さい。
+ </div><div class="para">
+ リアルタイムカーネルを、他のシステム最適化とともにインストールするには、以下の手順にしたがってください：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Planet CCRMA at Home リポジトリを、<a class="xref" href="sect-Musicians_Guide-Using_Planet_CCRMA_Software.html#sect-Musicians_Guide-CCRMA_Installing_Repository">「Planet CCRMA at Home リポジトリをインストールする」</a> の手順でインストール下さい。
+ </div></li><li class="listitem"><div class="para">
+ 以下のコマンドをターミナルで実行ください： <code class="command">su -c 'yum install planetccrma-core'</code> これは、メタパッケージであり、それは自分では何もインストールしません。そのかわりに、いくつかの他のパッケージがインストールされるようにして、それらが目的のインストールと最適化をします。
+ </div></li><li class="listitem"><div class="para">
+ 新しいカーネルをテストするために、コンピュータをシャットダウン、リブートして下さい。もし、GRUB 設定をなおすつもりなら、リアルタイムでないカーネルを、使えるように必ず残すようにして下さい。
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Hard_and_Soft_Real_Time.html"><strong>戻る</strong>3.4. ハードとソフトリアルタイム</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html"><strong>次へ</strong>第4章 Planet CCRMA at Home</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Hard_and_Soft_Real_Time.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Hard_and_Soft_Real_Time.html
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@@ -0,0 +1,14 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>3.4. ハードとソフトリアルタイム</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html" title="第3章 リアルタイムと低遅延" /><link rel="prev" href="sect-Musicians_Guide-Real_Time_Linux_Kernel.html" title="3.3. リアルタイム Linux カーネル" /><link rel="next" href="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora.html" title="3.5. Fedora Linux でリアルタイムカーネルを得る" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site"
/></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Real_Time_Linux_Kernel.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Hard_and_Soft_Real_Time"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Hard_and_Soft_Real_Time">3.4. ハードとソフトリアルタイム</h2></div></div></div><div class="para">
+ 最後に、リアルタイムスケジューリングには２つの異なる種類があります。Linux カーネルは、最も極端な場合でも <em class="firstterm"> ソフトリアルタイム </em> しか使いません。この意味するところは、プロセッサと他のスケジューリングアルゴリズムが、高優先度のプロセスを優先するように最適化されているとしても、絶対的な動作時間の保証はないということです。リアルタイムカーネルはオーディオプロセスが、データを失う機会をおおいに減らすことに役立ちますが、ときにはそれがやはり起きることもあります。
+ </div><div class="para">
+ <em class="firstterm"> ハードリアルタイム </em> コンピュータは、ほんのわずかの遅延が、生と死の違いを引き起こすような特別な用途のために設計されたものです。これらのシステムはハードウエアあるいはソフトウエアで実装されています。自動車事故の時にエアバッグを展開するもの、手術中に患者の脈拍をモニタするもの、などの例があります。これらのコンピュータは多機能ではなく、それが保証された低遅延を実現できる理由の１つでもあります。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Real_Time_Linux_Kernel.html"><strong>戻る</strong>3.3. リアルタイム Linux カーネル</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Getting_Real_Time_Kernel_in_Fedora.html"><strong>次へ</strong>3.5. Fedora Linux でリアルタイムカーネルを得る</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Integrating_PulseAudio_with_JACK.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Integrating_PulseAudio_with_JACK.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>2.3.3. PulseAudio を JACK と統合する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Using_JACK.html" title="2.3. JACK Audio Connection Kit を使う" /><link rel="prev" href="sect-Musicians_Guide-Using_QjackCtl.html" title="2.3.2. QjackCtl を使う" /><link rel="next" href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html" title="第3章 リアルタイムと低遅延" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" hr
ef="sect-Musicians_Guide-Using_QjackCtl.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK">2.3.3. <code class="systemitem">PulseAudio</code> を <code class="systemitem">JACK</code> と統合する</h3></div></div></div><div class="para">
+ <code class="systemitem">PulseAudio</code> のデフォルトの設定は、それは、<code class="systemitem">JACK</code> サーバーが起動したら、<code class="systemitem">JACK</code> にオーディオ機器の制御をあけわたします。<code class="systemitem">PulseAudio</code> は <code class="systemitem">JACK</code> によって使用されるオーディオインターフェイスからオーディオ信号入力を受信したり、出力を送信したりすることはできません。これは、時折しか <code class="systemitem">JACK</code> を使用しないユーザにとってはよいことですが、多くのユーザーは <code class="systemitem">JACK</code> と <code class="systemitem">PulseAudio</code> を同時に使用したり、または頻繁にこれら２つを切り替えたりしたいことでしょう。 次の手順では、<code class="systemitem">PulseAudio</code> を構成して、その入力と出力が <code clas
s="systemitem">JACK</code> を経由するようにします。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ PackageKit あるいは KPackageKit を使って <span class="package">pulseaudio-module-jack</span> をインストールしてください。
+ </div></li><li class="step"><div class="para">
+ インストールを承認し、それが正しく終了するのを確認ください。
+ </div></li><li class="step"><div class="para">
+ あなたは <code class="systemitem">JACK</code> モジュールを使うために、<code class="systemitem">PulseAudio</code> の設定ファイルを編集しなくてはいけません。
+ </div><ol class="a"><li class="step"><div class="para">
+ 注意してください！ あなたは、root ユーザーとして重要なシステムファイルを編集します！
+ </div></li><li class="step"><div class="para">
+ ターミナルで以下のコマンドを実行します： <code class="command">sudo -c 'gedit /etc/pulse/default.pa'</code>
+ </div></li><li class="step"><div class="para">
+ [code]#load-module module-alsa-sink[/code] と書かれた行の下に、次の行を追加します：
+<pre class="programlisting">
+⏎
+load-module module-jack-sink⏎
+load-module module-jack-source⏎
+</pre>
+
+ </div></li></ol></li><li class="step"><div class="para">
+ ターミナルで以下のコマンドを実行して、<code class="systemitem">PulseAudio</code> を再開始してください : <code class="command">killall pulseaudio</code> <code class="systemitem">PulseAudio</code> は自動的に再開始します。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> を開いて、これがうまくいったことを確認ください。表示は、<code class="systemitem">JACK</code> は "Active"のはずです。
+ </div></li><li class="step"><div class="para">
+ "Connect"ウィンドウの "Audio"タブには <code class="systemitem">PulseAudio</code> デバイスが両側にあり、それらは反対側の "system"デバイスに接続されているはずです。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> の "Setup" ウインドウを開いてください、そして、"Options" タブをクリックします ."Execute script after Shutdown: killall jackd"のチェックをはずします。この修正をしないと、<span class="application"><strong>QjackCtl</strong></span> はプログラムが終了する度に <code class="systemitem">JACK</code> サーバを停止しようとします。<code class="systemitem">PulseAudio</code> はその後でもまだ、<code class="systemitem">JACK</code> を使おうとしますから、これはしてはいけないのです。
+ </div></li><li class="step"><div class="para">
+ <code class="systemitem">PulseAudio</code> が <code class="systemitem">JACK</code> を開始するとき、それは <code class="filename">~/.jackdrc</code> ファイルにあるコマンドを使おうとします。<span class="application"><strong>QjackCtl</strong></span> はあなたが設定を変えたときこのファイルを、自動的に更新します。しかし、そのときあなたは、<code class="systemitem">PulseAudio</code> と <code class="systemitem">JACK</code> の両方を再起動しないと、設定の変更は有効になりません。もし設定が反映されないようであれば、自分でそのファイルを編集ください。
+ </div></li><li class="step"><div class="para">
+ <code class="systemitem">PulseAudio</code> で非常に高いサンプルレートを使うときは注意してください。それは多くの CPU パワーを使用する傾向にあります。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Using_QjackCtl.html"><strong>戻る</strong>2.3.2. QjackCtl を使う</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html"><strong>次へ</strong>第3章 リアルタイムと低遅延</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA.html
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@@ -0,0 +1,16 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>4.2. Planet CCRMA at Home を使うかどうかを決める</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html" title="第4章 Planet CCRMA at Home" /><link rel="prev" href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html" title="第4章 Planet CCRMA at Home" /><link rel="next" href="sect-Musicians_Guide-CCRMA_Security_and_Stability.html" title="4.2.2. セキュリティと安定性" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accessk
ey="p" href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-CCRMA_Security_and_Stability.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Knowing_Whether_to_Use_Planet_CCRMA">4.2. Planet CCRMA at Home を使うかどうかを決める</h2></div></div></div><div class="section" id="sect-Musicians_Guide-CCRMA_Need_Exclusive_Software"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-CCRMA_Need_Exclusive_Software">4.2.1. 独占的ソフトウエア</h3></div></div></div><div class="para">
+ 追加のリポジトリをインストールするただ１つのもっともな理由は、あなたがそこのソフトウエアをインストールして使いたいからでしょう。このガイドで取り扱っているソフトウエアアプリケーションのうち、Planet CCRMA at Home リポジトリでしか手に入らないものは、 "SuperCollider"です。Planet CCRMA at Home は他にも、オーディオ関連の多くのソフトウエアアプリケーションを提供していますが、その多くはデフォルトの Fedora プロジェクトリポジトリで手に入ります。
+ </div><div class="para">
+ 現在デフォルトの Fedora リポジトリで手に入る多くのオーディオソフトウエアのほとんどは、最初は、 Fedora において、Planet CCRMA at Home リポジトリで入手可能になりました。ときには、アプリケーションのアップデート版が、Fedora Updates で入手可能になるよりも早く Planet CCRMA から得られることもあります。もしあなたがより新しいソフトウエアバージョンが必要ならば、あなたは Planet CCRMA リポジトリをインストールするべきです。
+ </div><div class="para">
+ これは、Planet CCRMA リポジトリをインストールして、そのソフトウエアを何もインストールしないユーザには潜在的なセキュリティ上の弱点ともなります。"yum"は、インストールされているアプリケーションのより新しいバージョンを見つけると、リポジトリにかかわらずそれをインストールします。これはあなたが気がつかないうちに起きることがあるので、あなたは知らないうちに Planet CCRMA のソフトウエアを使っていることがあります。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html"><strong>戻る</strong>第4章 Planet CCRMA at Home</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-CCRMA_Security_and_Stability.html"><strong>次へ</strong>4.2.2. セキュリティと安定性</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Configure_Frescobaldi.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Configure_Frescobaldi.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Configure_Frescobaldi.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.4. Frescobaldi の設定</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-LilyPond.html" title="第12章 LilyPond" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation.html" title="12.3.2. 要件とインストール (Frescobaldi のため)" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Syntax.html" title="12.5. LilyPond の基本" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a
accesskey="p" href="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Configure_Frescobaldi"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-Configure_Frescobaldi">12.4. <span class="application"><strong>Frescobaldi</strong></span> の設定</h2></div></div></div><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> は、設定なしに、そのまま、使うことができます。アプリケーションをより簡単に使うことができるように、以下の設定をチェックすることをお勧めします。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> メニューから、 <span class="guimenu"><strong>Settings</strong></span> → <span class="guimenuitem"><strong>Configure Frescobaldi</strong></span> を選択します。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> を実行する前に、<span class="application"><strong>Frescobaldi</strong></span> が自動的に楽譜をセーブすることを望むならば、'General Preferences' の、'Save document when LilyPond is run' をチェックします。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> が使うアプリケーションを変えたいときは、<span class="guibutton"><strong>Paths</strong></span> を選択します。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="note"><div class="admonition_header"><h2>注記</h2></div><div class="admonition"><div class="para">
+ すべてのフィールドをうめる必要はありません。
+ </div></div></div></li><li class="listitem"><div class="para">
+ GNOME ユーザーは "PDF Viewer"を <code class="command">evince</code> にするのがよいでしょう。<span class="application"><strong>Frescobaldi</strong></span> は、<span class="guibutton"><strong>Open PDF</strong></span> が選択されたときに、 <span class="application"><strong>Evince</strong></span> を使います。<span class="guibutton"><strong>Open PDF</strong></span> ボタンは、楽譜を作成しないと見えません。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> の MIDI ファイルを演奏するには、"MIDI Player"フィールドを設定します。MIDI ファイルをサウンドファイルに変換するには、<span class="application"><strong>timidity++</strong></span> が使えます。<span class="application"><strong>pmidi</strong></span> を使うこともできます。(Planet CCRMA at Home リポジトリより。詳しくは、 <a class="xref" href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html">4章<em>Planet CCRMA at Home</em></a> を参照。)ターミナルを開いて、<span class="application"><strong>timidity++</strong></span> や <span class="application"><strong>pmidi</strong></span> の<span class="application"><strong>man</strong></span> ヘルプページを見て下さい。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> が必要なときに、<span class="application"><strong>LilyPond</strong></span> ヘルプファイルをダウンロードするのをやめるには：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">lilypond-doc</span> パッケージをインストールします。このパッケージは、ダウンロードにかなり時間がかかります。
+ </div></li><li class="listitem"><div class="para">
+ "LilyPond documentation" フィールドに、<code class="filename">/usr/share/doc/lilypond-doc-<em class="replaceable"><code>2.14.2</code></em>/index.html</code> と書きます。
+ </div></li><li class="listitem"><div class="para">
+ このパスは、 <span class="application"><strong>LilyPond</strong></span> を更新したら更新する必要があります。デフォルトで、<span class="application"><strong>PackageKit</strong></span> はそれぞれの更新では、変更されたドキュメントだけをダウンロードします。なので、最初のインストールだけ、長い時間がかかります。
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div></li><li class="step"><div class="para">
+ "Editor Component"のオプションは、<span class="application"><strong>KWrite</strong></span> や <span class="application"><strong>Kate</strong></span> のそれと同じです。<span class="application"><strong>Frescboaldi</strong></span> の設定を変えても、<span class="application"><strong>KWrite</strong></span> や <span class="application"><strong>Kate</strong></span> の設定は、<span class="emphasis"><em>変わりません</em></span>。
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 自動補完はオフにするのをお勧めします。 <span class="guibutton"><strong>Editing</strong></span> コンポーネント、そして<span class="guibutton"><strong>Auto Completion</strong></span> タブを選択して、チェックボックスがチェックされていないことを確認下さい。
+ </div></li><li class="listitem"><div class="para">
+ ここで他の設定を変えてもよいです。高度に柔軟、カスタマイズ可能、パワフル。Frescobaldi にだけ適用されます。
+ </div></li></ul></div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation.html"><strong>戻る</strong>12.3.2. 要件とインストール (Frescobaldi のため)</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax.html"><strong>次へ</strong>12.5. LilyPond の基本</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.6.3. Frescobaldi の出力を調整する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Counterpoint.html" title="12.6. 対位法の課題をする（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score.html" title="12.6.2. 楽譜を開始する" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting.html" title="12.6.4. 音符を入力する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><
ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output">12.6.3. Frescobaldi の出力を調整する</h3></div></div></div><div class="para">
+ このチュートリアルのためには、Frescobaldi のデフォルトの出力で十分です。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score.html"><strong>戻る</strong>12.6.2. 楽譜を開始する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting.html"><strong>次へ</strong>12.6.4. 音符を入力する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.6.5. 楽譜をフォーマットする</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Counterpoint.html" title="12.6. 対位法の課題をする（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting.html" title="12.6.4. 音符を入力する" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Counterpoint-Remove_the_Word_Piano.html" title="12.6.5.2. 最初の、"Piano"という語を削除します。" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_r
ight.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint-Remove_the_Word_Piano.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score">12.6.5. 楽譜をフォーマットする</h3></div></div></div><div class="para">
+ 楽譜をフォーマットするのは、音符を入れ終わってからにすることをお勧めします。入力を終わってからフォーマットすれば、フォーマットのエラーを避けるのに役立ちます。LilyPond は、このアプローチに関して、効率的です。
+ </div><div class="section" id="sect-Musicians_Guide-LilyPond-Counterpoint-Move_the_Figured_Bass"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Move_the_Figured_Bass">12.6.5.1. 数字付き低音を移動する</h4></div></div></div><div class="para">
+ 通常、数字付き低音部は譜表の下にあります。この例は LilyPond の数字付き低音のためのいろいろな機能を使って変わったことをします。数字付き低音を、移動してみましょう。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ \score{ } セクションは、楽譜にあるすべてを含みます。数字付き低音は、\bassFiguresPart という識別子を持っています。これを削除しましょう。
+ </div></li><li class="step"><div class="para">
+ "bassFiguresPart = ... "と書いてあるところまでスクロールアップして、% でコメントアウトします。
+ </div></li><li class="step"><div class="para">
+ "pianoPart = ... "と書いてあるところまでスクロールアップして、今コメントアウトした"\n"\new FiguredBass \figBass"行を、"right"と"left"譜表の間に入れます。
+ </div></li><li class="step"><div class="para">
+ (2) でコメントにした部分を削除します。（あるいは、そのままにします。）
+ </div></li><li class="step"><div class="para">
+ ファイルをプレビューして、数字付き低音がピアノの譜表の間に現れるのを確認ください。
+ </div></li></ol></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting.html"><strong>戻る</strong>12.6.4. 音符を入力する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint-Remove_the_Word_Piano.html"><strong>次へ</strong>12.6.5.2. 最初の、"Piano"という語を削除します。</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint-Inputting.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint-Inputting.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.6.4. 音符を入力する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Counterpoint.html" title="12.6. 対位法の課題をする（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output.html" title="12.6.3. Frescobaldi の出力を調整する" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score.html" title="12.6.5. 楽譜をフォーマットする" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/imag
e_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Inputting">12.6.4. 音符を入力する</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ テンプレートをざっと見ましょう。その中のそれぞれを理解するのは重要ではありませんが、推測ができれば、それは良いことです。
+ </div></li><li class="step"><div class="para">
+ ピアノの上の譜表の、<code class="code">right = \relative c''</code> の部分に続く、<code class="literal">{</code> と <code class="literal">}</code> の間に、音符をこれから入れます。
+ </div></li><li class="step"><div class="para">
+ ピアノの下の譜表は、上と同じで、 left のところだけが違います。
+ </div></li><li class="step"><div class="para">
+ 数字付き低音は、あなたが figBass に入れたようになります。訳注：通奏低音のコードを数字で指定する表記です。
+ </div></li><li class="step"><div class="para">
+ ピアノの上声部から始めます。"f1 g a f d e f c a f g f" ( 説明を追加すること ) を入力します。
+ </div></li><li class="step"><div class="para">
+ 正しいことを確認します。ツールバーの "LilyPond"ボタンを押して、プレビューをします。
+ </div></li><li class="step"><div class="para">
+ 例は、高すぎる音で始まり、終わりは低すぎます。最初の音程を、" right = \relative c' "によって変更しましょう。
+ </div></li><li class="step"><div class="para">
+ もう一度プレビューをします。もちろん、まだ終わりは低すぎます。（こういうシンプルな課題は、普通は、開始と終了が同じ音です。）
+ </div></li><li class="step"><div class="para">
+ c のすぐ後に、' を置きます。それで、オクターブ上の C になります。
+ </div></li><li class="step"><div class="para">
+ もう一度プレビューをします。今回は、うまくいきました。
+ </div></li><li class="step"><div class="para">
+ 次は、ピアノの下の譜表のためにあなたが書いた音を入力します： "f1 e d c bes c bes f d bes e f"
+ </div></li><li class="step"><div class="para">
+ 出力をもう一度プレビューします。開始は高すぎますが、終了は正しい音程です。
+ </div></li><li class="step"><div class="para">
+ 開始が高すぎるのを、" left = \relative c { "に変えて、なおします。
+ </div></li><li class="step"><div class="para">
+ もう一度プレビューをして、どこをもう一箇所直すか、決めます。（注意：私は、"f1 e d c bes c bes f' d bes e f"にしました。）
+ </div></li><li class="step"><div class="para">
+ " figBass = \figuremode "の後の、{ と } の間に、最高音と最低音の間隔の数を入れます。
+ </div></li><li class="step"><div class="para">
+ それぞれの数字は、< > かっこの中に入れます。音の長さは > の後に書きます。こんな風にしました。"<1>1 <3> <5> <4> <3> <3> <5> <5> <5> <5> <3> <1>"
+ </div></li><li class="step"><div class="para">
+ さて、この作品にはいくつかの重大な誤りがあることに気が付きました。一番上の譜表は定旋律なので、変えることはできません。下の譜表を直します。
+ </div></li><li class="step"><div class="para">
+ 私は、下のパートを "f1 e d a bes c d e f d c f"にして、低音番号を "<1>1 <3> <5> <6> <3> <3> <3> <6> <3> <3> <5> <1>"にしました。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output.html"><strong>戻る</strong>12.6.3. Frescobaldi の出力を調整する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score.html"><strong>次へ</strong>12.6.5. 楽譜をフォーマットする</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint-Make_some_Elements_Transparent.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint-Make_some_Elements_Transparent.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint-Make_some_Elements_Transparent.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.6.5.3. いくつかの要素を透明にする</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score.html" title="12.6.5. 楽譜をフォーマットする" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Counterpoint-Remove_the_Word_Piano.html" title="12.6.5.2. 最初の、"Piano"という語を削除します。" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Orchestra.html" title="12.7. オーケストラスコアの作業（チュートリアル）" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="
Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint-Remove_the_Word_Piano.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Counterpoint-Make_some_Elements_Transparent"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Make_some_Elements_Transparent">12.6.5.3. いくつかの要素を透明にする</h4></div></div></div><div class="para">
+ これは、より進んだ技を使います。これらのコマンドを説明します。
+ </div><div class="para">
+ すべてのレイアウトオブジェクトは、"stencil"属性を持ちます。デフォルトでこれは、オブジェクトを描画するなんらかの関数になっています。もしこの属性を #f, つまり "false"にすると、描画関数は呼ばれず、オブジェクトは楽譜に現れなくなります。
+ </div><div class="para">
+ また、すべてのレイアウトオブジェクトは、"transparent"属性を持ちます。デフォルトでこれは、#f, （ "false"）です。これを #t ("true") にすると、オブジェクトは透明になります。
+ </div><div class="para">
+ "\once \override ..."あるいは "\revert ..."も使うことができます。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "global"セクションを探します。
+ </div></li><li class="step"><div class="para">
+ \key と \time の後に " \override Score.BarLine #'stencil = ##f "を入れます。
+ </div></li><li class="step"><div class="para">
+ ファイルをプレビューします。これは、期待通りにはいかなかったようです。
+ </div></li><li class="step"><div class="para">
+ というのも、譜表の中の小節線は、Staff.BarLine で扱われますが、複数の譜表の間の小節線は Staff.SpanBar で扱われるからです。その'transparent シンボルも #t にする必要があります。
+ </div></li><li class="step"><div class="para">
+ しかし、終わりには、小節線がありません！縦線を入れるには、譜表を１つ選んで（右、左、figBass 今の場合、どれでもいいです） \revert コマンドを使います。（これが必要かわかりませんが： "\revert Score.BarLine #'transparent と \revert Score.SpanBar #'transparent"）
+ </div></li><li class="step"><div class="para">
+ しかし、これでも、実は正しくありません。曲の終わりには、副縦線が必要です。カーソルを \revert の行の後に置いて、メニュー'LilyPond > Bar Lines > Ending Bar Line' を選択します。LilyPond はあなたのしたいことがわかり、シンボルをあなたに代わって記憶していますから、あなたは終止線の記号を覚えている必要はありません。
+ </div></li></ol></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Staff.* と Score.* の上書きについて説明すること。
+ </div></li><li class="listitem"><div class="para">
+ 他の要素と違って、"\time 4/4"の指示を除いてしまっても、デフォルトの４／４の拍子記号が表示されます。
+ </div></li><li class="listitem"><div class="para">
+ この例は、音楽的には単純でしたが、進んだ概念を含み、初心者が持ちがちなよくある、（たしかにもっともな）おそれを克服するのに大いに役に立ったと思います。
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint-Remove_the_Word_Piano.html"><strong>戻る</strong>12.6.5.2. 最初の、"Piano"という語を削除します。</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra.html"><strong>次へ</strong>12.7. オーケストラスコアの作業（チュートリアル）</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint-Remove_the_Word_Piano.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint-Remove_the_Word_Piano.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint-Remove_the_Word_Piano.html
@@ -0,0 +1,14 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.6.5.2. 最初の、"Piano"という語を削除します。</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score.html" title="12.6.5. 楽譜をフォーマットする" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score.html" title="12.6.5. 楽譜をフォーマットする" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Counterpoint-Make_some_Elements_Transparent.html" title="12.6.5.3. いくつかの要素を透明にする" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/ima
ges/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint-Make_some_Elements_Transparent.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Counterpoint-Remove_the_Word_Piano"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Remove_the_Word_Piano">12.6.5.2. 最初の、"Piano"という語を削除します。</h4></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "pianoPart = ... " で始まる部分を探して、 "instrumentName ... "の行を削除します。（あるいは、コメントにします。）
+ </div></li><li class="step"><div class="para">
+ ファイルをプレビューして、今回は、"Piano"と表示されないのを確認ください。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint-Formatting_the_Score.html"><strong>戻る</strong>12.6.5. 楽譜をフォーマットする</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint-Make_some_Elements_Transparent.html"><strong>次へ</strong>12.6.5.3. いくつかの要素を透明にする</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score.html
@@ -0,0 +1,32 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.6.2. 楽譜を開始する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Counterpoint.html" title="12.6. 対位法の課題をする（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Counterpoint.html" title="12.6. 対位法の課題をする（チュートリアル）" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output.html" title="12.6.3. Frescobaldi の出力を調整する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_
right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score">12.6.2. 楽譜を開始する</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ Frescobaldi で新規文書を開きます。
+ </div></li><li class="step"><div class="para">
+ 'LilyPond > Setup New Score'ダイアログを使います。
+ </div></li><li class="step"><div class="para">
+ 'Titles and Headers'タブで、タイトルと作曲家（そして他のフィールドも）を設定します。
+ </div></li><li class="step"><div class="para">
+ ２つの譜表が必要です。'Parts'、'Keyboard'、そして'Piano'へ行きます。
+ </div></li><li class="step"><div class="para">
+ 音符の間隔をラベルで示す必要があります。'Special'そして'Figured Bass'を選択します。（後で、正しい場所に置きます。）
+ </div></li><li class="step"><div class="para">
+ 'Score settings'タブに行きます。
+ </div><ol class="a"><li class="step"><div class="para">
+ あなたは既にこの例を演奏したことがあるので、"Create MIDI output"のチェックを外して、処理時間を節約します。
+ </div></li><li class="step"><div class="para">
+ 例はヘ長調です。
+ </div></li><li class="step"><div class="para">
+ 全音符だけが必要です。縦線はなし。４／４拍子を選択します。どうせ、後で変更します。
+ </div></li></ol></li><li class="step"><div class="para">
+ 'Try'を押して、楽譜の設定のプレビューをします。音符は表示例として見えているだけで、実際には入力されません。
+ </div></li><li class="step"><div class="para">
+ 設定がそれでよければ、'OK'を押して、テンプレートを作ります。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint.html"><strong>戻る</strong>12.6. 対位法の課題をする（チュートリアル）</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint-Adjusting_Frescobaldis_Output.html"><strong>次へ</strong>12.6.3. Frescobaldi の出力を調整する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint.html
new file mode 100644
index 0000000..b6f4c1c
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Counterpoint.html
@@ -0,0 +1,20 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.6. 対位法の課題をする（チュートリアル）</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-LilyPond.html" title="第12章 LilyPond" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol.html" title="12.5.8.2. 小節線チェックシンボル" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score.html" title="12.6.2. 楽譜を開始する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li cla
ss="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score.html"><strong>次へ</strong></a></li></ul><div xml:lang="ja-JP" class="section" id="sect-Musicians_Guide-LilyPond-Counterpoint" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint">12.6. 対位法の課題をする（チュートリアル）</h2></div></div></div><div class="para">
+ あなたが、対位法の授業をとっていて、次の宿題のとてもきれいなコピーを提出するように言われたとします。あなたは商用の記譜ソリューションとそれを使うための立派なコンピュータに、４５００００ドルも出すのはいやなので、 Lilypond が自分にはぴったりだと決めました。
+ </div><div class="section" id="sect-Musicians_Guide-LilyPond-Counterpoint-Tutorial_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Counterpoint-Tutorial_Files">12.6.1. チュートリアルのためのファイル</h3></div></div></div><div class="para">
+ チュートリアルをするのに、これらのファイルは不要です。これは、完成した例です。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle">LilyPond Input File</em> at <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/LilyPond/Counterpoint-source.ly">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/LilyPond/Counterpoint-source.ly</a>
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">PDF Output File</em> at <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/LilyPond/Counterpoint-result.pdf">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/LilyPond/Counterpoint-result.pdf</a>
+ </div></li></ul></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol.html"><strong>戻る</strong>12.5.8.2. 小節線チェックシンボル</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint-Starting_the_Score.html"><strong>次へ</strong>12.6.2. 楽譜を開始する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation.html
@@ -0,0 +1,24 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.3.2. 要件とインストール (Frescobaldi のため)</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Installation.html" title="12.3. 要件とインストール" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Installation.html" title="12.3. 要件とインストール" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Configure_Frescobaldi.html" title="12.4. Frescobaldi の設定" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a acc
esskey="p" href="sect-Musicians_Guide-LilyPond-Installation.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Configure_Frescobaldi.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation">12.3.2. 要件とインストール (<span class="application"><strong>Frescobaldi</strong></span> のため)</h3></div></div></div><div class="para">
+ <span class="application"><strong>PackageKit</strong></span> あるいは <span class="application"><strong>KPackageKit</strong></span> で <span class="package">frescobaldi</span> パッケージをインストールください。インストールを承認する前に、依存関係をよく見て下さい。<span class="application"><strong>Frescobaldi</strong></span> は、他のたくさんのパッケージに依存します。例えば、
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="package">perl-<em class="replaceable"><code>*</code></em></span> パッケージ、
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">kde-<em class="replaceable"><code>*</code></em></span> パッケージ、
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>timidity++</strong></span>、そして
+ </div></li><li class="listitem"><div class="para">
+ <span class="package">fluid-soundfont-gm</span> （これは、１１４ MB あります。）
+ </div></li></ul></div>
+
+ </div><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> は、<span class="guimenu"><strong>Applications</strong></span> メニューの <span class="guisubmenu"><strong>Multimedia</strong></span> サブメユーから実行できます。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Installation.html"><strong>戻る</strong>12.3. 要件とインストール</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Configure_Frescobaldi.html"><strong>次へ</strong>12.4. Frescobaldi の設定</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Installation.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Installation.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Installation.html
@@ -0,0 +1,32 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.3. 要件とインストール</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-LilyPond.html" title="第12章 LilyPond" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach.html" title="12.2. LilyPond アプローチ" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation.html" title="12.3.2. 要件とインストール (Frescobaldi のため)" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><l
i class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Installation"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-Installation">12.3. 要件とインストール</h2></div></div></div><div class="para">
+ <span class="application"><strong>PackageKit</strong></span> あるいは <span class="application"><strong>KPackageKit</strong></span> を使って <code class="literal">lilypond</code> パッケージをインストールします。依存関係をよく見てください。<code class="literal">lilypond-*-fonts</code> と呼ばれる多くのパッケージがインストールされます。
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> をコマンドラインから使うことができます。ターミナルで、<code class="command">lilypond <em class="replaceable"><code>input_file.ly</code></em></code> を実行します。
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span>と一緒に、<span class="application"><strong>Frescobaldi</strong></span> テキストエディタを使うことをお勧めします。それは <span class="application"><strong>LilyPond</strong></span> 専用の多くの機能があります。
+ </div><div class="section" id="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi">12.3.1. Frescobaldi について</h3></div></div></div><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> は、<span class="application"><strong>LilyPond</strong></span> ソースファイル のための進んだテキストエディタです。<span class="application"><strong>Frescobaldi</strong></span> のユーザインタフェースは、<span class="application"><strong>LilyPond</strong></span> で楽譜を作成したり編集したりする作業を簡単にします。以下は、<span class="application"><strong>Frescobaldi</strong></span> の利点のいくつかです。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> のテキスト編集コンポーネント、PDF プレビューコンポーネント、そしてヘルプファイルビューアは、あなたが既にご存知の一般的なアプリケーションと同じです(<span class="application"><strong>Kate</strong></span>/<span class="application"><strong>KWrite</strong></span>, <span class="application"><strong>Okular</strong></span>, そして <span class="application"><strong>Konqueror</strong></span>)。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> のユーザインタフェースでは、<span class="application"><strong>LilyPond</strong></span> ソースファイルと、ＰＤＦ出力あるいは <span class="application"><strong>LilyPond</strong></span> ヘルプ文書のいずれかが同時に表示されます。
+ </div></li><li class="listitem"><div class="para">
+ "Setup new score"ツールを使えば、新しい楽譜をすばやく作成できます。"Setup new score"ツールは、いくつかの進んだカスタマイズ機能を提供します。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> ウインドウの左側の "Quick Insert"サイドバーから、アーティキュレーション、トリル、そして他の音楽記号を入れることができます。<span class="application"><strong>Frescobaldi</strong></span> があなたの代わりに正しいコマンドを覚えてくれているので、あなたは <span class="application"><strong>LilyPond</strong></span> レファレンスファイルを参照する必要がありません。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> の <span class="guimenu"><strong>LilyPond</strong></span> メニューは、楽譜ファイルを調整したりトラブルシュートするための多くのツールを提供します。
+ </div></li><li class="listitem"><div class="para">
+ 音符を MIDI キーボードから入れたり、<span class="application"><strong>LilyPond</strong></span> 楽譜の MIDI 出力を聴いたり、そして楽譜の PDF ファイルを印刷したり、ということも、<span class="application"><strong>Frescobaldi</strong></span> の中から行うことができます。
+ </div></li></ul></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach.html"><strong>戻る</strong>12.2. LilyPond アプローチ</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Installation-Frescobaldi-Installation.html"><strong>次へ</strong>12.3.2. 要件とインストール (Frescobaldi のため)</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output.html
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@@ -0,0 +1,80 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.7.3. Frescobaldi の出力を調整する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Orchestra.html" title="12.7. オーケストラスコアの作業（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score.html" title="12.7.2. スコアを開始する" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html" title="12.7.4. 音符を入力する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></
p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output">12.7.3. Frescobaldi の出力を調整する</h3></div></div></div><div class="para">
+ 以下のステップは、一貫した LilyPond の入力スタイルを確立するのに役に立つでしょう。ここで勧められていることは大きな楽譜で作業すること、それはどんなテキストエディタを使っても大変なことです、に慣れるためにも役に立ちます。ありがたいことに、注意深く（かつ、一貫した）コードの構成は、あなたがご自分のファイルの中で正しい道を探すのに大いに役立つでしょう。最初にファイルを正しくセットアップすることは、最後には、それをずっと簡単にするでしょう。
+ </div><div class="para">
+ 最初に楽譜をセットアップするとき、Frescobaldi は、あなたに代わって、デフォルトで多くのセクションを作成しています。プログラムは、あなたにスタイル上の選択を与えすぎることのないようにしていますから、あなたは自分自身のスタイルを作成することができます。また、デフォルトのセクションは、論理的に構成されています。
+<div class="literallayout"><p>version<br />
+ header<br />
+ widely-used settings like tempoMark and "global"<br />
+ individual parts<br />
+ score formatting<br />
+</p></div>
+ それぞれの順序はあなたが LilyPond に慣れるにつれて、明らかになっていくでしょう。
+ </div><div class="para">
+ 以下は、私が音符を入力する前にすることです。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 区切り記号（<code class="code">%%%%%%%% NOTES %%%%%%%%</code> をそれぞれのパートにつけるなど）で、セクションの区切りを目立たせます。
+ </div></li><li class="listitem"><div class="para">
+ 異なるレベルの区切り記号（オーボエには、<code class="code">%%%% OBOE %%%%</code> ）で、サブセクションを表します。
+ </div></li><li class="listitem"><div class="para">
+ 大きなセクションの間には、空白行を入れて、はっきりと区切りがわかるようにしましょう。
+ </div></li><li class="listitem"><div class="para">
+ かっこは、別の行に置きましょう。例えば、
+<div class="literallayout"><p>\header<br />
+ {<br />
+ title = "Symphony"<br />
+ ...<br />
+ }<br />
+</p></div>
+ 同じ行を、以下のように表すのではなくて。
+<div class="literallayout"><p>\header {<br />
+ title = "Symphony"<br />
+ ...<br />
+ }<br />
+</p></div>
+ これは、単に個人的な好みの問題です。私が、C や、C ライクのプログラミング言語を使ったことのあることに由来します。
+ </div></li><li class="listitem"><div class="para">
+ Frescobaldi が生成したセクションとコマンドに慣れるようにしましょう。それらのセクション、コマンドが何をするのかを推測しましょう（それぞれのコマンドが何をするのかはわからないとしても）。そうすれば、問題を解決したり、カスタマイズをしたりするのがより簡単になるでしょう。ときどき、セットアップがとても複雑になる時など、私は現在行われていることについてコメントを残します。
+ </div></li><li class="listitem"><div class="para">
+ 私の楽譜が示すように、楽器の名前を変更して下さい。これは、あなたの楽譜を使う人がそれが何の楽器かわかるならば、必要のないことかもしれません。私のゴールは、 Dover 版の楽譜を複製することですので、私は楽器の名前を変更します。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "PARTS" セクションで、それぞれのパートセクションには、 "instrumentName = "something"" というフィールドがあります。
+ </div></li><li class="step"><div class="para">
+ それを、以下のイタリア名に変えましょう。
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Flute --> Flauto
+ </div></li><li class="listitem"><div class="para">
+ Oboe I --> I Oboe
+ </div></li><li class="listitem"><div class="para">
+ Oboe II --> II Oboe
+ </div></li><li class="listitem"><div class="para">
+ Bassoon --> 2 Fagotti
+ </div></li><li class="listitem"><div class="para">
+ Horn in F --> 2 Corni in Sol (NB: these would have been "natural horns")
+ </div></li><li class="listitem"><div class="para">
+ Trumpet in C --> 2 Clarini in Do (NB: a clarino is a kind of trumpet)
+ </div></li><li class="listitem"><div class="para">
+ Violin I --> Violino I
+ </div></li><li class="listitem"><div class="para">
+ Violin II --> Violino II
+ </div></li><li class="listitem"><div class="para">
+ Cello --> Violoncello obligato
+ </div></li><li class="listitem"><div class="para">
+ Contrabass --> Basso
+ </div></li></ul></div></li><li class="step"><div class="para">
+ さて、ホルンの移調を、名前に合わせないといけません。 Frescobaldi は、 "Horn in F" パートを作成し、それが最も一般的なホルンの移調なのですが、ハイドンの楽譜は、G （イタリア語で"Sol"）のホルンを使います。
+ </div></li><li class="step"><div class="para">
+ NOTES マーカーの下にある "hornF" セクションにスクロールして、 <code class="code">\transposition f</code> という行を、 <code class="code">\transposition g</code> にします。
+ </div></li><li class="step"><div class="para">
+ いずれわかるように、移調というのはそれだけでは済みません。それについては、その時が来たらまた述べましょう。
+ </div></li></ol></div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score.html"><strong>戻る</strong>12.7.2. スコアを開始する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html"><strong>次へ</strong>12.7.4. 音符を入力する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Fast_Section.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Fast_Section.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Fast_Section.html
@@ -0,0 +1,36 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.7.4.5. Continue to the Fast Section</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html" title="12.7.4. 音符を入力する" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Strings.html" title="12.7.4.4. Continue with the Strings" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano.html" title="12.8. ピアノソナタの作業（チュートリアル）" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class
="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Strings.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Fast_Section"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Fast_Section">12.7.4.5. Continue to the Fast Section</h4></div></div></div><div class="para">
+ If you want to finish inputting the first movement, as an exercise, then you will also need to know how to write a tempo-change in an orchestral score:
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ In order to continue, we'll need to include a special measure-line (barline) and a change-of-tempo indicator. This would be easy, and would display correctly, if we simply inputted the change in one particular voice. However, if we did that, the change would only appear in one of the orchestral parts exported from the score.
+ </div></li><li class="step"><div class="para">
+ We're going to define a new whatever-thing, like the "global" section created for us by Frescobaldi, and include it in all of the parts.
+ </div></li><li class="step"><div class="para">
+ The code needed for this is a little bit complicated, but you don't need to write it yourself: just take it from the "tempoMark" section created by Frescobaldi. All you need to do is change "Adagio" to "Allegro spiritoso," and add the barline indicator. This is also easy because of Frescobaldi: 'LilyPond > Bar Lines > Repeat start'
+ </div></li><li class="step"><div class="para">
+ You end up with
+<div class="literallayout"><p>startExposition =<br />
+ {<br />
+ \once \override Score.RehearsalMark #'self-alignment-X = #LEFT<br />
+ \once \override Score.RehearsalMark #'break-align-symbols = #'(time-signature key-signature)<br />
+ \mark \markup \bold "Allegro spiritoso"<br />
+ \bar "|:"<br />
+ }</p></div>
+ </div></li><li class="step"><div class="para">
+ Add the reference to this in all of your parts. Because of how I named it, this also serves as a handy way to find your way through the LilyPond markup file.
+<div class="literallayout"><p> r4 r r\fermata |<br />
+ <br />
+ \startExposition<br />
+ <br />
+ R2.*4 |</p></div>
+ </div></li><li class="step"><div class="para">
+ The barline and tempo-change will not appear unless you write some music after them, so put in some or all of the rests that follow, just to test it.
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Strings.html"><strong>戻る</strong>12.7.4.4. Continue with the Strings</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano.html"><strong>次へ</strong>12.8. ピアノソナタの作業（チュートリアル）</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Oboe_and_Horn.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Oboe_and_Horn.html
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@@ -0,0 +1,38 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.7.4.3. オーボエとホルンのパート</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html" title="12.7.4. 音符を入力する" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Wind_and_Timpani.html" title="12.7.4.2. 管楽器とティンパニのパートを続ける" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Strings.html" title="12.7.4.4. Continue with the Strings" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documen
tation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Wind_and_Timpani.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Strings.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Oboe_and_Horn"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Oboe_and_Horn">12.7.4.3. オーボエとホルンのパート</h4></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ オーボエとフルートのパートを完成させて下さい。悩んだ時は、以下のヒントを見て下さい。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ フルートとオーボエの音域を調整する必要があります。<code class="code">flute = \relative c'''</code> と <code class="code">oboeI = \relative c'''</code> になるはずです。
+ </div></li><li class="listitem"><div class="para">
+ 第一オーボエとフルートのパートの、８分音符の連桁を引くのに、 [ と ] を使いたくなるかもしれませんが、だめです。
+ </div></li><li class="listitem"><div class="para">
+ フルートは、いくつかの音符を入力した<span class="emphasis"><em>後</em></span>に、さらに R で示されるいくつかの休止小節があります。
+ </div></li><li class="listitem"><div class="para">
+ これらすべてのパートは、同じ、３つの４分休符とフェルマータのある小節で終わります。
+ </div></li></ul></div>
+
+ </div></li><li class="step"><div class="para">
+ さて、ホルンのパートです。楽器の移調は、 LilyPond では少し面倒です。それは、人間の作業でも、なんらかのコンピュータ記譜ツールでも、同じ事です。移調が正しく設定されることを、以下の手順でまず確認しましょう。
+ </div></li><li class="step"><div class="para">
+ The "hornF" section should already have a <code class="code">\transposition g</code> segment from earlier. This tells LilyPond that the following notes are not in concert pitch, but rather are "in G." A transposition statement tells LilyPond, in absolute pitch, which pitch actually sounds when the player plays a written c' . In this case, the sound pitch is a perfect fourth below c' . If we wanted it to be a perfect fifth higher, then we would need to write <code class="code">\transposition g'</code>, but that's not accurate for this case.
+ </div></li><li class="step"><div class="para">
+ Our next obstacle is not actually a problem with LilyPond, but with how Frescobaldi set up the score for us. The score that we wish to notate does not have a written key signature for the horn, but the "global" section (near the top of the file) includes one: G Major. If this score were particularly complicated, or if it contained a large number of transposing instruments, then it would be best to remove the <code class="code">\key g</code> declartion from the "global" section (and including it in every instrument as necessary). However, since there is only one transposing instrument, we might be better off simply removing the global from the horn.
+ </div></li><li class="step"><div class="para">
+ do the rest of this stuff to get that done right
+ </div></li><li class="step"><div class="para">
+ make a note in the global section of which instruments don't use it
+ </div></li><li class="step"><div class="para">
+ While you're at it, do the same for the trumpets and timpani parts, which also do not use a printed key signature.
+ </div></li><li class="step"><div class="para">
+ The other issue with the horn part is that two pitches are to be played at once, and they are both notated in the same voice. This is solved in the piano example like this: <code class="code"><g g'></code>. You can copy-and-paste this as needed.
+ </div></li><li class="step"><div class="para">
+ You can now finish inputting the horn part.
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Wind_and_Timpani.html"><strong>戻る</strong>12.7.4.2. 管楽器とティンパニのパートを続ける</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Strings.html"><strong>次へ</strong>12.7.4.4. Continue with the Strings</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Strings.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Strings.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.7.4.4. Continue with the Strings</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html" title="12.7.4. 音符を入力する" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Oboe_and_Horn.html" title="12.7.4.3. オーボエとホルンのパート" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Fast_Section.html" title="12.7.4.5. Continue to the Fast Section" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Sit
e" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Oboe_and_Horn.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Fast_Section.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Strings"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Strings">12.7.4.4. Continue with the Strings</h4></div></div></div><div class="para">
+ After correctly finishing all of the wind and timpani parts, you can move on to the strings.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Input all of the pitches and note lengths first, then return to fill in the other markings.
+ </div></li><li class="listitem"><div class="para">
+ If you get stuck, then put in some filler notes, and finish the rest of that part. Make a note for yourself, as a comment in the source file, so that you know to return later to finish the part.
+ </div></li><li class="listitem"><div class="para">
+ If twenty measures at once is too many, then break it into smaller chunks and input those.
+ </div></li><li class="listitem"><div class="para">
+ Here are some tips to help you through this passage. Use the LilyPond help files if you need further assistance.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Tuplets (Triplets):
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ To write any tuplet, use the formula <code class="code">\times x/y { notes in here }</code>, where x is the number of notes actually space to use, and y is the number of notes to let you display.
+ </div></li><li class="listitem"><div class="para">
+ For an eighth-note triplet that takes up one beat, you might use this: <code class="code">\times 2/3 { c8 d e }</code>, because in the space of 2 eighth notes you want to fit three instead.
+ </div></li><li class="listitem"><div class="para">
+ This is much more powerful than it seems at first. You might want to make it seem as though the measures have stopped being marked, and write something like <code class="code">\times 4/40 { ... }</code>, which will allow you to fit forty of something into the number of beat usually occupied by four of them. This is especially useful with cadenzas, and cadenza-like passages.
+ </div></li></ul></div>
+ </div></li><li class="listitem"><div class="para">
+ Short-term Polyphonic Input (Divisi):
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Anything between <code class="literal"><<</code> and <code class="literal">>></code> is interpreted by LilyPond as happening together. If you take a look at the "score" section at the bottom of the file, you will see that all of the parts are listed in that kind of bracket. This ensures that they all happen simultaneously.
+ </div></li><li class="listitem"><div class="para">
+ For short-term polyphonic input, use the formula <code class="code"><< { upper-voice notes } \\ { lower-voice notes } >></code>. Remember that the "upper voice" has upward-pointing stems, and the "lower voice" has downward-pointing stems.
+ </div></li></ul></div>
+ </div></li><li class="listitem"><div class="para">
+ Ties: These can be written by adding ~ to the end of the note beginning the tie: <code class="code">c4~ c8</code>
+ </div></li><li class="listitem"><div class="para">
+ Grace Notes: These take up no logical time, and are smaller than ordinary notes. Any notes appearing <code class="code">\grace { in here }</code> would be considered grace notes.
+ </div></li><li class="listitem"><div class="para">
+ Crescendo and Diminuendo Markings:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ These are added like other dynamic markings, attached with a backslash to the note where they begin. A crescendo is triggered with <code class="literal">\<</code> and a diminuendo with <code class="literal">\></code>.
+ </div></li><li class="listitem"><div class="para">
+ The left-most point of the marking (its beginning) is indicated by where you put <code class="literal">\<</code> or <code class="literal">\></code>
+ </div></li><li class="listitem"><div class="para">
+ The right-most (or end-)point is indicated by either another dynamic marking of any sort, or the special cancellation character <code class="literal">\!</code>
+ </div></li></ul></div>
+ </div></li><li class="listitem"><div class="para">
+ Italic "staccato" Text: <code class="code">\markup { \italic { staccato } }</code>
+ </div></li><li class="listitem"><div class="para">
+ Source File Measure Numbers: One of the techniques that can be used when inputting larger scores is writing measure numbers into the source file as comments. I usually write measure numbers every five measures, but it depends on the speed of the music, and what seems like it's useful.
+ </div></li></ul></div>
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Oboe_and_Horn.html"><strong>戻る</strong>12.7.4.3. オーボエとホルンのパート</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Fast_Section.html"><strong>次へ</strong>12.7.4.5. Continue to the Fast Section</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Wind_and_Timpani.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Wind_and_Timpani.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.7.4.2. 管楽器とティンパニのパートを続ける</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Oboe_and_Horn.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Wind_and_Timpani"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Wind_and_Timpani">12.7.4.2. 管楽器とティンパニのパートを続ける</h4></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ さて、音符を加えることにしましょう。休止符だけのパートから始めます。
+ </div><ol class="a"><li class="step"><div class="para">
+ トランペットとティンパニは、ゆっくりした導入部では音がありません。なので、３つの休止符と、３拍めのフェルマータだけがあります。
+ </div></li><li class="step"><div class="para">
+ 休止符は、"r" という音程を持つかのように扱われます。つまり、休止符を入力するには、r 音程を入力します。この３つの４分休符は、<code class="code">r4 r r |</code> と表記されます。これを、ティンパニとトランペットのパートに入力して下さい。ご注意：小節の最初で、音の長さを指定するのは、常によいことです。ただ、連続する音の長さは、指定する必要はありません。
+ </div></li><li class="step"><div class="para">
+ Frescobaldi では、画面の左の "Quick Insert" タブを使えば、一般的な音楽記号を挿入することができます。それは、隠れていることもあります。表示するには、Frescobaldi ウインドウの左の縁の、 "Quick Insert" をクリックして下さい。
+ </div></li><li class="step"><div class="para">
+ この小節の３つめの４分休符に、通常のフェルマータが必要です。テキスト入力キャレットを３つめの４分休符のすぐ後に置いて、 "Quick Insert" ツールバーからフェルマータ記号をクリックします。
+ </div></li><li class="step"><div class="para">
+ <code class="code">r4 r r\fermata |</code> と、なるはずです。
+ </div></li><li class="step"><div class="para">
+ フェルマータ記号の名前は覚えやすいものでしたが、他の記号には、LilyPond での名前がわかりにくいものもあります。なので、 "Quick Insert" ツールバーはとても便利です。
+ </div></li><li class="step"><div class="para">
+ この小節を、他のパートにもコピーします。
+ </div></li></ol></li><li class="step"><div class="para">
+ 次に簡単なパートは、バスーンです。
+ </div><ol class="a"><li class="step"><div class="para">
+ バスーンの、休止小節はもう入力しましたから、演奏される最初の小節から始めましょう。<code class="code">r8 d g bes d bes |</code> となるはずです。これを入力して、楽譜がどうなるか、プレビューしてください。
+ </div></li><li class="step"><div class="para">
+ うまくいきました！楽器を入力し始めるときは、音符が正しい音域で始まるのを確認するのが重要です。そうでないときは、<code class="code">\relative</code> 宣言の後にある、音程の指定を直せば、簡単に調整できます。今の場合、バスーンは、デフォルトで正しい音域になっていました。
+ </div></li><li class="step"><div class="para">
+ 次の小節は、<code class="code">g8 cis cis4 r |</code> です。 "cis" は、２つ必要です。これを入力して、正しく表示されるのを確認して下さい。
+ </div></li><li class="step"><div class="para">
+ よさそうです。しかし、まだ、書式づけがしてありません。 "Quick Insert" ツールバーを使って、スタッカートマークを最初の小節に入れましょう。８分休符にもスタッカートをつけることもできるのですが、それは意味がないので、やめましょう。
+ </div></li><li class="step"><div class="para">
+ スラーは、( で始まって、 ) で終わります。スラーを、g から c-sharp につけます。
+ </div></li><li class="step"><div class="para">
+ 楽譜をプレビューして、正しく表情記号を入れられたか見ましょう。こうなるはずです。
+<div class="literallayout"><p>r8 d-. g-. bes-. d-. bes-. |<br />
+ g8( cis) cis4 r |</p></div>
+ </div></li></ol></li><li class="step"><div class="para">
+ "forte" マークを入れましょう。テキスト（あるいはどんなオブジェクトでも）音符（あるいは休符など）につけるには、これら３つの記号のどれかを使います。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ^ は、「オブジェクトの上につける」
+ </div></li><li class="listitem"><div class="para">
+ - は、「上か下、適当な方につける」
+ </div></li><li class="listitem"><div class="para">
+ _ は、「オブジェクトの下につける」
+ </div></li></ul></div>
+ 以前に見たように、Frescobaldi は、スタッカートマークを、「一番良さそうな」記号につけます。それは、だいたいの場合、表情記号に関しては正しい選択となります。慣習的に、ダイナミックなマーキングは、適用される音符の五線譜の下に書かれます。なので、今回は、LilyPond の自由に任せきりにするのはよくありません。
+ </div></li><li class="step"><div class="para">
+ 音符に（フォーマットされていない）テキストを付加する最も簡単な方法は、引用符で囲んで付加することです。"forte" マークであれば、以下を８分休符につけます。<code class="code">r8_"f" <em class="replaceable"><code>and so on</code></em></code>
+ </div></li><li class="step"><div class="para">
+ これをプレビューすると、結果がまるで期待はずれであることに気がつくでしょう。どう見ても "forte" マークとは見えません。楽譜を読む人も、一時的にせよ、混乱することでしょう。
+ </div></li><li class="step"><div class="para">
+ ありがたいことに、LilyPond では、とても簡単で、エレガントに、正しい書式のダイナミックなマーキングを入力する手段があります。８分休符を、こう変更しましょう。<code class="code">r8\f <em class="replaceable"><code>and so on</code></em></code>
+ </div></li><li class="step"><div class="para">
+ これをプレビューすると、今回は、まさに、 "forte" マークらしく見えるでしょう。すべてのダイナミックマーキングに、このような短縮形があるわけではありませんが、あるものが多いです。
+ </div></li><li class="step"><div class="para">
+ "a 2" の指定は、「２人の奏者が演奏する」という意味で、引用符でテキストを囲むという例になっています。これを、８分休符の後の d の<span class="emphasis"><em>上に</em></span>置いて下さい。
+ </div></li><li class="step"><div class="para">
+ この２小節は、このようになるはずです。
+<div class="literallayout"><p>r8\f d-.^"a 2" g-. bes-. d-. bes-. |<br />
+ g8( cis) cis4 r |</p></div>
+ なお、<code class="code">d-.^"a 2"</code> と <code class="code">d^"a 2"-.</code> の効果は同じです。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html"><strong>戻る</strong>12.7.4. 音符を入力する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Oboe_and_Horn.html"><strong>次へ</strong>12.7.4.3. オーボエとホルンのパート</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Inputting.html
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+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Orchestra.html" title="12.7. オーケストラスコアの作業（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output.html" title="12.7.3. Frescobaldi の出力を調整する" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Wind_and_Timpani.html" title="12.7.4.2. 管楽器とティンパニのパートを続ける" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="
Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Wind_and_Timpani.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting">12.7.4. 音符を入力する</h3></div></div></div><div class="para">
+ このチュートリアルでは。楽譜を入力する１つの方法を、ステップを追って説明します。「アレグレット」の前の部分だけを入力します。第１楽章全体は、PDF ファイルにあるので、ご自分で入力して下さい。
+ </div><div class="section" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Start_with_the_Easy_Part"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Start_with_the_Easy_Part">12.7.4.1. 易しいところから始めましょう</h4></div></div></div><div class="para">
+ 大きな楽譜の作業を始める最善の方法は、どこか簡単なところからとにかく始めることです。何もしないのが一番簡単でしょうから、まずは、管楽器とティンパニの何小節もある休止付から入力しましょう。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ 休止の小節を数えます。今の場合、すべての管楽器とティンパニは、最初の音が出るまで１３以上の休止小節があります。
+ </div></li><li class="step"><div class="para">
+ 最初にこの１３小節を入力しましょう。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ NOTES セクションでフルートのセクションを探して、<code class="code">R2.*13 |</code> と入力します。
+ </div></li><li class="step"><div class="para">
+ <code class="literal">R</code> 記号は、「小節ごと休み」（あるいは、full-bar rest, full-measure rest）の意味です。LilyPond は、full-bar rest を、１小節の長さ続く休符とは異なるように表示します。
+ </div></li><li class="step"><div class="para">
+ <code class="literal">|</code> 記号は、小節チェック記号です。詳しくは、<a class="xref" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol.html">「小節線チェックシンボル」</a> を参照下さい。
+ </div></li><li class="step"><div class="para">
+ その部分を、管楽器とティンパニの残りの部分に、コピー、ペーストしてください。
+ </div></li></ol></div></li><li class="step"><div class="para">
+ ティンパニとトランペット/clarini のパートは、フェルマータのある小節に着くまでさらに６小節の休みがあります。フェルマータは、複数小節の休止付に含めることはできないので、別にして扱いましょう。ティンパニとトランペットのパートに、<code class="code">R2.*6 |</code> を追加します。
+ </div></li><li class="step"><div class="para">
+ ホルン、バスーン、そしてセカンドオーボエはさらに１小節の休止があるので、<code class="code">R2. |</code> をこれらのパートに加えます。小節ごとの休止付は、必ず大文字の R で表します。これにより、LilyPond は小節の中で休止付を正しく、中心に置くことができます。
+ </div></li></ol></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output.html"><strong>戻る</strong>12.7.3. Frescobaldi の出力を調整する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Wind_and_Timpani.html"><strong>次へ</strong>12.7.4.2. 管楽器とティンパニのパートを続ける</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.7.2. スコアを開始する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Orchestra.html" title="12.7. オーケストラスコアの作業（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Orchestra.html" title="12.7. オーケストラスコアの作業（チュートリアル）" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output.html" title="12.7.3. Frescobaldi の出力を調整する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/imag
es/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score">12.7.2. スコアを開始する</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ 'LilyPond > Setup New Score'
+ </div></li><li class="step"><div class="para">
+ "Titles and Headers" タブ：
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Dedication: Comte d'Ogny and Prince Oettingen-Wallerstein
+ </div></li><li class="listitem"><div class="para">
+ Title: Sinfonia No. 92
+ </div></li><li class="listitem"><div class="para">
+ Subtitle: "Oxford"
+ </div></li><li class="listitem"><div class="para">
+ Composer: Haydn, Joseph
+ </div></li><li class="listitem"><div class="para">
+ 残りすべて、空白
+ </div></li></ul></div></li><li class="step"><div class="para">
+ "Parts" タブ：
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Flute, 2 of Oboe, Bassoon
+ </div></li><li class="listitem"><div class="para">
+ Horn in F, Trumpet in C
+ </div></li><li class="listitem"><div class="para">
+ Timpani
+ </div></li><li class="listitem"><div class="para">
+ Violin, Violin, Viola, Cello, Contrabass
+ </div></li></ul></div></li><li class="step"><div class="para">
+ "Score settings" タブ：
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Key signature: G Major
+ </div></li><li class="listitem"><div class="para">
+ Time signature: 3/4
+ </div></li><li class="listitem"><div class="para">
+ Tempo indication: Adagio
+ </div></li><li class="listitem"><div class="para">
+ その他の設定は、お好きなように。Remove bar numbers は、オフに、Remove default tagline はオンにするのをお勧めします。
+ </div></li></ul></div></li><li class="step"><div class="para">
+ "Try" をクリックして、うまくいくか見ましょう。楽器の名前は、ＰＤＦファイルとは違うかもしれません。これは後で直します。
+ </div></li><li class="step"><div class="para">
+ "OK" をクリックして、楽譜を生成します。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra.html"><strong>戻る</strong>12.7. オーケストラスコアの作業（チュートリアル）</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Adjusting_Frescobaldis_Output.html"><strong>次へ</strong>12.7.3. Frescobaldi の出力を調整する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Orchestra.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.7. オーケストラスコアの作業（チュートリアル）</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-LilyPond.html" title="第12章 LilyPond" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Counterpoint-Make_some_Elements_Transparent.html" title="12.6.5.3. いくつかの要素を透明にする" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score.html" title="12.7.2. スコアを開始する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docna
v"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint-Make_some_Elements_Transparent.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score.html"><strong>次へ</strong></a></li></ul><div xml:lang="ja-JP" class="section" id="sect-Musicians_Guide-LilyPond-Orchestra" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra">12.7. オーケストラスコアの作業（チュートリアル）</h2></div></div></div><div class="para">
+ シナリオ：あなたは、コミュニティのオーケストラでボランティアをしています。指揮者が、ハイドンの交響曲を演奏することに決めました。オーケストラには、ハイドンの交響曲の楽譜はないので、指揮者は、あなたに、フルスコアとパート譜を探してくれるように頼みます。あなたは、指揮者のスコアがのっている本を見つけましたが、パート譜はありませんでした。あなたは、LilyPond に楽譜を打ち込むことにしました。そうすれば、足りない部分を簡単に作り出せるでしょう。
+ </div><div class="para">
+ このチュートリアルは、ヨゼフハイドンの「交響曲第９２番：オックスフォード」の最初の楽章を使います。
+ </div><div class="para">
+ このチュートリアルを行うとき、読者はこのチュートリアルの PDF のコピーを作り上げながら進んでいくことをお勧めします。
+ </div><div class="section" id="sect-Musicians_Guide-LilyPond-Orchestra-Tutorial_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Orchestra-Tutorial_Files">12.7.1. チュートリアルのためのファイル</h3></div></div></div><div class="para">
+ チュートリアルを行うのに、<span class="application"><strong>LilyPond</strong></span> の入力ファイルは不要です。PDF 出力ファイルは、必要です。入力ファイルは、もし何か問題が起きたり、あなたの結果をチェックしたいときに使って下さい。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle">LilyPond Input File</em> at <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/LilyPond/Orchestra-source.ly">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/LilyPond/Orchestra-source.ly</a>
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">PDF Output File</em> at <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/LilyPond/Orchestra-result.pdf">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/LilyPond/Orchestra-result.pdf</a>
+ </div></li></ul></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Counterpoint-Make_some_Elements_Transparent.html"><strong>戻る</strong>12.6.5.3. いくつかの要素を透明にする</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Orchestra-Starting_the_Score.html"><strong>次へ</strong>12.7.2. スコアを開始する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output.html
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@@ -0,0 +1,57 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8.3. Frescobaldi の出力を調整する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Piano.html" title="12.8. ピアノソナタの作業（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score.html" title="12.8.2. 楽譜を開始する" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html" title="12.8.4. Input Notes" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="pr
evious"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output">12.8.3. Frescobaldi の出力を調整する</h3></div></div></div><div class="para">
+ 以下のステップは、一貫した <span class="application"><strong>LilyPond</strong></span> の入力スタイルを確立するのに役に立つでしょう。ここで勧められていることは大きな楽譜で作業すること、それはどんなテキストエディタを使っても大変なことです、に慣れるためにも役に立ちます。ありがたいことに、注意深く（かつ、一貫した）コードの構成は、あなたがご自分のファイルの中で正しい道を探すのに大いに役立つでしょう。最初にファイルを正しくセットアップすることは、最後には、それをずっと簡単にするでしょう。
+ </div><div class="para">
+ 最初に楽譜をセットアップするとき、Frescobaldi は、あなたに代わって、デフォルトで多くのセクションを作成しています。プログラムは、あなたにスタイル上の選択を与えすぎることのないようにしていますから、あなたは自分自身のスタイルを作成することができます。また、デフォルトのセクションは、論理的に構成されています。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ version
+ </div></li><li class="listitem"><div class="para">
+ header
+ </div></li><li class="listitem"><div class="para">
+ 拍子記号のように、よく使われる設定と "global"
+ </div></li><li class="listitem"><div class="para">
+ individual parts
+ </div></li><li class="listitem"><div class="para">
+ score formatting
+ </div></li></ol></div>
+ 個々の順序は、あなたが <span class="application"><strong>LilyPond</strong></span> に慣れるにつれてより明らかになるでしょう。
+ </div><div class="para">
+ Here are some of the things that I do before inputting notes:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Use section-dividers (like <code class="code">%%%%%%%% NOTES %%%%%%%%</code> for individual parts) to demarcate sections.
+ </div></li><li class="listitem"><div class="para">
+ Use different levels of dividers (like <code class="code">%%%% RIGHT HAND %%%%</code> for the right hand) to show sub-sections
+ </div></li><li class="listitem"><div class="para">
+ Add blank lines between large sections, to separate them more obviously
+ </div></li><li class="listitem"><div class="para">
+ Begin braces on new lines (as
+<pre class="programlisting">
+\header
+{
+ title = "Impromptu"
+ ...
+}
+</pre>
+ instead of on the same line (as
+<pre class="programlisting">
+\header {
+ title = "Impromptu"
+ ...
+}
+</pre>
+ This is simply a matter of personal taste, resulting from prior experience with C and C-like programming languages.
+ </div></li><li class="listitem"><div class="para">
+ Familiarize myself with the sections and commands created by Frescobaldi, getting a sense of what the section/command does (even if I don't understand what each specific command does). This makes it easier to sort out problems and customization down the road. Sometimes, when the setup is quite complex, I make comments about what seems to be going on.
+ </div></li><li class="listitem"><div class="para">
+ At this point, I also added the "Dynamics Context" commands, as described below in the "Piano Dynamics" section
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score.html"><strong>戻る</strong>12.8.2. 楽譜を開始する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html"><strong>次へ</strong>12.8.4. Input Notes</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Formatting-Inputting_the_Dynamics.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Formatting-Inputting_the_Dynamics.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8.6.2. Input Dynamics</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Piano-Formatting.html" title="12.8.6. Format the Score (Piano Dynamics)" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano-Formatting.html" title="12.8.6. Format the Score (Piano Dynamics)" /><link rel="next" href="chap-Musicians_Guide-Solfege.html" title="第13章 GNU ソルフェージュ" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous
"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Formatting.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Solfege.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Formatting-Inputting_the_Dynamics"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Formatting-Inputting_the_Dynamics">12.8.6.2. Input Dynamics</h4></div></div></div><div class="para">
+ Now you can input the dynamic markings. These are inputted with a special note called a "spacer," that uses the letter "s" rather than a note name. You can also use rests (both partial- and multi-measure, r and R), but dynamic markings cannot be assigned to them.
+ </div><div class="para">
+ For example, if you want a <span class="foreignphrase"><em class="foreignphrase">piano</em></span> marking on the first beat, and a <span class="foreignphrase"><em class="foreignphrase">diminuendo</em></span> from the third to the fourth beat, you could write this: <code class="code">s4\p r s\> s\!</code>, or this: <code class="code">s2\p s4\> s\!</code>
+ </div><div class="para">
+ That's all there is to it! Think of the dynamics part as an invisible, pitch-free line between the two staves, for the sole purpose of dynamics (and other expression markings).
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Formatting.html"><strong>戻る</strong>12.8.6. Format the Score (Piano Dynamics)</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Solfege.html"><strong>次へ</strong>第13章 GNU ソルフェージュ</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Formatting.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Formatting.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8.6. Format the Score (Piano Dynamics)</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Piano.html" title="12.8. ピアノソナタの作業（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors.html" title="12.8.5. Troubleshoot Errors" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano-Formatting-Inputting_the_Dynamics.html" title="12.8.6.2. Input Dynamics" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><
ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Formatting-Inputting_the_Dynamics.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Formatting"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Formatting">12.8.6. Format the Score (Piano Dynamics)</h3></div></div></div><div class="para">
+ Keyboard instruments use a unique notation when it comes to dynamics. Most instruments use only one staff per player, so the dynamics are, by convention, notated underneath that staff. Keyboard instruments usually use two staves (organs and complex piano music may use three). Because the dynamics are usually meant to apply to both staves, they are usually notated between the two staves. This is similar to notation beneath the upper staff, but in truth, piano dynamics tend to be placed in the middle between the staves - entering the dynamics as belonging to the upper staff, in <span class="application"><strong>LilyPond</strong></span>, will not produce that effect.
+ </div><div class="para">
+ There is a way to notate dynamics between two staves in <span class="application"><strong>LilyPond</strong></span>, and it involves a little bit of thought to get it right. It also requires the addition of a significant number of commands, and the creation of a new context.
+ </div><div class="para">
+ This process looks difficult, and may seem daunting. It's not necessary to understand all of the commands in the "PianoDynamics" Context in order to use the context, so there is no need to worry!
+ </div><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Formatting-Preparing_the_PianoDynamics_Context"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Formatting-Preparing_the_PianoDynamics_Context">12.8.6.1. Prepare the "PianoDynamics" Context</h4></div></div></div><div class="para">
+ It is probably easier to add these commands before inputting most of the score, but there is no reason why this context cannot be added to any score at any time.
+ </div><div class="para">
+ Follow these steps to create a "PianoDynamics" Context:
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ Between the left and right staves of the PianoStaff, add "<code class="code">\new PianoDynamics = "dynamics" \dynamics</code>". For the Schubert score, this looks like:
+<pre class="programlisting">
+\new PianoStaff \with
+ {
+ instrumentName = "Piano"
+ }
+<<
+ \new Staff = "right" \right
+ \new PianoDynamics = "dynamics" \dynamics
+ \new Staff = "left" { \clef bass \left }
+>>
+</pre>
+
+ </div></li><li class="step"><div class="para">
+ To the layout section, add the following:
+<pre class="programlisting">
+% Everything below here is for the piano dynamics.
+% Define "PianoDynamics" context.
+\context
+{
+ \type "Engraver_group"
+ \name PianoDynamics
+ \alias Voice
+ \consists "Output_property_engraver"
+ \consists "Script_engraver"
+ \consists "New_dynamic_engraver"
+ \consists "Dynamic_align_engraver"
+ \consists "Text_engraver"
+ \consists "Skip_event_swallow_translator"
+ \consists "Axis_group_engraver"
+
+ \override DynamicLineSpanner #'Y-offset = #0
+ \override TextScript #'font-size = #2
+ \override TextScript #'font-shape = #'italic
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
+}
+
+% Modify "PianoStaff" context to accept Dynamics context.
+\context
+{
+ \PianoStaff
+ \accepts PianoDynamics
+}
+% End of PianoDynamics code.
+</pre>
+ This creates a "PianoDynamics" context, and modifies the "PianoStaff" context so that it will accept a "PianoDynamics" context.
+ </div></li><li class="step"><div class="para">
+ Before the "\score" section, add a section called "dynamics," like this:
+<pre class="programlisting">
+dynamics =
+{
+ % Dynamics go here.
+
+}
+</pre>
+ This is where you will input the dynamics.
+ </div></li></ol></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors.html"><strong>戻る</strong>12.8.5. Troubleshoot Errors</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Formatting-Inputting_the_Dynamics.html"><strong>次へ</strong>12.8.6.2. Input Dynamics</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Inputting-Cautionary_Accidentals.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Inputting-Cautionary_Accidentals.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8.4.4. Cautionary Accidentals</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html" title="12.8.4. Input Notes" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Fingering.html" title="12.8.4.3. Fingering" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Changing_the_Style_of_Crescendo.html" title="12.8.4.5. Change the Style of Crescendo" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><
li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Fingering.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Changing_the_Style_of_Crescendo.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Cautionary_Accidentals"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Cautionary_Accidentals">12.8.4.4. Cautionary Accidentals</h4></div></div></div><div class="para">
+ Musical Definition: This score makes some use of <em class="firstterm">cautionary accidentals</em>. These are accidentals which don't change the pitches to be played, but rather are used as a precaution against forgetting that they are there. This usually happens when an accidental in the written key signature is changed for a significant number of measures, and then suddenly changes back. The cautionary accidental would be applied when the standard key signature returns, to remind the musician of the key signature.
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> Notation: These are notated in <span class="application"><strong>LilyPond</strong></span> with an exclamation mark placed before the note-value: <code class="code">ces!16</code>
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Fingering.html"><strong>戻る</strong>12.8.4.3. Fingering</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Changing_the_Style_of_Crescendo.html"><strong>次へ</strong>12.8.4.5. Change the Style of Crescendo</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Inputting-Changing_the_Style_of_Crescendo.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Inputting-Changing_the_Style_of_Crescendo.html
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@@ -0,0 +1,16 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8.4.5. Change the Style of Crescendo</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html" title="12.8.4. Input Notes" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Cautionary_Accidentals.html" title="12.8.4.4. Cautionary Accidentals" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Polyphonic_Sections_of_Homophonic_Music.html" title="12.8.4.6. Polyphonic Sections of Homophonic Music" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Docume
ntation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Cautionary_Accidentals.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Polyphonic_Sections_of_Homophonic_Music.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Changing_the_Style_of_Crescendo"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Changing_the_Style_of_Crescendo">12.8.4.5. Change the Style of Crescendo</h4></div></div></div><div class="para">
+ Sometimes the composer or editor prefers to use the words <span class="foreignphrase"><em class="foreignphrase">crescendo</em></span> or its abbreviation, <span class="foreignphrase"><em class="foreignphrase">cresc.</em></span>, instead of the <code class="literal">\<</code> style of crescendo. In <span class="application"><strong>LilyPond</strong></span> these are handled by the same source-file notation (<code class="literal">\<</code> to start and <code class="code">\!</code> to end explicitly). However, if you want to use text and a "spanner" (dotted or dashed line, for example) instead of the < sign, you need to tell <span class="application"><strong>LilyPond</strong></span>. This can be accomplished with the following command: <code class="code">\crescTextCresc</code>.
+ </div><div class="para">
+ After changing to this style of <span class="foreignphrase"><em class="foreignphrase">crescendo</em></span>, you can revert to the standard < style with the following command: <code class="literal">\crescHairpin</code>.
+ </div><div class="para">
+ The <code class="literal">\dimTextDim</code> and <code class="literal">\dimHairpin</code> commands do the same for a <span class="foreignphrase"><em class="foreignphrase">diminuendo</em></span>.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Cautionary_Accidentals.html"><strong>戻る</strong>12.8.4.4. Cautionary Accidentals</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Polyphonic_Sections_of_Homophonic_Music.html"><strong>次へ</strong>12.8.4.6. Polyphonic Sections of Homophonic Music</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Inputting-Chords.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Inputting-Chords.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Inputting-Chords.html
@@ -0,0 +1,16 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8.4.2. Chords</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+
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+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html" title="12.8.4. Input Notes" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html" title="12.8.4. Input Notes" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Fingering.html" title="12.8.4.3. Fingering" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musi
cians_Guide-LilyPond-Piano-Inputting.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Fingering.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Chords"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Chords">12.8.4.2. Chords</h4></div></div></div><div class="para">
+ There are two ways to input chords, but one will be used much more often.
+ </div><div class="para">
+ This style of chord notation is more common: <code class="literal"><as ces>4-_</code> Notice how only the pitches are notated inside the <code class="literal">< ></code> brackets, and everything else attached to the end. There is one exception to this: fingering should be indicated on the pitch associated with that finger: <code class="literal"><as-1 ces-3>4-_</code> Not only does this help you to sort out what was probably intended, but it allows <span class="application"><strong>LilyPond</strong></span> to stack the fingering in the right order. When using "relative" entry mode, it is the lowest note of the chord that is taken into consideration when placing the next note.
+ </div><div class="para">
+ This style of chord notation is less common: <code class="literal"><<as4-> ces>></code> Notice how everything must be notated inside the <code class="literal"><< >></code> brackets. This can make it more difficult to read the chord in the source file, but it also allows much greater flexibility: only some chord members can have ties; certain chord members can last for longer than others; certain chord members can "break out" into or out of polyphonic passages. This notation is rarely <span class="emphasis"><em>needed</em></span>, but you may be inclined to over-use it if you are trying to exactly copy the look of a hand-engraved score. Like the "times" command for tuplets, this is one of <span class="application"><strong>LilyPond</strong></span>'s deceptively powerful techniques. When using "relative" entry mode, it is the last note of the chord that is taken into consideration when placing the next note.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html"><strong>戻る</strong>12.8.4. Input Notes</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Fingering.html"><strong>次へ</strong>12.8.4.3. Fingering</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Inputting-Fingering.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Inputting-Fingering.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8.4.3. Fingering</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
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+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html" title="12.8.4. Input Notes" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Chords.html" title="12.8.4.2. Chords" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Cautionary_Accidentals.html" title="12.8.4.4. Cautionary Accidentals" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a
accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Chords.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Cautionary_Accidentals.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Fingering"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Fingering">12.8.4.3. Fingering</h4></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> allows you to indicate fingering by attaching the digit number to a note as an articulation mark: <code class="code">a16-5</code> will show a "5" as a fingering mark. As with all other articulation marks indicated in this way, you can use <code class="literal">^</code> or <code class="literal">_</code> to instruct <span class="application"><strong>LilyPond</strong></span> to put the mark above or below the note, respectively. It is usually better to let <span class="application"><strong>LilyPond</strong></span> decide for itself by using a <code class="literal">-</code>.
+ </div><div class="para">
+ When entering chords, it is recommended that you enter the fingering with the note to which it is attached, like <code class="literal"><as-1 ces-4>4-_</code>. It is possible to enter this as <code class="literal"><as ces>4-1-4-></code>, but this not only looks confusing, it may confuse <span class="application"><strong>LilyPond</strong></span> as to which digit is intended for which note.
+ </div><div class="para">
+ Because the extra digits look like they indicate note-lengths, it is recommended to mark them consistently. For this same reason, it is also recommended that fingering marks be added to source files only after the pitch and rhythm have been double-checked. The source file included with this tutorial puts fingering marks after any other articulation and length marking.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Chords.html"><strong>戻る</strong>12.8.4.2. Chords</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Cautionary_Accidentals.html"><strong>次へ</strong>12.8.4.4. Cautionary Accidentals</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Inputting-Octave_Change_Spanners.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Inputting-Octave_Change_Spanners.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8.4.7. Octave-Change Spanners ("8ve" Signs, "Ottava Brackets")</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
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+
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+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html" title="12.8.4. Input Notes" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Polyphonic_Sections_of_Homophonic_Music.html" title="12.8.4.6. Polyphonic Sections of Homophonic Music" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors.html" title="12.8.5. Troubleshoot Errors" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /
></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Polyphonic_Sections_of_Homophonic_Music.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Octave_Change_Spanners"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Octave_Change_Spanners">12.8.4.7. Octave-Change Spanners ("8ve" Signs, "Ottava Brackets")</h4></div></div></div><div class="para">
+ Musical Definition: In order to most conveniently notate over large ranges, composers and editors sometimes use text spanners to indicate that a passage should be played one or two octaves higher or lower than written. This allows the notes to stay mostly within the staff lines, thereby decreasing the number of ledger lines required.
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> Notation: The <code class="code">\ottava</code> command is used to notate all five states of transposition:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 15va (play two octaves higher than written) is engaged with <code class="code">\ottava #2</code>
+ </div></li><li class="listitem"><div class="para">
+ 8va (play one octave higher than written) is engaged with <code class="code">\ottava #1</code>
+ </div></li><li class="listitem"><div class="para">
+ <span class="foreignphrase"><em class="foreignphrase">loco</em></span> (play in the octave written) is engaged with <code class="code">\ottava #0</code>, which also cancels another sign.
+ </div></li><li class="listitem"><div class="para">
+ 8vb (play one octave lower than written) is engaged with <code class="code">\ottava #-1</code>
+ </div></li><li class="listitem"><div class="para">
+ 15vb (play two octaves lower than written) is engaged with <code class="code">\ottava #-2</code>
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Polyphonic_Sections_of_Homophonic_Music.html"><strong>戻る</strong>12.8.4.6. Polyphonic Sections of Homophonic Music</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors.html"><strong>次へ</strong>12.8.5. Troubleshoot Errors</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Inputting-Polyphonic_Sections_of_Homophonic_Music.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Inputting-Polyphonic_Sections_of_Homophonic_Music.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8.4.6. Polyphonic Sections of Homophonic Music</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
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+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Piano-Inputting.html" title="12.8.4. Input Notes" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Changing_the_Style_of_Crescendo.html" title="12.8.4.5. Change the Style of Crescendo" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Octave_Change_Spanners.html" title="12.8.4.7. Octave-Change Spanners ("8ve" Signs, "Ottava Brackets")" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/
images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Changing_the_Style_of_Crescendo.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Octave_Change_Spanners.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Polyphonic_Sections_of_Homophonic_Music"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Polyphonic_Sections_of_Homophonic_Music">12.8.4.6. Polyphonic Sections of Homophonic Music</h4></div></div></div><div class="para">
+ Sometimes, especially in piano music, a passage of some measures will require polyphonic (multi-Voice) notation in <span class="application"><strong>LilyPond</strong></span>, even though most of the music does not. In this case, you would use the following format: <code class="literal"> << { % upper voice notes go here } \\ { % lower voice notes go here } >> </code> This is used a few times in both hands in the example score file.
+ </div><div class="para">
+ When writing these sections in "relative" entry mode, it is a good idea to use the "octave-check" mechanism, at least at the beginning of the lower voice. This is because, when judging the relative starting pitch of the first note of the lower voice, <span class="application"><strong>LilyPond</strong></span> judges from the last note of the upper voice - <span class="emphasis"><em>not</em></span> the last note before the polyphonic section began.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Changing_the_Style_of_Crescendo.html"><strong>戻る</strong>12.8.4.5. Change the Style of Crescendo</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Octave_Change_Spanners.html"><strong>次へ</strong>12.8.4.7. Octave-Change Spanners ("8ve" Signs, "O...</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Inputting.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Inputting.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8.4. Input Notes</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Piano.html" title="12.8. ピアノソナタの作業（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output.html" title="12.8.3. Frescobaldi の出力を調整する" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Chords.html" title="12.8.4.2. Chords" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><u
l class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Chords.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Inputting"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting">12.8.4. Input Notes</h3></div></div></div><div class="para">
+ Piano scores present some unique challenges with <span class="application"><strong>LilyPond</strong></span>, but they're easy to overcome with some careful thought. This tutorial will avoid step-by-step instructions on how to input particular notes, instead focussing on those unique piano challenges presented in this particular composition. The <span class="application"><strong>LilyPond</strong></span> "Notation Reference" provides a section dedicated to keyboard and piano music. Most of the situations described there are not present or discussed in this score, which gives this tutorial unique material.
+ </div><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Order_of_Inputting"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Inputting-Order_of_Inputting">12.8.4.1. Order of Input</h4></div></div></div><div class="para">
+ Choosing the right order to input your scores can make things much easier to troubleshoot. Here are some suggestions:
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ Input music in small sections at a time. Two, four, or eight measures is usually a good size, but it depends on the size of the composition, the size of its sections, and the form of the music. It doesn't make sense to input a passage of 9 whole-notes in stages of two measures, but two measures may be too long for passages composed primarily of 128th-notes.
+ </div></li><li class="step"><div class="para">
+ Input one staff at a time, then check its accuracy using Frescobaldi's preview function (press the "LilyPond" button on the toolbar)
+ </div><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Input the pitch and rhythms first, then slurs, articulations, ties, and fingerings. It's easier to correct errors with pitch and rhythm (and register!) before the extra markings are added.
+ </div></li><li class="listitem"><div class="para">
+ To help make sixteenth-note passages easier to read, you can use double- or triple-spaces to separate beats. Such passages often feature repeated patterns; before copy-and-pasting, make sure that the pattern repetition is truly exact!
+ </div></li></ul></div></li><li class="step"><div class="para">
+ When you progress to a new four-measure section (or two- or six-, etc.), input the less difficult staff first (if there is one). This way, you will have a better visual reference when verifying the more difficult part. It's easier to see differences if your score looks closer to the original.
+ </div></li><li class="step"><div class="para">
+ The same idea applies for multi-measure polyphonic passages in the same staff: input the easier part first, so you have a visual reference.
+ </div></li><li class="step"><div class="para">
+ To help ensure that you don't get lost, write measure numbers in the source file every five measures or so. See the example source file to see how this is done. Even if you don't want to have measure numbers in the final score, it can be helpful to include them during inputting and error-checking.
+ </div></li><li class="step"><div class="para">
+ Save the dynamics and pedal markings for last! Sometimes, they can help you to keep your place in the score while double-checking that it's correct, but I don't usually put them in with the rest of the notes, for reasons described below in the "Piano Dynamics" section.
+ </div></li></ol></div><div class="para">
+ Most importantly, remember that these are just suggestions! The order in which you do things should change depending on what suits you best. Different kinds of scores will require different strategies.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output.html"><strong>戻る</strong>12.8.3. Frescobaldi の出力を調整する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Chords.html"><strong>次へ</strong>12.8.4.2. Chords</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8.2. 楽譜を開始する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Piano.html" title="12.8. ピアノソナタの作業（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano.html" title="12.8. ピアノソナタの作業（チュートリアル）" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output.html" title="12.8.3. Frescobaldi の出力を調整する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Docum
entation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score">12.8.2. 楽譜を開始する</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ Frescobaldi で新しい文書を開きます。
+ </div></li><li class="step"><div class="para">
+ '<span class="application"><strong>LilyPond</strong></span> > Setup New Score' をクリックして、"Setup New Score" ツールを開始します。
+ </div></li><li class="step"><div class="para">
+ "Titles and Headers" タブで以下のフィールドを入れます：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Title: Impromptu
+ </div></li><li class="listitem"><div class="para">
+ Compuser: Schubert, Franz
+ </div></li><li class="listitem"><div class="para">
+ Opus: Opus 90/4
+ </div></li></ul></div>
+
+ </div></li><li class="step"><div class="para">
+ "Parts" タブに移ります：
+ </div><ol class="a"><li class="step"><div class="para">
+ "Available parts" リストから "Keyboard instruments" を選択します。
+ </div></li><li class="step"><div class="para">
+ "Piano" を選択し、
+ </div></li><li class="step"><div class="para">
+ "Add" をクリックします。
+ </div></li><li class="step"><div class="para">
+ ウインドウの右側に、最初から複数の声部を加えることができます。私たちはこの機能は使いません。ここのほとんどの楽譜はポリフォニックではないからです。この機能はフーガで特に便利です。
+ </div></li></ol></li><li class="step"><div class="para">
+ "Score settings" タブに切り替えて、以下の設定を調整します：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Key signature: As Major
+ </div></li><li class="listitem"><div class="para">
+ Time signature: 3/4
+ </div></li><li class="listitem"><div class="para">
+ Tempo indication: Allegretto
+ </div></li><li class="listitem"><div class="para">
+ Remove default tagline: チェックします。
+ </div></li><li class="listitem"><div class="para">
+ 必要に応じて、他の設定も変更します。pitch name languageは、defaultのままにするのがよいです。
+ </div></li></ul></div>
+
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano.html"><strong>戻る</strong>12.8. ピアノソナタの作業（チュートリアル）</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Adjusting_Frescobaldis_Output.html"><strong>次へ</strong>12.8.3. Frescobaldi の出力を調整する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors.html
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@@ -0,0 +1,22 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8.5. Troubleshoot Errors</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Piano.html" title="12.8. ピアノソナタの作業（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Octave_Change_Spanners.html" title="12.8.4.7. Octave-Change Spanners ("8ve" Signs, "Ottava Brackets")" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano-Formatting.html" title="12.8.6. Format the Score (Piano Dynamics)" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Conten
t/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Octave_Change_Spanners.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Formatting.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Troubleshooting_Errors">12.8.5. Troubleshoot Errors</h3></div></div></div><div class="para">
+ It can be difficult to troubleshoot inputting errors, especially when you find them days or weeks after originally inputting that section of a score. The best way to fix errors is to input scores in a way that doesn't allow them in the first place. As they say, "an ounce of prevention is worth a pound of cure," which means "if you input your <span class="application"><strong>LilyPond</strong></span> files carefully, then you will encounter fewer problems." Such practices as proper spacing, and regular use of the octave- and bar-check features will deal with many common problems.
+ </div><div class="para">
+ However, when searching for an error in your score, Frescobaldi does offer some features to help you find it:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ If you have written something in the text-input window that is obviously incorrect, then Frescobaldi will sometimes catch your mistake and underline and highlight the erroneous code in red. This is most useful for catching typographical errors ("typos").
+ </div></li><li class="listitem"><div class="para">
+ If <span class="application"><strong>LilyPond</strong></span> encounters a processing error, it will show up in the "<span class="application"><strong>LilyPond</strong></span> Log" window below the text-input window. You can click on the blue, underlined text to move the text-selection caret to the error.
+ </div></li><li class="listitem"><div class="para">
+ If you can see an error in the PDF preview, but you can't find it in the source file, you can click on the problematic note or object in the PDF preview, and Frescobaldi will automatically move the text-selection caret to that object.
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Piano-Inputting-Octave_Change_Spanners.html"><strong>戻る</strong>12.8.4.7. Octave-Change Spanners ("8ve" Signs, "O...</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Formatting.html"><strong>次へ</strong>12.8.6. Format the Score (Piano Dynamics)</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Piano.html
@@ -0,0 +1,24 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.8. ピアノソナタの作業（チュートリアル）</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-LilyPond.html" title="第12章 LilyPond" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Fast_Section.html" title="12.7.4.5. Continue to the Fast Section" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score.html" title="12.8.2. 楽譜を開始する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a ac
cesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Fast_Section.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score.html"><strong>次へ</strong></a></li></ul><div xml:lang="ja-JP" class="section" id="sect-Musicians_Guide-LilyPond-Piano" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-Piano">12.8. ピアノソナタの作業（チュートリアル）</h2></div></div></div><div class="para">
+ シナリオ：中古音楽店であなたは６０年前の、手書きのシューベルト"即興曲"のコピーをみつけました。しかしそれは水にぬれてずいぶん傷んでいます。店主は、その楽譜が役に立つならただで持って行っていいと言いました。楽譜はかろうじて読めるくらいだったので、あなたは、コンピュータ記譜プログラムでコピーを作ることにしました。
+ </div><div class="para">
+ 私はシューベルト作曲"即興曲"作品番号９０（D.８９９）第４番、変イ長調を使います。Edition Peters: 10463 出版、Walter Niemann編集。"A"セクション（最初から"トリオ"まで）を入力しましょう。
+ </div><div class="para">
+ このチュートリアルをするとき、読者はこのチュートリアルの PDF と同じものを、自分で作りながら読み進むとよいでしょう。
+ </div><div class="section" id="sect-Musicians_Guide-LilyPond-Piano-Tutorial_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Piano-Tutorial_Files">12.8.1. チュートリアルのためのファイル</h3></div></div></div><div class="para">
+ チュートリアルをするのに<span class="application"><strong>LilyPond</strong></span>入力ファイルは不要です。入力ファイルは、なにか問題が起きて、あなたの結果を比較するために使うのがよいでしょう。PDF 出力ファイルも、チュートリアルをするのには不要です。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle"><span class="application"><strong>LilyPond</strong></span> Input File</em> at <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/LilyPond/Piano-source.ly">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/LilyPond/Piano-source.ly</a>
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">PDF Output File</em> at <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/LilyPond/Piano-result.pdf">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/LilyPond/Piano-result.pdf</a>.
+ </div></li></ul></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Orchestra-Inputting-Fast_Section.html"><strong>戻る</strong>12.7.4.5. Continue to the Fast Section</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Piano-Starting_the_Score.html"><strong>次へ</strong>12.8.2. 楽譜を開始する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Articulations.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Articulations.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Articulations.html
@@ -0,0 +1,44 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.5.3. アーティキュレーション、表情記号</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Syntax.html" title="12.5. LilyPond の基本" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations.html" title="12.5.2. 数字は長さ" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Syntax-Simultaneity.html" title="12.5.4. 同時性" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect
-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Simultaneity.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Syntax-Articulations"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Articulations">12.5.3. アーティキュレーション、表情記号</h3></div></div></div><div class="para">
+ 多くの異なる記号が、<span class="application"><strong>LilyPond</strong></span> に、音符に表情記号を加えるために使われます。それは、すべて、音程と（もしあれば）長さの後に付加されます。多くは、位置の指定も持ちます。
+ </div><div class="para">
+ 表情記号の完全なリストは <span class="application"><strong>LilyPond</strong></span> マニュアルにあり、<span class="application"><strong>Frescobaldi</strong></span> はあなたのためにそのほとんどを記憶しています。（左側のパネルにあります。）
+ </div><div class="para">
+ 以下に、よく使われるいくつかの表情記号をあげます。特に指定がないときは、位置の指定も必要です。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="literal">(</code> は、スラーを開始します。（位置の指定はありません。）
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">)</code> は、スラーを終了します。（位置の指定はありません。）
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">~</code> はタイを開始します。（終了は必要ありません。位置の指定はありません。）
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">.</code> はスタッカートマークです。
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">></code> は、"アクセント "です。
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">-</code> は "テヌート "マークです。
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">^</code> は "マルカート "マークです。
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">_</code> は、"ポルタート "マークです。（ドットと下線）
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ３つの位置指定子があります：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="literal">-</code> は、<span class="application"><strong>LilyPond</strong></span> が妥当と判断したところにどこでも、表情記号を入れることを意味します。
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">_</code> は、表情記号を音符の玉の <span class="emphasis"><em> 下 </em></span> に入れることを意味します。
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">^</code> は、表情記号を音符の玉の <span class="emphasis"><em> 上 </em></span> に入れることを意味します。
+ </div></li></ul></div>
+ ３つの位置指定子は、ときには、このような音符になることがあります： <code class="code">g4--</code>, <code class="code">g4__</code>, そして <code class="code">g4^^</code>。これは正しくないように見えるかもしれませんが、完全に受け付けられる表記です。訳注：ハイフン２つはテヌートの任意位置、ということ。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations.html"><strong>戻る</strong>12.5.2. 数字は長さ</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Simultaneity.html"><strong>次へ</strong>12.5.4. 同時性</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol.html
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@@ -0,0 +1,57 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.5.8.2. 小節線チェックシンボル</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors.html" title="12.5.8. 誤りを避けるには" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors.html" title="12.5.8. 誤りを避けるには" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Counterpoint.html" title="12.6. 対位法の課題をする（チュートリアル）" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul
class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol">12.5.8.2. 小節線チェックシンボル</h4></div></div></div><div class="para">
+ 小節線チェックシンボルは、小節線が音楽のその部分に描かれているかをテストします。小節線チェックシンボルと、楽譜の小節線が一致していないと、<span class="application"><strong>LilyPond</strong></span> は警告を表示します。<span class="application"><strong>LilyPond</strong></span> は、音楽の処理を続行し、自動的になんらかの音の長さを変更することはありません。
+ </div><div class="para">
+ 小節線チェックシンボルは、パイプ文字、<code class="literal">|</code> です。すべての小節線の後に小節線チェックシンボルを置き、１行に１小節だけを入力するのを勧めます。その方が、誤りをするのが少なくなるはずです。
+ </div><div class="para">
+ この例は正しく、<span class="application"><strong>LilyPond</strong></span> は警告を表示しません：
+<pre class="programlisting">
+\time 4/4
+c4 c c c |
+c4 c c c |
+</pre>
+ ４つの４分音符がそれぞれの小節線チェックシンボルの間にあり、この拍子における正しい数の拍です。
+ </div><div class="para">
+ この例は誤りで、<span class="application"><strong>LilyPond</strong></span> は警告を表示します。
+<pre class="programlisting">
+\time 4/4
+c4 c2 c4 |
+c4 c2 c |
+c4 c2 c4 |
+</pre>
+ この例は、同じパターンの３つの小節があります： <code class="literal">c4 c2 c4</code> 。二小節目は最後の４分音符 (<code class="literal">4</code>) がなく、<span class="application"><strong>LilyPond</strong></span> は、１つの４分音符と、それに続く２つの２分音符を出力します。二小節は、５拍になるので、小節線チェックシンボルと小節線は、４つめの拍以降、一致しなくなります。<span class="application"><strong>LilyPond</strong></span> は、二小節目の最後の小節線チェックシンボルに来たところで警告を表示します。
+ </div><div class="para">
+ この例を見てください。
+<pre class="programlisting">
+\time 4/4
+c2 c c c |
+c4 c c c |
+</pre>
+ 最初の小節は、４つの２分音符があり、許される拍の倍です。<span class="application"><strong>LilyPond</strong></span> は、最初の小節線チェックシンボルのところで警告を表示します。
+ </div><div class="para">
+ ファイルの１つの誤りのために、ときには <span class="application"><strong>LilyPond</strong></span> がたくさんの警告を表示することがあります。小節線チェックシンボルが、 <span class="application"><strong>LilyPond</strong></span> に、小節線を挿入させるということはありません。 <span class="application"><strong>LilyPond</strong></span> は、ファイルのとおりの長さで音符を入れ続けます。以下の例と、 <span class="application"><strong>LilyPond</strong></span> の出力を見てください。
+<pre class="programlisting">
+\time 4/4
+c4 c2 c4 |
+c4 c2 c |
+c4 c2 c4 |
+</pre>
+
+<pre class="programlisting">
+Interpreting music...
+example.ly:3:10: warning: barcheck failed at: 1/4
+ c4 c2 c
+ |
+</pre>
+ 二小節目の誤りのため、小節線チェックシンボルのところで警告が出ます。 <span class="application"><strong>LilyPond</strong></span> は音符の長さを変えないので、二小節目の終わりの２分音符は二小節目の４拍目 <span class="emphasis"><em>と</em></span> 三小節目の最初の拍を占めます。三小節目は四拍あって正しいですが、 <span class="application"><strong>LilyPond</strong></span> は最後の４分音符の後でなく、その前に小節線を期待するため、小節線チェックシンボルは警告を表示します。
+ </div><div class="para">
+ 混乱を防ぐためにも、まず最初の警告を修正して、ファイルを再度処理し、残りの警告を修正するのがよいです。１つの誤りが、多くの警告を生むことがあります。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors.html"><strong>戻る</strong>12.5.8. 誤りを避けるには</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Counterpoint.html"><strong>次へ</strong>12.6. 対位法の課題をする（チュートリアル）</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors.html
@@ -0,0 +1,22 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.5.8. 誤りを避けるには</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Syntax.html" title="12.5. LilyPond の基本" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Syntax-Source_Files.html" title="12.5.7. ソースファイルとそのフォーマット" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol.html" title="12.5.8.2. 小節線チェックシンボル" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a><
/p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Source_Files.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors">12.5.8. 誤りを避けるには</h3></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> シンタックスは、音楽の誤りを避けるのを助ける２つの組み込みシンボルを持ちます。オクターブチェックシンボルは音符が意図したオクターブにあることを保証します。小節線チェックシンボルは、小節線が意図したとおりであることを保証します。
+ </div><div class="section" id="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Octave_Check_Symbol"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Octave_Check_Symbol">12.5.8.1. オクターブチェックシンボル</h4></div></div></div><div class="para">
+ オクターブチェックシンボルは、相対音程を、その対応する絶対音程と比べます。もし音程が違うと、<span class="application"><strong>LilyPond</strong></span> は警告を表示し、絶対音程で続けます。<span class="application"><strong>LilyPond</strong></span> が警告を表示したら、相対音程を修正してください。
+ </div><div class="para">
+ オクターブチェックシンボルは、<code class="literal">=</code> です。シンボルは、音符の後に書かれ、コンマ (<code class="literal">,</code>)、アポストロフィ (<code class="literal">'</code>) が続くか、何もないか、です。それは、その音程の意図される相対オクターブによります。
+ </div><div class="para">
+ 以下は、オクターブチェックシンボルを使う例です： <code class="code">c'='''</code> この例で、絶対音程は、<code class="code">c'''</code> で、<span class="application"><strong>LilyPond</strong></span> は、左の <code class="code">c</code> と、<code class="code">=</code> シンボルの後の <code class="code">'''</code> から、そのように判断します。
+ </div><div class="para">
+ この例はどうなるでしょう： <code class="code">c'=4</code> ？ <code class="code">=</code> シンボルの後には、コンマやアポストロフィの代わりに、<code class="code">4</code> があります。絶対音程は <code class="code">c</code> で、<span class="application"><strong>LilyPond</strong></span> は、左の <code class="code">c</code> と、<code class="code">=</code> シンボルの右にコンマもアポストロフィもないことから、そのように判断します。<span class="application"><strong>LilyPond</strong></span> は、<code class="code">4</code> を "４分音符 "と判断します。
+ </div><div class="para">
+ オクターブチェックシンボルは、必要と思うときに使ってください。新しいユーザは、経験豊かなユーザに比べて、オクターブチェックシンボルをより頻繁に使うようです。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Source_Files.html"><strong>戻る</strong>12.5.7. ソースファイルとそのフォーマット</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors-Bar_Check_Symbol.html"><strong>次へ</strong>12.5.8.2. 小節線チェックシンボル</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Chords.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Chords.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Chords.html
@@ -0,0 +1,16 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.5.5. 和音</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Syntax.html" title="12.5. LilyPond の基本" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Syntax-Simultaneity.html" title="12.5.4. 同時性" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Syntax-Commands.html" title="12.5.6. コマンド" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide
-LilyPond-Syntax-Simultaneity.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Commands.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Syntax-Chords"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Chords">12.5.5. 和音</h3></div></div></div><div class="para">
+ <code class="literal"><<</code> と <code class="literal">>></code> で同時性を指定するというルールに従って、<span class="application"><strong>LilyPond</strong></span> は、<code class="literal"><<</code> と <code class="literal">>></code> の間に複数の音程があると、それらを和音を構成するものだと認識します。１つの和音を１つの <code class="literal">< ></code> かっこで表すことは、２つの利点があります。１つは、それらが和音であって、何か他のもっと複雑なものではないということが簡単に分かることです。２つめは、情報をよりはっきりと入力できることです。
+ </div><div class="para">
+ 以下の例を見てください。どちらも同じ出力を得るはずです： <code class="code"><<g'4->-5 b d>></code> と <code class="code"><g' b d>4->-5</code>。最初の例では、和音を構成する音、長さ、そして <code class="literal">5</code> の意味を見分けるのは難しいです。２つめの例では、和音は <code class="literal">G</code>、<code class="literal">B</code>、そして <code class="literal">D</code> であり、４分音符であり、<code class="literal">5</code> は実際には指使いの指定であることが簡単に分かります。
+ </div><div class="para">
+ 単純な和音を書き表すのに <code class="literal"><</code> と <code class="literal">></code> を使うもうひとつの利点があります。論理的な連続性が、"相対 "モードで保たれるということです。和音に続く音は、和音が何オクターブにわたっていたとしても、常に和音の最も低い音からの相対音程で表記されます。<code class="literal"><</code> と <code class="literal">></code> 表記ではそうではありません。その場合、続く音は、<code class="literal"><</code> と <code class="literal">></code> の中の最後の音からの相対音程で表記されます。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Simultaneity.html"><strong>戻る</strong>12.5.4. 同時性</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Commands.html"><strong>次へ</strong>12.5.6. コマンド</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Commands-Contexts.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Commands-Contexts.html
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@@ -0,0 +1,88 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.5.6.2. コンテキスト</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Syntax-Commands.html" title="12.5.6. コマンド" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Syntax-Commands.html" title="12.5.6. コマンド" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Syntax-Source_Files.html" title="12.5.7. ソースファイルとそのフォーマット" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"
><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Commands.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Source_Files.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Syntax-Commands-Contexts"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Commands-Contexts">12.5.6.2. コンテキスト</h4></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> のもうひとつの側面で、初心者をしばしば混乱させるのは、コンテキスト、文脈の概念です。それはデフォルトの振る舞いを変えるための重要な概念です。<span class="application"><strong>LilyPond</strong></span> のすべてのものと同じく、それは完全に明らかです： "コンテキスト "は、"コンテキスト "という意味です。３つの主要なコンテキストは、"Voice"、"Staff"そして "Score"です。（訳注：声部、五線譜、総譜と訳しました。http://lilypond.web.fc2.com/ ã§ã¯ã€ãƒœã‚¤ã‚¹ã€èœã€Score ã¨è¨³ã—ã¦ãŠã‚‰ã‚Œã¾ã™ã€‚）ç·èœã®ä¸ã§èµ·ãã‚‹ã“ã¨ã¯ã™ã¹ã¦ã€ã‚³ãƒ³ãƒ†ã‚ストã®ä¸ã§èµ·ãã¾ã™ã€‚実ã«å˜ç´”ãªã“ã¨ã§ã™ã€‚ã™ã¹ã¦ã¯ã‚³ãƒ³ãƒ†ã‚ストã®ä¸ã§èµ·ãã‚‹ï¼ç·èœã®ä¸ã§èµ·ãã‚‹ã“ã¨ã¯ã™ã¹ã¦ã€ç·èœã‚³ãƒ³ãƒ†ã‚ストã§èµ·ãã€äº”ç·šèœã®ä¸Šã§èµ·ã
ã‚‹ã“ã¨ã¯ã™ã¹ã¦ã€äº”ç·šèœã‚³ãƒ³ãƒ†ã‚ストã§èµ·ãã€ãã—ã¦å£°éƒ¨ã§èµ·ãã‚‹ã“ã¨ã¯ã™ã¹ã¦ã€å£°éƒ¨ã‚³ãƒ³ãƒ†ã‚ストã§èµ·ãã‚‹ã®ã§ã™ã€‚
+ </div><div class="para">
+ 少しわかりやすくするために、３つの例をあげましょう。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 曲のタイトルはどこに属しますか？
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 総譜でしょうか。そうです。なので、それは総譜コンテキストに属します。
+ </div></li><li class="listitem"><div class="para">
+ それは、五線譜に属しますか？いいえ。なので、それは五線譜コンテキストには属しません。
+ </div></li><li class="listitem"><div class="para">
+ それは、声部に属しますか？いいえ。なぜなら、声部にあるためには、五線譜になくてはいけません。
+ </div></li></ul></div>
+ 曲のタイトルは、五線譜にも声部にも属さず、総譜に属しますから、私たちはそれは総譜コンテキストで起きる、と言います。
+ </div></li><li class="listitem"><div class="para">
+ 音部記号はどこに属しますか？
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ それは総譜に属しますか？はい。それは音符の一部ですから。
+ </div></li><li class="listitem"><div class="para">
+ それは五線譜に属しますか？はい。五線譜を離れて音部記号を置いても意味がありませんから。
+ </div></li><li class="listitem"><div class="para">
+ それは声部に属しますか？いいえ。それは特定の "ライン "や声部に関係したものではありませんから。
+ </div></li></ul></div>
+ 音部記号は普通は五線譜に属し、それぞれのラインの最初にあります。なので、それは五線譜のコンテキストで起きる、と言います。
+ </div></li><li class="listitem"><div class="para">
+ 音符の玉はどこに属しますか？
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ それは総譜に属しますか？はい。それは音符の一部ですから。
+ </div></li><li class="listitem"><div class="para">
+ それは五線譜に属しますか？はい。五線譜の加線、上や下にはみ出たところ、にあっても、音符は五線譜に置かれていなければ意味がありません。
+ </div></li><li class="listitem"><div class="para">
+ それは声部に属しますか？はい。１つの特定の音楽ラインは主に、音符の玉で示されますから。
+ </div></li></ul></div>
+ 音符の玉は、特定の声部に属しますから、それは声部コンテキストで起きる、と言います。
+ </div></li></ol></div>
+
+ </div><div class="para">
+ さらに理解を深めるため、以下を考えてください；
+ </div><div class="para">
+ 本当の世界と同じように、<span class="application"><strong>LilyPond</strong></span> のオブジェクトは潜在的には、どんなコンテキストにでも現れることができます。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ （ドアのとってのように）
+ </div></li><li class="listitem"><div class="para">
+ （バスの運転席に座っているバスの運転手のように）
+ </div></li><li class="listitem"><div class="para">
+ （スーパーマーケットで食料品を買っている人のように）
+ </div></li><li class="listitem"><div class="para">
+ （音符の玉の隣のフラット記号のように）
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ... コンテキストのいくつかは普通ではありませんが、意味はあります。...
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ （壁についたドアのとって。もし、壁がドアのように見えるように設計されたならば）
+ </div></li><li class="listitem"><div class="para">
+ （客席に座っているバスの運転手。もし、車庫に行くところならば。）
+ </div></li><li class="listitem"><div class="para">
+ （角のお店で食料品を買う人。もし、スーパーマーケットが閉まっているなら。）
+ </div></li><li class="listitem"><div class="para">
+ （文章のパラグラフについているフラット記号。もし、そのパラグラフがフラット記号のことを書いているなら。）
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ... そして、コンテキストのいくつかは意味を成しません。しかし、それでも起き得ます。...
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ （テレビについたドアのとって）
+ </div></li><li class="listitem"><div class="para">
+ （レストランでお客さんに給仕するバスの運転手）
+ </div></li><li class="listitem"><div class="para">
+ （政府機関のオフィスで食料品を買う人）
+ </div></li><li class="listitem"><div class="para">
+ （ページ番号のあるべきところ、総譜の上の角にあるフラット記号）
+ </div></li></ul></div>
+
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> の設計者は、このソフトウエアのすべての可能な使い方を考えるのは無理だと、賢明にも決定しました。このため、<span class="application"><strong>LilyPond</strong></span> はほとんどのコンテキストでほとんどの製版記号を使えるようにしました。さらに、コンテキストは他のコンテキストの中で起きることもできます。それは、もっともなことです。<code class="literal"> 声部 </code> コンテキストは、<code class="literal"> 五線譜 </code> に現れてこそ意味があり、<code class="literal"> 五線譜 </code> は <code class="literal"> 総譜 </code> にあってこそ意味があるのです。
+ </div><div class="para">
+ ですから、あるものがはたらくコンテキストを考えるとき、"これは、どのコンテキストに適用されるだろうか？ "と、自身に問いかけてください。連桁と音符の旗は１つの声部に現れます。臨時記号は五線譜全体に適用されます。そして速度標語は総譜全体に適用されます。この考えに慣れるのにはいくらかの注意深い考察が必要かもしれませんが、コンテキストはいずれは完全に意味のあるものと思えてくるでしょう。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Commands.html"><strong>戻る</strong>12.5.6. コマンド</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Source_Files.html"><strong>次へ</strong>12.5.7. ソースファイルとそのフォーマット</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Commands.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Commands.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.5.6. コマンド</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Syntax.html" title="12.5. LilyPond の基本" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Syntax-Chords.html" title="12.5.5. 和音" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Syntax-Commands-Contexts.html" title="12.5.6.2. コンテキスト" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicia
ns_Guide-LilyPond-Syntax-Chords.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Commands-Contexts.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Syntax-Commands"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Commands">12.5.6. コマンド</h3></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> では、幅広い種類のコマンドがあります。とてもシンプルなものも、複雑なものもあります。それらはすべて、バックスラッシュで始まり、次にコマンド名、最後に "引数 "、つまりあなたがコマンドにさせたいことについての詳しい情報からなります。音を指定するのに文字を使ったように、コマンドはあなたが <span class="application"><strong>LilyPond</strong></span> にあなたの楽譜をどのように展開させたいかを伝えるもうひとつの手段です。
+ </div><div class="para">
+ 例えば、<code class="code">\time 2/4</code> と <code class="code">\clef bass</code> は、とてもよく使われるだろう２つのコマンドです。それらはまさに、見たとおりの機能を持ちます： <code class="literal">\time</code> は拍子記号を変え、<code class="literal">\clef</code> は音部記号を変えます。この２つは、異なるコンテキストに属します（ <code class="literal">\time</code> は楽譜全体に有効ですが、<code class="literal">\clef</code> はただ１つの五線譜にだけ有効です。）。
+ </div><div class="para">
+ これらの基本的なコマンドとその入力をフォーマットする方法を覚えるだけでもしばらくかかるかもしれません。このときこそ、<span class="application"><strong>Frescobaldi</strong></span> の組み込みドキュメントビューアが役に立ちます。すべてのオフィシャルな <span class="application"><strong>LilyPond</strong></span> ドキュメントは <span class="application"><strong>Frescobaldi</strong></span> から見ることができます。そのため、あなたは、同じアプリケーションの同じウインドウで、ドキュメントを見ながら楽譜をなおすことが簡単にできるのです。
+ </div><div class="section" id="sect-Musicians_Guide-LilyPond-Syntax-Commands-Customization"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Commands-Customization">12.5.6.1. カスタマイズ</h4></div></div></div><div class="para">
+ 出力がとても特別で、<span class="application"><strong>LilyPond</strong></span> の標準シンタックスでは許されないために、カスタマイズしなくてはいけないということはまれです。初心者にとっては、既存の楽譜の見た目を正確に再現しようとすると、こういうことはよく起きます。<span class="application"><strong>LilyPond</strong></span> は、内容にフォーカスした、音楽を表現する方式を提供し、それは通常は、高度なカスタマイゼーションなしでも意味のある出力を生成することを思い出してください。カスタマイズが本当に必要か、迷ったときは、それはその楽譜から演奏される音楽を変えるのか、と自分に問いかけてください。
+ </div><div class="para">
+ 本当になんらかの設定のカスタマイズが必要なときは、以下の２点を覚えておいてください：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> のカスタマイズは、要求に比例して複雑になります。
+ </div></li><li class="listitem"><div class="para">
+ 最終的に、カスタマイズは、コマンドの形をとります。
+ </div></li></ol></div>
+
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> のヒントとトリックをインターネットで探すのは助け舟になるかもしれませんが、同時に必要以上に複雑な解決策となることもあります。ときには、これはインターネットに投稿される貧弱な回答の結果でもありますが、多くの場合、それは <span class="application"><strong>LilyPond</strong></span> 開発が常に進められており、定期的により優れた解決策が得られるようになっていくことの結果です。このため、最初にオフィシャルな <span class="application"><strong>LilyPond</strong></span> ドキュメントを探し、次に "<span class="application"><strong>LilyPond</strong></span> Snippet Repository" (LSR - リンクを入れること ) を探し、それから、グーグル、にすることをお勧めします。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Chords.html"><strong>戻る</strong>12.5.5. 和音</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Commands-Contexts.html"><strong>次へ</strong>12.5.6.2. コンテキスト</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.5.2. 数字は長さ</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Syntax.html" title="12.5. LilyPond の基本" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Syntax.html" title="12.5. LilyPond の基本" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Syntax-Articulations.html" title="12.5.3. アーティキュレーション、表情記号" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a acces
skey="p" href="sect-Musicians_Guide-LilyPond-Syntax.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Articulations.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations">12.5.2. 数字は長さ</h3></div></div></div><div class="para">
+ 文字に付与された数字は、<span class="application"><strong>LilyPond</strong></span> により、その音符の音の長さを示すと解釈されます。全音符は１で、それ以外の長さは、音の占める全音符の割合を示す数字で表されます：２分音符は２（ "1/2 音符 "ですから）。４分音符は４ ("1/4 音符 ") ８分音符は８ ("1/8 音符 ") など、です。
+ </div><div class="para">
+ 音符に "ドット "を加える（その長さを、１／２、長くする）には、数字の後にピリオドを加えればよいです。例えば、<code class="literal">e4.</code> は、"E の付点４分音符 "の意味です。
+ </div><div class="para">
+ １つの音符から次の音符にタイを加える（音符の長さを小節線をまたがって続けるため）には、音程と長さの後にチルド（ <code class="literal">~</code> ）を加えます。
+ </div><div class="para">
+ 長さを指定した後は、別の指示があるまで、すべての続く音符は同じ長さを持つものとされます。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax.html"><strong>戻る</strong>12.5. LilyPond の基本</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Articulations.html"><strong>次へ</strong>12.5.3. アーティキュレーション、表情記号</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Simultaneity.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Simultaneity.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.5.4. 同時性</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Syntax.html" title="12.5. LilyPond の基本" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Syntax-Articulations.html" title="12.5.3. アーティキュレーション、表情記号" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Syntax-Chords.html" title="12.5.5. 和音" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesske
y="p" href="sect-Musicians_Guide-LilyPond-Syntax-Articulations.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Chords.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Syntax-Simultaneity"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Simultaneity">12.5.4. 同時性</h3></div></div></div><div class="para">
+ 単純に言うと、<code class="literal"><<</code> と <code class="literal">>></code> の間に囲まれたものはすべて、<span class="application"><strong>LilyPond</strong></span> によって、同時に起きるものと解釈されます。これはいかなる状況でも（そしていかなるコンテキスト、以下を参照、でも）使えます。<span class="application"><strong>LilyPond</strong></span> に、同じ声部において、２つの音が同時に鳴る（和音になります）ように指示したり、１つの五線譜において同時に演奏される（ポリフォニーになります）ように指示したりできます。さらに、複数の譜表からなる総譜では、<code class="literal"><<</code> と <code class="literal">>></code> を使って、各パートが同時に始まるべきであることを <span class="application"><strong>LilyPond</strong></span> に指示するでしょう
。<code class="literal"><<</code> と <code class="literal">>></code> を創造的に使うことは、進んだ記譜のための１つの鍵となります。
+ </div><div class="para">
+ 最初は、同時性を理解することは重要ではありません。<span class="application"><strong>Frescobaldi</strong></span> があなたに代わってどのように楽譜を作成するか、そして、インターネット上の例がこれらの記号をどのように使っているかを観察することで、あなたはいずれその使い方を理解するでしょう。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Articulations.html"><strong>戻る</strong>12.5.3. アーティキュレーション、表情記号</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Chords.html"><strong>次へ</strong>12.5.5. 和音</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Source_Files.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax-Source_Files.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.5.7. ソースファイルとそのフォーマット</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
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+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-LilyPond-Syntax.html" title="12.5. LilyPond の基本" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Syntax-Commands-Contexts.html" title="12.5.6.2. コンテキスト" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors.html" title="12.5.8. 誤りを避けるには" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a acces
skey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Commands-Contexts.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-Syntax-Source_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Source_Files">12.5.7. ソースファイルとそのフォーマット</h3></div></div></div><div class="para">
+ ソースファイルは <span class="application"><strong>LilyPond</strong></span> にあなたが作成してほしい楽譜の内容を伝えるための指示が書かれたテキストファイルです。このファイルは、あなたが作成したいことの "源泉 "であるので、こう呼ばれます。プログラミング言語のときと同じように、このファイルの中のテキストは、"ソースコード "と呼ばれることが多いです。<span class="application"><strong>LilyPond</strong></span> を使うためにコードを編集しないといけないというのは、ぞっとするかもしれませんが、"コード "は、それが普通の英語（あるいは、何か他の、言語）でないことを示しているだけです。
+ </div><div class="para">
+ 特定のフォーマット、（タブ、空白、そして改行の配置）は、<span class="application"><strong>LilyPond</strong></span> でなくて、個々のユーザによって決められます。これは、あなたが他の人のフォーマットを見るときには頭の痛いことかもしれません。しかし、これはアプリケーションの柔軟さの１つのキーです。このガイドは、特定のフォーマットスタイルを使いますが、それは１人のユーザのスタイルに過ぎないと理解されるべきです。スタイルは、その人の経験と、その人が <span class="application"><strong>LilyPond</strong></span> でよく行う作業によって影響されるのです。
+ </div><div class="para">
+ あなたはいずれ、自分のやりたいことにあった、自分独自のスタイルをつくり上げるでしょう。そのとき、心においてほしいルールはただ１つです：ソースファイルの中で、一貫していること。ソースファイルが一貫した方法でプログラムされているならば、そのファイルを使いたいと思う人（未来のあなたかもしれません）は誰でも、それがどのように構成されているか簡単に判断できます。
+ </div><div class="section" id="sect-Musicians_Guide-"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-">12.5.7.1. ソースファイルの構成</h4></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> ファイルは、コマンドの連続として作られます。良いことか悪いことか、<span class="application"><strong>LilyPond</strong></span> インタプリタは、ソースファイルの構成に関しては、とても許容範囲が広いです。これは、<span class="application"><strong>Frescobaldi</strong></span> のような自動楽譜設定ツールを使うときには特に、どこに何を置くかについて、誤解をまねくことがあります。
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> ソースファイルの一般的な構成は、以下です：
+<pre class="programlisting">
+\version <em class="replaceable"><code>version_number</code></em>
+
+\header { <em class="replaceable"><code>things like title, composer, and so on</code></em> }
+
+\score
+{
+ \new Staff
+ {
+ <em class="replaceable"><code>notes go here</code></em>
+ }
+
+ \layout
+ {
+ }
+
+ <em class="replaceable"><code>and so on</code></em>
+}
+</pre>
+
+ </div><div class="para">
+ 誤解はここで生じます：柔軟性を最大にするために <span class="application"><strong>LilyPond</strong></span> はソースファイルがそれ自身のコマンドを作成するのを許します。これを聞くと、あなたは、「オーケー。私は高度なコマンドやらなにやらはいりません。私はこれを片付けて、フィナーレを使うから。」と思うかもしれません。そうする必要はありません。コマンドは簡単です！コマンドは、あなたが書いたものでも、<span class="application"><strong>LilyPond</strong></span> に含まれるものでも、テキスト置換の方法と考えてください。
+ </div><div class="para">
+ こんな風にはたらきます：
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ コマンドを "定義 "（作成）するには、<code class="code"><em class="replaceable"><code> コマンド名 </code></em> = { <em class="replaceable"><code> たくさんのコマンド </code></em> }</code> とします。
+ </div></li><li class="step"><div class="para">
+ そこより後で、どこでも、何度でも、好きなだけ、ソースファイルに <code class="code">\ コマンド名 </code> と書けばそのコマンドを使うことができます。<span class="application"><strong>LilyPond</strong></span> がテキストのその部分を処理するとき、あなたが定義のところに書いたものに置き換わります。
+ </div></li></ol></div><div class="para">
+ １−２のように簡単です！
+ </div><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> （そしてほとんどの <span class="application"><strong>LilyPond</strong></span> ユーザ）はこの機能を利用して、よく構成され、使いやすいソースファイルを作成します。
+ </div><div class="para">
+ これは、<span class="application"><strong>Frescobaldi</strong></span> があなたのために生成したかもしれない、良いテンプレートソースファイルです：
+<pre class="programlisting">
+\version "2.12.2"
+
+\header
+{
+ title = "Empty Example"
+}
+
+violin = \relative c''
+{
+ \key c \major
+ \time 4/4
+ % Music follows here.
+
+ <em class="replaceable"><code>Put your music here</code></em>
+}
+
+\score
+{
+ \new Staff \with
+ {
+ instrumentName = "Violin"
+ }
+ \violin
+ \layout { }
+}
+</pre>
+
+ </div><div class="para">
+ この例は多くの組み込みコマンド (<code class="literal">\relative</code> や <code class="literal">\key</code>) を使い、 <code class="literal">violin</code> コマンドを定義します。 <span class="application"><strong>Frescobaldi</strong></span> は、 <code class="literal">% Music follows here.</code> コメントを、そこに音符を入力するべき場所に入れます。あなたの音符は、 <code class="literal">violin</code> セクションに属することに注意ください。あなたは、 <code class="literal">violin</code> コマンドの部分を書くということです。
+ </div><div class="para">
+ <span class="application"><strong>Frescobaldi</strong></span> は、バイオリンの音符を、 <code class="literal">\score</code> セクションから分離します。ソースファイルが読み易くなる為です。良い構成のソースファイルだと、誤りの修正も簡単です。以下のチュートリアルを終えると、あなたも、ソースファイルを構成するための三つの戦略がわかるでしょう。
+ </div><div class="para">
+ <code class="literal">\layout</code> セクションは、この例では空です。<code class="literal">\score</code> セクションと同じように、 <code class="literal">\layout</code> はコマンドです。 <code class="literal">\layout</code> コマンドは、 LilyPond に、楽譜を出力するように指示します。進んだユーザはときには、 <code class="literal">\layout</code> コマンドを削除することもありますが、ほとんどのソースファイルはそれを使います。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Syntax-Commands-Contexts.html"><strong>戻る</strong>12.5.6.2. コンテキスト</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Avoiding_Errors.html"><strong>次へ</strong>12.5.8. 誤りを避けるには</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-Syntax.html
new file mode 100644
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@@ -0,0 +1,32 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.5. LilyPond の基本</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-LilyPond.html" title="第12章 LilyPond" /><link rel="prev" href="sect-Musicians_Guide-LilyPond-Configure_Frescobaldi.html" title="12.4. Frescobaldi の設定" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations.html" title="12.5.2. 数字は長さ" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-M
usicians_Guide-LilyPond-Configure_Frescobaldi.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations.html"><strong>次へ</strong></a></li></ul><div xml:lang="ja-JP" class="section" id="sect-Musicians_Guide-LilyPond-Syntax" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-Syntax">12.5. <span class="application"><strong>LilyPond</strong></span> の基本</h2></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> ファイルのシンタックスは、すべての音楽状況において、最大の柔軟性を提供します。あなたは何度も、最初は複雑すぎると思われた機能が、実は、複雑な問題を解くためのとてもパワフルでシンプルな方法であり、それは市販のプログラムでは不可能だということに気がつくでしょう。
+ </div><div class="section" id="sect-Musicians_Guide-LilyPond-Syntax-Letters_Are_Pitches"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-LilyPond-Syntax-Letters_Are_Pitches">12.5.1. 文字は音程</h3></div></div></div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> ソースファイルでは、１文字が、１つの音を表します。音の長さ、表情記号、そして他の属性を変えるために、その他の文字、数字、記号を使います。
+ </div><div class="para">
+ 音符で"シャープ "と "フラット "を指定するには、デフォルトの方法を使うのをお勧めします。シャープには "is" をつけ、フラットには "es" をつけます。以下のコマンドは「 b フラット、b、b シャープ」のことです： <code class="code">bes b bis </code>
+ </div><div class="para">
+ "isis" と "eses" は、ダブルシャープとダブルフラットのことです。以下のコマンドは、「b ダブルフラット、b 、b ダブルシャープ」のことです。 <code class="code">beses b bisis</code>.
+ </div><div class="para">
+ "Is" と "es" は、"シャープ "と "フラット "を意味するドイツ語です。<span class="application"><strong>LilyPond</strong></span> は、英語名を理解することもできます。 <code class="code">bflat b bsharp</code>ドイツ語の方が速いので、こちらを使うのをお勧めします。
+ </div><div class="para">
+ 音程の入力は絶対的に行うことも、前の音からの相対位置で行うこともできます。通常、（大きな飛びがあまりない音楽では） "相対 "モードを使うほうが便利です。<code class="literal">,</code> と <code class="literal">'</code> 記号（コンマとアポストロフィ）は、音域を指定するのに使われます。
+ </div><div class="para">
+ 絶対音程を入力するときは、音域は、ほぼヘルムホルツシステム（ <a href="http://en.wikipedia.org/wiki/Helmholtz_pitch_notation">http://en.wikipedia.org/wiki/Helmholtz_pitch_notation</a> の <em class="citetitle">Helmholtz Pitch Notation (Wikipedia)</em> を参照。）に従って指定されます：オクターブは "C"音程で始まり、１１音高いところ、"B"音程で終わります。"middle C"の下のオクターブ（ scientific pitch notation で、オクターブ３、<a href="http://en.wikipedia.org/wiki/Scientific_pitch_notation Scientific Pitch Notation">http://en.wikipedia.org/wiki/Scientific_pitch_notation Scientific Pitch Notation</a> ã® <em class="citetitle">Scientific Pitch Notation (Wikipedia)</em> ã‚’å‚照）ã¯ã‚³ãƒ³ãƒžã‚‚ã‚¢ãƒã‚¹ãƒˆãƒãƒ•ã‚£ã‚‚ã¤ã„ã¦ã„ã¾ã›ã‚“。"middle C"ã‹ã‚‰å§‹ã¾ã‚‹ã‚ªã‚¯ã‚¿ãƒ¼ãƒ–（オクターブ４）ã¯ã€ï¼‘ã¤ã®ã‚¢ãƒã‚¹ãƒˆãƒãƒ•ã‚£ãŒã¤ãã¾ã™ã€‚ãã®ä¸Šã®ã‚ªã‚¯ã‚¿ãƒ¼ãƒ–ï
¼ˆã‚ªã‚¯ã‚¿ãƒ¼ãƒ–５）ã¯ï¼’ã¤ã®ã‚¢ãƒã‚¹ãƒˆãƒãƒ•ã‚£ãŒã¤ãã€ã¨ç¶šãã¾ã™ã€‚通常ã¯ã€<span class="application"><strong>LilyPond</strong></span> ã§ã“れをã©ã†ä½¿ã†ã‹ç†è§£ã—ãŸã‚Šã€ãã‚Œã‚’ç´ æ—©ã使ãˆã‚‹ã‚ˆã†ã«ãªã‚‹ã“ã¨ã¯å¿…è¦ã§ã¯ã‚ã‚Šã¾ã›ã‚“。ãªãœãªã‚‰ã°ã€ã»ã¨ã‚“ã©ã®æ¥½èœã¯ "相対モード "を使ã†ã‹ã‚‰ã§ã™ã€‚
+ </div><div class="para">
+ 前の音符に相対的に音符を入力するとき、コンマとアポストロフィで音域を指定することもできますが、通常は、どちらも使われません。この入力モードでは、それぞれの音符のオクターブは前の音符のオクターブをもとに推測されます。このように考えてください；次の音符は常に、最小の音程差になるように置かれます。例えば、C の後で E を置くと、それは長３度、短６度、長１０度、短１３度、などに置くことができます。<span class="application"><strong>LilyPond</strong></span> は、相対モードでは、常に "長３度 "を選びます。もしあなたが、<span class="application"><strong>LilyPond</strong></span> が E を短６度に置くことを望むなら、あなたは <span class="application"><strong>LilyPond</strong></span> に、コンマを加えて指示をします： <code class="code">c e,</co
de> こうすれば、<span class="application"><strong>LilyPond</strong></span> はあなたの意図がわかります。同じように、<code class="code">c aes</code> （ C そして、A フラットの意味）を入力すると、A フラットは C から長３度に置かれます。もしあなたが、<span class="application"><strong>LilyPond</strong></span> に A フラットを C より短６度高く置いてほしいならアポストロフィを加えて、<code class="code">c aes'</code> としてください。
+ </div><div class="para">
+ この方法の唯一の曖昧な点は、トライトーンのときです。<span class="application"><strong>LilyPond</strong></span> は "トライトーン "それ自身は認識しないものとして、それらを "増４度 "あるいは "減５度 "として扱うことで曖昧さを解決します。<span class="application"><strong>LilyPond</strong></span> は、（コンマかアポストロフィで指示されないときは、）音程を増４度として記譜します。
+ </div><div class="para">
+ シャープとフラットは、五線譜の最初の調号で指定があるときでも、常に指定しなくてはいけません。これは、最終的には、誤りの数を減らすのに役に立ちます。
+ </div><div class="para">
+ 音程を示すのに使われる文字は、常に小文字です。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-LilyPond-Configure_Frescobaldi.html"><strong>戻る</strong>12.4. Frescobaldi の設定</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Syntax-Numbers_Are_Durations.html"><strong>次へ</strong>12.5.2. 数字は長さ</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-The_LilyPond_Approach.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-The_LilyPond_Approach.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-LilyPond-The_LilyPond_Approach.html
@@ -0,0 +1,16 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>12.2. LilyPond アプローチ</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-LilyPond.html" title="第12章 LilyPond" /><link rel="prev" href="chap-Musicians_Guide-LilyPond.html" title="第12章 LilyPond" /><link rel="next" href="sect-Musicians_Guide-LilyPond-Installation.html" title="12.3. 要件とインストール" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-LilyPond.html"><strong>
戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Installation.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-LilyPond-The_LilyPond_Approach">12.2. <span class="application"><strong>LilyPond</strong></span> アプローチ</h2></div></div></div><div class="para">
+ 以下のセクションの完全な説明は、<a href="http://www.lilypond.org/about/automated-engraving/">http://www.lilypond.org/about/automated-engraving/</a> の <em class="citetitle"><span class="application"><strong>LilyPond</strong></span> Website</em> を参照ください。以下の内容もそこから得られたものです。
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> は、楽譜作成を、２つの部分に分割します。何を置くか、そして、どこに置くかです。<span class="application"><strong>LilyPond</strong></span> ユーザは、<span class="emphasis"><em>どんな</em></span>記譜記号を置くかを決めます。しかし、それを<span class="emphasis"><em>どこに</em></span>置くかを決めるのは、<span class="application"><strong>LilyPond</strong></span> 自身です。<span class="application"><strong>LilyPond</strong></span> は、それぞれの記譜記号をどこに置くかを、プラグインを使って決めます。<span class="application"><strong>LilyPond</strong></span> のプラグインは、特別な記譜記号に働く、特別のツールのようなものです。
+ </div><div class="para">
+ <span class="application"><strong>LilyPond</strong></span> は、すべての音楽記号の可能な配置を得るために、いくつかのプラグインを使います。そして、<span class="application"><strong>LilyPond</strong></span> は、すべての音楽記号の最適な配置を決めるために、別のプラグインを使います。このプラグインは、それぞれの配置の可能性ごとに、美的な理想にどのくらい近づけたかを示す点数を付けます。最高の点数がついた配置が、楽譜として出力されます。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-LilyPond.html"><strong>戻る</strong>第12章 LilyPond</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-LilyPond-Installation.html"><strong>次へ</strong>12.3. 要件とインストール</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Mastering.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Mastering.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Mastering.html
@@ -0,0 +1,14 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.2.3. マスタリング</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Stages_of_Recording.html" title="6.2. 録音のステージ" /><link rel="prev" href="sect-Musicians_Guide-Mixing.html" title="6.2.2. ミキシング" /><link rel="next" href="sect-Musicians_Guide-Record_Mix_Master_More_Info.html" title="6.2.4. 参考" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Mixing.html"><
strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Record_Mix_Master_More_Info.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Mastering"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Mastering">6.2.3. マスタリング</h3></div></div></div><div class="para">
+ マスタリングは、ファイナルミックスのバージョンが、配布と聴取のために準備されるプロセスです.マスタリングは CD、テープ、スーパーオーディオ CD、あるいはハードディスクを含む、多くの対象フォーマット向けに実行されることがあります.マスタリングは、多くの場合、オーディオファイルにある情報を縮小することがあります：例えば、オーディオ CD は普通、２０あるいは２４ビットサンプルで録音されマスタリングの間に１６ビットサンプルに縮小されます.ほとんどの物理フォーマット（CD のような）はオーディオ信号のフォーマットを規定しますが、ハードディスクにマスタリングされたオーディオ録音は、OGG, FLAC, AIFF, MP3 を含む、多くの他のフォーマットをとることができます。これにより、マスタリングをする
人は、結果となるオーディオの品質とファイルサイズを選ぶに当たって、いくらかの柔軟性を得ることができます.
+ </div><div class="para">
+ ミキシングとマスタリングはどちらも独立した作業ですが、時には同じ技術を使います.例えば、マスタリングの技術者はオーディオをある物理媒体に最適化するために、特別なイコライゼーションフィルタを使うことがあります.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Mixing.html"><strong>戻る</strong>6.2.2. ミキシング</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Record_Mix_Master_More_Info.html"><strong>次へ</strong>6.2.4. 参考</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Mixing.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Mixing.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Mixing.html
@@ -0,0 +1,30 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.2.2. ミキシング</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Stages_of_Recording.html" title="6.2. 録音のステージ" /><link rel="prev" href="sect-Musicians_Guide-Stages_of_Recording.html" title="6.2. 録音のステージ" /><link rel="next" href="sect-Musicians_Guide-Mastering.html" title="6.2.3. マスタリング" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Sta
ges_of_Recording.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Mastering.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Mixing"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Mixing">6.2.2. ミキシング</h3></div></div></div><div class="para">
+ ミキシングは、録音されたオーディオリージョン、 ( "クリップ"とも呼ばれます)を集めて、美的に優れた音楽出力を作成するプロセスです.これは普通、録音の後に行われますが、時には、追加のテイクが必要となることもあります.ミキシングは多くの場合、ステレオオーディオのために、複数のトラックからのオーディオを２つのチャネルに集約します。オーディオデータの量を減らすため、"ダウンミキシング"として知られる処理です.
+ </div><div class="para">
+ ミキシングには主に以下の処理があります：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ エフェクトをオートメイトする、
+ </div></li><li class="listitem"><div class="para">
+ レベルを調整する、
+ </div></li><li class="listitem"><div class="para">
+ タイムシフトする、
+ </div></li><li class="listitem"><div class="para">
+ フィルタする、
+ </div></li><li class="listitem"><div class="para">
+ パニング、
+ </div></li><li class="listitem"><div class="para">
+ 特殊効果を加える、
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ミキシングを行っている人が完了したと思ったとき、その完了した結果は<em class="firstterm">ファイナルミックス</em>と呼ばれます.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Stages_of_Recording.html"><strong>戻る</strong>6.2. 録音のステージ</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Mastering.html"><strong>次へ</strong>6.2.3. マスタリング</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Multichannel_Audio.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Multichannel_Audio.html
new file mode 100644
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Multichannel_Audio.html
@@ -0,0 +1,16 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.4.8. マルチチャネルオーディオ</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Vocabulary.html" title="1.4. その他のデジタルオーディオの概念" /><link rel="prev" href="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing.html" title="1.4.7. ルーティングと多重化" /><link rel="next" href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html" title="第2章 サウンドカード用のソフトウェア" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /
></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Multichannel_Audio"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Multichannel_Audio">1.4.8. マルチチャネルオーディオ</h3></div></div></div><div class="para">
+ <em class="firstterm">オーディオチャネル</em>とは、オーディオデータの単一のパスです。<em class="firstterm">マルチチャネルオーディオ</em>とは同時に１つ以上のチャネルを使い、シングルチャネルオーディオより多くのオーディオデータの転送が可能なオーディオのことです。
+ </div><div class="para">
+ オーディオは昔はただ１つのチャネルで録音され、"モノフォニック"あるいは"モノ"録音を作成しました。１９５０年代に、２つの独立のチャネルを持つステレオ録音が始まり、モノフォニック録音に代わり始めました。人間は２つの独立した耳を持つので、２つの独立したチャネル、２つのスピーカーでオーディオを録音、再生するのは自然なことです。現在入手可能なサウンド録音はステレオであり、人々はこれにほぼ満足しています。
+ </div><div class="para">
+ 主ã«"サラウンディングサウンド"æ˜ ç”»ã«ã‚ˆã£ã¦ã‚‚ãŸã‚‰ã•ã‚Œã¤ã¤ã‚ã‚‹ã€ï¼•ã‚ã‚‹ã„ã¯ï¼—ãƒãƒ£ãƒãƒ«ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®æ½®æµãŒã‚ã‚Šã¾ã™ã€‚ã“ã‚Œã¯éŸ³æ¥½ã«ã¤ã„ã¦ã¯ã‚ã¾ã‚Šæ™®åŠã—ã¦ã„ã¾ã›ã‚“。２ã¤ã®éŸ³æ¥½ç”¨"サラウンディングサウンド"å½¢å¼ãŒå˜åœ¨ã—ã¾ã™ï¼šDVD オーディオ（DVDA）ã¨ã€ã‚¹ãƒ¼ãƒ‘ーオーディオ CD（SACD）ã§ã™ã€‚ã“れらã®å½¢å¼ã¨ãれを使ã†ãƒ‡ãƒã‚¤ã‚¹ã®é–‹ç™ºã¯ã€å€‹äººç”¨ã® MP３プレイヤーã®ãƒ˜ãƒƒãƒ‰ãƒ•ã‚©ãƒ³ã®æ™®åŠã‚„ã€ä¸€èˆ¬æ¶ˆè²»è€…ã¯ãã‚Œã»ã©ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªå“質ã®å‘上ã«èˆˆå‘³ãŒãªã‹ã£ãŸã“ã¨ã€ãƒ¬ã‚³ãƒ¼ãƒ‰ä¼šç¤¾ã«ã‚ˆã‚‹ã‚³ãƒ”ープãƒãƒ†ã‚¯ã‚·ãƒ§ãƒ³ã®ä»•çµ„ã¿ã€ãªã©ã«ã‚ˆã‚ŠæˆåŠŸã—ã¾ã›ã‚“ã§ã—ãŸã€‚ãã®çµæžœã€DVDーA ã‚„ SACD 録音ã®ãŸã‚ã«ã‚ˆã‚Šé«˜ã„ãŠé‡‘を払ã£ã¦ã‚‚よã„ã¨ã™ã‚‹ã„ãらã‹ã®ãŠå®¢ã•ã‚“ãŒã„ã‚‹ã‚‚ã®ã®ã€å°‘æ•°ã®éŒ²éŸ³ã—ã‹å…¥æ‰‹å¯èƒ½ã§ã¯ã‚ã‚Šã¾ã›ã‚“。もã—ã‚ãªãŸãŒ DVDーA ã‚„ SACD ãŒæ‰±ã
ˆã‚‹ãƒ—レイヤーを買ã£ãŸã¨ã—ã¦ã‚‚ã€ã‚ãªãŸã¯ãŠæŒã¡ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ©Ÿå™¨ã‚’ã™ã¹ã¦ã€ãƒ—ãƒãƒ—ライエタリãªã‚³ãƒ”ープãƒãƒ†ã‚¯ã‚·ãƒ§ãƒ³ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ã‚’サãƒãƒ¼ãƒˆã™ã‚‹ãƒ¢ãƒ‡ãƒ«ã«è²·ã„替ãˆãªã„ã¨ã„ã‘ãªã„ã®ã§ã™ã€‚ã“ã®è£…ç½®ãŒãªã„ã¨ã€ãƒ—レイヤーã¯ã€é€šå¸¸ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ª CD 以上ã®ã‚µãƒ³ãƒ—ルレートやサンプルフォーマットã§ã®éŸ³æ¥½ã®å‡ºåŠ›ãŒã§ããªãã•ã‚Œã¦ã„ã¾ã™ã€‚ä¸å¹¸ãªã“ã¨ã«ã€ã“れらã®ã“ã¨ãŒè¿‘ã„å°†æ¥ã«å¤‰ã‚ã‚‹ã¨ã¯æ€ãˆã¾ã›ã‚“。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing.html"><strong>戻る</strong>1.4.7. ルーティングと多重化</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html"><strong>次へ</strong>第2章 サウンドカード用のソフトウェア</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-PCI_Sound_Cards.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-PCI_Sound_Cards.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-PCI_Sound_Cards.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.2.2. 内蔵 PCI 接続</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Sound_Card_Connections.html" title="1.2. サウンドカードの接続" /><link rel="prev" href="sect-Musicians_Guide-Sound_Card_Connections.html" title="1.2. サウンドカードの接続" /><link rel="next" href="sect-Musicians_Guide-FireWire_Sound_Cards.html" title="1.2.3. 外部のFireWire 接続" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a acc
esskey="p" href="sect-Musicians_Guide-Sound_Card_Connections.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FireWire_Sound_Cards.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-PCI_Sound_Cards"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-PCI_Sound_Cards">1.2.2. 内蔵 PCI 接続</h3></div></div></div><div class="para">
+ PCI または PCI-Express でマザーボードに接続するサウンドカードは、USB または FireWire 接続のサウンドカードよりも高いパフォーマンスと低遅延を提供します。 プロ品質のサウンドカードは、多くの場合、サウンドカードに接続された外部デバイスを持ち、これにオーディオ機器が接続されています。 あなたはノート PC やネットブックコンピュータで、これらのサウンドカードを使用することはできません。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Sound_Card_Connections.html"><strong>戻る</strong>1.2. サウンドカードの接続</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-FireWire_Sound_Cards.html"><strong>次へ</strong>1.2.3. 外部のFireWire 接続</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Processor_Scheduling.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Processor_Scheduling.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Processor_Scheduling.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>3.2. プロセッサスケジューリング</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html" title="第3章 リアルタイムと低遅延" /><link rel="prev" href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html" title="第3章 リアルタイムと低遅延" /><link rel="next" href="sect-Musicians_Guide-Real_Time_Linux_Kernel.html" title="3.3. リアルタイム Linux カーネル" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><l
i class="previous"><a accesskey="p" href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Real_Time_Linux_Kernel.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Processor_Scheduling"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Processor_Scheduling">3.2. プロセッサスケジューリング</h2></div></div></div><div class="para">
+ "システムモニタ "アプリケーションを開いたことがおありなら、いつもたくさんの "プロセス "が動いていることに気がつかれたでしょう。これらのうちのいくつかのプロセスは、プロセッサを必要とし、いくつかはただ、何かが起きるのを待っています。一度に走ることのできるプロセスの数を増やすために多くの現代の CPU は１つ以上の "コア "を持ち、一度により多くのプロセスが評価されることができます。この改善があっても、プロセスの数は存在するコアの数より多いのが普通です。私のコンピュータは今、１９６プロセスと、たった３つのコアを持ちます。どのプロセスが、いつ、実行する機会を得るかを決める手段が必要で、この仕事はオペレーティングシステムに任されています。
+ </div><div class="para">
+ Fedora ã®ã‚ˆã†ãª Linux システムã§ã¯ã€ã‚ªãƒšãƒ¬ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã‚·ã‚¹ãƒ†ãƒ ã®ä¸å¿ƒã€(<em class="firstterm"> カーãƒãƒ« </em> ã¨å‘¼ã°ã‚Œã¾ã™ )ã¯ã€ã©ã®ãƒ—ãƒã‚»ã‚¹ãŒã„ã¤å®Ÿè¡Œã™ã‚‹æ©Ÿä¼šã‚’å¾—ã‚‹ã‹ã‚’決ã‚る権é™ã‚’æŒã¡ã¾ã™ã€‚ã“ã®æ¨©é™ã¯ã€"スケジューリング "ã¨å‘¼ã°ã‚Œã¾ã™ã€‚プãƒã‚»ãƒƒã‚µã¸ã®ã‚¢ã‚¯ã‚»ã‚¹ã‚’スケジュールã™ã‚‹ã“ã¨ã¯ <em class="firstterm"> プãƒã‚»ãƒƒã‚µã‚¹ã‚±ã‚¸ãƒ¥ãƒ¼ãƒªãƒ³ã‚° </em> ã¨å‘¼ã°ã‚Œã¾ã™ã€‚カーãƒãƒ«ã¯ã€å¤šãã®ä»–ã®ã‚‚ã®ã®ã‚¹ã‚±ã‚¸ãƒ¥ãƒ¼ãƒªãƒ³ã‚°ã‚‚è¡Œã„ã¾ã™ã€‚例ãˆã°ã€ãƒ¡ãƒ¢ãƒªã‚¢ã‚¯ã‚»ã‚¹ã€ãƒ“デオãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã‚¢ã‚¯ã‚»ã‚¹ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã‚¢ã‚¯ã‚»ã‚¹ã€ãƒãƒ¼ãƒ‰ãƒ‡ã‚£ã‚¹ã‚¯ã‚¢ã‚¯ã‚»ã‚¹ã€ãªã©ã§ã™ã€‚ã“れらã®ã‚¹ã‚±ã‚¸ãƒ¥ãƒ¼ãƒªãƒ³ã‚°ä½œæ¥ã§ä½¿ã‚れるアルゴリズム( 手続ã ) ã¯ãã‚Œãžã‚Œç•°ãªã‚Šã€ãƒ¦ãƒ¼ã‚¶ã®è¦æ±‚ã¨ä½¿ã‚れるãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã«ã‚ˆã£ã¦ã€å¤‰ãˆã‚‹ã“ã¨ã‚‚ã§ãã¾ã™ã€‚例ãˆã°ã€ãƒãƒ¼ãƒ‰ãƒ‡ã‚
£ã‚¹ã‚¯ã¯ã€ã©ã®ãƒ—ãƒã‚»ã‚¹ãŒæœ€åˆã«èªã¿å‡ºã—ãŒã§ãã‚‹ã‹ã‚’決ã‚ã‚‹ã®ã«ã€ãƒ‡ã‚£ã‚¹ã‚¯ä¸Šã®ãƒ‡ãƒ¼ã‚¿ã®ä½ç½®ã‚’考慮ã™ã‚‹ã®ãŒå¦¥å½“ã§ã™ã€‚プãƒã‚»ãƒƒã‚µã®å ´åˆã€ã“ã‚Œã¯ç„¡é–¢ä¿‚ã§ã™ãŒã€ä»–ã«è€ƒæ…®ã™ã¹ãã“ã¨ãŒãŸãã•ã‚“ã‚ã‚Šã¾ã™ã€‚
+ </div><div class="para">
+ 標準㮠Linux カーãƒãƒ«ã§ä½¿ã†ã“ã¨ã®ã§ãるスケジューリングアルゴリズムã¯ãŸãã•ã‚“ã‚ã‚Šã¾ã™ãŒã€ã»ã¨ã‚“ã©ã®ãƒ¦ãƒ¼ã‚¶ã«ã¨ã£ã¦ã€"フェアã‚ューイング "システムãŒé©å½“ã§ã™ã€‚ã“ã‚Œã¯ã€ã™ã¹ã¦ã®ãƒ—ãƒã‚»ã‚¹ãŒãƒ—ãƒã‚»ãƒƒã‚µã®ç‰ã—ã„é‡ã®æ™‚é–“ã‚’å¾—ã‚‹ã“ã¨ã‚’ä¿è¨¼ã—ã¾ã™ã€‚ã“ã‚Œã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä½œæ¥ã«ã¯å‘ãã¾ã›ã‚“。もã—ã‚ãªãŸãŒãƒ©ã‚¤ãƒ–コンサートを録音ã—ã¦ãŠã‚Šã€"PackageKit"ã®æ›´æ–°ãƒžãƒãƒ¼ã‚¸ãƒ£ãŒé–‹å§‹ã—ãŸã¨ãã€PackageKit ãŒå¹³ç‰ãªãƒ—ãƒã‚»ãƒƒã‚µæ™‚é–“ã‚’å¾—ã‚‹ã‹ã¯ã©ã†ã§ã‚‚よã„ã§ã—ょã†ã€‚オーディオãŒã§ãã‚‹é™ã‚Šæ£ç¢ºã«éŒ²éŸ³ã•ã‚Œã‚‹ã“ã¨ãŒãšã£ã¨é‡è¦ã§ã™ã€‚ã•ã‚‰ã«ã€ã‚ãªãŸãŒãƒ©ã‚¤ãƒ–コンサートを録音ã—ã¦ãŠã‚Šã€ã‚ãªãŸã®ã‚³ãƒ³ãƒ”ュータãŒã€ä¸æ–ã•ã‚Œãªã„ã€é«˜å“質ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’æä¾›ã™ã‚‹ä¸€æ–¹ã€ãƒ¢ãƒ‹ã‚¿ãƒ¼ã€ã‚ーボードã€ãƒžã‚¦ã‚¹ã‚’æ›´æ–°ã™ã‚‹ã ã‘ã®é€Ÿã•ã‚’æŒãŸãªã„å ´åˆã€ã
‚ãªãŸã¯ãƒ¢ãƒ‹ã‚¿ã€ã‚ーボードã€ãƒžã‚¦ã‚¹ã®ä»£ã‚ã‚Šã«ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’望むã§ã—ょã†ã€‚実際ã€ã‚ãªãŸãŒã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã®ã¨ã¦ã‚‚å°ã•ãªéƒ¨åˆ†ã‚’見逃ã—ãŸã¨ã—ãŸã‚‰ã€ãã‚Œã¯æ°¸é ã«å¤±ã‚ã‚Œã¦ã—ã¾ã†ã®ã§ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html"><strong>戻る</strong>第3章 リアルタイムと低遅延</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Real_Time_Linux_Kernel.html"><strong>次へ</strong>3.3. リアルタイム Linux カーネル</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab.html
@@ -0,0 +1,26 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.2.2. オーディオオプションを変更する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Configuration.html" title="8.2. 構成" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Configuration.html" title="8.2. 構成" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab.html" title="8.2.3. MIDI オプションを変更する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musi
cians_Guide-Qtractor-Configuration.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab">8.2.2. オーディオオプションを変更する</h3></div></div></div><div class="para">
+ "Capture/Export"設定は、Qtractor が録音、あるいはエクスポートするときにオーディオクリップを格納するのに使う形式を選択することができます。"WAV Microsoft"は、標準の ".wav"ファイル、"AIFF Apple-SGI"は標準の ".aiff"ファイル、あるいはお勧めの "FLAC Lossless Audio Codec"形式などのファイルタイプを選ぶことができます。FLAC は、オーディオ信号とメタデータを格納するための、オープンソースの、損失のない、圧縮形式です。詳しくは、<em class="citetitle">FLAC Website</em><a href="http://flac.sourceforge.net/">http://flac.sourceforge.net/</a> ã‚’å‚照下ã•ã„。他ã«ã‚‚ã€æ失ã®ã‚る圧縮形å¼ã®å“質è¨å®šã‚„ã€ã™ã¹ã¦ã®æ失ã®ãªã„å½¢å¼ã§ä½¿ã‚れるサンプル形å¼ã‚’é¸æŠžã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ã‚‚ã—ã©ã®ã‚µãƒ³ãƒ—ル形å¼ã‚’é¸ã¹ã°ã‚ˆã„ã‹ã‚ã‹ã‚‰ãªã„ã¨ãã¯ã€"Signed 16-Bit"ãŒã€ã»ã¨ã‚“ã©ã
®ãƒ¦ãƒ¼ã‚¶ã«ã¨ã£ã¦ã‚ˆã„é¸æŠžã§ã‚ã‚Šã€CD å“質ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’æä¾›ã—ã¾ã™ . ã»ã¨ã‚“ã©ã®ã€ç‰¹åˆ¥ä»•æ§˜ã§ãªã„ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã¯ã€ã‚ˆã‚Šé«˜ã„サンプル形å¼ã‚’å分ã«æ´»ç”¨ã™ã‚‹èƒ½åŠ›ãŒã‚ã‚Šã¾ã›ã‚“。サンプル形å¼ã«ã¤ã„ã¦è©³ã—ãã¯ã€<a class="xref" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html">「サンプルã€ã‚µãƒ³ãƒ—ルレートã€ã‚µãƒ³ãƒ—ルフォーマットã€ãŠã‚ˆã³ãƒ“ットレートã€</a> ã‚’å‚照下ã•ã„。
+ </div><div class="para">
+ "Transport mode"の設定は、トランスポートの振る舞いを調整します .
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ None : Qtractor のトランスポートは独立して動作します .
+ </div></li><li class="listitem"><div class="para">
+ Slave : Qtractor のトランスポートは、 JACK のトランスポートが送る命令を受け付けます。それは、QjackCtl や、他のアプリケーションから制御できます。
+ </div></li><li class="listitem"><div class="para">
+ Master : Qtractor のトランスポートは、 JACK のトランスポートに命令を送ります。それは、QjackCtl で見たり、他のアプリケーションから使用できます。
+ </div></li><li class="listitem"><div class="para">
+ Full : "Master"と "Slave"モードを同時に行うのと同じです。Qtractor のトランスポートは、命令を送信、受信します .
+ </div></li></ul></div>
+ もしあなたが Qtractor を単独で使っている場合、あるいは、どれを選べばよいかわからない場合は、"None"がよいでしょう。この設定は、後であなたが複数のアプリケーションでトランスポートをリンクすることにしたときに、いつでも変更できます。
+ </div><div class="para">
+ "Metronome"セクションでは、標準の MIDI ベースのメトロノームの代わりに、( 短い）オーディオファイルをメトロノームの音として使うことができます。お望みなら、"beat"と "bar"に同じファイルを指定できます。"Dedicated audio metronome outputs"オプションは、オーディオメトロノームの信号を、JACK の独立した出力に送ります . これは Ardour のデフォルトの振る舞いです。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Configuration.html"><strong>戻る</strong>8.2. 構成</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab.html"><strong>次へ</strong>8.2.3. MIDI オプションを変更する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.2.4. MIDI チャネル名を設定する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Configuration.html" title="8.2. 構成" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab.html" title="8.2.3. MIDI オプションを変更する" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Using.html" title="8.3. Qtractor を使う" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-
Musicians_Guide-Qtractor-Configuration-MIDI_Tab.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Using.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names">8.2.4. MIDI チャネル名を設定する</h3></div></div></div><div class="para">
+ もし "<span class="application"><strong>FluidSynth</strong></span>"を QSynth とともにお使いならば、Qtractor に、お使いのサウンドフォントについて教えないといけません。これをすると、Qtractor はあなたが楽器 ("パッチ ") を選ぶ手伝いをします。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 'View > Instruments'をクリックします。
+ </div></li><li class="listitem"><div class="para">
+ "Instruments"ウインドウで "Import"をクリックします .
+ </div></li><li class="listitem"><div class="para">
+ <code class="filename">/usr/share/soundfonts</code> へ行きます。
+ </div></li><li class="listitem"><div class="para">
+ あなたが使いたいサウンドフォントを選択します . デフォルトは FluidR3 GM サウンドフォントですが、あなたは同時に使う複数のサウンドフォントを選ぶことができます。
+ </div></li><li class="listitem"><div class="para">
+ "Instruments"ウインドウを閉じて、Qtractor のメインウインドウに戻ります。
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab.html"><strong>戻る</strong>8.2.3. MIDI オプションを変更する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Using.html"><strong>次へ</strong>8.3. Qtractor を使う</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.2.3. MIDI オプションを変更する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Configuration.html" title="8.2. 構成" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab.html" title="8.2.2. オーディオオプションを変更する" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names.html" title="8.2.4. MIDI チャネル名を設定する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="
docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Tab">8.2.3. MIDI オプションを変更する</h3></div></div></div><div class="para">
+ "File format"で、MIDI クリップが格納される形式を選ぶことができます。あなたは、外部のアプリケーションにより必要とされない限り、これを変更する必要はありません。ファイルタイプについては、<a href="http://en.wikipedia.org/wiki/Musical_Instrument_Digital_Interface#Standard_MIDI_.28.mid_or_.smf.29">http://en.wikipedia.org/wiki/Musical_Instrument_Digital_Interface#Standard_MIDI_.28.mid_or_.smf.29</a> の <em class="citetitle">Musical Instrument Digital Interface: Standard MIDI (.mid or .smf) (Wikipedia)</em> を参照下さい。
+ </div><div class="para">
+ "MMC"は "MIDI Machine Control"の略で、複数の MIDI 接続されたデバイスが相互作用し、互いを制御することができるようにします。"Transport mode"を "None"以外にすると、MMC メッセージで制御されるようになります。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ None :Qtracto は入力 MMC メッセージを無視し、MMC メッセージを出力しません .
+ </div></li><li class="listitem"><div class="para">
+ Input :Qtracto は入力 MMC メッセージに従いますが、、MMC メッセージを出力しません .
+ </div></li><li class="listitem"><div class="para">
+ Output:Qtracto は入力 MMC メッセージを無視しますが、MMC メッセージを出力します。
+ </div></li><li class="listitem"><div class="para">
+ Duplex :Qtracto は入力 MMC メッセージに従い、MMC メッセージを出力します。
+ </div></li></ul></div>
+ Qtractor が相互作用する特定の MIDI デバイス番号を指定することもできます。そうすると、他のデバイスからの MMC メッセージを無視し、他のデバイスには MMC メッセージを送りません。"Dedicated MIDI control input/output"を有効にすると、Qtractor が MMC メッセージ専用に使う MIDI 入力と出力を JACK に提供します . このオプションが有効だと、Qtractor は他の入力あるいは出力から MMC メッセージを送受信しなくなります ."SPP"は "Song Position Pointer"の略で、MIDI 接続されたアプリケーションがセッションの現在位置、( 他の言葉で言うと、トランスポートがどこにいるか）を保持するのを助けます。これはたぶん、"MMC"と同じ設定にするべきです。これらのどの設定を使うかわからなければ、"MMC"を "None"にするのがよいでしょう。これは、後であなた
がアプリケーションを MMC でリンクすることにしたときにいつでも変更することができます。
+ </div><div class="para">
+ デフォルトのメトロノームの音は "MIDI Metronome"で提供され、その設定をここで変えることができます。特に、"Dedicated MIDI metronome output"をチェックして、メトロノームの信号を分けるのが良いかもしれません。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab.html"><strong>戻る</strong>8.2.2. オーディオオプションを変更する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names.html"><strong>次へ</strong>8.2.4. MIDI チャネル名を設定する</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.2. 構成</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Qtractor.html" title="第8章 Qtractor" /><link rel="prev" href="chap-Musicians_Guide-Qtractor.html" title="第8章 Qtractor" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab.html" title="8.2.2. オーディオオプションを変更する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_G
uide-Qtractor.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Qtractor-Configuration"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Qtractor-Configuration">8.2. 構成</h2></div></div></div><div class="para">
+ Qtractor は、追加の設定なしで動作するはずです。このセクションでは、あなたが変えたいと思うかもしれない設定について述べます。<span class="guimenu"><strong>View</strong></span> → <span class="guimenuitem"><strong>Options</strong></span> をクリックして "Options"ウインドウを開いて下さい。
+ </div><div class="section" id="sect-Musicians_Guide-Qtractor-Configuration-JACK"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Configuration-JACK">8.2.1. <span class="application"><strong>Qtractor</strong></span> を、 <code class="systemitem">JACK</code> (<span class="application"><strong>QjackCtl</strong></span>) と一緒に使う</h3></div></div></div><div class="para">
+ 同じ開発者 (Rui Nuno Capela) が、 <span class="application"><strong>QjackCtl</strong></span>, <span class="application"><strong>Qsynth</strong></span>, そして <span class="application"><strong>Qtractor</strong></span> の開発をしています。なので、 <span class="application"><strong>Qtractor</strong></span> を <span class="application"><strong>QjackCtl</strong></span> と <span class="application"><strong>Qsynth</strong></span> と一緒に使うのをおすすめします。
+ </div><div class="para">
+ <span class="application"><strong>Qtractor</strong></span> は、 <span class="application"><strong>QjackCtl</strong></span> と同じ事をすることがあります。例えば、 <span class="application"><strong>Qtractor</strong></span> は、あなたが最後に <span class="application"><strong>QjackCtl</strong></span> を使ったのと同じ設定で JACK を自動的に開始します。また、 <span class="application"><strong>Qtractor</strong></span> は、それぞれの <span class="application"><strong>Qtractor</strong></span> ファイルに、使用する JACK コネクションを記憶します。JACK の設定を変えるには、 <span class="application"><strong>QjackCtl</strong></span> を使わなくてはいけません。
+ </div><div class="important"><div class="admonition_header"><h2>重要</h2></div><div class="admonition"><div class="para">
+ <span class="application"><strong>Qtractor</strong></span> の "Connections" ウインドウは、 <span class="application"><strong>QjackCtl</strong></span> の "Connections" ウインドウと似ていますが、同じではありません。<span class="application"><strong>Qtractor</strong></span> の "MIDI" タブのコネクションは、<span class="application"><strong>QjackCtl</strong></span> の "ALSA" タブに現れます。<span class="application"><strong>QjackCtl</strong></span> の "MIDI" タブのコネクションは、<span class="application"><strong>Qtractor</strong></span> では見えません。
+ </div></div></div><div class="para">
+ <span class="application"><strong>Qtractor</strong></span> が、自動的に <span class="application"><strong>Qsynth</strong></span> あるいは <span class="application"><strong>FluidSynth</strong></span> を制御することはありません。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Qtractor.html"><strong>戻る</strong>第8章 Qtractor</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Configuration-Audio_Tab.html"><strong>次へ</strong>8.2.2. オーディオオプションを変更する</a></li></ul></body></html>
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part.html
@@ -0,0 +1,41 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.8. 次のパートを作曲します</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. MIDI で作曲する（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme.html" title="8.4.7. 主題を繰り返します。" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75.html" title="8.4.9. Qtractor の５２から７５小節" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /><
/a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part">8.4.8. 次のパートを作曲します</h3></div></div></div><div class="para">
+ 説明しにくいのですが、この部分は、最初の部分にとても似ているものの、ずっと和音にフォーカスしているように私には思えます。私はこれを、最初の部分と同じ生成的なアイデアを用いながら、１つでなく２つの同時の音程を使うことで表現しようと思います。セグメントの最後に、今までより長く続く音の "ランダム化した "音程の短いかたまりを加えました。この和音的な出来事を加えるのに特別な理由はないのですが、そうするのが正しいという気がしたのです。
+ </div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ オーディオファイルの次の部分を聴きます。そして、使いたい次のフォーマルセクションをマークします。（私の場合、Qtractor の２５小節から、３８小節の２拍までです。）私の選んだ部分は、最初の部分と同じように繰り返されます。
+ </div></li><li class="listitem"><div class="para">
+ あなたの選んだセグメントの最初と最後に青いマーカを置きます。
+ </div></li><li class="listitem"><div class="para">
+ 新しい MIDI クリップを作成します。
+ </div></li><li class="listitem"><div class="para">
+ 最後のセグメントと同じく、３拍の間をおいて音符を作成します。今回は、同時に２つの音符を加えるのに注意ください。それらは、垂直に並びます。後にランダム化されるので、どの音程に置くかはどうでもよいです。
+ </div></li><li class="listitem"><div class="para">
+ すべての音符を選択して、"Randomize MIDI"ツールを使ってランダム化します。
+ </div></li><li class="listitem"><div class="para">
+ 音程がランダム化されるやり方により、それぞれの音符の対は以下のいずれかの状態になるでしょう：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ それらは近すぎる、あるいは、特定の間隔にある関係のため、１つの音のように聞こえる。
+ </div></li><li class="listitem"><div class="para">
+ それらは遠すぎる、あるいは、特定の間隔にある関係のため、２つの音のように聞こえる。
+ </div></li><li class="listitem"><div class="para">
+ 特定の間隔にある関係のため、２つの同じ大きさの音から作られる１つの和音のように聞こえる。
+ </div></li></ul></div>
+ 上にあげたどれかが美的に望ましくないなら、いくつかの音符を変更しましょう。
+ </div></li><li class="listitem"><div class="para">
+ 私は３７小節全体で、ランダムにクリックすることで、最後の音のクラスターを作りました。偶然、音程は G, E, C シャープ、F シャープ、G シャープ、そして B の６つになりました。"Randomize MIDI"ツールを使ってもよかったのですが、そうしませんでした。
+ </div></li><li class="listitem"><div class="para">
+ 次に私は、それぞれの音符の右の終端を注意深くクリックアンドドラッグして、３８小節の最初の拍で全部が同時に終わるようにしました。
+ </div></li><li class="listitem"><div class="para">
+ 終わったら、セグメントをコピーアンドペーストする必要があるかもしれません。
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme.html"><strong>戻る</strong>8.4.7. 主題を繰り返します。</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75.html"><strong>次へ</strong>8.4.9. Qtractor の５２から７５小節</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme.html
new file mode 100644
index 0000000..f130cac
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme.html
@@ -0,0 +1,85 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.6. 主題を作る</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. MIDI で作曲する（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area.html" title="8.4.5. 最初のフォーマルエリアをマークする" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme.html" title="8.4.7. 主題を繰り返します。" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" a
lt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme">8.4.6. 主題を作る</h3></div></div></div><div class="para">
+ 私は、なにかシンプルなものがほしいと思います。この楽章の主題である最初のシンプルな響きのコラールに見合うような。しばらくの音、そしてしばらくの休止以上にシンプルなものはあるでしょうか？
+ </div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ MIDI マトリックスエディタウインドウで、"Edit mode"ツールをクリックします。それは他に何もマーキングのない鉛筆に見えます。
+ </div></li><li class="listitem"><div class="para">
+ ３つの拍ごとに音を入れることにします。（１つの拍は１つの垂直線でマークされます。）拍では１６分音符だけ続きます。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 音符を置くところを鉛筆でクリックします。箱が現れます。箱を右にドラッグすると、音は長く続くことになります。
+ </div></li><li class="listitem"><div class="para">
+ 私はすべての音符を同じ音程に置きましたが、あなたがそれらを同じ音程に置くかどうかはどうでもよいです。後で、変えるからです。
+ </div></li><li class="listitem"><div class="para">
+ 音符を入力するときに、間違いをしました。このため、３拍離れるはずが２拍しか離れていないところが１箇所あります。これは私にはどうでもよいですが、あなたにはそうでないかもしれません。
+ </div></li><li class="listitem"><div class="para">
+ あなたがあらかじめ選択しておいたリージョン（青いマーカの間）をすべてうめるまで、音符を入力してください。Qtractor はその点を超えて続けることを許すので、あなたは自分でマーカに気をつけないといけません。
+ </div></li><li class="listitem"><div class="para">
+ 横にスクロールするには、シフトあるいはコントロールを押したままマウスのスクロールホイールを使ってください。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ あなたが追加したセグメントの終わりのちょうど前までトランスポートを動かします。シフト、クリックを使います。
+ </div></li><li class="listitem"><div class="para">
+ 最後まで聴いて、あなたのセグメントが最初のフォーマルエリアの終端と同じか、あるいはその前で終わるのを確認してください。
+ </div></li><li class="listitem"><div class="para">
+ マトリックスエディタウインドウを閉じます。
+ </div></li><li class="listitem"><div class="para">
+ あなたが入力した MIDI セグメントを見るために、メインウインドウを使います。垂直の線は小節の線で、暗い色の四角は音符を表します。
+ </div></li><li class="listitem"><div class="para">
+ もし MIDI セグメントがあなたが入力した最後の音符より長いようなら、終端をクリックアンドドラッグして、はみ出すところがあまり多くないようにしてください。もしうっかり短くしすぎて音符を削除してしまったならば、そのセグメントを単にドラッグして元に戻します。音符はそのまま、あるはずです。
+ </div></li><li class="listitem"><div class="para">
+ MIDI セグメントをダブルクリックして、マトリックスエディタに戻ります。
+ </div></li><li class="listitem"><div class="para">
+ 今までに入力した音符を全部選択します：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Control-a を押す
+ </div></li><li class="listitem"><div class="para">
+ クリックおよびドラッグして選択、あるいは
+ </div></li><li class="listitem"><div class="para">
+ 'Edit > Select > Select All'をクリックください。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 音程をランダムにする：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 'Tools > Randomize'をクリックします。
+ </div></li><li class="listitem"><div class="para">
+ "Randomize"がチェックされているのを確認します。
+ </div></li><li class="listitem"><div class="para">
+ "Note"がチェックされているのを確認します。（これは、"音程 "を意味します。）
+ </div></li><li class="listitem"><div class="para">
+ パーセントを選択します。
+ </div></li><li class="listitem"><div class="para">
+ "OK"をクリックして、適用します。
+ </div></li><li class="listitem"><div class="para">
+ ランダムにするパーセントについては、実験が必要です。ランダム化が大きいと繰り返しが少なくなりますが、それは音程がより狭い範囲に分散することを意味します。
+ </div></li><li class="listitem"><div class="para">
+ ランダム化をやり直すには、'Edit > Undo Randomization'をクリックして、次に "Randomize"ツールをもう一度使ってください。
+ </div></li><li class="listitem"><div class="para">
+ ほとんどの音程に起きた変化に満足したら、音符のいくつかを単独であるいは一緒に、選択して移動することができます。グループで音程を変えるには動かしたいものを選択して、（クリックアンドドラッグして選択するか、あるいはコントロール、クリックして選択するか）それらを動かしたいところにコントロール、ドラッグします。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ さて、音符のボリュームを調整しなければいけません。これには２つのやり方があります：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ すべての音符を選択して、"Resize MIDI"ツールを使い、"Value"プロパティを調整する。
+ </div></li><li class="listitem"><div class="para">
+ 全部の音符を選択して、次にマトリックスエディタウインドウの値エディタの部分を使うことができます。これは、マトリックスエディタウインドウの、一番下にあり、ここで示される各音符の高さは、それが演奏されるときのボリュームに相当します。一度にすべての音符を変更するには、それらをコントロール、ドラッグして、望みの高さに調整します。このとき、水平位置を変えないように注意してください。それは、音符が鳴る時刻を変えてしまいます。
+ </div></li><li class="listitem"><div class="para">
+ だいたい "32"のボリュームをお勧めしますが、これはあなたのお好み次第です。さらに、私はいくつかの音符のボリュームを、オーディオファイルが大きい時は同じように大きくしました。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 音程とボリュームに満足したら、トランスポートを最初から開始して、あなたが今作成したセグメントの全体を聴いてみます。この楽節をもう一度変更してもよいですし、次のステップに進んでもよいです。
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area.html"><strong>戻る</strong>8.4.5. 最初のフォーマルエリアをマークする</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme.html"><strong>次へ</strong>8.4.7. 主題を繰り返します。</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready.html
new file mode 100644
index 0000000..aa6f0a3
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready.html
@@ -0,0 +1,33 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.3. Qtractor を準備する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. MIDI で作曲する（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Requirements.html" title="8.4.2. チュートリアルのファイル" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File.html" title="8.4.4. オーディオファイルをインポートする" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Do
cumentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Requirements.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready">8.4.3. Qtractor を準備する</h3></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ QjackCtl を開いて、JACK を開始します。
+ </div></li><li class="listitem"><div class="para">
+ Qsynth を開いて、デフォルトの FluidR3 サウンドフォントを使って１つのインスタンスを構成します。
+ </div></li><li class="listitem"><div class="para">
+ Qtractor を開きます。
+ </div></li><li class="listitem"><div class="para">
+ MIDI トラックがデフォルトの FluidR3 サウンドフォントを使う用に構成します。
+ </div></li><li class="listitem"><div class="para">
+ QjackCtl に移って、接続が正しいことを確認します：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Qtractor の MIDI out("ALSA"ページにある ) は、Qsynth の MIDI in につながっている。
+ </div></li><li class="listitem"><div class="para">
+ Qsynth の audio out は system in( スピーカー ) につながっている。
+ </div></li><li class="listitem"><div class="para">
+ Qtractor の audio out は system in （スピーカー）につながっている。
+ </div></li><li class="listitem"><div class="para">
+ 他の接続は不要です。
+ </div></li></ul></div>
+
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Requirements.html"><strong>戻る</strong>8.4.2. チュートリアルのファイル</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File.html"><strong>次へ</strong>8.4.4. オーディオファイルをインポートする</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File.html
new file mode 100644
index 0000000..f651eb6
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File.html
@@ -0,0 +1,21 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.4. オーディオファイルをインポートする</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. MIDI で作曲する（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready.html" title="8.4.3. Qtractor を準備する" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area.html" title="8.4.5. 最初のフォーマルエリアをマークする" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" a
lt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File">8.4.4. オーディオファイルをインポートする</h3></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 新しいオーディオトラックを作ってください。
+ </div></li><li class="listitem"><div class="para">
+ オーディオトラックを右クリックして、"Clip"そして、"Import"を選択します。
+ </div></li><li class="listitem"><div class="para">
+ インポートしたいオーディオファイルを位置づけます。（今の場合、私はベートーヴェン作品番号５７ピアノソナタ "熱情 "の第２楽章の録音をインポートしました。）
+ </div></li><li class="listitem"><div class="para">
+ クリップがトラックの最初から始まらないときは、クリックアンドドラッグして最初に持って行きます。
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready.html"><strong>戻る</strong>8.4.3. Qtractor を準備する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area.html"><strong>次へ</strong>8.4.5. 最初のフォーマルエリアをマークする</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area.html
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@@ -0,0 +1,27 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.5. 最初のフォーマルエリアをマークする</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. MIDI で作曲する（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File.html" title="8.4.4. オーディオファイルをインポートする" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme.html" title="8.4.6. 主題を作る" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Sit
e" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Marking_the_First_Formal_Area">8.4.5. 最初のフォーマルエリアをマークする</h3></div></div></div><div class="para">
+ トランスポートの他に、Qtractor には２つの青いプレースマーカがあり、それらはときには１つに合わさることもあります。青いプレースマーカの振る舞いを知るもっとも良い方法は、使ってみることです。それらは、ワークエリア（ "メインスクリーン "）において範囲をマークするためのものです。
+ </div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 標準の速度を１分に１２０拍、４／４拍子とします。
+ </div></li><li class="listitem"><div class="para">
+ 最初から始めて、最初のフォーマルな楽節の終わりまで聴きます。私はそれを、１２小節の４つめの拍と决めました。（ルーラーで見てください。）
+ </div></li><li class="listitem"><div class="para">
+ 青い矢印でその点をマークします。
+ </div></li><li class="listitem"><div class="para">
+ セッションの最初を左クリックして、フォーマルエリアの最初をマークします。もしトランスポートが最初にあるならば、青いプレースマーカは隠れてしまいます。
+ </div></li><li class="listitem"><div class="para">
+ "Edit > Clip > New"をクリックして、新しいクリップを作ります。
+ </div></li><li class="listitem"><div class="para">
+ クリップエディタが現れます
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Import_the_Audio_File.html"><strong>戻る</strong>8.4.4. オーディオファイルをインポートする</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme.html"><strong>次へ</strong>8.4.6. 主題を作る</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measure_97.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measure_97.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measure_97.html
@@ -0,0 +1,12 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.11. Qtractor の９７小節</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. MIDI で作曲する（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97.html" title="8.4.10. Qtractor の７５から９７小節" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119.html" title="8.4.12. Qtractor の９８から１１９小節" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentat
ion Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Measure_97"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measure_97">8.4.11. Qtractor の９７小節</h3></div></div></div><div class="para">
+ これは３拍の経過的パッセージで、オーディオトラックの空白を埋めるためにだけの理由で私が加えたものです。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97.html"><strong>戻る</strong>8.4.10. Qtractor の７５から９７小節</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119.html"><strong>次へ</strong>8.4.12. Qtractor の９８から１１９小節</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139.html
@@ -0,0 +1,22 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.13. Qtractor の１１９から１３９小節</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. MIDI で作曲する（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119.html" title="8.4.12. Qtractor の９８から１１９小節" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158.html" title="8.4.14. Qtractor の１３９から１５８小節" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Do
cumentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139">8.4.13. Qtractor の１１９から１３９小節</h3></div></div></div><div class="para">
+ このパッセージは新しい技術を導入しません。セクションの最後で説明されるボリューム操作のトリックを使うだけです。
+ </div><div class="para">
+ このパッセージはずっと忙しく聞こえることでしょう。私が主な音符の間の空白を３拍から２拍にしたためです。私はオクターブをほぼ４つの同じ大きさの範囲に区切りました。最も低いものは "主な音 "がない拍で始まって１拍続くランダム化された音を持ちます。この点については、ベートーヴェンの音楽との対応はありません。
+ </div><div class="para">
+ 次に高い範囲はオーディオファイルのこの部分のメロディ、それは以前より少し低くなっています、をなぞるためのものです。最も上の範囲はこれにつながっています。ベートーヴェンがメロディの一部を他の部分よりずっと高く書いたためです。
+ </div><div class="para">
+ ２番目に高い範囲は、ピアノの上の方の音域の早く動く伴奏声部を反映します。
+ </div><div class="para">
+ このパッセージのボリュームを整理するのは小さな挑戦でした。今までのパッセージと比べてとてもたくさんの音符があるからです。ありがたいことに、声部はマトリックスエディタで互いにほとんど分かれています。私はそれぞれの範囲を別々にクリックアンドドラッグで選択して、ボリュームを、"Resize MIDI"ツールと、マトリックスエディタウインドウの下部のボリューム調整スペースでコントロール、ドラッグすることで調整することができました。
+ </div><div class="para">
+ このパッセージの最後の連続する音のファンファーレは、私の使った最も高い音域に、イ長調の調性を確立しようとするかすかな試みです。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119.html"><strong>戻る</strong>8.4.12. Qtractor の９８から１１９小節</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158.html"><strong>次へ</strong>8.4.14. Qtractor の１３９から１５８小節</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158.html
@@ -0,0 +1,16 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.14. Qtractor の１３９から１５８小節</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. MIDI で作曲する（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139.html" title="8.4.13. Qtractor の１１９から１３９小節" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176.html" title="8.4.15. Qtractor の１５８から１７６小節" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt
="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158">8.4.14. Qtractor の１３９から１５８小節</h3></div></div></div><div class="para">
+ この楽節で使われる新しい技術はありません。
+ </div><div class="para">
+ 主な音は２拍の間隔を維持してきました。そして、ただ２あるいは３の音域から始めました。最も低い音域はこの時点のオーディオファイルと同じように、最も高い音域のただの気まぐれな強化です。早く動いている中間ラインを作成するために、コピーアンドペーストを使いました。
+ </div><div class="para">
+ 楽節が進むにつれ、中間ラインは同時の追加を得ていきます。これは最後にはずっと冒険的になり、まずずっと高い音域へジャンプし、そして次の楽節でそれが占める位置、最低部の音域に下降していきます。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139.html"><strong>戻る</strong>8.4.13. Qtractor の１１９から１３９小節</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176.html"><strong>次へ</strong>8.4.15. Qtractor の１５８から１７６小節</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176.html
@@ -0,0 +1,18 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.15. Qtractor の１５８から１７６小節</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. MIDI で作曲する（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158.html" title="8.4.14. Qtractor の１３９から１５８小節" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End.html" title="8.4.16. Qtractor の１７７小節から終わり" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png"
alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176">8.4.15. Qtractor の１５８から１７６小節</h3></div></div></div><div class="para">
+ この楽節では新しい技術はありません。私はコピーアンドペースト、特に部分的なランダム化の、をたくさん使いました。ファンファーレの最初の音を加えて、ランダム化し、ファンファーレの残りの部分を適当な音程の場所にコピーアンドペーストします。
+ </div><div class="para">
+ この時点で、私は基本的に、主題へのあらわな参照をすべてやめます。それは、ベートーヴェンの楽譜でも起きることです。もちろん、その影響はまだそこにあります。４拍ごとに、私の中間声部は同じ音程を繰り返し、次の４拍の間、保持します。さらに、私の上声部はベートーヴェンの上声部を形づくる、"単一の繰り返される音程 "のアイデアを共用します。これら２つには、弱いリズムの上の類似性もあります。
+ </div><div class="para">
+ 最初のサブセクションの終わり近く、（１６４小節から１６６まで）私は、長い下降する１２音音階を加えましたが、これはベートーヴェンの作品にあるずっと小さい下降する音階に触発されたものです。
+ </div><div class="para">
+ 次のサブセクションはアイデアの正確な繰り返しです。ただし、異なる音程、より小さい音程の範囲、そして少し異なるエンディングを持ちます。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_139_to_158.html"><strong>戻る</strong>8.4.14. Qtractor の１３９から１５８小節</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End.html"><strong>次へ</strong>8.4.16. Qtractor の１７７小節から終わり</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End.html
@@ -0,0 +1,14 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.16. Qtractor の１７７小節から終わり</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. MIDI で作曲する（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176.html" title="8.4.15. Qtractor の１５８から１７６小節" /><link rel="next" href="chap-Musicians_Guide-Rosegarden.html" title="第9章 Rosegarden" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li clas
s="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Rosegarden.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_177_to_the_End">8.4.16. Qtractor の１７７小節から終わり</h3></div></div></div><div class="para">
+ この楽節で使われる新しい技術はありません。
+ </div><div class="para">
+ 作品のこの部分は、ベートーヴェンの楽譜をとても明らかになぞるように意図されています。私が遊んだただ１つのトリックは、ベートーヴェンの楽譜を見て、そこからいくつかの音符を組み入れたことです：２１２小節の和音は、オーディオファイルの２１０小節の和音で使われる同じ音程から合成されたものです。それは、"本物のピアノ対 MIDI ピアノ "の理由でとても異なって聞こえます。さらに、録音時のピアノの調律が MIDI ピアノの調律と異なるためでもあります。また、２１３小節の２拍めの和音は、楽章の最初の和音であり、オーディオファイルに録音されているものに従ったものです。これを含める（それを "溶解させ "、次に再導入する。）ことで、ベートーヴェンのソナタをよくご存知のリスナの期待と戯れさせ
てもらったということです。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_158_to_176.html"><strong>戻る</strong>8.4.15. Qtractor の１５８から１７６小節</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-Rosegarden.html"><strong>次へ</strong>第9章 Rosegarden</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75.html
@@ -0,0 +1,14 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.9. Qtractor の５２から７５小節</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. MIDI で作曲する（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part.html" title="8.4.8. 次のパートを作曲します" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97.html" title="8.4.10. Qtractor の７５から９７小節" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation
Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75">8.4.9. Qtractor の５２から７５小節</h3></div></div></div><div class="para">
+ このセグメントを作成するのに必要なことはすべてご存知と思うので、芸術的な理由付けだけを説明します。
+ </div><div class="para">
+ これはオーディオファイルの "第１変奏曲 "に対応します。変奏は主題に基づくので、私の楽節の残りはすべて私の主題の楽節に、なにかしら基づいています。ここで私はまた、音楽からインスピレーションを得ました。主題と同じようにここでは（ほぼ）３拍ごとに音符があります。しかし私はそれを２拍を占めるように伸ばして、１つの音符の最後で次の音符が続けてすぐに鳴り出すようにしました。これは第１変奏曲でのベートーヴェンの技法と似ています。私は主題では無視しましたが、ベートーヴェンの主題には内側の楽節の間に小さな移調があります。私は自分の第１変奏曲ではそれを加えることにしました。（ Qtractor の６９小節を見てください。）
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part.html"><strong>戻る</strong>8.4.8. 次のパートを作曲します</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97.html"><strong>次へ</strong>8.4.10. Qtractor の７５から９７小節</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97.html
new file mode 100644
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97.html
@@ -0,0 +1,18 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.10. Qtractor の７５から９７小節</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. MIDI で作曲する（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75.html" title="8.4.9. Qtractor の５２から７５小節" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Measure_97.html" title="8.4.11. Qtractor の９７小節" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul
class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measure_97.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_75_to_97">8.4.10. Qtractor の７５から９７小節</h3></div></div></div><div class="para">
+ このセグメントを作成するのに必要なことはすべてご存知と思うので、芸術的な理由付けだけを説明します。
+ </div><div class="para">
+ この楽節は、私たちが以前、"次のパートを作曲します "セクションで作成した部分に対応します。私は第１変奏曲のアイデアをその "次のパート "のアイデアと結合させることにしました。ご覧のように、その結果は、５２から７５小節によく似たものですが、"次のパート "のように、より同時の音程が含まれます。
+ </div><div class="para">
+ この時点で私の MIDI 伴奏は本当に独自のリズムと個性を持つようになってきました。それはベートーヴェンのアイデアを表現するオーディオファイルと競い合うものです。ベートーヴェンと比べると MIDI パートのランダム化された音程は子供っぽくてつまらなく聞こえます。これは、リスナに、MIDI は "真のクラシック音楽 "に比べて、単純につまらなくて子供っぽいというメッセージを送るかもしれません。そしてそれは全く正しい解釈です。
+ </div><div class="para">
+ しかし、私が言いたかったのはこうです：ベートーヴェンはたくさんのピアノ曲を書き、その多くは今もなお人々に楽しまれています。誰も、ベートーヴェンの魔法を再び繰り返すことはできず、それを試みるのは愚かなことだと私は思います。だから私は自分の音楽をシリアスな響きをさせようとするのでなくて、愚かに聞こえるものにしたのです。また、ベートーヴェンのような作曲家からインスピレーションを得ることは自分たちで新しい芸術を創造するすばらしい方法だと感じます。なので私は、直接音楽からある種のヒント（多くはあいまいな様式上のことです）を得ようとする一方、それ以外のもの（音程はなにかしら組織化されているべきであるという考えなど）を無視するのです。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_52_to_75.html"><strong>戻る</strong>8.4.9. Qtractor の５２から７５小節</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measure_97.html"><strong>次へ</strong>8.4.11. Qtractor の９７小節</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119.html
@@ -0,0 +1,16 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.12. Qtractor の９８から１１９小節</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. MIDI で作曲する（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Measure_97.html" title="8.4.11. Qtractor の９７小節" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139.html" title="8.4.13. Qtractor の１１９から１３９小節" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a
></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measure_97.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Measures_98_to_119">8.4.12. Qtractor の９８から１１９小節</h3></div></div></div><div class="para">
+ ã“ã®æ¥½ç¯€ã‚’作曲ã™ã‚‹ä¸Šã§ï¼‘ã¤ã®æ–°ã—ã„技法を使ã„ã¾ã—ãŸã€‚マトリックスエディタã®ä¸ã§ã®ã‚³ãƒ”ーアンドペーストã§ã™ã€‚ã“ã‚Œã¯ï¼‘ï¼ï¼“å°ç¯€ã®æœ€åˆã‚ãŸã‚Šã«è¦‹ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ãã“ã§ã¯ã€åŒã˜éŸ³ç¨‹ã®ã‚¯ãƒ©ã‚¹ãŒé«˜ã„オクターブã¨ä½Žã„オクターブã§åŒæ™‚ã«èžã“ãˆã¾ã™ã€‚ç§ã¯ä¸Šã®éŸ³åŸŸã‚’å…ˆã«ä½œã£ã¦ã€æ¬¡ã«ã‚³ãƒ”ーã—ãŸã„音符をé¸æŠžã—ã¾ã—ãŸã€‚Control-c 㨠Control-v ã§ã‚³ãƒ”ーを作りã¾ã—ãŸã€‚メインウインドウã§ã‚¯ãƒªãƒƒãƒ—をコピーアンドペーストã™ã‚‹ã¨ãã¨åŒã˜ã‚ˆã†ã«ã€ã‚«ãƒ¼ã‚½ãƒ«ã®ã‚¢ã‚¤ã‚³ãƒ³ã¯ã‚¯ãƒªãƒƒãƒ—ボートã«å¤‰ã‚ã‚Šã€ãƒšãƒ¼ã‚¹ãƒˆã•ã‚Œã‚‹ã‚‚ã®ã®ã‚¢ã‚¦ãƒˆãƒ©ã‚¤ãƒ³ãŒç¤ºã•ã‚Œã‚‹ã®ã§ã€æœ›ã¿ã®ã¨ã“ã‚ã«ä½ç½®ã¥ã‘ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ã”覧ã«ãªã£ã¦ã‚ã‹ã‚‹ã‚ˆã†ã«ã€ã‚³ãƒ”ーã¯ã€ã©ã®éŸ³ç¨‹ãƒ¬ãƒ™ãƒ«ã«ã‚‚ã€å°ç¯€ã®ã©ã®å ´æ‰€ã«ã‚‚ペーストã§ãã¾ã™ã€‚åŒã˜ã«ä¿ãŸã‚Œã‚‹ã®ã¯ã€éŸ³ç¬¦é–“ã®é
Ÿ³ç¨‹ã®å·®ã¨ã€éŸ³ç¬¦é–“ã®ãƒªã‚ºãƒ ã§ã™ã€‚
+ </div><div class="para">
+ 私はコピーアンドペースト技術をこのパッセージにある、３つの階段的に下降する音符の音型においても使いました。４つの組からなる最初の音符を作成して、それらをランダム化して、後から３つの下降する音符をコピーアンドペーストしました。このようにして、メロディの一部をランダム化して、残りをランダムにしないようにできました。
+ </div><div class="para">
+ このパッセージで私は、"１音と続く３拍の休止 "のアイデアを続けました。そして、オーディオファイルから２つのヒントを得てメロディを追加しました。最初のは、上声部の増大する表面のリズムで、それが "下降する３音 "音型を生みます。２つめはそのメロディの下で和音は依然として進行しているという事実で、私は自分の上声部の下に２つめのランダム化された音符のセットを加えました。パッセージの終わりで私は、私が開始した潮流を継続し、最後のファンファーレで続いている音を回収するようにしました。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Measure_97.html"><strong>戻る</strong>8.4.11. Qtractor の９７小節</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Measures_119_to_139.html"><strong>次へ</strong>8.4.13. Qtractor の１１９から１３９小節</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme.html
@@ -0,0 +1,42 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.7. 主題を繰り返します。</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. MIDI で作曲する（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme.html" title="8.4.6. 主題を作る" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part.html" title="8.4.8. 次のパートを作曲します" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul c
lass="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Repeat_the_Theme">8.4.7. 主題を繰り返します。</h3></div></div></div><div class="para">
+ この作品の冒頭は、（この Qtractor セッションでは）１３小節のセグメントから始まり、それはすぐに繰り返されます。あなたが私のように１３小節の主題を作ることにしたのならばベートーヴェンの繰り返しに対応する２つめの MIDI セグメントを作るか、あるいは私のように、あなたの主題を繰り返すためにコピーアンドペーストをしてください。
+ </div><div class="para">
+ あなたの主題を正確に繰り返す：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 最初の MIDI セグメントをクリックして選択し、'Edit > Copy'を選択するか、Control-c によってコピーします。
+ </div></li><li class="listitem"><div class="para">
+ 'Edit > Paste'をクリックするか、Control-v によりペーストします。
+ </div></li><li class="listitem"><div class="para">
+ カーソルはクリップボードのアイコンの形に変わり、その右に四角が現れます。四角はペーストされるクリップを示します。しかし、まず、それを置くところを選択しないといけません。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ カーソルを動かして、四角が最初の MIDI クリップの直後（右端のエッジ）に現れるようにします。
+ </div></li><li class="listitem"><div class="para">
+ メインウインドウをスクロールするのにスクロールバー矢印を使うことができますが、それは、カーソルが変化しているので難しいかもしれません。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ メインウインドウをスクロールするにはコントロールを押してマウスのスクロールホイールを使ってもよいです。
+ </div></li><li class="listitem"><div class="para">
+ 注意深くマウスカーソルをメインのものの端に動かすことによってもスクロールすることができます。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 四角を正確に最終位置に置く必要はありません。その近くでよいです。
+ </div></li><li class="listitem"><div class="para">
+ 四角を置きたい位置に置いたら、左クリックします。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ トランスポートを動かして、最初のクリップの終端から２つめのクリップの開始への移行が聞けるようにします。トランスポートコントロールで <span class="guibutton"><strong>Play</strong></span> を押して聞いてみて、終わったら止めます。
+ </div></li><li class="listitem"><div class="para">
+ ２つめのクリップの位置を調整する必要があるときは、クリックアンドドラッグして正しい位置に移動します。クリップを正しく置いたことを確認するために、もう一度聞いてみます。
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial-Creating_our_Theme.html"><strong>戻る</strong>8.4.6. 主題を作る</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Compose_the_Next_Part.html"><strong>次へ</strong>8.4.8. 次のパートを作曲します</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Requirements.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Requirements.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial-Requirements.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4.2. チュートリアルのファイル</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. MIDI で作曲する（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. MIDI で作曲する（チュートリアル）" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready.html" title="8.4.3. Qtractor を準備する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><u
l class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Requirements"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Requirements">8.4.2. チュートリアルのファイル</h3></div></div></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ ベートーヴェンのピアノソナタ２３番、"熱情 "の第２楽章の録音。以下のいずれか：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://www.mutopiaproject.org/cgibin/make-table.cgi?searchingfor=appassionata">http://www.mutopiaproject.org/cgibin/make-table.cgi?searchingfor=appassionata</a> の <em class="citetitle">Mutopia</em> (MIDI シンセサイザー録音で、LilyPond 楽譜つき),
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://soundcloud.com/waltereegho/beethoven-sonata-no-23-in-f-minor-op-57-appassionata-ii-andante-con-moto-09">http://soundcloud.com/waltereegho/beethoven-sonata-no-23-in-f-minor-op-57-appassionata-ii-andante-con-moto-09</a> の <em class="citetitle">SoundCloud</em>（ライブ録音）、あるいは、
+ </div></li><li class="listitem"><div class="para">
+ 商業的録音
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ <a class="xref" href="chap-Musicians_Guide-FluidSynth.html">10章<em>FluidSynth</em></a> で述べた <span class="application"><strong>FluidSynth</strong></span> が必要です。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/Qtractor/FMG-Qtractor-MIDI-Recording.flac">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/Qtractor/FMG-Qtractor-MIDI-Recording.flac</a> から、チュートリアルの、MIDI 部分の録音をダウンロードします。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://soundcloud.com/fedoraproject/fmg-qtractor-export">http://soundcloud.com/fedoraproject/fmg-qtractor-export</a> で、このチュートリアルの、MIDI 部分とオーディオ部分が一緒になった録音を聞いて下さい。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://soundcloud.com/bradbreeck/beethoven-piano-sonata-no-23">http://soundcloud.com/bradbreeck/beethoven-piano-sonata-no-23</a> で、この作品の別の楽章を使った、同じようなプロジェクトを聞いて下さい。
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Tutorial.html"><strong>戻る</strong>8.4. MIDI で作曲する（チュートリアル）</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Getting_Qtractor_Ready.html"><strong>次へ</strong>8.4.3. Qtractor を準備する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Tutorial.html
@@ -0,0 +1,20 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.4. MIDI で作曲する（チュートリアル）</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Qtractor.html" title="第8章 Qtractor" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Using-Tips-MIDI.html" title="8.3.4.2. MIDI" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial-Requirements.html" title="8.4.2. チュートリアルのファイル" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians
_Guide-Qtractor-Using-Tips-MIDI.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Requirements.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial">8.4. MIDI で作曲する（チュートリアル）</h2></div></div></div><div class="para">
+ これは、<span class="application"><strong>Qtractor</strong></span> の最初のユーザのためのプロジェクトのデモンストレーションです。チュートリアルの一連の手順は作者の意思決定と、作者が使ったいろいろなアプリケーションの機能を説明します。これは、創作の汎用的な方式を示すためのものではなく、むしろ、作者がインスピレーションによって新しい作曲をしたときの特別の仕方を示すものです。
+ </div><div class="section" id="sect-Musicians_Guide-Qtractor-Tutorial-Inspiration"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Tutorial-Inspiration">8.4.1. インスピレーション</h3></div></div></div><div class="para">
+ このチュートリアルは、オーディオと MIDI トラックを１つのプロジェクトで一緒にするという、 <span class="application"><strong>Qtractor</strong></span> の独特の強みを明らかにします。私は、私のお気に入りの作品の一部分から始めようと思います。そして、MIDI ベースのそれの分身ともいえる曲を作曲します。
+ </div><div class="para">
+ オーディオ録音は、 "主題と変奏曲 "の楽章なので、それは主題から始まります。そして、その主題の変奏された版が続きます。主題は２つの部分からなり、それぞれが１度、繰り返されます。オリジナルの作曲家は彼の時代において典型的ないくつかの作曲技法を使って、一貫して似ていて、しかも一貫して新しい楽章を作り上げました。
+ </div><div class="para">
+ 私たちはベートーヴェンと同じ美学的規則に従う必要はありません。そんなことは不可能だという人もいます。新しいピアノ独奏曲を作曲するとき、私たちは、１５０年あまりにわたって、ベートーヴェンの美学的規則が拡張され続けてきた音楽の歴史を知らずにはいられないからです。このチュートリアルで、私たちは<span class="application"><strong>Qtractor</strong></span>でマトリックスエディタを使います。それは、標準の西洋音楽の記譜法には似ていません—同じ結果は望むべくもありません。このチュートリアルは、１９世紀初頭の室内音楽と、２１世紀初頭の電子音楽の結合という芸術的可能性を探るものです。
+ </div><div class="para">
+ 最後になりましたが、このチュートリアルを準備する際に、MIDI 部分を作曲したときに使ったオーディオ録音を配布できないという問題が起きました。このため、あなたが使うオーディオ録音は、私たちの使ったものとは違うかもしれません。あなたが以下の指示に忠実に従ったとしても、あなたの結果は、私たちのものとはずいぶん違ってくるかもしれません。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Using-Tips-MIDI.html"><strong>戻る</strong>8.3.4.2. MIDI</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial-Requirements.html"><strong>次へ</strong>8.4.2. チュートリアルのファイル</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.3.3. ファイル全部（オーディオと MIDI を一緒に）をエクスポートする</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Using.html" title="8.3. Qtractor を使う" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools.html" title="8.3.2. MIDI マトリックスエディタのツールを使う" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Using-Tips.html" title="8.3.4. その他の知識" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a
accesskey="p" href="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Using-Tips.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together">8.3.3. ファイル全部（オーディオと MIDI を一緒に）をエクスポートする</h3></div></div></div><div class="para">
+ Qtractor はセッションのオーディオクリップのすべてを１つのオーディオファイルにエクスポートすることができます。しかし、そのオーディオファイルに MIDI クリップを直接エクスポートすることはできません。これは、Qtractor は MIDI 信号からオーディオを合成するのでなく、外部の MIDI シンセサイザーでこれを行うためです。ありがたいことに、この制限を越え、オーディオと MIDI を同じオーディオファイルにエクスポートする比較的簡単な方法があります： Qtractor を使って、MIDI シンセサイザーが生成するオーディオ信号を録音するのです。この手順は、あなたがオーディオ信号を JACK に出力する MIDI シンセサイザー（ <span class="application"><strong>FluidSynth</strong></span> のように）を使っているときしかうまくいきません。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Qtractor で'Track > Add Track'をクリックして、新しいオーディオトラックを作ります。
+ </div></li><li class="listitem"><div class="para">
+ あなたの MIDI シンセサイザーが、正しくセットアップされていて、通常の方式で（スピーカーを通して）出力を生成することを確認下さい。
+ </div></li><li class="listitem"><div class="para">
+ Qtractor の "Connections"ウインドウを使って（キーボードで F8 を押します）あなたの MIDI シンセサイザーの出力が新しく作られたオーディオトラックの入力にルーティングされていることを確認下さい。
+ </div></li><li class="listitem"><div class="para">
+ Qtractor のトランスポートをセッションの最初に移動します。
+ </div></li><li class="listitem"><div class="para">
+ 新しく作成されたオーディオトラックだけが、録音の準備をされていることを確認下さい。
+ </div></li><li class="listitem"><div class="para">
+ Qtractor のトランスポートを録音準備します。
+ </div></li><li class="listitem"><div class="para">
+ トランスポートで "Play"を押してセッションが最後まで再生するのを待ちます。
+ </div></li><li class="listitem"><div class="para">
+ セッションの最後に行ったら、トランスポートを止めます。Qtractor は自動的にはトランスポートを止めません。
+ </div></li><li class="listitem"><div class="para">
+ 'Track > Export Tracks > Audio'をクリックして、いつもの通り、ファイルをエクスポートします .
+ </div></li></ol></div>
+
+ </div><div class="para">
+ MIDI 信号のオーディオバージョンが録音され、あなたがセッションをエクスポートしたら、新しいオーディオトラックは削除しても構いません。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools.html"><strong>戻る</strong>8.3.2. MIDI マトリックスエディタのツールを使う</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Using-Tips.html"><strong>次へ</strong>8.3.4. その他の知識</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Using-MIDI_Tools.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Using-MIDI_Tools.html
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@@ -0,0 +1,76 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.3.2. MIDI マトリックスエディタのツールを使う</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Using.html" title="8.3. Qtractor を使う" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Using.html" title="8.3. Qtractor を使う" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together.html" title="8.3.3. ファイル全部（オーディオと MIDI を一緒に）をエクスポートする" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a
></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Using.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools">8.3.2. MIDI マトリックスエディタのツールを使う</h3></div></div></div><div class="para">
+ Qtractor の MIDI クリップのためのマトリックスエディタは、たくさんの便利なツールを提供し、それらはマトリックスエディタウインドウの "Tools"メニューから使えます。これらのツールは、ツールのウインドウが開く前にマトリックスエディタウインドウにおいて選択されていた MIDI 音符だけを操作します。メニューからどのツールを選んでも、ウインドウが開いたときに同じオプションが使えます。一度に複数のツールを使うことができます。
+ </div><div class="para">
+ ご注意：ツールの名前はまぎらわしいです。
+ </div><div class="para">
+ 以下が、それぞれのツールが何をするかの説明です：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Quantize: このツールは、MIDI 音符がどこで開始できるか、どれだけの長さ、続くかを調整します。拍の分割でマークされます。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Time: デフォルト設定の "Beat/4"は、音符が１６分音符の境界でだけ、開始するようにします。もし音符がどこか他のところから始まるならば、それは近くの１６分音符の境界まで移動されます。例えば、ある小節の最初の３２分音符のところから始まる音符は、代わりに最初の拍に移動されます。
+ </div></li><li class="listitem"><div class="para">
+ Duration: デフォルト設定の "Beat/2"は音符が８分音符の倍数でだけ、続くようにします . もし音符が８分音符の倍数より長かったり短かったりすると、それは８分音符の倍数の最も近い長さに調整されます。例えば、１６分音符は８分音符に変更されます。
+ </div></li><li class="listitem"><div class="para">
+ Swing: これはリズムの "swing"エフェクトを調整します。あなたは自分に合う設定を見つけるために実験をする必要があります。
+ </div></li><li class="listitem"><div class="para">
+ ４分音符が拍を得るときの一般的な設定を、単純に表したもの：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Beat :4 分音符の長さ
+ </div></li><li class="listitem"><div class="para">
+ Beat/2 : ８分音符の長さ
+ </div></li><li class="listitem"><div class="para">
+ Beat/3 : ８分音符３連符の長さ
+ </div></li><li class="listitem"><div class="para">
+ Beat/4 : １６分音符の長さ
+ </div></li><li class="listitem"><div class="para">
+ Beat/6 : １６分音符６連符の長さ
+ </div></li><li class="listitem"><div class="para">
+ Beat/8 : ３２分音符の長さ
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Transpose: このツールは選択された MIDI 音符のピッチ（垂直軸 ) あるいは時間（水平軸 ) を調整します。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Pitch: 音符をこれだけの音程、移調します。正の値は高い音程に、負の値は低い音程にします。
+ </div></li><li class="listitem"><div class="para">
+ Time:MIDI 音符の開始時間を、長さや音程を変えることなく、調整します。これは、"BBT" ( つまり "Bars, Beats, and Ticks"それぞれは、小数点で区切られます）で表すのが最も便利ですが、時間やフレームを単位に表すこともできます。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Normalize: これは、選択された MIDI 音符のラウドネス、"ベロシティ "と呼ばれます、を調整します。このツールを使うには３つの方法があります。"MIDI Tools"ウインドウで指定された値は可能な最大ベロシティとして使われます。他のすべてのベロシティ値は適当に調整されます。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Percent"だけを調整する : これは、ベロシティを最大ベロシティのパーセントで指定します。
+ </div></li><li class="listitem"><div class="para">
+ "Value"だけを調整する : これは、特定の値をベロシティに設定します。可能な値は０から１２７です。
+ </div></li><li class="listitem"><div class="para">
+ "Percent"と "Value"の両方を調整する : これは指定された値のパーセントを設定します。例えば、"50%"と "32"を設定すると、結果のベロシティは "16"であり、これは３２の５０％です。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Randomize: このツールは選択されたパラメータを擬似ランダムな値に調整します。値は２つの理由から擬似ランダムであるに過ぎません：コンピュータは真のランダム値を生成することはできません。人にとってランダムに見える値だけが可能です。パーセンテージ値で、結果がどの程度広く変化するかを指定できます。低いパーセント設定は、高いパーセント設定のときと比べて、より、もとの MIDI 音符に近くなります。以下のパラメータがランダムにできます：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Note, つまり、音程
+ </div></li><li class="listitem"><div class="para">
+ Time, つまり、音の開始時刻
+ </div></li><li class="listitem"><div class="para">
+ Duration, つまり、長さ
+ </div></li><li class="listitem"><div class="para">
+ Value, つまり、ラウドネス（ベロシティ）
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Resize: このツールでは、ある MIDI 音符の長さあるいは大きさを直接指定することができます。"Value"フィールドを設定すると、すべての選択された音符のベロシティ（ラウドネス）をその値にします。有効な設定は０（最も静か）から１２７（最も大きい）です。"Duration"フィールドを設定すると、すべての選択された音符のデュレーション（長さ）をその値にします。長さは "BBT" ( つまり "Bars, Beats, and Ticks" それぞれは小数点で区切られます。）で表すのが最も便利ですが、時間やフレームを単位として表すこともできます。
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Using.html"><strong>戻る</strong>8.3. Qtractor を使う</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together.html"><strong>次へ</strong>8.3.3. ファイル全部（オーディオと MIDI を一緒に）をエクスポートする</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Using-Tips-MIDI.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Using-Tips-MIDI.html
new file mode 100644
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Using-Tips-MIDI.html
@@ -0,0 +1,25 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.3.4.2. MIDI</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Using-Tips.html" title="8.3.4. その他の知識" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Using-Tips.html" title="8.3.4. その他の知識" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Tutorial.html" title="8.4. MIDI で作曲する（チュートリアル）" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="
p" href="sect-Musicians_Guide-Qtractor-Using-Tips.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Qtractor-Using-Tips-MIDI"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Qtractor-Using-Tips-MIDI">8.3.4.2. MIDI</h4></div></div></div><div class="para">
+ MIDI トラックを作成するとき、"omni"チェックボックスを使うと、トラックがどの MIDI チャネルからの入力にも反応するようにできます。チェックボックスが選択されていないときはトラックはそれがアサインされた MIDI チャネルの信号だけに反応します .
+ </div><div class="para">
+ マトリックスエディタウインドウで、あなたは音符の "ベロシティ "（ラウドネス）を、"Resize"MIDI ツール（ <a class="xref" href="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools.html">「MIDI マトリックスエディタのツールを使う」</a> を参照）を使って調整できます。
+ </div><div class="para">
+ あなたが Qtractor のマトリックスエディタを使うのが難しいと感じる一方、LilyPond での作業が簡単だと思うならば、これをあなたの強みにしましょう。LilyPond は、あなたの楽譜の MIDI 形式の表示を出力することができます。それには、"score"セクションに "midi"セクションを加えます。それは、こんなふうに見えるでしょう：
+<pre class="programlisting">
+⏎
+\score⏎
+{⏎
+ ...⏎
+ \midi { }⏎
+}⏎
+</pre>
+ <span class="application"><strong>LilyPond</strong></span> の MIDI 出力を、<span class="application"><strong>Qtractor</strong></span> でインポートすることができます。<span class="guimenu"><strong>Track</strong></span> → <span class="guisubmenu"><strong>Import Tracks</strong></span> → <span class="guimenuitem"><strong>MIDI</strong></span> を選択下さい。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Using-Tips.html"><strong>戻る</strong>8.3.4. その他の知識</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Tutorial.html"><strong>次へ</strong>8.4. MIDI で作曲する（チュートリアル）</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Using-Tips.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Using-Tips.html
new file mode 100644
index 0000000..57f1a27
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Using-Tips.html
@@ -0,0 +1,18 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.3.4. その他の知識</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Qtractor-Using.html" title="8.3. Qtractor を使う" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together.html" title="8.3.3. ファイル全部（オーディオと MIDI を一緒に）をエクスポートする" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Using-Tips-MIDI.html" title="8.3.4.2. MIDI" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a
></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Using-Tips-MIDI.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Qtractor-Using-Tips"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Using-Tips">8.3.4. その他の知識</h3></div></div></div><div class="para">
+ Qtractor のトラックペインあるいはマトリックスエディタで水平方向にスクロールしたい時は、マウスのスクロールホイールを動かす間、コントロール (Ctrl) キーを押したままにして下さい。
+ </div><div class="para">
+ Qtractor ファイルは、空のフォルダにセーブされなくてはいけません。Ardour, Audacity, そして Rosegarden とは異なり、Qtractor は自動的にサブフォルダを作ることなく、セッションのクリップのすべてを、Qtractor ファイル自身と同じフォルダに格納しようとします .
+ </div><div class="section" id="sect-Musicians_Guide-Qtractor-Using-Tips-Transport"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-Qtractor-Using-Tips-Transport">8.3.4.1. トランスポート</h4></div></div></div><div class="para">
+ Qtractor のトランスポートをセッションの特定の点に移動するには、マウスでその点をクリックする時に、シフトを押したままにします .
+ </div><div class="para">
+ 'Transport > Follow Playhead'をクリックすることで、トラックペインがトランスポートが移動するに連れて自動的にスクロールするかどうかを選択できます。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Using-Exporting_Audio_and_MIDI_Together.html"><strong>戻る</strong>8.3.3. ファイル全部（オーディオと MIDI を一緒に）をエクスポートする</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Using-Tips-MIDI.html"><strong>次へ</strong>8.3.4.2. MIDI</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Using.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Using.html
new file mode 100644
index 0000000..abd3df4
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Qtractor-Using.html
@@ -0,0 +1,60 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>8.3. Qtractor を使う</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Qtractor.html" title="第8章 Qtractor" /><link rel="prev" href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names.html" title="8.2.4. MIDI チャネル名を設定する" /><link rel="next" href="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools.html" title="8.3.2. MIDI マトリックスエディタのツールを使う" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docna
v"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Qtractor-Using"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Qtractor-Using">8.3. Qtractor を使う</h2></div></div></div><div class="para">
+ "チュートリアル "セクションは例を示してあなたに Qtractor の使い方を教えます。このセクションは、あなたがチュートリアルを完成する間のレファレンスとなるよう、または後であなたの記憶の助けとなる用に作られています。
+ </div><div class="section" id="sect-Musicians_Guide-Qtractor-Using-Blue_Place_Markers"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Qtractor-Using-Blue_Place_Markers">8.3.1. 青いプレースマーカを使う</h3></div></div></div><div class="para">
+ トランスポートに加えて、Qtractor は他に２つのプレースマーカを提供します . それは青色をしています。以下は、青いプレースマーカでできることです：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ * レンジをマークする：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 左端のマーカを置きたいところにカーソルを移動下さい。
+ </div></li><li class="listitem"><div class="para">
+ 左クリックして保持下さい。
+ </div></li><li class="listitem"><div class="para">
+ 右端のマーカを置きたいところまでカーソルをドラッグ下さい。
+ </div></li><li class="listitem"><div class="para">
+ マウスボタンを離します。
+ </div></li><li class="listitem"><div class="para">
+ 青いマーカが、特定のレンジをマークしているはずです。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ * １つの特定の場所をマークする：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ マークしたいところにカーソルを移動します。
+ </div></li><li class="listitem"><div class="para">
+ そこで左クリックして保持します。
+ </div></li><li class="listitem"><div class="para">
+ カーソルを少し右にドラッグします。
+ </div></li><li class="listitem"><div class="para">
+ 青いマーカが現れるはずです。
+ </div></li><li class="listitem"><div class="para">
+ それらを分離しておく代わりに、２つめの青いマーカを最初のものの上に移動します。
+ </div></li><li class="listitem"><div class="para">
+ マウスボタンを離します。
+ </div></li><li class="listitem"><div class="para">
+ 矢印は１つになるはずです。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ * マーカの１つを移動する：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ トラックペインの一番上にあるルーラーのところにあるマーカーの三角形のトップの上にカーソルを置きます。
+ </div></li><li class="listitem"><div class="para">
+ カーソルの形が、両方に矢印のある水平な線に変わるはずです。
+ </div></li><li class="listitem"><div class="para">
+ 左クリックして、マウスをドラッグします。
+ </div></li><li class="listitem"><div class="para">
+ 青いプレースマーカはマウスについてくるはずです。もしそうならないときはもう一度やってみて下さい。プレースマーカを選択するのは難しいときがあります。
+ </div></li></ol></div>
+
+ </div></li></ul></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Qtractor-Configuration-MIDI_Channel_Names.html"><strong>戻る</strong>8.2.4. MIDI チャネル名を設定する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Qtractor-Using-MIDI_Tools.html"><strong>次へ</strong>8.3.2. MIDI マトリックスエディタのツールを使う</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Real_Time_Linux_Kernel.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Real_Time_Linux_Kernel.html
new file mode 100644
index 0000000..bd53286
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Real_Time_Linux_Kernel.html
@@ -0,0 +1,16 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>3.3. リアルタイム Linux カーネル</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Real_Time_and_Low_Latency.html" title="第3章 リアルタイムと低遅延" /><link rel="prev" href="sect-Musicians_Guide-Processor_Scheduling.html" title="3.2. プロセッサスケジューリング" /><link rel="next" href="sect-Musicians_Guide-Hard_and_Soft_Real_Time.html" title="3.4. ハードとソフトリアルタイム" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav
"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Processor_Scheduling.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Hard_and_Soft_Real_Time.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Real_Time_Linux_Kernel"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Real_Time_Linux_Kernel">3.3. リアルタイム Linux カーネル</h2></div></div></div><div class="para">
+ Linux カーネルの "リアルタイムパッチ "があり、それは高い優先度を要求するあるプロセスを、プロセッサが非平等にスケジュールするのを可能とします。"パッチ "という言葉は、これがほんの部分的なソリューションであるかのように聞こえますが、実のところは、この種の非平等なスケジューリングを可能とするプログラムコードは標準のカーネルには含まれていない事実を意味します。標準のカーネルコードは、このコードを "つぎあて "されないといけないのです。
+ </div><div class="para">
+ リアルタイムカーãƒãƒ«ã®ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆå‹•ä½œã¯ã€ã‚„ã¯ã‚Šã€"フェアã‚ューイング "をデフォルトã§ä½¿ã†ã¨ã„ã†ã‚‚ã®ã§ã™ã€‚ã“ã‚Œã¯ã€ã»ã¨ã‚“ã©ã®ãƒ—ãƒã‚»ã‚¹ã¯ä¸€è²«ã—ãŸä½Žé…延を必è¦ã¨ã—ãªã„ã®ã§ã€ã‚ˆã„ã“ã¨ã§ã™ã€‚特別ãªãƒ—ãƒã‚»ã‚¹ã ã‘ãŒã€é«˜å„ªå…ˆåº¦ã®ã‚¹ã‚±ã‚¸ãƒ¥ãƒ¼ãƒªãƒ³ã‚°ã‚’è¦æ±‚ã™ã‚‹ã‚ˆã†ã«è¨è¨ˆã•ã‚Œã¾ã™ã€‚å„プãƒã‚»ã‚¹ã¯å„ªå…ˆåº¦ç•ªå·ã‚’与ãˆã‚‰ã‚Œã€ï¼ˆã‚ã‚‹ã„ã¯è¦æ±‚ã—ã€ï¼‰ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ カーãƒãƒ«ã¯å¸¸ã«ãƒ—ãƒã‚»ãƒƒã‚µæ™‚間を最も高ã„優先度番å·ã‚’æŒã¤ãƒ—ãƒã‚»ã‚¹ã«ä¸Žãˆã¾ã™ã€‚ãã®ãƒ—ãƒã‚»ã‚¹ãŒã€<span class="emphasis"><em> ã™ã¹ã¦ã® </em></span> プãƒã‚»ãƒƒã‚µæ™‚間を使ã„å°½ãã™ã¨ã—ã¦ã‚‚ã§ã™ã€‚ã“ã‚Œã¯ã€é€šå¸¸ã®ã‚¢ãƒ—リケーションã«ä¸åˆ©ã«ãªã‚Šã¾ã™ã€‚高優先度ã®ãƒ—ãƒã‚»ã‚¹ãŒèµ°ã£ã¦ã„る時ã¯ã€æ®‹ã‚Šã®ã‚·ã‚¹ãƒ†ãƒ ã¯æ£ã—ã動作ã™ã‚‹ã“ã¨ãŒã§ããªã„ã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚極端ãªï¼ˆãã—ã¦ã¨ã¦ã‚‚ã¾ã‚Œã
ªï¼ï¼‰å ´åˆã€ãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ プãƒã‚»ã‚¹ãŒã‚¨ãƒ©ãƒ¼ã«ãªã£ã¦ã€ã™ã¹ã¦ã®ãƒ—ãƒã‚»ãƒƒã‚µæ™‚間を使ã„å°½ãã—ã¦ã€ä»–ã®ãƒ—ãƒã‚»ã‚¹ãŒèµ°ã‚‹ã®ã‚’ç¦æ¢ã™ã‚‹ã€ã¤ã¾ã‚Šã‚ãªãŸã‚’コンピュータã‹ã‚‰ãƒãƒƒã‚¯ã‚¢ã‚¦ãƒˆã™ã‚‹ã“ã¨ãŒã‚ã‚Šã¾ã™ã€‚ã“ã‚“ãªã“ã¨ãŒèµ·ããªã„よã†ã«é˜²æ¢æŽªç½®ãŒã¨ã‚‰ã‚Œã¦ã„ã¾ã™ãŒã€ã‚ˆãã‚るよã†ã«ã€ä¿è¨¼ã¯ã‚ã‚Šã¾ã›ã‚“。ã‚ãªãŸãŒãƒªã‚¢ãƒ«ã‚¿ã‚¤ãƒ カーãƒãƒ«ã‚’使ã†ã¨ãã€ã‚ãªãŸã¯ã‚·ã‚¹ãƒ†ãƒ クラッシュã®ã‚ˆã‚Šé«˜ã„å±é™ºã«è‡ªã‚‰ã‚’ã•ã‚‰ã—ã¦ã„ã‚‹ã®ã§ã™ã€‚
+ </div><div class="para">
+ その理由から、リアルタイムカーネルは、サーバとして動作するコンピュータでは使うべきでありません。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Processor_Scheduling.html"><strong>戻る</strong>3.2. プロセッサスケジューリング</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Hard_and_Soft_Real_Time.html"><strong>次へ</strong>3.4. ハードとソフトリアルタイム</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Record_Mix_Master_More_Info.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Record_Mix_Master_More_Info.html
new file mode 100644
index 0000000..a9a4012
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Record_Mix_Master_More_Info.html
@@ -0,0 +1,20 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.2.4. 参考</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Stages_of_Recording.html" title="6.2. 録音のステージ" /><link rel="prev" href="sect-Musicians_Guide-Mastering.html" title="6.2.3. マスタリング" /><link rel="next" href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html" title="6.3. インタフェース用語" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musician
s_Guide-Mastering.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Record_Mix_Master_More_Info"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Record_Mix_Master_More_Info">6.2.4. 参考</h3></div></div></div><div class="para">
+ 録音、ミキシング、そしてマスタリングを成功させる技術を習得するには、経験と実践が必要です.これらの手続きについてのこれ以上の情報は、以下のウエブページをはじめとして、いろいろなところで得られます：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://www.64studio.com/howto-mastering">http://www.64studio.com/howto-mastering</a> で利用可能な、<em class="citetitle">Mastering Your Final Mix (64studio)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Audio_mixing_%28recorded_music%29">http://en.wikipedia.org/wiki/Audio_mixing_%28recorded_music%29</a> で利用可能な<em class="citetitle">Audio Mixing (Wikipedia)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Multitrack_recording">http://en.wikipedia.org/wiki/Multitrack_recording</a> で利用可能な<em class="citetitle">Multitrack Recording (Wikipedia)</em>。
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Mastering.html"><strong>戻る</strong>6.2.3. マスタリング</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html"><strong>次へ</strong>6.3. インタフェース用語</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Region_Clip_Segment.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Region_Clip_Segment.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Region_Clip_Segment.html
@@ -0,0 +1,24 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.3.3. リージョン、クリップ、あるいはセグメント</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html" title="6.3. インタフェース用語" /><link rel="prev" href="sect-Musicians_Guide-Track_and_Multitrack.html" title="6.3.2. トラックとマルチトラック" /><link rel="next" href="sect-Musicians_Guide-Transport_and_Playhead.html" title="6.3.4. トランスポートと再生ヘッド" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li c
lass="previous"><a accesskey="p" href="sect-Musicians_Guide-Track_and_Multitrack.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Transport_and_Playhead.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Region_Clip_Segment"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Region_Clip_Segment">6.3.3. リージョン、クリップ、あるいはセグメント</h3></div></div></div><div class="para">
+ リージョン、クリップそしてセグメントは、同義語です：異なるソフトウエアは同じものを示すのに異なる用語を使います.<em class="firstterm">リージョン</em> (あるいは <em class="firstterm">クリップ</em> あるいは<em class="firstterm">セグメント</em>)は、１つのテイクの中で１つのトラックに録音されたオーディオの部分のことです。リージョンは、DAW のメインのインタフェースウインドウで、通常は色がついた四角形で表現されます。そして、ただ１つのトラックに含まれます。オーディオ信号データを持つリージョンは普通、そのデータの周波数分布グラフが表示されます。MIDI信号データを持つリージョンは普通、そのデータのマトリクス表示がされます。
+ </div><div class="para">
+ ミュージシャンのガイドの３つの DAW アプリケーションについていえば：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="application"><strong>Ardour</strong></span> はそれを"リージョン"と呼び、
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Qtractor</strong></span> はそれを"クリップ"と呼び、そして、
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> はそれを"セグメント"と呼びます。
+ </div></li></ul></div>
+
+ </div><div class="figure" id="ardour_region"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-Region.png" width="444" alt="Ardour のリージョン" /><div class="longdesc"><div class="para">
+ Ardour のリージョン
+ </div></div></div></div><h6>図6.3 Ardour のリージョン</h6></div><br class="figure-break" /></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Track_and_Multitrack.html"><strong>戻る</strong>6.3.2. トラックとマルチトラック</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Transport_and_Playhead.html"><strong>次へ</strong>6.3.4. トランスポートと再生ヘッド</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>9.2.2. Rosegarden の設定</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Rosegarden-Configuration.html" title="9.2. 構成" /><link rel="prev" href="sect-Musicians_Guide-Rosegarden-Configuration.html" title="9.2. 構成" /><link rel="next" href="sect-Musicians_Guide-Rosegarden_and_LilyPond.html" title="9.3. Rosegarden と LilyPond" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosega
rden-Configuration.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden_and_LilyPond.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden">9.2.2. <span class="application"><strong>Rosegarden</strong></span> の設定</h3></div></div></div><div class="para">
+ <a class="xref" href="sect-Musicians_Guide-Rosegarden-Configuration.html#sect-Musicians_Guide-Rosegarden-Configuration-JACK_and_Qsynth">「<span class="application"><strong>JACK</strong></span> と <span class="application"><strong>FluidSynth</strong></span> (<span class="application"><strong>Qsynth</strong></span>) をセットアップ」</a> の指示に従って、 <span class="application"><strong>JACK</strong></span> と <span class="application"><strong>Qsynth</strong></span> をセットアップします。次に、以下の指示に従って <span class="application"><strong>Rosegarden</strong></span> を <span class="application"><strong>JACK</strong></span> と <span class="application"><strong>Qsynth</strong></span> に接続します。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> のメニューから、<span class="guimenu"><strong>編集</strong></span> → <span class="guimenuitem"><strong>設定</strong></span>を選択します。
+ </div></li><li class="step"><div class="para">
+ "一般 "を必要に応じて設定してください。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> が、<span class="application"><strong>QjackCtl</strong></span> に示されるトランスポートからの命令に従うのが望ましい場合、"振る舞い " タブで、 "<span class="application"><strong>JACK</strong></span> トランスポートを使用 "を選択します。
+ </div></li><li class="listitem"><div class="para">
+ あなたが <span class="application"><strong>KDE</strong></span> を使っていないならば、"外部アプリケーション " タブで、あなたのコンピュータにインストールされているものにあうようにこれらを変更するのがよいでしょう。
+ </div></li></ul></div>
+
+ </div></li><li class="step"><div class="para">
+ "MIDI" の設定を必要に応じて行ってください。"MIDI 同期" タブについては：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ もし、<span class="application"><strong>Rosegarden</strong></span> が他のすべての MIDI 機器をコントロールするならば、"MIDI クロック、スタート、ストップを送信 " を選択します。
+ </div></li><li class="listitem"><div class="para">
+ もし、<span class="application"><strong>Rosegarden</strong></span> が他の MIDI 機器からの制御信号に従うならば、"スタート、ストップ、コンティニューを許可 " を選択します。
+ </div></li><li class="listitem"><div class="para">
+ どちらのオプションを選べばいいかわからないときは、"Off" にしましょう。
+ </div></li></ul></div>
+
+ </div></li><li class="step"><div class="para">
+ "オーディオ "の設定を必要に応じて行ってください。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ プレビュースケールは、<span class="application"><strong>Rosegarden</strong></span> での表示を変更しますが、オーディオに影響を与えません。
+ </div></li><li class="listitem"><div class="para">
+ あなたのコンピュータで、<span class="application"><strong>Rosegarden</strong></span>が遅く感じるようなら、音質を３２ビットから１６ビットにしてください。ただし、オーディオの質が低下するので、その必要がないならば１６ビット音質は使わないことをおすすめします。
+ </div></li><li class="listitem"><div class="para">
+ デフォルトの選択(<span class="application"><strong>Audacity</strong></span>)を使いたくないときは、他の外部エディタを選択して下さい。
+ </div></li></ul></div>
+
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Configuration.html"><strong>戻る</strong>9.2. 構成</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden_and_LilyPond.html"><strong>次へ</strong>9.3. Rosegarden と LilyPond</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Configuration.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Configuration.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Configuration.html
@@ -0,0 +1,66 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>9.2. 構成</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Rosegarden.html" title="第9章 Rosegarden" /><link rel="prev" href="chap-Musicians_Guide-Rosegarden.html" title="第9章 Rosegarden" /><link rel="next" href="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden.html" title="9.2.2. Rosegarden の設定" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Rosegarde
n.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Rosegarden-Configuration"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Rosegarden-Configuration">9.2. 構成</h2></div></div></div><div class="section" id="sect-Musicians_Guide-Rosegarden-Configuration-JACK_and_Qsynth"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Configuration-JACK_and_Qsynth">9.2.1. <span class="application"><strong>JACK</strong></span> と <span class="application"><strong>FluidSynth</strong></span> (<span class="application"><strong>Qsynth</strong></span>) をセットアップ</h3></div></div></div><div class="para">
+ 以下の指示に従って、 <span class="application"><strong>JACK</strong></span> と <span class="application"><strong>Qsynth</strong></span> をセットアップします。そして、 <a class="xref" href="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden.html">「<span class="application"><strong>Rosegarden</strong></span> の設定」</a> の指示に従って、 <span class="application"><strong>Rosegarden</strong></span> を <span class="application"><strong>JACK</strong></span> と <span class="application"><strong>Qsynth</strong></span> に接続します。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>JACK</strong></span> をコントロールするために、<span class="application"><strong>QjackCtl</strong></span> を開始してください。
+ </div></li><li class="step"><div class="para">
+ FluidSynth をコントロールするために、<span class="application"><strong>Qsynth</strong></span> を開始してください。<span class="application"><strong>FluidSynth</strong></span> は自動的に開始します。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> を開始します。
+ </div></li><li class="step"><div class="para">
+ "alsa_seq" MIDI Driver を使うように <span class="application"><strong>Qsynth</strong></span> を 設定します。<a class="xref" href="sect-Musicians_Guide-FluidSynth-Configuring-MIDI_Input.html">「MIDI 入力を設定する」</a> を参照してください。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> で使いたいもの以外のすべての <span class="application"><strong>JACK</strong></span> 接続を切断するのがよいでしょう。 <span class="application"><strong>QjackCtl</strong></span> の "Connect"ウインドウを使って、以下を設定して下さい：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 「オーディオ」タブ：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="application"><strong>Qsynth</strong></span> の出力ポートは "system" 入力ポートにつながっています。もしあなたが、<span class="application"><strong>Rosegarden</strong></span> で MIDI だけを使い, オーディオを使わないなら、"Audio" タブの接続はこれで十分です。
+ </div></li><li class="listitem"><div class="para">
+ もしあなたが、<span class="application"><strong>Rosegarden</strong></span> でオーディオを使うなら、 "master out" ポートを "system" 入力ポートにつないで下さい。
+ </div></li><li class="listitem"><div class="para">
+ そして、"record monitor" ポートを "system" 入力ポートにつなぎます。
+ </div></li><li class="listitem"><div class="para">
+ さらに、入力ポートを "system" 出力ポートにつなぎます。<span class="application"><strong>Rosegarden</strong></span> は、２つのチャネル ("L" が左 "R" が右 ) を持つ、２つの独立したソース、("1" と "2") から録音して、ステレオ録音を作成することができることに注意下さい。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 「 MIDI 」タブ：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ なにもありません。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 「 ALSA 」タブ：
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> の出力ポートを "FLUID synth" の入力ポートに接続します。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 1:sync out (MIDI コントロールメッセージを送る )
+ </div></li><li class="listitem"><div class="para">
+ 2:external controller ( セッションの最初の MIDI 機器のセットのため )
+ </div></li><li class="listitem"><div class="para">
+ 3:out 2 - General MIDI Device ( セッションの２つめの MIDI 機器のセットのため )
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> が、他の MIDI デバイスからのコマンドを受け付けることができるようにするには、<span class="application"><strong>Rosegarden</strong></span> の入力ポートを他のデバイスの出力ポートにつなぎます。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 0:record in
+ </div></li><li class="listitem"><div class="para">
+ 2:external controller
+ </div></li></ul></div>
+
+ </div></li></ol></div>
+
+ </div></li></ul></div>
+
+ </div></li></ol></div><div class="para">
+ すべてのポートは、接続が必要となるまで、切断しておくことをおすすめします。余分な接続があると、誤って信号を送って、期待されない結果になることがあります。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Rosegarden.html"><strong>戻る</strong>第9章 Rosegarden</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden.html"><strong>次へ</strong>9.2.2. Rosegarden の設定</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Tutorial-Melody.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Tutorial-Melody.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Tutorial-Melody.html
@@ -0,0 +1,39 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>9.4.4. メロディを追加する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Rosegarden-Tutorial.html" title="9.4. Rosegarden で、作曲する。（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion.html" title="9.4.3. パーカッションをスパイスアップ" /><link rel="next" href="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue.html" title="9.4.5. 先に進むいくつかの方法" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_rig
ht.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Rosegarden-Tutorial-Melody"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Tutorial-Melody">9.4.4. メロディを追加する</h3></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 3 番目のトラックの名前を "メロディー "、またはそのようなものに変更します。
+ </div></li><li class="listitem"><div class="para">
+ トラックのプログラムを変更します。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ メインの編集ウィンドウの左側にある "特別パラメータ "ツールボックスの "インストゥルメントパラメータ "ボックスを見てください。
+ </div></li><li class="listitem"><div class="para">
+ "メロディー "トラックが選択されていることを確認してください。
+ </div></li><li class="listitem"><div class="para">
+ "標準 MIDI"バンクを選択してください。おそらく既に選択されていることでしょう。
+ </div></li><li class="listitem"><div class="para">
+ プログラムに、どれでもお好みのものを選択してください。 私は "シンセストリングス 1"と呼ばれるプログラム 51 を使用することにします。これは、1980 年代の音楽を思い出させます。
+ </div></li><li class="listitem"><div class="para">
+ プログラムを設定した後、トランスポートツールバーの'再生'を押して、1 秒ほど演奏します。 これにより <span class="application"><strong>Rosegarden</strong></span> は FluidSynth に、プログラムチェンジメッセージを送信することができます。これは、厳密には必要ではありません。そして、後でいずれにせよ行われます。しかし、今やっておくと、後の混乱を避けるために役立ちます。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ "メロディー "トラックに 4 小節の長さのセグメントを作成するために "選択と編集 "ツールを使います。
+ </div></li><li class="listitem"><div class="para">
+ ダブルクリックしてデフォルトのエディタでセグメントを編集します。
+ </div></li><li class="listitem"><div class="para">
+ 4 小節のメロディを作成ください。 それは複雑である必要はありません。とりあえず、面白くなくてもよいです。
+ </div></li><li class="listitem"><div class="para">
+ 楽譜エディタを終了し、3 つのトラックを聞いてみましょう。 セッションの先頭に再生ヘッドをリセットすることを忘れないでください！
+ </div></li><li class="listitem"><div class="para">
+ メロディーが一番最初から入るのは少し変に聞こえるので、イントロを追加しましょう。"選択と編集 "ツールを使って、（これを行うには、キーボード上の'F2'を押します）メロディセグメントを、クリック、ドラッグして数小節あるいは数拍、後にずらします。 それが、2、3 または 4 拍目で開始するように移動しても、楽譜エディタのビューでは、常にセグメントは 1 拍目で開始することに注意ください。
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion.html"><strong>戻る</strong>9.4.3. パーカッションをスパイスアップ</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue.html"><strong>次へ</strong>9.4.5. 先に進むいくつかの方法</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track.html
@@ -0,0 +1,36 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>9.4.2. パーカッショントラックを追加</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Rosegarden-Tutorial.html" title="9.4. Rosegarden で、作曲する。（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Rosegarden-Tutorial.html" title="9.4. Rosegarden で、作曲する。（チュートリアル）" /><link rel="next" href="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion.html" title="9.4.3. パーカッションをスパイスアップ" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/im
age_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Tutorial.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track">9.4.2. パーカッショントラックを追加</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ 次のトラックを選択し、"パーカッション "（またはお望みなら他の何か）に名前を変更します。
+ </div></li><li class="step"><div class="para">
+ エディタウィンドウの左側の、ツールボックスの、"インストゥルメントパラメタ"の部分で、"パーカッション"チェックボックスをチェックしてください。"インストゥルメントパラメタ"パネルが見えないときは、メニューから<span class="guimenu"><strong>表示</strong></span> → <span class="guimenuitem"><strong>特別パラメータの表示</strong></span>を選択ください。
+ </div></li><li class="step"><div class="para">
+ トランスポートで<span class="guibutton"><strong>再生</strong></span>を1 秒だけ選択し、そして止めます。 <span class="application"><strong>Rosegarden</strong></span> は、<span class="application"><strong>FluidSynth</strong></span>と、楽器の再割り当てを同期します。
+ </div></li><li class="step"><div class="para">
+ キーボードの<span class="keycap"><strong>F3</strong></span>を押す、または鉛筆のように見える "描画 "ツールをクリックしてください。
+ </div></li><li class="step"><div class="para">
+ 2 番目のトラックに 1 小節のセグメントを作成し、それを右クリックし、<span class="guimenuitem"><strong>パーカッションマトリックスエディタで開く</strong></span>を選択します。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ パーカッションマトリックスエディタは、マトリックスエディタに似ていますが、各音程のかわりに、それが鳴らす楽器のラベルがついています。
+ </div></li><li class="listitem"><div class="para">
+ さまざまな楽器と音程を実験して、各小節で繰り返す四分音符のパターンを探してください。
+ </div></li><li class="listitem"><div class="para">
+ パターンを入れ終わったら、エディタを閉じます。
+ </div></li></ol></div>
+
+ </div></li><li class="step"><div class="para">
+ 新しく作成されたパーカッションのセグメントを選択して、 メニューから <span class="guimenu"><strong>編集</strong></span> → <span class="guimenuitem"><strong>コピー</strong></span>を選択してください。
+ </div></li><li class="step"><div class="para">
+ 最初の小節の最後にトランスポートの再生ヘッドを移動します。 まず、それを先頭に移動します。次に "早送り "を押すと最初の小節の最後に移動します。
+ </div></li><li class="step"><div class="para">
+ ２番目のトラックがまだ選択されていることを確認してください。
+ </div></li><li class="step"><div class="para">
+ メニューから、<span class="guimenu"><strong>編集</strong></span> → <span class="guimenuitem"><strong>貼り付け</strong></span>を何回か選択して、パーカッショントラックがベースラインと同じスペースを占めるようにします。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Tutorial.html"><strong>戻る</strong>9.4. Rosegarden で、作曲する。（チュートリアル）</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion.html"><strong>次へ</strong>9.4.3. パーカッションをスパイスアップ</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion.html
@@ -0,0 +1,37 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>9.4.3. パーカッションをスパイスアップ</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Rosegarden-Tutorial.html" title="9.4. Rosegarden で、作曲する。（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track.html" title="9.4.2. パーカッショントラックを追加" /><link rel="next" href="sect-Musicians_Guide-Rosegarden-Tutorial-Melody.html" title="9.4.4. メロディを追加する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation
Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Tutorial-Melody.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Tutorial-Spice_up_the_Percussion">9.4.3. パーカッションをスパイスアップ</h3></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ ４つの四分音符は、十分な長さのパーカッションの伴奏ではありません。もっと面白くしましょう。
+ </div></li><li class="listitem"><div class="para">
+ 最初のパーカッションのセグメントをダブルクリックして、標準的な楽譜エディタで開きます。
+ </div></li><li class="listitem"><div class="para">
+ メニューから '編集 > すべてのセグメントを選択'を選択します。
+ </div></li><li class="listitem"><div class="para">
+ 次に、メニューから'調整 > 音符 > 8 分音符'を選択します。
+ </div></li><li class="listitem"><div class="para">
+ これは、音符を圧縮してしまいました。望むものではありません。'編集 > アンドゥ'で変更を元に戻してください。
+ </div></li><li class="listitem"><div class="para">
+ 全体が選択されていることをもういちど確認してください。
+ </div></li><li class="listitem"><div class="para">
+ メニューから'調整 > 音符 > 8 分音符（デュレーション変更なし）'を選択します。
+ </div></li><li class="listitem"><div class="para">
+ 今オリジナルのリズムの間に 8 分休符があります。お望みなら、休符のあるところにオフビートのアクセントを加えることもできます。あなたは、パーカッションマトリクスエディタに切り替えることができますが、今の楽譜エディタを使用し続けることもできます - どの音程がどの楽器を表すか推測するのは面白いかもしれません。
+ </div></li><li class="listitem"><div class="para">
+ 今、あなたは変更をしたので、すべてのコピーを削除し、再度コピーする必要があります。そのかわりに、よりよい方法を使いますが、それでもセグメントのコピーをすべて削除することから始める必要があります。最初のを残すことを忘れないでください！
+ </div></li><li class="listitem"><div class="para">
+ 最初以外のすべてのセグメントを削除した後、左側のツールボックスの "セグメントのパラメータ "ボックスから、"繰り返し "チェックボックスをチェックします。
+ </div></li><li class="listitem"><div class="para">
+ 今セグメントは永遠に繰り返されます。 これは、便利ですが、いずれは、曲を停止したいと思うでしょう。 繰り返しをコピーに変更するには、メニュー'セグメント > Turn Repeats Into Copies'を選択します。
+ </div></li><li class="listitem"><div class="para">
+ 最初のトラックも、繰り替えされるように調整します。
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track.html"><strong>戻る</strong>9.4.2. パーカッショントラックを追加</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Tutorial-Melody.html"><strong>次へ</strong>9.4.4. メロディを追加する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue.html
@@ -0,0 +1,23 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>9.4.5. 先に進むいくつかの方法</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Rosegarden-Tutorial.html" title="9.4. Rosegarden で、作曲する。（チュートリアル）" /><link rel="prev" href="sect-Musicians_Guide-Rosegarden-Tutorial-Melody.html" title="9.4.4. メロディを追加する" /><link rel="next" href="chap-Musicians_Guide-FluidSynth.html" title="第10章 FluidSynth" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"
><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Tutorial-Melody.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-FluidSynth.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Tutorial-Ways_to_Continue">9.4.5. 先に進むいくつかの方法</h3></div></div></div><div class="para">
+ あなたは完全な MIDI 作曲への途上にいます。 必要なのは続けるためのいくらかのインスピレーション、より高度な機能やツールを試そうといういくらかの意志です。 あなたが、進む方法がわからない場合は、これらのことを試してください。注意：あなたは始めたばかりなので、あなたの最初の曲は、面白いとか、特に良い必要はありません。MIDI の作曲ツールを使用する方法を学んだら、自然にそれでより良い音楽を作成する方法を学ぶことでしょう！
+ </div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ シンプルな三形式（ ABA ）を作りましょう：あなたはすでに（ "A"と呼ばれる）最初の部分を作成しています。変化させて、（ "B"と呼ばれる）第 2 の別の部分を作りましょう。さらに変化させて、最初の部分を繰り返してください。 それは長くする必要はありませんが、そうしてもよいです。
+ </div></li><li class="listitem"><div class="para">
+ "バリエーション "フォームを作成します：すでに作成した部分を数回繰り返してください。ただし、それはわずかに毎回異なるようにします。それを変更するいくつかの異なる方法を試してください：今のものと一緒に流れる別のメロディを追加します。既存のメロディに別の音符を追加します。パーカッショントラックを変更します。新しいベースラインを書きます。メロディーを引き伸ばし、2 倍の時間がかかるようにします。そして、これらの組み合わせ。 既存のセクションのバリエーションを作るのは、より多くの時間がかかるようにすることの一般的な方法です。
+ </div></li><li class="listitem"><div class="para">
+ 自分の直感に従ってより多くの音楽を追加して、既存の素材の拡張バージョンを作成します。
+ </div></li><li class="listitem"><div class="para">
+ ベースラインとパーカッションのセグメントを繰り返すところに別のメロディーを作成するかわりに、 何度もメロディーを繰り返し、新しいベースラインとパーカッションのセグメントを作ってみてください。
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Tutorial-Melody.html"><strong>戻る</strong>9.4.4. メロディを追加する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-FluidSynth.html"><strong>次へ</strong>第10章 FluidSynth</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Tutorial.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Tutorial.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden-Tutorial.html
@@ -0,0 +1,65 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>9.4. Rosegarden で、作曲する。（チュートリアル）</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Rosegarden.html" title="第9章 Rosegarden" /><link rel="prev" href="sect-Musicians_Guide-Rosegarden_and_LilyPond.html" title="9.3. Rosegarden と LilyPond" /><link rel="next" href="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track.html" title="9.4.2. パーカッショントラックを追加" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a acce
sskey="p" href="sect-Musicians_Guide-Rosegarden_and_LilyPond.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Rosegarden-Tutorial"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Rosegarden-Tutorial">9.4. <span class="application"><strong>Rosegarden</strong></span> で、作曲する。（チュートリアル）</h2></div></div></div><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> の楽譜エディタは誤って、必要以上に長く音を鳴らすことがあります。その時は、<span class="application"><strong>Qsynth</strong></span> の <span class="guibutton"><strong>panic</strong></span> ボタンを押せばなおりなす。<span class="guibutton"><strong>panic</strong></span> ボタンは、他のシンセサイザにもあると思います。
+ </div><div class="section" id="sect-Musicians_Guide-Rosegarden-Tutorial-Bass_Line"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Rosegarden-Tutorial-Bass_Line">9.4.1. 楽譜をベースラインから始める</h3></div></div></div><div class="para">
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span>、<span class="application"><strong>Qsynth</strong></span> そして <span class="application"><strong>Rosegarden</strong></span> の順に、開始してください。
+ </div></li><li class="listitem"><div class="para">
+ このチュートリアルでは、デフォルトの "Fluid R3"サウンドフォントを使いますが、あなたは任意の汎用 MIDI サウンドフォントを使用することができます。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>JACK</strong></span> で、<span class="application"><strong>Rosegarden</strong></span> を、MIDI だけを使うようにセットアップします。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> のメニューから、<span class="guimenu"><strong>編集</strong></span> → <span class="guimenuitem"><strong>設定</strong></span> を選択します。 "MIDI"タブ、次に'一般'タブをクリックして "おのおのの再生開始時にすべての MIDI コントローラに送ります "を選択します。 これは、シンセサイザ（このチュートリアルの場合 <span class="application"><strong>FluidSynth</strong></span> ）が正しいパッチ（訳注：楽器）を使用することを保証します。
+ </div></li><li class="listitem"><div class="para">
+ 新しいセグメントを作成します。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ ツールバー上の "描画 "ツール（これは赤鉛筆のように見えます）をクリックするか、またはキーボードで'F3'を押してください。
+ </div></li><li class="listitem"><div class="para">
+ 最初のトラックで、最初の 2 小節の領域をクリック、ドラッグして選択します。
+ </div></li><li class="listitem"><div class="para">
+ マウスボタンを離すと、"アコースティックグランドピアノ "、または似たようなことが書かれた四角形があるはずです。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ 四角形をダブルクリックして、デフォルトの MIDI セグメントエディタを開きます。 それは、楽譜エディタのはずです。
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ 音部記号を変更してください。 エディタウィンドウの左側にあるツールバーの低音部記号をクリックしてください。次に、それを置き換えるために、既存の記号をクリックしてください。
+ </div></li><li class="listitem"><div class="para">
+ 必要に応じて音符入力ツールへ切り替えてください。 それらは楽譜エディタウィンドウの左側にあるツールバーの、音部記号ツールの隣にあります。
+ </div></li><li class="listitem"><div class="para">
+ 3 つの C の四分音符、C と G の 2 つの八分音符、2 つの E フラットの四分音符、および D, F, D, G の 4 つの八分音符を入力してください。
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ おそらく、いくつかのミスをするでしょう。 間違いを修正する最も簡単な方法は、音符を消して正しく再入力することです。 これには消しゴムツールを使用します。 それは、楽譜編集ウィンドウの上部のツールバーにあります。大文字の "T"の左、赤鉛筆の右にあります。普通の白い消しゴムを表す赤と白の長方形のように見えます。
+ </div></li><li class="listitem"><div class="para">
+ トランスポートウィンドウで'再生'ボタンをクリックして、あなたの作品を聞いてください。 あなたが停止するまで再生ヘッドは停止しません。目に見える再生ヘッド（縦線）は停止しますが。
+ </div></li><li class="listitem"><div class="para">
+ 楽譜エディタを閉じてください。'保存'ボタンをクリックする必要はありません。<span class="application"><strong>Rosegarden</strong></span> はあなたの変更を自動的に記憶しています。
+ </div></li><li class="listitem"><div class="para">
+ なお、あなたはファイルを保存する必要があります。訳注：エディタを閉じても変更された楽譜は演奏されるが、プログラムを終了する時には保存しないと変更は失われる、ということか。
+ </div></li><li class="listitem"><div class="para">
+ ツールバー上のマウスカーソルのように見える "選択と編集 "ツールをクリックします。 または、キーボード上の'F2'ボタンを押して、そのツールを選択することができます。
+ </div></li><li class="listitem"><div class="para">
+ あなたが今作成したセグメントをクリックして選択してください。
+ </div></li><li class="listitem"><div class="para">
+ それのコピーを作成します。キーボードの'Ctrl'キーを押しながら、セグメントをクリック、ドラッグしてください。
+ </div></li><li class="listitem"><div class="para">
+ 最初のセグメントの直後に、同じトラック内でコピーを配置します。
+ </div></li><li class="listitem"><div class="para">
+ このように、さらにいくつかのコピーを作成します。
+ </div></li><li class="listitem"><div class="para">
+ 先頭に再生ヘッドを移動するためにトランスポートを使用してください。（縦棒と、それを指す矢印のようなボタンをクリックしてください）
+ </div></li><li class="listitem"><div class="para">
+ 名前をダブルクリックして新しく作成されたトラックに名前を付けます。トラック名を変更できるように、 ウィンドウがポップアップ表示されます。 あなたがそれをどう呼ぶかわからない場合は、"ベースライン "とでもしましょう。
+ </div></li></ol></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden_and_LilyPond.html"><strong>戻る</strong>9.3. Rosegarden と LilyPond</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Tutorial-Percussion_Track.html"><strong>次へ</strong>9.4.2. パーカッショントラックを追加</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden_and_LilyPond.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden_and_LilyPond.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Rosegarden_and_LilyPond.html
@@ -0,0 +1,22 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>9.3. Rosegarden と LilyPond</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Rosegarden.html" title="第9章 Rosegarden" /><link rel="prev" href="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden.html" title="9.2.2. Rosegarden の設定" /><link rel="next" href="sect-Musicians_Guide-Rosegarden-Tutorial.html" title="9.4. Rosegarden で、作曲する。（チュートリアル）" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous
"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Tutorial.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Rosegarden_and_LilyPond"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Rosegarden_and_LilyPond">9.3. <span class="application"><strong>Rosegarden</strong></span> と LilyPond</h2></div></div></div><div class="para">
+ <span class="application"><strong>Rosegarden</strong></span> と LilyPond はいっしょに使うことができ、あなたの生産性をおおいに上げることができます。あなたが "score" セクションに "midi"セクションを入れると、LilyPond は MIDI フォーマットのあなたの楽譜を出力します。それは、こんな風に見えるはずです：
+<pre class="programlisting">
+\score
+{
+ ...
+ \midi { }
+}
+</pre>
+ この MIDI ファイルは、次に、'ファイル > インポート > MIDI ファイルをインポート'メニューから選択することで、<span class="application"><strong>Rosegarden</strong></span> にインポートすることができます。残念なことに、これは現在のセッションを消してしまうので、一度しかできません。
+ </div><div class="para">
+ また、MIDI トラックを LilyPond フォーマットでエクスポートし、それをさらに編集したり、あるいは単純に楽譜にすることもできます。これをするためには、メニューから'ファイル > エクスポート > LilyPond ファイルのエクスポート'を選択します . あなたがファイルをセーブする場所を選択した後、 <span class="application"><strong>Rosegarden</strong></span> は、エクスポートの際にあなたが楽譜の設定を調整することを可能とします。LilyPond ファイルをエクスポートした後、それが正しいと信じる前に、あなたはそれを Frescobaldi でよく調べた方がよいでしょう。コンピュータはときどき間違いをします！
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Rosegarden-Configuration-Rosegarden.html"><strong>戻る</strong>9.2.2. Rosegarden の設定</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Rosegarden-Tutorial.html"><strong>次へ</strong>9.4. Rosegarden で、作曲する。（チュートリアル）</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Example.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Example.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Example.html
@@ -0,0 +1,99 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.11.5. Using Busses: Audio-Rate Example</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html" title="11.3.11. Busses" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Special_Note.html" title="11.3.11.4.3. Special Note about Control-Rate Busses" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html" title="11.3.12. Ordering and Other Synth Features" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" al
t="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Special_Note.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Example"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Example">11.3.11.5. Using Busses: Audio-Rate Example</h4></div></div></div><div class="para">
+
+<pre class="programlisting">
+(
+ var tutorialDecayPink =
+ {
+ arg outBus = 0, effectBus,
+ direct = 0.5; // controls proportion of "direct" / "processed" sound
+ var source;
+
+ // Decaying pulses of PinkNoise.
+ source = Decay2.ar( in:Impulse.ar( freq:1, phase:0.25 ),
+ attackTime:0.01,
+ decayTime:0.2,
+ mul:PinkNoise.ar
+ );
+
+ Out.ar( outBus, (source*direct) ); // main output
+ Out.ar( effectBus, (source*(1-direct)) ); // effects output
+ };
+
+ var tutorialDecaySine =
+ {
+ arg outBus = 0, effectBus,
+ direct = 0.5; // controls proportion of "direct" / "processed" sound
+ var source;
+
+ // Decaying pulses of a modulating Sine wave.
+ source = Decay2.ar( in:Impulse.ar( freq:0.3, phase: 0.25),
+ attackTime:0.3,
+ decayTime:1,
+ mul:SinOsc.ar( freq:SinOsc.kr( freq:0.2, mul:110, add:440) )
+ );
+
+ Out.ar(outBus, (source*direct) ); // main output
+ Out.ar(effectBus, (source*(1-direct)) ); // effects output
+ };
+
+ var tutorialReverb =
+ {
+ arg outBus = 0, inBus; // default outBus is audio interface
+ var input;
+
+ input = In.ar( inBus, 1 );
+
+ 16.do( { input = AllpassC.ar( in:input,
+ maxdelaytime:0.04,
+ delaytime:{ Rand(0.001,0.04) }.dup,
+ decaytime:3
+ )
+ }
+ );
+
+ Out.ar( outBus, input );
+ };
+
+ // send synthesis information to the server
+ SynthDef( \tutorialReverb, tutorialReverb ).send( s );
+ SynthDef( \tutorialDecayPink, tutorialDecayPink ).send( s );
+ SynthDef( \tutorialDecaySine, tutorialDecaySine ).send( s );
+
+ // reserve an effects Bus
+ b = Bus.audio( s );
+)
+
+(
+ x = Synth.new( \tutorialReverb, [\inBus, b] );
+ y = Synth.before( x, \tutorialDecayPink, [\effectBus, b] );
+ z = Synth.before( x, \tutorialDecaySine, [\effectBus, b, \outBus, 1] );
+)
+
+// Change the balance of "wet" to "dry"
+y.set( \direct, 1 ); // only direct PinkNoise
+z.set( \direct, 1 ); // only direct Sine wave
+y.set( \direct, 0 ); // only reverberated PinkNoise
+z.set( \direct, 0 ); // only reverberated Sine wave
+y.set( \direct, 0.5 ); // original PinkNoise
+z.set( \direct, 0.5 ); // original Sine wave
+
+( // commands to free each Object
+ x.free; x = nil;
+ y.free; y = nil;
+ z.free; z = nil;
+ b.free; b = nil;
+)
+</pre>
+
+ </div><div class="para">
+ I'm not going to explain this example as extensively as the previous one. It's definitely the most complex example so far. It's better if you figure out what the parts do by playing with them yourself. The bus works by routing audio from the <code class="literal">\tutorialDecayPink</code> and <code class="literal">\tutorialDecaySine</code> synths into the <code class="literal">\tutorialReverb</code> synth. The first two synths can be controlled to put all, none, or some of their signal into the bus (so that it goes through the <code class="literal">\tutorialReverb</code> synth), or straight out the audio interface (bypassing the <code class="literal">\tutorialReverb</code> synth). Notice that the <span class="emphasis"><em>same</em></span> effects processor is operating on two different input sources.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Special_Note.html"><strong>戻る</strong>11.3.11.4.3. Special Note about Control-Rate Buss...</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html"><strong>次へ</strong>11.3.12. Ordering and Other Synth Features</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Busses-Bus_Objects.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Busses-Bus_Objects.html
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@@ -0,0 +1,61 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.11.3. Bus Objects</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html" title="11.3.11. Busses" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Out_and_In_UGens.html" title="11.3.11.2. Out and In UGens" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example.html" title="11.3.11.4. Using Busses: Control-Rate Example" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><
ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Out_and_In_UGens.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Bus_Objects"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Bus_Objects">11.3.11.3. Bus Objects</h4></div></div></div><div class="para">
+ As SynthDef and Synth represent things stored on the server, the interpreter provides us with an instantiable "Bus" Class that represents the server's busses. In many programs that you write, you won't need to use a Bus Object - particularly when you're doing simple input and output with the automatically-reserved bus numbers. But, like the SynthDef and Synth Classes make it easier to deal with synthdefs and synths on the server (which are very difficult to deal with directly), the Bus Class makes it easier to deal with busses on the server, and provides some extra functionality to boot!
+ </div><div class="para">
+ The primary advantage of using Bus Objects is that you don't have to keep track of bus numbers, whether they're being used, and how mnany channels are being routed. For simple input and output of audio-rate signals, you're better off simply remembering the bus numbers
+ </div><div class="para">
+ The <code class="literal">new</code> message creates a new Bus object. This is the syntax: <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncBus.audio</strong>(</code><var class="pdparam">serverName</var>, <var class="pdparam">numberOfChannels</var><code>)</code>;</p></div> or <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncBus.control</strong>(</code><var class="pdparam">serverName</var>, <var class="pdparam">numberOfChannels</var><code>)</code>;</p></div> The interpreter takes "numberOfChannels" busses on the "serverName" server, and groups them together for multi-channel use in one Bus Object, which it returns to you. The "numberOfChannels" argument is optional; if you leave it out, the Bus Object will have only one bus, for single-channel signals. You should always assign the object to a variable, or else you have no way to use the bus later:
+<pre class="programlisting">var myBus = Bus.audio( s, 2 );</pre>
+
+ </div><div class="para">
+ The interpreter also keeps track of which bus numbers are used for which Bus Objects, so the signals will never get confused. Of course, you can still route signals through those bus numbers without using the Bus Object, but the Bus Class helps us to keep things straight.
+ </div><div class="para">
+ The following messages/functions can also be used with Bus Objects:
+ <div class="table"><h6>表11.5 Some Functions of the <code class="classname">Bus</code> Class</h6><div class="table-contents"><table summary="Some Functions of the Bus Class" border="1"><colgroup><col align="center" class="message" width="33%" /><col align="center" class="example" width="33%" /><col align="center" class="purpose" width="33%" /></colgroup><thead><tr><th align="center">
+ Message/Function
+ </th><th align="center">
+ Example
+ </th><th align="center">
+ Return Value
+ </th></tr></thead><tbody><tr><td align="center">
+ index
+ </td><td align="center">
+ <code class="code">b.index;</code>
+ </td><td align="center">
+ The lowest bus number used by this Bus object.
+ </td></tr><tr><td align="center">
+ numChannels
+ </td><td align="center">
+ <code class="code">b.numChannels;</code>
+ </td><td align="center">
+ The number of busses used by this Bus object.
+ </td></tr><tr><td align="center">
+ rate
+ </td><td align="center">
+ <code class="code">b.rate;</code>
+ </td><td align="center">
+ Either <code class="literal">audio</code> or <code class="literal">control</code>.
+ </td></tr><tr><td align="center">
+ server
+ </td><td align="center">
+ <code class="code">b.server;</code>
+ </td><td align="center">
+ The name of the server used by the Bus object. The default server is <code class="literal">localhost</code>
+ </td></tr></tbody></table></div></div><br class="table-break" />
+
+ </div><div class="para">
+ When you are done with a Bus, you can release the channels for use by other Bus Objects:
+<pre class="programlisting">
+<replaceable>myBusVariable</replaceable>.free;
+<replaceable>myBusVariable</replaceable> = nil;
+</pre>
+ Like when sending the "free" message to a Synth Object, you should set the variable name of a "free'd" Bus to "nil". This will prevent you from accidentally sending audio there after the Bus is released.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Out_and_In_UGens.html"><strong>戻る</strong>11.3.11.2. Out and In UGens</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example.html"><strong>次へ</strong>11.3.11.4. Using Busses: Control-Rate Example</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example.html
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@@ -0,0 +1,64 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.11.4. Using Busses: Control-Rate Example</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html" title="11.3.11. Busses" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Bus_Objects.html" title="11.3.11.3. Bus Objects" /><link rel="next" href="sect-Musicians_GuideSC-Basic_Programming-Busses-Control_Rate_Example-Why_Use_a_Bus.html" title="11.3.11.4.2. Why Use a Bus" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><l
i class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Bus_Objects.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_GuideSC-Basic_Programming-Busses-Control_Rate_Example-Why_Use_a_Bus.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example">11.3.11.4. Using Busses: Control-Rate Example</h4></div></div></div><div class="para">
+ The best way to understand how and when to use a bus is to see them in action.
+<pre class="programlisting">
+( // execute first: prepare the server
+ var busAudioSynth =
+ {
+ arg bus, freqOffset = 0;
+
+ Out.ar( 0, SinOsc.ar( freq:( In.kr(bus) + freqOffset ), mul:0.1 ) );
+ };
+
+ var busControlSynth =
+ {
+ arg bus, freq = 400;
+
+ Out.kr( bus, SinOsc.kr( freq:1, mul:( freq/40 ), add:freq ) );
+ };
+
+ SynthDef( \tutorialAudioBus, busAudioSynth ).send( s );
+ SynthDef( \tutorialControlBus, busControlSynth ).send( s );
+
+ b = Bus.control( s );
+)
+
+( // execute second: create synths
+ x = Synth.new( \tutorialControlBus, [\bus, b] ); // control synth
+ y = Synth.after( x, \tutorialAudioBus, [\bus, b] ); // low audio synth
+ z = Synth.after( x, \tutorialAudioBus, [\bus, b, \freqOffset, 200] ); // high audio synth
+)
+
+( // commands to free each Object
+ x.free; x = nil; // control synth
+ y.free; y = nil; // low audio synth
+ z.free; z = nil; // high audio synth
+ b.free; b = nil; // control bus
+)
+</pre>
+ This example contains three stages: prepare the server, create the synths, destroy the synths. These three stages will become familiar as you program in <span class="application"><strong>SuperCollider</strong></span>, whether or not you use busses frequently. The example is fairly complicated, so the code is explained here:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">busAudioSynth</code> Function: Accepts two arguments, and creates an audio-rate <code class="classname">SinOsc</code>, routed to the left output channel. The frequency is determined by a control-rate bus given as an argument, and optionally with an offset that can be supplied as an argument.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">busControlSynth</code> Function: Accepts two arguments, and creates a control-rate <code class="classname">SinOsc</code>, routed to the bus given as an argument. Can also be given a frequency; the value produced by the synth is intended to be used to control pitch. The centre pitch of the oscillation is <code class="literal">freq</code>, and the range of oscillation is one-twentieth the size of <code class="literal">freq</code> (one-fourtieth both higher and lower than <code class="literal">freq</code>).
+ </div></li><li class="listitem"><div class="para">
+ SynthDef: These commands are straight-forward. They send the synthesis definitions to the server.
+ </div></li><li class="listitem"><div class="para">
+ <code class="code">b = Bus.control( s );</code> : This should also be straight-forward. A single-channel control bus is created, and assigned to the pre-declared variable <code class="literal">b</code>.
+ </div></li><li class="listitem"><div class="para">
+ For synth creation, <code class="literal">x</code> is assigned a control-rate synth, while <code class="literal">y</code> and <code class="literal">z</code> are assigned audio-rate synths. Each synth is given the variable <code class="literal">b</code>, which refers to our control-rate bus. <code class="literal">z</code> is also given an argument for <code class="literal">\freqOffset</code>, which makes its frequency 200 Hz higher than the synth assigned to <code class="literal">y</code>.
+ </div></li><li class="listitem"><div class="para">
+ Don't worry about the <code class="function">after</code> message for now. It's explained in <a class="xref" href="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html#sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Ordering">「Ordering」</a>.
+ </div></li></ul></div>
+
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Global_Variables"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Global_Variables">11.3.11.4.1. Why Use Global Variables</h5></div></div></div><div class="para">
+ Since this is just an example, and not an actual program, the program uses four automatically-declared global variables: <code class="literal">b</code>, <code class="literal">x</code>, <code class="literal">y</code>, and <code class="literal">z</code>. Because these variables are shared with everything, it's especially important to set them to <code class="literal">nil</code> when you're done. If this were going to be written into a real program, it would be a good idea to change the variables to something which can't be accessed by other programs.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Bus_Objects.html"><strong>戻る</strong>11.3.11.3. Bus Objects</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_GuideSC-Basic_Programming-Busses-Control_Rate_Example-Why_Use_a_Bus.html"><strong>次へ</strong>11.3.11.4.2. Why Use a Bus</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Special_Note.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Special_Note.html
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@@ -0,0 +1,27 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.11.4.3. Special Note about Control-Rate Busses</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example.html" title="11.3.11.4. Using Busses: Control-Rate Example" /><link rel="prev" href="sect-Musicians_GuideSC-Basic_Programming-Busses-Control_Rate_Example-Why_Use_a_Bus.html" title="11.3.11.4.2. Why Use a Bus" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Example.html" title="11.3.11.5. Using Busses: Audio-Rate Example" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_C
ontent/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_GuideSC-Basic_Programming-Busses-Control_Rate_Example-Why_Use_a_Bus.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Example.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Special_Note"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Special_Note">11.3.11.4.3. Special Note about Control-Rate Busses</h5></div></div></div><div class="para">
+ Control-rate Bus'ses are a great way to enhance the flexibility of your program. The best part is that, in order to use a control-rate Bus, the UGen doesn't even need to have been written to accomodate it.
+<pre class="programlisting">{ SinOsc.ar( freq:In.kr( controlRateBus, 1 ), mul:0.2 ); }.play;</pre>
+ Now you've managed to spice up an otherwise-boring synth!
+ </div><div class="para">
+ Also, control-rate Bus'ses don't need to be constantly changing. Unlike an audio-rate Bus, a control-rate Bus will hold the last-inputted value until another value is provided. You can the value of a control-rate Bus with the <code class="function">set</code> message (and a single argument, which is the value). You can also get the current value, whether created by <code class="function">set</code> or a UGen, by using the <code class="function">get</code> message, and sending a Function with one argument.
+<pre class="programlisting">
+(
+ var bus = Bus.control( s );
+ bus.set( 12 );
+ bus.get( { arg val; val.postln; } );
+ bus.free; bus = nil;
+)
+</pre>
+ When running this example, you'll notice that the <code class="literal">12</code> doesn't get posted until <span class="emphasis"><em>after</em></span> the program finishes with <code class="literal">nil</code>. This is because of the <em class="firstterm">latency</em> between when the interpreter asks the server to do something, and when the server does it. The amount of time it takes for the server to complete a command is usually very small, but as you can see, it can make an important difference to your program. This latency is also the reason that you can't call <code class="code">SynthDef.new( <em class="replaceable"><code>...</code></em> )</code> and <code class="code">Synth.new( <em class="replaceable"><code>...</code></em> )</code> at the exact same time.
+ </div><div class="para">
+ This latency is also the reason that we have to provide a single-argument function as an argument to the <code class="function">get</code> function. Since the function won't immediately be able to get the value of the bus from the server, we can't expect the value to be returned by the function. Instead, when "get" gets the value of the bus from the server, it runs the function that you gave it.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_GuideSC-Basic_Programming-Busses-Control_Rate_Example-Why_Use_a_Bus.html"><strong>戻る</strong>11.3.11.4.2. Why Use a Bus</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Example.html"><strong>次へ</strong>11.3.11.5. Using Busses: Audio-Rate Example</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Busses-Out_and_In_UGens.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Busses-Out_and_In_UGens.html
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@@ -0,0 +1,18 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.11.2. Out and In UGens</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html" title="11.3.11. Busses" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html" title="11.3.11. Busses" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Bus_Objects.html" title="11.3.11.3. Bus Objects" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sec
t-Musicians_Guide-SC-Basic_Programming-Busses.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Bus_Objects.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Out_and_In_UGens"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Out_and_In_UGens">11.3.11.2. Out and In UGens</h4></div></div></div><div class="para">
+ The "Out" UGen is discussed in <a class="xref" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html#sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Out_UGen">「"Out" UGen」</a>. What it does is take a signal and route it to the specified bus number. The "In" UGen performs a similar action: take a signal from a bus number, and make it available for use.
+ </div><div class="para">
+ This is the syntax to use for the <code class="classname">Out</code> UGen: <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncOut.ar</strong>(</code><var class="pdparam">busNumber</var>, <var class="pdparam">audioRateUGen</var><code>)</code>;</p></div> or <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncOut.kr</strong>(</code><var class="pdparam">busNumber</var>, <var class="pdparam">controlRateUGen</var><code>)</code>;</p></div> The UGen enclosed here should not be enclosed in a Function. If the UGen provides multi-channel output, "Out" will automatically route the lowest channel to the specified bus number, the next channel to the next highest bus number, and so on. This way, you can achieve stereo output with one "Out" UGen.
+ </div><div class="para">
+ This is the syntax to use for the <code class="classname">In</code> UGen: <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncIn.ar</strong>(</code><var class="pdparam">busNumber</var>, <var class="pdparam">numberOfChannels</var><code>)</code>;</p></div> or <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncIn.kr</strong>(</code><var class="pdparam">busNumber</var>, <var class="pdparam">numberOfChannels</var><code>)</code>;</p></div> Whereas "Out" automatically outputs the right number of channels based on how many you provide, "In" requires that you specify how many channels you want it to fetch for you.
+ </div><div class="para">
+ When created with this form, both of these UGens automatically connect to the default server, stored in the single-letter "s" variable by the interpreter.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html"><strong>戻る</strong>11.3.11. Busses</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Bus_Objects.html"><strong>次へ</strong>11.3.11.3. Bus Objects</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Busses.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Busses.html
new file mode 100644
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Busses.html
@@ -0,0 +1,28 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.11. Busses</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Set_and_Free.html" title="11.3.10.9. Things to Do with a SynthDef: Set and Free" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Out_and_In_UGens.html" title="11.3.11.2. Out and In UGens" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png"
alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Set_and_Free.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Out_and_In_UGens.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Busses"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses">11.3.11. Busses</h3></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> busses work just like busses in other audio creation contexts, which work similarly to busses used to transport humans. Busses are used to send audio from one place to another, and in <span class="application"><strong>SuperCollider</strong></span> they can also be used to send control-rate signals. Each <span class="application"><strong>SuperCollider</strong></span> bus is given an index number, which are integers starting at 0. Audio-rate busses and control-rate busses are independent, and are given an independent set of index numbers. Any number of unique signals can be routed into a bus, and any number of receivers can take signals from a bus - but the signal will be the sum of all the input signals. In other words, if you want to send two different sets of signals, you need two different busses with different index numbers.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Numbers"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Numbers">11.3.11.1. Audio-Rate Bus Numbers</h4></div></div></div><div class="para">
+ There are special audio-rate busses reserved automatically by the server. These interact with the audio interface, allowing you to get sound from its inputs, and send sound to its outputs. The lowest audio-rate bus numbers are reserved for audio interface outputs, each channel receiving an independent bus. The bus numbers just above those are reserved for audio interface inputs, each channel receiving an independent bus.
+ </div><div class="para">
+ For a simple audio interface with two channels each for input and output, the pre-reserved audio-rate bus numbers would be these:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 0 for left channel output
+ </div></li><li class="listitem"><div class="para">
+ 1 for right channel output
+ </div></li><li class="listitem"><div class="para">
+ 2 for left channel input
+ </div></li><li class="listitem"><div class="para">
+ 3 for right channel input
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Now you can change the first argument of the "Out" UGen as desired!
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Set_and_Free.html"><strong>戻る</strong>11.3.10.9. Things to Do with a SynthDef: Set and ...</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Out_and_In_UGens.html"><strong>次へ</strong>11.3.11.2. Out and In UGens</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Efficient_Functions.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Efficient_Functions.html
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@@ -0,0 +1,22 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.6.3.2. Inefficient Functions</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList.html" title="11.3.6.3. LinkedList" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList.html" title="11.3.6.3. LinkedList" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Example.html" title="11.3.6.3.3. Example" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docn
av"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Example.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Efficient_Functions"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Efficient_Functions">11.3.6.3.2. Inefficient Functions</h5></div></div></div><div class="para">
+ These Functions make use of the LinkedList Class in an inefficient way, but they can be useful. They are inefficient because they may potentially have to review all of the elements in a LinkedList before completing.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">at( <em class="replaceable"><code>index</code></em> )</code> pretends the LinkedList is an Array, and returns a copy of what would be the element at the given index number.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">put( <em class="replaceable"><code>index</code></em>, , <em class="replaceable"><code>obj</code></em> )</code> pretends the LinkedList is an Array, and changes the element at the given index number to be <code class="literal">obj</code>.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">remove( <em class="replaceable"><code>obj</code></em> )</code> searches through a LinkedList and removes the element judged to be equal to <code class="literal">obj</code>, regardless of its index number.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">removeAt( <em class="replaceable"><code>index</code></em> )</code> pretends the LinkedList is an Array, and removes the element located at the given index number.
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList.html"><strong>戻る</strong>11.3.6.3. LinkedList</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Example.html"><strong>次へ</strong>11.3.6.3.3. Example</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Example.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Example.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Example.html
@@ -0,0 +1,34 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.6.3.3. Example</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList.html" title="11.3.6.3. LinkedList" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Efficient_Functions.html" title="11.3.6.3.2. Inefficient Functions" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-Other_Collections.html" title="11.3.6.4. Other Collections" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Docum
entation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Efficient_Functions.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-Other_Collections.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Example"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Example">11.3.6.3.3. Example</h5></div></div></div><div class="para">
+ This example uses a LinkedList as a queue, adding numbers to the tail, and removing and printing from the head.
+<pre class="programlisting">
+(
+ var tL = LinkedList.new;
+
+ tL.add( 42 );
+ tL.add( 89 );
+
+ tL.popFirst.postln; // prints 42
+
+ tL.add( 256 );
+
+ tL.popFirst.postln; // prints 89
+
+ tL.add( 900 );
+
+ tL.popFirst.postln; // prints 256
+ tL.popFirst.postln; // prints 900
+
+ nil;
+)
+</pre>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Efficient_Functions.html"><strong>戻る</strong>11.3.6.3.2. Inefficient Functions</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-Other_Collections.html"><strong>次へ</strong>11.3.6.4. Other Collections</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList.html
@@ -0,0 +1,40 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.6.3. LinkedList</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Collections.html" title="11.3.6. Collections" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Examples.html" title="11.3.6.2.5. Examples" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Efficient_Functions.html" title="11.3.6.3.2. Inefficient Functions" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></
p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Examples.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Efficient_Functions.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList">11.3.6.3. LinkedList</h4></div></div></div><div class="para">
+ Linked lists are very common structures for data management in computer science. They are more efficient than arrays for many tasks, particularly when it's impossible to know how many elements will be required in an array until the program is run. <span class="application"><strong>SuperCollider</strong></span>'s List Class is implemented with arrays, and it offers nearly the same functionality as the LinkedList class.
+ </div><div class="para">
+ A true linked list is accessed most efficiently from the start (called the "head" of the list) or the end (called the "tail"). Each element is linked to the one before it, the one after it, or both. <span class="application"><strong>SuperCollider</strong></span>'s LinkedList Class has elements which are linked both to the preceding and following elements, so it is called a "doubly linked list."
+ </div><div class="para">
+ Knowing when to use a LinkedList over a List is a question of efficiency, and for small collections of information, it isn't going to make a big difference - you might as well use a basic List. When you plan to store hundreds or thousands of elements, choosing the right Class becomes more important, and can save a lot of processor time. Here is how to know which Class you should use:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ If you're going to be adding elements to the start or end of the list, and accessing from the start or end of the list, the LinkedList Class will be more efficient.
+ </div></li><li class="listitem"><div class="para">
+ If you're going to be adding elements at arbitrary index numbers <span class="emphasis"><em>inside</em></span> the list, and accessing elements at arbitrary index numbers inside the list, the List Class will be more efficient.
+ </div></li><li class="listitem"><div class="para">
+ If you're going to be adding elements to the start or end, but accessing specific indices, or adding elements at specific indices, but accessing from the start or end, then you get to choose where to save computation time. In one of these cases, it might not matter which one you choose.
+ </div></li></ul></div>
+
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Inefficient_Functions"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Inefficient_Functions">11.3.6.3.1. Efficient Functions</h5></div></div></div><div class="para">
+ These Functions make use of the LinkedList Class in an efficient way. They are efficient because they access only the first or last element in the LinkedList.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">add( <em class="replaceable"><code>obj</code></em> )</code> adds <code class="literal">obj</code> to a LinkedList as the last item.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">addFirst( <em class="replaceable"><code>obj</code></em> )</code> adds <code class="literal">obj</code> to a LinkedList as the first item.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">pop</code> removes the last item in a LinkedList and returns it.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">popFirst</code> removes the first item in a LinkedList and returns it.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">first</code> returns a copy of the first item in a LinkedList.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">last</code> returns a copy of the last item in a LinkedList.
+ </div></li></ul></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Examples.html"><strong>戻る</strong>11.3.6.2.5. Examples</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Efficient_Functions.html"><strong>次へ</strong>11.3.6.3.2. Inefficient Functions</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Accessing.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Accessing.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Accessing.html
@@ -0,0 +1,22 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.6.2.3. Accessing a List</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html" title="11.3.6.2. List" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Adding_to_an_Existing_List.html" title="11.3.6.2.2. Adding to an Existing List" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Removing.html" title="11.3.6.2.4. Removing from a List" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentat
ion Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Adding_to_an_Existing_List.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Removing.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Accessing"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Accessing">11.3.6.2.3. Accessing a List</h5></div></div></div><div class="para">
+ These are "instance methods," meaning that they operate on a specific list.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">at( <em class="replaceable"><code>index</code></em> )</code> returns the Object assigned to the <code class="literal">index</code> index number. If <code class="literal">index</code> is greater than the last element in the List, returns <code class="literal">nil</code>.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">clipAt( <em class="replaceable"><code>index</code></em> )</code> returns the Object assigned to the <code class="literal">index</code> index number. If <code class="literal">index</code> is greater than the last element in the List, returns the last element in the List.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">wrapAt( <em class="replaceable"><code>index</code></em> )</code> returns the Object assigned to the <code class="literal">index</code> index number. If <code class="literal">index</code> is greater than the last element in the List, returns an element based on a "wrap-around" index number. For a three-element List, <code class="literal">0</code> will return element <code class="literal">0</code>, <code class="literal">1</code> returns <code class="literal">1</code>, <code class="literal">2</code> returns <code class="literal">2</code>, <code class="literal">3</code> returns <code class="literal">0</code>, <code class="literal">4</code> returns <code class="literal">1</code>, <code class="literal">5</code> returns <code class="literal">2</code>, <code class="literal">6</code> returns <code class="literal">0</code>, and so on.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">foldAt( <em class="replaceable"><code>index</code></em> )</code> returns the Object assigned to the <code class="literal">index</code> index number. If <code class="literal">index</code> is greater than the last element in the List, returns an element based on a "fold-back" index number. Whereas <code class="function">wrapAt()</code> always continues from the lowest to the highest index number, <code class="function">foldAt()</code> changes every time: low to high, high to low, low to high, and so on.
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Adding_to_an_Existing_List.html"><strong>戻る</strong>11.3.6.2.2. Adding to an Existing List</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Removing.html"><strong>次へ</strong>11.3.6.2.4. Removing from a List</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Adding_to_an_Existing_List.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Adding_to_an_Existing_List.html
new file mode 100644
index 0000000..14a4c06
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Adding_to_an_Existing_List.html
@@ -0,0 +1,20 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.6.2.2. Adding to an Existing List</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html" title="11.3.6.2. List" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html" title="11.3.6.2. List" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Accessing.html" title="11.3.6.2.3. Accessing a List" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="prev
ious"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Accessing.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Adding_to_an_Existing_List"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Adding_to_an_Existing_List">11.3.6.2.2. Adding to an Existing List</h5></div></div></div><div class="para">
+ These are "instance methods," meaning that they operate on a specific list.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">put( <em class="replaceable"><code>index</code></em>, , <em class="replaceable"><code>item</code></em> )</code> adds <code class="literal">item</code> into the List at index number <code class="literal">index</code>.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">add( <em class="replaceable"><code>item</code></em> )</code> adds <code class="literal">item</code> to the end of a List.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">addFirst( <em class="replaceable"><code>item</code></em> )</code> adds <code class="literal">item</code> to the beginning of a List.
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html"><strong>戻る</strong>11.3.6.2. List</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Accessing.html"><strong>次へ</strong>11.3.6.2.3. Accessing a List</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Examples.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Examples.html
new file mode 100644
index 0000000..627352a
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Examples.html
@@ -0,0 +1,170 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.6.2.5. Examples</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html" title="11.3.6.2. List" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Removing.html" title="11.3.6.2.4. Removing from a List" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList.html" title="11.3.6.3. LinkedList" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav">
<li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Removing.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Examples"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Examples">11.3.6.2.5. Examples</h5></div></div></div><div class="para">
+ The following examples show different ways to use List's.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL.add( 42 );
+ tL.add( 820 );
+
+ postln( tL.pop ); // outputs 820
+
+ tL.add( 7 );
+ tL.add( 19 );
+ tL.add( 23 );
+
+ postln( tL.pop ); // outputs 23
+ postln( tL.pop ); // outputs 19
+ postln( tL.pop ); // outputs 7
+ postln( tL.pop ); // outputs 42
+
+ postln( tL.pop ); // List is empty, so we get "nil"
+
+ nil;
+)
+</pre>
+ This code adds numbers to the end of a List, then removes them from the end of the List.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL.addFirst( 42 );
+ tL.addFirst( 820 );
+
+ postln( tL.pop ); // outputs 42
+
+ tL.addFirst( 7 );
+ tL.addFirst ( 19 );
+ tL.addFirst ( 23 );
+
+ postln( tL.pop ); // outputs 820
+ postln( tL.pop ); // outputs 7
+ postln( tL.pop ); // outputs 19
+ postln( tL.pop ); // outputs 23
+
+ postln( tL.pop ); // list is empty, so we get "nil"
+
+ nil;
+)
+</pre>
+ This modification of the first example adds numbers to the beginning of a List, then removes them from the end of the List. This is one way to ensure that the List elements are removed in the same order that they are added.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL.add( 42 );
+ tL.add( 820 );
+
+ postln( tL.removeAt( 0 ) ); // outputs 42
+
+ tL.add( 7 );
+ tL.add( 19 );
+ tL.add( 23 );
+
+ postln( tL.removeAt( 0 ) ); // outputs 820
+ postln( tL.removeAt( 0 ) ); // outputs 7
+ postln( tL.removeAt( 0 ) ); // outputs 19
+ postln( tL.removeAt( 0 ) ); // outputs 23
+
+// postln( tL.removeAt( 0 ) ); // causes an error!
+
+ nil;
+)
+</pre>
+ This modification of the first example adds numbers to the end of a List, then removes from the beginning of the List. This is another way to ensure that the List elements are removed in the same order that they're added. Note that, when the List is empty, using the "removeAt()" Function causes an error, because you try to access a List index which doesn't exist.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL = [42,820,7,19,23];
+
+ tL.at( 0 ).postln; // outputs 42
+ tL.at( 1 ).postln; // outputs 820
+ tL.at( 2 ).postln; // outputs 7
+ tL.at( 3 ).postln; // outputs 19
+ tL.at( 4 ).postln; // outputs 23
+ tL.at( 5 ).postln; // outputs nil
+ tL.at( 6 ).postln; // outputs nil
+
+ nil;
+)
+</pre>
+ This example shows another way to add elements to an empty List, which also works for Arrays. Then it shows what happens when you try to access elements beyond the end of a List with the "at()"Function.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL = [42,820,7,19,23];
+
+ tL.clipAt( 0 ).postln; // outputs 42
+ tL.clipAt( 1 ).postln; // outputs 820
+ tL.clipAt( 2 ).postln; // outputs 7
+ tL.clipAt( 3 ).postln; // outputs 19
+ tL.clipAt( 4 ).postln; // outputs 23
+ tL.clipAt( 5 ).postln; // outputs 23
+ tL.clipAt( 6 ).postln; // outputs 23
+
+ nil;
+)
+</pre>
+ This example shows what happens when you try to access elements beyond the end of a List with the "clipAt()" Function. For index numbers beyond the end of the List, the interpreter will simply return the last element.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL = [42,820,7,19,23];
+
+ tL.foldAt( 0 ).postln; // outputs 42
+ tL.foldAt( 1 ).postln; // outputs 820
+ tL.foldAt( 2 ).postln; // outputs 7
+ tL.foldAt( 3 ).postln; // outputs 19
+ tL.foldAt( 4 ).postln; // outputs 23
+ tL.foldAt( 5 ).postln; // outputs 19
+ tL.foldAt( 6 ).postln; // outputs 7
+
+ nil;
+)
+</pre>
+ This example shows what happens when you try to aceess elements beyond the end of a List with the "foldAt()" Function. For index numbers beyond the end of the List, the interpreter will start moving back through the List, towards the first element, "folding" through the List.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+
+ tL = [42,820,7,19,23];
+
+ tL.wrapAt( 0 ).postln; // outputs 42
+ tL.wrapAt( 1 ).postln; // outputs 820
+ tL.wrapAt( 2 ).postln; // outputs 7
+ tL.wrapAt( 3 ).postln; // outputs 19
+ tL.wrapAt( 4 ).postln; // outputs 23
+ tL.wrapAt( 5 ).postln; // outputs 42
+ tL.wrapAt( 6 ).postln; // outputs 820
+
+ nil;
+)
+</pre>
+ This example shows what happens when you try to access elements beyond the end of a List with the "wrapAt()" Function. For index numbers beyond the end of the List, the interpreter will start again at the beginning of the List, "wrapping" around to the beginning.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Removing.html"><strong>戻る</strong>11.3.6.2.4. Removing from a List</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList.html"><strong>次へ</strong>11.3.6.3. LinkedList</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Removing.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Removing.html
new file mode 100644
index 0000000..6a7d037
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Removing.html
@@ -0,0 +1,18 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.6.2.4. Removing from a List</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html" title="11.3.6.2. List" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Accessing.html" title="11.3.6.2.3. Accessing a List" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Examples.html" title="11.3.6.2.5. Examples" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav">
<li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Accessing.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Examples.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Removing"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Removing">11.3.6.2.4. Removing from a List</h5></div></div></div><div class="para">
+ One way to remove an element from a List is to re-assign that element's index number the value <code class="literal">nil</code>. These two Functions also remove elements from a List. They are "instance methods," meaning that they operate on a specific list.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">pop</code> returns the last element in a List, and removes it from the List.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">removeAt( <em class="replaceable"><code>index</code></em> )</code> removes the element assigned to <code class="literal">index</code> index number, removing it from the List and shrinking the List. <code class="function">removeAt()</code> does not leave a <code class="literal">nil</code> element in the List.
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Accessing.html"><strong>戻る</strong>11.3.6.2.3. Accessing a List</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Examples.html"><strong>次へ</strong>11.3.6.2.5. Examples</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html
@@ -0,0 +1,24 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.6.2. List</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Collections.html" title="11.3.6. Collections" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Collections.html" title="11.3.6. Collections" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Adding_to_an_Existing_List.html" title="11.3.6.2.2. Adding to an Existing List" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul cla
ss="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Adding_to_an_Existing_List.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List">11.3.6.2. List</h4></div></div></div><div class="para">
+ An List is a Collection with an infinite maximum size. It is the programmer's responsibility to maintain a meaningful order, and to remember the meaning of the data. Data in a List is called "elements," each of which is assigned a specific "index number." Index numbers begin at 0. Any mix of Objects can be stored in a List, including a List. Lists and Arrays are very similar, but <span class="application"><strong>SuperCollider</strong></span> manages some of the dirty work for you, when you use the List Class.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Building"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Building">11.3.6.2.1. Building a List</h5></div></div></div><div class="para">
+ There are four methods which instantiate a List. These are all "Class methods," meaning they do not operate on a specific List, but can be used to make any List.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="function">List.new</code> creates a List. You can also specify the initial number of elements as an argument, if you choose.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">List.newClear( <em class="replaceable"><code>x</code></em> )</code> creates a List with <code class="literal">x</code> number of slots, filled with <code class="literal">nil</code>.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">List.copyInstance( <em class="replaceable"><code>aList</code></em> )</code> creates a List which is a copy of <code class="literal">aList</code>.
+ </div></li><li class="listitem"><div class="para">
+ <code class="function">List.newUsing( <em class="replaceable"><code>anArray</code></em> )</code> creates a List with the same elements as <code class="literal">anArray</code>.
+ </div></li></ul></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections.html"><strong>戻る</strong>11.3.6. Collections</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List-Adding_to_an_Existing_List.html"><strong>次へ</strong>11.3.6.2.2. Adding to an Existing List</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-Other_Collections.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-Other_Collections.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections-Other_Collections.html
@@ -0,0 +1,22 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.6.4. Other Collections</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Collections.html" title="11.3.6. Collections" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Example.html" title="11.3.6.3.3. Example" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html" title="11.3.7. Repeated Execution" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="prev
ious"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Example.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Other_Collections"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Other_Collections">11.3.6.4. Other Collections</h4></div></div></div><div class="para">
+ As mentioned previously, the <span class="application"><strong>SuperCollider</strong></span> language provides for many more kinds of data structures. The following Collections are useful, but much more complex than those listed above. For usage instructions, refer to the <span class="application"><strong>SuperCollider</strong></span> documentation.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Dictionary: stores and allows retrieval of data by arbitrary Objects (for example, by symbols, rather than by index numbers).
+ </div></li><li class="listitem"><div class="para">
+ Library: a type of Dictionary. Objects inserted can be used by any Object in the program, like books in a real-world library can be used by anybody who walks in.
+ </div></li><li class="listitem"><div class="para">
+ Set: an unordered Collection of like Objects, where no two elements are identical.
+ </div></li><li class="listitem"><div class="para">
+ SortedList: a List where all elements are kept in a sorted order, regardless of how they are added. The inserted Objects should have a useful ordering method, numerical or lexicographic (alphabetic, for example).
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-LinkedList-Example.html"><strong>戻る</strong>11.3.6.3.3. Example</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html"><strong>次へ</strong>11.3.7. Repeated Execution</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Collections.html
@@ -0,0 +1,92 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.6. Collections</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Method_One.html" title="11.3.5.3. Method One" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html" title="11.3.6.2. List" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav">
<li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Method_One.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections">11.3.6. Collections</h3></div></div></div><div class="para">
+ A "collection" is just that - a collection of Objects. Collections are simply a means of organizing a large amount of data, without having to assign a variable name for each portion of data. Compared to other programming languages, <span class="application"><strong>SuperCollider</strong></span> provides a relatively large number of Collections in the standard library.
+ </div><div class="para">
+ We have already seen an example of a Collection as multichannel audio arrays. An Array is a kind of Collection - in object-oriented terminology, the Array Class is a <em class="firstterm">sub-class</em> of the Collection Class, and inherits its behaviours. Conversely, the Collection Class is the <em class="firstterm">super-class</em> of the Array Class. The Collection Class itself is not to be used; it is designed to provide common features so that it is easier to write Classes for collections.
+ </div><div class="para">
+ As with all the chapters from this point on, it is not necessary to read this in sequence. If you prefer, you can skip it and return later when you need to manage a large set of data.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Array"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Array">11.3.6.1. Array</h4></div></div></div><div class="para">
+ Arrays have been traditionally been very popular with programmers. In <span class="application"><strong>SuperCollider</strong></span>, they are capable of storing a large number of Objects, and they provide advanced behaviours that are normally not associated with Arrays. They are not as indespensible as they used to be. Most programming languages now provide (or can easily be extended to add) Lists, Trees, and other kinds of data storage structures, which offer more capabilities, and are easier to use and to think about. Users new to programming might find the various kinds of Lists to be more helpful.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Array-Building"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Array-Building">11.3.6.1.1. Building an Array</h5></div></div></div><div class="para">
+ An Array is a Collection with a finite maximum size, determined at declaration time. It is the programmer's responsibility to maintain a meaningful order, and to remember the meaning of the data. Data in an Array is called "elements," each of which is assigned a specific "index number." Index numbers begin at 0. Any mix of Objects can be stored in an Array, including an Array.
+ </div><div class="para">
+ This example declares an Array, adds some elements, then prints them out.
+<pre class="programlisting">
+(
+ var tA = Array.new( 2 ); // "tA" stands for "testArray"
+
+ tA = tA.add( 5 );
+ tA = tA.add( 3 );
+ tA = tA.add( 17 );
+
+ tA.postln;
+ nil;
+)
+</pre>
+ Notice that Array is a Class, and it must be instantiated before use. Here, the variable <code class="literal">tA</code> is assigned an Array with enough space for two objects. Notice that the elements are printed out in the order that you add them to the Array. They are not sorted or shuffled (unless you send a message like <code class="function">scramble</code>). But why did I write <code class="code">tA = tA.add( 17 );</code> instead of <code class="code">tA.add( 17 );</code>? Shouldn't the second method be sufficient for adding an Object to an Array, thereby making the re-assignment unnecessary? It does, but let's see what happens when we take it away:
+<pre class="programlisting">
+(
+ var tA = Array.new( 2 ); // "tA" stands for "testArray"
+
+ tA.add( 5 );
+ tA.add( 3 );
+ tA.add( 17 );
+
+ tA.postln;
+ nil;
+)
+</pre>
+ The <code class="literal">17</code> is missing - it doesn't get added into the Array! This is because the Array was only declared with two slots, and you can't add three Objects into two slots. So why did this work the first time? <span class="application"><strong>SuperCollider</strong></span> was programmed to help us fit additional items into an Array. If an Array has reached its capacity, <span class="application"><strong>SuperCollider</strong></span> will automatically make a new, larger Array for us, and returns that from the <code class="function">add</code> method. Therefore, any time you add an element to an Array, you should always re-assign the result, so that you don't have to worry about whether you exceeded the Array's capacity.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Array-Accessing"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Collections-Array-Accessing">11.3.6.1.2. Accessing an Array's Elements</h5></div></div></div><div class="para">
+ There are two ways to access individual elements within an Array. One way is object-oriented, and one way is more traditional, inspired by programming languages such as the wildly popular "C" language. The object-oriented style uses the <code class="function">at</code> and <code class="function">put</code> methods. The traditional style uses square brackets with an index number.
+ </div><div class="para">
+ The following examples produce equivalent output. The first uses the object-oriented style, and the second uses the traditional style.
+<pre class="programlisting">
+(
+ var tA = Array.new( 3 );
+
+ tA = tA.add( 5 );
+ tA = tA.add( 3 );
+ tA = tA.add( 17 );
+
+ tA.at( 0 ).postln; // outputs 5
+ tA.at( 1 ).postln; // outputs 3
+ tA.at( 2 ).postln; // outputs 17
+
+ tA.put( 0, 24 ); // assigns 24 to element 0
+
+ tA.at( 0 ).postln; // outputs 24
+
+ nil;
+)
+</pre>
+
+<pre class="programlisting">
+(
+ var tA = Array.new( 3 );
+
+ tA = tA.add( 5 );
+ tA = tA.add( 3 );
+ tA = tA.add( 17 );
+
+ tA[0].postln; // outputs 5
+ tA[1].postln; // outputs 3
+ tA[2].postln; // outputs 17
+
+ tA[0] = 24 ; // assigns 24 to element 0
+
+ tA[0].postln; // outputs 24
+
+ nil;
+)
+</pre>
+ Different people prefer different styles of accessing Arrays.
+ </div></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Method_One.html"><strong>戻る</strong>11.3.5.3. Method One</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-List.html"><strong>次へ</strong>11.3.6.2. List</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Addition.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Addition.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Addition.html
@@ -0,0 +1,23 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.9.3. Addition</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html" title="11.3.9. Combining Audio; the Mix Class" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Arrays_of_Arrays.html" title="11.3.9.2. Arrays of Arrays" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html" title="11.3.10. SynthDef and Synth" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site
" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Arrays_of_Arrays.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Addition"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Addition">11.3.9.3. Addition</h4></div></div></div><div class="para">
+ This method of combinine UGen's into two channels uses the addition operator: +
+ </div><div class="para">
+
+<pre class="programlisting">
+{
+ [
+ ( SinOsc.ar(440, 0, 0.1) + SinOsc.ar( 880, 0, 0.1 ) + SinOsc.ar( 1660, 0, 0.1 ) ),
+ ( SinOsc.ar(440, 0, 0.1) + SinOsc.ar( 880, 0, 0.1 ) + SinOsc.ar( 1660, 0, 0.1 ) )
+ ];
+}.play;
+</pre>
+ Notice that, like with the Mix Class, independent "mul" levels are not preserved.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Arrays_of_Arrays.html"><strong>戻る</strong>11.3.9.2. Arrays of Arrays</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html"><strong>次へ</strong>11.3.10. SynthDef and Synth</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Arrays_of_Arrays.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Arrays_of_Arrays.html
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@@ -0,0 +1,34 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.9.2. Arrays of Arrays</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
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+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html" title="11.3.9. Combining Audio; the Mix Class" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html" title="11.3.9. Combining Audio; the Mix Class" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Addition.html" title="11.3.9.3. Addition" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></
a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Addition.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Arrays_of_Arrays"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Arrays_of_Arrays">11.3.9.2. Arrays of Arrays</h4></div></div></div><div class="para">
+ There is another way to combine many UGen's into two channels for stereo output: rather than sending the Array's to the Mix class, combine them into a two-element Array.
+ </div><div class="para">
+
+<pre class="programlisting">
+{
+ [
+ [ SinOsc.ar(440, 0, 0.1), SinOsc.ar( 880, 0, 0.1 ), SinOsc.ar( 1660, 0, 0.1 ) ],
+ [ SinOsc.ar(440, 0, 0.1), SinOsc.ar( 880, 0, 0.1 ), SinOsc.ar( 1660, 0, 0.1 ) ]
+ ];
+}.play;
+</pre>
+ Here, a two-element Array is the result of a Function, which gets sent the "play" message. Each of the elements is an equivalent, three-element Array where each element is a UGen.
+ </div><div class="para">
+ This representation also offers another benefit: each UGen can have a different "mul" value, which will be preserved.
+<pre class="programlisting">
+{
+ [
+ [ SinOsc.ar(440, 0, 0.2), SinOsc.ar( 880, 0, 0.1 ), SinOsc.ar( 1660, 0, 0.05 ) ],
+ [ SinOsc.ar(440, 0, 0.2), SinOsc.ar( 880, 0, 0.1 ), SinOsc.ar( 1660, 0, 0.05 ) ]
+ ];
+}.play;
+</pre>
+ This sounds much less harsh than the first example. Try it with the Mix Class. Even with the different "mul" values, it sounds the same as the first example! This helps Mix to ensure that the total level doesn't exceed 1.0, but it has the disadvantage that careful level-balancing on your part will be erased.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html"><strong>戻る</strong>11.3.9. Combining Audio; the Mix Class</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Addition.html"><strong>次へ</strong>11.3.9.3. Addition</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html
@@ -0,0 +1,50 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.9. Combining Audio; the Mix Class</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+
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+
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+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Case_Statements.html" title="11.3.8.5. "In This Case, Do This"" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Arrays_of_Arrays.html" title="11.3.9.2. Arrays of Arrays" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_righ
t.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Case_Statements.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Arrays_of_Arrays.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix">11.3.9. Combining Audio; the Mix Class</h3></div></div></div><div class="para">
+ One of the requirements of multi-channel audio is the ability to combine a large number of UGen's into a small number of channels - normally just two. The <span class="application"><strong>SuperCollider</strong></span> interpreter allows you to accomplish this in a number of ways, which are explained here.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Mix_Class"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Mix_Class">11.3.9.1. The "Mix" Class</h4></div></div></div><div class="para">
+ The "Mix" Class allows you to combine a mutli-channel Array into one channel. It's just that simple: you put in an Array of UGens, and out comes a single-channel combination of them.
+ </div><div class="para">
+ Here are the two possible syntaxes for the "Mix" Class: <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncMix.new</strong>(</code><var class="pdparam">ArrayOfUGens</var><code>)</code>;</p></div> and <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncMix</strong>(</code><var class="pdparam">ArrayOfUGens</var><code>)</code>;</p></div> The second form is simply a short-hand version of the first. The <code class="classname">Mix</code> Class doesn't really create "Mix" Objects either - it's just a Function that combines many UGen's into one.
+ </div><div class="para">
+ Here's an example of the "Mix" Class in action:
+<pre class="programlisting">
+{
+ Mix( [SinOsc.ar(220, 0, 0.1),
+ SinOsc.ar(440, 0, 0.1),
+ SinOsc.ar(660, 0, 0.1),
+ SinOsc.ar(880, 0, 0.1),
+ SinOsc.ar(850, 0, 0.1),
+ SinOsc.ar(870, 0, 0.1),
+ SinOsc.ar(880, 0, 0.1),
+ SinOsc.ar(885, 0, 0.1),
+ SinOsc.ar(890, 0, 0.1),
+ SinOsc.ar(1000, 0, 0.1)] );
+}.play;
+</pre>
+ Notice how all of these <code class="classname">SinOsc</code>s are heard through the left channel only. The <code class="classname">Mix</code> class mixes all the UGen's together into one. You could use a bus to send the audio to both the left and right channels. What happens if we don't use the <code class="classname">Mix</code> class? Try to remove the function, and find out. You only hear some of the <code class="classname">SinOsc</code>'s. Which ones? The first two, representing the left and right channels. If your audio interface has more than two channels, you may be able to hear more than those first two channels.
+ </div><div class="para">
+ There is another function offered by the <code class="classname">Mix</code> class, and it is a kind of loop. The function is called <code class="function">Fill</code>, and it takes two arguments: the number of times to run a function, and the function to run. The function is provided with one argument (like in a "do" loop), which is the number of times the function has <span class="emphasis"><em>already</em></span> been run.
+<pre class="programlisting">
+(
+ var n = 8;
+ var sineFunc =
+ {
+ arg iteration;
+
+ var freq = 440 + iteration;
+ SinOsc.ar( freq:freq, mul:1/n );
+ };
+
+ { Mix.fill( n, sineFunc ); }.play;
+)
+</pre>
+ As you can see, the <code class="function">fill</code> function itself is quite simple: you provide the number of UGen's to create, and a function that creates UGen's. It's the <code class="literal">sineFunc</code> function that is a little confusing. The argument is called "iteration", because it holds how many times the function has already been run - how many iterations have happened already. It uses this value to help calculate the frequency (stored in a variable called <code class="literal">freq</code>), and then creates a <code class="classname">SinOsc</code> UGen. The <code class="literal">mul</code> argument helps to automatically control the volume level. Since the total volume should be no more than 1.0, the <code class="function">sineFunc</code> function calculates UGen's' volume by dividing 1, the maximum level, by the number of UGen's that will be created. The slowly pulsating volume is part of the acoustic result of this many frequencies being so close tog
ether - it is not a hidden effect by <span class="application"><strong>SuperCollider</strong></span>.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Case_Statements.html"><strong>戻る</strong>11.3.8.5. "In This Case, Do This"</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Arrays_of_Arrays.html"><strong>次へ</strong>11.3.9.2. Arrays of Arrays</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Assignment_and_Equality_Mistake.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Assignment_and_Equality_Mistake.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Assignment_and_Equality_Mistake.html
@@ -0,0 +1,22 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.8.2.2. Assignment/Equality Mistake</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html" title="11.3.8.2. Boolean Expressions" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html" title="11.3.8.2. Boolean Expressions" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Equality_versus_Identity.html" title="11.3.8.2.3. Equality versus Identity" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="
Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Equality_versus_Identity.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Assignment_and_Equality_Mistake"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Assignment_and_Equality_Mistake">11.3.8.2.2. Assignment/Equality Mistake</h5></div></div></div><div class="para">
+ Beware the following pitfall, common to a large number of programming languages:
+<pre class="programlisting">
+a == 42; // evaluates to "true" or "false", depending on the value in "a"
+a = 42; // assigns the value 42 to "a", over-writing the previously-stored value
+</pre>
+ One possible work-around is to write the number first.
+<pre class="programlisting">
+42 == a; // evaluates to "true" or "false", depending on the value in "a"
+42 = a; // causes an error, because you can't assign a value to a constant number
+</pre>
+ This way, if you accidentally leave out one of the <code class="literal">=</code> signs, the interpreter will stop execution and produce an error, rather than continuing with an unexpected assignment.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html"><strong>戻る</strong>11.3.8.2. Boolean Expressions</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Equality_versus_Identity.html"><strong>次へ</strong>11.3.8.2.3. Equality versus Identity</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html
@@ -0,0 +1,22 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.8.2. Boolean Expressions</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html" title="11.3.8. Conditional Execution" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html" title="11.3.8. Conditional Execution" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Assignment_and_Equality_Mistake.html" title="11.3.8.2.2. Assignment/Equality Mistake" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_ri
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+ Boolean expressions are expressions which, when executed, result in either "true" or "false". Boolean expressions must use at least one boolean operator (as listed above), or a Function which returns a boolean value. Boolean expressions can also use other operators and Functions.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Simple_Boolean"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Simple_Boolean">11.3.8.2.1. Simple Expressions</h5></div></div></div><div class="para">
+ Here are a few simple boolean expressions. Of course, variables can be used in place of constant numbers:
+<pre class="programlisting">
+5 < 60; // evaluates to "false"
+42 != 42; // evaluates to "false"
+42 == 42; // evaluates to "true"
+0.isPositive; // evaluates to "true"
+isNegative( -256 ); // evaluates to "true"
+</pre>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html"><strong>戻る</strong>11.3.8. Conditional Execution</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Assignment_and_Equality_Mistake.html"><strong>次へ</strong>11.3.8.2.2. Assignment/Equality Mistake</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Case_Statements.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Case_Statements.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Case_Statements.html
@@ -0,0 +1,89 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.8.5. "In This Case, Do This"</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html" title="11.3.8. Conditional Execution" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Switch_Statements.html" title="11.3.8.4. "Switch Execution to This Path"" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html" title="11.3.9. Combining Audio; the Mix Class" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image
_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Switch_Statements.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Case_Statements"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Case_Statements">11.3.8.5. "In This Case, Do This"</h4></div></div></div><div class="para">
+ "Case" and "switch" structures look similar, but work in subtly different way. A "switch" structure is like a railway switch, allowing one train to be routed onto the right track, according to qualities of the train. A "case" structure, on the other hand, works like somebody trying to decide how to get to work. The person might ask themselves how far they are going, how long they have to get to work, how fast the available options are, what the available options cost, and so on. While in a "switch" structure, the path of execution is determined by examining only one Object, a "case" structure determines the path of execution based on any number of things.
+ </div><div class="para">
+ Here is the syntax of a "case" structure:
+<pre class="programlisting">
+case
+ <replaceable>booleanFunction</replaceable> <replaceable>resultFunction</replaceable>
+ <replaceable>booleanFunction</replaceable> <replaceable>resultFunction</replaceable>
+ <replaceable>booleanFunction</replaceable> <replaceable>resultFunction</replaceable>
+ <replaceable>booleanFunction</replaceable> <replaceable>resultFunction</replaceable>
+;
+</pre>
+
+ </div><div class="para">
+ Contemplate the following pseudo-code example, which represents a possible musical sitation, and a good use of the "case" structure.
+<pre class="programlisting">
+(
+ var coolFunction =
+ {
+ case
+ { is there no music playing?
+ AND people are in the room } { play music }
+ { has the same song been playing for too long?
+ OR is the song boring? } { change the song }
+ { has everybody left the room? } { turn off the music }
+ { has a song been requested? } { change to that song }
+ { is the music too loud? } { lower the music's volume }
+ { is the music too quiet? } { raise the music's volume }
+ { is the music too fast? } { lower the music's tempo }
+ { is the music too slow? } { raise the music's tempo }
+ { is everything okay? } { wait for 10 seconds }
+ ;
+ };
+
+ ( 5 == 5 ).while( coolFunction ); // executes coolFunction contiuously
+)
+</pre>
+ It might seem like this example doesn't relate to a real <span class="application"><strong>SuperCollider</strong></span> programming situation, but in fact it might. If you could program Function's which determined all of those questions and all of the answers, this sort of "case" structure would be very helpful in a situation where a computer running <span class="application"><strong>SuperCollider</strong></span> were left in a room by itself, and expected to play music whenever anybody entered the room. Since five is always equal to five, the interpreter will run <code class="function">coolFunction</code> forever. If the music needs adjustment in some way, the Function will adjust the music. If everything is okay, then the interpreter will wait for 10 seconds, and then the loop will cause the Function to be re-evaluated. Because many different criteria are evaluated in the "case" structure, this represents an efficient use of the structure.
+ </div><div class="para">
+ "Case" structures can be used to do the same thing as "switch" structures, but it's usually less elegant solution. Also, it doesn't allow the interpreter to use an speed optimization that it would have used in an equivalent "switch" structure.
+<pre class="programlisting">
+(
+ var grade = 11.rand + 1; // pseudo-randomly chooses 0 to 11, then adds 1 to give 1 to 12
+
+ grade =
+ case
+ { 1 == grade; } { "D-" }
+ { 2 == grade; } { "D" }
+ { 3 == grade; } { "D+" }
+ { 4 == grade; } { "C-" }
+ { 5 == grade; } { "C" }
+ { 6 == grade; } { "C+" }
+ { 7 == grade; } { "B-" }
+ { 8 == grade; } { "B" }
+ { 9 == grade; } { "B+" }
+ { 10 == grade; } { "A-" }
+ { 11 == grade; } { "A" }
+ { 12 == grade; } { "A+" }
+ ;
+
+ ("Your grade is" + grade).postln;
+ nil;
+)
+</pre>
+ This example is equivalent to one of the "switch" structure examples. This is not a good use of the "case" structure, because it requires a lot of code repetition.
+ </div><div class="para">
+ Unlike a "switch" structure, a "case" structure will always follow the <span class="emphasis"><em>first</em></span> case that evaluates to "true".
+<pre class="programlisting">
+(
+ case
+ { 5 == 5; } { "one".postln; }
+ { 5 == 5; } { "two".postln; }
+ { 5 == 5; } { "three".postln; }
+ ;
+
+ nil;
+)
+</pre>
+ This example will always result in "one" being printed.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Switch_Statements.html"><strong>戻る</strong>11.3.8.4. "Switch Execution to This Path"</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix.html"><strong>次へ</strong>11.3.9. Combining Audio; the Mix Class</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Equality_versus_Identity.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Equality_versus_Identity.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Equality_versus_Identity.html
@@ -0,0 +1,32 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.8.2.3. Equality versus Identity</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html" title="11.3.8.2. Boolean Expressions" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Assignment_and_Equality_Mistake.html" title="11.3.8.2.2. Assignment/Equality Mistake" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Logical_And_and_Or.html" title="11.3.8.2.4. Logical And and Or" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org">
<img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Assignment_and_Equality_Mistake.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Logical_And_and_Or.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Equality_versus_Identity"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Equality_versus_Identity">11.3.8.2.3. Equality versus Identity</h5></div></div></div><div class="para">
+ The identity-equivalence operators are not usually needed.
+<pre class="programlisting">
+(
+ var a = [12,24,48];
+ var b = [12,24,48];
+
+ a == b; // evaluates to "true"
+ a === b; // evaluates to "false"
+)
+</pre>
+ The <code class="literal">==</code> operator evaluates to <code class="literal">true</code> because <code class="literal">a</code> and <code class="literal">b</code> represent equivalent Objects - they are equal. The <code class="literal">===</code> operator evaluates to <code class="literal">false</code> because <code class="literal">a</code> and <code class="literal">b</code> represent different instances of the Objects - they are not identical.
+<pre class="programlisting">
+(
+ var a = [12,24,48];
+ var b = a;
+
+ a == b; // evaluates to "true"
+ a === b; // evaluates to "true"
+)
+</pre>
+ In this case, the <code class="literal">==</code> operator still evaluates to <code class="literal">true</code>. The <code class="literal">===</code> operator also evaluates to <code class="literal">true</code>, because <code class="literal">a</code> and <code class="literal">b</code> both represent the same Object. When the interpreter evaluates <code class="code">var b = a;</code> in the example above, it actually assigns <code class="literal">b</code> the same value that <code class="literal">a</code> stores, not a copy of it.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Assignment_and_Equality_Mistake.html"><strong>戻る</strong>11.3.8.2.2. Assignment/Equality Mistake</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Logical_And_and_Or.html"><strong>次へ</strong>11.3.8.2.4. Logical And and Or</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-If_Statements.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-If_Statements.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-If_Statements.html
@@ -0,0 +1,75 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.8.3. "If This Is True, Then... "</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html" title="11.3.8. Conditional Execution" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Order_of_Precedence.html" title="11.3.8.2.5. Order of Precedence" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Switch_Statements.html" title="11.3.8.4. "Switch Execution to This Path"" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Con
tent/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Order_of_Precedence.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Switch_Statements.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-If_Statements"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-If_Statements">11.3.8.3. "If This Is True, Then... "</h4></div></div></div><div class="para">
+ The "if" structure is provided a boolean expression and two Functions. If the expression evaluates to "true", it executes one Function. If the expression evaluates to "false", it executes the other Function.
+ </div><div class="para">
+ Here are the two ways to write an "if" structure:
+<pre class="programlisting">if ( booleanExpression, trueFunction, falseFunction );</pre>
+ and
+<pre class="programlisting">booleanExpression.if( trueFunction, falseFunction );</pre>
+ It's possible to exclude the <code class="function">falseFunction</code>, which is like telling the interpreter, "If the boolean expression is true, then execute this Function. Otherwise, don't execute it."
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var test = [true,false].choose; // pseudo-randomly chooses one of the elements in the List
+
+ if ( ( true == test ), { "It's true!".postln; }, { "It's false!".postln; } );
+ nil;
+)
+</pre>
+ This example prints out a nice message, saying whether <code class="literal">test</code> is <code class="literal">true</code> or <code class="literal">false</code>. Because <code class="literal">test</code> is already a boolean value, we don't need to include it in an expression. The "if" statement could have been shortened like this: <code class="code">if ( test, { "It's true!".postln; }, { "It's false!".postln; } );</code>
+ </div><div class="para">
+ Suppose we only wanted to be alerted if <code class="literal">test</code> is <code class="literal">true</code>.
+<pre class="programlisting">
+(
+ var test = [true,false].choose; // pseudo-randomly chooses one of the elements in the List
+
+ test.if( { "It's true!".postln; } );
+ nil;
+)
+</pre>
+ In this example, the alternate "if" syntax is used, where the boolean expression is placed before the parentheses.
+ </div><div class="para">
+ "If" structures can also be "nested," which is like telling the interpreter, "If this is true, do this; otherwise if this is true, do this; otherwise if this is true, do this." In this relatively simple example of nesting, the interpreter evaluates each "if" structure only if the previous one was "false".
+<pre class="programlisting">
+(
+ var test = [1,2,3].choose; // pseudo-randomly chooses one of the elements in the List
+
+ if( 1 == test, { "It's one!".postln; },
+ if( 2 == test, { "It's two!".postln; },
+ if( 3 == test, { "It's three!".postln; } ) ) );
+
+ nil;
+)
+</pre>
+
+ </div><div class="para">
+ This is a more complex example of nesting:
+<pre class="programlisting">
+(
+ var testA = [1,2,3].choose; // pseudo-randomly chooses one of the elements in the List
+ var testB = [1,2,3].choose;
+
+ if( 1 == testA, { ( 1 == testB ).if( { "It's one and one!".postln; },
+ ( 2 == testB ).if( { "It's one and two!".postln; },
+ ( 3 == testB ).if( { "It's one and three!".postln; } ) ) ); },
+ if( 2 == testA, { ( 1 == testB ).if( { "It's two and one!".postln; },
+ ( 2 == testB ).if( { "It's two and two!".postln; },
+ ( 3 == testB ).if( { "It's two and three!".postln; } ) ) ); },
+ if( 3 == testA, { ( 1 == testB ).if( { "It's three and one!".postln; },
+ ( 2 == testB ).if( { "It's three and two!".postln; },
+ ( 3 == testB ).if( { "It's three and three!".postln; } ) ) ); } ) ) );
+
+ nil;
+)
+</pre>
+ As you can see, this type of nesting is not easy to figure out - from the standpoint of the original programmer or somebody else who wishes to use your code. In writing this example, it took me several attempts before getting the parentheses and braces right. Usually, if you have a long list of possibilities to test (like the nine in this example), it is better to use a "case" or "switch" structure. Not only does this help to make the code easier to understand, but the <span class="application"><strong>SuperCollider</strong></span> interpreter can apply optimizations that make the code run marginally faster.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Order_of_Precedence.html"><strong>戻る</strong>11.3.8.2.5. Order of Precedence</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Switch_Statements.html"><strong>次へ</strong>11.3.8.4. "Switch Execution to This Path"</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Logical_And_and_Or.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Logical_And_and_Or.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Logical_And_and_Or.html
@@ -0,0 +1,72 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.8.2.4. Logical And and Or</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html" title="11.3.8.2. Boolean Expressions" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Equality_versus_Identity.html" title="11.3.8.2.3. Equality versus Identity" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Order_of_Precedence.html" title="11.3.8.2.5. Order of Precedence" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src
="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Equality_versus_Identity.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Order_of_Precedence.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Logical_And_and_Or"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Logical_And_and_Or">11.3.8.2.4. Logical <code class="literal">And</code> and <code class="literal">Or</code></h5></div></div></div><div class="para">
+ The logical And and Or operators must receive two boolean arguments. Logical And returns <code class="literal">true</code> if both of its arguments are <code class="literal">true</code>. Logical Or returns <code class="literal">true</code> if one of its arguments are <code class="literal">true</code>.
+ </div><div class="para">
+ The following table illustrates how the <span class="application"><strong>SuperCollider</strong></span> interpreter will evaluate each of the following situations.
+ <div class="table"><h6>表11.3 Truth Table</h6><div class="table-contents"><table summary="Truth Table" border="1"><colgroup><col align="center" class="left" width="25%" /><col align="center" class="right" width="25%" /><col align="center" class="and" width="25%" /><col align="center" class="or" width="25%" /></colgroup><thead><tr><th align="center">
+ If the left sub-expression is...
+ </th><th align="center">
+ ... and the right sub-expression is...
+ </th><th align="center">
+ ... then logical <code class="literal">And</code> evaluates to...
+ </th><th align="center">
+ ... and logical <code class="literal">Or</code> evaluates to...
+ </th></tr></thead><tbody><tr><td align="center">
+ <code class="literal">true</code>
+ </td><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">true</code>
+ </td></tr><tr><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">true</code>
+ </td><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">true</code>
+ </td></tr><tr><td align="center">
+ <code class="literal">true</code>
+ </td><td align="center">
+ <code class="literal">true</code>
+ </td><td align="center">
+ <code class="literal">true</code>
+ </td><td align="center">
+ <code class="literal">true</code>
+ </td></tr><tr><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">false</code>
+ </td><td align="center">
+ <code class="literal">false</code>
+ </td></tr></tbody></table></div></div><br class="table-break" />
+
+ </div><div class="para">
+ The interpreter evaluates the expression on the left first, and then the expression on the right <span class="emphasis"><em>only</em></span> if it will influence the outcome. This means that, if the left-side expression of a logical Or operator evaluates to "true", the interpreter will not test the right-side expression, because the result will be "true" anyway. Similarly, if the left-side expression of a logical And operator evaluates to "false", the interpreter will not test the right-side expression, because the result will be "false" anyway.
+ </div><div class="para">
+ This can be exploited to help avoid errors like division-by-zero.
+<pre class="programlisting">
+(
+ var x = 5.rand; // assigns a pseudo-random number between 0 and 5
+
+ ( x != 0 ) && ( { x = 17 / x; } ); // doesn't divide by x if it would cause division-by-zero
+
+ x; // the interpreter automatically prints this value after execution
+)
+</pre>
+ If the left-side expression of the logical And operator is "false", the interpreter doesn't evaluate the right-side expression; it simply moves on to the next expression. If the left-side expression is "true" (meaning that x is not zero), then the right-side expression is evaluated. The right-side expression happens to be a Function which assigns "x" the result of dividing 17 by its previous value. The result of the logical And operation is simply discarded in this case - it doesn't really matter to us. This isn't the most straight-forward code, and there are other ways to avoid division-by-zero. If you use this, it's probably best to include a brief explanation of what the code does, as a commment.
+ </div><div class="para">
+ If you run this code many times, you will see that it gives many different results - one of which is zero, which proves that the code works as intended. If <span class="application"><strong>SuperCollider</strong></span> divides by zero, the result is "inf", representing infinity. Try modifying the code so that it will divide by zero, and see what happens.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Equality_versus_Identity.html"><strong>戻る</strong>11.3.8.2.3. Equality versus Identity</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Order_of_Precedence.html"><strong>次へ</strong>11.3.8.2.5. Order of Precedence</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Order_of_Precedence.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Order_of_Precedence.html
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@@ -0,0 +1,34 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.8.2.5. Order of Precedence</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html" title="11.3.8.2. Boolean Expressions" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Logical_And_and_Or.html" title="11.3.8.2.4. Logical And and Or" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-If_Statements.html" title="11.3.8.3. "If This Is True, Then... "" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="
Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Logical_And_and_Or.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-If_Statements.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Order_of_Precedence"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Order_of_Precedence">11.3.8.2.5. Order of Precedence</h5></div></div></div><div class="para">
+ In complicated boolean expressions, it's important to clarify the order in which you want sub-expressions to be executed. This order is called the "order of precedence," or "order of operations" (see <em class="citetitle">Order of Operations (Wikipedia)</em>, available at <a href="http://en.wikipedia.org/wiki/Order_of_operations">http://en.wikipedia.org/wiki/Order_of_operations</a> for more information). In computer science, different programming languages enforce different orders of precedence, so you should use parentheses to clarify your intended order, to proactively avoid later confusion. The interpreter will evaluate an expression from left to right, and always fully evaluate parentheses before continuing.
+ </div><div class="para">
+ Even simple expression can benefit from parentheses. These produce the same results:
+<pre class="programlisting">
+(
+ var a = 5 == 5 && 17 != 5;
+ var b = ( 5 == 5 ) && ( 17 != 5 ); // parentheses help to clarify
+
+ a == b; // evaluates to "true"
+)
+</pre>
+
+<pre class="programlisting">
+(
+ var a = 5.isPositive && isNegative( 6 ) || 12 + 5 * 42 - 1 > 18 ;
+ var b = ( 5.isPositive && isNegative( 6 ) ) || ( ((12 + 5) * 42 - 1) > 18 ); // parentheses help to clarify
+
+ a && b; // evaluates to "true"
+)
+</pre>
+ And perhaps even more surprisingly...
+<pre class="programlisting">( 12 + 5 * 42 - 1 ) != ( (12 + 5) * 42 - 1 );</pre>
+ ... evaluates to "false"! They're equal - the interpreter doesn't follow the standard mathematical order of precedence rules! <span class="application"><strong>SuperCollider</strong></span> evaluates from left to right, so it's important to clarify to the interpreter what you mean. Where would you put parentheses so that <span class="application"><strong>SuperCollider</strong></span> evaluates the expression as per the standard mathematical order of precedence rules, with multiplication before addition and subtraction?
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Logical_And_and_Or.html"><strong>戻る</strong>11.3.8.2.4. Logical And and Or</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-If_Statements.html"><strong>次へ</strong>11.3.8.3. "If This Is True, Then... "</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Switch_Statements.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Switch_Statements.html
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@@ -0,0 +1,86 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.8.4. "Switch Execution to This Path"</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html" title="11.3.8. Conditional Execution" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-If_Statements.html" title="11.3.8.3. "If This Is True, Then... "" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Case_Statements.html" title="11.3.8.5. "In This Case, Do This"" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Con
tent/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-If_Statements.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Case_Statements.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Switch_Statements"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Switch_Statements">11.3.8.4. "Switch Execution to This Path"</h4></div></div></div><div class="para">
+ A "switch" structure can be most easily understood by comparison to a switch in a railway line. As a train approaches a railway switch, an operator inspects the train, and decides whether it should be going to the passenger station, the freight station, or the garage for storage. A "switch" structure - like a railways switch, can only act on one Object at a time, but the Object can be a Collection, allowing you to compare multiple things at once. Each case is tested with the boolean equality operator before being executed.
+ </div><div class="para">
+ Here is the syntax of a "switch" statement:
+<pre class="programlisting">
+case( compareThis,
+ toThis1, { doThis; },
+ toThis2, { doThis; },
+ toThis3, { doThis; }
+);
+</pre>
+ You can include any number of cases. Notice that there is no comma after the last case, and that I've put the concluding ");" on a separate line with the same indentation as the word "case", so that it's easy to see.
+ </div><div class="para">
+ The following example shows a simple switch.
+<pre class="programlisting">
+(
+ var grade = 11.rand + 1; // pseudo-randomly chooses 0 to 11, then adds 1 to give 1 to 12
+
+ grade =
+ switch( grade,
+ 1, { "D-" },
+ 2, { "D" },
+ 3, { "D+" },
+ 4, { "C-" },
+ 5, { "C" },
+ 6, { "C+" },
+ 7, { "B-" },
+ 8, { "B" },
+ 9, { "B+" },
+ 10, { "A-" },
+ 11, { "A" },
+ 12, { "A+" }
+ );
+
+ ("Your grade is" + grade).postln;
+ nil;
+)
+</pre>
+ The code picks a pseudo-random number between 1 and 12, then uses a "switch" structure to convert that number into a letter-grade, assigning it to the same <code class="literal">grade</code> variable. Then, it adds the "Your grade is" string to the value of <code class="literal">grade</code> (with a space between), and prints that result.
+ </div><div class="para">
+ This example avoids the complex nested "if" structure from above.
+<pre class="programlisting">
+(
+ var testA = [1,2,3].choose; // pseudo-randomly chooses one of the elements in the List
+ var testB = [1,2,3].choose;
+
+ switch( [testA,testB],
+ [1,1], { "It's one and one!".postln; },
+ [1,2], { "It's one and two!".postln; },
+ [1,3], { "It's one and three!".postln; },
+ [2,1], { "It's two and one!".postln; },
+ [2,2], { "It's two and two!".postln; },
+ [2,3], { "It's two and thre!".postln; },
+ [3,1], { "It's three and one!".postln; },
+ [3,2], { "It's three and two!".postln; },
+ [3,3], { "It's three and three!".postln; }
+ );
+
+ nil;
+)
+</pre>
+ This is an elegant way to inspect two otherwise-separate variables. Remember that the first argument to "switch" (in this case, it's <code class="code">[testA,tesB]</code>) is compared to the first argument of possibe result with the equality operator: <code class="literal">==</code>
+ </div><div class="para">
+ When evaluating which switch to use, the <span class="application"><strong>SuperCollider</strong></span> interpreter will always apply the <span class="emphasis"><em>last</em></span> one that evaluates to <code class="literal">true</code>.
+<pre class="programlisting">
+(
+ switch( 5,
+ 5, { "one".postln; },
+ 5, { "two".postln; },
+ 5, { "three".postln; }
+ );
+
+ nil;
+)
+</pre>
+ All of these cases are true, but this will always result in "three" being printed.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-If_Statements.html"><strong>戻る</strong>11.3.8.3. "If This Is True, Then... "</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Case_Statements.html"><strong>次へ</strong>11.3.8.5. "In This Case, Do This"</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html
@@ -0,0 +1,92 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.8. Conditional Execution</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+
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+
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+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-.html" title="11.3.7.5. Other Loops" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html" title="11.3.8.2. Boolean Expressions" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a><
/p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution">11.3.8. Conditional Execution</h3></div></div></div><div class="para">
+ Conditional execution tells the <span class="application"><strong>SuperCollider</strong></span> interpreter to execute code on the condition that something is true. <span class="application"><strong>SuperCollider</strong></span> offers three conditional execution structures, "if", "switch", and "case" statements. Each of these structures is controlled by one or a series of "boolean expressions" (sometimes called "conditional expressions"), which are composed of "boolean operators".
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Operators"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Operators">11.3.8.1. Boolean Operators</h4></div></div></div><div class="para">
+ Boolean operators evaluate to <code class="literal">true</code> or <code class="literal">false</code>, and are most useful in boolean expressions, where they help to determine which portion of a program to execute.
+ </div><div class="para">
+ The following table lists binary boolean operators that take two arguments: one on the left and one on the right. These operators produce either <code class="literal">true</code> or <code class="literal">false</code>.
+ <div class="table"><h6>表11.1 Binary Boolean Operators in SuperCollider</h6><div class="table-contents"><table summary="Binary Boolean Operators in SuperCollider" border="1"><colgroup><col align="center" class="operator" width="50%" /><col align="center" class="meaning" width="50%" /></colgroup><thead><tr><th align="center">
+ Operator
+ </th><th align="center">
+ Meaning
+ </th></tr></thead><tbody><tr><td align="center">
+ <
+ </td><td align="center">
+ less than
+ </td></tr><tr><td align="center">
+ <=
+ </td><td align="center">
+ less than or equal to
+ </td></tr><tr><td align="center">
+ >
+ </td><td align="center">
+ greater than
+ </td></tr><tr><td align="center">
+ >=
+ </td><td align="center">
+ greater than or equal to
+ </td></tr><tr><td align="center">
+ ==
+ </td><td align="center">
+ equivalent
+ </td></tr><tr><td align="center">
+ !=
+ </td><td align="center">
+ not equivalent
+ </td></tr><tr><td align="center">
+ ===
+ </td><td align="center">
+ identical (the same object)
+ </td></tr><tr><td align="center">
+ !==
+ </td><td align="center">
+ not identical (not the same object)
+ </td></tr><tr><td align="center">
+ &&
+ </td><td align="center">
+ logical <code class="literal">And</code>
+ </td></tr><tr><td align="center">
+ ||
+ </td><td align="center">
+ logical <code class="literal">Or</code>
+ </td></tr></tbody></table></div></div><br class="table-break" />
+
+ </div><div class="para">
+ The following table lists unary boolean operators that take one arguments. These operators produce either <code class="literal">true</code> or <code class="literal">false</code>.
+ <div class="table"><h6>表11.2 Unary Boolean Operators in SuperCollider</h6><div class="table-contents"><table summary="Unary Boolean Operators in SuperCollider" border="1"><colgroup><col align="center" class="operator" width="50%" /><col align="center" class="meaning" width="50%" /></colgroup><thead><tr><th align="center">
+ Operator
+ </th><th align="center">
+ Meaning
+ </th></tr></thead><tbody><tr><td align="center">
+ isPositive
+ </td><td align="center">
+ <code class="literal">true</code> if the argument is greater than or equal to <code class="literal">0</code>
+ </td></tr><tr><td align="center">
+ isStrictlyPositive
+ </td><td align="center">
+ <code class="literal">true</code> if the argument is greater than <code class="literal">0</code>
+ </td></tr><tr><td align="center">
+ isNegative
+ </td><td align="center">
+ <code class="literal">true</code> if <code class="function">isPositive</code> is <code class="literal">false</code>
+ </td></tr></tbody></table></div></div><br class="table-break" />
+ Unary operators are actually functions, and must be used as such.
+<pre class="programlisting">
+(
+ var x = 5;
+ x.isPositive; // returns "true"
+ isNegative( x ); // returns "false"
+)
+</pre>
+
+ </div><div class="para">
+ The use of these operators is explained below in the "Boolean Expressions" section.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-.html"><strong>戻る</strong>11.3.7.5. Other Loops</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html"><strong>次へ</strong>11.3.8.2. Boolean Expressions</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Email.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Email.html
new file mode 100644
index 0000000..ce02bb5
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Email.html
@@ -0,0 +1,12 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.14.3. Email</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html" title="11.3.14. How to Get Help" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-IRC.html" title="11.3.14.2. Internet Relay Chat (IRC)" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-SuperCollider_Website.html" title="11.3.14.4. The SuperCollider Website" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site"
/></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-IRC.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-SuperCollider_Website.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Email"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Email">11.3.14.3. Email</h4></div></div></div><div class="para">
+ If you feel comfortable sending an email to a mailing list, you can use the <em class="citetitle">sc-users Mailing List</em>, available at <a href="http://www.beast.bham.ac.uk/research/sc_mailing_lists.shtml">http://www.beast.bham.ac.uk/research/sc_mailing_lists.shtml</a>. If you decide to subscribe to this list, be aware that it receives a large amount of mail every day.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-IRC.html"><strong>戻る</strong>11.3.14.2. Internet Relay Chat (IRC)</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-SuperCollider_Website.html"><strong>次へ</strong>11.3.14.4. The SuperCollider Website</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-IRC.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-IRC.html
new file mode 100644
index 0000000..7a07639
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-IRC.html
@@ -0,0 +1,12 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.14.2. Internet Relay Chat (IRC)</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html" title="11.3.14. How to Get Help" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html" title="11.3.14. How to Get Help" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Email.html" title="11.3.14.3. Email" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a
accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Email.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-IRC"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-IRC">11.3.14.2. Internet Relay Chat (IRC)</h4></div></div></div><div class="para">
+ If you know how to use Internet Relay Chat (IRC), you can join the #supercollider channel on the Freenode network. The channel does not usually have a large number of participants or a lot of activity, but the users are some of the most polite and helpful on the internet.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html"><strong>戻る</strong>11.3.14. How to Get Help</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Email.html"><strong>次へ</strong>11.3.14.3. Email</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-SuperCollider_Website.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-SuperCollider_Website.html
new file mode 100644
index 0000000..a75085c
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-SuperCollider_Website.html
@@ -0,0 +1,12 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.14.4. The SuperCollider Website</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html" title="11.3.14. How to Get Help" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Email.html" title="11.3.14.3. Email" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution.html" title="11.3.15. Legal Attribution" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previ
ous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Email.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-SuperCollider_Website"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-SuperCollider_Website">11.3.14.4. The <span class="application"><strong>SuperCollider</strong></span> Website</h4></div></div></div><div class="para">
+ The <em class="citetitle"><span class="application"><strong>SuperCollider</strong></span> Website</em> at SourceForge (<a href="http://supercollider.sourceforge.net/">http://supercollider.sourceforge.net/</a>) offers links to many resources.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Email.html"><strong>戻る</strong>11.3.14.3. Email</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution.html"><strong>次へ</strong>11.3.15. Legal Attribution</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html
new file mode 100644
index 0000000..249c65b
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html
@@ -0,0 +1,18 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.14. How to Get Help</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-TempoClock_Class.html" title="11.3.13.6. Working with the TempoClock Class" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-IRC.html" title="11.3.14.2. Internet Relay Chat (IRC)" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Docum
entation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-TempoClock_Class.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-IRC.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help">11.3.14. How to Get Help</h3></div></div></div><div class="para">
+ Knowing how to get help in <span class="application"><strong>SuperCollider</strong></span> is going to play a large part in determining whether you have a productive or frustrating relationship with the language and its components. There are a large number of ways to get help, but here are some of the most helpful.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Official_Help_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-Official_Help_Files">11.3.14.1. Use the <span class="application"><strong>SuperCollider</strong></span> Help Files</h4></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> comes with an extensive collection of help files, which contain the answers to most of your problems. The difficulty will be in finding the solution - it's not always located where you think it is, because it often isn't the solution you think it will be.
+ </div><div class="para">
+ On Fedora Linux systems, the main help file is located at [file:///usr/share/SuperCollider/Help/Help.html this URL], and it can be viewed in any web browser. It may also be helpful to browse the directory structure of the help files, located at [file:///usr/share/SuperCollider/Help this URL], which can also be viewed in your web browser.
+ </div><div class="para">
+ If you're looking for further explanations of material in this tutorial, you could start by reviewing the [file:///usr/share/SuperCollider/Help/Tutorials/Getting-Started/Getting%20Started%20With%20SC.html Getting Started With <span class="application"><strong>SuperCollider</strong></span>] tutorial, on which this document is based. The sections in that tutorial roughly correspond to the sections in this guide.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-TempoClock_Class.html"><strong>戻る</strong>11.3.13.6. Working with the TempoClock Class</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-IRC.html"><strong>次へ</strong>11.3.14.2. Internet Relay Chat (IRC)</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution.html
new file mode 100644
index 0000000..6880e25
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution.html
@@ -0,0 +1,16 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.15. Legal Attribution</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-SuperCollider_Website.html" title="11.3.14.4. The SuperCollider Website" /><link rel="next" href="sect-Musicians_Guide-SuperCollider-Composing.html" title="11.4. Composing with SuperCollider" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" />
</a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-SuperCollider_Website.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SuperCollider-Composing.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution">11.3.15. Legal Attribution</h3></div></div></div><div class="para">
+ This portion of the Fedora Musicians' Guide, called "Basic Programming with <span class="application"><strong>SuperCollider</strong></span>," is a derivative work of the, <em class="citetitle">Getting Started With <span class="application"><strong>SuperCollider</strong></span></em> tutorial. The original work was created by Scott Wilson, James Harkins, and the <span class="application"><strong>SuperCollider</strong></span> development team. It is available on the internet from <a href="http://supercollider.svn.sourceforge.net/viewvc/supercollider/trunk/common/build/Help/Tutorials/Getting-Started/Getting%20Started%20With%20SC.html">http://supercollider.svn.sourceforge.net/viewvc/supercollider/trunk/common/build/Help/Tutorials/Getting-Started/Getting%20Started%20With%20SC.html</a>.
+ </div><div class="para">
+ The original document, like all <span class="application"><strong>SuperCollider</strong></span> documentation, is licenced under the Creative Commons' <em class="citetitle">Attribution Share-Alike 3.0 Unported Licence</em>, accessible on the internet at <a href="http://creativecommons.org/licenses/by-sa/3.0/">http://creativecommons.org/licenses/by-sa/3.0/</a>.
+ </div><div class="para">
+ This usage should in no way be construed as an endorsement of the Fedora Project, the Musicians' Guide, or any other party by the <span class="application"><strong>SuperCollider</strong></span> development team.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help-SuperCollider_Website.html"><strong>戻る</strong>11.3.14.4. The SuperCollider Website</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SuperCollider-Composing.html"><strong>次へ</strong>11.4. Composing with SuperCollider</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Method_One.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Method_One.html
new file mode 100644
index 0000000..a9e430e
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Method_One.html
@@ -0,0 +1,39 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.5.3. Method One</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio.html" title="11.3.5. Multichannel Audio" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Multichannel_Expansion.html" title="11.3.5.2. Multichannel Expansion" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Collections.html" title="11.3.6. Collections" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><
ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Multichannel_Expansion.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Method_One"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Method_One">11.3.5.3. Method One</h4></div></div></div><div class="para">
+ Believe it or not, you now know enough to understand a slightly-modified version of the first part of "Method One," a <span class="application"><strong>SuperCollider</strong></span> program written and heavily commented specifically for use with this guide. You should <code class="function">play</code> this example, and experiment with changing the frequencies, volumes, and so on. The fully-commented version provides a full explanation of how the function works.
+<pre class="programlisting">
+{
+ // sets up the frequencies of both channels
+ var frequencyL = SinOsc.kr( freq:10, mul:200, add:400 ); // oscillating
+ var frequencyR = SinOsc.kr( freq:1, mul:50, add:150 ); // oscillating
+ var frequencyL_drone = SinOsc.kr( freq:0.03, mul:20, add:100 ); // drone
+ var frequencyR_drone = SinOsc.kr( freq:0.01, mul:20, add:210 ); // drone
+
+ // changes the volume of the oscillating part in the left channel
+ var volumeL = SinOsc.kr( freq:0.5, mul:0.02, add:0.03 );
+
+ // left channel
+ var left = [ SinOsc.ar( freq:frequencyL, mul:volumeL ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyL_drone,2*frequencyL_drone], mul:0.02 ), // the rest make up the drone
+ SinOsc.ar( freq:[5*frequencyL_drone,7*frequencyL_drone], mul:0.005 ),
+ SinOsc.ar( freq:[13*frequencyL_drone,28*frequencyL_drone], mul:0.001 ) ];
+
+ // right channel
+ var right = [ SinOsc.ar( freq:frequencyR, mul:0.1 ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyR_drone,2*frequencyR_drone], mul:0.02 ), // the rest make up the drone
+ SinOsc.ar( freq:4*frequencyR_drone, mul:0.005 ),
+ SinOsc.ar( freq:[64*frequencyR_drone,128*frequencyR_drone], mul:0.01 ) ]; // high frequencies!
+
+ [ left, right ];
+}
+</pre>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Multichannel_Expansion.html"><strong>戻る</strong>11.3.5.2. Multichannel Expansion</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Collections.html"><strong>次へ</strong>11.3.6. Collections</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Multichannel_Expansion.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Multichannel_Expansion.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.5.2. Multichannel Expansion</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio.html" title="11.3.5. Multichannel Audio" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio.html" title="11.3.5. Multichannel Audio" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Method_One.html" title="11.3.5.3. Method One" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="
docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Method_One.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Multichannel_Expansion"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Multichannel_Expansion">11.3.5.2. Multichannel Expansion</h4></div></div></div><div class="para">
+ You can automatically create multiple UGens by providing an Array as one of the parameters. The <span class="application"><strong>SuperCollider</strong></span> interpreter will automatically create multichannel UGens as a result.
+ </div><div class="para">
+ The following two examples produce equivalent output:
+<pre class="programlisting">{ [ SinOsc.ar( 440, 0, 0.2 ), SinOsc.ar( 440, 0, 0.2 ) ]; }.play;</pre>
+
+<pre class="programlisting">{ SinOsc.ar( [440, 440], 0, 0.2 ); }.play;</pre>
+ The second example can be easier to read, because it is obvious that only the frequency is changing - or in this case, that nothing is changing. This technique is more useful in a situation like the following:
+<pre class="programlisting">
+{ SinOsc.ar( [[440, 445, 450, 455, 460, 465],
+ [440, 445, 450, 455, 460, 465]],
+ 0,
+ 0.2 ); }.play;
+</pre>
+ That's not exactly easy to read, but it's easier to figure out than the most obvious alternative:
+<pre class="programlisting">
+{
+ [[ SinOsc.ar( 440, 0, 0.2 ), SinOsc.ar( 445, 0, 0.2 ), SinOsc.ar( 450, 0, 0.2 ), SinOsc.ar( 455, 0, 0.2 ), SinOsc.ar( 460, 0, 0.2 ), SinOsc.ar( 465, 0, 0.2 ) ],
+ [ SinOsc.ar( 440, 0, 0.2 ), SinOsc.ar( 445, 0, 0.2 ), SinOsc.ar( 450, 0, 0.2 ), SinOsc.ar( 455, 0, 0.2 ), SinOsc.ar( 460, 0, 0.2 ), SinOsc.ar( 465, 0, 0.2 ) ]];
+}.play;
+</pre>
+ More importantly, multichannel expansion gives us another tool to avoid repetition. Repetition is the enemy of correctness - it's so much more difficult to find a mistake in the second example than in the first!
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio.html"><strong>戻る</strong>11.3.5. Multichannel Audio</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Method_One.html"><strong>次へ</strong>11.3.5.3. Method One</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.5. Multichannel Audio</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
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+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-The_play_Function.html" title="11.3.4.2. The "play" Function" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Multichannel_Expansion.html" title="11.3.5.2. Multichannel Expansion" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/image
s/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-The_play_Function.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Multichannel_Expansion.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio">11.3.5. Multichannel Audio</h3></div></div></div><div class="para">
+ By now you must be growing tired of the left-side-only sounds being produced by the examples.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Stereo_Array"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Stereo_Array">11.3.5.1. Stereo Array</h4></div></div></div><div class="para">
+ The easiest way to output multichannel audio in <span class="application"><strong>SuperCollider</strong></span> is to use a kind of "Collection" (defined later) called an "Array." <span class="application"><strong>SuperCollider</strong></span> will theoretically handle any number of audio output channels, but by default is usually only configured for two-channel stereo audio. Since humans have only two ears, this is sufficient for most tasks! A multichannel array is notated like this: <code class="code">[ LeftChannel.ar( x ), RightChannel.ar( y ) ]</code>
+ </div><div class="para">
+ Here is our simple sine oscillator expanded to produce stereo audio:
+<pre class="programlisting">{ [ SinOsc.ar( 440, 0, 0.2 ), SinOsc.ar( 440, 0, 0.2 ) ]; }.play;</pre>
+ Not much has changed, except that the audio we hear is now being emitted from both the left and right channels. Change the frequency of one of the sine oscillators to <code class="literal">450</code> and the difference will become much more apparent.
+ </div><div class="para">
+ Multichannel arrays can also be combined with each other, like this:
+<pre class="programlisting">
+{
+ var one = [ x, y, z ];
+ var two = [ a, b, c ];
+ [ one, two ];
+}
+</pre>
+ If <code class="literal">a</code>, <code class="literal">b</code>, <code class="literal">c</code>, <code class="literal">x</code>, <code class="literal">y</code>, and <code class="literal">z</code> were all audio-rate UGens, this function could be <code class="function">play</code>'ed. It would produce stereo audio, and each channel would have three independent UGens.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-The_play_Function.html"><strong>戻る</strong>11.3.4.2. The "play" Function</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio-Multichannel_Expansion.html"><strong>次へ</strong>11.3.5.2. Multichannel Expansion</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Choosing_a_Paradigm.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Choosing_a_Paradigm.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.3.4. Choosing a Paradigm</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
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+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented.html" title="11.3.3. Object-Oriented SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Object-Oriented_Programming.html" title="11.3.3.3. Object-Oriented Programming" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions.html" title="11.3.4. Sound-Making Functions" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png"
alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Object-Oriented_Programming.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Choosing_a_Paradigm"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Choosing_a_Paradigm">11.3.3.4. Choosing a Paradigm</h4></div></div></div><div class="para">
+ At this point you may begin worrying about which programming paradigm you should choose, and when. The answer is unhelpful: "Whichever seems best for the task."
+ </div><div class="para">
+ Let's expand on this. If you are primarily a programmer, then you probably already know how to choose the best paradigm and algorithm for the task. If you are a musician, then you probably just want your program to produce the output that you want (in this case, a particular set of sounds). Part of the beauty of <span class="application"><strong>SuperCollider</strong></span>'s flexibility is that it allows you to produce the same output in different ways. As a musician this means that, as long as your program works as you want it to work, it doesn't matter how you write it. Experience will teach you more and less effective ways of doing things, but there is no need for rules.
+ </div><div class="para">
+ Even so, here are some guidelines that will help you to start thinking about music programs:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Programs of all sorts often follow a simple, four-step flow. Not all parts are always present.
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Declare variables.
+ </div></li><li class="listitem"><div class="para">
+ Get input from the user.
+ </div></li><li class="listitem"><div class="para">
+ Calculate something with the input.
+ </div></li><li class="listitem"><div class="para">
+ Provide output to the user (i.e. "make noise").
+ </div></li></ol></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Repetition is the enemy of correctness, so if you're going to execute some code more than once, try writing a Function. If it's slightly different every time, try using arguments. Arguments with default values are a great way to expand a Function's usefulness.
+ </div></li><li class="listitem"><div class="para">
+ If it looks too complicated, then it probably is. The more difficult it is to understand something, the greater the chance of making a mistake.
+ </div></li><li class="listitem"><div class="para">
+ Don't forget the semicolons at the end of every statement.
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Object-Oriented_Programming.html"><strong>戻る</strong>11.3.3.3. Object-Oriented Programming</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions.html"><strong>次へ</strong>11.3.4. Sound-Making Functions</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Functional_Programming.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Functional_Programming.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.3.2. Functional Programming</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+
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+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented.html" title="11.3.3. Object-Oriented SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented.html" title="11.3.3. Object-Oriented SuperCollider" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Object-Oriented_Programming.html" title="11.3.3.3. Object-Oriented Programming" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png"
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+ Functional programming is also easy to understand, but it can be a little bit more difficult to think about complex tasks. Functional programs use Functions to complete all of their work. This is not strictly possible in <span class="application"><strong>SuperCollider</strong></span>: it is more imperative than functional, but the creative use of Functions can easily solve some problems that are difficult to write with an imperative approach.
+ </div><div class="para">
+ The following example is an extension of the "Imperative" example. Pretend that the following Functions exist, and do the following tasks:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ getinput : allows the user to enter a number, and returns that number
+ </div></li><li class="listitem"><div class="para">
+ add : adds together the numbers given as arguments, returning the sum
+ </div></li></ul></div>
+
+<pre class="programlisting">
+(
+ postln( add( getinput, getinput ) );
+)
+</pre>
+
+ </div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> will always execute the inner-most Functions first. This is how the interpreter executes the single-line program above:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Execute the left call of <code class="function">getinput</code>
+ </div></li><li class="listitem"><div class="para">
+ Execute the right call of <code class="function">getinput</code>
+ </div></li><li class="listitem"><div class="para">
+ Execute <code class="function">add</code> with the two numbers returned by <code class="function">getinput</code>
+ </div></li><li class="listitem"><div class="para">
+ Execute <code class="function">postln</code> with the number returned by <code class="function">add</code>
+ </div></li></ol></div>
+
+ </div><div class="para">
+ Both imperative and functional programming have advantages and disadvantages. <span class="application"><strong>SuperCollider</strong></span> will allow you to use either approach, or a mix of both, when solving problems.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented.html"><strong>戻る</strong>11.3.3. Object-Oriented SuperCollider</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Object-Oriented_Programming.html"><strong>次へ</strong>11.3.3.3. Object-Oriented Programming</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Object-Oriented_Programming.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Object-Oriented_Programming.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.3.3. Object-Oriented Programming</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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g" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Functional_Programming.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Choosing_a_Paradigm.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Object-Oriented_Programming"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Object-Oriented_Programming">11.3.3.3. Object-Oriented Programming</h4></div></div></div><div class="para">
+ Object-oriented programming is more difficult to think about than imperative or functional. When using this paradigm (mode of thought), almost everything in <span class="application"><strong>SuperCollider</strong></span> is thought of as an abstract Object. In this way, it allows programmers to make compelling comparisons to the real world, where all tangible things are objects, and where it is not hard to conceive of most intangible things as objects, too. With object-oriented programming, computer science takes a break from mathematics, and is influenced by philosophy.
+ </div><div class="para">
+ Class names always begin with an uppercase letter.
+ </div><div class="para">
+ Anything can be represented as an Object - like a bicycle, for instance. Let's pretend that we have an Object called a Bicycle. We don't yet have a particular bicycle - just the abstract <em class="firstterm">class</em> containing everything that is true about all bicycles. If a Bicycle class exists in <span class="application"><strong>SuperCollider</strong></span>, you generate a specific instance like this: <code class="code">var bike = Bicycle.new;</code> All <span class="application"><strong>SuperCollider</strong></span> Objects can be <em class="firstterm">instantiated</em> in this way: you get a specific Bicycle from the generic class, and you can then modify and work with your own Object as you choose. The specific properties associated with a particular instance of a class are called <em class="firstterm">instance variables</em>.
+ </div><div class="para">
+ There are certain things that Bicycles are designed to do: turn the wheels, turn the handlebar, raise and lower the seat, and so on. You can cause these things to happen by providing a certain input to a real-world Bicycle: if you want to turn the wheels, you might push the pedals. In <span class="application"><strong>SuperCollider</strong></span>, you cause things to happen by <em class="firstterm">sending a message</em> to the Object that tells it what you want: if you have a Bicycle, you might turn the wheels like this: <code class="code">bike.turnTheWheels;</code> When you do this, you actually execute the <code class="function">turnTheWheels</code> function, which is defined by the abstract Bicycle class. Because it doesn't make sense to turn the wheels of all bicycles in existence, you don't call the <em class="firstterm">method</em> (a synonym for "Function") from the Bicycle class itself, but from the particular instance whose wheels you want to turn. The proper
way to access instance variables is by using instance methods.
+ </div><div class="para">
+ If this kind of programming is new to you, it might seem extremely difficult. It can be intimidating at first, but it is actually not too difficult to understand once you start to use it. In fact, you have already been using it! Remember the <code class="function">postln</code> command that was described earlier as a special kind of Function? It's actually a Function defined by <span class="application"><strong>SuperCollider</strong></span>'s abstract class <code class="classname">Object</code>, which defines a set of messages that can be passed to <span class="emphasis"><em>any</em></span> <span class="application"><strong>SuperCollider</strong></span> object. Because most things in <span class="application"><strong>SuperCollider</strong></span> are objects, we can send them the <code class="function">postln</code> message, and they will understand that it means to print themselves in the "<span class="application"><strong>SuperCollider</strong></span> output" pane.
+ </div><div class="para">
+ Why is it that all Objects respond to the <code class="function">postln</code> message? <span class="application"><strong>SuperCollider</strong></span> classes are allowed to belong to other <span class="application"><strong>SuperCollider</strong></span> classes, of which they are a part. Consider the Bicycle class again. It is a kind of vehicle, and philosophers might say that "things that are members of the bicycle class are also members of the vehicle class." That is, real-world bicycles share certain characteristics with other real-world objects that are classified as "vehicles." The bicycle class is a "sub-class" of the vehicle class, and it <em class="firstterm">inherits</em> certain properties from the vehicles class. <span class="application"><strong>SuperCollider</strong></span> allows this behaviour too, and calls it <em class="firstterm">inheritance</em>. In <span class="application"><strong>SuperCollider</strong></span>, since all classes define Objects, they
are all automatically considered to be a sub-class of the class called <code class="classname">Object</code>. All classes therefore inherit certain characteristics from the <code class="classname">Object</code> class, like knowing how to respond to the <code class="function">postln</code> message.
+ </div><div class="para">
+ equivalent notation: <code class="literal">5.postln</code> versus <code class="literal">postln( 5 )</code>
+ </div><div class="para">
+ You still don't know how to write new Classes and Objects in <span class="application"><strong>SuperCollider</strong></span>, but knowing how to use them is more than enough for now. By the time you need to write your own Classes, you will probably prefer to use the official <span class="application"><strong>SuperCollider</strong></span> help files, anyway.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Functional_Programming.html"><strong>戻る</strong>11.3.3.2. Functional Programming</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Choosing_a_Paradigm.html"><strong>次へ</strong>11.3.3.4. Choosing a Paradigm</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.3. Object-Oriented SuperCollider</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-.html" title="11.3.2.6. Variable Scope" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Functional_Programming.html" title="11.3.3.2. Functional Programming" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentat
ion Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Functional_Programming.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented">11.3.3. Object-Oriented <span class="application"><strong>SuperCollider</strong></span></h3></div></div></div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> is difficult to describe precisely, because its syntax allows great flexibility. There are many different ways to accomplish the same task. Each one is subtly different, and gives you a different set of possibilities, but there is often no "best solution." One of the advantages to this is that it easily allows three "programming paradigms," although one is used much more often than the others.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Imperative_Programming"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Imperative_Programming">11.3.3.1. Imperative Programming</h4></div></div></div><div class="para">
+ Imperative programming is easy to understand: it is simply a list of commands, like this:
+<pre class="programlisting">
+(
+ var a, b, c;
+
+ a = 12;
+ b = 25;
+ c = a + b;
+ a.postln;
+)
+</pre>
+ Declare the variables, set the variables, do a calculation, and print the result of the calculation. This is a simple example, and a simple model, but it is very difficult to escape completely. After all, humans think of large problems in terms of algorithms (the instructions needed to do something). Computers solve large problems, so being able to program them with a series of instructions makes sense.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-.html"><strong>戻る</strong>11.3.2.6. Variable Scope</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Functional_Programming.html"><strong>次へ</strong>11.3.3.2. Functional Programming</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.12. Ordering and Other Synth Features</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Example.html" title="11.3.11.5. Using Busses: Audio-Rate Example" /><link rel="next" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Changing_the_Order.html" title="11.3.12.2. Changing the Order" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/imag
e_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Example.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Changing_the_Order.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Ordering_and_Other_Features">11.3.12. Ordering and Other Synth Features</h3></div></div></div><div class="para">
+ This section discusses the important topic of creating and enforcing an "order" on the server. Because this is done with Functions (or methods) from the Synth Class, other useful Functions from the Class are discussed here.
+ </div><div class="section" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Ordering"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Ordering">11.3.12.1. Ordering</h4></div></div></div><div class="para">
+ Ordering is instructing the server to calculate in a particular order. The audio synthesized by the server takes the same form as any other digital audio: a series of samples are played at a particular speed (called sample rate), each with a set number of bits per sample (called sample format). For each sample, the server calculates the signal at that point in a pre-determined order. Each sample is calculated from scratch, so if a particular UGen depends on the output of another UGen, the other one had better be calculated first. For more information on samples, sample rate, and sample format, see <a class="xref" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html">「サンプル、サンプルレート、サンプルフォーマット、およびビットレート」</a>.
+ </div><div class="para">
+ Consider the following example:
+<pre class="programlisting">{ SinOsc.ar( freq:SinOsc.kr( freq:1, add:500, mul:10 ), mul:0.2 ); }.play;</pre>
+ What happens if the server calculates the audio-rate UGen first? It wouldn't have a frequency. This is another one of those things which the interpreter takes care of automatically when we run Function rather than create a Synth. Since it's often preferable to use a synth instead of a Function, we need some way to control the order of execution. The interpreter and the server are only so good at guessing what we need, after all.
+ </div><div class="para">
+ There are two methods in the <code class="classname">Synth</code> Class that we can use to inform the server about our desired order of execution: "before" and "after". They represent a small extension to the "new" method, and they work like this: <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncSynth.before</strong>(</code><var class="pdparam">variableHoldingSynth</var>, <var class="pdparam">nameOfSynthDef</var>, <var class="pdparam">ListOfArguments</var><code>)</code>;</p></div> and <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncSynth.after</strong>(</code><var class="pdparam">variableHoldingSynth</var>, <var class="pdparam">nameOfSynthDef</var>, <var class="pdparam">ListOfArguments</var><code>)</code>;</p></div> And it works just as it looks, too: the server creates a new synth, adds it before or after the synth represented by "variableHoldingSynth" (depending on which Function you use), and uses "nameOfSynthDef" and "ListOfArguments"
just as in the "add" method. This example, from <a class="xref" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example.html">「Using Busses: Control-Rate Example」</a>, uses the "after" Function to ensure that the control-rate synth is calculated before the audio-rate synths that depend on it.
+<pre class="programlisting">
+( // execute first: prepare the server
+ var busAudioSynth =
+ {
+ arg bus, freqOffset = 0;
+
+ Out.ar( 0, SinOsc.ar( freq:( In.kr(bus) + freqOffset ), mul:0.1 ) );
+ };
+
+ var busControlSynth =
+ {
+ arg bus, freq = 400;
+
+ Out.kr( bus, SinOsc.kr( freq:1, mul:( freq/40 ), add:freq ) );
+ };
+
+ SynthDef( \tutorialAudioBus, busAudioSynth ).send( s );
+ SynthDef( \tutorialControlBus, busControlSynth ).send( s );
+
+ b = Bus.control( s );
+)
+
+( // execute second: create synths
+ x = Synth.new( \tutorialControlBus, [\bus, b] ); // control synth
+ y = Synth.after( x, \tutorialAudioBus, [\bus, b] ); // low audio synth
+ z = Synth.after( x, \tutorialAudioBus, [\bus, b, \freqOffset, 200] ); // high audio synth
+)
+
+( // commands to free each Object
+ x.free; x = nil; // control synth
+ y.free; y = nil; // low audio synth
+ z.free; z = nil; // high audio synth
+ b.free; b = nil; // control bus
+)
+</pre>
+ In this case, the control-rate synth is created before the audio-rate synths - probably the easier way to think about it. Even so, it's possible to add them in the opposite order with a little extra thought.
+ </div><div class="para">
+ The other example from <a class="xref" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html">「Busses」</a> use the "before" Function to ensure that the "pink noise" and "sine wave" UGen's were calculated before the "reverberation" UGen. Especially since these are all audio-rate UGen's, the server would not reasonably know which to calculate first, so you need to let it know.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Audio_Rate_Bus_Example.html"><strong>戻る</strong>11.3.11.5. Using Busses: Audio-Rate Example</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Changing_the_Order.html"><strong>次へ</strong>11.3.12.2. Changing the Order</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.7.5. Other Loops</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html" title="11.3.7. Repeated Execution" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-While.html" title="11.3.7.4. "Do This While"" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html" title="11.3.8. Conditional Execution" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="do
cnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-While.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-">11.3.7.5. Other Loops</h4></div></div></div><div class="para">
+ The default language provides two other loop structures, both of which are designed to iterate over a series of integer values: "for" loops and "forBy" loops. Their use is more limited than "do" loops. They are explained in the <span class="application"><strong>SuperCollider</strong></span> documentation.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-While.html"><strong>戻る</strong>11.3.7.4. "Do This While"</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html"><strong>次へ</strong>11.3.8. Conditional Execution</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Repeating-Do_Examples.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Repeating-Do_Examples.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Repeating-Do_Examples.html
@@ -0,0 +1,54 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.7.3. Example "Do" Loops</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html" title="11.3.7. Repeated Execution" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Number_Do.html" title="11.3.7.2. "Do This, This Many Times"" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-While.html" title="11.3.7.4. "Do This While"" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></
p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Number_Do.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-While.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Do_Examples"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Do_Examples">11.3.7.3. Example "Do" Loops</h4></div></div></div><div class="para">
+ These examples illustrate different ways to use "do" loops for trivial tasks.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+ tL = [27, 46, 102, 81, 34, 0, 39, 26, 203, 62];
+
+ do( tL, { arg item, rep; [rep, item].postln; }; );
+
+ nil;
+)
+</pre>
+ This example is of the first syntax shown. For each element in <code class="literal">tL</code>, the interpreter executes the function once, giving it <span class="emphasis"><em>first</em></span> the corresponding element of the Collection, and <span class="emphasis"><em>then</em></span> the iteration counter, which happens to be equal to the element's List index number.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ var tL = List.new;
+ var myFunc =
+ {
+ arg item;
+ item.postln;
+ };
+
+ tL = [27, 46, 102, 81, 34, 0, 39, 26, 203, 62];
+
+ tL.do( myFunc; );
+
+ nil;
+)
+</pre>
+ This example does several things differently, but maintains the same basic functionality as the previous example. In this case, the Function only uses the first argument that the interpreter provides, and completely ignores the iteration counter. The syntax here also puts the Collection outside the parentheses, which perhaps makes it more clear that <code class="literal">tL</code> is not part of the function.
+ </div><div class="para">
+
+<pre class="programlisting">
+(
+ 10.do( { "repeat".postln; }; );
+
+ nil;
+)
+</pre>
+ This example simply prints the string "repeat" ten times. If the Function accepted one argument, it would receive the integers zero through nine. If it accepted two arguments, both of the arguments would be equal.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Number_Do.html"><strong>戻る</strong>11.3.7.2. "Do This, This Many Times"</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-While.html"><strong>次へ</strong>11.3.7.4. "Do This While"</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Repeating-Number_Do.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Repeating-Number_Do.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Repeating-Number_Do.html
@@ -0,0 +1,12 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.7.2. "Do This, This Many Times"</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html" title="11.3.7. Repeated Execution" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html" title="11.3.7. Repeated Execution" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Do_Examples.html" title="11.3.7.3. Example "Do" Loops" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav">
<li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Do_Examples.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Number_Do"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Number_Do">11.3.7.2. "Do This, This Many Times"</h4></div></div></div><div class="para">
+ Another way to write a "do" loop takes advantage of <span class="application"><strong>SuperCollider</strong></span>'s flexibility, and is really the same as one of the methods above. It's basically equivalent to telling the interpreter to "run this Function this many times." The syntax looks like this, <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncaNumber.do</strong>(</code>aFunction<code>(</code>number<code>)</code><code>)</code>;</p></div> This causes <code class="function">aFunction</code> to be execute <em class="replaceable"><code>aNumber</code></em> times. The interpreter still provdies two arguments to <code class="function">aFunction</code>, but they are the same: it is the integers from zero to one less than <em class="replaceable"><code>aNumber</code></em>. You might also think of it as the number of times that <code class="function">aFunction</code> has been executed prior to this particular execution.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html"><strong>戻る</strong>11.3.7. Repeated Execution</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Do_Examples.html"><strong>次へ</strong>11.3.7.3. Example "Do" Loops</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Repeating-While.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Repeating-While.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Repeating-While.html
@@ -0,0 +1,46 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.7.4. "Do This While"</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating.html" title="11.3.7. Repeated Execution" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Do_Examples.html" title="11.3.7.3. Example "Do" Loops" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-.html" title="11.3.7.5. Other Loops" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li
class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Do_Examples.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-While"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-While">11.3.7.4. "Do This While"</h4></div></div></div><div class="para">
+ "While" loops execute continuously while their "test condition" is evaluated to be "true". Upon reaching the loop, the <span class="application"><strong>SuperCollider</strong></span> interpreter executes the test condition. If it is "fale", the interpreter does not execute the loop, and continues with the code after the loop. If it is "true", the interpreter executes the code in the loop once, then re-executes the test condition. If the test condition is "true", the loop is executed, the test condition re-executed, and so on. Until the test condition returns "false", the interpreter will never leave the loop.
+ </div><div class="para">
+ Here is the format of a "while" loop in <span class="application"><strong>SuperCollider</strong></span>: <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncwhile</strong>(</code>boolean testFunction<code>(</code>number<code>)</code>, bodyFunction<code>(</code>number<code>)</code><code>)</code>;</p></div> or like this: <div class="funcsynopsis"><p><code class="funcdef">testFunction.<strong>fsfuncwhile</strong>(</code>bodyFunction<code>(</code>number<code>)</code><code>)</code>;</p></div> The test condition, called <code class="function">testFunc</code>, is a function which returns a boolean value - either <code class="literal">true</code> or <code class="literal">false</code>. The loop's body, called <code class="function">bodyFunc</code>, is a function which can do anything. The loop body function is not provided any arguments by the interpreter. You will have to use comparison operators and boolean expressions when writing the Function for the test conditi
on. For information on how these work in <span class="application"><strong>SuperCollider</strong></span>, see <a class="xref" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution.html#sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Operators">「Boolean Operators」</a> and <a class="xref" href="sect-Musicians_Guide-SC-Basic_Programming-Conditional_Execution-Boolean_Expressions.html">「Boolean Expressions」</a>.
+ </div><div class="para">
+ The following three code blocks are equivalent:
+<pre class="programlisting">
+(
+ 10.do( { "repeat".postln; }; );
+)
+</pre>
+ and
+<pre class="programlisting">
+(
+ var counter = 0;
+ while( { counter < 10; }, { "repeat".postln; counter = counter + 1; } );
+)
+</pre>
+ and
+<pre class="programlisting">
+(
+ var counter = 0;
+ { counter < 10; }.while( { "repeat".postln; counter = counter + 1; } );
+)
+</pre>
+ You can see how it's easier to write this particular activity as a "do" loop. It's often the case that a "do" loop better reflects what you want to do, but not always.
+ </div><div class="para">
+ Contemplate a situation where you are waiting for the user to input some information, which you're going to use to calculate the rest of the composition. The following example isn't real code. It's intended to simplify a complex situation, so you can see where a "while" loop makes more sense than a "do" loop.
+<pre class="programlisting">
+play( some background music );
+while( { is the user still inputting information? }, { keep playing music } );
+stop( some background music );
+</pre>
+ The background music is begun, and then the interpreter would enter the loop. For as long as the user is still inputting information, the interpreter will then "keep playing music." When the user is not still inputting information, the interpreter will move on to the next command, which stops the music. An equivalent "do" loop would be very difficult to write, if not impossible. This is because we won't know when the user has finished inputting their information until <span class="emphasis"><em>after</em></span> they've finished, so we can't plan in advance for how long to play background music.
+ </div><div class="para">
+ Thus, the most appropriate use of a "while" loop is for cases where you cannot know in advance how many times something should be executed. For most other cases of repeated execution, a "do" loop is the most appropriate choice.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Do_Examples.html"><strong>戻る</strong>11.3.7.3. Example "Do" Loops</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-.html"><strong>次へ</strong>11.3.7.5. Other Loops</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Repeating.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Repeating.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Repeating.html
@@ -0,0 +1,16 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.7. Repeated Execution</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-Other_Collections.html" title="11.3.6.4. Other Collections" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Number_Do.html" title="11.3.7.2. "Do This, This Many Times"" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documen
tation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-Other_Collections.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Number_Do.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating">11.3.7. Repeated Execution</h3></div></div></div><div class="para">
+ Repeating boring tasks is one of the main uses of computers, which don't mind doing the same thing over and over again. More importantly, writing code once and using it many times is much more intelligent than writing the same code many times. Repetition of the same code is often problematic, and repetition with subtle differences is even worse. Errors in this kind of code are difficult to find in the first place, and more difficult to solve effectively. Thankfully, as with most other things, <span class="application"><strong>SuperCollider</strong></span> offers a wide variety of ways to repeat code without re-writing it.
+ </div><div class="para">
+ The code structure used to create repetition is normally called a <em class="firstterm">loop</em>. "Do" loops are <span class="application"><strong>SuperCollider</strong></span>'s most versatile and useful repetition structure, and there are a few different ways to think about and write it. The "while" loop is a standard of most programming languages.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Simple_Do"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Simple_Do">11.3.7.1. "Do This to Everything in This Collection"</h4></div></div></div><div class="para">
+ One way to write a "do" loop is basically the same as telling the interpreter to "do this Function to every element in this Collection." The syntax looks like this: <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncdo</strong>(</code><var class="pdparam">aCollection</var>, aFunction<code>(</code>number, number<code>)</code><code>)</code>;</p></div> ... or like this: <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncaCollection.do</strong>(</code>aFunction<code>(</code>number, number<code>)</code><code>)</code>;</p></div> This causes <code class="function">aFunction</code> to be executed once for each element in <em class="replaceable"><code>aCollection</code></em>, which can be any kind of Collection. Each time <code class="function">aFunction</code> is run, it is given two arguments, in this order: an element of <em class="replaceable"><code>aCollection</code></em>, and the elements index number. For Collection's that don't have index numbe
rs, it returns what the element's index number would have been. The loop always begins at the start of the Collection, and progresses with each element in order to the end. The second argument, really, is the integers from zero to one less than the number of elements in the Collection, increasing by one each time the loop executes <code class="function">aFunction</code>.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Collections-Other_Collections.html"><strong>戻る</strong>11.3.6.4. Other Collections</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Repeating-Number_Do.html"><strong>次へ</strong>11.3.7.2. "Do This, This Many Times"</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Default_Clocks.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Default_Clocks.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.13.2. Default Clocks</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Finding_the_Current_Time.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Default_Clocks"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Default_Clocks">11.3.13.2. Default Clocks</h4></div></div></div><div class="para">
+ The <span class="application"><strong>SuperCollider</strong></span> interpreter provides two default clocks, and one default pseudo-clock.
+ </div><div class="para">
+ The <code class="classname">SystemClock</code> always operates in seconds, and it can be used to schedule musical events, but usually this isn't necessary.
+ </div><div class="para">
+ The <code class="code">TempoClock.default</code> runs at 60 beats-per-minute by default (equal to one beat per second). Since it's accessible from anywhere within a program, any tempo changes will have an effect on the scheduling of the entire program - so be careful! If you don't want something to be effected by tempo changes, you can create a new TempoClock just for that part of the program. If you will be using this clock frequently, you can assign it to a variable like this:
+<pre class="programlisting">var t = TempoClock.default;</pre>
+
+ </div><div class="para">
+ The <code class="code">thisThread.clock</code> is not really a clock in itself, but refers to the clock which is responsible for scheduling the part of the program where the command is written. It can be a little bit tricky working with this clock, since it may be either the SystemClock or a TempoClock.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling.html"><strong>戻る</strong>11.3.13. Scheduling</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Finding_the_Current_Time.html"><strong>次へ</strong>11.3.13.3. Finding the Current Time</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Finding_the_Current_Time.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Finding_the_Current_Time.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.13.3. Finding the Current Time</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Default_Clocks.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Relative_Scheduling.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Finding_the_Current_Time"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Finding_the_Current_Time">11.3.13.3. Finding the Current Time</h4></div></div></div><div class="para">
+ Using the "beats" method on a clock will return that clock's current time. Try running each of the following:
+<pre class="programlisting">
+SystemClock.beats;
+TempoClock.default.beats;
+thisThread.clock.beats;
+</pre>
+
+ </div><div class="para">
+ This can be useful for scheduling events in an absolute way, or for a number of other things.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Default_Clocks.html"><strong>戻る</strong>11.3.13.2. Default Clocks</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Relative_Scheduling.html"><strong>次へ</strong>11.3.13.4. Relative Scheduling</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Relative_Scheduling.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Relative_Scheduling.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.13.4. Relative Scheduling</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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/></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Finding_the_Current_Time.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Repeated_Scheduling.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Relative_Scheduling"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Relative_Scheduling">11.3.13.4. Relative Scheduling</h4></div></div></div><div class="para">
+ The standard way to schedule things is in a certain number of beats from now. If you're scheduling on a SystemClock, one beat is equal to one second. If you're scheduling on a TempoClock, one beat is equal to whatever the current setting is.
+ </div><div class="para">
+ To schedule things on a clock, use the "sched" Function: <div class="funcsynopsis"><p><code class="funcdef">nameOfClock<strong>fsfuncsched</strong>(</code><var class="pdparam">beatsFromNow</var>, <var class="pdparam">FunctionToExecute</var><code>)</code>;</p></div> The interpreter will let you schedule just about anything, but there's no point in scheduling something other than a Function: scheduling a five won't have any effect - try it!
+<pre class="programlisting">SystemClock.sched( 5, 5 );</pre>
+ It looks like nothing happens. The <code class="literal">5</code> does happen, but... well... it doesn't do anything. Scheduling a Function <span class="emphasis"><em>will</em></span> do something:
+<pre class="programlisting">SystemClock.sched( 5, { 5.postln; } );</pre>
+ When you run this, there are two things to notice:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The interpreter prints out "SystemClock" first. This is to let you know that it did the scheduling as requested.
+ </div></li><li class="listitem"><div class="para">
+ The five prints out endlessly, in five-second intervals. For an explanation, see "Repeated Scheduling"
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Finding_the_Current_Time.html"><strong>戻る</strong>11.3.13.3. Finding the Current Time</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Repeated_Scheduling.html"><strong>次へ</strong>11.3.13.5. Repeated Scheduling</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Repeated_Scheduling.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Repeated_Scheduling.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.13.5. Repeated Scheduling</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling.html" title="11.3.13. Scheduling" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Relative_Scheduling.html" title="11.3.13.4. Relative Scheduling" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-TempoClock_Class.html" title="11.3.13.6. Working with the TempoClock Class" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site
" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Relative_Scheduling.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-TempoClock_Class.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Repeated_Scheduling"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Repeated_Scheduling">11.3.13.5. Repeated Scheduling</h4></div></div></div><div class="para">
+ If you schedule a Function that returns a number, the interpreter will schedule the Function to re-run in that many beats.
+ </div><div class="para">
+ This will print "5" every five seconds, until you press [Esc] to stop execution.
+<pre class="programlisting">SystemClock.sched( 5, { 5.postln; } );</pre>
+
+ </div><div class="para">
+ To avoid this, you can end your Function with <code class="literal">nil</code>, which has been done sometimes through this guide.
+<pre class="programlisting">SystemClock.sched( 5, { 5.postln; nil; } );</pre>
+ This will print <code class="literal">5</code> in five seconds, and then stop.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Relative_Scheduling.html"><strong>戻る</strong>11.3.13.4. Relative Scheduling</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-TempoClock_Class.html"><strong>次へ</strong>11.3.13.6. Working with the TempoClock Class</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Scheduling-TempoClock_Class.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Scheduling-TempoClock_Class.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.13.6. Working with the TempoClock Class</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Repeated_Scheduling.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-TempoClock_Class"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-TempoClock_Class">11.3.13.6. Working with the TempoClock Class</h4></div></div></div><div class="para">
+ Here is a brief explanation of some Functions available with the TempoClock Class. Throughout this section, the variable "t" is used to represent any particular TempoClock.
+ </div><div class="para">
+
+<pre class="programlisting">var t = TempoClock.new( tempo, beats );</pre>
+ This creates a new TempoClock. The arguments are optional, and have the following meanings:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ tempo: tempo of the clock, given in beats per second. To input a value in beats-per-minute, divide it by 60. Defaults to 60 beats per minute, or one per second.
+ </div></li><li class="listitem"><div class="para">
+ beats: starts the clock at this time. Default is zero.
+ </div></li></ul></div>
+
+ </div><div class="para">
+
+<pre class="programlisting">
+t.stop;
+t = nil;
+</pre>
+ Equivalent to the "free" method for a Synth of Bus Object. This stops the clock, discards all scheduled events, and releases the resources used to run the clock. Setting the variable to "nil" afterwards is optional, but recommended, to avoid later programming mistakes.
+ </div><div class="para">
+
+<pre class="programlisting"><em class="replaceable"><code>t</code></em>.clear;</pre>
+ Discards all scheduled events, but keeps the clock running.
+ </div><div class="para">
+
+<pre class="programlisting"><em class="replaceable"><code>t</code></em>.tempo;</pre>
+ Returns the current tempo in beats-per-second.
+ </div><div class="para">
+
+<pre class="programlisting"><em class="replaceable"><code>t</code></em>.tempo_( <em class="replaceable"><code>newTempo</code></em> );</pre>
+ Allows you to change the clock's tempo. The new tempo should be in beats-per-second. To input a tempo in beats-per-minute, divide the value by 60.
+ </div><div class="para">
+
+<pre class="programlisting"><em class="replaceable"><code>t</code></em>.play( <em class="replaceable"><code>aFunction</code></em> );</pre>
+ Schedules the Function to begin execution on the next beat.
+ </div><div class="para">
+ There are many other Functions in the TempoClock Class, related to absolute scheduling, scheduling with bars, and conversion of beats to and from seconds.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Repeated_Scheduling.html"><strong>戻る</strong>11.3.13.5. Repeated Scheduling</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Getting_Help.html"><strong>次へ</strong>11.3.14. How to Get Help</a></li></ul></body></html>
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+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.13. Scheduling</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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age_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Pausing_and_Restarting_a_Synth.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Default_Clocks.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling">11.3.13. Scheduling</h3></div></div></div><div class="para">
+ The practice of scheduling allows you to making things happen in a pre-determined amount of time. Scheduling is very different from ordering: ordering is a primarily technical consideration to ensure that the server synthesizes the sound in the right order; scheduling is a primarily musical consideration that allows you to control the perceived time that things happen.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Clocks"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Clocks">11.3.13.1. Clocks</h4></div></div></div><div class="para">
+ SuperCollider's clocks have two main functions: they know what time it is, and they know what time things are supposed to happen.
+ </div><div class="para">
+ There are three types of clocks, which each do slightly different things:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ TempoClock: These clocks are aware of metre (time signature) changes, and have an adjustable tempo. They are to be used for scheduling musical events, and they run with a high priority.
+ </div></li><li class="listitem"><div class="para">
+ SystemClock: This clock always runs in seconds. It can be used to schedule musical events, since it runs with a high priority. There is only one SystemClock.
+ </div></li><li class="listitem"><div class="para">
+ AppClock: These clocks always run in seconds. They are to be used for graphic events and other non-musical things not discussed in this guide. These clocks do not run with a high priority, so they can be temporarily "side-lined" by a TempoClock or the SystemClock, if one of those has something to do urgently.
+ </div></li></ul></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-C-Basic_Programming-Ordering_and_Other_Features-Pausing_and_Restarting_a_Synth.html"><strong>戻る</strong>11.3.12.4. Pausing and Restarting a Synth</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Scheduling-Default_Clocks.html"><strong>次へ</strong>11.3.13.2. Default Clocks</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-The_play_Function.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-The_play_Function.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.4.2. The "play" Function</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions.html" title="11.3.4. Sound-Making Functions" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions.html" title="11.3.4. Sound-Making Functions" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio.html" title="11.3.5. Multichannel Audio" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p>
<ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-The_play_Function"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-The_play_Function">11.3.4.2. The "play" Function</h4></div></div></div><div class="para">
+ The <code class="function">play</code> function does exactly what it says: it plays its input. The input must be a function with an audio-rate signal generator as the return value.
+ </div><div class="para">
+ The following two examples produce the same output:
+<pre class="programlisting">{ SinOsc.ar( 440, 0, 0.2 ); }.play;</pre>
+
+<pre class="programlisting">play( { SinOsc.ar( 440, 0, 0.2 ); } );</pre>
+ The first example is written from an object-oriented perspective. Functions know how to play their return value, when passed the <code class="function">play</code> message. This is true of all Functions whose return value is an audio-rate UGen. The second example is written from a functional perspective. The Function called <code class="function">play</code> will play its input, which must be a Function whose return value is an audio-rate UGen. Whether you should write <code class="function">play</code> in the functional or object-oriented way depends on which makes more sense to you.
+ </div><div class="para">
+ Try to re-write the above example so that the <code class="function">play</code> function operates on a variable-defined Function.
+ </div><div class="para">
+ The arguments to <code class="classname">SinOsc</code>, whether the audio- or control-rate generator, are these:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The first is called <code class="literal">freq</code>; it sets the frequency.
+ </div></li><li class="listitem"><div class="para">
+ The second is called <code class="literal">add</code>; it is added to all values produced by the UGen.
+ </div></li><li class="listitem"><div class="para">
+ The third is called <code class="literal">mul</code>; all values produced by the UGen are multiplied by this.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ You now know enough to spend hours with the sine oscillator UGen. Try combining audio- and control-rate UGens, and try to figure out what happens when each of the arguments is adjusted. Be careful that your audio interface's volume isn't set too high! Experiment with this one:
+<pre class="programlisting">
+(
+ var myFrequency = SinOsc.kr( freq:1, mul:200, add:400 );
+ var sound = { SinOsc.ar( myFrequency, 0, 0.2 ); };
+
+ play( sound );
+)
+</pre>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions.html"><strong>戻る</strong>11.3.4. Sound-Making Functions</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Multichannel_Audio.html"><strong>次へ</strong>11.3.5. Multichannel Audio</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.4. Sound-Making Functions</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Choosing_a_Paradigm.html" title="11.3.3.4. Choosing a Paradigm" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-The_play_Function.html" title="11.3.4.2. The "play" Function" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_r
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+ It's finally time to start thinking about Functions that produce sound!
+ </div><div class="para">
+ This example is discussed below in the following sections. Remember, when running <span class="application"><strong>SuperCollider</strong></span> code in <span class="application"><strong>GEdit</strong></span>, you can stop the sound by pressing <span class="keycap"><strong>Esc</strong></span>
+<pre class="programlisting">{ SinOsc.ar( 440, 0, 0.2 ); }.play;</pre>
+
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-UGens"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-UGens">11.3.4.1. UGens</h4></div></div></div><div class="para">
+ "UGen" stands for "unit generator." UGens are special Objects that generate either an audio or a control signal.
+ </div><div class="para">
+ The UGen that will be used for most of the experimentation in this Guide, and which was primarily used to generate the "Method One" program that goes with this Guide, is called <code class="classname">SinOsc</code>, which generates a sine wave. The class' name, <code class="classname">SinOsc</code> means "sine oscillator."
+ </div><div class="para">
+ The example at the beginning of this chapter, <code class="code">SinOsc.ar( 440, 0, 0.2 );</code> produces an "instance" of the <code class="classname">SinOsc</code> class, which continuously outputs a signal, based on the parameters given in parentheses. This instance produces an "audio rate" signal, which means that it is of sufficient quality to eventually become sound.
+ </div><div class="para">
+ A slightly modified version of that code will give us a "control rate" signal: <code class="code">SinOsc.kr( 440, 0, 0.2 );</code> There is only one small difference between the two examples - for us - but for <span class="application"><strong>SuperCollider</strong></span>, the difference is huge. A control rate signal will not be of sufficient quality to become sound; it is used to control other UGens that do become sound.
+ </div><div class="para">
+ Unlike other Classes, UGen Classes should not be instantiated with the <code class="function">new</code> message. They should always be instantiated as either audio-rate (by passing the <code class="function">ar</code> message), or control-rate (by passing the <code class="function">kr</code> message). Control-rate signals are calculated much less often than audio-rate signals, which allows the <span class="application"><strong>SuperCollider</strong></span> interpreter and server to save processing power where it wouldn't be noticed.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented-Choosing_a_Paradigm.html"><strong>戻る</strong>11.3.3.4. Choosing a Paradigm</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Sound_Making_Functions-The_play_Function.html"><strong>次へ</strong>11.3.4.2. The "play" Function</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Creating_Change_Anyway.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Creating_Change_Anyway.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.10.7. Creating Change Anyway</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+
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+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html" title="11.3.10. SynthDef and Synth" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Shortcomings_of_a_SynthDef.html" title="11.3.10.6. Shortcomings of a SynthDef" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_with_Arguments.html" title="11.3.10.8. SynthDef with Arguments" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/imag
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+ The way to create change and pseudo-randomness anyway is to incorporate another UGen to do it for you. Remember: when you send synthesis information to the server, that information can't change unless you replace it. This doesn't mean that the output produced by the synth can't change!
+ </div><div class="para">
+ The way to do this is with control-rate UGen's. The following example uses a control-rate SinOsc to set the frequency of an audio-rate SinOsc.
+<pre class="programlisting">
+(
+ var myRandFunc =
+ {
+ var frequency = SinOsc.kr( freq:0.5, add:660, mul:220 ); // oscillates between 440 and 880, hitting each extreme every 2 seconds
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.2 ) );
+ };
+
+ SynthDef.new( \myRandFunc, myRandFunc ).send( s );
+
+ Synth.new( \myRandFunc );
+)
+</pre>
+ When you use a UGen as a control-rate UGen, you have to think about its arguments quite differently than when using it as an audio-rate UGen. This table shows how the same argument gives a different result for an audio-rate vs. control-rate UGen used for pitch:
+ <div class="table"><h6>表11.4 Parameters in Audio-Rate and Control-Rate <code class="classname">SinOsc</code> UGens</h6><div class="table-contents"><table summary="Parameters in Audio-Rate and Control-Rate SinOsc UGens" border="1"><colgroup><col align="center" class="parameter" width="33%" /><col align="center" class="ar" width="33%" /><col align="center" class="kr" width="33%" /></colgroup><thead><tr><th align="center">
+ Parameter
+ </th><th align="center">
+ In an audio-rate UGen...
+ </th><th align="center">
+ In a control-rate UGen...
+ </th></tr></thead><tbody><tr><td align="center">
+ freq
+ </td><td align="center">
+ controls the pitch
+ </td><td align="center">
+ controls the speed of oscillation
+ </td></tr><tr><td align="center">
+ add
+ </td><td align="center">
+ ??
+ </td><td align="center">
+ sets the middle point of the sine wave by adding this to the output
+ </td></tr><tr><td align="center">
+ mul
+ </td><td align="center">
+ controls volume level
+ </td><td align="center">
+ sets the deviation from "add"
+ </td></tr></tbody></table></div></div><br class="table-break" />
+ For an audio-rate SinOsc UGen, you set the frequency and the volume level. For a control-rate UGen, you set the mid-point of oscillation with <code class="literal">add</code>, the extremes of oscillation which will be <code class="code">add - mul</code> and <code class="code">add + mul</code>, and the speed of oscillation with <code class="literal">freq</code>. The end result is very different numbers.
+ </div><div class="para">
+ There is a handy UGen designed specifically for replacing pseudo-randomness in Functions. The following example restores the "ten different pitches" to the example from the last section.
+<pre class="programlisting">
+(
+ var myRandFunc =
+ {
+ var frequency = Rand( 440, 880 ); // produces an integer between 440 and 880
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.025 ) );
+ };
+
+ SynthDef.new( \myRandFunc, myRandFunc ).send( s );
+
+ 10.do( { Synth.new( \myRandFunc ); } );
+)
+</pre>
+ If you run this multiple times, you will again hear ten different pitches. Depending on audio hardware, previous musical experience, and other factors, some people may have difficulty hearing that the pitches are different. Try reducing the number of synths created in the loop.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Shortcomings_of_a_SynthDef.html"><strong>戻る</strong>11.3.10.6. Shortcomings of a SynthDef</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_with_Arguments.html"><strong>次へ</strong>11.3.10.8. SynthDef with Arguments</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.10.3. Load</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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cnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Load"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Load">11.3.10.3. Load</h4></div></div></div><div class="para">
+ There is another way to send a SynthDef to the server: the "load" Function. The "send" Function sends the synthesis information to the server, which stores it in memory. When the server stops running, all synthesis information given with "send" is lost. The "load" Function, on the other hand, sends the synthesis information to the server, which stores it on disk and in memory. Every time the server is started, it loads all of the synthesis information previously sent to it with the "load" Function. The definition remains until you delete it specifically. This is most useful for a SynthDef that takes up a lot of memory, and which would use considerable network time to transfer to the server whenever the server is run. It is also useful to use the "load" Function instead of "send", when there are a lot of SynthDef's, regardless of the size of each one. The idea is the same: avoid sending the SynthDef in order to save time.
+ </div><div class="para">
+ The syntax and usage for "load" is the same as for "send".
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef.html"><strong>戻る</strong>11.3.10.2. SynthDef</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols.html"><strong>次へ</strong>11.3.10.4. Symbols</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Set_and_Free.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Set_and_Free.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.10.9. Things to Do with a SynthDef: Set and Free</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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ass="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_with_Arguments.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Set_and_Free"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Set_and_Free">11.3.10.9. Things to Do with a SynthDef: Set and Free</h4></div></div></div><div class="para">
+ Once you send a synth definition to the server, and make some synths, you've collected a few Synth Objects, and you wonder what to do with them next. Of course, you could listen to them, but you can also change the arguments that you used, and stop it.
+ </div><div class="para">
+ To change the arguments used by a synth, send it the "set" message, with a list of arguments:
+<pre class="programlisting"><em class="replaceable"><code>variableHoldingSynth</code></em>.set( [<em class="replaceable"><code>\argument1</code></em>,<em class="replaceable"><code>value</code></em>,<em class="replaceable"><code>\argument2</code></em>,<em class="replaceable"><code>value</code></em>,...] );</pre>
+ This helps to save even more time and memory: rather than destroying and creating synths all the time, you can simply change pre-existing ones.
+ </div><div class="para">
+ This modification of the ten-pseudo-random-tones example includes an extra line that lets you change the tones without destroying and re-creating the synths.
+<pre class="programlisting">
+// run this first
+h = List.new;
+
+// run this second
+(
+ var myRandFunc =
+ {
+ arg frequency = 440;
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.025 ) );
+ };
+
+ SynthDef.new( \myRandFunc, myRandFunc ).send( s );
+)
+
+// run this third
+10.do( { h.add( Synth.new( \myRandFunc, [\frequency,(440.rand + 440)] ) ); } );
+
+// run this fourth, as many times as you please
+h.do( { arg item; item.set( \frequency, (440.rand + 440) ); } );
+</pre>
+ The reason that you have to run each of those segments separately is two-fold: we need to store the List of Synth's in a single-letter variable because, for this simple demonstration, this is the most efficient way; second, for the asynchronous behaviour of the server that was previously noted as causing an error.
+ </div><div class="para">
+ The only aspect of that example that's a little tricky to understand is the "do" loop. Remember that when you run a "do" loop on a List, the interpreter automatically loops over each of the elements in the List, running the Function that you provide. Each time the Function is run, it receives the current List item, and its index number in the List, in that order. So the Function in this loop simply uses "set" to change the "frequency" argument.
+ </div><div class="para">
+ Take special note that the arguments in this case are not identical to those given with the "new" message. Compare the two forms below:
+<pre class="programlisting">SynthDef.new( <em class="replaceable"><code>\SynthName</code></em>, [<em class="replaceable"><code>\parameter1</code></em>,<em class="replaceable"><code>value</code></em>,<em class="replaceable"><code>\parameter2</code></em>,<em class="replaceable"><code>value</code></em>] );</pre>
+ and
+<pre class="programlisting"><em class="replaceable"><code>existingSynth</code></em>.set( <em class="replaceable"><code>\parameter1</code></em>, <em class="replaceable"><code>value</code></em>, <em class="replaceable"><code>\parmeter2</code></em>, <em class="replaceable"><code>value</code></em> );</pre>
+
+ </div><div class="para">
+ To get rid of one synth without stopping all sound, send its corresponding Synth the "free" message:
+<pre class="programlisting"><em class="replaceable"><code>variableHoldingSynth</code></em>.free;</pre>
+ This stops the synth and frees the associated memory - on the server. Your Synth Object still exists in the interpreter, but you can't use it any more. A Synth Object represents a synth on the server; since you got rid of the synth on the server, the Synth Object represents something that doesn't exist. If you attempt to send the "free" message again, you'll get an error. For this reason, it's a good idea to get rid of the Synth Object at the same time:
+<pre class="programlisting">
+<replaceable>variableHoldingSynth</replaceable>.free;
+<replaceable>variableHoldingSynth</replaceable> = nil;
+</pre>
+ If you accidentally send "free" to an already-freed Synth, the interpreter will cause an error, and program execution will stop. If you accidentally send "free" to a variable set to "nil", nothing will happen. Proactively avoiding mistakes like this is good programming practice.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_with_Arguments.html"><strong>戻る</strong>11.3.10.8. SynthDef with Arguments</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html"><strong>次へ</strong>11.3.11. Busses</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Shortcomings_of_a_SynthDef.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Shortcomings_of_a_SynthDef.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.10.6. Shortcomings of a SynthDef</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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ight.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_Becomes_Synth.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Creating_Change_Anyway.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Shortcomings_of_a_SynthDef"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Shortcomings_of_a_SynthDef">11.3.10.6. Shortcomings of a SynthDef</h4></div></div></div><div class="para">
+ Consider the following program:
+<pre class="programlisting">
+(
+ var myRandFunc =
+ {
+ var frequency = 440.rand + 440; // produces an integer between 440 and 880
+ SinOsc.ar( freq:frequency, mul:0.025 );
+ };
+
+ 10.do( { myRandFunc.play; } );
+)
+</pre>
+ Execute the program a few times. The result will be different each time: ten different SinOsc's with ten different frequencies.
+ </div><div class="para">
+ What if we convert the program to use a SynthDef and multiple Synth's instead? This program will probably cause an error the first time - this is exaplained below.
+<pre class="programlisting">
+(
+ var myRandFunc =
+ {
+ var frequency = 440.rand + 440; // produces an integer between 440 and 880
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.025 ) );
+ };
+
+ SynthDef.new( \myRandFunc, myRandFunc ).send( s );
+
+ 10.do( { Synth.new( \myRandFunc ); } );
+)
+</pre>
+ Execute the program a few times. The result is still different each time, but it's the <span class="emphasis"><em>same</em></span> ten SinOsc's, all with the same frequency. This is the nature of a SynthDef: once it's sent to the server, you can create a synth from the same instructions without resending them.
+ </div><div class="para">
+ This program causes an error the first time you run it. Inspect the error messages, and see if you can determine why. It's because the server is processing commands <span class="emphasis"><em>asynchronously</em></span>: things don't happen right when the interpreter asks, but very shortly thereafter. The result is that the server is asked to make a new synth before it deals with the synth definition. There are ways to get around this, but they're too complex for this section - for now (to simplify this text's examples), just accept that the error may happen the first time you run a Synth.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_Becomes_Synth.html"><strong>戻る</strong>11.3.10.5. SynthDef Becomes Synth</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Creating_Change_Anyway.html"><strong>次へ</strong>11.3.10.7. Creating Change Anyway</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.10.4. Symbols</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Load.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Writing_Symbols.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols">11.3.10.4. Symbols</h4></div></div></div><div class="para">
+ As stated in the section about variables, a symbol is simply something which represents something else. When used in the context of a SynthDef, a symbol is a string of characters that refers to a SynthDef that we've already sent to the server. What wasn't mentioned in the section about variables is that, in addition to the symbols that can be used as variable names, the <span class="application"><strong>SuperCollider</strong></span> language provides a distinct data-type (like numbers or strings) for symbols. Many programming languages don't provide a "symbol" data-type, so many programmers do not use them extensively, but they are very handy for situations like this. As local variable names are symbols representing data stored by the interpreter, here we are using the symbol data-type to refer to data stored on the server.
+ </div><div class="para">
+ Symbols are a better way to name SynthDef's than strings. Not only do symbols take up less memory, they aren't actually the interpreter doesn't actually think of them as Objects, and neither should you. Symbols are universally unique; only one instance of a symbol with the same characters can exist. On the other hand, an infinite number of strings with the same characters can exist. When we use a symbol, we are defining it universally. When we use a string, the server pretends that all strings with the same characters are the same philosophical object, even though they aren't. This isn't a technical problem, but it can be difficult to think about, and is cognitively dissonant.
+ </div><div class="para">
+ If all this seems a little abstract and ontological, that's because it is.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Easy_Symbols"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Easy_Symbols">11.3.10.4.1. Symbols: the Easy Way</h5></div></div></div><div class="para">
+ Symbols are things that you should use to identify a SynthDef sent to the server.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Load.html"><strong>戻る</strong>11.3.10.3. Load</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Writing_Symbols.html"><strong>次へ</strong>11.3.10.4.2. Writing Symbols</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.10.2. SynthDef</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html" title="11.3.10. SynthDef and Synth" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html" title="11.3.10. SynthDef and Synth" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Load.html" title="11.3.10.3. Load" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><
li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Load.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef">11.3.10.2. SynthDef</h4></div></div></div><div class="para">
+ A SynthDef is what we use to tell the server how to create sound. In order to truly understand what SynthDef accomplishes, we need to recall the disconnect between the interpreter and the server. In reality, the interpreter has no idea how to make sound or work with audio hardware. The server, likewise, has no understanding at all of the <span class="application"><strong>SuperCollider</strong></span> language. The interpreter takes the code that we write, and does one of a number of things, depending on the nature of the code:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ executes it completely,
+ </div></li><li class="listitem"><div class="para">
+ executes it partially, makes choices, and then does something else
+ </div></li><li class="listitem"><div class="para">
+ send the server information about how to synthesize sound,
+ </div></li><li class="listitem"><div class="para">
+ etc.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ For simple code like <code class="code">2.postln;</code> the interpreter just executes it. For code like <code class="code">{ SincOsc.ar; }.play;</code> the interpreter expands it a bit, then sends instructions to the server, which deals with the rest of the synthesis process.
+ </div><div class="para">
+ A SynthDef is part of this last process; SynthDef Objects represent the synthesis information that is sent to the server before (or at the same time as) telling the server to play the sound.
+ </div><div class="para">
+ There are two steps to creating a useful SynthDef: making an interpreter Object, and sending the actual synthesis information to the server. There are two ways to write this, as follows:
+<pre class="programlisting">
+<em class="replaceable"><code>someVariable</code></em> = SynthDef.new( <em class="replaceable"><code>nameOfSynthDef</code></em>, <em class="replaceable"><code>FunctionContainingOutUGen</code></em> );
+<em class="replaceable"><code>someVariable</code></em>.send( <em class="replaceable"><code>nameOfServer</code></em> );
+</pre>
+ and
+<pre class="programlisting">SynthDef.new( <em class="replaceable"><code>nameOfSynthDef</code></em>, <em class="replaceable"><code>FunctionContainingOutUGen</code></em> ).send( <em class="replaceable"><code>nameOfServer</code></em> );</pre>
+ The <code class="function">FunctionContainingOutUGen</code> is simply that - a function that, when executed, returns an <code class="classname">Out</code> UGen (meaning that the <code class="classname">Out</code> UGen must be the last expression in the function). The <code class="literal">nameOfSynthDef</code> should be a symbol (as described in <a class="xref" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols.html">「Symbols」</a>), but can also be a string. The <code class="literal">nameOfServer</code> is a variable that represents the server to which you want to send the SynthDef's information; unless you know that you need to use a different variable for this, it's probably just the letter "s", which the interpreter automatically assigns to the default server.
+ </div><div class="para">
+ Here is a demonstration of both methods:
+<pre class="programlisting">
+(
+ var playMe =
+ {
+ Out.ar( 0, SinOsc.ar( freq:440, mul:0.2 ) );
+ };
+
+ var playMeSynthDef = SynthDef.new( \playMe, playMe );
+
+ playMeSynthDef.send( s );
+
+ nil;
+)
+</pre>
+ and
+<pre class="programlisting">
+(
+ var playMe =
+ {
+ Out.ar( 0, SinOsc.ar( freq:440, mul:0.2 ) );
+ };
+
+ SynthDef.new( \playMe, playMe ).send( s );
+
+ nil;
+)
+</pre>
+ The only advantage to assigning something to a variable is the ability to refer to it later. If you use the first method, then you can send the SynthDef to more than one server. Since it's rare that you will want to use more than one server, it's usually better to use the second style. In fact, if you won't be using the "playMe" Function again, you don't need to assign it to a variable!
+<pre class="programlisting">SynthDef.new( \playMe, { Out.ar( 0, SinOsc.ar( freq:440, mul:0.2 ) ); } ).send( s );</pre>
+ This is all that's really needed to create and send a synthesis definition to the server. It looks long and frightening, but now at least you understand what all of the parts do.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html"><strong>戻る</strong>11.3.10. SynthDef and Synth</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Load.html"><strong>次へ</strong>11.3.10.3. Load</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_Becomes_Synth.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_Becomes_Synth.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.10.5. SynthDef Becomes Synth</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
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+
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+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html" title="11.3.10. SynthDef and Synth" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Writing_Symbols.html" title="11.3.10.4.2. Writing Symbols" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Shortcomings_of_a_SynthDef.html" title="11.3.10.6. Shortcomings of a SynthDef" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right
.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Writing_Symbols.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Shortcomings_of_a_SynthDef.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_Becomes_Synth"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_Becomes_Synth">11.3.10.5. SynthDef Becomes Synth</h4></div></div></div><div class="para">
+ After you send a SynthDef to the server, you can put it into action. When the interpreter tells the server to play a synthesis definition (which the interpreter holds in a SynthDef Object), the server creates a synth from the definition, and starts generating sound. The interpreter gives us a Synth Object to represent each synth on the server, so that we can control the synth.
+ </div><div class="para">
+ This is the syntax used to create a new synth, after its definition has been sent to the server. <div class="funcsynopsis"><p><code class="funcdef"><strong>fsfuncSynth.new</strong>(</code><var class="pdparam">nameOfSynthDef</var><code>)</code>;</p></div> The name will be a symbol or a string - whatever you supplied when you ran the <code class="function">SynthDef.new()</code> function.
+ </div><div class="para">
+ Because we're creating a new Synth Object, we should assign it to a variable, for later reference.
+<pre class="programlisting">
+SynthDef.new( \playMe, { Out.ar( 0, SinOsc.ar( freq:440, mul:0.2 ) ); } ).send( s );
+var mySynth = Synth.new( \playMe );
+</pre>
+
+ </div><div class="para">
+ Recall that the interpreter automatically uses the Synth and SynthDef Classes when we send the "play" message to a Function. We can actually capture and use the Synth Object created from "play-ing" a Function, too. This example is almost the same as the previous one.
+<pre class="programlisting">var mySynth = { SinOsc.ar( freq:443, mul:0.2 ); }.play;</pre>
+ The difference is subtle: after the second example, we have no control over what name the interpreter gives to the SynthDef that it sends to the server, so we can't re-use the SynthDef. On the other hand, because we assign the name <code class="literal">\sillyTutorialSD</code> to the SynthDef in the first example, we know what it's called, and we can re-use it. Theoretically, we can make an infinite number of synths from this single definition. Realistically, it's limited by the amount of memory the server can use; for most modern computers, this number is so high that we don't ever need to worry about it.
+ </div><div class="para">
+ As usual, the interpreter provides us with an optional short-cut:
+<pre class="programlisting">var mySynth = SynthDef.new( \playMe, { Out.ar( 0, SinOsc.ar( freq:440, mul:0.2 ) ); } ).play;</pre>
+ This automatically sends the synthesis information to the server, creates a synth, and plays it. What minor functionality is lost when we use this shortcut?
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Writing_Symbols.html"><strong>戻る</strong>11.3.10.4.2. Writing Symbols</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Shortcomings_of_a_SynthDef.html"><strong>次へ</strong>11.3.10.6. Shortcomings of a SynthDef</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_with_Arguments.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_with_Arguments.html
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@@ -0,0 +1,52 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.10.8. SynthDef with Arguments</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html" title="11.3.10. SynthDef and Synth" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Creating_Change_Anyway.html" title="11.3.10.7. Creating Change Anyway" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Set_and_Free.html" title="11.3.10.9. Things to Do with a SynthDef: Set and Free" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/imag
es/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Creating_Change_Anyway.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Set_and_Free.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_with_Arguments"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_with_Arguments">11.3.10.8. SynthDef with Arguments</h4></div></div></div><div class="para">
+ There are some siutations where you simply cannot pre-determine all of the material that you're going to use when creating a synth. It might be easier to resort to using a Function rather than a SynthDef, but there is yet another solution - creating an argument in your SynthDef Function.
+ </div><div class="para">
+ With only a subtle change to our Function, we can add the possibility of passing arguments on synth creation:
+<pre class="programlisting">
+var myRandFunc =
+{
+ arg frequency = Rand( 440, 880 ); // default value between 440 and 880
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.025 ) );
+};
+</pre>
+ I've decided to use the Rand UGen anyway, so that supplying a frequency is optional. This adds functionality while making the added complexity optional:
+<pre class="programlisting">
+(
+ var myRandFunc =
+ {
+ arg frequency = 440;
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.025 ) );
+ };
+
+ SynthDef.new( \myRandFunc, myRandFunc ).send( s );
+
+ 10.do( { Synth.new( \myRandFunc ); } );
+)
+</pre>
+ If you use the SynthDef in the old way, as in the example, you'll get the expected result: ten Synth's, all with the same frequency. But, if you add a "rand" Function call into the loop, you can get ten different frequencies!
+<pre class="programlisting">
+(
+ var myRandFunc =
+ {
+ arg frequency = 440;
+ Out.ar( 0, SinOsc.ar( freq:frequency, mul:0.025 ) );
+ };
+
+ SynthDef.new( \myRandFunc, myRandFunc ).send( s );
+
+ 10.do( { Synth.new( \myRandFunc, [\frequency,(440.rand + 440)] ); } );
+)
+</pre>
+ Notice how we supply arguments: an Array with elements alternating between a string-quoted parameter name, and the value of the argument itself. If we "parameterized" all three main fields of the SinOsc, we could supply them like this:
+<pre class="programlisting">Synth.new( \mySinOsc, [\freq,440,\add,0,\mul,0.2] );</pre>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Creating_Change_Anyway.html"><strong>戻る</strong>11.3.10.7. Creating Change Anyway</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Set_and_Free.html"><strong>次へ</strong>11.3.10.9. Things to Do with a SynthDef: Set and ...</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Writing_Symbols.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Writing_Symbols.html
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@@ -0,0 +1,37 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.10.4.2. Writing Symbols</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols.html" title="11.3.10.4. Symbols" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols.html" title="11.3.10.4. Symbols" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_Becomes_Synth.html" title="11.3.10.5. SynthDef Becomes Synth" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Si
te" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_Becomes_Synth.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Writing_Symbols"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Writing_Symbols">11.3.10.4.2. Writing Symbols</h5></div></div></div><div class="para">
+ There are two ways to write out a symbol: between single-quotation marks, and after a back-slash. Symbols given between single-quotation marks can contain any characters but a single-quotation mark. Symbols given after a back-slash can contain any characters but a space. Neither type of symbol name can cross onto a new line.
+ </div><div class="para">
+ The following example contains some valid symbols, and some invalid symbols.
+<pre class="programlisting">
+\stopSign \\ this is a symbol
+\stop sign \\ this is a symbol called 'stop' followed by the unrelated word 'sign'
+'stopSign' \\ this is a symbol
+'stop sign' \\ this is a symbol
+'stop
+sign' \\ these lines are not a symbol, and will cause an error
+</pre>
+
+ </div><div class="para">
+ The following example illustrates the differences between strings and symbols.
+<pre class="programlisting">
+var a = "stop sign" \\ a string
+var b = "stop sign" \\ a string with the same letters as the first string
+a == b; \\ returns "true" because the strings are equivalent
+a === b; \\ returns "false" because the strings are separate copies with the same characters
+
+var c = 'stop sign' \\ a symbol
+var d = 'stop sign' \\ the same symbol
+c == d; \\ returns "true" because the symbols are equivalent
+c === d; \\ returns "true" because the symbols are identical
+</pre>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Symbols.html"><strong>戻る</strong>11.3.10.4. Symbols</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef_Becomes_Synth.html"><strong>次へ</strong>11.3.10.5. SynthDef Becomes Synth</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth.html
@@ -0,0 +1,42 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.10. SynthDef and Synth</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Addition.html" title="11.3.9.3. Addition" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef.html" title="11.3.10.2. SynthDef" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul clas
s="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Addition.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth">11.3.10. SynthDef and Synth</h3></div></div></div><div class="para">
+ The preceding sections of this "Basic Programming" guide have only created sound with Function's. The truth is that Function's are very useful for creating sound, but they represent a simplification of the actual commands and Functions that must be run by the interpreter in order to create sound.
+<pre class="programlisting">
+// When you write this...
+(
+ { SinOsc.ar( freq:440, mul:0.2 ); }.play;
+)
+
+// The interpreter actually does this...
+(
+ SynthDef.new( "temp__963", { Out.ar( 0, SinOsc.ar( freq:440, mul:0.2 ) ); } ).play;
+)
+</pre>
+ Yikes! Don't despair - it's easy to understand - it just looks scary!
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Out_UGen"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-Out_UGen">11.3.10.1. "Out" UGen</h4></div></div></div><div class="para">
+ The "Out" UGen is one of the bits of magic automatically taken care of by the interpreter. It routes an audio signal from another UGen into a specific output (actually, into a specific bus - see <a class="xref" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html">「Busses」</a>).
+ </div><div class="para">
+ The following examples have the same effect:
+<pre class="programlisting">{ SinOsc.ar( freq:500, mul:0.2 ); }.play;</pre>
+ and
+<pre class="programlisting">{ Out.ar( 0, SinOsc.ar( freq:500, mul:0.2 ) ); }.play;</pre>
+ The first argument to "Out.ar" is the bus number for where you want to place the second argument, which is either a UGen or a multi-channel Array of UGen's. If the second argument is an Array, then the first element is sent to the first argument's bus number, the second argument is sent to one bus number higher, the third to two bus numbers higher, and so on. This issues is explained fully in <a class="xref" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html">「Busses」</a>, but here is what you need to know for now, working with stereo (two-channel) audio:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ If the second argument is a two-element Array, use bus number 0.
+ </div></li><li class="listitem"><div class="para">
+ If the second argument is a single UGen, and you want it to be heard through the left channel, use bus number 0.
+ </div></li><li class="listitem"><div class="para">
+ If the second argument is a single UGen, and you want it to be heard through the right channel, use bus number 1.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ If you're still struggling with exactly what the "Out" UGen does, think of it like this: when you create an audio-rate UGen, it starts creating an audio signal; the "Out" UGen effectively connects the audio-rate UGen into your audio interface's output port, so it can be heard through the speakers. In <a class="xref" href="sect-Musicians_Guide-SC-Basic_Programming-Busses.html">「Busses」</a>, it becomes clear that there are, in fact, other useful places to connect an audio-rate UGen (through an effect processor, for example), and the "Out" UGen can help you do that.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Combining_and_Mix-Addition.html"><strong>戻る</strong>11.3.9.3. Addition</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-SynthDef_and_Synth-SynthDef.html"><strong>次へ</strong>11.3.10.2. SynthDef</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.2.6. Variable Scope</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+
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+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html" title="11.3.2. Variables and Functions" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Return_Values.html" title="11.3.2.5. Function Return Values" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented.html" title="11.3.3. Object-Oriented SuperCollider" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png"
alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Return_Values.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-">11.3.2.6. Variable Scope</h4></div></div></div><div class="para">
+ A variable is only valid within its "scope." A variable's scope is determined by where it is declared. It will always last between either <code class="literal">(</code> and <code class="literal">)</code> or <code class="literal">{</code> and <code class="literal">}</code>, and applies to all statements within that block of code. Variable names can be re-declared in some contexts, which can be confusing.
+ </div><div class="para">
+ Consider the scope of the variables in this example:
+<pre class="programlisting">
+(
+ var zero = 0;
+ var function =
+ {
+ var zero = 8;
+ var sixteen = 16;
+ zero.postln; // always prints 8
+ };
+
+ function.value;
+ zero.postln; // always prints 0
+ sixteen.postln; // always causes an error
+)
+</pre>
+ Because <code class="literal">function</code> declares its own copy of <code class="literal">zero</code>, it is modified independently of the variable <code class="literal">zero</code> declared before the Function. Every time <code class="literal">function</code> is executed, it re-declares its own <code class="literal">zero</code>, and the interpreter keeps it separate from any other variables with the same name. When <code class="literal">function</code> has finished executing, the interpreter destroys its variables. Variables declared inside any Function are only ever accessible from within that Function. This is why, when we try to execute <code class="code">sixteen.postln;</code>, the interpreter encounters an error: <code class="literal">sixteen</code> exists only within <code class="literal">function</code>, and is not accessible outside the function. By the way, in order to excute this example, you will need to remove the error-causing reference to <code class="
literal">sixteen</code>.
+ </div><div class="para">
+ Now consider the scope of the variables in this example:
+<pre class="programlisting">
+(
+ var zero = 0;
+ var function =
+ {
+ var sixteen = 16;
+ zero = 8;
+ zero.postln; // always prints 8
+ sixteen.postln;
+ };
+
+ function.value;
+ zero.postln; // always prints 8
+)
+</pre>
+ Why does the last line always print <code class="literal">8</code>? It's because <code class="literal">zero</code> was set to <code class="literal">8</code> within <code class="literal">function</code>. More importantly, <code class="literal">function</code> did not declare its own copy of <code class="literal">zero</code>, so it simply accesses the one declared in the next "highest" block of code, which exists between <code class="literal">(</code> and <code class="literal">)</code> in this example.
+ </div><div class="para">
+ This is why it is important to pay attention to a variable's scope, and to make sure that you declare your variables in the right place. Unexpected and difficult-to-find programming mistakes can occur when you forget to declare a variable, but it is declared elsewhere in your program: you will be allowed to use the variable, but it will be modified unexpectedly. On the other hand, it can be greatly advantageous to be able to access variables declared "outside the local scope" (meaning variables that are not declared in the same code block in which they are used), but careful thought and planning is required.
+ </div><div class="para">
+ Astute readers will notice that it is possible to re-declare the single-letter variable names, allowing you to control their scope. Consider the following program:
+<pre class="programlisting">
+(
+ var a = 0;
+ b =
+ {
+ var c = 16;
+ a = 8;
+ a.postln;
+ c.postln;
+ };
+
+ b.value;
+ a.postln;
+)
+</pre>
+ This example requires careful examination. What is the scope of <code class="literal">a</code>, <code class="literal">b</code>, and <code class="literal">c</code>? The answers may be surprising.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="literal">a</code> is declared just after the <code class="literal">(</code> character, so the interpreter destroys it upon reaching the <code class="literal">)</code> character.
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">c</code> is declared just after the <code class="literal">{</code> character, so the interpreter destroys it upon reaching the <code class="literal">}</code> character.
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">b</code> is <span class="emphasis"><em>not</em></span> declared in this program, so it refers to the automatically-declared variable with that name. The interpreter does not destroy it until it is restarted or stopped. This means that the Function assigned to <code class="literal">b</code> is still available <span class="emphasis"><em>after</em></span> the program finishes execution. Try it! Execute the program above, and then execute this single-line program alone: <code class="code">b.value;</code>
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Return_Values.html"><strong>戻る</strong>11.3.2.5. Function Return Values</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Object_Oriented.html"><strong>次へ</strong>11.3.3. Object-Oriented SuperCollider</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Arguments.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Arguments.html
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@@ -0,0 +1,66 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.2.4. Function Arguments</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
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+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html" title="11.3.2. Variables and Functions" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions.html" title="11.3.2.3. Functions" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Return_Values.html" title="11.3.2.5. Function Return Values" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png"
alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Return_Values.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Arguments"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Arguments">11.3.2.4. Function Arguments</h4></div></div></div><div class="para">
+ The most useful aspect of Functions is that they can produce varying results, depending on their input. For whatever reason, the input accepted by a Function is called an "argument." <span class="application"><strong>SuperCollider</strong></span>'s Functions can accept any number of arguments - zero, one, or many. Argument values (called "parameters") are provided to a Function by adding them in parentheses after the name of the Function, separated with commas, like this: <code class="code">exampleFunction( 5, 7, 9 );</code> Argument variables are declared as the first statement in a Function, like this: <code class="code">arg <em class="replaceable"><code>oneNumber</code></em>, <em class="replaceable"><code>twoNumber</code></em>;</code>
+ </div><div class="para">
+ This program is significantly more complicated than previous examples, but it shows how useful Functions can be. Notice how the braces in that example are on different lines than the rest of the Function, which gives us more space within the Function to complete some useful work.
+<pre class="programlisting">
+(
+ var greeter =
+ {
+ arg name;
+ ( "Hello" + name ).postln;
+ };
+
+ greeter.value( "Samantha" );
+ greeter.value( "Jermain" );
+ nil;
+)
+</pre>
+ Here is how the program works:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ A variable named <code class="literal">greeter</code> is declared, and assigned a Function.
+ </div></li><li class="listitem"><div class="para">
+ The Function contains an argument called <code class="literal">name</code>, and outputs "Hello" plus the name given to it.
+ </div></li><li class="listitem"><div class="para">
+ The parentheses here <code class="code">( "Hello" + name )</code> ensure that the two strings are added together <span class="emphasis"><em>before</em></span> the <code class="function">postln</code> message prints them out.
+ </div></li><li class="listitem"><div class="para">
+ The <code class="literal">greeter</code> variable is used to call the Function with two different names.
+ </div></li><li class="listitem"><div class="para">
+ The <code class="code">nil;</code> statement is optional, and does not affect the operation of the program. What it does is return a "nothing" value to the interpreter after program execution completes, so that the last message is not repeated.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ Since every argument has a name, <span class="application"><strong>SuperCollider</strong></span> allows you to use that name when executing the function. This example executes the <code class="function">greeter</code> function from the last example:
+<pre class="programlisting">greeter.value( name:"Myung-Whun" );</pre>
+ This is more useful if there are many arguments, and you do not remember the order that they appear in the Function's definition.
+ </div><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> also allows you to specify default values for arguments, so that they do not need to be specified. This allows optional customization of a Function's behaviour, and is therefore very powerful.
+ </div><div class="para">
+ This example modifies the one above by adding default-value arguments, and by calling arguments with their name. As you can see, I've been tricking you a bit: <code class="function">postln</code> is actually a Function, but a special kind, explained later.
+<pre class="programlisting">
+(
+ var greeter =
+ {
+ arg name, greeting = "Hello";
+ postln( greeting + name );
+ };
+
+ greeter.value( "Samantha" );
+ greeter.value( "Jermain", "Goodbye" );
+ greeter.value( name:"Myung-Whun" );
+ greeter.value( greeting:"Bienvenue", name:"Marcel" );
+ nil;
+)
+</pre>
+
+ </div><div class="para">
+ Any value can be used as a parameter, as long as the Function expects it. In fact, even Functions can be used as parameters for Functions!
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions.html"><strong>戻る</strong>11.3.2.3. Functions</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Return_Values.html"><strong>次へ</strong>11.3.2.5. Function Return Values</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Return_Values.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Return_Values.html
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@@ -0,0 +1,70 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.2.5. Function Return Values</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html" title="11.3.2. Variables and Functions" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Arguments.html" title="11.3.2.4. Function Arguments" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-.html" title="11.3.2.6. Variable Scope" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Docume
ntation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Arguments.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Return_Values"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Return_Values">11.3.2.5. Function Return Values</h4></div></div></div><div class="para">
+ All <span class="application"><strong>SuperCollider</strong></span> Functions return a value to the interpreter when they have finished execution. As with programs, the value returned is the value of the last statement in the Function. The return value of a Function can be captured, assigned to a variable, and used again later.
+ </div><div class="para">
+ This example assigns the result of a Function to a variable.
+<pre class="programlisting">
+(
+ var mysticalMath =
+ {
+ arg input = 0;
+ input * 23;
+ };
+ var someNumber = 9;
+
+ someNumber = mysticalMath.value( someNumber );
+ someNumber.postln;
+ nil;
+)
+</pre>
+ Here is how the program works:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ A Function and variable are created, and assigned values.
+ </div></li><li class="listitem"><div class="para">
+ This line <code class="code">someNumber = mysticalMath.value( someNumber );</code> executes the <code class="function">mysticalMath</code> function, which multiplies its argument by <code class="literal">23</code> and returns the value. Then, it assigns the return value of the Function to <code class="literal">someNumber</code>. In any statement that contains an assignment, the assignment is always done last. In other words, the Function in this example will <span class="emphasis"><em>always</em></span> be given an argument of <code class="literal">9</code>, and only <span class="emphasis"><em>after</em></span> the Function completes execution and returns a value will that value be assigned to <code class="function">someNumber</code>.
+ </div></li><li class="listitem"><div class="para">
+ The new value of <code class="literal">someNumber</code> is displayed.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ The program could have been shortened like this:
+<pre class="programlisting">
+(
+ var mysticalMath =
+ {
+ arg input = 0;
+ input * 23;
+ };
+
+ var someNumber = mysticalMath.value( 9 );
+ someNumber.postln;
+ nil;
+)
+</pre>
+
+ </div><div class="para">
+ It could have been shortened even more like this:
+<pre class="programlisting">
+(
+ var mysticalMath =
+ {
+ arg input = 0;
+ input * 23;
+ };
+
+ mysticalMath.value( 9 ).postln;
+ nil;
+)
+</pre>
+
+ </div><div class="para">
+ Experiment with the shortened versions of the program, ensuring that you know why they work.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Arguments.html"><strong>戻る</strong>11.3.2.4. Function Arguments</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-.html"><strong>次へ</strong>11.3.2.6. Variable Scope</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions.html
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@@ -0,0 +1,24 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.2.3. Functions</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
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+
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+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html" title="11.3.2. Variables and Functions" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Using_Variables.html" title="11.3.2.2. Using Variables" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Arguments.html" title="11.3.2.4. Function Arguments" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.
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+ A Function is a statement, or a series of statements, that we want to use many times. When a Function is assigned to a variable, you can execute the Function as many times as you wish. Any statements that happen between braces { like this; } are treated as a Function. Functions are executed by passing them the "value" message, as in the following example.
+ </div><div class="para">
+ Here is a Function that is not assigned to a variable, and is executed once.
+<pre class="programlisting">{ "Hello, World!".postln; }.value;</pre>
+ Notice that there are two semicolons: one after the statement within the Function, and one after the "value" message that tells the Function to execute.
+ </div><div class="para">
+ Here is a Function with identical function, assigned to a variable, and executed twice.
+<pre class="programlisting">
+var myFunction = { "Hello, World!".postln; }; // note two semicolons
+myFunction.value;
+myFunction.value;
+</pre>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Using_Variables.html"><strong>戻る</strong>11.3.2.2. Using Variables</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Function_Arguments.html"><strong>次へ</strong>11.3.2.4. Function Arguments</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Using_Variables.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Using_Variables.html
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@@ -0,0 +1,42 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.2.2. Using Variables</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html" title="11.3.2. Variables and Functions" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html" title="11.3.2. Variables and Functions" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions.html" title="11.3.2.3. Functions" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site
" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Using_Variables"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Using_Variables">11.3.2.2. Using Variables</h4></div></div></div><div class="para">
+ There are three words that describe the key stages of using a variable: declaration, initialization, and assignment.
+ </div><div class="para">
+ A variable must be declared before use, so that the interpreter knows that you want to use that symbol as a variable. All variables must be declared before any statement that does not declare a variable; in other words, you should declare your variables before doing anything else. Variable names are declared like this:
+<pre class="programlisting">var <em class="replaceable"><code>variableName</code></em>;</pre>
+ Variables can also be declared in lists, like this:
+<pre class="programlisting">var <em class="replaceable"><code>variableName</code></em>, <em class="replaceable"><code>variableOtherName</code></em>;</pre>
+
+ </div><div class="para">
+ Variables can be assigned a value at any time after they have been declared. Any single object can be assigned to a variable. If a variable is already assigned a value, any subsequent assignment will erase the previous assignment; the previously-assigned value will is not retrievable.
+ </div><div class="para">
+ The first assignment to a variable is said to "initialize" the variable. Initialization is a special kind of assignment, because a variable cannot be used before it is initialized. If a program attempts to use an un-initialized variable, the <span class="application"><strong>SuperCollider</strong></span> interpreter will cause an error. For this reason, you should always initialize a variable when you declare it. There is a special way to do this:
+<pre class="programlisting">var <em class="replaceable"><code>variableName</code></em> = nil;</pre>
+ Since you can't always assign a useful value, you can pick an arbitrary one. Assigning "nil" is common practice, because it means "nothing," but without actually being nothing (this avoids <span class="emphasis"><em>some</em></span> errors). Assigning zero is another possibility; it is standard practice in many programming languages, and will avoid most errors, even if the variable is eventually supposed to hold another kind of object. Intialization and declaration of multiple variables can also be done as a list:
+<pre class="programlisting">var <em class="replaceable"><code>variableName</code></em> = 0, <em class="replaceable"><code>variableOtherName</code></em> = 0;</pre>
+
+ </div><div class="para">
+ Single-letter variable names have a special purpose in <span class="application"><strong>SuperCollider</strong></span>. They are already declared, so you don't have to declare them. They are also already initialized to "nil", so you don't have to do that either. These variable names are intended to be used as a quick fix, while you're experimenting with how to make a program work. You should not use them in good-quality programs.
+ </div><div class="para">
+ The single-letter variable "s" is automatically assigned to the server on the computer running the interpreter. You should avoid re-assigning that variable.
+ </div><div class="para">
+ Variable names must always begin with a lower-case letter.
+ </div><div class="para">
+ Use variables to write programs that do the following tasks:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ Perform arithmetic with an uninitialized variable. An error should appear when the program is executed.
+ </div></li><li class="listitem"><div class="para">
+ Calculate the value of <code class="literal">y</code>, if all other values are known, for the quadratic equation: <code class="code">y = a * x * x + b * x + c</code>
+ </div></li><li class="listitem"><div class="para">
+ Re-write the Hello World Program so that it will say "Hello" to a name stored in a variable. Remember that you can use the interpreter to automatically output the last line of a function.
+ </div></li></ol></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html"><strong>戻る</strong>11.3.2. Variables and Functions</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions.html"><strong>次へ</strong>11.3.2.3. Functions</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html
@@ -0,0 +1,35 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.2. Variables and Functions</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Using_Variables.html" title="11.3.2.2. Using Variables" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation
Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Using_Variables.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions">11.3.2. Variables and Functions</h3></div></div></div><div class="para">
+ The concepts in this section are related to the mathematical terms with the same names. This is a modern-day result of the first uses of computers and programming languages: the calculation of complex mathematical problems.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Variables"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Variables">11.3.2.1. Variables</h4></div></div></div><div class="para">
+ A variable is a symbol that can be assigned an arbitrary value. A "symbol" is a series of alphabetic and numeric characters, separated by whitespace (a space, a line-break, or the end of the file). When a variable is "assigned" a value, the variable name (the symbol) is understood to be a substitute for the assigned value.
+ </div><div class="para">
+ Consider a traffic light, which has three possible symbols: green, yellow, and red. When you are driving, and you encounter a traffic light, you might see that its red symbol is activated (the red light is illuminated). What you see is a red light, but you understand that it means you should stop your car. Red lights in general do not make you stop - it is specifically red traffic lights, because we know that it is a symbol meaning to stop.
+ </div><div class="para">
+ SuperCollider's variables work in the same way: you tell the interpreter that you want to use a symbol, like <code class="literal">cheese</code>. Then you assign <code class="literal">cheese</code> a value, like <code class="literal">5</code>. After that point, whenever you use <code class="literal">cheese</code>, the interpreter will automatically know that what you really mean is <code class="literal">5</code>.
+ </div><div class="para">
+ Run the following two programs. They should result in the same output.
+<pre class="programlisting">
+(
+ 5 + 5;
+)
+(
+ var x;
+ x = 5;
+ x + x;
+)
+</pre>
+
+ </div><div class="para">
+ In the first example, the program calculates the value of <code class="code">5 + 5</code>, which is <code class="literal">10</code>, and returns that to the interpreter, which prints it out. In the second example, the program tells the interpreter that it wants to use a variable called <code class="literal">x</code> then it assigns cheese the value <code class="literal">5</code>. Finally, the program calculates <code class="code">cheese + cheese</code>, which it understands as meaning <code class="code">5 + 5</code>, and returns <code class="literal">10</code> to the interpreter, which prints it out.
+ </div><div class="para">
+ This trivial use of a variable does nothing but complicate the process of adding 5 to itself. Soon you will see that variables can greatly simplify your programs.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html"><strong>戻る</strong>11.3. Basic Programming in SuperCollider</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Using_Variables.html"><strong>次へ</strong>11.3.2.2. Using Variables</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones.html
@@ -0,0 +1,155 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.4.5. Creating Ten Pseudo-Random Tones</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
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+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Composing.html" title="11.4. Composing with SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part.html" title="11.4.4. Designing the Second Part" /><link rel="next" href="sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones.html" title="11.4.6. Scheduling the Tones" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li
class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones">11.4.5. Creating Ten Pseudo-Random Tones</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ We'll start again with something simple, that we know how to do.
+<pre class="programlisting">
+{
+ SinOsc.ar();
+}.play;
+</pre>
+
+ </div></li><li class="step"><div class="para">
+ We already know that we want this to produce stereo output, and we already know that we're going to be using enough SinOsc's that we'll need to reduce "mul." Keeping in mind that there will be ten pitches, and two SinOsc's for each of them, set both of those things now, keeping just one pitch for now.
+ </div></li><li class="step"><div class="para">
+ The first challenge is to implement pseudo-randomness. We'll use the number.rand function to generate a pseudo-random number (integer, actually), but if run as <code class="code">50.rand</code>, we will get a result between 0 and 50. As a frequency, this is not useful: most audio equipment cannot produce pitches below 20 Hz, and many people have problems hearing very low frequencies. This means that we'll need to add a value to .rand's output (like <code class="code">100 + 50.rand</code>, which will yield an integer between 100 and 150). I decided to go with a value between 200 Hz and 800 Hz instead, largely because I felt like it. Try setting the freq with the .rand call.
+ </div></li><li class="step"><div class="para">
+ I hope you didn't end up with two different frequencies! If you did, you'll need to use a variable to temporarily store the pseduo-random frequency, so that both sides can use it.
+ </div></li><li class="step"><div class="para">
+ Now we need to make ten of these, so copy-and-paste until there are ten different stereo pitches at once.
+<pre class="programlisting">
+{
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ]
+}.play;
+</pre>
+
+ </div></li><li class="step"><div class="para">
+ It doesn't work: you'll also have to rename your frequency-setting variable each time.
+<pre class="programlisting">
+{
+ var frequency1 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency1, mul:0.01 ), SinOsc.ar( freq:frequency1, mul:0.01 ) ]
+ var frequency2 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency2, mul:0.01 ), SinOsc.ar( freq:frequency2, mul:0.01 ) ]
+ var frequency3 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency3, mul:0.01 ), SinOsc.ar( freq:frequency3, mul:0.01 ) ]
+ var frequency4 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency4, mul:0.01 ), SinOsc.ar( freq:frequency4, mul:0.01 ) ]
+ var frequency5 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency5, mul:0.01 ), SinOsc.ar( freq:frequency5, mul:0.01 ) ]
+ var frequency6 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency6, mul:0.01 ), SinOsc.ar( freq:frequency6, mul:0.01 ) ]
+ var frequency7 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency7, mul:0.01 ), SinOsc.ar( freq:frequency7, mul:0.01 ) ]
+ var frequency8 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency8, mul:0.01 ), SinOsc.ar( freq:frequency8, mul:0.01 ) ]
+ var frequency9 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency9, mul:0.01 ), SinOsc.ar( freq:frequency9, mul:0.01 ) ]
+ var frequency0 = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency0, mul:0.01 ), SinOsc.ar( freq:frequency0, mul:0.01 ) ]
+}.play;
+</pre>
+
+ </div></li><li class="step"><div class="para">
+ It still doesn't work! The error given in the "SuperCollider output" window is not easy to understand, but it means "You have to put all of your variable declarations before everything else."
+<pre class="programlisting">
+{
+ var frequency1 = 200 + 600.rand;
+ var frequency2 = 200 + 600.rand;
+ var frequency3 = 200 + 600.rand;
+ var frequency4 = 200 + 600.rand;
+ var frequency5 = 200 + 600.rand;
+ var frequency6 = 200 + 600.rand;
+ var frequency7 = 200 + 600.rand;
+ var frequency8 = 200 + 600.rand;
+ var frequency9 = 200 + 600.rand;
+ var frequency0 = 200 + 600.rand;
+
+ [ SinOsc.ar( freq:frequency1, mul:0.01 ), SinOsc.ar( freq:frequency1, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency2, mul:0.01 ), SinOsc.ar( freq:frequency2, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency3, mul:0.01 ), SinOsc.ar( freq:frequency3, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency4, mul:0.01 ), SinOsc.ar( freq:frequency4, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency5, mul:0.01 ), SinOsc.ar( freq:frequency5, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency6, mul:0.01 ), SinOsc.ar( freq:frequency6, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency7, mul:0.01 ), SinOsc.ar( freq:frequency7, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency8, mul:0.01 ), SinOsc.ar( freq:frequency8, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency9, mul:0.01 ), SinOsc.ar( freq:frequency9, mul:0.01 ) ]
+ [ SinOsc.ar( freq:frequency0, mul:0.01 ), SinOsc.ar( freq:frequency0, mul:0.01 ) ]
+}.play;
+</pre>
+
+ </div></li><li class="step"><div class="para">
+ It still doesn't work! SuperCollider is confused because I was been lazy and didn't include enough semicolons. The error we get is, "Index not an Integer," which is a clue as to what SuperCollider is trying to do (but it's irrelevant). The real problem is that SuperCollider interprets our ten stereo arrays as all being part of the same statement. We don't want them to be the same statement, however, because we want ten <span class="emphasis"><em>different</em></span> stereo arrays to be played. Fix this problem by putting a semicolon at the end of each stereo array. You do not <span class="emphasis"><em>need</em></span> to include one at the end of the last statement, because SuperCollider assumes the end of the statement when it encounters a } (end-of-function marker) after it. Since we're still building our code, we might move these around or add something aftwards, so it's better to include a semicolon at the end of each stereo array.
+ </div></li><li class="step"><div class="para">
+ Now the file plays successfully, but with a disappointing result. If you can't already see the problem, try to think of it before continuing to read.
+ </div></li><li class="step"><div class="para">
+ Only one SinOsc array gets played, and it's the last one. This is because the last statement is returned by the function that ends at } and it is that result which gets sent to the following .play
+ </div></li><li class="step"><div class="para">
+ To fix this, and ensure that all of the stereo arrays are played, you should remove the .play from the end of the function, and add a .play to each stereo array statement. You end up with
+<pre class="programlisting">
+{
+ var frequency1 = 200 + 600.rand;
+ var frequency2 = 200 + 600.rand;
+ var frequency3 = 200 + 600.rand;
+ var frequency4 = 200 + 600.rand;
+ var frequency5 = 200 + 600.rand;
+ var frequency6 = 200 + 600.rand;
+ var frequency7 = 200 + 600.rand;
+ var frequency8 = 200 + 600.rand;
+ var frequency9 = 200 + 600.rand;
+ var frequency0 = 200 + 600.rand;
+
+ [ SinOsc.ar( freq:frequency1, mul:0.01 ), SinOsc.ar( freq:frequency1, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency2, mul:0.01 ), SinOsc.ar( freq:frequency2, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency3, mul:0.01 ), SinOsc.ar( freq:frequency3, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency4, mul:0.01 ), SinOsc.ar( freq:frequency4, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency5, mul:0.01 ), SinOsc.ar( freq:frequency5, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency6, mul:0.01 ), SinOsc.ar( freq:frequency6, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency7, mul:0.01 ), SinOsc.ar( freq:frequency7, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency8, mul:0.01 ), SinOsc.ar( freq:frequency8, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency9, mul:0.01 ), SinOsc.ar( freq:frequency9, mul:0.01 ) ].play;
+ [ SinOsc.ar( freq:frequency0, mul:0.01 ), SinOsc.ar( freq:frequency0, mul:0.01 ) ].play;
+}
+</pre>
+
+ </div></li><li class="step"><div class="para">
+ When you execute this, no sound is produced, but SuperCollider outputs "a Function." Can you think of why this happens? It's because you wrote a function, but never told SuperCollider to evaluate it! At the end of execution, SuperCollider just throws away the function, because it's never used. This is the same thing that happened to the first nine stereo arrays - they were created, but you never said to do anything with them, so they were just thrown out. We need to execute the function. Because it doesn't produce a UGen, we can't use "play," so we have to use "value" instead. You can choose to do either of these:
+<pre class="programlisting">{ ... }.value;</pre>
+ or
+<pre class="programlisting">
+var myFunction = { ... };
+myFunction.value;
+</pre>
+
+ </div></li><li class="step"><div class="para">
+ This gives us yet another error, as if we can't play the stereo arrays! In fact, we can't - and we didn't do it in the first part, either. We play'ed the result of returning a stereo array from a function. The subtle difference isn't important yet - we're just trying to make this work! Use { and } to build a function for .play to .play
+ </div></li><li class="step"><div class="para">
+ Now make the correction nine more times.
+ </div></li><li class="step"><div class="para">
+ When you play execute the resulting code, you probably get something that sounds quite "space-age." Execute it a few times, to see the kind of results you get.
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part.html"><strong>戻る</strong>11.4.4. Designing the Second Part</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones.html"><strong>次へ</strong>11.4.6. Scheduling the Tones</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Composing-Designing_the_First_Part.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Composing-Designing_the_First_Part.html
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+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
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<a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Inspiration.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Composing-Designing_the_First_Part"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Designing_the_First_Part">11.4.3. Designing the First Part</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ I started with something simple: a single SinOsc: <code class="code">{ SinOsc.ar(); }.play;</code>
+ </div></li><li class="step"><div class="para">
+ This is not exciting: it just stays the same forever, and it only uses one channel! So, I added another SinOsc to the right channel, using the [ , ] array notation. The result is <code class="code">{ [ SinOsc.ar(), SinOsc.ar() ] }.play;</code>
+ </div></li><li class="step"><div class="para">
+ Now it sounds balanced, at least, like it's coming from the middle. But it's still boring, so I added a frequency-changing SinOsc to the right channel, resulting in <code class="code">{ [ SinOsc.ar(), SinOsc.ar(SinOsc.kr(1,50,300)) ] }.play;</code>
+ </div></li><li class="step"><div class="para">
+ Since that's difficult to read, and since I know that I'm just going to keep adding things, I expand the code a little bit to make it more legible. This gives me
+<pre class="programlisting">
+{
+ var left = SinOsc.ar();
+ var right = SinOsc.ar( SinOsc.kr( 1, 50, 300 ) );
+
+ [ left, right ]
+
+}.play;
+</pre>
+ I define a variable holding everything I want in the left channel, then the same for the right. I still use the [ , ] array notation to create a stereo array. Remember that SuperCollider functions return the last value stated, so it might look like the stereo array is ignored, but because this array is what is returned by the function contained between { and }, it is this array that gets played by the following ".play;"
+ </div></li><li class="step"><div class="para">
+ I also added a frequency controller to the left SinOsc, and realized that it's getting a bit difficult to read again, especially if I wanted to add another parameter to the SinOsc.ar objects. So I placed the SinOsc.kr's into their own variables: frequencyL and frequencyR. This results in
+<pre class="programlisting">
+{
+ var frequencyL = SinOsc.kr( freq:10, mul:200, add:400 );
+ var frequencyR = SinOsc.kr( freq:1, mul:50, add:150 );
+
+ var left = SinOsc.ar( frequencyL );
+ var right = SinOsc.ar( frequencyR );
+
+ [ left, right ]
+
+}.play;
+</pre>
+
+ </div></li><li class="step"><div class="para">
+ Now I can experiment with the frequency-changing SinOsc's, to make sure that I get things just right. When I realize what the parameters do, I make a note for myself (see "FSC-method-1-.sc"), so that it will be easy to adjust it later. I also explicitly call the parameters. This isn't necessary, but it also helps to avoid future confusion. Most programmers would not explicitly call the parameters, but we're musicians, not programmers.
+ </div></li><li class="step"><div class="para">
+ The left channel has something like a "melody," so I decided to add a drone-like SinOsc to it. This is easy, of course, because any SinOsc left alone is automatically a drone! But, where should it be added? Into the "left" variable, of course. We'll create an array using [ , ] array notation. There are two things that I would do at this point to help with future readability:
+ </div><ol class="a"><li class="step"><div class="para">
+ Align all of the left-channel SinOsc's vertically (using tabs and spaces), so that each line is one sound-generating UGen.
+ </div></li><li class="step"><div class="para">
+ At the end of each line, write a small comment describing what the UGen on that line doesn.
+ </div></li></ol></li><li class="step"><div class="para">
+ Now the volume is a problem. For most sound-producing UGen's, the "mul" argument controls the volume. For most of those, the default is "1.0," and anything greater will create distorted output. The physics and computer science factors that wind up creating distortion are rather complicated, and it isn't necessary to understand them. What we need to know is that, if the output of a UGen (or some UGen's) sounds distorted, then we should probably adjust the "mul" argument. Sometimes, of course, you may prefer that distorted output.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ It seems that, when you're using multiple SinOsc's in one output channel, the "mul" of all of them must not add to more than 1.0
+ </div></li><li class="listitem"><div class="para">
+ We're using two output channels (left and right). We'll leave the right channel alone for now, because it has only one output UGen.
+ </div></li><li class="listitem"><div class="para">
+ So, I'll change add a "mul" argument to each of the left-channel UGen's, to 0.5
+ </div></li></ul></div>
+
+ </div></li><li class="step"><div class="para">
+ Now we can't hear the left channel, because the right channel is too loud! Playing with volumes (sometimes called "adjusting levels" for computers) is a constant aesthetic concern for all musicians. Add a "mul" argument to the right channel, and set it to what seems an appropriate volume for the moment. It will probably change later, but that's okay.
+ </div></li><li class="step"><div class="para">
+ But let's add another dimension to this: there's no reason to keep the volume static, because we can use a SinOsc to change it periodically! I added a SinOsc variable called "volumeL," which I used as the argument to "mul" for the "frequencyL" SinOsc in the left channel.
+ </div></li><li class="step"><div class="para">
+ And now the sheer boredom of the drone in the left channel becomes obvious. I decide to make it more interesting by adding a series of overtones (an overtone is...). I decide to add six, then experiment with which frequencies to add. But, every time I adjust one frequency, I have to re-calculate and change all the others. So I decide to add a variable for the drone's frequency: "frequencyL_drone". This way, after finding the right intervals, I can easily adjust all of them just by changing the variable. I've decided on drone*1, 2, 5, 13, and 28. These are more or less arbitrary, and I arrived on them through experimentation. Of course, the drone will be <span class="emphasis"><em>way</em></span> too loud.
+ </div></li><li class="step"><div class="para">
+ Writing
+<pre class="programlisting">SinOsc.ar( [frequencyL_drone,2*frequencyL_drone,5*frequencyL_drone,13*frequencyL_drone,28*frequencyL_drone], mul:0.1 )</pre>
+ in your program is not easy to read, and actually it doesn't work out volume-balance-wise (for me, at least): the high frequencies are too loud, and the lower ones are not loud enough. In retrospect, I should have created a variable for the "mul" of these drones, so I could adjust them easily in proportion. But, I didn't.
+ </div></li><li class="step"><div class="para">
+ A constant drone isn't as much fun as one that slowly changes over time. So, I changed the "frequencyL_drone" value to a SinOsc.kr UGen. Because it's supposed to be a "drone," it should change only very gradually, so I used a very small freqeuncy argument. It still moves quite quickly, but people won't want to listen to this too long, anyway!
+ </div></li><li class="step"><div class="para">
+ I did something similar with the right channel, addding a slowly-changing drone and overtones above it.
+ </div></li><li class="step"><div class="para">
+ After some final volume adjustments, I feel that I have completed the first part. There is no way to know for sure that you've finished until it happens. Even then, you may want to change your program later.
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Inspiration.html"><strong>戻る</strong>11.4.2. Inspiration</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part.html"><strong>次へ</strong>11.4.4. Designing the Second Part</a></li></ul></body></html>
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<ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Designing_the_First_Part.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Designing_the_Second_Part">11.4.4. Designing the Second Part</h3></div></div></div><div class="para">
+ The next thing that I did was to design the second part. This will not join them together yet, and I'm going to focus on something completely different, so I decided to do this in a separate file.
+ </div><div class="para">
+ My inspiration for this part came from experimenting with the drones of the first part. There are a virtually unlimited number of combinations of sets of overtones that could be created, and the combinations of discrete frequencies into complex sounds is something that has fascinated me for a long time. Moreover, when thousands of discrete frequencies combine in such a way as to create what we think of as "a violin playing one note," it seems like a magical moment.
+ </div><div class="para">
+ I'm going to build up a set of pseudo-random tones, adding them one at a time, in set increments. As you will see, this introduces a number of problems, primarily because of the scheduling involved with the one-by-one introduction of tones, and keeping track of those tones.
+ </div><div class="para">
+ The fact that there are ten tones also poses a problem, because it might require a lot of typing. We'll see solutions to that, which use SuperCollider's programming features to greatly increase the efficiency.
+ </div><div class="para">
+ Although we've already solved the musical problems (that is, we know what we want this part to sound like), the computer science (programming) problems will have to be solved the old-fashioned way: start with something simple, and build it into a complex solution.
+ </div><div class="para">
+ First I will develop the version used in FSC-method-1.sc, then the version used in FSC-method-1-short.sc
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Designing_the_First_Part.html"><strong>戻る</strong>11.4.3. Designing the First Part</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones.html"><strong>次へ</strong>11.4.5. Creating Ten Pseudo-Random Tones</a></li></ul></body></html>
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Composing.html" title="11.4. Composing with SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SuperCollider-Composing.html" title="11.4. Composing with SuperCollider" /><link rel="next" href="sect-Musicians_Guide-SC-Composing-Designing_the_First_Part.html" title="11.4.3. Designing the First Part" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class
="previous"><a accesskey="p" href="sect-Musicians_Guide-SuperCollider-Composing.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Designing_the_First_Part.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Composing-Inspiration"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Inspiration">11.4.2. Inspiration</h3></div></div></div><div class="para">
+ The intention of this program is to represent one way to write a SuperCollider program. I decided to take one class, SinOsc, and use it for "everything." Here, "everything" means any function that returns a sound, or any function that directly controls a SinOsc.
+ </div><div class="para">
+ In order to fill up time, I decided to employ a three-part "rounded binary" form: ABA' or "something, something new, then the first thing again." This is kind of like a sine oscillation, too!
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SuperCollider-Composing.html"><strong>戻る</strong>11.4. Composing with SuperCollider</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Designing_the_First_Part.html"><strong>次へ</strong>11.4.3. Designing the First Part</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts.html
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Composing.html" title="11.4. Composing with SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part.html" title="11.4.8. Making a Useful Section out of the Second Part" /><link rel="next" href="sect-Musicians_Guide-SuperCollider-Exporting.html" title="11.5. Exporting Sound Files" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site"
/></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SuperCollider-Exporting.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts">11.4.9. Joining the Two Parts</h3></div></div></div><div class="para">
+ Now it is time to join the two parts, and ensure a clean transition between them. My reasons for building the first part as a SynthDef, but the second part as a function are explained in the FSC_part_1.sc file. Additional reasons include my desire to illustrate the use of both possibilities, and because the second part stops itself (so it can be a function which is executed and forgotten), whereas the first part does not stop itself (so we'll need to hold onto the synth, to stop it ourselves).
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ I copy-and-pasted both parts into a new file, leaving the other original code in tact, in case I want to build on them in the future. Be sure to copy over the <code class="code">var t_c = TempoClock.default;</code> definition from the second part.
+ </div></li><li class="step"><div class="para">
+ By default, the two parts would both start playing at the same time (give it a try!) This isn't what we want, however, so you'll need to erase the "play" command from both parts' functions. We'll also need some way to refer to them, so declare the second part as a variable (I've used the name, "secondPart,"), but don't worry about the first part yet. Don't forget the semicolon at the end of the function declaration!
+ </div></li><li class="step"><div class="para">
+ To join the two parts, I'm going to use function that does all the scheduling. This is similar to a "main" function, which are used in most programming languages. Although they are optional in SuperCollider, it just makes sense to use one function that does all the scheduling, and nothing else: that way, when you have problems with the scheduling, or you want to make an adjustment or addition to the program, you can easily find the place where the scheduling happens. If your scheduling commands were spread out through the source file, it would be much more difficult to find and modify the scheduling commands.
+ </div></li><li class="step"><div class="para">
+ Our first job is to determine which variables we'll need to use: just one, which will be assigned the currently-running \FirstPart Synth. Also, if you didn't previously assign "TempoClock.default" to the variable "t_c", then it makes sense to do this now.
+ </div></li><li class="step"><div class="para">
+ The next thing our function must do is guarantee that we're going to have the right tempo. Use the "tempo_" Function with an argument in beats-per-second, to assign "TempoClock.default" a tempo of one beat per second.
+ </div></li><li class="step"><div class="para">
+ The next and last thing will be to schedule our sounds. First, we need to determine which events will need to be scheduled, and then at what times.
+ </div><ol class="a"><li class="step"><div class="para">
+ Since \FirstPart is a SynthDef, we'll need to start it and stop it ourselves. Since it happens two times in the intended program, we'll need to do it twice.
+ </div></li><li class="step"><div class="para">
+ secondPart is a Function, and it stops itself when it's finished. We'll need to start it once and let it go.
+ </div></li><li class="step"><div class="para">
+ Just in case something takes a while to process, we'll start the first \FirstPart on beat one, rather than beat zero. We'll let it play for 60 seconds the first time, and 30 seconds the second time.
+ </div></li><li class="step"><div class="para">
+ In order to schedule the second appearance of \FirstPart, we need to know how long secondPart will take. Let's inspect the function and calculate how many beats it will take.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 1 beat of silence at the beginning,
+ </div></li><li class="listitem"><div class="para">
+ 5 beats between the entrance of each SinOsc,
+ </div></li><li class="listitem"><div class="para">
+ 10 SinOsc's,
+ </div></li><li class="listitem"><div class="para">
+ 5 beats after the last SinOsc until the function stops.
+ </div></li><li class="listitem"><div class="para">
+ This gives us <code class="code">1 + ( 5 * 9 ) + 5 = 51</code>. Why <code class="code">5 * 9</code>? Because although there are ten SinOsc's, there are only nine spaces between them; the last five-second space happens <span class="emphasis"><em>after</em></span> the last <code class="classname">SinOsc</code>.
+ </div></li></ul></div>
+
+ </div></li><li class="step"><div class="para">
+ This gives us the following schedule:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 1 beat: start \FirstPart
+ </div></li><li class="listitem"><div class="para">
+ 61 beats: stop \FirstPart
+ </div></li><li class="listitem"><div class="para">
+ 61 beats: start secondPart
+ </div></li><li class="listitem"><div class="para">
+ 113 beats: start \FirstPart
+ </div></li><li class="listitem"><div class="para">
+ 143 beats: stop \FirstPart
+ </div></li></ul></div>
+
+ </div></li></ol></li><li class="step"><div class="para">
+ Try to schedule the events for yourself, then test your program to make sure that it works as you intended. Here's what I wrote:
+<pre class="programlisting">
+t_c.sched( 1, { sound = Synth.new( \FirstPart ); } );
+t_c.sched( 61, { sound.free; } );
+t_c.sched( 61, { secondPart.value; nil; } );
+t_c.sched( 113, { sound = Synth.new( \FirstPart ); } );
+t_c.sched( 143, { sound.free; } );
+</pre>
+ Why is the "nil" required after "secondPart"? Because that function returns a number. As you know, any scheduled function which returns a number will re-schedule itself to run that many beats after the previous execution began. Since "secondPart" returns the number of seconds it takes to finish, it will always be re-started as soon as it finishes. Including "nil" disallows this repetition.
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part.html"><strong>戻る</strong>11.4.8. Making a Useful Section out of the Second...</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SuperCollider-Exporting.html"><strong>次へ</strong>11.5. Exporting Sound Files</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part.html
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@@ -0,0 +1,160 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
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evious"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Optimizing_the_Code.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part">11.4.8. Making a Useful Section out of the Second Part</h3></div></div></div><div class="para">
+ This section describes the reasons for the differences between the second part's Function that was just created, and the Function that appears in "FSC_method_1-short.sc". It all comes down to this: the current solution is tailor-made for this particular program, and would require significant adaptation to be used anywhere else; I want to re-design the Function so that it can be used anywhere to begin with, while still defaulting to the behaviour desired for this program.
+ </div><div class="para">
+ You can skip this section, and return later. The actions for the rest of the tutorial remain unchanged whether you do or do not make the modifications in this section.
+ </div><div class="para">
+ Here's what I have from the previous step:
+<pre class="programlisting">
+var t_c = TempoClock.default;
+
+var secondPart =
+{
+ var so = Array.new( 10 );
+
+ var func =
+ {
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ];
+ };
+
+ 10.do( { arg index; t_c.sched( ((5*index)+1), { so = so.add( {func.value;}.play; ); } ); } );
+ 10.do( { arg index; t_c.sched( 51, { so[index].free; } ); } );
+
+};
+</pre>
+ This Function is the perfect solution if you want ten pseudo-random pitches between 200 Hz and 800 Hz, and a five-second pause between each one. If you want nine or eleven pitches, if you want them to eb between 60 Hz and 80Hz, if you want a six-second pause between each - you would have to modify the Function. If you don't remember how it works, or if you give it to a friend, you're going to have to figure out how it works before you modify it. This is not an ideal solution.
+ </div><div class="para">
+ Let's solve these problems one at a time, starting with allowing a different number of SinOsc synths to be created. We know that we'll have to create an argument, and that it will have to be used wherever we need the number of SinOsc's. Also, to preserve functionality, we'll make a default assignment of 10. Try to accomplish this yourself, making sure to test your Function so that you know it works. Here's what I did:
+<pre class="programlisting">
+var t_c = TempoClock.default;
+
+var secondPart =
+{
+ arg number_of_SinOscs = 10;
+
+ var so = Array.new( number_of_SinOscs );
+
+ var func =
+ {
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ];
+ };
+
+ number_of_SinOscs.do( { arg index; t_c.sched( ((5*index)+1), { so = so.add( {func.value;}.play; ); } ); } );
+ number_of_SinOscs.do( { arg index; t_c.sched( 51, { so[index].free; } ); } );
+
+};
+</pre>
+ The "do" loop doesn't need a constant number; it's fine with a variable. What happens when you pass a bad argument, like a string? This would be an easy way to sabotage your program, and in almost any other programming context it would concern us, but this is just audio programming. If somebody is going to try to create "cheese" SinOsc's, it's their own fault for mis-using the Function.
+ </div><div class="para">
+ Now let's modify the Function so that we can adjust the range of frequencies that the Function will generate. We know that we'll need two more arguments, and that they'll have to be used in the equation to calculate the frequency. But we'll also need to do a bit of arithmetic, because of the way the "rand" Function works (actually we don't - see the "rand" Function's help file). Also, to preserve functionality, we'll make default assignments of 200 and 800. Try to accomplish this yourself, making sure that you test the Function so you know it works. Here's what I did:
+<pre class="programlisting">
+var t_c = TempoClock.default;
+
+var secondPart =
+{
+ arg number_of_SinOscs = 10,
+ pitch_low = 200,
+ pitch_high = 800;
+
+ var so = Array.new( number_of_SinOscs );
+
+ var func =
+ {
+ var freq = pitch_low + (pitch_high - pitch_low).rand;
+ [ SinOsc.ar( freq:freq, mul:0.01),
+ SinOsc.ar( freq:freq, mul:0.01) ];
+ };
+
+ number_of_SinOscs.do( { arg index; t_c.sched( ((5*index)+1), { so = so.add( {func.value;}.play; ); } ); } );
+ number_of_SinOscs.do( { arg index; t_c.sched( 51, { so[index].free; } ); } );
+
+};
+</pre>
+ Notice that I changed the name of the variables, and the indentation in the "func" sub-Function, to make it easier to read. This isn't a particularly difficult change.
+ </div><div class="para">
+ Now let's allow the user to set the length of time between each SinOsc appears. We will need one more argument, used in the scheduling command. Try to accomplish this yourself, and if you run into difficulty, the next paragraph contains some tips.
+ </div><div class="para">
+ The change to the "do" loop which schedules the SinOsc's to play is almost trivial. My new argument is called "pause_length", (meaning "the length of the pause, in seconds, between adding each SinOsc"), so I get this modification: number_of_SinOscs.do(
+<pre class="programlisting">
+{
+ arg time;
+ secondPart_clock.sched( (1+(time*5)), { sounds = sounds.add( func.play ); } );
+});
+</pre>
+ Again, I changed the indentation, and the names of the variables in this sub-Function. Recall that the "1+" portion is designed to add a one-second pause to the start of the Function's execution. The problem comes in the next "do" loop, where we have to know how the number of beats from now will be five seconds after the last SinOsc is added. We'll have to calculate it, so I added a variable to store the value after it's calculated. This also allows us to return it, as a convenience to the Function that called this one, so that it knows how long until this Function is finished. Try adding this yourself, then testing the Function to ensure that it works. I got this:
+<pre class="programlisting">
+var t_c = TempoClock.default;
+
+var secondPart =
+{
+ arg number_of_SinOscs = 10,
+ pitch_low = 200,
+ pitch_high = 800,
+ pause_length = 5;
+
+ var so = Array.new( number_of_SinOscs );
+
+ var when_to_stop = ( 1 + ( pause_length * number_of_SinOscs ) );
+
+ var func =
+ {
+ var freq = pitch_low + (pitch_high - pitch_low).rand;
+ [ SinOsc.ar( freq:freq, mul:0.01),
+ SinOsc.ar( freq:freq, mul:0.01) ];
+ };
+
+ number_of_SinOscs.do(
+ {
+ arg time;
+ t_c.sched( (1+(time*5)), { so = so.add( func.play ); } );
+ });
+
+ t_c.sched( when_to_stop,
+ {
+ number_of_SinOscs.do( { arg index; so[index].free; } );
+ nil;
+ });
+
+ when_to_stop;
+};
+</pre>
+ I decided to "invert" the "free-ing" of the SinOsc's. Rather than scheduling number_of_SinOscs Function-calls at some point in the future, I decided to schedule one thing: a "do" loop that does the work. The indentation looks strange, but sometimes there's not much you can do about that. The "when_to_stop" variable must be the last thing in the Function, so that the interpreter returns it to the Function's caller.
+ </div><div class="para">
+ In order to retain the "bare minimum" robustness to be used elsewhere, we can't rely on the "TempoClock.default" clock having the tempo we expect, and we certainly can't rely on it being declared as "t_c". The solution is quite easy: create a new TempoClock within the Function.
+<pre class="programlisting">var t_c = TempoClock.new; // default tempo is one beat per second</pre>
+ We could hypothetically use the "SystemClock", since we're measuring time strictly in seconds. But, using a TempoClock is preferred for two reasons:
+ <div class="orderedlist"><ol><li class="listitem"><div class="para">
+ It has the word "tempo" in its name, and it's designed for scheduling musical events; the "SystemClock" is for system events.
+ </div></li><li class="listitem"><div class="para">
+ We can easily extend this in the future to use a "TempoClock" set to a different tempo.
+ </div></li></ol></div>
+
+ </div><div class="para">
+ There are some further ways to improve this Function, making it more robust (meaning that it will work consistently in a greater range of circumstances). Here are things that could be done to improve the Function, with an explanation of why it would make the Function more robust:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Made the clock an argument, allowing this Function to schedule events on a clock belonging to some other Function. Since all clocks respond to the "sched" message, we could even accept the "SystemClock" or "AppClock". The default value would still be <code class="code">TempoClock.new</code>
+ </div></li><li class="listitem"><div class="para">
+ Use absolute scheduling rather than relative scheduling. Depending on how long the server and interpreter take to process the commands, it could lead to significant delays if the Function is asked to create a lot of SinOsc's.
+ </div></li><li class="listitem"><div class="para">
+ Create one SynthDef (with an argument) for all of the synths. Especially when asked to create a large numbe of SinOsc's, this will lead to faster processing and lower memory consumption. On the other hand, it increases the complexity of the code a little bit, requiring more testing.
+ </div></li><li class="listitem"><div class="para">
+ Each SinOsc is currently created with the same "mul" argument, regardless of how many SinOsc's are created. Set as it is, when asked to create 51 SinOsc's, the signal would become distorted. If you're puzzled about why 51, remember that for each SinOsc the Function is asked to create, it currently creates two: one for the left and one for the right audio channel.
+ </div></li><li class="listitem"><div class="para">
+ Allow the SynthDef to be passed in as an argument, with the requirement that such a SynthDef would need to accept the "freq" and "mul" arguments. This is going out on a limb a bit, and requires careful explanation in comments to ensure that the Function is used correctly. You will also need to test what happens if the Function is used incorrectly. Crashing the server application is a bad thing to do, especially without a warning.
+ </div></li><li class="listitem"><div class="para">
+ Use a Bus to cut the number of synths in half, so that one synth will be sent both to the left and right channels. Alternatively, you could add special stereo effects.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ As you can see, there are a lot of ways to improve this Function even further; there are almost certainly more ways than listed here. Before you distribute your Function, you would want to be sure to test it thoroughly, and add helpful comments so that the Function's users know how to make the Function do what they want. These are both large topics in themselves, so I won't give them any more attention here.
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Optimizing_the_Code.html"><strong>戻る</strong>11.4.7. Optimizing the Code</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts.html"><strong>次へ</strong>11.4.9. Joining the Two Parts</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Composing-Optimizing_the_Code.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Composing-Optimizing_the_Code.html
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+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.4.7. Optimizing the Code</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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tion Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Composing-Optimizing_the_Code"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Optimizing_the_Code">11.4.7. Optimizing the Code</h3></div></div></div><div class="para">
+ Hopefully, while working through the previous sections, you got an idea of how tedious, boring, difficult-to-read, and error-prone this sort of copy-and-paste programming can be. It's ridiculous, and it's poor programming:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ We're using a lot of variables and variable names. They're all just used once or twice, too.
+ </div></li><li class="listitem"><div class="para">
+ When you copy-and-paste code, but change it a little, you might make a mistake in that little change.
+ </div></li><li class="listitem"><div class="para">
+ When you copy-and-paste code, when you make a mistake, you have to copy-and-paste to fix it everywhere.
+ </div></li><li class="listitem"><div class="para">
+ Repetition is the enemy of high-quality code. It is much better to write something once and re-use that same code.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Thankfully, SuperCollider provides three things that will greatly help to solve these problems - at least for our current situation:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Arrays can be used to hold multiple instances of the same thing, all referred to with essentially the same name. We're already doing something similar, (sinosc1, sinosc2, etc.) but arrays are more flexible.
+ </div></li><li class="listitem"><div class="para">
+ Functions can be written once, and executed as many times as desired.
+ </div></li><li class="listitem"><div class="para">
+ Loops also provide a means to write code once, and execute it many times. As you will see, they are useful in situations different from functions.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ It should be noted that, while it is good practise to program like this, it is also optional. You will probably find, though, that writing your programs well in the first place ends up saving huge headaches in the future.
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ The first thing we'll do is write a function to deal with generating the stereo arrays of SinOsc's.
+ </div></li><li class="step"><div class="para">
+ Take the code required to generate one stereo array of SinOsc's with a pseudo-random frequency. Put it in a function, and declare a variable for it (I used the name "func").
+ </div></li><li class="step"><div class="para">
+ Now remove the frequency1 (etc.) variables, and change the sinosc1 (etc.) variables to use the new function. Make sure that the code still works in the same way. It's much easier to troubleshoot problems when you make only one change at a time!
+ </div></li><li class="step"><div class="para">
+ At this point, we've eliminated ten lines of code, and made ten more lines easier to read by eliminating the subtle copy-and-paste changes. If you can't manage to work it out, refer to the FSC_method_1.sc file for tips.
+ </div></li><li class="step"><div class="para">
+ We can eliminate ten more lines of code by using a loop with an array. Let's change only one thing at a time, to make it easier to find a problem, if it should arise. Start by commenting out the lines which declare and initialize sinosc1, sinosc2, and so on.
+ </div></li><li class="step"><div class="para">
+ Then declare a ten-element array in the same place: <code class="code">var sinosc = Array.new( 10 );</code>
+ </div></li><li class="step"><div class="para">
+ The next part is to write code to get ten func.value's into the array. To add something to an array in SuperCollider, we use the "add" method: <code class="code">sinosc.add( thing_to_add );</code> There is a small wrinkle to this, described in the SuperCollider documentation. It's not important to understand (for musical reasons, that is - it is explained on this help page), but when you add an element to an array, you <span class="emphasis"><em>should</em></span> re-assign the array to the variable-name: <code class="code">sinosc = sinosc.add( thing_to_add )</code> Basically it works out like this: if you don't re-assign, then there is a chance that the array name only includes the elements that were in the array before the "add" command was run.
+ </div></li><li class="step"><div class="para">
+ With this, we are able to eliminate a further level of redundancy in the code. Ten exact copies of <code class="code">sinosc = sinosc.add( { func.value; } );</code> Now, ten lines that look almost identical actually are identical. Furthermore, we don't have to worry about assigning unique names, or even about index numbers, as in other programming languages. SuperCollider does this for us!
+ </div></li><li class="step"><div class="para">
+ This still won't work, because we need to adjust the rest of the function to work with this array. The scheduling commands be changed to look something like this: <code class="code">t_c.sched( 1, { so1 = sinosc[0].play; } );</code> Since arrays are indexed from 0 to 9, those are the index numbers of the first ten objects in the array.
+ </div></li><li class="step"><div class="para">
+ Remember that you need to put all of your variable declarations <span class="emphasis"><em>before</em></span> anything else.
+ </div></li><li class="step"><div class="para">
+ It <span class="emphasis"><em>should</em></span> still work. Let's use a loop to get rid of the ten identical lines.
+ </div></li><li class="step"><div class="para">
+ In SuperCollider, <code class="code"><em class="replaceable"><code>x</code></em>.do( <em class="replaceable"><code>f</code></em> );</code> will send the <code class="literal">value</code> message to the function <code class="literal">f</code> <code class="literal">x</code> times. So, to do this ten times, we should write <code class="code">10.do( { sinosc = sinosc.add( { func.value; } ); } );</code> and get rid of the other ones. This is very powerful for simple things that must be done multiple times, because you are definitely not going to make a copy-and-paste error, because it's easy to see what is being executed, and because it's easy to see how many times it is being executed.
+ </div></li><li class="step"><div class="para">
+ Now let's reduce the repetitiveness of the scheduling. First, replace so1, so2, etc. with a ten-element array. Test it to ensure that the code still works.
+ </div></li><li class="step"><div class="para">
+ Getting the next two loops working is a little bit more complicated. We know how to run the exact same code in a loop, but we don't know how to change it subtly (by supplying different index numbers for the array, for example). Thankfully, SuperCollider provides a way to keep track of how many times the function in a loop has already been run. The first argument given to a function in a loop is the number of times that the function has <span class="emphasis"><em>already</em></span> been executed. The first time it is run, the function receives a 0; if we're using a <code class="code">10.do( <em class="replaceable"><code>something</code></em> );</code> loop, then the last time the function is run, it receives a 9 because the function has already been executed 9 times. Since our ten-element array is indexed from 0 to 9, this works perfectly for us.
+ </div></li><li class="step"><div class="para">
+ The code to free is shorter: <code class="code">10.do( { arg index; t_c.sched( 51, { so[index].free; } ); } );</code> This can look confusing, especially written in one line, like it is. If it helps, you might want to write it like this instead:
+<pre class="programlisting">
+10.do
+({ arg index;
+ t_c.sched( 51, { so[index].free; } );
+});
+</pre>
+ Now it looks more like a typical function.
+ </div></li><li class="step"><div class="para">
+ The next step is to simplify the original scheduling calls in a similar way, but it's slightly more complicated because we have to schedule a different number of measures for each call. With a little math, this is also not a problem - it's just a simple linear equation: <code class="literal">number_of_measures = 5 * array_index + 1</code> Try to write this loop by yourself, before going to the next step.
+ </div></li><li class="step"><div class="para">
+ If you missed it, my solution is
+<pre class="programlisting">10.do( { arg index; t_c.sched( ((5*index)+1), { so = so.add( sinosc[index].play; ); } ); } );</pre>
+ which includes some extra parentheses to ensure that the math is computed in the right order.
+ </div></li><li class="step"><div class="para">
+ The code is already much shorter, easier to understand, and easier to expand or change. There is one further optimzation that we can easily make: get rid of the sinosc array. This simply involves replacing <code class="code">sinosc[index]</code> with what all of its elements are: <code class="code">{ func.value; }</code>
+ </div></li><li class="step"><div class="para">
+ The resulting program is a little different from what ended up in FSC_method_1.sc, but produces the same output. What I have is this:
+<pre class="programlisting">
+var t_c = TempoClock.default;
+
+{
+ var so = Array.new( 10 );
+
+ var func =
+ {
+ var frequency = 200 + 600.rand;
+ [ SinOsc.ar( freq:frequency, mul:0.01 ), SinOsc.ar( freq:frequency, mul:0.01 ) ];
+ };
+
+ 10.do( { arg index; t_c.sched( ((5*index)+1), { so = so.add( {func.value;}.play; ); } ); } );
+ 10.do( { arg index; t_c.sched( 51, { so[index].free; } ); } );
+
+}.value;
+</pre>
+
+ </div></li><li class="step"><div class="para">
+ Finally, assign this Function to a variable (called "secondPart", perhaps), and remove the "value" Function-call. If we leave that in, the Function will execute before the rest of the program begins!
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones.html"><strong>戻る</strong>11.4.6. Scheduling the Tones</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Making_a_Useful_Function_Out_of_the_Second_Part.html"><strong>次へ</strong>11.4.8. Making a Useful Section out of the Second...</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.4.6. Scheduling the Tones</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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"docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Optimizing_the_Code.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Scheduling_the_Tones">11.4.6. Scheduling the Tones</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ The next step is to get these started consecutively, with 5-second pauses after each addition. For this we will use a TempoClock, and since this is the only thing that we're doing, we'll just use the default one called TempoClock.default. I don't feel like typing that, however, so we're going to define an alias variable: <code class="code">var t_c = TempoClock.default;</code> You could put that in the main function, but I suggest putting it before the main function. This way, if we want to write another function later, then it can also access <code class="literal">t_c</code>.
+ </div></li><li class="step"><div class="para">
+ The default TempoClock has a default tempo of one beat per second (1 Hz). This will be good enough for us. If you wanted to change the tempo, remember that you can enter a metronome setting (which is "beats per minute") by dividing the metronome setting by 60. So a metronome's 120 beats per minute would be given to a new TempoClock as <code class="code">TempoClock.new( 120/60 )</code>. Even though you could do that ahead of time and just write "2," inputting it as "120/60" makes it clearer what tempo you intend to set.
+ </div></li><li class="step"><div class="para">
+ You can schedule something on a TempoClock by using <code class="code">t_c.sched( <em class="replaceable"><code>x</code></em>, <em class="replaceable"><code>f</code></em> );</code>, where <code class="literal">f</code> is a function to execute, and <code class="literal">x</code> is when it should be done, measured as the number of beats from now. So we can schedule our SinOsc like this:
+<pre class="programlisting">t_c.sched( 1, {{[ SinOsc.ar( freq:frequency1, mul:0.01 ), SinOsc.ar( freq:frequency1, mul:0.01 ) ]}.play;} );</pre>
+ </div></li><li class="step"><div class="para">
+ Schedule the rest, in intervals of five beats (which is five seconds). They will all be scheduled virtually instantaneously (that is, the computer will notice the slight delay between when each one is scheduled, but humans will not). I started at one beat from now, to insert a slight pause before the sound begins.
+ </div></li><li class="step"><div class="para">
+ If you've done this correctly, then we should get a build-up of ten pitches. But they never stop! This is going to take some more ingenuity to solve, because we can't just make a stereo array, play it, then throw it away. We need to hold onto the stereo array, so that we can stop it. The first step here is to store the stereo arrays in variables, and subsequently schedule them. You will end up with something like this:
+<pre class="programlisting">
+var sinosc1 = { [ SinOsc.ar( freq:frequency1, mul:0.01 ), SinOsc.ar( freq:frequency1, mul:0.01 ) ] };
+// the other nine...
+
+ t_c.sched( 1, { sinosc1.play; } );
+// the other nine...
+</pre>
+
+ </div></li><li class="step"><div class="para">
+ It should still work, but we after all that cutting-and-pasting, we still haven't managed to turn off the SinOsc's. We need to "free" the object that was returned when we used the "play" function. We need to declare yet more variables: <code class="code">var so1, so2, so3, so4, so5, so6, so7, so8, so9, so0;</code> should appear anywhere before the scheduler.
+ </div></li><li class="step"><div class="para">
+ Now adjust all the scheduling commands so they look like this: <code class="code">t_c.sched( 1, { so1 = sinosc1.play; } );</code>
+ </div></li><li class="step"><div class="para">
+ Now you can add ten of these, after the existing scheduling commands: <code class="code">t_c.sched( 51, { so1.free; } );</code>. Be sure to schedule each one for 51 beats, so that they all turn off simultaneously, 5 beats after the last pitch is added.
+ </div></li><li class="step"><div class="para">
+ It should work successfully. If it doesn't, then compare what you have to this, which does work:
+<pre class="programlisting">
+var t_c = TempoClock.default;
+
+{
+ var frequency1 = 200 + 600.rand;
+ var frequency2 = 200 + 600.rand;
+ var frequency3 = 200 + 600.rand;
+ var frequency4 = 200 + 600.rand;
+ var frequency5 = 200 + 600.rand;
+ var frequency6 = 200 + 600.rand;
+ var frequency7 = 200 + 600.rand;
+ var frequency8 = 200 + 600.rand;
+ var frequency9 = 200 + 600.rand;
+ var frequency0 = 200 + 600.rand;
+
+ var sinosc1 = { [ SinOsc.ar( freq:frequency1, mul:0.01 ), SinOsc.ar( freq:frequency1, mul:0.01 ) ] };
+ var sinosc2 = { [ SinOsc.ar( freq:frequency2, mul:0.01 ), SinOsc.ar( freq:frequency2, mul:0.01 ) ] };
+ var sinosc3 = { [ SinOsc.ar( freq:frequency3, mul:0.01 ), SinOsc.ar( freq:frequency3, mul:0.01 ) ] };
+ var sinosc4 = { [ SinOsc.ar( freq:frequency4, mul:0.01 ), SinOsc.ar( freq:frequency4, mul:0.01 ) ] };
+ var sinosc5 = { [ SinOsc.ar( freq:frequency5, mul:0.01 ), SinOsc.ar( freq:frequency5, mul:0.01 ) ] };
+ var sinosc6 = { [ SinOsc.ar( freq:frequency6, mul:0.01 ), SinOsc.ar( freq:frequency6, mul:0.01 ) ] };
+ var sinosc7 = { [ SinOsc.ar( freq:frequency7, mul:0.01 ), SinOsc.ar( freq:frequency7, mul:0.01 ) ] };
+ var sinosc8 = { [ SinOsc.ar( freq:frequency8, mul:0.01 ), SinOsc.ar( freq:frequency8, mul:0.01 ) ] };
+ var sinosc9 = { [ SinOsc.ar( freq:frequency9, mul:0.01 ), SinOsc.ar( freq:frequency9, mul:0.01 ) ] };
+ var sinosc0 = { [ SinOsc.ar( freq:frequency0, mul:0.01 ), SinOsc.ar( freq:frequency0, mul:0.01 ) ] };
+
+ var so1, so2, so3, so4, so5, so6, so7, so8, so9, so0;
+
+ t_c.sched( 1, { so1 = sinosc1.play; } );
+ t_c.sched( 6, { so2 = sinosc2.play; } );
+ t_c.sched( 11, { so3 = sinosc3.play; } );
+ t_c.sched( 16, { so4 = sinosc4.play; } );
+ t_c.sched( 21, { so5 = sinosc5.play; } );
+ t_c.sched( 26, { so6 = sinosc6.play; } );
+ t_c.sched( 31, { so7 = sinosc7.play; } );
+ t_c.sched( 36, { so8 = sinosc8.play; } );
+ t_c.sched( 41, { so9 = sinosc9.play; } );
+ t_c.sched( 46, { so0 = sinosc0.play; } );
+
+ t_c.sched( 51, { so1.free; } );
+ t_c.sched( 51, { so2.free; } );
+ t_c.sched( 51, { so3.free; } );
+ t_c.sched( 51, { so4.free; } );
+ t_c.sched( 51, { so5.free; } );
+ t_c.sched( 51, { so6.free; } );
+ t_c.sched( 51, { so7.free; } );
+ t_c.sched( 51, { so8.free; } );
+ t_c.sched( 51, { so9.free; } );
+ t_c.sched( 51, { so0.free; } );
+
+}.value;
+</pre>
+
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Creating_Ten_Pseudo-Random-Tones.html"><strong>戻る</strong>11.4.5. Creating Ten Pseudo-Random Tones</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Optimizing_the_Code.html"><strong>次へ</strong>11.4.7. Optimizing the Code</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Recording_SuperColliders_Output.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Recording_SuperColliders_Output.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.5.2. Recording SuperCollider's Output (Tutorial)</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SuperCollider-Exporting.html" title="11.5. Exporting Sound Files" /><link rel="prev" href="sect-Musicians_Guide-SuperCollider-Exporting.html" title="11.5. Exporting Sound Files" /><link rel="next" href="chap-Musicians_Guide-LilyPond.html" title="第12章 LilyPond" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Su
perCollider-Exporting.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-LilyPond.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Recording_SuperColliders_Output"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Recording_SuperColliders_Output">11.5.2. Recording SuperCollider's Output (Tutorial)</h3></div></div></div><div class="para">
+ Since <code class="systemitem">SuperCollider</code> outputs its audio signals to the JACK sound server, any other <code class="systemitem">JACK</code>-aware program has the opportunity to record, process, and use them. This portion of the tutorial will help you to record SuperCollider's output in Ardour. Due to the advanced nature of SuperCollider, the text assumes that you have a basic knowledge of how to work with Ardour. If not, you may find it helpful to refer to <a class="xref" href="chap-Musicians_Guide-Ardour.html">7章<em>Ardour</em></a>.
+ </div><div class="para">
+ This procedure will help you to use <span class="application"><strong>Ardour</strong></span> to record the <span class="application"><strong>SuperCollider</strong></span> output.
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ Close unnecessary applications and stop unnecessary processes, which will help to reduce the risk of a buffer overrun or underrun, which cause an audible break in audio. If you are viewing this document in a web browser, you may want to copy-and-paste it into a simple text editor, or <span class="application"><strong>GEdit</strong></span>, if you are already using that.
+ </div></li><li class="step"><div class="para">
+ Use <span class="application"><strong>QjackCtl</strong></span> to set up <code class="systemitem">JACK</code> with the right audio interface and configuration options.
+ </div></li><li class="step"><div class="para">
+ In order to get a clean start, restart the <span class="application"><strong>SuperCollider</strong></span> interpreter in <span class="application"><strong>GEdit</strong></span>, then start the server.
+ </div></li><li class="step"><div class="para">
+ Open <span class="application"><strong>Ardour</strong></span> with a new session, and set up the rulers and timeline as desired. Seconds is usually the most appropriate unit with which to measure a <span class="application"><strong>SuperCollider</strong></span> recording.
+ </div></li><li class="step"><div class="para">
+ Add a stereo track (or however many channels desired), and rename it it "SuperCollider."
+ </div></li><li class="step"><div class="para">
+ Use Ardour (the "Track/Bus Inspector" window) or <span class="application"><strong>QjackCtl</strong></span> to connect the "SuperCollider" track to SuperCollider's outputs.
+ </div></li><li class="step"><div class="para">
+ You'll want to make sure that the <span class="application"><strong>SuperCollider</strong></span> output is also connected to your audio interface, so that you can hear the program as you progress. This is an example of multi-plexing. Changes to your audio interface's volume control will not affect the recording in Ardour.
+ </div></li><li class="step"><div class="para">
+ Arm the track and transport in <span class="application"><strong>Ardour</strong></span>. When you are ready, start the transport. It is not important to start SuperCollider as quickly as possible, since you can cut out the silence after the recording is made.
+ </div></li><li class="step"><div class="para">
+ Switch to <span class="application"><strong>GEdit</strong></span> and play the program that you want to record. If you make a mistake while starting the program, that's okay. We can always edit the recording after it's recorded.
+ </div></li><li class="step"><div class="para">
+ Listen to the recording as it goes along. Use <span class="application"><strong>QjackCtl</strong></span> to make sure that you don't encounter a buffer underrun, and <span class="application"><strong>Ardour</strong></span> to make sure that you do not record a distorted signal.
+ </div></li><li class="step"><div class="para">
+ When <span class="application"><strong>SuperCollider</strong></span> has finished playing your program, switch to <span class="application"><strong>Ardour</strong></span>, and stop the transport.
+ </div></li><li class="step"><div class="para">
+ When you are ready to export, use the <span class="application"><strong>Ardour</strong></span> menu. <span class="guimenu"><strong>Choose Session</strong></span> → <span class="guisubmenu"><strong>Export</strong></span> → <span class="guimenuitem"><strong>Export session to audio file</strong></span>
+ </div></li><li class="step"><div class="para">
+ The audio file will be created in the "export" sub-directory of the session's directory.
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SuperCollider-Exporting.html"><strong>戻る</strong>11.5. Exporting Sound Files</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="chap-Musicians_Guide-LilyPond.html"><strong>次へ</strong>第12章 LilyPond</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Using_GEdit-Executing_Code.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Using_GEdit-Executing_Code.html
new file mode 100644
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Using_GEdit-Executing_Code.html
@@ -0,0 +1,26 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.2.3. GEdit でコードを実行する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Using_GEdit.html" title="11.2. GEdit を使って SuperCollider プログラムを書いて実行する" /><link rel="prev" href="sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server.html" title="11.2.2. SuperCollider モードを有効にして、サーバを開始します。" /><link rel="next" href="sect-Musicians_Guide-SC-Using_GEdit-Other_Tips.html" title="11.2.4. GEdit を SuperCollider と使うための他のヒント" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><i
mg src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Using_GEdit-Other_Tips.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Using_GEdit-Executing_Code"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Using_GEdit-Executing_Code">11.2.3. <span class="application"><strong>GEdit</strong></span> でコードを実行する</h3></div></div></div><div class="para">
+ コマンドラインから <code class="command">sclang</code> を使わないでも、<span class="application"><strong>GEdit</strong></span> から直接コードを実行できます。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> モードが有効で、サーバが開始しているのを確認下さい。
+ </div></li><li class="step"><div class="para">
+ 実行したいコードを選択します。１行のコードは、単にテキスト入力カーソルをその行に置くだけで実行させることができます。
+ </div></li><li class="step"><div class="para">
+ キーボードで'Ctrl+E'を押すか、メニューから'<span class="application"><strong>SuperCollider</strong></span> > Evaluate'を選択します。
+ </div></li><li class="step"><div class="para">
+ サーバですべての音を止めるには、キーボードで'Esc'を押すか、メニューから'<span class="application"><strong>SuperCollider</strong></span> > Stop Sound'を選択します。
+ </div></li><li class="step"><div class="para">
+ サーバがコードを正常に実行したら、 "<span class="application"><strong>SuperCollider</strong></span> output"ペインに何かを表示するはずです。出力は <span class="application"><strong>SuperCollider</strong></span> が何をするようにサーバに頼んだかによりますが、普通はこのように見えるでしょう：
+<pre class="programlisting">Synth("temp_0": 1000)</pre>
+ あるいは、こうです：
+<pre class="programlisting">RESULT = 0</pre>
+
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server.html"><strong>戻る</strong>11.2.2. SuperCollider モードを有効にして、サーバを開始します。</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Using_GEdit-Other_Tips.html"><strong>次へ</strong>11.2.4. GEdit を SuperCollider と使うための他のヒント</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Using_GEdit-Other_Tips.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Using_GEdit-Other_Tips.html
new file mode 100644
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Using_GEdit-Other_Tips.html
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.2.4. GEdit を SuperCollider と使うための他のヒント</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Using_GEdit.html" title="11.2. GEdit を使って SuperCollider プログラムを書いて実行する" /><link rel="prev" href="sect-Musicians_Guide-SC-Using_GEdit-Executing_Code.html" title="11.2.3. GEdit でコードを実行する" /><link rel="next" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html" title="11.3. Basic Programming in SuperCollider" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Document
ation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Using_GEdit-Executing_Code.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Using_GEdit-Other_Tips"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Using_GEdit-Other_Tips">11.2.4. <span class="application"><strong>GEdit</strong></span> を <span class="application"><strong>SuperCollider</strong></span> と使うための他のヒント</h3></div></div></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> サーバが実行中に <span class="application"><strong>GEdit</strong></span> をクローズすると、<span class="application"><strong>GEdit</strong></span> は自動的にサーバを停止します。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> によって <code class="systemitem">JACK</code> が開始された場合、それは <span class="application"><strong>SuperCollider</strong></span> サーバが終了するときに自動的に終了します。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> は自動的にその出力をシステムの出力に接続しようとします。もし、オーディオ出力がうまくいかないときは、<span class="application"><strong>QjackCtl</strong></span> を使って、出力が正しく接続されているか確かめてください。
+ </div></li><li class="listitem"><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> メニューで可能な機能は：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Find Help ( 現在選択されているオブジェクトについての <span class="application"><strong>SuperCollider</strong></span> ヘルプファイルを開きます。)
+ </div></li><li class="listitem"><div class="para">
+ Find Definition ( 現在選択されているオブジェクトについての <span class="application"><strong>SuperCollider</strong></span> ソースファイルを開きます。)
+ </div></li><li class="listitem"><div class="para">
+ Restart Interpreter (<span class="application"><strong>SuperCollider</strong></span> インタプリタを再開始します。実行中のサーバも止めます。ただし、それらは再開始しません。)
+ </div></li><li class="listitem"><div class="para">
+ Clear output ("<span class="application"><strong>SuperCollider</strong></span> output"ペインのすべての出力をクリアします。)
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Using_GEdit-Executing_Code.html"><strong>戻る</strong>11.2.3. GEdit でコードを実行する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SuperCollider-Basic_Programming.html"><strong>次へ</strong>11.3. Basic Programming in SuperCollider</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server.html
new file mode 100644
index 0000000..dbcf6dd
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server.html
@@ -0,0 +1,39 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.2.2. SuperCollider モードを有効にして、サーバを開始します。</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Using_GEdit.html" title="11.2. GEdit を使って SuperCollider プログラムを書いて実行する" /><link rel="prev" href="sect-Musicians_Guide-SC-Using_GEdit.html" title="11.2. GEdit を使って SuperCollider プログラムを書いて実行する" /><link rel="next" href="sect-Musicians_Guide-SC-Using_GEdit-Executing_Code.html" title="11.2.3. GEdit でコードを実行する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_rig
ht.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Using_GEdit.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Using_GEdit-Executing_Code.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server">11.2.2. <span class="application"><strong>SuperCollider</strong></span> モードを有効にして、サーバを開始します。</h3></div></div></div><div class="para">
+ 以下のステップは、あなたが <span class="application"><strong>GEdit</strong></span> を開始して、<span class="application"><strong>SuperCollider</strong></span> エクステンションを使うときに毎回やってください。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="guimenu"><strong> ツール </strong></span> → <span class="guimenuitem"><strong>SuperCollider Mode</strong></span> を選択します。
+ </div></li><li class="step"><div class="para">
+ <span class="guimenu"><strong>SuperCollider</strong></span> メニューが現れて、下に "<span class="application"><strong>SuperCollider</strong></span> output"と書かれたウインドウが現れるはずです。
+ </div></li><li class="step"><div class="para">
+ 下にウインドウが見えないときは、メニューから <span class="guimenu"><strong> 表示 </strong></span> → <span class="guimenuitem"><strong> ボトムペイン </strong></span> を選択すれば現れるはずです。<span class="application"><strong>SuperCollider</strong></span> がこのウインドウに提供する情報を見ることは、ときに重要になることがあります。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> モードを有効にした後、このウインドウにはいくつかのメッセージが表示されるはずです。終わりの方は、こうあるはずです：
+<pre class="programlisting">
+⏎
+RESULT = 0⏎
+Welcome to SuperCollider, for help type ctrl-c ctrl-h (Emacs) or :SChelp (vim) or ctrl-U (sced/gedit)⏎
+</pre>
+ もし、ウインドウの "RESULT"がゼロ以外の値の時は、エラーが起きたと思われるので、それが何か、上にスクロールして、見て、修正する必要があります。"The GUI scheme 'swing' is not installed"というワーニングがでた場合、GUI （グラフィカルユーザインタフェース）を使う <span class="application"><strong>SuperCollider</strong></span> プログラムは一切、動かすことができません。GUI コンポーネントはこのガイドでは使われておらず、とてもオプショナルなものです。
+ </div></li><li class="step"><div class="para">
+ ここで、あなたはサーバを開始したいことでしょう。メニューから、'<span class="application"><strong>SuperCollider</strong></span> > Start Server'を選択します。
+ </div></li><li class="step"><div class="para">
+ サーバが開始した後、"JackDriver"からのメッセージが見えるはずです。もし JACK サーバが既に実行中でなければ、<span class="application"><strong>SuperCollider</strong></span> はそれを自動的に開始します。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>SuperCollider</strong></span> サーバが正常に開始したら、このようなメッセージが見えるはずです：
+<pre class="programlisting">
+⏎
+SuperCollider 3 server ready..⏎
+JackDriver: max output latency 46.4 ms⏎
+notification is on⏎
+</pre>
+
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Using_GEdit.html"><strong>戻る</strong>11.2. GEdit を使って SuperCollider プログラムを書いて実行する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Using_GEdit-Executing_Code.html"><strong>次へ</strong>11.2.3. GEdit でコードを実行する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Using_GEdit.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Using_GEdit.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SC-Using_GEdit.html
@@ -0,0 +1,22 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.2. GEdit を使って SuperCollider プログラムを書いて実行する</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-SuperCollider.html" title="第11章 SuperCollider" /><link rel="prev" href="chap-Musicians_Guide-SuperCollider.html" title="第11章 SuperCollider" /><link rel="next" href="sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server.html" title="11.2.2. SuperCollider モードを有効にして、サーバを開始します。" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="
previous"><a accesskey="p" href="chap-Musicians_Guide-SuperCollider.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-SC-Using_GEdit"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-SC-Using_GEdit">11.2. <span class="application"><strong>GEdit</strong></span> を使って <span class="application"><strong>SuperCollider</strong></span> プログラムを書いて実行する</h2></div></div></div><div class="para">
+ <span class="package">supercollider-gedit</span> パッケージã¯ã€<span class="application"><strong>GEdit</strong></span> ã®ã‚¨ã‚¯ã‚¹ãƒ†ãƒ³ã‚·ãƒ§ãƒ³ã€æ‹¡å¼µæ©Ÿèƒ½ã‚’インストールã—ã€<span class="application"><strong>SuperCollider</strong></span> ã®ã‚³ãƒ¼ãƒ‰ã‚’ <span class="application"><strong>GEdit</strong></span> ã®ä¸ã‹ã‚‰ç·¨é›†ã—ã¦å®Ÿè¡Œã™ã‚‹ã“ã¨ãŒã§ãるよã†ã«ã—ã¾ã™ã€‚<span class="application"><strong>emacs</strong></span> 㨠<span class="application"><strong>vim</strong></span> テã‚ストエディタ用㮠<span class="application"><strong>SuperCollider</strong></span> エクステンションもã‚ã‚Šã¾ã™ã€‚ã“ã®ãƒãƒ¥ãƒ¼ãƒˆãƒªã‚¢ãƒ«ã§ã¯ã€<span class="application"><strong>GEdit</strong></span> エクステンションを使ã„ã¾ã™ã€‚ãªãœãªã‚‰ã€<span class="application"><strong>GEdit</strong></span> 㯠<span class="application"><strong>vim</strong></span> ã‚ã‚‹ã„㯠"emacs"より使ã„方をå¦ã¶ã®ãŒç°¡å˜ã ã‹ã‚‰ã
§ã™ã€‚
+ </div><div class="section" id="sect-Musicians_Guide-SC-Using_GEdit-Enable_and_Configure_SCEd"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Using_GEdit-Enable_and_Configure_SCEd">11.2.1. <span class="application"><strong>GEdit</strong></span> で、SCEd を有効にして、構成する</h3></div></div></div><div class="para">
+ <span class="application"><strong>GEdit</strong></span> の <span class="application"><strong>SuperCollider</strong></span> エクステンションを初めて使うときは以下のステップに従ってください。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>GEdit</strong></span> を開始します。
+ </div></li><li class="step"><div class="para">
+ 設定ウインドウを開きます。( メニューから <span class="guimenu"><strong> 編集 </strong></span> → <span class="guimenuitem"><strong> 設定 </strong></span> を選択します。)
+ </div></li><li class="step"><div class="para">
+ 'プラグイン'タブを選択して、<span class="package">Sced</span> までスクロールダウンします。それが選択されているのを確認下さい。
+ </div></li><li class="step"><div class="para">
+ <span class="guibutton"><strong> プラグインの設定 </strong></span> ボタンをクリックして、<span class="application"><strong>SuperCollider</strong></span> サーバがプログラム実行中にそれに送られる合成を格納するランタイムのフォルダを選択します。このフォルダの一番安全な場所は、あなたが <span class="application"><strong>SuperCollider</strong></span> コードを格納するフォルダのサブフォルダでしょう。
+ </div></li></ol></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-SuperCollider.html"><strong>戻る</strong>第11章 SuperCollider</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Using_GEdit-Start_a_Server.html"><strong>次へ</strong>11.2.2. SuperCollider モードを有効にして、サーバを開始します。</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Sample_Format.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Sample_Format.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Sample_Format.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.3.2. サンプルフォーマット</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html" title="1.3. サンプル、サンプルレート、サンプルフォーマット、およびビットレート" /><link rel="prev" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html" title="1.3. サンプル、サンプルレート、サンプルフォーマット、およびビットレート" /><link rel="next" href="sect-Musicians_Guide-Sample_Rate.html" title="1.3.3. サンプルレート" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedorapro
ject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sample_Rate.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Sample_Format"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Sample_Format">1.3.2. サンプルフォーマット</h3></div></div></div><div class="para">
+ サンプルフォーマットは、各サンプルを記述するために使用されるビット数です。 ビット数が大きくなるほど、より多くのデータが各サンプルに格納されます。 一般的なサンプルフォーマットは 16 ビットと 24 ビットです。 8 ビットのサンプルは、低品質であり、あまり使用されません。 20 ビットのサンプルは一般的にコンピュータ上で使用されません。 32 ビットのサンプルは可能ですが、ほとんどのオーディオインターフェイスによってサポートされていません。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html"><strong>戻る</strong>1.3. サンプル、サンプルレート、サンプルフォーマット、およびビットレート</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sample_Rate.html"><strong>次へ</strong>1.3.3. サンプルレート</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Sample_Rate.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Sample_Rate.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Sample_Rate.html
@@ -0,0 +1,12 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.3.3. サンプルレート</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html" title="1.3. サンプル、サンプルレート、サンプルフォーマット、およびビットレート" /><link rel="prev" href="sect-Musicians_Guide-Sample_Format.html" title="1.3.2. サンプルフォーマット" /><link rel="next" href="sect-Musicians_Guide-Bit_Rate.html" title="1.3.4. ビットレート" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a
></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Sample_Format.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Bit_Rate.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Sample_Rate"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Sample_Rate">1.3.3. サンプルレート</h3></div></div></div><div class="para">
+ サンプルレートは毎秒に演奏されるサンプルの数です。 サンプルレートは、"毎秒"を意味する"ヘルツ"（"Hz"と略される）あるいは、"秒当たり千回"を意味する"キロヘルツ"（"kHz"と略される）で測定されます。オーディオ CD で使用されるサンプルレートは44 100 Hz、または44.1 kHzと記述することができ、どちらも同じ意味を持ちます。 一般的なサンプルレートは44.1 kHz、48 kHz、および 96 kHzです。 他の可能なサンプルレートには 22 kHz、88.2 kHz、および192 kHzが含まれています。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Sample_Format.html"><strong>戻る</strong>1.3.2. サンプルフォーマット</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Bit_Rate.html"><strong>次へ</strong>1.3.4. ビットレート</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html
@@ -0,0 +1,24 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.3. サンプル、サンプルレート、サンプルフォーマット、およびビットレート</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Sound_Cards.html" title="第1章 サウンドカードとデジタルオーディオ" /><link rel="prev" href="sect-Musicians_Guide-Choose_Sound_Card_Connection.html" title="1.2.5. 接続タイプを選択する" /><link rel="next" href="sect-Musicians_Guide-Sample_Format.html" title="1.3.2. サンプルフォーマット" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li cla
ss="previous"><a accesskey="p" href="sect-Musicians_Guide-Choose_Sound_Card_Connection.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sample_Format.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Sample_Rate_and_Sample_Format"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Sample_Rate_and_Sample_Format">1.3. サンプル、サンプルレート、サンプルフォーマット、およびビットレート</h2></div></div></div><div class="para">
+ オーディオインターフェイスの主な機能は、アナログおよびデジタル形式の間で信号を変換することです。 前述したように、実際の音は音程、ボリューム、および持続時間の無限の可能性を持っています。 コンピュータは無限の情報を処理することはできませんから、オーディオ信号は使用する前に変換する必要があります。
+ </div><div class="figure" id="waveform"><div class="figure-contents"><div class="mediaobject"><img src="./images/sample-graph.png" alt="コンピュータによって近似された波形" /><div class="longdesc"><div class="para">
+ 不連続な階段で近似される、なめらかで連続した波形
+ </div></div><div class="caption"><div class="para">
+ ソース: <code class="filename">pcm.svg</code> <a href="http://commons.wikimedia.org/wiki/File:Pcm.svg">http://commons.wikimedia.org/wiki/File:Pcm.svg</a>より取得可能。
+ </div></div></div></div><h6>図1.1 コンピュータによって近似された波形</h6></div><br class="figure-break" /><div class="para">
+ <a class="xref" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html#waveform">図1.1「コンピュータによって近似された波形」</a>の図が状況を示しています。赤い波の形は歌手やアコースティック楽器によって生成される音波を示します。 赤い波が徐々に変化する様子は、コンピュータが処理することはできません。コンピュータは、図のグレーに影づけされた領域で示される近似を使う必要があります。 この図は誇張された例で、実際のレコーディングの様子を表しているわけではありません。
+ </div><div class="para">
+ アナãƒã‚°ä¿¡å·ã¨ãƒ‡ã‚¸ã‚¿ãƒ«ä¿¡å·é–“ã®å¤‰æ›ã¯ã€ä½Žå“質ã¨é«˜å“質ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã®é•ã„を明らã‹ã«ã—ã¾ã™ã€‚ サンプルレートã¨ã‚µãƒ³ãƒ—ルフォーマットãŒã€ã‚³ãƒ³ãƒ”ュータã«ã‚ˆã£ã¦æ ¼ç´ã•ã‚Œã‚‹éŸ³å£°æƒ…å ±ã®é‡ã‚’制御ã—ã¾ã™ã€‚ æ ¼ç´ã•ã‚Œã¦ã„ã‚‹æƒ…å ±ã®é‡ãŒå¤šã‘ã‚Œã°å¤šã„ã»ã©ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã¯ã€ãƒžã‚¤ã‚¯ã‹ã‚‰ã®å…ƒã®ä¿¡å·ã‚’より良ãè¿‘ä¼¼ã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ å¯èƒ½ãªã‚µãƒ³ãƒ—ルレートã¨ã€ã‚µãƒ³ãƒ—ルフォーマットã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã«ã‚ˆã£ã¦ç”Ÿæˆã‚ã‚‹ã„ã¯å–å¾—ã•ã‚Œã‚‹éŸ³ã®å“質ã®ä¸€éƒ¨ã—ã‹æ±ºå®šã—ã¾ã›ã‚“。 ãŸã¨ãˆã°ã€ãƒžã‚¶ãƒ¼ãƒœãƒ¼ãƒ‰ã«çµ±åˆã•ã‚ŒãŸã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã¯ã€24 ビットã®ã‚µãƒ³ãƒ—ルフォーマット㨠192 kHzã®ã‚µãƒ³ãƒ—ルレートãŒå¯èƒ½ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。一方プãƒãƒ¬ãƒ™ãƒ«ã®ã€FireWire 接続ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã
ƒ¼ã‚¹ã§ã€16 ビットã®ã‚µãƒ³ãƒ—ルフォーマットã¨ã€44.1 kHzã®ã‚µãƒ³ãƒ—ルレートãŒå¯èƒ½ãªã‚‚ã®ã®æ–¹ãŒã‚ˆãèžã“ãˆã‚‹ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。
+ </div><div class="section" id="sect-Musicians_Guide-Sample"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Sample">1.3.1. サンプル</h3></div></div></div><div class="para">
+ サンプルは、オーディオデータの単位です。 コンピュータは、（それぞれが"フレーム"と呼ばれる）静止画の連続として映像データを格納し、（"フレームレート"と呼ばれる）所定の割合で、それらを1つずつ表示します。 コンピュータは、（それぞれが"サンプル"と呼ばれる）静止した音のイメージの連続としてオーディオデータを格納し、（"サンプルレート"と呼ばれる）所定の割合で、それらを1つずつ演奏します。
+ </div><div class="para">
+ ビデオデータを格納するために使用されるフレームフォーマットとフレームレートはあまり種類がありません。 オーディオデータを格納するために使用されるサンプルフォーマットとサンプルレートはたくさんの種類があります。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Choose_Sound_Card_Connection.html"><strong>戻る</strong>1.2.5. 接続タイプを選択する</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sample_Format.html"><strong>次へ</strong>1.3.2. サンプルフォーマット</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Singing_Exercises.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Singing_Exercises.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Singing_Exercises.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.4.2. Singing</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html" title="13.4. 課題を使う" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html" title="13.4. 課題を使う" /><link rel="next" href="sect-Musicians_Guide-Configure_Yourself_Exericses.html" title="13.4.3. Configure Yourself" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href
="sect-Musicians_Guide-Solfege-Using_the_Exercises.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Configure_Yourself_Exericses.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Singing_Exercises"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Singing_Exercises">13.4.2. Singing</h3></div></div></div><div class="para">
+ これらは、"Sing intervals"です。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "Sing intervals"を選択します。
+ </div></li><li class="step"><div class="para">
+ フォーカスしたいものを選びます。
+ </div></li><li class="step"><div class="para">
+ 課題が始まり、あなたが歌う最初の音を演奏します。
+ </div></li><li class="step"><div class="para">
+ 最初と次の音を歌ってください。あるいは、次の音だけを歌うと、より難しくなります。（ヒント：ドレミファ音階をつかいなさい！）
+ </div></li><li class="step"><div class="para">
+ Solfege はあなたが正しく音程を歌えたかわからないので、自分で申告しないといけません。
+ </div></li></ol></div><div class="para">
+ "Tap generated rhythm"
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "Tap generated rhythm"を選択します。
+ </div></li><li class="step"><div class="para">
+ サブカテゴリを選びます。（それらは、書き取りの課題と同じ構成です。ただ、複合音律はありません。）以下を参照ください。
+ </div></li><li class="step"><div class="para">
+ "New"をクリックします。
+ </div></li><li class="step"><div class="para">
+ リズムが演奏されます。注意して聴きましょう。できれば、拍子をとります。
+ </div></li><li class="step"><div class="para">
+ リズムの書き取り課題と同じく、イントロが流れます。
+ </div></li><li class="step"><div class="para">
+ "Tap here"をクリックして、そのリズムを繰り返してください。
+ </div></li><li class="step"><div class="para">
+ スペースバーを使ってタップするのが一番良いです。こうします。
+ </div></li><li class="step"><div class="para">
+ "accuracy"の設定は高すぎることもあります。私は０．３０が好みです。
+ </div></li><li class="step"><div class="para">
+ "Config"で、"Number of beats in question"を変更して、難しさを調整できます。
+ </div></li></ol></div><div class="para">
+ "Sing chord"
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "Sing chord"を選択します。
+ </div></li><li class="step"><div class="para">
+ 歌いたい和音のタイプを選びます。
+ </div></li><li class="step"><div class="para">
+ "New"をクリックします。
+ </div></li><li class="step"><div class="para">
+ Solfege は自動的に "A"の音を演奏します。もう一度聴くには、"440hz"をクリックします。
+ </div></li><li class="step"><div class="para">
+ 昇順に和音を歌います。
+ </div></li><li class="step"><div class="para">
+ "Play answer"をクリックして、正しく歌えたか確認します。音程が同じかよく聞いてください。
+ </div></li><li class="step"><div class="para">
+ 次の問題は、"New"をクリックします。
+ </div></li><li class="step"><div class="para">
+ "Config"タブで、組み込みのモデルをどの遠さまで転調するかを変更できます。<code class="code">['key', -5, 5]</code> のままにしておくのがよいです。
+ </div></li><li class="step"><div class="para">
+ Solfege はあなたが正しく音程を歌えたかわからないので、自分で申告しないといけません。
+ </div></li></ol></div><div class="para">
+ "Sing chord tone"
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "Sing chord tone"を選択します。
+ </div></li><li class="step"><div class="para">
+ 和音の中のどの音を歌う練習をしたいか選択します。
+ </div></li><li class="step"><div class="para">
+ "New"をクリックします。
+ </div></li><li class="step"><div class="para">
+ Solfege は和音をブロック形式で表示と演奏します。あなたは指定された和音の中の音を歌わなくてはなりません。
+ </div></li><li class="step"><div class="para">
+ ブロック形式で和音を繰り返して聴く ("Repeat") ことも、アルペジオ形式で聴く ("Repeat arpeggio") こともできます。アルペジオ形式で聴くのはずっと易しいので、両方の方法で練習するとよいです。
+ </div></li><li class="step"><div class="para">
+ 和音の中の音を正しく歌ったと思ったら、"Play answer"をクリックします。
+ </div></li><li class="step"><div class="para">
+ 次の問題は、"New"をクリックします。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html"><strong>戻る</strong>13.4. 課題を使う</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Configure_Yourself_Exericses.html"><strong>次へ</strong>13.4.3. Configure Yourself</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration-External_Programs.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration-External_Programs.html
new file mode 100644
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration-External_Programs.html
@@ -0,0 +1,52 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.2.3. External Programs</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Solfege-Configuration.html" title="13.2. 構成" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Configuration-Instruments.html" title="13.2.2. Instruments" /><link rel="next" href="sect-Musicians_Guide-Solfege-Configuration-Interface.html" title="13.2.4. Interface" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_
Guide-Solfege-Configuration-Instruments.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Configuration-Interface.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Solfege-Configuration-External_Programs"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Configuration-External_Programs">13.2.3. External Programs</h3></div></div></div><div class="para">
+ Solfege は多くの仕事をするのに、外部プログラムを使います。このタブで、使われるコマンドをターミナルから実行するのと同じように指定します。
+ </div><div class="para">
+ Converters:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ MIDI to WAV
+ </div></li><li class="listitem"><div class="para">
+ WAV to MP3
+ </div></li><li class="listitem"><div class="para">
+ WAV to OGG
+ </div></li><li class="listitem"><div class="para">
+ %(in)s と %(out)s は、Solfege が入力と出力のファイル名に置換します。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Audio File Players、それぞれ、"Test"ボタンがあります。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ WAV
+ </div></li><li class="listitem"><div class="para">
+ OGG
+ </div></li><li class="listitem"><div class="para">
+ MP3
+ </div></li><li class="listitem"><div class="para">
+ MIDI
+ </div></li><li class="listitem"><div class="para">
+ Solfege は %s を、演奏されるファイル名に置換します。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Miscellaneous:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ CSound:Solfege は CSound をイントネーションの課題で使います。これはオプショナルなコンポーネントです。前記の "Optional Installation"セクションを参照ください。
+ </div></li><li class="listitem"><div class="para">
+ MMA: Solfege は MMA を、いくつかの和声の聞き取り課題で使います。これはオプショナルなコンポーネントで、Fedora では通常の方法では入手できません。<a class="xref" href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Install_MMA">「オプショナルインストール : MMA」</a> を参照ください。
+ </div></li><li class="listitem"><div class="para">
+ Lilypond-book: Solfege はこれを耳の訓練課題の進み具合を印刷するのに使います。前記の "Optional Installation"セクションを参照ください。
+ </div></li><li class="listitem"><div class="para">
+ Latex: Solfege はこれを、デフォルトの HTML 形式ではなく、*.dvi 形式の進捗レポートを生成するのに使います。
+ </div></li><li class="listitem"><div class="para">
+ Latex: Solfege はこれを、デフォルトの HTML 形式ではなく、*.dvi 形式の進捗レポートを生成するのに使います。
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Configuration-Instruments.html"><strong>戻る</strong>13.2.2. Instruments</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Configuration-Interface.html"><strong>次へ</strong>13.2.4. Interface</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration-Instruments.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration-Instruments.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration-Instruments.html
@@ -0,0 +1,33 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.2.2. Instruments</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Solfege-Configuration.html" title="13.2. 構成" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Configuration.html" title="13.2. 構成" /><link rel="next" href="sect-Musicians_Guide-Solfege-Configuration-External_Programs.html" title="13.2.3. External Programs" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Gui
de-Solfege-Configuration.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Configuration-External_Programs.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Solfege-Configuration-Instruments"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Configuration-Instruments">13.2.2. Instruments</h3></div></div></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Tempo: 例が演奏される速度を変えます。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Default:"Arpeggio"以外のすべてに適用されます。
+ </div></li><li class="listitem"><div class="para">
+ Arpeggio: アルペジオ、それはデフォルトで、通常のテンポの３倍の速度で演奏されます、に適用されます。これは通常の習慣です。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ Preferred Instrument: 例を演奏するときにこの MIDI 楽器が使われます。
+ </div></li><li class="listitem"><div class="para">
+ Chord Instruments: 多声部のときに、高音、中間、バス（それは "preferred instrument"を使います。）の上の低音のそれぞれの声部で使われる MIDI 楽器を指定します。
+ </div></li><li class="listitem"><div class="para">
+ Percussion instruments:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Count in: リズムについての音楽の例が始まる前に聞こえる "count in"拍子に使われる MIDI 楽器を指定します。
+ </div></li><li class="listitem"><div class="para">
+ Rhythm: リズムだけの例で使われる MIDI 楽器を指定します。
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Configuration.html"><strong>戻る</strong>13.2. 構成</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Configuration-External_Programs.html"><strong>次へ</strong>13.2.3. External Programs</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration-Interface.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration-Interface.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration-Interface.html
@@ -0,0 +1,19 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.2.4. Interface</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Solfege-Configuration.html" title="13.2. 構成" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Configuration-External_Programs.html" title="13.2.3. External Programs" /><link rel="next" href="sect-Musicians_Guide-Solfege-Configuration-Practise.html" title="13.2.5. Practise" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-
Musicians_Guide-Solfege-Configuration-External_Programs.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Configuration-Practise.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Solfege-Configuration-Interface"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Configuration-Interface">13.2.4. Interface</h3></div></div></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Resizeable main window:Solfege のメインウインドウの大きさを変えることができます。
+ </div></li><li class="listitem"><div class="para">
+ Select language
+ </div></li><li class="listitem"><div class="para">
+ Identify tone keyboard accelerators: 特定の音程を入力する必要のある課題で、これは通常のキーボードを MIDI キーボードとして使えるようにします。キーボードの上の文字が、特定の音程と対応付けられます。
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Configuration-External_Programs.html"><strong>戻る</strong>13.2.3. External Programs</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Configuration-Practise.html"><strong>次へ</strong>13.2.5. Practise</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration-Practise.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration-Practise.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration-Practise.html
@@ -0,0 +1,20 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.2.5. Practise</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Solfege-Configuration.html" title="13.2. 構成" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Configuration-Interface.html" title="13.2.4. Interface" /><link rel="next" href="sect-Musicians_Guide-Solfege-Configuration-Sound_Setup.html" title="13.2.6. Sound Setup" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_
Guide-Solfege-Configuration-Interface.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Configuration-Sound_Setup.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Solfege-Configuration-Practise"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Configuration-Practise">13.2.5. Practise</h3></div></div></div><div class="para">
+ これらのオプションは、"Practise"モードで行われる課題に適用されます。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Not allow new question before the old is solved": Solfege は今の問題が解けるまで新しい問題を出しません。
+ </div></li><li class="listitem"><div class="para">
+ "Repeat question if the answer was wrong": Solfege は、あなたが答えを間違えたとき、問題を繰り返します。
+ </div></li><li class="listitem"><div class="para">
+ "Expert mode": Solfege はそれぞれの課題について、進んだ設定オプションを提供します。
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Configuration-Interface.html"><strong>戻る</strong>13.2.4. Interface</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Configuration-Sound_Setup.html"><strong>次へ</strong>13.2.6. Sound Setup</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration-Sound_Setup.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration-Sound_Setup.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration-Sound_Setup.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.2.6. Sound Setup</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Solfege-Configuration.html" title="13.2. 構成" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Configuration-Practise.html" title="13.2.5. Practise" /><link rel="next" href="sect-Musicians_Guide-Solfege-Training.html" title="13.3. あなたのトレーニング" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Gu
ide-Solfege-Configuration-Practise.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Training.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Solfege-Configuration-Sound_Setup"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Configuration-Sound_Setup">13.2.6. Sound Setup</h3></div></div></div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "No sound": このモードは Solfege をテスト、デバッグするために使われます。
+ </div></li><li class="listitem"><div class="para">
+ "Use device": あなたは Solfege が使うオーディオインタフェースを指定します。
+ </div></li><li class="listitem"><div class="para">
+ "Use external MIDI player": あなたは MIDI シンセサイザーを選びます。
+ </div></li><li class="listitem"><div class="para">
+ "Test"ボタン : あなたが Solfege を正しく設定したかを確認します。
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Configuration-Practise.html"><strong>戻る</strong>13.2.5. Practise</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Training.html"><strong>次へ</strong>13.3. あなたのトレーニング</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Configuration.html
@@ -0,0 +1,26 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.2. 構成</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Solfege.html" title="第13章 GNU ソルフェージュ" /><link rel="prev" href="chap-Musicians_Guide-Solfege.html" title="第13章 GNU ソルフェージュ" /><link rel="next" href="sect-Musicians_Guide-Solfege-Configuration-Instruments.html" title="13.2.2. Instruments" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians
_Guide-Solfege.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Configuration-Instruments.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Solfege-Configuration"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Solfege-Configuration">13.2. 構成</h2></div></div></div><div class="para">
+ Solfege の設定は必要ではありません。単純な、最初の１回の設定で、アプリケーションをあなたの要求に合うようにカスタマイズすることができますが、それをしなくてもかまいません。他の設定オプションをあなたのレファレンスのために説明します。
+ </div><div class="para">
+ これらの設定オプションは必須ではありませんが、変えたいと思うかもしれません。これらはすべて、Solfege のメインメニュー'File > Preferences'からアクセスできる "Preferences"ウインドウにあります。
+ </div><div class="section" id="sect-Musicians_Guide-Solfege-Configuration-First_Time"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Configuration-First_Time">13.2.1. Solfege を初めて実行するとき</h3></div></div></div><div class="para">
+ 以下のステップで、Solfege は自動的にあなたへの問題をカスタマイズします。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ Solfege を開始します。
+ </div></li><li class="step"><div class="para">
+ メニューから'File > Preferences'を選択します。
+ </div></li><li class="step"><div class="para">
+ "User"タブを選択します。
+ </div></li><li class="step"><div class="para">
+ もし知っていればあなたの声域を入力します。Solfege はこの情報を使って、妥当な音程の範囲の問題を出します。
+ </div></li><li class="step"><div class="para">
+ "Sex"フィールドにあなたの生物学的な性別を入力します。Solfege はこの情報を使って、正しいオクターブのの問題を出します。
+ </div></li></ol></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Solfege.html"><strong>戻る</strong>第13章 GNU ソルフェージュ</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Configuration-Instruments.html"><strong>次へ</strong>13.2.2. Instruments</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Dictation_Exercises.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Dictation_Exercises.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Dictation_Exercises.html
@@ -0,0 +1,42 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.4.5. Dictation</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html" title="13.4. 課題を使う" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Rhythm_Exercises.html" title="13.4.4. Rhythm" /><link rel="next" href="sect-Musicians_Guide-Solfege-Harmonic_Progressions.html" title="13.4.6. Harmonic Progressions" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect
-Musicians_Guide-Solfege-Rhythm_Exercises.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Harmonic_Progressions.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Solfege-Dictation_Exercises"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Dictation_Exercises">13.4.5. Dictation</h3></div></div></div><div class="para">
+ これらの書き取り課題は旋律の書き取りのためのものです。ここでは例の種類はあまり多くなく、易しいか難しいかのいずれかで、中間の課題はありません。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "Dictation"をクリックします。
+ </div></li><li class="step"><div class="para">
+ レベルを選びます：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Volkslieder 1: ドイツ民謡（易しい）
+ </div></li><li class="listitem"><div class="para">
+ Volkslieder 2: ドイツ民謡（易しい）
+ </div></li><li class="listitem"><div class="para">
+ ２つのバッハのインベンションからの部分：２つだけです。４つのカテゴリーの中で最も難しいです。
+ </div></li><li class="listitem"><div class="para">
+ Norwegian children songs: ３つだけです。（易しい）
+ </div></li></ul></div>
+
+ </div></li><li class="step"><div class="para">
+ 音部記号、調性、そして拍子記号はあなたのためにあらかじめ書いてあります。開始の音とタイトルも。
+ </div></li><li class="step"><div class="para">
+ ４分音符のボタンで、旋律の一部だけを演奏することができます。
+ </div></li><li class="step"><div class="para">
+ "Play the whole music"は、音楽のすべての部分を演奏します。
+ </div></li><li class="step"><div class="para">
+ "戻る "と "進む "は、書き取りのための曲を変更します。
+ </div></li><li class="step"><div class="para">
+ "Play the whole music"を必要なだけ何回でも（最高でも５−７あるいはそれより少なく、曲にもよります）聴くのがよいです。
+ </div></li><li class="step"><div class="para">
+ 音楽の部分だけを聴くのは避けるのがよいです。
+ </div></li><li class="step"><div class="para">
+ 紙に曲を書いて、正しくできたと自信が持てたら、"Show"をクリックします。
+ </div></li><li class="step"><div class="para">
+ この課題は自己管理なので、進捗管理はしません。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Rhythm_Exercises.html"><strong>戻る</strong>13.4.4. Rhythm</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Harmonic_Progressions.html"><strong>次へ</strong>13.4.6. Harmonic Progressions</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Harmonic_Progressions.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Harmonic_Progressions.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Harmonic_Progressions.html
@@ -0,0 +1,42 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.4.6. Harmonic Progressions</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html" title="13.4. 課題を使う" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Dictation_Exercises.html" title="13.4.5. Dictation" /><link rel="next" href="sect-Musicians_Guide-Solfege-Intonation.html" title="13.4.7. Intonation" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide
-Solfege-Dictation_Exercises.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Intonation.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Solfege-Harmonic_Progressions"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Harmonic_Progressions">13.4.6. Harmonic Progressions</h3></div></div></div><div class="para">
+ 以下の書き取り課題は和音の書き取りです。和声進行を当てる問題が出ます。さらに、少なくとも外側の音（最も低いものと最も高いもの）を当てる必要もあります。これらの進行は、Common Practice Period 和声進行には従っていないのに注意ください。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "Harmonic progressions"をクリックします。
+ </div></li><li class="step"><div class="para">
+ いくつかの和声進行は MMA （以前に述べたように）が必要です。インストール手順は以下を参照ください。
+ </div></li><li class="step"><div class="para">
+ MMA でないカテゴリーは、以下の和声を含みます。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "Easy harmonic progressions": I, II, IV, V, VI
+ </div></li><li class="listitem"><div class="para">
+ with Inverisons: IV6 と V6 を加えます。
+ </div></li><li class="listitem"><div class="para">
+ "Three chords, root position": I, II, III, IV, V, VI
+ </div></li></ul></div>
+
+ </div></li><li class="step"><div class="para">
+ カテゴリーを選択します。
+ </div></li><li class="step"><div class="para">
+ "New"を選択して、問題を得ます。
+ </div></li><li class="step"><div class="para">
+ パッセージは自動的に１回、演奏されます。しかし、調号はわからないかもしれません。書き取り結果を記譜していてどの音程が使われているかわからないときは、調を推測しないといけません。あなたが正しいか知るには、ドレミファ音階相当を使ってください。
+ </div></li><li class="step"><div class="para">
+ 和音ボタンをクリックして、あなたが聞き取った和音の列を最初から最後の順で入力します。
+ </div></li><li class="step"><div class="para">
+ 例をもう一度聞くには、"Repeat"をクリックします。
+ </div></li><li class="step"><div class="para">
+ 間違えたら、"Backspace"をクリックして、最後に入力した和音を消します。
+ </div></li><li class="step"><div class="para">
+ 正しいという自信が持てたら、"Guess answer"をクリックします。
+ </div></li><li class="step"><div class="para">
+ 次の問題は、"New"をクリックします。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Dictation_Exercises.html"><strong>戻る</strong>13.4.5. Dictation</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Intonation.html"><strong>次へ</strong>13.4.7. Intonation</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Intonation.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Intonation.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.4.7. Intonation</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html" title="13.4. 課題を使う" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Harmonic_Progressions.html" title="13.4.6. Harmonic Progressions" /><link rel="next" href="appe-Musicians_Guide-Contributors.html" title="付録A Contributors" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Music
ians_Guide-Solfege-Harmonic_Progressions.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="appe-Musicians_Guide-Contributors.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Solfege-Intonation"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Intonation">13.4.7. Intonation</h3></div></div></div><div class="para">
+ イントネーションの課題をするには、"Csound"アプリケーションをインストールする必要があります。Csound をインストールする手順は <a class="xref" href="chap-Musicians_Guide-Solfege.html#sect-Musicians_Guide-Solfege-Install_Csound">「オプショナルなインストール： Csound」</a> を参照ください。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "Intonation"をクリックします。
+ </div></li><li class="step"><div class="para">
+ すべての課題は、昇順の完全５度をテストします。数字が１．０に近ければ近いほど、音が外れている距離が小さいです
+ </div></li><li class="step"><div class="para">
+ 新しい問題は、"New"をクリックします。
+ </div></li><li class="step"><div class="para">
+ 音程が自動的に演奏されます。
+ </div></li><li class="step"><div class="para">
+ 音程を繰り返すには、"Repeat"をクリックします。
+ </div></li><li class="step"><div class="para">
+ ２つめの音が、フラット（音の間隔が小さすぎる）、合っている、（間隔が正しい大きさ）あるいはシャープ（間隔が大きすぎる）のいずれかを選択します。
+ </div></li><li class="step"><div class="para">
+ 正しいと自信が持てたら、対応するボタンをクリックします。
+ </div></li><li class="step"><div class="para">
+ 新しい問題は、"New"をクリックします。
+ </div></li></ol></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Harmonic_Progressions.html"><strong>戻る</strong>13.4.6. Harmonic Progressions</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="appe-Musicians_Guide-Contributors.html"><strong>次へ</strong>付録A Contributors</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Rhythm_Exercises.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Rhythm_Exercises.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.4.4. Rhythm</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html" title="13.4. 課題を使う" /><link rel="prev" href="sect-Musicians_Guide-Configure_Yourself_Exericses.html" title="13.4.3. Configure Yourself" /><link rel="next" href="sect-Musicians_Guide-Solfege-Dictation_Exercises.html" title="13.4.5. Dictation" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="se
ct-Musicians_Guide-Configure_Yourself_Exericses.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Dictation_Exercises.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Solfege-Rhythm_Exercises"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Rhythm_Exercises">13.4.4. Rhythm</h3></div></div></div><div class="para">
+ これは書き取りあるいはプレイバックです。このセクションで述べられるリズムは、"takadimi"リズムシステムを使っています。詳しくは <a href="http://www.takadimi.net/takadimiArticle.html">http://www.takadimi.net/takadimiArticle.html</a> の <em class="citetitle">The Takadimi Article</em> を参照ください。お好みのリズムシステムを使ってください。
+ </div><div class="para">
+ リズムの書き取りをするには：
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ "Rhythm"を選択します。
+ </div></li><li class="step"><div class="para">
+ サブカテゴリを選びます：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Rhythms (easy) は : ４分音符、２つの８分音符、４つの１６分音符
+ </div></li><li class="listitem"><div class="para">
+ Rhythms は：これプラス、ka-di-mi, ta-ka-mi, ta-ka-di, ta-mi, そして ta-ka です。
+ </div></li><li class="listitem"><div class="para">
+ Rhythms (difficult) は : これプラス、休止符と３連符です。
+ </div></li><li class="listitem"><div class="para">
+ Rhythms in 3/8 は : 複合拍子ですべて
+ </div></li></ul></div>
+
+ </div></li><li class="step"><div class="para">
+ 新しい問題は、"New"をクリックします。
+ </div></li><li class="step"><div class="para">
+ "Play"ボタンの上にあるボタンをクリックして、リズムの単位を、最初から最後の順で入手します。
+ </div></li><li class="step"><div class="para">
+ 計算するには、紙を使いましょう。
+ </div></li><li class="step"><div class="para">
+ 入力を間違えたら、"Backspace"ボタンを使います。
+ </div></li><li class="step"><div class="para">
+ "Repeat"で、もう一度聴くことができます。あまりたくさんはダメです！
+ </div></li><li class="step"><div class="para">
+ "Config"タブで問題ごとの拍子の数を増やして難しさを変えることができます。
+ </div></li><li class="step"><div class="para">
+ 間違えたら、直すチャンスがあります。あなたのために、不正解の部分は赤でアンダーラインが引かれます。
+ </div></li></ol></div><div class="para">
+ リズムのタップバックについては、前記 "Singing Exercises"のセクションを参照ください。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Configure_Yourself_Exericses.html"><strong>戻る</strong>13.4.3. Configure Yourself</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Dictation_Exercises.html"><strong>次へ</strong>13.4.5. Dictation</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Training-Exercise_Types.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Training-Exercise_Types.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.3.2. 課題のタイプ</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Solfege-Training.html" title="13.3. あなたのトレーニング" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Training.html" title="13.3. あなたのトレーニング" /><link rel="next" href="sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program.html" title="13.3.3. オーラルスキルプログラムを作る" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul cla
ss="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Training.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Solfege-Training-Exercise_Types"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Training-Exercise_Types">13.3.2. 課題のタイプ</h3></div></div></div><div class="para">
+ Solfege の課題は６つの大きなカテゴリーに分かれています。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Intervals は順にあるいは和音で演奏される音が何度離れているか聞き取る能力をテストします。
+ </div></li><li class="listitem"><div class="para">
+ Rhythm は単一の音程で演奏されるリズムを聴いて記譜する能力と、そのリズムをキーボードの上でタップして演奏する能力をテストします。
+ </div></li><li class="listitem"><div class="para">
+ Theory は書かれた音程と音階の名前を当てる能力、そしてドレミファ音階を正しく使う能力をテストします。
+ </div></li><li class="listitem"><div class="para">
+ Chords はいろいろな間隔の音で作られ、いろいろな音程で演奏される和音を聞き取る能力とその和音を歌う能力をテストします。
+ </div></li><li class="listitem"><div class="para">
+ Scales は旋法と音階を聞き取る能力をテストします。
+ </div></li><li class="listitem"><div class="para">
+ Miscellaneous はいろいろな課題を含みます。例えば：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Intonation は２つめの音程があるべき音程より低いか高いかを聞き取る能力をテストします。
+ </div></li><li class="listitem"><div class="para">
+ Dictation は旋律を聴いて記譜する能力をテストします。
+ </div></li><li class="listitem"><div class="para">
+ Identify Tone は相対音感（ <a href="http://en.wikipedia.org/wiki/Relative_pitch">http://en.wikipedia.org/wiki/Relative_pitch</a> の <em class="citetitle">Relative Pitch (Wikipedia)</em> を参照）を使う能力をテストします。
+ </div></li><li class="listitem"><div class="para">
+ Sing Twelve Random Tones は、多くのスキルをテストします。
+ </div></li><li class="listitem"><div class="para">
+ Beats per Minute は、テンポを判断する能力をテストします。
+ </div></li><li class="listitem"><div class="para">
+ Harmonic Progressions は次々に演奏される一連の和音を聞き取ってローマ数字の和音記号を当てはめる能力をテストします。
+ </div></li><li class="listitem"><div class="para">
+ Hear Tones は、相対音感のトレーニングです。
+ </div></li><li class="listitem"><div class="para">
+ Cadences は一緒に演奏される２つの和音を聞き取ってローマ数字の和音記号で表す能力をテストします。
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div><div class="para">
+ すべてのこれらの課題は実際の音楽現場での外でのあなたのオーラルスキルの使用を必要とします。これは無駄なことに見えるかもしれませんが、音楽現場での最終的な聞き取る能力の重要な部分であると、以前から認識されています。どちらの能力も突然現れることはありません。それは熱心な練習が必要です。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Training.html"><strong>戻る</strong>13.3. あなたのトレーニング</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program.html"><strong>次へ</strong>13.3.3. オーラルスキルプログラムを作る</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program.html
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@@ -0,0 +1,52 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.3.3. オーラルスキルプログラムを作る</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Solfege-Training.html" title="13.3. あなたのトレーニング" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Training-Exercise_Types.html" title="13.3.2. 課題のタイプ" /><link rel="next" href="sect-Musicians_Guide-Solfege-Training-Supplementary_References.html" title="13.3.4. 補足の参照" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous
"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Training-Exercise_Types.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Training-Supplementary_References.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program">13.3.3. オーラルスキルプログラムを作る</h3></div></div></div><div class="para">
+ オーラルスキルトレーニングは、食べることのように、毎日、定期的に、いろいろな種類の入力をきちんととる必要があります。食べ物について言えば、１日に３回以上食べて、果物や野菜をたくさん、肉などと穀物、そしてその他の種類の食べ物の適当なバランスが大切です。耳のトレーニングも同じように１日のいろいろな時間に多様な入力が必要です。
+ </div><div class="para">
+ すべての人にうまくいく解決策はありません。あなたは、１日のうちの時間、それぞれのセッションの回数と長さ、そして内容を選択、変更して自分の要求に合うようにしなければいけません。以下の助言を開始点としてもらえればと思います。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ １０分のセグメントを３つ、１日に３０分、トレーニングする。
+ </div></li><li class="listitem"><div class="para">
+ セグメント１
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 起きたら、朝食の前に。
+ </div></li><li class="listitem"><div class="para">
+ 声と体をウオームアップします。（いずれにせよ、よい習慣です。１０分には <span class="emphasis"><em> 含まれません </em></span> ！）
+ </div></li><li class="listitem"><div class="para">
+ 初見歌唱のための本からいくつかの曲を歌い、完成させる。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ セグメント２
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 昼食の後、仕事に戻る前に。
+ </div></li><li class="listitem"><div class="para">
+ なにか音楽を聴いて、それを書き取ってみる。
+ </div></li><li class="listitem"><div class="para">
+ タスクをより管理しやすくするためには、音楽の小さな部分をとって、１つの側面に注目する：メロディ、和音、あるいはリズム。
+ </div></li><li class="listitem"><div class="para">
+ 正解かどうかを調べるには、ピアノ（あるいは固定音程の参照楽器）を使うか、あるいは出版されている楽譜があればそれと比べます。
+ </div></li></ul></div>
+
+ </div></li><li class="listitem"><div class="para">
+ セグメント３
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 夕食後少ししてから。
+ </div></li><li class="listitem"><div class="para">
+ GNU Solfege を使って音楽の基本を聞き取る能力をテストします。
+ </div></li><li class="listitem"><div class="para">
+ ２，３の異なる種類の課題に、それぞれ、わずか２，３分を、使いましょう。
+ </div></li></ul></div>
+
+ </div></li></ul></div>
+
+ </div><div class="para">
+ １０分のセグメントが３つは、長い時間ではありません。そして、実際のところ、それは計画したり資料を探して準備したりするのに余分の時間がかかるかもしれません。そうであっても、重要なことはあなたのオーラルスキルのトレーニングは、過度な量と時間をかける必要はないということです。大事なのはあなたの努力が一貫していて、よく計画されていることです。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Training-Exercise_Types.html"><strong>戻る</strong>13.3.2. 課題のタイプ</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Training-Supplementary_References.html"><strong>次へ</strong>13.3.4. 補足の参照</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.3.4. 補足の参照</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Solfege-Training-Supplementary_References"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Training-Supplementary_References">13.3.4. 補足の参照</h3></div></div></div><div class="para">
+ GNU Solfege は比較的広い種類の課題を提供します。しかし、１つのもので、かたよりのないオーラルスキルのセットを開発するのに必要なすべての課題とトレーニングを提供するのはおそらく不可能です。以下のいくつかの本と活動は、"Solfege"で得られる課題を補足するものとして使われるとよいでしょう。メロディと和音の書き取りは、まだ "Solfege"の強みではありません。これは異なる課題の数が少ないためです。これは将来、開発者がソフトウエアを改善するにつれ、改善されるでしょう。
+ </div><div class="para">
+ 活動：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ 実際の音楽で書き取りをする。完全な楽譜を書くよりは、１つの要素に注目してみてください。あなたの解答を可能なら出版された楽譜と比べて確かめます。いくつかのオーケストラの楽器は、コンサートピッチで書かれていないこともあるので注意ください。
+ </div></li><li class="listitem"><div class="para">
+ あなたの初見歌唱のスキルを使って、メロディあるいはリズムを歌い、それを聴くあなたの友人が書き取りの例に使います。
+ </div></li><li class="listitem"><div class="para">
+ ４人以上の人で、バッハのコラールを初見歌唱する例に使います。すべての声域の友達がそろうと助かりますが、必須ではありません。ドレミファ音階を使い、コラールの歌詞は無視してください。
+ </div></li><li class="listitem"><div class="para">
+ ファンのような機械的デバイスが一定の音程を出しているなら、それにあわせて和声的音程で歌う練習ができます。
+ </div></li><li class="listitem"><div class="para">
+ あなたの友達の前で、長い課題と短い課題を、別々の楽器で演奏します。これはコンピュータが提供するよりも現実的な音楽の現場での能力を開発するのに役に立ちます。しかし、依然として独立した環境で、です。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ オーラルスキルの本：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Crowell の <em class="citetitle">Eyes and Ears</em> は、上に示した URL から無料で入手できるオープンソースの初見歌唱の教科書です。この本は４００ほどのパブリックドメインのメロディを、役立ついくつかの指示とともに収録しています。
+ </div></li><li class="listitem"><div class="para">
+ Hall の <em class="citetitle">Studying Rhythm</em> は、小さくて高価で、しかし役に立つ本で、演奏、あるいは演奏と拍手されるためのリズムのコレクションです。この本はいくつかの３部あるいは４部のリズムも収録しています。課題は順に難しくなっていきます。いくつかの演奏上のヒントも述べられています。
+ </div></li><li class="listitem"><div class="para">
+ Hindemith の <em class="citetitle">Elementary Training</em> は、古典的なオーラルスキルの教科書です。しかし、それが最初に出版されたのは１９４９年のことで、それ以来、人々がオーラルスキルをいかにに学ぶことができるかについての多くの研究が行われました。この本では広い種類の課題、特に複数の音楽ラインを演奏するときに協調させる能力を開発する課題が提供されます。Hindemith の指示を無視して、<em class="firstterm">tonic solfa</em> シラブルを使うことをお勧めします。tonic solfa について詳しくは、<a href="http://en.wikipedia.org/wiki/Tonic_sol-fa">http://en.wikipedia.org/wiki/Tonic_sol-fa</a> の <em class="citetitle">Tonic sol-fa</em> を参照ください。
+ </div></li><li class="listitem"><div class="para">
+ Hoffman の <em class="citetitle">The Rhythm Book</em> は takadimi リズムシステムのために特別に書かれました。Hall の教科書と同じように、<em class="citetitle">The Rhythm Book</em> は簡単な課題から難しい課題に進み、演奏のための役に立つ指示を提供します。
+ </div></li><li class="listitem"><div class="para">
+ Karpinski の２つの教科書は音楽家がいかにしてオーラルスキルを獲得するかについての２０年における研究の結果です。<em class="citetitle">Manual</em> には、あなたが音楽の要素 <span class="emphasis"><em> と </em></span> 本物の音楽を聴くトレーニングをするときの指示、課題、そしてヒントが書いてあります。さらに、いかに音楽を演奏し、想像するかについても書いてあります。<em class="citetitle">Anthology</em> は <em class="citetitle">Manual</em> で議論されている話題と同じ章で構成され、ほとんど説明は書いてありません。<em class="citetitle">Anthology</em> は広い種類の音楽の抜粋を収録します。あるものはパブリックドメインで、あるものは著作権のもとにあります。"クラシック音楽 "の聖典から民謡にいたるまで。３声部あるいは４声部の課題もあり
、オーラルスキルを勉強する人のグループで演奏されるためのものです。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ どの本でも、初見歌唱の練習をするときは、曲を歌う前に主音程を固定音程の楽器（ピアノあるいはキーボードシンセサイザーなど）で聴くことをお勧めします。主音程を心に留めて、声を出して歌うことなく、曲の最初の音を探します。そして曲を <span class="emphasis"><em> 心の中で </em></span>、その曲を正確に歌っていると自信が持てるまで何回か歌います。メロディが心の中に得られたら、その曲を正しく歌っていると自信が持てるまで何回でも、大きな声で歌います。曲を完璧に歌った <span class="emphasis"><em> 後で </em></span> 固定音程の楽器でそれを演奏してあなたが正しかったかを確かめてください。
+ </div><div class="para">
+ あなたの耳を、外部の音源（ピアノなど）にできるだけ頼ることなく作り上げなければいけません。多くの研究は、これはあたなにより柔軟な音楽の心をもたらし、最初の学習曲線はとても険しいものの、あなたは最後には新しい概念をより速く学習できるようになると教えています。
+ </div><div class="bibliography" id="id875425"><div class="titlepage"><div><div><h4 class="title">オーラルスキルの本</h4></div></div></div><div class="biblioentry"><p><span class="author"><span class="surname">Crowell</span> <span class="firstname">Ben</span> [FAMILY Given]. </span><span class="title"><em>Eyes and Ears: an Anthology of Melodies for Sight-Singing</em>. </span><span class="date">2004. </span><span class="publisher"><span class="publishername">
+ Ben Crowell
+ . </span><span class="address"><span class="otheraddr"><a href="http://www.lightandmatter.com/sight/sight.html">http://www.lightandmatter.com/sight/sight.html</a></span>. </span></span></p></div><div class="biblioentry"><p><span class="author"><span class="surname">Hall</span> <span class="firstname">Anne</span> [FAMILY Given]. </span><span class="title"><em>Studying Rhythm</em>. </span><span class="date">2004. </span><span class="publishername">
+ Prentice Hall
+ . </span></p></div><div class="biblioentry"><p><span class="author"><span class="surname">Hindemith</span> <span class="firstname">Paul</span> [FAMILY Given]. </span><span class="title"><em>Elementary Training for Musicains</em>. </span><span class="date">1984. </span><span class="publishername">
+ Schott Music Corp.
+ . </span></p></div><div class="biblioentry"><p><span class="author"><span class="surname">Hoffman</span> [FAMILY Given]. </span><span class="title"><em>The Rhythm Book</em>. </span><span class="date">2009. </span><span class="publishername">
+ Smith Creek Music
+ . </span></p></div><div class="biblioentry"><p><span class="author"><span class="surname">Karpinski</span> <span class="firstname">Gary</span> [FAMILY Given]. </span><span class="title"><em>Manual for Ear Training and Sight Singing</em>. </span><span class="date">2007. </span><span class="publishername">
+ Norton
+ . </span></p></div><div class="biblioentry"><p><span class="author"><span class="surname">Karpinski</span> <span class="firstname">Gary</span> [FAMILY Given]. </span><span class="title"><em>Anthology for Sight Singing</em>. </span><span class="date">2006. </span><span class="publishername">
+ Norton
+ . </span></p></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Training-Making_an_Aural_Skills_Program.html"><strong>戻る</strong>13.3.3. オーラルスキルプログラムを作る</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Using_the_Exercises.html"><strong>次へ</strong>13.4. 課題を使う</a></li></ul></body></html>
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+ Solfege では３種類の課題があります。
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ "聴いて当てる "課題は、ある種の音楽の構造を演奏して、あなたにそれを、広く持ちいられるきまりに従って特定、分類、あるいはラベル付けするように質問します。
+ </div></li><li class="listitem"><div class="para">
+ "当てる "課題は、ある種の音楽の構造（普通は西洋音楽の記譜法で）を表示して、あなたにそれを、広く持ちいられるきまりに従って特定、分類、あるいはラベル付けするように質問します。
+ </div></li><li class="listitem"><div class="para">
+ "歌う "課題は、ある音楽の構造、ときには部分的に完成されたもの、を示して、あなたにその構造を完成させて歌うように質問します。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ 多くの商用のオーラルスキルコンピュータアプリケーションと違って、Solfege では、ユーザは問題ができたか、どのくらい正しくできたか、を知ることが求められます。これは特に "歌う "タイプの課題で顕著です。Solfege はユーザが歌った結果を入力する機能がないからです。このため、少なくても２つのことを注意しないといけません：１つめは、問題ができたかどうかを正直に Solfege に伝えるのはあなた自身のためになるということです。そうすれば、Solfege はあなたの弱点に集中することができ、あなたの進捗をより正確に把握することができるからです。２つめは、音楽に関しては、正しさには多くの段階があり、和声やメロディの書き取りでは特にこの種類の部分的な正解というものがあるということです。
+ </div><div class="para">
+ オーラルスキル開発において困難な地点に来たならば、音楽的感性を作るには多大な時間と努力が必要だということを思い出してください。ある人にとってはそれは他の人にとってより簡単です。ある課題が他の課題より簡単だ、ということは、多くの人にとってあることです。よく言われる音楽的感性（とオーラルスキル）についての文化的考察では、人は音楽能力を持って生まれるもので、後から獲得することはできない、といいます。しかし、最近の研究によれば、聴覚に問題のない人であれば、誰でも、十分な決意と努力と正しい学習により、音楽的感性とオーラルスキルを、とても高いレベルにまで開発することができるとされています。
+ </div><div class="para">
+ それを心に留めて、以下のセクションはあなたが Solfege を完全なオーラルスキル開発プログラムの一部として取り込むことのお手伝いをします。
+ </div><div class="section" id="sect-Musicians_Guide-Solfege-Training-Aural_Skilla_and_Musical_Sensibility"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Training-Aural_Skilla_and_Musical_Sensibility">13.3.1. オーラルスキルと音楽的感性</h3></div></div></div><div class="para">
+ 誰ã‹ãŒéŸ³æ¥½ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°ã‚’å—ã‘よã†ã¨æ±ºã‚ã‚‹ã¨ãã€å½¼ã‚‰ãŒå®Ÿéš›ã«ã—ã¦ã„ã‚‹ã®ã¯ã€ï¼‘ã¤ã®ç‰¹å®šã®ç¨®é¡žã®éŸ³æ¥½ã«å‚åŠ ã™ã‚‹ãŸã‚ã«å¿…è¦ãªã‚¹ã‚ル開発ã¨æ§˜å¼çš„知è˜ã®ç²å¾—ã§ã™ã€‚多ãã®ç•°ãªã‚‹ç¨®é¡žã®ãƒˆãƒ¬ãƒ¼ãƒ‹ãƒ³ã‚°ãŒã‚ã‚Šã€éŸ³æ¥½é–‹ç™ºã«ã¨ã£ã¦ã€æ•™å®¤ã§è²»ã‚„ã•ã‚Œã‚‹æ™‚é–“ã¯ã€ã©ã“ã‹ä»–ã®æœ¬ç‰©ã®éŸ³æ¥½ç¾å ´ã«å‚åŠ ã™ã‚‹ã“ã¨ã§è²»ã‚„ã•ã‚Œã‚‹æ™‚é–“ã¨æ¯”ã¹ã¦ã€é‡è¦ã§ã¯ã‚ã‚Šã¾ã›ã‚“。音楽家ã«ã¨ã£ã¦å¤šãã®ç•°ãªã‚‹ç¨®é¡žã®ã‚¹ã‚ルãŒæœ‰ç”¨ã§ã€ãã‚Œã¯ãã®äººãŒå‚åŠ ã—よã†ã¨ã™ã‚‹éŸ³æ¥½ã®ç¨®é¡žã«ä¾å˜ã—ã¾ã™ã€‚ギターを演å¥ã™ã‚‹ãƒ•ã‚©ãƒ¼ã‚¯ã‚·ãƒ³ã‚¬ãƒ¼ã¯ã€æ•°åƒã®ç•°ãªã‚‹æŒã®ã‚³ãƒ¼ãƒ‰é€²è¡Œã€ãƒ¡ãƒãƒ‡ã‚£ãã—ã¦æŒè©žã‚’記憶ã™ã‚‹ã“ã¨ã‚’望むã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。オーケストラã®ã‚ªãƒ¼ãƒœã‚¨å¥è€…ã¯è‡ªåˆ†ã®ãƒªãƒ¼ãƒ‰ã‚’アシã®çš®ã‹ã‚‰ä½œã‚‹ã“ã¨ã‚’望むã‹ã‚‚ã—ã‚Œã¾ã›ã‚“。ã»ã¨ã‚“ã©ã®éŸ³æ¥½å®¶ã¯éŸ³æ¥½ã‚’è´ã„ã¦ä»–ã®éŸ³æ¥½å
®¶ãŒè‡ªåˆ†ã®ä½œå“を表ç¾ã™ã‚‹ã®ã«ä½¿ã£ãŸæ§‹é€ を知覚ã™ã‚‹èƒ½åŠ›ãŒå¿…è¦ã§ã™ã€‚ã“れらã®æ§‹é€ 㯠"音楽ç†è«– "ã§èª¬æ˜Žã•ã‚Œã€éŸ³æ¥½ã®ä¸ã§ã“れらã®ã“ã¨ã‚’èžãå–ã‚‹ã®ã«ä½¿ã‚れるスã‚ルセットを "オーラルスã‚ル "ã¨å‘¼ã³ã¾ã™ã€‚音楽家ã¯å½¼ã‚‰ã®ã‚ªãƒ¼ãƒ©ãƒ«ã‚¹ã‚ルを "イヤートレーニング "ã‚ã‚‹ã„㯠"オーラルスã‚ルトレーニング "ã¨å‘¼ã°ã‚Œã‚‹æ‰‹é †ã®ã‚»ãƒƒãƒˆã§è¨“ç·´ã—ã¾ã™ã€‚
+ </div><div class="para">
+ 音楽的感性は、オーラルスキルが使われて、音楽家が自分の音楽（そして他の人々の音楽）がどのように、そしてなぜ、機能して、そのように響くのかを理解したときに発達します。この理解は、聴衆が演奏者に期待する手続きと慣習を知覚する鍵となるものです。このため、演奏者が美的に喜ばしい音楽を作成する能力の鍵でもあります。
+ </div><div class="para">
+ よく発達した音楽的感性とオーラルスキルのセットを持つことはいずれも音楽家であることの重要な側面ですが、それだけでよいわけではありません。何よりも、音楽家（あるいは音楽家志望の人）は他の音楽家達と話し、聴くことが大事です。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Configuration-Sound_Setup.html"><strong>戻る</strong>13.2.6. Sound Setup</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Solfege-Training-Exercise_Types.html"><strong>次へ</strong>13.3.2. 課題のタイプ</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Using_the_Exercises.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Solfege-Using_the_Exercises.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>13.4. 課題を使う</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Solfege.html" title="第13章 GNU ソルフェージュ" /><link rel="prev" href="sect-Musicians_Guide-Solfege-Training-Supplementary_References.html" title="13.3.4. 補足の参照" /><link rel="next" href="sect-Musicians_Guide-Singing_Exercises.html" title="13.4.2. Singing" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musici
ans_Guide-Solfege-Training-Supplementary_References.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Singing_Exercises.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Solfege-Using_the_Exercises"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Solfege-Using_the_Exercises">13.4. 課題を使う</h2></div></div></div><div class="section" id="sect-Musicians_Guide-Solfege-Listening_Exercises"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Solfege-Listening_Exercises">13.4.1. Listening</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ ソフトウエアを開きます。
+ </div></li><li class="step"><div class="para">
+ "Front Page"にいます。
+ </div></li><li class="step"><div class="para">
+ どのタイプの課題をするか決めます。
+ </div></li><li class="step"><div class="para">
+ フォーカスするサブセクションを決めます。
+ </div></li><li class="step"><div class="para">
+ 最初の問題を、"New"あるいは "New Interval"もしくは、そのようなボタンをクリックして始めます。
+ </div></li><li class="step"><div class="para">
+ 課題によっては、"new"をクリックしないと新しい問題が出ないものもあります。
+ </div></li><li class="step"><div class="para">
+ 課題によっては、あなたが正解を答えると自動的に次の問題を出すように設定することができます。
+ </div></li><li class="step"><div class="para">
+ それぞれの課題を聴いたら、正しい答えを探しましょう。
+ </div></li><li class="step"><div class="para">
+ もう一度課題を聞きたいときは、そうします。
+ </div></li><li class="step"><div class="para">
+ 聞き直す回数に制限を設けるのはよいことです。
+ </div></li><li class="step"><div class="para">
+ あなたが正しいと思うものを選びます。
+ </div></li><li class="step"><div class="para">
+ 次の問題に行きます。それは問題によっては自動でされるかもしれません。あらかじめ、次の問題に行く前に待つ時間を指定することもできます。
+ </div></li></ol></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Solfege-Training-Supplementary_References.html"><strong>戻る</strong>13.3.4. 補足の参照</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Singing_Exercises.html"><strong>次へ</strong>13.4.2. Singing</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.2. サウンドカードの接続</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Sound_Cards.html" title="第1章 サウンドカードとデジタルオーディオ" /><link rel="prev" href="chap-Musicians_Guide-Sound_Cards.html" title="第1章 サウンドカードとデジタルオーディオ" /><link rel="next" href="sect-Musicians_Guide-PCI_Sound_Cards.html" title="1.2.2. 内蔵 PCI 接続" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="pr
evious"><a accesskey="p" href="chap-Musicians_Guide-Sound_Cards.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-PCI_Sound_Cards.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Sound_Card_Connections"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Sound_Card_Connections">1.2. サウンドカードの接続</h2></div></div></div><div class="para">
+ オーディオインターフェイスと MIDI インターフェイスの両方は、以下の接続方法を使用することができます。 このセクションでは、"サウンドカード"は"オーディオインターフェースや MIDI インターフェイス"を意味します。
+ </div><div class="section" id="sect-Musicians_Guide-Motherboard_Integrated"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Motherboard_Integrated">1.2.1. マザーボードに統合</h3></div></div></div><div class="para">
+ 統合されたサウンドカードがコンピュータのマザーボードに組み込まれています。 これらのサウンドカードによって生成される音声の品質が向上しており、これらはほとんどの非専門のコンピュータオーディオの作業には十分です。 あなたが、プロフェッショナルなサウンドのオーディオインターフェイスを望む場合や、高品質のデバイスを接続する場合は、追加のオーディオインターフェイスをお勧めします。
+ </div><div class="para">
+ MIDI インターフェイスがマザーボードに組み込まれていることはほとんどありません。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Sound_Cards.html"><strong>戻る</strong>第1章 サウンドカードとデジタルオーディオ</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-PCI_Sound_Cards.html"><strong>次へ</strong>1.2.2. 内蔵 PCI 接続</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Sound_Servers-JACK.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Sound_Servers-JACK.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>2.2.2. JACK オーディオ接続キット</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Sound_Servers_Section.html" title="2.2. サウンドサーバ" /><link rel="prev" href="sect-Musicians_Guide-Sound_Servers_Section.html" title="2.2. サウンドサーバ" /><link rel="next" href="sect-Musicians_Guide-Sound_Servers-Phonon.html" title="2.2.3. フォノン" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_
Guide-Sound_Servers_Section.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sound_Servers-Phonon.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Sound_Servers-JACK"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Sound_Servers-JACK">2.2.2. <code class="systemitem">JACK</code> オーディオ接続キット</h3></div></div></div><div class="para">
+ <code class="systemitem">JACK</code> サウンドサーãƒã¯ã€ä»–ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚µãƒ¼ãƒã¨æ¯”ã¹ã‚‹ã¨æä¾›ã™ã‚‹æ©Ÿèƒ½ãŒå°‘ãªã„ã§ã™ãŒã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªä½œæˆã‚¢ãƒ—リケーションã«ã¨ã£ã¦å¿…è¦ãªæ©Ÿèƒ½ã«ç‰¹åŒ–ã—ã¦ä½œã‚‰ã‚Œã¦ã„ã¾ã™ã€‚ <code class="systemitem">JACK</code> 㯠ã¾ãŸã€ãã®ã‚ˆã†ãªçŠ¶æ³ã§æœ€ã‚‚é‡è¦ãªã‚ªãƒ—ションã®è¨å®šã‚’ユーザーãŒç°¡å˜ã«è¡Œãˆã‚‹ã‚ˆã†ã«ã—ã¦ã„ã¾ã™ã€‚ã“ã®ã‚µãƒ¼ãƒã¯ã€1 度ã«ãŸã １ã¤ã®ã‚µãƒ³ãƒ—ルレートã¨ãƒ•ã‚©ãƒ¼ãƒžãƒƒãƒˆã‚’サãƒãƒ¼ãƒˆã—ã¾ã™ã€‚ãã—ã¦ã€ã‚¢ãƒ—リケーションã¨ãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ãŒç°¡å˜ã«æŽ¥ç¶šã—ã€å¤šé‡åŒ–ã™ã‚‹ã®ã‚’å¯èƒ½ã¨ã—ã¾ã™ . ã“ã‚Œã¯ä»–ã®ã‚µã‚¦ãƒ³ãƒ‰ã‚µãƒ¼ãƒã«ã¯ãªã„機能ã§ã™ã€‚（ルーティングã¨å¤šé‡åŒ–ã«ã¤ã„ã¦ãã‚ã—ãã¯ã€<a class="xref" href="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing.html">「ルーティングã¨å¤šé‡åŒ–ã€</a> ã‚’å‚ç…§ã—ã¦ãã ã•ã„ 。） ãã‚Œã¯ã€ã•ã‚‰ã«ã€ä¸
€è²«ã—ã¦ä½Žé…延ã§å®Ÿè¡Œã™ã‚‹ã‚ˆã†ã«æœ€é©åŒ–ã•ã‚Œã¦ã„ã¾ã™ã€‚<code class="systemitem">JACK</code> を使用ã™ã‚‹ã«ã¯ã€ã‚‚ã¨ã¨ãªã‚‹ãƒãƒ¼ãƒ‰ã‚¦ã‚§ã‚¢ã®ã‚ˆã‚Šã‚ˆã„ç†è§£ãŒå¿…è¦ã§ã™ãŒã€<span class="application"><strong>QjackCtl</strong></span> アプリケーションãŒãã®ãƒ—ãƒã‚»ã‚¹ã‚’容易ã«ã™ã‚‹ã‚°ãƒ©ãƒ•ã‚£ã‚«ãƒ«ãƒ¦ãƒ¼ã‚¶ãƒ¼ã‚¤ãƒ³ã‚¿ãƒ¼ãƒ•ã‚§ã‚¤ã‚¹ã‚’æä¾›ã—ã¦ã„ã¾ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Sound_Servers_Section.html"><strong>戻る</strong>2.2. サウンドサーバ</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sound_Servers-Phonon.html"><strong>次へ</strong>2.2.3. フォノン</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Sound_Servers-Phonon.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Sound_Servers-Phonon.html
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+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>2.2.3. フォノン</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Sound_Servers_Section.html" title="2.2. サウンドサーバ" /><link rel="prev" href="sect-Musicians_Guide-Sound_Servers-JACK.html" title="2.2.2. JACK オーディオ接続キット" /><link rel="next" href="sect-Musicians_Guide-Using_JACK.html" title="2.3. JACK Audio Connection Kit を使う" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="
p" href="sect-Musicians_Guide-Sound_Servers-JACK.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Using_JACK.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Sound_Servers-Phonon"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Sound_Servers-Phonon">2.2.3. フォノン</h3></div></div></div><div class="para">
+ フォノンã¯ã€KDE ソフトウェア集ã«å«ã¾ã‚Œã‚‹ã‚µã‚¦ãƒ³ãƒ‰ã‚µãƒ¼ãƒã§ã€KDE ã®ä¸å¿ƒã¨ãªã‚‹ã‚³ãƒ³ãƒãƒ¼ãƒãƒ³ãƒˆã®ï¼‘ã¤ã§ã™ã€‚ Fedora Linux ã®ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã§ã¯ã€ãƒ•ã‚©ãƒŽãƒ³ã¯ã€å‡ºåŠ›ã‚’ <code class="systemitem">PulseAudio</code> ã«ä¾›çµ¦ã—ã¾ã™ã€‚ã—ã‹ã—ã€ä»–ã®ãƒ—ラットフォーム（ Mac OS Xã€Windowsã€ä»–ã®ãƒãƒ¼ã‚¸ãƒ§ãƒ³ã® Linuxã€FreeBSDã€ãã—㦠KDE をサãƒãƒ¼ãƒˆã™ã‚‹ä»–ã®ä»»æ„ã®ã‚·ã‚¹ãƒ†ãƒ ãªã©ï¼‰ã§ã¯ã€ãƒ•ã‚©ãƒŽãƒ³ã¯å‡ºåŠ›ã‚’ã©ã“ã«ä¾›çµ¦ã™ã‚‹ã‚ˆã†ã«ã§ã‚‚構æˆã™ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ã“ã‚Œã¯ã€ãã®æœ€å¤§ã®å¼·ã•ã§ã™ - KDE アプリケーションã§ã‚ã‚‹ Amarok ã‚„ Dragon Player ãªã©ã¯ã€ãƒ•ã‚©ãƒŽãƒ³ã‚’使ã†ã‚ˆã†ã«ãƒ—ãƒã‚°ãƒ©ãƒ ã™ã‚‹ã ã‘ã§ã‚ˆãã€ãれらã¯ãƒ•ã‚©ãƒŽãƒ³ãŒä»–ã®ã™ã¹ã¦ã®é¢å€’を見ã¦ãれるã®ã«é ¼ã‚‹ã“ã¨ãŒã§ãã¾ã™ã€‚ KDE アプリケーションãŒã€Windows ã‚ã‚‹ã„ã¯ç‰¹ã« Mac OS X ã«ãŠã„ã¦ã¾ã™ã¾ã™ãã®ä½ç½®ã‚’見ã¤ã‘ã‚‹ã«ã¤ã
‚Œã€ã“ã®ã‚¯ãƒã‚¹ãƒ—ラットフォームã®æ©Ÿèƒ½ã¯éžå¸¸ã«æœ‰ç”¨ã¨ãªã£ã¦ãã¾ã—ãŸã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Sound_Servers-JACK.html"><strong>戻る</strong>2.2.2. JACK オーディオ接続キット</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Using_JACK.html"><strong>次へ</strong>2.3. JACK Audio Connection Kit を使う</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Sound_Servers_Section.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Sound_Servers_Section.html
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+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>2.2. サウンドサーバ</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
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+ addID('Fedora.16');
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+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html" title="第2章 サウンドカード用のソフトウェア" /><link rel="prev" href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html" title="第2章 サウンドカード用のソフトウェア" /><link rel="next" href="sect-Musicians_Guide-Sound_Servers-JACK.html" title="2.2.2. JACK オーディオ接続キット" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentati
on Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sound_Servers-JACK.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Sound_Servers_Section"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Sound_Servers_Section">2.2. サウンドサーバ</h2></div></div></div><div class="para">
+ サウンドサーバーは、"バックグラウンドで "動作する、つまり、ユーザーインターフェイスを持っていないプログラムです。 サウンドサーバは、ALSA を使用するいくつかの側面を自動化するための、抽象化のレベルを提供します。そして、複数のアプリケーションが同時にオーディオハードウェアにアクセスできるようにします。この章で説明する 3 つのサウンドサーバーは別々の目標と特徴を持っています。 あなたが使用するべきサウンドサーバは、あなたが何をしているかによって決まります。
+ </div><div class="section" id="sect-Musicians_Guide-Sound_Servers-PulseAudio"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Sound_Servers-PulseAudio">2.2.1. パルスオーディオ</h3></div></div></div><div class="para">
+ <code class="systemitem">PulseAudio</code> ã¯ã€Linux オペレーティングシステムã§ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒ—ãƒã‚°ãƒ©ãƒŸãƒ³ã‚°ã‚’ã§ãã‚‹ã ã‘ç°¡å˜ã«ã™ã‚‹ã“ã¨ã‚’ã‚ã–ã—ãŸã€é€²ã‚“ã オーディオサーãƒã§ã™ã€‚ãã®ãƒ‡ã‚¶ã‚¤ãƒ³ã®èƒŒå¾Œã«ã‚る考ãˆæ–¹ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¢ãƒ—リケーションã¯ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚’ <code class="systemitem">PulseAudio</code> ã«å‡ºåŠ›ã™ã‚‹ã ã‘ã§ã‚ˆãã€ã‚ã¨ã¯ã€<code class="systemitem">PulseAudio</code> ãŒé¢å€’ã‚’ã¿ã¦ãれるã¨ã„ã†ã“ã¨ã§ã™ï¼šç‰¹å®šã®ãƒ‡ãƒã‚¤ã‚¹ã‚’é¸ã³ã€åˆ¶å¾¡ã—ã€ãƒœãƒªãƒ¥ãƒ¼ãƒ を調整ã—ã€ä»–ã®ã‚¢ãƒ—リケーションã¨ä¸€ç·’ã«å‹•ä½œã™ã‚‹ã€ãªã©ã§ã™ã€‚<code class="systemitem">PulseAudio</code> ã¯ã€"ãƒãƒƒãƒˆãƒ¯ãƒ¼ã‚¯ã‚µã‚¦ãƒ³ãƒ‰ "を使ã†èƒ½åŠ›ã‚‚ã‚ã‚Šã¾ã™ã€‚ã“ã‚Œã¯ã€<code class="systemitem">PulseAudio</code> を使ã†ï¼’ã¤ã®ã‚³ãƒ³ãƒ”ュータãŒã€ï¼‘ã¤ã®ã‚³ãƒ³ãƒ”ュータã§ã‚ã‚‹ã‹ã®ã‚ˆã†ã«é€šä¿¡ã™ã‚‹ã¨ã„ã†ã‚‚ã®ã§ã™ã€‚ã©ã¡ã‚‰ã®ã
‚³ãƒ³ãƒ”ュータもã€ç›¸æ‰‹ã®ã‚³ãƒ³ãƒ”ュータã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã«ã€è‡ªåˆ†ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒãƒ¼ãƒ‰ã‚¦ã‚¨ã‚¢ã¨åŒæ§˜ã«ç°¡å˜ã«å…¥å‡ºåŠ›ã§ãã‚‹ã®ã§ã™ã€‚ã“ã‚Œã¯ã™ã¹ã¦ã€<code class="systemitem">PulseAudio</code> ã®ä¸ã§åˆ¶å¾¡ã•ã‚Œã¦ã„ã‚‹ã®ã§ã€ã‚½ãƒ•ãƒˆã‚¦ã‚¨ã‚¢ãŒã‚ˆã‚Šè¤‡é›‘ã«ãªã‚‹ã“ã¨ã¯ã‚ã‚Šã¾ã›ã‚“。
+ </div><div class="para">
+ Fedora プロジェクトは、 <code class="systemitem">PulseAudio</code> を、オペレーティングシステムの重要な部分として統合しているので、ほとんどの人にとって、ほとんどの状況で、オーディオアプリケーションが "単に動作する "ことができるのを保証してきました。 これは、ユーザーが基本的なオーディオ作業を行うのをはるかに容易にしました。
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html"><strong>戻る</strong>第2章 サウンドカード用のソフトウェア</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Sound_Servers-JACK.html"><strong>次へ</strong>2.2.2. JACK オーディオ接続キット</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Stages_of_Recording.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Stages_of_Recording.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
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+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.2. 録音のステージ</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Digital_Audio_Workstations.html" title="第6章 デジタルオーディオワークステーション" /><link rel="prev" href="chap-Musicians_Guide-Digital_Audio_Workstations.html" title="第6章 デジタルオーディオワークステーション" /><link rel="next" href="sect-Musicians_Guide-Mixing.html" title="6.2.2. ミキシング" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul cla
ss="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Digital_Audio_Workstations.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Mixing.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Stages_of_Recording"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Stages_of_Recording">6.2. 録音のステージ</h2></div></div></div><div class="para">
+ あるものを録音して、リスナーに届ける準備をするためには３つの大きなステージがあります：録音、ミキシング、そしてマスタリングです。それぞれの処理のステップは独自の特性を持ちますが、時には、一緒に混ぜ合わせられることもあります.
+ </div><div class="section" id="sect-Musicians_Guide-Recording"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Recording">6.2.1. 録音</h3></div></div></div><div class="para">
+ 録音ã¯ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒªãƒ¼ã‚¸ãƒ§ãƒ³ï¼ˆ"クリップ"ã‚ã‚‹ã„㯠"セグメント"ã¨ã‚‚呼ã°ã‚Œã¾ã™ï¼‰ã‚’ã€å¾Œã®å‡¦ç†ã®ãŸã‚ã«DAW ソフトウエアã«å–り込む処ç†ã§ã™.録音ã¯è¤‡é›‘ãªãƒ—ãƒã‚»ã‚¹ã§ã€éŸ³ã®ã‚¨ãƒãƒ«ã‚®ãƒ¼ã‚’ã¨ã‚‰ãˆã€é›»æ°—エãƒãƒ«ã‚®ãƒ¼ã«å¤‰æ›ã—ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã«é€ä¿¡ã™ã‚‹ãƒžã‚¤ã‚¯ã‚’å«ã¿ã¾ã™.オーディオインタフェースã¯é›»æ°—エãƒãƒ«ã‚®ãƒ¼ã‚’デジタル信å·ã«å¤‰æ›ã—ã¦ã€ã‚ªãƒšãƒ¬ãƒ¼ãƒ†ã‚£ãƒ³ã‚°ã‚·ã‚¹ãƒ†ãƒ 経由㧠DAW ソフトウエアã«é€ã‚Šã¾ã™ã€‚DAW ã¯ãƒ¡ãƒ¢ãƒªã¨ã€å¿…è¦ã«å¿œã˜ã¦ãƒãƒ¼ãƒ‰ãƒ‡ã‚£ã‚¹ã‚¯ã«ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãƒªãƒ¼ã‚¸ãƒ§ãƒ³ã‚’ä¿å˜ã—ã¾ã™ã€‚DAWãŒéŒ²éŸ³ã—ã¦ã„る時ã«ã€ãƒŸãƒ¥ãƒ¼ã‚¸ã‚·ãƒ£ãƒ³ãŒéŒ²éŸ³ã®ãŸã‚ã«æ›²ã®ä¸€éƒ¨ã‚ã‚‹ã„ã¯å…¨éƒ¨ã‚’æ¼”å¥ã™ã‚‹ã¨ãã€ãã‚Œã¯ã€<em class="firstterm">テイク</em>ã¨å‘¼ã°ã‚Œã¾ã™ã€‚録音ãŒæˆåŠŸã™ã‚‹ã¾ã§ã€æ™®é€šã¯ä½•å›žã‹ã®ãƒ†ã‚¤ã‚¯ãŒå¿…è¦ã§ã™ã€‚音楽演å¥ãŒä¸å®Œå…¨ã§ã
‚ã£ãŸã‚Šã€æŠ€è¡“çš„ãªå´é¢ãŒä¸å®Œå…¨ã§ã‚ã£ãŸã‚Šã™ã‚‹ã®ãŒåŽŸå› ã§ã™ã€‚
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Digital_Audio_Workstations.html"><strong>戻る</strong>第6章 デジタルオーディオワークステーション</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Mixing.html"><strong>次へ</strong>6.2.2. ミキシング</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3. Basic Programming in SuperCollider</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-SuperCollider.html" title="第11章 SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Using_GEdit-Other_Tips.html" title="11.2.4. GEdit を SuperCollider と使うための他のヒント" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html" title="11.3.2. Variables and Functions" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="
docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Using_GEdit-Other_Tips.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html"><strong>次へ</strong></a></li></ul><div xml:lang="ja-JP" class="section" id="sect-Musicians_Guide-SuperCollider-Basic_Programming" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-SuperCollider-Basic_Programming">11.3. Basic Programming in <span class="application"><strong>SuperCollider</strong></span></h2></div></div></div><div class="para">
+ As with any programming language, you will start learning <span class="application"><strong>SuperCollider</strong></span> with the basic commands, that are of little use by themselves. However, since the language is so flexible, even the most basic commands can be combined in ways that create highly complex behaviours. The example program, "Method One," was written with the goal of illustrating how a single sound-generating object can be used to create an entire composition. This tutorial does not begin with audio-generating code, which helps to emphasize that <span class="application"><strong>SuperCollider</strong></span> is primarily a programming language.
+ </div><div class="para">
+ This portion of the Guide is designed as a "reference textbook," which you can use both to learn the <span class="application"><strong>SuperCollider</strong></span> language in the first place, and to remind yourself about the language's features afterwards.
+ </div><div class="para">
+ The section is most effective when read in small portions.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps">11.3.1. First Steps</h3></div></div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Parts_of_SuperCollider"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Parts_of_SuperCollider">11.3.1.1. The Different Parts of <span class="application"><strong>SuperCollider</strong></span></h4></div></div></div><div class="para">
+ As you discovered when installing <span class="application"><strong>SuperCollider</strong></span>, there are actually many different components involved with <span class="application"><strong>SuperCollider</strong></span>. Here is a list of some of them, with brief descriptions of their purpose:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Programming language: this is an abstract set of rules and guidelines that allow you to write down instructions for producing sounds.
+ </div></li><li class="listitem"><div class="para">
+ Interpreter: this is what is run in <span class="application"><strong>GEdit</strong></span>; it transforms the programming language instructions written by you into useful instructions for the server; also called the "client."
+ </div></li><li class="listitem"><div class="para">
+ Server: this is what synthesizes the sound, according to instructions sent to it by the interpreter.
+ </div></li><li class="listitem"><div class="para">
+ Library: these contain commands and the instructions to be executed when you call the commands; the interpreter looks up commands in the library when you call them.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ This modular design allows for several advanced capabilities and features. Any particular element could theoretically be replaced without affecting other elements, as long as the methods of communication remain the same. As long as the programming language is the same, portions of the library can be modified, removed, or added at will; this happens often, and Planet CCRMA at Home provides a collection of library extensions. One of the most exciting capabilities is the ability to run the interpreter and server on different physical computers. The networking component is built into these components - they always communicate by UDP or TCP, even when run on the same computer! Although this ability is not used in this Guide, it is not difficult.
+ </div><div class="para">
+ The most important thing to remember is that the <span class="application"><strong>SuperCollider</strong></span> interpreter is what deals with the programs you write. The <span class="application"><strong>SuperCollider</strong></span> server is controlled by the interpreter, but is an independent program. For simple things, like the Hello World Programs below, the server is not even used - after all, there is no audio for it to synthesize.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Hello_World"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Hello_World">11.3.1.2. "Hello, World!"</h4></div></div></div><div class="para">
+ The first program that one traditionally makes when learning a new programming language is called "The Hello World Program." This is a simple and trivial application that simply prints outs the phrase, <code class="literal">Hello, World!</code> (or a variation of it). It might seem useless at first, but the ability to provide feedback to an application's user is very important, and this is essentially what the Hello World Program does.
+ </div><div class="para">
+ Here is the program in <span class="application"><strong>SuperCollider</strong></span>:
+<pre class="programlisting">
+"Hello, World!".postln;
+</pre>
+
+ </div><div class="para">
+ Here is an extension to that program:
+<pre class="programlisting">
+"Hello, World!".postln;
+"Hello, SC!".postln;
+</pre>
+
+ </div><div class="para">
+ As with all examples in this section, you should paste these programs into <span class="application"><strong>GEdit</strong></span>, and execute them with <span class="application"><strong>SuperCollider</strong></span>. Look at the output produced by the programs, but don't worry about it for now.
+ </div><div class="para">
+ These programs are very small, but it highlights some key concepts of the <span class="application"><strong>SuperCollider</strong></span> language, described below.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Return_Values"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Return_Values">11.3.1.3. Return Values</h4></div></div></div><div class="para">
+ Every <span class="application"><strong>SuperCollider</strong></span> program must provide the interpreter with a value (some information) when it has carried out all of its instructions. This value is called a "return value," because it is the value given by a program when it "returns" control to the interpreter. In a <span class="application"><strong>SuperCollider</strong></span> program, it is the last value stated in a program that automatically becomes the return value - no special command is required. When program execution ends, and control is returned to the <span class="application"><strong>SuperCollider</strong></span> interpreter, the interpreter outputs the return value in the "SuperCollider output" pane.
+ </div><div class="para">
+ In the single-line Hello World Program above, the program produces the following output: <code class="computeroutput"> Hello, World! Hello, World! </code> The program appears to have been executed twice, but that is not the case. The first <code class="literal">Hello, World!</code> is printed by the program. The second <code class="literal">Hello, World!</code> appears because <code class="code">"Hello, World!.postln</code> is the last (in this case, the only) value of the program. It is "returned" by the program, and the interpreter prints it.
+ </div><div class="para">
+ In the two-line Hello World Program above, the program produces the following output: <code class="computeroutput"> Hello, World! Hello, SC! Hello, SC! </code> This makes it more clear that the program is not being executed twice, and that it is the last value of a program that is returned to the interpreter.
+ </div><div class="para">
+ Try executing the following single-line programs. Look at the output produced by each, and determine whether it is printed by the program itself, the interpreter, or both.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="code">"Hello, World!".postln;</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="code">"Hello, World!";</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="code">5.postln;</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="code">5;</code>
+ </div></li></ul></div>
+ Can you modify the two-line Hello World Program so that each line is printed only once?
+ </div><div class="para">
+ In reality, every "function" must return a value. Functions are described in <a class="xref" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions-Functions.html">「Functions」</a>, but the difference is not yet important.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Statements"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Statements">11.3.1.4. Statements</h4></div></div></div><div class="para">
+ A "statement" is a single instruction, which always ends with a semicolon. Exactly what constitutes a statement will become clear as you gain experience, and you will eventually automatically remember the semicolon.
+ </div><div class="para">
+ In the Hello World Programs above, all of the statements contain the single instruction to post a line to the output screen. What happens when you remove the first semicolon, which marks the end of the first statement? The <span class="application"><strong>SuperCollider</strong></span> interpreter produces an unhelpful error message, and tells you that an error occurred <span class="emphasis"><em>after</em></span> the forgotten semicolon. This is why it is important to always remember statement-concluding semicolons.
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Numbers_and_Strings"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Numbers_and_Strings">11.3.1.5. Data Types: Numbers and Strings</h4></div></div></div><div class="para">
+ In many programming languages, it is the programmer's responsibility to determine the type of data that is being used, and how it should be stored. The <span class="application"><strong>SuperCollider</strong></span> interpreter takes advantage of the power of modern computers, and deals with this on our behalf. This greatly simplifies basic tasks, because there are only two kinds of data to worry about, and they make perfect sense:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Numbers: These are numbers, written simply as numbers. Anything that can be done with real-world numbers can also be done with <span class="application"><strong>SuperCollider</strong></span>'s numbers. They can be as large or small, positive or negative as you want. They can have any number of digits on either side of the decimal point.
+ </div></li><li class="listitem"><div class="para">
+ Strings: These are a string of characters, written between two double-quote characters like "this." The double-quote characters are required so that <span class="application"><strong>SuperCollider</strong></span> knows where to begin and end the string of characters. A string of character can contain as many characters as you like, including one character and no characters. If you want to include a double-quote character in a string, you should put a blackslash before it. The following is interpreted by <span class="application"><strong>SuperCollider</strong></span> as a string with only a double-quote character: <code class="literal">"\""</code>
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Here are some examples of numbers and strings:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="literal">5</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">18920982341</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">0.00000000000001</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">"characters"</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">"@"</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">""</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">"6"</code>
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Is the last example a number or a string? You and I recognize that it is a number inside a string, but <span class="application"><strong>SuperCollider</strong></span> treats it as a string. You can do string things with it, but you cannot do number things with it. You cannot add <code class="literal">"6"</code> to something, for example.
+ </div><div class="para">
+ Try executing the following single-line programs. Think about why the <span class="application"><strong>SuperCollider</strong></span> interpreter produces the output that it does.
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="code">6 + 3;</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="code">"6" + 3;</code>
+ </div></li><li class="listitem"><div class="para">
+ <code class="code">"six" + 3;</code>
+ </div></li></ul></div>
+
+ </div></div><div class="section" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Consecutive_Execution"><div class="titlepage"><div><div keep-together.within-column="always"><h4 class="title" id="sect-Musicians_Guide-SC-Basic_Programming-First_Steps-Consecutive_Execution">11.3.1.6. Consecutive Execution</h4></div></div></div><div class="para">
+ Complex <span class="application"><strong>SuperCollider</strong></span> programs contain many parts, which all do different things. Sometimes, executing all of these together doesn't make sense, and it can be difficult to know which portions of the program are supposed to be executed when. To help with this, the interpreter allows you to mark portions of your program between ( and ) so that you will know to execute them together.
+ </div><div class="para">
+ Here is an example:
+<pre class="programlisting">
+(
+ "Hello, Fred!".postln;
+ "Hello, Wilma!".postln;
+)
+(
+ "Goodbye, Fred!".postln;
+ "Goodbye, Wilma!".postln;
+)
+</pre>
+ It doesn't make sense to say "hello" and "goodbye" at the same time, so separating these sections with parentheses will serve as a reminder. In case we try to execute all of the code at once, the <span class="application"><strong>SuperCollider</strong></span> interpreter will give us an error.
+ </div></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Using_GEdit-Other_Tips.html"><strong>戻る</strong>11.2.4. GEdit を SuperCollider と使うための他のヒント</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Variables_and_Functions.html"><strong>次へ</strong>11.3.2. Variables and Functions</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SuperCollider-Composing.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SuperCollider-Composing.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.4. Composing with SuperCollider</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-SuperCollider.html" title="第11章 SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution.html" title="11.3.15. Legal Attribution" /><link rel="next" href="sect-Musicians_Guide-SC-Composing-Inspiration.html" title="11.4.2. Inspiration" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-M
usicians_Guide-SC-Basic_Programming-Legal_Attribution.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Inspiration.html"><strong>次へ</strong></a></li></ul><div xml:lang="ja-JP" class="section" id="sect-Musicians_Guide-SuperCollider-Composing" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-SuperCollider-Composing">11.4. Composing with SuperCollider</h2></div></div></div><div class="para">
+ This section is an explanation of the creative thought-process that went into creating the SuperCollider composition that we've called "Method One," for which the source and exported audio files are available below.
+ </div><div class="para">
+ It is our hope that, in illustrating how we developed this composition from a single SinOsc command, you will learn about SuperCollider and its abilities, about how to be creative with SuperCollider, and how a simple idea can turn into something of greater and greater complexity.
+ </div><div class="para">
+ As musicians, our goal is to learn enough SuperCollider to make music; we don't want to have to memorize which parameters do what for which functions, and in which order to call them. We want to know what they do for us musically. Explicitly calling parameters, and making comments about what does what, so that we can return later and change musical things, are going to help our musical productivity, at the expense of slowing down our typing.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Composing-Tutorial_Files"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Composing-Tutorial_Files">11.4.1. Files for the Tutorial</h3></div></div></div><div class="para">
+ The following files represent complete versions of the program. You should try to complete the program yourself before reviewing these versions:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <em class="citetitle">Method One</em> is available at <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/SuperCollider/Method_One.sc">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/SuperCollider/Method_One.sc</a>
+ </div></li><li class="listitem"><div class="para">
+ <em class="citetitle">Method One (Optimized)</em> is available at <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/SuperCollider/Method_One-optimized.sc">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/SuperCollider/Method_One-optimized.sc</a>
+ </div></li><li class="listitem"><div class="para">
+ A FLAC-format recording of <em class="citetitle">Method One</em> is available at <a href="http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/SuperCollider/Method_One.flac">http://docs.fedoraproject.org/en-US/Fedora/16/html/Musicians_Guide/files/SuperCollider/Method_One.flac</a>
+ </div></li></ul></div>
+
+ </div><div class="para">
+ <code class="filename">Method_One.sc</code> is an extensively-commented version of the source code. The comments not only describe the way the code works, but pose some problems and questions that you may wish to work on, to increase your knowledge of SuperCollider. The problem with the verbosity of the comments is that it can be difficult to read the code itself, as it would be written in a real program.
+ </div><div class="para">
+ <code class="filename">Method_One-optimized.sc</code> is a less-commented version of the source code. I've also re-written part of the code, to make it more flexible for use in other programs. The differences between this, and code that I would have written for myself only, are trivial.
+ </div><div class="para">
+ <code class="filename">Method_One.flac</code> is a recording that I produced of the program, which I produced in <span class="application"><strong>Ardour</strong></span>.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Legal_Attribution.html"><strong>戻る</strong>11.3.15. Legal Attribution</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Composing-Inspiration.html"><strong>次へ</strong>11.4.2. Inspiration</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SuperCollider-Exporting.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SuperCollider-Exporting.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-SuperCollider-Exporting.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.5. Exporting Sound Files</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-SuperCollider.html" title="第11章 SuperCollider" /><link rel="prev" href="sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts.html" title="11.4.9. Joining the Two Parts" /><link rel="next" href="sect-Musicians_Guide-SC-Recording_SuperColliders_Output.html" title="11.5.2. Recording SuperCollider's Output (Tutorial)" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class
="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Recording_SuperColliders_Output.html"><strong>次へ</strong></a></li></ul><div xml:lang="ja-JP" class="section" id="sect-Musicians_Guide-SuperCollider-Exporting" lang="ja-JP"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-SuperCollider-Exporting">11.5. Exporting Sound Files</h2></div></div></div><div class="para">
+ This section explains one way to record your SuperCollider programs, so that you can share them with friends who don't have SuperCollider on their computer.
+ </div><div class="section" id="sect-Musicians_Guide-SC-Non_Real_Time_Synthesis"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-SC-Non_Real_Time_Synthesis">11.5.1. Non-Real-Time Synthesis</h3></div></div></div><div class="para">
+ SuperCollider allows you to synthesze audio output to an audio file. Doing this requires using OSC commands on the server, the <code class="classname">DiskOut</code> UGen, the <code class="classname">Buffer</code> UGen, and other relatively advanced concepts. The built-in <em class="citetitle">DiskOut</em> help file, available from <a href="file:///usr/share/SuperCollider/Help/UGens/Playback%20and%20Recording/DiskOut.html">file:///usr/share/SuperCollider/Help/UGens/Playback%20and%20Recording/DiskOut.html</a> on Fedora Linux systems, contains some help with the <code class="classname">DiskOut</code> UGen, and links to other useful help files. This method is not further discussed here.
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Composing-Joining_the_Two_Parts.html"><strong>戻る</strong>11.4.9. Joining the Two Parts</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Recording_SuperColliders_Output.html"><strong>次へ</strong>11.5.2. Recording SuperCollider's Output (Tutoria...</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Track_Info_Pane.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Track_Info_Pane.html
new file mode 100644
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Track_Info_Pane.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.4.3. トラック情報ペイン</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-DAW_User_Interface.html" title="6.4. ユーザインタフェース" /><link rel="prev" href="sect-Musicians_Guide-DAW_Clock.html" title="6.4.2. クロック" /><link rel="next" href="sect-Musicians_Guide-Track_Pane.html" title="6.4.4. トラックペイン" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-DAW_Cloc
k.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Track_Pane.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Track_Info_Pane"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Track_Info_Pane">6.4.3. トラック情報ペイン</h3></div></div></div><div class="figure" id="qtractor_track_info"><div class="figure-contents"><div class="mediaobject"><img src="./images/Qtractor-interface-track_info.png" width="444" alt="Qtractor のトラック情報ペイン" /><div class="longdesc"><div class="para">
+ Qtractor のウインドウのトラック情報のペイン
+ </div></div><div class="caption"><div class="para">
+ トラック情報のペイン：ペインに２つのトラックがあり、右側に、それぞれのトラック情報のスペースがあります。
+ </div></div></div></div><h6>図6.6 Qtractor のトラック情報ペイン</h6></div><br class="figure-break" /><div class="para">
+ <em class="firstterm">トラック情報</em>ペインには、セッションに含まれるトラックとバスのそれぞれの情報と設定があります。普通、ここであなたは、トラックあるいはバスの入力と出力のルーティングの設定、MIDIトラックのインストゥルメント、バンク、プログラム、チャネルの設定などを調整することができます。さらに、<a class="xref" href="sect-Musicians_Guide-Track_Info_Pane.html#qtractor_track_info">図6.6「Qtractor のトラック情報ペイン」</a>にある３つのボタン：<span class="guibutton"><strong>R</strong></span>は"録音の準備をする" <span class="guibutton"><strong>M</strong></span>は"ミュート、トラックの出力を無音にする"そして<span class="guibutton"><strong>S</strong></span>は"ソロモード"、を操作することもできます。
+ </div><div class="para">
+ DAW によって、提供される情報とボタンのレイアウトは大きく変わることがありますが、基本的な機能はどれも同じです。多くの場合、トラック情報ボックスを右クリックすると、高度な構成オプションにアクセスすることができます。トラック情報ボックスのボタンではない部分を左クリックすると、<em class="firstterm">トラックペイン</em>の特定の時刻を選択することなく、あるトラックを選択することができます。
+ </div><div class="para">
+ トラック情報ペインは、トラックペインの大きさが変わったとき、ビューの外にスクロールして出ることはなく、独立しています。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-DAW_Clock.html"><strong>戻る</strong>6.4.2. クロック</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Track_Pane.html"><strong>次へ</strong>6.4.4. トラックペイン</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Track_Pane.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Track_Pane.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Track_Pane.html
@@ -0,0 +1,26 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.4.4. トラックペイン</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-DAW_User_Interface.html" title="6.4. ユーザインタフェース" /><link rel="prev" href="sect-Musicians_Guide-Track_Info_Pane.html" title="6.4.3. トラック情報ペイン" /><link rel="next" href="sect-Musicians_Guide-DAW_Transport_Controls.html" title="6.4.5. トランスポートコントロール" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><
a accesskey="p" href="sect-Musicians_Guide-Track_Info_Pane.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-DAW_Transport_Controls.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Track_Pane"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Track_Pane">6.4.4. トラックペイン</h3></div></div></div><div class="figure" id="qtractor_track"><div class="figure-contents"><div class="mediaobject"><img src="./images/Qtractor-interface-track.png" width="444" alt="Qtractor のトラックペイン" /><div class="longdesc"><div class="para">
+ Qtractor のウインドウの中のトラックペイン
+ </div></div><div class="caption"><div class="orderedlist"><ol><li class="listitem"><div class="para">
+ <em class="firstterm">ルーラー</em>はここでは、<em class="firstterm">BBT</em>（bars, beats, ticks 小節、拍、チック）に設定されています。
+ </div></li><li class="listitem"><div class="para">
+ グラフィカルに表現された２つのトラック。水平軸は時間を表します。
+ </div></li><li class="listitem"><div class="para">
+ MIDI <em class="firstterm">クリップ</em>(他のアプリケーションでは、<em class="firstterm">リージョン</em>と呼ばれます）
+ </div></li><li class="listitem"><div class="para">
+ オーディオ<em class="firstterm">クリップ</em>(他のアプリケーションでは、<em class="firstterm">リージョン</em>と呼ばれます）
+ </div></li><li class="listitem"><div class="para">
+ トラックペインのスクロールバー：このペインは独立してスクロールすることに注意下さい。
+ </div></li></ol></div></div></div></div><h6>図6.7 Qtractor のトラックペイン</h6></div><br class="figure-break" /><div class="para">
+ <em class="firstterm">トラックペイン</em>は、DAW における主要なワークスペースです。それは、<em class="firstterm">リージョン</em> (<em class="firstterm">クリップ</em>とも呼ばれます)をオーディオ波形あるいは MIDI ノートのおおまかな概観とともに表示します。あなたは、そこで、リージョンの開始時刻と長さを変えたり、リージョンをトラックに割り当てたり、再割り当てしたりできます。トラックペインでは、トランスポートは垂直の線として表されます。<a class="xref" href="sect-Musicians_Guide-Track_Pane.html#qtractor_track">図6.7「Qtractor のトラックペイン」</a>では、それはトラックペインの中の最も左の赤い線です。
+ </div><div class="para">
+ トラックペインを水平にスクロールすることで、あなたはセッションの全体に渡ってリージョンを見ることができます。最も左の点が、セッションの開始点です。最も右の点が、セッションの終了点の後を示します。ほとんどの DAW では、セッションの終了点をはるかに越えてスクロールすることができます。トラックペインを垂直にスクロールすることで、あなたは特定の時間の範囲でのリージョンとトラックを見ることができます。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Track_Info_Pane.html"><strong>戻る</strong>6.4.3. トラック情報ペイン</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-DAW_Transport_Controls.html"><strong>次へ</strong>6.4.5. トランスポートコントロール</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Track_and_Multitrack.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Track_and_Multitrack.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Track_and_Multitrack.html
@@ -0,0 +1,14 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.3.2. トラックとマルチトラック</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html" title="6.3. インタフェース用語" /><link rel="prev" href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html" title="6.3. インタフェース用語" /><link rel="next" href="sect-Musicians_Guide-Region_Clip_Segment.html" title="6.3.3. リージョン、クリップ、あるいはセグメント" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="do
cnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Region_Clip_Segment.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Track_and_Multitrack"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Track_and_Multitrack">6.3.2. トラックとマルチトラック</h3></div></div></div><div class="para">
+ <em class="firstterm">トラック</em>は、１つのチャネル、もしくは、あらかじめ決められた、分割不可能で同時に演奏されるチャネル（ステレオオーディオのように）の集まりです.DAW のメインウインドウでは、トラックは普通、行として表されます.そして、時間が列として表されます.トラックは複数のリージョンを持つことがありますが、普通は、それらのリージョンのただ１つだけが1度に聞くことができます。最近の、ソフトウエアによる DAW は、<em class="firstterm">マルチトラック</em>の機能を持ち、それが、その成功の１つの理由です.それぞれの独立したトラックは、一度にただ1つのリージョンしか演奏することはできませんが、マルチトラックの使用により、DAW が出力するオーディオはほとんど無限の同時に演奏されるリージョ
ンを持つことができます.この最もパワフルな側面は、オーディオは同時に録音しなくても、同時に演奏されることができるということです。例えば、あなたは、一人でデュエットを歌うことができます.
+ </div><div class="figure" id="ardour_track"><div class="figure-contents"><div class="mediaobject"><img src="./images/Ardour-Track.png" width="444" alt="Ardour のトラック" /><div class="longdesc"><div class="para">
+ Ardour のトラック.この楽器が聞こえない静寂な期間の真ん中にある１つのリージョンを持ちます。
+ </div></div></div></div><h6>図6.2 Ardour のトラック</h6></div><br class="figure-break" /></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html"><strong>戻る</strong>6.3. インタフェース用語</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Region_Clip_Segment.html"><strong>次へ</strong>6.3.3. リージョン、クリップ、あるいはセグメント</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Transport_and_Playhead.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Transport_and_Playhead.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Transport_and_Playhead.html
@@ -0,0 +1,12 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>6.3.4. トランスポートと再生ヘッド</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-DAW_Interface_Vocabulary.html" title="6.3. インタフェース用語" /><link rel="prev" href="sect-Musicians_Guide-Region_Clip_Segment.html" title="6.3.3. リージョン、クリップ、あるいはセグメント" /><link rel="next" href="sect-Musicians_Guide-Automation.html" title="6.3.5. オートメーション" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class
="previous"><a accesskey="p" href="sect-Musicians_Guide-Region_Clip_Segment.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Automation.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Transport_and_Playhead"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Transport_and_Playhead">6.3.4. トランスポートと再生ヘッド</h3></div></div></div><div class="para">
+ <em class="firstterm">トランスãƒãƒ¼ãƒˆ</em>ã¯ã€ã‚»ãƒƒã‚·ãƒ§ãƒ³å†…ã®ç¾åœ¨æ™‚刻ã¨ã€ãã‚Œã¨ã¨ã‚‚ã«å†ç”Ÿãƒ˜ãƒƒãƒ‰ã‚’管ç†ã™ã‚‹å½¹å‰²ã‚’æŒã¡ã¾ã™ã€‚ <em class="firstterm">å†ç”Ÿãƒ˜ãƒƒãƒ‰</em>ã¯ã€æ™‚間軸ã®ä¸Šã§ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªãŒå†ç”Ÿã•ã‚Œã‚‹ã€ã‚ã‚‹ã„ã¯ã€éŒ²éŸ³ã•ã‚Œã‚‹ç‚¹ã‚’示ã—ã¾ã™ã€‚トランスãƒãƒ¼ãƒˆã¯ã€å†ç”Ÿãƒ˜ãƒƒãƒ‰ã¨ã€ãã‚ŒãŒéŒ²éŸ³ä½ç½®ã‹å†ç”Ÿä½ç½®ã‹ã‚’制御ã—ã¾ã™ã€‚トランスãƒãƒ¼ãƒˆã¯ã€å†ç”Ÿãƒ˜ãƒƒãƒ‰ã‚’ã€å‰ã‚ã‚‹ã„ã¯å¾Œã‚ã«å‹•ã‹ã—ãŸã‚Šã€ã‚¹ãƒãƒ¼ãƒ¢ãƒ¼ã‚·ãƒ§ãƒ³ã€æ—©é€ã‚Šã€ã‚ã‚‹ã„ã¯å®Ÿæ™‚é–“ã§å‹•ã‹ã—ãŸã‚Šã‚‚ã§ãã¾ã™ã€‚ã»ã¨ã‚“ã©ã®ã€ã‚³ãƒ³ãƒ”ュータをもã¨ã«ã—㟠DAW ã§ã¯ã€å†ç”Ÿãƒ˜ãƒƒãƒ‰ã¯ã‚«ãƒ¼ã‚½ãƒ«ã§å‹•ã‹ã™ã“ã¨ã‚‚ã§ãã¾ã™ã€‚DAW インタフェースã§ã¯ã€å†ç”Ÿãƒ˜ãƒƒãƒ‰ã¯ã™ã¹ã¦ã®ãƒˆãƒ©ãƒƒã‚¯ã‚’横切る垂直ã®ç·šã§è¡¨ã•ã‚Œã¾ã™ã€‚トランスãƒãƒ¼ãƒˆã®ãƒœã‚¿ãƒ³ã¨è¡¨ç¤ºã¯æ™®é€šã¯ã€DAW ウインドウã®ä¸€ç•ªä¸Šã®ãƒ„ールãƒãƒ¼ã®ä¸ã«ã
‚ã‚Šã¾ã™ãŒã€ãƒˆãƒ©ãƒ³ã‚¹ãƒãƒ¼ãƒˆã‚³ãƒ³ãƒˆãƒãƒ¼ãƒ«ãŒãƒ¡ã‚¤ãƒ³ã‚¤ãƒ³ã‚¿ãƒ•ã‚§ãƒ¼ã‚¹ã‹ã‚‰åˆ‡ã‚Šé›¢ã•ã‚Œã‚‹ã®ã‚’好む人もãŠã‚Šã€Rosegardenã§ã¯ã€ã“ã‚ŒãŒãƒ‡ãƒ•ã‚©ãƒ«ãƒˆã®è¦‹ãˆæ–¹ã«ãªã£ã¦ã„ã¾ã™ã€‚
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Region_Clip_Segment.html"><strong>戻る</strong>6.3.3. リージョン、クリップ、あるいはセグメント</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Automation.html"><strong>次へ</strong>6.3.5. オートメーション</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-USB_Sound_Cards.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-USB_Sound_Cards.html
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--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-USB_Sound_Cards.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.2.4. 外部 USB 接続</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Sound_Card_Connections.html" title="1.2. サウンドカードの接続" /><link rel="prev" href="sect-Musicians_Guide-FireWire_Sound_Cards.html" title="1.2.3. 外部のFireWire 接続" /><link rel="next" href="sect-Musicians_Guide-Choose_Sound_Card_Connection.html" title="1.2.5. 接続タイプを選択する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous
"><a accesskey="p" href="sect-Musicians_Guide-FireWire_Sound_Cards.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Choose_Sound_Card_Connection.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-USB_Sound_Cards"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-USB_Sound_Cards">1.2.4. 外部 USB 接続</h3></div></div></div><div class="para">
+ ノート PC やネットブックコンピュータがより一般的になっているため、USB 接続されたサウンドカードは、より一般的になっています。 品質は、内蔵されたサウンドカードと同じくらい良好ですが、USB 接続が遅延を追加することもあります。 USB 接続のサウンドカードは、通常、高品質のサウンドカードがほしいアマチュアミュージシャンのための最も手頃な価格のサウンドカードです。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-FireWire_Sound_Cards.html"><strong>戻る</strong>1.2.3. 外部のFireWire 接続</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Choose_Sound_Card_Connection.html"><strong>次へ</strong>1.2.5. 接続タイプを選択する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Using_JACK.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Using_JACK.html
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Using_JACK.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>2.3. JACK Audio Connection Kit を使う</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-How_Computers_Deal_with_Hardware.html" title="第2章 サウンドカード用のソフトウェア" /><link rel="prev" href="sect-Musicians_Guide-Sound_Servers-Phonon.html" title="2.2.3. フォノン" /><link rel="next" href="sect-Musicians_Guide-Using_QjackCtl.html" title="2.3.2. QjackCtl を使う" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a acces
skey="p" href="sect-Musicians_Guide-Sound_Servers-Phonon.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Using_QjackCtl.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Using_JACK"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Using_JACK">2.3. <code class="systemitem">JACK</code> Audio Connection Kit を使う</h2></div></div></div><div class="section" id="sect-Musicians_Guide-Install_and_Configure_JACK"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Install_and_Configure_JACK">2.3.1. <code class="systemitem">JACK</code> をインストール、設定する</h3></div></div></div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ <span class="application"><strong>PackageKit</strong></span> あるいは <span class="application"><strong>KPackageKit</strong></span> を使って <span class="package">jack-audio-connection-kit</span> と <span class="package">qjackctl</span> パッケージをインストールしてください。
+ </div></li><li class="step"><div class="para">
+ インストールを確認し、承認ください。それが正常に完了したことを確認してください。
+ </div></li><li class="step"><div class="para">
+ KMenu あるいはアプリケーションメニューから <span class="application"><strong>QjackCtl</strong></span> を実行ください。
+ </div></li><li class="step"><div class="para">
+ <code class="systemitem">JACK</code> サーバーを開始するには <span class="guibutton"><strong>Start</strong></span> をクリック、<code class="systemitem">JACK</code> サーバーを終了するには <span class="guibutton"><strong>Stop</strong></span> をクリックください。
+ </div></li><li class="step"><div class="para">
+ メッセージを見るには、<span class="guibutton"><strong>Messages</strong></span> をクリックください。それは普通、エラーあるいは警告です。
+ </div></li><li class="step"><div class="para">
+ 現在実行中のサーバについてのいろいろな統計を見るには、<span class="guibutton"><strong>Status</strong></span> をクリックください。
+ </div></li><li class="step"><div class="para">
+ アプリケーションとオーディオハードウエアの間の接続を見たり、調整するには <span class="guibutton"><strong>Connections</strong></span> ボタンをクリックください。
+ </div></li></ol></div><div class="important"><div class="admonition_header"><h2>重要</h2></div><div class="admonition"><div class="para">
+ <code class="systemitem">JACK</code> は、特別なリアルタイム特権で動作します。 <code class="systemitem">JACK</code> を使うすべてのユーザーは、 <code class="systemitem">jackuser</code> グループに入れる必要があります。ユーザーをグループに入れる方法については、<a href="http://docs.fedoraproject.org">http://docs.fedoraproject.org</a> から入手可能な <em class="citetitle">Fedora Deployment Guide</em> の 22 章 , <em class="citetitle">Users and Groups</em> を参照ください。<code class="systemitem">JACK</code> を使わないユーザーは、これらのグループに入れないでください。
+ </div></div></div><div class="para">
+ デフォルトでは、 <span class="application"><strong>QjackCtl</strong></span> は、「デフォルト」サウンドカードを使うように、 <code class="systemitem">JACK</code> を構成します。「デフォルト」サウンドカードは、<code class="systemitem">JACK</code> が同じ機能を提供していたとしても、<code class="systemitem">ALSA</code> ドライバのすべての機能を使います。 メモリとプロセッサ時間を節約するために、 <span class="application"><strong>QjackCtl</strong></span> を特定のサウンドカード向けに構成するのがよいでしょう。
+ </div><div class="procedure"><ol class="1"><li class="step"><div class="para">
+ ターミナルを開きます。 GNOME では、<span class="guimenu"><strong>Applications</strong></span> → <span class="guisubmenu"><strong>System</strong></span> → <span class="guimenuitem"><strong>Terminal</strong></span> を選択します 。 KDE では、アプリケーションランチャーをクリックし、<span class="guimenu"><strong>System</strong></span> → <span class="guimenuitem"><strong>Konsole</strong></span> を選択します 。
+ </div></li><li class="step"><div class="para">
+ このコマンドを実行します： <code class="command">cat /proc/asound/cards</code>
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>cat</strong></span> プログラムは、あなたのコンピュータにあるサウンドカードのリストを出力します。それは、このように見えるでしょう：
+<pre class="programlisting">
+⏎
+0 [SB ]: HDA-Intel - HDA ATI SB⏎
+ HDA ATI SB at 0xf7ff4000 irq 16⏎
+1 [MobilePre ]: USB-Audio - MobilePre⏎
+ M Audio MobilePre at usb-0000:00:13.0-2⏎
+</pre>
+ この出力例では、サウンドカードの名前は、角かっこで囲まれます。 この出力例では、サウンドカードの名前は <code class="literal">SB</code> と <code class="literal">MobilePre</code> です。
+ </div></li><li class="step"><div class="para">
+ あなたが使いたいサウンドカードの名前を特定してください。 もし、あなたのサウンドカードが <span class="application"><strong>cat</strong></span> の出力リストにない場合は、あなたのコンピュータはそれを検出しなかったということです。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> を開始してください。
+ </div></li><li class="step"><div class="para">
+ <span class="guibutton"><strong>Setup</strong></span> をクリックして、"Setup"ウインドウを開いてください。
+ </div></li><li class="step"><div class="para">
+ 'Interface'テキストボックスで、あなたが使いたいサウンドカードの名前を "hw:"を先頭につけてタイプください。 上記のサウンドカードのリストであれば、次のように書くかもしれません <code class="literal">hw:MobilePre</code>。
+ </div></li><li class="step"><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> を終了して、設定を保存ください。<code class="systemitem">JACK</code> を使う場合、<span class="application"><strong>QjackCtl</strong></span> を再起動ください。
+ </div></li></ol></div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Sound_Servers-Phonon.html"><strong>戻る</strong>2.2.3. フォノン</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Using_QjackCtl.html"><strong>次へ</strong>2.3.2. QjackCtl を使う</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Using_Planet_CCRMA_Software.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Using_Planet_CCRMA_Software.html
new file mode 100644
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+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Using_Planet_CCRMA_Software.html
@@ -0,0 +1,39 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>4.3. Planet CCRMA at Home のソフトウエアを使う</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Planet_CCRMA_at_Home.html" title="第4章 Planet CCRMA at Home" /><link rel="prev" href="sect-Musicians_Guide-CCRMA_Best_Practices.html" title="4.2.3. 可能な "ベストプラクティス "ソリューション" /><link rel="next" href="sect-Musicians_Guide-CCRMA_Repository_Priorities.html" title="4.3.2. リポジトリの優先度を設定する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site"
/></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-CCRMA_Best_Practices.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-CCRMA_Repository_Priorities.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Using_Planet_CCRMA_Software"><div class="titlepage"><div><div keep-together.within-column="always"><h2 class="title" id="sect-Musicians_Guide-Using_Planet_CCRMA_Software">4.3. Planet CCRMA at Home のソフトウエアを使う</h2></div></div></div><div class="para">
+ Planet CCRMA at Home ソフトウエアは、スタンフォード大学のサーバにホスト ( 格納）されています。それは Fedora Linux のサーバとは別なので、<code class="command">yum</code> （ PackageKit と KPackageKit が使うコマンドラインユティリティ）はあなたがそれを使いたいということを知らせられなくてはいけません。リポジトリをインストールした後は Planet CCRMA at Home ソフトウエアは yum, PackageKit, あるいは KPackageKit により他のソフトウエアと同じように簡単にインストールすることができます。
+ </div><div class="section" id="sect-Musicians_Guide-CCRMA_Installing_Repository"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-CCRMA_Installing_Repository">4.3.1. Planet CCRMA at Home リポジトリをインストールする</h3></div></div></div><div class="procedure"><div class="para">
+ 以下の手順は、Planet CCRMA at Home リポジトリ、それは Fedora Linux ベースのコンピュータ専用です、をインストールします .
+ </div><ol class="1"><li class="step"><div class="para">
+ PackageKit あるいは KPackageKit でコンピュータをアップデートします .
+ </div></li><li class="step"><div class="para">
+ ターミナルウインドウで、以下のコマンドを実行ください。
+ </div><pre class="screen"><code class="command">su -c 'rpm -Uvh http://ccrma.stanford.edu/planetccrma/mirror/fedora/linux/\</code>⏎
+<code class="command">planetccrma/13/i386/planetccrma-repo-1.1-2.fc13.ccrma.noarch.rpm</code></pre><div class="para">
+ これはすべてのバージョンの Fedora、３２ビットでも、６４ビットでも、で動作します . コマンドはここでは表示のために分かれていますが、一行で書いてください。
+ </div></li><li class="step"><div class="para">
+ コンピュータを再びアップデート下さい。
+ </div></li><li class="step"><div class="para">
+ "yum"の外で RPM データベースが変更されたという警告が出るかもしれませんが、これは正常です。
+ </div></li><li class="step"><div class="para">
+ リポジトリの定義は自動的に更新されます。
+ </div></li><li class="step"><div class="para">
+ いくつかのパッケージは他のリポジトリ（ Planet CCRMA at Home のような）に加えて Fedora リポジトリでも入手可能です。もし Planet CCRMA at Home リポジトリがあなたがインストールした他のリポジトリより新しいバージョンを持っていたら、その時点で Planet CCRMA バージョンがインストールされます。
+ </div></li></ol></div><div class="para">
+ リポジトリのインストールには <code class="command">rpm</code> プログラムを直接使う必要があったのですが、他のすべての Planet CCRMA ソフトウエアは、他のアプリケーションと同じく、<code class="command">yum</code> を使ってインストールできます。以下が、そのときに使われるコマンドラインオプションの説明です：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <code class="literal">-U</code> は "upgrade アップグレード "を意味し、指定されたパッケージをインストールし、以前にインストールされたバージョンがあれば削除します .
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">-v</code> は "verbose 冗舌 "の意味で、余分の情報メッセージを表示します .
+ </div></li><li class="listitem"><div class="para">
+ <code class="literal">-h</code> は "hash ハッシュ "の意味で、インストールの進行を示すハッシュマーク（ <code class="literal">#</code> ）を表示します .
+ </div></li></ul></div>
+
+ </div></div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-CCRMA_Best_Practices.html"><strong>戻る</strong>4.2.3. 可能な "ベストプラクティス "ソリューション</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-CCRMA_Repository_Priorities.html"><strong>次へ</strong>4.3.2. リポジトリの優先度を設定する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Using_QjackCtl.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Using_QjackCtl.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>2.3.2. QjackCtl を使う</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-Using_JACK.html" title="2.3. JACK Audio Connection Kit を使う" /><link rel="prev" href="sect-Musicians_Guide-Using_JACK.html" title="2.3. JACK Audio Connection Kit を使う" /><link rel="next" href="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK.html" title="2.3.3. PulseAudio を JACK と統合する" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previou
s"><a accesskey="p" href="sect-Musicians_Guide-Using_JACK.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Using_QjackCtl"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Using_QjackCtl">2.3.2. <span class="application"><strong>QjackCtl</strong></span> を使う</h3></div></div></div><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> アプリケーションは、より多くの機能と構成オプションを提供しています。 パッチベイは、注目すべき機能であり、ユーザは "Connections"ウインドウの構成を保存し、後にそれを回復することができます。それは、複雑なルーティングと多重化がされた状況での面倒なセットアップ時間を回避することができます。
+ </div><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> についてのより多くの情報は、<a href="http://www.64studio.com/manual/audio/jack">http://www.64studio.com/manual/audio/jack</a> にある、<em class="citetitle">Jack Audio Connection Kit (64studio)</em> を参照ください。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Using_JACK.html"><strong>戻る</strong>2.3. JACK Audio Connection Kit を使う</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Integrating_PulseAudio_with_JACK.html"><strong>次へ</strong>2.3.3. PulseAudio を JACK と統合する</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Vocabulary-Bus.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Vocabulary-Bus.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.4.2. バス、マスターバス そしてサブマスターバス</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Vocabulary.html" title="1.4. その他のデジタルオーディオの概念" /><link rel="prev" href="chap-Musicians_Guide-Vocabulary.html" title="1.4. その他のデジタルオーディオの概念" /><link rel="next" href="sect-Musicians_Guide-Vocabulary-Level.html" title="1.4.3. レベル(ボリューム／ラウドネス）" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docna
v"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Vocabulary.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Vocabulary-Level.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Vocabulary-Bus"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Vocabulary-Bus">1.4.2. バス、マスターバス そしてサブマスターバス</h3></div></div></div><div class="para">
+ <em class="firstterm">オーディオバス</em>はオーディオ信号をあるところから他に送信します.多くの異なる信号が同時にバスに入力され、多くの異なるデバイスあるいはアプリケーションが同時にバスから読み出すことができます。バスに入力された信号は一緒に混ぜられ、バスに入った後は分離することができません。バスから読み出すすべてのデバイスあるいはアプリケーションは同じ信号を受信します.
+ </div><div class="figure" id="bus"><div class="figure-contents"><div class="mediaobject"><img src="./images/FMG-bus.png" alt="オーディオバスがどのように動作するか" /><div class="longdesc"><div class="para">
+ ３つの信号をまとめるオーディオバスの例。まとめられた出力は２つの別々のデバイスあるいはアプリケーションに送られます。
+ </div></div></div></div><h6>図1.2 オーディオバスがどのように動作するか</h6></div><br class="figure-break" /><div class="para">
+ プログラムから出力されたすべてのオーディオは、マスターバスを経由します.<em class="firstterm">マスターバス</em>はすべてのオーディオトラックをまとめて、最終レベルの調整を可能とし、マスタリングを容易とします。マスターバスの主な目的はすべてのトラックを２つのチャネルにミックスすることです。
+ </div><div class="para">
+ <em class="firstterm">サブマスターバス</em>はオーディオ信号がマスターバスに届く前に、それらをまとめます。サブマスターバスの使用はオプショナルです。それを使うと、すべてのトラックに影響を与えることなく、１つ以上のトラックを同じ方法で調整することができます。
+ </div><div class="figure" id="master_and_sub-master_busses"><div class="figure-contents"><div class="mediaobject"><img src="./images/FMG-master_sub_bus.png" alt="マスターバスとサブマスターバスの関係" /><div class="longdesc"><div class="para">
+ ２つのサブマスターバスの例。それぞれ、２つの異なる信号をまとめて、マスターバスに送っています。マスターバスは２つの信号を１つにし、それがすべての４つのオリジナルの信号を含みます。
+ </div></div></div></div><h6>図1.3 マスターバスとサブマスターバスの関係</h6></div><br class="figure-break" /><div class="para">
+ オーディオバスはオーディオをエフェクトプロセッサーに送るためにも使われます。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="chap-Musicians_Guide-Vocabulary.html"><strong>戻る</strong>1.4. その他のデジタルオーディオの概念</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Vocabulary-Level.html"><strong>次へ</strong>1.4.3. レベル(ボリューム／ラウドネス）</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Vocabulary-Level.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Vocabulary-Level.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.4.3. レベル(ボリューム／ラウドネス）</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Vocabulary.html" title="1.4. その他のデジタルオーディオの概念" /><link rel="prev" href="sect-Musicians_Guide-Vocabulary-Bus.html" title="1.4.2. バス、マスターバス そしてサブマスターバス" /><link rel="next" href="sect-Musicians_Guide-Vocabulary-Panning_and_Balance.html" title="1.4.4. パニングとバランス" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p>
<ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Vocabulary-Bus.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Vocabulary-Panning_and_Balance.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Vocabulary-Level"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Vocabulary-Level">1.4.3. レベル(ボリューム／ラウドネス）</h3></div></div></div><div class="para">
+ 音の知覚される<em class="firstterm">ボリューム</em>あるいは<em class="firstterm">ラウドネス</em>は複雑な現象で、専門家によっても完全に理解されているものではありません。ラウドネスを判定する１つの広く合意されている方法は、音圧レベル（sound pressure level, SPL）を測定する事です。それはデシベル(dB) あるいはベル(B, １０デシベルに等しい)で表されます。オーディオを作成する人々の間で、これはレベルと呼ばれます。オーディオ信号の<em class="firstterm">レベル</em>は、信号の知覚されるラウドネスを測定する１つの方法です。レベルはオーディオファイルに記録されている情報の一部です。
+ </div><div class="para">
+ オーディオ信号のレベルを測定して調整するには多くの異なる方法があり、広く合意されている手段はありません。この状況の１つの理由は、オーディオ録音の技術的制限です。ほとんどのレベルメーターは目盛りの上で -6 dB が平均で、0 dB が最大であるように設計されています。この慣習はアナログオーディオのために開発されました。私たちは外部のメーターと以下のリンクで記述される "K-system" を使うことをお勧めします。レベル測定のための K-system は、デジタルオーディオのために開発されました。
+ </div><div class="para">
+ ミュージシャンのガイドでは、この用語は、他のレベルや、知覚されるボリュームやラウドネスとの混乱を避けるために"ボリュームレベル"と呼びます。
+ </div><div class="para">
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ <a href="http://www.digido.com/level-practices-part-2-includes-the-k-system.html">http://www.digido.com/level-practices-part-2-includes-the-k-system.html</a> の <em class="citetitle">Level Practices</em>。ここで記述されているタイプのメーターは、Planet CCRMA at Home の "jkmeter" パッケージとして入手可能です。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/K-system">http://en.wikipedia.org/wiki/K-system</a> の <em class="citetitle">K-system (Wikipedia)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Headroom_%28audio_signal_processing%29">http://en.wikipedia.org/wiki/Headroom_%28audio_signal_processing%29</a> の <em class="citetitle">Headroom (Wikipedai)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Equal-loudness_contour">http://en.wikipedia.org/wiki/Equal-loudness_contour</a> の <em class="citetitle">Equal-Loudness Contour (Wikipedia)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Sound_level_meter">http://en.wikipedia.org/wiki/Sound_level_meter</a> の <em class="citetitle">Sound Level Meter (Wikipedia)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Listener_fatigue">http://en.wikipedia.org/wiki/Listener_fatigue</a> の <em class="citetitle">Listener Fatigue (Wikipedia)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Dynamic_range_compression">http://en.wikipedia.org/wiki/Dynamic_range_compression</a> の <em class="citetitle">Dynamic Range Compression (Wikipedia)</em>。
+ </div></li><li class="listitem"><div class="para">
+ <a href="http://en.wikipedia.org/wiki/Alignment_level">http://en.wikipedia.org/wiki/Alignment_level</a> の <em class="citetitle">Alignment Level (Wikipedia)</em>。
+ </div></li></ul></div>
+
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Vocabulary-Bus.html"><strong>戻る</strong>1.4.2. バス、マスターバス そしてサブマスターバス</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Vocabulary-Panning_and_Balance.html"><strong>次へ</strong>1.4.4. パニングとバランス</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Vocabulary-Panning_and_Balance.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Vocabulary-Panning_and_Balance.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.4.4. パニングとバランス</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="chap-Musicians_Guide-Vocabulary.html" title="1.4. その他のデジタルオーディオの概念" /><link rel="prev" href="sect-Musicians_Guide-Vocabulary-Level.html" title="1.4.3. レベル(ボリューム／ラウドネス）" /><link rel="next" href="sect-Musicians_Guide-Vocabulary-Time.html" title="1.4.5. タイム、タイムライン、そしてタイムシフティング" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedoraproject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site
" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Vocabulary-Level.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Vocabulary-Time.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Vocabulary-Panning_and_Balance"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Vocabulary-Panning_and_Balance">1.4.4. パニングとバランス</h3></div></div></div><div class="para">
+ <em class="firstterm">パニング</em>とは、別々の出力チャネルに送られるチャネルの信号の割合を調整することです。ステレオ設定（２チャネル）では、２つのチャネルは"左"と"右"のスピーカーをあらわします。DAW において、録音されたオーディオの２つのチャネルがあり、デフォルト設定では"左"に録音されたチャネルはすべて"左"の出力チャネルに送られ、"右"に録音されたチャネルはすべて"右"の出力チャネルに送られます。パニングは、左に録音されたチャネルのレベルのいくらかを右の出力チャネルに送り、右に録音されたチャネルのレベルのいくらかを左の出力チャネルに送ります。それぞれの録音チャネルは合計で一定の出力レベルを持ち、それが２つの出力チャネルの間で分けられます。
+ </div><div class="figure" id="panning"><div class="figure-contents"><div class="mediaobject"><img src="./images/panning.png" alt="パニング" /><div class="longdesc"><div class="para">
+ 左と右の録音チャネルが左の出力チャネルに送られているところ；左の録音チャネルが左の出力チャネルに送られ、右の録音チャネルが右の出力チャネルに送られるところ、そして、左と右の録音チャネルが右の出力チャネルに送られているところ
+ </div></div></div></div><h6>図1.4 パニング</h6></div><br class="figure-break" /><div class="para">
+ 左の録音チャネルのデフォルト設定は、"全左"パニング、つまり出力レベルの１００％が左の出力チャネルに行くというものです。オーディオ技術者はこれを調整して、録音チャネルのレベルの８０％が左の出力チャネルに行き、レベルの２０％が右の出力チャネルに行くようにするかもしれません。オーディオ技術者は、パンナーを"センター"にすることで、左の録音チャネルがリスナーのまん前にいるかのようにすることもできます。つまり、出力レベルの５０％が左と右の出力チャネルの両方に行くわけです。
+ </div><div class="para">
+ ãƒãƒ©ãƒ³ã‚¹ã¯ã¨ãã«ã‚ˆã‚Šãƒ‘ニングã¨æ··åŒã•ã‚Œã€ãã‚Œã¯å¸‚販ã®ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªæ©Ÿå™¨ã«ãŠã„ã¦ã‚‚ã¿ã‹ã‘られã¾ã™ã€‚<em class="firstterm">ãƒãƒ©ãƒ³ã‚¹</em>を調整ã™ã‚‹ã“ã¨ã¯å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルを変ãˆã¾ã™ãŒã€éŒ²éŸ³ã•ã‚ŒãŸä¿¡å·ã‚’移動ã™ã‚‹ã“ã¨ã¯ã‚ã‚Šã¾ã›ã‚“。ãƒãƒ©ãƒ³ã‚¹ã®ãƒ‡ãƒ•ã‚©ãƒ«ãƒˆè¨å®šã¯"センター"ã§ã€ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルã®å¤‰åŒ–ã¯ï¼ï¼…ã¨ã„ã†ã“ã¨ã§ã™ã€‚ダイアルを"センター"ã‹ã‚‰"全左"è¨å®šã«ã™ã‚‹ã«ã¤ã‚Œã€å³ã®å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルã¯å°ã•ããªã‚Šã€å·¦ã®å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルã¯å¤‰ã‚ã‚Šã¾ã›ã‚“。ダイアルを"センター"ã‹ã‚‰"å…¨å³"è¨å®šã«ã™ã‚‹ã«ã¤ã‚Œã€å·¦ã®å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルã¯å°ã•ããªã‚Šã€å³ã®å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã®ãƒœãƒªãƒ¥ãƒ¼ãƒ レベルã¯å¤‰ã‚ã‚Šã¾ã›ã‚“。ダイアルを"ï¼’ï¼ï¼… å·¦"ã«ã™ã‚‹ã¨ã€ã‚ªãƒ¼ãƒ‡ã‚£ã‚ªè£…ç½®ã¯å³ã®å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã®ã
ƒœãƒªãƒ¥ãƒ¼ãƒ レベルを２ï¼ï¼…下ã’ã€å·¦ã®å‡ºåŠ›ãƒãƒ£ãƒãƒ«ã®çŸ¥è¦šã•ã‚Œã‚‹ãƒ©ã‚¦ãƒ‰ãƒã‚¹ã‚’ç´„ï¼’ï¼ï¼…上ã’ã‚‹ã®ã§ã™ã€‚
+ </div><div class="figure" id="balance"><div class="figure-contents"><div class="mediaobject"><img src="./images/balance.png" alt="バランス" /><div class="longdesc"><div class="para">
+ 右の出力チャネルは消音されている（バランスは全左）、左と右のチャネルは同じボリューム（バランスはセンター）、左の出力チャネルは消音されている（バランスは全右）
+ </div></div></div></div><h6>図1.5 バランス</h6></div><br class="figure-break" /><div class="para">
+ ２つのスピーカーが同じくらいの音の大きさになるように、バランスを調整するとよいです。バランスにより、２つのスピーカーが、リスナから等距離でないような、悪いリスニング環境を補正することできます。もし右より左のスピーカーの方が、あなたの近くにあるなら、バランスを右にして、左のスピーカーのボリュームレベルを下げればよいです。これは理想的な解決策ではありませんが、ときには、スピーカーを正しく置くのが不可能、あるいは現実的でないこともあるでしょう。バランスを調整するのは、最後の再生のときだけにしてください。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Vocabulary-Level.html"><strong>戻る</strong>1.4.3. レベル(ボリューム／ラウドネス）</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Vocabulary-Time.html"><strong>次へ</strong>1.4.5. タイム、タイムライン、そしてタイムシフティング</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing.html
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+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.4.7. ルーティングと多重化</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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skey="p" href="sect-Musicians_Guide-Vocabulary-Synchronization.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Multichannel_Audio.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing">1.4.7. ルーティングと多重化</h3></div></div></div><div class="para">
+ <em class="firstterm">ルーティング</em>は、オーディオ信号を１つのところから他に転送します。アプリケーションの間、アプリケーションの部分の間、そして、デバイスの間です。Linux システムでは、<code class="systemitem">JACK Audio Connection Kit</code> がオーディオルーティングのために使われます。<code class="systemitem">JACK</code> 対応のアプリケーション（そして、設定により、<code class="systemitem">PulseAudio</code> 対応のものも）は、自分の設定により、入力と出力を <code class="systemitem">JACK</code> サーバに提供します。<span class="application"><strong>QjackCtl</strong></span> アプリケーションはデフォルトの接続を調整することができます。あなたは <span class="application"><strong>QjackCtl</strong></span> を使って、FluidSynth のようなプログラムの出力を、例えば、<span class
="application"><strong>Ardour</strong></span> で録音されるように、ルーティングすることができます。
+ </div><div class="figure" id="routing"><div class="figure-contents"><div class="mediaobject"><img src="./images/routing_and_multiplexing.png" width="444" alt="ルーティングと多重化" /><div class="longdesc"><div class="para">
+ <span class="application"><strong>QjackCtl</strong></span> インターフェースの <span class="guilabel"><strong>Connections</strong></span> ウインドウでのルーティングと多重化の図
+ </div></div><div class="caption"><div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ マスターバスの入力は多くのソースからの多重化されたオーディオを受け付けます。
+ </div></li><li class="listitem"><div class="para">
+ システム再生入力にルーティングされたマスターバスの出力
+ </div></li></ul></div></div></div></div><h6>図1.6 ルーティングと多重化</h6></div><br class="figure-break" /><div class="para">
+ <em class="firstterm">多重化</em>により、複数のデバイスとアプリケーションを１つの入力あるいは出力に接続することができます。<span class="application"><strong>QjackCtl</strong></span> により、簡単に多重化ができます。これは、重要とは思えないかもしれませんが、オーディオインターフェースのような物理デバイスには、ただ１つの接続しかできないことを覚えておいて下さい。コンピュータが音楽製作に使われる前は、多重化は信号を分離あるいは結合する物理デバイスを必要としました。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Vocabulary-Synchronization.html"><strong>戻る</strong>1.4.6. 同期</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Multichannel_Audio.html"><strong>次へ</strong>1.4.8. マルチチャネルオーディオ</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Vocabulary-Synchronization.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_Guide-Vocabulary-Synchronization.html
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.4.6. 同期</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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ite" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Vocabulary-Time.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Vocabulary-Synchronization"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Vocabulary-Synchronization">1.4.6. 同期</h3></div></div></div><div class="para">
+ <em class="firstterm">同期</em>は、複数のツール、多くの場合トランスポートの移動、の動作を調整するものです。さらに、同期は、アプリケーションとデバイスの間のオートメーションを制御します。MIDI 信号が、通常は同期のために使われます。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Vocabulary-Time.html"><strong>戻る</strong>1.4.5. タイム、タイムライン、そしてタイムシフティング</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Vocabulary-Routing_and_Multiplexing.html"><strong>次へ</strong>1.4.7. ルーティングと多重化</a></li></ul></body></html>
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+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
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+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>1.4.5. タイム、タイムライン、そしてタイムシフティング</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
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cesskey="p" href="sect-Musicians_Guide-Vocabulary-Panning_and_Balance.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Vocabulary-Synchronization.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_Guide-Vocabulary-Time"><div class="titlepage"><div><div keep-together.within-column="always"><h3 class="title" id="sect-Musicians_Guide-Vocabulary-Time">1.4.5. タイム、タイムライン、そしてタイムシフティング</h3></div></div></div><div class="para">
+ 音楽の時間を測るにはいくつもの方法があります。デジタルオーディオのための時間の単位の最も一般的な四つは：
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ Bars and Beats、小節と拍:普通、MIDI 作品で使われ、"BBT,"つまり"Bars, Beats, and Ticks"と呼ばれます。チックは、部分的な拍です。
+ </div></li><li class="listitem"><div class="para">
+ 分と秒：普通、オーディオ作品で使われます。
+ </div></li><li class="listitem"><div class="para">
+ SMPTE タイムコード: オーディオとビデオの高精度の同期のために発明されましたが、オーディオだけの時にも使うことができます。
+ </div></li><li class="listitem"><div class="para">
+ サンプル：使用されるオーディオファイルの形式に直接関連しており、サンプルは、オーディオファイルにおける最小の時間の長さです。詳しくは、<a class="xref" href="sect-Musicians_Guide-Sample_Rate_and_Sample_Format.html">「サンプル、サンプルレート、サンプルフォーマット、およびビットレート」</a>を参照下さい。
+ </div></li></ul></div>
+
+ </div><div class="para">
+ ほとんどのオーディオソフトウエア、特にデジタルオーディオワークステーション（DAW）は、ユーザが、どの時間単位を使うか、選ぶことができます。DAW はセッションにおける時間の進行を<em class="firstterm">タイムライン</em>を使って表し、あなたが<em class="firstterm">タイムシフティング</em>、つまり、リージョンがタイムラインの中で再生を開始する時間を調整することを可能とします。
+ </div><div class="para">
+ 時間は水平に表され、最も左の点が、セッションの開始（測定の単位にかかわらず、ゼロ）で、最も右の点がセッションの終わりから少しすぎたところです。
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-Vocabulary-Panning_and_Balance.html"><strong>戻る</strong>1.4.4. パニングとバランス</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-Vocabulary-Synchronization.html"><strong>次へ</strong>1.4.6. 同期</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_GuideSC-Basic_Programming-Busses-Control_Rate_Example-Why_Use_a_Bus.html b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_GuideSC-Basic_Programming-Busses-Control_Rate_Example-Why_Use_a_Bus.html
new file mode 100644
index 0000000..0eb33e6
--- /dev/null
+++ b/public_html/ja-JP/Fedora/16/html/Musicians_Guide/sect-Musicians_GuideSC-Basic_Programming-Busses-Control_Rate_Example-Why_Use_a_Bus.html
@@ -0,0 +1,26 @@
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /><title>11.3.11.4.2. Why Use a Bus</title><link rel="stylesheet" type="text/css" href="Common_Content/css/default.css" /><link rel="stylesheet" media="print" href="Common_Content/css/print.css" type="text/css" /><meta name="generator" content="publican 2.8" /><meta name="package" content="Fedora-Musicians_Guide-16-ja-JP-1.0-0" /><script type="text/javascript" src="../../../../../toc.js"></script><script type="text/javascript">
+ addID('Fedora');
+
+ addID('Fedora.16');
+
+ addID('Fedora.16.books');
+ addID('Fedora.16.Musicians_Guide');
+ </script><link rel="home" href="index.html" title="ミュージシャンのガイド" /><link rel="up" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example.html" title="11.3.11.4. Using Busses: Control-Rate Example" /><link rel="prev" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example.html" title="11.3.11.4. Using Busses: Control-Rate Example" /><link rel="next" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Special_Note.html" title="11.3.11.4.3. Special Note about Control-Rate Busses" /></head><body class="toc_embeded "><div id="tocdiv" class="toc"><iframe id="tocframe" class="toc" src="../../../../toc.html">This is an iframe, to view it upgrade your browser or enable iframe display.</iframe></div><p id="title"><a class="left" href="http://www.fedoraproject.org"><img src="Common_Content/images/image_left.png" alt="Product Site" /></a><a class="right" href="http://docs.fedorapr
oject.org"><img src="Common_Content/images/image_right.png" alt="Documentation Site" /></a></p><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example.html"><strong>戻る</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Special_Note.html"><strong>次へ</strong></a></li></ul><div class="section" id="sect-Musicians_GuideSC-Basic_Programming-Busses-Control_Rate_Example-Why_Use_a_Bus"><div class="titlepage"><div><div keep-together.within-column="always"><h5 class="title" id="sect-Musicians_GuideSC-Basic_Programming-Busses-Control_Rate_Example-Why_Use_a_Bus">11.3.11.4.2. Why Use a Bus</h5></div></div></div><div class="para">
+ The control-rate bus in this example might seem trivial and pointless to you, especially since the use of a UGen to control frequency has already been illustrated in other examples. For this particular program, a control-rate UGen would probably have been a better choice, but remember that this is just an example.
+ </div><div class="para">
+ Here are some advantages to using a control-rate Bus over a UGen:
+ <div class="itemizedlist"><ul><li class="listitem"><div class="para">
+ The signal can be changed without sending the <code class="literal">set</code> message to the audio-rate UGen, simply by changing the input to the bus.
+ </div></li><li class="listitem"><div class="para">
+ Input to the bus can be produced by any number of control-rate UGen's.
+ </div></li><li class="listitem"><div class="para">
+ The signal in the bus can be received by more than one UGen, as it is in this example. One thousand audio-rate UGen's powered by 25 control-rate UGen's is a much better solution than if each audio-rate UGen were powered by its own control-rate UGen.
+ </div></li><li class="listitem"><div class="para">
+ Busses can be accessed quickly and efficiently from any place in the program that has access to the variable holding the Bus. It's easier and safer (less error-prone) than making all of your UGen's equally accessible.
+ </div></li></ul></div>
+
+ </div><div class="para">
+ Some of these advantages could be seen as disadvantages. Whether you should use a Bus or a UGen depends on the particular application. The simpler solution is usually the better one, as long as you remember to avoid repetition!
+ </div></div><ul class="docnav"><li class="previous"><a accesskey="p" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Bus_Example.html"><strong>戻る</strong>11.3.11.4. Using Busses: Control-Rate Example</a></li><li class="up"><a accesskey="u" href="#"><strong>上に戻る</strong></a></li><li class="home"><a accesskey="h" href="index.html"><strong>ホーム</strong></a></li><li class="next"><a accesskey="n" href="sect-Musicians_Guide-SC-Basic_Programming-Busses-Control_Rate_Example-Special_Note.html"><strong>次へ</strong>11.3.11.4.3. Special Note about Control-Rate Buss...</a></li></ul></body></html>
diff --git a/public_html/ja-JP/Fedora/16/pdf/Musicians_Guide/Fedora-16-Musicians_Guide-ja-JP.pdf b/public_html/ja-JP/Fedora/16/pdf/Musicians_Guide/Fedora-16-Musicians_Guide-ja-JP.pdf
new file mode 100644
index 0000000..b6f9c5a
Binary files /dev/null and b/public_html/ja-JP/Fedora/16/pdf/Musicians_Guide/Fedora-16-Musicians_Guide-ja-JP.pdf differ
diff --git a/public_html/ja-JP/Site_Statistics.html b/public_html/ja-JP/Site_Statistics.html
index 5c96b0d..1905270 100644
--- a/public_html/ja-JP/Site_Statistics.html
+++ b/public_html/ja-JP/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>言語数の合計: </b>43<br />
- <b>パッケージ数の合計: </b>737
+ <b>パッケージ数の合計: </b>738
</div>
</body>
</html>
diff --git a/public_html/ja-JP/opds-Community_Services_Infrastructure.xml b/public_html/ja-JP/opds-Community_Services_Infrastructure.xml
index c8a368c..e89d5dd 100644
--- a/public_html/ja-JP/opds-Community_Services_Infrastructure.xml
+++ b/public_html/ja-JP/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ja-JP/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:57</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ja-JP/opds-Fedora.xml b/public_html/ja-JP/opds-Fedora.xml
index c3892de..d88ad4b 100644
--- a/public_html/ja-JP/opds-Fedora.xml
+++ b/public_html/ja-JP/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ja-JP/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:58</updated>
<!--author>
<name></name>
<uri></uri>
@@ -89,20 +89,20 @@
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
</entry>
<entry>
- <title>Musicians Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora/16/epub/Musicians_Guide/Fedora-16-Musicians_Guide-en-US.epub</id>
+ <title>ミュージシャンのガイド</title>
+ <id>http://docs.fedoraproject.org/ja-JP/Fedora/16/epub/Musicians_Guide/Fedora-16-Musicians_Guide-ja-JP.epub</id>
<!--author>
<name></name>
<uri></uri>
</author-->
- <updated>2011-11-25</updated>
+ <updated>2011-11-26</updated>
<dc:language>ja-JP</dc:language>
<category label="" scheme="http://lexcycle.com/stanza/header" term="free"/>
<!--dc:issued></dc:issued-->
- <summary>Audio creation and music software in Fedora Linux
+ <summary>Fedora 上でのオーディオ作成と音楽ソフトウエアへのガイド
</summary>
- <content type="text">is document explores some audio creation and music activities possible with Fedora Linux. Computer audio concepts are explained, and a selection of programs are demonstrated with tutorials that show their typical usage.</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora/16/epub/Musicians_Guide/Fedora-16-Musicians_Guide-en-US.epub">
+ <content type="text">このドキュメントでは、Fedora で可能な、いくつかのオーディオ作成と音楽の活動を探ります。コンピューターオーディオの概念を説明し、選ばれたいくつかのプログラムを、一般的な使用方法を示すチュートリアルとともに紹介します。</content>
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/ja-JP/Fedora/16/epub/Musicians_Guide/Fedora-16-Musicians_Guide-ja-JP.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/ja-JP/opds-Fedora_Contributor_Documentation.xml b/public_html/ja-JP/opds-Fedora_Contributor_Documentation.xml
index bd82136..d5024f3 100644
--- a/public_html/ja-JP/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/ja-JP/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ja-JP/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora コントリビュータ用ドキュメント</title>
<subtitle>Fedora コントリビュータ用ドキュメント</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:58</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/ja-JP/opds-Fedora_Core.xml b/public_html/ja-JP/opds-Fedora_Core.xml
index 8dadb13..fa698e8 100644
--- a/public_html/ja-JP/opds-Fedora_Core.xml
+++ b/public_html/ja-JP/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ja-JP/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:58</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ja-JP/opds-Fedora_Draft_Documentation.xml b/public_html/ja-JP/opds-Fedora_Draft_Documentation.xml
index cf9d6b3..040b067 100644
--- a/public_html/ja-JP/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/ja-JP/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ja-JP/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:58</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ja-JP/opds.xml b/public_html/ja-JP/opds.xml
index fe555b7..568efbc 100644
--- a/public_html/ja-JP/opds.xml
+++ b/public_html/ja-JP/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/ja-JP/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:59</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/ja-JP/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:57</updated>
<dc:language>ja-JP</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/ja-JP/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:58</updated>
<dc:language>ja-JP</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora コントリビュータ用ドキュメント</title>
<id>http://docs.fedoraproject.org/ja-JP/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:58</updated>
<dc:language>ja-JP</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/ja-JP/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:58</updated>
<dc:language>ja-JP</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/ja-JP/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:58</updated>
<dc:language>ja-JP</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/ja-JP/toc.html b/public_html/ja-JP/toc.html
index f1135fd..44295d4 100644
--- a/public_html/ja-JP/toc.html
+++ b/public_html/ja-JP/toc.html
@@ -9,14 +9,14 @@
</head>
<body class="tocnav" onload="hideNoJS();getCookie();checkCookie();checkMenu();">
<div id="closemenu" class="closemenu visible">
- <a href="#" title="Hide Menu" onclick="hideMenu();" ><img src="../images/close.png"/></a>
+ <a href="#" title="メニューを隠す" onclick="hideMenu();" ><img src="../images/close.png"/></a>
</div>
<div id="openmenu" class="openmenu hidden">
- <a href="#" title="Show Menu" onclick="showMenu();"><img src="../images/open.png"/></a>
+ <a href="#" title="メニューの表示" onclick="showMenu();"><img src="../images/open.png"/></a>
</div>
<div id="outer" class="outer visible">
<h1>
- <a style="background-image:url(images/web_logo.png)" href="index.html" onclick="window.top.location='index.html'" ><span>Welcome</span></a>
+ <a style="background-image:url(images/web_logo.png)" href="index.html" onclick="window.top.location='index.html'" ><span>ようこそ</span></a>
</h1>
<div class="tocnavwrap">
<p/>
@@ -126,6 +126,15 @@
<a class="type" href="./Fedora/16/pdf/Installation_Guide/Fedora-16-Installation_Guide-ja-JP.pdf" onclick="window.top.location='./Fedora/16/pdf/Installation_Guide/Fedora-16-Installation_Guide-ja-JP.pdf';return false;">pdf</a>
</div>
</div>
+ <div id='Fedora.16.Musicians_Guide' class="book collapsed">
+ <a class="type" href="Fedora/16/html/Musicians_Guide/index.html" onclick="window.top.location='./Fedora/16/html/Musicians_Guide/index.html'"><span class="book">ミュージシャンのガイド</span></a>
+ <div id='Fedora.16.Musicians_Guide.types' class="types" onclick="work=0;">
+ <a class="type" href="./Fedora/16/epub/Musicians_Guide/Fedora-16-Musicians_Guide-ja-JP.epub" >epub</a>
+ <a class="type" href="./Fedora/16/html/Musicians_Guide/index.html" onclick="window.top.location='./Fedora/16/html/Musicians_Guide/index.html';return false;">html</a>
+ <a class="type" href="./Fedora/16/html-single/Musicians_Guide/index.html" onclick="window.top.location='./Fedora/16/html-single/Musicians_Guide/index.html';return false;">html-single</a>
+ <a class="type" href="./Fedora/16/pdf/Musicians_Guide/Fedora-16-Musicians_Guide-ja-JP.pdf" onclick="window.top.location='./Fedora/16/pdf/Musicians_Guide/Fedora-16-Musicians_Guide-ja-JP.pdf';return false;">pdf</a>
+ </div>
+ </div>
<div id='Fedora.16.Release_Notes' class="book collapsed">
<a class="type" href="Fedora/16/html/Release_Notes/index.html" onclick="window.top.location='./Fedora/16/html/Release_Notes/index.html'"><span class="book">リリースノート</span></a>
<div id='Fedora.16.Release_Notes.types' class="types" onclick="work=0;">
@@ -156,15 +165,6 @@
<a class="type" href="../en-US/./Fedora/16/pdf/Accessibility_Guide/Fedora-16-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/16/pdf/Accessibility_Guide/Fedora-16-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
- <div id='Fedora.16.Musicians_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.16.Musicians_Guide.types');">
- <a class="type" href="../en-US/Fedora/16/html/Musicians_Guide/index.html" onclick="window.top.location='../en-US/Fedora/16/html/Musicians_Guide/index.html'"><span class="book">Musicians Guide</span></a>
- <div id='Fedora.16.Musicians_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora/16/epub/Musicians_Guide/Fedora-16-Musicians_Guide-en-US.epub" >epub</a>
- <a class="type" href="../en-US/./Fedora/16/html/Musicians_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/16/html/Musicians_Guide/index.html';return false;">html</a>
- <a class="type" href="../en-US/./Fedora/16/html-single/Musicians_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/16/html-single/Musicians_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/16/pdf/Musicians_Guide/Fedora-16-Musicians_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/16/pdf/Musicians_Guide/Fedora-16-Musicians_Guide-en-US.pdf';return false;">pdf</a>
- </div>
- </div>
<div id='Fedora.16.System_Administrators_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.16.System_Administrators_Guide.types');">
<a class="type" href="../en-US/Fedora/16/html/System_Administrators_Guide/index.html" onclick="window.top.location='../en-US/Fedora/16/html/System_Administrators_Guide/index.html'"><span class="book">System Administrators Guide</span></a>
<div id='Fedora.16.System_Administrators_Guide.types' class="types hidden" onclick="work=0;">
@@ -187,7 +187,7 @@
<a class="type" href="./Fedora/15/epub/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-ja-JP.epub" >epub</a>
<a class="type" href="./Fedora/15/html/Burning_ISO_images_to_disc/index.html" onclick="window.top.location='./Fedora/15/html/Burning_ISO_images_to_disc/index.html';return false;">html</a>
<a class="type" href="./Fedora/15/html-single/Burning_ISO_images_to_disc/index.html" onclick="window.top.location='./Fedora/15/html-single/Burning_ISO_images_to_disc/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-ja-JP.pdf" onclick="window.top.location='./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-ja-JP.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-ja-JP.pdf" onclick="window.top.location='./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-ja-JP.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.15.Deployment_Guide' class="book collapsed">
@@ -423,7 +423,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed" onclick="toggle(event, 'Fedora.13.Burning_ISO_images_to_disc.types');">
@@ -731,7 +731,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -878,7 +878,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.SELinux_FAQ' class="book collapsed" onclick="toggle(event, 'Fedora.8.SELinux_FAQ.types');">
@@ -943,7 +943,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -971,10 +971,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Users_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Users_Guide.types');">
diff --git a/public_html/kn-IN/Site_Statistics.html b/public_html/kn-IN/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/kn-IN/Site_Statistics.html
+++ b/public_html/kn-IN/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/kn-IN/opds-Community_Services_Infrastructure.xml b/public_html/kn-IN/opds-Community_Services_Infrastructure.xml
index ae0b158..a13a929 100644
--- a/public_html/kn-IN/opds-Community_Services_Infrastructure.xml
+++ b/public_html/kn-IN/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/kn-IN/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:59</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/kn-IN/opds-Fedora.xml b/public_html/kn-IN/opds-Fedora.xml
index a8c9531..6f4cfeb 100644
--- a/public_html/kn-IN/opds-Fedora.xml
+++ b/public_html/kn-IN/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/kn-IN/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:59</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/kn-IN/opds-Fedora_Contributor_Documentation.xml b/public_html/kn-IN/opds-Fedora_Contributor_Documentation.xml
index c01e69b..76564f3 100644
--- a/public_html/kn-IN/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/kn-IN/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/kn-IN/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:59</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
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diff --git a/public_html/kn-IN/opds-Fedora_Core.xml b/public_html/kn-IN/opds-Fedora_Core.xml
index 19d20de..dae4040 100644
--- a/public_html/kn-IN/opds-Fedora_Core.xml
+++ b/public_html/kn-IN/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/kn-IN/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:59</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/kn-IN/opds-Fedora_Draft_Documentation.xml b/public_html/kn-IN/opds-Fedora_Draft_Documentation.xml
index 2e18630..cfcc578 100644
--- a/public_html/kn-IN/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/kn-IN/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/kn-IN/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:59</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/kn-IN/opds.xml b/public_html/kn-IN/opds.xml
index 2a4edbc..4aa3024 100644
--- a/public_html/kn-IN/opds.xml
+++ b/public_html/kn-IN/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/kn-IN/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:59</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/kn-IN/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:59</updated>
<dc:language>kn-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/kn-IN/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:59</updated>
<dc:language>kn-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/kn-IN/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:59</updated>
<dc:language>kn-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/kn-IN/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:59</updated>
<dc:language>kn-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/kn-IN/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:59</updated>
<dc:language>kn-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/kn-IN/toc.html b/public_html/kn-IN/toc.html
index 500eb51..4d8bbfb 100644
--- a/public_html/kn-IN/toc.html
+++ b/public_html/kn-IN/toc.html
@@ -415,7 +415,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed" onclick="toggle(event, 'Fedora.13.Burning_ISO_images_to_disc.types');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -861,7 +861,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.8.Making_Fedora_Discs.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -963,10 +963,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/ko-KR/Site_Statistics.html b/public_html/ko-KR/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/ko-KR/Site_Statistics.html
+++ b/public_html/ko-KR/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/ko-KR/opds-Community_Services_Infrastructure.xml b/public_html/ko-KR/opds-Community_Services_Infrastructure.xml
index 63af849..b6a2801 100644
--- a/public_html/ko-KR/opds-Community_Services_Infrastructure.xml
+++ b/public_html/ko-KR/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ko-KR/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:59</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ko-KR/opds-Fedora.xml b/public_html/ko-KR/opds-Fedora.xml
index e836ad9..055235c 100644
--- a/public_html/ko-KR/opds-Fedora.xml
+++ b/public_html/ko-KR/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ko-KR/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:00</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ko-KR/opds-Fedora_Contributor_Documentation.xml b/public_html/ko-KR/opds-Fedora_Contributor_Documentation.xml
index a2b5962..ab5f45c 100644
--- a/public_html/ko-KR/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/ko-KR/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ko-KR/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:00</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/ko-KR/opds-Fedora_Core.xml b/public_html/ko-KR/opds-Fedora_Core.xml
index 368ebad..c19f4c9 100644
--- a/public_html/ko-KR/opds-Fedora_Core.xml
+++ b/public_html/ko-KR/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ko-KR/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:00</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ko-KR/opds-Fedora_Draft_Documentation.xml b/public_html/ko-KR/opds-Fedora_Draft_Documentation.xml
index 48e3c6f..9922375 100644
--- a/public_html/ko-KR/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/ko-KR/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ko-KR/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:00</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ko-KR/opds.xml b/public_html/ko-KR/opds.xml
index 1403edb..3e78942 100644
--- a/public_html/ko-KR/opds.xml
+++ b/public_html/ko-KR/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/ko-KR/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:00</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/ko-KR/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:59</updated>
<dc:language>ko-KR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/ko-KR/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:00</updated>
<dc:language>ko-KR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/ko-KR/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:00</updated>
<dc:language>ko-KR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/ko-KR/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:00</updated>
<dc:language>ko-KR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/ko-KR/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:00</updated>
<dc:language>ko-KR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/ko-KR/toc.html b/public_html/ko-KR/toc.html
index 4a746aa..9efbad7 100644
--- a/public_html/ko-KR/toc.html
+++ b/public_html/ko-KR/toc.html
@@ -415,7 +415,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed" onclick="toggle(event, 'Fedora.13.Burning_ISO_images_to_disc.types');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -861,7 +861,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.8.Making_Fedora_Discs.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -963,10 +963,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/ml-IN/Site_Statistics.html b/public_html/ml-IN/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/ml-IN/Site_Statistics.html
+++ b/public_html/ml-IN/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/ml-IN/opds-Community_Services_Infrastructure.xml b/public_html/ml-IN/opds-Community_Services_Infrastructure.xml
index 5e24f80..d0ceb78 100644
--- a/public_html/ml-IN/opds-Community_Services_Infrastructure.xml
+++ b/public_html/ml-IN/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ml-IN/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:00</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ml-IN/opds-Fedora.xml b/public_html/ml-IN/opds-Fedora.xml
index 3753615..984a896 100644
--- a/public_html/ml-IN/opds-Fedora.xml
+++ b/public_html/ml-IN/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ml-IN/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:00</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ml-IN/opds-Fedora_Contributor_Documentation.xml b/public_html/ml-IN/opds-Fedora_Contributor_Documentation.xml
index 3b6573b..7f6260a 100644
--- a/public_html/ml-IN/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/ml-IN/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ml-IN/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:00</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/ml-IN/opds-Fedora_Core.xml b/public_html/ml-IN/opds-Fedora_Core.xml
index fe95eca..db0b8cf 100644
--- a/public_html/ml-IN/opds-Fedora_Core.xml
+++ b/public_html/ml-IN/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ml-IN/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:00</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ml-IN/opds-Fedora_Draft_Documentation.xml b/public_html/ml-IN/opds-Fedora_Draft_Documentation.xml
index b46edb9..b26570a 100644
--- a/public_html/ml-IN/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/ml-IN/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ml-IN/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:00</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ml-IN/opds.xml b/public_html/ml-IN/opds.xml
index 99c7fc5..ba0f3ea 100644
--- a/public_html/ml-IN/opds.xml
+++ b/public_html/ml-IN/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/ml-IN/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:00</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/ml-IN/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:00</updated>
<dc:language>ml-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/ml-IN/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:00</updated>
<dc:language>ml-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/ml-IN/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:00</updated>
<dc:language>ml-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/ml-IN/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:00</updated>
<dc:language>ml-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/ml-IN/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:00</updated>
<dc:language>ml-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/ml-IN/toc.html b/public_html/ml-IN/toc.html
index 4a4273c..185bbd2 100644
--- a/public_html/ml-IN/toc.html
+++ b/public_html/ml-IN/toc.html
@@ -415,7 +415,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed" onclick="toggle(event, 'Fedora.13.Burning_ISO_images_to_disc.types');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -861,7 +861,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.8.Making_Fedora_Discs.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -963,10 +963,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/mr-IN/Site_Statistics.html b/public_html/mr-IN/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/mr-IN/Site_Statistics.html
+++ b/public_html/mr-IN/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/mr-IN/opds-Community_Services_Infrastructure.xml b/public_html/mr-IN/opds-Community_Services_Infrastructure.xml
index e048d65..9f9bd2a 100644
--- a/public_html/mr-IN/opds-Community_Services_Infrastructure.xml
+++ b/public_html/mr-IN/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/mr-IN/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:00</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/mr-IN/opds-Fedora.xml b/public_html/mr-IN/opds-Fedora.xml
index 8b1d8d5..d411b56 100644
--- a/public_html/mr-IN/opds-Fedora.xml
+++ b/public_html/mr-IN/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/mr-IN/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:01</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/mr-IN/opds-Fedora_Contributor_Documentation.xml b/public_html/mr-IN/opds-Fedora_Contributor_Documentation.xml
index 512a714..2ef43b6 100644
--- a/public_html/mr-IN/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/mr-IN/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/mr-IN/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:01</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/mr-IN/opds-Fedora_Core.xml b/public_html/mr-IN/opds-Fedora_Core.xml
index 8c38c7c..d181256 100644
--- a/public_html/mr-IN/opds-Fedora_Core.xml
+++ b/public_html/mr-IN/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/mr-IN/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:01</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/mr-IN/opds-Fedora_Draft_Documentation.xml b/public_html/mr-IN/opds-Fedora_Draft_Documentation.xml
index 7cba58c..cbe95d1 100644
--- a/public_html/mr-IN/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/mr-IN/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/mr-IN/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:01</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/mr-IN/opds.xml b/public_html/mr-IN/opds.xml
index 25fca45..4bb1dea 100644
--- a/public_html/mr-IN/opds.xml
+++ b/public_html/mr-IN/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/mr-IN/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:01</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/mr-IN/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:00</updated>
<dc:language>mr-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/mr-IN/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:01</updated>
<dc:language>mr-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/mr-IN/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:01</updated>
<dc:language>mr-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/mr-IN/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:01</updated>
<dc:language>mr-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/mr-IN/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:01</updated>
<dc:language>mr-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/mr-IN/toc.html b/public_html/mr-IN/toc.html
index dbd4752..9e380d1 100644
--- a/public_html/mr-IN/toc.html
+++ b/public_html/mr-IN/toc.html
@@ -415,7 +415,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed" onclick="toggle(event, 'Fedora.13.Burning_ISO_images_to_disc.types');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -861,7 +861,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.8.Making_Fedora_Discs.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -963,10 +963,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/nb-NO/Site_Statistics.html b/public_html/nb-NO/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/nb-NO/Site_Statistics.html
+++ b/public_html/nb-NO/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/nb-NO/opds-Community_Services_Infrastructure.xml b/public_html/nb-NO/opds-Community_Services_Infrastructure.xml
index b7172db..c639b81 100644
--- a/public_html/nb-NO/opds-Community_Services_Infrastructure.xml
+++ b/public_html/nb-NO/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/nb-NO/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:01</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/nb-NO/opds-Fedora.xml b/public_html/nb-NO/opds-Fedora.xml
index 14e00f9..5b71733 100644
--- a/public_html/nb-NO/opds-Fedora.xml
+++ b/public_html/nb-NO/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/nb-NO/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:01</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/nb-NO/opds-Fedora_Contributor_Documentation.xml b/public_html/nb-NO/opds-Fedora_Contributor_Documentation.xml
index ee0ae3c..724853e 100644
--- a/public_html/nb-NO/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/nb-NO/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/nb-NO/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:01</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/nb-NO/opds-Fedora_Core.xml b/public_html/nb-NO/opds-Fedora_Core.xml
index 4f07a10..ad50f55 100644
--- a/public_html/nb-NO/opds-Fedora_Core.xml
+++ b/public_html/nb-NO/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/nb-NO/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:01</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/nb-NO/opds-Fedora_Draft_Documentation.xml b/public_html/nb-NO/opds-Fedora_Draft_Documentation.xml
index cfcbb00..fd25bb1 100644
--- a/public_html/nb-NO/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/nb-NO/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/nb-NO/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:01</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/nb-NO/opds.xml b/public_html/nb-NO/opds.xml
index 8a9a70a..ab8b2e0 100644
--- a/public_html/nb-NO/opds.xml
+++ b/public_html/nb-NO/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/nb-NO/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:02</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/nb-NO/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:01</updated>
<dc:language>nb-NO</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/nb-NO/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:01</updated>
<dc:language>nb-NO</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/nb-NO/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:01</updated>
<dc:language>nb-NO</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/nb-NO/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:01</updated>
<dc:language>nb-NO</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/nb-NO/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:01</updated>
<dc:language>nb-NO</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/nb-NO/toc.html b/public_html/nb-NO/toc.html
index faabed0..35b10d4 100644
--- a/public_html/nb-NO/toc.html
+++ b/public_html/nb-NO/toc.html
@@ -415,7 +415,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed" onclick="toggle(event, 'Fedora.13.Burning_ISO_images_to_disc.types');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -870,7 +870,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Release_Notes' class="book collapsed" onclick="toggle(event, 'Fedora.8.Release_Notes.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -963,10 +963,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/nl-NL/Site_Statistics.html b/public_html/nl-NL/Site_Statistics.html
index be959fd..0bec321 100644
--- a/public_html/nl-NL/Site_Statistics.html
+++ b/public_html/nl-NL/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Totaal talen: </b>43<br />
- <b>Totaal pakketten: </b>737
+ <b>Totaal pakketten: </b>738
</div>
</body>
</html>
diff --git a/public_html/nl-NL/opds-Community_Services_Infrastructure.xml b/public_html/nl-NL/opds-Community_Services_Infrastructure.xml
index ee34880..344fda8 100644
--- a/public_html/nl-NL/opds-Community_Services_Infrastructure.xml
+++ b/public_html/nl-NL/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/nl-NL/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:02</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/nl-NL/opds-Fedora.xml b/public_html/nl-NL/opds-Fedora.xml
index 13632aa..3032b78 100644
--- a/public_html/nl-NL/opds-Fedora.xml
+++ b/public_html/nl-NL/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/nl-NL/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:05</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/nl-NL/opds-Fedora_Contributor_Documentation.xml b/public_html/nl-NL/opds-Fedora_Contributor_Documentation.xml
index 3bc648d..637b586 100644
--- a/public_html/nl-NL/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/nl-NL/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/nl-NL/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:05</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/nl-NL/opds-Fedora_Core.xml b/public_html/nl-NL/opds-Fedora_Core.xml
index ea01d25..a2c5a90 100644
--- a/public_html/nl-NL/opds-Fedora_Core.xml
+++ b/public_html/nl-NL/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/nl-NL/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:05</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/nl-NL/opds-Fedora_Draft_Documentation.xml b/public_html/nl-NL/opds-Fedora_Draft_Documentation.xml
index 52da92a..bb4b12c 100644
--- a/public_html/nl-NL/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/nl-NL/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/nl-NL/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:05</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/nl-NL/opds.xml b/public_html/nl-NL/opds.xml
index af8d3f9..38eebe7 100644
--- a/public_html/nl-NL/opds.xml
+++ b/public_html/nl-NL/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/nl-NL/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:05</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/nl-NL/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:02</updated>
<dc:language>nl-NL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/nl-NL/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:05</updated>
<dc:language>nl-NL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/nl-NL/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:05</updated>
<dc:language>nl-NL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/nl-NL/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:05</updated>
<dc:language>nl-NL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/nl-NL/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:05</updated>
<dc:language>nl-NL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/nl-NL/toc.html b/public_html/nl-NL/toc.html
index 0a539d2..f3329b0 100644
--- a/public_html/nl-NL/toc.html
+++ b/public_html/nl-NL/toc.html
@@ -1122,7 +1122,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -1141,10 +1141,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/opds.xml b/public_html/opds.xml
index 67cc8a4..07ce712 100644
--- a/public_html/opds.xml
+++ b/public_html/opds.xml
@@ -7,7 +7,7 @@
<link rel="start" href="http://docs.fedoraproject.org/opds.xml" type="application/atom+xml;type=feed;profile=opds-catalog"/>
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<title>Fedora Documentation</title>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:27</updated>
<!--author>
<name></name>
<uri></uri>
@@ -16,7 +16,7 @@
<entry>
<title>অসমীয়া</title>
<id>as-IN/opds.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:45</updated>
<dc:language>as-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="as-IN/opds.xml"/>
@@ -24,7 +24,7 @@
<entry>
<title>български</title>
<id>bg-BG/opds.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<dc:language>bg-BG</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="bg-BG/opds.xml"/>
@@ -32,7 +32,7 @@
<entry>
<title>বাংলা</title>
<id>bn-IN/opds.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:46</updated>
<dc:language>bn-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="bn-IN/opds.xml"/>
@@ -40,7 +40,7 @@
<entry>
<title>Bosanski</title>
<id>bs-BA/opds.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:47</updated>
<dc:language>bs-BA</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="bs-BA/opds.xml"/>
@@ -48,7 +48,7 @@
<entry>
<title>Català</title>
<id>ca-ES/opds.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:47</updated>
<dc:language>ca-ES</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="ca-ES/opds.xml"/>
@@ -56,7 +56,7 @@
<entry>
<title>Čeština</title>
<id>cs-CZ/opds.xml</id>
- <updated>2011-11-25T16:56:35</updated>
+ <updated>2011-11-26T00:29:48</updated>
<dc:language>cs-CZ</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="cs-CZ/opds.xml"/>
@@ -64,7 +64,7 @@
<entry>
<title>Dansk</title>
<id>da-DK/opds.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:48</updated>
<dc:language>da-DK</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="da-DK/opds.xml"/>
@@ -72,7 +72,7 @@
<entry>
<title>Deutsch</title>
<id>de-DE/opds.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:49</updated>
<dc:language>de-DE</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="de-DE/opds.xml"/>
@@ -80,7 +80,7 @@
<entry>
<title>Ελληνικά</title>
<id>el-GR/opds.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:49</updated>
<dc:language>el-GR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="el-GR/opds.xml"/>
@@ -88,7 +88,7 @@
<entry>
<title>English</title>
<id>en-US/opds.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:50</updated>
<dc:language>en-US</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="en-US/opds.xml"/>
@@ -96,7 +96,7 @@
<entry>
<title>Español</title>
<id>es-ES/opds.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<dc:language>es-ES</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="es-ES/opds.xml"/>
@@ -104,7 +104,7 @@
<entry>
<title>فارسی</title>
<id>fa-IR/opds.xml</id>
- <updated>2011-11-25T16:56:36</updated>
+ <updated>2011-11-26T00:29:51</updated>
<dc:language>fa-IR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="fa-IR/opds.xml"/>
@@ -112,7 +112,7 @@
<entry>
<title>Suomi</title>
<id>fi-FI/opds.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:52</updated>
<dc:language>fi-FI</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="fi-FI/opds.xml"/>
@@ -120,7 +120,7 @@
<entry>
<title>Français</title>
<id>fr-FR/opds.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:53</updated>
<dc:language>fr-FR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="fr-FR/opds.xml"/>
@@ -128,7 +128,7 @@
<entry>
<title>ગુજરાતી</title>
<id>gu-IN/opds.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:54</updated>
<dc:language>gu-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="gu-IN/opds.xml"/>
@@ -136,7 +136,7 @@
<entry>
<title>עברית</title>
<id>he-IL/opds.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:54</updated>
<dc:language>he-IL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="he-IL/opds.xml"/>
@@ -144,7 +144,7 @@
<entry>
<title>हिन्दी</title>
<id>hi-IN/opds.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:55</updated>
<dc:language>hi-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="hi-IN/opds.xml"/>
@@ -152,7 +152,7 @@
<entry>
<title>Magyar</title>
<id>hu-HU/opds.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:55</updated>
<dc:language>hu-HU</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="hu-HU/opds.xml"/>
@@ -160,7 +160,7 @@
<entry>
<title>Indonesia</title>
<id>id-ID/opds.xml</id>
- <updated>2011-11-25T16:56:37</updated>
+ <updated>2011-11-26T00:29:56</updated>
<dc:language>id-ID</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="id-ID/opds.xml"/>
@@ -168,7 +168,7 @@
<entry>
<title>Italiano</title>
<id>it-IT/opds.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:57</updated>
<dc:language>it-IT</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="it-IT/opds.xml"/>
@@ -176,7 +176,7 @@
<entry>
<title>日本語</title>
<id>ja-JP/opds.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:59</updated>
<dc:language>ja-JP</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="ja-JP/opds.xml"/>
@@ -184,7 +184,7 @@
<entry>
<title>ಕನ್ನಡ</title>
<id>kn-IN/opds.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:29:59</updated>
<dc:language>kn-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="kn-IN/opds.xml"/>
@@ -192,7 +192,7 @@
<entry>
<title>한국어</title>
<id>ko-KR/opds.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:00</updated>
<dc:language>ko-KR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="ko-KR/opds.xml"/>
@@ -200,7 +200,7 @@
<entry>
<title>മലയാളം</title>
<id>ml-IN/opds.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:00</updated>
<dc:language>ml-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="ml-IN/opds.xml"/>
@@ -208,7 +208,7 @@
<entry>
<title>मराठी</title>
<id>mr-IN/opds.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:01</updated>
<dc:language>mr-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="mr-IN/opds.xml"/>
@@ -216,7 +216,7 @@
<entry>
<title>Norsk (bokmål)</title>
<id>nb-NO/opds.xml</id>
- <updated>2011-11-25T16:56:38</updated>
+ <updated>2011-11-26T00:30:02</updated>
<dc:language>nb-NO</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="nb-NO/opds.xml"/>
@@ -224,7 +224,7 @@
<entry>
<title>Nederlands</title>
<id>nl-NL/opds.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:05</updated>
<dc:language>nl-NL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="nl-NL/opds.xml"/>
@@ -232,7 +232,7 @@
<entry>
<title>ଓଡ଼ିଆ</title>
<id>or-IN/opds.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:06</updated>
<dc:language>or-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="or-IN/opds.xml"/>
@@ -240,7 +240,7 @@
<entry>
<title>ਪੰਜਾਬੀ</title>
<id>pa-IN/opds.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:07</updated>
<dc:language>pa-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="pa-IN/opds.xml"/>
@@ -248,7 +248,7 @@
<entry>
<title>Polski</title>
<id>pl-PL/opds.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:08</updated>
<dc:language>pl-PL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="pl-PL/opds.xml"/>
@@ -256,7 +256,7 @@
<entry>
<title>Português Brasileiro</title>
<id>pt-BR/opds.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:10</updated>
<dc:language>pt-BR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="pt-BR/opds.xml"/>
@@ -264,7 +264,7 @@
<entry>
<title>Português</title>
<id>pt-PT/opds.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:11</updated>
<dc:language>pt-PT</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="pt-PT/opds.xml"/>
@@ -272,7 +272,7 @@
<entry>
<title>Romanian</title>
<id>ro/opds.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:11</updated>
<dc:language>ro</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="ro/opds.xml"/>
@@ -280,7 +280,7 @@
<entry>
<title>Русский</title>
<id>ru-RU/opds.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:13</updated>
<dc:language>ru-RU</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="ru-RU/opds.xml"/>
@@ -288,7 +288,7 @@
<entry>
<title>Slovenščina</title>
<id>sk-SK/opds.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:15</updated>
<dc:language>sk-SK</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="sk-SK/opds.xml"/>
@@ -296,7 +296,7 @@
<entry>
<title>Srpski (latinica)</title>
<id>sr-Latn-RS/opds.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:19</updated>
<dc:language>sr-Latn-RS</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="sr-Latn-RS/opds.xml"/>
@@ -304,7 +304,7 @@
<entry>
<title>Српски</title>
<id>sr-RS/opds.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:21</updated>
<dc:language>sr-RS</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="sr-RS/opds.xml"/>
@@ -312,7 +312,7 @@
<entry>
<title>Svenska</title>
<id>sv-SE/opds.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:22</updated>
<dc:language>sv-SE</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="sv-SE/opds.xml"/>
@@ -320,7 +320,7 @@
<entry>
<title>தமிழ்</title>
<id>ta-IN/opds.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:22</updated>
<dc:language>ta-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="ta-IN/opds.xml"/>
@@ -328,7 +328,7 @@
<entry>
<title>తెలుగు</title>
<id>te-IN/opds.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:23</updated>
<dc:language>te-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="te-IN/opds.xml"/>
@@ -336,7 +336,7 @@
<entry>
<title>Українська</title>
<id>uk-UA/opds.xml</id>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:24</updated>
<dc:language>uk-UA</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="uk-UA/opds.xml"/>
@@ -344,7 +344,7 @@
<entry>
<title>简体中文</title>
<id>zh-CN/opds.xml</id>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:26</updated>
<dc:language>zh-CN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="zh-CN/opds.xml"/>
@@ -352,7 +352,7 @@
<entry>
<title>繁體中文</title>
<id>zh-TW/opds.xml</id>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:26</updated>
<dc:language>zh-TW</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="zh-TW/opds.xml"/>
diff --git a/public_html/or-IN/Site_Statistics.html b/public_html/or-IN/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/or-IN/Site_Statistics.html
+++ b/public_html/or-IN/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/or-IN/opds-Community_Services_Infrastructure.xml b/public_html/or-IN/opds-Community_Services_Infrastructure.xml
index 563ab55..ab31659 100644
--- a/public_html/or-IN/opds-Community_Services_Infrastructure.xml
+++ b/public_html/or-IN/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/or-IN/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:06</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/or-IN/opds-Fedora.xml b/public_html/or-IN/opds-Fedora.xml
index 3be963d..ad98ec8 100644
--- a/public_html/or-IN/opds-Fedora.xml
+++ b/public_html/or-IN/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/or-IN/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:06</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/or-IN/opds-Fedora_Contributor_Documentation.xml b/public_html/or-IN/opds-Fedora_Contributor_Documentation.xml
index ca3a647..3b20cc1 100644
--- a/public_html/or-IN/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/or-IN/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/or-IN/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:06</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/or-IN/opds-Fedora_Core.xml b/public_html/or-IN/opds-Fedora_Core.xml
index 9f45c54..d0cc33f 100644
--- a/public_html/or-IN/opds-Fedora_Core.xml
+++ b/public_html/or-IN/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/or-IN/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:06</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/or-IN/opds-Fedora_Draft_Documentation.xml b/public_html/or-IN/opds-Fedora_Draft_Documentation.xml
index d17268e..118608f 100644
--- a/public_html/or-IN/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/or-IN/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/or-IN/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:06</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/or-IN/opds.xml b/public_html/or-IN/opds.xml
index e508bee..684c0f5 100644
--- a/public_html/or-IN/opds.xml
+++ b/public_html/or-IN/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/or-IN/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:06</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/or-IN/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:06</updated>
<dc:language>or-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/or-IN/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:06</updated>
<dc:language>or-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/or-IN/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:06</updated>
<dc:language>or-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/or-IN/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:06</updated>
<dc:language>or-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/or-IN/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:06</updated>
<dc:language>or-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/or-IN/toc.html b/public_html/or-IN/toc.html
index ab8d7c3..d428c84 100644
--- a/public_html/or-IN/toc.html
+++ b/public_html/or-IN/toc.html
@@ -415,7 +415,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed" onclick="toggle(event, 'Fedora.13.Burning_ISO_images_to_disc.types');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -861,7 +861,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.8.Making_Fedora_Discs.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -963,10 +963,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/pa-IN/Site_Statistics.html b/public_html/pa-IN/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/pa-IN/Site_Statistics.html
+++ b/public_html/pa-IN/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/pa-IN/opds-Community_Services_Infrastructure.xml b/public_html/pa-IN/opds-Community_Services_Infrastructure.xml
index 42f2de2..bf16d93 100644
--- a/public_html/pa-IN/opds-Community_Services_Infrastructure.xml
+++ b/public_html/pa-IN/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pa-IN/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:06</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/pa-IN/opds-Fedora.xml b/public_html/pa-IN/opds-Fedora.xml
index ad3c70c..2fc56ce 100644
--- a/public_html/pa-IN/opds-Fedora.xml
+++ b/public_html/pa-IN/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pa-IN/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:06</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/pa-IN/opds-Fedora_Contributor_Documentation.xml b/public_html/pa-IN/opds-Fedora_Contributor_Documentation.xml
index a9f7ed4..f66610a 100644
--- a/public_html/pa-IN/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/pa-IN/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pa-IN/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:06</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
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diff --git a/public_html/pa-IN/opds-Fedora_Core.xml b/public_html/pa-IN/opds-Fedora_Core.xml
index f0ad0d3..aae78d6 100644
--- a/public_html/pa-IN/opds-Fedora_Core.xml
+++ b/public_html/pa-IN/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pa-IN/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:06</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/pa-IN/opds-Fedora_Draft_Documentation.xml b/public_html/pa-IN/opds-Fedora_Draft_Documentation.xml
index b0ab0c2..e53e27e 100644
--- a/public_html/pa-IN/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/pa-IN/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pa-IN/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:06</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/pa-IN/opds.xml b/public_html/pa-IN/opds.xml
index 0c3ab6e..ec35420 100644
--- a/public_html/pa-IN/opds.xml
+++ b/public_html/pa-IN/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/pa-IN/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:07</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/pa-IN/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:06</updated>
<dc:language>pa-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/pa-IN/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:06</updated>
<dc:language>pa-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/pa-IN/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:06</updated>
<dc:language>pa-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/pa-IN/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:06</updated>
<dc:language>pa-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/pa-IN/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:06</updated>
<dc:language>pa-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/pa-IN/toc.html b/public_html/pa-IN/toc.html
index e0fd8da..f213b3a 100644
--- a/public_html/pa-IN/toc.html
+++ b/public_html/pa-IN/toc.html
@@ -415,7 +415,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
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@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -861,7 +861,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
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<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.8.Making_Fedora_Discs.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -963,10 +963,10 @@
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<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/pl-PL/Site_Statistics.html b/public_html/pl-PL/Site_Statistics.html
index 9a6dc16..5670329 100644
--- a/public_html/pl-PL/Site_Statistics.html
+++ b/public_html/pl-PL/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Razem języków: </b>43<br />
- <b>Razem pakietów: </b>737
+ <b>Razem pakietów: </b>738
</div>
</body>
</html>
diff --git a/public_html/pl-PL/opds-Community_Services_Infrastructure.xml b/public_html/pl-PL/opds-Community_Services_Infrastructure.xml
index 2520051..3c03f12 100644
--- a/public_html/pl-PL/opds-Community_Services_Infrastructure.xml
+++ b/public_html/pl-PL/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pl-PL/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:07</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/pl-PL/opds-Fedora.xml b/public_html/pl-PL/opds-Fedora.xml
index 61c8837..93cadef 100644
--- a/public_html/pl-PL/opds-Fedora.xml
+++ b/public_html/pl-PL/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pl-PL/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:08</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/pl-PL/opds-Fedora_Contributor_Documentation.xml b/public_html/pl-PL/opds-Fedora_Contributor_Documentation.xml
index 16d9f5c..cfc4572 100644
--- a/public_html/pl-PL/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/pl-PL/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pl-PL/opds-Fedora_Contributor_Documentation.xml</id>
<title>Dokumentacja dla współtwórców Fedory</title>
<subtitle>Dokumentacja dla współtwórców Fedory</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:08</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
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diff --git a/public_html/pl-PL/opds-Fedora_Core.xml b/public_html/pl-PL/opds-Fedora_Core.xml
index 80a8bc0..a4064b4 100644
--- a/public_html/pl-PL/opds-Fedora_Core.xml
+++ b/public_html/pl-PL/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pl-PL/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:08</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/pl-PL/opds-Fedora_Draft_Documentation.xml b/public_html/pl-PL/opds-Fedora_Draft_Documentation.xml
index 15c297b..24646d6 100644
--- a/public_html/pl-PL/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/pl-PL/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pl-PL/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:08</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/pl-PL/opds.xml b/public_html/pl-PL/opds.xml
index aff7ffa..026c928 100644
--- a/public_html/pl-PL/opds.xml
+++ b/public_html/pl-PL/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/pl-PL/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:08</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/pl-PL/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:07</updated>
<dc:language>pl-PL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/pl-PL/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:08</updated>
<dc:language>pl-PL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Dokumentacja dla współtwórców Fedory</title>
<id>http://docs.fedoraproject.org/pl-PL/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:08</updated>
<dc:language>pl-PL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/pl-PL/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:08</updated>
<dc:language>pl-PL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/pl-PL/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:08</updated>
<dc:language>pl-PL</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/pl-PL/toc.html b/public_html/pl-PL/toc.html
index de22ea5..53a6b42 100644
--- a/public_html/pl-PL/toc.html
+++ b/public_html/pl-PL/toc.html
@@ -189,7 +189,7 @@
<a class="type" href="./Fedora/15/epub/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-pl-PL.epub" >epub</a>
<a class="type" href="./Fedora/15/html/Burning_ISO_images_to_disc/index.html" onclick="window.top.location='./Fedora/15/html/Burning_ISO_images_to_disc/index.html';return false;">html</a>
<a class="type" href="./Fedora/15/html-single/Burning_ISO_images_to_disc/index.html" onclick="window.top.location='./Fedora/15/html-single/Burning_ISO_images_to_disc/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-pl-PL.pdf" onclick="window.top.location='./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-pl-PL.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-pl-PL.pdf" onclick="window.top.location='./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-pl-PL.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.15.Fedora_Live_Images' class="book collapsed">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -814,7 +814,7 @@
<a class="type" href="../en-US/./Fedora/10/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/10/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/10/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/10/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/10/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/10/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/10/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/10/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/10/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.10.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.10.User_Guide.types');">
@@ -896,7 +896,7 @@
<a class="type" href="../en-US/./Fedora/9/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/9/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/9/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/9/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/9/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/9/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/9/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/9/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/9/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.9.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.9.User_Guide.types');">
@@ -1016,7 +1016,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -1044,10 +1044,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
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diff --git a/public_html/pt-BR/Site_Statistics.html b/public_html/pt-BR/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/pt-BR/Site_Statistics.html
+++ b/public_html/pt-BR/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/pt-BR/opds-Community_Services_Infrastructure.xml b/public_html/pt-BR/opds-Community_Services_Infrastructure.xml
index b4731cb..f776517 100644
--- a/public_html/pt-BR/opds-Community_Services_Infrastructure.xml
+++ b/public_html/pt-BR/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pt-BR/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:08</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/pt-BR/opds-Fedora.xml b/public_html/pt-BR/opds-Fedora.xml
index fb41a0c..c534d7d 100644
--- a/public_html/pt-BR/opds-Fedora.xml
+++ b/public_html/pt-BR/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pt-BR/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:09</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/pt-BR/opds-Fedora_Contributor_Documentation.xml b/public_html/pt-BR/opds-Fedora_Contributor_Documentation.xml
index 66084f9..29cdde8 100644
--- a/public_html/pt-BR/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/pt-BR/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pt-BR/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:09</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
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diff --git a/public_html/pt-BR/opds-Fedora_Core.xml b/public_html/pt-BR/opds-Fedora_Core.xml
index ec44571..c4f68a0 100644
--- a/public_html/pt-BR/opds-Fedora_Core.xml
+++ b/public_html/pt-BR/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pt-BR/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:09</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/pt-BR/opds-Fedora_Draft_Documentation.xml b/public_html/pt-BR/opds-Fedora_Draft_Documentation.xml
index 4730fc3..c0973f7 100644
--- a/public_html/pt-BR/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/pt-BR/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pt-BR/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:09</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/pt-BR/opds.xml b/public_html/pt-BR/opds.xml
index c4bef1b..90170c7 100644
--- a/public_html/pt-BR/opds.xml
+++ b/public_html/pt-BR/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/pt-BR/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:10</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/pt-BR/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:08</updated>
<dc:language>pt-BR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/pt-BR/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:09</updated>
<dc:language>pt-BR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/pt-BR/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:09</updated>
<dc:language>pt-BR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/pt-BR/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:09</updated>
<dc:language>pt-BR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/pt-BR/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:10</updated>
<dc:language>pt-BR</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/pt-BR/toc.html b/public_html/pt-BR/toc.html
index e23867d..348f372 100644
--- a/public_html/pt-BR/toc.html
+++ b/public_html/pt-BR/toc.html
@@ -415,7 +415,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
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</div>
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@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
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<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -953,7 +953,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
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</div>
@@ -972,10 +972,10 @@
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<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/pt-PT/Site_Statistics.html b/public_html/pt-PT/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/pt-PT/Site_Statistics.html
+++ b/public_html/pt-PT/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/pt-PT/opds-Community_Services_Infrastructure.xml b/public_html/pt-PT/opds-Community_Services_Infrastructure.xml
index 7afe85c..6fae026 100644
--- a/public_html/pt-PT/opds-Community_Services_Infrastructure.xml
+++ b/public_html/pt-PT/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pt-PT/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:10</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/pt-PT/opds-Fedora.xml b/public_html/pt-PT/opds-Fedora.xml
index f1de572..533fc52 100644
--- a/public_html/pt-PT/opds-Fedora.xml
+++ b/public_html/pt-PT/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pt-PT/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:11</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/pt-PT/opds-Fedora_Contributor_Documentation.xml b/public_html/pt-PT/opds-Fedora_Contributor_Documentation.xml
index 4f4b089..b817a6a 100644
--- a/public_html/pt-PT/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/pt-PT/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pt-PT/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:11</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/pt-PT/opds-Fedora_Core.xml b/public_html/pt-PT/opds-Fedora_Core.xml
index 257626a..412511c 100644
--- a/public_html/pt-PT/opds-Fedora_Core.xml
+++ b/public_html/pt-PT/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pt-PT/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:11</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/pt-PT/opds-Fedora_Draft_Documentation.xml b/public_html/pt-PT/opds-Fedora_Draft_Documentation.xml
index 99b8186..2f217b9 100644
--- a/public_html/pt-PT/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/pt-PT/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/pt-PT/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:11</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/pt-PT/opds.xml b/public_html/pt-PT/opds.xml
index b1c3fd5..dc08698 100644
--- a/public_html/pt-PT/opds.xml
+++ b/public_html/pt-PT/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/pt-PT/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:11</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/pt-PT/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:10</updated>
<dc:language>pt-PT</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/pt-PT/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:11</updated>
<dc:language>pt-PT</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/pt-PT/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:11</updated>
<dc:language>pt-PT</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/pt-PT/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:11</updated>
<dc:language>pt-PT</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/pt-PT/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:11</updated>
<dc:language>pt-PT</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/pt-PT/toc.html b/public_html/pt-PT/toc.html
index 5bff82b..48f2d96 100644
--- a/public_html/pt-PT/toc.html
+++ b/public_html/pt-PT/toc.html
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -953,7 +953,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -972,10 +972,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/ro/Site_Statistics.html b/public_html/ro/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/ro/Site_Statistics.html
+++ b/public_html/ro/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/ro/opds-Community_Services_Infrastructure.xml b/public_html/ro/opds-Community_Services_Infrastructure.xml
index 3447d26..5d51a03 100644
--- a/public_html/ro/opds-Community_Services_Infrastructure.xml
+++ b/public_html/ro/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ro/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:11</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ro/opds-Fedora.xml b/public_html/ro/opds-Fedora.xml
index 993245d..ef9f20f 100644
--- a/public_html/ro/opds-Fedora.xml
+++ b/public_html/ro/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ro/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:11</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ro/opds-Fedora_Contributor_Documentation.xml b/public_html/ro/opds-Fedora_Contributor_Documentation.xml
index aa66c42..6e1cb27 100644
--- a/public_html/ro/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/ro/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ro/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:11</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/ro/opds-Fedora_Core.xml b/public_html/ro/opds-Fedora_Core.xml
index bb6bc42..e2369ee 100644
--- a/public_html/ro/opds-Fedora_Core.xml
+++ b/public_html/ro/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ro/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:11</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ro/opds-Fedora_Draft_Documentation.xml b/public_html/ro/opds-Fedora_Draft_Documentation.xml
index ddd1d33..232645c 100644
--- a/public_html/ro/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/ro/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ro/opds-Fedora_Draft_Documentation.xml</id>
<title>Schiță Documentație Fedora</title>
<subtitle>Schiță Documentație Fedora</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:11</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ro/opds.xml b/public_html/ro/opds.xml
index e9e1a86..7ebe54e 100644
--- a/public_html/ro/opds.xml
+++ b/public_html/ro/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/ro/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:11</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/ro/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:11</updated>
<dc:language>ro</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/ro/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:11</updated>
<dc:language>ro</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/ro/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:11</updated>
<dc:language>ro</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/ro/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:11</updated>
<dc:language>ro</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Schiță Documentație Fedora</title>
<id>http://docs.fedoraproject.org/ro/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:11</updated>
<dc:language>ro</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/ro/toc.html b/public_html/ro/toc.html
index 024d23e..749e3ba 100644
--- a/public_html/ro/toc.html
+++ b/public_html/ro/toc.html
@@ -415,7 +415,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed" onclick="toggle(event, 'Fedora.13.Burning_ISO_images_to_disc.types');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -861,7 +861,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.8.Making_Fedora_Discs.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -963,10 +963,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/ru-RU/Site_Statistics.html b/public_html/ru-RU/Site_Statistics.html
index 65bd0e7..d14f0d7 100644
--- a/public_html/ru-RU/Site_Statistics.html
+++ b/public_html/ru-RU/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Всего языков: </b>43<br />
- <b>Всего пакетов: </b>737
+ <b>Всего пакетов: </b>738
</div>
</body>
</html>
diff --git a/public_html/ru-RU/opds-Community_Services_Infrastructure.xml b/public_html/ru-RU/opds-Community_Services_Infrastructure.xml
index 459c308..e00558a 100644
--- a/public_html/ru-RU/opds-Community_Services_Infrastructure.xml
+++ b/public_html/ru-RU/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ru-RU/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:12</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ru-RU/opds-Fedora.xml b/public_html/ru-RU/opds-Fedora.xml
index 63878a3..5ff7de5 100644
--- a/public_html/ru-RU/opds-Fedora.xml
+++ b/public_html/ru-RU/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ru-RU/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:12</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ru-RU/opds-Fedora_Contributor_Documentation.xml b/public_html/ru-RU/opds-Fedora_Contributor_Documentation.xml
index 0bc987f..a99e5e5 100644
--- a/public_html/ru-RU/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/ru-RU/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ru-RU/opds-Fedora_Contributor_Documentation.xml</id>
<title>Документация участника Fedora</title>
<subtitle>Документация участника Fedora</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:13</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/ru-RU/opds-Fedora_Core.xml b/public_html/ru-RU/opds-Fedora_Core.xml
index e0bd0d0..18356bb 100644
--- a/public_html/ru-RU/opds-Fedora_Core.xml
+++ b/public_html/ru-RU/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ru-RU/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:13</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ru-RU/opds-Fedora_Draft_Documentation.xml b/public_html/ru-RU/opds-Fedora_Draft_Documentation.xml
index f25f30e..818940b 100644
--- a/public_html/ru-RU/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/ru-RU/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ru-RU/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:13</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ru-RU/opds.xml b/public_html/ru-RU/opds.xml
index 16caed9..1b1fe31 100644
--- a/public_html/ru-RU/opds.xml
+++ b/public_html/ru-RU/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/ru-RU/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:13</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/ru-RU/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:39</updated>
+ <updated>2011-11-26T00:30:12</updated>
<dc:language>ru-RU</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/ru-RU/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:12</updated>
<dc:language>ru-RU</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Документация участника Fedora</title>
<id>http://docs.fedoraproject.org/ru-RU/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:13</updated>
<dc:language>ru-RU</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/ru-RU/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:13</updated>
<dc:language>ru-RU</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/ru-RU/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:13</updated>
<dc:language>ru-RU</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/ru-RU/toc.html b/public_html/ru-RU/toc.html
index 42b0bd3..873ded5 100644
--- a/public_html/ru-RU/toc.html
+++ b/public_html/ru-RU/toc.html
@@ -189,7 +189,7 @@
<a class="type" href="./Fedora/15/epub/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-ru-RU.epub" >epub</a>
<a class="type" href="./Fedora/15/html/Burning_ISO_images_to_disc/index.html" onclick="window.top.location='./Fedora/15/html/Burning_ISO_images_to_disc/index.html';return false;">html</a>
<a class="type" href="./Fedora/15/html-single/Burning_ISO_images_to_disc/index.html" onclick="window.top.location='./Fedora/15/html-single/Burning_ISO_images_to_disc/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-ru-RU.pdf" onclick="window.top.location='./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-ru-RU.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-ru-RU.pdf" onclick="window.top.location='./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-ru-RU.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.15.Fedora_Live_Images' class="book collapsed">
@@ -412,7 +412,7 @@
<a class="type" href="./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-ru-RU.epub" >epub</a>
<a class="type" href="./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-ru-RU.pdf" onclick="window.top.location='./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-ru-RU.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-ru-RU.pdf" onclick="window.top.location='./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-ru-RU.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -861,7 +861,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.8.Making_Fedora_Discs.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -972,10 +972,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Users_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Users_Guide.types');">
diff --git a/public_html/sk-SK/Site_Statistics.html b/public_html/sk-SK/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/sk-SK/Site_Statistics.html
+++ b/public_html/sk-SK/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/sk-SK/opds-Community_Services_Infrastructure.xml b/public_html/sk-SK/opds-Community_Services_Infrastructure.xml
index 46c83b7..9b3bda9 100644
--- a/public_html/sk-SK/opds-Community_Services_Infrastructure.xml
+++ b/public_html/sk-SK/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sk-SK/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:13</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/sk-SK/opds-Fedora.xml b/public_html/sk-SK/opds-Fedora.xml
index aadc602..7461075 100644
--- a/public_html/sk-SK/opds-Fedora.xml
+++ b/public_html/sk-SK/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sk-SK/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:15</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/sk-SK/opds-Fedora_Contributor_Documentation.xml b/public_html/sk-SK/opds-Fedora_Contributor_Documentation.xml
index e58355d..3934185 100644
--- a/public_html/sk-SK/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/sk-SK/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sk-SK/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:15</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/sk-SK/opds-Fedora_Core.xml b/public_html/sk-SK/opds-Fedora_Core.xml
index 72fb9dc..02486b3 100644
--- a/public_html/sk-SK/opds-Fedora_Core.xml
+++ b/public_html/sk-SK/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sk-SK/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:15</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/sk-SK/opds-Fedora_Draft_Documentation.xml b/public_html/sk-SK/opds-Fedora_Draft_Documentation.xml
index 1025037..ef0711b 100644
--- a/public_html/sk-SK/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/sk-SK/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sk-SK/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:15</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/sk-SK/opds.xml b/public_html/sk-SK/opds.xml
index 73ed9c1..7595654 100644
--- a/public_html/sk-SK/opds.xml
+++ b/public_html/sk-SK/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/sk-SK/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:15</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/sk-SK/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:13</updated>
<dc:language>sk-SK</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/sk-SK/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:15</updated>
<dc:language>sk-SK</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/sk-SK/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:15</updated>
<dc:language>sk-SK</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/sk-SK/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:15</updated>
<dc:language>sk-SK</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/sk-SK/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:15</updated>
<dc:language>sk-SK</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/sk-SK/toc.html b/public_html/sk-SK/toc.html
index 9270ca9..a4442e0 100644
--- a/public_html/sk-SK/toc.html
+++ b/public_html/sk-SK/toc.html
@@ -415,7 +415,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed" onclick="toggle(event, 'Fedora.13.Burning_ISO_images_to_disc.types');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -870,7 +870,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.8.Making_Fedora_Discs.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -963,10 +963,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/sr-Latn-RS/Site_Statistics.html b/public_html/sr-Latn-RS/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/sr-Latn-RS/Site_Statistics.html
+++ b/public_html/sr-Latn-RS/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/sr-Latn-RS/opds-Community_Services_Infrastructure.xml b/public_html/sr-Latn-RS/opds-Community_Services_Infrastructure.xml
index 4a59fb8..f2138c5 100644
--- a/public_html/sr-Latn-RS/opds-Community_Services_Infrastructure.xml
+++ b/public_html/sr-Latn-RS/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sr-Latn-RS/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:15</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/sr-Latn-RS/opds-Fedora.xml b/public_html/sr-Latn-RS/opds-Fedora.xml
index 2ad00a7..4e06032 100644
--- a/public_html/sr-Latn-RS/opds-Fedora.xml
+++ b/public_html/sr-Latn-RS/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sr-Latn-RS/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:19</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/sr-Latn-RS/opds-Fedora_Contributor_Documentation.xml b/public_html/sr-Latn-RS/opds-Fedora_Contributor_Documentation.xml
index b5ff1a2..5bfc69d 100644
--- a/public_html/sr-Latn-RS/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/sr-Latn-RS/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sr-Latn-RS/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:19</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/sr-Latn-RS/opds-Fedora_Core.xml b/public_html/sr-Latn-RS/opds-Fedora_Core.xml
index 1f75f70..c987ea6 100644
--- a/public_html/sr-Latn-RS/opds-Fedora_Core.xml
+++ b/public_html/sr-Latn-RS/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sr-Latn-RS/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:19</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/sr-Latn-RS/opds-Fedora_Draft_Documentation.xml b/public_html/sr-Latn-RS/opds-Fedora_Draft_Documentation.xml
index ae85cbe..71219a1 100644
--- a/public_html/sr-Latn-RS/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/sr-Latn-RS/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sr-Latn-RS/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:19</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/sr-Latn-RS/opds.xml b/public_html/sr-Latn-RS/opds.xml
index ebfc325..6cd27e3 100644
--- a/public_html/sr-Latn-RS/opds.xml
+++ b/public_html/sr-Latn-RS/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/sr-Latn-RS/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:19</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/sr-Latn-RS/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:15</updated>
<dc:language>sr-Latn-RS</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/sr-Latn-RS/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:19</updated>
<dc:language>sr-Latn-RS</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/sr-Latn-RS/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:19</updated>
<dc:language>sr-Latn-RS</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/sr-Latn-RS/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:19</updated>
<dc:language>sr-Latn-RS</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/sr-Latn-RS/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:19</updated>
<dc:language>sr-Latn-RS</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/sr-Latn-RS/toc.html b/public_html/sr-Latn-RS/toc.html
index 75c170e..4a0682a 100644
--- a/public_html/sr-Latn-RS/toc.html
+++ b/public_html/sr-Latn-RS/toc.html
@@ -442,7 +442,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Installation_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.13.Installation_Guide.types');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -963,10 +963,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/sr-RS/Site_Statistics.html b/public_html/sr-RS/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/sr-RS/Site_Statistics.html
+++ b/public_html/sr-RS/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/sr-RS/opds-Community_Services_Infrastructure.xml b/public_html/sr-RS/opds-Community_Services_Infrastructure.xml
index bb1daa6..884669f 100644
--- a/public_html/sr-RS/opds-Community_Services_Infrastructure.xml
+++ b/public_html/sr-RS/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sr-RS/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:19</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/sr-RS/opds-Fedora.xml b/public_html/sr-RS/opds-Fedora.xml
index e5eb15e..45a7285 100644
--- a/public_html/sr-RS/opds-Fedora.xml
+++ b/public_html/sr-RS/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sr-RS/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:20</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/sr-RS/opds-Fedora_Contributor_Documentation.xml b/public_html/sr-RS/opds-Fedora_Contributor_Documentation.xml
index dd4d6c3..9532c6c 100644
--- a/public_html/sr-RS/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/sr-RS/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sr-RS/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:20</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/sr-RS/opds-Fedora_Core.xml b/public_html/sr-RS/opds-Fedora_Core.xml
index 6d85e65..8b99a66 100644
--- a/public_html/sr-RS/opds-Fedora_Core.xml
+++ b/public_html/sr-RS/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sr-RS/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:20</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/sr-RS/opds-Fedora_Draft_Documentation.xml b/public_html/sr-RS/opds-Fedora_Draft_Documentation.xml
index fa2d564..04fb1fc 100644
--- a/public_html/sr-RS/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/sr-RS/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sr-RS/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:20</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/sr-RS/opds.xml b/public_html/sr-RS/opds.xml
index 627a985..dde65a3 100644
--- a/public_html/sr-RS/opds.xml
+++ b/public_html/sr-RS/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/sr-RS/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:21</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/sr-RS/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:19</updated>
<dc:language>sr-RS</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/sr-RS/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:20</updated>
<dc:language>sr-RS</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/sr-RS/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:20</updated>
<dc:language>sr-RS</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/sr-RS/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:20</updated>
<dc:language>sr-RS</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/sr-RS/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:20</updated>
<dc:language>sr-RS</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/sr-RS/toc.html b/public_html/sr-RS/toc.html
index 705e930..10ceed1 100644
--- a/public_html/sr-RS/toc.html
+++ b/public_html/sr-RS/toc.html
@@ -442,7 +442,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Installation_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.13.Installation_Guide.types');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -953,7 +953,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -972,10 +972,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/sv-SE/Site_Statistics.html b/public_html/sv-SE/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/sv-SE/Site_Statistics.html
+++ b/public_html/sv-SE/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/sv-SE/opds-Community_Services_Infrastructure.xml b/public_html/sv-SE/opds-Community_Services_Infrastructure.xml
index 258de08..cb12338 100644
--- a/public_html/sv-SE/opds-Community_Services_Infrastructure.xml
+++ b/public_html/sv-SE/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sv-SE/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:21</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/sv-SE/opds-Fedora.xml b/public_html/sv-SE/opds-Fedora.xml
index 15f1527..86144ae 100644
--- a/public_html/sv-SE/opds-Fedora.xml
+++ b/public_html/sv-SE/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sv-SE/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:22</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/sv-SE/opds-Fedora_Contributor_Documentation.xml b/public_html/sv-SE/opds-Fedora_Contributor_Documentation.xml
index 4e1486a..4a49fb7 100644
--- a/public_html/sv-SE/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/sv-SE/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sv-SE/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:22</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/sv-SE/opds-Fedora_Core.xml b/public_html/sv-SE/opds-Fedora_Core.xml
index c7d8c0b..eb140b0 100644
--- a/public_html/sv-SE/opds-Fedora_Core.xml
+++ b/public_html/sv-SE/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sv-SE/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:22</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/sv-SE/opds-Fedora_Draft_Documentation.xml b/public_html/sv-SE/opds-Fedora_Draft_Documentation.xml
index ebbe2be..b1efe5c 100644
--- a/public_html/sv-SE/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/sv-SE/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/sv-SE/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:22</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/sv-SE/opds.xml b/public_html/sv-SE/opds.xml
index dd84cb8..7a5de34 100644
--- a/public_html/sv-SE/opds.xml
+++ b/public_html/sv-SE/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/sv-SE/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:22</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/sv-SE/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:21</updated>
<dc:language>sv-SE</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/sv-SE/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:22</updated>
<dc:language>sv-SE</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/sv-SE/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:22</updated>
<dc:language>sv-SE</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/sv-SE/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:22</updated>
<dc:language>sv-SE</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/sv-SE/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:22</updated>
<dc:language>sv-SE</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/sv-SE/toc.html b/public_html/sv-SE/toc.html
index ba75799..39efb13 100644
--- a/public_html/sv-SE/toc.html
+++ b/public_html/sv-SE/toc.html
@@ -189,7 +189,7 @@
<a class="type" href="./Fedora/15/epub/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-sv-SE.epub" >epub</a>
<a class="type" href="./Fedora/15/html/Burning_ISO_images_to_disc/index.html" onclick="window.top.location='./Fedora/15/html/Burning_ISO_images_to_disc/index.html';return false;">html</a>
<a class="type" href="./Fedora/15/html-single/Burning_ISO_images_to_disc/index.html" onclick="window.top.location='./Fedora/15/html-single/Burning_ISO_images_to_disc/index.html';return false;">html-single</a>
- <a class="type" href="./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-sv-SE.pdf" onclick="window.top.location='./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-sv-SE.pdf';return false;">pdf</a>
+ <a class="type" href="./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-sv-SE.pdf" onclick="window.top.location='./Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-sv-SE.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.15.Fedora_Live_Images' class="book collapsed">
@@ -451,7 +451,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Installation_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.13.Installation_Guide.types');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -861,7 +861,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.8.Making_Fedora_Discs.types');">
@@ -943,7 +943,7 @@
<a class="type" href="../en-US/./Fedora/7/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/7/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/7/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/7/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/7/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/7/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/7/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/7/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/7/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.7.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.7.Making_Fedora_Discs.types');">
@@ -989,7 +989,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -1008,10 +1008,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/ta-IN/Site_Statistics.html b/public_html/ta-IN/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/ta-IN/Site_Statistics.html
+++ b/public_html/ta-IN/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/ta-IN/opds-Community_Services_Infrastructure.xml b/public_html/ta-IN/opds-Community_Services_Infrastructure.xml
index 11926bd..c242791 100644
--- a/public_html/ta-IN/opds-Community_Services_Infrastructure.xml
+++ b/public_html/ta-IN/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ta-IN/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:22</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ta-IN/opds-Fedora.xml b/public_html/ta-IN/opds-Fedora.xml
index fa5aa65..da0635b 100644
--- a/public_html/ta-IN/opds-Fedora.xml
+++ b/public_html/ta-IN/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ta-IN/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:22</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ta-IN/opds-Fedora_Contributor_Documentation.xml b/public_html/ta-IN/opds-Fedora_Contributor_Documentation.xml
index 23d3f8e..dcc5456 100644
--- a/public_html/ta-IN/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/ta-IN/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ta-IN/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:22</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/ta-IN/opds-Fedora_Core.xml b/public_html/ta-IN/opds-Fedora_Core.xml
index af3517c..5de1e6f 100644
--- a/public_html/ta-IN/opds-Fedora_Core.xml
+++ b/public_html/ta-IN/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ta-IN/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:22</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ta-IN/opds-Fedora_Draft_Documentation.xml b/public_html/ta-IN/opds-Fedora_Draft_Documentation.xml
index 9d4fd5f..fa68d4a 100644
--- a/public_html/ta-IN/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/ta-IN/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/ta-IN/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:22</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/ta-IN/opds.xml b/public_html/ta-IN/opds.xml
index 44d2491..8f2bf12 100644
--- a/public_html/ta-IN/opds.xml
+++ b/public_html/ta-IN/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/ta-IN/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:22</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/ta-IN/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:22</updated>
<dc:language>ta-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/ta-IN/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:22</updated>
<dc:language>ta-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/ta-IN/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:22</updated>
<dc:language>ta-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/ta-IN/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:22</updated>
<dc:language>ta-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/ta-IN/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:22</updated>
<dc:language>ta-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/ta-IN/toc.html b/public_html/ta-IN/toc.html
index 01cddb9..9517ed9 100644
--- a/public_html/ta-IN/toc.html
+++ b/public_html/ta-IN/toc.html
@@ -415,7 +415,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed" onclick="toggle(event, 'Fedora.13.Burning_ISO_images_to_disc.types');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -861,7 +861,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.8.Making_Fedora_Discs.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -963,10 +963,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/te-IN/Site_Statistics.html b/public_html/te-IN/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/te-IN/Site_Statistics.html
+++ b/public_html/te-IN/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/te-IN/opds-Community_Services_Infrastructure.xml b/public_html/te-IN/opds-Community_Services_Infrastructure.xml
index b84439f..ba00565 100644
--- a/public_html/te-IN/opds-Community_Services_Infrastructure.xml
+++ b/public_html/te-IN/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/te-IN/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:23</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/te-IN/opds-Fedora.xml b/public_html/te-IN/opds-Fedora.xml
index f485970..436fcff 100644
--- a/public_html/te-IN/opds-Fedora.xml
+++ b/public_html/te-IN/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/te-IN/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:23</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/te-IN/opds-Fedora_Contributor_Documentation.xml b/public_html/te-IN/opds-Fedora_Contributor_Documentation.xml
index 8ad9199..318f073 100644
--- a/public_html/te-IN/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/te-IN/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/te-IN/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:23</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/te-IN/opds-Fedora_Core.xml b/public_html/te-IN/opds-Fedora_Core.xml
index 3f2f1af..81147c6 100644
--- a/public_html/te-IN/opds-Fedora_Core.xml
+++ b/public_html/te-IN/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/te-IN/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:23</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/te-IN/opds-Fedora_Draft_Documentation.xml b/public_html/te-IN/opds-Fedora_Draft_Documentation.xml
index 455f58f..539d3e0 100644
--- a/public_html/te-IN/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/te-IN/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/te-IN/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:23</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/te-IN/opds.xml b/public_html/te-IN/opds.xml
index 9f2d57d..52b11cf 100644
--- a/public_html/te-IN/opds.xml
+++ b/public_html/te-IN/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/te-IN/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:23</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/te-IN/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:23</updated>
<dc:language>te-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/te-IN/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:23</updated>
<dc:language>te-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/te-IN/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:23</updated>
<dc:language>te-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/te-IN/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:23</updated>
<dc:language>te-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/te-IN/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:40</updated>
+ <updated>2011-11-26T00:30:23</updated>
<dc:language>te-IN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/te-IN/toc.html b/public_html/te-IN/toc.html
index 12c1b40..755ac02 100644
--- a/public_html/te-IN/toc.html
+++ b/public_html/te-IN/toc.html
@@ -415,7 +415,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed" onclick="toggle(event, 'Fedora.13.Burning_ISO_images_to_disc.types');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
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<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -861,7 +861,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.8.Making_Fedora_Discs.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -963,10 +963,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
diff --git a/public_html/toc.html b/public_html/toc.html
index e5daf12..1817209 100644
--- a/public_html/toc.html
+++ b/public_html/toc.html
@@ -718,7 +718,7 @@
<a class="type" href="./de-DE/Fedora/15/html-single/Burning_ISO_images_to_disc/index.html">html-single</a>
- <a class="type" href="./de-DE/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-de-DE.pdf">pdf</a>
+ <a class="type" href="./de-DE/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-de-DE.pdf">pdf</a>
</div>
</div>
@@ -1860,7 +1860,7 @@
<a class="type" href="./en-US/Fedora/13/html-single/Accessibility_Guide/index.html">html-single</a>
- <a class="type" href="./en-US/Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf">pdf</a>
+ <a class="type" href="./en-US/Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf">pdf</a>
</div>
</div>
@@ -2361,7 +2361,7 @@
<a class="type" href="./en-US/Fedora/11/html-single/Security_Guide/index.html">html-single</a>
- <a class="type" href="./en-US/Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf">pdf</a>
+ <a class="type" href="./en-US/Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf">pdf</a>
</div>
</div>
@@ -2535,7 +2535,7 @@
<a class="type" href="./en-US/Fedora/8/html-single/Installation_Guide/index.html">html-single</a>
- <a class="type" href="./en-US/Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf">pdf</a>
+ <a class="type" href="./en-US/Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf">pdf</a>
</div>
</div>
@@ -2646,7 +2646,7 @@
<a class="type" href="./en-US/Fedora//html-single/Security_Guide/index.html">html-single</a>
- <a class="type" href="./en-US/Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf">pdf</a>
+ <a class="type" href="./en-US/Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf">pdf</a>
</div>
</div>
@@ -2664,13 +2664,13 @@
<span id="Fedora_Elections_Guide" class="book">Fedora Elections Guide</span>
<div class="types">
- <a class="type" href="./en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">epub</a>
+ <a class="type" href="./en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">epub</a>
<a class="type" href="./en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html">html</a>
<a class="type" href="./en-US/Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html">html-single</a>
- <a class="type" href="./en-US/Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf">pdf</a>
+ <a class="type" href="./en-US/Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf">pdf</a>
</div>
</div>
@@ -3212,7 +3212,7 @@
<a class="type" href="./es-ES/Fedora/15/html-single/Burning_ISO_images_to_disc/index.html">html-single</a>
- <a class="type" href="./es-ES/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-es-ES.pdf">pdf</a>
+ <a class="type" href="./es-ES/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-es-ES.pdf">pdf</a>
</div>
</div>
@@ -3344,7 +3344,7 @@
<a class="type" href="./es-ES/Fedora/14/html-single/Software_Management_Guide/index.html">html-single</a>
- <a class="type" href="./es-ES/Fedora/14/pdf/Software_Management_Guide/Fedora-14-Software_Management_Guide-es-ES.pdf">pdf</a>
+ <a class="type" href="./es-ES/Fedora/14/pdf/Software_Management_Guide/Fedora-0.1-Software_Management_Guide-es-ES.pdf">pdf</a>
</div>
</div>
@@ -3377,7 +3377,7 @@
<a class="type" href="./es-ES/Fedora/13/html-single/Accessibility_Guide/index.html">html-single</a>
- <a class="type" href="./es-ES/Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-es-ES.pdf">pdf</a>
+ <a class="type" href="./es-ES/Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-es-ES.pdf">pdf</a>
</div>
</div>
@@ -3803,7 +3803,7 @@
<a class="type" href="./es-ES/Fedora/11/html-single/Security_Guide/index.html">html-single</a>
- <a class="type" href="./es-ES/Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-es-ES.pdf">pdf</a>
+ <a class="type" href="./es-ES/Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-es-ES.pdf">pdf</a>
</div>
</div>
@@ -4217,7 +4217,7 @@
<a class="type" href="./fi-FI/Fedora/15/html-single/Burning_ISO_images_to_disc/index.html">html-single</a>
- <a class="type" href="./fi-FI/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-fi-FI.pdf">pdf</a>
+ <a class="type" href="./fi-FI/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-fi-FI.pdf">pdf</a>
</div>
</div>
@@ -4329,7 +4329,7 @@
<a class="type" href="./fi-FI/Fedora/12/html-single/Fedora_Live_images/index.html">html-single</a>
- <a class="type" href="./fi-FI/Fedora/12/pdf/Fedora_Live_images/Fedora-12-Fedora_Live_images-fi-FI.pdf">pdf</a>
+ <a class="type" href="./fi-FI/Fedora/12/pdf/Fedora_Live_images/Fedora-13-Fedora_Live_Images-fi-FI.pdf">pdf</a>
</div>
</div>
@@ -4362,7 +4362,7 @@
<a class="type" href="./fi-FI/Fedora/11/html-single/Fedora_Live_images/index.html">html-single</a>
- <a class="type" href="./fi-FI/Fedora/11/pdf/Fedora_Live_images/Fedora-12-Fedora_Live_images-fi-FI.pdf">pdf</a>
+ <a class="type" href="./fi-FI/Fedora/11/pdf/Fedora_Live_images/Fedora-13-Fedora_Live_Images-fi-FI.pdf">pdf</a>
</div>
</div>
@@ -4380,7 +4380,7 @@
<a class="type" href="./fi-FI/Fedora/10/html-single/Fedora_Live_Images/index.html">html-single</a>
- <a class="type" href="./fi-FI/Fedora/10/pdf/Fedora_Live_Images/Fedora-12-Fedora_Live_images-fi-FI.pdf">pdf</a>
+ <a class="type" href="./fi-FI/Fedora/10/pdf/Fedora_Live_Images/Fedora-13-Fedora_Live_Images-fi-FI.pdf">pdf</a>
</div>
</div>
@@ -4587,7 +4587,7 @@
<a class="type" href="./fr-FR/Fedora/15/html-single/Burning_ISO_images_to_disc/index.html">html-single</a>
- <a class="type" href="./fr-FR/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-fr-FR.pdf">pdf</a>
+ <a class="type" href="./fr-FR/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-fr-FR.pdf">pdf</a>
</div>
</div>
@@ -5368,7 +5368,7 @@
<a class="type" href="./it-IT/Fedora/15/html-single/Burning_ISO_images_to_disc/index.html">html-single</a>
- <a class="type" href="./it-IT/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-it-IT.pdf">pdf</a>
+ <a class="type" href="./it-IT/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-it-IT.pdf">pdf</a>
</div>
</div>
@@ -6043,6 +6043,21 @@
</div>
<div class="book">
+ <span id="Musicians_Guide" class="book">ミュージシャンのガイド</span>
+ <div class="types">
+
+ <a class="type" href="./ja-JP/Fedora/16/epub/Musicians_Guide/Fedora-16-Musicians_Guide-ja-JP.epub">epub</a>
+
+ <a class="type" href="./ja-JP/Fedora/16/html/Musicians_Guide/index.html">html</a>
+
+ <a class="type" href="./ja-JP/Fedora/16/html-single/Musicians_Guide/index.html">html-single</a>
+
+ <a class="type" href="./ja-JP/Fedora/16/pdf/Musicians_Guide/Fedora-16-Musicians_Guide-ja-JP.pdf">pdf</a>
+
+ </div>
+ </div>
+
+ <div class="book">
<span id="Release_Notes" class="book">リリースノート</span>
<div class="types">
@@ -6085,7 +6100,7 @@
<a class="type" href="./ja-JP/Fedora/15/html-single/Burning_ISO_images_to_disc/index.html">html-single</a>
- <a class="type" href="./ja-JP/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-ja-JP.pdf">pdf</a>
+ <a class="type" href="./ja-JP/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-ja-JP.pdf">pdf</a>
</div>
</div>
@@ -7986,7 +8001,7 @@
<a class="type" href="./pl-PL/Fedora/15/html-single/Burning_ISO_images_to_disc/index.html">html-single</a>
- <a class="type" href="./pl-PL/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-pl-PL.pdf">pdf</a>
+ <a class="type" href="./pl-PL/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-pl-PL.pdf">pdf</a>
</div>
</div>
@@ -9607,7 +9622,7 @@
<a class="type" href="./ru-RU/Fedora/15/html-single/Burning_ISO_images_to_disc/index.html">html-single</a>
- <a class="type" href="./ru-RU/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-ru-RU.pdf">pdf</a>
+ <a class="type" href="./ru-RU/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-ru-RU.pdf">pdf</a>
</div>
</div>
@@ -9671,7 +9686,7 @@
<a class="type" href="./ru-RU/Fedora/13/html-single/Accessibility_Guide/index.html">html-single</a>
- <a class="type" href="./ru-RU/Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-ru-RU.pdf">pdf</a>
+ <a class="type" href="./ru-RU/Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-ru-RU.pdf">pdf</a>
</div>
</div>
@@ -10780,7 +10795,7 @@
<a class="type" href="./sv-SE/Fedora/15/html-single/Burning_ISO_images_to_disc/index.html">html-single</a>
- <a class="type" href="./sv-SE/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15-Burning_ISO_images_to_disc-sv-SE.pdf">pdf</a>
+ <a class="type" href="./sv-SE/Fedora/15/pdf/Burning_ISO_images_to_disc/Fedora-15.0-Burning_ISO_images_to_disc-sv-SE.pdf">pdf</a>
</div>
</div>
diff --git a/public_html/uk-UA/Site_Statistics.html b/public_html/uk-UA/Site_Statistics.html
index a2001dd..ada349d 100644
--- a/public_html/uk-UA/Site_Statistics.html
+++ b/public_html/uk-UA/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Загалом мов: </b>43<br />
- <b>Загалом пакунків: </b>737
+ <b>Загалом пакунків: </b>738
</div>
</body>
</html>
diff --git a/public_html/uk-UA/opds-Community_Services_Infrastructure.xml b/public_html/uk-UA/opds-Community_Services_Infrastructure.xml
index 18b2cb6..aed8099 100644
--- a/public_html/uk-UA/opds-Community_Services_Infrastructure.xml
+++ b/public_html/uk-UA/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/uk-UA/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:23</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/uk-UA/opds-Fedora.xml b/public_html/uk-UA/opds-Fedora.xml
index c89e709..5c7df2f 100644
--- a/public_html/uk-UA/opds-Fedora.xml
+++ b/public_html/uk-UA/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/uk-UA/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:24</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/uk-UA/opds-Fedora_Contributor_Documentation.xml b/public_html/uk-UA/opds-Fedora_Contributor_Documentation.xml
index 76b044b..e69ac45 100644
--- a/public_html/uk-UA/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/uk-UA/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/uk-UA/opds-Fedora_Contributor_Documentation.xml</id>
<title>Документація для учасника розробки Fedora</title>
<subtitle>Документація для учасника розробки Fedora</subtitle>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:24</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/uk-UA/opds-Fedora_Core.xml b/public_html/uk-UA/opds-Fedora_Core.xml
index 214e9a1..f157540 100644
--- a/public_html/uk-UA/opds-Fedora_Core.xml
+++ b/public_html/uk-UA/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/uk-UA/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:24</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/uk-UA/opds-Fedora_Draft_Documentation.xml b/public_html/uk-UA/opds-Fedora_Draft_Documentation.xml
index 99fa333..933d871 100644
--- a/public_html/uk-UA/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/uk-UA/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/uk-UA/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:24</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/uk-UA/opds.xml b/public_html/uk-UA/opds.xml
index 5f0e622..2203b1b 100644
--- a/public_html/uk-UA/opds.xml
+++ b/public_html/uk-UA/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/uk-UA/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:24</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/uk-UA/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:23</updated>
<dc:language>uk-UA</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/uk-UA/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:24</updated>
<dc:language>uk-UA</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Документація для учасника розробки Fedora</title>
<id>http://docs.fedoraproject.org/uk-UA/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:24</updated>
<dc:language>uk-UA</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/uk-UA/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:24</updated>
<dc:language>uk-UA</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/uk-UA/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:24</updated>
<dc:language>uk-UA</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/uk-UA/toc.html b/public_html/uk-UA/toc.html
index 07233aa..fe61a3c 100644
--- a/public_html/uk-UA/toc.html
+++ b/public_html/uk-UA/toc.html
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -879,7 +879,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.SELinux_FAQ' class="book collapsed" onclick="toggle(event, 'Fedora.8.SELinux_FAQ.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -972,10 +972,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Users_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Users_Guide.types');">
diff --git a/public_html/zh-CN/Site_Statistics.html b/public_html/zh-CN/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/zh-CN/Site_Statistics.html
+++ b/public_html/zh-CN/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/zh-CN/opds-Community_Services_Infrastructure.xml b/public_html/zh-CN/opds-Community_Services_Infrastructure.xml
index 65fe75e..9cb8c1b 100644
--- a/public_html/zh-CN/opds-Community_Services_Infrastructure.xml
+++ b/public_html/zh-CN/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/zh-CN/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:24</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/zh-CN/opds-Fedora.xml b/public_html/zh-CN/opds-Fedora.xml
index 05f4fd0..cbf2c13 100644
--- a/public_html/zh-CN/opds-Fedora.xml
+++ b/public_html/zh-CN/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/zh-CN/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:25</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/zh-CN/opds-Fedora_Contributor_Documentation.xml b/public_html/zh-CN/opds-Fedora_Contributor_Documentation.xml
index 01b2a7c..8c908fe 100644
--- a/public_html/zh-CN/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/zh-CN/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/zh-CN/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:25</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/zh-CN/opds-Fedora_Core.xml b/public_html/zh-CN/opds-Fedora_Core.xml
index a6392e5..2d1f910 100644
--- a/public_html/zh-CN/opds-Fedora_Core.xml
+++ b/public_html/zh-CN/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/zh-CN/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:25</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/zh-CN/opds-Fedora_Draft_Documentation.xml b/public_html/zh-CN/opds-Fedora_Draft_Documentation.xml
index 8bd9218..e5c1523 100644
--- a/public_html/zh-CN/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/zh-CN/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/zh-CN/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:26</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/zh-CN/opds.xml b/public_html/zh-CN/opds.xml
index 93016c9..8017f07 100644
--- a/public_html/zh-CN/opds.xml
+++ b/public_html/zh-CN/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/zh-CN/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:26</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/zh-CN/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:24</updated>
<dc:language>zh-CN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/zh-CN/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:25</updated>
<dc:language>zh-CN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/zh-CN/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:25</updated>
<dc:language>zh-CN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/zh-CN/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:25</updated>
<dc:language>zh-CN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/zh-CN/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:26</updated>
<dc:language>zh-CN</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/zh-CN/toc.html b/public_html/zh-CN/toc.html
index a33a969..6a507f0 100644
--- a/public_html/zh-CN/toc.html
+++ b/public_html/zh-CN/toc.html
@@ -730,7 +730,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -848,7 +848,7 @@
<a class="type" href="../en-US/./Fedora/10/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/10/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/10/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/10/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/10/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/10/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/10/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/10/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/10/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.10.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.10.User_Guide.types');">
@@ -949,7 +949,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.SELinux_FAQ' class="book collapsed" onclick="toggle(event, 'Fedora.8.SELinux_FAQ.types');">
@@ -1014,7 +1014,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -1042,10 +1042,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Users_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Users_Guide.types');">
diff --git a/public_html/zh-TW/Site_Statistics.html b/public_html/zh-TW/Site_Statistics.html
index d574d0e..9a88585 100644
--- a/public_html/zh-TW/Site_Statistics.html
+++ b/public_html/zh-TW/Site_Statistics.html
@@ -73,7 +73,7 @@
<td>4</td>
<td>14</td>
<td>13</td>
- <td>34</td>
+ <td>35</td>
</tr>
<tr>
@@ -176,7 +176,7 @@
</tr>
<tr>
- <td>Modern Greek (1453-)</td>
+ <td>Greek</td>
<td>el-GR</td>
<td>2</td>
<td>4</td>
@@ -239,7 +239,7 @@
</tr>
<tr>
- <td>Bokmal, Norwegian</td>
+ <td>Norwegian Bokmal</td>
<td>nb-NO</td>
<td>1</td>
<td>2</td>
@@ -412,7 +412,7 @@
</table>
<div class="totals">
<b>Total Languages: </b>43<br />
- <b>Total Packages: </b>737
+ <b>Total Packages: </b>738
</div>
</body>
</html>
diff --git a/public_html/zh-TW/opds-Community_Services_Infrastructure.xml b/public_html/zh-TW/opds-Community_Services_Infrastructure.xml
index a1582de..20176a1 100644
--- a/public_html/zh-TW/opds-Community_Services_Infrastructure.xml
+++ b/public_html/zh-TW/opds-Community_Services_Infrastructure.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/zh-TW/opds-Community_Services_Infrastructure.xml</id>
<title>Community Services Infrastructure</title>
<subtitle>Community Services Infrastructure</subtitle>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:26</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/zh-TW/opds-Fedora.xml b/public_html/zh-TW/opds-Fedora.xml
index 9c0a5af..4f7b554 100644
--- a/public_html/zh-TW/opds-Fedora.xml
+++ b/public_html/zh-TW/opds-Fedora.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/zh-TW/opds-Fedora.xml</id>
<title>Fedora</title>
<subtitle>Fedora</subtitle>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:26</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/zh-TW/opds-Fedora_Contributor_Documentation.xml b/public_html/zh-TW/opds-Fedora_Contributor_Documentation.xml
index d1d0d36..cbeaa55 100644
--- a/public_html/zh-TW/opds-Fedora_Contributor_Documentation.xml
+++ b/public_html/zh-TW/opds-Fedora_Contributor_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/zh-TW/opds-Fedora_Contributor_Documentation.xml</id>
<title>Fedora Contributor Documentation</title>
<subtitle>Fedora Contributor Documentation</subtitle>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:26</updated>
<!--author>
<name></name>
<uri></uri>
@@ -14,7 +14,7 @@
<entry>
<title>Fedora Elections Guide</title>
- <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub</id>
+ <id>http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub</id>
<!--author>
<name></name>
<uri></uri>
@@ -26,7 +26,7 @@
<summary>Fedora Elections Guide
</summary>
<content type="text">This book covers procedural information for the use the Fedora Elections software</content>
- <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub">
+ <link type="application/epub+zip" rel="http://opds-spec.org/acquisition" href="http://docs.fedoraproject.org/en-US/Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub">
<dc:format>application/epub+zip</dc:format>
</link>
<!--link type="application/atom+xml;type=entry" href="" rel="alternate" title="Full entry"/-->
diff --git a/public_html/zh-TW/opds-Fedora_Core.xml b/public_html/zh-TW/opds-Fedora_Core.xml
index bac8e97..8966640 100644
--- a/public_html/zh-TW/opds-Fedora_Core.xml
+++ b/public_html/zh-TW/opds-Fedora_Core.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/zh-TW/opds-Fedora_Core.xml</id>
<title>Fedora Core</title>
<subtitle>Fedora Core</subtitle>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:26</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/zh-TW/opds-Fedora_Draft_Documentation.xml b/public_html/zh-TW/opds-Fedora_Draft_Documentation.xml
index 28d2c28..7dd04d4 100644
--- a/public_html/zh-TW/opds-Fedora_Draft_Documentation.xml
+++ b/public_html/zh-TW/opds-Fedora_Draft_Documentation.xml
@@ -6,7 +6,7 @@
<id>http://docs.fedoraproject.org/zh-TW/opds-Fedora_Draft_Documentation.xml</id>
<title>Fedora Draft Documentation</title>
<subtitle>Fedora Draft Documentation</subtitle>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:26</updated>
<!--author>
<name></name>
<uri></uri>
diff --git a/public_html/zh-TW/opds.xml b/public_html/zh-TW/opds.xml
index 791b9b7..4a619d4 100644
--- a/public_html/zh-TW/opds.xml
+++ b/public_html/zh-TW/opds.xml
@@ -6,7 +6,7 @@
<link rel="http://opds-spec.org/crawlable" type="application/atom+xml" href="http://bookserver.archive.org/catalog/crawlable" title="Crawlable feed"/>
<id>http://docs.fedoraproject.org/zh-TW/opds.xml</id>
<title>Product List</title>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:26</updated>
<!--author>
<name></name>
<uri></uri>
@@ -15,7 +15,7 @@
<entry>
<title>Community Services Infrastructure</title>
<id>http://docs.fedoraproject.org/zh-TW/Community_Services_Infrastructure/opds-Community_Services_Infrastructure.xml</id>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:26</updated>
<dc:language>zh-TW</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Community_Services_Infrastructure.xml"/>
@@ -23,7 +23,7 @@
<entry>
<title>Fedora</title>
<id>http://docs.fedoraproject.org/zh-TW/Fedora/opds-Fedora.xml</id>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:26</updated>
<dc:language>zh-TW</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora.xml"/>
@@ -31,7 +31,7 @@
<entry>
<title>Fedora Contributor Documentation</title>
<id>http://docs.fedoraproject.org/zh-TW/Fedora_Contributor_Documentation/opds-Fedora_Contributor_Documentation.xml</id>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:26</updated>
<dc:language>zh-TW</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Contributor_Documentation.xml"/>
@@ -39,7 +39,7 @@
<entry>
<title>Fedora Core</title>
<id>http://docs.fedoraproject.org/zh-TW/Fedora_Core/opds-Fedora_Core.xml</id>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:26</updated>
<dc:language>zh-TW</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Core.xml"/>
@@ -47,7 +47,7 @@
<entry>
<title>Fedora Draft Documentation</title>
<id>http://docs.fedoraproject.org/zh-TW/Fedora_Draft_Documentation/opds-Fedora_Draft_Documentation.xml</id>
- <updated>2011-11-25T16:56:41</updated>
+ <updated>2011-11-26T00:30:26</updated>
<dc:language>zh-TW</dc:language>
<content type="text"></content>
<link type="application/atom+xml" href="opds-Fedora_Draft_Documentation.xml"/>
diff --git a/public_html/zh-TW/toc.html b/public_html/zh-TW/toc.html
index 8768d42..39bbf25 100644
--- a/public_html/zh-TW/toc.html
+++ b/public_html/zh-TW/toc.html
@@ -415,7 +415,7 @@
<a class="type" href="../en-US/./Fedora/13/epub/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/13/html/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html/Accessibility_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/13/html-single/Accessibility_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/Fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/13/pdf/Accessibility_Guide/fedora-13-Accessibility_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.13.Burning_ISO_images_to_disc' class="book collapsed" onclick="toggle(event, 'Fedora.13.Burning_ISO_images_to_disc.types');">
@@ -732,7 +732,7 @@
<a class="type" href="../en-US/./Fedora/11/epub/Security_Guide/Fedora-11-Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/11/html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/11/html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/11/html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/Fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/11/pdf/Security_Guide/fedora-11-Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.11.User_Guide' class="book collapsed" onclick="toggle(event, 'Fedora.11.User_Guide.types');">
@@ -861,7 +861,7 @@
<a class="type" href="../en-US/./Fedora/8/epub/Installation_Guide/Fedora-8-Installation_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora/8/html/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html/Installation_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora/8/html-single/Installation_Guide/index.html" onclick="window.top.location='../en-US/./Fedora/8/html-single/Installation_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-9-Installation_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora/8/pdf/Installation_Guide/Fedora-8-Installation_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora.8.Making_Fedora_Discs' class="book collapsed" onclick="toggle(event, 'Fedora.8.Making_Fedora_Discs.types');">
@@ -944,7 +944,7 @@
<a class="type" href="../en-US/./Fedora//epub/Security_Guide/Fedora--Security_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora//html/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html/Security_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora//html-single/Security_Guide/index.html" onclick="window.top.location='../en-US/./Fedora//html-single/Security_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora--Security_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora//pdf/Security_Guide/Fedora_Documentation--Security_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
</div>
@@ -963,10 +963,10 @@
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types');">
<a class="type" href="../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html'"><span class="book">Fedora Elections Guide</span></a>
<div id='Fedora_Contributor_Documentation.1.Fedora_Elections_Guide.types' class="types hidden" onclick="work=0;">
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.epub" >epub</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/epub/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.epub" >epub</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html/Fedora_Elections_Guide/index.html';return false;">html</a>
<a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/html-single/Fedora_Elections_Guide/index.html';return false;">html-single</a>
- <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation-1-Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
+ <a class="type" href="../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf" onclick="window.top.location='../en-US/./Fedora_Contributor_Documentation/1/pdf/Fedora_Elections_Guide/Fedora_Contributor_Documentation--Fedora_Elections_Guide-en-US.pdf';return false;">pdf</a>
</div>
</div>
<div id='Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide' class="book collapsed" onclick="toggle(event, 'Fedora_Contributor_Documentation.1.Translation_Quick_Start_Guide.types');">
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